WEBVTT - Debbie Reynolds

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<v Speaker 1>This is Alec Baldwin and you're listening to here's the thing.

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<v Speaker 1>Stop stop stop. If you're a baby boomer, that might

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<v Speaker 1>be the version of Singing in the Rain. You most

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<v Speaker 1>remember Malcolm McDowell and Stanley Kubrick's satiric masterpiece A Clockwork Orange,

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<v Speaker 1>But if you were born before the nineteen fifties, you

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<v Speaker 1>probably prefer this just sing. It's rare when a movie

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<v Speaker 1>comes along and inspires a whole generation of actors, singers,

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<v Speaker 1>and directors. Singing in the Rain is one of those movies.

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<v Speaker 1>It also transformed the lives of its stars. Debbie Reynolds

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<v Speaker 1>was just a twenty year world actress under contract at MGM,

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<v Speaker 1>but after her performance and that iconic film, Debbie Reynolds

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<v Speaker 1>was destined to become a star. Some of the highlights

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<v Speaker 1>of her career include Tammy and Tammy and The Bachelor,

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<v Speaker 1>with a song that reached number one on the Billboard Charts,

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<v Speaker 1>I Hear the Cottonwoods Whisperingable Jimmy jem je j Love.

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<v Speaker 1>Reynolds was nominated for an Academy Award for her leading

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<v Speaker 1>role in The Unsinkable Molly Brown and received a Tony

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<v Speaker 1>nomination for her Broadway debut in the musical Irene Over.

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<v Speaker 1>Twenty years later, Reynolds played Albert Brooks mother in his

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<v Speaker 1>film entitled Mother The Other One Is he staying with

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<v Speaker 1>me for a while. Debbie and I Sell braided our

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<v Speaker 1>birthdays earlier this month, just two days apart. We share

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<v Speaker 1>an astrological sign aries I'm still living. Isn't that extraordinary? Well?

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<v Speaker 1>I couldn't believe it when my birthday came again. It

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<v Speaker 1>just was and there were the world and eighty one.

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<v Speaker 1>I said, hold it. I didn't want to be eighty

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<v Speaker 1>How did we get to eighty one? And Debbie Reynolds

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<v Speaker 1>has stayed busy, Unlike a lot of her contemporaries. My friends,

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<v Speaker 1>a lot of them just gave up because there weren't

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<v Speaker 1>any good rules and everything they read was sort of

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<v Speaker 1>a moron and that was depressing to a lot of them.

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<v Speaker 1>So the opportunities they just walked away, and everything just

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<v Speaker 1>wound up to be like nothing, you know, And so

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<v Speaker 1>they took up different hobbies. Some of them became example teachers.

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<v Speaker 1>Agnes Moorehead was one of my best girlfriends, and she

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<v Speaker 1>was a great actor's really great and she had a

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<v Speaker 1>lot of students at her house, come over and she

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<v Speaker 1>taught acting. She taught acting, and she taught singing. She

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<v Speaker 1>taught impressions to California, California on Roxbury. Right across the

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<v Speaker 1>street was Jimmy Stewart and Lucille Ball and everybody was

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<v Speaker 1>on that one street. It was like, let's have a

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<v Speaker 1>party every night. George Burns and Eddie Candor lived on

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<v Speaker 1>one block because I would drive over there because that

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<v Speaker 1>street was more fun than my phone. No, I'm going

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<v Speaker 1>to mention certain people, and not for the obvious reasons,

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<v Speaker 1>but I you remained friends with Elizabeth Taylor until she died.

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<v Speaker 1>Why do you think she stopped working? And why do

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<v Speaker 1>you think she stopped taking care of it? Had to

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<v Speaker 1>stop working. She became quite ill. She wouldn't have ever

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<v Speaker 1>quit working all. Elizabeth loved to work, Yes she did,

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<v Speaker 1>and she was a very good actress. We did a

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<v Speaker 1>picture Carrie wrote, My daughter Carry These Old Broads. It

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<v Speaker 1>was called and as Shirley McClain, Joan Collins and Elizabeth

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<v Speaker 1>and myself, So I made this movie. We made a

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<v Speaker 1>movie was that called These Old Broads That Carry Missing

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<v Speaker 1>this movie, Well, maybe you're one of the lucky ones out.

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<v Speaker 1>It was a cute movie was you know, four old

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<v Speaker 1>broads that gave up was what you're talking about. They

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<v Speaker 1>gave up working and you know, just kind of dillied

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<v Speaker 1>around with the rest of their US movie You Elizabeth

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<v Speaker 1>Taylor College and Shirlie McCain. It was funny. Well, we

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<v Speaker 1>had a lot of fun working together that Joan. Nevertheless,

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<v Speaker 1>you watch her makeup and she hides in her trailer

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<v Speaker 1>and all her makeup. But we all kind of quite

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<v Speaker 1>an operation. Well it is an operation for all of

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<v Speaker 1>us at a certain point when you look in the

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<v Speaker 1>mirror and everything is moved someplace else and all you broads,

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<v Speaker 1>shall we say, came these four broads came from an

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<v Speaker 1>error when everything was just was at its height. It's

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<v Speaker 1>kind of heightened. Doing your hair and your makeup and

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<v Speaker 1>your costumes and everything that's thought is things super important

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<v Speaker 1>and everything is done for you. When we were under contract,

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<v Speaker 1>most of us, Shirley McClain and Elizabeth, they were at MGM,

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<v Speaker 1>and everything was done for us, you know, the makeup

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<v Speaker 1>of hair, It sent cars for us. We were very spoiled.

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<v Speaker 1>We didn't kind of know what to do when they

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<v Speaker 1>dropped everybody, Like when television came in and remember what

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<v Speaker 1>year around that was. Studio system kind of died as

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<v Speaker 1>you get into the fifties, it's slowly died a death.

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<v Speaker 1>You know. It was like interesting to watch it was.

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<v Speaker 1>I didn't realize it was the end, you know, I

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<v Speaker 1>didn't know that it was that you didn't know what

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<v Speaker 1>the change meant. Well, I was a young girl, so

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<v Speaker 1>I didn't. And I wasn't an intellectual. I wasn't educated.

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<v Speaker 1>I'm from Burbankbank and originally from teacher. That's me. You

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<v Speaker 1>know what. I always aim high too. I love Jim,

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<v Speaker 1>you know I love I wanted to be a live

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<v Speaker 1>guard son girls. Well yeah, yeah, Well I was never

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<v Speaker 1>that ambitious that I wanted to be a lifeguard. But

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<v Speaker 1>I wanted to be a gymnast. I wanted to work

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<v Speaker 1>on the bars and enterpedes work. I loved all that stuff.

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<v Speaker 1>And what's the link for you as a young girl,

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<v Speaker 1>because she started very young as a young girl in

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<v Speaker 1>Burbank and you're athletic, no doubt. What's the first thing

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<v Speaker 1>that happened that says show business to you? Well, I

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<v Speaker 1>never thought about me being in show business. I was

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<v Speaker 1>a fan and I would go to the movies because

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<v Speaker 1>my mother let me, but no one else in our

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<v Speaker 1>church was allowed to go to films because movie stars

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<v Speaker 1>were all evil creatures, just dreadful. My mother let me

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<v Speaker 1>go to films. Mother was very religious, very my family

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<v Speaker 1>said my dad. My father used to say, no, no, no,

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<v Speaker 1>I'm not going to go to church with you. I've

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<v Speaker 1>told you that I'm not going to go because all

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<v Speaker 1>those good people will be killed. If I walked down,

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<v Speaker 1>the roof would fall. And he was always teasing if

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<v Speaker 1>you by asking what church did you go to? Church

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<v Speaker 1>of the Nazarene, which is like hard shell Baptist, kind

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<v Speaker 1>of like your mom was a heart. She was a Texan.

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<v Speaker 1>She was a Texan Texan Baptist. She was tough and strict,

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<v Speaker 1>and there were so many rules. How many kids in

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<v Speaker 1>the family. Just my brother and I were in the family.

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<v Speaker 1>And then my mother discovered what's your brother's name? Bill?

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<v Speaker 1>And do you know who Bill is? To me? You

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<v Speaker 1>don't know. Do you know that Billy Reynolds was my

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<v Speaker 1>makeup artist on nuts Landing for a year? Oh my gosh,

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<v Speaker 1>was he your brother? Billy? Isn't he my makeup artist?

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<v Speaker 1>And he's one of the people that helped me survived

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<v Speaker 1>that experience because those three broads were from the Joan

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<v Speaker 1>Colins School where they were having the makeup put on

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<v Speaker 1>with a trowel every day. I had to have federally

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<v Speaker 1>funded programs to pay for the makeup for them. Billy

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<v Speaker 1>Reynolds would turn to me and he'd sit there and say,

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<v Speaker 1>you know, did you bring a book with you to go?

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<v Speaker 1>We're in a be here for a while. These girls

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<v Speaker 1>are two or three hours in the chair. And then

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<v Speaker 1>he told me that he was Elvis's makeup artist. As

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<v Speaker 1>you know that every time he mentioned Elvis, he didn't

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<v Speaker 1>mention it a lot because he was very shy, very shy.

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<v Speaker 1>He mentioned Elvis once or twice and he started to cry.

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<v Speaker 1>He would turn away from me and hide to say.

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<v Speaker 1>He said to me, Elvis was the greatest man I

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<v Speaker 1>ever worked with. Well, the only used to play. Elvis

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<v Speaker 1>used to tease him a lot and put snakes down

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<v Speaker 1>his pants and popcorn and pop pop popcorn and put

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<v Speaker 1>it in his drawers. You know, they used to kid

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<v Speaker 1>my brother. They used to just pick on him kind of,

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<v Speaker 1>but he didn't care. My brother was a baseball player,

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<v Speaker 1>really man's man. He lives men in my house with me.

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<v Speaker 1>Will you give him my love? I don't even know

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<v Speaker 1>if he'll remember me. Yes, Oh he remembers everything. He

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<v Speaker 1>just doesn't talk about it. You know some men that

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<v Speaker 1>are like almost reclusive, but not really, because underneath all

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<v Speaker 1>of that is a great sense of humor. I adore

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<v Speaker 1>my brother. I think he helped save my life. The

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<v Speaker 1>ladies here, by the way, who we work with, made

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<v Speaker 1>us a cupcake. I see, I know that the candle.

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<v Speaker 1>I just said, the candle just burned my finger. Candles

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<v Speaker 1>and strawberries and cupcakes. It's our birthday that has to

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<v Speaker 1>be nice to us, so it has to be nice

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<v Speaker 1>to us. They made the cupcake gluten free, but you

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<v Speaker 1>and I both know the gluten free really is bullshit. Well,

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<v Speaker 1>I think you're allowed on the radio, you know, I

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<v Speaker 1>always I used to be a disc jockey when I

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<v Speaker 1>was sixteen years older. Was it Warner Brothers. I first

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<v Speaker 1>went there when I first won this a little contest?

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<v Speaker 1>What contest in Burbank, California, where I was raised. So

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<v Speaker 1>we came from Texas because we were really poor, and

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<v Speaker 1>my dad wanted us to have a better life, so

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<v Speaker 1>he moved us to California. Work. He's looking for he railroad.

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<v Speaker 1>He worked for the railroad. He repaired underneath the engines.

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<v Speaker 1>He would repair all kinds of a railroad happening there

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<v Speaker 1>in California. Well, my my dad worked really hard, but

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<v Speaker 1>I did the most boring job in the whole wide world.

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<v Speaker 1>I retired him as soon as I came As luck

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<v Speaker 1>changed in my whole life changed, and I came into

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<v Speaker 1>show business. I discovered a whole different world and that

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<v Speaker 1>people really had fun and people laughed. And our life

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<v Speaker 1>was rather tedious and hard because we didn't have any money.

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<v Speaker 1>I mean, my dad made two hundred a month. Now

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<v Speaker 1>that's better than nothing, but it's still also AD buys

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<v Speaker 1>very little, so our life was a little bit meager.

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<v Speaker 1>You know. We never had a Christmas tree. We never

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<v Speaker 1>had So when the opportunity came along for you to

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<v Speaker 1>get into the business, and I'm from the same school, actually,

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<v Speaker 1>I'm wondering where you was enticed by and where you

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<v Speaker 1>was thrilled by as much about making money to help

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<v Speaker 1>your family as you were about your own glory. Well, honestly,

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<v Speaker 1>I thought it was a joke that I won this contest,

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<v Speaker 1>and then all of a sudden, I'm in movies. The

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<v Speaker 1>silliest thing was the contest. It was a Miss Burbank.

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<v Speaker 1>Mrs Burbank. Don't don't, don't, don't downplay that. No, I

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<v Speaker 1>like it changed my whole life, had made my whole

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<v Speaker 1>life wonderful and marvelous. Travel all over the world and

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<v Speaker 1>meet all these fabulous, interesting people and see different countries

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<v Speaker 1>as so I'm very proud to say I was Miss

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<v Speaker 1>Burbank and had a hole in my bathing suit and

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<v Speaker 1>there my rear end was hanging out, and I didn't

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<v Speaker 1>have shoes, high heeled shoes, so I had I'm very

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<v Speaker 1>agrateful for stumbling in the show business. Yeah, Miss Burbank.

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<v Speaker 1>What happened? They took me to Warner Brothers and made

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<v Speaker 1>a little screen test and asked me why I wanted

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<v Speaker 1>to be a movie star. So of course I told

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<v Speaker 1>him I didn't want to. And after they laughed and

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<v Speaker 1>they said, of course you do, I said, no, I don't.

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<v Speaker 1>I don't really, I mean, this is just fun. You're

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<v Speaker 1>just this is you're kidding around, right. I was very

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<v Speaker 1>square and my family were very virginal, you know, very

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<v Speaker 1>go to church Wednesday, Friday, Saturday, Sunday. You're glad they

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<v Speaker 1>were square. I'm grateful for that kind of upbringing throughout

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<v Speaker 1>your career. And I'm not just saying this, I mean

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<v Speaker 1>I wouldn't waste your time of mind. You know, you're

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<v Speaker 1>a gorgeous woman, and everybody thinks of you and think

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<v Speaker 1>of you being three things, beautiful and talented, but also

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<v Speaker 1>being very straight laced. I mean, your career was something

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<v Speaker 1>where there's a kind of a in the sensuality quote

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<v Speaker 1>and there's a gardener over here. It's kind of working

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<v Speaker 1>that whole thing, and then there's you, who you didn't

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<v Speaker 1>work that whole thing. Did you find that was something

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<v Speaker 1>that was because of your childhoo? I just think that

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<v Speaker 1>that's the way you're raised, you know, it's what you hear.

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<v Speaker 1>What you hear is sinful, and what you hear is

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<v Speaker 1>not proper for young girls to behave in that manner.

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<v Speaker 1>So you were pretty strict, you know, I mean you were,

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<v Speaker 1>and I just grew up that way, so I thought

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<v Speaker 1>that's the way everybody was until after three husbands now

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<v Speaker 1>I realized that as it's totally wrong concept. We're going

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<v Speaker 1>to get to that unlucky and love unlucky? What else

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<v Speaker 1>happens when you're unlucky and I just made it up.

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<v Speaker 1>You just wrote that just for you. Okay, well we

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<v Speaker 1>should record you laterning. Good morning. We've danced the whole

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<v Speaker 1>night through. Good morning, good morning to you, and you

0:13:21.160 --> 0:13:25.160
<v Speaker 1>and you and you're good morning, good morning. It's great

0:13:25.240 --> 0:13:28.439
<v Speaker 1>to stay in late. Good morning, good morning to you.

0:13:29.200 --> 0:13:32.160
<v Speaker 1>What fun you see? I can't sing to save my life.

0:13:32.400 --> 0:13:34.040
<v Speaker 1>If you put a gun to my head and said saying,

0:13:34.360 --> 0:13:36.640
<v Speaker 1>you almost sang on key? When did you know you

0:13:36.720 --> 0:13:41.079
<v Speaker 1>could sing? When did you know? You just started singing

0:13:41.920 --> 0:13:45.600
<v Speaker 1>like other people? So what you're saying? So you started

0:13:45.640 --> 0:13:49.959
<v Speaker 1>by doing mimicry. I started mimic Jeanette McDonald's I've never

0:13:50.080 --> 0:13:54.160
<v Speaker 1>tried and that recash. She's a soprano, but I would

0:13:54.440 --> 0:13:58.920
<v Speaker 1>do the alto and ethel mermon anybody with a big voice.

0:13:59.000 --> 0:14:01.920
<v Speaker 1>You know, I don't always do their voices because I

0:14:02.600 --> 0:14:07.679
<v Speaker 1>I enjoy comedy, comedies, everything a Pratt fall sticklach, that's

0:14:08.200 --> 0:14:11.679
<v Speaker 1>everything to me. I love vaudeville, that's my favorite thing.

0:14:12.120 --> 0:14:16.280
<v Speaker 1>I enjoy drama. Somebody else doing it, I personally don't

0:14:16.320 --> 0:14:19.600
<v Speaker 1>want to do it Debbie Reynolds because it's so serious.

0:14:19.720 --> 0:14:22.400
<v Speaker 1>It makes me sad, It takes me where it goes,

0:14:23.080 --> 0:14:27.040
<v Speaker 1>and so I don't accept any parts that are devastating

0:14:27.080 --> 0:14:29.360
<v Speaker 1>because I don't want to be unhappy in my life.

0:14:29.680 --> 0:14:32.800
<v Speaker 1>I'll just live my life is that's tough enough, So

0:14:32.960 --> 0:14:35.920
<v Speaker 1>I don't need any parts that make me miserable. Ball

0:14:36.040 --> 0:14:37.800
<v Speaker 1>So when you're at Warners and you say to them

0:14:37.800 --> 0:14:38.960
<v Speaker 1>I don't want to be an actress and they do

0:14:39.040 --> 0:14:41.560
<v Speaker 1>the screen test, what happens there that you wind up

0:14:41.600 --> 0:14:44.440
<v Speaker 1>banking over to MGM. What happened? Well, Jack Warner, here's

0:14:44.480 --> 0:14:46.360
<v Speaker 1>the boss. So he said, We're not going to do

0:14:46.560 --> 0:14:48.680
<v Speaker 1>more musical, so I'll send the kid over to MGM.

0:14:50.560 --> 0:14:54.080
<v Speaker 1>They drove me, they sold me like a horse. Well,

0:14:54.480 --> 0:14:56.640
<v Speaker 1>are donkey? I was sort of stubborn, and I say

0:14:56.640 --> 0:14:59.920
<v Speaker 1>a donkey. So I go to MGM, which is l

0:15:00.000 --> 0:15:03.160
<v Speaker 1>will be Mayor and they're still making musicals like mad

0:15:03.320 --> 0:15:05.800
<v Speaker 1>because they were the biggest studio of all. Everybody in

0:15:05.840 --> 0:15:09.080
<v Speaker 1>the world was there, Clark Gable, Vyan Johnson, you know,

0:15:09.240 --> 0:15:13.200
<v Speaker 1>Gear Gars and Lana Turnery, every I mean, the doors

0:15:13.320 --> 0:15:16.560
<v Speaker 1>opened and like all these stars spilled out. It was

0:15:16.640 --> 0:15:18.840
<v Speaker 1>the only one, the only one that ever really left

0:15:18.920 --> 0:15:23.320
<v Speaker 1>on her own was Garble. So all I won't be alone.

0:15:24.200 --> 0:15:27.720
<v Speaker 1>I won't will be alone. So we left her alone.

0:15:28.560 --> 0:15:32.200
<v Speaker 1>She's gone. She's her car. She's weinted a car and

0:15:32.280 --> 0:15:35.040
<v Speaker 1>shipped off. She went to New York. She saved a

0:15:35.160 --> 0:15:37.600
<v Speaker 1>hundred thousand dollars. She went to the bank. She met

0:15:37.680 --> 0:15:41.280
<v Speaker 1>the president. His name is Shelee, Mr Shelee, and he's

0:15:41.360 --> 0:15:44.480
<v Speaker 1>gone now. But I know this story. I love stories.

0:15:45.080 --> 0:15:47.920
<v Speaker 1>You could call me a gossip. Garbs with Mr Shelee

0:15:47.960 --> 0:15:51.000
<v Speaker 1>with a hundred grand and she asked, don't please, don't

0:15:51.040 --> 0:15:55.280
<v Speaker 1>help me, don't take care of my money. So Mr

0:15:55.400 --> 0:15:59.120
<v Speaker 1>Shelee falls in love with Greta Garbo and it takes

0:15:59.200 --> 0:16:01.040
<v Speaker 1>care of her the rest of her life. She lived

0:16:01.080 --> 0:16:03.360
<v Speaker 1>in New York City and they used to go for

0:16:03.480 --> 0:16:07.000
<v Speaker 1>a walk. Garbo would walk and Mr Schlei didn't like

0:16:07.120 --> 0:16:09.360
<v Speaker 1>to walk, so he had drive in the rolls roys

0:16:09.400 --> 0:16:12.800
<v Speaker 1>of the Dusselberg or whatever it was beside her while

0:16:12.920 --> 0:16:16.000
<v Speaker 1>she did her shopping antiquing. You know, she loved anti.

0:16:16.480 --> 0:16:21.120
<v Speaker 1>Mr Shelee taking care of Greta Garbo or was her money? No,

0:16:21.560 --> 0:16:24.480
<v Speaker 1>he was taking care of her money. Money. Now what

0:16:24.640 --> 0:16:27.560
<v Speaker 1>they did on the side of her tea or lunch,

0:16:28.400 --> 0:16:31.160
<v Speaker 1>I never inquired because got this girl from Texas doesn't

0:16:31.160 --> 0:16:34.440
<v Speaker 1>tell you know, I didn't want to even think about that,

0:16:34.520 --> 0:16:38.200
<v Speaker 1>because I just wanted to think about what a romantic situation.

0:16:38.360 --> 0:16:40.640
<v Speaker 1>The whole thing as a man trailing along in his

0:16:42.360 --> 0:16:46.000
<v Speaker 1>with this movie star and she's walking looking in old

0:16:46.080 --> 0:16:48.880
<v Speaker 1>and windlows and then he's in a in a car

0:16:49.080 --> 0:16:53.960
<v Speaker 1>right with the door open, driving along beside her. These

0:16:54.080 --> 0:16:57.360
<v Speaker 1>stories don't happen anymore. She walked away forever, She walked

0:16:57.400 --> 0:16:59.600
<v Speaker 1>away forever. She's never made another film ever, And you

0:16:59.680 --> 0:17:03.840
<v Speaker 1>should open an MGM. And what happens, Well, what happens

0:17:03.920 --> 0:17:06.119
<v Speaker 1>is they send me to a meeting. And so they

0:17:06.200 --> 0:17:10.000
<v Speaker 1>called Gene Kelly in the room and Mr Mayer says, here, Jean,

0:17:10.440 --> 0:17:12.920
<v Speaker 1>this is a new girl that you're going to have

0:17:13.400 --> 0:17:17.840
<v Speaker 1>as you're leading lady. And I'm seventeen, and but I

0:17:17.920 --> 0:17:21.520
<v Speaker 1>had never danced before, I'd never acted before, nothing, nothing, person,

0:17:21.840 --> 0:17:24.760
<v Speaker 1>just a girl's scout. So there was a Gene Kelly

0:17:24.800 --> 0:17:27.239
<v Speaker 1>a movie. So I couldn't believe the whole scene. I mean,

0:17:27.280 --> 0:17:29.520
<v Speaker 1>I just thought the whole thing was silly. I really

0:17:29.600 --> 0:17:32.840
<v Speaker 1>thought it was silly. So Mr Kelly said, can you

0:17:32.960 --> 0:17:35.560
<v Speaker 1>do a time step? I said, oh, oh, yes, I

0:17:35.720 --> 0:17:38.600
<v Speaker 1>learned that a girl scout cab so he said to

0:17:38.720 --> 0:17:41.760
<v Speaker 1>do time step. So I did a little awful time step.

0:17:42.080 --> 0:17:44.920
<v Speaker 1>Then he said, can you do a Maxi Ford? And

0:17:45.200 --> 0:17:48.840
<v Speaker 1>I said I don't have a car. Well, obviously that

0:17:49.000 --> 0:17:52.040
<v Speaker 1>was the wrong answer. He looked at Mr Mayor and

0:17:52.080 --> 0:17:55.960
<v Speaker 1>he said, you're kidding me, boss, And Mr Mayer said,

0:17:55.960 --> 0:17:58.680
<v Speaker 1>now I'm not getting you meeting you. This is this

0:17:58.920 --> 0:18:01.560
<v Speaker 1>is the leading lady. She's going to do the part.

0:18:02.160 --> 0:18:04.920
<v Speaker 1>And that was it. He was stuck with me, poor thing.

0:18:05.280 --> 0:18:08.199
<v Speaker 1>Can you imagine Jane Gillen and these guys were I'm assuming,

0:18:08.440 --> 0:18:10.800
<v Speaker 1>like like many of the actors I know today, they're

0:18:10.800 --> 0:18:13.159
<v Speaker 1>pretty no nonsense people when it comes to the quality

0:18:13.200 --> 0:18:15.760
<v Speaker 1>of their their product, and they're very hard. But Gene Kelly,

0:18:15.840 --> 0:18:19.120
<v Speaker 1>of course, when it is the most brilliant dancer. Jean said,

0:18:19.600 --> 0:18:21.639
<v Speaker 1>all right, I'll take her. I can I can fix her.

0:18:21.800 --> 0:18:24.800
<v Speaker 1>I can fix it up because she's right for the part.

0:18:24.880 --> 0:18:29.280
<v Speaker 1>The acting, bar and but the dancing. My god. It

0:18:29.640 --> 0:18:31.920
<v Speaker 1>was an interesting time, but I was too young to

0:18:31.960 --> 0:18:34.680
<v Speaker 1>know about it. Stare taught you too. He helped me.

0:18:35.560 --> 0:18:39.800
<v Speaker 1>I was trying to learn everything, like with Donald run

0:18:39.960 --> 0:18:42.480
<v Speaker 1>up the wall and flip backwards you. I knew I

0:18:42.600 --> 0:18:44.719
<v Speaker 1>was a flip. But you know, I had to learn how.

0:18:45.160 --> 0:18:48.360
<v Speaker 1>I wanted to learn everything, and then I'd be crying

0:18:48.560 --> 0:18:51.399
<v Speaker 1>under the piano. One day, a pair of legs go

0:18:51.600 --> 0:18:54.920
<v Speaker 1>by and I'm some crying away and the legs say,

0:18:55.640 --> 0:18:58.560
<v Speaker 1>who is that under the piano? Who is crying? So

0:18:58.680 --> 0:19:01.680
<v Speaker 1>I said, I'm sorry, I'm sorry, it's just me, Debbie.

0:19:02.280 --> 0:19:05.520
<v Speaker 1>So it was a fred Is stare. He said, Debbie,

0:19:05.840 --> 0:19:07.920
<v Speaker 1>get out, get out from underneath. They pulled me out

0:19:08.200 --> 0:19:10.480
<v Speaker 1>and he said, now you come and watch me with hers.

0:19:10.560 --> 0:19:14.639
<v Speaker 1>I never allow anybody. He always had a guard at

0:19:14.680 --> 0:19:17.679
<v Speaker 1>the gate and security guard. No one was ever allowed.

0:19:18.000 --> 0:19:21.719
<v Speaker 1>But he let me watch and for maybe over forty minutes,

0:19:21.920 --> 0:19:24.680
<v Speaker 1>and his face turned already just used a cane and

0:19:24.840 --> 0:19:27.680
<v Speaker 1>a drum. After about half an hour in his face

0:19:27.760 --> 0:19:30.920
<v Speaker 1>turning red, and he's doing brilliant work. Of course, he

0:19:31.040 --> 0:19:33.600
<v Speaker 1>looked over at me, says, now, Debbie wants you to

0:19:34.080 --> 0:19:37.600
<v Speaker 1>go back in there, stop crying and be great. In

0:19:37.760 --> 0:19:40.920
<v Speaker 1>order to be a great dancer, you have to practically

0:19:41.040 --> 0:19:43.600
<v Speaker 1>kill yourself. This is what it takes to be a

0:19:43.680 --> 0:19:46.959
<v Speaker 1>great dancer. Now running there, just running there, shut up

0:19:47.280 --> 0:19:50.960
<v Speaker 1>and do it help you? Oh? Yes, I just felt

0:19:51.000 --> 0:19:53.600
<v Speaker 1>like I was a big sissy, and I don't like

0:19:53.760 --> 0:19:56.000
<v Speaker 1>to be a big sissy in those days or any

0:19:56.080 --> 0:19:59.760
<v Speaker 1>other day. When you you finished the movie, when it

0:19:59.840 --> 0:20:03.280
<v Speaker 1>was and how did you feel to how and how

0:20:03.440 --> 0:20:06.159
<v Speaker 1>did you feel when it was over? I think you

0:20:06.520 --> 0:20:09.800
<v Speaker 1>you've learned a great deal. Either that or you already quit,

0:20:10.520 --> 0:20:13.840
<v Speaker 1>because in order to keep up with these great talents,

0:20:14.359 --> 0:20:17.240
<v Speaker 1>you had to devote yourself totally. I didn't go home.

0:20:17.280 --> 0:20:21.000
<v Speaker 1>I slept in my dressing room. I wasn't off any days.

0:20:21.080 --> 0:20:24.040
<v Speaker 1>I didn't take any days off because I practiced more

0:20:24.160 --> 0:20:26.760
<v Speaker 1>while I was on Saturday and Sunday. We didn't have

0:20:26.920 --> 0:20:30.240
<v Speaker 1>Saturday off. We only had Sunday off, and not practice

0:20:30.480 --> 0:20:33.760
<v Speaker 1>all the time. And I don't think I changed at all.

0:20:33.920 --> 0:20:37.080
<v Speaker 1>I just learned how to apply myself. And what about

0:20:37.080 --> 0:20:39.240
<v Speaker 1>people's perception of you? That must have changed. The picture

0:20:39.280 --> 0:20:44.760
<v Speaker 1>came out what year, I don't remember what year, something

0:20:44.880 --> 0:20:47.639
<v Speaker 1>like that. Well, it was not a hit. It was

0:20:47.800 --> 0:20:50.240
<v Speaker 1>not a hit. It was just a mediocre hit. And

0:20:50.400 --> 0:20:53.399
<v Speaker 1>then it was discovered. We discovered through the schools and

0:20:53.520 --> 0:20:58.720
<v Speaker 1>the teachers that taught drama and class and lessons that

0:20:58.920 --> 0:21:03.240
<v Speaker 1>the movie became a it through school and for teachers,

0:21:03.920 --> 0:21:08.000
<v Speaker 1>university teachers, and all that Seeing in the Rain has

0:21:08.160 --> 0:21:13.040
<v Speaker 1>remained a hit or became a hit meditan years, fifteen years.

0:21:13.280 --> 0:21:15.200
<v Speaker 1>Is it safe to say that the girl who's crying

0:21:15.280 --> 0:21:17.159
<v Speaker 1>under the table by the time the movie comes out,

0:21:17.200 --> 0:21:21.360
<v Speaker 1>in that process is complete. You're a movie star now, correct? Well,

0:21:21.440 --> 0:21:26.359
<v Speaker 1>I was popular. They couldn't believe a young girl had

0:21:26.600 --> 0:21:32.200
<v Speaker 1>gotten that far and no talent, no no experience. So

0:21:32.480 --> 0:21:35.760
<v Speaker 1>I was newsworthy. But in those days we had movie

0:21:35.800 --> 0:21:40.000
<v Speaker 1>magazines and they'd write all kinds of stories for free,

0:21:40.320 --> 0:21:43.480
<v Speaker 1>you know, studios would give It was the golden era.

0:21:43.920 --> 0:21:46.000
<v Speaker 1>So what kind of story did they write about you then?

0:21:46.040 --> 0:21:47.960
<v Speaker 1>When you're only seventeen eighteen years old? What did they

0:21:48.320 --> 0:21:50.640
<v Speaker 1>make it up? You know, they'd give a little party.

0:21:51.640 --> 0:21:54.320
<v Speaker 1>They'd give a party. They had Rock Hudson going out

0:21:54.359 --> 0:21:56.520
<v Speaker 1>with his secretary. You know Rock didn't want to go

0:21:56.600 --> 0:22:02.040
<v Speaker 1>out with the secretary. Yes, John, Sam and Joe. What's

0:22:02.080 --> 0:22:03.760
<v Speaker 1>the next picture you did? After singing in the Ring?

0:22:05.320 --> 0:22:08.160
<v Speaker 1>After Singing in the Rain? I did? How the West

0:22:08.359 --> 0:22:12.040
<v Speaker 1>was one? With every star you've ever heard about? The

0:22:12.080 --> 0:22:14.560
<v Speaker 1>first movie I ever saw in the movie theater my life. Ever,

0:22:15.240 --> 0:22:18.880
<v Speaker 1>it was a wonderful picture. Spencer Tracy narrated the whole

0:22:19.000 --> 0:22:23.399
<v Speaker 1>thing Stars You'll never see again. That was Tracy's last

0:22:24.000 --> 0:22:26.879
<v Speaker 1>appearance and he didn't even go on film and he

0:22:27.040 --> 0:22:31.719
<v Speaker 1>just narrated it and John Wayne was in that everybody.

0:22:32.280 --> 0:22:35.520
<v Speaker 1>It took two years to make that picture. I started

0:22:35.560 --> 0:22:37.480
<v Speaker 1>out playing a sixteen year old and ended up a

0:22:37.600 --> 0:22:42.720
<v Speaker 1>ninety year old, so it felt like my life. There's things.

0:22:44.680 --> 0:22:48.160
<v Speaker 1>I worked very hard on that picture, and Henry Hathaway

0:22:48.280 --> 0:22:51.640
<v Speaker 1>was the director, and he was really tough and very

0:22:51.720 --> 0:22:54.920
<v Speaker 1>hard on everybody. You know, it's not very kind of actors,

0:22:56.200 --> 0:23:00.960
<v Speaker 1>but we were all a little bit stupid and slow.

0:23:01.720 --> 0:23:04.879
<v Speaker 1>He thought it was slow. So he uh, I had

0:23:04.960 --> 0:23:06.760
<v Speaker 1>heard this about him, you know that he was a

0:23:06.880 --> 0:23:09.680
<v Speaker 1>very tough director. So when he came over to Fox

0:23:09.760 --> 0:23:12.560
<v Speaker 1>Studio where I was making another film with Andy Griffith,

0:23:13.320 --> 0:23:15.639
<v Speaker 1>I said to him, he wanted me to do it

0:23:16.119 --> 0:23:17.960
<v Speaker 1>the first part of it, how the West was on.

0:23:18.080 --> 0:23:21.359
<v Speaker 1>I said, well, sir, the truth of it is that

0:23:21.600 --> 0:23:24.520
<v Speaker 1>I've heard really such bad things about you. I don't

0:23:24.560 --> 0:23:27.439
<v Speaker 1>want to work with you. So he just stared at

0:23:27.520 --> 0:23:31.080
<v Speaker 1>He said, what the is that? What? He's cussed like crazy?

0:23:31.480 --> 0:23:35.440
<v Speaker 1>Oh yeah, cuss? He said, what the what? You little

0:23:35.520 --> 0:23:40.200
<v Speaker 1>snot nose it little. Oh. Yes, he attacked aggressive, he

0:23:40.280 --> 0:23:42.440
<v Speaker 1>bawled me out, but he just said, you have no

0:23:42.640 --> 0:23:45.560
<v Speaker 1>right to say that I'm boss here, that I cuss

0:23:45.640 --> 0:23:47.679
<v Speaker 1>and all that. I said, well, what are you doing now?

0:23:47.840 --> 0:23:49.800
<v Speaker 1>For goodness sake, what do you think You're yelling at

0:23:49.840 --> 0:23:53.560
<v Speaker 1>me in the commissary there are people staring at everything.

0:23:54.080 --> 0:23:56.280
<v Speaker 1>I said, this is why I would never work for you,

0:23:56.400 --> 0:23:59.080
<v Speaker 1>because I don't want to be miserable. So I turned

0:23:59.119 --> 0:24:01.720
<v Speaker 1>it down, and and he wouldn't let me turn it down.

0:24:01.800 --> 0:24:03.639
<v Speaker 1>He said, no, you're going to do it. And he

0:24:03.760 --> 0:24:07.320
<v Speaker 1>talked to the president of Fox and MGM, which owned

0:24:07.359 --> 0:24:09.720
<v Speaker 1>my contract. They said I had to do it, So

0:24:10.040 --> 0:24:18.040
<v Speaker 1>I had to do it. There's a one where I'll

0:24:18.240 --> 0:24:25.920
<v Speaker 1>build you a home in the mid So back then,

0:24:26.040 --> 0:24:30.240
<v Speaker 1>you signed those contracts and people, I think the the

0:24:30.400 --> 0:24:34.440
<v Speaker 1>distance that the studio system has now, which we seated

0:24:34.560 --> 0:24:39.160
<v Speaker 1>so far for audiences today, they don't understand that notion

0:24:39.240 --> 0:24:41.240
<v Speaker 1>that you signed a contract him, you didn't get to

0:24:41.320 --> 0:24:43.960
<v Speaker 1>pick the films. You were him your own. It's like

0:24:44.040 --> 0:24:48.960
<v Speaker 1>a bondage, the indentured servitude. That's exactly how did the

0:24:48.960 --> 0:24:50.920
<v Speaker 1>picture go with him? Was he was? He was? He? Well,

0:24:50.960 --> 0:24:53.280
<v Speaker 1>I went on, I did. The first section is the

0:24:53.359 --> 0:24:56.880
<v Speaker 1>one that I was signed for and went on location

0:24:57.080 --> 0:24:59.760
<v Speaker 1>and he said there, all right, walk over there. I

0:25:00.000 --> 0:25:02.840
<v Speaker 1>and where am I walking? To sir? You just walk where?

0:25:02.880 --> 0:25:05.280
<v Speaker 1>I said, pointing to I said, I have to understand

0:25:05.359 --> 0:25:08.159
<v Speaker 1>where Why am I walking? What am I saying? He said, no,

0:25:08.280 --> 0:25:10.400
<v Speaker 1>you know, you just do what I say. I said,

0:25:10.440 --> 0:25:12.280
<v Speaker 1>this is what I told you that day we had

0:25:12.320 --> 0:25:14.280
<v Speaker 1>the lunch that you were going to be rude and

0:25:14.520 --> 0:25:16.840
<v Speaker 1>terrible to work with then, So I'm going to go

0:25:17.200 --> 0:25:19.680
<v Speaker 1>lie down to rest. He said, no, you're not. You're

0:25:19.680 --> 0:25:22.159
<v Speaker 1>going to walk over there and you're going to shut up.

0:25:22.680 --> 0:25:25.000
<v Speaker 1>I said, no, I'm not. I'm going to faint because

0:25:25.480 --> 0:25:28.840
<v Speaker 1>you've upset me too much. So I fainted and what happened.

0:25:30.480 --> 0:25:32.040
<v Speaker 1>I'm gonna do that one. I'm going to do that.

0:25:32.280 --> 0:25:34.119
<v Speaker 1>You just pass out when I mean a director like

0:25:34.119 --> 0:25:36.840
<v Speaker 1>I'm gonna faint? Oh my god, you've upset me some

0:25:37.200 --> 0:25:40.119
<v Speaker 1>boom boom fall. Just fall down. Just let him kick you.

0:25:40.240 --> 0:25:42.480
<v Speaker 1>It doesn't matter, so lay down. So if you're lame, dude,

0:25:42.480 --> 0:25:43.639
<v Speaker 1>hath a way come up and kick you? Did he

0:25:43.680 --> 0:25:45.440
<v Speaker 1>kind of poke you with his boots. He poked me.

0:25:47.000 --> 0:25:50.240
<v Speaker 1>He poked me with a boom. Seriously, No, he was

0:25:50.320 --> 0:25:52.600
<v Speaker 1>his foot. You know. He poked me because you wake

0:25:52.680 --> 0:25:56.560
<v Speaker 1>up your silly some what custing kidding me. I wouldn't

0:25:56.560 --> 0:25:58.800
<v Speaker 1>open my eyes at all because I was just in

0:25:58.920 --> 0:26:01.240
<v Speaker 1>my mind. I said to stay here all day, just

0:26:01.320 --> 0:26:03.760
<v Speaker 1>say they can't wake make you wake up. So they

0:26:03.880 --> 0:26:07.440
<v Speaker 1>put some that chlora what's that stuff under ether under

0:26:07.480 --> 0:26:10.879
<v Speaker 1>your nose. So yeah, well I didn't still wake up.

0:26:11.200 --> 0:26:14.800
<v Speaker 1>I just breathed really deeply like yoga. You know, no,

0:26:14.960 --> 0:26:17.520
<v Speaker 1>I was. I was doing this iron vedic breathing of

0:26:17.640 --> 0:26:20.720
<v Speaker 1>smelling souls. That's how obstinate you were. I was not

0:26:21.080 --> 0:26:23.320
<v Speaker 1>going to wake up. He couldn't get me up for

0:26:23.520 --> 0:26:25.760
<v Speaker 1>a conclusion of this. What happened? Did you? I'm assuming

0:26:25.760 --> 0:26:27.920
<v Speaker 1>because you're here. You eventually got up. He walked away

0:26:27.960 --> 0:26:30.720
<v Speaker 1>from it. He said, she's faking. I know she's faking it.

0:26:30.800 --> 0:26:34.359
<v Speaker 1>I'm gonna kill a little kid. And then he became

0:26:34.440 --> 0:26:38.560
<v Speaker 1>amused by it because he thought he knew I was faking,

0:26:38.760 --> 0:26:41.159
<v Speaker 1>but I wasn't going to wake up. He respected you

0:26:41.200 --> 0:26:43.080
<v Speaker 1>a little bit. He knew I wasn't going awake, he

0:26:43.240 --> 0:26:45.480
<v Speaker 1>knew I wouldn't do it. I was a lot like

0:26:45.640 --> 0:26:48.600
<v Speaker 1>Hathaway say, so, so, how many months did you have

0:26:48.680 --> 0:26:54.680
<v Speaker 1>to go on this goddamn picture? A year, year and

0:26:54.720 --> 0:26:58.120
<v Speaker 1>a half. About ten times. I was going to say,

0:26:58.119 --> 0:26:59.760
<v Speaker 1>how many more faith did you? Did? Your dresser not

0:26:59.920 --> 0:27:01.560
<v Speaker 1>a lay down a cushion or something. When you did

0:27:01.600 --> 0:27:04.040
<v Speaker 1>you wink at her. I would just kind of wink

0:27:04.119 --> 0:27:08.280
<v Speaker 1>and I'd fall. You know, the same thing happened on Broadway.

0:27:08.320 --> 0:27:10.760
<v Speaker 1>I was doing a play here called Irene, and they

0:27:10.760 --> 0:27:13.840
<v Speaker 1>wouldn't give us two more days to rehearsal Gower Champions

0:27:13.880 --> 0:27:16.240
<v Speaker 1>going nuts. We're not quite ready or ready to open,

0:27:16.320 --> 0:27:18.640
<v Speaker 1>but we're not quite ready. So I went over to Gary.

0:27:18.680 --> 0:27:20.840
<v Speaker 1>I said, listen, Garret, if we need another two days,

0:27:21.119 --> 0:27:23.239
<v Speaker 1>I'll get it. He says, you can't get it. They

0:27:23.280 --> 0:27:25.320
<v Speaker 1>wore they're out of money. I said, no, no, if

0:27:25.480 --> 0:27:28.600
<v Speaker 1>I disappear, if I get sick or something happened, if

0:27:28.680 --> 0:27:30.760
<v Speaker 1>I fall, you know. He said, well, how can you

0:27:30.880 --> 0:27:34.440
<v Speaker 1>do that? I said, watch. I said, okay, let let's

0:27:34.480 --> 0:27:37.239
<v Speaker 1>rehearse that what first number? So we were the one

0:27:37.280 --> 0:27:39.919
<v Speaker 1>way I do the flip? So I did, and they

0:27:39.960 --> 0:27:42.960
<v Speaker 1>said all right, all right, go ahead, go ahead. Gars

0:27:43.040 --> 0:27:45.159
<v Speaker 1>looking he can't believe what I'm going to do. He

0:27:45.240 --> 0:27:47.280
<v Speaker 1>doesn't know what I'm going to do. So I run

0:27:47.359 --> 0:27:50.359
<v Speaker 1>and run forward to the wings and flip in the

0:27:50.480 --> 0:27:54.560
<v Speaker 1>air and crashed down and knock myself out. But I'm

0:27:54.600 --> 0:27:58.200
<v Speaker 1>not really out. No, So I opened one eye to

0:27:58.359 --> 0:28:02.000
<v Speaker 1>gower and winked AM and went back out. You really

0:28:02.080 --> 0:28:06.680
<v Speaker 1>aren't this wholesome? That Mazarine from Burnbank. You to me

0:28:06.840 --> 0:28:10.280
<v Speaker 1>with me? You can fool trouble day trouble, But no,

0:28:10.480 --> 0:28:15.199
<v Speaker 1>I just get a very wilful who is the director

0:28:15.280 --> 0:28:19.720
<v Speaker 1>that you loved? I really loved all the directors I

0:28:19.880 --> 0:28:27.800
<v Speaker 1>loved Hathaway through I became very dear friends and visited together. Aries,

0:28:27.840 --> 0:28:31.280
<v Speaker 1>aren't you You're an Aries? I'm Aries. I'm born April

0:28:31.400 --> 0:28:37.760
<v Speaker 1>Fool's Day. Aries is is very stubborn but very really

0:28:37.880 --> 0:28:40.640
<v Speaker 1>good person. I mean, I don't think that there's a

0:28:41.360 --> 0:28:45.360
<v Speaker 1>bad bone in the body other than our temper. That

0:28:45.640 --> 0:28:49.120
<v Speaker 1>I you're known for your temper. That's not true. But

0:28:49.200 --> 0:28:53.240
<v Speaker 1>it's not true, right, it's just if the press making

0:28:53.320 --> 0:28:55.640
<v Speaker 1>up things, you know, Oh, the press love to make

0:28:55.720 --> 0:28:59.160
<v Speaker 1>up thing. Well, luckily see, I'm not popular in this

0:28:59.320 --> 0:29:01.240
<v Speaker 1>sense for the press. I see a picture of me

0:29:01.320 --> 0:29:03.520
<v Speaker 1>going to it says I'm going to hit or push

0:29:03.560 --> 0:29:06.240
<v Speaker 1>the photographer. I'm going to help them, they might fold.

0:29:06.280 --> 0:29:08.160
<v Speaker 1>I'm reaching to help them, or I'm reaching. Well. I

0:29:08.240 --> 0:29:12.000
<v Speaker 1>think the photographers today are terrible when they chase people.

0:29:12.080 --> 0:29:14.360
<v Speaker 1>Say they didn't do that in my day. Now, I'm

0:29:14.640 --> 0:29:18.400
<v Speaker 1>so happy I was in a golden era. They keep

0:29:18.480 --> 0:29:22.000
<v Speaker 1>calling it show business and we didn't have Papa Rozzie

0:29:22.080 --> 0:29:24.160
<v Speaker 1>like this. Speaking of which, when you say about being

0:29:24.200 --> 0:29:27.200
<v Speaker 1>an aries and I'm not big on astrology, but people

0:29:27.240 --> 0:29:28.960
<v Speaker 1>who are areas there, we say they love to bury

0:29:29.040 --> 0:29:32.080
<v Speaker 1>the hatchet and have people get along. And even though

0:29:32.120 --> 0:29:33.480
<v Speaker 1>you can have a bad temper and you can have

0:29:33.520 --> 0:29:36.320
<v Speaker 1>grudges against people, they don't laugh. You just speak up right.

0:29:36.440 --> 0:29:38.680
<v Speaker 1>You're kind of rigorously honest if we if you will,

0:29:38.960 --> 0:29:41.440
<v Speaker 1>but for you, you buried the hatchet with Hathaway and

0:29:41.480 --> 0:29:43.680
<v Speaker 1>he became a friend. You're someone that doesn't like the

0:29:43.720 --> 0:29:46.000
<v Speaker 1>hold of grudge with people. No, I don't. But I'm

0:29:46.160 --> 0:29:52.080
<v Speaker 1>rather like an elephant. I remember everything. And Debbie Reynolds

0:29:52.120 --> 0:29:56.440
<v Speaker 1>has had her share of hatchets to bury. In nineteen five,

0:29:56.520 --> 0:29:59.440
<v Speaker 1>she married singer Eddie Fisher. It was the show business

0:29:59.520 --> 0:30:03.680
<v Speaker 1>wedding of year. Four years later, Fisher famously left rentals

0:30:03.760 --> 0:30:07.360
<v Speaker 1>for her best friend Elizabeth Taylor. Soon after Taylor's husband

0:30:07.720 --> 0:30:11.000
<v Speaker 1>was killed in an airplane accident, but years later she

0:30:11.200 --> 0:30:13.920
<v Speaker 1>patched things up with Elizabeth. They had known each other

0:30:14.040 --> 0:30:16.840
<v Speaker 1>since they were kids. We were friends, we went to

0:30:16.960 --> 0:30:20.480
<v Speaker 1>school together. Elizabeth and I were kids together, and so

0:30:21.040 --> 0:30:25.840
<v Speaker 1>what happens about our relationship was out of their desire

0:30:26.000 --> 0:30:29.400
<v Speaker 1>to be together. Eddie Fisher and and she so that

0:30:29.760 --> 0:30:31.280
<v Speaker 1>you know, when a man wants to go, he wants

0:30:31.320 --> 0:30:34.800
<v Speaker 1>to go, he goes. I've learned that that certainly. So

0:30:35.080 --> 0:30:37.800
<v Speaker 1>of course I forgave her years after that, because she

0:30:38.040 --> 0:30:44.920
<v Speaker 1>she forgave her. So marriages two and three were less public,

0:30:45.280 --> 0:30:48.560
<v Speaker 1>but no less painful for Reynolds. Now she's sworn off

0:30:48.680 --> 0:30:51.760
<v Speaker 1>the institution. In a minute, she'll talk about her daughter,

0:30:51.880 --> 0:30:55.680
<v Speaker 1>Carrie Fisher and their relationship. I'm Alec Baldwin, and you're

0:30:55.720 --> 0:31:17.160
<v Speaker 1>listening to here's the thing. This is Alec Baldwin. Carrie

0:31:17.240 --> 0:31:22.280
<v Speaker 1>Fisher's solo show, Wishful Drinking discusses her battles with substance abuse,

0:31:22.720 --> 0:31:26.720
<v Speaker 1>manic depression, and being the child of Hollywood Royalty. It's

0:31:26.760 --> 0:31:31.200
<v Speaker 1>poignant and hilarious. Having waited my entire life to get

0:31:31.240 --> 0:31:33.600
<v Speaker 1>an award for something you know anything. I don't care.

0:31:33.640 --> 0:31:36.720
<v Speaker 1>All right, fine, not acting, but what about like a

0:31:36.840 --> 0:31:41.040
<v Speaker 1>tiny one for writing? I now get awards all the

0:31:41.200 --> 0:31:45.240
<v Speaker 1>time for being mentally ill. So she is so funny. Oh, yes,

0:31:45.440 --> 0:31:49.840
<v Speaker 1>she's brilliant. She's a brilliant. The children were really little.

0:31:50.240 --> 0:31:52.440
<v Speaker 1>I was very worried about my health. I have been

0:31:52.520 --> 0:31:54.720
<v Speaker 1>on the road and I was just working like mad

0:31:55.200 --> 0:31:59.320
<v Speaker 1>in vaudeville. And I was concerned, and the children were

0:31:59.520 --> 0:32:03.080
<v Speaker 1>very all And I called up Jane Dixon, who is

0:32:03.160 --> 0:32:05.960
<v Speaker 1>a prophet and lived in Washington, and I mean she

0:32:06.040 --> 0:32:08.479
<v Speaker 1>did you know she did with the government and all

0:32:08.640 --> 0:32:11.160
<v Speaker 1>kinds of and she was it was the truth. She

0:32:11.320 --> 0:32:14.280
<v Speaker 1>was sensational. Gave me an appointment and I sat down

0:32:14.600 --> 0:32:17.320
<v Speaker 1>and she told me exactly what my children have become

0:32:17.800 --> 0:32:20.440
<v Speaker 1>and everything that happened. She told me I was married

0:32:20.520 --> 0:32:22.760
<v Speaker 1>to Harry Carl at the time. She said, when you

0:32:22.880 --> 0:32:24.760
<v Speaker 1>go home, you're going to have to face the divorce,

0:32:25.080 --> 0:32:27.640
<v Speaker 1>and he has taken all of your money. When you

0:32:27.720 --> 0:32:30.440
<v Speaker 1>go home, you will find that out. So you don't

0:32:30.480 --> 0:32:33.200
<v Speaker 1>know anything about it. I said, well, no, I I

0:32:33.440 --> 0:32:35.360
<v Speaker 1>let him take care of the money. She said, well

0:32:35.440 --> 0:32:39.360
<v Speaker 1>he is Kerry was going to be in white robes

0:32:39.840 --> 0:32:42.960
<v Speaker 1>and sand on a stage. Is the astrologer Gene Dixon

0:32:43.320 --> 0:32:48.560
<v Speaker 1>estroller just Jane Dixon, who is very world famous. Did

0:32:48.600 --> 0:32:53.360
<v Speaker 1>she predict Kennedy's assassination as well? She predicted everything? Yes, Kennedy,

0:32:53.600 --> 0:32:58.680
<v Speaker 1>Robert Kennedy and Jack Kennedy. Yes, she was very famous.

0:32:59.120 --> 0:33:02.600
<v Speaker 1>And then she Omi Todd would would be a builder

0:33:02.880 --> 0:33:08.280
<v Speaker 1>and go to architectural school, and they have exactly my

0:33:08.480 --> 0:33:13.280
<v Speaker 1>son turn architecturals. Well, he's a Bill's where does he live?

0:33:14.000 --> 0:33:19.400
<v Speaker 1>He lives in the valley around it. Yes, there are.

0:33:19.880 --> 0:33:22.680
<v Speaker 1>We all live sort of together because we adore each other.

0:33:23.080 --> 0:33:24.920
<v Speaker 1>You wrote in your book that you're unlucky in love?

0:33:25.000 --> 0:33:26.680
<v Speaker 1>Why were you unlucky in love? What do you mean?

0:33:26.720 --> 0:33:30.760
<v Speaker 1>Because I'm just too old fashioned? You know? Well, of

0:33:30.840 --> 0:33:33.360
<v Speaker 1>course I picked the wrong man, but that's because I

0:33:33.840 --> 0:33:37.120
<v Speaker 1>am easy. You know, I'm easy. I don't ever argue.

0:33:37.240 --> 0:33:39.360
<v Speaker 1>I mean, you need the money here, you take it?

0:33:39.720 --> 0:33:41.840
<v Speaker 1>Oh you need that? Well? Do you trust people? Well,

0:33:41.880 --> 0:33:44.959
<v Speaker 1>I'm very trusting. How was Carrie like you? And how

0:33:45.000 --> 0:33:48.080
<v Speaker 1>it was Carrie like Eddie? Can you see the lines that? Well,

0:33:48.720 --> 0:33:52.880
<v Speaker 1>Carrie was born with Eddie as the father, and he

0:33:53.080 --> 0:33:57.680
<v Speaker 1>was on speed. So Carrie was born was manic, depressive, bipolar,

0:33:58.120 --> 0:34:00.360
<v Speaker 1>so she will have that for the rest of alive

0:34:00.800 --> 0:34:05.040
<v Speaker 1>and it's a dread disease. Cart from him, Yes, from Eddie,

0:34:05.640 --> 0:34:09.040
<v Speaker 1>it was very sweet of him. Carrie has an illness

0:34:09.239 --> 0:34:12.880
<v Speaker 1>that is a severe problem over the whole world, and

0:34:13.040 --> 0:34:15.919
<v Speaker 1>they do not have any answers for you. She's taking

0:34:16.000 --> 0:34:19.919
<v Speaker 1>shock of treatments right now. It is a family's pain.

0:34:20.480 --> 0:34:23.160
<v Speaker 1>We all have it because we so want carry to

0:34:23.280 --> 0:34:25.959
<v Speaker 1>be well, and that's what we pray for all the time.

0:34:26.360 --> 0:34:30.960
<v Speaker 1>And she's so funny. Her daughter is divine, and she

0:34:31.080 --> 0:34:34.160
<v Speaker 1>goes to school here in New York and she's the

0:34:34.239 --> 0:34:40.080
<v Speaker 1>most beautiful young smart, really smart, and she's taking accounting.

0:34:40.160 --> 0:34:44.359
<v Speaker 1>So I think we'll be all right. She won't come

0:34:44.400 --> 0:34:48.680
<v Speaker 1>to me for about money. And Carrie's going to be fine.

0:34:48.840 --> 0:34:54.200
<v Speaker 1>She's brilliant and she's a great writer. From you, from me,

0:34:54.760 --> 0:35:07.000
<v Speaker 1>what did she get laughter? If you could give people laughter,

0:35:07.160 --> 0:35:10.279
<v Speaker 1>that would be the ideal thing. I know this is

0:35:10.320 --> 0:35:12.520
<v Speaker 1>going to sound really cliched and kind of silly, but

0:35:13.000 --> 0:35:16.880
<v Speaker 1>you know, you come from such a great era of

0:35:17.000 --> 0:35:21.359
<v Speaker 1>movie stardom. Your name means something. When you say someone's name,

0:35:21.360 --> 0:35:24.080
<v Speaker 1>you kind of go okay, But your name, you say

0:35:24.120 --> 0:35:26.440
<v Speaker 1>a certain kind of a film, people automatically think, like

0:35:26.520 --> 0:35:29.120
<v Speaker 1>the big Golden Age of Hollywood musicals, and you and

0:35:29.280 --> 0:35:32.320
<v Speaker 1>Kelly and all these movies and Unsinkable Molly Brown and

0:35:32.360 --> 0:35:35.560
<v Speaker 1>all these great films. Even though people don't realize that

0:35:35.719 --> 0:35:38.800
<v Speaker 1>you stopped making films. I wrote this down. You stopped

0:35:38.840 --> 0:35:42.080
<v Speaker 1>making films by and large and around What's the Matter

0:35:42.200 --> 0:35:45.960
<v Speaker 1>with Helen in seventy one, and then from ninety one

0:35:46.560 --> 0:35:51.080
<v Speaker 1>to six, according to your biography, most of what you

0:35:51.200 --> 0:35:55.200
<v Speaker 1>do is voiceovers or retrospective releases, like that's entertainment. You know.

0:35:55.280 --> 0:35:57.360
<v Speaker 1>You don't work a lot during that period in films.

0:35:57.400 --> 0:36:01.000
<v Speaker 1>I just do nightclubs. I work theater. I would do

0:36:01.080 --> 0:36:03.600
<v Speaker 1>a club act o were forty two weeks a year

0:36:04.320 --> 0:36:12.480
<v Speaker 1>every day. Where would you go? Everywhere? Colorado, Texas, Yes, Australia, England.

0:36:13.160 --> 0:36:16.920
<v Speaker 1>I did uh five a day in England. So I

0:36:17.640 --> 0:36:20.440
<v Speaker 1>came a vaudevillion for twenty years to make a living

0:36:20.560 --> 0:36:24.080
<v Speaker 1>from my children. And then and then you go and

0:36:24.120 --> 0:36:27.080
<v Speaker 1>do the movie with Albert Brooks. Yes, I did. Mother.

0:36:27.280 --> 0:36:29.960
<v Speaker 1>He convinced you to do that movie. No, Carrie called me,

0:36:30.040 --> 0:36:33.120
<v Speaker 1>she's a mother. I read a script Albert Brooks, who

0:36:33.200 --> 0:36:36.160
<v Speaker 1>they were very good friends did and it's so funny.

0:36:36.239 --> 0:36:38.160
<v Speaker 1>You have to do it. I said, well, you know,

0:36:38.280 --> 0:36:41.120
<v Speaker 1>nobody wants me for movies anymore, Dear. She said, well, mother,

0:36:41.200 --> 0:36:43.520
<v Speaker 1>I want you to fly up here. I was in

0:36:43.680 --> 0:36:46.239
<v Speaker 1>Vegas and I owned a little hotel and I had

0:36:46.280 --> 0:36:48.760
<v Speaker 1>a nightclub and I was happy as a hog in heaven.

0:36:49.320 --> 0:36:51.560
<v Speaker 1>So she said, well, no, I don't care, mother, you

0:36:51.640 --> 0:36:54.000
<v Speaker 1>have to fly. So I flew in and I met

0:36:54.080 --> 0:36:56.960
<v Speaker 1>Albert and I read a scene for him and he

0:36:57.120 --> 0:37:00.840
<v Speaker 1>said to me, you've got it. And I said what

0:37:00.920 --> 0:37:03.759
<v Speaker 1>does that mean, Albert? He said, well, you've got it.

0:37:03.880 --> 0:37:06.480
<v Speaker 1>You've you've got the part. I said, Albert, I have

0:37:06.640 --> 0:37:09.640
<v Speaker 1>to meet the director. Oh I am the director, Debbie.

0:37:10.160 --> 0:37:13.279
<v Speaker 1>Oh I didn't know, Albert, I said, because you know

0:37:13.440 --> 0:37:15.839
<v Speaker 1>I know him since he's a young boy. And then

0:37:16.280 --> 0:37:18.719
<v Speaker 1>I said, well you have to see the producer, then, dear,

0:37:18.960 --> 0:37:22.279
<v Speaker 1>you can't just suddenly hire Debbie. Well, I yes I can.

0:37:22.719 --> 0:37:26.239
<v Speaker 1>I'm the producer. I'm the producer, I'm the director. I

0:37:26.400 --> 0:37:31.360
<v Speaker 1>wrote it. And yes, you're going to do it, I said, Albert,

0:37:31.880 --> 0:37:35.080
<v Speaker 1>you'll get into trouble. He said, no, you really are

0:37:35.120 --> 0:37:38.080
<v Speaker 1>going to get it now, because you're bossing me. Now,

0:37:38.200 --> 0:37:41.280
<v Speaker 1>you're just like my mother. So you've got the Parker. Sure,

0:37:42.760 --> 0:37:46.520
<v Speaker 1>can you eat lamb chops? What the hell is a lamb?

0:37:46.600 --> 0:37:49.160
<v Speaker 1>It's meat. I told you I don't eat it. That's

0:37:49.200 --> 0:37:51.760
<v Speaker 1>not a cow. I didn't know it was the animal.

0:37:51.880 --> 0:37:54.960
<v Speaker 1>You were siding with the whole thing. It's a whole thing.

0:37:56.320 --> 0:38:00.560
<v Speaker 1>Wasn't cheese. Albert was first with if he wanted Doris today,

0:38:00.560 --> 0:38:02.719
<v Speaker 1>but she just wouldn't do it because she would have

0:38:02.800 --> 0:38:05.919
<v Speaker 1>been terrific. But as we all know, Doris doesn't want

0:38:06.000 --> 0:38:09.239
<v Speaker 1>to go back on the screen. And I didn't want

0:38:09.280 --> 0:38:11.360
<v Speaker 1>to because I was in Vegas and I was running

0:38:11.400 --> 0:38:13.840
<v Speaker 1>my hotel and I was having a lot of trouble

0:38:13.920 --> 0:38:16.680
<v Speaker 1>with my husband and he wanted to, you know, take

0:38:16.760 --> 0:38:20.080
<v Speaker 1>over my business and throw me over the balcony. And

0:38:20.239 --> 0:38:22.720
<v Speaker 1>I was having a lot of problems. But I left

0:38:22.800 --> 0:38:25.680
<v Speaker 1>and I did the movie Mother, and I'm happy I did.

0:38:25.800 --> 0:38:27.320
<v Speaker 1>I think it made a lot of films and a

0:38:27.360 --> 0:38:30.880
<v Speaker 1>lot of TV shows since then. Will and Grace did

0:38:30.920 --> 0:38:34.759
<v Speaker 1>you play well? What do you mean? I played Grace's mother.

0:38:35.480 --> 0:38:39.480
<v Speaker 1>You were Grace's mom Adler. Her name was Adler and

0:38:40.160 --> 0:38:43.279
<v Speaker 1>so she sang a lot, did impressions. It was a

0:38:43.320 --> 0:38:46.880
<v Speaker 1>lot of fun to do. And the you have you

0:38:46.920 --> 0:38:49.000
<v Speaker 1>stopped the club actor, you're still doing that. You still

0:38:49.200 --> 0:38:51.480
<v Speaker 1>I still do my club act. I've been under the

0:38:51.560 --> 0:38:54.560
<v Speaker 1>weather for about four months, so I've been kind of

0:38:54.640 --> 0:38:57.880
<v Speaker 1>taking it easy and getting my health back. Contest. And

0:38:57.960 --> 0:39:01.960
<v Speaker 1>you look fantastic, well you have. You look gorgeous. You

0:39:02.080 --> 0:39:06.719
<v Speaker 1>give me me my birthday party. You look beautiful. Thank you, dear,

0:39:07.000 --> 0:39:09.399
<v Speaker 1>and I wish you all the happiness with your new

0:39:09.520 --> 0:39:12.520
<v Speaker 1>wife and a baby to camp. Your life is all

0:39:12.600 --> 0:39:15.279
<v Speaker 1>ahead of you. I love my baby so much. And

0:39:15.400 --> 0:39:18.719
<v Speaker 1>even though they're all grown in your age, practically, you know,

0:39:19.440 --> 0:39:22.319
<v Speaker 1>there's nothing like it. This is so special. I'm really

0:39:22.360 --> 0:39:24.719
<v Speaker 1>looking forward, you know when I think of you and

0:39:24.840 --> 0:39:27.440
<v Speaker 1>you being part of that, you know, great era of

0:39:27.960 --> 0:39:30.600
<v Speaker 1>studio filmmaking. Did you ever watch your stuff that you

0:39:30.680 --> 0:39:32.279
<v Speaker 1>did you ever go back and watch those films you

0:39:32.320 --> 0:39:35.880
<v Speaker 1>don't bother? Well, some of the films I watch everybody

0:39:35.920 --> 0:39:40.440
<v Speaker 1>else's films. Betty Davis so I loved her and Katherine hepburnna.

0:39:40.840 --> 0:39:42.320
<v Speaker 1>I love when you watch a movie, you watch a

0:39:42.360 --> 0:39:44.960
<v Speaker 1>movie from back then? Oh, yes, I only watch all

0:39:45.080 --> 0:39:46.920
<v Speaker 1>movies you don't go to see. You don't exactly so

0:39:47.040 --> 0:39:50.080
<v Speaker 1>You don't go see movies today, not really don't, not

0:39:50.200 --> 0:39:53.839
<v Speaker 1>even screeners from the Academy or DVDs at homes. If

0:39:53.920 --> 0:39:56.920
<v Speaker 1>someone tells me it's really wonderful, I'll go. Like Titanic,

0:39:57.000 --> 0:39:59.120
<v Speaker 1>you'd watch or something. No I did go to see.

0:40:02.040 --> 0:40:07.480
<v Speaker 1>No I I did that movie. No I, I just

0:40:07.680 --> 0:40:11.560
<v Speaker 1>did a film with It was about Liberaci behind the Candelabra,

0:40:11.719 --> 0:40:15.839
<v Speaker 1>Michael Douglas, Michael Douglas and uh, that'll be out soon.

0:40:15.920 --> 0:40:19.840
<v Speaker 1>I played Mrs Lieberacci and because I like to do

0:40:19.960 --> 0:40:23.560
<v Speaker 1>di election, and I knew Mrs Libaraci and I knew Lee.

0:40:23.760 --> 0:40:27.279
<v Speaker 1>We were working a now very good friend. Yes, we

0:40:27.480 --> 0:40:30.600
<v Speaker 1>were really dear friends. And he always called me up

0:40:30.640 --> 0:40:33.239
<v Speaker 1>after the show and we go out together and he said,

0:40:33.320 --> 0:40:38.480
<v Speaker 1>were white, all white Danby and your jewelry. And then

0:40:38.520 --> 0:40:41.680
<v Speaker 1>he'd arrived in the limousine with the chauffeur's hat on

0:40:42.160 --> 0:40:45.359
<v Speaker 1>and he drive me. I mean, he was so much fun.

0:40:45.880 --> 0:40:49.600
<v Speaker 1>I loved Libaracci was great, So I did his mother.

0:40:49.840 --> 0:40:52.359
<v Speaker 1>How was Soderberg to work with? Did you like Soderberg? Oh,

0:40:52.400 --> 0:40:55.440
<v Speaker 1>he was wonderful. The director was wonderful director. I just

0:40:55.520 --> 0:40:59.680
<v Speaker 1>had a little part, you know, And she had any

0:40:59.760 --> 0:41:03.920
<v Speaker 1>she well, she was. The only thing is dialected to

0:41:04.080 --> 0:41:06.719
<v Speaker 1>be real, and you have to do doon when you're

0:41:06.760 --> 0:41:10.040
<v Speaker 1>doing their dialect is Polish, and so you have to

0:41:10.160 --> 0:41:15.800
<v Speaker 1>talk about really the really one And to me unbelievable

0:41:16.440 --> 0:41:19.080
<v Speaker 1>because I am very good at dialects. I love to

0:41:19.200 --> 0:41:22.080
<v Speaker 1>do them. You know what's amazing to me is you

0:41:22.200 --> 0:41:26.799
<v Speaker 1>still enjoy doing this. You still love this? Yes, even

0:41:26.840 --> 0:41:29.319
<v Speaker 1>though this is something that you came into almost accidentally.

0:41:29.520 --> 0:41:31.279
<v Speaker 1>You know, you won the contest and you went over

0:41:31.360 --> 0:41:34.000
<v Speaker 1>to Warner and we want you to be in the

0:41:34.040 --> 0:41:36.520
<v Speaker 1>movie business. And you laughed when they said that. And

0:41:36.600 --> 0:41:39.120
<v Speaker 1>yet here you are when you were sixteen years old,

0:41:39.640 --> 0:41:43.080
<v Speaker 1>and now you're eighty one years old, sixty five years later.

0:41:43.760 --> 0:41:47.120
<v Speaker 1>You still enjoy doing this, don't you. Absolutely? If you're

0:41:47.200 --> 0:41:50.600
<v Speaker 1>blessed enough to be able to have something to do

0:41:51.200 --> 0:41:55.399
<v Speaker 1>that you love. Besides marriages, I mean, that's the only

0:41:55.440 --> 0:41:58.680
<v Speaker 1>thing that's been a disappointment to me in my life. Honey,

0:41:58.719 --> 0:42:00.480
<v Speaker 1>you're looking at the man you should have married. Here,

0:42:00.680 --> 0:42:03.680
<v Speaker 1>it's me here I am. I wouldn't have stolen your money,

0:42:04.000 --> 0:42:05.920
<v Speaker 1>will you? And I would be home right now watching

0:42:06.000 --> 0:42:09.040
<v Speaker 1>Turner classic movies, eat popcorn. I'll be giving you a

0:42:09.120 --> 0:42:13.560
<v Speaker 1>foot rub. I have a wonderful life, I really do.

0:42:13.760 --> 0:42:16.719
<v Speaker 1>God bless everybody. I really am very Another thing you

0:42:16.840 --> 0:42:18.800
<v Speaker 1>have and you don't have to confirm us, but I

0:42:18.880 --> 0:42:20.600
<v Speaker 1>bet you I know another thing you have, which is

0:42:20.640 --> 0:42:25.080
<v Speaker 1>when you meet people you're fans. I bet you they

0:42:25.120 --> 0:42:27.320
<v Speaker 1>just love you. They're my friends. Are not my fans?

0:42:27.440 --> 0:42:29.840
<v Speaker 1>You know, everybody I meet, I just feel like I

0:42:29.960 --> 0:42:34.840
<v Speaker 1>know them sixty five years and they made me, they

0:42:34.960 --> 0:42:37.879
<v Speaker 1>gave me my work, and they stay by me all

0:42:37.920 --> 0:42:40.839
<v Speaker 1>these years. You know, I work in Vegas all the time,

0:42:40.920 --> 0:42:46.040
<v Speaker 1>and I work in Laughlin, which is called is in Nevada? Right, Yeah,

0:42:46.560 --> 0:42:49.480
<v Speaker 1>anywhere there's a job I work. You enjoy doing it

0:42:49.600 --> 0:42:51.759
<v Speaker 1>live that way? How long is your show? Sure? The

0:42:51.800 --> 0:42:54.480
<v Speaker 1>whole act of our hour and a half an hour

0:42:54.640 --> 0:42:57.040
<v Speaker 1>and a half. I do a lot of comedy. Well,

0:42:57.080 --> 0:42:58.840
<v Speaker 1>I mean I try it to. They make it funny.

0:43:00.360 --> 0:43:03.520
<v Speaker 1>Let me end with this. Acting for me is very strange.

0:43:03.600 --> 0:43:05.600
<v Speaker 1>Now I'm kind of done with it, you know. I mean,

0:43:05.680 --> 0:43:07.160
<v Speaker 1>I don't think I want to do it much longer.

0:43:08.040 --> 0:43:09.880
<v Speaker 1>And the world has changed now, as you well know,

0:43:10.040 --> 0:43:14.759
<v Speaker 1>it's very different. The way is that your phone? I

0:43:14.840 --> 0:43:23.279
<v Speaker 1>think it is your phone? Where is my isn't that odd? Yeah?

0:43:24.600 --> 0:43:31.680
<v Speaker 1>Where's Oh? But what you're listening to? Taking her phone up?

0:43:31.719 --> 0:43:38.520
<v Speaker 1>It's my it's my son. Yes, I never turned this

0:43:39.200 --> 0:43:42.120
<v Speaker 1>is now taking out all the akuchum on her little asia.

0:43:42.200 --> 0:43:44.640
<v Speaker 1>But I don't. I can't find this. You can't find it.

0:43:44.800 --> 0:43:47.080
<v Speaker 1>Let's find it here. It is there, it is well,

0:43:47.239 --> 0:43:50.160
<v Speaker 1>and this is this is how my son was born,

0:43:50.640 --> 0:43:53.080
<v Speaker 1>nine pounds three ounces. Took a long time to get

0:43:53.120 --> 0:44:00.399
<v Speaker 1>it out. I was nine. Hello, good heavens it's hard

0:44:00.480 --> 0:44:05.560
<v Speaker 1>to find. Can you say it again? Hello? Did I

0:44:05.680 --> 0:44:08.600
<v Speaker 1>get you too late? That's the story of my life,

0:44:08.680 --> 0:44:10.759
<v Speaker 1>isn't it must be a man? Well, I'm going to

0:44:10.840 --> 0:44:14.000
<v Speaker 1>hang up now. I'm visiting with Alec Baldwin. He's a

0:44:14.040 --> 0:44:17.279
<v Speaker 1>big star. Yes, he's in Broadway, lives in New York.

0:44:17.600 --> 0:44:20.120
<v Speaker 1>Just got married again, a young girl. They always pick

0:44:20.200 --> 0:44:24.400
<v Speaker 1>him younger. Yeah, I'm might as well. That's one thing

0:44:24.440 --> 0:44:28.200
<v Speaker 1>that hasn't changed. Yeah, then nothing has changed. Now. What

0:44:28.320 --> 0:44:29.799
<v Speaker 1>I want to say to you is, I've been doing

0:44:29.880 --> 0:44:33.080
<v Speaker 1>this and I wanted to say I'd love to work

0:44:33.120 --> 0:44:35.920
<v Speaker 1>with you one day. I've not anytime. I'd love to

0:44:36.000 --> 0:44:39.120
<v Speaker 1>work with you one day. If there's a movie and

0:44:39.200 --> 0:44:41.680
<v Speaker 1>there's a partner for you to play my crazy aunt.

0:44:42.200 --> 0:44:44.120
<v Speaker 1>Will you come in? There'd be fun to do the

0:44:44.239 --> 0:44:47.640
<v Speaker 1>crazy ant or the street lady or anybody you like that.

0:44:48.480 --> 0:44:51.880
<v Speaker 1>I like to do characters where I could fake. Debbie

0:44:51.920 --> 0:44:55.279
<v Speaker 1>Reynolds has a new book, Unsinkable, and she has a

0:44:55.400 --> 0:44:59.080
<v Speaker 1>huge collection of Hollywood memorabilia that you too can have

0:44:59.200 --> 0:45:02.080
<v Speaker 1>a piece of. I'm selling it online. So if thank

0:45:02.160 --> 0:45:05.240
<v Speaker 1>Debbie Reynolds. What Debbie mill studio store dot com. Debbie

0:45:05.239 --> 0:45:08.839
<v Speaker 1>Reynolds studio store dot com. You're selling lots of wonderful things.

0:45:08.880 --> 0:45:11.440
<v Speaker 1>I'm going to go buy something on there. Okay, Charlie

0:45:11.520 --> 0:45:15.279
<v Speaker 1>Chaplin's hat, how about that reel hat? Is any of

0:45:15.320 --> 0:45:18.240
<v Speaker 1>your underwear for sale online? No? But if you really

0:45:18.280 --> 0:45:20.600
<v Speaker 1>want it, Babby, I'll give it to you. We're done

0:45:21.960 --> 0:45:26.520
<v Speaker 1>branding there by. This is Alec Baldwin and you're listening

0:45:26.600 --> 0:45:27.680
<v Speaker 1>to here's the thing.