WEBVTT - Ep. 47: Bear Grease [Render] - Steve Rinella on Jerry Clower and Trimming Mule Hooves

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<v Speaker 1>M. My name is Clay Nukeleman. This is a production

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<v Speaker 1>of the Bear Grease podcast called The Bear Grease Render,

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<v Speaker 1>where we render down, dive deeper, and looked behind the

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<v Speaker 1>scenes of the actual bear Grease podcast, presented by f

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<v Speaker 1>HF Gear, American made purpose built hunting and fishing gear

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<v Speaker 1>that's designed to be as rugged as the places we explore.

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<v Speaker 1>And they would serve things. This is no joke with

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<v Speaker 1>like a little paper squeeze cup of cheese whiz. Where

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<v Speaker 1>is this? And I was just dumbfounded until and it

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<v Speaker 1>was going to start making fun of it a little bit,

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<v Speaker 1>but until I looked around and everybody there was actively

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<v Speaker 1>enjoying their cheese whiz. Now what were they putting the

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<v Speaker 1>cheese whiz on all their breakfast items? What? What state

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<v Speaker 1>was this? Minnesota? Minnesota? Northern Minnesota. Didn't give you your own? Can?

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<v Speaker 1>They gave you a like a little individual squeeze paper

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<v Speaker 1>thing full of cheese with But they uh were they

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<v Speaker 1>making their own? Or these are like produced? I think

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<v Speaker 1>they were like craft supply is mate. This is a

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<v Speaker 1>great cold open to the bar. Surrender. Great the cheese whiz,

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<v Speaker 1>the cheese Whiz Render? Um Man, do we ever have

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<v Speaker 1>an e collected group of people here today, you know,

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<v Speaker 1>so I'm not going to introduce you. May have you

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<v Speaker 1>may have you know, recognized their voices, but I'm not

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<v Speaker 1>gonna introduce you for a minute. I'm gonna tell you

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<v Speaker 1>guys that I've got to warn you that you will

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<v Speaker 1>be scrutinized heavily by the original Beargrease Greece Crew. Okay,

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<v Speaker 1>so my wife Mr NUNCLEM. Brent Reeves, Josh Lambridge, spillmaker,

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<v Speaker 1>Gary Believer nucom that Brent brent Reeves is sharp. Yeah,

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<v Speaker 1>man's sharp. Yeah. Well, I'm not saying the other people aren't.

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<v Speaker 1>So occasionally, just the way it works is occasionally if

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<v Speaker 1>I'm traveling or something and I have a new Bargreas

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<v Speaker 1>render crew. The next the next time I see all

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<v Speaker 1>these people, they're like, ah, you know they were Okay,

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<v Speaker 1>they'll be like, yeah, that guy was this or that.

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<v Speaker 1>So I'm just warning you you can wind up in

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<v Speaker 1>a somewhat like I think it might. It might be

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<v Speaker 1>like a somewhat post modern situation or something where the

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<v Speaker 1>render becomes about the render. Yeah yeah, yeah, that's we've

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<v Speaker 1>been accused of that. Actually, we've been accused of that

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<v Speaker 1>how about the original Beargrease crew you only referred to

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<v Speaker 1>as the cheacher owns there. Yeah, they're wren it out, dude,

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<v Speaker 1>I think it would. It would be the crack Southern appropriate.

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<v Speaker 1>There we go. No, Hey, it is fantastic to have

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<v Speaker 1>a very new crew to my right, Phil Taylor, Hey,

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<v Speaker 1>how's it going, CLA. Everybody would know Phil from the

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<v Speaker 1>Meat Eater podcast, And if you don't, if you wouldn't

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<v Speaker 1>know Phil from that, you would know Phil from all

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<v Speaker 1>the incredible work he does on Bargrease. Phil and I

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<v Speaker 1>work on Bargrease. You know, we coordinate together with how

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<v Speaker 1>it's built. And so Phil Taylor the sound engineer for

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<v Speaker 1>Meat Eater. Right, he gets like about a sentence in

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<v Speaker 1>every podcast, but we have hundreds of them added up

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<v Speaker 1>as paragraphs on the meta paragraphs of film I film.

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<v Speaker 1>We need to make a sizzle reel of everything Phil says.

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<v Speaker 1>Everything Phil has ever said, strong out. I do not

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<v Speaker 1>want to hear that. You have to be the one

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<v Speaker 1>that makes it. I know it's never gonna happen. Well,

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<v Speaker 1>what I've learned from being around felt when he does speak,

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<v Speaker 1>it's noteworthy. Yeah, I try. I don't like it when

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<v Speaker 1>people talk too much at me, So I try not

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<v Speaker 1>to talk too much at them. Yeah, I get it,

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<v Speaker 1>don't talk at me. To your right, Ryan Callahan, man,

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<v Speaker 1>this is uh, it's an honor to have you here. Brother. Hey,

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<v Speaker 1>I've been looking forward to this. So Steve, Ryan and

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<v Speaker 1>I have really never done much together. Of all the

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<v Speaker 1>Metater people, have you know, traveled a lot with you?

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<v Speaker 1>Honest with you, I've actually wondered about that. Yeah, we've

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<v Speaker 1>never We've just never crossed paths much. And so you

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<v Speaker 1>guys getting along. Yeah, man, you know it's probably because

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<v Speaker 1>if you got me to Arkansas and wouldn't come back. Yeah. Yeah,

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<v Speaker 1>we're brothers from another mother. You can tell by the stashes. Yeah,

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<v Speaker 1>he's got mules, he's got gardens, got uh, lots of

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<v Speaker 1>fishing and hunting opportunity. It's a pretty sweet deal right

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<v Speaker 1>out your front door. It is, to your right, Steve

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<v Speaker 1>Ranella Man. Now you are you're a regular on bargarase,

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<v Speaker 1>I'm gonna call you a regular if you're if you've

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<v Speaker 1>been on there more than twice. So, but good to

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<v Speaker 1>have you on the Render. So the Render for those

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<v Speaker 1>for those who might not know the structure of the podcast,

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<v Speaker 1>it's a little bit different. So we have and this

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<v Speaker 1>isn't for you guys, this is for people out there.

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<v Speaker 1>I try every now and then to kind of tell

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<v Speaker 1>what's going on. So the Burgerase podcast is our documentary

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<v Speaker 1>style podcast with a very specific target, and we we

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<v Speaker 1>really dive in deep with multiple guests and and voiceover

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<v Speaker 1>and soundscapes and really do it up. The Bargeras Render

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<v Speaker 1>is what you're hearing here, which which is us talking

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<v Speaker 1>about the previous week's Burgers podcast. So if this is

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<v Speaker 1>your first time to listen to barg Rease, you know,

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<v Speaker 1>go back one and you'll hear what we're gonna talk

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<v Speaker 1>about today, which is the Jerry Clower episode. But yeah,

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<v Speaker 1>like the Burgries podcast is like all the really informed,

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<v Speaker 1>correct stuff pretty much, and then you do this and

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<v Speaker 1>it's it's things that weren't well thought enough to make

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<v Speaker 1>it into that. Yeah, and you have I would imagine

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<v Speaker 1>you have some suggestions for the Jerry clod podcast. Oh yeah,

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<v Speaker 1>I'm I'm very I anticipate these to your right, our

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<v Speaker 1>last guest, and much of an honor to have you here, Karren,

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<v Speaker 1>and you would a lot of you would know Karin

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<v Speaker 1>from the Metator podcast as well. Your first time on Burgary.

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<v Speaker 1>So my first time. So Karin is uh, tell us

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<v Speaker 1>what you do, Karan, I produced the Meat Eater podcast,

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<v Speaker 1>so a lot of pre interviews and setting up the

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<v Speaker 1>agenda of talking points and transitions, keeping Steve in line. Yeah, Okay,

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<v Speaker 1>get into it. I want to. I learned there's two

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<v Speaker 1>things that you don't bring up in the just in

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<v Speaker 1>Life this week on my Instagram. Okay, there's certain topics

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<v Speaker 1>that if you bring them up on Instagram, it's just

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<v Speaker 1>gonna be problems for you. Number One, bee keeping are touching.

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<v Speaker 1>They are very touchy and of touchy enthusiast groups like

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<v Speaker 1>the dog oh Man. Okay, so I've got two things.

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<v Speaker 1>The bee keeping thing is something that happened a long

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<v Speaker 1>time ago, but I quickly saw that it fit into

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<v Speaker 1>the thing that I did this week. That may have

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<v Speaker 1>been a mistake, but bee keeping Misty has a couple

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<v Speaker 1>of bee hives, and and she's an amateur. She knows it. Uh.

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<v Speaker 1>Last year sometime I thought it was pretty cool she

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<v Speaker 1>was pulling out some of the screens and looking at honey.

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<v Speaker 1>So I took a video put it on my Instagram.

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<v Speaker 1>The biggest mistake in my life beekeepers who mold they

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<v Speaker 1>can look at a three second video clip and like,

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<v Speaker 1>look into your soul to tell you why you know

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<v Speaker 1>you're bad at life, bad at me? If you get

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<v Speaker 1>a second, I'd like to speak to the to the

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<v Speaker 1>touchy enthusiast audience, Well, let me tell you the next

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<v Speaker 1>that's probably it's close hoof trimming stuff. But I saw

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<v Speaker 1>that thing and I was like, look like you knew

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<v Speaker 1>what he was doing? Well, so did I see? Man? No,

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<v Speaker 1>I am not a I'll tell you my full experience

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<v Speaker 1>with trimming. And I put my shoes on Mules. I

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<v Speaker 1>don't shoot him very often. But you know, when I

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<v Speaker 1>got Mules, I started paying ferriers to come to your house.

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<v Speaker 1>And it's a hundred and fifty bucks and you gotta

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<v Speaker 1>do it every six d eight weeks and you sit there.

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<v Speaker 1>Oh yeah, man, it's a big deal. I don't know

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<v Speaker 1>that I knew. I thought it was a couple of

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<v Speaker 1>times a year. Typically depends on who you are. Typically

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<v Speaker 1>six eight weeks, like and and talking to the farriers.

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<v Speaker 1>They're like because when the first guy started coming out,

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<v Speaker 1>and their fairies are always great people, they really are.

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<v Speaker 1>I've never met a ferrier. I didn't like they gotta

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<v Speaker 1>deal with a lot of people they do, and they're

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<v Speaker 1>just you can't fake out a horse or mule, like

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<v Speaker 1>you just kind of have to be legit. And they

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<v Speaker 1>see there one kick away from being mentally disabled, and

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<v Speaker 1>most of them have been kicked. And he told me,

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<v Speaker 1>he said, Clay, I said, do I really need to

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<v Speaker 1>you know, shot this At the time, I had a horse. Actually,

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<v Speaker 1>don't tell anybody ever on the horse. And I had

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<v Speaker 1>a horse, and I was like, I really, do I

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<v Speaker 1>really need this shoe this thing every six weeks? And

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<v Speaker 1>he just said, Clay, people that are really dialed in

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<v Speaker 1>on their in their equine business absolutely shoe every six

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<v Speaker 1>eight weeks. And so I said, okay. But he basically

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<v Speaker 1>just showed me what he was doing. And I watched

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<v Speaker 1>him two or three times and I was like, I

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<v Speaker 1>think I can do that, and he was like, hey, yeah,

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<v Speaker 1>you can do it. And he just showed me how

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<v Speaker 1>to do it, and so I started doing it. Primarily,

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<v Speaker 1>not even financially, as much as it's a pain in

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<v Speaker 1>the rear to schedule somebody to come six weeks in

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<v Speaker 1>advance to your house and you know, you may not

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<v Speaker 1>be there when they show up because you forgot about

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<v Speaker 1>it or something. So I started trimming trimming my mule feet,

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<v Speaker 1>which if you're if you're running them on rocks and

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<v Speaker 1>rough stuff, the feet kind of trimmed down on their own.

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<v Speaker 1>But man, I put up that little video just because

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<v Speaker 1>I thought it was kind of cool. And you know,

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<v Speaker 1>apparently I was using the knife backwards, which I mean,

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<v Speaker 1>come on, well, there's there's there's there's there's a right

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<v Speaker 1>handed and a left handed hoof knife, and I had

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<v Speaker 1>two of them there and I just I mean, I

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<v Speaker 1>just pick up whichever one's closest, and it it doesn't

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<v Speaker 1>seem to be a limiting factor in in what I'm doing.

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<v Speaker 1>But oh man, they went off on me pretty good.

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<v Speaker 1>So so are you aware of Dr pimple Popper? Oh man? Know, Okay,

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<v Speaker 1>this is a huge thing for some people. I cannot

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<v Speaker 1>stand it. But it's it's like and and and and

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<v Speaker 1>it's a huge following but the same and it's on

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<v Speaker 1>people right and this person's or persons or whatever. They're

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<v Speaker 1>plucking hairs, they're popping zits, they're they're doing spaghetti, squeezing

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<v Speaker 1>it out. There's very gnarly stuff. But this whole thing

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<v Speaker 1>also exists in the agriculture community to where you can

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<v Speaker 1>watch these lengthy videos with millions of views of people

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<v Speaker 1>working on abscess jaws, you know, you know, getting all

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<v Speaker 1>the pus out of an obsessed jaw um and then

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<v Speaker 1>doctoring feet is a big thing. Yeah. Yeah, And so

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<v Speaker 1>these people and we're talking about horses here, just to

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<v Speaker 1>be clear, correct, we're talking about the the whole gamut.

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<v Speaker 1>Yeah yeah, And so that's who you're dealing with, okay.

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<v Speaker 1>So you you just hold your head up high and

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<v Speaker 1>know that you're dealing with a bunch of people with

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<v Speaker 1>weird foot fetishes, okay, and at the base of their complaints,

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<v Speaker 1>they just want to see more clay. That is probably

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<v Speaker 1>the best advice I've had. And I know that there

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<v Speaker 1>are very professional ways but to do stuff. Here's my

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<v Speaker 1>pretty strong philosophy that I have in life though, that

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<v Speaker 1>has worked out okay for me, is that if you

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<v Speaker 1>take your instruction from the absolute experts in any field

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<v Speaker 1>and and they set the bar for entry for you,

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<v Speaker 1>you will likely be intimidated and never even get into that.

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<v Speaker 1>Like I'm I am a master at very few things,

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<v Speaker 1>but good enough at a quite a bit of stuff,

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<v Speaker 1>and trimming trimming mule feet would be one of the

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<v Speaker 1>things that UM not a master at, but good enough,

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<v Speaker 1>you know. And uh, there's so much that I think

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<v Speaker 1>people get ung up and uh, details that really aren't

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<v Speaker 1>the limiting factor of their entry point in the summer

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<v Speaker 1>in the bars a lot lower. And but obviously you're

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<v Speaker 1>gonna go to the experts to learn how to do stuff,

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<v Speaker 1>you see what I'm saying. Yeah, and it's paralysis of

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<v Speaker 1>fear right there, like, oh, I'm gonna make a mistake,

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<v Speaker 1>and so I'm not even gonna try. And you gotta

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<v Speaker 1>try some I mean, you gotta get in there some

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<v Speaker 1>way and do it. And in your case, man, if

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<v Speaker 1>if you got in a situation where you go a

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<v Speaker 1>little too thin and then all of a sudden you

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<v Speaker 1>got a bum foot on your mule, you're gonna feel

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<v Speaker 1>like crap, and you're gonna be ultra careful. But it's

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<v Speaker 1>not it's not gonna lead into this. They call that

0:13:42.400 --> 0:13:46.080
<v Speaker 1>quicken a horse or mule. I've done it one time

0:13:46.679 --> 0:13:48.599
<v Speaker 1>and and is he just had a sore foot for

0:13:48.640 --> 0:13:50.960
<v Speaker 1>about two weeks And yeah, I learned from it. And

0:13:51.000 --> 0:13:55.880
<v Speaker 1>you makes me sad, right right, And you're way more

0:13:55.920 --> 0:13:57.959
<v Speaker 1>careful than next time, but it isn't. The world didn't end.

0:13:58.559 --> 0:14:00.840
<v Speaker 1>I didn't have to shoot the mule, didn't have to

0:14:01.160 --> 0:14:04.120
<v Speaker 1>write Steve, what are your thoughts on this? These type

0:14:04.120 --> 0:14:08.040
<v Speaker 1>of these type of people that like the enthusiast groups sensitive,

0:14:08.080 --> 0:14:12.480
<v Speaker 1>touchy enthusiast groups. I'm less excited about telling you now

0:14:12.520 --> 0:14:15.160
<v Speaker 1>that you gave the fairier example because I would not

0:14:15.360 --> 0:14:21.760
<v Speaker 1>put fairiers in the touchy enthusiast group things. But a

0:14:21.800 --> 0:14:25.560
<v Speaker 1>lot of things like like bee keeping. Now, this is

0:14:25.560 --> 0:14:27.800
<v Speaker 1>gonna insolt all your beekeepers out there. Not that opposed

0:14:27.840 --> 0:14:31.640
<v Speaker 1>to be keeping. In fact, my brother, my brother Danny,

0:14:31.640 --> 0:14:34.360
<v Speaker 1>one time saw be tree open, which is probably bad,

0:14:34.760 --> 0:14:37.800
<v Speaker 1>but we're clearing a lot. We're clearing a lot, saw

0:14:37.880 --> 0:14:40.440
<v Speaker 1>to be tree open. Tree had to go. Anyway, did

0:14:40.480 --> 0:14:44.040
<v Speaker 1>you get the honey well kind of it was. It

0:14:44.080 --> 0:14:45.560
<v Speaker 1>was we didn't do it, like we didn't get like

0:14:45.560 --> 0:14:47.520
<v Speaker 1>a centrifuge out and like get it out. But we

0:14:47.640 --> 0:14:50.920
<v Speaker 1>damned had some bar and chain oil in there. It

0:14:51.000 --> 0:14:57.080
<v Speaker 1>was like we're in high school. Um. Anyways, it is

0:14:57.200 --> 0:15:01.040
<v Speaker 1>apologies to everyone. It's like a little endy to have

0:15:01.080 --> 0:15:04.280
<v Speaker 1>some bees. So why do you think we have them?

0:15:04.600 --> 0:15:07.600
<v Speaker 1>So it's like a new thing and you have people

0:15:07.640 --> 0:15:13.160
<v Speaker 1>that previously probably didn't have a strong identity and now

0:15:13.520 --> 0:15:19.000
<v Speaker 1>they've found an identity. Okay, they found an identity. Um,

0:15:19.040 --> 0:15:21.240
<v Speaker 1>they used to just be like a person that they're like,

0:15:21.400 --> 0:15:23.800
<v Speaker 1>they have some shows they like and they like to

0:15:23.880 --> 0:15:26.040
<v Speaker 1>drink certain things, and then all of a sudden they

0:15:26.040 --> 0:15:30.160
<v Speaker 1>get like they identify, like they make twenty batches of beer,

0:15:30.680 --> 0:15:33.200
<v Speaker 1>and all of a sudden, now they have an identity

0:15:33.920 --> 0:15:38.640
<v Speaker 1>and it impacts them deeply. When you're getting that kind

0:15:38.640 --> 0:15:41.280
<v Speaker 1>of feedback, you're getting feedback from people who have made

0:15:41.280 --> 0:15:44.640
<v Speaker 1>a new identity. If so, you don't think any of

0:15:44.640 --> 0:15:47.200
<v Speaker 1>these comments are coming from people who have been keeping

0:15:47.240 --> 0:15:50.200
<v Speaker 1>bees for decades, maybe in our gate keeping and kind

0:15:50.200 --> 0:15:52.640
<v Speaker 1>of like, nope, stay out of my lane. If you had,

0:15:52.800 --> 0:15:54.960
<v Speaker 1>if you let's say you had a video where you're like,

0:15:55.000 --> 0:15:59.840
<v Speaker 1>here's how I've decided to um feed lot cattle this

0:16:00.080 --> 0:16:05.480
<v Speaker 1>song or fatten my cattle. Do you think that a

0:16:05.560 --> 0:16:08.760
<v Speaker 1>guy who's been in the cattle fatten in business for

0:16:08.960 --> 0:16:15.440
<v Speaker 1>six generations, biggest cattle fattener in Kansas, is he gonna care?

0:16:15.640 --> 0:16:17.840
<v Speaker 1>Is he gonna be like, No, Clay, I find that

0:16:17.880 --> 0:16:22.120
<v Speaker 1>when I'm fattening cattle. No, Yeah, he's gonna be He's

0:16:22.160 --> 0:16:25.080
<v Speaker 1>just like, he's like, I don't who cares. He's like,

0:16:25.280 --> 0:16:28.440
<v Speaker 1>this is a guy that's gonna fail, and people who

0:16:28.440 --> 0:16:30.040
<v Speaker 1>don't know how to fatten cattle. You know, I'm not

0:16:30.080 --> 0:16:34.040
<v Speaker 1>gonna go into detail, but yesterday we were discussing plan

0:16:34.160 --> 0:16:37.960
<v Speaker 1>to get Steve uh an alternate identity on the internet

0:16:38.080 --> 0:16:40.440
<v Speaker 1>just so he can make comments like these because I

0:16:40.600 --> 0:16:44.640
<v Speaker 1>have to. Yeah, but here's the thing too, and then

0:16:44.680 --> 0:16:47.720
<v Speaker 1>I'm done. I'm done about this whole thing. Yesterday, uh

0:16:48.400 --> 0:16:52.080
<v Speaker 1>our dinner guest, dinner mate, whatever you call him, was

0:16:52.120 --> 0:17:00.000
<v Speaker 1>saying how uh online haters are always unsuccessful. They're unsuccessed,

0:17:00.040 --> 0:17:03.640
<v Speaker 1>us from unfulfilled in some way. I wonder I like

0:17:03.800 --> 0:17:08.440
<v Speaker 1>statements like this because well, no, no, no, I like

0:17:08.440 --> 0:17:15.880
<v Speaker 1>like definitive statements that probably aren't entirely true. But that statement, well,

0:17:15.960 --> 0:17:17.960
<v Speaker 1>I mean, I guess you have to define what successful is.

0:17:18.000 --> 0:17:21.879
<v Speaker 1>But yeah, its people hating on the internet. It's a

0:17:21.880 --> 0:17:25.159
<v Speaker 1>tough it's a tough crowd to diagnose in terms of like,

0:17:25.200 --> 0:17:27.080
<v Speaker 1>what's their motivation? Do you guys want to hear a

0:17:27.119 --> 0:17:33.280
<v Speaker 1>quick T shirt idea? Let's do it. Cat Honeybee sitting

0:17:33.320 --> 0:17:37.840
<v Speaker 1>there on trunk of clover maybe with a bird dog

0:17:38.600 --> 0:17:42.040
<v Speaker 1>on full point on the honeybee trimming mule foot and

0:17:42.119 --> 0:17:51.080
<v Speaker 1>it says uh and it says ste sensitive, touchy enthusiasm. Okay,

0:17:51.280 --> 0:17:54.760
<v Speaker 1>I like it. I like it. I like it. Well,

0:17:54.800 --> 0:17:57.840
<v Speaker 1>I just thought I would bring that up because I'm

0:17:57.840 --> 0:18:00.439
<v Speaker 1>gonna keep trimming my mule feet. I've got to just

0:18:00.520 --> 0:18:03.360
<v Speaker 1>got no choice Korean to do it. Put it out there.

0:18:03.520 --> 0:18:06.920
<v Speaker 1>I imagine you got you got like the stall for

0:18:07.240 --> 0:18:08.960
<v Speaker 1>holding their feet up and stuff, so you're not just

0:18:09.000 --> 0:18:14.080
<v Speaker 1>bent over the whole time. Man. I'm just I'm doing

0:18:14.119 --> 0:18:16.280
<v Speaker 1>like a lot of farriers to do. Just put it

0:18:16.359 --> 0:18:19.119
<v Speaker 1>up in between your legs and work it. The farriers

0:18:19.160 --> 0:18:22.359
<v Speaker 1>are bad backs, buddy. Yeah, yeah, I don't. It's not

0:18:22.480 --> 0:18:24.360
<v Speaker 1>like I'm doing it every day, you know, once every

0:18:24.400 --> 0:18:26.280
<v Speaker 1>couple of months. You know what, Clay, I gotta tell

0:18:26.280 --> 0:18:28.359
<v Speaker 1>you one last thing about that that I saw that

0:18:28.480 --> 0:18:32.639
<v Speaker 1>video and are you going to join the criticism? I

0:18:32.640 --> 0:18:38.720
<v Speaker 1>don't know, Like I have zero opinions on the subject

0:18:39.160 --> 0:18:41.119
<v Speaker 1>other than that, like, I have two friends that do that,

0:18:41.160 --> 0:18:45.120
<v Speaker 1>but they're watching them do it. But I was watching

0:18:45.320 --> 0:18:50.080
<v Speaker 1>and it looked to me such confidence and fluidity. Because

0:18:50.119 --> 0:18:53.159
<v Speaker 1>I thought it must not be you. I thought it

0:18:53.240 --> 0:18:56.520
<v Speaker 1>must be you filming your ferrier. At first I was like, oh, Clay,

0:18:56.520 --> 0:18:59.560
<v Speaker 1>he is doing this to a horse's foot, And then uh,

0:18:59.760 --> 0:19:02.080
<v Speaker 1>I was like that, I can't be Clay. He's never

0:19:02.080 --> 0:19:04.600
<v Speaker 1>said about how he's never said he's like way into that.

0:19:04.880 --> 0:19:08.720
<v Speaker 1>And I was like, man, if you watched if you

0:19:08.800 --> 0:19:12.760
<v Speaker 1>watched a real fairier, they would they would be like

0:19:13.240 --> 0:19:17.520
<v Speaker 1>so much more. And that's what the guys that we're

0:19:17.520 --> 0:19:20.359
<v Speaker 1>hacking on me. One guy was like, yeah, I remember

0:19:20.359 --> 0:19:22.879
<v Speaker 1>what my first beer was. Like that was his literal quote,

0:19:22.920 --> 0:19:25.760
<v Speaker 1>Like like he could say like, yeah, you hadn't done

0:19:25.760 --> 0:19:30.920
<v Speaker 1>this that much, which is true. You know, the tone

0:19:30.960 --> 0:19:32.959
<v Speaker 1>of the converence, you know, the tone of the comment,

0:19:33.160 --> 0:19:36.359
<v Speaker 1>like maybe it'd be different if it were just like

0:19:36.440 --> 0:19:40.919
<v Speaker 1>some Instagram for something a little more encouraging. Yeah, exactly,

0:19:41.200 --> 0:19:48.080
<v Speaker 1>guys like some pointers, maybe some you know education shut.

0:19:48.880 --> 0:19:51.320
<v Speaker 1>That is my favorite part though. It's like, if you

0:19:51.400 --> 0:19:56.840
<v Speaker 1>are the authority, here is a beautiful opportunity to interact

0:19:56.880 --> 0:20:01.359
<v Speaker 1>with a bunch of people and give them something to

0:20:01.400 --> 0:20:06.159
<v Speaker 1>go home with out of the whole depth of experience

0:20:06.200 --> 0:20:09.040
<v Speaker 1>that you have packed into your brain. But instead what

0:20:09.080 --> 0:20:15.040
<v Speaker 1>you say is go f yourself right and It's like, oh,

0:20:15.160 --> 0:20:17.520
<v Speaker 1>so is that going to make people gravitate towards your

0:20:17.560 --> 0:20:21.080
<v Speaker 1>intelligence to come find you the authority on this subject.

0:20:21.200 --> 0:20:25.679
<v Speaker 1>It's like, Nope, Nope, nobody wants. Nobody wants to have

0:20:25.880 --> 0:20:32.400
<v Speaker 1>your grump spread around. Right. Meanwhile, Clay, who's not the

0:20:32.720 --> 0:20:36.159
<v Speaker 1>end point of experience on the the hoof Triman scale,

0:20:36.359 --> 0:20:38.120
<v Speaker 1>He's gonna have a line out the front door because

0:20:38.119 --> 0:20:39.720
<v Speaker 1>he's a nice person. He's gonna take the time to

0:20:39.720 --> 0:20:44.520
<v Speaker 1>talk to you. My wife thinks hoof Triman is extremely gross.

0:20:45.400 --> 0:20:48.040
<v Speaker 1>She oh, she just she watched me do it one time.

0:20:48.080 --> 0:20:50.680
<v Speaker 1>And it does smell like it has a smell. It's

0:20:50.720 --> 0:20:53.440
<v Speaker 1>not a necessarily a bad smell. It's just a distinct

0:20:53.880 --> 0:20:58.720
<v Speaker 1>like nail. Yeah, Like when you like grind to burn

0:20:58.800 --> 0:21:01.680
<v Speaker 1>hair cut bone with the saw, you have that bone smell.

0:21:01.800 --> 0:21:07.639
<v Speaker 1>It's kind of like that. Um, real real quick, you

0:21:07.640 --> 0:21:10.000
<v Speaker 1>you need to you need to shod horses when they're

0:21:10.119 --> 0:21:15.920
<v Speaker 1>like particularly when they're gonna be traveling on rocky ground. Right. Um,

0:21:16.520 --> 0:21:21.040
<v Speaker 1>go back to the American West two years ago, where

0:21:21.080 --> 0:21:25.080
<v Speaker 1>people are traveling long distances, they're away from any kind

0:21:25.119 --> 0:21:30.120
<v Speaker 1>of settlements civilizations. Are they just not doing it? I mean,

0:21:30.160 --> 0:21:37.639
<v Speaker 1>obviously the the like the uh, horse mounted planes, Indian

0:21:37.720 --> 0:21:41.879
<v Speaker 1>hunters riding unshot horses, but they're on rocky. That's a

0:21:42.080 --> 0:21:44.840
<v Speaker 1>that's a that is a question that I've never really

0:21:44.880 --> 0:21:47.800
<v Speaker 1>heard someone concisely answered. But I'll tell you my understanding

0:21:47.880 --> 0:21:52.520
<v Speaker 1>of it. In modern times, the modern breeding of our horses,

0:21:53.160 --> 0:21:56.400
<v Speaker 1>they pretty much have to be shot if they're going

0:21:56.480 --> 0:22:01.280
<v Speaker 1>to be used extensively. Just a hoofst ructure. They just

0:22:01.400 --> 0:22:05.719
<v Speaker 1>stayed together, their feet stayed together so much better if

0:22:05.760 --> 0:22:07.760
<v Speaker 1>they're shot. Like so those guys might have just burned

0:22:07.800 --> 0:22:11.159
<v Speaker 1>them out quicker. Yep, I think so. And you know,

0:22:11.200 --> 0:22:13.919
<v Speaker 1>I mean, if you're talking about the planes Indians and

0:22:14.000 --> 0:22:18.000
<v Speaker 1>the horses that they had, I mean they were consciously

0:22:18.080 --> 0:22:22.720
<v Speaker 1>or unconsciously selectively breeding four animals that had strong hoofs.

0:22:23.280 --> 0:22:26.480
<v Speaker 1>You know, but obviously while the horses didn't weren't shod.

0:22:27.119 --> 0:22:30.520
<v Speaker 1>But you know, there are some horses that I mean

0:22:30.560 --> 0:22:33.240
<v Speaker 1>can't even walk through a flat pasture without shoes on

0:22:34.400 --> 0:22:38.440
<v Speaker 1>and uh, and it's just their structure. Yeah, just like

0:22:38.680 --> 0:22:42.399
<v Speaker 1>just like there's also you know, some people say if

0:22:42.440 --> 0:22:45.680
<v Speaker 1>you never shoe them, you know, you don't you kind

0:22:45.680 --> 0:22:48.919
<v Speaker 1>of buy shooing them. You're creating a process that you

0:22:48.960 --> 0:22:51.320
<v Speaker 1>have to continue, kind of like us wearing shoes, Like

0:22:51.400 --> 0:22:54.160
<v Speaker 1>if you never wore shoes, you wouldn't need shoes. There's

0:22:54.200 --> 0:22:55.560
<v Speaker 1>a fine line, and a lot of it has to

0:22:55.600 --> 0:22:57.760
<v Speaker 1>do with the specifics of that animal. But that's also

0:22:57.920 --> 0:23:01.160
<v Speaker 1>one of the reasons I love mules is for what

0:23:01.280 --> 0:23:03.679
<v Speaker 1>I do with mules. I pretty much never have to

0:23:03.680 --> 0:23:06.800
<v Speaker 1>shoot him. Now. I was in Arizona two weeks ago

0:23:06.840 --> 0:23:09.440
<v Speaker 1>with Warner Glenn out there, and they have to shod

0:23:09.520 --> 0:23:12.560
<v Speaker 1>their mules all the time just because they're walking on

0:23:13.280 --> 0:23:17.800
<v Speaker 1>uh maupie mau piss volcanic rock all the time constantly,

0:23:18.000 --> 0:23:20.560
<v Speaker 1>So I mean they're Warner told me, he said, yeah, mule,

0:23:20.640 --> 0:23:23.159
<v Speaker 1>you could ride an unshot mule in this country for

0:23:23.400 --> 0:23:25.840
<v Speaker 1>one day and then you'd have to put it up

0:23:25.880 --> 0:23:27.840
<v Speaker 1>in a stall for two days, and then you could

0:23:27.920 --> 0:23:30.639
<v Speaker 1>ride it again on the fourth day, you know. And

0:23:30.680 --> 0:23:32.639
<v Speaker 1>so they shoot them all and don't have any trouble.

0:23:33.000 --> 0:23:35.680
<v Speaker 1>But yeah, the whole shoeing things pretty well. It's really interesting.

0:23:37.080 --> 0:23:42.080
<v Speaker 1>You can read some stuff about like rawhide um foot

0:23:42.119 --> 0:23:46.199
<v Speaker 1>protection for for horses back in the day. That's a

0:23:46.440 --> 0:23:49.040
<v Speaker 1>that's a real thing. I've read some references to it,

0:23:49.200 --> 0:23:52.400
<v Speaker 1>but I don't know, but I think the burnout factor

0:23:52.720 --> 0:23:56.439
<v Speaker 1>is a huge one because you read about the size

0:23:56.440 --> 0:23:58.840
<v Speaker 1>of the horse herds for a lot of the planes tribes,

0:24:00.040 --> 0:24:04.400
<v Speaker 1>we're immense, you know, immense ements. So I don't I don't.

0:24:05.080 --> 0:24:08.320
<v Speaker 1>I don't think anybody was our our idea of having

0:24:08.440 --> 0:24:12.200
<v Speaker 1>an animal like that's my go to. I don't think

0:24:12.240 --> 0:24:15.320
<v Speaker 1>it was the thing. Man. I gotta say this before

0:24:15.320 --> 0:24:18.719
<v Speaker 1>we start talking about Jerry Clower bringing up warrener Glenn

0:24:18.960 --> 0:24:23.199
<v Speaker 1>and mules. Warrener Glenn, eighty six years old, lives in

0:24:23.240 --> 0:24:27.840
<v Speaker 1>the Arizona Cowboy Dry ground line hunter. We hunted with

0:24:27.880 --> 0:24:33.919
<v Speaker 1>him for four days, and in the on the first day,

0:24:34.240 --> 0:24:39.480
<v Speaker 1>we rode in stuff that was the most treacherous, like

0:24:39.520 --> 0:24:44.199
<v Speaker 1>the wildest mule stuff I've ever been in, pretty much

0:24:44.280 --> 0:24:46.760
<v Speaker 1>by far. And you're going out with this eighty six

0:24:46.840 --> 0:24:50.760
<v Speaker 1>year old man and you think, yeah, I've never ridden

0:24:50.760 --> 0:24:53.640
<v Speaker 1>with him extensively. So I was like, we're probably gonna

0:24:53.720 --> 0:24:57.560
<v Speaker 1>kind of go easier places just based upon the man's age.

0:24:58.080 --> 0:24:59.800
<v Speaker 1>And there were a bunch of us because there was

0:24:59.840 --> 0:25:02.800
<v Speaker 1>a through there and at one point the dogs went

0:25:02.840 --> 0:25:06.320
<v Speaker 1>over this big mountain and Warner said, Okay, y'all go

0:25:06.400 --> 0:25:08.720
<v Speaker 1>around and me and Clay are gonna go just follow

0:25:08.760 --> 0:25:12.960
<v Speaker 1>the dogs. And so we went up something that was

0:25:13.040 --> 0:25:19.440
<v Speaker 1>just wildly steep boulders, limbs, just it was the most

0:25:19.440 --> 0:25:21.760
<v Speaker 1>treacherous half mile a mule ride and I've ever done.

0:25:23.160 --> 0:25:27.000
<v Speaker 1>That night, when we got back home over dinner, I said,

0:25:27.640 --> 0:25:30.680
<v Speaker 1>I said, Mr Warner, on a scale one to ten,

0:25:31.560 --> 0:25:35.720
<v Speaker 1>one being riding down a gravel flat gravel road, ten

0:25:35.920 --> 0:25:38.879
<v Speaker 1>being the absolute hardest mule ride you've ever done in

0:25:38.920 --> 0:25:42.600
<v Speaker 1>your life, what did we do today? And he said,

0:25:43.160 --> 0:25:46.399
<v Speaker 1>I was about eight or nine. He said if he

0:25:46.680 --> 0:25:48.440
<v Speaker 1>he said, the reason being, if it was any worse,

0:25:48.520 --> 0:25:51.280
<v Speaker 1>you just couldn't have gone. And what he said to me,

0:25:51.560 --> 0:25:53.879
<v Speaker 1>and I'll never forget it, and and I kind of

0:25:53.880 --> 0:25:56.000
<v Speaker 1>would have known this, but by him saying it, it

0:25:56.080 --> 0:25:58.399
<v Speaker 1>kind of stamped it on me. He just said, if

0:25:58.440 --> 0:26:03.120
<v Speaker 1>your mule will go, just ride it and go. He said,

0:26:03.119 --> 0:26:05.760
<v Speaker 1>your mule will tell you when it's too much. And

0:26:05.800 --> 0:26:07.919
<v Speaker 1>I mean pretty much you're limited by just where that

0:26:08.000 --> 0:26:10.760
<v Speaker 1>animal will go. If you spur it and it goes,

0:26:11.560 --> 0:26:14.240
<v Speaker 1>it's not gonna get itself into a situation that's gonna

0:26:14.320 --> 0:26:16.720
<v Speaker 1>hurt it. Now, it could hurt you. You could fall off,

0:26:16.760 --> 0:26:18.760
<v Speaker 1>you could get raked off by a limb, you could,

0:26:19.080 --> 0:26:22.439
<v Speaker 1>you know, bad stuff could happen to you, but that

0:26:22.520 --> 0:26:24.040
<v Speaker 1>animal is gonna be all right. So it was a

0:26:24.040 --> 0:26:27.720
<v Speaker 1>pretty pretty exciting time. So you can't spur a mule

0:26:27.760 --> 0:26:30.720
<v Speaker 1>off a cliff's edge, That's right. That's why they that's

0:26:30.800 --> 0:26:34.159
<v Speaker 1>that's their whole thing. Uh. Have you've done much writing

0:26:34.160 --> 0:26:37.640
<v Speaker 1>at night? A little bit? Not, probably not as much

0:26:37.640 --> 0:26:40.640
<v Speaker 1>as uh some of these guys coming way back from

0:26:40.680 --> 0:26:45.240
<v Speaker 1>back country. Yeah, I mean that's that's a wild wild thing. Man.

0:26:45.359 --> 0:26:47.920
<v Speaker 1>It's not having your light on. Yeah, so you don't

0:26:48.000 --> 0:26:51.360
<v Speaker 1>don't have your head lamp on so the mule can

0:26:51.359 --> 0:26:54.760
<v Speaker 1>see better. And yeah, you get that like feeling of

0:26:54.800 --> 0:26:58.720
<v Speaker 1>floating sometimes and you're just like super dark knights and

0:26:59.080 --> 0:27:02.600
<v Speaker 1>cross river up and down drainages and they're all all

0:27:02.640 --> 0:27:05.359
<v Speaker 1>they're doing is heading for home, and they kind of

0:27:05.440 --> 0:27:08.360
<v Speaker 1>quicken up the pace the closer you get, and it's

0:27:08.520 --> 0:27:12.000
<v Speaker 1>it's pretty wild, but you get some real real confidence

0:27:12.000 --> 0:27:15.200
<v Speaker 1>in them. Yeah. But there's also those zones with low

0:27:15.280 --> 0:27:27.240
<v Speaker 1>hanging branches. Yeah, that's that's treacherous. Speaking of mules, Jerry

0:27:27.280 --> 0:27:33.480
<v Speaker 1>Cloward loved mules. He was transition, he was he was

0:27:33.520 --> 0:27:38.160
<v Speaker 1>big into mules mule. Yeah, yeah, he had he had

0:27:38.200 --> 0:27:40.560
<v Speaker 1>the He had the one where he was with a

0:27:40.880 --> 0:27:44.960
<v Speaker 1>New York City music executive and he shot the mule

0:27:45.160 --> 0:27:48.880
<v Speaker 1>Uncle Versy's mule. He was laid by twenty six crops

0:27:48.920 --> 0:27:53.120
<v Speaker 1>with her. Yeah yeah, Okay, So we've been we've been

0:27:53.160 --> 0:27:56.119
<v Speaker 1>doing a two part series on the cultural impact of

0:27:56.119 --> 0:27:58.520
<v Speaker 1>the book where the Red Friend Grows and the way

0:27:58.560 --> 0:28:01.159
<v Speaker 1>that I described it was it was that one time

0:28:01.720 --> 0:28:08.840
<v Speaker 1>that coon hunting, this super niche small scale hunting related thing,

0:28:09.160 --> 0:28:11.960
<v Speaker 1>did a three sixty slam dunk on pop culture made

0:28:12.000 --> 0:28:14.720
<v Speaker 1>him love it, all right, that's the truth. I mean

0:28:14.760 --> 0:28:17.680
<v Speaker 1>that that book is just so widespread to this day,

0:28:18.040 --> 0:28:20.960
<v Speaker 1>used across the country and urban areas. Always thought it

0:28:21.000 --> 0:28:24.000
<v Speaker 1>was kind of a regional phenomena because you know, I

0:28:24.040 --> 0:28:26.560
<v Speaker 1>live about an hour from Talaqua, where that book happens.

0:28:26.560 --> 0:28:31.240
<v Speaker 1>So we we did that. Somebody wrote me and I

0:28:31.200 --> 0:28:32.879
<v Speaker 1>got to give him credit, and I don't even know

0:28:32.880 --> 0:28:35.560
<v Speaker 1>who it was, and said, hey, you gotta do something

0:28:35.560 --> 0:28:39.400
<v Speaker 1>on Jerry Clower and I don't want to. We could

0:28:39.440 --> 0:28:42.080
<v Speaker 1>get into the details of how I know about Jerry Cloud,

0:28:42.640 --> 0:28:45.200
<v Speaker 1>which we will. We will. Steve has a few things

0:28:45.240 --> 0:28:49.760
<v Speaker 1>to say, but very quickly what I what I so

0:28:50.120 --> 0:28:52.200
<v Speaker 1>the render. Part of the render is seeing behind the

0:28:52.240 --> 0:28:55.080
<v Speaker 1>scenes of the Burgers podcast. We didn't have this planned

0:28:55.080 --> 0:28:56.760
<v Speaker 1>out for a long time. If we had, I'd had

0:28:56.840 --> 0:28:59.840
<v Speaker 1>my friend Steve Ronella talk about Jerry Cloward because apparently

0:28:59.880 --> 0:29:03.600
<v Speaker 1>he an expert on Jerry clouer. Um. We put this

0:29:03.640 --> 0:29:08.520
<v Speaker 1>together relatively quickly, and so my friend Isaac Neil, who

0:29:09.080 --> 0:29:12.280
<v Speaker 1>who helps me with some burglary stuff. I was in

0:29:12.320 --> 0:29:15.440
<v Speaker 1>Arizona and I said, Isaac, when I come home on Monday,

0:29:15.640 --> 0:29:18.280
<v Speaker 1>I have got to have an expert about Jerry Cloud.

0:29:18.480 --> 0:29:21.400
<v Speaker 1>That I I mean, I gotta get an audio recording

0:29:21.440 --> 0:29:24.120
<v Speaker 1>in like two days from when I get home. When

0:29:24.160 --> 0:29:28.120
<v Speaker 1>I got he was messaging me and what He scoured

0:29:28.160 --> 0:29:32.320
<v Speaker 1>the internet, called Jerry's old manager and couldn't get in

0:29:32.400 --> 0:29:36.520
<v Speaker 1>touch with him, and so he called the The City

0:29:36.560 --> 0:29:41.960
<v Speaker 1>council office of Liberty, Mississippi, calls him on the phone

0:29:42.440 --> 0:29:46.280
<v Speaker 1>City Council and he tells them, Hey, we're trying to

0:29:46.320 --> 0:29:48.600
<v Speaker 1>find a Jerry Cloud expert. They give him the cell

0:29:48.640 --> 0:29:52.400
<v Speaker 1>phone number of the Mayor of Liberty, Mississippi, which he

0:29:52.440 --> 0:29:55.520
<v Speaker 1>calls and leaves a message with the Mayor of Liberty, Mississippi.

0:29:56.200 --> 0:30:00.000
<v Speaker 1>Within three hours, he gets a call from from John

0:30:00.040 --> 0:30:05.920
<v Speaker 1>on Newman, Jerry Clower's neighbor from East Fork, Mississippi. Jerry

0:30:05.960 --> 0:30:10.320
<v Speaker 1>lived in East Fork and uh and so so Isaac's

0:30:10.320 --> 0:30:13.600
<v Speaker 1>like Clay. We got Jerry Clower's neighbor. And I hadn't

0:30:13.600 --> 0:30:16.000
<v Speaker 1>talked to John, so I didn't know much about him.

0:30:16.040 --> 0:30:18.160
<v Speaker 1>I said, you know, what's he like? Is he is

0:30:18.200 --> 0:30:21.080
<v Speaker 1>he excited to do this? Like what's the extent of

0:30:21.120 --> 0:30:23.720
<v Speaker 1>his knowledge of Jerry? And you know, he said, man,

0:30:23.720 --> 0:30:27.280
<v Speaker 1>he seems pretty legit, pretty excited. And so I called

0:30:27.360 --> 0:30:34.040
<v Speaker 1>John and just deep Southern accent, just like Jerry. You know.

0:30:34.240 --> 0:30:40.600
<v Speaker 1>I find these regions have obviously, like a Mississippi, Mississippi

0:30:40.600 --> 0:30:42.640
<v Speaker 1>accident would sound a certain way. If you're from Arkansas,

0:30:42.640 --> 0:30:46.440
<v Speaker 1>you sound a certain way. But it's very regional. One time, Steve,

0:30:46.680 --> 0:30:49.080
<v Speaker 1>you would like this story. When I was in college,

0:30:49.440 --> 0:30:52.200
<v Speaker 1>the first day of some big college class, when you're

0:30:52.200 --> 0:30:56.120
<v Speaker 1>in this big auditorium, I sat down in the seat

0:30:56.240 --> 0:30:59.200
<v Speaker 1>and I heard a guy two chairs behind me talking

0:31:00.240 --> 0:31:02.800
<v Speaker 1>and I turned around. I didn't look at it. I

0:31:02.840 --> 0:31:04.760
<v Speaker 1>didn't know who he was. I turned around and I said,

0:31:04.880 --> 0:31:11.240
<v Speaker 1>you're from Gordon, Arkansas, And he was from Gurdon, Arkansas,

0:31:11.720 --> 0:31:15.120
<v Speaker 1>and I'd recognized his accent in a heartbeat because I

0:31:15.160 --> 0:31:18.120
<v Speaker 1>had a friend from Grdon, Arkansas. Just immediately I picked

0:31:18.120 --> 0:31:22.080
<v Speaker 1>it up. I say that to say, the accent of

0:31:22.080 --> 0:31:26.760
<v Speaker 1>the South is varied, extremely varied, and but not when

0:31:26.760 --> 0:31:32.360
<v Speaker 1>you're a Yankee. Yeah yeah, maybe so maybe so you're

0:31:32.400 --> 0:31:35.920
<v Speaker 1>from down there. Yeah yeah, no, I get I see

0:31:35.960 --> 0:31:40.160
<v Speaker 1>what you're saying. But east Fork, Mississippi, it was eight

0:31:40.200 --> 0:31:43.000
<v Speaker 1>hours from my house. So I drove to east Fork, Mississippi,

0:31:43.040 --> 0:31:46.280
<v Speaker 1>met John Newman, and uh, can I give it just

0:31:46.320 --> 0:31:50.400
<v Speaker 1>a little bit of color commentary on Uh, Liberty, Mississippi.

0:31:52.240 --> 0:31:57.360
<v Speaker 1>Seven would be the population. So the mayor is the

0:31:57.400 --> 0:32:03.200
<v Speaker 1>mayor of what is known as a micropolitan twelve miles

0:32:03.440 --> 0:32:07.480
<v Speaker 1>east of McComb, Mississippi. I think McComb, Mississippi, as Jerry

0:32:07.520 --> 0:32:11.280
<v Speaker 1>says it is, the is the big town. Um. But

0:32:11.400 --> 0:32:15.880
<v Speaker 1>Liberty is the county seat of Amity. Nope, a mitt

0:32:16.280 --> 0:32:23.320
<v Speaker 1>Amen River swamps A river? Am I t emphasis on

0:32:23.400 --> 0:32:28.360
<v Speaker 1>the a A mitt river? Yeah, so a lot, a

0:32:28.360 --> 0:32:30.560
<v Speaker 1>lot of Jerry Clowder stuff takes place in the Amat

0:32:30.640 --> 0:32:34.680
<v Speaker 1>River swamps. Yes. So, Steve, what was what's your connection

0:32:34.680 --> 0:32:36.640
<v Speaker 1>to Jerry Clowder? You know. I thought about it long

0:32:36.680 --> 0:32:40.480
<v Speaker 1>and hard after Could I first tell my problem? Yes,

0:32:41.160 --> 0:32:47.080
<v Speaker 1>my problem is I I like, right when I knew

0:32:47.120 --> 0:32:50.640
<v Speaker 1>you liked hunting raccoons, I was telling you listen to

0:32:50.680 --> 0:32:55.520
<v Speaker 1>Jerry cloud y'all listen to Jerry Clower. Now listen. Did

0:32:55.520 --> 0:32:58.120
<v Speaker 1>you think I was listening to Jerry Clower before you

0:32:58.160 --> 0:33:02.040
<v Speaker 1>were born? So remember when you were talking about the

0:33:04.880 --> 0:33:08.040
<v Speaker 1>fact that the fact that you would do the Jerry

0:33:08.120 --> 0:33:13.280
<v Speaker 1>Clower thing, and and not even and I would have

0:33:13.320 --> 0:33:17.160
<v Speaker 1>to find out about it through Phil. I can see

0:33:17.160 --> 0:33:20.880
<v Speaker 1>how that would be really hurt. So I'll tell you

0:33:20.880 --> 0:33:23.400
<v Speaker 1>the first Okay, I thought about it, like, what was

0:33:23.440 --> 0:33:29.240
<v Speaker 1>my initial Jerry clowd touch point? Was this I could

0:33:29.320 --> 0:33:33.360
<v Speaker 1>actually put I could go back home and conduct some interviews,

0:33:33.400 --> 0:33:35.240
<v Speaker 1>and I could probably find out the exact year because

0:33:35.240 --> 0:33:37.320
<v Speaker 1>I know where my bus stop was at the time.

0:33:37.920 --> 0:33:43.440
<v Speaker 1>My bus stop was one mile from my house. And

0:33:43.480 --> 0:33:46.480
<v Speaker 1>it was can you do this in a Jerry one

0:33:47.280 --> 0:33:53.120
<v Speaker 1>from I will you need three compass directions one mile

0:33:53.520 --> 0:34:02.360
<v Speaker 1>east of where Duff Road and Strail Road came together. Okay?

0:34:02.800 --> 0:34:06.640
<v Speaker 1>It was yeah, I can do all that you could

0:34:07.040 --> 0:34:10.080
<v Speaker 1>if you had time triangulation. It was we had to

0:34:10.080 --> 0:34:12.520
<v Speaker 1>walk that far to the bus stop because they didn't

0:34:12.560 --> 0:34:14.760
<v Speaker 1>they needed to have a certain amount of visual clearance

0:34:14.800 --> 0:34:16.680
<v Speaker 1>down the roads, and apparently so for a while they

0:34:16.719 --> 0:34:19.280
<v Speaker 1>moved our bus stop to a horrible fire away spot.

0:34:19.760 --> 0:34:23.040
<v Speaker 1>The reason I say this I heard of Jerry Clower's

0:34:23.040 --> 0:34:25.400
<v Speaker 1>story and it was the one he tells about the

0:34:26.960 --> 0:34:31.480
<v Speaker 1>little boy out on a moped or something and a

0:34:31.680 --> 0:34:34.600
<v Speaker 1>brand new I can't remember what car, like some sports

0:34:34.640 --> 0:34:38.879
<v Speaker 1>car pulls up next to him and the little boy

0:34:39.040 --> 0:34:41.640
<v Speaker 1>is like so curious about the car. The owner of

0:34:41.640 --> 0:34:44.160
<v Speaker 1>the car rolls the window down and the boys got

0:34:44.200 --> 0:34:46.480
<v Speaker 1>his nose there and he's smelling the new leather and

0:34:46.520 --> 0:34:49.760
<v Speaker 1>he's just so blown away in and the light turns green,

0:34:50.880 --> 0:34:53.960
<v Speaker 1>and the motors decided to impress the little boy and

0:34:54.080 --> 0:34:58.040
<v Speaker 1>just gun it out of the intersection. So he peels

0:34:58.120 --> 0:35:00.200
<v Speaker 1>rubber out of the intersection heads down the road, and

0:35:00.239 --> 0:35:02.520
<v Speaker 1>a while later, in his rearview mirror, he sees his

0:35:02.600 --> 0:35:08.960
<v Speaker 1>little boy overtaking him on the moped and foom past him,

0:35:09.040 --> 0:35:10.400
<v Speaker 1>And a little while later he comes back to the

0:35:10.440 --> 0:35:15.040
<v Speaker 1>other direction, Poom passes him, and while they're here, he

0:35:15.040 --> 0:35:17.360
<v Speaker 1>sees him coming agains like, how's that boy going that fast?

0:35:17.400 --> 0:35:21.400
<v Speaker 1>And smashed into the car and the guy gets out.

0:35:21.440 --> 0:35:22.600
<v Speaker 1>He's like, Oh, is there anything I can do I

0:35:22.600 --> 0:35:24.400
<v Speaker 1>for you? I'm so and he's like, yes, sir, you

0:35:24.400 --> 0:35:30.839
<v Speaker 1>can unhook my suspenders from the rear from the side

0:35:30.880 --> 0:35:35.120
<v Speaker 1>of you mirror. So uh, and I remember going down

0:35:35.160 --> 0:35:37.120
<v Speaker 1>to the bus stop. You were tickled by that one.

0:35:37.160 --> 0:35:41.160
<v Speaker 1>When you remember going down to that bust that bus

0:35:41.160 --> 0:35:44.120
<v Speaker 1>stop in that spot and telling people about it and

0:35:44.160 --> 0:35:49.040
<v Speaker 1>what it was was. My mom had been raised in

0:35:49.040 --> 0:35:53.360
<v Speaker 1>in in in a farm area outside of Chicago that

0:35:53.480 --> 0:35:57.680
<v Speaker 1>became like now it's like a big Chicago subdivision in Naperville.

0:35:57.719 --> 0:36:01.879
<v Speaker 1>I think, Uh, she's a w g N listener because

0:36:01.880 --> 0:36:05.279
<v Speaker 1>she's like Chicago Cubs. Even when she moved four or

0:36:05.280 --> 0:36:08.480
<v Speaker 1>five hours away from Chicago up into Michigan, she would

0:36:08.480 --> 0:36:11.279
<v Speaker 1>do anything possible to try to get w g N.

0:36:11.360 --> 0:36:14.000
<v Speaker 1>So I grew up with w g N always playing.

0:36:14.840 --> 0:36:19.319
<v Speaker 1>She liked the Cubs games all that Cloud used to go.

0:36:19.680 --> 0:36:21.359
<v Speaker 1>So this would have been in the I was born

0:36:21.400 --> 0:36:24.080
<v Speaker 1>in seventy four. This has been like late seventies, early eighties.

0:36:24.480 --> 0:36:26.800
<v Speaker 1>Cloud would go on w g N. Tell a story

0:36:26.840 --> 0:36:32.560
<v Speaker 1>now and then no one like we knew about him.

0:36:32.920 --> 0:36:35.640
<v Speaker 1>No one knew about him as a point. It wasn't

0:36:35.680 --> 0:36:37.160
<v Speaker 1>like a thing is like, we had a very like

0:36:37.280 --> 0:36:40.080
<v Speaker 1>specific entry into Cloud, but we liked them a lot.

0:36:40.640 --> 0:36:42.920
<v Speaker 1>So we probably had the eight tracks at a time,

0:36:43.280 --> 0:36:46.279
<v Speaker 1>but we had like Jerry Clowder cassette tapes in the

0:36:46.280 --> 0:36:48.359
<v Speaker 1>car and my parents would find this stuff and buy

0:36:48.360 --> 0:36:51.240
<v Speaker 1>it and we would listen to Cloud. And then even

0:36:51.280 --> 0:36:55.040
<v Speaker 1>in all through like high school, all through college, within

0:36:55.120 --> 0:36:59.000
<v Speaker 1>my like immediate group of friends, we would make Clouder

0:36:59.120 --> 0:37:02.200
<v Speaker 1>references all the time. Yeah, if we were describing a

0:37:02.320 --> 0:37:05.240
<v Speaker 1>tree that did you'd be like, there wasn't a limb

0:37:05.280 --> 0:37:09.239
<v Speaker 1>on it for a while, right, Yeah, And like we

0:37:09.280 --> 0:37:12.600
<v Speaker 1>had all these Clowder jokes we would run. Later, when

0:37:12.640 --> 0:37:15.239
<v Speaker 1>I was in graduate school, this guy there's this novelist

0:37:15.320 --> 0:37:21.880
<v Speaker 1>from Mississippi named Larry Brown from Oxford, Mississippi, and he

0:37:21.960 --> 0:37:23.399
<v Speaker 1>kind of like took me on his wing a little

0:37:23.400 --> 0:37:26.160
<v Speaker 1>bit and we became buddies, would go drinking together and stuff.

0:37:26.560 --> 0:37:29.400
<v Speaker 1>He actually passed away or had a heart attack when

0:37:29.400 --> 0:37:33.719
<v Speaker 1>he was young. Um. I was like, oh, you know,

0:37:33.800 --> 0:37:37.120
<v Speaker 1>one day we're just talking and I said to Larry Brown,

0:37:37.120 --> 0:37:39.480
<v Speaker 1>I'm like, you're from Mississippi. Have you ever heard of

0:37:39.480 --> 0:37:44.640
<v Speaker 1>the guy Jerry Clower not only that he hung out

0:37:44.640 --> 0:37:47.360
<v Speaker 1>with Jerry Clowder And that's what made me think that

0:37:47.400 --> 0:37:50.360
<v Speaker 1>you like the Mississippi people, Southern people whatever, like somehow

0:37:50.400 --> 0:37:54.960
<v Speaker 1>all know each other. And Larry Brown would talk about

0:37:55.000 --> 0:37:58.400
<v Speaker 1>how he was friends with Jerry. We're talking about how

0:37:58.520 --> 0:38:02.160
<v Speaker 1>Jerry had a rule for himself that he wouldn't tell

0:38:02.160 --> 0:38:06.320
<v Speaker 1>a story on stage on a radio show, that he

0:38:06.320 --> 0:38:08.920
<v Speaker 1>wouldn't stand, that he wouldn't feel comfortable standing up front

0:38:08.960 --> 0:38:14.040
<v Speaker 1>of his church and tell him and what Clara died. Yeah,

0:38:14.040 --> 0:38:16.960
<v Speaker 1>it wasn't too terribly much longer than that. Uh, Larry

0:38:16.960 --> 0:38:22.040
<v Speaker 1>Brown died. Um, but that was the first person outside

0:38:22.080 --> 0:38:26.080
<v Speaker 1>of my immediate circle that I ever encountered the knew

0:38:26.080 --> 0:38:32.000
<v Speaker 1>who that guy was. So so my biggest question was

0:38:32.200 --> 0:38:36.080
<v Speaker 1>how big of a national phenomena Jerry Clowd was because

0:38:36.080 --> 0:38:38.120
<v Speaker 1>he was on the Grand Old Opry, which would have had,

0:38:38.719 --> 0:38:43.680
<v Speaker 1>you know, a national presence, but he was. I talked

0:38:43.760 --> 0:38:47.800
<v Speaker 1>to Dr Brooks Levins, who was kind of an Ozark's

0:38:48.080 --> 0:38:52.560
<v Speaker 1>regional expert, and I just kind of pitched an email

0:38:52.600 --> 0:38:53.799
<v Speaker 1>to him like, hey, what do you know any think

0:38:53.800 --> 0:38:56.000
<v Speaker 1>about Jerry Clowd. He knows quite a bit about other

0:38:56.200 --> 0:38:59.480
<v Speaker 1>Southern cultural related stuff. And his comment to me was

0:38:59.520 --> 0:39:03.480
<v Speaker 1>that he felt like Clara was kind of a regional phenomena.

0:39:04.480 --> 0:39:07.600
<v Speaker 1>And and you know, he acknowledged that he would have

0:39:07.640 --> 0:39:11.120
<v Speaker 1>been known at the wider scale, but you know, obviously

0:39:11.160 --> 0:39:15.520
<v Speaker 1>the hub of his the hub of his, his base

0:39:15.760 --> 0:39:20.320
<v Speaker 1>was clearly the South. But Clara also talked about traveling

0:39:20.440 --> 0:39:24.240
<v Speaker 1>up in the Northeast and telling stories. He actually in

0:39:24.239 --> 0:39:26.279
<v Speaker 1>in one of the books that he has, a book

0:39:26.320 --> 0:39:28.560
<v Speaker 1>called Stories from Home, and it really was just a

0:39:28.640 --> 0:39:31.560
<v Speaker 1>transcription of a big long interview they did with him,

0:39:31.600 --> 0:39:33.720
<v Speaker 1>and he talked about when he was in the South

0:39:34.040 --> 0:39:38.280
<v Speaker 1>he could tell stories just real freely, without explanation of stuff,

0:39:38.960 --> 0:39:42.440
<v Speaker 1>and when he was anywhere else he would his stories

0:39:42.480 --> 0:39:45.560
<v Speaker 1>would be longer because he would say something like boiled

0:39:45.560 --> 0:39:51.439
<v Speaker 1>okra and he would have to qualify it tree. Yeah,

0:39:51.680 --> 0:39:55.040
<v Speaker 1>then he got where he had to explain the terms

0:39:55.040 --> 0:39:57.440
<v Speaker 1>for everybody. Well and just here and you say that, you,

0:39:57.560 --> 0:40:00.040
<v Speaker 1>I mean, I was surprised. I actually considered text in

0:40:00.200 --> 0:40:02.480
<v Speaker 1>you that week that we were building this, which was

0:40:02.520 --> 0:40:04.400
<v Speaker 1>just last week, and I was gonna say, do you

0:40:04.400 --> 0:40:07.279
<v Speaker 1>know who Jerry Clowd is? And I do remember, I

0:40:07.400 --> 0:40:10.440
<v Speaker 1>remember now you're telling me that yeah, yeah, I do

0:40:10.520 --> 0:40:12.600
<v Speaker 1>remember you telling if you want to get if you

0:40:12.600 --> 0:40:16.640
<v Speaker 1>want to increase the number. Like you might say to someone,

0:40:17.600 --> 0:40:19.520
<v Speaker 1>do you know who Jerry Clowder is? They're gonna say no,

0:40:20.200 --> 0:40:24.400
<v Speaker 1>then say to him this. Imagine back to when you

0:40:24.440 --> 0:40:28.239
<v Speaker 1>were a kid. Do you remember a magic bait commercial

0:40:29.160 --> 0:40:34.440
<v Speaker 1>in which a man said, it'll fling a craven on him.

0:40:34.560 --> 0:40:39.040
<v Speaker 1>Speaking of magic the use of magic bait, will fling

0:40:39.080 --> 0:40:43.040
<v Speaker 1>a craven on the catfish. That is Jerry Clowder. So

0:40:43.080 --> 0:40:45.120
<v Speaker 1>he did a commercial for that company and it was

0:40:45.160 --> 0:40:48.080
<v Speaker 1>like magic bait, It'll fling a craven on him. That's Jerry.

0:40:48.120 --> 0:40:51.000
<v Speaker 1>That was Jerry Clowder's voice, and that will get a

0:40:50.760 --> 0:40:52.080
<v Speaker 1>lot a lot of people be like, oh, yeah, I

0:40:52.080 --> 0:40:54.719
<v Speaker 1>remember that. I'd be like, if you you're the guy,

0:40:54.760 --> 0:40:56.959
<v Speaker 1>the milk guy Verne and all that, What the hell's

0:40:56.960 --> 0:40:59.960
<v Speaker 1>that guy's name? I don't remember. Yeah, you can say like, hey,

0:41:00.000 --> 0:41:01.880
<v Speaker 1>do you remember his name? He was born when a

0:41:01.920 --> 0:41:05.080
<v Speaker 1>lot of your life happened. It sounds so funny too,

0:41:05.120 --> 0:41:10.959
<v Speaker 1>because what you're talking about the intersection of the core

0:41:11.080 --> 0:41:18.520
<v Speaker 1>demographic and where that core demographic overlaps with the magic

0:41:18.560 --> 0:41:23.120
<v Speaker 1>catfish bait. I think you may be giving it too

0:41:23.160 --> 0:41:28.680
<v Speaker 1>much credit because the widespread phenomena that had six people,

0:41:34.040 --> 0:41:38.200
<v Speaker 1>I got it. Uh, buddy in in Alabama who is

0:41:38.320 --> 0:41:44.759
<v Speaker 1>just like your classic soft spoken storytelling dude and his

0:41:46.560 --> 0:41:49.760
<v Speaker 1>he knows that it just had giant repertoire Jerry Clower stories.

0:41:50.239 --> 0:41:54.600
<v Speaker 1>But and he'll just like slow roll him out for you,

0:41:54.600 --> 0:41:58.400
<v Speaker 1>you know, and their their first person stories, right, and

0:41:58.480 --> 0:42:01.640
<v Speaker 1>so after the very first one, you're like, oh, I

0:42:01.719 --> 0:42:04.120
<v Speaker 1>get it. This is not your story. Is just a

0:42:04.160 --> 0:42:09.239
<v Speaker 1>good story. But there's a great one about this kind

0:42:09.239 --> 0:42:12.759
<v Speaker 1>of wealth due gentleman. He's out there squirrel hunting, not

0:42:12.920 --> 0:42:15.880
<v Speaker 1>doing very good, and here comes this this boy up

0:42:15.920 --> 0:42:21.840
<v Speaker 1>the road is just obviously from from a lower class

0:42:21.840 --> 0:42:25.120
<v Speaker 1>society right the other side of the tracks. And he's

0:42:25.280 --> 0:42:29.480
<v Speaker 1>got a bunch of squirrels hanging from his belt but

0:42:29.520 --> 0:42:38.359
<v Speaker 1>no gun or anything. And and he's a son. Looks

0:42:38.400 --> 0:42:41.600
<v Speaker 1>like you're doing pretty good. And so yes, yes, sir, yes, sir.

0:42:41.760 --> 0:42:46.040
<v Speaker 1>You know all Clowder stories are like very polite and

0:42:46.239 --> 0:42:50.640
<v Speaker 1>uh talks, you know, addresses the squirrel squirrels on the

0:42:50.680 --> 0:42:53.799
<v Speaker 1>kid's belt after giving him a spare apple, and they're

0:42:53.880 --> 0:42:58.719
<v Speaker 1>there talking about, uh, the squirrel season, and he says, well, son,

0:42:58.800 --> 0:43:00.480
<v Speaker 1>I see you don't have a gun. He says, no, sir,

0:43:01.800 --> 0:43:05.799
<v Speaker 1>uh use a sling or or just slings Rocks said,

0:43:05.840 --> 0:43:07.960
<v Speaker 1>And he said, I just chuck rocks, just chuck rocks

0:43:08.000 --> 0:43:11.480
<v Speaker 1>at him. Yeah, And and pretty soon as squirrel presents

0:43:11.520 --> 0:43:15.719
<v Speaker 1>itself and and and you guy says, son, why why

0:43:15.719 --> 0:43:18.080
<v Speaker 1>don't you take a crack at that thing? And so

0:43:18.239 --> 0:43:22.160
<v Speaker 1>I think, like left handed, he wings a rock up there,

0:43:22.239 --> 0:43:25.840
<v Speaker 1>knocks squirrel off the tree, and ties another squirrel to

0:43:25.880 --> 0:43:29.920
<v Speaker 1>his belt. And the gist of the story is it's like, oh, man,

0:43:29.640 --> 0:43:33.520
<v Speaker 1>I and you're like you're a lefty to boot or

0:43:33.600 --> 0:43:37.040
<v Speaker 1>something like that, and the kids like, oh no, sir, my,

0:43:37.040 --> 0:43:39.400
<v Speaker 1>my papa won't let me use my right hand. I

0:43:39.400 --> 0:43:44.120
<v Speaker 1>beat him up too much, he said, is he had

0:43:44.160 --> 0:43:46.399
<v Speaker 1>those squirrels tucked up under his belt and it looked

0:43:46.440 --> 0:43:53.880
<v Speaker 1>like a squirrel hula skirt. You know, I it had

0:43:53.880 --> 0:43:56.080
<v Speaker 1>been a long time since I had listened to Jerry Clower,

0:43:56.360 --> 0:43:59.560
<v Speaker 1>and when I was driving to Amtt County, Mississippi, I

0:43:59.600 --> 0:44:03.440
<v Speaker 1>listened to NonStop on on Spotify and Amazon Music. They

0:44:03.480 --> 0:44:08.840
<v Speaker 1>have Jerry Clower's greatest hits. They have um, Possums, Peaches

0:44:08.880 --> 0:44:11.680
<v Speaker 1>and possums. So there's different albums and then they have

0:44:11.800 --> 0:44:16.480
<v Speaker 1>clower power, so there's three albums. There's some deep cuts

0:44:16.480 --> 0:44:22.600
<v Speaker 1>on Spotify too though, or maybe no, you can find

0:44:22.640 --> 0:44:25.360
<v Speaker 1>some deep cuts maybe on YouTube. But I feel like

0:44:25.360 --> 0:44:28.040
<v Speaker 1>there's some deep cuts on can say there's there's more.

0:44:28.120 --> 0:44:30.799
<v Speaker 1>Is that what you're saying hidden gems? Yeah? Yeah, deep

0:44:30.800 --> 0:44:32.440
<v Speaker 1>cuts is like a term for stuff no one knows

0:44:32.480 --> 0:44:35.960
<v Speaker 1>about besides B sides and music. I was actually kind

0:44:35.960 --> 0:44:39.480
<v Speaker 1>of surprised to find it so easily on these main plats.

0:44:39.480 --> 0:44:43.719
<v Speaker 1>Amazing that it's out there. Yeah, yeah, I listen to

0:44:43.760 --> 0:44:46.800
<v Speaker 1>ask the guys that Spotify. I bet they're not aware.

0:44:47.560 --> 0:44:48.840
<v Speaker 1>If you went to the if you met like the

0:44:48.880 --> 0:44:52.080
<v Speaker 1>CEO Spotify, really, you know, I appreciate you guys got

0:44:52.160 --> 0:44:54.600
<v Speaker 1>some clower up. There's gonna be like, oh yeah, that

0:44:54.640 --> 0:45:03.040
<v Speaker 1>was negotiations all the way from the top. Um. I

0:45:03.600 --> 0:45:09.680
<v Speaker 1>think it's all those stories are so like wholesome that

0:45:09.920 --> 0:45:12.960
<v Speaker 1>it's it's due for resurgence, right, Like all I do

0:45:13.080 --> 0:45:18.200
<v Speaker 1>is read up to date, like periodical all all day,

0:45:18.239 --> 0:45:23.080
<v Speaker 1>every day, and it's it's amazing, like how stories like

0:45:23.120 --> 0:45:27.680
<v Speaker 1>that now triggers such an emotional response because everything else

0:45:27.760 --> 0:45:29.560
<v Speaker 1>like you have to suck all the emotion out of

0:45:29.560 --> 0:45:32.640
<v Speaker 1>it just to get through and be like, oh, a

0:45:32.719 --> 0:45:36.719
<v Speaker 1>bunch of people dying, but you know the environment getting destroyed. Uh,

0:45:38.680 --> 0:45:44.239
<v Speaker 1>And then you're like, he's actually right handed. I love it.

0:45:44.440 --> 0:45:48.160
<v Speaker 1>I love it. You know. There there were a couple

0:45:48.160 --> 0:45:52.719
<v Speaker 1>of things that that did stand out to me. I

0:45:52.880 --> 0:45:55.680
<v Speaker 1>never really thought I would have never thought of Klower

0:45:55.800 --> 0:46:00.560
<v Speaker 1>as intentionally like a clean comedian. I mean like we

0:46:00.640 --> 0:46:01.920
<v Speaker 1>just listened to him, and it's just kind of like

0:46:01.920 --> 0:46:05.200
<v Speaker 1>who he was. You didn't compare him up against somebody

0:46:05.239 --> 0:46:08.720
<v Speaker 1>who is different than him. Klower overlap with George Carlin,

0:46:09.160 --> 0:46:15.120
<v Speaker 1>Richard Pryor, all right. I mean folks that started they

0:46:15.360 --> 0:46:20.440
<v Speaker 1>were the ones who started cussing. Yeah. Yeah, Well, I

0:46:20.080 --> 0:46:24.440
<v Speaker 1>I appreciated well going back in and reading his and

0:46:24.480 --> 0:46:26.480
<v Speaker 1>I don't know if it's the most in depth, but

0:46:26.520 --> 0:46:28.719
<v Speaker 1>you know that book Stories from Home, Like he made

0:46:28.719 --> 0:46:30.719
<v Speaker 1>a very intentional decision. And I said it on the

0:46:30.719 --> 0:46:33.600
<v Speaker 1>podcast because I've I value stuff like that when somebody

0:46:33.680 --> 0:46:37.360
<v Speaker 1>has a has a strategy that is against the trend

0:46:37.440 --> 0:46:40.960
<v Speaker 1>and they just do that strategy. And he he said

0:46:41.040 --> 0:46:44.239
<v Speaker 1>that some of somebody at Hollywood exact or somebody that

0:46:44.360 --> 0:46:47.359
<v Speaker 1>was you know over him said hey, man, you're you're

0:46:47.400 --> 0:46:49.600
<v Speaker 1>gonna have to be more risk ay if you want

0:46:49.600 --> 0:46:53.080
<v Speaker 1>to be nationally known. And in his words quote he said,

0:46:53.120 --> 0:46:56.400
<v Speaker 1>I defied them, you know, and he uh and he

0:46:56.560 --> 0:46:58.359
<v Speaker 1>just stuck with who he was. You know, he didn't

0:46:58.360 --> 0:47:00.200
<v Speaker 1>he did. He didn't let it change him. And that's

0:47:00.200 --> 0:47:02.719
<v Speaker 1>what I appreciate is he he didn't let it change him.

0:47:02.760 --> 0:47:05.439
<v Speaker 1>And man, that is what. Yeah. You know, I talked

0:47:05.480 --> 0:47:08.080
<v Speaker 1>to John Newman for like two hours and you probably

0:47:08.120 --> 0:47:12.600
<v Speaker 1>heard maybe twenty six minutes of John Newman talking about Jerry,

0:47:12.640 --> 0:47:15.480
<v Speaker 1>and the main thing that he wanted to tell me

0:47:15.520 --> 0:47:18.400
<v Speaker 1>it was just what an incredible guy Jerry was just

0:47:18.480 --> 0:47:20.960
<v Speaker 1>as a neighbor and a friend, and the things he

0:47:20.960 --> 0:47:22.319
<v Speaker 1>would do for you in private. So I mean, he

0:47:22.360 --> 0:47:26.800
<v Speaker 1>was just this genuine guy, but clearly a comedic genius.

0:47:27.239 --> 0:47:31.600
<v Speaker 1>And what I I asked John, I said, I said,

0:47:31.760 --> 0:47:33.880
<v Speaker 1>do you think Jerry was? And I knew the answer

0:47:33.880 --> 0:47:35.279
<v Speaker 1>to this. I just kind of want to see what

0:47:35.280 --> 0:47:39.120
<v Speaker 1>he would say. I said, how is Jerry influenced by

0:47:39.120 --> 0:47:43.480
<v Speaker 1>the people around him? And I know the answer because

0:47:43.760 --> 0:47:48.120
<v Speaker 1>I know the way that I talk and tell stories

0:47:48.280 --> 0:47:50.440
<v Speaker 1>is a hundred percent. I mean I could track, I

0:47:50.440 --> 0:47:54.480
<v Speaker 1>could point it back to the people in different things

0:47:54.480 --> 0:47:56.920
<v Speaker 1>that I do that. I mean, it's not like I'm

0:47:56.920 --> 0:48:00.160
<v Speaker 1>trying to imitate them. Just you hear someone talk, can

0:48:00.200 --> 0:48:04.160
<v Speaker 1>you hear someone tell a story? And it's just that

0:48:04.200 --> 0:48:07.080
<v Speaker 1>communication style you identify with it, and then you kind

0:48:07.080 --> 0:48:10.920
<v Speaker 1>of adopted in and recognize that it. It's like it's effective,

0:48:11.040 --> 0:48:13.879
<v Speaker 1>it's a it's an effective way, it's an even even

0:48:13.880 --> 0:48:18.200
<v Speaker 1>a cultural way to do something. And so you create this,

0:48:18.960 --> 0:48:21.560
<v Speaker 1>you know, inside of your personality in the way you communicate,

0:48:21.560 --> 0:48:25.240
<v Speaker 1>you tell stories. Man, Jerry had to have been surrounded

0:48:25.239 --> 0:48:28.320
<v Speaker 1>by some big characters down there in the South. John

0:48:28.440 --> 0:48:30.279
<v Speaker 1>didn't really he you know, he just said, you know

0:48:30.320 --> 0:48:32.719
<v Speaker 1>a lot of Jerry's stuff was just natural, and which

0:48:32.719 --> 0:48:35.239
<v Speaker 1>it certainly was, and he kind of came up with

0:48:35.239 --> 0:48:38.160
<v Speaker 1>his own unique style. But man, I guarantee you those

0:48:38.200 --> 0:48:42.719
<v Speaker 1>guys down there that's they told stories like that and

0:48:43.800 --> 0:48:45.879
<v Speaker 1>the other thing. And I'd like to hear you guys

0:48:45.960 --> 0:48:49.200
<v Speaker 1>thoughts on it. Jerry is the one who said he

0:48:49.280 --> 0:48:53.440
<v Speaker 1>said I'm not a comedian. Uh well no, no, don't no, no.

0:48:53.880 --> 0:48:57.440
<v Speaker 1>Somebody said Jerry wasn't as much a comedian as he

0:48:57.520 --> 0:48:59.919
<v Speaker 1>was a humorist. And then the quote from Jerry Cloud

0:49:00.239 --> 0:49:03.759
<v Speaker 1>was he said, I don't tell funny stories. I tell

0:49:03.920 --> 0:49:09.000
<v Speaker 1>stories funny and I know that I know that that exists,

0:49:09.000 --> 0:49:12.560
<v Speaker 1>but I completely disagree. I mean, he did tell funny stories,

0:49:12.600 --> 0:49:15.319
<v Speaker 1>but I think what he was talking about was he

0:49:15.360 --> 0:49:17.560
<v Speaker 1>always had the hook and the part of the story

0:49:17.560 --> 0:49:19.719
<v Speaker 1>that was really funny, which was a funny story, but

0:49:19.800 --> 0:49:23.959
<v Speaker 1>all the stuff up until that, like I'm from East Fork,

0:49:24.040 --> 0:49:26.680
<v Speaker 1>Mississippi and Amit County and dada da da da da

0:49:26.760 --> 0:49:28.839
<v Speaker 1>da da dada. I mean, like he's just that's not

0:49:28.920 --> 0:49:31.560
<v Speaker 1>funny stuff. But he told it funny. I think that's

0:49:31.560 --> 0:49:33.560
<v Speaker 1>what he meant. You know, I got you, but he

0:49:33.960 --> 0:49:39.640
<v Speaker 1>like there's an interview where I can't remember it was

0:49:39.719 --> 0:49:44.160
<v Speaker 1>Larry David or Jerry Seinfeld talking about the writing of

0:49:44.480 --> 0:49:51.240
<v Speaker 1>Seinfeld Okay, and that they eventually realized that when someone

0:49:51.360 --> 0:49:54.320
<v Speaker 1>goes somewhere, like you can't have a scene in a

0:49:54.400 --> 0:49:59.640
<v Speaker 1>bowling alley because something needs to happen there, because they

0:49:59.680 --> 0:50:03.520
<v Speaker 1>have to be in the bowling alley for a funny reason,

0:50:05.600 --> 0:50:08.400
<v Speaker 1>and then something funny can happen at the bowling alley.

0:50:08.440 --> 0:50:13.239
<v Speaker 1>Everybody has to be somewhere for a funny reason, right,

0:50:13.800 --> 0:50:16.000
<v Speaker 1>You don't just haven't set for no reason in the

0:50:16.000 --> 0:50:18.480
<v Speaker 1>bowling alley so that someone can meet someone's mom. It's

0:50:18.480 --> 0:50:20.359
<v Speaker 1>like they go to the bowling alley for and if

0:50:20.400 --> 0:50:24.160
<v Speaker 1>you if you watch, curb your enthusiasm. Everywhere they go

0:50:24.320 --> 0:50:28.160
<v Speaker 1>like they're already there for a funny reason, and then

0:50:28.200 --> 0:50:34.640
<v Speaker 1>something funny happens, like Clower. I mean, probably my favorite

0:50:34.680 --> 0:50:37.120
<v Speaker 1>Clower story is the the guy that uses the monkey

0:50:37.160 --> 0:50:41.360
<v Speaker 1>to hunt raccoons, the monkey with the pistol in the flashlight. Okay,

0:50:41.360 --> 0:50:45.680
<v Speaker 1>like they're out there's a funny punch line. But they're

0:50:45.719 --> 0:50:49.320
<v Speaker 1>out in the swamp for a funny reason because the

0:50:49.400 --> 0:50:52.080
<v Speaker 1>guy is like, I can hunt. I could kill more

0:50:52.160 --> 0:50:56.680
<v Speaker 1>coons than anybody with this monkey than anyone with a dog. Right,

0:50:56.840 --> 0:50:58.680
<v Speaker 1>So they're out in the swamp for a funny reason.

0:50:58.760 --> 0:51:01.439
<v Speaker 1>Like he follows and he was doing his way before

0:51:01.440 --> 0:51:03.200
<v Speaker 1>those guys are doing it. But I'm saying, like he

0:51:03.680 --> 0:51:07.080
<v Speaker 1>follows the road map of comedy. Yeah, well he did it.

0:51:07.239 --> 0:51:12.480
<v Speaker 1>He's like it's like he is h he's pioneering for sure,

0:51:12.880 --> 0:51:15.960
<v Speaker 1>but he's definitely like like has a hole. He's like

0:51:16.040 --> 0:51:22.920
<v Speaker 1>a honed craft. He's got a different approach though too. Okay,

0:51:23.680 --> 0:51:26.400
<v Speaker 1>and I touched on this a bit last night. But

0:51:26.560 --> 0:51:29.600
<v Speaker 1>it's like it's like a fable, right, and he starts

0:51:29.640 --> 0:51:32.799
<v Speaker 1>with like the basis of something, and he's like, oh,

0:51:33.040 --> 0:51:35.879
<v Speaker 1>but wouldn't it be funny if it happened like this?

0:51:36.320 --> 0:51:40.480
<v Speaker 1>And this is the end result. When Norm McDonald passed away,

0:51:40.560 --> 0:51:42.760
<v Speaker 1>I was watching a lot of Norm McDonald. I'm still

0:51:42.800 --> 0:51:47.880
<v Speaker 1>I'm still, I'm still doing it. And if, like Conan

0:51:47.920 --> 0:51:53.640
<v Speaker 1>O'Brien posted this thing, is like the funniest guest was

0:51:53.719 --> 0:51:59.400
<v Speaker 1>Norm McDonald and and he laboriously tells this joke and

0:51:59.400 --> 0:52:02.279
<v Speaker 1>and it's it's a joke that you've heard in some

0:52:02.360 --> 0:52:08.160
<v Speaker 1>way before, and it's like a fly walks into um

0:52:08.360 --> 0:52:13.480
<v Speaker 1>like a barber shop, and it's telling telling the barber

0:52:13.520 --> 0:52:17.480
<v Speaker 1>about all the bad things in his life and everything,

0:52:17.560 --> 0:52:19.440
<v Speaker 1>and and the barber is find like, well, you know,

0:52:19.600 --> 0:52:23.560
<v Speaker 1>next door is the therapist office. He says, I know,

0:52:24.280 --> 0:52:26.719
<v Speaker 1>and he keeps telling him about it, and he said, no,

0:52:26.840 --> 0:52:29.120
<v Speaker 1>the next door is the therapist office. He said, why

0:52:29.160 --> 0:52:30.719
<v Speaker 1>are you in the barbershop and he said, well, because

0:52:30.719 --> 0:52:33.920
<v Speaker 1>he had the light on. So it's a moth, right,

0:52:34.440 --> 0:52:38.239
<v Speaker 1>it was a moth. But Norm McDonald tells it on

0:52:38.640 --> 0:52:43.080
<v Speaker 1>live TV and as if the whole other world only

0:52:43.120 --> 0:52:47.640
<v Speaker 1>showed up to hear this, like whatever story of his,

0:52:48.040 --> 0:52:52.400
<v Speaker 1>and it's so belabored and it is. It is one

0:52:52.400 --> 0:52:55.080
<v Speaker 1>of the funniest, funniest things I've seen in the telling.

0:52:55.560 --> 0:53:00.319
<v Speaker 1>And so Clouer kind of you know, it wasn't his joke.

0:53:00.960 --> 0:53:04.200
<v Speaker 1>He just built up the world around the world around it.

0:53:04.280 --> 0:53:10.080
<v Speaker 1>And so Clower like everybody's heard this anecdotal joke. Uh,

0:53:10.880 --> 0:53:12.880
<v Speaker 1>you know, I always say, you know, a couple of

0:53:12.880 --> 0:53:15.399
<v Speaker 1>guys sitting around and oh, a nice shot. Another guy

0:53:15.440 --> 0:53:18.120
<v Speaker 1>turns around and goes, should see me with my right hand?

0:53:18.840 --> 0:53:21.120
<v Speaker 1>See me with my left hand? Right? And it's like,

0:53:21.160 --> 0:53:23.120
<v Speaker 1>that is the joke. We've all heard it a good

0:53:23.160 --> 0:53:25.960
<v Speaker 1>jillion times, but you put it in the context like

0:53:26.440 --> 0:53:29.320
<v Speaker 1>two people from different worlds out in the squirrel woods

0:53:29.360 --> 0:53:32.319
<v Speaker 1>bump into each other, have this moment together, and then

0:53:33.080 --> 0:53:35.600
<v Speaker 1>should see me with my right hand? Yeah? He yeah,

0:53:35.640 --> 0:53:38.960
<v Speaker 1>he like could dress up, he could take like a

0:53:39.040 --> 0:53:42.359
<v Speaker 1>simple joke and dress it up and put it in

0:53:42.360 --> 0:53:46.439
<v Speaker 1>an eight minute context. But like the one I wrenched earlier,

0:53:46.480 --> 0:53:50.640
<v Speaker 1>that the suspender thing that's not telling a story funny, Yeah,

0:53:50.680 --> 0:53:52.360
<v Speaker 1>it's a kid who got to suspend. It's like it

0:53:52.480 --> 0:53:56.680
<v Speaker 1>is funny. Yeah, yeah, that was for sure. And a

0:53:56.680 --> 0:54:01.680
<v Speaker 1>monkey with Ashly isn't telling the story time though he

0:54:01.719 --> 0:54:05.160
<v Speaker 1>I mean, he covers both. He's such a musical performer too.

0:54:05.160 --> 0:54:09.719
<v Speaker 1>He's he's very dynamic. Is the highs are high and

0:54:09.760 --> 0:54:11.040
<v Speaker 1>the lows are low, and you have to kind of

0:54:11.040 --> 0:54:13.560
<v Speaker 1>strain to listen. He draws you in and pushes you

0:54:13.600 --> 0:54:16.680
<v Speaker 1>away and brings you back in. Norm McDonald, who's you know,

0:54:16.840 --> 0:54:21.560
<v Speaker 1>incredibly funny as perfect timing. He's not dynamic in that way. Yeah,

0:54:21.600 --> 0:54:25.920
<v Speaker 1>he's very dead pand that funny. Yeah, I got you.

0:54:26.280 --> 0:54:28.080
<v Speaker 1>I just realized the two things I need to tell you.

0:54:28.080 --> 0:54:29.480
<v Speaker 1>You can get around to mean when you want, but

0:54:29.520 --> 0:54:33.520
<v Speaker 1>to help me remember mccullach, chainsaws yea and details but

0:54:33.600 --> 0:54:35.799
<v Speaker 1>say whatever you want. Remember I was just gonna say

0:54:36.640 --> 0:54:39.440
<v Speaker 1>I wanted to make a whole section about it on

0:54:39.440 --> 0:54:43.600
<v Speaker 1>the podcast. But his sound effects, he when I listened

0:54:43.640 --> 0:54:48.160
<v Speaker 1>to him, like, I start to laugh inside every time

0:54:48.200 --> 0:54:54.839
<v Speaker 1>he goes whoa. He kind of has a growling man

0:54:54.920 --> 0:54:58.960
<v Speaker 1>in that coon that I mean, you know, you just

0:54:59.000 --> 0:55:02.239
<v Speaker 1>can't replicate at and you could tell it was so

0:55:02.400 --> 0:55:06.400
<v Speaker 1>natural and it was the most fascinating thing. And I

0:55:06.400 --> 0:55:10.920
<v Speaker 1>wouldn't have known this about Clower. You know that he

0:55:10.920 --> 0:55:14.719
<v Speaker 1>he was forty five years old. He was a fertilizer

0:55:14.800 --> 0:55:18.560
<v Speaker 1>salesman from Mississippi Chemical and it was just a funny guy.

0:55:18.680 --> 0:55:21.600
<v Speaker 1>I mean, he had built a whole life, a whole

0:55:21.680 --> 0:55:26.879
<v Speaker 1>life as just this country salesman. He sounded that such

0:55:26.920 --> 0:55:30.920
<v Speaker 1>a joyful spirit, and maybe for all of those decades

0:55:30.960 --> 0:55:34.040
<v Speaker 1>of his life he soaked up a whole lot. I mean, honestly,

0:55:34.040 --> 0:55:35.959
<v Speaker 1>I didn't. I didn't grow up in a chicken coop.

0:55:36.040 --> 0:55:38.640
<v Speaker 1>I grew up in a concrete box, and I had

0:55:38.680 --> 0:55:46.279
<v Speaker 1>not heard of somebody doesn't just show up in New

0:55:46.360 --> 0:55:49.080
<v Speaker 1>York City crib And just to follow up on that,

0:55:49.239 --> 0:55:51.880
<v Speaker 1>I I My favorite part of the podcast Clay was

0:55:51.920 --> 0:55:57.680
<v Speaker 1>listening to Brent Reeves recall him their meeting. He sounded

0:55:57.840 --> 0:56:02.600
<v Speaker 1>so wistful, he emotional. He remembered every tiny detail. You're

0:56:02.600 --> 0:56:08.279
<v Speaker 1>a pretty boy. I'll never forget. That's the thing you

0:56:08.360 --> 0:56:12.840
<v Speaker 1>cannot say to something, that you are a pretty boy.

0:56:13.600 --> 0:56:19.880
<v Speaker 1>I'm like, yeah, I'm taking off. Uh what what was

0:56:19.920 --> 0:56:22.640
<v Speaker 1>your thought? Had you ever heard a joke on now?

0:56:23.040 --> 0:56:28.319
<v Speaker 1>I had not? Um and my yeah, my yeah, totally surprising, right.

0:56:28.680 --> 0:56:31.839
<v Speaker 1>My first interaction with his comedy was listening to your

0:56:31.840 --> 0:56:35.320
<v Speaker 1>episode yesterday, which I had to pause right and to

0:56:35.920 --> 0:56:41.040
<v Speaker 1>go play the chainsaw Monkey, to play the motor Yeah, yeah,

0:56:41.200 --> 0:56:44.759
<v Speaker 1>I was cackling. I mean it was just his his delivery,

0:56:44.960 --> 0:56:49.080
<v Speaker 1>his spirit. It just hearing him was so feel good

0:56:49.200 --> 0:56:53.600
<v Speaker 1>and so funny. I I was driving while listening, and

0:56:53.640 --> 0:56:58.840
<v Speaker 1>it was probably a dangerous situation because his the Okrah

0:56:59.040 --> 0:57:06.279
<v Speaker 1>line about it so much that just people and were

0:57:06.320 --> 0:57:11.960
<v Speaker 1>too just it's I don't know, you know, the delivery,

0:57:12.080 --> 0:57:16.960
<v Speaker 1>the energy that everything, even if not necessarily relatable. He

0:57:17.640 --> 0:57:22.600
<v Speaker 1>it seemed maybe after you know, starting late in his life,

0:57:23.000 --> 0:57:29.120
<v Speaker 1>that he perhaps had already h solidified to a great

0:57:29.400 --> 0:57:34.480
<v Speaker 1>degree his confidence in himself, his sense of who he was,

0:57:35.360 --> 0:57:41.000
<v Speaker 1>and that his comedy was maybe so good because it

0:57:41.120 --> 0:57:46.200
<v Speaker 1>was him being him and and and relaying stories in

0:57:46.240 --> 0:57:49.480
<v Speaker 1>a funny way, or funny stories from the entirety and

0:57:49.520 --> 0:57:52.720
<v Speaker 1>the breath of his experience. I just found it so delightful,

0:57:52.800 --> 0:57:56.160
<v Speaker 1>you know, him being to our dinner guest last night.

0:57:56.240 --> 0:58:00.480
<v Speaker 1>He was a comedian. He said that confidence is such

0:58:00.480 --> 0:58:05.240
<v Speaker 1>an important part comedy, just being confident in who you are.

0:58:05.920 --> 0:58:09.800
<v Speaker 1>And at forty five, after dealing with you know, all

0:58:09.840 --> 0:58:12.760
<v Speaker 1>these farmers, for all these years go on and selling

0:58:12.840 --> 0:58:16.960
<v Speaker 1>chemicals and and selling fertilizer like he was. He knew

0:58:17.000 --> 0:58:19.240
<v Speaker 1>who he was. I think when he stepped in the

0:58:19.240 --> 0:58:22.000
<v Speaker 1>show biz, it was just a matter of shifting a

0:58:22.040 --> 0:58:25.320
<v Speaker 1>few things around and just kind of being who he was.

0:58:25.400 --> 0:58:28.400
<v Speaker 1>You know. That's what was so cool about him. Business

0:58:28.480 --> 0:58:31.400
<v Speaker 1>is a beautiful thing too, because he's like here, you

0:58:31.480 --> 0:58:34.439
<v Speaker 1>walk into any Cooper right and be like, I know

0:58:34.920 --> 0:58:38.560
<v Speaker 1>you need what I'm selling? Yeah, do you want to

0:58:38.560 --> 0:58:43.120
<v Speaker 1>buy it for me? I bet. There's some stories all

0:58:43.160 --> 0:58:47.000
<v Speaker 1>over the south of him, uh, you know, in his

0:58:47.120 --> 0:58:54.400
<v Speaker 1>role of well of people, stories of him as the salesman. Hey, lastly,

0:58:54.720 --> 0:58:58.000
<v Speaker 1>well we'll go, we'll end with your chainsaw stuff. But

0:58:58.480 --> 0:59:04.240
<v Speaker 1>and details real quick. I was. I was very glad

0:59:04.280 --> 0:59:07.360
<v Speaker 1>to I would not have known about Jerry's positions on

0:59:07.720 --> 0:59:10.760
<v Speaker 1>race in the seventies. I just looked it up. I

0:59:10.800 --> 0:59:13.560
<v Speaker 1>was just like, I just typed in something about that,

0:59:13.800 --> 0:59:16.880
<v Speaker 1>and immediately it popped up some of his quotes and

0:59:16.960 --> 0:59:20.480
<v Speaker 1>people saying Jerry was thirty years ahead of race. I

0:59:20.520 --> 0:59:23.560
<v Speaker 1>thought that was noteworthy. Yeah, he'd get he'd get I mean,

0:59:23.880 --> 0:59:27.640
<v Speaker 1>he'd still get canceled now if you listen to everything

0:59:27.680 --> 0:59:32.000
<v Speaker 1>he does because like his jokes about women's liberation and stuff.

0:59:32.080 --> 0:59:35.440
<v Speaker 1>They may come after him pretty hard. Yeah, he wouldn't

0:59:35.440 --> 0:59:38.520
<v Speaker 1>say him, but they'd come after him hard about it. Yeah, man,

0:59:38.600 --> 0:59:42.440
<v Speaker 1>any of these comedians you could with a little historical revision,

0:59:42.760 --> 0:59:45.360
<v Speaker 1>we just wipe him out. You know, his whole big

0:59:45.440 --> 0:59:48.840
<v Speaker 1>joke about how good his wife's got it. Yeah, you

0:59:48.880 --> 0:59:52.760
<v Speaker 1>don't want to mess with what mama's got his his like,

0:59:52.920 --> 0:59:55.800
<v Speaker 1>his whole thing is he looks at the woman's liberation

0:59:55.960 --> 0:59:58.440
<v Speaker 1>movement and what they're after, and then he talks about

0:59:58.560 --> 1:00:01.640
<v Speaker 1>how how grave he is if has it, and he's like,

1:00:01.680 --> 1:00:08.960
<v Speaker 1>she do a want to know that ship? Yeah? Yeah, yeah.

1:00:09.280 --> 1:00:12.240
<v Speaker 1>McCulloch chainsaw. Oh, it was funny. In the show they

1:00:12.280 --> 1:00:18.360
<v Speaker 1>were talking about you associating Clowers chainsaw from the famous

1:00:18.480 --> 1:00:23.160
<v Speaker 1>talking chainsaw um and your old man having a mccullic.

1:00:23.600 --> 1:00:29.920
<v Speaker 1>So our family chainsaw was a McCulloch yellow McCulloch and uh,

1:00:29.960 --> 1:00:33.360
<v Speaker 1>it was just funny because it was like we understood

1:00:34.000 --> 1:00:38.400
<v Speaker 1>later that, like it took note of the fact that

1:00:38.480 --> 1:00:44.160
<v Speaker 1>Marcel's chainsaw was the chainsaw we owned, which I don't

1:00:44.160 --> 1:00:46.400
<v Speaker 1>know what the hell happened to that company, but I

1:00:46.440 --> 1:00:49.000
<v Speaker 1>was in the chainsaw tree business for a lot of

1:00:49.080 --> 1:00:52.840
<v Speaker 1>years and never laid eyes on another McCullah. As he

1:00:52.880 --> 1:00:58.000
<v Speaker 1>puts it, another thing you hit on, uh is his

1:00:58.160 --> 1:01:01.320
<v Speaker 1>use of detail. And he's like a very good in

1:01:01.400 --> 1:01:06.840
<v Speaker 1>that way, a very good, technically proficient writer. And the

1:01:06.960 --> 1:01:10.479
<v Speaker 1>thing I returned to is his like the coon hunting story,

1:01:10.840 --> 1:01:16.680
<v Speaker 1>his most famous story, his description of um the tree,

1:01:17.160 --> 1:01:19.200
<v Speaker 1>like if you listen carefully to his description of like

1:01:19.280 --> 1:01:24.040
<v Speaker 1>how big the tree is, He's so efficient, but it's

1:01:24.320 --> 1:01:28.040
<v Speaker 1>like how big the tree is the person that's going

1:01:28.080 --> 1:01:31.440
<v Speaker 1>to climb the tree, what their attitude is about tree climbing.

1:01:32.200 --> 1:01:34.640
<v Speaker 1>When they take off their shoes, they don't just take

1:01:34.680 --> 1:01:38.200
<v Speaker 1>off their shoes, they take off a pair of Brogan shoes,

1:01:39.360 --> 1:01:44.880
<v Speaker 1>which was like the poor working person's It told you

1:01:44.920 --> 1:01:47.720
<v Speaker 1>who this guy was most It was like the most functional,

1:01:48.480 --> 1:01:51.360
<v Speaker 1>like poor. It would be like if you were like

1:01:51.400 --> 1:01:53.040
<v Speaker 1>when I was a kid, to be like he took

1:01:53.040 --> 1:01:56.280
<v Speaker 1>off his hush puppies right, and you'd be like, got it,

1:01:56.840 --> 1:01:58.920
<v Speaker 1>Like I know everything about that kid. Now I know

1:01:58.920 --> 1:02:02.360
<v Speaker 1>about that kid's parents sensibilities, like he took off his

1:02:02.440 --> 1:02:06.200
<v Speaker 1>tough skins. Okay, you'd be like got it, Like I

1:02:06.320 --> 1:02:08.280
<v Speaker 1>know that person's parents, I grew up with that person.

1:02:08.440 --> 1:02:11.360
<v Speaker 1>He takes off a pair of Brogan shoes and then

1:02:11.520 --> 1:02:13.360
<v Speaker 1>the thing too. He says, I pointed this out. I

1:02:13.480 --> 1:02:16.880
<v Speaker 1>told cran about this later. Is um, you know sweet

1:02:16.880 --> 1:02:20.000
<v Speaker 1>gums got smooth bark, kind of a soft smooth bark,

1:02:20.080 --> 1:02:25.360
<v Speaker 1>and that he buries his toenails into the bar to

1:02:25.440 --> 1:02:29.040
<v Speaker 1>start climbing. It's like, this is like beautiful build of

1:02:29.120 --> 1:02:33.400
<v Speaker 1>like very telling details. You know. As I said that,

1:02:33.560 --> 1:02:38.360
<v Speaker 1>I was envisioning like trying to tell a kuldnhun story

1:02:38.440 --> 1:02:41.840
<v Speaker 1>like him. And I had the same thought about how

1:02:41.880 --> 1:02:45.080
<v Speaker 1>efficient he was, even with detail, because sometimes someone tells

1:02:45.080 --> 1:02:48.760
<v Speaker 1>the story and you're like, okay, come on, speed it up,

1:02:49.040 --> 1:02:51.800
<v Speaker 1>like too much, you know, there's too much detail. And

1:02:51.880 --> 1:02:54.720
<v Speaker 1>he he would give you just the right amount of

1:02:54.760 --> 1:02:57.640
<v Speaker 1>detail and the places you needed it and then skip.

1:02:58.440 --> 1:03:00.880
<v Speaker 1>I mean, it's just natural, Like I I doubt he's

1:03:00.920 --> 1:03:02.640
<v Speaker 1>sat down and really thought about it much. It was

1:03:02.680 --> 1:03:05.560
<v Speaker 1>just instinctual. But a lot of his a lot of

1:03:05.600 --> 1:03:09.680
<v Speaker 1>his you know, comedy. The different routines were like under

1:03:09.720 --> 1:03:14.160
<v Speaker 1>two minutes, like the chandelier one. That is a perfect

1:03:14.240 --> 1:03:17.480
<v Speaker 1>joke that the chandelier story like that, that's like a

1:03:17.520 --> 1:03:20.280
<v Speaker 1>minute in fifty seconds. Yeah, I just it's not I mean,

1:03:20.280 --> 1:03:22.080
<v Speaker 1>no one really likes to hear someone breakdown a joke

1:03:22.120 --> 1:03:24.840
<v Speaker 1>and tell you why it's funny. But I love that

1:03:25.040 --> 1:03:28.240
<v Speaker 1>he stands up. He's like, well, no one could spell

1:03:28.320 --> 1:03:30.320
<v Speaker 1>chandelier anyway, so I don't think. I don't why are

1:03:30.320 --> 1:03:31.640
<v Speaker 1>we doing this? And you're like, ha ha, that's funny.

1:03:31.800 --> 1:03:34.040
<v Speaker 1>And also no one could play this chandelier. And then

1:03:34.320 --> 1:03:36.560
<v Speaker 1>as a listener like huh what And then then of

1:03:36.560 --> 1:03:39.160
<v Speaker 1>the punchline, I much rather spend the money and getting

1:03:39.160 --> 1:03:42.160
<v Speaker 1>some lights in here. It's just it's just so it's perfect.

1:03:42.160 --> 1:03:44.840
<v Speaker 1>And then as you heard from John Newman that that

1:03:44.960 --> 1:03:48.920
<v Speaker 1>actually happened. That was one of the stories that just

1:03:49.000 --> 1:03:52.240
<v Speaker 1>like straight up happened, and Jerry just told it, you know,

1:03:52.480 --> 1:03:55.959
<v Speaker 1>which is pretty amazing. Now, what I hope this does

1:03:56.080 --> 1:04:00.439
<v Speaker 1>is everybody can go find some Jerry Clower. It would

1:04:00.440 --> 1:04:03.760
<v Speaker 1>be hard. I think it would be hard for anybody

1:04:03.960 --> 1:04:08.520
<v Speaker 1>to listen to that and not find some bit of enjoyment.

1:04:08.560 --> 1:04:12.880
<v Speaker 1>I've seen it happen. I've seen it happen every person

1:04:12.920 --> 1:04:15.320
<v Speaker 1>that I over the years, every person that like we

1:04:15.360 --> 1:04:18.000
<v Speaker 1>travel with on the crew, I've I've subjected them to

1:04:18.120 --> 1:04:21.040
<v Speaker 1>klower most of them get something out of I've seen

1:04:21.080 --> 1:04:25.360
<v Speaker 1>something where just as like this, yeah no connection, yeah

1:04:26.040 --> 1:04:34.720
<v Speaker 1>down the internet, and I'm like, I like it, really

1:04:36.120 --> 1:04:41.440
<v Speaker 1>this really like no part of this. Like I do

1:04:41.640 --> 1:04:44.000
<v Speaker 1>think you have to have some connection to work. I

1:04:44.080 --> 1:04:45.960
<v Speaker 1>think you have to have some connection to world one. Now,

1:04:46.040 --> 1:04:50.600
<v Speaker 1>you just got to be a cold person. If I

1:04:50.800 --> 1:04:53.520
<v Speaker 1>was a cold blood running through your veins. Yea. The

1:04:53.720 --> 1:04:56.840
<v Speaker 1>pheasants forever, quail forever, the old talking. A couple of

1:04:56.880 --> 1:04:59.840
<v Speaker 1>weeks ago and over and over, I had a bunch

1:04:59.880 --> 1:05:03.760
<v Speaker 1>of a little talks on the stage there and over

1:05:03.840 --> 1:05:07.560
<v Speaker 1>and over again. People would be, well, how to any

1:05:07.640 --> 1:05:11.240
<v Speaker 1>tips for getting first time hunters into and it's kind

1:05:11.240 --> 1:05:13.560
<v Speaker 1>of like this Jerry Clowd thing, like I don't understand

1:05:13.600 --> 1:05:17.080
<v Speaker 1>how you couldn't like it. And for me, upland bird

1:05:17.160 --> 1:05:20.280
<v Speaker 1>hunting is the same way. I'm like, lots of exercise,

1:05:20.560 --> 1:05:25.240
<v Speaker 1>beautiful country dogs doing doing their dog thing, doing the

1:05:25.360 --> 1:05:29.200
<v Speaker 1>thing that they're made to do. And my success rate

1:05:29.360 --> 1:05:32.600
<v Speaker 1>in taking first time upland bird hunters out who really

1:05:32.640 --> 1:05:43.040
<v Speaker 1>want to go again is next to zero. Shot my

1:05:43.120 --> 1:05:47.480
<v Speaker 1>gun and I got Jerry Clower was a big coil

1:05:47.560 --> 1:05:51.200
<v Speaker 1>hunter man. We we don't have time to get into it,

1:05:51.320 --> 1:05:55.200
<v Speaker 1>but he he said something that I thought was great detail.

1:05:55.240 --> 1:05:56.840
<v Speaker 1>I don't think I brought it up in the episode,

1:05:57.120 --> 1:05:59.080
<v Speaker 1>but when in the story of when he had to

1:05:59.120 --> 1:06:01.440
<v Speaker 1>shoot Uncle Very's meal, when he had to put it

1:06:01.520 --> 1:06:04.840
<v Speaker 1>down Uncle Vert, he went to Uncle Versey's and said, Hey,

1:06:04.960 --> 1:06:07.439
<v Speaker 1>we're gonna we're gonna hunt on your property. And Uncle

1:06:07.560 --> 1:06:10.960
<v Speaker 1>Versy goes, oh, that's great. There's seven right covies between

1:06:11.040 --> 1:06:13.640
<v Speaker 1>here and the road. I thought that was a that's

1:06:13.640 --> 1:06:16.600
<v Speaker 1>how that's something somebody would say, that's right cove between.

1:06:16.640 --> 1:06:18.240
<v Speaker 1>That was another I know where you're trying to wrap

1:06:18.280 --> 1:06:20.640
<v Speaker 1>it up. That was another running joke with me my friends,

1:06:21.200 --> 1:06:24.680
<v Speaker 1>and just like teenage years is dealing with landowners and

1:06:24.720 --> 1:06:28.360
<v Speaker 1>trying to get permissions. There was a joke where it's like,

1:06:28.640 --> 1:06:32.200
<v Speaker 1>only people that do that would get how receptive when

1:06:32.240 --> 1:06:35.640
<v Speaker 1>he goes to get permission, Oh, I'm so glad you

1:06:35.800 --> 1:06:39.560
<v Speaker 1>come out and hunt my place. Only someone who's like

1:06:39.680 --> 1:06:41.640
<v Speaker 1>dealt with like permissions all the time would find it

1:06:41.720 --> 1:06:43.720
<v Speaker 1>funny that like Jerry goes to get permission to the

1:06:43.760 --> 1:06:55.840
<v Speaker 1>guys like so glad. Yeah, we've been saving them for you. Man.

1:06:55.920 --> 1:06:58.520
<v Speaker 1>There's so many jewels inside of that and so it's

1:06:58.560 --> 1:07:00.120
<v Speaker 1>been a lot of fun. Thank you guys for being

1:07:00.160 --> 1:07:04.120
<v Speaker 1>on the Burglary Surrender. Thank you much appreciated. Yeah, I

1:07:04.200 --> 1:07:06.760
<v Speaker 1>hope the the original crew doesn't have too much of

1:07:06.840 --> 1:07:12.720
<v Speaker 1>a problem. You would like to say, what's up to

1:07:12.800 --> 1:07:19.720
<v Speaker 1>the porkrass cracklands? Correct? Who's how to do it right? Boys? Yeah,

1:07:21.520 --> 1:07:22.040
<v Speaker 1>and Lady