WEBVTT - Conversations About Kanye

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<v Speaker 1>And now we have this on slaughter fucking like Kanye

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<v Speaker 1>himself is fucking great, just greatness. But diet Kanye, all

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<v Speaker 1>the diet Kanye, that's just sucks. You feel me like

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<v Speaker 1>Kanye is not as strong enough drink to have diet

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<v Speaker 1>versions of it. Just that beverage itself is fucking awesome,

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<v Speaker 1>because but all this diet Kanye, bro, it's it's not

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<v Speaker 1>that fucking good. It's not that Paul. Are you telling

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<v Speaker 1>me that you're not as impressed maybe as other people are,

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<v Speaker 1>that Kanye was able to bring us the same Chicago

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<v Speaker 1>that Eddie Winslow brought us five years earlier? Exactly? Okay,

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<v Speaker 1>so now tell me what the funk had is that? Again?

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<v Speaker 1>I have taken off and look, you don't you just

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<v Speaker 1>how did you get the hat to? You don't know

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<v Speaker 1>what had it is? I just saw it on the internet.

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<v Speaker 1>I saw I was like, I could use another hat.

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<v Speaker 1>And I just happen to see randomly like an ad

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<v Speaker 1>and I was like, oh, those are kind of cool.

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<v Speaker 1>Has to look at their website and I was like, oh,

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<v Speaker 1>grab that one. So you're like an impost buyer. I'm

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<v Speaker 1>not an impulse buyer, but sometimes if I see something

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<v Speaker 1>that I know that I do like that, I that

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<v Speaker 1>I'm not gonna probably see again by accident, and I'll

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<v Speaker 1>grab it. But I'm the purchase like that today too.

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<v Speaker 1>Once you get I bought Kanye Steam Player for two

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<v Speaker 1>hundred dollars. How's it working out for you so far?

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<v Speaker 1>It hasn't came yet. It is, Oh, it's a hardware device.

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<v Speaker 1>It has to be a hardware device. They asked me

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<v Speaker 1>for my address, so I would imagine for sure it's

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<v Speaker 1>a hardware device. And it was two hundred dollars, so

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<v Speaker 1>I would hope it's a hardware device. It better be

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<v Speaker 1>a hard I would never thought that. That's that's very interesting.

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<v Speaker 1>So what I would like to imagine it like is

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<v Speaker 1>it's like, um, like a beach peel mixed with a

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<v Speaker 1>physical Alexa dot the echo dot. I think it's something

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<v Speaker 1>like that. And the rumor is that it's called a

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<v Speaker 1>steam player because you could play certain parts of the song,

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<v Speaker 1>like you can ask for the high heights to be

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<v Speaker 1>removed or the vocals to be removed, or the kicks

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<v Speaker 1>to be removed. And if that's true, like that's gonna

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<v Speaker 1>be dope at ship. But I just obviously Yeah, it

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<v Speaker 1>is in my top five right now. I love you

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<v Speaker 1>to death. I think he's I'm not on the genius

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<v Speaker 1>train with everybody, but I think he's one of the

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<v Speaker 1>most extremely brilliant, you know, talents for sure of my lifetime. Um.

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<v Speaker 1>But the fact that he was able to sell me

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<v Speaker 1>on it, right. I read his post and his post

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<v Speaker 1>was talking about how artists only get twelve percent of

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<v Speaker 1>the revenue in today's business, and I just thought that

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<v Speaker 1>was ill. Right, I'm like, damn, that's true. And he

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<v Speaker 1>figured out a way to where people who funk with

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<v Speaker 1>him can have better access and there's another gadget. So

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<v Speaker 1>I was like, fucking yeah, um no seilings g L

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<v Speaker 1>my guy, Peter P. B Up in this sp is

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<v Speaker 1>not um yeah, so and he he just has his

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<v Speaker 1>way of doing this. I swear to God, I think, yeah,

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<v Speaker 1>be meaning so well, right, I think he means so well. Um.

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<v Speaker 1>But I think what happens is America happens to what

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<v Speaker 1>he does. And in America, the part of America that

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<v Speaker 1>you love and the part of America hate, which is

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<v Speaker 1>that extreme capitalist nature that I agree does drive innovation

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<v Speaker 1>to some degree, which humanity should do a much better

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<v Speaker 1>job of that. But you know, the the desire to

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<v Speaker 1>earn drives innovation, right, So yeah, is one of the

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<v Speaker 1>most innovative people I saw, you know, I've seen in

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<v Speaker 1>my lifetime. And it would drive me crazy to believe

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<v Speaker 1>that this is awful money. Like, and I think I'm

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<v Speaker 1>coming to the conclusion like I always knew Jay was

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<v Speaker 1>a capitalist as a drug do for me any d

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<v Speaker 1>boy as a capitalist? Uh? You know, I even found

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<v Speaker 1>myself and and that's why I think I told you

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<v Speaker 1>I regretted it. I found myself being a capitalist, you

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<v Speaker 1>know what I mean, and then talking myself out of

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<v Speaker 1>what actually was happening where I was like, oh well,

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<v Speaker 1>my excuse for daling drugs would always be like, well

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<v Speaker 1>they're gonna buy it from somebody, it might as well

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<v Speaker 1>be me, right, And that's the baseline generic. I used

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<v Speaker 1>to pride myself and having top quality drugs. Like when

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<v Speaker 1>I would sell PCP, I wouldn't cut with brake fluid

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<v Speaker 1>or or from out to high you know, um embombing fluid.

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<v Speaker 1>I would cut with and drogs and all ether what

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<v Speaker 1>we call andy. Um. If I sold dope, it was

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<v Speaker 1>gonna be top quality dope. I wasn't overcutting the dope,

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<v Speaker 1>so I prided myself and having the best quality product.

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<v Speaker 1>So that was my mid level excuse for the capitalism.

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<v Speaker 1>My my top level, advanced excuse was they were making

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<v Speaker 1>a choice, right because I don't do any drugs. I

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<v Speaker 1>don't drink coffee, alcohol, smoked marijuana. I always felt people

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<v Speaker 1>were making a choice, just like I made a choice

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<v Speaker 1>not to do it. And obviously that's horribly wrong, But

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<v Speaker 1>at that time, you know, sixteen, fifteen, seventeen, eighteen, nineteen,

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<v Speaker 1>two year old glasses, twenty three year old glasses didn't

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<v Speaker 1>know better because I didn't partaket, so I don't I

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<v Speaker 1>didn't understand chemical addiction and how it worked. I realized

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<v Speaker 1>it around twenty four when a lady who was pregnant

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<v Speaker 1>came to buy some drugs and my silly ass sold

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<v Speaker 1>them tour But the whole rest of the afternoon I thought, like,

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<v Speaker 1>there's no way somebody who's a sober mind, like conscious,

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<v Speaker 1>like like a present whatever, harmed the child. So that

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<v Speaker 1>kind of broke that whole lame excuse I was making

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<v Speaker 1>to myself. But in Kanye's case, right with the stem

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<v Speaker 1>player being for two hundred dollars, that just seemed like

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<v Speaker 1>so much, you know, the gals out of your fan

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<v Speaker 1>for music, but hopefully the stem player makes it a

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<v Speaker 1>much different and greater experience. And I'm one of those

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<v Speaker 1>guys that support pretty much everything he does because he

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<v Speaker 1>pushes the envelope for me. I heard he was streaming

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<v Speaker 1>his movie like in the movie theater, like his album

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<v Speaker 1>in the movie theater. You just went to the movie

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<v Speaker 1>theater and watched it at the movie theater. So I

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<v Speaker 1>appreciate him making efforts to game, you know back, especially

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<v Speaker 1>his situation where, just like mine, you own your music,

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<v Speaker 1>but you know you own your music now when not

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<v Speaker 1>as valuable because you don't have a label putting you know,

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<v Speaker 1>twenty million dollars in marketing into it. Yet you're still

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<v Speaker 1>selling reasonable minding units. You know it's probably going to

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<v Speaker 1>go to platinum, yet you're not really making the revenue

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<v Speaker 1>from going go to platinum because you know, the streaming

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<v Speaker 1>apps has changed the game. So I appreciate you for

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<v Speaker 1>pushing through and trying to figure out how to get

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<v Speaker 1>the revenue and economics back, because that's something we should

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<v Speaker 1>all be trying to do as artists. Yeah, there's there's

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<v Speaker 1>um are glaring, diminishing returns curve, you know. I mean,

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<v Speaker 1>if the twelve percent number is real for everybody, and

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<v Speaker 1>it's not going to be real for everybody, it's approximate.

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<v Speaker 1>It depends. It might be twelve percent for him, it

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<v Speaker 1>might be a different percent for somebody else. For me, Yeah,

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<v Speaker 1>I mean for me, it's going to be in the

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<v Speaker 1>zero percent. But zero times zero equal zero anyway, so

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<v Speaker 1>it doesn't even matter. But like you know, twelve percent

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<v Speaker 1>is essentially an eighth, you know, one of rate. So

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<v Speaker 1>the question then becomes, can you, by yourself do the

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<v Speaker 1>volume that you otherwise that they could propel you to do,

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<v Speaker 1>you know, with with with that type of lever economically,

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<v Speaker 1>he'll earn more then streaming apps will pay him. Yeah,

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<v Speaker 1>he will because he can go platinum by himself. I

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<v Speaker 1>don't know if he's gonna go platinum or whatever. Streaming

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<v Speaker 1>he can put a lot of numbers down by himself.

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<v Speaker 1>But yeah, with a stamp player that's two hundred dollars,

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<v Speaker 1>he's not gonna sell a million of old. That's just

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<v Speaker 1>not gonna happen. It's likely. I mean, that would be great,

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<v Speaker 1>that that would be unbelievable that I don't think Park

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<v Speaker 1>go right, I think if you a sales you know,

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<v Speaker 1>a hundred two hundred thousand stamp players, you know, you

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<v Speaker 1>bring in uh four million bucks, that's more, you know

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<v Speaker 1>than the streaming service. Actually forty million bucks. That's more

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<v Speaker 1>than the streaming site is gonna pay him in the

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<v Speaker 1>first place. He was he wasn't gonna get forty million

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<v Speaker 1>out of the streaming sites. But again, you sacrifice and

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<v Speaker 1>what what what I think it happened is he'll sell

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<v Speaker 1>a hundred to two hundred thousand staying players of his

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<v Speaker 1>new album and maybe within a month or two the

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<v Speaker 1>music will find itself on the streaming app so he'll

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<v Speaker 1>get the back end of it. But I appreciate him

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<v Speaker 1>always pushing through to try to take back more of

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<v Speaker 1>his power. And I was talking to Charlotte Magne about

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<v Speaker 1>it earlier. While I don't think it benefits everybody in

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<v Speaker 1>the music business as far as like his particular move,

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<v Speaker 1>I think he inspires people to try and figure out,

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<v Speaker 1>you know, he gives you a blueprint kind of like

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<v Speaker 1>you're watching it live happened where it's like, maybe I'm

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<v Speaker 1>not just in this position to where I have to

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<v Speaker 1>take the ship from you know, the streaming apps. If

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<v Speaker 1>you don't like what's going on there. What's funny to

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<v Speaker 1>me is right is on? Uh so for Kaye should

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<v Speaker 1>have never married that bit right the latest song I

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<v Speaker 1>had dropped right, A lot of companies didn't really want

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<v Speaker 1>to show me love on it. They was like, I

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<v Speaker 1>don't know, gee, because you know Kanye could take it wrong.

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<v Speaker 1>You know that's YouTube that Spotify, Apple, you know title

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<v Speaker 1>even lit. It was like, I don't know, it's Stem

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<v Speaker 1>going to carry the song? Huh is Stem going to

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<v Speaker 1>carry the song if Kanye has something to do with it?

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<v Speaker 1>I bet you we would. Kanye wouldn't stifle who I

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<v Speaker 1>am as a theater because I'm sure you could recognize

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<v Speaker 1>it it's about must die or anything else I do.

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<v Speaker 1>My brilliance come from things that they've done. So I

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<v Speaker 1>don't think for two seconds he wouldn't carry it if

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<v Speaker 1>it was a possibility, No way he would. Car for

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<v Speaker 1>Corporate didn't carry your song because they were concerned about Kanye,

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<v Speaker 1>and then Kanye Streamer carried the song itself carried the song.

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<v Speaker 1>But there are were there some radio stations or something

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<v Speaker 1>that we're kind of like a little bit like I

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<v Speaker 1>don't want to bad mess up the relationship. No, Like,

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<v Speaker 1>I think they were worried that Kanye would feel some

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<v Speaker 1>kind of way if they actually put promotion behind the song. Okay,

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<v Speaker 1>So they didn't want to give it playlisting or what

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<v Speaker 1>you call editorial opportunities. Um, they didn't want to put

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<v Speaker 1>it too far out there, and they felt Kanye wouldn't

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<v Speaker 1>you know, that would get negative lashbacks. And it's funny,

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<v Speaker 1>the whole time, he has been preparing to cut them

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<v Speaker 1>out of his music. So fu great. Well, I'm like,

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<v Speaker 1>dog like, hip hop is in such a weird place,

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<v Speaker 1>And as much as I love Kanye, I blame Kanye

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<v Speaker 1>because we were at a time now where everything is

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<v Speaker 1>entirely too sensitive and it's too worried and oh, you know,

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<v Speaker 1>this person may not like this, so I don't want

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<v Speaker 1>to get behind this person, or this record is too edgy.

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<v Speaker 1>Like we're in hip hop and niggas are telling me

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<v Speaker 1>that my song Kanye should have never married that bitch

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<v Speaker 1>is too edgy, and I'm like, damn, what if these

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<v Speaker 1>people were in charge hip hop as a century. It's

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<v Speaker 1>not the wild Western that used to be. And I'm

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<v Speaker 1>saying because it ain't hip hop at all at all anymore.

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<v Speaker 1>It's like really mainstream rap where everybody and it's weird

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<v Speaker 1>because everybody wants to act like they're holding hand singing Kumbaya,

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<v Speaker 1>but really all these chicken shit niggas is talking shit

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<v Speaker 1>about each other behind their back. And the only difference

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<v Speaker 1>with me is I'm such like a outlier from another

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<v Speaker 1>time to a degree that I'm just the last of

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<v Speaker 1>one of those niggas. That's like, Yo, this is what

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<v Speaker 1>it is in front of everybody. I gotta do the

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<v Speaker 1>Pemps remix real quick. These ain't no hip hop records,

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<v Speaker 1>these corporate rap tunes. It's definitely corporate rap son and

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<v Speaker 1>it really is that serious, like where it like the

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<v Speaker 1>most you know where I feel so much relief in

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<v Speaker 1>today's space of hip hop. Right is right? So Kanye

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<v Speaker 1>gives me that like he's bucking. He's still bucking. He's

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<v Speaker 1>a grown ass father right in a in a multi

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<v Speaker 1>millionaire I mean old times over, and he's still bucking.

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<v Speaker 1>He's still trying to buck the system. Yeah, it's like, yeah,

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<v Speaker 1>that's cool, but we're gonna do this, you know what,

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<v Speaker 1>funck Nike, We're gonna do this, like like that is

0:13:35.840 --> 0:13:38.840
<v Speaker 1>the part I am glad that he's here because you

0:13:38.840 --> 0:13:41.520
<v Speaker 1>know his spirit and this ship is so important because

0:13:41.880 --> 0:13:45.360
<v Speaker 1>he still represents a level of hip hop, a spirit

0:13:45.400 --> 0:13:49.480
<v Speaker 1>of of of you know, fighting the system, fighting the power,

0:13:49.840 --> 0:13:53.680
<v Speaker 1>you know, bucking. But what relieved me the other day,

0:13:53.760 --> 0:13:56.120
<v Speaker 1>right is I'm watching the Super Bowl halftime show right

0:13:56.120 --> 0:14:01.240
<v Speaker 1>with Dre with Doc Snooper, And so seeing Snoop on

0:14:01.280 --> 0:14:06.360
<v Speaker 1>TV right with this blue rag outfit is just great. Right,

0:14:06.400 --> 0:14:08.720
<v Speaker 1>this is great tossing up to see and giving up

0:14:08.720 --> 0:14:11.200
<v Speaker 1>his rap. But there's a part and I noticed they

0:14:11.200 --> 0:14:13.880
<v Speaker 1>didn't cuss, right, And I'm like, they're worried about slang,

0:14:13.920 --> 0:14:17.120
<v Speaker 1>but they're selling beer, right, But it was a part

0:14:17.160 --> 0:14:23.280
<v Speaker 1>where Dray says, still not loving police. And I'm not

0:14:23.320 --> 0:14:25.840
<v Speaker 1>gonna lie to you, like I've talked to j a

0:14:25.880 --> 0:14:28.320
<v Speaker 1>few times, you know over the years. You know what

0:14:28.320 --> 0:14:32.120
<v Speaker 1>I mean. And sometimes I always wonder, like, man, is

0:14:32.160 --> 0:14:35.400
<v Speaker 1>that sick ass nigger from compt is still in there?

0:14:36.720 --> 0:14:41.680
<v Speaker 1>You know that that rebellious he was, He just kind

0:14:41.680 --> 0:14:46.320
<v Speaker 1>of in the in the group. Not because if you yes,

0:14:46.400 --> 0:14:48.520
<v Speaker 1>you have to be there. Some of that has to

0:14:48.600 --> 0:14:52.360
<v Speaker 1>be his attitude, like he there, There have to there

0:14:52.400 --> 0:14:55.560
<v Speaker 1>has to be an attitude in there, like Dr Dre,

0:14:56.240 --> 0:14:58.800
<v Speaker 1>Is it a fair question for me to ask, giving

0:14:58.960 --> 0:15:04.400
<v Speaker 1>his personality across the tapestry of the other members. I mean,

0:15:04.480 --> 0:15:08.560
<v Speaker 1>don't get me wrong, I think easy Ease personality was

0:15:08.600 --> 0:15:11.680
<v Speaker 1>a lot more looming than everyone else's over it. But

0:15:11.880 --> 0:15:15.640
<v Speaker 1>I still think all of them niggas had attitudes. And

0:15:15.880 --> 0:15:20.120
<v Speaker 1>for Dre to be closing in on sixty and that

0:15:20.240 --> 0:15:24.800
<v Speaker 1>line comes up, still not loving Police and he said it,

0:15:24.840 --> 0:15:28.560
<v Speaker 1>I was like, nigger is still in there? And he

0:15:29.120 --> 0:15:32.760
<v Speaker 1>met about two back and I'm like, ah, man, this

0:15:32.960 --> 0:15:36.960
<v Speaker 1>nigga wrote police in nine seven, and he worried about

0:15:36.960 --> 0:15:40.680
<v Speaker 1>me telling the story while I'm not saying nobody. So

0:15:40.960 --> 0:15:43.520
<v Speaker 1>it made me question, like, damn is that is that?

0:15:43.840 --> 0:15:46.520
<v Speaker 1>Is that that young nigga with an attitude still in there?

0:15:46.600 --> 0:15:49.920
<v Speaker 1>And when he was on that stage at Super Bowl

0:15:50.400 --> 0:15:54.720
<v Speaker 1>he said still not loving Police. I was like that ship,

0:15:54.800 --> 0:15:57.800
<v Speaker 1>Like my heart would have been fractured if he didn't

0:15:57.800 --> 0:16:00.320
<v Speaker 1>say it. So when he said it, it was like, yeah,

0:16:00.400 --> 0:16:04.120
<v Speaker 1>like this ship ain't fell on deaf fears, Like like

0:16:04.160 --> 0:16:06.400
<v Speaker 1>I still imagined Dres and making like the poonies come

0:16:06.480 --> 0:16:08.200
<v Speaker 1>to his door. He trying to be cool, but really

0:16:08.360 --> 0:16:10.560
<v Speaker 1>he wanted to shut the door in the face, Well,

0:16:10.560 --> 0:16:12.760
<v Speaker 1>that did happen? Like what two years ago? A year ago,

0:16:13.360 --> 0:16:15.640
<v Speaker 1>some weird white guy called the police and they showed

0:16:15.720 --> 0:16:16.840
<v Speaker 1>up at his house and he was like, I don't

0:16:16.840 --> 0:16:21.320
<v Speaker 1>know this guy's talking about. They're like, just went back

0:16:21.360 --> 0:16:24.440
<v Speaker 1>to the station. That's what I appreciate about. Even with

0:16:24.520 --> 0:16:27.560
<v Speaker 1>this stamn ship, Like is it most likely gonna be

0:16:27.560 --> 0:16:31.040
<v Speaker 1>worth two hundred dollars? I don't know what's worth two

0:16:31.120 --> 0:16:36.240
<v Speaker 1>hundred dollars these days, very few things. Um, but I'll

0:16:36.280 --> 0:16:40.600
<v Speaker 1>pay for that. I'll pay for him still bucking the system.

0:16:40.640 --> 0:16:44.120
<v Speaker 1>That's what I'm paying for. I'm paying for him sucking

0:16:44.200 --> 0:16:47.000
<v Speaker 1>the system. I don't known fun what that stamp player do.

0:16:47.560 --> 0:16:50.840
<v Speaker 1>Here's a go funding contributions. What you made? Huh you

0:16:50.920 --> 0:16:54.040
<v Speaker 1>made a go fund to make contribution? Yeah, I ain't

0:16:54.080 --> 0:16:58.200
<v Speaker 1>chipped them, just as long as Canadians don't keep your money.

0:16:58.720 --> 0:17:01.640
<v Speaker 1>Yeah no, no, no no. When you buck the system

0:17:01.680 --> 0:17:04.679
<v Speaker 1>for me, I gotta pay you if you if you

0:17:04.760 --> 0:17:11.560
<v Speaker 1>go buck, I'm gonna pay you. That's all. That's all

0:17:11.600 --> 0:17:14.280
<v Speaker 1>I asked from hip hop in modern time. Buck dog

0:17:15.560 --> 0:17:18.399
<v Speaker 1>fuck you let me kick. I don't just getting this

0:17:18.520 --> 0:17:22.520
<v Speaker 1>ship and try to get it drinking cold and and

0:17:22.560 --> 0:17:26.040
<v Speaker 1>all that ship is cool and that mainstream rap. No,

0:17:26.040 --> 0:17:28.800
<v Speaker 1>no disrespect to them, brothers, but feel me like that

0:17:28.920 --> 0:17:32.840
<v Speaker 1>ship ain't bucking and nothing. They weren't top ten several

0:17:32.880 --> 0:17:36.920
<v Speaker 1>episodes ago. Huh, they didn't make my top ten several

0:17:36.920 --> 0:17:41.080
<v Speaker 1>episodes ago. I'm just saying that ship too nice. That's

0:17:41.119 --> 0:17:43.560
<v Speaker 1>why I wasn't in my top ten. That's why I

0:17:43.680 --> 0:17:47.080
<v Speaker 1>pay for their music. You gotta buck for me, you

0:17:47.160 --> 0:17:50.560
<v Speaker 1>gotta buck the system. And so for him to constantly

0:17:50.600 --> 0:17:53.399
<v Speaker 1>buck the system, that's what I paid for. That's what

0:17:53.560 --> 0:17:57.440
<v Speaker 1>it was worth. So do I feel like I got beat? Hell? No,

0:17:58.960 --> 0:18:04.760
<v Speaker 1>it It's what makes hip hop great. That's what it's

0:18:04.800 --> 0:18:08.240
<v Speaker 1>all about. Yeah, I'm not that at the vetter he

0:18:08.280 --> 0:18:13.200
<v Speaker 1>can pull it off. I mean, even if it if

0:18:13.200 --> 0:18:19.600
<v Speaker 1>it's a hardware advice, I mean, it never even crossed

0:18:19.680 --> 0:18:21.800
<v Speaker 1>my mind that that could that that could even have.

0:18:22.000 --> 0:18:24.440
<v Speaker 1>I'm like, it's a digital portal, like like stream yark,

0:18:24.600 --> 0:18:26.320
<v Speaker 1>you know, like what we're on. You know, I thought

0:18:26.320 --> 0:18:32.360
<v Speaker 1>would be something like that, um an app that could

0:18:32.440 --> 0:18:35.040
<v Speaker 1>cost a fortune in r indeed to create or to purchase,

0:18:36.080 --> 0:18:41.800
<v Speaker 1>you know. I mean, I'm sure you would figure out

0:18:41.800 --> 0:18:44.080
<v Speaker 1>a way to create the right value for it. I

0:18:44.080 --> 0:18:45.960
<v Speaker 1>don't think for two seconds it's not gonna be what

0:18:46.000 --> 0:18:50.719
<v Speaker 1>it's supposed to be. Yeah, but but he might need

0:18:50.720 --> 0:18:57.040
<v Speaker 1>to sell an awful lot. Probably not. It's probably made

0:18:57.080 --> 0:19:02.120
<v Speaker 1>somewhere in Asia by somebody getting paid thirteen cents an hour. Yeah,

0:19:02.320 --> 0:19:04.680
<v Speaker 1>that's where it's made. I'm talking about it when where

0:19:04.680 --> 0:19:09.320
<v Speaker 1>it was created the technology, and they was paying thirteen

0:19:09.359 --> 0:19:12.040
<v Speaker 1>Since an hour or two might have cost eighteen cents

0:19:12.080 --> 0:19:17.600
<v Speaker 1>to build, it always is eighteen cents to build, to build, yeah,

0:19:18.040 --> 0:19:24.800
<v Speaker 1>to to recreate, not to create, to create, not to create. No, no, no,

0:19:24.800 --> 0:19:27.919
<v Speaker 1>no no. If there was, trust me, i'd i'd be

0:19:27.960 --> 0:19:30.720
<v Speaker 1>doing that right now as we speak. I can't even

0:19:30.760 --> 0:19:35.119
<v Speaker 1>get a a decentralized app done to my specifications for

0:19:35.200 --> 0:19:40.880
<v Speaker 1>under twenty case. Yeah, but that's because again, right what

0:19:40.920 --> 0:19:45.280
<v Speaker 1>you do is limited. That's limited. That doesn't even exist

0:19:45.359 --> 0:19:54.600
<v Speaker 1>yet we know about it. Maybe maybe he just stumbled

0:19:54.680 --> 0:19:56.560
<v Speaker 1>upon some guy had this thing. Hey, I got this

0:19:56.680 --> 0:19:59.440
<v Speaker 1>cool thing and nobody wants it. He was like, I'll

0:19:59.480 --> 0:20:02.280
<v Speaker 1>grab it. Maybe he was ready made, and I don't

0:20:02.280 --> 0:20:05.400
<v Speaker 1>think he. I think they came to and he made

0:20:05.400 --> 0:20:07.960
<v Speaker 1>a deal, some kind of special deal with him. They

0:20:08.000 --> 0:20:10.439
<v Speaker 1>probably came to M was like, yeah, man, we got this. Well,

0:20:10.440 --> 0:20:12.920
<v Speaker 1>if that's the case, then he's really I don't need

0:20:12.960 --> 0:20:15.080
<v Speaker 1>it unless they gave him a bunch of money up front.

0:20:16.119 --> 0:20:18.240
<v Speaker 1>And Yeah, the thing about Yeah is that is a

0:20:18.280 --> 0:20:22.400
<v Speaker 1>corporate deal. It's different, a different corporate That's my point.

0:20:22.560 --> 0:20:25.200
<v Speaker 1>Is always gonna be some corporate thing, That's what I say,

0:20:25.240 --> 0:20:27.840
<v Speaker 1>even when Yeah is trying not to, he's gonna do

0:20:27.960 --> 0:20:35.199
<v Speaker 1>something that's super corporate. Eve, Yeah, super capitalistic. It's always

0:20:35.280 --> 0:20:37.879
<v Speaker 1>gonna be that. Like he wanted to make these shoes

0:20:37.960 --> 0:20:41.480
<v Speaker 1>that were like fair price and they weren't that much material,

0:20:41.560 --> 0:20:43.520
<v Speaker 1>yet they end up costing more than every fucking pair

0:20:43.560 --> 0:20:46.720
<v Speaker 1>of tennis shoes. He's he's the kind of guy who's

0:20:46.760 --> 0:20:52.240
<v Speaker 1>gonna like, oh man, there's hand full characters like this

0:20:52.320 --> 0:20:56.200
<v Speaker 1>stuff thinking of it, like various comedy movies over the years.

0:20:56.240 --> 0:20:58.720
<v Speaker 1>But he's like the kind of guy who, like, I'm

0:20:58.760 --> 0:21:02.320
<v Speaker 1>a rebel, all repel right now, I don't go seventy

0:21:02.440 --> 0:21:08.639
<v Speaker 1>six and sixty five watching me. Like, to some degree,

0:21:08.720 --> 0:21:10.920
<v Speaker 1>I guess that's not He's not gonna get too far

0:21:11.359 --> 0:21:16.360
<v Speaker 1>like called George Bush a bitch, Like I can see

0:21:16.359 --> 0:21:17.960
<v Speaker 1>if he was gonna get on TV, and like George

0:21:17.960 --> 0:21:20.600
<v Speaker 1>Bush is a bitch ass nigger. Like, no, he's going

0:21:20.680 --> 0:21:23.800
<v Speaker 1>to like, he's going to give you the obvious truth

0:21:23.880 --> 0:21:27.600
<v Speaker 1>that nobody else is said. George Bush doesn't like black people.

0:21:30.080 --> 0:21:33.320
<v Speaker 1>That's that's that's Kanye's version of hip hop. Glasses Malone

0:21:33.400 --> 0:21:36.240
<v Speaker 1>version of hip hop is, man, fuck George Bush, pitch

0:21:36.359 --> 0:21:42.400
<v Speaker 1>ass nigger. Yeah, that's like a hundred and sixty five

0:21:43.320 --> 0:21:47.840
<v Speaker 1>three Yeah. Me calling George Bush a bitch ass nigger

0:21:47.840 --> 0:21:51.280
<v Speaker 1>on television is like a hundred and fifty miles per hour.

0:21:51.640 --> 0:21:54.679
<v Speaker 1>But that's the kind of hip hop I mate, But

0:21:54.800 --> 0:21:57.879
<v Speaker 1>I think, and that's what I said, Like, I like,

0:21:58.000 --> 0:22:01.400
<v Speaker 1>just like I'm grateful for Kanye's contribution to hip hop,

0:22:01.440 --> 0:22:05.639
<v Speaker 1>I also loathed as well, because I know he's the

0:22:05.680 --> 0:22:09.040
<v Speaker 1>reason why this hundred and fifty miles people think I'm crazy,

0:22:09.359 --> 0:22:12.439
<v Speaker 1>even though hip hop came from doing a hundred and

0:22:12.480 --> 0:22:16.240
<v Speaker 1>fifty miles in in in the sixty five mile Prower Freeway,

0:22:16.280 --> 0:22:18.760
<v Speaker 1>you know, on that lane, that's where it came from.

0:22:18.800 --> 0:22:22.919
<v Speaker 1>But the standards have been lowered to where if Kendrick

0:22:23.000 --> 0:22:24.880
<v Speaker 1>Lamar gets on the song, he's like, yeah, I'm trying

0:22:24.920 --> 0:22:26.720
<v Speaker 1>to compete and be better than all of the rappers

0:22:26.760 --> 0:22:29.199
<v Speaker 1>of today's time. It's the end of the world, and

0:22:29.240 --> 0:22:31.320
<v Speaker 1>they all don't want to mess with him no more

0:22:31.359 --> 0:22:34.400
<v Speaker 1>and be his friend because they're not used to that

0:22:34.440 --> 0:22:38.920
<v Speaker 1>type of someone being that apparent and competitive. This is

0:22:38.960 --> 0:22:41.760
<v Speaker 1>the area of fifth place trophies for sure. I mean,

0:22:41.840 --> 0:22:47.560
<v Speaker 1>Kanye is the rapper of you see, he's a child

0:22:47.600 --> 0:22:52.480
<v Speaker 1>of people with retire pensions. You know, his his his his,

0:22:52.600 --> 0:22:56.280
<v Speaker 1>the pensions rapper, I would say, now you mean or

0:22:56.400 --> 0:23:03.320
<v Speaker 1>overall overall the funniest it bro is right. Kanye's album, right,

0:23:03.359 --> 0:23:05.879
<v Speaker 1>the first album, Like when I first heard Kanye, I

0:23:05.920 --> 0:23:08.240
<v Speaker 1>just understood it was great music. I never looked at

0:23:08.320 --> 0:23:11.480
<v Speaker 1>it as a representation of like real hip hop life,

0:23:11.760 --> 0:23:14.080
<v Speaker 1>like not hip hop life, because hip hop, the way

0:23:14.080 --> 0:23:18.160
<v Speaker 1>I've took it in is very much street urban culture, right,

0:23:18.400 --> 0:23:22.919
<v Speaker 1>very much an urban corner street thing. Right. So, like

0:23:23.000 --> 0:23:25.480
<v Speaker 1>the depth of kanye struggle on the first album was

0:23:25.560 --> 0:23:29.439
<v Speaker 1>him dropping out of college, right and getting accused of

0:23:29.480 --> 0:23:34.840
<v Speaker 1>stealing pants by his boss. And I was like, I

0:23:34.880 --> 0:23:39.520
<v Speaker 1>was listening to my first album, and my first album

0:23:39.600 --> 0:23:44.399
<v Speaker 1>is uh, I'm talking about facing life in prison and

0:23:44.400 --> 0:23:47.399
<v Speaker 1>doing facing ten years and his is like, yeah, they

0:23:47.440 --> 0:23:49.560
<v Speaker 1>almost called me stealing pants. My boss thought I was

0:23:49.600 --> 0:23:52.399
<v Speaker 1>still in pants and he was gonna fire me, and

0:23:52.400 --> 0:23:55.919
<v Speaker 1>I was like, huh. So I always felt it was

0:23:56.000 --> 0:24:00.200
<v Speaker 1>like seventy miles per hour in the city five for

0:24:00.320 --> 0:24:02.719
<v Speaker 1>hour Lane. So when it first came out, I was

0:24:02.760 --> 0:24:06.199
<v Speaker 1>always just listening to the music. I didn't really connect

0:24:06.280 --> 0:24:08.240
<v Speaker 1>with the struggle of Kanye West. It was like, that's

0:24:08.240 --> 0:24:10.800
<v Speaker 1>a joke to me. But I thought he was great

0:24:10.920 --> 0:24:14.760
<v Speaker 1>at sampling. I thought he placed words really well. I

0:24:14.800 --> 0:24:18.240
<v Speaker 1>thought he carried melody well, he used all the voices perfectly.

0:24:18.920 --> 0:24:20.560
<v Speaker 1>He might have a bit too many skits on the

0:24:20.560 --> 0:24:23.560
<v Speaker 1>first record, but it was as great as it could so.

0:24:23.640 --> 0:24:26.200
<v Speaker 1>But in two thousand and four, that was cool, right

0:24:26.240 --> 0:24:29.840
<v Speaker 1>because it was like, all, like I had fifty cents

0:24:29.880 --> 0:24:32.640
<v Speaker 1>in two thousand and three, right, so I still had

0:24:32.720 --> 0:24:36.800
<v Speaker 1>this element of somebody surviving, you know, the trauma and

0:24:36.800 --> 0:24:39.760
<v Speaker 1>and representing the people that don't have a voice. Where

0:24:39.760 --> 0:24:41.800
<v Speaker 1>you have a fifty cent and then Yeake comes. It

0:24:41.840 --> 0:24:44.679
<v Speaker 1>was cool balanced. But fast forward in the two thousand

0:24:44.680 --> 0:24:50.360
<v Speaker 1>and twenty two and it's like Drake J. Cole, Uh, Kanye,

0:24:50.480 --> 0:24:55.880
<v Speaker 1>It's like, yeah, this ain't scary at all, Like, yeah,

0:24:56.840 --> 0:25:01.119
<v Speaker 1>it's I had one time I went uh for like

0:25:01.160 --> 0:25:05.360
<v Speaker 1>a semester at Orange Coast College Junior College down in Coasta, Mesa.

0:25:05.920 --> 0:25:09.359
<v Speaker 1>And I took this jazz history class and that was

0:25:09.359 --> 0:25:11.520
<v Speaker 1>one of the coolest classes I've ever taken. And it

0:25:11.640 --> 0:25:17.800
<v Speaker 1>was actually taught by um John Coltrane's bass player Art Davis.

0:25:19.359 --> 0:25:22.120
<v Speaker 1>And the guy's like a super savant. He's like one

0:25:22.160 --> 0:25:24.320
<v Speaker 1>of the most renowned jazz bass players of all time.

0:25:24.400 --> 0:25:27.040
<v Speaker 1>He was telling his life story like one day, like

0:25:27.080 --> 0:25:30.359
<v Speaker 1>kind of in passing. He was like, you know, jazz

0:25:30.400 --> 0:25:33.719
<v Speaker 1>came from kind of like from the mud, you know,

0:25:34.000 --> 0:25:36.840
<v Speaker 1>like you could say it starts to just people say

0:25:36.880 --> 0:25:38.359
<v Speaker 1>it started in the order, so some people say it

0:25:38.359 --> 0:25:41.520
<v Speaker 1>started in New York or whatever it started was it

0:25:41.600 --> 0:25:43.960
<v Speaker 1>was it was the people's creation off of a blank slate.

0:25:44.160 --> 0:25:46.320
<v Speaker 1>It wasn't something you could learn. It was something that

0:25:46.359 --> 0:25:48.800
<v Speaker 1>you just had to make. And he he said, he

0:25:48.840 --> 0:25:53.320
<v Speaker 1>was already in the industry and doing well and got

0:25:53.400 --> 0:25:57.640
<v Speaker 1>offered to go to Juilliard School of Music, and everybody

0:25:57.680 --> 0:25:59.720
<v Speaker 1>was trying to come up with a new sound, learn

0:25:59.760 --> 0:26:01.840
<v Speaker 1>being or creative pushed the albums I'm gonna go to Jewelrard,

0:26:01.840 --> 0:26:03.280
<v Speaker 1>I'm gonna learn more about music, and I'm gonna come

0:26:03.320 --> 0:26:05.240
<v Speaker 1>back and I'm gonna have an even more unique sound

0:26:05.320 --> 0:26:07.720
<v Speaker 1>or whatever. And he said one of the guys that

0:26:07.800 --> 0:26:11.919
<v Speaker 1>he recorded with was like, when you go to Juilliard,

0:26:13.600 --> 0:26:15.720
<v Speaker 1>they're gonna teach you structure. They're gonna teach you how

0:26:15.720 --> 0:26:17.159
<v Speaker 1>not to be creative. They're gonna teach you how to

0:26:17.160 --> 0:26:19.159
<v Speaker 1>do what other people tell you to do. Jazz is

0:26:19.200 --> 0:26:22.879
<v Speaker 1>all about doing what nobody else has ever done, so

0:26:22.960 --> 0:26:25.080
<v Speaker 1>don't lose that. And he never lost it. And he

0:26:25.160 --> 0:26:26.920
<v Speaker 1>was a great I mean, he was on the Love

0:26:26.960 --> 0:26:29.680
<v Speaker 1>Supreme album that John Coltrane did after the Facts People,

0:26:29.680 --> 0:26:34.600
<v Speaker 1>so he stayed great. But Kaye always to me felt

0:26:34.680 --> 0:26:39.800
<v Speaker 1>like the Juilliard School of Music's hip hop to some

0:26:39.920 --> 0:26:43.119
<v Speaker 1>degree a little bit a savant like talent creative wise,

0:26:44.119 --> 0:26:50.960
<v Speaker 1>but it seemed like he like learned how to be

0:26:51.080 --> 0:26:54.159
<v Speaker 1>that more than he just kind of to do it

0:26:54.200 --> 0:26:56.879
<v Speaker 1>in a small sense. You know what I'm saying is

0:26:57.480 --> 0:27:00.760
<v Speaker 1>like the spirit of it. I've had this for years,

0:27:00.840 --> 0:27:04.920
<v Speaker 1>Like this is not obviously Webster's idea of the dictionary,

0:27:04.960 --> 0:27:08.080
<v Speaker 1>But the way I see genius and brilliance is different.

0:27:08.600 --> 0:27:16.680
<v Speaker 1>Like I see genius as this revolutionary, rarely understood thing

0:27:16.760 --> 0:27:20.679
<v Speaker 1>happening in real time right, Mozart probably wasn't selling out

0:27:20.720 --> 0:27:23.000
<v Speaker 1>all the concerts and ship like you know, it's it's

0:27:23.040 --> 0:27:33.760
<v Speaker 1>a very unique and pretty much always under appreciated thing. Um,

0:27:33.920 --> 0:27:37.720
<v Speaker 1>I look at Kanye West as extremely brilliant. Kanye West

0:27:37.800 --> 0:27:42.040
<v Speaker 1>is the best at taking things that's existed and making

0:27:42.080 --> 0:27:44.960
<v Speaker 1>them more efficient for whatever is going on at that time.

0:27:45.520 --> 0:27:48.320
<v Speaker 1>Like he could take three or four things and put

0:27:48.359 --> 0:27:52.000
<v Speaker 1>them together and make something perfect for today's time. And

0:27:52.040 --> 0:27:54.880
<v Speaker 1>to me, that's more of a sign of brilliance right

0:27:55.040 --> 0:27:58.680
<v Speaker 1>than genius. But again, that's just how I see it.

0:27:58.880 --> 0:28:02.560
<v Speaker 1>So I guess I'm ever had to judge Kanye like, oh,

0:28:02.680 --> 0:28:06.720
<v Speaker 1>is he a genius versus he's absolutely brilliant. You know,

0:28:06.760 --> 0:28:09.360
<v Speaker 1>he knows how to put all this ship together and

0:28:10.280 --> 0:28:13.680
<v Speaker 1>it's not just natural. I agree, Like he's very schooled

0:28:13.680 --> 0:28:17.480
<v Speaker 1>at what we do. You could tell he studied everything

0:28:17.600 --> 0:28:22.360
<v Speaker 1>that's going on. And really, you know, there's the art

0:28:22.520 --> 0:28:26.200
<v Speaker 1>of there's the art of hip hop, and then there's

0:28:26.240 --> 0:28:29.600
<v Speaker 1>the science of music. Excuse me, the science of records.

0:28:29.840 --> 0:28:33.040
<v Speaker 1>The art of hip hop and the science of records. Right,

0:28:33.600 --> 0:28:37.720
<v Speaker 1>records are very scientific, like making a jingle for a commercial,

0:28:38.520 --> 0:28:41.920
<v Speaker 1>you know, the Jolly Green Giants, so that's the thing.

0:28:42.040 --> 0:28:45.360
<v Speaker 1>So Kanye in two thousand four was fantastic for me

0:28:45.440 --> 0:28:51.120
<v Speaker 1>because you know, I have so much of the culture right,

0:28:51.240 --> 0:28:53.560
<v Speaker 1>so much stuff to listen to. I can listen to

0:28:53.600 --> 0:28:56.360
<v Speaker 1>the streets in New York with I can listen to

0:28:56.400 --> 0:28:59.800
<v Speaker 1>the streets of I can listen to the streets of

0:28:59.800 --> 0:29:03.920
<v Speaker 1>a Hand with t I, I could listen to the

0:29:04.160 --> 0:29:08.120
<v Speaker 1>streets of l A. Obviously with everybody. For the most part,

0:29:09.800 --> 0:29:16.280
<v Speaker 1>it Kanye provided something with such a scientific measure that

0:29:16.320 --> 0:29:18.680
<v Speaker 1>it made it enjoyable for me. It didn't have to

0:29:18.760 --> 0:29:22.040
<v Speaker 1>be you know what hip hop was culturally like where

0:29:22.040 --> 0:29:25.480
<v Speaker 1>it was like from this level of no poverty in

0:29:25.560 --> 0:29:28.480
<v Speaker 1>this street, edge and edge to it, right, it didn't

0:29:28.520 --> 0:29:31.680
<v Speaker 1>need an edge to it. It could just be actually

0:29:31.800 --> 0:29:36.520
<v Speaker 1>really well done and good and jam and that's what. Yeah,

0:29:36.520 --> 0:29:38.720
<v Speaker 1>he was what college drop out. But like I said,

0:29:38.800 --> 0:29:42.160
<v Speaker 1>fast forward in two thousand twenty two because the game

0:29:42.280 --> 0:29:45.720
<v Speaker 1>started to shape that way. Now that ship is fucking

0:29:46.320 --> 0:29:51.800
<v Speaker 1>annoying as fuck. But ya still not yea. But all

0:29:51.840 --> 0:29:56.360
<v Speaker 1>his offsprings, like the depth the depth of his offsprings

0:29:56.440 --> 0:29:59.120
<v Speaker 1>is just boring in Lane to me, Like it's like

0:30:00.120 --> 0:30:01.560
<v Speaker 1>you know what I mean, Like again, we're in the time,

0:30:01.600 --> 0:30:04.440
<v Speaker 1>Like I said, we're in a time where they're calling

0:30:04.480 --> 0:30:07.960
<v Speaker 1>skater closed streetwear. Like I was having a conversation with

0:30:08.000 --> 0:30:10.920
<v Speaker 1>my partner Cast, and Cast was trying to tell me.

0:30:11.400 --> 0:30:13.280
<v Speaker 1>He was like, well, you know, there's no real definition

0:30:13.320 --> 0:30:15.680
<v Speaker 1>of a street nigga or a real nigga. And I'm like,

0:30:15.720 --> 0:30:18.000
<v Speaker 1>that's not true. Like a street nigga was a criminal

0:30:18.520 --> 0:30:22.600
<v Speaker 1>from our element right, A gang a gangster is a

0:30:22.640 --> 0:30:25.760
<v Speaker 1>group of niggas, a group of street niggas that aligned

0:30:25.800 --> 0:30:28.920
<v Speaker 1>themselves together. A street nigga is somebody willing to commit

0:30:28.960 --> 0:30:32.560
<v Speaker 1>a crime to advance their agenda. Yes, streets not just asphalt.

0:30:33.040 --> 0:30:40.240
<v Speaker 1>And and what happened is mainstream and even and even

0:30:40.360 --> 0:30:45.200
<v Speaker 1>the successful upper scale of Black people got ahold of

0:30:45.240 --> 0:30:49.880
<v Speaker 1>those words and made real nigga anybody that's doing something

0:30:49.960 --> 0:30:53.360
<v Speaker 1>that's honest or like, a real nigga is somebody who

0:30:53.400 --> 0:30:56.920
<v Speaker 1>take care of their kids. It's a real father, a

0:30:57.080 --> 0:30:58.920
<v Speaker 1>real nigga. Somebody who gonna put in the eight hours

0:30:58.920 --> 0:31:02.600
<v Speaker 1>of work. No, that's a real good employee. These terms have,

0:31:03.800 --> 0:31:07.800
<v Speaker 1>you know, representation. The reason that people created the term

0:31:07.880 --> 0:31:10.320
<v Speaker 1>real nigga and all these different concepts is they didn't

0:31:10.360 --> 0:31:15.640
<v Speaker 1>have positive reinforcements for themselves to encourage them of trying

0:31:15.680 --> 0:31:18.000
<v Speaker 1>to overcome what they was going through. So then they

0:31:18.000 --> 0:31:21.960
<v Speaker 1>started making these dope terminologies that became great to listen

0:31:22.000 --> 0:31:24.520
<v Speaker 1>to what I'm saying, and it made people feel proud

0:31:24.600 --> 0:31:30.040
<v Speaker 1>of their circumstances. It wasn't for feeling doctor John Thompson

0:31:30.080 --> 0:31:32.120
<v Speaker 1>to be like, yeah, did a surgery today, real nigga

0:31:32.120 --> 0:31:35.920
<v Speaker 1>ship And I do think yea is a part of

0:31:36.880 --> 0:31:41.720
<v Speaker 1>that transition and end. You know that era of where

0:31:41.760 --> 0:31:44.360
<v Speaker 1>now you have Drake talking about he's sliding on enemies

0:31:44.360 --> 0:31:46.600
<v Speaker 1>and he hit somebody's block up and they wasn't outside,

0:31:46.640 --> 0:31:48.680
<v Speaker 1>and it's like, you know, this is cool, This Nick

0:31:48.760 --> 0:31:51.280
<v Speaker 1>is not hitting nobody's block. Brother, this nigga, don't you

0:31:51.360 --> 0:31:55.080
<v Speaker 1>need pe would need a fucking you need to blockings

0:31:55.080 --> 0:31:57.600
<v Speaker 1>with a jackhammer because there's a pothole that needs to

0:31:57.600 --> 0:32:01.200
<v Speaker 1>be corrected. But I'm just saying it out. I'm just

0:32:01.280 --> 0:32:04.280
<v Speaker 1>saying like, now we're in that era and again it

0:32:04.400 --> 0:32:08.040
<v Speaker 1>started off with a rapper who's the depth of his

0:32:08.120 --> 0:32:12.880
<v Speaker 1>struggle was like his job accusing him, his manager accusing

0:32:12.960 --> 0:32:15.480
<v Speaker 1>him was still in pants. Well, let me ask you this,

0:32:15.600 --> 0:32:18.080
<v Speaker 1>Like the way I kind of see Kanye, and you

0:32:18.120 --> 0:32:20.880
<v Speaker 1>can see it kind of in the in just Chicago

0:32:21.000 --> 0:32:24.880
<v Speaker 1>is in nutshell. You think Chicago hip hop, Chicago rap.

0:32:25.760 --> 0:32:29.560
<v Speaker 1>There's even songs where are Kelly has that sounds like

0:32:29.600 --> 0:32:32.640
<v Speaker 1>there's a certain Chicago sound, like the Twisted Door Didos

0:32:32.680 --> 0:32:36.320
<v Speaker 1>guys like literally like there's a sound there. You know

0:32:36.440 --> 0:32:40.360
<v Speaker 1>that sounds like Chicago doesn't have that. Kanye is the

0:32:40.400 --> 0:32:43.320
<v Speaker 1>first artist of hip hop two point oh who grew

0:32:43.400 --> 0:32:45.640
<v Speaker 1>up listening to hip hop and other people grew up

0:32:45.680 --> 0:32:48.880
<v Speaker 1>listening to something else and made hip hop. And he

0:32:48.880 --> 0:32:51.360
<v Speaker 1>grew up listening to hip hop and made his music.

0:32:51.960 --> 0:32:55.840
<v Speaker 1>You Feel Me and Drake's another two points I don't understand.

0:32:55.880 --> 0:32:59.640
<v Speaker 1>I can relate, I could relate. I think that's part

0:32:59.680 --> 0:33:02.360
<v Speaker 1>true in part not true. I agree in the sense

0:33:02.400 --> 0:33:05.480
<v Speaker 1>that Kanye is definitely part of that generation who grew

0:33:05.560 --> 0:33:11.480
<v Speaker 1>up influenced to rapp by other rappers versus snooping them.

0:33:11.520 --> 0:33:13.960
<v Speaker 1>They only had a handful of rappers. But really his

0:33:14.040 --> 0:33:17.640
<v Speaker 1>influences Ron Banks or I mean somebody like that from

0:33:17.680 --> 0:33:21.800
<v Speaker 1>the Dramatics. But I do think Kanye has a very

0:33:21.920 --> 0:33:24.600
<v Speaker 1>Chicago sound. I mean, I think early on in his

0:33:24.720 --> 0:33:28.280
<v Speaker 1>career you heard him doing what he needed to do

0:33:28.840 --> 0:33:30.680
<v Speaker 1>like what I call laying the ball up, where you

0:33:30.720 --> 0:33:32.920
<v Speaker 1>hear the music and you just lay it up, you

0:33:32.960 --> 0:33:35.160
<v Speaker 1>know what it takes to get this ship through, and

0:33:35.160 --> 0:33:37.479
<v Speaker 1>he get it like that. But I think it's Kanye

0:33:37.480 --> 0:33:39.760
<v Speaker 1>started going. You start hearing him employ the melodies a

0:33:39.800 --> 0:33:42.280
<v Speaker 1>lot more, start hearing more to R and B into

0:33:42.320 --> 0:33:44.920
<v Speaker 1>his music, and I think it really all the Chicago

0:33:45.000 --> 0:33:49.160
<v Speaker 1>came out of him. But again back to the point

0:33:49.160 --> 0:33:52.800
<v Speaker 1>of hip hop right where it's like where it's like

0:33:55.640 --> 0:34:00.719
<v Speaker 1>it's supposed to represent a community of people that doesn't

0:34:00.760 --> 0:34:06.160
<v Speaker 1>have representation. And I don't think Kanye is like the

0:34:06.240 --> 0:34:08.719
<v Speaker 1>voice of that. I think there's a lot of Kanye's

0:34:08.760 --> 0:34:12.920
<v Speaker 1>that's well represented throughout you know, the last fifty years,

0:34:14.160 --> 0:34:17.920
<v Speaker 1>that version of black people in America. M you know

0:34:17.920 --> 0:34:20.960
<v Speaker 1>what I'm saying, That version is on television like before

0:34:20.960 --> 0:34:24.160
<v Speaker 1>they would show the character, like the character that is

0:34:24.239 --> 0:34:28.120
<v Speaker 1>hip hop is mad Dog from Good Times. There's only

0:34:28.160 --> 0:34:32.160
<v Speaker 1>one or two episodes of mad Dog from Good Times.

0:34:32.280 --> 0:34:34.640
<v Speaker 1>You know what. J J joins his gang and then

0:34:34.719 --> 0:34:36.640
<v Speaker 1>j J just becomes a buster and don't want to

0:34:36.640 --> 0:34:39.320
<v Speaker 1>get out, and then Mad Dog shoot j J in

0:34:39.360 --> 0:34:41.000
<v Speaker 1>front of his daddy, and then you get to hear

0:34:41.080 --> 0:34:44.040
<v Speaker 1>only this much of Mad Dog story where he's talking

0:34:44.080 --> 0:34:47.440
<v Speaker 1>about his father abandoning him and him making sure that

0:34:47.520 --> 0:34:49.759
<v Speaker 1>he don't need for nothing else. So that was the

0:34:49.840 --> 0:34:54.040
<v Speaker 1>depth of our representation. You know that when you come

0:34:54.080 --> 0:34:56.040
<v Speaker 1>from this street life, you know, outside of today, it

0:34:56.080 --> 0:34:58.400
<v Speaker 1>was a blaxploitation film like The Mac, and that was

0:34:58.920 --> 0:35:05.200
<v Speaker 1>not our life. 's life has been represented pretty well.

0:35:05.320 --> 0:35:11.080
<v Speaker 1>That type of Black American person is represented Kanye. White

0:35:11.080 --> 0:35:17.040
<v Speaker 1>women fear me that that understands the struggle, but you know, again,

0:35:17.080 --> 0:35:19.640
<v Speaker 1>it's just different. I don't I don't think. I don't

0:35:19.640 --> 0:35:24.799
<v Speaker 1>think he's underrepresented. He and now we have this on

0:35:24.920 --> 0:35:30.439
<v Speaker 1>slaughter fucking like Kanye himself is fucking great, just greatness.

0:35:30.480 --> 0:35:34.000
<v Speaker 1>But diet Kanye, all the diet Kanye, that's just sucks.

0:35:35.400 --> 0:35:38.040
<v Speaker 1>You feel me like Kanye is not as strong enough

0:35:38.120 --> 0:35:42.280
<v Speaker 1>drink to have diet versions of it. Just that beverage

0:35:42.320 --> 0:35:46.160
<v Speaker 1>itself is fucking awesome, because but all this diet Kanye, bro,

0:35:46.920 --> 0:35:51.879
<v Speaker 1>it's not that fucking good. It's not that good. Paul,

0:35:51.960 --> 0:35:57.080
<v Speaker 1>Are you telling me that you're not as impressed, maybe

0:35:57.080 --> 0:35:59.279
<v Speaker 1>as other people are, that Kanye was able to bring

0:35:59.360 --> 0:36:02.200
<v Speaker 1>us the same Chicago that Eddie Winslow brought us five

0:36:02.280 --> 0:36:08.480
<v Speaker 1>years earlier, exactly, fucking Eddie Winslow. Here's the Eddie Winslow

0:36:08.680 --> 0:36:11.759
<v Speaker 1>of Chicago hip hop, and then he because no, he's

0:36:11.800 --> 0:36:15.960
<v Speaker 1>fucking Eddie Winslow like that character has always been represented

0:36:16.280 --> 0:36:21.120
<v Speaker 1>in mainstream America for thirty years before Kanye existed. There

0:36:21.160 --> 0:36:24.960
<v Speaker 1>is no like Mad Dog got three minutes of camera time.

0:36:25.000 --> 0:36:28.840
<v Speaker 1>I've watched twenty years of Eddie Winslow. Yeah that was

0:36:28.880 --> 0:36:31.920
<v Speaker 1>just one version. It was all it was. Nigga Willis

0:36:32.000 --> 0:36:38.960
<v Speaker 1>was fucking Eddie Winslow. Fucking Kanye's Willis film me like fun,

0:36:39.120 --> 0:36:41.359
<v Speaker 1>I've seen it and it's dope because Kanye is so

0:36:41.440 --> 0:36:46.160
<v Speaker 1>scientifically great at it. He's so correct, and he here

0:36:46.280 --> 0:36:55.959
<v Speaker 1>Stefan or cow No, no, no, he's Eddie Winslow. Yeah,

0:36:56.200 --> 0:36:59.640
<v Speaker 1>yes he is. But that but that's my point where

0:37:00.120 --> 0:37:04.840
<v Speaker 1>I feel like the representation right, it's over. It's been represented,

0:37:04.880 --> 0:37:06.960
<v Speaker 1>and that's not what hip hop gave a voice to

0:37:07.000 --> 0:37:11.520
<v Speaker 1>the people you didn't know existed. You didn't see it

0:37:11.719 --> 0:37:16.000
<v Speaker 1>ll COOJ before you saw LLL COUJ. You didn't see

0:37:16.000 --> 0:37:19.080
<v Speaker 1>a Snoop Dog. You know, Rocket was in colors for

0:37:19.120 --> 0:37:22.800
<v Speaker 1>a grand total of ten minutes Rockets shot four people

0:37:22.840 --> 0:37:25.920
<v Speaker 1>in his ten minutes on on cameraton. You can't be

0:37:26.000 --> 0:37:28.799
<v Speaker 1>mad at the guy for being efficient. I'm not mad.

0:37:28.840 --> 0:37:30.800
<v Speaker 1>I think it's great. But I'm saying that's what made

0:37:31.120 --> 0:37:35.440
<v Speaker 1>Snoop so hip hop because you got to see Rocket, right,

0:37:35.760 --> 0:37:39.040
<v Speaker 1>A full version of Colors with Rocket as the lead character.

0:37:39.040 --> 0:37:44.440
<v Speaker 1>That's what Snoop Dog represents. So as far as Yea,

0:37:44.560 --> 0:37:46.200
<v Speaker 1>I love you because I think he's one of the

0:37:46.239 --> 0:37:49.239
<v Speaker 1>greatest scientists are culture has ever had when it comes

0:37:49.280 --> 0:37:54.880
<v Speaker 1>to hip hop. But again, the diet Kanye's should just

0:37:55.000 --> 0:37:57.719
<v Speaker 1>fuck this ship up because now it's swamped where it's

0:37:57.719 --> 0:38:01.400
<v Speaker 1>just fucking guet Kanye ever, and you know, Kanye is

0:38:01.440 --> 0:38:06.600
<v Speaker 1>already like Hawaiian punch bro. Like hip hop used to

0:38:06.640 --> 0:38:10.080
<v Speaker 1>have pepsi and coke and spriting seven and seven up

0:38:10.080 --> 0:38:12.160
<v Speaker 1>ship that would burn your throat when you would drink it,

0:38:12.160 --> 0:38:14.040
<v Speaker 1>but it'd be so sweet and you're like, Yo, this

0:38:14.120 --> 0:38:16.960
<v Speaker 1>is flavor. And then this nigga came and he's like

0:38:17.040 --> 0:38:20.600
<v Speaker 1>Ticky Punch and tick Punch is good, feel me, But

0:38:21.400 --> 0:38:27.280
<v Speaker 1>god damn man, like the knockoff Ticky Punches is not cool, bro. True,

0:38:27.719 --> 0:38:35.759
<v Speaker 1>that's true. I just don't know, but I'm grateful for

0:38:35.840 --> 0:38:40.399
<v Speaker 1>Kanye wanting to buck. None of the die Kanye's buck.

0:38:41.920 --> 0:38:47.400
<v Speaker 1>None of it died Kanye's but none of them buck. Easy, simple,

0:38:47.920 --> 0:38:52.279
<v Speaker 1>no problem, blah blah blah. You know, so like Drake

0:38:52.320 --> 0:38:55.600
<v Speaker 1>doesn't buck. Drake don't buck at all. But Drake is

0:38:55.600 --> 0:38:58.440
<v Speaker 1>not even American. So I only want you know a

0:38:58.520 --> 0:39:03.000
<v Speaker 1>bucking is an American than true. I might be wrong

0:39:03.040 --> 0:39:04.800
<v Speaker 1>with that, but I can hold onto that I didn't

0:39:04.840 --> 0:39:09.239
<v Speaker 1>actually speaking of not being willing to buck, I didn't

0:39:09.280 --> 0:39:13.120
<v Speaker 1>see any footage of Drake at the Freedom convoy in Ottawa.

0:39:15.239 --> 0:39:19.439
<v Speaker 1>Where were you, Drake? Where were you? I didn't see

0:39:19.440 --> 0:39:22.000
<v Speaker 1>you out there representing the standing up against the man.

0:39:22.480 --> 0:39:27.480
<v Speaker 1>I didn't see you what Ottawa Drake without there representing.

0:39:27.880 --> 0:39:33.560
<v Speaker 1>He was not there keeping it real. But now, and

0:39:33.600 --> 0:39:35.480
<v Speaker 1>that's what I paid two hundred dollars for it. Just

0:39:35.520 --> 0:39:37.320
<v Speaker 1>like your hat when your hat came and he was

0:39:37.360 --> 0:39:42.799
<v Speaker 1>like yo um, when he was like yo, I've seen

0:39:42.800 --> 0:39:45.480
<v Speaker 1>this hat. I want to be a part of whatever

0:39:45.560 --> 0:39:48.439
<v Speaker 1>this hat is. I like it, fear me whatever it is,

0:39:48.480 --> 0:39:51.120
<v Speaker 1>if it caught your attention. That's how it was when

0:39:51.160 --> 0:39:55.120
<v Speaker 1>I seen Kanye stem player today. It's like damn, he

0:39:55.200 --> 0:39:57.839
<v Speaker 1>was talking about the stream. I'm like, this crazy motherfucker.

0:39:57.960 --> 0:40:02.319
<v Speaker 1>It's still bucking system. He's still bucking at it, and like, yeah,

0:40:02.320 --> 0:40:05.000
<v Speaker 1>I'm gonna do what I want to do. That's why.

0:40:05.040 --> 0:40:07.920
<v Speaker 1>That's why that nigga is in my top five. It's

0:40:08.600 --> 0:40:13.080
<v Speaker 1>it's not quite it's not quite Snoop Dogg culturally. Feel

0:40:13.120 --> 0:40:16.880
<v Speaker 1>me like, it's not the renaissance in culture that Snoop

0:40:16.920 --> 0:40:24.240
<v Speaker 1>Dogg is. But he's consistently trying to buck almost twenty

0:40:24.320 --> 0:40:28.640
<v Speaker 1>years in his career and he's still bucking the system.

0:40:28.680 --> 0:40:32.560
<v Speaker 1>So I don't regret, you know, putting him in my

0:40:32.680 --> 0:40:36.200
<v Speaker 1>top five and in fucking with him, whether I listen

0:40:36.239 --> 0:40:38.600
<v Speaker 1>to the album or not. I pay for him to

0:40:38.640 --> 0:40:40.799
<v Speaker 1>be the nigga he is. That's why I support him.

0:40:41.280 --> 0:40:43.040
<v Speaker 1>I want him to be the nigga he is. I

0:40:43.040 --> 0:40:46.000
<v Speaker 1>don't want him. People keep saying I want old Kanye.

0:40:46.200 --> 0:40:50.080
<v Speaker 1>I don't even like that nigga. I didn't like old Kanye.

0:40:50.120 --> 0:40:53.800
<v Speaker 1>I liked old Kanye's music. Kanye. That nigga was Eddie Winslow.

0:40:53.840 --> 0:40:57.640
<v Speaker 1>Like Eddie Winslow was the least entertaining character in fucking

0:40:57.680 --> 0:41:00.600
<v Speaker 1>family matters. So I don't didn't get every by real

0:41:00.640 --> 0:41:03.480
<v Speaker 1>gangsters though. Huh. He didn't get jumped in the diner

0:41:03.520 --> 0:41:06.240
<v Speaker 1>and by real gangsters though, yes, because that's what happened

0:41:06.280 --> 0:41:09.040
<v Speaker 1>to Nigga's like, yeah, if you was in a real diner,

0:41:09.080 --> 0:41:13.200
<v Speaker 1>niggas with bashing fill me, they'll beat him up. But

0:41:13.239 --> 0:41:18.240
<v Speaker 1>we music at that time, you know, was so correct

0:41:18.360 --> 0:41:20.879
<v Speaker 1>and so jamming. I could funk with it. Suck him.

0:41:20.960 --> 0:41:24.839
<v Speaker 1>The music was jamming. But now the nigga he is now,

0:41:25.480 --> 0:41:29.320
<v Speaker 1>he's him unapologetically like to me. Back then, he was

0:41:29.400 --> 0:41:32.839
<v Speaker 1>more an apologist for who he was. He didn't really

0:41:32.840 --> 0:41:34.560
<v Speaker 1>want to say too much. He wanted to rub people

0:41:34.560 --> 0:41:37.560
<v Speaker 1>the wrong way. This yea don't give a fuck. Kim

0:41:37.600 --> 0:41:40.359
<v Speaker 1>could be whatever she is, and he like, I want

0:41:40.400 --> 0:41:44.200
<v Speaker 1>this bitch back. He don't care what Glasses Malone things.

0:41:44.400 --> 0:41:46.879
<v Speaker 1>He don't care caturally that the West Coast is said,

0:41:46.920 --> 0:41:48.560
<v Speaker 1>you can't turn the hole into a housewife. He liked

0:41:48.600 --> 0:41:53.439
<v Speaker 1>whatever niggas is saying, fuck y'all, I want my bits back. Yeah,

0:41:53.480 --> 0:41:56.320
<v Speaker 1>it's like, well, I got this house and this housewife

0:41:56.320 --> 0:41:58.280
<v Speaker 1>for this house already bought the house. Like he wants

0:41:58.320 --> 0:42:03.000
<v Speaker 1>to fight Pete. He's like, yo, He's like if I

0:42:03.080 --> 0:42:07.319
<v Speaker 1>catch Pete, I'm gonna squat him up. He put a

0:42:07.400 --> 0:42:11.520
<v Speaker 1>picture cause of Melvin from Baby Boy and and Jodi

0:42:11.680 --> 0:42:15.759
<v Speaker 1>and himself. I was like, this is my nigger. He

0:42:16.040 --> 0:42:20.440
<v Speaker 1>that guy, that other Pete. It's like he's he's just

0:42:20.520 --> 0:42:24.400
<v Speaker 1>living my life. What's what's the black ass angry at him?

0:42:24.400 --> 0:42:28.000
<v Speaker 1>All over the internet for fun with their bitches. That's

0:42:28.040 --> 0:42:30.919
<v Speaker 1>every time I go online, I see some guys holding

0:42:30.960 --> 0:42:33.160
<v Speaker 1>up a piece of paper, Piste off and fun Pete.

0:42:33.160 --> 0:42:35.840
<v Speaker 1>I'm like, this is just I'm like, you like that,

0:42:36.080 --> 0:42:40.319
<v Speaker 1>but it's not got a sister. True, this is a

0:42:40.360 --> 0:42:47.080
<v Speaker 1>black man, sure so, but d that's funny and Pete.

0:42:47.120 --> 0:42:51.080
<v Speaker 1>And Pete is such a you know, down the earth

0:42:51.200 --> 0:42:54.440
<v Speaker 1>kind of person where you like, as much as I

0:42:54.480 --> 0:42:56.560
<v Speaker 1>love you, I don't hate Pete. Like I'm not in

0:42:56.640 --> 0:42:59.959
<v Speaker 1>there ship. I don't know the guy from Adams. Pete

0:43:00.080 --> 0:43:02.400
<v Speaker 1>is such a regular dude that you'll be looking and

0:43:02.480 --> 0:43:04.920
<v Speaker 1>he's traditional white person. Will you be looking at him?

0:43:05.200 --> 0:43:07.879
<v Speaker 1>He do some half gay ship, half corny ship you liked?

0:43:07.960 --> 0:43:11.319
<v Speaker 1>Is just Pete Davison, this white person. Yeah, And I

0:43:11.320 --> 0:43:13.920
<v Speaker 1>thought it was funny, Like, well didn't can you put

0:43:13.920 --> 0:43:15.920
<v Speaker 1>the screen shot up of him saying like, hey, you know,

0:43:16.120 --> 0:43:19.239
<v Speaker 1>I don't want to overstep the boundaries on you know,

0:43:20.360 --> 0:43:22.440
<v Speaker 1>the kids and all that kind of stuff, and hopefully

0:43:22.480 --> 0:43:23.920
<v Speaker 1>we could be cool with it. Like it was very

0:43:24.120 --> 0:43:33.080
<v Speaker 1>like borderline gentleman l and he's like this guy like

0:43:33.160 --> 0:43:36.040
<v Speaker 1>this bitch as me. And you know Pete owner too,

0:43:36.719 --> 0:43:40.799
<v Speaker 1>why she loved because this is a white lady. This

0:43:40.840 --> 0:43:44.520
<v Speaker 1>is my point, like it's his wife. So it's only

0:43:44.600 --> 0:43:46.520
<v Speaker 1>so much I can say. I pretty much said what

0:43:46.520 --> 0:43:48.600
<v Speaker 1>I had to say about it. Bro leave it alone.

0:43:49.200 --> 0:43:52.359
<v Speaker 1>I mean, in my mind, find your sister, save one

0:43:52.400 --> 0:43:54.520
<v Speaker 1>of our sisters. They need to be saved. If you

0:43:54.560 --> 0:44:01.040
<v Speaker 1>want to save somebody. I disagree because I'm single, so

0:44:01.120 --> 0:44:03.799
<v Speaker 1>don't take another one off the market. Just bad mathematics

0:44:03.840 --> 0:44:08.919
<v Speaker 1>for me. Whatever. Pe, you ain't gonna marry nobody. Yeah,

0:44:08.960 --> 0:44:10.200
<v Speaker 1>but I'd like to know I could happen for a

0:44:10.280 --> 0:44:12.680
<v Speaker 1>weekend if fees off the market. I can't happen more

0:44:12.719 --> 0:44:15.880
<v Speaker 1>than enough. It's a whole country for the niggas, whole country,

0:44:15.880 --> 0:44:18.600
<v Speaker 1>for the whole country, for the sisters, the whole country,

0:44:18.960 --> 0:44:24.560
<v Speaker 1>and they and they better looking than mostly everybody. You

0:44:24.640 --> 0:44:28.160
<v Speaker 1>gotta expand your horizons if you're looking for the sisters.

0:44:29.000 --> 0:44:31.520
<v Speaker 1>That's why I moved to Miami. No no, no, no

0:44:31.520 --> 0:44:34.120
<v Speaker 1>no no no, Like we need to move to South Africa.

0:44:34.520 --> 0:44:36.280
<v Speaker 1>That's a little far. I have a girl South Africa.

0:44:36.640 --> 0:44:39.400
<v Speaker 1>She's coming to Miami. I bet you do. She's come

0:44:39.440 --> 0:44:44.040
<v Speaker 1>to I bet you so. The point I'm saying is so.

0:44:44.120 --> 0:44:52.760
<v Speaker 1>The point I'm saying is we we It's just um

0:44:52.880 --> 0:44:55.960
<v Speaker 1>to use that person for me. He's that person that

0:44:57.239 --> 0:45:01.440
<v Speaker 1>that's still their hip hop. He started off to me

0:45:01.719 --> 0:45:05.040
<v Speaker 1>very hip hop if he you know, don't let me run.

0:45:05.120 --> 0:45:08.160
<v Speaker 1>The music is very much correct and it's inspired by

0:45:08.160 --> 0:45:11.440
<v Speaker 1>some of the greatest minds Dela, Dre he Fan, He's

0:45:11.480 --> 0:45:16.200
<v Speaker 1>a great science to yay. It's unbelievable, are like. He's

0:45:16.200 --> 0:45:18.520
<v Speaker 1>the only nigga doing change us bro like. He's change

0:45:18.600 --> 0:45:23.400
<v Speaker 1>ups and beaches just borderline like early Dre like, but

0:45:23.560 --> 0:45:27.160
<v Speaker 1>just modern like. He's just real. He's unbelievably brilliant. Right.

0:45:27.160 --> 0:45:29.560
<v Speaker 1>But what it is I like about him is he's

0:45:29.600 --> 0:45:33.319
<v Speaker 1>still a nigger. He's still bucking like he like, Yo,

0:45:33.520 --> 0:45:35.719
<v Speaker 1>You're not going to be able to hold me no

0:45:35.760 --> 0:45:39.440
<v Speaker 1>matter what you do. He's still bucking, and I need

0:45:39.440 --> 0:45:42.520
<v Speaker 1>that in my hip hop. I got a question for you. Yeah,

0:45:42.560 --> 0:45:44.960
<v Speaker 1>it's almost a little bit of a juxtaposition, like to

0:45:45.120 --> 0:45:48.800
<v Speaker 1>a degree, well more like later Snoop than earlier Snoop,

0:45:48.840 --> 0:45:57.440
<v Speaker 1>but like Sloop really did all his bucking on the music,

0:45:58.160 --> 0:46:00.279
<v Speaker 1>where Kanye doesn't do really any of it done. The

0:46:00.400 --> 0:46:03.880
<v Speaker 1>music is just different. But the way he goes like

0:46:04.080 --> 0:46:06.480
<v Speaker 1>not what he says, but the way he says it

0:46:06.560 --> 0:46:11.239
<v Speaker 1>may be delivering the content or like Snoop beside I'll

0:46:11.239 --> 0:46:16.000
<v Speaker 1>go nice television show with Martha Stewart. Yeah, it's like

0:46:16.520 --> 0:46:21.239
<v Speaker 1>I want to undercut the entire music industry. So this

0:46:21.320 --> 0:46:23.759
<v Speaker 1>is a comparison. This is why I say Snoop is

0:46:23.800 --> 0:46:27.120
<v Speaker 1>the greatest rapper ever. Who the fuck can go on

0:46:27.320 --> 0:46:31.200
<v Speaker 1>national television in front of two hundred million American homes

0:46:32.280 --> 0:46:36.760
<v Speaker 1>right and literally wear a blue bandanna jumpsuit and chunk

0:46:36.880 --> 0:46:43.080
<v Speaker 1>up seas and say yeah because crip that's a complete

0:46:43.520 --> 0:46:47.400
<v Speaker 1>cultural renaissance in itself. Like he has changed the face

0:46:47.719 --> 0:46:52.799
<v Speaker 1>of cripping permanently to where like America exist, Like he's

0:46:52.800 --> 0:46:55.839
<v Speaker 1>with Martha Stewart's cousin, Martha Stewart Bro. He's like, yeah,

0:46:55.880 --> 0:46:57.680
<v Speaker 1>cause I tell you, Martha, Cus you need to do

0:46:58.160 --> 0:47:02.040
<v Speaker 1>I was like this smother of fucking is it in

0:47:03.520 --> 0:47:06.680
<v Speaker 1>Martha Gangster? She really did fed time. Martha is a

0:47:06.719 --> 0:47:10.880
<v Speaker 1>real loop. Yeah. I think Martha squad un the red Niggers.

0:47:12.440 --> 0:47:15.400
<v Speaker 1>Did Martha get court on when she was on the inside, probably,

0:47:15.480 --> 0:47:17.560
<v Speaker 1>and she didn't tell and it was somebody she could

0:47:17.600 --> 0:47:20.719
<v Speaker 1>have told on. Yeah, she just just kept in. Did

0:47:20.760 --> 0:47:26.479
<v Speaker 1>he a little time soldiers that ship off? Martha more

0:47:26.640 --> 0:47:32.040
<v Speaker 1>hip hop then Kanye West. No, she She's more hip

0:47:32.080 --> 0:47:35.080
<v Speaker 1>hop than a lot of diet Kanye West, like the

0:47:36.000 --> 0:47:40.280
<v Speaker 1>aftermarket rappers of Kanye West, the products. Kanye West himself

0:47:40.520 --> 0:47:46.279
<v Speaker 1>is a fucking revolution period. Now it may be a

0:47:46.320 --> 0:47:51.560
<v Speaker 1>personal revolution, but it is a It's that's hurricane, bro,

0:47:52.040 --> 0:47:56.200
<v Speaker 1>That's a fucking what they call it, uh, category six.

0:47:56.360 --> 0:48:01.239
<v Speaker 1>He's a category six in life. Suck the music in life.

0:48:01.320 --> 0:48:04.560
<v Speaker 1>He's a category six. Hey, there was a thing online

0:48:04.880 --> 0:48:09.120
<v Speaker 1>that showed him dressed up like bushes like a sniper

0:48:09.840 --> 0:48:15.880
<v Speaker 1>and the driveway. Was that real? Hope that it looked

0:48:15.960 --> 0:48:22.040
<v Speaker 1>like what I had seen? It was like surveillance imagery instaid,

0:48:22.080 --> 0:48:24.839
<v Speaker 1>like Kanye West hiding out in the bushes in front

0:48:24.880 --> 0:48:27.720
<v Speaker 1>of the Kim's house. But he was dressed like the bushes,

0:48:27.760 --> 0:48:30.200
<v Speaker 1>like the bushes were over here, and he was like

0:48:30.280 --> 0:48:33.160
<v Speaker 1>six ft over. He wasn't even next to the bushes.

0:48:33.480 --> 0:48:38.400
<v Speaker 1>He was the bushes. Yeah, bro, I just needed to

0:48:38.400 --> 0:48:41.120
<v Speaker 1>be on take when you and Pete finding squabble, I

0:48:41.200 --> 0:48:43.520
<v Speaker 1>just needed to be on tape. They should do that

0:48:43.600 --> 0:48:48.160
<v Speaker 1>on the same card. And that one should be on

0:48:48.320 --> 0:48:52.359
<v Speaker 1>the street in front of the house, as long as

0:48:52.360 --> 0:48:56.120
<v Speaker 1>you can get on the ring the ring doorbell you

0:48:56.200 --> 0:48:59.160
<v Speaker 1>live across the street, Pete when he's spending the night

0:48:59.160 --> 0:49:01.479
<v Speaker 1>over there, Kim how because he needs to just pull

0:49:01.560 --> 0:49:03.359
<v Speaker 1>over there, get a couple of his boys, a couple

0:49:03.400 --> 0:49:05.399
<v Speaker 1>of his look the partners, you know, all the white people.

0:49:06.120 --> 0:49:09.280
<v Speaker 1>It's just reeks of like a O. J. L. Colling's

0:49:09.320 --> 0:49:13.120
<v Speaker 1>remix there. No, they need to either walk in the

0:49:13.160 --> 0:49:16.480
<v Speaker 1>backyard with his goons and yagon and just get a

0:49:16.480 --> 0:49:20.680
<v Speaker 1>fair one. Dude, Kannation, stop calling him Pete and start

0:49:20.760 --> 0:49:24.920
<v Speaker 1>calling him Ron Goldman. You know that would be fun.

0:49:25.239 --> 0:49:30.640
<v Speaker 1>He started calling Ron, that would be the coldest ship ever.

0:49:31.160 --> 0:49:33.600
<v Speaker 1>I'd start calling him Ron Goldman. In fact, I'm gonna

0:49:33.640 --> 0:49:35.880
<v Speaker 1>start calling him Ron Goldman. I don't go ship from

0:49:35.920 --> 0:49:38.279
<v Speaker 1>now on. If you're hearing about him from me. I'm

0:49:38.360 --> 0:49:40.319
<v Speaker 1>keeping the integrity of my name. I ain't no other

0:49:40.360 --> 0:49:43.960
<v Speaker 1>Pete but Pete. I'm Pete. That guy that's Ron Goldman