1 00:00:00,120 --> 00:00:03,520 Speaker 1: King Slime is a production of iHeart Podcasts in Heirloom Media. 2 00:00:10,760 --> 00:00:13,600 Speaker 2: I was in Wenette County in nineteen eighty eight at 3 00:00:13,600 --> 00:00:16,759 Speaker 2: the age of fifteen, and I was bussed to part 4 00:00:16,760 --> 00:00:20,160 Speaker 2: for Your High school. I was the only black guy 5 00:00:20,200 --> 00:00:22,720 Speaker 2: there and I was bussed at to be the first 6 00:00:22,760 --> 00:00:25,840 Speaker 2: African American running back for the school. But I didn't 7 00:00:25,880 --> 00:00:30,360 Speaker 2: know how to fit in. The streets are always calling 8 00:00:30,560 --> 00:00:34,320 Speaker 2: to you. I think our parents don't understand the tune 9 00:00:34,479 --> 00:00:37,800 Speaker 2: of the streets. It's always calling twenty four hours. It's 10 00:00:37,840 --> 00:00:43,720 Speaker 2: accepting whether you rich, poor, black, white, fat, skinny, whatever 11 00:00:43,840 --> 00:00:46,080 Speaker 2: gender you're from, the streets will say I'll welcome you. 12 00:00:48,120 --> 00:00:53,280 Speaker 2: I desire that friendship that confert and it led me 13 00:00:53,360 --> 00:00:56,360 Speaker 2: being around a lot of older guys, and I found 14 00:00:56,440 --> 00:01:02,480 Speaker 2: that sense of welcoming in the streets. At that time, 15 00:01:02,680 --> 00:01:05,120 Speaker 2: it was the gridsposure to the games not as elucid 16 00:01:05,360 --> 00:01:07,040 Speaker 2: as it is now. At that time, you just had 17 00:01:07,080 --> 00:01:10,360 Speaker 2: gds and vice lords running around. You had down by 18 00:01:10,480 --> 00:01:15,319 Speaker 2: law moving in certain places in Atlanta, and so when 19 00:01:15,360 --> 00:01:17,959 Speaker 2: I say the streets, it's a mixture of that. The 20 00:01:18,040 --> 00:01:24,080 Speaker 2: games was not as formulated as they are now. I 21 00:01:24,360 --> 00:01:29,200 Speaker 2: found that sense of welcoming in the streets, just going 22 00:01:29,240 --> 00:01:33,600 Speaker 2: out to the streets and started committing crimes. Started real small. 23 00:01:34,080 --> 00:01:37,800 Speaker 2: It always starts real small, and getting involved in stealing cars, 24 00:01:37,840 --> 00:01:41,120 Speaker 2: and that sense of to tell the truth of power. 25 00:01:42,319 --> 00:01:45,479 Speaker 2: It's hard when you feel powerless, but then the streets 26 00:01:45,520 --> 00:01:47,600 Speaker 2: give you this sense of power. And at that age 27 00:01:47,600 --> 00:01:50,680 Speaker 2: you don't realize this power is like a battery. It's 28 00:01:50,720 --> 00:01:52,800 Speaker 2: going to run out after a while, and you don't 29 00:01:52,840 --> 00:01:54,360 Speaker 2: understand what's going to run out, so you just keep 30 00:01:54,400 --> 00:01:58,680 Speaker 2: going and going and going in the snowball, and then 31 00:01:58,960 --> 00:02:04,520 Speaker 2: people expect a fifteen year old to stop the ball 32 00:02:04,560 --> 00:02:06,960 Speaker 2: that's gotten bigger and bigger and bigger, to stand in 33 00:02:06,960 --> 00:02:11,320 Speaker 2: front of it and just stop. I tried, and it 34 00:02:11,400 --> 00:02:14,640 Speaker 2: rolls me over. So just running around some older guys, 35 00:02:14,680 --> 00:02:18,280 Speaker 2: we end up robbing the store. Nobody was supposed to 36 00:02:18,320 --> 00:02:22,359 Speaker 2: get hurt. But in the heat of things moving around 37 00:02:22,360 --> 00:02:24,120 Speaker 2: and going into the store and somebody coming to the 38 00:02:24,120 --> 00:02:27,959 Speaker 2: store and people running and they're going so fast, the 39 00:02:28,080 --> 00:02:34,120 Speaker 2: guns fire. What just happened? 40 00:02:35,080 --> 00:02:36,400 Speaker 3: What just happened? 41 00:02:36,560 --> 00:02:38,560 Speaker 2: Because that's not like you were going in to go 42 00:02:38,880 --> 00:02:40,760 Speaker 2: We're gonna shoot these people. Go shoot this clerk, and 43 00:02:40,760 --> 00:02:43,440 Speaker 2: go shoot this person. Didn't happen like that. It didn't 44 00:02:43,440 --> 00:02:45,640 Speaker 2: happen like that. But when you put a gun in 45 00:02:45,680 --> 00:02:49,880 Speaker 2: your hand, you have to set what happens. At the 46 00:02:49,960 --> 00:02:53,400 Speaker 2: end of the day. You know, the clerk lost their life, 47 00:02:54,120 --> 00:02:58,160 Speaker 2: and there's like the darkest moment in my life. But 48 00:02:58,320 --> 00:03:02,480 Speaker 2: at that time, to be honest, I didn't feel anything 49 00:03:04,560 --> 00:03:08,880 Speaker 2: with Morris and sadness, and I became so much part 50 00:03:08,919 --> 00:03:10,920 Speaker 2: of the street. Oh just as hard as the road 51 00:03:10,919 --> 00:03:11,280 Speaker 2: out there. 52 00:03:17,160 --> 00:03:19,480 Speaker 4: I'm George Cheating and I'm Christina Lee. 53 00:03:20,160 --> 00:03:23,400 Speaker 1: This is King Slime, the prosecution. 54 00:03:23,040 --> 00:03:24,400 Speaker 4: Of Young Thug and Ysol. 55 00:03:35,240 --> 00:03:36,160 Speaker 5: I'm Andrew Morse. 56 00:03:36,920 --> 00:03:39,760 Speaker 6: I'm the president and publisher of the Atlanta Journal Constitution. 57 00:03:40,760 --> 00:03:44,320 Speaker 6: Wanted to welcome everybody here tonight and mostly wanted. 58 00:03:44,480 --> 00:03:47,360 Speaker 4: It's Spring twenty twenty three, and I'm at the Gathering Spot, 59 00:03:47,680 --> 00:03:51,000 Speaker 4: a networking and co working club founded in Atlanta. Think 60 00:03:51,160 --> 00:03:53,960 Speaker 4: a country club without a golf course next to Georgia Tech. 61 00:03:54,600 --> 00:03:58,600 Speaker 4: Tonight's panel, sponsored by the Atlanta Journal Constitution newspaper, is 62 00:03:58,640 --> 00:04:02,200 Speaker 4: called celebrating Atlanta's Black Culture. There's a black and white 63 00:04:02,240 --> 00:04:05,480 Speaker 4: mural of Andre three thousand and Big Boy, a vowcast 64 00:04:05,680 --> 00:04:09,080 Speaker 4: in the promo image, and the venue is buzzing because 65 00:04:09,080 --> 00:04:12,240 Speaker 4: there are free whiskey cocktails and the night's guest of 66 00:04:12,240 --> 00:04:16,240 Speaker 4: honor is Alanta's mayor, Andre Dickens. Dickens want to run 67 00:04:16,240 --> 00:04:19,280 Speaker 4: off election against Felicia Moore in twenty twenty one, in 68 00:04:19,320 --> 00:04:21,880 Speaker 4: no small part because he grabbed the hip hop crowd. 69 00:04:22,560 --> 00:04:25,760 Speaker 4: Years prior, Moore had introduced an ordinance that would have 70 00:04:25,800 --> 00:04:28,880 Speaker 4: required that all music studios be built at least five 71 00:04:28,960 --> 00:04:33,120 Speaker 4: hundred feet away from residential areas, disregarding the existence of 72 00:04:33,160 --> 00:04:37,039 Speaker 4: Holme Studios altogether. Rap artist t I would remember this 73 00:04:37,200 --> 00:04:40,839 Speaker 4: ordinance as he rallied his Instagram followers against Moore, claiming 74 00:04:40,880 --> 00:04:43,839 Speaker 4: that she lost sight of the culture. Dickens, on the 75 00:04:43,880 --> 00:04:46,719 Speaker 4: other hand, is firmly part of the hip hop generation. 76 00:04:47,640 --> 00:04:50,240 Speaker 4: As he tells the panel crowd, he and Andre three 77 00:04:50,240 --> 00:04:52,920 Speaker 4: thousand were part of a crew that would swap clothes 78 00:04:53,080 --> 00:04:55,640 Speaker 4: so that none of them would repeat outfits to school. 79 00:04:56,400 --> 00:05:00,560 Speaker 5: I was so what Andre three thousand, Andre Benjamin. He 80 00:05:00,720 --> 00:05:03,360 Speaker 5: was in sixth grade at Sundon, I was in seventh 81 00:05:03,360 --> 00:05:07,760 Speaker 5: grade at Southwest. We were in a group of folks 82 00:05:07,839 --> 00:05:13,720 Speaker 5: that we would trade clothes so that we looked like 83 00:05:13,760 --> 00:05:22,160 Speaker 5: we had more clothes. I had a Fela jagasuit. Andre 84 00:05:22,279 --> 00:05:27,080 Speaker 5: had either like a Lecogsportie or Adida's jagasuit, and like 85 00:05:27,279 --> 00:05:31,279 Speaker 5: Tony had like a you know, a polo and Da 86 00:05:31,360 --> 00:05:35,000 Speaker 5: da da. So we would get together on Sunday and 87 00:05:35,040 --> 00:05:37,600 Speaker 5: I'd be like, here's mine, here's yours, here's yours. So 88 00:05:37,720 --> 00:05:39,640 Speaker 5: that week I was first like, man, you got a 89 00:05:39,680 --> 00:05:44,360 Speaker 5: new jagasuit every week. Now, he wasn't a rapper at 90 00:05:44,360 --> 00:05:44,760 Speaker 5: that time. 91 00:05:44,839 --> 00:05:45,839 Speaker 2: He was just a dude. 92 00:05:47,200 --> 00:05:49,080 Speaker 4: Of course, the mayor of Atlanta would have grown up 93 00:05:49,080 --> 00:05:51,640 Speaker 4: with Andre three thousand. We're at a moment in the 94 00:05:51,680 --> 00:05:55,680 Speaker 4: city's history where that just makes sense, but it's still 95 00:05:55,680 --> 00:05:57,080 Speaker 4: worth considering how we got here. 96 00:05:57,600 --> 00:06:01,040 Speaker 1: Atlanta's dual histories is a black mecca and music capital 97 00:06:01,040 --> 00:06:04,679 Speaker 1: have been intertwined since nineteen seventy four, the year Dickens 98 00:06:04,760 --> 00:06:08,960 Speaker 1: was born. Doctor Maurice Hobson is a historian and professor 99 00:06:09,000 --> 00:06:12,600 Speaker 1: of Afercana Studies at Georgia State University. He's consulted and 100 00:06:12,680 --> 00:06:16,120 Speaker 1: appeared in documentaries about Atlanta's nineteen oh six race massacre 101 00:06:16,839 --> 00:06:19,200 Speaker 1: and Atlanta rap star Little Baby. 102 00:06:19,800 --> 00:06:23,800 Speaker 7: The Atlanta sound is based on the soul in funk 103 00:06:23,880 --> 00:06:26,520 Speaker 7: that kind of comes into the city in the nineteen seventies. 104 00:06:26,880 --> 00:06:28,880 Speaker 7: And that's the result of Mayor Jackson, the creation of 105 00:06:28,880 --> 00:06:32,719 Speaker 7: Bureau Cultural Affairs, and Buddy Jackson, Ransom, his first wife, 106 00:06:32,760 --> 00:06:36,240 Speaker 7: who who brings soul in font after her Maynor divorce, 107 00:06:36,320 --> 00:06:40,200 Speaker 7: and Cameo and Isaac Hayes and Curtis Mayfield and Brick. 108 00:06:40,000 --> 00:06:41,760 Speaker 3: And all these people kind of come to Atlanta. 109 00:06:42,040 --> 00:06:46,640 Speaker 1: That's the sound Maynor Jackson, Atlanta's first black mayor, founded 110 00:06:46,720 --> 00:06:50,280 Speaker 1: the Bureau of Cultural Affairs, is the city's first institution 111 00:06:50,520 --> 00:06:54,719 Speaker 1: to support local artists and art organizations. Talent shows sprung 112 00:06:54,800 --> 00:06:57,919 Speaker 1: up at schools across the city in hopes of keeping 113 00:06:58,040 --> 00:07:03,400 Speaker 1: kids off the streets. In nineteen seventy five, Maynard's then wife, 114 00:07:03,760 --> 00:07:07,280 Speaker 1: Bunny Jackson, founder of the pr firm First Class, incorporated 115 00:07:07,279 --> 00:07:10,320 Speaker 1: to support local bands that gave rise to Atlanta as 116 00:07:10,360 --> 00:07:11,440 Speaker 1: a music city. 117 00:07:11,920 --> 00:07:16,840 Speaker 4: Decades later, Antonio La Reid and Kenneth Babyface Edmonds continued 118 00:07:16,840 --> 00:07:19,600 Speaker 4: to build off that history when they founded La Face Records. 119 00:07:20,120 --> 00:07:23,280 Speaker 4: They chose to establish The Face Records in Atlanta because 120 00:07:23,320 --> 00:07:26,160 Speaker 4: it felt like a city full of dreamers. According to Reed, 121 00:07:26,680 --> 00:07:30,040 Speaker 4: He noted the city's history of black leadership, upwardly mobile 122 00:07:30,080 --> 00:07:33,840 Speaker 4: black community, and civil Rights legacy. The first acts that 123 00:07:33,880 --> 00:07:36,320 Speaker 4: LaFace Records worked with in town were future R and 124 00:07:36,360 --> 00:07:40,720 Speaker 4: B stars Bobby Brown, Whitney Houston. But then La Reid 125 00:07:40,760 --> 00:07:43,480 Speaker 4: took a meeting with two seventeen year old aspiring rappers 126 00:07:43,920 --> 00:07:47,600 Speaker 4: Andre three thousand and Big Boy. Aucas went on to 127 00:07:47,600 --> 00:07:49,800 Speaker 4: become one of the only rap groups to ever sell 128 00:07:49,840 --> 00:07:53,560 Speaker 4: over ten million units, going diamond instead of just gold 129 00:07:53,640 --> 00:07:57,360 Speaker 4: or platinum. The LaFace Records offices used to be in Buckhead. 130 00:07:57,840 --> 00:08:00,240 Speaker 4: Lifelong Atlanta resident Bane Joyner took not. 131 00:08:00,760 --> 00:08:03,040 Speaker 8: The labels would be in New York and then you 132 00:08:03,080 --> 00:08:06,480 Speaker 8: see the Capitol Records building in Los Angeles, so Atlanta 133 00:08:06,560 --> 00:08:11,320 Speaker 8: didn't have any of that. And around ninth tenth grade, 134 00:08:11,360 --> 00:08:14,800 Speaker 8: I found out that the Face office was in the 135 00:08:14,800 --> 00:08:18,200 Speaker 8: Blue Cross Blue Hill Building in Buckhead and it's like, 136 00:08:18,280 --> 00:08:22,880 Speaker 8: oh yeah, like it's here for real. I want to 137 00:08:22,920 --> 00:08:25,920 Speaker 8: go work for La Red and I'm the same age 138 00:08:25,920 --> 00:08:26,680 Speaker 8: as Chriss Cross. 139 00:08:27,280 --> 00:08:30,080 Speaker 1: This realization is crucial to what Joiner has been saying 140 00:08:30,120 --> 00:08:33,600 Speaker 1: for years now. If you've ever heard someone say that 141 00:08:33,640 --> 00:08:38,800 Speaker 1: Atlanta influences everything, it's beeause of Bame. That's the name 142 00:08:38,840 --> 00:08:42,920 Speaker 1: of his creative agency. Through that agency, he's helped create 143 00:08:42,920 --> 00:08:45,640 Speaker 1: a handy T shirt slogan and work with local officials 144 00:08:45,640 --> 00:08:47,880 Speaker 1: to update the city's image for this hip hop generation. 145 00:08:48,760 --> 00:08:53,600 Speaker 8: Atlanta has King and Coca Cola and outcasts starting I 146 00:08:53,600 --> 00:08:58,880 Speaker 8: Guess with the Diamond album and HEYI so this black 147 00:08:58,920 --> 00:09:04,280 Speaker 8: melting pot of civic, corporate, commerce, and culture. Those three 148 00:09:04,360 --> 00:09:08,839 Speaker 8: reasons are how we justify the statement, because we knew 149 00:09:08,880 --> 00:09:11,559 Speaker 8: if somebody wasn't from Atlanta, we would have to justify it. 150 00:09:12,080 --> 00:09:16,200 Speaker 1: And that very idea of Atlanta influencing everything is what 151 00:09:16,280 --> 00:09:18,520 Speaker 1: has made being an appropriate. 152 00:09:17,960 --> 00:09:21,560 Speaker 4: Spokesman for the city and why Joiners sharing the stage 153 00:09:21,559 --> 00:09:24,280 Speaker 4: with Mayor Andre Dickens at the Gathering Spot tonight. 154 00:09:25,280 --> 00:09:28,280 Speaker 6: We're all really fortunate to be living in this city 155 00:09:28,800 --> 00:09:32,240 Speaker 6: at this time. As our friend Bam Joyner who's here 156 00:09:32,280 --> 00:09:34,160 Speaker 6: and all embarrass him, but as he likes to say, 157 00:09:34,600 --> 00:09:38,320 Speaker 6: Atlanta influences everything. That has never been more true than 158 00:09:38,360 --> 00:09:43,720 Speaker 6: it is today. And the thriving, dynamic, influential Black culture 159 00:09:43,760 --> 00:09:47,080 Speaker 6: in this city is one of the reasons undeniably why 160 00:09:47,080 --> 00:09:48,600 Speaker 6: Atlanta influences everything. 161 00:09:48,760 --> 00:09:51,400 Speaker 4: When Dickens takes the stage, he DAPs up being before 162 00:09:51,400 --> 00:09:54,400 Speaker 4: he sits down center stage, and he's happy to wax 163 00:09:54,440 --> 00:09:57,600 Speaker 4: nostalgic about his school days, being friends with Andrew three 164 00:09:57,600 --> 00:10:02,400 Speaker 4: thousand and seeing civil rights leaders and person as a child, black. 165 00:10:02,160 --> 00:10:04,760 Speaker 5: Men wore suits and they were on TV talking about 166 00:10:04,800 --> 00:10:07,800 Speaker 5: good things for us, and I. 167 00:10:07,720 --> 00:10:09,360 Speaker 3: Said, I want to be them. 168 00:10:09,880 --> 00:10:12,240 Speaker 4: But for some of the tougher questions regarding the current 169 00:10:12,280 --> 00:10:16,720 Speaker 4: state of Atlanta, in particular about young thug, the YSL indictment, 170 00:10:17,120 --> 00:10:19,360 Speaker 4: and the national coverage that the city was seeing as 171 00:10:19,360 --> 00:10:22,560 Speaker 4: a result, Mayor Dickens actually had nothing to say. 172 00:10:22,920 --> 00:10:26,120 Speaker 9: And recently we've seen the city on the national stage 173 00:10:26,160 --> 00:10:29,520 Speaker 9: for a range of things, from politics, to cock City. 174 00:10:29,800 --> 00:10:32,280 Speaker 2: To the YSL tra I mean, you name it. 175 00:10:32,559 --> 00:10:34,240 Speaker 9: How do you think that some of these events are 176 00:10:34,240 --> 00:10:36,559 Speaker 9: going to shape the culture of the city. 177 00:10:36,640 --> 00:10:39,120 Speaker 3: How will it change. 178 00:10:39,760 --> 00:10:40,000 Speaker 10: A lot? 179 00:10:40,040 --> 00:10:44,800 Speaker 4: About Dickens had already rested as Mike on a table 180 00:10:44,840 --> 00:10:46,880 Speaker 4: next to him to take a sip of water, and 181 00:10:46,920 --> 00:10:49,960 Speaker 4: he doesn't pick it back up to answer. Instead, he 182 00:10:50,080 --> 00:10:53,400 Speaker 4: motions toward Bame and smiles widely as if cueing him 183 00:10:53,400 --> 00:10:57,080 Speaker 4: to speak on his behalf, which Bame does, reflecting on 184 00:10:57,160 --> 00:11:01,240 Speaker 4: how the nation is influencing Atlanta's black hole, sure whether 185 00:11:01,320 --> 00:11:02,199 Speaker 4: that is cop city? 186 00:11:03,120 --> 00:11:06,400 Speaker 8: When I heard about stuff happening in the trees. I 187 00:11:06,440 --> 00:11:10,760 Speaker 8: hit my home Badtonio, that's his neighborhood. Bruh, you're in 188 00:11:10,800 --> 00:11:13,480 Speaker 8: the trees, he said, Nah, bruh, I'm at the crib. 189 00:11:14,840 --> 00:11:17,240 Speaker 8: So when he checked around, I found out wasn't nobody 190 00:11:17,280 --> 00:11:18,600 Speaker 8: I grew up within the trees. 191 00:11:20,000 --> 00:11:21,640 Speaker 2: I'm like, well, who do you folk in the trees 192 00:11:22,920 --> 00:11:23,600 Speaker 2: or young thug? 193 00:11:23,880 --> 00:11:28,760 Speaker 8: Young thug got grammys, yo, don't forget like very creative 194 00:11:28,800 --> 00:11:30,520 Speaker 8: people that are floundering. 195 00:11:31,320 --> 00:11:34,680 Speaker 3: So the talent is in Atlanta. 196 00:11:34,960 --> 00:11:36,120 Speaker 2: Yax l is the talent. 197 00:11:36,679 --> 00:11:39,560 Speaker 8: But you see how he calling on Kevin Lows and 198 00:11:39,600 --> 00:11:42,319 Speaker 8: these other those are exacts. You see what I'm saying. 199 00:11:42,480 --> 00:11:46,160 Speaker 8: The execs of the industry are in New York. If 200 00:11:47,000 --> 00:11:51,840 Speaker 8: Farrell and Doug and Mays breed more execs, not just talent, 201 00:11:52,320 --> 00:11:55,439 Speaker 8: but the business of how this works, then we can 202 00:11:55,520 --> 00:11:58,640 Speaker 8: start to control our culture. And controlling our culture in 203 00:11:58,720 --> 00:12:02,760 Speaker 8: Atlanta means we help black people control their culture in America. 204 00:12:03,080 --> 00:12:06,920 Speaker 8: But with no control, right, you just got folks running 205 00:12:06,920 --> 00:12:10,920 Speaker 8: around here doing anything the business, not the vibe, not 206 00:12:11,080 --> 00:12:14,559 Speaker 8: the feeling, not the dancing, but how the money is made. 207 00:12:15,080 --> 00:12:17,680 Speaker 8: The brands are run by white boys who smoke weed. 208 00:12:18,040 --> 00:12:22,800 Speaker 8: What I'm saying is the business of how things work 209 00:12:23,120 --> 00:12:26,680 Speaker 8: in entertainment and culture. They're still either run by white 210 00:12:26,760 --> 00:12:30,520 Speaker 8: people or black people liking Kevin Lowes and who they're 211 00:12:30,520 --> 00:12:33,400 Speaker 8: trying to call on the witness stand that aren't from here, 212 00:12:33,440 --> 00:12:35,760 Speaker 8: and he's going to fight for the music industry. That 213 00:12:35,880 --> 00:12:38,120 Speaker 8: man ain't never really keep it on Cleveland Avenue in 214 00:12:38,240 --> 00:12:40,959 Speaker 8: Road Martin, and I like Kevin lows. I actually wanted 215 00:12:40,960 --> 00:12:43,680 Speaker 8: to be Kevin Lowes. So that's all I'm saying. The 216 00:12:43,840 --> 00:12:49,600 Speaker 8: YSL trial is also a lack of creative business infrastructure 217 00:12:49,679 --> 00:12:51,640 Speaker 8: that does not exist in this city. 218 00:12:52,080 --> 00:12:54,600 Speaker 4: And with that the panel portion of the night's event 219 00:12:54,840 --> 00:12:55,200 Speaker 4: was over. 220 00:13:01,640 --> 00:13:04,360 Speaker 2: I didn't even realize the magnitude of what had happened 221 00:13:04,360 --> 00:13:07,200 Speaker 2: to us. We ended up going to court. I didn't 222 00:13:07,200 --> 00:13:08,880 Speaker 2: know what was going on. I was only being tried 223 00:13:08,960 --> 00:13:12,640 Speaker 2: as an adult, but I really wasn't an adult at 224 00:13:12,679 --> 00:13:15,240 Speaker 2: that time. I caulpacity to understand the magnitude. I don't 225 00:13:15,240 --> 00:13:18,760 Speaker 2: even think I was a child. I don't know. I know, 226 00:13:18,920 --> 00:13:22,320 Speaker 2: I know I'd done wrong, and I always think i'm'a 227 00:13:22,360 --> 00:13:28,000 Speaker 2: go home. We denied everything going to court. It we 228 00:13:28,080 --> 00:13:31,080 Speaker 2: just denied everything. Is what we're sposta do, cause of 229 00:13:31,120 --> 00:13:36,160 Speaker 2: course courts are one in vict in people's heads, not unders, 230 00:13:36,360 --> 00:13:38,800 Speaker 2: you know, I I it's in your head. It's you 231 00:13:38,880 --> 00:13:40,520 Speaker 2: the one that's courting that what was in my head 232 00:13:41,120 --> 00:13:46,320 Speaker 2: that i'm'a beat this, and the judge gave us a 233 00:13:46,360 --> 00:13:51,440 Speaker 2: life sentence at the age of fifteen. The judge said, 234 00:13:51,679 --> 00:13:54,080 Speaker 2: you know, get this filth out of my courtroom. You'll 235 00:13:54,120 --> 00:13:58,240 Speaker 2: never see the light of day. You'll never see the 236 00:13:58,320 --> 00:14:00,119 Speaker 2: light of day. 237 00:14:06,880 --> 00:14:08,960 Speaker 1: We chatted with Bame Joiner a few days after that 238 00:14:09,040 --> 00:14:12,360 Speaker 1: a JC panel to break down what he had said 239 00:14:12,360 --> 00:14:15,920 Speaker 1: that night to start, and to borrow the title from 240 00:14:15,920 --> 00:14:20,600 Speaker 1: his first mixtape series, Young Thug Came from nothing more. Specifically, 241 00:14:20,760 --> 00:14:23,680 Speaker 1: he came from Cleveland Avenue, where Bame Joiner's mom would 242 00:14:23,680 --> 00:14:26,520 Speaker 1: sometimes be assigned as a public sector social worker. 243 00:14:27,200 --> 00:14:37,600 Speaker 8: It's a rough, lower income but blue collar area and 244 00:14:37,640 --> 00:14:39,840 Speaker 8: with like not much to look at. 245 00:14:40,160 --> 00:14:42,000 Speaker 3: And I think that's the key, Like. 246 00:14:43,880 --> 00:14:47,720 Speaker 8: Wasn't even no murals or nothing, you know, Like it's 247 00:14:47,800 --> 00:14:50,880 Speaker 8: just a rough, low income area. 248 00:14:52,040 --> 00:14:55,080 Speaker 1: Young thugs search for opportunity as an aspiring artist might 249 00:14:55,120 --> 00:14:59,520 Speaker 1: have begun at home with family connections. Chuck c who 250 00:14:59,520 --> 00:15:02,560 Speaker 1: You met at a episode two, remembers how Young Thug's 251 00:15:02,600 --> 00:15:06,040 Speaker 1: father Jeffrey Williams Senior taught the importance of showmanship to 252 00:15:06,120 --> 00:15:08,280 Speaker 1: Chuck's rap group, the Throwback Boys. 253 00:15:08,840 --> 00:15:10,520 Speaker 7: We would just get on stage of rap and he 254 00:15:10,600 --> 00:15:12,120 Speaker 7: was like, no, you got to have a show. You 255 00:15:12,160 --> 00:15:15,720 Speaker 7: got to have showmanship. The showmanship was taught to us 256 00:15:15,800 --> 00:15:17,040 Speaker 7: by Big Jeff. 257 00:15:18,040 --> 00:15:21,400 Speaker 1: But Young Thugs road to fame from Cleveland Avenue came 258 00:15:21,600 --> 00:15:24,320 Speaker 1: after La Face Records relocated to Los Angeles in the 259 00:15:24,400 --> 00:15:29,239 Speaker 1: year two thousand, which doesn't make coming from nothing any easier. 260 00:15:31,160 --> 00:15:34,080 Speaker 1: Recent numbers are hard to come by. The pandemics scrambled 261 00:15:34,080 --> 00:15:36,960 Speaker 1: our sense of what's going on in Atlanta's economy, But 262 00:15:37,080 --> 00:15:40,240 Speaker 1: in the years leading up to the pandemic, Atlanta leaders 263 00:15:40,240 --> 00:15:42,000 Speaker 1: relied on a set of studies that showed that a 264 00:15:42,080 --> 00:15:45,440 Speaker 1: kid born into poverty has only a one in twenty 265 00:15:45,640 --> 00:15:49,120 Speaker 1: five chance of reaching an income in the top quintile, 266 00:15:49,720 --> 00:15:51,880 Speaker 1: which is about one hundred and fifty thousand dollars a 267 00:15:52,000 --> 00:15:56,120 Speaker 1: year today, But two out of three times the best 268 00:15:56,120 --> 00:15:59,560 Speaker 1: outcome is a working class fifteen dollars an hour job. 269 00:16:00,200 --> 00:16:03,160 Speaker 1: That's before accounting for the things that might drag someone back, 270 00:16:03,680 --> 00:16:07,120 Speaker 1: like a criminal record. A national study that's been running 271 00:16:07,120 --> 00:16:10,000 Speaker 1: regularly for thirty years shows that a black person with 272 00:16:10,080 --> 00:16:13,120 Speaker 1: a clean criminal record is less likely to be called 273 00:16:13,120 --> 00:16:15,520 Speaker 1: into a job interview than a white person with the 274 00:16:15,560 --> 00:16:20,960 Speaker 1: same resume and a recent felony conviction. Regular jobs treat 275 00:16:21,120 --> 00:16:24,560 Speaker 1: young black men with a criminal conviction as almost unemployable, 276 00:16:24,960 --> 00:16:28,920 Speaker 1: not just here but everywhere in America. In other words, 277 00:16:29,160 --> 00:16:32,680 Speaker 1: young Thug didn't just come from nothing. He was at 278 00:16:32,800 --> 00:16:37,480 Speaker 1: least statistically destined for nothing, which is what makes his 279 00:16:37,640 --> 00:16:41,720 Speaker 1: rise to fame and wealth so much more impressive. 280 00:16:42,400 --> 00:16:42,920 Speaker 4: Here's Bame. 281 00:16:43,840 --> 00:16:47,240 Speaker 8: I was like, Okay, yeah, like this is someone who 282 00:16:47,240 --> 00:16:54,480 Speaker 8: gets it, especially understanding Cleveland Avenue that area and Atlanta 283 00:16:54,520 --> 00:16:58,240 Speaker 8: and still not having music industry, real infrastructure. 284 00:16:58,760 --> 00:17:01,000 Speaker 3: I don't know where the hand up. 285 00:17:02,520 --> 00:17:05,760 Speaker 8: Came from, you know, that allowed him to get to 286 00:17:05,800 --> 00:17:06,560 Speaker 8: the next level. 287 00:17:07,600 --> 00:17:08,560 Speaker 2: He's just kind of diddy. 288 00:17:12,240 --> 00:17:13,920 Speaker 4: This lack of support may not seem out of the 289 00:17:14,040 --> 00:17:17,959 Speaker 4: ordinary for most places. Where we're talking about Atlanta, a 290 00:17:18,000 --> 00:17:20,679 Speaker 4: city that is now a hip hop capital despite almost 291 00:17:20,760 --> 00:17:24,000 Speaker 4: zero incentives from the state of Georgia, and a city 292 00:17:24,040 --> 00:17:27,200 Speaker 4: now regarded as a Hollywood of the South, almost entirely 293 00:17:27,240 --> 00:17:29,360 Speaker 4: because of incentives from the State of Georgia. 294 00:17:30,040 --> 00:17:34,240 Speaker 8: There was a film tax specifically created to pull money 295 00:17:34,320 --> 00:17:38,960 Speaker 8: in but there was nothing ever created for hip hop. 296 00:17:40,520 --> 00:17:43,080 Speaker 4: In the world of rap. Atlanta may be where talent 297 00:17:43,200 --> 00:17:46,600 Speaker 4: is born. It's a city where artists overwhelmingly connect and 298 00:17:46,640 --> 00:17:50,800 Speaker 4: get creative. From twenty one to twenty eighteen, Fulton County, 299 00:17:50,840 --> 00:17:55,680 Speaker 4: which includes Atlanta, saw its music related businesses recording studios, 300 00:17:55,800 --> 00:17:59,280 Speaker 4: music festivals, and the like generate almost one point seven 301 00:17:59,400 --> 00:18:03,919 Speaker 4: billion dollar. Those same businesses hired at six times the 302 00:18:04,000 --> 00:18:07,560 Speaker 4: rate as the rest of Fulton County's economy. But New 303 00:18:07,640 --> 00:18:10,200 Speaker 4: York and Los Angeles are still where those same artists 304 00:18:10,200 --> 00:18:13,719 Speaker 4: conduct business. It's where labels signed checks and cut deals 305 00:18:13,720 --> 00:18:17,159 Speaker 4: with future stars. This dynamic has frustrated Bame for as 306 00:18:17,200 --> 00:18:18,520 Speaker 4: long as I've known him. 307 00:18:18,880 --> 00:18:22,120 Speaker 8: If you influence everything and you shouldn't be number one 308 00:18:22,119 --> 00:18:24,880 Speaker 8: in income and equality, That's why I hate the shirt 309 00:18:25,000 --> 00:18:29,000 Speaker 8: sometimes because it translates to you, you cool, but you broke. 310 00:18:30,320 --> 00:18:34,240 Speaker 4: But concerning the YSL trial specifically, Bame also worries about 311 00:18:34,240 --> 00:18:38,120 Speaker 4: how Atlanta's influence gets wielded by people outside the city. 312 00:18:38,200 --> 00:18:41,800 Speaker 4: He sees that influence operating outside the city's control and 313 00:18:41,880 --> 00:18:45,120 Speaker 4: taking advantage of artists who intrigue critics and music listeners 314 00:18:45,160 --> 00:18:49,880 Speaker 4: with outlaw sensibilities. Like young thug. As he said during 315 00:18:49,920 --> 00:18:51,119 Speaker 4: the AJAC event. 316 00:18:51,080 --> 00:18:54,840 Speaker 8: Controlling our culture in Atlanta means we hope black people 317 00:18:54,880 --> 00:18:58,960 Speaker 8: control their culture in America. But with no control, right, 318 00:18:59,080 --> 00:19:02,040 Speaker 8: You just got folks running around here doing anything. 319 00:19:10,440 --> 00:19:12,399 Speaker 2: When you turn seventeen in State of Georgia, you go 320 00:19:12,440 --> 00:19:16,399 Speaker 2: straight to prison. You just go from juneile to prison. 321 00:19:17,320 --> 00:19:20,520 Speaker 2: I turned seventeen too fast, ended up going to Alto 322 00:19:20,600 --> 00:19:23,119 Speaker 2: State Prison, which was the worst prison in the State 323 00:19:23,160 --> 00:19:28,320 Speaker 2: of Georgia at that time. My biggest exposure to the games 324 00:19:28,520 --> 00:19:32,080 Speaker 2: was inside of the prison systems. After ten years being 325 00:19:32,080 --> 00:19:34,240 Speaker 2: in out then we started seeing these young boys coming 326 00:19:34,280 --> 00:19:38,679 Speaker 2: in that was from the same neighborhoods but worn with 327 00:19:38,760 --> 00:19:44,400 Speaker 2: each other because they from different games. Seeing how they 328 00:19:44,400 --> 00:19:46,800 Speaker 2: can call somebody from the outside might be homeing to 329 00:19:46,880 --> 00:19:49,160 Speaker 2: my need to take care of this, and they'll stab 330 00:19:49,280 --> 00:19:52,719 Speaker 2: somebody because somebody on the outside said, stab somebody and 331 00:19:53,040 --> 00:19:56,439 Speaker 2: catch more time in prison and be cool with it, 332 00:19:57,960 --> 00:20:03,159 Speaker 2: be okay with it. One of the scariest things of 333 00:20:03,280 --> 00:20:06,640 Speaker 2: my time in that place was I done by fifteen 334 00:20:06,760 --> 00:20:09,959 Speaker 2: years at that time, and the young guys coming in 335 00:20:11,200 --> 00:20:13,920 Speaker 2: and they're saying to each other, how much time you got, man? 336 00:20:13,920 --> 00:20:16,840 Speaker 2: I just got six man I got said eight, Well, 337 00:20:16,920 --> 00:20:18,800 Speaker 2: how much time you get? Major gave me ten. I'm 338 00:20:18,840 --> 00:20:23,520 Speaker 2: straight though, go down there waiting and all these young men, 339 00:20:24,080 --> 00:20:27,679 Speaker 2: none of them was older than nineteen, and they was 340 00:20:27,720 --> 00:20:32,239 Speaker 2: talking about time as if it was seconds. And then 341 00:20:32,280 --> 00:20:34,280 Speaker 2: they looked at me and said, well, how much time 342 00:20:34,320 --> 00:20:38,320 Speaker 2: you got? I just snapped on everybody because they don't 343 00:20:38,359 --> 00:20:43,960 Speaker 2: realize I just done fifteen. The screams, there's noise, The 344 00:20:45,280 --> 00:20:48,919 Speaker 2: sounds never stopped. It doesn't stop at night, and you 345 00:20:49,040 --> 00:20:58,560 Speaker 2: all think it's okay. It's not okay one day it's 346 00:20:58,600 --> 00:21:01,760 Speaker 2: not okay. Day is not okay. You've given up your 347 00:21:01,840 --> 00:21:07,720 Speaker 2: life in this environment to live in a cage. Why 348 00:21:07,800 --> 00:21:18,680 Speaker 2: everybody else around you live on outside. 349 00:21:18,800 --> 00:21:20,800 Speaker 1: A kid who knows my reporting confronted me on a 350 00:21:20,840 --> 00:21:23,880 Speaker 1: Martyr train a few weeks ago. You're that police ass 351 00:21:23,920 --> 00:21:27,280 Speaker 1: reporter on the young thug case. He said he wasn't 352 00:21:27,320 --> 00:21:30,480 Speaker 1: happy with me. There are entire subreddits full of people 353 00:21:30,520 --> 00:21:32,760 Speaker 1: who are not happy with me. I was a rap 354 00:21:32,840 --> 00:21:34,960 Speaker 1: music fan when I started reporting on this trial, and 355 00:21:35,040 --> 00:21:37,960 Speaker 1: I still am. But I am no supporter of the 356 00:21:38,040 --> 00:21:42,000 Speaker 1: rap music industry. If ever, I was not all of it, 357 00:21:42,040 --> 00:21:45,600 Speaker 1: of course, just the part that is exploiting the pain 358 00:21:46,040 --> 00:21:51,440 Speaker 1: and poverty of Atlanta and other cities for profit. Hip 359 00:21:51,440 --> 00:21:54,840 Speaker 1: hop is worth about three billion a year in recorded 360 00:21:54,920 --> 00:21:58,600 Speaker 1: music sales, according to the industry tracker trap it Them 361 00:21:58,800 --> 00:22:02,800 Speaker 1: take Spotify's top two hundred performing rap artists, half their 362 00:22:02,840 --> 00:22:06,879 Speaker 1: revenue comes from the US South. Maybe a third of 363 00:22:06,920 --> 00:22:13,320 Speaker 1: that is Atlanta millions in sales, yet only a third 364 00:22:13,520 --> 00:22:16,160 Speaker 1: of top line revenue ends up with an artist at all. 365 00:22:16,720 --> 00:22:19,320 Speaker 1: About two thirds of that money goes to record labels 366 00:22:19,320 --> 00:22:24,919 Speaker 1: and publishing companies, collaborators, and billionaire music executives in Los Angeles, 367 00:22:25,359 --> 00:22:29,480 Speaker 1: New York and elsewhere. Warner Music is owned by the 368 00:22:29,600 --> 00:22:34,960 Speaker 1: Ukrainian American businessman Leonard Lavatnik. Warner Music also purchased three 369 00:22:35,080 --> 00:22:38,280 Speaker 1: hundred Entertainment, the label that launched Young Stoner Life Records 370 00:22:38,280 --> 00:22:39,160 Speaker 1: in twenty twenty one. 371 00:22:40,160 --> 00:22:42,680 Speaker 4: Ahead of Young Thug's first bond hearing in summer twenty 372 00:22:42,720 --> 00:22:46,200 Speaker 4: twenty two, his defense team submitted over a dozen character 373 00:22:46,280 --> 00:22:50,040 Speaker 4: letters testifying on the artist behalf. One of those letters 374 00:22:50,240 --> 00:22:54,200 Speaker 4: from artist manager Benizaki, says that Young Thug once outfitted 375 00:22:54,200 --> 00:22:57,360 Speaker 4: a friend who was being released from prison. That's despite 376 00:22:57,359 --> 00:22:59,600 Speaker 4: how said friend tried to have him murdered. 377 00:22:59,600 --> 00:23:00,480 Speaker 2: Out of jealousy. 378 00:23:01,320 --> 00:23:04,960 Speaker 4: Another letter from three hundred Entertainment president Jeff ogan Lessi 379 00:23:05,520 --> 00:23:09,119 Speaker 4: remembers when Kanye West personally invited Young Thug to record 380 00:23:09,160 --> 00:23:12,040 Speaker 4: with him, but when his sisters weren't a part of 381 00:23:12,080 --> 00:23:16,080 Speaker 4: that invitation, Young Thug declined so that he wouldn't quote 382 00:23:16,320 --> 00:23:20,240 Speaker 4: hurt his siblings' feelings. As these character witnesses stress the 383 00:23:20,280 --> 00:23:23,000 Speaker 4: countless hours that Young Thug spends in the studio and 384 00:23:23,080 --> 00:23:28,280 Speaker 4: mentors his signees, prosecutors point to other possible motivations for 385 00:23:28,359 --> 00:23:31,320 Speaker 4: why all these music execs would not want Young Thug 386 00:23:31,520 --> 00:23:34,800 Speaker 4: flagged as a flight risk. Here's New York Times reporter 387 00:23:34,960 --> 00:23:35,880 Speaker 4: Joe Coscarelli. 388 00:23:36,680 --> 00:23:39,679 Speaker 11: You know, you have Kevin Miles, who's the CEO of 389 00:23:39,720 --> 00:23:43,119 Speaker 11: three hundred and who presumably made many, many millions of 390 00:23:43,119 --> 00:23:46,680 Speaker 11: dollars on that deal, testifying on Young Thug's behalf and 391 00:23:46,960 --> 00:23:49,840 Speaker 11: arguing for him to be granted bail, saying that he 392 00:23:49,880 --> 00:23:52,960 Speaker 11: stands behind him personally and professionally, that he's only ever 393 00:23:53,000 --> 00:23:56,960 Speaker 11: seen him as a motivator and a positive member of 394 00:23:57,000 --> 00:23:59,600 Speaker 11: the community. And then you have the Die's office saying, 395 00:24:00,320 --> 00:24:02,840 Speaker 11: everyone here who's testifying about how great of a guy 396 00:24:02,920 --> 00:24:06,080 Speaker 11: Young Veggez has a financial interest in him, So you know, 397 00:24:06,160 --> 00:24:07,119 Speaker 11: it's quite complicated. 398 00:24:08,840 --> 00:24:11,600 Speaker 1: Trapatol has noted that sixty five percent of the rap 399 00:24:11,680 --> 00:24:15,520 Speaker 1: music audience is white. As much as black people claim 400 00:24:15,600 --> 00:24:20,080 Speaker 1: rap broadly as its cultural product, gangster rap is a 401 00:24:20,119 --> 00:24:24,600 Speaker 1: black cultural product, is sold primarily to white people, and 402 00:24:24,680 --> 00:24:27,080 Speaker 1: apparently a subset of the audience is willing to pay 403 00:24:27,080 --> 00:24:32,879 Speaker 1: money for authentic gangsters rapping about shooting each other. Here's Costcarelli. 404 00:24:33,240 --> 00:24:35,720 Speaker 11: I have not seen the music industry really held to 405 00:24:35,840 --> 00:24:39,879 Speaker 11: account for the way they do or do not engage 406 00:24:39,920 --> 00:24:44,200 Speaker 11: in the seriousness and the literalness of this music and 407 00:24:44,240 --> 00:24:49,960 Speaker 11: their artists. There's always another rapper from tough circumstances, rapping 408 00:24:49,960 --> 00:24:54,520 Speaker 11: about tough stuff for a label to sign, and I 409 00:24:54,560 --> 00:24:59,520 Speaker 11: think a lot of people wonder where the consequences are 410 00:24:59,680 --> 00:25:01,720 Speaker 11: for the people who are really making money off of 411 00:25:01,760 --> 00:25:05,439 Speaker 11: this stuff. You know, three hundred Entertainment The Home of 412 00:25:05,880 --> 00:25:09,000 Speaker 11: l sold for four hundred million dollars largely on the 413 00:25:09,040 --> 00:25:13,840 Speaker 11: backs of young Thugs music, along with others. So I 414 00:25:13,880 --> 00:25:20,760 Speaker 11: don't believe corporations are inclined to change unless the economics change, 415 00:25:20,840 --> 00:25:24,600 Speaker 11: unless the business changes, unless there are financial incentives to 416 00:25:24,640 --> 00:25:27,080 Speaker 11: do so I just don't think we've seen that yet. 417 00:25:27,200 --> 00:25:31,040 Speaker 11: If the audience stops listening to street rap, then maybe 418 00:25:31,080 --> 00:25:33,560 Speaker 11: the labels will sign something else. But you know, there 419 00:25:33,560 --> 00:25:35,840 Speaker 11: seems to still be that interest if you look at 420 00:25:35,840 --> 00:25:38,960 Speaker 11: the charts, you know, on Spotify or Apple Music, or 421 00:25:39,160 --> 00:25:40,000 Speaker 11: listen to the radio. 422 00:25:41,280 --> 00:25:45,240 Speaker 1: For all the sublime creative power of the art of rap, 423 00:25:46,280 --> 00:25:50,080 Speaker 1: the market is uplifting street violence in the music and 424 00:25:50,160 --> 00:25:54,160 Speaker 1: the way minstrel shows were patronized when ragtime music was popular, 425 00:25:55,480 --> 00:25:59,800 Speaker 1: the same elements are there. Black people behaving with comically 426 00:26:00,080 --> 00:26:05,399 Speaker 1: loose morality, engaging in wild acts of violence, abusing women, 427 00:26:06,000 --> 00:26:09,360 Speaker 1: drinking and drug use, and extolling the virtues of luxury 428 00:26:09,400 --> 00:26:16,080 Speaker 1: brands to show off their apparent wealth. They even wore chains. 429 00:26:16,119 --> 00:26:20,680 Speaker 1: Minstrel shows made money because white people found it entertaining, 430 00:26:21,080 --> 00:26:25,680 Speaker 1: reinforcing their own sense of racial superiority. We frown upon 431 00:26:25,880 --> 00:26:29,280 Speaker 1: blackface these days, so we hire actual black people for 432 00:26:29,359 --> 00:26:32,920 Speaker 1: the job. Now. The more authentic to the role, the better. 433 00:26:33,800 --> 00:26:37,120 Speaker 1: Sometimes audiences will accept a fake in the way wrestling 434 00:26:37,160 --> 00:26:41,520 Speaker 1: fans accept staged cafe moves in the ring, but plainly 435 00:26:42,280 --> 00:26:43,360 Speaker 1: they prefer the real thing. 436 00:26:52,080 --> 00:26:58,240 Speaker 2: To survive prison. Do you really have to dehumanize yourself 437 00:26:59,359 --> 00:27:02,040 Speaker 2: all the most because emotions to get you killed. But 438 00:27:02,080 --> 00:27:03,840 Speaker 2: I did all those years, and I remember looking at 439 00:27:03,840 --> 00:27:08,960 Speaker 2: the person in the mirror, and it's scared me. Literally, 440 00:27:09,000 --> 00:27:12,040 Speaker 2: the person who looked back at me scared because a 441 00:27:12,080 --> 00:27:16,120 Speaker 2: person who looked back at me wasn't human, he wasn't 442 00:27:16,119 --> 00:27:19,360 Speaker 2: as a person who didn't care what happened to you 443 00:27:19,480 --> 00:27:24,560 Speaker 2: or anybody else around you. I knew right then and there, 444 00:27:24,720 --> 00:27:27,359 Speaker 2: if I'm ever going to make home or become a 445 00:27:27,359 --> 00:27:32,480 Speaker 2: better person, the person staring at me gotta die. I 446 00:27:32,560 --> 00:27:36,320 Speaker 2: realized that I can't fight everybody, but I will outwork you. 447 00:27:36,840 --> 00:27:41,200 Speaker 2: I will out thank you. In this environment, the water 448 00:27:41,280 --> 00:27:43,240 Speaker 2: would come into the dormitory and say, hey, I want 449 00:27:43,240 --> 00:27:45,840 Speaker 2: everybody to move your pants from the top shelf and 450 00:27:45,880 --> 00:27:47,840 Speaker 2: put them in the bottom shelf when I get back tomorrow. 451 00:27:49,840 --> 00:27:51,840 Speaker 2: And guys were literally wants to go to the hole 452 00:27:51,920 --> 00:27:54,359 Speaker 2: about that, ready to fight. I'm not doing nothing. I 453 00:27:54,400 --> 00:27:56,480 Speaker 2: don't care what he's saying. I'm not doing nothing. What 454 00:27:56,520 --> 00:27:58,359 Speaker 2: are you gonna do? I key, I can move my 455 00:27:58,400 --> 00:28:00,800 Speaker 2: pants from the top shelf to the bottom shelf because 456 00:28:00,800 --> 00:28:03,439 Speaker 2: they're not my pants. This is not my locker box, 457 00:28:03,600 --> 00:28:06,960 Speaker 2: this is not my bed. I'm just only temporary borrowing 458 00:28:07,000 --> 00:28:11,879 Speaker 2: these things until I go home, And that mindset created 459 00:28:11,920 --> 00:28:16,399 Speaker 2: hope for me. I got up before they told me 460 00:28:16,440 --> 00:28:18,920 Speaker 2: to get up. I went to sleep before they told 461 00:28:18,920 --> 00:28:23,359 Speaker 2: me he went to sleep. The waters used to ship 462 00:28:23,359 --> 00:28:26,200 Speaker 2: me around from institution the institution to say I need 463 00:28:26,240 --> 00:28:29,560 Speaker 2: you to stop the gangs for fighting each other. I'll 464 00:28:29,600 --> 00:28:33,439 Speaker 2: get you home. And the moment I was able to 465 00:28:33,440 --> 00:28:36,240 Speaker 2: get their camps under control, they put me on the bus. 466 00:28:36,840 --> 00:28:39,360 Speaker 2: And that didn't happen one time, two times, three times, 467 00:28:39,440 --> 00:28:42,080 Speaker 2: it happened over ten times. They'll put me on the 468 00:28:42,080 --> 00:28:43,920 Speaker 2: bus and ship me to another cap. 469 00:28:50,640 --> 00:28:53,239 Speaker 4: Looking back at those days of the Throwback Boys off 470 00:28:53,320 --> 00:28:57,000 Speaker 4: Cleveland Avenue in the early two thousands, CHUCKXY can't help 471 00:28:57,000 --> 00:28:59,440 Speaker 4: but wonder if the influence he had on young thug 472 00:29:00,080 --> 00:29:03,360 Speaker 4: demonstrating the opportunities available to him by way of music 473 00:29:04,040 --> 00:29:04,640 Speaker 4: was positive. 474 00:29:05,440 --> 00:29:08,480 Speaker 7: I'm one of the person he's listening to, right So, 475 00:29:08,480 --> 00:29:11,200 Speaker 7: so when I hear about what happened to while I 476 00:29:11,240 --> 00:29:16,240 Speaker 7: find Loose's mother's house, right then I think back on 477 00:29:16,320 --> 00:29:20,120 Speaker 7: the song where I say disrespect that'll get your ass kicked, 478 00:29:20,160 --> 00:29:22,480 Speaker 7: shoot up your mama house and break your little brother's neck. 479 00:29:22,720 --> 00:29:25,560 Speaker 7: So when I think about me saying that rap and 480 00:29:25,640 --> 00:29:28,640 Speaker 7: him listening to that rap and then somebody mother's house 481 00:29:28,680 --> 00:29:32,040 Speaker 7: gets shot up, you know, I feel I feel a 482 00:29:32,120 --> 00:29:34,840 Speaker 7: certain you know what I'm saying a certain way, because 483 00:29:35,400 --> 00:29:38,400 Speaker 7: these was the lyrics that we were saying, and these 484 00:29:38,440 --> 00:29:41,080 Speaker 7: were the people. Young thug and his crew were the 485 00:29:41,120 --> 00:29:43,120 Speaker 7: people that was listening to take. 486 00:29:43,000 --> 00:29:45,840 Speaker 2: It outside, Let's take it outside. Let's take it outside. 487 00:29:45,920 --> 00:29:47,040 Speaker 2: Let's take it outside. 488 00:29:47,840 --> 00:29:50,640 Speaker 7: And that's what I feel kind of responsible for it 489 00:29:50,720 --> 00:29:54,040 Speaker 7: because we didn't set a good example. So of course 490 00:29:54,080 --> 00:29:56,760 Speaker 7: the people up under us didn't have a good example 491 00:29:56,800 --> 00:29:57,280 Speaker 7: to look at. 492 00:29:59,080 --> 00:30:02,480 Speaker 1: Caro Confree, who leads Georgie's gang Prosecution unit at the 493 00:30:02,520 --> 00:30:06,360 Speaker 1: Attorney General's Office, concerns yourself with how much more quickly 494 00:30:06,400 --> 00:30:10,000 Speaker 1: such examples get spread today among an age group that 495 00:30:10,080 --> 00:30:13,880 Speaker 1: seems to get younger and younger each year, like as. 496 00:30:13,720 --> 00:30:16,000 Speaker 12: Soon as you can throw up a sign, as soon 497 00:30:16,040 --> 00:30:21,520 Speaker 12: as you can articulate an affiliation, a loyalty to we've 498 00:30:21,560 --> 00:30:24,880 Speaker 12: seen it and heard it so young single digit ages. 499 00:30:24,680 --> 00:30:28,480 Speaker 1: Kids, and among kids living in the social media age 500 00:30:28,480 --> 00:30:31,120 Speaker 1: in the city's most vulnerable communities. 501 00:30:31,080 --> 00:30:34,840 Speaker 12: The promise of a lifestyle is the number one draw. 502 00:30:34,960 --> 00:30:39,560 Speaker 12: It's the primary vehicle that's marketed through is social media. Now, 503 00:30:39,640 --> 00:30:42,960 Speaker 12: when you can hold a device and see someone has 504 00:30:43,000 --> 00:30:47,840 Speaker 12: access to not only success, but material success. You know, 505 00:30:47,880 --> 00:30:51,160 Speaker 12: they've got stuff, They've got things, They've got jewelry, they've 506 00:30:51,160 --> 00:30:54,640 Speaker 12: got shoes, they've got clothes you want. They have attention 507 00:30:54,800 --> 00:30:59,000 Speaker 12: and celebrity. They've got this huge network of friends and influence. 508 00:30:59,400 --> 00:31:02,960 Speaker 12: And I think for young people, particularly young people in 509 00:31:03,000 --> 00:31:06,080 Speaker 12: communities that might not organically get exposed to that some 510 00:31:06,200 --> 00:31:10,120 Speaker 12: other way, that lifestyle is more than attractive. I mean, 511 00:31:10,160 --> 00:31:14,280 Speaker 12: it's it's incredibly compelling, and it's something that we as 512 00:31:14,320 --> 00:31:18,120 Speaker 12: a not just law enforcement community, but really as a society, 513 00:31:18,240 --> 00:31:20,560 Speaker 12: have to decide we're going to come together and try 514 00:31:20,560 --> 00:31:23,680 Speaker 12: to recruit in our own way, because it's the most 515 00:31:23,720 --> 00:31:25,280 Speaker 12: impossible thing to come up against. 516 00:31:28,280 --> 00:31:30,440 Speaker 13: We the jury and the Abuff and Title Action find 517 00:31:30,440 --> 00:31:33,080 Speaker 13: the defendant or enthal James Simpson not guilty of a 518 00:31:33,160 --> 00:31:36,000 Speaker 13: crime of murder and violation of penal cult Section one 519 00:31:36,120 --> 00:31:39,800 Speaker 13: eighty seven a a felony upon Nicole Brown Simpson, a 520 00:31:39,880 --> 00:31:42,440 Speaker 13: human being, as charged in count one of the information. 521 00:31:45,200 --> 00:31:47,960 Speaker 4: Chuck c can remember when OJ Simpson was acquitted for 522 00:31:48,000 --> 00:31:50,600 Speaker 4: the murders of Nicole Brown Simpson and Ronald Goleman. 523 00:31:51,320 --> 00:31:53,160 Speaker 7: We went outside as soon as we heard, and we 524 00:31:53,200 --> 00:31:55,040 Speaker 7: shot guns and the air. We went to live the 525 00:31:55,080 --> 00:31:58,320 Speaker 7: store a bottle bunch, and we celebrated. You know, we 526 00:31:58,360 --> 00:32:00,600 Speaker 7: felt like it was a win for all of us. 527 00:32:01,120 --> 00:32:03,560 Speaker 4: He thinks that young folk getting acquitted would also have 528 00:32:03,640 --> 00:32:05,440 Speaker 4: people celebrating in the streets. 529 00:32:06,200 --> 00:32:10,000 Speaker 7: This is definitely the OJ trial of out of this 530 00:32:10,160 --> 00:32:13,400 Speaker 7: time right here. Every street person will feel like they 531 00:32:13,440 --> 00:32:18,760 Speaker 7: want right, not just young thug, every street person, every 532 00:32:18,920 --> 00:32:22,560 Speaker 7: Y and Sale member, every ABG member, every person that 533 00:32:22,680 --> 00:32:25,880 Speaker 7: lives on Cleveland Avenue, everybody that lives on Jonesboro Road. 534 00:32:26,040 --> 00:32:29,880 Speaker 7: Everyone is going to feel like they want It. Won't 535 00:32:29,920 --> 00:32:32,200 Speaker 7: even be young thug beat the case on the streets. 536 00:32:32,280 --> 00:32:33,640 Speaker 7: It'll be we beat the case. 537 00:32:34,440 --> 00:32:34,640 Speaker 1: Right. 538 00:32:34,720 --> 00:32:36,840 Speaker 7: This is what the people are going to feel like 539 00:32:37,480 --> 00:32:41,160 Speaker 7: if he wins, or you know, praying. 540 00:32:40,920 --> 00:32:41,480 Speaker 2: That he does. 541 00:32:43,160 --> 00:32:45,000 Speaker 4: Cara Confrey couldn't disagree more. 542 00:32:45,800 --> 00:32:48,400 Speaker 12: People in communities that have been victimized in this way 543 00:32:48,640 --> 00:32:50,760 Speaker 12: just want to feel seen and want to feel like 544 00:32:50,760 --> 00:32:54,520 Speaker 12: they matter. So I choose to maybe people will be 545 00:32:54,560 --> 00:32:56,520 Speaker 12: celebrating the streets. I don't think so, though. I think 546 00:32:56,520 --> 00:32:57,160 Speaker 12: people get it. 547 00:32:57,800 --> 00:33:01,600 Speaker 4: She says that Atlanta's police Chief Darren views the YSL 548 00:33:01,640 --> 00:33:04,880 Speaker 4: indictment as a productive step forward to combat that influence. 549 00:33:05,640 --> 00:33:08,640 Speaker 4: She remembers a recent training session where he boasted of 550 00:33:08,680 --> 00:33:09,840 Speaker 4: the immediate aftermath. 551 00:33:10,840 --> 00:33:12,560 Speaker 12: One of the things he talked about is the effect 552 00:33:12,560 --> 00:33:16,400 Speaker 12: on crime that we saw after the YSL indictment dropped, 553 00:33:16,440 --> 00:33:19,920 Speaker 12: which is we saw crime numbers kind of dip down 554 00:33:20,040 --> 00:33:23,160 Speaker 12: right after the publication of the indictment itself. But his 555 00:33:23,280 --> 00:33:26,440 Speaker 12: big thing was an experience, an individual experience he had 556 00:33:26,440 --> 00:33:29,320 Speaker 12: as just a human being walking through Cleveland into an 557 00:33:29,360 --> 00:33:34,200 Speaker 12: apartment complex that had been just totally terrorized by YSL 558 00:33:34,280 --> 00:33:36,920 Speaker 12: and the violence that came with them, and their conflicts 559 00:33:36,920 --> 00:33:39,640 Speaker 12: and stuff they had going on in that community. He 560 00:33:39,680 --> 00:33:42,520 Speaker 12: walked into the community on foot, and a lady approached 561 00:33:42,560 --> 00:33:45,920 Speaker 12: him and just said, you know, can I talk to you. 562 00:33:45,960 --> 00:33:47,640 Speaker 12: I just want to thank you because it is the 563 00:33:47,680 --> 00:33:51,400 Speaker 12: first sort of couple weeks of peace that I've had, 564 00:33:51,600 --> 00:33:54,800 Speaker 12: and thank you for caring about this community, for caring 565 00:33:54,840 --> 00:33:56,800 Speaker 12: about people like me that live here that are not 566 00:33:56,880 --> 00:33:57,640 Speaker 12: in YSL. 567 00:33:58,520 --> 00:34:03,480 Speaker 1: Crime has indeed fallen. It's fallen off a cliff, though 568 00:34:03,520 --> 00:34:08,520 Speaker 1: most notably east of where Cleveland Avenue is located. Oddly enough, 569 00:34:08,760 --> 00:34:12,680 Speaker 1: crime has remained stubbornly high in Zone three, which includes 570 00:34:12,719 --> 00:34:16,320 Speaker 1: Cleveland Avenue. Those crime numbers also don't account for tensions 571 00:34:16,320 --> 00:34:19,560 Speaker 1: that have boiled over inside Rice Street, the overcrowded Fulton 572 00:34:19,560 --> 00:34:24,400 Speaker 1: County Jail, and the state prisons, tensions that were displayed 573 00:34:24,400 --> 00:34:27,440 Speaker 1: to horrifying effect at Spring twenty twenty three with a 574 00:34:27,520 --> 00:34:30,760 Speaker 1: cell phone video that leaked from behind state prison walls. 575 00:34:31,719 --> 00:34:39,560 Speaker 1: A warning, the audio from this video is graphic, slim. 576 00:34:40,680 --> 00:34:44,040 Speaker 2: There's not wholy rovi bless so in them. It's might 577 00:34:44,120 --> 00:34:51,000 Speaker 2: you slang, lack candidition of both the living about crime each. 578 00:34:52,680 --> 00:34:55,720 Speaker 1: The inmate holding the cell phone is pitting down another 579 00:34:55,760 --> 00:35:00,120 Speaker 1: inmate who has been gagged and hog tied, and then 580 00:35:00,200 --> 00:35:02,440 Speaker 1: takes a blade against the victim's skin as if to 581 00:35:02,520 --> 00:35:07,000 Speaker 1: literally scrape the YL tattoo inked on his arm. If 582 00:35:07,080 --> 00:35:09,840 Speaker 1: hip Hop's social media is to be believed, then the 583 00:35:09,880 --> 00:35:15,360 Speaker 1: assault is associated with YFN. Devin Franklin is the Movement 584 00:35:15,440 --> 00:35:19,399 Speaker 1: Policy Council at the Southern Center for Human Rights. He's 585 00:35:19,440 --> 00:35:23,080 Speaker 1: worried about the violent conditions that YL defendants live under 586 00:35:23,120 --> 00:35:25,480 Speaker 1: at state prisons and on Rice Street. 587 00:35:26,160 --> 00:35:28,960 Speaker 14: The main charging is why I say okas are still 588 00:35:29,560 --> 00:35:35,480 Speaker 14: in a really uncomfortable place, crowded, and violence of the 589 00:35:35,520 --> 00:35:37,040 Speaker 14: jail has been up. 590 00:35:37,960 --> 00:35:38,600 Speaker 2: There are. 591 00:35:40,120 --> 00:35:45,000 Speaker 14: Shortages and staff with the Fulton County Sheriff's Department. They 592 00:35:45,000 --> 00:35:48,640 Speaker 14: don't have enough people for the jail when it's not overcrowded. 593 00:35:49,000 --> 00:35:51,880 Speaker 14: They really don't have enough staff to keep personal and 594 00:35:51,920 --> 00:35:56,360 Speaker 14: custody safe who are currently there. And to add on 595 00:35:56,400 --> 00:36:00,359 Speaker 14: to that fact, you have brought people back who are 596 00:36:00,440 --> 00:36:02,680 Speaker 14: from who were in prison, they were down the road 597 00:36:02,719 --> 00:36:06,080 Speaker 14: at whatever state prison to come back to forth and 598 00:36:06,120 --> 00:36:09,440 Speaker 14: to face trials. And you know, when you're already serving 599 00:36:09,480 --> 00:36:11,200 Speaker 14: the life centers, you have a lot of violence. You 600 00:36:11,280 --> 00:36:15,319 Speaker 14: have what we have being told of rival gangs in there, 601 00:36:15,920 --> 00:36:18,759 Speaker 14: and they're under really inhumane circumstances, and I think it 602 00:36:18,840 --> 00:36:25,520 Speaker 14: may lead towards people acting in really aggressive ways, sometimes. 603 00:36:26,239 --> 00:36:28,160 Speaker 1: In an effort to keep the powder keg at Rice 604 00:36:28,200 --> 00:36:31,960 Speaker 1: straight from exploding into all out of chaos. Young Thug 605 00:36:32,000 --> 00:36:35,200 Speaker 1: has been held at Cobb and County Jail. Cobb's not 606 00:36:35,280 --> 00:36:38,440 Speaker 1: exactly the Ritz Carlton. All of Atlanta's jails have issues 607 00:36:38,440 --> 00:36:41,880 Speaker 1: with violence, but his move there does keep him somewhat 608 00:36:41,880 --> 00:36:45,360 Speaker 1: isolated from his alleged wis hel Co worts and perhaps 609 00:36:45,400 --> 00:36:50,040 Speaker 1: more importantly, his alleged wife and enemies, including wife and Lucci. 610 00:36:50,840 --> 00:36:53,839 Speaker 1: In twenty twenty two, before the yst Hel indictment named 611 00:36:53,840 --> 00:36:57,080 Speaker 1: wife and Lucci is a suspect and alleged rival gang member, 612 00:36:57,600 --> 00:37:01,640 Speaker 1: Lucci had landed his own RICO charge. He's been in 613 00:37:01,760 --> 00:37:07,000 Speaker 1: Rice Street since January thirteenth, twenty twenty one. No exceptions 614 00:37:07,040 --> 00:37:09,960 Speaker 1: were made for him, and when the YSL trial began, 615 00:37:10,640 --> 00:37:15,319 Speaker 1: the YFN trial was postponed, which means Luci's been living 616 00:37:15,320 --> 00:37:19,800 Speaker 1: in the be's nest even longer, and as we've mentioned before, 617 00:37:20,200 --> 00:37:24,319 Speaker 1: says that he's been stabbed in two separate incidents by 618 00:37:24,480 --> 00:37:29,400 Speaker 1: YL defendants. But things would change dramatically for both the 619 00:37:29,520 --> 00:37:32,840 Speaker 1: YFN and YSL cases because of another event. 620 00:37:33,200 --> 00:37:36,279 Speaker 15: The Fulton County Sheriff's office says all defendants will be 621 00:37:36,360 --> 00:37:39,680 Speaker 15: booked into the Rice Street Jail. Sheriff Pat Labat has 622 00:37:39,680 --> 00:37:44,239 Speaker 15: previously said those defendants will be treated like any other detainee. 623 00:37:43,640 --> 00:37:44,680 Speaker 3: And have a mug shot. 624 00:37:45,040 --> 00:37:48,320 Speaker 4: It's August twenty fourth, twenty twenty three, and the roads 625 00:37:48,400 --> 00:37:51,640 Speaker 4: leading to Rice Street are lined with spectators. At the 626 00:37:51,640 --> 00:37:55,440 Speaker 4: Fulton County Jail itself, hordes of people stand behind barricades 627 00:37:55,960 --> 00:38:00,480 Speaker 4: summer supporters red maga hats, blue and red flags. A 628 00:38:00,600 --> 00:38:03,800 Speaker 4: row wears T shirts to say blacks for Trump and 629 00:38:03,920 --> 00:38:07,600 Speaker 4: summer protesters. One down's a prisoner costume, as if he 630 00:38:07,680 --> 00:38:11,280 Speaker 4: came straight from party City. Others are in full body 631 00:38:11,360 --> 00:38:14,719 Speaker 4: rat suits. But most of the people here are reporters. 632 00:38:15,440 --> 00:38:17,600 Speaker 8: So right now we have crews outside of the Fulton 633 00:38:17,640 --> 00:38:20,160 Speaker 8: County Jail to make sure you know what to expect 634 00:38:20,160 --> 00:38:22,480 Speaker 8: today and let it do his first Rebecca Schran begins 635 00:38:22,480 --> 00:38:24,880 Speaker 8: our live team coverage near the jail's main entrance. 636 00:38:24,960 --> 00:38:27,879 Speaker 1: The sun is just starting to set and lights from 637 00:38:27,960 --> 00:38:32,440 Speaker 1: TV crews give the street an eerie green glow. Helicopters 638 00:38:32,560 --> 00:38:39,280 Speaker 1: buzz overhead. It's carefully controlled chaos and expected but unprecedented event, 639 00:38:39,880 --> 00:38:43,719 Speaker 1: the end result of years of political and legal wrangling, 640 00:38:44,360 --> 00:38:49,760 Speaker 1: broken faith, and growing discord. At this moment, all eyes 641 00:38:50,120 --> 00:38:51,600 Speaker 1: are on Atlanta. 642 00:38:51,640 --> 00:38:55,000 Speaker 2: Outside of Atlanta's Fulton County Jail, heightened. 643 00:38:54,560 --> 00:38:58,400 Speaker 6: Security as the sheriff braces for Donald Trump to surrender 644 00:38:58,719 --> 00:39:01,040 Speaker 6: once he turns himself in deputy. 645 00:39:01,160 --> 00:39:05,000 Speaker 4: In anticipation, on Instagram, a club and restaurant called Sweet 646 00:39:05,000 --> 00:39:08,640 Speaker 4: Food Lounge promoted its Welcome to Race Street party two 647 00:39:08,719 --> 00:39:11,600 Speaker 4: hundred dollar bottles and free hookah for ladies. 648 00:39:12,200 --> 00:39:17,160 Speaker 1: Former President Donald Trump arrives by motor catad approximately seven 649 00:39:17,320 --> 00:39:21,360 Speaker 1: thirty PM. He's ushered in through the Fulton County Jail, 650 00:39:22,160 --> 00:39:25,920 Speaker 1: away from the hoard, shielded from reporters. He's in and 651 00:39:25,920 --> 00:39:29,399 Speaker 1: out in less than fifteen minutes, and just a few 652 00:39:29,440 --> 00:39:32,600 Speaker 1: hours later, his mugshot will be on nearly every television 653 00:39:32,640 --> 00:39:36,000 Speaker 1: in the country. Perhaps the most famous image in the 654 00:39:36,080 --> 00:39:38,320 Speaker 1: history of American democracy. 655 00:39:38,000 --> 00:39:40,719 Speaker 16: The mugshot of the forty fifth president of the United 656 00:39:40,760 --> 00:39:45,040 Speaker 16: States will go from tomorrow's newspapers in two hour history books, 657 00:39:45,239 --> 00:39:50,440 Speaker 16: where the only presidential mugshot will live forever. 658 00:39:50,680 --> 00:39:53,719 Speaker 4: But a far less indelible image is captured outside of 659 00:39:53,800 --> 00:39:56,399 Speaker 4: Race Street that night, one that will make a few 660 00:39:56,480 --> 00:39:59,960 Speaker 4: quiet circles on social media but will mostly be swallowed 661 00:40:00,160 --> 00:40:02,920 Speaker 4: in the tidal wave of Trump coverage. It's of an 662 00:40:02,920 --> 00:40:05,319 Speaker 4: older black man with a bald head and a thin 663 00:40:05,440 --> 00:40:08,239 Speaker 4: sprout of facial hair on his chin. He's wearing a 664 00:40:08,280 --> 00:40:11,080 Speaker 4: black T shirt that reads free y A Cell, and 665 00:40:11,280 --> 00:40:15,080 Speaker 4: huge all caps block letters in a similar font on 666 00:40:15,120 --> 00:40:17,799 Speaker 4: a black poster board sign that he holds. There's a 667 00:40:17,840 --> 00:40:22,239 Speaker 4: message It reads free why a Cell? Trump and Crue 668 00:40:22,280 --> 00:40:25,120 Speaker 4: got a bond. Young Thug and y Cel face the 669 00:40:25,280 --> 00:40:29,680 Speaker 4: zach sane charges, but no bond. Make justice fair. We 670 00:40:29,840 --> 00:40:34,400 Speaker 4: deserve a fair fight too, Fani. It's signed Jeffrey Williams, Senior, 671 00:40:35,360 --> 00:40:36,280 Speaker 4: Young Thug's dad. 672 00:40:39,239 --> 00:40:42,319 Speaker 1: Why did Donald Trump, who is accused of leading a 673 00:40:42,400 --> 00:40:46,440 Speaker 1: violent insurrection to overthrow the nation's democracy, an insurrection that 674 00:40:46,520 --> 00:40:51,080 Speaker 1: led to one death, countless injuries, one point five million 675 00:40:51,160 --> 00:40:57,200 Speaker 1: dollars in damages, and prison sentences some decades long for participants, 676 00:40:57,760 --> 00:41:01,040 Speaker 1: get a two hundred thousand dollars bond and one that 677 00:41:01,120 --> 00:41:03,600 Speaker 1: cuts stay in the notorious Rice Street jailed down to 678 00:41:03,640 --> 00:41:08,440 Speaker 1: a fifteen minute photo op. The court uses something called 679 00:41:08,480 --> 00:41:11,840 Speaker 1: the Ayala factors to decide whether someone gets a bond. 680 00:41:12,280 --> 00:41:16,040 Speaker 1: A judge considers a defendant's community ties, their employment status 681 00:41:16,040 --> 00:41:20,359 Speaker 1: in history, whether they've run before or committed crimes while 682 00:41:20,360 --> 00:41:24,840 Speaker 1: out on bond, and their past criminal record. A judge 683 00:41:24,880 --> 00:41:28,000 Speaker 1: is also supposed to consider whether a defendant is likely 684 00:41:28,040 --> 00:41:32,600 Speaker 1: to threaten witnesses, which with Trump is an open question. 685 00:41:33,239 --> 00:41:36,319 Speaker 1: He's been warned by judges for doing just that in 686 00:41:36,400 --> 00:41:41,080 Speaker 1: other trials. The difference between Donald Trump and Young Thug 687 00:41:41,520 --> 00:41:45,399 Speaker 1: is that Trump is surrounded by Secret Service officers cops 688 00:41:45,440 --> 00:41:49,240 Speaker 1: wherever he goes. I suppose that gets Trump the benefit 689 00:41:49,280 --> 00:41:54,520 Speaker 1: of the doubt, where young Thug doesn't. Whether Trump's reco 690 00:41:54,600 --> 00:41:58,279 Speaker 1: indictment and subsequent spectacle will bog down the gears of 691 00:41:58,400 --> 00:42:01,319 Speaker 1: justice for YSL is an open question and when we 692 00:42:01,360 --> 00:42:04,240 Speaker 1: won't know the answer to for a while, but a big, 693 00:42:04,640 --> 00:42:07,400 Speaker 1: high profile case that takes up at an ordinate amount 694 00:42:07,400 --> 00:42:11,880 Speaker 1: of the Fulton County courthouses resources can certainly have that effect. 695 00:42:12,800 --> 00:42:15,160 Speaker 1: Just ask why if and Aluchi. 696 00:42:22,000 --> 00:42:25,280 Speaker 2: There was a water named brad Hooks and the institution 697 00:42:25,480 --> 00:42:28,960 Speaker 2: was going into a riot all over the state of Georgia. 698 00:42:29,280 --> 00:42:31,239 Speaker 2: And we was in Roger State Prison, and he said, 699 00:42:31,280 --> 00:42:34,319 Speaker 2: the commissioner wants to know would his camp sit down 700 00:42:34,960 --> 00:42:36,759 Speaker 2: in this riot. I told him give me a week, 701 00:42:38,200 --> 00:42:40,000 Speaker 2: and I got it. All of the game members from 702 00:42:40,000 --> 00:42:43,920 Speaker 2: the Crypts, the Bloods, the Aryan Nation, all of them. 703 00:42:44,200 --> 00:42:47,719 Speaker 2: And I told them to come and meet in the library, 704 00:42:47,719 --> 00:42:49,440 Speaker 2: and I used to water and to leave them alone, 705 00:42:49,680 --> 00:42:52,279 Speaker 2: let them bring their henchmen, their two bodyguards with them 706 00:42:52,320 --> 00:42:56,120 Speaker 2: like the good fellas. And they marched down the aisle 707 00:42:56,480 --> 00:42:59,480 Speaker 2: with their chests out. Because I realized some people, if 708 00:42:59,480 --> 00:43:02,279 Speaker 2: you give them a sense of power, even though they 709 00:43:02,280 --> 00:43:06,120 Speaker 2: don't have any power, they'll respond to what you're telling them. 710 00:43:06,200 --> 00:43:08,399 Speaker 2: And we sat at that round table. They stood back 711 00:43:08,400 --> 00:43:10,920 Speaker 2: with their henchmans behind them, and I explained to them, 712 00:43:10,960 --> 00:43:15,239 Speaker 2: I've been here for twenty five years. These bricks don't burn. 713 00:43:16,440 --> 00:43:20,560 Speaker 2: I've been there, done that. You'll lose your phones, your drugs, 714 00:43:20,880 --> 00:43:24,080 Speaker 2: your connections, some of the females that y'all sleeping with. 715 00:43:24,360 --> 00:43:26,120 Speaker 2: That's goa all gonna be going. We're gonna sit in 716 00:43:26,160 --> 00:43:28,359 Speaker 2: the cell and eat sandwiches out of a sack for 717 00:43:28,400 --> 00:43:31,879 Speaker 2: the next six months. I'm going to work what y'all 718 00:43:31,920 --> 00:43:35,239 Speaker 2: want to do. And at the table they decided we 719 00:43:35,360 --> 00:43:38,200 Speaker 2: all going to work here. Keep the water off of 720 00:43:38,239 --> 00:43:41,120 Speaker 2: our backs. I said, that's all we gotta do. And 721 00:43:41,239 --> 00:43:45,319 Speaker 2: Rogers didn't go into a riot the water. He wrote 722 00:43:45,320 --> 00:43:47,560 Speaker 2: a letter to the parole board and said, this kid, 723 00:43:48,360 --> 00:43:51,080 Speaker 2: if you sitting him home, I'll put my pension on 724 00:43:51,120 --> 00:43:54,479 Speaker 2: the line. Then he'll never come back. He'll never come back. 725 00:44:02,719 --> 00:44:07,600 Speaker 4: In September twenty twenty two, Lashawn Thompson was found dehydrated, malnourished, 726 00:44:07,840 --> 00:44:10,279 Speaker 4: and unresponsive in the jail's psychiatric wing. 727 00:44:10,680 --> 00:44:12,760 Speaker 10: The family of a man who died in the Fulton 728 00:44:12,800 --> 00:44:15,680 Speaker 10: County Jail says he was eaten alive in his cell 729 00:44:16,000 --> 00:44:17,759 Speaker 10: by bedbugs and insects. 730 00:44:18,080 --> 00:44:21,560 Speaker 17: He died in September after a three months stay at 731 00:44:21,560 --> 00:44:24,320 Speaker 17: the jail. Photos provided by the family's lawyers show a 732 00:44:24,440 --> 00:44:28,680 Speaker 17: jail sale and deplorable condition and the dead detainee covered 733 00:44:28,920 --> 00:44:29,719 Speaker 17: in bugs. 734 00:44:31,040 --> 00:44:33,920 Speaker 4: His body was found covered in bites and sores from 735 00:44:34,000 --> 00:44:38,040 Speaker 4: bedbugs and lice, conditions that yielded a Department of Justice 736 00:44:38,080 --> 00:44:41,720 Speaker 4: investigation into the jail and a four million dollars settlement 737 00:44:41,719 --> 00:44:45,960 Speaker 4: with Thompson's family. Thompson is one of twenty two people 738 00:44:46,000 --> 00:44:48,520 Speaker 4: who have died inside the jail since twenty twenty two. 739 00:44:49,120 --> 00:44:52,440 Speaker 4: Ten of those victims have died from January twenty twenty 740 00:44:52,480 --> 00:44:57,080 Speaker 4: three until this recording in early September alone. One of 741 00:44:57,120 --> 00:45:00,720 Speaker 4: the latest was Samuel Lawrence, who on August twenty second 742 00:45:01,040 --> 00:45:04,440 Speaker 4: hand wrote a twelve page plea to official seeking relief, 743 00:45:05,120 --> 00:45:07,600 Speaker 4: relief from a cell that didn't have running water, a 744 00:45:07,640 --> 00:45:11,680 Speaker 4: working toilet or a mattress to sleep on, relief from 745 00:45:11,800 --> 00:45:15,480 Speaker 4: hits and bruises to his ribcage, and for medical staff 746 00:45:15,480 --> 00:45:19,000 Speaker 4: who said that if he continued suicide attempts, they would 747 00:45:19,080 --> 00:45:24,240 Speaker 4: quote call Drug Court coordinators to interfere with me getting out. 748 00:45:24,520 --> 00:45:26,600 Speaker 4: One of the last lines in his note was that 749 00:45:26,680 --> 00:45:31,399 Speaker 4: he hoped to quote see some justice, peace, sanity. 750 00:45:31,640 --> 00:45:34,680 Speaker 1: Samuel Lawrence was not a guilty man. He was a 751 00:45:34,680 --> 00:45:37,799 Speaker 1: man who stood accused of a crime, awaiting his day 752 00:45:37,840 --> 00:45:40,960 Speaker 1: in court in a place where presumed innocence is a luxury, 753 00:45:41,000 --> 00:45:45,440 Speaker 1: seemingly few are afforded these days. Our producer Tommy Andres 754 00:45:45,520 --> 00:45:47,720 Speaker 1: asked Fannie Willis about this during our interview. 755 00:45:48,400 --> 00:45:51,520 Speaker 18: So, Atlanta jails are a pretty dangerous place these days. 756 00:45:51,560 --> 00:45:53,600 Speaker 18: Several men who are charged in some of these high 757 00:45:53,600 --> 00:45:55,960 Speaker 18: profile cases are being held in jail for a long 758 00:45:55,960 --> 00:45:59,080 Speaker 18: periods of time without being convicted. I wonder what you 759 00:45:59,200 --> 00:46:01,279 Speaker 18: think about that sort of from your perch. 760 00:46:02,680 --> 00:46:05,080 Speaker 10: I think that we have a lot of violent defenders 761 00:46:05,080 --> 00:46:08,680 Speaker 10: in the fulln County jail, and that's what I think. 762 00:46:09,400 --> 00:46:12,520 Speaker 18: Does it concern you at all that those men, unconvicted 763 00:46:12,560 --> 00:46:13,439 Speaker 18: men's lives may. 764 00:46:13,360 --> 00:46:16,319 Speaker 2: Be at risk obviously sitting here. 765 00:46:16,680 --> 00:46:19,040 Speaker 10: I have to be concerned about the safety of people 766 00:46:19,080 --> 00:46:21,480 Speaker 10: while they're in jail, because I think people are entitled 767 00:46:21,480 --> 00:46:24,640 Speaker 10: to dignity, that they need to be in safe spaces, 768 00:46:25,520 --> 00:46:28,600 Speaker 10: that they need to live in humane conditions quite frankly, 769 00:46:28,640 --> 00:46:30,680 Speaker 10: I've been here a long time. That jail has been 770 00:46:30,800 --> 00:46:33,680 Speaker 10: disgusting for a long time. I think that there's a 771 00:46:33,800 --> 00:46:37,400 Speaker 10: real responsibility to build a jail to make sure that 772 00:46:37,440 --> 00:46:41,239 Speaker 10: people live in humane conditions. So from that standpoint, am 773 00:46:41,239 --> 00:46:41,920 Speaker 10: I concerned? 774 00:46:42,760 --> 00:46:43,000 Speaker 2: Yes? 775 00:46:44,160 --> 00:46:48,279 Speaker 10: Now, you know, violent crime is down right, that's the 776 00:46:48,320 --> 00:46:51,160 Speaker 10: reality you can't deal you know, my daddy say deal 777 00:46:51,200 --> 00:46:54,400 Speaker 10: with reality or reality will deal with you. A lot 778 00:46:54,440 --> 00:46:58,560 Speaker 10: of violent offenders are being held and being convicted and 779 00:46:58,600 --> 00:47:02,120 Speaker 10: being sentenced down the road, and in terms of people 780 00:47:02,120 --> 00:47:05,600 Speaker 10: that are convicted and held accountable that I'm proud of. 781 00:47:11,400 --> 00:47:13,600 Speaker 2: When I came home, I created a job. I was 782 00:47:14,120 --> 00:47:17,640 Speaker 2: a sentizing consultant. I made that job up. I've literally 783 00:47:17,719 --> 00:47:21,319 Speaker 2: made it up. Most lawyers grow up in neighborhoods that 784 00:47:22,239 --> 00:47:25,800 Speaker 2: not likely definish their defending, and most people don't trust 785 00:47:25,840 --> 00:47:29,880 Speaker 2: public offenders. I was the liaison between both of them 786 00:47:30,080 --> 00:47:33,759 Speaker 2: to help the communication bridge work better. So I went 787 00:47:33,800 --> 00:47:37,200 Speaker 2: from there and I got hired for the Department of 788 00:47:37,280 --> 00:47:40,120 Speaker 2: Juvenile Justice. They literally changed the laws so I can 789 00:47:40,120 --> 00:47:42,479 Speaker 2: get hired. Because I still was a failure. I wrote 790 00:47:42,480 --> 00:47:45,399 Speaker 2: a program called Step to Change. It was for young 791 00:47:45,480 --> 00:47:48,440 Speaker 2: men who were tried as an adults. How do you 792 00:47:48,480 --> 00:47:52,440 Speaker 2: make that transition from child to adult in that environment? 793 00:47:52,520 --> 00:47:55,160 Speaker 2: Nobody was teaching that, So we're beginning to teach that. 794 00:47:55,600 --> 00:47:59,080 Speaker 2: And we stopped the violence of teenagers being tried as adults. 795 00:47:59,280 --> 00:48:01,759 Speaker 2: We stopped them want to kill each other, harm each other. 796 00:48:03,000 --> 00:48:05,440 Speaker 2: And a friend of mine who worked for the Public 797 00:48:05,440 --> 00:48:07,960 Speaker 2: Finder's Office said, Madam Dave was looking for a speaker 798 00:48:08,520 --> 00:48:11,400 Speaker 2: to come to a leadership training. So I came and 799 00:48:11,440 --> 00:48:14,520 Speaker 2: I did a one day event and it was just 800 00:48:16,000 --> 00:48:18,480 Speaker 2: it was it was awesome. She called me and at 801 00:48:18,480 --> 00:48:20,439 Speaker 2: the end of the day, I think you could do more. 802 00:48:21,239 --> 00:48:22,399 Speaker 2: What is it gonna take for you to come work 803 00:48:22,400 --> 00:48:26,200 Speaker 2: for me? She's she's she's a go getter. Right then 804 00:48:26,560 --> 00:48:31,480 Speaker 2: she says, said, what did I fin you? She said, 805 00:48:31,560 --> 00:48:36,799 Speaker 2: you were catching kids after they're convicted. I want you 806 00:48:36,840 --> 00:48:40,160 Speaker 2: to catch them before they even come to me, catch 807 00:48:40,239 --> 00:48:42,520 Speaker 2: them before they even come to me. I want to 808 00:48:42,520 --> 00:48:44,239 Speaker 2: put you in the front of the line. And they 809 00:48:44,280 --> 00:48:47,759 Speaker 2: were like the God moment for me, this is the 810 00:48:47,840 --> 00:48:53,799 Speaker 2: opportunity to stop them from going down that way. 811 00:48:57,040 --> 00:48:59,759 Speaker 1: Doctor Maurice Hobson remembers when he first heard about the 812 00:48:59,840 --> 00:49:01,120 Speaker 1: charge just against young. 813 00:49:00,920 --> 00:49:04,479 Speaker 7: Thug November between twenty one because it was the same 814 00:49:04,600 --> 00:49:08,040 Speaker 7: day as the Braves, the Braves that won the World 815 00:49:08,080 --> 00:49:12,000 Speaker 7: series Friends. 816 00:49:14,000 --> 00:49:16,279 Speaker 1: That's because I had asked him whether he had heard 817 00:49:16,280 --> 00:49:18,360 Speaker 1: of some of it's defended it's including Young Thug. 818 00:49:18,800 --> 00:49:20,759 Speaker 3: I mean, this person who has the resources. 819 00:49:20,880 --> 00:49:23,000 Speaker 7: He means me, and they kind of like, listen, if 820 00:49:23,040 --> 00:49:27,399 Speaker 7: you know anything about this crew, like somebody's watching them, 821 00:49:27,440 --> 00:49:29,200 Speaker 7: and if you just know, you might need to tell 822 00:49:29,239 --> 00:49:30,960 Speaker 7: them that, like they need to get it together. 823 00:49:31,880 --> 00:49:35,440 Speaker 1: Indeed, the professor had since around twenty fourteen. 824 00:49:35,520 --> 00:49:37,839 Speaker 7: Young Thug got some banging ass beats and strips shit 825 00:49:37,920 --> 00:49:40,080 Speaker 7: talking to I mean, you know what really made me 826 00:49:40,160 --> 00:49:42,760 Speaker 7: really stop patches of the Young Thug is him until 827 00:49:43,000 --> 00:49:44,440 Speaker 7: if it ain't about the money, I was like, man, 828 00:49:44,480 --> 00:49:47,040 Speaker 7: they hate talk us to real shit this thing. 829 00:49:47,120 --> 00:49:47,440 Speaker 2: Man. 830 00:49:47,840 --> 00:49:51,960 Speaker 1: After our conversations, Doctor Hobson starts making phone calls. 831 00:49:52,360 --> 00:49:54,520 Speaker 7: So I leave the spot where I am and I 832 00:49:54,560 --> 00:49:57,600 Speaker 7: just go to the I call a producer in the 833 00:49:57,640 --> 00:50:00,879 Speaker 7: city and I'm like, hey, would you happen to know 834 00:50:03,440 --> 00:50:07,520 Speaker 7: Young thugenhem And they were like yeah yeah, And I 835 00:50:07,640 --> 00:50:10,160 Speaker 7: was like, well, I mean I need to come see 836 00:50:10,200 --> 00:50:11,600 Speaker 7: you because I just got a message I need to 837 00:50:11,600 --> 00:50:15,160 Speaker 7: give you. So I was like, well, listen when they 838 00:50:15,160 --> 00:50:19,320 Speaker 7: say RICO, they already got somebody who's giving up information. 839 00:50:20,120 --> 00:50:21,480 Speaker 3: And I listen, I'm not in the streets. 840 00:50:21,480 --> 00:50:24,560 Speaker 7: But hell, I know that I didn't just because I'm 841 00:50:24,600 --> 00:50:26,640 Speaker 7: not in the streets on the mean, I don't understand 842 00:50:26,640 --> 00:50:27,520 Speaker 7: what's going on here. 843 00:50:28,440 --> 00:50:30,960 Speaker 4: Doctor Hobson is author of the book The Legend of 844 00:50:31,000 --> 00:50:34,200 Speaker 4: the Black Mecha, Politics and Class and the Making of 845 00:50:34,280 --> 00:50:38,680 Speaker 4: Modern Atlanta. Hobson traces the making of that legend all 846 00:50:38,680 --> 00:50:42,080 Speaker 4: the way back to eighteen sixty four, when after Abraham 847 00:50:42,120 --> 00:50:46,120 Speaker 4: Lincoln commissions General William Sherman to burn down Atlanta during 848 00:50:46,160 --> 00:50:49,840 Speaker 4: the Civil War. Newly freed slaves settled into the city 849 00:50:49,880 --> 00:50:51,200 Speaker 4: that had burned ashes. 850 00:50:51,560 --> 00:50:55,600 Speaker 7: Black people received equal protection and do process under the 851 00:50:55,680 --> 00:50:58,360 Speaker 7: law before the passes of the Fourteenth Amendment. 852 00:50:58,800 --> 00:51:01,560 Speaker 4: Hobson then explores the great a legacy of Atlanta's black 853 00:51:01,560 --> 00:51:04,799 Speaker 4: political leadership, that unbroken streak of black mayors in the 854 00:51:04,840 --> 00:51:08,239 Speaker 4: city starting in nineteen seventy four with the city's first 855 00:51:08,280 --> 00:51:12,759 Speaker 4: black mayor, Maynard Jackson. But he says as that same 856 00:51:12,800 --> 00:51:15,799 Speaker 4: political leadership led Atlanta's bid to host the nineteen ninety 857 00:51:15,840 --> 00:51:19,480 Speaker 4: six Olympics, the city also threatened to shut out if 858 00:51:19,520 --> 00:51:21,920 Speaker 4: not physically displaced. It's underclass. 859 00:51:22,480 --> 00:51:24,480 Speaker 3: The world assumes that all black people are modeling. 860 00:51:25,239 --> 00:51:29,480 Speaker 7: There's an educated elite that's that's a particular tract. There 861 00:51:29,560 --> 00:51:32,080 Speaker 7: was a merchant class, an entrepreneurial class that's a different 862 00:51:32,120 --> 00:51:36,719 Speaker 7: tract being. You have the rise of a political class 863 00:51:37,120 --> 00:51:41,319 Speaker 7: that marries some of this, and then you have the 864 00:51:41,400 --> 00:51:44,680 Speaker 7: working class and four who were So it's this tension 865 00:51:44,880 --> 00:51:45,680 Speaker 7: that goes on here. 866 00:51:46,400 --> 00:51:48,680 Speaker 4: If it wasn't for the rap group's outcast and goodie 867 00:51:48,640 --> 00:51:51,760 Speaker 4: Moms specifically, the world might not have heard from Atlanta's 868 00:51:51,760 --> 00:51:56,920 Speaker 4: working class at this time. Decades before you'd see Germaine Dupree, Ludacris, 869 00:51:57,040 --> 00:52:00,320 Speaker 4: and Killer Mike's face on that giant screen greeting visitors 870 00:52:00,400 --> 00:52:04,640 Speaker 4: arriving at Hartsville Jackson Airports. Domestic terminal outcasts recorded and 871 00:52:04,680 --> 00:52:08,400 Speaker 4: an album interlude called Welcome to Atlanta, where the voice 872 00:52:08,440 --> 00:52:11,120 Speaker 4: of a pilot points out to passengers how the Georgia 873 00:52:11,160 --> 00:52:14,439 Speaker 4: Dome still flies the Confederate battle flag, and how parts 874 00:52:14,480 --> 00:52:17,240 Speaker 4: of Atlanta's South side are home to the Red Dogs, 875 00:52:17,719 --> 00:52:21,600 Speaker 4: as in the controversial crack era police unit whose name 876 00:52:21,680 --> 00:52:25,480 Speaker 4: stood for run Every Drug Dealer out of Georgia. Atlanta's 877 00:52:25,520 --> 00:52:28,960 Speaker 4: hip hop legacy has evolved since then, and doctor Hobson 878 00:52:28,960 --> 00:52:32,400 Speaker 4: confesses that he's critical of trap music, specifically. 879 00:52:32,080 --> 00:52:35,080 Speaker 7: When we start talking about like trap and all that 880 00:52:35,160 --> 00:52:39,560 Speaker 7: kind of stuff, Like, I can't glorify that as if 881 00:52:39,640 --> 00:52:43,120 Speaker 7: it's a way of life, but I do understand that 882 00:52:43,200 --> 00:52:46,160 Speaker 7: it was a mechanism for some of these young gen 883 00:52:46,360 --> 00:52:48,960 Speaker 7: x is to kind of get out of issues, get 884 00:52:49,080 --> 00:52:50,200 Speaker 7: out of the streets. 885 00:52:50,520 --> 00:52:52,279 Speaker 3: And so it's complicated for me. 886 00:52:53,080 --> 00:52:55,680 Speaker 7: For people in Atlanta, you know, off bank Head and 887 00:52:55,920 --> 00:52:58,919 Speaker 7: you know off you know what used to be Simpson Road, 888 00:52:59,000 --> 00:53:01,840 Speaker 7: and then you know, kind of get into Cleveland Avenue 889 00:53:01,840 --> 00:53:04,719 Speaker 7: and whatever whatnot. Like they're not looking for some kind 890 00:53:04,760 --> 00:53:07,960 Speaker 7: of self righteous kind of person. They're looking for someone 891 00:53:08,040 --> 00:53:11,160 Speaker 7: who understands them and recognizes that they need help. So 892 00:53:11,360 --> 00:53:14,399 Speaker 7: that doesn't always come in the package of I got 893 00:53:14,400 --> 00:53:15,759 Speaker 7: to be a preacher or I got to. 894 00:53:15,760 --> 00:53:20,640 Speaker 4: Be a teacher without the music. Without that recognition, the 895 00:53:20,719 --> 00:53:23,839 Speaker 4: legend that doctor Hobson has so carefully studied wouldn't live 896 00:53:23,880 --> 00:53:26,440 Speaker 4: on because the odds for a large portion of the 897 00:53:26,480 --> 00:53:29,120 Speaker 4: black population in Atlanta are grim. 898 00:53:29,480 --> 00:53:31,080 Speaker 7: I wrote this book the legend of the Black Meca 899 00:53:31,080 --> 00:53:33,000 Speaker 7: of politics and class and making them out of Atlanta, 900 00:53:33,440 --> 00:53:36,400 Speaker 7: and people often try to conflate the legend with the myth. 901 00:53:38,040 --> 00:53:40,000 Speaker 7: There's a reason I named it the legend, And what 902 00:53:40,040 --> 00:53:45,000 Speaker 7: I'm saying is that a myth is something fictitious. With 903 00:53:45,120 --> 00:53:48,520 Speaker 7: every legend, there is truth. We have to figure out 904 00:53:48,560 --> 00:53:51,800 Speaker 7: what's real and what isn't. But the one truth about 905 00:53:51,800 --> 00:53:54,360 Speaker 7: Atlanta as a Black mecca is the creative culture that 906 00:53:54,360 --> 00:53:56,080 Speaker 7: comes out of here. I mean, like people from all 907 00:53:56,160 --> 00:53:58,520 Speaker 7: over the Black world have been able to come here 908 00:53:58,560 --> 00:54:03,959 Speaker 7: and produce music and movie, movies and content in particular ways. 909 00:54:04,040 --> 00:54:07,080 Speaker 3: That is the true legacy of the Black Mecca. 910 00:54:11,360 --> 00:54:13,799 Speaker 1: It's hard to predict how the wisl trial will turn out, 911 00:54:14,320 --> 00:54:17,560 Speaker 1: especially before a jury has been seated, but regardless of 912 00:54:17,560 --> 00:54:21,520 Speaker 1: the verdict, this trial has already had an impact in Atlanta. 913 00:54:22,040 --> 00:54:25,360 Speaker 4: There's long been this disconnect between how the world views 914 00:54:25,360 --> 00:54:28,840 Speaker 4: Atlanta's musical influence and how those who run the city 915 00:54:28,880 --> 00:54:34,200 Speaker 4: actually acknowledge that influence. In twenty eighteen, Stacy abrams gubernatorial 916 00:54:34,239 --> 00:54:37,520 Speaker 4: campaign got a catchy anthem, a remix of the song 917 00:54:37,600 --> 00:54:42,200 Speaker 4: win by Jay Rock. Jay Rock is from Los Angeles. 918 00:54:43,040 --> 00:54:45,920 Speaker 4: When Atlanta hosted Super Bowl fifty three and twenty nineteen, 919 00:54:46,320 --> 00:54:50,080 Speaker 4: the leading halftime act was Maroon five, Big Boy of 920 00:54:50,160 --> 00:54:54,839 Speaker 4: Outcast played a mere supporting role, and in twenty twenty two, 921 00:54:55,160 --> 00:54:58,279 Speaker 4: the Atlanta Falcons revealed its new theme song by Routini, 922 00:54:58,680 --> 00:55:00,880 Speaker 4: an acter singer known for for his role in the 923 00:55:00,920 --> 00:55:05,719 Speaker 4: TV show Power O. Temmy is from New Jersey. Bank 924 00:55:05,800 --> 00:55:08,759 Speaker 4: Joiner doesn't see Atlanta hip hop being any better represented 925 00:55:08,800 --> 00:55:11,359 Speaker 4: in light of the trial, not when the why Cell 926 00:55:11,440 --> 00:55:14,840 Speaker 4: trial is still pending. Perhaps as a convenient excuse. 927 00:55:15,640 --> 00:55:21,000 Speaker 8: My guy at us Bank and Elevan, they're running a 928 00:55:21,000 --> 00:55:25,040 Speaker 8: small black business campaign out Atlanta, and. 929 00:55:26,560 --> 00:55:27,200 Speaker 18: They say that. 930 00:55:27,200 --> 00:55:32,560 Speaker 8: They can't find artists without a rap sheet, so. 931 00:55:33,800 --> 00:55:35,400 Speaker 3: They land or Music Soul. 932 00:55:35,239 --> 00:55:40,400 Speaker 4: Child Music soul Child, while a revered singer songwriter is 933 00:55:40,400 --> 00:55:41,319 Speaker 4: from Philadelphia. 934 00:55:41,880 --> 00:55:44,600 Speaker 8: What you hear is everybody saying Atlanta is the home 935 00:55:44,640 --> 00:55:47,120 Speaker 8: and hip hop and all of this, but when it 936 00:55:47,160 --> 00:55:52,480 Speaker 8: starts coming to corporate America tapping that they only know 937 00:55:52,760 --> 00:55:54,880 Speaker 8: as much surface knowledge as they know. 938 00:55:55,560 --> 00:55:56,280 Speaker 2: And so the. 939 00:55:56,120 --> 00:56:02,000 Speaker 8: Falcons said, tis in trouble man must not be anybody else. Now, 940 00:56:02,080 --> 00:56:07,399 Speaker 8: Ji d huge fan of the Falcons Earth Gang, So 941 00:56:07,640 --> 00:56:11,479 Speaker 8: these acts ain't nobody shooting up. They bus Earth Gang 942 00:56:11,520 --> 00:56:14,120 Speaker 8: went to May's High School, Southwest Atlanta. 943 00:56:13,719 --> 00:56:15,759 Speaker 2: Being Hill and. 944 00:56:17,200 --> 00:56:21,879 Speaker 8: You still don't hear these acts from viewing O three 945 00:56:22,040 --> 00:56:26,040 Speaker 8: to you know, dare I say, iHeartRadio. And because of 946 00:56:26,080 --> 00:56:33,719 Speaker 8: the lack of infrastructure, there's no cultural liaison to God brands, 947 00:56:33,840 --> 00:56:38,200 Speaker 8: to you know whatever. No one knows what to do, 948 00:56:40,280 --> 00:56:46,440 Speaker 8: So the YSL trial people are using that as an 949 00:56:46,520 --> 00:56:49,920 Speaker 8: excuse to not tap in any further win. 950 00:56:50,000 --> 00:56:52,719 Speaker 4: Producer Dune Deal and I chatted about the y CEL indictment. 951 00:56:53,120 --> 00:56:55,560 Speaker 4: He was looking to sign his own artists. When it 952 00:56:55,600 --> 00:56:58,080 Speaker 4: comes to rap Atlanta Zone, Gucci Mean has set a 953 00:56:58,120 --> 00:57:01,600 Speaker 4: gold standard in town for discovering talent. He's been called 954 00:57:01,600 --> 00:57:04,640 Speaker 4: the city's best unofficial an are for having discovered artists 955 00:57:04,719 --> 00:57:07,239 Speaker 4: like Walk a Flalk of Flame. He's opened up his 956 00:57:07,280 --> 00:57:10,200 Speaker 4: brick factory studio to artists like Migos and Young Thug 957 00:57:10,280 --> 00:57:13,120 Speaker 4: himself early in his career before he got his teeth 958 00:57:13,120 --> 00:57:18,080 Speaker 4: fixed for Done Deal, though that standard doesn't necessarily hold today. 959 00:57:18,440 --> 00:57:22,720 Speaker 4: How does all of this affect that talent? Does it 960 00:57:22,760 --> 00:57:24,920 Speaker 4: have any effect on that talent scouting ability? Is this 961 00:57:25,000 --> 00:57:27,720 Speaker 4: something that you're considering as you're looking for a potential talent? 962 00:57:29,280 --> 00:57:33,760 Speaker 7: Yeah, for sure. It makes me think about is it 963 00:57:34,400 --> 00:57:37,960 Speaker 7: look look at Gucci like I love Gucci's death. But 964 00:57:39,680 --> 00:57:45,800 Speaker 7: two of your main artists get arrested, How can you 965 00:57:45,840 --> 00:57:50,200 Speaker 7: help yourself? How can you help them and help yourself 966 00:57:50,320 --> 00:57:54,480 Speaker 7: in the situation. So I think you kind of have 967 00:57:54,560 --> 00:58:01,360 Speaker 7: to to look for somebody that doesn't put you in 968 00:58:01,360 --> 00:58:02,520 Speaker 7: a situation that's bad. 969 00:58:03,080 --> 00:58:04,680 Speaker 3: Like it's getting a little bit out of hand. 970 00:58:05,840 --> 00:58:08,360 Speaker 4: The trial could also stand to change Atlanta hip hop's 971 00:58:08,360 --> 00:58:11,760 Speaker 4: relationship with its own city. Dundale has chatted with other 972 00:58:11,880 --> 00:58:15,040 Speaker 4: artists and producers since the Wiseel indictment arrived in twenty 973 00:58:15,120 --> 00:58:19,280 Speaker 4: twenty two. Those people no longer want to work in Atlanta. 974 00:58:20,000 --> 00:58:21,520 Speaker 4: Here's what he told me previously. 975 00:58:22,320 --> 00:58:23,320 Speaker 3: Their vibe is gone. 976 00:58:23,360 --> 00:58:25,840 Speaker 7: They don't want to come to a studio and work 977 00:58:26,160 --> 00:58:28,360 Speaker 7: knowing that their brothers got locked. 978 00:58:28,160 --> 00:58:28,720 Speaker 1: Up out here. 979 00:58:29,160 --> 00:58:33,160 Speaker 4: Willie Prophet Stiggers, co founder of the Black Music Action Coalition, 980 00:58:33,600 --> 00:58:35,960 Speaker 4: can also remember a time when it was easier to 981 00:58:35,960 --> 00:58:38,080 Speaker 4: connect with its music scene. 982 00:58:38,080 --> 00:58:40,720 Speaker 19: Most of the artists in Atlanta are leaving Atlanta and 983 00:58:40,760 --> 00:58:44,520 Speaker 19: going to other places to live in or get creative. 984 00:58:44,960 --> 00:58:46,720 Speaker 19: Look around. There's a time you can walk into a 985 00:58:46,760 --> 00:58:49,720 Speaker 19: public so walk it anywhere and see Atlanta artists, you know, 986 00:58:50,120 --> 00:58:53,000 Speaker 19: moving around the streets as common as you've seen other people. 987 00:58:53,240 --> 00:58:55,959 Speaker 19: You don't see that as often today. When you throw 988 00:58:56,000 --> 00:58:59,959 Speaker 19: something like a Rico case on someone where you only 989 00:59:00,120 --> 00:59:04,520 Speaker 19: need conspiracy to be a part of that, it becomes 990 00:59:04,760 --> 00:59:09,000 Speaker 19: very difficult for creators to want to work with folks 991 00:59:09,040 --> 00:59:11,440 Speaker 19: not knowing shit. If even being in the room or 992 00:59:11,480 --> 00:59:13,920 Speaker 19: being on the record with you that shit may indict 993 00:59:14,040 --> 00:59:15,120 Speaker 19: my ass, you know what I'm saying. 994 00:59:15,480 --> 00:59:18,400 Speaker 1: The prophet says that this phenomenon doesn't begin with the 995 00:59:18,480 --> 00:59:23,280 Speaker 1: y Sel indicement. He says Atlanta artists were spooped one 996 00:59:23,360 --> 00:59:27,160 Speaker 1: month before they sell indicement when Georgia Governor Brian Camp 997 00:59:27,200 --> 00:59:29,800 Speaker 1: signed a bill that allowed residents to carry a concealed 998 00:59:29,840 --> 00:59:32,680 Speaker 1: handgun in public without a permit. 999 00:59:33,560 --> 00:59:39,000 Speaker 19: Now you don't need concealed carriers permit to move around 1000 00:59:39,000 --> 00:59:40,280 Speaker 19: Atlanta with guns anymore. 1001 00:59:41,040 --> 00:59:41,120 Speaker 4: So. 1002 00:59:41,240 --> 00:59:45,760 Speaker 19: Now any and everybody's just walking freely with pistols with ars, 1003 00:59:46,560 --> 00:59:50,360 Speaker 19: you know. And when you're dealing with already trauma, community 1004 00:59:51,840 --> 00:59:57,320 Speaker 19: does lacking resources, does lacking opportunity, and then you have 1005 00:59:57,360 --> 01:00:02,800 Speaker 19: an open carry policy, it's a recipe for disaster. 1006 01:00:03,120 --> 01:00:05,960 Speaker 1: I'm gotta tell you, that's just an extremely interesting observation 1007 01:00:06,000 --> 01:00:09,320 Speaker 1: that you're giving us right now, that this like this 1008 01:00:09,480 --> 01:00:12,120 Speaker 1: question of violence in the street was starting to affect 1009 01:00:12,800 --> 01:00:16,360 Speaker 1: hip hop be in Atlanta even before young Thuck. 1010 01:00:16,200 --> 01:00:17,400 Speaker 3: Oh one thousand percent. 1011 01:00:17,880 --> 01:00:20,040 Speaker 19: This is why many in the coaches looking at this 1012 01:00:20,160 --> 01:00:23,360 Speaker 19: like are you serious? Like Atlanta has been it has 1013 01:00:23,400 --> 01:00:27,280 Speaker 19: been tough out here, you know, it's been tough, it's 1014 01:00:27,360 --> 01:00:28,840 Speaker 19: been dangerous. 1015 01:00:31,800 --> 01:00:35,480 Speaker 1: In our interview with Fanny Willis, the district attorney said this. 1016 01:00:35,680 --> 01:00:38,960 Speaker 10: We cannot arrest our way and we cannot prosecute our 1017 01:00:39,000 --> 01:00:42,240 Speaker 10: way out of the gang problem. That's gonna fail. So 1018 01:00:42,400 --> 01:00:44,680 Speaker 10: what we have to do is make sure that we 1019 01:00:44,760 --> 01:00:49,480 Speaker 10: take as many children away from thinking that this is 1020 01:00:49,520 --> 01:00:53,160 Speaker 10: sexy and this is attractive and leading them down different paths. 1021 01:00:53,360 --> 01:00:55,000 Speaker 10: And so you have to have a double edged sword. 1022 01:00:55,720 --> 01:00:58,480 Speaker 1: And true to our word, Madame da has been sharpening 1023 01:00:58,520 --> 01:00:59,640 Speaker 1: the other edge of that sword. 1024 01:01:00,080 --> 01:01:03,320 Speaker 2: So we own a program like this and from the 1025 01:01:03,320 --> 01:01:05,680 Speaker 2: DiscT Attorney's office to reach program in the United States 1026 01:01:05,720 --> 01:01:09,920 Speaker 2: of Americland that a district attorney has created a program 1027 01:01:10,400 --> 01:01:14,400 Speaker 2: to help change the minds of youth to think better, 1028 01:01:14,440 --> 01:01:17,760 Speaker 2: to thanks stronger for themselves, to become leaders inside of 1029 01:01:17,760 --> 01:01:19,720 Speaker 2: the school system during school hours. 1030 01:01:20,320 --> 01:01:22,360 Speaker 4: At the start of the twenty twenty two to twenty 1031 01:01:22,400 --> 01:01:25,880 Speaker 4: twenty three school year, the Fulton County District Attorney's Office 1032 01:01:25,960 --> 01:01:29,360 Speaker 4: launched a novel program meant to slow down gang recruitment, 1033 01:01:30,120 --> 01:01:33,400 Speaker 4: a program led by a man with some particularly relevant 1034 01:01:33,440 --> 01:01:37,160 Speaker 4: experience and a uniquely tailored set of skills. 1035 01:01:37,560 --> 01:01:41,120 Speaker 2: When there's a Keen Wooden and Director Juvenile Services for 1036 01:01:41,200 --> 01:01:43,440 Speaker 2: the fourteen County District Attorney's. 1037 01:01:42,960 --> 01:01:46,800 Speaker 1: Office, word it oversees a weekly class that targets at 1038 01:01:46,880 --> 01:01:51,040 Speaker 1: risk youth in Fulton County schools. He brings in detectives, investigators, 1039 01:01:51,080 --> 01:01:54,960 Speaker 1: and survivors of gang violence to speak. The program is 1040 01:01:55,000 --> 01:01:55,640 Speaker 1: called Reach. 1041 01:01:56,480 --> 01:02:02,040 Speaker 2: Gang's commodity is children, it's people. It's not money. They 1042 01:02:02,040 --> 01:02:04,280 Speaker 2: can have money, but eventually, what can you do with 1043 01:02:04,320 --> 01:02:06,480 Speaker 2: it other than just spending it by thing? But they 1044 01:02:06,520 --> 01:02:11,800 Speaker 2: need more members. The Reach program is to educate, elevate, 1045 01:02:12,120 --> 01:02:18,280 Speaker 2: and to stop that flow of kids into into games 1046 01:02:18,360 --> 01:02:18,760 Speaker 2: to say no. 1047 01:02:19,800 --> 01:02:23,960 Speaker 4: But the most powerful mentor that program may be Woodard himself. 1048 01:02:24,040 --> 01:02:25,680 Speaker 2: Kind of opened the door for a lot of them. 1049 01:02:25,760 --> 01:02:29,000 Speaker 2: Was I told my story that I've been to I've 1050 01:02:29,000 --> 01:02:30,560 Speaker 2: been through the pain. I've been through the hurt, I've 1051 01:02:30,560 --> 01:02:32,480 Speaker 2: been through the neglect. I've been through left behind, I've 1052 01:02:32,520 --> 01:02:36,080 Speaker 2: been through left to die. I've been hits put on 1053 01:02:36,120 --> 01:02:37,880 Speaker 2: my head while I was in the prison. So I've 1054 01:02:37,920 --> 01:02:38,520 Speaker 2: been through all that. 1055 01:02:39,160 --> 01:02:41,720 Speaker 4: Last year, one hundred and thirty five students went through 1056 01:02:41,720 --> 01:02:44,680 Speaker 4: the program at six different middle schools and high schools. 1057 01:02:45,120 --> 01:02:47,360 Speaker 2: You know, eighty five percent of our children in Atlanta, 1058 01:02:47,960 --> 01:02:52,800 Speaker 2: they're great kids, man, they are great kids. Even in 1059 01:02:52,960 --> 01:02:56,760 Speaker 2: bad environments. They are good kids. They're fighting, trying to 1060 01:02:56,800 --> 01:02:58,440 Speaker 2: go to school, to trying to make it right. And 1061 01:02:58,440 --> 01:03:00,600 Speaker 2: then there's a ten percent of our popular who are 1062 01:03:00,680 --> 01:03:06,000 Speaker 2: like moths. They are attracted to the light. They're attracted 1063 01:03:06,040 --> 01:03:08,000 Speaker 2: to it. Whatever the light is, brighter, they are attracted 1064 01:03:08,040 --> 01:03:10,560 Speaker 2: to it. But then that's a five percent of our 1065 01:03:10,600 --> 01:03:15,680 Speaker 2: population who are the lights. We spend too much time 1066 01:03:16,320 --> 01:03:19,760 Speaker 2: locking up moths and not lights. 1067 01:03:21,480 --> 01:03:25,120 Speaker 1: So while there's a flashy trial happening on television being 1068 01:03:25,160 --> 01:03:29,200 Speaker 1: picked over by journalists like us, there's a quieter fight 1069 01:03:29,240 --> 01:03:32,480 Speaker 1: happening down the road now at eighteen schools in counting 1070 01:03:33,200 --> 01:03:36,440 Speaker 1: and hopes that there will be no more reco trials 1071 01:03:36,480 --> 01:03:39,480 Speaker 1: indicting gang members in the years to come in Fulton 1072 01:03:39,560 --> 01:03:42,160 Speaker 1: County and potentially beyond. 1073 01:03:42,880 --> 01:03:46,760 Speaker 2: There's a psychological war going on for our children. But 1074 01:03:46,840 --> 01:03:51,640 Speaker 2: the only thing majority of society see is the physical war. 1075 01:03:53,280 --> 01:03:57,200 Speaker 2: We keep attacking these physical war lock them up, stop them, 1076 01:03:57,440 --> 01:04:02,000 Speaker 2: do this, trains this, but the cycle logical war. We 1077 01:04:02,120 --> 01:04:05,240 Speaker 2: have yet put boots on the ground to begin to 1078 01:04:05,280 --> 01:04:06,560 Speaker 2: fight that part of the war. 1079 01:04:14,080 --> 01:04:16,680 Speaker 4: We asked Stephan Franklin to imagine a scenario where Young 1080 01:04:16,720 --> 01:04:20,680 Speaker 4: Thug was acquitted of all charges. That possibility wouldn't necessarily 1081 01:04:20,720 --> 01:04:23,480 Speaker 4: bode well for the artists who could come after him. 1082 01:04:23,960 --> 01:04:28,040 Speaker 14: I don't envision a world where the movers and shakers 1083 01:04:28,080 --> 01:04:31,960 Speaker 14: of the Georgia political and legal scene. 1084 01:04:33,000 --> 01:04:35,160 Speaker 3: Turn their gaze away from gang Lass. 1085 01:04:35,880 --> 01:04:39,320 Speaker 14: I would be fearful that they've tried to find ways 1086 01:04:39,320 --> 01:04:42,400 Speaker 14: to make it easier to convict someone based on the 1087 01:04:42,400 --> 01:04:45,400 Speaker 14: fact that was able to quote unquote beat the charges. 1088 01:04:46,080 --> 01:04:49,440 Speaker 4: Hypothetically, those convictions could begin with a document that started 1089 01:04:49,520 --> 01:04:53,240 Speaker 4: circulating around social media shortly after Young Thug was indicted, 1090 01:04:53,760 --> 01:04:56,440 Speaker 4: rumored to be a comprehensive list of gangs on the 1091 01:04:56,520 --> 01:05:01,000 Speaker 4: Georgia Gang Unit's wanted list. That list raised eyebrows because 1092 01:05:01,160 --> 01:05:04,200 Speaker 4: YSL was on it, but so was four PF or 1093 01:05:04,240 --> 01:05:07,360 Speaker 4: four Pockets Full, the name of the crew turned label 1094 01:05:07,600 --> 01:05:12,280 Speaker 4: founded by another Atlanta megastar, Little Baby, Because there was 1095 01:05:12,320 --> 01:05:15,400 Speaker 4: no header to be seen. It was honestly impossible to 1096 01:05:15,440 --> 01:05:18,560 Speaker 4: tell whether the images of that document were real or fake, 1097 01:05:19,280 --> 01:05:21,920 Speaker 4: and so we decided to check. So to speak with 1098 01:05:22,040 --> 01:05:24,720 Speaker 4: Cara Confrey, she's hesitant at first. 1099 01:05:25,320 --> 01:05:27,720 Speaker 12: Let me stick with the first and non controversial one. 1100 01:05:27,760 --> 01:05:31,720 Speaker 12: So I think YSL is a very real criminal enterprise. 1101 01:05:31,760 --> 01:05:36,080 Speaker 12: It operates in and around Atlanta. Is this like a 1102 01:05:36,160 --> 01:05:37,360 Speaker 12: I don't know, why are you comfortable with me? 1103 01:05:37,400 --> 01:05:38,600 Speaker 7: And Sana? 1104 01:05:39,080 --> 01:05:42,800 Speaker 4: She's asking whatever handlers seated tour left inside this conference room. 1105 01:05:43,200 --> 01:05:46,640 Speaker 12: YSL is one example of that. But we've got all 1106 01:05:46,720 --> 01:05:52,560 Speaker 12: kinds of other things. I think you mentioned PDE, PFK, DFW, 1107 01:05:53,080 --> 01:05:54,880 Speaker 12: all kinds of groups like that. 1108 01:05:55,200 --> 01:05:57,320 Speaker 1: To those groups share the names with record labels that 1109 01:05:57,440 --> 01:06:02,840 Speaker 1: boasted rising rap stars. PD features Baby Drill. In summer 1110 01:06:02,880 --> 01:06:05,480 Speaker 1: of twenty twenty three, Baby Drill was featured in a 1111 01:06:05,560 --> 01:06:09,120 Speaker 1: music video by Lano and Cardi B. Two months later, 1112 01:06:09,760 --> 01:06:12,840 Speaker 1: the DA's office and dyeted eight alleged PDE gang members. 1113 01:06:13,480 --> 01:06:17,440 Speaker 4: PFK stands for Play for Keeps. The Crew Turn label 1114 01:06:17,480 --> 01:06:21,520 Speaker 4: boasted one of Little Baby's closest collaborators, the rapper Little Marlowe, 1115 01:06:21,640 --> 01:06:23,640 Speaker 4: before he was shot and killed in twenty twenty. 1116 01:06:23,800 --> 01:06:29,600 Speaker 12: I mean I could go, I mean, I'm challenging you. 1117 01:06:29,680 --> 01:06:30,560 Speaker 2: He go on three. 1118 01:06:30,880 --> 01:06:34,360 Speaker 4: But Cambrey protests, saying that any alleged gang that she's 1119 01:06:34,400 --> 01:06:37,640 Speaker 4: aware of could easily rebrand itself. So we press her 1120 01:06:37,640 --> 01:06:40,160 Speaker 4: on specific example, is four PF on y'all's radar? 1121 01:06:41,360 --> 01:06:44,360 Speaker 12: When you say so four PF is an active hybrid 1122 01:06:44,400 --> 01:06:45,800 Speaker 12: in the city, I would say absolutely. 1123 01:06:46,720 --> 01:06:52,360 Speaker 1: Slaughter Gang. Yes, Slaughter Gang is the name of both 1124 01:06:52,360 --> 01:06:56,360 Speaker 1: a record label and entertainment company by twenty one Savage, 1125 01:06:56,920 --> 01:07:00,000 Speaker 1: the same artist who's arrested by Ice, inspired the Rap 1126 01:07:00,080 --> 01:07:03,800 Speaker 1: Act to limit the use of lyrics as criminal evidence. Meanwhile, 1127 01:07:03,960 --> 01:07:06,760 Speaker 1: the DA's office in twenty one's native to Cab County, 1128 01:07:07,440 --> 01:07:11,360 Speaker 1: is alleged that Cook Darius Dorsey, one of the YSL defendants, 1129 01:07:11,760 --> 01:07:15,160 Speaker 1: is also affiliated with Slaughter Gang. I saw this social 1130 01:07:15,200 --> 01:07:18,840 Speaker 1: media freak out of oh my god, they're gonna go 1131 01:07:18,880 --> 01:07:21,360 Speaker 1: after a little baby or something like that, right, or 1132 01:07:21,560 --> 01:07:22,960 Speaker 1: name a rapper like. 1133 01:07:25,040 --> 01:07:25,720 Speaker 2: The uh. 1134 01:07:26,480 --> 01:07:29,200 Speaker 1: There was this whole moment where there was a whose 1135 01:07:29,240 --> 01:07:36,840 Speaker 1: next conversation like is that still legitimate? Like or should 1136 01:07:36,920 --> 01:07:39,400 Speaker 1: should people? Should we be looking at it? Should rappers 1137 01:07:39,440 --> 01:07:40,000 Speaker 1: be looking around? 1138 01:07:40,040 --> 01:07:40,680 Speaker 2: Like the mind coming? 1139 01:07:40,800 --> 01:07:43,440 Speaker 3: I mean, are they coming for me? So? 1140 01:07:43,480 --> 01:07:45,240 Speaker 12: It's not illingual to be in a gang, but if 1141 01:07:45,280 --> 01:07:48,080 Speaker 12: you are meaningfully affiliated with the gang and you are 1142 01:07:48,120 --> 01:07:53,120 Speaker 12: doing criminal acts to facilitate those objectives, yes, regardless of 1143 01:07:53,120 --> 01:07:53,680 Speaker 12: who you are. 1144 01:07:57,080 --> 01:07:59,440 Speaker 4: The question of whether young Thug will be found innocent 1145 01:07:59,520 --> 01:08:02,200 Speaker 4: or guilty is not one for us to speculate about. 1146 01:08:02,720 --> 01:08:05,600 Speaker 4: That's for the jury to decide. Our job has been 1147 01:08:05,640 --> 01:08:09,640 Speaker 4: to examine the social, economic, and cultural forces swirling around 1148 01:08:09,640 --> 01:08:13,320 Speaker 4: this trial and to help understand its impact regardless of 1149 01:08:13,320 --> 01:08:16,559 Speaker 4: the verdict. But one of the things we've discovered is 1150 01:08:16,560 --> 01:08:19,599 Speaker 4: that even when the verdict is reached, an n might 1151 01:08:19,640 --> 01:08:20,400 Speaker 4: not be reached. 1152 01:08:20,760 --> 01:08:25,080 Speaker 1: Credible informants who wish to remain anonymous tell us that 1153 01:08:25,280 --> 01:08:28,439 Speaker 1: Fulton County isn't the only entity that's been investigating YSL. 1154 01:08:29,680 --> 01:08:33,839 Speaker 1: Almost immediately after Donovan Peanut Thomas was gunned down outside 1155 01:08:33,840 --> 01:08:37,839 Speaker 1: of Ann and M barbershop, the FBI and other federal 1156 01:08:37,840 --> 01:08:41,200 Speaker 1: agencies formed a task force gathering information on the alleged 1157 01:08:41,200 --> 01:08:44,040 Speaker 1: street war between YSL and YFN all on its own. 1158 01:08:45,120 --> 01:08:52,320 Speaker 1: That task force's name Operation Planters. Consider that Kenneth Copeland 1159 01:08:52,520 --> 01:08:55,080 Speaker 1: Lie Woodie, who was arrested in twenty twenty one on 1160 01:08:55,120 --> 01:08:57,880 Speaker 1: a gun charge, basically fell off the face of the 1161 01:08:57,960 --> 01:09:02,640 Speaker 1: earth after that arrest. The day charges were dropped, it 1162 01:09:02,720 --> 01:09:05,479 Speaker 1: was plainly on the hook for a federal case, but 1163 01:09:05,520 --> 01:09:09,759 Speaker 1: there's nothing visible in the federal record. Perhaps the Justice 1164 01:09:09,760 --> 01:09:14,880 Speaker 1: Department was merciful, but it's also possible that Copeland's charges 1165 01:09:14,920 --> 01:09:20,000 Speaker 1: were filed under seal to protect a federal witness. The 1166 01:09:20,080 --> 01:09:24,600 Speaker 1: Feds have seven years of evidence, and they're watching this 1167 01:09:24,720 --> 01:09:58,000 Speaker 1: trial as closely as anyone. 1168 01:09:44,200 --> 01:09:47,599 Speaker 4: Normally. Here's where we'd say next time on King Slime, 1169 01:09:48,040 --> 01:09:50,040 Speaker 4: but after this episode, we'll be taking a bit of 1170 01:09:50,080 --> 01:09:53,320 Speaker 4: a break to let the Wiseol trial unfold. While the 1171 01:09:53,400 --> 01:09:56,799 Speaker 4: number of defendants have dwindled from twenty eight to just seven, 1172 01:09:57,360 --> 01:09:59,680 Speaker 4: and while jury's selection began all the way back in 1173 01:09:59,760 --> 01:10:03,400 Speaker 4: Janeanuary twenty twenty three, not a single juror has actually 1174 01:10:03,439 --> 01:10:07,880 Speaker 4: been seated. What's more, as we tape this episode, prosecutors 1175 01:10:07,920 --> 01:10:11,080 Speaker 4: have doubled their witness list and only recently turned in 1176 01:10:11,240 --> 01:10:15,160 Speaker 4: three hundred thousand documents that the defense must review to 1177 01:10:15,160 --> 01:10:18,559 Speaker 4: prepare their arguments. All of which is to say, we 1178 01:10:18,640 --> 01:10:21,759 Speaker 4: still don't know when opening statements will actually take place, 1179 01:10:22,280 --> 01:10:24,839 Speaker 4: So to make sure you don't miss a new episode 1180 01:10:24,840 --> 01:10:27,880 Speaker 4: when we start up again, hit, subscribe or follow on 1181 01:10:27,920 --> 01:10:35,799 Speaker 4: your podcast app of choice. King Slime is a production 1182 01:10:35,880 --> 01:10:38,120 Speaker 4: of iHeart Podcasts and Heirloom Media. 1183 01:10:38,240 --> 01:10:41,560 Speaker 1: It's written and produced by George Cheaty, Christina Lee. 1184 01:10:41,280 --> 01:10:45,519 Speaker 4: And Tommy Andres, mixing sound design and original music by 1185 01:10:45,520 --> 01:10:47,080 Speaker 4: Evan Tyre and Tayler Shakoginne. 1186 01:10:47,400 --> 01:10:49,360 Speaker 1: The executive producer and editor. 1187 01:10:49,160 --> 01:10:51,920 Speaker 4: Is Tommy Andres, fact checking by Kaylin lynch. 1188 01:10:52,320 --> 01:10:54,160 Speaker 1: Our theme music is by Done. 1189 01:10:54,000 --> 01:10:58,360 Speaker 4: Deal Special thanks to Carl Catl, Tyler Klang, Jack O'Brien, 1190 01:10:58,720 --> 01:11:01,639 Speaker 4: Nancy Stoltz, and wil Pearson, and to. 1191 01:11:01,600 --> 01:11:06,479 Speaker 1: The Atlanta news outlets eleven Alive, WSBTV, Atlanta News First, 1192 01:11:06,680 --> 01:11:07,559 Speaker 1: and Fox five. 1193 01:11:07,960 --> 01:11:11,679 Speaker 4: For more shows from iHeart Podcasts, visit the iHeartRadio app, 1194 01:11:11,920 --> 01:11:14,880 Speaker 4: Apple Podcasts, or wherever you get your podcasts.