1 00:00:00,080 --> 00:00:04,000 Speaker 1: Hello the Internet, and welcome to season one, Episode two 2 00:00:04,000 --> 00:00:08,400 Speaker 1: of das Geist of production of My Heart Radio. This 3 00:00:08,480 --> 00:00:10,280 Speaker 1: is a podcast where we take a deep dive in 4 00:00:10,320 --> 00:00:13,000 Speaker 1: New America's share consciousness and say, officially, off the top, 5 00:00:13,320 --> 00:00:19,639 Speaker 1: fuck the Cooch Brothers, Fox News, fuck Rush Limbaugh, fun Buck, Sexton, Carlson. 6 00:00:20,160 --> 00:00:22,720 Speaker 1: Normally I would say funck Ben Shapiro, but he has 7 00:00:22,760 --> 00:00:27,640 Speaker 1: given us epistode upon us, the one of the Greek 8 00:00:28,480 --> 00:00:32,280 Speaker 1: verses that we've you know, it wasn't it wasn't his 9 00:00:32,320 --> 00:00:35,159 Speaker 1: original material, but the spin he put on it. I 10 00:00:35,159 --> 00:00:36,919 Speaker 1: mean it's the same way like how j would use 11 00:00:36,920 --> 00:00:39,319 Speaker 1: a lot of big lyrics his wraps and like they 12 00:00:39,360 --> 00:00:42,519 Speaker 1: felt like an homage really and some people, you know, 13 00:00:42,680 --> 00:00:45,000 Speaker 1: accused him of straight lifting them, but I see them 14 00:00:45,040 --> 00:00:47,519 Speaker 1: as an homage that Ben Shapiro was doing because he 15 00:00:47,560 --> 00:00:54,760 Speaker 1: could be, you know, our next rock him. I don't know. Yeah, 16 00:00:55,040 --> 00:01:02,200 Speaker 1: speaking of It's Tuesday, August. My name's Jack O'Brien, and 17 00:01:02,280 --> 00:01:04,280 Speaker 1: my ak is a bit of an homage to my 18 00:01:04,319 --> 00:01:09,520 Speaker 1: favorite rapper, Mr Ben Shapiro. Jack O'Brien a k. Close 19 00:01:09,560 --> 00:01:13,120 Speaker 1: your eyes because these thighs are really white and pasty. 20 00:01:13,200 --> 00:01:16,760 Speaker 1: At this point, it's no surprise, I'm really white and pasty. 21 00:01:17,000 --> 00:01:20,440 Speaker 1: Miles Gray got them calves, but I am white and pasty. 22 00:01:20,720 --> 00:01:24,160 Speaker 1: Hold up, WAT stands for what? Okay, never mind my bad. 23 00:01:24,600 --> 00:01:28,640 Speaker 1: That is crazy, Mr Austin T. And I'm thrilled to 24 00:01:28,640 --> 00:01:32,080 Speaker 1: be joined as always buy my co host, Mr Miles 25 00:01:32,240 --> 00:01:37,959 Speaker 1: grag Well, you know, I play fee fun tonight, drank 26 00:01:38,000 --> 00:01:41,760 Speaker 1: cold brew in the day. I like to run to 27 00:01:41,880 --> 00:01:46,959 Speaker 1: pass the time. Welcome to the dailys. I welcome to 28 00:01:47,040 --> 00:01:53,240 Speaker 1: the dailys. I okay knows me the little ray bubble 29 00:01:53,280 --> 00:01:58,800 Speaker 1: on that not the Johnny Davis even normally the trend 30 00:01:58,880 --> 00:02:03,680 Speaker 1: a god, oh yo, you and Christi Yamagucci Maine Uh 31 00:02:03,880 --> 00:02:06,080 Speaker 1: and Hannah Sultis might have to do battle because now 32 00:02:06,080 --> 00:02:09,040 Speaker 1: you're creeping. In the traditional A K game, I see you, 33 00:02:09,240 --> 00:02:12,360 Speaker 1: I see you, and I see cage match and then 34 00:02:14,040 --> 00:02:18,120 Speaker 1: four Uh. I'm drawing a blank on her name. It's 35 00:02:18,120 --> 00:02:22,640 Speaker 1: been so damn long. But our our original, the original 36 00:02:22,680 --> 00:02:24,760 Speaker 1: a K got us his name. I'm drawing a blank 37 00:02:24,800 --> 00:02:31,240 Speaker 1: on Uh Chapman Rice, We'll come You'll hear, don't come in. 38 00:02:31,320 --> 00:02:33,080 Speaker 1: Don't help him, don't help him. He can he can 39 00:02:33,120 --> 00:02:34,760 Speaker 1: do it. And you did. And that's how I don't 40 00:02:35,000 --> 00:02:38,040 Speaker 1: my four year old. Yeah, you gotta do. Let him, 41 00:02:38,120 --> 00:02:39,840 Speaker 1: Let him answer it on his own, and then he'll 42 00:02:39,880 --> 00:02:42,680 Speaker 1: he'll have something to feel proud about, which is also 43 00:02:42,720 --> 00:02:45,600 Speaker 1: what the doctor told you. You gotta give him some 44 00:02:45,919 --> 00:02:49,480 Speaker 1: esteemable actions to give him to help him build self 45 00:02:49,480 --> 00:02:53,560 Speaker 1: his scheme. Uh so, just make him think he got that. 46 00:02:53,880 --> 00:02:59,440 Speaker 1: Okay now on the screen. Anyways, we are thrilled to 47 00:02:59,600 --> 00:03:04,680 Speaker 1: be due in our third seat by the hilarious, the talented, 48 00:03:05,200 --> 00:03:10,880 Speaker 1: the brilliant Joel Moneys. You me, Hi, guys, what are 49 00:03:10,960 --> 00:03:15,840 Speaker 1: you doing? So good to talk to you on Mike. 50 00:03:16,200 --> 00:03:19,280 Speaker 1: We talked so often off Mike these days, but it's 51 00:03:19,320 --> 00:03:21,680 Speaker 1: great to have you here. I've been in a conference 52 00:03:21,680 --> 00:03:26,080 Speaker 1: call with engaging or opening tune to just get everybody 53 00:03:26,120 --> 00:03:31,160 Speaker 1: ready for the big call exactly. Usually I I usually 54 00:03:31,160 --> 00:03:34,359 Speaker 1: interrupt everything. Everyone sends h yeah, let's circle back to that. 55 00:03:34,520 --> 00:03:39,600 Speaker 1: But I wondered the I'm good to my job send you. 56 00:03:39,720 --> 00:03:43,920 Speaker 1: I was struggling in quarantine. But your listeners know that 57 00:03:43,960 --> 00:03:47,000 Speaker 1: you're like full boss like are they aware that you 58 00:03:47,120 --> 00:03:51,920 Speaker 1: go into like boss mode outside of the show. Second 59 00:03:51,920 --> 00:03:54,760 Speaker 1: the show is over and myselfie is taken, I get 60 00:03:54,800 --> 00:03:59,760 Speaker 1: on uh an eighties suit it's boxing. It's got shoulder pets. Gordon, 61 00:04:00,040 --> 00:04:07,800 Speaker 1: go over here, slick back my hair, classic Joel, how 62 00:04:07,800 --> 00:04:12,280 Speaker 1: are you doing? Man? I got a hit show, so 63 00:04:12,360 --> 00:04:15,760 Speaker 1: it's hard to complain. Man, I got good friends who 64 00:04:15,800 --> 00:04:21,000 Speaker 1: take me to gardens. Random went to the garden in Pasadena. Yeah. 65 00:04:22,760 --> 00:04:25,719 Speaker 1: The thing had the speakers and the hidden in the trees. 66 00:04:26,200 --> 00:04:28,760 Speaker 1: That was my favorite part of my Yeah, and I 67 00:04:28,800 --> 00:04:32,040 Speaker 1: walked through there, Bro, you were talking about quarantine activities 68 00:04:32,360 --> 00:04:36,000 Speaker 1: that talking forest. I popped some edibles. I was like, 69 00:04:36,040 --> 00:04:37,600 Speaker 1: my friends like, we're gonna go, like up that big 70 00:04:37,680 --> 00:04:39,600 Speaker 1: hill and I was like, happy climbing. I'm gonna say, 71 00:04:39,680 --> 00:04:41,480 Speaker 1: right down here in these low lands with the trees 72 00:04:41,560 --> 00:04:44,400 Speaker 1: and this like ethereal lady singing to me, and look 73 00:04:44,400 --> 00:04:47,000 Speaker 1: at all the old couples in love. Oh my god. 74 00:04:47,080 --> 00:04:50,560 Speaker 1: If you like old couple watching, that's the place to be. Yeah. 75 00:04:50,600 --> 00:04:54,120 Speaker 1: A botanical garden is like the original Netflix and Chill. 76 00:04:54,560 --> 00:04:56,000 Speaker 1: It was like, I'd like to take you to a 77 00:04:56,040 --> 00:05:00,919 Speaker 1: botanical garden. She's like, oh, I know that. Though it 78 00:05:01,000 --> 00:05:03,120 Speaker 1: was very scary. This Karen lady, she was there with 79 00:05:03,160 --> 00:05:05,680 Speaker 1: her kids, and she was mad that the lady up 80 00:05:05,720 --> 00:05:08,080 Speaker 1: front didn't remember her and She's like, yeah, well, it's 81 00:05:08,080 --> 00:05:10,119 Speaker 1: really hard about the face masks, like we're not seeing 82 00:05:10,440 --> 00:05:12,839 Speaker 1: people's face, which I thought was the most legitimate excuse ever. 83 00:05:13,279 --> 00:05:15,960 Speaker 1: And she was like, well, we're here every week. These 84 00:05:16,000 --> 00:05:18,480 Speaker 1: are my kids. She named her children. It was just like, 85 00:05:18,680 --> 00:05:20,440 Speaker 1: you know, we see you, we remember you. And I 86 00:05:20,440 --> 00:05:23,400 Speaker 1: was like, wow, lady, the middle of a pandemic, this 87 00:05:23,480 --> 00:05:26,760 Speaker 1: leagu's probably getting twelve dollars an hour? Can you can 88 00:05:26,880 --> 00:05:31,680 Speaker 1: you don't remember my children? Discanco and Gardens named after 89 00:05:31,720 --> 00:05:35,160 Speaker 1: this very establishment. I did it for a discount, yeah 90 00:05:35,200 --> 00:05:37,680 Speaker 1: that it really is like one of the few, you know, 91 00:05:37,800 --> 00:05:40,240 Speaker 1: I was. I have not been going too many places 92 00:05:40,400 --> 00:05:43,880 Speaker 1: like patronizing businesses in physical space, but I was like 93 00:05:43,920 --> 00:05:47,760 Speaker 1: Botanical Garden for like the one thing where it's basically 94 00:05:47,760 --> 00:05:50,400 Speaker 1: like they reduced capacity, so you're basically walking through a 95 00:05:50,480 --> 00:05:53,360 Speaker 1: park for money. Uh. And I was like, Okay, that 96 00:05:53,400 --> 00:05:55,120 Speaker 1: felt like the lowest stakes I can do to kind 97 00:05:55,120 --> 00:05:57,160 Speaker 1: of get out there and like see some see some ship. 98 00:05:57,240 --> 00:05:59,919 Speaker 1: So yeah, I've only been for Christmas and they do 99 00:06:00,000 --> 00:06:02,280 Speaker 1: a pretty good late show type yeah, yeah, they do 100 00:06:02,320 --> 00:06:04,200 Speaker 1: a great one. That made me wish I still and 101 00:06:04,200 --> 00:06:05,680 Speaker 1: look a little bit more affordable if you like the 102 00:06:05,720 --> 00:06:08,080 Speaker 1: Huntington Gardens. You know, that's another one. That's another bit 103 00:06:08,080 --> 00:06:09,920 Speaker 1: of a flux over there. But you know, to each 104 00:06:09,920 --> 00:06:12,640 Speaker 1: their one, each their one, it's like a people watching 105 00:06:12,720 --> 00:06:16,680 Speaker 1: zoo kind of like, well Man, Huntington Gardens. They got 106 00:06:16,720 --> 00:06:21,599 Speaker 1: the the fucking strong Asian gardens, like like a Chinese 107 00:06:21,600 --> 00:06:24,280 Speaker 1: pavilion in a Japanese area and I'm like taking my 108 00:06:24,320 --> 00:06:29,480 Speaker 1: mom there and she's like in tears. But the other thing, yeah, 109 00:06:29,520 --> 00:06:32,720 Speaker 1: Asian moms love a botanical garden. To let me tell you. 110 00:06:32,800 --> 00:06:37,880 Speaker 1: Let me tell you, all right, Joel, we are going 111 00:06:38,080 --> 00:06:39,840 Speaker 1: to get to know you a little bit better in 112 00:06:39,920 --> 00:06:42,680 Speaker 1: a moment. First we can tell our listeners a couple 113 00:06:42,720 --> 00:06:46,360 Speaker 1: of things we're talking about. We're gonna talk about how 114 00:06:47,400 --> 00:06:50,800 Speaker 1: how fun Trump is of the Executive Order. Uh, you know, 115 00:06:50,800 --> 00:06:54,400 Speaker 1: he's supposed to be the dealmaker, but hasn't hasn't gone 116 00:06:54,440 --> 00:06:56,919 Speaker 1: that well. I want to talk about a couple of 117 00:06:57,040 --> 00:07:02,160 Speaker 1: important conversations that non fashion US are losing two fascists. 118 00:07:02,720 --> 00:07:06,520 Speaker 1: I want to talk about how there will probably be 119 00:07:06,640 --> 00:07:09,400 Speaker 1: no results on election night, not even like we won't 120 00:07:09,400 --> 00:07:11,200 Speaker 1: be able to quite call it yet, but like we 121 00:07:11,280 --> 00:07:15,560 Speaker 1: might not have any results. According to the FEC commissioner. Uh, 122 00:07:15,560 --> 00:07:17,760 Speaker 1: we're gonna talk about Carol Baskin. We're gonna check him 123 00:07:17,800 --> 00:07:20,320 Speaker 1: with her, see what she has to say about the 124 00:07:21,480 --> 00:07:27,440 Speaker 1: video takes man. You know, I'm glad, You're glad. Yeah, 125 00:07:27,440 --> 00:07:30,120 Speaker 1: we have our you know, very important media critic, Carol Baskin, 126 00:07:30,720 --> 00:07:33,840 Speaker 1: you know, step into the pray. Does it have something 127 00:07:33,920 --> 00:07:36,480 Speaker 1: to do with the fact that Kylie was rocking the 128 00:07:37,320 --> 00:07:41,160 Speaker 1: leopard print? You'll see, welcome to it. Carol's got that 129 00:07:41,240 --> 00:07:43,600 Speaker 1: she has thoughts on, you know, the verses. She thought 130 00:07:43,720 --> 00:07:45,880 Speaker 1: Megan could have probably put a little more time into 131 00:07:45,880 --> 00:07:50,640 Speaker 1: her verse apparently a little, little little The current Miles 132 00:07:50,960 --> 00:07:55,360 Speaker 1: is Eric Carroll Baskin correspondent. He has his ear to 133 00:07:55,800 --> 00:07:59,960 Speaker 1: the streets on that beat. Um, we're gonna talk about Disney, uh, 134 00:08:00,080 --> 00:08:03,920 Speaker 1: and how their numbers have looks since they reopened Mount Rushmore, 135 00:08:03,920 --> 00:08:06,840 Speaker 1: and what that's gonna look like after Trump wins the election. 136 00:08:06,880 --> 00:08:10,120 Speaker 1: All of that plenty more. But first, Joel, what is 137 00:08:10,160 --> 00:08:12,960 Speaker 1: something from your search history that is revealing bad who 138 00:08:13,000 --> 00:08:15,840 Speaker 1: you are? Yeah? HP Lovecraft is all up in that 139 00:08:15,920 --> 00:08:18,560 Speaker 1: b that I'm getting ready for Lovecraft Country, which is 140 00:08:18,600 --> 00:08:21,480 Speaker 1: a black reimagining of a lot of HP Lovecraft stories 141 00:08:21,600 --> 00:08:25,880 Speaker 1: set in the American South. Missha Green, who you may 142 00:08:25,920 --> 00:08:30,240 Speaker 1: know from the slave show that was on Upien on something. 143 00:08:31,080 --> 00:08:36,199 Speaker 1: Oh my good, Yes, thank you right there. Uh yeah, 144 00:08:36,240 --> 00:08:40,079 Speaker 1: so Missha Green did Underground. She is amazing black female showrunner, 145 00:08:40,120 --> 00:08:41,760 Speaker 1: been working in the industry for a long time, written 146 00:08:41,760 --> 00:08:44,440 Speaker 1: on some of your favorite shows. I think you got 147 00:08:44,520 --> 00:08:47,160 Speaker 1: her start on Breaking Bad. If Memory Serves Super Awesome 148 00:08:47,240 --> 00:08:49,840 Speaker 1: human It teamed up with Jordan's Peel to do this 149 00:08:49,920 --> 00:08:53,240 Speaker 1: horror anthology series. I'm covering it for the A V Club. 150 00:08:53,320 --> 00:08:56,520 Speaker 1: So I've been like trying to become um like an 151 00:08:56,600 --> 00:09:00,520 Speaker 1: HP Lovecraft historian before the show drops on Sunday, which 152 00:09:00,679 --> 00:09:04,640 Speaker 1: has been daunting experience, but a lot of fun. Luckily, 153 00:09:04,679 --> 00:09:06,800 Speaker 1: audio books is available, so I don't have to actually 154 00:09:06,800 --> 00:09:09,120 Speaker 1: read all of the books. I can read them through 155 00:09:09,160 --> 00:09:11,960 Speaker 1: my ears, which is much faster and easier to take 156 00:09:12,000 --> 00:09:15,439 Speaker 1: notes that way. And uh kind of really enjoying the experience. 157 00:09:15,679 --> 00:09:20,120 Speaker 1: Besides his racist history and past, the show. The show 158 00:09:20,160 --> 00:09:23,080 Speaker 1: is definitely gonna take on it. Um the Amanica write 159 00:09:23,080 --> 00:09:25,360 Speaker 1: a book man. All of his stuff comes from like 160 00:09:25,360 --> 00:09:28,760 Speaker 1: a scientific journalists sort of like focus and so it's 161 00:09:28,760 --> 00:09:31,679 Speaker 1: all like deep and dark and scary, which is definitely 162 00:09:31,720 --> 00:09:34,600 Speaker 1: my vibe. Um. And I've been reading a lot of 163 00:09:34,600 --> 00:09:37,040 Speaker 1: like Mary Shelley before this, and so it's kind of 164 00:09:37,120 --> 00:09:39,320 Speaker 1: interesting to get back into like the Horror Masters, the 165 00:09:39,320 --> 00:09:42,280 Speaker 1: Origin Leads and see what that's about. When I heard 166 00:09:42,280 --> 00:09:46,000 Speaker 1: her say that this is like get Out meats Lost 167 00:09:46,480 --> 00:09:49,440 Speaker 1: or that get Out and Lost made that's possible, I 168 00:09:49,520 --> 00:09:53,440 Speaker 1: was like, yes, please, I will be doing them. Just 169 00:09:53,440 --> 00:09:55,560 Speaker 1: shot off my arm. I can tell you've seen the 170 00:09:55,559 --> 00:09:59,960 Speaker 1: first two episodes and whoa, it's so really good. Yeah, 171 00:10:00,080 --> 00:10:05,320 Speaker 1: people are saying it's so great. I'm excited. Um, what's 172 00:10:05,320 --> 00:10:07,520 Speaker 1: the other HBO show that's just coming to an end 173 00:10:07,640 --> 00:10:13,480 Speaker 1: that is there's like, yeah, is that good? Jack, It's 174 00:10:13,520 --> 00:10:16,000 Speaker 1: so good. Matthew Reese, who people might know is a 175 00:10:16,040 --> 00:10:19,320 Speaker 1: lead from the Americans, uh, plays the saddest man in 176 00:10:19,360 --> 00:10:22,240 Speaker 1: the world, that sad guy making his way through l 177 00:10:22,440 --> 00:10:25,800 Speaker 1: So very relatable. Um. But also it's got like you know, 178 00:10:26,200 --> 00:10:27,920 Speaker 1: TV used to have the rule world you like, don't 179 00:10:27,920 --> 00:10:30,319 Speaker 1: show the dead baby. Baby dies, it's just like a 180 00:10:30,440 --> 00:10:33,400 Speaker 1: mother's scream or like empty bass to net or something. 181 00:10:33,960 --> 00:10:35,920 Speaker 1: We're like, here's a dead baby with its eyes so 182 00:10:36,000 --> 00:10:39,080 Speaker 1: and open episode one, you're like, what that hell? And 183 00:10:39,200 --> 00:10:41,640 Speaker 1: that's the level of like drama you start off with, 184 00:10:41,840 --> 00:10:44,440 Speaker 1: and it's a little Some people didn't like episode one 185 00:10:44,440 --> 00:10:48,679 Speaker 1: because it's like very dark, but emotional levels the show 186 00:10:48,720 --> 00:10:53,080 Speaker 1: gets into by episode three are addictive. It's really really good. Yeah, 187 00:10:53,360 --> 00:10:58,400 Speaker 1: DBS in the pilot, damn DBS. That is we talked 188 00:10:58,440 --> 00:11:02,040 Speaker 1: so much about dead babies around here that we just 189 00:11:02,080 --> 00:11:04,360 Speaker 1: have to call DBS, like just notes. A lot of 190 00:11:04,360 --> 00:11:07,840 Speaker 1: people pitch podcasts like this is not very interesting. It's 191 00:11:07,920 --> 00:11:11,240 Speaker 1: very violent. But yeah, it's interesting to always look at 192 00:11:11,280 --> 00:11:15,120 Speaker 1: how these remakes happen because I remember, like the Perry 193 00:11:15,160 --> 00:11:18,960 Speaker 1: Mason who was our pay Perry Mason, the dude who 194 00:11:19,000 --> 00:11:20,760 Speaker 1: had the white beard before, like because I knew it 195 00:11:20,760 --> 00:11:22,520 Speaker 1: was a black and white show before the one in 196 00:11:22,559 --> 00:11:26,000 Speaker 1: the eighties, Perry Mason. It doesn't matter, but I'm just 197 00:11:26,040 --> 00:11:28,480 Speaker 1: it's interesting to see how there's like every you know 198 00:11:28,520 --> 00:11:31,079 Speaker 1: that they're these This is another one of those franchises 199 00:11:31,120 --> 00:11:37,720 Speaker 1: that's like reiterating, but in like a and by hour 200 00:11:37,960 --> 00:11:39,560 Speaker 1: you mean those of us who grew up in the 201 00:11:39,640 --> 00:11:43,520 Speaker 1: nineteen fifties, Uh no, I meant the what is the 202 00:11:43,600 --> 00:11:51,800 Speaker 1: eight five? When that one start years Jack Perry Mason. 203 00:11:51,920 --> 00:11:57,560 Speaker 1: This is a mini series, so he came back. All. See, 204 00:11:57,679 --> 00:12:00,000 Speaker 1: that's how ignorant I am about Perry Mason and even 205 00:12:00,040 --> 00:12:04,480 Speaker 1: knows Raymond Burn the fucking fifties one, I knew nothing 206 00:12:04,559 --> 00:12:07,320 Speaker 1: of Perry Mason other than that when I saw one 207 00:12:07,360 --> 00:12:11,000 Speaker 1: of the original Godzilla movies, somebody was like, you know, 208 00:12:11,160 --> 00:12:14,319 Speaker 1: that's Perry Mason, and I just thought that Raymond Burr's 209 00:12:14,360 --> 00:12:20,600 Speaker 1: name was Perry Mason. Um. Yeah, Raymond took out to 210 00:12:20,880 --> 00:12:24,680 Speaker 1: the shout out to the local film scholar. Me. Um, 211 00:12:25,640 --> 00:12:28,520 Speaker 1: but it's it's real good. They decided to reboot it 212 00:12:28,600 --> 00:12:31,319 Speaker 1: and it's like super dark and funked up. And Joel, 213 00:12:31,360 --> 00:12:37,120 Speaker 1: did you watch a plot against America? We yes? Is 214 00:12:37,280 --> 00:12:42,760 Speaker 1: the David Simon based on Philip Roth's book about If 215 00:12:42,840 --> 00:12:50,720 Speaker 1: Lindbergh had Like, was that any good? That one? It 216 00:12:48,400 --> 00:12:58,559 Speaker 1: was moving on? Okay, what is something you think is overrated? 217 00:12:58,640 --> 00:13:03,800 Speaker 1: Joel Shapiro is overrated except for when he does dramatic 218 00:13:03,840 --> 00:13:11,720 Speaker 1: readings of rap songs. Ben Shapironhi, Yeah, the rapper fucking 219 00:13:11,760 --> 00:13:17,120 Speaker 1: Ben Rapiro. I mean, wow, is the best dramatic reading 220 00:13:17,120 --> 00:13:19,360 Speaker 1: I've heard in a long time. Someone likened it to 221 00:13:19,520 --> 00:13:23,280 Speaker 1: like a ninety three poetry slam reading and I got 222 00:13:23,280 --> 00:13:25,800 Speaker 1: that vibe. I definitely did. He was very much articulating 223 00:13:25,880 --> 00:13:28,040 Speaker 1: his words in a certain way to try to make 224 00:13:28,120 --> 00:13:30,280 Speaker 1: you feel like what you were hearing was ugly instead 225 00:13:30,280 --> 00:13:32,440 Speaker 1: of maybe one of the most beautiful songs ever written. Now, 226 00:13:32,640 --> 00:13:36,560 Speaker 1: this whole thing his like analysis or whatever you wanna 227 00:13:36,600 --> 00:13:40,840 Speaker 1: call it, takedown of the wat video? What was his 228 00:13:40,960 --> 00:13:44,000 Speaker 1: like jet what's his end thesis? Essentially, what is the 229 00:13:44,080 --> 00:13:46,520 Speaker 1: reason that this video had to be put in front 230 00:13:46,559 --> 00:13:50,880 Speaker 1: of his audience? He is mad because, like many parents, 231 00:13:51,040 --> 00:13:54,600 Speaker 1: he believes that all adults should be good representatives for 232 00:13:54,679 --> 00:13:57,640 Speaker 1: children as opposed to just the human beings that they are. 233 00:13:58,120 --> 00:14:01,120 Speaker 1: Uh you know, Cardi b and In are not necessarily 234 00:14:01,679 --> 00:14:04,160 Speaker 1: uh four year nine year old. You can shield them 235 00:14:04,320 --> 00:14:07,680 Speaker 1: from that level of entertainment. But he was like, you know, 236 00:14:07,840 --> 00:14:10,000 Speaker 1: this is what feminism is. This is what they want 237 00:14:10,120 --> 00:14:12,760 Speaker 1: and if you say anything else, they're gonna get you. 238 00:14:12,800 --> 00:14:14,480 Speaker 1: And it's like, Ben, I just want you to know 239 00:14:14,760 --> 00:14:18,480 Speaker 1: that as a feminist, womanist person, I believe fully that 240 00:14:18,520 --> 00:14:20,240 Speaker 1: they have the right to do this, but that that 241 00:14:20,240 --> 00:14:22,200 Speaker 1: should not be the definition of women. And that's all 242 00:14:22,280 --> 00:14:25,240 Speaker 1: we're saying. But I mean, but there's some horrors in 243 00:14:25,320 --> 00:14:28,560 Speaker 1: this house which is going on. Okay, well just let's 244 00:14:28,600 --> 00:14:32,440 Speaker 1: just play, yeah, because I like, I saw everybody getting 245 00:14:32,440 --> 00:14:34,440 Speaker 1: their jokes off, and I knew he had done it. 246 00:14:34,480 --> 00:14:37,960 Speaker 1: But actually hearing Ben Shapiro go through rapp lyrics is 247 00:14:38,000 --> 00:14:40,960 Speaker 1: really its own thing. Here are some lyrics. You're ready. 248 00:14:41,560 --> 00:14:43,680 Speaker 1: Horrors in this house. There's some hors in this house. 249 00:14:43,720 --> 00:14:45,640 Speaker 1: There's some horse in this house. There's some hors in 250 00:14:45,680 --> 00:14:50,040 Speaker 1: this house. Hold up, I said, certified freaks. Seven days 251 00:14:50,040 --> 00:14:53,400 Speaker 1: a week. Wet asked P word make that pull out 252 00:14:53,440 --> 00:14:57,080 Speaker 1: game week? Yeah, you have been with some wet asked 253 00:14:57,080 --> 00:14:59,920 Speaker 1: P word. P word is female genitalia. Bring a bucket 254 00:15:00,000 --> 00:15:02,880 Speaker 1: in a mop for this wet ask P word. Give 255 00:15:02,920 --> 00:15:04,960 Speaker 1: me everything you got for this wet ask P word. 256 00:15:05,960 --> 00:15:08,840 Speaker 1: Beat it up. N word had a charge extra large 257 00:15:08,840 --> 00:15:11,120 Speaker 1: and extra hard. Put this P word right in your face. 258 00:15:11,360 --> 00:15:13,760 Speaker 1: Swipe your nose like a credit card. Hop on top. 259 00:15:13,800 --> 00:15:15,560 Speaker 1: I want to ride. I do a cagle. Well it's 260 00:15:15,600 --> 00:15:19,480 Speaker 1: inside spitting my This P word is wet. Come take 261 00:15:19,560 --> 00:15:23,360 Speaker 1: a dive, Um, Come take a dive. Um. Hop on 262 00:15:23,560 --> 00:15:28,080 Speaker 1: with your pullout game week. It was. It's funny because 263 00:15:28,160 --> 00:15:31,840 Speaker 1: his face he's almost like he's never heard of someone's mouth. 264 00:15:31,920 --> 00:15:34,520 Speaker 1: Get that nasty before. So he's doing that thing where 265 00:15:34,520 --> 00:15:37,960 Speaker 1: he's like, get a mop, Oh my god are they 266 00:15:38,000 --> 00:15:43,360 Speaker 1: talking about Oh no, and do a cagele while it's 267 00:15:43,400 --> 00:15:46,800 Speaker 1: inside park a Mack truck in your garage. Oh god, 268 00:15:47,720 --> 00:15:50,200 Speaker 1: poor wife. If that's how scared he is of the 269 00:15:50,240 --> 00:15:53,920 Speaker 1: word pussy, like what must I don't know, man. My 270 00:15:54,000 --> 00:15:57,320 Speaker 1: favorite person on Twitter was like, uh yeah, Ben Shapiro 271 00:15:57,440 --> 00:15:59,200 Speaker 1: has three kids, so this is proof that he's had 272 00:15:59,200 --> 00:16:04,600 Speaker 1: sex at least many times. Are so mean and ridiculous, 273 00:16:04,680 --> 00:16:07,800 Speaker 1: but also what man, I try to imagine if he 274 00:16:07,920 --> 00:16:10,000 Speaker 1: likes a bit. We want you to read all of 275 00:16:10,120 --> 00:16:12,760 Speaker 1: these words. I would have liked to have seen his 276 00:16:12,960 --> 00:16:17,960 Speaker 1: very first reading of the lyrics. He probably fainted right 277 00:16:18,880 --> 00:16:21,840 Speaker 1: like what happened? No, okay, you know what happened. The 278 00:16:22,320 --> 00:16:24,400 Speaker 1: video started trending on Twitter. So he looks at what's 279 00:16:24,400 --> 00:16:26,120 Speaker 1: trending and goes, okay, what's this. He checks it out. 280 00:16:26,480 --> 00:16:29,400 Speaker 1: He cannot believe he sees it well for the first 281 00:16:29,440 --> 00:16:32,400 Speaker 1: time he watches it, He fucking he's loving it. He's like, oh, 282 00:16:32,800 --> 00:16:34,720 Speaker 1: can't make it. Oh my god, look at the titties 283 00:16:34,720 --> 00:16:39,480 Speaker 1: are shooting water out from the fountain. And then someone's like, hey, Ben, 284 00:16:39,520 --> 00:16:41,840 Speaker 1: have you seen this video? Goes what No, what's going on? 285 00:16:43,880 --> 00:16:46,920 Speaker 1: Show me this? What is this? Horns in this house? 286 00:16:47,120 --> 00:16:50,520 Speaker 1: There's some hors in this house? Hold up? I certified 287 00:16:50,560 --> 00:16:52,680 Speaker 1: for seven days a week that pullout game week? What 288 00:16:52,800 --> 00:16:55,440 Speaker 1: is pullout game a couch? A pull out couch? Is it? 289 00:16:55,480 --> 00:16:59,840 Speaker 1: Because they don't they don't have an actual bed? You know, 290 00:17:00,080 --> 00:17:02,880 Speaker 1: has like a text thread with his other racist friends 291 00:17:02,880 --> 00:17:06,720 Speaker 1: where they're like into this video for like weird, Like 292 00:17:07,280 --> 00:17:11,879 Speaker 1: I don't know whatever it is, but I also believe 293 00:17:11,920 --> 00:17:14,879 Speaker 1: that he's like, you know, I love the custodial play lyrics, 294 00:17:14,880 --> 00:17:17,000 Speaker 1: you know what I mean, the custodian play. So when 295 00:17:17,000 --> 00:17:19,000 Speaker 1: he when he said get that mop and bucket, I 296 00:17:19,080 --> 00:17:24,080 Speaker 1: was like, right away, Roger Stone and uh the that 297 00:17:24,240 --> 00:17:28,400 Speaker 1: sort of stuff. I'm sure. I'm sure Ben's got a real, 298 00:17:28,600 --> 00:17:34,480 Speaker 1: uh second second side to his interests that couldn't be reflected. 299 00:17:34,680 --> 00:17:37,840 Speaker 1: I mean, this is a character he plays. Like here, 300 00:17:37,960 --> 00:17:41,840 Speaker 1: there's this somebody retweeted a whole collection of his tweets 301 00:17:41,880 --> 00:17:44,640 Speaker 1: where he's like, uh, bend the brim of your hat 302 00:17:44,800 --> 00:17:48,320 Speaker 1: and pull your damn pants up, like just the most, 303 00:17:48,920 --> 00:17:51,959 Speaker 1: like not even dog whistling, but just like the most 304 00:17:52,119 --> 00:17:56,560 Speaker 1: like old man racist takes and it's just like, I mean, 305 00:17:56,600 --> 00:17:59,119 Speaker 1: you can't actually like be that mad about that. But 306 00:17:59,160 --> 00:18:02,800 Speaker 1: he's tweeted this same thing like eight times, so obviously 307 00:18:02,920 --> 00:18:07,480 Speaker 1: he's just like he is a racism algorithm basically, I mean, 308 00:18:07,560 --> 00:18:09,760 Speaker 1: if he's shocked by these lyrics, he'll be shocked to 309 00:18:09,920 --> 00:18:12,879 Speaker 1: find out what people were inspired by his words. Do 310 00:18:14,280 --> 00:18:19,399 Speaker 1: let's talk about some dangerous ship out there. Um, anyways, Joel, 311 00:18:19,480 --> 00:18:22,239 Speaker 1: thank you so much for bringing this to our attention. Uh, 312 00:18:23,520 --> 00:18:29,280 Speaker 1: I did. What is something you think is overrated? Underrated? Yeah, 313 00:18:29,440 --> 00:18:38,040 Speaker 1: let's do that game. Uh, Mick Jenkins, I think is 314 00:18:38,119 --> 00:18:40,240 Speaker 1: highly underrated. And I just want to be like, if 315 00:18:40,280 --> 00:18:43,480 Speaker 1: you're in the mood for some conscious rap that you 316 00:18:43,600 --> 00:18:46,560 Speaker 1: maybe haven't heard before that like sings under your skin 317 00:18:46,760 --> 00:18:49,320 Speaker 1: and like moves you, but is also just as good 318 00:18:49,320 --> 00:18:51,800 Speaker 1: as hell. Mick Jenkins is where it's at. I've been 319 00:18:51,840 --> 00:18:55,600 Speaker 1: listening to Sun Kissed, which is maybe the best song 320 00:18:55,640 --> 00:18:58,600 Speaker 1: about being black ever written, aside from any song Beyonce 321 00:18:58,760 --> 00:19:03,880 Speaker 1: things about being black automatically is never one. But yeah, 322 00:19:03,960 --> 00:19:06,200 Speaker 1: get into some MiG Jenkins if you if you need 323 00:19:06,200 --> 00:19:09,359 Speaker 1: that in your life, what you do? And finally, what 324 00:19:09,560 --> 00:19:12,080 Speaker 1: is a myth? What's something people think is true you 325 00:19:12,119 --> 00:19:14,760 Speaker 1: know to be false. Uh. So, my brother and I 326 00:19:14,800 --> 00:19:17,200 Speaker 1: have been looking at new cars a lot lately, and 327 00:19:17,320 --> 00:19:19,639 Speaker 1: we always believed that if you've got a red car, 328 00:19:19,880 --> 00:19:21,800 Speaker 1: that your insurance would go up and you're more likely 329 00:19:21,840 --> 00:19:24,560 Speaker 1: to be pulled over. Nah, that's a myth, that's not 330 00:19:24,640 --> 00:19:27,680 Speaker 1: a real thing. Apparently white cars get pulled over the most, 331 00:19:27,840 --> 00:19:30,679 Speaker 1: which I was like, why, we don't know why that 332 00:19:30,760 --> 00:19:33,720 Speaker 1: just happens. But get a red car and enjoy your life, 333 00:19:33,800 --> 00:19:36,960 Speaker 1: is what I'm saying. Wow, I had no idea. I 334 00:19:37,040 --> 00:19:40,320 Speaker 1: definitely had heard that before. I also heard red cars 335 00:19:40,400 --> 00:19:46,720 Speaker 1: just actually go faster. Is that true scientifically? So? I 336 00:19:46,760 --> 00:19:49,240 Speaker 1: typinitely always yeah, it's just like the fire trucks. Any 337 00:19:49,280 --> 00:19:51,560 Speaker 1: any red vehicle is going at least twenty miles over 338 00:19:51,600 --> 00:19:54,280 Speaker 1: the speed thement. So when I remember of that, one 339 00:19:54,400 --> 00:19:58,200 Speaker 1: was that like red car has got a more accidents. Huh. 340 00:19:59,240 --> 00:20:01,439 Speaker 1: I doubt that's true. And so that was like a 341 00:20:01,560 --> 00:20:03,800 Speaker 1: thing where people talk about it, and I think people 342 00:20:03,920 --> 00:20:07,159 Speaker 1: just were like, well, it's associated with more reckless behavior. 343 00:20:08,160 --> 00:20:10,040 Speaker 1: But I don't know they're they're this is like, this 344 00:20:10,080 --> 00:20:11,600 Speaker 1: is like that ship that like people talk about in 345 00:20:11,600 --> 00:20:13,879 Speaker 1: the early nineties and like ends up being like an 346 00:20:13,920 --> 00:20:16,040 Speaker 1: accepted fact for like thirty years. And they're like, we 347 00:20:16,080 --> 00:20:17,800 Speaker 1: should have looked it up. We should have just looked 348 00:20:17,800 --> 00:20:22,040 Speaker 1: that one up. It sounds like big white car paint 349 00:20:22,240 --> 00:20:27,760 Speaker 1: is behind this one, big white or the man. Alright, guys, 350 00:20:27,840 --> 00:20:29,640 Speaker 1: let's take a quick break and we'll be right back. 351 00:20:39,840 --> 00:20:46,480 Speaker 1: And we're back. And over the weekend, UHL, Presidente managed 352 00:20:46,560 --> 00:20:49,760 Speaker 1: to lick off a couple of tweets talking about how 353 00:20:49,840 --> 00:20:56,600 Speaker 1: he's saving the people from economic strife and yeah, he's 354 00:20:56,760 --> 00:20:59,479 Speaker 1: he got it in. I don't know, it seems like 355 00:20:59,520 --> 00:21:03,840 Speaker 1: he's just do this all viative order, you know, and 356 00:21:03,960 --> 00:21:06,360 Speaker 1: doing the thing where it's like most of the time 357 00:21:06,359 --> 00:21:08,680 Speaker 1: when these eos happened, they're like these are all like 358 00:21:09,040 --> 00:21:12,800 Speaker 1: legally dubious, Like you're again doing the thing. We're like, okay, well, 359 00:21:12,840 --> 00:21:15,919 Speaker 1: I know there's money in FEMA for hurricanes. That's not 360 00:21:15,920 --> 00:21:17,720 Speaker 1: going to be an issue this year, so we'll take 361 00:21:17,760 --> 00:21:19,879 Speaker 1: that money and move it over here. And I was like, 362 00:21:19,920 --> 00:21:22,200 Speaker 1: you can't do that, sir, you can't do that. You 363 00:21:22,240 --> 00:21:24,399 Speaker 1: can't do that, or I mean you can say you 364 00:21:24,520 --> 00:21:27,040 Speaker 1: you can say that, but it's functionally very hard to 365 00:21:27,119 --> 00:21:30,399 Speaker 1: do do legally dubious, sir. So the things that he 366 00:21:30,440 --> 00:21:31,840 Speaker 1: was out here is like, like at a four point 367 00:21:31,880 --> 00:21:35,800 Speaker 1: plan to bring people back. This is what's going on. Okay, 368 00:21:35,920 --> 00:21:38,399 Speaker 1: just give me a quick bumble quick so I can 369 00:21:38,440 --> 00:21:42,040 Speaker 1: get this imagination off. The first one was deferring payroll 370 00:21:42,119 --> 00:21:44,400 Speaker 1: taxes through the end of the year for Americans earning 371 00:21:44,480 --> 00:21:47,639 Speaker 1: less than a hundred thousand, then deferring student loan payments 372 00:21:47,760 --> 00:21:52,200 Speaker 1: through the end of the year. Discouraging evictions. Oh nice, 373 00:21:52,840 --> 00:21:59,880 Speaker 1: discouraging them, discourage the evictions, don't make it illegal or actually, 374 00:22:00,160 --> 00:22:03,320 Speaker 1: you know, create some kind of language that actually will 375 00:22:03,800 --> 00:22:07,240 Speaker 1: prohibit any kind of evictions are having, but discourage them, 376 00:22:07,320 --> 00:22:11,600 Speaker 1: and extend enhanced unemployment benefits for people, but at a 377 00:22:11,600 --> 00:22:14,800 Speaker 1: reduced level four dollars instead of six hundred dollars. So 378 00:22:15,720 --> 00:22:16,720 Speaker 1: a lot of people are first of all, was like, 379 00:22:16,720 --> 00:22:18,879 Speaker 1: I don't think that president can decide when these taxes 380 00:22:18,920 --> 00:22:21,520 Speaker 1: are collected. Like that's a whole other thing you're talking about, 381 00:22:21,640 --> 00:22:25,320 Speaker 1: especially like not without Congress, what are you doing? Um? 382 00:22:25,400 --> 00:22:27,639 Speaker 1: And so most people their response to all of this 383 00:22:27,720 --> 00:22:31,560 Speaker 1: is just like, oh, okay, fine, But the thing that 384 00:22:31,680 --> 00:22:36,399 Speaker 1: really makes it even shittier than normal, well, it's all shitty. 385 00:22:36,440 --> 00:22:38,920 Speaker 1: But even hearing his surrogates go out on like the 386 00:22:39,000 --> 00:22:42,760 Speaker 1: shows to try and explain what these were to journalists 387 00:22:42,800 --> 00:22:45,760 Speaker 1: and people who like read the eos and trying to 388 00:22:45,800 --> 00:22:50,560 Speaker 1: explain back was so painful. Larry Cudlow went on CNN 389 00:22:50,960 --> 00:22:53,960 Speaker 1: and spoke to Dana Bash, and Dana Bash is just 390 00:22:54,000 --> 00:22:57,239 Speaker 1: trying to figure out what they mean by any of this, 391 00:22:57,440 --> 00:22:59,359 Speaker 1: Like what do you mean twelve? Who gets twelve hundred? 392 00:22:59,400 --> 00:23:02,119 Speaker 1: And was that four? How are those payments made up? 393 00:23:02,240 --> 00:23:04,199 Speaker 1: Larry cud locan on it. Just listen to this and 394 00:23:04,200 --> 00:23:06,320 Speaker 1: tell me how how good you feel about our government. 395 00:23:06,480 --> 00:23:09,680 Speaker 1: It's gonna be a form of economic assistance. Probably will 396 00:23:09,720 --> 00:23:14,360 Speaker 1: get eight hundred dollars total federal and state. And if 397 00:23:14,359 --> 00:23:16,639 Speaker 1: we get it going September one, which is what the 398 00:23:16,640 --> 00:23:20,960 Speaker 1: deadline looks like, that probably give the workforce UH an 399 00:23:20,960 --> 00:23:29,240 Speaker 1: increase in wages twelve twelve hundred dollars. Well, and we 400 00:23:29,280 --> 00:23:31,840 Speaker 1: will put in three hundred bucks and the states will 401 00:23:31,880 --> 00:23:34,680 Speaker 1: continue with their four hundred bucks. But I think all 402 00:23:34,720 --> 00:23:37,119 Speaker 1: they have to do is put up an extra dollar 403 00:23:37,359 --> 00:23:40,679 Speaker 1: and we'll be able to throw in the extra hundred dollars. 404 00:23:40,680 --> 00:23:43,080 Speaker 1: So it should be a total. It should be May 405 00:23:43,119 --> 00:23:45,600 Speaker 1: not be in every case, because as you know, we're 406 00:23:45,640 --> 00:23:49,359 Speaker 1: talking averages, some states higher, some states flower, but on 407 00:23:49,480 --> 00:23:52,480 Speaker 1: average data it'll run to about eight hundred dollars. That's 408 00:23:54,720 --> 00:23:58,639 Speaker 1: wage increase. The executive action says four hundred dollars, and 409 00:23:58,680 --> 00:24:02,320 Speaker 1: that the state would pay this. You're talking about some 410 00:24:02,359 --> 00:24:06,040 Speaker 1: other money that I don't know about. Well, we you know, 411 00:24:06,119 --> 00:24:12,000 Speaker 1: we will, so again very simple like Dana Bash you 412 00:24:12,040 --> 00:24:15,000 Speaker 1: get here when she huh, but her face was sort 413 00:24:15,000 --> 00:24:17,840 Speaker 1: of like this. He's just talking all at the very 414 00:24:17,920 --> 00:24:22,800 Speaker 1: least at least he's talking in four increments. So there's 415 00:24:22,840 --> 00:24:27,040 Speaker 1: some logic to these numbers, but still very unclear like 416 00:24:27,119 --> 00:24:29,040 Speaker 1: what that means. And the thing they we're getting at 417 00:24:29,400 --> 00:24:31,760 Speaker 1: is that there's this whole night you know, sort of 418 00:24:31,800 --> 00:24:35,199 Speaker 1: planned to have the states put up a quarter of 419 00:24:35,240 --> 00:24:37,600 Speaker 1: this four dollar payment so they would only have to 420 00:24:37,640 --> 00:24:39,639 Speaker 1: put up a hundred. The federal government comes into the 421 00:24:39,640 --> 00:24:43,600 Speaker 1: additional three hundred is what he was trying to describing, 422 00:24:43,720 --> 00:24:46,120 Speaker 1: and then they put in a dollar and then we're 423 00:24:46,119 --> 00:24:49,359 Speaker 1: gonna show up with a few more and you're gonna 424 00:24:49,400 --> 00:24:54,320 Speaker 1: make sure it's all taken care of, Dana. So that's 425 00:24:54,359 --> 00:24:57,719 Speaker 1: all this is, and it's not even it's it's just 426 00:24:58,040 --> 00:25:01,080 Speaker 1: another way for like the eral government to hold this 427 00:25:01,200 --> 00:25:03,280 Speaker 1: over states were like, oh you can't pay that hundred. 428 00:25:03,640 --> 00:25:06,080 Speaker 1: Oh well, like what are you doing over here, Blue 429 00:25:06,080 --> 00:25:08,760 Speaker 1: state or whatever. It's just it's all nonsense. And the 430 00:25:08,800 --> 00:25:11,359 Speaker 1: president again trying to take care of take credit for 431 00:25:11,440 --> 00:25:15,760 Speaker 1: something that just doesn't really connect. One more thing. Sorry, 432 00:25:15,760 --> 00:25:18,040 Speaker 1: I feel like his executive orders are the equivalent of 433 00:25:18,040 --> 00:25:20,800 Speaker 1: a tweet that ends, maybe that's something, is that something 434 00:25:21,560 --> 00:25:25,440 Speaker 1: it's not fully thrown, or like, don't at me. You 435 00:25:25,480 --> 00:25:27,760 Speaker 1: know what I mean, don't at me. You get twelve hundred, 436 00:25:27,800 --> 00:25:29,879 Speaker 1: don't at me because I don't know what, but just 437 00:25:29,920 --> 00:25:33,919 Speaker 1: don't at me because it will fall apart upon further examination. Uh. 438 00:25:34,000 --> 00:25:38,120 Speaker 1: Peter Navarro later that day went on to NBC's Meet 439 00:25:38,160 --> 00:25:40,960 Speaker 1: the Press, and I just want to play this thing 440 00:25:41,000 --> 00:25:46,160 Speaker 1: about there's this whole thing about discouraging eviction um and 441 00:25:46,320 --> 00:25:50,000 Speaker 1: the way that Peter Navarro, like his Chuck Todd, starts 442 00:25:50,000 --> 00:25:52,080 Speaker 1: at outs like that doesn't seem good, that you're just 443 00:25:52,160 --> 00:25:55,160 Speaker 1: merely just like guy, that's guidance that doesn't actually stop 444 00:25:55,200 --> 00:25:57,560 Speaker 1: anyone from doing it. And Peter Navarro comes to with 445 00:25:57,600 --> 00:26:02,240 Speaker 1: the brilliant defense confident every single one of those orders 446 00:26:02,280 --> 00:26:05,960 Speaker 1: which cleared through the Office of Legal Counsel will stand up. 447 00:26:06,600 --> 00:26:10,879 Speaker 1: If you look, for example, at the eviction uh and 448 00:26:10,960 --> 00:26:15,960 Speaker 1: foreclosure language in your opener. There you note the words 449 00:26:16,080 --> 00:26:18,560 Speaker 1: shall consider. Well, that's how you have to write it. 450 00:26:18,600 --> 00:26:22,160 Speaker 1: But everybody knows in the bureaucracy that you damn well 451 00:26:22,200 --> 00:26:29,000 Speaker 1: should do it, and they will uh yeah, uh huh yeah, yeah, 452 00:26:29,160 --> 00:26:34,160 Speaker 1: I don't know, yes, shall consider this. Any companies shall 453 00:26:34,200 --> 00:26:37,240 Speaker 1: consider being humane to its employees or whatever like this. 454 00:26:38,200 --> 00:26:40,840 Speaker 1: It's not that you do that, so you don't have 455 00:26:40,920 --> 00:26:42,760 Speaker 1: to make them do it. That's why you write it 456 00:26:42,800 --> 00:26:46,040 Speaker 1: like that, so it's optional. It's not just the other 457 00:26:46,040 --> 00:26:49,000 Speaker 1: countries have found a way to like support their communities 458 00:26:49,119 --> 00:26:52,040 Speaker 1: through this trying time and preserve their economy, but the 459 00:26:52,040 --> 00:26:55,960 Speaker 1: fact that, like we we've done such large bailouts on 460 00:26:56,119 --> 00:26:59,840 Speaker 1: massive scales for corporations and I can't wrap my mind 461 00:27:00,000 --> 00:27:02,240 Speaker 1: around not being able to offer the same things to 462 00:27:02,480 --> 00:27:05,600 Speaker 1: the citizens of our It's very easy because then it 463 00:27:05,640 --> 00:27:09,800 Speaker 1: becomes socialism when it's human cares and human needs that 464 00:27:09,840 --> 00:27:13,359 Speaker 1: are met with government assistance. But if it's a faceless corporation, 465 00:27:13,880 --> 00:27:16,720 Speaker 1: it's just a wid to hook him up of our 466 00:27:16,760 --> 00:27:19,840 Speaker 1: citizens don't have money in their Like it's just trying 467 00:27:19,880 --> 00:27:22,600 Speaker 1: to understand it from like just a stupid level, like 468 00:27:22,720 --> 00:27:24,600 Speaker 1: if I don't go into the actual politics of it, 469 00:27:24,680 --> 00:27:26,679 Speaker 1: if I don't go into the actual math of it, 470 00:27:26,720 --> 00:27:30,200 Speaker 1: but just when you have a society that's run off 471 00:27:30,240 --> 00:27:33,960 Speaker 1: of a place where you have to spend money in 472 00:27:34,040 --> 00:27:36,280 Speaker 1: order to just be a living human being, I don't 473 00:27:36,320 --> 00:27:39,680 Speaker 1: understand how we're supposed to make this. No one does. 474 00:27:39,800 --> 00:27:42,560 Speaker 1: And I think that evictions are coming. I can't believe 475 00:27:42,560 --> 00:27:44,520 Speaker 1: there's no plans. Like every day I'm like, oh, I'm thirty. 476 00:27:44,600 --> 00:27:47,200 Speaker 1: Maybe I should be the adult and have like solutions. 477 00:27:47,720 --> 00:27:51,320 Speaker 1: The cynical version is that the plan is for these 478 00:27:51,480 --> 00:27:54,920 Speaker 1: people to go into foreclosure and then wealthier people who 479 00:27:54,960 --> 00:27:57,680 Speaker 1: are liquid enough can come in and buy up all 480 00:27:57,720 --> 00:28:00,320 Speaker 1: that all those houses or banks can buy them up 481 00:28:00,359 --> 00:28:02,840 Speaker 1: and then rent them back to people who will not 482 00:28:02,880 --> 00:28:05,679 Speaker 1: actually own them. I mean, like it's like it's just 483 00:28:05,720 --> 00:28:09,199 Speaker 1: like a lot of like I feel like that's the 484 00:28:09,200 --> 00:28:10,920 Speaker 1: only solution. Is that most of America will start to 485 00:28:10,920 --> 00:28:13,000 Speaker 1: replex skid row in the next year and a half. 486 00:28:13,359 --> 00:28:14,880 Speaker 1: I mean so many. I mean, if you think about 487 00:28:14,880 --> 00:28:17,359 Speaker 1: there's so many cities whose infrastructure has fallen by the 488 00:28:17,359 --> 00:28:19,960 Speaker 1: wayside because of lack of funding, like at so many 489 00:28:20,040 --> 00:28:22,679 Speaker 1: levels that it's not hard to see many places that 490 00:28:22,720 --> 00:28:24,880 Speaker 1: already look like that. But yeah, I think that's where 491 00:28:25,800 --> 00:28:29,200 Speaker 1: again they I think because it's not as visible yet, 492 00:28:29,920 --> 00:28:31,680 Speaker 1: it's easy to just sort of do have this like 493 00:28:31,800 --> 00:28:33,879 Speaker 1: kick the can down the road mentality because none of 494 00:28:33,920 --> 00:28:36,320 Speaker 1: these people, for damn sure, no anybody who's you know, 495 00:28:36,920 --> 00:28:39,640 Speaker 1: underwater on like any kind of rent or mortgage or 496 00:28:39,680 --> 00:28:43,880 Speaker 1: something in his entre need of assistance. Yeah, I feel 497 00:28:43,880 --> 00:28:47,479 Speaker 1: like visuals of like America looking at like skid Row 498 00:28:47,680 --> 00:28:50,440 Speaker 1: like are not gonna are not gonna do the trick 499 00:28:50,600 --> 00:28:55,000 Speaker 1: because it's so easy for the mainstream media to ignore 500 00:28:55,240 --> 00:28:58,840 Speaker 1: any story that like really gets at the fundamental like 501 00:28:59,320 --> 00:29:02,760 Speaker 1: flaws of clause of the country. Like that's I actually 502 00:29:02,760 --> 00:29:05,479 Speaker 1: I wanted to talk about these two stories. I don't know. 503 00:29:05,520 --> 00:29:08,680 Speaker 1: I was just like taking a step back and looking 504 00:29:08,720 --> 00:29:12,840 Speaker 1: at where we are with how the mainstream is covering 505 00:29:12,920 --> 00:29:15,960 Speaker 1: them as related to kind of the when we first 506 00:29:15,960 --> 00:29:18,040 Speaker 1: started talking about them, when the story is kicked off, 507 00:29:18,800 --> 00:29:24,040 Speaker 1: the two storylines being when people started protesting the lynching 508 00:29:24,120 --> 00:29:27,360 Speaker 1: of George Floyd in the streets. If you had told them. 509 00:29:27,440 --> 00:29:29,640 Speaker 1: The net result would be that three and a half 510 00:29:29,680 --> 00:29:34,320 Speaker 1: months later, the police and like police sympathizers a k 511 00:29:34,440 --> 00:29:38,840 Speaker 1: a like pro fascist causes would team up to beat 512 00:29:38,920 --> 00:29:43,000 Speaker 1: protesters with impunity, and the mainstream media would just kind 513 00:29:43,040 --> 00:29:46,880 Speaker 1: of be turning the other way like that. That's just 514 00:29:47,280 --> 00:29:51,000 Speaker 1: shocking the like it's just taking a stock of where 515 00:29:51,040 --> 00:29:54,520 Speaker 1: we are on that story. It just seems like nobody 516 00:29:54,720 --> 00:29:59,080 Speaker 1: pays attention as that is happening. Like, but we talked 517 00:29:59,080 --> 00:30:03,040 Speaker 1: about this all this, all the uprisings and unrest began, right, 518 00:30:03,200 --> 00:30:07,560 Speaker 1: is that systems like oppressive systems like this, the they 519 00:30:07,680 --> 00:30:11,200 Speaker 1: survived by the media and not paying attention to it. 520 00:30:11,640 --> 00:30:14,680 Speaker 1: So only time we've gotten the media to pay attention 521 00:30:14,760 --> 00:30:17,640 Speaker 1: was when there was looting of the stores, which is 522 00:30:17,680 --> 00:30:19,920 Speaker 1: even the story in Chicago over the weekend, not about 523 00:30:20,080 --> 00:30:24,880 Speaker 1: why people were protesting in the first place. So that 524 00:30:25,120 --> 00:30:28,720 Speaker 1: is not the headline. The headline is all the Chicago 525 00:30:29,600 --> 00:30:33,479 Speaker 1: what's going on over there. It's so disingenuous because at 526 00:30:33,520 --> 00:30:35,200 Speaker 1: the end of the day, they all rely on each 527 00:30:35,240 --> 00:30:39,600 Speaker 1: other to exist, Like the media can't get too sober 528 00:30:39,640 --> 00:30:41,920 Speaker 1: ride on what the issues are in this country or 529 00:30:41,960 --> 00:30:45,560 Speaker 1: else people like then it's it stands to disrupt too 530 00:30:45,560 --> 00:30:48,479 Speaker 1: many of the status quo like industries and the way 531 00:30:48,520 --> 00:30:52,400 Speaker 1: of doing business right now. Um, and you know, I'm 532 00:30:52,400 --> 00:30:54,400 Speaker 1: sure with like many companies too, they're playing plenty of 533 00:30:54,400 --> 00:30:56,160 Speaker 1: people who work at jobs who are like, yeah, man, 534 00:30:56,200 --> 00:31:00,680 Speaker 1: that BLM energy was something in the ending of June, 535 00:31:01,480 --> 00:31:05,480 Speaker 1: uh and the ship evaporated within two weeks. I haven't 536 00:31:05,520 --> 00:31:07,880 Speaker 1: heard anything since. It's just kind of one that's just 537 00:31:07,920 --> 00:31:10,800 Speaker 1: sort of the pattern, the rhythm of the country. And 538 00:31:10,840 --> 00:31:15,080 Speaker 1: I think that's why a lot of activists, black people, 539 00:31:15,440 --> 00:31:18,240 Speaker 1: anyone who had really been keeping an eye on these 540 00:31:18,280 --> 00:31:20,720 Speaker 1: kinds of issues where like, don't do the thing that's 541 00:31:20,760 --> 00:31:23,960 Speaker 1: gonna happen every time, which is like just a little 542 00:31:23,960 --> 00:31:26,520 Speaker 1: bit of something and then just enough to feel like 543 00:31:26,560 --> 00:31:29,280 Speaker 1: we've done something to completely ignore it until bubbles up 544 00:31:29,280 --> 00:31:32,320 Speaker 1: again and we have to actually not deal with it again. 545 00:31:32,600 --> 00:31:34,280 Speaker 1: I mean, it's absolutely gonna happen that way. Like we 546 00:31:34,280 --> 00:31:38,480 Speaker 1: we this on a six years cyclical cycle of like, oh, 547 00:31:38,560 --> 00:31:41,120 Speaker 1: here's the big bill that came out of the sixteens, 548 00:31:41,120 --> 00:31:44,600 Speaker 1: at least the civil rights bill that added to Yes 549 00:31:44,840 --> 00:31:47,840 Speaker 1: it was added like six years after that, we see 550 00:31:47,880 --> 00:31:50,560 Speaker 1: one of the worst recructions of American culture and you 551 00:31:50,600 --> 00:31:53,280 Speaker 1: can see it in like, like I have a studier 552 00:31:53,360 --> 00:31:55,760 Speaker 1: of like entertainment and the ways we interact with it, 553 00:31:55,880 --> 00:31:57,440 Speaker 1: and like if you look at Song of the South, 554 00:31:57,440 --> 00:32:01,520 Speaker 1: which is Disney's like very racist depict of slave stories 555 00:32:01,560 --> 00:32:04,640 Speaker 1: and slave narratives. Uh, it has its biggest box office 556 00:32:04,640 --> 00:32:07,880 Speaker 1: break in nineteen six when it does reruns, and it's 557 00:32:08,240 --> 00:32:11,640 Speaker 1: very much like cultural touchstone of like what was happening 558 00:32:11,880 --> 00:32:15,280 Speaker 1: population wise and and thought process wise, of like these 559 00:32:15,280 --> 00:32:17,520 Speaker 1: people got too much freedom, Like wouldn't be great to 560 00:32:17,560 --> 00:32:19,880 Speaker 1: go back to the day and experience a time when 561 00:32:19,920 --> 00:32:22,280 Speaker 1: people knew their place and like slaves were happy to 562 00:32:22,440 --> 00:32:26,720 Speaker 1: just have a job, which is just crazy. Like and 563 00:32:26,760 --> 00:32:29,080 Speaker 1: then I can't believe it. I was just eating beans 564 00:32:29,120 --> 00:32:31,800 Speaker 1: in the movie theater and this teenager yelled at me 565 00:32:31,880 --> 00:32:35,160 Speaker 1: for eating beans in the theater. I just it is. 566 00:32:35,280 --> 00:32:37,040 Speaker 1: It is the wildest thing to me. And I knew 567 00:32:37,040 --> 00:32:39,880 Speaker 1: we were I knew we were fucked when um day, 568 00:32:39,960 --> 00:32:43,440 Speaker 1: like three of massive protests were outside and we see 569 00:32:43,480 --> 00:32:45,880 Speaker 1: a bunch of people at the Ritzy Mall in Beverly 570 00:32:45,960 --> 00:32:49,640 Speaker 1: Hills just eating staring at us like we're crazy. We're 571 00:32:49,680 --> 00:32:51,880 Speaker 1: going to protests and they're having tea in the middle 572 00:32:51,880 --> 00:32:55,800 Speaker 1: of a pandemic, and it was the most just jarring realization. 573 00:32:55,880 --> 00:32:59,200 Speaker 1: And I think if it happened in Brooklyn, maybe three 574 00:32:59,280 --> 00:33:01,720 Speaker 1: or four there were go there are some really interesting 575 00:33:01,760 --> 00:33:06,520 Speaker 1: images of like the two America's basically brushing shoulders right. Yeah. 576 00:33:06,560 --> 00:33:10,080 Speaker 1: Shout outs to whoever was leading the protests rants at 577 00:33:10,120 --> 00:33:12,640 Speaker 1: that time, because as they were passing the very fancy 578 00:33:12,640 --> 00:33:16,280 Speaker 1: dinner full of only white people started chanting like gentra, gentra, 579 00:33:16,360 --> 00:33:18,600 Speaker 1: genter fires at them as a crowd of black and 580 00:33:18,600 --> 00:33:21,160 Speaker 1: brown people walk down the street protesting for their rights. 581 00:33:21,640 --> 00:33:27,840 Speaker 1: So it's to me, I like one I heard people yikes, yikes, 582 00:33:28,160 --> 00:33:32,480 Speaker 1: burn them. Um. I I kind of feel like I've 583 00:33:32,480 --> 00:33:34,880 Speaker 1: turned more into my father who ten years ago when 584 00:33:34,880 --> 00:33:36,400 Speaker 1: I was like I gotta protest again in the streets, 585 00:33:36,400 --> 00:33:39,680 Speaker 1: He's like, I don't understand what you're doing, Like they 586 00:33:39,680 --> 00:33:41,440 Speaker 1: didn't protest for our rights and make change. He's like, 587 00:33:41,480 --> 00:33:44,600 Speaker 1: they're not going to change, darling. And it's there's nothing 588 00:33:45,200 --> 00:33:47,560 Speaker 1: at this stage that you can do other than try 589 00:33:47,640 --> 00:33:50,360 Speaker 1: to like use the best of your light. You know. 590 00:33:50,440 --> 00:33:53,440 Speaker 1: Tony Morrison, who again I've been driving with a lot lately, 591 00:33:53,880 --> 00:33:58,440 Speaker 1: had the forethought to go, hey, me trying to tell 592 00:33:58,520 --> 00:34:00,960 Speaker 1: you why your thoughts are racist is a waste of time. 593 00:34:01,320 --> 00:34:03,640 Speaker 1: And I feel like it's like citizens, I love what 594 00:34:03,720 --> 00:34:05,640 Speaker 1: you guys do. You guys are great at like bringing 595 00:34:05,680 --> 00:34:08,440 Speaker 1: it down, explaining it to like the average everyday person. 596 00:34:09,280 --> 00:34:12,520 Speaker 1: I feel like it's as an American citizen right now, 597 00:34:12,560 --> 00:34:13,919 Speaker 1: so many of us are just trying to get through 598 00:34:13,960 --> 00:34:16,160 Speaker 1: and the idea of moving away from I'm going to 599 00:34:16,320 --> 00:34:19,600 Speaker 1: explain to you in detail why what you're doing is wrong, 600 00:34:19,640 --> 00:34:21,360 Speaker 1: as opposed to spending my time to any Morris and 601 00:34:21,360 --> 00:34:24,920 Speaker 1: spent her time editing the great uh works of black people, 602 00:34:25,200 --> 00:34:27,319 Speaker 1: so she like she did the Muhammad Ali story, which 603 00:34:27,360 --> 00:34:30,200 Speaker 1: gave us a lot of inspiration going forward out of 604 00:34:30,239 --> 00:34:32,000 Speaker 1: like being able to say no to our country when 605 00:34:32,000 --> 00:34:35,000 Speaker 1: we believe in a righteous cause, things like that. So 606 00:34:35,120 --> 00:34:37,560 Speaker 1: I don't know that's I'm trying to do that in 607 00:34:37,560 --> 00:34:40,319 Speaker 1: my own bubble as an artist, as a person working 608 00:34:40,360 --> 00:34:42,360 Speaker 1: as a writer, is just doing my best to focus 609 00:34:42,400 --> 00:34:47,760 Speaker 1: on illuminating the good parts of us as a community, 610 00:34:47,760 --> 00:34:49,640 Speaker 1: because I thinks that we don't have a choice but 611 00:34:49,719 --> 00:34:51,360 Speaker 1: to go through this again and again and again. I 612 00:34:51,360 --> 00:34:53,680 Speaker 1: think that's the American curse. But yeah, and the world 613 00:34:53,680 --> 00:34:56,120 Speaker 1: and it's again even like I said, you know, begging 614 00:34:56,400 --> 00:34:59,640 Speaker 1: white allies to help, because that again, it doesn't change 615 00:35:00,040 --> 00:35:03,160 Speaker 1: until we reach a tipping point of of white people, 616 00:35:03,640 --> 00:35:06,880 Speaker 1: um also feeling just as enraged by this, and it's increasing, 617 00:35:07,200 --> 00:35:10,000 Speaker 1: but by everything we're seeing, we haven't reached. We're not 618 00:35:10,040 --> 00:35:13,000 Speaker 1: even close to that tipping point yet, shout out making 619 00:35:13,040 --> 00:35:17,000 Speaker 1: it work, trying, yeah, trying to and then yeah, but 620 00:35:17,400 --> 00:35:20,240 Speaker 1: even to that Chicago story, another failure of the media 621 00:35:20,400 --> 00:35:24,839 Speaker 1: to rather than saying, uh, let's as let's you know, 622 00:35:24,920 --> 00:35:28,359 Speaker 1: as you know, whatever, journalists whatever, whoever, our journalists now 623 00:35:28,640 --> 00:35:31,200 Speaker 1: putting the focus on what is actually happening and being 624 00:35:31,239 --> 00:35:34,120 Speaker 1: honest with ourselves about what we are as a country. 625 00:35:35,000 --> 00:35:37,960 Speaker 1: Like the major you know, million stream media, it's just 626 00:35:38,000 --> 00:35:39,799 Speaker 1: sort of like, oh, that's happening there, and like let's 627 00:35:39,800 --> 00:35:41,319 Speaker 1: not get too into it, you know, it's like sort 628 00:35:41,320 --> 00:35:44,880 Speaker 1: of like uncomfortable like dinner conversation, we're like, oh, what 629 00:35:44,960 --> 00:35:46,959 Speaker 1: about your one son that like flunked out of school 630 00:35:47,000 --> 00:35:48,440 Speaker 1: because they're a party too much, Like let's not talk 631 00:35:48,480 --> 00:35:51,759 Speaker 1: about that, you know, let's just say he's yeah, like 632 00:35:51,840 --> 00:35:56,879 Speaker 1: he's um, he's exploring his options right now, rather than 633 00:35:56,920 --> 00:35:59,240 Speaker 1: like saying, like, you know, he doesn't have a ship together. 634 00:35:59,400 --> 00:36:01,680 Speaker 1: Maybe we were indulging him and enabling him to not 635 00:36:01,719 --> 00:36:03,320 Speaker 1: do much, but let's not really talk about that in 636 00:36:03,360 --> 00:36:04,960 Speaker 1: the same way, like the police will be like a 637 00:36:05,040 --> 00:36:08,279 Speaker 1: group of police supporters rallied outside the courthouse, like, no, 638 00:36:08,400 --> 00:36:11,319 Speaker 1: these are cops who are also racist who came to 639 00:36:11,360 --> 00:36:13,759 Speaker 1: help their friend out in court. Like the You know, 640 00:36:13,840 --> 00:36:17,440 Speaker 1: there's a lot of just euphemistic deracialized talk around things 641 00:36:17,440 --> 00:36:20,919 Speaker 1: that are so inherently racial too that it really can 642 00:36:20,920 --> 00:36:22,840 Speaker 1: obscure like what the meaning is for a lot of 643 00:36:22,840 --> 00:36:25,480 Speaker 1: people if they're not fully checked in. We saw that 644 00:36:25,800 --> 00:36:28,680 Speaker 1: video of in the aftermath of one of the early 645 00:36:28,760 --> 00:36:31,919 Speaker 1: uprisings of the cops talking to like people who were 646 00:36:32,200 --> 00:36:36,600 Speaker 1: white supremacists or you know, on the right, uh, just 647 00:36:36,640 --> 00:36:39,080 Speaker 1: like telling them what their plan was and like where 648 00:36:39,120 --> 00:36:41,160 Speaker 1: to be in order to get off, to make trouble 649 00:36:41,440 --> 00:36:46,160 Speaker 1: off doing exactly Fort Collins. Over the weekend this past weekend, 650 00:36:46,600 --> 00:36:49,760 Speaker 1: there was a back the Blue rally UH anti racism 651 00:36:49,800 --> 00:36:53,400 Speaker 1: protesters showed up to counter protests. They were chased two blocks, 652 00:36:53,440 --> 00:36:57,000 Speaker 1: beaten severely by a gang of quote police supporters, and 653 00:36:57,040 --> 00:36:59,600 Speaker 1: then the cops showed up and arrested the victims of 654 00:36:59,640 --> 00:37:02,040 Speaker 1: the b that's the word we use now because I 655 00:37:02,040 --> 00:37:05,440 Speaker 1: guess police already means racist, so police just rather than 656 00:37:05,520 --> 00:37:10,239 Speaker 1: racist police supporters, police support Like what what? Uh? I mean? 657 00:37:10,280 --> 00:37:12,480 Speaker 1: This is why I think if you remember a couple 658 00:37:12,480 --> 00:37:14,640 Speaker 1: of weeks back, there were a bunch of people like 659 00:37:14,680 --> 00:37:16,560 Speaker 1: across the United States that were found hanging from trees. 660 00:37:16,560 --> 00:37:18,960 Speaker 1: They were all black. And then quickly, as we have 661 00:37:19,000 --> 00:37:23,400 Speaker 1: seen during quarantine, uh, speculation and rumor began to spread like, oh, 662 00:37:23,440 --> 00:37:27,040 Speaker 1: there are like coordinated lynchings happening across the States. I'm 663 00:37:27,080 --> 00:37:30,480 Speaker 1: not a big conspiracy theory person. I love reading about them, 664 00:37:30,480 --> 00:37:33,919 Speaker 1: but I think oftentimes we're not that coordinated to pull 665 00:37:33,960 --> 00:37:38,000 Speaker 1: off really grand conspiracies. But I understand why there was 666 00:37:38,080 --> 00:37:41,480 Speaker 1: the the thought because it feels and especially if you're 667 00:37:41,560 --> 00:37:43,880 Speaker 1: you've read a lot of history about lynchings. There's a 668 00:37:43,880 --> 00:37:46,520 Speaker 1: couple of really great books out there that have like 669 00:37:46,680 --> 00:37:49,719 Speaker 1: first person nitwitness recounts from black communities about how they 670 00:37:49,800 --> 00:37:53,120 Speaker 1: changed after like these lynchings happened. It feels like we're 671 00:37:53,200 --> 00:37:55,200 Speaker 1: days away. It feels like we are days away from 672 00:37:55,200 --> 00:37:58,680 Speaker 1: a public lynching that will most likely go unpunished. As 673 00:37:58,719 --> 00:38:02,359 Speaker 1: we've seen, like as we've seen happened time and time again, 674 00:38:02,400 --> 00:38:05,000 Speaker 1: and it's it's it's crazy because things are working the 675 00:38:05,000 --> 00:38:06,719 Speaker 1: way that they're supposed to. And I think that's what's 676 00:38:06,760 --> 00:38:08,760 Speaker 1: most frustrating about it. If you think about the costs 677 00:38:08,840 --> 00:38:11,719 Speaker 1: and original intent to catch run away slaves, if you 678 00:38:11,760 --> 00:38:14,600 Speaker 1: think about who supports them and why, and if you 679 00:38:14,640 --> 00:38:16,000 Speaker 1: think about the fact of America has been on the 680 00:38:16,000 --> 00:38:17,960 Speaker 1: same cycle for years and years and years, it's just 681 00:38:18,160 --> 00:38:20,520 Speaker 1: it's a matter of time before we see it again. 682 00:38:20,600 --> 00:38:24,840 Speaker 1: And it's uh, the sinction lynchings have been happening, But 683 00:38:24,920 --> 00:38:27,440 Speaker 1: I I do feel strongly that there seems to be 684 00:38:27,480 --> 00:38:31,200 Speaker 1: like less people impacted by it, less people seem to care. Yeah. 685 00:38:31,520 --> 00:38:33,080 Speaker 1: I don't know if it's just fatigued of it happening 686 00:38:33,080 --> 00:38:35,319 Speaker 1: and we're getting used to it or what, But there's 687 00:38:35,320 --> 00:38:40,160 Speaker 1: a consistent sort of experience of like the bad thing 688 00:38:40,239 --> 00:38:45,400 Speaker 1: being done out in the open, the horrifying consequence happening 689 00:38:45,440 --> 00:38:50,040 Speaker 1: as a result of that end because it's so straightforward, 690 00:38:50,239 --> 00:38:54,719 Speaker 1: like everyone's just like, yeah, I guess that happened, like 691 00:38:54,760 --> 00:38:58,720 Speaker 1: the the other story that is totally different, but also 692 00:38:58,800 --> 00:39:03,560 Speaker 1: feel similarly like it's just been taken for granted that 693 00:39:04,200 --> 00:39:08,560 Speaker 1: the fascists won. The story is Russia interfering. Whatever your 694 00:39:08,600 --> 00:39:13,040 Speaker 1: political leanings, if you believe the actual journalism from the ground, 695 00:39:13,239 --> 00:39:19,719 Speaker 1: Trump's sixteen campaign at least benefited from interference by Russia. 696 00:39:20,239 --> 00:39:23,120 Speaker 1: He won't admit that those two facts in any democratic 697 00:39:23,160 --> 00:39:29,080 Speaker 1: presidency would be between disqualifying and like defining. Uh. And 698 00:39:29,960 --> 00:39:33,280 Speaker 1: it's just been kind of like I realized because Nancy 699 00:39:33,280 --> 00:39:37,960 Speaker 1: Pelosi was talking about Russia interfering like a couple of 700 00:39:38,000 --> 00:39:41,520 Speaker 1: days ago, and my initial reaction to that was, all right, 701 00:39:41,640 --> 00:39:45,040 Speaker 1: move on, guys, who cares like it's it's just like yo, 702 00:39:45,320 --> 00:39:48,880 Speaker 1: like because it's as it's as wild as being Like 703 00:39:48,960 --> 00:39:52,160 Speaker 1: I remember in the in the during the election, when 704 00:39:52,160 --> 00:39:54,120 Speaker 1: those stories started bubbling up, and I was like, get 705 00:39:54,120 --> 00:39:56,880 Speaker 1: the funk out of here, Like I remember that. I 706 00:39:57,040 --> 00:40:04,160 Speaker 1: was gobsmacked the notion that one of a political presidential 707 00:40:04,239 --> 00:40:08,120 Speaker 1: candidate was enlisting the help of a hostile, you know whatever, 708 00:40:08,560 --> 00:40:12,720 Speaker 1: vival nation to get elected. And then in my mind 709 00:40:13,040 --> 00:40:14,680 Speaker 1: it's like one of those things like damn, there's no 710 00:40:14,719 --> 00:40:16,560 Speaker 1: way this country is gonna let that ship happen. Like 711 00:40:16,600 --> 00:40:19,120 Speaker 1: that just sounds like textbook anti America. She you're gonna 712 00:40:19,160 --> 00:40:21,600 Speaker 1: let Russia come in here and funk everything. Really like 713 00:40:21,640 --> 00:40:23,720 Speaker 1: I felt like that was the one, you know, post 714 00:40:23,760 --> 00:40:27,239 Speaker 1: World War two consistent sort of bogey country that like 715 00:40:27,280 --> 00:40:29,440 Speaker 1: they could drum up fear of, like with Iran, like 716 00:40:29,640 --> 00:40:32,640 Speaker 1: Russia too, and then China for economic reasons or whatever. 717 00:40:32,680 --> 00:40:35,480 Speaker 1: But I could not believe. I was like, Okay, well 718 00:40:35,480 --> 00:40:38,680 Speaker 1: that either that didn't happen, or it happened, and they're 719 00:40:38,680 --> 00:40:41,720 Speaker 1: gonna sort that ship out, because that is so antithetical 720 00:40:41,760 --> 00:40:44,560 Speaker 1: to what I at the time thought. How they're like 721 00:40:44,600 --> 00:40:47,200 Speaker 1: what the guardrails were, but they were all there, they 722 00:40:47,200 --> 00:40:49,919 Speaker 1: were illusions. Yeah, and it is really hard to think 723 00:40:50,360 --> 00:40:53,759 Speaker 1: now that we're just sort of like, yeah, I mean, 724 00:40:54,120 --> 00:40:56,080 Speaker 1: at what point, you know, it's like it's like a 725 00:40:56,120 --> 00:41:01,879 Speaker 1: truck hop the curb and crashed through a gate into like, uh, 726 00:41:01,920 --> 00:41:05,680 Speaker 1: like an elementary school and then got almost to like 727 00:41:05,760 --> 00:41:09,080 Speaker 1: the kindergarten classrooms. But there's so many tragedies happening along 728 00:41:09,120 --> 00:41:11,040 Speaker 1: the way we don't know which one to address first, 729 00:41:11,080 --> 00:41:13,200 Speaker 1: Like oh my god, the driver was it was asleep. 730 00:41:13,239 --> 00:41:14,560 Speaker 1: It's like, yeah, but then it hopped the gate and 731 00:41:14,560 --> 00:41:16,360 Speaker 1: smashed through the wall, like oh my god, the wall, 732 00:41:16,719 --> 00:41:18,080 Speaker 1: and then what about the kids, Like well, it didn't 733 00:41:18,080 --> 00:41:20,000 Speaker 1: get there. I'm like, wait, but the driver was asleeps 734 00:41:20,000 --> 00:41:22,360 Speaker 1: like yeah, but hold on, it almost hit the kindergarten kids. 735 00:41:22,800 --> 00:41:25,759 Speaker 1: And there's like so many steps that were like, you know, 736 00:41:25,840 --> 00:41:30,439 Speaker 1: it's just so destabilized. Yeah, it's too too many things 737 00:41:30,520 --> 00:41:33,080 Speaker 1: all at once. But I mean, if you look at 738 00:41:33,080 --> 00:41:36,719 Speaker 1: the Mullet Report, like the ship that gets described there 739 00:41:36,960 --> 00:41:39,640 Speaker 1: is wild. It's just we moved on to the next 740 00:41:39,880 --> 00:41:44,040 Speaker 1: over act of fascism by the Trump administration before we 741 00:41:44,160 --> 00:41:48,880 Speaker 1: fully digested the Mullet report because the you know, Ukraine 742 00:41:49,760 --> 00:41:54,439 Speaker 1: thing popped up right, and then people were like, well 743 00:41:54,480 --> 00:41:57,280 Speaker 1: they lost that news cycle, and then that just became 744 00:41:57,400 --> 00:42:00,040 Speaker 1: the story that I feel like, yeah, we digest of 745 00:42:00,160 --> 00:42:02,239 Speaker 1: that more. People. I think also need to just get 746 00:42:02,280 --> 00:42:05,400 Speaker 1: motivated to like, if you can serve in public office 747 00:42:06,480 --> 00:42:09,399 Speaker 1: and you have the wherewithal to do that, consider it. 748 00:42:09,760 --> 00:42:12,080 Speaker 1: You know. Like I feel like if if we had 749 00:42:12,080 --> 00:42:16,040 Speaker 1: an inexhaustible like just well of like qualified candidates to 750 00:42:16,160 --> 00:42:18,439 Speaker 1: just like go in, get voted out, but like get 751 00:42:18,440 --> 00:42:23,360 Speaker 1: ship done. You know, that's people don't have the funds, 752 00:42:23,440 --> 00:42:25,680 Speaker 1: Like to be a candidate, you need to be like 753 00:42:25,760 --> 00:42:28,480 Speaker 1: red tired and have all of the time or be 754 00:42:28,560 --> 00:42:31,040 Speaker 1: wealthy enough to have somebody supporting you or be the 755 00:42:31,080 --> 00:42:34,320 Speaker 1: kind of person that's a boundless level of energy plus 756 00:42:34,320 --> 00:42:36,319 Speaker 1: a support system that I'll get you caught like it is. 757 00:42:37,160 --> 00:42:39,719 Speaker 1: I mean, I think it's admnirable to to like want 758 00:42:39,719 --> 00:42:42,239 Speaker 1: to encourage people to go in, but there's still so 759 00:42:42,280 --> 00:42:44,600 Speaker 1: many I think, to your previous point, there's just so 760 00:42:44,640 --> 00:42:46,719 Speaker 1: many lines and boundaries to cross before we can, like 761 00:42:47,480 --> 00:42:49,759 Speaker 1: it feels like we can tackle any of the problems. 762 00:42:49,760 --> 00:42:52,000 Speaker 1: And I know there's such a downard note, but I 763 00:42:52,080 --> 00:42:54,360 Speaker 1: like I've seeing people go through, like my grandmother was 764 00:42:54,440 --> 00:42:57,440 Speaker 1: mere protempt for her community for like ten years. And 765 00:42:57,480 --> 00:43:01,520 Speaker 1: I know how much money and how much like actual time. 766 00:43:01,560 --> 00:43:04,400 Speaker 1: And if you're like a parent of two children and 767 00:43:04,440 --> 00:43:05,880 Speaker 1: you have a full time job and all of that 768 00:43:05,920 --> 00:43:09,040 Speaker 1: to sustain everybody, how are you supposed to begin breaking 769 00:43:09,040 --> 00:43:11,279 Speaker 1: into that process? You know? And on top of that, 770 00:43:11,280 --> 00:43:13,280 Speaker 1: we have an education system that doesn't teach our children 771 00:43:13,280 --> 00:43:16,759 Speaker 1: like how our government works. I think people who are 772 00:43:16,920 --> 00:43:19,319 Speaker 1: going to go run for office, like, no, they have 773 00:43:19,440 --> 00:43:21,799 Speaker 1: the ability to do that, But I wouldn't necessarily get 774 00:43:21,840 --> 00:43:25,040 Speaker 1: immediately discouraged by like this sort of like phone book 775 00:43:25,080 --> 00:43:28,600 Speaker 1: biopsy version that Jack talks about like on pods of America, 776 00:43:28,640 --> 00:43:29,919 Speaker 1: how like the d n C will be like, Okay, 777 00:43:29,920 --> 00:43:31,479 Speaker 1: who you got in your phone? Okay, you're too broke 778 00:43:31,560 --> 00:43:34,279 Speaker 1: to run? Because there we've seen plenty of like real 779 00:43:34,360 --> 00:43:39,600 Speaker 1: grassroots candidates like s elevate and enter office without sort 780 00:43:39,640 --> 00:43:43,880 Speaker 1: of the traditional infrastructure of like the moneyed industries behind it. 781 00:43:44,160 --> 00:43:48,040 Speaker 1: All that to say is there's we're seeing multiple versions 782 00:43:48,080 --> 00:43:50,840 Speaker 1: of what politicians are and the people who enter politics. 783 00:43:50,840 --> 00:43:52,319 Speaker 1: There are the people who are just like I want 784 00:43:52,360 --> 00:43:54,600 Speaker 1: to be the most popular person in my part of 785 00:43:54,600 --> 00:43:57,239 Speaker 1: the state and run for office, or like we just 786 00:43:57,280 --> 00:44:00,000 Speaker 1: need more purpose driven things because they're far too few. 787 00:44:00,160 --> 00:44:03,160 Speaker 1: There are far a few people, not enough people who 788 00:44:03,400 --> 00:44:06,120 Speaker 1: are able to at least just cut through all the 789 00:44:06,280 --> 00:44:10,120 Speaker 1: dumb like wonk speak and like talking points and just 790 00:44:10,200 --> 00:44:12,560 Speaker 1: get to the heart of the matter about like we're hurting, 791 00:44:12,840 --> 00:44:15,279 Speaker 1: like we're hurting and not not one y'all give a ship. 792 00:44:16,120 --> 00:44:20,000 Speaker 1: Listening to the BLM meetings with like the l A 793 00:44:20,080 --> 00:44:23,279 Speaker 1: City Council has been rather uplifting because those are people 794 00:44:23,320 --> 00:44:27,640 Speaker 1: that are not just politicians but active community members. Where 795 00:44:27,640 --> 00:44:29,239 Speaker 1: I find myself training more and more to be like 796 00:44:29,280 --> 00:44:32,600 Speaker 1: how do we actually incite action and not just like 797 00:44:32,600 --> 00:44:34,839 Speaker 1: a manageable way, but in a tangible way. I think 798 00:44:34,840 --> 00:44:36,880 Speaker 1: so many times like we got this big thing, passive 799 00:44:36,880 --> 00:44:39,560 Speaker 1: people like when do I personally feel the impact of 800 00:44:39,600 --> 00:44:41,560 Speaker 1: that change? And it will be for a very long time, 801 00:44:41,600 --> 00:44:44,760 Speaker 1: so to see like a lot of citizens who are connected, 802 00:44:44,800 --> 00:44:47,560 Speaker 1: who have worked together to make very clear statements about 803 00:44:47,600 --> 00:44:49,120 Speaker 1: like what does it mean to be fund the police 804 00:44:49,200 --> 00:44:53,080 Speaker 1: and how they intend to like move this particular city forward. 805 00:44:53,719 --> 00:44:56,279 Speaker 1: I think that's been the most uplifting thing to come 806 00:44:56,280 --> 00:44:59,000 Speaker 1: out of this quarantine sort of politics we've been under. 807 00:44:59,680 --> 00:45:03,000 Speaker 1: Someone should makeup podcast that's like about how to affect 808 00:45:05,239 --> 00:45:07,440 Speaker 1: Oh wait, Joel, you're working on that one right now? 809 00:45:07,480 --> 00:45:13,879 Speaker 1: I did? I did? Uh Yeah, we've got We're having 810 00:45:13,880 --> 00:45:16,040 Speaker 1: a moment with Baron day Thurston. He was much murder 811 00:45:16,120 --> 00:45:18,480 Speaker 1: about these things than I am and is a member 812 00:45:18,480 --> 00:45:20,560 Speaker 1: of his community and connected to a lot of strong 813 00:45:20,640 --> 00:45:23,120 Speaker 1: voices if you want to understand how we reach this 814 00:45:23,200 --> 00:45:27,840 Speaker 1: political moment. And then Augus seven will be dropping at 815 00:45:27,920 --> 00:45:31,040 Speaker 1: least the first two episodes, maybe the first three of 816 00:45:32,960 --> 00:45:35,759 Speaker 1: How to Citizen, which is his next podcast, which is 817 00:45:36,360 --> 00:45:40,040 Speaker 1: like part Salon, part Hu and a interview aspect of 818 00:45:40,040 --> 00:45:42,800 Speaker 1: like what does it mean to be a citizen in America. 819 00:45:43,120 --> 00:45:45,000 Speaker 1: I'm learning a lot from him. He's helping me be 820 00:45:45,239 --> 00:45:47,799 Speaker 1: less of a downer about where our country is. That 821 00:45:48,080 --> 00:45:50,480 Speaker 1: there's a lot to be inspired there. And I know 822 00:45:50,520 --> 00:45:52,320 Speaker 1: a lot of people are like, yo, this should should 823 00:45:52,360 --> 00:45:54,600 Speaker 1: is getting mad doom or open here? Uh, you know 824 00:45:55,000 --> 00:45:57,680 Speaker 1: how to citizen? And like the way Barton Day talks 825 00:45:57,719 --> 00:45:59,759 Speaker 1: about the issues that are going on, even his like 826 00:46:00,080 --> 00:46:03,440 Speaker 1: point of view is very um refreshing. So yeah, at 827 00:46:03,480 --> 00:46:05,920 Speaker 1: the very least you check out. We're having a moment 828 00:46:05,960 --> 00:46:08,239 Speaker 1: and this is turned into a very organic plug for 829 00:46:08,400 --> 00:46:14,439 Speaker 1: the I Heart podcast network paying bills. But yeah, it does. 830 00:46:14,560 --> 00:46:17,640 Speaker 1: It does connect it to like actual things that you 831 00:46:17,680 --> 00:46:20,680 Speaker 1: can do. Yes, it's brought to you by PEPSI the 832 00:46:20,760 --> 00:46:25,000 Speaker 1: choice of it. Now we're gonna take a quick break. 833 00:46:25,000 --> 00:46:38,160 Speaker 1: We'll be right back and we're back and one story 834 00:46:38,200 --> 00:46:40,600 Speaker 1: I wanted to check them with real quick well too. 835 00:46:40,640 --> 00:46:44,560 Speaker 1: So the FEC commissioners said there's a substantial chance of 836 00:46:44,640 --> 00:46:48,880 Speaker 1: no election night results this year, So just that's something 837 00:46:48,960 --> 00:46:54,080 Speaker 1: to mentally gird yourself for. Uh and then uh, which 838 00:46:54,120 --> 00:46:56,160 Speaker 1: I mean isn't isn't a bad thing. They're just saying 839 00:46:56,239 --> 00:46:59,000 Speaker 1: there's just gonna be so many mail in people now 840 00:46:59,040 --> 00:47:01,399 Speaker 1: with the pandemic. It's just like how even the mid terms, 841 00:47:01,440 --> 00:47:04,000 Speaker 1: and like Paul Ryan was like, I mean I thought 842 00:47:04,040 --> 00:47:06,560 Speaker 1: we'd I thought we were in the lead before He's 843 00:47:06,600 --> 00:47:11,880 Speaker 1: like votes Scott counted, right, But remember how that story 844 00:47:11,920 --> 00:47:15,320 Speaker 1: started to go out as the where was the blue wave? 845 00:47:15,560 --> 00:47:19,920 Speaker 1: And it took like a month before fully We're like, yeah, 846 00:47:20,000 --> 00:47:22,839 Speaker 1: there was a blue wave, Like the story was not 847 00:47:23,000 --> 00:47:27,160 Speaker 1: fully and like people there were races that were getting overturned. 848 00:47:27,800 --> 00:47:31,319 Speaker 1: If something like that happens where Trump's up and then 849 00:47:31,840 --> 00:47:35,960 Speaker 1: like votes are coming in late for Biden that give 850 00:47:36,080 --> 00:47:40,400 Speaker 1: him the win. I think we're in some real trouble 851 00:47:40,560 --> 00:47:44,279 Speaker 1: as a country because that that will be litigated to hell. 852 00:47:45,080 --> 00:47:49,080 Speaker 1: And then just one other uh doomy, gloomy story before 853 00:47:49,080 --> 00:47:52,960 Speaker 1: we get to Carole Baskin, is just that that's Georgia 854 00:47:53,040 --> 00:47:57,200 Speaker 1: school that reopened with all those wild images. They have 855 00:47:57,400 --> 00:48:01,080 Speaker 1: I think nine cases that have been announced already and 856 00:48:01,280 --> 00:48:04,480 Speaker 1: the student who was suspended for taking those pictures is 857 00:48:04,480 --> 00:48:09,960 Speaker 1: now getting threats. Uh so shout out to that whole 858 00:48:10,520 --> 00:48:13,480 Speaker 1: wave threats for a photo in a high school hallway. 859 00:48:13,640 --> 00:48:17,319 Speaker 1: What because like you know, it's just everything anything that 860 00:48:17,400 --> 00:48:23,320 Speaker 1: threatens to disrupt this idealized like version of like Trump's 861 00:48:23,360 --> 00:48:26,520 Speaker 1: reality that some people have just full on bought into 862 00:48:26,640 --> 00:48:30,799 Speaker 1: because like that's the last like soothing blanket they have 863 00:48:30,960 --> 00:48:34,279 Speaker 1: to wrap themselves in while everything is falling apart. So 864 00:48:34,320 --> 00:48:36,640 Speaker 1: it's like, don't don't come at me with your takes 865 00:48:36,640 --> 00:48:39,759 Speaker 1: about how this might be wrong. So like even a 866 00:48:39,840 --> 00:48:42,359 Speaker 1: student who's brave enough, not even brave, just being like, yo, 867 00:48:42,400 --> 00:48:44,480 Speaker 1: I'm at risk. Look at this ship. I'm fifteen, this 868 00:48:44,560 --> 00:48:46,560 Speaker 1: is the Internet, this is how we do. Ship like 869 00:48:46,760 --> 00:48:49,120 Speaker 1: that that is now seen as someone who needs to 870 00:48:49,160 --> 00:48:53,560 Speaker 1: be threatened just shows you how fragile the mindset is 871 00:48:53,640 --> 00:48:56,480 Speaker 1: for a lot of the supporters, because anything that disrupts 872 00:48:56,480 --> 00:48:59,799 Speaker 1: that is like, like, no, you're threatening my existence now 873 00:49:00,040 --> 00:49:02,360 Speaker 1: by taking a photo in high school, because that means 874 00:49:02,480 --> 00:49:04,840 Speaker 1: that Dr Fauci was right, and then that means Donald 875 00:49:04,840 --> 00:49:06,719 Speaker 1: Trump is wrong. And then if he's wrong, what am 876 00:49:06,719 --> 00:49:08,799 Speaker 1: I wrong about? No? No, no no, no, no, fuck you 877 00:49:08,880 --> 00:49:10,719 Speaker 1: fifteen year old child, I'm threatening. You know. It's like 878 00:49:10,840 --> 00:49:14,719 Speaker 1: who I probably thought that we have to deal with 879 00:49:14,880 --> 00:49:18,680 Speaker 1: was being suspended, which I was like, what are you 880 00:49:18,719 --> 00:49:22,160 Speaker 1: do in school? That's crazy? Um, I know they lifted, 881 00:49:22,200 --> 00:49:24,120 Speaker 1: I know they lifted that. But it's just I what 882 00:49:24,440 --> 00:49:28,239 Speaker 1: did you expect? Children have phones like I don't. And 883 00:49:28,239 --> 00:49:31,719 Speaker 1: and of course everybody's gonna be like there's a little pandemic. 884 00:49:32,239 --> 00:49:34,960 Speaker 1: I don't know. Man, Man, it's crazy to me that 885 00:49:35,000 --> 00:49:37,200 Speaker 1: people are like, it's not worth protecting the children or 886 00:49:37,280 --> 00:49:40,200 Speaker 1: the teachers that work there. Did get back to work, 887 00:49:40,920 --> 00:49:45,040 Speaker 1: things to do? And yeah, in in standard you know 888 00:49:45,120 --> 00:49:49,160 Speaker 1: Fox News tactic for dealing with any sort of uh 889 00:49:49,440 --> 00:49:54,080 Speaker 1: nightmarish behavior uh that's coming from their side. You know, 890 00:49:54,160 --> 00:49:57,040 Speaker 1: they freak out and talk about like Tugger Carlson made 891 00:49:57,080 --> 00:49:58,799 Speaker 1: up a story where the New York Times was gonna 892 00:49:58,880 --> 00:50:03,080 Speaker 1: docks him got the New York Times reporter dosed. But 893 00:50:03,400 --> 00:50:06,920 Speaker 1: these you know, the right really is going in hard 894 00:50:07,080 --> 00:50:11,960 Speaker 1: on docks sing anybody who you know is revealing some 895 00:50:12,160 --> 00:50:17,040 Speaker 1: fundamental fracture in there, you know, the the validity of 896 00:50:17,120 --> 00:50:22,080 Speaker 1: their worldview, such as like Fauci's daughters and and it's 897 00:50:22,080 --> 00:50:24,640 Speaker 1: the same thing like if you like really fucked with 898 00:50:24,719 --> 00:50:28,239 Speaker 1: Jenko jeans and you still wear Genko jeans and there 899 00:50:28,239 --> 00:50:31,000 Speaker 1: were anybody who is being like yo, d them ships 900 00:50:31,000 --> 00:50:33,560 Speaker 1: are whack. You're gonna not funk with that person, Like 901 00:50:33,600 --> 00:50:35,399 Speaker 1: you're not going to hang out with them, and you're 902 00:50:35,440 --> 00:50:39,400 Speaker 1: probably gonna surround yourself with other Jenko gene wearing motherfucker's 903 00:50:39,480 --> 00:50:42,759 Speaker 1: or Jenko gene enablers much in the same way, with 904 00:50:42,800 --> 00:50:44,600 Speaker 1: like their racism and things like that. It's like, wait, 905 00:50:44,600 --> 00:50:46,400 Speaker 1: you want to make me self worried about my racist 906 00:50:46,400 --> 00:50:48,360 Speaker 1: get the funk over there, because I need to go 907 00:50:48,400 --> 00:50:51,920 Speaker 1: to my soothing place of racist enablers and fellow racists 908 00:50:51,960 --> 00:50:53,600 Speaker 1: so we can continue to be like, yeah, yeah, this 909 00:50:53,640 --> 00:50:56,560 Speaker 1: is it. This is the geno jeans. Yeah, it's just 910 00:50:57,120 --> 00:50:59,719 Speaker 1: Jenco jeans are cool. So that that is a big 911 00:50:59,719 --> 00:51:01,880 Speaker 1: different Yeah. Okay, so I could have picked up I 912 00:51:01,880 --> 00:51:04,080 Speaker 1: could have picked a better one, so I'll say, uh, 913 00:51:04,320 --> 00:51:11,920 Speaker 1: a penicillin, okay, because that's bad. Uh. Well, let's talk 914 00:51:11,920 --> 00:51:16,120 Speaker 1: about Carol Baskin. Guys, it's time to check back in 915 00:51:17,480 --> 00:51:23,400 Speaker 1: with her take on that no one asked for. Well, 916 00:51:23,680 --> 00:51:25,680 Speaker 1: you know, you don't. You don't read my journal, so 917 00:51:25,719 --> 00:51:28,480 Speaker 1: you don't know. But she had some thoughts on the 918 00:51:28,480 --> 00:51:33,439 Speaker 1: web video. She really did, uh, because the video had everything, uh, 919 00:51:33,480 --> 00:51:38,960 Speaker 1: you know, unnecessary cameos from Kylie Jenner, just walking boob fountains. 920 00:51:39,000 --> 00:51:43,439 Speaker 1: We talked about that Torkin, uh and exotic cats entered 921 00:51:43,520 --> 00:51:47,280 Speaker 1: Carol Basking. So her take is on in the video, 922 00:51:47,320 --> 00:51:51,480 Speaker 1: you see some exotic cats, I believe, some tigers and ship. Clearly, Um, 923 00:51:51,800 --> 00:51:55,279 Speaker 1: the video was not shot in a real palace with 924 00:51:55,360 --> 00:51:58,400 Speaker 1: all that ship in there. It Uh, most definitely was 925 00:51:58,440 --> 00:52:01,759 Speaker 1: shot on a green screen. So she says, when talking 926 00:52:01,760 --> 00:52:04,120 Speaker 1: about the cats quote, my guess is that most people 927 00:52:04,120 --> 00:52:06,920 Speaker 1: won't even see the photoshop cats in the scenes because 928 00:52:06,960 --> 00:52:11,400 Speaker 1: the rest of it is so lurid. Carol. So she 929 00:52:11,520 --> 00:52:13,640 Speaker 1: starts it and it's like, I was happy to see 930 00:52:13,680 --> 00:52:16,720 Speaker 1: that it does appear to I'll be photoshopped green screen. Um, 931 00:52:16,760 --> 00:52:18,480 Speaker 1: it didn't look like the cats were really in the 932 00:52:18,600 --> 00:52:21,400 Speaker 1: rooms with the singers. In fact, probably most of the 933 00:52:21,480 --> 00:52:25,000 Speaker 1: rooms were photo shopped in via green screen. All right, 934 00:52:26,040 --> 00:52:29,280 Speaker 1: almost I get most of my behind the scenes insider 935 00:52:29,360 --> 00:52:32,520 Speaker 1: info from Carol Baska. She gives really good insight, and 936 00:52:32,680 --> 00:52:36,759 Speaker 1: you know they accomplished all these different things. She basically 937 00:52:36,880 --> 00:52:41,319 Speaker 1: dragged George Lucas into starting Industrial Light and Magic in 938 00:52:41,440 --> 00:52:44,319 Speaker 1: terms of like changing visual effects. She was like, you 939 00:52:44,320 --> 00:52:48,719 Speaker 1: can't just photoshop all this stuff. You know, this star 940 00:52:48,840 --> 00:52:53,440 Speaker 1: destroyer George into your movies folms. So the next thing 941 00:52:53,480 --> 00:52:55,839 Speaker 1: she said, uh, it's like, Okay, thank god the green screen. 942 00:52:55,840 --> 00:52:57,880 Speaker 1: And then, but that being said, you have you have 943 00:52:57,960 --> 00:53:00,920 Speaker 1: to pose a wildcat in front of a green screen 944 00:53:01,000 --> 00:53:05,000 Speaker 1: to get that image, and that doesn't happen in the wild, okay, 945 00:53:05,040 --> 00:53:08,560 Speaker 1: so it can't happen in sanctuaries like ours, where cats 946 00:53:08,640 --> 00:53:11,080 Speaker 1: have plenty of room to avoid a green screen. And 947 00:53:11,080 --> 00:53:13,759 Speaker 1: then she puts a parenthetical or would shred it if 948 00:53:13,840 --> 00:53:17,960 Speaker 1: offered access and could die from ingesting it. That tells 949 00:53:18,000 --> 00:53:19,839 Speaker 1: me they probably dealt with one of the big cat 950 00:53:19,920 --> 00:53:22,880 Speaker 1: pips who makes a living from beating, shocking and starving 951 00:53:22,880 --> 00:53:24,720 Speaker 1: cats to make them stand in front of a green screen. 952 00:53:25,760 --> 00:53:28,040 Speaker 1: That's sort of it. But I like how she was 953 00:53:28,120 --> 00:53:31,319 Speaker 1: at least raising awareness of green screen ingestion, the risks 954 00:53:31,360 --> 00:53:35,120 Speaker 1: of green screen ingestion. Four wild cats, um, because you 955 00:53:35,120 --> 00:53:38,759 Speaker 1: know those darn cats, like every cartoon I remember, they 956 00:53:38,760 --> 00:53:41,960 Speaker 1: would just be eating, shredding up that chromackey green sheet 957 00:53:42,120 --> 00:53:46,520 Speaker 1: for a green screen always always. Uh. That's I mean, 958 00:53:47,320 --> 00:53:49,879 Speaker 1: that's great to hear that she's out here kind of 959 00:53:49,960 --> 00:53:53,880 Speaker 1: piecing all that information. Together. Yeah, that's why it feels 960 00:53:53,880 --> 00:53:56,799 Speaker 1: like a non comment. Like all she said was like, yeah, 961 00:53:56,840 --> 00:53:58,799 Speaker 1: that looks like green screen and I don't like that, 962 00:53:59,120 --> 00:54:01,759 Speaker 1: and I'm good to hats. I'll say that and they 963 00:54:01,760 --> 00:54:04,319 Speaker 1: won't eat my green screens? Can I go? Now? I'm 964 00:54:04,360 --> 00:54:08,200 Speaker 1: Carol Basket. Now that Carol Baskin has proven her expertise 965 00:54:08,239 --> 00:54:10,000 Speaker 1: in photoshop, do you think the police have to like 966 00:54:10,040 --> 00:54:16,640 Speaker 1: go back over her records her husband those documents right 967 00:54:16,680 --> 00:54:21,319 Speaker 1: right right? Amazing? Actually, like she is skilled. She really 968 00:54:21,360 --> 00:54:23,520 Speaker 1: pulled on and pulled a fast one on us. But yeah, 969 00:54:23,520 --> 00:54:26,360 Speaker 1: it's uh, I was hoping she when she said lurid, 970 00:54:26,400 --> 00:54:28,759 Speaker 1: I'm like, oh, come on, no, no no, avoid the cats now. 971 00:54:28,840 --> 00:54:31,680 Speaker 1: Want to hear Carol Baskins like conservative lady take on 972 00:54:31,719 --> 00:54:34,480 Speaker 1: the wet video, like I can't see now what is 973 00:54:34,520 --> 00:54:36,839 Speaker 1: that viewing? Like, well, you know, we know what Ben 974 00:54:36,840 --> 00:54:39,040 Speaker 1: Shapiro's is. It was in secret and he was he 975 00:54:39,080 --> 00:54:42,319 Speaker 1: was feeling the video, but Carol Baskin was she just 976 00:54:42,520 --> 00:54:44,480 Speaker 1: did she just see the cat and then the rest 977 00:54:44,480 --> 00:54:46,400 Speaker 1: of the time she's like, oh, no, it's one of 978 00:54:46,440 --> 00:54:48,680 Speaker 1: the big cat pimps. No. I think Carol was really 979 00:54:48,719 --> 00:54:52,040 Speaker 1: excited about the leopard zebra print or now it wasn't 980 00:54:52,080 --> 00:54:54,960 Speaker 1: even it was like a white tiger print stuff, because 981 00:54:54,960 --> 00:54:56,600 Speaker 1: you know she'd be wearing patterns, and I think she 982 00:54:56,680 --> 00:54:59,160 Speaker 1: was like, look at this style inspo. You know, she 983 00:54:59,280 --> 00:55:01,520 Speaker 1: was ready. She was like, I really need like my 984 00:55:01,560 --> 00:55:05,200 Speaker 1: white leopard boost to get that fashion game. She's about 985 00:55:05,200 --> 00:55:07,840 Speaker 1: to go on Wish and by the Wild Chinese knockoff version, 986 00:55:07,960 --> 00:55:10,879 Speaker 1: and then she's gonna like her husband. She's like, honey, 987 00:55:11,080 --> 00:55:16,560 Speaker 1: get your mop and bucket out. You know, I love 988 00:55:16,640 --> 00:55:21,120 Speaker 1: that print from the video. To her credit, she's I 989 00:55:21,200 --> 00:55:23,880 Speaker 1: did not remember that there were wildcats in the video, 990 00:55:24,680 --> 00:55:29,360 Speaker 1: and I'm still not totally sure that's accurate. Okay, I 991 00:55:29,440 --> 00:55:31,400 Speaker 1: see a white white tiger there. I think they're like 992 00:55:31,600 --> 00:55:34,960 Speaker 1: almost so purely like it's just one has just been 993 00:55:35,000 --> 00:55:38,799 Speaker 1: inverted to create that symmetry where I'm like, they they 994 00:55:38,800 --> 00:55:41,560 Speaker 1: got out of that that one shot. Yeah, this is 995 00:55:41,560 --> 00:55:45,759 Speaker 1: the equivalent of like your local snake guy being like 996 00:55:45,840 --> 00:55:48,920 Speaker 1: those snakes didn't look healthy that were on their body 997 00:55:49,360 --> 00:55:51,680 Speaker 1: that one scene. I think those, yeah, they were the 998 00:55:51,719 --> 00:55:54,640 Speaker 1: ones that they were actually on set for, as they 999 00:55:54,640 --> 00:55:57,080 Speaker 1: said in their interviews, because them ships were scary apparently, 1000 00:55:57,520 --> 00:55:59,880 Speaker 1: but that is by no means picking a fight with 1001 00:56:00,200 --> 00:56:04,040 Speaker 1: snake people. Shout out to you all you terrifying and 1002 00:56:04,239 --> 00:56:11,520 Speaker 1: uh with snake. Twitter'll come in your mentions, like a 1003 00:56:11,560 --> 00:56:13,920 Speaker 1: soccer player who just switched teams. That's like the thing 1004 00:56:14,000 --> 00:56:21,920 Speaker 1: they always do the snake snake anyway, sorry snake, Twitter's everyone. 1005 00:56:22,000 --> 00:56:24,400 Speaker 1: This is I just love when people really go in 1006 00:56:24,480 --> 00:56:27,600 Speaker 1: on the snake emoji because like people who like try 1007 00:56:27,640 --> 00:56:29,719 Speaker 1: and funk with you with that snake emoji, they really 1008 00:56:29,760 --> 00:56:32,520 Speaker 1: feel like that's really tearing you down, like the volume 1009 00:56:32,520 --> 00:56:36,080 Speaker 1: of snakes. Listen, I get it, go off and enjoy. 1010 00:56:36,480 --> 00:56:38,200 Speaker 1: Do you do it to? Like soccer players who like 1011 00:56:38,520 --> 00:56:40,319 Speaker 1: like Robin van Person who played for Arson, he went 1012 00:56:40,320 --> 00:56:42,520 Speaker 1: to Manchester United. That's a no nose. You're gonna get 1013 00:56:43,840 --> 00:56:49,280 Speaker 1: all up in your in yours so intimidating. It's violence. 1014 00:56:49,800 --> 00:56:53,040 Speaker 1: If you ask me, what do you think is that? What? 1015 00:56:53,040 --> 00:56:56,200 Speaker 1: What would be an unnerving emoji to get, like just 1016 00:56:56,239 --> 00:57:00,520 Speaker 1: to give yeah, because like I'm like the snake is 1017 00:57:00,520 --> 00:57:03,200 Speaker 1: too cute. I feel like there's something like just more 1018 00:57:03,320 --> 00:57:05,759 Speaker 1: simple that is like actually like, oh I don't know 1019 00:57:05,960 --> 00:57:08,439 Speaker 1: that you know what? Credit to you? You freaked me out. 1020 00:57:09,200 --> 00:57:11,440 Speaker 1: I feel like the violence because most horror scores are 1021 00:57:11,480 --> 00:57:14,360 Speaker 1: like by violins and to be like why are violins 1022 00:57:14,440 --> 00:57:17,000 Speaker 1: coming from me? Or violinists? Those people are dedicated to 1023 00:57:17,040 --> 00:57:19,040 Speaker 1: their craft. That's a lot of hours you gotta put it. 1024 00:57:19,360 --> 00:57:23,520 Speaker 1: I'm definitely petrified of violent commun or if someone just 1025 00:57:23,600 --> 00:57:26,400 Speaker 1: hits you with like the fried shrimp one over and over, 1026 00:57:27,360 --> 00:57:32,560 Speaker 1: trying to say, fuck my fried, I do have an 1027 00:57:32,560 --> 00:57:38,600 Speaker 1: exoskeleton on my exterior. Let's go. Let's check him with Disney, 1028 00:57:38,600 --> 00:57:44,400 Speaker 1: because we are always you know, learned about our future overlord. 1029 00:57:44,960 --> 00:57:48,240 Speaker 1: What what is going on? They We knew that they 1030 00:57:48,320 --> 00:57:52,439 Speaker 1: opened a few weeks back. I had seen some uh 1031 00:57:52,600 --> 00:57:57,480 Speaker 1: photo journals of people's days at the on on various 1032 00:57:57,520 --> 00:58:01,640 Speaker 1: Disney rides that looked creepy, uh and not fun. But 1033 00:58:01,920 --> 00:58:06,480 Speaker 1: I'm assuming that you know there there's enough Disney fans 1034 00:58:06,480 --> 00:58:10,120 Speaker 1: out there to have made this arousing success. Well, yeah, 1035 00:58:10,120 --> 00:58:11,600 Speaker 1: that was like the fear I think a lot of 1036 00:58:11,600 --> 00:58:14,360 Speaker 1: people had, but it turns out that might not be. 1037 00:58:14,480 --> 00:58:18,480 Speaker 1: It's so Magic Kingdom and Hollywood Studios are going now 1038 00:58:18,520 --> 00:58:23,760 Speaker 1: closing an hour earlier every day. Epcot and Disney World, Uh, 1039 00:58:23,880 --> 00:58:27,640 Speaker 1: Epcot and then Animal Kingdom are like have their hours 1040 00:58:27,640 --> 00:58:31,360 Speaker 1: cut down by two hours. And this is gonna start 1041 00:58:31,400 --> 00:58:34,440 Speaker 1: at the beginning of next month, like through October. TVD 1042 00:58:34,640 --> 00:58:36,600 Speaker 1: kind of thing, and then like on an earnings call 1043 00:58:36,720 --> 00:58:39,160 Speaker 1: because Hey, that's where that's where the real decisions are 1044 00:58:39,160 --> 00:58:41,400 Speaker 1: made whether or not to treat people humanely. On this 1045 00:58:41,480 --> 00:58:44,840 Speaker 1: earnings call, they were like, uh, we lost three and 1046 00:58:44,840 --> 00:58:47,200 Speaker 1: a half billion dollars from the parks being shut down, 1047 00:58:47,320 --> 00:58:48,920 Speaker 1: and you hate to see it. I mean, where is 1048 00:58:49,000 --> 00:58:50,760 Speaker 1: Disney going to come up with that kind of money. 1049 00:58:50,760 --> 00:58:52,840 Speaker 1: You never know where it could come from. So they're 1050 00:58:52,880 --> 00:58:56,240 Speaker 1: really struggling thoughts and prayers. So they Yeah, it just 1051 00:58:56,280 --> 00:59:00,120 Speaker 1: turns out that surprisingly there are far less people who 1052 00:59:00,120 --> 00:59:02,320 Speaker 1: are as reckless as we all thought there would be, 1053 00:59:02,320 --> 00:59:03,800 Speaker 1: because like we thought it was like oh shit, here 1054 00:59:03,840 --> 00:59:06,240 Speaker 1: we go, like people are just gonna go. But I 1055 00:59:06,280 --> 00:59:08,600 Speaker 1: think when you really think about it, with the amount 1056 00:59:08,640 --> 00:59:10,959 Speaker 1: of international travel that's cut down for like the kinds 1057 00:59:10,960 --> 00:59:12,840 Speaker 1: of people who would go there, or people who would 1058 00:59:12,880 --> 00:59:15,320 Speaker 1: fly across country to make that a trip, you're now 1059 00:59:15,360 --> 00:59:18,760 Speaker 1: just sort of like limiting yourselves to like pandemic deniers 1060 00:59:18,800 --> 00:59:21,919 Speaker 1: who live within driving distance of you know, the park. 1061 00:59:22,760 --> 00:59:25,120 Speaker 1: WHI should be fair. I know, Disney banks a lot 1062 00:59:25,160 --> 00:59:28,760 Speaker 1: on it's like local passholder community to like sort of 1063 00:59:28,760 --> 00:59:32,520 Speaker 1: cover its base. Um, if you've ever been to Disney 1064 00:59:32,520 --> 00:59:35,160 Speaker 1: out here in southern California, you know it's a lot 1065 00:59:35,200 --> 00:59:38,280 Speaker 1: of families, favorite place on Earth, and it's a fun time. 1066 00:59:38,280 --> 00:59:41,440 Speaker 1: I'm not gonna lie there, slicker there. It's a dream um, 1067 00:59:41,560 --> 00:59:44,520 Speaker 1: but listen, I will say, Okay, so about Disney Parks 1068 00:59:44,520 --> 00:59:47,600 Speaker 1: being open, one the dystopian footage has been way cool. 1069 00:59:47,640 --> 00:59:50,040 Speaker 1: Did you see the Hearts almost take out Merida two 1070 00:59:50,080 --> 00:59:53,360 Speaker 1: weeks ago? That's was wild. I was like, it's really happening, 1071 00:59:53,360 --> 00:59:56,400 Speaker 1: Like they had the balloon on its legs. Yes, we're 1072 00:59:56,440 --> 00:59:59,720 Speaker 1: getting so close to the to a zombie apocalypse like feel. 1073 01:00:00,000 --> 01:00:01,960 Speaker 1: I think it's maybe the closest knock Wood. This is 1074 01:00:01,960 --> 01:00:07,400 Speaker 1: the closest. Okay. So sometimes the characters will be like 1075 01:00:07,520 --> 01:00:10,480 Speaker 1: riding through the park, right, so Merida, it's yeah, right. 1076 01:00:10,520 --> 01:00:13,440 Speaker 1: Merid is the princess from Brave. That's a Disney pick 1077 01:00:13,440 --> 01:00:15,800 Speaker 1: star princess. And she's on the horse and she has 1078 01:00:15,880 --> 01:00:18,720 Speaker 1: there's two people on either side like leading the horse, 1079 01:00:18,760 --> 01:00:21,240 Speaker 1: so it's supposed to be like a safety thing. Something 1080 01:00:21,400 --> 01:00:24,080 Speaker 1: spooks the horse and it starts bucking, and the actress 1081 01:00:24,080 --> 01:00:26,160 Speaker 1: on the back is she's doing her best to stay 1082 01:00:26,200 --> 01:00:29,720 Speaker 1: in character. She's like whoa okay, and she like jumps 1083 01:00:29,720 --> 01:00:31,880 Speaker 1: down in her very princess way. But then things get 1084 01:00:31,920 --> 01:00:34,520 Speaker 1: weird because now it's bucking and like rearing its back life, 1085 01:00:34,520 --> 01:00:36,640 Speaker 1: so she's like hoofing it. The guys are like trying 1086 01:00:36,640 --> 01:00:38,360 Speaker 1: to hold the horse down, and you're just like this 1087 01:00:38,400 --> 01:00:41,040 Speaker 1: place should not be open. The horse knows, he's aware. 1088 01:00:41,400 --> 01:00:45,040 Speaker 1: It's a scary environment. And there's like a child's balloon 1089 01:00:45,240 --> 01:00:49,400 Speaker 1: got let go, yeah, And it was like one of 1090 01:00:49,480 --> 01:00:51,800 Speaker 1: those milar balloons that had like a like a like 1091 01:00:51,840 --> 01:00:53,880 Speaker 1: a weight at the end of the ribbon, so like 1092 01:00:53,920 --> 01:00:55,439 Speaker 1: you know, it's sort of hard for like a kid 1093 01:00:55,480 --> 01:00:57,520 Speaker 1: to like completely funk their day up and let go. 1094 01:00:58,040 --> 01:01:01,160 Speaker 1: So but the wind carried like this basically like a 1095 01:01:01,240 --> 01:01:04,440 Speaker 1: bolow like old school hunting like legs snare that was 1096 01:01:04,480 --> 01:01:06,320 Speaker 1: like got caught in the horse's legs and you're like 1097 01:01:06,680 --> 01:01:08,600 Speaker 1: because you see the dad like, oh shit, he like 1098 01:01:08,680 --> 01:01:11,200 Speaker 1: realizes it's like gone. He's like and then the horse 1099 01:01:11,200 --> 01:01:13,080 Speaker 1: starts Bucking's like, oh ship, I don't know what happened there, 1100 01:01:13,840 --> 01:01:17,760 Speaker 1: but yeah, it's it really is the local passholder thing. Man. 1101 01:01:18,000 --> 01:01:20,280 Speaker 1: I used I thought AP was a gang when I 1102 01:01:20,320 --> 01:01:22,280 Speaker 1: saw those bumper stickers out here, I was like, who 1103 01:01:22,280 --> 01:01:25,000 Speaker 1: the fund is a P I remember a P from 1104 01:01:25,000 --> 01:01:27,120 Speaker 1: like that used to be Asian Pride like the nineties 1105 01:01:27,160 --> 01:01:28,840 Speaker 1: gang in the same garbled valley. I'm like, what is 1106 01:01:28,840 --> 01:01:30,760 Speaker 1: They're back? And then you would see like the mouse 1107 01:01:30,800 --> 01:01:33,880 Speaker 1: head and you're like, okay, this is for annual pass holders. 1108 01:01:34,480 --> 01:01:37,120 Speaker 1: Didn't realize that was like some it got that heavy. 1109 01:01:37,760 --> 01:01:39,480 Speaker 1: They are a bit of a gang man. They know 1110 01:01:39,600 --> 01:01:42,000 Speaker 1: all the territories that you should hit and when to 1111 01:01:42,080 --> 01:01:46,120 Speaker 1: stay out of certain areas. They're familiar with the entire menu, 1112 01:01:46,520 --> 01:01:49,440 Speaker 1: and they're like the weird thing. The weird video out 1113 01:01:49,480 --> 01:01:51,960 Speaker 1: of the Disney World reopening was they released a limited 1114 01:01:52,080 --> 01:01:53,400 Speaker 1: edition merch, which is how you get a lot of 1115 01:01:53,400 --> 01:01:55,560 Speaker 1: annual pass holders to come on like a busy weekend 1116 01:01:55,560 --> 01:01:57,760 Speaker 1: where they typically wouldn't come there, Like here's new merch, 1117 01:01:58,080 --> 01:02:00,600 Speaker 1: Bye bye bye. Only didn't now and you need to 1118 01:02:00,600 --> 01:02:03,640 Speaker 1: fill out your Disney collectibles. That store was crazy. People 1119 01:02:03,640 --> 01:02:05,680 Speaker 1: were like piling on top of each other to get 1120 01:02:05,720 --> 01:02:08,560 Speaker 1: eight T shirt. It's not like Welcome Home or some ship. 1121 01:02:08,720 --> 01:02:11,919 Speaker 1: It wasn't even a good shirt, like Disney has great merch. 1122 01:02:12,200 --> 01:02:15,120 Speaker 1: That wasn't it. I don't understand anything about why you 1123 01:02:15,120 --> 01:02:17,200 Speaker 1: would come to this park unless you were there specifically 1124 01:02:17,200 --> 01:02:18,640 Speaker 1: to get drone footage of what it would look like 1125 01:02:18,680 --> 01:02:20,840 Speaker 1: if we actually had zombie apocalypse. Thank you to those 1126 01:02:20,840 --> 01:02:22,479 Speaker 1: people who risk their lives and gave me some great 1127 01:02:22,480 --> 01:02:25,560 Speaker 1: Twitter content. I really appreciated it. I do wonder what 1128 01:02:25,680 --> 01:02:30,320 Speaker 1: the White Rabbits are up to right now that Disneyland 1129 01:02:30,400 --> 01:02:33,320 Speaker 1: and like takes out other gangs. Yeah, we never got 1130 01:02:33,400 --> 01:02:36,480 Speaker 1: to the bottom of what happened with that legal dispute 1131 01:02:36,480 --> 01:02:38,760 Speaker 1: because the gangs were like suing each other in court. 1132 01:02:39,000 --> 01:02:42,120 Speaker 1: Yeah a while ago. We need to just start our 1133 01:02:42,120 --> 01:02:44,200 Speaker 1: own Disneyland gang. I mean, like we already got a 1134 01:02:44,240 --> 01:02:46,240 Speaker 1: night gang, so like let's just take it to Disney, 1135 01:02:46,360 --> 01:02:47,600 Speaker 1: you know what I mean? And then like be like, 1136 01:02:47,640 --> 01:02:52,000 Speaker 1: you know how racist is rod is Fim? Which park 1137 01:02:52,080 --> 01:02:55,040 Speaker 1: do you guys own? I see you guys sucking heavy 1138 01:02:55,040 --> 01:02:58,080 Speaker 1: with like tomorrow Land. Maybe they've been a good toy 1139 01:02:58,160 --> 01:03:00,480 Speaker 1: story rides over there, Yeah may be. And I like 1140 01:03:00,600 --> 01:03:03,600 Speaker 1: the what is it that? What's the pizza place? Pizza 1141 01:03:03,600 --> 01:03:06,400 Speaker 1: pi Planet? Yeah or Pizza Planet Yeah yeah, yeah, I 1142 01:03:06,560 --> 01:03:12,000 Speaker 1: with Pizza Planet. But I also like like a little 1143 01:03:12,000 --> 01:03:14,080 Speaker 1: blue by you you know, I'm not gonna lie. You know, 1144 01:03:14,320 --> 01:03:18,400 Speaker 1: it's a spot you can't go to the Caribbean exactly. 1145 01:03:18,400 --> 01:03:20,200 Speaker 1: And I can eat my sour dough bread bull, cloud 1146 01:03:20,320 --> 01:03:24,400 Speaker 1: chowder and peace, and yes, I eat the whole ball. 1147 01:03:24,440 --> 01:03:28,680 Speaker 1: I'm not some fucking wasteful waste roll who will only 1148 01:03:28,680 --> 01:03:32,040 Speaker 1: eat the chowder and then toss a fully fine sour 1149 01:03:32,160 --> 01:03:35,120 Speaker 1: dough bowl out. No, sir, we're gonna. I'm sorry, you're gonna. 1150 01:03:35,160 --> 01:03:36,800 Speaker 1: You'll have to wait forty five minutes for me to 1151 01:03:36,800 --> 01:03:38,400 Speaker 1: eat this whole thing. I don't care how hot it is. 1152 01:03:38,440 --> 01:03:44,240 Speaker 1: We're here, and you eat the ball first, which yeah, yeah, 1153 01:03:46,000 --> 01:03:49,640 Speaker 1: it's just pouring down. Oh yeah, I mean it's making 1154 01:03:49,880 --> 01:03:55,880 Speaker 1: yeah exactly. What's what's that one? Uh? Get your whiskers wet? Yeah, 1155 01:03:56,400 --> 01:04:00,920 Speaker 1: as Magan the Stallion says, gobble may wallowed me, dripped 1156 01:04:00,920 --> 01:04:04,880 Speaker 1: down the side of me. How I being that sour 1157 01:04:04,960 --> 01:04:11,440 Speaker 1: dough bread bull. Oh good saying that to you. Yeah, 1158 01:04:11,480 --> 01:04:14,280 Speaker 1: it's like gobble me down the stime like, yes, serve 1159 01:04:15,640 --> 01:04:22,880 Speaker 1: sour dough bread bull. Yeah. Sorry, Joel you somebody somebody 1160 01:04:22,880 --> 01:04:25,160 Speaker 1: took the uncensored version of the music and put it 1161 01:04:25,200 --> 01:04:26,760 Speaker 1: over the video so we could enjoy it as it 1162 01:04:26,880 --> 01:04:29,200 Speaker 1: was meant to be enjoyed, because you cannot understand what 1163 01:04:29,280 --> 01:04:31,800 Speaker 1: Megan the Stallion is saying in the censored version you 1164 01:04:31,840 --> 01:04:35,200 Speaker 1: can't get into the jam if every other word is 1165 01:04:35,200 --> 01:04:39,680 Speaker 1: bleeped out, it's very annoying, and it's nobody. Nobody's life 1166 01:04:39,720 --> 01:04:42,360 Speaker 1: got messed up because they heard the explicit version. You know, 1167 01:04:43,920 --> 01:04:47,560 Speaker 1: was unprepared. That's because he was not engaging with this 1168 01:04:47,680 --> 01:04:51,760 Speaker 1: material at a younger age. See that's the problem. What 1169 01:04:52,040 --> 01:05:00,280 Speaker 1: was the cut cut? Because this is I was telling 1170 01:05:00,400 --> 01:05:02,040 Speaker 1: I was when Jack and I were watching, like, yeah, 1171 01:05:02,120 --> 01:05:04,560 Speaker 1: this is like some uncut shop like this used to be. 1172 01:05:04,600 --> 01:05:06,480 Speaker 1: I remember the fucking put it on the glass video. 1173 01:05:06,520 --> 01:05:09,080 Speaker 1: I was like, what is going on? I'm a child. 1174 01:05:09,280 --> 01:05:12,280 Speaker 1: But also people don't know they're sleep and put the 1175 01:05:12,360 --> 01:05:17,640 Speaker 1: channel seven before um really yeah, we used to have 1176 01:05:17,800 --> 01:05:22,880 Speaker 1: that repository for videos just too in a strip club. Okay, 1177 01:05:23,160 --> 01:05:25,040 Speaker 1: you know you don't know what filth is. This is 1178 01:05:25,160 --> 01:05:28,320 Speaker 1: thet They're owning their own ship. Like, what's the problem here? 1179 01:05:29,400 --> 01:05:31,080 Speaker 1: And I should have been like, excuse me, Carol basking 1180 01:05:31,160 --> 01:05:33,800 Speaker 1: cat pimp. I mean, let's change let's change that terminology 1181 01:05:33,800 --> 01:05:37,920 Speaker 1: a little bit. Yes, work on that, Carol, Yah, work 1182 01:05:38,000 --> 01:05:41,680 Speaker 1: on that, Carol outside from covering the murders, Well, Joel, 1183 01:05:44,800 --> 01:05:49,160 Speaker 1: thank you. Where can people find you and follow you? Ah? Yeah? 1184 01:05:49,760 --> 01:05:51,960 Speaker 1: Can find me all over the internet at Joel when 1185 01:05:52,000 --> 01:05:54,360 Speaker 1: he gets j O E L l E m O 1186 01:05:54,640 --> 01:05:57,960 Speaker 1: n i q e m hm. Uh. And you do 1187 01:05:58,120 --> 01:06:01,360 Speaker 1: have a hit show that you made reference to it earlier? 1188 01:06:01,560 --> 01:06:04,320 Speaker 1: What what what is that tell us about that? Come 1189 01:06:04,480 --> 01:06:07,200 Speaker 1: check out Big Doctor's Real Friends. I almost did Donald 1190 01:06:07,280 --> 01:06:09,480 Speaker 1: Fazon's Oprah voice, which is a classic. You need to 1191 01:06:09,560 --> 01:06:11,800 Speaker 1: hear every week when we take on a fan call. 1192 01:06:11,920 --> 01:06:14,080 Speaker 1: It's a Scrubs rewatch show is Zack and Donald the 1193 01:06:14,120 --> 01:06:17,120 Speaker 1: stars with Scrubs And uh, yeah, we watched one episode 1194 01:06:17,280 --> 01:06:20,040 Speaker 1: two episodes a week and then they sort of freecaff 1195 01:06:20,080 --> 01:06:22,360 Speaker 1: the episode. But mostly they're talking about their lives and 1196 01:06:22,440 --> 01:06:25,280 Speaker 1: weird things going on in the world. And uh, sometimes 1197 01:06:25,320 --> 01:06:27,479 Speaker 1: we get really cool behind scene stories about Oliver Stone 1198 01:06:27,520 --> 01:06:30,480 Speaker 1: from John c McGinley. Bill Lawrence, the creator comes on 1199 01:06:30,520 --> 01:06:32,520 Speaker 1: a lot and he tells us all about what he 1200 01:06:32,600 --> 01:06:35,080 Speaker 1: was thinking in the writer's room. Uh, it's a lovely 1201 01:06:35,320 --> 01:06:38,160 Speaker 1: fun show. Daniel, who all of your fans know, is 1202 01:06:38,200 --> 01:06:41,600 Speaker 1: also on the show. He lends his brilliant voice to it. Um, 1203 01:06:42,360 --> 01:06:47,360 Speaker 1: I love it. It's so great. Hey, they're getting came 1204 01:06:47,440 --> 01:06:50,520 Speaker 1: back in the room to look like a precious look 1205 01:06:52,720 --> 01:06:55,400 Speaker 1: and you get to hear some Joel on there as well. 1206 01:06:56,800 --> 01:06:59,080 Speaker 1: Little bit a little bit? Is there a tweet or 1207 01:06:59,240 --> 01:07:02,880 Speaker 1: some other word of social media you've been enjoying this morning? 1208 01:07:03,000 --> 01:07:06,480 Speaker 1: Kecki Palmer tweeted if I started a millennial view, who 1209 01:07:06,480 --> 01:07:08,800 Speaker 1: would you have on the panel? And I was ready. 1210 01:07:08,960 --> 01:07:11,560 Speaker 1: I was like, I'm seriously gonna message her and be like, 1211 01:07:11,640 --> 01:07:13,240 Speaker 1: so call me at my heart? What can we do 1212 01:07:13,400 --> 01:07:16,800 Speaker 1: for you? Kecki Palmer is everything to me. She is uh, 1213 01:07:16,960 --> 01:07:19,760 Speaker 1: the icon, the goddess. She's from Illinois, so she gets 1214 01:07:19,880 --> 01:07:22,400 Speaker 1: the culture. Um. But also she's funny, she has a 1215 01:07:22,440 --> 01:07:26,800 Speaker 1: southern alter ego, she has pop albums, and she used 1216 01:07:26,800 --> 01:07:28,520 Speaker 1: to have a talk show that's gone now, so I 1217 01:07:28,600 --> 01:07:31,840 Speaker 1: get why she's pivoting to a view like status. She's ready, kecky. 1218 01:07:31,880 --> 01:07:34,200 Speaker 1: If you're asking me me, I think Jordan Woods would 1219 01:07:34,200 --> 01:07:37,600 Speaker 1: be good on camera doing like opinion takes. If not, 1220 01:07:37,800 --> 01:07:39,680 Speaker 1: I bet she's a good interviewer. If she's not, I 1221 01:07:39,720 --> 01:07:41,680 Speaker 1: can make her a good interviewer. How do we make 1222 01:07:41,760 --> 01:07:44,200 Speaker 1: this happen? Keke Palmer, I want to see your version 1223 01:07:44,200 --> 01:07:46,360 Speaker 1: of the view. I bet it would be amazing. Oh yeah, 1224 01:07:46,480 --> 01:07:49,000 Speaker 1: I'm a big fan too. Yeah, you loved her in 1225 01:07:49,040 --> 01:07:57,120 Speaker 1: the old guard an idiot. I can see Jack, can 1226 01:07:57,200 --> 01:08:05,200 Speaker 1: see me smiling time. Jack was clo but I got it, 1227 01:08:05,240 --> 01:08:06,880 Speaker 1: messed up. I got it man. I'm old. I'm old. 1228 01:08:07,200 --> 01:08:09,720 Speaker 1: I am old. And is that the same Kiki from 1229 01:08:09,760 --> 01:08:16,760 Speaker 1: the dreg the Drake song? Is she writing? And does 1230 01:08:16,840 --> 01:08:20,720 Speaker 1: he love? Does she love him? Oh? My god, that's 1231 01:08:20,760 --> 01:08:24,479 Speaker 1: also believable. I'm sure audience you know somebody was like, 1232 01:08:24,880 --> 01:08:26,960 Speaker 1: is that the same Kiki? Kiki? Do you like me? 1233 01:08:27,000 --> 01:08:31,559 Speaker 1: Are you writing this? You sent it to her? Um, Miles, 1234 01:08:31,600 --> 01:08:35,400 Speaker 1: where can people find you? What's tweet you've been enjoying? Oh? Man, Twitter, Instagram, 1235 01:08:36,160 --> 01:08:39,200 Speaker 1: sometimes Waystation Network, Miles of Gray. I realized that some 1236 01:08:39,280 --> 01:08:42,640 Speaker 1: people aggressively mispell my name but get my handle right, 1237 01:08:42,680 --> 01:08:44,800 Speaker 1: which is really upsetting because I guess it auto fills. 1238 01:08:45,040 --> 01:08:47,880 Speaker 1: It's m I L E S g r A Y. 1239 01:08:50,240 --> 01:08:53,840 Speaker 1: Don't worry about it. Let's just too much. We pay 1240 01:08:53,920 --> 01:08:56,679 Speaker 1: too much in therapy to deal with this on air. Okay, 1241 01:08:57,040 --> 01:09:00,560 Speaker 1: just tired of miles, sick of it. Just they do 1242 01:09:00,640 --> 01:09:02,640 Speaker 1: it to my wife too. They think her name is 1243 01:09:02,800 --> 01:09:04,840 Speaker 1: s A R A. Well, actually I'm not going to 1244 01:09:04,920 --> 01:09:06,479 Speaker 1: talk about her. But they do it to my wife too, 1245 01:09:06,520 --> 01:09:11,559 Speaker 1: and it's annoying my wife. So I'll talk about also 1246 01:09:11,640 --> 01:09:14,240 Speaker 1: my other podcast for twenty Day Fiance. You watch Fiance, 1247 01:09:14,439 --> 01:09:15,840 Speaker 1: you like it, you want to hear some my takes 1248 01:09:15,920 --> 01:09:21,519 Speaker 1: on it with Sophia Alexander on grass, on that loud, 1249 01:09:21,840 --> 01:09:25,160 Speaker 1: on that gas, that thing, on that on that dead 1250 01:09:25,240 --> 01:09:27,720 Speaker 1: body because it's stinking that front row at the Lake 1251 01:09:27,760 --> 01:09:31,240 Speaker 1: Show because it's Jack Nicholson. Anyway, I just call that 1252 01:09:31,320 --> 01:09:34,519 Speaker 1: ship nicknames for drugs. Anyway. Some tweets that I like, 1253 01:09:35,200 --> 01:09:38,200 Speaker 1: first one from past guests Alan Strickland Williams at Totally Alan, 1254 01:09:38,360 --> 01:09:49,000 Speaker 1: he tweeted Gary wet ass busey ship, Oh my god, 1255 01:09:49,439 --> 01:09:53,599 Speaker 1: it's so stupid. And then uh and then at Helen 1256 01:09:53,720 --> 01:09:55,559 Speaker 1: she said, if you have Flappy Bird on your phone, 1257 01:09:55,640 --> 01:09:58,120 Speaker 1: don't delete it or you can't get it back. I 1258 01:09:58,240 --> 01:10:00,280 Speaker 1: just love that because that's a tweet from what five 1259 01:10:00,680 --> 01:10:04,519 Speaker 1: years ago. Basically when Flappy Bird. People were buying phones 1260 01:10:04,600 --> 01:10:06,680 Speaker 1: that had Flappy Birds still on it so they could 1261 01:10:06,720 --> 01:10:10,639 Speaker 1: play the game. Wait they got rid of Oh yeah, 1262 01:10:10,680 --> 01:10:12,360 Speaker 1: that's right, they did get rid of that game. Didn't 1263 01:10:12,400 --> 01:10:14,040 Speaker 1: that or may have come back or whatever, But I 1264 01:10:14,080 --> 01:10:16,120 Speaker 1: remember at the time it was like the most coveted 1265 01:10:16,280 --> 01:10:18,880 Speaker 1: app that people were just buying phones because they still 1266 01:10:18,920 --> 01:10:23,320 Speaker 1: have whatever. So shout out to also a terrible reality. 1267 01:10:25,120 --> 01:10:28,559 Speaker 1: Uh some tweets I've been enjoying at. Brennan Baller tweeted, 1268 01:10:28,600 --> 01:10:30,600 Speaker 1: teachers used to really have beat with me, like bro, 1269 01:10:30,720 --> 01:10:41,160 Speaker 1: I'm twelve, same? What the fun was wrong this one teacher? Uh, 1270 01:10:42,720 --> 01:10:44,519 Speaker 1: I would say her name out loud, but I'm not 1271 01:10:44,560 --> 01:10:46,680 Speaker 1: gonna do. I still hate mine to this day too 1272 01:10:47,160 --> 01:10:55,479 Speaker 1: after this. Uh. Vanessa grittin Zeke Gang guest hilarious Human tweeted, 1273 01:10:55,479 --> 01:10:58,760 Speaker 1: bids have two settings neptunes playful kiss and you are 1274 01:10:58,840 --> 01:11:05,800 Speaker 1: a hand puppet now. Uh. You can find me on Twitter, Brian. 1275 01:11:05,960 --> 01:11:08,519 Speaker 1: You can find us on Twitter at Daily Zeitgeys. Were 1276 01:11:08,520 --> 01:11:11,960 Speaker 1: at the Daily Zeitgeist on Instagram. We have a Facebook 1277 01:11:12,000 --> 01:11:14,280 Speaker 1: fan page on the website daily zey Guys dot com 1278 01:11:14,360 --> 01:11:18,599 Speaker 1: where we post our episode and our footnote. We link 1279 01:11:18,600 --> 01:11:20,799 Speaker 1: off to the information that we talked about in today's episode, 1280 01:11:20,800 --> 01:11:23,960 Speaker 1: as well as the song we ride out on Miles? 1281 01:11:24,040 --> 01:11:26,320 Speaker 1: What are we riding out on? Two days? We are 1282 01:11:26,400 --> 01:11:29,400 Speaker 1: going to go out on a track originally by Two 1283 01:11:29,439 --> 01:11:34,120 Speaker 1: Door Cinema Club but remixed by Brazilian like electro DJ 1284 01:11:34,320 --> 01:11:37,200 Speaker 1: group The Twelves. They were popping like years ago, and 1285 01:11:37,280 --> 01:11:39,400 Speaker 1: I was really fucking with all their like remixes, like 1286 01:11:39,520 --> 01:11:42,479 Speaker 1: sort of quasi disco remixes. Um, but in this one 1287 01:11:42,800 --> 01:11:44,640 Speaker 1: they're taking you know, I don't know how much of 1288 01:11:44,680 --> 01:11:46,439 Speaker 1: a two door cinema club for anywhere. I wasn't that 1289 01:11:46,520 --> 01:11:49,280 Speaker 1: big into it, but there's twelves remix is really dope. 1290 01:11:49,520 --> 01:11:51,320 Speaker 1: It's just got a lot of you know, I think 1291 01:11:51,560 --> 01:11:53,800 Speaker 1: earlier in the week we gotta have the energy hype, 1292 01:11:54,120 --> 01:11:55,920 Speaker 1: and then like we start coasting into the weekend. So 1293 01:11:56,000 --> 01:11:57,320 Speaker 1: this was still a little bit of hype. A little 1294 01:11:57,400 --> 01:11:59,760 Speaker 1: toe tapping. Shout out to the people who send me 1295 01:12:00,040 --> 01:12:02,280 Speaker 1: multiple clips of Little Richard talking about making your big 1296 01:12:02,360 --> 01:12:05,320 Speaker 1: toe shoot up in my boot. Uh. He said it 1297 01:12:05,400 --> 01:12:08,080 Speaker 1: in multiple interviews, but the one I always referenced search 1298 01:12:08,520 --> 01:12:12,240 Speaker 1: uh little Richard Jimmy Hendrix and that's where you see 1299 01:12:12,320 --> 01:12:17,479 Speaker 1: him flying off of something. Okay, that Jack Nicholson, Yeah, 1300 01:12:17,520 --> 01:12:22,920 Speaker 1: that front front row at the Lake Show. All right, Well, 1301 01:12:23,880 --> 01:12:28,120 Speaker 1: I forgot to help. Sorry, I didn't even say the song. Uh, 1302 01:12:28,400 --> 01:12:31,680 Speaker 1: and yes, rightly so, superproducer and up Posa points out, 1303 01:12:31,760 --> 01:12:34,240 Speaker 1: what's the name of the song. It's called something Good 1304 01:12:34,360 --> 01:12:38,120 Speaker 1: Can Work by Shoot or cinema club featuring the twelves. 1305 01:12:38,320 --> 01:12:40,160 Speaker 1: Something good can work and you know what it's available 1306 01:12:40,160 --> 01:12:42,920 Speaker 1: where most of your tracks are no, no, no SoundCloud stuff. 1307 01:12:42,960 --> 01:12:46,519 Speaker 1: This time that sounds like something I would say while 1308 01:12:46,840 --> 01:12:49,599 Speaker 1: like a sentence that I started, well I was half 1309 01:12:49,640 --> 01:12:53,080 Speaker 1: asleep something or that sounds like a thing where like 1310 01:12:53,240 --> 01:12:55,720 Speaker 1: your junior high basketball coast says when he's driving the 1311 01:12:55,800 --> 01:12:57,920 Speaker 1: van to your game and it's like one of the 1312 01:12:57,960 --> 01:13:00,080 Speaker 1: clubs in the back seat has the ox gable, Like, 1313 01:13:00,160 --> 01:13:05,400 Speaker 1: no more of that SoundCloud stuff, guys? Is that alright? Well? 1314 01:13:05,439 --> 01:13:07,519 Speaker 1: The Daily Zai Guys is a production of My Heart Radio. 1315 01:13:07,560 --> 01:13:09,840 Speaker 1: For more podcasts from My Heart Radio, visit the heart 1316 01:13:09,920 --> 01:13:12,880 Speaker 1: Radio app, Apple podcast, or wherever you listen to your 1317 01:13:12,920 --> 01:13:16,360 Speaker 1: favorite shows. That is going to do it for this morning. 1318 01:13:16,400 --> 01:13:18,639 Speaker 1: Guess we'll be back this afternoon to tell you what's 1319 01:13:18,680 --> 01:13:22,280 Speaker 1: trending and we'll talk to you all then bye bye's 1320 01:13:22,320 --> 01:13:24,560 Speaker 1: gonna read what you know you guys step up the 1321 01:13:24,640 --> 01:13:33,760 Speaker 1: game to me. You're gonna find living on your home 1322 01:13:40,840 --> 01:13:48,040 Speaker 1: just wanting anything. No, no, it's making a little it's 1323 01:13:48,040 --> 01:13:49,800 Speaker 1: totally going. I'm just wanting then and I was like, 1324 01:13:49,880 --> 01:13:52,000 Speaker 1: you know, no,