1 00:00:01,000 --> 00:00:03,440 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:09,520 Speaker 1: new and final season, on Max. 4 00:00:09,720 --> 00:00:10,800 Speaker 2: You can also watch the. 5 00:00:10,840 --> 00:00:14,400 Speaker 1: Video version of the History of Curby Enthusiasm podcast on 6 00:00:14,520 --> 00:00:16,000 Speaker 1: Max and YouTube, as well. 7 00:00:16,320 --> 00:00:28,200 Speaker 2: Links available in the episode description. Here we are I'm 8 00:00:28,200 --> 00:00:30,960 Speaker 2: Susi Esman, and you are I'm Jeff Garlice, and this. 9 00:00:30,920 --> 00:00:33,720 Speaker 1: Is the History of Curby Enthusiasm, and we are beginning 10 00:00:34,120 --> 00:00:36,440 Speaker 1: season two, two thousand and one. 11 00:00:37,159 --> 00:00:38,199 Speaker 2: We started shooting this. 12 00:00:38,320 --> 00:00:42,240 Speaker 1: It's a long time ago, baby, yeah, and episode one 13 00:00:42,520 --> 00:00:43,240 Speaker 1: is by the way. 14 00:00:43,080 --> 00:00:45,760 Speaker 3: It seems like yesterday to be honest, really, but there 15 00:00:45,800 --> 00:00:49,360 Speaker 3: are moments I remember and moments where I totally disassociate. 16 00:00:49,440 --> 00:00:51,879 Speaker 3: I'm like, where was this? What was this? Because I'm 17 00:00:51,880 --> 00:00:53,440 Speaker 3: really good at remembering. 18 00:00:53,000 --> 00:00:54,880 Speaker 1: Well, it was twenty two years ago. There's a lot 19 00:00:54,880 --> 00:00:57,760 Speaker 1: of things that date stuff. It's mostly technology. 20 00:00:57,840 --> 00:00:59,520 Speaker 3: And by the way, I've got one of those, like 21 00:00:59,560 --> 00:01:03,280 Speaker 3: everyone episode something kills me technoy technology. 22 00:01:03,520 --> 00:01:05,759 Speaker 2: We're very tired today because we had a very long 23 00:01:05,840 --> 00:01:06,160 Speaker 2: day of. 24 00:01:06,080 --> 00:01:08,800 Speaker 1: Shooting as a delightful day, delightful day, but a long 25 00:01:08,920 --> 00:01:11,640 Speaker 1: day of shooting. All week, we've been having long days 26 00:01:11,920 --> 00:01:16,040 Speaker 1: shooting season twelve and we're in season two now. The 27 00:01:16,160 --> 00:01:18,840 Speaker 1: car Salesman, Yes, episode one. 28 00:01:18,720 --> 00:01:24,000 Speaker 3: The premis alone is so fucking delightful and absolutely cowie. 29 00:01:24,240 --> 00:01:27,640 Speaker 3: If I remember asking him, this was actually a fantasy 30 00:01:27,680 --> 00:01:28,560 Speaker 3: in his mind. 31 00:01:28,600 --> 00:01:29,120 Speaker 2: To be a car. 32 00:01:29,640 --> 00:01:32,280 Speaker 3: Oh by the way, yesterday I did one of my 33 00:01:32,360 --> 00:01:35,200 Speaker 3: things that you never play, which is how much for 34 00:01:35,319 --> 00:01:39,120 Speaker 3: you two? And then I asked him and he. 35 00:01:39,319 --> 00:01:40,680 Speaker 2: Wait, wait, explain what that is. 36 00:01:41,560 --> 00:01:45,000 Speaker 1: Jeff will come up up to me ryl Larry and 37 00:01:45,040 --> 00:01:47,560 Speaker 1: he'll say, how much money would it take for you 38 00:01:47,640 --> 00:01:48,560 Speaker 1: to do X Y Z? 39 00:01:48,720 --> 00:01:50,080 Speaker 2: And it's always some bizarre. 40 00:01:50,200 --> 00:01:53,440 Speaker 3: Why my most bizarre yesterday and what was that? How 41 00:01:53,520 --> 00:01:56,640 Speaker 3: much would it take for you to drive a Chrysler Cordoba, 42 00:01:57,040 --> 00:02:01,280 Speaker 3: you know with Corinthian letters, Lena. And every time you 43 00:02:01,320 --> 00:02:04,000 Speaker 3: got out of the car you curtsied to no one 44 00:02:04,040 --> 00:02:06,240 Speaker 3: in particular. You just did a curtsy and you're on 45 00:02:06,280 --> 00:02:06,560 Speaker 3: your way. 46 00:02:06,600 --> 00:02:08,320 Speaker 2: And I think we had been talking about the. 47 00:02:09,919 --> 00:02:14,280 Speaker 3: Curtseying, and so first off, I laughed at it, which 48 00:02:14,320 --> 00:02:16,640 Speaker 3: normally I don't do. I just ask it. And the 49 00:02:16,680 --> 00:02:19,160 Speaker 3: fact that he sat there and thought about it, yeah, 50 00:02:19,160 --> 00:02:21,120 Speaker 3: and gave me in the mount his first question, though 51 00:02:21,160 --> 00:02:24,880 Speaker 3: it clarifies nobody's filming me, right, No, nobody's filming. I'm 52 00:02:24,880 --> 00:02:27,240 Speaker 3: sure as it goes on, people will take a picture 53 00:02:27,240 --> 00:02:30,680 Speaker 3: of you and you'll create a buzz at Larry David 54 00:02:30,840 --> 00:02:34,919 Speaker 3: driving this old piece of crap car and you're curtsying 55 00:02:35,400 --> 00:02:37,760 Speaker 3: when you get out. And he did a curtsy for me. 56 00:02:37,960 --> 00:02:40,640 Speaker 3: He showed me what he looked like curtsying. And Larry David, 57 00:02:40,760 --> 00:02:43,840 Speaker 3: I bet you he's never curtseyed until until that moment. 58 00:02:43,960 --> 00:02:46,240 Speaker 1: I would I would bet that too. Yeah, all right, 59 00:02:46,400 --> 00:02:47,400 Speaker 1: And how much would it take. 60 00:02:47,320 --> 00:02:47,920 Speaker 2: Him to curtsey? 61 00:02:47,919 --> 00:02:49,120 Speaker 3: He doesn't like when I say it. 62 00:02:49,120 --> 00:02:52,959 Speaker 1: Okay, yeah, listeners, you will never know how much it 63 00:02:53,000 --> 00:02:56,520 Speaker 1: would take Larry David to curtsey out of a Christis Mary. 64 00:02:56,560 --> 00:02:57,720 Speaker 3: I will say this though. 65 00:02:58,280 --> 00:03:03,600 Speaker 1: His prices are surprising, the low so. 66 00:03:03,720 --> 00:03:06,760 Speaker 3: Low compared to me, like for me to do that, 67 00:03:07,000 --> 00:03:09,440 Speaker 3: drive that car for a month, million dollars. 68 00:03:09,800 --> 00:03:12,520 Speaker 2: All right, So we start out the car salesman. 69 00:03:12,639 --> 00:03:17,480 Speaker 1: Larry is lying in bed, clearly just languishing, leading chips, 70 00:03:17,760 --> 00:03:20,520 Speaker 1: watching Maury Povich in a hotel room. 71 00:03:20,600 --> 00:03:23,520 Speaker 3: Now again, I wonder has he ever done that? Because 72 00:03:23,560 --> 00:03:25,440 Speaker 3: I didn't ask him then it just was very funny. 73 00:03:25,480 --> 00:03:27,760 Speaker 2: Well, he's a very big television watcher. 74 00:03:27,720 --> 00:03:32,240 Speaker 3: Most certainly so, I'm rangers. But by the way, here's 75 00:03:32,280 --> 00:03:35,800 Speaker 3: my technical complaint. Right off the start, green screen is 76 00:03:35,840 --> 00:03:36,840 Speaker 3: not there yet. 77 00:03:36,920 --> 00:03:38,600 Speaker 2: It's not it's not invented yet. 78 00:03:38,920 --> 00:03:42,240 Speaker 3: Now it's invented. But when Cheryl stands in front of 79 00:03:42,240 --> 00:03:45,760 Speaker 3: the TV, she looks like she's in three D based 80 00:03:45,800 --> 00:03:48,440 Speaker 3: on the green screen behind her and back. 81 00:03:48,480 --> 00:03:51,680 Speaker 1: Then, do me a favor for our listeners, explain to 82 00:03:51,720 --> 00:03:52,880 Speaker 1: them what green screen is. 83 00:03:53,080 --> 00:03:55,800 Speaker 3: It's a screen that's green. There you go from the beginning. 84 00:03:56,320 --> 00:04:00,760 Speaker 3: But you can put any immergen you can superimpose an image, 85 00:04:01,160 --> 00:04:04,920 Speaker 3: any film, anything on the green scene. And now it's 86 00:04:04,960 --> 00:04:09,240 Speaker 3: almost even driving scenes now looks so real that you 87 00:04:09,320 --> 00:04:10,520 Speaker 3: think the people are driving. 88 00:04:10,520 --> 00:04:12,680 Speaker 1: You need to be a film or a TV show, 89 00:04:12,720 --> 00:04:14,320 Speaker 1: and they're doing lots of different things. 90 00:04:14,320 --> 00:04:16,400 Speaker 4: A lot of times they're not actually doing that. It's 91 00:04:16,400 --> 00:04:19,560 Speaker 4: on the on the green screen. And now it's excellent 92 00:04:19,600 --> 00:04:23,440 Speaker 4: with all the digital stuff. Back then, it really wasn't 93 00:04:23,480 --> 00:04:27,280 Speaker 4: there yet. So and I remember watching, you know, just 94 00:04:27,560 --> 00:04:30,560 Speaker 4: last night, I watched it. I thought, why did they 95 00:04:30,640 --> 00:04:31,760 Speaker 4: just move sher all over? 96 00:04:32,240 --> 00:04:34,440 Speaker 3: Which we would have done today if we knew how 97 00:04:34,440 --> 00:04:37,480 Speaker 3: crappy the green screen was. But nobody knew, you know what, 98 00:04:37,560 --> 00:04:38,160 Speaker 3: I agree with me. 99 00:04:38,520 --> 00:04:40,279 Speaker 2: So mari Povich was green screen? 100 00:04:40,320 --> 00:04:43,840 Speaker 3: Did green screen? Didn't? Oh, and it looked great. You know, 101 00:04:44,120 --> 00:04:46,159 Speaker 3: could have looked better, but it looked great. And share 102 00:04:46,200 --> 00:04:48,279 Speaker 3: all out of the way would have been delightful for 103 00:04:48,360 --> 00:04:52,640 Speaker 3: those of you at home who are into computers, are 104 00:04:52,760 --> 00:04:56,240 Speaker 3: into any sort of digital filmmaking, which is pretty much 105 00:04:56,279 --> 00:04:58,720 Speaker 3: all of it. I was just very entertaining to you. 106 00:04:59,040 --> 00:05:00,800 Speaker 3: And I imagine a lot lot of you at home 107 00:05:01,040 --> 00:05:02,680 Speaker 3: are saying to yourselves. 108 00:05:02,480 --> 00:05:04,480 Speaker 2: Move on, okay, and here we go. 109 00:05:04,640 --> 00:05:05,000 Speaker 3: Okay. 110 00:05:05,120 --> 00:05:07,880 Speaker 1: And so Larry is watching Mariy Povich on the green 111 00:05:08,000 --> 00:05:12,200 Speaker 1: screen and eating chips and clearly enjoying himself right just 112 00:05:12,320 --> 00:05:15,200 Speaker 1: lying in bed, and Cheryl kind of is being demanding 113 00:05:15,480 --> 00:05:17,320 Speaker 1: there's a house she wants to go look at. So 114 00:05:17,320 --> 00:05:20,320 Speaker 1: we've established that they have moved out of their house 115 00:05:20,680 --> 00:05:23,280 Speaker 1: and they're living in a hotel. And Anna asked why 116 00:05:23,360 --> 00:05:25,680 Speaker 1: they moved out of the house because Cheryl couldn't take 117 00:05:25,680 --> 00:05:29,719 Speaker 1: the wire anymore. From the episode. 118 00:05:29,320 --> 00:05:32,359 Speaker 3: Early, by the way, he always wants to be of 119 00:05:32,480 --> 00:05:36,479 Speaker 3: service to his wife. Yes, I'm scared not to My 120 00:05:36,560 --> 00:05:38,320 Speaker 3: character is scared not to be of. 121 00:05:38,200 --> 00:05:39,480 Speaker 2: Service to you. 122 00:05:39,480 --> 00:05:41,159 Speaker 3: No, No, you know what I mean, it's like there's 123 00:05:41,200 --> 00:05:44,800 Speaker 3: a fear aspect. Larry's isn't a fear aspect, you know, 124 00:05:45,120 --> 00:05:45,800 Speaker 3: a little. 125 00:05:45,520 --> 00:05:47,839 Speaker 2: Bit, a little bit of fear. I think, well, all 126 00:05:47,920 --> 00:05:48,440 Speaker 2: men have a. 127 00:05:48,400 --> 00:05:50,800 Speaker 3: Little bit of fear. And you don't often hear about 128 00:05:50,839 --> 00:05:54,320 Speaker 3: the man who has a lot of needs. You know, 129 00:05:54,360 --> 00:05:57,640 Speaker 3: it's usually the wife who says, get me this, do that, 130 00:05:58,040 --> 00:06:01,080 Speaker 3: and if you're a good husban, but you just do it. 131 00:06:01,160 --> 00:06:02,800 Speaker 2: That's my husband is here. Do I have a lot 132 00:06:02,839 --> 00:06:05,560 Speaker 2: of needs at all? Not at all? 133 00:06:05,760 --> 00:06:08,280 Speaker 3: By the way, is what man, Jimmy? 134 00:06:08,800 --> 00:06:09,320 Speaker 5: What man? 135 00:06:10,040 --> 00:06:11,599 Speaker 3: Genius? And by the way, I love the way you 136 00:06:11,640 --> 00:06:14,760 Speaker 3: hesitated thought about it. No, I'm not going to answer, 137 00:06:15,279 --> 00:06:15,960 Speaker 3: so all. 138 00:06:15,920 --> 00:06:17,800 Speaker 2: Right, So Cheryl wants him to get ready. 139 00:06:17,839 --> 00:06:20,440 Speaker 1: She wants to go look at the house, and Larry's 140 00:06:20,520 --> 00:06:23,760 Speaker 1: just happily watching Maury. He wants to know about, you know, 141 00:06:23,760 --> 00:06:26,039 Speaker 1: who's gonna end up going to the boot camp, who's 142 00:06:26,080 --> 00:06:29,800 Speaker 1: going to get better? And she brings up that he's retired. 143 00:06:29,880 --> 00:06:32,560 Speaker 1: Is he ever gonna work again? So we've established that. 144 00:06:32,800 --> 00:06:35,839 Speaker 3: By the way, when he walks out, he does a 145 00:06:35,880 --> 00:06:39,120 Speaker 3: great horrible person you me. 146 00:06:39,480 --> 00:06:41,360 Speaker 6: All right, here's Brittany, Brittany, come on. 147 00:06:41,320 --> 00:06:47,240 Speaker 7: Out, come out, you don't know me. You don't know me. No, no, 148 00:06:47,440 --> 00:06:51,919 Speaker 7: fuck you come on up, come on. 149 00:06:56,320 --> 00:06:58,680 Speaker 3: I love when he does physical stuff like that too. 150 00:06:59,279 --> 00:07:00,400 Speaker 2: So we've establed published. 151 00:07:00,400 --> 00:07:03,760 Speaker 1: Now that he's retired, he's not working, he's languishing. He's 152 00:07:03,800 --> 00:07:07,680 Speaker 1: watching daytime television. And Cheryl wants to go look at 153 00:07:07,680 --> 00:07:10,360 Speaker 1: a new house. And they go to the house and 154 00:07:10,680 --> 00:07:13,040 Speaker 1: it's a big house. That was the Malibu house. 155 00:07:13,080 --> 00:07:15,880 Speaker 3: If I right, call had two Malibu houses. 156 00:07:16,120 --> 00:07:19,600 Speaker 1: Yes, And it's a big house in Malibu, and ld 157 00:07:20,080 --> 00:07:21,440 Speaker 1: Larry likes living in the hotel. 158 00:07:21,680 --> 00:07:23,240 Speaker 2: Yeah, he enjoys hotel living. 159 00:07:23,680 --> 00:07:26,480 Speaker 3: But he's reluctantly being of service to his wife. 160 00:07:26,480 --> 00:07:28,240 Speaker 2: To his wife, it's too big. 161 00:07:28,800 --> 00:07:30,720 Speaker 1: They sold the old house because of the wire that's 162 00:07:30,720 --> 00:07:33,720 Speaker 1: where we established that and the real estate agent. It's 163 00:07:33,720 --> 00:07:38,120 Speaker 1: a highly motivated seller, open to a cash offer. Ocean views, 164 00:07:38,160 --> 00:07:40,160 Speaker 1: Now this is when Larry says, you walk in this 165 00:07:40,200 --> 00:07:42,280 Speaker 1: is such a Larry thing, Seese, the ocean view. 166 00:07:42,480 --> 00:07:45,000 Speaker 2: You get used to that in two days, by the way, That. 167 00:07:45,040 --> 00:07:47,000 Speaker 3: Was my next note. 168 00:07:48,880 --> 00:07:52,000 Speaker 1: He's not for seeing perfection and see of course, he 169 00:07:52,080 --> 00:07:54,400 Speaker 1: has said things like you've seen ones on set, you've 170 00:07:54,400 --> 00:07:54,960 Speaker 1: seen them all. 171 00:07:55,200 --> 00:07:56,840 Speaker 2: He's not a visual guy. 172 00:07:56,680 --> 00:07:59,720 Speaker 3: In that way. No, By the way, I cannot imagining 173 00:07:59,800 --> 00:08:04,120 Speaker 3: him standing anywhere he lives, anywhere he's visiting, looking at 174 00:08:04,160 --> 00:08:07,040 Speaker 3: the sunset and going hmm, how about that? Like you 175 00:08:07,080 --> 00:08:08,840 Speaker 3: know what I mean? He just I don't think he 176 00:08:08,880 --> 00:08:09,640 Speaker 3: could do that. 177 00:08:09,520 --> 00:08:12,520 Speaker 1: But he does fake it when he says I love 178 00:08:12,600 --> 00:08:13,520 Speaker 1: the sea. 179 00:08:13,640 --> 00:08:17,360 Speaker 2: His grandfather was an Italian. My grandfather was an Italian fisherman. 180 00:08:17,520 --> 00:08:18,840 Speaker 2: He came from the old Fund. 181 00:08:19,080 --> 00:08:20,440 Speaker 3: He loves blubber in the morning. 182 00:08:20,560 --> 00:08:24,920 Speaker 1: Yes, yeah, but can you shoot the whale from the terrace? 183 00:08:25,160 --> 00:08:28,440 Speaker 3: Yeah? And the wife didn't know whether or not to 184 00:08:28,480 --> 00:08:31,720 Speaker 3: believe him, which I gotta say, I don't know about him. 185 00:08:32,200 --> 00:08:35,160 Speaker 3: That happens all the time to me. What I'll say 186 00:08:35,200 --> 00:08:39,360 Speaker 3: something ridiculous like yeah, like I went out for dinner 187 00:08:39,440 --> 00:08:41,840 Speaker 3: last night and they say where'd you go? And I said, 188 00:08:41,840 --> 00:08:45,400 Speaker 3: I went to the harpoonery. Everything is caught by harpoon. 189 00:08:45,800 --> 00:08:48,320 Speaker 3: They even make the bake goods. They stir the batter 190 00:08:48,400 --> 00:08:51,440 Speaker 3: with a harpoon. And they believe me. They were like, wow, 191 00:08:51,480 --> 00:08:51,960 Speaker 3: what is that. 192 00:08:52,120 --> 00:08:53,760 Speaker 1: I know where that came from because we were talking 193 00:08:53,800 --> 00:08:55,320 Speaker 1: about that place with the venison. 194 00:08:55,640 --> 00:08:57,640 Speaker 3: Oh yeah, that was yes, oh, dear guy. 195 00:08:57,760 --> 00:09:00,600 Speaker 1: Okay, so they see the house and when they meet 196 00:09:00,679 --> 00:09:03,760 Speaker 1: the husband, Jay Schneider, who is an agent who just 197 00:09:03,840 --> 00:09:05,240 Speaker 1: signed Jason Alexander. 198 00:09:05,480 --> 00:09:13,079 Speaker 3: Right, Larry David Jay Schneider, I would call you when 199 00:09:13,120 --> 00:09:14,280 Speaker 3: you were at Seinfeld. 200 00:09:14,320 --> 00:09:15,959 Speaker 2: I was working at the William Morris Agency. 201 00:09:16,080 --> 00:09:20,679 Speaker 3: I would call him up in clients. And by the way, 202 00:09:21,040 --> 00:09:23,480 Speaker 3: that was a great acting job. I'm that guy. He 203 00:09:23,920 --> 00:09:28,400 Speaker 3: was like every agent, no, no, every sucky agent I 204 00:09:28,440 --> 00:09:31,560 Speaker 3: ever met. I love my agent, and it's taken a 205 00:09:31,600 --> 00:09:34,320 Speaker 3: long time to get there. But a lot of these 206 00:09:34,360 --> 00:09:36,600 Speaker 3: agents in town, and I don't care. If you're an 207 00:09:36,640 --> 00:09:39,320 Speaker 3: agent and listening, you know who you are, and you 208 00:09:39,400 --> 00:09:42,280 Speaker 3: know whether you're bullshitting your clients or whether you're a 209 00:09:42,320 --> 00:09:45,760 Speaker 3: great agent who's supporting your clients. Anyhow, he seemed like 210 00:09:45,880 --> 00:09:47,360 Speaker 3: every bullshit, every. 211 00:09:47,200 --> 00:09:52,240 Speaker 1: Every bullshit sleezy leech. He just signed Jason Alexander. And 212 00:09:52,240 --> 00:09:55,439 Speaker 1: he's saying that that Jason has a hard time getting 213 00:09:55,520 --> 00:09:59,440 Speaker 1: work because he's known as George, and George is an idiot, 214 00:09:59,480 --> 00:10:02,480 Speaker 1: he's an he's playing the imbecile. And you see Larry 215 00:10:02,480 --> 00:10:04,640 Speaker 1: taking offense to that, and Larry's taking offense to that 216 00:10:04,920 --> 00:10:07,720 Speaker 1: because George character is based on Latry was. 217 00:10:07,720 --> 00:10:11,440 Speaker 3: Based on Larry. Yeah, and by the way, I noticed this. 218 00:10:11,840 --> 00:10:15,520 Speaker 3: A theme that runs through our show is Larry knows 219 00:10:15,600 --> 00:10:19,240 Speaker 3: somebody and he's gonna get in trouble. Something's gonna happen 220 00:10:19,640 --> 00:10:22,200 Speaker 3: with that person. He knows it's going to create a 221 00:10:22,280 --> 00:10:26,080 Speaker 3: hole that has a dugout of Come on, okay. 222 00:10:26,240 --> 00:10:27,120 Speaker 2: We'll be right back. 223 00:10:27,160 --> 00:10:39,800 Speaker 6: Stay tuned, and we're back. 224 00:10:40,360 --> 00:10:43,200 Speaker 1: So then Jay Schneider, the agent, says, Larry, what are 225 00:10:43,200 --> 00:10:43,640 Speaker 1: you up to? 226 00:10:44,160 --> 00:10:44,480 Speaker 2: Nothing? 227 00:10:44,960 --> 00:10:45,080 Speaker 3: Oh? 228 00:10:45,240 --> 00:10:50,240 Speaker 1: Nothing again, he's retired. And he says to Jay. Nice sweater. 229 00:10:50,400 --> 00:10:52,880 Speaker 1: And Jay says, thank you. It's Kashmir. 230 00:10:53,160 --> 00:10:57,400 Speaker 3: And Larry really doubts that he is looking at it. 231 00:10:57,400 --> 00:10:58,040 Speaker 2: It's a blend. 232 00:10:58,200 --> 00:11:00,280 Speaker 3: Yeah, but by the way, he doesn't say that, but 233 00:11:00,360 --> 00:11:02,320 Speaker 3: he's looking at it, and you know what he's thinking, 234 00:11:02,520 --> 00:11:04,720 Speaker 3: that's not fully Kashmir at all. 235 00:11:05,160 --> 00:11:08,120 Speaker 2: And Jay suggested, oh, by the way, he. 236 00:11:08,200 --> 00:11:10,240 Speaker 3: Said later when they talked about it. 237 00:11:10,320 --> 00:11:13,320 Speaker 7: You notice, did you notice that when I asked him 238 00:11:13,320 --> 00:11:15,560 Speaker 7: about the sweater, he said it was one hundred percent Kashmir. 239 00:11:16,679 --> 00:11:18,840 Speaker 7: That's there's no way that's what is one hundred percent casual? 240 00:11:18,880 --> 00:11:22,439 Speaker 7: It's like maybe thirty five, forty fifty at the most, 241 00:11:22,440 --> 00:11:24,520 Speaker 7: but one hundred that can't be. 242 00:11:24,600 --> 00:11:27,000 Speaker 2: Ser the better I'm ready to way. 243 00:11:27,120 --> 00:11:29,360 Speaker 7: But wait a second. I mean you trust this guy's life. 244 00:11:29,360 --> 00:11:31,520 Speaker 7: Because the guy's lying about a Kashmir sweater, you feel 245 00:11:31,559 --> 00:11:33,959 Speaker 7: comfortable without We're not buying a sweater, buying a. 246 00:11:33,920 --> 00:11:38,080 Speaker 1: House, because anybody who lies about the fibers in his 247 00:11:38,160 --> 00:11:41,680 Speaker 1: sweater right has to be not trustworthy. But somebody brings 248 00:11:41,760 --> 00:11:43,720 Speaker 1: up that maybe he should team up with Jason again 249 00:11:43,760 --> 00:11:44,080 Speaker 1: the agent? 250 00:11:44,280 --> 00:11:44,400 Speaker 7: Was it? 251 00:11:44,480 --> 00:11:45,600 Speaker 2: The agent? The agent? 252 00:11:45,880 --> 00:11:48,080 Speaker 1: Cheryl loves the house. And when they leave the house, 253 00:11:48,320 --> 00:11:49,959 Speaker 1: I have a quote here, No way, that's one hundred 254 00:11:49,960 --> 00:11:52,320 Speaker 1: percent cashmere, Larry says to Shore, No way. 255 00:11:52,440 --> 00:11:54,480 Speaker 2: So already he's suspiciously a guy. 256 00:11:54,520 --> 00:11:55,320 Speaker 3: I can't trust him. 257 00:11:55,360 --> 00:11:57,600 Speaker 1: If he lies about the sweater, you can't trust him, 258 00:11:57,800 --> 00:11:58,320 Speaker 1: That's what he says. 259 00:11:58,360 --> 00:11:59,839 Speaker 3: Who knows what else he's lying about? 260 00:12:00,120 --> 00:12:02,880 Speaker 2: So Larry goes on and on about the Kashmir to you. 261 00:12:03,160 --> 00:12:05,880 Speaker 1: Yes, and you say you think it's a good idea 262 00:12:06,200 --> 00:12:07,200 Speaker 1: to meet with Jason. 263 00:12:07,440 --> 00:12:09,080 Speaker 2: Yeah, you tell him because you need to work. 264 00:12:09,280 --> 00:12:12,679 Speaker 1: Yeah, And then you ask him that you tell him 265 00:12:12,679 --> 00:12:15,480 Speaker 1: that Richard Lewis wants you to manage him, And what 266 00:12:15,520 --> 00:12:16,800 Speaker 1: does Larry think about that? 267 00:12:16,960 --> 00:12:19,880 Speaker 2: And Larry tells you that Richard Lewis is high maintenance. 268 00:12:19,800 --> 00:12:23,520 Speaker 3: Well, no, I asked him, is he is mishug which 269 00:12:23,520 --> 00:12:27,200 Speaker 3: means crazy as he is on life show in real life. 270 00:12:27,240 --> 00:12:31,880 Speaker 3: And Larry's response is are you kidding me? Exactly yeah, which, 271 00:12:31,920 --> 00:12:33,640 Speaker 3: by the way, completely true. 272 00:12:33,520 --> 00:12:35,000 Speaker 2: Completely true. 273 00:12:35,240 --> 00:12:38,520 Speaker 1: And then while you're sitting there, you run into Tom 274 00:12:38,840 --> 00:12:40,280 Speaker 1: the car salesman. 275 00:12:40,040 --> 00:12:43,839 Speaker 3: Yeah, played by Rick Hall, a former compadre of mine 276 00:12:44,120 --> 00:12:46,640 Speaker 3: from Second City in Chicago. I always love Rick Hall, 277 00:12:47,160 --> 00:12:51,000 Speaker 3: and the first season and second season, maybe into the 278 00:12:51,040 --> 00:12:54,640 Speaker 3: third season, I was all about getting my great improviser 279 00:12:54,760 --> 00:12:57,560 Speaker 3: friends in, you know, and Rick's great and he played 280 00:12:57,559 --> 00:13:01,160 Speaker 3: that part great. You believed everything he said. 281 00:13:00,960 --> 00:13:03,439 Speaker 1: And you see that Larry is very intrigued by him. 282 00:13:03,480 --> 00:13:06,920 Speaker 1: He's does somebody become a car salesman? And he says 283 00:13:07,000 --> 00:13:09,720 Speaker 1: he always wanted to be a car salesman. Now Anna 284 00:13:09,760 --> 00:13:11,600 Speaker 1: has asked, did he really want to be a car 285 00:13:11,640 --> 00:13:12,920 Speaker 1: salesman in real life? 286 00:13:13,400 --> 00:13:14,320 Speaker 2: I don't know. 287 00:13:14,720 --> 00:13:19,520 Speaker 3: I vaguely remember asking him if he wanted to do that, 288 00:13:19,640 --> 00:13:20,400 Speaker 3: and he said. 289 00:13:20,240 --> 00:13:24,079 Speaker 1: Yes, yes. But Larry was once a limo driver and 290 00:13:24,200 --> 00:13:27,400 Speaker 1: he first got out of college to an old blind woman, 291 00:13:27,440 --> 00:13:29,440 Speaker 1: to a blind woman, and he used to lie about 292 00:13:29,440 --> 00:13:30,360 Speaker 1: wearing the uniform. 293 00:13:30,360 --> 00:13:32,920 Speaker 3: He never wear the cap, never wore the uniform. 294 00:13:32,600 --> 00:13:34,719 Speaker 2: But would tell her that he was because she was right. 295 00:13:34,880 --> 00:13:38,120 Speaker 1: Well, you know, another question that Anna asked is was 296 00:13:38,200 --> 00:13:41,760 Speaker 1: Jason really struggling after Seinfeld? I think that that it 297 00:13:41,840 --> 00:13:44,720 Speaker 1: was a problem for him being typecast as I would. 298 00:13:44,559 --> 00:13:48,480 Speaker 3: Jest that it was because he was clearly based Yeah, 299 00:13:48,480 --> 00:13:51,280 Speaker 3: but clearly based on how much he's worked since then. 300 00:13:51,800 --> 00:13:54,079 Speaker 3: It was a false thought and it worked. 301 00:13:53,800 --> 00:13:56,120 Speaker 1: This way, right, But what you know, I mean, I've 302 00:13:56,160 --> 00:13:58,240 Speaker 1: had that problem where people just want to cast me 303 00:13:58,280 --> 00:14:00,000 Speaker 1: as a screaming, yelling crazy. 304 00:14:00,480 --> 00:14:03,280 Speaker 3: By the way, how could you not have that problem? 305 00:14:03,400 --> 00:14:05,720 Speaker 1: I mean George was I mean, for god, he was 306 00:14:05,800 --> 00:14:07,280 Speaker 1: such an iconic caroc right. 307 00:14:07,360 --> 00:14:09,520 Speaker 3: Well, by the way, sister, you are too. 308 00:14:09,440 --> 00:14:10,280 Speaker 2: Well, thank you, Charlie. 309 00:14:10,360 --> 00:14:14,120 Speaker 3: I mean, you know, yeah, we're we're on satellite and 310 00:14:14,200 --> 00:14:16,720 Speaker 3: cable and streaming, and we're not. 311 00:14:16,840 --> 00:14:17,720 Speaker 2: It's a different times. 312 00:14:17,720 --> 00:14:20,160 Speaker 3: It's a different time. It's not like billions of people 313 00:14:20,480 --> 00:14:23,800 Speaker 3: watching over the course of a season. But yeah, I'm 314 00:14:23,800 --> 00:14:24,760 Speaker 3: sure you had trouble with it. 315 00:14:24,920 --> 00:14:28,000 Speaker 1: Yeah, And Larry is very intrigued by I love to 316 00:14:28,040 --> 00:14:31,120 Speaker 1: sell cars. I could talk anyone into anything, and he 317 00:14:31,160 --> 00:14:31,960 Speaker 1: wants to do it. 318 00:14:31,880 --> 00:14:32,480 Speaker 2: For a day. 319 00:14:32,560 --> 00:14:35,320 Speaker 1: He's I guarantee y'all saw more cars than anyone in 320 00:14:35,320 --> 00:14:38,240 Speaker 1: your showroom. And Tom, the car salesman, tells him to 321 00:14:38,240 --> 00:14:40,080 Speaker 1: get the brochures and be there on Monday. 322 00:14:40,120 --> 00:14:43,240 Speaker 3: No, but you're skipping an important point. Bring it up, 323 00:14:43,880 --> 00:14:48,920 Speaker 3: Rick or whatever the character. Tom said no to him, right, 324 00:14:49,120 --> 00:14:52,560 Speaker 3: And then I explained that Larry's the creator of Seinfeld 325 00:14:52,880 --> 00:14:57,280 Speaker 3: the guy completely fully, that'll be great, all right, come 326 00:14:57,280 --> 00:14:58,360 Speaker 3: on down on Monday. 327 00:14:58,400 --> 00:15:03,200 Speaker 1: And Larry's thrilled, thrilled because he's bored. He's doing nothing 328 00:15:03,240 --> 00:15:06,400 Speaker 1: but watching Maury Povit eating potato chips, and now he 329 00:15:06,440 --> 00:15:09,880 Speaker 1: could act out his fantasy dream and sell cars. 330 00:15:10,000 --> 00:15:10,840 Speaker 3: And he's pumped. 331 00:15:10,960 --> 00:15:13,640 Speaker 2: He's pumped. Okay, house is sold. 332 00:15:13,840 --> 00:15:15,640 Speaker 3: Hold on, hold on, Oh yeah, house is. 333 00:15:15,600 --> 00:15:18,960 Speaker 1: Say buy the house and they're moving Monday morning. Yes, 334 00:15:19,200 --> 00:15:21,640 Speaker 1: And so Cheryl is not pleased that Larry cannot be 335 00:15:21,720 --> 00:15:23,520 Speaker 1: there to help with the move because he has to 336 00:15:23,560 --> 00:15:25,120 Speaker 1: go to work to sell cars. 337 00:15:25,480 --> 00:15:28,840 Speaker 3: But also that's another theme on the show. When he 338 00:15:28,920 --> 00:15:33,480 Speaker 3: can't do something, he perceives his excuse as a great reason, 339 00:15:34,120 --> 00:15:36,520 Speaker 3: and usually it's only because he dug a hole for 340 00:15:36,600 --> 00:15:40,800 Speaker 3: himself in reality, his character and actually probably in person. 341 00:15:41,280 --> 00:15:44,000 Speaker 3: He's not plus that they're moving, that soon, and he 342 00:15:44,040 --> 00:15:45,480 Speaker 3: doesn't want to help move them in. 343 00:15:45,720 --> 00:15:49,040 Speaker 1: No, no, why would he know? And he's selling cars 344 00:15:49,080 --> 00:15:50,280 Speaker 1: and Cheryl thinks he's insane. 345 00:15:50,320 --> 00:15:50,920 Speaker 2: He's like, I want to. 346 00:15:50,880 --> 00:15:53,120 Speaker 1: Get out of my system, right, I'll help when I 347 00:15:53,160 --> 00:15:56,120 Speaker 1: come home. I'll be a little tired. And then Larry 348 00:15:56,160 --> 00:15:58,680 Speaker 1: goes to see Jason. They have a meeting. He goes 349 00:15:58,720 --> 00:16:01,640 Speaker 1: to meet with Jason and Jason is on the phone 350 00:16:02,440 --> 00:16:07,360 Speaker 1: and they start talking about Jason being the type cast 351 00:16:07,440 --> 00:16:10,240 Speaker 1: and Larry's you're not even close to George, and then 352 00:16:10,320 --> 00:16:13,840 Speaker 1: Jason starts, they see me as the idiot. 353 00:16:14,200 --> 00:16:17,640 Speaker 3: Hold on, we skip one thing. A sentence that Larry 354 00:16:17,720 --> 00:16:20,120 Speaker 3: said that killed me when we filmed it, and it 355 00:16:20,240 --> 00:16:22,120 Speaker 3: kills me. Now why is it stupid? 356 00:16:22,200 --> 00:16:23,040 Speaker 2: It's insane? 357 00:16:23,400 --> 00:16:25,480 Speaker 7: Hey, some people, you know, they run in marathons. I 358 00:16:25,480 --> 00:16:27,280 Speaker 7: want to if they can do that, other people what 359 00:16:27,400 --> 00:16:29,240 Speaker 7: they swim the English Channel. All I want to do 360 00:16:29,320 --> 00:16:31,120 Speaker 7: is work in the showroom for a little while. So 361 00:16:31,200 --> 00:16:32,200 Speaker 7: what's the big deal. 362 00:16:32,360 --> 00:16:34,160 Speaker 3: To work in the showroom? 363 00:16:34,600 --> 00:16:36,960 Speaker 2: Even that phrase his fantasy. 364 00:16:37,160 --> 00:16:40,040 Speaker 1: Okay, So Jason's going on about about you know what 365 00:16:40,080 --> 00:16:42,680 Speaker 1: a schmuck George was, and what an idiot George was, 366 00:16:42,720 --> 00:16:45,640 Speaker 1: and again you see Larry's face, and Larry says, I 367 00:16:45,640 --> 00:16:49,480 Speaker 1: see him as funny, and Jason he's the jackass roll. 368 00:16:49,680 --> 00:16:53,800 Speaker 1: And you know, they start to argue about the stupid 369 00:16:53,840 --> 00:16:57,200 Speaker 1: things that George did, stealing the tape from the answering 370 00:16:57,280 --> 00:17:01,360 Speaker 1: machine for example, eating the egg out of the garbage kid, 371 00:17:01,760 --> 00:17:06,399 Speaker 1: having a masturbation contest, and Larry tells Jason, I did 372 00:17:06,480 --> 00:17:07,760 Speaker 1: all those things right. 373 00:17:08,280 --> 00:17:10,480 Speaker 2: He wasn't the schmuck, he wasn't the idiot. And I'm 374 00:17:10,480 --> 00:17:12,160 Speaker 2: sorry you hated the character so much. 375 00:17:13,640 --> 00:17:17,280 Speaker 3: And by the way, another thing that Larry explains to him, 376 00:17:17,680 --> 00:17:20,679 Speaker 3: You're not George. You're a great actor. I'm always telling 377 00:17:20,720 --> 00:17:23,280 Speaker 3: people he's nothing like the care is a great actor. 378 00:17:23,520 --> 00:17:25,800 Speaker 3: Here's what I want to say to you. He may 379 00:17:25,880 --> 00:17:29,160 Speaker 3: be the most talented actor I've ever worked with. 380 00:17:29,400 --> 00:17:29,760 Speaker 2: Jason. 381 00:17:29,840 --> 00:17:32,280 Speaker 3: Yeah, when we did the when we did the Seinfeld seasons, 382 00:17:32,920 --> 00:17:37,160 Speaker 3: and he's teaching Larry how to be George, and it's 383 00:17:37,240 --> 00:17:40,359 Speaker 3: very meta. He's teaching Larry how to be George, and 384 00:17:40,400 --> 00:17:44,320 Speaker 3: then he does Larry and he does George anyhow. Everything 385 00:17:44,359 --> 00:17:48,200 Speaker 3: he does. When I watched him that week, so precise, 386 00:17:48,840 --> 00:17:50,600 Speaker 3: so perfect detail. 387 00:17:50,880 --> 00:17:52,919 Speaker 4: And I saw him on Broadway and he was remarking 388 00:17:53,280 --> 00:17:57,960 Speaker 4: I've seen him on Broadway Jerome Robbins Broadway. 389 00:17:57,240 --> 00:17:59,200 Speaker 3: And he wanted Tony for that. If I'm not mistaken, 390 00:17:59,280 --> 00:18:03,800 Speaker 3: I think is great actor. Yeah, really is, and he's 391 00:18:03,880 --> 00:18:07,399 Speaker 3: really not He talks like George obviously, but he's so 392 00:18:07,600 --> 00:18:11,040 Speaker 3: great I'd love to I mean, he was a mean guy. 393 00:18:11,200 --> 00:18:13,840 Speaker 3: How about this in a Pretty Woman? He was a 394 00:18:13,840 --> 00:18:16,880 Speaker 3: tall asshole. He reminds me of English actors. 395 00:18:17,160 --> 00:18:17,359 Speaker 7: You know. 396 00:18:17,440 --> 00:18:19,960 Speaker 1: Do you feel as though, I mean, I do that 397 00:18:20,160 --> 00:18:24,800 Speaker 1: Jason Post Seinfeld has not gotten the amazing role that 398 00:18:24,880 --> 00:18:25,480 Speaker 1: he deserves. 399 00:18:25,760 --> 00:18:28,080 Speaker 3: And by the way, the key praise there is he deserves. 400 00:18:28,359 --> 00:18:32,800 Speaker 3: He deserves an amazing role, And no he hasn't. And yeah, 401 00:18:32,800 --> 00:18:33,360 Speaker 3: that's what I'm saying. 402 00:18:33,359 --> 00:18:36,280 Speaker 2: I know Julia did. I mean, she has gone on to. 403 00:18:36,400 --> 00:18:39,879 Speaker 3: Huge success, but yeah, he deserves it for sure. 404 00:18:40,240 --> 00:18:42,040 Speaker 2: Well, hopefully that season will have him on. 405 00:18:42,080 --> 00:18:44,520 Speaker 1: When we do that Seinfeld season, Yeah, and we'll talk 406 00:18:44,560 --> 00:18:47,120 Speaker 1: about that and then Larry comes up with a great 407 00:18:47,160 --> 00:18:48,000 Speaker 1: idea for this. 408 00:18:48,240 --> 00:18:51,240 Speaker 3: By the way, you think I'm not going to ask 409 00:18:51,320 --> 00:18:53,920 Speaker 3: Larry to use that idea. You think I'm kidding you, 410 00:18:53,960 --> 00:18:56,159 Speaker 3: and I'm not. I watched that and we'll get to 411 00:18:56,200 --> 00:18:59,520 Speaker 3: what the idea is. But that idea was so perfect, 412 00:18:59,680 --> 00:19:02,159 Speaker 3: but it's really perfect for me to play for me, 413 00:19:02,440 --> 00:19:05,920 Speaker 3: yeah well yeah, yeah, but but I mean anyone with 414 00:19:06,640 --> 00:19:11,479 Speaker 3: comedic and you know, at a certain age, beautiful. 415 00:19:11,320 --> 00:19:12,440 Speaker 2: Beautiful, beautiful. 416 00:19:12,440 --> 00:19:15,959 Speaker 1: And the idea is that Jason plays an actor who 417 00:19:16,080 --> 00:19:20,119 Speaker 1: is so identified with the character and he becomes embittered 418 00:19:20,200 --> 00:19:23,720 Speaker 1: and ends up hating the character. Right, and Jason is 419 00:19:23,760 --> 00:19:25,439 Speaker 1: all for it and says, you. 420 00:19:25,640 --> 00:19:27,720 Speaker 2: Son of a bitch, that's pretty damn good. 421 00:19:28,240 --> 00:19:29,240 Speaker 6: All right, let's do it. 422 00:19:29,320 --> 00:19:31,360 Speaker 3: Let's do it. Come on, let's go. 423 00:19:34,320 --> 00:19:38,520 Speaker 7: I'd like to. I cut and I'm kind of I'm 424 00:19:38,560 --> 00:19:39,240 Speaker 7: actually working. 425 00:19:40,800 --> 00:19:42,600 Speaker 3: You're working on another thing, and on the show. 426 00:19:44,680 --> 00:19:45,560 Speaker 7: I'm selling cars. 427 00:19:47,920 --> 00:19:49,440 Speaker 3: I started on Monday. 428 00:19:50,480 --> 00:19:52,280 Speaker 1: We see him, then we cut to and you see 429 00:19:52,359 --> 00:19:54,520 Speaker 1: Jason's face, you know, which is so funny. And then 430 00:19:54,560 --> 00:19:57,040 Speaker 1: we cut to him in the hotel. He's up early, 431 00:19:57,280 --> 00:19:59,640 Speaker 1: he's eager to go on to work. He's shaving, he's 432 00:19:59,680 --> 00:20:01,960 Speaker 1: in a suit and time and he couldnot wait to 433 00:20:01,960 --> 00:20:05,119 Speaker 1: get to that showroom. He's off to work and he's like, 434 00:20:05,200 --> 00:20:08,440 Speaker 1: he's in the showroom and his first customer comes in 435 00:20:08,840 --> 00:20:11,800 Speaker 1: says his name is Archie right away wants to develop 436 00:20:11,920 --> 00:20:15,520 Speaker 1: rapport and Larry says my wife's name is Veronica, right. 437 00:20:15,560 --> 00:20:19,240 Speaker 3: And by the way, that actor comedian from Chicago, Chip Chennery, 438 00:20:19,640 --> 00:20:22,639 Speaker 3: that's just really Chip Chennery. And that sounds like a 439 00:20:22,760 --> 00:20:23,640 Speaker 3: name i'd make. 440 00:20:23,520 --> 00:20:25,080 Speaker 2: Up, Chip Chenery. Chip. 441 00:20:25,680 --> 00:20:28,560 Speaker 3: No, it sounds exactly one of my silly names. And 442 00:20:28,720 --> 00:20:32,080 Speaker 3: Chip Chennery, who's wonderful and played that part perfect. 443 00:20:32,280 --> 00:20:36,600 Speaker 1: And Chip Chennery playing Archie, starts asking questions about what's 444 00:20:36,600 --> 00:20:37,160 Speaker 1: the engine. 445 00:20:37,200 --> 00:20:38,560 Speaker 2: Big Larry says. 446 00:20:38,720 --> 00:20:42,600 Speaker 1: He clearly has no fucking idea what he's talking about. 447 00:20:42,920 --> 00:20:45,080 Speaker 2: Next customer Shirley, that's my mother's name. 448 00:20:45,240 --> 00:20:47,800 Speaker 1: He's trying to build like he read a brochure about 449 00:20:47,960 --> 00:20:50,960 Speaker 1: salespeople how to build rapport and he's just doing that. 450 00:20:51,040 --> 00:20:54,520 Speaker 1: About the names, does it have tilt? Will steering? No idea? 451 00:20:54,600 --> 00:20:57,600 Speaker 3: You don't really need tilt. You don't. 452 00:20:57,720 --> 00:20:59,840 Speaker 1: You don't have to tilt with this car? My wife 453 00:21:00,119 --> 00:21:03,080 Speaker 1: is it peppy? We have this car? Gas mileage depends 454 00:21:03,080 --> 00:21:05,800 Speaker 1: on the city. What's the wheelbase? And this is like 455 00:21:05,840 --> 00:21:08,240 Speaker 1: a whole montage of showing you that he has no 456 00:21:08,359 --> 00:21:09,359 Speaker 1: idea what he's doing. 457 00:21:09,359 --> 00:21:12,199 Speaker 3: And by the way, the next person was an old man. 458 00:21:12,240 --> 00:21:16,359 Speaker 3: His name's Harper Roysman. One of my joys about doing 459 00:21:16,359 --> 00:21:21,120 Speaker 3: the show is when older character actors from older Hollywood 460 00:21:21,400 --> 00:21:22,240 Speaker 3: are on the show. 461 00:21:22,720 --> 00:21:26,200 Speaker 1: And then but before we get to that, he one 462 00:21:26,240 --> 00:21:27,879 Speaker 1: of them asked about the wheelbase. 463 00:21:27,920 --> 00:21:29,440 Speaker 2: They're concerned about the rollover. 464 00:21:29,880 --> 00:21:34,240 Speaker 1: So Larry starts pushing the car and the alom goes 465 00:21:34,280 --> 00:21:36,400 Speaker 1: off and you kids, you notice. 466 00:21:36,080 --> 00:21:40,440 Speaker 3: Who the most interesting person to come into the showroom 467 00:21:40,560 --> 00:21:45,359 Speaker 3: was Dana Lee. Mister Takahashi was in that episode. He 468 00:21:45,480 --> 00:21:46,920 Speaker 3: was one of the people buying a car. 469 00:21:47,240 --> 00:21:48,840 Speaker 2: And we love mister Takahashi. 470 00:21:49,040 --> 00:21:51,639 Speaker 3: By the way, Dana Lee, who plays the character, what 471 00:21:51,720 --> 00:21:52,600 Speaker 3: a delightful man. 472 00:21:52,680 --> 00:21:57,040 Speaker 7: And Larry says, Na, Dana, that's my middle name, Larry, Dana, David. 473 00:21:57,480 --> 00:22:00,520 Speaker 2: I noticed this is a GT and the broch just says, 474 00:22:00,880 --> 00:22:03,600 Speaker 2: there's a model called the GT S. Yes, so what 475 00:22:03,720 --> 00:22:06,200 Speaker 2: is the difference between the GT and the GTS. 476 00:22:06,400 --> 00:22:10,760 Speaker 7: Okay, the gt S is guarantee tremendous safety. 477 00:22:11,560 --> 00:22:14,879 Speaker 3: So without the S, it's just guarantee tremendous. 478 00:22:16,560 --> 00:22:20,560 Speaker 5: And he has no idea what he's doing, Dana says back, Dana, 479 00:22:21,000 --> 00:22:26,560 Speaker 5: get his character, he goes, so is the other guaranteed tremendous? 480 00:22:27,119 --> 00:22:28,000 Speaker 2: He has no idea. 481 00:22:28,240 --> 00:22:31,119 Speaker 1: Then then a guy comes in Afion, Oh, that's my 482 00:22:31,240 --> 00:22:31,959 Speaker 1: step brother's. 483 00:22:32,400 --> 00:22:32,919 Speaker 3: Yeah, I know. 484 00:22:33,080 --> 00:22:34,600 Speaker 2: He's just on and on and on. 485 00:22:35,119 --> 00:22:37,960 Speaker 1: And then he goes into you know, he realizes he's 486 00:22:37,960 --> 00:22:41,119 Speaker 1: doing really poorly, and he says, ever seen the Seinfeld Show? 487 00:22:41,200 --> 00:22:43,679 Speaker 1: To them because he's going to reveal who he really is. 488 00:22:43,680 --> 00:22:46,400 Speaker 1: But it doesn't come to that. And then the old 489 00:22:46,440 --> 00:22:50,080 Speaker 1: man comes in right and tell me his name again, Harper, 490 00:22:51,160 --> 00:22:52,080 Speaker 1: Harper Roysman. 491 00:22:52,680 --> 00:22:53,880 Speaker 2: And that's not working out. 492 00:22:53,920 --> 00:22:57,720 Speaker 3: By the way, there you just mentioned the Richard Lewis entrance. 493 00:22:57,560 --> 00:23:01,080 Speaker 2: Right, that's later, okay, I'm sir. That's the second day, okay. 494 00:23:01,840 --> 00:23:04,560 Speaker 1: And then the first day is a bust and he 495 00:23:04,640 --> 00:23:06,960 Speaker 1: goes home to the new house and Cheryl says, how 496 00:23:06,960 --> 00:23:07,320 Speaker 1: did it go? 497 00:23:07,400 --> 00:23:11,080 Speaker 2: Sell a lot of cars? And that's not how it works? Yeah, 498 00:23:11,119 --> 00:23:14,680 Speaker 2: I know, she says to him, Are you over it now? 499 00:23:14,880 --> 00:23:30,920 Speaker 6: No, we'll be right back, stay tuned. Okay, we're back. 500 00:23:31,600 --> 00:23:32,600 Speaker 2: So they're in the house. 501 00:23:32,640 --> 00:23:35,359 Speaker 1: The house seems different because they're furniture is there, and 502 00:23:35,400 --> 00:23:38,240 Speaker 1: it's you know, and they're in bed reading and they hear. 503 00:23:38,040 --> 00:23:42,159 Speaker 2: A noise right, a little click click click, which. 504 00:23:41,920 --> 00:23:43,520 Speaker 1: Is as you know, when you own a house, this 505 00:23:43,640 --> 00:23:47,399 Speaker 1: house sounds right, there's always a house sound. And but 506 00:23:47,480 --> 00:23:49,800 Speaker 1: Larry says, what's a house sound? And Cheryl says this, 507 00:23:50,080 --> 00:23:51,920 Speaker 1: it's the house settling, which is like. 508 00:23:52,000 --> 00:23:53,640 Speaker 3: By the way, you hear that excuse a lot of time. 509 00:23:53,840 --> 00:23:55,720 Speaker 3: Do you know? I was in a house when I 510 00:23:55,760 --> 00:23:58,399 Speaker 3: lived in Sherman Oaks. I was in a house and 511 00:23:58,440 --> 00:24:02,040 Speaker 3: we first moved in. I was overwhelmed and I had 512 00:24:02,080 --> 00:24:05,960 Speaker 3: a lot of anxiety. I was filming, was filming a 513 00:24:06,040 --> 00:24:09,760 Speaker 3: movie Sleepover, so I was doing that movie at the time. 514 00:24:10,320 --> 00:24:13,720 Speaker 3: I was very stressed out. The floors have been paided, 515 00:24:14,040 --> 00:24:16,120 Speaker 3: and toxic chemicals, you know, they've. 516 00:24:15,960 --> 00:24:17,520 Speaker 2: Been like yea done varnished. 517 00:24:18,160 --> 00:24:21,400 Speaker 3: Really hurt me. And there was a sound, and I 518 00:24:21,440 --> 00:24:24,320 Speaker 3: was convinced the house was haunted. And at that time 519 00:24:24,400 --> 00:24:26,560 Speaker 3: we cleared out some of the furniture that was left, 520 00:24:26,840 --> 00:24:30,240 Speaker 3: and one was a bed frame that looked like it 521 00:24:30,320 --> 00:24:32,280 Speaker 3: was a little girls from the eighteen hundreds. 522 00:24:32,359 --> 00:24:33,520 Speaker 2: Okay, yeah, And. 523 00:24:33,480 --> 00:24:35,639 Speaker 3: I would see it outside of her house from the 524 00:24:35,680 --> 00:24:38,399 Speaker 3: window and I would think that there was a ghost. 525 00:24:38,640 --> 00:24:42,399 Speaker 3: Really lose your mind. I was so stressed and so 526 00:24:42,600 --> 00:24:45,360 Speaker 3: overwhelmed that I thought my house was haunted. 527 00:24:45,680 --> 00:24:51,840 Speaker 1: So picture it's me a little girl from the Victorian era? 528 00:24:52,359 --> 00:24:52,600 Speaker 2: Is that? 529 00:24:52,600 --> 00:24:55,200 Speaker 3: Well? By the way, if I may can I say 530 00:24:55,200 --> 00:24:59,359 Speaker 3: what I thought she was saying to me, what Hello, 531 00:25:01,119 --> 00:25:02,160 Speaker 3: that's more of a ghost sound. 532 00:25:02,240 --> 00:25:02,480 Speaker 2: Okay. 533 00:25:02,720 --> 00:25:05,240 Speaker 3: She wouldn't list where she's from the Victorian era. 534 00:25:05,400 --> 00:25:06,600 Speaker 2: Okay, so she wasn't. 535 00:25:06,720 --> 00:25:11,080 Speaker 3: No, it was more like, boo, get out, get out, 536 00:25:11,560 --> 00:25:14,560 Speaker 3: everything is wrong with you. You should have shame. 537 00:25:15,200 --> 00:25:19,600 Speaker 1: So it was Jacob Marley, Jacob car. Okay, so there, 538 00:25:19,600 --> 00:25:20,600 Speaker 1: what's the house sound? 539 00:25:20,600 --> 00:25:25,479 Speaker 2: Etc. Cheryl. Cheryl's always the pragmatist, right, ignore it. They 540 00:25:25,480 --> 00:25:26,400 Speaker 2: I'll be up all night. 541 00:25:26,680 --> 00:25:29,679 Speaker 1: And he goes to explore where it's coming from, finds nothing. 542 00:25:30,520 --> 00:25:34,399 Speaker 1: Next day he's at work again doing this bushy tailed 543 00:25:34,680 --> 00:25:38,040 Speaker 1: you know. The guy wants wood grain. He says, I'll 544 00:25:38,040 --> 00:25:38,879 Speaker 1: give you wood grain. 545 00:25:39,119 --> 00:25:41,639 Speaker 3: By the way, the guy was about to buy the 546 00:25:41,680 --> 00:25:43,879 Speaker 3: car because the wood grain was the only thing the 547 00:25:43,920 --> 00:25:47,000 Speaker 3: guy was curious about. And Larryus sold. 548 00:25:46,640 --> 00:25:50,840 Speaker 1: The car finally, and who walks in Richard Lewis, Yes, 549 00:25:51,520 --> 00:25:53,879 Speaker 1: looking fantastic, by the way, handsome. 550 00:25:54,160 --> 00:25:57,880 Speaker 2: You know, he was a handsome heart throb in his day. 551 00:25:58,040 --> 00:25:59,840 Speaker 3: I'm sure he took advantage of that. I know he did. 552 00:26:00,119 --> 00:26:02,480 Speaker 1: Yes, he did. Now he has an amazing wife. I 553 00:26:02,480 --> 00:26:05,440 Speaker 1: don't know they might have been together at that time. 554 00:26:05,920 --> 00:26:09,560 Speaker 3: No, no, no, not not when he was doing Carnegie 555 00:26:09,640 --> 00:26:10,480 Speaker 3: Hall and all that ship. 556 00:26:10,600 --> 00:26:12,480 Speaker 2: No, but this when we were shooting this show. 557 00:26:12,720 --> 00:26:16,040 Speaker 3: Most certainly he was. And by the way, she's a 558 00:26:16,080 --> 00:26:16,840 Speaker 3: remarkable one. 559 00:26:16,920 --> 00:26:19,840 Speaker 2: I love her. She's terrific. And she puts up with him. 560 00:26:19,960 --> 00:26:21,800 Speaker 3: I went up to her one time. I said I 561 00:26:21,840 --> 00:26:24,640 Speaker 3: don't know how you do it, blah blah blah, and 562 00:26:24,720 --> 00:26:27,639 Speaker 3: she looked like I just spoke Japanese to her. She 563 00:26:27,960 --> 00:26:33,360 Speaker 3: didn't understand why Richard would be Yeah, so that obviously 564 00:26:33,400 --> 00:26:35,639 Speaker 3: she's a perfect woman for she is just like Jimmy. 565 00:26:35,680 --> 00:26:38,080 Speaker 2: You don't You don't think I'm high maintenance, do you, honey? 566 00:26:38,320 --> 00:26:45,160 Speaker 3: No, you are not. Yeah, you are not. Although people 567 00:26:45,200 --> 00:26:48,320 Speaker 3: at home she's a green, very high maintenance. You are 568 00:26:48,440 --> 00:26:50,639 Speaker 3: not Jimmy. You're lucky. 569 00:26:50,880 --> 00:26:53,720 Speaker 1: Okay. So Richard Lewis shows up. This is a joke, right, 570 00:26:54,040 --> 00:26:55,679 Speaker 1: and he scares the customer away. 571 00:26:55,920 --> 00:26:56,560 Speaker 3: Forgive him. 572 00:26:57,040 --> 00:27:00,600 Speaker 7: You just cast a customer. You just cast me customer. 573 00:27:00,640 --> 00:27:05,120 Speaker 3: Of course you lost me a customer. I was about 574 00:27:05,119 --> 00:27:06,320 Speaker 3: to take him into the manager's office. 575 00:27:06,320 --> 00:27:06,880 Speaker 6: What are you doing? 576 00:27:07,440 --> 00:27:11,760 Speaker 7: How do you do business in here? 577 00:27:11,840 --> 00:27:15,679 Speaker 2: Pretty Willy Loman? Yeah, I wrote that down too. 578 00:27:15,960 --> 00:27:18,560 Speaker 3: By the way, A little fun fact, as we said 579 00:27:18,560 --> 00:27:23,720 Speaker 3: on the show before fun fact in that Toyota of Hollywood. Upstairs, 580 00:27:23,720 --> 00:27:27,680 Speaker 3: they had an office and we had we were looking 581 00:27:27,760 --> 00:27:32,119 Speaker 3: for actresses to play the role of Cheryl's great friend 582 00:27:32,680 --> 00:27:36,240 Speaker 3: because the woman who was scheduled to play that did 583 00:27:36,320 --> 00:27:40,120 Speaker 3: not like the idea of Larry saying I know that 584 00:27:40,240 --> 00:27:41,119 Speaker 3: ass anywhere. 585 00:27:41,720 --> 00:27:44,000 Speaker 2: Fat ass did not like that episode. 586 00:27:44,200 --> 00:27:47,760 Speaker 3: What's that episode? But no, here's my trivia. Will you 587 00:27:47,800 --> 00:27:53,760 Speaker 3: listen to the trivia? Fun fact? We auditioned Wanda Sykes upstairs. 588 00:27:54,480 --> 00:27:58,520 Speaker 3: I reminded Larry of that yesterday. That's where we auditioned Wanda, 589 00:27:58,920 --> 00:28:01,520 Speaker 3: and we waxte right. I knew she'd be great. 590 00:28:01,600 --> 00:28:03,359 Speaker 2: I guess I know her well because we knew her 591 00:28:03,359 --> 00:28:04,040 Speaker 2: from stand up. 592 00:28:04,160 --> 00:28:08,120 Speaker 3: Yeah, but Larry had never seen her before. And when 593 00:28:08,200 --> 00:28:11,360 Speaker 3: she was done, he said, absolutely, let's do it because 594 00:28:11,880 --> 00:28:14,960 Speaker 3: she was great. By the way, that character's a lot 595 00:28:15,000 --> 00:28:17,199 Speaker 3: of her the way she plays it. But she was 596 00:28:17,240 --> 00:28:20,439 Speaker 3: fully developed into that role. She knew she was going 597 00:28:20,520 --> 00:28:22,560 Speaker 3: to give him shit. She just knew it. She gave 598 00:28:22,600 --> 00:28:25,000 Speaker 3: him shit in the audition. Now we can go to 599 00:28:25,000 --> 00:28:26,520 Speaker 3: the next episode when we'll. 600 00:28:26,200 --> 00:28:29,879 Speaker 1: Talk more about Wanda. Okay, So Richard Lewis shows up. 601 00:28:29,920 --> 00:28:32,280 Speaker 1: He's pissed off at Larry because he just came from 602 00:28:32,400 --> 00:28:36,679 Speaker 1: Jeff's office and Jeff told him that Larry said that 603 00:28:36,840 --> 00:28:40,360 Speaker 1: Richard Lewis was high maintenance, and. 604 00:28:39,760 --> 00:28:42,200 Speaker 3: Of course I am a great listener and I have 605 00:28:42,240 --> 00:28:49,080 Speaker 3: a small mouth. You can trust me. However, mouth ears 606 00:28:49,160 --> 00:28:49,800 Speaker 3: big mouth. 607 00:28:50,720 --> 00:28:53,400 Speaker 1: So he's pissed off at what is his dark secrets? 608 00:28:53,600 --> 00:28:54,760 Speaker 1: What do I have in note dark? 609 00:28:54,800 --> 00:28:54,960 Speaker 3: Oh? 610 00:28:55,000 --> 00:28:58,760 Speaker 1: Because Lewis says to Larry, what dark secrets do you have? 611 00:28:58,880 --> 00:29:00,440 Speaker 2: And you want to be a car salesman? 612 00:29:00,880 --> 00:29:03,400 Speaker 1: And then he notices that Lewis is wearing the same 613 00:29:04,080 --> 00:29:08,360 Speaker 1: supposedly cashmere sweater that the agent was wearing who sold 614 00:29:08,400 --> 00:29:10,600 Speaker 1: him the house, and he asked Lewis if the sweater 615 00:29:10,680 --> 00:29:13,600 Speaker 1: is one hundred cashmere, and Lewis so, of course it is, 616 00:29:13,760 --> 00:29:16,600 Speaker 1: and Larry goes to check the label and a physical 617 00:29:16,920 --> 00:29:18,360 Speaker 1: fight ensues. 618 00:29:17,960 --> 00:29:20,080 Speaker 3: Because I want to see the tag and Richards don't 619 00:29:20,120 --> 00:29:22,720 Speaker 3: touch me, touch me. In the great line that Larry says, 620 00:29:22,720 --> 00:29:25,440 Speaker 3: all right, I won't use my hands, which how was 621 00:29:25,480 --> 00:29:29,440 Speaker 3: he looking at the hands? But it turns into a fight, 622 00:29:29,960 --> 00:29:30,240 Speaker 3: and the. 623 00:29:30,280 --> 00:29:32,440 Speaker 2: Physical fight, physical fight, and then. 624 00:29:34,280 --> 00:29:36,640 Speaker 3: I think that was the last physical fight they ever had, 625 00:29:36,760 --> 00:29:41,000 Speaker 3: because they had one first first, and then this one here, 626 00:29:41,080 --> 00:29:43,120 Speaker 3: I don't know if they ever got physical again. 627 00:29:42,960 --> 00:29:43,680 Speaker 2: I think they did. 628 00:29:45,360 --> 00:29:47,560 Speaker 1: And then Tom, the head of the showroom, the Toyota 629 00:29:47,600 --> 00:29:50,240 Speaker 1: salesman fires Larry, and Larry. 630 00:29:50,280 --> 00:29:54,160 Speaker 3: Tries, you know, I almost sold the car, and you know. 631 00:29:54,680 --> 00:29:57,239 Speaker 1: But the reality is he wouldn't have sold the car 632 00:29:57,280 --> 00:29:59,040 Speaker 1: because he doesn't know if he could get the wood 633 00:29:59,040 --> 00:29:59,800 Speaker 1: grain throw. 634 00:29:59,720 --> 00:30:02,400 Speaker 3: Right, I would have been dressed exactly if. 635 00:30:02,240 --> 00:30:05,200 Speaker 2: It even comes with green. He had no idea. He 636 00:30:05,280 --> 00:30:07,400 Speaker 2: was completely incompetent as a car salesman. 637 00:30:07,560 --> 00:30:07,960 Speaker 3: Yes. 638 00:30:08,480 --> 00:30:11,920 Speaker 1: So then Larry, you know kind of sulks, homes, SLINKs. 639 00:30:11,960 --> 00:30:14,960 Speaker 1: What's that expression? He goes home and there's a big 640 00:30:15,000 --> 00:30:16,640 Speaker 1: guy played. 641 00:30:16,320 --> 00:30:19,920 Speaker 3: By hold On, played by Jim Zulovic, a friend of 642 00:30:19,960 --> 00:30:24,000 Speaker 3: mine from Second City. Great improviser see early on in 643 00:30:24,080 --> 00:30:27,400 Speaker 3: the show, maybe the first half dozen years. I just 644 00:30:27,520 --> 00:30:31,280 Speaker 3: popped in. Every great improviser I knew from second and. 645 00:30:31,280 --> 00:30:35,560 Speaker 1: Very important because not everybody can do it. No God, 646 00:30:35,600 --> 00:30:37,800 Speaker 1: A lot of great actors. We've said this before, a 647 00:30:37,800 --> 00:30:41,600 Speaker 1: lot of great actors can't improviseot. So it's important, especially 648 00:30:41,600 --> 00:30:44,160 Speaker 1: for these little parts, right, you know, little parts. You 649 00:30:44,160 --> 00:30:46,640 Speaker 1: want to find these great improvisers because they were important. 650 00:30:46,680 --> 00:30:48,760 Speaker 3: Well, By the way, all these guys fit into. 651 00:30:48,520 --> 00:30:53,560 Speaker 2: That right, And on this show, I'm always saying. 652 00:30:53,280 --> 00:30:57,000 Speaker 3: That about these people. He's so delightful. He's such a 653 00:30:57,040 --> 00:30:59,920 Speaker 3: sweet sweet man. By the way, if somebody was an asshole, 654 00:31:00,200 --> 00:31:01,280 Speaker 3: they ain't coming on the show. 655 00:31:01,440 --> 00:31:02,160 Speaker 2: Well why would they? 656 00:31:02,320 --> 00:31:05,120 Speaker 3: Well, there's great improvisers that are assholes, just like there's 657 00:31:05,160 --> 00:31:05,840 Speaker 3: great comedian. 658 00:31:05,920 --> 00:31:11,320 Speaker 1: So here is Jim's Slulavic Zulovic checking the house sound. 659 00:31:11,440 --> 00:31:14,280 Speaker 1: He's a house sound checker, right, can't find it, can't 660 00:31:14,280 --> 00:31:15,120 Speaker 1: find anything wrong. 661 00:31:15,320 --> 00:31:17,440 Speaker 2: And Larry tells them, well, you can't hear it until. 662 00:31:17,200 --> 00:31:20,640 Speaker 1: After ten pm tonight, and will you come after ten 663 00:31:20,680 --> 00:31:23,360 Speaker 1: pm tonight? And I have to call a sitter, but 664 00:31:24,160 --> 00:31:27,080 Speaker 1: they'll do it, yeah, you know. And they're in bed 665 00:31:27,320 --> 00:31:30,960 Speaker 1: and he hears the sound and he's gonna call Jason tomorrow. 666 00:31:31,320 --> 00:31:32,440 Speaker 2: The pitch the show. 667 00:31:33,000 --> 00:31:33,880 Speaker 6: You can't call it now. 668 00:31:34,080 --> 00:31:36,520 Speaker 2: It'sty five minutes past the cutoff. 669 00:31:36,600 --> 00:31:38,920 Speaker 7: So what you get like an hour dispensation. 670 00:31:38,480 --> 00:31:40,080 Speaker 2: For good news? Who told you that? 671 00:31:40,240 --> 00:31:42,120 Speaker 3: Who told me that? It's common knowledge? 672 00:31:42,160 --> 00:31:45,720 Speaker 7: What are you talking about common everybody knows that. Well, 673 00:31:45,760 --> 00:31:47,200 Speaker 7: look what happens with deaths and babies. 674 00:31:47,240 --> 00:31:48,280 Speaker 3: You go, you go all night. 675 00:31:48,440 --> 00:31:49,560 Speaker 2: Well, this isn't a baby. 676 00:31:49,800 --> 00:31:50,440 Speaker 7: Well, it's still. 677 00:31:50,360 --> 00:31:57,440 Speaker 1: Goodws sorry quiet because he has to get And that's 678 00:31:57,480 --> 00:31:58,120 Speaker 1: the episode. 679 00:31:58,200 --> 00:32:00,800 Speaker 3: But by the way, what took me back? And maybe 680 00:32:00,840 --> 00:32:03,880 Speaker 3: because I really enjoyed the episode, I found it to 681 00:32:03,920 --> 00:32:06,440 Speaker 3: be short. I could have sworn it was twenty minutes 682 00:32:06,720 --> 00:32:09,680 Speaker 3: that episode, by the way, the next episode two. I 683 00:32:09,680 --> 00:32:12,840 Speaker 3: don't know. They just felt incredibly they weren't. And maybe 684 00:32:12,840 --> 00:32:14,760 Speaker 3: it's a compliment to the show that they fly by. 685 00:32:14,960 --> 00:32:17,280 Speaker 2: I'll tell you here's here's why it might be. I 686 00:32:17,280 --> 00:32:17,720 Speaker 2: don't know. 687 00:32:18,200 --> 00:32:22,640 Speaker 1: These shows are much simpler than our shows had become. 688 00:32:22,880 --> 00:32:29,000 Speaker 1: Our shows had become many more storylines if they're done throughout. 689 00:32:27,800 --> 00:32:30,640 Speaker 3: Which by the way, is the opposite of what I dig. 690 00:32:30,960 --> 00:32:33,040 Speaker 3: By the way, I love the show more than ever 691 00:32:33,160 --> 00:32:36,400 Speaker 3: doing it. But I loved the early days of the 692 00:32:36,400 --> 00:32:39,720 Speaker 3: show simpler. It was simpler, and at this point we 693 00:32:39,760 --> 00:32:42,760 Speaker 3: didn't have a storyline for the season, which an arc, 694 00:32:43,040 --> 00:32:45,320 Speaker 3: which I think the first one was the restaurant. 695 00:32:44,840 --> 00:32:46,440 Speaker 2: Maybe yes, which will be next season. 696 00:32:46,600 --> 00:32:50,640 Speaker 3: Yeah. Just they were so simple and they were self contained, 697 00:32:50,960 --> 00:32:53,160 Speaker 3: even though we brought over maybe one thing from the 698 00:32:53,240 --> 00:32:55,840 Speaker 3: last episode right which, by the way, now unless it's 699 00:32:55,880 --> 00:32:57,280 Speaker 3: on story things don't give me well. 700 00:32:57,840 --> 00:33:00,360 Speaker 1: Because the next episode Jason is in again. Yes, and 701 00:33:00,400 --> 00:33:03,040 Speaker 1: the whole idea so that that it's. 702 00:33:04,000 --> 00:33:07,480 Speaker 3: And I have a great story about the Jason Larry 703 00:33:07,560 --> 00:33:08,680 Speaker 3: scene next. 704 00:33:08,400 --> 00:33:10,840 Speaker 2: Episode, which we will see you next time. 705 00:33:11,040 --> 00:33:13,480 Speaker 3: Yeah, and there'll be a great story. And by the way, 706 00:33:13,600 --> 00:33:15,720 Speaker 3: can't wait. I guarantee it. How's that? 707 00:33:15,840 --> 00:33:16,320 Speaker 2: There you go? 708 00:33:16,520 --> 00:33:20,240 Speaker 3: Yeah, and if not, you can return all our podcasts. 709 00:33:20,400 --> 00:33:21,760 Speaker 3: There's a money back guarantee. 710 00:33:22,360 --> 00:33:24,640 Speaker 1: Don't even say that, Jeff, Well, what are you talking about? 711 00:33:24,760 --> 00:33:27,440 Speaker 1: Because there might be some legal issue, but. 712 00:33:27,320 --> 00:33:30,160 Speaker 3: We're not charging money. We have sponsors. 713 00:33:30,520 --> 00:33:32,120 Speaker 2: Okay, see all you want. 714 00:33:32,200 --> 00:33:34,800 Speaker 3: So by the way, if we were doing the subscription 715 00:33:34,920 --> 00:33:37,400 Speaker 3: wise I wouldn't want to do it. Too much pressure 716 00:33:37,760 --> 00:33:41,760 Speaker 3: and and and you know if these corporations. 717 00:33:41,000 --> 00:33:44,360 Speaker 2: Are our sponsors, well they vet them. 718 00:33:44,480 --> 00:33:46,640 Speaker 3: What are you talking about. We're not going to have 719 00:33:46,920 --> 00:33:51,560 Speaker 3: Nazi men's where they they will totally fact so, which 720 00:33:51,600 --> 00:33:54,360 Speaker 3: is nice. Okay, all right, so we're in a good situation. 721 00:33:58,560 --> 00:34:01,880 Speaker 1: The History of Curve Enthusiasm is a production of iHeart Radio. 722 00:34:02,000 --> 00:34:04,120 Speaker 2: For more podcasts from iHeart Radio 723 00:34:04,440 --> 00:34:08,120 Speaker 1: Using the iHeartRadio app, Apple Podcasts, or wherever you listen 724 00:34:08,160 --> 00:34:09,120 Speaker 1: to your favorite shows.