WEBVTT - Shannon & The Clams

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<v Speaker 1>Pushkin. The band Shannon and the Clams were longtime regulars

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<v Speaker 1>in the Bay Area music scene. The band's two main songwriters,

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<v Speaker 1>Shannon Shaw and Cody Blanchard, met in college in Oakland, California,

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<v Speaker 1>and remained there for about a decade until a number

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<v Speaker 1>of events set them adrift, not only physically but also spiritually.

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<v Speaker 1>There was a tragic ghost ship warehouse fire in twenty

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<v Speaker 1>sixteen that killed thirty six people attending the show in Oakland.

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<v Speaker 1>Then there was a danger situation where Shannon was a

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<v Speaker 1>victim of a stalker, and if that weren't enough, there

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<v Speaker 1>was also the death of Shannon's fiance only weeks before

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<v Speaker 1>their wedding day. The band's new album, The Moon Is

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<v Speaker 1>in the Wrong Place, is taken from a phrase Shannon's fiancee,

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<v Speaker 1>Joe Hayner, uttered shortly before his passing. It's also the

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<v Speaker 1>record's moving title track. Much of the new record is

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<v Speaker 1>a Shannon's grief, but there's also tender moments like the Vow,

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<v Speaker 1>a song Shannon had written to surprise Joe on their

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<v Speaker 1>wedding day. I spoke to Shannon, Sean Cody Blanchard about

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<v Speaker 1>moving away from Oakland the aftermath of losing a friend

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<v Speaker 1>in fiance and about their Dan Aarbach produced record, The

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<v Speaker 1>Moon Is in the Wrong Place. This is broken record

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<v Speaker 1>liner notes for the digital age. I'm justin Mitchman. Here's

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<v Speaker 1>my conversation with Shannon Shaw and Cody Blanchard of Shannon

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<v Speaker 1>and the Clams. When the single The Moon Is in

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<v Speaker 1>the Wrong Place first came out, and when I realized

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<v Speaker 1>it was the album title, my thought was it might

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<v Speaker 1>be one of the better album titles in recent memory.

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<v Speaker 1>And then when I read the backstory, I got a

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<v Speaker 1>little bummed out. I was like, where it comes from

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<v Speaker 1>makes it even better in a sense. But it's obviously

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<v Speaker 1>just a brutal way to come to it. And I

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<v Speaker 1>don't know what degree you want to talk about it

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<v Speaker 1>or Shannon, but you know, I don't know how to

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<v Speaker 1>talk about this, so sorry.

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<v Speaker 2>Well, we're not raised to talk about it or trained

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<v Speaker 2>generally in America. It really seems.

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<v Speaker 3>Like just so not a part of our culture.

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<v Speaker 1>You know.

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<v Speaker 2>The funeral marks the end of your time to publicly

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<v Speaker 2>deal with with the loss. But I'm not going that route.

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<v Speaker 2>I can't go that route. It's not sustainable to me.

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<v Speaker 1>What was your relationship with sort of life and death

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<v Speaker 1>prior to this experience, and has it evolved if it

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<v Speaker 1>has at.

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<v Speaker 3>All, It's yeah, it's evolved a lot. You know.

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<v Speaker 2>I've lost my grandparents who I loved but I was

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<v Speaker 2>not very close with. And we had someone who used

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<v Speaker 2>to drum for us years ago committed suicide and that

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<v Speaker 2>was definitely hard. And then I would say the ghost

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<v Speaker 2>Ship fires, was.

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<v Speaker 3>It definitely? Yes? Yeah, that definitely took a lot out

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<v Speaker 3>of us.

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<v Speaker 2>You know, It's that occurred in like the same kind

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<v Speaker 2>of spaces that we frequent and you know, came up

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<v Speaker 2>playing and had had some friends in there and everyone

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<v Speaker 2>was just maybe one or two degrees away from us.

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<v Speaker 2>So it was that was a really hard one. But

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<v Speaker 2>nothing has affected me like this before ever. I think

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<v Speaker 2>just having it be something from inside of my life

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<v Speaker 2>disrupting every part of my life and changing my future.

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<v Speaker 3>Drastically.

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<v Speaker 1>Yeah. How long after you lost your partner, Shannon, did

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<v Speaker 1>you feel that you could reasonably move forward with music again?

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<v Speaker 4>Pretty quick? Right?

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<v Speaker 1>Yeah?

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<v Speaker 2>I never thought of it quite in those terms, because

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<v Speaker 2>when I write music, it's usually coming from a place

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<v Speaker 2>of I need to get something out of me.

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<v Speaker 3>You know.

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<v Speaker 2>The way I make music is it's processing emotions, so

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<v Speaker 2>it shouldn't be a surprise that that's the route I took.

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<v Speaker 2>I mean, since I was a little kid making up songs.

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<v Speaker 2>I started making up songs when I was really young,

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<v Speaker 2>five or so and not playing music. I never ever,

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<v Speaker 2>I never thought i'd be a musician. That was a

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<v Speaker 2>huge surprise to me, and I didn't start playing anything

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<v Speaker 2>till I was twenty five. But it's always been a

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<v Speaker 2>form of self soothing to me, and now I see

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<v Speaker 2>it as processing too, So songs started coming to me

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<v Speaker 2>right away.

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<v Speaker 1>What was the first song to come to you?

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<v Speaker 2>I feel like it was maybe the bean Fields, not

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<v Speaker 2>like the melody or the music, but the concept and

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<v Speaker 2>maybe life is unfair? Yeah, beautiful. Yeah, we were spending

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<v Speaker 2>so much time just sitting in this crop. I don't

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<v Speaker 2>know if you know, but Joe's pickup flipped into the

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<v Speaker 2>bean field that he tended, and himself. I don't know,

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<v Speaker 2>it's ironic, I guess, but yeah, just me and his

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<v Speaker 2>family and some friends just ended up spending so much

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<v Speaker 2>time just sitting out there, you know, surrounded by this madness,

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<v Speaker 2>you know, as a real juxtaposition between life and death,

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<v Speaker 2>being surrounded by all these blossoms, and bees buzzing, and

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<v Speaker 2>you know, the beans starting to come in, and then

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<v Speaker 2>this big burnt out hole in the earth where his

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<v Speaker 2>pickup had been, and we just ended up spending so

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<v Speaker 2>much time there that I eventually hauled out this camping.

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<v Speaker 2>Matt and me and his sister Beth would just lay

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<v Speaker 2>out there night and day, and eventually we dragged out

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<v Speaker 2>chairs and a table and would meet there like every

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<v Speaker 2>night and listen to music and talk and watch the

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<v Speaker 2>meteor shower that had been going on.

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<v Speaker 3>And I think.

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<v Speaker 2>Being in that environment made me feel really inspired and

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<v Speaker 2>blown away that I could still appreciate anything, and nature

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<v Speaker 2>became a really big, in your face, in my face

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<v Speaker 2>inspiration and just being able to appreciate it in a

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<v Speaker 2>new way and just kind of living in awe.

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<v Speaker 1>Were you starting to trend that way? I mean, you

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<v Speaker 1>had moved to, you know, your partner's farm outside of Portland,

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<v Speaker 1>and from what I gathered was a pretty, you know,

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<v Speaker 1>like beautiful piece of land. So I mean, were you

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<v Speaker 1>starting to trend towards being a person inspired by nature anyway?

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<v Speaker 1>Or was that period of morning more of a time

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<v Speaker 1>where that happened.

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<v Speaker 2>I mean, I've always loved nature, grew up in the country,

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<v Speaker 2>and I've always wanted I mean, I spent sixteen years

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<v Speaker 2>I think in Oakland and then two years in Portland.

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<v Speaker 2>I would go back and forth between Portland and the farm.

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<v Speaker 2>But I've always been a lover of nature, but it

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<v Speaker 2>totally changed. I just started to take certain things really seriously,

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<v Speaker 2>like feeling overwhelmed by the sunsets that we were seeing

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<v Speaker 2>and overwhelmed by plants and bugs, and I felt like

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<v Speaker 2>a new relationship with them.

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<v Speaker 1>Yeah, that Beanfields is one of my favorite songs on

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<v Speaker 1>the album, along with the title track. There's a couple

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<v Speaker 1>others you so Lucky the vow, but bean Fields feels

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<v Speaker 1>like a For it to be one of the first

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<v Speaker 1>songs you'd written is surprising to me because it feels

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<v Speaker 1>like it's coming from a person who's fully, fully processed

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<v Speaker 1>things and fully I don't know, it seems like such

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<v Speaker 1>a beautifully you know, given the circumstances, like a beautifully

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<v Speaker 1>formed way of thinking about happened.

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<v Speaker 3>Thanks.

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<v Speaker 2>I think that one is something that really surprised me

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<v Speaker 2>that I felt soon after the loss was gratitude and that,

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<v Speaker 2>you know, it's a concept that I've always understood, but

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<v Speaker 2>I think it wasn't until this event where I felt

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<v Speaker 2>it like deep within me, like I have been so

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<v Speaker 2>deeply grateful to have had Joe for the amount of

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<v Speaker 2>time I've had him, and I feel like definitely forever

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<v Speaker 2>changed by having his influence in my life, and I

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<v Speaker 2>feel like I still am being inspired by him as

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<v Speaker 2>a person. I constantly asked myself like, WWJD, what would

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<v Speaker 2>Joe do? You know, I'm like using him as a

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<v Speaker 2>moral compass oftentimes, and I think that was part of

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<v Speaker 2>the joy that you feel in the bean Fields. I

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<v Speaker 2>was afraid of that song at first because when I

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<v Speaker 2>started really working on it, that's all that was coming

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<v Speaker 2>out of me, was like a joy, a celebration and appreciation.

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<v Speaker 2>I was so surprised to be writing something upbeat, and

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<v Speaker 2>I was afraid to embrace that because I was like,

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<v Speaker 2>is that disrespectful or is it too weird? Too soon

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<v Speaker 2>to put a joyous song on there? And you know,

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<v Speaker 2>I answered, have answered my own question, and it's no,

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<v Speaker 2>absolutely not. You know this, this grief has been a

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<v Speaker 2>really massive range, you know, of emotions, and I think

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<v Speaker 2>with the extreme depths of depression and darkness and nothingness

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<v Speaker 2>that I've experienced, I've also experienced sheer joy and celebrating

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<v Speaker 2>feels so important.

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<v Speaker 3>Yeah, and really.

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<v Speaker 2>Grasping any bits of light that I can find is

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<v Speaker 2>so important to my survival.

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<v Speaker 1>I'm so happy to hear that. I'm grateful that you've

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<v Speaker 1>sort of found the strength or the sensibility or the

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<v Speaker 1>courage or to handle it the way that you have.

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<v Speaker 1>It's been the rough kind of beautiful to watch as well.

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<v Speaker 3>Thank you, Thank you.

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<v Speaker 1>Yeah, Cody, As someone who's known Shannon, like you know

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<v Speaker 1>obviously a very long time, how has the last couple

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<v Speaker 1>of years been for you?

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<v Speaker 4>I mean, right after Joe Dive was just fucking completely shattering.

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<v Speaker 1>It was just like.

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<v Speaker 4>Total destruction for me. And then to watch your friend

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<v Speaker 4>have to go through this and deal with this is like, yeah,

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<v Speaker 4>it's just annihilating. Just everything stopped, you know, like we

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<v Speaker 4>just didn't do anything else, just cancel everything. Yeah, and

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<v Speaker 4>you know, Shannon came and stayed at our house for

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<v Speaker 4>a while because she was living in Portland. But obviously

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<v Speaker 4>like didn't want to go back to their apartment. I

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<v Speaker 4>mean I even had a hard time going in there

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<v Speaker 4>and I didn't even live there. I tried to just

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<v Speaker 4>i don't know, be like a point of light or

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<v Speaker 4>be like the kind of friend that Shannon was used to,

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<v Speaker 4>So be present and not like try to force anything,

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<v Speaker 4>you know, not try to like really force Shannon to

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<v Speaker 4>talk about what she was feeling or what's going on,

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<v Speaker 4>and to like allow moments of levity or find a

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<v Speaker 4>little moments of like joy or humor, you know, when

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<v Speaker 4>we could.

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<v Speaker 1>Yeah, how long after Shannon wrote Beanfields did you hear

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<v Speaker 1>it or see it? I don't know if the words

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<v Speaker 1>came first or if everything sort of came together.

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<v Speaker 4>I guess probably December or January, so that was probably

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<v Speaker 4>like four months because we didn't really get together to

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<v Speaker 4>work on stuff until January.

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<v Speaker 1>How did you feel about the things coming in? The

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<v Speaker 1>songs coming in from Shannon?

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<v Speaker 4>We were trying to we keep talking about this. We

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<v Speaker 4>were trying to find another instrument for Shannon to write on,

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<v Speaker 4>and someone told Shannon to get an omnichord because you

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<v Speaker 4>can just push buttons and like it plays chords for you,

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<v Speaker 4>and it has a drum machine in it. So that

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<v Speaker 4>was I thought was really cool because it I think

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<v Speaker 4>it removed the like translation step because there's often Shannon's

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<v Speaker 4>writing on bass and then we're trying to find these

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<v Speaker 4>chords that work with you know, what she's singing or

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<v Speaker 4>you know, like if you play a bass note and

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<v Speaker 4>then you sing a melody on top of it, it

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<v Speaker 4>informs like what the key it's in or what chords

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<v Speaker 4>would work.

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<v Speaker 1>With it, right, and then if you change the bass

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<v Speaker 1>note or something, it would totally change the.

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<v Speaker 4>Between those two notes. But it like removed that translation

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<v Speaker 4>kind of step. And then Shannon could just like play

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<v Speaker 4>around with all these different weirdo chords and I think

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<v Speaker 4>write more freely.

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<v Speaker 1>And then so like we're the demos with omni chord

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<v Speaker 1>on them that you're hearing, Yeah, that's pretty cool. Like

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<v Speaker 1>how did that inform? I guess what you do? Then?

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<v Speaker 1>As a guitar player, must have just given you like

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<v Speaker 1>a kind of a pretty strong blueprint for what to do.

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<v Speaker 1>I guess.

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<v Speaker 4>Yeah, it's still has to get glued together, and I

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<v Speaker 4>think like backing vocals and harmonies and stuff still come

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<v Speaker 4>to you know, like Shannon usually has an idea for

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<v Speaker 4>a backing vocal, but it's just it's different when we

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<v Speaker 4>all get together because we bring different like we sing

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<v Speaker 4>in different ranges and have different ideas, and we tried,

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<v Speaker 4>we tried to like have a more free form, you know,

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<v Speaker 4>like jam session where we were coming with really incomplete ideas.

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<v Speaker 4>But I don't know. It was cool and it was fun,

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<v Speaker 4>but we didn't actually produce that much usable stuff. It

0:15:36.156 --> 0:15:38.996
<v Speaker 4>just felt like everything was like upside down and we

0:15:38.996 --> 0:15:39.916
<v Speaker 4>could try anything.

0:15:40.116 --> 0:15:42.116
<v Speaker 1>Yeah, right, it felt like a good time just to

0:15:42.156 --> 0:15:44.116
<v Speaker 1>try a new playbook maybe, But.

0:15:44.116 --> 0:15:46.716
<v Speaker 4>The stuff we kept from it was really stuff that

0:15:46.796 --> 0:15:50.596
<v Speaker 4>had been pretty well like written before because we were

0:15:50.636 --> 0:15:53.636
<v Speaker 4>recording in March and that's started in January, so it

0:15:53.676 --> 0:15:56.876
<v Speaker 4>wasn't like a ton of time to write stuff.

0:15:57.356 --> 0:16:00.036
<v Speaker 1>Yeah, I was writing on the on the code for you.

0:16:00.876 --> 0:16:04.996
<v Speaker 3>It opened up a whole new world.

0:16:05.356 --> 0:16:10.556
<v Speaker 2>I mean, it just made I was just over flowing

0:16:10.716 --> 0:16:16.956
<v Speaker 2>with ideas that I couldn't capture because I just felt

0:16:17.036 --> 0:16:20.716
<v Speaker 2>too limited on the bass. That's how I normally write songs.

0:16:21.596 --> 0:16:25.996
<v Speaker 2>And I only know a handful of guitar chords. And

0:16:26.036 --> 0:16:29.636
<v Speaker 2>I'm not a good guitar player at all. I'm not

0:16:29.716 --> 0:16:31.556
<v Speaker 2>even an okay guitar player.

0:16:31.836 --> 0:16:32.836
<v Speaker 1>Do you try? Do you try?

0:16:33.076 --> 0:16:34.476
<v Speaker 3>I try? I try.

0:16:34.596 --> 0:16:40.156
<v Speaker 2>Yeah. Joe actually made me learn a few guitar chords

0:16:40.436 --> 0:16:45.476
<v Speaker 2>in twenty twenty. It was important to him that I

0:16:45.556 --> 0:16:48.356
<v Speaker 2>learn a few. He was like, just trust me, you're

0:16:48.396 --> 0:16:48.956
<v Speaker 2>gonna love it.

0:16:48.996 --> 0:16:51.516
<v Speaker 3>You're gonna get it. It's just gonna help you. You're

0:16:51.516 --> 0:16:52.116
<v Speaker 3>gonna love it.

0:16:52.396 --> 0:16:56.156
<v Speaker 2>And I was so resistant because I hate being bad

0:16:56.196 --> 0:16:59.956
<v Speaker 2>at stuff. And that's actually kind of how I wrote

0:16:59.996 --> 0:17:04.036
<v Speaker 2>the vow. I used the chords he taught me and

0:17:04.596 --> 0:17:05.716
<v Speaker 2>wrote that song.

0:17:06.076 --> 0:17:06.476
<v Speaker 1>Wow.

0:17:07.796 --> 0:17:10.756
<v Speaker 2>Yeah, that's the one song that was written before he

0:17:10.836 --> 0:17:13.156
<v Speaker 2>died because I was going to perform it at our

0:17:13.196 --> 0:17:16.956
<v Speaker 2>wedding as a surprise to him. Yeah, but yeah, it

0:17:17.036 --> 0:17:21.836
<v Speaker 2>was going to be that really simple, simple song, and

0:17:23.036 --> 0:17:27.276
<v Speaker 2>it made me furious that he was never going to

0:17:27.316 --> 0:17:30.476
<v Speaker 2>get to hear it. You know, I would never written

0:17:30.516 --> 0:17:35.076
<v Speaker 2>it if he hadn't convinced me that I should learn

0:17:35.116 --> 0:17:39.476
<v Speaker 2>a few chords. And I did get really addicted to

0:17:39.636 --> 0:17:44.796
<v Speaker 2>guitar during lockdown, and it.

0:17:44.476 --> 0:17:45.956
<v Speaker 3>Had become a great tool to me.

0:17:46.156 --> 0:17:50.596
<v Speaker 2>I never got good, but yeah, I was really sad

0:17:50.836 --> 0:17:53.476
<v Speaker 2>for some reason that detail. Of all of the things

0:17:54.076 --> 0:17:57.556
<v Speaker 2>that I was mad about, I kept coming back to

0:17:57.836 --> 0:18:03.396
<v Speaker 2>that song and it was just so naive, you know,

0:18:03.476 --> 0:18:08.876
<v Speaker 2>it was so full of hope and joy and was

0:18:09.196 --> 0:18:10.796
<v Speaker 2>it and when I.

0:18:10.716 --> 0:18:13.196
<v Speaker 3>Was the happiest I've ever been in my whole life.

0:18:13.116 --> 0:18:13.316
<v Speaker 1>You know.

0:18:13.636 --> 0:18:19.596
<v Speaker 2>Yeah, So I guess I wanted that to be on

0:18:19.676 --> 0:18:28.276
<v Speaker 2>the album to tell the story of, like, look how

0:18:28.356 --> 0:18:32.036
<v Speaker 2>fucking happy I was, you know, like we had our

0:18:32.076 --> 0:18:37.076
<v Speaker 2>lives like together, things were going great, and.

0:18:38.076 --> 0:18:40.396
<v Speaker 3>That song was just such a symbol.

0:18:40.196 --> 0:18:48.596
<v Speaker 2>Of of how much I believed in our union and

0:18:49.076 --> 0:18:53.836
<v Speaker 2>how proud I was. So I guess I just wanted

0:18:53.876 --> 0:18:59.636
<v Speaker 2>to kind of share with people how it felt for

0:18:59.756 --> 0:19:06.556
<v Speaker 2>everything to stop. And that's essentially what we put the

0:19:06.636 --> 0:19:09.956
<v Speaker 2>Vow next to our Glass too, because I feel like

0:19:09.996 --> 0:19:17.236
<v Speaker 2>those two songs together some up that nightmarish journey, you know,

0:19:17.556 --> 0:19:18.356
<v Speaker 2>of the beginning.

0:19:18.996 --> 0:19:22.476
<v Speaker 1>Yeah, we'll be right back with more from Shannon and

0:19:22.516 --> 0:19:29.476
<v Speaker 1>the Clams after this break. We're back with Shannon and

0:19:29.516 --> 0:19:33.596
<v Speaker 1>the Clams. When did you decide to put the Vow

0:19:33.716 --> 0:19:35.676
<v Speaker 1>on the album or to revisit it as a song?

0:19:35.796 --> 0:19:39.716
<v Speaker 2>And rework it and I didn't show anyone until we

0:19:39.716 --> 0:19:44.636
<v Speaker 2>were at this session in January when we were writing together,

0:19:45.276 --> 0:19:49.836
<v Speaker 2>and I was like, knew that it would could be

0:19:49.916 --> 0:19:54.556
<v Speaker 2>potentially cruel, you know, I never know how real to get,

0:19:55.396 --> 0:19:58.476
<v Speaker 2>and I decided to just be like completely real, like

0:19:58.796 --> 0:20:02.276
<v Speaker 2>I'm going to just share the devastation because I can't

0:20:02.476 --> 0:20:04.676
<v Speaker 2>I can't hold it by myself.

0:20:05.036 --> 0:20:06.956
<v Speaker 1>When you say you in the past or you know,

0:20:06.956 --> 0:20:09.876
<v Speaker 1>you're never sure how real to get, Like, what do

0:20:09.916 --> 0:20:11.436
<v Speaker 1>you think that instinct.

0:20:11.076 --> 0:20:17.196
<v Speaker 2>Is protecting people? Also, it's just hard. It's hard and

0:20:17.316 --> 0:20:22.196
<v Speaker 2>exhausting to be so vulnerable all the time. Yeah, lately,

0:20:22.876 --> 0:20:27.996
<v Speaker 2>I'm just talking about my grief with press because y'all

0:20:27.996 --> 0:20:28.596
<v Speaker 2>are asking.

0:20:29.516 --> 0:20:32.556
<v Speaker 3>And I do find myself.

0:20:33.516 --> 0:20:39.196
<v Speaker 2>Keeping certain thoughts to myself because they're so sad. I

0:20:39.236 --> 0:20:45.636
<v Speaker 2>don't want to like take someone's innocence away by by

0:20:45.756 --> 0:20:50.796
<v Speaker 2>sharing them like with them, like some of the extreme

0:20:50.916 --> 0:20:55.796
<v Speaker 2>darkness that I live with now, you know. Yeah, but

0:20:55.916 --> 0:21:01.796
<v Speaker 2>I don't you know, I'm also really open, but if

0:21:01.836 --> 0:21:05.596
<v Speaker 2>no one's asking, I'm not usually bringing it out currently.

0:21:05.996 --> 0:21:09.116
<v Speaker 1>Yeah, do you prefer do you prefer people not to add?

0:21:09.596 --> 0:21:10.956
<v Speaker 1>I mean, where are you at with them?

0:21:11.156 --> 0:21:14.236
<v Speaker 2>I want people to ask because it's my life now,

0:21:15.036 --> 0:21:17.436
<v Speaker 2>this is my life, this is all I think about.

0:21:18.436 --> 0:21:23.036
<v Speaker 2>And what is weird to me is if you are

0:21:23.956 --> 0:21:28.276
<v Speaker 2>someone who loves me, friends or family wise, and it

0:21:28.316 --> 0:21:31.196
<v Speaker 2>doesn't come up, you don't bring it up, you don't

0:21:31.316 --> 0:21:36.876
<v Speaker 2>check on me or something that is disturbing to me. Yeah.

0:21:37.116 --> 0:21:39.476
<v Speaker 2>I like to think of it as a dresser. I

0:21:39.596 --> 0:21:44.476
<v Speaker 2>like to think of my relationships as a big dresser,

0:21:45.076 --> 0:21:48.636
<v Speaker 2>and some of those people previously that were in my

0:21:48.716 --> 0:21:52.116
<v Speaker 2>top drawer have had to go to the bottom drawer.

0:21:52.236 --> 0:21:54.996
<v Speaker 2>I love them, But going back to what we first

0:21:54.996 --> 0:21:58.356
<v Speaker 2>talked about, you apologize and said, I'm sorry, I don't

0:21:58.396 --> 0:21:59.796
<v Speaker 2>know how to talk about this stuff.

0:22:00.316 --> 0:22:02.436
<v Speaker 3>We do not know how to talk about it.

0:22:02.596 --> 0:22:05.676
<v Speaker 2>We don't and I don't blame anyone for that, but

0:22:05.996 --> 0:22:08.836
<v Speaker 2>some people are a lot better than others at it,

0:22:08.876 --> 0:22:12.996
<v Speaker 2>you know, instinctual, and like give me the space, you know,

0:22:13.076 --> 0:22:16.676
<v Speaker 2>bring it up and check in with me, and then

0:22:16.756 --> 0:22:17.316
<v Speaker 2>give me.

0:22:18.756 --> 0:22:23.116
<v Speaker 3>The space I need to talk about it.

0:22:23.436 --> 0:22:28.676
<v Speaker 2>And that to me, that's like invaluable. And I honestly

0:22:28.716 --> 0:22:34.876
<v Speaker 2>have a list of friends that have provided that kind

0:22:34.916 --> 0:22:38.916
<v Speaker 2>of a space for me. And I've just had to

0:22:39.076 --> 0:22:44.676
<v Speaker 2>let other friends and family that I thought could could

0:22:44.756 --> 0:22:48.436
<v Speaker 2>hold me there and could be there, I've just had

0:22:48.476 --> 0:22:49.796
<v Speaker 2>to put them in the bottom drawer.

0:22:50.036 --> 0:22:54.036
<v Speaker 1>Yeah, have you been handling this just purely instinctually? I

0:22:54.036 --> 0:22:56.676
<v Speaker 1>mean I've been doing therapy. Well, how do you like,

0:22:57.036 --> 0:22:59.636
<v Speaker 1>how are you finding the words and the processes to

0:23:00.116 --> 0:23:02.196
<v Speaker 1>reprioritize and I mean all these things that you're saying me,

0:23:02.236 --> 0:23:04.396
<v Speaker 1>it's just like, yeah, I'm kind of stunned that you're

0:23:04.396 --> 0:23:06.476
<v Speaker 1>able to do all this, you know, consciously.

0:23:07.036 --> 0:23:07.516
<v Speaker 3>Thank you.

0:23:08.436 --> 0:23:12.716
<v Speaker 2>I I would say a lot of it is instinctual.

0:23:13.436 --> 0:23:19.036
<v Speaker 2>But I did join a grief group. Someone connected me

0:23:19.076 --> 0:23:23.876
<v Speaker 2>with a grief counselor right away, so I've had her,

0:23:24.516 --> 0:23:27.036
<v Speaker 2>and then I have a grief group, which has been

0:23:28.196 --> 0:23:34.396
<v Speaker 2>really helpful. But years ago, I did therapy off and on,

0:23:34.516 --> 0:23:38.796
<v Speaker 2>and I still have a relationship with my old therapist.

0:23:39.316 --> 0:23:40.756
<v Speaker 2>I haven't talked to him in a while now because

0:23:40.756 --> 0:23:42.836
<v Speaker 2>I can't afford three different therapies.

0:23:42.916 --> 0:23:46.196
<v Speaker 1>But I'm glad to know you have the same problem

0:23:46.276 --> 0:23:47.836
<v Speaker 1>as me. It's like I need therapy.

0:23:48.036 --> 0:23:53.116
<v Speaker 2>Yeah, It's that's really sad to me because I think,

0:23:53.156 --> 0:23:56.916
<v Speaker 2>no matter what you've going you've been going through, you

0:23:56.996 --> 0:24:00.956
<v Speaker 2>don't have to have had a, you know, life changing death.

0:24:00.996 --> 0:24:05.076
<v Speaker 2>I think that everyone needs therapy just to learn how

0:24:05.116 --> 0:24:10.076
<v Speaker 2>to like communicate with each other. I think that having

0:24:10.116 --> 0:24:16.796
<v Speaker 2>that therapy years ago put me in a much better place.

0:24:18.076 --> 0:24:24.236
<v Speaker 2>I really like encourage everyone I know to have therapy.

0:24:24.836 --> 0:24:28.316
<v Speaker 2>But now the grief group has been so good for me.

0:24:28.756 --> 0:24:36.116
<v Speaker 2>I think being with other people who lost people in

0:24:36.556 --> 0:24:41.996
<v Speaker 2>different ways, different scenarios, different relationships, just I mean, you

0:24:42.036 --> 0:24:45.116
<v Speaker 2>already from a loss like this, you already gain a

0:24:45.116 --> 0:24:50.756
<v Speaker 2>lot of perspective, which I wasn't expecting. But like, things

0:24:50.796 --> 0:24:56.076
<v Speaker 2>that were so important to me before are totally not

0:24:56.276 --> 0:25:00.076
<v Speaker 2>you know, those dresser drawers have moved around on their own,

0:25:00.356 --> 0:25:05.036
<v Speaker 2>and a lot of the noise gets cleared out of life.

0:25:05.076 --> 0:25:08.716
<v Speaker 2>Like a lot of the little things that stressed me

0:25:08.756 --> 0:25:13.276
<v Speaker 2>out gave me anxiety, you know, those the important things

0:25:13.396 --> 0:25:17.636
<v Speaker 2>are like bursting out of the top. Wow, and so

0:25:17.756 --> 0:25:21.356
<v Speaker 2>much further away from from the little noise. But hearing

0:25:21.436 --> 0:25:27.116
<v Speaker 2>other people's grief journeys, I guess you would call it

0:25:27.196 --> 0:25:31.396
<v Speaker 2>is amazing. And I feel so grateful to have this

0:25:31.636 --> 0:25:36.156
<v Speaker 2>group of people to be with every week, because I

0:25:36.196 --> 0:25:42.316
<v Speaker 2>can have the most supportive, wonderful friends, but being with

0:25:42.556 --> 0:25:48.476
<v Speaker 2>someone who's suffered anything close to similarly like it's it's

0:25:48.556 --> 0:25:51.116
<v Speaker 2>kind of one of the only places where I feel

0:25:51.116 --> 0:25:53.956
<v Speaker 2>like I can let my hair down. Yeah, you know,

0:25:54.076 --> 0:25:57.556
<v Speaker 2>and like I liken it too. When I get to

0:25:57.636 --> 0:26:02.156
<v Speaker 2>that group, I feel like I can like unbutton a

0:26:02.196 --> 0:26:03.316
<v Speaker 2>tight pair of genes.

0:26:03.796 --> 0:26:06.116
<v Speaker 1>Oh you know, do you feel like your writing's kind

0:26:06.116 --> 0:26:07.076
<v Speaker 1>of forever impacted?

0:26:09.236 --> 0:26:13.436
<v Speaker 2>I do, because I guess going back to what I

0:26:13.476 --> 0:26:19.876
<v Speaker 2>was trying to say about perspective and the important things

0:26:19.916 --> 0:26:24.236
<v Speaker 2>like blasting to the top and the noise settling down

0:26:24.276 --> 0:26:29.636
<v Speaker 2>at the bottom. I think that it's changed my fears.

0:26:30.516 --> 0:26:33.636
<v Speaker 2>You know, I'm like just not as afraid to do anything.

0:26:34.236 --> 0:26:40.716
<v Speaker 2>I'm not as caught up on worrying what people will think,

0:26:41.116 --> 0:26:44.716
<v Speaker 2>or I'm not as afraid to try things. You know,

0:26:44.916 --> 0:26:47.796
<v Speaker 2>about our session we did in January to go over

0:26:48.356 --> 0:26:52.076
<v Speaker 2>demos and try to jam. I hated jamming, you know,

0:26:52.156 --> 0:26:54.756
<v Speaker 2>like it's not very me. I normally need to do

0:26:54.916 --> 0:26:57.516
<v Speaker 2>a lot of preparing, and I did. I had a

0:26:57.516 --> 0:27:00.916
<v Speaker 2>lot of things prepared. But also to just go in

0:27:02.076 --> 0:27:05.676
<v Speaker 2>with nothing and just jam off like what one of

0:27:05.716 --> 0:27:11.556
<v Speaker 2>the guys in the band brought, that is very different

0:27:11.596 --> 0:27:16.356
<v Speaker 2>for me. So to sit there and like experiment in

0:27:16.396 --> 0:27:20.236
<v Speaker 2>front of people, that's like, you know, you may as

0:27:20.236 --> 0:27:22.796
<v Speaker 2>well be in the nude, right, I may as well

0:27:22.796 --> 0:27:26.756
<v Speaker 2>be in the dude. So I think that that fear

0:27:26.836 --> 0:27:31.476
<v Speaker 2>has just changed. I am not worried about being judged

0:27:32.316 --> 0:27:35.636
<v Speaker 2>at all, And I'm sure.

0:27:35.516 --> 0:27:36.716
<v Speaker 3>A lot of it is.

0:27:38.356 --> 0:27:42.516
<v Speaker 2>Just that that extreme loss is the change of perspective.

0:27:42.556 --> 0:27:50.476
<v Speaker 2>But I also honestly feel like Joe's wisdom has imprinted

0:27:50.516 --> 0:27:54.116
<v Speaker 2>itself upon me, like he is someone that was not

0:27:55.516 --> 0:27:58.476
<v Speaker 2>afraid of anything like that, and if I were to

0:27:58.516 --> 0:28:01.356
<v Speaker 2>be like, well, I'm Joe, I'm afraid to jam, he

0:28:01.396 --> 0:28:03.116
<v Speaker 2>would be like, what, just do it?

0:28:03.636 --> 0:28:03.876
<v Speaker 1>You know.

0:28:03.956 --> 0:28:06.116
<v Speaker 2>He's definitely like a just do it kind of guy

0:28:07.076 --> 0:28:12.156
<v Speaker 2>and wouldn't want me to wasting my time being afraid

0:28:12.276 --> 0:28:17.436
<v Speaker 2>of trying things. So I think that my sign rating

0:28:17.876 --> 0:28:23.316
<v Speaker 2>is just like less afraid. Yes, I was concerned about

0:28:24.356 --> 0:28:27.476
<v Speaker 2>making things too sad for people, but now I'm not.

0:28:28.116 --> 0:28:31.036
<v Speaker 2>Now I'm just like sorry, this is my life and

0:28:31.396 --> 0:28:35.956
<v Speaker 2>so far our fans are very here for it, which

0:28:35.996 --> 0:28:37.476
<v Speaker 2>has been beautiful.

0:28:38.356 --> 0:28:40.756
<v Speaker 1>Yeah. Well, I mean the music is really really good too,

0:28:40.836 --> 0:28:43.196
<v Speaker 1>you know, which, which of course always helps. Like it's

0:28:43.236 --> 0:28:46.636
<v Speaker 1>not you know, I don't think anyone is having to

0:28:46.836 --> 0:28:49.156
<v Speaker 1>no one's having to pretend to be here for anyone's sake.

0:28:49.236 --> 0:28:50.676
<v Speaker 1>Like it's really really good news.

0:28:50.836 --> 0:28:54.316
<v Speaker 3>Yeah, you know, it's thank you. I actually I really

0:28:54.396 --> 0:28:55.076
<v Speaker 3>do feel.

0:28:55.156 --> 0:28:57.956
<v Speaker 2>I also feel this like confidence that I don't think

0:28:58.036 --> 0:29:01.836
<v Speaker 2>I ever had before, and that I think that if

0:29:02.236 --> 0:29:06.556
<v Speaker 2>people had no idea what happened, I believe that this

0:29:06.636 --> 0:29:11.476
<v Speaker 2>is a really fucking good album. I am totally confident

0:29:11.796 --> 0:29:16.476
<v Speaker 2>that no matter what the content is this album is great.

0:29:16.836 --> 0:29:20.516
<v Speaker 3>I feel really proud and I do think.

0:29:20.396 --> 0:29:26.316
<v Speaker 2>That we all did a beautiful job like contributing, like

0:29:26.516 --> 0:29:27.996
<v Speaker 2>our hearts and our talent.

0:29:28.876 --> 0:29:30.956
<v Speaker 1>I would like to talk a little bitbout the recording process,

0:29:30.996 --> 0:29:33.436
<v Speaker 1>and maybe Cody can speak to some of that. How

0:29:33.476 --> 0:29:36.516
<v Speaker 1>do you move Cody from the jam session and the

0:29:36.996 --> 0:29:40.316
<v Speaker 1>kind of gathering songs you've written and working them out

0:29:40.316 --> 0:29:43.596
<v Speaker 1>together part to the recording part. How did that move

0:29:43.596 --> 0:29:45.036
<v Speaker 1>along for this particular album.

0:29:45.396 --> 0:29:47.756
<v Speaker 4>I think the hardest part of deciding what to keep

0:29:47.836 --> 0:29:51.116
<v Speaker 4>and what to work on, what to cut out because

0:29:51.116 --> 0:29:54.076
<v Speaker 4>we just have too much material. So we're often like

0:29:54.756 --> 0:29:56.436
<v Speaker 4>keeping a big list of songs and.

0:29:56.396 --> 0:29:58.756
<v Speaker 1>Then trying to.

0:29:57.876 --> 0:30:00.516
<v Speaker 4>Decide like which ones we love and which ones we

0:30:00.556 --> 0:30:02.836
<v Speaker 4>should get rid of.

0:30:03.116 --> 0:30:04.276
<v Speaker 1>How do you guys negotiate that?

0:30:04.676 --> 0:30:08.156
<v Speaker 4>I don't know. It's like sometimes it actually just comes

0:30:08.196 --> 0:30:11.276
<v Speaker 4>down to like we didn't decide and we ran out

0:30:11.276 --> 0:30:14.796
<v Speaker 4>of time, and so something doesn't get recorded, like we

0:30:14.876 --> 0:30:18.636
<v Speaker 4>have like five days to record or something, and then

0:30:18.796 --> 0:30:21.876
<v Speaker 4>it's sort of like, okay, well, these four like we

0:30:21.916 --> 0:30:24.876
<v Speaker 4>didn't decide which ones we're gonna keep, and then we

0:30:24.956 --> 0:30:26.596
<v Speaker 4>just ended up recording one of them, and then we

0:30:26.636 --> 0:30:29.196
<v Speaker 4>just like ran out of Top. Yeah, maybe that's like

0:30:29.236 --> 0:30:33.556
<v Speaker 4>a subconscious way of making the decision, because you if

0:30:33.556 --> 0:30:37.236
<v Speaker 4>that's the song that you like put off recording, like

0:30:37.276 --> 0:30:40.476
<v Speaker 4>maybe it's not that good or you don't like it that.

0:30:40.516 --> 0:30:43.236
<v Speaker 1>Much, certainly makes the decision easier. It makes it less

0:30:43.276 --> 0:30:45.876
<v Speaker 1>of a conscious decision in the sense, you know.

0:30:46.156 --> 0:30:48.716
<v Speaker 4>Yeah, but then the stuff you're really excited to get

0:30:48.756 --> 0:30:50.756
<v Speaker 4>down is like you record that first.

0:30:51.076 --> 0:30:53.156
<v Speaker 1>Do you guys talk to like Dan about it when

0:30:53.236 --> 0:30:54.716
<v Speaker 1>you guys are gonna go into the studio with him,

0:30:54.796 --> 0:30:56.196
<v Speaker 1>or do you like run stuff by him?

0:30:57.076 --> 0:30:57.156
<v Speaker 2>No.

0:30:57.436 --> 0:31:00.076
<v Speaker 4>I feel like we've like sent him demos before and

0:31:01.316 --> 0:31:02.876
<v Speaker 4>I don't think he really listened to them. He likes

0:31:02.916 --> 0:31:05.436
<v Speaker 4>to just do stuff live in the studio, Like I

0:31:05.476 --> 0:31:07.396
<v Speaker 4>don't think he likes to Yeah.

0:31:07.436 --> 0:31:10.556
<v Speaker 2>His reaction is like awesome, get in here.

0:31:10.996 --> 0:31:15.396
<v Speaker 4>It's like he would rather you show up with nothing

0:31:15.476 --> 0:31:17.596
<v Speaker 4>and then you write everything like in the studio and

0:31:17.636 --> 0:31:21.196
<v Speaker 4>just like record it as you're going. And he's like, also,

0:31:21.396 --> 0:31:24.836
<v Speaker 4>just whatever we want to do. He's like, yeah, let's

0:31:24.876 --> 0:31:26.596
<v Speaker 4>record that whatever whatever you guys.

0:31:26.356 --> 0:31:29.076
<v Speaker 1>Want or the ever times you're you're looking for a

0:31:29.356 --> 0:31:31.516
<v Speaker 1>more decisive opinion.

0:31:32.356 --> 0:31:35.796
<v Speaker 4>Yeah, not from Dan, But I just wish. Yeah, we

0:31:35.836 --> 0:31:37.996
<v Speaker 4>do kind of wish there was someone who would just say, like, no,

0:31:38.076 --> 0:31:40.156
<v Speaker 4>this is bad, don't do this one. They'll do it

0:31:40.196 --> 0:31:43.676
<v Speaker 4>with takes for sure, and like what we're doing on

0:31:43.716 --> 0:31:45.836
<v Speaker 4>the songs, like this is working, this isn't working. But

0:31:46.156 --> 0:31:49.076
<v Speaker 4>I wish, Yeah, it would be nice to have some outsider.

0:31:49.356 --> 0:31:51.636
<v Speaker 4>I mean that's what I feel like. The Beatles had

0:31:51.636 --> 0:31:56.356
<v Speaker 4>that with their producer and their manager were like just

0:31:56.476 --> 0:32:00.516
<v Speaker 4>so involved in shaping the sound and like deciding what songs.

0:32:01.076 --> 0:32:02.956
<v Speaker 1>Yeah, I wish there were more George Martin's in the.

0:32:02.876 --> 0:32:05.956
<v Speaker 4>World, you know, I wanted George Martin and Brian.

0:32:06.956 --> 0:32:07.196
<v Speaker 1>Yeah.

0:32:07.476 --> 0:32:11.156
<v Speaker 4>Yeah, It's like it's just nice if you have someone

0:32:11.156 --> 0:32:14.156
<v Speaker 4>who's like fifth or sixth member kind of meddling and like,

0:32:15.356 --> 0:32:16.516
<v Speaker 4>you know, tightening things up.

0:32:16.756 --> 0:32:19.196
<v Speaker 1>Yeah. Do you feel similarly, Shannon.

0:32:19.436 --> 0:32:20.236
<v Speaker 3>Yeah, for sure.

0:32:20.916 --> 0:32:23.436
<v Speaker 2>I think it's always good to have like an outside,

0:32:25.516 --> 0:32:29.756
<v Speaker 2>trusted person to help you with editing.

0:32:31.716 --> 0:32:33.596
<v Speaker 1>After one last break, we're back with the rest of

0:32:33.596 --> 0:32:37.356
<v Speaker 1>my conversation with Shannon Shaw and Cody Blanchard of Shannon

0:32:37.476 --> 0:32:43.596
<v Speaker 1>in the Clans. We're back with the rest of my

0:32:43.716 --> 0:32:48.156
<v Speaker 1>conversation with Shannon and the Clams. I keep going back

0:32:48.196 --> 0:32:49.796
<v Speaker 1>to it, but It just really is one of my favorites.

0:32:49.836 --> 0:32:51.436
<v Speaker 1>I love it so much. The moon is in the

0:32:51.476 --> 0:32:55.076
<v Speaker 1>wrong place, the act on the song. I love how

0:32:55.436 --> 0:32:59.596
<v Speaker 1>the second verse is the first verse with added sort

0:32:59.596 --> 0:33:02.436
<v Speaker 1>of thoughts, you know, a few more lines. It's a

0:33:02.556 --> 0:33:04.876
<v Speaker 1>really cool way to go about that, just give it

0:33:04.916 --> 0:33:07.916
<v Speaker 1>an extra emotion. You're repeating the first few lines of

0:33:07.956 --> 0:33:10.356
<v Speaker 1>the first or the entire first first, and then to

0:33:11.036 --> 0:33:13.836
<v Speaker 1>stretch it out and to add the icy SpaceX and

0:33:13.876 --> 0:33:15.996
<v Speaker 1>all that. It was just like, whoa, it was really cool.

0:33:16.356 --> 0:33:16.756
<v Speaker 3>Thank you.

0:33:16.916 --> 0:33:18.356
<v Speaker 1>Did you write it that way? Did that come through

0:33:18.436 --> 0:33:22.396
<v Speaker 1>jamming it or how did that particular device come about?

0:33:22.596 --> 0:33:27.436
<v Speaker 2>I think I brought it the song pretty much fully formed, right, Cody.

0:33:28.276 --> 0:33:30.436
<v Speaker 4>I almost feel like that like came down in the studio,

0:33:31.196 --> 0:33:33.436
<v Speaker 4>like having the intro and with a half first and

0:33:33.476 --> 0:33:34.836
<v Speaker 4>then like coming back.

0:33:35.036 --> 0:33:38.636
<v Speaker 3>Oh definitely this yeah, this structure. Yeah, you're right.

0:33:38.676 --> 0:33:38.836
<v Speaker 1>Yeah.

0:33:38.876 --> 0:33:41.236
<v Speaker 4>It almost seemed like really last minute or something. The

0:33:41.236 --> 0:33:41.716
<v Speaker 4>way that we.

0:33:41.716 --> 0:33:43.756
<v Speaker 1>Did that, it adds like a It's like it's just

0:33:43.796 --> 0:33:46.156
<v Speaker 1>like there's a real energy to it, like like almost

0:33:46.236 --> 0:33:48.236
<v Speaker 1>like bursting out the gate, you know, like when you

0:33:48.316 --> 0:33:50.716
<v Speaker 1>just yeah, like having that first verse be like kind

0:33:50.716 --> 0:33:51.516
<v Speaker 1>of the intro you.

0:33:51.476 --> 0:33:55.196
<v Speaker 4>Know, yeah, it's a lot of tension because it you

0:33:55.236 --> 0:33:57.516
<v Speaker 4>can tell that it's not finished or it's not resolved

0:33:57.596 --> 0:33:57.956
<v Speaker 4>or something.

0:33:58.076 --> 0:33:58.436
<v Speaker 1>Yeah.

0:33:58.916 --> 0:34:01.076
<v Speaker 4>Yeah, I think that was like arranging like in the studio.

0:34:01.796 --> 0:34:03.236
<v Speaker 1>Was that an omnichord song?

0:34:03.876 --> 0:34:05.876
<v Speaker 3>Yes, but I did.

0:34:05.996 --> 0:34:10.756
<v Speaker 2>I had the baseline first, that boom da da doo

0:34:10.756 --> 0:34:15.436
<v Speaker 2>doo boom boom, I.

0:34:15.436 --> 0:34:18.036
<v Speaker 3>Like had that bassline.

0:34:18.076 --> 0:34:21.076
<v Speaker 2>That bassline came to me first, actually, so I think

0:34:21.236 --> 0:34:26.156
<v Speaker 2>after I like got that down, then I formed the

0:34:26.276 --> 0:34:27.396
<v Speaker 2>rest on the omnichord.

0:34:27.996 --> 0:34:30.036
<v Speaker 1>And how how did you work on the omnichord? I

0:34:30.076 --> 0:34:31.916
<v Speaker 1>know there's like pre program stuff, but you don't have

0:34:31.956 --> 0:34:33.636
<v Speaker 1>to do pre programs. I mean the drums are pre

0:34:33.676 --> 0:34:36.236
<v Speaker 1>programmed I guess at least, right, but the chords you

0:34:36.236 --> 0:34:36.956
<v Speaker 1>can do whatever.

0:34:37.396 --> 0:34:40.716
<v Speaker 2>What I was looking for was something so simple. I

0:34:40.796 --> 0:34:42.836
<v Speaker 2>was like, all I want is a drum machine that

0:34:42.876 --> 0:34:45.756
<v Speaker 2>I just select the sound and push play.

0:34:45.876 --> 0:34:48.036
<v Speaker 3>I don't want to edit it in any way.

0:34:48.116 --> 0:34:52.876
<v Speaker 2>Because in previous albums I would ask Cody and Nate

0:34:52.956 --> 0:34:55.556
<v Speaker 2>to send me, Hey, can you just send me a

0:34:55.676 --> 0:34:59.076
<v Speaker 2>drum a drum beat? And Cody actually made me these

0:34:59.116 --> 0:35:01.636
<v Speaker 2>really helpful ones where I'd say, like Cody sent me

0:35:01.676 --> 0:35:03.996
<v Speaker 2>punk drums and you would make a loop for me

0:35:04.836 --> 0:35:07.076
<v Speaker 2>because it's easier for me to write a song on

0:35:07.116 --> 0:35:10.756
<v Speaker 2>the bass. Playing at two drums is just like inspiring.

0:35:10.836 --> 0:35:12.916
<v Speaker 2>It just like gives me ideas that I wouldn't have

0:35:13.316 --> 0:35:15.996
<v Speaker 2>if it was just me and the bass and silence. Right,

0:35:16.196 --> 0:35:22.316
<v Speaker 2>So for this process, I wanted access to chords that

0:35:22.396 --> 0:35:23.956
<v Speaker 2>I could just like push a button and it plays

0:35:23.996 --> 0:35:24.356
<v Speaker 2>a chord.

0:35:24.436 --> 0:35:25.036
<v Speaker 3>You know, I don't.

0:35:25.356 --> 0:35:29.716
<v Speaker 2>I felt so overflowing with musical ideas. I didn't feel

0:35:29.716 --> 0:35:32.916
<v Speaker 2>like I had the time to learn how to play

0:35:33.116 --> 0:35:36.276
<v Speaker 2>the chords on a guitar or something, or on a piano.

0:35:36.316 --> 0:35:37.676
<v Speaker 3>I have no idea how to play a piano.

0:35:38.236 --> 0:35:40.596
<v Speaker 2>I just wanted something that I could push a button

0:35:40.636 --> 0:35:45.676
<v Speaker 2>and play a chord to a drum machine. And I

0:35:45.716 --> 0:35:50.596
<v Speaker 2>didn't want to rely on anyone for help where normal

0:35:50.716 --> 0:35:53.516
<v Speaker 2>am like employing Cody to like, please send me some

0:35:53.916 --> 0:35:58.556
<v Speaker 2>drum machine, and I have to send him things to interpret,

0:35:59.276 --> 0:36:05.156
<v Speaker 2>you know, like either singing guitar parts or like this

0:36:05.276 --> 0:36:06.876
<v Speaker 2>kind of a sound. If you could come up with

0:36:06.916 --> 0:36:09.636
<v Speaker 2>a part that's sort of similar to that, like this,

0:36:09.756 --> 0:36:14.436
<v Speaker 2>you know it. Just finding the omnichord was just such

0:36:14.556 --> 0:36:17.876
<v Speaker 2>a big help because I could be alone and be

0:36:17.996 --> 0:36:23.636
<v Speaker 2>forming songs much quicker than relying on the boys to

0:36:23.716 --> 0:36:27.036
<v Speaker 2>help interpret me. And so, yeah, the way I use

0:36:27.076 --> 0:36:30.356
<v Speaker 2>it is I would find a drum beat. I mean

0:36:30.476 --> 0:36:33.836
<v Speaker 2>it is silly. The like sounds on there are hilarious.

0:36:33.996 --> 0:36:35.876
<v Speaker 4>Yeah, the drums are fucking terrible.

0:36:36.556 --> 0:36:41.316
<v Speaker 1>They sound like trash.

0:36:42.116 --> 0:36:44.796
<v Speaker 2>It totally worked great for me though, you know, it's

0:36:44.836 --> 0:36:46.956
<v Speaker 2>what I needed. It was means to an end. So

0:36:47.596 --> 0:36:50.956
<v Speaker 2>you know, I would slow down. I'd get like, oh,

0:36:50.996 --> 0:36:54.716
<v Speaker 2>a samba beat, and then slow it way down or

0:36:54.796 --> 0:36:58.116
<v Speaker 2>speed it way up to where like, Okay, this feels

0:36:58.156 --> 0:37:01.236
<v Speaker 2>like this feels like the rhythm and the intensity that

0:37:01.276 --> 0:37:03.996
<v Speaker 2>I'm looking for for this song. And then I would

0:37:04.076 --> 0:37:09.076
<v Speaker 2>set the sound of the instrument, you know, to pim

0:37:09.236 --> 0:37:12.356
<v Speaker 2>know or harp or flute or you know whatever. There's

0:37:12.436 --> 0:37:16.516
<v Speaker 2>a lot of silly sounds on there. And then you're

0:37:16.556 --> 0:37:19.916
<v Speaker 2>just pushing the cords. And then you have a strum plate,

0:37:20.756 --> 0:37:23.836
<v Speaker 2>which is supposed to be like strumming strings, but it's

0:37:23.876 --> 0:37:26.516
<v Speaker 2>this like plate that you rub your fingers back and

0:37:26.556 --> 0:37:27.076
<v Speaker 2>forth on.

0:37:28.556 --> 0:37:29.316
<v Speaker 4>Grill.

0:37:30.436 --> 0:37:30.756
<v Speaker 3>Yeah.

0:37:32.756 --> 0:37:38.276
<v Speaker 2>Actually it's like a really soft, very soft, smooth ribs,

0:37:38.676 --> 0:37:41.316
<v Speaker 2>but it has really sharp corners because it's all made

0:37:41.316 --> 0:37:43.396
<v Speaker 2>out of like plastic that got.

0:37:43.236 --> 0:37:46.636
<v Speaker 3>Glued on, so you can't go too far. But yeah,

0:37:46.716 --> 0:37:54.556
<v Speaker 3>so it was really fun and and and physical, you know, like.

0:37:54.436 --> 0:37:57.796
<v Speaker 2>You're physically pushing all this stuff down, so it felt

0:37:57.876 --> 0:38:02.036
<v Speaker 2>like satisfying. I mean, if I could design one on

0:38:02.036 --> 0:38:04.596
<v Speaker 2>my own, it would be bigger, with a bigger strum

0:38:04.636 --> 0:38:09.476
<v Speaker 2>plate and buttons that like really feel satisfying to squish down.

0:38:09.676 --> 0:38:11.396
<v Speaker 4>Yeah, you should try it. There's like a bunch of

0:38:11.436 --> 0:38:14.756
<v Speaker 4>different models and like different I think like Suzuki and

0:38:14.876 --> 0:38:18.356
<v Speaker 4>Yamaha and maybe like another company made different versions, but

0:38:18.436 --> 0:38:23.116
<v Speaker 4>they recently made a reproduction of the like original one,

0:38:23.396 --> 0:38:26.436
<v Speaker 4>so you can like buy the new one that's a

0:38:26.476 --> 0:38:27.996
<v Speaker 4>reproduction of like the first model.

0:38:28.556 --> 0:38:30.116
<v Speaker 1>That's awesome. I feel like that must be in the

0:38:30.156 --> 0:38:34.276
<v Speaker 1>air too, because yeah, yeah, Michelle and Deggioceello released an

0:38:34.276 --> 0:38:37.356
<v Speaker 1>album called The Omnichord Real Book, and I guess she

0:38:37.436 --> 0:38:39.636
<v Speaker 1>wrote a lot of the songs on there on the

0:38:39.636 --> 0:38:40.956
<v Speaker 1>Omnichord too, So I was like, no.

0:38:40.996 --> 0:38:44.036
<v Speaker 4>This is yeah, it's like coming back for sure. There's

0:38:44.076 --> 0:38:45.356
<v Speaker 4>like a lot of people using it.

0:38:45.356 --> 0:38:48.356
<v Speaker 1>It's pretty awesome. Yeah, you guys are kind of both

0:38:48.596 --> 0:38:52.396
<v Speaker 1>pretty voracious music consumers, it appears to me. I don't know,

0:38:52.436 --> 0:38:54.676
<v Speaker 1>if it's I think it's for your last album. You

0:38:54.716 --> 0:38:57.516
<v Speaker 1>have a playlist on Spotify inspiration for a new record

0:38:57.836 --> 0:39:01.076
<v Speaker 1>and has like incredible cuts on it. What was the

0:39:01.076 --> 0:39:03.116
<v Speaker 1>first kinds of music that you both fell in love with?

0:39:03.396 --> 0:39:06.396
<v Speaker 4>Man, I love the songs that I can first remember,

0:39:06.476 --> 0:39:10.156
<v Speaker 4>like really becoming fixated on listening over and over Sweet

0:39:10.196 --> 0:39:16.356
<v Speaker 4>Dreams by Your Rhythmics, and enter Sandman by Metallica, and

0:39:16.396 --> 0:39:20.396
<v Speaker 4>then nine Inch Nails down in It and the Nightmare

0:39:20.436 --> 0:39:22.396
<v Speaker 4>Before Christmas soundtrack.

0:39:22.236 --> 0:39:26.276
<v Speaker 3>All nice, that's so cute, what a cute combo.

0:39:26.676 --> 0:39:30.876
<v Speaker 4>It's all like pretty like dark it is, damn.

0:39:30.956 --> 0:39:33.756
<v Speaker 1>And then like as you moved on, like how did

0:39:33.796 --> 0:39:34.796
<v Speaker 1>your listening change?

0:39:35.116 --> 0:39:36.556
<v Speaker 4>One thing that me and Shannon both had it in

0:39:36.556 --> 0:39:39.156
<v Speaker 4>common was that we both loved Primus, but it was

0:39:39.196 --> 0:39:41.996
<v Speaker 4>like our favorite band when we were like in junior

0:39:42.076 --> 0:39:47.356
<v Speaker 4>high or something. We were like Primisheads. I went like, yeah,

0:39:47.436 --> 0:39:50.876
<v Speaker 4>really hard on like industrial stuff, like you know, like

0:39:50.956 --> 0:39:54.476
<v Speaker 4>kind of deep stuff like Skinny Puppy and like Front

0:39:54.476 --> 0:39:57.996
<v Speaker 4>two four two and had this kind of goth vibe

0:39:58.596 --> 0:40:01.756
<v Speaker 4>and then got really into like kind of like skate

0:40:01.796 --> 0:40:07.076
<v Speaker 4>punk pop punk stuff and then you know, like Pennywise,

0:40:07.796 --> 0:40:09.036
<v Speaker 4>Operation Our Ivy.

0:40:09.236 --> 0:40:14.596
<v Speaker 1>Yeah, bad religion you miss grade or something like that. Yes, yeah,

0:40:14.636 --> 0:40:15.436
<v Speaker 1>all that ship.

0:40:17.236 --> 0:40:21.996
<v Speaker 4>And Shannon was like a big misfit st still is. Yeah,

0:40:22.156 --> 0:40:23.996
<v Speaker 4>missive said Danzig, so great.

0:40:24.596 --> 0:40:28.876
<v Speaker 1>I love like all your Spotify or yeah, umpeccable. We

0:40:28.916 --> 0:40:29.396
<v Speaker 1>needed that.

0:40:29.516 --> 0:40:31.276
<v Speaker 4>Reminds you like, I feel like we need to update

0:40:31.356 --> 0:40:33.836
<v Speaker 4>that or like sort of re curated. I don't know,

0:40:34.396 --> 0:40:36.876
<v Speaker 4>because the way it organizes them on your profile is

0:40:36.956 --> 0:40:38.716
<v Speaker 4>kind of weird. I don't really understand how it works.

0:40:38.756 --> 0:40:40.436
<v Speaker 4>But some of those playlists are like really old.

0:40:40.596 --> 0:40:42.756
<v Speaker 1>You don't know how it works either, But don't delete

0:40:42.756 --> 0:40:44.516
<v Speaker 1>them because they're so good. I'm not archival.

0:40:45.196 --> 0:40:49.716
<v Speaker 2>A few of those Joe made, of which, yeah, Joe

0:40:49.756 --> 0:40:51.236
<v Speaker 2>made a few of them. He made one of the

0:40:51.276 --> 0:40:56.676
<v Speaker 2>ones for your wedding. It's called wedding Tinkerings. Yes, and

0:40:56.796 --> 0:41:00.636
<v Speaker 2>he made one that says like Tahoe.

0:41:01.676 --> 0:41:05.476
<v Speaker 4>He made Yeah, I forgot used our account. We all

0:41:05.516 --> 0:41:07.156
<v Speaker 4>shared like one Spotify login.

0:41:07.476 --> 0:41:12.316
<v Speaker 2>Yeah. And then when we were doing a Patreon we

0:41:12.356 --> 0:41:18.076
<v Speaker 2>would make playlists for every month and he would he

0:41:18.156 --> 0:41:20.436
<v Speaker 2>would like work on them with me.

0:41:21.196 --> 0:41:23.596
<v Speaker 1>Can you guys share a playlist with me to put

0:41:23.636 --> 0:41:26.276
<v Speaker 1>out to the audience for this episode?

0:41:26.676 --> 0:41:28.436
<v Speaker 3>Share Joe Jojo Yeah, Okay.

0:41:28.516 --> 0:41:34.076
<v Speaker 2>The significance of this playlist is that Joe would make

0:41:34.716 --> 0:41:37.436
<v Speaker 2>mixtapes like the Real Mixtape for.

0:41:37.876 --> 0:41:40.356
<v Speaker 1>People, like like cassette tapes.

0:41:40.356 --> 0:41:43.276
<v Speaker 2>A cassette tape, and then it would come with like

0:41:43.396 --> 0:41:47.276
<v Speaker 2>he would do a beautiful little drawing on the cover

0:41:47.956 --> 0:41:51.916
<v Speaker 2>and then write out, you know, the songs, just like

0:41:51.996 --> 0:41:57.556
<v Speaker 2>back in the day. And I cherished my mixtapes from Joe,

0:41:58.276 --> 0:42:01.636
<v Speaker 2>and so when we were getting ready for like the

0:42:01.676 --> 0:42:05.956
<v Speaker 2>funeral and celebration of life and stuff, I requested that

0:42:06.476 --> 0:42:12.636
<v Speaker 2>everyone he'd made a tape for send their mixes, like

0:42:12.796 --> 0:42:16.956
<v Speaker 2>just the playlist to a friend named Kelly, who compiled

0:42:16.956 --> 0:42:20.356
<v Speaker 2>them and made a big Spotify just like of all

0:42:21.756 --> 0:42:26.796
<v Speaker 2>of Joe music essentially, And I love this playlist is

0:42:26.836 --> 0:42:31.356
<v Speaker 2>so good. I honestly listened to that a lot right

0:42:31.396 --> 0:42:34.356
<v Speaker 2>after he died. That was like months of me just

0:42:34.516 --> 0:42:38.036
<v Speaker 2>listening to that. So I'm sure some of that stuff

0:42:38.076 --> 0:42:41.956
<v Speaker 2>formed its way into my songwriting as well without me

0:42:42.636 --> 0:42:43.356
<v Speaker 2>realizing it.

0:42:43.436 --> 0:42:46.196
<v Speaker 1>Did you guys have any specific references for this album?

0:42:46.796 --> 0:42:48.796
<v Speaker 4>One thing I was like trying to channel was like,

0:42:50.236 --> 0:42:51.836
<v Speaker 4>I want to make a playlist more about this, but

0:42:51.876 --> 0:42:55.196
<v Speaker 4>this kind of late this crossover, this like kind of

0:42:55.276 --> 0:42:58.276
<v Speaker 4>late R and B like pre disco era where there's

0:42:58.356 --> 0:43:01.916
<v Speaker 4>like you get some kind of like psychedelic like fuzz

0:43:01.996 --> 0:43:04.076
<v Speaker 4>guitar stuff and that's some kind of like disco R

0:43:04.116 --> 0:43:06.956
<v Speaker 4>and B singing. One example was that song I think

0:43:06.956 --> 0:43:09.516
<v Speaker 4>it's called Liar Liar called.

0:43:10.036 --> 0:43:11.996
<v Speaker 3>Lilaa Pencil File.

0:43:12.276 --> 0:43:17.956
<v Speaker 4>Yeah. I mean it's so weird and like such a

0:43:18.116 --> 0:43:20.116
<v Speaker 4>genre mashup, is it?

0:43:22.116 --> 0:43:23.796
<v Speaker 3>Yeah, Oh, it's so good.

0:43:24.196 --> 0:43:24.676
<v Speaker 1>There's that.

0:43:24.716 --> 0:43:28.436
<v Speaker 4>There's this song, this late like Blue Christie song called

0:43:28.516 --> 0:43:32.516
<v Speaker 4>Dancing in the Sand that's kind of this weird kind

0:43:32.516 --> 0:43:36.676
<v Speaker 4>of like down tempo. This goes on with this like

0:43:36.716 --> 0:43:39.356
<v Speaker 4>big chorus. Anyway, I was trying to, like I wanted

0:43:39.396 --> 0:43:45.076
<v Speaker 4>to capture that weird genre mashup, which I think we did.

0:43:45.956 --> 0:43:47.476
<v Speaker 4>I think on the Moon is in the wrong place

0:43:47.516 --> 0:43:49.956
<v Speaker 4>in Big Wheel, like we kind of got close to that.

0:43:50.436 --> 0:43:53.396
<v Speaker 1>Definitely feels that way. Yeah.

0:43:53.476 --> 0:43:55.716
<v Speaker 2>A lot of the time what I do is when

0:43:55.756 --> 0:43:59.396
<v Speaker 2>I'm working on a song, like ideas will come to

0:43:59.436 --> 0:44:02.116
<v Speaker 2>me of things that I want to go back and

0:44:02.156 --> 0:44:07.236
<v Speaker 2>listen to from other artists, or I want to like, like, oh,

0:44:07.316 --> 0:44:11.516
<v Speaker 2>when I listen to Blossom Lady by Shocking Blue, it

0:44:11.636 --> 0:44:14.956
<v Speaker 2>makes me feel this way and I want to feel

0:44:14.996 --> 0:44:19.996
<v Speaker 2>that way when I play this song, so I'll have

0:44:20.076 --> 0:44:23.356
<v Speaker 2>like little notes, Like right now, I'm looking at.

0:44:24.876 --> 0:44:25.836
<v Speaker 3>My song book.

0:44:27.236 --> 0:44:29.916
<v Speaker 2>Every time we do an album, I like get a

0:44:29.956 --> 0:44:33.116
<v Speaker 2>notebook and it's just like filled with all my weird

0:44:33.156 --> 0:44:37.556
<v Speaker 2>notes and my songs and track listing potentials.

0:44:37.636 --> 0:44:38.796
<v Speaker 4>And so.

0:44:40.596 --> 0:44:43.796
<v Speaker 2>I wrote down some things I was inspired by, and

0:44:43.836 --> 0:44:50.116
<v Speaker 2>I wrote Zombies, Shocking Blues, Sir Doug Quintet, Paul McCartney,

0:44:50.596 --> 0:44:54.116
<v Speaker 2>Rocking Horse, Jerry, Jeff Walker, Beach Boys.

0:44:54.516 --> 0:44:58.476
<v Speaker 3>And there's definitely like that these have wound their way

0:44:58.676 --> 0:45:00.116
<v Speaker 3>into the songs for sure.

0:45:00.996 --> 0:45:05.756
<v Speaker 2>Or like I'm looking at Dolly's clock and I wrote

0:45:05.796 --> 0:45:12.636
<v Speaker 2>down Irma Thomas breakw Way drums, so I guess I

0:45:12.676 --> 0:45:18.996
<v Speaker 2>was listening to that at the time, or like on

0:45:18.996 --> 0:45:21.156
<v Speaker 2>on Moon is in the wrong place. I don't think

0:45:21.196 --> 0:45:26.116
<v Speaker 2>that this ended up coming through, but I wrote down Buzzcocks, July,

0:45:27.476 --> 0:45:34.276
<v Speaker 2>break on Through, abrupt Yelling, Jim Morrison, Funny. I'm glad

0:45:34.316 --> 0:45:36.076
<v Speaker 2>I wrote this stuff down. I don't know that I

0:45:36.116 --> 0:45:36.836
<v Speaker 2>would have before.

0:45:36.956 --> 0:45:38.996
<v Speaker 1>That's really cool that you. Yeah, that's like a really

0:45:38.996 --> 0:45:42.156
<v Speaker 1>cool journal to keep. That'd be great for the reissue

0:45:42.156 --> 0:45:43.116
<v Speaker 1>in ten years.

0:45:44.356 --> 0:45:45.756
<v Speaker 3>Yeah, deluxy.

0:45:46.116 --> 0:45:48.196
<v Speaker 2>See, this is the kind of stuff that I would

0:45:48.276 --> 0:45:52.196
<v Speaker 2>love to see from another artist. I love to look at.

0:45:52.556 --> 0:45:56.516
<v Speaker 2>I'm also a painter. I love to see people's notebooks.

0:45:57.396 --> 0:46:00.996
<v Speaker 2>I love to see their art, their like art desk

0:46:01.156 --> 0:46:05.316
<v Speaker 2>set up. I love to see how people.

0:46:05.116 --> 0:46:06.356
<v Speaker 3>Notate their music.

0:46:07.276 --> 0:46:08.996
<v Speaker 2>Most of the time I can't relate to that because

0:46:09.436 --> 0:46:14.716
<v Speaker 2>is we call it shanglish. But anyways, I love to

0:46:14.756 --> 0:46:16.956
<v Speaker 2>see other people's processes.

0:46:17.196 --> 0:46:18.596
<v Speaker 1>Do you often ask other people?

0:46:19.116 --> 0:46:25.476
<v Speaker 2>I often ask to see people's like workspace and if

0:46:25.476 --> 0:46:30.276
<v Speaker 2>they have like some kind of like notebook or sketches,

0:46:31.476 --> 0:46:34.476
<v Speaker 2>But it's it can also be a really private thing,

0:46:34.596 --> 0:46:38.756
<v Speaker 2>so I gotta read each situation. One of my favorite

0:46:38.916 --> 0:46:43.556
<v Speaker 2>art exhibits I've ever seen was at Disneyland. They have

0:46:43.556 --> 0:46:46.476
<v Speaker 2>a little gallery in there that they'll have various exhibits,

0:46:46.516 --> 0:46:50.036
<v Speaker 2>and they had this one that was on the Tiki Room,

0:46:50.436 --> 0:46:53.596
<v Speaker 2>and it was all the concept art for the Tiki Room.

0:46:53.676 --> 0:46:56.876
<v Speaker 2>So it was all these artists like sketches, like all

0:46:56.996 --> 0:46:59.876
<v Speaker 2>the various ways that they were like maybe the birds

0:46:59.876 --> 0:47:01.916
<v Speaker 2>could look like this, or look like this, or look

0:47:01.996 --> 0:47:04.276
<v Speaker 2>like this. Maybe we should have the inside of the

0:47:04.396 --> 0:47:06.476
<v Speaker 2>like hut theater thing look like this.

0:47:07.116 --> 0:47:09.716
<v Speaker 3>I love seeing that.

0:47:10.036 --> 0:47:12.836
<v Speaker 2>Is that kind of inside scoop or it. I went

0:47:12.876 --> 0:47:17.556
<v Speaker 2>to the Walt Disney Museum in the Presidio in San Francisco,

0:47:18.196 --> 0:47:22.996
<v Speaker 2>and they have tons of concept art in there, but

0:47:23.076 --> 0:47:28.556
<v Speaker 2>they also have the illustrator's desk, which it was one

0:47:28.556 --> 0:47:32.316
<v Speaker 2>of my favorite things to see, just how the imagineers

0:47:32.436 --> 0:47:36.916
<v Speaker 2>in the nineteen fifties and nineteen sixties generally set up

0:47:36.956 --> 0:47:37.836
<v Speaker 2>their art table.

0:47:38.796 --> 0:47:41.916
<v Speaker 1>Yeah, thanks so much for talking about you guys' process

0:47:41.956 --> 0:47:44.596
<v Speaker 1>and about the new album and all that's kind of

0:47:44.596 --> 0:47:46.516
<v Speaker 1>been going on. It's been really great talking to you guys.

0:47:47.236 --> 0:47:48.836
<v Speaker 3>You too, Thank you so much.

0:47:49.316 --> 0:47:51.916
<v Speaker 4>Thank you, It's been really great.

0:47:53.756 --> 0:47:56.156
<v Speaker 1>A big thank you to Shannon Shawn Cody Blanchard for

0:47:56.196 --> 0:47:58.556
<v Speaker 1>making such a beautiful record and talking through some of

0:47:58.556 --> 0:48:02.916
<v Speaker 1>the painful moments that led to its creation. And as promised,

0:48:02.996 --> 0:48:04.596
<v Speaker 1>be sure to check out the link in the episode

0:48:04.596 --> 0:48:08.516
<v Speaker 1>description for a playlist the late Joe Haynes collected mixtapes.

0:48:09.396 --> 0:48:12.356
<v Speaker 1>Subscribe to our YouTube channel at YouTube dot com slash

0:48:12.396 --> 0:48:14.836
<v Speaker 1>Broken Record Podcast, where you can find all of our

0:48:14.876 --> 0:48:18.956
<v Speaker 1>new episodes. You can follow us on Twitter at broken Record.

0:48:19.396 --> 0:48:22.316
<v Speaker 1>Broken Record is produced and edited by Leah Rose, with

0:48:22.476 --> 0:48:25.956
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0:48:26.116 --> 0:48:30.476
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0:48:51.236 --> 0:48:54.436
<v Speaker 1>Our theme music's by Kenny Beats. I'm justin Richmond.