1 00:00:11,680 --> 00:00:14,800 Speaker 1: My guest today is actor and comedian David Spade. You 2 00:00:14,880 --> 00:00:17,639 Speaker 1: may know him from movies like Grown Ups and Joe Dirt, 3 00:00:17,680 --> 00:00:19,880 Speaker 1: but now he's the host of a new game show 4 00:00:19,960 --> 00:00:23,279 Speaker 1: called Snake Oil. This is just be with David Spade. 5 00:00:23,560 --> 00:00:29,040 Speaker 1: Let's get into it. We're friends now. This is very 6 00:00:29,040 --> 00:00:31,280 Speaker 1: exciting that I'm friends with David Spade. Like, you know, 7 00:00:31,320 --> 00:00:33,320 Speaker 1: I'm a comedy snob and I don't like people that 8 00:00:33,360 --> 00:00:38,120 Speaker 1: aren't funny. So you added to my funny arsenal. Yeah, 9 00:00:38,200 --> 00:00:40,639 Speaker 1: how did you think Pete Davidson handle what's going on? 10 00:00:40,800 --> 00:00:43,720 Speaker 1: Like his the opening, you know, statement about his father, 11 00:00:43,800 --> 00:00:47,159 Speaker 1: which is tragic and kind of saying it's time to 12 00:00:47,320 --> 00:00:48,839 Speaker 1: you know, it's time to laugh. I thought that was 13 00:00:48,880 --> 00:00:51,200 Speaker 1: a pretty good like segue into having a comedy show. 14 00:00:51,240 --> 00:00:53,239 Speaker 1: There's not really any way to do that. And have 15 00:00:53,280 --> 00:00:54,840 Speaker 1: you been through anything like that where you've had to 16 00:00:54,880 --> 00:00:56,840 Speaker 1: kind of be funny when it's not that funny? 17 00:00:57,800 --> 00:01:00,400 Speaker 2: You know. I'm sure he did a good job. I didn't see, 18 00:01:00,440 --> 00:01:02,920 Speaker 2: but I know they you know, like nine to eleven, 19 00:01:02,960 --> 00:01:06,160 Speaker 2: there's things where you have to sort of make the transition. 20 00:01:06,280 --> 00:01:08,280 Speaker 2: I mean, everyone's tuning into a comedy show, so you 21 00:01:08,319 --> 00:01:10,640 Speaker 2: sort of know ahead of time if you're going to 22 00:01:10,680 --> 00:01:15,160 Speaker 2: try to escape the news twenty four hours, that that's 23 00:01:15,160 --> 00:01:16,760 Speaker 2: what you have to do. It is hard to be 24 00:01:16,880 --> 00:01:21,560 Speaker 2: on it also and be sort of light because when 25 00:01:21,600 --> 00:01:24,120 Speaker 2: you're a part of it, you're you know, you're not 26 00:01:24,560 --> 00:01:28,600 Speaker 2: an exception to all the problems going on I've had. 27 00:01:28,880 --> 00:01:31,920 Speaker 2: I haven't had that situation. I have had being mad 28 00:01:31,920 --> 00:01:33,760 Speaker 2: and going on. You always have to be sort of 29 00:01:33,800 --> 00:01:36,559 Speaker 2: fun in a good mood to do comedy. And there's 30 00:01:36,560 --> 00:01:40,280 Speaker 2: fights at SNL. There's fight, there's ore, there's getting off 31 00:01:40,319 --> 00:01:42,600 Speaker 2: the phone in the green room when you're going on 32 00:01:42,640 --> 00:01:45,640 Speaker 2: to do stand up and you're and you're in a 33 00:01:45,680 --> 00:01:48,080 Speaker 2: bad mood, and then you have to just walk with 34 00:01:48,200 --> 00:01:51,040 Speaker 2: You're like, it's so hard to change up when you're 35 00:01:51,040 --> 00:01:52,680 Speaker 2: in a bad mood to just be like yeah, da 36 00:01:52,880 --> 00:01:55,320 Speaker 2: da da right into John Benet Ramsey. You know, you 37 00:01:55,320 --> 00:01:58,320 Speaker 2: have to be like, oh, it's very hard to do. 38 00:01:58,400 --> 00:02:00,840 Speaker 2: So that that's tough on comedy book. 39 00:02:01,200 --> 00:02:02,000 Speaker 3: Well what do you do? 40 00:02:02,080 --> 00:02:04,280 Speaker 1: Because also you have like a we were on the 41 00:02:04,280 --> 00:02:07,360 Speaker 1: show Snake Oil together everyone David Spade hosts. 42 00:02:07,360 --> 00:02:09,640 Speaker 3: It's a it's on Fox. It's hilarious. 43 00:02:09,680 --> 00:02:12,040 Speaker 1: I have to say it is so I keep saying 44 00:02:12,080 --> 00:02:15,720 Speaker 1: it's so stupid and smart it is and you're the 45 00:02:15,760 --> 00:02:20,600 Speaker 1: thing is you are like dispassion and being unflappable works 46 00:02:20,639 --> 00:02:23,480 Speaker 1: for it. Like, so you can be a little grouchy 47 00:02:23,480 --> 00:02:26,240 Speaker 1: in your comedy because it's kind of your whole stick right, 48 00:02:26,320 --> 00:02:28,560 Speaker 1: your bit and you it's who you is. 49 00:02:29,280 --> 00:02:31,880 Speaker 2: Yes, when we first met, it was Will Arnette said, 50 00:02:32,520 --> 00:02:34,560 Speaker 2: I knew him. We just did SmartLess and then he goes, 51 00:02:34,560 --> 00:02:36,560 Speaker 2: you know, you would you want to do this thing 52 00:02:36,600 --> 00:02:40,200 Speaker 2: because we had a blast on podcast. And then he goes, 53 00:02:41,080 --> 00:02:43,560 Speaker 2: I said, I'm not really, I'm not against game shows. 54 00:02:43,560 --> 00:02:45,760 Speaker 2: I'm just not my thing. I'm not like high energy. 55 00:02:47,919 --> 00:02:50,320 Speaker 2: You know. I wouldn't mind an easy job where I say, 56 00:02:50,840 --> 00:02:54,040 Speaker 2: I literally thought that job was spin the wheel and 57 00:02:54,160 --> 00:02:55,920 Speaker 2: pick a letter and then I would just be like 58 00:02:55,960 --> 00:02:59,720 Speaker 2: this a half hour and then money gun comes up 59 00:02:59,720 --> 00:03:03,640 Speaker 2: with a spray me. Uh, but it was it was 60 00:03:03,680 --> 00:03:07,160 Speaker 2: really hard, So I said yeah because the idea sounded 61 00:03:07,200 --> 00:03:11,240 Speaker 2: funny to me, kind of like shark tank but one 62 00:03:11,240 --> 00:03:13,280 Speaker 2: of them's fake, you know, and that and and it's 63 00:03:13,320 --> 00:03:17,120 Speaker 2: kind of more comedic once you see it, like you 64 00:03:17,120 --> 00:03:19,320 Speaker 2: you were on my favorite one. I'm not even bullshaite. 65 00:03:19,440 --> 00:03:21,840 Speaker 2: You were on the one that I said should go first, 66 00:03:21,880 --> 00:03:27,200 Speaker 2: because A, you're such you're perfect for the show. You're 67 00:03:27,280 --> 00:03:29,200 Speaker 2: no bs, I don't know if you've ever heard that before. 68 00:03:29,600 --> 00:03:33,400 Speaker 2: You're very perfect. You've never heard that. And but you 69 00:03:33,480 --> 00:03:36,400 Speaker 2: have a charm about you and you're and you're smart 70 00:03:36,440 --> 00:03:39,200 Speaker 2: in business, and people buy that already because it's been proven. 71 00:03:39,240 --> 00:03:42,680 Speaker 2: I guess so I would never believe it, but it's been. 72 00:03:42,760 --> 00:03:44,360 Speaker 3: Yeah, but it's okay. 73 00:03:44,720 --> 00:03:48,440 Speaker 2: So you go out there and then you also are 74 00:03:48,800 --> 00:03:52,040 Speaker 2: passionate about winning money for the person that doesn't have 75 00:03:52,040 --> 00:03:54,600 Speaker 2: a lot of money, and that's a really fun thing 76 00:03:54,640 --> 00:03:57,480 Speaker 2: that you don't get to do in life, really, and 77 00:03:57,520 --> 00:03:59,880 Speaker 2: it's and it's on the line where you your decision 78 00:04:00,160 --> 00:04:03,840 Speaker 2: steering her could ruin it. And that's that's a weird 79 00:04:04,240 --> 00:04:07,280 Speaker 2: part of the show too that I didn't really notice 80 00:04:07,360 --> 00:04:09,960 Speaker 2: until I was watching it for a while and doing it, going, 81 00:04:10,520 --> 00:04:13,280 Speaker 2: this is so tough that anything they say to them 82 00:04:13,720 --> 00:04:16,960 Speaker 2: if they somehow lose, because all the stars were very 83 00:04:16,960 --> 00:04:20,479 Speaker 2: sweet and really pulling for their person, like you want 84 00:04:20,520 --> 00:04:23,440 Speaker 2: them to win, of course, and your girl wanted a 85 00:04:23,480 --> 00:04:25,320 Speaker 2: lot that was. 86 00:04:25,560 --> 00:04:27,120 Speaker 1: Oh and we already saw that. Yeah, I don't know 87 00:04:27,120 --> 00:04:29,400 Speaker 1: if my other one, I'm not going to say what happens. 88 00:04:29,440 --> 00:04:32,719 Speaker 1: But in one case, the guy he doesn't listen, so 89 00:04:32,800 --> 00:04:34,440 Speaker 1: he didn't even consult me. Do you remember the one 90 00:04:34,440 --> 00:04:35,919 Speaker 1: when the guy didn't even consult me and then he 91 00:04:35,920 --> 00:04:36,640 Speaker 1: made a decision. 92 00:04:37,000 --> 00:04:38,960 Speaker 2: You know I don't because I remember this one the 93 00:04:39,000 --> 00:04:41,120 Speaker 2: most with the woman because she's Arizona. 94 00:04:41,920 --> 00:04:44,560 Speaker 3: Yeah, oh right, okay, the show. 95 00:04:44,480 --> 00:04:46,359 Speaker 2: The way it came out. Then I said, okay, let's 96 00:04:46,360 --> 00:04:49,000 Speaker 2: try it. I just said, is is it easy? Because 97 00:04:49,120 --> 00:04:50,599 Speaker 2: I'm not really They go, we want you to be 98 00:04:50,600 --> 00:04:52,840 Speaker 2: the anti game show host. I said, well, it's better 99 00:04:52,839 --> 00:04:55,960 Speaker 2: because I'm more like a letterman than a talk show host. 100 00:04:56,120 --> 00:04:57,600 Speaker 2: I would make fun of the show. I'd make fun 101 00:04:57,640 --> 00:05:01,280 Speaker 2: of myself. I'd make fun of them. The production and 102 00:05:01,320 --> 00:05:03,760 Speaker 2: they said, yeah, now when we shoot it, it's probably 103 00:05:03,760 --> 00:05:07,200 Speaker 2: four hours you were there, So we got it down 104 00:05:07,240 --> 00:05:12,400 Speaker 2: to four hours, so it was seven. At first, I'm like, god, damn, 105 00:05:12,600 --> 00:05:16,080 Speaker 2: what could possibly be happening for seven an hours? And 106 00:05:16,400 --> 00:05:18,400 Speaker 2: there was a rumor that this was going to be 107 00:05:18,400 --> 00:05:20,120 Speaker 2: easy at one point, but I guess that was in 108 00:05:20,200 --> 00:05:24,680 Speaker 2: a separate meeting because I was busting me home. And 109 00:05:24,760 --> 00:05:27,160 Speaker 2: so we do what we do, we do it, and 110 00:05:27,240 --> 00:05:29,039 Speaker 2: a lot of stuff gets taken away because you just 111 00:05:29,080 --> 00:05:31,400 Speaker 2: really need the nuts and bolts to show the game 112 00:05:32,120 --> 00:05:34,880 Speaker 2: and that's it, right, So I like it because the 113 00:05:34,880 --> 00:05:37,920 Speaker 2: products are actually hard to decide which is snake with 114 00:05:38,640 --> 00:05:39,719 Speaker 2: That's the best thing about. 115 00:05:39,520 --> 00:05:43,800 Speaker 3: The whole show, Beyond Beyond like they could. 116 00:05:43,839 --> 00:05:47,400 Speaker 2: Yeah, they and it's not easy at all. 117 00:05:46,680 --> 00:05:49,360 Speaker 1: No, no, and it's a bait and switch for the audience. 118 00:05:49,440 --> 00:05:51,240 Speaker 1: It's a great I have to say, good for you, 119 00:05:51,320 --> 00:05:52,240 Speaker 1: good for Willernet. 120 00:05:52,640 --> 00:05:53,400 Speaker 3: It's a great show. 121 00:05:53,480 --> 00:05:55,320 Speaker 1: I hope they continue and I hope you you know, 122 00:05:55,360 --> 00:05:58,320 Speaker 1: are on it forever because it's fucking hilarious and very stupid. 123 00:05:58,560 --> 00:06:00,880 Speaker 1: I came in lack, I came in with your energy 124 00:06:00,920 --> 00:06:04,440 Speaker 1: level and I left like giving everybody cars. 125 00:06:04,440 --> 00:06:08,880 Speaker 3: In the audience, you were like this, Yes, I liked it. 126 00:06:08,880 --> 00:06:10,480 Speaker 2: Well, you did a great job and it was fun 127 00:06:10,520 --> 00:06:13,240 Speaker 2: because you know, I want I want them to show 128 00:06:13,279 --> 00:06:15,440 Speaker 2: more of the thinking out loud, because you know that 129 00:06:15,560 --> 00:06:17,719 Speaker 2: last in EU episode that they are the one that 130 00:06:17,720 --> 00:06:21,240 Speaker 2: they had already there's five products and you're trying to 131 00:06:21,240 --> 00:06:24,320 Speaker 2: decipher which ones are real and we were there for 132 00:06:24,360 --> 00:06:26,240 Speaker 2: like ten minutes do it, you know, and the show 133 00:06:26,279 --> 00:06:29,200 Speaker 2: it's shortened, but it's like that one wouldn't make sense. 134 00:06:29,320 --> 00:06:31,720 Speaker 2: You're just thinking for the audience because everyone at home. 135 00:06:32,480 --> 00:06:34,200 Speaker 2: You know. The good thing about it is people call 136 00:06:34,279 --> 00:06:35,920 Speaker 2: me and go, you know what, I got two out 137 00:06:35,960 --> 00:06:38,000 Speaker 2: of the four, or I got you know, my friend 138 00:06:38,160 --> 00:06:41,120 Speaker 2: really was doing well because you can't help, but just 139 00:06:41,200 --> 00:06:43,400 Speaker 2: kind of ship, you know if you walk by and go, no, 140 00:06:43,440 --> 00:06:45,200 Speaker 2: well that it's fake, and then they show the next one, 141 00:06:45,200 --> 00:06:47,880 Speaker 2: which looks even more stupid, and you go, okay, go 142 00:06:47,960 --> 00:06:49,800 Speaker 2: back to the first one, and that's what happens. You 143 00:06:49,800 --> 00:06:52,840 Speaker 2: start to go, remember the one time when there was 144 00:06:52,880 --> 00:06:56,240 Speaker 2: a big bear which you really broke that case wide opened. 145 00:06:56,800 --> 00:07:00,799 Speaker 3: With the batteries. Yeah, crack that case. 146 00:07:01,320 --> 00:07:04,560 Speaker 2: You broke him down. It was like the spotlight with 147 00:07:04,640 --> 00:07:06,880 Speaker 2: the investigator and he goes and you go, what does 148 00:07:06,920 --> 00:07:08,760 Speaker 2: it run on? You kept going deeper and he's like, 149 00:07:09,360 --> 00:07:12,440 Speaker 2: I've only been coached to this bar. And then he 150 00:07:12,520 --> 00:07:14,920 Speaker 2: started vamping and he was not. He was like, it 151 00:07:15,000 --> 00:07:18,680 Speaker 2: runs on double A and I'm like, I think I've 152 00:07:18,680 --> 00:07:21,040 Speaker 2: seen smaller vibrators that run on you. 153 00:07:21,200 --> 00:07:24,080 Speaker 1: Right, you're right, well, your your girlfriends have to use 154 00:07:24,160 --> 00:07:26,800 Speaker 1: vibrators because you can't get it done. But yeah, well 155 00:07:26,840 --> 00:07:28,760 Speaker 1: you asked me to audition, so hopefully I'll come up 156 00:07:28,760 --> 00:07:31,280 Speaker 1: with some good material because I want to open up 157 00:07:31,280 --> 00:07:32,000 Speaker 1: for David Spade. 158 00:07:32,040 --> 00:07:33,440 Speaker 3: That's my, that's my, that's. 159 00:07:33,320 --> 00:07:36,560 Speaker 2: Right, you say funny things on text. I was like, maybe. 160 00:07:49,160 --> 00:07:51,840 Speaker 1: I did do stand up one night one time, and 161 00:07:51,920 --> 00:07:53,480 Speaker 1: I didn't know you. Otherwise I would have called you 162 00:07:53,520 --> 00:07:55,160 Speaker 1: for your advice. But I have a lot of respect 163 00:07:55,200 --> 00:08:01,120 Speaker 1: for comedians for this one reason. I literally I texted 164 00:08:01,200 --> 00:08:07,160 Speaker 1: Chris Rock, Ellen, Kathy Griffin, Kevin neal In. I ended 165 00:08:07,240 --> 00:08:09,760 Speaker 1: up speaking to Kevin a bunch of comedians, and every 166 00:08:09,880 --> 00:08:14,440 Speaker 1: single one responded to me with advice. Ellen said, be funny, 167 00:08:14,520 --> 00:08:16,720 Speaker 1: like that's literally what Ellen said. But Chris Rock gave 168 00:08:16,720 --> 00:08:20,120 Speaker 1: me three paragraphs on really what to do. And I 169 00:08:20,240 --> 00:08:24,600 Speaker 1: learned through that experience that a everyone has a different 170 00:08:24,720 --> 00:08:27,520 Speaker 1: not just style, but like technique, like how to organize it, 171 00:08:27,520 --> 00:08:31,600 Speaker 1: which I found fascinating. And like I remember Chris Rock 172 00:08:31,720 --> 00:08:36,560 Speaker 1: saying the end in the beginning is important, the middle 173 00:08:36,640 --> 00:08:39,000 Speaker 1: is just a flow, and come, don't come with a posse, 174 00:08:39,440 --> 00:08:42,520 Speaker 1: go private, and I think Kathy Griffin said the opposite 175 00:08:42,559 --> 00:08:45,160 Speaker 1: of the private part. And then Kevin Neilan was the 176 00:08:45,160 --> 00:08:48,200 Speaker 1: one who really made me realize that everyone had their 177 00:08:48,200 --> 00:08:50,439 Speaker 1: own different vibe like, is it in and out with 178 00:08:50,520 --> 00:08:53,200 Speaker 1: quick jokes? Is it like telling a whole story? And 179 00:08:53,280 --> 00:08:58,560 Speaker 1: Kim Whitley told me that my way is ranting, and 180 00:08:58,640 --> 00:09:00,160 Speaker 1: I didn't even think of it that way, So I 181 00:09:00,160 --> 00:09:02,760 Speaker 1: thought it was interesting to organize it, and I wanted 182 00:09:02,760 --> 00:09:05,160 Speaker 1: to know, like what your process is. 183 00:09:05,200 --> 00:09:07,040 Speaker 3: I saw you that last week. 184 00:09:07,280 --> 00:09:09,880 Speaker 1: A bon stage, and I saw you working through stuff, 185 00:09:09,880 --> 00:09:11,559 Speaker 1: which I think is really cool and people probably like 186 00:09:11,600 --> 00:09:13,040 Speaker 1: to watch you, like at the piece of paper working 187 00:09:13,040 --> 00:09:13,520 Speaker 1: through stuff. 188 00:09:13,520 --> 00:09:14,720 Speaker 3: So what is your process? 189 00:09:15,640 --> 00:09:17,920 Speaker 2: You know? First of all three and nice everyone told 190 00:09:17,920 --> 00:09:22,960 Speaker 2: you advice because it's so hard because when people are newer, 191 00:09:23,600 --> 00:09:26,199 Speaker 2: I just feel like you have to do it so much. 192 00:09:26,640 --> 00:09:29,480 Speaker 2: You learn yourself, but you have to keep going up 193 00:09:29,520 --> 00:09:32,360 Speaker 2: and like recording it and then you it's excruciating to 194 00:09:32,400 --> 00:09:34,960 Speaker 2: listen to yourself, but you listen and you go. I 195 00:09:35,040 --> 00:09:38,080 Speaker 2: thought that one worked, but really what worked was something 196 00:09:38,160 --> 00:09:40,360 Speaker 2: I said after that, So I got to keep that. 197 00:09:40,440 --> 00:09:41,760 Speaker 2: You know what I mean, and you're listening to it 198 00:09:42,160 --> 00:09:44,520 Speaker 2: down and go because just the whole thing is a blur. 199 00:09:44,800 --> 00:09:47,920 Speaker 2: It probably goes by fast than anything, and it's terrifying 200 00:09:47,960 --> 00:09:50,320 Speaker 2: when you're watching that way. When I went out and 201 00:09:50,320 --> 00:09:53,079 Speaker 2: did the first Johnny Carson like, that's old, am. I 202 00:09:53,120 --> 00:09:56,520 Speaker 2: got to do one, Johnny Carson. When I walked out 203 00:09:56,760 --> 00:09:59,280 Speaker 2: and I'd seen it this way where the curtain and everything, 204 00:10:00,200 --> 00:10:01,600 Speaker 2: the thing that threw me is walking out, and then 205 00:10:01,640 --> 00:10:06,680 Speaker 2: I saw cameras, audience, Johnny behind me, and all my 206 00:10:06,720 --> 00:10:08,960 Speaker 2: whole brain was just filled with how different it was 207 00:10:09,080 --> 00:10:11,600 Speaker 2: than I pictured. I was like, got the floor so 208 00:10:11,760 --> 00:10:14,680 Speaker 2: shiny and black, and I had to walk up to 209 00:10:14,679 --> 00:10:18,040 Speaker 2: my little ex or my star and I'm like and 210 00:10:18,080 --> 00:10:19,840 Speaker 2: I thought, oh, it was like sol emotion. I go wait, 211 00:10:19,840 --> 00:10:21,960 Speaker 2: I got to go now, and I couldn't. It's hard 212 00:10:21,960 --> 00:10:24,480 Speaker 2: to remember your act because this is occupying my brain. 213 00:10:25,080 --> 00:10:29,240 Speaker 2: So that's separate issue, but it's definitely takes a lot 214 00:10:29,240 --> 00:10:33,839 Speaker 2: of repetition. When you saw me, that was actually a 215 00:10:33,840 --> 00:10:36,840 Speaker 2: really fun night. That was like an unpaid corporate event, 216 00:10:36,880 --> 00:10:38,560 Speaker 2: and corporate events are the ones where you get paid 217 00:10:38,559 --> 00:10:41,360 Speaker 2: a lot to come in and do it for, like 218 00:10:41,600 --> 00:10:44,800 Speaker 2: you know, an insurance company. This is all our best guys. 219 00:10:44,800 --> 00:10:47,240 Speaker 2: They come here, we bring our employees, We have you tonight, 220 00:10:47,320 --> 00:10:50,559 Speaker 2: stevianis tomorrow and everyone's a surprise and then they get 221 00:10:50,600 --> 00:10:53,120 Speaker 2: to have an hour of fun. And they're not always 222 00:10:53,160 --> 00:10:55,040 Speaker 2: easy because they're like in the middle of you. 223 00:10:54,920 --> 00:10:57,920 Speaker 3: Know, shitting and talking right, and then we. 224 00:10:57,880 --> 00:11:00,280 Speaker 2: Got a surprise and like, oh, this fucking guy. So 225 00:11:00,360 --> 00:11:03,960 Speaker 2: then I go on and I'm like yeah, but they're 226 00:11:04,000 --> 00:11:06,679 Speaker 2: not a comedy crowd audience. It's usually lit. It's like 227 00:11:06,720 --> 00:11:10,040 Speaker 2: a cafeteria. Sometimes it's in the day. They don't always 228 00:11:10,040 --> 00:11:12,800 Speaker 2: go well, but it's really a grind because you really 229 00:11:12,800 --> 00:11:14,120 Speaker 2: have to stay on your act because when you're not 230 00:11:14,200 --> 00:11:17,880 Speaker 2: going well. That's hard too because I'm editing as I go. 231 00:11:18,000 --> 00:11:20,319 Speaker 2: I look at my set list and I'm like, get 232 00:11:20,400 --> 00:11:22,199 Speaker 2: rid of that. They're not going to no, nope, and 233 00:11:23,040 --> 00:11:25,120 Speaker 2: I got to go go. The other night I did 234 00:11:25,120 --> 00:11:28,720 Speaker 2: the same thing. So for the audience at home, is 235 00:11:29,720 --> 00:11:32,520 Speaker 2: you come to an event. I think your daughter was 236 00:11:32,520 --> 00:11:35,440 Speaker 2: a fan of all that half Medicine Sandler stuff and 237 00:11:35,480 --> 00:11:36,400 Speaker 2: I was like, the best. 238 00:11:36,480 --> 00:11:38,880 Speaker 3: In the wrong Missy is a movie ever? 239 00:11:39,280 --> 00:11:42,720 Speaker 2: Yeah, And so I said, the best thing is there's 240 00:11:42,760 --> 00:11:44,680 Speaker 2: one event where me, Rob and Adam are all going 241 00:11:44,720 --> 00:11:48,600 Speaker 2: on just coincidentally. I think even we're aware of it. 242 00:11:48,679 --> 00:11:51,160 Speaker 2: And it's like a pay you know, they paid people 243 00:11:51,200 --> 00:11:53,439 Speaker 2: pay to come in and it's for they're building a 244 00:11:53,480 --> 00:11:56,319 Speaker 2: new urgent care whatever. So that was a fun one 245 00:11:56,360 --> 00:11:58,560 Speaker 2: for us because it was us three, and it's kind 246 00:11:58,600 --> 00:12:00,320 Speaker 2: of fun for the audience because we know eachach other, 247 00:12:00,880 --> 00:12:03,120 Speaker 2: so we're kind of making fun of each other. But 248 00:12:03,640 --> 00:12:06,559 Speaker 2: Rob goes on. It was still sunny out. That's a 249 00:12:06,679 --> 00:12:08,760 Speaker 2: kiss of death. When it's still light out. It's very 250 00:12:08,840 --> 00:12:09,680 Speaker 2: hard to get the at. 251 00:12:09,600 --> 00:12:10,920 Speaker 3: It's so fascinating. 252 00:12:11,240 --> 00:12:13,760 Speaker 2: Yes, and there's no roof, so the laughs go straight up. 253 00:12:13,800 --> 00:12:17,319 Speaker 2: It's outside, it's at my manager's house, and then behind 254 00:12:17,360 --> 00:12:20,000 Speaker 2: it is the ocean, so it's two pretty it's you'd 255 00:12:20,080 --> 00:12:23,360 Speaker 2: rather look at that. So when then gets I said, 256 00:12:23,400 --> 00:12:27,199 Speaker 2: I cannot go on until it gets darker. So Rob's vamping. 257 00:12:27,400 --> 00:12:30,480 Speaker 2: Then they do the auction. Rob is great, you know, 258 00:12:30,520 --> 00:12:32,560 Speaker 2: he loves that stuff. He's better at it than me. 259 00:12:32,880 --> 00:12:33,720 Speaker 2: And then I. 260 00:12:33,640 --> 00:12:35,640 Speaker 3: Loved him by the way I loved him. 261 00:12:36,040 --> 00:12:39,200 Speaker 2: Yeah, he's a good guy and he's got a wrap 262 00:12:39,240 --> 00:12:42,120 Speaker 2: out there sometimes, but he is super nice family man 263 00:12:42,679 --> 00:12:45,400 Speaker 2: and we always crack up on the road. I've known forever, 264 00:12:45,880 --> 00:12:50,120 Speaker 2: and so he was doing great. Brought me up. I 265 00:12:50,160 --> 00:12:54,280 Speaker 2: went off the notes because those kind of things. People 266 00:12:54,320 --> 00:12:57,280 Speaker 2: have more fun if you're off your act. You know, 267 00:12:57,400 --> 00:13:01,280 Speaker 2: if I make fun of the house, if I make 268 00:13:01,400 --> 00:13:03,559 Speaker 2: fun of you know who was in the front row, 269 00:13:03,559 --> 00:13:07,120 Speaker 2: Oh Pierce, President, Sidney Grawford, So I didn't see them. 270 00:13:07,160 --> 00:13:08,840 Speaker 2: And then in the middle I'm like, hey, you know, 271 00:13:08,880 --> 00:13:12,880 Speaker 2: blah blah blah, joke joke, and then knowing Adam's five 272 00:13:12,920 --> 00:13:16,640 Speaker 2: feet away laughing, and then I'm oh, yeah, my favorite 273 00:13:16,720 --> 00:13:19,200 Speaker 2: joke was when my joke bombed. I look at my 274 00:13:19,240 --> 00:13:20,640 Speaker 2: set list and I go, oh, my god, this is 275 00:13:20,679 --> 00:13:25,480 Speaker 2: Adam's setlist. No one jokes suck. I'm reading the wrong one, Adam. 276 00:13:25,520 --> 00:13:28,880 Speaker 2: These are horrible. So any joke at bomb that was 277 00:13:28,920 --> 00:13:31,400 Speaker 2: a good crutch to go to. And then but you 278 00:13:31,440 --> 00:13:32,880 Speaker 2: were laughing at which. 279 00:13:32,720 --> 00:13:35,280 Speaker 1: One the dog one, David, which obviously you'll do it 280 00:13:35,360 --> 00:13:37,720 Speaker 1: or not do it, but does this thing about like you, 281 00:13:37,720 --> 00:13:40,440 Speaker 1: you're talking about the perspective you are the dog. You're 282 00:13:40,440 --> 00:13:42,600 Speaker 1: talking to us from the perspective of the dog, and 283 00:13:42,640 --> 00:13:44,000 Speaker 1: I we were crying. 284 00:13:44,760 --> 00:13:46,559 Speaker 2: Yeah. You know a lot of animals I really talk, 285 00:13:46,600 --> 00:13:49,920 Speaker 2: and my active bees talk, the dog talks. I don't 286 00:13:49,920 --> 00:13:51,400 Speaker 2: really think of it that way, but later I look 287 00:13:51,440 --> 00:13:54,280 Speaker 2: through and I'm like, God, that's part. Maybe that's something 288 00:13:54,360 --> 00:13:56,520 Speaker 2: that's one of my hooks that I do because it 289 00:13:56,640 --> 00:13:58,920 Speaker 2: just makes me laugh when you look at other perspective. 290 00:13:59,600 --> 00:14:01,840 Speaker 2: That one is the dog that doesn't act embarrassed enough 291 00:14:01,920 --> 00:14:04,079 Speaker 2: when he falls at my house and he acts like 292 00:14:04,200 --> 00:14:07,160 Speaker 2: nothing happened. Uh, And so I walk you through with 293 00:14:07,240 --> 00:14:09,880 Speaker 2: the dog. What's really going through his mind anyway you have? 294 00:14:10,080 --> 00:14:11,880 Speaker 3: Oh, you're like God, He's like, hey, that was my bad. 295 00:14:11,960 --> 00:14:14,240 Speaker 1: I fucked up and I did overshoot the whatever he said, 296 00:14:14,240 --> 00:14:15,600 Speaker 1: it's really fucking funny. 297 00:14:15,880 --> 00:14:18,640 Speaker 2: The zoom sucked up. He's like, I came in too hot. 298 00:14:20,040 --> 00:14:22,760 Speaker 2: There's hardwood floor. I didn't time it right. I have 299 00:14:22,840 --> 00:14:26,560 Speaker 2: long nails going to fall. I started to spin. I 300 00:14:26,600 --> 00:14:29,640 Speaker 2: was hider playing Jesus Take the Wheel. I hit the piano. 301 00:14:29,720 --> 00:14:32,920 Speaker 2: It was a ship show. Yeah, obviously knew what happened. 302 00:14:32,920 --> 00:14:34,800 Speaker 2: I acted like I didn't. I walked away. Hey, so 303 00:14:34,840 --> 00:14:38,320 Speaker 2: what were you guys watching? Magnum? But I did know. 304 00:14:38,400 --> 00:14:40,560 Speaker 2: And let's keep this in the house because you know, 305 00:14:40,560 --> 00:14:42,440 Speaker 2: a lot of the dogs this neighborhood look up to me. 306 00:14:42,720 --> 00:14:45,600 Speaker 2: So it's really just just just a long string of 307 00:14:45,680 --> 00:14:48,720 Speaker 2: talking like a dog, and it's it's funny to me. 308 00:14:49,560 --> 00:14:50,760 Speaker 2: That's a clean one too. 309 00:14:51,760 --> 00:14:53,600 Speaker 1: That's a clean of Jesus Take the Wheel was the 310 00:14:53,600 --> 00:14:57,920 Speaker 1: best part. But that that's my favorite part. Jesus take 311 00:14:57,920 --> 00:14:59,520 Speaker 1: the wheel. I don't know why, and that like that's 312 00:15:00,040 --> 00:15:03,000 Speaker 1: umped off the page. And then Adam was but he also, 313 00:15:03,120 --> 00:15:05,320 Speaker 1: I don't know if that's coincidental, did something about his 314 00:15:05,360 --> 00:15:08,280 Speaker 1: dog and his dog looking at his penis, but his 315 00:15:08,360 --> 00:15:09,880 Speaker 1: dog looking at his penis, and he's like, I know 316 00:15:09,960 --> 00:15:11,800 Speaker 1: I saw something about it. I'm not going to give 317 00:15:11,880 --> 00:15:13,200 Speaker 1: up this joke because you guys are on the road, 318 00:15:13,240 --> 00:15:14,600 Speaker 1: but I just I don't know if there's something there 319 00:15:14,600 --> 00:15:16,760 Speaker 1: with you guys and animals, like the prospective of animals. 320 00:15:16,800 --> 00:15:20,480 Speaker 1: Everyone loves pets. It's fucking hysterical, like what they're actually thinking. 321 00:15:20,880 --> 00:15:21,280 Speaker 2: I don't know. 322 00:15:21,280 --> 00:15:23,240 Speaker 3: I was crying, Well, what really funny. 323 00:15:23,320 --> 00:15:24,880 Speaker 2: We're in the back. You know, when you do a 324 00:15:24,920 --> 00:15:30,040 Speaker 2: corporate event, just more inside baseball, they usually say keep 325 00:15:30,080 --> 00:15:34,200 Speaker 2: it clean, and that's tough because because you can't always 326 00:15:34,240 --> 00:15:37,840 Speaker 2: keep it clean. But they mean, I won't say the 327 00:15:37,920 --> 00:15:39,960 Speaker 2: rouchy version, but they had one guy there that was 328 00:15:39,960 --> 00:15:41,960 Speaker 2: talking about going down when I grow something for fifteen 329 00:15:41,960 --> 00:15:45,240 Speaker 2: minutes and you know, people are eating oal so I 330 00:15:45,240 --> 00:15:47,120 Speaker 2: think that's what they mean. That's really what they mean. 331 00:15:47,160 --> 00:15:49,880 Speaker 2: They don't mean, don't say the effort people can handle it, 332 00:15:50,120 --> 00:15:52,480 Speaker 2: and mine is kind of light and stupid, so it's 333 00:15:52,520 --> 00:15:55,640 Speaker 2: more silly where even if I'm talking about porn, it's 334 00:15:55,640 --> 00:15:58,960 Speaker 2: not even that dirty, where no one complains after when 335 00:15:58,960 --> 00:16:01,720 Speaker 2: I do shows, so I can work stuff in or 336 00:16:01,720 --> 00:16:03,360 Speaker 2: they say, don't even say the effort, and I go okay. 337 00:16:03,360 --> 00:16:05,640 Speaker 2: I say fifteen times, no one even notices because it's 338 00:16:05,680 --> 00:16:07,520 Speaker 2: not filthy dirty, you. 339 00:16:07,560 --> 00:16:09,480 Speaker 3: Know, right right right. 340 00:16:09,920 --> 00:16:12,120 Speaker 2: You just don't want people recoiling like holy shit, this 341 00:16:12,240 --> 00:16:16,120 Speaker 2: is rough and Adam backstage. I go, shit, there's kids here, 342 00:16:16,160 --> 00:16:18,800 Speaker 2: and I don't know, man, are you do you have 343 00:16:18,800 --> 00:16:21,040 Speaker 2: anything dirty? He goes, I got along and be clean. 344 00:16:21,080 --> 00:16:24,760 Speaker 2: He goes five seconds. I can't. I can't go one 345 00:16:24,880 --> 00:16:27,200 Speaker 2: song without it. I said, oh yeah. So I said 346 00:16:27,240 --> 00:16:28,760 Speaker 2: so I don't care, you don't care, and he goes no, 347 00:16:29,280 --> 00:16:30,560 Speaker 2: And I said, they don't care, and then I asked 348 00:16:30,600 --> 00:16:32,880 Speaker 2: Curvi it's and he said no, no. 349 00:16:32,880 --> 00:16:36,520 Speaker 3: Only kid was My daughter was the only all. 350 00:16:36,360 --> 00:16:38,360 Speaker 2: Though, and I go, shit, there's kids here. They go 351 00:16:38,400 --> 00:16:41,600 Speaker 2: there's one and she seemed like she could handle it. 352 00:16:41,680 --> 00:16:43,760 Speaker 1: So to give you guys context, Mark Kervitz is a 353 00:16:43,840 --> 00:16:47,000 Speaker 1: power manager who I've known for thirty years. A girl 354 00:16:47,040 --> 00:16:48,560 Speaker 1: that I know dated him, was in love with him, 355 00:16:48,640 --> 00:16:51,040 Speaker 1: and he just he was like her big and he 356 00:16:51,120 --> 00:16:53,640 Speaker 1: wasn't that interested. So it never was the opposite of 357 00:16:53,640 --> 00:16:54,800 Speaker 1: that because he didn't come around for. 358 00:16:54,880 --> 00:16:56,800 Speaker 2: That side story, was it. 359 00:16:56,880 --> 00:16:58,400 Speaker 3: Yeah, he was, she was in love with him. 360 00:16:58,440 --> 00:17:01,640 Speaker 1: So anyway, he was always a power manager even back then, 361 00:17:01,840 --> 00:17:04,359 Speaker 1: always in comedy. And I used to work at Broadway 362 00:17:04,480 --> 00:17:07,960 Speaker 1: Pictures for Lauren Michael's like coincidentally did the Tommy Boy 363 00:17:08,040 --> 00:17:10,840 Speaker 1: and Black Sheep premieres. So I've been in your sphere 364 00:17:10,880 --> 00:17:14,120 Speaker 1: for a long time. I remember you being in Lauren's 365 00:17:14,160 --> 00:17:16,480 Speaker 1: office with Chris Farley on his couch when I was 366 00:17:16,520 --> 00:17:22,280 Speaker 1: working there. So Mark Irwitz, I texted him a while 367 00:17:22,359 --> 00:17:25,399 Speaker 1: back and said, because Brinn loves comedy, and I said, listen, 368 00:17:25,520 --> 00:17:28,000 Speaker 1: I know there's nothing going on now, but she's obsessed. 369 00:17:28,040 --> 00:17:30,600 Speaker 1: She's seen all of Adam Sandler's movies. The wrong Missy's 370 00:17:30,600 --> 00:17:32,840 Speaker 1: her favorite thing. Like I've told him this stuff. So 371 00:17:32,880 --> 00:17:35,119 Speaker 1: he said, this is your night, you gotta come. And 372 00:17:35,160 --> 00:17:38,280 Speaker 1: then the charity emailed me after I had paid for 373 00:17:38,359 --> 00:17:40,679 Speaker 1: the tickets, booked the travel, canceled a trip to go 374 00:17:40,720 --> 00:17:43,160 Speaker 1: away somewhere else and said, oh, you have a child, 375 00:17:43,240 --> 00:17:45,560 Speaker 1: and this is PG seventeen. I said to Mark, this 376 00:17:45,640 --> 00:17:47,720 Speaker 1: is fuck now. It's like two days away and I'm going. 377 00:17:47,760 --> 00:17:49,840 Speaker 1: And he's like, listen, they just don't want to be 378 00:17:49,840 --> 00:17:51,040 Speaker 1: performing their acts. 379 00:17:50,880 --> 00:17:52,679 Speaker 3: Or a bunch of kids. So I'll get you in. 380 00:17:52,720 --> 00:17:53,440 Speaker 3: It's my house. 381 00:17:53,680 --> 00:17:55,479 Speaker 1: So Brinn was the only kid, and the three of 382 00:17:55,520 --> 00:17:59,320 Speaker 1: you are very I mean, that was dirty. And afterwards 383 00:17:59,359 --> 00:18:01,040 Speaker 1: she was like, ma, I want to go take an 384 00:18:01,080 --> 00:18:01,880 Speaker 1: improv class. 385 00:18:03,200 --> 00:18:03,399 Speaker 3: You know. 386 00:18:03,600 --> 00:18:05,600 Speaker 2: By the way, let me say your daughter was so 387 00:18:05,920 --> 00:18:09,280 Speaker 2: I said the rober out of vaccine because we Gervitz 388 00:18:09,280 --> 00:18:11,640 Speaker 2: came back and I said, Adam Beth that he has 389 00:18:11,640 --> 00:18:14,080 Speaker 2: your kid here, will you say? And he said, yeah, yeah. 390 00:18:14,119 --> 00:18:16,760 Speaker 2: He's always nice about that stuff, especially if it's not overwhelming. 391 00:18:16,880 --> 00:18:19,560 Speaker 2: I think that's what anyone is. You are like if 392 00:18:19,600 --> 00:18:22,360 Speaker 2: you're with too many people and there's picture starting, you go, oh, 393 00:18:22,440 --> 00:18:24,919 Speaker 2: this whole restaurant is getting in on this once you 394 00:18:25,000 --> 00:18:27,879 Speaker 2: open it up. So he was sweet. Your daughter was 395 00:18:28,000 --> 00:18:33,520 Speaker 2: so genuinely like nice and innocently sweet. It's it sounds crazy, 396 00:18:33,560 --> 00:18:36,040 Speaker 2: but it's not as common as you think. She was 397 00:18:36,080 --> 00:18:40,600 Speaker 2: just very complimentary, nice and was not pushed. She not anything. 398 00:18:40,640 --> 00:18:42,680 Speaker 2: I just was like, walk away, going I want a sweetheart. 399 00:18:42,680 --> 00:18:47,879 Speaker 2: That was so good job. Thank on you. You've heard 400 00:18:47,920 --> 00:18:52,280 Speaker 2: some credit to And then I remember I saw at Gervitz, 401 00:18:52,320 --> 00:18:55,600 Speaker 2: that guy, the rich guy that the power managers a 402 00:18:55,640 --> 00:18:58,160 Speaker 2: bit strong, but he is my. 403 00:18:58,119 --> 00:19:01,120 Speaker 3: Man many power manager. 404 00:19:01,640 --> 00:19:07,119 Speaker 2: He does have Neil and who's a genius, Zach Galfanakis, Me, 405 00:19:08,359 --> 00:19:12,439 Speaker 2: Bill Maher and Dana Carvey, Dennis Miller, Sam Mary's involved in. 406 00:19:13,080 --> 00:19:14,240 Speaker 2: They have so many there. 407 00:19:14,560 --> 00:19:17,600 Speaker 3: Yeah, you're right, there's comedy factory over there. 408 00:19:17,560 --> 00:19:19,840 Speaker 2: Normy at far you know, so forever. They have a 409 00:19:19,880 --> 00:19:22,800 Speaker 2: lot of SNL. But I did that gig. He has 410 00:19:22,840 --> 00:19:25,880 Speaker 2: his own that wasn't his show, remember, because we're making 411 00:19:25,880 --> 00:19:28,600 Speaker 2: fun of it was his house. He lent like an 412 00:19:28,600 --> 00:19:34,080 Speaker 2: old cheesecake factory. And and and that's the one I 413 00:19:34,080 --> 00:19:37,800 Speaker 2: forgot to say because it kind of does. And he 414 00:19:37,880 --> 00:19:41,920 Speaker 2: has his own charity, you know, for eb So we 415 00:19:42,080 --> 00:19:44,360 Speaker 2: do it, you know. And and one year I opened 416 00:19:44,400 --> 00:19:48,359 Speaker 2: for like Jackson Brown. The next year was they have 417 00:19:48,400 --> 00:19:50,600 Speaker 2: a comic Zach Alph and Augus did it with Tom 418 00:19:51,400 --> 00:19:54,680 Speaker 2: Petty or you know, staying or something. So it's always fun. 419 00:19:54,680 --> 00:19:56,800 Speaker 2: It's the same small area. It's like a great place 420 00:19:56,800 --> 00:19:59,639 Speaker 2: to show. So I've seen Zach, who I think is 421 00:19:59,800 --> 00:20:02,240 Speaker 2: high hysterical and he's got his notes out and I'm 422 00:20:02,280 --> 00:20:04,479 Speaker 2: like the same thing. I go, there's a ton of 423 00:20:04,800 --> 00:20:06,840 Speaker 2: kids here. I go I did last year. And when 424 00:20:06,880 --> 00:20:08,400 Speaker 2: I got up there, I I was little thrown because 425 00:20:08,400 --> 00:20:10,879 Speaker 2: they're sitting in the front. It's like a it's like 426 00:20:10,920 --> 00:20:13,480 Speaker 2: a family barbecue. And I'm like, no, no, no, no, 427 00:20:14,320 --> 00:20:17,040 Speaker 2: these jokes aren't all my dog talking and funny things. 428 00:20:17,080 --> 00:20:20,040 Speaker 2: This is like so I go, what are you gonna do? 429 00:20:20,040 --> 00:20:22,440 Speaker 2: And he goes, I, ah, shit, I gotta be clean 430 00:20:22,480 --> 00:20:25,560 Speaker 2: and these other stuff. Then he goes up. He does 431 00:20:25,600 --> 00:20:28,480 Speaker 2: one joke and he goes, yah, fuck it, and he 432 00:20:28,560 --> 00:20:31,280 Speaker 2: goes right into all the dirtiest shit within one joke 433 00:20:31,840 --> 00:20:34,240 Speaker 2: he got. I think he goes, uh, this isn't dirty, 434 00:20:34,280 --> 00:20:36,960 Speaker 2: but he goes I saw Michael J. Fox at Shaky's 435 00:20:37,560 --> 00:20:43,200 Speaker 2: and guys, he was getting a pizza. Shaky's is a 436 00:20:43,280 --> 00:20:46,840 Speaker 2: little rough. But and then he did another one which 437 00:20:46,880 --> 00:20:48,760 Speaker 2: I don't think I can do, Heather, because I think 438 00:20:49,440 --> 00:20:51,399 Speaker 2: he doesn't do it anymore. But it was so dirty 439 00:20:51,400 --> 00:20:54,520 Speaker 2: and we were like this. Everyone was Macaulay calking in 440 00:20:54,600 --> 00:20:55,080 Speaker 2: the audience. 441 00:20:55,359 --> 00:20:57,399 Speaker 1: I love how you have an audience when you do podcast, 442 00:20:57,400 --> 00:20:58,800 Speaker 1: You have your own audience. You have like a built 443 00:20:58,840 --> 00:21:00,359 Speaker 1: in snow do No. 444 00:21:00,359 --> 00:21:04,240 Speaker 2: No, I have about forty people here and they come 445 00:21:04,280 --> 00:21:06,159 Speaker 2: over and there's a spillover room where they watch on 446 00:21:06,280 --> 00:21:09,879 Speaker 2: the monitor and no, they get paid. They all get 447 00:21:09,920 --> 00:21:13,960 Speaker 2: an apple. I like my Snake Oil audience. Every time 448 00:21:14,000 --> 00:21:17,880 Speaker 2: they go go all five, bet five, I go, don't listen. 449 00:21:17,920 --> 00:21:20,560 Speaker 2: These idiots. They don't care. They yield at the last person. 450 00:21:20,560 --> 00:21:22,880 Speaker 2: They don't. They walk with the same money you lose 451 00:21:22,920 --> 00:21:26,880 Speaker 2: on YOURRS. This part, I'll give it all bts, which 452 00:21:26,920 --> 00:21:30,320 Speaker 2: I have to. I give Snake Oil this because it 453 00:21:30,440 --> 00:21:32,480 Speaker 2: is they try to run a really tight shit there. 454 00:21:32,880 --> 00:21:35,040 Speaker 2: I was new to it too. You're probably like I'm there, 455 00:21:35,200 --> 00:21:37,320 Speaker 2: you know, like four days when I saw you, So 456 00:21:37,359 --> 00:21:41,640 Speaker 2: I'm getting used to it. But your person, you help 457 00:21:41,720 --> 00:21:44,600 Speaker 2: your contestant, which is how the show works. Celebrity helper 458 00:21:44,840 --> 00:21:48,720 Speaker 2: that knows business. She was a sweetheart, you know, and 459 00:21:48,800 --> 00:21:52,199 Speaker 2: she the game is slightly company and that's what we're 460 00:21:52,200 --> 00:21:54,840 Speaker 2: trying to simplify it. But we I overexplained it, which 461 00:21:54,880 --> 00:21:57,520 Speaker 2: is half my battle going. I can't. We're talking to 462 00:21:57,520 --> 00:21:59,520 Speaker 2: them first like there's seventh fiders and now like their 463 00:21:59,560 --> 00:22:02,119 Speaker 2: first fid it's like they're looping stuff in to go 464 00:22:02,320 --> 00:22:05,439 Speaker 2: and again the words snake. It's not a real snake, 465 00:22:05,560 --> 00:22:08,800 Speaker 2: it means And I'm like, so they just really have 466 00:22:08,880 --> 00:22:11,960 Speaker 2: to make sure one understands every literally single person. So 467 00:22:13,040 --> 00:22:16,600 Speaker 2: I say to you too, this you got to the 468 00:22:16,600 --> 00:22:18,240 Speaker 2: final round. I could say this because is already here. 469 00:22:18,240 --> 00:22:21,400 Speaker 2: You got the final round. Now in the final round, 470 00:22:22,119 --> 00:22:26,239 Speaker 2: there's there's all these products. It's gonna sound crazy right now. 471 00:22:26,280 --> 00:22:28,040 Speaker 2: People at home are going, let me see by fallow 472 00:22:29,760 --> 00:22:33,920 Speaker 2: you there's three products. One is snake, will two or read. 473 00:22:34,800 --> 00:22:37,240 Speaker 2: You have to pick the BAC one and you get 474 00:22:37,280 --> 00:22:40,879 Speaker 2: fifty grand. If you want four products a little harder 475 00:22:41,800 --> 00:22:44,960 Speaker 2: one is snake, you get seventy five. If you do 476 00:22:45,040 --> 00:22:48,440 Speaker 2: all five, which is the hardest, and you pick the one, 477 00:22:48,560 --> 00:22:51,439 Speaker 2: you get one hundred. And right when I finished, she 478 00:22:51,440 --> 00:22:56,159 Speaker 2: goes five because the crowds going and you use and 479 00:22:56,200 --> 00:23:01,119 Speaker 2: I go, wow, okay, uh okay, five. And then someone 480 00:23:01,160 --> 00:23:05,640 Speaker 2: in the crowd goes she doesn't get it, and oh 481 00:23:05,720 --> 00:23:07,879 Speaker 2: do you not get it? And she goes, no, not really, 482 00:23:08,200 --> 00:23:11,960 Speaker 2: and I go, oh, okay, well, and we had we stopped, 483 00:23:12,200 --> 00:23:16,399 Speaker 2: and then they came over. The producers came over to 484 00:23:17,240 --> 00:23:19,720 Speaker 2: you guys, and I walked over while they're explaining it 485 00:23:19,760 --> 00:23:21,240 Speaker 2: because it is a little complicated, and she if she 486 00:23:21,240 --> 00:23:23,800 Speaker 2: didn't get it, like legally, we want to know know 487 00:23:23,840 --> 00:23:26,199 Speaker 2: what you're getting into. And a lot of people do 488 00:23:26,240 --> 00:23:28,199 Speaker 2: pick five because they go, fuck it, let's right. I 489 00:23:28,200 --> 00:23:31,280 Speaker 2: didn't come here to you know, right, I walk over 490 00:23:31,320 --> 00:23:34,480 Speaker 2: it and I was gonna make fun of you because 491 00:23:35,080 --> 00:23:37,919 Speaker 2: you know everything, and you go, this is so hard, 492 00:23:37,960 --> 00:23:40,639 Speaker 2: and I go, why do you not know? This is 493 00:23:40,680 --> 00:23:45,280 Speaker 2: so easy easy? You're now, well, this fart is a 494 00:23:45,280 --> 00:23:47,639 Speaker 2: little and I go, right, So, anyway, you guys obviously 495 00:23:47,720 --> 00:23:50,040 Speaker 2: got it. And then she did it, and then she won. 496 00:23:50,640 --> 00:23:52,479 Speaker 2: Actually you were the one with the baby with all 497 00:23:52,560 --> 00:23:53,520 Speaker 2: things coming out of his head. 498 00:23:53,840 --> 00:23:54,399 Speaker 3: I'm giving it. 499 00:23:54,480 --> 00:23:57,280 Speaker 1: I mean, guys, guys, David, he's the hero, he's wearing 500 00:23:57,280 --> 00:23:58,160 Speaker 1: the cape, he's the guest. 501 00:23:58,240 --> 00:23:59,720 Speaker 3: So well, the customer is always right. 502 00:23:59,760 --> 00:24:03,399 Speaker 1: But no, two hundred and twenty thousand dollars, this woman 503 00:24:03,480 --> 00:24:06,840 Speaker 1: won five products. I picked the one that was snake oil, 504 00:24:06,840 --> 00:24:08,560 Speaker 1: and no one did that the whole week. They said, 505 00:24:08,560 --> 00:24:10,040 Speaker 1: so I'd like, I mean, my prize. 506 00:24:10,119 --> 00:24:13,159 Speaker 2: We killed it, and it makes we were realizing what 507 00:24:13,240 --> 00:24:14,920 Speaker 2: makes a good show, and what makes a good show 508 00:24:14,960 --> 00:24:16,720 Speaker 2: is when somebody like that wins a lot of money, 509 00:24:16,760 --> 00:24:19,080 Speaker 2: and it was and my reactions are real. My friend 510 00:24:19,080 --> 00:24:21,240 Speaker 2: in Arizona goes, I actually like that you are. I 511 00:24:21,240 --> 00:24:23,800 Speaker 2: don't know if you're acting, but you you're shocked, and 512 00:24:23,840 --> 00:24:26,239 Speaker 2: I said, yeah, I tell them I don't want to know. 513 00:24:26,760 --> 00:24:30,040 Speaker 2: So I'm just as dumb as everybody. And I'm always 514 00:24:30,040 --> 00:24:32,560 Speaker 2: in my head going, well, that one's sort and then 515 00:24:32,640 --> 00:24:36,439 Speaker 2: when it is real, I can't believe it. And like 516 00:24:36,760 --> 00:24:40,160 Speaker 2: the rat heart necklace? Was that on your show? Yep? 517 00:24:40,680 --> 00:24:43,960 Speaker 2: The rat heart necklace? And I go, no chance. And 518 00:24:44,000 --> 00:24:46,159 Speaker 2: then it goes up against something stupider, and I'm like, 519 00:24:46,240 --> 00:24:49,320 Speaker 2: it's like meat whiskey or something one God, damn. 520 00:24:49,359 --> 00:24:50,360 Speaker 3: No, no, you're great. 521 00:24:50,359 --> 00:24:53,000 Speaker 1: It's either a rat's heart is in a vial around 522 00:24:53,040 --> 00:24:56,639 Speaker 1: your neck. That that or your grandmother's ashes have been 523 00:24:56,680 --> 00:24:58,399 Speaker 1: put into an etch of sketch so you can do 524 00:24:58,560 --> 00:25:01,560 Speaker 1: art with your grandmother's your dead grandma's ashes. I thought 525 00:25:01,600 --> 00:25:04,600 Speaker 1: the ashes was right, because a rat heart insane? 526 00:25:05,119 --> 00:25:08,399 Speaker 2: Would they go? So when they quiz them, they go, 527 00:25:08,560 --> 00:25:11,000 Speaker 2: you you have your own rat? Or do you have 528 00:25:11,040 --> 00:25:13,760 Speaker 2: to bring a rat? And she goes, we have rats? 529 00:25:14,200 --> 00:25:16,800 Speaker 2: Or you send this a rat you like and you 530 00:25:16,920 --> 00:25:17,600 Speaker 2: dig out. 531 00:25:17,440 --> 00:25:22,679 Speaker 3: It's hard, right, what's that shipment process? Like yeah, yeah. 532 00:25:22,119 --> 00:25:25,520 Speaker 2: Any FDA or anyone any agencies of all this. She's like, no, 533 00:25:25,600 --> 00:25:27,280 Speaker 2: it's sort of an underground thing. 534 00:25:27,520 --> 00:25:29,480 Speaker 1: It's actually it was smart of will our Nett to 535 00:25:29,520 --> 00:25:31,880 Speaker 1: have you do this, because it's like, really, you kind 536 00:25:31,880 --> 00:25:34,160 Speaker 1: of have had an alternative career to say the least, 537 00:25:34,160 --> 00:25:37,520 Speaker 1: like you always do depraved, fucked up shit, and this 538 00:25:37,600 --> 00:25:41,280 Speaker 1: is like the perfect mainstream network television depraved thing that 539 00:25:41,320 --> 00:25:44,120 Speaker 1: you get to do. I mean, have you created your 540 00:25:44,240 --> 00:25:48,000 Speaker 1: career like by design or do you just fall into things? 541 00:25:48,000 --> 00:25:49,480 Speaker 3: Like have you have you created? 542 00:25:49,880 --> 00:25:52,399 Speaker 1: Did you set out with a trajectory for your career, 543 00:25:52,480 --> 00:25:53,920 Speaker 1: like this is how I wanted to go, and I'm 544 00:25:53,960 --> 00:25:56,320 Speaker 1: just doing it my own unusual way. 545 00:25:56,800 --> 00:25:59,600 Speaker 2: Unfortunately I didn't read all those books because when I 546 00:25:59,680 --> 00:26:01,840 Speaker 2: was started stand up, I said, if I make enough 547 00:26:01,880 --> 00:26:04,840 Speaker 2: to pay my bills, I will quit school. I'll quit 548 00:26:04,920 --> 00:26:07,440 Speaker 2: jobs at school. And I went early because I made 549 00:26:07,520 --> 00:26:10,359 Speaker 2: eighty a week, and I said, okay, I'm there. And 550 00:26:10,400 --> 00:26:13,840 Speaker 2: I was like, looking back, when eighty dollars, that's where 551 00:26:13,840 --> 00:26:17,080 Speaker 2: you thought was the ceiling. But that was my only goal. 552 00:26:17,560 --> 00:26:19,480 Speaker 2: I don't want to borrow money. I don't want to 553 00:26:19,600 --> 00:26:21,640 Speaker 2: be reliant and no one. My mom will get mad 554 00:26:21,680 --> 00:26:27,920 Speaker 2: at me if I leave Arizona State because I want 555 00:26:27,920 --> 00:26:29,320 Speaker 2: to do this. Once I realized I want to do 556 00:26:29,400 --> 00:26:31,960 Speaker 2: something that's different. A lot of people don't have a luxury. 557 00:26:32,000 --> 00:26:33,920 Speaker 2: You want to do something I did. 558 00:26:34,480 --> 00:26:36,440 Speaker 1: No, I agreed, that's so funny. I was just talking 559 00:26:36,440 --> 00:26:38,960 Speaker 1: to someone about their kid. They were saying, he doesn't 560 00:26:39,000 --> 00:26:43,200 Speaker 1: have a passion, like it's very Usually if you ask 561 00:26:43,240 --> 00:26:45,399 Speaker 1: for something in the universe, you really could get it. 562 00:26:45,440 --> 00:26:47,080 Speaker 1: But most people don't know what to ask for. They 563 00:26:47,080 --> 00:26:50,440 Speaker 1: don't know what they want. It's a very poignant that's 564 00:26:50,440 --> 00:26:52,040 Speaker 1: a very and it's interesting statement. 565 00:26:52,040 --> 00:26:52,919 Speaker 3: You had a path. 566 00:26:53,600 --> 00:26:56,439 Speaker 2: I was going into advertising because I like that. My 567 00:26:56,520 --> 00:26:58,200 Speaker 2: dad did that, my brother was doing it. I said, 568 00:26:58,200 --> 00:27:00,560 Speaker 2: I kind of like it. It had a creative to it, 569 00:27:01,119 --> 00:27:04,280 Speaker 2: and it was sort of cool, you know, And I said, 570 00:27:04,280 --> 00:27:06,000 Speaker 2: I could do. Any job is going to be hard. 571 00:27:07,359 --> 00:27:09,560 Speaker 2: I think it's hard now because there's a lot of 572 00:27:09,560 --> 00:27:11,520 Speaker 2: pressure to be an influencer or something like it's like 573 00:27:11,560 --> 00:27:14,360 Speaker 2: a pretend thing that just it's easy think the world, 574 00:27:14,440 --> 00:27:16,960 Speaker 2: like I just have to look pretty or just run 575 00:27:17,000 --> 00:27:19,439 Speaker 2: around and trick people and make them look stupid. And 576 00:27:19,640 --> 00:27:22,240 Speaker 2: I can make money. So it's a little blurrier now. 577 00:27:22,359 --> 00:27:24,159 Speaker 2: Back then it was like real jobs. It was like 578 00:27:24,440 --> 00:27:25,400 Speaker 2: you want to be a carbon. 579 00:27:25,280 --> 00:27:27,159 Speaker 1: Who knows it had structure? You're saying there was a 580 00:27:27,200 --> 00:27:28,360 Speaker 1: little bit of structure to it. 581 00:27:28,320 --> 00:27:31,960 Speaker 2: It's like a nine to five blah blah. And going 582 00:27:32,000 --> 00:27:34,639 Speaker 2: into stand up, especially in Arizona, is not the number 583 00:27:34,680 --> 00:27:36,640 Speaker 2: one thing. It's like too much of a pipe treat. 584 00:27:37,359 --> 00:27:39,840 Speaker 2: It was even probably worse than going to lam being 585 00:27:39,840 --> 00:27:40,680 Speaker 2: an actor. 586 00:27:40,480 --> 00:27:43,919 Speaker 3: You know, even though it's so it's so nuanced. 587 00:27:43,440 --> 00:27:47,520 Speaker 2: And that it would never happen. Yeah, no one was 588 00:27:47,720 --> 00:27:50,639 Speaker 2: famous except maybe you downs who I know you follow 589 00:27:50,640 --> 00:27:51,240 Speaker 2: on Instagram? 590 00:27:51,320 --> 00:27:53,320 Speaker 3: Yeah, of course follow im. 591 00:27:53,160 --> 00:27:54,920 Speaker 2: A bomb back and you know these people that when 592 00:27:54,920 --> 00:27:57,400 Speaker 2: I grew up are like these are our star so fine, 593 00:27:57,760 --> 00:28:01,359 Speaker 2: but so I get Well, your question was, I didn't 594 00:28:01,520 --> 00:28:04,160 Speaker 2: ever think of SNL or anything. I wasn't a character guy. 595 00:28:04,240 --> 00:28:07,520 Speaker 2: I loved SNL, but I thought if I could sort 596 00:28:07,520 --> 00:28:09,679 Speaker 2: of crack this code of stand up, it's so hard, 597 00:28:09,960 --> 00:28:12,680 Speaker 2: which made it so great because I'm like, I was 598 00:28:12,760 --> 00:28:14,399 Speaker 2: kind of I thought it was kind of smart, but 599 00:28:14,480 --> 00:28:16,639 Speaker 2: not that funny. You know, there's everyone that's funny around 600 00:28:16,680 --> 00:28:18,040 Speaker 2: work and this, and they get up there and bomb 601 00:28:19,000 --> 00:28:20,920 Speaker 2: because it's a different muscle. So you got to try 602 00:28:20,920 --> 00:28:22,760 Speaker 2: to do that. So I tried to do that and 603 00:28:22,800 --> 00:28:25,520 Speaker 2: then get a little better, teams a bit better all 604 00:28:25,560 --> 00:28:27,960 Speaker 2: the time, and then get a little more. But you know, 605 00:28:28,040 --> 00:28:30,679 Speaker 2: my big hook was there was nothing. There was no 606 00:28:30,760 --> 00:28:34,479 Speaker 2: one when I came to LA that was twenty with 607 00:28:34,600 --> 00:28:37,320 Speaker 2: white blonde hair that looked fifteen. So I wasn't even 608 00:28:37,359 --> 00:28:40,520 Speaker 2: the best. I had a hook. Here's here's the lineup. 609 00:28:40,560 --> 00:28:45,560 Speaker 2: When I go to the first night, Leno Seinfeld, Paul Reiser, 610 00:28:46,880 --> 00:28:49,520 Speaker 2: Kevin Nelon. I'm like, these guys are all like thirty 611 00:28:49,560 --> 00:28:54,480 Speaker 2: five growth, but I was just didn't look like a 612 00:28:54,520 --> 00:28:56,800 Speaker 2: New York comic and that was interesting. 613 00:28:57,160 --> 00:29:01,400 Speaker 3: Wow, So you went to New York and I was La. Wait, 614 00:29:01,400 --> 00:29:02,920 Speaker 3: that was La. You just said I went to New York. 615 00:29:03,240 --> 00:29:05,960 Speaker 2: I started in LA and that's what the chalkboard said 616 00:29:05,960 --> 00:29:08,520 Speaker 2: of the improv And I was like, and I did 617 00:29:08,520 --> 00:29:11,960 Speaker 2: amateur night and these guys helped me get on and 618 00:29:12,000 --> 00:29:13,800 Speaker 2: they said, yeah, you can call them for spots. I 619 00:29:13,840 --> 00:29:16,520 Speaker 2: was like even they were like, are you shitting me? 620 00:29:16,720 --> 00:29:19,120 Speaker 2: Like right away, So I drove from Arizona back and 621 00:29:19,200 --> 00:29:21,920 Speaker 2: I'd stay on their couch. I do like a spot 622 00:29:21,920 --> 00:29:24,600 Speaker 2: at midnight, and then forties that I do a spot 623 00:29:24,640 --> 00:29:27,080 Speaker 2: at eight thirty, and that was my week, and I 624 00:29:27,080 --> 00:29:29,080 Speaker 2: got twenty eight bucks each. I think it's still like 625 00:29:29,200 --> 00:29:32,640 Speaker 2: forty five. It's not a lot, and that's where I 626 00:29:32,640 --> 00:29:35,120 Speaker 2: was supposed to live on, so I couldn't live on that, 627 00:29:35,280 --> 00:29:37,920 Speaker 2: but I'd already quit everything. I had to borrow a 628 00:29:37,920 --> 00:29:40,640 Speaker 2: few bucks, and then I got a movie because I 629 00:29:40,800 --> 00:29:43,760 Speaker 2: was getting a lot of auditions just because I was 630 00:29:43,800 --> 00:29:47,160 Speaker 2: the improv as a as an actual comedian but looked 631 00:29:47,200 --> 00:29:50,960 Speaker 2: young so high school parts and stuff. So anyway, I'm 632 00:29:51,000 --> 00:29:53,600 Speaker 2: trying to fit in the steam of what my lofty 633 00:29:53,640 --> 00:29:56,760 Speaker 2: goals were. Everything. It was not an overnight success. It 634 00:29:56,800 --> 00:30:00,640 Speaker 2: was a series of small breaks that turn in seemed 635 00:30:00,640 --> 00:30:04,520 Speaker 2: like a big break. So SNL is a big break, right. 636 00:30:04,440 --> 00:30:06,520 Speaker 1: But it feels like golf, like you're going one hole 637 00:30:06,560 --> 00:30:08,560 Speaker 1: at a time. Some are more struggle, but you're moving 638 00:30:08,600 --> 00:30:10,880 Speaker 1: in like a direction that you know you're in the 639 00:30:10,880 --> 00:30:12,840 Speaker 1: car and it's going in the right direction, but you 640 00:30:12,880 --> 00:30:14,600 Speaker 1: don't know where you're getting off and what's happening on. 641 00:30:14,640 --> 00:30:16,320 Speaker 2: The club in Arizona got me on. That was a 642 00:30:16,320 --> 00:30:19,200 Speaker 2: fucking huge thing. They let me keep coming in go 643 00:30:19,240 --> 00:30:22,720 Speaker 2: to La the Funny Boys. This comedy team got me 644 00:30:22,760 --> 00:30:25,000 Speaker 2: an audition that was a big break, and then I 645 00:30:25,040 --> 00:30:27,120 Speaker 2: got on, and then I got through the spots late Night, 646 00:30:27,160 --> 00:30:29,040 Speaker 2: and then I got the host, and then I got 647 00:30:29,040 --> 00:30:31,920 Speaker 2: an audition. Then I got a little part here that 648 00:30:31,960 --> 00:30:33,800 Speaker 2: I got a Police Academy movie, and I got on 649 00:30:33,880 --> 00:30:37,000 Speaker 2: the HBO Young Comedian Special with Rob. Rob got on it. 650 00:30:37,080 --> 00:30:41,920 Speaker 2: We were friends, Rob Drake Saylor, Dennis Miller hosted, He 651 00:30:41,920 --> 00:30:47,080 Speaker 2: helped me Gerbitz they were producing it. That helped, and 652 00:30:47,120 --> 00:30:49,600 Speaker 2: then I got from nat Or Michael saw that, and 653 00:30:49,640 --> 00:30:51,160 Speaker 2: so it just sort of I turned into a writer 654 00:30:51,280 --> 00:30:55,240 Speaker 2: as no. I didn't want to be. It was flattering, 655 00:30:55,320 --> 00:30:57,120 Speaker 2: but they said you can be a writer, performer, but 656 00:30:57,200 --> 00:30:59,120 Speaker 2: mostly just right for a while, and I was like, 657 00:31:00,600 --> 00:31:02,640 Speaker 2: it's too hard. I don't know what I'm doing. I'm 658 00:31:02,640 --> 00:31:05,440 Speaker 2: a fucking middle act. I'm not even a headlined. So 659 00:31:05,520 --> 00:31:07,520 Speaker 2: I wrote there and they're like, write for data, carve 660 00:31:07,520 --> 00:31:09,960 Speaker 2: you right for Mike Myers. And it was a great 661 00:31:10,080 --> 00:31:13,280 Speaker 2: lesson in running with people faster than you, because every 662 00:31:13,280 --> 00:31:14,880 Speaker 2: single person that was better than me, so it was 663 00:31:15,000 --> 00:31:18,000 Speaker 2: very hard to it took a long time to get better. 664 00:31:18,680 --> 00:31:23,200 Speaker 3: Coney, write your stuff. Now, yeah, all their stuff. 665 00:31:23,360 --> 00:31:26,520 Speaker 2: I've always written and wrote on SNL, wrote my own stuff. 666 00:31:26,560 --> 00:31:29,160 Speaker 2: But uh, and you get better at it. But then 667 00:31:29,600 --> 00:31:32,400 Speaker 2: once I think I have a decent stand up, so 668 00:31:33,280 --> 00:31:36,560 Speaker 2: once you start writing sketches, it's just such a no 669 00:31:36,600 --> 00:31:38,360 Speaker 2: one's really helping. So I have a legal path. We 670 00:31:38,360 --> 00:31:41,800 Speaker 2: don't have laptops, so I have to go to Conan O'Brien, 671 00:31:41,880 --> 00:31:46,120 Speaker 2: Bob Odenkirk, Robert Smigel, Greg Daniels, suit at the office 672 00:31:46,160 --> 00:31:49,600 Speaker 2: and kicking. And these guys are so good and they 673 00:31:49,600 --> 00:31:52,000 Speaker 2: weren't super famous. They were just great, you know, And 674 00:31:54,040 --> 00:31:56,239 Speaker 2: and I'd ask them how do I what do I 675 00:31:56,360 --> 00:31:59,240 Speaker 2: start with? And how do I? And no one they 676 00:31:59,280 --> 00:32:02,360 Speaker 2: don't not care. They deserve in their own lane. They 677 00:32:02,560 --> 00:32:07,080 Speaker 2: helped Cone and help Bob, and then you know, Sandler 678 00:32:07,200 --> 00:32:11,240 Speaker 2: came a month or two later, and then Farley and 679 00:32:11,360 --> 00:32:13,400 Speaker 2: Chris Rock, so we all sort of started together. And 680 00:32:13,440 --> 00:32:15,480 Speaker 2: then we all didn't really know how to do it. 681 00:32:15,600 --> 00:32:19,440 Speaker 2: So you're not getting really written in something. I don't 682 00:32:19,480 --> 00:32:21,280 Speaker 2: I look too much like Dana Carvey, and Dana was 683 00:32:21,320 --> 00:32:24,720 Speaker 2: the best on the show, So I'm not getting really fed. 684 00:32:25,440 --> 00:32:28,080 Speaker 2: I'm in a mess like this. They give me a 685 00:32:28,080 --> 00:32:30,560 Speaker 2: little warm, and then I want another one because I 686 00:32:30,600 --> 00:32:32,400 Speaker 2: get you a weekend update and a week later I'm like, 687 00:32:32,440 --> 00:32:34,280 Speaker 2: now what they're like, you just did weekend updates. I'm like, 688 00:32:34,600 --> 00:32:35,600 Speaker 2: I know what. I'm here every week. 689 00:32:35,600 --> 00:32:37,920 Speaker 3: I gotta do sory competitive. 690 00:32:38,960 --> 00:32:41,680 Speaker 2: You know, like, why aren't you on? I'm like, because 691 00:32:41,680 --> 00:32:44,160 Speaker 2: it's a miracle. I'm even in the building. This takes 692 00:32:44,160 --> 00:32:48,080 Speaker 2: a while. I gave up on me, but doing SNL 693 00:32:48,080 --> 00:32:52,240 Speaker 2: without being like a super improv like you know, doing 694 00:32:52,560 --> 00:32:55,840 Speaker 2: impressions and characters. So once I sort of started in 695 00:32:55,840 --> 00:32:57,920 Speaker 2: the Hollywood minute, there's different things where Lauren is like, 696 00:32:58,040 --> 00:32:59,680 Speaker 2: just do more like that, to be like the Bill 697 00:32:59,760 --> 00:33:02,520 Speaker 2: Murray where you're just kind of yourself, and that was 698 00:33:02,560 --> 00:33:04,240 Speaker 2: a good that kind of clicked with me. I was like, yeah, 699 00:33:04,240 --> 00:33:06,080 Speaker 2: Bill Murry and his movies is always kind of Bill 700 00:33:06,120 --> 00:33:10,520 Speaker 2: Murry and so interesting. I thought, I like that because 701 00:33:10,520 --> 00:33:11,880 Speaker 2: I like Bill Murray. I'm not I'm not as good 702 00:33:11,880 --> 00:33:13,720 Speaker 2: as Bill Murray, but I'm saying just the idea of 703 00:33:13,760 --> 00:33:15,480 Speaker 2: like you're just kind of a version of that. I'm 704 00:33:15,520 --> 00:33:16,720 Speaker 2: not immersing myself like. 705 00:33:16,680 --> 00:33:30,200 Speaker 1: De Niro, right right, right, right, So you've made money, 706 00:33:30,240 --> 00:33:32,920 Speaker 1: You've you've proven yourself, you're successful, you've been in movies? 707 00:33:33,360 --> 00:33:35,360 Speaker 1: What is your goal now? Like, what do you want? 708 00:33:35,640 --> 00:33:38,800 Speaker 1: What do you why are you going on tour? What 709 00:33:38,840 --> 00:33:39,520 Speaker 1: do you enjoy? 710 00:33:39,680 --> 00:33:42,520 Speaker 3: What's your favorite part of this whole business? 711 00:33:42,560 --> 00:33:42,640 Speaker 2: Like? 712 00:33:43,120 --> 00:33:44,280 Speaker 3: What are your goals right now? 713 00:33:44,680 --> 00:33:50,080 Speaker 2: Right? That's a nine parter. The first question, Well. 714 00:33:50,080 --> 00:33:52,520 Speaker 3: It's got a Chris Rock says. 715 00:33:53,120 --> 00:33:55,840 Speaker 2: Every time, like the Wrong miss he goes, he goes, 716 00:33:55,880 --> 00:33:58,720 Speaker 2: Wrong Missy's number one in the world for a week 717 00:33:58,800 --> 00:34:02,560 Speaker 2: or two. He goes, this will buy you six months 718 00:34:02,600 --> 00:34:06,760 Speaker 2: and showed it. That's all you really until people forget 719 00:34:06,880 --> 00:34:08,279 Speaker 2: and then they go, what do you do? I see 720 00:34:08,280 --> 00:34:11,719 Speaker 2: people in the street Cavaar, hey man Huber Now, hey guy, 721 00:34:11,880 --> 00:34:15,879 Speaker 2: Uh you're you're my favorite? Uh? What do you got 722 00:34:15,880 --> 00:34:18,120 Speaker 2: coming out? That's just a random thing. People just say, 723 00:34:18,239 --> 00:34:20,880 Speaker 2: what movies you got coming out? I go, Oh, the 724 00:34:20,920 --> 00:34:23,359 Speaker 2: Wrong Missy's out right now? I didn't see that? What else? 725 00:34:23,840 --> 00:34:26,960 Speaker 2: What else? Dude? It took a fucking year to plant, 726 00:34:27,160 --> 00:34:29,080 Speaker 2: a year to shoot it, and a year to come out. 727 00:34:29,520 --> 00:34:31,759 Speaker 2: You're already three years back in my movie career now, 728 00:34:31,800 --> 00:34:33,680 Speaker 2: so now I got to another one and it won't 729 00:34:33,719 --> 00:34:34,760 Speaker 2: be out for two more years. 730 00:34:34,920 --> 00:34:37,040 Speaker 1: And guess who's still watching The Wrong Missy? Though, who 731 00:34:37,120 --> 00:34:40,920 Speaker 1: still thinks about the Wrong Missy at Brinn rand now and. 732 00:34:41,200 --> 00:34:45,680 Speaker 2: It's that wrong Missy really clicked. That thing went bananas. 733 00:34:45,719 --> 00:34:47,960 Speaker 2: They said it was the top two comedy of all 734 00:34:48,000 --> 00:34:50,279 Speaker 2: time there and then it's in the top ten of 735 00:34:50,280 --> 00:34:52,719 Speaker 2: all movie anyway, we got lucky with them anyway, So 736 00:34:52,880 --> 00:34:56,960 Speaker 2: and Lauren the Missy was the best part. So so 737 00:34:57,040 --> 00:35:00,279 Speaker 2: I do that and uh what, I I don't know. 738 00:35:00,360 --> 00:35:02,440 Speaker 2: I do have a couple of beans in my jeans. 739 00:35:02,480 --> 00:35:05,479 Speaker 2: They're going away quickly. It's hard to keep making money 740 00:35:05,560 --> 00:35:07,759 Speaker 2: a lot of things. You know, some people don't know 741 00:35:07,840 --> 00:35:09,920 Speaker 2: a lot of things you do, don't. You don't get 742 00:35:09,920 --> 00:35:12,759 Speaker 2: paid a lot for some things you do, shockingly, so 743 00:35:13,800 --> 00:35:16,440 Speaker 2: you really probably couldn't tell if you were, you know, 744 00:35:16,960 --> 00:35:20,320 Speaker 2: hosting the Oscars. I used to think if Jerry Seipelt 745 00:35:20,360 --> 00:35:22,799 Speaker 2: was on, you know, the Tonight's show, he got ten 746 00:35:22,840 --> 00:35:24,960 Speaker 2: thousand dollars. That was my number in my head. I 747 00:35:24,960 --> 00:35:27,319 Speaker 2: thought you being like twenty and. 748 00:35:27,320 --> 00:35:28,279 Speaker 3: You got interesting. 749 00:35:28,600 --> 00:35:30,799 Speaker 2: Go to Allen and you get four hundred dollars. And 750 00:35:30,800 --> 00:35:33,120 Speaker 2: I'm working on my bits for to do fifteen minutes 751 00:35:33,120 --> 00:35:35,160 Speaker 2: out there and try to be funny. It's like so 752 00:35:35,280 --> 00:35:35,800 Speaker 2: much work. 753 00:35:37,000 --> 00:35:38,759 Speaker 3: Yeah, you're making a point you're saying. 754 00:35:38,800 --> 00:35:41,440 Speaker 1: The corporate gig we talked about that is, you know, 755 00:35:41,520 --> 00:35:43,520 Speaker 1: can be boring or you can bomb because they're eating 756 00:35:43,640 --> 00:35:46,719 Speaker 1: chicken that pays doing a brand deal commercial. But the 757 00:35:46,760 --> 00:35:49,160 Speaker 1: other stuff is all just marketing for that and even 758 00:35:49,200 --> 00:35:51,880 Speaker 1: the wrong Missy. I bet people think you made millions 759 00:35:51,920 --> 00:35:55,440 Speaker 1: and millions of dollars, and I would you didn't. You 760 00:35:55,480 --> 00:35:57,719 Speaker 1: made money, But it's not crazy in. 761 00:35:57,680 --> 00:36:03,120 Speaker 2: The movie biz. Sometimes you I would never get the 762 00:36:03,160 --> 00:36:06,919 Speaker 2: best comedy out there, so you get a comedy, yeah, 763 00:36:06,960 --> 00:36:10,560 Speaker 2: especially the beginning, like when I'm doing my first movies 764 00:36:10,960 --> 00:36:13,560 Speaker 2: after Tommy Boy was very lucky to get that was 765 00:36:13,640 --> 00:36:17,000 Speaker 2: more so here I am doing those. But when I'm 766 00:36:17,040 --> 00:36:20,120 Speaker 2: off on my own, I'm not getting Sandler's movie. You know, 767 00:36:20,160 --> 00:36:23,120 Speaker 2: you don't. They go to back then maybe Will Smith 768 00:36:23,239 --> 00:36:26,840 Speaker 2: or you know, Sandler was blowing up or whoever ed 769 00:36:26,920 --> 00:36:30,400 Speaker 2: whoever the big comics were, And so I'm getting ones 770 00:36:30,440 --> 00:36:33,160 Speaker 2: that are dinged up a bit, scripts that were passed on, 771 00:36:33,200 --> 00:36:34,759 Speaker 2: but they go, hey, we still want to make it. 772 00:36:34,800 --> 00:36:36,640 Speaker 2: We won't make a movie with you. Can you look 773 00:36:36,680 --> 00:36:39,520 Speaker 2: through this pile of dog shit with cogwebs audio if 774 00:36:39,719 --> 00:36:41,560 Speaker 2: you can find something? And so it was up to 775 00:36:41,560 --> 00:36:44,719 Speaker 2: me to go, let me take this, rewrite it. And 776 00:36:44,760 --> 00:36:47,440 Speaker 2: that was lucky to have some skill of writing and say. 777 00:36:47,520 --> 00:36:49,480 Speaker 3: Nice, I didn't know that. That's amazing. 778 00:36:49,600 --> 00:36:54,799 Speaker 2: We can make it a releasable movie and it's very hard. 779 00:36:55,000 --> 00:36:57,440 Speaker 2: And then we came up with our own ideas, like 780 00:36:57,480 --> 00:37:00,920 Speaker 2: Dick you Robert's former child star. That's a unique idea 781 00:37:01,360 --> 00:37:04,719 Speaker 2: that even Paramount said, we actually liked this so much. 782 00:37:04,800 --> 00:37:06,360 Speaker 2: We want to buy you out and give it to 783 00:37:06,440 --> 00:37:10,120 Speaker 2: Jim Carriss and we want to a million dollar. 784 00:37:10,000 --> 00:37:14,960 Speaker 1: Movie and wow, wow, and then you've been the bridesmaid 785 00:37:15,000 --> 00:37:16,000 Speaker 1: a couple of times. 786 00:37:16,400 --> 00:37:19,160 Speaker 2: Yeah, but I did it, you know, And I said, 787 00:37:19,200 --> 00:37:21,279 Speaker 2: I get the business. I don't. And I think it 788 00:37:21,320 --> 00:37:25,040 Speaker 2: was John said, I know you heard this rumor. It's crazy, 789 00:37:25,280 --> 00:37:27,799 Speaker 2: you know. And I said, John, even if it's not 790 00:37:27,840 --> 00:37:32,600 Speaker 2: a rumor. John Goldman apparently he was a green lighter 791 00:37:32,680 --> 00:37:35,959 Speaker 2: over there, and he said, you know, we had talked 792 00:37:35,960 --> 00:37:39,120 Speaker 2: about that, but we were going full forward with this. 793 00:37:39,280 --> 00:37:41,880 Speaker 2: We just love the idea. And I said, John, you 794 00:37:42,000 --> 00:37:45,080 Speaker 2: come to me and say you want Jim Carrey at 795 00:37:45,120 --> 00:37:47,759 Speaker 2: a height of his career. You know, I get it. 796 00:37:47,840 --> 00:37:49,719 Speaker 2: It's it is just business. I don't think you hate me. 797 00:37:49,840 --> 00:37:52,960 Speaker 2: I just think you're just on a chart going we 798 00:37:53,080 --> 00:37:54,600 Speaker 2: can have a Jim Carrey movie this year, you know 799 00:37:54,600 --> 00:37:56,400 Speaker 2: what I mean? That kind of so I get, but 800 00:37:56,600 --> 00:38:00,240 Speaker 2: it's been a tough battle of just getting writing, hewing, 801 00:38:00,320 --> 00:38:02,279 Speaker 2: punching up anything I get, trying to make it better. 802 00:38:02,360 --> 00:38:05,120 Speaker 2: So when you say what do you take? I take something, 803 00:38:06,280 --> 00:38:09,160 Speaker 2: and you sometimes take an opportunity where you think you 804 00:38:09,200 --> 00:38:11,239 Speaker 2: can make it better because you're not always going to 805 00:38:11,280 --> 00:38:14,000 Speaker 2: get a ton of opportunities. So when you're knack in classicow, 806 00:38:14,040 --> 00:38:15,560 Speaker 2: I don't do TV, I don't do this. You go 807 00:38:16,000 --> 00:38:20,160 Speaker 2: take something and be so they have to notice you. 808 00:38:21,000 --> 00:38:23,040 Speaker 1: I agree, and I do. I feel we feel we 809 00:38:23,200 --> 00:38:25,120 Speaker 1: sound like we're the old people in the room, and 810 00:38:25,200 --> 00:38:27,080 Speaker 1: we are. But I just think that a lot of 811 00:38:27,120 --> 00:38:30,919 Speaker 1: young people want instant gratification and want to know because 812 00:38:30,960 --> 00:38:33,680 Speaker 1: of shows like Shark Tank. Frankly, they think that at 813 00:38:33,719 --> 00:38:36,360 Speaker 1: twenty four they should be know exactly what trajectory they 814 00:38:36,400 --> 00:38:38,240 Speaker 1: should be on. And I think it's a disservice because 815 00:38:38,239 --> 00:38:40,879 Speaker 1: I think the road is that you know, you don't 816 00:38:40,880 --> 00:38:42,200 Speaker 1: know where you're going to get off. You may hit 817 00:38:42,200 --> 00:38:44,520 Speaker 1: a roadblock and then something amazing happens. I think, just 818 00:38:44,640 --> 00:38:47,360 Speaker 1: like the process is amazing. So many things have happened 819 00:38:48,000 --> 00:38:50,600 Speaker 1: in my career that I would never have could never 820 00:38:50,680 --> 00:38:53,439 Speaker 1: have envisioned. So that's why I mean, and you're still 821 00:38:53,800 --> 00:38:57,040 Speaker 1: on that road, and that's why I ask, like you're 822 00:38:57,080 --> 00:39:00,520 Speaker 1: going on tour with Rob and Adam right now, like 823 00:39:00,719 --> 00:39:01,600 Speaker 1: it's starting because. 824 00:39:01,440 --> 00:39:03,919 Speaker 2: You mention I go on the road on my own 825 00:39:04,440 --> 00:39:07,000 Speaker 2: and now it's Adam wants to go on tour now, 826 00:39:07,040 --> 00:39:09,480 Speaker 2: and I'm like, we had all summer off, so I 827 00:39:09,640 --> 00:39:10,800 Speaker 2: have to go on my own tour and then I 828 00:39:10,920 --> 00:39:12,000 Speaker 2: jump on some of Adams. 829 00:39:13,640 --> 00:39:16,080 Speaker 1: But is that is that like the band is back together? 830 00:39:16,200 --> 00:39:18,120 Speaker 1: Meaning because it's boring at our age, you know what 831 00:39:18,160 --> 00:39:19,800 Speaker 1: I mean? It's boring at our age, Like what do 832 00:39:19,880 --> 00:39:21,640 Speaker 1: we do? We don't go out, we don't party as much. 833 00:39:21,760 --> 00:39:23,759 Speaker 1: Like it's not you know, I'm sure once in a 834 00:39:23,760 --> 00:39:25,320 Speaker 1: while you're the old guy in the club, but like 835 00:39:25,719 --> 00:39:29,600 Speaker 1: it's not ten years fifteen years ago, So like that's 836 00:39:29,640 --> 00:39:30,680 Speaker 1: the action right now. 837 00:39:31,320 --> 00:39:36,120 Speaker 2: I am so fucking boring now and I'm good from 838 00:39:36,160 --> 00:39:41,239 Speaker 2: about that window from seven pm to nine twenty. But 839 00:39:41,600 --> 00:39:43,840 Speaker 2: it's right, it's fine. That's where he saw me the 840 00:39:43,880 --> 00:39:46,200 Speaker 2: other Hey, you're hitting it. 841 00:39:46,160 --> 00:39:48,600 Speaker 1: And then I'll be like, but you didn't want I 842 00:39:48,680 --> 00:39:50,040 Speaker 1: know you didn't want to go, like not meaning you 843 00:39:50,080 --> 00:39:51,719 Speaker 1: don't want to do that beautiful event, but like you 844 00:39:51,800 --> 00:39:53,399 Speaker 1: don't want to go. Then you get there, you had fun, 845 00:39:53,440 --> 00:39:55,520 Speaker 1: you interacted, and then the minute you get there, you're 846 00:39:55,560 --> 00:39:57,120 Speaker 1: waiting to go home. And now it's like you're going 847 00:39:57,160 --> 00:39:58,600 Speaker 1: on the road. You'll probably dread it, but you'll have 848 00:39:58,640 --> 00:39:59,160 Speaker 1: the best time. 849 00:39:59,280 --> 00:40:00,719 Speaker 3: It's like, we're just no. 850 00:40:01,080 --> 00:40:04,000 Speaker 2: I got like Fort Worth coming up, Houston, all these places, 851 00:40:04,000 --> 00:40:05,960 Speaker 2: and I don't go there a lot. So the gig 852 00:40:06,080 --> 00:40:08,399 Speaker 2: itself is fun. It's always about getting there. It is tough, 853 00:40:08,800 --> 00:40:12,040 Speaker 2: and the time change and the ones this weekend, one 854 00:40:12,120 --> 00:40:14,479 Speaker 2: place was thirty degrees and the other one was eighty, 855 00:40:15,000 --> 00:40:18,160 Speaker 2: so you get off a plane or you're like, holy shit. 856 00:40:18,200 --> 00:40:21,560 Speaker 2: It just all that stuff just you know, over time 857 00:40:21,640 --> 00:40:24,680 Speaker 2: grinds you. But stuff like on the road of those 858 00:40:24,719 --> 00:40:28,279 Speaker 2: guys is fun. I would do another growing ups with 859 00:40:28,400 --> 00:40:31,640 Speaker 2: them ninety percent to just because I think he does 860 00:40:31,680 --> 00:40:34,160 Speaker 2: a good job with those and it's it's so fun 861 00:40:34,239 --> 00:40:35,759 Speaker 2: to see those guys. And when do we ever get 862 00:40:35,760 --> 00:40:39,200 Speaker 2: together anymore? It's just so hard, so great. I love that, 863 00:40:40,120 --> 00:40:42,080 Speaker 2: and I think Adam takes his time to make sure 864 00:40:42,120 --> 00:40:44,480 Speaker 2: those are good family movies. In the background. I mean, 865 00:40:44,520 --> 00:40:46,600 Speaker 2: we're keeping the lights on at TBS. I mean, notice 866 00:40:46,600 --> 00:40:47,680 Speaker 2: it's on twenty four of us. 867 00:40:47,840 --> 00:40:49,880 Speaker 3: Yes, yes, but I see that in him too. 868 00:40:49,960 --> 00:40:52,640 Speaker 1: He was making a joke saying he's bored, you know, 869 00:40:52,760 --> 00:40:55,040 Speaker 1: not no disrespect his life, his family. But we're all 870 00:40:55,040 --> 00:40:56,759 Speaker 1: at a certain age where he like wants to go 871 00:40:56,840 --> 00:40:59,040 Speaker 1: on tour because it's something some action, you know. I 872 00:40:59,160 --> 00:41:00,840 Speaker 1: was talking to someone about that the other day, like, 873 00:41:01,560 --> 00:41:04,839 Speaker 1: you're certainly not getting rich off of going on tour. 874 00:41:05,239 --> 00:41:07,200 Speaker 3: What is that your favorite thing? What's your favorite thing? 875 00:41:07,320 --> 00:41:10,000 Speaker 3: Doing a movie? Doing stand up? Like, what's your favorite thing? 876 00:41:10,280 --> 00:41:11,799 Speaker 2: I do like stand up when I'm out there because 877 00:41:11,800 --> 00:41:13,879 Speaker 2: it's so fucking hard still, I mean to do an hour. 878 00:41:13,920 --> 00:41:15,840 Speaker 2: I was just doing it this weekend to get that 879 00:41:16,160 --> 00:41:19,120 Speaker 2: connective tissue between jokes and to make it all make sense. 880 00:41:19,200 --> 00:41:21,600 Speaker 2: And you say one word wrong, the joke doesn't work, 881 00:41:21,640 --> 00:41:24,320 Speaker 2: and you're like it's just hard and you have to 882 00:41:24,360 --> 00:41:27,239 Speaker 2: look over everything and it's still something that is I 883 00:41:27,320 --> 00:41:30,360 Speaker 2: have to really try. I wrote something this morning, you know, 884 00:41:30,440 --> 00:41:32,000 Speaker 2: and I'm like, I got to try to work that in. 885 00:41:32,440 --> 00:41:35,200 Speaker 2: I'll sandwich it between two things that work in case 886 00:41:35,200 --> 00:41:36,640 Speaker 2: it doesn't, because when you're on the road, they're paying 887 00:41:36,680 --> 00:41:39,480 Speaker 2: a long and I owe them a good show and 888 00:41:39,560 --> 00:41:41,840 Speaker 2: I owe them not to walk through it. So I 889 00:41:41,920 --> 00:41:44,680 Speaker 2: have a casual sort of demeanor out there, but it 890 00:41:44,760 --> 00:41:47,319 Speaker 2: doesn't mean it's all not spinning in my head because 891 00:41:47,320 --> 00:41:50,759 Speaker 2: I have to go and that's hard. That's one of 892 00:41:50,800 --> 00:41:54,120 Speaker 2: the hardest things to do, the tour. But it's fun. 893 00:41:55,480 --> 00:41:57,239 Speaker 2: Movies are fine, but they're a grin and that's a 894 00:41:57,280 --> 00:42:00,120 Speaker 2: five am to eight pm every day and there's no 895 00:42:00,280 --> 00:42:04,160 Speaker 2: life m H speak of. And then but when they 896 00:42:04,239 --> 00:42:06,040 Speaker 2: come out, it's really fun. Wrong Missy came out of 897 00:42:06,120 --> 00:42:08,600 Speaker 2: so far because you see it all together and you're like, fuck, 898 00:42:08,640 --> 00:42:12,800 Speaker 2: that's right, and that's really good when people get into it, 899 00:42:13,400 --> 00:42:14,920 Speaker 2: and then I don't even know what else I do. 900 00:42:16,120 --> 00:42:17,760 Speaker 2: The podcast with Data is always fun because. 901 00:42:17,600 --> 00:42:19,600 Speaker 1: Dana, Well, by the way I've heard, I mean, I've 902 00:42:19,680 --> 00:42:22,120 Speaker 1: literally never even listened to I've never listened to a podcast. 903 00:42:22,120 --> 00:42:23,920 Speaker 1: I'm going to listen to your podcast because I've heard 904 00:42:23,920 --> 00:42:27,520 Speaker 1: it's amazing and that what. 905 00:42:27,920 --> 00:42:30,000 Speaker 2: If you like comedy and there's an SNL feel to 906 00:42:30,239 --> 00:42:33,680 Speaker 2: Most people have been on SNL, or or have hosted 907 00:42:33,840 --> 00:42:34,560 Speaker 2: or have written on it. 908 00:42:36,560 --> 00:42:38,040 Speaker 1: I need to tell you that I was. I've been 909 00:42:38,120 --> 00:42:40,320 Speaker 1: mentioned on SNL a bunch of times, and you don't understand. 910 00:42:40,320 --> 00:42:40,959 Speaker 1: It's like the crown. 911 00:42:41,040 --> 00:42:43,920 Speaker 3: It's it's my crowning glory. 912 00:42:44,000 --> 00:42:47,440 Speaker 1: You don't get So I well, no, I and I 913 00:42:47,560 --> 00:42:49,640 Speaker 1: tell the story to anyone who will listen, and no 914 00:42:49,719 --> 00:42:51,040 Speaker 1: one has really listened. 915 00:42:51,080 --> 00:42:54,680 Speaker 3: So it's going to be you in college, and I'm 916 00:42:54,719 --> 00:42:55,040 Speaker 3: why you. 917 00:42:55,920 --> 00:43:01,720 Speaker 1: I got an internship through Gary considin SNL, but NYU 918 00:43:01,760 --> 00:43:04,239 Speaker 1: wouldn't give me credit. And SNL said, we can't give 919 00:43:04,239 --> 00:43:06,680 Speaker 1: you the internship unless you get credit, and I went 920 00:43:07,160 --> 00:43:08,320 Speaker 1: and I didn't. 921 00:43:08,680 --> 00:43:09,160 Speaker 3: I just could. 922 00:43:09,200 --> 00:43:10,920 Speaker 1: I was in some loophole and so I never got 923 00:43:11,000 --> 00:43:13,520 Speaker 1: to do it. Oh god, this is David Spade in 924 00:43:13,560 --> 00:43:16,720 Speaker 1: a nutshell. Brin and I are backstage talking to David 925 00:43:16,800 --> 00:43:19,480 Speaker 1: Spade from the wrong missy talking to David Spade. 926 00:43:19,840 --> 00:43:22,440 Speaker 3: Then he has to leave the conversation go on stage. 927 00:43:22,840 --> 00:43:25,879 Speaker 1: We don't have a spaceship, so you know, I don't 928 00:43:25,920 --> 00:43:29,640 Speaker 1: work at NASA, So we go and walk briskly to 929 00:43:29,719 --> 00:43:32,640 Speaker 1: get to our seats, like, oh take it, sorry, everybody, 930 00:43:33,040 --> 00:43:33,319 Speaker 1: take a. 931 00:43:33,400 --> 00:43:34,680 Speaker 3: Seats like it was us. 932 00:43:34,920 --> 00:43:40,240 Speaker 1: We were just fucking talking to you. Yeah, from talking 933 00:43:40,280 --> 00:43:47,000 Speaker 1: to you. Yeah, you went directly on the stage. Yeah, 934 00:43:47,040 --> 00:43:51,320 Speaker 1: we were patrons. Okay, So that was my only big regret, 935 00:43:51,400 --> 00:43:53,480 Speaker 1: like not doing that, just to be in that space. 936 00:43:54,160 --> 00:43:57,480 Speaker 2: Dam you got to see Farley in the Primal Premium. 937 00:43:57,880 --> 00:43:59,719 Speaker 1: Yeah, but I was a loser in the other room, 938 00:43:59,800 --> 00:44:01,600 Speaker 1: like you guys were, I want, like you were talking 939 00:44:01,680 --> 00:44:03,759 Speaker 1: to Lauren and you we guys laughing in that room, 940 00:44:03,800 --> 00:44:06,120 Speaker 1: and I I just would would to your point before 941 00:44:06,120 --> 00:44:08,239 Speaker 1: a back geting on the road. I never planned an 942 00:44:08,239 --> 00:44:10,080 Speaker 1: event in my life. I just raised my hand. I 943 00:44:10,160 --> 00:44:11,640 Speaker 1: was like, I'll plan the Tommy Boy from here, I'll 944 00:44:11,640 --> 00:44:13,920 Speaker 1: plan the Black Sheep event. Like I just wanted to 945 00:44:14,040 --> 00:44:16,960 Speaker 1: be in that space. So when Maya Rudolph during the 946 00:44:17,040 --> 00:44:21,040 Speaker 1: pandemic as the Statue of Liberty and everyone's talking about 947 00:44:21,040 --> 00:44:23,080 Speaker 1: what they've been through, and she's like, we've been through this. 948 00:44:23,360 --> 00:44:25,560 Speaker 1: We've been through Bethany Frankel, like, you know, as if 949 00:44:25,560 --> 00:44:27,200 Speaker 1: I'm a plate, which I am, as you know because 950 00:44:27,200 --> 00:44:30,360 Speaker 1: you worked with me. And then last weekend some of 951 00:44:30,600 --> 00:44:35,799 Speaker 1: the guy ordered a Bethany Frankel rose Like I die. 952 00:44:35,920 --> 00:44:37,680 Speaker 1: That is my That's like the greatest thing that's ever 953 00:44:37,719 --> 00:44:39,560 Speaker 1: happened in my life. I'm so big time this week. 954 00:44:40,200 --> 00:44:43,719 Speaker 2: That's pretty big because I think it's great that during 955 00:44:43,760 --> 00:44:46,000 Speaker 2: Black Sheep you at sex with Farley Lauren's office. That's 956 00:44:46,160 --> 00:44:46,760 Speaker 2: that's something. 957 00:44:47,280 --> 00:44:49,480 Speaker 3: I mean, it was right and then he passed away, so. 958 00:44:51,400 --> 00:44:55,080 Speaker 2: You know I I being mentioned and that's now it 959 00:44:55,120 --> 00:44:57,320 Speaker 2: is hard to knocket mentioned in negative flight. That's the 960 00:44:57,400 --> 00:45:00,440 Speaker 2: hard part. I laughed, get you me? Is it like? 961 00:45:00,719 --> 00:45:03,320 Speaker 2: And this guy's David's baide Like, I'm like, let me 962 00:45:03,360 --> 00:45:06,200 Speaker 2: get out of the fucking building. Jesus, Like, you can't 963 00:45:06,239 --> 00:45:09,480 Speaker 2: make fun of me immediately. That's really off. 964 00:45:10,360 --> 00:45:10,759 Speaker 3: I'm big. 965 00:45:11,520 --> 00:45:13,279 Speaker 2: Here's my question with you. I know you don't only 966 00:45:13,320 --> 00:45:17,560 Speaker 2: talk about the stuff you do, not the Golden Bachelor 967 00:45:17,600 --> 00:45:20,839 Speaker 2: in general, but I have to say there's something too 968 00:45:21,920 --> 00:45:26,360 Speaker 2: those shows where they they work everybody and get them drinking, 969 00:45:26,440 --> 00:45:28,160 Speaker 2: and there is a reward for that. I have to 970 00:45:28,239 --> 00:45:31,640 Speaker 2: say on that subject in general. 971 00:45:31,760 --> 00:45:34,120 Speaker 1: Oh, the Reality Reckoning. You took interest in that, which 972 00:45:34,160 --> 00:45:34,920 Speaker 1: I found fascinating. 973 00:45:34,960 --> 00:45:36,279 Speaker 3: You mentioned it to me. It's nake oil. 974 00:45:37,080 --> 00:45:41,120 Speaker 2: I think it's I think it's so out there and 975 00:45:41,280 --> 00:45:44,680 Speaker 2: obvious that people can't go, oh, that's not how it works, 976 00:45:44,719 --> 00:45:47,120 Speaker 2: of it. No, it's exactly how it works. They're all 977 00:45:47,200 --> 00:45:49,440 Speaker 2: it's all scripted, it's all whispers and ears, it's all 978 00:45:50,239 --> 00:45:52,839 Speaker 2: no one's getting rewarded going into a meeting going I'm 979 00:45:52,920 --> 00:45:55,839 Speaker 2: very level headed, and they're like, get the fuck out 980 00:45:55,880 --> 00:45:58,080 Speaker 2: of you, Like, is that what you want on the Bachelor? 981 00:45:58,120 --> 00:45:59,560 Speaker 2: Is that what you want on any show? They're not 982 00:45:59,600 --> 00:46:01,120 Speaker 2: the badche no, no, no, no, no no. 983 00:46:01,360 --> 00:46:04,000 Speaker 1: But there's always going to be a line. There's going 984 00:46:04,080 --> 00:46:07,040 Speaker 1: to be a line, and it's been grossly crossed, and 985 00:46:07,080 --> 00:46:09,680 Speaker 1: you're about to find out real soon because there are 986 00:46:09,800 --> 00:46:12,720 Speaker 1: nuances that you don't think about, that you don't know about, 987 00:46:12,800 --> 00:46:18,160 Speaker 1: that are insane, Like there are individual women who their 988 00:46:18,280 --> 00:46:21,520 Speaker 1: lives have been ruined, who are like in deep deep therapy, 989 00:46:21,719 --> 00:46:23,600 Speaker 1: like they're way, it's bad. 990 00:46:23,840 --> 00:46:26,480 Speaker 3: So I think there's a line. There's a line, and 991 00:46:26,520 --> 00:46:27,280 Speaker 3: it's been crossed. 992 00:46:27,560 --> 00:46:29,239 Speaker 2: You don't remember this, but you were on a show 993 00:46:29,280 --> 00:46:33,279 Speaker 2: called Housewives of Being Town or something in New York. 994 00:46:33,480 --> 00:46:37,040 Speaker 2: I knew. And what happens is I'm sure at some 995 00:46:37,160 --> 00:46:39,880 Speaker 2: point they're like you seem like a nice person. Is 996 00:46:39,880 --> 00:46:41,600 Speaker 2: there any way you could break this bottle over your 997 00:46:41,640 --> 00:46:44,080 Speaker 2: friend's head? I mean, just it might keep you on 998 00:46:44,120 --> 00:46:45,920 Speaker 2: the show another few seasons. I mean, and I'm not 999 00:46:46,000 --> 00:46:48,600 Speaker 2: saying that. I'm just saying we like fun, we like 1000 00:46:48,719 --> 00:46:52,319 Speaker 2: people that are exciting, and you're a little you're flatlining lately. 1001 00:46:52,360 --> 00:46:55,560 Speaker 2: I'm sure they'd say that to so many people because 1002 00:46:55,880 --> 00:46:57,640 Speaker 2: what does pay off, that's all. 1003 00:46:58,040 --> 00:46:59,319 Speaker 3: And what does happen is. 1004 00:47:00,800 --> 00:47:07,520 Speaker 1: Producers get excited about promote and wait for someone to 1005 00:47:07,760 --> 00:47:11,920 Speaker 1: fall off the wagon and really set the person up 1006 00:47:12,040 --> 00:47:14,719 Speaker 1: for failure. Like it's a good it's the upside down. 1007 00:47:14,800 --> 00:47:17,720 Speaker 1: So in this space, it's a good thing. If somebody 1008 00:47:18,120 --> 00:47:20,400 Speaker 1: falls off the wagon, that's fucked. 1009 00:47:20,160 --> 00:47:23,359 Speaker 2: Up, right. I mean, listen, we all watch Jersey Shore. 1010 00:47:23,840 --> 00:47:25,960 Speaker 2: I want to see snooky hungover crawling out of a 1011 00:47:26,040 --> 00:47:28,320 Speaker 2: dryer in the morning and with a bounce sheet in 1012 00:47:28,360 --> 00:47:31,160 Speaker 2: her hair, wasted, and then she goes and gives someone 1013 00:47:31,200 --> 00:47:34,400 Speaker 2: an h J. Fine. Now when it comes back and 1014 00:47:34,440 --> 00:47:36,880 Speaker 2: they say, hey, Judy show's back, they're all married and 1015 00:47:36,960 --> 00:47:39,920 Speaker 2: have their shit together, I'm like, why is it? Oh? 1016 00:47:40,040 --> 00:47:41,640 Speaker 3: Yeah no, And I get it. 1017 00:47:41,719 --> 00:47:43,839 Speaker 1: And I'm for the line too. Listen you I saw 1018 00:47:43,880 --> 00:47:46,839 Speaker 1: your act. You're totally all very inappropriate. 1019 00:47:46,920 --> 00:47:47,320 Speaker 3: I loved it. 1020 00:47:47,440 --> 00:47:48,920 Speaker 1: My daughter is now going to college. You saved me 1021 00:47:48,960 --> 00:47:52,279 Speaker 1: four years in private school after that show. But and 1022 00:47:52,400 --> 00:47:55,800 Speaker 1: I'm I'm completely inappropriate too, But I I and I 1023 00:47:56,000 --> 00:47:58,400 Speaker 1: ride the line. But I think crossing the line and 1024 00:47:58,560 --> 00:48:02,840 Speaker 1: intentionally choosing the really weak people that will let you 1025 00:48:02,960 --> 00:48:06,400 Speaker 1: exploit them. It's very cult like the weakest person you 1026 00:48:06,440 --> 00:48:09,279 Speaker 1: can get to do anything because they'll do it. And 1027 00:48:09,440 --> 00:48:12,759 Speaker 1: that's where I think there's a line. And also to 1028 00:48:12,880 --> 00:48:15,800 Speaker 1: not be compensated for the exploitation, like to add insult 1029 00:48:15,840 --> 00:48:19,880 Speaker 1: to injury. Years later you're seeing stuff that you're not 1030 00:48:19,920 --> 00:48:23,720 Speaker 1: even being compensated for. So I just I there's something nice. 1031 00:48:24,239 --> 00:48:27,920 Speaker 2: Like a cte ish equivalent of being on these shows. 1032 00:48:27,960 --> 00:48:32,160 Speaker 2: And later you're like, you've ruined friendships, you've lost job 1033 00:48:32,200 --> 00:48:35,400 Speaker 2: opportunities to you know, people see the dirty backstory of 1034 00:48:35,480 --> 00:48:38,120 Speaker 2: your life. When you're like, that really isn't I mean, 1035 00:48:38,160 --> 00:48:40,840 Speaker 2: I was trying to do better than that. Like I agree. 1036 00:48:40,920 --> 00:48:44,719 Speaker 2: I'm not saying I don't agree because listen, it all 1037 00:48:44,719 --> 00:48:47,319 Speaker 2: looks like funning end, it's all entertainment with popcorn. Oh 1038 00:48:47,360 --> 00:48:50,560 Speaker 2: look she's wasted. Oh look she beat up her friend 1039 00:48:50,600 --> 00:48:52,600 Speaker 2: and throw on the pool. But that stuff that happens 1040 00:48:52,640 --> 00:48:54,600 Speaker 2: in real life that sticks with you for years and years, 1041 00:48:55,160 --> 00:48:58,919 Speaker 2: and it's beyond that. There's drug use, there's sex, there's 1042 00:48:59,200 --> 00:49:01,640 Speaker 2: they want people to have. Of course they want. That's 1043 00:49:01,719 --> 00:49:03,480 Speaker 2: the greatest thing in the world when that happens on 1044 00:49:03,560 --> 00:49:03,879 Speaker 2: the show. 1045 00:49:03,960 --> 00:49:06,040 Speaker 1: The crux of the argument is is it a work 1046 00:49:06,200 --> 00:49:07,760 Speaker 1: That's why it's a hybrid gray area. 1047 00:49:07,880 --> 00:49:08,680 Speaker 3: Is it a workplace? 1048 00:49:09,400 --> 00:49:11,960 Speaker 1: So I mean, listen, being at SNL is obviously not 1049 00:49:12,120 --> 00:49:14,759 Speaker 1: a normal workplace environment. And you've seen it all and 1050 00:49:14,800 --> 00:49:18,280 Speaker 1: I'm sure it's evolved and changed, but that is a workplace, 1051 00:49:18,840 --> 00:49:21,480 Speaker 1: you know, even though there's a lot of crazy stuff 1052 00:49:21,520 --> 00:49:24,480 Speaker 1: going on late night, et cetera. This is a workplace, 1053 00:49:24,560 --> 00:49:26,560 Speaker 1: but it's never been treated as such. So the line 1054 00:49:26,600 --> 00:49:28,560 Speaker 1: has gotten totally cross because you don't have to abide 1055 00:49:28,600 --> 00:49:30,040 Speaker 1: by any workplace concerns. 1056 00:49:30,520 --> 00:49:33,279 Speaker 2: This old comedian Rich Scheiner, when I was starting out, 1057 00:49:33,560 --> 00:49:36,719 Speaker 2: he was at the Dallas Improv. The club owner says, 1058 00:49:36,719 --> 00:49:38,960 Speaker 2: why don't you stop buying you a set tonight? I 1059 00:49:39,000 --> 00:49:40,799 Speaker 2: think it's just for fun? He us, Now that's work. 1060 00:49:40,840 --> 00:49:42,840 Speaker 2: He goes, do I have to be anywhere? Do have 1061 00:49:42,880 --> 00:49:46,040 Speaker 2: to do anything that's work? So I think what you're 1062 00:49:46,080 --> 00:49:49,000 Speaker 2: saying is those shows, of course, they're like you have 1063 00:49:49,080 --> 00:49:51,960 Speaker 2: a seven am call, we're doing a brunch, hair and makeup, 1064 00:49:52,080 --> 00:49:53,760 Speaker 2: you go, you have to be there at least three hours. 1065 00:49:54,280 --> 00:49:56,080 Speaker 2: You're gonna eat, you're gonna do this, You're gonna interact, 1066 00:49:56,080 --> 00:49:57,960 Speaker 2: and we're gonna do some one on one. So that's 1067 00:49:58,040 --> 00:50:03,000 Speaker 2: work SNL. Right, say, Jimmy Fallon was toxic workplace, and 1068 00:50:03,080 --> 00:50:05,160 Speaker 2: I don't know any of the story. I know Jimmy 1069 00:50:05,160 --> 00:50:06,640 Speaker 2: from the way I know him, which I love him, 1070 00:50:07,000 --> 00:50:11,799 Speaker 2: but to anything, I don't know. If we're getting too 1071 00:50:11,840 --> 00:50:14,719 Speaker 2: far with they said he was giving people dirty looks 1072 00:50:14,719 --> 00:50:16,320 Speaker 2: and stuff. I'm like, do you know what toxic me? 1073 00:50:16,440 --> 00:50:18,600 Speaker 2: I mean, it's thrown around too much like you think. 1074 00:50:18,640 --> 00:50:20,120 Speaker 3: Oh, I oh, I agree. 1075 00:50:20,200 --> 00:50:22,719 Speaker 1: I've been on those shows and I all I said 1076 00:50:22,840 --> 00:50:24,480 Speaker 1: was every single time I've been on that show, he's 1077 00:50:24,520 --> 00:50:27,560 Speaker 1: been so gracious come in and I have allowed for 1078 00:50:27,719 --> 00:50:30,239 Speaker 1: being that I'm a guest and I know they're not 1079 00:50:30,239 --> 00:50:32,000 Speaker 1: going to treat me like shit. But I've been on 1080 00:50:32,040 --> 00:50:33,719 Speaker 1: all the shows and that one's great, and he does 1081 00:50:33,800 --> 00:50:35,080 Speaker 1: not deserve to be canceled. 1082 00:50:35,120 --> 00:50:37,960 Speaker 2: I said that, Yeah, I think when I was on SNL, 1083 00:50:39,400 --> 00:50:42,279 Speaker 2: I mean not beyond toxic. But you know that's every 1084 00:50:42,320 --> 00:50:43,600 Speaker 2: job I had in my life. Do you think when 1085 00:50:43,680 --> 00:50:45,560 Speaker 2: I'm there, Lauren puts me on his knee and bounces 1086 00:50:45,600 --> 00:50:47,759 Speaker 2: me and says, how was this week? You do it good? Yeah? No, 1087 00:50:48,040 --> 00:50:51,320 Speaker 2: he did? Right? You know what I mean? I do? 1088 00:50:52,760 --> 00:50:55,960 Speaker 2: I got mine. These guys got this. Mike Myers is right, 1089 00:50:56,120 --> 00:50:58,560 Speaker 2: rains well, everyone's doing their shit. No one's like, I 1090 00:50:58,640 --> 00:51:01,160 Speaker 2: haven't asked about how you are. I'm like, I'm shitty. 1091 00:51:01,280 --> 00:51:03,440 Speaker 3: No, oh my god, yes, yeah, I'm spiel. 1092 00:51:03,600 --> 00:51:04,839 Speaker 1: I just want to make sure you have a good, 1093 00:51:04,960 --> 00:51:08,440 Speaker 1: safe and healthy work life balance and that you're I 1094 00:51:08,520 --> 00:51:11,920 Speaker 1: want doing a check in, an emotional well being check in. 1095 00:51:12,360 --> 00:51:16,680 Speaker 2: Right, They're like good, quit like one less like we don't. Oh. 1096 00:51:16,800 --> 00:51:19,440 Speaker 1: I came up working for Jerry Bruckheimer like it was 1097 00:51:19,520 --> 00:51:22,640 Speaker 1: called yeah, yeah, you know what that was like? 1098 00:51:23,120 --> 00:51:25,680 Speaker 2: Yeah, I was in I was a bus boy, was dishwasher. 1099 00:51:25,800 --> 00:51:27,879 Speaker 2: No one is calling me I could go. This place 1100 00:51:27,960 --> 00:51:30,080 Speaker 2: is so toxic. I'm like, what do you mean? It 1101 00:51:30,200 --> 00:51:33,600 Speaker 2: just means I don't like working, right. I know my 1102 00:51:33,719 --> 00:51:35,839 Speaker 2: boss has been an asshole from the day I started working. 1103 00:51:35,920 --> 00:51:38,080 Speaker 2: In my life, every job, you always hate your boss. 1104 00:51:38,080 --> 00:51:39,960 Speaker 2: It's just the way it is. And to be allowed 1105 00:51:40,000 --> 00:51:41,520 Speaker 2: to go, I don't like it, and I don't feel 1106 00:51:41,560 --> 00:51:43,439 Speaker 2: safe and I don't feel loved here, like I don't 1107 00:51:43,440 --> 00:51:45,359 Speaker 2: know what's happening. So it's getting a little too far. 1108 00:51:45,880 --> 00:51:49,000 Speaker 2: Maybe there's some things, but it waters it all down 1109 00:51:49,000 --> 00:51:50,560 Speaker 2: because we're toxic. Now means nothing. 1110 00:51:50,600 --> 00:51:53,439 Speaker 1: Then, Oh, by the way, and I'm on your side. 1111 00:51:53,480 --> 00:51:55,719 Speaker 1: I'm on the Jeffrey Katzenberg. If you don't come to 1112 00:51:55,800 --> 00:51:57,920 Speaker 1: work on Saturday, don't bother coming in on Sunday or 1113 00:51:57,960 --> 00:51:59,800 Speaker 1: whatever that line was, he said, I'm with you. I 1114 00:52:00,440 --> 00:52:02,759 Speaker 1: I don't complain. There's no like, there's no lunch break 1115 00:52:02,760 --> 00:52:05,279 Speaker 1: when I came up. So even with that, that's why 1116 00:52:05,840 --> 00:52:08,480 Speaker 1: what I'm saying, you know, with the reckoning, it's I'm 1117 00:52:08,520 --> 00:52:10,480 Speaker 1: accounting for all that. I'm not like this person that 1118 00:52:10,680 --> 00:52:12,960 Speaker 1: is like, gone too far. 1119 00:52:13,719 --> 00:52:16,600 Speaker 2: Loll listen. I've been on both sides of business. I've 1120 00:52:16,640 --> 00:52:18,200 Speaker 2: been a producer in this, so I see it all. 1121 00:52:18,719 --> 00:52:21,880 Speaker 2: I see from both angles. But there is something to 1122 00:52:21,920 --> 00:52:23,640 Speaker 2: what you're saying. Of course, I think that needs to 1123 00:52:23,640 --> 00:52:25,880 Speaker 2: be looked at. So the fact that you're making it 1124 00:52:26,000 --> 00:52:29,640 Speaker 2: aware if anything happens big from a big changes small, 1125 00:52:29,840 --> 00:52:32,480 Speaker 2: I think there is something there that they need to 1126 00:52:32,560 --> 00:52:33,640 Speaker 2: look at. It. It's real. 1127 00:52:34,080 --> 00:52:35,920 Speaker 3: Do you date civilians or do you date people in 1128 00:52:35,960 --> 00:52:36,400 Speaker 3: the industry? 1129 00:52:36,480 --> 00:52:39,480 Speaker 2: And do you date I usually date what I would 1130 00:52:39,520 --> 00:52:43,640 Speaker 2: look for is civilian or up to Taylor Swift. I 1131 00:52:43,640 --> 00:52:45,560 Speaker 2: guess that's that's the market the highest. 1132 00:52:45,640 --> 00:52:48,440 Speaker 1: Oh yeah, so like my age range used to be 1133 00:52:48,520 --> 00:52:50,160 Speaker 1: nineteen to nineties, you've got a big. 1134 00:52:51,280 --> 00:52:53,280 Speaker 2: Most famous is Tailor Swift in the world. 1135 00:52:53,239 --> 00:52:57,040 Speaker 3: Right, Yeah, I'm saying it's a large range. I got it. 1136 00:52:59,200 --> 00:53:01,400 Speaker 3: I got it three stead of Taylor Swift. 1137 00:53:01,719 --> 00:53:05,960 Speaker 2: More tricky. There's more layers of problems, and the more 1138 00:53:06,000 --> 00:53:08,239 Speaker 2: people know about what you're doing in your life and 1139 00:53:08,400 --> 00:53:11,560 Speaker 2: data and all that, it seems to exponentially add two 1140 00:53:12,520 --> 00:53:15,919 Speaker 2: problems in the relationship because everyone has an opinion. Everyone 1141 00:53:16,000 --> 00:53:18,239 Speaker 2: is this So I sort of like people that keep 1142 00:53:18,280 --> 00:53:24,120 Speaker 2: things down. So yes, I would date civilians and all 1143 00:53:24,200 --> 00:53:26,919 Speaker 2: that stuff. But I remember why is Chris Rock once 1144 00:53:27,080 --> 00:53:28,839 Speaker 2: gave his friend advice when I was at the table 1145 00:53:28,880 --> 00:53:30,960 Speaker 2: or he said I want to date. I think he 1146 00:53:31,000 --> 00:53:33,239 Speaker 2: said I would love about Rihanna. He goes, why don't 1147 00:53:33,280 --> 00:53:35,400 Speaker 2: you date a hostess that looks like Rihanna? 1148 00:53:36,040 --> 00:53:39,000 Speaker 3: That's brilliant, that's brilliant. 1149 00:53:39,120 --> 00:53:41,000 Speaker 1: Yeah, you don't strike me as someone who's looking for 1150 00:53:41,040 --> 00:53:43,560 Speaker 1: a tremendous amount of drama, And I like that you. 1151 00:53:44,440 --> 00:53:46,080 Speaker 1: By the way, no one's signed up for having to 1152 00:53:46,200 --> 00:53:49,320 Speaker 1: share everything about their relationship. It's such a terrible situation. 1153 00:53:49,600 --> 00:53:51,920 Speaker 1: It really there's no upside. I'm looking at this Travis 1154 00:53:52,000 --> 00:53:54,520 Speaker 1: Taylor thing that you cannot win in a situation where 1155 00:53:54,600 --> 00:53:56,440 Speaker 1: there are two peacocks in a relationship and you're in 1156 00:53:56,520 --> 00:53:58,080 Speaker 1: a snow globe that everyone's looking at. 1157 00:53:58,280 --> 00:54:00,520 Speaker 2: That was Kelsey de tailorship is going to move to 1158 00:54:00,560 --> 00:54:02,520 Speaker 2: the top of his resume. So now for the next 1159 00:54:02,600 --> 00:54:05,000 Speaker 2: ten years minimum, even if they break up tomorrow, what's 1160 00:54:05,040 --> 00:54:07,080 Speaker 2: Taylor Swift? Like, how's Taylor Swift? He's like, I'm a 1161 00:54:07,320 --> 00:54:09,680 Speaker 2: huge football player, Like I know, but you went out 1162 00:54:09,880 --> 00:54:12,560 Speaker 2: and suddenly it diminishes a little bit of what he's 1163 00:54:12,600 --> 00:54:15,520 Speaker 2: done because it's too much over that and that's what 1164 00:54:15,560 --> 00:54:18,680 Speaker 2: people love. So he's a fucking stud. I mean, I 1165 00:54:18,760 --> 00:54:21,520 Speaker 2: have really no problem with that, other than it's a 1166 00:54:21,560 --> 00:54:23,920 Speaker 2: little obvious for me, Like why are you driving a 1167 00:54:24,000 --> 00:54:25,040 Speaker 2: convertible when you take her? 1168 00:54:25,040 --> 00:54:27,279 Speaker 1: I'm like what I thought, so too. It's like the 1169 00:54:27,400 --> 00:54:30,439 Speaker 1: Queen's moves. This is like, you're literally cheap. She moves 1170 00:54:30,480 --> 00:54:32,640 Speaker 1: like the Queen. Everyone sees every eye lift. This is 1171 00:54:32,680 --> 00:54:35,920 Speaker 1: all intentional, not saying it's marketing, but they're both getting 1172 00:54:35,960 --> 00:54:38,440 Speaker 1: something from it publicly, Otherwise they wouldn't be so public 1173 00:54:38,480 --> 00:54:38,800 Speaker 1: about it. 1174 00:54:38,920 --> 00:54:41,560 Speaker 2: A little itchy, but you know most people I know, 1175 00:54:41,640 --> 00:54:43,360 Speaker 2: you'd hear later they dated, or you're like, oh, you 1176 00:54:43,400 --> 00:54:46,120 Speaker 2: know they're not. You're like, oh, but it's hard to 1177 00:54:46,160 --> 00:54:49,320 Speaker 2: squish down because when people can see you, but you know, 1178 00:54:49,440 --> 00:54:51,000 Speaker 2: you could see when she went out with that other guy, 1179 00:54:51,600 --> 00:54:53,640 Speaker 2: Joe somebody. They didn't hear about it. For two years, 1180 00:54:53,680 --> 00:54:54,359 Speaker 2: you didn't hear people. 1181 00:54:54,400 --> 00:54:58,320 Speaker 1: You're right, even at Taylor Swift's level, you can date quietly. 1182 00:54:58,480 --> 00:55:01,920 Speaker 1: It's not easy, but fa people that date can hide it, 1183 00:55:02,040 --> 00:55:03,960 Speaker 1: and famous people that are out with it want to 1184 00:55:04,000 --> 00:55:07,200 Speaker 1: be out with it. So I like your secret style. 1185 00:55:07,280 --> 00:55:10,320 Speaker 1: All Right, you go, Heather, thanks for laughing at David's 1186 00:55:10,400 --> 00:55:15,520 Speaker 1: jokes and text me have a great day. Thanks for 1187 00:55:15,600 --> 00:55:16,160 Speaker 1: doing this, David,