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Speaker 1: Good morning, showing you this room anywhere so your brother

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Speaker 1: old right now the world stagers want to show came agree,

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Speaker 1: isn't this listen City South with j Harry, the captain

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Speaker 1: of this usually the only one who can keep these

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Speaker 1: guys in chat. This is the breakfast petition. Wake up,

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Speaker 1: wake up, wake y'all. This is your time to get

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Speaker 1: it off your chest with your man or blessed. We

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Speaker 1: want to hear from you on the breakfast block. Hello,

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Speaker 1: who's this from Norfolk? Day to get it off your chest.

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Speaker 1: I'm blessed this morning because every day I wake up

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Speaker 1: to go to my job and I can take care

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Speaker 1: of my two babies. So I'm blessed this morning. Congratulations baby,

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Speaker 1: thank you. I love y'all so much. And watch, I mean,

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Speaker 1: let's to be y'all every morning on my way to work.

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Speaker 1: We love you. Thank you for having no taste. Hello,

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Speaker 1: who's this? This is DJ Hey get it off your chest. Well,

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Speaker 1: I just want to say that I'm thankful today. Um.

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Speaker 1: I had been in the nursing homes three times because

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Speaker 1: I couldn't walk. I'm at my house now, I'm walking

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Speaker 1: and I'm helping my family, and I am thankful Okay, well, congratulation.

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Speaker 1: I feel gratitude this morning. It's a lot of people

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Speaker 1: thankful this morning. I like when gratitude is the attitude. Hello,

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Speaker 1: who's this? What's your name? Hey? You got a fat

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Speaker 1: tongue much so it's not just a guy, it's your guy, girl,

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Speaker 1: the fat guy. This girl told y'all, okay, you know

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Speaker 1: the chest. That's like a fat gary guy to me.

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Speaker 1: I'm mad this morning because when I went to check,

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Speaker 1: the b was closed. Oh you want to check this morning?

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Speaker 1: So I was right about at least you being fat.

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Speaker 1: Check us breakfast was the checks at six am. I

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Speaker 1: can't beau usually be open this time of morning, but

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Speaker 1: some reason that was called. You think they didn't know

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Speaker 1: they serve breakfast. No, they don't serve breakfast, but they right, Okay,

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Speaker 1: how much do you do? I went that one time

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Speaker 1: and it was open at six eight. I'm not gonna better.

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Speaker 1: I just want you to know that it's a new

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Speaker 1: year issue. It should be a new Yuh. This is

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Speaker 1: the time of year. Well, the gyms are really really packed,

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Speaker 1: and tell March I think you need to go in

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Speaker 1: there and be a part of that note. Okay, all right,

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Speaker 1: I have a blessed day. All right, little fat you

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Speaker 1: got to me to go to check out this time

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Speaker 1: of morning. But then but then call the breakfast club

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Speaker 1: and complain about them not being open. My god, damn it?

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Speaker 1: Who's this? Hi? How y'all doing the day? This is

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Speaker 1: T maddess T E E M A D. I s

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Speaker 1: like I something to get off my chest ahead mad

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Speaker 1: or blessed today? Okay, wait on my chest? Yeah, my

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Speaker 1: thing to get off my chest. It's two years ago

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Speaker 1: when I was in New York on holiday J league's

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Speaker 1: homegirl and she told me deal to my face. It

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Speaker 1: was all good. I didn't mind herself, kept pushing. But

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Speaker 1: I will tell you this, I've made an observation of

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Speaker 1: you three collectively. Every morning you guys come off with

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Speaker 1: some type of sexual innuendo off of another topic you

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Speaker 1: were talking about. And you guys say no stuff like that,

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Speaker 1: especially you too, Charlotte, Maagne and DJ and be good

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Speaker 1: morning everybody, high Angela. I don't think. I don't think

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Speaker 1: me and you guys party around that be whole joke

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Speaker 1: all day every day, and I will play this. I

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Speaker 1: collect were playing around the rim above the rim, above

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Speaker 1: the rim. But check it out though, but check it

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Speaker 1: out though. As a collective, if you have taken any

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Speaker 1: psychology courses and you studied throughout your the course of

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Speaker 1: your life, you guys used to suffer from one or

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Speaker 1: two things. Either you all are homophobic or you're curious.

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Speaker 1: What do you think it is? Chuckoli that situation to y'all,

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Speaker 1: I don't know. I'm gonna ponder that one. I have

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Speaker 1: never thought about. I never thought about it. I always

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Speaker 1: tell y'all, man, there's nothing the man has told me.

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Speaker 1: You had to finess me on my boxing breach. All right, Yeah,

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Speaker 1: I mean, I know I ain't married, Okay, but if

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Speaker 1: it wasn't married, if I wasn't married, I ain't thinking

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Speaker 1: about it. I just can't get over the fact that

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Speaker 1: my friend told him you. Why is there no gray

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Speaker 1: area though? Why we gotta be either homophobic or gay?

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Speaker 1: I don't know. Why can't we just be having some fun.

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Speaker 1: I love me. I love a good racist joke, and

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Speaker 1: I love a good gay joke. Who all right, me? Woa,

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Speaker 1: it's no good racist joke. Yes, I love a good

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Speaker 1: I love a good joke about race, and I love

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Speaker 1: a good joke about gayness. Well, keep your fingers away.

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Speaker 1: From me because I don't like that type of fun.

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Speaker 1: That's not your idea of a good time. All right,

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Speaker 1: you don't know if it's chance eight under good five

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Speaker 1: eight five one five one. If you upset, you need

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Speaker 1: to end here to something now. It's the breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Get it, pick up the

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Speaker 1: mother mother phone and down. This is your time to

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Speaker 1: get it off your chat. Your man, you want to

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Speaker 1: hear from you on the Breakfast Club so he mun

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Speaker 1: have the same energy. Hello, who's this Joe? This is

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Speaker 1: Bashi man coming out of Charleston. Man, I'm out here

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Speaker 1: in the morning heading out. What's happening? I need you

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Speaker 1: to slow down now. You sound like you had a

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Speaker 1: lot of folk this morning. Calm down, man, and your

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Speaker 1: DJ envy It and and Angel Lee. This is a

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Speaker 1: true story. I kid you not. I'm coming out of

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Speaker 1: the joint. I was talking to a cat and he

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Speaker 1: hooked me up with Charlom made the guard and Charlomye

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Speaker 1: talked to me before he got that platform. He didn't

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Speaker 1: have no money or nothing, and he was dead broke

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Speaker 1: and he was amazed at the story. Soon as he

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Speaker 1: got that platform. This is the green night. Need to

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Speaker 1: create a hip hop and all pioneers know it, and

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Speaker 1: now everybody they're doing the movie on me. And here's Charlomage.

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Speaker 1: Didn't have no money. Jo didn't even know him, DJ

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Speaker 1: Envy and Angela Lee. He didn't have no money or

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Speaker 1: none of it it. He got that platform. Goldie's my man,

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Speaker 1: Charlot mate, your best friend, Goldie. Now he put you

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Speaker 1: on the phone with me when I was driving the

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Speaker 1: trolley bus in Charleston doing a million dollars weddings taking

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Speaker 1: everybody to the plantation that was coming from all over

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Speaker 1: the country. And you talked to me for around thirty minutes,

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Speaker 1: and I told you I was the creator. You didn't

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Speaker 1: have no money. He was dead broke soon as you

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Speaker 1: got that platform, like many black people do. You flip

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Speaker 1: got a buckdal move your family out of there. Now

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Speaker 1: you'll be in Jersey, Goldie. Me and Goldie talk about

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Speaker 1: you all the time. Friend Mat and then me and

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Speaker 1: Ben body driving around in the band with grand whether

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Speaker 1: it did or in shootouts nineteen seventy five, nineteen seventy six,

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Speaker 1: seventy seven, seventy eight, I'm in the marsh. You are

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Speaker 1: tim and out the fame thirty five years in the marsh.

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Speaker 1: You art, and we're over here. I'm bringing this culture

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Speaker 1: to all the five bubbles. Nobody you know hip hop,

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Speaker 1: you have nothing. You'll come out the country or some

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Speaker 1: March corner first, living in Charleston, trust and all of that.

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Speaker 1: Fact then was all Bummy and Tony. Now you get

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Speaker 1: a platform. You don't know the history, you don't know

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Speaker 1: the life, but you know what's about it. It's millions,

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Speaker 1: just like you Charlotte made. So I'm not gonna even

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Speaker 1: hate on you right now. I don't know I've been

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Speaker 1: sound you're talking about. Well, listen, Goldie is my guy.

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Speaker 1: That's not my best friend, but that's my guy. And

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Speaker 1: number two. I don't understand your point. Yeah, I was

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Speaker 1: broken at one point. Broken people come up. I don't

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Speaker 1: understand what your point is. I don't get it. I

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Speaker 1: don't like you spoke to me back in the day

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Speaker 1: and then now what for thirty minutes? And I thought

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Speaker 1: that was pretty good. You know, you frock South Carolina.

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Speaker 1: You was broken, You got a job in New York.

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Speaker 1: You're working, you know. I don't see the problem. I mean,

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Speaker 1: it sounds like a great come up story to me.

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Speaker 1: I don't know. I was proud of you. I mean, hey,

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Speaker 1: it flew to my dude, gold golden eyes. I still

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Speaker 1: talk to Golden. I don't know, I don't I don't know.

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Speaker 1: I was in South Carolina. That'd be a long drive

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Speaker 1: every morning that I don't get the point of the

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Speaker 1: whole story. He just told to be, like, why are

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Speaker 1: you putting me in it? Morning? This? Gracious? He was mad, Hello,

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Speaker 1: who's this? Hey man? This Davey roughing again. I'm back.

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Speaker 1: I'm trying the game, I solf. I'm already doing this morning.

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Speaker 1: I'm blass, like y'all door, we deem yourself away. It's

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Speaker 1: been a weird morning. But what's up, bro? What I

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Speaker 1: really wanted to get off my chess is why s

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Speaker 1: six in the morning? So I'm certain people I think

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Speaker 1: they forgot about hot dreams. You see, I'm better. There's

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Speaker 1: no reason that's six in the morning. You seem like

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Speaker 1: the back of a trans truck and the ship just started.

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Speaker 1: But if you do garbage, or if you're a garbage person,

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Speaker 1: it stays in your paws. Though, come on, it might

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Speaker 1: have been it might have been trash from the day before.

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Speaker 1: And to the guy that called right before this, it's

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Speaker 1: Angela yeek. He keeps saying the angel leads. Anyone does that? Man,

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Speaker 1: it's clearly eating park early in the morning. Man, don't

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Speaker 1: tell you, just want to say. Sometimes people smell because

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Speaker 1: of their clothes. You ever noticed that sometimes people If

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Speaker 1: you shower and you put on dirty clothes or old,

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Speaker 1: dirty coat, you're still gonna smell. So make sure you

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Speaker 1: watch your clothes. You don't if you cheap the turgion.

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Speaker 1: Sometimes cheap the turkey don't work. That's why you got

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Speaker 1: it from breeze everything, Okay, get it off your chests. Five.

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Speaker 1: He ain't broke no more. Chell me. You ain't got

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Speaker 1: to freeze everything noways got I'm always living like a

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Speaker 1: got from breeze. Get some, get some. Wasn't sure where

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Speaker 1: he wanted like nobody. I don't know, I don't know,

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Speaker 1: I don't know anyway, keep it locked as the breakfast club,

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Speaker 1: God Morning, the breakfast Club. Your body is DJ Envy,

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Speaker 1: Angela yee, Charlomagne the guy. We are the breakfast Club.

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Speaker 1: Now we have a special guest joining us. She's an actress, producer,

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Speaker 1: and screenwriter. We have Miss Lena Waist in the building.

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Speaker 1: What I saw Lena last night and she asked me.

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Speaker 1: She said, now, has n they actually seen the shot? Did?

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Speaker 1: I said, probably not? I did seem I'm gonna tell

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Speaker 1: you why I've seen it. Okay. I was in the

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Speaker 1: gym training and my trainer was like, I gotta check

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Speaker 1: out the shot, and I was like why. He was

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Speaker 1: like Charlomagne posted on his Instagram that it made him

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Speaker 1: cry like a little bitch, so damn he was like,

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Speaker 1: I gotta go see. I said, was Jason Mitchell has

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Speaker 1: almost made me cry twice from the shot exact that

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Speaker 1: I had to see it. So I watched it. Did

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Speaker 1: you like it? I? I loved it? Actually? Oh, thank

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Speaker 1: you every verse you tweet about it? Did you post

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Speaker 1: about it? No? I didn't post. You need to post

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Speaker 1: about it. Oh, we gotta stick together. You know why

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Speaker 1: did post about it? Because we have a rule in

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Speaker 1: my in my house said I can't watch a show

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Speaker 1: without my wife. And I watched it without my wife,

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Speaker 1: and it'll be destruction in my house. Here's the deal.

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Speaker 1: I didn't watching my wife. Then that's what I need.

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Speaker 1: Doesn't know yet. Please, I need y'all to watch it together. Okay,

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Speaker 1: all right, and then both y'all to tweet about it. Okay,

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Speaker 1: you post about it, you got all right. I appreciate

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Speaker 1: what I tweeted about it. And that's how we got

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Speaker 1: Jason Mitchell to come on the show. Tweeting about Angela

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Speaker 1: appreciate it was great and then thank you shot my

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Speaker 1: shot and I said, we would love to have you

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Speaker 1: come on up here, and it worked out. That's my booth.

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Speaker 1: We got the creator of the show right here, the

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Speaker 1: first black woman to win a Emmy for Comedy writing. Correct. Yeah,

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Speaker 1: it's kind of crazy. You told me last night that

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Speaker 1: you want to be to Kanye West of writing. Yeah. Yeah,

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Speaker 1: I think because I think my mission is too. It's

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Speaker 1: interesting because a lot of people know me if I'm

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Speaker 1: asked from none and they know the Thanksgiving episode, which

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Speaker 1: I was very honored to want to Emmy four. But

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Speaker 1: I think, to me, you know, the shy is another

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Speaker 1: it's another color and my voice, and I kind of

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Speaker 1: want to keep surprising people. That's the thing we're talking

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Speaker 1: about Kanye and like every album felt so much different

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Speaker 1: than the last one, you alway didn't even know who

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Speaker 1: it was the same artist. And that's what I'm doing.

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Speaker 1: I keep surprising people. I want people to kind of

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Speaker 1: like be like always be guessing, like what am I

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Speaker 1: gonna do next? It's so different from Master and nothing.

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Speaker 1: Absolutely in Chicago's a hard place to represent well. But

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Speaker 1: obviously you're from there and Commons and executive producing here,

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Speaker 1: but people from Chicago will raise hell, oh my god,

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Speaker 1: and they they be you know, nit picking some things

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Speaker 1: they ain't got at me. But that's my thing. You know.

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Speaker 1: I don't ever want to sit there and go, Okay,

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Speaker 1: I got it, I'm good. I don't need to know input,

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Speaker 1: you know, to me. I was talking to Charlettagne last night,

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Speaker 1: It's like, I feel like the audience is such a

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Speaker 1: huge part of my career, all of our careers, like

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Speaker 1: we can't do this without them, and um, and I

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Speaker 1: really really appreciate their feedback. I want to hear from

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Speaker 1: them explaining this shot a little bit. It's not just

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Speaker 1: about the shot. TI talks about gun violence and the

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Speaker 1: trickle effects. To talk to people about what was your

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Speaker 1: mindset when you created this? Well, I was, you know,

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Speaker 1: it was like three years ago when I wrote the

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Speaker 1: and I was living in Los Angeles, and you know,

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Speaker 1: and my family still lives in Chicago. I always run

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Speaker 1: back there all the time, and I just feel so

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Speaker 1: connected to the city. And I was watching all these

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Speaker 1: news stories like it was really hot in the news,

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Speaker 1: like three years ago, it was just the gun violence

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Speaker 1: to death. It was just getting to be really out

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Speaker 1: of control. It it is too crazy. But I think,

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Speaker 1: you know, the tough thing is, you know the news

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Speaker 1: sometimes they get bored with the story and move on.

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Speaker 1: So it's like, you know, the people are still there,

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Speaker 1: They're still struggling with things. And so I was just

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Speaker 1: watching it, and I was seeing people go into the

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Speaker 1: city and reporting on it, and which I appreciate at

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Speaker 1: the same time with these are foreigners going into my

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Speaker 1: city who don't know what it's like to survival when

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Speaker 1: they're there, who don't know what it's like to run

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Speaker 1: the streets in the summer there, who just don't know

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Speaker 1: the heartbeat of the city. And I know the heartbeat.

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Speaker 1: I used to fall a seem to it every night,

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Speaker 1: and so for me, I was like, I want to

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Speaker 1: be able to tell the story. And I was reading

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Speaker 1: so much like bald One at the time, a lot

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Speaker 1: of links in Hughes, and I was saying how they

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Speaker 1: would tell stories about us and really paying a really

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Speaker 1: vivid picture of who we are as a community, and

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Speaker 1: I thought to myself, I was like, oh, I want

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Speaker 1: to I want to try to do this for Chicago,

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Speaker 1: because I feel like that wasn't any humanity and behind

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Speaker 1: the headlines there were just numbers, there were just statistics.

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Speaker 1: And I know those people, and I think there's a

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Speaker 1: story behind every statistic, and I kind of want to

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Speaker 1: tell their story so people would not be so desensitized

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Speaker 1: to the deaths, because I think we have been to

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Speaker 1: humanize in the in the public eye, and I think

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Speaker 1: that's problematic. Now I know you have a love for

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Speaker 1: a different world. Yeah, you call yourself a human Grady, Yeah, yeah.

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Speaker 1: After learning what we learned about Bill Cotoby, how do

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Speaker 1: you separate the art from the artists? You know, I

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Speaker 1: think it was devastating for me because the Cosby show

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Speaker 1: In a Different World literally changed the course of my life,

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Speaker 1: Like I wouldn't be sitting here for one for those

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Speaker 1: two shows. It was like a life jacket from me,

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Speaker 1: you know, growing up on the South Side of Chicago,

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Speaker 1: as like, you know, a kid living in my grandmother's house.

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Speaker 1: So what he did may break my heart, but it

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Speaker 1: doesn't it doesn't take away you know, the character of

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Speaker 1: Whitley Gilbert. It doesn't make you know, these phenomenal episodes

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Speaker 1: of television go away. I think we all remember that

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Speaker 1: episode with Titia Campbell and the HIV episode. I'm talking

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Speaker 1: about the La Riots, or the phenomenal episode called Mammy

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Speaker 1: Dearis where they sort of deal with the sort of

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Speaker 1: dark skinned light skinned thing. I mean, those things, those

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Speaker 1: memories are ingrained into my mind. Like that doesn't make

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Speaker 1: all that go away. That still resonates inside of me,

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Speaker 1: and so it was really tough. But for me, I

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Speaker 1: always it's not gonna make me feel any less joyful

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Speaker 1: when I watched that show, or if I'm filling down,

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Speaker 1: I'll put it on and I'll just feel like I'm

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Speaker 1: at home. But that show made me go to Heaton.

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Speaker 1: That was the reason why I was by university. Yeah,

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Speaker 1: because human is kind of like hu the way there

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Speaker 1: is the calf. Absolutely, it was, Yeah, you know, it

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Speaker 1: changed so many of our lives and that's such a

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Speaker 1: huge impact on us. I don't think you can throw

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Speaker 1: the baby out with the bathwater. On that one. You

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Speaker 1: said you wanted to be a writer since you were

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Speaker 1: young seven years old. How did you know you wanted

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Speaker 1: to write for television. I just I just knew how

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Speaker 1: much I love television. You know. I always say I

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Speaker 1: grew up in the two parent household, my mom on

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Speaker 1: the TV. So it's like I I was just it

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Speaker 1: really brought me so much joy that I wanted to

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Speaker 1: be a part of it. Um. And I felt like,

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Speaker 1: you know, TV when you're you know, growing up and

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Speaker 1: in the city, that TV teaches you how to dream,

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Speaker 1: it teaches you what to dream about. UM. And that's

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Speaker 1: really what it did for me. And so I just

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Speaker 1: kind of say, all, I want to be a part

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Speaker 1: of that. And then, you know, when I was in

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Speaker 1: fifth grade, my teacher said, I really liked reading your papers.

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Speaker 1: And I was like why and she said, because you

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Speaker 1: write the way you speak. And I just remember, I

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Speaker 1: just remember that, and I think that's why it's so

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Speaker 1: important for teachers to really highlight the kids what they

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Speaker 1: do well, because I was really told, I was told

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Speaker 1: the early age, like you speak well, you write well,

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Speaker 1: you enjoy reading, you know, And I also loved watching TV.

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Speaker 1: So when I got older, my mom was like, Okay,

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Speaker 1: what you're gonna do with your life? I kind of

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Speaker 1: combine my two favorite things, which was writing and television

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Speaker 1: and and I'm majored in writing and producing in television

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Speaker 1: at Columbia College in Chicago. Because I wouldn't ready to

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Speaker 1: leave Chicago yet. So my mom want to go out

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Speaker 1: to state. I was like, nah, nah, I would to

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Speaker 1: stay here. Yeah, so I went to college. You know,

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Speaker 1: I'm so happy I got to go to college in

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Speaker 1: Chicago because you know, my universe. He was like down

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Speaker 1: to downtown Chicago and it was amazing. We have more

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Speaker 1: with Lena Ways when we come back, don't move. It's

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Speaker 1: the Breakfast Club. Good Morning, the Breakfast Club Morning. Everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlo Mine the guy. We

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Speaker 1: all the Breakfast Club. We have Lena Waits in the building, actress, producer, screenwriter.

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Speaker 1: Ye Now for the show Master and then how many

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Speaker 1: of those things that you wrote about our real life stories?

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Speaker 1: Because there's some random like going masturbating on the trains

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Speaker 1: the rest. Well, here's the thing I didn't. I wasn't

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Speaker 1: a writer on the show, and so like a lot

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Speaker 1: of that stuff comes from Alan Yang and a season Sorry,

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Speaker 1: that's them, you know, pulling from their own life experiences.

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Speaker 1: The first time I wrote on it was for the

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Speaker 1: Thanksgiving episode, and I didn't want to because and then

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Speaker 1: you went and went at me for true true. I'm

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Speaker 1: very grateful. I think, Um, I really didn't want it

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Speaker 1: to be muddled, you know, because I'm a writer first,

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Speaker 1: and I thought I was like, oh, I don't want

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Speaker 1: people thinking, oh, well, she writes on this show and

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Speaker 1: she starts on It's like, no, I didn't write anything.

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Speaker 1: In season one. They met me and they were like, Okay,

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Speaker 1: we had another idea for this character. We thought she

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Speaker 1: was gonna be some chick that may have been a

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Speaker 1: love interest for dev like, but we liked that you're

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Speaker 1: a black lesbian and you know, have interest in swags.

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Speaker 1: We're gonna rewrite all these other scripts and make her

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Speaker 1: like you. So I was like, okay, cool. So um

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Speaker 1: So I really trusted them, and they knew my voice

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Speaker 1: and they really appreciated my cadence. I was like, all right, cool,

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Speaker 1: let's do this. Um. But then in season two, when

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Speaker 1: I circled back with a season we're talking about just

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Speaker 1: like life stories, I told him about my coming out

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Speaker 1: story and they were really entertained by it. And I

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Speaker 1: didn't think my coming out story it was that extraordinary

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Speaker 1: or fascinating. I baby because it was mine, but they

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Speaker 1: were like, no, that's an episode and I was like okay.

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Speaker 1: And then and and He's just like, we should get

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Speaker 1: angela basket to play your mom. I was like, okay,

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Speaker 1: keep wishing. Uh. And then and then Angelo was like

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Speaker 1: she you know, she read the script and she was like, yeah,

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Speaker 1: I'd love to come like like you guys and do this.

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Speaker 1: The Emmy was icing like I had such an amazing

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Speaker 1: experience to doing that, and the response I got was phenomenal.

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Speaker 1: I didn't I didn't know how much the culture needed

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Speaker 1: that episode to tell vision. I really really didn't, because

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Speaker 1: so many people reached out and I was like, finally, like,

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Speaker 1: we're seeing someone that reflects us, and you're telling our story.

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Speaker 1: And I think for me, I just sort of I

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Speaker 1: didn't care if when I walk into a room the

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Speaker 1: energy changes. I didn't care to shout from the rooftops

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Speaker 1: like yeah, I'm proud to be black, I'm proud to

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Speaker 1: be gay, I'm proud to be a woman. And then

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Speaker 1: I realized how much of an anomaly I was in

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Speaker 1: the industry, because if you look at how many black

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Speaker 1: people are in Hollywood and how many outgay black people

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Speaker 1: there are in Hollywood, then numbers just don't add up.

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Speaker 1: But I think for me, what I hope is with

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Speaker 1: my success and just my career and my trajectory, I

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Speaker 1: hope that somebody looks at me and goes, you know what,

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Speaker 1: maybe it ain't that bad. Maybe I should just like

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Speaker 1: stop trying to be pretending to be something I'm not.

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Speaker 1: I think it's the confidence. I think it's the confidence

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Speaker 1: that's intriguing. It's not the fact that you're black and

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Speaker 1: you're again you want it's affect that you're unapologetically all

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Speaker 1: of that. People wish they could be that confident. It's

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Speaker 1: interesting because I think some people aren't really confident. I

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Speaker 1: think there's just a level of fear of I don't know,

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Speaker 1: I don't know what they're afraid. I can't speak to

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Speaker 1: it because that's out my experience. But I see it

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Speaker 1: all the time where I see people who I know,

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Speaker 1: our family, but they acted as that they ain't scared. No. No.

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Speaker 1: And my boy, Justine Simeon, who created your white people,

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Speaker 1: I remember because I didn't. I never thought I would

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Speaker 1: be an actor or a public person. But I remember

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Speaker 1: when we were in the process of we gott in

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Speaker 1: the Sundance and we knew that, you know, we knew

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Speaker 1: just was gonna be doing a lot of interviews and

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Speaker 1: all that kind of stuff, and Justin I had a

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Speaker 1: conversation where we were like, we will never ever pretend

422
00:19:28,760 --> 00:19:30,639
Speaker 1: to be something we aren't when we get out there

423
00:19:30,680 --> 00:19:32,159
Speaker 1: in a public eye, people need to hear that. You know.

424
00:19:32,320 --> 00:19:34,320
Speaker 1: You get a lot of emails for ask ye about that,

425
00:19:34,359 --> 00:19:40,879
Speaker 1: and me and my wife, people always inquired advantage I

426
00:19:40,920 --> 00:19:42,320
Speaker 1: want to come out and how can I come out?

427
00:19:42,400 --> 00:19:43,800
Speaker 1: Like they don't know when we get there. You get

428
00:19:43,800 --> 00:19:45,560
Speaker 1: that a lot. When people like, they get that a lot.

429
00:19:45,600 --> 00:19:47,479
Speaker 1: So it's glad to people hear your stories. Yeah, do

430
00:19:47,520 --> 00:19:50,280
Speaker 1: you think it's everybody's business? Though, Like some people choose

431
00:19:50,320 --> 00:19:51,959
Speaker 1: to come out the closet and some people are just like,

432
00:19:52,280 --> 00:19:55,280
Speaker 1: my sexuality isn't your business? You know. I think that

433
00:19:55,560 --> 00:19:59,800
Speaker 1: argument held water, uh a little bit longer ago, but

434
00:20:00,080 --> 00:20:02,879
Speaker 1: now I think it's imperative that, especially if you're a

435
00:20:02,920 --> 00:20:05,800
Speaker 1: person of color, because the truth is there. You know.

436
00:20:06,160 --> 00:20:08,840
Speaker 1: For me, when I was a young black girl who

437
00:20:08,920 --> 00:20:11,600
Speaker 1: knew I was different, was watching TV. I would always

438
00:20:11,640 --> 00:20:14,800
Speaker 1: be staring at the TV set looking for myself and

439
00:20:14,840 --> 00:20:17,440
Speaker 1: I didn't see me. And when you don't see yourself,

440
00:20:18,160 --> 00:20:20,720
Speaker 1: you start to think that you don't matter, or you

441
00:20:20,720 --> 00:20:22,960
Speaker 1: start to think that something is wrong with you. So

442
00:20:23,080 --> 00:20:26,400
Speaker 1: for me, I take it as a responsibility to be

443
00:20:26,920 --> 00:20:30,640
Speaker 1: out as hell, you know, black as hell, female as hell.

444
00:20:30,680 --> 00:20:33,960
Speaker 1: So that way, when some young brown kid is sitting

445
00:20:33,960 --> 00:20:36,600
Speaker 1: at home and turn on YouTube and watching y'all, or

446
00:20:36,640 --> 00:20:38,919
Speaker 1: turns on Netflix watch Master of None, or is watching

447
00:20:38,920 --> 00:20:44,800
Speaker 1: The Shy or whatever it is, you know, they will say, oh,

448
00:20:44,840 --> 00:20:48,080
Speaker 1: that's me, and she's okay, and she seems to be

449
00:20:48,080 --> 00:20:50,720
Speaker 1: happy and doing quite well for herself. So you know what,

450
00:20:50,800 --> 00:20:53,480
Speaker 1: I'm gonna be brave and be myself and be out

451
00:20:53,840 --> 00:20:57,119
Speaker 1: because if she can do it and survive, then maybe

452
00:20:57,119 --> 00:20:59,640
Speaker 1: so can I. School I'll listen is real quick because

453
00:20:59,680 --> 00:21:02,200
Speaker 1: you know, you call yourself an openly queer woman. When

454
00:21:02,200 --> 00:21:04,639
Speaker 1: did the word queer change from a slur to a

455
00:21:04,760 --> 00:21:07,640
Speaker 1: term of endearment? Yeah? I think for me, the reason

456
00:21:07,680 --> 00:21:09,880
Speaker 1: why I use the word queer is because even though yes,

457
00:21:09,920 --> 00:21:15,000
Speaker 1: there's lesbian, gay, bisexual, trans, intersex, asexual, non binary, there's

458
00:21:15,000 --> 00:21:18,040
Speaker 1: a lot of you know, categories within our group. And

459
00:21:18,040 --> 00:21:19,639
Speaker 1: the reason I like to say queer is because I

460
00:21:19,640 --> 00:21:21,520
Speaker 1: don't want to separate myself from any of those other

461
00:21:21,560 --> 00:21:24,679
Speaker 1: people to me, like my fight, I'll fight next to

462
00:21:24,720 --> 00:21:26,760
Speaker 1: a gay man, I'll fight next to a bisexual person,

463
00:21:26,800 --> 00:21:28,520
Speaker 1: I'll fight next to a trans person. I'll fight next

464
00:21:28,520 --> 00:21:30,960
Speaker 1: to someone who's non binary. I like to say we're

465
00:21:31,000 --> 00:21:34,320
Speaker 1: all one big family. And so that's why I'm trying

466
00:21:34,320 --> 00:21:35,919
Speaker 1: not to say lesbian, because then I'm sort of like,

467
00:21:36,040 --> 00:21:39,240
Speaker 1: I feel like ostracizing the lesbian group within a group

468
00:21:39,240 --> 00:21:41,879
Speaker 1: of that's already a minority. So for me, when I

469
00:21:41,880 --> 00:21:43,639
Speaker 1: say queer, it's really my way of just sort of

470
00:21:43,680 --> 00:21:46,680
Speaker 1: being all inclusive. Um, So that way, I'm not separating

471
00:21:46,720 --> 00:21:49,000
Speaker 1: myself from any other group. It's me saying like, we're

472
00:21:49,040 --> 00:21:51,680
Speaker 1: all one big group. We're all we all have something

473
00:21:51,720 --> 00:21:53,760
Speaker 1: about us that's sort of different, and we all have

474
00:21:53,800 --> 00:21:55,720
Speaker 1: to come out in some sort of way. So I

475
00:21:55,720 --> 00:21:57,639
Speaker 1: just kind of feel like we're all one big family.

476
00:22:04,160 --> 00:22:07,960
Speaker 1: Season two yet not yet, but I feel confident and

477
00:22:08,080 --> 00:22:10,680
Speaker 1: I'm and I'm grateful to all these people that really

478
00:22:10,720 --> 00:22:13,280
Speaker 1: showed up. You know, I mean so many people, so

479
00:22:13,359 --> 00:22:15,680
Speaker 1: many of our people, some people that don't even look

480
00:22:15,720 --> 00:22:19,160
Speaker 1: like us, were like, you know, instagramming and posting and tweeting,

481
00:22:19,200 --> 00:22:22,080
Speaker 1: and it was another it was it feels similar to Thanksgiving,

482
00:22:22,240 --> 00:22:24,199
Speaker 1: you know, because the thing about Netflix is like, we

483
00:22:24,200 --> 00:22:26,040
Speaker 1: don't know how people feel about it. It It feels like,

484
00:22:26,200 --> 00:22:29,720
Speaker 1: you know, yeah, exactly, we don't have ratings or whatever.

485
00:22:29,840 --> 00:22:31,919
Speaker 1: But I think for the shine, you know, and we

486
00:22:31,920 --> 00:22:34,159
Speaker 1: were lucky because Showtime was gracious enough to release the

487
00:22:34,160 --> 00:22:37,320
Speaker 1: first episode early. So we were getting tweets and emails

488
00:22:37,320 --> 00:22:39,160
Speaker 1: and comment it was getting texts and he was screen

489
00:22:39,400 --> 00:22:41,480
Speaker 1: grabbing and send them to me. People were saying, again,

490
00:22:41,760 --> 00:22:45,360
Speaker 1: thank you for showing us as we are, and um,

491
00:22:45,400 --> 00:22:48,000
Speaker 1: and that's really my mission as a writer. I really

492
00:22:48,080 --> 00:22:51,320
Speaker 1: want to continue to gain the audience's trust and I

493
00:22:51,359 --> 00:22:53,720
Speaker 1: want to continue to be a person that can really,

494
00:22:53,800 --> 00:22:56,680
Speaker 1: you know, wave a flag for our community. And um,

495
00:22:57,119 --> 00:22:58,880
Speaker 1: you know, I think I think it's something I don't

496
00:22:58,880 --> 00:23:00,840
Speaker 1: take lightly. And even like with when in the Emmy,

497
00:23:01,280 --> 00:23:02,960
Speaker 1: I'm really grateful and I didn't expect for that to

498
00:23:03,000 --> 00:23:05,080
Speaker 1: happen so earlier in my career. So I think for me,

499
00:23:05,119 --> 00:23:07,080
Speaker 1: I feel like I'm always trying to earn it, you know,

500
00:23:07,080 --> 00:23:09,040
Speaker 1: I'm really trying to earn that moment and you know,

501
00:23:09,040 --> 00:23:11,600
Speaker 1: hopefully hit a few more. One last question, how do

502
00:23:11,600 --> 00:23:13,600
Speaker 1: you think the show will change the perception in Chicago?

503
00:23:13,640 --> 00:23:15,800
Speaker 1: Ask you this last night, but I want audience to

504
00:23:15,840 --> 00:23:17,560
Speaker 1: hear it. I hope it just sort of reminds them

505
00:23:17,560 --> 00:23:19,919
Speaker 1: that black boys aren't born with the gun in their

506
00:23:20,040 --> 00:23:22,440
Speaker 1: right hand and apolodrugs and they're left. You know, they're

507
00:23:22,440 --> 00:23:27,520
Speaker 1: born with the same amount of hope, enjoy and potential

508
00:23:27,560 --> 00:23:29,960
Speaker 1: as every other little kid, and that you know, we

509
00:23:30,440 --> 00:23:33,119
Speaker 1: are we're human, and I think that's the thing that

510
00:23:33,119 --> 00:23:36,159
Speaker 1: people often forget. We are human beings and h and

511
00:23:36,160 --> 00:23:38,000
Speaker 1: we're just a group of working class folks that are

512
00:23:38,000 --> 00:23:40,000
Speaker 1: trying to go to work every day, raise our kids,

513
00:23:40,000 --> 00:23:42,239
Speaker 1: and get the church when we can and h and

514
00:23:42,280 --> 00:23:44,639
Speaker 1: also too, you know, I know people are said they

515
00:23:44,640 --> 00:23:46,399
Speaker 1: feel really connected to the characters, and they feel like

516
00:23:46,400 --> 00:23:48,280
Speaker 1: they're really rooting for them and care about them, and

517
00:23:48,320 --> 00:23:50,520
Speaker 1: even though they may be fictitious, my hope is that

518
00:23:50,680 --> 00:23:53,359
Speaker 1: if you care about Kogie, if you care about Brandon,

519
00:23:53,400 --> 00:23:55,320
Speaker 1: if you care about emm It, if you care about Kevin,

520
00:23:56,359 --> 00:23:58,680
Speaker 1: that maybe when you hear a story on the news

521
00:23:58,680 --> 00:24:01,200
Speaker 1: about some young black boy being shot and killed the street,

522
00:24:01,359 --> 00:24:03,680
Speaker 1: it will no longer just be background noise, but you'll

523
00:24:03,720 --> 00:24:05,560
Speaker 1: wonder what his nickname was, You'll wonder what he had

524
00:24:05,600 --> 00:24:08,840
Speaker 1: for breakfast that morning. Um, you'll wonder what his dreams were.

525
00:24:09,280 --> 00:24:11,000
Speaker 1: U and I think that's the mission, is to get

526
00:24:11,040 --> 00:24:13,639
Speaker 1: people to care about our lives. We appreciate you for

527
00:24:13,720 --> 00:24:16,320
Speaker 1: joining us. Lena Way for Lena's special man. And she's

528
00:24:16,359 --> 00:24:18,200
Speaker 1: about to be in a Steven Spielberg movie. So you

529
00:24:18,280 --> 00:24:21,200
Speaker 1: know what that means. Whenever Steven Spielberg puts a black

530
00:24:21,200 --> 00:24:24,439
Speaker 1: woman in that movies, Oprah willpee. They go to a

531
00:24:24,520 --> 00:24:27,320
Speaker 1: new level dress when Lena's about to go looking. And

532
00:24:27,320 --> 00:24:29,280
Speaker 1: I'm gonna keep coming back, man, whenever y'all hit me,

533
00:24:29,359 --> 00:24:31,479
Speaker 1: whenever y'all hit me, I'm gonna come back. Please do it. Well,

534
00:24:31,560 --> 00:24:34,000
Speaker 1: we appreciate you for joining us. It's the Breakfast Club.

535
00:24:34,040 --> 00:24:43,280
Speaker 1: Good morning, It's time to shoot your shot. To shoot

536
00:24:43,320 --> 00:24:46,680
Speaker 1: your shot with the Breakfast Club. Want chance, don't mess

537
00:24:46,720 --> 00:24:49,280
Speaker 1: it up? Mess it up, mess it up, mess it there.

538
00:24:49,320 --> 00:24:51,800
Speaker 1: We got Dan on the line. Dan, what's up? Bro? Hey,

539
00:24:51,920 --> 00:24:54,199
Speaker 1: Hey damn, we're doing shoot your shot now. Now tell

540
00:24:54,280 --> 00:24:58,280
Speaker 1: us your story. What's your situation, bro? Well, recently I

541
00:24:58,359 --> 00:25:01,359
Speaker 1: had a girl friend that she was pregnant. You know,

542
00:25:01,400 --> 00:25:03,520
Speaker 1: it's kind of like that story everybody, you know, a

543
00:25:03,600 --> 00:25:06,840
Speaker 1: lot of people are used too, uh, I got cold feet,

544
00:25:07,480 --> 00:25:11,800
Speaker 1: and you know, I took a walk. I left your

545
00:25:11,800 --> 00:25:17,640
Speaker 1: pregnant girlfriend. That was lame, bro, Yeah, I realized that. Now.

546
00:25:17,680 --> 00:25:20,520
Speaker 1: Why did you leave your pregnant girlfriend? I'm disgusted about you.

547
00:25:20,680 --> 00:25:22,800
Speaker 1: That was so you were planning to not take care

548
00:25:22,800 --> 00:25:24,600
Speaker 1: of your kid, or you just didn't want to be

549
00:25:24,680 --> 00:25:27,240
Speaker 1: where old It was more or less. I just need

550
00:25:27,240 --> 00:25:29,760
Speaker 1: a little time to kind of clear my head a bit.

551
00:25:29,840 --> 00:25:33,199
Speaker 1: But I talked to friends and family. You know, I

552
00:25:33,240 --> 00:25:36,520
Speaker 1: got a good support system, and you know, I knew

553
00:25:36,520 --> 00:25:38,280
Speaker 1: I had to be in the child's life over you know,

554
00:25:38,280 --> 00:25:40,840
Speaker 1: I was gone for three months, which is which is

555
00:25:40,880 --> 00:25:44,320
Speaker 1: way too long for you know, I ain't gonna lie.

556
00:25:44,320 --> 00:25:46,960
Speaker 1: You sound like a sucker right now, my brother. That's

557
00:25:46,960 --> 00:25:49,200
Speaker 1: pretty awful because she could have been so stressed out

558
00:25:49,240 --> 00:25:51,440
Speaker 1: that could really have harmed the baby. I don't want

559
00:25:51,480 --> 00:25:53,199
Speaker 1: you back in my life when you wasn't with me

560
00:25:53,240 --> 00:25:55,399
Speaker 1: for the tough time. Baby, you wake up pushed this

561
00:25:55,480 --> 00:25:57,800
Speaker 1: baby out to try to come back around. It's it's

562
00:25:58,040 --> 00:26:00,399
Speaker 1: I'm embarrassed enough. I honestly I am. So did you

563
00:26:00,440 --> 00:26:02,240
Speaker 1: ever see the baby? Have you ever seen the baby?

564
00:26:02,400 --> 00:26:05,800
Speaker 1: But three here here's the thing. The three months I

565
00:26:05,840 --> 00:26:09,480
Speaker 1: didn't hear nothing. I didn't get contacted, I didn't get

566
00:26:09,480 --> 00:26:11,760
Speaker 1: no phone called up. You think I wouldn't have called

567
00:26:11,760 --> 00:26:16,720
Speaker 1: your podcasts either. Yeah, you did leave, which which you're right.

568
00:26:16,760 --> 00:26:19,479
Speaker 1: I probably deserved it, but I just found it. I

569
00:26:19,520 --> 00:26:21,840
Speaker 1: found it weird that I didn't get contacted at all.

570
00:26:22,119 --> 00:26:24,320
Speaker 1: Why would I contact you when you left me high

571
00:26:24,359 --> 00:26:26,359
Speaker 1: and dry walked out? Can you imagine how that make

572
00:26:26,440 --> 00:26:29,199
Speaker 1: a woman feel? Bro, Seriously, she's pregnant and she's like, Yo,

573
00:26:29,359 --> 00:26:31,159
Speaker 1: I'm pregnant, and then you just ghost on it. You

574
00:26:31,160 --> 00:26:35,040
Speaker 1: already got her hormones going crazy. After thinking about it.

575
00:26:35,119 --> 00:26:37,679
Speaker 1: I know I was wrong. That's why I wanted to

576
00:26:37,680 --> 00:26:40,159
Speaker 1: to make up for whatever I messed out up. What

577
00:26:40,200 --> 00:26:42,960
Speaker 1: do you think's gonna happen this morning? Sir? Like, seriously,

578
00:26:43,000 --> 00:26:45,000
Speaker 1: what do you want us to do if? If you

579
00:26:45,000 --> 00:26:47,440
Speaker 1: guys can't help me out, I want to come back.

580
00:26:47,680 --> 00:26:51,000
Speaker 1: I want to put everything behind us and got to

581
00:26:51,000 --> 00:26:53,159
Speaker 1: be in this child's life. That has to happen. I

582
00:26:53,200 --> 00:26:55,560
Speaker 1: do agree that a child needs both his parents. With

583
00:26:55,720 --> 00:26:57,720
Speaker 1: as far as you and Hurt being together, I can't

584
00:26:57,760 --> 00:26:59,760
Speaker 1: co sign it and you can't do that would be

585
00:26:59,760 --> 00:27:04,120
Speaker 1: I deal. But however, whatever, however it goes, I need

586
00:27:04,119 --> 00:27:06,320
Speaker 1: to be in the child's life. Okay, well let's let's

587
00:27:06,400 --> 00:27:08,280
Speaker 1: let's call her. What's her name? Her name is Shack.

588
00:27:08,400 --> 00:27:10,280
Speaker 1: All right, We're gonna call Shane when we come back,

589
00:27:10,520 --> 00:27:12,840
Speaker 1: and you better do a lot of begging. You better

590
00:27:12,840 --> 00:27:16,760
Speaker 1: do a lot of apologize and a lot. I wouldn't

591
00:27:16,760 --> 00:27:19,520
Speaker 1: take her back about you. I'm not I wouldn't take

592
00:27:19,560 --> 00:27:21,000
Speaker 1: him back about you. Know what I mean. I wouldn't

593
00:27:21,000 --> 00:27:23,480
Speaker 1: take you back and bum but I do. I do agree.

594
00:27:23,480 --> 00:27:25,400
Speaker 1: You need to be in the child's life, though, good

595
00:27:25,600 --> 00:27:27,080
Speaker 1: good luck. We'll do when we come back. Hold on,

596
00:27:27,080 --> 00:27:29,200
Speaker 1: all right, thank you, I will give up call when

597
00:27:29,200 --> 00:27:31,040
Speaker 1: we come back. Keep a lock. This to Breakfast Club

598
00:27:31,160 --> 00:27:35,480
Speaker 1: and shoot your shot. Body is DJ Envy Angela Yee Charlomagne,

599
00:27:35,480 --> 00:27:37,359
Speaker 1: the guy we all to Breakfast Club were in the

600
00:27:37,359 --> 00:27:39,199
Speaker 1: middle of shoots your shot. We have Dan on the

601
00:27:39,240 --> 00:27:53,400
Speaker 1: line and Dan's about to call Shay. Hello, Shack, Yes,

602
00:27:54,040 --> 00:27:58,760
Speaker 1: Shade's Dan. I know it is. I haven't heard from you,

603
00:27:59,040 --> 00:28:03,040
Speaker 1: and you know, I just want you to know that

604
00:28:03,560 --> 00:28:06,359
Speaker 1: I cleared my head about a lot of stuff, talked

605
00:28:06,359 --> 00:28:09,840
Speaker 1: to some friends and family, and I need this. It

606
00:28:09,880 --> 00:28:12,520
Speaker 1: has to I have to be in the child's life.

607
00:28:12,560 --> 00:28:15,840
Speaker 1: I can't. I can't go any longer without you contacted me,

608
00:28:16,720 --> 00:28:20,680
Speaker 1: without casting hold up. First of all, you haven't spoken

609
00:28:20,720 --> 00:28:24,240
Speaker 1: to me in three months. I called you so many times,

610
00:28:24,560 --> 00:28:26,720
Speaker 1: and after you ignored me in treating me like how much,

611
00:28:27,320 --> 00:28:29,399
Speaker 1: I stopped talking to you. I stopped, Paul and I

612
00:28:29,440 --> 00:28:32,920
Speaker 1: stopped trying it. But honestly, it's too late like that.

613
00:28:32,920 --> 00:28:36,600
Speaker 1: That should have sailed a long time ago. Look what

614
00:28:36,840 --> 00:28:41,000
Speaker 1: between between me and you? That's fine, But I got

615
00:28:41,000 --> 00:28:45,280
Speaker 1: to be in our child's life. Well that's another conversation

616
00:28:45,280 --> 00:28:47,280
Speaker 1: we would have had months ago. If you aren't avoiding me,

617
00:28:48,520 --> 00:28:59,040
Speaker 1: it's not your child. Yeah, that's what I like to do.

618
00:28:59,520 --> 00:29:02,480
Speaker 1: Good in Shade, she said to Breakfast Club. So I

619
00:29:02,560 --> 00:29:06,959
Speaker 1: mean to God Angela DJ and I am proud of you, Shade. Okay.

620
00:29:07,080 --> 00:29:09,800
Speaker 1: I told this sucker that he did not deserve to

621
00:29:09,840 --> 00:29:11,680
Speaker 1: be back with you after he left you high and

622
00:29:11,760 --> 00:29:14,080
Speaker 1: dry when he was pregnant, and I'm glad the baby's

623
00:29:14,120 --> 00:29:17,400
Speaker 1: not his. God is good. Say you're not saying it's

624
00:29:17,400 --> 00:29:21,720
Speaker 1: just because you're angry, are you? No? No? Oh my god,

625
00:29:21,800 --> 00:29:23,920
Speaker 1: I cannot believe I got the whole Breakfast call on

626
00:29:24,000 --> 00:29:27,880
Speaker 1: my life. I tell me about the glory of God. Baby,

627
00:29:28,280 --> 00:29:30,040
Speaker 1: tell me how good God is? Go ahead, tell us

628
00:29:30,040 --> 00:29:32,200
Speaker 1: why is it not his? Well? God is really good.

629
00:29:32,200 --> 00:29:34,920
Speaker 1: God is. God is amazing because it turns out that

630
00:29:35,800 --> 00:29:38,160
Speaker 1: the baby's daddy was somebody else and he and our

631
00:29:38,200 --> 00:29:43,080
Speaker 1: own a relationship right now, and he's amazing. So did

632
00:29:43,160 --> 00:29:45,719
Speaker 1: you get a test in everything though? To make sure, yeah,

633
00:29:45,760 --> 00:29:49,360
Speaker 1: we did. I am going to overlap your horrsh ways,

634
00:29:49,640 --> 00:29:52,560
Speaker 1: because this is what God wanted for you. I am

635
00:29:52,560 --> 00:29:55,560
Speaker 1: proud of you, Shaye. Tell our sucker, hang up the phone,

636
00:29:55,760 --> 00:29:58,880
Speaker 1: don't ever call you, lose your number, y'all. Ain't got

637
00:29:58,880 --> 00:30:01,760
Speaker 1: no reason to be together. Dan, Dan, I'd like to

638
00:30:01,840 --> 00:30:03,920
Speaker 1: hear what Dan has to say about this now, Danny,

639
00:30:04,000 --> 00:30:08,360
Speaker 1: you feel like this is exactly this is exactly why

640
00:30:08,440 --> 00:30:10,680
Speaker 1: I got cold feet when I found out you're pregnant. Oh,

641
00:30:10,720 --> 00:30:16,600
Speaker 1: don't try to try to the strip now do You

642
00:30:16,680 --> 00:30:18,800
Speaker 1: never asked Dan why he now? He just walked away, Dan,

643
00:30:18,840 --> 00:30:20,680
Speaker 1: And maybe that was the reason. Was that the reason

644
00:30:20,640 --> 00:30:25,560
Speaker 1: I'm scared? But also this is exactly why I was.

645
00:30:25,640 --> 00:30:27,680
Speaker 1: I was nervous about having a child with her because

646
00:30:27,720 --> 00:30:30,880
Speaker 1: I can never get a bullet. D Your energy changed,

647
00:30:31,120 --> 00:30:32,960
Speaker 1: Your energy changed a little while ago, I would have

648
00:30:32,960 --> 00:30:34,680
Speaker 1: been with the kid who would have been back with

649
00:30:34,800 --> 00:30:37,000
Speaker 1: her now, all of a sudden, this is why you

650
00:30:37,040 --> 00:30:39,360
Speaker 1: didn't want to do such and such. Kiss my ass, Dan,

651
00:30:39,560 --> 00:30:42,280
Speaker 1: and kiss Shay's ass, and kiss the little baby's ass too,

652
00:30:42,400 --> 00:30:44,880
Speaker 1: and kiss the real daddy's ass as well. Damn might

653
00:30:44,920 --> 00:30:46,680
Speaker 1: have done the bullet. Maybe that was the reason why

654
00:30:46,800 --> 00:30:49,120
Speaker 1: Dad walked out, because she thought she was cheating on him.

655
00:30:49,120 --> 00:30:51,920
Speaker 1: You don't know. He wouldn't have been stressed out for

656
00:30:51,960 --> 00:30:53,480
Speaker 1: all these months if he would have just kept in

657
00:30:53,520 --> 00:30:56,160
Speaker 1: contact and knowing what really happened exactly. This is messy,

658
00:30:56,480 --> 00:31:01,200
Speaker 1: but that seems like everybody winsbody should be happy. He's like, congratulation, Shay,

659
00:31:01,200 --> 00:31:03,800
Speaker 1: thank you so much. And listen that new man you

660
00:31:03,880 --> 00:31:06,520
Speaker 1: with the real baby daddy. His penis is huge, isn't it?

661
00:31:06,680 --> 00:31:13,560
Speaker 1: What better than Dan ever could? Isn't he why you

662
00:31:13,600 --> 00:31:16,040
Speaker 1: want to know? All right, Well, thank you guys, appreciate it.

663
00:31:16,120 --> 00:31:18,240
Speaker 1: Go cry. Danny ain't gonna cry in the car. He

664
00:31:18,320 --> 00:31:22,800
Speaker 1: gonna cry. Goodness, gracious, that was shoot your shot. It's

665
00:31:22,800 --> 00:31:33,160
Speaker 1: the Breakfast Club. Good morning, It's time to shoot your shot.

666
00:31:33,320 --> 00:31:36,040
Speaker 1: To shoot your shot with the Breakfast Club. You want chance,

667
00:31:36,320 --> 00:31:39,000
Speaker 1: don't mess it up. Mess it up, mess it up,

668
00:31:39,200 --> 00:31:41,600
Speaker 1: mess it up. We got Greg on the line, Greg,

669
00:31:41,600 --> 00:31:44,760
Speaker 1: what's up? Bro? Hey, guys held Goring? Hey, Gregor shoots

670
00:31:44,760 --> 00:31:47,120
Speaker 1: your shot? Man, what's going on? Man? Well, tell us

671
00:31:47,160 --> 00:31:49,120
Speaker 1: who you want to shoot your shot with? Bro? Oh

672
00:31:49,240 --> 00:31:52,960
Speaker 1: my gosh, there's this attractive older woman that work works

673
00:31:52,960 --> 00:31:55,920
Speaker 1: out at the same ship my work hour, grol. Oh

674
00:31:55,960 --> 00:31:58,160
Speaker 1: you like older women? Huh? I used to call I

675
00:31:58,280 --> 00:32:01,000
Speaker 1: used to call older women vintage vaginant. But I don't

676
00:32:01,000 --> 00:32:02,600
Speaker 1: do that. I don't talk to I don't object it.

677
00:32:02,600 --> 00:32:04,600
Speaker 1: What's the word I don't. I don't reduce women to

678
00:32:04,640 --> 00:32:07,760
Speaker 1: their body parts? Thank you? All right, Greg, She's definitely

679
00:32:07,760 --> 00:32:10,880
Speaker 1: a cool girl. And uh, I don't call her an animal.

680
00:32:11,040 --> 00:32:13,720
Speaker 1: Who kind of animal are you? So, Greg continued, Let's

681
00:32:13,720 --> 00:32:16,000
Speaker 1: talk about Cheryl. So she's in the gym. She's in

682
00:32:16,000 --> 00:32:18,760
Speaker 1: the gym, and uh, you know, we make eye contact

683
00:32:18,800 --> 00:32:21,960
Speaker 1: all the time. And I helped her out with a

684
00:32:22,000 --> 00:32:25,280
Speaker 1: couple of machines. So you work at the gym, all right,

685
00:32:25,320 --> 00:32:27,040
Speaker 1: work out? He works Okay, you just work out there.

686
00:32:27,040 --> 00:32:28,640
Speaker 1: You don't work there, but you've been helping her even

687
00:32:28,640 --> 00:32:31,760
Speaker 1: though that's not your job. Yeah, okay, friendly, you know

688
00:32:32,520 --> 00:32:34,640
Speaker 1: all that. Are you sure that y'all making eye contact?

689
00:32:34,680 --> 00:32:36,920
Speaker 1: Because she's just like, who's this weirdo that keeps looking

690
00:32:36,960 --> 00:32:39,479
Speaker 1: at me? No? No, we chat each other up a

691
00:32:39,480 --> 00:32:42,440
Speaker 1: little bit. Is she married or is she single? I

692
00:32:42,440 --> 00:32:44,400
Speaker 1: don't I haven't seen a ring on that finger. I

693
00:32:44,480 --> 00:32:47,640
Speaker 1: mean the gym. The gym and tell me. I'm like,

694
00:32:47,680 --> 00:32:50,360
Speaker 1: what kind of conversations do you guys have? Oh man,

695
00:32:50,440 --> 00:32:55,280
Speaker 1: we talk about school, working out summer bodies and yeah,

696
00:32:55,680 --> 00:33:01,480
Speaker 1: you greg like, I just turned eighteen forty you talk

697
00:33:01,520 --> 00:33:03,880
Speaker 1: about school. Now, I'm gonna tell you something. I'm gonna

698
00:33:03,880 --> 00:33:05,440
Speaker 1: tell you something. You can flirt with her and make

699
00:33:05,480 --> 00:33:07,600
Speaker 1: her feel good, but I don't think no forty year

700
00:33:07,600 --> 00:33:09,480
Speaker 1: old woman giving no eighteen year old kid no play.

701
00:33:09,720 --> 00:33:11,520
Speaker 1: That would be actually creepy. It's good though, you make

702
00:33:11,560 --> 00:33:13,160
Speaker 1: her feel good, you know what I'm saying. She's like, damn,

703
00:33:13,160 --> 00:33:15,360
Speaker 1: I still got it. You know, well, I don't know

704
00:33:15,440 --> 00:33:17,920
Speaker 1: we really have a connection. What are you looking for? Though?

705
00:33:17,960 --> 00:33:20,160
Speaker 1: You want a relationship or you just want to you know,

706
00:33:20,400 --> 00:33:25,880
Speaker 1: swimming that fountain of elderly this. I would like to

707
00:33:25,880 --> 00:33:28,080
Speaker 1: go out on a date with her. That's sweet, but

708
00:33:28,240 --> 00:33:30,120
Speaker 1: she might look at you as a child, as her

709
00:33:30,120 --> 00:33:33,240
Speaker 1: son but you have her phone number? Yes, I do. Oh,

710
00:33:33,280 --> 00:33:35,640
Speaker 1: she gave you the number. You asked for it, of course,

711
00:33:35,920 --> 00:33:37,280
Speaker 1: and she gave it to you. Like how did you

712
00:33:37,280 --> 00:33:39,000
Speaker 1: ask for it? Though, like going something like, yo, can

713
00:33:39,040 --> 00:33:40,680
Speaker 1: I call you sometime? I want to get to know

714
00:33:40,680 --> 00:33:43,400
Speaker 1: you better? How you ask for it? Oh? I said,

715
00:33:43,920 --> 00:33:46,600
Speaker 1: we plan to have a workout date together, like you know,

716
00:33:46,760 --> 00:33:48,760
Speaker 1: meet at the gym at the same time. Oh, you

717
00:33:48,840 --> 00:33:50,920
Speaker 1: set it up as work smart. That's good. That's smart.

718
00:33:50,960 --> 00:33:53,080
Speaker 1: You can't get turned down that way, that's smart. All right, Well,

719
00:33:53,160 --> 00:33:55,000
Speaker 1: let's call her and let's see how this works out.

720
00:33:54,960 --> 00:33:56,720
Speaker 1: All right, we're gonna stay call your grandma man and

721
00:33:56,800 --> 00:34:00,280
Speaker 1: see if we can make it. And we're gonna let's

722
00:34:00,280 --> 00:34:02,520
Speaker 1: sew this works out. I hold on, okay, all right.

723
00:34:02,560 --> 00:34:04,840
Speaker 1: When we come back, we're gonna call Cheryl and see

724
00:34:04,840 --> 00:34:06,280
Speaker 1: how this works. I has to don't move. It's a

725
00:34:06,320 --> 00:34:21,440
Speaker 1: breakfast to morning. Hello, Hi, Cheryl, how are you? This

726
00:34:21,480 --> 00:34:25,560
Speaker 1: is Greg from the gym breg. Oh, hey, baby, how

727
00:34:25,600 --> 00:34:28,640
Speaker 1: are you? I'm good? How are you? I'm okay, a

728
00:34:28,640 --> 00:34:31,160
Speaker 1: little surprised with this phone call, but how are you?

729
00:34:31,400 --> 00:34:34,279
Speaker 1: What's going on? All right? I wanted to know if

730
00:34:34,320 --> 00:34:37,040
Speaker 1: you were free this weekend. Would you like to go

731
00:34:37,200 --> 00:34:43,960
Speaker 1: to the movies or to dinner? Something like that? What hold?

732
00:34:44,000 --> 00:34:51,480
Speaker 1: Are you eighteen? Legal? Oh? Oh my god, I do

733
00:34:51,640 --> 00:34:54,200
Speaker 1: want to go. I can't lie. I do want to

734
00:34:54,239 --> 00:34:57,120
Speaker 1: go because you were sexy a little person. But I

735
00:34:57,160 --> 00:35:00,799
Speaker 1: thought you was younger than even eighteen? So where you

736
00:35:01,320 --> 00:35:05,960
Speaker 1: want to go? Chuckie? It's working? Hey, Cheryl, what's up?

737
00:35:05,960 --> 00:35:10,760
Speaker 1: It's the breakfast cloud. I'm angela year. That's envy. Hey, Cheryl,

738
00:35:10,880 --> 00:35:18,040
Speaker 1: you almost pedophile you? He's legally no, almost too offertive word. Oh,

739
00:35:19,160 --> 00:35:21,080
Speaker 1: I don't want to he's legal because if this was

740
00:35:21,120 --> 00:35:24,040
Speaker 1: a man, you'll do it. I'll do it all the time.

741
00:35:24,200 --> 00:35:27,839
Speaker 1: Call we'd be calling you creepy and nasty and all chee,

742
00:35:28,120 --> 00:35:30,719
Speaker 1: all kind of if you saw this little boy and

743
00:35:30,800 --> 00:35:35,600
Speaker 1: then try by supple you just you call him a

744
00:35:35,680 --> 00:35:39,719
Speaker 1: little boy. No, he's a young man that glistens. What

745
00:35:40,120 --> 00:35:42,239
Speaker 1: you know? Was like Tom Ford? Now you know, good one.

746
00:35:42,239 --> 00:35:44,040
Speaker 1: You ain't taking this little boy seriously. Now you might

747
00:35:44,120 --> 00:35:45,759
Speaker 1: let him come over and smash a couple of times,

748
00:35:45,800 --> 00:35:47,879
Speaker 1: but you ain't taking this little boy seriously. And what's

749
00:35:47,920 --> 00:35:55,960
Speaker 1: wrong with that? Oh? Chy with that? Too early for

750
00:35:56,040 --> 00:35:59,640
Speaker 1: the judges, stopping a question. Great invited me. I didn't

751
00:35:59,640 --> 00:36:02,080
Speaker 1: go up to him. Where you gonna take a movie?

752
00:36:02,400 --> 00:36:04,560
Speaker 1: The movies and what restaurant. I'm just curious what restaurant

753
00:36:04,600 --> 00:36:06,160
Speaker 1: you're taking it to. They're going to Chucky Cheese and

754
00:36:06,160 --> 00:36:08,239
Speaker 1: they're going to see Jamanji. That's what they're going to do.

755
00:36:08,960 --> 00:36:11,920
Speaker 1: That's what y'all going to Chucky Cheese and the classy

756
00:36:12,239 --> 00:36:14,880
Speaker 1: You're not giving him enough part it. He's a classy

757
00:36:15,000 --> 00:36:20,279
Speaker 1: young man, spectful and smell like Tom four and I

758
00:36:20,600 --> 00:36:23,160
Speaker 1: like him and he's my motivation for coming to the gym,

759
00:36:23,520 --> 00:36:26,000
Speaker 1: besides my jig part. You're gonna get you a contributor

760
00:36:26,000 --> 00:36:28,040
Speaker 1: to the linguacy of a minor child, y'all y'all, And

761
00:36:28,040 --> 00:36:29,520
Speaker 1: you're gonna order him a little wine, you know what

762
00:36:29,560 --> 00:36:30,839
Speaker 1: I'm saying, to get him in the mood, and you're

763
00:36:30,840 --> 00:36:33,200
Speaker 1: going to jail. Oh no, I'm not going to order

764
00:36:33,280 --> 00:36:35,719
Speaker 1: him wine because he's eighteen, not twenty one. Stop it.

765
00:36:35,840 --> 00:36:38,279
Speaker 1: You got kids? Stop it? You got kids? I do

766
00:36:38,640 --> 00:36:41,520
Speaker 1: how old are they? That's not the important part. That

767
00:36:41,640 --> 00:36:43,960
Speaker 1: means that they close to this young boy's age. When

768
00:36:44,000 --> 00:36:46,680
Speaker 1: you when you sleeping with him, you look down and

769
00:36:46,760 --> 00:36:48,439
Speaker 1: you hear some moaning, and you think of your child,

770
00:36:48,719 --> 00:36:50,400
Speaker 1: you're gonna know what it is you gotta sign. I

771
00:36:50,560 --> 00:36:52,439
Speaker 1: am not gonna think of my child because my child

772
00:36:52,480 --> 00:36:55,279
Speaker 1: don't have the muscles on this man. This man is

773
00:36:55,360 --> 00:36:57,920
Speaker 1: sexy and Charlemagne. You need to take notes from him

774
00:36:57,920 --> 00:37:01,319
Speaker 1: and get your wings. This young boy, knock it off,

775
00:37:02,080 --> 00:37:04,560
Speaker 1: never seen you've never seen my shirt off, and get

776
00:37:04,640 --> 00:37:06,719
Speaker 1: your weight up. All right, all right, well, y'all are

777
00:37:06,760 --> 00:37:09,000
Speaker 1: gonna go out. So this is interesting. I can't wait

778
00:37:09,080 --> 00:37:10,880
Speaker 1: to hear the follow up. If you guys end up

779
00:37:10,920 --> 00:37:13,759
Speaker 1: really like dating. Seriously, I still have the test off

780
00:37:13,840 --> 00:37:18,560
Speaker 1: throw special. Well, let us still gets strong like an

781
00:37:18,600 --> 00:37:22,240
Speaker 1: eighteen year old and I mean mama, all right, all right, grandma,

782
00:37:22,840 --> 00:37:25,799
Speaker 1: she's got a grandma. I don't like these double stand

783
00:37:25,880 --> 00:37:27,759
Speaker 1: by because this is a forty year old man and

784
00:37:27,800 --> 00:37:29,680
Speaker 1: an eighteen ye old woman. We'd be calling him a

785
00:37:29,719 --> 00:37:33,200
Speaker 1: freaking creep. Okay, in fact, we've done that. We shot before.

786
00:37:33,640 --> 00:37:36,640
Speaker 1: She says, if you're illegal, he definitely, So it's okay,

787
00:37:36,760 --> 00:37:40,040
Speaker 1: the illegal. We keep that same energy. Forty year old

788
00:37:40,160 --> 00:37:43,600
Speaker 1: man and an eighteen year old woman. Okay, I do that, noo,

789
00:37:43,880 --> 00:37:47,280
Speaker 1: but is it legal? Yes? Goodness, gracious, that was shoot

790
00:37:47,320 --> 00:37:52,680
Speaker 1: your shot. It's the Breakfast Club. Good morning A time

791
00:37:53,360 --> 00:38:04,239
Speaker 1: you get dunk you are, I'm gonna satting all that

792
00:38:05,400 --> 00:38:07,919
Speaker 1: they want. This man's two Dogan blowers. Man. They waited

793
00:38:07,920 --> 00:38:10,960
Speaker 1: for Charlemagne to talk. They had to make a judgment.

794
00:38:11,320 --> 00:38:13,000
Speaker 1: Who was going to be on the Donkey of the day.

795
00:38:13,280 --> 00:38:16,800
Speaker 1: They chose you to Breakfast Club. Bitch you who's donkey

796
00:38:16,880 --> 00:38:20,319
Speaker 1: of the day to day? Donkey of to day goes

797
00:38:20,360 --> 00:38:22,719
Speaker 1: to the artist formerly known as Jay Holiday. Now I

798
00:38:22,800 --> 00:38:24,839
Speaker 1: get emails every now and then asking to have Jay

799
00:38:24,880 --> 00:38:27,239
Speaker 1: Holiday on the Breakfast Club. And at three thirty four

800
00:38:27,320 --> 00:38:29,239
Speaker 1: pm yesterday I got one of those emails, and the

801
00:38:29,320 --> 00:38:32,000
Speaker 1: email said, do you guys have space for this interview?

802
00:38:32,280 --> 00:38:34,919
Speaker 1: This rant is growing press under it. Can you clear

803
00:38:35,000 --> 00:38:36,800
Speaker 1: this up and say what he really meant by the

804
00:38:36,920 --> 00:38:39,040
Speaker 1: ig post? I had no idea what they were talking about.

805
00:38:39,080 --> 00:38:41,560
Speaker 1: But I always feel like that's whacked me. You know,

806
00:38:41,680 --> 00:38:44,720
Speaker 1: when an irrelevant artist wants to do a whole interview

807
00:38:44,760 --> 00:38:46,880
Speaker 1: based off of rant they had on social media. If

808
00:38:46,920 --> 00:38:49,080
Speaker 1: you had no buzz doing anything else, So if you

809
00:38:49,160 --> 00:38:50,600
Speaker 1: was a star who had a buzz back in the

810
00:38:50,719 --> 00:38:52,879
Speaker 1: day and you were trying to reheat those cold French

811
00:38:52,920 --> 00:38:54,759
Speaker 1: fries that are your career by going off on a

812
00:38:54,840 --> 00:38:57,719
Speaker 1: social media rant. I'm not interested, So I didn't even

813
00:38:57,760 --> 00:38:59,400
Speaker 1: look at the attachment in the email. But as I

814
00:38:59,480 --> 00:39:01,000
Speaker 1: look at it now, it was a picture of a

815
00:39:01,120 --> 00:39:03,600
Speaker 1: man I assume is Jay Holliday. And the reason I

816
00:39:03,640 --> 00:39:05,680
Speaker 1: say assume is because I have zero idea with this

817
00:39:05,840 --> 00:39:09,640
Speaker 1: young man. Jay Holiday looks like Okay iPhone ex face recognition.

818
00:39:09,800 --> 00:39:12,640
Speaker 1: Fairlass boy. Now you know your uncle Charlotte not the

819
00:39:12,680 --> 00:39:14,839
Speaker 1: highest grade of weed in the dispensary. So feel free

820
00:39:14,880 --> 00:39:17,000
Speaker 1: to reach out to me on social media and explain

821
00:39:17,080 --> 00:39:20,319
Speaker 1: to me why Jay Holliday is mad at the Grammy nominations.

822
00:39:20,920 --> 00:39:22,880
Speaker 1: The only time you should be mad at Grammy nominations

823
00:39:22,960 --> 00:39:24,800
Speaker 1: is if you are in contention from Why not correct

824
00:39:24,840 --> 00:39:26,920
Speaker 1: me if I'm wrong. But Jay Holliday wasn't in contention

825
00:39:27,000 --> 00:39:29,800
Speaker 1: for no Grammy, wasn't he? He wasn't right not. The

826
00:39:29,880 --> 00:39:32,320
Speaker 1: last and only time you know that he was nominated

827
00:39:32,360 --> 00:39:34,040
Speaker 1: for a Grammy was two thousand and nine for his

828
00:39:34,120 --> 00:39:35,960
Speaker 1: album Back in My Lack. I know you're thinking. All

829
00:39:36,000 --> 00:39:38,239
Speaker 1: I know is the record Bed Well Bed was on

830
00:39:38,400 --> 00:39:40,279
Speaker 1: that album, and he lost that year to the Queen

831
00:39:40,320 --> 00:39:42,160
Speaker 1: of Hip Hop soul. Mary Jay Blide Tropp on the

832
00:39:42,160 --> 00:39:46,640
Speaker 1: Clues Bumps for Mary Jay blish Oscar nominated. Now I

833
00:39:46,800 --> 00:39:49,080
Speaker 1: was thinking, Okay, maybe Jay Holliday is writing for people,

834
00:39:49,120 --> 00:39:51,160
Speaker 1: so that's why he's mad. Maybe a song he wrote

835
00:39:51,280 --> 00:39:53,880
Speaker 1: was in contention and didn't get nominated, so there for

836
00:39:54,320 --> 00:39:56,239
Speaker 1: he didn't get nominated, so he's mad. But no, that's

837
00:39:56,280 --> 00:39:59,600
Speaker 1: not the case. Jay Holiday just mad. Yeah, so he

838
00:39:59,680 --> 00:40:01,960
Speaker 1: decided the post the video on social media. I saw

839
00:40:02,000 --> 00:40:04,360
Speaker 1: it on ball Alerts page. Let's hear what Jae Holiday

840
00:40:04,400 --> 00:40:07,359
Speaker 1: had to say. So apparently, man, the black men still

841
00:40:07,440 --> 00:40:09,920
Speaker 1: losing to the women. I get it, no disrespect. I

842
00:40:10,080 --> 00:40:12,319
Speaker 1: was raised by a woman. I have two older sisters. Man,

843
00:40:12,440 --> 00:40:15,920
Speaker 1: I have absolute respect for black women. For with that

844
00:40:16,040 --> 00:40:19,799
Speaker 1: being said, I understand this man, Black men, African American men,

845
00:40:20,280 --> 00:40:23,480
Speaker 1: men from the hood. We go through everything to make

846
00:40:23,520 --> 00:40:26,560
Speaker 1: sure that who we care about are taking care of.

847
00:40:27,000 --> 00:40:30,000
Speaker 1: We don't swing out the ground, we don't do all

848
00:40:30,000 --> 00:40:33,200
Speaker 1: this bulls to be seen. I could be that over

849
00:40:33,320 --> 00:40:36,160
Speaker 1: here is up. I know a whole bunch of little

850
00:40:36,360 --> 00:40:39,480
Speaker 1: dass that sing that I could call a ask the out,

851
00:40:39,520 --> 00:40:42,520
Speaker 1: but I don't and understand this. I got daughters, man,

852
00:40:42,960 --> 00:40:48,520
Speaker 1: Cardi Beyonce scissor all y'all, mother, stop using that pain

853
00:40:49,080 --> 00:40:51,480
Speaker 1: to make it okay to say some bulls on your

854
00:40:51,560 --> 00:40:54,399
Speaker 1: record and get nominated for a Grammy for going through

855
00:40:54,440 --> 00:40:58,720
Speaker 1: some bulls because so it vibe all right. Listen, by

856
00:40:58,719 --> 00:41:00,239
Speaker 1: the way, I thought it was Kat william when I

857
00:41:00,280 --> 00:41:02,399
Speaker 1: sew the video, I was like, why is Cat Williams talking?

858
00:41:02,440 --> 00:41:04,600
Speaker 1: Because he looks just like him. But first of all,

859
00:41:04,640 --> 00:41:06,799
Speaker 1: I have no idea what Jay Holliday is really talking about. Okay,

860
00:41:06,840 --> 00:41:09,319
Speaker 1: he starts off sounding like he's still salty that Mary

861
00:41:09,400 --> 00:41:11,120
Speaker 1: jay Blige beat him in Old nine for the Grammy.

862
00:41:11,160 --> 00:41:13,440
Speaker 1: Then he starts talking about black women singing about their pain.

863
00:41:13,760 --> 00:41:16,359
Speaker 1: Since when don't artists of all genders make music about

864
00:41:16,400 --> 00:41:18,600
Speaker 1: the pain they have been through. That's what we relate to. Yeah,

865
00:41:18,640 --> 00:41:20,720
Speaker 1: it wasn't in a relationship. Was It's because the society

866
00:41:20,840 --> 00:41:23,160
Speaker 1: was his tragedies in the hood. The foundation that most

867
00:41:23,239 --> 00:41:26,200
Speaker 1: great black you know, classic music is built on his pain.

868
00:41:26,280 --> 00:41:28,480
Speaker 1: I mean, in fact, jay Z is nominated for four

869
00:41:28,520 --> 00:41:30,319
Speaker 1: or four four That album is about pain. To paint

870
00:41:30,360 --> 00:41:32,200
Speaker 1: a break in your wife's heart because of infidelity, the

871
00:41:32,280 --> 00:41:34,320
Speaker 1: growing pains of being a father, a better husband, the

872
00:41:34,600 --> 00:41:36,840
Speaker 1: pain of his mother having a suppress of sexuality and

873
00:41:36,880 --> 00:41:39,080
Speaker 1: then smiling because she's she was free to be who

874
00:41:39,160 --> 00:41:41,120
Speaker 1: she is, like, it's all about pain. Kendrick Lamar has

875
00:41:41,120 --> 00:41:43,840
Speaker 1: a bunch of Grammy nominations, and Kendrick talks about everything

876
00:41:43,880 --> 00:41:48,080
Speaker 1: from depression the suicidal thoughts. Is that not pain? Here's

877
00:41:48,080 --> 00:41:50,840
Speaker 1: the problem. Jay Holiday, in the words of my homie,

878
00:41:50,880 --> 00:41:52,719
Speaker 1: a man the Seals, is one of those guys who

879
00:41:52,880 --> 00:41:56,120
Speaker 1: likes poom poom but doesn't like women. Okay, Jay Holliday

880
00:41:56,200 --> 00:41:59,440
Speaker 1: clearly has a problem with getting bested by a woman. Okay,

881
00:41:59,440 --> 00:42:01,680
Speaker 1: you gotta go read the caption on this video. Okay,

882
00:42:01,760 --> 00:42:03,920
Speaker 1: Jay Holiday is caption on this video set as a

883
00:42:03,960 --> 00:42:07,759
Speaker 1: black mother effin man. Yes, salty, I lost to marry

884
00:42:07,840 --> 00:42:10,440
Speaker 1: Jay Blige Negro. That was two thousand nine. Get over it,

885
00:42:10,680 --> 00:42:12,920
Speaker 1: all right, you didn't win in oh nine. Okay, you

886
00:42:12,960 --> 00:42:15,799
Speaker 1: should have did what another great black Armby singer said

887
00:42:15,880 --> 00:42:18,160
Speaker 1: to do, and that's dust yourself off and try again,

888
00:42:18,400 --> 00:42:20,840
Speaker 1: all right, all right, Pelea. Then he put m over it. No,

889
00:42:20,920 --> 00:42:22,560
Speaker 1: you're not, because if you did, you wouldn't be making

890
00:42:22,600 --> 00:42:25,600
Speaker 1: this video. Jay Holiday put hashtag pain wins not talent,

891
00:42:25,840 --> 00:42:29,080
Speaker 1: hashtag don't support junkie music. Hashtag the weekend check, hashtag

892
00:42:29,200 --> 00:42:32,799
Speaker 1: watermelon swallowing, hashtag foreign poom poom. What are you doing

893
00:42:32,840 --> 00:42:35,000
Speaker 1: to help? Because my daughters love y'all, but are not

894
00:42:35,080 --> 00:42:37,640
Speaker 1: allowed to listen. That's the problem, Jay Holiday, When you

895
00:42:37,680 --> 00:42:39,920
Speaker 1: were the offer of a song called bed, you are

896
00:42:40,040 --> 00:42:42,360
Speaker 1: not allowed to be that hypocritical. My name is Charlomagne,

897
00:42:42,360 --> 00:42:45,160
Speaker 1: and God, this is my twentieth year in this radio business. Okay.

898
00:42:45,400 --> 00:42:47,560
Speaker 1: I started off as an intern in nineteen ninety eight

899
00:42:47,600 --> 00:42:50,000
Speaker 1: and Charleston, South Carolina had seen ninety three jams, so

900
00:42:50,040 --> 00:42:53,080
Speaker 1: I was around and very active during the Jay Holiday

901
00:42:53,160 --> 00:42:55,920
Speaker 1: Bed era. I remember people being upset that record was

902
00:42:55,960 --> 00:42:58,480
Speaker 1: playing during the day. Listeners did not think that record

903
00:42:58,560 --> 00:43:00,799
Speaker 1: bed was appropriate for kids to be listening to during

904
00:43:00,840 --> 00:43:03,239
Speaker 1: the day. But it didn't stop the record. You know.

905
00:43:03,360 --> 00:43:05,880
Speaker 1: But the same complaints you have about these young ladies,

906
00:43:06,160 --> 00:43:09,400
Speaker 1: you know sexually explicit lyrics, people had those same complaints

907
00:43:09,400 --> 00:43:11,359
Speaker 1: about Beds. My brother, what the hell are you talking about?

908
00:43:11,480 --> 00:43:14,280
Speaker 1: And let's be clear, you said pain wins, not talent,

909
00:43:14,400 --> 00:43:17,000
Speaker 1: No talent wins, and Jay Holiday you were not more

910
00:43:17,040 --> 00:43:19,160
Speaker 1: talented than Mary J. Blige and O nine And I'm

911
00:43:19,160 --> 00:43:21,200
Speaker 1: pretty sure you're not as talented as says in Beyonce.

912
00:43:21,400 --> 00:43:23,880
Speaker 1: Now it's not about gender, sir, It's about greatness. And

913
00:43:23,960 --> 00:43:25,680
Speaker 1: then O nine, you was good, but you aren't great.

914
00:43:25,719 --> 00:43:27,239
Speaker 1: It's simple and if you were a great, my brother,

915
00:43:27,320 --> 00:43:29,440
Speaker 1: where you've been last time you dropped an album with

916
00:43:29,440 --> 00:43:31,560
Speaker 1: twenty fourteen guilty conscience? I don't want to hear you

917
00:43:31,719 --> 00:43:33,600
Speaker 1: yelling from the sidelines. If you think you still got

918
00:43:33,640 --> 00:43:36,719
Speaker 1: some skills, get in the game, don't complain, compete. Stop

919
00:43:36,800 --> 00:43:39,359
Speaker 1: telling me about gender and black man versus black women,

920
00:43:39,440 --> 00:43:41,960
Speaker 1: talent versus pain man. Those ladies are working and you

921
00:43:42,080 --> 00:43:44,440
Speaker 1: are not simple and plain. Stop being one of those

922
00:43:44,520 --> 00:43:47,200
Speaker 1: dudes who likes poem poem but hates women. Knock it off. Now.

923
00:43:47,400 --> 00:43:49,640
Speaker 1: I'm only talking about this because I need content for

924
00:43:49,719 --> 00:43:53,360
Speaker 1: Donkey today. But the resurfacing of Jay Holiday made me

925
00:43:53,480 --> 00:43:56,560
Speaker 1: think about something. But what are the top five most

926
00:43:56,560 --> 00:44:00,439
Speaker 1: irrelevant holidays? Like? We all have the holidays that really

927
00:44:00,520 --> 00:44:02,960
Speaker 1: means something to us. I love Christmas, I love New

928
00:44:03,040 --> 00:44:06,000
Speaker 1: Year's Eve, I love Valentine's Day. But there's some holidays

929
00:44:06,040 --> 00:44:07,960
Speaker 1: that I don't give a damn about. So there is

930
00:44:08,000 --> 00:44:12,120
Speaker 1: a Charlemagne the God's Top five most irrelevant national holidays.

931
00:44:12,560 --> 00:44:15,760
Speaker 1: Number five Groundhog Day. I don't give a damn about

932
00:44:15,800 --> 00:44:18,959
Speaker 1: no groundhof that's coming up. Okay, it's February second. Look,

933
00:44:19,080 --> 00:44:21,520
Speaker 1: I don't care. And if he sees his shadow, that's

934
00:44:21,560 --> 00:44:23,600
Speaker 1: the only time. That's the only time I care. The

935
00:44:23,640 --> 00:44:26,080
Speaker 1: only time I ever care is when I sign the

936
00:44:26,160 --> 00:44:28,440
Speaker 1: president do that thing with a groundhall peeps out and

937
00:44:28,480 --> 00:44:32,799
Speaker 1: sees his shadow. That's the only time I care. What groundhoggins.

938
00:44:32,840 --> 00:44:34,120
Speaker 1: When you bout to go to the bathroom and it

939
00:44:34,200 --> 00:44:38,839
Speaker 1: comes out a little bit, I wouldn't even recognize the groundhog. Okay,

940
00:44:38,880 --> 00:44:40,839
Speaker 1: I wouldn't even recognize the groundhog if I saw one

941
00:44:40,880 --> 00:44:43,800
Speaker 1: in the street, all right, groundhogging. I would probably mistake

942
00:44:43,800 --> 00:44:46,200
Speaker 1: a groundhog for a woodchuck. But I would recognize the

943
00:44:46,280 --> 00:44:49,200
Speaker 1: ground hall before I recognize Jay. Holiday now number four

944
00:44:49,560 --> 00:44:53,560
Speaker 1: mostly relevant holidays. April fools Day, bro, There's absolutely no

945
00:44:53,680 --> 00:44:55,439
Speaker 1: reason on April for us for people to be falling

946
00:44:55,480 --> 00:44:58,479
Speaker 1: for April fools Day's pranks. The jig been up. In fact,

947
00:44:58,560 --> 00:45:01,040
Speaker 1: April fools dare and saw irrelevant that nobody even bothered

948
00:45:01,080 --> 00:45:03,120
Speaker 1: to do the pranks anymore. I already had one planning

949
00:45:03,120 --> 00:45:05,640
Speaker 1: for you guys that I've been planning out since I

950
00:45:05,719 --> 00:45:08,160
Speaker 1: think we're I think I think we pretty pretty much

951
00:45:08,200 --> 00:45:11,720
Speaker 1: know when their performance pretty much. Number three mostly relevant

952
00:45:11,760 --> 00:45:15,560
Speaker 1: holiday National Selfie Day. That's every June twenty four. Selfies

953
00:45:15,600 --> 00:45:18,239
Speaker 1: do not need its own holiday, simply because people catch

954
00:45:18,360 --> 00:45:21,120
Speaker 1: lights from selfies every day. Be all right. Number two

955
00:45:21,200 --> 00:45:26,640
Speaker 1: most irrelevant holiday Christopher Columbus Day, ftat Murderer is bastard.

956
00:45:26,719 --> 00:45:32,080
Speaker 1: Christopher Columbus Only Christopher we acknowledges Wallace Now the number

957
00:45:32,160 --> 00:45:34,440
Speaker 1: one most irrelevant holiday. I need a drum roll for

958
00:45:34,520 --> 00:45:37,480
Speaker 1: this one. Turned the drum roll up. Okay. The number

959
00:45:37,520 --> 00:45:41,320
Speaker 1: one most irrelevant holiday, beating out National Talk like a

960
00:45:41,440 --> 00:45:46,239
Speaker 1: Pirate Day, beating out National Peanut Butter Day, beating out

961
00:45:46,600 --> 00:45:52,600
Speaker 1: National hat Day. Wow. The most irrelevant holiday is Jay Holiday.

962
00:45:55,719 --> 00:45:59,719
Speaker 1: That damn what does Jay Holiday win? He gets the

963
00:46:00,080 --> 00:46:03,439
Speaker 1: gains he had courtesy here remy ma, he haw he haw,

964
00:46:03,880 --> 00:46:09,480
Speaker 1: you stupid mother? Are you dumb? Gosh? Fight me when

965
00:46:09,480 --> 00:46:12,200
Speaker 1: you see me? Damn it, I'm sure he will. You know,

966
00:46:13,800 --> 00:46:16,359
Speaker 1: He's more irrelevant than Winnie the Pool. That's an easy one.

967
00:46:16,600 --> 00:46:19,359
Speaker 1: First of all, don't we ever disrespect Winnie the Pool? Well,

968
00:46:19,360 --> 00:46:21,080
Speaker 1: you didn't come in here dressed. That's like him. I

969
00:46:21,280 --> 00:46:23,720
Speaker 1: dressed like him at home red T shirt. No drops

970
00:46:23,920 --> 00:46:27,640
Speaker 1: all right there more like a crop top. Well, I

971
00:46:27,640 --> 00:46:29,640
Speaker 1: don't judge me for what I do at home if

972
00:46:29,719 --> 00:46:31,960
Speaker 1: you like, if we love it, all right, you think

973
00:46:31,960 --> 00:46:41,160
Speaker 1: you're elliot in the bedroom, all right, thank you for that. Dog. Yeah,

974
00:46:41,200 --> 00:46:48,480
Speaker 1: I don't know. The Breakfast Club morning. Everybody is DJ Envy,

975
00:46:48,640 --> 00:46:51,439
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

976
00:46:51,520 --> 00:46:54,560
Speaker 1: We got some special guests in the building. Gang out

977
00:46:54,680 --> 00:46:58,520
Speaker 1: right now, me goes, what's happening? We control what's up?

978
00:46:58,560 --> 00:47:02,040
Speaker 1: Sup y'all? A lot of money man, Yeah, so a

979
00:47:02,200 --> 00:47:04,719
Speaker 1: lot of money, he said, yes, keeping go out first,

980
00:47:04,760 --> 00:47:09,800
Speaker 1: you know of it? What exactly is coaching to the me?

981
00:47:09,960 --> 00:47:12,760
Speaker 1: Goals were the way we're bringing out the people together,

982
00:47:13,320 --> 00:47:17,000
Speaker 1: young generation. We're making new music, keeping it fresh, and

983
00:47:17,440 --> 00:47:20,040
Speaker 1: we the boys have started all this crazy float, this

984
00:47:20,160 --> 00:47:23,480
Speaker 1: crazy ice. We're taking over the game. Yeah, and there's

985
00:47:23,480 --> 00:47:25,880
Speaker 1: twenty first songs on this new album. Now we actually

986
00:47:25,920 --> 00:47:27,719
Speaker 1: have to reschedule because I guess they was some type

987
00:47:27,719 --> 00:47:30,440
Speaker 1: of last minute emergency before the album. Get a fly

988
00:47:30,560 --> 00:47:32,160
Speaker 1: back and something to fix it versus something now you

989
00:47:32,239 --> 00:47:34,239
Speaker 1: know who were just on the PJ figuring out the

990
00:47:34,280 --> 00:47:36,080
Speaker 1: album at the same time. So you're on the private

991
00:47:36,160 --> 00:47:37,680
Speaker 1: jet figuring out the album, then trying to get to

992
00:47:37,719 --> 00:47:39,799
Speaker 1: the Brava Club. Now I didn't want to three days

993
00:47:39,840 --> 00:47:41,759
Speaker 1: before the album came out, y'all never right yet, YEA

994
00:47:41,800 --> 00:47:43,919
Speaker 1: were on the cloud we got, you got the last minute.

995
00:47:44,239 --> 00:47:46,400
Speaker 1: You can't rust greatness. Isn't it crazy? Because back in

996
00:47:46,480 --> 00:47:47,879
Speaker 1: the day you used to have to submit your album

997
00:47:48,000 --> 00:47:50,560
Speaker 1: so much earlier, and now three days before you can

998
00:47:50,600 --> 00:47:52,759
Speaker 1: still make changes. We try to hold on to it

999
00:47:52,920 --> 00:47:55,960
Speaker 1: long because you know, albums be leaking. We can't do.

1000
00:47:57,440 --> 00:48:00,360
Speaker 1: How come so many songs? Twenty four is at coaching

1001
00:48:00,400 --> 00:48:03,640
Speaker 1: two and three anniversar. Hain't been a year? Been a

1002
00:48:03,719 --> 00:48:07,359
Speaker 1: year since we dropped our last album. Yeah, so many songs.

1003
00:48:07,400 --> 00:48:09,839
Speaker 1: That's on the right. You've been producing the mixing all right,

1004
00:48:09,840 --> 00:48:12,520
Speaker 1: because I mean early on, y'all didn't have the budgets

1005
00:48:12,560 --> 00:48:13,839
Speaker 1: and all of that to do. So you've been doing

1006
00:48:13,880 --> 00:48:16,759
Speaker 1: that right. Yeah, we had the budget for show, but

1007
00:48:17,239 --> 00:48:19,799
Speaker 1: we just always in housing did it? You made music?

1008
00:48:19,880 --> 00:48:22,799
Speaker 1: A lot of engineers don't know like the sound, they

1009
00:48:22,920 --> 00:48:26,439
Speaker 1: just know the mix it traditional way. I'm talking about

1010
00:48:26,440 --> 00:48:29,160
Speaker 1: early on, even before QC, when y'all with Gucci we've

1011
00:48:29,160 --> 00:48:31,040
Speaker 1: been in our love of ourselves, being hands on with

1012
00:48:31,120 --> 00:48:33,640
Speaker 1: our craft. Got to now the interesting thing about y'all,

1013
00:48:33,760 --> 00:48:35,960
Speaker 1: y'all really hip hop head? Like I hit offset reference

1014
00:48:36,000 --> 00:48:39,279
Speaker 1: in Wu Tang on the twenty one Savage collaboration and quick,

1015
00:48:39,320 --> 00:48:41,279
Speaker 1: what you said, Jay is your favorite rapper? Why why

1016
00:48:41,360 --> 00:48:43,520
Speaker 1: is it this stigma that y'all not real hip hop?

1017
00:48:43,840 --> 00:48:46,319
Speaker 1: You pay homage to the ogs that paid away for us,

1018
00:48:46,360 --> 00:48:48,000
Speaker 1: and I literally and I really listened to that. I

1019
00:48:48,040 --> 00:48:50,520
Speaker 1: don't know what if if you could say you don't

1020
00:48:50,520 --> 00:48:52,600
Speaker 1: know who the folks is, you got to be lying

1021
00:48:53,440 --> 00:48:54,840
Speaker 1: and you got to know the game that you in.

1022
00:48:55,080 --> 00:48:56,359
Speaker 1: You know what I'm saying. You got to know who

1023
00:48:56,840 --> 00:48:59,719
Speaker 1: paid away, who came in and go first? Got to

1024
00:49:00,000 --> 00:49:02,480
Speaker 1: how's it feeling to be nominated for some Grammys? What's

1025
00:49:02,520 --> 00:49:05,799
Speaker 1: that feeling like? First blessing? But you know this you're

1026
00:49:05,840 --> 00:49:10,160
Speaker 1: doing for to get the trophy bring home. That's the

1027
00:49:10,239 --> 00:49:12,920
Speaker 1: one thing that your your mom's respect because moms always

1028
00:49:12,960 --> 00:49:15,360
Speaker 1: knew the Grammys. Like moms might not care about some

1029
00:49:15,440 --> 00:49:18,440
Speaker 1: of the other ones, but mommy knows the Grammys. Mom, Dude,

1030
00:49:18,480 --> 00:49:20,879
Speaker 1: respect us period. You know what I'm saying, just bought

1031
00:49:20,920 --> 00:49:25,960
Speaker 1: our house shout the mom Mama, I feel about your

1032
00:49:25,960 --> 00:49:30,200
Speaker 1: mom's the house man feel good, accomplishments on accomplishments, blessings

1033
00:49:30,239 --> 00:49:32,480
Speaker 1: on blessings. We ain't gotta wait on another guy. She

1034
00:49:32,560 --> 00:49:35,640
Speaker 1: ain't gotta wait on nobody. And she got it from

1035
00:49:35,680 --> 00:49:38,239
Speaker 1: her boys. That's the best, the best ticket in the

1036
00:49:38,280 --> 00:49:40,080
Speaker 1: world from my MoMA. And that's something you had on

1037
00:49:40,160 --> 00:49:42,200
Speaker 1: like a vision board or something like about my mama house.

1038
00:49:42,360 --> 00:49:44,920
Speaker 1: That's the feeling that I made it up, wet me

1039
00:49:44,960 --> 00:49:48,040
Speaker 1: and take out about my mama house. We had to

1040
00:49:48,440 --> 00:49:50,560
Speaker 1: we got to got to take care mamma. It seems

1041
00:49:50,600 --> 00:49:52,919
Speaker 1: like you guys got your business together. Most artists don't

1042
00:49:53,080 --> 00:49:54,920
Speaker 1: usually have their business together till it's too late. What

1043
00:49:55,080 --> 00:49:57,400
Speaker 1: gave you all a sense to have your your together,

1044
00:49:57,840 --> 00:50:01,839
Speaker 1: have a good structure, and then when that bad come

1045
00:50:01,920 --> 00:50:05,160
Speaker 1: in extra different You gotta you can't move the same

1046
00:50:05,239 --> 00:50:07,439
Speaker 1: way how you move when you first got some money.

1047
00:50:07,719 --> 00:50:14,040
Speaker 1: I'm keeping it real, Yeah, Are you telling them not

1048
00:50:14,120 --> 00:50:16,960
Speaker 1: to waste their money or are you just trying stealing

1049
00:50:17,000 --> 00:50:19,239
Speaker 1: them the same things I would talk coming up. You

1050
00:50:19,320 --> 00:50:22,479
Speaker 1: know they y'all, they get the money right now. People

1051
00:50:22,520 --> 00:50:25,120
Speaker 1: don't know like when we first started. They came in

1052
00:50:25,280 --> 00:50:27,440
Speaker 1: with money, You know what I'm saying. You know we

1053
00:50:27,560 --> 00:50:29,840
Speaker 1: were grinding. We were grinding out there in the street.

1054
00:50:29,880 --> 00:50:31,439
Speaker 1: But you know you asked them folks in the street

1055
00:50:31,480 --> 00:50:33,920
Speaker 1: set line of me goes. They came in doing their thing,

1056
00:50:34,080 --> 00:50:36,160
Speaker 1: you know what I'm saying. So I was listening to

1057
00:50:36,600 --> 00:50:39,000
Speaker 1: Cardi B talk about offset inspired her up to get

1058
00:50:39,040 --> 00:50:41,920
Speaker 1: a business manager and get a lawyer and all that.

1059
00:50:42,040 --> 00:50:43,719
Speaker 1: And most of the times you don't necessarily hear that

1060
00:50:43,760 --> 00:50:45,440
Speaker 1: because most times when all to get money is it's

1061
00:50:45,440 --> 00:50:47,400
Speaker 1: so new. They just spending. How did y'all, how did

1062
00:50:47,400 --> 00:50:48,640
Speaker 1: you have that mone frame? Like I knew, I need

1063
00:50:48,680 --> 00:50:49,920
Speaker 1: to get this, I need to get that, I need

1064
00:50:49,960 --> 00:50:51,879
Speaker 1: to get this. Like where did you get that mind

1065
00:50:51,960 --> 00:50:54,520
Speaker 1: framing business sense from? When we came in the game,

1066
00:50:54,840 --> 00:50:56,279
Speaker 1: Like I said, a bit, I'll put it on me,

1067
00:50:56,440 --> 00:50:59,000
Speaker 1: Like he came in teach us or whatever he learned.

1068
00:50:59,120 --> 00:51:00,440
Speaker 1: You know what I'm saying. It was it was like

1069
00:51:00,520 --> 00:51:02,600
Speaker 1: whatever he learned, I learned at the same time. And

1070
00:51:02,719 --> 00:51:06,680
Speaker 1: then I know she had just transferred from not really

1071
00:51:06,880 --> 00:51:08,719
Speaker 1: in a music to having a real his singing. So

1072
00:51:08,880 --> 00:51:10,440
Speaker 1: that money coming in, you got to clean it up.

1073
00:51:10,440 --> 00:51:12,640
Speaker 1: I'm a player. I ain't gonna leave it having money

1074
00:51:12,719 --> 00:51:14,520
Speaker 1: not straight said, you gotta clean that up. You know

1075
00:51:14,600 --> 00:51:16,600
Speaker 1: he's still thinking old day, I gotta clean that money up.

1076
00:51:16,760 --> 00:51:19,560
Speaker 1: It's clean now, it's clean. Clean the business up. That's

1077
00:51:19,680 --> 00:51:21,279
Speaker 1: I mean, not the money of the business behind the one.

1078
00:51:21,480 --> 00:51:25,080
Speaker 1: I'm saying, y'all like second third generation millionaires in Atlanta,

1079
00:51:25,160 --> 00:51:28,239
Speaker 1: or it ain't like money new the black folks in Atlantic, young,

1080
00:51:28,280 --> 00:51:31,160
Speaker 1: black black, everybody got mine a lot of black Hollywood

1081
00:51:32,640 --> 00:51:36,480
Speaker 1: call superstars. You know what I'm saying us. You know,

1082
00:51:37,040 --> 00:51:39,280
Speaker 1: why do you think the sound in Atlanta is accepted

1083
00:51:39,320 --> 00:51:42,279
Speaker 1: all around the world? Like it's because y'all hooding man,

1084
00:51:42,400 --> 00:51:45,840
Speaker 1: y'all smell like loud writing now, but the sounds stepped

1085
00:51:45,880 --> 00:51:49,319
Speaker 1: it all around the world. Why it's authentic, it's real,

1086
00:51:50,200 --> 00:51:54,080
Speaker 1: it's fun, natural, not too much stocks, you know what

1087
00:51:54,080 --> 00:51:56,080
Speaker 1: I'm saying. It's not too much. It's not too deep.

1088
00:51:56,680 --> 00:51:58,520
Speaker 1: You could get deep, but it ain't really too deep.

1089
00:51:58,640 --> 00:52:02,560
Speaker 1: You know what I'm saying. It's enjoyable music, enjoyable in

1090
00:52:02,640 --> 00:52:05,200
Speaker 1: the streets. And you know what, that's a great You

1091
00:52:05,360 --> 00:52:07,680
Speaker 1: guys say that everybody's on the field, nobody's in the bleachers,

1092
00:52:07,719 --> 00:52:10,319
Speaker 1: and y'all have all done your own thing, like individually,

1093
00:52:10,600 --> 00:52:12,440
Speaker 1: but you guys support each other, like take Off, you

1094
00:52:12,520 --> 00:52:14,560
Speaker 1: have the album coming the mixtape with YEADI is it

1095
00:52:14,600 --> 00:52:21,239
Speaker 1: the album or mixtape? Just play on it. I can't

1096
00:52:21,280 --> 00:52:23,480
Speaker 1: spill the beans too much. Just knew us on the way,

1097
00:52:23,920 --> 00:52:27,160
Speaker 1: all right, is it almost done? It was finished? Yeah,

1098
00:52:27,320 --> 00:52:30,120
Speaker 1: you know already in the rep. I saw a tweet

1099
00:52:30,160 --> 00:52:32,239
Speaker 1: this morning. I was interested and said, Young Rich Too

1100
00:52:32,320 --> 00:52:35,160
Speaker 1: was Quabo's album, Coacher was Offsets album, and Coaching Too

1101
00:52:35,280 --> 00:52:37,959
Speaker 1: is Takeoffs album. Yeah, it seems like individually because first

1102
00:52:38,000 --> 00:52:39,880
Speaker 1: it was like Quabo, then it was like Offset. Now

1103
00:52:39,920 --> 00:52:44,319
Speaker 1: it's like take Off that perposely done. Everybody got their

1104
00:52:44,360 --> 00:52:48,360
Speaker 1: own time about time. It's all the one boat and

1105
00:52:48,480 --> 00:52:52,040
Speaker 1: we were one, all the one both, every piece of special.

1106
00:52:52,680 --> 00:52:56,560
Speaker 1: That's why we ain't like nobody else. Everybody pop. I

1107
00:52:56,560 --> 00:52:58,480
Speaker 1: ain't a weak n How do y'all make sure y'all

1108
00:52:58,480 --> 00:53:00,440
Speaker 1: see together as a team, because usually this around the

1109
00:53:00,480 --> 00:53:02,920
Speaker 1: time when we start seeing teams start this person a

1110
00:53:02,960 --> 00:53:05,440
Speaker 1: little bit breaking up and beef in the bickery. It's

1111
00:53:05,480 --> 00:53:09,640
Speaker 1: real family blood. I mean, well, bet through a time

1112
00:53:10,280 --> 00:53:12,000
Speaker 1: we didn't get it like everybody either. I feel like

1113
00:53:12,000 --> 00:53:14,920
Speaker 1: we went through more sleeping on that. Nick tell us.

1114
00:53:15,560 --> 00:53:17,080
Speaker 1: They were tripping. You know what I'm saying. We had

1115
00:53:17,080 --> 00:53:19,440
Speaker 1: to really show people, make them wake up like we

1116
00:53:19,560 --> 00:53:22,160
Speaker 1: did real deal. That also keep us together too, because

1117
00:53:22,160 --> 00:53:24,600
Speaker 1: it ain't know are they we kept it all the

1118
00:53:24,680 --> 00:53:26,399
Speaker 1: way we started the bottom. We don't hand a quick

1119
00:53:26,440 --> 00:53:28,719
Speaker 1: little hitting. I don't feel like we can't scrape for

1120
00:53:28,800 --> 00:53:31,080
Speaker 1: them more As to one, that's why we're gonna leave

1121
00:53:31,120 --> 00:53:33,359
Speaker 1: out as one. We still do our O bands where

1122
00:53:33,520 --> 00:53:35,600
Speaker 1: we support each other. You got to we brought us.

1123
00:53:35,600 --> 00:53:37,520
Speaker 1: We ain't tripping by that. That's that's late money we

1124
00:53:37,640 --> 00:53:39,319
Speaker 1: got more with me goes when we come back, keep

1125
00:53:39,360 --> 00:53:42,000
Speaker 1: it locked. As to breakfast club, good morning morning, everybody's

1126
00:53:42,080 --> 00:53:44,960
Speaker 1: DJ n v Angela Yee Charlomagne the guy we are

1127
00:53:45,040 --> 00:53:48,040
Speaker 1: the breakfast club ME goes to in the building. I

1128
00:53:48,160 --> 00:53:50,680
Speaker 1: remember the grind. I remember y'all did the club for me,

1129
00:53:51,080 --> 00:53:53,000
Speaker 1: and at the time, I think I gave you all

1130
00:53:53,040 --> 00:53:56,000
Speaker 1: three thousand dollars. That's how long a goal was. They

1131
00:53:56,120 --> 00:53:58,759
Speaker 1: nowhere near that now, But I got to make that

1132
00:53:58,880 --> 00:54:01,320
Speaker 1: up next time, NBA. Next time you got an overcharge

1133
00:54:01,520 --> 00:54:05,399
Speaker 1: for what they did. But remember seeing the grind back

1134
00:54:05,440 --> 00:54:07,359
Speaker 1: then in our hard day. That time, that time gonna

1135
00:54:07,360 --> 00:54:12,440
Speaker 1: be three hundred thous now. But that's how that's how

1136
00:54:12,560 --> 00:54:14,719
Speaker 1: much the grind was. They grinded it out, and at

1137
00:54:14,719 --> 00:54:16,840
Speaker 1: the time it was nobody believed and they thought they

1138
00:54:16,880 --> 00:54:18,320
Speaker 1: would one hit one is And now that you know,

1139
00:54:18,400 --> 00:54:21,080
Speaker 1: they pulled the industry wrong. And it was really independent.

1140
00:54:21,120 --> 00:54:25,719
Speaker 1: Don't forget that, really independent on the charge independent, And

1141
00:54:25,840 --> 00:54:28,200
Speaker 1: that's the relationship. I really do remember. I don't think

1142
00:54:28,239 --> 00:54:39,960
Speaker 1: I never took they want they want the early fourteen

1143
00:54:40,080 --> 00:54:42,719
Speaker 1: seventy nine days when COK was just on that um

1144
00:54:43,560 --> 00:54:52,400
Speaker 1: just promo for promo. Looking back in my three that

1145
00:54:52,680 --> 00:54:56,799
Speaker 1: went to the single, I just don't remember you trying

1146
00:54:56,800 --> 00:55:02,080
Speaker 1: to pay that love my brother? That was That was

1147
00:55:02,080 --> 00:55:05,560
Speaker 1: about ten years ago. Ten years ago about it. I

1148
00:55:05,600 --> 00:55:07,399
Speaker 1: don't even think I was here've been out ten years.

1149
00:55:12,719 --> 00:55:16,880
Speaker 1: What's the lowest y'all to appearances, y'all can remember if

1150
00:55:16,960 --> 00:55:19,479
Speaker 1: free the folk, it's been a rack with fo Yeah,

1151
00:55:19,840 --> 00:55:22,719
Speaker 1: And they had to get at the door because people

1152
00:55:22,800 --> 00:55:24,520
Speaker 1: even now might have been like, well, you know, I

1153
00:55:24,680 --> 00:55:27,440
Speaker 1: was there early on and I was booking you off

1154
00:55:27,440 --> 00:55:29,440
Speaker 1: of stuff for three thousand dollars. I can't get no

1155
00:55:29,520 --> 00:55:36,520
Speaker 1: love now. Now, what happens the evolution? Maybe you know

1156
00:55:36,520 --> 00:55:38,600
Speaker 1: what I'm saying, some people get some love. I'm sure

1157
00:55:38,600 --> 00:55:40,640
Speaker 1: though some people get a little slight discount, you still

1158
00:55:40,800 --> 00:55:47,719
Speaker 1: get love. But you i'na. But we've been seeing you

1159
00:55:47,840 --> 00:55:50,040
Speaker 1: working with Iggy and Zelia. What's going on with that?

1160
00:55:50,120 --> 00:55:53,680
Speaker 1: Because I assume I'm sure you're executive producing. Maybe people

1161
00:55:53,680 --> 00:55:56,719
Speaker 1: are tapping you to do other stuff too. Cuavo making music,

1162
00:55:57,160 --> 00:56:01,200
Speaker 1: they light the way we away. Is there anybody you

1163
00:56:01,239 --> 00:56:03,200
Speaker 1: feel like you wouldn't get a sound too, that you

1164
00:56:03,280 --> 00:56:05,240
Speaker 1: turn like you wouldn't do a song with, or wouldn't

1165
00:56:05,239 --> 00:56:08,200
Speaker 1: do the project with. When the price is right, we

1166
00:56:08,320 --> 00:56:11,600
Speaker 1: can work. You think you can make somebody into a star. Yeah,

1167
00:56:11,640 --> 00:56:24,400
Speaker 1: you're trying to record. You're trying to record. Make you

1168
00:56:24,440 --> 00:56:26,600
Speaker 1: think you can project? We can do you know what

1169
00:56:26,600 --> 00:56:30,320
Speaker 1: I'm saying. See you got the radio. We are in

1170
00:56:31,960 --> 00:56:34,960
Speaker 1: form in the beginning three thousand, definitely not playing no

1171
00:56:35,280 --> 00:56:43,200
Speaker 1: records in Atlanta. What's the difference between people from the

1172
00:56:43,239 --> 00:56:46,520
Speaker 1: East Side, West West Side and the north Like? Is

1173
00:56:46,560 --> 00:56:50,200
Speaker 1: that difference wether QC team? We got the East West

1174
00:56:50,320 --> 00:56:51,960
Speaker 1: ending off all on one team. You know what that

1175
00:56:52,080 --> 00:56:54,640
Speaker 1: made the All Star Dream Team? That what it is

1176
00:56:55,000 --> 00:56:58,239
Speaker 1: set got, it's more love. I feel like in all

1177
00:56:58,280 --> 00:57:00,920
Speaker 1: the other seas because they'd be having one rap or

1178
00:57:01,000 --> 00:57:03,800
Speaker 1: they don't got no rev We'll be having five in

1179
00:57:03,880 --> 00:57:06,279
Speaker 1: the same studio to be so and house you like.

1180
00:57:06,400 --> 00:57:08,719
Speaker 1: Y'all don't even know how close folks would be in

1181
00:57:08,880 --> 00:57:12,600
Speaker 1: house like everything be so small in the city. We

1182
00:57:12,719 --> 00:57:15,279
Speaker 1: smash you smashing right now. You know now you you

1183
00:57:15,360 --> 00:57:17,440
Speaker 1: said you you love wood thang and you love hold

1184
00:57:17,520 --> 00:57:20,000
Speaker 1: and listen to some of those lyrics. Early on it

1185
00:57:20,160 --> 00:57:22,800
Speaker 1: was disrespectful. Now people seem like they're too sensitive. You

1186
00:57:22,880 --> 00:57:24,760
Speaker 1: gotta watching your lyrics, what you say, because it seems

1187
00:57:24,760 --> 00:57:26,760
Speaker 1: like the interte they got way too SENTI they got

1188
00:57:26,800 --> 00:57:28,680
Speaker 1: on you for saying quier. Other day. We still go

1189
00:57:28,800 --> 00:57:29,920
Speaker 1: for you, though, I don't know if you hear, we

1190
00:57:30,000 --> 00:57:32,160
Speaker 1: still up for you. I didn't know that, man, though

1191
00:57:32,800 --> 00:57:35,160
Speaker 1: real I really didn't know what that man. You know,

1192
00:57:35,160 --> 00:57:36,440
Speaker 1: I didn't take it. I didn't take a lot. I

1193
00:57:36,480 --> 00:57:39,200
Speaker 1: didn't take it. Because that's the way it's been you.

1194
00:57:39,400 --> 00:57:40,840
Speaker 1: It's kind of I don't want to talk about that,

1195
00:57:41,160 --> 00:57:43,480
Speaker 1: but it's how I look. I gotta love everywhere. I

1196
00:57:43,560 --> 00:57:45,360
Speaker 1: don't know what they're talking about. You know what I'm saying.

1197
00:57:45,400 --> 00:57:47,919
Speaker 1: I'm big gonna fashion myself. I'm saying, so I gotta

1198
00:57:47,960 --> 00:57:50,919
Speaker 1: love everybody. I ain't never been up scrimin. They don't

1199
00:57:50,920 --> 00:57:53,200
Speaker 1: nobody don't use it in the proper context though like it.

1200
00:57:53,320 --> 00:57:55,840
Speaker 1: This means weird. Though that's all it means. I was

1201
00:57:56,000 --> 00:57:58,640
Speaker 1: referring as like, somebody can't put me on chemera because

1202
00:57:58,640 --> 00:58:01,200
Speaker 1: it's a lot of my even your friends. You might

1203
00:58:01,240 --> 00:58:03,200
Speaker 1: see your boy you ain't seen in the year, and

1204
00:58:03,320 --> 00:58:05,080
Speaker 1: you might turn around and he just got the camera

1205
00:58:05,120 --> 00:58:07,960
Speaker 1: on Youini. You know I was telling about like that. Widdo. Yeah,

1206
00:58:08,600 --> 00:58:11,320
Speaker 1: I don't even get into that. But you don't get

1207
00:58:11,440 --> 00:58:13,280
Speaker 1: enough credit to offset man for staying out of trouble.

1208
00:58:13,560 --> 00:58:15,560
Speaker 1: At one point time he was in jail and out jealous.

1209
00:58:15,560 --> 00:58:17,320
Speaker 1: Seemed like you was the guy that was gonna be

1210
00:58:17,400 --> 00:58:19,360
Speaker 1: causing the most problems in the group. But you you

1211
00:58:19,560 --> 00:58:21,840
Speaker 1: clean out here. I got to clean up my boy.

1212
00:58:25,360 --> 00:58:26,919
Speaker 1: You know what I'm saying. You know what I'm saying,

1213
00:58:27,360 --> 00:58:29,280
Speaker 1: You gotta you gotta clean it up. It ain't about that.

1214
00:58:29,280 --> 00:58:30,960
Speaker 1: I was moving fast when I first got out, though

1215
00:58:31,000 --> 00:58:34,120
Speaker 1: I had just got out everything I adn't go through

1216
00:58:34,480 --> 00:58:36,800
Speaker 1: the first if everything I went through the bottom. Pos

1217
00:58:36,840 --> 00:58:39,000
Speaker 1: still don't believe a lot of things I had the

1218
00:58:39,080 --> 00:58:41,760
Speaker 1: big I was feeling myself, so I was getting in trouble.

1219
00:58:41,800 --> 00:58:44,200
Speaker 1: I ain't with it no more. It's about recording, focus,

1220
00:58:44,320 --> 00:58:46,280
Speaker 1: get the money. When did you feel the switch happening?

1221
00:58:46,440 --> 00:58:48,280
Speaker 1: It was it after you jumped up the stage and

1222
00:58:48,320 --> 00:58:50,600
Speaker 1: point the dude, like it when you were in jail.

1223
00:58:50,680 --> 00:58:52,920
Speaker 1: Which one was? It was just after all the um.

1224
00:58:53,640 --> 00:58:55,560
Speaker 1: You know, you just look look at yourself when you

1225
00:58:55,640 --> 00:58:58,480
Speaker 1: go up. Man, I'll be at home, might be recording.

1226
00:58:59,080 --> 00:59:02,000
Speaker 1: It ain't cool, you know what I'm saying. At one

1227
00:59:02,040 --> 00:59:04,040
Speaker 1: point it was like I wasn't trying to do it

1228
00:59:04,080 --> 00:59:06,720
Speaker 1: to be cool, but it was. It was getting barbered.

1229
00:59:06,800 --> 00:59:08,520
Speaker 1: It's just got to the point where one cool on,

1230
00:59:09,000 --> 00:59:14,440
Speaker 1: you're tripping. I ain't gonna do that. Would you ever

1231
00:59:14,520 --> 00:59:17,360
Speaker 1: really concerned me? Oh yeah, of course, because you know

1232
00:59:17,880 --> 00:59:20,960
Speaker 1: they y'all the spotlight on them. People go to hey,

1233
00:59:21,040 --> 00:59:23,240
Speaker 1: when you start getting money, you know what I'm saying,

1234
00:59:23,320 --> 00:59:26,480
Speaker 1: They start getting money like real fast, and you know,

1235
00:59:26,520 --> 00:59:29,360
Speaker 1: you gotta watch out for the haying police. You gotta

1236
00:59:29,480 --> 00:59:31,240
Speaker 1: watch out for the haters in the street. You know,

1237
00:59:31,320 --> 00:59:33,000
Speaker 1: we we've been through a lot that a lot of

1238
00:59:33,040 --> 00:59:35,640
Speaker 1: people don't know about. You know what I'm saying, Like

1239
00:59:36,160 --> 00:59:39,320
Speaker 1: what people do know about that document shootouts and all

1240
00:59:39,440 --> 00:59:42,640
Speaker 1: kind of crest us. So I would really concerned about

1241
00:59:43,040 --> 00:59:45,960
Speaker 1: you know, they were being, But you know, you learn

1242
00:59:46,040 --> 00:59:47,760
Speaker 1: from your mistakes, you know what I'm saying. I feel

1243
00:59:47,800 --> 00:59:49,840
Speaker 1: like all the mistakes that they were that they made

1244
00:59:49,880 --> 00:59:52,120
Speaker 1: and some of the bad not mistakes, but just bad

1245
00:59:52,240 --> 00:59:54,920
Speaker 1: choices that they made back in the day that you know,

1246
00:59:55,000 --> 00:59:57,320
Speaker 1: they grew from. You know what I'm saying, They understand

1247
00:59:57,360 --> 00:59:59,080
Speaker 1: that that ain't gonna get them to the knit level,

1248
00:59:59,160 --> 01:00:02,320
Speaker 1: you know what I'm saying. So they're good, man. Quit

1249
01:00:02,400 --> 01:00:04,760
Speaker 1: when you're doing the megos biopick. Are y'all ready to

1250
01:00:04,840 --> 01:00:06,560
Speaker 1: talk about all of that type of stuff? Is the

1251
01:00:06,600 --> 01:00:09,000
Speaker 1: statue of limitations up on a lot of stuff? No,

1252
01:00:09,040 --> 01:00:18,760
Speaker 1: I ain't no limitation? We go no, No, he got seven?

1253
01:00:19,320 --> 01:00:22,520
Speaker 1: How much it's too it's two? We gotta wait two

1254
01:00:22,600 --> 01:00:26,600
Speaker 1: more years? Then? Now, I saw you guys were talking about, Um,

1255
01:00:26,680 --> 01:00:29,240
Speaker 1: Kanye produced a lot of songs that you didn't use

1256
01:00:29,320 --> 01:00:30,880
Speaker 1: on this album. So does that mean you guys have

1257
01:00:30,920 --> 01:00:33,520
Speaker 1: another album almost ready to go after this? Because I

1258
01:00:33,600 --> 01:00:36,720
Speaker 1: know you guys keep coming. We just well just be

1259
01:00:36,840 --> 01:00:41,280
Speaker 1: recording records, just recordings. It wasn't necessary for the culture

1260
01:00:41,320 --> 01:00:44,160
Speaker 1: album we um did. He got on he did bad

1261
01:00:44,360 --> 01:00:49,680
Speaker 1: bad bitches only people probably don't even know that, so

1262
01:00:50,200 --> 01:00:55,160
Speaker 1: him boot me um we all just got on the collapse.

1263
01:00:55,280 --> 01:00:57,480
Speaker 1: But I brought the record to him and he played

1264
01:00:57,520 --> 01:01:01,920
Speaker 1: like three samples on it and just stuck with the

1265
01:01:01,960 --> 01:01:04,680
Speaker 1: baseline and news wrapped from them. What's your favorite place

1266
01:01:04,720 --> 01:01:06,160
Speaker 1: that y'all have been to in the world? The far

1267
01:01:06,800 --> 01:01:08,280
Speaker 1: we see all on the ground, wall, in the water

1268
01:01:08,400 --> 01:01:11,880
Speaker 1: and these different anxiety places. What's your favorite spot? The

1269
01:01:12,000 --> 01:01:17,800
Speaker 1: blue look? Yeah, that's Iceland, South Africa. I like, so

1270
01:01:18,920 --> 01:01:21,320
Speaker 1: I heard the blue dope I heard is it's freezing cold,

1271
01:01:21,360 --> 01:01:24,400
Speaker 1: but they got little warm ice things. You could jump

1272
01:01:24,440 --> 01:01:26,200
Speaker 1: in the water and it's nice and warm. That's a

1273
01:01:26,360 --> 01:01:31,080
Speaker 1: big big pools or like volcanic volcanic, Yeah, warm water,

1274
01:01:31,200 --> 01:01:33,640
Speaker 1: but it's on rock. So's that's reason that's the next ship.

1275
01:01:33,680 --> 01:01:35,320
Speaker 1: I'm taking the fam herds dope. Why you like South

1276
01:01:35,320 --> 01:01:41,440
Speaker 1: Africa take It's just like straight out the jungle. Yeah, yeah,

1277
01:01:41,640 --> 01:01:46,080
Speaker 1: yeah yeah, Foo country food Country got the best, no

1278
01:01:48,480 --> 01:02:01,640
Speaker 1: crazy American going on. We got more with me goals

1279
01:02:01,640 --> 01:02:03,560
Speaker 1: when we come back, keep it locked. As to breakfast Club,

1280
01:02:03,600 --> 01:02:11,160
Speaker 1: good morning, the Breakfast Club, everybody is DJ Envy Angela Yee,

1281
01:02:11,240 --> 01:02:13,640
Speaker 1: Charlomagne the guy. We are the Breakfast Club Megals are

1282
01:02:13,680 --> 01:02:15,640
Speaker 1: in the building, Charlomagne, quit when you see you out

1283
01:02:15,680 --> 01:02:17,360
Speaker 1: of your element? Do y do y'all feel out of

1284
01:02:17,360 --> 01:02:20,160
Speaker 1: your element in the injury? Are y'all adapting to it?

1285
01:02:20,600 --> 01:02:23,800
Speaker 1: They adapting to us, and they're getting They finally getting

1286
01:02:23,840 --> 01:02:26,000
Speaker 1: what we're saying because we've been knocking at the door

1287
01:02:26,040 --> 01:02:28,720
Speaker 1: for a long time trying to get y'all to understand

1288
01:02:28,760 --> 01:02:31,480
Speaker 1: the game. But now y'all really like cut the own

1289
01:02:31,520 --> 01:02:33,800
Speaker 1: button on the ears and y'all with us, So we

1290
01:02:33,920 --> 01:02:36,880
Speaker 1: appreciate it. If y'all know what was gonna be like this, Yeah, yeah,

1291
01:02:37,240 --> 01:02:41,640
Speaker 1: we dream for even a crossover success. That's what we're

1292
01:02:41,680 --> 01:02:49,400
Speaker 1: doing for. I believe, really believe y'all were coming to

1293
01:02:49,440 --> 01:02:51,560
Speaker 1: the Breakast Club for a long time before it was

1294
01:02:51,640 --> 01:02:53,760
Speaker 1: just Megal. It was all set, I mean take on,

1295
01:02:54,880 --> 01:02:57,240
Speaker 1: take off, take off in Quabo and all set was

1296
01:02:57,320 --> 01:02:59,160
Speaker 1: locked up off that called it from jail one time,

1297
01:02:59,280 --> 01:03:04,560
Speaker 1: right show chatting. Yeah, they've been rocking with us for

1298
01:03:04,920 --> 01:03:07,440
Speaker 1: a minute. For a minute, you know why we pull

1299
01:03:07,560 --> 01:03:12,000
Speaker 1: up every time yard back to y'all got a lot

1300
01:03:12,120 --> 01:03:14,480
Speaker 1: better in interviews lately, Man, I've been watching y'all. It's

1301
01:03:14,520 --> 01:03:17,520
Speaker 1: like y'all finally realizing your y'all ain't drug dealers no more,

1302
01:03:17,560 --> 01:03:22,680
Speaker 1: so y'all actually talking like y'all, Like, yeah, that's what

1303
01:03:22,760 --> 01:03:25,120
Speaker 1: they're feeling, like little terrogation runs, you know what I mean?

1304
01:03:25,400 --> 01:03:28,200
Speaker 1: You know what I was going to speak to those right, Yeah,

1305
01:03:28,200 --> 01:03:30,680
Speaker 1: we're no py'all, but you have to getting nervous of

1306
01:03:30,760 --> 01:03:33,800
Speaker 1: too much music. But there's a lot of Megos records

1307
01:03:33,840 --> 01:03:35,960
Speaker 1: that's catching. It's like, you know what I mean, I

1308
01:03:36,000 --> 01:03:39,360
Speaker 1: can name five. We're gonna flood the market. Market Shaw

1309
01:03:40,280 --> 01:03:42,480
Speaker 1: trying to try. We're trying to get eighty percent of

1310
01:03:42,520 --> 01:03:44,960
Speaker 1: the market, Shaw and lead twenty percent of the world.

1311
01:03:46,240 --> 01:03:50,200
Speaker 1: Damned you greedy, PF. You were whole team. They weren't

1312
01:03:50,200 --> 01:03:53,160
Speaker 1: making that greedy because we're a team, the whole team.

1313
01:03:53,600 --> 01:03:56,040
Speaker 1: You see, if you come to the air, ain't nobody

1314
01:03:56,080 --> 01:03:58,000
Speaker 1: looking like that. If you go in New York, ain't

1315
01:03:58,000 --> 01:04:01,840
Speaker 1: nobody la I hold team race Lambo and we go

1316
01:04:01,920 --> 01:04:04,160
Speaker 1: to the club for real, Yeah, I don't. I don't

1317
01:04:04,160 --> 01:04:06,800
Speaker 1: see it. No wild we need all of and then

1318
01:04:06,880 --> 01:04:08,360
Speaker 1: I feel like we got so much. We got a

1319
01:04:08,440 --> 01:04:10,560
Speaker 1: land looking like dude by you know how and do

1320
01:04:10,680 --> 01:04:14,600
Speaker 1: by that thing back to back, transform a game. I

1321
01:04:14,640 --> 01:04:16,080
Speaker 1: won't pull your car in and I'll see you got

1322
01:04:16,160 --> 01:04:19,080
Speaker 1: a nice one line one time and he said you

1323
01:04:19,120 --> 01:04:23,840
Speaker 1: got a nice one like you only got what you

1324
01:04:23,920 --> 01:04:32,960
Speaker 1: got when you got two thousand and four cattle. Yeah.

1325
01:04:33,000 --> 01:04:34,760
Speaker 1: Do you tell each other if you're doing a song

1326
01:04:34,800 --> 01:04:36,760
Speaker 1: and you don't like somebody's verse or you guys, just

1327
01:04:37,160 --> 01:04:38,880
Speaker 1: let it rock. You know how we came up for real,

1328
01:04:39,280 --> 01:04:41,120
Speaker 1: That's how we came with it. It's like it ain't

1329
01:04:41,920 --> 01:04:44,040
Speaker 1: it's easy. I used to listen. I used to do

1330
01:04:44,120 --> 01:04:46,880
Speaker 1: a verse and it'd be some. It'd be girls homeboys.

1331
01:04:47,400 --> 01:04:49,680
Speaker 1: If it ain't hard, I'm talking about life. But like

1332
01:04:49,760 --> 01:04:52,520
Speaker 1: we was like eighth grade, Sam Graham high school. Oh

1333
01:04:52,560 --> 01:04:54,240
Speaker 1: we get de leaded right there. We ain't never had

1334
01:04:54,320 --> 01:04:56,880
Speaker 1: no pressure like telling you like no brother, ain't it

1335
01:04:57,120 --> 01:04:59,760
Speaker 1: and then ain't never been talking like no personal. If

1336
01:04:59,760 --> 01:05:01,600
Speaker 1: he him with it, I know he's right, I'm gonna

1337
01:05:01,600 --> 01:05:03,400
Speaker 1: delete it and I'm gonna go back in. It. Ain't like, bro,

1338
01:05:03,560 --> 01:05:05,960
Speaker 1: you you don't know what you talk. Ain't none of that.

1339
01:05:07,120 --> 01:05:09,440
Speaker 1: It's easy to work with each other like quick quite well,

1340
01:05:09,440 --> 01:05:12,720
Speaker 1: you said, take off of the best one out of me. Yeah,

1341
01:05:12,800 --> 01:05:16,440
Speaker 1: we all the best. He the best, he said, He

1342
01:05:16,680 --> 01:05:18,800
Speaker 1: said he's the best lyrically. You know, Charlemagne has been

1343
01:05:18,800 --> 01:05:21,760
Speaker 1: saying that pretty from day. Won't might listen to me, Man, No,

1344
01:05:21,880 --> 01:05:25,160
Speaker 1: nobody listened to you. But I mean it's been like that,

1345
01:05:25,320 --> 01:05:27,360
Speaker 1: just just growing up, you know what I mean. Just

1346
01:05:28,560 --> 01:05:31,040
Speaker 1: he the youngest, and I feel like he learned more

1347
01:05:31,080 --> 01:05:33,400
Speaker 1: from you know what I mean, from his from his uncle,

1348
01:05:33,480 --> 01:05:35,200
Speaker 1: you know what I mean, his big cousin. He feeling

1349
01:05:36,520 --> 01:05:41,120
Speaker 1: the club and he suk it all in and with

1350
01:05:41,360 --> 01:05:44,439
Speaker 1: his own craft being ahead of his time, being on out.

1351
01:05:44,760 --> 01:05:46,480
Speaker 1: You know what I'm saying, our age and our time.

1352
01:05:46,560 --> 01:05:48,840
Speaker 1: I feel like he got to be the best. But

1353
01:05:49,000 --> 01:05:51,240
Speaker 1: take onna be rapping. He even confused Nicki mcnah because

1354
01:05:51,280 --> 01:05:53,600
Speaker 1: nick said she didn't realize he was rapping about her

1355
01:05:53,680 --> 01:06:05,200
Speaker 1: on Motorsport. Cow now it happened. I got y'all looking

1356
01:06:07,560 --> 01:06:09,520
Speaker 1: to trending and everything. How you looking at what people

1357
01:06:09,560 --> 01:06:13,360
Speaker 1: are saying? Yeah, look every now and there. I try

1358
01:06:13,440 --> 01:06:16,080
Speaker 1: not to look, but yeah, I'll be looking just to

1359
01:06:16,160 --> 01:06:18,560
Speaker 1: check on it. See what's going on? Quick? I saw

1360
01:06:18,600 --> 01:06:20,800
Speaker 1: you say that, Nikki and Card he played it so

1361
01:06:21,120 --> 01:06:23,160
Speaker 1: by not doing the video together. I ain't said they

1362
01:06:23,240 --> 01:06:25,200
Speaker 1: played that ship. I said I tried to getting them

1363
01:06:25,240 --> 01:06:30,880
Speaker 1: all in there in one shot. M that's it. Didn't

1364
01:06:30,920 --> 01:06:35,680
Speaker 1: want to do it. I didn't have one shot. Scheduling conflicts,

1365
01:06:36,280 --> 01:06:44,360
Speaker 1: schedule story, trying to help. Than what do y'all learn

1366
01:06:44,400 --> 01:06:46,680
Speaker 1: from Gucci man? Because I always see y'all with Gucci there.

1367
01:06:46,720 --> 01:06:48,720
Speaker 1: It's like every club appearance, I see Gucci and I

1368
01:06:48,800 --> 01:06:51,760
Speaker 1: used to see Pe, I see you and all for Taker.

1369
01:06:51,880 --> 01:06:54,840
Speaker 1: That's always either together. It's always y'all. We're just a

1370
01:06:54,920 --> 01:06:57,560
Speaker 1: real family. We came in the door together, which you

1371
01:06:57,600 --> 01:07:01,160
Speaker 1: have been everything loyal, Like, I don't know who that'st

1372
01:07:01,160 --> 01:07:04,600
Speaker 1: them with him and said, if it ain't the boy period,

1373
01:07:04,920 --> 01:07:07,400
Speaker 1: what advice did he give you? I'm saying, stay on

1374
01:07:07,480 --> 01:07:10,600
Speaker 1: the sucking neck, don't be worried about know Helen, keep

1375
01:07:10,640 --> 01:07:13,600
Speaker 1: air time? What do you said air time? Shoot somebody, Hey,

1376
01:07:14,600 --> 01:07:17,840
Speaker 1: upload the link. I'm saying, upload of the song. Be

1377
01:07:17,960 --> 01:07:21,880
Speaker 1: looking for that Glacial Boar project too. Oh yeah, Glacier

1378
01:07:22,120 --> 01:07:24,320
Speaker 1: Glacier Boy. When we get together, that's what we call

1379
01:07:24,440 --> 01:07:28,560
Speaker 1: out the whole game to Glacier Boy too. My money

1380
01:07:28,600 --> 01:07:30,320
Speaker 1: to me in the cause all at one time. It's

1381
01:07:30,360 --> 01:07:33,680
Speaker 1: a glacier, Glacia board. You guys, I didn't take off,

1382
01:07:33,800 --> 01:07:41,520
Speaker 1: just quit the group. If I go to jail with anybody,

1383
01:07:41,520 --> 01:07:48,480
Speaker 1: I'd love to go to jail, takeoff, take off, do

1384
01:07:48,600 --> 01:07:53,160
Speaker 1: this usually because I'll think y'all just got up in

1385
01:07:53,280 --> 01:07:55,560
Speaker 1: enough and try to flight the take the bathroom they

1386
01:07:55,560 --> 01:08:02,480
Speaker 1: sent to the bathroom, they go off. Whatever about the bathroom?

1387
01:08:02,880 --> 01:08:09,160
Speaker 1: He took off in the bathroom. Man, I don't know. Listen,

1388
01:08:09,320 --> 01:08:11,360
Speaker 1: I'm not a comedian, but there's a good bat and

1389
01:08:11,400 --> 01:08:17,439
Speaker 1: bougie joke somewhere in here right now. Okay, that way,

1390
01:08:17,479 --> 01:08:19,680
Speaker 1: I gotta ask you one last day. Where Valentine's Day

1391
01:08:19,760 --> 01:08:21,720
Speaker 1: coming up? Right? I want to hear somebody, what are

1392
01:08:21,760 --> 01:08:25,160
Speaker 1: you some of your favorite love songs? To play? Love song?

1393
01:08:26,920 --> 01:08:29,559
Speaker 1: I know you got a song. You know what I'm going.

1394
01:08:32,000 --> 01:08:35,439
Speaker 1: That's a slower for you, that's a slow out your way,

1395
01:08:36,479 --> 01:08:39,280
Speaker 1: all right? Oh joy you people have been been trying

1396
01:08:39,320 --> 01:08:41,280
Speaker 1: to get on you. Offset they see you out here

1397
01:08:41,320 --> 01:08:44,280
Speaker 1: cheating and all kinds of stuff like that. False allegations,

1398
01:08:44,520 --> 01:08:47,559
Speaker 1: false allegations. I told y'all false allegations, man, good, yeah,

1399
01:08:47,880 --> 01:08:53,320
Speaker 1: you know what's so true? Man? I know I know

1400
01:08:53,400 --> 01:08:55,720
Speaker 1: it's false allegation. You know, I just want to put

1401
01:08:55,760 --> 01:08:59,400
Speaker 1: it out there. You know. No, man, I love my wife. Man,

1402
01:08:59,400 --> 01:09:01,280
Speaker 1: I don't care. You know a lot of headers out here,

1403
01:09:01,320 --> 01:09:05,519
Speaker 1: you know, And it's real. It's hard. It's hard with

1404
01:09:05,600 --> 01:09:09,200
Speaker 1: social media. Yeah, but it ain't gonna high. I ain't

1405
01:09:09,200 --> 01:09:11,280
Speaker 1: gonna hide for social media. You know what I'm saying.

1406
01:09:12,760 --> 01:09:16,120
Speaker 1: I feel. Next question, all right, coaching two is out

1407
01:09:16,240 --> 01:09:22,439
Speaker 1: right now. Coach out game and we appreciate you guys

1408
01:09:22,479 --> 01:09:25,960
Speaker 1: to join it. They take off, just return the right time,

1409
01:09:26,560 --> 01:09:33,840
Speaker 1: right in time. Hey man, y'all don't have a change. Okay,

1410
01:09:34,400 --> 01:09:37,160
Speaker 1: I don't give how much money y'all make, how big

1411
01:09:37,240 --> 01:09:40,160
Speaker 1: y'all getting in this peak. Don't get changed there, Okay,

1412
01:09:40,479 --> 01:09:43,160
Speaker 1: it's the megoes, It's breakfast club. Good morning,