WEBVTT - Why Hard Work Will Always Exceed Talent with Emily Bear (Composer + Songwriter)

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<v Speaker 1>Big things happen when you're pretty, pretty bold, pretty clever,

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<v Speaker 1>pretty strong. I'm Danielle Robe and each week my guests

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<v Speaker 1>and I have conversations that put a new spin on pretty.

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<v Speaker 1>This is pretty smart. Hello. Hello, I hope you are

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<v Speaker 1>having a beautiful day and a beautiful week. I'm coming

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<v Speaker 1>to you from Chicago. Actually, I came here to hang

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<v Speaker 1>out with my brother for the weekend. It's the first

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<v Speaker 1>time I've ever done that. He lives in the city

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<v Speaker 1>and I've been staying with him downtown and it's actually

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<v Speaker 1>been really special. But before this, I was in New

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<v Speaker 1>Orleans for Halloween. I can't think of a spookier place

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<v Speaker 1>to be. It was really fun. I truly cannot eat

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<v Speaker 1>any more food from New Orleans. I felt so stuffed

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<v Speaker 1>every breakfast, lunch, and dinner, but everything's so delicious there.

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<v Speaker 1>I had the Cafe Dumont Beignet's with coffee in the

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<v Speaker 1>morning and I'm still daydreaming about them. Anyways, I'll be

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<v Speaker 1>flying back to LA today And I realized looking at

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<v Speaker 1>the date that we have fifty five days until the

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<v Speaker 1>new year, and that means we have eight thursdays until

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<v Speaker 1>the new year. We're gonna have a new episode every week,

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<v Speaker 1>but I'm actually flying to New York next week to

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<v Speaker 1>record with two celebrities that I'm bringing on the pod.

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<v Speaker 1>Two people I think you're really actually I know you're

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<v Speaker 1>really gonna like them. One of them is absolutely hilarious

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<v Speaker 1>and the other has a pretty smart story that it's

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<v Speaker 1>just it's very us. I know you guys are gonna

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<v Speaker 1>want to support her and we'll connect to her story.

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<v Speaker 1>So let's dive into today's episode. I guess before I

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<v Speaker 1>start the intro, I should tell you that Emily, who

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<v Speaker 1>is our guest today, Emily Bear has become a friend

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<v Speaker 1>of mine and I met her through work via Hello

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<v Speaker 1>Sune and when we met at an event, we connected

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<v Speaker 1>right away and I felt like I had known her

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<v Speaker 1>for years. But I also felt like she was maybe

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<v Speaker 1>a little younger than me, but probably around my age.

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<v Speaker 1>And it wasn't until she came to record Pretty Smart

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<v Speaker 1>that I realized she was just twenty three years old.

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<v Speaker 1>I was ten years older than her, and I had

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<v Speaker 1>no idea because she is so just beyond her years

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<v Speaker 1>and people have been telling her that for years. I learned,

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<v Speaker 1>so I'll explain what that means in a second. Let's

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<v Speaker 1>just dive in. You know, there's a lot of gifts

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<v Speaker 1>that you can have in this life, but having musical

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<v Speaker 1>talent has to be one of the most alluring for me.

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<v Speaker 1>Every time I'm in the presence of live music, my

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<v Speaker 1>first thought is what does it feel like to be

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<v Speaker 1>able to insert verb, sing, play strum like that? Have

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<v Speaker 1>you ever been to a party where someone picked up

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<v Speaker 1>a guitar or at a karaoke night where someone steps

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<v Speaker 1>on the mic and just blows everyone away. It changes

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<v Speaker 1>the whole vibration of the room, Like I feel it

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<v Speaker 1>in my body. When I look at live performers, I

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<v Speaker 1>just I marvel in amazement. Do you all feel that way?

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<v Speaker 1>I don't know if it's just me. It's like this

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<v Speaker 1>skill that you know what. It's not a skill, it's

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<v Speaker 1>a gift, and it's not a talent. It's a calling.

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<v Speaker 1>Our guest today has a true calling. Composer and musician

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<v Speaker 1>Emily Bear is used to her skills being center stage.

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<v Speaker 1>She's been making music since she was four years old,

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<v Speaker 1>and I don't mean four years old walking and singing.

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<v Speaker 1>Mary had a little lamb like maybe some of us were.

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<v Speaker 1>I mean she was featured on The Ellen Show at

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<v Speaker 1>six for being a piano prodigy. She's gone on to

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<v Speaker 1>become a Grammy and Emmy winning composer, producer, a ranger, pianist,

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<v Speaker 1>and singer songwriter. She's worked with some of the greatest

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<v Speaker 1>musicians of our time. She toured with Beyonce on her

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<v Speaker 1>Renaissance tour and counts Quincy Jones as her mentor. This

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<v Speaker 1>was recorded a few weeks before Quincy Jones passed, and

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<v Speaker 1>I think it's important to note that. I also think

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<v Speaker 1>it's worth mentioning how instrumental Quincy was. He lived his

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<v Speaker 1>life like a symphony, a conductor of culture and an

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<v Speaker 1>architect of timeless sound. From the vibrant days of big

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<v Speaker 1>band jazz to the electrifying energy of pop, Quincy touched

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<v Speaker 1>almost every corner of music, and he left an indelible

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<v Speaker 1>mark on so many people's lives. He was notoriously kind

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<v Speaker 1>and generous with his time. He went out of his

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<v Speaker 1>way to mentor people he believed in, people like Emily,

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<v Speaker 1>and in watching videos of the two of them together,

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<v Speaker 1>one of the things that stuck out to me was

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<v Speaker 1>how he talked about her work ethic. It'd be easy

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<v Speaker 1>to look at Emily and think that her success is

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<v Speaker 1>rooted in sheer talent. But what Quincy pointed out, and

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<v Speaker 1>what I so quickly picked up on in our conversation,

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<v Speaker 1>is Emily's relentlessness and grit. I think Emily realized pretty

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<v Speaker 1>quickly that when it comes to longevity in her career,

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<v Speaker 1>hard work was going to trump talent every single time.

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<v Speaker 2>Whatever natural talent I had is only going to last

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<v Speaker 2>me so long, like I need to keep learning otherwise

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<v Speaker 2>I'm just gonna again fizzle out once the spectacle is gone,

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<v Speaker 2>and I won't have anything to show for it afterwards.

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<v Speaker 1>I have this James Baldwin quote printed on my whiteboard

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<v Speaker 1>in my kitchen. It reads, talent is insignificant. I know

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<v Speaker 1>a lot of talented ruins. Beyond talent lie all the

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<v Speaker 1>usual words, discipline, love, luck, but most of all, endurance.

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<v Speaker 2>And as I was.

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<v Speaker 1>Talking to Emily, I kept thinking about that quote on

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<v Speaker 1>my whiteboard in my kitchen. Emily has endured, and today

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<v Speaker 1>she gives us her unofficial guide to breaking barriers, how

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<v Speaker 1>she found the magic in creating her own opportunities, plus

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<v Speaker 1>why creating your dream life will inevitably come with some

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<v Speaker 1>night marriish moments.

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<v Speaker 2>Anyone who's at the top of their game in medicine

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<v Speaker 2>or science or acting or whatever, Like anyone who's there

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<v Speaker 2>has put so much shit into getting where they are,

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<v Speaker 2>and it's not always fine. It's gonna be hard, it's

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<v Speaker 2>going to be terrible, but you do it because you

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<v Speaker 2>love it.

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<v Speaker 1>At just twenty three years old and maybe the wisdom

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<v Speaker 1>of a forty something year old, but at just twenty three,

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<v Speaker 1>Emily's life has been a blend of big wins, tough lessons,

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<v Speaker 1>and moments that make her stop and say, wow, that

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<v Speaker 1>really happened. Today, she's taking us behind the scenes from

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<v Speaker 1>her early days when her grandmother noticed her gift to

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<v Speaker 1>her biggest challenges in an industry that still has a

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<v Speaker 1>pretty long way to go recognizing women.

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<v Speaker 2>Every musician grows up every year you watch the Grammys

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<v Speaker 2>and you're like, oh, I want to be up there.

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<v Speaker 2>Oh that'll be me one day. But there's no way

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<v Speaker 2>that's never gonna happen. There's no way. So then like

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<v Speaker 2>it happens, I'm like, WHOA.

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<v Speaker 1>Emily Bear isn't just an artist, She's a revolutionary voice

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<v Speaker 1>for the next generation of composers. And I don't say

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<v Speaker 1>that lightly. Those of you who listen weekly know that

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<v Speaker 1>I don't use the words revolutionary or iconic even as

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<v Speaker 1>a joke. I mean it when I say she's the

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<v Speaker 1>type of person you're going to tell your friends about

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<v Speaker 1>and say, oh my god, I listened to an interview

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<v Speaker 1>with her I'm Pretty Smart a few years ago. I

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<v Speaker 1>really can't wait to see where Emily's calling takes her.

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<v Speaker 1>This is her story. Let's buckle up, Emily Bear. Welcome

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<v Speaker 1>to Pretty Smart.

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<v Speaker 2>Thank you so much for having me. I'm so excited.

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<v Speaker 2>It's my first podcast, So your first podcast.

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<v Speaker 1>I want the full story today.

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<v Speaker 2>All right? Yeah, I see all these note cards and

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<v Speaker 2>I feel like you're very well educated, So I'm excited

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<v Speaker 2>it's gonna be.

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<v Speaker 1>I cried preparing for your interview.

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<v Speaker 2>Which blows my mind, but it means a lot.

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<v Speaker 1>Why does it flow your mind?

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<v Speaker 2>I don't know. I just I feel like I have

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<v Speaker 2>a very like detached perspective on my life. It's like, yeah,

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<v Speaker 2>I see everything that I've done, and to me, like

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<v Speaker 2>it almost doesn't count because I was little. But it does.

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<v Speaker 2>But it doesn't. I don't know.

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<v Speaker 1>It's I want to get into that more.

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<v Speaker 2>So.

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<v Speaker 1>You said, I always find that when I'm saddest, all

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<v Speaker 1>I want to do is write music. When I'm happiest,

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<v Speaker 1>all I want to do is write music. How did

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<v Speaker 1>music become that outlet for you?

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<v Speaker 2>I honestly don't even remember a time where music wasn't

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<v Speaker 2>like the biggest part of my life. Yeah, because I

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<v Speaker 2>started so young, and so I don't I don't know

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<v Speaker 2>what life looks like without this, So I don't know.

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<v Speaker 2>But people used to always ask me when I was

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<v Speaker 2>growing up because as a kid, everyone's like, well, is

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<v Speaker 2>it fun? And now, as an adult doing this full

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<v Speaker 2>time as a job, It's like, no, it's not always fun.

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<v Speaker 2>But in any field that you want to be successful in,

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<v Speaker 2>it's not gonna always be fun. Like anyone who's at

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<v Speaker 2>the top of their game in medicine or science or

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<v Speaker 2>acting or whatever. Like anyone who's there has put so

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<v Speaker 2>much shit into getting where they are, and it's not

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<v Speaker 2>always fun. It's gonna be hard, it's gonna be terrible,

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<v Speaker 2>but you do it because you love it. And I

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<v Speaker 2>want to do this because I would rather put the blood,

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<v Speaker 2>sweat and tears into something that I can't live without

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<v Speaker 2>and something that I love and I'm so passionate about

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<v Speaker 2>than somebody else.

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<v Speaker 1>You know what, instruments do you play?

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<v Speaker 2>I play piano and I sing, and I can fuck

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<v Speaker 2>around a little bit on like a couple other that

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<v Speaker 2>don't even really count because I'm so bad at it.

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<v Speaker 2>But I write for everything, so I write for orchestra,

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<v Speaker 2>so I can write for everything, but I can't play everything,

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<v Speaker 2>if that makes sense?

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<v Speaker 1>Of course, who discovered your talent?

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<v Speaker 2>Like we used to always joke because I have two obviously,

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<v Speaker 2>I have two grandmas, but one is like a piano

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<v Speaker 2>teacher and one is a crazy Moroccan. And the crazy

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<v Speaker 2>Moroccan is the one who like first was like what

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<v Speaker 2>the fuck is going on with this baby? And she

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<v Speaker 2>was as a baby as a baby, yeah, and.

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<v Speaker 1>Were you doing as a baby?

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<v Speaker 2>I guess I would just like go mess around on

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<v Speaker 2>the piano when she was watching us when my parents

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<v Speaker 2>were out of town, and she's like, why is the

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<v Speaker 2>baby playing the piano? Obviously I don't remember any of

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<v Speaker 2>this because I was a child, but she was the

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<v Speaker 2>first one who was like what and I she called

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<v Speaker 2>my parents while they were on vacation and was like

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<v Speaker 2>wigging out and my parents were like, I don't know

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<v Speaker 2>what do you want? Like do what do you want

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<v Speaker 2>us to do? She's two. Yeah, but then my other grandma,

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<v Speaker 2>it was it was kind of like found by committee.

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<v Speaker 2>Incredible because there's videos of me when I was like

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<v Speaker 2>dressed up for Thanksgiving to go to my grandma's house

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<v Speaker 2>and I would be like two or three years old,

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<v Speaker 2>sitting like standing on the piano bench and doing scales.

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<v Speaker 1>Obama called you baby Mozart.

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<v Speaker 2>I have no comment.

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<v Speaker 1>So you were considered a child prodigy. Do you lean

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<v Speaker 1>into that term or does it make you cringe? Like,

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<v Speaker 1>how do you feel about it?

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<v Speaker 2>I mean it still makes me cringe a little bit

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<v Speaker 2>because I hated it so much growing up. I truly

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<v Speaker 2>hated being called a child prodigy because I feel like

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<v Speaker 2>a lot of the child prodigies and I think it's

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<v Speaker 2>it's less now than it was back in the day,

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<v Speaker 2>but like it was very much like a dancing monkey

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<v Speaker 2>situation where it was like, wow, look at her hands

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<v Speaker 2>go like she can play the piano so fast for

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<v Speaker 2>a five year old, and it was just like very showy,

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<v Speaker 2>and I hated it, and I always wanted to be

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<v Speaker 2>taken seriously even from a young age. Plus, I didn't

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<v Speaker 2>feel like I related to the child prodigy thing. I

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<v Speaker 2>didn't feel like I was any different from like a

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<v Speaker 2>kid who was super competitive at soccer and was like

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<v Speaker 2>traveling all over the world as like you know, in

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<v Speaker 2>middle school to go on that track. I was just

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<v Speaker 2>doing it with music, So I just never wanted to

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<v Speaker 2>be judged based off of like, wow, that's really great

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<v Speaker 2>for a blank year old instead of like it's just

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<v Speaker 2>good music.

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<v Speaker 1>I'm going to use the word one more time. I'm

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<v Speaker 1>sorry to make it.

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<v Speaker 2>I'm fine with it now because I'm kind of proud

0:12:22.800 --> 0:12:25.480
<v Speaker 2>of my past. I think it's cool, especially now that

0:12:25.520 --> 0:12:28.120
<v Speaker 2>I feel like I've gotten past the hump of like

0:12:29.200 --> 0:12:31.160
<v Speaker 2>because I feel like a lot of child prodigies also

0:12:31.760 --> 0:12:35.400
<v Speaker 2>fizzle out once they become adult, because like the spectacle

0:12:35.520 --> 0:12:39.320
<v Speaker 2>is gone, so there's nothing left. Like they're just you know,

0:12:39.440 --> 0:12:41.400
<v Speaker 2>one of a million again instead of like one of

0:12:41.400 --> 0:12:45.400
<v Speaker 2>a hundred. And honestly, with the Bridgeton thing, I feel

0:12:45.400 --> 0:12:48.000
<v Speaker 2>like I'd gotten past that hump because I was judged

0:12:48.040 --> 0:12:50.360
<v Speaker 2>purely based off of work that I was doing as

0:12:50.400 --> 0:12:53.440
<v Speaker 2>an adult, and no one even knew anything I'd done before,

0:12:53.559 --> 0:12:55.080
<v Speaker 2>and then they found out later it was like what

0:12:55.520 --> 0:12:57.600
<v Speaker 2>she was the girl I watched on Ellen, and I

0:12:57.640 --> 0:13:00.040
<v Speaker 2>was like, that's cool. This is cool. So now I

0:13:01.559 --> 0:13:04.600
<v Speaker 2>I love my past. I think it obviously has shaped

0:13:04.640 --> 0:13:07.320
<v Speaker 2>who I am as a musician and a person. Yeah,

0:13:07.360 --> 0:13:10.520
<v Speaker 2>and I'm proud of it. But like the word prodigy,

0:13:10.559 --> 0:13:11.160
<v Speaker 2>I'm still.

0:13:10.920 --> 0:13:17.160
<v Speaker 1>Like, so I read about child prodigies to prepare for

0:13:17.280 --> 0:13:20.400
<v Speaker 1>this interview, okay, and a lot of them said that

0:13:20.559 --> 0:13:24.319
<v Speaker 1>music flows naturally within It's an intuitive language that they

0:13:24.400 --> 0:13:28.559
<v Speaker 1>understand even before they grasp technical aspects of it. I

0:13:28.679 --> 0:13:30.800
<v Speaker 1>kind of compare it to how walking would be for

0:13:30.920 --> 0:13:33.160
<v Speaker 1>any of us, like we have the instinct to want

0:13:33.200 --> 0:13:36.000
<v Speaker 1>to walk, even though we don't know how. Other people

0:13:36.040 --> 0:13:38.480
<v Speaker 1>have described it as a creative force that they channel.

0:13:39.000 --> 0:13:41.640
<v Speaker 1>Some describe it as a language, and then some just

0:13:41.679 --> 0:13:44.360
<v Speaker 1>say it's otherworldly, it's mysterious. They don't even know how

0:13:44.360 --> 0:13:46.839
<v Speaker 1>to describe it. Yeah, how do you think about it?

0:13:47.280 --> 0:13:48.560
<v Speaker 1>What did it feel like within you?

0:13:49.840 --> 0:13:52.560
<v Speaker 2>I mean, obviously I can't really talk about how it

0:13:52.600 --> 0:13:56.040
<v Speaker 2>felt as a kid, because I don't really remember. But

0:13:57.360 --> 0:13:59.080
<v Speaker 2>I do think it is kind of like a language.

0:13:59.400 --> 0:14:02.680
<v Speaker 2>But then sometimes it's also weirdly mysterious, because even now

0:14:03.120 --> 0:14:04.760
<v Speaker 2>I'll get things that I wrote a couple years ago,

0:14:04.800 --> 0:14:06.480
<v Speaker 2>and I'm like, how the fuck did I I don't

0:14:06.559 --> 0:14:08.600
<v Speaker 2>like abiol and I feel the same way too. It's

0:14:08.640 --> 0:14:11.480
<v Speaker 2>like sometimes we write something and it's flowing and it's

0:14:11.480 --> 0:14:13.760
<v Speaker 2>like the greatest feeling ever, and then afterwards we're like,

0:14:13.840 --> 0:14:14.360
<v Speaker 2>how did that have?

0:14:15.520 --> 0:14:16.440
<v Speaker 1>How did it come out of me?

0:14:16.559 --> 0:14:20.280
<v Speaker 2>But I use tools just like we do with language,

0:14:20.320 --> 0:14:22.760
<v Speaker 2>and like any skill that we have. It's like I

0:14:22.800 --> 0:14:25.040
<v Speaker 2>have a toolbox that I can pull from and things

0:14:25.040 --> 0:14:27.800
<v Speaker 2>that I know work. And the more tools you have,

0:14:28.600 --> 0:14:30.880
<v Speaker 2>the greater the thing you know you can create.

0:14:31.200 --> 0:14:33.960
<v Speaker 1>Do you mean tools like inspiration or like I.

0:14:34.000 --> 0:14:37.600
<v Speaker 2>Mean inspiration, yes, but also like skills. So like I

0:14:37.920 --> 0:14:40.960
<v Speaker 2>studied a lot and I learned a lot, and I

0:14:41.000 --> 0:14:45.040
<v Speaker 2>tried really hard growing up to always push forward and

0:14:45.080 --> 0:14:49.200
<v Speaker 2>always learn more. Because I don't remember who told me this,

0:14:49.280 --> 0:14:50.840
<v Speaker 2>but it was like a really big mantra for me

0:14:50.880 --> 0:14:55.720
<v Speaker 2>growing up. Hard work always exceeds talent, So like whatever, Yeah,

0:14:55.800 --> 0:14:58.480
<v Speaker 2>it's like whatever natural talent I had is only going

0:14:58.520 --> 0:15:01.280
<v Speaker 2>to last me so long, Like I need to keep learning, wow,

0:15:01.320 --> 0:15:04.240
<v Speaker 2>otherwise I'm just gonna again fizzle out once the spectacle

0:15:04.320 --> 0:15:05.880
<v Speaker 2>is gone, and I won't have anything to show for

0:15:05.920 --> 0:15:06.960
<v Speaker 2>it afterwards, you know what I mean?

0:15:07.760 --> 0:15:11.760
<v Speaker 1>So I think every great composer has a signature. What's

0:15:11.800 --> 0:15:13.200
<v Speaker 1>the Emily Bear signature.

0:15:14.240 --> 0:15:16.400
<v Speaker 2>I think that's a TVD thing. I feel like that's

0:15:16.680 --> 0:15:21.120
<v Speaker 2>something that you acquire over many, many years of writing,

0:15:21.280 --> 0:15:23.720
<v Speaker 2>and like once you look at a whole body of work,

0:15:23.800 --> 0:15:26.400
<v Speaker 2>you can like understand what your signature is. I mean,

0:15:26.440 --> 0:15:31.200
<v Speaker 2>I feel like personally my signature is that, like I

0:15:31.200 --> 0:15:33.080
<v Speaker 2>I mean one, I love orchestra, so I'll use that

0:15:33.280 --> 0:15:37.040
<v Speaker 2>in everything, but it's not really a signature. I just

0:15:37.360 --> 0:15:40.840
<v Speaker 2>love to make people cry, like I love that sweeping

0:15:41.040 --> 0:15:43.240
<v Speaker 2>you do well with music.

0:15:43.040 --> 0:15:46.480
<v Speaker 1>Because if I like making people cry with my interviews, yeah,

0:15:46.520 --> 0:15:46.960
<v Speaker 1>like if.

0:15:47.400 --> 0:15:50.720
<v Speaker 2>I make someone feel something so strong that they're moved

0:15:50.720 --> 0:15:54.880
<v Speaker 2>to tears, then I've done my job. So think about

0:15:54.960 --> 0:15:57.200
<v Speaker 2>music that I love so much and that always just

0:15:57.400 --> 0:15:59.760
<v Speaker 2>keeps me going. It's like that feeling when you hit

0:15:59.760 --> 0:16:01.320
<v Speaker 2>like a peak of a song, or you hear the

0:16:01.360 --> 0:16:04.960
<v Speaker 2>strings swell and you just feel something and you don't

0:16:04.960 --> 0:16:06.480
<v Speaker 2>know what that feeling like, I don't know what it is,

0:16:06.520 --> 0:16:09.040
<v Speaker 2>but like when I hear the strings play like a

0:16:09.200 --> 0:16:13.320
<v Speaker 2>beautiful note and it's like that climactic part and you're

0:16:13.320 --> 0:16:14.720
<v Speaker 2>just like, oh my god, this is a feeling that

0:16:14.760 --> 0:16:18.200
<v Speaker 2>I can't find anywhere else. That's what I love, and

0:16:18.280 --> 0:16:22.720
<v Speaker 2>I love epic, lush, beautiful soundscape. So maybe that's my signature.

0:16:22.760 --> 0:16:24.240
<v Speaker 2>I don't know. I feel like someone else has to

0:16:24.280 --> 0:16:26.000
<v Speaker 2>tell me what my signature is. I can't tell.

0:16:26.600 --> 0:16:30.000
<v Speaker 1>Do you cry when you compose your own music?

0:16:30.920 --> 0:16:31.080
<v Speaker 2>No?

0:16:32.200 --> 0:16:32.760
<v Speaker 1>Interesting?

0:16:33.200 --> 0:16:36.600
<v Speaker 2>No, Yeah, that's weird. I've never thought about that.

0:16:38.160 --> 0:16:41.160
<v Speaker 1>Yeah, I do think that's probably your signature. Yeah, you

0:16:41.200 --> 0:16:42.280
<v Speaker 1>move people to tears.

0:16:42.920 --> 0:16:46.840
<v Speaker 2>I would like to if I have again, I've done

0:16:46.840 --> 0:16:47.240
<v Speaker 2>my job.

0:16:48.000 --> 0:16:52.120
<v Speaker 1>So there was this amazing documentary about you when you

0:16:52.160 --> 0:16:55.760
<v Speaker 1>were six years old. So your mom in that doc says,

0:16:55.840 --> 0:16:58.120
<v Speaker 1>my goal is for her to be happy, to have

0:16:58.160 --> 0:17:00.600
<v Speaker 1>good values, to have peace in her heart, and to

0:17:00.680 --> 0:17:01.960
<v Speaker 1>be a really good grown up.

0:17:02.760 --> 0:17:05.200
<v Speaker 2>She my mom. It's funny that you mentioned that quote

0:17:05.200 --> 0:17:07.800
<v Speaker 2>because last week we were on the phone and she

0:17:07.880 --> 0:17:10.800
<v Speaker 2>starts cryingcause she's like, remember that thing I used to

0:17:10.800 --> 0:17:12.240
<v Speaker 2>always say when you were a kid. I feel like

0:17:12.280 --> 0:17:15.119
<v Speaker 2>it's come true. Like I see everything you're doing in

0:17:15.160 --> 0:17:16.960
<v Speaker 2>the way you handle yourself and blah blah blah, and

0:17:16.960 --> 0:17:19.600
<v Speaker 2>it's like I feel like I've done my job and whatever,

0:17:19.640 --> 0:17:21.720
<v Speaker 2>and I'm like, huh.

0:17:21.760 --> 0:17:24.400
<v Speaker 1>So she like, I know that your mom cared about

0:17:24.440 --> 0:17:27.560
<v Speaker 1>your dream of music, but in that dock. It seemed like, oh,

0:17:27.840 --> 0:17:29.840
<v Speaker 1>like she just wanted you to be a good adult.

0:17:30.720 --> 0:17:32.560
<v Speaker 2>Yeah, And I feel like that was a really important

0:17:32.560 --> 0:17:35.679
<v Speaker 2>thing for my parents is to like a lot of

0:17:35.680 --> 0:17:38.960
<v Speaker 2>the times, especially with the child prodigies, it can become

0:17:38.960 --> 0:17:41.800
<v Speaker 2>a cash grab and it's like, how can we get

0:17:41.960 --> 0:17:44.439
<v Speaker 2>the most amount of exposure in the quickest amount, like

0:17:44.440 --> 0:17:47.520
<v Speaker 2>in the quickest time possible before this shit goes away?

0:17:48.119 --> 0:17:52.560
<v Speaker 2>And that was never our goal. And they kind of,

0:17:52.640 --> 0:17:55.000
<v Speaker 2>you know, drilled some good values into my brain.

0:17:55.680 --> 0:17:57.479
<v Speaker 1>What were the ways that you think they were the

0:17:57.480 --> 0:17:58.600
<v Speaker 1>most supportive of you.

0:17:59.640 --> 0:18:03.840
<v Speaker 2>I certainly didn't have like a normal childhood. I moved

0:18:03.840 --> 0:18:06.760
<v Speaker 2>out when I was sixteen, I graduated high school early.

0:18:07.400 --> 0:18:11.000
<v Speaker 2>They allowed me to come to LA and like my

0:18:11.080 --> 0:18:14.960
<v Speaker 2>mom visited a lot more back then. But like they

0:18:14.960 --> 0:18:18.400
<v Speaker 2>were always really supportive. Like I just if I had

0:18:18.480 --> 0:18:21.680
<v Speaker 2>been born to different parents with a different circumstance and

0:18:21.720 --> 0:18:25.520
<v Speaker 2>a different view on like what a life is supposed

0:18:25.520 --> 0:18:27.240
<v Speaker 2>to look like, I would have never I would never

0:18:27.280 --> 0:18:27.640
<v Speaker 2>be here.

0:18:28.080 --> 0:18:30.920
<v Speaker 1>Like they were open minded and trusting.

0:18:30.960 --> 0:18:34.080
<v Speaker 2>It sounds they always believed in me, probably a lot

0:18:34.080 --> 0:18:36.720
<v Speaker 2>more than I believed in myself, And so I think

0:18:36.760 --> 0:18:39.520
<v Speaker 2>that's a very valuable in Priceless Gift.

0:18:40.400 --> 0:18:44.200
<v Speaker 1>Quincy Jones is your mentor. How old were you when

0:18:44.200 --> 0:18:45.480
<v Speaker 1>you met him? And how old was he?

0:18:46.600 --> 0:18:48.480
<v Speaker 2>Oh? I don't know how old he was, but I

0:18:48.520 --> 0:18:50.439
<v Speaker 2>met him when I was like eight, and then he

0:18:50.480 --> 0:18:53.120
<v Speaker 2>became a very big part of my life. And now

0:18:53.160 --> 0:18:55.960
<v Speaker 2>he's ninety one, so he.

0:18:55.920 --> 0:18:56.720
<v Speaker 1>Was in his eighties.

0:18:57.760 --> 0:18:59.800
<v Speaker 2>I think he was not eighty yet. I think he

0:18:59.880 --> 0:19:03.440
<v Speaker 2>was like late seventies, okay, which is crazy because I

0:19:03.440 --> 0:19:05.080
<v Speaker 2>remember a couple of years ago I was at his

0:19:05.119 --> 0:19:06.960
<v Speaker 2>birthday party and we were talking about how he's known

0:19:06.960 --> 0:19:09.040
<v Speaker 2>me for over half my life, and I'm like, that's weird.

0:19:09.680 --> 0:19:10.640
<v Speaker 1>It's unbelievable.

0:19:10.680 --> 0:19:11.160
<v Speaker 2>It's weird.

0:19:11.280 --> 0:19:13.919
<v Speaker 1>Yeah, because here's the thing I'm watching this doc. You

0:19:13.960 --> 0:19:17.800
<v Speaker 1>meet Quincy Jones, he quickly wants to become your mentor.

0:19:17.880 --> 0:19:22.240
<v Speaker 1>You can tell he's in his late seventies. You're eight, yeah,

0:19:23.040 --> 0:19:27.879
<v Speaker 1>and he is twenty seven Grammys and he produced your CD.

0:19:28.000 --> 0:19:31.600
<v Speaker 1>He hadn't produced a solo record since Michael Jackson.

0:19:31.720 --> 0:19:33.680
<v Speaker 2>It was it was wild, man. I mean I think

0:19:33.720 --> 0:19:35.840
<v Speaker 2>when I first met him, like I knew who he

0:19:36.000 --> 0:19:37.480
<v Speaker 2>was and I knew what he had done, but it

0:19:37.520 --> 0:19:40.880
<v Speaker 2>didn't quite I didn't quite understand, Like I didn't grasp.

0:19:40.600 --> 0:19:41.639
<v Speaker 1>Of course it.

0:19:42.640 --> 0:19:47.120
<v Speaker 2>But again, like his love and passion for the craft

0:19:48.000 --> 0:19:51.800
<v Speaker 2>of music always shone through, and so like when we

0:19:51.840 --> 0:19:53.720
<v Speaker 2>would talk, it wasn't like I was talking to a

0:19:53.840 --> 0:19:56.080
<v Speaker 2>seventy five year old. It was like just two people

0:19:56.080 --> 0:19:59.120
<v Speaker 2>who loved music. And I think that's why he has

0:19:59.160 --> 0:20:02.760
<v Speaker 2>such an incredible legacy and why he's decided to to

0:20:02.880 --> 0:20:05.800
<v Speaker 2>mentor people at his stage of life, Like he doesn't

0:20:05.800 --> 0:20:08.280
<v Speaker 2>need to be doing this shit, like he he's done,

0:20:09.119 --> 0:20:11.760
<v Speaker 2>he's done the most, He's done everything any musician could

0:20:11.800 --> 0:20:13.640
<v Speaker 2>ever want to do. But now he chooses to spend

0:20:13.680 --> 0:20:17.679
<v Speaker 2>his time helping young people and people that he believes in,

0:20:18.200 --> 0:20:23.520
<v Speaker 2>you know, yeah, learn about the business and music and everything.

0:20:23.600 --> 0:20:27.040
<v Speaker 2>So it's just I think people that really truly have

0:20:27.119 --> 0:20:30.600
<v Speaker 2>passion for their craft, like age doesn't matter, like it

0:20:30.720 --> 0:20:33.320
<v Speaker 2>just falls away. As I've gotten older, I've heard more

0:20:33.359 --> 0:20:36.680
<v Speaker 2>stories about Quincy, you know, in Quincy being Quincy.

0:20:36.960 --> 0:20:39.000
<v Speaker 1>But I just but you got a different version.

0:20:39.000 --> 0:20:41.119
<v Speaker 2>I got a different version of him. Yeah, he like

0:20:41.640 --> 0:20:44.800
<v Speaker 2>he's like my grandpa. Like I don't know how to

0:20:44.840 --> 0:20:48.080
<v Speaker 2>describe it, Like he was the most paternal, like the

0:20:48.119 --> 0:20:54.399
<v Speaker 2>most loving and wonderful and generous and kind. Yeah he was.

0:20:54.960 --> 0:20:58.080
<v Speaker 2>He was great. I like I I cherish my time

0:20:58.119 --> 0:20:58.639
<v Speaker 2>with him.

0:20:58.680 --> 0:21:01.520
<v Speaker 1>But you said he taught you the most. What did

0:21:01.520 --> 0:21:02.080
<v Speaker 1>he teach you?

0:21:03.280 --> 0:21:06.120
<v Speaker 2>I mean the amount of time we've spent together. I've

0:21:06.160 --> 0:21:09.679
<v Speaker 2>heard and have learned so many life lessons and a

0:21:09.720 --> 0:21:12.720
<v Speaker 2>lot about music. And you know, his stories are incredible.

0:21:12.920 --> 0:21:16.360
<v Speaker 2>He would nail me CDs and like actual physical copies

0:21:16.359 --> 0:21:18.679
<v Speaker 2>of revel symphonies that he loved and he wanted me

0:21:18.760 --> 0:21:21.600
<v Speaker 2>to listen to. And wow, I don't know, it was

0:21:21.760 --> 0:21:23.520
<v Speaker 2>just I also learned a lot about life.

0:21:23.680 --> 0:21:26.640
<v Speaker 1>In every interview, Quincy talks about your work ethic. It's

0:21:26.640 --> 0:21:27.720
<v Speaker 1>the first thing he says.

0:21:28.640 --> 0:21:29.120
<v Speaker 2>Means a lot.

0:21:29.680 --> 0:21:32.320
<v Speaker 1>Yeah, one of the things that I realized is that

0:21:32.440 --> 0:21:37.119
<v Speaker 1>Quincy was one of the first composers to cross genres.

0:21:37.200 --> 0:21:39.679
<v Speaker 1>Like before him, it seemed like everybody was sort of

0:21:39.720 --> 0:21:42.520
<v Speaker 1>siloed into their lane, and you very much do that.

0:21:43.600 --> 0:21:46.560
<v Speaker 2>Maybe that's why we like really connected when I was younger,

0:21:46.880 --> 0:21:48.760
<v Speaker 2>And I'm not claiming to be the first person to

0:21:49.280 --> 0:21:54.159
<v Speaker 2>cross genres in my field. There's especially nowadays, like, yeah,

0:21:54.359 --> 0:21:58.280
<v Speaker 2>genres are falling down and everyone is multi genre in

0:21:58.280 --> 0:22:00.760
<v Speaker 2>my mind, or a lot of people are, because like

0:22:00.800 --> 0:22:03.959
<v Speaker 2>top forties, not just pop music anymore. It's everything. But

0:22:04.200 --> 0:22:06.080
<v Speaker 2>I will say that from a very young age, I

0:22:06.160 --> 0:22:08.800
<v Speaker 2>was really like there were people that did like classical piano,

0:22:08.840 --> 0:22:11.760
<v Speaker 2>there were people that did Jeff piano, and I just

0:22:12.040 --> 0:22:13.800
<v Speaker 2>I loved it all, Like there was something that I

0:22:13.880 --> 0:22:18.879
<v Speaker 2>found satiated a part of me from each thing that

0:22:18.960 --> 0:22:22.040
<v Speaker 2>I had my foot in, like from you know, sitting

0:22:22.040 --> 0:22:26.040
<v Speaker 2>with my Cuban drummer in my jazz trio learning Mantuno's

0:22:26.080 --> 0:22:30.440
<v Speaker 2>to like learning about revel and how you orchestrated something,

0:22:31.040 --> 0:22:33.879
<v Speaker 2>or you know, there's just I always felt that it

0:22:33.920 --> 0:22:35.840
<v Speaker 2>was too boring to stay in one lane. So I

0:22:35.880 --> 0:22:37.880
<v Speaker 2>think I think that's what Quincy felt too, Like.

0:22:38.240 --> 0:22:41.840
<v Speaker 1>You both had an expansiveness, or have an expansiveness, Yeah,

0:22:41.880 --> 0:22:48.280
<v Speaker 1>because why not? Yeah. So I don't want to take

0:22:48.320 --> 0:22:53.359
<v Speaker 1>away from your work ethic, because it's clearly incredibly rigorous.

0:22:53.520 --> 0:22:58.560
<v Speaker 2>Anyone successful, I've now realized, has worked fucking hard. I

0:22:58.680 --> 0:23:00.000
<v Speaker 2>used to think, like, oh, I don't know how much

0:23:00.040 --> 0:23:01.320
<v Speaker 2>much of it is the artist and how much of

0:23:01.320 --> 0:23:05.440
<v Speaker 2>it is a team. But like anyone who's at that level,

0:23:05.680 --> 0:23:08.120
<v Speaker 2>you know, deserves to be there in some way because

0:23:08.200 --> 0:23:09.880
<v Speaker 2>they've they've put it in one way or the other.

0:23:10.040 --> 0:23:12.000
<v Speaker 1>Who do you look to like when I think hard work?

0:23:12.040 --> 0:23:12.800
<v Speaker 1>I think Gaga?

0:23:13.359 --> 0:23:16.600
<v Speaker 2>Yeah, in what way? Who do I look to hard work? Like?

0:23:16.640 --> 0:23:18.600
<v Speaker 1>Who do you think about when you think hard work?

0:23:19.720 --> 0:23:25.680
<v Speaker 2>I will say, after being on the Renaissance Stoor, I

0:23:25.680 --> 0:23:28.439
<v Speaker 2>don't know how she does it? Man, Like she she

0:23:28.560 --> 0:23:32.200
<v Speaker 2>works so hard and like as a woman and a musician.

0:23:32.280 --> 0:23:35.800
<v Speaker 2>It is so cool to see the way that she

0:23:36.000 --> 0:23:39.360
<v Speaker 2>like runs the room and it has a family and

0:23:40.240 --> 0:23:43.560
<v Speaker 2>mothers her kids and does like she was there before

0:23:43.640 --> 0:23:45.840
<v Speaker 2>us every day and left after us every day like she.

0:23:46.480 --> 0:23:48.600
<v Speaker 2>I was like, damn, okay, I get it.

0:23:49.440 --> 0:23:52.040
<v Speaker 1>When you say she runs the room, What do you mean?

0:23:53.520 --> 0:23:56.959
<v Speaker 2>Well, it's just you never know how much someone at

0:23:56.960 --> 0:23:59.480
<v Speaker 2>that level has their hand and everything, you know. So

0:23:59.600 --> 0:24:03.800
<v Speaker 2>I really had no idea what to expect. But the

0:24:03.920 --> 0:24:07.639
<v Speaker 2>vision that she had is so clear, and especially I

0:24:07.640 --> 0:24:10.800
<v Speaker 2>mean I didn't see her in you know, the costume

0:24:10.880 --> 0:24:14.760
<v Speaker 2>rooms or the dance rehearsal rooms. But what I did

0:24:14.800 --> 0:24:16.720
<v Speaker 2>see and is like all of our music rehearsals and

0:24:16.760 --> 0:24:19.879
<v Speaker 2>all the tech rehearsals, and like she knows exactly what

0:24:19.920 --> 0:24:22.119
<v Speaker 2>she wants and she knows how to communicate it. And

0:24:22.119 --> 0:24:24.879
<v Speaker 2>I'm sure that's also like culminating of thirty forty years,

0:24:25.200 --> 0:24:30.040
<v Speaker 2>you know, working as Beyonce in the industry, but every

0:24:30.160 --> 0:24:34.000
<v Speaker 2>hit that the band did, every transition was dictated by her.

0:24:34.720 --> 0:24:36.399
<v Speaker 2>She might not have been the one who was putting

0:24:36.400 --> 0:24:39.040
<v Speaker 2>the paper to pen, but she knew what she wanted

0:24:39.040 --> 0:24:40.879
<v Speaker 2>and she was able to communicate it in a way

0:24:41.240 --> 0:24:43.680
<v Speaker 2>where our mds and all of us understood her and

0:24:43.720 --> 0:24:45.320
<v Speaker 2>were able to like make it happen.

0:24:45.440 --> 0:24:48.040
<v Speaker 1>You know, I think you're touching on something so interesting

0:24:48.080 --> 0:24:51.959
<v Speaker 1>that very few people talk about, which is the different

0:24:52.040 --> 0:24:54.760
<v Speaker 1>languages that you have to speak when you're a boss

0:24:54.760 --> 0:24:57.480
<v Speaker 1>of anything, because you have to be able to speak

0:24:57.480 --> 0:24:59.720
<v Speaker 1>to the tech people in their language, to the costume

0:24:59.720 --> 0:25:04.760
<v Speaker 1>people in their language, to the musicians and their language.

0:25:05.560 --> 0:25:07.760
<v Speaker 1>Everybody else just has to speak their own language.

0:25:07.880 --> 0:25:09.439
<v Speaker 2>You know. It's so like I wish I could have

0:25:09.480 --> 0:25:12.760
<v Speaker 2>seen her do the same thing on her first tour,

0:25:12.880 --> 0:25:14.560
<v Speaker 2>because I wonder, like I would just love to see

0:25:14.560 --> 0:25:17.560
<v Speaker 2>the difference, because obviously she's had one of the most

0:25:17.560 --> 0:25:21.520
<v Speaker 2>insane careers of all time, and what I saw during

0:25:21.560 --> 0:25:25.840
<v Speaker 2>the Renaissance tour is a culmination of everything she learned. Yeah,

0:25:25.920 --> 0:25:28.480
<v Speaker 2>over the past I don't thirty years I don't know

0:25:28.520 --> 0:25:29.920
<v Speaker 2>how long she's been working in the industry.

0:25:30.240 --> 0:25:32.399
<v Speaker 1>Yeah, since she was like nine or its like you. Yeah.

0:25:32.440 --> 0:25:35.639
<v Speaker 2>So it's like, on one hand, yes, we need to

0:25:35.680 --> 0:25:37.639
<v Speaker 2>know all these things, but on the other hand, it

0:25:37.720 --> 0:25:40.359
<v Speaker 2>takes time. You know, you don't learn everything. Even now,

0:25:40.400 --> 0:25:42.000
<v Speaker 2>Like looking back on the last couple of years and

0:25:42.080 --> 0:25:44.320
<v Speaker 2>projects that I've been on for a couple of years,

0:25:44.960 --> 0:25:47.480
<v Speaker 2>I now know how to deal with things moving forward

0:25:47.560 --> 0:25:49.359
<v Speaker 2>on the next one. Right, I didn't know. Then.

0:25:49.760 --> 0:25:51.480
<v Speaker 1>Do you keep a list? I keep a list of

0:25:51.520 --> 0:25:53.800
<v Speaker 1>things I messed up. I don't, but that's actually really

0:25:53.840 --> 0:25:55.359
<v Speaker 1>good because you forget them.

0:25:55.480 --> 0:25:56.880
<v Speaker 2>Yeah. No, you're right, you're right.

0:25:57.240 --> 0:25:59.600
<v Speaker 1>I have a Google dot called things I Messed up?

0:26:00.040 --> 0:26:05.159
<v Speaker 1>Oh or ways, I've been have that curse because on

0:26:05.240 --> 0:26:07.880
<v Speaker 1>the next job you already forgot it.

0:26:08.280 --> 0:26:09.240
<v Speaker 2>No, you're so right.

0:26:09.760 --> 0:26:12.440
<v Speaker 1>Okay, So I see this photo of you on Instagram.

0:26:12.600 --> 0:26:14.160
<v Speaker 1>You have this silver bob.

0:26:14.040 --> 0:26:16.160
<v Speaker 2>Oh my god, yeah, whole silver.

0:26:15.960 --> 0:26:20.919
<v Speaker 1>Dress, boots yep, beyonces on top of your piano in

0:26:20.960 --> 0:26:27.199
<v Speaker 1>her uniform, her costume. You are both so embodied and

0:26:27.359 --> 0:26:30.680
<v Speaker 1>full in what you're doing and then in sync together.

0:26:31.720 --> 0:26:33.760
<v Speaker 1>It kind of gives me chills to think about you,

0:26:33.960 --> 0:26:36.879
<v Speaker 1>especially at such a young age. You've called it a

0:26:36.920 --> 0:26:39.960
<v Speaker 1>transformative experience, and I know we all talk about Beyonce

0:26:40.080 --> 0:26:42.120
<v Speaker 1>as like the queen and so like you could just say,

0:26:42.119 --> 0:26:44.719
<v Speaker 1>oh my god, it was transformative, but how was it

0:26:44.760 --> 0:26:45.960
<v Speaker 1>actually transformative?

0:26:46.480 --> 0:26:51.439
<v Speaker 2>Like honestly Beyonce aside, I didn't go to college, Like,

0:26:51.600 --> 0:26:53.679
<v Speaker 2>I've never been surrounded by a bunch of people like

0:26:53.720 --> 0:26:58.080
<v Speaker 2>around my age that are that creative and you know,

0:26:58.760 --> 0:27:02.399
<v Speaker 2>are doing the same thing that I'm doing and to

0:27:02.520 --> 0:27:06.879
<v Speaker 2>be and also like composing. Yes, especially like on a

0:27:06.920 --> 0:27:09.560
<v Speaker 2>movie like Mulwana, you are part of a huge team

0:27:10.040 --> 0:27:12.119
<v Speaker 2>and it kind of like the tour kind of reminded

0:27:12.160 --> 0:27:14.280
<v Speaker 2>me of a movie set. But most of my job

0:27:14.359 --> 0:27:17.280
<v Speaker 2>is like pretty isolating, yeah, and it's either a me

0:27:17.400 --> 0:27:20.080
<v Speaker 2>loone in a room or me and Avigail alone in

0:27:20.080 --> 0:27:23.600
<v Speaker 2>a room. And so I'd never really and I've been

0:27:23.600 --> 0:27:27.240
<v Speaker 2>on tour before, but it's and I've been on big tours,

0:27:27.280 --> 0:27:30.399
<v Speaker 2>but it's different at this level, and it's different as

0:27:30.400 --> 0:27:34.240
<v Speaker 2>an adult. And so to like be with this group

0:27:34.240 --> 0:27:38.160
<v Speaker 2>of people and travel for eight months and like live

0:27:38.200 --> 0:27:41.159
<v Speaker 2>an entirely different version of life than I usually do

0:27:41.240 --> 0:27:43.520
<v Speaker 2>on a day to day basis was like really eye

0:27:43.520 --> 0:27:45.560
<v Speaker 2>opening for me, and it almost felt like, in a

0:27:45.560 --> 0:27:48.080
<v Speaker 2>weird way, this is going to sound stupid, like like

0:27:48.119 --> 0:27:49.000
<v Speaker 2>a college experience.

0:27:49.160 --> 0:27:51.240
<v Speaker 1>Yeah, where like it doesn't sound stupid at all.

0:27:51.240 --> 0:27:54.400
<v Speaker 2>Yeh know, Like I was just learning a lot about myself.

0:27:54.920 --> 0:27:58.120
<v Speaker 2>I learned a lot as a musician, Like it was it.

0:27:58.359 --> 0:27:59.480
<v Speaker 1>Did you learn about yourself?

0:28:00.119 --> 0:28:04.480
<v Speaker 2>Me? One thing, I learned a lot about my personality

0:28:04.640 --> 0:28:07.720
<v Speaker 2>and what I need to be happy. In a way,

0:28:08.359 --> 0:28:09.960
<v Speaker 2>I'm a much more of an introvert than I thought

0:28:09.960 --> 0:28:12.520
<v Speaker 2>I was. I need a lot more time to recover

0:28:13.160 --> 0:28:17.080
<v Speaker 2>than I thought I did. And it's also I was

0:28:17.119 --> 0:28:20.800
<v Speaker 2>writing Mowana and a couple other things on the road too,

0:28:21.119 --> 0:28:24.119
<v Speaker 2>and you're kidding. No, it was fun and I have

0:28:24.200 --> 0:28:28.520
<v Speaker 2>some fun pictures. And before I said yes, well because

0:28:28.560 --> 0:28:30.800
<v Speaker 2>I got the call for the Beyonce gig, which was

0:28:30.800 --> 0:28:33.480
<v Speaker 2>so fucking random and like something I never expected to

0:28:33.480 --> 0:28:36.600
<v Speaker 2>get on like a random Thursday night from who calls you? Okay,

0:28:36.800 --> 0:28:38.520
<v Speaker 2>Well it's kind of complicated.

0:28:38.160 --> 0:28:41.280
<v Speaker 1>Because it's a great lesson to be learned to, like

0:28:41.960 --> 0:28:44.360
<v Speaker 1>you never know what person will lead you to what

0:28:44.480 --> 0:28:47.680
<v Speaker 1>thing is on Quincy Tours.

0:28:48.440 --> 0:28:52.160
<v Speaker 2>When I was sixteen, I became close and me and

0:28:52.240 --> 0:28:54.480
<v Speaker 2>my family became like friends with a couple of like

0:28:54.520 --> 0:28:57.520
<v Speaker 2>the tour managers and crew members. And this guy Fred,

0:28:57.560 --> 0:29:00.560
<v Speaker 2>who's like a dear family friend now, was the tour

0:29:00.600 --> 0:29:03.280
<v Speaker 2>manager on that tour and has like we've stayed closed

0:29:03.320 --> 0:29:05.680
<v Speaker 2>for years and he's helping with Bridgerton things like he's

0:29:05.720 --> 0:29:09.400
<v Speaker 2>been so wonderful. But he worked at Parkwood for many,

0:29:09.400 --> 0:29:11.760
<v Speaker 2>many years and I was I was doing a show

0:29:11.800 --> 0:29:14.320
<v Speaker 2>a couple of years ago, and he helped me like

0:29:14.440 --> 0:29:16.960
<v Speaker 2>put some people together to like run the tech shit.

0:29:17.360 --> 0:29:19.560
<v Speaker 2>But of course he called all his buddies at Parkwood,

0:29:20.040 --> 0:29:24.959
<v Speaker 2>and this front of house engineer knew about me, like

0:29:25.080 --> 0:29:27.200
<v Speaker 2>it was during COVID, so I never actually met about

0:29:27.360 --> 0:29:30.280
<v Speaker 2>met him in person, but like we were we knew

0:29:30.280 --> 0:29:33.240
<v Speaker 2>each other sort of. Yeah, but he's been Beyonce's longtime

0:29:33.280 --> 0:29:36.840
<v Speaker 2>engineer for like twenty something years, and I guess they

0:29:36.840 --> 0:29:39.760
<v Speaker 2>were looking and they were auditioning people to do my.

0:29:39.840 --> 0:29:43.200
<v Speaker 1>Job for the tour, which is what well.

0:29:43.240 --> 0:29:45.760
<v Speaker 2>I was like they wanted a woman. Yeah, first of all,

0:29:45.880 --> 0:29:47.760
<v Speaker 2>to play the piano, which she.

0:29:47.840 --> 0:29:49.239
<v Speaker 1>Was like one of the first people to do that.

0:29:50.040 --> 0:29:51.640
<v Speaker 2>This was the first time that I think she didn't

0:29:51.720 --> 0:29:54.760
<v Speaker 2>have an all female band, but she specifically wanted a

0:29:54.800 --> 0:30:00.320
<v Speaker 2>woman at the piano and I also musically, like they

0:30:00.320 --> 0:30:03.360
<v Speaker 2>wanted some virtuosi classical shit, but they also needed someone

0:30:03.400 --> 0:30:06.680
<v Speaker 2>who could play, you know, all of her music, and

0:30:07.600 --> 0:30:09.520
<v Speaker 2>they I guess they didn't find what they were looking for,

0:30:09.600 --> 0:30:12.640
<v Speaker 2>so they called me. And I got a random call

0:30:12.760 --> 0:30:17.479
<v Speaker 2>from that engineer on Thursday night being like hey, and

0:30:17.520 --> 0:30:17.760
<v Speaker 2>I'm like.

0:30:18.120 --> 0:30:20.120
<v Speaker 1>Excuse me, and did you have to audition?

0:30:20.840 --> 0:30:23.680
<v Speaker 2>I mean I went in and I, you know, played

0:30:23.680 --> 0:30:24.200
<v Speaker 2>for everyone.

0:30:24.400 --> 0:30:25.080
<v Speaker 1>What'd you play?

0:30:26.160 --> 0:30:28.320
<v Speaker 2>A bunch of random stuff? They had me learned some

0:30:28.360 --> 0:30:32.160
<v Speaker 2>stuff on the spot. They I played some crazy classical stuff.

0:30:33.040 --> 0:30:35.280
<v Speaker 2>I played a wide variety of things.

0:30:35.400 --> 0:30:37.040
<v Speaker 1>How did you feel when you met her in person

0:30:37.080 --> 0:30:38.080
<v Speaker 1>for the first time.

0:30:39.200 --> 0:30:41.520
<v Speaker 2>People asked me after the tour. On the tour, I

0:30:41.600 --> 0:30:43.200
<v Speaker 2>was like, oh my god, is it so scary to

0:30:43.240 --> 0:30:47.280
<v Speaker 2>be with her in front of, you know, fifty thousand people? Like,

0:30:48.160 --> 0:30:50.120
<v Speaker 2>nothing compares to how scary it was the first time

0:30:50.160 --> 0:30:51.960
<v Speaker 2>I played for her with like three people in the room.

0:30:52.040 --> 0:30:54.280
<v Speaker 2>That was scary. That was really scary. So everything after

0:30:54.320 --> 0:30:55.320
<v Speaker 2>that is not scary.

0:30:55.600 --> 0:30:58.560
<v Speaker 1>That's way scarier to be one on one with Beance

0:30:58.760 --> 0:30:59.440
<v Speaker 1>for the first time.

0:30:59.640 --> 0:31:03.880
<v Speaker 2>Scar Yeah, But yeah, and then I was already worked.

0:31:03.920 --> 0:31:05.600
<v Speaker 2>I've been on Mawana for two and a half years,

0:31:05.640 --> 0:31:07.520
<v Speaker 2>so like I was already on it, and I was like,

0:31:07.600 --> 0:31:11.239
<v Speaker 2>oh my god, I can't I can't say yes. I

0:31:11.240 --> 0:31:14.240
<v Speaker 2>have all these other jobs that like I'm contractually obliged

0:31:14.280 --> 0:31:16.840
<v Speaker 2>to do, and Abby and I hated working on Zoom.

0:31:17.280 --> 0:31:19.800
<v Speaker 2>We hated it. We would try Zoom and then like

0:31:20.200 --> 0:31:23.040
<v Speaker 2>ten minutes later, like okay, just come over. Couldn't do it.

0:31:23.520 --> 0:31:25.800
<v Speaker 2>But I was like, I feel like I can't say

0:31:25.800 --> 0:31:27.560
<v Speaker 2>no to this. I don't know. Something was telling me

0:31:27.600 --> 0:31:29.200
<v Speaker 2>that I couldn't say no to it. I wonder what

0:31:30.000 --> 0:31:31.640
<v Speaker 2>I know, But like at the time, I was like,

0:31:32.160 --> 0:31:34.520
<v Speaker 2>I can't fuck things up with Disney. Yeah, like that

0:31:34.560 --> 0:31:38.280
<v Speaker 2>would be really bad and I can't sacrifice that for

0:31:38.560 --> 0:31:39.959
<v Speaker 2>you know, beyond. I don't know.

0:31:40.320 --> 0:31:43.400
<v Speaker 1>So I also learned how much you could like your capacity.

0:31:43.880 --> 0:31:48.720
<v Speaker 2>Yeah, sure, Honestly, it wasn't I mean it wasn't easy.

0:31:49.040 --> 0:31:52.360
<v Speaker 2>Like there's some pictures of me which I'm saving for

0:31:52.520 --> 0:31:56.479
<v Speaker 2>my like happy release Day Moana of like me on

0:31:56.520 --> 0:31:59.240
<v Speaker 2>the bus home from like a show, like zooming into

0:31:59.360 --> 0:32:01.640
<v Speaker 2>recording session from Majuana and like all of like I

0:32:01.680 --> 0:32:04.160
<v Speaker 2>had a Schleppa studio setup and it was a pain

0:32:04.200 --> 0:32:06.320
<v Speaker 2>in the ass, and the hours were not that fun,

0:32:06.400 --> 0:32:09.280
<v Speaker 2>especially when you're working us hours in Europe. So like

0:32:09.400 --> 0:32:11.480
<v Speaker 2>I'd get home from rehearsal or a show at midnight

0:32:11.480 --> 0:32:13.520
<v Speaker 2>and I have to work till five am. It was

0:32:13.720 --> 0:32:16.720
<v Speaker 2>it was, It was tough, but it wasn't It wasn't

0:32:16.720 --> 0:32:20.200
<v Speaker 2>that bad. And I mean when I learned that we

0:32:20.240 --> 0:32:21.240
<v Speaker 2>can work really.

0:32:21.000 --> 0:32:23.920
<v Speaker 1>Well on Zoom, that's all you stretched yourself.

0:32:24.160 --> 0:32:26.560
<v Speaker 2>Yeah, no, we were good, So now we can work anymore,

0:32:26.600 --> 0:32:27.080
<v Speaker 2>which is great.

0:32:27.120 --> 0:32:31.680
<v Speaker 1>But so I read a few fan comments on that

0:32:31.720 --> 0:32:34.880
<v Speaker 1>photo that I loved to view, and fans called it

0:32:34.920 --> 0:32:37.600
<v Speaker 1>the best version of Dangerously in Love and their favorite

0:32:37.640 --> 0:32:40.560
<v Speaker 1>part of the tour. That's like, that's pretty moving.

0:32:41.600 --> 0:32:43.800
<v Speaker 2>Yeah, I mean to be a part of something that

0:32:44.000 --> 0:32:47.440
<v Speaker 2>culturally big was wild style.

0:32:47.480 --> 0:32:48.600
<v Speaker 1>Do you think you brought to it?

0:32:50.200 --> 0:32:53.800
<v Speaker 2>I mean, my classical background definitely influenced the way that

0:32:53.840 --> 0:32:56.480
<v Speaker 2>I played, so especially in that song. It was very

0:32:56.600 --> 0:33:01.960
<v Speaker 2>like arpeggio and florally and noodlely and just all over

0:33:02.000 --> 0:33:02.520
<v Speaker 2>the place.

0:33:03.160 --> 0:33:08.760
<v Speaker 1>Yeah. Did you learn anything from her as a performer

0:33:09.520 --> 0:33:11.040
<v Speaker 1>or did you feel like you learn more from her

0:33:11.080 --> 0:33:11.640
<v Speaker 1>as a person.

0:33:13.720 --> 0:33:15.080
<v Speaker 2>I learned that I will never be able to shake

0:33:15.120 --> 0:33:18.120
<v Speaker 2>my ass like that my god, you don't have to,

0:33:18.280 --> 0:33:22.320
<v Speaker 2>so it's okay. Yeah, no, like, because I at some

0:33:22.400 --> 0:33:24.959
<v Speaker 2>point want to put out like music for myself, but

0:33:25.040 --> 0:33:27.120
<v Speaker 2>not in like a I will never be that type

0:33:27.120 --> 0:33:29.240
<v Speaker 2>of artist. I will never be a like get on

0:33:29.320 --> 0:33:33.280
<v Speaker 2>stage and I'll be like maybe if it ever happens,

0:33:33.280 --> 0:33:36.479
<v Speaker 2>if I ever, you know, have the balls to do something,

0:33:36.800 --> 0:33:39.720
<v Speaker 2>it'll be more like a John Mayer or like Norah

0:33:39.800 --> 0:33:41.480
<v Speaker 2>Jones esque type situation.

0:33:42.720 --> 0:33:44.800
<v Speaker 1>There's a photo of you on Instagram and you write

0:33:44.880 --> 0:33:47.880
<v Speaker 1>who says you can't play piano and six inch platforms?

0:33:48.320 --> 0:33:50.480
<v Speaker 1>And I know you were being cheeky, but I actually

0:33:50.560 --> 0:33:54.160
<v Speaker 1>felt like it meant something deeper. What were you really saying?

0:33:54.640 --> 0:33:57.200
<v Speaker 2>Well, I mean there's a certain look that you associate

0:33:57.240 --> 0:34:00.640
<v Speaker 2>with classical pianists, and I'm by no means saying that

0:34:00.720 --> 0:34:04.680
<v Speaker 2>I am even remotely close to the level of like

0:34:04.760 --> 0:34:08.360
<v Speaker 2>touring classical pianists anymore. At one point I had the chops.

0:34:08.480 --> 0:34:10.760
<v Speaker 2>I haven't practiced them a long time because I spend

0:34:10.840 --> 0:34:13.399
<v Speaker 2>ninety nine percent of my time writing music, but I

0:34:13.440 --> 0:34:16.040
<v Speaker 2>pull out the classical chops here and there for certain things.

0:34:16.040 --> 0:34:20.279
<v Speaker 2>And it was this July fourth thing and growing up,

0:34:20.280 --> 0:34:22.960
<v Speaker 2>my panel teachers are like no nail polish, eah, And

0:34:23.160 --> 0:34:26.360
<v Speaker 2>they were very much like you can't and to a

0:34:26.360 --> 0:34:29.680
<v Speaker 2>certain degree there right with heels, you sit differently and

0:34:29.719 --> 0:34:32.640
<v Speaker 2>so your technique is different. But like, you don't need

0:34:32.680 --> 0:34:35.319
<v Speaker 2>to not be cute to play the piano. So I

0:34:35.400 --> 0:34:37.759
<v Speaker 2>always have my nails done and every show that I

0:34:37.800 --> 0:34:40.040
<v Speaker 2>did growing up, like they would be color coordinated with

0:34:40.080 --> 0:34:42.759
<v Speaker 2>my outfits because I'm like, there's gonna be cameras on

0:34:42.800 --> 0:34:45.239
<v Speaker 2>my hands, this is stupid. My nails are gonna be done,

0:34:45.239 --> 0:34:47.520
<v Speaker 2>and I'm gonna be wearing tall heels because I think

0:34:47.560 --> 0:34:48.200
<v Speaker 2>they look cute.

0:34:48.760 --> 0:34:51.080
<v Speaker 1>And I think a lot of times we strip the

0:34:51.080 --> 0:34:53.680
<v Speaker 1>femininity away from things, and I just love that you're

0:34:53.719 --> 0:34:54.520
<v Speaker 1>putting it back in.

0:34:54.880 --> 0:34:57.640
<v Speaker 2>Like the first time that I conducted like an orchestra

0:34:57.719 --> 0:35:02.799
<v Speaker 2>in a concert hall, I wore dress because like most

0:35:02.800 --> 0:35:06.359
<v Speaker 2>conductors wear pants, which is fine. I'm not clocking that

0:35:06.719 --> 0:35:09.680
<v Speaker 2>I love pants. I just I just wanted to wear

0:35:09.680 --> 0:35:11.920
<v Speaker 2>a dress because I'm like, when did you see like

0:35:11.920 --> 0:35:15.719
<v Speaker 2>a conductor wearing like a really cool, like designer dress.

0:35:16.120 --> 0:35:21.319
<v Speaker 1>You know completely, I don't know. Well, you've said that

0:35:21.400 --> 0:35:23.880
<v Speaker 1>your goal is to break the mold for what a

0:35:23.920 --> 0:35:27.200
<v Speaker 1>composer in the industry looks like and I read that

0:35:27.320 --> 0:35:31.680
<v Speaker 1>less than two percent of composers scoring films are female.

0:35:31.760 --> 0:35:34.120
<v Speaker 1>Less than two percent, Yeah.

0:35:34.239 --> 0:35:36.560
<v Speaker 2>I think I think it's slightly higher now, maybe like

0:35:36.600 --> 0:35:37.200
<v Speaker 2>five or six.

0:35:37.280 --> 0:35:40.399
<v Speaker 1>But still, why is it so male dominated? And why

0:35:40.520 --> 0:35:42.000
<v Speaker 1>is it so hard to break into.

0:35:42.560 --> 0:35:46.160
<v Speaker 2>You know, to be a composer. It's interesting and I'm

0:35:46.200 --> 0:35:48.760
<v Speaker 2>still learning a lot about it. But the relationship between

0:35:48.800 --> 0:35:52.160
<v Speaker 2>a director and a composer is like this, and it

0:35:52.239 --> 0:35:54.480
<v Speaker 2>really has been a boys club for a very long time.

0:35:55.239 --> 0:35:58.160
<v Speaker 2>And I don't really have an answer for you, because

0:35:58.200 --> 0:36:03.640
<v Speaker 2>I know that there are sick, incredible, talented women composers

0:36:03.680 --> 0:36:07.160
<v Speaker 2>out there. There's so many of them, and there's I'm

0:36:07.200 --> 0:36:09.719
<v Speaker 2>not saying that I'm the first either, it's just we

0:36:09.800 --> 0:36:12.880
<v Speaker 2>don't know that. Like there's been an amazing woman before me,

0:36:14.040 --> 0:36:17.200
<v Speaker 2>going into the sixties and seventies that have been scoring films,

0:36:17.239 --> 0:36:20.799
<v Speaker 2>but like, yeah, they somehow just don't get the recognition

0:36:20.840 --> 0:36:23.759
<v Speaker 2>that they deserve. And I don't know where that is.

0:36:23.800 --> 0:36:25.600
<v Speaker 2>But even to this day, I'll walk into a room

0:36:25.680 --> 0:36:29.080
<v Speaker 2>as a composer and I'm like, are you the assistant?

0:36:29.280 --> 0:36:31.600
<v Speaker 2>Or like me and Abeuiel walked into this busy thing

0:36:31.640 --> 0:36:33.400
<v Speaker 2>and they thought we were hair and makeup, which is fine,

0:36:33.440 --> 0:36:34.000
<v Speaker 2>but like.

0:36:34.080 --> 0:36:35.520
<v Speaker 1>The assumption comes from somewhere.

0:36:35.800 --> 0:36:39.480
<v Speaker 2>Yeah, I mean, can you name me a female composer?

0:36:40.480 --> 0:36:46.479
<v Speaker 1>No, can you? Yeah, you can name a few female composers. Yeah,

0:36:46.520 --> 0:36:49.360
<v Speaker 1>but right, but I can name a few male composers.

0:36:49.360 --> 0:36:53.000
<v Speaker 1>So like the general public can name a few fixed males,

0:36:53.120 --> 0:36:53.560
<v Speaker 1>I can't.

0:36:54.040 --> 0:36:56.880
<v Speaker 2>I went to go see Barbie at the Hollywood Bowler

0:36:56.880 --> 0:37:00.000
<v Speaker 2>other day and like, the movie is fine, I actually

0:37:00.040 --> 0:37:01.719
<v Speaker 2>really liked a lot better this time I saw it,

0:37:01.800 --> 0:37:06.800
<v Speaker 2>but it was of all women orchestra with a woman conductor,

0:37:07.440 --> 0:37:11.920
<v Speaker 2>and I had never seen something like that at that level,

0:37:12.360 --> 0:37:15.680
<v Speaker 2>and for some reason it just immediately ten seconds in,

0:37:15.760 --> 0:37:18.120
<v Speaker 2>I was bawling in my seat. I'm not a crier

0:37:18.239 --> 0:37:20.319
<v Speaker 2>like that, Like I don't, I don't do that, but

0:37:20.400 --> 0:37:23.480
<v Speaker 2>something about seeing all those women out there at that level,

0:37:24.520 --> 0:37:26.200
<v Speaker 2>I was like, the amount of times that I have

0:37:26.280 --> 0:37:28.880
<v Speaker 2>been the only girl in the room is like ninety

0:37:28.960 --> 0:37:31.880
<v Speaker 2>nine point nine percent of the time. Like with Adago

0:37:31.920 --> 0:37:33.480
<v Speaker 2>now it's really nice because we have each other, but

0:37:33.600 --> 0:37:37.040
<v Speaker 2>like when I'm scoring movies, in my entire life, I

0:37:37.080 --> 0:37:39.400
<v Speaker 2>have been the only girl in the room all the

0:37:39.440 --> 0:37:41.880
<v Speaker 2>time with the bunch of bolder dudes and I'm not

0:37:41.920 --> 0:37:45.360
<v Speaker 2>saying very bad people. I'm not. It's just to see

0:37:45.480 --> 0:37:49.280
<v Speaker 2>a room full of women on one of the biggest

0:37:49.320 --> 0:37:52.400
<v Speaker 2>stages in the world playing to one of the biggest

0:37:52.440 --> 0:37:56.239
<v Speaker 2>movies in the world was just really moving because I

0:37:56.280 --> 0:37:59.120
<v Speaker 2>can't even imagine what that feels like for them. I've

0:37:59.160 --> 0:38:01.000
<v Speaker 2>never been in that situation. I've never been in a

0:38:01.040 --> 0:38:02.840
<v Speaker 2>room full of all women ever.

0:38:03.640 --> 0:38:08.120
<v Speaker 1>Were you crying because like you yourself had felt lonely?

0:38:08.800 --> 0:38:10.880
<v Speaker 2>I mean, whether we like it or not, like working

0:38:10.960 --> 0:38:14.120
<v Speaker 2>with a woman feels different, like it just does. It

0:38:14.200 --> 0:38:16.919
<v Speaker 2>was just really cool to see. And they showed a

0:38:16.920 --> 0:38:18.879
<v Speaker 2>slide show at the end of all of them when

0:38:18.920 --> 0:38:21.640
<v Speaker 2>they were young, like with their instruments as babies, and I.

0:38:21.600 --> 0:38:23.760
<v Speaker 1>Was just like, oh my god.

0:38:24.120 --> 0:38:26.640
<v Speaker 2>But what I said during our Grammy speech is how

0:38:26.680 --> 0:38:28.200
<v Speaker 2>I feel. It's like I don't want to turn this

0:38:28.280 --> 0:38:31.600
<v Speaker 2>into like a preachy, bullshit moment, Like it's not that

0:38:32.120 --> 0:38:36.279
<v Speaker 2>we don't exist. We do. Like I could give you

0:38:36.320 --> 0:38:40.719
<v Speaker 2>the names of a hundred like incredible assistance that are

0:38:40.960 --> 0:38:43.399
<v Speaker 2>amazing composers that are women. If you go into any

0:38:43.480 --> 0:38:48.520
<v Speaker 2>of the film scoring, you know, undergraduate programs or graduate programs,

0:38:48.480 --> 0:38:50.280
<v Speaker 2>there is a lot of women now, which is great,

0:38:50.760 --> 0:38:52.840
<v Speaker 2>but still we don't see those numbers reflected in the

0:38:52.920 --> 0:38:55.840
<v Speaker 2>jobs somehow, and so well I said during the speech,

0:38:55.920 --> 0:38:57.840
<v Speaker 2>still rings true. It's like it's not that we don't exist.

0:38:58.080 --> 0:39:01.080
<v Speaker 2>It's clear that we do. And why the Bridgeton thing

0:39:01.120 --> 0:39:04.560
<v Speaker 2>felt so powerful to me, And like awards don't really matter,

0:39:04.600 --> 0:39:08.960
<v Speaker 2>but like that one really it meant a lot because

0:39:09.000 --> 0:39:11.360
<v Speaker 2>we were the only two women out of thirty six nominies.

0:39:11.960 --> 0:39:14.600
<v Speaker 2>We were the youngest ones by far. But like the

0:39:14.640 --> 0:39:18.319
<v Speaker 2>fact that we were the only woman I don't want

0:39:18.320 --> 0:39:22.320
<v Speaker 2>to make this a gender thing whatever, but like it's true,

0:39:22.719 --> 0:39:25.040
<v Speaker 2>like we exist, and the fact that we were able

0:39:25.080 --> 0:39:28.960
<v Speaker 2>to like force them to listen by using social media

0:39:29.480 --> 0:39:33.080
<v Speaker 2>and force them to like realize that there are a

0:39:33.200 --> 0:39:35.960
<v Speaker 2>lot of us out there, it felt it meant a lot.

0:39:36.280 --> 0:39:37.759
<v Speaker 1>I'm going to talk about that in a second cause

0:39:37.800 --> 0:39:40.360
<v Speaker 1>that moment made me cry too. But you keep mentioning

0:39:40.400 --> 0:39:44.319
<v Speaker 1>Abigail Yeah and talented women, which she is, so to

0:39:44.360 --> 0:39:48.240
<v Speaker 1>catch everybody up, Abigail Barlow's a musician and you guys

0:39:48.360 --> 0:39:51.200
<v Speaker 1>team up as Barlow and Bear Yeah, which is very cool.

0:39:51.640 --> 0:39:55.279
<v Speaker 1>And you created Bridgerton the unofficial musical. It became a

0:39:55.400 --> 0:40:00.359
<v Speaker 1>huge sensation. What's an unofficial musical? First of all, well,

0:40:00.400 --> 0:40:01.640
<v Speaker 1>and how does this come about?

0:40:01.760 --> 0:40:03.920
<v Speaker 2>The whole thing was kind of a happy accident because

0:40:03.920 --> 0:40:06.480
<v Speaker 2>Abigail and I had met like a year before and

0:40:07.560 --> 0:40:09.319
<v Speaker 2>randomly someone put us together. I was like, you should

0:40:09.360 --> 0:40:12.600
<v Speaker 2>write together, okay, And we started like fucking around with

0:40:12.600 --> 0:40:16.040
<v Speaker 2>this little musical idea. But the more we wrote, the

0:40:16.080 --> 0:40:19.640
<v Speaker 2>more we're like, wait, this is kind of fun. Like

0:40:19.719 --> 0:40:22.120
<v Speaker 2>I never thought that I would be writing musical theater

0:40:22.920 --> 0:40:24.840
<v Speaker 2>and be so passionate about it at this stage of

0:40:24.880 --> 0:40:26.760
<v Speaker 2>my life. I'm like, oh, like maybe when I'm seventy

0:40:26.800 --> 0:40:29.960
<v Speaker 2>five and I'm you know, at that stage of my career,

0:40:30.200 --> 0:40:33.840
<v Speaker 2>I'll write a musical. But we started writing together and

0:40:33.880 --> 0:40:37.840
<v Speaker 2>I was like, hey, this is great. It's like a living,

0:40:37.920 --> 0:40:42.160
<v Speaker 2>breathing version of film music, you know. And then the

0:40:42.160 --> 0:40:45.960
<v Speaker 2>pandemic hit and then we had no jobs and I

0:40:46.040 --> 0:40:48.040
<v Speaker 2>literally did not get a single gig for like a

0:40:48.120 --> 0:40:50.520
<v Speaker 2>year and a half, and I was losing my mind

0:40:50.560 --> 0:40:55.040
<v Speaker 2>and so is Abigail. And this was like post Ratituey

0:40:55.640 --> 0:40:58.600
<v Speaker 2>the musical like that like had taken over TikTok maybe

0:40:58.680 --> 0:41:00.960
<v Speaker 2>six months before, I don't know, or a year before,

0:41:01.760 --> 0:41:05.840
<v Speaker 2>and Bridgington was like blowing up. And I got a

0:41:05.920 --> 0:41:09.040
<v Speaker 2>random text from Abigail and I being like, what if

0:41:09.040 --> 0:41:10.880
<v Speaker 2>Bridgeton was a musical And she sent me this like

0:41:11.040 --> 0:41:13.200
<v Speaker 2>little snippet of a song and I was like, wait,

0:41:14.120 --> 0:41:17.000
<v Speaker 2>this is good. So then we just started writing it.

0:41:16.719 --> 0:41:18.520
<v Speaker 1>Is it true that you wrote the first song in

0:41:18.560 --> 0:41:19.440
<v Speaker 1>forty five minutes?

0:41:21.360 --> 0:41:22.959
<v Speaker 2>I mean I added my shit to it in about

0:41:23.000 --> 0:41:26.080
<v Speaker 2>forty five minutes. Like again, I feel like all creatives

0:41:26.080 --> 0:41:29.120
<v Speaker 2>when we're writing music, ninety five percent of the time

0:41:29.160 --> 0:41:32.319
<v Speaker 2>it's excruciatingly painful, and the five percent of maybe not

0:41:32.400 --> 0:41:35.120
<v Speaker 2>that much, maybe seventy five to twenty five. Yeah, it's

0:41:35.160 --> 0:41:37.759
<v Speaker 2>like we keep chasing that feeling. When it flows, it's

0:41:37.800 --> 0:41:39.600
<v Speaker 2>like the best feeling in the world, and you're like,

0:41:39.680 --> 0:41:42.400
<v Speaker 2>oh my god, it's so amazing to like watch the

0:41:42.440 --> 0:41:44.840
<v Speaker 2>puzzle pieces come together. And that was just one of

0:41:44.840 --> 0:41:46.600
<v Speaker 2>the times where it just flowed out of both of us.

0:41:46.719 --> 0:41:48.640
<v Speaker 1>So it took off on social media.

0:41:48.680 --> 0:41:51.239
<v Speaker 2>Well, I was not really a social media girl pre

0:41:51.520 --> 0:41:53.960
<v Speaker 2>Like I started using TikTok like a few months before,

0:41:54.400 --> 0:41:56.719
<v Speaker 2>honestly inspired by Abigail because I saw how she was

0:41:56.800 --> 0:41:59.279
<v Speaker 2>using it, and I started using it to like talk

0:41:59.280 --> 0:42:01.719
<v Speaker 2>about being a comp whatever, and I had some like

0:42:02.239 --> 0:42:05.160
<v Speaker 2>the first few my videos go viral and I was like, oh,

0:42:05.160 --> 0:42:07.399
<v Speaker 2>this is cool. And then I started getting like job

0:42:07.400 --> 0:42:11.719
<v Speaker 2>interest from TikTok and I'm like interesting. But I was

0:42:11.760 --> 0:42:15.359
<v Speaker 2>not a social media girl. Yeah, and Abigail had been

0:42:15.400 --> 0:42:19.720
<v Speaker 2>on social media forever, and so she posted a clip

0:42:19.800 --> 0:42:23.759
<v Speaker 2>of her singing it, and then it blew up and

0:42:23.800 --> 0:42:26.600
<v Speaker 2>we're like, we had no jobs, We had nothing going on.

0:42:26.680 --> 0:42:29.719
<v Speaker 2>So we're like, so you built it out, keep going

0:42:29.760 --> 0:42:32.600
<v Speaker 2>if it's working. Neither of us we had no plan.

0:42:33.000 --> 0:42:35.520
<v Speaker 2>We weren't expecting it to like do what it did.

0:42:36.000 --> 0:42:37.879
<v Speaker 1>Wait, I just want to let everyone know what it did.

0:42:38.440 --> 0:42:41.400
<v Speaker 1>Number one album on the pop charts, number five album

0:42:41.440 --> 0:42:46.320
<v Speaker 1>on overall worldwide charts, over ten million streams in two weeks,

0:42:46.680 --> 0:42:49.120
<v Speaker 1>and a top ten Spotify album debut.

0:42:49.680 --> 0:42:52.120
<v Speaker 2>Yeah, it was wild because there was no We made

0:42:52.160 --> 0:42:55.279
<v Speaker 2>no money off of it, Like I still don't know

0:42:55.280 --> 0:42:57.000
<v Speaker 2>how people make money off of us, Like I don't

0:42:57.000 --> 0:42:59.520
<v Speaker 2>get it. And we put no money into it. Like

0:43:00.080 --> 0:43:04.040
<v Speaker 2>everything that happened just kind of happened, like I don't

0:43:04.040 --> 0:43:06.719
<v Speaker 2>even know looking back at it, it was like a

0:43:06.760 --> 0:43:10.600
<v Speaker 2>fever dream. Even when we put the music out, I

0:43:10.680 --> 0:43:15.320
<v Speaker 2>was expecting like the first you know, few like really

0:43:15.360 --> 0:43:19.919
<v Speaker 2>Bridgerton obsessed lovers to listen to it and it would

0:43:19.920 --> 0:43:22.000
<v Speaker 2>just be like a nice way to commemorate like that

0:43:22.040 --> 0:43:24.719
<v Speaker 2>time in our life. I was not expecting it to

0:43:24.719 --> 0:43:26.880
<v Speaker 2>do what it did. I was certainly not expecting it

0:43:26.880 --> 0:43:28.560
<v Speaker 2>to get nominated for a Grammy. I didn't even know

0:43:28.600 --> 0:43:31.120
<v Speaker 2>that was like, I didn't, I don't know me, Like,

0:43:31.160 --> 0:43:33.359
<v Speaker 2>it was just Addie and I, like I produced it

0:43:33.440 --> 0:43:37.799
<v Speaker 2>and she sang on all the parts and it was

0:43:37.840 --> 0:43:40.000
<v Speaker 2>just the two of us. Like I was like, there's

0:43:40.040 --> 0:43:43.719
<v Speaker 2>no way an album of basically like mock up demos

0:43:44.160 --> 0:43:46.920
<v Speaker 2>is going to be nominated for a Grammy and win one.

0:43:47.000 --> 0:43:49.719
<v Speaker 2>So the whole thing was fucking crazy. Honestly, it was

0:43:49.880 --> 0:43:51.880
<v Speaker 2>just it was just insane.

0:43:53.040 --> 0:43:57.200
<v Speaker 1>So you two win the Grammy. Yeah, and you look

0:43:57.320 --> 0:44:01.560
<v Speaker 1>truly shocked the video, the camera pans to you, and

0:44:01.600 --> 0:44:04.400
<v Speaker 1>you look so shocked. And the first thing you do

0:44:04.520 --> 0:44:06.719
<v Speaker 1>is you hug Abigail, and the two of you walk

0:44:06.760 --> 0:44:11.839
<v Speaker 1>on stage and I started bawling. I was bawling, So

0:44:12.080 --> 0:44:13.840
<v Speaker 1>I want to hear why you were bawling, But I

0:44:13.840 --> 0:44:16.120
<v Speaker 1>want to tell you why I cried. You're in this

0:44:16.280 --> 0:44:22.279
<v Speaker 1>room full of adults, older people, mixed room of men

0:44:22.320 --> 0:44:27.440
<v Speaker 1>and women, people who have been in the industry for years. Yeah,

0:44:27.640 --> 0:44:32.360
<v Speaker 1>and you two look so young and so girly in

0:44:32.440 --> 0:44:36.640
<v Speaker 1>the best way, right, And you walk on stage, and

0:44:37.120 --> 0:44:40.080
<v Speaker 1>it was like the power of friendship up there, Like,

0:44:40.560 --> 0:44:42.759
<v Speaker 1>you two were so I get chills thinking about it.

0:44:42.800 --> 0:44:46.560
<v Speaker 1>You two were so talented individually and it had success,

0:44:46.719 --> 0:44:49.840
<v Speaker 1>but to come together and win a Grammy was like,

0:44:50.239 --> 0:44:52.680
<v Speaker 1>that's the power of female friendship.

0:44:53.760 --> 0:44:55.800
<v Speaker 2>No, And it's it's funny because me and Abail started

0:44:55.800 --> 0:44:58.960
<v Speaker 2>as friends and we're still friends, and we're very, very,

0:44:59.080 --> 0:45:02.800
<v Speaker 2>very different. Yeah, in almost honestly every way you can tell. Yeah,

0:45:02.840 --> 0:45:07.440
<v Speaker 2>but like I think we like celebrate each other's differences,

0:45:07.640 --> 0:45:10.319
<v Speaker 2>and I think our differences is what makes us so

0:45:10.360 --> 0:45:13.960
<v Speaker 2>good as partners, is because we view music totally differently.

0:45:14.400 --> 0:45:15.960
<v Speaker 1>Why did you cry when you were up there?

0:45:17.760 --> 0:45:21.680
<v Speaker 2>Well, because it was really unexpected and because it was

0:45:21.719 --> 0:45:25.560
<v Speaker 2>such a like grassroots sort of thing. We're like, this

0:45:25.719 --> 0:45:28.879
<v Speaker 2>was so out of the realm of possibility for either

0:45:28.920 --> 0:45:32.080
<v Speaker 2>of us to imagine the fact that it did happen

0:45:32.440 --> 0:45:34.880
<v Speaker 2>like meant the world and the fact that it happened

0:45:36.040 --> 0:45:40.359
<v Speaker 2>with only Abigail and I like and we were like,

0:45:40.800 --> 0:45:42.160
<v Speaker 2>in the back of my mind, I was like, oh,

0:45:42.239 --> 0:45:45.319
<v Speaker 2>maybe it could, but I was saying, there's no way.

0:45:45.360 --> 0:45:48.759
<v Speaker 2>We were up against Android Weber and Bob Dylan, all

0:45:48.880 --> 0:45:53.359
<v Speaker 2>these legendary writers and they all have like, you know,

0:45:53.560 --> 0:45:55.960
<v Speaker 2>huge teams behind them. Each of the projects had like

0:45:56.320 --> 0:45:59.880
<v Speaker 2>six seven, eight, nine, ten nominees because these things to

0:46:00.080 --> 0:46:02.360
<v Speaker 2>a lot of people to work. But then on Abigail

0:46:02.360 --> 0:46:03.799
<v Speaker 2>and Is it was just us too, And I was

0:46:03.880 --> 0:46:07.280
<v Speaker 2>just like, we didn't campaign like a lot of people

0:46:07.280 --> 0:46:09.440
<v Speaker 2>who are nominated for a Grammy or like try to

0:46:09.440 --> 0:46:11.400
<v Speaker 2>get an award, they like do all this shit to

0:46:11.440 --> 0:46:14.440
<v Speaker 2>campaign and get voters, and like, we didn't do anything,

0:46:15.239 --> 0:46:19.080
<v Speaker 2>Like I just I don't know. It was just it

0:46:19.120 --> 0:46:24.080
<v Speaker 2>was just so crazy and it felt so powerful, because again,

0:46:24.760 --> 0:46:28.200
<v Speaker 2>awards are nice. We love the validation. At the end

0:46:28.200 --> 0:46:32.440
<v Speaker 2>of the day, do they change everything for you? Not really? Well,

0:46:32.480 --> 0:46:33.960
<v Speaker 2>does Grammy pay my rent forever?

0:46:34.400 --> 0:46:35.080
<v Speaker 1>Not really?

0:46:35.640 --> 0:46:40.759
<v Speaker 2>To get an award for something that was like just

0:46:40.800 --> 0:46:45.320
<v Speaker 2>born out of passion, I don't know, it was it

0:46:46.719 --> 0:46:47.319
<v Speaker 2>meant a lot.

0:46:47.920 --> 0:46:50.520
<v Speaker 1>Did you grow up envisioning yourself on that stage?

0:46:50.680 --> 0:46:54.040
<v Speaker 2>Every musician grows up Every year you watch the Grammys

0:46:54.040 --> 0:46:56.760
<v Speaker 2>and you're like, oh, I want to be up there. Oh,

0:46:56.840 --> 0:46:59.000
<v Speaker 2>that'll be me one day. But there's no way that's

0:46:59.040 --> 0:47:01.359
<v Speaker 2>ever going to happen. There's no way. So then like

0:47:01.480 --> 0:47:05.200
<v Speaker 2>it happens and you're like, whoa.

0:47:04.360 --> 0:47:08.160
<v Speaker 1>It's unbelievable. Yeah, was your mom freaking out? Oh?

0:47:08.239 --> 0:47:13.760
<v Speaker 2>Everyone was freaking out. So they were the first award

0:47:13.760 --> 0:47:16.560
<v Speaker 2>of the night, and it was like, okay, let's go

0:47:16.680 --> 0:47:16.960
<v Speaker 2>right in.

0:47:17.960 --> 0:47:21.040
<v Speaker 1>So petty, how do you hope that because it was

0:47:21.120 --> 0:47:24.719
<v Speaker 1>kind of like this wildly successful experiment. Yeah, how do

0:47:24.800 --> 0:47:26.560
<v Speaker 1>you hope that it changes the game.

0:47:27.400 --> 0:47:31.080
<v Speaker 2>It's funny because Abigail and I were I was demoing.

0:47:31.160 --> 0:47:33.279
<v Speaker 2>So when you're in the scoring world, you dip to

0:47:33.280 --> 0:47:34.920
<v Speaker 2>demo for a lot of jobs, especially when you have

0:47:34.920 --> 0:47:37.319
<v Speaker 2>no credits and you're a teenager like I was. And

0:47:37.360 --> 0:47:40.000
<v Speaker 2>I had amazing agents who are still my agents now,

0:47:40.000 --> 0:47:41.600
<v Speaker 2>and they're like the best of the best, top of

0:47:41.600 --> 0:47:43.839
<v Speaker 2>their game. And I was going out for all these

0:47:43.920 --> 0:47:45.400
<v Speaker 2>jobs and I would almost get the job, and I

0:47:45.440 --> 0:47:47.160
<v Speaker 2>would get it. I would almost get the job and

0:47:47.160 --> 0:47:49.520
<v Speaker 2>I wouldn't get it, And I like spent almost two

0:47:49.600 --> 0:47:51.520
<v Speaker 2>years demoing for things that I didn't get and I

0:47:51.600 --> 0:47:54.200
<v Speaker 2>was like so frustrated, and I feel like I was

0:47:54.200 --> 0:47:58.120
<v Speaker 2>putting out all this great music and I was going nowhere.

0:47:58.320 --> 0:48:00.400
<v Speaker 2>And there was one job that I was going for

0:48:01.200 --> 0:48:05.600
<v Speaker 2>like three months, and it was crazy because you shouldn't

0:48:05.600 --> 0:48:07.200
<v Speaker 2>have to demo for a job for three months, but

0:48:07.360 --> 0:48:11.040
<v Speaker 2>I was because I was desperate. And some of these

0:48:11.040 --> 0:48:14.600
<v Speaker 2>demos also included score and song and I would bring

0:48:14.600 --> 0:48:15.759
<v Speaker 2>Abigail on and I was like, do you want to

0:48:15.800 --> 0:48:17.520
<v Speaker 2>write these songs together for this demo and see, like,

0:48:17.920 --> 0:48:20.759
<v Speaker 2>see what happens. There was this animated TV show for

0:48:20.880 --> 0:48:23.400
<v Speaker 2>kids that I was going out to be the composer

0:48:23.680 --> 0:48:26.560
<v Speaker 2>and then Abigail I would have written songs. There was

0:48:26.600 --> 0:48:30.120
<v Speaker 2>score and songs, and I brought Abagail in and they

0:48:30.120 --> 0:48:31.719
<v Speaker 2>were like, yeah, you got the job of school. Like

0:48:32.360 --> 0:48:34.719
<v Speaker 2>I was demoing for three months. I scored animet ix

0:48:34.800 --> 0:48:37.479
<v Speaker 2>and wrote songs and did score samples and like spent

0:48:37.640 --> 0:48:40.080
<v Speaker 2>so much time and energy on this, and.

0:48:39.920 --> 0:48:41.279
<v Speaker 1>It was like, how could they not give you the

0:48:41.360 --> 0:48:42.160
<v Speaker 1>job after all this?

0:48:42.360 --> 0:48:44.719
<v Speaker 2>Well, they said I was getting the job, But then

0:48:44.760 --> 0:48:46.600
<v Speaker 2>the holidays came around and then they went in different

0:48:46.640 --> 0:48:49.600
<v Speaker 2>dark they went in a different direction, and that was

0:48:49.680 --> 0:48:51.920
<v Speaker 2>like a week before Bridgiston blew up. So honestly, it

0:48:51.920 --> 0:48:53.840
<v Speaker 2>was a Blessing in Disguise, because if I had gotten

0:48:53.840 --> 0:48:55.719
<v Speaker 2>that job, I would have never sat in a room

0:48:55.719 --> 0:48:57.520
<v Speaker 2>with Abigail and wrote a fake bridget and musical for

0:48:57.560 --> 0:49:02.240
<v Speaker 2>four months, So like Blessing in Disguise. But I hope

0:49:02.280 --> 0:49:07.040
<v Speaker 2>that what happened next with the Bridgerton experience like inspire

0:49:07.120 --> 0:49:10.040
<v Speaker 2>someone else to show that, like, if they're not giving

0:49:10.080 --> 0:49:13.560
<v Speaker 2>you the opportunity to show what you can do, you

0:49:13.600 --> 0:49:16.120
<v Speaker 2>can do it yourself too. Like obviously it's not gonna

0:49:16.120 --> 0:49:18.239
<v Speaker 2>work every time, Like I don't think if we tried

0:49:18.280 --> 0:49:21.640
<v Speaker 2>to recreate that whole thing it would work. But it

0:49:21.760 --> 0:49:25.120
<v Speaker 2>just goes to show that, like you don't always need

0:49:25.200 --> 0:49:28.680
<v Speaker 2>some you know, fucking studio executive to like take a

0:49:28.760 --> 0:49:31.640
<v Speaker 2>chance on you and give you the job you can

0:49:32.160 --> 0:49:34.840
<v Speaker 2>you can do it yourself, Like it's possible now today

0:49:34.840 --> 0:49:38.120
<v Speaker 2>with social media to do it yourself and force people

0:49:38.200 --> 0:49:40.600
<v Speaker 2>to listen, which is what I think we were able

0:49:40.640 --> 0:49:40.879
<v Speaker 2>to do.

0:49:41.080 --> 0:49:42.360
<v Speaker 1>You have to make your own work.

0:49:42.880 --> 0:49:46.560
<v Speaker 2>Yeah, I mean again, I also know how frustrating it

0:49:46.600 --> 0:49:48.799
<v Speaker 2>can be to like try a bunch of things and

0:49:48.880 --> 0:49:53.520
<v Speaker 2>have it not work. Yeah, because even now, like I'll

0:49:53.560 --> 0:49:56.359
<v Speaker 2>have something really work well on social media, but then

0:49:56.400 --> 0:49:58.560
<v Speaker 2>it won't work again, and then I'm like, I get

0:49:58.600 --> 0:50:01.160
<v Speaker 2>so discouraged because I'm like, what the point in wasting

0:50:01.160 --> 0:50:03.440
<v Speaker 2>time and energy and money into something that's not gonna happen?

0:50:03.560 --> 0:50:06.719
<v Speaker 2>But you never know, like it's the one that you

0:50:06.800 --> 0:50:10.840
<v Speaker 2>least expect. Did I think that an unofficial, fake Bridgeton

0:50:10.920 --> 0:50:12.920
<v Speaker 2>musical that was never staged would be the thing that

0:50:12.960 --> 0:50:16.560
<v Speaker 2>would blow the doors open? And honestly is the reason

0:50:16.560 --> 0:50:18.200
<v Speaker 2>why we got Muwana and all these other things.

0:50:18.800 --> 0:50:23.319
<v Speaker 1>No at all in those two years when you were

0:50:24.040 --> 0:50:26.880
<v Speaker 1>demoing and not getting anything, did you ever think maybe

0:50:26.920 --> 0:50:27.600
<v Speaker 1>this isn't for me?

0:50:28.360 --> 0:50:32.719
<v Speaker 2>Oh my god. I yeah, I remember during COVID and

0:50:32.760 --> 0:50:34.680
<v Speaker 2>this is gonna sound horrible, but I would just like

0:50:34.719 --> 0:50:36.640
<v Speaker 2>watch people walk to work when I was driving in

0:50:36.680 --> 0:50:38.560
<v Speaker 2>my car, and I was like, what I would fucking

0:50:38.600 --> 0:50:41.120
<v Speaker 2>give to like have a job every day and like

0:50:41.200 --> 0:50:45.920
<v Speaker 2>something to do, because it's great to self start, but

0:50:46.719 --> 0:50:50.640
<v Speaker 2>it gets really frustrating when like all you're doing is

0:50:50.840 --> 0:50:53.920
<v Speaker 2>try to create opportunities and then have them that work.

0:50:54.360 --> 0:50:56.759
<v Speaker 2>And I was just like, maybe this is maybe I

0:50:56.760 --> 0:50:58.600
<v Speaker 2>should have gone to college. Maybe this was a mistake.

0:50:58.680 --> 0:51:00.960
<v Speaker 2>I don't know. You go through all the thought because

0:51:01.000 --> 0:51:03.719
<v Speaker 2>two years is a long time and like there were

0:51:04.239 --> 0:51:08.240
<v Speaker 2>teeny tiny little winds but nothing that really changed anything.

0:51:09.040 --> 0:51:11.560
<v Speaker 1>I went through a period of like of that too. Yeah,

0:51:11.600 --> 0:51:14.239
<v Speaker 1>and it actually took me time to recover from it.

0:51:14.600 --> 0:51:17.799
<v Speaker 2>Mm hmm. Yeah. So it's it's difficult and it's easy

0:51:17.840 --> 0:51:22.200
<v Speaker 2>to fall back into that headspace because like, yeah, maybe

0:51:22.200 --> 0:51:24.239
<v Speaker 2>these last few years were great, but like what's next?

0:51:24.480 --> 0:51:28.840
<v Speaker 2>How like how do I not fall back into that hole? Yeah?

0:51:28.840 --> 0:51:31.120
<v Speaker 2>But at the same time, now looking back on it,

0:51:31.200 --> 0:51:34.040
<v Speaker 2>those two years of demoing and writing music and all

0:51:34.080 --> 0:51:37.880
<v Speaker 2>styles imaginable and Abigail writing all these random ass songs

0:51:37.880 --> 0:51:42.080
<v Speaker 2>for all these random ass projects like prepared us so

0:51:42.360 --> 0:51:44.960
<v Speaker 2>well in a way that I can never predicted for

0:51:45.040 --> 0:51:45.879
<v Speaker 2>what we're doing now.

0:51:46.239 --> 0:51:48.440
<v Speaker 1>You said that people listen to songs every day, but

0:51:48.480 --> 0:51:51.480
<v Speaker 1>they don't know how they're created. Can you give me

0:51:51.520 --> 0:51:55.080
<v Speaker 1>a behind the scenes look into what it takes for

0:51:55.160 --> 0:51:56.239
<v Speaker 1>you to write a great song?

0:51:57.560 --> 0:52:00.759
<v Speaker 2>I need more specificity on like project, and like, are

0:52:00.800 --> 0:52:05.759
<v Speaker 2>we talking something for like Malana or something for myself

0:52:05.880 --> 0:52:09.200
<v Speaker 2>as like a more poppy whatever, or like something for

0:52:09.920 --> 0:52:12.080
<v Speaker 2>like score for a movie, whatever.

0:52:11.840 --> 0:52:15.240
<v Speaker 1>A score for a movie, And give me the details,

0:52:15.280 --> 0:52:17.400
<v Speaker 1>Like Okay, I get a diet coke and then I like,

0:52:17.440 --> 0:52:18.560
<v Speaker 1>I want every detail.

0:52:19.040 --> 0:52:22.920
<v Speaker 2>Well, again, it's so project based because each process is

0:52:22.960 --> 0:52:25.200
<v Speaker 2>so different and how you work with the team and

0:52:25.200 --> 0:52:28.360
<v Speaker 2>how you get the materials. But I will say almost

0:52:28.400 --> 0:52:31.440
<v Speaker 2>every single time I get a project, I get excited.

0:52:31.480 --> 0:52:33.040
<v Speaker 2>I'm like, oh my god, I got the job. Yeah,

0:52:33.280 --> 0:52:35.400
<v Speaker 2>and then I'm like, oh my god, I don't know

0:52:35.400 --> 0:52:36.839
<v Speaker 2>how to do this. This is gonna be horrible. I'm

0:52:36.840 --> 0:52:38.759
<v Speaker 2>gonna fail, I'm gonna get fired. This is gonna be

0:52:38.800 --> 0:52:41.200
<v Speaker 2>the one that really ends me. Like this is the one,

0:52:41.719 --> 0:52:46.040
<v Speaker 2>and I like freak out for a minute because that's

0:52:46.040 --> 0:52:48.560
<v Speaker 2>what you do, and then I start working and then

0:52:48.600 --> 0:52:51.160
<v Speaker 2>you just you gotta do it, and then it starts

0:52:51.200 --> 0:52:53.040
<v Speaker 2>coming together and you're like, wait, maybe I got this

0:52:53.880 --> 0:52:58.120
<v Speaker 2>ababy need to freak out. Maybe everything's okay. And I

0:52:58.200 --> 0:53:00.359
<v Speaker 2>go through this whole cycle and it happens every time,

0:53:00.800 --> 0:53:05.000
<v Speaker 2>and people will be like, Emily, you said this last

0:53:05.040 --> 0:53:06.440
<v Speaker 2>time and you were fine, and I'm like, no, but

0:53:06.520 --> 0:53:08.480
<v Speaker 2>this is the one. This is the one that I

0:53:08.520 --> 0:53:10.040
<v Speaker 2>really I don't know how to do this shit like

0:53:10.160 --> 0:53:12.000
<v Speaker 2>this is this is gonna be the one where, like

0:53:12.080 --> 0:53:13.960
<v Speaker 2>I really mess things up to the point where I

0:53:14.000 --> 0:53:16.680
<v Speaker 2>can't come back. But it hasn't happened yet. So I

0:53:16.800 --> 0:53:19.160
<v Speaker 2>go through that little thing, but once I'm actually in it,

0:53:19.160 --> 0:53:22.200
<v Speaker 2>it just like I was working on two movies this

0:53:22.239 --> 0:53:26.040
<v Speaker 2>summer and they were sow Well two movies plus Majana,

0:53:26.120 --> 0:53:29.000
<v Speaker 2>and they were so different and the processes were so

0:53:29.120 --> 0:53:31.040
<v Speaker 2>different than how I worked with. The directors were so

0:53:31.239 --> 0:53:36.279
<v Speaker 2>different that it's almost incomparable. But like, let's say this

0:53:36.680 --> 0:53:38.880
<v Speaker 2>one Netflix movie that I was talking about a lot

0:53:38.920 --> 0:53:43.080
<v Speaker 2>on my Instagram, I had like a very traditional, orchestral

0:53:43.360 --> 0:53:48.040
<v Speaker 2>like celebratory feel for a season that we all love

0:53:48.080 --> 0:53:54.319
<v Speaker 2>to celebrate. And I before I got the job, and

0:53:54.760 --> 0:53:56.800
<v Speaker 2>even after I got the job, before I started writing,

0:53:56.880 --> 0:54:00.880
<v Speaker 2>like I had never written Christmas music before. You know,

0:54:01.160 --> 0:54:05.120
<v Speaker 2>I don't know. So I just started listening to a

0:54:05.120 --> 0:54:07.200
<v Speaker 2>bunch of things and watching a bunch of movies that

0:54:07.239 --> 0:54:09.759
<v Speaker 2>are in the same vein and figuring out what I

0:54:09.880 --> 0:54:12.600
<v Speaker 2>liked and what I didn't like that people did, and

0:54:13.200 --> 0:54:17.120
<v Speaker 2>I just you just have to start, and it's like

0:54:17.160 --> 0:54:19.319
<v Speaker 2>some trial and error. Sometimes you spend six hours on

0:54:19.360 --> 0:54:22.320
<v Speaker 2>something that is terrible, but then sometimes it just flows.

0:54:22.520 --> 0:54:26.399
<v Speaker 2>And I usually sit there and I watch the scene

0:54:26.480 --> 0:54:30.120
<v Speaker 2>and I either start on piano or I start I

0:54:30.239 --> 0:54:31.960
<v Speaker 2>usually like to start with like a string patch or

0:54:32.880 --> 0:54:34.680
<v Speaker 2>a lot of times I like, I'll just let the

0:54:34.719 --> 0:54:40.520
<v Speaker 2>movie play and I'll just sit and muse, and I'll

0:54:40.600 --> 0:54:43.200
<v Speaker 2>keep it rolling over and over again, and the fear

0:54:43.280 --> 0:54:45.720
<v Speaker 2>that feels good, Like that feels good, I'll get there

0:54:45.880 --> 0:54:48.640
<v Speaker 2>and then I'll orchestrate it out. Or sometimes I'll start

0:54:48.640 --> 0:54:50.560
<v Speaker 2>with a string patch or like a certain instrument that

0:54:50.680 --> 0:54:54.640
<v Speaker 2>like gets me in the vibe. But how I wrote

0:54:54.680 --> 0:54:57.680
<v Speaker 2>those two scores is like a lot of movies, even

0:54:57.719 --> 0:55:00.239
<v Speaker 2>if they have like the Netflix one has a great

0:55:00.320 --> 0:55:02.799
<v Speaker 2>cast with big people that we all know, and the

0:55:02.880 --> 0:55:06.600
<v Speaker 2>movie's really well done and it's cute, there's not a

0:55:06.640 --> 0:55:10.680
<v Speaker 2>lot of budget nowadays, so like I couldn't hire a

0:55:10.719 --> 0:55:13.640
<v Speaker 2>whole orchestra to record sixty minutes of music because it's

0:55:13.680 --> 0:55:16.560
<v Speaker 2>too expensive. So a lot of it was just programmed

0:55:16.600 --> 0:55:20.000
<v Speaker 2>in my studio by me and orchestrated by me, sort

0:55:20.000 --> 0:55:22.920
<v Speaker 2>of how I did Bridgerton. I had a little more

0:55:22.960 --> 0:55:25.560
<v Speaker 2>wiggle rooms. I was able to hire a few people.

0:55:26.280 --> 0:55:29.440
<v Speaker 2>But knowing that I had that constraint, I write in

0:55:29.440 --> 0:55:31.719
<v Speaker 2>a certain way. If I knew that I was gonna

0:55:31.719 --> 0:55:34.160
<v Speaker 2>be able to hire an orchestra, I'd write in a

0:55:34.200 --> 0:55:37.960
<v Speaker 2>different way, but like it just it depends.

0:55:38.560 --> 0:55:41.319
<v Speaker 1>Does that make any sense completely? Okay, how do you

0:55:41.320 --> 0:55:43.319
<v Speaker 1>feel about the state of pop music right now?

0:55:44.520 --> 0:55:46.760
<v Speaker 2>I think it's great. I'm not a top forty person,

0:55:47.200 --> 0:55:51.080
<v Speaker 2>I you know, it's just I always lean like a

0:55:51.080 --> 0:55:55.120
<v Speaker 2>little left of center on like music tastes specifically.

0:55:55.320 --> 0:55:57.920
<v Speaker 1>What does that mean to you? Give me a few names.

0:55:58.480 --> 0:56:02.080
<v Speaker 2>Like I think my favorite artist right now is Yeba,

0:56:02.840 --> 0:56:05.879
<v Speaker 2>and like she's not like avant garde by any means,

0:56:05.880 --> 0:56:08.920
<v Speaker 2>but she's definitely not top forty right, you know, but

0:56:09.080 --> 0:56:13.000
<v Speaker 2>like her artistry and just m she's perfect. I would

0:56:13.000 --> 0:56:15.560
<v Speaker 2>marry her anyways. I think pop music is having a

0:56:15.600 --> 0:56:18.040
<v Speaker 2>renaissance right now. Like I'm not gonna say that I

0:56:18.040 --> 0:56:20.600
<v Speaker 2>love everything that's like super popular right now, but like

0:56:22.120 --> 0:56:24.680
<v Speaker 2>I love Suprita Garpenter, and I don't usually like a

0:56:24.920 --> 0:56:28.640
<v Speaker 2>you know, a bubblegum pop princess, but I think her

0:56:28.680 --> 0:56:30.880
<v Speaker 2>stuff is really great and I think she's really talented.

0:56:31.320 --> 0:56:33.960
<v Speaker 2>Chapel Roone obviously, like everyone's obsessing over her and for

0:56:34.040 --> 0:56:38.040
<v Speaker 2>good reason. She's amazing, And I just that there's there's

0:56:38.080 --> 0:56:41.480
<v Speaker 2>a lot of variety on the market right now. Olivia

0:56:41.520 --> 0:56:44.920
<v Speaker 2>Dean is like she's not a household name yet like

0:56:44.920 --> 0:56:47.719
<v Speaker 2>Superta Carpenter, but like she's getten.

0:56:47.480 --> 0:56:51.239
<v Speaker 1>There, what's the most fun you've ever had on a project?

0:56:51.719 --> 0:56:55.399
<v Speaker 2>Luana Too has been the most amazing experience ever. And

0:56:55.760 --> 0:56:57.520
<v Speaker 2>since it's not out yet, I can't really talk about

0:56:57.520 --> 0:57:03.480
<v Speaker 2>Scifixed because obviously whatever. But I mean, to even be

0:57:03.640 --> 0:57:07.720
<v Speaker 2>considered to be a songwriter for a Disney animated movie

0:57:07.920 --> 0:57:10.799
<v Speaker 2>is crazy, And the fact that we were able to

0:57:10.800 --> 0:57:15.440
<v Speaker 2>do it and how it came to be is even crazier.

0:57:15.840 --> 0:57:17.240
<v Speaker 2>So like every time we walk in.

0:57:17.360 --> 0:57:18.480
<v Speaker 1>What do you mean how it came to be?

0:57:19.080 --> 0:57:21.520
<v Speaker 2>Well that we got hired for it, and how it

0:57:21.640 --> 0:57:23.400
<v Speaker 2>started as a TV show but now as a movie,

0:57:23.440 --> 0:57:29.320
<v Speaker 2>And I mean, it was crazy, But it's every songwriter's dream,

0:57:29.360 --> 0:57:31.520
<v Speaker 2>I think, to be able to do what we've been

0:57:31.560 --> 0:57:33.840
<v Speaker 2>able to do the past couple years. Like I never

0:57:33.880 --> 0:57:35.720
<v Speaker 2>in a million years thought that we would be given

0:57:35.720 --> 0:57:41.320
<v Speaker 2>this opportunity. Yeah right now. But Disney has been so

0:57:41.480 --> 0:57:44.240
<v Speaker 2>wonderful and it has been so cool to work on

0:57:44.400 --> 0:57:46.720
<v Speaker 2>and it's been so incredible to see the process, and

0:57:46.760 --> 0:57:49.520
<v Speaker 2>I've to this day I still don't really understand how

0:57:49.840 --> 0:57:53.800
<v Speaker 2>it's made because the amount of detail and work and

0:57:53.960 --> 0:57:56.920
<v Speaker 2>love and passion that goes into creating animation at that

0:57:57.000 --> 0:57:57.920
<v Speaker 2>level is insane.

0:57:58.400 --> 0:58:01.960
<v Speaker 1>As I hear you talking for the last hour, I

0:58:02.000 --> 0:58:06.160
<v Speaker 1>can tell, like the skill, the hard work is paramount

0:58:06.160 --> 0:58:09.640
<v Speaker 1>to you. It's clear Quincy felt that way about you too,

0:58:10.360 --> 0:58:12.080
<v Speaker 1>and I don't want to take anything away from the

0:58:12.120 --> 0:58:15.200
<v Speaker 1>hard work because it is paramount. But this to me

0:58:15.280 --> 0:58:18.360
<v Speaker 1>feels like a gift. Also, how do you make sense

0:58:18.440 --> 0:58:18.720
<v Speaker 1>of it?

0:58:19.120 --> 0:58:23.560
<v Speaker 2>I think I don't, like, I can't really view it

0:58:23.960 --> 0:58:27.800
<v Speaker 2>like that because to me, it doesn't feel like that.

0:58:29.840 --> 0:58:31.640
<v Speaker 1>Like you don't feel like you've been reincarnated.

0:58:32.600 --> 0:58:34.720
<v Speaker 2>There's people that I'd love to think that I am

0:58:34.760 --> 0:58:39.600
<v Speaker 2>reincarnated as, but I don't know. Like someone that I

0:58:39.640 --> 0:58:43.680
<v Speaker 2>think I is a completely different level than I am.

0:58:43.840 --> 0:58:46.440
<v Speaker 2>But someone who I aspired to be like is Leonard Bernstein.

0:58:46.920 --> 0:58:50.880
<v Speaker 2>Like I think he's one of the most genius musicians

0:58:50.880 --> 0:58:56.120
<v Speaker 2>of all time, And yeah, I hope to be like him.

0:58:56.280 --> 0:58:59.560
<v Speaker 2>But do I think I'm him reincarnated? I don't know.

0:59:00.160 --> 0:59:03.240
<v Speaker 2>I don't know. I think that's I don't know.

0:59:03.760 --> 0:59:07.280
<v Speaker 1>Is there any drawback to a gift this powerful.

0:59:08.080 --> 0:59:12.400
<v Speaker 2>I'm sure there was a level of like ease that

0:59:12.480 --> 0:59:14.360
<v Speaker 2>it came to me when I was little and I

0:59:14.760 --> 0:59:18.600
<v Speaker 2>understand that. And I can't explain that either, Like I

0:59:18.640 --> 0:59:20.440
<v Speaker 2>don't know why I was playing scales as a two

0:59:20.520 --> 0:59:22.280
<v Speaker 2>year old and why I loved it so much and

0:59:22.320 --> 0:59:24.280
<v Speaker 2>I was like making up songs at three, like I

0:59:24.360 --> 0:59:27.720
<v Speaker 2>don't know. I also don't really remember it. But it's

0:59:27.760 --> 0:59:31.919
<v Speaker 2>like to have had the journey that I have had

0:59:32.440 --> 0:59:35.400
<v Speaker 2>and to now like what got me to the place

0:59:35.440 --> 0:59:38.520
<v Speaker 2>where I am and now so many words. I I mean,

0:59:38.560 --> 0:59:41.760
<v Speaker 2>I had to sacrifice a lot, Like I can't even

0:59:42.320 --> 0:59:45.080
<v Speaker 2>like count the amount of times that I missed out

0:59:45.080 --> 0:59:47.680
<v Speaker 2>on things because I was doing something for this or

0:59:47.720 --> 0:59:51.080
<v Speaker 2>practicing for that or whatever. But I feel like each

0:59:52.480 --> 0:59:55.640
<v Speaker 2>each sacrifice and each misstep and each thing that seems

0:59:55.640 --> 0:59:57.720
<v Speaker 2>really hard on the moment, but now I look back

0:59:57.760 --> 1:00:00.120
<v Speaker 2>on and was like, Okay, I guess that happened for

1:00:00.160 --> 1:00:02.560
<v Speaker 2>a reason. Yeah, is all part of the bigger picture.

1:00:03.040 --> 1:00:04.880
<v Speaker 2>And I try to remind myself of that every day

1:00:05.000 --> 1:00:10.200
<v Speaker 2>that like hindsight is twenty twenty and everything that sucks

1:00:10.240 --> 1:00:13.720
<v Speaker 2>now is gonna feel like it was there for a reason,

1:00:13.760 --> 1:00:15.960
<v Speaker 2>and I went through it for a reason, you know,

1:00:16.120 --> 1:00:18.040
<v Speaker 2>whether it's six months from now or ten years from now.

1:00:18.560 --> 1:00:21.480
<v Speaker 2>So like all the shitty parts of my life and

1:00:22.520 --> 1:00:24.120
<v Speaker 2>all the stuff that I don't want people to see

1:00:24.200 --> 1:00:27.840
<v Speaker 2>and don't want people to know and I don't want

1:00:27.840 --> 1:00:31.400
<v Speaker 2>to think about. I think all happened for a reason, yeah,

1:00:31.440 --> 1:00:34.280
<v Speaker 2>and allowed me to like do what I'm able to do.

1:00:34.360 --> 1:00:37.960
<v Speaker 2>It's like it's very easy to lose perspective on want

1:00:38.000 --> 1:00:40.360
<v Speaker 2>like what music can bring people when you're in.

1:00:40.360 --> 1:00:44.040
<v Speaker 1>It, rapid fire, the fun part. Ready, you grace the

1:00:44.120 --> 1:00:48.760
<v Speaker 1>stages of Carnegie Hall, Lincoln Center, the Hollywood Bowl. What's

1:00:48.800 --> 1:00:51.600
<v Speaker 1>the most memorable place you've stepped on stage?

1:00:51.760 --> 1:00:55.120
<v Speaker 2>Mantro Jazz Festival is my favorite place ever, and I'm

1:00:55.160 --> 1:00:57.160
<v Speaker 2>counting down the days till i can go back, because

1:00:57.480 --> 1:01:01.000
<v Speaker 2>it's just, oh my god. You're like on Geneva in

1:01:01.040 --> 1:01:03.720
<v Speaker 2>Switzerland looking out into France. It's beautiful, and this music

1:01:03.760 --> 1:01:07.600
<v Speaker 2>festival is like there's hundreds of vendors that line like

1:01:07.680 --> 1:01:10.560
<v Speaker 2>the water, and there's just people everywhere, and there's music everywhere,

1:01:10.560 --> 1:01:12.960
<v Speaker 2>and it's just beautiful and wonderful and amazing and perfect.

1:01:13.000 --> 1:01:15.160
<v Speaker 1>It's great. Okay, you're making me want to go, Oh

1:01:15.160 --> 1:01:17.880
<v Speaker 1>my god, you have to go. You're very humble. I

1:01:17.880 --> 1:01:20.760
<v Speaker 1>want you to lose your humility for one second an

1:01:20.760 --> 1:01:22.360
<v Speaker 1>accomplishment you're most proud of.

1:01:23.360 --> 1:01:26.520
<v Speaker 2>All Right, scoring my first future film, I was really bad,

1:01:26.800 --> 1:01:30.400
<v Speaker 2>and I like, I don't know, I think I was

1:01:30.440 --> 1:01:33.400
<v Speaker 2>just so happy to finally be going through the motions

1:01:33.400 --> 1:01:37.080
<v Speaker 2>and doing the thing. Yeah that nothing else mattered, I was.

1:01:38.320 --> 1:01:40.880
<v Speaker 2>It felt like a really huge accomplishment for me because

1:01:42.200 --> 1:01:44.160
<v Speaker 2>no one my age had ever done that before. I

1:01:44.200 --> 1:01:46.560
<v Speaker 2>was the youngest person to do it for a movie

1:01:46.640 --> 1:01:50.120
<v Speaker 2>that came out on streaming. So it just felt very

1:01:50.480 --> 1:01:54.160
<v Speaker 2>very cool to, like, ay, be given the opportunity and

1:01:54.200 --> 1:01:56.200
<v Speaker 2>for the director to have taken the chance on me.

1:01:56.640 --> 1:02:00.200
<v Speaker 1>An artist that you don't think we're listening to that

1:02:00.240 --> 1:02:00.840
<v Speaker 1>we should be.

1:02:04.920 --> 1:02:07.640
<v Speaker 2>Listen. I know a lot of people listen to Yeba,

1:02:07.800 --> 1:02:10.960
<v Speaker 2>but she is so criminally underrated, Like it's actually it

1:02:11.040 --> 1:02:13.400
<v Speaker 2>actually blows my mind. I think she is one of

1:02:13.440 --> 1:02:17.520
<v Speaker 2>the craziest musicians to walk this planet. Also, my friend

1:02:17.520 --> 1:02:22.440
<v Speaker 2>Lindsay Lomis that girl's crazy, Like, oh my god, just

1:02:22.440 --> 1:02:23.920
<v Speaker 2>listen to her, saying go look her up on Instagram.

1:02:23.960 --> 1:02:24.480
<v Speaker 2>She's amazing.

1:02:24.680 --> 1:02:26.840
<v Speaker 1>Sorry, no, don't worry, Okay, song that puts you in

1:02:26.880 --> 1:02:34.120
<v Speaker 1>a good mood instantly, rich girl. Really I love that. Carol,

1:02:34.560 --> 1:02:35.880
<v Speaker 1>what's your go to tour.

1:02:35.960 --> 1:02:37.400
<v Speaker 2>Snack pickles.

1:02:38.480 --> 1:02:41.000
<v Speaker 1>I love pickles too. Okay. A book that changed your life,

1:02:41.040 --> 1:02:45.800
<v Speaker 1>something you think everybody should read Outliers. The smartest decision

1:02:45.800 --> 1:02:46.400
<v Speaker 1>you've ever.

1:02:46.240 --> 1:02:48.600
<v Speaker 2>Made, getting a dog.

1:02:49.960 --> 1:02:55.120
<v Speaker 1>Okay, last one question everything, open the box, pick a card,

1:02:55.160 --> 1:02:55.720
<v Speaker 1>any card?

1:02:55.840 --> 1:02:57.080
<v Speaker 2>Do I get to ask you question now?

1:02:57.280 --> 1:03:01.520
<v Speaker 1>No? We can answer together if you want. Okay. Ooh,

1:03:01.640 --> 1:03:03.880
<v Speaker 1>what's your all time most memorable meal?

1:03:05.160 --> 1:03:07.640
<v Speaker 2>Ooh, that's a good question. Okay. It has to be

1:03:07.680 --> 1:03:11.320
<v Speaker 2>with Quincy because we were in Japan together on tour

1:03:12.000 --> 1:03:15.520
<v Speaker 2>and we were sitting We went to this crazy restaurant,

1:03:15.520 --> 1:03:17.280
<v Speaker 2>you know, Kobe beef. It's like like the most crazy

1:03:17.280 --> 1:03:19.560
<v Speaker 2>beef whatever. We were sitting at this table and I

1:03:19.600 --> 1:03:22.080
<v Speaker 2>was like a little fucking child, and we were sitting

1:03:22.080 --> 1:03:25.480
<v Speaker 2>with all these like world leaders and ambassadors, and Quincy

1:03:25.520 --> 1:03:28.840
<v Speaker 2>has crazy friends and like the Prince of Dubai, like

1:03:28.920 --> 1:03:32.080
<v Speaker 2>all these people, and I was just there. I think

1:03:32.120 --> 1:03:33.800
<v Speaker 2>my whole family was there. But we were having the

1:03:33.840 --> 1:03:39.280
<v Speaker 2>most insane meal of like the craziest Kobe beef and

1:03:39.440 --> 1:03:45.800
<v Speaker 2>like all this Japanese delicacies, and I will never forget it.

1:03:45.800 --> 1:03:47.280
<v Speaker 2>It was wild.

1:03:47.560 --> 1:03:50.360
<v Speaker 1>You know. I think that a great memorable meal is

1:03:50.440 --> 1:03:52.520
<v Speaker 1>both the people and the food. So I love that

1:03:52.600 --> 1:03:53.600
<v Speaker 1>you chose that.

1:03:53.920 --> 1:03:56.160
<v Speaker 2>No, I'm like, why am I sitting here talking to

1:03:56.320 --> 1:03:59.680
<v Speaker 2>like the Swiss diplomat to blah blah blah and like

1:04:00.280 --> 1:04:03.720
<v Speaker 2>some you know, Saudi royal. I'm like, what is going on?

1:04:05.200 --> 1:04:14.400
<v Speaker 1>Wild Emily, thank you, thank you. Okay, you know what

1:04:14.520 --> 1:04:17.240
<v Speaker 1>time it is. Today's a good day. To have a

1:04:17.280 --> 1:04:27.400
<v Speaker 1>good day. I'll see you next week.