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Speaker 1: All right, I am Rapp Report Stereo podcast coming live

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Speaker 1: in director. I'm going to tell you something about today's episode.

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Speaker 1: Today's episode is with Alec Baldwin, iconic actor, and I

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Speaker 1: have to let you know we recorded this episode on

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Speaker 1: January ninth. It's a fantastic episode. We did not discuss

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Speaker 1: the tragedy what took place on that film set with

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Speaker 1: the cinematographer and the director being accidentally.

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Speaker 2: Shot. It's a tragedy.

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Speaker 1: Anybody who's been on a film set, television set knows

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Speaker 1: that something like that is that just a terrible, terrible mistake.

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Speaker 1: I do not support, do not like the politicization of

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Speaker 1: the situation. My sentiments, thoughts, my prayers go with the

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Speaker 1: woman Helena Hutchinson, the DP who was accidentally shot and

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Speaker 1: passed away, along with the director who also was shot,

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Speaker 1: and everybody who was there, because I'm sure everybody has

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Speaker 1: been traumatized by the event and people's lives have been

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Speaker 1: changed forever.

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Speaker 2: It's easy to politicize.

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Speaker 1: Scrutinize somebody like Alec Baldwin who's had a boombastic off

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Speaker 1: screen persona, but I'm sure he is just mortified and

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Speaker 1: has so much sorrow about what happened. That being said,

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Speaker 1: we did not discuss that. I didn't feel like it

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Speaker 1: was appropriate. This is a fantastic episode about acting, about

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Speaker 1: his career, about my career, about different actors, al Pacino,

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Speaker 1: Kate Blanchett, Robert de Niro with Alec Baldwin, and once again,

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Speaker 1: my thoughts, my prayers, sentiments go out to Miss Hutchinson

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Speaker 1: and her family and I'm wishing them nothing but the

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Speaker 1: best going forward and trying to deal with their life

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Speaker 1: that will never be the same. Enjoy this episode of

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Speaker 1: the Iron Rapaport Stereo Podcast. Very excited about this podcast,

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Speaker 1: got notes and everything with highlighted information. I am Rapaport

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Speaker 1: Stereo podcast with a man that needs no introduction who

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Speaker 1: I've been a fan of New Yorker from Long Island,

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Speaker 1: been in everything I was going through all the films

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Speaker 1: and it's been decades. Glen Garry, Glenn Ross's work and

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Speaker 1: Girl Miami Blues with the great Jennifer Jason Lee loved

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Speaker 1: that film, Beatlejuice, The Hunt for Red Octobers, The Royal

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Speaker 1: Tane Bombs Departed Blue Jasmine, which is one of my favorites.

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Speaker 1: Thirty rock philanthropist, classical music lover, father of seventeen or

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Speaker 1: eighteen children. The Excellent, Curious, The Curious Alec Baldwin is

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Speaker 1: with me on the Iron Rappaport Sterio podcast.

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Speaker 2: My Pleasure, My Pleasure? Did you see now? I haven't

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Speaker 2: been doing these things, you know what I mean? But

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Speaker 2: I see you online. I see your Instagram and I'm

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Speaker 2: always like you can hear me laughing in the other room,

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Speaker 2: because there's very few people who tell it as state

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Speaker 2: as you do.

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Speaker 1: You know, online is a crazy why are you online?

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Speaker 1: I know why I'm online, and some people say to

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Speaker 1: me why am I online? But when I see you

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Speaker 1: online sometimes I'm like through the good, the bad, the Trump,

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Speaker 1: the pandemic, even this week, and every time, every time

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Speaker 1: you get online, it's like controversy, questioning why are you

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Speaker 1: even on social media?

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Speaker 2: Well? I think that number one we found and maybe

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Speaker 2: we found it, maybe my wife figured this out, probably

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Speaker 2: we found it on accident. Is that you wind up

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Speaker 2: thwarting paparazzi press when you're putting out a whole bin

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Speaker 2: of your own images of your kids and yourself. The

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Speaker 2: more you post online certain stuff, the less the value

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Speaker 2: there is to their pictures of you. Right, So they

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Speaker 2: don't unless they got my wife pregnant walking down the street,

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Speaker 2: you know, which is often but and for me, I

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Speaker 2: find Instagram can be fun in terms of and I

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Speaker 2: don't mean to do these rambles, like I would talk

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Speaker 2: about a topic, which I like doing that because it's

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Speaker 2: you unedited. Yes, Like I've done pieces where the most

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Speaker 2: coaching things I said, as you well know, get cut out, yes,

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Speaker 2: and I get frustrated with that. So I kind of

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Speaker 2: stopped doing that for now. But I would do these

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Speaker 2: rambles we called them, and I would speak to people

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Speaker 2: in the audience about a topic. But most of it's

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Speaker 2: like just think, I think it's funny with my kids

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Speaker 2: and so forth. And it's like a pr thing that

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Speaker 2: you control. I agree that you control, you.

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Speaker 1: Know, like during elections pandemics, you would get on there

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Speaker 1: and like you get into stuff and like you're a

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Speaker 1: great speaker, you have a lot to say, You're an

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Speaker 1: iconic actor. So I would be fascinated watching you do

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Speaker 1: your stuff because it's like I look at it as

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Speaker 1: performance art, you know, like I love think.

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Speaker 2: If you can make it funny. I mean there's people

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Speaker 2: obviously who are the biggest stars in the world who

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Speaker 2: I mean, think of some movie stars who have nothing

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Speaker 2: to do with social media. Very few left. Yeah, like

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Speaker 2: Leo and people like you, they don't bother. He'll post

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Speaker 2: something to promote some environmental thing. Penguins.

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Speaker 3: He only posts penguins and grizzly bears.

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Speaker 2: That's it. That's fine.

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Speaker 3: But we know you're Leonardo, we know you're on there.

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Speaker 2: Yeah, or we love Leo, but they of course. But

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Speaker 2: the thing is is that once you say you don't

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Speaker 2: want to do you know, Hanks will do little things

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Speaker 2: every now and then. And who's more of a movie

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Speaker 2: star than Hanks. But it depends on what you do.

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Speaker 2: I used to want to pontificate, yes, and I didn't

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Speaker 2: think it was pontificating, but other people will, Oh, it's pontificating.

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Speaker 2: It's great, pontificate with pontificate. Yeah, okay, but I kind

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Speaker 2: of slowed down on all that now, I really. But

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Speaker 2: the problem is is what forum do you communicate with

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Speaker 2: an audience through. You do TV interviews and they cut them.

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Speaker 2: You do an interview with someone and they shape it

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Speaker 2: and talk about you a certain way. I think I've

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Speaker 2: always said this in the past. I had one guy

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Speaker 2: when I was making a movie in New Orleans. I

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Speaker 2: had one guy from The Times, pickyun down there, who

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Speaker 2: actually was my favorite interview because he wrote exactly what

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Speaker 2: I said in the paper and he really had the

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Speaker 2: spirit of what I was trying to say. And everybody

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Speaker 2: else it's the new journalism where they're going, well, what

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Speaker 2: he really meant was what he seemed like was and

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Speaker 2: there's a element of psycho analyzing that they're not qualified

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Speaker 2: to do. I agree. I agree.

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Speaker 1: Your history with the paparazzi and being followed in the

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Speaker 1: marriages and the divorces and your stuff with the paparazzi

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Speaker 1: is unique, and it's been for decades. It's been for decades, right,

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Speaker 1: I mean you've this since the nineties.

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Speaker 2: Yeah. I met my ex wife in nineteen ninety Yeah.

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Speaker 1: So you've been dealing with it on a different level, like,

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Speaker 1: let's not just say what I think.

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Speaker 2: Is important is And again, this doesn't excuse anything. I'm

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Speaker 2: not saying this as an excuse. I think there's a

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Speaker 2: profound difference between an excuse and an explanation. And the

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Speaker 2: explanation is that nothing was ever unprovoked. If a guy

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Speaker 2: was seventy five feet away from me with a long

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Speaker 2: lens and he wanted to take my picture. I didn't care,

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Speaker 2: but if he walked up and he almost chipped my

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Speaker 2: wife's teeth with a lens of the camera. My favorite one,

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Speaker 2: and I don't mean favorite in terms of I enjoyed this,

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Speaker 2: but what the most absurd one was this huge guy.

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Speaker 2: He had to bee like six' four probably wait about two.

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Speaker 2: Fifty he's backing up from me with a camera and

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Speaker 2: he's taking my. Pictures i'm walking in the direction and

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Speaker 2: he's walking backwards and he slips and falls and sits

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Speaker 2: on a baby in a stroller and lands on the.

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Speaker 2: Baby he trips and lands on my neighbor's child and

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Speaker 2: sits on the. Baby AND i thought to, myself this is,

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Speaker 2: like you, know this is really not. Right and all

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Speaker 2: of the Altercations i've had with people like, that it's

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Speaker 2: always been provoked where some guy walks up and, goes you,

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Speaker 2: know you, know what are you doing with this? Woman my? Wife?

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Speaker 2: RIGHT i mean she's a. Whore you. Know they'll say

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Speaker 2: horrible things tobait you for that guy doesn't want the.

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Speaker 2: Confrontation what he wants is for the third guy across

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Speaker 2: the street to film the.

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Speaker 3: Confrontation, Right it's like three Card monty.

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Speaker 2: Guys it's the journalistic equivalent of three card Mont do

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Speaker 2: you find out?

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Speaker 1: That AND i think it's good that the paparazzi they're

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Speaker 1: a little bit leery of, you WHICH i.

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Speaker 3: Think is good they should.

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Speaker 2: BE i don't think they care Because i'm so old

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Speaker 2: now they don't think that they. CARE i really do think,

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Speaker 2: that like how you. Feel AND i don't say this

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Speaker 2: with Any i'm not celebrating this at, all but it's

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Speaker 2: like you see people. NOW i, Mean i'm old enough

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Speaker 2: now and they'll, say, OH i went and saw this

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Speaker 2: movie with so and, so And i'm, THINKING i have

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Speaker 2: no idea who that. IS i don't know who anybody is.

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Speaker 2: ANYMORE i, Mean i'm going to be sixty five In

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Speaker 2: april AND i don't know who anybody. Is the younger, actors,

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Speaker 2: well we get, older, yeah and we have a different it's.

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Speaker 2: Different it's Like Long. ISLAND i have with this house

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Speaker 2: On Long island and we've been out there. Forever and

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Speaker 2: WHEN i first went out, there people would say the

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Speaker 2: old timers THAT i met would, say, oh it's. Changed

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Speaker 2: AND i go home and, THINK i think it's pretty.

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Speaker 2: Great you, KNOW i just just gotten out. There Now

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Speaker 2: i've been out there for forty years and it's, changed,

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Speaker 2: Right your perspective changed when you get.

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Speaker 1: Older now you have on two. Watches is this A

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Speaker 1: i got to, add what is this a child?

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Speaker 2: Cardiac this is MY ekg cardiac thing from my. Doctor,

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Speaker 2: yeah so it elects you. Know this is a brightling

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Speaker 2: that my wife got me THAT i. Love it's my, favorite,

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Speaker 2: uh the super which a lot of brightening. FANS i

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Speaker 2: have a lot of, watches As i'm sure you.

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Speaker 4: DO i.

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Speaker 2: Don't this is the Only i'm not a.

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Speaker 1: Watch you know WHEN i stopped wearing watches WHEN i

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Speaker 1: had my first kid because it would WHEN i was

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Speaker 1: holding them and always get stuck on, them and THEN i.

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Speaker 2: STOPPED i have a lot of, watches AND i have

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Speaker 2: some just stunning. Watches but THIS i wear because it's

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Speaker 2: AN ekg. Program and you do. That it bluetooths to

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Speaker 2: your phone and you send it to your. Doctor Because

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Speaker 2: i've been doing a lot of cardiac testing now That

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Speaker 2: i'm going to be sixty.

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Speaker 1: Five got to do, It gotta do it. Now let

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Speaker 1: me just say. This there's a couple of things besides

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Speaker 1: just your. Acting AND i said this to you the

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Speaker 1: one TIME i spoke to on the. Phone i've always

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Speaker 1: loved that you're such a, fan a fan of. Actors

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Speaker 1: you're a fan of classical, music and you're you're not

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Speaker 1: a shy. Fan you like to fan out on other.

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Speaker 1: Actors you like to talk about your experience with other

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Speaker 1: actors that you, love that you, admire and you've done it,

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Speaker 1: openly which is something THAT i really appreciate respond. TO

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Speaker 1: i remember at one point you WERE i don't know

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Speaker 1: if you still, are but you, WERE i would think

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Speaker 1: was On. Letterman you had been high on, vegetarian vegan

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Speaker 1: and all, this like you were talking about like this

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Speaker 1: was like something you were like passionate. About AND i

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Speaker 1: think you were when On letterman Or The Tonight show

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Speaker 1: or some show and you were just.

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Speaker 2: LIKE i was, like what the fuck does he?

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Speaker 3: Doing he's just talking about eating and food and are

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Speaker 3: you still?

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Speaker 2: Vegetarian like? WHAT i. Don't, YEAH i eat, fish and

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Speaker 2: even THAT i got sick of during the like my.

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Speaker 2: TASTES i didn't HAVE, covid at LEAST i don't THINK i.

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Speaker 2: DID i didn't have any positive, tests AND i lost

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Speaker 2: my appetite for a couple of. Days one is. Chocolate

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Speaker 2: i'd always like. Chocolate WELL i don't MEAN i don't hate,

215
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Speaker 2: it but it's, Like i'm not a chocolate. Person i'm

216
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Speaker 2: a chocolate. PERSON i used to like, chocolate and, UH

217
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Speaker 2: i don't have a taste for it or ANY i was,

218
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Speaker 2: like really sweet things make me kind of, gag you.

219
00:11:44,600 --> 00:11:46,800
Speaker 2: KNOW i, Mean i'm trying to get my blood sugar

220
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Speaker 2: down always all the. Time BUT i FIND i don't

221
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Speaker 2: know what you're. Like BUT i find that with my,

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Speaker 2: PODCAST i do it because of my. Curiosity and you,

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Speaker 2: know we try to have famous people, musicians, actors what have,

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Speaker 2: you people in the, arts, writers but we also try

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Speaker 2: to have people with there's some, issue like Where i'm

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00:12:06,080 --> 00:12:09,120
Speaker 2: going to interview a guy tomorrow who just has a

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Speaker 2: book out and he was the principal obituary writer for

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00:12:12,920 --> 00:12:15,640
Speaker 2: The Wall Street, journal so we want to talk to.

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Speaker 2: Him we always have an array of people where the

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Speaker 2: topic is what's interesting to, me BUT i don't know

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00:12:22,880 --> 00:12:25,160
Speaker 2: what you're. Like but you, KNOW i never want to

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00:12:25,200 --> 00:12:27,680
Speaker 2: talk About like IF i go to a film, festival

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00:12:27,679 --> 00:12:30,360
Speaker 2: this is the best, example and they, say we want

234
00:12:30,400 --> 00:12:32,040
Speaker 2: you to come and be an honoree at a film.

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00:12:32,080 --> 00:12:34,800
Speaker 2: Festival what film of yours do you want us to

236
00:12:34,840 --> 00:12:37,760
Speaker 2: show And i'll, say Oh, GOD i don't want you

237
00:12:37,840 --> 00:12:40,440
Speaker 2: to show any of my. MOVIES i want you to

238
00:12:40,480 --> 00:12:44,439
Speaker 2: Show Red river With John. WAYNE i, MEAN i. Don't

239
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Speaker 2: let's show a great film and we'll talk about. It

240
00:12:47,440 --> 00:12:49,640
Speaker 2: BUT i don't really like to draw attention to myself

241
00:12:49,640 --> 00:12:53,360
Speaker 2: in terms of acting in my, work BECAUSE i really

242
00:12:53,400 --> 00:12:58,120
Speaker 2: believe That i've never once had a satisfying experience making

243
00:12:58,160 --> 00:13:01,920
Speaker 2: a movie my whole. Life in terms of the, work,

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00:13:02,480 --> 00:13:06,560
Speaker 2: meaning it's like when you you're honored To scorsese, says

245
00:13:06,600 --> 00:13:08,760
Speaker 2: come and do The, departed come and do the. Aviator

246
00:13:09,320 --> 00:13:12,920
Speaker 2: those are small roles and you're honored to be. There

247
00:13:13,760 --> 00:13:16,960
Speaker 2: you're so appreciative of all the people you're working with

248
00:13:17,000 --> 00:13:19,560
Speaker 2: WHEN i Did glengarry and things like. That but in

249
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Speaker 2: terms of my own, satisfaction only sometimes in the theater

250
00:13:24,280 --> 00:13:25,880
Speaker 2: DID i feel because you can have more, time you,

251
00:13:25,880 --> 00:13:29,200
Speaker 2: know you rehearse obviously and. Make but in, FILMS i

252
00:13:29,240 --> 00:13:32,760
Speaker 2: can't name one Film i've ever done THAT i was fond.

253
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Speaker 3: Of during or the results.

254
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Speaker 2: Either, No, no during was the memories or of the,

255
00:13:39,160 --> 00:13:41,600
Speaker 2: people the memories of the of the. TIME i never

256
00:13:41,760 --> 00:13:43,880
Speaker 2: sit there and, say, oh we shot that scene and

257
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Speaker 2: watch HOW i say this. LINE i just don't even

258
00:13:47,400 --> 00:13:49,640
Speaker 2: bother with. That But i'll sit there and, go you,

259
00:13:49,679 --> 00:13:53,160
Speaker 2: Know i'll never forget talking To Jack, lemon or talking

260
00:13:53,200 --> 00:13:57,200
Speaker 2: To GEORGE. C scott or someone THAT i really deeply, admired.

261
00:13:56,960 --> 00:13:59,240
Speaker 3: Driving in the van and hearing those.

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Speaker 2: Things people come on And i'll see a scene And

263
00:14:02,120 --> 00:14:04,240
Speaker 2: i'll GO i remember that. Day that's WHEN i had

264
00:14:04,240 --> 00:14:07,040
Speaker 2: a flat tire on The Ventura freeway AND i was

265
00:14:07,120 --> 00:14:08,920
Speaker 2: late to work it, out you, know whatever it. Was

266
00:14:09,000 --> 00:14:11,480
Speaker 2: BUT i never look at films of mine and go watch,

267
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Speaker 2: this you know WHAT i? Mean, Like i'm but do

268
00:14:13,559 --> 00:14:15,600
Speaker 2: you digging? IT i mean it's probably changed throughout the.

269
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Speaker 1: Years but when you're working on a set and you're

270
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Speaker 1: doing a scene in a good movie or a good,

271
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Speaker 1: show are you struggling to satisfy? Yourself like are you

272
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Speaker 1: able to sort of self direct and self? Monitor Like

273
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Speaker 1: i've gotten to the point where AND i think some

274
00:14:32,960 --> 00:14:35,760
Speaker 1: of it is because When i've done, television directors come

275
00:14:35,800 --> 00:14:37,600
Speaker 1: in and out where you. Go that was good to,

276
00:14:37,680 --> 00:14:41,760
Speaker 1: Myself like BECAUSE i can't defer to a, stranger you,

277
00:14:41,800 --> 00:14:44,000
Speaker 1: KNOW i can't defer to somebody's you, know like when

278
00:14:44,160 --> 00:14:45,240
Speaker 1: as a young, actor, like was that?

279
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Speaker 2: Good was that?

280
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Speaker 1: Good but do you struggle in between? Takes do you

281
00:14:48,880 --> 00:14:51,760
Speaker 1: like when you say nothing's ever been? Satisfying you don't

282
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Speaker 1: go home and GO i did WHAT i attempted my.

283
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Speaker 2: Goals WHEN i think about it as WHAT i should have, done,

284
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Speaker 2: REALLY i go home AND i GO i ALWAYS i

285
00:14:59,840 --> 00:15:03,120
Speaker 2: do WHAT i call rearview mirror. ACTING i look at

286
00:15:03,160 --> 00:15:06,000
Speaker 2: myself in the rear view, mirror And i'll go listen to, Me,

287
00:15:06,080 --> 00:15:09,400
Speaker 2: Bob i'll say the line, right AND i, go, oh

288
00:15:09,440 --> 00:15:11,640
Speaker 2: that's HOW i should have said the. Line, but like

289
00:15:11,680 --> 00:15:14,760
Speaker 2: you were, saying we all have had to become self.

290
00:15:14,800 --> 00:15:19,400
Speaker 2: Directing there's more jobs out, there there's more square mileage

291
00:15:19,440 --> 00:15:23,000
Speaker 2: now in the business than there are good. Directors, yes

292
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Speaker 2: and so when you go in we've all had to

293
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Speaker 2: develop that self directing. Muscle when you go on the

294
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Speaker 2: set and you're with a great director Like marty or

295
00:15:32,560 --> 00:15:35,120
Speaker 2: somebody like, that you just stand there and you know

296
00:15:35,200 --> 00:15:37,760
Speaker 2: he's got it worked. Out he's got it worked. Out

297
00:15:37,800 --> 00:15:39,200
Speaker 2: he knows what he wants to see and he knows

298
00:15:39,240 --> 00:15:41,840
Speaker 2: the rhythm of. It say that line, faster come in,

299
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Speaker 2: quicker do? This do? That you welcome, that but with

300
00:15:44,880 --> 00:15:47,480
Speaker 2: a lot of other. People now you go in and

301
00:15:47,880 --> 00:15:50,320
Speaker 2: you've made up my age here there Saying i've made

302
00:15:50,360 --> 00:15:54,680
Speaker 2: more movies than everybody on this. Set i know more

303
00:15:54,720 --> 00:15:57,040
Speaker 2: about acting than everybody on this. Set Unless i'm with

304
00:15:57,040 --> 00:15:59,560
Speaker 2: somebody who's one of the, greats AND i just you

305
00:15:59,640 --> 00:16:03,640
Speaker 2: have to Be it's, tough do You i'd rather be, directed.

306
00:16:04,160 --> 00:16:06,280
Speaker 3: And what do you makes a great?

307
00:16:06,320 --> 00:16:09,280
Speaker 1: Director you've worked With Woody, allen WHO i worked with

308
00:16:09,480 --> 00:16:12,880
Speaker 1: who is director list almost and it's almost actor. Proof

309
00:16:13,240 --> 00:16:20,080
Speaker 1: i've never worked With, scorsese the director you, Loved Woody Spike,

310
00:16:20,160 --> 00:16:24,480
Speaker 1: Lee Tony scott for different, Reasons nora. E fron for different.

311
00:16:24,520 --> 00:16:28,160
Speaker 1: Reasons But i've never all those directors THAT i worked.

312
00:16:28,160 --> 00:16:33,280
Speaker 1: With it wasn't the, direction it was the confidence they

313
00:16:33,360 --> 00:16:36,080
Speaker 1: gave you or the belief they gave. You even With Woody,

314
00:16:36,080 --> 00:16:38,040
Speaker 1: allen where you do one or two takes and you go,

315
00:16:38,120 --> 00:16:40,760
Speaker 1: well at, first it was like what the fuck you,

316
00:16:40,960 --> 00:16:42,840
Speaker 1: like you, Know i've been practicing this for six, months

317
00:16:42,880 --> 00:16:45,400
Speaker 1: like you, know but then you, know, well he knows

318
00:16:45,520 --> 00:16:47,800
Speaker 1: he's got, it even though you want to keep going.

319
00:16:47,640 --> 00:16:48,680
Speaker 2: Because you're having such a good.

320
00:16:48,680 --> 00:16:51,720
Speaker 1: Time, Yeah Like Nora, EFRON i would ask her, question she'd,

321
00:16:51,760 --> 00:16:54,640
Speaker 1: GO i don't, know but let's figure it out. Later Tony,

322
00:16:54,680 --> 00:16:57,560
Speaker 1: scott similar, Thing Spike lee and and you shit With.

323
00:16:57,560 --> 00:16:58,920
Speaker 2: Tony tony's got true.

324
00:16:59,000 --> 00:17:02,360
Speaker 1: Romance AND i was really, YOUNG i MEAN i was

325
00:17:02,480 --> 00:17:04,480
Speaker 1: twenty four and, impress you. KNOW i was, like you,

326
00:17:04,520 --> 00:17:07,280
Speaker 1: know and on the Sets Christopher, Walken Val kilmer And Christian,

327
00:17:07,359 --> 00:17:07,840
Speaker 1: leaner And i'm.

328
00:17:07,760 --> 00:17:09,159
Speaker 2: Like what the big? People you?

329
00:17:09,200 --> 00:17:12,280
Speaker 1: Know but he made me feel, like you, Know i'm

330
00:17:12,320 --> 00:17:14,480
Speaker 1: trying to act or shit like. This he, goes that's,

331
00:17:14,520 --> 00:17:16,840
Speaker 1: good that's not, good but keep asking me. Questions and

332
00:17:16,880 --> 00:17:19,000
Speaker 1: that made me feel like all. Right but you know

333
00:17:19,000 --> 00:17:21,159
Speaker 1: when people ask me non actors like what is a?

334
00:17:21,200 --> 00:17:24,600
Speaker 1: Director i've never had like a magic sauce or somebody

335
00:17:24,640 --> 00:17:26,680
Speaker 1: sort of wave a magic wand and you're, like, oh that's.

336
00:17:26,720 --> 00:17:30,840
Speaker 2: It look for, you what is a good? Director, WELL

337
00:17:30,920 --> 00:17:33,920
Speaker 2: i mean one thing that comes to mind that they're

338
00:17:34,000 --> 00:17:36,399
Speaker 2: in reference to what you said THAT i. Thought what

339
00:17:36,440 --> 00:17:38,800
Speaker 2: was interesting WAS i had a director once say to,

340
00:17:38,840 --> 00:17:41,119
Speaker 2: me And i'll never forget, This and it was not

341
00:17:41,160 --> 00:17:42,760
Speaker 2: in the beginning of my, career was later in my,

342
00:17:42,800 --> 00:17:44,840
Speaker 2: career and he said to, me we will do a

343
00:17:44,840 --> 00:17:47,560
Speaker 2: couple more. Takes AND i said that maybe we're like

344
00:17:47,920 --> 00:17:49,520
Speaker 2: four or five takes and he. Goes he, GOES i

345
00:17:49,560 --> 00:17:51,600
Speaker 2: think we got, it AND i know that everybody's in

346
00:17:51,640 --> 00:17:53,359
Speaker 2: a hurry time why they want to move? On and

347
00:17:53,400 --> 00:17:55,840
Speaker 2: if they got? It AND i, go can we do

348
00:17:56,200 --> 00:17:58,680
Speaker 2: one or two more? Takes he, goes, yeah he, goes

349
00:17:58,680 --> 00:18:00,040
Speaker 2: BUT i just want you to keep in, mind he,

350
00:18:00,080 --> 00:18:02,200
Speaker 2: goes sometimes you knock the guy out in the first.

351
00:18:02,280 --> 00:18:05,320
Speaker 2: Round sometimes you knock him out in the tenth. Round he,

352
00:18:05,320 --> 00:18:07,880
Speaker 2: goes what does it? Matter you knocked him, Out that's

353
00:18:07,920 --> 00:18:10,600
Speaker 2: all that. Matters you probably would rather knock him out

354
00:18:10,600 --> 00:18:11,960
Speaker 2: in the first or the second round to get, it

355
00:18:12,000 --> 00:18:13,560
Speaker 2: you know WHAT i? Mean he, Said you, know sometimes

356
00:18:13,560 --> 00:18:16,520
Speaker 2: we get it, early, right and sometimes we. Don't And

357
00:18:16,560 --> 00:18:19,120
Speaker 2: i'll tell. You AND i trusted him once he said.

358
00:18:19,119 --> 00:18:21,960
Speaker 2: THAT i trusted that he was observing things in a

359
00:18:22,000 --> 00:18:25,520
Speaker 2: way THAT i could. Appreciate and for, me a good

360
00:18:25,560 --> 00:18:30,919
Speaker 2: director is somebody who they make you see the movie

361
00:18:32,040 --> 00:18:36,280
Speaker 2: like a. SYMPHONY a symphony has its highs and. Lows

362
00:18:36,400 --> 00:18:40,280
Speaker 2: it's adagios and it's pitsicados and what have. You AND

363
00:18:40,320 --> 00:18:43,280
Speaker 2: i want someone who they're going to tell me what

364
00:18:43,560 --> 00:18:46,880
Speaker 2: AM i in their? Movie like an ingredient in a.

365
00:18:46,920 --> 00:18:49,280
Speaker 2: SALAD i don't need to come in here and jerk

366
00:18:49,320 --> 00:18:52,919
Speaker 2: off and make myself look powerful and clever and all

367
00:18:52,960 --> 00:18:56,320
Speaker 2: these other. Things what AM i in your? Movie and

368
00:18:56,400 --> 00:18:58,400
Speaker 2: tell me That one of the THINGS i do now

369
00:18:58,880 --> 00:19:01,199
Speaker 2: and have for the last Several i'll, say tell me

370
00:19:01,320 --> 00:19:04,560
Speaker 2: the story of the. Movie tell me about your movie

371
00:19:04,560 --> 00:19:06,960
Speaker 2: like it's a. Story and you'd be surprised how many

372
00:19:06,960 --> 00:19:09,560
Speaker 2: directors can't do. That it's a good. Question but then

373
00:19:09,560 --> 00:19:11,879
Speaker 2: there's ones who will tell it to, Me, well this

374
00:19:11,920 --> 00:19:13,680
Speaker 2: is a story about a guy or a woman or,

375
00:19:13,720 --> 00:19:17,240
Speaker 2: whatever AND i only want to come in and give

376
00:19:17,280 --> 00:19:20,720
Speaker 2: you what you need in the movie and resist that

377
00:19:20,800 --> 00:19:32,480
Speaker 2: temptation to want to pull focus and do too. Much you, Know, podcast.

378
00:19:41,160 --> 00:19:43,800
Speaker 1: You've worked With woody on a couple of times throughout the,

379
00:19:43,880 --> 00:19:49,160
Speaker 1: years smaller. Parts do you enjoy when he would give

380
00:19:49,200 --> 00:19:52,600
Speaker 1: you only your scenes in the?

381
00:19:52,640 --> 00:19:56,080
Speaker 2: Script, WELL i. Didn't you. Know, listen when you work With,

382
00:19:56,119 --> 00:20:00,160
Speaker 2: woody you're working with somebody Who we were In italy

383
00:20:00,240 --> 00:20:03,720
Speaker 2: for the opening of To rome With love With Jesse

384
00:20:03,880 --> 00:20:08,880
Speaker 2: eisenberg And Greta gerwig And Elliott. Page we were there

385
00:20:08,920 --> 00:20:12,320
Speaker 2: and the, press The italian press really only wanted to

386
00:20:12,359 --> 00:20:14,080
Speaker 2: talk To, woody so all of us are on a

387
00:20:14,160 --> 00:20:17,320
Speaker 2: dais and they'd, say, okay you and the reporter would,

388
00:20:17,320 --> 00:20:20,960
Speaker 2: go wood you have a question for The woody and

389
00:20:21,000 --> 00:20:23,600
Speaker 2: they'd ask what You finally they asked us a, question

390
00:20:24,240 --> 00:20:26,200
Speaker 2: what does this mean to? You you, know to work With?

391
00:20:26,240 --> 00:20:29,440
Speaker 2: Woody AND i had worked with him in this Movie

392
00:20:29,480 --> 00:20:32,840
Speaker 2: Alice yes with me years, ago AND i, said you,

393
00:20:32,880 --> 00:20:35,719
Speaker 2: know the thing About woody is is that as a,

394
00:20:35,760 --> 00:20:40,680
Speaker 2: star as a comedic, performer as a movie, star as a, writer,

395
00:20:40,840 --> 00:20:43,200
Speaker 2: producer what have? YOU i, Said the thing that you

396
00:20:43,320 --> 00:20:45,200
Speaker 2: got to remember is that first and foremost wood he

397
00:20:45,240 --> 00:20:47,320
Speaker 2: is a. Writer and at the corner of my ae at

398
00:20:47,240 --> 00:20:49,679
Speaker 2: the end of the, tip you Saw woody nod Like

399
00:20:49,760 --> 00:20:51,560
Speaker 2: that's the. THING i think he takes the greatest pride

400
00:20:51,600 --> 00:20:54,440
Speaker 2: in that he writes these, movies these movies which are

401
00:20:55,440 --> 00:20:58,359
Speaker 2: Like i'm not joking WHEN i, say If i'm really,

402
00:20:58,359 --> 00:21:01,840
Speaker 2: depressed like IF i can't get out of, bed and

403
00:21:02,080 --> 00:21:04,960
Speaker 2: which those days are not often with seven, children but

404
00:21:05,200 --> 00:21:07,679
Speaker 2: If i'm really, down THEN i really don't feel like

405
00:21:07,720 --> 00:21:09,760
Speaker 2: the world is What i'd like it to. BE i

406
00:21:09,800 --> 00:21:12,919
Speaker 2: Watched Broadway Danny, rose AND i feel, Great i'm on my,

407
00:21:13,000 --> 00:21:14,639
Speaker 2: feet you know WHAT i? MEAN i, mean like the

408
00:21:14,880 --> 00:21:18,760
Speaker 2: brilliance of that writing and the way he timed that

409
00:21:18,800 --> 00:21:21,600
Speaker 2: movie and with, him it's. Ridiculous, Yeah AND i mean

410
00:21:21,680 --> 00:21:24,119
Speaker 2: it's like with, him that film particularly is.

411
00:21:24,200 --> 00:21:31,359
Speaker 1: Ridiculous it's so goddamn good, cinematically the, writing the, blocking the,

412
00:21:31,440 --> 00:21:35,480
Speaker 1: cinematography the, editing the way he sets up the shots.

413
00:21:35,160 --> 00:21:37,480
Speaker 2: THAT i was just talking about. IT i watched maybe six.

414
00:21:37,520 --> 00:21:39,720
Speaker 2: HOURS i watched that movie all the, time fawning over.

415
00:21:39,760 --> 00:21:42,080
Speaker 2: IT i watched it with all the. Time who's the cheese?

416
00:21:42,119 --> 00:21:47,159
Speaker 2: Eater we May god forgive Me Bonnie? Done then they

417
00:21:47,160 --> 00:21:50,200
Speaker 2: cut back to the guys at the Cafe Bonnie. Done

418
00:21:50,640 --> 00:21:55,960
Speaker 2: you remember he was the stuttering Ventriloquist. SODANNY i mean

419
00:21:56,000 --> 00:21:58,920
Speaker 2: that whole, SEQUENCE i am just crying, laughing.

420
00:21:58,720 --> 00:22:01,439
Speaker 1: And the mobsters in the mom faces that, like you,

421
00:22:01,440 --> 00:22:03,119
Speaker 1: know making it's one of the first ones where they

422
00:22:03,160 --> 00:22:03,800
Speaker 1: made mobsters.

423
00:22:03,840 --> 00:22:05,280
Speaker 2: Funny, yeah you.

424
00:22:05,320 --> 00:22:06,800
Speaker 1: Know it came with a time where like you, know

425
00:22:06,880 --> 00:22:08,720
Speaker 1: like he's like sort of comedic mobs.

426
00:22:08,480 --> 00:22:11,240
Speaker 2: Are and, Aiies johnny are you in? Aries he says

427
00:22:11,240 --> 00:22:12,920
Speaker 2: to them up on the. Bout. YEAH i, mean but

428
00:22:13,200 --> 00:22:16,359
Speaker 2: the thing is is that it's, like what's something that

429
00:22:16,440 --> 00:22:19,479
Speaker 2: can or movies that you can go back to that

430
00:22:19,640 --> 00:22:22,800
Speaker 2: really just resonate for. YOU i, MEAN i love old.

431
00:22:22,840 --> 00:22:25,920
Speaker 2: Movies When Bob osborne was, alive he had me come

432
00:22:25,960 --> 00:22:27,760
Speaker 2: down and do a lot of this guest programming with

433
00:22:27,840 --> 00:22:30,320
Speaker 2: him On Turner Classic. MOVIES i tell you it was

434
00:22:30,320 --> 00:22:33,080
Speaker 2: one of the greatest times of my. LIFE i Love.

435
00:22:33,160 --> 00:22:35,879
Speaker 2: Bob he was the loveliest guy in this. Business he

436
00:22:35,920 --> 00:22:38,199
Speaker 2: invited me to come down there and do three rounds of.

437
00:22:38,200 --> 00:22:40,800
Speaker 2: That eventually the producers were, like get him out of,

438
00:22:40,840 --> 00:22:42,639
Speaker 2: here you, know we know enough of. Him BUT i

439
00:22:42,680 --> 00:22:45,320
Speaker 2: came down and did it With bob three, times and

440
00:22:45,359 --> 00:22:49,000
Speaker 2: we did the wrap rounds for The, essentials and you,

441
00:22:49,040 --> 00:22:51,080
Speaker 2: know they'd send me the discs and they'd, say you,

442
00:22:51,119 --> 00:22:53,639
Speaker 2: know watch these. Movies and some of THEM i didn't have,

443
00:22:53,680 --> 00:22:55,040
Speaker 2: to like half of them or. MORE i didn't have

444
00:22:55,080 --> 00:22:57,280
Speaker 2: to Because i'd seen him. Already and THEN i watched

445
00:22:57,320 --> 00:23:00,639
Speaker 2: some THAT i Didn't i'd never seen. Before AND i

446
00:23:00,680 --> 00:23:05,719
Speaker 2: think people have forgotten movies that can actually reach inside of,

447
00:23:05,760 --> 00:23:07,959
Speaker 2: you you, KNOW i, mean it really affect. YOU i.

448
00:23:08,000 --> 00:23:10,479
Speaker 2: AGREE i think that more and more movies now are

449
00:23:10,680 --> 00:23:11,040
Speaker 2: as just.

450
00:23:11,240 --> 00:23:14,240
Speaker 1: Escape you, know AND i think movies in general Are

451
00:23:14,480 --> 00:23:15,840
Speaker 1: it's a really sad you.

452
00:23:15,840 --> 00:23:17,840
Speaker 2: KNOW i was WATCHING tutsi this.

453
00:23:17,920 --> 00:23:21,119
Speaker 1: Weekend you, Know i'm, like this is not even close

454
00:23:21,160 --> 00:23:23,800
Speaker 1: to being ever made ever, Again like why would this ever?

455
00:23:23,840 --> 00:23:25,480
Speaker 1: Be you, know it's never going to be made. Again

456
00:23:25,960 --> 00:23:30,280
Speaker 1: it'd be some, weird, obscure tiny movie that maybe would.

457
00:23:30,080 --> 00:23:32,760
Speaker 3: Make it To sundance and do well At. Sundance and

458
00:23:32,880 --> 00:23:33,280
Speaker 3: this is a.

459
00:23:33,320 --> 00:23:35,359
Speaker 2: Baby it wouldn't get. Made it wouldn't get. Made that

460
00:23:35,440 --> 00:23:35,639
Speaker 2: have to be.

461
00:23:35,680 --> 00:23:38,760
Speaker 1: Appropriation oh all of, it, yeah the whole, thing but

462
00:23:38,920 --> 00:23:40,879
Speaker 1: just the kind of, movie the way it was. SHOT

463
00:23:41,119 --> 00:23:44,000
Speaker 1: i know you're a fan Of, scorsese and it's funny

464
00:23:44,000 --> 00:23:47,840
Speaker 1: because you mentioned THE Tnt classic movies that was almost

465
00:23:47,840 --> 00:23:50,320
Speaker 1: like a podcast before, podcasts and that's one of the

466
00:23:50,359 --> 00:23:52,359
Speaker 1: things WHERE i was, like and this, is you, know

467
00:23:52,400 --> 00:23:54,959
Speaker 1: in the nineties when you're a, star but you're talking about,

468
00:23:55,480 --> 00:23:57,920
Speaker 1: films WHICH i really love that AND i respect. THAT

469
00:23:58,880 --> 00:24:01,919
Speaker 1: i know you're a. Scorse oh, YEAH i know you

470
00:24:01,960 --> 00:24:04,520
Speaker 1: were a fan before you started working as an. Actor,

471
00:24:04,640 --> 00:24:10,040
Speaker 1: yes what was your departed, experience your aviator? Experience what

472
00:24:10,200 --> 00:24:13,520
Speaker 1: is it like being on set With Martin scorsese as

473
00:24:13,520 --> 00:24:17,480
Speaker 1: a director and how do you separate fan and now

474
00:24:17,480 --> 00:24:18,000
Speaker 1: we're working.

475
00:24:18,000 --> 00:24:20,280
Speaker 2: Together, WELL i did a lot of even though it

476
00:24:20,359 --> 00:24:25,480
Speaker 2: wasn't necessarily applicable to the to the. SHOOTING i did

477
00:24:25,520 --> 00:24:29,080
Speaker 2: a lot of research for The aviator Because Juan tripp

478
00:24:30,040 --> 00:24:34,239
Speaker 2: president AND i, guess the founder of PAN. Am his

479
00:24:34,520 --> 00:24:39,760
Speaker 2: family lived In East. Hampton his Daughter, betsy who was

480
00:24:39,800 --> 00:24:42,480
Speaker 2: married to this. Guy her name Was Betsy, devecki friends

481
00:24:42,520 --> 00:24:47,080
Speaker 2: of mine Neew. Or she was, older AND i got

482
00:24:47,080 --> 00:24:48,920
Speaker 2: connected with her and WHEN i sat and had lunch

483
00:24:49,000 --> 00:24:50,440
Speaker 2: with her and talked to her for a very long

484
00:24:50,480 --> 00:24:53,439
Speaker 2: time about her, dad and she described what he was

485
00:24:53,560 --> 00:24:56,439
Speaker 2: like and and she said to, me at one, point you,

486
00:24:56,440 --> 00:24:59,440
Speaker 2: know a very very elegant. Woman and she, said she, goes,

487
00:25:00,040 --> 00:25:03,480
Speaker 2: WELL i see where You're my dad is going to

488
00:25:03,520 --> 00:25:07,080
Speaker 2: say that horrible word BECAUSE i say fuck at one,

489
00:25:07,160 --> 00:25:09,320
Speaker 2: point and she, GOES i see he's going to say

490
00:25:09,320 --> 00:25:11,600
Speaker 2: that horrible. Word she his dad would never say that.

491
00:25:11,640 --> 00:25:14,360
Speaker 2: Word he would never say that. Word SO i called

492
00:25:14,440 --> 00:25:16,840
Speaker 2: Up marty AND i, GO i don't know what to.

493
00:25:16,840 --> 00:25:19,359
Speaker 2: Say but she said that he probably wouldn't say that.

494
00:25:19,400 --> 00:25:23,679
Speaker 2: Word AND i, said long, pause And marty, GOES i

495
00:25:23,720 --> 00:25:26,960
Speaker 2: need you to say. Fuck it's like but you AND

496
00:25:27,000 --> 00:25:30,560
Speaker 2: i love. That like here's the. Clarity here's WHAT i

497
00:25:30,600 --> 00:25:33,800
Speaker 2: want you to. Do this is my. Movie and then

498
00:25:33,840 --> 00:25:36,960
Speaker 2: when we Did, aviator that's. Cool we shot the scenes

499
00:25:37,080 --> 00:25:39,280
Speaker 2: Very we did the one scene in the, restaurant but

500
00:25:39,800 --> 00:25:41,679
Speaker 2: the stuff Where i'm out the door And i'm kind

501
00:25:41,720 --> 00:25:45,720
Speaker 2: of Taunting, leo we shot those very quickly because it

502
00:25:45,760 --> 00:25:48,439
Speaker 2: was a whole day Of. Leo remember the, Milk remember the,

503
00:25:48,440 --> 00:25:51,280
Speaker 2: Milk remember the? Milk you, Know leo naked in the

504
00:25:51,320 --> 00:25:54,360
Speaker 2: other room with the bottles of piss. Everywhere, Yeah and

505
00:25:55,440 --> 00:25:58,159
Speaker 2: they wanted to get this as efficiently as, possible AND

506
00:25:58,200 --> 00:26:00,439
Speaker 2: i understood the to move on to number one on

507
00:26:00,480 --> 00:26:03,399
Speaker 2: the call sheet and Get leo cracking up inside that.

508
00:26:03,480 --> 00:26:06,240
Speaker 2: Room so we did, that and then on The, DEPARTED

509
00:26:07,200 --> 00:26:10,680
Speaker 2: i just remember it was like a lot of, testosterone

510
00:26:10,720 --> 00:26:14,320
Speaker 2: you know WHAT i. Mean wahlberg And matt And leo

511
00:26:14,520 --> 00:26:16,640
Speaker 2: and all these guys. There AND i didn't have any

512
00:26:16,640 --> 00:26:22,360
Speaker 2: scenes With, jack BUT i Remember marty was in really good.

513
00:26:22,359 --> 00:26:24,600
Speaker 2: SPIRITS i think he was excited to make that. Movie,

514
00:26:24,800 --> 00:26:25,480
Speaker 2: oh very.

515
00:26:25,520 --> 00:26:27,840
Speaker 3: Excited is he in complete control of this?

516
00:26:27,920 --> 00:26:29,800
Speaker 1: Set, like is he very clear on what he's doing

517
00:26:29,880 --> 00:26:32,480
Speaker 1: or is he finding it as he's going shot to.

518
00:26:32,520 --> 00:26:34,560
Speaker 2: SHOT i would imagine other people who have a more

519
00:26:34,600 --> 00:26:38,439
Speaker 2: profound history with, him it's, different, Right i'm sure that

520
00:26:38,480 --> 00:26:40,920
Speaker 2: he And bob have a different you know thing And

521
00:26:41,280 --> 00:26:44,240
Speaker 2: peshi And i'm sure and When leo, now Because leo's

522
00:26:44,280 --> 00:26:48,479
Speaker 2: his muse. Now BUT i think that when you were

523
00:26:48,520 --> 00:26:51,600
Speaker 2: working with him and the guys that know what they,

524
00:26:51,600 --> 00:26:53,720
Speaker 2: Want mike Nichols i had that small part and working,

525
00:26:53,760 --> 00:26:56,920
Speaker 2: girl you just stand there and just you, know say, sir, yes,

526
00:26:57,000 --> 00:26:59,200
Speaker 2: sir you know because they, know. Right but when you're

527
00:26:59,240 --> 00:27:02,119
Speaker 2: with other guys who sit there and, go what do

528
00:27:02,160 --> 00:27:04,639
Speaker 2: you think how the scene? Shod that's when you're in.

529
00:27:04,640 --> 00:27:07,240
Speaker 2: Trouble well you have to develop that muscle to think

530
00:27:07,280 --> 00:27:09,040
Speaker 2: about that and to have some answer to that.

531
00:27:09,119 --> 00:27:11,520
Speaker 1: Eventually but what do you say to? That because that

532
00:27:11,560 --> 00:27:14,639
Speaker 1: makes me? Nervous what do you think how the scene should?

533
00:27:14,680 --> 00:27:16,879
Speaker 2: Go on the basis that when you're in a scene

534
00:27:16,880 --> 00:27:20,960
Speaker 2: with other, people you're being asked to give an, opinion

535
00:27:21,680 --> 00:27:24,640
Speaker 2: and then if the director isn't going to take, control

536
00:27:25,040 --> 00:27:28,080
Speaker 2: they're trying to get you to appeal to the other

537
00:27:28,160 --> 00:27:31,920
Speaker 2: actor and sell them on your. Idea if you're working

538
00:27:31,960 --> 00:27:35,000
Speaker 2: with another actor who doesn't want that responsibility to, say

539
00:27:35,400 --> 00:27:37,160
Speaker 2: and you're sitting there, going, WELL i thought i'd walk,

540
00:27:37,200 --> 00:27:39,920
Speaker 2: in BUT i wouldn't sit down BECAUSE i want to

541
00:27:39,920 --> 00:27:42,920
Speaker 2: feel there's a certain. Tension then that tension gets relieved

542
00:27:42,920 --> 00:27:44,520
Speaker 2: when you say blah blah. Blah THEN i, say you,

543
00:27:44,520 --> 00:27:47,239
Speaker 2: know whatever your thing, is and you're talking about the,

544
00:27:47,240 --> 00:27:50,280
Speaker 2: scene you got to sell the director and the OTHER

545
00:27:50,480 --> 00:27:52,840
Speaker 2: i like when the director walks in and, Goes Rob,

546
00:27:52,920 --> 00:27:57,360
Speaker 2: reiner come, in sit, down turn sit you, know get

547
00:27:57,359 --> 00:28:00,360
Speaker 2: the bottle of, water Say. Charlie he's got a little worked.

548
00:28:00,359 --> 00:28:02,280
Speaker 2: Out and he just says to you and you, say,

549
00:28:02,359 --> 00:28:05,280
Speaker 2: great tell me what movie you want me to make?

550
00:28:05,640 --> 00:28:08,240
Speaker 2: Right Because i'm not gonna cut the. Movie i'm not

551
00:28:08,320 --> 00:28:11,200
Speaker 2: making the movie. Right and in the theater you can

552
00:28:11,280 --> 00:28:13,920
Speaker 2: rehearse and you're working with if it's a, revival you're

553
00:28:13,920 --> 00:28:16,720
Speaker 2: working with material that works. Well and in the theater

554
00:28:16,920 --> 00:28:20,600
Speaker 2: you can have MORE i, mean once you open especially

555
00:28:21,000 --> 00:28:23,240
Speaker 2: and the director is, gone you can have a little

556
00:28:23,280 --> 00:28:26,520
Speaker 2: bit more nuance of. Whatever but in, movies the rule

557
00:28:26,560 --> 00:28:29,879
Speaker 2: to remember is you're not making the. Movie he's or

558
00:28:29,960 --> 00:28:32,760
Speaker 2: she they're making the movie, right, director and you need

559
00:28:32,800 --> 00:28:35,119
Speaker 2: to just say what CAN i give you? Right because

560
00:28:35,119 --> 00:28:36,560
Speaker 2: IF i don't give you what you need and you

561
00:28:36,600 --> 00:28:39,200
Speaker 2: go into the cutting, room you, know then everybody's. MISERABLE i.

562
00:28:39,240 --> 00:28:42,000
Speaker 1: Agree you work with so many. PEOPLE i want to

563
00:28:42,040 --> 00:28:46,640
Speaker 1: play a game of what makes them? Great, Okay i'm

564
00:28:46,640 --> 00:28:48,720
Speaker 1: gonna name different, actors AND i want you to say

565
00:28:48,800 --> 00:28:52,240
Speaker 1: what makes them? Great Blue jasmine is really one of

566
00:28:52,240 --> 00:28:58,040
Speaker 1: my favorite films and a ridiculous, performance ridiculous, Character the

567
00:28:58,040 --> 00:29:00,560
Speaker 1: writing and the performance From blue Jabs Kate.

568
00:29:00,600 --> 00:29:02,720
Speaker 3: Blanchett what Makes Kate blanchet? Green she's.

569
00:29:02,720 --> 00:29:07,520
Speaker 2: Indefatigable she just has energy to. Spare she's got no self.

570
00:29:07,600 --> 00:29:10,680
Speaker 2: Pity she's NOT i, mean there are men and WOMEN

571
00:29:10,720 --> 00:29:13,000
Speaker 2: i work with who not, MANY i don't want to

572
00:29:13,000 --> 00:29:15,720
Speaker 2: say not, many who were very indulgent and it's all

573
00:29:15,800 --> 00:29:18,120
Speaker 2: like my, hair and they're in the makeup trailer for

574
00:29:18,160 --> 00:29:20,160
Speaker 2: a long time and they get on the set and

575
00:29:20,160 --> 00:29:23,040
Speaker 2: they touch them up, again and everything is like like

576
00:29:23,120 --> 00:29:26,640
Speaker 2: we're posing for a still, camera like for. Photography And

577
00:29:26,760 --> 00:29:28,800
Speaker 2: kate is somebody who was like fuck. That she went

578
00:29:28,840 --> 00:29:31,840
Speaker 2: out in the hallway and drank like two espressos and

579
00:29:31,880 --> 00:29:33,360
Speaker 2: she'd come back in the room and we had to

580
00:29:33,360 --> 00:29:36,880
Speaker 2: do this fight. Scene and she's just really really, tough

581
00:29:37,480 --> 00:29:41,760
Speaker 2: and she's really really blazingly, talented but she really really

582
00:29:41,920 --> 00:29:46,600
Speaker 2: just had bottomless. Energy she could do take after take aftery're. Taking,

583
00:29:47,000 --> 00:29:48,680
Speaker 2: YEAH i thought she was gonna clock me right in

584
00:29:48,680 --> 00:29:50,560
Speaker 2: the face one, scene AND i was, like go right,

585
00:29:50,560 --> 00:29:53,040
Speaker 2: AHEAD i don't give a. Shit this is amazing watching

586
00:29:53,040 --> 00:29:53,320
Speaker 2: you do.

587
00:29:53,440 --> 00:29:57,400
Speaker 3: This SO i love, That, Yeah, DAN i love that so.

588
00:29:57,520 --> 00:29:59,760
Speaker 3: Much Powerful Ed? Harris what makes him?

589
00:29:59,760 --> 00:30:03,440
Speaker 2: Great, WELL i Think ed is someone who has the

590
00:30:03,480 --> 00:30:07,320
Speaker 2: great blessing of the great movie stars where he has

591
00:30:07,360 --> 00:30:12,040
Speaker 2: the facial. Symmetry ed's, face the mask of his face

592
00:30:12,240 --> 00:30:16,800
Speaker 2: pulls you. In he's so compelling looking those big watery

593
00:30:16,840 --> 00:30:20,200
Speaker 2: blue eyes of his and that real cowboy you, know,

594
00:30:20,440 --> 00:30:25,880
Speaker 2: tough square jaw. Thing and he can dial UP i

595
00:30:25,880 --> 00:30:28,640
Speaker 2: don't want to say, menace but an aggression and he

596
00:30:28,680 --> 00:30:30,800
Speaker 2: can dial it down and be very sweet as. Well

597
00:30:30,840 --> 00:30:34,000
Speaker 2: so we can DO i always call this my, phrases

598
00:30:34,040 --> 00:30:36,440
Speaker 2: the sweet and. Sour he can do the sweet and.

599
00:30:36,640 --> 00:30:39,000
Speaker 2: Sour and a lot of it has to do from

600
00:30:39,040 --> 00:30:42,680
Speaker 2: most movie stars THAT i can recall the ones that

601
00:30:42,680 --> 00:30:44,920
Speaker 2: are the most, memorable the people who you can see

602
00:30:44,920 --> 00:30:47,440
Speaker 2: into their. Eyes they used to say that if you

603
00:30:47,480 --> 00:30:50,040
Speaker 2: were working with an actor who you couldn't see into their,

604
00:30:50,080 --> 00:30:52,760
Speaker 2: eyes they play a. Villain m that the hero always

605
00:30:52,800 --> 00:30:55,480
Speaker 2: had to be someone you could read them and look

606
00:30:55,520 --> 00:31:00,160
Speaker 2: into their. Soul And ed just has that amazing face of,

607
00:31:00,200 --> 00:31:02,920
Speaker 2: his you know WHAT i, mean and always has And

608
00:31:02,960 --> 00:31:05,240
Speaker 2: i've always been jealous of him because he's guys just

609
00:31:05,320 --> 00:31:07,720
Speaker 2: got this enigmatic face all the. TIME i love.

610
00:31:07,760 --> 00:31:10,800
Speaker 1: That Meryl, streep Who i'm sure you were a fan

611
00:31:10,840 --> 00:31:14,320
Speaker 1: of before you started working as a film. Actor you

612
00:31:14,400 --> 00:31:17,120
Speaker 1: got to work with, her play with. Her what MAKES

613
00:31:17,200 --> 00:31:18,840
Speaker 1: i mean if you could even get into what.

614
00:31:19,000 --> 00:31:21,040
Speaker 2: That's tough because there's so many things to. Say but

615
00:31:21,480 --> 00:31:24,520
Speaker 2: from my, EXPERIENCE i would say that with, her she

616
00:31:24,560 --> 00:31:27,880
Speaker 2: doesn't let anything throw. Her she doesn't get upset about.

617
00:31:27,880 --> 00:31:32,600
Speaker 2: Anything she doesn't allow, anything this is just my opinion

618
00:31:32,800 --> 00:31:37,000
Speaker 2: to blow her sales off the course that she's, on

619
00:31:37,760 --> 00:31:40,840
Speaker 2: if the scene isn't going the way the director wants

620
00:31:40,920 --> 00:31:43,680
Speaker 2: or the you, know whatever is happening in the scene

621
00:31:43,960 --> 00:31:46,480
Speaker 2: or off the set or what have, you she comes

622
00:31:46,480 --> 00:31:50,640
Speaker 2: on the set and she is, gracious and she is

623
00:31:51,000 --> 00:31:55,040
Speaker 2: wise and she's. GENEROUS i, mean she's all the things

624
00:31:55,080 --> 00:31:59,280
Speaker 2: you'd want a legendary actor or actress to be toward

625
00:31:59,360 --> 00:32:02,000
Speaker 2: you if you weren't really at their level and you were.

626
00:32:02,040 --> 00:32:07,560
Speaker 2: Intimidated because WHEN i did the movie with. Her the

627
00:32:07,600 --> 00:32:11,120
Speaker 2: Director Nancy meyer said to, me she's nine years older than,

628
00:32:11,160 --> 00:32:15,880
Speaker 2: you and the men in the movie business have no

629
00:32:16,000 --> 00:32:19,480
Speaker 2: problem dating and dialing down the ages of their leading

630
00:32:19,560 --> 00:32:23,360
Speaker 2: ladies some twenty twenty five. Years it's, ridiculous she, said

631
00:32:23,400 --> 00:32:27,440
Speaker 2: the men do. That why doesn't it's complicated as the

632
00:32:27,480 --> 00:32:29,920
Speaker 2: movie and she, said how do you feel about? THAT i, said,

633
00:32:29,960 --> 00:32:34,080
Speaker 2: LISTEN i, said my character doesn't want to have sex

634
00:32:34,120 --> 00:32:36,600
Speaker 2: with his, wife his ex. Wife he's still in love

635
00:32:36,600 --> 00:32:39,800
Speaker 2: with his ex. Wife there's a big. Difference And merrill

636
00:32:39,880 --> 00:32:41,920
Speaker 2: is a very easy person to fall in love. With

637
00:32:42,560 --> 00:32:44,280
Speaker 2: so when we did the, movie it didn't make any

638
00:32:44,280 --> 00:32:47,000
Speaker 2: difference to me about age and. Whatever And merrill is

639
00:32:47,040 --> 00:32:49,240
Speaker 2: a very easy person to fall in love. With, yes he's,

640
00:32:49,240 --> 00:32:50,040
Speaker 2: amazing great.

641
00:32:50,040 --> 00:32:54,880
Speaker 1: Person WHAT i love this, film smaller Film Miami, blues

642
00:32:55,880 --> 00:32:57,120
Speaker 1: the Great Jennifer Jason.

643
00:32:57,200 --> 00:32:57,560
Speaker 2: Lee.

644
00:32:57,760 --> 00:32:59,440
Speaker 3: Yeah what makes her?

645
00:32:59,480 --> 00:33:06,240
Speaker 2: Great fearless and no self, consciousness and you know she

646
00:33:06,320 --> 00:33:09,280
Speaker 2: was there were many things THAT i liked about. Her and,

647
00:33:09,880 --> 00:33:13,160
Speaker 2: SUBTLETY i mean she was she is a master of

648
00:33:13,200 --> 00:33:16,080
Speaker 2: subtlety and did all these little small things and with

649
00:33:16,120 --> 00:33:18,920
Speaker 2: facially and what have. You but she was. Fearless like one,

650
00:33:18,920 --> 00:33:20,840
Speaker 2: time we're doing a scene AND i have to have

651
00:33:20,920 --> 00:33:24,880
Speaker 2: sex with her or just you see the early blushes of,

652
00:33:24,920 --> 00:33:27,280
Speaker 2: that And i'll never Beget she turned to. ME i

653
00:33:27,320 --> 00:33:29,840
Speaker 2: didn't know, her and she, goes, now you can do

654
00:33:29,880 --> 00:33:33,400
Speaker 2: anything you want to me in the. Scene and when

655
00:33:33,440 --> 00:33:35,440
Speaker 2: they say, cut you have to. Stop but, like whatever

656
00:33:35,520 --> 00:33:37,840
Speaker 2: impulse you have to, do as long as you don't hurt.

657
00:33:37,840 --> 00:33:40,360
Speaker 2: Me she, goes whatever impulse you have to do. Something she,

658
00:33:40,360 --> 00:33:42,280
Speaker 2: goes you can do it in the. Scene but when

659
00:33:42,280 --> 00:33:47,120
Speaker 2: they say, cut you. Stop she's, like you, understand And

660
00:33:47,160 --> 00:33:50,840
Speaker 2: i'm like And i'm, like, yeah oh, yeah, yeah, YEAH i.

661
00:33:50,880 --> 00:33:55,760
Speaker 2: Understand and that's an Interesting she was very VERY i

662
00:33:55,800 --> 00:33:59,520
Speaker 2: don't want to just say. Professional she's very. WISE i.

663
00:33:59,520 --> 00:34:01,200
Speaker 2: Agree he's a woman that showed up on the set

664
00:34:01,240 --> 00:34:03,360
Speaker 2: of a. Film she was very, young and you, know

665
00:34:04,000 --> 00:34:08,960
Speaker 2: it's like what Made Brando. Brando brando figured it out

666
00:34:09,239 --> 00:34:12,160
Speaker 2: while he still had the sheen of his youth and his.

667
00:34:12,239 --> 00:34:16,200
Speaker 2: Beauty they handed him A rubik's cube that meant the

668
00:34:16,280 --> 00:34:19,960
Speaker 2: highest level of virtuasac film, acting and he, went it's

669
00:34:20,040 --> 00:34:21,799
Speaker 2: it's it's it and he, went you mean like, this

670
00:34:22,600 --> 00:34:25,480
Speaker 2: and everybody was, like oh my. God and he figured

671
00:34:25,520 --> 00:34:28,000
Speaker 2: it out so young that where were the challenges for

672
00:34:28,080 --> 00:34:31,080
Speaker 2: him later, on which is why he became so. Petulant,

673
00:34:31,440 --> 00:34:34,240
Speaker 2: yeah And jennifer was kind of the same Way Kristin

674
00:34:34,280 --> 00:34:36,440
Speaker 2: Stewart Christus. STUART i MEAN i turned to her when

675
00:34:36,480 --> 00:34:40,120
Speaker 2: we Did Still, alice AND i made a fool of

676
00:34:40,160 --> 00:34:42,279
Speaker 2: myself AND i said to, her we're doing a scene

677
00:34:42,280 --> 00:34:46,120
Speaker 2: AND i, go you remind me Of Marlon. Brando she

678
00:34:46,200 --> 00:34:48,160
Speaker 2: looks at, me like, what AND i, GO i, SAID

679
00:34:48,160 --> 00:34:49,839
Speaker 2: i have no idea what you're going to? Do take

680
00:34:49,960 --> 00:34:54,360
Speaker 2: to take to, Take and the variety wasn't that wide,

681
00:34:54,480 --> 00:34:57,600
Speaker 2: ranging but she would do little things and little, things

682
00:34:57,640 --> 00:35:00,000
Speaker 2: AND i think That Kristin stewart is a great. ACTRESS

683
00:35:00,360 --> 00:35:00,600
Speaker 2: i do.

684
00:35:00,680 --> 00:35:04,000
Speaker 1: Too are you a take to take person in terms

685
00:35:04,000 --> 00:35:07,319
Speaker 1: of try, this try, that try, this try, that or.

686
00:35:07,280 --> 00:35:08,759
Speaker 2: Are you like this is this sort of?

687
00:35:08,800 --> 00:35:10,600
Speaker 3: PARAMETER i mean there's a little, tries but, like are

688
00:35:10,600 --> 00:35:11,759
Speaker 3: you LIKE i want to do one?

689
00:35:11,800 --> 00:35:13,359
Speaker 1: LOUD i want to do one not, LOUD i want

690
00:35:13,400 --> 00:35:14,880
Speaker 1: to do one, SOFT i want to do one.

691
00:35:14,880 --> 00:35:18,160
Speaker 2: Angry where do you? APPROACH i think what it comes

692
00:35:18,200 --> 00:35:20,279
Speaker 2: down to for me is that WHEN i see the

693
00:35:20,320 --> 00:35:23,080
Speaker 2: movie and if the director agrees with, me there's a

694
00:35:23,160 --> 00:35:26,320
Speaker 2: music to it there's a. Rhythm if the scene, Says

695
00:35:27,280 --> 00:35:29,160
Speaker 2: jack drives up in a, car gets out of the,

696
00:35:29,160 --> 00:35:32,359
Speaker 2: car goes into the, bank let's just shoot the fucking shot.

697
00:35:32,440 --> 00:35:34,360
Speaker 2: Twice get out of the, car go go in to the,

698
00:35:34,400 --> 00:35:36,160
Speaker 2: bank and let's move. On because we can't love every.

699
00:35:36,160 --> 00:35:38,880
Speaker 2: Scene and then when you're in the scenes with people

700
00:35:38,880 --> 00:35:42,760
Speaker 2: that you are, more they're a little bit more intense

701
00:35:42,800 --> 00:35:47,160
Speaker 2: and more. LAYERED i like. TO i, MEAN i have

702
00:35:47,200 --> 00:35:50,040
Speaker 2: a silly, rule especially IF i work with younger, actors

703
00:35:50,080 --> 00:35:53,880
Speaker 2: WHERE i, say let's do it, slow, medium and fast

704
00:35:54,239 --> 00:35:56,439
Speaker 2: in terms of the. Pace because there are Scenes i've

705
00:35:56,480 --> 00:36:00,960
Speaker 2: SEEN i can't quantify how, many but there are Scenes

706
00:36:01,000 --> 00:36:03,319
Speaker 2: i've seen in films That i've done where they cut

707
00:36:03,320 --> 00:36:06,920
Speaker 2: the scene because you can't speed up the energy of

708
00:36:06,960 --> 00:36:09,840
Speaker 2: the scene in. Editing interesting if people are doing the

709
00:36:09,880 --> 00:36:11,719
Speaker 2: scene and they're kind of, like you know a lot

710
00:36:11,760 --> 00:36:13,520
Speaker 2: of young actors do. This. Ready see you AND i

711
00:36:13,520 --> 00:36:16,360
Speaker 2: do a scene and they, go what time is?

712
00:36:16,400 --> 00:36:19,920
Speaker 5: It it's, uh it's five to.

713
00:36:19,960 --> 00:36:27,919
Speaker 2: Eleven did you say five to? Eleven, no now it's

714
00:36:27,960 --> 00:36:30,719
Speaker 2: four to. ELEVEN i know what you, mean and you

715
00:36:30,760 --> 00:36:32,719
Speaker 2: want to. Go you got to energize the, scene, right

716
00:36:32,800 --> 00:36:34,520
Speaker 2: because you know what's going to. Happen they're going to

717
00:36:34,600 --> 00:36:36,440
Speaker 2: cut the scene right if it sits. Different SO i

718
00:36:36,480 --> 00:36:38,520
Speaker 2: always see if, people let's pace it. Up that's. Smart,

719
00:36:38,800 --> 00:36:40,520
Speaker 2: up pace it, up pace it. Up that's. Smart we'll

720
00:36:40,560 --> 00:36:42,600
Speaker 2: have a better chance of being in the. MOVIE i got.

721
00:36:42,640 --> 00:36:44,520
Speaker 2: You that's my. Opinion that's. Smart that's.

722
00:36:44,560 --> 00:36:48,600
Speaker 1: Smart you didn't get to work with them In. Glengarry

723
00:36:48,680 --> 00:36:51,560
Speaker 1: what makes Al pacino? Great you've spoken about, Them you've

724
00:36:51,560 --> 00:36:54,080
Speaker 1: done impressions of. Them you're a fan of.

725
00:36:54,040 --> 00:36:59,239
Speaker 2: His, passion, passion he, says even to this, day even

726
00:36:59,239 --> 00:37:01,280
Speaker 2: to this. Day we did the thing for the, studio

727
00:37:02,040 --> 00:37:05,560
Speaker 2: The Actor's. Studio it's their seventy fifth, year their anniversary last,

728
00:37:05,640 --> 00:37:10,000
Speaker 2: year and now the celebration and the programming to celebrate

729
00:37:10,000 --> 00:37:15,000
Speaker 2: the studios seventy fifth anniversary overlaps this, year this past

730
00:37:15,080 --> 00:37:19,160
Speaker 2: fall into next, spring this, spring and they had they

731
00:37:19,160 --> 00:37:22,719
Speaker 2: Showed Dog day afternoon at some famous movie theater THAT i.

732
00:37:22,760 --> 00:37:24,759
Speaker 2: Forgot it's up In harlem or way. Uptown it's like

733
00:37:24,800 --> 00:37:28,640
Speaker 2: up one hundred and thirty Fifth, street and this theater is,

734
00:37:28,719 --> 00:37:31,160
Speaker 2: Gigantic like, see it's LIKE i don't know. Where it

735
00:37:31,200 --> 00:37:33,840
Speaker 2: was like two thousand, people, wow twenty two hundred. People

736
00:37:33,840 --> 00:37:36,359
Speaker 2: it's like a big music hall or. WHATEVER i don't

737
00:37:36,400 --> 00:37:37,680
Speaker 2: know the name of, it BUT i think it's a

738
00:37:37,719 --> 00:37:39,759
Speaker 2: it's a it's a movie theater because they're screening the.

739
00:37:39,800 --> 00:37:43,560
Speaker 2: Film they Showed Dog. Day places. Packed now many people

740
00:37:43,600 --> 00:37:47,239
Speaker 2: BOUGHT vip tickets and to benefit the studio to go

741
00:37:47,280 --> 00:37:50,719
Speaker 2: to a little party, afterwards you, know backstage and, then

742
00:37:50,760 --> 00:37:52,799
Speaker 2: but the bulk of the people, there or the overwhelming

743
00:37:52,800 --> 00:37:54,720
Speaker 2: majority of people, there are there to watch the. MOVIE

744
00:37:54,880 --> 00:37:58,560
Speaker 2: i mean they fill a theater way uptown In New

745
00:37:58,640 --> 00:38:01,360
Speaker 2: york in the dead of, winter was pretty, cold and

746
00:38:01,400 --> 00:38:05,440
Speaker 2: Showed Dog day, afternoon and THEN i Interview al afterward on.

747
00:38:05,480 --> 00:38:07,000
Speaker 2: Stage we come out and we do a LITTLE q AND.

748
00:38:07,040 --> 00:38:11,279
Speaker 2: A AND i, mean you, know people are like pissing their,

749
00:38:11,320 --> 00:38:13,840
Speaker 2: pants you, know they just love. Him al is somebody

750
00:38:13,840 --> 00:38:17,600
Speaker 2: WHO i, Mean i've said this, before AND i feel

751
00:38:17,640 --> 00:38:20,120
Speaker 2: bad to repeat, this but it's the only THING i

752
00:38:20,120 --> 00:38:22,040
Speaker 2: can think, of and that IS i said other. ACTORS

753
00:38:22,560 --> 00:38:26,640
Speaker 2: i said this at The Lincoln center tribute To, AL i,

754
00:38:26,680 --> 00:38:31,759
Speaker 2: said other. Actors when the movie's, over you're. Done they've

755
00:38:31,760 --> 00:38:35,920
Speaker 2: made you, laugh they've scared, you they've thrilled, you they've terrified.

756
00:38:35,920 --> 00:38:38,040
Speaker 2: You they've made you fall in. Love they've done all

757
00:38:38,120 --> 00:38:41,560
Speaker 2: these things and they're very, funny or they're very, charming

758
00:38:41,680 --> 00:38:44,600
Speaker 2: or they're very, sexy what have. You but when the movie's,

759
00:38:44,640 --> 00:38:46,920
Speaker 2: over you're done with. Them you're ready to get out

760
00:38:46,920 --> 00:38:49,760
Speaker 2: of the. THEATER i said With, al you're never done

761
00:38:50,960 --> 00:38:52,839
Speaker 2: when the movie. Ends you want to go, no, no, no,

762
00:38:52,840 --> 00:38:56,400
Speaker 2: no you know you want. More there's a humanity To,

763
00:38:56,520 --> 00:39:01,080
Speaker 2: al there's a sensuality to OUR i, Mean al has,

764
00:39:01,160 --> 00:39:05,680
Speaker 2: everything and he still Loves he got up there and

765
00:39:05,719 --> 00:39:08,440
Speaker 2: he was talking to the audience and he would make

766
00:39:08,480 --> 00:39:11,400
Speaker 2: these comments and you could just tell he still loves,

767
00:39:11,400 --> 00:39:14,400
Speaker 2: acting loves, it loves, it loves.

768
00:39:14,400 --> 00:39:16,719
Speaker 3: It what did you think rewatching Dog?

769
00:39:16,840 --> 00:39:21,520
Speaker 2: Day how sad it was That kazal. Died kaz was.

770
00:39:21,560 --> 00:39:25,000
Speaker 2: GREAT i, mean Kaz al was so. Great he was so.

771
00:39:25,120 --> 00:39:29,520
Speaker 2: Great you know a Deer, hunter you know Here hunter

772
00:39:29,560 --> 00:39:32,239
Speaker 2: is a movie that's really tough to. Watch it's a tough.

773
00:39:32,280 --> 00:39:35,080
Speaker 2: Movie it's a tough to. Watch but the people who Like,

774
00:39:35,200 --> 00:39:38,440
Speaker 2: bob you know this is this and you look At

775
00:39:38,480 --> 00:39:39,799
Speaker 2: bob and you're, like you, KNOW.

776
00:39:40,200 --> 00:39:42,680
Speaker 3: I was gonna pivot To. Bob you got to Interview

777
00:39:42,719 --> 00:39:43,439
Speaker 3: bob on YOUR.

778
00:39:43,400 --> 00:39:48,319
Speaker 2: Nbc show THAT Abc, SHOW Abc. Show you Love bob

779
00:39:48,400 --> 00:39:48,839
Speaker 2: LIKE i Love.

780
00:39:48,920 --> 00:39:50,560
Speaker 3: Bob you got to work With bob as a.

781
00:39:50,600 --> 00:39:54,800
Speaker 1: Director just you were, GONNA i, interrupted you Like, bob

782
00:39:55,040 --> 00:39:57,880
Speaker 1: talk to me About bob break. Down Bob DeNiro is an.

783
00:39:57,920 --> 00:40:01,279
Speaker 1: Actor it's when you interviewed. Him were you able to

784
00:40:01,360 --> 00:40:03,799
Speaker 1: get BECAUSE i got to be, Honest, alec when you

785
00:40:03,800 --> 00:40:05,920
Speaker 1: got to INTERVIEW i was jealous BECAUSE i was, LIKE

786
00:40:06,640 --> 00:40:08,960
Speaker 1: i want to, interview But i've yet to see someone

787
00:40:09,520 --> 00:40:10,359
Speaker 1: get and you were.

788
00:40:10,400 --> 00:40:13,319
Speaker 3: Trying i've yet to see him and likes to talk about.

789
00:40:13,360 --> 00:40:16,000
Speaker 2: HIM i get him on the. Phone THEN i. Go he,

790
00:40:16,080 --> 00:40:19,120
Speaker 2: goes you want me to do this show of? Yours?

791
00:40:19,200 --> 00:40:22,839
Speaker 2: Okay and he said the people told me it's an.

792
00:40:22,840 --> 00:40:26,879
Speaker 2: Hour it's an. Hour what are we going to talk

793
00:40:26,880 --> 00:40:29,640
Speaker 2: about for an? Hour AND i like kind of froze

794
00:40:29,680 --> 00:40:32,040
Speaker 2: AND i, said, WELL i thought we would start with

795
00:40:32,120 --> 00:40:34,359
Speaker 2: your movie. Career maybe that would take us through an.

796
00:40:34,360 --> 00:40:37,680
Speaker 2: Hour he was, like you're very, Funny, Alec you're very.

797
00:40:37,719 --> 00:40:42,200
Speaker 2: Funny and he comes and WHAT i THINK i said

798
00:40:42,200 --> 00:40:44,160
Speaker 2: to him THAT i really meant and he was very

799
00:40:44,239 --> 00:40:47,239
Speaker 2: kind about this and accepted this WAS i, said do

800
00:40:47,280 --> 00:40:50,040
Speaker 2: you realize how much you mean to other? PEOPLE i,

801
00:40:50,080 --> 00:40:54,160
Speaker 2: said people come to acting as a fan of other people's.

802
00:40:54,239 --> 00:40:59,240
Speaker 2: Acting when you love, ACTING i don't know one. PERSON

803
00:41:00,200 --> 00:41:03,240
Speaker 2: i don't know one person who came into this business

804
00:41:03,239 --> 00:41:05,920
Speaker 2: in film AND. Tv and of, course the array can be.

805
00:41:05,960 --> 00:41:07,680
Speaker 2: Anything it could be The Dick Van Dyke. Show it

806
00:41:07,719 --> 00:41:10,360
Speaker 2: could Be Raging, bull you don't give a. Shit it

807
00:41:10,400 --> 00:41:15,640
Speaker 2: can be, friends it can be A. Superman people come

808
00:41:15,640 --> 00:41:19,359
Speaker 2: into the business and they spent significant parts of their

809
00:41:19,400 --> 00:41:23,800
Speaker 2: life appreciating other people and watching other people and having

810
00:41:23,880 --> 00:41:27,120
Speaker 2: borderline obsessions with other. People how many times HAVE i

811
00:41:27,160 --> 00:41:29,880
Speaker 2: Watched Raging? Bull how many times HAVE i Watched The?

812
00:41:29,880 --> 00:41:33,040
Speaker 2: Godfather how many times HAVE i Watched? Psycho you know?

813
00:41:33,120 --> 00:41:37,600
Speaker 2: Whatever and you just can't get. Over you watch the

814
00:41:37,640 --> 00:41:40,719
Speaker 2: acting at the highest, level and you're sitting there, going,

815
00:41:40,760 --> 00:41:42,920
Speaker 2: OH i hope one DAY i have even an opportunity

816
00:41:43,360 --> 00:41:44,680
Speaker 2: now That i'm going to do, it BUT i even

817
00:41:44,719 --> 00:41:47,319
Speaker 2: have a chance to do something even close to. That

818
00:41:47,719 --> 00:41:49,319
Speaker 2: AND i said To bob and the talk, SHOW i,

819
00:41:49,320 --> 00:41:53,080
Speaker 2: said do you realize what you mean to other? People

820
00:41:53,160 --> 00:41:55,879
Speaker 2: what they've seen you and watched you in all these?

821
00:41:55,920 --> 00:42:00,760
Speaker 2: Films do the greatest, acting you, know among the top twenty,

822
00:42:00,800 --> 00:42:04,400
Speaker 2: five thirty fifty men or? Whatever and then women are

823
00:42:04,440 --> 00:42:07,440
Speaker 2: in a different category as, well and he kind of

824
00:42:07,520 --> 00:42:09,719
Speaker 2: he was, like, oh thank, you thank, you thank, you

825
00:42:09,880 --> 00:42:14,560
Speaker 2: BUT i really meant, it you. Know it's like Al Al, Nicholson.

826
00:42:14,800 --> 00:42:18,960
Speaker 2: DUSTIN i, MEAN i could go on and, On Kitel,

827
00:42:19,320 --> 00:42:24,040
Speaker 2: Newman Baby redford of that. GENERATION i Know i'm leaving.

828
00:42:24,040 --> 00:42:29,880
Speaker 2: Outs robert wal just turned ninety. Two, Duval Gene, Hackman,

829
00:42:30,760 --> 00:42:33,880
Speaker 2: duval will you always say the greatest performance in the

830
00:42:33,920 --> 00:42:36,640
Speaker 2: movie is when he played Bou, bradley because he breaks your.

831
00:42:36,640 --> 00:42:38,440
Speaker 2: Heart he doesn't have one, line he doesn't say one,

832
00:42:38,480 --> 00:42:43,680
Speaker 2: line not. One and there's the same guy who PULSES i,

833
00:42:43,680 --> 00:42:47,600
Speaker 2: Mean deval is kind of, amazing who pulses this sensitivity

834
00:42:47,680 --> 00:42:51,960
Speaker 2: and this suffering and plays that character so beautifully one

835
00:42:52,040 --> 00:42:54,279
Speaker 2: of his first film. Roles and that's the guy on

836
00:42:54,320 --> 00:42:59,319
Speaker 2: the beach, going you, know Playing kilgore In. APOCALYPSE i

837
00:42:59,320 --> 00:43:03,759
Speaker 2: mean that rain of WHAT i call. Disposition is the

838
00:43:03,880 --> 00:43:07,920
Speaker 2: character powerful in the, World is the character strong in the.

839
00:43:07,920 --> 00:43:12,120
Speaker 2: World look At Orson wells And Citizen, kane how commanding

840
00:43:12,160 --> 00:43:16,239
Speaker 2: and how fascile he, is and how amazingly sharp he

841
00:43:16,360 --> 00:43:19,600
Speaker 2: is and. Seamless and then you see someone play a

842
00:43:19,640 --> 00:43:25,680
Speaker 2: part Like duval And i'm always looking for people who

843
00:43:26,080 --> 00:43:29,680
Speaker 2: they play characters with that character is strong and confident and,

844
00:43:29,719 --> 00:43:33,120
Speaker 2: fearless and then someone who's struggling and in a lot of,

845
00:43:33,120 --> 00:43:35,439
Speaker 2: pain and can they do both those?

846
00:43:35,480 --> 00:43:38,879
Speaker 1: Things, yeah and he seemed BECAUSE i was really thinking

847
00:43:38,920 --> 00:43:40,840
Speaker 1: about his performances the other day WHEN i saw he

848
00:43:40,880 --> 00:43:44,120
Speaker 1: turned ninety. TWO i, mean that character In Apocalypse, now

849
00:43:44,200 --> 00:43:46,960
Speaker 1: it could have been a. Joke you, know his character

850
00:43:47,000 --> 00:43:51,200
Speaker 1: in The Great Santini The, apostle which he acted and directed.

851
00:43:50,800 --> 00:43:51,239
Speaker 2: And which is.

852
00:43:51,719 --> 00:43:55,239
Speaker 1: Insane, yeah you never saw him, acting and these are.

853
00:43:55,360 --> 00:43:58,000
Speaker 1: Characters it's like he's an. Actor you just didn't see.

854
00:43:58,040 --> 00:44:01,480
Speaker 1: Acting it's almost one of those people who, imagine like people, go,

855
00:44:01,760 --> 00:44:03,400
Speaker 1: oh you're not acting when you're, acting which is a

856
00:44:03,440 --> 00:44:06,160
Speaker 1: compliment also in a disrespect because you don't understand the

857
00:44:06,280 --> 00:44:11,759
Speaker 1: craftsmanship because it's. Seamless With Robert, DEVALL i just love

858
00:44:11,920 --> 00:44:14,280
Speaker 1: him so much and such an appreciated that he's, alive

859
00:44:14,400 --> 00:44:15,640
Speaker 1: you know WHAT i. MEAN i don't know if he's

860
00:44:15,680 --> 00:44:16,200
Speaker 1: making films.

861
00:44:16,200 --> 00:44:20,480
Speaker 2: Anymore, Oh daniel Day lewis you, KNOW i, MEAN i,

862
00:44:20,480 --> 00:44:22,920
Speaker 2: mean he to me is somebody who it's, LIKE i,

863
00:44:22,920 --> 00:44:24,840
Speaker 2: Mean i'm joking WHEN i say, this BUT i always

864
00:44:24,840 --> 00:44:30,760
Speaker 2: felt Like spielberg And Tony kushner And daniel Day lewis

865
00:44:30,760 --> 00:44:35,239
Speaker 2: get together to Do, lincoln and whatever source, material there

866
00:44:35,440 --> 00:44:43,080
Speaker 2: was still, photographs written accounts of How lincoln, behaved audio.

867
00:44:43,120 --> 00:44:46,160
Speaker 2: RECORDINGS i think that maybe there were. SOME i don't

868
00:44:46,200 --> 00:44:49,239
Speaker 2: think there was any film footage of. Him AND i

869
00:44:50,200 --> 00:44:54,399
Speaker 2: See daniel Day lewis as somebody who, Says, Okay i'm

870
00:44:54,400 --> 00:44:58,840
Speaker 2: going to survey all of this, material but in the,

871
00:44:58,960 --> 00:45:01,880
Speaker 2: End i'm going to come up with, character and That's lincoln,

872
00:45:02,239 --> 00:45:06,520
Speaker 2: right and for all eternity in people's, minds that will

873
00:45:06,520 --> 00:45:10,600
Speaker 2: Be lincoln. Right i'm going to create The lincoln that's

874
00:45:10,640 --> 00:45:13,520
Speaker 2: going to be The lincoln right from, now as opposed

875
00:45:13,520 --> 00:45:17,080
Speaker 2: To Raymond massey who did it early on years. Ago

876
00:45:17,440 --> 00:45:19,680
Speaker 2: And i've nothing wrong with his, performance BUT i think

877
00:45:19,680 --> 00:45:22,680
Speaker 2: that you see guys who just by the sheer force

878
00:45:22,719 --> 00:45:26,920
Speaker 2: of their. Talent you, know, podcast.

879
00:45:39,520 --> 00:45:41,520
Speaker 3: What actors do you remember throughout the, Year AND i

880
00:45:41,560 --> 00:45:42,239
Speaker 3: MEAN i just named a.

881
00:45:42,280 --> 00:45:43,000
Speaker 2: FEW i mean you've.

882
00:45:42,920 --> 00:45:45,600
Speaker 1: Worked with there's you, know they do six degrees Of Kevin,

883
00:45:45,640 --> 00:45:47,320
Speaker 1: bacon but you're at a point where it could be

884
00:45:47,320 --> 00:45:49,359
Speaker 1: six degrees Of Alec. Boltman of people that you've worked,

885
00:45:49,400 --> 00:45:52,799
Speaker 1: with what actors do you remember throughout the. Years it

886
00:45:52,800 --> 00:45:55,000
Speaker 1: could be, recent it could be when you were, younger

887
00:45:55,800 --> 00:45:58,360
Speaker 1: where you're in a scene you're, like they're so good

888
00:45:59,400 --> 00:46:02,200
Speaker 1: just for a. MOMENT i meant during a take or

889
00:46:02,200 --> 00:46:04,200
Speaker 1: a rehearsal or a close up where you.

890
00:46:04,120 --> 00:46:05,759
Speaker 3: Go they kind of take you out of it and

891
00:46:05,760 --> 00:46:06,280
Speaker 3: you're watching.

892
00:46:06,239 --> 00:46:07,680
Speaker 2: IT i was going to do a movie and we

893
00:46:07,719 --> 00:46:09,320
Speaker 2: went and did a reading of the script at a

894
00:46:09,400 --> 00:46:12,799
Speaker 2: hotel in la and De niro was going to do the,

895
00:46:12,800 --> 00:46:14,439
Speaker 2: movie and he dropped out because he thought he wasn't

896
00:46:14,480 --> 00:46:16,560
Speaker 2: right for the, part because the guy was kind of very.

897
00:46:16,640 --> 00:46:20,080
Speaker 2: WASPY i did this, Movie The edge With Tony, hopkins

898
00:46:20,640 --> 00:46:23,600
Speaker 2: which was originally Called, bookworm and it was much more

899
00:46:23,680 --> 00:46:26,360
Speaker 2: baroque and much more. Psychological they turned it into like

900
00:46:26,400 --> 00:46:28,360
Speaker 2: an action, film you, know an adventure film with the

901
00:46:28,360 --> 00:46:31,320
Speaker 2: bear and. Everything but when they called, ME i was

902
00:46:31,360 --> 00:46:34,480
Speaker 2: on vacation with my ex wife and they called me

903
00:46:34,480 --> 00:46:36,560
Speaker 2: and they Said Tony hopkins is going to do the.

904
00:46:36,560 --> 00:46:39,840
Speaker 2: MOVIE i crossed her to cry AND i, thought oh my.

905
00:46:39,920 --> 00:46:42,120
Speaker 2: God AND i showed up there to go to work

906
00:46:42,520 --> 00:46:44,719
Speaker 2: and the, movie you, know had a lot of things

907
00:46:44,760 --> 00:46:47,799
Speaker 2: wrong with, it AND i was not wild about how

908
00:46:47,840 --> 00:46:50,480
Speaker 2: it turned. Out BUT i got to do this movie

909
00:46:50,480 --> 00:46:54,279
Speaker 2: With Tony, hopkins AND i was so that was the

910
00:46:54,280 --> 00:46:56,560
Speaker 2: greatest Experience i've ever had shooting a movie because it

911
00:46:56,600 --> 00:46:58,920
Speaker 2: was a lead. Role you, know IF i Do, bob's

912
00:46:58,960 --> 00:47:01,839
Speaker 2: IF i do The Good, shepherd IF i Do Good

913
00:47:01,880 --> 00:47:04,080
Speaker 2: shepherd With. Bob you, know that was just in and

914
00:47:04,080 --> 00:47:06,520
Speaker 2: out in a couple of. Weeks And marty and people like,

915
00:47:06,560 --> 00:47:09,600
Speaker 2: That nichols smaller, Roles but when you play a lead

916
00:47:09,760 --> 00:47:16,560
Speaker 2: role with somebody who you really. Like Harold, becker who

917
00:47:16,600 --> 00:47:19,880
Speaker 2: Did see Of love and he did other great. Films.

918
00:47:19,920 --> 00:47:23,239
Speaker 2: Taps we did this Movie, malice which was this very

919
00:47:23,280 --> 00:47:26,320
Speaker 2: tepid kind of thriller with, Me Bill pullman And Nicole.

920
00:47:26,400 --> 00:47:28,600
Speaker 2: Kidman BUT i learned a lot From. Harold he was.

921
00:47:28,600 --> 00:47:31,840
Speaker 2: Great he was really very actor. Friendly so BUT i

922
00:47:31,920 --> 00:47:35,800
Speaker 2: must say that the time we spent up In canada

923
00:47:35,840 --> 00:47:37,880
Speaker 2: Shooting The edge With, tony that was probably the greatest

924
00:47:37,920 --> 00:47:39,479
Speaker 2: Experience i've ever. Had that's.

925
00:47:39,520 --> 00:47:44,040
Speaker 3: Awesome when you Did Glengarry Glenn, ross you showed up one.

926
00:47:44,000 --> 00:47:48,319
Speaker 2: Day two days we. Shot, yeah we, rehearsed and then

927
00:47:48,360 --> 00:47:49,919
Speaker 2: we came back AND i shot it over the course

928
00:47:49,960 --> 00:47:51,239
Speaker 2: of two. Days it might have been two and a.

929
00:47:51,280 --> 00:47:54,000
Speaker 2: HALF i don't. Remember it was two days to cover.

930
00:47:54,040 --> 00:47:56,719
Speaker 2: Everybody you, know the film's been, quoted it's sort of.

931
00:47:56,760 --> 00:48:01,799
Speaker 1: Been it's an iconic, film iconic, scene the, lines the.

932
00:48:01,840 --> 00:48:05,000
Speaker 1: Actors when you look back at that, time what do you.

933
00:48:05,040 --> 00:48:07,799
Speaker 1: Remember what do you take away from that experience and

934
00:48:07,840 --> 00:48:11,760
Speaker 1: the way you approached that. Scene would you approach it differently?

935
00:48:12,160 --> 00:48:17,120
Speaker 2: Now? Nine why maybe you tone it down and maybe

936
00:48:17,120 --> 00:48:22,160
Speaker 2: you just a click meaning he said to Me, Foley he,

937
00:48:22,239 --> 00:48:24,520
Speaker 2: said this is like the. Scene and BECAUSE i was

938
00:48:24,640 --> 00:48:29,239
Speaker 2: very uncomfortable doing the scene with these, guys, WELL i

939
00:48:29,280 --> 00:48:31,600
Speaker 2: admired all of, them AND i had to be so

940
00:48:31,680 --> 00:48:34,759
Speaker 2: abusive to. Them AND i called Up mammont on the

941
00:48:34,800 --> 00:48:38,279
Speaker 2: phone AND i, said you won The Pulitzer prize for the.

942
00:48:38,320 --> 00:48:41,640
Speaker 2: Play why do you feel the need to amend the?

943
00:48:41,680 --> 00:48:45,000
Speaker 2: PLAY i, said you want it's the big. Prize he.

944
00:48:45,000 --> 00:48:47,200
Speaker 2: Said none of these men have a criminal, nature and

945
00:48:47,239 --> 00:48:49,840
Speaker 2: they're about to commit a, crime AND i need someone

946
00:48:49,840 --> 00:48:52,080
Speaker 2: to come in there and ratchet everything a little tighter for,

947
00:48:52,120 --> 00:48:55,640
Speaker 2: them to make everything more taut and difficult for them

948
00:48:55,960 --> 00:48:57,680
Speaker 2: so that they will. Commit so you come in and

949
00:48:57,719 --> 00:49:00,239
Speaker 2: your scene is going to be to incite them to

950
00:49:00,280 --> 00:49:03,640
Speaker 2: commit a. Crime and THEN i, said oh, God i've you.

951
00:49:03,640 --> 00:49:06,840
Speaker 2: Know when it came time to shoot the, Scene foley,

952
00:49:06,920 --> 00:49:10,400
Speaker 2: said it's like that scene In patent when he slaps

953
00:49:10,440 --> 00:49:13,680
Speaker 2: the guy in the tent who got shell shock and he,

954
00:49:13,680 --> 00:49:16,800
Speaker 2: says you call yourself a. Soldier And foley said to,

955
00:49:16,840 --> 00:49:19,000
Speaker 2: me we're going to do call this the you call

956
00:49:19,040 --> 00:49:22,160
Speaker 2: yourself a salesman. Scene he's, like you're coming down. Here

957
00:49:22,160 --> 00:49:25,120
Speaker 2: it's for their own. Good you're not doing this to be.

958
00:49:25,200 --> 00:49:27,520
Speaker 2: Mean this is for their own. Good they need this

959
00:49:28,200 --> 00:49:30,600
Speaker 2: or they're going to be. Dead we're in battle, here

960
00:49:30,600 --> 00:49:32,960
Speaker 2: it's a. War you go out that, door you got to.

961
00:49:33,000 --> 00:49:34,919
Speaker 2: Sell and he goes AND i need you to crack

962
00:49:35,000 --> 00:49:36,759
Speaker 2: all of them right across the face as hard as

963
00:49:36,800 --> 00:49:38,560
Speaker 2: you can and get him to snap the fuck out of.

964
00:49:38,600 --> 00:49:42,720
Speaker 2: It AND i literally remember electricity going through my body

965
00:49:42,719 --> 00:49:45,600
Speaker 2: BECAUSE i needed someone to explain to. ME i call it,

966
00:49:45,719 --> 00:49:49,880
Speaker 2: authorization what authorizes me to do the scene that? Way

967
00:49:50,200 --> 00:49:53,120
Speaker 2: and when he told me, THAT i was, like, Okay i'm,

968
00:49:53,160 --> 00:49:56,520
Speaker 2: ready AND i got up and we go and it

969
00:49:56,560 --> 00:49:58,239
Speaker 2: was not, easy BECAUSE i, mean you have to say

970
00:49:58,280 --> 00:50:01,200
Speaker 2: all these horrible things to. Them but the THING i

971
00:50:01,239 --> 00:50:04,520
Speaker 2: remember most has nothing to do with. That the THING

972
00:50:04,520 --> 00:50:06,920
Speaker 2: i remember most was that was one of the Earlier

973
00:50:07,120 --> 00:50:11,440
Speaker 2: i'd done a, few but not, many of the great

974
00:50:12,239 --> 00:50:17,880
Speaker 2: monastic cinematographers in the. Business one of the greatest joys

975
00:50:17,920 --> 00:50:20,279
Speaker 2: of making films is to work with great CINEMATA i

976
00:50:20,280 --> 00:50:24,560
Speaker 2: worked with Ball, house With, NICHOLS i worked With Bob.

977
00:50:24,640 --> 00:50:28,400
Speaker 2: RICHARDSON i worked With don McAlpine on The, edge AND

978
00:50:28,440 --> 00:50:34,200
Speaker 2: i worked With wan ruiz A chia who Photographed glengarry

979
00:50:34,760 --> 00:50:35,480
Speaker 2: and he's just.

980
00:50:35,680 --> 00:50:40,080
Speaker 1: Unbelievable explain to non actors why it's great to work

981
00:50:40,120 --> 00:50:41,520
Speaker 1: with a great cinematographer as.

982
00:50:41,800 --> 00:50:43,920
Speaker 2: Well you Watch glengarry and it's like a, painting you,

983
00:50:43,960 --> 00:50:46,440
Speaker 2: know with all the black and white kind of it's a,

984
00:50:46,480 --> 00:50:49,000
Speaker 2: film it's in, color and sometimes you feel like you're

985
00:50:49,040 --> 00:50:53,560
Speaker 2: being seduced into it being black and. White John tole

986
00:50:54,320 --> 00:50:56,440
Speaker 2: one OF i think there's only two. Men toll is.

987
00:50:56,520 --> 00:50:59,319
Speaker 2: ONE i think there's one. MORE i can't remember who

988
00:50:59,400 --> 00:51:02,280
Speaker 2: won The oscar for cinematography and back to back. YEARS

989
00:51:02,920 --> 00:51:05,239
Speaker 2: i think he wanted For Brave, heart and then he

990
00:51:05,280 --> 00:51:07,960
Speaker 2: went ran it For legends of The. FALL i believe

991
00:51:08,360 --> 00:51:10,719
Speaker 2: he wanted from one of those. MOVIES i know he

992
00:51:10,760 --> 00:51:13,960
Speaker 2: won For Brave, Braveheart No Brave, heart he, did and

993
00:51:13,960 --> 00:51:16,080
Speaker 2: then the year before that he Did legends of The.

994
00:51:16,120 --> 00:51:18,440
Speaker 2: FALL i think Not river runs through. It it's Either

995
00:51:18,520 --> 00:51:20,719
Speaker 2: river runs through it Or legends of The. Fall so

996
00:51:20,760 --> 00:51:22,680
Speaker 2: he won The oscar two years in a. Row and

997
00:51:22,719 --> 00:51:25,080
Speaker 2: you're with this guy and you're, like and when you

998
00:51:25,239 --> 00:51:28,160
Speaker 2: when you? Shoot could they're making this is a. Movie,

999
00:51:28,400 --> 00:51:31,839
Speaker 2: yeah we're making a. Movie, yeah someone's gonna put the

1000
00:51:31,840 --> 00:51:34,799
Speaker 2: camera on you and do. It and this guy who

1001
00:51:34,800 --> 00:51:37,879
Speaker 2: Shot Glen, garry he just was like all the great

1002
00:51:37,960 --> 00:51:41,640
Speaker 2: dp's they never transmit any. Tension they like walk up

1003
00:51:41,640 --> 00:51:44,000
Speaker 2: to you and they, go COULD i ask you a?

1004
00:51:44,160 --> 00:51:49,640
Speaker 2: Question could you please just? Lean when he took you

1005
00:51:49,800 --> 00:51:52,840
Speaker 2: lean this, way just the little. Bit AND i go

1006
00:51:52,920 --> 00:51:54,920
Speaker 2: there and we line up AND i, go you mean

1007
00:51:55,000 --> 00:51:59,759
Speaker 2: like this he's like he's so, Good and you're, Like

1008
00:52:00,840 --> 00:52:04,279
Speaker 2: i'm here to put this on, film. Right so when

1009
00:52:04,280 --> 00:52:06,799
Speaker 2: you have guys that are really and women who are

1010
00:52:06,800 --> 00:52:12,560
Speaker 2: really really strong, cinematographers, god you feel so. Confident look

1011
00:52:12,600 --> 00:52:13,560
Speaker 2: it's gonna look, good you.

1012
00:52:13,600 --> 00:52:16,359
Speaker 1: Know and so being on the set cursing At Jack,

1013
00:52:16,440 --> 00:52:18,799
Speaker 1: lemon who must have been a fucking a sweet. Guy

1014
00:52:19,000 --> 00:52:21,799
Speaker 1: yeah you're cursing it Ed, harris you're cursing At Alan

1015
00:52:21,920 --> 00:52:24,360
Speaker 1: arkin Hor are you having?

1016
00:52:24,360 --> 00:52:27,120
Speaker 2: Fun are they having? No? No, no, no no. No you,

1017
00:52:27,160 --> 00:52:30,440
Speaker 2: know you play these characters that are these tough. CHARACTERS i,

1018
00:52:30,440 --> 00:52:33,080
Speaker 2: said WHEN i Did streetcar On, BROADWAY i get into

1019
00:52:33,160 --> 00:52:34,600
Speaker 2: like the sixth week of. IT i want to, GO

1020
00:52:35,160 --> 00:52:36,640
Speaker 2: i want to stay To. Blanche why don't we sit,

1021
00:52:36,680 --> 00:52:38,640
Speaker 2: down have a Drink blanch and work everything? Out and,

1022
00:52:38,760 --> 00:52:42,799
Speaker 2: like you get tired of, being you, know at that.

1023
00:52:42,920 --> 00:52:46,560
Speaker 2: Level and WHEN i do movies where you have to

1024
00:52:46,640 --> 00:52:50,680
Speaker 2: kind of lose it or you're cruel in some, way

1025
00:52:51,120 --> 00:52:54,759
Speaker 2: it's never. Fun never. Fun you know what's fun is

1026
00:52:54,760 --> 00:52:56,719
Speaker 2: when you do like when we did Thirty. Rock that

1027
00:52:56,880 --> 00:53:00,000
Speaker 2: was fun because those people were so creative And tina's

1028
00:53:00,120 --> 00:53:03,680
Speaker 2: so unique her talent as a, writer And Robert carlock

1029
00:53:03,719 --> 00:53:06,360
Speaker 2: and their whole stable of writers That i'd come to

1030
00:53:06,440 --> 00:53:08,840
Speaker 2: work and they were like they'd hand us the script

1031
00:53:09,440 --> 00:53:12,120
Speaker 2: in the morning and we'd be in makeup and we're

1032
00:53:12,160 --> 00:53:13,840
Speaker 2: going to do the read through for the network that.

1033
00:53:13,880 --> 00:53:16,879
Speaker 2: Afternoon they would pipe us To burbank from a room

1034
00:53:16,920 --> 00:53:19,399
Speaker 2: we go into a conference room and so we'd take

1035
00:53:19,480 --> 00:53:23,960
Speaker 2: lunch on A wednesday and do the read through and

1036
00:53:24,000 --> 00:53:25,440
Speaker 2: they'd hit me the script in the, morning And i'd,

1037
00:53:25,480 --> 00:53:28,440
Speaker 2: Say i'd walk up To Robert carlock And i'd, say

1038
00:53:28,760 --> 00:53:31,080
Speaker 2: you want me to play This Patty duke thing with?

1039
00:53:31,120 --> 00:53:34,480
Speaker 2: Myself and the other side of it Is i'm a

1040
00:53:34,560 --> 00:53:39,400
Speaker 2: Gay mexican soap opera. Star And Robert carlock would always like,

1041
00:53:39,520 --> 00:53:41,440
Speaker 2: say it's a big. SWING i know it's a big,

1042
00:53:41,480 --> 00:53:43,560
Speaker 2: swing but we have faith in. You we believe in.

1043
00:53:43,600 --> 00:53:45,440
Speaker 2: You he was always, like you, know giving me the.

1044
00:53:45,480 --> 00:53:48,520
Speaker 2: Business but that was fun because they were so fucking.

1045
00:53:48,600 --> 00:53:50,759
Speaker 1: Funny did the speed of it throw you off at?

1046
00:53:50,800 --> 00:53:52,879
Speaker 1: First the speed of? Television oh, no they knew.

1047
00:53:52,920 --> 00:53:56,160
Speaker 2: Well the speed of. Shooting, yes it was a lot of.

1048
00:53:56,200 --> 00:53:59,759
Speaker 2: WORK i, Mean i'm not, complaining and we were. Compensated

1049
00:53:59,800 --> 00:54:02,680
Speaker 2: but it's, like, uh we had a, line OR i

1050
00:54:02,719 --> 00:54:04,680
Speaker 2: had a line with, them which was you give the

1051
00:54:04,719 --> 00:54:07,479
Speaker 2: sea and the stick to the finish. Line like in horse.

1052
00:54:07,560 --> 00:54:10,759
Speaker 2: Racing you you don't, pause Don't you got to just

1053
00:54:10,800 --> 00:54:13,279
Speaker 2: go let the, audience our audience will keep up with.

1054
00:54:13,360 --> 00:54:16,760
Speaker 2: Us AND i thought it was genuinely, funny as opposed

1055
00:54:16,760 --> 00:54:18,960
Speaker 2: to so many films AND tv SHOWS i see now

1056
00:54:19,080 --> 00:54:20,480
Speaker 2: that are more cute than. FUNNY i.

1057
00:54:20,520 --> 00:54:24,640
Speaker 1: Agree WHEN i was talking on the. Phone you gave

1058
00:54:24,680 --> 00:54:26,160
Speaker 1: me a very big. COMPLIMENT i don't even know if

1059
00:54:26,160 --> 00:54:28,399
Speaker 1: you remember, it but it stuck with. Me you said

1060
00:54:28,640 --> 00:54:33,600
Speaker 1: you called me The Lawrence olivier a Fuck AND i

1061
00:54:33,760 --> 00:54:37,040
Speaker 1: consider you one of the great cursors in cinematic, history

1062
00:54:37,040 --> 00:54:39,439
Speaker 1: along with the Great Dennis, farina the late Great Dennis Rena,

1063
00:54:39,480 --> 00:54:45,200
Speaker 1: fina of, Course Bob DeNiro Of Frank Vincent's Joe, Pesci Alec,

1064
00:54:45,239 --> 00:54:48,839
Speaker 1: baldwin the great Al. Pacino SO i wanted to have

1065
00:54:49,120 --> 00:54:51,839
Speaker 1: a funk off with, you, okay AND i wrote some

1066
00:54:51,880 --> 00:54:53,960
Speaker 1: lines down And i'll say, them and THEN i wanted

1067
00:54:54,000 --> 00:54:55,840
Speaker 1: you to say them as, well and we could go

1068
00:54:55,880 --> 00:54:58,640
Speaker 1: back and forth a, little almost like an, actor you,

1069
00:54:58,680 --> 00:55:02,280
Speaker 1: know warm up a. Routine you're it's, yes some misner.

1070
00:55:02,280 --> 00:55:05,920
Speaker 1: Stuff fuck, You Michael, Rappaport.

1071
00:55:06,360 --> 00:55:13,680
Speaker 2: Fuck, You Michael, Rapperport fuck, You Michael. Rappaport fuck, You Michael.

1072
00:55:13,800 --> 00:55:18,800
Speaker 3: Rapperport fuck, You Michael. Rappaport fuck, You Michael.

1073
00:55:18,880 --> 00:55:25,560
Speaker 5: Rapperport you motherfucker you.

1074
00:55:23,800 --> 00:55:35,920
Speaker 6: You motherfucker, you you motherfucker you you motherfucker, you.

1075
00:55:34,520 --> 00:55:45,120
Speaker 5: You motherfucker, you.

1076
00:55:40,800 --> 00:55:41,920
Speaker 2: You mother fucker.

1077
00:55:42,040 --> 00:55:53,080
Speaker 4: You you are a. Cocksucker you are a. Cocksucker you're a.

1078
00:55:53,120 --> 00:55:55,360
Speaker 4: Cocksucker you're a.

1079
00:55:55,400 --> 00:56:03,799
Speaker 1: Cocksucker you're a. Cocksucker you're a. Cocksucker did we get? It,

1080
00:56:04,080 --> 00:56:07,879
Speaker 1: Oh i'm in. Heaven i'm almost. Done NOW i want

1081
00:56:07,880 --> 00:56:09,520
Speaker 1: to ask you a. QUESTION i want to interview you

1082
00:56:09,560 --> 00:56:13,640
Speaker 1: for a, second which is my. Nature so in your, career,

1083
00:56:13,719 --> 00:56:18,279
Speaker 1: now do you find that those types of work you

1084
00:56:18,360 --> 00:56:20,920
Speaker 1: don't want to, do LIKE i would imagine A tv

1085
00:56:21,080 --> 00:56:25,040
Speaker 1: series could be in your hand. Tomorrow you don't want

1086
00:56:25,040 --> 00:56:27,600
Speaker 1: to commit to a series and be rinding that out

1087
00:56:27,640 --> 00:56:29,279
Speaker 1: for five or six. Years, NO i would love to

1088
00:56:29,280 --> 00:56:32,960
Speaker 1: find a good. One it's crazy now because a television

1089
00:56:33,000 --> 00:56:36,720
Speaker 1: series that is good in that last and there's such,

1090
00:56:36,880 --> 00:56:42,200
Speaker 1: incredible ridiculous great stuff ON. Tv you kind of want

1091
00:56:42,200 --> 00:56:45,480
Speaker 1: to be a part of the great. Ones, YEAH i

1092
00:56:45,480 --> 00:56:48,080
Speaker 1: mean there's so much good stuff on. Television what are

1093
00:56:48,120 --> 00:56:50,600
Speaker 1: you watching on? Television what do you get to watch besides?

1094
00:56:50,640 --> 00:56:54,000
Speaker 1: Football probably a lot Of, SpongeBob teletubbies and all.

1095
00:56:54,000 --> 00:57:00,920
Speaker 2: This, Yeah Sonny bunny Is? Mowana? Frozen we Watched? Frozen,

1096
00:57:01,080 --> 00:57:04,040
Speaker 2: oh my, kids my wife when they all go, down

1097
00:57:04,080 --> 00:57:05,719
Speaker 2: you know WHAT i? Mean so now there's two the

1098
00:57:05,760 --> 00:57:09,240
Speaker 2: toddlers they were in that phrase and my Daughter luthia

1099
00:57:09,800 --> 00:57:12,719
Speaker 2: she can't say oh, Love she, says o waff and

1100
00:57:12,760 --> 00:57:15,960
Speaker 2: when she sees, me she's the most. Wonderful she kisses,

1101
00:57:16,000 --> 00:57:18,560
Speaker 2: me she hugs. Me then she, goes oh a waff

1102
00:57:19,000 --> 00:57:21,400
Speaker 2: o wa for, waff like she wants to go Watch.

1103
00:57:21,480 --> 00:57:27,960
Speaker 2: Frozen SO i would say What i've. WATCHED i watched

1104
00:57:28,160 --> 00:57:30,600
Speaker 2: the one with kind Of vali And naomi watch.

1105
00:57:31,240 --> 00:57:35,200
Speaker 1: Oh yes, Something, yes The, Watcher, yes that was.

1106
00:57:35,240 --> 00:57:38,480
Speaker 2: GOOD i watched. THAT i devoured The crown It' i'm

1107
00:57:38,520 --> 00:57:42,120
Speaker 2: obsessed with production, Value like there's things you're gonna. See

1108
00:57:42,600 --> 00:57:45,960
Speaker 2: there's sets and photography and, design and there's a reality

1109
00:57:46,040 --> 00:57:48,440
Speaker 2: there and going into the world of those people that

1110
00:57:48,480 --> 00:57:50,680
Speaker 2: you're just never going to see anywhere. ELSE i, Agree

1111
00:57:50,720 --> 00:57:53,640
Speaker 2: and THEN I i'm trying to think of what else

1112
00:57:53,760 --> 00:57:56,800
Speaker 2: did you? Watch White lotuses and? Two, no watch?

1113
00:57:56,840 --> 00:58:01,360
Speaker 1: It why it's fucking ridiculously good, writings ridiculously.

1114
00:58:01,520 --> 00:58:05,040
Speaker 2: Good, really you're gonna be, like oh. SHIT i always

1115
00:58:05,040 --> 00:58:07,880
Speaker 2: say to, Myself i'm not quite sure how interested AM i?

1116
00:58:07,920 --> 00:58:11,480
Speaker 2: AM i am in shows about like romantic and sexual.

1117
00:58:11,600 --> 00:58:16,760
Speaker 2: Intrigue it's not that it's Not, dynasty, no, okay it's

1118
00:58:17,320 --> 00:58:21,440
Speaker 2: you're gonna be, like oh, Shit and it's this second sisod.

1119
00:58:22,000 --> 00:58:24,040
Speaker 2: Excellent it's amazing to hear you say. That.

1120
00:58:24,440 --> 00:58:27,600
Speaker 3: Excellent it's so. Good you're, like this is Fucking you're.

1121
00:58:27,440 --> 00:58:30,760
Speaker 2: Watched all of Those ark. GREAT i watched all Of O's,

1122
00:58:30,840 --> 00:58:32,600
Speaker 2: ark AND i just got a little freaked out because

1123
00:58:32,760 --> 00:58:35,160
Speaker 2: whenever they wrote themselves into a, corner they sort of shooting.

1124
00:58:35,200 --> 00:58:38,240
Speaker 2: People so that was The West. WORLD i went all

1125
00:58:38,240 --> 00:58:39,720
Speaker 2: the way With West, world even THOUGH i was a

1126
00:58:39,720 --> 00:58:43,200
Speaker 2: little bit disappointed in how. THAT i wanted something more

1127
00:58:43,920 --> 00:58:47,240
Speaker 2: relatable to. Happen BUT i will tell you and MAYBE

1128
00:58:47,280 --> 00:58:49,160
Speaker 2: i have a feeling maybe you feel the same. Way

1129
00:58:49,480 --> 00:58:51,480
Speaker 2: one of my favorite. SHOWS i always say this to

1130
00:58:51,480 --> 00:58:54,200
Speaker 2: people all the, time And i'm amazed at people didn't

1131
00:58:54,240 --> 00:58:58,880
Speaker 2: catch this was the night of The tarantino to. Tour

1132
00:58:59,360 --> 00:59:04,000
Speaker 2: Johnson toro did play the lawyer med and The kid

1133
00:59:04,000 --> 00:59:07,240
Speaker 2: Gets busted and they only did the one season And

1134
00:59:07,360 --> 00:59:11,400
Speaker 2: Richard price And zaleen did the writing, excellent and THAT

1135
00:59:12,040 --> 00:59:15,120
Speaker 2: i Think zaleen did the. Directing that show was so.

1136
00:59:15,200 --> 00:59:17,240
Speaker 2: Good that was the one The gandelphini shot the pilot

1137
00:59:17,280 --> 00:59:19,200
Speaker 2: then he, died so they had to go back and

1138
00:59:19,240 --> 00:59:22,880
Speaker 2: be cast and reshoot. It but oh my, GOD i love.

1139
00:59:22,960 --> 00:59:26,800
Speaker 2: THAT i love that Show Michael michael Kay, Williams, yes

1140
00:59:27,040 --> 00:59:29,360
Speaker 2: WHO i worked with in this Movie The public With.

1141
00:59:29,760 --> 00:59:33,000
Speaker 2: Amelio now that's the DIRECTOR i love Was. AMELIA i Worship.

1142
00:59:33,080 --> 00:59:36,200
Speaker 2: Amelia he's a good, director, Right he's a great, director

1143
00:59:36,200 --> 00:59:38,160
Speaker 2: and he's the loveliest guy in the face of the.

1144
00:59:38,160 --> 00:59:41,120
Speaker 2: Earth and we did this Movie The, public And Michael

1145
00:59:41,160 --> 00:59:43,840
Speaker 2: Kay williams was in, it and WHEN i saw him

1146
00:59:44,360 --> 00:59:47,640
Speaker 2: and his, ENERGY i completely. Blank and THEN i walked

1147
00:59:47,680 --> 00:59:50,040
Speaker 2: up to him like day four AND i, go you're

1148
00:59:50,080 --> 00:59:55,160
Speaker 2: the guy from The Night of and he's like, Yeah

1149
00:59:55,640 --> 00:59:58,400
Speaker 2: AND i was, LIKE i love that. Show the people

1150
00:59:58,400 --> 00:59:59,480
Speaker 2: should watch that really GOOD.

1151
00:59:59,600 --> 01:00:03,800
Speaker 1: Hbo you know what else is Excellent and even though

1152
01:00:03,800 --> 01:00:05,480
Speaker 1: you're happily, Married.

1153
01:00:06,880 --> 01:00:07,720
Speaker 2: I'm happily married.

1154
01:00:07,720 --> 01:00:12,680
Speaker 1: Too fleischmann's In trouble ON fx With Jesse eisenberg and Clar.

1155
01:00:12,760 --> 01:00:14,480
Speaker 3: Danes it's based on.

1156
01:00:14,480 --> 01:00:20,000
Speaker 1: A book and it's really about these two people going

1157
01:00:20,080 --> 01:00:25,360
Speaker 1: through their divorce and a great portrayal also Like Blue

1158
01:00:25,440 --> 01:00:27,840
Speaker 1: jasmine of a woman going through a mental.

1159
01:00:27,880 --> 01:00:29,320
Speaker 3: Breakdown fucking.

1160
01:00:29,800 --> 01:00:35,000
Speaker 2: Excellent, now why would my marriage be because? Soiled IF i, were,

1161
01:00:35,120 --> 01:00:36,040
Speaker 2: no your marriage wouldn't be.

1162
01:00:36,080 --> 01:00:39,400
Speaker 1: Soild but for, ME i had went through a divorce

1163
01:00:39,520 --> 01:00:44,600
Speaker 1: with my, kids and it was that show really captures.

1164
01:00:44,600 --> 01:00:46,080
Speaker 3: It, NO i mean in a real.

1165
01:00:46,120 --> 01:00:51,680
Speaker 2: Way the movie With Adam driver And Scarlet Marriage story

1166
01:00:52,000 --> 01:00:56,160
Speaker 2: marriage to it THAT i went from the screening was

1167
01:00:56,200 --> 01:00:58,600
Speaker 2: at The Hamptons Film festival WHEN i was out there

1168
01:00:58,920 --> 01:01:02,800
Speaker 2: AND i walked out into the hallway And noah was,

1169
01:01:02,840 --> 01:01:06,360
Speaker 2: there AND i had tears in my, eyes AND i,

1170
01:01:06,400 --> 01:01:09,360
Speaker 2: said this is like you had a camera hidden on

1171
01:01:09,480 --> 01:01:12,440
Speaker 2: me in my during my. Divorce you know you're remarried, now,

1172
01:01:12,520 --> 01:01:15,880
Speaker 2: yes so you were married, once, yeah twice twice? Before,

1173
01:01:16,040 --> 01:01:20,440
Speaker 2: no once, before once, before and Now i'm married the second.

1174
01:01:20,440 --> 01:01:22,760
Speaker 2: Time AND i said To, noah. BAMBACK i, SAID i

1175
01:01:22,800 --> 01:01:26,840
Speaker 2: can't believe this is so close to the bone to,

1176
01:01:26,880 --> 01:01:29,120
Speaker 2: me it. Was it was. Painful, YEAH i, agree great.

1177
01:01:29,160 --> 01:01:32,520
Speaker 1: MOVIE i, agree excellent, movie, excellent ridiculous.

1178
01:01:32,520 --> 01:01:35,280
Speaker 3: Movie fleischman's In, trouble which is it's.

1179
01:01:35,120 --> 01:01:37,800
Speaker 2: All New york Or i'll check it. Out, Fun i'll

1180
01:01:37,840 --> 01:01:40,440
Speaker 2: check that. Out And White LOTUS J because you said

1181
01:01:40,440 --> 01:01:43,080
Speaker 2: so everybody else tells Me White. Lotus i'm, like, yeah,

1182
01:01:43,120 --> 01:01:44,560
Speaker 2: YEAH i. DON'T i don't want to see a bunch

1183
01:01:44,560 --> 01:01:47,960
Speaker 2: of people banging each other in, order but you will love.

1184
01:01:48,000 --> 01:01:50,000
Speaker 2: It you're not that you're gonna. GO i want to

1185
01:01:50,000 --> 01:01:50,960
Speaker 2: be on white load of season.

1186
01:01:50,960 --> 01:01:53,920
Speaker 1: THREE i guarantee you the writers are FUCKING i don't need.

1187
01:01:53,960 --> 01:01:57,520
Speaker 1: That it's seven episodes and each one you're just, LIKE i,

1188
01:01:57,520 --> 01:01:59,240
Speaker 1: mean there's times WHERE i put me and my wife, Like,

1189
01:01:59,360 --> 01:02:00,200
Speaker 1: god damn this this it's.

1190
01:02:00,280 --> 01:02:01,560
Speaker 3: Ridiculous it's just that.

1191
01:02:01,720 --> 01:02:04,360
Speaker 2: Good and the undertun says that it's.

1192
01:02:04,640 --> 01:02:07,760
Speaker 1: Great it's Not. Dynasty it's not not it's. Landing it's

1193
01:02:08,320 --> 01:02:12,840
Speaker 1: relationships and dysfunction and what's being said and what's really

1194
01:02:12,880 --> 01:02:13,320
Speaker 1: not being.

1195
01:02:13,400 --> 01:02:16,080
Speaker 2: Said imperiolis on the show, now.

1196
01:02:16,120 --> 01:02:20,760
Speaker 1: F Murray, Abraham Aubrey, plaza some People i've never seen.

1197
01:02:21,120 --> 01:02:23,000
Speaker 1: Excellent it's really.

1198
01:02:23,000 --> 01:02:26,600
Speaker 2: Good, Michael, yeah he's. Great he's. It Alec.

1199
01:02:26,640 --> 01:02:30,120
Speaker 3: BALDWIN i could go on and on and on and.

1200
01:02:30,080 --> 01:02:33,880
Speaker 1: On and ask. Questions my final, question what is Your trump.

1201
01:02:33,920 --> 01:02:37,840
Speaker 1: Predictions it's twenty twenty. Three what do you think's gonna?

1202
01:02:37,840 --> 01:02:40,200
Speaker 2: Happen, WELL i do believe that there's a, CHANCE i

1203
01:02:40,200 --> 01:02:44,800
Speaker 2: don't feel strongly about, this that this conservative cabal that

1204
01:02:44,960 --> 01:02:49,280
Speaker 2: withheld the vote for McCarthy to be the, speaker they're

1205
01:02:49,280 --> 01:02:53,320
Speaker 2: going to continue to try to tip over the canoe

1206
01:02:54,160 --> 01:02:57,040
Speaker 2: for that, group The republicans are in the, majority And

1207
01:02:57,120 --> 01:02:58,720
Speaker 2: i'm not quite sure they're going to hold on to the.

1208
01:02:58,720 --> 01:03:01,520
Speaker 2: MAJORITY i think that they're going to be more and

1209
01:03:01,600 --> 01:03:04,920
Speaker 2: more the press is willing to call. It, like for,

1210
01:03:04,960 --> 01:03:08,920
Speaker 2: example every time there was a moment when things changed

1211
01:03:09,280 --> 01:03:12,720
Speaker 2: and you would hear on the, media the press would

1212
01:03:12,720 --> 01:03:15,760
Speaker 2: Say trump that said the election was, sold which has been,

1213
01:03:15,760 --> 01:03:19,360
Speaker 2: disproven they would label it a. Lie the news media

1214
01:03:19,440 --> 01:03:21,720
Speaker 2: would come right out and say that's a. Lie AND

1215
01:03:21,800 --> 01:03:24,720
Speaker 2: i wonder if they've become more aggressive in terms of

1216
01:03:25,480 --> 01:03:28,520
Speaker 2: citing that with. Everybody SO i think that The republicans

1217
01:03:29,480 --> 01:03:32,720
Speaker 2: are very fractured and that may hurt them in twenty

1218
01:03:32,760 --> 01:03:37,040
Speaker 2: twenty four for holding onto The house and number, TWO

1219
01:03:37,240 --> 01:03:39,920
Speaker 2: i can't imagine that anybody's going to be the nominee

1220
01:03:39,920 --> 01:03:44,880
Speaker 2: other Than. DeSantis he seems to be positioned himself very

1221
01:03:44,920 --> 01:03:45,720
Speaker 2: adroitly for.

1222
01:03:45,800 --> 01:03:49,560
Speaker 3: THAT i, Agree BUT i go back and. FORTH i

1223
01:03:49,600 --> 01:03:50,080
Speaker 3: go back and.

1224
01:03:50,160 --> 01:03:53,640
Speaker 2: Forth, Tulie trump is, Cooked he's, cooked and all the

1225
01:03:53,640 --> 01:03:55,880
Speaker 2: stuff that's come. Out, now you know when you Tell

1226
01:03:55,920 --> 01:03:59,320
Speaker 2: americans that it means LIKE, i for, example believe you

1227
01:03:59,320 --> 01:04:02,520
Speaker 2: should have a of what income taxes or a minimum.

1228
01:04:02,560 --> 01:04:06,560
Speaker 2: Tax so let's Say Michael rapaport makes ten million. Dollars

1229
01:04:06,680 --> 01:04:08,720
Speaker 2: that'd be. Great, well and let's say you're in a

1230
01:04:08,760 --> 01:04:11,960
Speaker 2: forty percent, bracket so you will four million dollars to the.

1231
01:04:12,000 --> 01:04:15,000
Speaker 2: Irs and what we say is we don't want to disincentivize,

1232
01:04:15,040 --> 01:04:19,960
Speaker 2: Philanthropy so we say you can deduct two, million but

1233
01:04:20,080 --> 01:04:23,440
Speaker 2: you must pay no less than twenty percent of your,

1234
01:04:23,440 --> 01:04:28,400
Speaker 2: income no amount of rite, offs. Nothing your baseline or

1235
01:04:28,480 --> 01:04:32,360
Speaker 2: like alternative minimum tax similar is you must pay twenty

1236
01:04:32,360 --> 01:04:35,120
Speaker 2: percent everybody in a certain. Category then we knock those

1237
01:04:35,240 --> 01:04:37,760
Speaker 2: numbers down for people who make less. Money but it's

1238
01:04:37,760 --> 01:04:40,840
Speaker 2: like this idea That trump paid no. Taxes you want to,

1239
01:04:40,880 --> 01:04:43,440
Speaker 2: go you, know you got to pay twenty percent of

1240
01:04:43,480 --> 01:04:45,840
Speaker 2: your income minimum to do. That AND i think that

1241
01:04:45,880 --> 01:04:50,480
Speaker 2: when people realize That trump said his taxes were withheld

1242
01:04:50,800 --> 01:04:52,920
Speaker 2: and you see that he paid no taxes at, ALL

1243
01:04:53,080 --> 01:04:54,760
Speaker 2: i think some of his base is going to be

1244
01:04:55,120 --> 01:04:57,040
Speaker 2: they're going to find that. OFFENSIVE i hope they, do

1245
01:04:57,800 --> 01:05:00,640
Speaker 2: Because trump is, Cooked he's, Finished he's. Finished. YEAH i,

1246
01:05:00,640 --> 01:05:02,880
Speaker 2: mean there's a people want to win The White house

1247
01:05:03,080 --> 01:05:04,760
Speaker 2: and they know they're never gonna win With, trump and

1248
01:05:04,800 --> 01:05:07,520
Speaker 2: they know That, dessantas they've got a good, shot right all.

1249
01:05:07,600 --> 01:05:12,000
Speaker 1: Right Alex BALDWIN i am rapped poor stereo. Podcast thank,

1250
01:05:12,120 --> 01:05:15,160
Speaker 1: YOU i appreciate so. Much awesome good to say it