1 00:00:08,800 --> 00:00:14,920 Speaker 1: Hello, and welcome to another episode of I Saw What 2 00:00:15,000 --> 00:00:18,600 Speaker 1: You Did. My name is Millie to Jericho, I'm Danielle Henderson, 3 00:00:19,360 --> 00:00:22,880 Speaker 1: and hey, look it's us. Do is that what I 4 00:00:22,920 --> 00:00:27,160 Speaker 1: said last week? Yeah? Hey look it's us. Hey look 5 00:00:28,000 --> 00:00:31,440 Speaker 1: take it ear leader. We're here again. I'm not sure 6 00:00:31,440 --> 00:00:35,120 Speaker 1: what you're gonna do about it. I just love the 7 00:00:35,200 --> 00:00:38,720 Speaker 1: miles threat of it, Like, Yo, what are you gonna 8 00:00:38,760 --> 00:00:42,960 Speaker 1: do about it? We're here again? What's going on with you? 9 00:00:43,479 --> 00:00:45,520 Speaker 1: Not much? I feel like I'm camping in my own 10 00:00:45,560 --> 00:00:46,240 Speaker 1: house now. 11 00:00:46,760 --> 00:00:50,400 Speaker 2: So my kitchen is gutted, yeah, and most of downstairs 12 00:00:50,440 --> 00:00:55,000 Speaker 2: is gutted. My hot water heater was supposed to be 13 00:00:55,040 --> 00:00:59,040 Speaker 2: installed in two days, and then my plumber called today 14 00:00:59,040 --> 00:01:01,080 Speaker 2: and said it didn't make it on the truck. So 15 00:01:01,080 --> 00:01:04,319 Speaker 2: it's going to be another week of me taking showers 16 00:01:04,360 --> 00:01:05,199 Speaker 2: at my grandma's house. 17 00:01:05,720 --> 00:01:09,120 Speaker 1: Wow, so you actually have to go to like another 18 00:01:10,000 --> 00:01:13,360 Speaker 1: house to shower. There's not even like a functional shower 19 00:01:13,680 --> 00:01:17,520 Speaker 1: there there. What's weird? Is there is? But when once 20 00:01:17,560 --> 00:01:20,120 Speaker 1: you turn it to the hot water, it smells like 21 00:01:20,280 --> 00:01:22,080 Speaker 1: hot eggs. Oh yeah, sulfur. 22 00:01:22,200 --> 00:01:24,800 Speaker 2: Right, So it's like I don't ever actually feel like 23 00:01:24,840 --> 00:01:27,399 Speaker 2: I'm getting clean just because it smells so bad. 24 00:01:28,200 --> 00:01:30,520 Speaker 1: So it's the entire like water supply, so it doesn't 25 00:01:30,520 --> 00:01:33,520 Speaker 1: even matter if you went outside and like used a hose, 26 00:01:33,680 --> 00:01:36,160 Speaker 1: it does exactly. Yeah, yeah, yeah, got. 27 00:01:36,560 --> 00:01:38,640 Speaker 2: There was one really pathetic. I can't even believe I'm 28 00:01:38,640 --> 00:01:40,960 Speaker 2: about to sit to tell you guys this, but oh, well, 29 00:01:41,000 --> 00:01:41,839 Speaker 2: here we are again. 30 00:01:42,160 --> 00:01:44,400 Speaker 1: Here we go, baby, here we go. 31 00:01:45,520 --> 00:01:47,960 Speaker 2: I was like, it was I usually go in the 32 00:01:48,000 --> 00:01:49,760 Speaker 2: morning because I go and check it in my grandma in 33 00:01:49,800 --> 00:01:51,320 Speaker 2: the morning and just kind of like hang out with 34 00:01:51,320 --> 00:01:53,880 Speaker 2: her for an hour or so, and then I'll just 35 00:01:53,960 --> 00:01:57,840 Speaker 2: usually take a shower and leave. And she's always completely confused. 36 00:01:57,880 --> 00:02:00,000 Speaker 2: She's like, I thought I was moving in with you, 37 00:02:00,200 --> 00:02:01,880 Speaker 2: Like why are you taking showers at my eye? 38 00:02:01,880 --> 00:02:05,640 Speaker 1: I know she's probably like, uh, where's my new house? 39 00:02:06,160 --> 00:02:09,880 Speaker 1: You're always over here? What the fuck? Completely just like wait, you. 40 00:02:09,880 --> 00:02:12,120 Speaker 2: Can't take a shower and any of the bathrooms in 41 00:02:12,160 --> 00:02:14,720 Speaker 2: that house. I was like, I'm an idiot, Like what 42 00:02:14,800 --> 00:02:16,440 Speaker 2: kind of house did you buy where you can't do that? 43 00:02:17,080 --> 00:02:18,600 Speaker 2: So I'll take a shower, then I'll come home and 44 00:02:18,639 --> 00:02:22,040 Speaker 2: you know, do my start my day. And there was 45 00:02:22,040 --> 00:02:24,280 Speaker 2: a day last week where I was just kind of 46 00:02:24,320 --> 00:02:25,959 Speaker 2: like just kind of sweaty and gross, and it was 47 00:02:26,000 --> 00:02:28,320 Speaker 2: super humid, and I just wanted to take a shower, 48 00:02:28,360 --> 00:02:31,280 Speaker 2: but I didn't want to drive across town to do it. 49 00:02:31,919 --> 00:02:35,760 Speaker 2: So I used my electric kettle and I boiled some 50 00:02:35,840 --> 00:02:39,360 Speaker 2: water and I put it in a big metal salad bowl. 51 00:02:39,960 --> 00:02:42,040 Speaker 1: And it was way too hot for way. 52 00:02:41,800 --> 00:02:44,239 Speaker 2: Too long, but I put the bowl in the sink 53 00:02:45,160 --> 00:02:47,320 Speaker 2: and then I put ice in the bowl until it 54 00:02:47,360 --> 00:02:49,679 Speaker 2: got to the right temperature, and then I just took 55 00:02:49,680 --> 00:02:52,359 Speaker 2: a washcloth and like white myself down. I felt I've 56 00:02:52,400 --> 00:02:57,000 Speaker 2: never felt more in like pathetic, but also it's kind. 57 00:02:56,800 --> 00:02:57,960 Speaker 1: Of like ingenious. 58 00:02:58,080 --> 00:02:59,800 Speaker 2: Yeah, I mean, hey, like I found a way to 59 00:02:59,800 --> 00:03:02,320 Speaker 2: bait you little resourceful. 60 00:03:02,600 --> 00:03:05,680 Speaker 1: It's like being it's like camping, like you're just sort 61 00:03:05,720 --> 00:03:07,200 Speaker 1: of like, all right, well, I guess I'm gonna fill 62 00:03:07,280 --> 00:03:09,480 Speaker 1: up this receptacle with water and then just kind of 63 00:03:09,520 --> 00:03:12,560 Speaker 1: do a thing where I'm like pattent down all the 64 00:03:12,600 --> 00:03:16,160 Speaker 1: private areas, just pat the spots, this path path, the 65 00:03:16,280 --> 00:03:16,880 Speaker 1: main spots. 66 00:03:16,919 --> 00:03:18,639 Speaker 2: I felt like I was in Deadwood or something like 67 00:03:18,680 --> 00:03:21,359 Speaker 2: you know, when they would like show the sex workers, 68 00:03:21,440 --> 00:03:24,119 Speaker 2: like like Tricksy or whatever her name was, and she'd 69 00:03:24,160 --> 00:03:28,040 Speaker 2: be like lathering up a sponge and wiping herself down, 70 00:03:28,160 --> 00:03:29,280 Speaker 2: and I'm like, yep, that's me. 71 00:03:30,320 --> 00:03:32,079 Speaker 1: Well, I gotta tell you. I mean, I'm not trying 72 00:03:32,080 --> 00:03:35,520 Speaker 1: to nitpick here, but like, why did you pour boiling 73 00:03:35,600 --> 00:03:38,640 Speaker 1: water into a metal bowl because I wanted it to 74 00:03:38,680 --> 00:03:39,360 Speaker 1: be hot? 75 00:03:39,600 --> 00:03:43,600 Speaker 2: Okay, because I'd already I'd already had an experience earlier 76 00:03:43,680 --> 00:03:48,720 Speaker 2: last week. Again, I cannot believe, but this is real life. 77 00:03:48,760 --> 00:03:50,480 Speaker 2: This is what is happening to me right now. This 78 00:03:50,560 --> 00:03:53,120 Speaker 2: is how I'm living right now. Yeah, I took a 79 00:03:54,040 --> 00:03:56,200 Speaker 2: mason jar. I had, like a big mason jar that 80 00:03:56,240 --> 00:03:59,600 Speaker 2: I used to use for pickling asparagus and like long 81 00:03:59,640 --> 00:04:00,480 Speaker 2: stem things. 82 00:04:00,920 --> 00:04:02,080 Speaker 1: So it's a pretty tall jar. 83 00:04:03,320 --> 00:04:06,240 Speaker 2: But I haven't unpacked anything because I'm still demolishing and 84 00:04:06,240 --> 00:04:07,160 Speaker 2: renovating everything. 85 00:04:07,160 --> 00:04:08,840 Speaker 1: But I'm like, I really want some ice coffee. 86 00:04:09,320 --> 00:04:11,640 Speaker 2: So I took this jar out and I was like, 87 00:04:11,680 --> 00:04:15,400 Speaker 2: you know what, the water I can't use again hot eggs, 88 00:04:15,960 --> 00:04:18,520 Speaker 2: but I need to rinse this out before I drink 89 00:04:18,560 --> 00:04:23,679 Speaker 2: out a bit. So me total genius three degrees boil 90 00:04:23,760 --> 00:04:24,279 Speaker 2: some water. 91 00:04:24,640 --> 00:04:26,120 Speaker 1: Poured it into this glass. 92 00:04:25,800 --> 00:04:29,640 Speaker 2: Container, thinking well, I use this too, I boil these. 93 00:04:30,000 --> 00:04:32,400 Speaker 2: It'll be fine because I boil these on the stove 94 00:04:32,520 --> 00:04:35,640 Speaker 2: to do pickling and shit. When I tell you that, 95 00:04:35,680 --> 00:04:38,080 Speaker 2: I heard a crack and I was like, well, it 96 00:04:38,080 --> 00:04:40,200 Speaker 2: can't be the glass because the glass is still intact. 97 00:04:40,240 --> 00:04:42,800 Speaker 2: As soon as I picked it up, the whole bottle 98 00:04:42,839 --> 00:04:44,880 Speaker 2: of it, it cracked in like a perfect round circle 99 00:04:44,920 --> 00:04:47,200 Speaker 2: on the counter and I just picked it up and 100 00:04:47,360 --> 00:04:47,719 Speaker 2: washed my. 101 00:04:47,760 --> 00:04:49,520 Speaker 1: Ice coffee go all over the floor. 102 00:04:50,320 --> 00:04:52,360 Speaker 2: I was like, all right, so if I'm using hot water, 103 00:04:52,400 --> 00:04:54,880 Speaker 2: I got to put it in something metal or ceramic, 104 00:04:55,520 --> 00:04:56,240 Speaker 2: and metal was. 105 00:04:56,240 --> 00:04:57,880 Speaker 1: The biggest one I had. That was the biggest bowl 106 00:04:57,880 --> 00:05:00,240 Speaker 1: I had. I'm a big lady. I just I was 107 00:05:00,240 --> 00:05:02,600 Speaker 1: thinking it was gonna be super fucking hot. And then 108 00:05:02,600 --> 00:05:04,760 Speaker 1: you were like, well then I got ice cubes. I'm like, okay, good, 109 00:05:05,240 --> 00:05:08,200 Speaker 1: that's a good way of controlling the temperature. 110 00:05:08,760 --> 00:05:11,520 Speaker 2: Yeah, because I'm an idiot, like boiling water in a 111 00:05:11,720 --> 00:05:17,080 Speaker 2: metal conducting a bowl that conducts heat and then stick 112 00:05:17,160 --> 00:05:19,320 Speaker 2: my body parts in it. 113 00:05:19,720 --> 00:05:22,400 Speaker 1: And the only reason why I asked you that is 114 00:05:22,440 --> 00:05:27,880 Speaker 1: because so I was following this recipe one time for cookies, 115 00:05:28,080 --> 00:05:31,880 Speaker 1: like I think it was like Bonapetite's chocolate chip cookie recipe, 116 00:05:32,240 --> 00:05:36,040 Speaker 1: and it requires you to do a thing where you 117 00:05:36,120 --> 00:05:38,880 Speaker 1: make brown butter in a pan and then you have 118 00:05:38,960 --> 00:05:42,760 Speaker 1: to pour the brown butter into a bowl and then 119 00:05:42,760 --> 00:05:46,160 Speaker 1: introduce like some room temperature butter and then melt it 120 00:05:46,240 --> 00:05:49,440 Speaker 1: into the brown butter. But I used a metal bowl, 121 00:05:50,279 --> 00:05:52,719 Speaker 1: so basically like I poured the brown butter, and that 122 00:05:52,760 --> 00:05:58,840 Speaker 1: shit is fucking sizzlin, sizzlin like Grandma's. 123 00:05:58,360 --> 00:06:03,760 Speaker 2: Legs Dante's pet, like Grandma's legs from Dante's Peak, and 124 00:06:03,800 --> 00:06:06,200 Speaker 2: that fucking acid like sizzling. 125 00:06:07,120 --> 00:06:09,719 Speaker 1: And then I poured the room temperature butter, and that 126 00:06:09,800 --> 00:06:14,600 Speaker 1: shit just like immediately, like when said it was like 127 00:06:15,040 --> 00:06:17,760 Speaker 1: fucking melted within two seconds, And I was like, fuck, 128 00:06:17,800 --> 00:06:20,440 Speaker 1: I'm cooking it. I'm cooking in the bowl. Why did 129 00:06:20,520 --> 00:06:22,960 Speaker 1: I use a metal bowl? And so now I'm like, 130 00:06:23,480 --> 00:06:27,600 Speaker 1: never put hot shit in the metal bowl because it 131 00:06:27,680 --> 00:06:30,480 Speaker 1: continues to get warm. It doesn't do what you need 132 00:06:30,480 --> 00:06:30,760 Speaker 1: it to. 133 00:06:30,720 --> 00:06:33,279 Speaker 2: Do, right, It does not help you out at all. 134 00:06:33,880 --> 00:06:36,719 Speaker 2: Oh you want me to stay hot and get hotter, great, 135 00:06:36,839 --> 00:06:37,360 Speaker 2: that's all. 136 00:06:37,279 --> 00:06:38,520 Speaker 1: A metal bowls gonna do. 137 00:06:38,880 --> 00:06:41,680 Speaker 2: Because when I tell you that, like that water was 138 00:06:41,720 --> 00:06:43,640 Speaker 2: hot for a good twenty minutes, Like I am a 139 00:06:43,680 --> 00:06:46,880 Speaker 2: six foot tall lady, I'm a big girl, and that 140 00:06:46,960 --> 00:06:50,119 Speaker 2: shit was warm throughout my being experience. 141 00:06:50,560 --> 00:06:53,240 Speaker 1: I couldn't put more ice in there to be on it. Yeah, 142 00:06:53,279 --> 00:06:56,919 Speaker 1: no kidding, right, I just love the idea that you 143 00:06:57,000 --> 00:06:59,000 Speaker 1: poured the water into a metal bowl. It was hot 144 00:06:59,000 --> 00:07:01,240 Speaker 1: as fucking then you were like ice cubes, ice cubes, 145 00:07:01,320 --> 00:07:02,039 Speaker 1: put them in my chair. 146 00:07:02,600 --> 00:07:04,680 Speaker 2: I love all the ice cubes I could find, And 147 00:07:04,720 --> 00:07:06,920 Speaker 2: I'm like, I can't live like this. But I also 148 00:07:06,960 --> 00:07:10,160 Speaker 2: can't scald myself, because that's not a story I want 149 00:07:10,200 --> 00:07:10,640 Speaker 2: to tell. 150 00:07:10,920 --> 00:07:14,000 Speaker 1: How'd you get that burn? Well? I bought a house, 151 00:07:14,640 --> 00:07:16,880 Speaker 1: none of the bathrooms. 152 00:07:16,400 --> 00:07:20,239 Speaker 2: Work, I haven't had a water heater for three months, 153 00:07:20,760 --> 00:07:23,880 Speaker 2: and then I burned myself because I can't understand science. 154 00:07:24,400 --> 00:07:29,480 Speaker 1: Right, you're like doing like fourth grade science project fucking 155 00:07:30,320 --> 00:07:32,280 Speaker 1: shit when you're like just trying to take a shower 156 00:07:32,600 --> 00:07:34,560 Speaker 1: right just on my body, just like can I put 157 00:07:34,560 --> 00:07:34,920 Speaker 1: soap it? 158 00:07:34,920 --> 00:07:37,880 Speaker 2: It's just it's it's so pathetic, and I feel like 159 00:07:38,240 --> 00:07:40,360 Speaker 2: usually every year for my. 160 00:07:40,320 --> 00:07:41,560 Speaker 1: Birthday, I'll post a selfie. 161 00:07:41,640 --> 00:07:43,760 Speaker 2: That's like the only time I'm guaranteed to post one, 162 00:07:44,320 --> 00:07:46,440 Speaker 2: and everyone's always like, your skin, oh my god, drop 163 00:07:46,480 --> 00:07:49,360 Speaker 2: the skincare routine. And I don't really have one. Yeah, 164 00:07:49,400 --> 00:07:51,400 Speaker 2: but if you could, like you can see, but if 165 00:07:51,400 --> 00:07:53,559 Speaker 2: you could like close up see my skin right now, 166 00:07:53,960 --> 00:07:56,560 Speaker 2: I am on the verge of craggy, not hot. 167 00:07:56,920 --> 00:07:58,240 Speaker 1: Like, there's definitely. 168 00:07:58,000 --> 00:08:02,360 Speaker 2: Dirt in the lines of this four imposs just cragging 169 00:08:02,360 --> 00:08:02,600 Speaker 2: it up. 170 00:08:02,720 --> 00:08:05,120 Speaker 1: Yeah, I don't I don't see it. I mean you're 171 00:08:05,160 --> 00:08:07,920 Speaker 1: saying it, I don't see it. So you're even you're 172 00:08:07,920 --> 00:08:11,000 Speaker 1: getting closer to the camera and I'm still like, I 173 00:08:11,000 --> 00:08:14,240 Speaker 1: don't see anything. You look fucking flawless as per usual. 174 00:08:14,800 --> 00:08:17,680 Speaker 2: I feel craggy. You could prop me up next to 175 00:08:18,280 --> 00:08:21,920 Speaker 2: sad pit and I would just be like, who's the 176 00:08:21,920 --> 00:08:25,040 Speaker 2: boiled hot dog? You can't tell because I've been bathing 177 00:08:25,040 --> 00:08:27,200 Speaker 2: out a bowl for two weeks. 178 00:08:27,400 --> 00:08:32,839 Speaker 1: Why are her wrinkles twitching? Because there's Michael organisms in them? 179 00:08:32,880 --> 00:08:33,880 Speaker 1: Fucking crags. 180 00:08:34,760 --> 00:08:37,600 Speaker 2: Even Carrot Carrot can't handle it. He usually sleeps on 181 00:08:37,679 --> 00:08:40,920 Speaker 2: the bed with me and he's just like nah, like noah, 182 00:08:41,040 --> 00:08:42,320 Speaker 2: until you get that shower going. 183 00:08:43,280 --> 00:08:49,400 Speaker 1: Listen. I know that you've come to the podcast over 184 00:08:49,440 --> 00:08:54,040 Speaker 1: the past what month or two with these horror stories 185 00:08:54,080 --> 00:08:58,160 Speaker 1: about your house, But trust me, when this shig gets 186 00:08:58,720 --> 00:09:03,839 Speaker 1: actually and poppin', it's gonna be fucking great. You're gonna 187 00:09:03,880 --> 00:09:08,720 Speaker 1: have like a discothech in there. Fucking salad bar fucking 188 00:09:09,480 --> 00:09:12,440 Speaker 1: a roller skating rink. It's gonna be like every bathroom 189 00:09:12,480 --> 00:09:17,199 Speaker 1: is gonna be like a fucking luxurious, coked out seventies 190 00:09:17,400 --> 00:09:22,079 Speaker 1: like white marble, fucking scarface bathroom. Like it's gonna be great. 191 00:09:22,360 --> 00:09:24,320 Speaker 1: You just have to get away the bullshit first in 192 00:09:24,400 --> 00:09:26,400 Speaker 1: order to like get to the place where it becomes 193 00:09:26,440 --> 00:09:29,280 Speaker 1: like your palace, you know, completely. 194 00:09:29,320 --> 00:09:31,040 Speaker 2: And I'm like, I'd rather camp out in the summer 195 00:09:31,080 --> 00:09:32,719 Speaker 2: than do this in the winter. I'd rather do it 196 00:09:32,760 --> 00:09:35,319 Speaker 2: all at once than piecemeal it. And you know what, 197 00:09:35,400 --> 00:09:37,320 Speaker 2: in the end, maybe I'll put one of those like 198 00:09:37,920 --> 00:09:40,520 Speaker 2: science fiction like you know those things where like they 199 00:09:40,559 --> 00:09:44,079 Speaker 2: just have bursts of air come up and like sanitize you. Yes, 200 00:09:44,240 --> 00:09:46,360 Speaker 2: maybe I'll throw one of those in fun. So if 201 00:09:46,400 --> 00:09:48,760 Speaker 2: I ever don't have a water heater again, I'll be 202 00:09:48,840 --> 00:09:51,119 Speaker 2: like sanitize what's up step. 203 00:09:50,880 --> 00:09:54,040 Speaker 1: Through the steam. Yeah, man, you're just gonna have like 204 00:09:54,120 --> 00:09:57,839 Speaker 1: a full on laboratory in there that's gonna be able 205 00:09:57,880 --> 00:10:02,640 Speaker 1: to like disinfect every part of your body by body part, 206 00:10:02,760 --> 00:10:04,839 Speaker 1: Like you're just gonna go through the room and it's 207 00:10:04,840 --> 00:10:08,160 Speaker 1: gonna have like the armpit spray and the fucking butt 208 00:10:08,240 --> 00:10:13,400 Speaker 1: crack disinfector whatever. It is like it's just gonna be 209 00:10:13,440 --> 00:10:18,360 Speaker 1: like a fully formed like defunking room, and it's gonna 210 00:10:18,400 --> 00:10:19,400 Speaker 1: I'm putting one in now. 211 00:10:19,640 --> 00:10:23,560 Speaker 2: I want to defunking room for sure. Everyone's step through. 212 00:10:25,920 --> 00:10:28,800 Speaker 2: How's your house stuff going? You've had I mean you 213 00:10:28,840 --> 00:10:32,320 Speaker 2: didn't have as many horror stories per se, Yeah, but 214 00:10:32,520 --> 00:10:34,560 Speaker 2: you've definitely been like still settling in. 215 00:10:34,720 --> 00:10:36,680 Speaker 1: Right well, I mean the difference between you and I 216 00:10:36,720 --> 00:10:40,200 Speaker 1: write I is that I'm renting right So at the 217 00:10:40,320 --> 00:10:44,120 Speaker 1: end of the day, it's like, if this place is 218 00:10:44,200 --> 00:10:46,920 Speaker 1: truly the money Pit starring Tom Hanks, I can just 219 00:10:46,920 --> 00:10:50,880 Speaker 1: fucking leave. I guess somebody. I guess I could. It 220 00:10:50,920 --> 00:10:52,880 Speaker 1: would be such a royal pain of the ass to 221 00:10:52,960 --> 00:10:56,000 Speaker 1: fucking leave, But I could you get. 222 00:10:55,840 --> 00:10:58,439 Speaker 2: One more mocker nut following of the house, you can 223 00:10:58,520 --> 00:10:58,960 Speaker 2: just go. 224 00:10:59,320 --> 00:11:02,560 Speaker 1: Now that's a brag, by the way, Like I'm trying 225 00:11:02,600 --> 00:11:05,320 Speaker 1: to buy a house, which is why I'm renting right now, 226 00:11:05,360 --> 00:11:08,240 Speaker 1: because I'm I'm waiting for things to get a little 227 00:11:08,240 --> 00:11:10,440 Speaker 1: bit better. In the Housing Marker, we talked about this 228 00:11:10,520 --> 00:11:14,240 Speaker 1: when we were like fucking having that real estate chat. Like, however, 229 00:11:14,280 --> 00:11:17,040 Speaker 1: many episodes ago, people were probably like, who are these 230 00:11:17,080 --> 00:11:19,440 Speaker 1: two women talking about real estate? They have like literally 231 00:11:19,480 --> 00:11:24,160 Speaker 1: no idea, no credentials at all. A movie podcast, yeah exactly, 232 00:11:24,240 --> 00:11:28,560 Speaker 1: we're like what the fuck. But I will say this, so, 233 00:11:28,760 --> 00:11:35,960 Speaker 1: like I am, I've gotten obsessed with smart light bulbs 234 00:11:36,840 --> 00:11:41,800 Speaker 1: and go on. I feel like such an idiot because 235 00:11:41,840 --> 00:11:43,480 Speaker 1: it's like, first of all, they've been around for a 236 00:11:43,480 --> 00:11:46,520 Speaker 1: long time. Okay, I don't know why. I just discovered 237 00:11:46,559 --> 00:11:48,240 Speaker 1: that you can buy light bulbs that you can control 238 00:11:48,240 --> 00:11:48,840 Speaker 1: with your phone. 239 00:11:49,320 --> 00:11:51,200 Speaker 2: Okay, I didn't know about that until last year. 240 00:11:51,280 --> 00:11:53,440 Speaker 1: So you're to be sure of the choir here, okay. 241 00:11:53,679 --> 00:11:58,560 Speaker 1: But also too, it's like they're I don't know why 242 00:11:58,600 --> 00:12:02,400 Speaker 1: I want to control my ambiance in this like really 243 00:12:02,480 --> 00:12:05,320 Speaker 1: specific way because I'm just sort of like, so I 244 00:12:05,360 --> 00:12:07,720 Speaker 1: bought one just to try it out. Like I was 245 00:12:07,760 --> 00:12:11,240 Speaker 1: basically like, oh, let me try this one like light bulb. 246 00:12:11,360 --> 00:12:13,320 Speaker 1: Just put it in the living room and see, you know, 247 00:12:13,400 --> 00:12:17,280 Speaker 1: maybe I can create like a movie theaters experience. Right. 248 00:12:17,920 --> 00:12:19,960 Speaker 1: So then I download the app and I'm like looking 249 00:12:20,000 --> 00:12:22,559 Speaker 1: at the app, but there's like hundreds of these like 250 00:12:23,200 --> 00:12:28,440 Speaker 1: customized lighting scapes that you can like, and they all 251 00:12:28,480 --> 00:12:34,720 Speaker 1: have these like very evocative names like Twilight, Tropical Avenue 252 00:12:35,240 --> 00:12:39,240 Speaker 1: or like you know, autumn walk or something, you know 253 00:12:39,280 --> 00:12:41,360 Speaker 1: what I mean, it's like all this like weird shit 254 00:12:41,840 --> 00:12:44,760 Speaker 1: that you're like, oh, and then you look at the 255 00:12:44,840 --> 00:12:47,320 Speaker 1: light bulb change like when you flip through some of 256 00:12:47,360 --> 00:12:51,280 Speaker 1: these you know whatever, these are these moods, and you're like, 257 00:12:51,880 --> 00:12:55,800 Speaker 1: this looks like a tropical escape or whatever. This looks 258 00:12:55,840 --> 00:12:58,120 Speaker 1: like an autumn walk, And I don't know how it's happening. 259 00:12:58,480 --> 00:13:01,600 Speaker 1: These motherfuckers are not lying. Yeah, this looks like a 260 00:13:01,720 --> 00:13:05,880 Speaker 1: coked out seventies disco from Scarface like this, I don't 261 00:13:05,880 --> 00:13:08,720 Speaker 1: know how they're doing it, but it's like they figure 262 00:13:08,800 --> 00:13:10,839 Speaker 1: it out and for whatever reason, I know it's all 263 00:13:10,880 --> 00:13:14,600 Speaker 1: sort of like whatever, Like it's just adjustments between like lights, right, 264 00:13:14,640 --> 00:13:17,640 Speaker 1: But I'm also like, maybe I do want my life 265 00:13:17,679 --> 00:13:19,520 Speaker 1: to be curated like this, Like I want to walk 266 00:13:19,559 --> 00:13:21,600 Speaker 1: through every fucking room now where it's like, oh this 267 00:13:21,800 --> 00:13:28,000 Speaker 1: my bathroom is like a fucking forest in like Scandinavia, 268 00:13:28,360 --> 00:13:31,760 Speaker 1: and then my kitchen is going to have like, you know, 269 00:13:32,000 --> 00:13:36,319 Speaker 1: a sort of Mediterranean you know, vibe or whatever, And 270 00:13:36,400 --> 00:13:38,280 Speaker 1: I'm like, what the fuck is wrong with me? Like 271 00:13:38,320 --> 00:13:41,040 Speaker 1: I'm like, I'm like, decent light bulbs are not cheap, 272 00:13:41,320 --> 00:13:43,280 Speaker 1: by the way, this is what I'm envisioning. 273 00:13:43,320 --> 00:13:43,520 Speaker 3: Though. 274 00:13:43,600 --> 00:13:46,360 Speaker 2: Is it one light bulb that changes colors in like 275 00:13:46,400 --> 00:13:49,960 Speaker 2: a wavy, undulating way, like you're putting like a jail 276 00:13:50,040 --> 00:13:51,640 Speaker 2: in front of it, or is it just kind of 277 00:13:51,679 --> 00:13:55,040 Speaker 2: like you plug in four light bulbs and together they 278 00:13:55,080 --> 00:13:58,240 Speaker 2: create this effect, because I don't think there's any problem 279 00:13:58,280 --> 00:13:58,520 Speaker 2: with that. 280 00:13:59,040 --> 00:14:02,840 Speaker 1: Yeah, yeah, it's it's it's one light bulb per whatever. 281 00:14:03,040 --> 00:14:04,880 Speaker 1: And they have different sizes, like you can put one 282 00:14:05,080 --> 00:14:08,480 Speaker 1: in the lamps or you can have one. They make 283 00:14:08,559 --> 00:14:10,760 Speaker 1: actually lamps like these, like ones you can stick on 284 00:14:10,760 --> 00:14:12,840 Speaker 1: the wall. They make like light strips, They make all 285 00:14:12,840 --> 00:14:15,720 Speaker 1: this stuff and it's all like talking to each other 286 00:14:15,760 --> 00:14:18,320 Speaker 1: through this app. So like if you decide to, like, 287 00:14:18,920 --> 00:14:23,920 Speaker 1: you know, turn the lamp on with one fucking moodscape, 288 00:14:24,320 --> 00:14:26,000 Speaker 1: and then the other one next to you is in 289 00:14:26,040 --> 00:14:28,520 Speaker 1: a different moodscape, Like one can be like, oh, this 290 00:14:28,600 --> 00:14:31,360 Speaker 1: is like the south pole, and then this one is 291 00:14:31,480 --> 00:14:33,720 Speaker 1: like the hospital or. 292 00:14:33,720 --> 00:14:36,080 Speaker 2: Something, you know what I mean, it doesn't matter, like 293 00:14:36,200 --> 00:14:39,680 Speaker 2: two things you want in your Yeah, but here's the 294 00:14:39,720 --> 00:14:43,320 Speaker 2: thing I love this. I look, you need to we're 295 00:14:43,440 --> 00:14:47,240 Speaker 2: rocketing towards a future that is so uncertain. You need 296 00:14:47,280 --> 00:14:50,840 Speaker 2: to be your house needs to be the ad Astra 297 00:14:50,920 --> 00:14:55,280 Speaker 2: Hallway of your dreams, Like why the fuck not live 298 00:14:55,360 --> 00:14:59,360 Speaker 2: your life like you're on a spaceship, create that mood, 299 00:15:00,120 --> 00:15:02,480 Speaker 2: live them and have a theme for every ten feet 300 00:15:02,520 --> 00:15:03,640 Speaker 2: of your house if you need to. 301 00:15:04,480 --> 00:15:06,040 Speaker 1: We are all gonna die. 302 00:15:07,080 --> 00:15:07,280 Speaker 2: You know. 303 00:15:08,640 --> 00:15:11,840 Speaker 1: It's so funny because it's like, for some reason, it 304 00:15:11,880 --> 00:15:15,600 Speaker 1: reminds it makes me feel like I'm this like weird, 305 00:15:16,200 --> 00:15:19,560 Speaker 1: like swinging bachelor guy from the sixties, Like I'm like 306 00:15:19,680 --> 00:15:22,600 Speaker 1: Pete Campbell from mad Men, where I'm like, I got 307 00:15:22,640 --> 00:15:25,600 Speaker 1: a fucking rotating bed and then like I can do 308 00:15:25,720 --> 00:15:27,840 Speaker 1: like one push of a button and I can turn 309 00:15:27,880 --> 00:15:31,320 Speaker 1: this place into a fucking sex den with like mood 310 00:15:31,400 --> 00:15:33,680 Speaker 1: lighting and shit, And I'm like, this is fucked up. 311 00:15:33,720 --> 00:15:35,440 Speaker 1: Did I ever think I'd be this kind of person? 312 00:15:35,520 --> 00:15:38,200 Speaker 1: Like I just like, you know, never thought it's fucked 313 00:15:38,240 --> 00:15:40,960 Speaker 1: up When men, it's fucked up when men do it. Somehow, 314 00:15:40,960 --> 00:15:42,880 Speaker 1: when women do it, it's kind of a boss move, 315 00:15:43,400 --> 00:15:45,840 Speaker 1: just putting it out there, kind of a boss move. 316 00:15:46,560 --> 00:15:48,160 Speaker 1: I mean. But that's the thing is that now I 317 00:15:48,240 --> 00:15:52,040 Speaker 1: like want to control my environment so badly apparently that 318 00:15:52,080 --> 00:15:56,720 Speaker 1: I'm just like buying these prohibitably expensive light bulbs and 319 00:15:56,840 --> 00:15:58,400 Speaker 1: I am not going to stop you. I am not 320 00:15:58,520 --> 00:16:00,400 Speaker 1: the one to tell you don't do it. I'm going 321 00:16:00,480 --> 00:16:01,720 Speaker 1: to push you into it more. 322 00:16:01,920 --> 00:16:04,640 Speaker 2: I'm gonna say you should create some kind of lighting 323 00:16:04,680 --> 00:16:07,880 Speaker 2: experience where you know what, when you turn the lights 324 00:16:07,920 --> 00:16:10,000 Speaker 2: on at the end of a party or something and you're. 325 00:16:09,880 --> 00:16:10,560 Speaker 1: Like, everyone out. 326 00:16:10,920 --> 00:16:13,600 Speaker 2: Yeah, you should have that plugged into something where it's 327 00:16:13,640 --> 00:16:15,800 Speaker 2: like if you have one person over and you're like, 328 00:16:16,120 --> 00:16:20,320 Speaker 2: you're not observing the six feet rule. You're making me uncomfortable. 329 00:16:20,320 --> 00:16:22,080 Speaker 2: You brought someone you didn't tell me you were gonna 330 00:16:22,080 --> 00:16:25,600 Speaker 2: bring with you. Fucking light that place up like Wrigley Field. 331 00:16:26,360 --> 00:16:31,480 Speaker 1: Get out. Oh my god, I got moon lighting. 332 00:16:31,560 --> 00:16:33,920 Speaker 2: Do lights for every mood, and one of those moods 333 00:16:33,920 --> 00:16:35,400 Speaker 2: has gotta be get the fuck. 334 00:16:35,160 --> 00:16:39,760 Speaker 1: Out of here. Yeah, when the lights come on in 335 00:16:39,800 --> 00:16:42,720 Speaker 1: a certain way, you know that your time is now. 336 00:16:42,840 --> 00:16:43,760 Speaker 1: You must get out. 337 00:16:44,000 --> 00:16:47,360 Speaker 2: And oh my, you could be diabolical with this shit. 338 00:16:47,440 --> 00:16:50,760 Speaker 2: I think buy whatever you're thinking of buying, buy three. 339 00:16:50,600 --> 00:16:56,320 Speaker 1: More out, just do it. So I'm speaking of my 340 00:16:56,360 --> 00:17:00,160 Speaker 1: life's investment. This my life's savings. We're gonna go to 341 00:17:00,200 --> 00:17:02,440 Speaker 1: these fucking light bulbs and then I'm not gonna be 342 00:17:02,440 --> 00:17:05,000 Speaker 1: able to afford the power Bill, and I'm just gonna 343 00:17:05,000 --> 00:17:08,160 Speaker 1: be stuck here with these like goddamn disco lights, being like, oh, 344 00:17:08,200 --> 00:17:12,240 Speaker 1: I can't afford my rent or my utility Bill. 345 00:17:12,480 --> 00:17:14,800 Speaker 2: I thought Millie was gonna buy a house. Well she was, 346 00:17:14,880 --> 00:17:17,280 Speaker 2: but then she bought seventeen. 347 00:17:17,080 --> 00:17:21,440 Speaker 1: Smart light bulbs and now she doesn't need it. She 348 00:17:21,480 --> 00:17:25,960 Speaker 1: forgot to feed herself because she was buying expensive light 349 00:17:26,000 --> 00:17:27,720 Speaker 1: bulbs to control over her phone. 350 00:17:27,720 --> 00:17:29,679 Speaker 2: You can have your whole house be like you know 351 00:17:29,760 --> 00:17:32,280 Speaker 2: those ubers and lifts and like car sharing things you 352 00:17:32,280 --> 00:17:35,360 Speaker 2: get into sometimes where somehow they have lights like lit 353 00:17:35,440 --> 00:17:37,760 Speaker 2: up all on the outside and inside and it's like 354 00:17:37,800 --> 00:17:39,119 Speaker 2: a fucking rolling club. 355 00:17:39,960 --> 00:17:40,840 Speaker 1: That could be your house. 356 00:17:40,880 --> 00:17:42,840 Speaker 2: You could do that to your car, Like, I'm really 357 00:17:42,840 --> 00:17:45,159 Speaker 2: gonna push you to do it to the to the max. 358 00:17:45,400 --> 00:17:49,199 Speaker 1: Look, let's just put a giant pink fucking mustache on 359 00:17:49,240 --> 00:17:50,760 Speaker 1: the front of the house and call it a day. 360 00:17:51,320 --> 00:17:53,080 Speaker 1: I'm that person, Just call it a day. 361 00:17:53,720 --> 00:17:56,360 Speaker 2: Are you losing your edge or are you leveling up 362 00:17:56,400 --> 00:17:57,040 Speaker 2: your edge? 363 00:17:59,600 --> 00:18:03,600 Speaker 1: Thank you? Thank you for being positive, for spitting as positively, 364 00:18:03,680 --> 00:18:05,400 Speaker 1: because honestly, I'm like, okay. 365 00:18:05,520 --> 00:18:08,240 Speaker 2: I love it because you're you're you always, your apartments 366 00:18:08,320 --> 00:18:13,040 Speaker 2: always look amazing. You have such a great design eye, 367 00:18:13,320 --> 00:18:15,080 Speaker 2: and you have such a great like your house, your 368 00:18:15,400 --> 00:18:18,760 Speaker 2: apartments are always like comfortable but also very stylish, which 369 00:18:18,800 --> 00:18:20,920 Speaker 2: is hard to do. It's usually one of the other, 370 00:18:21,280 --> 00:18:23,359 Speaker 2: Like it looks great, and then your your couch feels 371 00:18:23,400 --> 00:18:26,120 Speaker 2: like you're sitting on a cinder block or it's super cozy, 372 00:18:26,200 --> 00:18:28,359 Speaker 2: and you're like, does a teenager live here? 373 00:18:28,720 --> 00:18:28,960 Speaker 1: Yeah? 374 00:18:29,000 --> 00:18:32,719 Speaker 2: So like you have a really good design sense, and 375 00:18:32,800 --> 00:18:35,080 Speaker 2: I just think lights. I'm excited because I think lights 376 00:18:35,080 --> 00:18:36,560 Speaker 2: are just gonna take it to the next level. 377 00:18:38,200 --> 00:18:40,160 Speaker 1: You're gonna come visit me and it's gonna be like. 378 00:18:41,760 --> 00:18:45,359 Speaker 2: I'm a horrible pusher of a friend because I'm like, 379 00:18:45,560 --> 00:18:48,480 Speaker 2: I will bankrupt you with my own enthusiasm. Yeah. 380 00:18:48,480 --> 00:18:51,080 Speaker 1: Oh god, dude, we're of the worst people for each 381 00:18:51,080 --> 00:18:54,119 Speaker 1: other because I'm the same way, Like we're definitely enablers 382 00:18:54,119 --> 00:18:55,480 Speaker 1: when it comes to like purchases. 383 00:18:55,760 --> 00:18:57,560 Speaker 2: But that's how I got one of my favorite planters. 384 00:18:57,600 --> 00:18:59,800 Speaker 1: We were out at god. 385 00:18:59,640 --> 00:19:01,679 Speaker 2: This was it, the CB two that was on the 386 00:19:01,680 --> 00:19:05,880 Speaker 2: corner of Santa Monica and oh sunset near that target, yeah, 387 00:19:06,080 --> 00:19:07,040 Speaker 2: like near that target. 388 00:19:07,440 --> 00:19:09,040 Speaker 1: Yeah, And we were out and I was like, should 389 00:19:09,040 --> 00:19:09,359 Speaker 1: I get this? 390 00:19:09,440 --> 00:19:11,240 Speaker 2: And You're like, yeah, I put a succulent garden in it, 391 00:19:11,280 --> 00:19:11,840 Speaker 2: and I was like. 392 00:19:11,840 --> 00:19:14,000 Speaker 1: Fuck yeah, and I got it and I did, and 393 00:19:14,040 --> 00:19:18,080 Speaker 1: it's the best planner I owe. Oh my god, that's awesome. Well, 394 00:19:18,119 --> 00:19:20,160 Speaker 1: that was good that that had. That was a positive 395 00:19:20,200 --> 00:19:23,920 Speaker 1: that happened for this, this enabling tornado. 396 00:19:24,320 --> 00:19:27,840 Speaker 2: But I will always I will always support, always support 397 00:19:27,840 --> 00:19:30,800 Speaker 2: an enable And then you can come camp with me 398 00:19:30,840 --> 00:19:32,520 Speaker 2: in my house when you can't afford to live in 399 00:19:32,560 --> 00:19:33,280 Speaker 2: your house. 400 00:19:35,800 --> 00:19:37,920 Speaker 1: It's you gotta deal, you gotta deal. 401 00:19:42,440 --> 00:19:46,760 Speaker 2: Well, should we get to our incredibly fun and great 402 00:19:46,880 --> 00:19:48,000 Speaker 2: theme for this week? 403 00:19:48,680 --> 00:19:53,879 Speaker 1: Yeah, speaking of camping, that was okay, that was an 404 00:19:53,880 --> 00:19:56,000 Speaker 1: okay segue. I could have done that. That was a 405 00:19:56,040 --> 00:19:59,200 Speaker 1: great one. So here we are, and we're in the 406 00:19:59,280 --> 00:20:02,480 Speaker 1: last days of so right, And whether or not you 407 00:20:02,520 --> 00:20:05,520 Speaker 1: knew it, Danielle and I were like when we were 408 00:20:05,520 --> 00:20:08,040 Speaker 1: planning out these episodes and planning out the themes and 409 00:20:08,080 --> 00:20:10,400 Speaker 1: movies and stuff, we were kind of like, oh, it's summertime, 410 00:20:10,440 --> 00:20:13,840 Speaker 1: let's keep things light. Let's you know, talk about the 411 00:20:13,920 --> 00:20:17,480 Speaker 1: Lost Boys and Dante's Peak and you know, Joever's the 412 00:20:17,520 --> 00:20:19,879 Speaker 1: Volcano and all this, you know, all these like fun 413 00:20:20,280 --> 00:20:22,760 Speaker 1: kind of summer movies that we can like just really 414 00:20:22,760 --> 00:20:25,240 Speaker 1: have a ball with, right, so we wanted to go 415 00:20:25,280 --> 00:20:28,040 Speaker 1: out with a bang. I think with this with this theme, right. 416 00:20:28,480 --> 00:20:28,800 Speaker 2: I think? 417 00:20:28,840 --> 00:20:32,920 Speaker 1: So, why don't you tell them the theme? I'll tee 418 00:20:32,920 --> 00:20:33,240 Speaker 1: it up. 419 00:20:33,800 --> 00:20:38,480 Speaker 2: Our theme this week is stay out of the Forest. 420 00:20:40,000 --> 00:20:43,520 Speaker 2: And let me tell you, there are a lot of 421 00:20:43,640 --> 00:20:49,159 Speaker 2: movies that we had to rifle through to get to 422 00:20:49,200 --> 00:20:51,240 Speaker 2: the ones that we are going to present to you today. 423 00:20:52,119 --> 00:20:55,120 Speaker 1: Yes, definitely, And first of all, I must say this, 424 00:20:56,320 --> 00:20:59,320 Speaker 1: stay out of the forest. If you're if you're a 425 00:20:59,359 --> 00:21:03,119 Speaker 1: fan of little podcast named My Favorite Murder, you may 426 00:21:03,119 --> 00:21:07,439 Speaker 1: have heard this before, right, Absolutely stay out of the forest. So, so, 427 00:21:07,600 --> 00:21:10,640 Speaker 1: what is the theme movies about? Do not go into 428 00:21:10,720 --> 00:21:13,120 Speaker 1: the forest because something bad is happening. 429 00:21:13,680 --> 00:21:19,240 Speaker 2: This is an anti forest episode, So don't come to 430 00:21:19,359 --> 00:21:22,199 Speaker 2: us with but I love picking berries and oh my goodness, 431 00:21:22,200 --> 00:21:23,919 Speaker 2: have you ever been to that forest where you can 432 00:21:24,040 --> 00:21:24,960 Speaker 2: drive through the tree? 433 00:21:25,320 --> 00:21:31,880 Speaker 1: Nah? What this is about? This is an anti forest episode. 434 00:21:32,560 --> 00:21:34,400 Speaker 2: I don't care if you got married in a forest. 435 00:21:35,080 --> 00:21:37,240 Speaker 2: I don't care if you're like, like, who was it a? 436 00:21:37,760 --> 00:21:40,479 Speaker 2: Not Brittany and Jack's vander Pump? Who are those other 437 00:21:40,520 --> 00:21:41,359 Speaker 2: idiots who got married? 438 00:21:41,680 --> 00:21:45,639 Speaker 1: Tom and Katie, Tom and Kay? Come on, Tom, Schwartz 439 00:21:45,680 --> 00:21:49,080 Speaker 1: and Katie Maloney. This ain't about that got married in 440 00:21:49,600 --> 00:21:52,119 Speaker 1: a fucking oak tree or whatever. I don't even remember 441 00:21:52,400 --> 00:21:53,080 Speaker 1: so long ago. 442 00:21:53,520 --> 00:21:57,760 Speaker 2: All I remember about that wedding is that the other 443 00:21:57,880 --> 00:22:00,760 Speaker 2: Tom like was crying so uncontrollably that he wiped his 444 00:22:00,880 --> 00:22:01,880 Speaker 2: snot on their dog. 445 00:22:02,400 --> 00:22:05,480 Speaker 1: Yes, that's why, I mean, listen, we're gonna go down 446 00:22:05,480 --> 00:22:08,160 Speaker 1: a road here, because Tom Sandoval is my favorite person 447 00:22:08,160 --> 00:22:11,560 Speaker 1: on That's a whole other simply for that, for that alone, 448 00:22:11,760 --> 00:22:14,920 Speaker 1: crying with while holding a small dog and then wiping 449 00:22:14,920 --> 00:22:16,440 Speaker 1: his nose with said small dog. 450 00:22:16,960 --> 00:22:21,119 Speaker 2: Perfect, that's a whole episode. But don't don't go to 451 00:22:21,160 --> 00:22:22,960 Speaker 2: the forest. Don't get married in the forest. 452 00:22:23,680 --> 00:22:26,480 Speaker 1: Don't. This is an anti forest episode. Well, and let's 453 00:22:26,520 --> 00:22:27,960 Speaker 1: get like I want to go back to what you 454 00:22:28,000 --> 00:22:31,879 Speaker 1: said earlier too, about how we had quite a hard 455 00:22:31,920 --> 00:22:35,520 Speaker 1: time picking the films for this episode because there are 456 00:22:35,560 --> 00:22:39,280 Speaker 1: a lot of movies about you know, about trauma from 457 00:22:39,440 --> 00:22:42,280 Speaker 1: forests or like, you know, a lot of horror movies 458 00:22:42,320 --> 00:22:45,760 Speaker 1: as you can imagine. So I don't know, it was. 459 00:22:45,840 --> 00:22:48,639 Speaker 1: It was tough because there was a lot of different 460 00:22:48,760 --> 00:22:51,240 Speaker 1: roads we could go down. I mean, you could go 461 00:22:51,240 --> 00:22:53,359 Speaker 1: to the fairy tale route, right there's a lot of 462 00:22:53,359 --> 00:22:58,040 Speaker 1: fairy tales that happen in forests. Again, traumatic traumatic fairy 463 00:22:58,040 --> 00:22:59,240 Speaker 1: tales that happen in forests. 464 00:23:00,440 --> 00:23:02,600 Speaker 2: There's always a kid getting left behind. If a fairy 465 00:23:02,600 --> 00:23:05,960 Speaker 2: tale takes place in a forest, there's usually a child 466 00:23:06,119 --> 00:23:08,600 Speaker 2: like stuck in that dimension. 467 00:23:08,800 --> 00:23:11,040 Speaker 1: And I'm like, oh, that's not cool. Yeah, And then 468 00:23:11,080 --> 00:23:12,960 Speaker 1: I'm trying to think of like there's so many for 469 00:23:13,440 --> 00:23:16,320 Speaker 1: like great forest scenes and movies that are all just 470 00:23:16,400 --> 00:23:20,080 Speaker 1: like shitty, Like I mean, we're gonna talk about Rob 471 00:23:20,119 --> 00:23:21,760 Speaker 1: Reiner I think today a little bit, But I think 472 00:23:21,760 --> 00:23:23,879 Speaker 1: about the Princess Bride when they go into the forest 473 00:23:23,880 --> 00:23:27,120 Speaker 1: with those like big ass rats. Has there ever been 474 00:23:27,160 --> 00:23:35,879 Speaker 1: a positive forest portrayal in a film? Is it all terrible? Shit? 475 00:23:37,000 --> 00:23:41,960 Speaker 2: Is this why we have forest based trauma? Has there 476 00:23:42,000 --> 00:23:45,040 Speaker 2: ever been a representation of one that is okay? 477 00:23:46,760 --> 00:23:50,119 Speaker 1: I don't know. I gotta say too. Part of the 478 00:23:50,119 --> 00:23:51,640 Speaker 1: problem with or. 479 00:23:51,640 --> 00:23:53,960 Speaker 2: The thing we ran into, the issue we ran into 480 00:23:54,080 --> 00:23:57,000 Speaker 2: when deciding what movies we were going to present today. 481 00:23:57,160 --> 00:23:59,960 Speaker 2: A lot of movies, because they're in the horror sphere, 482 00:24:00,080 --> 00:24:03,800 Speaker 2: were made by like bad people. Yeah, where you want 483 00:24:03,800 --> 00:24:05,320 Speaker 2: to watch this film and you're like, oh, that's a 484 00:24:05,359 --> 00:24:09,080 Speaker 2: good movie, Oh wait, that guy has been sexually harassing 485 00:24:09,119 --> 00:24:13,840 Speaker 2: people on his sets for twenty years, or like just 486 00:24:14,080 --> 00:24:16,919 Speaker 2: bad dudes, bad news, bad dudes. 487 00:24:17,000 --> 00:24:20,639 Speaker 1: I know. And that's something I think that we just 488 00:24:20,720 --> 00:24:24,480 Speaker 1: in general, I think come across while doing a podcast 489 00:24:24,520 --> 00:24:27,639 Speaker 1: about film, right. I mean, when it comes down to it, 490 00:24:27,640 --> 00:24:30,919 Speaker 1: it feels like, you know, I think any movie really 491 00:24:31,320 --> 00:24:35,320 Speaker 1: is kind of is available to talk about if you 492 00:24:35,440 --> 00:24:39,480 Speaker 1: talk about it and put enough context behind it. Right. However, 493 00:24:39,880 --> 00:24:42,960 Speaker 1: it's really hard when you're doing a podcast and you 494 00:24:43,800 --> 00:24:46,880 Speaker 1: put the films on social media and people don't know 495 00:24:46,960 --> 00:24:49,720 Speaker 1: what the context is yet because they haven't heard the episode. 496 00:24:49,840 --> 00:24:52,280 Speaker 1: And so I think there was a moment where we 497 00:24:52,280 --> 00:24:55,320 Speaker 1: were like, oh, we could choose that movie, but then 498 00:24:55,480 --> 00:24:57,920 Speaker 1: people wouldn't understand how we were going to talk about it, 499 00:24:58,280 --> 00:25:00,919 Speaker 1: and we wouldn't want people to get the wrong impression 500 00:25:01,840 --> 00:25:04,120 Speaker 1: or that we're being insensitive. So yeah, it was tough, 501 00:25:04,160 --> 00:25:06,240 Speaker 1: and so we basically like went to the drawing board. 502 00:25:06,280 --> 00:25:09,520 Speaker 1: If the drawing board looked like ten movies and then 503 00:25:09,640 --> 00:25:15,639 Speaker 1: like red slash marks through them, then we came We 504 00:25:15,680 --> 00:25:17,400 Speaker 1: finally came up with two movies. Right. 505 00:25:17,880 --> 00:25:19,840 Speaker 2: It looked like one of those murder board where you're like, well, 506 00:25:19,840 --> 00:25:21,520 Speaker 2: if we draw a line from here to here, we 507 00:25:21,600 --> 00:25:23,560 Speaker 2: might be able to talk about this movie. But if 508 00:25:23,560 --> 00:25:26,240 Speaker 2: we didn't even consider this actor is in it. Fuck, 509 00:25:26,280 --> 00:25:27,800 Speaker 2: we got to draw the line from here to here. 510 00:25:28,119 --> 00:25:30,880 Speaker 2: It was wild, but yeah, we did it. I think 511 00:25:30,920 --> 00:25:32,639 Speaker 2: we came through with some great. 512 00:25:32,359 --> 00:25:35,000 Speaker 1: Films and I think it's gonna be a fun episode. 513 00:25:35,119 --> 00:25:37,800 Speaker 1: I hope so too. And I mean, listen, and as 514 00:25:37,840 --> 00:25:39,919 Speaker 1: I say this, I'm terrified that one of our movies 515 00:25:39,960 --> 00:25:42,240 Speaker 1: that unbeknowns to us is going to have some problem 516 00:25:43,000 --> 00:25:46,440 Speaker 1: and we apologize, I guess, but I'm just like, yeah, 517 00:25:46,480 --> 00:25:49,240 Speaker 1: let's talk about these films. We're trying to end the 518 00:25:49,280 --> 00:25:53,240 Speaker 1: summer with a bang. We're trying to fucking be as 519 00:25:53,320 --> 00:25:59,160 Speaker 1: anti FORUST as possible this episode. So buckle up, Danielle. 520 00:25:59,560 --> 00:26:03,800 Speaker 1: I think you're on first right. Oh yeah, oh my god, 521 00:26:05,359 --> 00:26:08,080 Speaker 1: do you see this? This is me. None of you 522 00:26:08,160 --> 00:26:11,359 Speaker 1: can see this, but I'm mimicking as if I'm revving 523 00:26:11,400 --> 00:26:14,880 Speaker 1: a motorcycle. That's how excited I am to talk about 524 00:26:14,960 --> 00:26:15,800 Speaker 1: Daniel's movie. 525 00:26:15,920 --> 00:26:21,959 Speaker 2: That is my new favorite Millie move, revving an invisible Odors. 526 00:26:22,600 --> 00:26:26,159 Speaker 1: I don't know why. I was like yeah, like, and 527 00:26:26,200 --> 00:26:29,320 Speaker 1: I'm like, what the fuck am I doing, which is 528 00:26:29,359 --> 00:26:30,639 Speaker 1: so excited though. 529 00:26:31,440 --> 00:26:34,040 Speaker 2: If that's what comes out naturally man like let it ride, 530 00:26:34,560 --> 00:26:41,120 Speaker 2: I love it. It's all rever invisible motorcycles because this week. 531 00:26:41,600 --> 00:26:44,720 Speaker 1: My movie was released in nineteen ninety. 532 00:26:45,280 --> 00:26:48,719 Speaker 2: It was written by William Goldman, directed by Rob Reiner, 533 00:26:49,000 --> 00:26:52,920 Speaker 2: and the movie is Misery. You have a compound fracture 534 00:26:52,960 --> 00:26:55,480 Speaker 2: of the Tibian both legs and the fibula, and the 535 00:26:55,560 --> 00:26:57,800 Speaker 2: right leg is fractured too, And as soon as the 536 00:26:57,880 --> 00:27:02,080 Speaker 2: road's open, I'll take you to a hospital. Meantime, you've 537 00:27:02,119 --> 00:27:03,439 Speaker 2: got a lot of recovery to do. 538 00:27:04,240 --> 00:27:07,320 Speaker 1: Holy balls, I have a lot to say about this movie. 539 00:27:07,760 --> 00:27:09,959 Speaker 2: There's first even just for the setup, before we get 540 00:27:09,960 --> 00:27:13,560 Speaker 2: to the synopsis and everything. William Goldman is such a 541 00:27:14,480 --> 00:27:18,880 Speaker 2: legendary screenwriter, and he wrote things like like he got 542 00:27:18,880 --> 00:27:23,040 Speaker 2: an oscar for writing Bush Cassidy and The Sun Dance Kid. 543 00:27:23,160 --> 00:27:25,720 Speaker 2: He got an oscar for his screenplay for All the 544 00:27:25,760 --> 00:27:29,280 Speaker 2: President's Men. But then he also wrote the novel for 545 00:27:29,600 --> 00:27:35,200 Speaker 2: Marathon Man and the novel Princess Bride and adapted both 546 00:27:35,400 --> 00:27:36,399 Speaker 2: to screenplays. 547 00:27:36,800 --> 00:27:38,880 Speaker 1: Like He's just such an incredible writer. 548 00:27:39,000 --> 00:27:41,320 Speaker 2: He died in twenty eighteen, but has like left a 549 00:27:41,440 --> 00:27:43,400 Speaker 2: huge legacy of films. 550 00:27:43,600 --> 00:27:45,640 Speaker 1: Definitely worth checking out some of the stuff he's written. 551 00:27:45,720 --> 00:27:47,720 Speaker 2: If you've even liked one of his films, I wouldn't 552 00:27:47,720 --> 00:27:49,159 Speaker 2: even go so far as to say you're probably like 553 00:27:49,200 --> 00:27:52,040 Speaker 2: most of them. Yeah, I like his style. And then 554 00:27:52,080 --> 00:27:55,840 Speaker 2: the same thing with Rob Reiner comes from a legendary 555 00:27:56,720 --> 00:28:00,680 Speaker 2: Hollywood family. His dad's Carl Reiner, and oh my gosh, 556 00:28:00,720 --> 00:28:04,560 Speaker 2: he's such a sweetheart. Call Reiner at the TCM Festival 557 00:28:04,560 --> 00:28:06,639 Speaker 2: a couple of years ago when he was presenting The 558 00:28:06,760 --> 00:28:10,439 Speaker 2: Jerk and he was in discussion, and you so nicely 559 00:28:10,440 --> 00:28:13,480 Speaker 2: got me tickets for that, and he talked about his son. 560 00:28:13,520 --> 00:28:15,560 Speaker 2: He's like, my son could be the president. He's so smart. 561 00:28:15,600 --> 00:28:18,960 Speaker 2: Like the way that he talked about Rob Reiner made 562 00:28:19,040 --> 00:28:22,280 Speaker 2: me think that, oh, Dad's what a concept they might be. 563 00:28:22,320 --> 00:28:26,359 Speaker 2: All right, I've never heard of dad. That's made me 564 00:28:26,400 --> 00:28:29,560 Speaker 2: want to have a dad. So I saw call Reiner talk. 565 00:28:30,000 --> 00:28:32,719 Speaker 1: Yeah, it's really sweet. They got a great relationship. And 566 00:28:32,720 --> 00:28:35,080 Speaker 1: like Rob Reiner too, is like he's made so many 567 00:28:35,119 --> 00:28:39,640 Speaker 1: great films that are like true American classics. I mean, honestly, 568 00:28:39,720 --> 00:28:43,120 Speaker 1: like some of the biggest movies that are just beloved, 569 00:28:43,240 --> 00:28:43,520 Speaker 1: you know. 570 00:28:44,320 --> 00:28:47,760 Speaker 2: One and a great actor in his own right. He's 571 00:28:47,840 --> 00:28:52,000 Speaker 2: an incredible actor. He's his most famous early role was 572 00:28:52,000 --> 00:28:54,400 Speaker 2: on All in the Family, and he played a character 573 00:28:54,480 --> 00:28:56,880 Speaker 2: that was nicknamed Meathead. But I used to whenever I 574 00:28:56,880 --> 00:28:58,560 Speaker 2: saw him come on TV as a kid, I used. 575 00:28:58,440 --> 00:29:02,479 Speaker 1: To call him Meatball. There's Meatball. But he's just like 576 00:29:02,720 --> 00:29:07,640 Speaker 1: so great TB. Let's call him meatball. 577 00:29:08,200 --> 00:29:10,720 Speaker 2: But he is. He's really smart, he's really funny stand 578 00:29:10,760 --> 00:29:12,560 Speaker 2: by Me that we've talked about on the show. He 579 00:29:12,600 --> 00:29:16,120 Speaker 2: directed that. And so this one two punch kind of 580 00:29:16,160 --> 00:29:20,280 Speaker 2: combo of Rob Reiner and William Goldman really works. For 581 00:29:20,400 --> 00:29:22,840 Speaker 2: adapting a book by Stephen King. 582 00:29:23,280 --> 00:29:29,120 Speaker 1: Here we go again with Stephen King. Guy, Jesus respin 583 00:29:29,200 --> 00:29:35,600 Speaker 1: peace King. Why can't we stop talking about Stephen King? 584 00:29:36,320 --> 00:29:38,800 Speaker 1: I mean, who is this unknown book? 585 00:29:39,720 --> 00:29:43,800 Speaker 2: I truly think that, like I like I was, I 586 00:29:43,800 --> 00:29:46,560 Speaker 2: imprinted on Stephen King like a fucking baby duck. When 587 00:29:46,560 --> 00:29:48,280 Speaker 2: I was a kid, I used to read those his 588 00:29:48,360 --> 00:29:50,720 Speaker 2: books so much, and I loved his movies because I 589 00:29:50,720 --> 00:29:52,760 Speaker 2: would watch them with my grandma and they were the 590 00:29:52,840 --> 00:29:56,560 Speaker 2: kind of horror films usually that like didn't freak me out, 591 00:29:56,760 --> 00:29:58,280 Speaker 2: so they were kind of the middle of the line 592 00:29:58,320 --> 00:30:02,520 Speaker 2: horror that we could both enjoy. But I love I 593 00:30:02,800 --> 00:30:05,240 Speaker 2: lots of respect for Stephen King his book on writing. 594 00:30:05,280 --> 00:30:07,400 Speaker 1: If you haven't read it, it's just phenomenal. 595 00:30:08,520 --> 00:30:11,040 Speaker 2: And again, at the time of this recording, he hasn't 596 00:30:11,040 --> 00:30:15,080 Speaker 2: said anything wild, he hasn't gone buck on Twitter or anything. 597 00:30:15,720 --> 00:30:17,560 Speaker 2: And I think he's just a good dude. 598 00:30:17,440 --> 00:30:20,520 Speaker 1: Yeah, at the time of this recording, of course, And 599 00:30:20,560 --> 00:30:23,480 Speaker 1: we have literally talked about him at least three times, 600 00:30:23,520 --> 00:30:27,640 Speaker 1: because we've talked about Carrie the Shining and Graveyard Shift 601 00:30:27,800 --> 00:30:31,840 Speaker 1: right yep, and almost beside me oh and stan By 602 00:30:31,880 --> 00:30:35,600 Speaker 1: May okay four times hello, And every time we talked 603 00:30:35,640 --> 00:30:38,600 Speaker 1: about him, we've said this. I mean, he was such 604 00:30:38,640 --> 00:30:40,920 Speaker 1: a part of our childhood, he's part of us. I 605 00:30:40,960 --> 00:30:42,280 Speaker 1: would love to get him on the show. 606 00:30:42,720 --> 00:30:44,920 Speaker 2: I would love to do I actually wouldn't love to 607 00:30:44,920 --> 00:30:46,320 Speaker 2: get him on the show because he's one of those 608 00:30:46,360 --> 00:30:50,160 Speaker 2: people that I would turn into, like the that SNL character, 609 00:30:50,280 --> 00:30:54,400 Speaker 2: that Chris what's his space? He's Chris, Yeah, remember that 610 00:30:54,520 --> 00:30:56,600 Speaker 2: time you did that? That would be me. I'd like, 611 00:30:56,600 --> 00:30:59,000 Speaker 2: remember that time you wrote stand by Me? 612 00:31:00,840 --> 00:31:03,680 Speaker 1: That was really cool? And he'd be like, why did 613 00:31:03,720 --> 00:31:05,960 Speaker 1: I book with these two idiots? 614 00:31:07,720 --> 00:31:10,640 Speaker 2: I was trying to support two people of color having 615 00:31:10,680 --> 00:31:14,400 Speaker 2: a film podcast and look at this babbling jerk, just 616 00:31:14,400 --> 00:31:15,440 Speaker 2: like remember that time. 617 00:31:15,520 --> 00:31:18,040 Speaker 1: Yeah, I remember it. I wrote it. I wrote Graveyard Shift. 618 00:31:18,040 --> 00:31:23,800 Speaker 1: I remember it. Click microphone off. Oh god, but I 619 00:31:23,840 --> 00:31:27,400 Speaker 1: do love him, mister King. If you're listening and you 620 00:31:27,440 --> 00:31:30,760 Speaker 1: want to come on this fucking podcast, we would literally 621 00:31:30,840 --> 00:31:34,880 Speaker 1: roll out the red carpet, maybe two or three red carpets. 622 00:31:34,920 --> 00:31:37,960 Speaker 1: That's how much we love you. Such a great adaptation. 623 00:31:38,160 --> 00:31:40,280 Speaker 2: I loved reading this book, and I think it really 624 00:31:40,400 --> 00:31:45,280 Speaker 2: stayed true to the harrowing scenario that is presented. So 625 00:31:45,280 --> 00:31:48,800 Speaker 2: we've got this movie where the synopsis is my one 626 00:31:48,840 --> 00:31:54,680 Speaker 2: sentence synopsis HM after writer Paul Sheldon drives his Ford 627 00:31:54,800 --> 00:31:59,400 Speaker 2: Mustang through a Colorado blizzard like an idiot and crashes. 628 00:32:00,120 --> 00:32:06,000 Speaker 2: He's saved by Annie Wilkes, an emotionally unstable nurse, and 629 00:32:06,040 --> 00:32:08,440 Speaker 2: then all hell breaks. 630 00:32:08,200 --> 00:32:12,800 Speaker 1: There we go, haven't heard that in a while. And 631 00:32:13,240 --> 00:32:14,200 Speaker 1: this the actors. 632 00:32:14,240 --> 00:32:16,360 Speaker 2: It's a very contained movie because there are only a 633 00:32:16,360 --> 00:32:19,160 Speaker 2: few actors in this film. So Paul Sheldon is played 634 00:32:19,160 --> 00:32:23,920 Speaker 2: by James Kahn, again, legendary actor, and the and the 635 00:32:23,960 --> 00:32:26,640 Speaker 2: Annie Wilkes character is played by Kathy Bates. And this 636 00:32:26,680 --> 00:32:28,840 Speaker 2: was really even though she'd acted in you know, stage 637 00:32:28,840 --> 00:32:32,760 Speaker 2: and screen in different roles before this movie, this was 638 00:32:32,800 --> 00:32:36,480 Speaker 2: her like Hollywood breakthrough role, Like she was everywhere after. 639 00:32:36,600 --> 00:32:38,320 Speaker 1: She was unstoppable. 640 00:32:37,720 --> 00:32:41,920 Speaker 2: After this and rightly so even now watching it all 641 00:32:41,920 --> 00:32:42,720 Speaker 2: these years later. 642 00:32:43,760 --> 00:32:50,080 Speaker 1: Incredible performance. Incredible performance, Our Tennessee Rose, Kathy Bates. I 643 00:32:50,120 --> 00:32:54,960 Speaker 1: absolutely love her. You if you know us, you would 644 00:32:55,080 --> 00:32:58,880 Speaker 1: know we would love somebody like Kathy Bates. Period. Absolutely, 645 00:32:59,000 --> 00:32:59,680 Speaker 1: she is the best. 646 00:33:00,160 --> 00:33:02,920 Speaker 2: And if you don't know us, get into Kathy beats 647 00:33:02,960 --> 00:33:05,960 Speaker 2: and be like, oh, now I understand these two. Yeah, 648 00:33:06,120 --> 00:33:11,600 Speaker 2: fully watch her in six Feet Under, watch her Fried 649 00:33:11,680 --> 00:33:13,240 Speaker 2: Green Tomatoes, and then. 650 00:33:13,120 --> 00:33:16,240 Speaker 1: Get back to us watch them watch her in Titanic, 651 00:33:16,280 --> 00:33:19,960 Speaker 1: which I never saw, but Danielle tells me about every week. Yes, 652 00:33:20,480 --> 00:33:25,560 Speaker 1: she's Molly Brown. She's great, and like, honestly, okay, I'll 653 00:33:25,560 --> 00:33:28,040 Speaker 1: tell you before you even begin, I haven't seen this 654 00:33:28,160 --> 00:33:32,840 Speaker 1: in so long, and it just I had almost a 655 00:33:32,880 --> 00:33:36,080 Speaker 1: complete fresh new experience with it. And she's a big 656 00:33:36,120 --> 00:33:38,040 Speaker 1: part of that. I mean, just reminded me of like 657 00:33:38,520 --> 00:33:42,200 Speaker 1: how talented she is and just you know, how like 658 00:33:42,480 --> 00:33:45,760 Speaker 1: wonderful and natural she is even when she's playing this 659 00:33:45,840 --> 00:33:48,840 Speaker 1: kind of you know, I would say, kind of cartoonish 660 00:33:48,920 --> 00:33:52,240 Speaker 1: horror character. Right, the character is a little over the top, 661 00:33:52,520 --> 00:33:55,040 Speaker 1: but she does it in a way that's it's it's 662 00:33:55,120 --> 00:33:58,160 Speaker 1: both over the top but also really natural. I don't 663 00:33:58,200 --> 00:34:01,320 Speaker 1: know how that's possible, but she's that good, right, That's 664 00:34:01,360 --> 00:34:02,080 Speaker 1: how good she is. 665 00:34:02,120 --> 00:34:05,400 Speaker 2: And she won an Academy Award for Best Actress for 666 00:34:05,440 --> 00:34:09,680 Speaker 2: this film, again completely deserved. And she's also just really 667 00:34:10,080 --> 00:34:13,319 Speaker 2: she's very interesting and cool in her personal life. Like 668 00:34:13,360 --> 00:34:17,480 Speaker 2: she she battled. She had ovarian cancer. She was diagnosed 669 00:34:17,520 --> 00:34:19,279 Speaker 2: in two thousand and three, and then she found out 670 00:34:19,360 --> 00:34:22,160 Speaker 2: years later she also had breast cancer. And you know, 671 00:34:22,200 --> 00:34:24,880 Speaker 2: she has limpiedema both of her arms, Like it's really 672 00:34:25,000 --> 00:34:28,200 Speaker 2: her body has really been through a lot. So when 673 00:34:28,200 --> 00:34:30,759 Speaker 2: you watch her in these roles, knowing how much she's 674 00:34:30,800 --> 00:34:33,640 Speaker 2: been through, it's even that much more more powerful. But 675 00:34:33,800 --> 00:34:36,719 Speaker 2: she's just you know, I'll take I'll take any opportunity 676 00:34:36,719 --> 00:34:40,440 Speaker 2: to remind people to get mammograms and take care of 677 00:34:40,480 --> 00:34:44,440 Speaker 2: your bodies because it is important. But yeah, she's just 678 00:34:44,520 --> 00:34:46,680 Speaker 2: this incredible force of an actor. 679 00:34:46,960 --> 00:34:49,520 Speaker 1: And I just fell. 680 00:34:49,320 --> 00:34:51,600 Speaker 2: Completely in love with her when I first saw this movie. 681 00:34:51,600 --> 00:34:56,760 Speaker 2: I'm like, tell me everything about that woman. She's awesome, 682 00:34:57,080 --> 00:35:00,640 Speaker 2: so the the basic premise of this movie, like it 683 00:35:00,680 --> 00:35:01,879 Speaker 2: all starts out very well. 684 00:35:02,480 --> 00:35:03,560 Speaker 1: It all starts out very well. 685 00:35:03,600 --> 00:35:09,920 Speaker 2: Paul Sheldon is this writer and he has created a 686 00:35:09,960 --> 00:35:13,799 Speaker 2: popular series of books that are all titled after the 687 00:35:13,840 --> 00:35:19,920 Speaker 2: main character, Misery Chastain. And the twist is he fucking 688 00:35:19,920 --> 00:35:21,240 Speaker 2: hates writing these books. 689 00:35:21,320 --> 00:35:24,319 Speaker 1: Yeah, he hates it. He wants to be. 690 00:35:24,280 --> 00:35:27,000 Speaker 2: Taken seriously as a writer, but these are the kind 691 00:35:27,040 --> 00:35:32,120 Speaker 2: of books he's like James Patterson level kind of you know, popular, 692 00:35:32,440 --> 00:35:35,560 Speaker 2: And so he just turns out these books that he hates, 693 00:35:35,600 --> 00:35:39,200 Speaker 2: and he decides that he is going to kill off 694 00:35:39,280 --> 00:35:41,440 Speaker 2: the character so that he can write the book he 695 00:35:41,520 --> 00:35:44,160 Speaker 2: actually wants to write. So when we open the film, 696 00:35:44,560 --> 00:35:47,239 Speaker 2: he's just finished writing that book, the one that he 697 00:35:47,280 --> 00:35:50,759 Speaker 2: feels like, this is like my serious novel that. 698 00:35:50,800 --> 00:35:51,560 Speaker 1: I want to write. 699 00:35:51,840 --> 00:35:54,720 Speaker 2: And he has a ritual when he finishes a book. 700 00:35:55,480 --> 00:35:58,400 Speaker 2: He takes has a cigarette and a glass of champagne 701 00:35:58,880 --> 00:36:01,760 Speaker 2: and then he takes off off in his Ford Mustang 702 00:36:02,840 --> 00:36:07,880 Speaker 2: and drives through a blizzard with no snow tires, no snowtie. 703 00:36:08,160 --> 00:36:10,759 Speaker 2: This is where I am at forty four watching this 704 00:36:10,840 --> 00:36:12,439 Speaker 2: movie as opposed to when. 705 00:36:12,360 --> 00:36:13,560 Speaker 1: I was like fourteen. 706 00:36:13,880 --> 00:36:18,800 Speaker 2: Yeah, like sir first and foremost, where are your snow tires? Also, 707 00:36:18,920 --> 00:36:23,680 Speaker 2: you're rich, hire someone in fly to Colorado, hire someone 708 00:36:24,000 --> 00:36:27,160 Speaker 2: to drive their car, hire local, be like, you have 709 00:36:27,200 --> 00:36:28,800 Speaker 2: a jeep, I'll pay one hundred bucks to take me 710 00:36:28,840 --> 00:36:31,360 Speaker 2: to this hotel. Because guess what, You're not going anywhere 711 00:36:31,360 --> 00:36:33,240 Speaker 2: once you get there, You're just gonna write for six weeks. 712 00:36:33,560 --> 00:36:37,000 Speaker 1: Everybody knows it. I mean, listen, as is the steeping 713 00:36:37,120 --> 00:36:40,640 Speaker 1: kingway here. We got another ding dong going up the 714 00:36:40,680 --> 00:36:45,400 Speaker 1: mountain that's covered in the snow, a fucking hinterland literally 715 00:36:45,440 --> 00:36:47,600 Speaker 1: doesn't know what the hell's going on up there because 716 00:36:47,600 --> 00:36:50,040 Speaker 1: he's from New York, right, Because that's the whole thing 717 00:36:50,120 --> 00:36:53,000 Speaker 1: is that he goes up to this what is it 718 00:36:53,160 --> 00:36:58,200 Speaker 1: cabin or hotel to write. It's like a resort hotel. Yeah, yeah, 719 00:36:58,239 --> 00:37:01,439 Speaker 1: And again, I mean I'm just saying we've talked about 720 00:37:01,440 --> 00:37:04,440 Speaker 1: this before. A writer that goes to the fucking middle 721 00:37:04,480 --> 00:37:08,560 Speaker 1: of the woods, the snow covered woods, to write, I'm like, 722 00:37:09,040 --> 00:37:13,480 Speaker 1: he doesn't know about snow tires, I guess, And for shame, 723 00:37:14,000 --> 00:37:17,080 Speaker 1: because yeah, it's it's the basis of all of his 724 00:37:17,719 --> 00:37:19,040 Speaker 1: you know, fucking troubles. 725 00:37:19,600 --> 00:37:22,400 Speaker 2: So Also, you're in New you live in New York City. 726 00:37:22,560 --> 00:37:25,839 Speaker 2: If you absolutely have to go somewhere to write, hop 727 00:37:25,880 --> 00:37:29,960 Speaker 2: on the Metro North, go to fucking Connecticut, walk to 728 00:37:30,080 --> 00:37:33,480 Speaker 2: a cabin, and then this book doesn't happen. That happened. 729 00:37:33,880 --> 00:37:37,920 Speaker 2: You're fucking fun. Oh damn, it's the most boring book 730 00:37:37,960 --> 00:37:40,200 Speaker 2: and movie in history, because you're fine, you just got 731 00:37:40,200 --> 00:37:43,520 Speaker 2: off the Metro North and walked to your fucking apartment 732 00:37:43,640 --> 00:37:44,520 Speaker 2: or cabin or whatever. 733 00:37:45,000 --> 00:37:45,719 Speaker 1: It's the same thing. 734 00:37:45,800 --> 00:37:47,320 Speaker 2: You're in the woods, you're in the middle of nowhere, 735 00:37:47,520 --> 00:37:49,400 Speaker 2: same experience if you absolutely have to. 736 00:37:49,880 --> 00:37:50,160 Speaker 3: But no. 737 00:37:50,280 --> 00:37:52,719 Speaker 2: And the thing that's charming though, is like he apparently 738 00:37:52,920 --> 00:37:54,920 Speaker 2: he goes to this place all the time, and like 739 00:37:54,960 --> 00:37:57,000 Speaker 2: everyone knows him there and he can kind of chill 740 00:37:57,160 --> 00:37:59,680 Speaker 2: and you know, everyone kind of likes him. And but 741 00:37:59,760 --> 00:38:02,480 Speaker 2: the problem with that is because he now has a routine, 742 00:38:02,840 --> 00:38:05,000 Speaker 2: which this also pertains to our stay out of the 743 00:38:05,000 --> 00:38:09,319 Speaker 2: forest theme. You want to switch it up, because he 744 00:38:09,400 --> 00:38:12,200 Speaker 2: had a routine for writing books that was so known 745 00:38:12,800 --> 00:38:16,440 Speaker 2: that Annie Wilkes could follow him. And at one point 746 00:38:16,440 --> 00:38:17,920 Speaker 2: in the movie she's like, yeah, like I used to 747 00:38:17,920 --> 00:38:20,200 Speaker 2: stand out and look up at your window and imagine 748 00:38:20,239 --> 00:38:20,960 Speaker 2: what you were writing. 749 00:38:21,120 --> 00:38:22,439 Speaker 1: And I'm like, you got to change something. 750 00:38:22,480 --> 00:38:24,600 Speaker 2: You got to change the hotel, you got to change 751 00:38:24,680 --> 00:38:27,000 Speaker 2: that room, you got to drive a different car. 752 00:38:27,600 --> 00:38:30,320 Speaker 1: Listen, you're you're you're the type of lady that doesn't 753 00:38:30,320 --> 00:38:32,480 Speaker 1: want to show the inside of your fucking house. So 754 00:38:33,320 --> 00:38:35,200 Speaker 1: I mean, it makes all the sense in the world 755 00:38:35,480 --> 00:38:37,279 Speaker 1: for you to be giving this kind of advice to him. 756 00:38:37,760 --> 00:38:40,520 Speaker 1: I'm bobbing and weavin. I'm bobbing and weaven every day 757 00:38:40,520 --> 00:38:41,400 Speaker 1: in my real life. 758 00:38:41,880 --> 00:38:45,120 Speaker 2: You think I'm taking the same route to the post office. 759 00:38:45,719 --> 00:38:48,600 Speaker 1: Hell, no, is she going to New Jersey. 760 00:38:48,880 --> 00:38:50,680 Speaker 2: No, she's going to the post office and taking the 761 00:38:50,719 --> 00:38:54,279 Speaker 2: long way around so that nobody can follow her. This 762 00:38:54,360 --> 00:38:57,200 Speaker 2: is what happens when you're raised by my grandmother. So yeah, 763 00:38:57,320 --> 00:39:01,239 Speaker 2: So he goes to this very snow in Colorado, is 764 00:39:01,280 --> 00:39:04,560 Speaker 2: a small town, is charming, and he loses control of 765 00:39:04,600 --> 00:39:07,360 Speaker 2: his car and crashes. But he also crashes it in 766 00:39:07,440 --> 00:39:10,839 Speaker 2: such a way that it's covered by a snowbank because 767 00:39:10,840 --> 00:39:12,879 Speaker 2: it's a blizzard. So when the blizzard's done, you can't 768 00:39:12,920 --> 00:39:17,080 Speaker 2: see his car from the road. And Annie, because she's 769 00:39:17,120 --> 00:39:21,279 Speaker 2: been kind of following him, she crow bars him out 770 00:39:21,320 --> 00:39:24,280 Speaker 2: of the car and drags him back to her house 771 00:39:25,239 --> 00:39:28,839 Speaker 2: with what I'm assuming is just a preternatural strength, because 772 00:39:28,840 --> 00:39:30,960 Speaker 2: she really drags him around a lot in this movie. 773 00:39:31,040 --> 00:39:33,520 Speaker 1: Oh yeah, she picks him up and carries him down 774 00:39:33,560 --> 00:39:37,680 Speaker 1: the stairs. I'm like, hell yeah, my fucking James, my 775 00:39:37,800 --> 00:39:43,080 Speaker 1: fucking Jim Queen's god is a stocky guy. 776 00:39:43,560 --> 00:39:45,560 Speaker 2: And she's like, I do not need to do your 777 00:39:45,640 --> 00:39:48,960 Speaker 2: TikTok weight workouts. I'm just gonna throw Jimmy conn around 778 00:39:49,040 --> 00:39:50,240 Speaker 2: for an hour. 779 00:39:50,480 --> 00:39:56,400 Speaker 1: I'm gonna deadlift Sonny Corleone. Ah. 780 00:39:56,560 --> 00:39:59,799 Speaker 2: I want this episode to be called ding Dongs in 781 00:39:59,840 --> 00:40:22,799 Speaker 2: the Hinterland or Deadlifting Sunny Quiet. Oh god, it was 782 00:40:22,920 --> 00:40:26,520 Speaker 2: so funny she's doing it. So she drags him out, 783 00:40:27,360 --> 00:40:30,320 Speaker 2: and we learned some things about Annie. First and foremost, 784 00:40:30,320 --> 00:40:32,839 Speaker 2: so she does have a very secluded cabin in this 785 00:40:33,160 --> 00:40:40,080 Speaker 2: Colorado town. She has wild mood swings, just wild mood swings. 786 00:40:40,280 --> 00:40:41,440 Speaker 1: She used to be a nurse. 787 00:40:42,200 --> 00:40:45,120 Speaker 2: We find out in a kind of creepy scene that 788 00:40:45,520 --> 00:40:48,520 Speaker 2: she kind of trauma bonded with the misery books. 789 00:40:48,239 --> 00:40:49,560 Speaker 1: On the heels of her divorce. 790 00:40:50,920 --> 00:40:55,399 Speaker 2: And then we find out that she first absolutely kind 791 00:40:55,400 --> 00:40:58,720 Speaker 2: of mildly loses her shit when Paul lets her read 792 00:40:58,800 --> 00:41:01,600 Speaker 2: his manuscript because she doesn't like that there's so many 793 00:41:01,600 --> 00:41:02,399 Speaker 2: curses in it. 794 00:41:02,680 --> 00:41:04,799 Speaker 1: She's that kind of person like her. 795 00:41:04,840 --> 00:41:07,840 Speaker 2: She's got a real like we talk about Laura Ashley 796 00:41:07,880 --> 00:41:10,920 Speaker 2: a lot on this show, weirdly, and she's. 797 00:41:10,800 --> 00:41:13,839 Speaker 1: Got a real mild Laura Ashley thing going on. Yeah, 798 00:41:13,880 --> 00:41:18,120 Speaker 1: it's kind of like a Laura Ashley meets like Duluth 799 00:41:18,280 --> 00:41:22,600 Speaker 1: Trading Company LLBAN type of style. It's a lot of 800 00:41:22,680 --> 00:41:30,400 Speaker 1: like turtlenecks underneath flannels and like jumper skirts and shit. 801 00:41:30,600 --> 00:41:36,160 Speaker 1: It's like very Yes, she just looks like a mother 802 00:41:36,680 --> 00:41:41,359 Speaker 1: or like an aunt that lives in like Upper Peninsula 803 00:41:41,480 --> 00:41:44,040 Speaker 1: or something like that. Right completely. 804 00:41:44,320 --> 00:41:49,920 Speaker 2: I will say she's a bass Pro Shop ambassador. Yeah, 805 00:41:50,200 --> 00:41:56,480 Speaker 2: if I may, she'll do a ring around a bass 806 00:41:56,480 --> 00:41:58,080 Speaker 2: Pro shop and be like, I'm going to get one 807 00:41:58,080 --> 00:41:59,440 Speaker 2: of everything, and I'm good for the winter. 808 00:42:00,400 --> 00:42:02,799 Speaker 1: She's got like multiple pairs of duck boots like she's 809 00:42:02,840 --> 00:42:03,600 Speaker 1: that kind of lady. 810 00:42:04,120 --> 00:42:07,400 Speaker 2: Yeah, prepared, and because she's a nurse, she's been really 811 00:42:07,680 --> 00:42:10,560 Speaker 2: she has kind of taken care of Paul, like she 812 00:42:10,640 --> 00:42:13,360 Speaker 2: kind of did save his life. And she pulls back 813 00:42:13,400 --> 00:42:15,960 Speaker 2: at one point, you know, because he's kind of in 814 00:42:16,000 --> 00:42:17,799 Speaker 2: and out of it with these pain pills she's giving 815 00:42:17,880 --> 00:42:20,880 Speaker 2: him and At one point, she pulls back the blanket 816 00:42:20,920 --> 00:42:22,279 Speaker 2: and she's like, I think I did a pretty good 817 00:42:22,360 --> 00:42:25,160 Speaker 2: job for what I had on hand. And first of all, 818 00:42:25,239 --> 00:42:29,279 Speaker 2: his legs look like boiled sausages, Like they are just 819 00:42:29,520 --> 00:42:33,960 Speaker 2: looking so rough, like natural casing sausages, you know the 820 00:42:34,000 --> 00:42:41,040 Speaker 2: ones where you like see everything, like those legs belong 821 00:42:41,120 --> 00:42:42,400 Speaker 2: on a shelf at Whole Foods. 822 00:42:42,800 --> 00:42:47,960 Speaker 1: Damn, dude. I was like, does are some charcody board 823 00:42:48,160 --> 00:42:53,160 Speaker 1: fucking ass legs? Dude? What happened to him in that car? 824 00:42:54,360 --> 00:42:56,960 Speaker 2: Those tone Like did the whole car just fall on 825 00:42:57,200 --> 00:43:00,480 Speaker 2: his legs? Because he has compound fractures and both of 826 00:43:00,560 --> 00:43:02,560 Speaker 2: his legs to the point where they. 827 00:43:02,440 --> 00:43:03,360 Speaker 1: Don't look human. 828 00:43:04,200 --> 00:43:07,200 Speaker 2: God, dude, those legs are fucked the fuck up. 829 00:43:07,239 --> 00:43:09,200 Speaker 1: Those toenails are threatening to pop off. 830 00:43:09,360 --> 00:43:09,600 Speaker 2: Like it. 831 00:43:14,400 --> 00:43:16,840 Speaker 1: She says, I think I did a good job considering 832 00:43:16,880 --> 00:43:18,960 Speaker 1: what I have. I just noticed in this. 833 00:43:19,120 --> 00:43:22,560 Speaker 2: Viewing that one of the splints is like an actual crutch, 834 00:43:22,640 --> 00:43:24,480 Speaker 2: like a metal crutch that she's just kind of like 835 00:43:24,560 --> 00:43:25,840 Speaker 2: ace bandaged. 836 00:43:25,440 --> 00:43:27,560 Speaker 1: Underneath it's leg. 837 00:43:28,920 --> 00:43:31,600 Speaker 2: Cause she's like, I could feel the bones moving around, 838 00:43:31,640 --> 00:43:33,440 Speaker 2: and I'm like, ooh, homie. 839 00:43:32,880 --> 00:43:35,480 Speaker 1: Too far, too far. Yeah, So she's just. 840 00:43:35,440 --> 00:43:38,160 Speaker 2: Been kind of like, you know, taking care of him, 841 00:43:38,640 --> 00:43:41,040 Speaker 2: and so when he lets her read his manuscript, it's 842 00:43:41,080 --> 00:43:43,120 Speaker 2: out of the kindness of you just saved my life. 843 00:43:43,760 --> 00:43:47,719 Speaker 1: But he's bedbound, like he has bedbound. 844 00:43:47,160 --> 00:43:49,279 Speaker 2: Hopped up on pain pills and just looking like a 845 00:43:49,320 --> 00:43:53,279 Speaker 2: boiled sausage. And then she loses her shit completely. And 846 00:43:53,280 --> 00:43:56,400 Speaker 2: this is the all hell breaks loose part of the movie, 847 00:43:56,880 --> 00:44:00,600 Speaker 2: because she goes to the store after he is lying 848 00:44:00,600 --> 00:44:02,200 Speaker 2: to him about the fact that all the roads are 849 00:44:02,200 --> 00:44:04,440 Speaker 2: closed because the lizard has knocked out the phones. 850 00:44:04,200 --> 00:44:04,720 Speaker 1: In the roads. 851 00:44:05,040 --> 00:44:07,640 Speaker 2: She goes to the store picks up the last Misery book, 852 00:44:08,120 --> 00:44:10,920 Speaker 2: and when she finds out that he killed this character, 853 00:44:12,120 --> 00:44:16,080 Speaker 2: she turns into a totally different person. She makes him 854 00:44:16,120 --> 00:44:19,640 Speaker 2: burn the only copy of the manuscript he just finished, 855 00:44:20,440 --> 00:44:24,560 Speaker 2: and then forces him she tells him, nobody knows you're here. 856 00:44:25,960 --> 00:44:27,520 Speaker 1: She's like, nobody knows. 857 00:44:27,400 --> 00:44:30,719 Speaker 2: You're here, Homie, I lied, and then she forces him 858 00:44:30,800 --> 00:44:36,040 Speaker 2: to write another novel that will bring Misery back from 859 00:44:36,440 --> 00:44:36,879 Speaker 2: the dead. 860 00:44:37,480 --> 00:44:39,560 Speaker 1: You know, it was, dude, I was really thinking about 861 00:44:39,600 --> 00:44:42,439 Speaker 1: it because obviously I haven't seen this in a very 862 00:44:42,520 --> 00:44:44,880 Speaker 1: very long time, and I'm seeing it with like twenty 863 00:44:44,920 --> 00:44:47,319 Speaker 1: twenty one eyes, and I'm like, Yo, this is like 864 00:44:47,640 --> 00:44:51,239 Speaker 1: essentially like a It's like this happens like every day 865 00:44:51,239 --> 00:44:53,120 Speaker 1: on the internet now if you think about it, where 866 00:44:53,120 --> 00:44:57,120 Speaker 1: somebody sort of demands that a creative person like do 867 00:44:57,280 --> 00:45:01,040 Speaker 1: a thing that's like expressly tailored for the m you know. 868 00:45:01,440 --> 00:45:03,759 Speaker 1: But it was just like because it was crazy. She 869 00:45:03,840 --> 00:45:05,719 Speaker 1: was basically like, I don't like what you did here, 870 00:45:06,520 --> 00:45:09,920 Speaker 1: Burn the ship that you've been working on, and write 871 00:45:09,960 --> 00:45:13,480 Speaker 1: a new thing that makes me happy. Yeah, And I'm like, oh, 872 00:45:13,480 --> 00:45:20,120 Speaker 1: that's the Internet every fucking day. She was the proto Twitter. Yeah, 873 00:45:20,440 --> 00:45:27,480 Speaker 1: fan culture stands like pre prototype for all that, right, Yes, 874 00:45:27,640 --> 00:45:28,040 Speaker 1: and it is. 875 00:45:28,120 --> 00:45:30,080 Speaker 2: And it's also interesting because you had mentioned this when 876 00:45:30,080 --> 00:45:33,080 Speaker 2: we were talking or like texting earlier today. But this 877 00:45:33,239 --> 00:45:37,840 Speaker 2: is also a really interesting model more modern entry into 878 00:45:37,880 --> 00:45:41,960 Speaker 2: the psycho biddy you know, exploitation genre. 879 00:45:42,440 --> 00:45:45,560 Speaker 1: Absolutely, that's the first thing when you when you told 880 00:45:45,600 --> 00:45:47,200 Speaker 1: me that you were gonna do this movie, I screamed 881 00:45:47,200 --> 00:45:50,200 Speaker 1: because I was like, yes, another psycho bitty we can 882 00:45:50,239 --> 00:45:52,440 Speaker 1: talk about because we've talked about this again like so 883 00:45:52,440 --> 00:45:54,799 Speaker 1: many times in the podcast where you know, we talked 884 00:45:54,800 --> 00:45:57,520 Speaker 1: about it with the Joan Crawford movie that I saw 885 00:45:57,520 --> 00:45:59,320 Speaker 1: what you did movie, We talked about it with Scotty 886 00:45:59,360 --> 00:46:02,319 Speaker 1: when Scotty and this was on for Mom. But it's 887 00:46:02,360 --> 00:46:05,319 Speaker 1: that thing of that trope of like, oh, here's this like, 888 00:46:06,800 --> 00:46:12,480 Speaker 1: you know, middle aged, frumpy woman who lives alone with 889 00:46:12,640 --> 00:46:17,440 Speaker 1: her pig in the woods and she has to trap 890 00:46:17,680 --> 00:46:22,759 Speaker 1: people because she wants love or attention or you know, 891 00:46:22,800 --> 00:46:25,400 Speaker 1: she brings up that whole story about how you know, 892 00:46:25,480 --> 00:46:27,560 Speaker 1: her husband they got to force and all this stuff 893 00:46:27,600 --> 00:46:29,400 Speaker 1: like that, and so you're like, oh, here we go, 894 00:46:29,520 --> 00:46:31,880 Speaker 1: here comes the psycho Betty. Right now, we got this 895 00:46:31,960 --> 00:46:36,760 Speaker 1: woman who just needs to trap family members or people 896 00:46:36,840 --> 00:46:39,360 Speaker 1: that she loves because she wants love. 897 00:46:39,239 --> 00:46:42,960 Speaker 2: So badly, right, yes, yes, And that's why this is 898 00:46:43,239 --> 00:46:45,160 Speaker 2: also to your point of like you have to watch 899 00:46:45,200 --> 00:46:47,439 Speaker 2: movies again, because when I was fourteen, I wasn't thinking 900 00:46:47,440 --> 00:46:51,400 Speaker 2: of it in that way. Yeah, but now I'm like, oh, 901 00:46:51,440 --> 00:46:53,960 Speaker 2: for sure, this is a major part of that genre. 902 00:46:54,080 --> 00:46:56,240 Speaker 1: Yeah, and it's also very campy and funny. 903 00:46:56,280 --> 00:46:59,279 Speaker 2: Like the movie is as harrowing as it is, it 904 00:46:59,360 --> 00:47:01,720 Speaker 2: is so funny in so many parts. 905 00:47:02,080 --> 00:47:08,400 Speaker 1: Oh, I fucking loved it for it's comedic value now 906 00:47:08,800 --> 00:47:10,640 Speaker 1: than I did when I first watched it. When I 907 00:47:10,680 --> 00:47:12,120 Speaker 1: first watched it, I thought it was a straight up 908 00:47:12,160 --> 00:47:14,839 Speaker 1: poor movie. And I and I have to say, I mean, 909 00:47:15,000 --> 00:47:17,320 Speaker 1: I feel like I'm remembering this accurately. I mean, I 910 00:47:17,360 --> 00:47:19,960 Speaker 1: could be wrong, but when that movie came out, I 911 00:47:20,000 --> 00:47:22,799 Speaker 1: remember it was that sort of like it became its 912 00:47:22,880 --> 00:47:25,360 Speaker 1: kind of flashpoint moment about It's almost like the fatal 913 00:47:25,400 --> 00:47:29,160 Speaker 1: Attraction moment where it was like psycho lady alert, like 914 00:47:30,080 --> 00:47:32,319 Speaker 1: you know, hey, guys, be on the lookout in your 915 00:47:32,360 --> 00:47:34,840 Speaker 1: everyday lives for a fucking psycho woman that's going to 916 00:47:34,920 --> 00:47:38,360 Speaker 1: trap you in fucking bash your ankles. Like it became 917 00:47:38,440 --> 00:47:43,759 Speaker 1: this like, you know, kind of pop culture moment when 918 00:47:43,800 --> 00:47:46,759 Speaker 1: the movie came out, and so I think I had 919 00:47:47,040 --> 00:47:49,640 Speaker 1: was really informed by that when I first saw it. 920 00:47:49,719 --> 00:47:52,720 Speaker 1: And now I'm like, Yo, this is fucking great. Kathy 921 00:47:52,760 --> 00:47:56,920 Speaker 1: Bates is a queen. She's this movie is funny, it's entertaining, 922 00:47:57,040 --> 00:47:59,560 Speaker 1: it's like over the top and it's a psycho bitty 923 00:47:59,719 --> 00:48:03,799 Speaker 1: c and I love it on a whole other level now, right, Oh, 924 00:48:04,239 --> 00:48:06,880 Speaker 1: like most things that have changed from the time I 925 00:48:06,960 --> 00:48:11,040 Speaker 1: was fourteen to forty four, Yeah, at first I feared it. 926 00:48:11,640 --> 00:48:12,839 Speaker 1: Now I want to be it. 927 00:48:13,080 --> 00:48:17,040 Speaker 2: Yeah, when I saw it when I was a kid, 928 00:48:17,080 --> 00:48:19,360 Speaker 2: I was like, oh, this all seems wrong on so 929 00:48:19,440 --> 00:48:22,160 Speaker 2: many levels. And now I'm like, leave that lady alone 930 00:48:22,400 --> 00:48:26,640 Speaker 2: in her cottage with her dreams. 931 00:48:26,800 --> 00:48:29,480 Speaker 1: Leave her alone with her fucking pig and her dreams. 932 00:48:31,040 --> 00:48:35,200 Speaker 1: Sounds good to me. Yeah, I mean, you know, obviously 933 00:48:35,239 --> 00:48:37,759 Speaker 1: we know that she's problematic and she has tons of 934 00:48:38,360 --> 00:48:42,760 Speaker 1: I mean, she kills babies, her pairently, let's talk about 935 00:48:42,800 --> 00:48:43,600 Speaker 1: this for real. 936 00:48:43,719 --> 00:48:48,160 Speaker 2: Because Paul Sheldon does, to his credit, try his best 937 00:48:48,200 --> 00:48:51,120 Speaker 2: to escape. So he kind of like he hoards pain 938 00:48:51,239 --> 00:48:54,480 Speaker 2: pills and he kind of escapes from the room and 939 00:48:55,000 --> 00:48:58,080 Speaker 2: eventually like grabs a knife and he tries the drugger. 940 00:48:58,920 --> 00:49:01,359 Speaker 2: He like plays it cool by trying to manipulate her 941 00:49:01,360 --> 00:49:03,960 Speaker 2: with his language and be like, yeah, I definitely love you, 942 00:49:04,000 --> 00:49:05,759 Speaker 2: and you can see his eyes are like dead. 943 00:49:06,480 --> 00:49:09,160 Speaker 1: Yeah, He's just like, yes, I love you too, Please 944 00:49:09,200 --> 00:49:09,799 Speaker 1: don't kill me. 945 00:49:10,239 --> 00:49:13,680 Speaker 2: So he does try everything to escape, and in one 946 00:49:13,719 --> 00:49:17,040 Speaker 2: of the last times that he goes out of the room, 947 00:49:17,480 --> 00:49:21,200 Speaker 2: he sees her scrap book. And her scrap book is 948 00:49:21,239 --> 00:49:27,680 Speaker 2: an escalating collection of new stories that include her maybe 949 00:49:27,680 --> 00:49:31,360 Speaker 2: pushing her own father to his death and then also 950 00:49:31,600 --> 00:49:34,040 Speaker 2: possibly killing babies for no reason. 951 00:49:34,520 --> 00:49:37,520 Speaker 1: That storyline have not really resolved in the film. 952 00:49:38,000 --> 00:49:40,920 Speaker 2: It really is like she's on the court steps and 953 00:49:40,920 --> 00:49:43,319 Speaker 2: be like, I didn't do it, and then she just 954 00:49:43,320 --> 00:49:45,640 Speaker 2: gets to like live in the town like you might 955 00:49:45,640 --> 00:49:47,600 Speaker 2: have killed a bunch of our babies. 956 00:49:47,680 --> 00:49:50,960 Speaker 1: And it's like in the scrap book, she's clipped all 957 00:49:51,000 --> 00:49:55,280 Speaker 1: these articles where it's like allegedly, this child, this woman 958 00:49:55,400 --> 00:49:58,920 Speaker 1: is killing all these babies. And then there's like little 959 00:49:58,920 --> 00:50:02,640 Speaker 1: fucking scrap book, have a nice summer, little fucking stickers, 960 00:50:02,680 --> 00:50:05,560 Speaker 1: and shit, I'm like, this is fucked up, like the 961 00:50:05,560 --> 00:50:07,480 Speaker 1: most morbid one where it's. 962 00:50:07,320 --> 00:50:10,040 Speaker 2: Like an article about like, hey, she might have killed 963 00:50:10,040 --> 00:50:12,680 Speaker 2: these babies in the hospital and there's a little cutout 964 00:50:12,680 --> 00:50:15,840 Speaker 2: from a car that says another baby yay. 965 00:50:16,840 --> 00:50:20,440 Speaker 1: I was like, God, damn, I never noticed that gestion 966 00:50:20,680 --> 00:50:22,040 Speaker 1: is dark. 967 00:50:22,160 --> 00:50:25,880 Speaker 2: Dude, Shit is dark, and it's so dark and so 968 00:50:26,120 --> 00:50:29,279 Speaker 2: like she is. We're again, we're really learning a lot 969 00:50:29,320 --> 00:50:31,920 Speaker 2: about her in so many ways. So he sees this 970 00:50:31,960 --> 00:50:34,560 Speaker 2: scrap book and like hustles back to the room, and 971 00:50:34,600 --> 00:50:35,759 Speaker 2: you think, all right, he. 972 00:50:35,640 --> 00:50:36,440 Speaker 1: Gets away with it. 973 00:50:36,920 --> 00:50:40,200 Speaker 2: Uh uh, Because the last part of the movie that 974 00:50:40,239 --> 00:50:43,000 Speaker 2: I'm gonna talk about before shit gets real and it 975 00:50:43,000 --> 00:50:45,080 Speaker 2: could be potentially spoiling the movie. 976 00:50:45,840 --> 00:50:47,440 Speaker 1: This I don't think is a spoiler, because I think 977 00:50:47,440 --> 00:50:49,560 Speaker 1: this is just now a part of pop culture history. 978 00:50:50,120 --> 00:50:53,680 Speaker 2: Yeah, she's any Wilk starts to get really sad when 979 00:50:53,680 --> 00:50:57,640 Speaker 2: she realizes that Paul Sheldon's legs are healing and the 980 00:50:57,680 --> 00:51:01,080 Speaker 2: book that she's forcing him to write is almost finished. 981 00:51:01,760 --> 00:51:05,320 Speaker 2: So she gets pissed off that she has found him 982 00:51:05,880 --> 00:51:14,200 Speaker 2: scooting around her house. He's disrupting all the Liberachi memorabilia. 983 00:51:14,360 --> 00:51:17,200 Speaker 2: She's got a Liberatchi magnet on the fridge, She's got 984 00:51:17,320 --> 00:51:20,080 Speaker 2: framed pictures of Liberacchi like he's one of her uncles. 985 00:51:21,040 --> 00:51:23,880 Speaker 1: Okay, that is literally I never caught this when I 986 00:51:23,920 --> 00:51:27,200 Speaker 1: watched it the first time. It is the best fucking 987 00:51:27,320 --> 00:51:30,080 Speaker 1: quality about Annie Wilks is that she's obsessed with Liberaci. 988 00:51:30,520 --> 00:51:33,400 Speaker 1: It makes her It just puts her like fucking stone 989 00:51:33,480 --> 00:51:36,319 Speaker 1: cold psychoedists over the top. For me, I'm like, not 990 00:51:36,400 --> 00:51:38,759 Speaker 1: only is she keeping a fucking scrap book of her 991 00:51:38,840 --> 00:51:43,080 Speaker 1: murders with little stickers, but now she's obsessed with Liberaci. 992 00:51:43,480 --> 00:51:47,960 Speaker 2: I'm like, this is perfect, Like, it is wonderful. Is 993 00:51:48,120 --> 00:51:51,960 Speaker 2: the only other thing about her that is borderline like, wow, 994 00:51:52,120 --> 00:51:55,879 Speaker 2: she is wild and also hilarious is that she likes 995 00:51:55,880 --> 00:51:57,560 Speaker 2: to curl up in bed at night with a bag 996 00:51:57,560 --> 00:52:01,200 Speaker 2: of Cheetos, a two liter bottle of coke and watch 997 00:52:01,280 --> 00:52:05,359 Speaker 2: Love Connection, and I'm like, she this smitch is on. 998 00:52:05,360 --> 00:52:10,520 Speaker 1: Fire, dial my heart. Honestly scary. 999 00:52:10,680 --> 00:52:13,080 Speaker 2: If you look through the window, it's scary. If you're 1000 00:52:13,080 --> 00:52:19,919 Speaker 2: in that house, it's very cozy, which again is much 1001 00:52:20,040 --> 00:52:22,120 Speaker 2: like my life now, Like you look through my window 1002 00:52:22,160 --> 00:52:25,279 Speaker 2: and you're like, wow, this girl needs some help. But 1003 00:52:25,360 --> 00:52:28,400 Speaker 2: if you're in here, it's like, oh, it's all right. 1004 00:52:30,320 --> 00:52:34,080 Speaker 2: So Annie, in her sadness, in her anger of him 1005 00:52:34,680 --> 00:52:40,000 Speaker 2: potentially leaving her and or trying to leave her, tells 1006 00:52:40,080 --> 00:52:43,799 Speaker 2: him this awful story about people who used to work 1007 00:52:43,880 --> 00:52:46,520 Speaker 2: in diamond mines and when they. 1008 00:52:46,520 --> 00:52:48,640 Speaker 1: Got caught stealing jewels. 1009 00:52:49,360 --> 00:52:52,480 Speaker 2: The way that they would that the diamond mind owners 1010 00:52:52,480 --> 00:52:55,400 Speaker 2: would get their revenge but also hurt them enough to 1011 00:52:55,440 --> 00:52:57,560 Speaker 2: never do it again but make sure they could still work, 1012 00:52:58,280 --> 00:53:02,320 Speaker 2: was to hobble them. And then she demonstrates what hobbling 1013 00:53:02,480 --> 00:53:06,400 Speaker 2: is while the Liberachi version of Moonlight Sonata is playing 1014 00:53:06,440 --> 00:53:09,640 Speaker 2: in the background. She takes a block of wood. She 1015 00:53:09,760 --> 00:53:12,680 Speaker 2: strapped him down to the bed. She takes a block 1016 00:53:12,719 --> 00:53:17,759 Speaker 2: of wood, puts it between his almost healed sausage ankles, 1017 00:53:19,520 --> 00:53:24,880 Speaker 2: takes a sledgehammer and knocks the outside of his ankles 1018 00:53:25,239 --> 00:53:30,160 Speaker 2: as hard as she can and bends those feet like Beckham. 1019 00:53:30,280 --> 00:53:36,360 Speaker 2: She bends those feet almost ninety degrees and he passes 1020 00:53:36,360 --> 00:53:38,839 Speaker 2: out from the pain. And when I say that, that 1021 00:53:39,040 --> 00:53:41,840 Speaker 2: is one of I think I will I will see 1022 00:53:41,960 --> 00:53:43,680 Speaker 2: the image of that on my deathbed. 1023 00:53:44,160 --> 00:53:47,359 Speaker 1: Oh god, it's like one of the most I would say, 1024 00:53:47,360 --> 00:53:49,600 Speaker 1: one of the most famous parts of the film. Right. 1025 00:53:49,640 --> 00:53:52,359 Speaker 1: It's just the moment where you're like, oh my god. 1026 00:53:52,400 --> 00:53:54,600 Speaker 1: I mean it's working on so many levels. Obviously because 1027 00:53:54,600 --> 00:53:56,520 Speaker 1: you're like, oh my god, she is really nuts and 1028 00:53:56,560 --> 00:53:59,120 Speaker 1: she really wants just got to stay here, but also 1029 00:53:59,280 --> 00:54:05,160 Speaker 1: just like the the medieval tortuitus of it is so crazy, right, 1030 00:54:05,200 --> 00:54:05,760 Speaker 1: And that's. 1031 00:54:05,600 --> 00:54:08,160 Speaker 2: Such a yes, And there's such a build up of like, 1032 00:54:08,239 --> 00:54:09,000 Speaker 2: is she gonna do it? 1033 00:54:09,120 --> 00:54:10,640 Speaker 1: Oh my gosh, she's gonna do it. Is she gonna 1034 00:54:10,640 --> 00:54:12,480 Speaker 1: do it? She's doing it, Oh my gosh, she's doing it. 1035 00:54:12,520 --> 00:54:13,800 Speaker 1: And then she does it again. 1036 00:54:14,280 --> 00:54:17,799 Speaker 2: Yeah, Like before you even have time to recover, she's 1037 00:54:17,840 --> 00:54:20,960 Speaker 2: Papa that other sausage and you're like, what it is? 1038 00:54:21,320 --> 00:54:25,480 Speaker 1: Harrow wing. After that, all hell. 1039 00:54:25,480 --> 00:54:27,720 Speaker 2: Truly breaks loose and I don't want to ruin anything 1040 00:54:27,760 --> 00:54:30,319 Speaker 2: about the end, but I will say that there are 1041 00:54:30,440 --> 00:54:34,120 Speaker 2: two other characters in the film that are so wonderful. 1042 00:54:35,040 --> 00:54:38,400 Speaker 2: Richard Farnsworth plays Buster, who's the police chief and the 1043 00:54:38,400 --> 00:54:42,719 Speaker 2: fire chief, and Francis Sternhagen plays Virginia, his wife who's 1044 00:54:42,719 --> 00:54:45,759 Speaker 2: also his deputy, and they're kind of What I like 1045 00:54:45,840 --> 00:54:48,720 Speaker 2: about those characters is like they're putting in the work. 1046 00:54:48,800 --> 00:54:52,040 Speaker 2: Like he is not just like, oh well, somebody's missing, 1047 00:54:52,239 --> 00:54:54,759 Speaker 2: too bad. He's really putting in the work to like 1048 00:54:54,880 --> 00:54:58,120 Speaker 2: figure out this guy up to and including reading all 1049 00:54:58,120 --> 00:55:00,080 Speaker 2: of the Misery books, which I thought was so. 1050 00:55:01,120 --> 00:55:03,600 Speaker 1: Yeah, and they were like he was reading them in 1051 00:55:03,680 --> 00:55:06,439 Speaker 1: bed and it was it was at that scene where 1052 00:55:06,440 --> 00:55:09,759 Speaker 1: he's in bed with the wife reading that I realized 1053 00:55:10,719 --> 00:55:14,600 Speaker 1: that the wife is fucking Bunny from Sex and the City. 1054 00:55:15,200 --> 00:55:17,480 Speaker 2: Now we got to connect those pop cultural dotsy how 1055 00:55:17,480 --> 00:55:20,239 Speaker 2: to do it? But this this movie is it's so good. 1056 00:55:20,320 --> 00:55:22,839 Speaker 2: James Khan is so good in this movie. The way 1057 00:55:22,840 --> 00:55:25,880 Speaker 2: he acts out pain and where you can like really 1058 00:55:25,960 --> 00:55:27,120 Speaker 2: feel his suffering. 1059 00:55:27,920 --> 00:55:28,440 Speaker 1: I loved it. 1060 00:55:28,480 --> 00:55:30,880 Speaker 2: And the one thing I really love so this is 1061 00:55:31,040 --> 00:55:33,759 Speaker 2: for multiple reasons. I picked it for this theme. This 1062 00:55:33,800 --> 00:55:36,280 Speaker 2: is a stay out of the forest movie that takes 1063 00:55:36,280 --> 00:55:38,880 Speaker 2: place in the winter, and most stay out of the 1064 00:55:38,920 --> 00:55:40,040 Speaker 2: Forest movies take. 1065 00:55:39,880 --> 00:55:41,040 Speaker 1: Place in the summer. 1066 00:55:41,640 --> 00:55:44,919 Speaker 2: But again, as this movie showcases, the woods are never 1067 00:55:44,960 --> 00:55:48,040 Speaker 2: a good idea, but you know it is a good 1068 00:55:48,040 --> 00:55:49,320 Speaker 2: idea snow. 1069 00:55:49,080 --> 00:55:53,040 Speaker 1: Tires, But I do. 1070 00:55:53,160 --> 00:55:55,760 Speaker 2: I just I love just It's just such a great 1071 00:55:55,880 --> 00:56:00,800 Speaker 2: mix of like psychological terror, that feeling of emotional terror, 1072 00:56:00,880 --> 00:56:05,000 Speaker 2: and like there's something so wrong but you cannot extricate 1073 00:56:05,040 --> 00:56:08,080 Speaker 2: yourself physically from this situation, so you have to use 1074 00:56:08,120 --> 00:56:10,520 Speaker 2: all of your resources to try to survive. I just 1075 00:56:11,640 --> 00:56:13,839 Speaker 2: I absolutely love this movie. And the reason I'm not 1076 00:56:14,080 --> 00:56:16,160 Speaker 2: I mean, there's always reasons why we don't want to 1077 00:56:16,160 --> 00:56:19,280 Speaker 2: spoil movies, even though you guys really want us to. Yeah, 1078 00:56:20,320 --> 00:56:21,880 Speaker 2: I just think that if this is a movie that 1079 00:56:21,920 --> 00:56:24,640 Speaker 2: you haven't seen or haven't seen in a while, it 1080 00:56:24,719 --> 00:56:27,520 Speaker 2: is so worth the rewatch that I don't want to 1081 00:56:27,520 --> 00:56:29,120 Speaker 2: spoil another thing that happens in it. 1082 00:56:29,320 --> 00:56:34,040 Speaker 1: Oh, totally totally worth watching again, and then some like 1083 00:56:34,760 --> 00:56:38,040 Speaker 1: totally a new perspective. I mean, honestly, the funniest part 1084 00:56:38,120 --> 00:56:41,200 Speaker 1: to me was this idea that I kept thinking, God, 1085 00:56:41,840 --> 00:56:45,040 Speaker 1: this movie seems a lot lighter and funnier than I 1086 00:56:45,120 --> 00:56:49,280 Speaker 1: ever thought, and it's scary as shit. There is actual, 1087 00:56:49,520 --> 00:56:55,440 Speaker 1: like crazy psychotic horror movie moments happening, right Yeah. But 1088 00:56:55,480 --> 00:56:57,920 Speaker 1: it's also like, at the end of the day, I'm like, oh, 1089 00:56:57,960 --> 00:57:00,920 Speaker 1: it's a Rob Ryder movie too, though it feels like 1090 00:57:01,120 --> 00:57:03,680 Speaker 1: almost this it has this kind of lightness to it. 1091 00:57:04,000 --> 00:57:06,239 Speaker 1: And I was sitting here looking at his filmography and 1092 00:57:06,239 --> 00:57:08,359 Speaker 1: I'm like, Okay, so, like, you know, here's a guy 1093 00:57:08,400 --> 00:57:10,760 Speaker 1: that did like The Princess Bride when Harry met Sally, 1094 00:57:11,080 --> 00:57:13,719 Speaker 1: and then he did Misery and a Few Good Men 1095 00:57:14,280 --> 00:57:16,720 Speaker 1: back to back, and I was like, wow. 1096 00:57:16,560 --> 00:57:19,320 Speaker 2: I wonder if that's what makes him I mean, it's 1097 00:57:19,360 --> 00:57:22,200 Speaker 2: what makes him appealing to me as a director, is 1098 00:57:22,200 --> 00:57:25,080 Speaker 2: that there is always some injection of humor in a 1099 00:57:25,080 --> 00:57:28,160 Speaker 2: way that doesn't cheapen or dull the experience of watching 1100 00:57:28,200 --> 00:57:31,560 Speaker 2: the movie, but it's always smart. Like it it's like 1101 00:57:31,600 --> 00:57:34,880 Speaker 2: Annie is not She's heightened in so many ways, like 1102 00:57:34,880 --> 00:57:38,200 Speaker 2: when she's kind of you know, walking around and snuffling 1103 00:57:38,280 --> 00:57:40,880 Speaker 2: like her pig and stuff like that, Like she's heightened 1104 00:57:40,880 --> 00:57:44,040 Speaker 2: in so many ways, but it all plays into just 1105 00:57:44,160 --> 00:57:47,640 Speaker 2: amplifying the characteristics of these characters. So I think he's 1106 00:57:47,720 --> 00:57:52,360 Speaker 2: he's really He's a smart comedic director for that reason, 1107 00:57:52,400 --> 00:57:54,760 Speaker 2: and I think it makes it easy to pivot to these, 1108 00:57:55,480 --> 00:57:58,280 Speaker 2: you know, these kind of more serious films because they're 1109 00:57:58,320 --> 00:57:58,920 Speaker 2: not ever going to. 1110 00:57:58,960 --> 00:58:01,520 Speaker 1: Get like heavy or too leaden. 1111 00:58:01,480 --> 00:58:04,280 Speaker 2: With with the seriousness that it takes away from the 1112 00:58:04,320 --> 00:58:05,200 Speaker 2: character development. 1113 00:58:05,240 --> 00:58:07,400 Speaker 1: So I just yeah, I love I love him. Yeah, 1114 00:58:07,800 --> 00:58:12,120 Speaker 1: like and and again, like another you know movie where 1115 00:58:12,960 --> 00:58:17,880 Speaker 1: the psychopaity just hits right, You're just like wow, Like 1116 00:58:18,480 --> 00:58:21,640 Speaker 1: here again, like Hathy Bays being such a great actress. 1117 00:58:22,000 --> 00:58:25,120 Speaker 1: I if I was her, I this is such a 1118 00:58:25,160 --> 00:58:29,400 Speaker 1: fucking meaty, incredible role. I would have like, I never 1119 00:58:29,440 --> 00:58:30,920 Speaker 1: want to act a day in my life, but I 1120 00:58:30,960 --> 00:58:33,600 Speaker 1: was like, I would have loved to have been in 1121 00:58:33,600 --> 00:58:35,600 Speaker 1: this movie. Like if I had the shot of being 1122 00:58:35,640 --> 00:58:38,760 Speaker 1: Annie Wilkes, I'd be like, fuck, yeah, I am going 1123 00:58:38,840 --> 00:58:42,040 Speaker 1: for that shit. Yep, you know, she just went for it. 1124 00:58:42,080 --> 00:58:46,720 Speaker 2: And it's so it's so great, well written, complex women 1125 00:58:46,800 --> 00:58:49,880 Speaker 2: on screen. Who would have thought, yeah, stand on the 1126 00:58:49,960 --> 00:58:53,000 Speaker 2: damn forest too, Like don't go there and write. 1127 00:58:52,800 --> 00:58:55,000 Speaker 1: Stand on the forest every season. 1128 00:58:55,640 --> 00:58:59,800 Speaker 2: Speaking of which, your movie was the highlight of my 1129 00:58:59,840 --> 00:59:01,840 Speaker 2: life watching that movie this week. 1130 00:59:03,880 --> 00:59:08,200 Speaker 1: All right, goodness, oh goodness, talk about stay out of 1131 00:59:08,240 --> 00:59:10,320 Speaker 1: the forest. I mean, I don't even know what to 1132 00:59:10,320 --> 00:59:15,200 Speaker 1: tell you right now. So my movie this week for 1133 00:59:15,280 --> 00:59:19,120 Speaker 1: the theme of stay out of the Forest is a 1134 00:59:19,160 --> 00:59:22,520 Speaker 1: movie from nineteen seventy eight. It was directed by Joe Dante, 1135 00:59:22,840 --> 00:59:26,360 Speaker 1: written by John sALS, and it's called Piranha. 1136 00:59:28,160 --> 00:59:32,280 Speaker 3: They were unleashed into America's waterways to turn quiet streams 1137 00:59:32,360 --> 00:59:35,480 Speaker 3: into rivers of living dead and keep your hand out 1138 00:59:35,520 --> 00:59:38,240 Speaker 3: of the water. 1139 00:59:41,880 --> 00:59:46,680 Speaker 1: All right, I don't know what I'm doing here. I 1140 00:59:46,680 --> 00:59:49,560 Speaker 1: think it's like it's like an underbite, isn't a Piranha 1141 00:59:49,600 --> 00:59:57,000 Speaker 1: had done that extreme? So all right, let me stop imitating. 1142 00:59:57,160 --> 01:00:03,560 Speaker 1: Piranhas never pay paperwork out of the way first and foremost. 1143 01:00:03,840 --> 01:00:06,080 Speaker 1: So okay, if you were a child in the eighties, 1144 01:00:06,680 --> 01:00:09,480 Speaker 1: you might be familiar with Joe Dante. Okay, So this 1145 01:00:09,560 --> 01:00:11,840 Speaker 1: is the second movie of his that we've talked about 1146 01:00:11,840 --> 01:00:15,120 Speaker 1: on the podcast. The first one we'd talked about was 1147 01:00:15,440 --> 01:00:18,000 Speaker 1: Episode twenty I think, when we talked about The Burbs. 1148 01:00:18,440 --> 01:00:21,120 Speaker 1: But he's done a lot of really memorable eighties movies. 1149 01:00:21,120 --> 01:00:24,160 Speaker 1: I mean, he did The Howling, he did Gremlins, and, 1150 01:00:24,840 --> 01:00:31,920 Speaker 1: in my opinion, the far superior sequel Gremlins two. Maybe 1151 01:00:31,920 --> 01:00:35,480 Speaker 1: we'll talk about that one day on this podcast. Definitely, definitely, 1152 01:00:35,720 --> 01:00:41,600 Speaker 1: but you know, tons of other memorable classic films. But 1153 01:00:42,000 --> 01:00:44,120 Speaker 1: I will say I don't think we've talked about John 1154 01:00:44,240 --> 01:00:47,720 Speaker 1: Sales yet on the podcast, but he wrote the screenplay 1155 01:00:47,760 --> 01:00:51,920 Speaker 1: for this movie, and he himself has written and directed 1156 01:00:51,960 --> 01:00:56,320 Speaker 1: a ton of great films, including The Brother from Another Planet, 1157 01:00:56,400 --> 01:00:59,720 Speaker 1: which we mentioned before. In the episode about Terminator two 1158 01:01:00,040 --> 01:01:05,600 Speaker 1: talked about Joe Morton. He directed Eight Men Out, which 1159 01:01:05,640 --> 01:01:08,280 Speaker 1: we briefly mentioned when we talk about dB Sweeney all 1160 01:01:08,280 --> 01:01:12,480 Speaker 1: the time, and Joe cues like, yeah, I mean we 1161 01:01:12,880 --> 01:01:15,160 Speaker 1: he did Passionate Fish Mate Wan. I mean, just like 1162 01:01:15,200 --> 01:01:17,680 Speaker 1: so many good films. But you know, he worked with 1163 01:01:17,760 --> 01:01:22,080 Speaker 1: Joe Dante a few times, and he's such He's written books, 1164 01:01:22,160 --> 01:01:25,120 Speaker 1: he's acted. He is definitely King John Sales. Go look 1165 01:01:25,200 --> 01:01:26,960 Speaker 1: him up if you haven't seen any of his movies. 1166 01:01:27,000 --> 01:01:31,160 Speaker 1: But I will say this Piranha is very special to 1167 01:01:31,200 --> 01:01:36,520 Speaker 1: me because it's part of this very interesting lineage of 1168 01:01:36,600 --> 01:01:41,720 Speaker 1: films known as Jaws rip off movies. And these were 1169 01:01:41,760 --> 01:01:45,919 Speaker 1: basically movies that were made, you know, after the phenomenon 1170 01:01:46,240 --> 01:01:50,880 Speaker 1: that was Jaws from nineteen seventy five, and everyone probably knows, 1171 01:01:50,920 --> 01:01:54,800 Speaker 1: is I mean Jaws changed the film industry essentially, and 1172 01:01:54,840 --> 01:01:58,600 Speaker 1: it created the idea of the blockbuster and the summer blockbuster. 1173 01:01:59,520 --> 01:02:03,000 Speaker 1: You know. I mean, we wouldn't have Marvel movies if 1174 01:02:03,000 --> 01:02:04,760 Speaker 1: we didn't have Jaws. Let's get serious. I mean, I 1175 01:02:04,800 --> 01:02:08,440 Speaker 1: know that's a very big statement, but I believe it 1176 01:02:08,440 --> 01:02:11,800 Speaker 1: to be true. Stand by it. Yeah. And you know, listen, 1177 01:02:12,200 --> 01:02:14,120 Speaker 1: if you think that there was like a only like 1178 01:02:14,200 --> 01:02:17,640 Speaker 1: one or two of these knockoff movies going around, guess again, 1179 01:02:17,760 --> 01:02:20,120 Speaker 1: because there was a lot more than you would think. 1180 01:02:20,960 --> 01:02:25,400 Speaker 1: And not only that, they covered the fucking spread of 1181 01:02:25,440 --> 01:02:28,720 Speaker 1: the entire animal kingdom. Okay, like all of the ocean, 1182 01:02:29,120 --> 01:02:32,880 Speaker 1: all of the ocean. My personal favorite Alligator from nineteen 1183 01:02:32,880 --> 01:02:35,960 Speaker 1: eighty with Robert Forster, which was actually also written by 1184 01:02:36,000 --> 01:02:40,200 Speaker 1: John Sales. Funnily enough, we got Orca, the killer whale 1185 01:02:40,440 --> 01:02:44,360 Speaker 1: from nineteen seventy seven. Who got Grizzly from nineteen seventy six, 1186 01:02:44,360 --> 01:02:49,160 Speaker 1: which is basically a killer grizzly bear. Duh Tentacles, which 1187 01:02:49,240 --> 01:02:52,640 Speaker 1: was like a killer octopus with our girl, Shelley Winters. 1188 01:02:53,400 --> 01:02:57,680 Speaker 1: I mean, there was multiple movies about killer snakes, all 1189 01:02:57,800 --> 01:03:01,640 Speaker 1: kinds of killer bugs, many many movies might killer dogs. 1190 01:03:01,680 --> 01:03:05,720 Speaker 1: I mean, honestly, just imagine any animal, Okay, And I'm sure, 1191 01:03:06,240 --> 01:03:09,920 Speaker 1: I'm sure somebody has made a movie where that animal 1192 01:03:10,360 --> 01:03:15,000 Speaker 1: is fucking huge and kills a lot of people in 1193 01:03:15,080 --> 01:03:18,720 Speaker 1: the summertime at like a popular vacation spot or something. 1194 01:03:19,360 --> 01:03:20,240 Speaker 1: Just trust me on this. 1195 01:03:20,720 --> 01:03:23,640 Speaker 2: I feel like the Jaws, the Jaws rip off movie 1196 01:03:24,520 --> 01:03:29,320 Speaker 2: is the equivalent of Law and Ordered now in terms 1197 01:03:29,320 --> 01:03:31,760 Speaker 2: of actors that needed to keep their SAG cards. 1198 01:03:33,120 --> 01:03:35,400 Speaker 1: Yeah, they're like, I'll I'll just do fucking tentacle. 1199 01:03:35,440 --> 01:03:39,240 Speaker 2: I just gotta get I get my fucking insurance, fine tentacles. 1200 01:03:39,280 --> 01:03:43,920 Speaker 1: Here we go. It's like the great John Houston, the 1201 01:03:43,960 --> 01:03:47,000 Speaker 1: great Shelley Winters. I mean, it's just like anything you 1202 01:03:47,040 --> 01:03:49,000 Speaker 1: can imagine, like all the old Stars. I mean, it's 1203 01:03:49,000 --> 01:03:55,200 Speaker 1: like towering Inferno with a giant octopus. It's crazy. But 1204 01:03:55,320 --> 01:03:57,440 Speaker 1: I will say this about Prana. I think what makes 1205 01:03:57,480 --> 01:04:00,800 Speaker 1: it kind of stand out from all these films, right, 1206 01:04:01,200 --> 01:04:04,480 Speaker 1: was that it was kind of this like shameless Jaws 1207 01:04:04,520 --> 01:04:07,720 Speaker 1: knockoff like, and it gave this like it kind of 1208 01:04:07,800 --> 01:04:10,920 Speaker 1: just gave this big wink to the original movie, which 1209 01:04:11,000 --> 01:04:13,080 Speaker 1: I actually think is great. You know, It's not just 1210 01:04:13,160 --> 01:04:15,760 Speaker 1: like we're cashing in, baby, It's more like, oh, we 1211 01:04:15,840 --> 01:04:19,760 Speaker 1: want to pay like homage to this original text. And 1212 01:04:20,840 --> 01:04:24,760 Speaker 1: the crazy part is that Steven Spielberg himself actually gave 1213 01:04:24,880 --> 01:04:29,960 Speaker 1: Pirana his blessing, and he even sort of protected it 1214 01:04:30,160 --> 01:04:34,920 Speaker 1: at one point from a lawsuit when Universal was gonna 1215 01:04:35,280 --> 01:04:37,960 Speaker 1: try to get Pirana not to come out because I 1216 01:04:38,000 --> 01:04:39,600 Speaker 1: guess it was coming out with Jaws two and it 1217 01:04:39,680 --> 01:04:41,960 Speaker 1: thought it was like in Frienship upon some ip I 1218 01:04:41,960 --> 01:04:45,400 Speaker 1: don't really know the details, but you know, Steven Spielberg 1219 01:04:45,440 --> 01:04:47,840 Speaker 1: stepped in and was like, put this movie out. It's 1220 01:04:47,880 --> 01:04:52,600 Speaker 1: totally fine, it's funny, it's great. That's so cool. Yeah. 1221 01:04:52,880 --> 01:04:55,400 Speaker 1: I mean, part of me wonders if that maybe had 1222 01:04:55,440 --> 01:04:59,160 Speaker 1: something to do with the fact that, you know, Roger Korman, 1223 01:05:00,160 --> 01:05:03,120 Speaker 1: the producer of Pirana, and you know Roger Corman basically 1224 01:05:03,160 --> 01:05:07,240 Speaker 1: mentored like every working filmmaker in the nineteen seventies. Who knows. 1225 01:05:07,320 --> 01:05:09,720 Speaker 1: But at the end of the day, I think Joe 1226 01:05:09,800 --> 01:05:14,200 Speaker 1: Dante continues to be a beloved filmmaker, and it's for 1227 01:05:14,240 --> 01:05:16,840 Speaker 1: many reasons, but I think one of the biggest reasons 1228 01:05:16,880 --> 01:05:19,600 Speaker 1: why people love him so much is because he does 1229 01:05:19,720 --> 01:05:23,640 Speaker 1: love movies, and he makes references to like other films 1230 01:05:23,680 --> 01:05:26,040 Speaker 1: in his movies. And I think Piranha is kind of that. 1231 01:05:26,080 --> 01:05:28,680 Speaker 1: It just kind of like it's fun. It's sort of 1232 01:05:29,320 --> 01:05:31,800 Speaker 1: pokes fun at itself for being a jobs rip off movie, 1233 01:05:32,000 --> 01:05:36,640 Speaker 1: and you know what's not to love, right exactly. But 1234 01:05:37,720 --> 01:05:40,600 Speaker 1: let's go with a one sentenced synopsis of Piranha. If 1235 01:05:40,600 --> 01:05:46,200 Speaker 1: I can, I can't wait for this. Okay, hopefully I 1236 01:05:46,280 --> 01:05:50,240 Speaker 1: have alanto a good job. Let's see a female investigator 1237 01:05:50,600 --> 01:05:56,960 Speaker 1: and a local alcoholic accidentally release a slew of genetically 1238 01:05:57,000 --> 01:06:01,360 Speaker 1: altered killer fish that threatened to kill everyone in town. 1239 01:06:02,400 --> 01:06:07,320 Speaker 1: Oh good, it's so good. So there we go with that. 1240 01:06:07,960 --> 01:06:12,080 Speaker 1: Now let me just say right now, I gotta admit 1241 01:06:13,120 --> 01:06:18,160 Speaker 1: the setup of Piranha is a little convoluted. Okay, no, 1242 01:06:19,000 --> 01:06:22,120 Speaker 1: no disrespect to mister John Sales, but like, what the fuck? 1243 01:06:22,160 --> 01:06:24,400 Speaker 2: Okay, Yeah, they go through a lot of hoops to 1244 01:06:24,440 --> 01:06:25,880 Speaker 2: get this lady in a jeep up. 1245 01:06:27,520 --> 01:06:31,000 Speaker 1: Okay, I think this is how it goes. I don't 1246 01:06:31,040 --> 01:06:34,280 Speaker 1: come into my DMS Piranha people like, I'm just gonna 1247 01:06:34,440 --> 01:06:38,520 Speaker 1: I think this is the story. There's an ex military 1248 01:06:38,600 --> 01:06:41,680 Speaker 1: scientist who is living in a small town in the 1249 01:06:41,680 --> 01:06:44,760 Speaker 1: woods with a giant river that flows through it, and 1250 01:06:44,840 --> 01:06:48,320 Speaker 1: he had a lab okay, and it was working on 1251 01:06:48,360 --> 01:06:52,800 Speaker 1: this like secret project during the Vietnam War to make 1252 01:06:52,840 --> 01:06:56,520 Speaker 1: these like killer piranhas that the government was gonna like 1253 01:06:56,920 --> 01:06:59,680 Speaker 1: put in the water in Vietnam to kill the viet 1254 01:06:59,680 --> 01:07:03,360 Speaker 1: Cong or something. I think that's kind of helorked. But 1255 01:07:03,440 --> 01:07:04,400 Speaker 1: they also were. 1256 01:07:04,240 --> 01:07:06,600 Speaker 2: Like, oh yeah, like there's saltwater fish, but we want 1257 01:07:06,640 --> 01:07:08,360 Speaker 2: to make them so they can live in fresh water. 1258 01:07:08,400 --> 01:07:10,440 Speaker 2: And you're like, what, yeah, I mean that's what you're 1259 01:07:10,480 --> 01:07:11,280 Speaker 2: spending your money on. 1260 01:07:11,760 --> 01:07:15,480 Speaker 1: Wow, it's it's a lot of I had to actually 1261 01:07:15,520 --> 01:07:17,880 Speaker 1: watch this sort of the first like thirty minutes of 1262 01:07:17,880 --> 01:07:19,600 Speaker 1: the movie like a couple times to be like, Okay, 1263 01:07:19,680 --> 01:07:21,520 Speaker 1: let me see if I'm getting this right. These piranha 1264 01:07:22,400 --> 01:07:25,960 Speaker 1: are unkillable. They live in saltwater and fresh water. They're 1265 01:07:26,000 --> 01:07:31,320 Speaker 1: genetically altered by a guy from the Vietnam War, and 1266 01:07:32,120 --> 01:07:34,040 Speaker 1: we accidentally just let them all out. 1267 01:07:34,520 --> 01:07:37,040 Speaker 2: Oh yeah, that's the best part is there's just one 1268 01:07:37,080 --> 01:07:39,560 Speaker 2: switch that can let them loose upon the world. 1269 01:07:39,560 --> 01:07:46,440 Speaker 1: There's no fail safe, yes at all. So this female 1270 01:07:46,560 --> 01:07:51,840 Speaker 1: investigator or skip tracer, I don't know what she is technically, 1271 01:07:51,960 --> 01:07:55,480 Speaker 1: but her name is Maggie. She's played by Heather Menzies. 1272 01:07:55,840 --> 01:07:59,600 Speaker 1: So she comes to this town because these two local 1273 01:07:59,640 --> 01:08:05,120 Speaker 1: teenage have disappeared because they broke into a military installation 1274 01:08:05,360 --> 01:08:09,000 Speaker 1: to go swimming, as you do tales old's time. 1275 01:08:09,160 --> 01:08:12,200 Speaker 2: I'm sure, Okay, I feel like this is and I 1276 01:08:12,200 --> 01:08:13,960 Speaker 2: don't know for a fact, so again, don't come in 1277 01:08:14,040 --> 01:08:15,880 Speaker 2: my dms either with your Piranha theories. 1278 01:08:16,280 --> 01:08:18,200 Speaker 1: But I feel like this is the. 1279 01:08:18,160 --> 01:08:21,960 Speaker 2: First horror movie to actually go looking for missing kids. 1280 01:08:22,360 --> 01:08:23,200 Speaker 3: Yeah. 1281 01:08:23,240 --> 01:08:24,760 Speaker 2: Like when she was like, this is my job to 1282 01:08:24,800 --> 01:08:26,760 Speaker 2: find these missing kids, I was like, wow, not even 1283 01:08:26,800 --> 01:08:30,280 Speaker 2: in Dante's Peak, those kids boiled to death and nobody 1284 01:08:30,320 --> 01:08:33,080 Speaker 2: was looking for them, and they had like track phones 1285 01:08:33,120 --> 01:08:33,519 Speaker 2: back then. 1286 01:08:35,960 --> 01:08:41,840 Speaker 1: I mean literally every movie begins with teenagers that go 1287 01:08:41,920 --> 01:08:44,800 Speaker 1: swim in and die somehow, right, that's kind I mean 1288 01:08:44,800 --> 01:08:46,400 Speaker 1: that was the beginning of Jaws. That's the beginning of 1289 01:08:46,439 --> 01:08:51,240 Speaker 1: most horror films, right. But yeah, she's set to find them, Okay. So, 1290 01:08:51,520 --> 01:08:54,479 Speaker 1: and she's very young and very cocky, and she's like, 1291 01:08:54,560 --> 01:08:58,639 Speaker 1: you know, basically a big whiz at finding people or something. 1292 01:08:59,080 --> 01:09:02,920 Speaker 1: And she comes to this town and realizes pretty quickly 1293 01:09:02,920 --> 01:09:04,920 Speaker 1: that she needs like somebody to kind of like take 1294 01:09:04,920 --> 01:09:08,519 Speaker 1: her around. So she gets this guy Paul, who was 1295 01:09:08,560 --> 01:09:13,360 Speaker 1: played by Bradford Billman, and he just like he's like 1296 01:09:13,680 --> 01:09:16,439 Speaker 1: just drinking in the cabin, right, he doesn't even give 1297 01:09:16,479 --> 01:09:18,280 Speaker 1: a fuck about what's going on, but you know, he 1298 01:09:18,400 --> 01:09:21,080 Speaker 1: somehow becomes involved in her hijinks. And I mean, I'm 1299 01:09:21,080 --> 01:09:24,759 Speaker 1: telling you, Paul is like speaking of bass pro shops. 1300 01:09:24,760 --> 01:09:28,040 Speaker 1: I mean he's had to toe in the in the 1301 01:09:28,120 --> 01:09:33,160 Speaker 1: bass Pro shop fit drinking all day in the river cabin, okay, 1302 01:09:33,360 --> 01:09:34,840 Speaker 1: And now all of a sudden he's like, well, I 1303 01:09:34,840 --> 01:09:37,320 Speaker 1: gotta go help this hot lady who needs to find 1304 01:09:37,360 --> 01:09:40,880 Speaker 1: out about these murders. So let me sneak into this 1305 01:09:41,000 --> 01:09:45,680 Speaker 1: military compound thing with her, and the two of them 1306 01:09:46,120 --> 01:09:48,680 Speaker 1: was really her, to be honest, I hate to say it, 1307 01:09:48,760 --> 01:09:51,000 Speaker 1: but she decides to fuck around with a bunch of 1308 01:09:51,040 --> 01:09:55,320 Speaker 1: buttons and levers, and just as Danielle just said, they 1309 01:09:55,400 --> 01:09:59,679 Speaker 1: just pull this giant fucking lever like a Warner Brothers 1310 01:09:59,760 --> 01:10:06,519 Speaker 1: car tune, and it essentially drains this, you know, whatever 1311 01:10:06,640 --> 01:10:11,839 Speaker 1: hatchery or whatever this is, and let's loose these killer 1312 01:10:11,920 --> 01:10:16,040 Speaker 1: piranhas that the military scientists guy from Vietnam is working on. 1313 01:10:16,800 --> 01:10:19,400 Speaker 1: Lets him into this river where a bunch of people 1314 01:10:19,439 --> 01:10:23,960 Speaker 1: are hanging out, including this like water park resort type 1315 01:10:23,960 --> 01:10:29,479 Speaker 1: place very much like Jaws, and also this summer camp 1316 01:10:30,600 --> 01:10:34,960 Speaker 1: four children, one of whom is Paul's young daughter. 1317 01:10:35,360 --> 01:10:39,799 Speaker 2: Okay, my favorite part about this scene is she pulls 1318 01:10:39,840 --> 01:10:45,800 Speaker 2: this fucking lever down the scientist whose name scientist is 1319 01:10:45,800 --> 01:10:48,680 Speaker 2: a doctor Robert Hoak, slaved by Kevin McCarthy. 1320 01:10:49,320 --> 01:10:51,519 Speaker 1: He comes running out, is like, what the fuck are 1321 01:10:51,520 --> 01:10:53,280 Speaker 1: you doing? They beat this. 1322 01:10:53,120 --> 01:10:55,080 Speaker 2: Man within an inch of his life and then just 1323 01:10:55,120 --> 01:10:57,479 Speaker 2: walk away like he's the one who fucked up. 1324 01:10:58,640 --> 01:11:01,559 Speaker 1: He's like, I'm sorry, did you just release all of 1325 01:11:01,600 --> 01:11:03,760 Speaker 1: my killer piranha? And they're like fuck you, and they 1326 01:11:03,800 --> 01:11:08,400 Speaker 1: beat him up. They came into his house, beat his ass, 1327 01:11:09,360 --> 01:11:11,479 Speaker 1: pulled his giant cartoon lever. 1328 01:11:11,320 --> 01:11:15,040 Speaker 2: As it's fucking Chrisy and then they're. 1329 01:11:14,840 --> 01:11:17,400 Speaker 1: Like fuck this guy, and I'm like, I'm sorry. 1330 01:11:18,680 --> 01:11:21,200 Speaker 2: Up a minute and take a look at the situation 1331 01:11:21,360 --> 01:11:22,280 Speaker 2: from the outside in. 1332 01:11:24,439 --> 01:11:28,519 Speaker 1: Now. We got to talk about these resorts and these 1333 01:11:28,560 --> 01:11:31,840 Speaker 1: camps right now. Okay, So there's a ton of great 1334 01:11:31,840 --> 01:11:35,000 Speaker 1: actors in Prana, as you can imagine, because Joe Dante, right, 1335 01:11:35,120 --> 01:11:38,080 Speaker 1: he's got a great stable of people that appear in 1336 01:11:38,120 --> 01:11:41,360 Speaker 1: his films. You got like cult movie royalty left and right. 1337 01:11:41,400 --> 01:11:45,800 Speaker 1: You got Dick Miller, Barbara Steele, Paul Bartel. I mean, 1338 01:11:46,320 --> 01:11:50,160 Speaker 1: Dick Miller plays the owner of this like water park 1339 01:11:50,320 --> 01:11:55,960 Speaker 1: resort place, and in true Jaws fashion, is definitely a 1340 01:11:56,040 --> 01:12:00,080 Speaker 1: fucking buffoon in denial of these killer pranas, and it 1341 01:12:00,120 --> 01:12:02,439 Speaker 1: does like every dopey thing he can to be like 1342 01:12:03,080 --> 01:12:07,200 Speaker 1: business as usual, folks. Meanwhile, people are falling into the 1343 01:12:07,240 --> 01:12:13,000 Speaker 1: fucking river and having their flesh ripped apart, right, Like 1344 01:12:14,800 --> 01:12:19,400 Speaker 1: it's always the failures of government or like business owners 1345 01:12:20,080 --> 01:12:22,320 Speaker 1: in these like killer animal movies. 1346 01:12:22,400 --> 01:12:25,639 Speaker 2: It is so funny to me, right, it's the ultimate 1347 01:12:25,680 --> 01:12:28,120 Speaker 2: twist because you're like, oh, the killers are animals, but 1348 01:12:28,160 --> 01:12:30,519 Speaker 2: the real killer is capitalism and war. 1349 01:12:31,800 --> 01:12:36,240 Speaker 1: Meanwhile, this guy, like a fucking like crazy like get 1350 01:12:36,439 --> 01:12:40,559 Speaker 1: cowboy get up, is responsible for like the maiming of 1351 01:12:40,720 --> 01:12:45,040 Speaker 1: all of these guests from these like radioactive fish. I mean, 1352 01:12:45,040 --> 01:12:46,040 Speaker 1: it's so. 1353 01:12:45,840 --> 01:12:49,840 Speaker 2: Insane, right what point He's on this raft that only 1354 01:12:49,840 --> 01:12:52,960 Speaker 2: holds like eighteen people. He's also the man who's literally 1355 01:12:53,120 --> 01:12:56,000 Speaker 2: kicking people in the face to keep them from getting 1356 01:12:56,040 --> 01:13:00,000 Speaker 2: on the raft with him, like after he exposes them 1357 01:13:00,080 --> 01:13:03,240 Speaker 2: to the killer piranha, He's like, no, we can't see you, sorry, 1358 01:13:03,840 --> 01:13:06,240 Speaker 2: kick Damn. 1359 01:13:06,360 --> 01:13:11,320 Speaker 1: This guy is cold blooded, cold blooded. And I'm also 1360 01:13:11,360 --> 01:13:15,599 Speaker 1: going to talk about this children's summer camp. Okay, thank 1361 01:13:15,640 --> 01:13:20,280 Speaker 1: you now, like I said, Paul's daughter, right, Bradford Dillman's 1362 01:13:20,320 --> 01:13:24,599 Speaker 1: daughter is a camper and look, she's afraid of water. 1363 01:13:25,040 --> 01:13:28,400 Speaker 1: Wish can only serve her well in this film, am 1364 01:13:28,400 --> 01:13:32,280 Speaker 1: I right? But yes, these pirana are releasing this river 1365 01:13:32,840 --> 01:13:36,439 Speaker 1: and of course this camp is having some kind of 1366 01:13:36,479 --> 01:13:39,759 Speaker 1: field day thing where they're like in the river racing 1367 01:13:39,800 --> 01:13:42,200 Speaker 1: each other in inner tubes. You know, the camp counselors 1368 01:13:42,200 --> 01:13:43,920 Speaker 1: are just like in the river with them. You know, 1369 01:13:44,000 --> 01:13:47,080 Speaker 1: everyone's getting wet. I mean the camp. The head camp 1370 01:13:47,120 --> 01:13:51,880 Speaker 1: counselor is played by I mean, just like the great director, 1371 01:13:52,080 --> 01:13:56,040 Speaker 1: actor Mike King, Paul Bartel. Please see a Paul Bartel 1372 01:13:56,160 --> 01:13:58,960 Speaker 1: movie once in your life people, Okay. And he's in 1373 01:13:59,080 --> 01:14:02,840 Speaker 1: the water in his full counselor outfit, right blowing the 1374 01:14:02,880 --> 01:14:06,960 Speaker 1: whistle while these kids are like splsh splashing around and 1375 01:14:07,080 --> 01:14:10,920 Speaker 1: shoots off a yeah, shoot off a real gun and 1376 01:14:11,160 --> 01:14:13,760 Speaker 1: around these like seven to eight year old kids, and 1377 01:14:13,840 --> 01:14:17,639 Speaker 1: you can imagine killer Piranha show up and these kids 1378 01:14:18,400 --> 01:14:24,320 Speaker 1: are getting mangled left and right, and you get it, Yes, 1379 01:14:24,680 --> 01:14:28,320 Speaker 1: the fuck up? Look I always like to say, right, 1380 01:14:28,439 --> 01:14:32,160 Speaker 1: like a movie goes from zero to a thousand when 1381 01:14:32,160 --> 01:14:35,880 Speaker 1: they kill off a kid and goddamn, Parana goes hard 1382 01:14:35,960 --> 01:14:38,400 Speaker 1: in the paint. With these kids getting eaten in this 1383 01:14:38,560 --> 01:14:42,040 Speaker 1: river by these fish, I mean, it's like they're in 1384 01:14:42,120 --> 01:14:44,960 Speaker 1: this seed lasts for a very long time where the 1385 01:14:45,040 --> 01:14:48,959 Speaker 1: kids are like, ah, they're screaming and like there's blood everywhere, 1386 01:14:49,000 --> 01:14:52,400 Speaker 1: and I'm like, oh my god, it really does go 1387 01:14:52,479 --> 01:14:57,640 Speaker 1: on forever forever, And like meanwhile, Paul's daughter is on 1388 01:14:57,720 --> 01:15:00,840 Speaker 1: the bank of the river, hiding underneath the cold, like 1389 01:15:00,920 --> 01:15:04,400 Speaker 1: watching her friends get and their faces ripped off. I mean, 1390 01:15:04,439 --> 01:15:09,200 Speaker 1: it's like insane, It's totally insane. Right, There's one part. 1391 01:15:09,760 --> 01:15:12,720 Speaker 2: I really think that this was very pointedly hilarious. 1392 01:15:12,720 --> 01:15:15,519 Speaker 1: There's one part where one of the piranha. 1393 01:15:15,000 --> 01:15:17,200 Speaker 2: Leaps out of the water and like attaches itself to 1394 01:15:17,200 --> 01:15:20,720 Speaker 2: Paul Bartel's face. But that's the only time they do it, 1395 01:15:20,720 --> 01:15:22,960 Speaker 2: Like they have the ability to leap out of the water, 1396 01:15:23,400 --> 01:15:26,200 Speaker 2: but they're only doing it for that guy. She's watching 1397 01:15:26,200 --> 01:15:28,879 Speaker 2: this from the shore, like she's on the fucking beaches 1398 01:15:28,880 --> 01:15:32,960 Speaker 2: of Normandy watching her friend's fucking elbow crawl out of 1399 01:15:33,000 --> 01:15:34,360 Speaker 2: this goddamn river. 1400 01:15:35,280 --> 01:15:39,120 Speaker 1: God, it is so crazy, Like if you think about 1401 01:15:39,120 --> 01:15:40,640 Speaker 1: it from like I don't know, just like if you 1402 01:15:40,680 --> 01:15:41,920 Speaker 1: look at it and you're like, oh my god, all 1403 01:15:41,920 --> 01:15:45,679 Speaker 1: these children are being eaten by fish and they're dying 1404 01:15:45,880 --> 01:15:50,080 Speaker 1: left and right in this horror movie. Right, it's it's insane. 1405 01:15:50,120 --> 01:15:53,000 Speaker 2: I'm so surprised that it was, like, you know, none 1406 01:15:53,000 --> 01:15:56,559 Speaker 2: of these none of these camp counselors, because this movie 1407 01:15:56,680 --> 01:15:59,280 Speaker 2: was at leased in seventy eight. Yeah, yoga was a thing. 1408 01:15:59,720 --> 01:16:02,960 Speaker 2: None of these camp counselors suggested. Just downward dogging on 1409 01:16:03,000 --> 01:16:05,880 Speaker 2: those inner tubes. You gotta get a balance, like you 1410 01:16:05,960 --> 01:16:08,240 Speaker 2: got the course strength, you're seven years old, just fucking 1411 01:16:08,280 --> 01:16:11,280 Speaker 2: downward dogging and those paranha can't get you because your ass. 1412 01:16:11,080 --> 01:16:11,800 Speaker 1: Is in the water. 1413 01:16:14,640 --> 01:16:17,439 Speaker 2: There were so many asses getting bit the fuck up, 1414 01:16:17,439 --> 01:16:20,160 Speaker 2: And I'm like, dude, downward dogg it, do what you 1415 01:16:20,200 --> 01:16:20,800 Speaker 2: gotta do. 1416 01:16:20,880 --> 01:16:21,880 Speaker 1: Wiggle out the middle. 1417 01:16:22,160 --> 01:16:26,800 Speaker 2: You can dogank, planket what you got to do. 1418 01:16:28,640 --> 01:16:32,200 Speaker 1: So this mayhem is happening all over the place, like 1419 01:16:32,240 --> 01:16:35,120 Speaker 1: at the water park, at the camp, and you know, 1420 01:16:35,240 --> 01:16:39,639 Speaker 1: obviously like Maggie and Paul gotta shut it down. They're 1421 01:16:39,680 --> 01:16:44,200 Speaker 1: responsible for it, So get it together. Right. So the 1422 01:16:44,280 --> 01:16:46,320 Speaker 1: rest of the this movie is them trying to contain 1423 01:16:46,479 --> 01:16:51,679 Speaker 1: this infestation of these man eating piranha. Right, and there's 1424 01:16:51,720 --> 01:16:55,920 Speaker 1: this scene where Paul has to go underwater in the 1425 01:16:56,000 --> 01:16:59,599 Speaker 1: river and dive into this like I guess it's kind 1426 01:16:59,600 --> 01:17:03,280 Speaker 1: of this like sunken facility to open this valve that's 1427 01:17:03,320 --> 01:17:06,280 Speaker 1: going to again here we go with the I mean, 1428 01:17:06,320 --> 01:17:08,000 Speaker 1: this is a lot to think about. And I'm like, 1429 01:17:08,080 --> 01:17:11,639 Speaker 1: John Sales, you were on one. But that's cool. So 1430 01:17:11,680 --> 01:17:14,040 Speaker 1: he's got to like go underwater to open this valve 1431 01:17:14,360 --> 01:17:18,200 Speaker 1: to this like toxic waste tank or something that they 1432 01:17:18,960 --> 01:17:21,639 Speaker 1: hope is gonna be like the only thing that kills 1433 01:17:21,680 --> 01:17:24,880 Speaker 1: the prana before they get into the open ocean. And 1434 01:17:24,880 --> 01:17:26,760 Speaker 1: then it's all over, Like they get into the open 1435 01:17:26,760 --> 01:17:29,439 Speaker 1: ocean and then it's like the world is being eaten 1436 01:17:29,479 --> 01:17:31,639 Speaker 1: alive by man eating piranha. 1437 01:17:31,800 --> 01:17:34,519 Speaker 2: Right, It's like that Jake Gillenhall movie where he falls 1438 01:17:34,560 --> 01:17:37,160 Speaker 2: to Earth instead of the alien. Yeah, with the alien 1439 01:17:37,240 --> 01:17:39,679 Speaker 2: falls to Earth and everyone's. 1440 01:17:39,080 --> 01:17:41,240 Speaker 1: Like, no, don't open the hetche. 1441 01:17:41,680 --> 01:17:44,599 Speaker 2: Paranha's gonna get out unless we pollute the entire river. 1442 01:17:45,000 --> 01:17:48,400 Speaker 1: Yes, They're like, let's just kill the river and get 1443 01:17:49,280 --> 01:17:53,519 Speaker 1: indestructible piranha. We get only killed them with toxic waste. 1444 01:17:53,600 --> 01:17:56,519 Speaker 1: Get in there. Paul ties a rope around himself and 1445 01:17:56,560 --> 01:17:58,720 Speaker 1: he tells Maggie like count to one hundred and then 1446 01:17:58,920 --> 01:18:01,200 Speaker 1: pull him out. Doesn't matter if he's dead or alive. 1447 01:18:01,240 --> 01:18:04,759 Speaker 1: And listen, every time I see this scene in this movie, 1448 01:18:04,800 --> 01:18:12,120 Speaker 1: I'm like sweating because I fucking hate in movies where 1449 01:18:12,160 --> 01:18:15,400 Speaker 1: people have to like dive into things and do something 1450 01:18:15,680 --> 01:18:18,360 Speaker 1: really serious that like requires them to like hold their 1451 01:18:18,360 --> 01:18:21,960 Speaker 1: breath for like an unprecedented amount of time, right, And 1452 01:18:22,000 --> 01:18:25,920 Speaker 1: I'm just like stressed the hell out by this whole scene. 1453 01:18:25,960 --> 01:18:27,960 Speaker 1: And you know, Maggie's like on the boat being like, 1454 01:18:28,000 --> 01:18:29,800 Speaker 1: we gotta pull this guy out. He's gonna be under 1455 01:18:29,800 --> 01:18:31,760 Speaker 1: the water for a really long time. Hope to god 1456 01:18:31,760 --> 01:18:34,040 Speaker 1: he knows how to hold his breath or else if 1457 01:18:34,080 --> 01:18:36,559 Speaker 1: he doesn't make it, then the world will die. 1458 01:18:36,720 --> 01:18:36,880 Speaker 3: You know. 1459 01:18:36,920 --> 01:18:40,320 Speaker 1: It's just like this fucking really tense moment in this 1460 01:18:40,720 --> 01:18:45,599 Speaker 1: killer Fish movie. But look, when it comes down to it, 1461 01:18:45,880 --> 01:18:48,880 Speaker 1: these fish are killing kids up there, and you've got 1462 01:18:48,960 --> 01:18:54,200 Speaker 1: pull stops and I won't give the rest away. I 1463 01:18:54,240 --> 01:18:58,599 Speaker 1: mean I really won't. It's easy too, and in a way, 1464 01:18:58,640 --> 01:19:00,840 Speaker 1: I feel like I should because it would. I don't 1465 01:19:00,840 --> 01:19:02,879 Speaker 1: know why I'm withholding from you. 1466 01:19:02,920 --> 01:19:05,880 Speaker 2: No, because it's worth watching. If you haven't seen Piranha before, 1467 01:19:05,960 --> 01:19:07,040 Speaker 2: it is so worth. 1468 01:19:06,840 --> 01:19:10,320 Speaker 1: It, dude. Okay, first of all, not only this, but 1469 01:19:10,600 --> 01:19:16,280 Speaker 1: Pirana was like it eventually became like its own cinematic universe. 1470 01:19:16,360 --> 01:19:20,080 Speaker 1: I mean it it was remade at a certain point 1471 01:19:20,120 --> 01:19:22,639 Speaker 1: and it became a franchise. I mean basically. The sequel 1472 01:19:23,120 --> 01:19:25,200 Speaker 1: came out a few years later in nineteen eighty one, 1473 01:19:25,280 --> 01:19:30,280 Speaker 1: and it was directed by James Cameron. Okay, there's like 1474 01:19:30,640 --> 01:19:32,439 Speaker 1: I don't know if it's like a full on porn 1475 01:19:32,560 --> 01:19:34,800 Speaker 1: version of Pana, but there's one that like is really 1476 01:19:34,840 --> 01:19:38,120 Speaker 1: kind of like TNA like, so it's got it's taken 1477 01:19:38,120 --> 01:19:39,920 Speaker 1: out a life of its own. So there's a part 1478 01:19:39,920 --> 01:19:41,240 Speaker 1: of me that's like, I don't want to spoil it 1479 01:19:41,280 --> 01:19:45,040 Speaker 1: because what if you want to invest in the whole universe? 1480 01:19:46,880 --> 01:19:50,360 Speaker 1: What if you want to get Piranha three d far 1481 01:19:50,479 --> 01:19:54,360 Speaker 1: made for me to spoil years upon years of appreciation 1482 01:19:54,520 --> 01:19:55,680 Speaker 1: for this franchise, right. 1483 01:19:55,720 --> 01:19:59,559 Speaker 2: But Barbara Steele, who plays doctor Mengers, yeah, she kind 1484 01:19:59,600 --> 01:20:04,320 Speaker 2: of helps keep the legacy going by first of all, 1485 01:20:04,400 --> 01:20:06,200 Speaker 2: she looks like dead in the camera at the end 1486 01:20:06,240 --> 01:20:09,800 Speaker 2: and she's like, everything's fine. But throughout the film she 1487 01:20:10,200 --> 01:20:17,920 Speaker 2: constantly pronounces it Piranya, the Piranya. I'm like, she she's 1488 01:20:17,960 --> 01:20:19,400 Speaker 2: worth it for her alone. 1489 01:20:19,520 --> 01:20:20,960 Speaker 1: It's worth the chwata this movie. 1490 01:20:21,160 --> 01:20:22,920 Speaker 2: The piranya. We're an experiment. 1491 01:20:23,800 --> 01:20:27,599 Speaker 1: Listen. Just as a very quick sidebar, Like, we did 1492 01:20:27,800 --> 01:20:30,040 Speaker 1: an episode of TCM's slumber Ground, which is this like 1493 01:20:30,080 --> 01:20:34,400 Speaker 1: websterre is that I host with some coworkers mine at TCM. 1494 01:20:35,240 --> 01:20:39,320 Speaker 1: We kept saying piranha like a bunch of like rednecks 1495 01:20:39,560 --> 01:20:42,600 Speaker 1: from South Georgia. These paranhas are eating them kids, And 1496 01:20:42,720 --> 01:20:45,360 Speaker 1: I was like, we have to say piranha right, because 1497 01:20:45,400 --> 01:20:48,479 Speaker 1: Barbara Steel says it so weirdly in this movie that 1498 01:20:48,560 --> 01:20:50,840 Speaker 1: if we don't say it right in this thing, like 1499 01:20:51,120 --> 01:20:56,880 Speaker 1: all bets are off. It's like distracting. The way she 1500 01:20:57,000 --> 01:21:00,639 Speaker 1: says it Paranya so funny, but also so like as 1501 01:21:00,680 --> 01:21:03,240 Speaker 1: is her brand. Of course, she kind of has that 1502 01:21:03,320 --> 01:21:07,080 Speaker 1: like dead stare right. It's awesome, It's awesome, And I 1503 01:21:07,120 --> 01:21:09,479 Speaker 1: love these piranha. I love that there's a scene where. 1504 01:21:09,320 --> 01:21:14,559 Speaker 2: An older guy in town it's just fishing, just fishing 1505 01:21:14,600 --> 01:21:17,040 Speaker 2: with his dog and you know, dangling his legs in 1506 01:21:17,080 --> 01:21:17,760 Speaker 2: the water. 1507 01:21:19,200 --> 01:21:20,200 Speaker 1: In the panaum. 1508 01:21:20,880 --> 01:21:25,360 Speaker 2: Here's how bad fedoras are. They eat his feet and 1509 01:21:25,439 --> 01:21:29,160 Speaker 2: leave that fedora. They leave the rest of his body, Like, 1510 01:21:29,200 --> 01:21:30,680 Speaker 2: we're just gonna eat these feet. We don't need to 1511 01:21:30,720 --> 01:21:32,080 Speaker 2: go all over that head. 1512 01:21:34,439 --> 01:21:37,000 Speaker 1: We don't want that hat. Who does he think he is? 1513 01:21:37,280 --> 01:21:42,240 Speaker 1: Justin Timberlake. Oh God, I love it. I gotta tell you, 1514 01:21:42,400 --> 01:21:46,519 Speaker 1: Prana such a fun summer movie, such a great movie, 1515 01:21:46,960 --> 01:21:49,439 Speaker 1: so fun to just sort of like end the summer on. 1516 01:21:50,880 --> 01:21:54,280 Speaker 1: It's totally ridiculous and fun. A great Jaws rip off. 1517 01:21:54,320 --> 01:21:57,840 Speaker 1: I mean, lots of lessons to be learned here. It's like, yes, one, 1518 01:21:58,400 --> 01:22:02,240 Speaker 1: don't fucking break into a bandon military installations. People just 1519 01:22:02,280 --> 01:22:05,040 Speaker 1: don't do it too. Don't go mess around with giant 1520 01:22:05,120 --> 01:22:07,880 Speaker 1: cartoon levers on a wall because you might let loose 1521 01:22:08,080 --> 01:22:12,120 Speaker 1: a bunch of mutated pranas. And three, just stay out 1522 01:22:12,120 --> 01:22:14,800 Speaker 1: of the forest. Stay out of the forest, out of 1523 01:22:14,840 --> 01:22:17,040 Speaker 1: the river. If you want to go on vacation, just 1524 01:22:17,080 --> 01:22:19,439 Speaker 1: go to palm springs or something. Just don't don't go 1525 01:22:19,600 --> 01:22:22,160 Speaker 1: to the forest. Just stay out of the forest. 1526 01:22:22,360 --> 01:22:25,120 Speaker 2: You're genuinely safer on the open ocean than you would 1527 01:22:25,280 --> 01:22:26,680 Speaker 2: be in a forest. 1528 01:22:26,960 --> 01:22:30,479 Speaker 1: Go somewhere that has zero water. Just don't do it. 1529 01:22:30,560 --> 01:22:33,880 Speaker 1: Go to the desert. Oh this was so I'm so. 1530 01:22:33,920 --> 01:22:35,600 Speaker 2: Glad that we took a minute for the summer to 1531 01:22:35,680 --> 01:22:38,400 Speaker 2: kind of have some fun because these movies are so fun. 1532 01:22:38,439 --> 01:22:41,519 Speaker 2: Like I truly laughed so hard this week every time 1533 01:22:41,520 --> 01:22:42,479 Speaker 2: I thought about this movie. 1534 01:22:42,600 --> 01:22:43,080 Speaker 1: Oh my god. 1535 01:22:43,080 --> 01:22:44,679 Speaker 2: And I hadn't seen it since I was a kid, 1536 01:22:44,920 --> 01:22:48,360 Speaker 2: and I just loved I loved it so campy and 1537 01:22:48,479 --> 01:22:52,960 Speaker 2: fun and just interesting and hilarious and it's just yeah, 1538 01:22:53,000 --> 01:22:54,719 Speaker 2: it's very, very fun. 1539 01:22:55,040 --> 01:22:58,479 Speaker 1: Yeah. I've had such a blast this summer doing these 1540 01:22:58,520 --> 01:22:59,360 Speaker 1: episodes with you. 1541 01:23:00,000 --> 01:23:02,360 Speaker 2: We're going to keep injecting that throughout, but we really 1542 01:23:02,400 --> 01:23:06,240 Speaker 2: went for it with our with our summer. Yeah, well 1543 01:23:06,240 --> 01:23:07,559 Speaker 2: what's coming up next week? 1544 01:23:07,640 --> 01:23:08,320 Speaker 1: We got to do that. 1545 01:23:08,400 --> 01:23:11,599 Speaker 2: Well, actually next week there's no new episode, but there 1546 01:23:11,720 --> 01:23:15,120 Speaker 2: is going to be a bonus episode on Thursday, and 1547 01:23:15,160 --> 01:23:16,880 Speaker 2: we're going to be digging into your mail bag. 1548 01:23:17,200 --> 01:23:20,160 Speaker 1: Yeah, like we've been doing these bonus and they're mail 1549 01:23:20,200 --> 01:23:23,200 Speaker 1: bags and you know, like again, like we like answer 1550 01:23:23,200 --> 01:23:24,960 Speaker 1: a lot of stuff on there. We talk about we 1551 01:23:25,000 --> 01:23:29,360 Speaker 1: keep it real loose. So if you don't have access 1552 01:23:29,400 --> 01:23:31,519 Speaker 1: to Stitcher Premium yet, you should get on it. I 1553 01:23:31,520 --> 01:23:35,160 Speaker 1: mean Basically, if you absolutely go to Stitcher Premium. Is 1554 01:23:35,200 --> 01:23:36,800 Speaker 1: our promo code still working? 1555 01:23:36,920 --> 01:23:37,080 Speaker 2: Right? 1556 01:23:37,439 --> 01:23:40,760 Speaker 1: So yeah, promo code saw for a free month. You 1557 01:23:40,760 --> 01:23:43,240 Speaker 1: can catch up on all of our premium episodes if 1558 01:23:43,240 --> 01:23:48,160 Speaker 1: you haven't already. Yeah, but our next full episode will 1559 01:23:48,160 --> 01:23:51,360 Speaker 1: be on the fourteenth of September. Oh yeah, And what 1560 01:23:51,439 --> 01:23:52,120 Speaker 1: are the movies? 1561 01:23:52,560 --> 01:23:57,400 Speaker 2: The movies are Semi Tough from nineteen seventy seven and 1562 01:23:57,560 --> 01:23:59,800 Speaker 2: Fat City from nineteen seventy two. 1563 01:24:00,200 --> 01:24:11,440 Speaker 1: Holy shit, Motorcycle is revn the Motorcycle again? So great? 1564 01:24:11,760 --> 01:24:14,280 Speaker 1: Two really great movies. I can't wait to get into them. 1565 01:24:14,680 --> 01:24:18,120 Speaker 2: Try to guess the theme and keep emailing us you can. 1566 01:24:18,200 --> 01:24:20,120 Speaker 2: You can email us if you like it. I saw 1567 01:24:20,160 --> 01:24:23,760 Speaker 2: what you did pot at gmail. Send us your questions 1568 01:24:23,960 --> 01:24:26,040 Speaker 2: or you know, send us your your comments. We're looking 1569 01:24:26,080 --> 01:24:28,439 Speaker 2: for stories about you falling asleep in a movie theater. 1570 01:24:28,920 --> 01:24:29,519 Speaker 1: You're looking for. 1571 01:24:29,479 --> 01:24:33,880 Speaker 2: Your wildest movie movie experiences. Just anything that you think 1572 01:24:34,000 --> 01:24:35,960 Speaker 2: is fun and related to film. Come let us let 1573 01:24:36,040 --> 01:24:36,879 Speaker 2: us hear your stories. 1574 01:24:37,240 --> 01:24:39,160 Speaker 1: Yeah. Or if I had a friend the other day 1575 01:24:39,200 --> 01:24:41,840 Speaker 1: tell me a story about uh he listened to the 1576 01:24:41,880 --> 01:24:44,000 Speaker 1: podcast and was like, I have a funny story about 1577 01:24:44,000 --> 01:24:45,720 Speaker 1: going to the movies, but I had to work an 1578 01:24:45,720 --> 01:24:47,800 Speaker 1: event at a movie where I had to like throw 1579 01:24:47,840 --> 01:24:51,120 Speaker 1: out something into the crowd that was ridiculous, And like, 1580 01:24:51,439 --> 01:24:53,519 Speaker 1: if you if you've ever done that, like any kind 1581 01:24:53,560 --> 01:24:56,080 Speaker 1: of funny I work in a movie theater, stories or 1582 01:24:56,120 --> 01:24:58,120 Speaker 1: something like that, please send them. We would love to 1583 01:24:58,360 --> 01:25:01,639 Speaker 1: love to hear about that. But also too, we're on 1584 01:25:01,680 --> 01:25:05,000 Speaker 1: social media. Uh, we're at I saw a pod on 1585 01:25:05,040 --> 01:25:09,800 Speaker 1: Instagram and Twitter and you can buy our merch. We've 1586 01:25:09,800 --> 01:25:11,639 Speaker 1: got merch at. 1587 01:25:11,560 --> 01:25:13,559 Speaker 2: I saw you did merch in the exactly Right shop 1588 01:25:13,600 --> 01:25:16,519 Speaker 2: at exactly rightmedia dot com. This feels weird because I 1589 01:25:16,960 --> 01:25:19,240 Speaker 2: think because I said the email first, like we switched 1590 01:25:19,280 --> 01:25:19,840 Speaker 2: it this week. 1591 01:25:20,200 --> 01:25:24,559 Speaker 1: Yeah, I know sometimes yeah, I usually say the email first. 1592 01:25:24,560 --> 01:25:27,360 Speaker 1: I don't know why that's so weird. I like it, 1593 01:25:28,160 --> 01:25:35,120 Speaker 1: but I'm like, we do have merch dot dot dot dot, 1594 01:25:36,240 --> 01:25:38,639 Speaker 1: but you actually gotta tell you. I mean, we might 1595 01:25:38,680 --> 01:25:40,600 Speaker 1: be coming out with some new stuff soon, so you know, 1596 01:25:40,720 --> 01:25:45,520 Speaker 1: check it out. But we still got like cool T shirts, mugs. 1597 01:25:45,600 --> 01:25:48,559 Speaker 1: We got a pin enamel pin for you. The weather 1598 01:25:48,800 --> 01:25:50,600 Speaker 1: gets cooler in the fall and you need something for 1599 01:25:50,640 --> 01:25:53,400 Speaker 1: your jean jackets. If you need something for your revolutionary 1600 01:25:53,479 --> 01:25:59,439 Speaker 1: war jacket, please get a pin. And I guess that's it, right, 1601 01:26:00,280 --> 01:26:03,639 Speaker 1: say in a couple of weeks. Yes, we'll see you soon. 1602 01:26:03,760 --> 01:26:05,599 Speaker 1: Thank you so much. This was so much fun. 1603 01:26:05,680 --> 01:26:07,559 Speaker 2: I just continue to love doing this podcast. 1604 01:26:08,320 --> 01:26:11,320 Speaker 1: Say have a good summer, everybody, what's left of it, 1605 01:26:11,439 --> 01:26:14,639 Speaker 1: and we'll see in the fall, see you in school. 1606 01:26:21,240 --> 01:26:22,759 Speaker 1: This has been an exactly right production. 1607 01:26:23,080 --> 01:26:26,479 Speaker 2: Our producers Alexis Amrossi, our engineers on Alyse Nelson. 1608 01:26:26,640 --> 01:26:30,080 Speaker 1: Our theme songs by Tom bry Foegel. Artwork by Garrett Ross. 1609 01:26:30,280 --> 01:26:33,280 Speaker 2: Our executive producers are Georgia hart Stark, Karen Till, Gareth 1610 01:26:33,320 --> 01:26:36,439 Speaker 2: and Danielle Kramer. Follow us on Instagram and Twitter at 1611 01:26:36,479 --> 01:26:38,960 Speaker 2: I saw pod email us at I saw what you 1612 01:26:38,960 --> 01:26:42,240 Speaker 2: did pod at Gmail, and please don't forget to listen, subscribe, 1613 01:26:42,360 --> 01:26:45,400 Speaker 2: leave us a review on Apple podcast, Stitcher, or wherever 1614 01:26:45,520 --> 01:26:46,000 Speaker 2: you listen