WEBVTT - Stanley “The Last Metrosexual” Tucci

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<v Speaker 1>Who's that knocking at the door. It's all your friends.

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<v Speaker 1>You've filthy horse, your husband's gone, and we've got books

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<v Speaker 1>and a bottle of wine to kill. It's Hollywood, it's books,

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<v Speaker 1>it's gossip. I'm sure it's memoir, it's martinis. Celebrity poof Club,

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<v Speaker 1>Read it while it's hot. Celebrity poof Club, Tell your secrets.

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<v Speaker 1>We won't talk celebrity books. No boys are a loud

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<v Speaker 1>celebrity book say it loud and cloud Celebrity book Club.

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<v Speaker 2>Buzz me in. I brought the queer vow.

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<v Speaker 1>Heyst, where are you?

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<v Speaker 2>Literally? Where am I ware? What? Who? You come to yourself?

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<v Speaker 2>I travel so.

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<v Speaker 1>Much travel and at our age, sometimes our heads can

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<v Speaker 1>be elsewhere.

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<v Speaker 2>Luckily, my knees stn't work?

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<v Speaker 1>Oh do they? Because you are your fucking all the time.

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<v Speaker 2>This, Oh, how dare you? You're the cocksucker?

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<v Speaker 1>And how great reviews? Beautiful reviews?

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<v Speaker 2>And you know what if I did even suck dick,

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<v Speaker 2>amazing reviews may be like wonderful, wonderful, wonder wonderful. Listen,

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<v Speaker 2>No enough of the bathroom humor.

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<v Speaker 1>Seriously, let's get serious because we have an extremely elegant

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<v Speaker 1>topic today.

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<v Speaker 2>I know it's actually I'm like, oh, we started off

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<v Speaker 2>so rawling elegance and we're talking about butter today. Oh

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<v Speaker 2>and we're talking about oh, I don't know, crisp white

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<v Speaker 2>wine from the Piedmont region.

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<v Speaker 1>Yeah, or even can I say it's hilarious, so wrong

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<v Speaker 1>to have I don't know the crispus have ever happened.

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<v Speaker 2>I don't know what about. I don't know what insanely

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<v Speaker 2>crisp peanut grease at lunch at one pm with your

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<v Speaker 2>older son.

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<v Speaker 1>Who made me a beautiful Welsh rampit because he's really

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<v Speaker 1>coming into his own as a chef, were talking about.

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<v Speaker 2>We're talking about none other than the hottest man to

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<v Speaker 2>all moms in the entire world.

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<v Speaker 1>That is so true, mom bait.

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<v Speaker 2>Literally, mom bait, we were talking about one of the

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<v Speaker 2>yummiest Italian Americans in history.

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<v Speaker 1>One of the original metrosexuals.

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<v Speaker 2>Literally, No, he's like the last, the original and the last.

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<v Speaker 2>And we're going to get into that, someone who is

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<v Speaker 2>famous for acting but is now known for.

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<v Speaker 1>Food and his guns. Ladies, because he do be working

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<v Speaker 1>out quite often, often with his yoga.

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<v Speaker 2>Instruct Okay, shake, shake, shake your groove thing, that's a

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<v Speaker 2>negroni I'm talking about. We are talking about none other than.

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<v Speaker 1>Stanley touch and his brand new book What I Ate

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<v Speaker 1>In One.

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<v Speaker 2>Year and related thoughts. H This whole book is so

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<v Speaker 2>like yummy, and it's like jazz. It's like soft jazz,

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<v Speaker 2>rainy London afternoon with a good glass of wine.

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<v Speaker 1>This book is full up jazz. And it was so

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<v Speaker 1>perfect that I was reading on the plane from Nantucket

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<v Speaker 1>to La Guardia, having just had a week of being

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<v Speaker 1>like mm so like rich, but also like cozy and

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<v Speaker 1>gloomy because it was like shoulder season late September Nantucket.

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<v Speaker 1>I was there. Yeah, I'll spill the beans.

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<v Speaker 2>Saw your personal life on this personal trip, but it

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<v Speaker 2>was personal yet for your wife's business, yes, which is

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<v Speaker 2>so Stanley. So he's always being so like well off

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<v Speaker 2>to the Dingly Literary Festival with Felicity. God, she has

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<v Speaker 2>so many launches. Okay, So you were having like a gluey.

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<v Speaker 1>And as we do this, I'm gonna make us a

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<v Speaker 1>very Stanley Tucci beverage by just what they had on

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<v Speaker 1>the iHeart fridge, because sometimes you just have to go with.

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<v Speaker 2>It's available, just what's available.

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<v Speaker 1>Some kind of improvised spaghettes, which is a little stella

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<v Speaker 1>with a splash.

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<v Speaker 2>Of apaol, which you a true spaghett is Miller high

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<v Speaker 2>life an apaol.

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<v Speaker 1>Okay, but he do want one, You're going to try it.

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<v Speaker 2>We love to peer pressure on this pod, and I

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<v Speaker 2>think Estella will work because you know, I think the

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<v Speaker 2>whole point of like the spaghetti is this high low,

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<v Speaker 2>like really watery beer, and Estella is you know, like

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<v Speaker 2>the most plain airport lounge delta beer.

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<v Speaker 1>So it's like it's a pale European lagger.

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<v Speaker 2>And Stanley Tucci is having to do a collab in

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<v Speaker 2>like skinny for it.

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<v Speaker 1>No one is more airport lounge than too cheap. What

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<v Speaker 1>I've realized reading this book is that he really is

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<v Speaker 1>so comfortable in like a pretty new hotel. Yeah, where

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<v Speaker 1>they have like the backlit bar and the high top

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<v Speaker 1>like blonde wood tables.

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<v Speaker 2>Blondewood tables but like deep orange hues.

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<v Speaker 1>Yes, or she was on like deep steel window like fenestration.

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<v Speaker 2>Oh wait, while you make these, I'm just gonna read

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<v Speaker 2>this passage just to kind of put us in place

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<v Speaker 2>with this book of him checking into a hotel. Here's

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<v Speaker 2>your set, Okay, thank you, darling, Cheers beautiful after Annenna's

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<v Speaker 2>arrived from JFK to Manhattan. We checked into the Whitby Hotel,

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<v Speaker 2>which is part of the Firmdale Group. I love staying

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<v Speaker 2>in their hotels because there's a consistency of eccentric, cozy design.

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<v Speaker 2>They are spotlessly clean and beautifully appointed, and the staff

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<v Speaker 2>is kind. I first stayed and won the Covenant Garden

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<v Speaker 2>Hotel in London over twenty years ago with Kate while

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<v Speaker 2>promoting Big Night. We had the loveliest time together at

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<v Speaker 2>that trip, and it was the first time I'd ever

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<v Speaker 2>seen an Honesty bar, which is a stable in all

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<v Speaker 2>Firmdale hotels. Another property of theirs, the Charlotte Street Hotel,

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<v Speaker 2>is where I stayed while filming Captain American, where Flissy

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<v Speaker 2>and I first spent time together.

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<v Speaker 1>As they say, this is so crazy because when the

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<v Speaker 1>Firmdale Hotel group first comes up, like earlier in the book,

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<v Speaker 1>when you stayed at the Crosby Hotel, which is a

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<v Speaker 1>Firmdale property and so and he just goes more on

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<v Speaker 1>that later, and I'm like, more on the Firmdale Group later.

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<v Speaker 2>I was like, girl, what more on that later?

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<v Speaker 1>And lo and behold, there was much more to say

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<v Speaker 1>about their incredible properties.

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<v Speaker 2>Because a lot of times when like a book will

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<v Speaker 2>be so like and we'll get to that later in

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<v Speaker 2>the Luanaway, they don't get to it. But he was

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<v Speaker 2>so being like, no, I must finish my thoughts on

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<v Speaker 2>the firmiler.

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<v Speaker 1>He's a hospitality pilled mama.

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<v Speaker 2>So I guess this book is also even though it's

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<v Speaker 2>all about like cod and butter, it is also like

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<v Speaker 2>a meditation on aging, his wife, dying, his new wife,

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<v Speaker 2>his own mortality with his new wife, Emily Blunt's sister,

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<v Speaker 2>Felicity Blunt.

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<v Speaker 1>Such a funny name, Felicity Blunt.

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<v Speaker 2>Hello, I'm fit and she is a literary agent.

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<v Speaker 1>It's just the most literary agent thing that could possibly be.

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<v Speaker 2>It's such a movie, like a British John spin off,

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<v Speaker 2>being like, oh meet my agent, Felicity Blunt. She'll be

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<v Speaker 2>taking you to dinner.

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<v Speaker 1>Okay, So let me ask you something before we even

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<v Speaker 1>get into all the journal entries. And this really quite

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<v Speaker 1>lovely book, lovely book. So his wife died of cancer, Kate,

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<v Speaker 1>his wife of fifteen years, has two kids with her.

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<v Speaker 1>She dies in two thousand and nine.

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<v Speaker 2>And you know the whole backstory also with their marriage,

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<v Speaker 2>which was he did a play with Edie Falco. They

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<v Speaker 2>had an affair, he left his wife Kate.

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<v Speaker 1>And just you know, Stanley, if you're listening, this is

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<v Speaker 1>a literary criticism pot and we will be talking about

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<v Speaker 1>the chart. There's just a little bit of Delbert, but

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<v Speaker 1>of course we're mostly talking about food and literature.

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<v Speaker 2>Well, Felicity Blunt, Yeah, the way he left his wife

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<v Speaker 2>for her and then his wife had cancer and he

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<v Speaker 2>got back with his wife and left Edie Falco and

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<v Speaker 2>Edi fa never married.

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<v Speaker 1>Oh yeah, he got out of cancer guilt.

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<v Speaker 2>I don't know I who's out of cancer guilt. I

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<v Speaker 2>think he was like, let me get back with my wife.

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<v Speaker 2>But some mother my children.

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<v Speaker 1>Yes, And sometimes an illness can throw your priorities into

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<v Speaker 1>stark relief.

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<v Speaker 2>Well, I don't know the exact timeline. It could have

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<v Speaker 2>been like he needed some relief. And you know, of

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<v Speaker 2>course you've done many plays. When you do play and

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<v Speaker 2>you're with the cast, emotions.

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<v Speaker 1>Playing chemistry, and that can supersede reality.

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<v Speaker 2>Right, we almost get into these romances. Forty five minutes

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<v Speaker 2>at the iHeart Offices.

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<v Speaker 1>Oh my god. Also just the redness of the iHeart Studio,

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<v Speaker 1>the roomb if you will, and I.

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<v Speaker 2>Saw this quote from felt being like, oh, I'm thrilled

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<v Speaker 2>he's back with his wife. I'm sure anyway, I read

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<v Speaker 2>his wife did pass sadly, passes.

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<v Speaker 1>Very sadly in two thousand and nine. In two thousand

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<v Speaker 1>and ten, he attends the wedding of John Krasinski and

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<v Speaker 1>Emily Blunt and whoms does he meet at the wedding

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<v Speaker 1>Felicity Bluntity And of course.

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<v Speaker 2>He had just done the devil rest pradact with Emily,

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<v Speaker 2>which is they were becoming quite close.

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<v Speaker 1>And then one you later he's married to Felicity.

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<v Speaker 2>I think to one year later he they hook up

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<v Speaker 2>at a firm deal group property and at the Charlotte

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<v Speaker 2>Street Hotel. Sorry, okay, they make and then the next

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<v Speaker 2>year they're married. I mean, when I read that timeline,

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<v Speaker 2>I'm like, okay, wife, If illco back with wife, wife dies.

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<v Speaker 1>I mean, he's a talent, it's also passionate.

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<v Speaker 2>Also, it's classic man they need women, Yes, they need woman. Also,

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<v Speaker 2>I think I don't think it's too soon. No, my

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<v Speaker 2>first reaction was absolutely right.

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<v Speaker 1>I said, if I died and my boyfriend.

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<v Speaker 2>Married within two years, right.

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<v Speaker 1>Lived would be absolutely corpse.

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<v Speaker 2>You'd be rolling in your firm deal group grave. I

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<v Speaker 2>think it's also I mean he had two kids and

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<v Speaker 2>was like, I think that just is very classic male.

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<v Speaker 2>They're like, okay, I'm a single father.

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<v Speaker 1>I need to like But also like Tucci is the

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<v Speaker 1>most eligible man alive, and so just like when he

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<v Speaker 1>became an Eli bachelor, it's like, so he's a gorgeous

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<v Speaker 1>man who takes care of his body, wildly successful, elegant,

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<v Speaker 1>can cook, loves travel, knows about wine, cares a little

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<v Speaker 1>breast literature.

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<v Speaker 2>It's like, he's not gonna stay single. But I also

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<v Speaker 2>don't see and to your point of all those things,

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<v Speaker 2>I think he is someone that wants like more of

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<v Speaker 2>a long term companion. I don't think after the wife

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<v Speaker 2>he was probably like, Okay, I'm gonna like fuck around.

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<v Speaker 2>He's like, I'm just gonna move on fast and get

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<v Speaker 2>a younger wife and younger. She is younger, she is

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<v Speaker 2>she's younger than Emily. Yeah, she's twenty one years his junior.

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<v Speaker 1>And there is a place, there's funny part where he's

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<v Speaker 1>just like, and of course my child. And then comes

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<v Speaker 1>the questions, why are you so much older than mommy?

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<v Speaker 1>But why is mommy still taller than you?

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<v Speaker 2>The bar was so funny. He was like, this is

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<v Speaker 2>what's happening during bedtime, which.

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<v Speaker 1>Makes them a huge fem tiny butch couple. Yes, but

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<v Speaker 1>this makes sense because I heard from someone recently that

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<v Speaker 1>I saw in real life. Oh yeah, he said they

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<v Speaker 1>had seen Stanley Tucci recently in real life, and of

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<v Speaker 1>course the Union Square Farmer's market.

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<v Speaker 2>Of course, and he was like just picking up what's fresh,

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<v Speaker 2>and he's like, I'm so into aliums lately.

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<v Speaker 1>And they said he was short af I mean Italian

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<v Speaker 1>guys are short, and he was wearing like when do

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<v Speaker 1>you remember? He was wearing an open cartigan kind of

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<v Speaker 1>maybe a khaki pant or a dress pant, a rown

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<v Speaker 1>kind of like leathery sneakery kind of dress shoes like

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<v Speaker 1>Dad Dad, but.

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<v Speaker 2>Like it's all Rothman's like he was probably like really

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<v Speaker 2>nice leather.

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<v Speaker 1>It was definitely nice, like Milanese, like four hundred and

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<v Speaker 1>fifty dollars, like sneaker dress shoes.

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<v Speaker 2>In this book, He's like, well, you know, I like

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<v Speaker 2>clothes as much as I like food.

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<v Speaker 1>I certainly does. Yeah, I don't think everyone needs to

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<v Speaker 1>wear a three piece suit every day, but my goodness,

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<v Speaker 1>he was like.

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<v Speaker 2>My goodness a T shirt to a premiere and he's like,

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<v Speaker 2>this is why I love wool and this is why

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<v Speaker 2>I love Autumn.

0:11:51.840 --> 0:11:55.520
<v Speaker 1>This book is very transparent about the job of celebrity

0:11:55.559 --> 0:11:57.880
<v Speaker 1>because it's just like he's like, I'm a sanm Pella

0:11:57.920 --> 0:11:59.719
<v Speaker 1>greena ambassador, I'm a Tanker Ray.

0:11:59.760 --> 0:12:02.520
<v Speaker 2>And also it's like Tanker Ray number three, Like he

0:12:02.559 --> 0:12:03.400
<v Speaker 2>really gets specific.

0:12:03.440 --> 0:12:06.320
<v Speaker 1>He's like, well take Gray number ten. There's no number three.

0:12:07.600 --> 0:12:08.040
<v Speaker 2>I'll leave.

0:12:09.720 --> 0:12:11.720
<v Speaker 1>You can see yourself out.

0:12:11.920 --> 0:12:13.480
<v Speaker 2>This is like when I heard it, Gay was like,

0:12:13.600 --> 0:12:16.600
<v Speaker 2>I'm surprised how much Lily doesn't know. On the podcast,

0:12:17.559 --> 0:12:22.440
<v Speaker 2>this is when he's referring to go on.

0:12:25.360 --> 0:12:27.080
<v Speaker 1>For the Palace event, I had chosen to wear a

0:12:27.080 --> 0:12:30.240
<v Speaker 1>cream colored linen, double breasted and muted plaid suit, a

0:12:30.280 --> 0:12:33.040
<v Speaker 1>white shirt of brown tie, brown socks, and brown shoes.

0:12:33.559 --> 0:12:35.160
<v Speaker 1>I love clothing as much as I love food, and

0:12:35.200 --> 0:12:38.320
<v Speaker 1>I always like to dress not only well but appropriately

0:12:38.480 --> 0:12:41.600
<v Speaker 1>for whatever the occasion might be. I loathe the fact

0:12:41.679 --> 0:12:44.960
<v Speaker 1>that our world has become so casual, so many people

0:12:45.000 --> 0:12:46.320
<v Speaker 1>were the same thing for a night on in the

0:12:46.320 --> 0:12:48.800
<v Speaker 1>town or to the theater that they were around the house,

0:12:48.920 --> 0:12:50.760
<v Speaker 1>which is most often a T shirt and jeans, or

0:12:50.800 --> 0:12:53.880
<v Speaker 1>even just sweatpants. When I did some cocktail videos during

0:12:53.920 --> 0:12:58.320
<v Speaker 1>lockdown for my Instagram, one person commented very excitedly that

0:12:58.360 --> 0:13:01.520
<v Speaker 1>I was wearing pants and a belt, although to be fair,

0:13:01.960 --> 0:13:04.560
<v Speaker 1>that was all people talked about in lockdowns and pants

0:13:04.679 --> 0:13:07.520
<v Speaker 1>with pants and hard pants, hard pants and soft pants.

0:13:07.840 --> 0:13:11.040
<v Speaker 1>Let's face it, adults today dressed like children. Shots fired.

0:13:11.320 --> 0:13:13.280
<v Speaker 1>I'm not suggesting that one down a three piece suit

0:13:13.280 --> 0:13:15.160
<v Speaker 1>every day, but anything other than short sneakers and T

0:13:15.240 --> 0:13:19.040
<v Speaker 1>shirts plastered with oversized logos or catchphrases like I used

0:13:19.040 --> 0:13:21.920
<v Speaker 1>to drink but that was hours ago, or shit I

0:13:22.000 --> 0:13:24.360
<v Speaker 1>don't have time for, followed by a list of that

0:13:24.480 --> 0:13:27.480
<v Speaker 1>quote shit would be a step in the right direction.

0:13:28.320 --> 0:13:36.319
<v Speaker 2>Him quoting my sassy Walmartees, I was obsessed. Im go off.

0:13:36.440 --> 0:13:40.240
<v Speaker 2>I mean say more, say it more for the people

0:13:40.240 --> 0:13:41.640
<v Speaker 2>in the back, and you don't. And that's the thing.

0:13:41.679 --> 0:13:43.160
<v Speaker 2>You don't have to be a coastally. It's just like

0:13:43.559 --> 0:13:46.080
<v Speaker 2>we think, now, oh, everyone else's casual, so then you

0:13:46.120 --> 0:13:48.360
<v Speaker 2>don't dress up, and then it's just casual. Casual casual.

0:13:48.440 --> 0:13:50.079
<v Speaker 2>I mean, go to the theater and people aren't.

0:13:50.120 --> 0:13:52.720
<v Speaker 1>You go to the theater and people are in sweet

0:13:52.960 --> 0:13:58.560
<v Speaker 1>sure vests, disgusting, horrendous. You and I are going to

0:13:58.559 --> 0:14:01.440
<v Speaker 1>a film premiere after this, and we're and stun beautiful

0:14:01.679 --> 0:14:05.760
<v Speaker 1>slacks kids, ripe slacks and dress shoes and button down

0:14:05.800 --> 0:14:07.280
<v Speaker 1>shirts and silver brais.

0:14:07.440 --> 0:14:10.920
<v Speaker 2>Silver bracelets, and we didn't plan these outfits to be

0:14:11.080 --> 0:14:15.920
<v Speaker 2>max exactly. The thing. What I was so inspired by

0:14:16.440 --> 0:14:18.680
<v Speaker 2>reading this book is I kept on like reading, and

0:14:18.679 --> 0:14:20.760
<v Speaker 2>then I would get up and go to my fridge

0:14:20.760 --> 0:14:23.160
<v Speaker 2>and just make kind of random ship because I feel

0:14:23.200 --> 0:14:26.480
<v Speaker 2>like that's what like random shit, because I was like,

0:14:26.560 --> 0:14:28.840
<v Speaker 2>this theme is about how he's always like, oh, like

0:14:28.960 --> 0:14:31.000
<v Speaker 2>my kids are so picking. He's trying to like push

0:14:31.120 --> 0:14:33.320
<v Speaker 2>more things on them, but they're also kind of like

0:14:33.440 --> 0:14:35.720
<v Speaker 2>still more advanced than like most I would say, like

0:14:36.160 --> 0:14:39.480
<v Speaker 2>American children, Like one of them, who's four, is always

0:14:39.480 --> 0:14:41.680
<v Speaker 2>asking for like butter noodles.

0:14:41.200 --> 0:14:44.720
<v Speaker 1>But the other one is like then graduates to wanting apasta,

0:14:45.600 --> 0:14:47.600
<v Speaker 1>wanting to an apasta, which I would have never had

0:14:47.600 --> 0:14:48.800
<v Speaker 1>as like an eight year old or whatever.

0:14:48.920 --> 0:14:51.640
<v Speaker 2>Now and they're having like pesto at four, which I

0:14:51.680 --> 0:14:52.040
<v Speaker 2>feel like.

0:14:52.880 --> 0:14:54.800
<v Speaker 1>I arrived home in time to see the kids before school.

0:14:54.840 --> 0:14:57.680
<v Speaker 1>They did pot moments afterwards into the Caravra nanny who's

0:14:58.040 --> 0:14:59.440
<v Speaker 1>barely mentioned.

0:14:59.240 --> 0:15:01.520
<v Speaker 2>Yeah, then nanny. But then you're like, obviously they have

0:15:01.600 --> 0:15:04.760
<v Speaker 2>so much nann eating because like Ham and Felicity are

0:15:04.760 --> 0:15:05.400
<v Speaker 2>always going out.

0:15:05.440 --> 0:15:07.720
<v Speaker 1>But we'll get to the parenting in a second. Who,

0:15:07.720 --> 0:15:09.640
<v Speaker 1>along with Felicity more than picked up the slack while

0:15:09.640 --> 0:15:11.240
<v Speaker 1>I was away. I scrambled some eggs, pried up some

0:15:11.720 --> 0:15:14.640
<v Speaker 1>Cotto cook slice Italian Ham, slapped it all between two

0:15:14.680 --> 0:15:17.000
<v Speaker 1>pieces of lightly toasted white bread from the nineteen fifties

0:15:17.080 --> 0:15:19.120
<v Speaker 1>our bakery around the corner, wolfed it down, then collapse

0:15:19.160 --> 0:15:21.880
<v Speaker 1>into bed for longer than I'm disapated. Obviously, the sleeping

0:15:21.920 --> 0:15:24.800
<v Speaker 1>pill decided that it had not completely fulfilled its mission.

0:15:25.440 --> 0:15:27.880
<v Speaker 1>In the evening, after the children in pasta combest though,

0:15:27.920 --> 0:15:30.400
<v Speaker 1>I seen muscles and white wineishchilads and garlic, dressed them

0:15:30.440 --> 0:15:32.120
<v Speaker 1>with olive oil and parsley, and serve them with toasted

0:15:32.160 --> 0:15:35.880
<v Speaker 1>French bread. I also made spaghetti with fresh tomato sauce

0:15:36.040 --> 0:15:38.640
<v Speaker 1>for me because I was hungry than I had realized.

0:15:38.960 --> 0:15:41.400
<v Speaker 1>Felicity declined my offer to join me for a bit

0:15:41.400 --> 0:15:41.600
<v Speaker 1>of it.

0:15:41.800 --> 0:15:44.040
<v Speaker 2>Can I just say this to all of you kto

0:15:44.200 --> 0:15:47.240
<v Speaker 2>heads out there, and you're like, we need to eat

0:15:47.280 --> 0:15:49.760
<v Speaker 2>like eight hundred pounds of like bacon and steak and

0:15:49.800 --> 0:15:54.800
<v Speaker 2>like chicken and TikTok girls making duns bean salads is

0:15:54.880 --> 0:15:57.240
<v Speaker 2>like you can have pasta.

0:15:57.360 --> 0:16:00.400
<v Speaker 1>Fasta around the clock. Yeah, So well, everything he eats

0:16:00.480 --> 0:16:02.240
<v Speaker 1>is so delicious, don't need to have like the most

0:16:02.960 --> 0:16:03.800
<v Speaker 1>restaurants he goes.

0:16:03.640 --> 0:16:06.560
<v Speaker 2>To, right, which he's always like so annoyed. Yeah, which

0:16:06.600 --> 0:16:08.600
<v Speaker 2>I love him talking about bad restaurants.

0:16:08.760 --> 0:16:12.360
<v Speaker 1>And he never names the restaurants, which is which.

0:16:12.240 --> 0:16:15.920
<v Speaker 2>Perhaps a bit too Yeah, and he doesn't even mention

0:16:16.080 --> 0:16:17.640
<v Speaker 2>like Delta when they piss him off.

0:16:17.880 --> 0:16:21.040
<v Speaker 1>I know, And I'm a little like maybe like name

0:16:21.120 --> 0:16:23.440
<v Speaker 1>your enemy a little more, like it's okay.

0:16:23.800 --> 0:16:26.640
<v Speaker 2>Like he has pasta probably like every other night, if

0:16:26.640 --> 0:16:27.240
<v Speaker 2>not every.

0:16:27.120 --> 0:16:31.880
<v Speaker 1>Day, and he looks incredible because he also works out.

0:16:30.880 --> 0:16:34.640
<v Speaker 2>With hit Monique, his trainer. He's exercising like two hours

0:16:34.640 --> 0:16:36.240
<v Speaker 2>a day and a lot of I think you know

0:16:36.960 --> 0:16:39.480
<v Speaker 2>what he's having. And he says, which is so true,

0:16:39.600 --> 0:16:42.400
<v Speaker 2>Like it's so much better than like Fanny Singer's like

0:16:42.560 --> 0:16:46.160
<v Speaker 2>coming home pasta that's we've roasted to no end of

0:16:46.200 --> 0:16:49.280
<v Speaker 2>having like three pots of pasta boiling and like wild garlic.

0:16:49.640 --> 0:16:51.760
<v Speaker 2>He says, when he gets to a place, a new place,

0:16:52.000 --> 0:16:54.320
<v Speaker 2>he makes a tomato sauce just to ground himself.

0:16:54.560 --> 0:16:57.240
<v Speaker 1>That was so coming home pasta though, but I'm saying.

0:16:57.080 --> 0:17:00.960
<v Speaker 2>It's a little more real than coming home pasta. Yes,

0:17:01.480 --> 0:17:04.600
<v Speaker 2>is my point of her just being like, get seven pots,

0:17:04.920 --> 0:17:07.240
<v Speaker 2>find the wild garlic. He's just being like, what do

0:17:07.320 --> 0:17:09.720
<v Speaker 2>I actually have? Okay, I have this one onion, I

0:17:09.760 --> 0:17:10.320
<v Speaker 2>have garlic.

0:17:10.480 --> 0:17:11.480
<v Speaker 1>I can make canto sauce.

0:17:11.560 --> 0:17:11.800
<v Speaker 2>Yeah.

0:17:11.840 --> 0:17:16.000
<v Speaker 1>So I made in my like gloomy too cheese week

0:17:16.040 --> 0:17:20.600
<v Speaker 1>on Nantucket, we made pasta a la home when no sorry,

0:17:20.680 --> 0:17:24.280
<v Speaker 1>pizza Ala home pizza. And I made a tomato sauce

0:17:24.480 --> 0:17:26.320
<v Speaker 1>that I thought was so good, one of the best

0:17:26.320 --> 0:17:29.240
<v Speaker 1>tomato sauces I've made, and obviously was so simple. But

0:17:29.359 --> 0:17:32.080
<v Speaker 1>I just did one Vodalia.

0:17:31.480 --> 0:17:34.439
<v Speaker 2>Onion so sweet you can almost eat it like an apple.

0:17:36.000 --> 0:17:43.880
<v Speaker 2>She's always saying that. He's just been like, hm, Millie,

0:17:43.920 --> 0:17:46.960
<v Speaker 2>my fouryerl didn't want to bite into the Vodalia raw,

0:17:47.160 --> 0:17:49.119
<v Speaker 2>but I put a little butter and salt on it.

0:17:49.600 --> 0:17:52.560
<v Speaker 1>Well there's one Lunch just makes onions, literally just makes onions.

0:17:52.600 --> 0:17:53.480
<v Speaker 1>And I'm like, okay, onion.

0:17:53.880 --> 0:17:56.880
<v Speaker 2>I I love onions anyway, So you did just garlic

0:17:57.160 --> 0:18:00.560
<v Speaker 2>basil tomato, no basil in the sauce.

0:18:00.920 --> 0:18:06.680
<v Speaker 1>Okay, the sauce was just the garlic, the onion, tomato paste,

0:18:07.359 --> 0:18:10.520
<v Speaker 1>a whole thing of anchovies, the whole can of San

0:18:10.640 --> 0:18:15.440
<v Speaker 1>Marzana tomatoes, and then a little ban of onion powder,

0:18:16.000 --> 0:18:17.800
<v Speaker 1>a little then of garlic powder. I know that's kind

0:18:17.800 --> 0:18:20.000
<v Speaker 1>of unorthodox, a little bit to put the powders in,

0:18:20.480 --> 0:18:22.600
<v Speaker 1>but it's like you can do. Why pretend that I'm

0:18:22.600 --> 0:18:25.920
<v Speaker 1>not just at home, you know, making a pantry pasta sauce, or.

0:18:26.080 --> 0:18:27.280
<v Speaker 2>You want to throw powder.

0:18:27.359 --> 0:18:29.360
<v Speaker 1>I used to be just a smidge no.

0:18:29.160 --> 0:18:32.360
<v Speaker 2>No, I used to be like very hashtag Italians mat

0:18:32.400 --> 0:18:34.480
<v Speaker 2>of food, Like I didn't grow up with garlet powder

0:18:35.160 --> 0:18:38.320
<v Speaker 2>or like onion powder, right, and I have brought it

0:18:38.359 --> 0:18:40.880
<v Speaker 2>into my home and like I'll use it sparingly when

0:18:40.880 --> 0:18:42.639
<v Speaker 2>I want it. And it's like, yeah, let's throw this

0:18:42.680 --> 0:18:44.680
<v Speaker 2>on the chicken. Let's throw a little onion powder on

0:18:44.720 --> 0:18:46.040
<v Speaker 2>a sauce. It's not going to kill it.

0:18:46.119 --> 0:18:50.320
<v Speaker 1>Sometimes sometimes. Yes. The point is my pizza sauce was

0:18:50.440 --> 0:18:53.320
<v Speaker 1>really quite lovey. Did you make the dough? So the

0:18:53.359 --> 0:18:56.920
<v Speaker 1>dough was no judgment purchased, but it was local dough.

0:18:57.000 --> 0:18:58.639
<v Speaker 1>It was from something natural bakery. It was like a

0:18:58.720 --> 0:18:59.480
<v Speaker 1>Nantucket Bakery.

0:18:59.520 --> 0:19:02.119
<v Speaker 2>No, literally, that's so Stanley Tucci. Yeah, like, oh, we

0:19:02.160 --> 0:19:06.240
<v Speaker 2>stopped by and we provisioned like an amazing dough. We

0:19:06.280 --> 0:19:10.160
<v Speaker 2>can whip this up. Sirsha Ronan is going over later.

0:19:11.600 --> 0:19:15.280
<v Speaker 1>Sirsha and her lovely brother and his wife and their kids,

0:19:15.400 --> 0:19:18.640
<v Speaker 1>and they raise their kids the way that we do

0:19:19.000 --> 0:19:20.040
<v Speaker 1>to behave themselves.

0:19:20.160 --> 0:19:22.679
<v Speaker 2>Okay, Yeah, he talks about parenting and they're going on

0:19:22.760 --> 0:19:25.080
<v Speaker 2>this like holiday trip and he's like, I just have

0:19:25.160 --> 0:19:28.199
<v Speaker 2>a few rules because I cannot go on holiday with

0:19:28.359 --> 0:19:31.200
<v Speaker 2>people that don't parent like me. And my rules are

0:19:31.240 --> 0:19:34.080
<v Speaker 2>like say you're pleasing, thank yous, and just like go

0:19:34.119 --> 0:19:35.360
<v Speaker 2>to bed at a certain time.

0:19:35.600 --> 0:19:39.560
<v Speaker 1>There is something very I would say, unbothered about his

0:19:39.640 --> 0:19:42.359
<v Speaker 1>parenting style, which I think is partially so this is

0:19:42.359 --> 0:19:45.119
<v Speaker 1>his second round of kids. Yeah, he's also sixty and

0:19:45.280 --> 0:19:47.920
<v Speaker 1>rich and has a nanny that goes unmentioned. But there

0:19:48.000 --> 0:19:50.440
<v Speaker 1>is a little bit of this where it's like it's.

0:19:50.280 --> 0:19:53.720
<v Speaker 2>A very celebrity where it's just like, oh, he calls

0:19:53.720 --> 0:19:56.720
<v Speaker 2>Felicity fee so like maybe they'll be in France or

0:19:56.760 --> 0:19:59.600
<v Speaker 2>something like that and like we'll be like, oh we

0:19:59.640 --> 0:20:02.600
<v Speaker 2>when with already on who is our host? And we

0:20:02.960 --> 0:20:05.320
<v Speaker 2>chased tadpools with the kids, and then it's kind of

0:20:05.560 --> 0:20:07.800
<v Speaker 2>drop the kids off, and then Fie and I went

0:20:07.840 --> 0:20:10.119
<v Speaker 2>to like seven different like local oyster restaurant.

0:20:10.119 --> 0:20:12.680
<v Speaker 1>There's this joy of seeing the world through the kids

0:20:12.720 --> 0:20:14.119
<v Speaker 1>are so which of course happens. We have kids and

0:20:14.119 --> 0:20:16.280
<v Speaker 1>it's wonderful. But like when he's visiting their parents in

0:20:16.280 --> 0:20:18.400
<v Speaker 1>Florida for the most where we did little to nothing

0:20:18.440 --> 0:20:21.359
<v Speaker 1>except eat and take million Mateo that's the two younger

0:20:21.440 --> 0:20:23.760
<v Speaker 1>kids that he has with Felicity to one of the

0:20:23.760 --> 0:20:26.240
<v Speaker 1>small community pools that the part of this sprawling condo

0:20:26.280 --> 0:20:28.600
<v Speaker 1>complex where my folks live. We splashed about with them,

0:20:28.640 --> 0:20:30.840
<v Speaker 1>play the loudest games of Marco Polo the condo residents

0:20:30.880 --> 0:20:32.760
<v Speaker 1>have probably ever heard, and helped Mateo as best we

0:20:32.760 --> 0:20:35.280
<v Speaker 1>could to capture and hold chameleons for hours on end

0:20:35.840 --> 0:20:38.399
<v Speaker 1>over our five days stay. My mother made various positives

0:20:38.400 --> 0:20:40.639
<v Speaker 1>from her repertoire chicken cut lit, slap chops. But I

0:20:40.640 --> 0:20:43.440
<v Speaker 1>feel like the way he's talking about parenting is a

0:20:43.480 --> 0:20:46.080
<v Speaker 1>little bit like it's the first time he's seen the

0:20:46.160 --> 0:20:48.040
<v Speaker 1>kids in a while. It's always a little bit like.

0:20:48.240 --> 0:20:50.760
<v Speaker 2>Well, because he's traveling so much and he's always like

0:20:50.960 --> 0:20:54.280
<v Speaker 2>doing openings for his cookwear line out a Williams Sonoma

0:20:54.359 --> 0:20:57.520
<v Speaker 2>and then is like doing a movie where he plays

0:20:57.520 --> 0:21:01.840
<v Speaker 2>a priest, like New Orleans. And then he's like, I

0:21:01.920 --> 0:21:03.000
<v Speaker 2>love seeing my kids.

0:21:03.040 --> 0:21:05.919
<v Speaker 1>I love seeing my kids. Oh my god, we caught Solomonders.

0:21:06.040 --> 0:21:10.919
<v Speaker 1>It's so cute anyway byeto club.

0:21:20.119 --> 0:21:22.840
<v Speaker 2>Okay, are we going to talk about it? Let's finally

0:21:22.880 --> 0:21:27.400
<v Speaker 2>talk about it. So on page sixty nine, he starts

0:21:27.480 --> 0:21:29.200
<v Speaker 2>dropping little references.

0:21:29.280 --> 0:21:30.440
<v Speaker 1>This is the first instance I.

0:21:30.359 --> 0:21:33.560
<v Speaker 2>Have where you're like, do you guys have an open marriage?

0:21:34.119 --> 0:21:37.399
<v Speaker 2>He says Felicity was out this evening. She said it

0:21:37.440 --> 0:21:40.960
<v Speaker 2>was work related. I chose to believe her. And then

0:21:41.119 --> 0:21:43.000
<v Speaker 2>just I'm gonna give you this is a whole other

0:21:43.040 --> 0:21:44.600
<v Speaker 2>thing that we need to talk about. I made Chip

0:21:44.640 --> 0:21:46.680
<v Speaker 2>a lot of sausages for the kids in the new Airfire,

0:21:47.119 --> 0:21:49.879
<v Speaker 2>amazing contraption, and a side of rice and peas.

0:21:50.080 --> 0:21:54.000
<v Speaker 1>Now is that I'm surprised he likes the air f

0:21:54.440 --> 0:21:56.840
<v Speaker 1>I was really surprised. He also mentions that she makes

0:21:56.840 --> 0:21:58.440
<v Speaker 1>a broth at an instant pot. At one point, I

0:21:58.480 --> 0:22:00.440
<v Speaker 1>was kind of like, that makes more sense, that's very boomer.

0:22:00.480 --> 0:22:03.040
<v Speaker 1>But the airfire I was kind of shocked by because

0:22:03.040 --> 0:22:04.960
<v Speaker 1>He also when he goes that wine bar that has

0:22:05.000 --> 0:22:05.560
<v Speaker 1>the weird.

0:22:05.400 --> 0:22:08.440
<v Speaker 2>Oh my god, with the machine marking.

0:22:08.200 --> 0:22:10.280
<v Speaker 1>Me that quirks the bottle. I thought he would hate that.

0:22:10.280 --> 0:22:11.680
<v Speaker 1>That was so gimmicky and weird.

0:22:12.080 --> 0:22:14.600
<v Speaker 2>Yeah, but there is something. This is why he likes

0:22:14.640 --> 0:22:19.040
<v Speaker 2>the Firmdale Group. Yes, no, I feel like blonde. I

0:22:19.040 --> 0:22:22.720
<v Speaker 2>feel like there's something metrosexual. Or you may disagree, like

0:22:22.720 --> 0:22:28.520
<v Speaker 2>I feel like my Gadgett Gotchet's Sharper Brookstone and he's

0:22:28.560 --> 0:22:30.520
<v Speaker 2>been like, wait, so get this. We went to this

0:22:30.920 --> 0:22:34.400
<v Speaker 2>wonderful owned by the W Group. So basically it's there's

0:22:34.400 --> 0:22:38.400
<v Speaker 2>a bar where you press a button, wine pours out

0:22:38.440 --> 0:22:40.280
<v Speaker 2>and then it like corks it back up. And he's like,

0:22:40.320 --> 0:22:42.840
<v Speaker 2>and it stays fresh for three weeks. Like, I feel

0:22:42.840 --> 0:22:45.800
<v Speaker 2>like it is just dad to be so impressed by that,

0:22:45.920 --> 0:22:50.320
<v Speaker 2>even though he's so like Tuscany, like these onions have

0:22:50.400 --> 0:22:53.800
<v Speaker 2>gone bad, He's just like, oh my god, what an

0:22:53.840 --> 0:22:55.880
<v Speaker 2>amazing contraption that is.

0:22:56.359 --> 0:22:57.879
<v Speaker 1>There's also the point in which I don't know if

0:22:57.880 --> 0:23:00.640
<v Speaker 1>it's like Liam Neeson or like Colin fir this over

0:23:00.720 --> 0:23:03.680
<v Speaker 1>for dinner, but he's like, we tried to hyper decant

0:23:03.680 --> 0:23:09.520
<v Speaker 1>wine in a blender. Insane I really want to try that.

0:23:09.760 --> 0:23:12.000
<v Speaker 2>Yeah, it was Colin Firth, and he's like, Firth made

0:23:12.040 --> 0:23:16.679
<v Speaker 2>me hyperd decant. Next time we get together, let's totally

0:23:16.760 --> 0:23:17.479
<v Speaker 2>hyperd decant.

0:23:17.560 --> 0:23:20.119
<v Speaker 1>Okay. So the next kind of like instance that maybe

0:23:20.160 --> 0:23:24.080
<v Speaker 1>like something's rotten in this Denmark being their marriage, he goes,

0:23:24.800 --> 0:23:29.640
<v Speaker 1>they're cooking scallops that even Felicity saw taped some scallops,

0:23:29.720 --> 0:23:31.679
<v Speaker 1>but they didn't really see it because the pan had

0:23:31.720 --> 0:23:34.800
<v Speaker 1>not gotten hot enough, which was my fault because I

0:23:34.840 --> 0:23:37.080
<v Speaker 1>had reduced the heat as the butter was about to

0:23:37.119 --> 0:23:41.040
<v Speaker 1>burn and didn't communicate that. They didn't work out as

0:23:41.080 --> 0:23:43.399
<v Speaker 1>well as she had hoped. She ate a few, but

0:23:43.520 --> 0:23:46.479
<v Speaker 1>I had overindulged in cold soup not long before. I

0:23:46.560 --> 0:23:49.520
<v Speaker 1>only had one.

0:23:49.320 --> 0:23:53.359
<v Speaker 2>That that was a horror movie to me. That paragraph

0:23:54.359 --> 0:23:56.720
<v Speaker 2>like when you put a scallop down and.

0:23:56.800 --> 0:24:02.000
<v Speaker 1>My god, sitting there baking with baking from the inside.

0:24:01.560 --> 0:24:03.160
<v Speaker 2>Out, My god chills.

0:24:03.359 --> 0:24:07.200
<v Speaker 1>Yeah, so it's just gonna be this kind of sad, thick,

0:24:07.840 --> 0:24:12.920
<v Speaker 1>rubbery sweat scallup that isn't getting that gorgeous here, no, Chris,

0:24:12.960 --> 0:24:15.359
<v Speaker 1>because this scallop should be seared at the highest he

0:24:15.400 --> 0:24:16.840
<v Speaker 1>possible for the shortest amount of time.

0:24:16.880 --> 0:24:20.600
<v Speaker 2>One minute. Then there's a moment where like he's like

0:24:21.359 --> 0:24:26.760
<v Speaker 2>stripping outdoor furniture because like they put ugly varnish on it,

0:24:26.800 --> 0:24:30.959
<v Speaker 2>which again was like so metrosexual, and he's like, didn't

0:24:31.040 --> 0:24:33.280
<v Speaker 2>eat fee and I are like in an argument, and

0:24:33.320 --> 0:24:34.440
<v Speaker 2>I feel awful about it.

0:24:34.520 --> 0:24:37.840
<v Speaker 1>Also, when she's sort of out of town for the weekend,

0:24:38.040 --> 0:24:42.879
<v Speaker 1>then she comes back, he's making obviously small potatoes and

0:24:42.920 --> 0:24:46.760
<v Speaker 1>carrots with garlic and onions, rosemary time and leaks and

0:24:46.760 --> 0:24:49.280
<v Speaker 1>spring onions and larger potatoes and a potato leak soup

0:24:49.400 --> 0:24:50.560
<v Speaker 1>and he's chicken breadth.

0:24:50.800 --> 0:24:53.600
<v Speaker 2>It is planning parmasana, but it's not. It's actually the

0:24:53.600 --> 0:24:54.640
<v Speaker 2>way my family does it.

0:24:55.040 --> 0:25:01.080
<v Speaker 1>And so she's been in France allegedly I'm alone with

0:25:01.080 --> 0:25:03.360
<v Speaker 1>Millia Matteo as Felicity is on a sort of retreating

0:25:03.359 --> 0:25:06.840
<v Speaker 1>Bordeaux with two colleagues, something I almost believe was true.

0:25:07.000 --> 0:25:08.359
<v Speaker 2>That line was insane.

0:25:08.560 --> 0:25:10.159
<v Speaker 1>I mean creps that morning for them. That just she

0:25:10.240 --> 0:25:12.560
<v Speaker 1>just leaves it there. So I'm just like wait because

0:25:12.800 --> 0:25:14.600
<v Speaker 1>at first, like it happens, You're like, do you try

0:25:14.640 --> 0:25:17.040
<v Speaker 1>to make a joke? Be like, oh, like is that

0:25:17.119 --> 0:25:20.040
<v Speaker 1>what she's doing? And then then she comes back Okay,

0:25:20.080 --> 0:25:23.480
<v Speaker 1>so this is when Repack yes. Upon her arrival, she

0:25:23.560 --> 0:25:25.520
<v Speaker 1>was delighted to see the children, of course, smothered them

0:25:25.560 --> 0:25:29.080
<v Speaker 1>with hugs and kisses. Cursorally pecked me on the cheek

0:25:29.400 --> 0:25:31.920
<v Speaker 1>and started to eat. Soon afterwards, we all watched a

0:25:31.920 --> 0:25:34.360
<v Speaker 1>Harry Potter film. She promptly fell asleep beside a wide

0:25:34.400 --> 0:25:37.600
<v Speaker 1>awake Millie. Seems that someone had a busy weekend. I

0:25:37.720 --> 0:25:39.320
<v Speaker 1>chose to remain in ignorant bliss.

0:25:39.600 --> 0:25:44.080
<v Speaker 2>That was insane. What cursory peck on the cheek.

0:25:43.840 --> 0:25:45.520
<v Speaker 1>Which is so something you do after you've been having

0:25:45.520 --> 0:25:45.920
<v Speaker 1>an affair.

0:25:46.040 --> 0:25:48.159
<v Speaker 2>Well, also, I remember having this thought as a child,

0:25:48.240 --> 0:25:50.760
<v Speaker 2>and like seeing parents always like peck bank on it,

0:25:50.800 --> 0:25:53.920
<v Speaker 2>girl pack each other. And I was like, wait, what's

0:25:53.960 --> 0:25:56.480
<v Speaker 2>what the peck? I was like, do parents even make out?

0:25:57.760 --> 0:26:00.439
<v Speaker 2>Like I've never seen parents make out before? Like do

0:26:00.440 --> 0:26:02.240
<v Speaker 2>you just peck when you're older and married?

0:26:02.640 --> 0:26:05.760
<v Speaker 1>I know it's this weird thing because like I'm not

0:26:05.800 --> 0:26:08.800
<v Speaker 1>sure if it's because like old lips are weirder.

0:26:09.160 --> 0:26:12.800
<v Speaker 2>Or it's like in old they're always so hum right.

0:26:12.680 --> 0:26:14.960
<v Speaker 1>Well old movies they're always so close mouth kiss. Yeah.

0:26:15.880 --> 0:26:18.600
<v Speaker 1>Times where boomers learned to kiss was from old movies. Yeah,

0:26:18.640 --> 0:26:19.560
<v Speaker 1>so they don't know how.

0:26:19.440 --> 0:26:23.120
<v Speaker 2>To from Humphrey Bogart and they weren't watching such wild

0:26:23.280 --> 0:26:27.480
<v Speaker 2>things and things I hate about Sessions.

0:26:27.520 --> 0:26:29.119
<v Speaker 1>But I also feel like they were going to like

0:26:29.160 --> 0:26:32.400
<v Speaker 1>make out mountain in their like nulteen fifty one, Like.

0:26:32.560 --> 0:26:35.480
<v Speaker 2>They were victorious and they were being like sucking face.

0:26:35.600 --> 0:26:37.600
<v Speaker 2>They were sucking face, and there was so much heavy

0:26:37.640 --> 0:26:42.040
<v Speaker 2>padding and like putting their hands up like varsity jackets. O.

0:26:42.119 --> 0:26:47.080
<v Speaker 1>Yeah, she put her hand up his jacket. So I

0:26:47.119 --> 0:26:49.760
<v Speaker 1>feel like if any one over sixties making out, it's

0:26:49.840 --> 0:26:50.479
<v Speaker 1>Tanley Tucci.

0:26:50.680 --> 0:26:54.720
<v Speaker 2>Yeah. So then there's this final this where he names

0:26:54.800 --> 0:26:58.480
<v Speaker 2>the puppy yes, and they buy they my mother, yea,

0:26:59.040 --> 0:27:05.159
<v Speaker 2>thank you. Our marriage is doing just great. They buy

0:27:05.200 --> 0:27:08.920
<v Speaker 2>this house in the British countryside. It's also just like

0:27:08.960 --> 0:27:11.680
<v Speaker 2>classic celebrity thing where he's like, oh, it's so expensive

0:27:11.720 --> 0:27:13.760
<v Speaker 2>and it's going to take like all my life savings

0:27:13.760 --> 0:27:16.800
<v Speaker 2>to fix up this house in the English country stide.

0:27:16.920 --> 0:27:19.320
<v Speaker 1>It's just the poverty cosplays the brief poverty cost.

0:27:19.960 --> 0:27:24.080
<v Speaker 2>I have to work and I have to renovate, and

0:27:24.160 --> 0:27:27.200
<v Speaker 2>I'm gonna die if I don't renovate. We spent the

0:27:27.280 --> 0:27:29.280
<v Speaker 2>day at the house with the architects, and the engineer

0:27:29.280 --> 0:27:32.000
<v Speaker 2>and the landscapers. I'm very excited about the prospect of

0:27:32.080 --> 0:27:34.159
<v Speaker 2>creating a home where we can spend time together as

0:27:34.200 --> 0:27:37.520
<v Speaker 2>a family, where friends and extended family can come from

0:27:37.520 --> 0:27:40.399
<v Speaker 2>long weekends. Where I can build an art studio in

0:27:40.400 --> 0:27:42.840
<v Speaker 2>an auxiliary kitchen in which to film the cooking show

0:27:43.080 --> 0:27:45.600
<v Speaker 2>that has been percolating in my hungry mind for a

0:27:45.600 --> 0:27:48.960
<v Speaker 2>while now. Where we can plant a vegetable garden and

0:27:49.000 --> 0:27:51.159
<v Speaker 2>a small orchard and put the benefits of them to

0:27:51.200 --> 0:27:54.360
<v Speaker 2>good use every season. Where my daughters or sons can

0:27:54.400 --> 0:28:01.360
<v Speaker 2>get married, Where Felicity can bring her lover parenthesy s lovers,

0:28:01.640 --> 0:28:05.240
<v Speaker 2>where my protologists can visit, where our grandchildren can spend time.

0:28:05.280 --> 0:28:07.400
<v Speaker 2>He goes on, so, so.

0:28:09.200 --> 0:28:12.800
<v Speaker 1>Yeah, actually, Polly dire And at that point you're like,

0:28:12.840 --> 0:28:15.800
<v Speaker 1>so that's the poll reveal. Yeah, And I'm like, if

0:28:15.800 --> 0:28:18.520
<v Speaker 1>it was a joke, it would be like more of

0:28:18.560 --> 0:28:21.640
<v Speaker 1>an obvious running joke. But it's only like reference basically,

0:28:21.640 --> 0:28:23.879
<v Speaker 1>these three times of him being like, Huh, guess you

0:28:23.880 --> 0:28:24.639
<v Speaker 1>had a fun weekend.

0:28:24.920 --> 0:28:26.840
<v Speaker 2>Guess you had a fun night. Oh, you had a

0:28:26.880 --> 0:28:30.520
<v Speaker 2>book launch tonight. She certainly has a lot of launches. Meanwhile,

0:28:30.520 --> 0:28:33.920
<v Speaker 2>he's at a San pellygreena launch every hour of the day, right,

0:28:33.960 --> 0:28:36.919
<v Speaker 2>And he's like, doing, are they open? And is it?

0:28:37.080 --> 0:28:39.720
<v Speaker 2>Just like I don't ask, don't tell, because like he's

0:28:39.960 --> 0:28:43.040
<v Speaker 2>known for Landra one. Two he's older, so she's like,

0:28:43.200 --> 0:28:45.160
<v Speaker 2>you're old, Like I need to have fun. Three he

0:28:45.280 --> 0:28:47.280
<v Speaker 2>travels so much, so she's like, I need to have

0:28:47.360 --> 0:28:48.000
<v Speaker 2>fun if I'm just.

0:28:48.040 --> 0:28:50.600
<v Speaker 1>Gonna be he's twenty two years her senior. It's like,

0:28:50.800 --> 0:28:54.160
<v Speaker 1>I do feel like, you know, she's in a different

0:28:54.200 --> 0:28:59.440
<v Speaker 1>generation in which open marriage is more common. It's weird

0:28:59.480 --> 0:29:02.080
<v Speaker 1>that he would like I feel like because he's so

0:29:02.280 --> 0:29:05.640
<v Speaker 1>like Instagram video every day of like Risotto, their whole

0:29:06.040 --> 0:29:08.440
<v Speaker 1>he might be so like weird interview in parade being

0:29:08.520 --> 0:29:09.040
<v Speaker 1>like we're.

0:29:08.880 --> 0:29:11.000
<v Speaker 2>Open, but no, I know, and I like then I

0:29:11.120 --> 0:29:14.440
<v Speaker 2>started googling Stanley's and there's nothing about it. No. And

0:29:14.480 --> 0:29:17.440
<v Speaker 2>there's one interview where he says he'd tried to break

0:29:17.520 --> 0:29:19.280
<v Speaker 2>up with her because he was like I felt embarrassed

0:29:19.280 --> 0:29:21.320
<v Speaker 2>because I was so much older than her, and like

0:29:21.400 --> 0:29:23.600
<v Speaker 2>in this kind of like no, don't.

0:29:23.400 --> 0:29:24.720
<v Speaker 1>Leave, no, don't leave me.

0:29:25.040 --> 0:29:27.400
<v Speaker 2>Like we're going on holiday with Emily and John and

0:29:27.440 --> 0:29:30.680
<v Speaker 2>the kids and Ryan Reynolds and Blake coming over and

0:29:30.720 --> 0:29:35.600
<v Speaker 2>he's being like, oh my risotta plan is ruined. So

0:29:36.000 --> 0:29:38.920
<v Speaker 2>I kind of think they're open. He thinks he's being

0:29:38.960 --> 0:29:42.520
<v Speaker 2>really like funny and dad joke about their.

0:29:42.400 --> 0:29:45.360
<v Speaker 1>Open I mean, unless he's just being dad joke in

0:29:45.440 --> 0:29:47.720
<v Speaker 1>general and they're not open, and he's just like, these

0:29:47.720 --> 0:29:50.680
<v Speaker 1>are just jokes. But I'm just like the amount of

0:29:50.720 --> 0:29:53.600
<v Speaker 1>them and the specificity of them, it's a lot, but

0:29:53.640 --> 0:29:55.160
<v Speaker 1>it's not that much, you know what I mean. It's

0:29:55.160 --> 0:29:55.920
<v Speaker 1>like there's she was.

0:29:55.920 --> 0:30:00.200
<v Speaker 2>Every page like, oh, yes, so Ryan Reynolds came over, Felicity.

0:29:59.680 --> 0:30:02.920
<v Speaker 1>Back, Yeah, you know, right. But it's like just these

0:30:02.960 --> 0:30:07.160
<v Speaker 1>three very specific instances of him being like she allegedly

0:30:07.240 --> 0:30:10.840
<v Speaker 1>went to Bordeaux with her girlfriends.

0:30:10.520 --> 0:30:12.600
<v Speaker 2>Choose to believe it cursory peck.

0:30:12.640 --> 0:30:14.640
<v Speaker 1>Yeah, the peck at the end, it's like that's the thing.

0:30:14.800 --> 0:30:17.120
<v Speaker 2>But then also throughout the book he's like, oh, I

0:30:17.200 --> 0:30:19.840
<v Speaker 2>feel like which again is so celebrity. He's like, I

0:30:19.880 --> 0:30:22.480
<v Speaker 2>feel so at home, Like when in the first part

0:30:22.480 --> 0:30:24.320
<v Speaker 2>of the book he's like staying in a hotel he

0:30:24.400 --> 0:30:26.960
<v Speaker 2>hates in Italy, and it's like filming.

0:30:26.600 --> 0:30:30.920
<v Speaker 1>With Isabella Roussolini. Ralph finds and they're in this movie

0:30:30.960 --> 0:30:33.400
<v Speaker 1>called Conclave, which is coming. I just saw an ad

0:30:33.440 --> 0:30:33.760
<v Speaker 1>for it.

0:30:33.760 --> 0:30:36.000
<v Speaker 2>It looks so good and it's like Priests.

0:30:36.040 --> 0:30:40.400
<v Speaker 1>It's Priests and it's just like a torrid thriller about

0:30:40.480 --> 0:30:42.520
<v Speaker 1>the Catholic Church and all these cardinals.

0:30:42.600 --> 0:30:44.760
<v Speaker 2>Okay. I saw the poster and I was like last night.

0:30:44.680 --> 0:30:46.239
<v Speaker 1>When I was this looks like the best movie ever.

0:30:46.360 --> 0:30:47.520
<v Speaker 1>So DIMENTI code and.

0:30:47.440 --> 0:30:50.560
<v Speaker 2>He talks about like how the camera. Yeah, but he's

0:30:50.600 --> 0:30:53.280
<v Speaker 2>always like and I made Minnestrone to like eat in

0:30:53.320 --> 0:30:56.000
<v Speaker 2>my trailer. And then he's like, oh, Ralph and I

0:30:56.240 --> 0:30:58.880
<v Speaker 2>finally finally got to have dinner together.

0:30:59.480 --> 0:31:01.200
<v Speaker 1>And then they be good friends. And he's like, you know,

0:31:01.240 --> 0:31:03.200
<v Speaker 1>it's hard to make good friends at this age. Oh,

0:31:03.360 --> 0:31:05.880
<v Speaker 1>because he's like, well, we'd worked together and made in Manhattan, oh,

0:31:05.920 --> 0:31:06.720
<v Speaker 1>twenty years ago.

0:31:06.880 --> 0:31:09.440
<v Speaker 2>That was amazing. That was like my first note because

0:31:09.480 --> 0:31:12.240
<v Speaker 2>I was like, finally we're actually talking about made of Manhattan.

0:31:12.280 --> 0:31:14.680
<v Speaker 1>We worked together before I made Manhattan over twenty years ago,

0:31:15.040 --> 0:31:17.120
<v Speaker 1>very briefly in The King's Man we'd only ever socialized

0:31:17.120 --> 0:31:18.760
<v Speaker 1>a few times, so Filmy gave us the opportunity to

0:31:18.760 --> 0:31:22.040
<v Speaker 1>spend time. When I one that era early two thousand,

0:31:22.160 --> 0:31:26.440
<v Speaker 1>Stanley two, she played like gay coded straight men who

0:31:26.440 --> 0:31:28.360
<v Speaker 1>were like communications assistants.

0:31:28.440 --> 0:31:29.600
<v Speaker 2>Den Laware's Prada.

0:31:29.640 --> 0:31:31.680
<v Speaker 1>In Made Manhattan, he plays Ralph Kine, who is a

0:31:31.760 --> 0:31:35.320
<v Speaker 1>Republican senator. He plays his like head of.

0:31:35.320 --> 0:31:39.800
<v Speaker 2>Colm who's like annoyed at Jennifer Lopez's son and is

0:31:39.840 --> 0:31:41.960
<v Speaker 2>so just like you better get out of here.

0:31:42.000 --> 0:31:44.520
<v Speaker 1>Right, and it's just like make sure that she's not

0:31:44.600 --> 0:31:47.080
<v Speaker 1>a Democrat, because we can't have that in the news

0:31:47.400 --> 0:31:49.680
<v Speaker 1>in the New York Post, thank you very much. And

0:31:49.720 --> 0:31:52.360
<v Speaker 1>then in del War's Prada, he's just like Gerda Lloins

0:31:52.360 --> 0:31:55.240
<v Speaker 1>and it's just like gay but not. And this is

0:31:55.240 --> 0:31:58.080
<v Speaker 1>also why he's every mom's dream, because hello, he's.

0:31:57.960 --> 0:32:01.520
<v Speaker 2>Gay, but not just to gay enough for them to

0:32:01.600 --> 0:32:05.360
<v Speaker 2>be like, ugh, I wish my husband would care about

0:32:05.520 --> 0:32:09.400
<v Speaker 2>Marino Wool I mean, and like he's so like Codliver.

0:32:09.960 --> 0:32:13.880
<v Speaker 1>He's like one of those like illustrated birthday cards for women.

0:32:14.040 --> 0:32:14.640
<v Speaker 1>Oh they're like.

0:32:15.320 --> 0:32:18.240
<v Speaker 2>Takes me out to dinner, wears fine suits. Right, it's

0:32:18.280 --> 0:32:19.560
<v Speaker 2>just like buys me back.

0:32:20.120 --> 0:32:21.959
<v Speaker 1>You got me on. It's like a man with like

0:32:22.000 --> 0:32:25.880
<v Speaker 1>a hot body like in a vacuum being just like sweetie,

0:32:25.920 --> 0:32:28.720
<v Speaker 1>like I just cleaned the living room. And then just

0:32:28.760 --> 0:32:31.120
<v Speaker 1>like I thought I'd get you something that didn't exist

0:32:31.360 --> 0:32:34.240
<v Speaker 1>for your birthday like he is that.

0:32:34.480 --> 0:32:36.840
<v Speaker 2>I mean his like first breakout roll of Big Night,

0:32:36.880 --> 0:32:42.400
<v Speaker 2>which I remember watching a young Italian American and you know,

0:32:42.480 --> 0:32:45.160
<v Speaker 2>it's about the two Italian brothers who opened a restaurant

0:32:45.160 --> 0:32:48.320
<v Speaker 2>in New York, and this line really stuck with me

0:32:48.360 --> 0:32:49.920
<v Speaker 2>and some One of the most famous lines is he

0:32:50.600 --> 0:32:54.480
<v Speaker 2>serves this American couple of posta meatballs and they asked

0:32:54.720 --> 0:32:58.040
<v Speaker 2>for bread, and he phillips his ass on them, and

0:32:58.080 --> 0:33:02.360
<v Speaker 2>he's being so like you are having pasta, you don't

0:33:02.480 --> 0:33:06.800
<v Speaker 2>also inneed of bread. And then in that movie they

0:33:06.840 --> 0:33:10.440
<v Speaker 2>make which I've only made once, timpanello, which is like

0:33:10.720 --> 0:33:14.040
<v Speaker 2>pasta pie. It's crazy and it takes all day and

0:33:14.040 --> 0:33:16.720
<v Speaker 2>it's a meat sauce but it's like ravioli, but it's

0:33:16.800 --> 0:33:19.040
<v Speaker 2>layers and you're baking it and it's pastry.

0:33:19.560 --> 0:33:21.680
<v Speaker 1>I want to talk about food a little bit more.

0:33:22.000 --> 0:33:25.120
<v Speaker 1>There's a really great passage where he is making a

0:33:25.160 --> 0:33:26.880
<v Speaker 1>tomato and he goes, luckily it was a tomato that

0:33:26.960 --> 0:33:29.680
<v Speaker 1>actually tasted like a tomato. Like so many vegetables these days,

0:33:29.720 --> 0:33:32.760
<v Speaker 1>tomatoes often taste of nothing. When did that start happening?

0:33:33.240 --> 0:33:35.440
<v Speaker 1>Things used to taste like what they were. Now something

0:33:35.480 --> 0:33:37.320
<v Speaker 1>that looks like a tomato or a carrot tastes like

0:33:37.720 --> 0:33:40.760
<v Speaker 1>just a thought of those things and fruit of vegetables

0:33:40.840 --> 0:33:43.360
<v Speaker 1>organic they usually taste better, but not always. I remember

0:33:43.360 --> 0:33:45.600
<v Speaker 1>pulling carrots on my grandfather's garden and the depth of

0:33:45.640 --> 0:33:48.840
<v Speaker 1>flavor being profound. It was the same with everything you grew,

0:33:48.840 --> 0:33:51.600
<v Speaker 1>from onions to plums. I think he's dead right, and

0:33:51.680 --> 0:33:53.960
<v Speaker 1>I think there are so many gross tomatoes and we've

0:33:53.960 --> 0:33:57.280
<v Speaker 1>actually become so accustomed to the tasteless tomato that we

0:33:57.400 --> 0:33:59.040
<v Speaker 1>forget what a real tomatoes post.

0:33:59.200 --> 0:34:01.760
<v Speaker 2>Well, it's because of our American desire to have food

0:34:01.760 --> 0:34:05.040
<v Speaker 2>all year round, but it's also I feel conservatives.

0:34:05.200 --> 0:34:06.640
<v Speaker 1>So it's your right that it's like, so we have

0:34:06.760 --> 0:34:09.040
<v Speaker 1>least tomatoes in February there shitty, but it's like then

0:34:09.080 --> 0:34:11.839
<v Speaker 1>you can go to the supermarket in July and still

0:34:11.840 --> 0:34:16.879
<v Speaker 1>get those shitty tomatoes for sale. It's like they're doing

0:34:17.280 --> 0:34:18.000
<v Speaker 1>February tomato.

0:34:18.080 --> 0:34:20.640
<v Speaker 2>That's why you do, like have to go to like

0:34:20.719 --> 0:34:23.239
<v Speaker 2>the farmers market to get a tomato that tastes like

0:34:23.280 --> 0:34:26.360
<v Speaker 2>a tomato. I mean, I feel like most of the

0:34:26.400 --> 0:34:29.680
<v Speaker 2>time a farmer's market tomato is pretty good. And that's

0:34:30.040 --> 0:34:33.520
<v Speaker 2>what was my Stanley Tucci moment today where I had

0:34:33.560 --> 0:34:37.040
<v Speaker 2>this last of the summer tomato and I was reading

0:34:37.040 --> 0:34:38.719
<v Speaker 2>this book and I was like, I need to use

0:34:38.760 --> 0:34:41.880
<v Speaker 2>this tomato right now because Stanley Tucci would. So I

0:34:41.920 --> 0:34:44.200
<v Speaker 2>cut up the rest of the half. I saw tata

0:34:44.239 --> 0:34:49.400
<v Speaker 2>with garlic, ginger scallions, and then I took leftover Chinese

0:34:49.440 --> 0:34:52.640
<v Speaker 2>food rice and made a tomato ginger fried rice, little

0:34:52.640 --> 0:34:55.200
<v Speaker 2>sesame oil, a little soy sauce that sounds so and

0:34:55.320 --> 0:34:56.719
<v Speaker 2>just threw an egg in there and just left it

0:34:56.760 --> 0:34:59.640
<v Speaker 2>on the stove for Felicity to have later. My literary

0:34:59.680 --> 0:35:02.680
<v Speaker 2>age that if so kind of you, what's gonna happen

0:35:02.680 --> 0:35:04.279
<v Speaker 2>in the tomato? If not, it will go?

0:35:04.680 --> 0:35:07.960
<v Speaker 1>Yeah, it will absolutely go. I used tomato is about

0:35:08.000 --> 0:35:12.360
<v Speaker 1>to go. This morning I made it delicious, delicious sandwich

0:35:12.400 --> 0:35:14.120
<v Speaker 1>with boar's head.

0:35:14.600 --> 0:35:17.279
<v Speaker 2>Ham the stereo vibes.

0:35:18.440 --> 0:35:24.839
<v Speaker 1>One raw red on the thick slice of tomato and

0:35:24.880 --> 0:35:29.520
<v Speaker 1>then defrosted Portuguese bread that was in a freezer.

0:35:29.960 --> 0:35:32.759
<v Speaker 2>Yeah, I mean this is another thing of I mean

0:35:32.880 --> 0:35:36.960
<v Speaker 2>food and also British food versus us. So he buys

0:35:37.040 --> 0:35:39.799
<v Speaker 2>beef and his parents are visiting and as they call

0:35:39.840 --> 0:35:43.600
<v Speaker 2>it mince and his mom is freaking out, being like

0:35:43.640 --> 0:35:44.680
<v Speaker 2>this beef is too lean.

0:35:44.880 --> 0:35:48.480
<v Speaker 1>He acts like he's out of petrol.

0:35:48.560 --> 0:35:50.279
<v Speaker 2>I'm like, bitch, no, calm down.

0:35:50.320 --> 0:35:52.640
<v Speaker 1>He's just like And of course in America, you guys

0:35:52.680 --> 0:35:55.080
<v Speaker 1>call it a backyard, but we prefer the term garden.

0:35:55.120 --> 0:35:58.279
<v Speaker 1>It's so much nicer. I'm like, wee bitch, real it the.

0:35:58.239 --> 0:36:04.000
<v Speaker 2>Fucking noll and like mar Worchester or whatever.

0:36:04.440 --> 0:36:06.839
<v Speaker 1>I love that when he encounters food he doesn't like,

0:36:06.880 --> 0:36:09.080
<v Speaker 1>he just literally doesn't eat it. Yes, he's like. We

0:36:09.080 --> 0:36:12.799
<v Speaker 1>were on a weird like boat cruise dinner for the

0:36:12.800 --> 0:36:18.600
<v Speaker 1>Oppenheimer France premiere and they served some like god awful aspera.

0:36:18.680 --> 0:36:20.840
<v Speaker 1>Guess I had one minus that I can't do it.

0:36:20.880 --> 0:36:23.759
<v Speaker 1>I'm gonna go talk to Killian Murphy instead. But I

0:36:23.800 --> 0:36:25.480
<v Speaker 1>think it's like something that maybe you and I could

0:36:25.480 --> 0:36:27.440
<v Speaker 1>do a little bit more, because I do feel like when.

0:36:27.239 --> 0:36:30.000
<v Speaker 2>Food is I was like, I need to be throwing

0:36:30.160 --> 0:36:30.719
<v Speaker 2>we don't like.

0:36:30.680 --> 0:36:32.880
<v Speaker 1>It, we're just eating it, and it's like, no, just

0:36:32.960 --> 0:36:36.080
<v Speaker 1>don't eat food you don't like. Ever, just be politely declined.

0:36:36.239 --> 0:36:39.759
<v Speaker 1>Thank you for saying that, because insulting, like, just don't

0:36:39.760 --> 0:36:40.040
<v Speaker 1>eat it.

0:36:40.120 --> 0:36:40.400
<v Speaker 2>Yeah.

0:36:40.440 --> 0:36:43.920
<v Speaker 1>I also love the gastro pub disaster. Oh my god,

0:36:44.239 --> 0:36:46.160
<v Speaker 1>he's so honest about when a mule shitty.

0:36:46.680 --> 0:36:47.759
<v Speaker 2>Haven't we all been there?

0:36:47.840 --> 0:36:52.000
<v Speaker 1>But it was a rather lovely, upscale, cozy place that

0:36:52.040 --> 0:36:54.359
<v Speaker 1>have received several accolades over the years. So it's being

0:36:54.440 --> 0:36:57.080
<v Speaker 1>so like getting like the best of the Cotswalds or whatever.

0:36:57.160 --> 0:36:58.080
<v Speaker 1>It's like in this Redom.

0:36:58.120 --> 0:37:00.600
<v Speaker 2>Yeah, it felt a very Amtrak magazine where it's like

0:37:01.000 --> 0:37:02.759
<v Speaker 2>the Sunday Roast is like, oh, you just go to

0:37:02.800 --> 0:37:05.439
<v Speaker 2>whatever pub. But then are there are these like famous.

0:37:05.120 --> 0:37:09.840
<v Speaker 1>Elevated gastro pub that's like this chef is returning to

0:37:09.920 --> 0:37:11.440
<v Speaker 1>his hometown and he.

0:37:11.480 --> 0:37:13.319
<v Speaker 2>Is using and they're being kind of the bear and

0:37:13.320 --> 0:37:15.759
<v Speaker 2>they're like they're actually making an elevated.

0:37:15.239 --> 0:37:20.600
<v Speaker 1>Shirt trying to tie so bare. But like says, they

0:37:20.640 --> 0:37:22.960
<v Speaker 1>were trying to do it like a spin on the classics,

0:37:22.960 --> 0:37:26.000
<v Speaker 1>and it had spun out of control. We were all

0:37:26.080 --> 0:37:28.080
<v Speaker 1>very excited, but then things took a bit of a turn.

0:37:28.160 --> 0:37:29.920
<v Speaker 1>Our food was delayed for an inordinate amount of time

0:37:29.960 --> 0:37:32.200
<v Speaker 1>because the customer had spilled beer with a computer system.

0:37:32.239 --> 0:37:35.400
<v Speaker 1>In fact, we'd only learned about on our departure. The

0:37:35.480 --> 0:37:37.399
<v Speaker 1>kids who came straight away, I guess their order having

0:37:37.480 --> 0:37:40.760
<v Speaker 1>been put in pre spill. As we waited and waited

0:37:41.320 --> 0:37:44.600
<v Speaker 1>and waited, we did find it strange that no staff

0:37:44.680 --> 0:37:46.359
<v Speaker 1>never ever alerted that's that there would be a delay,

0:37:46.440 --> 0:37:48.400
<v Speaker 1>or explain what had happened. We kept asking our service

0:37:48.440 --> 0:37:49.680
<v Speaker 1>for the food, only to be told that they would

0:37:49.760 --> 0:37:51.840
<v Speaker 1>check on it. But I guess they never really checked

0:37:51.840 --> 0:37:54.120
<v Speaker 1>because they would disappear yet again from their fifteen minutes.

0:37:54.320 --> 0:37:56.080
<v Speaker 1>After we've been waiting an hour and a half, the

0:37:56.080 --> 0:37:59.800
<v Speaker 1>food finally came. I had hack with sampfire, which probably

0:37:59.800 --> 0:38:02.840
<v Speaker 1>took all of seven minutes to cook. It was just okay.

0:38:03.400 --> 0:38:05.960
<v Speaker 1>Other people had other things like meat, but I was

0:38:06.000 --> 0:38:08.760
<v Speaker 1>too irritated to care. In the end, the owner's apologies

0:38:08.800 --> 0:38:11.480
<v Speaker 1>were tipid at best, and he didn't do what any

0:38:11.480 --> 0:38:13.759
<v Speaker 1>good restaurant ur would do, which is not charged for

0:38:13.800 --> 0:38:15.960
<v Speaker 1>the wine or the dessert or something by way of

0:38:16.000 --> 0:38:19.160
<v Speaker 1>compensating us for the long wait. In Italy they would overcome.

0:38:19.440 --> 0:38:21.200
<v Speaker 2>No, that is crazy that they didn't get a free

0:38:21.280 --> 0:38:21.879
<v Speaker 2>round of drinks.

0:38:21.960 --> 0:38:24.560
<v Speaker 1>It's so that I'm just like just the drinks, the dessert,

0:38:24.760 --> 0:38:25.520
<v Speaker 1>not the whole meal.

0:38:25.640 --> 0:38:30.600
<v Speaker 2>But hour forty five minutes obscene? What in here that

0:38:30.760 --> 0:38:31.360
<v Speaker 2>he makes?

0:38:31.800 --> 0:38:35.560
<v Speaker 1>Do you want to make mm, that's a really good question.

0:38:35.600 --> 0:38:38.880
<v Speaker 2>Well you think on that. For me, it's the historic

0:38:39.080 --> 0:38:43.720
<v Speaker 2>goose ragu He's in a town owned by the design

0:38:43.800 --> 0:38:47.520
<v Speaker 2>of Brunella Cucinelli, and it's like this historic goose ragou

0:38:47.640 --> 0:38:51.160
<v Speaker 2>that I guess it's like clergymen would always be eating goose,

0:38:51.560 --> 0:38:53.840
<v Speaker 2>and like one day a year they let the peasants

0:38:53.840 --> 0:38:56.719
<v Speaker 2>have goose. So the peasants as a full town put

0:38:56.760 --> 0:38:59.600
<v Speaker 2>all these goose into these communal ovens and made like

0:38:59.640 --> 0:39:00.879
<v Speaker 2>a goo bolonaise.

0:39:01.320 --> 0:39:03.360
<v Speaker 1>So do you want to do your own goosebulans or

0:39:03.360 --> 0:39:04.640
<v Speaker 1>do you want to do it with your whole community.

0:39:04.719 --> 0:39:07.040
<v Speaker 2>I think I want to do my community. I think

0:39:07.040 --> 0:39:12.120
<v Speaker 2>it's more like about like, yeah, community of everyone roasting

0:39:12.239 --> 0:39:14.680
<v Speaker 2>goose because the bolonnai is to make it last longer.

0:39:16.719 --> 0:39:18.960
<v Speaker 1>Two things I want to do. One is he just

0:39:18.960 --> 0:39:20.920
<v Speaker 1>makes a tomato sandwich at one point, but he's like,

0:39:20.960 --> 0:39:22.640
<v Speaker 1>oh no, he missed a tomato pasta. It's like a

0:39:22.719 --> 0:39:25.759
<v Speaker 1>taglia tel for like I don't know Colin for than Emily. Yeah,

0:39:25.880 --> 0:39:29.920
<v Speaker 1>And he's like, I had these really good in season tomatoes,

0:39:29.960 --> 0:39:33.319
<v Speaker 1>but he lets them sit in alive our own salt in

0:39:33.360 --> 0:39:35.959
<v Speaker 1>the fridge for two hours first and then just throws

0:39:36.000 --> 0:39:39.279
<v Speaker 1>them raw into the pasta when the pasta's done. I

0:39:39.360 --> 0:39:39.920
<v Speaker 1>want to do that.

0:39:40.239 --> 0:39:43.560
<v Speaker 2>Yeah, it's too bad and honestly sad for you because

0:39:44.040 --> 0:39:46.600
<v Speaker 2>we're almost out of tomato season, so have fun with

0:39:46.640 --> 0:39:53.680
<v Speaker 2>your associated tomatoes like raw hard bland. I think, oh,

0:39:53.800 --> 0:39:55.560
<v Speaker 2>this was a beautiful quote, which I think we should

0:39:55.560 --> 0:39:57.160
<v Speaker 2>all buy by it. Like he is just being like

0:39:57.200 --> 0:39:59.400
<v Speaker 2>passaba tomatoes and like a risotto and a fish and

0:39:59.400 --> 0:40:01.040
<v Speaker 2>a salad, which is.

0:40:00.960 --> 0:40:05.319
<v Speaker 1>Also is not He makes risotto constantly, and he has

0:40:05.360 --> 0:40:07.560
<v Speaker 1>his nice patch where he talks about like how difficult

0:40:07.600 --> 0:40:10.759
<v Speaker 1>it is, like I've never cooked risota successfully. It's one

0:40:10.760 --> 0:40:12.960
<v Speaker 1>of the hardest things to do. He's like, you need

0:40:13.000 --> 0:40:15.359
<v Speaker 1>to have such a sixth sense for it. I'm still

0:40:15.480 --> 0:40:18.560
<v Speaker 1>learning after all these years. Like, but I'm impressed that

0:40:18.600 --> 0:40:21.280
<v Speaker 1>he's constantly throwing together I know I want.

0:40:21.080 --> 0:40:22.480
<v Speaker 2>To do it more. And he says this word that

0:40:22.520 --> 0:40:24.320
<v Speaker 2>I learned in this book that I love, this Italian

0:40:24.360 --> 0:40:27.759
<v Speaker 2>word mentakato, which is mean when you turn off the

0:40:27.800 --> 0:40:30.360
<v Speaker 2>heat of the pasta and then you add the cheese

0:40:30.360 --> 0:40:32.320
<v Speaker 2>and the button and then that's when you stir it

0:40:32.360 --> 0:40:32.680
<v Speaker 2>with the.

0:40:32.600 --> 0:40:34.320
<v Speaker 1>Pasta water on it, and you let the heat of

0:40:34.360 --> 0:40:35.200
<v Speaker 1>the pasta itself.

0:40:35.280 --> 0:40:37.920
<v Speaker 2>Cook it cook because the heat of the pan will

0:40:37.920 --> 0:40:39.960
<v Speaker 2>add too much heat. Of course, I actually learned that

0:40:39.960 --> 0:40:46.359
<v Speaker 2>from Mari Potalley. My idea of Fred One celebrity moment

0:40:46.400 --> 0:40:49.200
<v Speaker 2>of his celebrity dinners that I found so funny is it?

0:40:49.239 --> 0:40:51.200
<v Speaker 1>And I just want to say, of course it's crass

0:40:51.320 --> 0:40:53.080
<v Speaker 1>to talk about celebrities again.

0:40:53.160 --> 0:40:55.279
<v Speaker 2>Of course, and I'm not trying to name drop here

0:40:55.560 --> 0:41:00.600
<v Speaker 2>at all. Is when Sam the famous play right an

0:41:00.640 --> 0:41:04.799
<v Speaker 2>actor Sam hell is his name whatever, he at the

0:41:04.880 --> 0:41:07.080
<v Speaker 2>last minute is like, oh can I bring friends over?

0:41:07.680 --> 0:41:10.239
<v Speaker 2>And Stanley Tucci is like he always does this, and

0:41:10.280 --> 0:41:13.520
<v Speaker 2>the friend is like Woody Harrelson and sircial Ronan, Oh

0:41:13.560 --> 0:41:16.080
<v Speaker 2>do He'd already planned on having over. And then the

0:41:16.400 --> 0:41:18.719
<v Speaker 2>friend is like, I'm gonna come over early. And this

0:41:18.800 --> 0:41:20.840
<v Speaker 2>is the point where Stanley Tucci is really costplaying. It

0:41:20.920 --> 0:41:23.279
<v Speaker 2>was like a stressed father and he's been like me

0:41:23.360 --> 0:41:25.520
<v Speaker 2>and Fear are still in our workout gear, the kids

0:41:25.520 --> 0:41:28.440
<v Speaker 2>aren't Bathe like, I haven't even stalked my bar with

0:41:28.440 --> 0:41:31.600
<v Speaker 2>like child martini glasses. And then he's like, oh and

0:41:31.680 --> 0:41:33.319
<v Speaker 2>the friend is like kind of come over early, and

0:41:33.320 --> 0:41:35.080
<v Speaker 2>he gets like really mad and he's like go to

0:41:35.120 --> 0:41:38.680
<v Speaker 2>a fucking bar and the friend is like, put it's raining,

0:41:38.680 --> 0:41:41.840
<v Speaker 2>and he texts back just like it doesn't rain in bars.

0:41:43.920 --> 0:41:45.399
<v Speaker 2>And then they come over and he was like, oh,

0:41:45.480 --> 0:41:48.680
<v Speaker 2>I was so excited to cook for Sirsha because I

0:41:48.719 --> 0:41:51.040
<v Speaker 2>hadn't cooked for her ever. And he was like and

0:41:51.080 --> 0:41:53.080
<v Speaker 2>Woody was hilarious, and I was so glad to beat

0:41:53.120 --> 0:41:53.720
<v Speaker 2>his new wife.

0:41:54.840 --> 0:41:57.680
<v Speaker 1>I mean that's where he is like so gay. But

0:41:57.719 --> 0:41:59.880
<v Speaker 1>I guess also metrosexual is like my kitchen needs to

0:41:59.920 --> 0:42:03.200
<v Speaker 1>be sparklean, clean. Yeah, it is this cosplay where's like

0:42:03.280 --> 0:42:05.960
<v Speaker 1>pretending like they can't see the kid, like eating cheerios

0:42:06.000 --> 0:42:06.520
<v Speaker 1>and it's just.

0:42:06.600 --> 0:42:08.279
<v Speaker 2>Like but I think his advice at the end of

0:42:08.320 --> 0:42:11.360
<v Speaker 2>that was just like have it be clean, have barstock

0:42:11.440 --> 0:42:14.319
<v Speaker 2>with wine, something for a groani, something from martiniz. You

0:42:14.360 --> 0:42:16.520
<v Speaker 2>don't need to call back to our original Zoe episode

0:42:16.560 --> 0:42:20.680
<v Speaker 2>of last week. You don't need whiskey, gin ruquila, say everything.

0:42:20.800 --> 0:42:23.160
<v Speaker 1>Just have the elements for martinis and you're trying to

0:42:23.239 --> 0:42:25.280
<v Speaker 1>go take a great and pretend please.

0:42:26.160 --> 0:42:29.520
<v Speaker 2>And for those non drinking folks, Sam Pellegrino will go

0:42:29.640 --> 0:42:31.120
<v Speaker 2>just fine at the Square to Flemn.

0:42:32.160 --> 0:42:35.440
<v Speaker 1>This book is really you know, and the related thoughts.

0:42:35.440 --> 0:42:37.319
<v Speaker 1>It is like a lot about death and aging, which

0:42:37.400 --> 0:42:39.359
<v Speaker 1>is quite beautiful, and he has a lot to think

0:42:39.400 --> 0:42:42.680
<v Speaker 1>about because he's in his sixties and his wife is

0:42:42.680 --> 0:42:44.480
<v Speaker 1>twenty years younger, so it's like really in his mind,

0:42:44.480 --> 0:42:46.279
<v Speaker 1>and he has these kind of very poignant ways of

0:42:46.320 --> 0:42:49.680
<v Speaker 1>talking about it, like when he talked about how he

0:42:49.760 --> 0:42:53.640
<v Speaker 1>is like now thinking about death a lot more because

0:42:53.640 --> 0:42:55.600
<v Speaker 1>he realized he has twenty years to go, and twenty

0:42:55.680 --> 0:42:57.799
<v Speaker 1>years is amount of time that like he can really

0:42:57.800 --> 0:43:01.040
<v Speaker 1>wrap his head around. Yeah, that really spoke to me

0:43:01.400 --> 0:43:04.399
<v Speaker 1>because I was like, we are and at the age

0:43:04.400 --> 0:43:07.399
<v Speaker 1>of thirty seven, say loud and proud, you know, I've

0:43:07.480 --> 0:43:10.919
<v Speaker 1>maybe got forty fifty years left, and it's like I've

0:43:10.960 --> 0:43:14.239
<v Speaker 1>never experienced forty or fifty years. I can't really maybe I.

0:43:14.200 --> 0:43:17.480
<v Speaker 2>Don't know what twenty that just twenty is, and.

0:43:17.520 --> 0:43:19.560
<v Speaker 1>Like I kind of know what like a thirty year

0:43:19.640 --> 0:43:21.759
<v Speaker 1>chunk is too, Like I mean twenty years ago, like

0:43:21.800 --> 0:43:24.160
<v Speaker 1>that was yesterday, literally thirty years ago still feels like

0:43:24.520 --> 0:43:25.600
<v Speaker 1>like kind of getting it.

0:43:25.680 --> 0:43:28.080
<v Speaker 2>The scariest part to me that made me feel like

0:43:28.160 --> 0:43:30.080
<v Speaker 2>really fear death, which he talked about now that he

0:43:30.080 --> 0:43:32.560
<v Speaker 2>lives in England and like has his new family is

0:43:32.600 --> 0:43:35.239
<v Speaker 2>He's like, I can't see these friends that I spent

0:43:35.320 --> 0:43:36.880
<v Speaker 2>so much time with before, and he was like, if

0:43:36.920 --> 0:43:39.800
<v Speaker 2>you think about that, I'm actually probably only going to

0:43:39.840 --> 0:43:42.440
<v Speaker 2>see some of these people ten more times in my life.

0:43:42.560 --> 0:43:46.120
<v Speaker 1>Oh yeah, but that's more like when you're so serious

0:43:46.160 --> 0:43:49.480
<v Speaker 1>and straight and like organizing really seriously.

0:43:49.160 --> 0:43:51.680
<v Speaker 2>That could we could be sixty, it's like not gonna

0:43:51.680 --> 0:43:53.879
<v Speaker 2>be us, and like we both are on our third

0:43:53.880 --> 0:43:56.200
<v Speaker 2>marriages with like four year olds, and I'm just like, oh,

0:43:56.239 --> 0:43:59.320
<v Speaker 2>I would love to meet you, like in Dingley.

0:44:00.600 --> 0:44:01.200
<v Speaker 1>Next fall.

0:44:01.520 --> 0:44:03.920
<v Speaker 2>The same time, he's hanging out with like Colin Firth

0:44:04.080 --> 0:44:07.040
<v Speaker 2>and like Lotty his manager like constantly knowing like you're

0:44:07.080 --> 0:44:08.399
<v Speaker 2>hanging more than no, and.

0:44:08.360 --> 0:44:10.560
<v Speaker 1>They're going like he's going to the River Cafere with

0:44:10.600 --> 0:44:12.359
<v Speaker 1>Tom Ford and then he's like and I won't tell

0:44:12.360 --> 0:44:15.040
<v Speaker 1>you what we discussed, and I'm like, you guys are

0:44:15.040 --> 0:44:17.960
<v Speaker 1>notingly discussing your open marriages and yeah, I'm like wool

0:44:19.239 --> 0:44:21.279
<v Speaker 1>with this one passage where he meets the guy whose

0:44:21.320 --> 0:44:24.440
<v Speaker 1>wife died. This fan who comes up to him, Oh yeah,

0:44:24.480 --> 0:44:28.279
<v Speaker 1>and like says that his wife had recently passed, and

0:44:28.320 --> 0:44:30.680
<v Speaker 1>he's like his hand shook a bit when he took mine,

0:44:30.719 --> 0:44:32.520
<v Speaker 1>to which he held on tightly. I recognized the shaking

0:44:32.600 --> 0:44:34.160
<v Speaker 1>was from age as well as nervousness, but I also

0:44:34.239 --> 0:44:36.480
<v Speaker 1>knew that it was brought about by a flood of

0:44:36.520 --> 0:44:39.080
<v Speaker 1>emotion as he held my hand. I knew that the

0:44:39.239 --> 0:44:41.839
<v Speaker 1>very real and visceral feeling of her presence. So he's

0:44:41.840 --> 0:44:45.480
<v Speaker 1>talking about how like the wife is there brought about

0:44:45.480 --> 0:44:47.719
<v Speaker 1>by this moment, an experience they would have shared where

0:44:47.760 --> 0:44:49.920
<v Speaker 1>she's so alive would weigh in over time, But he

0:44:49.960 --> 0:44:52.839
<v Speaker 1>could not know this then did he need to? That

0:44:52.920 --> 0:44:55.839
<v Speaker 1>realization and knowledge was years ahead of him. Yet her

0:44:55.880 --> 0:44:58.720
<v Speaker 1>presence at times such as these would never disappear completely.

0:44:59.000 --> 0:45:02.399
<v Speaker 1>It would always be there, always, but soon it would

0:45:02.400 --> 0:45:05.399
<v Speaker 1>become less prevalent. In time, her presence would slip into

0:45:05.480 --> 0:45:09.120
<v Speaker 1>his body, his heart and thoughts, sometimes gently, sometimes joltingly,

0:45:09.520 --> 0:45:11.640
<v Speaker 1>but it would never last for as long as it

0:45:11.640 --> 0:45:14.560
<v Speaker 1>would today. Eventually, years from now, it would a light

0:45:14.600 --> 0:45:16.160
<v Speaker 1>on the tip of his soul for just a second

0:45:16.280 --> 0:45:18.520
<v Speaker 1>or two, carrying with it a shiver of the past,

0:45:18.960 --> 0:45:21.400
<v Speaker 1>a glimpse of a future that might have been, and

0:45:21.440 --> 0:45:25.640
<v Speaker 1>then it would disappear once again. Isn't that so beautiful?

0:45:25.680 --> 0:45:28.600
<v Speaker 1>And of course he's talking about his own dead wife,

0:45:28.960 --> 0:45:32.120
<v Speaker 1>Kate Kate while talking about using this man as sort

0:45:32.120 --> 0:45:32.759
<v Speaker 1>of And.

0:45:32.760 --> 0:45:34.759
<v Speaker 2>That's the other thing, whether or not to go back

0:45:34.840 --> 0:45:37.080
<v Speaker 2>as we close this episode, about moving on or not.

0:45:37.160 --> 0:45:39.160
<v Speaker 2>I think this book is a lot about like, Okay,

0:45:39.200 --> 0:45:41.880
<v Speaker 2>you also can like get remarried and like still be grieving.

0:45:42.080 --> 0:45:45.239
<v Speaker 2>Yes not, you know, just cut and dry. Obviously there

0:45:45.239 --> 0:45:48.279
<v Speaker 2>are harsher situations like John Edwards.

0:45:48.160 --> 0:45:55.680
<v Speaker 1>Yeah, and his monster of a way you see rest

0:45:55.760 --> 0:45:56.120
<v Speaker 1>in Hell.

0:45:57.600 --> 0:46:00.200
<v Speaker 2>But you can have a beautiful open marriage with a

0:46:00.239 --> 0:46:02.839
<v Speaker 2>younger literary yes, and still grieve.

0:46:02.680 --> 0:46:04.600
<v Speaker 1>And still grieve here and there, and then have these

0:46:04.640 --> 0:46:08.040
<v Speaker 1>little precious moments where your wife's presence enters your soul

0:46:08.280 --> 0:46:10.239
<v Speaker 1>for just a moment.

0:46:10.400 --> 0:46:15.160
<v Speaker 2>Maybe you think about texting Eadie Falco just randomly watching

0:46:15.160 --> 0:46:16.279
<v Speaker 2>an episode of The Sopranos.

0:46:17.080 --> 0:46:20.200
<v Speaker 1>They've put the kids to bed after their pasta, and

0:46:20.239 --> 0:46:35.560
<v Speaker 1>then they're just like season three segments with extra virgin

0:46:35.640 --> 0:46:39.520
<v Speaker 1>olive oil and bistecca ala Fiorentina. What does she wear?

0:46:39.760 --> 0:46:42.239
<v Speaker 2>What does she eat? How does what does she eat?

0:46:42.400 --> 0:46:52.520
<v Speaker 1>Pasta? Pasta hotel, the hotel, SA Sausage Joes shrim I

0:46:52.600 --> 0:46:57.640
<v Speaker 1>mean he has a very savory palette, as is the

0:46:57.920 --> 0:47:02.680
<v Speaker 1>custom today with the cool kids. Oh, very classic modern

0:47:02.719 --> 0:47:04.840
<v Speaker 1>contemporary Mediterranean palette. It's like because he says he's not

0:47:04.840 --> 0:47:05.640
<v Speaker 1>a big dessert person.

0:47:05.920 --> 0:47:09.000
<v Speaker 2>Well he also says like, I'm he's not being like

0:47:09.280 --> 0:47:11.960
<v Speaker 2>I'm going to try to like cook like Tetobalki tonight,

0:47:12.080 --> 0:47:14.160
<v Speaker 2>Like he's just like I stick to like what I know.

0:47:14.640 --> 0:47:17.960
<v Speaker 1>Yeah, He's like, maybe I'm actually being like too fearful

0:47:18.000 --> 0:47:19.319
<v Speaker 1>and I need to get out of my comfort zone

0:47:19.320 --> 0:47:21.560
<v Speaker 1>and try to cook Asian food more. But then I

0:47:21.719 --> 0:47:24.560
<v Speaker 1>worry I wouldn't have the freedom to kind of adjust

0:47:25.360 --> 0:47:25.640
<v Speaker 1>that I.

0:47:25.680 --> 0:47:29.160
<v Speaker 2>Feel with which that part was so smart, and we

0:47:29.280 --> 0:47:31.200
<v Speaker 2>need to move fast. But it's like you have to

0:47:31.360 --> 0:47:33.359
<v Speaker 2>really know a cuisine.

0:47:33.200 --> 0:47:35.480
<v Speaker 1>To know if it needs a little bit more garlic, oh,

0:47:35.560 --> 0:47:37.800
<v Speaker 1>if it needs like you know, any It's kind of

0:47:37.840 --> 0:47:41.360
<v Speaker 1>where it's like with Chinese food Malaysian food he'sn't known to.

0:47:41.400 --> 0:47:44.200
<v Speaker 2>Do also, which we didn't even mention throughout this entire book.

0:47:44.320 --> 0:47:46.400
<v Speaker 2>This book is also about how he had like a

0:47:46.560 --> 0:47:49.240
<v Speaker 2>tongue tumor and it was like couldn't taste which.

0:47:49.239 --> 0:47:52.240
<v Speaker 1>Yeah, but well he discusses that in his previous book

0:47:52.520 --> 0:47:56.520
<v Speaker 1>Taste Right, and so he can be like, as I

0:47:56.800 --> 0:47:59.880
<v Speaker 1>mentioned in my previous book, and I won't go into two.

0:48:00.280 --> 0:48:02.440
<v Speaker 2>Much because I'm in a book to He can't really

0:48:02.480 --> 0:48:04.840
<v Speaker 2>do much meat. That's why it is a lot of fishing.

0:48:04.560 --> 0:48:06.799
<v Speaker 1>Because he doesn't like produce as much saliva, yeah, which

0:48:06.800 --> 0:48:09.960
<v Speaker 1>is also why he isn't like love as Tannic reds,

0:48:10.560 --> 0:48:13.719
<v Speaker 1>and so he prefers the Northern Italian red, which I

0:48:13.960 --> 0:48:16.160
<v Speaker 1>still find has a lovely tan in to it. Because

0:48:16.160 --> 0:48:17.880
<v Speaker 1>he's talking about how he's like instead of those like

0:48:18.040 --> 0:48:21.680
<v Speaker 1>Central Italian like super big, multiple giano whatever that people

0:48:21.800 --> 0:48:24.600
<v Speaker 1>like I love, who is like men usually want big reds,

0:48:24.640 --> 0:48:28.840
<v Speaker 1>but you know, and he was like absolutely a Northern Italian.

0:48:29.880 --> 0:48:33.359
<v Speaker 2>He realizes that other new metrosexuals don't like a huge

0:48:33.600 --> 0:48:36.960
<v Speaker 2>and their big yeah, don't like big cabs.

0:48:36.920 --> 0:48:41.080
<v Speaker 1>Yeah, and they like you know, the natty natty one.

0:48:41.320 --> 0:48:44.160
<v Speaker 2>And the only time he drinks tequila is at the beginning.

0:48:44.760 --> 0:48:46.800
<v Speaker 2>Oh no, he doesn't even he makes a paloma, but

0:48:46.920 --> 0:48:47.560
<v Speaker 2>he does it with jam.

0:48:47.680 --> 0:48:50.520
<v Speaker 1>That part was so weird when he was like, Felicity

0:48:50.520 --> 0:48:53.000
<v Speaker 1>introduced me to this very interesting new drink called a paloma.

0:48:53.160 --> 0:48:54.799
<v Speaker 1>I know. I was like, I'm like, what I think

0:48:54.960 --> 0:48:58.799
<v Speaker 1>is the only Diagio like ambassador. You don't know about

0:48:58.800 --> 0:48:59.600
<v Speaker 1>polomas and.

0:48:59.600 --> 0:49:02.840
<v Speaker 2>Then they tequila when Blake and Ryan come over, of

0:49:02.960 --> 0:49:06.200
<v Speaker 2>course because like celebrity, even though Ryan owns a gin company.

0:49:06.680 --> 0:49:10.040
<v Speaker 1>Yeah, and like Stanley Tucci's a Gin ambassador. Yeah, but

0:49:10.120 --> 0:49:11.960
<v Speaker 1>they're just being like, we're both celebrities. We have so

0:49:12.040 --> 0:49:12.680
<v Speaker 1>we have to like to.

0:49:16.080 --> 0:49:18.720
<v Speaker 2>What does he wear? He wears like when it's casual,

0:49:18.840 --> 0:49:21.640
<v Speaker 2>it's like a stunning Laura Piana.

0:49:21.600 --> 0:49:25.919
<v Speaker 1>Like Keanna he is keeping the lights on over there

0:49:26.120 --> 0:49:28.160
<v Speaker 1>at the piano store, and it's.

0:49:28.040 --> 0:49:30.959
<v Speaker 2>Like what you said, like you know, at the farmer's market,

0:49:31.000 --> 0:49:36.600
<v Speaker 2>a Stunningneker. Yeah, and like a beautiful again like Bruno

0:49:37.239 --> 0:49:40.160
<v Speaker 2>Chanelli or like a Zenya pant Or. It's like a

0:49:40.200 --> 0:49:42.560
<v Speaker 2>suit made by like a stunning tailor he met in

0:49:42.680 --> 0:49:43.440
<v Speaker 2>search for Italy.

0:49:43.880 --> 0:49:47.520
<v Speaker 1>And then how does he live? Like Okay, here's the question.

0:49:47.800 --> 0:49:51.520
<v Speaker 1>What are the countertops? Are they? I think are they marble?

0:49:51.640 --> 0:49:53.600
<v Speaker 1>I think it's marble. And I think his house is

0:49:53.719 --> 0:49:56.440
<v Speaker 1>kind of dark. Okay, yes, for sure, it's like dark

0:49:56.480 --> 0:49:58.279
<v Speaker 1>remanded colors. I mean his house like I feel like,

0:49:58.400 --> 0:50:00.880
<v Speaker 1>does look like a boutiqu Kota and like there is

0:50:00.960 --> 0:50:03.440
<v Speaker 1>a lot of like dark colors in the dark greens

0:50:03.560 --> 0:50:06.000
<v Speaker 1>and like the black window panes.

0:50:05.800 --> 0:50:08.800
<v Speaker 2>And he's always like making his cocktails like in a

0:50:09.040 --> 0:50:11.800
<v Speaker 2>sidebar where there's so many espresso pods.

0:50:12.120 --> 0:50:18.520
<v Speaker 1>However, I guess I'm like, marble countertops are harder to clean, and.

0:50:18.560 --> 0:50:21.040
<v Speaker 2>I'm like, do you think he's doing something more simple

0:50:21.680 --> 0:50:24.200
<v Speaker 2>because with the kids and like chopping.

0:50:24.040 --> 0:50:25.440
<v Speaker 1>Like it would be so sexy if you had like

0:50:25.600 --> 0:50:27.040
<v Speaker 1>butcher block countertops.

0:50:27.280 --> 0:50:30.880
<v Speaker 2>But maybe he talks about being really jealous of David

0:50:30.880 --> 0:50:32.799
<v Speaker 2>Beckham's outdoor kitchen, but he.

0:50:32.960 --> 0:50:36.080
<v Speaker 1>Also has this massive outdoor kitchen with this crazy grill

0:50:36.200 --> 0:50:38.040
<v Speaker 1>and like pizza ovens.

0:50:38.160 --> 0:50:41.480
<v Speaker 2>I know, but he's like, it's not like backs. We

0:50:41.600 --> 0:50:43.920
<v Speaker 2>always want something more yea, And I feel like it's

0:50:43.960 --> 0:50:46.560
<v Speaker 2>like a navy blue velvet couch.

0:50:47.080 --> 0:50:49.239
<v Speaker 1>I definitely think there's plenty of jewel tones in there.

0:50:49.440 --> 0:50:52.959
<v Speaker 1>I think you're right about the darker hues. Okay, here's

0:50:52.960 --> 0:50:55.719
<v Speaker 1>my question. How present is the ex wife framed black

0:50:55.760 --> 0:50:58.560
<v Speaker 1>and white photos frame like on the cape?

0:50:58.880 --> 0:51:00.640
<v Speaker 2>Well, because also it's like for the kids, well, I

0:51:00.680 --> 0:51:02.839
<v Speaker 2>guess the older kids aren't really there. They're like trying

0:51:02.920 --> 0:51:05.960
<v Speaker 2>to be makeup artists. Yeah, I think it's like one

0:51:06.400 --> 0:51:09.719
<v Speaker 2>framed family photo with the ex wife not just.

0:51:09.800 --> 0:51:13.120
<v Speaker 1>Wife solo, no solo dead wife.

0:51:13.280 --> 0:51:15.799
<v Speaker 2>And then it's like some photos of them, and then

0:51:15.880 --> 0:51:17.080
<v Speaker 2>I think it is like but.

0:51:18.080 --> 0:51:21.560
<v Speaker 1>They're like I think there's like a bowl they got

0:51:21.719 --> 0:51:26.480
<v Speaker 1>on a trip to Japan together that's prominently displayed and

0:51:26.640 --> 0:51:29.319
<v Speaker 1>it's known. It's like no one says it's Kate's ball,

0:51:29.360 --> 0:51:30.520
<v Speaker 1>but we all know it's.

0:51:30.480 --> 0:51:33.480
<v Speaker 2>Kate's ball, and Felicity is of like, oh, I love

0:51:33.600 --> 0:51:38.399
<v Speaker 2>Kate's bowl. You know, I love Kate's bowl. I think

0:51:38.440 --> 0:51:42.080
<v Speaker 2>it's a low bed. I think it's glassy, medium low bed.

0:51:42.239 --> 0:51:43.560
<v Speaker 1>I think it's medium low.

0:51:43.880 --> 0:51:44.520
<v Speaker 2>He's sixty.

0:51:45.600 --> 0:51:47.839
<v Speaker 1>But then I'm like, actually, maybe it's not even medium low.

0:51:48.000 --> 0:51:50.160
<v Speaker 1>It actually may be high in a hotel way.

0:51:50.960 --> 0:51:54.120
<v Speaker 2>And like just so many shit because also like British

0:51:54.160 --> 0:51:55.600
<v Speaker 2>and British they don't do lost.

0:51:55.719 --> 0:51:57.719
<v Speaker 1>They are like high beds over there, and they're like

0:51:58.080 --> 0:52:01.440
<v Speaker 1>clutter out the who and like she's not so cluttered,

0:52:01.480 --> 0:52:03.200
<v Speaker 1>but like she's little cutter.

0:52:03.160 --> 0:52:07.200
<v Speaker 2>Might be a little cluttery, a lid agent agent. And

0:52:07.280 --> 0:52:10.040
<v Speaker 2>there's books, pile, bridget shone stuff.

0:52:10.239 --> 0:52:13.160
<v Speaker 1>Yeah. I think there's like their reception area where calling

0:52:13.200 --> 0:52:15.400
<v Speaker 1>Furth is having martinis is free of chargers, but it's

0:52:15.480 --> 0:52:17.359
<v Speaker 1>Charaguers Central. Once you're get into the bedroom.

0:52:17.200 --> 0:52:18.840
<v Speaker 2>Well, and then there's like the whole part about like

0:52:19.040 --> 0:52:23.840
<v Speaker 2>how much gadget and iguana. I think there's there's air fires.

0:52:23.800 --> 0:52:26.960
<v Speaker 1>Right, there is so many fucking gadgets. Yeah, obviously there's

0:52:26.960 --> 0:52:28.400
<v Speaker 1>mains that are putting the gadgets away, but then the

0:52:28.440 --> 0:52:31.040
<v Speaker 1>gadgets are coming out, and there's charging pads and charging

0:52:31.120 --> 0:52:33.000
<v Speaker 1>stations and like there's an iPod doc that's.

0:52:32.840 --> 0:52:38.600
<v Speaker 2>So like Hotels iPad doc yeah, for recipes, and like

0:52:38.800 --> 0:52:40.520
<v Speaker 2>I'm almost just at this point, I'm like, there's the

0:52:40.560 --> 0:52:43.719
<v Speaker 2>Bows five disc. I mean there isn't, but it's so

0:52:43.880 --> 0:52:46.920
<v Speaker 2>nose up in that house. And he's like, because.

0:52:46.680 --> 0:52:49.279
<v Speaker 1>There's at one point where he's playing music off his phone.

0:52:49.360 --> 0:52:51.880
<v Speaker 1>He's like, I played the Great American Songbook off my

0:52:52.040 --> 0:52:54.800
<v Speaker 1>phone and put it in a cup to amplify it.

0:52:55.080 --> 0:52:57.480
<v Speaker 1>I really need to get a speaker because he's so gadget.

0:52:57.520 --> 0:52:59.960
<v Speaker 1>He's like, I need an amazing and then like Nicol

0:53:00.960 --> 0:53:01.920
<v Speaker 1>Christmas idea.

0:53:01.760 --> 0:53:04.560
<v Speaker 2>Yeah, it's like getting him a JBL and it's very parently.

0:53:04.640 --> 0:53:06.960
<v Speaker 2>They're like getting him like the wrong speaker and no

0:53:07.040 --> 0:53:11.880
<v Speaker 2>one can connect and it's yeah, so Christmas, I mean

0:53:12.000 --> 0:53:15.560
<v Speaker 2>they're like, Okay, deconnect, Okay, try connecting again. Okay, who

0:53:15.600 --> 0:53:16.399
<v Speaker 2>are you in the book?

0:53:16.480 --> 0:53:18.040
<v Speaker 1>It's Christmas around the clock over there.

0:53:18.320 --> 0:53:21.560
<v Speaker 2>I mean to me, I'm Stanley in your Felicity, and

0:53:21.640 --> 0:53:23.600
<v Speaker 2>I'm just gonna be like, I guess I won't ask

0:53:23.760 --> 0:53:24.720
<v Speaker 2>about like where.

0:53:24.640 --> 0:53:27.160
<v Speaker 1>You weren't born to I mean, you're married to a

0:53:27.200 --> 0:53:29.359
<v Speaker 1>little agent though you're a Wifelicity.

0:53:29.640 --> 0:53:33.960
<v Speaker 2>Oh oh that she's more Felicity, but it is not

0:53:34.080 --> 0:53:36.560
<v Speaker 2>involved in the who are you? No she is. No,

0:53:36.600 --> 0:53:38.000
<v Speaker 2>It's like, well, that's why I feel like i'm standing

0:53:38.040 --> 0:53:40.799
<v Speaker 2>because I'm like also married to a lit agent, right, and.

0:53:40.880 --> 0:53:44.000
<v Speaker 1>You think I'm going on a trip and my husband's

0:53:44.040 --> 0:53:45.720
<v Speaker 1>just been like, I guess I won't ask.

0:53:47.239 --> 0:53:52.240
<v Speaker 2>Yeah, though, I guess you're also just like Harry's styles

0:53:52.280 --> 0:53:53.560
<v Speaker 2>coming over for dinner.

0:53:54.800 --> 0:53:57.520
<v Speaker 1>And I'm so nice and we love him. He's such

0:53:57.560 --> 0:53:58.120
<v Speaker 1>a good friend.

0:53:58.320 --> 0:54:00.920
<v Speaker 2>You're also just like Emily Blunt. You're getting together.

0:54:01.200 --> 0:54:02.000
<v Speaker 1>Yeah, I think I'm.

0:54:01.840 --> 0:54:05.080
<v Speaker 2>Emily, and you're like, I can't believe you didn't tell me.

0:54:05.200 --> 0:54:09.080
<v Speaker 2>You're stopping my system. Ridiculous.

0:54:09.200 --> 0:54:11.480
<v Speaker 1>I love going over that, And then I'm being like, oh,

0:54:11.520 --> 0:54:12.840
<v Speaker 1>I think it's time for us to leave.

0:54:15.400 --> 0:54:17.520
<v Speaker 2>Okay, and it's time just to end this episode. Dollars.

0:54:17.760 --> 0:54:21.560
<v Speaker 2>I get this straight up, yeah, wild Garlic.

0:54:21.680 --> 0:54:24.719
<v Speaker 1>I love a diary. I think it's so much more

0:54:24.840 --> 0:54:26.840
<v Speaker 1>revealing than a traditional memoir.

0:54:27.120 --> 0:54:29.400
<v Speaker 2>It is because if someone was writing a memoir, he

0:54:29.440 --> 0:54:33.400
<v Speaker 2>wouldn't say felicity under coach scallops.

0:54:33.680 --> 0:54:35.200
<v Speaker 1>No, you get that in diary.

0:54:35.640 --> 0:54:39.520
<v Speaker 2>I'm giving this yeah for under non seared scallops.

0:54:39.520 --> 0:54:40.799
<v Speaker 1>And it's quite inspiring.

0:54:41.120 --> 0:54:44.239
<v Speaker 2>And and he's being honest. How he doesn't trust his

0:54:44.360 --> 0:54:46.640
<v Speaker 2>own line of quickwear, and that's what you get in diary.

0:54:46.840 --> 0:54:49.759
<v Speaker 1>I don't trust it either. It's all, yeah, seven hundred dollars.

0:54:49.800 --> 0:54:51.680
<v Speaker 1>It's look really expensive. I mean I guess it should be,

0:54:51.840 --> 0:54:56.520
<v Speaker 1>but I'm just like the world need another like non

0:54:56.640 --> 0:55:02.799
<v Speaker 1>coded ceramic. And he knows that, Yeah, he knows. Sorry, Bye,

0:55:06.200 --> 0:55:10.759
<v Speaker 1>My Mommy, My Mommy is a broadcast was a produced

0:55:10.800 --> 0:55:15.400
<v Speaker 1>the Vidarb Master, a supervising producer.

0:55:17.080 --> 0:55:17.600
<v Speaker 2>Hell Laura.

0:55:18.400 --> 0:55:22.279
<v Speaker 3>The podcast is done by the pizzolo here Christina Ever

0:55:22.520 --> 0:55:26.839
<v Speaker 3>she makes a beautiful marinera simple little carrot on in Basil.

0:55:26.680 --> 0:55:31.279
<v Speaker 1>And the French shirt is that a sound engineer and

0:55:31.400 --> 0:55:32.400
<v Speaker 1>also a producer.

0:55:33.000 --> 0:55:37.640
<v Speaker 3>The theme song is a Sicilian recording artist Steve as

0:55:37.719 --> 0:55:40.160
<v Speaker 3>Her Phillips Horst is the old folks singer.

0:55:40.360 --> 0:55:43.520
<v Speaker 1>And there is just a one tiny illegal matter that

0:55:43.960 --> 0:55:54.920
<v Speaker 1>my lawyer makes me say. That is La Monte Prolagos,

0:55:55.000 --> 0:55:59.439
<v Speaker 1>a tiny office in Genoa. They do a nice job,

0:56:00.040 --> 0:56:05.040
<v Speaker 1>beautiful and the artwork was known by Daddy Blanks and

0:56:05.120 --> 0:56:09.680
<v Speaker 1>he studied the Institute the Fordma Michelangelo.

0:56:10.800 --> 0:56:13.640
<v Speaker 3>If you want to follow us and give us your lira,

0:56:14.200 --> 0:56:15.640
<v Speaker 3>go to Patreon dot concerts.

0:56:16.800 --> 0:56:20.520
<v Speaker 1>That's only like a six years an express a week,

0:56:20.840 --> 0:56:21.760
<v Speaker 1>so one espress