1
00:00:02,200 --> 00:00:05,000
Speaker 1: Who's that knocking at the door. It's all your friends.

2
00:00:05,000 --> 00:00:08,000
Speaker 1: You've filthy horse, your husband's gone, and we've got books

3
00:00:08,000 --> 00:00:11,680
Speaker 1: and a bottle of wine to kill. It's Hollywood, it's books,

4
00:00:11,840 --> 00:00:19,040
Speaker 1: it's gossip. I'm sure it's memoir, it's martinis. Celebrity poof Club,

5
00:00:20,040 --> 00:00:24,400
Speaker 1: Read it while it's hot. Celebrity poof Club, Tell your secrets.

6
00:00:24,480 --> 00:00:29,240
Speaker 1: We won't talk celebrity books. No boys are a loud

7
00:00:29,640 --> 00:00:34,760
Speaker 1: celebrity book say it loud and cloud Celebrity book Club.

8
00:00:35,560 --> 00:00:37,319
Speaker 2: Buzz me in. I brought the queer vow.

9
00:00:37,600 --> 00:00:42,839
Speaker 1: Heyst, where are you?

10
00:00:43,080 --> 00:00:47,440
Speaker 2: Literally? Where am I ware? What? Who? You come to yourself?

11
00:00:47,560 --> 00:00:48,319
Speaker 2: I travel so.

12
00:00:48,360 --> 00:00:52,400
Speaker 1: Much travel and at our age, sometimes our heads can

13
00:00:52,440 --> 00:00:53,080
Speaker 1: be elsewhere.

14
00:00:53,320 --> 00:00:55,600
Speaker 2: Luckily, my knees stn't work?

15
00:00:57,840 --> 00:01:01,440
Speaker 1: Oh do they? Because you are your fucking all the time.

16
00:01:01,280 --> 00:01:05,720
Speaker 2: This, Oh, how dare you? You're the cocksucker?

17
00:01:07,080 --> 00:01:11,120
Speaker 1: And how great reviews? Beautiful reviews?

18
00:01:11,160 --> 00:01:13,160
Speaker 2: And you know what if I did even suck dick,

19
00:01:13,920 --> 00:01:21,319
Speaker 2: amazing reviews may be like wonderful, wonderful, wonder wonderful. Listen,

20
00:01:21,520 --> 00:01:23,200
Speaker 2: No enough of the bathroom humor.

21
00:01:23,680 --> 00:01:26,160
Speaker 1: Seriously, let's get serious because we have an extremely elegant

22
00:01:26,240 --> 00:01:26,919
Speaker 1: topic today.

23
00:01:26,959 --> 00:01:29,120
Speaker 2: I know it's actually I'm like, oh, we started off

24
00:01:29,160 --> 00:01:37,520
Speaker 2: so rawling elegance and we're talking about butter today. Oh

25
00:01:37,720 --> 00:01:42,080
Speaker 2: and we're talking about oh, I don't know, crisp white

26
00:01:42,120 --> 00:01:43,640
Speaker 2: wine from the Piedmont region.

27
00:01:44,240 --> 00:01:52,000
Speaker 1: Yeah, or even can I say it's hilarious, so wrong

28
00:01:52,040 --> 00:01:54,919
Speaker 1: to have I don't know the crispus have ever happened.

29
00:01:54,920 --> 00:01:56,880
Speaker 2: I don't know what about. I don't know what insanely

30
00:01:57,120 --> 00:02:00,360
Speaker 2: crisp peanut grease at lunch at one pm with your

31
00:02:00,400 --> 00:02:01,480
Speaker 2: older son.

32
00:02:01,800 --> 00:02:05,920
Speaker 1: Who made me a beautiful Welsh rampit because he's really

33
00:02:05,920 --> 00:02:08,440
Speaker 1: coming into his own as a chef, were talking about.

34
00:02:08,560 --> 00:02:11,600
Speaker 2: We're talking about none other than the hottest man to

35
00:02:11,639 --> 00:02:14,160
Speaker 2: all moms in the entire world.

36
00:02:14,360 --> 00:02:17,919
Speaker 1: That is so true, mom bait.

37
00:02:18,320 --> 00:02:20,880
Speaker 2: Literally, mom bait, we were talking about one of the

38
00:02:21,000 --> 00:02:23,960
Speaker 2: yummiest Italian Americans in history.

39
00:02:24,000 --> 00:02:26,880
Speaker 1: One of the original metrosexuals.

40
00:02:26,880 --> 00:02:30,840
Speaker 2: Literally, No, he's like the last, the original and the last.

41
00:02:31,080 --> 00:02:33,520
Speaker 2: And we're going to get into that, someone who is

42
00:02:33,520 --> 00:02:35,840
Speaker 2: famous for acting but is now known for.

43
00:02:35,919 --> 00:02:39,640
Speaker 1: Food and his guns. Ladies, because he do be working

44
00:02:39,720 --> 00:02:43,040
Speaker 1: out quite often, often with his yoga.

45
00:02:42,720 --> 00:02:47,320
Speaker 2: Instruct Okay, shake, shake, shake your groove thing, that's a

46
00:02:47,360 --> 00:02:51,000
Speaker 2: negroni I'm talking about. We are talking about none other than.

47
00:02:51,320 --> 00:02:55,680
Speaker 1: Stanley touch and his brand new book What I Ate

48
00:02:55,880 --> 00:02:56,679
Speaker 1: In One.

49
00:02:56,520 --> 00:03:02,520
Speaker 2: Year and related thoughts. H This whole book is so

50
00:03:02,840 --> 00:03:07,280
Speaker 2: like yummy, and it's like jazz. It's like soft jazz,

51
00:03:07,720 --> 00:03:10,840
Speaker 2: rainy London afternoon with a good glass of wine.

52
00:03:10,880 --> 00:03:14,400
Speaker 1: This book is full up jazz. And it was so

53
00:03:14,560 --> 00:03:19,120
Speaker 1: perfect that I was reading on the plane from Nantucket

54
00:03:19,200 --> 00:03:22,160
Speaker 1: to La Guardia, having just had a week of being

55
00:03:22,280 --> 00:03:27,520
Speaker 1: like mm so like rich, but also like cozy and

56
00:03:27,560 --> 00:03:31,280
Speaker 1: gloomy because it was like shoulder season late September Nantucket.

57
00:03:31,320 --> 00:03:33,240
Speaker 1: I was there. Yeah, I'll spill the beans.

58
00:03:34,440 --> 00:03:36,960
Speaker 2: Saw your personal life on this personal trip, but it

59
00:03:37,000 --> 00:03:40,120
Speaker 2: was personal yet for your wife's business, yes, which is

60
00:03:40,120 --> 00:03:44,040
Speaker 2: so Stanley. So he's always being so like well off

61
00:03:44,080 --> 00:03:48,200
Speaker 2: to the Dingly Literary Festival with Felicity. God, she has

62
00:03:48,240 --> 00:03:52,720
Speaker 2: so many launches. Okay, So you were having like a gluey.

63
00:03:52,400 --> 00:03:54,120
Speaker 1: And as we do this, I'm gonna make us a

64
00:03:54,200 --> 00:03:57,400
Speaker 1: very Stanley Tucci beverage by just what they had on

65
00:03:57,440 --> 00:03:59,720
Speaker 1: the iHeart fridge, because sometimes you just have to go with.

66
00:03:59,680 --> 00:04:02,160
Speaker 2: It's available, just what's available.

67
00:04:02,200 --> 00:04:05,320
Speaker 1: Some kind of improvised spaghettes, which is a little stella

68
00:04:05,880 --> 00:04:06,720
Speaker 1: with a splash.

69
00:04:06,440 --> 00:04:10,320
Speaker 2: Of apaol, which you a true spaghett is Miller high

70
00:04:10,320 --> 00:04:11,520
Speaker 2: life an apaol.

71
00:04:11,680 --> 00:04:14,240
Speaker 1: Okay, but he do want one, You're going to try it.

72
00:04:16,960 --> 00:04:19,680
Speaker 2: We love to peer pressure on this pod, and I

73
00:04:19,680 --> 00:04:21,560
Speaker 2: think Estella will work because you know, I think the

74
00:04:21,600 --> 00:04:23,840
Speaker 2: whole point of like the spaghetti is this high low,

75
00:04:23,920 --> 00:04:26,359
Speaker 2: like really watery beer, and Estella is you know, like

76
00:04:26,600 --> 00:04:29,279
Speaker 2: the most plain airport lounge delta beer.

77
00:04:29,400 --> 00:04:31,960
Speaker 1: So it's like it's a pale European lagger.

78
00:04:31,800 --> 00:04:35,080
Speaker 2: And Stanley Tucci is having to do a collab in

79
00:04:35,200 --> 00:04:36,520
Speaker 2: like skinny for it.

80
00:04:36,720 --> 00:04:38,800
Speaker 1: No one is more airport lounge than too cheap. What

81
00:04:38,839 --> 00:04:41,680
Speaker 1: I've realized reading this book is that he really is

82
00:04:41,720 --> 00:04:46,880
Speaker 1: so comfortable in like a pretty new hotel. Yeah, where

83
00:04:46,880 --> 00:04:49,640
Speaker 1: they have like the backlit bar and the high top

84
00:04:49,800 --> 00:04:51,880
Speaker 1: like blonde wood tables.

85
00:04:51,680 --> 00:04:54,479
Speaker 2: Blondewood tables but like deep orange hues.

86
00:04:54,680 --> 00:04:58,880
Speaker 1: Yes, or she was on like deep steel window like fenestration.

87
00:04:59,080 --> 00:05:01,400
Speaker 2: Oh wait, while you make these, I'm just gonna read

88
00:05:01,400 --> 00:05:03,599
Speaker 2: this passage just to kind of put us in place

89
00:05:03,640 --> 00:05:07,160
Speaker 2: with this book of him checking into a hotel. Here's

90
00:05:07,160 --> 00:05:13,160
Speaker 2: your set, Okay, thank you, darling, Cheers beautiful after Annenna's

91
00:05:13,200 --> 00:05:16,240
Speaker 2: arrived from JFK to Manhattan. We checked into the Whitby Hotel,

92
00:05:16,520 --> 00:05:19,679
Speaker 2: which is part of the Firmdale Group. I love staying

93
00:05:19,680 --> 00:05:24,320
Speaker 2: in their hotels because there's a consistency of eccentric, cozy design.

94
00:05:24,680 --> 00:05:28,200
Speaker 2: They are spotlessly clean and beautifully appointed, and the staff

95
00:05:28,240 --> 00:05:30,520
Speaker 2: is kind. I first stayed and won the Covenant Garden

96
00:05:30,560 --> 00:05:33,080
Speaker 2: Hotel in London over twenty years ago with Kate while

97
00:05:33,080 --> 00:05:35,960
Speaker 2: promoting Big Night. We had the loveliest time together at

98
00:05:35,960 --> 00:05:38,000
Speaker 2: that trip, and it was the first time I'd ever

99
00:05:38,040 --> 00:05:41,600
Speaker 2: seen an Honesty bar, which is a stable in all

100
00:05:41,880 --> 00:05:46,320
Speaker 2: Firmdale hotels. Another property of theirs, the Charlotte Street Hotel,

101
00:05:46,560 --> 00:05:49,360
Speaker 2: is where I stayed while filming Captain American, where Flissy

102
00:05:49,440 --> 00:05:50,719
Speaker 2: and I first spent time together.

103
00:05:51,120 --> 00:05:54,720
Speaker 1: As they say, this is so crazy because when the

104
00:05:54,760 --> 00:05:58,720
Speaker 1: Firmdale Hotel group first comes up, like earlier in the book,

105
00:05:58,720 --> 00:06:00,560
Speaker 1: when you stayed at the Crosby Hotel, which is a

106
00:06:00,600 --> 00:06:04,640
Speaker 1: Firmdale property and so and he just goes more on

107
00:06:04,680 --> 00:06:07,840
Speaker 1: that later, and I'm like, more on the Firmdale Group later.

108
00:06:08,440 --> 00:06:10,919
Speaker 2: I was like, girl, what more on that later?

109
00:06:12,279 --> 00:06:14,760
Speaker 1: And lo and behold, there was much more to say

110
00:06:14,960 --> 00:06:17,440
Speaker 1: about their incredible properties.

111
00:06:17,240 --> 00:06:19,280
Speaker 2: Because a lot of times when like a book will

112
00:06:19,320 --> 00:06:21,120
Speaker 2: be so like and we'll get to that later in

113
00:06:21,120 --> 00:06:23,159
Speaker 2: the Luanaway, they don't get to it. But he was

114
00:06:23,200 --> 00:06:26,000
Speaker 2: so being like, no, I must finish my thoughts on

115
00:06:26,040 --> 00:06:27,080
Speaker 2: the firmiler.

116
00:06:27,960 --> 00:06:30,239
Speaker 1: He's a hospitality pilled mama.

117
00:06:30,520 --> 00:06:33,360
Speaker 2: So I guess this book is also even though it's

118
00:06:33,400 --> 00:06:36,200
Speaker 2: all about like cod and butter, it is also like

119
00:06:36,400 --> 00:06:40,960
Speaker 2: a meditation on aging, his wife, dying, his new wife,

120
00:06:41,040 --> 00:06:44,599
Speaker 2: his own mortality with his new wife, Emily Blunt's sister,

121
00:06:45,080 --> 00:06:46,360
Speaker 2: Felicity Blunt.

122
00:06:47,160 --> 00:06:49,800
Speaker 1: Such a funny name, Felicity Blunt.

123
00:06:50,120 --> 00:06:53,800
Speaker 2: Hello, I'm fit and she is a literary agent.

124
00:06:53,920 --> 00:06:56,840
Speaker 1: It's just the most literary agent thing that could possibly be.

125
00:06:57,080 --> 00:06:59,280
Speaker 2: It's such a movie, like a British John spin off,

126
00:06:59,279 --> 00:07:03,320
Speaker 2: being like, oh meet my agent, Felicity Blunt. She'll be

127
00:07:03,400 --> 00:07:04,400
Speaker 2: taking you to dinner.

128
00:07:04,560 --> 00:07:07,159
Speaker 1: Okay, So let me ask you something before we even

129
00:07:07,200 --> 00:07:09,640
Speaker 1: get into all the journal entries. And this really quite

130
00:07:09,880 --> 00:07:14,680
Speaker 1: lovely book, lovely book. So his wife died of cancer, Kate,

131
00:07:15,200 --> 00:07:17,320
Speaker 1: his wife of fifteen years, has two kids with her.

132
00:07:17,480 --> 00:07:19,400
Speaker 1: She dies in two thousand and nine.

133
00:07:19,320 --> 00:07:22,920
Speaker 2: And you know the whole backstory also with their marriage,

134
00:07:23,120 --> 00:07:26,840
Speaker 2: which was he did a play with Edie Falco. They

135
00:07:26,840 --> 00:07:30,160
Speaker 2: had an affair, he left his wife Kate.

136
00:07:30,200 --> 00:07:32,120
Speaker 1: And just you know, Stanley, if you're listening, this is

137
00:07:32,120 --> 00:07:34,280
Speaker 1: a literary criticism pot and we will be talking about

138
00:07:34,280 --> 00:07:38,120
Speaker 1: the chart. There's just a little bit of Delbert, but

139
00:07:38,200 --> 00:07:40,400
Speaker 1: of course we're mostly talking about food and literature.

140
00:07:40,520 --> 00:07:44,720
Speaker 2: Well, Felicity Blunt, Yeah, the way he left his wife

141
00:07:45,160 --> 00:07:48,120
Speaker 2: for her and then his wife had cancer and he

142
00:07:48,120 --> 00:07:51,320
Speaker 2: got back with his wife and left Edie Falco and

143
00:07:51,560 --> 00:07:52,760
Speaker 2: Edi fa never married.

144
00:07:53,080 --> 00:07:56,800
Speaker 1: Oh yeah, he got out of cancer guilt.

145
00:07:56,880 --> 00:07:58,480
Speaker 2: I don't know I who's out of cancer guilt. I

146
00:07:58,480 --> 00:08:00,480
Speaker 2: think he was like, let me get back with my wife.

147
00:08:00,600 --> 00:08:02,240
Speaker 2: But some mother my children.

148
00:08:02,440 --> 00:08:06,360
Speaker 1: Yes, And sometimes an illness can throw your priorities into

149
00:08:06,400 --> 00:08:07,000
Speaker 1: stark relief.

150
00:08:07,120 --> 00:08:09,000
Speaker 2: Well, I don't know the exact timeline. It could have

151
00:08:09,000 --> 00:08:11,360
Speaker 2: been like he needed some relief. And you know, of

152
00:08:11,440 --> 00:08:13,600
Speaker 2: course you've done many plays. When you do play and

153
00:08:13,600 --> 00:08:19,480
Speaker 2: you're with the cast, emotions.

154
00:08:16,120 --> 00:08:21,200
Speaker 1: Playing chemistry, and that can supersede reality.

155
00:08:21,440 --> 00:08:24,440
Speaker 2: Right, we almost get into these romances. Forty five minutes

156
00:08:24,440 --> 00:08:25,600
Speaker 2: at the iHeart Offices.

157
00:08:25,680 --> 00:08:29,520
Speaker 1: Oh my god. Also just the redness of the iHeart Studio,

158
00:08:29,600 --> 00:08:31,120
Speaker 1: the roomb if you will, and I.

159
00:08:31,080 --> 00:08:34,400
Speaker 2: Saw this quote from felt being like, oh, I'm thrilled

160
00:08:34,480 --> 00:08:38,520
Speaker 2: he's back with his wife. I'm sure anyway, I read

161
00:08:38,559 --> 00:08:41,040
Speaker 2: his wife did pass sadly, passes.

162
00:08:40,760 --> 00:08:43,240
Speaker 1: Very sadly in two thousand and nine. In two thousand

163
00:08:43,280 --> 00:08:48,360
Speaker 1: and ten, he attends the wedding of John Krasinski and

164
00:08:48,520 --> 00:08:51,440
Speaker 1: Emily Blunt and whoms does he meet at the wedding

165
00:08:51,840 --> 00:08:55,160
Speaker 1: Felicity Bluntity And of course.

166
00:08:54,960 --> 00:08:57,000
Speaker 2: He had just done the devil rest pradact with Emily,

167
00:08:57,080 --> 00:08:59,120
Speaker 2: which is they were becoming quite close.

168
00:08:59,240 --> 00:09:03,960
Speaker 1: And then one you later he's married to Felicity.

169
00:09:04,120 --> 00:09:06,240
Speaker 2: I think to one year later he they hook up

170
00:09:06,240 --> 00:09:11,640
Speaker 2: at a firm deal group property and at the Charlotte

171
00:09:11,640 --> 00:09:14,920
Speaker 2: Street Hotel. Sorry, okay, they make and then the next

172
00:09:15,000 --> 00:09:17,560
Speaker 2: year they're married. I mean, when I read that timeline,

173
00:09:17,600 --> 00:09:21,679
Speaker 2: I'm like, okay, wife, If illco back with wife, wife dies.

174
00:09:21,880 --> 00:09:23,960
Speaker 1: I mean, he's a talent, it's also passionate.

175
00:09:24,160 --> 00:09:29,439
Speaker 2: Also, it's classic man they need women, Yes, they need woman. Also,

176
00:09:29,480 --> 00:09:31,360
Speaker 2: I think I don't think it's too soon. No, my

177
00:09:31,400 --> 00:09:33,319
Speaker 2: first reaction was absolutely right.

178
00:09:33,400 --> 00:09:36,400
Speaker 1: I said, if I died and my boyfriend.

179
00:09:36,360 --> 00:09:39,160
Speaker 2: Married within two years, right.

180
00:09:39,360 --> 00:09:41,439
Speaker 1: Lived would be absolutely corpse.

181
00:09:42,240 --> 00:09:46,520
Speaker 2: You'd be rolling in your firm deal group grave. I

182
00:09:46,559 --> 00:09:49,760
Speaker 2: think it's also I mean he had two kids and

183
00:09:49,960 --> 00:09:52,800
Speaker 2: was like, I think that just is very classic male.

184
00:09:52,800 --> 00:09:54,120
Speaker 2: They're like, okay, I'm a single father.

185
00:09:54,280 --> 00:09:57,200
Speaker 1: I need to like But also like Tucci is the

186
00:09:57,200 --> 00:09:59,400
Speaker 1: most eligible man alive, and so just like when he

187
00:09:59,440 --> 00:10:04,199
Speaker 1: became an Eli bachelor, it's like, so he's a gorgeous

188
00:10:04,200 --> 00:10:07,520
Speaker 1: man who takes care of his body, wildly successful, elegant,

189
00:10:07,800 --> 00:10:11,720
Speaker 1: can cook, loves travel, knows about wine, cares a little

190
00:10:11,720 --> 00:10:12,760
Speaker 1: breast literature.

191
00:10:13,280 --> 00:10:15,080
Speaker 2: It's like, he's not gonna stay single. But I also

192
00:10:15,200 --> 00:10:17,920
Speaker 2: don't see and to your point of all those things,

193
00:10:18,280 --> 00:10:20,400
Speaker 2: I think he is someone that wants like more of

194
00:10:20,400 --> 00:10:23,680
Speaker 2: a long term companion. I don't think after the wife

195
00:10:23,720 --> 00:10:25,480
Speaker 2: he was probably like, Okay, I'm gonna like fuck around.

196
00:10:25,520 --> 00:10:27,559
Speaker 2: He's like, I'm just gonna move on fast and get

197
00:10:27,559 --> 00:10:32,240
Speaker 2: a younger wife and younger. She is younger, she is

198
00:10:32,600 --> 00:10:37,199
Speaker 2: she's younger than Emily. Yeah, she's twenty one years his junior.

199
00:10:37,520 --> 00:10:39,720
Speaker 1: And there is a place, there's funny part where he's

200
00:10:39,760 --> 00:10:42,360
Speaker 1: just like, and of course my child. And then comes

201
00:10:42,360 --> 00:10:45,240
Speaker 1: the questions, why are you so much older than mommy?

202
00:10:45,400 --> 00:10:47,240
Speaker 1: But why is mommy still taller than you?

203
00:10:47,760 --> 00:10:49,480
Speaker 2: The bar was so funny. He was like, this is

204
00:10:49,520 --> 00:10:51,479
Speaker 2: what's happening during bedtime, which.

205
00:10:51,280 --> 00:10:55,040
Speaker 1: Makes them a huge fem tiny butch couple. Yes, but

206
00:10:55,160 --> 00:10:58,520
Speaker 1: this makes sense because I heard from someone recently that

207
00:10:58,600 --> 00:11:01,040
Speaker 1: I saw in real life. Oh yeah, he said they

208
00:11:01,080 --> 00:11:04,280
Speaker 1: had seen Stanley Tucci recently in real life, and of

209
00:11:04,320 --> 00:11:06,319
Speaker 1: course the Union Square Farmer's market.

210
00:11:06,240 --> 00:11:08,200
Speaker 2: Of course, and he was like just picking up what's fresh,

211
00:11:08,280 --> 00:11:10,559
Speaker 2: and he's like, I'm so into aliums lately.

212
00:11:10,679 --> 00:11:13,120
Speaker 1: And they said he was short af I mean Italian

213
00:11:13,200 --> 00:11:15,439
Speaker 1: guys are short, and he was wearing like when do

214
00:11:15,559 --> 00:11:18,679
Speaker 1: you remember? He was wearing an open cartigan kind of

215
00:11:18,800 --> 00:11:22,120
Speaker 1: maybe a khaki pant or a dress pant, a rown

216
00:11:22,440 --> 00:11:26,080
Speaker 1: kind of like leathery sneakery kind of dress shoes like

217
00:11:26,400 --> 00:11:27,760
Speaker 1: Dad Dad, but.

218
00:11:27,800 --> 00:11:30,559
Speaker 2: Like it's all Rothman's like he was probably like really

219
00:11:30,679 --> 00:11:31,200
Speaker 2: nice leather.

220
00:11:31,400 --> 00:11:34,360
Speaker 1: It was definitely nice, like Milanese, like four hundred and

221
00:11:34,360 --> 00:11:36,280
Speaker 1: fifty dollars, like sneaker dress shoes.

222
00:11:36,440 --> 00:11:38,440
Speaker 2: In this book, He's like, well, you know, I like

223
00:11:38,480 --> 00:11:40,000
Speaker 2: clothes as much as I like food.

224
00:11:40,080 --> 00:11:42,599
Speaker 1: I certainly does. Yeah, I don't think everyone needs to

225
00:11:42,600 --> 00:11:44,480
Speaker 1: wear a three piece suit every day, but my goodness,

226
00:11:44,840 --> 00:11:45,240
Speaker 1: he was like.

227
00:11:45,120 --> 00:11:47,880
Speaker 2: My goodness a T shirt to a premiere and he's like,

228
00:11:48,040 --> 00:11:50,760
Speaker 2: this is why I love wool and this is why

229
00:11:50,760 --> 00:11:51,640
Speaker 2: I love Autumn.

230
00:11:51,840 --> 00:11:55,520
Speaker 1: This book is very transparent about the job of celebrity

231
00:11:55,559 --> 00:11:57,880
Speaker 1: because it's just like he's like, I'm a sanm Pella

232
00:11:57,920 --> 00:11:59,719
Speaker 1: greena ambassador, I'm a Tanker Ray.

233
00:11:59,760 --> 00:12:02,520
Speaker 2: And also it's like Tanker Ray number three, Like he

234
00:12:02,559 --> 00:12:03,400
Speaker 2: really gets specific.

235
00:12:03,440 --> 00:12:06,320
Speaker 1: He's like, well take Gray number ten. There's no number three.

236
00:12:07,600 --> 00:12:08,040
Speaker 2: I'll leave.

237
00:12:09,720 --> 00:12:11,720
Speaker 1: You can see yourself out.

238
00:12:11,920 --> 00:12:13,480
Speaker 2: This is like when I heard it, Gay was like,

239
00:12:13,600 --> 00:12:16,600
Speaker 2: I'm surprised how much Lily doesn't know. On the podcast,

240
00:12:17,559 --> 00:12:22,440
Speaker 2: this is when he's referring to go on.

241
00:12:25,360 --> 00:12:27,080
Speaker 1: For the Palace event, I had chosen to wear a

242
00:12:27,080 --> 00:12:30,240
Speaker 1: cream colored linen, double breasted and muted plaid suit, a

243
00:12:30,280 --> 00:12:33,040
Speaker 1: white shirt of brown tie, brown socks, and brown shoes.

244
00:12:33,559 --> 00:12:35,160
Speaker 1: I love clothing as much as I love food, and

245
00:12:35,200 --> 00:12:38,320
Speaker 1: I always like to dress not only well but appropriately

246
00:12:38,480 --> 00:12:41,600
Speaker 1: for whatever the occasion might be. I loathe the fact

247
00:12:41,679 --> 00:12:44,960
Speaker 1: that our world has become so casual, so many people

248
00:12:45,000 --> 00:12:46,320
Speaker 1: were the same thing for a night on in the

249
00:12:46,320 --> 00:12:48,800
Speaker 1: town or to the theater that they were around the house,

250
00:12:48,920 --> 00:12:50,760
Speaker 1: which is most often a T shirt and jeans, or

251
00:12:50,800 --> 00:12:53,880
Speaker 1: even just sweatpants. When I did some cocktail videos during

252
00:12:53,920 --> 00:12:58,320
Speaker 1: lockdown for my Instagram, one person commented very excitedly that

253
00:12:58,360 --> 00:13:01,520
Speaker 1: I was wearing pants and a belt, although to be fair,

254
00:13:01,960 --> 00:13:04,560
Speaker 1: that was all people talked about in lockdowns and pants

255
00:13:04,679 --> 00:13:07,520
Speaker 1: with pants and hard pants, hard pants and soft pants.

256
00:13:07,840 --> 00:13:11,040
Speaker 1: Let's face it, adults today dressed like children. Shots fired.

257
00:13:11,320 --> 00:13:13,280
Speaker 1: I'm not suggesting that one down a three piece suit

258
00:13:13,280 --> 00:13:15,160
Speaker 1: every day, but anything other than short sneakers and T

259
00:13:15,240 --> 00:13:19,040
Speaker 1: shirts plastered with oversized logos or catchphrases like I used

260
00:13:19,040 --> 00:13:21,920
Speaker 1: to drink but that was hours ago, or shit I

261
00:13:22,000 --> 00:13:24,360
Speaker 1: don't have time for, followed by a list of that

262
00:13:24,480 --> 00:13:27,480
Speaker 1: quote shit would be a step in the right direction.

263
00:13:28,320 --> 00:13:36,319
Speaker 2: Him quoting my sassy Walmartees, I was obsessed. Im go off.

264
00:13:36,440 --> 00:13:40,240
Speaker 2: I mean say more, say it more for the people

265
00:13:40,240 --> 00:13:41,640
Speaker 2: in the back, and you don't. And that's the thing.

266
00:13:41,679 --> 00:13:43,160
Speaker 2: You don't have to be a coastally. It's just like

267
00:13:43,559 --> 00:13:46,080
Speaker 2: we think, now, oh, everyone else's casual, so then you

268
00:13:46,120 --> 00:13:48,360
Speaker 2: don't dress up, and then it's just casual. Casual casual.

269
00:13:48,440 --> 00:13:50,079
Speaker 2: I mean, go to the theater and people aren't.

270
00:13:50,120 --> 00:13:52,720
Speaker 1: You go to the theater and people are in sweet

271
00:13:52,960 --> 00:13:58,560
Speaker 1: sure vests, disgusting, horrendous. You and I are going to

272
00:13:58,559 --> 00:14:01,440
Speaker 1: a film premiere after this, and we're and stun beautiful

273
00:14:01,679 --> 00:14:05,760
Speaker 1: slacks kids, ripe slacks and dress shoes and button down

274
00:14:05,800 --> 00:14:07,280
Speaker 1: shirts and silver brais.

275
00:14:07,440 --> 00:14:10,920
Speaker 2: Silver bracelets, and we didn't plan these outfits to be

276
00:14:11,080 --> 00:14:15,920
Speaker 2: max exactly. The thing. What I was so inspired by

277
00:14:16,440 --> 00:14:18,680
Speaker 2: reading this book is I kept on like reading, and

278
00:14:18,679 --> 00:14:20,760
Speaker 2: then I would get up and go to my fridge

279
00:14:20,760 --> 00:14:23,160
Speaker 2: and just make kind of random ship because I feel

280
00:14:23,200 --> 00:14:26,480
Speaker 2: like that's what like random shit, because I was like,

281
00:14:26,560 --> 00:14:28,840
Speaker 2: this theme is about how he's always like, oh, like

282
00:14:28,960 --> 00:14:31,000
Speaker 2: my kids are so picking. He's trying to like push

283
00:14:31,120 --> 00:14:33,320
Speaker 2: more things on them, but they're also kind of like

284
00:14:33,440 --> 00:14:35,720
Speaker 2: still more advanced than like most I would say, like

285
00:14:36,160 --> 00:14:39,480
Speaker 2: American children, Like one of them, who's four, is always

286
00:14:39,480 --> 00:14:41,680
Speaker 2: asking for like butter noodles.

287
00:14:41,200 --> 00:14:44,720
Speaker 1: But the other one is like then graduates to wanting apasta,

288
00:14:45,600 --> 00:14:47,600
Speaker 1: wanting to an apasta, which I would have never had

289
00:14:47,600 --> 00:14:48,800
Speaker 1: as like an eight year old or whatever.

290
00:14:48,920 --> 00:14:51,640
Speaker 2: Now and they're having like pesto at four, which I

291
00:14:51,680 --> 00:14:52,040
Speaker 2: feel like.

292
00:14:52,880 --> 00:14:54,800
Speaker 1: I arrived home in time to see the kids before school.

293
00:14:54,840 --> 00:14:57,680
Speaker 1: They did pot moments afterwards into the Caravra nanny who's

294
00:14:58,040 --> 00:14:59,440
Speaker 1: barely mentioned.

295
00:14:59,240 --> 00:15:01,520
Speaker 2: Yeah, then nanny. But then you're like, obviously they have

296
00:15:01,600 --> 00:15:04,760
Speaker 2: so much nann eating because like Ham and Felicity are

297
00:15:04,760 --> 00:15:05,400
Speaker 2: always going out.

298
00:15:05,440 --> 00:15:07,720
Speaker 1: But we'll get to the parenting in a second. Who,

299
00:15:07,720 --> 00:15:09,640
Speaker 1: along with Felicity more than picked up the slack while

300
00:15:09,640 --> 00:15:11,240
Speaker 1: I was away. I scrambled some eggs, pried up some

301
00:15:11,720 --> 00:15:14,640
Speaker 1: Cotto cook slice Italian Ham, slapped it all between two

302
00:15:14,680 --> 00:15:17,000
Speaker 1: pieces of lightly toasted white bread from the nineteen fifties

303
00:15:17,080 --> 00:15:19,120
Speaker 1: our bakery around the corner, wolfed it down, then collapse

304
00:15:19,160 --> 00:15:21,880
Speaker 1: into bed for longer than I'm disapated. Obviously, the sleeping

305
00:15:21,920 --> 00:15:24,800
Speaker 1: pill decided that it had not completely fulfilled its mission.

306
00:15:25,440 --> 00:15:27,880
Speaker 1: In the evening, after the children in pasta combest though,

307
00:15:27,920 --> 00:15:30,400
Speaker 1: I seen muscles and white wineishchilads and garlic, dressed them

308
00:15:30,440 --> 00:15:32,120
Speaker 1: with olive oil and parsley, and serve them with toasted

309
00:15:32,160 --> 00:15:35,880
Speaker 1: French bread. I also made spaghetti with fresh tomato sauce

310
00:15:36,040 --> 00:15:38,640
Speaker 1: for me because I was hungry than I had realized.

311
00:15:38,960 --> 00:15:41,400
Speaker 1: Felicity declined my offer to join me for a bit

312
00:15:41,400 --> 00:15:41,600
Speaker 1: of it.

313
00:15:41,800 --> 00:15:44,040
Speaker 2: Can I just say this to all of you kto

314
00:15:44,200 --> 00:15:47,240
Speaker 2: heads out there, and you're like, we need to eat

315
00:15:47,280 --> 00:15:49,760
Speaker 2: like eight hundred pounds of like bacon and steak and

316
00:15:49,800 --> 00:15:54,800
Speaker 2: like chicken and TikTok girls making duns bean salads is

317
00:15:54,880 --> 00:15:57,240
Speaker 2: like you can have pasta.

318
00:15:57,360 --> 00:16:00,400
Speaker 1: Fasta around the clock. Yeah, So well, everything he eats

319
00:16:00,480 --> 00:16:02,240
Speaker 1: is so delicious, don't need to have like the most

320
00:16:02,960 --> 00:16:03,800
Speaker 1: restaurants he goes.

321
00:16:03,640 --> 00:16:06,560
Speaker 2: To, right, which he's always like so annoyed. Yeah, which

322
00:16:06,600 --> 00:16:08,600
Speaker 2: I love him talking about bad restaurants.

323
00:16:08,760 --> 00:16:12,360
Speaker 1: And he never names the restaurants, which is which.

324
00:16:12,240 --> 00:16:15,920
Speaker 2: Perhaps a bit too Yeah, and he doesn't even mention

325
00:16:16,080 --> 00:16:17,640
Speaker 2: like Delta when they piss him off.

326
00:16:17,880 --> 00:16:21,040
Speaker 1: I know, And I'm a little like maybe like name

327
00:16:21,120 --> 00:16:23,440
Speaker 1: your enemy a little more, like it's okay.

328
00:16:23,800 --> 00:16:26,640
Speaker 2: Like he has pasta probably like every other night, if

329
00:16:26,640 --> 00:16:27,240
Speaker 2: not every.

330
00:16:27,120 --> 00:16:31,880
Speaker 1: Day, and he looks incredible because he also works out.

331
00:16:30,880 --> 00:16:34,640
Speaker 2: With hit Monique, his trainer. He's exercising like two hours

332
00:16:34,640 --> 00:16:36,240
Speaker 2: a day and a lot of I think you know

333
00:16:36,960 --> 00:16:39,480
Speaker 2: what he's having. And he says, which is so true,

334
00:16:39,600 --> 00:16:42,400
Speaker 2: Like it's so much better than like Fanny Singer's like

335
00:16:42,560 --> 00:16:46,160
Speaker 2: coming home pasta that's we've roasted to no end of

336
00:16:46,200 --> 00:16:49,280
Speaker 2: having like three pots of pasta boiling and like wild garlic.

337
00:16:49,640 --> 00:16:51,760
Speaker 2: He says, when he gets to a place, a new place,

338
00:16:52,000 --> 00:16:54,320
Speaker 2: he makes a tomato sauce just to ground himself.

339
00:16:54,560 --> 00:16:57,240
Speaker 1: That was so coming home pasta though, but I'm saying.

340
00:16:57,080 --> 00:17:00,960
Speaker 2: It's a little more real than coming home pasta. Yes,

341
00:17:01,480 --> 00:17:04,600
Speaker 2: is my point of her just being like, get seven pots,

342
00:17:04,920 --> 00:17:07,240
Speaker 2: find the wild garlic. He's just being like, what do

343
00:17:07,320 --> 00:17:09,720
Speaker 2: I actually have? Okay, I have this one onion, I

344
00:17:09,760 --> 00:17:10,320
Speaker 2: have garlic.

345
00:17:10,480 --> 00:17:11,480
Speaker 1: I can make canto sauce.

346
00:17:11,560 --> 00:17:11,800
Speaker 2: Yeah.

347
00:17:11,840 --> 00:17:16,000
Speaker 1: So I made in my like gloomy too cheese week

348
00:17:16,040 --> 00:17:20,600
Speaker 1: on Nantucket, we made pasta a la home when no sorry,

349
00:17:20,680 --> 00:17:24,280
Speaker 1: pizza Ala home pizza. And I made a tomato sauce

350
00:17:24,480 --> 00:17:26,320
Speaker 1: that I thought was so good, one of the best

351
00:17:26,320 --> 00:17:29,240
Speaker 1: tomato sauces I've made, and obviously was so simple. But

352
00:17:29,359 --> 00:17:32,080
Speaker 1: I just did one Vodalia.

353
00:17:31,480 --> 00:17:34,439
Speaker 2: Onion so sweet you can almost eat it like an apple.

354
00:17:36,000 --> 00:17:43,880
Speaker 2: She's always saying that. He's just been like, hm, Millie,

355
00:17:43,920 --> 00:17:46,960
Speaker 2: my fouryerl didn't want to bite into the Vodalia raw,

356
00:17:47,160 --> 00:17:49,119
Speaker 2: but I put a little butter and salt on it.

357
00:17:49,600 --> 00:17:52,560
Speaker 1: Well there's one Lunch just makes onions, literally just makes onions.

358
00:17:52,600 --> 00:17:53,480
Speaker 1: And I'm like, okay, onion.

359
00:17:53,880 --> 00:17:56,880
Speaker 2: I I love onions anyway, So you did just garlic

360
00:17:57,160 --> 00:18:00,560
Speaker 2: basil tomato, no basil in the sauce.

361
00:18:00,920 --> 00:18:06,680
Speaker 1: Okay, the sauce was just the garlic, the onion, tomato paste,

362
00:18:07,359 --> 00:18:10,520
Speaker 1: a whole thing of anchovies, the whole can of San

363
00:18:10,640 --> 00:18:15,440
Speaker 1: Marzana tomatoes, and then a little ban of onion powder,

364
00:18:16,000 --> 00:18:17,800
Speaker 1: a little then of garlic powder. I know that's kind

365
00:18:17,800 --> 00:18:20,000
Speaker 1: of unorthodox, a little bit to put the powders in,

366
00:18:20,480 --> 00:18:22,600
Speaker 1: but it's like you can do. Why pretend that I'm

367
00:18:22,600 --> 00:18:25,920
Speaker 1: not just at home, you know, making a pantry pasta sauce, or.

368
00:18:26,080 --> 00:18:27,280
Speaker 2: You want to throw powder.

369
00:18:27,359 --> 00:18:29,360
Speaker 1: I used to be just a smidge no.

370
00:18:29,160 --> 00:18:32,360
Speaker 2: No, I used to be like very hashtag Italians mat

371
00:18:32,400 --> 00:18:34,480
Speaker 2: of food, Like I didn't grow up with garlet powder

372
00:18:35,160 --> 00:18:38,320
Speaker 2: or like onion powder, right, and I have brought it

373
00:18:38,359 --> 00:18:40,880
Speaker 2: into my home and like I'll use it sparingly when

374
00:18:40,880 --> 00:18:42,639
Speaker 2: I want it. And it's like, yeah, let's throw this

375
00:18:42,680 --> 00:18:44,680
Speaker 2: on the chicken. Let's throw a little onion powder on

376
00:18:44,720 --> 00:18:46,040
Speaker 2: a sauce. It's not going to kill it.

377
00:18:46,119 --> 00:18:50,320
Speaker 1: Sometimes sometimes. Yes. The point is my pizza sauce was

378
00:18:50,440 --> 00:18:53,320
Speaker 1: really quite lovey. Did you make the dough? So the

379
00:18:53,359 --> 00:18:56,920
Speaker 1: dough was no judgment purchased, but it was local dough.

380
00:18:57,000 --> 00:18:58,639
Speaker 1: It was from something natural bakery. It was like a

381
00:18:58,720 --> 00:18:59,480
Speaker 1: Nantucket Bakery.

382
00:18:59,520 --> 00:19:02,119
Speaker 2: No, literally, that's so Stanley Tucci. Yeah, like, oh, we

383
00:19:02,160 --> 00:19:06,240
Speaker 2: stopped by and we provisioned like an amazing dough. We

384
00:19:06,280 --> 00:19:10,160
Speaker 2: can whip this up. Sirsha Ronan is going over later.

385
00:19:11,600 --> 00:19:15,280
Speaker 1: Sirsha and her lovely brother and his wife and their kids,

386
00:19:15,400 --> 00:19:18,640
Speaker 1: and they raise their kids the way that we do

387
00:19:19,000 --> 00:19:20,040
Speaker 1: to behave themselves.

388
00:19:20,160 --> 00:19:22,679
Speaker 2: Okay, Yeah, he talks about parenting and they're going on

389
00:19:22,760 --> 00:19:25,080
Speaker 2: this like holiday trip and he's like, I just have

390
00:19:25,160 --> 00:19:28,199
Speaker 2: a few rules because I cannot go on holiday with

391
00:19:28,359 --> 00:19:31,200
Speaker 2: people that don't parent like me. And my rules are

392
00:19:31,240 --> 00:19:34,080
Speaker 2: like say you're pleasing, thank yous, and just like go

393
00:19:34,119 --> 00:19:35,360
Speaker 2: to bed at a certain time.

394
00:19:35,600 --> 00:19:39,560
Speaker 1: There is something very I would say, unbothered about his

395
00:19:39,640 --> 00:19:42,359
Speaker 1: parenting style, which I think is partially so this is

396
00:19:42,359 --> 00:19:45,119
Speaker 1: his second round of kids. Yeah, he's also sixty and

397
00:19:45,280 --> 00:19:47,920
Speaker 1: rich and has a nanny that goes unmentioned. But there

398
00:19:48,000 --> 00:19:50,440
Speaker 1: is a little bit of this where it's like it's.

399
00:19:50,280 --> 00:19:53,720
Speaker 2: A very celebrity where it's just like, oh, he calls

400
00:19:53,720 --> 00:19:56,720
Speaker 2: Felicity fee so like maybe they'll be in France or

401
00:19:56,760 --> 00:19:59,600
Speaker 2: something like that and like we'll be like, oh we

402
00:19:59,640 --> 00:20:02,600
Speaker 2: when with already on who is our host? And we

403
00:20:02,960 --> 00:20:05,320
Speaker 2: chased tadpools with the kids, and then it's kind of

404
00:20:05,560 --> 00:20:07,800
Speaker 2: drop the kids off, and then Fie and I went

405
00:20:07,840 --> 00:20:10,119
Speaker 2: to like seven different like local oyster restaurant.

406
00:20:10,119 --> 00:20:12,680
Speaker 1: There's this joy of seeing the world through the kids

407
00:20:12,720 --> 00:20:14,119
Speaker 1: are so which of course happens. We have kids and

408
00:20:14,119 --> 00:20:16,280
Speaker 1: it's wonderful. But like when he's visiting their parents in

409
00:20:16,280 --> 00:20:18,400
Speaker 1: Florida for the most where we did little to nothing

410
00:20:18,440 --> 00:20:21,359
Speaker 1: except eat and take million Mateo that's the two younger

411
00:20:21,440 --> 00:20:23,760
Speaker 1: kids that he has with Felicity to one of the

412
00:20:23,760 --> 00:20:26,240
Speaker 1: small community pools that the part of this sprawling condo

413
00:20:26,280 --> 00:20:28,600
Speaker 1: complex where my folks live. We splashed about with them,

414
00:20:28,640 --> 00:20:30,840
Speaker 1: play the loudest games of Marco Polo the condo residents

415
00:20:30,880 --> 00:20:32,760
Speaker 1: have probably ever heard, and helped Mateo as best we

416
00:20:32,760 --> 00:20:35,280
Speaker 1: could to capture and hold chameleons for hours on end

417
00:20:35,840 --> 00:20:38,399
Speaker 1: over our five days stay. My mother made various positives

418
00:20:38,400 --> 00:20:40,639
Speaker 1: from her repertoire chicken cut lit, slap chops. But I

419
00:20:40,640 --> 00:20:43,440
Speaker 1: feel like the way he's talking about parenting is a

420
00:20:43,480 --> 00:20:46,080
Speaker 1: little bit like it's the first time he's seen the

421
00:20:46,160 --> 00:20:48,040
Speaker 1: kids in a while. It's always a little bit like.

422
00:20:48,240 --> 00:20:50,760
Speaker 2: Well, because he's traveling so much and he's always like

423
00:20:50,960 --> 00:20:54,280
Speaker 2: doing openings for his cookwear line out a Williams Sonoma

424
00:20:54,359 --> 00:20:57,520
Speaker 2: and then is like doing a movie where he plays

425
00:20:57,520 --> 00:21:01,840
Speaker 2: a priest, like New Orleans. And then he's like, I

426
00:21:01,920 --> 00:21:03,000
Speaker 2: love seeing my kids.

427
00:21:03,040 --> 00:21:05,919
Speaker 1: I love seeing my kids. Oh my god, we caught Solomonders.

428
00:21:06,040 --> 00:21:10,919
Speaker 1: It's so cute anyway byeto club.

429
00:21:20,119 --> 00:21:22,840
Speaker 2: Okay, are we going to talk about it? Let's finally

430
00:21:22,880 --> 00:21:27,400
Speaker 2: talk about it. So on page sixty nine, he starts

431
00:21:27,480 --> 00:21:29,200
Speaker 2: dropping little references.

432
00:21:29,280 --> 00:21:30,440
Speaker 1: This is the first instance I.

433
00:21:30,359 --> 00:21:33,560
Speaker 2: Have where you're like, do you guys have an open marriage?

434
00:21:34,119 --> 00:21:37,399
Speaker 2: He says Felicity was out this evening. She said it

435
00:21:37,440 --> 00:21:40,960
Speaker 2: was work related. I chose to believe her. And then

436
00:21:41,119 --> 00:21:43,000
Speaker 2: just I'm gonna give you this is a whole other

437
00:21:43,040 --> 00:21:44,600
Speaker 2: thing that we need to talk about. I made Chip

438
00:21:44,640 --> 00:21:46,680
Speaker 2: a lot of sausages for the kids in the new Airfire,

439
00:21:47,119 --> 00:21:49,879
Speaker 2: amazing contraption, and a side of rice and peas.

440
00:21:50,080 --> 00:21:54,000
Speaker 1: Now is that I'm surprised he likes the air f

441
00:21:54,440 --> 00:21:56,840
Speaker 1: I was really surprised. He also mentions that she makes

442
00:21:56,840 --> 00:21:58,440
Speaker 1: a broth at an instant pot. At one point, I

443
00:21:58,480 --> 00:22:00,440
Speaker 1: was kind of like, that makes more sense, that's very boomer.

444
00:22:00,480 --> 00:22:03,040
Speaker 1: But the airfire I was kind of shocked by because

445
00:22:03,040 --> 00:22:04,960
Speaker 1: He also when he goes that wine bar that has

446
00:22:05,000 --> 00:22:05,560
Speaker 1: the weird.

447
00:22:05,400 --> 00:22:08,440
Speaker 2: Oh my god, with the machine marking.

448
00:22:08,200 --> 00:22:10,280
Speaker 1: Me that quirks the bottle. I thought he would hate that.

449
00:22:10,280 --> 00:22:11,680
Speaker 1: That was so gimmicky and weird.

450
00:22:12,080 --> 00:22:14,600
Speaker 2: Yeah, but there is something. This is why he likes

451
00:22:14,640 --> 00:22:19,040
Speaker 2: the Firmdale Group. Yes, no, I feel like blonde. I

452
00:22:19,040 --> 00:22:22,720
Speaker 2: feel like there's something metrosexual. Or you may disagree, like

453
00:22:22,720 --> 00:22:28,520
Speaker 2: I feel like my Gadgett Gotchet's Sharper Brookstone and he's

454
00:22:28,560 --> 00:22:30,520
Speaker 2: been like, wait, so get this. We went to this

455
00:22:30,920 --> 00:22:34,400
Speaker 2: wonderful owned by the W Group. So basically it's there's

456
00:22:34,400 --> 00:22:38,400
Speaker 2: a bar where you press a button, wine pours out

457
00:22:38,440 --> 00:22:40,280
Speaker 2: and then it like corks it back up. And he's like,

458
00:22:40,320 --> 00:22:42,840
Speaker 2: and it stays fresh for three weeks. Like, I feel

459
00:22:42,840 --> 00:22:45,800
Speaker 2: like it is just dad to be so impressed by that,

460
00:22:45,920 --> 00:22:50,320
Speaker 2: even though he's so like Tuscany, like these onions have

461
00:22:50,400 --> 00:22:53,800
Speaker 2: gone bad, He's just like, oh my god, what an

462
00:22:53,840 --> 00:22:55,880
Speaker 2: amazing contraption that is.

463
00:22:56,359 --> 00:22:57,879
Speaker 1: There's also the point in which I don't know if

464
00:22:57,880 --> 00:23:00,640
Speaker 1: it's like Liam Neeson or like Colin fir this over

465
00:23:00,720 --> 00:23:03,680
Speaker 1: for dinner, but he's like, we tried to hyper decant

466
00:23:03,680 --> 00:23:09,520
Speaker 1: wine in a blender. Insane I really want to try that.

467
00:23:09,760 --> 00:23:12,000
Speaker 2: Yeah, it was Colin Firth, and he's like, Firth made

468
00:23:12,040 --> 00:23:16,679
Speaker 2: me hyperd decant. Next time we get together, let's totally

469
00:23:16,760 --> 00:23:17,479
Speaker 2: hyperd decant.

470
00:23:17,560 --> 00:23:20,119
Speaker 1: Okay. So the next kind of like instance that maybe

471
00:23:20,160 --> 00:23:24,080
Speaker 1: like something's rotten in this Denmark being their marriage, he goes,

472
00:23:24,800 --> 00:23:29,640
Speaker 1: they're cooking scallops that even Felicity saw taped some scallops,

473
00:23:29,720 --> 00:23:31,679
Speaker 1: but they didn't really see it because the pan had

474
00:23:31,720 --> 00:23:34,800
Speaker 1: not gotten hot enough, which was my fault because I

475
00:23:34,840 --> 00:23:37,080
Speaker 1: had reduced the heat as the butter was about to

476
00:23:37,119 --> 00:23:41,040
Speaker 1: burn and didn't communicate that. They didn't work out as

477
00:23:41,080 --> 00:23:43,399
Speaker 1: well as she had hoped. She ate a few, but

478
00:23:43,520 --> 00:23:46,479
Speaker 1: I had overindulged in cold soup not long before. I

479
00:23:46,560 --> 00:23:49,520
Speaker 1: only had one.

480
00:23:49,320 --> 00:23:53,359
Speaker 2: That that was a horror movie to me. That paragraph

481
00:23:54,359 --> 00:23:56,720
Speaker 2: like when you put a scallop down and.

482
00:23:56,800 --> 00:24:02,000
Speaker 1: My god, sitting there baking with baking from the inside.

483
00:24:01,560 --> 00:24:03,160
Speaker 2: Out, My god chills.

484
00:24:03,359 --> 00:24:07,200
Speaker 1: Yeah, so it's just gonna be this kind of sad, thick,

485
00:24:07,840 --> 00:24:12,920
Speaker 1: rubbery sweat scallup that isn't getting that gorgeous here, no, Chris,

486
00:24:12,960 --> 00:24:15,359
Speaker 1: because this scallop should be seared at the highest he

487
00:24:15,400 --> 00:24:16,840
Speaker 1: possible for the shortest amount of time.

488
00:24:16,880 --> 00:24:20,600
Speaker 2: One minute. Then there's a moment where like he's like

489
00:24:21,359 --> 00:24:26,760
Speaker 2: stripping outdoor furniture because like they put ugly varnish on it,

490
00:24:26,800 --> 00:24:30,959
Speaker 2: which again was like so metrosexual, and he's like, didn't

491
00:24:31,040 --> 00:24:33,280
Speaker 2: eat fee and I are like in an argument, and

492
00:24:33,320 --> 00:24:34,440
Speaker 2: I feel awful about it.

493
00:24:34,520 --> 00:24:37,840
Speaker 1: Also, when she's sort of out of town for the weekend,

494
00:24:38,040 --> 00:24:42,879
Speaker 1: then she comes back, he's making obviously small potatoes and

495
00:24:42,920 --> 00:24:46,760
Speaker 1: carrots with garlic and onions, rosemary time and leaks and

496
00:24:46,760 --> 00:24:49,280
Speaker 1: spring onions and larger potatoes and a potato leak soup

497
00:24:49,400 --> 00:24:50,560
Speaker 1: and he's chicken breadth.

498
00:24:50,800 --> 00:24:53,600
Speaker 2: It is planning parmasana, but it's not. It's actually the

499
00:24:53,600 --> 00:24:54,640
Speaker 2: way my family does it.

500
00:24:55,040 --> 00:25:01,080
Speaker 1: And so she's been in France allegedly I'm alone with

501
00:25:01,080 --> 00:25:03,360
Speaker 1: Millia Matteo as Felicity is on a sort of retreating

502
00:25:03,359 --> 00:25:06,840
Speaker 1: Bordeaux with two colleagues, something I almost believe was true.

503
00:25:07,000 --> 00:25:08,359
Speaker 2: That line was insane.

504
00:25:08,560 --> 00:25:10,159
Speaker 1: I mean creps that morning for them. That just she

505
00:25:10,240 --> 00:25:12,560
Speaker 1: just leaves it there. So I'm just like wait because

506
00:25:12,800 --> 00:25:14,600
Speaker 1: at first, like it happens, You're like, do you try

507
00:25:14,640 --> 00:25:17,040
Speaker 1: to make a joke? Be like, oh, like is that

508
00:25:17,119 --> 00:25:20,040
Speaker 1: what she's doing? And then then she comes back Okay,

509
00:25:20,080 --> 00:25:23,480
Speaker 1: so this is when Repack yes. Upon her arrival, she

510
00:25:23,560 --> 00:25:25,520
Speaker 1: was delighted to see the children, of course, smothered them

511
00:25:25,560 --> 00:25:29,080
Speaker 1: with hugs and kisses. Cursorally pecked me on the cheek

512
00:25:29,400 --> 00:25:31,920
Speaker 1: and started to eat. Soon afterwards, we all watched a

513
00:25:31,920 --> 00:25:34,360
Speaker 1: Harry Potter film. She promptly fell asleep beside a wide

514
00:25:34,400 --> 00:25:37,600
Speaker 1: awake Millie. Seems that someone had a busy weekend. I

515
00:25:37,720 --> 00:25:39,320
Speaker 1: chose to remain in ignorant bliss.

516
00:25:39,600 --> 00:25:44,080
Speaker 2: That was insane. What cursory peck on the cheek.

517
00:25:43,840 --> 00:25:45,520
Speaker 1: Which is so something you do after you've been having

518
00:25:45,520 --> 00:25:45,920
Speaker 1: an affair.

519
00:25:46,040 --> 00:25:48,159
Speaker 2: Well, also, I remember having this thought as a child,

520
00:25:48,240 --> 00:25:50,760
Speaker 2: and like seeing parents always like peck bank on it,

521
00:25:50,800 --> 00:25:53,920
Speaker 2: girl pack each other. And I was like, wait, what's

522
00:25:53,960 --> 00:25:56,480
Speaker 2: what the peck? I was like, do parents even make out?

523
00:25:57,760 --> 00:26:00,439
Speaker 2: Like I've never seen parents make out before? Like do

524
00:26:00,440 --> 00:26:02,240
Speaker 2: you just peck when you're older and married?

525
00:26:02,640 --> 00:26:05,760
Speaker 1: I know it's this weird thing because like I'm not

526
00:26:05,800 --> 00:26:08,800
Speaker 1: sure if it's because like old lips are weirder.

527
00:26:09,160 --> 00:26:12,800
Speaker 2: Or it's like in old they're always so hum right.

528
00:26:12,680 --> 00:26:14,960
Speaker 1: Well old movies they're always so close mouth kiss. Yeah.

529
00:26:15,880 --> 00:26:18,600
Speaker 1: Times where boomers learned to kiss was from old movies. Yeah,

530
00:26:18,640 --> 00:26:19,560
Speaker 1: so they don't know how.

531
00:26:19,440 --> 00:26:23,120
Speaker 2: To from Humphrey Bogart and they weren't watching such wild

532
00:26:23,280 --> 00:26:27,480
Speaker 2: things and things I hate about Sessions.

533
00:26:27,520 --> 00:26:29,119
Speaker 1: But I also feel like they were going to like

534
00:26:29,160 --> 00:26:32,400
Speaker 1: make out mountain in their like nulteen fifty one, Like.

535
00:26:32,560 --> 00:26:35,480
Speaker 2: They were victorious and they were being like sucking face.

536
00:26:35,600 --> 00:26:37,600
Speaker 2: They were sucking face, and there was so much heavy

537
00:26:37,640 --> 00:26:42,040
Speaker 2: padding and like putting their hands up like varsity jackets. O.

538
00:26:42,119 --> 00:26:47,080
Speaker 1: Yeah, she put her hand up his jacket. So I

539
00:26:47,119 --> 00:26:49,760
Speaker 1: feel like if any one over sixties making out, it's

540
00:26:49,840 --> 00:26:50,479
Speaker 1: Tanley Tucci.

541
00:26:50,680 --> 00:26:54,720
Speaker 2: Yeah. So then there's this final this where he names

542
00:26:54,800 --> 00:26:58,480
Speaker 2: the puppy yes, and they buy they my mother, yea,

543
00:26:59,040 --> 00:27:05,159
Speaker 2: thank you. Our marriage is doing just great. They buy

544
00:27:05,200 --> 00:27:08,920
Speaker 2: this house in the British countryside. It's also just like

545
00:27:08,960 --> 00:27:11,680
Speaker 2: classic celebrity thing where he's like, oh, it's so expensive

546
00:27:11,720 --> 00:27:13,760
Speaker 2: and it's going to take like all my life savings

547
00:27:13,760 --> 00:27:16,800
Speaker 2: to fix up this house in the English country stide.

548
00:27:16,920 --> 00:27:19,320
Speaker 1: It's just the poverty cosplays the brief poverty cost.

549
00:27:19,960 --> 00:27:24,080
Speaker 2: I have to work and I have to renovate, and

550
00:27:24,160 --> 00:27:27,200
Speaker 2: I'm gonna die if I don't renovate. We spent the

551
00:27:27,280 --> 00:27:29,280
Speaker 2: day at the house with the architects, and the engineer

552
00:27:29,280 --> 00:27:32,000
Speaker 2: and the landscapers. I'm very excited about the prospect of

553
00:27:32,080 --> 00:27:34,159
Speaker 2: creating a home where we can spend time together as

554
00:27:34,200 --> 00:27:37,520
Speaker 2: a family, where friends and extended family can come from

555
00:27:37,520 --> 00:27:40,399
Speaker 2: long weekends. Where I can build an art studio in

556
00:27:40,400 --> 00:27:42,840
Speaker 2: an auxiliary kitchen in which to film the cooking show

557
00:27:43,080 --> 00:27:45,600
Speaker 2: that has been percolating in my hungry mind for a

558
00:27:45,600 --> 00:27:48,960
Speaker 2: while now. Where we can plant a vegetable garden and

559
00:27:49,000 --> 00:27:51,159
Speaker 2: a small orchard and put the benefits of them to

560
00:27:51,200 --> 00:27:54,360
Speaker 2: good use every season. Where my daughters or sons can

561
00:27:54,400 --> 00:28:01,360
Speaker 2: get married, Where Felicity can bring her lover parenthesy s lovers,

562
00:28:01,640 --> 00:28:05,240
Speaker 2: where my protologists can visit, where our grandchildren can spend time.

563
00:28:05,280 --> 00:28:07,400
Speaker 2: He goes on, so, so.

564
00:28:09,200 --> 00:28:12,800
Speaker 1: Yeah, actually, Polly dire And at that point you're like,

565
00:28:12,840 --> 00:28:15,800
Speaker 1: so that's the poll reveal. Yeah, And I'm like, if

566
00:28:15,800 --> 00:28:18,520
Speaker 1: it was a joke, it would be like more of

567
00:28:18,560 --> 00:28:21,640
Speaker 1: an obvious running joke. But it's only like reference basically,

568
00:28:21,640 --> 00:28:23,879
Speaker 1: these three times of him being like, Huh, guess you

569
00:28:23,880 --> 00:28:24,639
Speaker 1: had a fun weekend.

570
00:28:24,920 --> 00:28:26,840
Speaker 2: Guess you had a fun night. Oh, you had a

571
00:28:26,880 --> 00:28:30,520
Speaker 2: book launch tonight. She certainly has a lot of launches. Meanwhile,

572
00:28:30,520 --> 00:28:33,920
Speaker 2: he's at a San pellygreena launch every hour of the day, right,

573
00:28:33,960 --> 00:28:36,919
Speaker 2: And he's like, doing, are they open? And is it?

574
00:28:37,080 --> 00:28:39,720
Speaker 2: Just like I don't ask, don't tell, because like he's

575
00:28:39,960 --> 00:28:43,040
Speaker 2: known for Landra one. Two he's older, so she's like,

576
00:28:43,200 --> 00:28:45,160
Speaker 2: you're old, Like I need to have fun. Three he

577
00:28:45,280 --> 00:28:47,280
Speaker 2: travels so much, so she's like, I need to have

578
00:28:47,360 --> 00:28:48,000
Speaker 2: fun if I'm just.

579
00:28:48,040 --> 00:28:50,600
Speaker 1: Gonna be he's twenty two years her senior. It's like,

580
00:28:50,800 --> 00:28:54,160
Speaker 1: I do feel like, you know, she's in a different

581
00:28:54,200 --> 00:28:59,440
Speaker 1: generation in which open marriage is more common. It's weird

582
00:28:59,480 --> 00:29:02,080
Speaker 1: that he would like I feel like because he's so

583
00:29:02,280 --> 00:29:05,640
Speaker 1: like Instagram video every day of like Risotto, their whole

584
00:29:06,040 --> 00:29:08,440
Speaker 1: he might be so like weird interview in parade being

585
00:29:08,520 --> 00:29:09,040
Speaker 1: like we're.

586
00:29:08,880 --> 00:29:11,000
Speaker 2: Open, but no, I know, and I like then I

587
00:29:11,120 --> 00:29:14,440
Speaker 2: started googling Stanley's and there's nothing about it. No. And

588
00:29:14,480 --> 00:29:17,440
Speaker 2: there's one interview where he says he'd tried to break

589
00:29:17,520 --> 00:29:19,280
Speaker 2: up with her because he was like I felt embarrassed

590
00:29:19,280 --> 00:29:21,320
Speaker 2: because I was so much older than her, and like

591
00:29:21,400 --> 00:29:23,600
Speaker 2: in this kind of like no, don't.

592
00:29:23,400 --> 00:29:24,720
Speaker 1: Leave, no, don't leave me.

593
00:29:25,040 --> 00:29:27,400
Speaker 2: Like we're going on holiday with Emily and John and

594
00:29:27,440 --> 00:29:30,680
Speaker 2: the kids and Ryan Reynolds and Blake coming over and

595
00:29:30,720 --> 00:29:35,600
Speaker 2: he's being like, oh my risotta plan is ruined. So

596
00:29:36,000 --> 00:29:38,920
Speaker 2: I kind of think they're open. He thinks he's being

597
00:29:38,960 --> 00:29:42,520
Speaker 2: really like funny and dad joke about their.

598
00:29:42,400 --> 00:29:45,360
Speaker 1: Open I mean, unless he's just being dad joke in

599
00:29:45,440 --> 00:29:47,720
Speaker 1: general and they're not open, and he's just like, these

600
00:29:47,720 --> 00:29:50,680
Speaker 1: are just jokes. But I'm just like the amount of

601
00:29:50,720 --> 00:29:53,600
Speaker 1: them and the specificity of them, it's a lot, but

602
00:29:53,640 --> 00:29:55,160
Speaker 1: it's not that much, you know what I mean. It's

603
00:29:55,160 --> 00:29:55,920
Speaker 1: like there's she was.

604
00:29:55,920 --> 00:30:00,200
Speaker 2: Every page like, oh, yes, so Ryan Reynolds came over, Felicity.

605
00:29:59,680 --> 00:30:02,920
Speaker 1: Back, Yeah, you know, right. But it's like just these

606
00:30:02,960 --> 00:30:07,160
Speaker 1: three very specific instances of him being like she allegedly

607
00:30:07,240 --> 00:30:10,840
Speaker 1: went to Bordeaux with her girlfriends.

608
00:30:10,520 --> 00:30:12,600
Speaker 2: Choose to believe it cursory peck.

609
00:30:12,640 --> 00:30:14,640
Speaker 1: Yeah, the peck at the end, it's like that's the thing.

610
00:30:14,800 --> 00:30:17,120
Speaker 2: But then also throughout the book he's like, oh, I

611
00:30:17,200 --> 00:30:19,840
Speaker 2: feel like which again is so celebrity. He's like, I

612
00:30:19,880 --> 00:30:22,480
Speaker 2: feel so at home, Like when in the first part

613
00:30:22,480 --> 00:30:24,320
Speaker 2: of the book he's like staying in a hotel he

614
00:30:24,400 --> 00:30:26,960
Speaker 2: hates in Italy, and it's like filming.

615
00:30:26,600 --> 00:30:30,920
Speaker 1: With Isabella Roussolini. Ralph finds and they're in this movie

616
00:30:30,960 --> 00:30:33,400
Speaker 1: called Conclave, which is coming. I just saw an ad

617
00:30:33,440 --> 00:30:33,760
Speaker 1: for it.

618
00:30:33,760 --> 00:30:36,000
Speaker 2: It looks so good and it's like Priests.

619
00:30:36,040 --> 00:30:40,400
Speaker 1: It's Priests and it's just like a torrid thriller about

620
00:30:40,480 --> 00:30:42,520
Speaker 1: the Catholic Church and all these cardinals.

621
00:30:42,600 --> 00:30:44,760
Speaker 2: Okay. I saw the poster and I was like last night.

622
00:30:44,680 --> 00:30:46,239
Speaker 1: When I was this looks like the best movie ever.

623
00:30:46,360 --> 00:30:47,520
Speaker 1: So DIMENTI code and.

624
00:30:47,440 --> 00:30:50,560
Speaker 2: He talks about like how the camera. Yeah, but he's

625
00:30:50,600 --> 00:30:53,280
Speaker 2: always like and I made Minnestrone to like eat in

626
00:30:53,320 --> 00:30:56,000
Speaker 2: my trailer. And then he's like, oh, Ralph and I

627
00:30:56,240 --> 00:30:58,880
Speaker 2: finally finally got to have dinner together.

628
00:30:59,480 --> 00:31:01,200
Speaker 1: And then they be good friends. And he's like, you know,

629
00:31:01,240 --> 00:31:03,200
Speaker 1: it's hard to make good friends at this age. Oh,

630
00:31:03,360 --> 00:31:05,880
Speaker 1: because he's like, well, we'd worked together and made in Manhattan, oh,

631
00:31:05,920 --> 00:31:06,720
Speaker 1: twenty years ago.

632
00:31:06,880 --> 00:31:09,440
Speaker 2: That was amazing. That was like my first note because

633
00:31:09,480 --> 00:31:12,240
Speaker 2: I was like, finally we're actually talking about made of Manhattan.

634
00:31:12,280 --> 00:31:14,680
Speaker 1: We worked together before I made Manhattan over twenty years ago,

635
00:31:15,040 --> 00:31:17,120
Speaker 1: very briefly in The King's Man we'd only ever socialized

636
00:31:17,120 --> 00:31:18,760
Speaker 1: a few times, so Filmy gave us the opportunity to

637
00:31:18,760 --> 00:31:22,040
Speaker 1: spend time. When I one that era early two thousand,

638
00:31:22,160 --> 00:31:26,440
Speaker 1: Stanley two, she played like gay coded straight men who

639
00:31:26,440 --> 00:31:28,360
Speaker 1: were like communications assistants.

640
00:31:28,440 --> 00:31:29,600
Speaker 2: Den Laware's Prada.

641
00:31:29,640 --> 00:31:31,680
Speaker 1: In Made Manhattan, he plays Ralph Kine, who is a

642
00:31:31,760 --> 00:31:35,320
Speaker 1: Republican senator. He plays his like head of.

643
00:31:35,320 --> 00:31:39,800
Speaker 2: Colm who's like annoyed at Jennifer Lopez's son and is

644
00:31:39,840 --> 00:31:41,960
Speaker 2: so just like you better get out of here.

645
00:31:42,000 --> 00:31:44,520
Speaker 1: Right, and it's just like make sure that she's not

646
00:31:44,600 --> 00:31:47,080
Speaker 1: a Democrat, because we can't have that in the news

647
00:31:47,400 --> 00:31:49,680
Speaker 1: in the New York Post, thank you very much. And

648
00:31:49,720 --> 00:31:52,360
Speaker 1: then in del War's Prada, he's just like Gerda Lloins

649
00:31:52,360 --> 00:31:55,240
Speaker 1: and it's just like gay but not. And this is

650
00:31:55,240 --> 00:31:58,080
Speaker 1: also why he's every mom's dream, because hello, he's.

651
00:31:57,960 --> 00:32:01,520
Speaker 2: Gay, but not just to gay enough for them to

652
00:32:01,600 --> 00:32:05,360
Speaker 2: be like, ugh, I wish my husband would care about

653
00:32:05,520 --> 00:32:09,400
Speaker 2: Marino Wool I mean, and like he's so like Codliver.

654
00:32:09,960 --> 00:32:13,880
Speaker 1: He's like one of those like illustrated birthday cards for women.

655
00:32:14,040 --> 00:32:14,640
Speaker 1: Oh they're like.

656
00:32:15,320 --> 00:32:18,240
Speaker 2: Takes me out to dinner, wears fine suits. Right, it's

657
00:32:18,280 --> 00:32:19,560
Speaker 2: just like buys me back.

658
00:32:20,120 --> 00:32:21,959
Speaker 1: You got me on. It's like a man with like

659
00:32:22,000 --> 00:32:25,880
Speaker 1: a hot body like in a vacuum being just like sweetie,

660
00:32:25,920 --> 00:32:28,720
Speaker 1: like I just cleaned the living room. And then just

661
00:32:28,760 --> 00:32:31,120
Speaker 1: like I thought I'd get you something that didn't exist

662
00:32:31,360 --> 00:32:34,240
Speaker 1: for your birthday like he is that.

663
00:32:34,480 --> 00:32:36,840
Speaker 2: I mean his like first breakout roll of Big Night,

664
00:32:36,880 --> 00:32:42,400
Speaker 2: which I remember watching a young Italian American and you know,

665
00:32:42,480 --> 00:32:45,160
Speaker 2: it's about the two Italian brothers who opened a restaurant

666
00:32:45,160 --> 00:32:48,320
Speaker 2: in New York, and this line really stuck with me

667
00:32:48,360 --> 00:32:49,920
Speaker 2: and some One of the most famous lines is he

668
00:32:50,600 --> 00:32:54,480
Speaker 2: serves this American couple of posta meatballs and they asked

669
00:32:54,720 --> 00:32:58,040
Speaker 2: for bread, and he phillips his ass on them, and

670
00:32:58,080 --> 00:33:02,360
Speaker 2: he's being so like you are having pasta, you don't

671
00:33:02,480 --> 00:33:06,800
Speaker 2: also inneed of bread. And then in that movie they

672
00:33:06,840 --> 00:33:10,440
Speaker 2: make which I've only made once, timpanello, which is like

673
00:33:10,720 --> 00:33:14,040
Speaker 2: pasta pie. It's crazy and it takes all day and

674
00:33:14,040 --> 00:33:16,720
Speaker 2: it's a meat sauce but it's like ravioli, but it's

675
00:33:16,800 --> 00:33:19,040
Speaker 2: layers and you're baking it and it's pastry.

676
00:33:19,560 --> 00:33:21,680
Speaker 1: I want to talk about food a little bit more.

677
00:33:22,000 --> 00:33:25,120
Speaker 1: There's a really great passage where he is making a

678
00:33:25,160 --> 00:33:26,880
Speaker 1: tomato and he goes, luckily it was a tomato that

679
00:33:26,960 --> 00:33:29,680
Speaker 1: actually tasted like a tomato. Like so many vegetables these days,

680
00:33:29,720 --> 00:33:32,760
Speaker 1: tomatoes often taste of nothing. When did that start happening?

681
00:33:33,240 --> 00:33:35,440
Speaker 1: Things used to taste like what they were. Now something

682
00:33:35,480 --> 00:33:37,320
Speaker 1: that looks like a tomato or a carrot tastes like

683
00:33:37,720 --> 00:33:40,760
Speaker 1: just a thought of those things and fruit of vegetables

684
00:33:40,840 --> 00:33:43,360
Speaker 1: organic they usually taste better, but not always. I remember

685
00:33:43,360 --> 00:33:45,600
Speaker 1: pulling carrots on my grandfather's garden and the depth of

686
00:33:45,640 --> 00:33:48,840
Speaker 1: flavor being profound. It was the same with everything you grew,

687
00:33:48,840 --> 00:33:51,600
Speaker 1: from onions to plums. I think he's dead right, and

688
00:33:51,680 --> 00:33:53,960
Speaker 1: I think there are so many gross tomatoes and we've

689
00:33:53,960 --> 00:33:57,280
Speaker 1: actually become so accustomed to the tasteless tomato that we

690
00:33:57,400 --> 00:33:59,040
Speaker 1: forget what a real tomatoes post.

691
00:33:59,200 --> 00:34:01,760
Speaker 2: Well, it's because of our American desire to have food

692
00:34:01,760 --> 00:34:05,040
Speaker 2: all year round, but it's also I feel conservatives.

693
00:34:05,200 --> 00:34:06,640
Speaker 1: So it's your right that it's like, so we have

694
00:34:06,760 --> 00:34:09,040
Speaker 1: least tomatoes in February there shitty, but it's like then

695
00:34:09,080 --> 00:34:11,839
Speaker 1: you can go to the supermarket in July and still

696
00:34:11,840 --> 00:34:16,879
Speaker 1: get those shitty tomatoes for sale. It's like they're doing

697
00:34:17,280 --> 00:34:18,000
Speaker 1: February tomato.

698
00:34:18,080 --> 00:34:20,640
Speaker 2: That's why you do, like have to go to like

699
00:34:20,719 --> 00:34:23,239
Speaker 2: the farmers market to get a tomato that tastes like

700
00:34:23,280 --> 00:34:26,360
Speaker 2: a tomato. I mean, I feel like most of the

701
00:34:26,400 --> 00:34:29,680
Speaker 2: time a farmer's market tomato is pretty good. And that's

702
00:34:30,040 --> 00:34:33,520
Speaker 2: what was my Stanley Tucci moment today where I had

703
00:34:33,560 --> 00:34:37,040
Speaker 2: this last of the summer tomato and I was reading

704
00:34:37,040 --> 00:34:38,719
Speaker 2: this book and I was like, I need to use

705
00:34:38,760 --> 00:34:41,880
Speaker 2: this tomato right now because Stanley Tucci would. So I

706
00:34:41,920 --> 00:34:44,200
Speaker 2: cut up the rest of the half. I saw tata

707
00:34:44,239 --> 00:34:49,400
Speaker 2: with garlic, ginger scallions, and then I took leftover Chinese

708
00:34:49,440 --> 00:34:52,640
Speaker 2: food rice and made a tomato ginger fried rice, little

709
00:34:52,640 --> 00:34:55,200
Speaker 2: sesame oil, a little soy sauce that sounds so and

710
00:34:55,320 --> 00:34:56,719
Speaker 2: just threw an egg in there and just left it

711
00:34:56,760 --> 00:34:59,640
Speaker 2: on the stove for Felicity to have later. My literary

712
00:34:59,680 --> 00:35:02,680
Speaker 2: age that if so kind of you, what's gonna happen

713
00:35:02,680 --> 00:35:04,279
Speaker 2: in the tomato? If not, it will go?

714
00:35:04,680 --> 00:35:07,960
Speaker 1: Yeah, it will absolutely go. I used tomato is about

715
00:35:08,000 --> 00:35:12,360
Speaker 1: to go. This morning I made it delicious, delicious sandwich

716
00:35:12,400 --> 00:35:14,120
Speaker 1: with boar's head.

717
00:35:14,600 --> 00:35:17,279
Speaker 2: Ham the stereo vibes.

718
00:35:18,440 --> 00:35:24,839
Speaker 1: One raw red on the thick slice of tomato and

719
00:35:24,880 --> 00:35:29,520
Speaker 1: then defrosted Portuguese bread that was in a freezer.

720
00:35:29,960 --> 00:35:32,759
Speaker 2: Yeah, I mean this is another thing of I mean

721
00:35:32,880 --> 00:35:36,960
Speaker 2: food and also British food versus us. So he buys

722
00:35:37,040 --> 00:35:39,799
Speaker 2: beef and his parents are visiting and as they call

723
00:35:39,840 --> 00:35:43,600
Speaker 2: it mince and his mom is freaking out, being like

724
00:35:43,640 --> 00:35:44,680
Speaker 2: this beef is too lean.

725
00:35:44,880 --> 00:35:48,480
Speaker 1: He acts like he's out of petrol.

726
00:35:48,560 --> 00:35:50,279
Speaker 2: I'm like, bitch, no, calm down.

727
00:35:50,320 --> 00:35:52,640
Speaker 1: He's just like And of course in America, you guys

728
00:35:52,680 --> 00:35:55,080
Speaker 1: call it a backyard, but we prefer the term garden.

729
00:35:55,120 --> 00:35:58,279
Speaker 1: It's so much nicer. I'm like, wee bitch, real it the.

730
00:35:58,239 --> 00:36:04,000
Speaker 2: Fucking noll and like mar Worchester or whatever.

731
00:36:04,440 --> 00:36:06,839
Speaker 1: I love that when he encounters food he doesn't like,

732
00:36:06,880 --> 00:36:09,080
Speaker 1: he just literally doesn't eat it. Yes, he's like. We

733
00:36:09,080 --> 00:36:12,799
Speaker 1: were on a weird like boat cruise dinner for the

734
00:36:12,800 --> 00:36:18,600
Speaker 1: Oppenheimer France premiere and they served some like god awful aspera.

735
00:36:18,680 --> 00:36:20,840
Speaker 1: Guess I had one minus that I can't do it.

736
00:36:20,880 --> 00:36:23,759
Speaker 1: I'm gonna go talk to Killian Murphy instead. But I

737
00:36:23,800 --> 00:36:25,480
Speaker 1: think it's like something that maybe you and I could

738
00:36:25,480 --> 00:36:27,440
Speaker 1: do a little bit more, because I do feel like when.

739
00:36:27,239 --> 00:36:30,000
Speaker 2: Food is I was like, I need to be throwing

740
00:36:30,160 --> 00:36:30,719
Speaker 2: we don't like.

741
00:36:30,680 --> 00:36:32,880
Speaker 1: It, we're just eating it, and it's like, no, just

742
00:36:32,960 --> 00:36:36,080
Speaker 1: don't eat food you don't like. Ever, just be politely declined.

743
00:36:36,239 --> 00:36:39,759
Speaker 1: Thank you for saying that, because insulting, like, just don't

744
00:36:39,760 --> 00:36:40,040
Speaker 1: eat it.

745
00:36:40,120 --> 00:36:40,400
Speaker 2: Yeah.

746
00:36:40,440 --> 00:36:43,920
Speaker 1: I also love the gastro pub disaster. Oh my god,

747
00:36:44,239 --> 00:36:46,160
Speaker 1: he's so honest about when a mule shitty.

748
00:36:46,680 --> 00:36:47,759
Speaker 2: Haven't we all been there?

749
00:36:47,840 --> 00:36:52,000
Speaker 1: But it was a rather lovely, upscale, cozy place that

750
00:36:52,040 --> 00:36:54,359
Speaker 1: have received several accolades over the years. So it's being

751
00:36:54,440 --> 00:36:57,080
Speaker 1: so like getting like the best of the Cotswalds or whatever.

752
00:36:57,160 --> 00:36:58,080
Speaker 1: It's like in this Redom.

753
00:36:58,120 --> 00:37:00,600
Speaker 2: Yeah, it felt a very Amtrak magazine where it's like

754
00:37:01,000 --> 00:37:02,759
Speaker 2: the Sunday Roast is like, oh, you just go to

755
00:37:02,800 --> 00:37:05,439
Speaker 2: whatever pub. But then are there are these like famous.

756
00:37:05,120 --> 00:37:09,840
Speaker 1: Elevated gastro pub that's like this chef is returning to

757
00:37:09,920 --> 00:37:11,440
Speaker 1: his hometown and he.

758
00:37:11,480 --> 00:37:13,319
Speaker 2: Is using and they're being kind of the bear and

759
00:37:13,320 --> 00:37:15,759
Speaker 2: they're like they're actually making an elevated.

760
00:37:15,239 --> 00:37:20,600
Speaker 1: Shirt trying to tie so bare. But like says, they

761
00:37:20,640 --> 00:37:22,960
Speaker 1: were trying to do it like a spin on the classics,

762
00:37:22,960 --> 00:37:26,000
Speaker 1: and it had spun out of control. We were all

763
00:37:26,080 --> 00:37:28,080
Speaker 1: very excited, but then things took a bit of a turn.

764
00:37:28,160 --> 00:37:29,920
Speaker 1: Our food was delayed for an inordinate amount of time

765
00:37:29,960 --> 00:37:32,200
Speaker 1: because the customer had spilled beer with a computer system.

766
00:37:32,239 --> 00:37:35,400
Speaker 1: In fact, we'd only learned about on our departure. The

767
00:37:35,480 --> 00:37:37,399
Speaker 1: kids who came straight away, I guess their order having

768
00:37:37,480 --> 00:37:40,760
Speaker 1: been put in pre spill. As we waited and waited

769
00:37:41,320 --> 00:37:44,600
Speaker 1: and waited, we did find it strange that no staff

770
00:37:44,680 --> 00:37:46,359
Speaker 1: never ever alerted that's that there would be a delay,

771
00:37:46,440 --> 00:37:48,400
Speaker 1: or explain what had happened. We kept asking our service

772
00:37:48,440 --> 00:37:49,680
Speaker 1: for the food, only to be told that they would

773
00:37:49,760 --> 00:37:51,840
Speaker 1: check on it. But I guess they never really checked

774
00:37:51,840 --> 00:37:54,120
Speaker 1: because they would disappear yet again from their fifteen minutes.

775
00:37:54,320 --> 00:37:56,080
Speaker 1: After we've been waiting an hour and a half, the

776
00:37:56,080 --> 00:37:59,800
Speaker 1: food finally came. I had hack with sampfire, which probably

777
00:37:59,800 --> 00:38:02,840
Speaker 1: took all of seven minutes to cook. It was just okay.

778
00:38:03,400 --> 00:38:05,960
Speaker 1: Other people had other things like meat, but I was

779
00:38:06,000 --> 00:38:08,760
Speaker 1: too irritated to care. In the end, the owner's apologies

780
00:38:08,800 --> 00:38:11,480
Speaker 1: were tipid at best, and he didn't do what any

781
00:38:11,480 --> 00:38:13,759
Speaker 1: good restaurant ur would do, which is not charged for

782
00:38:13,800 --> 00:38:15,960
Speaker 1: the wine or the dessert or something by way of

783
00:38:16,000 --> 00:38:19,160
Speaker 1: compensating us for the long wait. In Italy they would overcome.

784
00:38:19,440 --> 00:38:21,200
Speaker 2: No, that is crazy that they didn't get a free

785
00:38:21,280 --> 00:38:21,879
Speaker 2: round of drinks.

786
00:38:21,960 --> 00:38:24,560
Speaker 1: It's so that I'm just like just the drinks, the dessert,

787
00:38:24,760 --> 00:38:25,520
Speaker 1: not the whole meal.

788
00:38:25,640 --> 00:38:30,600
Speaker 2: But hour forty five minutes obscene? What in here that

789
00:38:30,760 --> 00:38:31,360
Speaker 2: he makes?

790
00:38:31,800 --> 00:38:35,560
Speaker 1: Do you want to make mm, that's a really good question.

791
00:38:35,600 --> 00:38:38,880
Speaker 2: Well you think on that. For me, it's the historic

792
00:38:39,080 --> 00:38:43,720
Speaker 2: goose ragu He's in a town owned by the design

793
00:38:43,800 --> 00:38:47,520
Speaker 2: of Brunella Cucinelli, and it's like this historic goose ragou

794
00:38:47,640 --> 00:38:51,160
Speaker 2: that I guess it's like clergymen would always be eating goose,

795
00:38:51,560 --> 00:38:53,840
Speaker 2: and like one day a year they let the peasants

796
00:38:53,840 --> 00:38:56,719
Speaker 2: have goose. So the peasants as a full town put

797
00:38:56,760 --> 00:38:59,600
Speaker 2: all these goose into these communal ovens and made like

798
00:38:59,640 --> 00:39:00,879
Speaker 2: a goo bolonaise.

799
00:39:01,320 --> 00:39:03,360
Speaker 1: So do you want to do your own goosebulans or

800
00:39:03,360 --> 00:39:04,640
Speaker 1: do you want to do it with your whole community.

801
00:39:04,719 --> 00:39:07,040
Speaker 2: I think I want to do my community. I think

802
00:39:07,040 --> 00:39:12,120
Speaker 2: it's more like about like, yeah, community of everyone roasting

803
00:39:12,239 --> 00:39:14,680
Speaker 2: goose because the bolonnai is to make it last longer.

804
00:39:16,719 --> 00:39:18,960
Speaker 1: Two things I want to do. One is he just

805
00:39:18,960 --> 00:39:20,920
Speaker 1: makes a tomato sandwich at one point, but he's like,

806
00:39:20,960 --> 00:39:22,640
Speaker 1: oh no, he missed a tomato pasta. It's like a

807
00:39:22,719 --> 00:39:25,759
Speaker 1: taglia tel for like I don't know Colin for than Emily. Yeah,

808
00:39:25,880 --> 00:39:29,920
Speaker 1: And he's like, I had these really good in season tomatoes,

809
00:39:29,960 --> 00:39:33,319
Speaker 1: but he lets them sit in alive our own salt in

810
00:39:33,360 --> 00:39:35,959
Speaker 1: the fridge for two hours first and then just throws

811
00:39:36,000 --> 00:39:39,279
Speaker 1: them raw into the pasta when the pasta's done. I

812
00:39:39,360 --> 00:39:39,920
Speaker 1: want to do that.

813
00:39:40,239 --> 00:39:43,560
Speaker 2: Yeah, it's too bad and honestly sad for you because

814
00:39:44,040 --> 00:39:46,600
Speaker 2: we're almost out of tomato season, so have fun with

815
00:39:46,640 --> 00:39:53,680
Speaker 2: your associated tomatoes like raw hard bland. I think, oh,

816
00:39:53,800 --> 00:39:55,560
Speaker 2: this was a beautiful quote, which I think we should

817
00:39:55,560 --> 00:39:57,160
Speaker 2: all buy by it. Like he is just being like

818
00:39:57,200 --> 00:39:59,400
Speaker 2: passaba tomatoes and like a risotto and a fish and

819
00:39:59,400 --> 00:40:01,040
Speaker 2: a salad, which is.

820
00:40:00,960 --> 00:40:05,319
Speaker 1: Also is not He makes risotto constantly, and he has

821
00:40:05,360 --> 00:40:07,560
Speaker 1: his nice patch where he talks about like how difficult

822
00:40:07,600 --> 00:40:10,759
Speaker 1: it is, like I've never cooked risota successfully. It's one

823
00:40:10,760 --> 00:40:12,960
Speaker 1: of the hardest things to do. He's like, you need

824
00:40:13,000 --> 00:40:15,359
Speaker 1: to have such a sixth sense for it. I'm still

825
00:40:15,480 --> 00:40:18,560
Speaker 1: learning after all these years. Like, but I'm impressed that

826
00:40:18,600 --> 00:40:21,280
Speaker 1: he's constantly throwing together I know I want.

827
00:40:21,080 --> 00:40:22,480
Speaker 2: To do it more. And he says this word that

828
00:40:22,520 --> 00:40:24,320
Speaker 2: I learned in this book that I love, this Italian

829
00:40:24,360 --> 00:40:27,759
Speaker 2: word mentakato, which is mean when you turn off the

830
00:40:27,800 --> 00:40:30,360
Speaker 2: heat of the pasta and then you add the cheese

831
00:40:30,360 --> 00:40:32,320
Speaker 2: and the button and then that's when you stir it

832
00:40:32,360 --> 00:40:32,680
Speaker 2: with the.

833
00:40:32,600 --> 00:40:34,320
Speaker 1: Pasta water on it, and you let the heat of

834
00:40:34,360 --> 00:40:35,200
Speaker 1: the pasta itself.

835
00:40:35,280 --> 00:40:37,920
Speaker 2: Cook it cook because the heat of the pan will

836
00:40:37,920 --> 00:40:39,960
Speaker 2: add too much heat. Of course, I actually learned that

837
00:40:39,960 --> 00:40:46,359
Speaker 2: from Mari Potalley. My idea of Fred One celebrity moment

838
00:40:46,400 --> 00:40:49,200
Speaker 2: of his celebrity dinners that I found so funny is it?

839
00:40:49,239 --> 00:40:51,200
Speaker 1: And I just want to say, of course it's crass

840
00:40:51,320 --> 00:40:53,080
Speaker 1: to talk about celebrities again.

841
00:40:53,160 --> 00:40:55,279
Speaker 2: Of course, and I'm not trying to name drop here

842
00:40:55,560 --> 00:41:00,600
Speaker 2: at all. Is when Sam the famous play right an

843
00:41:00,640 --> 00:41:04,799
Speaker 2: actor Sam hell is his name whatever, he at the

844
00:41:04,880 --> 00:41:07,080
Speaker 2: last minute is like, oh can I bring friends over?

845
00:41:07,680 --> 00:41:10,239
Speaker 2: And Stanley Tucci is like he always does this, and

846
00:41:10,280 --> 00:41:13,520
Speaker 2: the friend is like Woody Harrelson and sircial Ronan, Oh

847
00:41:13,560 --> 00:41:16,080
Speaker 2: do He'd already planned on having over. And then the

848
00:41:16,400 --> 00:41:18,719
Speaker 2: friend is like, I'm gonna come over early. And this

849
00:41:18,800 --> 00:41:20,840
Speaker 2: is the point where Stanley Tucci is really costplaying. It

850
00:41:20,920 --> 00:41:23,279
Speaker 2: was like a stressed father and he's been like me

851
00:41:23,360 --> 00:41:25,520
Speaker 2: and Fear are still in our workout gear, the kids

852
00:41:25,520 --> 00:41:28,440
Speaker 2: aren't Bathe like, I haven't even stalked my bar with

853
00:41:28,440 --> 00:41:31,600
Speaker 2: like child martini glasses. And then he's like, oh and

854
00:41:31,680 --> 00:41:33,319
Speaker 2: the friend is like kind of come over early, and

855
00:41:33,320 --> 00:41:35,080
Speaker 2: he gets like really mad and he's like go to

856
00:41:35,120 --> 00:41:38,680
Speaker 2: a fucking bar and the friend is like, put it's raining,

857
00:41:38,680 --> 00:41:41,840
Speaker 2: and he texts back just like it doesn't rain in bars.

858
00:41:43,920 --> 00:41:45,399
Speaker 2: And then they come over and he was like, oh,

859
00:41:45,480 --> 00:41:48,680
Speaker 2: I was so excited to cook for Sirsha because I

860
00:41:48,719 --> 00:41:51,040
Speaker 2: hadn't cooked for her ever. And he was like and

861
00:41:51,080 --> 00:41:53,080
Speaker 2: Woody was hilarious, and I was so glad to beat

862
00:41:53,120 --> 00:41:53,720
Speaker 2: his new wife.

863
00:41:54,840 --> 00:41:57,680
Speaker 1: I mean that's where he is like so gay. But

864
00:41:57,719 --> 00:41:59,880
Speaker 1: I guess also metrosexual is like my kitchen needs to

865
00:41:59,920 --> 00:42:03,200
Speaker 1: be sparklean, clean. Yeah, it is this cosplay where's like

866
00:42:03,280 --> 00:42:05,960
Speaker 1: pretending like they can't see the kid, like eating cheerios

867
00:42:06,000 --> 00:42:06,520
Speaker 1: and it's just.

868
00:42:06,600 --> 00:42:08,279
Speaker 2: Like but I think his advice at the end of

869
00:42:08,320 --> 00:42:11,360
Speaker 2: that was just like have it be clean, have barstock

870
00:42:11,440 --> 00:42:14,319
Speaker 2: with wine, something for a groani, something from martiniz. You

871
00:42:14,360 --> 00:42:16,520
Speaker 2: don't need to call back to our original Zoe episode

872
00:42:16,560 --> 00:42:20,680
Speaker 2: of last week. You don't need whiskey, gin ruquila, say everything.

873
00:42:20,800 --> 00:42:23,160
Speaker 1: Just have the elements for martinis and you're trying to

874
00:42:23,239 --> 00:42:25,280
Speaker 1: go take a great and pretend please.

875
00:42:26,160 --> 00:42:29,520
Speaker 2: And for those non drinking folks, Sam Pellegrino will go

876
00:42:29,640 --> 00:42:31,120
Speaker 2: just fine at the Square to Flemn.

877
00:42:32,160 --> 00:42:35,440
Speaker 1: This book is really you know, and the related thoughts.

878
00:42:35,440 --> 00:42:37,319
Speaker 1: It is like a lot about death and aging, which

879
00:42:37,400 --> 00:42:39,359
Speaker 1: is quite beautiful, and he has a lot to think

880
00:42:39,400 --> 00:42:42,680
Speaker 1: about because he's in his sixties and his wife is

881
00:42:42,680 --> 00:42:44,480
Speaker 1: twenty years younger, so it's like really in his mind,

882
00:42:44,480 --> 00:42:46,279
Speaker 1: and he has these kind of very poignant ways of

883
00:42:46,320 --> 00:42:49,680
Speaker 1: talking about it, like when he talked about how he

884
00:42:49,760 --> 00:42:53,640
Speaker 1: is like now thinking about death a lot more because

885
00:42:53,640 --> 00:42:55,600
Speaker 1: he realized he has twenty years to go, and twenty

886
00:42:55,680 --> 00:42:57,799
Speaker 1: years is amount of time that like he can really

887
00:42:57,800 --> 00:43:01,040
Speaker 1: wrap his head around. Yeah, that really spoke to me

888
00:43:01,400 --> 00:43:04,399
Speaker 1: because I was like, we are and at the age

889
00:43:04,400 --> 00:43:07,399
Speaker 1: of thirty seven, say loud and proud, you know, I've

890
00:43:07,480 --> 00:43:10,919
Speaker 1: maybe got forty fifty years left, and it's like I've

891
00:43:10,960 --> 00:43:14,239
Speaker 1: never experienced forty or fifty years. I can't really maybe I.

892
00:43:14,200 --> 00:43:17,480
Speaker 2: Don't know what twenty that just twenty is, and.

893
00:43:17,520 --> 00:43:19,560
Speaker 1: Like I kind of know what like a thirty year

894
00:43:19,640 --> 00:43:21,759
Speaker 1: chunk is too, Like I mean twenty years ago, like

895
00:43:21,800 --> 00:43:24,160
Speaker 1: that was yesterday, literally thirty years ago still feels like

896
00:43:24,520 --> 00:43:25,600
Speaker 1: like kind of getting it.

897
00:43:25,680 --> 00:43:28,080
Speaker 2: The scariest part to me that made me feel like

898
00:43:28,160 --> 00:43:30,080
Speaker 2: really fear death, which he talked about now that he

899
00:43:30,080 --> 00:43:32,560
Speaker 2: lives in England and like has his new family is

900
00:43:32,600 --> 00:43:35,239
Speaker 2: He's like, I can't see these friends that I spent

901
00:43:35,320 --> 00:43:36,880
Speaker 2: so much time with before, and he was like, if

902
00:43:36,920 --> 00:43:39,800
Speaker 2: you think about that, I'm actually probably only going to

903
00:43:39,840 --> 00:43:42,440
Speaker 2: see some of these people ten more times in my life.

904
00:43:42,560 --> 00:43:46,120
Speaker 1: Oh yeah, but that's more like when you're so serious

905
00:43:46,160 --> 00:43:49,480
Speaker 1: and straight and like organizing really seriously.

906
00:43:49,160 --> 00:43:51,680
Speaker 2: That could we could be sixty, it's like not gonna

907
00:43:51,680 --> 00:43:53,879
Speaker 2: be us, and like we both are on our third

908
00:43:53,880 --> 00:43:56,200
Speaker 2: marriages with like four year olds, and I'm just like, oh,

909
00:43:56,239 --> 00:43:59,320
Speaker 2: I would love to meet you, like in Dingley.

910
00:44:00,600 --> 00:44:01,200
Speaker 1: Next fall.

911
00:44:01,520 --> 00:44:03,920
Speaker 2: The same time, he's hanging out with like Colin Firth

912
00:44:04,080 --> 00:44:07,040
Speaker 2: and like Lotty his manager like constantly knowing like you're

913
00:44:07,080 --> 00:44:08,399
Speaker 2: hanging more than no, and.

914
00:44:08,360 --> 00:44:10,560
Speaker 1: They're going like he's going to the River Cafere with

915
00:44:10,600 --> 00:44:12,359
Speaker 1: Tom Ford and then he's like and I won't tell

916
00:44:12,360 --> 00:44:15,040
Speaker 1: you what we discussed, and I'm like, you guys are

917
00:44:15,040 --> 00:44:17,960
Speaker 1: notingly discussing your open marriages and yeah, I'm like wool

918
00:44:19,239 --> 00:44:21,279
Speaker 1: with this one passage where he meets the guy whose

919
00:44:21,320 --> 00:44:24,440
Speaker 1: wife died. This fan who comes up to him, Oh yeah,

920
00:44:24,480 --> 00:44:28,279
Speaker 1: and like says that his wife had recently passed, and

921
00:44:28,320 --> 00:44:30,680
Speaker 1: he's like his hand shook a bit when he took mine,

922
00:44:30,719 --> 00:44:32,520
Speaker 1: to which he held on tightly. I recognized the shaking

923
00:44:32,600 --> 00:44:34,160
Speaker 1: was from age as well as nervousness, but I also

924
00:44:34,239 --> 00:44:36,480
Speaker 1: knew that it was brought about by a flood of

925
00:44:36,520 --> 00:44:39,080
Speaker 1: emotion as he held my hand. I knew that the

926
00:44:39,239 --> 00:44:41,839
Speaker 1: very real and visceral feeling of her presence. So he's

927
00:44:41,840 --> 00:44:45,480
Speaker 1: talking about how like the wife is there brought about

928
00:44:45,480 --> 00:44:47,719
Speaker 1: by this moment, an experience they would have shared where

929
00:44:47,760 --> 00:44:49,920
Speaker 1: she's so alive would weigh in over time, But he

930
00:44:49,960 --> 00:44:52,839
Speaker 1: could not know this then did he need to? That

931
00:44:52,920 --> 00:44:55,839
Speaker 1: realization and knowledge was years ahead of him. Yet her

932
00:44:55,880 --> 00:44:58,720
Speaker 1: presence at times such as these would never disappear completely.

933
00:44:59,000 --> 00:45:02,399
Speaker 1: It would always be there, always, but soon it would

934
00:45:02,400 --> 00:45:05,399
Speaker 1: become less prevalent. In time, her presence would slip into

935
00:45:05,480 --> 00:45:09,120
Speaker 1: his body, his heart and thoughts, sometimes gently, sometimes joltingly,

936
00:45:09,520 --> 00:45:11,640
Speaker 1: but it would never last for as long as it

937
00:45:11,640 --> 00:45:14,560
Speaker 1: would today. Eventually, years from now, it would a light

938
00:45:14,600 --> 00:45:16,160
Speaker 1: on the tip of his soul for just a second

939
00:45:16,280 --> 00:45:18,520
Speaker 1: or two, carrying with it a shiver of the past,

940
00:45:18,960 --> 00:45:21,400
Speaker 1: a glimpse of a future that might have been, and

941
00:45:21,440 --> 00:45:25,640
Speaker 1: then it would disappear once again. Isn't that so beautiful?

942
00:45:25,680 --> 00:45:28,600
Speaker 1: And of course he's talking about his own dead wife,

943
00:45:28,960 --> 00:45:32,120
Speaker 1: Kate Kate while talking about using this man as sort

944
00:45:32,120 --> 00:45:32,759
Speaker 1: of And.

945
00:45:32,760 --> 00:45:34,759
Speaker 2: That's the other thing, whether or not to go back

946
00:45:34,840 --> 00:45:37,080
Speaker 2: as we close this episode, about moving on or not.

947
00:45:37,160 --> 00:45:39,160
Speaker 2: I think this book is a lot about like, Okay,

948
00:45:39,200 --> 00:45:41,880
Speaker 2: you also can like get remarried and like still be grieving.

949
00:45:42,080 --> 00:45:45,239
Speaker 2: Yes not, you know, just cut and dry. Obviously there

950
00:45:45,239 --> 00:45:48,279
Speaker 2: are harsher situations like John Edwards.

951
00:45:48,160 --> 00:45:55,680
Speaker 1: Yeah, and his monster of a way you see rest

952
00:45:55,760 --> 00:45:56,120
Speaker 1: in Hell.

953
00:45:57,600 --> 00:46:00,200
Speaker 2: But you can have a beautiful open marriage with a

954
00:46:00,239 --> 00:46:02,839
Speaker 2: younger literary yes, and still grieve.

955
00:46:02,680 --> 00:46:04,600
Speaker 1: And still grieve here and there, and then have these

956
00:46:04,640 --> 00:46:08,040
Speaker 1: little precious moments where your wife's presence enters your soul

957
00:46:08,280 --> 00:46:10,239
Speaker 1: for just a moment.

958
00:46:10,400 --> 00:46:15,160
Speaker 2: Maybe you think about texting Eadie Falco just randomly watching

959
00:46:15,160 --> 00:46:16,279
Speaker 2: an episode of The Sopranos.

960
00:46:17,080 --> 00:46:20,200
Speaker 1: They've put the kids to bed after their pasta, and

961
00:46:20,239 --> 00:46:35,560
Speaker 1: then they're just like season three segments with extra virgin

962
00:46:35,640 --> 00:46:39,520
Speaker 1: olive oil and bistecca ala Fiorentina. What does she wear?

963
00:46:39,760 --> 00:46:42,239
Speaker 2: What does she eat? How does what does she eat?

964
00:46:42,400 --> 00:46:52,520
Speaker 1: Pasta? Pasta hotel, the hotel, SA Sausage Joes shrim I

965
00:46:52,600 --> 00:46:57,640
Speaker 1: mean he has a very savory palette, as is the

966
00:46:57,920 --> 00:47:02,680
Speaker 1: custom today with the cool kids. Oh, very classic modern

967
00:47:02,719 --> 00:47:04,840
Speaker 1: contemporary Mediterranean palette. It's like because he says he's not

968
00:47:04,840 --> 00:47:05,640
Speaker 1: a big dessert person.

969
00:47:05,920 --> 00:47:09,000
Speaker 2: Well he also says like, I'm he's not being like

970
00:47:09,280 --> 00:47:11,960
Speaker 2: I'm going to try to like cook like Tetobalki tonight,

971
00:47:12,080 --> 00:47:14,160
Speaker 2: Like he's just like I stick to like what I know.

972
00:47:14,640 --> 00:47:17,960
Speaker 1: Yeah, He's like, maybe I'm actually being like too fearful

973
00:47:18,000 --> 00:47:19,319
Speaker 1: and I need to get out of my comfort zone

974
00:47:19,320 --> 00:47:21,560
Speaker 1: and try to cook Asian food more. But then I

975
00:47:21,719 --> 00:47:24,560
Speaker 1: worry I wouldn't have the freedom to kind of adjust

976
00:47:25,360 --> 00:47:25,640
Speaker 1: that I.

977
00:47:25,680 --> 00:47:29,160
Speaker 2: Feel with which that part was so smart, and we

978
00:47:29,280 --> 00:47:31,200
Speaker 2: need to move fast. But it's like you have to

979
00:47:31,360 --> 00:47:33,359
Speaker 2: really know a cuisine.

980
00:47:33,200 --> 00:47:35,480
Speaker 1: To know if it needs a little bit more garlic, oh,

981
00:47:35,560 --> 00:47:37,800
Speaker 1: if it needs like you know, any It's kind of

982
00:47:37,840 --> 00:47:41,360
Speaker 1: where it's like with Chinese food Malaysian food he'sn't known to.

983
00:47:41,400 --> 00:47:44,200
Speaker 2: Do also, which we didn't even mention throughout this entire book.

984
00:47:44,320 --> 00:47:46,400
Speaker 2: This book is also about how he had like a

985
00:47:46,560 --> 00:47:49,240
Speaker 2: tongue tumor and it was like couldn't taste which.

986
00:47:49,239 --> 00:47:52,240
Speaker 1: Yeah, but well he discusses that in his previous book

987
00:47:52,520 --> 00:47:56,520
Speaker 1: Taste Right, and so he can be like, as I

988
00:47:56,800 --> 00:47:59,880
Speaker 1: mentioned in my previous book, and I won't go into two.

989
00:48:00,280 --> 00:48:02,440
Speaker 2: Much because I'm in a book to He can't really

990
00:48:02,480 --> 00:48:04,840
Speaker 2: do much meat. That's why it is a lot of fishing.

991
00:48:04,560 --> 00:48:06,799
Speaker 1: Because he doesn't like produce as much saliva, yeah, which

992
00:48:06,800 --> 00:48:09,960
Speaker 1: is also why he isn't like love as Tannic reds,

993
00:48:10,560 --> 00:48:13,719
Speaker 1: and so he prefers the Northern Italian red, which I

994
00:48:13,960 --> 00:48:16,160
Speaker 1: still find has a lovely tan in to it. Because

995
00:48:16,160 --> 00:48:17,880
Speaker 1: he's talking about how he's like instead of those like

996
00:48:18,040 --> 00:48:21,680
Speaker 1: Central Italian like super big, multiple giano whatever that people

997
00:48:21,800 --> 00:48:24,600
Speaker 1: like I love, who is like men usually want big reds,

998
00:48:24,640 --> 00:48:28,840
Speaker 1: but you know, and he was like absolutely a Northern Italian.

999
00:48:29,880 --> 00:48:33,359
Speaker 2: He realizes that other new metrosexuals don't like a huge

1000
00:48:33,600 --> 00:48:36,960
Speaker 2: and their big yeah, don't like big cabs.

1001
00:48:36,920 --> 00:48:41,080
Speaker 1: Yeah, and they like you know, the natty natty one.

1002
00:48:41,320 --> 00:48:44,160
Speaker 2: And the only time he drinks tequila is at the beginning.

1003
00:48:44,760 --> 00:48:46,800
Speaker 2: Oh no, he doesn't even he makes a paloma, but

1004
00:48:46,920 --> 00:48:47,560
Speaker 2: he does it with jam.

1005
00:48:47,680 --> 00:48:50,520
Speaker 1: That part was so weird when he was like, Felicity

1006
00:48:50,520 --> 00:48:53,000
Speaker 1: introduced me to this very interesting new drink called a paloma.

1007
00:48:53,160 --> 00:48:54,799
Speaker 1: I know. I was like, I'm like, what I think

1008
00:48:54,960 --> 00:48:58,799
Speaker 1: is the only Diagio like ambassador. You don't know about

1009
00:48:58,800 --> 00:48:59,600
Speaker 1: polomas and.

1010
00:48:59,600 --> 00:49:02,840
Speaker 2: Then they tequila when Blake and Ryan come over, of

1011
00:49:02,960 --> 00:49:06,200
Speaker 2: course because like celebrity, even though Ryan owns a gin company.

1012
00:49:06,680 --> 00:49:10,040
Speaker 1: Yeah, and like Stanley Tucci's a Gin ambassador. Yeah, but

1013
00:49:10,120 --> 00:49:11,960
Speaker 1: they're just being like, we're both celebrities. We have so

1014
00:49:12,040 --> 00:49:12,680
Speaker 1: we have to like to.

1015
00:49:16,080 --> 00:49:18,720
Speaker 2: What does he wear? He wears like when it's casual,

1016
00:49:18,840 --> 00:49:21,640
Speaker 2: it's like a stunning Laura Piana.

1017
00:49:21,600 --> 00:49:25,919
Speaker 1: Like Keanna he is keeping the lights on over there

1018
00:49:26,120 --> 00:49:28,160
Speaker 1: at the piano store, and it's.

1019
00:49:28,040 --> 00:49:30,959
Speaker 2: Like what you said, like you know, at the farmer's market,

1020
00:49:31,000 --> 00:49:36,600
Speaker 2: a Stunningneker. Yeah, and like a beautiful again like Bruno

1021
00:49:37,239 --> 00:49:40,160
Speaker 2: Chanelli or like a Zenya pant Or. It's like a

1022
00:49:40,200 --> 00:49:42,560
Speaker 2: suit made by like a stunning tailor he met in

1023
00:49:42,680 --> 00:49:43,440
Speaker 2: search for Italy.

1024
00:49:43,880 --> 00:49:47,520
Speaker 1: And then how does he live? Like Okay, here's the question.

1025
00:49:47,800 --> 00:49:51,520
Speaker 1: What are the countertops? Are they? I think are they marble?

1026
00:49:51,640 --> 00:49:53,600
Speaker 1: I think it's marble. And I think his house is

1027
00:49:53,719 --> 00:49:56,440
Speaker 1: kind of dark. Okay, yes, for sure, it's like dark

1028
00:49:56,480 --> 00:49:58,279
Speaker 1: remanded colors. I mean his house like I feel like,

1029
00:49:58,400 --> 00:50:00,880
Speaker 1: does look like a boutiqu Kota and like there is

1030
00:50:00,960 --> 00:50:03,440
Speaker 1: a lot of like dark colors in the dark greens

1031
00:50:03,560 --> 00:50:06,000
Speaker 1: and like the black window panes.

1032
00:50:05,800 --> 00:50:08,800
Speaker 2: And he's always like making his cocktails like in a

1033
00:50:09,040 --> 00:50:11,800
Speaker 2: sidebar where there's so many espresso pods.

1034
00:50:12,120 --> 00:50:18,520
Speaker 1: However, I guess I'm like, marble countertops are harder to clean, and.

1035
00:50:18,560 --> 00:50:21,040
Speaker 2: I'm like, do you think he's doing something more simple

1036
00:50:21,680 --> 00:50:24,200
Speaker 2: because with the kids and like chopping.

1037
00:50:24,040 --> 00:50:25,440
Speaker 1: Like it would be so sexy if you had like

1038
00:50:25,600 --> 00:50:27,040
Speaker 1: butcher block countertops.

1039
00:50:27,280 --> 00:50:30,880
Speaker 2: But maybe he talks about being really jealous of David

1040
00:50:30,880 --> 00:50:32,799
Speaker 2: Beckham's outdoor kitchen, but he.

1041
00:50:32,960 --> 00:50:36,080
Speaker 1: Also has this massive outdoor kitchen with this crazy grill

1042
00:50:36,200 --> 00:50:38,040
Speaker 1: and like pizza ovens.

1043
00:50:38,160 --> 00:50:41,480
Speaker 2: I know, but he's like, it's not like backs. We

1044
00:50:41,600 --> 00:50:43,920
Speaker 2: always want something more yea, And I feel like it's

1045
00:50:43,960 --> 00:50:46,560
Speaker 2: like a navy blue velvet couch.

1046
00:50:47,080 --> 00:50:49,239
Speaker 1: I definitely think there's plenty of jewel tones in there.

1047
00:50:49,440 --> 00:50:52,959
Speaker 1: I think you're right about the darker hues. Okay, here's

1048
00:50:52,960 --> 00:50:55,719
Speaker 1: my question. How present is the ex wife framed black

1049
00:50:55,760 --> 00:50:58,560
Speaker 1: and white photos frame like on the cape?

1050
00:50:58,880 --> 00:51:00,640
Speaker 2: Well, because also it's like for the kids, well, I

1051
00:51:00,680 --> 00:51:02,839
Speaker 2: guess the older kids aren't really there. They're like trying

1052
00:51:02,920 --> 00:51:05,960
Speaker 2: to be makeup artists. Yeah, I think it's like one

1053
00:51:06,400 --> 00:51:09,719
Speaker 2: framed family photo with the ex wife not just.

1054
00:51:09,800 --> 00:51:13,120
Speaker 1: Wife solo, no solo dead wife.

1055
00:51:13,280 --> 00:51:15,799
Speaker 2: And then it's like some photos of them, and then

1056
00:51:15,880 --> 00:51:17,080
Speaker 2: I think it is like but.

1057
00:51:18,080 --> 00:51:21,560
Speaker 1: They're like I think there's like a bowl they got

1058
00:51:21,719 --> 00:51:26,480
Speaker 1: on a trip to Japan together that's prominently displayed and

1059
00:51:26,640 --> 00:51:29,319
Speaker 1: it's known. It's like no one says it's Kate's ball,

1060
00:51:29,360 --> 00:51:30,520
Speaker 1: but we all know it's.

1061
00:51:30,480 --> 00:51:33,480
Speaker 2: Kate's ball, and Felicity is of like, oh, I love

1062
00:51:33,600 --> 00:51:38,399
Speaker 2: Kate's bowl. You know, I love Kate's bowl. I think

1063
00:51:38,440 --> 00:51:42,080
Speaker 2: it's a low bed. I think it's glassy, medium low bed.

1064
00:51:42,239 --> 00:51:43,560
Speaker 1: I think it's medium low.

1065
00:51:43,880 --> 00:51:44,520
Speaker 2: He's sixty.

1066
00:51:45,600 --> 00:51:47,839
Speaker 1: But then I'm like, actually, maybe it's not even medium low.

1067
00:51:48,000 --> 00:51:50,160
Speaker 1: It actually may be high in a hotel way.

1068
00:51:50,960 --> 00:51:54,120
Speaker 2: And like just so many shit because also like British

1069
00:51:54,160 --> 00:51:55,600
Speaker 2: and British they don't do lost.

1070
00:51:55,719 --> 00:51:57,719
Speaker 1: They are like high beds over there, and they're like

1071
00:51:58,080 --> 00:52:01,440
Speaker 1: clutter out the who and like she's not so cluttered,

1072
00:52:01,480 --> 00:52:03,200
Speaker 1: but like she's little cutter.

1073
00:52:03,160 --> 00:52:07,200
Speaker 2: Might be a little cluttery, a lid agent agent. And

1074
00:52:07,280 --> 00:52:10,040
Speaker 2: there's books, pile, bridget shone stuff.

1075
00:52:10,239 --> 00:52:13,160
Speaker 1: Yeah. I think there's like their reception area where calling

1076
00:52:13,200 --> 00:52:15,400
Speaker 1: Furth is having martinis is free of chargers, but it's

1077
00:52:15,480 --> 00:52:17,359
Speaker 1: Charaguers Central. Once you're get into the bedroom.

1078
00:52:17,200 --> 00:52:18,840
Speaker 2: Well, and then there's like the whole part about like

1079
00:52:19,040 --> 00:52:23,840
Speaker 2: how much gadget and iguana. I think there's there's air fires.

1080
00:52:23,800 --> 00:52:26,960
Speaker 1: Right, there is so many fucking gadgets. Yeah, obviously there's

1081
00:52:26,960 --> 00:52:28,400
Speaker 1: mains that are putting the gadgets away, but then the

1082
00:52:28,440 --> 00:52:31,040
Speaker 1: gadgets are coming out, and there's charging pads and charging

1083
00:52:31,120 --> 00:52:33,000
Speaker 1: stations and like there's an iPod doc that's.

1084
00:52:32,840 --> 00:52:38,600
Speaker 2: So like Hotels iPad doc yeah, for recipes, and like

1085
00:52:38,800 --> 00:52:40,520
Speaker 2: I'm almost just at this point, I'm like, there's the

1086
00:52:40,560 --> 00:52:43,719
Speaker 2: Bows five disc. I mean there isn't, but it's so

1087
00:52:43,880 --> 00:52:46,920
Speaker 2: nose up in that house. And he's like, because.

1088
00:52:46,680 --> 00:52:49,279
Speaker 1: There's at one point where he's playing music off his phone.

1089
00:52:49,360 --> 00:52:51,880
Speaker 1: He's like, I played the Great American Songbook off my

1090
00:52:52,040 --> 00:52:54,800
Speaker 1: phone and put it in a cup to amplify it.

1091
00:52:55,080 --> 00:52:57,480
Speaker 1: I really need to get a speaker because he's so gadget.

1092
00:52:57,520 --> 00:52:59,960
Speaker 1: He's like, I need an amazing and then like Nicol

1093
00:53:00,960 --> 00:53:01,920
Speaker 1: Christmas idea.

1094
00:53:01,760 --> 00:53:04,560
Speaker 2: Yeah, it's like getting him a JBL and it's very parently.

1095
00:53:04,640 --> 00:53:06,960
Speaker 2: They're like getting him like the wrong speaker and no

1096
00:53:07,040 --> 00:53:11,880
Speaker 2: one can connect and it's yeah, so Christmas, I mean

1097
00:53:12,000 --> 00:53:15,560
Speaker 2: they're like, Okay, deconnect, Okay, try connecting again. Okay, who

1098
00:53:15,600 --> 00:53:16,399
Speaker 2: are you in the book?

1099
00:53:16,480 --> 00:53:18,040
Speaker 1: It's Christmas around the clock over there.

1100
00:53:18,320 --> 00:53:21,560
Speaker 2: I mean to me, I'm Stanley in your Felicity, and

1101
00:53:21,640 --> 00:53:23,600
Speaker 2: I'm just gonna be like, I guess I won't ask

1102
00:53:23,760 --> 00:53:24,720
Speaker 2: about like where.

1103
00:53:24,640 --> 00:53:27,160
Speaker 1: You weren't born to I mean, you're married to a

1104
00:53:27,200 --> 00:53:29,359
Speaker 1: little agent though you're a Wifelicity.

1105
00:53:29,640 --> 00:53:33,960
Speaker 2: Oh oh that she's more Felicity, but it is not

1106
00:53:34,080 --> 00:53:36,560
Speaker 2: involved in the who are you? No she is. No,

1107
00:53:36,600 --> 00:53:38,000
Speaker 2: It's like, well, that's why I feel like i'm standing

1108
00:53:38,040 --> 00:53:40,799
Speaker 2: because I'm like also married to a lit agent, right, and.

1109
00:53:40,880 --> 00:53:44,000
Speaker 1: You think I'm going on a trip and my husband's

1110
00:53:44,040 --> 00:53:45,720
Speaker 1: just been like, I guess I won't ask.

1111
00:53:47,239 --> 00:53:52,240
Speaker 2: Yeah, though, I guess you're also just like Harry's styles

1112
00:53:52,280 --> 00:53:53,560
Speaker 2: coming over for dinner.

1113
00:53:54,800 --> 00:53:57,520
Speaker 1: And I'm so nice and we love him. He's such

1114
00:53:57,560 --> 00:53:58,120
Speaker 1: a good friend.

1115
00:53:58,320 --> 00:54:00,920
Speaker 2: You're also just like Emily Blunt. You're getting together.

1116
00:54:01,200 --> 00:54:02,000
Speaker 1: Yeah, I think I'm.

1117
00:54:01,840 --> 00:54:05,080
Speaker 2: Emily, and you're like, I can't believe you didn't tell me.

1118
00:54:05,200 --> 00:54:09,080
Speaker 2: You're stopping my system. Ridiculous.

1119
00:54:09,200 --> 00:54:11,480
Speaker 1: I love going over that, And then I'm being like, oh,

1120
00:54:11,520 --> 00:54:12,840
Speaker 1: I think it's time for us to leave.

1121
00:54:15,400 --> 00:54:17,520
Speaker 2: Okay, and it's time just to end this episode. Dollars.

1122
00:54:17,760 --> 00:54:21,560
Speaker 2: I get this straight up, yeah, wild Garlic.

1123
00:54:21,680 --> 00:54:24,719
Speaker 1: I love a diary. I think it's so much more

1124
00:54:24,840 --> 00:54:26,840
Speaker 1: revealing than a traditional memoir.

1125
00:54:27,120 --> 00:54:29,400
Speaker 2: It is because if someone was writing a memoir, he

1126
00:54:29,440 --> 00:54:33,400
Speaker 2: wouldn't say felicity under coach scallops.

1127
00:54:33,680 --> 00:54:35,200
Speaker 1: No, you get that in diary.

1128
00:54:35,640 --> 00:54:39,520
Speaker 2: I'm giving this yeah for under non seared scallops.

1129
00:54:39,520 --> 00:54:40,799
Speaker 1: And it's quite inspiring.

1130
00:54:41,120 --> 00:54:44,239
Speaker 2: And and he's being honest. How he doesn't trust his

1131
00:54:44,360 --> 00:54:46,640
Speaker 2: own line of quickwear, and that's what you get in diary.

1132
00:54:46,840 --> 00:54:49,759
Speaker 1: I don't trust it either. It's all, yeah, seven hundred dollars.

1133
00:54:49,800 --> 00:54:51,680
Speaker 1: It's look really expensive. I mean I guess it should be,

1134
00:54:51,840 --> 00:54:56,520
Speaker 1: but I'm just like the world need another like non

1135
00:54:56,640 --> 00:55:02,799
Speaker 1: coded ceramic. And he knows that, Yeah, he knows. Sorry, Bye,

1136
00:55:06,200 --> 00:55:10,759
Speaker 1: My Mommy, My Mommy is a broadcast was a produced

1137
00:55:10,800 --> 00:55:15,400
Speaker 1: the Vidarb Master, a supervising producer.

1138
00:55:17,080 --> 00:55:17,600
Speaker 2: Hell Laura.

1139
00:55:18,400 --> 00:55:22,279
Speaker 3: The podcast is done by the pizzolo here Christina Ever

1140
00:55:22,520 --> 00:55:26,839
Speaker 3: she makes a beautiful marinera simple little carrot on in Basil.

1141
00:55:26,680 --> 00:55:31,279
Speaker 1: And the French shirt is that a sound engineer and

1142
00:55:31,400 --> 00:55:32,400
Speaker 1: also a producer.

1143
00:55:33,000 --> 00:55:37,640
Speaker 3: The theme song is a Sicilian recording artist Steve as

1144
00:55:37,719 --> 00:55:40,160
Speaker 3: Her Phillips Horst is the old folks singer.

1145
00:55:40,360 --> 00:55:43,520
Speaker 1: And there is just a one tiny illegal matter that

1146
00:55:43,960 --> 00:55:54,920
Speaker 1: my lawyer makes me say. That is La Monte Prolagos,

1147
00:55:55,000 --> 00:55:59,439
Speaker 1: a tiny office in Genoa. They do a nice job,

1148
00:56:00,040 --> 00:56:05,040
Speaker 1: beautiful and the artwork was known by Daddy Blanks and

1149
00:56:05,120 --> 00:56:09,680
Speaker 1: he studied the Institute the Fordma Michelangelo.

1150
00:56:10,800 --> 00:56:13,640
Speaker 3: If you want to follow us and give us your lira,

1151
00:56:14,200 --> 00:56:15,640
Speaker 3: go to Patreon dot concerts.

1152
00:56:16,800 --> 00:56:20,520
Speaker 1: That's only like a six years an express a week,

1153
00:56:20,840 --> 00:56:21,760
Speaker 1: so one espress