1 00:00:00,080 --> 00:00:03,040 Speaker 1: My next guest. He's live in studio today, as recently 2 00:00:03,040 --> 00:00:07,560 Speaker 1: started in the stars comedy Serious Survivor's Remorse, in which 3 00:00:07,600 --> 00:00:10,360 Speaker 1: he was nominated for several nuble A CP Image Awards. 4 00:00:10,360 --> 00:00:13,600 Speaker 1: He started the BT comedy series Let's Stay Together Up 5 00:00:13,760 --> 00:00:16,439 Speaker 1: n Such a Sister, That's when we bonded many many 6 00:00:16,520 --> 00:00:19,880 Speaker 1: years ago, ABC's in the Motherhood, and had a recording 7 00:00:19,960 --> 00:00:22,599 Speaker 1: role on Foxes The Good Guys. His breakout role was 8 00:00:22,640 --> 00:00:25,720 Speaker 1: opposite Denzel Washington and the award winning feature of Glory, 9 00:00:26,079 --> 00:00:29,320 Speaker 1: and he started opposite Viola Davis and Tyler Perry's Madea 10 00:00:29,400 --> 00:00:31,440 Speaker 1: Goes to Jail. He's on the show today to talk 11 00:00:31,480 --> 00:00:35,440 Speaker 1: about this new b et plus First Wives Clubs. First 12 00:00:35,440 --> 00:00:38,760 Speaker 1: Wives Clubs, the hilarious new nine episode comedy series that 13 00:00:38,880 --> 00:00:41,240 Speaker 1: follows a group of women living in New York City 14 00:00:41,240 --> 00:00:43,680 Speaker 1: who created a sisterhood as a result of they failed 15 00:00:43,800 --> 00:00:48,080 Speaker 1: marriage trials and tribulations. Please work on the money making conversations. 16 00:00:48,600 --> 00:00:51,839 Speaker 1: I know it's called a little brother, good friend, men 17 00:00:52,000 --> 00:00:54,520 Speaker 1: t he's all of those things. More importantly, this is 18 00:00:54,680 --> 00:00:57,560 Speaker 1: I told him before the show this I was. I 19 00:00:57,600 --> 00:00:59,960 Speaker 1: was reluctant to have him sitting next to me because 20 00:01:00,120 --> 00:01:02,640 Speaker 1: I love him so much, and I was I would 21 00:01:02,640 --> 00:01:04,120 Speaker 1: try to get him the call in, but he showed 22 00:01:04,160 --> 00:01:06,640 Speaker 1: up anyway. Please welcome to the show, Rico late oh 23 00:01:06,800 --> 00:01:11,240 Speaker 1: Man studio. Man, Man, you got me feeling old. Man 24 00:01:11,400 --> 00:01:15,600 Speaker 1: took it back to Gloria. Oh my goodness. Man, guy's 25 00:01:15,640 --> 00:01:17,200 Speaker 1: good man. I've been I've been in the game. I 26 00:01:17,280 --> 00:01:19,759 Speaker 1: mean you're working actor. I means you're a small business person. 27 00:01:19,800 --> 00:01:22,480 Speaker 1: That's true. And that's why I've been letting people know 28 00:01:22,520 --> 00:01:25,640 Speaker 1: who coming, specially from entertainment, because I didn't really understand 29 00:01:25,680 --> 00:01:29,160 Speaker 1: the value because of social media. You know, it makes you, 30 00:01:29,240 --> 00:01:32,720 Speaker 1: guys be entrepreneurs because you can sell your brand and 31 00:01:32,760 --> 00:01:35,039 Speaker 1: market your brand and you have the statement, how's the 32 00:01:35,040 --> 00:01:37,360 Speaker 1: effect of social media had? You know? Because you started 33 00:01:37,360 --> 00:01:41,800 Speaker 1: before social not man long before it. Uh you know, 34 00:01:41,880 --> 00:01:44,319 Speaker 1: I was reluctant. I fought toothing now. I mean when 35 00:01:44,319 --> 00:01:47,640 Speaker 1: I was doing uh, let's stay together, like man, you 36 00:01:47,680 --> 00:01:51,080 Speaker 1: gotta get it. But I ain't doing nothing. I came here. 37 00:01:51,120 --> 00:01:52,840 Speaker 1: I'm gonna act, That's what I'm gonna do. I'm gonna 38 00:01:52,840 --> 00:01:55,400 Speaker 1: go home. I'm gonna sere with my family and uh man, 39 00:01:55,440 --> 00:01:57,840 Speaker 1: when happens, people was opened up fake accounts and I 40 00:01:57,920 --> 00:01:59,960 Speaker 1: was laughing about it or whatever. And then this one 41 00:02:00,080 --> 00:02:03,640 Speaker 1: individuals started to really interact with people. I think I 42 00:02:03,760 --> 00:02:06,920 Speaker 1: was at the Neighborhood Awards went in and uh, he 43 00:02:07,280 --> 00:02:09,760 Speaker 1: was was responding toil believe it was LaToya lucking on 44 00:02:09,840 --> 00:02:12,000 Speaker 1: my behalf, and so somebody like hit me up. I 45 00:02:12,000 --> 00:02:13,960 Speaker 1: think it was my man. Christian Keys was like, hey man, 46 00:02:14,400 --> 00:02:16,639 Speaker 1: you really need to do something about this because whoever 47 00:02:16,680 --> 00:02:19,400 Speaker 1: this is, this dude is seriously imperson, ain't you. And 48 00:02:19,440 --> 00:02:21,800 Speaker 1: so I open up my first account and uh, you know, 49 00:02:21,840 --> 00:02:23,920 Speaker 1: it's one of the things. You know, I'm trying to 50 00:02:23,960 --> 00:02:27,000 Speaker 1: get better at it because it is a necessary I 51 00:02:27,000 --> 00:02:29,400 Speaker 1: don't wanna call it evil, but it's definitely one of 52 00:02:29,400 --> 00:02:30,960 Speaker 1: those things that you have to be on top of 53 00:02:31,000 --> 00:02:33,640 Speaker 1: your game and the cross social media, but especially today 54 00:02:33,680 --> 00:02:36,440 Speaker 1: because sometimes it could determine job. Oh it breaks my heart, 55 00:02:36,919 --> 00:02:38,959 Speaker 1: but yes, you know, they're looking at your funds, they're 56 00:02:38,960 --> 00:02:41,280 Speaker 1: looking at your your feed, and they kind of they're 57 00:02:41,320 --> 00:02:43,639 Speaker 1: seeing what type of reach you have, and so yeah, 58 00:02:43,680 --> 00:02:47,840 Speaker 1: there's somebody that's got more reached than you, and that 59 00:02:47,960 --> 00:02:50,480 Speaker 1: that that's just so true. And that's so that doesn't 60 00:02:50,480 --> 00:02:54,200 Speaker 1: necessarily mean that they have the working skill all the chops. 61 00:02:54,520 --> 00:02:59,640 Speaker 1: But because engagement, UM, followers mean something part that your 62 00:02:59,680 --> 00:03:01,960 Speaker 1: eyeball halls and has never been proven that is the case, 63 00:03:02,040 --> 00:03:05,359 Speaker 1: because otherwise a lot of these people, these amazing following 64 00:03:06,000 --> 00:03:09,080 Speaker 1: basis will have platinum albums and want her to million 65 00:03:09,080 --> 00:03:12,040 Speaker 1: allar movies. But it does say something that people do 66 00:03:12,320 --> 00:03:15,240 Speaker 1: resonate with your voice, with your bread and so so 67 00:03:15,360 --> 00:03:18,040 Speaker 1: that's something you're working on as a businessman. You're working 68 00:03:18,040 --> 00:03:21,000 Speaker 1: on that. More importantly, I wanted to talk about something 69 00:03:21,080 --> 00:03:24,760 Speaker 1: I felt miserably good, the balance life. You know, and 70 00:03:24,880 --> 00:03:26,920 Speaker 1: uh and and you you talk about that whenever we 71 00:03:26,919 --> 00:03:29,680 Speaker 1: talked about having the balance life, talk about being able 72 00:03:29,760 --> 00:03:33,720 Speaker 1: to deal with being a celebrity working actor and having 73 00:03:33,720 --> 00:03:36,240 Speaker 1: a balance life. You know, it's tough. I got married, 74 00:03:36,240 --> 00:03:38,160 Speaker 1: I got two kids, I got a four year old 75 00:03:38,200 --> 00:03:40,680 Speaker 1: and five year old. Um, you know part of why 76 00:03:40,680 --> 00:03:43,600 Speaker 1: I actually uh and actually because of you. I remember 77 00:03:43,680 --> 00:03:46,320 Speaker 1: when uh, when we first really started working again, you 78 00:03:46,360 --> 00:03:48,600 Speaker 1: got of too many in your wing. I was amazed 79 00:03:48,600 --> 00:03:50,480 Speaker 1: at the fact that you had a really nice place 80 00:03:50,680 --> 00:03:53,200 Speaker 1: in l A. I love it. You had two cards, 81 00:03:53,240 --> 00:03:56,080 Speaker 1: you had your airport card, and you had this nice truck. 82 00:03:56,240 --> 00:03:57,880 Speaker 1: And you see him and I take the airport. I 83 00:03:57,960 --> 00:03:59,800 Speaker 1: just drive out to the airport on Fridays after the 84 00:03:59,800 --> 00:04:02,640 Speaker 1: show and then I shoot back home Monday morning. I said, man, 85 00:04:02,680 --> 00:04:04,560 Speaker 1: you can do that. I said, you can live in 86 00:04:04,640 --> 00:04:07,320 Speaker 1: Houston and work in l A. I never get he said, 87 00:04:07,600 --> 00:04:09,320 Speaker 1: ron Rico, you ain't got to give l A all 88 00:04:09,360 --> 00:04:11,960 Speaker 1: your money and I and it always stuck in my head. 89 00:04:12,040 --> 00:04:14,160 Speaker 1: So I said, when I could, it's gonna caught me 90 00:04:14,200 --> 00:04:16,760 Speaker 1: a career back in the A. Get that in two 91 00:04:16,760 --> 00:04:19,760 Speaker 1: thousand and eleven, um, And then what happened was, you know, 92 00:04:19,800 --> 00:04:21,720 Speaker 1: the BT show I was doing, Let's Stay Together is 93 00:04:21,800 --> 00:04:24,240 Speaker 1: shot here, and I literally was blessed to walk right 94 00:04:24,240 --> 00:04:26,200 Speaker 1: out of that in the survivrashy More It's it's shot here, 95 00:04:26,600 --> 00:04:28,320 Speaker 1: and a few other gigs that I had here. So 96 00:04:28,440 --> 00:04:30,360 Speaker 1: my family got really used to dad, you know, going 97 00:04:30,400 --> 00:04:32,800 Speaker 1: to work and coming home and um, and so now 98 00:04:32,920 --> 00:04:34,760 Speaker 1: I traveled a little bit more. It's been it's been 99 00:04:34,760 --> 00:04:36,920 Speaker 1: an adjustment. But listen, it's been many of days where 100 00:04:37,320 --> 00:04:39,719 Speaker 1: I've gone to work on a Friday morning and realized 101 00:04:39,760 --> 00:04:42,400 Speaker 1: I had, you know that evening off and flew home, 102 00:04:42,720 --> 00:04:45,560 Speaker 1: literally booked a flight, went straight from work to the airport, 103 00:04:45,839 --> 00:04:47,800 Speaker 1: flew home laterly for one day. I'm back, you know, 104 00:04:48,000 --> 00:04:50,280 Speaker 1: back at the airport Sunday. So you know, you just 105 00:04:50,400 --> 00:04:52,080 Speaker 1: kind of suck it up. You do what you gotta 106 00:04:52,160 --> 00:04:55,200 Speaker 1: do to get back to the family. It's tough, but 107 00:04:55,560 --> 00:04:57,680 Speaker 1: it's it's you know, it's what you gotta do. So 108 00:04:58,400 --> 00:05:01,040 Speaker 1: I try to keep a balance and been fortunate to 109 00:05:01,120 --> 00:05:03,360 Speaker 1: do so. It's really important because of the fact that 110 00:05:03,600 --> 00:05:06,880 Speaker 1: what's that shutdown time? Because if you throw to the 111 00:05:07,000 --> 00:05:10,920 Speaker 1: brand and we just entertainment, it can be fracturing. You know. 112 00:05:11,040 --> 00:05:14,200 Speaker 1: We we think we headed down this road and of longevity, 113 00:05:14,240 --> 00:05:16,880 Speaker 1: and they can pull the carpet on it. So that's 114 00:05:16,920 --> 00:05:20,479 Speaker 1: why that balance is important. Yea, I was looking at 115 00:05:20,520 --> 00:05:23,839 Speaker 1: Jobio and so it was talking about directing. Yes, okay, 116 00:05:23,880 --> 00:05:26,520 Speaker 1: and that's I've read that now. Just my eyes went, Okay, 117 00:05:26,560 --> 00:05:29,280 Speaker 1: I gotta talk to him about this because it's a 118 00:05:29,360 --> 00:05:32,400 Speaker 1: it's it seems to be a natural for you talk 119 00:05:32,480 --> 00:05:34,480 Speaker 1: to me about it. Um, I don't you know if 120 00:05:34,600 --> 00:05:36,320 Speaker 1: quite has kept I've been wanting the direct now that 121 00:05:36,720 --> 00:05:38,720 Speaker 1: you mentioned it. Man. One of the second film I 122 00:05:38,800 --> 00:05:42,040 Speaker 1: did was Glory, Uh with Denzel you know, it's a 123 00:05:42,080 --> 00:05:44,880 Speaker 1: wig director that Matthew Brodery and Morgan Freeman starts, you know, 124 00:05:45,000 --> 00:05:47,480 Speaker 1: the stellic cast. But I can honestly say I was 125 00:05:47,560 --> 00:05:50,440 Speaker 1: interested in directing back then. I remember coming back and 126 00:05:50,520 --> 00:05:51,720 Speaker 1: comes to my friends and man, we're gonna make a 127 00:05:51,760 --> 00:05:55,039 Speaker 1: little movie. And I had contest man, I Fisher Price. 128 00:05:55,440 --> 00:05:57,920 Speaker 1: You know Fisher Prices, but Fisher Price made this little 129 00:05:58,000 --> 00:06:00,440 Speaker 1: cheap cam quarter uh. And he said, I was like, 130 00:06:00,520 --> 00:06:01,800 Speaker 1: this is what we're gonna do. Man'm gonna put you. 131 00:06:02,160 --> 00:06:03,520 Speaker 1: I think it was my home I had a Homeboy 132 00:06:03,600 --> 00:06:05,360 Speaker 1: na't Joe, and home One ain't Leon. I said, Joan, 133 00:06:05,480 --> 00:06:07,279 Speaker 1: put you in the shopping cart, man, and we're gonna 134 00:06:07,279 --> 00:06:09,080 Speaker 1: do a dolly shot and we're just gonna roll down 135 00:06:09,160 --> 00:06:11,600 Speaker 1: the sidewalk. It's like eleven or twelve years old. So 136 00:06:11,680 --> 00:06:14,240 Speaker 1: it's been in my blood. One of direct man every 137 00:06:14,279 --> 00:06:16,680 Speaker 1: show minus Sister Sister, and he didn't really start to 138 00:06:16,800 --> 00:06:19,600 Speaker 1: like bets, let's stay together. I started biting at the 139 00:06:19,640 --> 00:06:21,640 Speaker 1: bit man trying to get them to let me direct. 140 00:06:21,680 --> 00:06:25,240 Speaker 1: It didn't work out. Begging on Survivors and Wars. You know, 141 00:06:25,279 --> 00:06:27,400 Speaker 1: we're gonna let you do. You know, fifth season, fifth season. 142 00:06:27,600 --> 00:06:29,040 Speaker 1: I didn't get a fifth season, so I can't get 143 00:06:29,040 --> 00:06:31,040 Speaker 1: a chance to direct there. But I was fortunate to 144 00:06:31,120 --> 00:06:33,760 Speaker 1: direct the short film Um. Actually one of my coach 145 00:06:33,760 --> 00:06:37,440 Speaker 1: stars Jessie Usher, another good brother, Kelling the King. They 146 00:06:37,520 --> 00:06:39,880 Speaker 1: formed the production company got hold of a really really 147 00:06:40,000 --> 00:06:43,440 Speaker 1: nice short film and I literally had told I said, listen, 148 00:06:43,600 --> 00:06:46,040 Speaker 1: I realized that, you know, you got put stuff out 149 00:06:46,040 --> 00:06:49,120 Speaker 1: in the universe. And when that opportunity come now, you know. 150 00:06:49,200 --> 00:06:50,720 Speaker 1: And I hadn't said no to a few other things, 151 00:06:50,800 --> 00:06:52,760 Speaker 1: but I said to myself, I said, God, if I'm 152 00:06:52,800 --> 00:06:55,280 Speaker 1: giving the opportunity to direct, I don't care what it is. 153 00:06:55,839 --> 00:06:58,080 Speaker 1: I'm saying yes, sight unseen. And I did. When they 154 00:06:58,160 --> 00:07:00,200 Speaker 1: called me if, I was like, yep, I ain't read 155 00:07:00,240 --> 00:07:01,360 Speaker 1: the script. I was just like, I'm gonna do it. 156 00:07:01,680 --> 00:07:03,680 Speaker 1: And that was a heavy piece. It was a dramatic piece, 157 00:07:03,760 --> 00:07:08,120 Speaker 1: but it confirmed everything in me, like directing is That's 158 00:07:08,160 --> 00:07:09,960 Speaker 1: what I want to do. Now let's go back to 159 00:07:10,160 --> 00:07:15,440 Speaker 1: you and I really let um you know, sister um um, 160 00:07:16,280 --> 00:07:19,880 Speaker 1: young talented guy comes in. Yeah, still young and talent 161 00:07:21,600 --> 00:07:28,000 Speaker 1: when that resume says otherwise, And we cast you as 162 00:07:28,000 --> 00:07:30,120 Speaker 1: a love interest for one of the twins Tea in 163 00:07:30,160 --> 00:07:35,080 Speaker 1: Tomrrow and and it was just it was like really 164 00:07:35,120 --> 00:07:38,160 Speaker 1: big opportunity, but there were no guarantees, and you just 165 00:07:38,320 --> 00:07:41,640 Speaker 1: was to me, was just on on this huge learning curve. 166 00:07:41,800 --> 00:07:44,480 Speaker 1: I just wanted to soak up so much information tell 167 00:07:44,560 --> 00:07:47,160 Speaker 1: us about that that time frame and leading up to 168 00:07:47,160 --> 00:07:48,720 Speaker 1: where you're at right now. Well, but I was a 169 00:07:48,760 --> 00:07:51,320 Speaker 1: fresh out of water man. I think I had blown 170 00:07:51,360 --> 00:07:55,560 Speaker 1: an audition probably a month before for motion. I had 171 00:07:55,640 --> 00:07:58,120 Speaker 1: froze up and got all the way to produce a 172 00:07:58,120 --> 00:08:00,880 Speaker 1: session with those y'all don't know your succession is like 173 00:08:01,680 --> 00:08:05,040 Speaker 1: like the final final audition, and and if you're not, 174 00:08:05,240 --> 00:08:07,720 Speaker 1: if you've never been in one, it can be very overwhelming. 175 00:08:07,880 --> 00:08:11,120 Speaker 1: That room you know, probably had you can have anywhere 176 00:08:11,160 --> 00:08:14,160 Speaker 1: from ten to fifteen people, writers, directors and lots of 177 00:08:15,640 --> 00:08:18,160 Speaker 1: right in there. So it was it was overwhelming, and 178 00:08:18,880 --> 00:08:21,640 Speaker 1: I did. I kind of folded under pressure. So when 179 00:08:21,720 --> 00:08:24,160 Speaker 1: sister sister came around, I remember saying, listen, if I 180 00:08:24,200 --> 00:08:26,960 Speaker 1: get this opportunity again, I'm knocking out the park and 181 00:08:27,240 --> 00:08:29,440 Speaker 1: uh it Rashana. He made it sound real simple, like 182 00:08:29,520 --> 00:08:32,640 Speaker 1: I came in audition, I got cast, n they made 183 00:08:32,720 --> 00:08:35,319 Speaker 1: your boy jump through the hoops. I probably have four 184 00:08:35,360 --> 00:08:38,559 Speaker 1: auditions before I got to read with Tire and U. 185 00:08:39,120 --> 00:08:41,480 Speaker 1: You know, I got cast and Uh, I think even 186 00:08:41,520 --> 00:08:44,839 Speaker 1: the first day it was it was an adjustment because I, 187 00:08:45,000 --> 00:08:47,400 Speaker 1: you know, four camera sitcom is a different beast. You know. 188 00:08:47,440 --> 00:08:50,200 Speaker 1: I had started off doing movies in Georgia, so all 189 00:08:50,240 --> 00:08:53,120 Speaker 1: those things like they just they didn't compare like what 190 00:08:53,320 --> 00:08:56,400 Speaker 1: you have to know, the beats, the energy, the timing, 191 00:08:56,559 --> 00:08:58,880 Speaker 1: all of that was just new to me. And and 192 00:08:58,960 --> 00:09:01,839 Speaker 1: I did. I hung around. They brought Dean Richmond in 193 00:09:02,280 --> 00:09:05,439 Speaker 1: probably later that the course of your Cosm show played, 194 00:09:05,520 --> 00:09:08,839 Speaker 1: but and um, and he was great. He was you know, 195 00:09:08,920 --> 00:09:11,160 Speaker 1: he was you know, we were closer in age. And 196 00:09:11,320 --> 00:09:13,160 Speaker 1: I learned a lot from him. I learned a lot 197 00:09:13,240 --> 00:09:14,959 Speaker 1: from him, but it took me a minute to find 198 00:09:15,080 --> 00:09:17,800 Speaker 1: like what's my funny gonna be? And and you helped 199 00:09:17,840 --> 00:09:22,120 Speaker 1: me with that because when you're around really that's that's listen, 200 00:09:22,480 --> 00:09:24,760 Speaker 1: when you're around funny people. And if you watch really 201 00:09:24,840 --> 00:09:27,880 Speaker 1: like talented people, um, like Martin for example, if you 202 00:09:27,960 --> 00:09:31,600 Speaker 1: watched that show a lot of Martin's you know martin isms, 203 00:09:31,640 --> 00:09:34,640 Speaker 1: if you will, uh, it becomes infectious and other people 204 00:09:34,720 --> 00:09:37,319 Speaker 1: will start to kind of inhabit his his way of 205 00:09:37,400 --> 00:09:39,440 Speaker 1: being funny. And you see it a lot of times. 206 00:09:39,520 --> 00:09:41,560 Speaker 1: And one of the things I always say to Rashaan 207 00:09:41,720 --> 00:09:44,319 Speaker 1: in the in the nicest way, he let me know 208 00:09:44,559 --> 00:09:46,760 Speaker 1: that the role that I was going down to kind 209 00:09:46,800 --> 00:09:49,320 Speaker 1: of find my comedy, it wasn't right. Like in other words, 210 00:09:49,360 --> 00:09:52,360 Speaker 1: I was really just kind of emulating Dion a lot 211 00:09:52,440 --> 00:09:54,720 Speaker 1: of times to to kind of to kind of hit 212 00:09:54,800 --> 00:09:57,520 Speaker 1: my jokes. And Rashan put me to the side. One 213 00:09:57,559 --> 00:09:59,520 Speaker 1: day we was at craft service. He sat me down 214 00:09:59,559 --> 00:10:02,000 Speaker 1: on these and I don't know what he's gonna say. 215 00:10:02,040 --> 00:10:03,719 Speaker 1: Isn't in my fire? Am I what what's going on? 216 00:10:04,040 --> 00:10:06,600 Speaker 1: And he in the most loving like big brother. I'm 217 00:10:06,600 --> 00:10:10,240 Speaker 1: gonna get some constructive criticism that it might stink a 218 00:10:10,320 --> 00:10:13,320 Speaker 1: little bit right now, but brother man on down the road, 219 00:10:13,360 --> 00:10:15,400 Speaker 1: you're really gonna be appreciative. And let me tell you, 220 00:10:15,520 --> 00:10:18,280 Speaker 1: it's one of the best piece of advices anyone has 221 00:10:18,320 --> 00:10:20,720 Speaker 1: ever given me. And you just told me, listen, here's 222 00:10:20,760 --> 00:10:23,960 Speaker 1: your position, here's his position. He can't play your position, 223 00:10:24,160 --> 00:10:27,360 Speaker 1: you can't play his. So you just define your position 224 00:10:27,760 --> 00:10:30,440 Speaker 1: and play it. And you did. And you did. Brother. 225 00:10:30,520 --> 00:10:33,400 Speaker 1: That was some like key advice in my career at 226 00:10:33,440 --> 00:10:35,880 Speaker 1: a young age to just make sure I kind of 227 00:10:36,000 --> 00:10:39,120 Speaker 1: forged my own path and and you've been doing it 228 00:10:39,200 --> 00:10:41,840 Speaker 1: ever since. And that's the beauty of it. What basically, 229 00:10:41,840 --> 00:10:44,719 Speaker 1: I was just telling them just listen, just listen. And 230 00:10:45,000 --> 00:10:46,920 Speaker 1: that's why a lot of actors fail. They come in 231 00:10:47,040 --> 00:10:50,120 Speaker 1: with these pre made up notions off going his role 232 00:10:50,160 --> 00:10:52,280 Speaker 1: and what do it like? It's not listening. And one 233 00:10:52,280 --> 00:10:55,280 Speaker 1: of his greatest skill set is his ability to comprehend 234 00:10:55,320 --> 00:10:57,560 Speaker 1: the moment. That's one I saw that right off. I went, 235 00:10:57,880 --> 00:11:01,040 Speaker 1: if you just listen to the scene, then he would win. 236 00:11:01,440 --> 00:11:04,439 Speaker 1: And that's all stop stop thinking, you gotta be this 237 00:11:05,000 --> 00:11:07,040 Speaker 1: and loud to scene. The evolved and he just was 238 00:11:07,120 --> 00:11:10,600 Speaker 1: just fantastic everything. That's why you can share a scene. 239 00:11:10,600 --> 00:11:13,719 Speaker 1: We just watching it because back then I had to 240 00:11:13,760 --> 00:11:16,800 Speaker 1: say nothing that was mute, but now it was. It 241 00:11:16,920 --> 00:11:19,320 Speaker 1: was such a valuable lesson. That's just one of many 242 00:11:19,720 --> 00:11:22,719 Speaker 1: that you've that you've been partnered on me. Man, that 243 00:11:23,000 --> 00:11:25,680 Speaker 1: absolutely we're here with Rodrico Lee. When this next break, 244 00:11:25,720 --> 00:11:27,640 Speaker 1: I gotta do what they told me, I gotta do 245 00:11:27,720 --> 00:11:29,560 Speaker 1: what you gotta do. I gotta talk about the first place. 246 00:11:30,480 --> 00:11:32,000 Speaker 1: The next break, we'll be back with more of ron 247 00:11:32,040 --> 00:11:36,120 Speaker 1: Rico Lee again. I'm so proud. I'm so so happy, 248 00:11:36,400 --> 00:11:40,200 Speaker 1: Uh believe me, Man, emotionally just seeing you sit here, 249 00:11:40,240 --> 00:11:42,360 Speaker 1: and I remember the times we had in my my 250 00:11:42,520 --> 00:11:45,320 Speaker 1: big place in l a Wen. Come by, you come by, 251 00:11:45,400 --> 00:11:47,800 Speaker 1: looking outside, you stay here. I go, yeah, this man, 252 00:11:48,120 --> 00:11:52,400 Speaker 1: come on inside. But this park at the front man 253 00:11:52,480 --> 00:11:55,480 Speaker 1: in that place, it was out steady as this gentleman 254 00:11:55,520 --> 00:11:57,280 Speaker 1: sitting next to me. We'll be back with more money 255 00:11:57,320 --> 00:12:00,920 Speaker 1: making conversations. Oh this is great. You're listening to money 256 00:12:00,960 --> 00:12:03,920 Speaker 1: making conversation. Sitting next to me is running Recoli. He's 257 00:12:03,960 --> 00:12:07,080 Speaker 1: here to talk about the hilarious new nine episode commedy 258 00:12:07,120 --> 00:12:09,920 Speaker 1: series's on b et Plus. It's about a group of 259 00:12:09,960 --> 00:12:12,679 Speaker 1: women in New York City who created a sisterhood as 260 00:12:12,840 --> 00:12:16,239 Speaker 1: as a result of their felt marriage, trials and tribulations. 261 00:12:16,280 --> 00:12:18,600 Speaker 1: This is a takeoff of an eighteen nine six movie 262 00:12:18,679 --> 00:12:21,920 Speaker 1: to start Diane Keaton. Very funny movie by the way, 263 00:12:21,960 --> 00:12:26,520 Speaker 1: the movie uh Goldie Han and uh Bette Miller, Yeah yeah, 264 00:12:26,559 --> 00:12:29,440 Speaker 1: Bette Miller, and so remake so hard man and then 265 00:12:29,800 --> 00:12:32,520 Speaker 1: do then you're doing African American man put another spin 266 00:12:32,640 --> 00:12:35,559 Speaker 1: on it. So yeah. Tracy Oliver is e A. C. 267 00:12:35,720 --> 00:12:39,079 Speaker 1: Oliver wrote this. She ran the show. Yeah, man, it 268 00:12:39,160 --> 00:12:40,959 Speaker 1: was it was cool. I remember when it hit the 269 00:12:41,000 --> 00:12:43,400 Speaker 1: trades and you know, you read stuff and you don't 270 00:12:43,400 --> 00:12:46,600 Speaker 1: think there about it. And then they sent me. They say, man, 271 00:12:46,960 --> 00:12:49,079 Speaker 1: you put yourself on tape, and put myself on tape 272 00:12:49,240 --> 00:12:51,959 Speaker 1: and um. And then initially they were like, oh no, 273 00:12:52,120 --> 00:12:53,640 Speaker 1: this it's not gonna go as well as like work 274 00:12:53,720 --> 00:12:55,480 Speaker 1: and you know everything. And then, especially now that I'm 275 00:12:55,480 --> 00:12:57,120 Speaker 1: in Atlanta, have to put myself on tape a lot 276 00:12:57,120 --> 00:12:58,959 Speaker 1: of times. There's some tapes you do, and you're like, 277 00:12:59,280 --> 00:13:00,600 Speaker 1: there's some tapes you do. You'd be like, all right, 278 00:13:00,720 --> 00:13:03,320 Speaker 1: let me. It's what they say about this one because 279 00:13:03,880 --> 00:13:05,240 Speaker 1: in my heart of heart, so I felt like I 280 00:13:05,320 --> 00:13:08,840 Speaker 1: had I had delivered. However, when they conceived the character, 281 00:13:08,960 --> 00:13:12,280 Speaker 1: he was a lot different with me and uh and 282 00:13:12,480 --> 00:13:15,240 Speaker 1: so you know, my performance required them to think outside 283 00:13:15,280 --> 00:13:17,280 Speaker 1: the box a little bit. And I was very fortunate 284 00:13:17,360 --> 00:13:20,439 Speaker 1: that Tracy Oliver and those guys decided, listen, we can 285 00:13:20,480 --> 00:13:22,760 Speaker 1: make this work. So I got a call from my manager. 286 00:13:22,760 --> 00:13:25,400 Speaker 1: They said, look, don't shave, don't work out, don't get 287 00:13:25,440 --> 00:13:27,560 Speaker 1: a haircut. And I thought they had wrote another character 288 00:13:27,679 --> 00:13:29,319 Speaker 1: something cause they was trying to find something for me 289 00:13:29,440 --> 00:13:31,240 Speaker 1: on the show. And they said no, no, no, they 290 00:13:31,240 --> 00:13:33,240 Speaker 1: want you to play Gary. They just they're gonna roughly 291 00:13:33,320 --> 00:13:34,679 Speaker 1: up a little bit. I mean they talked about put 292 00:13:34,760 --> 00:13:36,960 Speaker 1: me in the fast dude. Uh, they talked about all 293 00:13:37,000 --> 00:13:38,480 Speaker 1: kind of stuff. But it was great because they really 294 00:13:38,520 --> 00:13:40,240 Speaker 1: get a character a bit of a journey, and that 295 00:13:40,360 --> 00:13:42,120 Speaker 1: was the first time that's ever happened. So we had 296 00:13:42,120 --> 00:13:44,319 Speaker 1: a good man. We shot in New York at beginning 297 00:13:44,320 --> 00:13:50,719 Speaker 1: apartment metro card so like there's nothing like it was 298 00:13:50,760 --> 00:13:52,280 Speaker 1: a dream come true. I was there for about three 299 00:13:52,360 --> 00:13:55,240 Speaker 1: months and you couldn't tell me anything. Man. We got 300 00:13:55,280 --> 00:13:56,679 Speaker 1: to the point where I was I was gonna come 301 00:13:56,760 --> 00:13:58,000 Speaker 1: up starting my damn and go here and may have 302 00:13:58,040 --> 00:14:00,599 Speaker 1: breakfast on over man, and I'm gonna go, you know, 303 00:14:00,800 --> 00:14:03,480 Speaker 1: get back to Brooklyn do this that just you know, 304 00:14:03,679 --> 00:14:06,040 Speaker 1: And it was amazing that you could get around that 305 00:14:06,120 --> 00:14:08,760 Speaker 1: city like that. We're never getting the car, know the music, 306 00:14:08,840 --> 00:14:10,720 Speaker 1: maasing thing. New York is my favorite tip as far 307 00:14:10,760 --> 00:14:14,240 Speaker 1: as power. You know, it's just I remember when I've 308 00:14:14,400 --> 00:14:16,280 Speaker 1: moved up there to do stand up comedy and I 309 00:14:16,280 --> 00:14:18,960 Speaker 1: would come out that subway realized I was in New York. 310 00:14:19,480 --> 00:14:22,520 Speaker 1: It's so powerful and the fact that you can you know, 311 00:14:22,560 --> 00:14:24,920 Speaker 1: I would tell people you can walk from your apartment 312 00:14:25,640 --> 00:14:28,320 Speaker 1: New any by the time you get into the strip light, 313 00:14:28,440 --> 00:14:31,320 Speaker 1: you're gonna get some clothes, some foods, man, everything, everything 314 00:14:31,360 --> 00:14:33,360 Speaker 1: you need, everything you need because it's that type of city. 315 00:14:33,760 --> 00:14:35,760 Speaker 1: And and it gets what by the way, you could 316 00:14:35,760 --> 00:14:40,040 Speaker 1: be new and nobody would even think, especially if it's 317 00:14:40,040 --> 00:14:43,160 Speaker 1: a certain time of day. But that's New York City. 318 00:14:43,520 --> 00:14:46,320 Speaker 1: So going up there for three months, getting to realize 319 00:14:46,360 --> 00:14:50,080 Speaker 1: that this is the big apple up there. So meeting 320 00:14:50,120 --> 00:14:55,200 Speaker 1: the cast, let's talk about that. Uh you have my girl, 321 00:14:55,480 --> 00:14:59,560 Speaker 1: uh just jil yeah yeah yeah uh. And then you 322 00:14:59,680 --> 00:15:02,880 Speaker 1: have Ryan Mitchell that day who's married to my man 323 00:15:03,040 --> 00:15:07,960 Speaker 1: Sterling and Kay Brown. You had a yeah, yeah, yeah, 324 00:15:08,000 --> 00:15:10,280 Speaker 1: I love that dude. Man man, And listen when I 325 00:15:10,360 --> 00:15:14,680 Speaker 1: say this, it's however cool you think he is raised 326 00:15:14,720 --> 00:15:17,720 Speaker 1: that to like the tenth power, like this cat, all 327 00:15:17,800 --> 00:15:21,200 Speaker 1: the accolades, he's made history. But when I tell you 328 00:15:21,440 --> 00:15:24,800 Speaker 1: one of the coolest, most humble man, that brother right there, 329 00:15:24,880 --> 00:15:27,440 Speaker 1: I gotta beat him because everything I see him and 330 00:15:27,800 --> 00:15:30,480 Speaker 1: and he's he's in that special role he's in he's 331 00:15:30,480 --> 00:15:32,840 Speaker 1: in the rock, and he's in the next level and 332 00:15:32,920 --> 00:15:35,760 Speaker 1: stuff like that. So so that's her husband, that's her husband, 333 00:15:35,800 --> 00:15:37,400 Speaker 1: that's her husband, and that we had met at the 334 00:15:37,440 --> 00:15:39,400 Speaker 1: image words about a year and a half before so, 335 00:15:39,880 --> 00:15:41,800 Speaker 1: and then even then he was cool man, you know. 336 00:15:41,960 --> 00:15:45,200 Speaker 1: So So anyway, uh, the one thing about doing self 337 00:15:45,280 --> 00:15:47,080 Speaker 1: tapes and things of that nature, they don't require and 338 00:15:47,080 --> 00:15:49,400 Speaker 1: then required chemistry read. So I literally flew out to 339 00:15:49,480 --> 00:15:52,760 Speaker 1: your very nervous because listen, this I tell people was 340 00:15:53,040 --> 00:15:55,840 Speaker 1: First Wives Club and the husbands were optional, like you 341 00:15:55,880 --> 00:15:57,680 Speaker 1: know what I mean, they could be interchanged, they could 342 00:15:57,680 --> 00:16:00,560 Speaker 1: be cut. We really need them, no, you know, so 343 00:16:00,800 --> 00:16:03,400 Speaker 1: I literally when I packed my bags, I didn't wanna 344 00:16:03,400 --> 00:16:04,880 Speaker 1: tell my wife what I was doing. I really want 345 00:16:04,920 --> 00:16:06,520 Speaker 1: to ma' gonna run out to New York real quick 346 00:16:06,520 --> 00:16:08,520 Speaker 1: for this a little audition, but it was ultimately a 347 00:16:08,600 --> 00:16:11,160 Speaker 1: table read, and I knew how important it was, you know, 348 00:16:11,200 --> 00:16:12,560 Speaker 1: because at the end of the day, Michelle and I 349 00:16:12,720 --> 00:16:16,240 Speaker 1: had to have some believable chemistry. So I was really 350 00:16:16,320 --> 00:16:19,160 Speaker 1: stressed going into that table read because we hadn't I 351 00:16:19,360 --> 00:16:22,560 Speaker 1: never met her before. What was your character? What was so? 352 00:16:22,680 --> 00:16:25,120 Speaker 1: Gary is a Gary is an interesting dude. I mean, 353 00:16:25,200 --> 00:16:30,040 Speaker 1: he's he's kind of a nerdy, butting up and the glasses. 354 00:16:31,200 --> 00:16:33,720 Speaker 1: That's that's Gary Gary. When we meet Gary, Gary is 355 00:16:33,720 --> 00:16:35,800 Speaker 1: in the middle of just being a straight nerd. But 356 00:16:36,320 --> 00:16:39,000 Speaker 1: the flip side was that he stepped outside of marriage 357 00:16:39,640 --> 00:16:42,400 Speaker 1: and he got caught up. And when we when we 358 00:16:42,520 --> 00:16:44,800 Speaker 1: discovered he's really fighting to get his family back. So 359 00:16:44,960 --> 00:16:47,000 Speaker 1: he's in he's like in one of them, please baby, 360 00:16:47,040 --> 00:16:51,240 Speaker 1: baby please. Yeah, and nerdy, nerdy, nerdy on top of that, 361 00:16:51,560 --> 00:16:53,680 Speaker 1: and she like, you know what, So she go out 362 00:16:53,760 --> 00:16:56,360 Speaker 1: and I think it's the pilot episode. She meet her 363 00:16:56,400 --> 00:16:58,480 Speaker 1: somebody and she go out and get her a little 364 00:16:58,520 --> 00:17:01,080 Speaker 1: revenge night in and I was at the ball. Yeah, 365 00:17:02,600 --> 00:17:05,080 Speaker 1: so you know it's uh, yeah, I know my wife watching. 366 00:17:05,680 --> 00:17:08,119 Speaker 1: I didn't know you was. You played the dog in 367 00:17:08,240 --> 00:17:10,760 Speaker 1: this and I say, yeah, you know, this is you know, 368 00:17:10,800 --> 00:17:13,359 Speaker 1: it's a different role for me. It's interesting that she 369 00:17:13,440 --> 00:17:16,280 Speaker 1: says that because, you know, because the character doesn't look 370 00:17:16,320 --> 00:17:18,680 Speaker 1: like it will go there. And that's what that's actually 371 00:17:18,720 --> 00:17:20,840 Speaker 1: what I liked about it because he definitely and I 372 00:17:20,960 --> 00:17:24,400 Speaker 1: think that's what caught uh the bree who has played 373 00:17:24,400 --> 00:17:27,520 Speaker 1: by the ship, I think it caught her off, you 374 00:17:27,560 --> 00:17:33,680 Speaker 1: know me, Yeah, yeah, but me exactly. But no, he 375 00:17:33,880 --> 00:17:35,840 Speaker 1: you know, he fell short and has to well has 376 00:17:35,880 --> 00:17:39,320 Speaker 1: to make a man. But yeah, it's it's cool. Man. 377 00:17:39,800 --> 00:17:41,720 Speaker 1: The character really goes on the journey, and I kind 378 00:17:41,720 --> 00:17:43,800 Speaker 1: of see over nine episodes just in the course of 379 00:17:43,880 --> 00:17:46,800 Speaker 1: them trying to repair their marriage. Um, we see him 380 00:17:46,840 --> 00:17:49,119 Speaker 1: kind of clean up a little bit, starts to date again, 381 00:17:49,920 --> 00:17:52,280 Speaker 1: you know, starts getting kind of a light little trim 382 00:17:52,440 --> 00:17:54,320 Speaker 1: and you know, so over time they started, let me 383 00:17:54,320 --> 00:17:56,639 Speaker 1: get a little here because that little light, little light 384 00:17:56,720 --> 00:17:59,800 Speaker 1: line unto Chris. And so by the time we get 385 00:17:59,840 --> 00:18:02,720 Speaker 1: to like that ninth episode, you know, he's on fire. 386 00:18:02,840 --> 00:18:05,600 Speaker 1: He's kind of you know he listen, you saw that 387 00:18:05,720 --> 00:18:07,639 Speaker 1: the nerdy look. So he had a long and I 388 00:18:07,680 --> 00:18:10,080 Speaker 1: don't know if I'm on fire, but he's you know, 389 00:18:10,320 --> 00:18:14,240 Speaker 1: there's there's some smoke. There's a lot of smoke because 390 00:18:14,320 --> 00:18:16,520 Speaker 1: because I was talking about it because in the beginning 391 00:18:16,840 --> 00:18:18,359 Speaker 1: it's a lot of hair on your face. It is. 392 00:18:18,480 --> 00:18:20,639 Speaker 1: They wouldn't let me. Oh, I couldn't stand it, man, 393 00:18:20,680 --> 00:18:23,000 Speaker 1: And I've never been wanting to have this, like you know, crazy. 394 00:18:23,080 --> 00:18:25,800 Speaker 1: I remember must dad was long, man getting untime I 395 00:18:25,840 --> 00:18:27,919 Speaker 1: talked to somebody, feel like I had stuff in right 396 00:18:29,320 --> 00:18:30,840 Speaker 1: because I was. I was looking at all the all 397 00:18:30,880 --> 00:18:35,000 Speaker 1: the clips. I was going like, it's that hair, like yeah, man, 398 00:18:35,119 --> 00:18:37,680 Speaker 1: it was. I couldn't stand it. Man. My kids. Was 399 00:18:37,760 --> 00:18:39,680 Speaker 1: looking at me like that. He don't cut that because 400 00:18:39,680 --> 00:18:42,240 Speaker 1: I was pretty much fine on every weekend. But know 401 00:18:42,359 --> 00:18:44,800 Speaker 1: when they first let me get that first little light trim, 402 00:18:47,720 --> 00:18:49,159 Speaker 1: But no, it was cool, man. It was nice to 403 00:18:49,280 --> 00:18:52,280 Speaker 1: do something where I had to do much hair and makeup. 404 00:18:52,359 --> 00:18:54,080 Speaker 1: You know, I just can't get your work put my 405 00:18:54,160 --> 00:18:58,280 Speaker 1: clothes on. They because it was early early look very 406 00:18:58,320 --> 00:19:01,760 Speaker 1: stylid early. Gary was easy breeze man makeup artists. And 407 00:19:01,800 --> 00:19:04,280 Speaker 1: here Stot is loving me. Now, let's talk about the 408 00:19:04,600 --> 00:19:08,119 Speaker 1: other characters on the show, Scott's characters. Scott. Yeah, but 409 00:19:08,320 --> 00:19:11,159 Speaker 1: all all the women in the show have issues with 410 00:19:11,240 --> 00:19:13,280 Speaker 1: their men. They do, they do, they do. That's the 411 00:19:13,320 --> 00:19:16,360 Speaker 1: that's the basis of the show. Isn't an empowering show 412 00:19:16,440 --> 00:19:18,959 Speaker 1: for women? Oh? Absolutely absolutely, And I love what other 413 00:19:19,040 --> 00:19:21,240 Speaker 1: thing it does too. It shows how important sisterhood it 414 00:19:21,320 --> 00:19:23,520 Speaker 1: is for women to have each other's bags and listen 415 00:19:23,600 --> 00:19:26,920 Speaker 1: to communicate, and their relationships together aren't perfect. So we 416 00:19:27,000 --> 00:19:29,000 Speaker 1: kind of see over the course of nine episodes that 417 00:19:29,119 --> 00:19:30,800 Speaker 1: they have to deal with some things because in the 418 00:19:30,880 --> 00:19:34,080 Speaker 1: beginning there's been some distance between them, and then based 419 00:19:34,160 --> 00:19:36,200 Speaker 1: on Jill Scott's character and she kind of gets in 420 00:19:36,280 --> 00:19:38,720 Speaker 1: brawled in a bit of a one of those what 421 00:19:38,920 --> 00:19:41,680 Speaker 1: do you call them TMZ moments, they all kind of 422 00:19:41,760 --> 00:19:43,680 Speaker 1: come to her aid and then at which point we 423 00:19:43,800 --> 00:19:46,280 Speaker 1: discover that they're all kind of in the midst of 424 00:19:46,359 --> 00:19:48,879 Speaker 1: their own struggles. So it's really it's really dope, Like 425 00:19:48,960 --> 00:19:52,000 Speaker 1: it looks at three different relationships, all in the midst 426 00:19:52,040 --> 00:19:53,800 Speaker 1: of a bit of a storm. But I like it 427 00:19:53,920 --> 00:19:58,280 Speaker 1: because it was a Martyn I yeah, you know the 428 00:19:58,359 --> 00:20:00,479 Speaker 1: fact that you could have done that script like when 429 00:20:00,520 --> 00:20:03,240 Speaker 1: you add the TMC little the musical ever and things 430 00:20:03,280 --> 00:20:05,440 Speaker 1: like that, the lifestyle elements and stuff like that, and 431 00:20:05,520 --> 00:20:08,440 Speaker 1: you guys looked to me and felt authentic. Now, interesting 432 00:20:08,480 --> 00:20:11,320 Speaker 1: thing about this is that it's on BT plus, the 433 00:20:11,440 --> 00:20:14,199 Speaker 1: streaming network. Now, that's what is that? That's that's kind 434 00:20:14,200 --> 00:20:15,919 Speaker 1: of what you know, you've been on the cable, you've 435 00:20:15,960 --> 00:20:19,120 Speaker 1: been on traditional restaurant TV. Now in that streaming world, 436 00:20:19,119 --> 00:20:21,240 Speaker 1: which means that the person can watch all episodes at 437 00:20:21,280 --> 00:20:24,280 Speaker 1: one time. Binget, Yes, how's that? That wasn't the take 438 00:20:24,320 --> 00:20:26,280 Speaker 1: on that? Well, it's new. And the thing about it 439 00:20:26,440 --> 00:20:28,800 Speaker 1: was when we when the show was conceived, it really 440 00:20:29,080 --> 00:20:31,000 Speaker 1: wasn't you know, it was kind of conceived that at 441 00:20:31,000 --> 00:20:33,639 Speaker 1: a sister network, Paramount Networks. We all signed on. We 442 00:20:33,720 --> 00:20:36,159 Speaker 1: were on Paramount Network, and then as we started to 443 00:20:36,240 --> 00:20:38,600 Speaker 1: shoot and BT was kind of finalizing their deal to 444 00:20:38,720 --> 00:20:41,399 Speaker 1: to kind of launch BT plus, they needed original content, 445 00:20:41,800 --> 00:20:44,080 Speaker 1: so they actually, you know, opted to kind of bring 446 00:20:44,200 --> 00:20:46,280 Speaker 1: it over to BT plus. It was all very new 447 00:20:46,359 --> 00:20:48,359 Speaker 1: to us. As they were kind of lining out the 448 00:20:48,440 --> 00:20:50,720 Speaker 1: details of BT Plus, we were learning on the fly. 449 00:20:51,240 --> 00:20:53,919 Speaker 1: But I can honestly say I got the app, uh 450 00:20:54,080 --> 00:20:56,440 Speaker 1: probably right when it right on the nineteen, and it's 451 00:20:56,480 --> 00:20:59,440 Speaker 1: a great app. And and I can honestly say after 452 00:20:59,520 --> 00:21:01,399 Speaker 1: going through it and checking out some of the stuff, 453 00:21:01,720 --> 00:21:05,080 Speaker 1: it's it's it's really a lot of content. There'll be 454 00:21:05,119 --> 00:21:08,240 Speaker 1: more content to come. They got bigger uh, Tyler Pearis 455 00:21:08,280 --> 00:21:10,200 Speaker 1: got a show that he's doing not on b T plus, 456 00:21:10,280 --> 00:21:12,080 Speaker 1: but I'm sure they'll be offered on there at some point. 457 00:21:12,680 --> 00:21:14,919 Speaker 1: But you know, they got there, They got their Housewives 458 00:21:15,040 --> 00:21:16,879 Speaker 1: and Housewild. I mean, it's it's a lot of a 459 00:21:16,920 --> 00:21:19,160 Speaker 1: lot of a lot of content. Because because I dialloaded 460 00:21:19,240 --> 00:21:21,639 Speaker 1: yeah you know, you know, yeah, you go support I know, 461 00:21:22,240 --> 00:21:25,000 Speaker 1: because of the fact that that's the brand, that's that's unique. BET. 462 00:21:25,400 --> 00:21:28,000 Speaker 1: If they can't stream, nobody can stream from an African 463 00:21:28,000 --> 00:21:31,159 Speaker 1: American perspective, and it's also be a place where you 464 00:21:31,200 --> 00:21:34,399 Speaker 1: can actually get the home of the African American boars. 465 00:21:34,680 --> 00:21:37,959 Speaker 1: And that's this is a signature show with original content 466 00:21:38,040 --> 00:21:40,359 Speaker 1: that's being launched on b G Plus, which letting them 467 00:21:40,400 --> 00:21:43,040 Speaker 1: know that we're not just bringing you old reruns of 468 00:21:43,119 --> 00:21:45,959 Speaker 1: old African American signals from the seventies and the eighties 469 00:21:46,000 --> 00:21:49,200 Speaker 1: and the nineties. That's really really wonderful, but it's still 470 00:21:49,320 --> 00:21:51,960 Speaker 1: for your brand. That's a that's a new law. It is. 471 00:21:52,080 --> 00:21:54,480 Speaker 1: It's different. Uh. You know, obviously we talked about that 472 00:21:54,560 --> 00:21:57,080 Speaker 1: social media game plays heavily. You know what I mean, 473 00:21:57,320 --> 00:21:59,119 Speaker 1: You gotta get it out there is you know, we 474 00:21:59,200 --> 00:22:02,320 Speaker 1: live in a digital but your handles the word double 475 00:22:02,520 --> 00:22:05,320 Speaker 1: ry across the board. I g Facebook, Twitter, all that 476 00:22:05,520 --> 00:22:07,679 Speaker 1: you hit me up and I'm trying to get better. 477 00:22:07,720 --> 00:22:09,199 Speaker 1: I'm trying to get better. But I did. We did 478 00:22:09,240 --> 00:22:10,760 Speaker 1: a lot of press in the last couple of weeks 479 00:22:11,119 --> 00:22:13,200 Speaker 1: and so I got some posts for that and I'm 480 00:22:13,240 --> 00:22:15,080 Speaker 1: and I'm gonna continue. I'm continue the post. I know, 481 00:22:15,119 --> 00:22:16,960 Speaker 1: I gotta get better. You will get ready with the 482 00:22:17,040 --> 00:22:19,680 Speaker 1: thing about this is that man, some people that's what 483 00:22:19,800 --> 00:22:22,280 Speaker 1: they do and you one of those artists. You know 484 00:22:22,320 --> 00:22:24,159 Speaker 1: what I'm saying from the standpoint of that you you 485 00:22:24,200 --> 00:22:26,760 Speaker 1: were just so worried about which well, I know eventually 486 00:22:26,800 --> 00:22:28,960 Speaker 1: you're going to be behindicing, You're gonna be directed, you 487 00:22:29,040 --> 00:22:32,040 Speaker 1: gonna be writing and all that because I met that guy. 488 00:22:33,440 --> 00:22:35,600 Speaker 1: You know, God is just giving you this path to 489 00:22:35,640 --> 00:22:36,960 Speaker 1: be in front of the camera because you're a good 490 00:22:36,960 --> 00:22:40,679 Speaker 1: looking God you understand your craft. But brother, I remember 491 00:22:40,840 --> 00:22:43,960 Speaker 1: nanty two with Steve Harvey asked me to come on 492 00:22:44,080 --> 00:22:45,760 Speaker 1: his show as a writer to sitcom. He said, man, 493 00:22:45,800 --> 00:22:47,400 Speaker 1: but you're so talented as a stand up. I said, 494 00:22:47,440 --> 00:22:49,840 Speaker 1: but I want to write. I want to produce because 495 00:22:49,920 --> 00:22:52,560 Speaker 1: that that that's the path. You know, God can give 496 00:22:52,600 --> 00:22:55,040 Speaker 1: you an option to be successful like something. That doesn't 497 00:22:55,040 --> 00:22:57,800 Speaker 1: mean that's your ultimately gold. That's your path that you 498 00:22:57,960 --> 00:23:02,280 Speaker 1: emotionally driven to go there. So I know any opportunities 499 00:23:02,359 --> 00:23:05,600 Speaker 1: that I see that said, hey, man, coming director, coming 500 00:23:05,680 --> 00:23:08,040 Speaker 1: system direct, and you're available, I'm gonna call you because 501 00:23:08,359 --> 00:23:10,560 Speaker 1: because I read it now, I read it. Let me know, man, 502 00:23:10,760 --> 00:23:14,360 Speaker 1: let me know, and I like you said, even assistant directing, shadowing. Man, Listen, 503 00:23:14,400 --> 00:23:17,080 Speaker 1: I'm just trying to soak up knowledge. I shadowed a 504 00:23:17,160 --> 00:23:19,200 Speaker 1: couple of years back, man, And that's the thing I 505 00:23:19,280 --> 00:23:22,160 Speaker 1: continuously put it out there. It's like, I'm like a fit. 506 00:23:22,200 --> 00:23:24,200 Speaker 1: I'm a fisherman. I love to fish, ain't I tell you? 507 00:23:24,720 --> 00:23:26,440 Speaker 1: And I don't care where I go on set. I 508 00:23:26,600 --> 00:23:28,479 Speaker 1: like to let people know that I fished, because that's 509 00:23:28,520 --> 00:23:31,399 Speaker 1: how you meet other fisherman. Absolutely by that. By that ration, now, 510 00:23:31,800 --> 00:23:34,360 Speaker 1: I like to let people know. Man, I're writing directing 511 00:23:34,400 --> 00:23:36,800 Speaker 1: all of that, so that's how you meet people that say, oh, 512 00:23:36,840 --> 00:23:39,240 Speaker 1: were you trying to come on over? Let me? Sally 513 00:23:39,320 --> 00:23:44,600 Speaker 1: Richardson uh came and directed the episode. I'm all in 514 00:23:44,680 --> 00:23:47,160 Speaker 1: her here because she here's an actress. Dude, she's on fire. 515 00:23:47,160 --> 00:23:50,200 Speaker 1: You listen. I saw Andre last week. I said, we're 516 00:23:50,640 --> 00:23:55,280 Speaker 1: Sally now like where this week? Sitcom drama? And the 517 00:23:55,359 --> 00:23:59,080 Speaker 1: thing about it was, uh, survirus, and Morris was, maybe 518 00:23:59,440 --> 00:24:01,280 Speaker 1: I would just I should say her third or fourth 519 00:24:01,320 --> 00:24:04,280 Speaker 1: episode direct and she was still kind of getting her 520 00:24:04,320 --> 00:24:08,800 Speaker 1: feet with however, a pro like a pro and um. 521 00:24:09,000 --> 00:24:10,800 Speaker 1: And then from that, man, we started following each other 522 00:24:10,840 --> 00:24:13,040 Speaker 1: on IM before I knew. Every time I turned around, 523 00:24:13,200 --> 00:24:16,920 Speaker 1: she's prepping, she's you know, she's getting shot list together, 524 00:24:17,000 --> 00:24:20,280 Speaker 1: she's doing she's doing that, and I mean just to 525 00:24:20,480 --> 00:24:23,280 Speaker 1: watch her do her things that you brother. Man, Listen, 526 00:24:23,359 --> 00:24:25,320 Speaker 1: we're talking to roun Rico Lee. Check out this new 527 00:24:25,440 --> 00:24:29,639 Speaker 1: series Man on BT plus First Wive Club. Thank you 528 00:24:29,760 --> 00:24:32,200 Speaker 1: for coming into my world and come on man, forwarding 529 00:24:32,240 --> 00:24:35,680 Speaker 1: me on money making conversations. I love you, brother, say that. 530 00:24:35,960 --> 00:24:38,600 Speaker 1: I really say that, because Wow, this is a hard 531 00:24:38,680 --> 00:24:42,760 Speaker 1: interview for me to do personally, because it's like watching 532 00:24:42,840 --> 00:24:46,960 Speaker 1: the family member that that that I so cared about 533 00:24:47,480 --> 00:24:49,200 Speaker 1: and then then had to walk away and let you 534 00:24:49,320 --> 00:24:51,000 Speaker 1: do your thing and to come in the office, come 535 00:24:51,040 --> 00:24:53,560 Speaker 1: into this space and say, man, I love you, and 536 00:24:53,600 --> 00:24:56,119 Speaker 1: you see you love it back to it's a pleasure 537 00:24:56,160 --> 00:24:58,600 Speaker 1: being here at any time. Man. You just you ain't 538 00:24:58,640 --> 00:25:01,080 Speaker 1: gotta do nothing. Just called me. It cool. That might 539 00:25:01,200 --> 00:25:02,200 Speaker 1: make conversation, y'all