WEBVTT - Episode 382 w/ Smif-N-Wesson

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<v Speaker 1>He is Drinks Chess, motherfucking podcast. He's a legendary queens rapper.

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<v Speaker 2>He ain't agree. That's your boy in O R E.

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<v Speaker 1>He's a Miami hip hop and mioneer. What up his

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<v Speaker 1>dj e f N? Together they drink it up with

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<v Speaker 1>some of the biggest players, you know what I mean.

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk fast drinks Chans mo.

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<v Speaker 1>Post das New Year's Eve. Listen, It's time for Drink Champs.

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<v Speaker 1>Drink up, motherfuck?

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<v Speaker 2>Would it good?

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<v Speaker 3>Be hopeing?

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<v Speaker 2>He's wanna ship be this.

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<v Speaker 1>Your boy in O R E?

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<v Speaker 2>What up his dj e f N?

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<v Speaker 1>This is Militama Crazy Raw Podcast, Drink Champs, Jeffrey Howl

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<v Speaker 1>make something right now? Uh me being a part of

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<v Speaker 1>a group. I know how legendary it is to be

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<v Speaker 1>a part of a group. I know how you know,

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<v Speaker 1>uh strenuous it is. I know how tumultuous it is.

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<v Speaker 1>And we're talking about one of the legendary groups of

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<v Speaker 1>all time, one of a two man group. Man, I'm

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<v Speaker 1>talking about I was Man, I ain't gonna lie to you.

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<v Speaker 1>I totally forgot that when I'm listening today. Joint I'm like, damn,

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<v Speaker 1>they was wearing army fatigues before us. I was like,

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<v Speaker 1>goddamn it got us. But these dudes lyrical, uh you

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<v Speaker 1>you I'm listening today, bars and the things that they

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<v Speaker 1>was talking about then it still applies to right now.

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<v Speaker 1>When we talk about legends, were talking about icons. We

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<v Speaker 1>talk about people who have stood the time, the test

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<v Speaker 1>of time and stood here like legends, and we, goddamn it, got.

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<v Speaker 2>To give them their flowers.

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<v Speaker 4>Man.

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<v Speaker 1>I personally made the phone call. I was like, man,

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<v Speaker 1>it's time for them, because I know we had them

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<v Speaker 1>before as the book, but no, we need Smith and

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<v Speaker 1>Western Tech and still the motherfucking Coco Brothers face to face,

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<v Speaker 1>man and man to get them they flowers because they

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<v Speaker 1>deserve it. He's a legendary, iconic group and we and

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<v Speaker 1>drink chance. Yo, listen, I'm gonna be honest, bro. People

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<v Speaker 1>you always say to me, you know you know you

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<v Speaker 1>got me through a bed or or I caught a

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<v Speaker 1>case for you. This whole week, I'm just listening to y'all.

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<v Speaker 1>I felt like I was gonna at the case. I

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<v Speaker 1>felt like I was listening to y'all shit, like holy shit,

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<v Speaker 1>holy shit, because I couldn't. I didn't realize how advanced

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<v Speaker 1>the music was back then and how because I guess

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<v Speaker 1>it's easier to reach it now because how dumb the

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<v Speaker 1>music is now. But was that something that you brothers

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<v Speaker 1>was destined was designed to do? Excuse me, I mean.

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<v Speaker 5>It.

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<v Speaker 6>I ain't gonna say it came easy because we was

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<v Speaker 6>in military minded training from the get go, Like you said,

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<v Speaker 6>the fatigues and the boot camp, right, I was my brother.

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<v Speaker 2>Rest in peace. David passed away.

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<v Speaker 6>He was a real drill sergeant, so so I said

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<v Speaker 6>all of the fatigues because that was a part of

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<v Speaker 6>our life for real. So even before the money for

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<v Speaker 6>Thames and came, I was throughing combat boots right in

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<v Speaker 6>a while, so our mind was already trained for that.

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<v Speaker 3>Wow, you gotta think like we grew up at man,

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<v Speaker 3>I'm from Brownsville, you know what I mean? Texts from

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<v Speaker 3>Best Star like that's that's a that's a battle zone.

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<v Speaker 3>You know, we grew up in these these these urban

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<v Speaker 3>places and it's not it's before gentrification, like it's real,

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<v Speaker 3>it's rough.

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<v Speaker 2>So you learn a lot of stuff out there.

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<v Speaker 3>So all that gets applied into your lyrics, and you know,

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<v Speaker 3>we run around with Deceps, Salute my Decepticon, feem me out,

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<v Speaker 3>you know flavor you know, yeah, that's that's that's and

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<v Speaker 3>you know, big up to Black Moon too, because we

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<v Speaker 3>was able to watch them work and we was in

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<v Speaker 3>every studio session. Uh we was. We was at the interviews,

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<v Speaker 3>We watched how they talk, and we learned a lot

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<v Speaker 3>of stuff. So try to apply that.

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<v Speaker 1>So, yeah, from yeah, from Brooklyn where there wasn't a

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<v Speaker 1>dumb ball. No, that's the four Green.

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<v Speaker 6>Yeah, that's uh projects, No, it wasn't dumb.

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<v Speaker 1>It wasn't. It was the cob Rolls.

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<v Speaker 6>But once you if you got the Farragut and you

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<v Speaker 6>survived them over there, then you he was official.

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<v Speaker 1>You know, it's crazy. My boy, Troy Outlaw used to

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<v Speaker 1>bring me the Farragut. He used to bring me the

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<v Speaker 1>Fourth Green. My first fronts I've ever had was ab

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<v Speaker 1>Square More. Obviously I didn't know I was walking through

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<v Speaker 1>a war zone. Yeah, I didn't know. To I was older.

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<v Speaker 1>They was like, little boy, you might have got killed,

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<v Speaker 1>But I was like I was a child.

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<v Speaker 2>So it's exciting though, like flour Street is crazy.

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<v Speaker 1>Listen, I say, have about all exciting neighborhoods all like

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<v Speaker 1>like poverty stricken neighborhoods. It's probably the funnest. It's probably

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<v Speaker 1>the funniest place you could period.

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<v Speaker 3>Yes, it's funny because I think I think I got

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<v Speaker 3>my first goal to fit at.

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<v Speaker 1>AT and queens the opposite. So look as were on that.

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<v Speaker 1>I know you said earlier, but was that your tgic

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<v Speaker 1>you guys wearing the army fatigus? I know you said

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<v Speaker 1>your brother was in in the boy Was that something

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<v Speaker 1>that you was was doing or was it the whole camp?

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<v Speaker 6>I mean it kind of was that was that was

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<v Speaker 6>like he said, being with de said, we was on

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<v Speaker 6>the pleasant the bag wasn't there. We had no bread,

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<v Speaker 6>go get dumb fresh. I mean I had guests with

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<v Speaker 6>the pencil holder on the side of it, bugle boys joints.

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<v Speaker 2>But the fatigue was the ocean Pacific you know.

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<v Speaker 6>Oh yeah, yeah, yeah, I got old school. But the

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<v Speaker 6>fatigues was the joint you could you could blend in

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<v Speaker 6>and just stand you're down and dirty with it.

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<v Speaker 1>What's y'all wearing forts out here in Miami? For what?

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<v Speaker 1>What was doing that?

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<v Speaker 2>It was tising?

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<v Speaker 3>Okay, yeah, yeah, I was into all that ship too.

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<v Speaker 2>Into all the military ship because you know.

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<v Speaker 1>It's funny. When I came out here and I see

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<v Speaker 1>people wearing the goose, I was like, what's that's what

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<v Speaker 1>we call f o t s? They got the town okay,

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<v Speaker 1>because it's too hot for that ship, man, But you

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<v Speaker 1>know what it was some locals that was had on

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<v Speaker 1>the goose. Sure, so in high school it was cold

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<v Speaker 1>as fucking school. So you're wear heavy ship to be

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<v Speaker 1>in school. Did y'all ever think because like I like

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<v Speaker 1>we were speaking about like Brooklyn was the no goal zone,

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<v Speaker 1>all right. And when I say no goal zone, I

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<v Speaker 1>mean like if you was a fly artist to town,

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<v Speaker 1>that's not with it. They're not putting them downtown Brooklyn.

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<v Speaker 1>They're not doing that. But now I'm listening to artists,

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<v Speaker 1>I'm like, yeah, where you staying at? They're like, yo, man,

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<v Speaker 1>I'm over here at the Williamsburg and I'm like Williams

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<v Speaker 1>Brooking and my day is like, no one wants to

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<v Speaker 1>go to Williamsburg.

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<v Speaker 6>Like in them days, Willimburg and Bush was that was

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<v Speaker 6>that was dope central, right right, That's what it was

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<v Speaker 6>over there, and gentrification came started cleaning up.

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<v Speaker 7>And that's how when were you guys came early days

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<v Speaker 7>DJ Raw and hood stock.

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<v Speaker 2>I remember what this was exactly exactly. This is the

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<v Speaker 2>Puerto Rican neighborhood. Yep, got Portrican is up out.

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<v Speaker 1>Of here looking.

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<v Speaker 3>It's nice and the it's nice always that's the place

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<v Speaker 3>for green. It's still dangerous still, rob Yeah, yeah, they'll.

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<v Speaker 2>Still catch you while you be fat. They're crack. Fact,

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<v Speaker 2>they're cracking the hood.

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<v Speaker 1>It's still cracking and the crack is lead because it's

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<v Speaker 1>fensing on now. They up with that dangerous that's got

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<v Speaker 1>me stopped doing Molly's and all. I think he was

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<v Speaker 1>cracking around the little Molly here and there. I don't

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<v Speaker 1>know if it's all the go, man, you know what

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<v Speaker 1>I'm saying.

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<v Speaker 2>They got defending on testers now and all that. If

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<v Speaker 2>you got to go through all that, you.

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<v Speaker 1>Gotta test your drugs, kid, nigga, like you can't. You

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<v Speaker 1>can't trust your drunk trust you every time. To man,

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<v Speaker 1>I'm good on it. So one one thing that.

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<v Speaker 3>Saluted the raised too, by the way, my blood brother

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<v Speaker 3>to man cool, my brother raised. Okay, you know he's

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<v Speaker 3>he's always official. Okay, you know what I mean.

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<v Speaker 2>That jelly bean, that jelly bean today.

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<v Speaker 1>Okay, this jelly bean, what the.

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<v Speaker 2>Something? Someone want to try?

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<v Speaker 3>You?

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<v Speaker 2>Ain't you only no fending on test?

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<v Speaker 1>Okay, okay, let let me just tell yall something when

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<v Speaker 1>there's two. This is the best hip hop R and

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<v Speaker 1>B collapse of all times, hands down. I'll bet my

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<v Speaker 1>money on it. Hands this meet personally meat. No, no,

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<v Speaker 1>he has a DJ too. It's all times R and

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<v Speaker 1>B and hip hop collaborate. You set it up.

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<v Speaker 3>Well, I told you.

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<v Speaker 1>I told you.

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<v Speaker 7>The third one from me is the Mary J. Blige

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<v Speaker 7>Real Love Remix. I disagree with you. I think that's

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<v Speaker 7>a good.

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<v Speaker 2>I thought it was going to play the Mary and

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<v Speaker 2>Meth shit all.

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<v Speaker 1>I need that to well, no, no, but he's saying

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<v Speaker 1>that it was an R and B record remix year.

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<v Speaker 2>It's not an R and B record. That's what I

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<v Speaker 2>was trying to say.

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<v Speaker 1>I'm trying to say, remix record R and B. You

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<v Speaker 1>didn't clash with hip hop as opposed to like I

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<v Speaker 1>look at method mans all I need you're talking about, right,

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<v Speaker 1>I look at that more of a hip hop record

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<v Speaker 1>going to get an R and B because it was

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<v Speaker 1>math the record, you know what I mean. But this,

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<v Speaker 1>this was Mary record, and this was Jodas's record.

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<v Speaker 2>You know what I'm saying, it's all pumped behind all

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<v Speaker 2>these remix you know, you know what's up about it.

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<v Speaker 1>The whole time, I was saying, this is one of

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<v Speaker 1>those records that Pop had nothing to do.

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<v Speaker 3>With it, you.

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<v Speaker 1>Know what it was. I wasn't to hearing what it

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<v Speaker 1>was back then, so I didn't know that.

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<v Speaker 2>Was back then he kind of created that genre that.

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<v Speaker 3>We had did a show with the Intrepid, you know,

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<v Speaker 3>recipes to B I G Man. Mary was there that

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<v Speaker 3>day as well. Right, Julia Mafia was on deck and

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<v Speaker 3>we was I think we had just came from Black

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<v Speaker 3>Moon video, so we had all camouflaged everything, but we

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<v Speaker 3>had light lights and flask and helmets and we're backstage

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<v Speaker 3>blowing it down. Julia Mafia and Buffers in the in

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<v Speaker 3>the cut just watching. So it was time for us

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<v Speaker 3>to go on and he's like, yo, man in the studio, Man,

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<v Speaker 3>we try to come come through.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 2>It was like, this is how does remix happen?

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<v Speaker 3>So y'all was in the club, Holy Mon Intrepid Ship,

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<v Speaker 3>so it was it was it was mass surreal, you know.

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<v Speaker 3>And then we got in the studio, and he was like,

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<v Speaker 3>you know, I don't I don't really get to see

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<v Speaker 3>all of the crazy, tough stories. Give thanks for that,

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<v Speaker 3>but the found Yeah, yeah, I mean we see his greatness.

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<v Speaker 3>I appreciate him for Hollow and that's at that day.

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<v Speaker 3>That's one of the biggest records everywhere we.

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<v Speaker 2>Go in the world.

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<v Speaker 1>Right here.

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<v Speaker 3>When you heard that beat for the first time, she

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<v Speaker 3>she she told us that was one of her favorite

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<v Speaker 3>remixes that she ever did.

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<v Speaker 1>But so so hold on, let me hear you out correctly.

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<v Speaker 1>You're telling me that there's a chance that if you

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<v Speaker 1>guys didn't go to that club that night and didn't.

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<v Speaker 2>See record when I happened just like that, just like that,

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<v Speaker 2>just like that.

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<v Speaker 3>It was just like, you know, like he was like

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<v Speaker 3>a genius, like a crazy genius is watching the play.

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<v Speaker 1>So you're telling me the beat wasn't wasn't up when

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<v Speaker 1>y'all came in, just basically vibed out when you got

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<v Speaker 1>to the studio.

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<v Speaker 3>I think that he had I think l was sitting

0:11:50.800 --> 0:11:53.160
<v Speaker 3>in there. I don't think it was playing when we.

0:11:53.000 --> 0:11:55.520
<v Speaker 1>When you say you're talking about but there's a lot of.

0:12:00.040 --> 0:12:10.840
<v Speaker 8>Nigga, man, we was like, what nineteen, I said, Nigga,

0:12:10.920 --> 0:12:12.960
<v Speaker 8>I won a hundred thousand.

0:12:14.360 --> 0:12:19.360
<v Speaker 1>Nigga said, what I don't get sunning up twenty five?

0:12:26.640 --> 0:12:28.400
<v Speaker 2>You got it? You got it.

0:12:29.120 --> 0:12:32.000
<v Speaker 1>So you guys all right now is marrying the studio?

0:12:32.640 --> 0:12:36.040
<v Speaker 3>No man then, because I can almost tell she wasn't.

0:12:36.320 --> 0:12:40.160
<v Speaker 1>Yeah listening to it because you'll just sounds so clean.

0:12:40.120 --> 0:12:41.959
<v Speaker 2>Now I was, it would have been too nervous.

0:12:42.000 --> 0:12:42.160
<v Speaker 3>Man.

0:12:43.400 --> 0:12:45.880
<v Speaker 2>Yeah, I mean for the first time.

0:12:46.160 --> 0:12:48.600
<v Speaker 6>Just well, last year we performed that ship for the

0:12:48.600 --> 0:12:50.160
<v Speaker 6>first time at the Barclays with her.

0:12:50.280 --> 0:12:55.200
<v Speaker 3>We're together on stage. Yeah, and brook that was that

0:12:55.320 --> 0:12:57.959
<v Speaker 3>was that was huge. That was Milestone ship right there,

0:12:58.640 --> 0:12:59.920
<v Speaker 3>the Energy show.

0:13:00.200 --> 0:13:02.200
<v Speaker 1>That was her. Okay, So how do you get this

0:13:02.280 --> 0:13:03.200
<v Speaker 1>call where y'all at.

0:13:03.640 --> 0:13:08.840
<v Speaker 6>Oh man, I'm in the crib and I think Drew

0:13:08.920 --> 0:13:11.600
<v Speaker 6>reached out to her, like, yo, somebody from Mary tem

0:13:11.640 --> 0:13:15.000
<v Speaker 6>I want to know if y'all want to do the.

0:13:13.960 --> 0:13:14.840
<v Speaker 2>Balclays with her?

0:13:15.360 --> 0:13:21.079
<v Speaker 1>Like what what? What time you need to that's the question.

0:13:21.440 --> 0:13:24.000
<v Speaker 2>God damn, we just rocked out, so no, hears was

0:13:24.040 --> 0:13:27.640
<v Speaker 2>just straight on. God damn, y'all perform the record.

0:13:28.960 --> 0:13:31.920
<v Speaker 6>I mean, we perform it, but this is the first

0:13:31.920 --> 0:13:34.559
<v Speaker 6>time that we with her with her, yeah, right, you.

0:13:34.520 --> 0:13:35.440
<v Speaker 2>Know that balklaship.

0:13:35.480 --> 0:13:38.479
<v Speaker 6>They be like sound checked like four thirty in the afternoons,

0:13:38.720 --> 0:13:41.280
<v Speaker 6>they'll be moving around doing other ship, right.

0:13:41.440 --> 0:13:44.480
<v Speaker 3>So it was it was, it was. It was intimidating, though, bro,

0:13:44.640 --> 0:13:47.040
<v Speaker 3>I ain't gonna lie. It was intimidating absolutely. Man, of

0:13:47.040 --> 0:13:48.319
<v Speaker 3>course I love.

0:13:48.600 --> 0:13:48.839
<v Speaker 1>I love.

0:13:49.559 --> 0:13:50.959
<v Speaker 2>I mean, come on, man, that's the queen.

0:13:51.000 --> 0:13:51.160
<v Speaker 1>Man.

0:13:51.160 --> 0:13:53.560
<v Speaker 3>It's like, you know, don't act like that's like. I mean,

0:13:53.600 --> 0:13:55.240
<v Speaker 3>you see dudes do it all the time. I see

0:13:55.320 --> 0:13:58.000
<v Speaker 3>Jada and and and sees up there. I'm like all

0:13:58.160 --> 0:13:59.800
<v Speaker 3>these guys, it's like clockwork with them.

0:13:59.840 --> 0:14:00.000
<v Speaker 1>Man.

0:14:00.080 --> 0:14:04.600
<v Speaker 3>Yeah, I felt like I needed like mad water. You

0:14:04.640 --> 0:14:06.440
<v Speaker 3>get that little right before the show, you get that

0:14:06.440 --> 0:14:09.160
<v Speaker 3>little lightheaded this. I'm like, man, I started to walk away.

0:14:09.360 --> 0:14:10.920
<v Speaker 3>My shorty was like, Yo, where you going. You need

0:14:10.920 --> 0:14:14.800
<v Speaker 3>to be right here. We're like all relax, relaxed in

0:14:14.880 --> 0:14:19.600
<v Speaker 3>minority relax. But it was amazing, man. It was beautiful.

0:14:19.640 --> 0:14:19.880
<v Speaker 1>Man.

0:14:20.080 --> 0:14:22.480
<v Speaker 3>She was jamming with us. Man, her spirit is incredible.

0:14:22.680 --> 0:14:24.200
<v Speaker 3>Record What year was that recorded?

0:14:25.120 --> 0:14:25.200
<v Speaker 1>What?

0:14:25.440 --> 0:14:26.920
<v Speaker 2>Nine six nine six?

0:14:27.720 --> 0:14:34.080
<v Speaker 1>That was like five nine six because buff was on

0:14:34.200 --> 0:14:35.040
<v Speaker 1>the run with the.

0:14:35.000 --> 0:14:36.960
<v Speaker 2>Macause that's coming right out of uptown.

0:14:37.000 --> 0:14:39.720
<v Speaker 1>That's what that named Queen hip hop bar being started

0:14:39.760 --> 0:14:42.480
<v Speaker 1>coming from. You know, I always say both two years

0:14:42.480 --> 0:14:45.040
<v Speaker 1>together because what I remember is back then we used

0:14:45.040 --> 0:14:49.360
<v Speaker 1>to record a record and we had on what was

0:14:49.400 --> 0:14:53.400
<v Speaker 1>it for the little Dwarfs rails and rails? You have

0:14:53.480 --> 0:14:54.880
<v Speaker 1>to you have to you have to be a shape

0:14:54.880 --> 0:14:57.400
<v Speaker 1>that have a rail. That shit was like fifty pounds.

0:14:57.360 --> 0:14:59.880
<v Speaker 6>You're like this and you had to know your verse,

0:15:00.120 --> 0:15:05.680
<v Speaker 6>believe it was real. Ain't no punch, No we want

0:15:05.720 --> 0:15:06.040
<v Speaker 6>to take.

0:15:06.360 --> 0:15:08.920
<v Speaker 3>That didn't change the d MX right, DMX broke that

0:15:09.080 --> 0:15:11.640
<v Speaker 3>moll Really, I didn't know that when he dropped, like

0:15:11.880 --> 0:15:15.120
<v Speaker 3>uh an album, like two albums in one year or

0:15:15.160 --> 0:15:15.760
<v Speaker 3>some ship.

0:15:15.560 --> 0:15:18.800
<v Speaker 2>Like that, I thought you meant the digital time frame,

0:15:19.000 --> 0:15:19.880
<v Speaker 2>your time frames.

0:15:20.080 --> 0:15:22.200
<v Speaker 3>Yeah, but that year I think like for us, like

0:15:22.320 --> 0:15:25.640
<v Speaker 3>Non six, after after all of that ship, it started

0:15:25.640 --> 0:15:27.640
<v Speaker 3>getting crazy for us, like a lot of things start

0:15:27.680 --> 0:15:31.040
<v Speaker 3>getting WOWD. So Non seven we might have been on

0:15:31.720 --> 0:15:36.000
<v Speaker 3>WINU Yeah, nuts man. We didn't come back on saying

0:15:36.000 --> 0:15:39.600
<v Speaker 3>to well No. Seven nine eight with the second album which.

0:15:39.480 --> 0:15:40.920
<v Speaker 1>Was you know you said lost it with the name

0:15:41.080 --> 0:15:42.840
<v Speaker 1>was hold onld On. I want to get, I want

0:15:42.840 --> 0:15:43.760
<v Speaker 1>to want to.

0:15:43.680 --> 0:15:46.480
<v Speaker 7>Get before we leave that record? Who produced that record?

0:15:47.120 --> 0:15:48.480
<v Speaker 7>Do you remember the remix?

0:15:48.560 --> 0:15:55.800
<v Speaker 1>The marriag nigga. I don't even know what ca.

0:15:57.760 --> 0:16:01.760
<v Speaker 3>Yeah, whoever other, but there's me and him. You know,

0:16:01.800 --> 0:16:03.960
<v Speaker 3>we got a camper gut. He had a camper producer.

0:16:04.040 --> 0:16:07.480
<v Speaker 3>So it's no telling who really wasn't programmers but hip

0:16:07.520 --> 0:16:10.320
<v Speaker 3>hop do that revolution? Yeah man, we was young man.

0:16:10.320 --> 0:16:14.240
<v Speaker 3>We was wrapping our hoods blocks. We really believed ship.

0:16:14.280 --> 0:16:17.440
<v Speaker 3>We were saying so. But like anybody said against anything

0:16:17.480 --> 0:16:22.040
<v Speaker 3>that we was thinking, we looked at the enemies, right,

0:16:22.320 --> 0:16:22.920
<v Speaker 3>that's crazy.

0:16:23.160 --> 0:16:29.320
<v Speaker 1>But also we got component's gonna have to guess studio.

0:16:31.400 --> 0:16:39.040
<v Speaker 1>Holy moly, guam y'all. Oh man, what happened now with

0:16:40.000 --> 0:16:41.600
<v Speaker 1>Oh you want me to flip po.

0:16:43.280 --> 0:16:46.360
<v Speaker 2>Damn? You got the best chair in us. You didn't

0:16:46.360 --> 0:16:47.520
<v Speaker 2>have to do all that right now?

0:16:48.680 --> 0:16:53.360
<v Speaker 1>Ambasket door Queen's ambassat door. I don't know. I'm gonna

0:16:53.360 --> 0:16:57.000
<v Speaker 1>be honest with you. When when when Compone, when we

0:16:57.000 --> 0:16:59.640
<v Speaker 1>was calling Pons in jail, Then when I came home,

0:17:00.440 --> 0:17:03.680
<v Speaker 1>I went to Capone's hood to find him. I can't

0:17:03.720 --> 0:17:08.919
<v Speaker 1>find Copone. He had got into some ship. Right. I

0:17:08.960 --> 0:17:11.920
<v Speaker 1>think the guy name is Pat Pool. I'm just crazy

0:17:12.119 --> 0:17:16.400
<v Speaker 1>rite whatever. Yeah, well no, but not that Pat Pool.

0:17:16.640 --> 0:17:20.200
<v Speaker 1>But so where I had to go see Capone was

0:17:20.560 --> 0:17:30.160
<v Speaker 1>in Brooklyn. Compons and half of Brooklyn nigga. I used

0:17:30.160 --> 0:17:33.440
<v Speaker 1>to have to go see this nigga in Brooklyn. Each

0:17:33.440 --> 0:17:35.280
<v Speaker 1>other brother.

0:17:37.119 --> 0:17:39.040
<v Speaker 2>Jerk Chicken today.

0:17:40.080 --> 0:17:40.520
<v Speaker 1>Too far.

0:17:43.680 --> 0:17:46.359
<v Speaker 3>We always seld that that's not Brooklyn loving me.

0:17:46.680 --> 0:17:48.320
<v Speaker 1>I ain't gonna lie to you. Let me tell you something.

0:17:48.440 --> 0:17:52.960
<v Speaker 1>We had cane here the other day. We've been on

0:17:53.040 --> 0:17:56.240
<v Speaker 1>Brooklyn Street, Brooklyn Street, and one thing about Brooklyn, Yo,

0:17:56.400 --> 0:17:59.439
<v Speaker 1>let me just tell ya something, y'all. The most prideful

0:17:59.600 --> 0:18:06.119
<v Speaker 1>people on special lens like beyond beyond New Yorkers, you know,

0:18:06.280 --> 0:18:12.040
<v Speaker 1>New York, New York, like battle on New York in pride,

0:18:12.480 --> 0:18:16.560
<v Speaker 1>and I think might win. Like everything. I'm looking at kid,

0:18:16.600 --> 0:18:18.679
<v Speaker 1>and I'm looking at that special ad. They can't go

0:18:18.760 --> 0:18:23.840
<v Speaker 1>against Brooklyn for you say, you say, they don't even

0:18:23.880 --> 0:18:29.600
<v Speaker 1>say their name, they just say Brooklyn, Brooklyn. I remember

0:18:29.720 --> 0:18:32.159
<v Speaker 1>at one point in life, I swear to God like

0:18:32.359 --> 0:18:35.160
<v Speaker 1>ef N e FN discusses this a lot, and they

0:18:35.200 --> 0:18:37.800
<v Speaker 1>say a lot of times how the South and people

0:18:37.960 --> 0:18:39.800
<v Speaker 1>like kind of like, I don't want to say hate

0:18:39.840 --> 0:18:41.679
<v Speaker 1>on New York, but they kind of was like, you know,

0:18:41.720 --> 0:18:45.120
<v Speaker 1>New York and are arrogance. At one point, at one point.

0:18:45.119 --> 0:18:48.040
<v Speaker 1>And I will admit this. I will admit this, at

0:18:48.080 --> 0:18:51.679
<v Speaker 1>one point, no matter where I went, no matter where

0:18:51.720 --> 0:18:55.119
<v Speaker 1>I went, if I wasn't rocking the crowd or the

0:18:55.119 --> 0:18:59.280
<v Speaker 1>crowd wasn't rocking. At one point in my career, Brooklyn,

0:18:59.480 --> 0:19:06.359
<v Speaker 1>I can say remember that.

0:19:10.560 --> 0:19:17.840
<v Speaker 3>It worked too well. Yeah everywhere as well, by the way,

0:19:17.960 --> 0:19:23.800
<v Speaker 3>and it's yeah, yeah, yeah, they're.

0:19:22.560 --> 0:19:24.439
<v Speaker 1>Gonna just crack the rest of the crowd. They're like

0:19:24.480 --> 0:19:26.680
<v Speaker 1>they are to ill, just be honest. And they got

0:19:26.680 --> 0:19:29.119
<v Speaker 1>to make your belt off one of them niggas.

0:19:29.400 --> 0:19:32.240
<v Speaker 4>You make your belt off Ja making belt lifted it

0:19:32.280 --> 0:19:35.320
<v Speaker 4>out too half and half.

0:19:38.560 --> 0:19:39.560
<v Speaker 1>To make you niggas.

0:19:42.760 --> 0:19:43.840
<v Speaker 2>Holy sid I got Hi.

0:19:44.119 --> 0:19:45.000
<v Speaker 1>I got that.

0:19:45.080 --> 0:19:47.480
<v Speaker 2>Niggas got me Hi, Holy ship Holy.

0:19:47.600 --> 0:19:48.760
<v Speaker 1>It is crazy making best.

0:19:49.119 --> 0:19:50.160
<v Speaker 2>Yeah, that Jamaicing belt.

0:19:52.200 --> 0:19:56.040
<v Speaker 1>I had Jamaica belt travel Fox and jumps told you

0:19:56.920 --> 0:19:59.320
<v Speaker 1>the niggas that I was. I was also in for

0:19:59.400 --> 0:19:59.800
<v Speaker 1>a minute.

0:19:59.840 --> 0:20:04.800
<v Speaker 2>I than everything was flattening side.

0:20:04.920 --> 0:20:09.880
<v Speaker 4>Yeah, I was in nicety the ways in the brown.

0:20:12.240 --> 0:20:13.680
<v Speaker 1>That's our Brooklyn brother too.

0:20:13.800 --> 0:20:16.400
<v Speaker 4>Flush I swim and Bessie had pool man, you gotta

0:20:16.400 --> 0:20:19.879
<v Speaker 4>be a I swim past ship that's the pool.

0:20:20.000 --> 0:20:22.400
<v Speaker 1>Literally Bessie had that body part.

0:20:22.640 --> 0:20:26.600
<v Speaker 2>Laterally, Yeah that was kidney floating, and next.

0:20:28.600 --> 0:20:29.320
<v Speaker 1>The whole body.

0:20:29.320 --> 0:20:30.520
<v Speaker 2>And then what do y'all.

0:20:30.359 --> 0:20:32.760
<v Speaker 1>Think about hip hop turning fifty years old?

0:20:33.720 --> 0:20:37.960
<v Speaker 6>It's beautiful, man, It's something to celebrate.

0:20:38.160 --> 0:20:39.480
<v Speaker 1>First of all, because.

0:20:40.080 --> 0:20:43.640
<v Speaker 6>None of us in this room, right we'll be here,

0:20:44.000 --> 0:20:45.879
<v Speaker 6>thought we will even see fifty. A lot of us

0:20:45.880 --> 0:20:48.120
<v Speaker 6>didn't think we would make it to see sixteen, right

0:20:48.320 --> 0:20:52.760
<v Speaker 6>twenty one. Now for the ship that keeps us moving

0:20:52.800 --> 0:20:55.879
<v Speaker 6>around the world, our families fed and eight to be

0:20:55.960 --> 0:20:58.840
<v Speaker 6>fifty and it's celebrated with your pears and accepted by

0:20:58.840 --> 0:20:59.280
<v Speaker 6>your pears.

0:20:59.320 --> 0:21:03.760
<v Speaker 1>Is it's incredible, man, Something to appreciate it? You need

0:21:03.800 --> 0:21:04.879
<v Speaker 1>another fifty joints.

0:21:05.000 --> 0:21:07.280
<v Speaker 3>I think it's it's it's it's a it's like a

0:21:07.359 --> 0:21:11.000
<v Speaker 3>kicking the balls to the establishment, you know what I'm saying. Like,

0:21:11.440 --> 0:21:14.800
<v Speaker 3>you got these ghetto kids, you know, most of them

0:21:14.800 --> 0:21:20.280
<v Speaker 3>with no education, like no real formal education past high school,

0:21:20.320 --> 0:21:24.800
<v Speaker 3>sometimes public school, sometimes you know, intermediate school. And they

0:21:24.880 --> 0:21:32.440
<v Speaker 3>become millionaires, billionaires, owning companies, running companies, monguls, buying houses,

0:21:32.520 --> 0:21:35.480
<v Speaker 3>expensive cars and they and you know, these people got

0:21:35.480 --> 0:21:38.080
<v Speaker 3>to be like wow by that. You know, we come

0:21:38.119 --> 0:21:43.640
<v Speaker 3>from Queensland, but brown's no projects. It got to be intimidating.

0:21:43.720 --> 0:21:46.800
<v Speaker 3>So yeah, I mean, lookten we when you think about it,

0:21:46.840 --> 0:21:48.800
<v Speaker 3>you give these people a chance. You give these young

0:21:48.800 --> 0:21:51.600
<v Speaker 3>ghetto youths a chance. These men, women and children are

0:21:51.760 --> 0:21:55.120
<v Speaker 3>chance and you can see some You'll see some great

0:21:55.160 --> 0:21:58.240
<v Speaker 3>things being made. Well, I'm glad. I'm grateful to be

0:21:58.280 --> 0:22:00.960
<v Speaker 3>a part of that story. That journey is incredible. Salute

0:22:01.000 --> 0:22:04.320
<v Speaker 3>to all the pioneers and particularly the ones that we

0:22:04.400 --> 0:22:08.440
<v Speaker 3>lost alone. This journey that kicked down doors for us

0:22:08.480 --> 0:22:10.880
<v Speaker 3>to be able to sit at this table and talk

0:22:10.960 --> 0:22:11.760
<v Speaker 3>some real ship.

0:22:12.240 --> 0:22:13.600
<v Speaker 2>You know what I'm saying, break Brad.

0:22:14.000 --> 0:22:15.879
<v Speaker 1>We had we had we had two booklyn niggas on

0:22:15.920 --> 0:22:17.760
<v Speaker 1>here recently, like we just said, we had a special

0:22:17.760 --> 0:22:20.240
<v Speaker 1>ad and we had Kine. But Daddy Kane was like,

0:22:20.280 --> 0:22:20.800
<v Speaker 1>word it up.

0:22:20.880 --> 0:22:21.640
<v Speaker 2>I love those guys.

0:22:21.640 --> 0:22:22.399
<v Speaker 1>He was like, word it up.

0:22:22.440 --> 0:22:22.880
<v Speaker 2>Hip hop.

0:22:24.280 --> 0:22:24.439
<v Speaker 3>Was like.

0:22:28.119 --> 0:22:38.960
<v Speaker 1>Nobody to me, that's smoother than crazy hip hop is.

0:22:39.640 --> 0:22:44.120
<v Speaker 1>I'm I'm hitting poem because I think he was going

0:22:44.160 --> 0:22:47.359
<v Speaker 1>to the show. I think it was this time or

0:22:47.400 --> 0:22:49.359
<v Speaker 1>maybe this was the day before. So I see a

0:22:49.359 --> 0:22:52.640
<v Speaker 1>picture with you and him and I'm like, yo, like, oh,

0:22:52.800 --> 0:22:54.800
<v Speaker 1>let me holler, and I hit you and then I

0:22:54.880 --> 0:22:57.560
<v Speaker 1>hit Kane because I'm here picture you and I seen

0:22:57.600 --> 0:23:03.760
<v Speaker 1>the picture of you and Kinge and know everybody like yo.

0:23:04.119 --> 0:23:06.879
<v Speaker 1>But like I said, there's two different opinions that we

0:23:07.080 --> 0:23:09.320
<v Speaker 1>just have recently, both from Brooklyn brothers. So I would

0:23:09.320 --> 0:23:12.680
<v Speaker 1>like be all to split their opinion because Kane on

0:23:12.680 --> 0:23:15.000
<v Speaker 1>one half, it's like, yo, as long as everyone's getting paid,

0:23:15.000 --> 0:23:17.840
<v Speaker 1>as long as everyone's being seen, everyone is being beneficial

0:23:17.880 --> 0:23:20.439
<v Speaker 1>to it, it's cool. Especially Had on the other hand.

0:23:20.320 --> 0:23:23.280
<v Speaker 2>It was like fuck that establishment.

0:23:24.800 --> 0:23:31.520
<v Speaker 1>Appropriated, was like funk that no one is they disrespecting

0:23:31.560 --> 0:23:33.679
<v Speaker 1>the ogs. They putting the ogs on early.

0:23:33.920 --> 0:23:37.160
<v Speaker 2>They're doing that. He had particular he had a particular

0:23:38.040 --> 0:23:41.159
<v Speaker 2>all he knew. I think Kane said the same thing

0:23:41.200 --> 0:23:41.359
<v Speaker 2>to know.

0:23:41.480 --> 0:23:43.560
<v Speaker 1>King King said the only thing about the ogs, that's it.

0:23:43.640 --> 0:23:45.760
<v Speaker 1>That's everything else here is kind of what Well, how

0:23:45.800 --> 0:23:46.840
<v Speaker 1>do y'all feel like?

0:23:48.000 --> 0:23:49.040
<v Speaker 2>That's a jerky one, right?

0:23:50.240 --> 0:23:53.280
<v Speaker 3>I mean we've been through all types of versions, man Like,

0:23:53.280 --> 0:23:55.120
<v Speaker 3>like we when we go out in the field, it's

0:23:55.119 --> 0:23:56.720
<v Speaker 3>like we we sold up.

0:23:57.400 --> 0:23:58.560
<v Speaker 2>Like we've been at the shows.

0:23:58.560 --> 0:24:01.640
<v Speaker 3>We've been first, we've been last as headlining, we've been

0:24:01.640 --> 0:24:04.199
<v Speaker 3>in the middle. We had our time cut, you know,

0:24:04.280 --> 0:24:06.919
<v Speaker 3>we had to go longer, like you know, depending on

0:24:07.000 --> 0:24:10.280
<v Speaker 3>the crowd we could turn up. I mean we've stood

0:24:10.359 --> 0:24:12.719
<v Speaker 3>on type of top of scaffolds. We've been in a

0:24:12.760 --> 0:24:17.679
<v Speaker 3>small cubby hole club. We've stood on tables, we've we've

0:24:17.800 --> 0:24:20.840
<v Speaker 3>we've hoard ourselves for him. You know what I'm saying.

0:24:20.880 --> 0:24:23.040
<v Speaker 3>We will mutt it out. We smut it out, you

0:24:23.080 --> 0:24:25.920
<v Speaker 3>know what I mean. So it's like sometimes we take

0:24:25.920 --> 0:24:29.119
<v Speaker 3>our punches and specially like I think that it's like

0:24:29.160 --> 0:24:31.080
<v Speaker 3>a fighter, Like the more fights you have, the more

0:24:31.119 --> 0:24:33.600
<v Speaker 3>seasons you feel. I don'tly be tripping, not me personally,

0:24:33.960 --> 0:24:36.000
<v Speaker 3>I don't be tripping. And I'm grateful to have a

0:24:36.040 --> 0:24:38.280
<v Speaker 3>partner like Tech because we don't get into that.

0:24:38.320 --> 0:24:39.879
<v Speaker 2>We don't be backstays like yo, man, what is this?

0:24:40.280 --> 0:24:40.880
<v Speaker 2>What's this ship?

0:24:41.000 --> 0:24:41.160
<v Speaker 1>Man?

0:24:41.240 --> 0:24:44.199
<v Speaker 3>Like, just have what we need to have backstage and

0:24:44.240 --> 0:24:46.480
<v Speaker 3>were good money. We're gonna go and perform like it's

0:24:46.480 --> 0:24:50.959
<v Speaker 3>a like it's a stadium. Every time. We're gonna give

0:24:51.000 --> 0:24:53.560
<v Speaker 3>you a show. Hopefully when we leave, you're gonna want

0:24:53.560 --> 0:24:56.800
<v Speaker 3>to book us again. We're trying to take all the bags,

0:24:56.840 --> 0:25:00.520
<v Speaker 3>like we're taking all bets, you know. I mean, we're

0:25:00.560 --> 0:25:02.680
<v Speaker 3>not turning down no money and not saying like we

0:25:02.680 --> 0:25:05.200
<v Speaker 3>we with anything. We just crumb snatching. But I think

0:25:05.240 --> 0:25:07.600
<v Speaker 3>that just to have an opportunity to make money from

0:25:07.640 --> 0:25:09.840
<v Speaker 3>something that you do for free, like we do this

0:25:09.880 --> 0:25:12.720
<v Speaker 3>because we love it, right, that's what we're saying. Of

0:25:12.760 --> 0:25:14.960
<v Speaker 3>course we can make money off We've seen that, we've

0:25:14.960 --> 0:25:17.080
<v Speaker 3>shown improved that we can be entrepreneurs.

0:25:17.359 --> 0:25:20.119
<v Speaker 2>So it's like I can hear what dudes right?

0:25:20.200 --> 0:25:22.320
<v Speaker 3>Bad because when you deal with politics and you got

0:25:22.359 --> 0:25:24.720
<v Speaker 3>all these different artists, man, it's a lot of us.

0:25:24.760 --> 0:25:26.640
<v Speaker 2>Bro it's a lot.

0:25:26.680 --> 0:25:30.080
<v Speaker 3>And everybody got like how homies say, we got some

0:25:30.119 --> 0:25:31.680
<v Speaker 3>ship to say, you know what I mean?

0:25:31.760 --> 0:25:33.320
<v Speaker 2>Everybody got some ship, you.

0:25:33.280 --> 0:25:36.399
<v Speaker 1>Know what it is. I think this person had a

0:25:36.440 --> 0:25:38.960
<v Speaker 1>lot of money that put the show together, and I

0:25:38.960 --> 0:25:40.919
<v Speaker 1>think that he wanted they wanted to and what they

0:25:41.000 --> 0:25:43.960
<v Speaker 1>were doing was like when they booked Trina.

0:25:43.880 --> 0:25:45.480
<v Speaker 2>They thought that that covered the whole.

0:25:45.240 --> 0:25:51.800
<v Speaker 3>South, so they dog Snoop b Waring and brung out

0:25:52.320 --> 0:25:53.000
<v Speaker 3>too short.

0:25:53.160 --> 0:25:56.000
<v Speaker 1>But in that person's mind who booked Snoop Dogg, they

0:25:56.080 --> 0:25:58.080
<v Speaker 1>was thinking that takes care of the whole West Coast.

0:25:58.480 --> 0:26:00.320
<v Speaker 1>And there's people like you know what I mean who

0:26:00.320 --> 0:26:02.359
<v Speaker 1>can have their gripes. You know.

0:26:02.440 --> 0:26:06.640
<v Speaker 3>That's why that's like Jam and his grapes like there

0:26:06.720 --> 0:26:08.840
<v Speaker 3>was no one from was on.

0:26:08.840 --> 0:26:15.600
<v Speaker 1>That that's going on in Atlanta, Like you know, like.

0:26:15.520 --> 0:26:18.520
<v Speaker 4>It's no but who thought is that? That's their fault?

0:26:18.960 --> 0:26:20.920
<v Speaker 4>That's that's their fault. That ain't now, faul that ain't

0:26:21.080 --> 0:26:23.320
<v Speaker 4>you know, because you got to realize when hip hop started.

0:26:23.680 --> 0:26:27.199
<v Speaker 1>So we're celeb like you because of the celebration.

0:26:27.680 --> 0:26:33.080
<v Speaker 4>It is our baby, your baby, but everybody's involved.

0:26:33.119 --> 0:26:34.440
<v Speaker 1>But this is our baby, right.

0:26:34.600 --> 0:26:36.120
<v Speaker 2>I think each region should do their own.

0:26:36.800 --> 0:26:40.720
<v Speaker 6>You can't be mad at another city because your promoters

0:26:40.760 --> 0:26:43.760
<v Speaker 6>didn't come together and for the spot and bro artists did.

0:26:44.160 --> 0:26:46.119
<v Speaker 3>Right, how are you talking about? I can see where

0:26:46.119 --> 0:26:49.920
<v Speaker 3>guy's going. All right, we don't get the support because

0:26:49.920 --> 0:26:53.560
<v Speaker 3>you're thinking about the sponsors, like these guys got this

0:26:53.680 --> 0:26:55.879
<v Speaker 3>that the third so we're able to get the stadium

0:26:55.920 --> 0:26:58.439
<v Speaker 3>and book it out and you know, I don't I

0:26:58.480 --> 0:27:02.359
<v Speaker 3>don't forget about the you know you we do know

0:27:02.400 --> 0:27:05.359
<v Speaker 3>it's a monopoly. We know that, and we know certain

0:27:05.400 --> 0:27:07.760
<v Speaker 3>names we at the top of that top of that.

0:27:07.760 --> 0:27:10.040
<v Speaker 3>That that wrong when when you're dealing with that monopoly,

0:27:10.440 --> 0:27:12.480
<v Speaker 3>and I mean you got to hustle, man, it's no

0:27:12.640 --> 0:27:13.760
<v Speaker 3>really way to say it.

0:27:13.760 --> 0:27:16.840
<v Speaker 6>But that's everything in life though, right, that's it's like

0:27:17.080 --> 0:27:19.800
<v Speaker 6>it's like not the country. It's like when you make

0:27:20.000 --> 0:27:23.160
<v Speaker 6>bonds and this ship, like you you never know what

0:27:23.200 --> 0:27:25.200
<v Speaker 6>that next person is. He could be the owner of

0:27:25.240 --> 0:27:27.560
<v Speaker 6>the clubs. And once you're an artist and you you

0:27:27.640 --> 0:27:30.440
<v Speaker 6>have a bond, you meeting that artist, that owner, you

0:27:30.560 --> 0:27:33.240
<v Speaker 6>booking yourself there. You now you're wearing more hats, you're

0:27:33.240 --> 0:27:36.840
<v Speaker 6>taking more control of your career. So it's it's really

0:27:36.880 --> 0:27:38.840
<v Speaker 6>like you said, a hustling for us to get out there,

0:27:38.880 --> 0:27:41.040
<v Speaker 6>and really you want to get it and live.

0:27:40.920 --> 0:27:44.439
<v Speaker 4>It and you know it comes from fifty not to

0:27:44.480 --> 0:27:47.200
<v Speaker 4>catch your wisdom. But that ship was like the stimulus

0:27:47.320 --> 0:27:50.200
<v Speaker 4>check for for all hip hop artists because that's what

0:27:50.640 --> 0:27:56.040
<v Speaker 4>everybody has made everybody hot. It made everybody everybody.

0:27:56.320 --> 0:27:59.800
<v Speaker 1>It's positive and if you wasn't moving, if you ain't

0:27:59.800 --> 0:28:02.760
<v Speaker 1>had emotion for that whole joint, you can't really expect

0:28:02.760 --> 0:28:05.000
<v Speaker 1>to get a call just because it's like.

0:28:06.920 --> 0:28:09.080
<v Speaker 2>There's too many artists that you can't include everybody.

0:28:09.720 --> 0:28:12.160
<v Speaker 3>It's crazy, man, like you it what's crazy is that

0:28:13.320 --> 0:28:16.439
<v Speaker 3>you can have you could have a different concert a

0:28:16.560 --> 0:28:21.639
<v Speaker 3>month and not double book like it's that many artists

0:28:21.680 --> 0:28:23.240
<v Speaker 3>like you could pull artists from and.

0:28:23.200 --> 0:28:26.280
<v Speaker 1>You have you could and not cover everybody. You're still

0:28:26.320 --> 0:28:27.080
<v Speaker 1>missing somebody.

0:28:27.560 --> 0:28:30.080
<v Speaker 3>Would it be a dope joint? Though there's a lot

0:28:30.080 --> 0:28:33.240
<v Speaker 3>of corny mon. This is the scared You can't just

0:28:33.359 --> 0:28:36.480
<v Speaker 3>lead them out now. Well, yeah, hip hop we raised some,

0:28:36.600 --> 0:28:38.920
<v Speaker 3>We raised some some some garbage spelled kids.

0:28:38.920 --> 0:28:39.240
<v Speaker 1>For sure.

0:28:39.280 --> 0:28:45.120
<v Speaker 4>Everybody got learn that like somebody likes somebody, but.

0:28:45.160 --> 0:28:46.080
<v Speaker 2>Then I like it, that's what.

0:28:46.280 --> 0:28:48.400
<v Speaker 3>But they get scary because you're gonna have somebody that's

0:28:48.400 --> 0:28:49.520
<v Speaker 3>gonna be a gatekeeper of that.

0:28:49.600 --> 0:28:52.120
<v Speaker 2>How we how do we how do we real dictate

0:28:52.200 --> 0:28:52.600
<v Speaker 2>that ship?

0:28:52.680 --> 0:28:55.640
<v Speaker 3>Or we just have cats just doing shows and everybody

0:28:55.760 --> 0:28:59.040
<v Speaker 3>slap fifty year, fifty years, stamp on it and like

0:28:59.080 --> 0:29:01.640
<v Speaker 3>that because it's somebody right now in the hood going yoh,

0:29:01.760 --> 0:29:14.440
<v Speaker 3>rep in the hood fifty on Franklin Avenue.

0:29:10.640 --> 0:29:12.320
<v Speaker 2>And we get the same ship with dream chance.

0:29:12.360 --> 0:29:14.440
<v Speaker 1>People mad about who we have and who we don't

0:29:14.440 --> 0:29:18.840
<v Speaker 1>have and knowing, understanding, seeing. But staying on that subject,

0:29:19.080 --> 0:29:22.280
<v Speaker 1>I believe that we should celebrate every year like we should.

0:29:22.440 --> 0:29:24.880
<v Speaker 1>It should be it should be a version of hip

0:29:24.920 --> 0:29:27.240
<v Speaker 1>hop fifty one every single year. A lot of people

0:29:27.440 --> 0:29:32.320
<v Speaker 1>blame massive pill. There's great people, and I believe Massive

0:29:32.560 --> 0:29:35.640
<v Speaker 1>partnered up with with somebody like and so I don't

0:29:35.640 --> 0:29:38.160
<v Speaker 1>believe that they was the blame. And again like you're

0:29:38.160 --> 0:29:39.000
<v Speaker 1>just one concert.

0:29:39.600 --> 0:29:41.760
<v Speaker 3>Them say at the end he wanted to do it

0:29:41.800 --> 0:29:45.120
<v Speaker 3>every year or some ship when he was warmping off

0:29:45.120 --> 0:29:46.960
<v Speaker 3>the stages like yeah, I'm.

0:29:46.800 --> 0:29:47.880
<v Speaker 2>Going to do this like every year.

0:29:48.160 --> 0:29:51.040
<v Speaker 1>Oh hell yeah, well that I remember.

0:29:51.280 --> 0:29:53.320
<v Speaker 7>One of the things special that was really upset about

0:29:53.440 --> 0:29:55.840
<v Speaker 7>was he's saying the ticket prices. He's saying it should

0:29:55.840 --> 0:29:58.600
<v Speaker 7>have been a free concert. Artists get paid, but the

0:29:58.640 --> 0:29:59.880
<v Speaker 7>people that go there should be.

0:30:00.040 --> 0:30:02.120
<v Speaker 3>That was just heard that. I heard that. I heard

0:30:02.200 --> 0:30:04.840
<v Speaker 3>that too. But that's arguable though, Like you can't say that. Man,

0:30:08.000 --> 0:30:08.800
<v Speaker 3>Let's say it's.

0:30:08.640 --> 0:30:10.800
<v Speaker 4>Still got your music for free prices fifty years.

0:30:10.840 --> 0:30:12.160
<v Speaker 2>It's still money from somewhere.

0:30:12.240 --> 0:30:14.160
<v Speaker 3>Everybody, Come on, look at that, Look at the stage,

0:30:14.200 --> 0:30:15.960
<v Speaker 3>look at the setup, like you got to pay people,

0:30:16.640 --> 0:30:19.320
<v Speaker 3>Like it's arguable, man, you gotta like even when you

0:30:19.360 --> 0:30:22.960
<v Speaker 3>have vendors like we we actually did a show in

0:30:23.080 --> 0:30:25.240
<v Speaker 3>oh man, I want to say it was Italy or

0:30:25.320 --> 0:30:29.200
<v Speaker 3>Spain or something like that, and it was a free concert, right,

0:30:29.600 --> 0:30:30.680
<v Speaker 3>it was a block party.

0:30:31.560 --> 0:30:32.440
<v Speaker 1>It was it was.

0:30:32.840 --> 0:30:36.640
<v Speaker 3>It was fantastic because it makes you feel like home.

0:30:36.720 --> 0:30:38.520
<v Speaker 3>You know what I'm saying, Like when you in Queensbridge

0:30:38.520 --> 0:30:40.880
<v Speaker 3>and you like, you know the hood, is there everybody

0:30:40.920 --> 0:30:43.320
<v Speaker 3>that's that don't normally get to go to the concerts?

0:30:43.400 --> 0:30:46.120
<v Speaker 3>Is there some kind of way these guys found a

0:30:46.120 --> 0:30:48.480
<v Speaker 3>way to pay for this? They got the they got

0:30:48.480 --> 0:30:55.480
<v Speaker 3>the real stage, they got a real set up, drug dealers.

0:30:57.240 --> 0:31:03.120
<v Speaker 9>But I got it.

0:31:03.960 --> 0:31:04.800
<v Speaker 2>You always got to do.

0:31:04.920 --> 0:31:08.160
<v Speaker 3>You always got some dudes pump faking in the hood

0:31:08.200 --> 0:31:10.480
<v Speaker 3>talking about throwing money and doing all of that, like

0:31:10.600 --> 0:31:13.400
<v Speaker 3>set up the concert like yo, salute, salute master p

0:31:13.680 --> 0:31:16.200
<v Speaker 3>Like back in the days when they had the million

0:31:16.280 --> 0:31:20.360
<v Speaker 3>Man March and in Harlem. He sponsored that. He put

0:31:20.360 --> 0:31:22.120
<v Speaker 3>money up to get the stage. I don't know no

0:31:22.360 --> 0:31:25.080
<v Speaker 3>other cats that did that. But he ain't want no

0:31:25.120 --> 0:31:25.680
<v Speaker 3>credit for it.

0:31:25.720 --> 0:31:26.800
<v Speaker 1>He ain't want that. He didn't want to.

0:31:27.360 --> 0:31:30.120
<v Speaker 3>You know, everybody got to you know, uh, pump fake

0:31:30.160 --> 0:31:32.280
<v Speaker 3>about what they got, what they spending, what they're breaking

0:31:32.320 --> 0:31:35.400
<v Speaker 3>off or whatever. Sponsored something in the hood like you know,

0:31:35.800 --> 0:31:38.320
<v Speaker 3>fifty centers another cat like this, something went back to

0:31:38.440 --> 0:31:41.040
<v Speaker 3>Queens and then something Queens like that's the stories that

0:31:41.080 --> 0:31:43.040
<v Speaker 3>we want to talk about fifty years later. We don't

0:31:43.040 --> 0:31:45.040
<v Speaker 3>want to talk about your man the money was right.

0:31:45.320 --> 0:31:46.440
<v Speaker 3>You know what's up with the promoter?

0:31:46.600 --> 0:31:46.760
<v Speaker 1>Man?

0:31:46.800 --> 0:31:49.480
<v Speaker 3>Turn my sound up? Like we're still talking about that.

0:31:49.600 --> 0:31:53.200
<v Speaker 3>I have to like, come on, son, like come on man,

0:31:53.440 --> 0:31:55.080
<v Speaker 3>like I see I see big that he can't do

0:31:55.120 --> 0:32:00.560
<v Speaker 3>a split the other day Gold come on, man, I.

0:32:03.480 --> 0:32:08.440
<v Speaker 2>Was on the side. Yeah, ship, we're gonna be like.

0:32:14.600 --> 0:32:18.040
<v Speaker 1>Side. We said, it's a lot of artists that's coming out.

0:32:18.240 --> 0:32:20.360
<v Speaker 4>It's fifty years but they've been on the stage in

0:32:20.440 --> 0:32:22.640
<v Speaker 4>twenty trying to perform.

0:32:22.800 --> 0:32:31.320
<v Speaker 1>Rusty that's when they came your mother gotta show a

0:32:31.600 --> 0:32:34.840
<v Speaker 1>week and Gen Wine they gotta show. They got the

0:32:34.840 --> 0:32:43.400
<v Speaker 1>same crowd. I'm just me. I'm just the last he

0:32:43.960 --> 0:32:46.360
<v Speaker 1>wanted to couldn't get up because because let's just be

0:32:46.400 --> 0:32:50.240
<v Speaker 1>clear why we're speaking about toys, Big Up Drake and

0:32:50.280 --> 0:32:53.360
<v Speaker 1>Big Up twenty one Savage, which is a phenomenal fucking tour.

0:32:53.440 --> 0:32:55.720
<v Speaker 1>But other than Drake and twenty one Savage, who I

0:32:55.720 --> 0:32:58.560
<v Speaker 1>don't considered Drake or twenty one Savage kind of knew anymore.

0:32:58.760 --> 0:33:01.360
<v Speaker 1>I believe they hit that ten more. Maam, big them

0:33:01.400 --> 0:33:04.480
<v Speaker 1>up and they towards phenomenal and they're doing it. But

0:33:04.600 --> 0:33:07.360
<v Speaker 1>other than them, you know what's the craziest to us

0:33:07.360 --> 0:33:09.160
<v Speaker 1>out there right now.

0:33:10.480 --> 0:33:13.560
<v Speaker 2>It's not it's not the Whu tang.

0:33:13.640 --> 0:33:15.480
<v Speaker 1>Like did you see it? Like that ship? Did you?

0:33:15.480 --> 0:33:16.480
<v Speaker 1>You ain't get to see it yet.

0:33:16.560 --> 0:33:16.600
<v Speaker 3>No.

0:33:16.720 --> 0:33:18.800
<v Speaker 2>I was trying to get us on it.

0:33:21.120 --> 0:33:25.480
<v Speaker 1>We're singing listen the crazy ship about it is. It's

0:33:25.640 --> 0:33:31.320
<v Speaker 1>one show, so you would think.

0:33:30.200 --> 0:33:31.240
<v Speaker 2>But it's not like that.

0:33:31.320 --> 0:33:33.480
<v Speaker 1>It's like so, I mean, I went to the one

0:33:33.520 --> 0:33:35.240
<v Speaker 1>in Paris. That was the only one I got.

0:33:35.160 --> 0:33:36.240
<v Speaker 2>A chance go with.

0:33:37.840 --> 0:33:40.560
<v Speaker 1>But I was sitting there. I thought I was late

0:33:40.600 --> 0:33:42.160
<v Speaker 1>because I was like, what the fuck? Why is it

0:33:42.200 --> 0:33:44.400
<v Speaker 1>like one? You know, I was on time, but it

0:33:44.480 --> 0:33:46.560
<v Speaker 1>was like, why is it just one person? And then

0:33:47.720 --> 0:33:51.400
<v Speaker 1>and I believe they did what's that ship? Nas?

0:33:51.440 --> 0:33:51.720
<v Speaker 2>Nigga?

0:33:51.800 --> 0:33:54.600
<v Speaker 1>Is the problem to the lights, camera, action, glamor glow.

0:33:54.800 --> 0:33:56.160
<v Speaker 1>So I was like, all right, cool, it is way

0:33:56.240 --> 0:33:59.200
<v Speaker 1>too early for ghost Face to come out. And then

0:33:59.280 --> 0:34:00.880
<v Speaker 1>ghost Face and then came out. I was like, wait

0:34:00.880 --> 0:34:03.480
<v Speaker 1>a minute, they tricking me, like this is this? Is

0:34:03.600 --> 0:34:07.160
<v Speaker 1>this the end of the show, and then disappears and

0:34:07.200 --> 0:34:10.320
<v Speaker 1>I said, oh ship, And I'm like, oh, I switched

0:34:11.400 --> 0:34:14.440
<v Speaker 1>in the crowd like oh ship. So it's one So

0:34:14.440 --> 0:34:16.520
<v Speaker 1>it flows like a mixtape. You know what else is

0:34:16.600 --> 0:34:17.520
<v Speaker 1>kicking ass out there.

0:34:18.480 --> 0:34:19.279
<v Speaker 2>L L cool J.

0:34:20.000 --> 0:34:21.480
<v Speaker 1>The Roots and the Roots.

0:34:22.680 --> 0:34:26.560
<v Speaker 3>For something like any any tour with the Roots is

0:34:26.560 --> 0:34:29.280
<v Speaker 3>gonna be smacked. The roots.

0:34:29.320 --> 0:34:32.840
<v Speaker 2>Black is a hell of a performer man, A.

0:34:33.080 --> 0:34:36.280
<v Speaker 1>Fifty talk kicking you know, fifty.

0:34:38.360 --> 0:34:43.080
<v Speaker 5>Bunch of queens money.

0:34:43.520 --> 0:34:45.240
<v Speaker 2>Let me tell you something came right now.

0:34:45.160 --> 0:34:52.080
<v Speaker 1>Between between following Bufser, following fifty following fifty cent news

0:34:52.080 --> 0:34:53.439
<v Speaker 1>Feed and smiff Star.

0:34:53.920 --> 0:34:57.640
<v Speaker 2>I'm out there every night. I don't actually have to

0:34:57.680 --> 0:34:59.920
<v Speaker 2>be what is going on right through you was.

0:34:59.840 --> 0:35:03.440
<v Speaker 1>Going going on talking to them like I'm there. I'm like, yo,

0:35:03.480 --> 0:35:04.760
<v Speaker 1>bab when your niggas do that ship.

0:35:07.040 --> 0:35:08.320
<v Speaker 2>That was crazy crazy.

0:35:08.560 --> 0:35:10.719
<v Speaker 1>But what I'm saying is, and I'm gonna say this,

0:35:10.760 --> 0:35:12.440
<v Speaker 1>and I know I said this on a couple of episodes,

0:35:12.880 --> 0:35:15.760
<v Speaker 1>and I'm gonna say it again. Don't forget about Snoop

0:35:15.960 --> 0:35:24.440
<v Speaker 1>warr G to st Yeah. So you know they told

0:35:24.560 --> 0:35:26.560
<v Speaker 1>out there, they came in here, warran G came here too.

0:35:26.640 --> 0:35:28.719
<v Speaker 1>So this is what I'm trying to tell you, young whipping snappers.

0:35:28.760 --> 0:35:30.200
<v Speaker 1>And I know I said it, and I'm gonna repeat

0:35:30.239 --> 0:35:33.960
<v Speaker 1>it again. Y'all out here talking about we old nits,

0:35:35.080 --> 0:35:38.320
<v Speaker 1>you talk about we washed up. Let me tell you something.

0:35:38.360 --> 0:35:42.160
<v Speaker 1>When Thanksgiving come around, little Whooper Snap, you ain't gonna

0:35:42.160 --> 0:35:43.840
<v Speaker 1>want that little young girl that you just met the

0:35:43.880 --> 0:35:46.800
<v Speaker 1>cook Thanksgiving dinner. You know who you're gonna want to

0:35:46.800 --> 0:35:59.360
<v Speaker 1>cook that old mama. You don't want to stop baby,

0:36:00.560 --> 0:36:04.720
<v Speaker 1>You gonna want somebody. They got some years in this game.

0:36:05.600 --> 0:36:08.080
<v Speaker 1>So when you see brothers like us still looking good,

0:36:08.160 --> 0:36:11.279
<v Speaker 1>still out here, like Buster said, look the parts, you

0:36:11.280 --> 0:36:15.759
<v Speaker 1>young niggas salute us there. I prefer you wipe off

0:36:15.800 --> 0:36:18.839
<v Speaker 1>my sneakers, but I'll get away. Do that, your little

0:36:18.920 --> 0:36:21.440
<v Speaker 1>river snappers. But we out here living, God damn it.

0:36:25.480 --> 0:36:28.160
<v Speaker 1>So and I see and I see actually was the

0:36:28.200 --> 0:36:30.400
<v Speaker 1>one that blew that up. I see went to Twitter

0:36:30.440 --> 0:36:33.040
<v Speaker 1>and he was actually, you know, he's a numbers guy.

0:36:33.080 --> 0:36:37.080
<v Speaker 1>I know, you know about showing and proving the numbers

0:36:37.080 --> 0:36:39.399
<v Speaker 1>like look look, look look at look at.

0:36:39.360 --> 0:36:39.919
<v Speaker 2>The ol gs.

0:36:39.960 --> 0:36:42.360
<v Speaker 1>And it's crazy because you know, that's why me and

0:36:42.400 --> 0:36:46.239
<v Speaker 1>E f N started this show is because you know,

0:36:46.360 --> 0:36:49.359
<v Speaker 1>no other genre in music has that word washed up,

0:36:49.920 --> 0:36:54.800
<v Speaker 1>has that word over the head love the genre. Only

0:36:55.239 --> 0:36:56.640
<v Speaker 1>hip hop. That's crazy.

0:36:57.040 --> 0:36:59.840
<v Speaker 6>We was just talking amongst us, you know, Bill, and

0:36:59.880 --> 0:37:03.560
<v Speaker 6>we tolding about it. It was an art who was it?

0:37:03.680 --> 0:37:06.560
<v Speaker 6>Al was talking about retiring, and he was like, Yo,

0:37:06.600 --> 0:37:10.600
<v Speaker 6>how do you retire from great? How can you retire

0:37:10.640 --> 0:37:13.560
<v Speaker 6>from this? This is you eat ship, breathe that show

0:37:13.600 --> 0:37:15.600
<v Speaker 6>you wake up to this, you go to this your

0:37:15.719 --> 0:37:21.160
<v Speaker 6>heavy oc current, right, this is so there's no retiring that.

0:37:21.200 --> 0:37:22.080
<v Speaker 1>Makes you want to retire.

0:37:22.120 --> 0:37:24.080
<v Speaker 4>When they start calling you old and ship and they

0:37:24.120 --> 0:37:26.840
<v Speaker 4>start doing that, that give you know what I'm saying it.

0:37:26.840 --> 0:37:29.800
<v Speaker 1>Don't be the fans to be your peers, your peers,

0:37:29.880 --> 0:37:32.600
<v Speaker 1>fans be peers and your fans because you know you

0:37:32.680 --> 0:37:35.000
<v Speaker 1>got fans, you know, it's just like almost her name

0:37:35.080 --> 0:37:38.520
<v Speaker 1>cy grow up fans. He said, I thought chances for

0:37:38.600 --> 0:37:42.200
<v Speaker 1>retired niggas, I said. She also said something Miami was

0:37:42.239 --> 0:37:42.760
<v Speaker 1>not Miami.

0:37:47.440 --> 0:37:50.200
<v Speaker 3>But you know, you know what, you know what you

0:37:50.600 --> 0:37:55.240
<v Speaker 3>remember you gotta remember it's like, you know, that's that

0:37:55.239 --> 0:37:57.799
<v Speaker 3>that comes from the hood, right, that comes from like

0:37:58.280 --> 0:38:01.239
<v Speaker 3>niggas sitting around ranking in and snapping on each other.

0:38:01.560 --> 0:38:03.080
<v Speaker 2>So niggas be taking shots.

0:38:03.160 --> 0:38:04.960
<v Speaker 3>But you know that's that's the only thing you can

0:38:05.040 --> 0:38:07.399
<v Speaker 3>really say, like you know what I'm saying, And and

0:38:07.400 --> 0:38:11.520
<v Speaker 3>and you think about like you you know the fact

0:38:11.560 --> 0:38:15.600
<v Speaker 3>that you have cats that can work, right, And then

0:38:15.840 --> 0:38:17.520
<v Speaker 3>I kind of lost my train to throw. I'm smoking

0:38:17.520 --> 0:38:23.280
<v Speaker 3>this reef and ship. But it's it's it's, it's it's cats.

0:38:23.560 --> 0:38:25.320
<v Speaker 3>I don't even I don't even want to talk about

0:38:25.320 --> 0:38:27.719
<v Speaker 3>them like I want to. I like the fact that

0:38:28.160 --> 0:38:31.279
<v Speaker 3>dudes are willing to still work, you know what I mean,

0:38:31.280 --> 0:38:34.319
<v Speaker 3>because you got you got like you gotta gotta be real.

0:38:34.360 --> 0:38:35.719
<v Speaker 3>You gotta be real. I don't want to blame the

0:38:35.719 --> 0:38:38.120
<v Speaker 3>industry or blame the youth for blame the elders. Like

0:38:38.520 --> 0:38:41.120
<v Speaker 3>we come from a place where niggas, ego and pride

0:38:41.160 --> 0:38:44.960
<v Speaker 3>gets tested every day. So you gotta you gotta like,

0:38:45.160 --> 0:38:47.080
<v Speaker 3>you gotta poke your chests out, you gotta say like

0:38:47.120 --> 0:38:49.360
<v Speaker 3>you mean, you gotta do all these things authority, you

0:38:49.400 --> 0:38:53.400
<v Speaker 3>gotta you gotta, you gotta do these declarations. Uh, we

0:38:53.680 --> 0:38:56.439
<v Speaker 3>we have these unwritten rules and hip hop and casts

0:38:56.520 --> 0:38:59.200
<v Speaker 3>getting barrassed fast, so you gotta stand like you know

0:38:59.280 --> 0:39:01.520
<v Speaker 3>once you get like. That's why Sean Price is one

0:39:01.560 --> 0:39:04.959
<v Speaker 3>of the best cats. To me, He's a guy who

0:39:05.000 --> 0:39:08.239
<v Speaker 3>can really put hisself out. We call him like the

0:39:08.320 --> 0:39:11.439
<v Speaker 3>Richard pryor the boot Camp click right. He could say

0:39:11.440 --> 0:39:14.399
<v Speaker 3>some real ship and we be laughing, but it be real.

0:39:14.480 --> 0:39:17.680
<v Speaker 3>It's like cracking joke and he'll you know, we can

0:39:17.840 --> 0:39:20.719
<v Speaker 3>When you can face that, that's when you that's when

0:39:20.719 --> 0:39:22.040
<v Speaker 3>the hip hop be the realist.

0:39:22.360 --> 0:39:23.640
<v Speaker 2>Those are the casts that we love.

0:39:23.640 --> 0:39:25.319
<v Speaker 3>That's why we love a twopart, That's why we love

0:39:25.320 --> 0:39:27.399
<v Speaker 3>a biggie because these guys are really saying some real

0:39:27.440 --> 0:39:30.799
<v Speaker 3>ship that we can identify with. Everybody can identify with

0:39:30.880 --> 0:39:33.239
<v Speaker 3>that street life ship. Some cats like, we love a

0:39:33.360 --> 0:39:35.720
<v Speaker 3>Note because he could put some words together like a motherfucker,

0:39:35.760 --> 0:39:37.239
<v Speaker 3>you know what I'm saying. And then y'all coming with

0:39:37.320 --> 0:39:39.239
<v Speaker 3>the war report. It's like, man, this ship is like

0:39:39.320 --> 0:39:42.440
<v Speaker 3>watching a movie, you know. So it's different than just

0:39:43.000 --> 0:39:46.560
<v Speaker 3>like cats saying it's old, Like you put those tapes

0:39:46.560 --> 0:39:53.280
<v Speaker 3>on today and you go on the journey. Still, that's

0:39:53.280 --> 0:39:53.760
<v Speaker 3>a blessing.

0:39:54.200 --> 0:39:56.919
<v Speaker 4>You take old motherfucking bumble bee and then you get

0:39:56.920 --> 0:40:02.440
<v Speaker 4>the new Transformers almost yeah, yeah, reformed my niggaive Reform

0:40:02.480 --> 0:40:05.200
<v Speaker 4>and that and hit about fifty shows reformed.

0:40:05.760 --> 0:40:06.680
<v Speaker 2>Yeah, now that's real.

0:40:07.080 --> 0:40:15.319
<v Speaker 1>What's aw smippers rider? What's on our rider's light?

0:40:15.480 --> 0:40:15.640
<v Speaker 3>Man?

0:40:15.920 --> 0:40:18.640
<v Speaker 6>We got two bottles of Hennessey and bottle of terror

0:40:18.719 --> 0:40:19.840
<v Speaker 6>mana probably something.

0:40:20.600 --> 0:40:26.200
<v Speaker 1>Or what at the Hennessy tarror mana Tarra mana, We're

0:40:26.200 --> 0:40:32.399
<v Speaker 1>gonna get you a check. We're gonna change make this

0:40:32.440 --> 0:40:36.400
<v Speaker 1>you know on earth, God damn it. Ahead, but.

0:40:38.080 --> 0:40:42.600
<v Speaker 3>Two sticks of deodorant, okay, also okay, of course clean

0:40:42.719 --> 0:40:44.200
<v Speaker 3>towels and wash clubs.

0:40:45.400 --> 0:40:45.520
<v Speaker 1>Uh.

0:40:46.200 --> 0:40:49.080
<v Speaker 2>I think we got vegetable yellow.

0:40:54.080 --> 0:40:55.280
<v Speaker 1>He picked out all the orange.

0:40:58.200 --> 0:41:03.560
<v Speaker 2>Will really do that? Yeah, you got got swining.

0:41:04.920 --> 0:41:07.520
<v Speaker 3>We got the Johanna incense in the back. Because sometimes

0:41:07.560 --> 0:41:09.960
<v Speaker 3>the back days be funky.

0:41:10.360 --> 0:41:12.160
<v Speaker 2>You gotta keep it. You gotta keep the smell good.

0:41:12.200 --> 0:41:13.719
<v Speaker 1>So I'm gonna get I'm gonna go right back to

0:41:13.719 --> 0:41:16.200
<v Speaker 1>this hold on. You know what I asked, I said,

0:41:16.280 --> 0:41:18.319
<v Speaker 1>I said, I said, I said, okay, this is something

0:41:18.320 --> 0:41:21.640
<v Speaker 1>that been fucking me for my whole life almost and

0:41:21.680 --> 0:41:25.440
<v Speaker 1>he goes, what's up? I go, biz Mark says, MiG

0:41:25.520 --> 0:41:29.080
<v Speaker 1>daddy came. But Mike, my mellow, you know what the mike,

0:41:29.120 --> 0:41:47.080
<v Speaker 1>because you know that was that was He's like, only

0:41:47.160 --> 0:41:47.880
<v Speaker 1>you asked.

0:41:50.520 --> 0:41:58.200
<v Speaker 10>Like that, liked he was like, he was like, yeah,

0:41:58.680 --> 0:42:03.399
<v Speaker 10>that's the funny, like like but at those days times

0:42:03.400 --> 0:42:04.040
<v Speaker 10>you couldn't have.

0:42:07.760 --> 0:42:10.200
<v Speaker 3>You couldn't even be standing next to Jello in the store,

0:42:10.239 --> 0:42:11.960
<v Speaker 3>like I know you ain't about to buy no jail

0:42:12.880 --> 0:42:14.239
<v Speaker 3>that's not for me.

0:42:15.080 --> 0:42:22.360
<v Speaker 1>So star Wars, Star Wars stop Skittles host his cakes.

0:42:22.920 --> 0:42:26.239
<v Speaker 1>But what you what's on your right? The same thing? Yeah?

0:42:26.320 --> 0:42:28.880
<v Speaker 3>No, we we're good man in trying to keep it.

0:42:29.160 --> 0:42:33.640
<v Speaker 3>I do instance not not not the not about. I

0:42:33.680 --> 0:42:34.160
<v Speaker 3>got a pack.

0:42:34.200 --> 0:42:39.359
<v Speaker 1>I don't know. Someone stolen, someone stole my ever everyone. Yeah,

0:42:39.800 --> 0:42:49.120
<v Speaker 1>I think my kids. Yeah, I got weird as hell,

0:42:49.200 --> 0:42:50.799
<v Speaker 1>go home and have to splain it to my wife.

0:42:51.280 --> 0:42:52.360
<v Speaker 2>You got you were able to get it.

0:42:52.440 --> 0:42:54.160
<v Speaker 1>Charlo made because remember we had a book that week.

0:42:54.239 --> 0:42:57.000
<v Speaker 1>So I hit charlom bade the sold out. So I

0:42:57.040 --> 0:42:59.080
<v Speaker 1>hit Charlomagne. I said, you give me your last and

0:42:59.120 --> 0:43:04.399
<v Speaker 1>I had to say I said me least. I mean,

0:43:04.440 --> 0:43:05.680
<v Speaker 1>I ain't want to you know, I didn't want to

0:43:05.760 --> 0:43:11.880
<v Speaker 1>ask neutralize journalizing. We talk to a buster, what it

0:43:11.960 --> 0:43:16.719
<v Speaker 1>smells like. I don't just saving it for her so

0:43:16.760 --> 0:43:22.240
<v Speaker 1>when she walk in, she's gonna smell herself to get.

0:43:24.320 --> 0:43:24.360
<v Speaker 3>It.

0:43:24.400 --> 0:43:28.200
<v Speaker 1>Would have been lessen there, it would have been let

0:43:30.320 --> 0:43:31.879
<v Speaker 1>no no wed ship.

0:43:31.920 --> 0:43:33.920
<v Speaker 3>But we we we we try to keep it like

0:43:33.960 --> 0:43:36.200
<v Speaker 3>when we when we do the long runs, we keep

0:43:37.040 --> 0:43:40.919
<v Speaker 3>ship like ginger Lemon. Every day we try to stay

0:43:40.920 --> 0:43:42.839
<v Speaker 3>teed up, you know what I mean? For the most part.

0:43:42.920 --> 0:43:44.400
<v Speaker 3>Other than that, we keep it simple. We try to

0:43:44.440 --> 0:43:49.040
<v Speaker 3>eat that nice restaurants. That's it, man. Yeah, and live

0:43:49.040 --> 0:43:49.600
<v Speaker 3>in the culture.

0:43:49.840 --> 0:43:51.759
<v Speaker 1>I'm trying to put some weird shipped on my rider,

0:43:51.840 --> 0:43:54.000
<v Speaker 1>Like I want to go to Japan order to see Moss,

0:43:54.719 --> 0:43:59.359
<v Speaker 1>to see them, just see them wild out. No, I'm

0:43:59.360 --> 0:44:06.520
<v Speaker 1>talking about the I wanted from Doctor sav I wanted

0:44:07.280 --> 0:44:08.080
<v Speaker 1>they're gonna bring you some.

0:44:10.920 --> 0:44:12.120
<v Speaker 2>I don't know if you remember we.

0:44:12.040 --> 0:44:15.799
<v Speaker 1>Went to Japan after l L and our rider was

0:44:15.880 --> 0:44:16.839
<v Speaker 1>like phillies.

0:44:18.280 --> 0:44:19.320
<v Speaker 2>She was so simple.

0:44:19.800 --> 0:44:22.680
<v Speaker 1>They were like, oh my god, they don't wants to

0:44:22.800 --> 0:44:28.920
<v Speaker 1>kill them. Niggas almost said he wanted pink roses, orange apples,

0:44:28.960 --> 0:44:31.520
<v Speaker 1>like that orange apples, you know what I mean?

0:44:31.880 --> 0:44:38.799
<v Speaker 3>Like so y'all not Hollywood, Nah, okay, plus like you

0:44:38.840 --> 0:44:42.040
<v Speaker 3>know we again, man, when you from when you're from Brooklyn, man,

0:44:42.200 --> 0:44:44.680
<v Speaker 3>like you like to keep it simple because if you

0:44:44.760 --> 0:44:47.399
<v Speaker 3>if you if you request something that dude can't bring, man,

0:44:47.400 --> 0:44:49.240
<v Speaker 3>you're gonna probably feel away.

0:44:50.120 --> 0:44:51.920
<v Speaker 2>Alternative is gonna be.

0:44:53.120 --> 0:44:53.319
<v Speaker 1>Yeah.

0:44:53.360 --> 0:44:55.000
<v Speaker 3>We've been in places where we'd be like all right,

0:44:55.080 --> 0:44:57.080
<v Speaker 3>hennessy and they bring us something that's like.

0:44:57.120 --> 0:44:59.240
<v Speaker 1>Some kind of grandma yeah or some others.

0:44:59.840 --> 0:45:02.640
<v Speaker 3>We it gets it gets difficult for you though.

0:45:03.640 --> 0:45:04.680
<v Speaker 2>It is a black man too.

0:45:06.280 --> 0:45:08.759
<v Speaker 1>Yeah, you know we we we support rappers over here.

0:45:08.840 --> 0:45:16.440
<v Speaker 1>And I think I think you're in Brooklyn, said.

0:45:17.400 --> 0:45:24.160
<v Speaker 3>My man Jay, of course, and menth bleak, that's that's family. Yes, yeah,

0:45:24.360 --> 0:45:27.320
<v Speaker 3>we got bleak coming Monday in Brooklyn. Flipp and I

0:45:27.360 --> 0:45:31.759
<v Speaker 3>only drink most of time, says with Flip. With dollars.

0:45:32.000 --> 0:45:34.080
<v Speaker 3>They always that, they always got you. I got the

0:45:34.120 --> 0:45:37.719
<v Speaker 3>do I know you drink that other stuff. But with

0:45:37.880 --> 0:45:39.000
<v Speaker 3>my brothers, man, shout out to.

0:45:39.000 --> 0:45:41.280
<v Speaker 2>Them though, they gets you.

0:45:42.280 --> 0:45:49.279
<v Speaker 1>Hennessy make everybody want to fight though. That's for years.

0:45:49.320 --> 0:45:52.359
<v Speaker 2>So it's boke of Chica, man like, it's like Chica.

0:45:52.400 --> 0:45:53.480
<v Speaker 1>That's the Dominican Republic.

0:45:53.560 --> 0:45:54.680
<v Speaker 2>Yeah, that's when it gets low.

0:45:54.880 --> 0:46:09.000
<v Speaker 1>Okay, okay, bot got cheon't gotchee come out? Drake was possible?

0:46:12.200 --> 0:46:14.400
<v Speaker 1>You got you got that. You got that ymber with

0:46:14.400 --> 0:46:16.520
<v Speaker 1>the tablets in there. Let me let me get let

0:46:16.560 --> 0:46:17.160
<v Speaker 1>me get one.

0:46:17.120 --> 0:46:21.560
<v Speaker 3>With I like the fucking uh the parodise though, the

0:46:21.560 --> 0:46:22.480
<v Speaker 3>Hennessy paradise.

0:46:23.200 --> 0:46:24.680
<v Speaker 1>We remember we was overseas.

0:46:24.760 --> 0:46:29.040
<v Speaker 4>That's like six bottles home because they had pard that

0:46:29.160 --> 0:46:29.960
<v Speaker 4>was on our rider.

0:46:30.400 --> 0:46:33.440
<v Speaker 1>It was giving us them ships. Man. No, no, no, no, no, no, no,

0:46:33.960 --> 0:46:36.400
<v Speaker 1>the paradise. The paradise is loud at thirteen.

0:46:36.800 --> 0:46:39.600
<v Speaker 2>No, we had the xole on the road.

0:46:40.239 --> 0:46:42.120
<v Speaker 1>They put no, I.

0:46:42.040 --> 0:46:45.760
<v Speaker 2>Ain't got can't let you get away with that paradise.

0:46:45.880 --> 0:46:49.400
<v Speaker 1>That's twenty five hundred dollars. Yeah, we had if we

0:46:49.440 --> 0:46:51.840
<v Speaker 1>did have it, we had it like where they didn't

0:46:51.880 --> 0:46:54.200
<v Speaker 1>know it was that it was ye.

0:46:55.040 --> 0:46:58.719
<v Speaker 4>Yeah, because for like nine dates we had the such

0:46:58.760 --> 0:46:59.120
<v Speaker 4>a bottle.

0:46:59.200 --> 0:47:01.919
<v Speaker 1>Yeah, because like certain places that you go, like even

0:47:01.960 --> 0:47:04.080
<v Speaker 1>with Japanese whiskey, certain places you go and you'll be

0:47:04.080 --> 0:47:07.000
<v Speaker 1>looking them. They be happening it for eighty dollars eight

0:47:07.040 --> 0:47:08.720
<v Speaker 1>thousand somewhere else they be done.

0:47:08.719 --> 0:47:11.360
<v Speaker 2>Dumb as fun. But I'll be on the hud for

0:47:11.400 --> 0:47:12.520
<v Speaker 2>that ship the top.

0:47:14.520 --> 0:47:20.840
<v Speaker 1>So if boot camp clicked, what's the goal against versus

0:47:22.680 --> 0:47:23.960
<v Speaker 1>against Wu Tang clan?

0:47:24.680 --> 0:47:25.280
<v Speaker 2>Mm hmm.

0:47:26.960 --> 0:47:30.520
<v Speaker 1>What where is where? Where is this battle that happened?

0:47:30.600 --> 0:47:34.200
<v Speaker 1>If this was to take place, it couldn't be because

0:47:34.360 --> 0:47:36.120
<v Speaker 1>put y'all even it up. It would be your tool

0:47:36.160 --> 0:47:38.040
<v Speaker 1>against ghost holy ship.

0:47:39.880 --> 0:47:42.439
<v Speaker 2>Damn, that's dangerous agelous ship.

0:47:42.680 --> 0:47:44.840
<v Speaker 1>Yeah, they gotta they gotta be in the middle of.

0:47:44.840 --> 0:48:01.719
<v Speaker 11>The water, by the by the water because it's Brooklyn where.

0:47:58.920 --> 0:48:02.239
<v Speaker 2>You got it.

0:48:10.719 --> 0:48:11.040
<v Speaker 1>That's that.

0:48:11.239 --> 0:48:15.680
<v Speaker 3>That would be like so that that would be, that

0:48:15.719 --> 0:48:20.560
<v Speaker 3>would be Randall's all right, that would be like random

0:48:20.680 --> 0:48:25.279
<v Speaker 3>all that. But that's you know, they got that ship

0:48:25.360 --> 0:48:27.879
<v Speaker 3>that looked like a I don't know if it's an

0:48:27.880 --> 0:48:32.520
<v Speaker 3>empty jail, but it's like you talking about the mansion.

0:48:32.200 --> 0:48:35.400
<v Speaker 1>Right there when you come in with exactly.

0:48:36.680 --> 0:48:41.040
<v Speaker 6>Govern that ship would be having things.

0:48:42.880 --> 0:48:44.720
<v Speaker 2>I didn't go to the dipset.

0:48:46.160 --> 0:48:46.520
<v Speaker 1>Locks.

0:48:47.160 --> 0:48:47.759
<v Speaker 2>I can't make it.

0:48:47.840 --> 0:48:53.040
<v Speaker 1>We had podcast here, but I tuned in obviously, and

0:48:53.200 --> 0:48:55.719
<v Speaker 1>that was the most I've ever seen New York go

0:48:55.840 --> 0:48:57.960
<v Speaker 1>back to New York. If New York was the a

0:48:58.480 --> 0:49:00.719
<v Speaker 1>New York, if New York's ever go back to New

0:49:00.760 --> 0:49:03.440
<v Speaker 1>York again, it would start from that versus.

0:49:03.480 --> 0:49:05.640
<v Speaker 2>But that was one of the best.

0:49:05.960 --> 0:49:12.400
<v Speaker 1>Can yes, who can't clip again against.

0:49:14.600 --> 0:49:17.560
<v Speaker 2>That'll be that'll be? Yeah, those those are the bros man,

0:49:17.640 --> 0:49:19.160
<v Speaker 2>But damn, what's up with the.

0:49:19.120 --> 0:49:20.319
<v Speaker 1>Boot camp members?

0:49:21.120 --> 0:49:24.480
<v Speaker 2>We just actually filmed a new video before get that.

0:49:24.520 --> 0:49:25.319
<v Speaker 1>Let's stay on the verses.

0:49:25.520 --> 0:49:29.759
<v Speaker 2>We get to that, yeah, asking who would win? How

0:49:29.800 --> 0:49:30.160
<v Speaker 2>would it go?

0:49:30.280 --> 0:49:30.480
<v Speaker 1>Yeah?

0:49:30.520 --> 0:49:30.680
<v Speaker 3>Yeah?

0:49:30.760 --> 0:49:34.120
<v Speaker 6>Yeah, Oh man, that's excitement right there, because I mean

0:49:34.239 --> 0:49:35.480
<v Speaker 6>like a lot of army fatigues.

0:49:35.520 --> 0:49:39.759
<v Speaker 1>For sure. That's like d C and.

0:49:39.840 --> 0:49:43.800
<v Speaker 8>Mark fighting superhero villain.

0:49:43.880 --> 0:49:45.160
<v Speaker 1>It's like you.

0:49:45.239 --> 0:49:47.040
<v Speaker 6>Got the counterpart for that.

0:49:47.160 --> 0:49:49.520
<v Speaker 2>So that is not that'll be insane shot.

0:49:51.000 --> 0:49:54.960
<v Speaker 3>What's crazy is that that's we're talking about like chess

0:49:55.239 --> 0:49:55.960
<v Speaker 3>chest boxing.

0:49:56.080 --> 0:49:57.120
<v Speaker 2>That'll be a back like that.

0:49:57.760 --> 0:49:59.759
<v Speaker 3>I mean literally just playing like the heads right you're

0:49:59.760 --> 0:50:01.479
<v Speaker 3>playing and like everybody playing their.

0:50:01.440 --> 0:50:03.439
<v Speaker 1>Hits and it's twenty Just think of a honey money

0:50:03.520 --> 0:50:06.800
<v Speaker 1>between y'all. That's twenty joint. Yeah, and we got joints

0:50:06.800 --> 0:50:10.439
<v Speaker 1>with Ray though. You know what's fucked up? Y'all? Would

0:50:10.520 --> 0:50:12.800
<v Speaker 1>y'all would be going y'all be going crazy trying to

0:50:12.800 --> 0:50:16.760
<v Speaker 1>pick twenty joints. That'd be argument in itself.

0:50:17.000 --> 0:50:19.000
<v Speaker 3>We came when we came here, he was playing some

0:50:19.040 --> 0:50:23.280
<v Speaker 3>ship that we ain't playing properly. Yeah, got about that album?

0:50:23.600 --> 0:50:26.280
<v Speaker 3>Was that the way? That was the album?

0:50:26.440 --> 0:50:29.520
<v Speaker 2>The album where and we made that in But is.

0:50:29.440 --> 0:50:32.080
<v Speaker 1>That something y'all would y'all would pursue? If Swiss called

0:50:32.160 --> 0:50:35.879
<v Speaker 1>y'all tomorrow, let's let's get it. I'm kind of tell

0:50:35.960 --> 0:50:38.160
<v Speaker 1>he ain't never call us for a versus, So y'all

0:50:38.160 --> 0:50:39.959
<v Speaker 1>would want to do Smith and Western.

0:50:40.360 --> 0:50:42.839
<v Speaker 3>We're gonna do it. I ever come back and down

0:50:42.920 --> 0:50:45.759
<v Speaker 3>for no fight. I'm not really with that ship though.

0:50:45.760 --> 0:50:48.640
<v Speaker 3>I don't really like that, but you know, it's it's

0:50:48.640 --> 0:50:49.840
<v Speaker 3>it's all for the entertainment.

0:50:49.920 --> 0:50:50.080
<v Speaker 1>Man.

0:50:50.400 --> 0:50:52.279
<v Speaker 2>This is what is the name of the game, right,

0:50:52.280 --> 0:50:53.080
<v Speaker 2>it's entertainment.

0:50:53.160 --> 0:50:54.920
<v Speaker 1>Yeah, what I'm saying. You know, I don't like the

0:50:54.960 --> 0:50:57.520
<v Speaker 1>fact that they celebration and make it more celebration. I

0:50:57.520 --> 0:51:00.799
<v Speaker 1>didn't like the like the Rosters was really one who

0:51:00.360 --> 0:51:01.520
<v Speaker 1>who took it there?

0:51:02.680 --> 0:51:03.839
<v Speaker 2>Remember when they.

0:51:07.600 --> 0:51:16.080
<v Speaker 1>And he took man, he took his He's like start riding.

0:51:16.440 --> 0:51:19.040
<v Speaker 1>That was like everyone saying, man, from here on out,

0:51:19.200 --> 0:51:29.560
<v Speaker 1>taking it to ball, we take the ball. You want

0:51:29.600 --> 0:51:36.080
<v Speaker 1>to be that guy.

0:51:36.800 --> 0:51:39.920
<v Speaker 3>It's it's a line sometimes a moment for hip hop,

0:51:40.520 --> 0:51:42.640
<v Speaker 3>but then it's like damn man, it's like don't don't

0:51:42.840 --> 0:51:44.799
<v Speaker 3>don't goofy it out, like you know what I mean.

0:51:44.840 --> 0:51:48.000
<v Speaker 3>It's like like some people, I get the part where

0:51:48.239 --> 0:51:50.360
<v Speaker 3>the politics where some artists were like, no, I'm not

0:51:50.400 --> 0:51:53.040
<v Speaker 3>going to go against this person because I'm going to

0:51:53.120 --> 0:51:57.200
<v Speaker 3>give them like credibility like that. But I believe that

0:51:57.200 --> 0:52:01.000
<v Speaker 3>that's what hip hop should be doing. Like y'all said, mop, yeah,

0:52:01.120 --> 0:52:06.000
<v Speaker 3>like see that that would be ridiculous, Like Brooklyn, you

0:52:06.040 --> 0:52:08.040
<v Speaker 3>need a big spot for that.

0:52:08.040 --> 0:52:11.239
<v Speaker 2>That would be at the Brooklyn.

0:52:10.600 --> 0:52:13.360
<v Speaker 1>Or the Navy Yard to the Navy y.

0:52:13.880 --> 0:52:17.440
<v Speaker 2>We tried to do that like an undercard. Really, now

0:52:17.480 --> 0:52:18.440
<v Speaker 2>you're not an undercar, sir.

0:52:18.480 --> 0:52:23.279
<v Speaker 1>That's the reason why you worked y'all the headliners that

0:52:25.560 --> 0:52:31.120
<v Speaker 1>whoever that y'all headliners, y'all got hit. I'm sorry you cannot,

0:52:32.160 --> 0:52:34.600
<v Speaker 1>but that would be dope for Brooklyn. Oh my god,

0:52:34.640 --> 0:52:39.200
<v Speaker 1>that'd be instead Brooklyn. It wouldn't be nobody else in

0:52:39.239 --> 0:52:47.200
<v Speaker 1>the concert but Brooklyn. Yes, no, no queens, yeah, Brooklyn.

0:52:47.200 --> 0:52:49.960
<v Speaker 1>Because you know why, I'm being honest, it's that timeline.

0:52:49.960 --> 0:52:52.880
<v Speaker 1>Like that's the beauty about listening to y'all music is

0:52:52.920 --> 0:52:56.200
<v Speaker 1>so timeless, but yet still if you re that error,

0:52:56.640 --> 0:52:58.799
<v Speaker 1>if you live in that era, I just go back.

0:52:59.120 --> 0:53:01.680
<v Speaker 1>I just go back to to my TEMs. I go

0:53:01.760 --> 0:53:03.480
<v Speaker 1>on back to you know what I mean.

0:53:03.360 --> 0:53:07.759
<v Speaker 6>Like, what's better for you making it then or performing it?

0:53:08.280 --> 0:53:09.640
<v Speaker 2>That's my question. Bro yea.

0:53:12.800 --> 0:53:17.000
<v Speaker 1>Wait, wait, come to tell the truth, making it then?

0:53:17.080 --> 0:53:20.000
<v Speaker 1>I would pick making it then, because making it then.

0:53:20.239 --> 0:53:22.680
<v Speaker 1>I think we kind of touched on this earlier, was

0:53:22.719 --> 0:53:26.279
<v Speaker 1>like I love analog because I couldn't send you a

0:53:26.360 --> 0:53:28.279
<v Speaker 1>record back in the day. Remember when you were talking about

0:53:28.280 --> 0:53:30.960
<v Speaker 1>them rails like I would have to go to D

0:53:31.040 --> 0:53:34.120
<v Speaker 1>and D told me to Unique studios, or go to

0:53:34.360 --> 0:53:38.400
<v Speaker 1>write track or so on and so on.

0:53:38.719 --> 0:53:39.120
<v Speaker 2>What is it?

0:53:39.160 --> 0:53:41.759
<v Speaker 1>What was the ship that pot got shot in? We

0:53:41.760 --> 0:53:44.600
<v Speaker 1>would have to go physically and sit down and be together.

0:53:44.680 --> 0:53:45.240
<v Speaker 2>This wie.

0:53:45.400 --> 0:53:49.399
<v Speaker 1>That music from the nineties sounds so organic and it's like, you.

0:53:49.280 --> 0:53:49.759
<v Speaker 2>Know what I'm saying.

0:53:50.120 --> 0:53:52.279
<v Speaker 1>Yes, that's why if you noticed one of my persons

0:53:53.160 --> 0:53:56.359
<v Speaker 1>questions was was y' all married together? Because it felt

0:53:56.440 --> 0:53:59.600
<v Speaker 1>like that even though it wasn't. But yeah, send the record.

0:53:59.600 --> 0:54:01.920
<v Speaker 1>You still have to record that ship at the studio.

0:54:02.160 --> 0:54:04.480
<v Speaker 1>And when you listen to music like that, it's timeless,

0:54:04.520 --> 0:54:06.279
<v Speaker 1>you know what I'm saying. So like when I have

0:54:07.040 --> 0:54:10.360
<v Speaker 1>to answer your question, it's probably recording it because.

0:54:12.560 --> 0:54:16.719
<v Speaker 6>Like I was like, oh, ship, that's the creation part

0:54:16.760 --> 0:54:17.439
<v Speaker 6>of it right there.

0:54:17.840 --> 0:54:20.120
<v Speaker 1>And I definitely didn't know how to perform like I

0:54:20.120 --> 0:54:29.279
<v Speaker 1>had to. I believe we taught us performing, and I

0:54:29.320 --> 0:54:32.719
<v Speaker 1>believe one of our like this was like a like

0:54:32.800 --> 0:54:35.719
<v Speaker 1>a tenth time like we had already did inn r e.

0:54:35.880 --> 0:54:39.200
<v Speaker 1>I already did, but now it's like time to perform, perform, perform,

0:54:39.440 --> 0:54:42.680
<v Speaker 1>And we had so many records that didn't have uh

0:54:43.440 --> 0:54:49.239
<v Speaker 1>TV tracks. Yeah, yeah, yeah, oh soon as we got

0:54:49.280 --> 0:54:51.399
<v Speaker 1>up stage, there was a nice show, but you timed over.

0:54:53.200 --> 0:54:53.400
<v Speaker 3>You know.

0:54:55.520 --> 0:54:57.719
<v Speaker 1>I was like, oh, so we had to, like we

0:54:58.200 --> 0:55:04.920
<v Speaker 1>go somethack instrument because they just didn't. I'm leaving instrumental

0:55:05.040 --> 0:55:08.040
<v Speaker 1>does not exist. Go ahead trying he tried it. It

0:55:08.080 --> 0:55:10.560
<v Speaker 1>does not exist. Did y'all have problems like that? Well,

0:55:10.600 --> 0:55:12.040
<v Speaker 1>yeah we had to, we had to go.

0:55:12.360 --> 0:55:15.239
<v Speaker 6>But you know who taught us, uh, our big brother

0:55:15.320 --> 0:55:19.440
<v Speaker 6>Buckshot was the king of his self editing himself like

0:55:20.040 --> 0:55:22.080
<v Speaker 6>you know, at one time nice instead of all the

0:55:22.920 --> 0:55:26.200
<v Speaker 6>reversed in the curse words or the buck would just

0:55:26.239 --> 0:55:29.600
<v Speaker 6>going in write a whole new verse. So that became

0:55:29.640 --> 0:55:30.560
<v Speaker 6>the norm for us.

0:55:30.640 --> 0:55:32.520
<v Speaker 1>Wait, that's talk about about I want to understand what

0:55:32.520 --> 0:55:35.279
<v Speaker 1>you're trying to say. You're saying that instead of going

0:55:35.320 --> 0:55:37.319
<v Speaker 1>in and doing a clean version for the radio of

0:55:37.440 --> 0:55:41.080
<v Speaker 1>reversion that sad or that word, he would go in

0:55:41.080 --> 0:55:41.960
<v Speaker 1>and write, I would.

0:55:41.719 --> 0:55:43.799
<v Speaker 2>Throw in and write a whole new dim in two

0:55:43.880 --> 0:55:44.520
<v Speaker 2>three verses.

0:55:44.560 --> 0:55:45.400
<v Speaker 1>Yeah, that's a different time.

0:55:45.440 --> 0:55:46.640
<v Speaker 2>That's how I got you.

0:55:46.719 --> 0:55:50.680
<v Speaker 6>Open remixes came because those words was heavy curse workers

0:55:50.760 --> 0:55:54.080
<v Speaker 6>and then once the radio was calling for it.

0:55:54.120 --> 0:55:55.360
<v Speaker 2>But there was no clean version.

0:55:56.000 --> 0:55:59.440
<v Speaker 6>We're going in Calliope, sleep under the piano covers and

0:55:59.520 --> 0:56:02.680
<v Speaker 6>bucke in there cleaning the chef up.

0:56:03.480 --> 0:56:08.480
<v Speaker 1>Got that. Our show it's about giving people their flowers.

0:56:09.120 --> 0:56:12.480
<v Speaker 1>I personally, me and FN we personally wanted to give you.

0:56:12.480 --> 0:56:16.120
<v Speaker 1>You got your flowers to your face, y'all. Dudes are legends,

0:56:16.200 --> 0:56:20.160
<v Speaker 1>y'all icons. You want to literally give y'all flowers? You

0:56:20.160 --> 0:56:22.399
<v Speaker 1>know what I'm saying. Oh, Ship, that's right, you got

0:56:22.440 --> 0:56:33.120
<v Speaker 1>all right. He's Dominicans, He's Dominicans speaking. Yeah, So Snoop said,

0:56:33.120 --> 0:56:41.040
<v Speaker 1>it's better than you got the legends. Man, you guys

0:56:41.480 --> 0:56:43.399
<v Speaker 1>are real ones. Like I know, I know you, both

0:56:43.400 --> 0:56:44.080
<v Speaker 1>of you guys.

0:56:43.880 --> 0:56:48.759
<v Speaker 2>Personally text Smoky Live. Yeah, you know what I'm saying.

0:56:48.840 --> 0:56:52.160
<v Speaker 1>So, man, do you guys know how for you guys

0:56:52.160 --> 0:56:53.080
<v Speaker 1>are the hip hop.

0:56:54.040 --> 0:56:57.120
<v Speaker 2>We're still in this, you know, one for the one

0:56:57.320 --> 0:56:57.680
<v Speaker 2>out man.

0:56:57.680 --> 0:56:59.279
<v Speaker 3>We got a lot of family, man, and a lot

0:56:59.320 --> 0:57:02.960
<v Speaker 3>of things that we responsible for sometime. We I mean

0:57:03.000 --> 0:57:05.080
<v Speaker 3>we you know, we gave reminded every now and again

0:57:05.640 --> 0:57:07.920
<v Speaker 3>it's and it's good to not let it go to

0:57:08.000 --> 0:57:10.200
<v Speaker 3>your head. I think that's one thing that kind of

0:57:10.280 --> 0:57:14.200
<v Speaker 3>keep us grounded. After the show, you know what it is,

0:57:14.239 --> 0:57:16.520
<v Speaker 3>we go right back home, go back home. We got

0:57:16.520 --> 0:57:19.200
<v Speaker 3>to deal with the hood. I live in Brooklyn still,

0:57:19.440 --> 0:57:20.040
<v Speaker 3>you know what I mean.

0:57:20.200 --> 0:57:21.520
<v Speaker 1>I like it. I love New York.

0:57:21.920 --> 0:57:24.080
<v Speaker 3>Well I would love to get up out of there

0:57:24.120 --> 0:57:25.120
<v Speaker 3>too every now and again.

0:57:25.240 --> 0:57:27.080
<v Speaker 2>But well, you know.

0:57:27.120 --> 0:57:29.080
<v Speaker 1>I want to tell you it's good to stay grounded,

0:57:29.120 --> 0:57:32.240
<v Speaker 1>but it's also great to know who exactly who you are. Yes,

0:57:32.520 --> 0:57:35.600
<v Speaker 1>you guys are motherfucking legends, and you guys are art coms.

0:57:35.600 --> 0:57:39.840
<v Speaker 1>But y'all did to the music industry cannot be you know, faked.

0:57:39.920 --> 0:57:43.720
<v Speaker 1>It cannot be copied, cannot be imitated. Man, I just was,

0:57:43.880 --> 0:57:45.960
<v Speaker 1>like I said, man, like I said, I was looking

0:57:46.000 --> 0:57:47.840
<v Speaker 1>at poone Gramm. I've seen him, and I was just

0:57:47.880 --> 0:57:49.960
<v Speaker 1>like yo, I just locked in immediately, and I just

0:57:50.000 --> 0:57:52.840
<v Speaker 1>was studying y'all and I was like, holy shit, like

0:57:53.280 --> 0:57:57.680
<v Speaker 1>y'all are really really true MC's. And by the way,

0:57:58.080 --> 0:58:02.440
<v Speaker 1>you know, I missed I missed the Caribbean, like you know,

0:58:02.520 --> 0:58:04.280
<v Speaker 1>the Caribbean influence.

0:58:03.880 --> 0:58:07.160
<v Speaker 2>In hip hop, you know what I mean, not like that,

0:58:07.680 --> 0:58:10.160
<v Speaker 2>not like yeah.

0:58:10.040 --> 0:58:14.640
<v Speaker 4>Yeah, it's going all the way Caribbean, Like it's not

0:58:14.680 --> 0:58:17.600
<v Speaker 4>like extreme, but Afro.

0:58:17.400 --> 0:58:23.760
<v Speaker 1>Beats is winning that Mexic Are you as.

0:58:23.640 --> 0:58:27.160
<v Speaker 6>I do rock with some Apple beats, some records, don't ask.

0:58:27.040 --> 0:58:41.720
<v Speaker 3>Me a yeah, you know, yeah, you gotta know.

0:58:44.200 --> 0:58:46.240
<v Speaker 1>What's going on now.

0:58:46.320 --> 0:58:48.160
<v Speaker 3>You got to think like Brooklyn back in the days,

0:58:48.160 --> 0:58:50.680
<v Speaker 3>like we grew up in hoockey parties, you know what

0:58:50.680 --> 0:58:52.800
<v Speaker 3>I'm saying, So hockey parties most of the time. The

0:58:52.840 --> 0:58:55.880
<v Speaker 3>dopest ship was the reggae songs. That's when you get

0:58:56.440 --> 0:58:59.360
<v Speaker 3>on Shorty and them, you know what I'm saying. Yeah,

0:59:03.200 --> 0:59:05.920
<v Speaker 3>that was a fight really, but the reggae joints was

0:59:05.960 --> 0:59:09.080
<v Speaker 3>like yeah, baby, especially you were flat bood, so you

0:59:09.400 --> 0:59:10.920
<v Speaker 3>know what it is, like you want to a party

0:59:10.920 --> 0:59:11.320
<v Speaker 3>over there?

0:59:12.040 --> 0:59:15.520
<v Speaker 2>It's lit. So we grew up in multi cultural you know,

0:59:15.520 --> 0:59:16.320
<v Speaker 2>it was it was.

0:59:16.680 --> 0:59:18.480
<v Speaker 3>It was crazy because in the hood, you was like

0:59:18.680 --> 0:59:23.120
<v Speaker 3>it was pretty diverse, right, you know, and we blended in.

0:59:23.680 --> 0:59:26.240
<v Speaker 1>That was something that I noticed with y'all music early.

0:59:26.280 --> 0:59:28.680
<v Speaker 1>It was like, you know, they had the dance hall,

0:59:29.040 --> 0:59:34.640
<v Speaker 1>which was like like like ship that that you know, Yeah, yeah,

0:59:34.840 --> 0:59:44.640
<v Speaker 1>I'm sorry. They had a hard call reggae like you know,

0:59:44.800 --> 0:59:47.560
<v Speaker 1>and then that's what y'all kind of like embracing y'all,

0:59:47.920 --> 0:59:49.560
<v Speaker 1>Like like I said, I walked in it was like

0:59:51.000 --> 0:59:57.200
<v Speaker 1>I was telling like some boy burial and bodies.

0:59:57.400 --> 1:00:00.080
<v Speaker 3>I was like, yeah, that's going the sound class that

1:00:00.240 --> 1:00:00.880
<v Speaker 3>boy burial.

1:00:01.400 --> 1:00:05.160
<v Speaker 6>We left up and got that really man, because heal

1:00:05.240 --> 1:00:07.160
<v Speaker 6>the skelter random and they turned that beat.

1:00:07.000 --> 1:00:12.920
<v Speaker 1>Down and they didn't want that absoluted.

1:00:13.720 --> 1:00:17.760
<v Speaker 2>Mister got that stat such a classic.

1:00:18.880 --> 1:00:19.680
<v Speaker 1>It's a couple of.

1:00:21.120 --> 1:00:23.240
<v Speaker 6>Ain't about one or two more joints from shining. That

1:00:23.360 --> 1:00:26.480
<v Speaker 6>was like that, Oh yeah, we got thrown to the lions.

1:00:26.520 --> 1:00:30.080
<v Speaker 6>Then after Bucket and them put they they were so

1:00:30.240 --> 1:00:31.960
<v Speaker 6>beat Minus was feeling themselves.

1:00:31.960 --> 1:00:35.920
<v Speaker 1>Then we like, yeah, mister mister Wall took care of us. Man.

1:00:35.960 --> 1:00:39.320
<v Speaker 3>It was like you gotta think because Evil D is

1:00:39.440 --> 1:00:56.440
<v Speaker 3>part of Black Move so he don't really got you based, No, no, no, no, no.

1:00:45.520 --> 1:00:51.040
<v Speaker 2>No, absolutely not absolutely.

1:00:51.400 --> 1:00:53.360
<v Speaker 3>I think we was blessed because we got to work

1:00:53.360 --> 1:00:57.040
<v Speaker 3>with mister Walt, who is the tutor of Evil D.

1:00:57.600 --> 1:00:59.400
<v Speaker 3>Know what I'm saying. So we went to the foundation.

1:00:59.840 --> 1:01:04.360
<v Speaker 3>So it's like mister Walker basically walked us through and

1:01:04.560 --> 1:01:07.960
<v Speaker 3>we wasn't those those fresh cats off the bench like

1:01:08.080 --> 1:01:11.520
<v Speaker 3>feeling ourselves. We was able to receive the instructions from him.

1:01:11.520 --> 1:01:13.440
<v Speaker 3>We pretty much did what he told us to do.

1:01:13.960 --> 1:01:16.280
<v Speaker 3>You didn't have no ideas about going to the studio.

1:01:16.520 --> 1:01:19.680
<v Speaker 3>I mean we did studio lights, studio stuff before, but

1:01:19.880 --> 1:01:21.840
<v Speaker 3>he walked us through it. This mister wall you know

1:01:21.920 --> 1:01:24.880
<v Speaker 3>what hes talking about. He got records from smoking the crib.

1:01:25.000 --> 1:01:25.680
<v Speaker 2>That's the only day.

1:01:25.720 --> 1:01:28.320
<v Speaker 6>Couldn't smoking at the park when it's wintertime and roll

1:01:28.400 --> 1:01:29.400
<v Speaker 6>up smoke our soul.

1:01:29.880 --> 1:01:33.880
<v Speaker 3>But that's discipline, right because you know we street cats.

1:01:34.320 --> 1:01:36.240
<v Speaker 2>But his mom's in the crib.

1:01:37.040 --> 1:01:39.000
<v Speaker 3>So you mean telling me you don't respect dudes moms

1:01:39.000 --> 1:01:41.520
<v Speaker 3>because you want some hip hop shiuse right now, you

1:01:41.520 --> 1:01:42.800
<v Speaker 3>don't want nobody in your crib.

1:01:43.320 --> 1:01:43.840
<v Speaker 1>You don't want to know.

1:01:43.880 --> 1:01:45.440
<v Speaker 3>You ain't even certain cats. You can't let them know

1:01:45.480 --> 1:01:46.800
<v Speaker 3>where you live at. You don't want to tell me

1:01:47.440 --> 1:01:48.920
<v Speaker 3>the setup in the crib. We got to meet him

1:01:48.920 --> 1:01:51.680
<v Speaker 3>in the neutral zone somewhere, you know what I'm saying,

1:01:51.720 --> 1:01:54.600
<v Speaker 3>Like crib when mom's in the crib Yetnaw, we're not

1:01:54.640 --> 1:01:57.120
<v Speaker 3>doing that with wife being the crib Like na, y'all

1:01:57.200 --> 1:01:59.160
<v Speaker 3>niggas is too wow. I was thinking about that the

1:01:59.200 --> 1:02:02.000
<v Speaker 3>other day because I used to violate my crib. I

1:02:02.080 --> 1:02:04.960
<v Speaker 3>had like the setup in my crib. We go all night.

1:02:05.920 --> 1:02:07.760
<v Speaker 3>I'm like, damn, I'm like Damn I was. That was

1:02:07.880 --> 1:02:13.760
<v Speaker 3>that was kind of recording set up, like just making

1:02:13.840 --> 1:02:21.000
<v Speaker 3>demos though, like not even like you know what I'm saying,

1:02:21.120 --> 1:02:23.640
<v Speaker 3>like this is rude, Like niggas was having it. I'm like, damn,

1:02:23.640 --> 1:02:29.120
<v Speaker 3>I was apologize to everybody. God man, Christy, I was like,

1:02:29.440 --> 1:02:33.440
<v Speaker 3>so hip hop, man, when you tune then you tuned in.

1:02:33.600 --> 1:02:34.280
<v Speaker 3>That's what it make it?

1:02:34.360 --> 1:02:35.400
<v Speaker 1>Do you know?

1:02:35.560 --> 1:02:38.400
<v Speaker 2>That's the problem, Like you gotta like get in there.

1:02:38.480 --> 1:02:38.640
<v Speaker 1>Man.

1:02:38.680 --> 1:02:40.200
<v Speaker 3>You could tell when the cat is level, like when

1:02:40.200 --> 1:02:41.960
<v Speaker 3>you're talking about King, like you could tell he is

1:02:42.120 --> 1:02:44.760
<v Speaker 3>enjoying it, you know, master age, you could tell he's

1:02:44.800 --> 1:02:48.280
<v Speaker 3>a joying. Like these guys are still traveling. We still

1:02:48.320 --> 1:02:50.680
<v Speaker 3>got places that we haven't been yet. So it's like

1:02:50.760 --> 1:02:53.280
<v Speaker 3>you gotta look forward to it and get ready for

1:02:53.320 --> 1:02:55.280
<v Speaker 3>the get ready for the grind. Hip hop allows you

1:02:55.360 --> 1:02:58.040
<v Speaker 3>to do that. Man, big that's a big that's a

1:02:58.080 --> 1:02:59.200
<v Speaker 3>big award right there.

1:02:59.200 --> 1:02:59.680
<v Speaker 1>But love it.

1:02:59.680 --> 1:02:59.960
<v Speaker 3>You know.

1:03:03.560 --> 1:03:06.720
<v Speaker 1>What, what's one of the craziest places you performed.

1:03:06.280 --> 1:03:13.280
<v Speaker 2>At Barclays We're married.

1:03:13.280 --> 1:03:15.920
<v Speaker 6>That was the craziest, right, Yeah, that was that was

1:03:15.960 --> 1:03:18.920
<v Speaker 6>that was monuments because that was the first time that

1:03:19.040 --> 1:03:22.680
<v Speaker 6>was the first time performing with her and first time

1:03:22.720 --> 1:03:26.080
<v Speaker 6>performing in the Barclays really, so.

1:03:26.240 --> 1:03:28.640
<v Speaker 3>It wasn't we just didn't know we had. We just

1:03:28.680 --> 1:03:31.440
<v Speaker 3>did the super Cat that was the next John. We

1:03:31.480 --> 1:03:38.040
<v Speaker 3>did Supercat first. That performed with super Kid super super

1:03:38.040 --> 1:03:38.560
<v Speaker 3>Cat on there.

1:03:38.600 --> 1:03:43.680
<v Speaker 1>That was different. Super one of the others that was different.

1:03:43.720 --> 1:03:46.600
<v Speaker 3>But we also I feel like I feel like we

1:03:46.600 --> 1:03:49.400
<v Speaker 3>was there one time when there was some hip hop

1:03:49.400 --> 1:03:52.240
<v Speaker 3>ship going on. I forgot who was on stage. It

1:03:52.320 --> 1:03:55.280
<v Speaker 3>was a bunch of hip hop cats there. I think

1:03:55.320 --> 1:03:57.040
<v Speaker 3>we was on stay. I feel like m O P

1:03:57.280 --> 1:03:59.760
<v Speaker 3>Was up there and perform. I don't know if we performed.

1:03:59.760 --> 1:04:01.760
<v Speaker 3>We just got up on stage with him. But that

1:04:01.840 --> 1:04:05.000
<v Speaker 3>was that was that was That was the monumental show

1:04:05.080 --> 1:04:08.000
<v Speaker 3>because it was like we get to take that show

1:04:08.040 --> 1:04:08.760
<v Speaker 3>around the world.

1:04:08.800 --> 1:04:11.080
<v Speaker 2>People love that ship, you know what I mean. It's

1:04:11.080 --> 1:04:11.800
<v Speaker 2>like you say, like.

1:04:11.760 --> 1:04:15.840
<v Speaker 3>People, you bring an experience when you when you're able

1:04:15.880 --> 1:04:20.000
<v Speaker 3>to perform. True say, the process of recording is dope

1:04:20.000 --> 1:04:21.880
<v Speaker 3>because you watching that's like raising a baby.

1:04:21.960 --> 1:04:24.280
<v Speaker 2>That's your baby. You falling in love with that ship.

1:04:24.360 --> 1:04:26.520
<v Speaker 1>The process is and creating something out of nothing, out

1:04:26.560 --> 1:04:29.520
<v Speaker 1>of nothing, talk about it. So I'll flip the balance

1:04:29.560 --> 1:04:32.640
<v Speaker 1>in a question on you, what do you prefer more

1:04:32.880 --> 1:04:34.400
<v Speaker 1>making the record or performing a record.

1:04:35.120 --> 1:04:37.560
<v Speaker 3>I think it's a I think I mean it's it's

1:04:37.640 --> 1:04:40.520
<v Speaker 3>it's it's it's for me. It's a balance, it's a

1:04:40.560 --> 1:04:43.800
<v Speaker 3>year in the yang, it's a it's a total completion

1:04:43.840 --> 1:04:45.880
<v Speaker 3>because you don't want to make I'm not a ghost writer,

1:04:46.440 --> 1:04:46.880
<v Speaker 3>you know what I mean.

1:04:46.920 --> 1:04:48.640
<v Speaker 2>I like to write and I like to see it.

1:04:49.000 --> 1:04:50.000
<v Speaker 2>I like to see it through.

1:04:50.080 --> 1:04:50.520
<v Speaker 1>I like that.

1:04:50.720 --> 1:04:52.120
<v Speaker 3>You know, when you fit, when you get in the

1:04:52.160 --> 1:04:53.960
<v Speaker 3>game and you see, that's how you see if it

1:04:54.000 --> 1:04:56.800
<v Speaker 3>works or not. You know, I believe in dreams, but

1:04:56.840 --> 1:05:00.600
<v Speaker 3>I believe in working to make him come true. So

1:05:00.600 --> 1:05:02.520
<v Speaker 3>it's times when you get on that stage man, and

1:05:02.560 --> 1:05:04.600
<v Speaker 3>you're looking at people and it's like, man, these people

1:05:04.680 --> 1:05:05.080
<v Speaker 3>love you.

1:05:05.160 --> 1:05:08.680
<v Speaker 2>Man, that's mind blowing. That's some crazy shit right there.

1:05:09.120 --> 1:05:09.520
<v Speaker 1>You fit.

1:05:09.680 --> 1:05:12.320
<v Speaker 3>Like just last week, I wasn't Brooklyn in the crib

1:05:12.400 --> 1:05:14.880
<v Speaker 3>drinking some honey, like feeling kind of down and ship.

1:05:15.320 --> 1:05:17.680
<v Speaker 3>Now I'm out here and it's like five thousand people,

1:05:17.720 --> 1:05:19.040
<v Speaker 3>ten thousand people and they.

1:05:19.000 --> 1:05:20.800
<v Speaker 2>Jamming man, women and child.

1:05:20.880 --> 1:05:23.480
<v Speaker 3>Though I know this little dude wasn't out when when

1:05:23.480 --> 1:05:24.280
<v Speaker 3>I dropped my house.

1:05:24.320 --> 1:05:24.760
<v Speaker 1>He wasn't.

1:05:24.800 --> 1:05:26.600
<v Speaker 2>He's you know what I'm saying, This kid like eleven

1:05:26.680 --> 1:05:27.440
<v Speaker 2>years old.

1:05:27.240 --> 1:05:29.200
<v Speaker 1>In front row. You know what I'm saying, You know

1:05:29.280 --> 1:05:29.640
<v Speaker 1>the word.

1:05:29.720 --> 1:05:32.480
<v Speaker 3>He's like this and on the shoulder like yeah, you

1:05:32.640 --> 1:05:35.600
<v Speaker 3>with it. I'm like, that's what hip hop is.

1:05:35.640 --> 1:05:37.320
<v Speaker 1>They never thought they would see you in person. So

1:05:37.360 --> 1:05:40.760
<v Speaker 1>that's like, but then we'll do something crazy like what

1:05:40.960 --> 1:05:43.720
<v Speaker 1>you know? How about this? Like what tech a dude?

1:05:43.720 --> 1:05:46.720
<v Speaker 1>Like yo yo, come he in a little homie, come on.

1:05:46.680 --> 1:05:51.600
<v Speaker 2>Stage, come up here. Now you experience a hip hop.

1:05:52.320 --> 1:05:56.640
<v Speaker 3>Your pops brought you to the concert, and like it's generations.

1:05:56.040 --> 1:05:58.440
<v Speaker 2>The whole, So that means it's introduced, you know what

1:05:58.440 --> 1:05:58.920
<v Speaker 2>I'm saying.

1:05:59.000 --> 1:06:01.400
<v Speaker 3>So this eleven year old gonna gonna keep hip hopp

1:06:01.400 --> 1:06:04.320
<v Speaker 3>in his heart and in the spirit for another what ten, fifteen,

1:06:04.400 --> 1:06:08.360
<v Speaker 3>twenty thirty, Yeah, playing planing. See when we was eight

1:06:08.400 --> 1:06:10.360
<v Speaker 3>years old, we was listening to you know what I mean,

1:06:10.800 --> 1:06:12.840
<v Speaker 3>grand Master Flash, and then they took them out the

1:06:12.840 --> 1:06:15.280
<v Speaker 3>message we were and then here we are like this at

1:06:15.280 --> 1:06:18.680
<v Speaker 3>the round table at the square table building. That's that's fabulous, guys.

1:06:21.280 --> 1:06:22.640
<v Speaker 3>Growth and development man.

1:06:22.640 --> 1:06:25.200
<v Speaker 1>Hell yeah, so you ready for quick time slot. Let's go. Okay,

1:06:25.200 --> 1:06:27.640
<v Speaker 1>you want to play playing them the rules? We didn't do.

1:06:27.680 --> 1:06:29.640
<v Speaker 1>This is the first time they was here. Yeah, we

1:06:29.720 --> 1:06:33.320
<v Speaker 1>doubt yeah, yeah, all right, so this is a drinking game. Yeah,

1:06:33.360 --> 1:06:36.800
<v Speaker 1>we're gonna give you two choices. You pick one. Nobody drinks.

1:06:37.080 --> 1:06:40.840
<v Speaker 7>But if you say both or neither, we all drink.

1:06:41.880 --> 1:06:45.520
<v Speaker 7>We all take a shot both or drink like if

1:06:45.520 --> 1:06:49.000
<v Speaker 7>you politically correct, if you if you don't pick were drinking.

1:06:49.120 --> 1:06:50.880
<v Speaker 1>Everybody, every we were drinking with you.

1:06:50.960 --> 1:06:54.080
<v Speaker 2>Yeah, this is how we get fucked up to what.

1:06:54.160 --> 1:06:56.240
<v Speaker 1>You want to come and be designated.

1:06:56.840 --> 1:07:01.200
<v Speaker 7>You gotta gotta drink from guys, Come on, healthy, healthy thug.

1:07:01.080 --> 1:07:04.400
<v Speaker 1>Right now, did you steal my shirt?

1:07:04.920 --> 1:07:07.640
<v Speaker 2>The good? Bad? What's the what?

1:07:07.160 --> 1:07:07.200
<v Speaker 11>What?

1:07:07.400 --> 1:07:07.440
<v Speaker 3>What?

1:07:08.000 --> 1:07:14.760
<v Speaker 2>Just little shots? Didn't crazy? Is it specific? Is a

1:07:14.800 --> 1:07:20.080
<v Speaker 2>specific drink drinking? And we don't take a small shot

1:07:20.080 --> 1:07:21.040
<v Speaker 2>because small?

1:07:21.360 --> 1:07:21.560
<v Speaker 1>Yeah?

1:07:21.600 --> 1:07:24.920
<v Speaker 7>All right, we got you got last hold on you

1:07:24.920 --> 1:07:26.440
<v Speaker 7>got a shot glass hold.

1:07:27.400 --> 1:07:33.280
<v Speaker 1>Drink broa.

1:07:34.480 --> 1:07:36.680
<v Speaker 2>Yeah he said he got that. Dou say over there man.

1:07:36.760 --> 1:07:41.320
<v Speaker 1>Yeah yeah we get a yeah yeah yeah yeah, please

1:07:41.520 --> 1:07:42.240
<v Speaker 1>get that on camera.

1:07:44.080 --> 1:07:48.120
<v Speaker 2>We're gonna get you to all right, ready yeah you.

1:07:48.160 --> 1:07:50.920
<v Speaker 1>Ready, Yeah, I got lot that Halsh is killing it here.

1:07:51.040 --> 1:07:53.640
<v Speaker 1>But it's it's the diamonds, it's not the hash.

1:07:53.440 --> 1:07:55.120
<v Speaker 2>Yeah, this is good.

1:07:55.200 --> 1:07:58.640
<v Speaker 1>Let me everybody for him now that ye yeah, yeah, yeah,

1:07:59.360 --> 1:08:04.000
<v Speaker 1>hold on, Jamie, you can disrespect him for me, Like

1:08:04.040 --> 1:08:06.280
<v Speaker 1>I said, could be baby shot like a baby shot

1:08:06.400 --> 1:08:10.240
<v Speaker 1>like it was me. It was me. Are you ready?

1:08:10.280 --> 1:08:10.760
<v Speaker 2>This is something?

1:08:10.840 --> 1:08:13.360
<v Speaker 1>There's some straight Brooklyn Ship right here, by the way.

1:08:13.400 --> 1:08:14.880
<v Speaker 1>This is the two people who make up the rule.

1:08:15.280 --> 1:08:17.559
<v Speaker 1>That's the Dominican right there in the Columbia right there.

1:08:18.040 --> 1:08:19.000
<v Speaker 2>So they analyze.

1:08:19.040 --> 1:08:23.479
<v Speaker 12>Y'all got these questions because it's a lot of shots.

1:08:23.479 --> 1:08:24.559
<v Speaker 2>We're gonna take this.

1:08:25.080 --> 1:08:30.840
<v Speaker 1>Yeah, yeah, she poured it for your ready. Okay, you ready,

1:08:30.840 --> 1:08:35.360
<v Speaker 1>you're gonna do a number one on this? Yeah?

1:08:35.720 --> 1:08:38.519
<v Speaker 2>Are you ready? The moment of truth?

1:08:38.840 --> 1:08:40.400
<v Speaker 1>All right? But let them let him.

1:08:43.040 --> 1:08:51.160
<v Speaker 2>I'm gonna go with you first. Yeah, that's what up. People.

1:08:52.520 --> 1:08:53.120
<v Speaker 2>We don't write this.

1:08:53.200 --> 1:08:53.920
<v Speaker 1>They write it over there.

1:08:54.600 --> 1:08:58.240
<v Speaker 2>We's got nothing to do. This is funny.

1:08:58.320 --> 1:09:02.479
<v Speaker 1>This vote for both for y'all that jay Z or

1:09:02.479 --> 1:09:05.519
<v Speaker 1>Big Daddy King mmm.

1:09:07.080 --> 1:09:09.439
<v Speaker 2>And it's whatever criteria, whatever you want.

1:09:09.439 --> 1:09:11.000
<v Speaker 7>It doesn't have to you can explain or you don't

1:09:11.040 --> 1:09:12.959
<v Speaker 7>have to explain Ship Brooklyn.

1:09:13.800 --> 1:09:26.519
<v Speaker 12>That's what's good. He might make us drink drinking, damn man, Brooklyn. Yeah, yeah,

1:09:26.760 --> 1:09:31.120
<v Speaker 12>I'm gonna think of first. This is very interesting.

1:09:32.320 --> 1:09:37.360
<v Speaker 1>So I'm gonna let you man you with my mooth

1:09:38.000 --> 1:09:41.000
<v Speaker 1>what time? Yeah? You want to go the next one? Yeah?

1:09:41.920 --> 1:09:52.120
<v Speaker 1>One time, one time? All right, biggiear puck No, no, man,

1:09:52.160 --> 1:09:58.280
<v Speaker 1>I can't be the whole time, he said. Both ain't

1:09:58.280 --> 1:10:01.920
<v Speaker 1>no easy one big hell pop hold on whatever cartiery

1:10:02.040 --> 1:10:02.360
<v Speaker 1>you want.

1:10:03.920 --> 1:10:06.000
<v Speaker 2>You know later we got it. They broke my Gemini

1:10:06.080 --> 1:10:07.200
<v Speaker 2>brothers too, though.

1:10:09.080 --> 1:10:14.040
<v Speaker 1>Married to a Gemini. Oh my god, you mayor June.

1:10:14.400 --> 1:10:20.160
<v Speaker 1>You're a wild Gemini holy ship. You're the two part

1:10:20.200 --> 1:10:22.840
<v Speaker 1>Gemini Gemini holy ship.

1:10:23.080 --> 1:10:30.439
<v Speaker 6>Is that supposed to make my answer easier? I gotta

1:10:30.520 --> 1:10:32.759
<v Speaker 6>go Brooklyn man. But they bugged my brothers.

1:10:32.960 --> 1:10:37.560
<v Speaker 1>Okay, okay, bigg yeah, big that's cool, okay, d m

1:10:37.760 --> 1:10:38.000
<v Speaker 1>X all.

1:10:37.960 --> 1:10:41.439
<v Speaker 2>Big al and rest in piece of big piece piece

1:10:41.520 --> 1:10:45.120
<v Speaker 2>both of them. Damn max a big l damn dang.

1:10:47.880 --> 1:10:50.960
<v Speaker 6>I fucked with el Man L kind of introduced me

1:10:51.080 --> 1:10:53.679
<v Speaker 6>up to children in the choir. He was the first

1:10:53.680 --> 1:10:55.920
<v Speaker 6>one who put me on the cam and all of them, wow,

1:10:57.400 --> 1:11:01.320
<v Speaker 6>oh my boy. McGruff was ex l.

1:11:02.960 --> 1:11:14.439
<v Speaker 1>Well my no, it's a time limit. Yeah take a

1:11:14.439 --> 1:11:16.480
<v Speaker 1>shot now, you gotta take a shot.

1:11:16.600 --> 1:11:21.400
<v Speaker 2>Yeah, both and unless you contested, Yeah no, no, no.

1:11:23.600 --> 1:11:27.040
<v Speaker 3>You can't contest that yeah, alright ready, okay, yeah you

1:11:27.120 --> 1:11:27.679
<v Speaker 3>got this one.

1:11:27.880 --> 1:11:28.880
<v Speaker 2>Biz or O d B.

1:11:33.439 --> 1:11:35.960
<v Speaker 1>Yeah, O d B.

1:11:39.360 --> 1:11:40.120
<v Speaker 2>Welcome to drinks.

1:11:41.080 --> 1:11:43.760
<v Speaker 1>That's Brooklyn, man, that's Brooklyn O d B O d B.

1:11:44.240 --> 1:11:48.280
<v Speaker 1>Y'all Brooklyn mother is really going I gotta lie damn

1:11:49.160 --> 1:11:52.040
<v Speaker 1>wick upon trying to use the bathroom. You're not trying,

1:11:52.080 --> 1:12:00.519
<v Speaker 1>He's us do when the check on. That is the cruel.

1:12:00.640 --> 1:12:02.320
<v Speaker 1>That was a cruel one right there. Bro.

1:12:03.400 --> 1:12:07.920
<v Speaker 3>It's like it's like you probably wouldn't have like a no.

1:12:08.040 --> 1:12:09.480
<v Speaker 2>dB without a business.

1:12:09.680 --> 1:12:14.160
<v Speaker 1>That's how I think true. Yeah, picking picking boogets, that's

1:12:14.200 --> 1:12:14.960
<v Speaker 1>my favorite record.

1:12:15.800 --> 1:12:17.639
<v Speaker 2>Who makes who can make a record?

1:12:17.680 --> 1:12:19.880
<v Speaker 1>Like he said, I'm going my nose just taking up

1:12:19.920 --> 1:12:21.599
<v Speaker 1>the basketball and pass it to you.

1:12:21.920 --> 1:12:24.559
<v Speaker 2>Holy you seen the documentary the biz Mark.

1:12:24.439 --> 1:12:27.519
<v Speaker 1>You yes, he was. He was down everybody.

1:12:27.520 --> 1:12:28.720
<v Speaker 2>He put people on.

1:12:28.760 --> 1:12:30.719
<v Speaker 1>That's l that's ll damn man.

1:12:31.160 --> 1:12:36.760
<v Speaker 2>But the god though one man, Harmy Seng. He's never

1:12:36.880 --> 1:12:39.400
<v Speaker 2>been tooking out. He's looking out.

1:12:39.720 --> 1:12:41.840
<v Speaker 1>He's dropping his all the girls be dropping babies.

1:12:46.280 --> 1:12:47.840
<v Speaker 2>We used to play chess every day.

1:12:47.880 --> 1:12:48.040
<v Speaker 1>Man.

1:12:48.080 --> 1:12:52.479
<v Speaker 3>Oh dd really I'm a pick Mark. That's the original man. Okay, okay,

1:12:53.520 --> 1:12:56.439
<v Speaker 3>you can take the next two. I think it's gonna

1:12:56.439 --> 1:12:58.760
<v Speaker 3>be an easy one for them. Yeah, buck shot or

1:12:58.760 --> 1:13:03.559
<v Speaker 3>specially uh the game is rigged.

1:13:05.439 --> 1:13:06.880
<v Speaker 1>Yeah, so you won't have to take a shot for

1:13:06.920 --> 1:13:08.960
<v Speaker 1>this one. Of course you're going buck shot, big up

1:13:09.000 --> 1:13:09.519
<v Speaker 1>to buck shot.

1:13:09.600 --> 1:13:13.040
<v Speaker 3>Yeah, man, buck shot the big bady eye bad I

1:13:13.240 --> 1:13:15.439
<v Speaker 3>Doug Man, it's my guy.

1:13:16.200 --> 1:13:26.000
<v Speaker 1>Go to that Buck Waller Diamond d oh God ye

1:13:27.320 --> 1:13:30.439
<v Speaker 1>shout out the c C. You know how nice buck

1:13:30.479 --> 1:13:31.080
<v Speaker 1>Wow is.

1:13:31.240 --> 1:13:35.960
<v Speaker 6>I know, I know, dumb, dumb, dumb nice buck My

1:13:36.080 --> 1:13:39.240
<v Speaker 6>man too, and he's and he puts it on and.

1:13:41.040 --> 1:13:43.439
<v Speaker 1>I too with buck Wow.

1:13:44.000 --> 1:13:49.040
<v Speaker 3>Okay, I know because Diamond is Man.

1:13:52.439 --> 1:13:54.800
<v Speaker 1>I got it. I got I can't pick. I can't

1:13:55.200 --> 1:14:00.280
<v Speaker 1>taking that. I got this one because I'm A'm gonna

1:14:00.280 --> 1:14:01.920
<v Speaker 1>skip this one because we always do this one. So

1:14:01.920 --> 1:14:03.519
<v Speaker 1>I'm gonna skip this one. I'm gonna go to the

1:14:03.520 --> 1:14:03.880
<v Speaker 1>next one.

1:14:03.920 --> 1:14:04.280
<v Speaker 2>This one.

1:14:04.320 --> 1:14:06.880
<v Speaker 1>I gotta know. This is gonna be pause. I think

1:14:06.880 --> 1:14:09.200
<v Speaker 1>it's gonna be hard for both for y'all. Mab deep

1:14:09.479 --> 1:14:18.759
<v Speaker 1>or m O P another round.

1:14:23.840 --> 1:14:24.320
<v Speaker 2>Here, Bob.

1:14:25.680 --> 1:14:29.280
<v Speaker 1>I'm queens and the same pride I got. I got

1:14:29.280 --> 1:14:30.760
<v Speaker 1>some queens, but that's still hard for me.

1:14:30.800 --> 1:14:34.240
<v Speaker 2>I wouldn't be yeah, I wouldn't be able to pick

1:14:34.280 --> 1:14:34.639
<v Speaker 2>that one.

1:14:35.560 --> 1:14:38.880
<v Speaker 3>Okay, Yo, you gotta think man, because we came up,

1:14:39.920 --> 1:14:43.360
<v Speaker 3>we came up watching watching m o BB. You know

1:14:43.400 --> 1:14:46.800
<v Speaker 3>what I'm saying, Pride Jay. Hell, we came up seeing them.

1:14:48.040 --> 1:14:52.280
<v Speaker 3>We came up seeing them now, hell right in front

1:14:52.360 --> 1:14:55.720
<v Speaker 3>of bat We've seen them. We've seen them stickers on

1:14:55.760 --> 1:15:00.000
<v Speaker 3>the train in Brooklyn. You know that's family though.

1:15:00.720 --> 1:15:09.799
<v Speaker 1>So Wu Tang Clan or Juice Crew mm hmmm mm hmmm. Damn.

1:15:11.240 --> 1:15:13.519
<v Speaker 7>It's kind of like the same as Bus and O

1:15:13.680 --> 1:15:15.680
<v Speaker 7>d B, like the President.

1:15:15.320 --> 1:15:16.640
<v Speaker 1>Back to back it is.

1:15:16.720 --> 1:15:20.280
<v Speaker 3>I'm just thinking, like, do you get one without the other? Time?

1:15:20.360 --> 1:15:26.040
<v Speaker 3>My way g rappers in the juice cool correct, juice cool.

1:15:28.360 --> 1:15:29.640
<v Speaker 1>I'm not gonna say what I would have picked on

1:15:29.680 --> 1:15:31.320
<v Speaker 1>this one. I'll get back to that another time.

1:15:32.600 --> 1:15:35.240
<v Speaker 2>DJs. Okay, yeah, I was gonna skip that one. No, no,

1:15:35.320 --> 1:15:39.520
<v Speaker 2>come on flex or kick Capri mm hmm CA Capri.

1:15:40.960 --> 1:15:44.519
<v Speaker 1>Capri n w A or public Enemy.

1:15:45.920 --> 1:15:53.040
<v Speaker 3>Oh ay, that's like, man, Chuck is my dude, and

1:15:53.120 --> 1:15:55.240
<v Speaker 3>I love that guy. It's one of my top guys.

1:15:55.320 --> 1:15:59.400
<v Speaker 3>You know that my in flavor FLA man, come on man.

1:16:00.160 --> 1:16:02.920
<v Speaker 1>Yeah, but I might leak up with PE and they

1:16:02.960 --> 1:16:06.320
<v Speaker 1>were like the same this day with n w A.

1:16:06.560 --> 1:16:07.200
<v Speaker 1>So that's.

1:16:08.520 --> 1:16:10.800
<v Speaker 3>I feel you when you had Q go to the

1:16:10.800 --> 1:16:16.960
<v Speaker 3>bump squad that showed you exactly you ain't gonna have chuck. Damn,

1:16:17.800 --> 1:16:19.479
<v Speaker 3>that would have been l two, but that would have

1:16:19.479 --> 1:16:27.960
<v Speaker 3>been wild. That's uh hey drinking and he picked you.

1:16:28.640 --> 1:16:29.759
<v Speaker 1>Oh so I got a picture.

1:16:31.560 --> 1:16:36.799
<v Speaker 2>That's the that's one man. So if I picked Pe,

1:16:36.840 --> 1:16:38.720
<v Speaker 2>we drink or we don't drink. No, no, no, we

1:16:38.760 --> 1:16:46.679
<v Speaker 2>don't drink. Yeah yeah, we don't.

1:16:46.560 --> 1:16:48.519
<v Speaker 1>Do that on your birthday. But you got to drink

1:16:48.520 --> 1:16:52.840
<v Speaker 1>on your birthday called quest or brand Nubian. Are you

1:16:52.840 --> 1:16:53.479
<v Speaker 1>skipped other work?

1:16:53.560 --> 1:16:54.760
<v Speaker 2>Yeah, you go back to that.

1:16:55.520 --> 1:16:55.880
<v Speaker 1>Mm hmm.

1:16:57.040 --> 1:17:00.360
<v Speaker 6>Oh man, man, that's hard because he got relations ships

1:17:00.400 --> 1:17:05.240
<v Speaker 6>with all these like personal relationships.

1:17:04.280 --> 1:17:05.559
<v Speaker 5>Like my.

1:17:09.160 --> 1:17:14.200
<v Speaker 6>Man, oh my god. Oh man, see I bringing my

1:17:14.280 --> 1:17:14.920
<v Speaker 6>high back on.

1:17:16.800 --> 1:17:17.160
<v Speaker 1>Yourself.

1:17:17.760 --> 1:17:19.960
<v Speaker 7>And we're bringing up all these names because we want

1:17:20.000 --> 1:17:21.960
<v Speaker 7>to talk about these we want to these names out there.

1:17:22.880 --> 1:17:27.000
<v Speaker 3>Yeah, it makes sense, man, because like you know, from

1:17:27.040 --> 1:17:31.080
<v Speaker 3>a historic point. That's why fifty fifty years is dope too,

1:17:31.120 --> 1:17:33.360
<v Speaker 3>because you forgot about some of these cats. You know,

1:17:33.400 --> 1:17:35.800
<v Speaker 3>these cats are still working you. They might be overseas,

1:17:35.800 --> 1:17:38.160
<v Speaker 3>they might be tucked in the whole little war you know,

1:17:38.760 --> 1:17:42.639
<v Speaker 3>but damn, I think I'm gonna say tribe though.

1:17:47.760 --> 1:17:58.400
<v Speaker 1>Take the shot, Take the shot, Take the shot. You're

1:17:58.439 --> 1:18:03.559
<v Speaker 1>thinking both man, Okay for this one, I'm gonna go

1:18:03.800 --> 1:18:05.920
<v Speaker 1>this one and another one and you go back, all right,

1:18:05.960 --> 1:18:13.519
<v Speaker 1>go ahead, easy or cor mega. I'm biased. I got

1:18:13.520 --> 1:18:15.559
<v Speaker 1>one the next two that I'm will send it to you.

1:18:15.960 --> 1:18:16.080
<v Speaker 13>Man.

1:18:16.280 --> 1:18:23.800
<v Speaker 3>That's dangerous man, Brooklyn Baby, but is my guy just

1:18:23.840 --> 1:18:27.640
<v Speaker 3>like the same dude? Right that's likes and peace like

1:18:28.200 --> 1:18:31.559
<v Speaker 3>or like right there for the Brooklyn too.

1:18:31.600 --> 1:18:36.879
<v Speaker 6>So they both Brooklyn me ticket take.

1:18:41.840 --> 1:18:45.000
<v Speaker 2>Ready, salute to both of them. This I love this one.

1:18:45.240 --> 1:18:48.759
<v Speaker 1>We're drinking them, were drinking Ematic or ready to die.

1:18:50.880 --> 1:19:08.680
<v Speaker 14>Here, buddy, stand up, I'm ready ready to.

1:19:10.600 --> 1:19:15.080
<v Speaker 2>Come back to nine shots your tough costume. Man, that's

1:19:15.120 --> 1:19:15.880
<v Speaker 2>Brooklyn Baby.

1:19:16.960 --> 1:19:29.360
<v Speaker 3>Man, I think I would be carry out man. Okay,

1:19:29.960 --> 1:19:31.599
<v Speaker 3>he's doing that ship because he likes it.

1:19:34.360 --> 1:19:35.679
<v Speaker 2>I'm speaking to you after this one.

1:19:36.040 --> 1:19:40.120
<v Speaker 1>Go ahead, coming come on man. Ematic.

1:19:40.800 --> 1:19:43.519
<v Speaker 3>There's no first of all, both both of those albums,

1:19:43.560 --> 1:19:45.920
<v Speaker 3>there's no there's no fast forward in.

1:19:46.400 --> 1:19:49.519
<v Speaker 1>Yeah the one God Is One is longer, yo.

1:19:49.720 --> 1:19:52.880
<v Speaker 3>Listen, I'm talking about talking about we come up in

1:19:52.920 --> 1:19:56.240
<v Speaker 3>the era where we listened to the Get Skised. You

1:19:56.280 --> 1:20:00.559
<v Speaker 3>know what I'm saying, come on when it come on.

1:20:00.640 --> 1:20:04.559
<v Speaker 3>We were just listening to the Skin is Dope, you know,

1:20:05.360 --> 1:20:06.280
<v Speaker 3>like you gotta be.

1:20:07.800 --> 1:20:09.040
<v Speaker 2>And hip hop today.

1:20:09.400 --> 1:20:14.280
<v Speaker 1>Yeah, you're talking about that war the other day. You

1:20:14.280 --> 1:20:15.080
<v Speaker 1>you you you.

1:20:18.880 --> 1:20:20.920
<v Speaker 2>It brought you like I'm in Miami. I felt like

1:20:20.960 --> 1:20:21.160
<v Speaker 2>I was.

1:20:21.160 --> 1:20:28.160
<v Speaker 3>In you talking about you talking about Biggie is storyteller

1:20:28.320 --> 1:20:30.400
<v Speaker 3>right here talking about niggas trying to rob you. Every

1:20:30.400 --> 1:20:33.880
<v Speaker 3>Brooklyn nigga sat there and was like what you either

1:20:34.040 --> 1:20:38.519
<v Speaker 3>was on the other side most time you probably you

1:20:38.640 --> 1:20:39.960
<v Speaker 3>know the story very well.

1:20:40.320 --> 1:20:42.240
<v Speaker 1>It was crazy because everybody had a pop from the

1:20:42.240 --> 1:20:48.920
<v Speaker 1>barber shop. It was just what.

1:20:48.760 --> 1:20:49.439
<v Speaker 2>Takes a picture?

1:20:50.400 --> 1:20:57.280
<v Speaker 1>Yeah, yes, it's King of New York or New Jack City.

1:20:55.800 --> 1:20:58.240
<v Speaker 2>Frank White, New York King.

1:20:58.479 --> 1:21:02.600
<v Speaker 3>That's easy, okay, easy, but damn King of New York.

1:21:04.120 --> 1:21:06.200
<v Speaker 2>Leaders of the Newscort, Jungle Brothers.

1:21:06.160 --> 1:21:12.320
<v Speaker 3>M MU, leaders of the New Suit and they was

1:21:12.640 --> 1:21:15.000
<v Speaker 3>like together knife buster rhymes.

1:21:14.960 --> 1:21:25.320
<v Speaker 1>Right, yeah, yeah, it's just the case. I love the

1:21:25.400 --> 1:21:26.759
<v Speaker 1>Jungle Brothers though, man.

1:21:29.880 --> 1:21:31.599
<v Speaker 2>I mean they're the reason why we have native tongue.

1:21:31.680 --> 1:21:33.200
<v Speaker 1>That's a bit we're.

1:21:33.040 --> 1:21:34.280
<v Speaker 2>Calling absolutely yeah.

1:21:36.840 --> 1:21:37.160
<v Speaker 1>J B.

1:21:38.080 --> 1:21:40.400
<v Speaker 3>The name is just at the block party, the plus

1:21:40.439 --> 1:21:44.760
<v Speaker 3>the name is just wow bro like the JBS being

1:21:44.880 --> 1:21:48.840
<v Speaker 3>like the Jungle Brothers. A right, that is, I'm going

1:21:48.840 --> 1:21:51.400
<v Speaker 3>with the Jungle man. I'm gonna go with the JBS.

1:21:52.720 --> 1:21:56.200
<v Speaker 3>I love look at that store. But you said the

1:21:56.280 --> 1:22:01.400
<v Speaker 3>Jungle Yeah. Thanks, So you say I gotta go with leaders.

1:22:02.760 --> 1:22:05.080
<v Speaker 1>So we got to drink. No, no, no, no, no really,

1:22:06.280 --> 1:22:10.120
<v Speaker 1>I just I don't want to drink more locked doors,

1:22:10.640 --> 1:22:13.160
<v Speaker 1>Smoother Hustler or saurt money. Do you skid?

1:22:15.040 --> 1:22:17.920
<v Speaker 2>We said all shoo kidding, that's what he said. No

1:22:18.000 --> 1:22:19.439
<v Speaker 2>Smooter Hustler or source money.

1:22:19.720 --> 1:22:24.960
<v Speaker 1>Oh that's gladyt both who is not being from drinking.

1:22:25.120 --> 1:22:26.719
<v Speaker 1>So I don't know why I saw money. He's no,

1:22:26.920 --> 1:22:28.080
<v Speaker 1>we want something I don't know.

1:22:28.080 --> 1:22:32.280
<v Speaker 2>I don't know who started. I'm gonna go with smooth.

1:22:32.360 --> 1:22:33.599
<v Speaker 2>That's my guys are right there.

1:22:33.760 --> 1:22:36.360
<v Speaker 3>Smooth Hustle Money is a fucking maniac too, But I'm

1:22:36.360 --> 1:22:37.080
<v Speaker 3>gonna going with smooth.

1:22:38.800 --> 1:22:43.200
<v Speaker 1>Yeah yeah, brown Sauce, I like that. I'm like, yeah,

1:22:43.280 --> 1:22:46.920
<v Speaker 1>go on separate. I think they started to do that

1:22:47.000 --> 1:22:47.720
<v Speaker 1>so they can't drink.

1:22:47.760 --> 1:22:56.800
<v Speaker 2>They got to black sad.

1:22:57.800 --> 1:23:01.559
<v Speaker 1>Oh yeah skipped that. Oh say that against that black

1:23:02.600 --> 1:23:03.960
<v Speaker 1>who thought that one?

1:23:04.400 --> 1:23:04.639
<v Speaker 3>Oh?

1:23:04.760 --> 1:23:08.120
<v Speaker 1>My gosh, I like to see that verses too.

1:23:08.680 --> 1:23:12.240
<v Speaker 7>Mister Lee doesn't even know most definite in English.

1:23:18.920 --> 1:23:20.000
<v Speaker 2>Definitely, I like black.

1:23:21.640 --> 1:23:29.360
<v Speaker 15>Yeah, yeah, I gotta take a shot.

1:23:32.680 --> 1:23:38.280
<v Speaker 1>I gotta take a shot. Damn okay, j flies Oh,

1:23:38.360 --> 1:23:43.679
<v Speaker 1>Mariah Carrey, look gotta go, Mary. You can't leave them either,

1:23:43.720 --> 1:23:46.559
<v Speaker 1>but relaxed let them Oh my bad. I just I

1:23:46.640 --> 1:23:56.280
<v Speaker 1>just I love married leading the witness exactly the sauce

1:23:56.320 --> 1:23:57.280
<v Speaker 1>of ex excel.

1:23:58.400 --> 1:24:00.800
<v Speaker 2>H Man saw us with it.

1:24:01.080 --> 1:24:01.600
<v Speaker 1>You know, that's the.

1:24:03.800 --> 1:24:07.680
<v Speaker 6>That's that's they got this saw. You know how they

1:24:07.920 --> 1:24:09.880
<v Speaker 6>used to want to kill a nigga to get five mics.

1:24:10.800 --> 1:24:16.519
<v Speaker 1>Let me tell you something. It almost happened to man.

1:24:16.960 --> 1:24:21.040
<v Speaker 1>He know to this day, Yes, many me and this nigga.

1:24:20.760 --> 1:24:23.479
<v Speaker 2>Could be arguing about difference.

1:24:24.200 --> 1:24:27.000
<v Speaker 1>We could be arguing about candles, and I was just like,

1:24:27.040 --> 1:24:29.559
<v Speaker 1>niggain't give me know the mic. He was like, what

1:24:29.640 --> 1:24:30.200
<v Speaker 1>the fuck is.

1:24:30.200 --> 1:24:30.920
<v Speaker 2>This got to do with?

1:24:31.479 --> 1:24:34.920
<v Speaker 1>I have not got over it? And he lets Soak

1:24:34.960 --> 1:24:38.240
<v Speaker 1>the Shaka beat me in every award and he brings

1:24:38.280 --> 1:24:40.519
<v Speaker 1>us up every episode, So you know, it's bothering nigga

1:24:40.560 --> 1:24:45.280
<v Speaker 1>every category. I want to I don't shock of the

1:24:45.320 --> 1:24:51.760
<v Speaker 1>same ship. I'm so fucked up behind this almost it's

1:24:51.800 --> 1:24:54.000
<v Speaker 1>almost like twenty two years later, I went to beat

1:24:54.160 --> 1:24:56.920
<v Speaker 1>your Ward for a podcast and I set the wards

1:24:56.960 --> 1:24:58.960
<v Speaker 1>like last time I've been here, let the shock.

1:24:58.880 --> 1:25:03.200
<v Speaker 2>Be talking about you know what?

1:25:07.400 --> 1:25:10.599
<v Speaker 3>The songs definitely start doing some funny business out.

1:25:12.720 --> 1:25:13.160
<v Speaker 1>What it was.

1:25:13.200 --> 1:25:15.680
<v Speaker 2>It could never be like its cemented itself. It was

1:25:15.680 --> 1:25:20.120
<v Speaker 2>never the Bible, man, it was the Bible, and they

1:25:20.160 --> 1:25:22.160
<v Speaker 2>used to have some hard ass cover.

1:25:22.479 --> 1:25:27.120
<v Speaker 3>You did take nine Ads out and that was the

1:25:27.160 --> 1:25:28.400
<v Speaker 3>only magazine to take me.

1:25:31.479 --> 1:25:32.760
<v Speaker 2>Yeah, that was the funking up part.

1:25:33.080 --> 1:25:36.559
<v Speaker 1>You have money.

1:25:40.720 --> 1:25:42.600
<v Speaker 3>Down for.

1:25:44.760 --> 1:25:45.479
<v Speaker 1>Just cash money.

1:25:45.479 --> 1:25:47.840
<v Speaker 2>I knew business. It was my friend.

1:25:48.479 --> 1:25:50.680
<v Speaker 1>As I started saying that, like, I really didn't get

1:25:50.720 --> 1:25:52.840
<v Speaker 1>over it, and I was just like like being he

1:25:52.960 --> 1:25:54.559
<v Speaker 1>just looked at me like a man. He was like,

1:25:54.840 --> 1:26:01.640
<v Speaker 1>I can't front master peas about all the ass. You

1:26:01.720 --> 1:26:06.000
<v Speaker 1>couldn't be mad. Listen the way he like broke it down,

1:26:06.120 --> 1:26:08.519
<v Speaker 1>Like actually I was still mad, let's just be clear,

1:26:08.760 --> 1:26:11.600
<v Speaker 1>but I just couldn't let my frustration continue. I was

1:26:11.640 --> 1:26:15.519
<v Speaker 1>just like, because I might have took the same the

1:26:15.560 --> 1:26:17.479
<v Speaker 1>reason why we got not to coutch. I'm gonna let

1:26:17.479 --> 1:26:17.720
<v Speaker 1>you go on.

1:26:17.760 --> 1:26:21.640
<v Speaker 4>I'm sorry, but we had skuldug ree on Penalty. He

1:26:21.840 --> 1:26:24.439
<v Speaker 4>was part of the ads. Is when Penalty had to

1:26:24.439 --> 1:26:26.880
<v Speaker 4>take out that ad, they put it in the ad,

1:26:26.960 --> 1:26:27.840
<v Speaker 4>but it looked like a.

1:26:27.800 --> 1:26:32.680
<v Speaker 1>Master p because because the go to show a little bit,

1:26:32.680 --> 1:26:35.879
<v Speaker 1>because it says six, we're gonna stop at seven. Analog

1:26:36.000 --> 1:26:38.200
<v Speaker 1>or digital. I want both of y'all to analysts.

1:26:38.760 --> 1:26:40.160
<v Speaker 2>Do you want both of them to be analog?

1:26:43.080 --> 1:26:47.560
<v Speaker 6>That's that's one of them. Any given Sunday.

1:26:47.200 --> 1:26:53.880
<v Speaker 3>Joints analog spencer, you want to say, I'm glad you

1:26:53.960 --> 1:26:58.479
<v Speaker 3>gave us the rules because but politically correct, that ship

1:26:58.600 --> 1:27:03.000
<v Speaker 3>is real because analog, you know, analog and stuff.

1:27:03.160 --> 1:27:06.040
<v Speaker 1>That's stuff, right, you don't have all that digital.

1:27:05.880 --> 1:27:08.120
<v Speaker 2>So clean and you could go back in and do

1:27:08.240 --> 1:27:11.960
<v Speaker 2>this same time, definitely do more with digital. What does

1:27:12.000 --> 1:27:12.519
<v Speaker 2>it feel like?

1:27:13.280 --> 1:27:19.720
<v Speaker 1>Right? Clean? Digital made it so anybody correct? Yeah, but

1:27:19.720 --> 1:27:22.599
<v Speaker 1>it sounded too clean, you know what I mean.

1:27:22.760 --> 1:27:26.120
<v Speaker 3>That's not clean. But anybody sound that clean? You had

1:27:26.120 --> 1:27:29.360
<v Speaker 3>to jumps in the.

1:27:30.720 --> 1:27:31.440
<v Speaker 1>Right.

1:27:31.640 --> 1:27:35.920
<v Speaker 3>You appreciate sound, you all right, just as far as

1:27:36.040 --> 1:27:39.280
<v Speaker 3>music wise, you're talking about your music wise like cameras

1:27:39.320 --> 1:27:40.720
<v Speaker 3>and yeah, well keep it.

1:27:41.200 --> 1:27:43.040
<v Speaker 1>Then we go down to other Rappit sold with that one.

1:27:43.560 --> 1:27:45.920
<v Speaker 1>I still I say analog for that.

1:27:48.840 --> 1:27:50.920
<v Speaker 3>As far as the music analog or digital, Yeah, I

1:27:50.920 --> 1:27:55.400
<v Speaker 3>would say analog too, man, Digital was great, but the analog, man,

1:27:56.080 --> 1:27:57.160
<v Speaker 3>that's that's.

1:27:57.040 --> 1:27:59.200
<v Speaker 1>A feeling because it was communal. You had like like

1:27:59.280 --> 1:28:01.880
<v Speaker 1>from like right now seeing the smith and wrestle can

1:28:01.960 --> 1:28:04.120
<v Speaker 1>make a record, right, But if y'all in Brooklyn and

1:28:04.160 --> 1:28:07.400
<v Speaker 1>then we in left Brack and queens Bridge, and especially

1:28:07.439 --> 1:28:11.320
<v Speaker 1>if me and compone not even together, like like it'd

1:28:11.400 --> 1:28:13.600
<v Speaker 1>be better if me and components together, y'all together and

1:28:13.640 --> 1:28:14.280
<v Speaker 1>we accept it.

1:28:14.320 --> 1:28:17.000
<v Speaker 2>But we're feeling together.

1:28:18.120 --> 1:28:22.960
<v Speaker 1>Drinking the delion, drinking the motherfucker, get with some gumbo,

1:28:23.439 --> 1:28:26.559
<v Speaker 1>you know what I mean? And like that chemistry on

1:28:26.680 --> 1:28:29.720
<v Speaker 1>different court Yeah, yeah, hell yeah, you hear that in

1:28:29.760 --> 1:28:30.439
<v Speaker 1>the records now.

1:28:30.560 --> 1:28:33.240
<v Speaker 2>Yeah, that's what I'm trying to say. Yeah, collaborate like

1:28:33.360 --> 1:28:34.040
<v Speaker 2>labs no more.

1:28:34.280 --> 1:28:36.120
<v Speaker 1>The levels of the vocals are different because they record

1:28:36.160 --> 1:28:38.320
<v Speaker 1>on different mics. It's all different show.

1:28:38.840 --> 1:28:41.880
<v Speaker 3>It's a double sword though, right because sometimes like ship,

1:28:41.920 --> 1:28:44.919
<v Speaker 3>we've been recording in so many different crazy ass studios

1:28:44.920 --> 1:28:47.760
<v Speaker 3>in our man crib, like we we've done that, We've

1:28:47.760 --> 1:28:50.640
<v Speaker 3>done the cutting rooms, and then like you got a

1:28:50.720 --> 1:28:53.679
<v Speaker 3>guy like a like a East Swift, right, we recorded

1:28:53.680 --> 1:28:57.760
<v Speaker 3>with East Swift alcoholics, alcoholics, who's l Yeah, this guy

1:28:57.840 --> 1:28:58.360
<v Speaker 3>is a beast.

1:28:59.000 --> 1:29:01.400
<v Speaker 2>But it's like we in the bathroom like it.

1:29:01.600 --> 1:29:07.280
<v Speaker 3>It's like a mattress, yeah, the drummer like that, you

1:29:07.320 --> 1:29:09.519
<v Speaker 3>know what I mean. But then it's like, all right,

1:29:09.520 --> 1:29:11.320
<v Speaker 3>we did, we did one. We did when we did

1:29:11.320 --> 1:29:16.120
<v Speaker 3>the reggae album. We recorded behind like bookshelves and ship again.

1:29:16.200 --> 1:29:19.720
<v Speaker 3>It was like mattresses, the case alone, case along and

1:29:19.760 --> 1:29:23.240
<v Speaker 3>we had the mics, you know, the you know the recorder,

1:29:23.360 --> 1:29:26.799
<v Speaker 3>the old school recorders, like when you doing an interview

1:29:26.800 --> 1:29:30.759
<v Speaker 3>with a cat with the little MIC's the little mike sticks.

1:29:30.880 --> 1:29:32.280
<v Speaker 2>I mean it's like a small boom mint.

1:29:33.040 --> 1:29:38.360
<v Speaker 3>We rapping on that like I was in yard though

1:29:38.439 --> 1:29:40.479
<v Speaker 3>for real, I was like, yeah, this is like this

1:29:40.720 --> 1:29:42.960
<v Speaker 3>you thirty like from.

1:29:43.720 --> 1:29:45.400
<v Speaker 1>But what's the name? Digital world?

1:29:45.560 --> 1:29:48.679
<v Speaker 4>After a while, because you know, rest my brother had

1:29:48.720 --> 1:29:51.840
<v Speaker 4>the s v K saved us a lot of money

1:29:51.840 --> 1:29:55.559
<v Speaker 4>by switching us the digital from analog, and we learned how.

1:29:55.439 --> 1:29:56.280
<v Speaker 1>To rape the label.

1:29:56.400 --> 1:30:02.840
<v Speaker 4>Yeah, yeah, that that's the truth.

1:30:03.160 --> 1:30:03.639
<v Speaker 2>We ain't taking.

1:30:03.920 --> 1:30:09.439
<v Speaker 1>Definitely, digital is cheaper in case, like what you said,

1:30:09.439 --> 1:30:10.920
<v Speaker 1>it's a gift in the curse because it's like in

1:30:11.080 --> 1:30:14.439
<v Speaker 1>the course, it's like all right, cool, like to make

1:30:14.439 --> 1:30:17.479
<v Speaker 1>an analog record, you gotta be there six hours. You

1:30:17.520 --> 1:30:20.439
<v Speaker 1>ain't you ain't you ain't just unless your rhyme is

1:30:21.479 --> 1:30:23.080
<v Speaker 1>unless you're five percent with it, like you know what

1:30:23.120 --> 1:30:27.519
<v Speaker 1>I mean, Like you want to be like no lesson Yeah, yeah, yeah, yeah,

1:30:31.280 --> 1:30:34.479
<v Speaker 1>that's that's when we have oversaturation. Now digital anybody could

1:30:34.479 --> 1:30:37.280
<v Speaker 1>be a recording artist. You got some on your computer,

1:30:37.400 --> 1:30:40.840
<v Speaker 1>You got some being apone can sound like y'all, you

1:30:40.920 --> 1:30:41.840
<v Speaker 1>can sound like me a bone.

1:30:43.760 --> 1:30:47.080
<v Speaker 3>You can only do the right thing with a I

1:30:47.280 --> 1:30:50.200
<v Speaker 3>was being I liked what he said. Only person just

1:30:50.439 --> 1:30:53.280
<v Speaker 3>gonna use his old voice. Yeah, and his new album

1:30:53.439 --> 1:30:57.439
<v Speaker 3>so he can sound like so now being so so.

1:30:57.479 --> 1:31:01.080
<v Speaker 3>Now we're talking about about on the Rabbit. Now we're

1:31:01.120 --> 1:31:02.800
<v Speaker 3>going down a rabbits hole, because that would be if

1:31:02.800 --> 1:31:03.280
<v Speaker 3>we did like.

1:31:03.640 --> 1:31:09.200
<v Speaker 1>Digg dka do that, if he never would have lost

1:31:09.200 --> 1:31:13.639
<v Speaker 1>his voice.

1:31:13.720 --> 1:31:15.280
<v Speaker 2>He was writing for everybody.

1:31:16.120 --> 1:31:18.360
<v Speaker 3>Other than that, we don't need to be tampering with that.

1:31:18.479 --> 1:31:19.880
<v Speaker 3>Cats are still alive.

1:31:20.320 --> 1:31:23.280
<v Speaker 1>You know what I'm saying. I set people sometimes people

1:31:23.320 --> 1:31:24.680
<v Speaker 1>need I say some.

1:31:24.840 --> 1:31:25.400
<v Speaker 2>I've seen some.

1:31:25.560 --> 1:31:28.840
<v Speaker 3>I've seen some artists on the on this like fifty

1:31:28.920 --> 1:31:32.679
<v Speaker 3>year trip, like they really struggling, trying hard to get

1:31:32.760 --> 1:31:35.960
<v Speaker 3>in the game. Some cats is looking out of shape,

1:31:36.680 --> 1:31:38.880
<v Speaker 3>you know, and it's like it's hard. It's difficult, like

1:31:38.960 --> 1:31:40.640
<v Speaker 3>even for I'm not saying you got to go to

1:31:40.680 --> 1:31:43.240
<v Speaker 3>the gym all the time, but like even like mentally

1:31:43.800 --> 1:31:46.000
<v Speaker 3>getting up there and performing in front of people, like

1:31:46.000 --> 1:31:46.680
<v Speaker 3>you gotta.

1:31:46.439 --> 1:31:48.760
<v Speaker 1>Be gotta be in a space, right, you know what

1:31:48.760 --> 1:31:49.040
<v Speaker 1>I mean?

1:31:49.120 --> 1:31:51.880
<v Speaker 3>So like all that, we ain't gonna be jumping around,

1:31:52.479 --> 1:31:56.000
<v Speaker 3>but you see guys coming and paying. But they was

1:31:56.120 --> 1:31:59.360
<v Speaker 3>the tickets was like three hundred, like three hundred and up.

1:32:00.120 --> 1:32:02.040
<v Speaker 3>People want to see if people want to be at

1:32:02.120 --> 1:32:04.120
<v Speaker 3>the rafter bells, I think something like that. I don't know,

1:32:04.160 --> 1:32:05.880
<v Speaker 3>but yeah, you say that he probably was way more

1:32:05.880 --> 1:32:06.120
<v Speaker 3>than that.

1:32:06.960 --> 1:32:10.120
<v Speaker 4>They only seemed like maybe a bucket from this Gate

1:32:10.160 --> 1:32:12.440
<v Speaker 4>eight show you the tickets wasn't that expensive.

1:32:13.400 --> 1:32:15.200
<v Speaker 1>That ship was infinite.

1:32:14.920 --> 1:32:16.440
<v Speaker 2>Gate eight Beyonce.

1:32:16.840 --> 1:32:24.080
<v Speaker 1>Beyonce was shut it down. She gave him away fifteen million.

1:32:24.280 --> 1:32:27.519
<v Speaker 1>I ain't tell the Swift, Let's keep him broun. I'm

1:32:27.520 --> 1:32:29.640
<v Speaker 1>not looking for tell the Swift concert. I'm going to

1:32:29.680 --> 1:32:34.720
<v Speaker 1>be our concert wherever you are. The money may but

1:32:35.040 --> 1:32:37.280
<v Speaker 1>I'm going to a Drake concert. Yeah, I want to

1:32:37.320 --> 1:32:40.160
<v Speaker 1>see them bras being thrown go ahead.

1:32:40.400 --> 1:32:44.200
<v Speaker 4>Fitty said he ain't get no bros, get no bros

1:32:45.360 --> 1:32:46.000
<v Speaker 4>A bulletproof.

1:32:46.040 --> 1:32:48.440
<v Speaker 1>I stole at scar face.

1:32:50.400 --> 1:33:00.519
<v Speaker 3>Oh face uh goe with face. Man, you gotta you

1:33:00.520 --> 1:33:03.240
<v Speaker 3>gotta commit when the sugar hard, when you get you hard,

1:33:04.280 --> 1:33:07.120
<v Speaker 3>you got thanks to You can't think you know what's.

1:33:07.000 --> 1:33:09.160
<v Speaker 1>Crazy about real hip hop?

1:33:09.600 --> 1:33:12.120
<v Speaker 2>I can see.

1:33:13.000 --> 1:33:13.639
<v Speaker 1>It's crazy.

1:33:13.960 --> 1:33:19.040
<v Speaker 4>Think about personal nae joint, think about oh yeah, come on,

1:33:19.200 --> 1:33:22.800
<v Speaker 4>think about scar face joint on joint. Then you gotta

1:33:22.840 --> 1:33:23.880
<v Speaker 4>really think about.

1:33:23.640 --> 1:33:28.600
<v Speaker 2>Ever seeing a man crass. You guys, you get me

1:33:28.640 --> 1:33:29.000
<v Speaker 2>started with.

1:33:30.040 --> 1:33:30.840
<v Speaker 1>That's what I'm saying.

1:33:31.040 --> 1:33:36.599
<v Speaker 2>That was that was no stopping. It's no easy way

1:33:36.640 --> 1:33:37.439
<v Speaker 2>out on that one.

1:33:37.479 --> 1:33:41.519
<v Speaker 1>Bro Ski So what we all got to drink? Saying both?

1:33:41.800 --> 1:33:41.880
<v Speaker 3>No?

1:33:42.000 --> 1:33:43.920
<v Speaker 2>I said, I said both. I say both.

1:33:43.920 --> 1:33:46.000
<v Speaker 1>I'm saying yeah.

1:33:45.120 --> 1:33:50.760
<v Speaker 4>Shot because faceball many small, it's crazy face small coas

1:33:50.840 --> 1:33:51.800
<v Speaker 4>me can.

1:33:54.120 --> 1:34:01.800
<v Speaker 2>All right ready what you said that Boys and the Society.

1:34:07.439 --> 1:34:11.799
<v Speaker 6>Those are two classic. This is a life lesson movies.

1:34:12.960 --> 1:34:15.240
<v Speaker 1>I'm at the at the at the border trying to

1:34:15.280 --> 1:34:18.120
<v Speaker 1>get you know, because it's like watching the movies.

1:34:18.160 --> 1:34:20.599
<v Speaker 6>You applied ship from the movies to your every day

1:34:20.680 --> 1:34:23.679
<v Speaker 6>life to get to where you are right now.

1:34:25.200 --> 1:34:29.080
<v Speaker 1>God damn man, boys in the hood or what it's now,

1:34:29.120 --> 1:34:30.040
<v Speaker 1>y'all gotta take a.

1:34:30.040 --> 1:34:39.360
<v Speaker 15>Drink, Okay, yeah, y'all san this mixing over there.

1:34:39.520 --> 1:34:46.080
<v Speaker 1>Um yeah, I gotta go with both cool, all right,

1:34:46.479 --> 1:34:48.800
<v Speaker 1>because you know, we'll skip around a little bit and

1:34:48.840 --> 1:34:50.439
<v Speaker 1>you can go back to whatever you want to go

1:34:50.479 --> 1:35:00.519
<v Speaker 1>to rap City or your TV raps mm hmmm mm.

1:34:55.640 --> 1:35:00.240
<v Speaker 3>Hmm yr m t V raps. That's the foundation him

1:35:00.280 --> 1:35:05.120
<v Speaker 3>right then. Yeah, that's a hard one too, it damn

1:35:05.520 --> 1:35:09.479
<v Speaker 3>said Ralph Daniel. Rap City had the basement was to

1:35:09.520 --> 1:35:12.720
<v Speaker 3>come up, and so I would even say you m

1:35:12.760 --> 1:35:19.439
<v Speaker 3>T was with uh yeah, yeah, guys, I say five

1:35:19.520 --> 1:35:20.519
<v Speaker 3>five The other day on.

1:35:20.600 --> 1:35:22.920
<v Speaker 2>Some ship city was Joe Claire that's the home.

1:35:23.520 --> 1:35:26.959
<v Speaker 3>And that's the homie too, Joe Claire and tagged off.

1:35:28.040 --> 1:35:29.280
<v Speaker 1>This drink and they both.

1:35:32.200 --> 1:35:37.439
<v Speaker 2>You can't many.

1:35:39.200 --> 1:35:39.960
<v Speaker 1>I can't.

1:35:41.439 --> 1:35:43.240
<v Speaker 2>Like we've been in DC like every other week.

1:35:44.120 --> 1:35:48.719
<v Speaker 1>Okay, this one, I'm curious. I did my ship Okay,

1:35:49.040 --> 1:35:51.240
<v Speaker 1>I'm curious for this one. I feel like you're both

1:35:51.280 --> 1:35:54.840
<v Speaker 1>going to drink on this one. K rest Or rock

1:35:54.960 --> 1:35:59.000
<v Speaker 1>himp mm hmm. Whatever can carry you you want.

1:36:00.080 --> 1:36:03.120
<v Speaker 2>He's drinking already.

1:36:03.160 --> 1:36:05.200
<v Speaker 1>Relationships, man, that's the fun.

1:36:05.360 --> 1:36:09.480
<v Speaker 3>That part because it's like you're thinking about accomplishments.

1:36:10.800 --> 1:36:11.720
<v Speaker 2>It's whatever is.

1:36:14.240 --> 1:36:17.880
<v Speaker 1>Melody, you know, but they both really don't fly. You

1:36:17.880 --> 1:36:22.840
<v Speaker 1>gotta gotta get with them on boat nobody beat.

1:36:23.920 --> 1:36:25.920
<v Speaker 3>That's not hip hop royalty. I don't know where is

1:36:26.280 --> 1:36:29.240
<v Speaker 3>that is. Ultimately, I don't like to be on a

1:36:29.280 --> 1:36:33.200
<v Speaker 3>plane longer than like three four hours really, but a

1:36:33.280 --> 1:36:34.160
<v Speaker 3>boat but.

1:36:34.960 --> 1:36:37.400
<v Speaker 1>You gotta leave like a week and a half, will

1:36:37.439 --> 1:36:38.520
<v Speaker 1>take a boat overseas.

1:36:38.960 --> 1:36:41.880
<v Speaker 3>But what I do love about Chris is that he'll

1:36:42.280 --> 1:36:45.400
<v Speaker 3>he bring his family. Yeah, not away from your FAMI.

1:36:45.640 --> 1:36:47.519
<v Speaker 3>Kids are DJs.

1:36:48.000 --> 1:36:49.240
<v Speaker 2>Yeah you get home.

1:36:50.960 --> 1:36:57.280
<v Speaker 3>That's only Yeah he's doing and I think now.

1:36:57.280 --> 1:36:57.800
<v Speaker 2>And all that.

1:36:57.920 --> 1:37:05.479
<v Speaker 1>Yeah, the family, it's a family. Remember before Miss Melody

1:37:05.560 --> 1:37:10.040
<v Speaker 1>was all they were all together? Do ship? That ship worked.

1:37:10.120 --> 1:37:13.639
<v Speaker 3>Yeah, So that means like do you get homesick?

1:37:14.760 --> 1:37:17.200
<v Speaker 2>Your whole crime is you And that's a real wave

1:37:17.280 --> 1:37:18.719
<v Speaker 2>pop family crib.

1:37:18.880 --> 1:37:25.120
<v Speaker 3>You gotta think like both a boat tore like Africa Australia.

1:37:25.640 --> 1:37:28.320
<v Speaker 1>That's like a week, like a week, yeah, like a week,

1:37:28.720 --> 1:37:30.920
<v Speaker 1>not a week. It's a week that gotta be more

1:37:30.960 --> 1:37:31.479
<v Speaker 1>than a week.

1:37:31.560 --> 1:37:34.080
<v Speaker 2>Yeah, I got you.

1:37:33.960 --> 1:37:41.400
<v Speaker 9>Want to talk about bro, take you.

1:37:43.439 --> 1:37:45.800
<v Speaker 5>Take you a day to get Texans?

1:37:45.800 --> 1:37:49.840
<v Speaker 1>Bro take you it's day by car. On the bus,

1:37:49.880 --> 1:37:51.519
<v Speaker 1>it does take your day to get through. Take you

1:37:51.600 --> 1:37:54.760
<v Speaker 1>all the Texas, it does Texas, buddy.

1:37:55.320 --> 1:37:57.680
<v Speaker 15>The bus we didn't hell in New York is like

1:37:57.720 --> 1:37:58.880
<v Speaker 15>twenty eight hours.

1:37:58.560 --> 1:38:01.479
<v Speaker 2>On it twice, right, eighteen seventeen.

1:38:01.800 --> 1:38:07.240
<v Speaker 1>I think it take you said, from here to Africa

1:38:07.280 --> 1:38:09.400
<v Speaker 1>abound No, no, no, I'm thinking of the last time

1:38:09.520 --> 1:38:10.880
<v Speaker 1>karas One was on drink Champs.

1:38:10.920 --> 1:38:13.519
<v Speaker 2>Remember he went to Europe. He went to Europe after that,

1:38:14.720 --> 1:38:15.080
<v Speaker 2>I think it.

1:38:15.320 --> 1:38:18.800
<v Speaker 7>I think it took like a week, you know, I'm

1:38:20.080 --> 1:38:20.479
<v Speaker 7>at all.

1:38:21.200 --> 1:38:25.080
<v Speaker 1>But but what he does though, Yeah, in fact, Joe

1:38:25.120 --> 1:38:28.639
<v Speaker 1>wasn't flying originally because of karas One. In fact, yeah,

1:38:28.640 --> 1:38:31.519
<v Speaker 1>he didn't fly originally. Yeah, but listen, ain't nothing.

1:38:31.439 --> 1:38:33.680
<v Speaker 3>Nice about being on a boat for a week though,

1:38:34.040 --> 1:38:41.679
<v Speaker 3>But it's hopefully nobody against ind no accident.

1:38:41.720 --> 1:38:46.639
<v Speaker 2>Everybody said he's in a car accident.

1:38:47.320 --> 1:38:47.840
<v Speaker 1>Accident.

1:38:48.240 --> 1:38:50.040
<v Speaker 3>But but what he does though, which is which is

1:38:50.120 --> 1:38:53.640
<v Speaker 3>genius aside from taking his family is like depending on

1:38:53.760 --> 1:38:55.240
<v Speaker 3>I guess the lens for the show, like you know,

1:38:55.560 --> 1:38:57.800
<v Speaker 3>like back in the days they have even now they

1:38:57.800 --> 1:39:00.719
<v Speaker 3>have the cruises. Right when you stopping different the country

1:39:00.800 --> 1:39:03.040
<v Speaker 3>is on the way, so you have like he was

1:39:03.040 --> 1:39:06.400
<v Speaker 3>talking about going I guess to Europe or whatever, but

1:39:06.520 --> 1:39:07.120
<v Speaker 3>stopping in.

1:39:07.120 --> 1:39:09.280
<v Speaker 1>Like the rock the bell crews coming up to go

1:39:09.320 --> 1:39:11.400
<v Speaker 1>to like to go to like.

1:39:11.320 --> 1:39:14.519
<v Speaker 3>This library, and he's like, this book you can only

1:39:14.640 --> 1:39:18.280
<v Speaker 3>find in this, in this this, this, this church.

1:39:18.479 --> 1:39:21.479
<v Speaker 2>I'm like, yo, this guy is really in it like that.

1:39:22.520 --> 1:39:25.600
<v Speaker 3>So when it comes to him being a teacher and

1:39:25.640 --> 1:39:28.200
<v Speaker 3>a scholar as far as that, that's rare.

1:39:28.680 --> 1:39:30.080
<v Speaker 2>It's all done. I can't speak.

1:39:30.160 --> 1:39:32.960
<v Speaker 3>And you know, it's almost blasphemy because Rock Chim is

1:39:33.000 --> 1:39:34.400
<v Speaker 3>the god that's top five, So.

1:39:34.400 --> 1:39:35.600
<v Speaker 1>You pick a care of us. One is this is

1:39:35.600 --> 1:39:39.519
<v Speaker 1>what you're saying. I'm drinking. I'm drinking. I'm definitely drinking

1:39:39.560 --> 1:39:40.559
<v Speaker 1>because he's the case.

1:39:41.080 --> 1:39:51.799
<v Speaker 3>But in the world, man, right, hut, the tighten tightens.

1:39:51.880 --> 1:39:54.240
<v Speaker 2>Man, drink you want to.

1:39:54.320 --> 1:39:55.760
<v Speaker 1>You want to go to the last one until we

1:39:55.760 --> 1:39:57.439
<v Speaker 1>can get back quick. That was trying to.

1:39:57.600 --> 1:39:59.240
<v Speaker 2>I mean there's still some good ones, man, Okay, you

1:39:59.280 --> 1:40:00.559
<v Speaker 2>want to get one more good one of the.

1:40:03.600 --> 1:40:03.720
<v Speaker 1>Two.

1:40:03.720 --> 1:40:05.200
<v Speaker 2>A couple of nip your easy.

1:40:07.680 --> 1:40:15.439
<v Speaker 1>Damn mm hmm.

1:40:16.800 --> 1:40:19.880
<v Speaker 3>Easy is the godfather. Man, let me go with man,

1:40:21.080 --> 1:40:22.400
<v Speaker 3>that's the piece, both of them, brothers.

1:40:22.400 --> 1:40:26.439
<v Speaker 6>Man, I can see nip nip nipp is is the

1:40:26.720 --> 1:40:28.759
<v Speaker 6>is like a fore runner for a whole new generation.

1:40:29.080 --> 1:40:30.960
<v Speaker 2>He carried a torch. Carry the torch.

1:40:31.120 --> 1:40:34.439
<v Speaker 6>So yeah, we drinking, but both I respect. That's in

1:40:34.520 --> 1:40:35.439
<v Speaker 6>peace of them brothers.

1:40:35.840 --> 1:40:42.840
<v Speaker 1>You want to go, man, the Chronic or me against

1:40:42.840 --> 1:40:47.120
<v Speaker 1>the World? M you didn't drink.

1:40:47.200 --> 1:40:52.559
<v Speaker 3>Brother a minute and it's your birthday and you didn't

1:40:52.600 --> 1:40:56.560
<v Speaker 3>drink Chronic or me against the World.

1:40:57.120 --> 1:41:01.320
<v Speaker 2>I'm trying to think of where I was at those

1:41:03.360 --> 1:41:05.639
<v Speaker 2>when those albums was dropping like that.

1:41:06.360 --> 1:41:08.639
<v Speaker 1>I mean, Against the World is the album he dropped

1:41:08.640 --> 1:41:09.719
<v Speaker 1>as he came out of jail.

1:41:09.680 --> 1:41:10.280
<v Speaker 2>That came out.

1:41:11.240 --> 1:41:16.000
<v Speaker 3>This was when we was World.

1:41:16.880 --> 1:41:18.720
<v Speaker 1>He was I think he was in he was just

1:41:18.720 --> 1:41:19.320
<v Speaker 1>getting out.

1:41:19.800 --> 1:41:20.320
<v Speaker 2>He was still in.

1:41:20.320 --> 1:41:22.479
<v Speaker 7>It wasn't it wasn't even in prison when that against

1:41:22.520 --> 1:41:24.439
<v Speaker 7>the World, Yeah.

1:41:24.280 --> 1:41:24.920
<v Speaker 2>That was.

1:41:25.080 --> 1:41:26.599
<v Speaker 7>That was the one that had the video with everybody

1:41:26.640 --> 1:41:28.240
<v Speaker 7>in it, but like all the celebrities.

1:41:28.320 --> 1:41:30.280
<v Speaker 1>Yeah, that's when he was coming out. I'm with you

1:41:30.360 --> 1:41:30.760
<v Speaker 1>on that one.

1:41:31.240 --> 1:41:33.559
<v Speaker 2>He was whatever it was rolled out while he was

1:41:33.560 --> 1:41:34.040
<v Speaker 2>still in there.

1:41:34.600 --> 1:41:36.760
<v Speaker 1>But we all know that the Chronic is.

1:41:38.479 --> 1:41:42.519
<v Speaker 3>That's one of the you know, top top being in

1:41:42.680 --> 1:41:43.920
<v Speaker 3>the Blueprint album.

1:41:44.240 --> 1:41:46.519
<v Speaker 1>That's not even like an album that's like a fucking

1:41:46.680 --> 1:41:49.640
<v Speaker 1>like that's a double album, wasn't it. That is like

1:41:49.800 --> 1:41:53.920
<v Speaker 1>that's a that's like a like a symphonic that we

1:41:54.000 --> 1:42:00.120
<v Speaker 1>got like my old school may that's all all. Let

1:42:00.160 --> 1:42:01.680
<v Speaker 1>me just say you something came out.

1:42:03.479 --> 1:42:04.560
<v Speaker 2>Let me let me just say some I want you

1:42:04.600 --> 1:42:05.000
<v Speaker 2>to drink.

1:42:06.400 --> 1:42:11.439
<v Speaker 1>One day, Listen, listen, listen. One day. I'm outside and

1:42:11.479 --> 1:42:14.920
<v Speaker 1>I'm listening to just pot right, So I'm taking a

1:42:14.960 --> 1:42:18.080
<v Speaker 1>walk and that record comes on. Ain't nothing like the

1:42:18.080 --> 1:42:20.360
<v Speaker 1>Old School and he's talking about Skelly. He's talking about

1:42:20.479 --> 1:42:26.840
<v Speaker 1>only New York Ship and I'm listening to it. And

1:42:26.880 --> 1:42:29.600
<v Speaker 1>the people that I'm what, they don't they don't they

1:42:29.640 --> 1:42:32.640
<v Speaker 1>don't get they don't get it at all. When you

1:42:32.760 --> 1:42:35.160
<v Speaker 1>was in New York, I was saying, Hollywood Beach, just

1:42:35.240 --> 1:42:39.720
<v Speaker 1>just taking a walk. And then California Love comes on,

1:42:41.200 --> 1:42:43.960
<v Speaker 1>and it's crazy how he embodied.

1:42:46.200 --> 1:42:49.080
<v Speaker 7>Coast because he is from both coasts in that way.

1:42:49.400 --> 1:42:52.200
<v Speaker 1>I just didn't see nobody ever in like, if you

1:42:52.360 --> 1:42:55.200
<v Speaker 1>listen to like you not being from New York, you

1:42:55.320 --> 1:43:00.720
<v Speaker 1>might not catch the Jews that he's saying in about

1:43:01.479 --> 1:43:03.720
<v Speaker 1>you know, talking about the fire hydrants. There's certain just

1:43:03.760 --> 1:43:06.240
<v Speaker 1>certain things that just was in New York, right, and

1:43:06.320 --> 1:43:10.000
<v Speaker 1>especially at that time. So when you I'm listening to it,

1:43:10.040 --> 1:43:13.320
<v Speaker 1>then I'm listening to California Love, which I can't actually

1:43:13.360 --> 1:43:16.160
<v Speaker 1>relate to because I never actually lived in Cali. But

1:43:16.600 --> 1:43:19.439
<v Speaker 1>I'm listening and the people that's with me, it's like, oh,

1:43:19.560 --> 1:43:23.680
<v Speaker 1>they get it, and I'm looking like, holy ship. This

1:43:23.720 --> 1:43:31.400
<v Speaker 1>guy actually the one and only person to ever actually capture.

1:43:32.040 --> 1:43:35.120
<v Speaker 2>Both both stories. That's why he went the top five.

1:43:35.960 --> 1:43:37.840
<v Speaker 1>Did you watch it?

1:43:38.000 --> 1:43:38.120
<v Speaker 2>No?

1:43:38.120 --> 1:43:39.680
<v Speaker 1>No, I came on right back to back. It was

1:43:39.720 --> 1:43:41.840
<v Speaker 1>I had my playlist on. But did you watch The

1:43:41.840 --> 1:43:44.600
<v Speaker 1>Dear Mama? The documentary? Oh no, I did not, was

1:43:44.960 --> 1:43:48.640
<v Speaker 1>the latest. We all know his mama's a panther. I

1:43:48.640 --> 1:43:49.040
<v Speaker 1>didn't know that.

1:43:49.040 --> 1:43:50.840
<v Speaker 7>It was in Harlem when she was at and she

1:43:51.000 --> 1:43:53.000
<v Speaker 7>damn you ran the whole thing.

1:43:53.400 --> 1:43:53.920
<v Speaker 1>Wow, I know.

1:43:54.120 --> 1:43:56.160
<v Speaker 7>So, I mean his his roots in New York are

1:43:56.479 --> 1:43:58.360
<v Speaker 7>like it's it's it's crazy.

1:43:58.640 --> 1:44:00.760
<v Speaker 3>So you got to think, man, this guy and went

1:44:00.800 --> 1:44:05.120
<v Speaker 3>to acting school like he was dedicated.

1:44:05.800 --> 1:44:11.240
<v Speaker 6>And the Ellens ghettos of New York be more Baltimore Ghetto.

1:44:11.320 --> 1:44:12.839
<v Speaker 6>That's like Carmelo Anthony.

1:44:12.880 --> 1:44:16.320
<v Speaker 2>That's ridiculous. That's the both worlds. That's some black Jesus Christ.

1:44:17.680 --> 1:44:19.799
<v Speaker 2>You you you you.

1:44:19.680 --> 1:44:22.760
<v Speaker 3>Went through all of the hells you went through love Hella, right,

1:44:23.560 --> 1:44:27.760
<v Speaker 3>and you was raised by an army like you don't

1:44:27.760 --> 1:44:30.840
<v Speaker 3>have you talked about a village. He was raised by

1:44:30.840 --> 1:44:33.200
<v Speaker 3>a village of panthers and they was going through it.

1:44:33.280 --> 1:44:36.120
<v Speaker 3>He was born in the belly, right, He was in

1:44:36.160 --> 1:44:38.240
<v Speaker 3>the belly and his balls in prison.

1:44:38.400 --> 1:44:39.840
<v Speaker 2>Yeah yeah, yeah, yeah.

1:44:40.000 --> 1:44:42.519
<v Speaker 3>So you got a person with that that that that

1:44:42.640 --> 1:44:45.919
<v Speaker 3>is has has taken all of this, this this trauma

1:44:46.479 --> 1:44:49.160
<v Speaker 3>and been able to give it back. A lot of

1:44:49.160 --> 1:44:52.559
<v Speaker 3>people were very critical of Pop because he tends to

1:44:53.240 --> 1:44:55.400
<v Speaker 3>bounce around and go are you're a panther or you

1:44:55.479 --> 1:44:56.000
<v Speaker 3>a gangster?

1:44:56.200 --> 1:44:58.040
<v Speaker 2>That's a he's a he's an artist like that.

1:44:58.120 --> 1:44:58.439
<v Speaker 3>He was.

1:45:00.040 --> 1:45:03.880
<v Speaker 1>Understand how young he was, Like the last question back

1:45:03.920 --> 1:45:07.120
<v Speaker 1>until we could go in and go into the Yeah,

1:45:07.720 --> 1:45:14.360
<v Speaker 1>but when you go more, we hear you, bro, because

1:45:14.960 --> 1:45:19.920
<v Speaker 1>take the mic and checked it. The question was what

1:45:20.400 --> 1:45:23.720
<v Speaker 1>it was me against the world? Yeah, yeah, yeah, we're

1:45:23.760 --> 1:45:27.160
<v Speaker 1>drinking to that. Okay, but we drank yeah yes, but

1:45:27.240 --> 1:45:28.599
<v Speaker 1>now this is the last one and we're gonna get

1:45:28.600 --> 1:45:32.240
<v Speaker 1>back into the interview. You heard yeah, Okay, this is

1:45:32.240 --> 1:45:33.960
<v Speaker 1>the this is the one. I feel like everyone should

1:45:34.000 --> 1:45:39.559
<v Speaker 1>drink on this. Loyalty or respect the guys start drinking.

1:45:39.960 --> 1:45:52.000
<v Speaker 1>Everybody should drink, is there?

1:45:52.240 --> 1:45:54.880
<v Speaker 2>Of course? You know they both go hand in hands.

1:45:54.560 --> 1:45:58.519
<v Speaker 3>But like like what hand you grow up with, you

1:45:58.600 --> 1:46:03.479
<v Speaker 3>will you will want the respect from your peers, and

1:46:03.800 --> 1:46:04.280
<v Speaker 3>you're a man.

1:46:04.360 --> 1:46:06.400
<v Speaker 6>You want that respect and you're gonna give it. But

1:46:07.320 --> 1:46:10.439
<v Speaker 6>from that is gonna choose to be loyal to you

1:46:10.560 --> 1:46:12.360
<v Speaker 6>or not because you might not need that loyal to

1:46:12.439 --> 1:46:13.320
<v Speaker 6>you at the s time.

1:46:13.479 --> 1:46:16.960
<v Speaker 1>So who would have wanted both? Who wouldn't want both?

1:46:17.080 --> 1:46:20.479
<v Speaker 1>But respect is a big thing. So that's so you're

1:46:20.479 --> 1:46:21.160
<v Speaker 1>going to respect.

1:46:21.920 --> 1:46:24.720
<v Speaker 2>I'm going with respect, but I'm going with both. I

1:46:24.840 --> 1:46:25.639
<v Speaker 2>respect that.

1:46:29.320 --> 1:46:31.479
<v Speaker 1>You gotta drink on that ship.

1:46:32.800 --> 1:46:43.679
<v Speaker 5>He said one, but ship.

1:46:45.280 --> 1:46:47.280
<v Speaker 1>Because you could not, he said both at the end,

1:46:49.439 --> 1:46:50.679
<v Speaker 1>still this one wanting.

1:46:50.760 --> 1:46:53.639
<v Speaker 2>So yeah, you drinking.

1:46:57.120 --> 1:47:01.719
<v Speaker 1>I'm not drinking that Wana shot you see? Yeah yeah,

1:47:02.240 --> 1:47:05.880
<v Speaker 1>so hold on. So you know I watched I watched

1:47:05.880 --> 1:47:13.240
<v Speaker 1>you uh on a clip of map Hapa, my expert

1:47:13.280 --> 1:47:20.000
<v Speaker 1>opinion podcast, and it was a time where I believe

1:47:20.040 --> 1:47:22.120
<v Speaker 1>the guy like kind of like he questioned you or

1:47:22.120 --> 1:47:26.720
<v Speaker 1>something about your relationship with Pop and I believe your

1:47:26.720 --> 1:47:29.840
<v Speaker 1>response on paraphrasing, it's like, yo, buddy, you wasn't there

1:47:30.160 --> 1:47:33.920
<v Speaker 1>so there's no way you can actually judge this this scenario, right,

1:47:34.280 --> 1:47:36.639
<v Speaker 1>which is like a lot of people ask me about

1:47:36.680 --> 1:47:38.880
<v Speaker 1>things and it's really pretty much the same thing I say.

1:47:38.920 --> 1:47:43.439
<v Speaker 1>It's like, Yo, it's being around and being in it

1:47:43.520 --> 1:47:47.759
<v Speaker 1>is two different. Like I was, I never met Tupac

1:47:47.800 --> 1:47:50.720
<v Speaker 1>at all, so so I can't I can't relate to it,

1:47:50.760 --> 1:47:52.280
<v Speaker 1>like you know what I'm saying, so that but I

1:47:52.320 --> 1:47:53.479
<v Speaker 1>was around it, but I.

1:47:53.479 --> 1:47:54.120
<v Speaker 2>Wasn't in it.

1:47:54.520 --> 1:47:57.320
<v Speaker 1>So can you describe for people who didn't know, like

1:47:57.400 --> 1:48:01.120
<v Speaker 1>you know, or don't know when they google and they see,

1:48:01.400 --> 1:48:04.200
<v Speaker 1>you know what I'm saying, the Coco brothers, Smith and

1:48:04.240 --> 1:48:07.640
<v Speaker 1>West and at this time where we're supposed to be

1:48:07.640 --> 1:48:11.000
<v Speaker 1>trimorial with what people know, it's really he was just

1:48:11.120 --> 1:48:11.599
<v Speaker 1>bad boy.

1:48:11.800 --> 1:48:13.240
<v Speaker 2>But people at that time.

1:48:13.360 --> 1:48:15.400
<v Speaker 1>Tried to relate it to as if it was the

1:48:15.520 --> 1:48:17.080
<v Speaker 1>whole East West coast.

1:48:17.160 --> 1:48:20.040
<v Speaker 2>So yeah, yeah, it wasn't.

1:48:20.760 --> 1:48:23.040
<v Speaker 6>As you know now, it wasn't that it was just

1:48:23.120 --> 1:48:29.360
<v Speaker 6>between individuals and certain joints. But the whole time we

1:48:29.479 --> 1:48:33.360
<v Speaker 6>had met Pop, his whole stance was like, Yo, I

1:48:33.720 --> 1:48:35.519
<v Speaker 6>really want to unite this hip hop ship.

1:48:35.680 --> 1:48:38.160
<v Speaker 2>What was it called One Nation? Was an album of

1:48:38.160 --> 1:48:38.479
<v Speaker 2>the gun.

1:48:38.720 --> 1:48:40.479
<v Speaker 6>He was like Yo, I really want to unite this

1:48:40.600 --> 1:48:46.800
<v Speaker 6>hip hop ship. And we had a relationship for him.

1:48:46.840 --> 1:48:49.080
<v Speaker 6>As soon as he came home, he called us up

1:48:49.120 --> 1:48:52.080
<v Speaker 6>at the label was like yo. He talked to Buck

1:48:52.120 --> 1:48:56.240
<v Speaker 6>Shot Wow and Buck. You know Buck used to be

1:48:56.360 --> 1:48:58.720
<v Speaker 6>heavy on the print calls, just like the Jerky Boy.

1:48:58.840 --> 1:49:03.880
<v Speaker 6>So he did that ship to record labels forever. So

1:49:04.120 --> 1:49:06.640
<v Speaker 6>Buck got the call, It's like yo, Buck for you

1:49:06.760 --> 1:49:08.960
<v Speaker 6>Like man.

1:49:12.120 --> 1:49:14.040
<v Speaker 7>Sorry, but you guys had a relationship with Park already

1:49:14.040 --> 1:49:19.360
<v Speaker 7>before this though, no, so this coming home, this was

1:49:19.560 --> 1:49:20.000
<v Speaker 7>he was.

1:49:20.040 --> 1:49:23.200
<v Speaker 1>One of the homies. One of the homes was one

1:49:23.200 --> 1:49:27.599
<v Speaker 1>of the homies. Swan had a relationship with Stretcher.

1:49:27.960 --> 1:49:35.479
<v Speaker 3>Stretch then like, you know, Outlaws is from Jersey and

1:49:36.520 --> 1:49:40.960
<v Speaker 3>Dirty Jersey, Brooklyn Hard. It's a it's a weird relationship

1:49:40.960 --> 1:49:46.200
<v Speaker 3>with Jersey Cats and Brooklyn. So I think that, you know,

1:49:46.280 --> 1:49:49.280
<v Speaker 3>the Outlaw of Cats was checking out, you know, they

1:49:49.360 --> 1:49:51.400
<v Speaker 3>listening to the Buck Shot.

1:49:51.200 --> 1:49:54.559
<v Speaker 2>And seeing what's what and relaying words.

1:49:54.560 --> 1:49:57.720
<v Speaker 3>I don't know who got what they I know on

1:49:57.760 --> 1:49:59.960
<v Speaker 3>the back of the on the back of the show,

1:50:00.040 --> 1:50:04.160
<v Speaker 3>and Tech had rolled a shout out Mike Tyson and

1:50:04.560 --> 1:50:06.679
<v Speaker 3>Tupac like want to keep your head going with.

1:50:06.560 --> 1:50:08.120
<v Speaker 1>My right Tyson shirt today too.

1:50:08.640 --> 1:50:08.840
<v Speaker 11>Yeah.

1:50:08.920 --> 1:50:12.280
<v Speaker 3>Yeah, yeah, this is like random, super random. It could

1:50:12.280 --> 1:50:14.840
<v Speaker 3>be any any fact that our dudes that says, let's

1:50:14.880 --> 1:50:15.920
<v Speaker 3>reach out the cats, you know.

1:50:16.920 --> 1:50:18.400
<v Speaker 7>And then I don't want to say this to just

1:50:18.439 --> 1:50:20.680
<v Speaker 7>to throw it out there, but just to clarify.

1:50:21.200 --> 1:50:21.960
<v Speaker 2>Could it have been that?

1:50:22.439 --> 1:50:25.040
<v Speaker 7>Because I know that boot Camp had something with Big

1:50:25.080 --> 1:50:25.879
<v Speaker 7>and Drena Mafia.

1:50:26.400 --> 1:50:28.280
<v Speaker 2>Do you think that had anything to do he would

1:50:28.280 --> 1:50:31.800
<v Speaker 2>reach out to y'all? No, not at all.

1:50:32.479 --> 1:50:34.880
<v Speaker 3>When we got down there where we learned that it

1:50:35.040 --> 1:50:39.240
<v Speaker 3>was No, it was like they called who they could call.

1:50:40.600 --> 1:50:42.879
<v Speaker 2>He mentioned it, he said, I reached out the cats.

1:50:43.120 --> 1:50:45.639
<v Speaker 1>Because isn't that how that Method Man and Redman record

1:50:45.760 --> 1:50:46.200
<v Speaker 1>came about?

1:50:46.240 --> 1:50:46.360
<v Speaker 3>Too?

1:50:46.600 --> 1:50:48.600
<v Speaker 1>I think that was like kind of insane.

1:50:48.240 --> 1:50:52.120
<v Speaker 2>Vein what the one Magnum Forest doing.

1:50:52.320 --> 1:50:55.599
<v Speaker 1>The Method Man, Red Man and Tupac and Dazz Dylan.

1:50:56.040 --> 1:50:58.720
<v Speaker 2>Remember, I got my mind made up. I think I

1:50:58.760 --> 1:51:01.040
<v Speaker 2>think I think that was Okay Man, I know that

1:51:01.040 --> 1:51:03.040
<v Speaker 2>what we was down there with? Who was down there?

1:51:03.080 --> 1:51:07.760
<v Speaker 1>I think, yeah, okay, Greg nice?

1:51:07.800 --> 1:51:13.840
<v Speaker 3>Wow, Yeah some Jersey Cats, wasn't Meli Melan Nah?

1:51:14.160 --> 1:51:15.360
<v Speaker 1>I don't think Melly Man who.

1:51:15.479 --> 1:51:20.880
<v Speaker 3>Was knock you out or some ship with some one

1:51:20.920 --> 1:51:22.799
<v Speaker 3>of these serious five.

1:51:22.680 --> 1:51:26.120
<v Speaker 2>Niggas was there, Yeah, yeah, it was.

1:51:26.160 --> 1:51:28.200
<v Speaker 3>It was exciting, man, because it's like you're in the

1:51:28.240 --> 1:51:30.800
<v Speaker 3>studio with cats and everybody wants to get on the track.

1:51:31.120 --> 1:51:33.840
<v Speaker 3>But for us, it was like an opportunity, you know

1:51:33.880 --> 1:51:35.920
<v Speaker 3>what I mean, We're going down there as ambassadors of

1:51:36.000 --> 1:51:38.640
<v Speaker 3>hip hop. We ain't talking about like we on this

1:51:38.760 --> 1:51:41.080
<v Speaker 3>side of double agents or nothing like that. We're not

1:51:41.120 --> 1:51:43.160
<v Speaker 3>thinking about no trees and we couldn't even think about

1:51:43.160 --> 1:51:47.840
<v Speaker 3>trees in the Brooklyn That's that's ridiculous. So it was insulting,

1:51:48.439 --> 1:51:50.400
<v Speaker 3>you know what I mean, and especially like Brooklyn don't

1:51:50.439 --> 1:51:53.080
<v Speaker 3>even really we don't even be playing those types.

1:51:52.920 --> 1:51:55.360
<v Speaker 2>Of games like that gets really serious.

1:51:55.680 --> 1:52:00.240
<v Speaker 1>Word you use trees? Yeah, yeah, that's ship.

1:52:00.280 --> 1:52:04.960
<v Speaker 2>They talk about a bitch or a snitch or something.

1:52:05.439 --> 1:52:08.680
<v Speaker 1>So that was the backlash because so because you know,

1:52:10.400 --> 1:52:15.000
<v Speaker 1>I had forgot about that until I seen the map

1:52:15.000 --> 1:52:15.559
<v Speaker 1>hop thing.

1:52:15.800 --> 1:52:17.640
<v Speaker 2>But was that let me just ask you, like me

1:52:17.720 --> 1:52:18.880
<v Speaker 2>be a naive, was.

1:52:18.880 --> 1:52:22.439
<v Speaker 1>That a backlash? Because y'all might have recorded it prior

1:52:22.520 --> 1:52:25.360
<v Speaker 1>to pop you know whatever, whatever, but he released it

1:52:25.439 --> 1:52:28.000
<v Speaker 1>or he published it at a time where it was

1:52:28.040 --> 1:52:29.200
<v Speaker 1>like it was war.

1:52:29.360 --> 1:52:30.799
<v Speaker 2>So was there a backlash?

1:52:31.479 --> 1:52:32.799
<v Speaker 1>I mean it wasn't.

1:52:33.400 --> 1:52:36.880
<v Speaker 3>It wasn't no backlash because I was still, like I said,

1:52:36.880 --> 1:52:37.679
<v Speaker 3>I was hanging out.

1:52:37.520 --> 1:52:38.840
<v Speaker 1>With Big every day.

1:52:39.040 --> 1:52:41.799
<v Speaker 2>Wow wow, I remember every every day.

1:52:42.080 --> 1:52:44.280
<v Speaker 1>That other beef that was.

1:52:44.800 --> 1:52:47.840
<v Speaker 6>That wasn't even what we call a beef. It was

1:52:47.920 --> 1:52:51.519
<v Speaker 6>just a miscommunication and a misunderstanding of ship that went

1:52:51.640 --> 1:52:56.439
<v Speaker 6>down Brooklyn Niggas all right, But Nah, that wasn't no

1:52:56.520 --> 1:53:01.800
<v Speaker 6>backlash for that, and we we we we would ride

1:53:01.840 --> 1:53:04.880
<v Speaker 6>and act like it wasn't even in the forefront, which

1:53:04.880 --> 1:53:07.799
<v Speaker 6>it wasn't. We were just being friends with one another

1:53:07.840 --> 1:53:10.400
<v Speaker 6>and enjoying, you know what I mean. So now it

1:53:10.439 --> 1:53:14.479
<v Speaker 6>wasn't a backlash until the media, like you said, started

1:53:14.560 --> 1:53:16.800
<v Speaker 6>driving driving points home and making sure.

1:53:16.880 --> 1:53:18.960
<v Speaker 1>But other than that, yeah, I don't think.

1:53:19.080 --> 1:53:23.240
<v Speaker 3>Uh you know how the Hoby says deeper than rap

1:53:23.320 --> 1:53:27.800
<v Speaker 3>Man and uh other home, he says bigger than hip hop.

1:53:28.240 --> 1:53:31.320
<v Speaker 3>Like for us, we know it's politics at hip hop

1:53:31.360 --> 1:53:34.880
<v Speaker 3>and the street politics, right, So like Smith and Western

1:53:34.960 --> 1:53:36.960
<v Speaker 3>not not not for nothing, Like Smith and Western, we

1:53:36.960 --> 1:53:39.120
<v Speaker 3>don't we don't do beef really like that.

1:53:39.320 --> 1:53:41.840
<v Speaker 2>We don't really you know, we know, we.

1:53:41.840 --> 1:53:44.400
<v Speaker 3>Know we're gonna cross some lines, We're gonna come across

1:53:44.400 --> 1:53:46.639
<v Speaker 3>some dudes. We're gonna be in dudes towns in the city.

1:53:46.680 --> 1:53:48.400
<v Speaker 3>They ain't gonna like it. We're gonna be picking up

1:53:48.439 --> 1:53:52.120
<v Speaker 3>they chicks and and and looking good and they in

1:53:52.160 --> 1:53:54.080
<v Speaker 3>the club and ain't gonna be hating, and we gonna

1:53:54.080 --> 1:53:56.920
<v Speaker 3>get into some stuff. But like, like this is why

1:53:57.120 --> 1:53:59.960
<v Speaker 3>Hip hop fifty is so glorious because now you get

1:54:00.120 --> 1:54:02.120
<v Speaker 3>to see cats like niggas ain't really got no drama.

1:54:02.880 --> 1:54:04.000
<v Speaker 1>He ain't got no beef.

1:54:04.920 --> 1:54:07.639
<v Speaker 3>Beef is beef when it get going and get going

1:54:07.800 --> 1:54:10.120
<v Speaker 3>like that. We've been at walls, we've been doing stuff

1:54:10.160 --> 1:54:12.000
<v Speaker 3>for real. Nobody want to do that off of no

1:54:12.160 --> 1:54:16.320
<v Speaker 3>rat like you, old goddamn yo, all of us, don't

1:54:16.320 --> 1:54:22.840
<v Speaker 3>be dissing on me. My man Stormy big up to

1:54:22.880 --> 1:54:25.120
<v Speaker 3>my man Stormy. Stormy as an outlaw too, right, but

1:54:25.160 --> 1:54:28.479
<v Speaker 3>he's from Atlanta, right, And he said, Yo, that nigga

1:54:28.479 --> 1:54:30.720
<v Speaker 3>probably get you killed. You gotta swallow your pride to

1:54:30.800 --> 1:54:33.320
<v Speaker 3>standing on stage like you gotta like when you say

1:54:33.360 --> 1:54:35.880
<v Speaker 3>when you put those names together like these is greats.

1:54:36.400 --> 1:54:38.440
<v Speaker 3>These are two cats that could have been Their lives

1:54:38.440 --> 1:54:40.280
<v Speaker 3>could have been at the tick of a one tick

1:54:40.320 --> 1:54:41.320
<v Speaker 3>of a line on the clock.

1:54:41.520 --> 1:54:43.920
<v Speaker 2>Their lives could have went any kind of way. You

1:54:43.920 --> 1:54:44.440
<v Speaker 2>know what I'm saying.

1:54:45.080 --> 1:54:47.760
<v Speaker 3>DMX left for legacy, you know what I mean, Like

1:54:47.920 --> 1:54:49.800
<v Speaker 3>Big L left a legacy. He ain't gonna drop a

1:54:49.800 --> 1:54:52.120
<v Speaker 3>lot of album, but he left for legacy. He put

1:54:52.120 --> 1:54:54.960
<v Speaker 3>all them cats on, he gave Yeah, he gave put

1:54:55.040 --> 1:54:56.440
<v Speaker 3>all them hall them D D.

1:54:56.480 --> 1:54:56.920
<v Speaker 2>I, T C.

1:54:57.160 --> 1:54:59.560
<v Speaker 3>They still you know what I mean, They still repping that.

1:54:59.760 --> 1:55:02.160
<v Speaker 3>It's crazy because when we do shows across the world,

1:55:02.880 --> 1:55:03.280
<v Speaker 3>we do.

1:55:05.400 --> 1:55:05.839
<v Speaker 2>Tribute.

1:55:05.960 --> 1:55:10.120
<v Speaker 3>Tribute Yeah, the artists. I think every artist should probably

1:55:10.160 --> 1:55:11.680
<v Speaker 3>have that, and they said.

1:55:13.400 --> 1:55:15.760
<v Speaker 1>Yeah, and the DJ of course definitely.

1:55:16.000 --> 1:55:16.560
<v Speaker 2>You know what I mean.

1:55:16.600 --> 1:55:18.680
<v Speaker 3>So it's like, yo, when you when these people are

1:55:18.960 --> 1:55:21.920
<v Speaker 3>don't ever forget, Like we gotta gotta remind them how

1:55:21.960 --> 1:55:24.160
<v Speaker 3>great hip hop is. It's not just a fat it

1:55:24.160 --> 1:55:28.520
<v Speaker 3>ain't justa's wearing some cool clothes and a lot of jewelry.

1:55:29.200 --> 1:55:40.000
<v Speaker 1>Reminded them how great snipping question, why did you guys

1:55:40.160 --> 1:55:42.000
<v Speaker 1>ever change the name Smipping Western?

1:55:43.240 --> 1:55:45.480
<v Speaker 2>Now that's the lawsuit? Because that was the lawsuit. So

1:55:45.520 --> 1:55:45.960
<v Speaker 2>you're telling me.

1:55:45.960 --> 1:55:47.640
<v Speaker 1>Because I ain't go lie this is some gangster ship.

1:55:47.760 --> 1:55:51.720
<v Speaker 1>You're telling me the gun company. I want to know

1:55:51.880 --> 1:56:00.600
<v Speaker 1>you assume me. Hold on, hold on, hold on, because

1:56:00.680 --> 1:56:04.080
<v Speaker 1>there's no Twitter back then there's no Instagram. So you

1:56:04.080 --> 1:56:07.240
<v Speaker 1>you go to the to the label and what.

1:56:09.560 --> 1:56:12.040
<v Speaker 6>Was it like they sent us a book of a

1:56:12.120 --> 1:56:17.160
<v Speaker 6>contract of a sense of saying itemized everything they made

1:56:17.200 --> 1:56:24.040
<v Speaker 6>from being cans to the Hong clerk to saying they

1:56:24.080 --> 1:56:27.600
<v Speaker 6>made and how we was confusing the consumers selling music.

1:56:29.120 --> 1:56:32.080
<v Speaker 1>Different spelled different different. Yea.

1:56:32.720 --> 1:56:36.280
<v Speaker 3>The interesting thing about the seacent decisions that is Smith

1:56:36.600 --> 1:56:39.680
<v Speaker 3>and Wesson Smith and this is this is this is

1:56:39.720 --> 1:56:41.640
<v Speaker 3>the ill think because when we got like it was

1:56:41.680 --> 1:56:44.560
<v Speaker 3>certain parts like in the beginning, we had a lot

1:56:44.600 --> 1:56:46.880
<v Speaker 3>of problems with people spelling our name.

1:56:47.760 --> 1:56:51.000
<v Speaker 2>So when the magazines and interviews.

1:56:50.440 --> 1:56:52.320
<v Speaker 3>And stuff like that, So I could see why cats

1:56:52.320 --> 1:56:56.560
<v Speaker 3>would probably go yo boom if we had the paper

1:56:57.280 --> 1:56:59.160
<v Speaker 3>to fight it, because we have some people that was

1:56:59.200 --> 1:57:00.480
<v Speaker 3>going yo, now fight this.

1:57:01.000 --> 1:57:03.000
<v Speaker 1>But dude, we just came in the game. We just

1:57:03.120 --> 1:57:05.600
<v Speaker 1>came through the dude, that was our first album. They

1:57:05.640 --> 1:57:07.320
<v Speaker 1>came right what I'm saying.

1:57:09.360 --> 1:57:14.440
<v Speaker 3>They didn't even let us yes, yeah, yes, we just

1:57:14.720 --> 1:57:17.640
<v Speaker 3>we're just getting like this, We're just mounting up.

1:57:17.720 --> 1:57:19.440
<v Speaker 1>Like I thought this was not this.

1:57:19.520 --> 1:57:21.320
<v Speaker 2>I thought this was later. This was your.

1:57:24.040 --> 1:57:28.160
<v Speaker 6>First album. That that's what time between the next album.

1:57:29.480 --> 1:57:31.080
<v Speaker 6>They came out as Coco Brothers.

1:57:31.680 --> 1:57:33.800
<v Speaker 3>So it was a time where you could probably live

1:57:33.840 --> 1:57:36.600
<v Speaker 3>a year both your album because you're gonna hit the roll,

1:57:37.200 --> 1:57:39.080
<v Speaker 3>you're gonna come back, you're gonna chill, you're gonna hit

1:57:39.120 --> 1:57:39.440
<v Speaker 3>the block.

1:57:39.440 --> 1:57:40.760
<v Speaker 2>You're gonna burn your money.

1:57:40.600 --> 1:57:42.200
<v Speaker 1>Up a little bit for me, I'm sorry, but it

1:57:42.320 --> 1:57:43.720
<v Speaker 1>wasn't trying to collect from y'all.

1:57:43.760 --> 1:57:44.400
<v Speaker 2>They was just telling you.

1:57:44.400 --> 1:57:44.520
<v Speaker 3>Now.

1:57:44.600 --> 1:57:47.120
<v Speaker 1>It was like, yes, but this is the thing that's

1:57:47.320 --> 1:57:49.160
<v Speaker 1>for Brooklyn nigga. That means the same thing.

1:57:49.200 --> 1:57:51.960
<v Speaker 2>Basically, because what you do trying to stop the breath.

1:57:52.600 --> 1:57:54.760
<v Speaker 1>What they did was the slick ship that there was.

1:57:54.880 --> 1:57:58.160
<v Speaker 2>They said, uh, they put other people's.

1:57:57.840 --> 1:58:01.080
<v Speaker 3>Names into the suit as we like they like all right,

1:58:02.160 --> 1:58:05.520
<v Speaker 3>any advertisers magazine that.

1:58:05.720 --> 1:58:11.200
<v Speaker 1>You like, reverse like the blackballing you without black balling everybody,

1:58:13.520 --> 1:58:17.360
<v Speaker 1>they could sue the sauce.

1:58:16.080 --> 1:58:19.280
<v Speaker 3>They were stacking up. Somebody want was playing dirty. Yeah,

1:58:19.640 --> 1:58:20.880
<v Speaker 3>so yeah, we had to. We had to.

1:58:20.960 --> 1:58:23.640
<v Speaker 1>We had to get our war our wall paint on hot.

1:58:24.440 --> 1:58:27.680
<v Speaker 2>And then the niggas ended up going broke anyway, bankwet.

1:58:27.480 --> 1:58:28.680
<v Speaker 1>Swimmers break.

1:58:33.400 --> 1:58:34.400
<v Speaker 2>Car was a motherfucker.

1:58:34.920 --> 1:58:36.800
<v Speaker 6>You couldn't you would have thought that what been we

1:58:36.800 --> 1:58:38.560
<v Speaker 6>would have been to post the boys.

1:58:38.200 --> 1:58:42.600
<v Speaker 1>For swim, don't jam, don't jam, just don't damn right,

1:58:43.240 --> 1:58:46.120
<v Speaker 1>all the smiff and Wessons, but then also a Brooklyn

1:58:46.320 --> 1:58:47.080
<v Speaker 1>at the same time.

1:58:47.160 --> 1:58:48.680
<v Speaker 2>We was what that that.

1:58:48.720 --> 1:58:50.800
<v Speaker 3>I don't know what you say as far as being hot,

1:58:51.240 --> 1:58:54.160
<v Speaker 3>we knew that, we knew the Shining was making paper

1:58:54.880 --> 1:58:58.320
<v Speaker 3>and we wanted to negotiate our contract. So we went in.

1:58:58.920 --> 1:59:01.680
<v Speaker 3>We was dealing with that, mm hmm. And then we

1:59:01.720 --> 1:59:04.440
<v Speaker 3>get hit with that at the same time. So we

1:59:04.480 --> 1:59:07.320
<v Speaker 3>ain't had no backing. We're back in the street. We're like, oh, snap,

1:59:07.680 --> 1:59:10.640
<v Speaker 3>label ain't gonna support the sixth covers us going in.

1:59:10.720 --> 1:59:14.040
<v Speaker 3>So it was dangerous. We had to bust some move. Yeah,

1:59:14.240 --> 1:59:16.480
<v Speaker 3>so we sat on that man, we thought about that

1:59:16.480 --> 1:59:19.640
<v Speaker 3>that name changing, and thought about, you know, the impact

1:59:19.640 --> 1:59:22.640
<v Speaker 3>that it would have the fans.

1:59:22.240 --> 1:59:23.080
<v Speaker 1>And all of that stuff.

1:59:23.120 --> 1:59:24.600
<v Speaker 2>It was tough. It was a tough decision.

1:59:24.640 --> 1:59:26.920
<v Speaker 3>But and then what made you come up with Coco Brothers.

1:59:28.040 --> 1:59:29.480
<v Speaker 3>We was already Coco bros.

1:59:29.720 --> 1:59:30.600
<v Speaker 1>We was, we was.

1:59:32.480 --> 1:59:34.760
<v Speaker 6>We were smoking a lot of weed back a lot

1:59:34.760 --> 1:59:39.160
<v Speaker 6>of a lot of chocolate, and I just figured, let's

1:59:42.840 --> 1:59:46.360
<v Speaker 6>you know, it might have came from a black Moon session.

1:59:49.480 --> 1:59:52.360
<v Speaker 6>It ain't it ain't fish ain't fish.

1:59:52.400 --> 1:59:55.200
<v Speaker 1>You know, somebody trying to make it so y'all wasn't

1:59:55.320 --> 1:59:57.080
<v Speaker 1>putting on coco butter. Just roll with it.

2:00:03.360 --> 2:00:08.240
<v Speaker 3>Go brothers through Chocolate Niggas them chocolate brothers.

2:00:08.240 --> 2:00:11.240
<v Speaker 2>They go brothers, not go go bother.

2:00:12.640 --> 2:00:14.760
<v Speaker 3>I don't even think that black Mon was smoking when

2:00:14.760 --> 2:00:19.480
<v Speaker 3>we came around, man, Really yeah, I think like we

2:00:19.680 --> 2:00:22.920
<v Speaker 3>you know, we was the dirty Brooklyn cats that he

2:00:23.120 --> 2:00:26.560
<v Speaker 3>was influencers. Yeah, we was. We would go through every

2:00:26.600 --> 2:00:30.720
<v Speaker 3>game that was good influence because they made a hell

2:00:30.720 --> 2:00:33.760
<v Speaker 3>of an album. They made a hell of an album.

2:00:33.800 --> 2:00:36.080
<v Speaker 3>Like you think about. We was the guys that were

2:00:36.080 --> 2:00:39.360
<v Speaker 3>brave enough to go to Hall them and get the hydro.

2:00:40.280 --> 2:00:42.920
<v Speaker 2>They have hydro on Brove first s.

2:00:43.280 --> 2:00:45.480
<v Speaker 3>If you came around with one jar of hydro, you

2:00:45.480 --> 2:00:47.160
<v Speaker 3>would trying to make two slips out of there. You know,

2:00:47.200 --> 2:00:50.440
<v Speaker 3>there's like one little dumb like Brooklyn niggas ain't even

2:00:50.480 --> 2:00:52.360
<v Speaker 3>buying that. Brookly Niggas is going to buy like five

2:00:52.880 --> 2:00:56.720
<v Speaker 3>tray bags. And you know what I'm saying, Hi, Grid,

2:00:57.200 --> 2:00:59.560
<v Speaker 3>We was going through every neighborhood, but the chocolate was

2:00:59.600 --> 2:01:01.240
<v Speaker 3>the the smoke of choice.

2:01:03.160 --> 2:01:10.760
<v Speaker 1>Of course, he's doing something, I think, yeah, And and

2:01:10.800 --> 2:01:12.960
<v Speaker 1>he's doing something with cookies. I like that burn up.

2:01:12.960 --> 2:01:19.720
<v Speaker 1>I think that's very honorable. Chance, yeah, I think yeah.

2:01:19.680 --> 2:01:21.240
<v Speaker 2>But hold on, I don't know, probably.

2:01:21.760 --> 2:01:24.560
<v Speaker 3>But also what was what was part of the discussion

2:01:24.800 --> 2:01:26.160
<v Speaker 3>was we thought.

2:01:25.960 --> 2:01:29.080
<v Speaker 2>About using tacking. Still that would have been they would

2:01:29.080 --> 2:01:29.520
<v Speaker 2>have been dope.

2:01:29.520 --> 2:01:31.320
<v Speaker 3>But we would have been given that name to something,

2:01:31.400 --> 2:01:34.280
<v Speaker 3>to somebody, you know what I'm saying, like to have

2:01:34.360 --> 2:01:38.520
<v Speaker 3>tech and still to have the label have that name. Yeah,

2:01:38.600 --> 2:01:41.520
<v Speaker 3>that label would have that. Yeah, exactly have that name.

2:01:41.560 --> 2:01:44.000
<v Speaker 3>So it's like, yeah, we had to fall back. Even then,

2:01:44.040 --> 2:01:45.760
<v Speaker 3>we were smart enough to know something. We didn't know

2:01:45.840 --> 2:01:47.440
<v Speaker 3>too much, but we were smart enough to know that

2:01:47.480 --> 2:01:49.360
<v Speaker 3>we got to make some moves and we didn't want

2:01:49.360 --> 2:01:49.720
<v Speaker 3>to stop.

2:01:50.080 --> 2:01:53.600
<v Speaker 6>So I'm always going to be Smith and wasn't taking

2:01:53.640 --> 2:01:56.320
<v Speaker 6>still right of course, of course, so.

2:01:56.360 --> 2:02:00.200
<v Speaker 1>Let me ask, right, Dame Dash has this big thing

2:02:00.200 --> 2:02:03.560
<v Speaker 1>about him calling people coach coaches, right, people, that's not

2:02:03.760 --> 2:02:07.360
<v Speaker 1>a part of the culture that actually, you know, benefit

2:02:07.400 --> 2:02:09.920
<v Speaker 1>the benefit of the culture. One thing that I noticed

2:02:09.960 --> 2:02:12.720
<v Speaker 1>about you know, boot camp clips all of y'all is

2:02:12.800 --> 2:02:15.880
<v Speaker 1>y'all have pretty much one of one of the same

2:02:15.920 --> 2:02:19.400
<v Speaker 1>CEOs Drew Drew has. You know, physically, you could see

2:02:19.640 --> 2:02:22.000
<v Speaker 1>he's not a black man, you know what I mean.

2:02:22.080 --> 2:02:26.000
<v Speaker 1>But I've never publicly other than Sean Price sometimes like

2:02:26.000 --> 2:02:29.160
<v Speaker 1>like saying it about Drew. I've never publicly seen any

2:02:29.200 --> 2:02:32.920
<v Speaker 1>of y'all like speak about him out of character or

2:02:33.760 --> 2:02:37.000
<v Speaker 1>like I don't see y'all calling him a coach. He don't.

2:02:37.040 --> 2:02:39.839
<v Speaker 2>He don't present it like that. That's not his character.

2:02:40.440 --> 2:02:42.240
<v Speaker 6>He came in the same time we came and so

2:02:42.320 --> 2:02:47.000
<v Speaker 6>we know his intentions is real. Him and backgrounds is

2:02:47.080 --> 2:02:50.920
<v Speaker 6>different from ours. Yeah, but yeah, him and Buck came in.

2:02:52.120 --> 2:02:57.440
<v Speaker 6>He was interning at our first nervous records was a rum.

2:03:00.240 --> 2:03:02.520
<v Speaker 2>Oh, he's literally a fly on the wall.

2:03:03.000 --> 2:03:05.600
<v Speaker 1>But then there's a couple of money that's not that's

2:03:05.600 --> 2:03:12.880
<v Speaker 1>that's why I ain't say that, Okay.

2:03:10.400 --> 2:03:14.440
<v Speaker 6>But nah, he never he never disrespected us across the line,

2:03:14.520 --> 2:03:17.280
<v Speaker 6>so it was no reason for us as men to

2:03:17.360 --> 2:03:20.680
<v Speaker 6>disrespect him across the mines. Plus, we're getting bread together,

2:03:20.760 --> 2:03:25.400
<v Speaker 6>were working together like him and Bucket partners like fifty

2:03:25.400 --> 2:03:29.360
<v Speaker 6>to fifty partners. So if he's he's taking care of

2:03:29.400 --> 2:03:32.320
<v Speaker 6>our brother, taking care of each other, and then Buck

2:03:33.200 --> 2:03:37.120
<v Speaker 6>reaches back and bring us on, why should we downplay

2:03:37.240 --> 2:03:39.680
<v Speaker 6>or a bad mouth anybody when we could He's giving

2:03:39.760 --> 2:03:42.160
<v Speaker 6>us that same opportunity to bring Health Skelter and the

2:03:42.200 --> 2:03:42.960
<v Speaker 6>next groups on.

2:03:43.080 --> 2:03:46.320
<v Speaker 1>So so it's not like the easy Jerry Heller thing

2:03:46.560 --> 2:03:49.760
<v Speaker 1>Nahn Drew could have could have split a long time ago.

2:03:49.840 --> 2:03:52.720
<v Speaker 3>Man. One thing that made me like fall in love

2:03:52.720 --> 2:03:56.600
<v Speaker 3>with Drew Man is early early in the days, right,

2:03:58.160 --> 2:04:01.520
<v Speaker 3>he came with us to Brooklyn. I'm like, man, I

2:04:01.560 --> 2:04:08.520
<v Speaker 3>love this guy.

2:04:08.960 --> 2:04:12.520
<v Speaker 1>Drive the bridge, took the.

2:04:12.520 --> 2:04:17.720
<v Speaker 6>Tree, super some ship pack up in the super you

2:04:17.760 --> 2:04:20.480
<v Speaker 6>know that's that back joint white joint.

2:04:21.640 --> 2:04:23.360
<v Speaker 1>Right, he would drive us the shows and ship. But

2:04:23.440 --> 2:04:26.640
<v Speaker 1>he came to Brooklyn. That was it for me. Was

2:04:26.960 --> 2:04:28.000
<v Speaker 1>I was like, holy Ship.

2:04:28.160 --> 2:04:32.760
<v Speaker 3>We went the best style around Smoky Way and we

2:04:32.800 --> 2:04:36.040
<v Speaker 3>went to the park and was playing basketball and Drew

2:04:36.120 --> 2:04:41.919
<v Speaker 3>High was nice Ship White making jump white man, good jump.

2:04:45.000 --> 2:04:47.120
<v Speaker 1>Athlete. Though he played the.

2:04:47.160 --> 2:04:54.000
<v Speaker 3>Best he was he was, he was standing up, he

2:04:54.080 --> 2:04:57.280
<v Speaker 3>was he wasn't acting all you know what I mean, Ship,

2:04:57.720 --> 2:04:58.880
<v Speaker 3>I was proud of that day.

2:04:58.920 --> 2:05:01.280
<v Speaker 6>I'm like, yeah, all right, And it wasn't nothing way

2:05:01.640 --> 2:05:04.200
<v Speaker 6>you get you know, and a lot of people have

2:05:04.320 --> 2:05:07.040
<v Speaker 6>hitting agendas, the joints. You can really see through it

2:05:07.080 --> 2:05:09.800
<v Speaker 6>when yeah, I believe if.

2:05:09.720 --> 2:05:14.120
<v Speaker 2>You cut juha he believe who can't.

2:05:13.880 --> 2:05:17.520
<v Speaker 6>Clear that's a fact you believe, call one of us

2:05:17.560 --> 2:05:21.680
<v Speaker 6>on the phone, you cut them, But.

2:05:22.200 --> 2:05:23.240
<v Speaker 2>Like, I believe that's what.

2:05:24.320 --> 2:05:27.000
<v Speaker 7>And it's evident in what y'all created that family. You

2:05:27.000 --> 2:05:29.360
<v Speaker 7>could see it like that was really inspirational to a

2:05:29.400 --> 2:05:32.160
<v Speaker 7>lot of people, that family who can't click thing that

2:05:32.320 --> 2:05:33.680
<v Speaker 7>wasn't normal at the time.

2:05:33.760 --> 2:05:34.680
<v Speaker 2>Yet we didn't have a lot.

2:05:34.520 --> 2:05:35.080
<v Speaker 1>Of that see.

2:05:35.120 --> 2:05:38.000
<v Speaker 6>And again I think that's when you asked earlier about

2:05:38.160 --> 2:05:41.680
<v Speaker 6>like a lot of families are raised military minded, a

2:05:41.760 --> 2:05:44.720
<v Speaker 6>military style. You might not even know it, but your

2:05:44.800 --> 2:05:47.840
<v Speaker 6>dad and your brother being there. So when you put

2:05:47.840 --> 2:05:51.040
<v Speaker 6>that out and especially now you're doing music to it,

2:05:51.080 --> 2:05:53.120
<v Speaker 6>and you got people that look like you and talk

2:05:53.240 --> 2:05:57.800
<v Speaker 6>like you, you can relate to that. So now your

2:05:58.440 --> 2:06:01.920
<v Speaker 6>your mind is is already introduced. But now you're seeing, oh,

2:06:02.000 --> 2:06:05.040
<v Speaker 6>I'm just like this, I do right, fa tease. I

2:06:05.040 --> 2:06:07.880
<v Speaker 6>am a military mind and I keep it in the heart.

2:06:07.920 --> 2:06:10.640
<v Speaker 6>I want to shine and help my other brother shine.

2:06:10.720 --> 2:06:13.400
<v Speaker 6>So it's easier to relate to it like that.

2:06:14.120 --> 2:06:16.720
<v Speaker 1>How do y'all keep y'all y'all? You know, because you know,

2:06:17.200 --> 2:06:21.720
<v Speaker 1>you know, being in you know these are both my partners,

2:06:21.720 --> 2:06:24.120
<v Speaker 1>you know, being in groups you know, you go through

2:06:24.120 --> 2:06:27.160
<v Speaker 1>turmoil and guys are both in the public's eye. How

2:06:27.200 --> 2:06:29.520
<v Speaker 1>do y'all keep y'all like because one thing we don't see.

2:06:29.560 --> 2:06:32.680
<v Speaker 1>We don't see y'all beefing with just you know, and

2:06:32.720 --> 2:06:35.000
<v Speaker 1>of course through the business it has to be some

2:06:35.080 --> 2:06:38.240
<v Speaker 1>things that y'all don't agree with through you know, relationships

2:06:38.240 --> 2:06:40.040
<v Speaker 1>got to be things you don't agree with. How do

2:06:40.160 --> 2:06:44.560
<v Speaker 1>y'all maintain y'all you know, discrepancies in house?

2:06:46.600 --> 2:06:50.240
<v Speaker 6>Let's all do His answer probably be totally different demands, right,

2:06:50.760 --> 2:06:54.320
<v Speaker 6>but that's all through faith. And like you said, this

2:06:54.440 --> 2:06:57.360
<v Speaker 6>is this is my brother, this is like this wasn't

2:06:57.400 --> 2:07:01.440
<v Speaker 6>a dude that lives in Brownsville. I lived on the

2:07:01.440 --> 2:07:04.400
<v Speaker 6>sty and the record label put us together. We was

2:07:04.440 --> 2:07:07.600
<v Speaker 6>already hand the hand in the dirt doing what he

2:07:07.720 --> 2:07:12.560
<v Speaker 6>was doing before the record all that ship, all that

2:07:12.600 --> 2:07:17.320
<v Speaker 6>ship and ship. I'm not even his original partner. He

2:07:17.400 --> 2:07:18.840
<v Speaker 6>had like two partners before me.

2:07:19.960 --> 2:07:29.040
<v Speaker 1>Damn somebody somebody now, because for me, it wasn't when

2:07:29.080 --> 2:07:29.839
<v Speaker 1>we first started.

2:07:30.200 --> 2:07:37.360
<v Speaker 6>I was just a security put two words together to Rob.

2:07:37.400 --> 2:07:41.040
<v Speaker 6>Except for Tis Ski doing graffiti or whatever, I'm just

2:07:41.120 --> 2:07:43.240
<v Speaker 6>while he's doing talent shows and winning.

2:07:43.320 --> 2:07:44.960
<v Speaker 2>I'm just to get in the game.

2:07:45.000 --> 2:07:47.640
<v Speaker 6>For me, I wanted to be an engineer, producer, to

2:07:47.680 --> 2:07:51.440
<v Speaker 6>be behind the scene and just Mike is back. But

2:07:51.640 --> 2:07:54.360
<v Speaker 6>you know, god, I ain't see it like that. He

2:07:54.400 --> 2:07:57.320
<v Speaker 6>wrote my first rap. That's dope, that's great.

2:07:57.360 --> 2:08:00.960
<v Speaker 1>That's like Prodigy and Avoc. I believe Havoc wrote pro

2:08:01.000 --> 2:08:05.640
<v Speaker 1>disease first fine didn't. Yeah, they said that's crazy, but

2:08:06.360 --> 2:08:10.400
<v Speaker 1>first round Annoyed wrote your first round annoyed.

2:08:11.800 --> 2:08:13.600
<v Speaker 4>But I used to have all because I used to

2:08:14.040 --> 2:08:15.800
<v Speaker 4>I used to have all equipment in the crib, so

2:08:15.840 --> 2:08:18.560
<v Speaker 4>they we used to record them a crib cock bone.

2:08:18.680 --> 2:08:20.520
<v Speaker 1>It was fun. It was fun. That's not fun.

2:08:20.560 --> 2:08:23.000
<v Speaker 4>We go back, well beat Annoyed, you know, it was fun.

2:08:23.600 --> 2:08:25.240
<v Speaker 4>But that's why I like y'all. Like I like that

2:08:25.360 --> 2:08:28.320
<v Speaker 4>story climbers like that. We like little kids story.

2:08:28.400 --> 2:08:32.160
<v Speaker 3>Yeah, when you think about boot camp, like boot camp

2:08:32.240 --> 2:08:37.880
<v Speaker 3>is primarily family and like when you say faith, it's

2:08:37.920 --> 2:08:41.560
<v Speaker 3>crazy because like we really we some movie watching cats too,

2:08:42.200 --> 2:08:44.120
<v Speaker 3>So like one of our favorite movies is The Shaun

2:08:44.200 --> 2:08:49.720
<v Speaker 3>And on the Shing they talk about like communicating Yeah, yeah,

2:08:50.560 --> 2:08:55.320
<v Speaker 3>they about communicating without communicating, communicating like almost like like

2:08:58.400 --> 2:09:01.560
<v Speaker 3>so it's times when you know, I know your brother's

2:09:01.560 --> 2:09:03.920
<v Speaker 3>probably experienced this too, where he was like, damn me

2:09:04.000 --> 2:09:06.680
<v Speaker 3>and this me and this cat is so close that

2:09:06.760 --> 2:09:09.160
<v Speaker 3>it's like we are meet up in the place. We

2:09:09.200 --> 2:09:11.120
<v Speaker 3>ain't talk or nothing, we're meet up in the place

2:09:11.160 --> 2:09:15.040
<v Speaker 3>at the same time. Were going somewhere, or maybe we

2:09:15.200 --> 2:09:15.720
<v Speaker 3>dressed alike.

2:09:15.800 --> 2:09:16.120
<v Speaker 2>Niggas.

2:09:16.120 --> 2:09:18.000
<v Speaker 3>Don't think we was on the phone like on some

2:09:18.080 --> 2:09:23.880
<v Speaker 3>Bopsy twin ship. But sometimes you just be like and

2:09:24.200 --> 2:09:27.640
<v Speaker 3>it be creepy, it be trippy, but it's dope, Like, Yo,

2:09:27.720 --> 2:09:29.720
<v Speaker 3>this is not this is real. When you start really

2:09:29.720 --> 2:09:31.760
<v Speaker 3>buying into it, it's like, yo, this is real. Thank you,

2:09:32.240 --> 2:09:34.560
<v Speaker 3>this is real. So it's like we we play those

2:09:34.640 --> 2:09:37.960
<v Speaker 3>angles and then you got a big squad and you

2:09:37.960 --> 2:09:41.480
<v Speaker 3>know at some point you have a you have a hierarchy,

2:09:41.480 --> 2:09:44.920
<v Speaker 3>but then you have this big brother little brother democracy

2:09:45.560 --> 2:09:49.120
<v Speaker 3>and we really just learning on the job training. So whatever,

2:09:49.160 --> 2:09:52.960
<v Speaker 3>we'll go out in the field, come back to the

2:09:53.000 --> 2:09:55.000
<v Speaker 3>little hut and were kicking it with the rest of

2:09:55.040 --> 2:09:59.120
<v Speaker 3>the teammates, were sharing amongst the cat. It's no split up,

2:09:59.240 --> 2:10:02.080
<v Speaker 3>no son in them going over here. Niggas is different.

2:10:02.120 --> 2:10:04.840
<v Speaker 3>They changed. So you watching the cubs, they're trying to

2:10:04.880 --> 2:10:07.320
<v Speaker 3>they taking it from you. Some of them gonna get

2:10:07.360 --> 2:10:09.280
<v Speaker 3>on with some raps. Some of them gonna probably do

2:10:09.400 --> 2:10:13.480
<v Speaker 3>some film stuff and pick up somewhere and you know,

2:10:13.560 --> 2:10:14.480
<v Speaker 3>try to eat that food.

2:10:14.560 --> 2:10:16.560
<v Speaker 2>And we got to add on to that.

2:10:16.680 --> 2:10:21.080
<v Speaker 6>I think it's kind of that that uh helped us

2:10:21.080 --> 2:10:23.160
<v Speaker 6>out in the long run because even though he came

2:10:23.200 --> 2:10:26.440
<v Speaker 6>from a big crew, we didn't go sign with a

2:10:26.480 --> 2:10:29.160
<v Speaker 6>dev gym and this one go sign with that label

2:10:29.200 --> 2:10:32.920
<v Speaker 6>and this we all kept it independent. What was duck

2:10:33.000 --> 2:10:36.440
<v Speaker 6>Down our own ship. And I think that that that

2:10:36.520 --> 2:10:38.000
<v Speaker 6>carried some weight with us.

2:10:38.400 --> 2:10:42.919
<v Speaker 2>That carried a lot away because we didn't have no cosign.

2:10:45.400 --> 2:10:47.560
<v Speaker 1>Was your owners and duck Down or had a piece

2:10:47.600 --> 2:10:49.000
<v Speaker 1>of it or no.

2:10:49.200 --> 2:10:52.000
<v Speaker 3>We discussed it, Okay, we disgusted, but you know it

2:10:52.080 --> 2:10:54.320
<v Speaker 3>was It's a roller coaster, man, you know what I mean.

2:10:54.440 --> 2:10:57.600
<v Speaker 3>And in all honesty, you watch you watching cash like

2:10:57.680 --> 2:11:00.360
<v Speaker 3>Drew hot put in a lot of work, a lot

2:11:00.400 --> 2:11:01.800
<v Speaker 3>of work. You know, he could have jumped ship a

2:11:01.880 --> 2:11:02.440
<v Speaker 3>long time.

2:11:02.320 --> 2:11:05.200
<v Speaker 7>And he's probably learning at the same time. We always

2:11:05.280 --> 2:11:08.080
<v Speaker 7>living learn job training.

2:11:08.120 --> 2:11:08.240
<v Speaker 1>Man.

2:11:08.280 --> 2:11:11.240
<v Speaker 3>He around other casts. You know, you we we've all

2:11:11.320 --> 2:11:13.160
<v Speaker 3>been in the game for some time. So you know,

2:11:13.200 --> 2:11:15.720
<v Speaker 3>the sharks, the votures, the coach of voters, for real.

2:11:15.960 --> 2:11:17.440
<v Speaker 3>A lot of people just like they're trying to get

2:11:17.440 --> 2:11:19.320
<v Speaker 3>all this, They trying to get drew high to costs,

2:11:19.440 --> 2:11:22.880
<v Speaker 3>like you could just come over here and you know

2:11:22.920 --> 2:11:24.640
<v Speaker 3>what I mean, why you were with them boot camps.

2:11:25.040 --> 2:11:27.400
<v Speaker 3>They're not even chanting right now, like what's really good?

2:11:27.480 --> 2:11:28.920
<v Speaker 3>Like you know what I'm saying, But.

2:11:29.560 --> 2:11:30.440
<v Speaker 2>How about the masters?

2:11:30.440 --> 2:11:33.120
<v Speaker 1>Everyone is getting their masters back after twenty five years.

2:11:33.160 --> 2:11:35.200
<v Speaker 1>That's something that you guys are keep blowing the amount

2:11:35.200 --> 2:11:39.760
<v Speaker 1>of years, thirty five, thirty thirty five five next episode

2:11:40.200 --> 2:11:43.040
<v Speaker 1>years for you. I just think it's been it's always

2:11:43.040 --> 2:11:46.040
<v Speaker 1>been twenty five negotiating right now on my twenty five

2:11:46.120 --> 2:11:48.960
<v Speaker 1>on my solo. But that's what Kane and he said

2:11:49.000 --> 2:11:50.720
<v Speaker 1>thirty five, they said thirty.

2:11:50.680 --> 2:11:52.880
<v Speaker 2>Thirty five, they said thirty five. It's not.

2:11:55.360 --> 2:11:56.160
<v Speaker 1>But they in long.

2:11:56.280 --> 2:11:57.480
<v Speaker 2>That's when I changed the numbers.

2:11:57.600 --> 2:12:00.160
<v Speaker 1>Was because of Kane as special because they said theirty

2:12:00.200 --> 2:12:04.960
<v Speaker 1>five just always twenty five. Maybe it's not still for

2:12:05.080 --> 2:12:08.040
<v Speaker 1>my soul on right right, Remember what I'm saying, Diego,

2:12:08.800 --> 2:12:11.200
<v Speaker 1>the Normy album is a separate thing. It's not under

2:12:11.200 --> 2:12:14.280
<v Speaker 1>the component Noriega thing. I've always heard the number of thirty.

2:12:14.280 --> 2:12:16.120
<v Speaker 1>I don't know if that it was thirty.

2:12:16.360 --> 2:12:21.080
<v Speaker 6>Yeah right, but we we just started seeing residuals off

2:12:21.080 --> 2:12:21.320
<v Speaker 6>of the.

2:12:21.280 --> 2:12:25.520
<v Speaker 3>Shining Wow, the first album very first, just now seeing

2:12:25.720 --> 2:12:27.720
<v Speaker 3>just now so I should put away this and what

2:12:27.800 --> 2:12:29.480
<v Speaker 3>was it? This? U?

2:12:32.360 --> 2:12:34.960
<v Speaker 1>No, that was what priority?

2:12:35.120 --> 2:12:36.320
<v Speaker 2>Yeah it's priority?

2:12:36.800 --> 2:12:39.640
<v Speaker 3>No, no, no, that that one know the Shining Oh no,

2:12:39.720 --> 2:12:41.160
<v Speaker 3>duck Down had with priority.

2:12:41.240 --> 2:12:46.000
<v Speaker 1>Yeah that's not priority. No, no, see there, I can't see.

2:12:46.000 --> 2:12:46.560
<v Speaker 1>That's Nervous.

2:12:47.120 --> 2:12:51.680
<v Speaker 3>This just Shining is Nervous, that's not Yeah, okay, Nervous

2:12:51.680 --> 2:12:56.240
<v Speaker 3>Records shin this one which was an independent, which was initially.

2:12:57.480 --> 2:13:00.320
<v Speaker 2>A damn the label, Yeah, Nervous and Ji was some

2:13:00.440 --> 2:13:01.040
<v Speaker 2>ship like that.

2:13:01.360 --> 2:13:05.360
<v Speaker 1>Nervous was a dance what just like the labels at home.

2:13:05.680 --> 2:13:10.120
<v Speaker 7>His pops Barry was a dance label too. What was

2:13:10.160 --> 2:13:13.320
<v Speaker 7>that That label? Freeze was a dance label too. No,

2:13:13.400 --> 2:13:16.000
<v Speaker 7>ain't cared about Freeze and tell me boy it was

2:13:16.000 --> 2:13:19.480
<v Speaker 7>a dance label. Yes, but he came from his pops

2:13:19.560 --> 2:13:22.360
<v Speaker 7>was running. His pops was running you know, big up,

2:13:22.360 --> 2:13:24.720
<v Speaker 7>big up to Mike Weiss. You know what I'm saying,

2:13:24.800 --> 2:13:29.280
<v Speaker 7>because you know his father put him on. His pops

2:13:29.320 --> 2:13:30.160
<v Speaker 7>was running the label.

2:13:30.240 --> 2:13:30.839
<v Speaker 2>That's Nervous.

2:13:31.040 --> 2:13:33.960
<v Speaker 3>Yeah, before it was Nervous, it was like my Sam

2:13:34.160 --> 2:13:37.920
<v Speaker 3>or something like that, and his pops was doing you know,

2:13:38.520 --> 2:13:40.800
<v Speaker 3>label record label ship, big Red and all of that,

2:13:41.440 --> 2:13:42.080
<v Speaker 3>you know what I mean.

2:13:42.600 --> 2:13:43.520
<v Speaker 2>And he put his.

2:13:43.360 --> 2:13:47.720
<v Speaker 3>Son on and his son was sticking to the program generational.

2:13:47.960 --> 2:13:50.760
<v Speaker 3>So you know, I think I think we probably was

2:13:50.800 --> 2:13:53.240
<v Speaker 3>the first rap cat. Black Moon kicked in the door

2:13:53.320 --> 2:13:55.720
<v Speaker 3>for real, and it was like the front one of

2:13:55.720 --> 2:13:56.480
<v Speaker 3>the first guys.

2:13:56.520 --> 2:13:57.560
<v Speaker 2>And Flex was over there.

2:13:57.480 --> 2:14:00.840
<v Speaker 1>And that's came from there's a lot of sense.

2:14:00.880 --> 2:14:04.400
<v Speaker 2>Now have love boots at that time, No, not yet, No,

2:14:04.520 --> 2:14:05.160
<v Speaker 2>he was just.

2:14:05.400 --> 2:14:14.040
<v Speaker 3>Put old vinyl boots, Channel Live, Channel Live, a lot

2:14:14.080 --> 2:14:14.879
<v Speaker 3>of dope releases.

2:14:14.920 --> 2:14:19.440
<v Speaker 2>Actually that was and it was a good volume.

2:14:19.600 --> 2:14:23.440
<v Speaker 3>One brook something that was putting life like that color

2:14:23.720 --> 2:14:27.880
<v Speaker 3>not Frankie Color No, No, Yeahmby Knuckles No, no Frankie Knuckles.

2:14:27.920 --> 2:14:29.920
<v Speaker 1>The DJ and there was a Brooklyn something that you

2:14:29.920 --> 2:14:32.160
<v Speaker 1>can put out like DJ records, I forget something.

2:14:32.400 --> 2:14:33.440
<v Speaker 2>So we we.

2:14:33.160 --> 2:14:36.160
<v Speaker 3>We came in there on some hip hop vibe. And

2:14:37.360 --> 2:14:40.920
<v Speaker 3>you know, when we had that situation with the Gun

2:14:40.960 --> 2:14:46.360
<v Speaker 3>company and with them renewing, we left them eventually, but

2:14:46.480 --> 2:14:47.840
<v Speaker 3>we the name was on hold.

2:14:47.920 --> 2:14:49.680
<v Speaker 2>This is another reason we had to switch it up

2:14:49.720 --> 2:14:51.520
<v Speaker 2>to We couldn't.

2:14:51.240 --> 2:14:55.400
<v Speaker 3>Use it but after twenty five years we sat down

2:14:55.440 --> 2:14:58.280
<v Speaker 3>with them and discussed how.

2:14:58.320 --> 2:15:02.040
<v Speaker 1>The gun company no no, no, the label okay.

2:15:02.680 --> 2:15:06.600
<v Speaker 3>Yeah, discuss how that would be, that would be something else.

2:15:06.640 --> 2:15:08.400
<v Speaker 3>We definitely got to, you know, because they made a

2:15:08.400 --> 2:15:13.120
<v Speaker 3>lot of mock thats man. But yeah, it's good, like

2:15:13.160 --> 2:15:14.840
<v Speaker 3>it's good to go, like it's good to move on

2:15:14.920 --> 2:15:17.080
<v Speaker 3>because you know that all that btterness that don't that

2:15:17.120 --> 2:15:18.920
<v Speaker 3>don't make for happy record things.

2:15:20.560 --> 2:15:23.480
<v Speaker 1>That's real. So now this is something I always wanted

2:15:23.480 --> 2:15:27.880
<v Speaker 1>to ask. Spanish Hall, Yes, I record. First off, I

2:15:27.920 --> 2:15:31.600
<v Speaker 1>thought that that was honorable two brothers. You know, I'm

2:15:31.640 --> 2:15:35.080
<v Speaker 1>half Puerto weecand so I always recognized.

2:15:35.400 --> 2:15:35.840
<v Speaker 2>I love that.

2:15:35.920 --> 2:15:37.680
<v Speaker 1>I love the fact that when you know, you know,

2:15:37.720 --> 2:15:39.440
<v Speaker 1>I'm both I got the best Black jokes and I

2:15:39.440 --> 2:15:42.200
<v Speaker 1>got the best Spanish drudges. Got both got two of

2:15:42.200 --> 2:15:43.320
<v Speaker 1>the racist grandfathers.

2:15:43.320 --> 2:15:47.600
<v Speaker 2>Both of them was racist. Best joke.

2:15:48.160 --> 2:15:51.000
<v Speaker 1>But one thing I always is to hear on on

2:15:51.160 --> 2:15:55.800
<v Speaker 1>Spanish by the way recipes Hurricane Hurricane Rican Tony.

2:15:56.280 --> 2:15:57.680
<v Speaker 2>That touches as well.

2:15:58.840 --> 2:16:02.200
<v Speaker 1>But I believe it's you and you say on the

2:16:02.240 --> 2:16:07.240
<v Speaker 1>streets of Harlem by the Grand Concourse, there wasn't nothing

2:16:07.240 --> 2:16:07.960
<v Speaker 1>near each other, sir.

2:16:08.480 --> 2:16:21.920
<v Speaker 16>Yeah, no, wait a minute, why in jen you know.

2:16:23.560 --> 2:16:25.120
<v Speaker 2>He's super Panny, super Panny.

2:16:25.320 --> 2:16:28.600
<v Speaker 3>I always wanted to be like, wait a minute, all right,

2:16:28.640 --> 2:16:32.080
<v Speaker 3>all right, and I just say this right, I'm a Brooklyn.

2:16:32.200 --> 2:16:32.959
<v Speaker 2>I'm a Brooklyn.

2:16:33.760 --> 2:16:39.560
<v Speaker 3>You know you Hall them is like uptown, like Uptoimes.

2:16:39.760 --> 2:16:41.640
<v Speaker 2>I was like, so that's not the same thing, like.

2:16:42.000 --> 2:16:44.880
<v Speaker 1>Because at that time we used to take uptown. It's uptown,

2:16:46.840 --> 2:16:48.640
<v Speaker 1>it was up, it was uptown. But you got to

2:16:48.680 --> 2:16:51.480
<v Speaker 1>realize hallm wrong.

2:16:53.480 --> 2:16:57.240
<v Speaker 3>But hall them is with the Puerto Ricans mostly racist

2:16:57.280 --> 2:17:01.000
<v Speaker 3>and uhen you when you want a concourse, are gonna

2:17:01.000 --> 2:17:04.119
<v Speaker 3>be a lot of the D're gonna be a deal? Yes,

2:17:04.600 --> 2:17:10.520
<v Speaker 3>probably copping something. You probably right right, but it's true. Now,

2:17:10.560 --> 2:17:13.160
<v Speaker 3>I grew up around I grew up in Brownsville. I

2:17:13.200 --> 2:17:15.800
<v Speaker 3>grew up around Puerto Ricans like I didn'tdn't. I didn't

2:17:15.840 --> 2:17:19.320
<v Speaker 3>even know the difference Puerto Rican Dominican. I didn't know

2:17:19.360 --> 2:17:21.240
<v Speaker 3>nothing about that. I was like Puerto Ricans. I wanted

2:17:21.240 --> 2:17:22.800
<v Speaker 3>to hang around Puerto Rican I thought they was cool

2:17:22.800 --> 2:17:23.039
<v Speaker 3>to ship.

2:17:23.080 --> 2:17:25.400
<v Speaker 1>Bush was some of the best port of Spanish I

2:17:25.440 --> 2:17:27.600
<v Speaker 1>ever had, the best Puerto Ricans, the.

2:17:27.600 --> 2:17:28.360
<v Speaker 2>Best port Ofrian food.

2:17:28.360 --> 2:17:29.280
<v Speaker 1>I about to say you know what I mean, But

2:17:29.320 --> 2:17:31.720
<v Speaker 1>I would say but in genermal because I had Dominican

2:17:31.720 --> 2:17:33.560
<v Speaker 1>food in bush Wick as well, So I don't want

2:17:33.560 --> 2:17:35.640
<v Speaker 1>to just label it Puerto Ricans, you know what I mean.

2:17:35.680 --> 2:17:38.400
<v Speaker 3>So I had like, yeah, I didn't know the difference. Man,

2:17:38.400 --> 2:17:41.400
<v Speaker 3>It's crazy because like you good, like even you growing

2:17:41.520 --> 2:17:44.120
<v Speaker 3>up around like even with black people, you know what

2:17:44.160 --> 2:17:46.600
<v Speaker 3>I'm saying, Like you just the West Indian, you know

2:17:46.680 --> 2:17:49.000
<v Speaker 3>you and flat, but you got all kind of West

2:17:50.840 --> 2:17:55.960
<v Speaker 3>hate you like you don't even people don't even really yet,

2:17:56.680 --> 2:17:59.760
<v Speaker 3>you know what I'm saying. Like even like that's why

2:17:59.800 --> 2:18:02.000
<v Speaker 3>you give thanks for hip hop too, because it allows

2:18:02.080 --> 2:18:03.400
<v Speaker 3>us to embrace that.

2:18:04.080 --> 2:18:04.240
<v Speaker 11>Right.

2:18:04.280 --> 2:18:05.800
<v Speaker 2>Other than that, it's like we're just trying to keep

2:18:05.840 --> 2:18:06.640
<v Speaker 2>it to ourselves.

2:18:06.640 --> 2:18:07.279
<v Speaker 1>Like you don't.

2:18:07.080 --> 2:18:10.920
<v Speaker 3>Know you your your culture is represents you.

2:18:11.440 --> 2:18:13.400
<v Speaker 2>It is dope, right, that's kind of fly.

2:18:13.600 --> 2:18:15.199
<v Speaker 1>I mean that's why I love the fact that y'all

2:18:15.240 --> 2:18:18.560
<v Speaker 1>even did that record, because the fact is one I

2:18:18.600 --> 2:18:20.760
<v Speaker 1>knew what y'all was was doing, and I knew, like

2:18:21.080 --> 2:18:26.640
<v Speaker 1>you know, to be because it's a difference between and

2:18:26.800 --> 2:18:27.600
<v Speaker 1>I'm sorry for my.

2:18:27.760 --> 2:18:28.800
<v Speaker 2>White people that's here.

2:18:29.080 --> 2:18:31.199
<v Speaker 1>Like sometimes they say that the white people as guested

2:18:31.240 --> 2:18:33.600
<v Speaker 1>in hip hop and to a certain extent, I understand

2:18:33.640 --> 2:18:34.160
<v Speaker 1>what that means.

2:18:34.200 --> 2:18:35.280
<v Speaker 2>I understand what you mean.

2:18:35.480 --> 2:18:37.920
<v Speaker 1>But when you're looking at you know, breaking, and you're

2:18:37.920 --> 2:18:40.160
<v Speaker 1>looking at all that the Puerto Ricans was there, bro,

2:18:43.040 --> 2:18:44.400
<v Speaker 1>it was bringing out straight paint.

2:18:44.720 --> 2:18:45.680
<v Speaker 2>They was doing everything.

2:18:45.720 --> 2:18:48.080
<v Speaker 1>You know what I mean? Or so I love the

2:18:48.080 --> 2:18:49.520
<v Speaker 1>fact that y'all yeah, yeah did that.

2:18:49.920 --> 2:18:51.320
<v Speaker 2>Yeah yeah, Spanish Hall.

2:18:51.600 --> 2:18:54.680
<v Speaker 3>We students at the games. That's the beauty of us.

2:18:54.680 --> 2:18:55.720
<v Speaker 3>So we appreciate it.

2:18:55.840 --> 2:18:58.080
<v Speaker 2>And tone touch was like you said, on that way,

2:18:58.600 --> 2:18:59.240
<v Speaker 2>he's Brooklyn.

2:18:59.360 --> 2:19:03.519
<v Speaker 3>Yeah, yeah, he's a legends shut out to his documentary,

2:19:03.600 --> 2:19:06.280
<v Speaker 3>legend legendary DJ Tate and.

2:19:06.200 --> 2:19:09.400
<v Speaker 1>He got his documentary out. You're an interview for it.

2:19:09.440 --> 2:19:12.000
<v Speaker 1>I didn't make the cut. You didn't make the cut.

2:19:12.600 --> 2:19:23.119
<v Speaker 1>Miami was a representative shout out should have been on

2:19:23.160 --> 2:19:23.959
<v Speaker 1>that fact.

2:19:24.040 --> 2:19:25.640
<v Speaker 2>That's a fact. Okay, So I don't feel that bad.

2:19:25.959 --> 2:19:29.039
<v Speaker 1>Yeah, but I still shout out Tony Touches for making

2:19:29.040 --> 2:19:29.800
<v Speaker 1>that documentary.

2:19:29.879 --> 2:19:32.360
<v Speaker 2>Man, that's big man. I'm gonna change it up a

2:19:32.360 --> 2:19:32.760
<v Speaker 2>little bit.

2:19:32.840 --> 2:19:36.120
<v Speaker 1>On one time, right, you said the nerves and the

2:19:36.160 --> 2:19:39.440
<v Speaker 1>calasthetics keep me healthy. You was on that just back

2:19:41.280 --> 2:19:45.320
<v Speaker 1>a calisthetics do a body justice. I'm listening I'm like

2:19:46.440 --> 2:19:47.440
<v Speaker 1>better back then.

2:19:47.959 --> 2:19:54.160
<v Speaker 6>Yeah, we was. Again, that's family, that's in you already.

2:19:54.240 --> 2:19:57.080
<v Speaker 6>You wake up and you do you see your dad

2:19:57.200 --> 2:20:00.840
<v Speaker 6>is healthy, your brother's health. You want to be what

2:20:00.920 --> 2:20:03.119
<v Speaker 6>you see, You want to imitate.

2:20:02.760 --> 2:20:05.879
<v Speaker 1>That coming from like being like like Jamaican Caribbean side.

2:20:06.120 --> 2:20:08.920
<v Speaker 1>What is that called blest bless? I don't know, I'm

2:20:08.920 --> 2:20:13.400
<v Speaker 1>not Jamaican.

2:20:14.680 --> 2:20:25.440
<v Speaker 2>At one point.

2:20:28.440 --> 2:20:31.280
<v Speaker 6>From that just comes from jumping off to stop early

2:20:31.400 --> 2:20:34.760
<v Speaker 6>and what you see you want to imitate. And I

2:20:34.800 --> 2:20:39.320
<v Speaker 6>have strong men in my family. Before it was the streets.

2:20:39.320 --> 2:20:43.680
<v Speaker 6>It was family already, so doing push ups and my

2:20:43.760 --> 2:20:46.240
<v Speaker 6>mom's was a minister. My pots was a musician, so

2:20:47.200 --> 2:20:51.480
<v Speaker 6>it's in the blood and meeting with him it was

2:20:51.560 --> 2:20:53.680
<v Speaker 6>already workout me.

2:20:53.800 --> 2:20:57.400
<v Speaker 2>I used to box, so it was it was work.

2:20:57.600 --> 2:21:01.400
<v Speaker 2>It was a thing for me. You got the tattoo ship.

2:21:03.080 --> 2:21:14.800
<v Speaker 6>Came from a uh from Adam, my man potato. I

2:21:14.840 --> 2:21:17.200
<v Speaker 6>think his son was turning like five, so it was

2:21:17.280 --> 2:21:22.120
<v Speaker 6>just his potato. Yeah exactly.

2:21:23.280 --> 2:21:27.280
<v Speaker 3>We don't know anything about my son.

2:21:27.480 --> 2:21:30.320
<v Speaker 6>His son was turned out maybe five or seven. So

2:21:30.400 --> 2:21:32.320
<v Speaker 6>he had a party in a spot, you know, and

2:21:32.400 --> 2:21:37.640
<v Speaker 6>there's the adults and the kids, but nobody is really

2:21:38.800 --> 2:21:41.800
<v Speaker 6>fucking with each other, with them kids and the kids like.

2:21:42.720 --> 2:21:48.480
<v Speaker 6>So it was like, Yo, you should get there. You

2:21:48.520 --> 2:21:51.120
<v Speaker 6>should that face painting over there. You should let her

2:21:51.120 --> 2:21:52.720
<v Speaker 6>put the tyson tattoo.

2:21:54.959 --> 2:22:08.320
<v Speaker 1>The kids I brought you. That's how you break, you

2:22:09.959 --> 2:22:10.480
<v Speaker 1>know what I mean?

2:22:10.840 --> 2:22:13.320
<v Speaker 2>So it was it was play. It was it was

2:22:14.360 --> 2:22:15.959
<v Speaker 2>the paint whatever this ship was.

2:22:16.040 --> 2:22:18.440
<v Speaker 1>But but it's something about drinks was flowing in.

2:22:18.560 --> 2:22:23.400
<v Speaker 3>Was like that ship was like everybody like you fit, you.

2:22:26.120 --> 2:22:32.760
<v Speaker 1>Liked you might just got my dumb ass, like what

2:22:34.320 --> 2:22:35.760
<v Speaker 1>it like this ship, dude?

2:22:38.680 --> 2:22:42.840
<v Speaker 3>Not that same night that I went and got tested

2:22:42.879 --> 2:22:47.879
<v Speaker 3>the way Hannah though, when I got Hannah should burnt into.

2:22:48.160 --> 2:22:54.480
<v Speaker 6>That's like it's like a sure and my dumb ass

2:22:54.480 --> 2:22:57.039
<v Speaker 6>got it in the summer and it actually burnt into

2:22:57.120 --> 2:22:59.800
<v Speaker 6>my skin. So I was only supposed to lead a

2:22:59.840 --> 2:23:03.240
<v Speaker 6>he interrupted for like maybe a couple of days being

2:23:03.280 --> 2:23:05.680
<v Speaker 6>at it burnt in and wasn't even when I watched

2:23:05.720 --> 2:23:09.039
<v Speaker 6>it away, You've still seeing the I was like, oh nah,

2:23:09.480 --> 2:23:13.440
<v Speaker 6>my Mom's just like, look, dumb ass, you might just

2:23:13.440 --> 2:23:15.879
<v Speaker 6>go all the way now. So I went to the

2:23:15.959 --> 2:23:16.680
<v Speaker 6>joint got it.

2:23:17.800 --> 2:23:18.320
<v Speaker 1>I just did.

2:23:18.440 --> 2:23:19.240
<v Speaker 2>I couldn't go the.

2:23:19.160 --> 2:23:19.960
<v Speaker 1>Whole ship with it.

2:23:20.160 --> 2:23:22.320
<v Speaker 2>So what did Tyson say. When he first saw you,

2:23:23.080 --> 2:23:24.560
<v Speaker 2>he was like, we're from the same tribe.

2:23:27.200 --> 2:23:36.560
<v Speaker 1>I'm gonna tell you, you gotta shut out to.

2:23:39.560 --> 2:23:43.039
<v Speaker 3>When I got this, we was it wasn't like it

2:23:43.160 --> 2:23:46.119
<v Speaker 3>is now and the whole abundant of rappers with no face.

2:23:46.959 --> 2:23:47.760
<v Speaker 1>It wasn't at all.

2:23:48.840 --> 2:23:52.320
<v Speaker 6>It was right, So this ain't nothing that was. It

2:23:52.480 --> 2:23:56.039
<v Speaker 6>still had its meaning to still a warrior ship like

2:23:56.080 --> 2:23:57.679
<v Speaker 6>the Predators. Very tribal.

2:24:00.080 --> 2:24:00.240
<v Speaker 1>There.

2:24:00.360 --> 2:24:03.560
<v Speaker 2>But yeah, that's the way it came from. That's crazy.

2:24:03.640 --> 2:24:06.959
<v Speaker 1>So so on one time you said, spoke about the calistatics,

2:24:07.080 --> 2:24:09.800
<v Speaker 1>talked about being healthy. But this is something I always

2:24:09.800 --> 2:24:12.199
<v Speaker 1>wanted to ask you to ask both of y'all too.

2:24:12.560 --> 2:24:15.000
<v Speaker 1>Is that the care us one sample of you? Out

2:24:15.000 --> 2:24:19.160
<v Speaker 1>of here? Do you ever think about when you're out

2:24:19.160 --> 2:24:21.600
<v Speaker 1>of here? Is that the same beat? Or I've been

2:24:21.680 --> 2:24:25.480
<v Speaker 1>bucking for years? Yeah, one time, one time, I don't

2:24:25.480 --> 2:24:29.760
<v Speaker 1>think it was out yet, out of here, out of him? Okay, So,

2:24:29.760 --> 2:24:32.520
<v Speaker 1>so did you're telling me Carres one sample job because

2:24:32.520 --> 2:24:35.000
<v Speaker 1>at the end that that's out of here.

2:24:34.959 --> 2:24:40.160
<v Speaker 2>Beat, it wasn't. I don't think so, so did you?

2:24:40.879 --> 2:24:47.280
<v Speaker 3>My lifeline mister, it's on the one time record, Get

2:24:47.280 --> 2:24:50.200
<v Speaker 3>miss the Walk, Get mister w on the uh on

2:24:50.280 --> 2:24:54.440
<v Speaker 3>the phone over here, Well, weal can clear that one out.

2:24:55.120 --> 2:24:56.360
<v Speaker 2>We will definitely know.

2:24:56.440 --> 2:24:59.039
<v Speaker 1>He could tell you either what city he got the

2:24:59.120 --> 2:25:01.480
<v Speaker 1>record from Timeline.

2:25:01.520 --> 2:25:03.000
<v Speaker 2>I don't know. I don't know now.

2:25:05.440 --> 2:25:05.920
<v Speaker 3>Mm hmmm.

2:25:06.360 --> 2:25:08.359
<v Speaker 2>So we came year after.

2:25:08.720 --> 2:25:13.880
<v Speaker 1>Oh so then it could have been possible. Possible, could

2:25:13.920 --> 2:25:14.560
<v Speaker 1>be the same time.

2:25:15.360 --> 2:25:19.760
<v Speaker 2>It's possible, yeah, hip hop man.

2:25:20.959 --> 2:25:25.400
<v Speaker 6>Then it wasn't. They was chopping and doing everything clear.

2:25:25.920 --> 2:25:29.000
<v Speaker 6>It wasn't clear or nothing. Man, if you hear it,

2:25:29.160 --> 2:25:31.600
<v Speaker 6>you hear it. Other than that, it's like, let's go.

2:25:32.080 --> 2:25:33.440
<v Speaker 2>There's a lot of that going on.

2:25:33.760 --> 2:25:38.040
<v Speaker 3>I guess I never even put that together.

2:25:38.160 --> 2:25:41.119
<v Speaker 2>And out of here is my ship too, Like.

2:25:41.200 --> 2:25:43.039
<v Speaker 1>You ever think about when you're out of here?

2:25:44.000 --> 2:25:47.320
<v Speaker 2>That's a creatible. One of my favorite KR Rush joints

2:25:47.400 --> 2:25:48.840
<v Speaker 2>is was gonna get you.

2:25:49.280 --> 2:25:50.080
<v Speaker 1>I was gonna get you.

2:25:50.240 --> 2:25:51.240
<v Speaker 2>He spoke on that.

2:25:51.640 --> 2:25:55.800
<v Speaker 1>It was like, I was gonna get you millimeter.

2:26:01.160 --> 2:26:01.200
<v Speaker 3>Y.

2:26:01.520 --> 2:26:03.840
<v Speaker 4>Come on, man, I have my kids singing this song

2:26:03.920 --> 2:26:06.000
<v Speaker 4>in the car like ten years ago.

2:26:06.080 --> 2:26:07.120
<v Speaker 1>I did.

2:26:06.800 --> 2:26:11.160
<v Speaker 3>That's all they do.

2:26:11.200 --> 2:26:12.760
<v Speaker 2>You.

2:26:13.640 --> 2:26:21.359
<v Speaker 1>I'm on point man, A lot of you for years.

2:26:21.480 --> 2:26:23.039
<v Speaker 1>This this is not new question.

2:26:24.120 --> 2:26:27.800
<v Speaker 6>Were talking about it like yo, this man, nor re

2:26:28.000 --> 2:26:39.440
<v Speaker 6>brain is is it's a retarded crazy you haven't story

2:26:41.640 --> 2:26:46.039
<v Speaker 6>inredible man aggressing. And I'm like, we see what it is, and.

2:26:46.000 --> 2:26:48.920
<v Speaker 1>You know what it is like because you know, I

2:26:49.200 --> 2:26:51.080
<v Speaker 1>got a relationship with your brothers, and you know what

2:26:51.120 --> 2:26:53.440
<v Speaker 1>I mean, like like I look at your brothers like family.

2:26:53.680 --> 2:26:55.360
<v Speaker 1>But the thing is, I don't want to ever that

2:26:55.440 --> 2:26:56.119
<v Speaker 1>to ever come.

2:26:56.000 --> 2:26:57.200
<v Speaker 2>In the way of me being fan.

2:26:57.840 --> 2:27:00.040
<v Speaker 1>You know what I'm saying, because you know what I mean, Like,

2:27:00.680 --> 2:27:02.200
<v Speaker 1>I really thought about this. I know I'm jumping off

2:27:02.200 --> 2:27:04.080
<v Speaker 1>the subject, but I looked at I kept looking at

2:27:04.160 --> 2:27:06.200
<v Speaker 1>carras One the other day, right, and I was like, Yo,

2:27:06.200 --> 2:27:08.600
<v Speaker 1>if you take hip hop out of cares One, I

2:27:08.640 --> 2:27:12.760
<v Speaker 1>won't even know who this person is. Just think about that,

2:27:13.320 --> 2:27:16.600
<v Speaker 1>like the way care rest Walk is hip hop. Like

2:27:16.680 --> 2:27:18.560
<v Speaker 1>I don't even think he could. I don't think he

2:27:18.560 --> 2:27:22.760
<v Speaker 1>could do anything, yo. And then when I thought about him,

2:27:22.800 --> 2:27:25.120
<v Speaker 1>I thought about all of us? Can I say? Yeah?

2:27:25.600 --> 2:27:27.520
<v Speaker 1>Because I was like, your cast might be like a

2:27:27.560 --> 2:27:29.560
<v Speaker 1>funny dude without hip hop, Like he might be a

2:27:29.560 --> 2:27:31.880
<v Speaker 1>weird off, right, And I said, And then I looked

2:27:31.879 --> 2:27:35.080
<v Speaker 1>in the mirror, I said, how about you. I was like, oh,

2:27:41.040 --> 2:27:43.480
<v Speaker 1>changing right right, all of us? Right of us?

2:27:43.800 --> 2:27:48.520
<v Speaker 3>Nah, but that could potentially be like an incredible skit,

2:27:50.240 --> 2:27:52.600
<v Speaker 3>an incredible movie from Who's.

2:27:52.360 --> 2:27:54.440
<v Speaker 1>The Man movie? Remember how Who's the Man? Everyone was

2:27:54.440 --> 2:27:58.120
<v Speaker 1>in it, everything everyone in it as the person that

2:27:58.200 --> 2:28:03.760
<v Speaker 1>you would be without Raw and without him a sort movie,

2:28:04.440 --> 2:28:07.400
<v Speaker 1>you know what I mean, because because because that's everyone's cliche,

2:28:07.520 --> 2:28:10.720
<v Speaker 1>everyone cliche. If I wasn't a rap, I'll be selling drugs.

2:28:10.760 --> 2:28:14.440
<v Speaker 1>A lot of y'all lie, that's to buye you know

2:28:14.440 --> 2:28:20.680
<v Speaker 1>what I'm saying, Like myself, a lot of us would

2:28:20.680 --> 2:28:24.000
<v Speaker 1>be uber driving. Okay, you know what I mean, nothing

2:28:24.080 --> 2:28:26.520
<v Speaker 1>wrong with that, you know what I mean? You know

2:28:26.600 --> 2:28:31.760
<v Speaker 1>I mean telemarket is what I'm saying. I was looking,

2:28:31.800 --> 2:28:32.160
<v Speaker 1>I was looking.

2:28:32.160 --> 2:28:32.640
<v Speaker 2>I was thinking.

2:28:32.640 --> 2:28:36.920
<v Speaker 1>I was like, listen, this picture, bust a round picture

2:28:37.440 --> 2:28:40.800
<v Speaker 1>without him, and you know what I mean, Like, I

2:28:40.840 --> 2:28:42.720
<v Speaker 1>don't think none of us would be the same person

2:28:42.800 --> 2:28:44.760
<v Speaker 1>we are. But that's the funny thing about the movie

2:28:44.920 --> 2:28:47.680
<v Speaker 1>is we got to make up the first people in

2:28:47.760 --> 2:28:55.720
<v Speaker 1>an awkward differences like a multi verse. That is, though

2:28:56.200 --> 2:28:58.120
<v Speaker 1>I'm glad I got that break, fe that that's been

2:28:58.160 --> 2:29:05.560
<v Speaker 1>bothering me forever. Yeah, James, James, Yeah, let's talk about

2:29:05.560 --> 2:29:09.280
<v Speaker 1>wipe your wipe your mouth. Let's talk about that for

2:29:09.320 --> 2:29:09.800
<v Speaker 1>a second.

2:29:10.640 --> 2:29:11.760
<v Speaker 2>How the funk did y'all come on?

2:29:13.280 --> 2:29:16.200
<v Speaker 1>What is respectful ship with y'all on what kind of

2:29:16.320 --> 2:29:18.680
<v Speaker 1>what kind of bubble gum was said?

2:29:18.800 --> 2:29:20.560
<v Speaker 2>I mun just be di respectful on this record.

2:29:21.760 --> 2:29:26.840
<v Speaker 6>Best Style, man, it ain't never been a form of

2:29:26.840 --> 2:29:29.160
<v Speaker 6>transportation exactly.

2:29:29.640 --> 2:29:35.959
<v Speaker 3>Hang reboy projects, Rainbow recipes, slew the big old pen

2:29:36.120 --> 2:29:37.560
<v Speaker 3>and see you know what I mean.

2:29:38.640 --> 2:29:41.680
<v Speaker 1>Didn't Best Browns will have problems at that time. Yeah,

2:29:41.760 --> 2:29:43.600
<v Speaker 1>that's what makes our relations right.

2:29:43.760 --> 2:29:44.440
<v Speaker 2>Doesn't make me a.

2:29:46.280 --> 2:29:46.440
<v Speaker 1>Us.

2:29:46.440 --> 2:29:49.600
<v Speaker 6>Getting together was at a time when Brownsville was at

2:29:49.640 --> 2:29:52.800
<v Speaker 6>war with Best Style, but it was Wow, there was

2:29:52.840 --> 2:29:56.120
<v Speaker 6>still certain niggas that fucked with each other. Wow, from

2:29:56.160 --> 2:29:58.600
<v Speaker 6>the Style, from the veil, like Roll Road and the Family,

2:29:59.280 --> 2:30:04.959
<v Speaker 6>all these niggas is still riding with each other because yeah,

2:30:05.400 --> 2:30:07.480
<v Speaker 6>once you you know who you are, Like you said,

2:30:07.480 --> 2:30:08.400
<v Speaker 6>you gotta find your.

2:30:08.360 --> 2:30:12.520
<v Speaker 3>Tribe, that straight ship, that straight ship hash it hecktic

2:30:12.560 --> 2:30:14.640
<v Speaker 3>though it was sketchy, you got to have you had

2:30:14.680 --> 2:30:17.240
<v Speaker 3>your passport, had to be right as soon as you

2:30:17.280 --> 2:30:21.040
<v Speaker 3>go up the hill past a certain line and get different.

2:30:21.320 --> 2:30:24.920
<v Speaker 1>But it's a lot of y'all right, and like like

2:30:25.040 --> 2:30:27.760
<v Speaker 1>you hear the stories of ghost Face and raised neighborhood

2:30:27.959 --> 2:30:33.160
<v Speaker 1>like going crazy at each other, did y'all like the

2:30:33.240 --> 2:30:35.000
<v Speaker 1>other members ever?

2:30:35.240 --> 2:30:39.640
<v Speaker 3>Absolutely not, No, No, we carry ourselves differently, man. I mean,

2:30:39.760 --> 2:30:44.000
<v Speaker 3>you know we're lucky, we're not just exempt. But again again,

2:30:44.080 --> 2:30:46.160
<v Speaker 3>like we ran with de set like that's that's that

2:30:46.360 --> 2:30:49.560
<v Speaker 3>was like you really didn't know where these guys would

2:30:49.600 --> 2:30:53.480
<v Speaker 3>pop out what would call an alley way, but we

2:30:53.480 --> 2:30:54.240
<v Speaker 3>we was in.

2:30:54.400 --> 2:30:57.920
<v Speaker 1>We was pretty much in the deep SSS was the

2:30:58.320 --> 2:31:00.640
<v Speaker 1>things back then. That was all a gang for all

2:31:00.680 --> 2:31:06.000
<v Speaker 1>of Brooklyn. They was huge, bigger than Brooklyn. No bigger

2:31:06.000 --> 2:31:07.280
<v Speaker 1>than Brooklyn, I'm saying.

2:31:07.360 --> 2:31:10.400
<v Speaker 7>No, he said they were huge, like me, Were there

2:31:10.400 --> 2:31:11.640
<v Speaker 7>deceps outside of Brooklyn?

2:31:11.920 --> 2:31:14.400
<v Speaker 1>Yeah, in Miami where.

2:31:14.240 --> 2:31:17.720
<v Speaker 3>You have it's definitely some deceps in Miami, de House worldwide,

2:31:17.760 --> 2:31:23.360
<v Speaker 3>some Decepts. Man, London, it's some, it's some you know

2:31:23.400 --> 2:31:25.880
<v Speaker 3>those just like those was like it's crazy because we

2:31:25.920 --> 2:31:30.480
<v Speaker 3>came up together, you know what I'm saying, and shout out,

2:31:30.480 --> 2:31:34.039
<v Speaker 3>shout out to my man vict original original Low lives

2:31:34.040 --> 2:31:35.360
<v Speaker 3>where Nigga used to run in the.

2:31:35.320 --> 2:31:40.320
<v Speaker 1>Store and get and get busy. You know what I'm saying. Yeah,

2:31:40.400 --> 2:31:41.240
<v Speaker 1>Bob Low.

2:31:43.080 --> 2:31:44.480
<v Speaker 2>All the pumpkin rest in peace.

2:31:44.720 --> 2:31:46.760
<v Speaker 3>But yeah, we A lot of people would like to

2:31:46.760 --> 2:31:48.600
<v Speaker 3>say rivalries, but we grew up with them, A lot

2:31:48.640 --> 2:31:50.279
<v Speaker 3>of a lot of them. Casts grew up in Brownsville.

2:31:50.280 --> 2:31:53.160
<v Speaker 3>That's where I'm from, So like these are stomping grounds.

2:31:53.160 --> 2:31:55.880
<v Speaker 3>Like me and Tech really went around neighborhoods. Wasn't those

2:31:55.920 --> 2:32:00.200
<v Speaker 3>guys that stayed in where your your your your designated spot.

2:32:00.240 --> 2:32:01.560
<v Speaker 1>We was adventurous.

2:32:02.160 --> 2:32:04.640
<v Speaker 3>We was doing ship that we couldn't tell our parents

2:32:05.280 --> 2:32:07.440
<v Speaker 3>when we got back. My moms ain't have a clue

2:32:07.520 --> 2:32:10.440
<v Speaker 3>about a lot of stuff. So it's like, man, what

2:32:10.560 --> 2:32:12.720
<v Speaker 3>it was? What my mom's ain't know? I was decept

2:32:12.879 --> 2:32:16.959
<v Speaker 3>till like last year, I got somebody was running their

2:32:16.959 --> 2:32:19.279
<v Speaker 3>mouth or something, and she's like, what.

2:32:19.120 --> 2:32:20.000
<v Speaker 2>She was looking at me?

2:32:20.560 --> 2:32:22.119
<v Speaker 1>You know you can feel somebody.

2:32:21.760 --> 2:32:28.000
<v Speaker 2>Looking at I. I'm like, come on, man, that's it.

2:32:28.000 --> 2:32:28.560
<v Speaker 2>It's crazy.

2:32:28.560 --> 2:32:28.720
<v Speaker 1>Though.

2:32:28.760 --> 2:32:31.000
<v Speaker 2>My pops used to be my prop.

2:32:31.120 --> 2:32:33.880
<v Speaker 3>You know, he popped old school, even old school, but

2:32:33.959 --> 2:32:36.080
<v Speaker 3>to you, we old school. And he used to call

2:32:36.160 --> 2:32:38.760
<v Speaker 3>he was like, yo, duke duke, and I'm like, yo,

2:32:39.040 --> 2:32:42.640
<v Speaker 3>you can't say duke in Brownsville. We say son in Brownsville.

2:32:43.240 --> 2:32:46.480
<v Speaker 3>Duca's violations. You would get beat up for that back

2:32:46.520 --> 2:32:48.480
<v Speaker 3>in the day you get beat up Browns with a

2:32:48.560 --> 2:32:51.280
<v Speaker 3>niggas saying son that it was it was petty. But

2:32:51.320 --> 2:32:54.360
<v Speaker 3>it's like it was, you survived through the petty ship.

2:32:54.480 --> 2:32:57.400
<v Speaker 1>You got past cigarette cigarette.

2:32:58.000 --> 2:33:01.600
<v Speaker 3>It's interesting when you go now is getting their head

2:33:01.680 --> 2:33:05.600
<v Speaker 3>knocked off for colors and and and and uh, you know,

2:33:06.000 --> 2:33:09.800
<v Speaker 3>hats and you know things of that nature. But there

2:33:09.840 --> 2:33:11.560
<v Speaker 3>was always a battleground. Man.

2:33:11.879 --> 2:33:13.360
<v Speaker 2>You know what I'm saying. We came up in that ship.

2:33:14.320 --> 2:33:16.920
<v Speaker 1>Let me ask you aliens come down.

2:33:17.879 --> 2:33:21.600
<v Speaker 3>They already came down. They according to some people that they're.

2:33:21.400 --> 2:33:24.640
<v Speaker 1>Like, yeah, they walk in here, you walk into bar plays.

2:33:25.040 --> 2:33:26.880
<v Speaker 7>They came down or came up from the ocean, which

2:33:26.879 --> 2:33:29.160
<v Speaker 7>one man, there's that they came from.

2:33:29.160 --> 2:33:30.040
<v Speaker 2>Both they came.

2:33:30.200 --> 2:33:33.840
<v Speaker 1>They stuck to you and they say, listen, I want

2:33:33.959 --> 2:33:38.720
<v Speaker 1>one album to teach me human behavior? Hip hop album?

2:33:38.800 --> 2:33:40.560
<v Speaker 1>Let people hip one hip hop album?

2:33:41.600 --> 2:33:44.240
<v Speaker 2>What did you get human behavior or whatever?

2:33:44.400 --> 2:33:47.080
<v Speaker 1>Just just how would you what hip hop album would

2:33:47.080 --> 2:33:49.000
<v Speaker 1>you give? Do you want to get one one to

2:33:49.040 --> 2:33:51.000
<v Speaker 1>represent humanity? Yeah?

2:33:51.120 --> 2:33:55.200
<v Speaker 2>Hip hop at least hip hop humanity.

2:33:58.400 --> 2:34:02.160
<v Speaker 4>Wowsers, I know what I would saying.

2:34:02.560 --> 2:34:07.720
<v Speaker 3>What you were saying, then everything the War Report teachers

2:34:07.800 --> 2:34:10.280
<v Speaker 3>to call the report.

2:34:10.800 --> 2:34:19.000
<v Speaker 9>They're gonna start attacking us. You're gonna get niggas. I

2:34:19.000 --> 2:34:21.640
<v Speaker 9>don't want you representing you. Men.

2:34:24.520 --> 2:34:28.040
<v Speaker 6>It's a couple of different avenues you could go. You

2:34:28.160 --> 2:34:31.600
<v Speaker 6>might even say education of Laurence Hill.

2:34:33.080 --> 2:34:35.560
<v Speaker 2>Mis education and Lauren. That's a good Actually, that's a

2:34:35.560 --> 2:34:36.000
<v Speaker 2>good one.

2:34:36.040 --> 2:34:36.840
<v Speaker 1>That is a good one.

2:34:37.200 --> 2:34:39.800
<v Speaker 2>That is a good dumb ass, men are not thinking.

2:34:39.600 --> 2:34:42.400
<v Speaker 1>That, you know, Lauren only got one album?

2:34:42.840 --> 2:34:45.119
<v Speaker 2>Well, I mean, if you're not counting the fujis yet. Yeah, yeah,

2:34:45.120 --> 2:34:45.840
<v Speaker 2>that's why I said Lauren.

2:34:45.840 --> 2:34:46.560
<v Speaker 1>I ain't say the fuji.

2:34:46.720 --> 2:34:50.160
<v Speaker 7>I mean, but you should count that because she carried

2:34:50.160 --> 2:34:51.080
<v Speaker 7>those albums as well.

2:34:52.040 --> 2:34:55.120
<v Speaker 1>Yeah, but it's not Lauren albums the fuji O. I'm

2:34:55.160 --> 2:34:57.359
<v Speaker 1>just saying she's a big part of those albums.

2:34:58.000 --> 2:35:02.400
<v Speaker 2>Yeah, one album. It's difficult, man, I think I would.

2:35:02.480 --> 2:35:03.600
<v Speaker 2>I think I would have to take.

2:35:03.440 --> 2:35:04.119
<v Speaker 1>A drink on that.

2:35:04.440 --> 2:35:05.680
<v Speaker 2>Okay, we're not drinking on this.

2:35:05.680 --> 2:35:12.480
<v Speaker 1>We're not drinking. You you can.

2:35:12.400 --> 2:35:15.920
<v Speaker 2>Drink round on me.

2:35:17.160 --> 2:35:19.560
<v Speaker 1>I think you said that, you said the War report

2:35:19.600 --> 2:35:22.120
<v Speaker 1>he taking us the war. Okay, what would you say?

2:35:23.280 --> 2:35:23.640
<v Speaker 2>Damn?

2:35:23.720 --> 2:35:32.520
<v Speaker 7>Man, I'm gonna go with the first Tribe album. I'm trying.

2:35:32.680 --> 2:35:37.680
<v Speaker 1>I'm trying to get the mellow with us man was

2:35:38.680 --> 2:35:41.760
<v Speaker 1>not to be like I lost my walle to Yeah,

2:35:42.800 --> 2:35:43.160
<v Speaker 1>I was.

2:35:43.080 --> 2:35:48.119
<v Speaker 3>Thinking something about one right because I'm thinking like criminal minded,

2:35:48.200 --> 2:35:51.520
<v Speaker 3>not criminal minded. But it's like we were talking the

2:35:51.520 --> 2:35:53.760
<v Speaker 3>other day when he has this song, I don't know

2:35:53.840 --> 2:35:58.280
<v Speaker 3>what I was, love Loves going to get you?

2:35:58.320 --> 2:35:59.360
<v Speaker 1>Like what album is that on?

2:35:59.720 --> 2:35:59.959
<v Speaker 3>That was.

2:36:03.120 --> 2:36:04.960
<v Speaker 1>That's gonna get your b DP?

2:36:06.480 --> 2:36:08.360
<v Speaker 3>It would be, it would be And you know, I

2:36:08.360 --> 2:36:10.360
<v Speaker 3>mean and I only say that because it's something that's

2:36:10.400 --> 2:36:11.840
<v Speaker 3>like it gotta be well rounded.

2:36:11.840 --> 2:36:12.000
<v Speaker 1>Man.

2:36:12.000 --> 2:36:13.600
<v Speaker 3>You gotta tell them about the hood. You gotta tell

2:36:13.640 --> 2:36:16.200
<v Speaker 3>them about the dangers. You gotta get everything. You gotta

2:36:16.200 --> 2:36:19.360
<v Speaker 3>give him some food from food for thought. You gotta

2:36:19.480 --> 2:36:21.560
<v Speaker 3>let them enjoy themselves, you know what I mean, Like,

2:36:21.640 --> 2:36:24.600
<v Speaker 3>don't scare them. But I think does that really well?

2:36:24.680 --> 2:36:31.680
<v Speaker 3>Like yeah, matic Ellmatic is very intimidating. You think, yeah, man,

2:36:32.120 --> 2:36:34.360
<v Speaker 3>they come on and come on lit when you come

2:36:34.360 --> 2:36:36.840
<v Speaker 3>on with that first, I think when it come on,

2:36:43.640 --> 2:36:49.240
<v Speaker 3>it's yeah, it's very uh, it's very hypnotics. When you

2:36:49.240 --> 2:36:51.320
<v Speaker 3>start pulling text out the dressers and all that.

2:36:51.360 --> 2:36:54.599
<v Speaker 2>When you start getting like and just the nigger.

2:36:58.240 --> 2:37:00.720
<v Speaker 3>Right, but you but you're dropping gyms, you letting them

2:37:00.720 --> 2:37:03.360
<v Speaker 3>know it's dangerous but you know I'm going through this.

2:37:05.080 --> 2:37:06.480
<v Speaker 2>But yeah, man, it's it's.

2:37:06.360 --> 2:37:23.120
<v Speaker 1>It's I think we just got to give him a mixtape.

2:37:17.879 --> 2:37:18.920
<v Speaker 2>C compilation.

2:37:20.080 --> 2:37:24.760
<v Speaker 3>Man, basic is stressed before leaven Earth. Here you go this,

2:37:25.360 --> 2:37:30.720
<v Speaker 3>let's get Tony touch. No, no, you're gonna need that.

2:37:30.760 --> 2:37:33.320
<v Speaker 3>You're gonna need to get the full the full meal.

2:37:34.000 --> 2:37:34.160
<v Speaker 1>Right.

2:37:34.440 --> 2:37:38.600
<v Speaker 3>You could pick songs that would be interesting, but you know,

2:37:39.120 --> 2:37:42.360
<v Speaker 3>if you can, albums would because there's something I guess

2:37:42.360 --> 2:37:43.560
<v Speaker 3>the album would have to be a no.

2:37:43.720 --> 2:37:46.080
<v Speaker 1>Skipper, right, you can't have to be a no skipper.

2:37:46.360 --> 2:37:50.640
<v Speaker 1>No skipper's representing humanity. Yeah, so if they skip, we

2:37:50.680 --> 2:37:54.279
<v Speaker 1>fu Yeah, what is this bullship? What is this bullshit?

2:37:54.680 --> 2:37:55.039
<v Speaker 1>That one?

2:37:55.120 --> 2:37:58.160
<v Speaker 2>They must die?

2:37:59.240 --> 2:38:04.640
<v Speaker 1>They're not worried, you know, damn so ill Kane asked

2:38:04.680 --> 2:38:07.560
<v Speaker 1>Kane the other day, and I was like, I was like, yeah,

2:38:07.560 --> 2:38:11.200
<v Speaker 1>you know, like some of your lyrics, like you couldn't

2:38:11.600 --> 2:38:16.080
<v Speaker 1>you couldn't have got away with it different times, different times. Now,

2:38:16.160 --> 2:38:17.960
<v Speaker 1>there was a specific lyrics that we heard before you

2:38:18.000 --> 2:38:21.680
<v Speaker 1>got here. We didn't I'm not gonna mention I mentioned one. No, No,

2:38:21.680 --> 2:38:24.480
<v Speaker 1>we didn't mention the one. I'm not mentioning, all right,

2:38:26.240 --> 2:38:28.960
<v Speaker 1>I mentioned he said he said, Damn, I wouldn't have

2:38:28.959 --> 2:38:30.080
<v Speaker 1>been able to get.

2:38:31.120 --> 2:38:32.080
<v Speaker 2>I'm gonna say it that y'all.

2:38:32.120 --> 2:38:34.160
<v Speaker 1>Y'all tell me if you have one of your own lyrics,

2:38:35.080 --> 2:38:38.640
<v Speaker 1>K said, He said, I think from eight to eighty, blind, crippled,

2:38:38.640 --> 2:38:42.320
<v Speaker 1>and great.

2:38:42.080 --> 2:38:44.039
<v Speaker 2>You didn't repeat that again?

2:38:46.680 --> 2:38:54.120
<v Speaker 1>This is a horlee. Yeah, I stop repeating it.

2:38:55.080 --> 2:38:57.240
<v Speaker 2>Sorry, it's it, that's it.

2:38:57.240 --> 2:39:01.960
<v Speaker 1>It's history. And listen, I love is my my my

2:39:03.320 --> 2:39:06.480
<v Speaker 1>one record. I hate and as I get the job done,

2:39:06.480 --> 2:39:08.280
<v Speaker 1>and that's that's work.

2:39:08.440 --> 2:39:09.959
<v Speaker 2>That is from that same.

2:39:10.320 --> 2:39:14.920
<v Speaker 1>Work, that's the same joy. So I analyzed that way

2:39:14.959 --> 2:39:18.600
<v Speaker 1>too much. No, man, but is there any lyrics that

2:39:18.640 --> 2:39:20.240
<v Speaker 1>you have for back then that you was like, man,

2:39:20.280 --> 2:39:22.360
<v Speaker 1>you listen to now and be like, man, I got

2:39:22.360 --> 2:39:22.920
<v Speaker 1>a couple.

2:39:26.480 --> 2:39:30.760
<v Speaker 3>Like wait a minute, but absolutely then. I can't think

2:39:30.760 --> 2:39:34.120
<v Speaker 3>of that specific personally, but I listened to some ship

2:39:34.160 --> 2:39:36.600
<v Speaker 3>and I'm like, damn, Like you know, you it be

2:39:36.720 --> 2:39:40.080
<v Speaker 3>lines where you use lines, or you use a word

2:39:41.320 --> 2:39:43.840
<v Speaker 3>a lot sh yourself using the words. Like we had

2:39:43.840 --> 2:39:47.680
<v Speaker 3>a meeting in the studio one time it was like, yo,

2:39:47.760 --> 2:39:49.840
<v Speaker 3>we stopped putting words that you can't use.

2:39:50.840 --> 2:39:51.600
<v Speaker 2>Can you imagine that?

2:39:51.640 --> 2:39:54.959
<v Speaker 3>That's like, yeah, man, it was difficult, but but you.

2:39:54.920 --> 2:39:56.039
<v Speaker 2>Start seeing the pattern.

2:39:56.200 --> 2:39:58.000
<v Speaker 3>He was like, oh shit, you gotta start spanning your

2:39:58.360 --> 2:40:01.880
<v Speaker 3>vocabulary a little bit. Like you start sounding you got

2:40:01.879 --> 2:40:04.840
<v Speaker 3>these cruis. You start sounding and like black woman starting

2:40:05.080 --> 2:40:08.120
<v Speaker 3>the West, ohc starts sounding like healthy skeelter, Like that's

2:40:08.120 --> 2:40:08.840
<v Speaker 3>gonna that's whack.

2:40:08.920 --> 2:40:10.920
<v Speaker 2>You're gonna rents after that.

2:40:11.520 --> 2:40:13.560
<v Speaker 3>And it's a good challenge, man, Or just read some

2:40:13.600 --> 2:40:17.000
<v Speaker 3>books that Sean Prices say, read some books these scholastic packs. Man,

2:40:17.080 --> 2:40:19.720
<v Speaker 3>niggas need to can't be afraid of knowledge. Man, you

2:40:19.760 --> 2:40:21.720
<v Speaker 3>gotta get smart. Man, it's gonna it's gonna help you

2:40:21.840 --> 2:40:22.480
<v Speaker 3>thank me later.

2:40:22.800 --> 2:40:25.600
<v Speaker 1>You know what I'm saying, Sorry about somebody you know? Unique?

2:40:25.600 --> 2:40:29.560
<v Speaker 1>Sean Price was what try invited them to come see

2:40:29.600 --> 2:40:31.840
<v Speaker 1>me in my hood, right and I told him it's

2:40:31.840 --> 2:40:35.160
<v Speaker 1>a barbecue. So he came. But he was like but

2:40:35.160 --> 2:40:40.160
<v Speaker 1>but he was like, I'm on raba dog came. He

2:40:40.280 --> 2:40:43.320
<v Speaker 1>came to a barbecue, a.

2:40:44.920 --> 2:40:54.440
<v Speaker 2>Gatorade go together. You being on in the barbecue. I

2:40:54.480 --> 2:40:58.440
<v Speaker 2>was clear as a barbecue. You know how unique he was.

2:40:58.560 --> 2:41:00.520
<v Speaker 1>I was like, I was like, yo, I could never

2:41:00.600 --> 2:41:02.480
<v Speaker 1>imitate this moment right here.

2:41:02.360 --> 2:41:05.120
<v Speaker 2>Like when I just sat with him, it was what

2:41:05.120 --> 2:41:08.039
<v Speaker 2>you say is what you get yeah, and he can

2:41:08.120 --> 2:41:12.520
<v Speaker 2>be smiling. Would you would be dead? SIMI At the

2:41:12.520 --> 2:41:14.599
<v Speaker 2>same time, like he wasn't afraid.

2:41:14.320 --> 2:41:15.640
<v Speaker 1>That Richard Pryor man.

2:41:15.560 --> 2:41:17.520
<v Speaker 6>Tell you what was on his mind and why it

2:41:17.680 --> 2:41:20.880
<v Speaker 6>was on his mind, and it ain't really too much

2:41:20.879 --> 2:41:22.240
<v Speaker 6>you can do about it after that.

2:41:22.879 --> 2:41:24.840
<v Speaker 1>Like I used to hang out with this kid and

2:41:24.879 --> 2:41:27.520
<v Speaker 1>I'm not gonna say his name, but he knows who

2:41:27.520 --> 2:41:28.720
<v Speaker 1>he is. And I used to tell him. I used

2:41:28.720 --> 2:41:32.600
<v Speaker 1>to say, yo, man, every rapper is talking about Rose,

2:41:33.360 --> 2:41:36.720
<v Speaker 1>every rapper is talking about fucking drinking Ace of Spade,

2:41:36.760 --> 2:41:39.920
<v Speaker 1>every rapper is talking about and this this kid couldn't

2:41:39.959 --> 2:41:41.880
<v Speaker 1>even buy back a weed. And I was like, why

2:41:41.920 --> 2:41:45.640
<v Speaker 1>don't you just embrace that? Embrace the fact that the

2:41:45.640 --> 2:41:49.840
<v Speaker 1>broken rapperver brokeus rapper ever and when like Sean Price

2:41:49.920 --> 2:41:52.879
<v Speaker 1>did it, but you know that he had opportunities and

2:41:52.959 --> 2:41:56.480
<v Speaker 1>places that that other people did. I always told this artist.

2:41:56.520 --> 2:41:58.760
<v Speaker 1>I was like, yo, do this from the beginning, you

2:41:58.800 --> 2:42:00.720
<v Speaker 1>know what I mean, Like, do you think people should

2:42:00.720 --> 2:42:01.920
<v Speaker 1>live their truths like that?

2:42:05.760 --> 2:42:08.840
<v Speaker 6>Keep it in the heart you haven't made Once you

2:42:08.920 --> 2:42:11.480
<v Speaker 6>recognize who you are in the mirror, is gonna make

2:42:11.520 --> 2:42:13.320
<v Speaker 6>your life easier to live with and.

2:42:13.280 --> 2:42:16.400
<v Speaker 7>Deal with and I think that's hip hop authenticity to

2:42:16.480 --> 2:42:18.600
<v Speaker 7>me is genuinely to be hip hop.

2:42:18.840 --> 2:42:21.800
<v Speaker 6>But just because that's where you start at, that don't

2:42:21.800 --> 2:42:24.879
<v Speaker 6>mean where you're going to end up. It you're going

2:42:24.959 --> 2:42:30.800
<v Speaker 6>to start then eventually what you want or speaking into

2:42:30.840 --> 2:42:32.760
<v Speaker 6>existing is gonna come along your path.

2:42:32.800 --> 2:42:35.440
<v Speaker 1>But you have to start where you at.

2:42:36.160 --> 2:42:39.680
<v Speaker 6>You can't just you ain't waking up in unless a

2:42:39.680 --> 2:42:43.080
<v Speaker 6>brink truck falling in front of your crib turning over you.

2:42:44.160 --> 2:42:46.360
<v Speaker 2>Other than that, you got to accept who you are

2:42:46.520 --> 2:42:48.000
<v Speaker 2>and walk that way.

2:42:48.160 --> 2:42:50.240
<v Speaker 3>And it's it's not it's not a it's no rule

2:42:50.280 --> 2:42:55.760
<v Speaker 3>that says hip hop has to talk about opulence, you know,

2:42:56.320 --> 2:42:59.800
<v Speaker 3>like it's it's a it's it's a it's a creative tool,

2:43:00.720 --> 2:43:02.440
<v Speaker 3>like it's a tool that's used for.

2:43:02.480 --> 2:43:04.320
<v Speaker 2>Expression, however you expressed it.

2:43:04.400 --> 2:43:07.320
<v Speaker 3>Yeah, like we had we listened to the Hall, the Hall,

2:43:07.440 --> 2:43:08.600
<v Speaker 3>remember that the Hall?

2:43:08.959 --> 2:43:14.880
<v Speaker 1>What is that his dis record yesterday becaus eminem.

2:43:16.760 --> 2:43:17.000
<v Speaker 3>Ship.

2:43:21.600 --> 2:43:27.520
<v Speaker 2>I mean, and he created a whole persona.

2:43:28.560 --> 2:43:30.520
<v Speaker 1>I mean himself as well.

2:43:30.800 --> 2:43:35.039
<v Speaker 3>That's really definitely so, I mean it doesn't work for everybody. Now,

2:43:35.200 --> 2:43:37.920
<v Speaker 3>what's real is that you got some sharks out here,

2:43:38.480 --> 2:43:40.680
<v Speaker 3>like you got dudes like common and black thought like

2:43:40.720 --> 2:43:44.920
<v Speaker 3>these guys can put some words together and meaningful words,

2:43:45.160 --> 2:43:46.560
<v Speaker 3>you know what I mean. You got a guy like

2:43:46.640 --> 2:43:51.200
<v Speaker 3>three thousand like one and clearly are argument one of

2:43:51.240 --> 2:43:52.119
<v Speaker 3>the top guy.

2:43:52.200 --> 2:43:53.760
<v Speaker 2>You can't even put him on the throw on the list.

2:43:53.920 --> 2:43:55.520
<v Speaker 2>You got to take him to when the aliens can

2:43:55.600 --> 2:43:56.039
<v Speaker 2>bring on.

2:43:59.480 --> 2:43:59.879
<v Speaker 3>And right.

2:44:03.360 --> 2:44:05.880
<v Speaker 1>Andre is so cool. He's like he eyeing his clothes

2:44:05.920 --> 2:44:09.360
<v Speaker 1>in seven years and none of us said nothing. None

2:44:09.400 --> 2:44:16.600
<v Speaker 1>of us said, that's like yeah, like he sleep under

2:44:16.600 --> 2:44:16.959
<v Speaker 1>the bed.

2:44:17.920 --> 2:44:20.640
<v Speaker 2>Nobody here like nobody. He's an artist.

2:44:21.600 --> 2:44:22.080
<v Speaker 1>I like that.

2:44:22.120 --> 2:44:25.920
<v Speaker 3>I like that. I like the creative aspect, and I

2:44:25.959 --> 2:44:27.760
<v Speaker 3>like that. I like the journey too. I like the

2:44:27.840 --> 2:44:31.400
<v Speaker 3>journey because sometimes sometimes when you're talking to real it

2:44:31.440 --> 2:44:32.000
<v Speaker 3>seems fake.

2:44:32.920 --> 2:44:34.080
<v Speaker 2>You're putting on the.

2:44:34.040 --> 2:44:36.800
<v Speaker 3>Show and you're doing it and it's like you you're

2:44:36.800 --> 2:44:38.400
<v Speaker 3>an a I, but you're a real nigga.

2:44:39.760 --> 2:44:41.600
<v Speaker 2>I don't get it. I don't I don't go together

2:44:41.720 --> 2:44:42.000
<v Speaker 2>for me.

2:44:42.560 --> 2:44:45.560
<v Speaker 3>So like for me, Sean Price showed me another side

2:44:45.600 --> 2:44:49.000
<v Speaker 3>of being honest, you know, like so and so so

2:44:49.120 --> 2:44:51.320
<v Speaker 3>so it's like how you deal with your your younger pride,

2:44:51.800 --> 2:44:54.039
<v Speaker 3>be honest, you know what I mean.

2:44:54.240 --> 2:44:59.800
<v Speaker 2>It's not really like that for me and it's not bad.

2:44:59.879 --> 2:45:01.959
<v Speaker 3>Like growing up in the ghetto, we thought we was poor.

2:45:02.360 --> 2:45:05.200
<v Speaker 3>But you you're eating every day some of us. You

2:45:05.240 --> 2:45:06.320
<v Speaker 3>know what I'm saying. I grew up with both of

2:45:06.360 --> 2:45:09.160
<v Speaker 3>my parents. My mom's in my paw. It was it was,

2:45:09.560 --> 2:45:11.280
<v Speaker 3>it was, it was, it was, it was, it was.

2:45:11.360 --> 2:45:13.960
<v Speaker 3>It was that was that's rich, that's rich, that's valuable,

2:45:14.280 --> 2:45:14.879
<v Speaker 3>that's wealthy.

2:45:15.160 --> 2:45:17.920
<v Speaker 1>It was crazy. It was crazy in the crib behind

2:45:17.920 --> 2:45:18.879
<v Speaker 1>them doors, it was it was.

2:45:18.920 --> 2:45:21.480
<v Speaker 2>It was. It was showtime appreciated.

2:45:21.520 --> 2:45:26.959
<v Speaker 3>It seemed like it was life. I'm looking at photographs.

2:45:27.000 --> 2:45:29.440
<v Speaker 3>I see pictures. I had stuff I ain't have. I

2:45:29.440 --> 2:45:32.480
<v Speaker 3>ain't had a shelter ads, but I had the other ones, you.

2:45:32.480 --> 2:45:41.760
<v Speaker 2>Know with the five strikes. No, I had the soft toes.

2:45:44.120 --> 2:45:47.520
<v Speaker 3>I mean you know yeah, it took me a minute

2:45:47.560 --> 2:45:51.160
<v Speaker 3>from school, Like you gotta appreciate that, man, I don't know,

2:45:51.280 --> 2:45:54.640
<v Speaker 3>like you got you got, you got you gotta think

2:45:54.680 --> 2:45:57.200
<v Speaker 3>about like you ship man. We influenced by guys like

2:45:57.280 --> 2:46:01.280
<v Speaker 3>ro Kim that really was teaching us while we was,

2:46:01.640 --> 2:46:03.120
<v Speaker 3>like he said, thinking of a mask.

2:46:03.240 --> 2:46:05.080
<v Speaker 2>He wasn't was sweating.

2:46:04.720 --> 2:46:08.000
<v Speaker 7>Side crazy that he wasn't cursing.

2:46:08.480 --> 2:46:10.440
<v Speaker 3>It was so it was it was it was, it was,

2:46:10.480 --> 2:46:13.960
<v Speaker 3>it was, it was hypnotic. You didn't pay attention. You

2:46:14.200 --> 2:46:17.480
<v Speaker 3>ain't even kid for you didn't miss it. You didn't

2:46:17.520 --> 2:46:20.160
<v Speaker 3>miss it exactly. So he was telling the journey of

2:46:20.200 --> 2:46:22.879
<v Speaker 3>every little kid that went outside that ain't had no bread.

2:46:23.600 --> 2:46:25.520
<v Speaker 2>What I'm gonna do today? You know what I'm saying.

2:46:25.520 --> 2:46:28.640
<v Speaker 3>You kicking rocks, kicking cans, and you might get into

2:46:28.680 --> 2:46:30.800
<v Speaker 3>some trouble around as soon as you've been that left.

2:46:31.440 --> 2:46:35.039
<v Speaker 3>You see thunning them over there, You're like, oh man, should.

2:46:34.800 --> 2:46:35.360
<v Speaker 1>I go over there?

2:46:35.400 --> 2:46:36.680
<v Speaker 2>Should I go to the sandparm?

2:46:38.160 --> 2:46:38.440
<v Speaker 1>You know?

2:46:38.600 --> 2:46:42.320
<v Speaker 3>So you you want to you you you adventure, you

2:46:42.400 --> 2:46:44.959
<v Speaker 3>know which way you want to go? You know.

2:46:45.760 --> 2:46:46.959
<v Speaker 7>Before we get out of here, though, cause I know

2:46:46.959 --> 2:46:48.520
<v Speaker 7>we're gonna get out one more I want to get

2:46:48.520 --> 2:46:50.840
<v Speaker 7>one thing off. Is that thank y'all for being on

2:46:50.879 --> 2:46:52.040
<v Speaker 7>my twenty fifteen album.

2:46:52.160 --> 2:46:52.720
<v Speaker 1>Oh man.

2:46:53.959 --> 2:46:55.760
<v Speaker 2>Every time I when it goes.

2:46:55.640 --> 2:46:58.680
<v Speaker 7>Back to mixtapes, just doing mixtapes, they always showed up

2:46:58.840 --> 2:47:01.520
<v Speaker 7>like you guys did as well, y'alllwys showed up. And

2:47:01.520 --> 2:47:03.560
<v Speaker 7>then when it came to my doing my first album,

2:47:03.640 --> 2:47:07.160
<v Speaker 7>my studio album, y'all showed up and Sean P showed up, Yes,

2:47:07.800 --> 2:47:09.920
<v Speaker 7>and I actually wanted to do the video and then

2:47:09.959 --> 2:47:13.440
<v Speaker 7>he passed shortly, you know, after recording the record that

2:47:13.480 --> 2:47:14.040
<v Speaker 7>he did for me.

2:47:14.280 --> 2:47:17.720
<v Speaker 2>So thank y'all. Man, appreciate y'all, thank you, Thank you all.

2:47:17.760 --> 2:47:20.040
<v Speaker 1>A part of like the two man groups right now,

2:47:20.080 --> 2:47:22.000
<v Speaker 1>the back and forth. Who do y'all think in the

2:47:22.040 --> 2:47:24.480
<v Speaker 1>two man group? Who is the ultimate back and forth

2:47:25.760 --> 2:47:27.520
<v Speaker 1>two man when they're going back and forth with let's

2:47:27.520 --> 2:47:29.120
<v Speaker 1>talking about in and out? You know, you know what

2:47:29.160 --> 2:47:31.039
<v Speaker 1>I'm saying aside from us, I.

2:47:31.000 --> 2:47:33.560
<v Speaker 2>Mean you canna say, y'all, yeah.

2:47:33.720 --> 2:47:37.280
<v Speaker 3>Man, I mean it's from I like to answer in

2:47:37.280 --> 2:47:41.520
<v Speaker 3>the fact. Aside from us, it would be like, oh,

2:47:41.640 --> 2:47:47.680
<v Speaker 3>damn't think about it. I got saying that one studio

2:47:47.760 --> 2:47:50.920
<v Speaker 3>and that was when you say the tortures was.

2:47:50.920 --> 2:47:57.080
<v Speaker 1>Handed handed down. They was. It was like here you

2:47:57.160 --> 2:48:01.320
<v Speaker 1>go definitely like you say one word.

2:48:01.400 --> 2:48:03.959
<v Speaker 7>Damn okay, and then you reinvent styles because then you

2:48:04.040 --> 2:48:04.920
<v Speaker 7>have y'all.

2:48:04.920 --> 2:48:05.440
<v Speaker 1>And then M O.

2:48:05.520 --> 2:48:09.000
<v Speaker 3>P came with it crazy with it. You know, wow,

2:48:09.640 --> 2:48:12.560
<v Speaker 3>energy is hike it up. I mean true say run

2:48:12.640 --> 2:48:13.720
<v Speaker 3>d M C had.

2:48:14.440 --> 2:48:17.840
<v Speaker 1>M come on man sucking up. It was that, but

2:48:17.879 --> 2:48:19.760
<v Speaker 1>it wasn't. I ain't gonna lie. I don't think run

2:48:19.879 --> 2:48:22.000
<v Speaker 1>was going and now.

2:48:27.120 --> 2:48:27.720
<v Speaker 2>They was doing it.

2:48:27.760 --> 2:48:29.600
<v Speaker 1>They was doing I'm saying, no, no, no, no, I'm saying

2:48:29.720 --> 2:48:33.000
<v Speaker 1>in and out is we're having the same conversation. Like

2:48:33.360 --> 2:48:35.800
<v Speaker 1>I'm saying, what's something he's saying, I'm here, you know

2:48:35.840 --> 2:48:37.760
<v Speaker 1>what I mean, like very specific with it. That's what

2:48:37.760 --> 2:48:41.560
<v Speaker 1>that's that's why you want us to DJ you.

2:48:49.959 --> 2:48:52.320
<v Speaker 2>Know, say B E. P. M. D.

2:48:52.520 --> 2:48:56.640
<v Speaker 3>Smith and Western l o X. Yeah, no disrespect l

2:48:56.680 --> 2:48:59.320
<v Speaker 3>o X. I see the back and forth with them

2:48:59.640 --> 2:49:02.600
<v Speaker 3>like that. Man, I mean, they gladiate this man. So

2:49:02.640 --> 2:49:04.480
<v Speaker 3>when they when they do the back and forth.

2:49:04.280 --> 2:49:06.640
<v Speaker 2>To me, you say you like the better individually. I

2:49:06.680 --> 2:49:07.120
<v Speaker 2>suppose that.

2:49:07.120 --> 2:49:08.440
<v Speaker 1>I'm going, Okay, I can.

2:49:08.360 --> 2:49:11.760
<v Speaker 4>See it sounds you know, I like, I like the

2:49:11.840 --> 2:49:13.600
<v Speaker 4>different you back and forth.

2:49:13.920 --> 2:49:16.080
<v Speaker 1>One one don't sound like the other. Like one.

2:49:16.120 --> 2:49:17.560
<v Speaker 2>But that's what's killing ship too.

2:49:20.440 --> 2:49:20.760
<v Speaker 3>They don't.

2:49:20.760 --> 2:49:23.080
<v Speaker 7>I don't think they get enough enough respective they should

2:49:23.280 --> 2:49:26.920
<v Speaker 7>now today right and they were hell do especially right

2:49:27.800 --> 2:49:29.119
<v Speaker 7>he does effects on drink Champ.

2:49:30.080 --> 2:49:30.280
<v Speaker 2>Yeah.

2:49:30.320 --> 2:49:32.360
<v Speaker 1>But but I'm gonna agree with y'all on the in

2:49:32.400 --> 2:49:36.400
<v Speaker 1>and out on the internet. I actually believe that, you know,

2:49:36.440 --> 2:49:41.480
<v Speaker 1>because me just listening to the camaraderie out of camaraderie, camaraderie.

2:49:41.640 --> 2:49:44.840
<v Speaker 1>Always I'm listening to it's like I know the difference

2:49:45.080 --> 2:49:47.640
<v Speaker 1>in the voice patterns, but it still takes me a minute,

2:49:47.840 --> 2:49:50.199
<v Speaker 1>like which which means that y'are class.

2:49:50.080 --> 2:49:51.120
<v Speaker 2>The difference between me and poem.

2:49:51.160 --> 2:49:53.760
<v Speaker 1>Poem's voice is so much deeper than minds or mine's

2:49:54.240 --> 2:49:56.720
<v Speaker 1>stupid than his, and his is like a little like

2:49:57.080 --> 2:50:00.680
<v Speaker 1>you know what I mean? So you at the same No,

2:50:00.720 --> 2:50:03.040
<v Speaker 1>that was in the disc that was like because it's

2:50:03.160 --> 2:50:11.400
<v Speaker 1>like almost scratch, yeah almost almost, Like how like if

2:50:11.400 --> 2:50:16.359
<v Speaker 1>you deep is pretty much the same like you gotta

2:50:18.040 --> 2:50:21.120
<v Speaker 1>but like sometimes this ship is hot, My ship is deep,

2:50:21.520 --> 2:50:26.119
<v Speaker 1>all right? Joint how you approached the Yeah.

2:50:25.720 --> 2:50:27.920
<v Speaker 3>Yeah, no, I'll be hearing some I'll be hearing some joints.

2:50:27.959 --> 2:50:29.560
<v Speaker 3>It is like, damn, that's that ship kind of came

2:50:29.560 --> 2:50:32.480
<v Speaker 3>out pretty good. But then also like you gotta think,

2:50:32.600 --> 2:50:35.480
<v Speaker 3>like we spent some time in the in the in

2:50:35.520 --> 2:50:40.720
<v Speaker 3>the in the dugout watching Black Boom, and although it's

2:50:40.760 --> 2:50:44.000
<v Speaker 3>a group, it's three men, it's it's one of the

2:50:44.040 --> 2:50:45.840
<v Speaker 3>men is a lead.

2:50:46.320 --> 2:50:47.520
<v Speaker 2>He's the lead of the group.

2:50:48.080 --> 2:50:51.520
<v Speaker 3>He's doing primarily all of the hits, all of the

2:50:51.600 --> 2:50:55.840
<v Speaker 3>song Buckshot is doing all the hits, right, So we're

2:50:55.920 --> 2:51:02.280
<v Speaker 3>sitting there going there, how do we coming different? Like

2:51:02.680 --> 2:51:05.520
<v Speaker 3>what's our anger? Yeah, what's our anger? We're just gonna

2:51:05.520 --> 2:51:07.720
<v Speaker 3>come and rap and rap like that's kind of corny like.

2:51:08.160 --> 2:51:09.959
<v Speaker 3>So we're sitting there all the time, we get to

2:51:10.000 --> 2:51:13.080
<v Speaker 3>formulate how we're going to do it. So our next

2:51:13.200 --> 2:51:16.360
<v Speaker 3>our next up is to come like boom. So I

2:51:16.400 --> 2:51:19.120
<v Speaker 3>think the first know the first song was was was

2:51:19.120 --> 2:51:20.039
<v Speaker 3>was all.

2:51:21.760 --> 2:51:23.280
<v Speaker 1>On Black Moore album.

2:51:24.160 --> 2:51:26.120
<v Speaker 3>Alright, Blacksmiths, So we had to just shoot. We just

2:51:26.120 --> 2:51:29.600
<v Speaker 3>had to shoot like boom. But then it's like, you know,

2:51:29.800 --> 2:51:33.280
<v Speaker 3>you the man. So being a group, we always get

2:51:33.320 --> 2:51:37.640
<v Speaker 3>like like one nigga take a stail, y'all got twelve

2:51:37.680 --> 2:51:41.200
<v Speaker 3>bars together. Everybody else get you know what I mean,

2:51:41.200 --> 2:51:43.640
<v Speaker 3>they get the bus. But we always had to share

2:51:43.640 --> 2:51:45.640
<v Speaker 3>our bars. And that was the same way like the

2:51:45.720 --> 2:51:47.600
<v Speaker 3>D N D D and D all start wanting to

2:51:47.640 --> 2:51:48.200
<v Speaker 3>and pass it.

2:51:48.600 --> 2:51:49.480
<v Speaker 1>That was a dope breaker.

2:51:50.200 --> 2:51:51.199
<v Speaker 2>That was a dope breaker.

2:51:52.000 --> 2:51:58.039
<v Speaker 3>That was incredible. That was incredible to be a part of,

2:51:58.600 --> 2:51:59.240
<v Speaker 3>you know what I'm saying.

2:51:59.600 --> 2:52:03.400
<v Speaker 1>So that's developed it when like short versus and they

2:52:03.400 --> 2:52:04.360
<v Speaker 1>say you gotta share.

2:52:04.920 --> 2:52:07.200
<v Speaker 3>That was one thing that helped us to develop it.

2:52:07.840 --> 2:52:13.120
<v Speaker 3>Sitting there and just like you had admitted work because

2:52:13.160 --> 2:52:15.320
<v Speaker 3>you got it. I wasn't even rapping, so it was

2:52:16.280 --> 2:52:18.120
<v Speaker 3>I just gotta feed off of it.

2:52:18.200 --> 2:52:20.760
<v Speaker 1>And I can't believe that part that wasn't rapping at all.

2:52:21.760 --> 2:52:26.119
<v Speaker 1>Before my very first rap, I wasn't thinking about rap

2:52:26.160 --> 2:52:26.440
<v Speaker 1>at all.

2:52:27.000 --> 2:52:30.320
<v Speaker 2>We was face man, but he's like easy.

2:52:30.560 --> 2:52:32.280
<v Speaker 1>We didn't.

2:52:32.440 --> 2:52:35.440
<v Speaker 2>We didn't so much in the culture right school with

2:52:35.560 --> 2:52:36.360
<v Speaker 2>a Craig G.

2:52:37.280 --> 2:52:41.920
<v Speaker 1>Wow from Boklyn went to school your school what.

2:52:41.879 --> 2:52:43.600
<v Speaker 2>The school now we.

2:52:46.560 --> 2:52:50.000
<v Speaker 1>Went to. Our high school was in graphic art printing

2:52:50.080 --> 2:52:52.520
<v Speaker 1>in Hell's kitchen. Oh okay, in the city. So yeah,

2:52:52.760 --> 2:52:53.800
<v Speaker 1>that's what Craig g.

2:52:53.800 --> 2:52:57.080
<v Speaker 6>Gemini, the gifted one who Rack Kim would come through

2:52:57.240 --> 2:52:59.920
<v Speaker 6>soclonas we would see heavy body.

2:52:59.800 --> 2:53:01.440
<v Speaker 1>I said, I came through the school.

2:53:01.520 --> 2:53:03.520
<v Speaker 2>He didn't go to THEO.

2:53:04.040 --> 2:53:07.800
<v Speaker 1>He just came pull up with the the.

2:53:06.840 --> 2:53:09.800
<v Speaker 6>The bends with the big Amazon and the gold joints

2:53:10.959 --> 2:53:14.520
<v Speaker 6>right in front of the joint hate chains on.

2:53:14.560 --> 2:53:17.520
<v Speaker 2>You like I did that, Brooklyn.

2:53:17.560 --> 2:53:21.080
<v Speaker 3>It was like that's effects would would pull up here,

2:53:21.400 --> 2:53:27.000
<v Speaker 3>pull the big benches in the park man, Brooklyn, and

2:53:27.040 --> 2:53:30.400
<v Speaker 3>one of them is Brooklyn the Jersey Jersey.

2:53:31.200 --> 2:53:34.320
<v Speaker 2>Yeah what you said is Jersey and Brooklyn.

2:53:34.760 --> 2:53:37.480
<v Speaker 3>Yeah, yeah, salute to Jersey.

2:53:37.440 --> 2:53:41.480
<v Speaker 2>Yeah, it's like b q A Brooklyn queens.

2:53:41.360 --> 2:53:43.400
<v Speaker 1>When you come over to Jerseys in Brooklyn.

2:53:43.800 --> 2:53:47.760
<v Speaker 3>We was we was in California with park I was

2:53:47.760 --> 2:53:51.640
<v Speaker 3>getting called from my man was in railway in Jersey

2:53:51.879 --> 2:53:53.520
<v Speaker 3>in the prison. He was like, I heard y'all out

2:53:53.560 --> 2:53:57.480
<v Speaker 3>there with with the big homie, like the niggas.

2:54:00.920 --> 2:54:01.240
<v Speaker 1>Hot.

2:54:01.480 --> 2:54:04.480
<v Speaker 3>No, but it's like news travel. We came from an

2:54:04.480 --> 2:54:07.199
<v Speaker 3>era where news travel. We don't know how it got there,

2:54:07.879 --> 2:54:08.959
<v Speaker 3>but news would travel.

2:54:09.040 --> 2:54:11.240
<v Speaker 1>So you know, niggas in prison get the news before

2:54:11.240 --> 2:54:17.280
<v Speaker 1>the streets that y'all have passed out on the beat

2:54:17.320 --> 2:54:20.080
<v Speaker 1>that y'all regretted, Like someone will ever get y'all.

2:54:21.720 --> 2:54:24.200
<v Speaker 6>I don't think so, because we don't complain. Whatever you

2:54:24.280 --> 2:54:26.560
<v Speaker 6>put in front of us. We're gonna dis man, We're

2:54:26.560 --> 2:54:27.600
<v Speaker 6>gonna do what we do to it.

2:54:27.680 --> 2:54:28.440
<v Speaker 2>We munch man.

2:54:28.520 --> 2:54:32.920
<v Speaker 3>We we are we are called special change. We the

2:54:33.000 --> 2:54:34.560
<v Speaker 3>special change that the boot can't click.

2:54:35.240 --> 2:54:39.959
<v Speaker 1>Track masters gave me jigga jigger. It was no thinking.

2:54:40.040 --> 2:54:40.080
<v Speaker 3>No.

2:54:40.360 --> 2:54:46.400
<v Speaker 1>I was like no that. I was like that that

2:54:46.400 --> 2:54:46.840
<v Speaker 1>wouldn't have.

2:54:50.879 --> 2:54:54.119
<v Speaker 3>But you know, not that era there is there is

2:54:54.160 --> 2:54:57.160
<v Speaker 3>like when when when when your men for real came

2:54:57.200 --> 2:55:02.119
<v Speaker 3>on the scene. It was a time when Fab five

2:55:02.320 --> 2:55:05.200
<v Speaker 3>was working on an album and I think he gave them,

2:55:06.440 --> 2:55:10.000
<v Speaker 3>gave something. Yeah, this is early for real, so nobody

2:55:10.200 --> 2:55:10.920
<v Speaker 3>know what Son.

2:55:10.879 --> 2:55:12.800
<v Speaker 1>Was getting on tight shirt. You couldn't understand.

2:55:14.640 --> 2:55:17.879
<v Speaker 3>And this is when this is when it was given consents. Yeah,

2:55:18.160 --> 2:55:20.080
<v Speaker 3>so I forgot what beat it was. I think it

2:55:20.160 --> 2:55:22.160
<v Speaker 3>was a beat that came out later on. It was

2:55:22.240 --> 2:55:26.640
<v Speaker 3>used by Chalice Kalise single Hate You So Much. It

2:55:26.720 --> 2:55:28.560
<v Speaker 3>was that beat, but it was just that plane.

2:55:28.959 --> 2:55:32.400
<v Speaker 7>Is this before super Thun Yeah, because he was doing

2:55:32.440 --> 2:55:34.000
<v Speaker 7>Browns and.

2:55:35.080 --> 2:55:38.039
<v Speaker 2>Record right there. It's incredible.

2:55:38.240 --> 2:55:39.199
<v Speaker 1>Oh my gosh.

2:55:41.120 --> 2:55:41.760
<v Speaker 2>What for me too?

2:55:41.959 --> 2:55:45.160
<v Speaker 1>That was she had to beat not the intro and

2:55:45.280 --> 2:55:47.720
<v Speaker 1>not not not the intro, not.

2:55:47.720 --> 2:55:54.480
<v Speaker 17>The hook and what's name remixed now? Like just for

2:55:54.600 --> 2:55:59.320
<v Speaker 17>the Phantom Phantom of the Beats gave us, Yeah, Phantom

2:55:59.320 --> 2:56:01.879
<v Speaker 17>of the Beats from Dwellers know that selling Dwellers from

2:56:02.360 --> 2:56:04.240
<v Speaker 17>Blue Cheese something.

2:56:05.920 --> 2:56:08.800
<v Speaker 3>Shout out the Dwellers too. But he gave us I

2:56:08.800 --> 2:56:12.320
<v Speaker 3>don't know what was working. Yeah, yeah, but he gave

2:56:12.400 --> 2:56:20.080
<v Speaker 3>us Magic Stick, that's yeah. He gave us Noah Fantom.

2:56:20.400 --> 2:56:23.840
<v Speaker 1>You know, we had Lil Wayne and t Payne joint

2:56:23.920 --> 2:56:28.640
<v Speaker 1>get money. Oh yeah, we switched that.

2:56:28.760 --> 2:56:31.840
<v Speaker 4>We did the joy with Shorty Low because what's the

2:56:31.920 --> 2:56:32.880
<v Speaker 4>name of playing skills?

2:56:32.920 --> 2:56:33.760
<v Speaker 1>Gave it to us.

2:56:34.360 --> 2:56:36.200
<v Speaker 3>I'll tell you one thing though, like hanging out with

2:56:36.280 --> 2:56:39.800
<v Speaker 3>Pok Park is a beast and it's crazy because you

2:56:39.879 --> 2:56:43.640
<v Speaker 3>got to think, like, yes, he was very young, right,

2:56:44.240 --> 2:56:46.039
<v Speaker 3>but in the studio he was like when we was

2:56:46.040 --> 2:56:48.800
<v Speaker 3>out there with him, He's like, yo, who got beats?

2:56:49.600 --> 2:56:52.760
<v Speaker 2>Anybody could have beats at that time. You never know, he.

2:56:52.840 --> 2:56:55.240
<v Speaker 3>Might have changed it later on, but you you didn't

2:56:55.280 --> 2:56:57.440
<v Speaker 3>know at the time that he was stacking up.

2:56:58.200 --> 2:56:59.840
<v Speaker 2>It's like he knew what was going to happen.

2:57:00.040 --> 2:57:01.560
<v Speaker 1>Want to say, he worked like he knew he was

2:57:01.600 --> 2:57:02.000
<v Speaker 1>going to go.

2:57:04.080 --> 2:57:08.440
<v Speaker 3>I have one hundred and fifty three hundred songs after Like, so,

2:57:08.760 --> 2:57:11.640
<v Speaker 3>when we got back from dealing with this cat, I

2:57:11.680 --> 2:57:14.640
<v Speaker 3>had got a I got a job at.

2:57:14.640 --> 2:57:18.440
<v Speaker 2>At Duckdown as an a n R. It was a short,

2:57:18.959 --> 2:57:19.560
<v Speaker 2>short gig.

2:57:21.720 --> 2:57:26.080
<v Speaker 3>I loved it. I think I was power tripping firing niggas,

2:57:26.280 --> 2:57:30.840
<v Speaker 3>was firing niggas. I was like, yeah, taking niggas lawyers

2:57:30.840 --> 2:57:34.680
<v Speaker 3>out there. They're like, still come on, man, but you know,

2:57:34.720 --> 2:57:36.200
<v Speaker 3>it's all for the it's all for the for the

2:57:36.240 --> 2:57:39.560
<v Speaker 3>for the family. But we we had like I had

2:57:39.560 --> 2:57:42.959
<v Speaker 3>an opportunity. I was taking meets with producers and I

2:57:43.000 --> 2:57:47.840
<v Speaker 3>was like buying a lot of beats and niggas like, yo, fam,

2:57:48.400 --> 2:57:50.040
<v Speaker 3>we not we don't need all of those beats.

2:57:51.200 --> 2:57:53.119
<v Speaker 1>Let me get those five beats. Bro, Like.

2:57:54.800 --> 2:57:57.120
<v Speaker 2>We got mad, Well, we got mad.

2:57:57.240 --> 2:58:01.280
<v Speaker 3>You're thinking about what you're doing, makes sense how you

2:58:01.320 --> 2:58:03.560
<v Speaker 3>feel today. I don't know what we're gonna make when

2:58:03.560 --> 2:58:06.240
<v Speaker 3>we're going to spot Like, come on, man, now we

2:58:06.360 --> 2:58:07.960
<v Speaker 3>are a part where we could we could pick and

2:58:08.040 --> 2:58:10.160
<v Speaker 3>choose like that. We it ain't like when we got

2:58:10.160 --> 2:58:12.119
<v Speaker 3>an hour. We just gotta make it happen. We gotta

2:58:12.320 --> 2:58:14.000
<v Speaker 3>to the to the gates. It was like, yo, what

2:58:14.040 --> 2:58:15.879
<v Speaker 3>we're working on, were in here till some mood.

2:58:15.879 --> 2:58:18.960
<v Speaker 6>Even in the studio hours different today than an hour

2:58:19.160 --> 2:58:19.760
<v Speaker 6>was back then.

2:58:20.040 --> 2:58:25.119
<v Speaker 4>Yeah, yeah, yeah, Now reconcent in an hour, that's a fact.

2:58:25.360 --> 2:58:28.440
<v Speaker 2>Going work now, it's like, all right, hold on, let

2:58:28.440 --> 2:58:29.240
<v Speaker 2>me go smoke.

2:58:29.000 --> 2:58:33.000
<v Speaker 1>Some of it. Yeah. Man, the last question, right, both

2:58:33.000 --> 2:58:36.080
<v Speaker 1>of y'all together as a team, get to write one

2:58:36.240 --> 2:58:42.160
<v Speaker 1>rime for one person anybody you want a ghost, right

2:58:42.320 --> 2:58:47.280
<v Speaker 1>for some ghost, right for one person? Anybody you wanted

2:58:47.320 --> 2:58:52.960
<v Speaker 1>to be who would it be ghost? Right for someone

2:58:55.040 --> 2:58:56.920
<v Speaker 1>you paid all the money you want in the world,

2:58:59.120 --> 2:59:01.080
<v Speaker 1>the world to know what not? It's on you. But

2:59:02.120 --> 2:59:02.960
<v Speaker 1>who would you pick?

2:59:05.720 --> 2:59:06.160
<v Speaker 6>I don't know.

2:59:06.240 --> 2:59:07.680
<v Speaker 2>That ain't even a fair question.

2:59:09.320 --> 2:59:14.680
<v Speaker 1>Damn hip hop have to be hip hop alive day.

2:59:15.080 --> 2:59:18.400
<v Speaker 1>They gotta be whoever it is as broad as it

2:59:18.400 --> 2:59:18.680
<v Speaker 1>could be.

2:59:19.440 --> 2:59:22.640
<v Speaker 2>That's all live. Whoever a wrap damn.

2:59:24.120 --> 2:59:27.720
<v Speaker 1>Record, you gotta be. You gotta go in and out?

2:59:28.200 --> 2:59:32.680
<v Speaker 2>Why are you thinking of that better? Two people? He

2:59:32.800 --> 2:59:34.720
<v Speaker 2>made it more difficult.

2:59:34.160 --> 2:59:36.600
<v Speaker 1>You got in and out.

2:59:40.280 --> 2:59:45.920
<v Speaker 2>Damn rap ship. I need to call my lifeline.

2:59:48.600 --> 2:59:51.160
<v Speaker 1>Damn damn.

2:59:54.280 --> 2:59:56.000
<v Speaker 2>It has to be for this day and age.

2:59:57.360 --> 3:00:00.879
<v Speaker 1>If their prime, yeah, they're probably Yeah, any buddy, anybody

3:00:00.920 --> 3:00:04.000
<v Speaker 1>from any given moment in history.

3:00:05.160 --> 3:00:09.440
<v Speaker 2>Damn you want to be like turn Yeah, it could

3:00:09.440 --> 3:00:09.760
<v Speaker 2>be done.

3:00:10.080 --> 3:00:14.800
<v Speaker 6>Nah, because for me, like Boom being g rapper is

3:00:14.800 --> 3:00:18.160
<v Speaker 6>my favorite rappers. If I could have rolled something for

3:00:18.320 --> 3:00:22.440
<v Speaker 6>g wrap the head the list O that lyrics.

3:00:22.480 --> 3:00:24.240
<v Speaker 1>Yeah, but you're writing in what you just said. It

3:00:24.240 --> 3:00:26.879
<v Speaker 1>has to be two people that I just said that.

3:00:26.879 --> 3:00:27.880
<v Speaker 2>That's what I said.

3:00:28.800 --> 3:00:34.720
<v Speaker 1>I was making it easier for you. That's kind of impossible, man,

3:00:35.680 --> 3:00:37.520
<v Speaker 1>for two people, because you gotta find a duel don't

3:00:37.560 --> 3:00:40.959
<v Speaker 1>don't do the du don't do individual g rappers. Then

3:00:41.000 --> 3:00:41.600
<v Speaker 1>who would you have?

3:00:43.680 --> 3:00:48.800
<v Speaker 3>See I'm kind of like a damn crank a nerve, right,

3:00:48.920 --> 3:00:53.519
<v Speaker 3>So it's like I don't really I respect the ghost writers,

3:00:54.160 --> 3:00:56.600
<v Speaker 3>but I don't really believe in that ship.

3:00:57.400 --> 3:01:02.080
<v Speaker 1>Yeah, hypothetically, you can just than anybody in the world,

3:01:02.120 --> 3:01:06.680
<v Speaker 1>anybody whether they're dead alive, nobody cares about and whatever.

3:01:07.360 --> 3:01:10.039
<v Speaker 2>Meverse if I could, if I what.

3:01:09.920 --> 3:01:14.800
<v Speaker 3>If Marvin Gay put a joint of melody of it

3:01:14.840 --> 3:01:16.760
<v Speaker 3>with a rip, this would.

3:01:16.560 --> 3:01:18.119
<v Speaker 1>Be It's.

3:01:19.840 --> 3:01:22.080
<v Speaker 3>Okay, let's keep that's all right. We're gon we're gonna

3:01:22.080 --> 3:01:24.400
<v Speaker 3>go simplify. We're gonna simplify. I got I got to,

3:01:24.720 --> 3:01:28.040
<v Speaker 3>I got to And this is this is the politically

3:01:28.040 --> 3:01:32.080
<v Speaker 3>correct ship from me. It's right, Uh, because I was

3:01:32.120 --> 3:01:35.720
<v Speaker 3>gonna go on somebody some some some ball marty ship

3:01:35.760 --> 3:01:36.720
<v Speaker 3>Gil Scott had wrong, I.

3:01:37.360 --> 3:01:38.320
<v Speaker 1>Would have been perfect.

3:01:39.280 --> 3:01:41.280
<v Speaker 3>That's what That's what I want, that's what that's the

3:01:41.400 --> 3:01:43.119
<v Speaker 3>that's my initial that's the first thing that came.

3:01:43.040 --> 3:01:44.119
<v Speaker 1>To my mind. That's perfect.

3:01:44.800 --> 3:01:54.280
<v Speaker 3>Scott, deal with give some comments on that, right, what.

3:01:53.520 --> 3:01:54.240
<v Speaker 1>Like with your mind?

3:01:54.320 --> 3:01:56.800
<v Speaker 3>But then I'm like, damn, what be what'll be the

3:01:56.920 --> 3:02:01.760
<v Speaker 3>illest thing conceptually to do is the ghost right for

3:02:01.879 --> 3:02:04.920
<v Speaker 3>my son? Right? My son want to get into the game.

3:02:04.959 --> 3:02:07.200
<v Speaker 3>He thinks he wanted to get into the game. Right,

3:02:07.480 --> 3:02:10.440
<v Speaker 3>But what stories does a child has if he can't

3:02:10.440 --> 3:02:12.119
<v Speaker 3>if he ain't talking about opulence, if he ain't talking

3:02:12.120 --> 3:02:13.960
<v Speaker 3>about the things they have or the chicks or whatever.

3:02:14.280 --> 3:02:15.760
<v Speaker 2>What age is your son at this point?

3:02:16.480 --> 3:02:19.039
<v Speaker 3>My son right now? Is my son right now is

3:02:19.040 --> 3:02:20.160
<v Speaker 3>twenty five years old?

3:02:20.280 --> 3:02:21.200
<v Speaker 1>Okay? Right?

3:02:21.840 --> 3:02:25.360
<v Speaker 3>So but he's he grew up in He grew up

3:02:25.360 --> 3:02:28.240
<v Speaker 3>in Queens. He had a backyard and front yard.

3:02:28.440 --> 3:02:28.960
<v Speaker 1>You know what I'm saying.

3:02:28.959 --> 3:02:31.080
<v Speaker 2>It wasn't no decept coming up to the school.

3:02:31.240 --> 3:02:33.400
<v Speaker 1>Wasn't he ain't coming to trenches.

3:02:33.520 --> 3:02:36.440
<v Speaker 3>He wasn't he would you know he was born in

3:02:36.480 --> 3:02:37.760
<v Speaker 3>Brooklyn or you know what I'm saying.

3:02:37.800 --> 3:02:40.080
<v Speaker 1>Whatever than that, Like what what's what's the stories? Right?

3:02:40.320 --> 3:02:42.760
<v Speaker 1>What you're talking about? I would? I would?

3:02:42.760 --> 3:02:45.600
<v Speaker 3>It would be interesting, Like I like, I like when

3:02:46.400 --> 3:02:50.320
<v Speaker 3>Styles and his son did that project, I was like, oh,

3:02:50.959 --> 3:02:52.960
<v Speaker 3>I want to do that.

3:02:52.959 --> 3:02:57.200
<v Speaker 2>That's like that's like a younger you you're talking to.

3:02:57.959 --> 3:03:01.720
<v Speaker 3>Like without stepping on toes, like without mm hmm. Yeah,

3:03:02.240 --> 3:03:06.080
<v Speaker 3>you know, how could you put that together?

3:03:07.480 --> 3:03:10.480
<v Speaker 1>If it's me and Capone. I want lining Richie oh?

3:03:10.720 --> 3:03:13.760
<v Speaker 1>And who and leonon Richie? Oh? I forgot who was

3:03:13.760 --> 3:03:19.600
<v Speaker 1>the other one? Smokey Robinson? Who's smoking? Who's lane? Doesn't matter?

3:03:20.000 --> 3:03:24.760
<v Speaker 1>They both call, and then of course m J and Prince. Hey, god,

3:03:24.879 --> 3:03:27.840
<v Speaker 1>Prince got I want them to do bang bang over.

3:03:28.520 --> 3:03:32.160
<v Speaker 1>That seems a little weird though, No, nothing new phone time,

3:03:32.879 --> 3:03:35.920
<v Speaker 1>not a new phone time over your son.

3:03:37.520 --> 3:03:45.360
<v Speaker 13>That's something jail. Sure we wanted to do that.

3:03:51.040 --> 3:03:52.480
<v Speaker 2>Prince when he says bang, mak.

3:03:57.920 --> 3:04:01.600
<v Speaker 3>Me that kind of hello, that's a ring of ship,

3:04:02.080 --> 3:04:03.199
<v Speaker 3>you know, that's.

3:04:04.320 --> 3:04:05.480
<v Speaker 2>It's about to be fed up.

3:04:06.720 --> 3:04:08.720
<v Speaker 1>I always wanted I always wanted to do that as

3:04:08.720 --> 3:04:10.440
<v Speaker 1>a record. I always wanted to do, like I write

3:04:10.480 --> 3:04:13.080
<v Speaker 1>your rhyme, you write minds as a record.

3:04:12.840 --> 3:04:16.600
<v Speaker 2>Like y'all never did that. You never wrote rhyme.

3:04:16.640 --> 3:04:20.320
<v Speaker 1>He wrote yours as a record like Yeah, But I

3:04:20.360 --> 3:04:22.320
<v Speaker 1>always wanted to do that as a record. But I

3:04:22.320 --> 3:04:25.320
<v Speaker 1>wouldn't right as me. But you gotta listen. I wouldn't

3:04:25.320 --> 3:04:27.480
<v Speaker 1>write as me I have. I would want to write

3:04:27.480 --> 3:04:33.800
<v Speaker 1>as I'm saying. That's what y'all. Let us we sit

3:04:33.920 --> 3:04:36.720
<v Speaker 1>there and I say, y'all gonna write yours? You right mind?

3:04:36.760 --> 3:04:40.000
<v Speaker 1>But you're not writing for you. You're right and me we're

3:04:40.000 --> 3:04:42.360
<v Speaker 1>telling people, look, he wrote my ship. I wrote my ship,

3:04:42.560 --> 3:04:44.800
<v Speaker 1>you know what I mean, like always like to bug

3:04:44.840 --> 3:04:46.680
<v Speaker 1>out like this wasn't no ghost writer ship that we

3:04:47.000 --> 3:04:47.480
<v Speaker 1>sat here.

3:04:48.320 --> 3:04:52.560
<v Speaker 3>We were done every We've done every way to write.

3:04:53.120 --> 3:04:56.119
<v Speaker 1>You know, everybody all partner's done yo.

3:04:55.879 --> 3:04:56.800
<v Speaker 2>Check and I wrote this ship.

3:04:56.840 --> 3:04:59.160
<v Speaker 1>I just say that ship right there, it's gonna fit.

3:04:59.280 --> 3:05:02.120
<v Speaker 4>Like I don't given who group you are, you know,

3:05:02.720 --> 3:05:06.720
<v Speaker 4>took somebody a part the ship. Like that's just the

3:05:06.760 --> 3:05:09.360
<v Speaker 4>best thing about blessing about being a group.

3:05:09.560 --> 3:05:12.600
<v Speaker 1>Yeah you gohost whiteness. No, no, that ship don't count.

3:05:12.520 --> 3:05:14.680
<v Speaker 2>Right right, Put that ship aside. Man, we're making it.

3:05:14.680 --> 3:05:17.000
<v Speaker 3>We were all working towards to the goal and make

3:05:17.080 --> 3:05:19.720
<v Speaker 3>some fly ship and put that out in the universe

3:05:20.440 --> 3:05:22.960
<v Speaker 3>and that that's like but but but it's like it's

3:05:22.959 --> 3:05:24.720
<v Speaker 3>like when you go from the analog to the digital

3:05:25.160 --> 3:05:28.080
<v Speaker 3>and when you think about like like I.

3:05:28.120 --> 3:05:28.800
<v Speaker 1>Love You song.

3:05:29.360 --> 3:05:32.960
<v Speaker 3>We was in the studio where I Love you torow marriage. Yeah,

3:05:32.959 --> 3:05:36.520
<v Speaker 3>the marriage joint, you know, the piano chairs, the one.

3:05:36.360 --> 3:05:39.400
<v Speaker 1>Seater, that ship shine forever, I shan that's.

3:05:39.280 --> 3:05:40.640
<v Speaker 2>What that's what everybody calls it.

3:05:41.080 --> 3:05:46.640
<v Speaker 1>That everybody, I know what everybody called. It took us

3:05:46.680 --> 3:05:48.720
<v Speaker 1>a half an hour looking for that ship. He was like, Sean,

3:05:48.800 --> 3:05:51.600
<v Speaker 1>I was looking at it. It's don't look for that.

3:05:52.360 --> 3:05:56.280
<v Speaker 1>It's yeah, I'm sucking on somebody.

3:05:58.680 --> 3:06:01.680
<v Speaker 3>You you forced into that into that that that that

3:06:01.680 --> 3:06:05.879
<v Speaker 3>that setting where it's like, yo, you got one book, right,

3:06:06.240 --> 3:06:09.320
<v Speaker 3>and you were sitting there facing each other, you know,

3:06:09.480 --> 3:06:14.440
<v Speaker 3>you in this cell of sorts and you have to go, yo, boom,

3:06:14.560 --> 3:06:21.080
<v Speaker 3>here's a one line here here mm hmm yeah boom.

3:06:21.280 --> 3:06:24.040
<v Speaker 3>Or you might get hot. You might write three, you know, right,

3:06:24.440 --> 3:06:26.480
<v Speaker 3>so you cover that one. I'm gonna cover this here,

3:06:26.560 --> 3:06:29.080
<v Speaker 3>put that finished, finish the balls off, go go spliff.

3:06:30.200 --> 3:06:33.080
<v Speaker 3>You know what I'm saying. It's like, Yo, it feels magical.

3:06:33.120 --> 3:06:35.960
<v Speaker 3>Then when you see that ship, it's like seamless. You know,

3:06:35.959 --> 3:06:38.640
<v Speaker 3>it's like, okay, it ain't or somebody just write a

3:06:38.640 --> 3:06:40.160
<v Speaker 3>whole He might just get hot and be like ya,

3:06:40.160 --> 3:06:43.280
<v Speaker 3>I got twelve, Just put like four to that. We

3:06:43.320 --> 3:06:46.080
<v Speaker 3>bust up the front, or you know what I mean, whatever,

3:06:46.160 --> 3:06:48.279
<v Speaker 3>we got autonomy.

3:06:48.280 --> 3:06:48.879
<v Speaker 1>You know what I'm saying.

3:06:48.840 --> 3:06:49.560
<v Speaker 2>It's great.

3:06:49.879 --> 3:06:52.120
<v Speaker 3>And you know that is one of those moments where

3:06:52.160 --> 3:06:54.800
<v Speaker 3>you have you want to say some fantabolist ship.

3:06:55.080 --> 3:06:57.360
<v Speaker 2>But you ain't got enough breath. You're like, yo, son,

3:06:57.440 --> 3:06:59.039
<v Speaker 2>come right here, right here, on this.

3:07:00.200 --> 3:07:01.400
<v Speaker 1>In and outgat fan.

3:07:02.520 --> 3:07:04.360
<v Speaker 2>I caught that. I caught that.

3:07:04.520 --> 3:07:04.920
<v Speaker 3>I caught.

3:07:05.480 --> 3:07:08.680
<v Speaker 2>I caught slang. When I hear it's like that was

3:07:08.720 --> 3:07:15.360
<v Speaker 2>my word. Give me your everything.

3:07:15.520 --> 3:07:20.000
<v Speaker 1>Just yes, but listen, man, brothers, man, you know what

3:07:20.040 --> 3:07:22.520
<v Speaker 1>I mean. I was so thankful, Like I said, man,

3:07:22.560 --> 3:07:25.680
<v Speaker 1>I looked at my brother Poem Graham and y'all was together,

3:07:25.760 --> 3:07:27.520
<v Speaker 1>and I was and it just was so dope.

3:07:27.560 --> 3:07:29.360
<v Speaker 2>And I just you know what I mean, I hate,

3:07:29.400 --> 3:07:30.280
<v Speaker 2>I hit you up.

3:07:30.320 --> 3:07:33.720
<v Speaker 1>I hate I came up and I definitely you know

3:07:33.800 --> 3:07:36.480
<v Speaker 1>one or two as men man like you guys mean

3:07:36.560 --> 3:07:38.480
<v Speaker 1>so much to hip hop, what you guys have done,

3:07:38.840 --> 3:07:42.000
<v Speaker 1>and you know it's crazy, like you guys come from

3:07:42.040 --> 3:07:44.280
<v Speaker 1>a whole camp. You don't sound like them. You guys

3:07:44.280 --> 3:07:47.039
<v Speaker 1>have always been original. You guys have done. You guys

3:07:47.040 --> 3:07:49.960
<v Speaker 1>are true legends icons. And I wanted to give you guys,

3:07:50.080 --> 3:07:52.480
<v Speaker 1>y'all flowers. I wanted to give guys y'all props. I

3:07:52.520 --> 3:07:54.800
<v Speaker 1>wanted to tell you how much you mean, how dope

3:07:54.840 --> 3:07:57.440
<v Speaker 1>you are, and how how much you continue to do this.

3:07:57.680 --> 3:08:00.880
<v Speaker 1>Hopefully we get a two man fu tall you know

3:08:00.879 --> 3:08:06.160
<v Speaker 1>what I mean as as just a top head. How

3:08:06.240 --> 3:08:15.720
<v Speaker 1>dope it is to have two of the greatests.

3:08:16.800 --> 3:08:18.600
<v Speaker 3>It doesn't get greater than that. But this is this

3:08:18.680 --> 3:08:22.119
<v Speaker 3>is this also, man, thank you brother, because it's like

3:08:22.120 --> 3:08:25.080
<v Speaker 3>like hip hop has allowed us to go. We bridging gaps,

3:08:25.120 --> 3:08:29.040
<v Speaker 3>We bridging gap, We're building bridges. And like when when

3:08:29.160 --> 3:08:32.480
<v Speaker 3>Noriega calls text for Smith and Wesson on the Jackie, like, Yo,

3:08:32.520 --> 3:08:32.959
<v Speaker 3>what you're.

3:08:32.840 --> 3:08:35.240
<v Speaker 2>Doing next week? Where we need to be bro?

3:08:35.440 --> 3:08:38.879
<v Speaker 3>Like that's incredible, bro, Like they have that great you're

3:08:39.000 --> 3:08:40.840
<v Speaker 3>wanted that timeline.

3:08:40.840 --> 3:08:43.240
<v Speaker 1>Family, But there's got nothing to do with being family.

3:08:43.320 --> 3:08:45.520
<v Speaker 1>Just got everything to do with hip hop. Man. You

3:08:45.640 --> 3:08:48.680
<v Speaker 1>guys deserve your flowers so much, man, Like, how kid

3:08:48.760 --> 3:08:52.160
<v Speaker 1>you not like like although, like you know, I probably

3:08:52.360 --> 3:08:54.880
<v Speaker 1>like a year or two probably younger than y'all. I

3:08:54.959 --> 3:08:57.440
<v Speaker 1>feel like y'all still raised me with the music because

3:08:57.680 --> 3:09:00.160
<v Speaker 1>I knew y'all music before I knew y'all to.

3:09:00.160 --> 3:09:01.959
<v Speaker 2>See what I'm saying. So I'm just sitting there.

3:09:01.840 --> 3:09:04.680
<v Speaker 1>Identifying with the music and listen.

3:09:04.760 --> 3:09:04.960
<v Speaker 2>Listen.

3:09:05.840 --> 3:09:09.879
<v Speaker 1>First, I swore, I swore, I was, I swore from

3:09:09.920 --> 3:09:11.560
<v Speaker 1>Brooklyn Earlier, I was walking like.

3:09:27.320 --> 3:09:29.640
<v Speaker 3>That's one thing I love about boot Camp too, because

3:09:29.680 --> 3:09:32.320
<v Speaker 3>there's so many of us. If we listened to other

3:09:32.480 --> 3:09:36.840
<v Speaker 3>cast music, everybody and and it's funny because we used

3:09:36.840 --> 3:09:39.560
<v Speaker 3>to imitate all the cast that we like. Wow, we

3:09:39.640 --> 3:09:42.000
<v Speaker 3>used to imitate everybody that we like, you know what

3:09:42.040 --> 3:09:44.879
<v Speaker 3>I'm saying, And like eventually, you know, we were talking

3:09:44.879 --> 3:09:47.760
<v Speaker 3>about that earlier. Because we're gonna borrow some of your ship,

3:09:48.400 --> 3:09:51.640
<v Speaker 3>you might hear, like, wait a minute, y'all.

3:09:51.640 --> 3:09:54.480
<v Speaker 1>Man, we want to give y'all, y'all flowers man and

3:09:54.560 --> 3:09:56.640
<v Speaker 1>shout out, oh GC, y'all.

3:09:58.760 --> 3:10:03.480
<v Speaker 2>Moon, get out here. What's next for y'all?

3:10:03.600 --> 3:10:06.760
<v Speaker 3>Like, oh, man, right now, we're working on album number

3:10:06.800 --> 3:10:11.000
<v Speaker 3>eighth right with the ninth one done the Soul Council,

3:10:13.080 --> 3:10:16.840
<v Speaker 3>So that's like, want to do the whole it's one

3:10:16.840 --> 3:10:19.520
<v Speaker 3>of the ninth got a squad called the Soul Counsel.

3:10:19.760 --> 3:10:26.119
<v Speaker 1>Okay, it's uh he banks uh here.

3:10:28.360 --> 3:10:31.960
<v Speaker 3>He got the new Young Boy what's the Young Boy soundtracks?

3:10:32.040 --> 3:10:35.199
<v Speaker 3>That's a beast man and yo. One thing about working

3:10:35.280 --> 3:10:37.520
<v Speaker 3>with these guys, man, it's like when you go down

3:10:37.600 --> 3:10:39.640
<v Speaker 3>to the to the to the studio, it reminds me

3:10:39.720 --> 3:10:43.080
<v Speaker 3>of d N D D D Any You're going to

3:10:43.120 --> 3:10:49.440
<v Speaker 3>see anybody. Yeah, no roaches, but it's a lot of

3:10:49.879 --> 3:10:50.920
<v Speaker 3>takeout food ship.

3:10:50.879 --> 3:10:53.680
<v Speaker 2>All over you know what I'm saying, like cleaning up

3:10:54.680 --> 3:10:58.520
<v Speaker 2>like but it's like home. Ain't no egos there, bro

3:10:58.760 --> 3:11:00.840
<v Speaker 2>like everybody in there. This is New York.

3:11:03.240 --> 3:11:06.480
<v Speaker 3>Yeah, everybody in there is a monster like you think

3:11:06.480 --> 3:11:09.640
<v Speaker 3>about d n D we ain't know. Niggas is from

3:11:09.680 --> 3:11:12.400
<v Speaker 3>Queen Niggas from now, he's from booklets, from hongs, from

3:11:12.440 --> 3:11:15.119
<v Speaker 3>the Bronx, And everybody is about to be the biggest

3:11:15.280 --> 3:11:17.840
<v Speaker 3>most They about to be Titans. And we all in

3:11:17.920 --> 3:11:23.600
<v Speaker 3>here playing pool, smoking reefer incredible machine.

3:11:23.640 --> 3:11:26.200
<v Speaker 1>So yeah, I wanted to what's the machine that you

3:11:26.280 --> 3:11:31.760
<v Speaker 1>get your snicker bars out of? Machine? Phillies and Chasles,

3:11:32.400 --> 3:11:32.680
<v Speaker 1>what's that?

3:11:32.920 --> 3:11:34.480
<v Speaker 2>This is a This is a book that I wrote.

3:11:35.320 --> 3:11:37.760
<v Speaker 2>Come on to talk about this, Come on.

3:11:38.840 --> 3:11:38.960
<v Speaker 1>Uh.

3:11:39.720 --> 3:11:45.200
<v Speaker 3>It's a book of poetry, right, poems. And I use

3:11:46.160 --> 3:11:49.840
<v Speaker 3>artwork from some this is like fans, some of the

3:11:49.959 --> 3:11:52.760
<v Speaker 3>fans that you know painted did some paintings that I'm

3:11:52.760 --> 3:11:57.240
<v Speaker 3>gonna put include the fans in the work as well.

3:11:57.360 --> 3:12:00.160
<v Speaker 3>And I try to use something I jacked the U

3:12:00.440 --> 3:12:05.880
<v Speaker 3>Tupac scroll, put my own handwriting and the things I

3:12:06.000 --> 3:12:08.160
<v Speaker 3>just wanted to make it like engaging for the people.

3:12:08.240 --> 3:12:10.760
<v Speaker 3>Like you always had the wraps, you always had the

3:12:10.920 --> 3:12:14.400
<v Speaker 3>tough guys. But sometimes you don't get to like, you know,

3:12:14.600 --> 3:12:17.560
<v Speaker 3>just get into some abstract and parents and get.

3:12:17.520 --> 3:12:18.320
<v Speaker 2>Niggas to read too.

3:12:18.600 --> 3:12:23.359
<v Speaker 1>Yes, and you need to be sell books for everybody.

3:12:23.959 --> 3:12:25.879
<v Speaker 1>I just sawed my book deal too. I don't even

3:12:25.879 --> 3:12:27.600
<v Speaker 1>know what I'm gonna call it. Yeah, I'm gonna call

3:12:27.640 --> 3:12:33.199
<v Speaker 1>that ship. Reading is overrated. It's gonna be seven Centizy'll

3:12:33.400 --> 3:12:37.520
<v Speaker 1>look at in the book that's gonna be mad pictures,

3:12:39.120 --> 3:12:42.360
<v Speaker 1>people FM, Resource Room, niggas, anybody, especially educase. We don't

3:12:42.360 --> 3:12:44.840
<v Speaker 1>want to read Instagram. We don't want to read, y'all.

3:12:46.080 --> 3:12:48.160
<v Speaker 1>I'm sorry you not listen to me. No, kids don't

3:12:48.160 --> 3:12:55.200
<v Speaker 1>watch the show anyway. Drink business your parents up there.

3:12:56.440 --> 3:12:59.000
<v Speaker 2>Yeah, it's like twelve thing.

3:12:59.560 --> 3:13:01.879
<v Speaker 3>They don't what you right, man, just write something. Yeah,

3:13:01.920 --> 3:13:05.960
<v Speaker 3>I'm bugging out, said yo. We he put out a

3:13:06.080 --> 3:13:10.440
<v Speaker 3>We put out a Bible, right, and you know hip hop.

3:13:11.320 --> 3:13:12.880
<v Speaker 3>A lot of people lost their mind. He's like, what

3:13:12.920 --> 3:13:13.959
<v Speaker 3>does this guy think he's doing?

3:13:14.080 --> 3:13:14.160
<v Speaker 1>Right?

3:13:14.720 --> 3:13:17.720
<v Speaker 2>But he's like, yo, everybody should write a book to that.

3:13:18.080 --> 3:13:22.080
<v Speaker 3>Like when the Bible Saint James King, James Joint It's

3:13:22.120 --> 3:13:24.120
<v Speaker 3>like you had this nice seeing council. Right, you have

3:13:24.280 --> 3:13:26.520
<v Speaker 3>all of these different people from all these different lands

3:13:27.520 --> 3:13:28.320
<v Speaker 3>bringing their books.

3:13:29.160 --> 3:13:30.920
<v Speaker 2>What does that sound like to you? If not hip hop?

3:13:31.840 --> 3:13:31.960
<v Speaker 3>Right?

3:13:32.000 --> 3:13:38.040
<v Speaker 2>Everybody everybody's head. That was deep but we all allowed no.

3:13:38.160 --> 3:13:40.320
<v Speaker 3>But it's no, it's there's no gate kid that same

3:13:41.280 --> 3:13:44.160
<v Speaker 3>I respected write a book, that book from there, you

3:13:44.240 --> 3:13:44.640
<v Speaker 3>know what I mean.

3:13:44.959 --> 3:13:47.320
<v Speaker 2>We love that. We would love to see that.

3:13:47.560 --> 3:13:50.320
<v Speaker 3>Nobody behind the scenes, not nobody coming and telling our story,

3:13:50.480 --> 3:13:51.199
<v Speaker 3>us telling our story.

3:13:51.200 --> 3:13:52.760
<v Speaker 1>That's right, We got to tell our own story.

3:14:00.560 --> 3:14:04.400
<v Speaker 7>Drink Champs is a Drink Champs LLC production in association

3:14:04.520 --> 3:14:05.640
<v Speaker 7>with Interval Presents.

3:14:06.560 --> 3:14:10.080
<v Speaker 2>Hosts and executive producers n O r E and dj e.

3:14:10.320 --> 3:14:16.039
<v Speaker 7>FN from Interval Presents executive producers Alan Coy and Jake Kleinberg.

3:14:16.720 --> 3:14:20.840
<v Speaker 7>Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3:14:21.120 --> 3:14:24.760
<v Speaker 7>or wherever you get your podcasts. Thanks for joining us

3:14:24.800 --> 3:14:27.400
<v Speaker 7>for another episode of Drink Champs, hosted by Yours Truly,

3:14:27.560 --> 3:14:30.240
<v Speaker 7>dj e FN and n O r E. Please make

3:14:30.280 --> 3:14:32.480
<v Speaker 7>sure to follow us on all our socials that's at

3:14:32.600 --> 3:14:36.320
<v Speaker 7>drink Champs across all platforms. At the Real Noriagon ig

3:14:37.040 --> 3:14:40.160
<v Speaker 7>at Noriega on Twitter, mine is at Who's Crazy on

3:14:40.320 --> 3:14:44.200
<v Speaker 7>ig at dj e FN on Twitter, and most importantly,

3:14:44.240 --> 3:14:47.040
<v Speaker 7>stay up to date with the latest releases, news and

3:14:47.200 --> 3:14:49.520
<v Speaker 7>merch by going to drink Champs dot com