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Speaker 1: He is Drinks Chess, motherfucking podcast. He's a legendary queens rapper.

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Speaker 2: He ain't agree. That's your boy in O R E.

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Speaker 1: He's a Miami hip hop and mioneer. What up his

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Speaker 1: dj e f N? Together they drink it up with

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Speaker 1: some of the biggest players, you know what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk fast drinks Chans mo.

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Speaker 1: Post das New Year's Eve. Listen, It's time for Drink Champs.

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Speaker 1: Drink up, motherfuck?

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Speaker 2: Would it good?

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Speaker 3: Be hopeing?

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Speaker 2: He's wanna ship be this.

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Speaker 1: Your boy in O R E?

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Speaker 2: What up his dj e f N?

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Speaker 1: This is Militama Crazy Raw Podcast, Drink Champs, Jeffrey Howl

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Speaker 1: make something right now? Uh me being a part of

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Speaker 1: a group. I know how legendary it is to be

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Speaker 1: a part of a group. I know how you know,

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Speaker 1: uh strenuous it is. I know how tumultuous it is.

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Speaker 1: And we're talking about one of the legendary groups of

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Speaker 1: all time, one of a two man group. Man, I'm

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Speaker 1: talking about I was Man, I ain't gonna lie to you.

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Speaker 1: I totally forgot that when I'm listening today. Joint I'm like, damn,

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Speaker 1: they was wearing army fatigues before us. I was like,

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Speaker 1: goddamn it got us. But these dudes lyrical, uh you

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Speaker 1: you I'm listening today, bars and the things that they

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Speaker 1: was talking about then it still applies to right now.

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Speaker 1: When we talk about legends, were talking about icons. We

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Speaker 1: talk about people who have stood the time, the test

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Speaker 1: of time and stood here like legends, and we, goddamn it, got.

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Speaker 2: To give them their flowers.

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Speaker 4: Man.

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Speaker 1: I personally made the phone call. I was like, man,

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Speaker 1: it's time for them, because I know we had them

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Speaker 1: before as the book, but no, we need Smith and

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Speaker 1: Western Tech and still the motherfucking Coco Brothers face to face,

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Speaker 1: man and man to get them they flowers because they

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Speaker 1: deserve it. He's a legendary, iconic group and we and

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Speaker 1: drink chance. Yo, listen, I'm gonna be honest, bro. People

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Speaker 1: you always say to me, you know you know you

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Speaker 1: got me through a bed or or I caught a

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Speaker 1: case for you. This whole week, I'm just listening to y'all.

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Speaker 1: I felt like I was gonna at the case. I

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Speaker 1: felt like I was listening to y'all shit, like holy shit,

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Speaker 1: holy shit, because I couldn't. I didn't realize how advanced

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Speaker 1: the music was back then and how because I guess

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Speaker 1: it's easier to reach it now because how dumb the

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Speaker 1: music is now. But was that something that you brothers

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Speaker 1: was destined was designed to do? Excuse me, I mean.

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Speaker 5: It.

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Speaker 6: I ain't gonna say it came easy because we was

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Speaker 6: in military minded training from the get go, Like you said,

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Speaker 6: the fatigues and the boot camp, right, I was my brother.

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Speaker 2: Rest in peace. David passed away.

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Speaker 6: He was a real drill sergeant, so so I said

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Speaker 6: all of the fatigues because that was a part of

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Speaker 6: our life for real. So even before the money for

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Speaker 6: Thames and came, I was throughing combat boots right in

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Speaker 6: a while, so our mind was already trained for that.

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Speaker 3: Wow, you gotta think like we grew up at man,

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Speaker 3: I'm from Brownsville, you know what I mean? Texts from

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Speaker 3: Best Star like that's that's a that's a battle zone.

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Speaker 3: You know, we grew up in these these these urban

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Speaker 3: places and it's not it's before gentrification, like it's real,

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Speaker 3: it's rough.

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Speaker 2: So you learn a lot of stuff out there.

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Speaker 3: So all that gets applied into your lyrics, and you know,

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Speaker 3: we run around with Deceps, Salute my Decepticon, feem me out,

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Speaker 3: you know flavor you know, yeah, that's that's that's and

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Speaker 3: you know, big up to Black Moon too, because we

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Speaker 3: was able to watch them work and we was in

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Speaker 3: every studio session. Uh we was. We was at the interviews,

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Speaker 3: We watched how they talk, and we learned a lot

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Speaker 3: of stuff. So try to apply that.

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Speaker 1: So, yeah, from yeah, from Brooklyn where there wasn't a

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Speaker 1: dumb ball. No, that's the four Green.

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Speaker 6: Yeah, that's uh projects, No, it wasn't dumb.

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Speaker 1: It wasn't. It was the cob Rolls.

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Speaker 6: But once you if you got the Farragut and you

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Speaker 6: survived them over there, then you he was official.

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Speaker 1: You know, it's crazy. My boy, Troy Outlaw used to

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Speaker 1: bring me the Farragut. He used to bring me the

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Speaker 1: Fourth Green. My first fronts I've ever had was ab

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Speaker 1: Square More. Obviously I didn't know I was walking through

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Speaker 1: a war zone. Yeah, I didn't know. To I was older.

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Speaker 1: They was like, little boy, you might have got killed,

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Speaker 1: But I was like I was a child.

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Speaker 2: So it's exciting though, like flour Street is crazy.

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Speaker 1: Listen, I say, have about all exciting neighborhoods all like

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Speaker 1: like poverty stricken neighborhoods. It's probably the funnest. It's probably

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Speaker 1: the funniest place you could period.

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Speaker 3: Yes, it's funny because I think I think I got

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Speaker 3: my first goal to fit at.

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Speaker 1: AT and queens the opposite. So look as were on that.

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Speaker 1: I know you said earlier, but was that your tgic

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Speaker 1: you guys wearing the army fatigus? I know you said

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Speaker 1: your brother was in in the boy Was that something

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Speaker 1: that you was was doing or was it the whole camp?

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Speaker 6: I mean it kind of was that was that was

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Speaker 6: like he said, being with de said, we was on

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Speaker 6: the pleasant the bag wasn't there. We had no bread,

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Speaker 6: go get dumb fresh. I mean I had guests with

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Speaker 6: the pencil holder on the side of it, bugle boys joints.

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Speaker 2: But the fatigue was the ocean Pacific you know.

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Speaker 6: Oh yeah, yeah, yeah, I got old school. But the

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Speaker 6: fatigues was the joint you could you could blend in

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Speaker 6: and just stand you're down and dirty with it.

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Speaker 1: What's y'all wearing forts out here in Miami? For what?

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Speaker 1: What was doing that?

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Speaker 2: It was tising?

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Speaker 3: Okay, yeah, yeah, I was into all that ship too.

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Speaker 2: Into all the military ship because you know.

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Speaker 1: It's funny. When I came out here and I see

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Speaker 1: people wearing the goose, I was like, what's that's what

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Speaker 1: we call f o t s? They got the town okay,

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Speaker 1: because it's too hot for that ship, man, But you

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Speaker 1: know what it was some locals that was had on

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Speaker 1: the goose. Sure, so in high school it was cold

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Speaker 1: as fucking school. So you're wear heavy ship to be

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Speaker 1: in school. Did y'all ever think because like I like

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Speaker 1: we were speaking about like Brooklyn was the no goal zone,

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Speaker 1: all right. And when I say no goal zone, I

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Speaker 1: mean like if you was a fly artist to town,

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Speaker 1: that's not with it. They're not putting them downtown Brooklyn.

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Speaker 1: They're not doing that. But now I'm listening to artists,

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Speaker 1: I'm like, yeah, where you staying at? They're like, yo, man,

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Speaker 1: I'm over here at the Williamsburg and I'm like Williams

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Speaker 1: Brooking and my day is like, no one wants to

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Speaker 1: go to Williamsburg.

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Speaker 6: Like in them days, Willimburg and Bush was that was

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Speaker 6: that was dope central, right right, That's what it was

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Speaker 6: over there, and gentrification came started cleaning up.

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Speaker 7: And that's how when were you guys came early days

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Speaker 7: DJ Raw and hood stock.

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Speaker 2: I remember what this was exactly exactly. This is the

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Speaker 2: Puerto Rican neighborhood. Yep, got Portrican is up out.

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Speaker 1: Of here looking.

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Speaker 3: It's nice and the it's nice always that's the place

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Speaker 3: for green. It's still dangerous still, rob Yeah, yeah, they'll.

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Speaker 2: Still catch you while you be fat. They're crack. Fact,

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Speaker 2: they're cracking the hood.

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Speaker 1: It's still cracking and the crack is lead because it's

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Speaker 1: fensing on now. They up with that dangerous that's got

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Speaker 1: me stopped doing Molly's and all. I think he was

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Speaker 1: cracking around the little Molly here and there. I don't

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Speaker 1: know if it's all the go, man, you know what

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Speaker 1: I'm saying.

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Speaker 2: They got defending on testers now and all that. If

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Speaker 2: you got to go through all that, you.

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Speaker 1: Gotta test your drugs, kid, nigga, like you can't. You

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Speaker 1: can't trust your drunk trust you every time. To man,

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Speaker 1: I'm good on it. So one one thing that.

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Speaker 3: Saluted the raised too, by the way, my blood brother

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Speaker 3: to man cool, my brother raised. Okay, you know he's

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Speaker 3: he's always official. Okay, you know what I mean.

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Speaker 2: That jelly bean, that jelly bean today.

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Speaker 1: Okay, this jelly bean, what the.

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Speaker 2: Something? Someone want to try?

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Speaker 3: You?

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Speaker 2: Ain't you only no fending on test?

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Speaker 1: Okay, okay, let let me just tell yall something when

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Speaker 1: there's two. This is the best hip hop R and

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Speaker 1: B collapse of all times, hands down. I'll bet my

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Speaker 1: money on it. Hands this meet personally meat. No, no,

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Speaker 1: he has a DJ too. It's all times R and

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Speaker 1: B and hip hop collaborate. You set it up.

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Speaker 3: Well, I told you.

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Speaker 1: I told you.

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Speaker 7: The third one from me is the Mary J. Blige

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Speaker 7: Real Love Remix. I disagree with you. I think that's

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Speaker 7: a good.

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Speaker 2: I thought it was going to play the Mary and

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Speaker 2: Meth shit all.

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Speaker 1: I need that to well, no, no, but he's saying

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Speaker 1: that it was an R and B record remix year.

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Speaker 2: It's not an R and B record. That's what I

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Speaker 2: was trying to say.

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Speaker 1: I'm trying to say, remix record R and B. You

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Speaker 1: didn't clash with hip hop as opposed to like I

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Speaker 1: look at method mans all I need you're talking about, right,

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Speaker 1: I look at that more of a hip hop record

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Speaker 1: going to get an R and B because it was

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Speaker 1: math the record, you know what I mean. But this,

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Speaker 1: this was Mary record, and this was Jodas's record.

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Speaker 2: You know what I'm saying, it's all pumped behind all

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Speaker 2: these remix you know, you know what's up about it.

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Speaker 1: The whole time, I was saying, this is one of

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Speaker 1: those records that Pop had nothing to do.

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Speaker 3: With it, you.

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Speaker 1: Know what it was. I wasn't to hearing what it

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Speaker 1: was back then, so I didn't know that.

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Speaker 2: Was back then he kind of created that genre that.

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Speaker 3: We had did a show with the Intrepid, you know,

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Speaker 3: recipes to B I G Man. Mary was there that

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Speaker 3: day as well. Right, Julia Mafia was on deck and

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Speaker 3: we was I think we had just came from Black

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Speaker 3: Moon video, so we had all camouflaged everything, but we

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Speaker 3: had light lights and flask and helmets and we're backstage

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Speaker 3: blowing it down. Julia Mafia and Buffers in the in

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Speaker 3: the cut just watching. So it was time for us

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Speaker 3: to go on and he's like, yo, man in the studio, Man,

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Speaker 3: we try to come come through.

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Speaker 1: You know what I'm saying.

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Speaker 2: It was like, this is how does remix happen?

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Speaker 3: So y'all was in the club, Holy Mon Intrepid Ship,

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Speaker 3: so it was it was it was mass surreal, you know.

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Speaker 3: And then we got in the studio, and he was like,

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Speaker 3: you know, I don't I don't really get to see

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Speaker 3: all of the crazy, tough stories. Give thanks for that,

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Speaker 3: but the found Yeah, yeah, I mean we see his greatness.

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Speaker 3: I appreciate him for Hollow and that's at that day.

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Speaker 3: That's one of the biggest records everywhere we.

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Speaker 2: Go in the world.

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Speaker 1: Right here.

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Speaker 3: When you heard that beat for the first time, she

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Speaker 3: she she told us that was one of her favorite

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Speaker 3: remixes that she ever did.

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Speaker 1: But so so hold on, let me hear you out correctly.

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Speaker 1: You're telling me that there's a chance that if you

220
00:11:29,880 --> 00:11:32,480
Speaker 1: guys didn't go to that club that night and didn't.

221
00:11:32,200 --> 00:11:36,600
Speaker 2: See record when I happened just like that, just like that,

222
00:11:36,720 --> 00:11:37,080
Speaker 2: just like that.

223
00:11:37,160 --> 00:11:39,480
Speaker 3: It was just like, you know, like he was like

224
00:11:39,480 --> 00:11:42,040
Speaker 3: a genius, like a crazy genius is watching the play.

225
00:11:42,240 --> 00:11:44,400
Speaker 1: So you're telling me the beat wasn't wasn't up when

226
00:11:44,440 --> 00:11:46,840
Speaker 1: y'all came in, just basically vibed out when you got

227
00:11:46,880 --> 00:11:47,360
Speaker 1: to the studio.

228
00:11:48,520 --> 00:11:50,720
Speaker 3: I think that he had I think l was sitting

229
00:11:50,800 --> 00:11:53,160
Speaker 3: in there. I don't think it was playing when we.

230
00:11:53,000 --> 00:11:55,520
Speaker 1: When you say you're talking about but there's a lot of.

231
00:12:00,040 --> 00:12:10,840
Speaker 8: Nigga, man, we was like, what nineteen, I said, Nigga,

232
00:12:10,920 --> 00:12:12,960
Speaker 8: I won a hundred thousand.

233
00:12:14,360 --> 00:12:19,360
Speaker 1: Nigga said, what I don't get sunning up twenty five?

234
00:12:26,640 --> 00:12:28,400
Speaker 2: You got it? You got it.

235
00:12:29,120 --> 00:12:32,000
Speaker 1: So you guys all right now is marrying the studio?

236
00:12:32,640 --> 00:12:36,040
Speaker 3: No man then, because I can almost tell she wasn't.

237
00:12:36,320 --> 00:12:40,160
Speaker 1: Yeah listening to it because you'll just sounds so clean.

238
00:12:40,120 --> 00:12:41,959
Speaker 2: Now I was, it would have been too nervous.

239
00:12:42,000 --> 00:12:42,160
Speaker 3: Man.

240
00:12:43,400 --> 00:12:45,880
Speaker 2: Yeah, I mean for the first time.

241
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Speaker 6: Just well, last year we performed that ship for the

242
00:12:48,600 --> 00:12:50,160
Speaker 6: first time at the Barclays with her.

243
00:12:50,280 --> 00:12:55,200
Speaker 3: We're together on stage. Yeah, and brook that was that

244
00:12:55,320 --> 00:12:57,959
Speaker 3: was that was huge. That was Milestone ship right there,

245
00:12:58,640 --> 00:12:59,920
Speaker 3: the Energy show.

246
00:13:00,200 --> 00:13:02,200
Speaker 1: That was her. Okay, So how do you get this

247
00:13:02,280 --> 00:13:03,200
Speaker 1: call where y'all at.

248
00:13:03,640 --> 00:13:08,840
Speaker 6: Oh man, I'm in the crib and I think Drew

249
00:13:08,920 --> 00:13:11,600
Speaker 6: reached out to her, like, yo, somebody from Mary tem

250
00:13:11,640 --> 00:13:15,000
Speaker 6: I want to know if y'all want to do the.

251
00:13:13,960 --> 00:13:14,840
Speaker 2: Balclays with her?

252
00:13:15,360 --> 00:13:21,079
Speaker 1: Like what what? What time you need to that's the question.

253
00:13:21,440 --> 00:13:24,000
Speaker 2: God damn, we just rocked out, so no, hears was

254
00:13:24,040 --> 00:13:27,640
Speaker 2: just straight on. God damn, y'all perform the record.

255
00:13:28,960 --> 00:13:31,920
Speaker 6: I mean, we perform it, but this is the first

256
00:13:31,920 --> 00:13:34,559
Speaker 6: time that we with her with her, yeah, right, you.

257
00:13:34,520 --> 00:13:35,440
Speaker 2: Know that balklaship.

258
00:13:35,480 --> 00:13:38,479
Speaker 6: They be like sound checked like four thirty in the afternoons,

259
00:13:38,720 --> 00:13:41,280
Speaker 6: they'll be moving around doing other ship, right.

260
00:13:41,440 --> 00:13:44,480
Speaker 3: So it was it was, it was. It was intimidating, though, bro,

261
00:13:44,640 --> 00:13:47,040
Speaker 3: I ain't gonna lie. It was intimidating absolutely. Man, of

262
00:13:47,040 --> 00:13:48,319
Speaker 3: course I love.

263
00:13:48,600 --> 00:13:48,839
Speaker 1: I love.

264
00:13:49,559 --> 00:13:50,959
Speaker 2: I mean, come on, man, that's the queen.

265
00:13:51,000 --> 00:13:51,160
Speaker 1: Man.

266
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Speaker 3: It's like, you know, don't act like that's like. I mean,

267
00:13:53,600 --> 00:13:55,240
Speaker 3: you see dudes do it all the time. I see

268
00:13:55,320 --> 00:13:58,000
Speaker 3: Jada and and and sees up there. I'm like all

269
00:13:58,160 --> 00:13:59,800
Speaker 3: these guys, it's like clockwork with them.

270
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Speaker 1: Man.

271
00:14:00,080 --> 00:14:04,600
Speaker 3: Yeah, I felt like I needed like mad water. You

272
00:14:04,640 --> 00:14:06,440
Speaker 3: get that little right before the show, you get that

273
00:14:06,440 --> 00:14:09,160
Speaker 3: little lightheaded this. I'm like, man, I started to walk away.

274
00:14:09,360 --> 00:14:10,920
Speaker 3: My shorty was like, Yo, where you going. You need

275
00:14:10,920 --> 00:14:14,800
Speaker 3: to be right here. We're like all relax, relaxed in

276
00:14:14,880 --> 00:14:19,600
Speaker 3: minority relax. But it was amazing, man. It was beautiful.

277
00:14:19,640 --> 00:14:19,880
Speaker 1: Man.

278
00:14:20,080 --> 00:14:22,480
Speaker 3: She was jamming with us. Man, her spirit is incredible.

279
00:14:22,680 --> 00:14:24,200
Speaker 3: Record What year was that recorded?

280
00:14:25,120 --> 00:14:25,200
Speaker 1: What?

281
00:14:25,440 --> 00:14:26,920
Speaker 2: Nine six nine six?

282
00:14:27,720 --> 00:14:34,080
Speaker 1: That was like five nine six because buff was on

283
00:14:34,200 --> 00:14:35,040
Speaker 1: the run with the.

284
00:14:35,000 --> 00:14:36,960
Speaker 2: Macause that's coming right out of uptown.

285
00:14:37,000 --> 00:14:39,720
Speaker 1: That's what that named Queen hip hop bar being started

286
00:14:39,760 --> 00:14:42,480
Speaker 1: coming from. You know, I always say both two years

287
00:14:42,480 --> 00:14:45,040
Speaker 1: together because what I remember is back then we used

288
00:14:45,040 --> 00:14:49,360
Speaker 1: to record a record and we had on what was

289
00:14:49,400 --> 00:14:53,400
Speaker 1: it for the little Dwarfs rails and rails? You have

290
00:14:53,480 --> 00:14:54,880
Speaker 1: to you have to you have to be a shape

291
00:14:54,880 --> 00:14:57,400
Speaker 1: that have a rail. That shit was like fifty pounds.

292
00:14:57,360 --> 00:14:59,880
Speaker 6: You're like this and you had to know your verse,

293
00:15:00,120 --> 00:15:05,680
Speaker 6: believe it was real. Ain't no punch, No we want

294
00:15:05,720 --> 00:15:06,040
Speaker 6: to take.

295
00:15:06,360 --> 00:15:08,920
Speaker 3: That didn't change the d MX right, DMX broke that

296
00:15:09,080 --> 00:15:11,640
Speaker 3: moll Really, I didn't know that when he dropped, like

297
00:15:11,880 --> 00:15:15,120
Speaker 3: uh an album, like two albums in one year or

298
00:15:15,160 --> 00:15:15,760
Speaker 3: some ship.

299
00:15:15,560 --> 00:15:18,800
Speaker 2: Like that, I thought you meant the digital time frame,

300
00:15:19,000 --> 00:15:19,880
Speaker 2: your time frames.

301
00:15:20,080 --> 00:15:22,200
Speaker 3: Yeah, but that year I think like for us, like

302
00:15:22,320 --> 00:15:25,640
Speaker 3: Non six, after after all of that ship, it started

303
00:15:25,640 --> 00:15:27,640
Speaker 3: getting crazy for us, like a lot of things start

304
00:15:27,680 --> 00:15:31,040
Speaker 3: getting WOWD. So Non seven we might have been on

305
00:15:31,720 --> 00:15:36,000
Speaker 3: WINU Yeah, nuts man. We didn't come back on saying

306
00:15:36,000 --> 00:15:39,600
Speaker 3: to well No. Seven nine eight with the second album which.

307
00:15:39,480 --> 00:15:40,920
Speaker 1: Was you know you said lost it with the name

308
00:15:41,080 --> 00:15:42,840
Speaker 1: was hold onld On. I want to get, I want

309
00:15:42,840 --> 00:15:43,760
Speaker 1: to want to.

310
00:15:43,680 --> 00:15:46,480
Speaker 7: Get before we leave that record? Who produced that record?

311
00:15:47,120 --> 00:15:48,480
Speaker 7: Do you remember the remix?

312
00:15:48,560 --> 00:15:55,800
Speaker 1: The marriag nigga. I don't even know what ca.

313
00:15:57,760 --> 00:16:01,760
Speaker 3: Yeah, whoever other, but there's me and him. You know,

314
00:16:01,800 --> 00:16:03,960
Speaker 3: we got a camper gut. He had a camper producer.

315
00:16:04,040 --> 00:16:07,480
Speaker 3: So it's no telling who really wasn't programmers but hip

316
00:16:07,520 --> 00:16:10,320
Speaker 3: hop do that revolution? Yeah man, we was young man.

317
00:16:10,320 --> 00:16:14,240
Speaker 3: We was wrapping our hoods blocks. We really believed ship.

318
00:16:14,280 --> 00:16:17,440
Speaker 3: We were saying so. But like anybody said against anything

319
00:16:17,480 --> 00:16:22,040
Speaker 3: that we was thinking, we looked at the enemies, right,

320
00:16:22,320 --> 00:16:22,920
Speaker 3: that's crazy.

321
00:16:23,160 --> 00:16:29,320
Speaker 1: But also we got component's gonna have to guess studio.

322
00:16:31,400 --> 00:16:39,040
Speaker 1: Holy moly, guam y'all. Oh man, what happened now with

323
00:16:40,000 --> 00:16:41,600
Speaker 1: Oh you want me to flip po.

324
00:16:43,280 --> 00:16:46,360
Speaker 2: Damn? You got the best chair in us. You didn't

325
00:16:46,360 --> 00:16:47,520
Speaker 2: have to do all that right now?

326
00:16:48,680 --> 00:16:53,360
Speaker 1: Ambasket door Queen's ambassat door. I don't know. I'm gonna

327
00:16:53,360 --> 00:16:57,000
Speaker 1: be honest with you. When when when Compone, when we

328
00:16:57,000 --> 00:16:59,640
Speaker 1: was calling Pons in jail, Then when I came home,

329
00:17:00,440 --> 00:17:03,680
Speaker 1: I went to Capone's hood to find him. I can't

330
00:17:03,720 --> 00:17:08,919
Speaker 1: find Copone. He had got into some ship. Right. I

331
00:17:08,960 --> 00:17:11,920
Speaker 1: think the guy name is Pat Pool. I'm just crazy

332
00:17:12,119 --> 00:17:16,400
Speaker 1: rite whatever. Yeah, well no, but not that Pat Pool.

333
00:17:16,640 --> 00:17:20,200
Speaker 1: But so where I had to go see Capone was

334
00:17:20,560 --> 00:17:30,160
Speaker 1: in Brooklyn. Compons and half of Brooklyn nigga. I used

335
00:17:30,160 --> 00:17:33,440
Speaker 1: to have to go see this nigga in Brooklyn. Each

336
00:17:33,440 --> 00:17:35,280
Speaker 1: other brother.

337
00:17:37,119 --> 00:17:39,040
Speaker 2: Jerk Chicken today.

338
00:17:40,080 --> 00:17:40,520
Speaker 1: Too far.

339
00:17:43,680 --> 00:17:46,359
Speaker 3: We always seld that that's not Brooklyn loving me.

340
00:17:46,680 --> 00:17:48,320
Speaker 1: I ain't gonna lie to you. Let me tell you something.

341
00:17:48,440 --> 00:17:52,960
Speaker 1: We had cane here the other day. We've been on

342
00:17:53,040 --> 00:17:56,240
Speaker 1: Brooklyn Street, Brooklyn Street, and one thing about Brooklyn, Yo,

343
00:17:56,400 --> 00:17:59,439
Speaker 1: let me just tell ya something, y'all. The most prideful

344
00:17:59,600 --> 00:18:06,119
Speaker 1: people on special lens like beyond beyond New Yorkers, you know,

345
00:18:06,280 --> 00:18:12,040
Speaker 1: New York, New York, like battle on New York in pride,

346
00:18:12,480 --> 00:18:16,560
Speaker 1: and I think might win. Like everything. I'm looking at kid,

347
00:18:16,600 --> 00:18:18,679
Speaker 1: and I'm looking at that special ad. They can't go

348
00:18:18,760 --> 00:18:23,840
Speaker 1: against Brooklyn for you say, you say, they don't even

349
00:18:23,880 --> 00:18:29,600
Speaker 1: say their name, they just say Brooklyn, Brooklyn. I remember

350
00:18:29,720 --> 00:18:32,159
Speaker 1: at one point in life, I swear to God like

351
00:18:32,359 --> 00:18:35,160
Speaker 1: ef N e FN discusses this a lot, and they

352
00:18:35,200 --> 00:18:37,800
Speaker 1: say a lot of times how the South and people

353
00:18:37,960 --> 00:18:39,800
Speaker 1: like kind of like, I don't want to say hate

354
00:18:39,840 --> 00:18:41,679
Speaker 1: on New York, but they kind of was like, you know,

355
00:18:41,720 --> 00:18:45,120
Speaker 1: New York and are arrogance. At one point, at one point.

356
00:18:45,119 --> 00:18:48,040
Speaker 1: And I will admit this. I will admit this, at

357
00:18:48,080 --> 00:18:51,679
Speaker 1: one point, no matter where I went, no matter where

358
00:18:51,720 --> 00:18:55,119
Speaker 1: I went, if I wasn't rocking the crowd or the

359
00:18:55,119 --> 00:18:59,280
Speaker 1: crowd wasn't rocking. At one point in my career, Brooklyn,

360
00:18:59,480 --> 00:19:06,359
Speaker 1: I can say remember that.

361
00:19:10,560 --> 00:19:17,840
Speaker 3: It worked too well. Yeah everywhere as well, by the way,

362
00:19:17,960 --> 00:19:23,800
Speaker 3: and it's yeah, yeah, yeah, they're.

363
00:19:22,560 --> 00:19:24,439
Speaker 1: Gonna just crack the rest of the crowd. They're like

364
00:19:24,480 --> 00:19:26,680
Speaker 1: they are to ill, just be honest. And they got

365
00:19:26,680 --> 00:19:29,119
Speaker 1: to make your belt off one of them niggas.

366
00:19:29,400 --> 00:19:32,240
Speaker 4: You make your belt off Ja making belt lifted it

367
00:19:32,280 --> 00:19:35,320
Speaker 4: out too half and half.

368
00:19:38,560 --> 00:19:39,560
Speaker 1: To make you niggas.

369
00:19:42,760 --> 00:19:43,840
Speaker 2: Holy sid I got Hi.

370
00:19:44,119 --> 00:19:45,000
Speaker 1: I got that.

371
00:19:45,080 --> 00:19:47,480
Speaker 2: Niggas got me Hi, Holy ship Holy.

372
00:19:47,600 --> 00:19:48,760
Speaker 1: It is crazy making best.

373
00:19:49,119 --> 00:19:50,160
Speaker 2: Yeah, that Jamaicing belt.

374
00:19:52,200 --> 00:19:56,040
Speaker 1: I had Jamaica belt travel Fox and jumps told you

375
00:19:56,920 --> 00:19:59,320
Speaker 1: the niggas that I was. I was also in for

376
00:19:59,400 --> 00:19:59,800
Speaker 1: a minute.

377
00:19:59,840 --> 00:20:04,800
Speaker 2: I than everything was flattening side.

378
00:20:04,920 --> 00:20:09,880
Speaker 4: Yeah, I was in nicety the ways in the brown.

379
00:20:12,240 --> 00:20:13,680
Speaker 1: That's our Brooklyn brother too.

380
00:20:13,800 --> 00:20:16,400
Speaker 4: Flush I swim and Bessie had pool man, you gotta

381
00:20:16,400 --> 00:20:19,879
Speaker 4: be a I swim past ship that's the pool.

382
00:20:20,000 --> 00:20:22,400
Speaker 1: Literally Bessie had that body part.

383
00:20:22,640 --> 00:20:26,600
Speaker 2: Laterally, Yeah that was kidney floating, and next.

384
00:20:28,600 --> 00:20:29,320
Speaker 1: The whole body.

385
00:20:29,320 --> 00:20:30,520
Speaker 2: And then what do y'all.

386
00:20:30,359 --> 00:20:32,760
Speaker 1: Think about hip hop turning fifty years old?

387
00:20:33,720 --> 00:20:37,960
Speaker 6: It's beautiful, man, It's something to celebrate.

388
00:20:38,160 --> 00:20:39,480
Speaker 1: First of all, because.

389
00:20:40,080 --> 00:20:43,640
Speaker 6: None of us in this room, right we'll be here,

390
00:20:44,000 --> 00:20:45,879
Speaker 6: thought we will even see fifty. A lot of us

391
00:20:45,880 --> 00:20:48,120
Speaker 6: didn't think we would make it to see sixteen, right

392
00:20:48,320 --> 00:20:52,760
Speaker 6: twenty one. Now for the ship that keeps us moving

393
00:20:52,800 --> 00:20:55,879
Speaker 6: around the world, our families fed and eight to be

394
00:20:55,960 --> 00:20:58,840
Speaker 6: fifty and it's celebrated with your pears and accepted by

395
00:20:58,840 --> 00:20:59,280
Speaker 6: your pears.

396
00:20:59,320 --> 00:21:03,760
Speaker 1: Is it's incredible, man, Something to appreciate it? You need

397
00:21:03,800 --> 00:21:04,879
Speaker 1: another fifty joints.

398
00:21:05,000 --> 00:21:07,280
Speaker 3: I think it's it's it's it's a it's like a

399
00:21:07,359 --> 00:21:11,000
Speaker 3: kicking the balls to the establishment, you know what I'm saying. Like,

400
00:21:11,440 --> 00:21:14,800
Speaker 3: you got these ghetto kids, you know, most of them

401
00:21:14,800 --> 00:21:20,280
Speaker 3: with no education, like no real formal education past high school,

402
00:21:20,320 --> 00:21:24,800
Speaker 3: sometimes public school, sometimes you know, intermediate school. And they

403
00:21:24,880 --> 00:21:32,440
Speaker 3: become millionaires, billionaires, owning companies, running companies, monguls, buying houses,

404
00:21:32,520 --> 00:21:35,480
Speaker 3: expensive cars and they and you know, these people got

405
00:21:35,480 --> 00:21:38,080
Speaker 3: to be like wow by that. You know, we come

406
00:21:38,119 --> 00:21:43,640
Speaker 3: from Queensland, but brown's no projects. It got to be intimidating.

407
00:21:43,720 --> 00:21:46,800
Speaker 3: So yeah, I mean, lookten we when you think about it,

408
00:21:46,840 --> 00:21:48,800
Speaker 3: you give these people a chance. You give these young

409
00:21:48,800 --> 00:21:51,600
Speaker 3: ghetto youths a chance. These men, women and children are

410
00:21:51,760 --> 00:21:55,120
Speaker 3: chance and you can see some You'll see some great

411
00:21:55,160 --> 00:21:58,240
Speaker 3: things being made. Well, I'm glad. I'm grateful to be

412
00:21:58,280 --> 00:22:00,960
Speaker 3: a part of that story. That journey is incredible. Salute

413
00:22:01,000 --> 00:22:04,320
Speaker 3: to all the pioneers and particularly the ones that we

414
00:22:04,400 --> 00:22:08,440
Speaker 3: lost alone. This journey that kicked down doors for us

415
00:22:08,480 --> 00:22:10,880
Speaker 3: to be able to sit at this table and talk

416
00:22:10,960 --> 00:22:11,760
Speaker 3: some real ship.

417
00:22:12,240 --> 00:22:13,600
Speaker 2: You know what I'm saying, break Brad.

418
00:22:14,000 --> 00:22:15,879
Speaker 1: We had we had we had two booklyn niggas on

419
00:22:15,920 --> 00:22:17,760
Speaker 1: here recently, like we just said, we had a special

420
00:22:17,760 --> 00:22:20,240
Speaker 1: ad and we had Kine. But Daddy Kane was like,

421
00:22:20,280 --> 00:22:20,800
Speaker 1: word it up.

422
00:22:20,880 --> 00:22:21,640
Speaker 2: I love those guys.

423
00:22:21,640 --> 00:22:22,399
Speaker 1: He was like, word it up.

424
00:22:22,440 --> 00:22:22,880
Speaker 2: Hip hop.

425
00:22:24,280 --> 00:22:24,439
Speaker 3: Was like.

426
00:22:28,119 --> 00:22:38,960
Speaker 1: Nobody to me, that's smoother than crazy hip hop is.

427
00:22:39,640 --> 00:22:44,120
Speaker 1: I'm I'm hitting poem because I think he was going

428
00:22:44,160 --> 00:22:47,359
Speaker 1: to the show. I think it was this time or

429
00:22:47,400 --> 00:22:49,359
Speaker 1: maybe this was the day before. So I see a

430
00:22:49,359 --> 00:22:52,640
Speaker 1: picture with you and him and I'm like, yo, like, oh,

431
00:22:52,800 --> 00:22:54,800
Speaker 1: let me holler, and I hit you and then I

432
00:22:54,880 --> 00:22:57,560
Speaker 1: hit Kane because I'm here picture you and I seen

433
00:22:57,600 --> 00:23:03,760
Speaker 1: the picture of you and Kinge and know everybody like yo.

434
00:23:04,119 --> 00:23:06,879
Speaker 1: But like I said, there's two different opinions that we

435
00:23:07,080 --> 00:23:09,320
Speaker 1: just have recently, both from Brooklyn brothers. So I would

436
00:23:09,320 --> 00:23:12,680
Speaker 1: like be all to split their opinion because Kane on

437
00:23:12,680 --> 00:23:15,000
Speaker 1: one half, it's like, yo, as long as everyone's getting paid,

438
00:23:15,000 --> 00:23:17,840
Speaker 1: as long as everyone's being seen, everyone is being beneficial

439
00:23:17,880 --> 00:23:20,439
Speaker 1: to it, it's cool. Especially Had on the other hand.

440
00:23:20,320 --> 00:23:23,280
Speaker 2: It was like fuck that establishment.

441
00:23:24,800 --> 00:23:31,520
Speaker 1: Appropriated, was like funk that no one is they disrespecting

442
00:23:31,560 --> 00:23:33,679
Speaker 1: the ogs. They putting the ogs on early.

443
00:23:33,920 --> 00:23:37,160
Speaker 2: They're doing that. He had particular he had a particular

444
00:23:38,040 --> 00:23:41,159
Speaker 2: all he knew. I think Kane said the same thing

445
00:23:41,200 --> 00:23:41,359
Speaker 2: to know.

446
00:23:41,480 --> 00:23:43,560
Speaker 1: King King said the only thing about the ogs, that's it.

447
00:23:43,640 --> 00:23:45,760
Speaker 1: That's everything else here is kind of what Well, how

448
00:23:45,800 --> 00:23:46,840
Speaker 1: do y'all feel like?

449
00:23:48,000 --> 00:23:49,040
Speaker 2: That's a jerky one, right?

450
00:23:50,240 --> 00:23:53,280
Speaker 3: I mean we've been through all types of versions, man Like,

451
00:23:53,280 --> 00:23:55,120
Speaker 3: like we when we go out in the field, it's

452
00:23:55,119 --> 00:23:56,720
Speaker 3: like we we sold up.

453
00:23:57,400 --> 00:23:58,560
Speaker 2: Like we've been at the shows.

454
00:23:58,560 --> 00:24:01,640
Speaker 3: We've been first, we've been last as headlining, we've been

455
00:24:01,640 --> 00:24:04,199
Speaker 3: in the middle. We had our time cut, you know,

456
00:24:04,280 --> 00:24:06,919
Speaker 3: we had to go longer, like you know, depending on

457
00:24:07,000 --> 00:24:10,280
Speaker 3: the crowd we could turn up. I mean we've stood

458
00:24:10,359 --> 00:24:12,719
Speaker 3: on type of top of scaffolds. We've been in a

459
00:24:12,760 --> 00:24:17,679
Speaker 3: small cubby hole club. We've stood on tables, we've we've

460
00:24:17,800 --> 00:24:20,840
Speaker 3: we've hoard ourselves for him. You know what I'm saying.

461
00:24:20,880 --> 00:24:23,040
Speaker 3: We will mutt it out. We smut it out, you

462
00:24:23,080 --> 00:24:25,920
Speaker 3: know what I mean. So it's like sometimes we take

463
00:24:25,920 --> 00:24:29,119
Speaker 3: our punches and specially like I think that it's like

464
00:24:29,160 --> 00:24:31,080
Speaker 3: a fighter, Like the more fights you have, the more

465
00:24:31,119 --> 00:24:33,600
Speaker 3: seasons you feel. I don'tly be tripping, not me personally,

466
00:24:33,960 --> 00:24:36,000
Speaker 3: I don't be tripping. And I'm grateful to have a

467
00:24:36,040 --> 00:24:38,280
Speaker 3: partner like Tech because we don't get into that.

468
00:24:38,320 --> 00:24:39,879
Speaker 2: We don't be backstays like yo, man, what is this?

469
00:24:40,280 --> 00:24:40,880
Speaker 2: What's this ship?

470
00:24:41,000 --> 00:24:41,160
Speaker 1: Man?

471
00:24:41,240 --> 00:24:44,199
Speaker 3: Like, just have what we need to have backstage and

472
00:24:44,240 --> 00:24:46,480
Speaker 3: were good money. We're gonna go and perform like it's

473
00:24:46,480 --> 00:24:50,959
Speaker 3: a like it's a stadium. Every time. We're gonna give

474
00:24:51,000 --> 00:24:53,560
Speaker 3: you a show. Hopefully when we leave, you're gonna want

475
00:24:53,560 --> 00:24:56,800
Speaker 3: to book us again. We're trying to take all the bags,

476
00:24:56,840 --> 00:25:00,520
Speaker 3: like we're taking all bets, you know. I mean, we're

477
00:25:00,560 --> 00:25:02,680
Speaker 3: not turning down no money and not saying like we

478
00:25:02,680 --> 00:25:05,200
Speaker 3: we with anything. We just crumb snatching. But I think

479
00:25:05,240 --> 00:25:07,600
Speaker 3: that just to have an opportunity to make money from

480
00:25:07,640 --> 00:25:09,840
Speaker 3: something that you do for free, like we do this

481
00:25:09,880 --> 00:25:12,720
Speaker 3: because we love it, right, that's what we're saying. Of

482
00:25:12,760 --> 00:25:14,960
Speaker 3: course we can make money off We've seen that, we've

483
00:25:14,960 --> 00:25:17,080
Speaker 3: shown improved that we can be entrepreneurs.

484
00:25:17,359 --> 00:25:20,119
Speaker 2: So it's like I can hear what dudes right?

485
00:25:20,200 --> 00:25:22,320
Speaker 3: Bad because when you deal with politics and you got

486
00:25:22,359 --> 00:25:24,720
Speaker 3: all these different artists, man, it's a lot of us.

487
00:25:24,760 --> 00:25:26,640
Speaker 2: Bro it's a lot.

488
00:25:26,680 --> 00:25:30,080
Speaker 3: And everybody got like how homies say, we got some

489
00:25:30,119 --> 00:25:31,680
Speaker 3: ship to say, you know what I mean?

490
00:25:31,760 --> 00:25:33,320
Speaker 2: Everybody got some ship, you.

491
00:25:33,280 --> 00:25:36,399
Speaker 1: Know what it is. I think this person had a

492
00:25:36,440 --> 00:25:38,960
Speaker 1: lot of money that put the show together, and I

493
00:25:38,960 --> 00:25:40,919
Speaker 1: think that he wanted they wanted to and what they

494
00:25:41,000 --> 00:25:43,960
Speaker 1: were doing was like when they booked Trina.

495
00:25:43,880 --> 00:25:45,480
Speaker 2: They thought that that covered the whole.

496
00:25:45,240 --> 00:25:51,800
Speaker 3: South, so they dog Snoop b Waring and brung out

497
00:25:52,320 --> 00:25:53,000
Speaker 3: too short.

498
00:25:53,160 --> 00:25:56,000
Speaker 1: But in that person's mind who booked Snoop Dogg, they

499
00:25:56,080 --> 00:25:58,080
Speaker 1: was thinking that takes care of the whole West Coast.

500
00:25:58,480 --> 00:26:00,320
Speaker 1: And there's people like you know what I mean who

501
00:26:00,320 --> 00:26:02,359
Speaker 1: can have their gripes. You know.

502
00:26:02,440 --> 00:26:06,640
Speaker 3: That's why that's like Jam and his grapes like there

503
00:26:06,720 --> 00:26:08,840
Speaker 3: was no one from was on.

504
00:26:08,840 --> 00:26:15,600
Speaker 1: That that's going on in Atlanta, Like you know, like.

505
00:26:15,520 --> 00:26:18,520
Speaker 4: It's no but who thought is that? That's their fault?

506
00:26:18,960 --> 00:26:20,920
Speaker 4: That's that's their fault. That ain't now, faul that ain't

507
00:26:21,080 --> 00:26:23,320
Speaker 4: you know, because you got to realize when hip hop started.

508
00:26:23,680 --> 00:26:27,199
Speaker 1: So we're celeb like you because of the celebration.

509
00:26:27,680 --> 00:26:33,080
Speaker 4: It is our baby, your baby, but everybody's involved.

510
00:26:33,119 --> 00:26:34,440
Speaker 1: But this is our baby, right.

511
00:26:34,600 --> 00:26:36,120
Speaker 2: I think each region should do their own.

512
00:26:36,800 --> 00:26:40,720
Speaker 6: You can't be mad at another city because your promoters

513
00:26:40,760 --> 00:26:43,760
Speaker 6: didn't come together and for the spot and bro artists did.

514
00:26:44,160 --> 00:26:46,119
Speaker 3: Right, how are you talking about? I can see where

515
00:26:46,119 --> 00:26:49,920
Speaker 3: guy's going. All right, we don't get the support because

516
00:26:49,920 --> 00:26:53,560
Speaker 3: you're thinking about the sponsors, like these guys got this

517
00:26:53,680 --> 00:26:55,879
Speaker 3: that the third so we're able to get the stadium

518
00:26:55,920 --> 00:26:58,439
Speaker 3: and book it out and you know, I don't I

519
00:26:58,480 --> 00:27:02,359
Speaker 3: don't forget about the you know you we do know

520
00:27:02,400 --> 00:27:05,359
Speaker 3: it's a monopoly. We know that, and we know certain

521
00:27:05,400 --> 00:27:07,760
Speaker 3: names we at the top of that top of that.

522
00:27:07,760 --> 00:27:10,040
Speaker 3: That that wrong when when you're dealing with that monopoly,

523
00:27:10,440 --> 00:27:12,480
Speaker 3: and I mean you got to hustle, man, it's no

524
00:27:12,640 --> 00:27:13,760
Speaker 3: really way to say it.

525
00:27:13,760 --> 00:27:16,840
Speaker 6: But that's everything in life though, right, that's it's like

526
00:27:17,080 --> 00:27:19,800
Speaker 6: it's like not the country. It's like when you make

527
00:27:20,000 --> 00:27:23,160
Speaker 6: bonds and this ship, like you you never know what

528
00:27:23,200 --> 00:27:25,200
Speaker 6: that next person is. He could be the owner of

529
00:27:25,240 --> 00:27:27,560
Speaker 6: the clubs. And once you're an artist and you you

530
00:27:27,640 --> 00:27:30,440
Speaker 6: have a bond, you meeting that artist, that owner, you

531
00:27:30,560 --> 00:27:33,240
Speaker 6: booking yourself there. You now you're wearing more hats, you're

532
00:27:33,240 --> 00:27:36,840
Speaker 6: taking more control of your career. So it's it's really

533
00:27:36,880 --> 00:27:38,840
Speaker 6: like you said, a hustling for us to get out there,

534
00:27:38,880 --> 00:27:41,040
Speaker 6: and really you want to get it and live.

535
00:27:40,920 --> 00:27:44,439
Speaker 4: It and you know it comes from fifty not to

536
00:27:44,480 --> 00:27:47,200
Speaker 4: catch your wisdom. But that ship was like the stimulus

537
00:27:47,320 --> 00:27:50,200
Speaker 4: check for for all hip hop artists because that's what

538
00:27:50,640 --> 00:27:56,040
Speaker 4: everybody has made everybody hot. It made everybody everybody.

539
00:27:56,320 --> 00:27:59,800
Speaker 1: It's positive and if you wasn't moving, if you ain't

540
00:27:59,800 --> 00:28:02,760
Speaker 1: had emotion for that whole joint, you can't really expect

541
00:28:02,760 --> 00:28:05,000
Speaker 1: to get a call just because it's like.

542
00:28:06,920 --> 00:28:09,080
Speaker 2: There's too many artists that you can't include everybody.

543
00:28:09,720 --> 00:28:12,160
Speaker 3: It's crazy, man, like you it what's crazy is that

544
00:28:13,320 --> 00:28:16,439
Speaker 3: you can have you could have a different concert a

545
00:28:16,560 --> 00:28:21,639
Speaker 3: month and not double book like it's that many artists

546
00:28:21,680 --> 00:28:23,240
Speaker 3: like you could pull artists from and.

547
00:28:23,200 --> 00:28:26,280
Speaker 1: You have you could and not cover everybody. You're still

548
00:28:26,320 --> 00:28:27,080
Speaker 1: missing somebody.

549
00:28:27,560 --> 00:28:30,080
Speaker 3: Would it be a dope joint? Though there's a lot

550
00:28:30,080 --> 00:28:33,240
Speaker 3: of corny mon. This is the scared You can't just

551
00:28:33,359 --> 00:28:36,480
Speaker 3: lead them out now. Well, yeah, hip hop we raised some,

552
00:28:36,600 --> 00:28:38,920
Speaker 3: We raised some some some garbage spelled kids.

553
00:28:38,920 --> 00:28:39,240
Speaker 1: For sure.

554
00:28:39,280 --> 00:28:45,120
Speaker 4: Everybody got learn that like somebody likes somebody, but.

555
00:28:45,160 --> 00:28:46,080
Speaker 2: Then I like it, that's what.

556
00:28:46,280 --> 00:28:48,400
Speaker 3: But they get scary because you're gonna have somebody that's

557
00:28:48,400 --> 00:28:49,520
Speaker 3: gonna be a gatekeeper of that.

558
00:28:49,600 --> 00:28:52,120
Speaker 2: How we how do we how do we real dictate

559
00:28:52,200 --> 00:28:52,600
Speaker 2: that ship?

560
00:28:52,680 --> 00:28:55,640
Speaker 3: Or we just have cats just doing shows and everybody

561
00:28:55,760 --> 00:28:59,040
Speaker 3: slap fifty year, fifty years, stamp on it and like

562
00:28:59,080 --> 00:29:01,640
Speaker 3: that because it's somebody right now in the hood going yoh,

563
00:29:01,760 --> 00:29:14,440
Speaker 3: rep in the hood fifty on Franklin Avenue.

564
00:29:10,640 --> 00:29:12,320
Speaker 2: And we get the same ship with dream chance.

565
00:29:12,360 --> 00:29:14,440
Speaker 1: People mad about who we have and who we don't

566
00:29:14,440 --> 00:29:18,840
Speaker 1: have and knowing, understanding, seeing. But staying on that subject,

567
00:29:19,080 --> 00:29:22,280
Speaker 1: I believe that we should celebrate every year like we should.

568
00:29:22,440 --> 00:29:24,880
Speaker 1: It should be it should be a version of hip

569
00:29:24,920 --> 00:29:27,240
Speaker 1: hop fifty one every single year. A lot of people

570
00:29:27,440 --> 00:29:32,320
Speaker 1: blame massive pill. There's great people, and I believe Massive

571
00:29:32,560 --> 00:29:35,640
Speaker 1: partnered up with with somebody like and so I don't

572
00:29:35,640 --> 00:29:38,160
Speaker 1: believe that they was the blame. And again like you're

573
00:29:38,160 --> 00:29:39,000
Speaker 1: just one concert.

574
00:29:39,600 --> 00:29:41,760
Speaker 3: Them say at the end he wanted to do it

575
00:29:41,800 --> 00:29:45,120
Speaker 3: every year or some ship when he was warmping off

576
00:29:45,120 --> 00:29:46,960
Speaker 3: the stages like yeah, I'm.

577
00:29:46,800 --> 00:29:47,880
Speaker 2: Going to do this like every year.

578
00:29:48,160 --> 00:29:51,040
Speaker 1: Oh hell yeah, well that I remember.

579
00:29:51,280 --> 00:29:53,320
Speaker 7: One of the things special that was really upset about

580
00:29:53,440 --> 00:29:55,840
Speaker 7: was he's saying the ticket prices. He's saying it should

581
00:29:55,840 --> 00:29:58,600
Speaker 7: have been a free concert. Artists get paid, but the

582
00:29:58,640 --> 00:29:59,880
Speaker 7: people that go there should be.

583
00:30:00,040 --> 00:30:02,120
Speaker 3: That was just heard that. I heard that. I heard

584
00:30:02,200 --> 00:30:04,840
Speaker 3: that too. But that's arguable though, Like you can't say that. Man,

585
00:30:08,000 --> 00:30:08,800
Speaker 3: Let's say it's.

586
00:30:08,640 --> 00:30:10,800
Speaker 4: Still got your music for free prices fifty years.

587
00:30:10,840 --> 00:30:12,160
Speaker 2: It's still money from somewhere.

588
00:30:12,240 --> 00:30:14,160
Speaker 3: Everybody, Come on, look at that, Look at the stage,

589
00:30:14,200 --> 00:30:15,960
Speaker 3: look at the setup, like you got to pay people,

590
00:30:16,640 --> 00:30:19,320
Speaker 3: Like it's arguable, man, you gotta like even when you

591
00:30:19,360 --> 00:30:22,960
Speaker 3: have vendors like we we actually did a show in

592
00:30:23,080 --> 00:30:25,240
Speaker 3: oh man, I want to say it was Italy or

593
00:30:25,320 --> 00:30:29,200
Speaker 3: Spain or something like that, and it was a free concert, right,

594
00:30:29,600 --> 00:30:30,680
Speaker 3: it was a block party.

595
00:30:31,560 --> 00:30:32,440
Speaker 1: It was it was.

596
00:30:32,840 --> 00:30:36,640
Speaker 3: It was fantastic because it makes you feel like home.

597
00:30:36,720 --> 00:30:38,520
Speaker 3: You know what I'm saying, Like when you in Queensbridge

598
00:30:38,520 --> 00:30:40,880
Speaker 3: and you like, you know the hood, is there everybody

599
00:30:40,920 --> 00:30:43,320
Speaker 3: that's that don't normally get to go to the concerts?

600
00:30:43,400 --> 00:30:46,120
Speaker 3: Is there some kind of way these guys found a

601
00:30:46,120 --> 00:30:48,480
Speaker 3: way to pay for this? They got the they got

602
00:30:48,480 --> 00:30:55,480
Speaker 3: the real stage, they got a real set up, drug dealers.

603
00:30:57,240 --> 00:31:03,120
Speaker 9: But I got it.

604
00:31:03,960 --> 00:31:04,800
Speaker 2: You always got to do.

605
00:31:04,920 --> 00:31:08,160
Speaker 3: You always got some dudes pump faking in the hood

606
00:31:08,200 --> 00:31:10,480
Speaker 3: talking about throwing money and doing all of that, like

607
00:31:10,600 --> 00:31:13,400
Speaker 3: set up the concert like yo, salute, salute master p

608
00:31:13,680 --> 00:31:16,200
Speaker 3: Like back in the days when they had the million

609
00:31:16,280 --> 00:31:20,360
Speaker 3: Man March and in Harlem. He sponsored that. He put

610
00:31:20,360 --> 00:31:22,120
Speaker 3: money up to get the stage. I don't know no

611
00:31:22,360 --> 00:31:25,080
Speaker 3: other cats that did that. But he ain't want no

612
00:31:25,120 --> 00:31:25,680
Speaker 3: credit for it.

613
00:31:25,720 --> 00:31:26,800
Speaker 1: He ain't want that. He didn't want to.

614
00:31:27,360 --> 00:31:30,120
Speaker 3: You know, everybody got to you know, uh, pump fake

615
00:31:30,160 --> 00:31:32,280
Speaker 3: about what they got, what they spending, what they're breaking

616
00:31:32,320 --> 00:31:35,400
Speaker 3: off or whatever. Sponsored something in the hood like you know,

617
00:31:35,800 --> 00:31:38,320
Speaker 3: fifty centers another cat like this, something went back to

618
00:31:38,440 --> 00:31:41,040
Speaker 3: Queens and then something Queens like that's the stories that

619
00:31:41,080 --> 00:31:43,040
Speaker 3: we want to talk about fifty years later. We don't

620
00:31:43,040 --> 00:31:45,040
Speaker 3: want to talk about your man the money was right.

621
00:31:45,320 --> 00:31:46,440
Speaker 3: You know what's up with the promoter?

622
00:31:46,600 --> 00:31:46,760
Speaker 1: Man?

623
00:31:46,800 --> 00:31:49,480
Speaker 3: Turn my sound up? Like we're still talking about that.

624
00:31:49,600 --> 00:31:53,200
Speaker 3: I have to like, come on, son, like come on man,

625
00:31:53,440 --> 00:31:55,080
Speaker 3: like I see I see big that he can't do

626
00:31:55,120 --> 00:32:00,560
Speaker 3: a split the other day Gold come on, man, I.

627
00:32:03,480 --> 00:32:08,440
Speaker 2: Was on the side. Yeah, ship, we're gonna be like.

628
00:32:14,600 --> 00:32:18,040
Speaker 1: Side. We said, it's a lot of artists that's coming out.

629
00:32:18,240 --> 00:32:20,360
Speaker 4: It's fifty years but they've been on the stage in

630
00:32:20,440 --> 00:32:22,640
Speaker 4: twenty trying to perform.

631
00:32:22,800 --> 00:32:31,320
Speaker 1: Rusty that's when they came your mother gotta show a

632
00:32:31,600 --> 00:32:34,840
Speaker 1: week and Gen Wine they gotta show. They got the

633
00:32:34,840 --> 00:32:43,400
Speaker 1: same crowd. I'm just me. I'm just the last he

634
00:32:43,960 --> 00:32:46,360
Speaker 1: wanted to couldn't get up because because let's just be

635
00:32:46,400 --> 00:32:50,240
Speaker 1: clear why we're speaking about toys, Big Up Drake and

636
00:32:50,280 --> 00:32:53,360
Speaker 1: Big Up twenty one Savage, which is a phenomenal fucking tour.

637
00:32:53,440 --> 00:32:55,720
Speaker 1: But other than Drake and twenty one Savage, who I

638
00:32:55,720 --> 00:32:58,560
Speaker 1: don't considered Drake or twenty one Savage kind of knew anymore.

639
00:32:58,760 --> 00:33:01,360
Speaker 1: I believe they hit that ten more. Maam, big them

640
00:33:01,400 --> 00:33:04,480
Speaker 1: up and they towards phenomenal and they're doing it. But

641
00:33:04,600 --> 00:33:07,360
Speaker 1: other than them, you know what's the craziest to us

642
00:33:07,360 --> 00:33:09,160
Speaker 1: out there right now.

643
00:33:10,480 --> 00:33:13,560
Speaker 2: It's not it's not the Whu tang.

644
00:33:13,640 --> 00:33:15,480
Speaker 1: Like did you see it? Like that ship? Did you?

645
00:33:15,480 --> 00:33:16,480
Speaker 1: You ain't get to see it yet.

646
00:33:16,560 --> 00:33:16,600
Speaker 3: No.

647
00:33:16,720 --> 00:33:18,800
Speaker 2: I was trying to get us on it.

648
00:33:21,120 --> 00:33:25,480
Speaker 1: We're singing listen the crazy ship about it is. It's

649
00:33:25,640 --> 00:33:31,320
Speaker 1: one show, so you would think.

650
00:33:30,200 --> 00:33:31,240
Speaker 2: But it's not like that.

651
00:33:31,320 --> 00:33:33,480
Speaker 1: It's like so, I mean, I went to the one

652
00:33:33,520 --> 00:33:35,240
Speaker 1: in Paris. That was the only one I got.

653
00:33:35,160 --> 00:33:36,240
Speaker 2: A chance go with.

654
00:33:37,840 --> 00:33:40,560
Speaker 1: But I was sitting there. I thought I was late

655
00:33:40,600 --> 00:33:42,160
Speaker 1: because I was like, what the fuck? Why is it

656
00:33:42,200 --> 00:33:44,400
Speaker 1: like one? You know, I was on time, but it

657
00:33:44,480 --> 00:33:46,560
Speaker 1: was like, why is it just one person? And then

658
00:33:47,720 --> 00:33:51,400
Speaker 1: and I believe they did what's that ship? Nas?

659
00:33:51,440 --> 00:33:51,720
Speaker 2: Nigga?

660
00:33:51,800 --> 00:33:54,600
Speaker 1: Is the problem to the lights, camera, action, glamor glow.

661
00:33:54,800 --> 00:33:56,160
Speaker 1: So I was like, all right, cool, it is way

662
00:33:56,240 --> 00:33:59,200
Speaker 1: too early for ghost Face to come out. And then

663
00:33:59,280 --> 00:34:00,880
Speaker 1: ghost Face and then came out. I was like, wait

664
00:34:00,880 --> 00:34:03,480
Speaker 1: a minute, they tricking me, like this is this? Is

665
00:34:03,600 --> 00:34:07,160
Speaker 1: this the end of the show, and then disappears and

666
00:34:07,200 --> 00:34:10,320
Speaker 1: I said, oh ship, And I'm like, oh, I switched

667
00:34:11,400 --> 00:34:14,440
Speaker 1: in the crowd like oh ship. So it's one So

668
00:34:14,440 --> 00:34:16,520
Speaker 1: it flows like a mixtape. You know what else is

669
00:34:16,600 --> 00:34:17,520
Speaker 1: kicking ass out there.

670
00:34:18,480 --> 00:34:19,279
Speaker 2: L L cool J.

671
00:34:20,000 --> 00:34:21,480
Speaker 1: The Roots and the Roots.

672
00:34:22,680 --> 00:34:26,560
Speaker 3: For something like any any tour with the Roots is

673
00:34:26,560 --> 00:34:29,280
Speaker 3: gonna be smacked. The roots.

674
00:34:29,320 --> 00:34:32,840
Speaker 2: Black is a hell of a performer man, A.

675
00:34:33,080 --> 00:34:36,280
Speaker 1: Fifty talk kicking you know, fifty.

676
00:34:38,360 --> 00:34:43,080
Speaker 5: Bunch of queens money.

677
00:34:43,520 --> 00:34:45,240
Speaker 2: Let me tell you something came right now.

678
00:34:45,160 --> 00:34:52,080
Speaker 1: Between between following Bufser, following fifty following fifty cent news

679
00:34:52,080 --> 00:34:53,439
Speaker 1: Feed and smiff Star.

680
00:34:53,920 --> 00:34:57,640
Speaker 2: I'm out there every night. I don't actually have to

681
00:34:57,680 --> 00:34:59,920
Speaker 2: be what is going on right through you was.

682
00:34:59,840 --> 00:35:03,440
Speaker 1: Going going on talking to them like I'm there. I'm like, yo,

683
00:35:03,480 --> 00:35:04,760
Speaker 1: bab when your niggas do that ship.

684
00:35:07,040 --> 00:35:08,320
Speaker 2: That was crazy crazy.

685
00:35:08,560 --> 00:35:10,719
Speaker 1: But what I'm saying is, and I'm gonna say this,

686
00:35:10,760 --> 00:35:12,440
Speaker 1: and I know I said this on a couple of episodes,

687
00:35:12,880 --> 00:35:15,760
Speaker 1: and I'm gonna say it again. Don't forget about Snoop

688
00:35:15,960 --> 00:35:24,440
Speaker 1: warr G to st Yeah. So you know they told

689
00:35:24,560 --> 00:35:26,560
Speaker 1: out there, they came in here, warran G came here too.

690
00:35:26,640 --> 00:35:28,719
Speaker 1: So this is what I'm trying to tell you, young whipping snappers.

691
00:35:28,760 --> 00:35:30,200
Speaker 1: And I know I said it, and I'm gonna repeat

692
00:35:30,239 --> 00:35:33,960
Speaker 1: it again. Y'all out here talking about we old nits,

693
00:35:35,080 --> 00:35:38,320
Speaker 1: you talk about we washed up. Let me tell you something.

694
00:35:38,360 --> 00:35:42,160
Speaker 1: When Thanksgiving come around, little Whooper Snap, you ain't gonna

695
00:35:42,160 --> 00:35:43,840
Speaker 1: want that little young girl that you just met the

696
00:35:43,880 --> 00:35:46,800
Speaker 1: cook Thanksgiving dinner. You know who you're gonna want to

697
00:35:46,800 --> 00:35:59,360
Speaker 1: cook that old mama. You don't want to stop baby,

698
00:36:00,560 --> 00:36:04,720
Speaker 1: You gonna want somebody. They got some years in this game.

699
00:36:05,600 --> 00:36:08,080
Speaker 1: So when you see brothers like us still looking good,

700
00:36:08,160 --> 00:36:11,279
Speaker 1: still out here, like Buster said, look the parts, you

701
00:36:11,280 --> 00:36:15,759
Speaker 1: young niggas salute us there. I prefer you wipe off

702
00:36:15,800 --> 00:36:18,839
Speaker 1: my sneakers, but I'll get away. Do that, your little

703
00:36:18,920 --> 00:36:21,440
Speaker 1: river snappers. But we out here living, God damn it.

704
00:36:25,480 --> 00:36:28,160
Speaker 1: So and I see and I see actually was the

705
00:36:28,200 --> 00:36:30,400
Speaker 1: one that blew that up. I see went to Twitter

706
00:36:30,440 --> 00:36:33,040
Speaker 1: and he was actually, you know, he's a numbers guy.

707
00:36:33,080 --> 00:36:37,080
Speaker 1: I know, you know about showing and proving the numbers

708
00:36:37,080 --> 00:36:39,399
Speaker 1: like look look, look look at look at.

709
00:36:39,360 --> 00:36:39,919
Speaker 2: The ol gs.

710
00:36:39,960 --> 00:36:42,360
Speaker 1: And it's crazy because you know, that's why me and

711
00:36:42,400 --> 00:36:46,239
Speaker 1: E f N started this show is because you know,

712
00:36:46,360 --> 00:36:49,359
Speaker 1: no other genre in music has that word washed up,

713
00:36:49,920 --> 00:36:54,800
Speaker 1: has that word over the head love the genre. Only

714
00:36:55,239 --> 00:36:56,640
Speaker 1: hip hop. That's crazy.

715
00:36:57,040 --> 00:36:59,840
Speaker 6: We was just talking amongst us, you know, Bill, and

716
00:36:59,880 --> 00:37:03,560
Speaker 6: we tolding about it. It was an art who was it?

717
00:37:03,680 --> 00:37:06,560
Speaker 6: Al was talking about retiring, and he was like, Yo,

718
00:37:06,600 --> 00:37:10,600
Speaker 6: how do you retire from great? How can you retire

719
00:37:10,640 --> 00:37:13,560
Speaker 6: from this? This is you eat ship, breathe that show

720
00:37:13,600 --> 00:37:15,600
Speaker 6: you wake up to this, you go to this your

721
00:37:15,719 --> 00:37:21,160
Speaker 6: heavy oc current, right, this is so there's no retiring that.

722
00:37:21,200 --> 00:37:22,080
Speaker 1: Makes you want to retire.

723
00:37:22,120 --> 00:37:24,080
Speaker 4: When they start calling you old and ship and they

724
00:37:24,120 --> 00:37:26,840
Speaker 4: start doing that, that give you know what I'm saying it.

725
00:37:26,840 --> 00:37:29,800
Speaker 1: Don't be the fans to be your peers, your peers,

726
00:37:29,880 --> 00:37:32,600
Speaker 1: fans be peers and your fans because you know you

727
00:37:32,680 --> 00:37:35,000
Speaker 1: got fans, you know, it's just like almost her name

728
00:37:35,080 --> 00:37:38,520
Speaker 1: cy grow up fans. He said, I thought chances for

729
00:37:38,600 --> 00:37:42,200
Speaker 1: retired niggas, I said. She also said something Miami was

730
00:37:42,239 --> 00:37:42,760
Speaker 1: not Miami.

731
00:37:47,440 --> 00:37:50,200
Speaker 3: But you know, you know what, you know what you

732
00:37:50,600 --> 00:37:55,240
Speaker 3: remember you gotta remember it's like, you know, that's that

733
00:37:55,239 --> 00:37:57,799
Speaker 3: that comes from the hood, right, that comes from like

734
00:37:58,280 --> 00:38:01,239
Speaker 3: niggas sitting around ranking in and snapping on each other.

735
00:38:01,560 --> 00:38:03,080
Speaker 2: So niggas be taking shots.

736
00:38:03,160 --> 00:38:04,960
Speaker 3: But you know that's that's the only thing you can

737
00:38:05,040 --> 00:38:07,399
Speaker 3: really say, like you know what I'm saying, And and

738
00:38:07,400 --> 00:38:11,520
Speaker 3: and you think about like you you know the fact

739
00:38:11,560 --> 00:38:15,600
Speaker 3: that you have cats that can work, right, And then

740
00:38:15,840 --> 00:38:17,520
Speaker 3: I kind of lost my train to throw. I'm smoking

741
00:38:17,520 --> 00:38:23,280
Speaker 3: this reef and ship. But it's it's it's, it's it's cats.

742
00:38:23,560 --> 00:38:25,320
Speaker 3: I don't even I don't even want to talk about

743
00:38:25,320 --> 00:38:27,719
Speaker 3: them like I want to. I like the fact that

744
00:38:28,160 --> 00:38:31,279
Speaker 3: dudes are willing to still work, you know what I mean,

745
00:38:31,280 --> 00:38:34,319
Speaker 3: because you got you got like you gotta gotta be real.

746
00:38:34,360 --> 00:38:35,719
Speaker 3: You gotta be real. I don't want to blame the

747
00:38:35,719 --> 00:38:38,120
Speaker 3: industry or blame the youth for blame the elders. Like

748
00:38:38,520 --> 00:38:41,120
Speaker 3: we come from a place where niggas, ego and pride

749
00:38:41,160 --> 00:38:44,960
Speaker 3: gets tested every day. So you gotta you gotta like,

750
00:38:45,160 --> 00:38:47,080
Speaker 3: you gotta poke your chests out, you gotta say like

751
00:38:47,120 --> 00:38:49,360
Speaker 3: you mean, you gotta do all these things authority, you

752
00:38:49,400 --> 00:38:53,400
Speaker 3: gotta you gotta, you gotta do these declarations. Uh, we

753
00:38:53,680 --> 00:38:56,439
Speaker 3: we have these unwritten rules and hip hop and casts

754
00:38:56,520 --> 00:38:59,200
Speaker 3: getting barrassed fast, so you gotta stand like you know

755
00:38:59,280 --> 00:39:01,520
Speaker 3: once you get like. That's why Sean Price is one

756
00:39:01,560 --> 00:39:04,959
Speaker 3: of the best cats. To me, He's a guy who

757
00:39:05,000 --> 00:39:08,239
Speaker 3: can really put hisself out. We call him like the

758
00:39:08,320 --> 00:39:11,439
Speaker 3: Richard pryor the boot Camp click right. He could say

759
00:39:11,440 --> 00:39:14,399
Speaker 3: some real ship and we be laughing, but it be real.

760
00:39:14,480 --> 00:39:17,680
Speaker 3: It's like cracking joke and he'll you know, we can

761
00:39:17,840 --> 00:39:20,719
Speaker 3: When you can face that, that's when you that's when

762
00:39:20,719 --> 00:39:22,040
Speaker 3: the hip hop be the realist.

763
00:39:22,360 --> 00:39:23,640
Speaker 2: Those are the casts that we love.

764
00:39:23,640 --> 00:39:25,319
Speaker 3: That's why we love a twopart, That's why we love

765
00:39:25,320 --> 00:39:27,399
Speaker 3: a biggie because these guys are really saying some real

766
00:39:27,440 --> 00:39:30,799
Speaker 3: ship that we can identify with. Everybody can identify with

767
00:39:30,880 --> 00:39:33,239
Speaker 3: that street life ship. Some cats like, we love a

768
00:39:33,360 --> 00:39:35,720
Speaker 3: Note because he could put some words together like a motherfucker,

769
00:39:35,760 --> 00:39:37,239
Speaker 3: you know what I'm saying. And then y'all coming with

770
00:39:37,320 --> 00:39:39,239
Speaker 3: the war report. It's like, man, this ship is like

771
00:39:39,320 --> 00:39:42,440
Speaker 3: watching a movie, you know. So it's different than just

772
00:39:43,000 --> 00:39:46,560
Speaker 3: like cats saying it's old, Like you put those tapes

773
00:39:46,560 --> 00:39:53,280
Speaker 3: on today and you go on the journey. Still, that's

774
00:39:53,280 --> 00:39:53,760
Speaker 3: a blessing.

775
00:39:54,200 --> 00:39:56,919
Speaker 4: You take old motherfucking bumble bee and then you get

776
00:39:56,920 --> 00:40:02,440
Speaker 4: the new Transformers almost yeah, yeah, reformed my niggaive Reform

777
00:40:02,480 --> 00:40:05,200
Speaker 4: and that and hit about fifty shows reformed.

778
00:40:05,760 --> 00:40:06,680
Speaker 2: Yeah, now that's real.

779
00:40:07,080 --> 00:40:15,319
Speaker 1: What's aw smippers rider? What's on our rider's light?

780
00:40:15,480 --> 00:40:15,640
Speaker 3: Man?

781
00:40:15,920 --> 00:40:18,640
Speaker 6: We got two bottles of Hennessey and bottle of terror

782
00:40:18,719 --> 00:40:19,840
Speaker 6: mana probably something.

783
00:40:20,600 --> 00:40:26,200
Speaker 1: Or what at the Hennessy tarror mana Tarra mana, We're

784
00:40:26,200 --> 00:40:32,399
Speaker 1: gonna get you a check. We're gonna change make this

785
00:40:32,440 --> 00:40:36,400
Speaker 1: you know on earth, God damn it. Ahead, but.

786
00:40:38,080 --> 00:40:42,600
Speaker 3: Two sticks of deodorant, okay, also okay, of course clean

787
00:40:42,719 --> 00:40:44,200
Speaker 3: towels and wash clubs.

788
00:40:45,400 --> 00:40:45,520
Speaker 1: Uh.

789
00:40:46,200 --> 00:40:49,080
Speaker 2: I think we got vegetable yellow.

790
00:40:54,080 --> 00:40:55,280
Speaker 1: He picked out all the orange.

791
00:40:58,200 --> 00:41:03,560
Speaker 2: Will really do that? Yeah, you got got swining.

792
00:41:04,920 --> 00:41:07,520
Speaker 3: We got the Johanna incense in the back. Because sometimes

793
00:41:07,560 --> 00:41:09,960
Speaker 3: the back days be funky.

794
00:41:10,360 --> 00:41:12,160
Speaker 2: You gotta keep it. You gotta keep the smell good.

795
00:41:12,200 --> 00:41:13,719
Speaker 1: So I'm gonna get I'm gonna go right back to

796
00:41:13,719 --> 00:41:16,200
Speaker 1: this hold on. You know what I asked, I said,

797
00:41:16,280 --> 00:41:18,319
Speaker 1: I said, I said, I said, okay, this is something

798
00:41:18,320 --> 00:41:21,640
Speaker 1: that been fucking me for my whole life almost and

799
00:41:21,680 --> 00:41:25,440
Speaker 1: he goes, what's up? I go, biz Mark says, MiG

800
00:41:25,520 --> 00:41:29,080
Speaker 1: daddy came. But Mike, my mellow, you know what the mike,

801
00:41:29,120 --> 00:41:47,080
Speaker 1: because you know that was that was He's like, only

802
00:41:47,160 --> 00:41:47,880
Speaker 1: you asked.

803
00:41:50,520 --> 00:41:58,200
Speaker 10: Like that, liked he was like, he was like, yeah,

804
00:41:58,680 --> 00:42:03,399
Speaker 10: that's the funny, like like but at those days times

805
00:42:03,400 --> 00:42:04,040
Speaker 10: you couldn't have.

806
00:42:07,760 --> 00:42:10,200
Speaker 3: You couldn't even be standing next to Jello in the store,

807
00:42:10,239 --> 00:42:11,960
Speaker 3: like I know you ain't about to buy no jail

808
00:42:12,880 --> 00:42:14,239
Speaker 3: that's not for me.

809
00:42:15,080 --> 00:42:22,360
Speaker 1: So star Wars, Star Wars stop Skittles host his cakes.

810
00:42:22,920 --> 00:42:26,239
Speaker 1: But what you what's on your right? The same thing? Yeah?

811
00:42:26,320 --> 00:42:28,880
Speaker 3: No, we we're good man in trying to keep it.

812
00:42:29,160 --> 00:42:33,640
Speaker 3: I do instance not not not the not about. I

813
00:42:33,680 --> 00:42:34,160
Speaker 3: got a pack.

814
00:42:34,200 --> 00:42:39,359
Speaker 1: I don't know. Someone stolen, someone stole my ever everyone. Yeah,

815
00:42:39,800 --> 00:42:49,120
Speaker 1: I think my kids. Yeah, I got weird as hell,

816
00:42:49,200 --> 00:42:50,799
Speaker 1: go home and have to splain it to my wife.

817
00:42:51,280 --> 00:42:52,360
Speaker 2: You got you were able to get it.

818
00:42:52,440 --> 00:42:54,160
Speaker 1: Charlo made because remember we had a book that week.

819
00:42:54,239 --> 00:42:57,000
Speaker 1: So I hit charlom bade the sold out. So I

820
00:42:57,040 --> 00:42:59,080
Speaker 1: hit Charlomagne. I said, you give me your last and

821
00:42:59,120 --> 00:43:04,399
Speaker 1: I had to say I said me least. I mean,

822
00:43:04,440 --> 00:43:05,680
Speaker 1: I ain't want to you know, I didn't want to

823
00:43:05,760 --> 00:43:11,880
Speaker 1: ask neutralize journalizing. We talk to a buster, what it

824
00:43:11,960 --> 00:43:16,719
Speaker 1: smells like. I don't just saving it for her so

825
00:43:16,760 --> 00:43:22,240
Speaker 1: when she walk in, she's gonna smell herself to get.

826
00:43:24,320 --> 00:43:24,360
Speaker 3: It.

827
00:43:24,400 --> 00:43:28,200
Speaker 1: Would have been lessen there, it would have been let

828
00:43:30,320 --> 00:43:31,879
Speaker 1: no no wed ship.

829
00:43:31,920 --> 00:43:33,920
Speaker 3: But we we we we try to keep it like

830
00:43:33,960 --> 00:43:36,200
Speaker 3: when we when we do the long runs, we keep

831
00:43:37,040 --> 00:43:40,919
Speaker 3: ship like ginger Lemon. Every day we try to stay

832
00:43:40,920 --> 00:43:42,839
Speaker 3: teed up, you know what I mean? For the most part.

833
00:43:42,920 --> 00:43:44,400
Speaker 3: Other than that, we keep it simple. We try to

834
00:43:44,440 --> 00:43:49,040
Speaker 3: eat that nice restaurants. That's it, man. Yeah, and live

835
00:43:49,040 --> 00:43:49,600
Speaker 3: in the culture.

836
00:43:49,840 --> 00:43:51,759
Speaker 1: I'm trying to put some weird shipped on my rider,

837
00:43:51,840 --> 00:43:54,000
Speaker 1: Like I want to go to Japan order to see Moss,

838
00:43:54,719 --> 00:43:59,359
Speaker 1: to see them, just see them wild out. No, I'm

839
00:43:59,360 --> 00:44:06,520
Speaker 1: talking about the I wanted from Doctor sav I wanted

840
00:44:07,280 --> 00:44:08,080
Speaker 1: they're gonna bring you some.

841
00:44:10,920 --> 00:44:12,120
Speaker 2: I don't know if you remember we.

842
00:44:12,040 --> 00:44:15,799
Speaker 1: Went to Japan after l L and our rider was

843
00:44:15,880 --> 00:44:16,839
Speaker 1: like phillies.

844
00:44:18,280 --> 00:44:19,320
Speaker 2: She was so simple.

845
00:44:19,800 --> 00:44:22,680
Speaker 1: They were like, oh my god, they don't wants to

846
00:44:22,800 --> 00:44:28,920
Speaker 1: kill them. Niggas almost said he wanted pink roses, orange apples,

847
00:44:28,960 --> 00:44:31,520
Speaker 1: like that orange apples, you know what I mean?

848
00:44:31,880 --> 00:44:38,799
Speaker 3: Like so y'all not Hollywood, Nah, okay, plus like you

849
00:44:38,840 --> 00:44:42,040
Speaker 3: know we again, man, when you from when you're from Brooklyn, man,

850
00:44:42,200 --> 00:44:44,680
Speaker 3: like you like to keep it simple because if you

851
00:44:44,760 --> 00:44:47,399
Speaker 3: if you if you request something that dude can't bring, man,

852
00:44:47,400 --> 00:44:49,240
Speaker 3: you're gonna probably feel away.

853
00:44:50,120 --> 00:44:51,920
Speaker 2: Alternative is gonna be.

854
00:44:53,120 --> 00:44:53,319
Speaker 1: Yeah.

855
00:44:53,360 --> 00:44:55,000
Speaker 3: We've been in places where we'd be like all right,

856
00:44:55,080 --> 00:44:57,080
Speaker 3: hennessy and they bring us something that's like.

857
00:44:57,120 --> 00:44:59,240
Speaker 1: Some kind of grandma yeah or some others.

858
00:44:59,840 --> 00:45:02,640
Speaker 3: We it gets it gets difficult for you though.

859
00:45:03,640 --> 00:45:04,680
Speaker 2: It is a black man too.

860
00:45:06,280 --> 00:45:08,759
Speaker 1: Yeah, you know we we we support rappers over here.

861
00:45:08,840 --> 00:45:16,440
Speaker 1: And I think I think you're in Brooklyn, said.

862
00:45:17,400 --> 00:45:24,160
Speaker 3: My man Jay, of course, and menth bleak, that's that's family. Yes, yeah,

863
00:45:24,360 --> 00:45:27,320
Speaker 3: we got bleak coming Monday in Brooklyn. Flipp and I

864
00:45:27,360 --> 00:45:31,759
Speaker 3: only drink most of time, says with Flip. With dollars.

865
00:45:32,000 --> 00:45:34,080
Speaker 3: They always that, they always got you. I got the

866
00:45:34,120 --> 00:45:37,719
Speaker 3: do I know you drink that other stuff. But with

867
00:45:37,880 --> 00:45:39,000
Speaker 3: my brothers, man, shout out to.

868
00:45:39,000 --> 00:45:41,280
Speaker 2: Them though, they gets you.

869
00:45:42,280 --> 00:45:49,279
Speaker 1: Hennessy make everybody want to fight though. That's for years.

870
00:45:49,320 --> 00:45:52,359
Speaker 2: So it's boke of Chica, man like, it's like Chica.

871
00:45:52,400 --> 00:45:53,480
Speaker 1: That's the Dominican Republic.

872
00:45:53,560 --> 00:45:54,680
Speaker 2: Yeah, that's when it gets low.

873
00:45:54,880 --> 00:46:09,000
Speaker 1: Okay, okay, bot got cheon't gotchee come out? Drake was possible?

874
00:46:12,200 --> 00:46:14,400
Speaker 1: You got you got that. You got that ymber with

875
00:46:14,400 --> 00:46:16,520
Speaker 1: the tablets in there. Let me let me get let

876
00:46:16,560 --> 00:46:17,160
Speaker 1: me get one.

877
00:46:17,120 --> 00:46:21,560
Speaker 3: With I like the fucking uh the parodise though, the

878
00:46:21,560 --> 00:46:22,480
Speaker 3: Hennessy paradise.

879
00:46:23,200 --> 00:46:24,680
Speaker 1: We remember we was overseas.

880
00:46:24,760 --> 00:46:29,040
Speaker 4: That's like six bottles home because they had pard that

881
00:46:29,160 --> 00:46:29,960
Speaker 4: was on our rider.

882
00:46:30,400 --> 00:46:33,440
Speaker 1: It was giving us them ships. Man. No, no, no, no, no, no, no,

883
00:46:33,960 --> 00:46:36,400
Speaker 1: the paradise. The paradise is loud at thirteen.

884
00:46:36,800 --> 00:46:39,600
Speaker 2: No, we had the xole on the road.

885
00:46:40,239 --> 00:46:42,120
Speaker 1: They put no, I.

886
00:46:42,040 --> 00:46:45,760
Speaker 2: Ain't got can't let you get away with that paradise.

887
00:46:45,880 --> 00:46:49,400
Speaker 1: That's twenty five hundred dollars. Yeah, we had if we

888
00:46:49,440 --> 00:46:51,840
Speaker 1: did have it, we had it like where they didn't

889
00:46:51,880 --> 00:46:54,200
Speaker 1: know it was that it was ye.

890
00:46:55,040 --> 00:46:58,719
Speaker 4: Yeah, because for like nine dates we had the such

891
00:46:58,760 --> 00:46:59,120
Speaker 4: a bottle.

892
00:46:59,200 --> 00:47:01,919
Speaker 1: Yeah, because like certain places that you go, like even

893
00:47:01,960 --> 00:47:04,080
Speaker 1: with Japanese whiskey, certain places you go and you'll be

894
00:47:04,080 --> 00:47:07,000
Speaker 1: looking them. They be happening it for eighty dollars eight

895
00:47:07,040 --> 00:47:08,720
Speaker 1: thousand somewhere else they be done.

896
00:47:08,719 --> 00:47:11,360
Speaker 2: Dumb as fun. But I'll be on the hud for

897
00:47:11,400 --> 00:47:12,520
Speaker 2: that ship the top.

898
00:47:14,520 --> 00:47:20,840
Speaker 1: So if boot camp clicked, what's the goal against versus

899
00:47:22,680 --> 00:47:23,960
Speaker 1: against Wu Tang clan?

900
00:47:24,680 --> 00:47:25,280
Speaker 2: Mm hmm.

901
00:47:26,960 --> 00:47:30,520
Speaker 1: What where is where? Where is this battle that happened?

902
00:47:30,600 --> 00:47:34,200
Speaker 1: If this was to take place, it couldn't be because

903
00:47:34,360 --> 00:47:36,120
Speaker 1: put y'all even it up. It would be your tool

904
00:47:36,160 --> 00:47:38,040
Speaker 1: against ghost holy ship.

905
00:47:39,880 --> 00:47:42,439
Speaker 2: Damn, that's dangerous agelous ship.

906
00:47:42,680 --> 00:47:44,840
Speaker 1: Yeah, they gotta they gotta be in the middle of.

907
00:47:44,840 --> 00:48:01,719
Speaker 11: The water, by the by the water because it's Brooklyn where.

908
00:47:58,920 --> 00:48:02,239
Speaker 2: You got it.

909
00:48:10,719 --> 00:48:11,040
Speaker 1: That's that.

910
00:48:11,239 --> 00:48:15,680
Speaker 3: That would be like so that that would be, that

911
00:48:15,719 --> 00:48:20,560
Speaker 3: would be Randall's all right, that would be like random

912
00:48:20,680 --> 00:48:25,279
Speaker 3: all that. But that's you know, they got that ship

913
00:48:25,360 --> 00:48:27,879
Speaker 3: that looked like a I don't know if it's an

914
00:48:27,880 --> 00:48:32,520
Speaker 3: empty jail, but it's like you talking about the mansion.

915
00:48:32,200 --> 00:48:35,400
Speaker 1: Right there when you come in with exactly.

916
00:48:36,680 --> 00:48:41,040
Speaker 6: Govern that ship would be having things.

917
00:48:42,880 --> 00:48:44,720
Speaker 2: I didn't go to the dipset.

918
00:48:46,160 --> 00:48:46,520
Speaker 1: Locks.

919
00:48:47,160 --> 00:48:47,759
Speaker 2: I can't make it.

920
00:48:47,840 --> 00:48:53,040
Speaker 1: We had podcast here, but I tuned in obviously, and

921
00:48:53,200 --> 00:48:55,719
Speaker 1: that was the most I've ever seen New York go

922
00:48:55,840 --> 00:48:57,960
Speaker 1: back to New York. If New York was the a

923
00:48:58,480 --> 00:49:00,719
Speaker 1: New York, if New York's ever go back to New

924
00:49:00,760 --> 00:49:03,440
Speaker 1: York again, it would start from that versus.

925
00:49:03,480 --> 00:49:05,640
Speaker 2: But that was one of the best.

926
00:49:05,960 --> 00:49:12,400
Speaker 1: Can yes, who can't clip again against.

927
00:49:14,600 --> 00:49:17,560
Speaker 2: That'll be that'll be? Yeah, those those are the bros man,

928
00:49:17,640 --> 00:49:19,160
Speaker 2: But damn, what's up with the.

929
00:49:19,120 --> 00:49:20,319
Speaker 1: Boot camp members?

930
00:49:21,120 --> 00:49:24,480
Speaker 2: We just actually filmed a new video before get that.

931
00:49:24,520 --> 00:49:25,319
Speaker 1: Let's stay on the verses.

932
00:49:25,520 --> 00:49:29,759
Speaker 2: We get to that, yeah, asking who would win? How

933
00:49:29,800 --> 00:49:30,160
Speaker 2: would it go?

934
00:49:30,280 --> 00:49:30,480
Speaker 1: Yeah?

935
00:49:30,520 --> 00:49:30,680
Speaker 3: Yeah?

936
00:49:30,760 --> 00:49:34,120
Speaker 6: Yeah, Oh man, that's excitement right there, because I mean

937
00:49:34,239 --> 00:49:35,480
Speaker 6: like a lot of army fatigues.

938
00:49:35,520 --> 00:49:39,759
Speaker 1: For sure. That's like d C and.

939
00:49:39,840 --> 00:49:43,800
Speaker 8: Mark fighting superhero villain.

940
00:49:43,880 --> 00:49:45,160
Speaker 1: It's like you.

941
00:49:45,239 --> 00:49:47,040
Speaker 6: Got the counterpart for that.

942
00:49:47,160 --> 00:49:49,520
Speaker 2: So that is not that'll be insane shot.

943
00:49:51,000 --> 00:49:54,960
Speaker 3: What's crazy is that that's we're talking about like chess

944
00:49:55,239 --> 00:49:55,960
Speaker 3: chest boxing.

945
00:49:56,080 --> 00:49:57,120
Speaker 2: That'll be a back like that.

946
00:49:57,760 --> 00:49:59,759
Speaker 3: I mean literally just playing like the heads right you're

947
00:49:59,760 --> 00:50:01,479
Speaker 3: playing and like everybody playing their.

948
00:50:01,440 --> 00:50:03,439
Speaker 1: Hits and it's twenty Just think of a honey money

949
00:50:03,520 --> 00:50:06,800
Speaker 1: between y'all. That's twenty joint. Yeah, and we got joints

950
00:50:06,800 --> 00:50:10,439
Speaker 1: with Ray though. You know what's fucked up? Y'all? Would

951
00:50:10,520 --> 00:50:12,800
Speaker 1: y'all would be going y'all be going crazy trying to

952
00:50:12,800 --> 00:50:16,760
Speaker 1: pick twenty joints. That'd be argument in itself.

953
00:50:17,000 --> 00:50:19,000
Speaker 3: We came when we came here, he was playing some

954
00:50:19,040 --> 00:50:23,280
Speaker 3: ship that we ain't playing properly. Yeah, got about that album?

955
00:50:23,600 --> 00:50:26,280
Speaker 3: Was that the way? That was the album?

956
00:50:26,440 --> 00:50:29,520
Speaker 2: The album where and we made that in But is.

957
00:50:29,440 --> 00:50:32,080
Speaker 1: That something y'all would y'all would pursue? If Swiss called

958
00:50:32,160 --> 00:50:35,879
Speaker 1: y'all tomorrow, let's let's get it. I'm kind of tell

959
00:50:35,960 --> 00:50:38,160
Speaker 1: he ain't never call us for a versus, So y'all

960
00:50:38,160 --> 00:50:39,959
Speaker 1: would want to do Smith and Western.

961
00:50:40,360 --> 00:50:42,839
Speaker 3: We're gonna do it. I ever come back and down

962
00:50:42,920 --> 00:50:45,759
Speaker 3: for no fight. I'm not really with that ship though.

963
00:50:45,760 --> 00:50:48,640
Speaker 3: I don't really like that, but you know, it's it's

964
00:50:48,640 --> 00:50:49,840
Speaker 3: it's all for the entertainment.

965
00:50:49,920 --> 00:50:50,080
Speaker 1: Man.

966
00:50:50,400 --> 00:50:52,279
Speaker 2: This is what is the name of the game, right,

967
00:50:52,280 --> 00:50:53,080
Speaker 2: it's entertainment.

968
00:50:53,160 --> 00:50:54,920
Speaker 1: Yeah, what I'm saying. You know, I don't like the

969
00:50:54,960 --> 00:50:57,520
Speaker 1: fact that they celebration and make it more celebration. I

970
00:50:57,520 --> 00:51:00,799
Speaker 1: didn't like the like the Rosters was really one who

971
00:51:00,360 --> 00:51:01,520
Speaker 1: who took it there?

972
00:51:02,680 --> 00:51:03,839
Speaker 2: Remember when they.

973
00:51:07,600 --> 00:51:16,080
Speaker 1: And he took man, he took his He's like start riding.

974
00:51:16,440 --> 00:51:19,040
Speaker 1: That was like everyone saying, man, from here on out,

975
00:51:19,200 --> 00:51:29,560
Speaker 1: taking it to ball, we take the ball. You want

976
00:51:29,600 --> 00:51:36,080
Speaker 1: to be that guy.

977
00:51:36,800 --> 00:51:39,920
Speaker 3: It's it's a line sometimes a moment for hip hop,

978
00:51:40,520 --> 00:51:42,640
Speaker 3: but then it's like damn man, it's like don't don't

979
00:51:42,840 --> 00:51:44,799
Speaker 3: don't goofy it out, like you know what I mean.

980
00:51:44,840 --> 00:51:48,000
Speaker 3: It's like like some people, I get the part where

981
00:51:48,239 --> 00:51:50,360
Speaker 3: the politics where some artists were like, no, I'm not

982
00:51:50,400 --> 00:51:53,040
Speaker 3: going to go against this person because I'm going to

983
00:51:53,120 --> 00:51:57,200
Speaker 3: give them like credibility like that. But I believe that

984
00:51:57,200 --> 00:52:01,000
Speaker 3: that's what hip hop should be doing. Like y'all said, mop, yeah,

985
00:52:01,120 --> 00:52:06,000
Speaker 3: like see that that would be ridiculous, Like Brooklyn, you

986
00:52:06,040 --> 00:52:08,040
Speaker 3: need a big spot for that.

987
00:52:08,040 --> 00:52:11,239
Speaker 2: That would be at the Brooklyn.

988
00:52:10,600 --> 00:52:13,360
Speaker 1: Or the Navy Yard to the Navy y.

989
00:52:13,880 --> 00:52:17,440
Speaker 2: We tried to do that like an undercard. Really, now

990
00:52:17,480 --> 00:52:18,440
Speaker 2: you're not an undercar, sir.

991
00:52:18,480 --> 00:52:23,279
Speaker 1: That's the reason why you worked y'all the headliners that

992
00:52:25,560 --> 00:52:31,120
Speaker 1: whoever that y'all headliners, y'all got hit. I'm sorry you cannot,

993
00:52:32,160 --> 00:52:34,600
Speaker 1: but that would be dope for Brooklyn. Oh my god,

994
00:52:34,640 --> 00:52:39,200
Speaker 1: that'd be instead Brooklyn. It wouldn't be nobody else in

995
00:52:39,239 --> 00:52:47,200
Speaker 1: the concert but Brooklyn. Yes, no, no queens, yeah, Brooklyn.

996
00:52:47,200 --> 00:52:49,960
Speaker 1: Because you know why, I'm being honest, it's that timeline.

997
00:52:49,960 --> 00:52:52,880
Speaker 1: Like that's the beauty about listening to y'all music is

998
00:52:52,920 --> 00:52:56,200
Speaker 1: so timeless, but yet still if you re that error,

999
00:52:56,640 --> 00:52:58,799
Speaker 1: if you live in that era, I just go back.

1000
00:52:59,120 --> 00:53:01,680
Speaker 1: I just go back to to my TEMs. I go

1001
00:53:01,760 --> 00:53:03,480
Speaker 1: on back to you know what I mean.

1002
00:53:03,360 --> 00:53:07,759
Speaker 6: Like, what's better for you making it then or performing it?

1003
00:53:08,280 --> 00:53:09,640
Speaker 2: That's my question. Bro yea.

1004
00:53:12,800 --> 00:53:17,000
Speaker 1: Wait, wait, come to tell the truth, making it then?

1005
00:53:17,080 --> 00:53:20,000
Speaker 1: I would pick making it then, because making it then.

1006
00:53:20,239 --> 00:53:22,680
Speaker 1: I think we kind of touched on this earlier, was

1007
00:53:22,719 --> 00:53:26,279
Speaker 1: like I love analog because I couldn't send you a

1008
00:53:26,360 --> 00:53:28,279
Speaker 1: record back in the day. Remember when you were talking about

1009
00:53:28,280 --> 00:53:30,960
Speaker 1: them rails like I would have to go to D

1010
00:53:31,040 --> 00:53:34,120
Speaker 1: and D told me to Unique studios, or go to

1011
00:53:34,360 --> 00:53:38,400
Speaker 1: write track or so on and so on.

1012
00:53:38,719 --> 00:53:39,120
Speaker 2: What is it?

1013
00:53:39,160 --> 00:53:41,759
Speaker 1: What was the ship that pot got shot in? We

1014
00:53:41,760 --> 00:53:44,600
Speaker 1: would have to go physically and sit down and be together.

1015
00:53:44,680 --> 00:53:45,240
Speaker 2: This wie.

1016
00:53:45,400 --> 00:53:49,399
Speaker 1: That music from the nineties sounds so organic and it's like, you.

1017
00:53:49,280 --> 00:53:49,759
Speaker 2: Know what I'm saying.

1018
00:53:50,120 --> 00:53:52,279
Speaker 1: Yes, that's why if you noticed one of my persons

1019
00:53:53,160 --> 00:53:56,359
Speaker 1: questions was was y' all married together? Because it felt

1020
00:53:56,440 --> 00:53:59,600
Speaker 1: like that even though it wasn't. But yeah, send the record.

1021
00:53:59,600 --> 00:54:01,920
Speaker 1: You still have to record that ship at the studio.

1022
00:54:02,160 --> 00:54:04,480
Speaker 1: And when you listen to music like that, it's timeless,

1023
00:54:04,520 --> 00:54:06,279
Speaker 1: you know what I'm saying. So like when I have

1024
00:54:07,040 --> 00:54:10,360
Speaker 1: to answer your question, it's probably recording it because.

1025
00:54:12,560 --> 00:54:16,719
Speaker 6: Like I was like, oh, ship, that's the creation part

1026
00:54:16,760 --> 00:54:17,439
Speaker 6: of it right there.

1027
00:54:17,840 --> 00:54:20,120
Speaker 1: And I definitely didn't know how to perform like I

1028
00:54:20,120 --> 00:54:29,279
Speaker 1: had to. I believe we taught us performing, and I

1029
00:54:29,320 --> 00:54:32,719
Speaker 1: believe one of our like this was like a like

1030
00:54:32,800 --> 00:54:35,719
Speaker 1: a tenth time like we had already did inn r e.

1031
00:54:35,880 --> 00:54:39,200
Speaker 1: I already did, but now it's like time to perform, perform, perform,

1032
00:54:39,440 --> 00:54:42,680
Speaker 1: And we had so many records that didn't have uh

1033
00:54:43,440 --> 00:54:49,239
Speaker 1: TV tracks. Yeah, yeah, yeah, oh soon as we got

1034
00:54:49,280 --> 00:54:51,399
Speaker 1: up stage, there was a nice show, but you timed over.

1035
00:54:53,200 --> 00:54:53,400
Speaker 3: You know.

1036
00:54:55,520 --> 00:54:57,719
Speaker 1: I was like, oh, so we had to, like we

1037
00:54:58,200 --> 00:55:04,920
Speaker 1: go somethack instrument because they just didn't. I'm leaving instrumental

1038
00:55:05,040 --> 00:55:08,040
Speaker 1: does not exist. Go ahead trying he tried it. It

1039
00:55:08,080 --> 00:55:10,560
Speaker 1: does not exist. Did y'all have problems like that? Well,

1040
00:55:10,600 --> 00:55:12,040
Speaker 1: yeah we had to, we had to go.

1041
00:55:12,360 --> 00:55:15,239
Speaker 6: But you know who taught us, uh, our big brother

1042
00:55:15,320 --> 00:55:19,440
Speaker 6: Buckshot was the king of his self editing himself like

1043
00:55:20,040 --> 00:55:22,080
Speaker 6: you know, at one time nice instead of all the

1044
00:55:22,920 --> 00:55:26,200
Speaker 6: reversed in the curse words or the buck would just

1045
00:55:26,239 --> 00:55:29,600
Speaker 6: going in write a whole new verse. So that became

1046
00:55:29,640 --> 00:55:30,560
Speaker 6: the norm for us.

1047
00:55:30,640 --> 00:55:32,520
Speaker 1: Wait, that's talk about about I want to understand what

1048
00:55:32,520 --> 00:55:35,279
Speaker 1: you're trying to say. You're saying that instead of going

1049
00:55:35,320 --> 00:55:37,319
Speaker 1: in and doing a clean version for the radio of

1050
00:55:37,440 --> 00:55:41,080
Speaker 1: reversion that sad or that word, he would go in

1051
00:55:41,080 --> 00:55:41,960
Speaker 1: and write, I would.

1052
00:55:41,719 --> 00:55:43,799
Speaker 2: Throw in and write a whole new dim in two

1053
00:55:43,880 --> 00:55:44,520
Speaker 2: three verses.

1054
00:55:44,560 --> 00:55:45,400
Speaker 1: Yeah, that's a different time.

1055
00:55:45,440 --> 00:55:46,640
Speaker 2: That's how I got you.

1056
00:55:46,719 --> 00:55:50,680
Speaker 6: Open remixes came because those words was heavy curse workers

1057
00:55:50,760 --> 00:55:54,080
Speaker 6: and then once the radio was calling for it.

1058
00:55:54,120 --> 00:55:55,360
Speaker 2: But there was no clean version.

1059
00:55:56,000 --> 00:55:59,440
Speaker 6: We're going in Calliope, sleep under the piano covers and

1060
00:55:59,520 --> 00:56:02,680
Speaker 6: bucke in there cleaning the chef up.

1061
00:56:03,480 --> 00:56:08,480
Speaker 1: Got that. Our show it's about giving people their flowers.

1062
00:56:09,120 --> 00:56:12,480
Speaker 1: I personally, me and FN we personally wanted to give you.

1063
00:56:12,480 --> 00:56:16,120
Speaker 1: You got your flowers to your face, y'all. Dudes are legends,

1064
00:56:16,200 --> 00:56:20,160
Speaker 1: y'all icons. You want to literally give y'all flowers? You

1065
00:56:20,160 --> 00:56:22,399
Speaker 1: know what I'm saying. Oh, Ship, that's right, you got

1066
00:56:22,440 --> 00:56:33,120
Speaker 1: all right. He's Dominicans, He's Dominicans speaking. Yeah, So Snoop said,

1067
00:56:33,120 --> 00:56:41,040
Speaker 1: it's better than you got the legends. Man, you guys

1068
00:56:41,480 --> 00:56:43,399
Speaker 1: are real ones. Like I know, I know you, both

1069
00:56:43,400 --> 00:56:44,080
Speaker 1: of you guys.

1070
00:56:43,880 --> 00:56:48,759
Speaker 2: Personally text Smoky Live. Yeah, you know what I'm saying.

1071
00:56:48,840 --> 00:56:52,160
Speaker 1: So, man, do you guys know how for you guys

1072
00:56:52,160 --> 00:56:53,080
Speaker 1: are the hip hop.

1073
00:56:54,040 --> 00:56:57,120
Speaker 2: We're still in this, you know, one for the one

1074
00:56:57,320 --> 00:56:57,680
Speaker 2: out man.

1075
00:56:57,680 --> 00:56:59,279
Speaker 3: We got a lot of family, man, and a lot

1076
00:56:59,320 --> 00:57:02,960
Speaker 3: of things that we responsible for sometime. We I mean

1077
00:57:03,000 --> 00:57:05,080
Speaker 3: we you know, we gave reminded every now and again

1078
00:57:05,640 --> 00:57:07,920
Speaker 3: it's and it's good to not let it go to

1079
00:57:08,000 --> 00:57:10,200
Speaker 3: your head. I think that's one thing that kind of

1080
00:57:10,280 --> 00:57:14,200
Speaker 3: keep us grounded. After the show, you know what it is,

1081
00:57:14,239 --> 00:57:16,520
Speaker 3: we go right back home, go back home. We got

1082
00:57:16,520 --> 00:57:19,200
Speaker 3: to deal with the hood. I live in Brooklyn still,

1083
00:57:19,440 --> 00:57:20,040
Speaker 3: you know what I mean.

1084
00:57:20,200 --> 00:57:21,520
Speaker 1: I like it. I love New York.

1085
00:57:21,920 --> 00:57:24,080
Speaker 3: Well I would love to get up out of there

1086
00:57:24,120 --> 00:57:25,120
Speaker 3: too every now and again.

1087
00:57:25,240 --> 00:57:27,080
Speaker 2: But well, you know.

1088
00:57:27,120 --> 00:57:29,080
Speaker 1: I want to tell you it's good to stay grounded,

1089
00:57:29,120 --> 00:57:32,240
Speaker 1: but it's also great to know who exactly who you are. Yes,

1090
00:57:32,520 --> 00:57:35,600
Speaker 1: you guys are motherfucking legends, and you guys are art coms.

1091
00:57:35,600 --> 00:57:39,840
Speaker 1: But y'all did to the music industry cannot be you know, faked.

1092
00:57:39,920 --> 00:57:43,720
Speaker 1: It cannot be copied, cannot be imitated. Man, I just was,

1093
00:57:43,880 --> 00:57:45,960
Speaker 1: like I said, man, like I said, I was looking

1094
00:57:46,000 --> 00:57:47,840
Speaker 1: at poone Gramm. I've seen him, and I was just

1095
00:57:47,880 --> 00:57:49,960
Speaker 1: like yo, I just locked in immediately, and I just

1096
00:57:50,000 --> 00:57:52,840
Speaker 1: was studying y'all and I was like, holy shit, like

1097
00:57:53,280 --> 00:57:57,680
Speaker 1: y'all are really really true MC's. And by the way,

1098
00:57:58,080 --> 00:58:02,440
Speaker 1: you know, I missed I missed the Caribbean, like you know,

1099
00:58:02,520 --> 00:58:04,280
Speaker 1: the Caribbean influence.

1100
00:58:03,880 --> 00:58:07,160
Speaker 2: In hip hop, you know what I mean, not like that,

1101
00:58:07,680 --> 00:58:10,160
Speaker 2: not like yeah.

1102
00:58:10,040 --> 00:58:14,640
Speaker 4: Yeah, it's going all the way Caribbean, Like it's not

1103
00:58:14,680 --> 00:58:17,600
Speaker 4: like extreme, but Afro.

1104
00:58:17,400 --> 00:58:23,760
Speaker 1: Beats is winning that Mexic Are you as.

1105
00:58:23,640 --> 00:58:27,160
Speaker 6: I do rock with some Apple beats, some records, don't ask.

1106
00:58:27,040 --> 00:58:41,720
Speaker 3: Me a yeah, you know, yeah, you gotta know.

1107
00:58:44,200 --> 00:58:46,240
Speaker 1: What's going on now.

1108
00:58:46,320 --> 00:58:48,160
Speaker 3: You got to think like Brooklyn back in the days,

1109
00:58:48,160 --> 00:58:50,680
Speaker 3: like we grew up in hoockey parties, you know what

1110
00:58:50,680 --> 00:58:52,800
Speaker 3: I'm saying, So hockey parties most of the time. The

1111
00:58:52,840 --> 00:58:55,880
Speaker 3: dopest ship was the reggae songs. That's when you get

1112
00:58:56,440 --> 00:58:59,360
Speaker 3: on Shorty and them, you know what I'm saying. Yeah,

1113
00:59:03,200 --> 00:59:05,920
Speaker 3: that was a fight really, but the reggae joints was

1114
00:59:05,960 --> 00:59:09,080
Speaker 3: like yeah, baby, especially you were flat bood, so you

1115
00:59:09,400 --> 00:59:10,920
Speaker 3: know what it is, like you want to a party

1116
00:59:10,920 --> 00:59:11,320
Speaker 3: over there?

1117
00:59:12,040 --> 00:59:15,520
Speaker 2: It's lit. So we grew up in multi cultural you know,

1118
00:59:15,520 --> 00:59:16,320
Speaker 2: it was it was.

1119
00:59:16,680 --> 00:59:18,480
Speaker 3: It was crazy because in the hood, you was like

1120
00:59:18,680 --> 00:59:23,120
Speaker 3: it was pretty diverse, right, you know, and we blended in.

1121
00:59:23,680 --> 00:59:26,240
Speaker 1: That was something that I noticed with y'all music early.

1122
00:59:26,280 --> 00:59:28,680
Speaker 1: It was like, you know, they had the dance hall,

1123
00:59:29,040 --> 00:59:34,640
Speaker 1: which was like like like ship that that you know, Yeah, yeah,

1124
00:59:34,840 --> 00:59:44,640
Speaker 1: I'm sorry. They had a hard call reggae like you know,

1125
00:59:44,800 --> 00:59:47,560
Speaker 1: and then that's what y'all kind of like embracing y'all,

1126
00:59:47,920 --> 00:59:49,560
Speaker 1: Like like I said, I walked in it was like

1127
00:59:51,000 --> 00:59:57,200
Speaker 1: I was telling like some boy burial and bodies.

1128
00:59:57,400 --> 01:00:00,080
Speaker 3: I was like, yeah, that's going the sound class that

1129
01:00:00,240 --> 01:00:00,880
Speaker 3: boy burial.

1130
01:00:01,400 --> 01:00:05,160
Speaker 6: We left up and got that really man, because heal

1131
01:00:05,240 --> 01:00:07,160
Speaker 6: the skelter random and they turned that beat.

1132
01:00:07,000 --> 01:00:12,920
Speaker 1: Down and they didn't want that absoluted.

1133
01:00:13,720 --> 01:00:17,760
Speaker 2: Mister got that stat such a classic.

1134
01:00:18,880 --> 01:00:19,680
Speaker 1: It's a couple of.

1135
01:00:21,120 --> 01:00:23,240
Speaker 6: Ain't about one or two more joints from shining. That

1136
01:00:23,360 --> 01:00:26,480
Speaker 6: was like that, Oh yeah, we got thrown to the lions.

1137
01:00:26,520 --> 01:00:30,080
Speaker 6: Then after Bucket and them put they they were so

1138
01:00:30,240 --> 01:00:31,960
Speaker 6: beat Minus was feeling themselves.

1139
01:00:31,960 --> 01:00:35,920
Speaker 1: Then we like, yeah, mister mister Wall took care of us. Man.

1140
01:00:35,960 --> 01:00:39,320
Speaker 3: It was like you gotta think because Evil D is

1141
01:00:39,440 --> 01:00:56,440
Speaker 3: part of Black Move so he don't really got you based, No, no, no, no, no.

1142
01:00:45,520 --> 01:00:51,040
Speaker 2: No, absolutely not absolutely.

1143
01:00:51,400 --> 01:00:53,360
Speaker 3: I think we was blessed because we got to work

1144
01:00:53,360 --> 01:00:57,040
Speaker 3: with mister Walt, who is the tutor of Evil D.

1145
01:00:57,600 --> 01:00:59,400
Speaker 3: Know what I'm saying. So we went to the foundation.

1146
01:00:59,840 --> 01:01:04,360
Speaker 3: So it's like mister Walker basically walked us through and

1147
01:01:04,560 --> 01:01:07,960
Speaker 3: we wasn't those those fresh cats off the bench like

1148
01:01:08,080 --> 01:01:11,520
Speaker 3: feeling ourselves. We was able to receive the instructions from him.

1149
01:01:11,520 --> 01:01:13,440
Speaker 3: We pretty much did what he told us to do.

1150
01:01:13,960 --> 01:01:16,280
Speaker 3: You didn't have no ideas about going to the studio.

1151
01:01:16,520 --> 01:01:19,680
Speaker 3: I mean we did studio lights, studio stuff before, but

1152
01:01:19,880 --> 01:01:21,840
Speaker 3: he walked us through it. This mister wall you know

1153
01:01:21,920 --> 01:01:24,880
Speaker 3: what hes talking about. He got records from smoking the crib.

1154
01:01:25,000 --> 01:01:25,680
Speaker 2: That's the only day.

1155
01:01:25,720 --> 01:01:28,320
Speaker 6: Couldn't smoking at the park when it's wintertime and roll

1156
01:01:28,400 --> 01:01:29,400
Speaker 6: up smoke our soul.

1157
01:01:29,880 --> 01:01:33,880
Speaker 3: But that's discipline, right because you know we street cats.

1158
01:01:34,320 --> 01:01:36,240
Speaker 2: But his mom's in the crib.

1159
01:01:37,040 --> 01:01:39,000
Speaker 3: So you mean telling me you don't respect dudes moms

1160
01:01:39,000 --> 01:01:41,520
Speaker 3: because you want some hip hop shiuse right now, you

1161
01:01:41,520 --> 01:01:42,800
Speaker 3: don't want nobody in your crib.

1162
01:01:43,320 --> 01:01:43,840
Speaker 1: You don't want to know.

1163
01:01:43,880 --> 01:01:45,440
Speaker 3: You ain't even certain cats. You can't let them know

1164
01:01:45,480 --> 01:01:46,800
Speaker 3: where you live at. You don't want to tell me

1165
01:01:47,440 --> 01:01:48,920
Speaker 3: the setup in the crib. We got to meet him

1166
01:01:48,920 --> 01:01:51,680
Speaker 3: in the neutral zone somewhere, you know what I'm saying,

1167
01:01:51,720 --> 01:01:54,600
Speaker 3: Like crib when mom's in the crib Yetnaw, we're not

1168
01:01:54,640 --> 01:01:57,120
Speaker 3: doing that with wife being the crib Like na, y'all

1169
01:01:57,200 --> 01:01:59,160
Speaker 3: niggas is too wow. I was thinking about that the

1170
01:01:59,200 --> 01:02:02,000
Speaker 3: other day because I used to violate my crib. I

1171
01:02:02,080 --> 01:02:04,960
Speaker 3: had like the setup in my crib. We go all night.

1172
01:02:05,920 --> 01:02:07,760
Speaker 3: I'm like, damn, I'm like Damn I was. That was

1173
01:02:07,880 --> 01:02:13,760
Speaker 3: that was kind of recording set up, like just making

1174
01:02:13,840 --> 01:02:21,000
Speaker 3: demos though, like not even like you know what I'm saying,

1175
01:02:21,120 --> 01:02:23,640
Speaker 3: like this is rude, Like niggas was having it. I'm like, damn,

1176
01:02:23,640 --> 01:02:29,120
Speaker 3: I was apologize to everybody. God man, Christy, I was like,

1177
01:02:29,440 --> 01:02:33,440
Speaker 3: so hip hop, man, when you tune then you tuned in.

1178
01:02:33,600 --> 01:02:34,280
Speaker 3: That's what it make it?

1179
01:02:34,360 --> 01:02:35,400
Speaker 1: Do you know?

1180
01:02:35,560 --> 01:02:38,400
Speaker 2: That's the problem, Like you gotta like get in there.

1181
01:02:38,480 --> 01:02:38,640
Speaker 1: Man.

1182
01:02:38,680 --> 01:02:40,200
Speaker 3: You could tell when the cat is level, like when

1183
01:02:40,200 --> 01:02:41,960
Speaker 3: you're talking about King, like you could tell he is

1184
01:02:42,120 --> 01:02:44,760
Speaker 3: enjoying it, you know, master age, you could tell he's

1185
01:02:44,800 --> 01:02:48,280
Speaker 3: a joying. Like these guys are still traveling. We still

1186
01:02:48,320 --> 01:02:50,680
Speaker 3: got places that we haven't been yet. So it's like

1187
01:02:50,760 --> 01:02:53,280
Speaker 3: you gotta look forward to it and get ready for

1188
01:02:53,320 --> 01:02:55,280
Speaker 3: the get ready for the grind. Hip hop allows you

1189
01:02:55,360 --> 01:02:58,040
Speaker 3: to do that. Man, big that's a big that's a

1190
01:02:58,080 --> 01:02:59,200
Speaker 3: big award right there.

1191
01:02:59,200 --> 01:02:59,680
Speaker 1: But love it.

1192
01:02:59,680 --> 01:02:59,960
Speaker 3: You know.

1193
01:03:03,560 --> 01:03:06,720
Speaker 1: What, what's one of the craziest places you performed.

1194
01:03:06,280 --> 01:03:13,280
Speaker 2: At Barclays We're married.

1195
01:03:13,280 --> 01:03:15,920
Speaker 6: That was the craziest, right, Yeah, that was that was

1196
01:03:15,960 --> 01:03:18,920
Speaker 6: that was monuments because that was the first time that

1197
01:03:19,040 --> 01:03:22,680
Speaker 6: was the first time performing with her and first time

1198
01:03:22,720 --> 01:03:26,080
Speaker 6: performing in the Barclays really, so.

1199
01:03:26,240 --> 01:03:28,640
Speaker 3: It wasn't we just didn't know we had. We just

1200
01:03:28,680 --> 01:03:31,440
Speaker 3: did the super Cat that was the next John. We

1201
01:03:31,480 --> 01:03:38,040
Speaker 3: did Supercat first. That performed with super Kid super super

1202
01:03:38,040 --> 01:03:38,560
Speaker 3: Cat on there.

1203
01:03:38,600 --> 01:03:43,680
Speaker 1: That was different. Super one of the others that was different.

1204
01:03:43,720 --> 01:03:46,600
Speaker 3: But we also I feel like I feel like we

1205
01:03:46,600 --> 01:03:49,400
Speaker 3: was there one time when there was some hip hop

1206
01:03:49,400 --> 01:03:52,240
Speaker 3: ship going on. I forgot who was on stage. It

1207
01:03:52,320 --> 01:03:55,280
Speaker 3: was a bunch of hip hop cats there. I think

1208
01:03:55,320 --> 01:03:57,040
Speaker 3: we was on stay. I feel like m O P

1209
01:03:57,280 --> 01:03:59,760
Speaker 3: Was up there and perform. I don't know if we performed.

1210
01:03:59,760 --> 01:04:01,760
Speaker 3: We just got up on stage with him. But that

1211
01:04:01,840 --> 01:04:05,000
Speaker 3: was that was that was That was the monumental show

1212
01:04:05,080 --> 01:04:08,000
Speaker 3: because it was like we get to take that show

1213
01:04:08,040 --> 01:04:08,760
Speaker 3: around the world.

1214
01:04:08,800 --> 01:04:11,080
Speaker 2: People love that ship, you know what I mean. It's

1215
01:04:11,080 --> 01:04:11,800
Speaker 2: like you say, like.

1216
01:04:11,760 --> 01:04:15,840
Speaker 3: People, you bring an experience when you when you're able

1217
01:04:15,880 --> 01:04:20,000
Speaker 3: to perform. True say, the process of recording is dope

1218
01:04:20,000 --> 01:04:21,880
Speaker 3: because you watching that's like raising a baby.

1219
01:04:21,960 --> 01:04:24,280
Speaker 2: That's your baby. You falling in love with that ship.

1220
01:04:24,360 --> 01:04:26,520
Speaker 1: The process is and creating something out of nothing, out

1221
01:04:26,560 --> 01:04:29,520
Speaker 1: of nothing, talk about it. So I'll flip the balance

1222
01:04:29,560 --> 01:04:32,640
Speaker 1: in a question on you, what do you prefer more

1223
01:04:32,880 --> 01:04:34,400
Speaker 1: making the record or performing a record.

1224
01:04:35,120 --> 01:04:37,560
Speaker 3: I think it's a I think I mean it's it's

1225
01:04:37,640 --> 01:04:40,520
Speaker 3: it's it's it's for me. It's a balance, it's a

1226
01:04:40,560 --> 01:04:43,800
Speaker 3: year in the yang, it's a it's a total completion

1227
01:04:43,840 --> 01:04:45,880
Speaker 3: because you don't want to make I'm not a ghost writer,

1228
01:04:46,440 --> 01:04:46,880
Speaker 3: you know what I mean.

1229
01:04:46,920 --> 01:04:48,640
Speaker 2: I like to write and I like to see it.

1230
01:04:49,000 --> 01:04:50,000
Speaker 2: I like to see it through.

1231
01:04:50,080 --> 01:04:50,520
Speaker 1: I like that.

1232
01:04:50,720 --> 01:04:52,120
Speaker 3: You know, when you fit, when you get in the

1233
01:04:52,160 --> 01:04:53,960
Speaker 3: game and you see, that's how you see if it

1234
01:04:54,000 --> 01:04:56,800
Speaker 3: works or not. You know, I believe in dreams, but

1235
01:04:56,840 --> 01:05:00,600
Speaker 3: I believe in working to make him come true. So

1236
01:05:00,600 --> 01:05:02,520
Speaker 3: it's times when you get on that stage man, and

1237
01:05:02,560 --> 01:05:04,600
Speaker 3: you're looking at people and it's like, man, these people

1238
01:05:04,680 --> 01:05:05,080
Speaker 3: love you.

1239
01:05:05,160 --> 01:05:08,680
Speaker 2: Man, that's mind blowing. That's some crazy shit right there.

1240
01:05:09,120 --> 01:05:09,520
Speaker 1: You fit.

1241
01:05:09,680 --> 01:05:12,320
Speaker 3: Like just last week, I wasn't Brooklyn in the crib

1242
01:05:12,400 --> 01:05:14,880
Speaker 3: drinking some honey, like feeling kind of down and ship.

1243
01:05:15,320 --> 01:05:17,680
Speaker 3: Now I'm out here and it's like five thousand people,

1244
01:05:17,720 --> 01:05:19,040
Speaker 3: ten thousand people and they.

1245
01:05:19,000 --> 01:05:20,800
Speaker 2: Jamming man, women and child.

1246
01:05:20,880 --> 01:05:23,480
Speaker 3: Though I know this little dude wasn't out when when

1247
01:05:23,480 --> 01:05:24,280
Speaker 3: I dropped my house.

1248
01:05:24,320 --> 01:05:24,760
Speaker 1: He wasn't.

1249
01:05:24,800 --> 01:05:26,600
Speaker 2: He's you know what I'm saying, This kid like eleven

1250
01:05:26,680 --> 01:05:27,440
Speaker 2: years old.

1251
01:05:27,240 --> 01:05:29,200
Speaker 1: In front row. You know what I'm saying, You know

1252
01:05:29,280 --> 01:05:29,640
Speaker 1: the word.

1253
01:05:29,720 --> 01:05:32,480
Speaker 3: He's like this and on the shoulder like yeah, you

1254
01:05:32,640 --> 01:05:35,600
Speaker 3: with it. I'm like, that's what hip hop is.

1255
01:05:35,640 --> 01:05:37,320
Speaker 1: They never thought they would see you in person. So

1256
01:05:37,360 --> 01:05:40,760
Speaker 1: that's like, but then we'll do something crazy like what

1257
01:05:40,960 --> 01:05:43,720
Speaker 1: you know? How about this? Like what tech a dude?

1258
01:05:43,720 --> 01:05:46,720
Speaker 1: Like yo yo, come he in a little homie, come on.

1259
01:05:46,680 --> 01:05:51,600
Speaker 2: Stage, come up here. Now you experience a hip hop.

1260
01:05:52,320 --> 01:05:56,640
Speaker 3: Your pops brought you to the concert, and like it's generations.

1261
01:05:56,040 --> 01:05:58,440
Speaker 2: The whole, So that means it's introduced, you know what

1262
01:05:58,440 --> 01:05:58,920
Speaker 2: I'm saying.

1263
01:05:59,000 --> 01:06:01,400
Speaker 3: So this eleven year old gonna gonna keep hip hopp

1264
01:06:01,400 --> 01:06:04,320
Speaker 3: in his heart and in the spirit for another what ten, fifteen,

1265
01:06:04,400 --> 01:06:08,360
Speaker 3: twenty thirty, Yeah, playing planing. See when we was eight

1266
01:06:08,400 --> 01:06:10,360
Speaker 3: years old, we was listening to you know what I mean,

1267
01:06:10,800 --> 01:06:12,840
Speaker 3: grand Master Flash, and then they took them out the

1268
01:06:12,840 --> 01:06:15,280
Speaker 3: message we were and then here we are like this at

1269
01:06:15,280 --> 01:06:18,680
Speaker 3: the round table at the square table building. That's that's fabulous, guys.

1270
01:06:21,280 --> 01:06:22,640
Speaker 3: Growth and development man.

1271
01:06:22,640 --> 01:06:25,200
Speaker 1: Hell yeah, so you ready for quick time slot. Let's go. Okay,

1272
01:06:25,200 --> 01:06:27,640
Speaker 1: you want to play playing them the rules? We didn't do.

1273
01:06:27,680 --> 01:06:29,640
Speaker 1: This is the first time they was here. Yeah, we

1274
01:06:29,720 --> 01:06:33,320
Speaker 1: doubt yeah, yeah, all right, so this is a drinking game. Yeah,

1275
01:06:33,360 --> 01:06:36,800
Speaker 1: we're gonna give you two choices. You pick one. Nobody drinks.

1276
01:06:37,080 --> 01:06:40,840
Speaker 7: But if you say both or neither, we all drink.

1277
01:06:41,880 --> 01:06:45,520
Speaker 7: We all take a shot both or drink like if

1278
01:06:45,520 --> 01:06:49,000
Speaker 7: you politically correct, if you if you don't pick were drinking.

1279
01:06:49,120 --> 01:06:50,880
Speaker 1: Everybody, every we were drinking with you.

1280
01:06:50,960 --> 01:06:54,080
Speaker 2: Yeah, this is how we get fucked up to what.

1281
01:06:54,160 --> 01:06:56,240
Speaker 1: You want to come and be designated.

1282
01:06:56,840 --> 01:07:01,200
Speaker 7: You gotta gotta drink from guys, Come on, healthy, healthy thug.

1283
01:07:01,080 --> 01:07:04,400
Speaker 1: Right now, did you steal my shirt?

1284
01:07:04,920 --> 01:07:07,640
Speaker 2: The good? Bad? What's the what?

1285
01:07:07,160 --> 01:07:07,200
Speaker 11: What?

1286
01:07:07,400 --> 01:07:07,440
Speaker 3: What?

1287
01:07:08,000 --> 01:07:14,760
Speaker 2: Just little shots? Didn't crazy? Is it specific? Is a

1288
01:07:14,800 --> 01:07:20,080
Speaker 2: specific drink drinking? And we don't take a small shot

1289
01:07:20,080 --> 01:07:21,040
Speaker 2: because small?

1290
01:07:21,360 --> 01:07:21,560
Speaker 1: Yeah?

1291
01:07:21,600 --> 01:07:24,920
Speaker 7: All right, we got you got last hold on you

1292
01:07:24,920 --> 01:07:26,440
Speaker 7: got a shot glass hold.

1293
01:07:27,400 --> 01:07:33,280
Speaker 1: Drink broa.

1294
01:07:34,480 --> 01:07:36,680
Speaker 2: Yeah he said he got that. Dou say over there man.

1295
01:07:36,760 --> 01:07:41,320
Speaker 1: Yeah yeah we get a yeah yeah yeah yeah, please

1296
01:07:41,520 --> 01:07:42,240
Speaker 1: get that on camera.

1297
01:07:44,080 --> 01:07:48,120
Speaker 2: We're gonna get you to all right, ready yeah you.

1298
01:07:48,160 --> 01:07:50,920
Speaker 1: Ready, Yeah, I got lot that Halsh is killing it here.

1299
01:07:51,040 --> 01:07:53,640
Speaker 1: But it's it's the diamonds, it's not the hash.

1300
01:07:53,440 --> 01:07:55,120
Speaker 2: Yeah, this is good.

1301
01:07:55,200 --> 01:07:58,640
Speaker 1: Let me everybody for him now that ye yeah, yeah, yeah,

1302
01:07:59,360 --> 01:08:04,000
Speaker 1: hold on, Jamie, you can disrespect him for me, Like

1303
01:08:04,040 --> 01:08:06,280
Speaker 1: I said, could be baby shot like a baby shot

1304
01:08:06,400 --> 01:08:10,240
Speaker 1: like it was me. It was me. Are you ready?

1305
01:08:10,280 --> 01:08:10,760
Speaker 2: This is something?

1306
01:08:10,840 --> 01:08:13,360
Speaker 1: There's some straight Brooklyn Ship right here, by the way.

1307
01:08:13,400 --> 01:08:14,880
Speaker 1: This is the two people who make up the rule.

1308
01:08:15,280 --> 01:08:17,559
Speaker 1: That's the Dominican right there in the Columbia right there.

1309
01:08:18,040 --> 01:08:19,000
Speaker 2: So they analyze.

1310
01:08:19,040 --> 01:08:23,479
Speaker 12: Y'all got these questions because it's a lot of shots.

1311
01:08:23,479 --> 01:08:24,559
Speaker 2: We're gonna take this.

1312
01:08:25,080 --> 01:08:30,840
Speaker 1: Yeah, yeah, she poured it for your ready. Okay, you ready,

1313
01:08:30,840 --> 01:08:35,360
Speaker 1: you're gonna do a number one on this? Yeah?

1314
01:08:35,720 --> 01:08:38,519
Speaker 2: Are you ready? The moment of truth?

1315
01:08:38,840 --> 01:08:40,400
Speaker 1: All right? But let them let him.

1316
01:08:43,040 --> 01:08:51,160
Speaker 2: I'm gonna go with you first. Yeah, that's what up. People.

1317
01:08:52,520 --> 01:08:53,120
Speaker 2: We don't write this.

1318
01:08:53,200 --> 01:08:53,920
Speaker 1: They write it over there.

1319
01:08:54,600 --> 01:08:58,240
Speaker 2: We's got nothing to do. This is funny.

1320
01:08:58,320 --> 01:09:02,479
Speaker 1: This vote for both for y'all that jay Z or

1321
01:09:02,479 --> 01:09:05,519
Speaker 1: Big Daddy King mmm.

1322
01:09:07,080 --> 01:09:09,439
Speaker 2: And it's whatever criteria, whatever you want.

1323
01:09:09,439 --> 01:09:11,000
Speaker 7: It doesn't have to you can explain or you don't

1324
01:09:11,040 --> 01:09:12,959
Speaker 7: have to explain Ship Brooklyn.

1325
01:09:13,800 --> 01:09:26,519
Speaker 12: That's what's good. He might make us drink drinking, damn man, Brooklyn. Yeah, yeah,

1326
01:09:26,760 --> 01:09:31,120
Speaker 12: I'm gonna think of first. This is very interesting.

1327
01:09:32,320 --> 01:09:37,360
Speaker 1: So I'm gonna let you man you with my mooth

1328
01:09:38,000 --> 01:09:41,000
Speaker 1: what time? Yeah? You want to go the next one? Yeah?

1329
01:09:41,920 --> 01:09:52,120
Speaker 1: One time, one time? All right, biggiear puck No, no, man,

1330
01:09:52,160 --> 01:09:58,280
Speaker 1: I can't be the whole time, he said. Both ain't

1331
01:09:58,280 --> 01:10:01,920
Speaker 1: no easy one big hell pop hold on whatever cartiery

1332
01:10:02,040 --> 01:10:02,360
Speaker 1: you want.

1333
01:10:03,920 --> 01:10:06,000
Speaker 2: You know later we got it. They broke my Gemini

1334
01:10:06,080 --> 01:10:07,200
Speaker 2: brothers too, though.

1335
01:10:09,080 --> 01:10:14,040
Speaker 1: Married to a Gemini. Oh my god, you mayor June.

1336
01:10:14,400 --> 01:10:20,160
Speaker 1: You're a wild Gemini holy ship. You're the two part

1337
01:10:20,200 --> 01:10:22,840
Speaker 1: Gemini Gemini holy ship.

1338
01:10:23,080 --> 01:10:30,439
Speaker 6: Is that supposed to make my answer easier? I gotta

1339
01:10:30,520 --> 01:10:32,759
Speaker 6: go Brooklyn man. But they bugged my brothers.

1340
01:10:32,960 --> 01:10:37,560
Speaker 1: Okay, okay, bigg yeah, big that's cool, okay, d m

1341
01:10:37,760 --> 01:10:38,000
Speaker 1: X all.

1342
01:10:37,960 --> 01:10:41,439
Speaker 2: Big al and rest in piece of big piece piece

1343
01:10:41,520 --> 01:10:45,120
Speaker 2: both of them. Damn max a big l damn dang.

1344
01:10:47,880 --> 01:10:50,960
Speaker 6: I fucked with el Man L kind of introduced me

1345
01:10:51,080 --> 01:10:53,679
Speaker 6: up to children in the choir. He was the first

1346
01:10:53,680 --> 01:10:55,920
Speaker 6: one who put me on the cam and all of them, wow,

1347
01:10:57,400 --> 01:11:01,320
Speaker 6: oh my boy. McGruff was ex l.

1348
01:11:02,960 --> 01:11:14,439
Speaker 1: Well my no, it's a time limit. Yeah take a

1349
01:11:14,439 --> 01:11:16,480
Speaker 1: shot now, you gotta take a shot.

1350
01:11:16,600 --> 01:11:21,400
Speaker 2: Yeah, both and unless you contested, Yeah no, no, no.

1351
01:11:23,600 --> 01:11:27,040
Speaker 3: You can't contest that yeah, alright ready, okay, yeah you

1352
01:11:27,120 --> 01:11:27,679
Speaker 3: got this one.

1353
01:11:27,880 --> 01:11:28,880
Speaker 2: Biz or O d B.

1354
01:11:33,439 --> 01:11:35,960
Speaker 1: Yeah, O d B.

1355
01:11:39,360 --> 01:11:40,120
Speaker 2: Welcome to drinks.

1356
01:11:41,080 --> 01:11:43,760
Speaker 1: That's Brooklyn, man, that's Brooklyn O d B O d B.

1357
01:11:44,240 --> 01:11:48,280
Speaker 1: Y'all Brooklyn mother is really going I gotta lie damn

1358
01:11:49,160 --> 01:11:52,040
Speaker 1: wick upon trying to use the bathroom. You're not trying,

1359
01:11:52,080 --> 01:12:00,519
Speaker 1: He's us do when the check on. That is the cruel.

1360
01:12:00,640 --> 01:12:02,320
Speaker 1: That was a cruel one right there. Bro.

1361
01:12:03,400 --> 01:12:07,920
Speaker 3: It's like it's like you probably wouldn't have like a no.

1362
01:12:08,040 --> 01:12:09,480
Speaker 2: dB without a business.

1363
01:12:09,680 --> 01:12:14,160
Speaker 1: That's how I think true. Yeah, picking picking boogets, that's

1364
01:12:14,200 --> 01:12:14,960
Speaker 1: my favorite record.

1365
01:12:15,800 --> 01:12:17,639
Speaker 2: Who makes who can make a record?

1366
01:12:17,680 --> 01:12:19,880
Speaker 1: Like he said, I'm going my nose just taking up

1367
01:12:19,920 --> 01:12:21,599
Speaker 1: the basketball and pass it to you.

1368
01:12:21,920 --> 01:12:24,559
Speaker 2: Holy you seen the documentary the biz Mark.

1369
01:12:24,439 --> 01:12:27,519
Speaker 1: You yes, he was. He was down everybody.

1370
01:12:27,520 --> 01:12:28,720
Speaker 2: He put people on.

1371
01:12:28,760 --> 01:12:30,719
Speaker 1: That's l that's ll damn man.

1372
01:12:31,160 --> 01:12:36,760
Speaker 2: But the god though one man, Harmy Seng. He's never

1373
01:12:36,880 --> 01:12:39,400
Speaker 2: been tooking out. He's looking out.

1374
01:12:39,720 --> 01:12:41,840
Speaker 1: He's dropping his all the girls be dropping babies.

1375
01:12:46,280 --> 01:12:47,840
Speaker 2: We used to play chess every day.

1376
01:12:47,880 --> 01:12:48,040
Speaker 1: Man.

1377
01:12:48,080 --> 01:12:52,479
Speaker 3: Oh dd really I'm a pick Mark. That's the original man. Okay, okay,

1378
01:12:53,520 --> 01:12:56,439
Speaker 3: you can take the next two. I think it's gonna

1379
01:12:56,439 --> 01:12:58,760
Speaker 3: be an easy one for them. Yeah, buck shot or

1380
01:12:58,760 --> 01:13:03,559
Speaker 3: specially uh the game is rigged.

1381
01:13:05,439 --> 01:13:06,880
Speaker 1: Yeah, so you won't have to take a shot for

1382
01:13:06,920 --> 01:13:08,960
Speaker 1: this one. Of course you're going buck shot, big up

1383
01:13:09,000 --> 01:13:09,519
Speaker 1: to buck shot.

1384
01:13:09,600 --> 01:13:13,040
Speaker 3: Yeah, man, buck shot the big bady eye bad I

1385
01:13:13,240 --> 01:13:15,439
Speaker 3: Doug Man, it's my guy.

1386
01:13:16,200 --> 01:13:26,000
Speaker 1: Go to that Buck Waller Diamond d oh God ye

1387
01:13:27,320 --> 01:13:30,439
Speaker 1: shout out the c C. You know how nice buck

1388
01:13:30,479 --> 01:13:31,080
Speaker 1: Wow is.

1389
01:13:31,240 --> 01:13:35,960
Speaker 6: I know, I know, dumb, dumb, dumb nice buck My

1390
01:13:36,080 --> 01:13:39,240
Speaker 6: man too, and he's and he puts it on and.

1391
01:13:41,040 --> 01:13:43,439
Speaker 1: I too with buck Wow.

1392
01:13:44,000 --> 01:13:49,040
Speaker 3: Okay, I know because Diamond is Man.

1393
01:13:52,439 --> 01:13:54,800
Speaker 1: I got it. I got I can't pick. I can't

1394
01:13:55,200 --> 01:14:00,280
Speaker 1: taking that. I got this one because I'm A'm gonna

1395
01:14:00,280 --> 01:14:01,920
Speaker 1: skip this one because we always do this one. So

1396
01:14:01,920 --> 01:14:03,519
Speaker 1: I'm gonna skip this one. I'm gonna go to the

1397
01:14:03,520 --> 01:14:03,880
Speaker 1: next one.

1398
01:14:03,920 --> 01:14:04,280
Speaker 2: This one.

1399
01:14:04,320 --> 01:14:06,880
Speaker 1: I gotta know. This is gonna be pause. I think

1400
01:14:06,880 --> 01:14:09,200
Speaker 1: it's gonna be hard for both for y'all. Mab deep

1401
01:14:09,479 --> 01:14:18,759
Speaker 1: or m O P another round.

1402
01:14:23,840 --> 01:14:24,320
Speaker 2: Here, Bob.

1403
01:14:25,680 --> 01:14:29,280
Speaker 1: I'm queens and the same pride I got. I got

1404
01:14:29,280 --> 01:14:30,760
Speaker 1: some queens, but that's still hard for me.

1405
01:14:30,800 --> 01:14:34,240
Speaker 2: I wouldn't be yeah, I wouldn't be able to pick

1406
01:14:34,280 --> 01:14:34,639
Speaker 2: that one.

1407
01:14:35,560 --> 01:14:38,880
Speaker 3: Okay, Yo, you gotta think man, because we came up,

1408
01:14:39,920 --> 01:14:43,360
Speaker 3: we came up watching watching m o BB. You know

1409
01:14:43,400 --> 01:14:46,800
Speaker 3: what I'm saying, Pride Jay. Hell, we came up seeing them.

1410
01:14:48,040 --> 01:14:52,280
Speaker 3: We came up seeing them now, hell right in front

1411
01:14:52,360 --> 01:14:55,720
Speaker 3: of bat We've seen them. We've seen them stickers on

1412
01:14:55,760 --> 01:15:00,000
Speaker 3: the train in Brooklyn. You know that's family though.

1413
01:15:00,720 --> 01:15:09,799
Speaker 1: So Wu Tang Clan or Juice Crew mm hmmm mm hmmm. Damn.

1414
01:15:11,240 --> 01:15:13,519
Speaker 7: It's kind of like the same as Bus and O

1415
01:15:13,680 --> 01:15:15,680
Speaker 7: d B, like the President.

1416
01:15:15,320 --> 01:15:16,640
Speaker 1: Back to back it is.

1417
01:15:16,720 --> 01:15:20,280
Speaker 3: I'm just thinking, like, do you get one without the other? Time?

1418
01:15:20,360 --> 01:15:26,040
Speaker 3: My way g rappers in the juice cool correct, juice cool.

1419
01:15:28,360 --> 01:15:29,640
Speaker 1: I'm not gonna say what I would have picked on

1420
01:15:29,680 --> 01:15:31,320
Speaker 1: this one. I'll get back to that another time.

1421
01:15:32,600 --> 01:15:35,240
Speaker 2: DJs. Okay, yeah, I was gonna skip that one. No, no,

1422
01:15:35,320 --> 01:15:39,520
Speaker 2: come on flex or kick Capri mm hmm CA Capri.

1423
01:15:40,960 --> 01:15:44,519
Speaker 1: Capri n w A or public Enemy.

1424
01:15:45,920 --> 01:15:53,040
Speaker 3: Oh ay, that's like, man, Chuck is my dude, and

1425
01:15:53,120 --> 01:15:55,240
Speaker 3: I love that guy. It's one of my top guys.

1426
01:15:55,320 --> 01:15:59,400
Speaker 3: You know that my in flavor FLA man, come on man.

1427
01:16:00,160 --> 01:16:02,920
Speaker 1: Yeah, but I might leak up with PE and they

1428
01:16:02,960 --> 01:16:06,320
Speaker 1: were like the same this day with n w A.

1429
01:16:06,560 --> 01:16:07,200
Speaker 1: So that's.

1430
01:16:08,520 --> 01:16:10,800
Speaker 3: I feel you when you had Q go to the

1431
01:16:10,800 --> 01:16:16,960
Speaker 3: bump squad that showed you exactly you ain't gonna have chuck. Damn,

1432
01:16:17,800 --> 01:16:19,479
Speaker 3: that would have been l two, but that would have

1433
01:16:19,479 --> 01:16:27,960
Speaker 3: been wild. That's uh hey drinking and he picked you.

1434
01:16:28,640 --> 01:16:29,759
Speaker 1: Oh so I got a picture.

1435
01:16:31,560 --> 01:16:36,799
Speaker 2: That's the that's one man. So if I picked Pe,

1436
01:16:36,840 --> 01:16:38,720
Speaker 2: we drink or we don't drink. No, no, no, we

1437
01:16:38,760 --> 01:16:46,679
Speaker 2: don't drink. Yeah yeah, we don't.

1438
01:16:46,560 --> 01:16:48,519
Speaker 1: Do that on your birthday. But you got to drink

1439
01:16:48,520 --> 01:16:52,840
Speaker 1: on your birthday called quest or brand Nubian. Are you

1440
01:16:52,840 --> 01:16:53,479
Speaker 1: skipped other work?

1441
01:16:53,560 --> 01:16:54,760
Speaker 2: Yeah, you go back to that.

1442
01:16:55,520 --> 01:16:55,880
Speaker 1: Mm hmm.

1443
01:16:57,040 --> 01:17:00,360
Speaker 6: Oh man, man, that's hard because he got relations ships

1444
01:17:00,400 --> 01:17:05,240
Speaker 6: with all these like personal relationships.

1445
01:17:04,280 --> 01:17:05,559
Speaker 5: Like my.

1446
01:17:09,160 --> 01:17:14,200
Speaker 6: Man, oh my god. Oh man, see I bringing my

1447
01:17:14,280 --> 01:17:14,920
Speaker 6: high back on.

1448
01:17:16,800 --> 01:17:17,160
Speaker 1: Yourself.

1449
01:17:17,760 --> 01:17:19,960
Speaker 7: And we're bringing up all these names because we want

1450
01:17:20,000 --> 01:17:21,960
Speaker 7: to talk about these we want to these names out there.

1451
01:17:22,880 --> 01:17:27,000
Speaker 3: Yeah, it makes sense, man, because like you know, from

1452
01:17:27,040 --> 01:17:31,080
Speaker 3: a historic point. That's why fifty fifty years is dope too,

1453
01:17:31,120 --> 01:17:33,360
Speaker 3: because you forgot about some of these cats. You know,

1454
01:17:33,400 --> 01:17:35,800
Speaker 3: these cats are still working you. They might be overseas,

1455
01:17:35,800 --> 01:17:38,160
Speaker 3: they might be tucked in the whole little war you know,

1456
01:17:38,760 --> 01:17:42,639
Speaker 3: but damn, I think I'm gonna say tribe though.

1457
01:17:47,760 --> 01:17:58,400
Speaker 1: Take the shot, Take the shot, Take the shot. You're

1458
01:17:58,439 --> 01:18:03,559
Speaker 1: thinking both man, Okay for this one, I'm gonna go

1459
01:18:03,800 --> 01:18:05,920
Speaker 1: this one and another one and you go back, all right,

1460
01:18:05,960 --> 01:18:13,519
Speaker 1: go ahead, easy or cor mega. I'm biased. I got

1461
01:18:13,520 --> 01:18:15,559
Speaker 1: one the next two that I'm will send it to you.

1462
01:18:15,960 --> 01:18:16,080
Speaker 13: Man.

1463
01:18:16,280 --> 01:18:23,800
Speaker 3: That's dangerous man, Brooklyn Baby, but is my guy just

1464
01:18:23,840 --> 01:18:27,640
Speaker 3: like the same dude? Right that's likes and peace like

1465
01:18:28,200 --> 01:18:31,559
Speaker 3: or like right there for the Brooklyn too.

1466
01:18:31,600 --> 01:18:36,879
Speaker 6: So they both Brooklyn me ticket take.

1467
01:18:41,840 --> 01:18:45,000
Speaker 2: Ready, salute to both of them. This I love this one.

1468
01:18:45,240 --> 01:18:48,759
Speaker 1: We're drinking them, were drinking Ematic or ready to die.

1469
01:18:50,880 --> 01:19:08,680
Speaker 14: Here, buddy, stand up, I'm ready ready to.

1470
01:19:10,600 --> 01:19:15,080
Speaker 2: Come back to nine shots your tough costume. Man, that's

1471
01:19:15,120 --> 01:19:15,880
Speaker 2: Brooklyn Baby.

1472
01:19:16,960 --> 01:19:29,360
Speaker 3: Man, I think I would be carry out man. Okay,

1473
01:19:29,960 --> 01:19:31,599
Speaker 3: he's doing that ship because he likes it.

1474
01:19:34,360 --> 01:19:35,679
Speaker 2: I'm speaking to you after this one.

1475
01:19:36,040 --> 01:19:40,120
Speaker 1: Go ahead, coming come on man. Ematic.

1476
01:19:40,800 --> 01:19:43,519
Speaker 3: There's no first of all, both both of those albums,

1477
01:19:43,560 --> 01:19:45,920
Speaker 3: there's no there's no fast forward in.

1478
01:19:46,400 --> 01:19:49,519
Speaker 1: Yeah the one God Is One is longer, yo.

1479
01:19:49,720 --> 01:19:52,880
Speaker 3: Listen, I'm talking about talking about we come up in

1480
01:19:52,920 --> 01:19:56,240
Speaker 3: the era where we listened to the Get Skised. You

1481
01:19:56,280 --> 01:20:00,559
Speaker 3: know what I'm saying, come on when it come on.

1482
01:20:00,640 --> 01:20:04,559
Speaker 3: We were just listening to the Skin is Dope, you know,

1483
01:20:05,360 --> 01:20:06,280
Speaker 3: like you gotta be.

1484
01:20:07,800 --> 01:20:09,040
Speaker 2: And hip hop today.

1485
01:20:09,400 --> 01:20:14,280
Speaker 1: Yeah, you're talking about that war the other day. You

1486
01:20:14,280 --> 01:20:15,080
Speaker 1: you you you.

1487
01:20:18,880 --> 01:20:20,920
Speaker 2: It brought you like I'm in Miami. I felt like

1488
01:20:20,960 --> 01:20:21,160
Speaker 2: I was.

1489
01:20:21,160 --> 01:20:28,160
Speaker 3: In you talking about you talking about Biggie is storyteller

1490
01:20:28,320 --> 01:20:30,400
Speaker 3: right here talking about niggas trying to rob you. Every

1491
01:20:30,400 --> 01:20:33,880
Speaker 3: Brooklyn nigga sat there and was like what you either

1492
01:20:34,040 --> 01:20:38,519
Speaker 3: was on the other side most time you probably you

1493
01:20:38,640 --> 01:20:39,960
Speaker 3: know the story very well.

1494
01:20:40,320 --> 01:20:42,240
Speaker 1: It was crazy because everybody had a pop from the

1495
01:20:42,240 --> 01:20:48,920
Speaker 1: barber shop. It was just what.

1496
01:20:48,760 --> 01:20:49,439
Speaker 2: Takes a picture?

1497
01:20:50,400 --> 01:20:57,280
Speaker 1: Yeah, yes, it's King of New York or New Jack City.

1498
01:20:55,800 --> 01:20:58,240
Speaker 2: Frank White, New York King.

1499
01:20:58,479 --> 01:21:02,600
Speaker 3: That's easy, okay, easy, but damn King of New York.

1500
01:21:04,120 --> 01:21:06,200
Speaker 2: Leaders of the Newscort, Jungle Brothers.

1501
01:21:06,160 --> 01:21:12,320
Speaker 3: M MU, leaders of the New Suit and they was

1502
01:21:12,640 --> 01:21:15,000
Speaker 3: like together knife buster rhymes.

1503
01:21:14,960 --> 01:21:25,320
Speaker 1: Right, yeah, yeah, it's just the case. I love the

1504
01:21:25,400 --> 01:21:26,759
Speaker 1: Jungle Brothers though, man.

1505
01:21:29,880 --> 01:21:31,599
Speaker 2: I mean they're the reason why we have native tongue.

1506
01:21:31,680 --> 01:21:33,200
Speaker 1: That's a bit we're.

1507
01:21:33,040 --> 01:21:34,280
Speaker 2: Calling absolutely yeah.

1508
01:21:36,840 --> 01:21:37,160
Speaker 1: J B.

1509
01:21:38,080 --> 01:21:40,400
Speaker 3: The name is just at the block party, the plus

1510
01:21:40,439 --> 01:21:44,760
Speaker 3: the name is just wow bro like the JBS being

1511
01:21:44,880 --> 01:21:48,840
Speaker 3: like the Jungle Brothers. A right, that is, I'm going

1512
01:21:48,840 --> 01:21:51,400
Speaker 3: with the Jungle man. I'm gonna go with the JBS.

1513
01:21:52,720 --> 01:21:56,200
Speaker 3: I love look at that store. But you said the

1514
01:21:56,280 --> 01:22:01,400
Speaker 3: Jungle Yeah. Thanks, So you say I gotta go with leaders.

1515
01:22:02,760 --> 01:22:05,080
Speaker 1: So we got to drink. No, no, no, no, no really,

1516
01:22:06,280 --> 01:22:10,120
Speaker 1: I just I don't want to drink more locked doors,

1517
01:22:10,640 --> 01:22:13,160
Speaker 1: Smoother Hustler or saurt money. Do you skid?

1518
01:22:15,040 --> 01:22:17,920
Speaker 2: We said all shoo kidding, that's what he said. No

1519
01:22:18,000 --> 01:22:19,439
Speaker 2: Smooter Hustler or source money.

1520
01:22:19,720 --> 01:22:24,960
Speaker 1: Oh that's gladyt both who is not being from drinking.

1521
01:22:25,120 --> 01:22:26,719
Speaker 1: So I don't know why I saw money. He's no,

1522
01:22:26,920 --> 01:22:28,080
Speaker 1: we want something I don't know.

1523
01:22:28,080 --> 01:22:32,280
Speaker 2: I don't know who started. I'm gonna go with smooth.

1524
01:22:32,360 --> 01:22:33,599
Speaker 2: That's my guys are right there.

1525
01:22:33,760 --> 01:22:36,360
Speaker 3: Smooth Hustle Money is a fucking maniac too, But I'm

1526
01:22:36,360 --> 01:22:37,080
Speaker 3: gonna going with smooth.

1527
01:22:38,800 --> 01:22:43,200
Speaker 1: Yeah yeah, brown Sauce, I like that. I'm like, yeah,

1528
01:22:43,280 --> 01:22:46,920
Speaker 1: go on separate. I think they started to do that

1529
01:22:47,000 --> 01:22:47,720
Speaker 1: so they can't drink.

1530
01:22:47,760 --> 01:22:56,800
Speaker 2: They got to black sad.

1531
01:22:57,800 --> 01:23:01,559
Speaker 1: Oh yeah skipped that. Oh say that against that black

1532
01:23:02,600 --> 01:23:03,960
Speaker 1: who thought that one?

1533
01:23:04,400 --> 01:23:04,639
Speaker 3: Oh?

1534
01:23:04,760 --> 01:23:08,120
Speaker 1: My gosh, I like to see that verses too.

1535
01:23:08,680 --> 01:23:12,240
Speaker 7: Mister Lee doesn't even know most definite in English.

1536
01:23:18,920 --> 01:23:20,000
Speaker 2: Definitely, I like black.

1537
01:23:21,640 --> 01:23:29,360
Speaker 15: Yeah, yeah, I gotta take a shot.

1538
01:23:32,680 --> 01:23:38,280
Speaker 1: I gotta take a shot. Damn okay, j flies Oh,

1539
01:23:38,360 --> 01:23:43,679
Speaker 1: Mariah Carrey, look gotta go, Mary. You can't leave them either,

1540
01:23:43,720 --> 01:23:46,559
Speaker 1: but relaxed let them Oh my bad. I just I

1541
01:23:46,640 --> 01:23:56,280
Speaker 1: just I love married leading the witness exactly the sauce

1542
01:23:56,320 --> 01:23:57,280
Speaker 1: of ex excel.

1543
01:23:58,400 --> 01:24:00,800
Speaker 2: H Man saw us with it.

1544
01:24:01,080 --> 01:24:01,600
Speaker 1: You know, that's the.

1545
01:24:03,800 --> 01:24:07,680
Speaker 6: That's that's they got this saw. You know how they

1546
01:24:07,920 --> 01:24:09,880
Speaker 6: used to want to kill a nigga to get five mics.

1547
01:24:10,800 --> 01:24:16,519
Speaker 1: Let me tell you something. It almost happened to man.

1548
01:24:16,960 --> 01:24:21,040
Speaker 1: He know to this day, Yes, many me and this nigga.

1549
01:24:20,760 --> 01:24:23,479
Speaker 2: Could be arguing about difference.

1550
01:24:24,200 --> 01:24:27,000
Speaker 1: We could be arguing about candles, and I was just like,

1551
01:24:27,040 --> 01:24:29,559
Speaker 1: niggain't give me know the mic. He was like, what

1552
01:24:29,640 --> 01:24:30,200
Speaker 1: the fuck is.

1553
01:24:30,200 --> 01:24:30,920
Speaker 2: This got to do with?

1554
01:24:31,479 --> 01:24:34,920
Speaker 1: I have not got over it? And he lets Soak

1555
01:24:34,960 --> 01:24:38,240
Speaker 1: the Shaka beat me in every award and he brings

1556
01:24:38,280 --> 01:24:40,519
Speaker 1: us up every episode, So you know, it's bothering nigga

1557
01:24:40,560 --> 01:24:45,280
Speaker 1: every category. I want to I don't shock of the

1558
01:24:45,320 --> 01:24:51,760
Speaker 1: same ship. I'm so fucked up behind this almost it's

1559
01:24:51,800 --> 01:24:54,000
Speaker 1: almost like twenty two years later, I went to beat

1560
01:24:54,160 --> 01:24:56,920
Speaker 1: your Ward for a podcast and I set the wards

1561
01:24:56,960 --> 01:24:58,960
Speaker 1: like last time I've been here, let the shock.

1562
01:24:58,880 --> 01:25:03,200
Speaker 2: Be talking about you know what?

1563
01:25:07,400 --> 01:25:10,599
Speaker 3: The songs definitely start doing some funny business out.

1564
01:25:12,720 --> 01:25:13,160
Speaker 1: What it was.

1565
01:25:13,200 --> 01:25:15,680
Speaker 2: It could never be like its cemented itself. It was

1566
01:25:15,680 --> 01:25:20,120
Speaker 2: never the Bible, man, it was the Bible, and they

1567
01:25:20,160 --> 01:25:22,160
Speaker 2: used to have some hard ass cover.

1568
01:25:22,479 --> 01:25:27,120
Speaker 3: You did take nine Ads out and that was the

1569
01:25:27,160 --> 01:25:28,400
Speaker 3: only magazine to take me.

1570
01:25:31,479 --> 01:25:32,760
Speaker 2: Yeah, that was the funking up part.

1571
01:25:33,080 --> 01:25:36,559
Speaker 1: You have money.

1572
01:25:40,720 --> 01:25:42,600
Speaker 3: Down for.

1573
01:25:44,760 --> 01:25:45,479
Speaker 1: Just cash money.

1574
01:25:45,479 --> 01:25:47,840
Speaker 2: I knew business. It was my friend.

1575
01:25:48,479 --> 01:25:50,680
Speaker 1: As I started saying that, like, I really didn't get

1576
01:25:50,720 --> 01:25:52,840
Speaker 1: over it, and I was just like like being he

1577
01:25:52,960 --> 01:25:54,559
Speaker 1: just looked at me like a man. He was like,

1578
01:25:54,840 --> 01:26:01,640
Speaker 1: I can't front master peas about all the ass. You

1579
01:26:01,720 --> 01:26:06,000
Speaker 1: couldn't be mad. Listen the way he like broke it down,

1580
01:26:06,120 --> 01:26:08,519
Speaker 1: Like actually I was still mad, let's just be clear,

1581
01:26:08,760 --> 01:26:11,600
Speaker 1: but I just couldn't let my frustration continue. I was

1582
01:26:11,640 --> 01:26:15,519
Speaker 1: just like, because I might have took the same the

1583
01:26:15,560 --> 01:26:17,479
Speaker 1: reason why we got not to coutch. I'm gonna let

1584
01:26:17,479 --> 01:26:17,720
Speaker 1: you go on.

1585
01:26:17,760 --> 01:26:21,640
Speaker 4: I'm sorry, but we had skuldug ree on Penalty. He

1586
01:26:21,840 --> 01:26:24,439
Speaker 4: was part of the ads. Is when Penalty had to

1587
01:26:24,439 --> 01:26:26,880
Speaker 4: take out that ad, they put it in the ad,

1588
01:26:26,960 --> 01:26:27,840
Speaker 4: but it looked like a.

1589
01:26:27,800 --> 01:26:32,680
Speaker 1: Master p because because the go to show a little bit,

1590
01:26:32,680 --> 01:26:35,879
Speaker 1: because it says six, we're gonna stop at seven. Analog

1591
01:26:36,000 --> 01:26:38,200
Speaker 1: or digital. I want both of y'all to analysts.

1592
01:26:38,760 --> 01:26:40,160
Speaker 2: Do you want both of them to be analog?

1593
01:26:43,080 --> 01:26:47,560
Speaker 6: That's that's one of them. Any given Sunday.

1594
01:26:47,200 --> 01:26:53,880
Speaker 3: Joints analog spencer, you want to say, I'm glad you

1595
01:26:53,960 --> 01:26:58,479
Speaker 3: gave us the rules because but politically correct, that ship

1596
01:26:58,600 --> 01:27:03,000
Speaker 3: is real because analog, you know, analog and stuff.

1597
01:27:03,160 --> 01:27:06,040
Speaker 1: That's stuff, right, you don't have all that digital.

1598
01:27:05,880 --> 01:27:08,120
Speaker 2: So clean and you could go back in and do

1599
01:27:08,240 --> 01:27:11,960
Speaker 2: this same time, definitely do more with digital. What does

1600
01:27:12,000 --> 01:27:12,519
Speaker 2: it feel like?

1601
01:27:13,280 --> 01:27:19,720
Speaker 1: Right? Clean? Digital made it so anybody correct? Yeah, but

1602
01:27:19,720 --> 01:27:22,599
Speaker 1: it sounded too clean, you know what I mean.

1603
01:27:22,760 --> 01:27:26,120
Speaker 3: That's not clean. But anybody sound that clean? You had

1604
01:27:26,120 --> 01:27:29,360
Speaker 3: to jumps in the.

1605
01:27:30,720 --> 01:27:31,440
Speaker 1: Right.

1606
01:27:31,640 --> 01:27:35,920
Speaker 3: You appreciate sound, you all right, just as far as

1607
01:27:36,040 --> 01:27:39,280
Speaker 3: music wise, you're talking about your music wise like cameras

1608
01:27:39,320 --> 01:27:40,720
Speaker 3: and yeah, well keep it.

1609
01:27:41,200 --> 01:27:43,040
Speaker 1: Then we go down to other Rappit sold with that one.

1610
01:27:43,560 --> 01:27:45,920
Speaker 1: I still I say analog for that.

1611
01:27:48,840 --> 01:27:50,920
Speaker 3: As far as the music analog or digital, Yeah, I

1612
01:27:50,920 --> 01:27:55,400
Speaker 3: would say analog too, man, Digital was great, but the analog, man,

1613
01:27:56,080 --> 01:27:57,160
Speaker 3: that's that's.

1614
01:27:57,040 --> 01:27:59,200
Speaker 1: A feeling because it was communal. You had like like

1615
01:27:59,280 --> 01:28:01,880
Speaker 1: from like right now seeing the smith and wrestle can

1616
01:28:01,960 --> 01:28:04,120
Speaker 1: make a record, right, But if y'all in Brooklyn and

1617
01:28:04,160 --> 01:28:07,400
Speaker 1: then we in left Brack and queens Bridge, and especially

1618
01:28:07,439 --> 01:28:11,320
Speaker 1: if me and compone not even together, like like it'd

1619
01:28:11,400 --> 01:28:13,600
Speaker 1: be better if me and components together, y'all together and

1620
01:28:13,640 --> 01:28:14,280
Speaker 1: we accept it.

1621
01:28:14,320 --> 01:28:17,000
Speaker 2: But we're feeling together.

1622
01:28:18,120 --> 01:28:22,960
Speaker 1: Drinking the delion, drinking the motherfucker, get with some gumbo,

1623
01:28:23,439 --> 01:28:26,559
Speaker 1: you know what I mean? And like that chemistry on

1624
01:28:26,680 --> 01:28:29,720
Speaker 1: different court Yeah, yeah, hell yeah, you hear that in

1625
01:28:29,760 --> 01:28:30,439
Speaker 1: the records now.

1626
01:28:30,560 --> 01:28:33,240
Speaker 2: Yeah, that's what I'm trying to say. Yeah, collaborate like

1627
01:28:33,360 --> 01:28:34,040
Speaker 2: labs no more.

1628
01:28:34,280 --> 01:28:36,120
Speaker 1: The levels of the vocals are different because they record

1629
01:28:36,160 --> 01:28:38,320
Speaker 1: on different mics. It's all different show.

1630
01:28:38,840 --> 01:28:41,880
Speaker 3: It's a double sword though, right because sometimes like ship,

1631
01:28:41,920 --> 01:28:44,919
Speaker 3: we've been recording in so many different crazy ass studios

1632
01:28:44,920 --> 01:28:47,760
Speaker 3: in our man crib, like we we've done that, We've

1633
01:28:47,760 --> 01:28:50,640
Speaker 3: done the cutting rooms, and then like you got a

1634
01:28:50,720 --> 01:28:53,679
Speaker 3: guy like a like a East Swift, right, we recorded

1635
01:28:53,680 --> 01:28:57,760
Speaker 3: with East Swift alcoholics, alcoholics, who's l Yeah, this guy

1636
01:28:57,840 --> 01:28:58,360
Speaker 3: is a beast.

1637
01:28:59,000 --> 01:29:01,400
Speaker 2: But it's like we in the bathroom like it.

1638
01:29:01,600 --> 01:29:07,280
Speaker 3: It's like a mattress, yeah, the drummer like that, you

1639
01:29:07,320 --> 01:29:09,519
Speaker 3: know what I mean. But then it's like, all right,

1640
01:29:09,520 --> 01:29:11,320
Speaker 3: we did, we did one. We did when we did

1641
01:29:11,320 --> 01:29:16,120
Speaker 3: the reggae album. We recorded behind like bookshelves and ship again.

1642
01:29:16,200 --> 01:29:19,720
Speaker 3: It was like mattresses, the case alone, case along and

1643
01:29:19,760 --> 01:29:23,240
Speaker 3: we had the mics, you know, the you know the recorder,

1644
01:29:23,360 --> 01:29:26,799
Speaker 3: the old school recorders, like when you doing an interview

1645
01:29:26,800 --> 01:29:30,759
Speaker 3: with a cat with the little MIC's the little mike sticks.

1646
01:29:30,880 --> 01:29:32,280
Speaker 2: I mean it's like a small boom mint.

1647
01:29:33,040 --> 01:29:38,360
Speaker 3: We rapping on that like I was in yard though

1648
01:29:38,439 --> 01:29:40,479
Speaker 3: for real, I was like, yeah, this is like this

1649
01:29:40,720 --> 01:29:42,960
Speaker 3: you thirty like from.

1650
01:29:43,720 --> 01:29:45,400
Speaker 1: But what's the name? Digital world?

1651
01:29:45,560 --> 01:29:48,679
Speaker 4: After a while, because you know, rest my brother had

1652
01:29:48,720 --> 01:29:51,840
Speaker 4: the s v K saved us a lot of money

1653
01:29:51,840 --> 01:29:55,559
Speaker 4: by switching us the digital from analog, and we learned how.

1654
01:29:55,439 --> 01:29:56,280
Speaker 1: To rape the label.

1655
01:29:56,400 --> 01:30:02,840
Speaker 4: Yeah, yeah, that that's the truth.

1656
01:30:03,160 --> 01:30:03,639
Speaker 2: We ain't taking.

1657
01:30:03,920 --> 01:30:09,439
Speaker 1: Definitely, digital is cheaper in case, like what you said,

1658
01:30:09,439 --> 01:30:10,920
Speaker 1: it's a gift in the curse because it's like in

1659
01:30:11,080 --> 01:30:14,439
Speaker 1: the course, it's like all right, cool, like to make

1660
01:30:14,439 --> 01:30:17,479
Speaker 1: an analog record, you gotta be there six hours. You

1661
01:30:17,520 --> 01:30:20,439
Speaker 1: ain't you ain't you ain't just unless your rhyme is

1662
01:30:21,479 --> 01:30:23,080
Speaker 1: unless you're five percent with it, like you know what

1663
01:30:23,120 --> 01:30:27,519
Speaker 1: I mean, Like you want to be like no lesson Yeah, yeah, yeah, yeah,

1664
01:30:31,280 --> 01:30:34,479
Speaker 1: that's that's when we have oversaturation. Now digital anybody could

1665
01:30:34,479 --> 01:30:37,280
Speaker 1: be a recording artist. You got some on your computer,

1666
01:30:37,400 --> 01:30:40,840
Speaker 1: You got some being apone can sound like y'all, you

1667
01:30:40,920 --> 01:30:41,840
Speaker 1: can sound like me a bone.

1668
01:30:43,760 --> 01:30:47,080
Speaker 3: You can only do the right thing with a I

1669
01:30:47,280 --> 01:30:50,200
Speaker 3: was being I liked what he said. Only person just

1670
01:30:50,439 --> 01:30:53,280
Speaker 3: gonna use his old voice. Yeah, and his new album

1671
01:30:53,439 --> 01:30:57,439
Speaker 3: so he can sound like so now being so so.

1672
01:30:57,479 --> 01:31:01,080
Speaker 3: Now we're talking about about on the Rabbit. Now we're

1673
01:31:01,120 --> 01:31:02,800
Speaker 3: going down a rabbits hole, because that would be if

1674
01:31:02,800 --> 01:31:03,280
Speaker 3: we did like.

1675
01:31:03,640 --> 01:31:09,200
Speaker 1: Digg dka do that, if he never would have lost

1676
01:31:09,200 --> 01:31:13,639
Speaker 1: his voice.

1677
01:31:13,720 --> 01:31:15,280
Speaker 2: He was writing for everybody.

1678
01:31:16,120 --> 01:31:18,360
Speaker 3: Other than that, we don't need to be tampering with that.

1679
01:31:18,479 --> 01:31:19,880
Speaker 3: Cats are still alive.

1680
01:31:20,320 --> 01:31:23,280
Speaker 1: You know what I'm saying. I set people sometimes people

1681
01:31:23,320 --> 01:31:24,680
Speaker 1: need I say some.

1682
01:31:24,840 --> 01:31:25,400
Speaker 2: I've seen some.

1683
01:31:25,560 --> 01:31:28,840
Speaker 3: I've seen some artists on the on this like fifty

1684
01:31:28,920 --> 01:31:32,679
Speaker 3: year trip, like they really struggling, trying hard to get

1685
01:31:32,760 --> 01:31:35,960
Speaker 3: in the game. Some cats is looking out of shape,

1686
01:31:36,680 --> 01:31:38,880
Speaker 3: you know, and it's like it's hard. It's difficult, like

1687
01:31:38,960 --> 01:31:40,640
Speaker 3: even for I'm not saying you got to go to

1688
01:31:40,680 --> 01:31:43,240
Speaker 3: the gym all the time, but like even like mentally

1689
01:31:43,800 --> 01:31:46,000
Speaker 3: getting up there and performing in front of people, like

1690
01:31:46,000 --> 01:31:46,680
Speaker 3: you gotta.

1691
01:31:46,439 --> 01:31:48,760
Speaker 1: Be gotta be in a space, right, you know what

1692
01:31:48,760 --> 01:31:49,040
Speaker 1: I mean?

1693
01:31:49,120 --> 01:31:51,880
Speaker 3: So like all that, we ain't gonna be jumping around,

1694
01:31:52,479 --> 01:31:56,000
Speaker 3: but you see guys coming and paying. But they was

1695
01:31:56,120 --> 01:31:59,360
Speaker 3: the tickets was like three hundred, like three hundred and up.

1696
01:32:00,120 --> 01:32:02,040
Speaker 3: People want to see if people want to be at

1697
01:32:02,120 --> 01:32:04,120
Speaker 3: the rafter bells, I think something like that. I don't know,

1698
01:32:04,160 --> 01:32:05,880
Speaker 3: but yeah, you say that he probably was way more

1699
01:32:05,880 --> 01:32:06,120
Speaker 3: than that.

1700
01:32:06,960 --> 01:32:10,120
Speaker 4: They only seemed like maybe a bucket from this Gate

1701
01:32:10,160 --> 01:32:12,440
Speaker 4: eight show you the tickets wasn't that expensive.

1702
01:32:13,400 --> 01:32:15,200
Speaker 1: That ship was infinite.

1703
01:32:14,920 --> 01:32:16,440
Speaker 2: Gate eight Beyonce.

1704
01:32:16,840 --> 01:32:24,080
Speaker 1: Beyonce was shut it down. She gave him away fifteen million.

1705
01:32:24,280 --> 01:32:27,519
Speaker 1: I ain't tell the Swift, Let's keep him broun. I'm

1706
01:32:27,520 --> 01:32:29,640
Speaker 1: not looking for tell the Swift concert. I'm going to

1707
01:32:29,680 --> 01:32:34,720
Speaker 1: be our concert wherever you are. The money may but

1708
01:32:35,040 --> 01:32:37,280
Speaker 1: I'm going to a Drake concert. Yeah, I want to

1709
01:32:37,320 --> 01:32:40,160
Speaker 1: see them bras being thrown go ahead.

1710
01:32:40,400 --> 01:32:44,200
Speaker 4: Fitty said he ain't get no bros, get no bros

1711
01:32:45,360 --> 01:32:46,000
Speaker 4: A bulletproof.

1712
01:32:46,040 --> 01:32:48,440
Speaker 1: I stole at scar face.

1713
01:32:50,400 --> 01:33:00,519
Speaker 3: Oh face uh goe with face. Man, you gotta you

1714
01:33:00,520 --> 01:33:03,240
Speaker 3: gotta commit when the sugar hard, when you get you hard,

1715
01:33:04,280 --> 01:33:07,120
Speaker 3: you got thanks to You can't think you know what's.

1716
01:33:07,000 --> 01:33:09,160
Speaker 1: Crazy about real hip hop?

1717
01:33:09,600 --> 01:33:12,120
Speaker 2: I can see.

1718
01:33:13,000 --> 01:33:13,639
Speaker 1: It's crazy.

1719
01:33:13,960 --> 01:33:19,040
Speaker 4: Think about personal nae joint, think about oh yeah, come on,

1720
01:33:19,200 --> 01:33:22,800
Speaker 4: think about scar face joint on joint. Then you gotta

1721
01:33:22,840 --> 01:33:23,880
Speaker 4: really think about.

1722
01:33:23,640 --> 01:33:28,600
Speaker 2: Ever seeing a man crass. You guys, you get me

1723
01:33:28,640 --> 01:33:29,000
Speaker 2: started with.

1724
01:33:30,040 --> 01:33:30,840
Speaker 1: That's what I'm saying.

1725
01:33:31,040 --> 01:33:36,599
Speaker 2: That was that was no stopping. It's no easy way

1726
01:33:36,640 --> 01:33:37,439
Speaker 2: out on that one.

1727
01:33:37,479 --> 01:33:41,519
Speaker 1: Bro Ski So what we all got to drink? Saying both?

1728
01:33:41,800 --> 01:33:41,880
Speaker 3: No?

1729
01:33:42,000 --> 01:33:43,920
Speaker 2: I said, I said both. I say both.

1730
01:33:43,920 --> 01:33:46,000
Speaker 1: I'm saying yeah.

1731
01:33:45,120 --> 01:33:50,760
Speaker 4: Shot because faceball many small, it's crazy face small coas

1732
01:33:50,840 --> 01:33:51,800
Speaker 4: me can.

1733
01:33:54,120 --> 01:34:01,800
Speaker 2: All right ready what you said that Boys and the Society.

1734
01:34:07,439 --> 01:34:11,799
Speaker 6: Those are two classic. This is a life lesson movies.

1735
01:34:12,960 --> 01:34:15,240
Speaker 1: I'm at the at the at the border trying to

1736
01:34:15,280 --> 01:34:18,120
Speaker 1: get you know, because it's like watching the movies.

1737
01:34:18,160 --> 01:34:20,599
Speaker 6: You applied ship from the movies to your every day

1738
01:34:20,680 --> 01:34:23,679
Speaker 6: life to get to where you are right now.

1739
01:34:25,200 --> 01:34:29,080
Speaker 1: God damn man, boys in the hood or what it's now,

1740
01:34:29,120 --> 01:34:30,040
Speaker 1: y'all gotta take a.

1741
01:34:30,040 --> 01:34:39,360
Speaker 15: Drink, Okay, yeah, y'all san this mixing over there.

1742
01:34:39,520 --> 01:34:46,080
Speaker 1: Um yeah, I gotta go with both cool, all right,

1743
01:34:46,479 --> 01:34:48,800
Speaker 1: because you know, we'll skip around a little bit and

1744
01:34:48,840 --> 01:34:50,439
Speaker 1: you can go back to whatever you want to go

1745
01:34:50,479 --> 01:35:00,519
Speaker 1: to rap City or your TV raps mm hmmm mm.

1746
01:34:55,640 --> 01:35:00,240
Speaker 3: Hmm yr m t V raps. That's the foundation him

1747
01:35:00,280 --> 01:35:05,120
Speaker 3: right then. Yeah, that's a hard one too, it damn

1748
01:35:05,520 --> 01:35:09,479
Speaker 3: said Ralph Daniel. Rap City had the basement was to

1749
01:35:09,520 --> 01:35:12,720
Speaker 3: come up, and so I would even say you m

1750
01:35:12,760 --> 01:35:19,439
Speaker 3: T was with uh yeah, yeah, guys, I say five

1751
01:35:19,520 --> 01:35:20,519
Speaker 3: five The other day on.

1752
01:35:20,600 --> 01:35:22,920
Speaker 2: Some ship city was Joe Claire that's the home.

1753
01:35:23,520 --> 01:35:26,959
Speaker 3: And that's the homie too, Joe Claire and tagged off.

1754
01:35:28,040 --> 01:35:29,280
Speaker 1: This drink and they both.

1755
01:35:32,200 --> 01:35:37,439
Speaker 2: You can't many.

1756
01:35:39,200 --> 01:35:39,960
Speaker 1: I can't.

1757
01:35:41,439 --> 01:35:43,240
Speaker 2: Like we've been in DC like every other week.

1758
01:35:44,120 --> 01:35:48,719
Speaker 1: Okay, this one, I'm curious. I did my ship Okay,

1759
01:35:49,040 --> 01:35:51,240
Speaker 1: I'm curious for this one. I feel like you're both

1760
01:35:51,280 --> 01:35:54,840
Speaker 1: going to drink on this one. K rest Or rock

1761
01:35:54,960 --> 01:35:59,000
Speaker 1: himp mm hmm. Whatever can carry you you want.

1762
01:36:00,080 --> 01:36:03,120
Speaker 2: He's drinking already.

1763
01:36:03,160 --> 01:36:05,200
Speaker 1: Relationships, man, that's the fun.

1764
01:36:05,360 --> 01:36:09,480
Speaker 3: That part because it's like you're thinking about accomplishments.

1765
01:36:10,800 --> 01:36:11,720
Speaker 2: It's whatever is.

1766
01:36:14,240 --> 01:36:17,880
Speaker 1: Melody, you know, but they both really don't fly. You

1767
01:36:17,880 --> 01:36:22,840
Speaker 1: gotta gotta get with them on boat nobody beat.

1768
01:36:23,920 --> 01:36:25,920
Speaker 3: That's not hip hop royalty. I don't know where is

1769
01:36:26,280 --> 01:36:29,240
Speaker 3: that is. Ultimately, I don't like to be on a

1770
01:36:29,280 --> 01:36:33,200
Speaker 3: plane longer than like three four hours really, but a

1771
01:36:33,280 --> 01:36:34,160
Speaker 3: boat but.

1772
01:36:34,960 --> 01:36:37,400
Speaker 1: You gotta leave like a week and a half, will

1773
01:36:37,439 --> 01:36:38,520
Speaker 1: take a boat overseas.

1774
01:36:38,960 --> 01:36:41,880
Speaker 3: But what I do love about Chris is that he'll

1775
01:36:42,280 --> 01:36:45,400
Speaker 3: he bring his family. Yeah, not away from your FAMI.

1776
01:36:45,640 --> 01:36:47,519
Speaker 3: Kids are DJs.

1777
01:36:48,000 --> 01:36:49,240
Speaker 2: Yeah you get home.

1778
01:36:50,960 --> 01:36:57,280
Speaker 3: That's only Yeah he's doing and I think now.

1779
01:36:57,280 --> 01:36:57,800
Speaker 2: And all that.

1780
01:36:57,920 --> 01:37:05,479
Speaker 1: Yeah, the family, it's a family. Remember before Miss Melody

1781
01:37:05,560 --> 01:37:10,040
Speaker 1: was all they were all together? Do ship? That ship worked.

1782
01:37:10,120 --> 01:37:13,639
Speaker 3: Yeah, So that means like do you get homesick?

1783
01:37:14,760 --> 01:37:17,200
Speaker 2: Your whole crime is you And that's a real wave

1784
01:37:17,280 --> 01:37:18,719
Speaker 2: pop family crib.

1785
01:37:18,880 --> 01:37:25,120
Speaker 3: You gotta think like both a boat tore like Africa Australia.

1786
01:37:25,640 --> 01:37:28,320
Speaker 1: That's like a week, like a week, yeah, like a week,

1787
01:37:28,720 --> 01:37:30,920
Speaker 1: not a week. It's a week that gotta be more

1788
01:37:30,960 --> 01:37:31,479
Speaker 1: than a week.

1789
01:37:31,560 --> 01:37:34,080
Speaker 2: Yeah, I got you.

1790
01:37:33,960 --> 01:37:41,400
Speaker 9: Want to talk about bro, take you.

1791
01:37:43,439 --> 01:37:45,800
Speaker 5: Take you a day to get Texans?

1792
01:37:45,800 --> 01:37:49,840
Speaker 1: Bro take you it's day by car. On the bus,

1793
01:37:49,880 --> 01:37:51,519
Speaker 1: it does take your day to get through. Take you

1794
01:37:51,600 --> 01:37:54,760
Speaker 1: all the Texas, it does Texas, buddy.

1795
01:37:55,320 --> 01:37:57,680
Speaker 15: The bus we didn't hell in New York is like

1796
01:37:57,720 --> 01:37:58,880
Speaker 15: twenty eight hours.

1797
01:37:58,560 --> 01:38:01,479
Speaker 2: On it twice, right, eighteen seventeen.

1798
01:38:01,800 --> 01:38:07,240
Speaker 1: I think it take you said, from here to Africa

1799
01:38:07,280 --> 01:38:09,400
Speaker 1: abound No, no, no, I'm thinking of the last time

1800
01:38:09,520 --> 01:38:10,880
Speaker 1: karas One was on drink Champs.

1801
01:38:10,920 --> 01:38:13,519
Speaker 2: Remember he went to Europe. He went to Europe after that,

1802
01:38:14,720 --> 01:38:15,080
Speaker 2: I think it.

1803
01:38:15,320 --> 01:38:18,800
Speaker 7: I think it took like a week, you know, I'm

1804
01:38:20,080 --> 01:38:20,479
Speaker 7: at all.

1805
01:38:21,200 --> 01:38:25,080
Speaker 1: But but what he does though, Yeah, in fact, Joe

1806
01:38:25,120 --> 01:38:28,639
Speaker 1: wasn't flying originally because of karas One. In fact, yeah,

1807
01:38:28,640 --> 01:38:31,519
Speaker 1: he didn't fly originally. Yeah, but listen, ain't nothing.

1808
01:38:31,439 --> 01:38:33,680
Speaker 3: Nice about being on a boat for a week though,

1809
01:38:34,040 --> 01:38:41,679
Speaker 3: But it's hopefully nobody against ind no accident.

1810
01:38:41,720 --> 01:38:46,639
Speaker 2: Everybody said he's in a car accident.

1811
01:38:47,320 --> 01:38:47,840
Speaker 1: Accident.

1812
01:38:48,240 --> 01:38:50,040
Speaker 3: But but what he does though, which is which is

1813
01:38:50,120 --> 01:38:53,640
Speaker 3: genius aside from taking his family is like depending on

1814
01:38:53,760 --> 01:38:55,240
Speaker 3: I guess the lens for the show, like you know,

1815
01:38:55,560 --> 01:38:57,800
Speaker 3: like back in the days they have even now they

1816
01:38:57,800 --> 01:39:00,719
Speaker 3: have the cruises. Right when you stopping different the country

1817
01:39:00,800 --> 01:39:03,040
Speaker 3: is on the way, so you have like he was

1818
01:39:03,040 --> 01:39:06,400
Speaker 3: talking about going I guess to Europe or whatever, but

1819
01:39:06,520 --> 01:39:07,120
Speaker 3: stopping in.

1820
01:39:07,120 --> 01:39:09,280
Speaker 1: Like the rock the bell crews coming up to go

1821
01:39:09,320 --> 01:39:11,400
Speaker 1: to like to go to like.

1822
01:39:11,320 --> 01:39:14,519
Speaker 3: This library, and he's like, this book you can only

1823
01:39:14,640 --> 01:39:18,280
Speaker 3: find in this, in this this, this, this church.

1824
01:39:18,479 --> 01:39:21,479
Speaker 2: I'm like, yo, this guy is really in it like that.

1825
01:39:22,520 --> 01:39:25,600
Speaker 3: So when it comes to him being a teacher and

1826
01:39:25,640 --> 01:39:28,200
Speaker 3: a scholar as far as that, that's rare.

1827
01:39:28,680 --> 01:39:30,080
Speaker 2: It's all done. I can't speak.

1828
01:39:30,160 --> 01:39:32,960
Speaker 3: And you know, it's almost blasphemy because Rock Chim is

1829
01:39:33,000 --> 01:39:34,400
Speaker 3: the god that's top five, So.

1830
01:39:34,400 --> 01:39:35,600
Speaker 1: You pick a care of us. One is this is

1831
01:39:35,600 --> 01:39:39,519
Speaker 1: what you're saying. I'm drinking. I'm drinking. I'm definitely drinking

1832
01:39:39,560 --> 01:39:40,559
Speaker 1: because he's the case.

1833
01:39:41,080 --> 01:39:51,799
Speaker 3: But in the world, man, right, hut, the tighten tightens.

1834
01:39:51,880 --> 01:39:54,240
Speaker 2: Man, drink you want to.

1835
01:39:54,320 --> 01:39:55,760
Speaker 1: You want to go to the last one until we

1836
01:39:55,760 --> 01:39:57,439
Speaker 1: can get back quick. That was trying to.

1837
01:39:57,600 --> 01:39:59,240
Speaker 2: I mean there's still some good ones, man, Okay, you

1838
01:39:59,280 --> 01:40:00,559
Speaker 2: want to get one more good one of the.

1839
01:40:03,600 --> 01:40:03,720
Speaker 1: Two.

1840
01:40:03,720 --> 01:40:05,200
Speaker 2: A couple of nip your easy.

1841
01:40:07,680 --> 01:40:15,439
Speaker 1: Damn mm hmm.

1842
01:40:16,800 --> 01:40:19,880
Speaker 3: Easy is the godfather. Man, let me go with man,

1843
01:40:21,080 --> 01:40:22,400
Speaker 3: that's the piece, both of them, brothers.

1844
01:40:22,400 --> 01:40:26,439
Speaker 6: Man, I can see nip nip nipp is is the

1845
01:40:26,720 --> 01:40:28,759
Speaker 6: is like a fore runner for a whole new generation.

1846
01:40:29,080 --> 01:40:30,960
Speaker 2: He carried a torch. Carry the torch.

1847
01:40:31,120 --> 01:40:34,439
Speaker 6: So yeah, we drinking, but both I respect. That's in

1848
01:40:34,520 --> 01:40:35,439
Speaker 6: peace of them brothers.

1849
01:40:35,840 --> 01:40:42,840
Speaker 1: You want to go, man, the Chronic or me against

1850
01:40:42,840 --> 01:40:47,120
Speaker 1: the World? M you didn't drink.

1851
01:40:47,200 --> 01:40:52,559
Speaker 3: Brother a minute and it's your birthday and you didn't

1852
01:40:52,600 --> 01:40:56,560
Speaker 3: drink Chronic or me against the World.

1853
01:40:57,120 --> 01:41:01,320
Speaker 2: I'm trying to think of where I was at those

1854
01:41:03,360 --> 01:41:05,639
Speaker 2: when those albums was dropping like that.

1855
01:41:06,360 --> 01:41:08,639
Speaker 1: I mean, Against the World is the album he dropped

1856
01:41:08,640 --> 01:41:09,719
Speaker 1: as he came out of jail.

1857
01:41:09,680 --> 01:41:10,280
Speaker 2: That came out.

1858
01:41:11,240 --> 01:41:16,000
Speaker 3: This was when we was World.

1859
01:41:16,880 --> 01:41:18,720
Speaker 1: He was I think he was in he was just

1860
01:41:18,720 --> 01:41:19,320
Speaker 1: getting out.

1861
01:41:19,800 --> 01:41:20,320
Speaker 2: He was still in.

1862
01:41:20,320 --> 01:41:22,479
Speaker 7: It wasn't it wasn't even in prison when that against

1863
01:41:22,520 --> 01:41:24,439
Speaker 7: the World, Yeah.

1864
01:41:24,280 --> 01:41:24,920
Speaker 2: That was.

1865
01:41:25,080 --> 01:41:26,599
Speaker 7: That was the one that had the video with everybody

1866
01:41:26,640 --> 01:41:28,240
Speaker 7: in it, but like all the celebrities.

1867
01:41:28,320 --> 01:41:30,280
Speaker 1: Yeah, that's when he was coming out. I'm with you

1868
01:41:30,360 --> 01:41:30,760
Speaker 1: on that one.

1869
01:41:31,240 --> 01:41:33,559
Speaker 2: He was whatever it was rolled out while he was

1870
01:41:33,560 --> 01:41:34,040
Speaker 2: still in there.

1871
01:41:34,600 --> 01:41:36,760
Speaker 1: But we all know that the Chronic is.

1872
01:41:38,479 --> 01:41:42,519
Speaker 3: That's one of the you know, top top being in

1873
01:41:42,680 --> 01:41:43,920
Speaker 3: the Blueprint album.

1874
01:41:44,240 --> 01:41:46,519
Speaker 1: That's not even like an album that's like a fucking

1875
01:41:46,680 --> 01:41:49,640
Speaker 1: like that's a double album, wasn't it. That is like

1876
01:41:49,800 --> 01:41:53,920
Speaker 1: that's a that's like a like a symphonic that we

1877
01:41:54,000 --> 01:42:00,120
Speaker 1: got like my old school may that's all all. Let

1878
01:42:00,160 --> 01:42:01,680
Speaker 1: me just say you something came out.

1879
01:42:03,479 --> 01:42:04,560
Speaker 2: Let me let me just say some I want you

1880
01:42:04,600 --> 01:42:05,000
Speaker 2: to drink.

1881
01:42:06,400 --> 01:42:11,439
Speaker 1: One day, Listen, listen, listen. One day. I'm outside and

1882
01:42:11,479 --> 01:42:14,920
Speaker 1: I'm listening to just pot right, So I'm taking a

1883
01:42:14,960 --> 01:42:18,080
Speaker 1: walk and that record comes on. Ain't nothing like the

1884
01:42:18,080 --> 01:42:20,360
Speaker 1: Old School and he's talking about Skelly. He's talking about

1885
01:42:20,479 --> 01:42:26,840
Speaker 1: only New York Ship and I'm listening to it. And

1886
01:42:26,880 --> 01:42:29,600
Speaker 1: the people that I'm what, they don't they don't they

1887
01:42:29,640 --> 01:42:32,640
Speaker 1: don't get they don't get it at all. When you

1888
01:42:32,760 --> 01:42:35,160
Speaker 1: was in New York, I was saying, Hollywood Beach, just

1889
01:42:35,240 --> 01:42:39,720
Speaker 1: just taking a walk. And then California Love comes on,

1890
01:42:41,200 --> 01:42:43,960
Speaker 1: and it's crazy how he embodied.

1891
01:42:46,200 --> 01:42:49,080
Speaker 7: Coast because he is from both coasts in that way.

1892
01:42:49,400 --> 01:42:52,200
Speaker 1: I just didn't see nobody ever in like, if you

1893
01:42:52,360 --> 01:42:55,200
Speaker 1: listen to like you not being from New York, you

1894
01:42:55,320 --> 01:43:00,720
Speaker 1: might not catch the Jews that he's saying in about

1895
01:43:01,479 --> 01:43:03,720
Speaker 1: you know, talking about the fire hydrants. There's certain just

1896
01:43:03,760 --> 01:43:06,240
Speaker 1: certain things that just was in New York, right, and

1897
01:43:06,320 --> 01:43:10,000
Speaker 1: especially at that time. So when you I'm listening to it,

1898
01:43:10,040 --> 01:43:13,320
Speaker 1: then I'm listening to California Love, which I can't actually

1899
01:43:13,360 --> 01:43:16,160
Speaker 1: relate to because I never actually lived in Cali. But

1900
01:43:16,600 --> 01:43:19,439
Speaker 1: I'm listening and the people that's with me, it's like, oh,

1901
01:43:19,560 --> 01:43:23,680
Speaker 1: they get it, and I'm looking like, holy ship. This

1902
01:43:23,720 --> 01:43:31,400
Speaker 1: guy actually the one and only person to ever actually capture.

1903
01:43:32,040 --> 01:43:35,120
Speaker 2: Both both stories. That's why he went the top five.

1904
01:43:35,960 --> 01:43:37,840
Speaker 1: Did you watch it?

1905
01:43:38,000 --> 01:43:38,120
Speaker 2: No?

1906
01:43:38,120 --> 01:43:39,680
Speaker 1: No, I came on right back to back. It was

1907
01:43:39,720 --> 01:43:41,840
Speaker 1: I had my playlist on. But did you watch The

1908
01:43:41,840 --> 01:43:44,600
Speaker 1: Dear Mama? The documentary? Oh no, I did not, was

1909
01:43:44,960 --> 01:43:48,640
Speaker 1: the latest. We all know his mama's a panther. I

1910
01:43:48,640 --> 01:43:49,040
Speaker 1: didn't know that.

1911
01:43:49,040 --> 01:43:50,840
Speaker 7: It was in Harlem when she was at and she

1912
01:43:51,000 --> 01:43:53,000
Speaker 7: damn you ran the whole thing.

1913
01:43:53,400 --> 01:43:53,920
Speaker 1: Wow, I know.

1914
01:43:54,120 --> 01:43:56,160
Speaker 7: So, I mean his his roots in New York are

1915
01:43:56,479 --> 01:43:58,360
Speaker 7: like it's it's it's crazy.

1916
01:43:58,640 --> 01:44:00,760
Speaker 3: So you got to think, man, this guy and went

1917
01:44:00,800 --> 01:44:05,120
Speaker 3: to acting school like he was dedicated.

1918
01:44:05,800 --> 01:44:11,240
Speaker 6: And the Ellens ghettos of New York be more Baltimore Ghetto.

1919
01:44:11,320 --> 01:44:12,839
Speaker 6: That's like Carmelo Anthony.

1920
01:44:12,880 --> 01:44:16,320
Speaker 2: That's ridiculous. That's the both worlds. That's some black Jesus Christ.

1921
01:44:17,680 --> 01:44:19,799
Speaker 2: You you you you.

1922
01:44:19,680 --> 01:44:22,760
Speaker 3: Went through all of the hells you went through love Hella, right,

1923
01:44:23,560 --> 01:44:27,760
Speaker 3: and you was raised by an army like you don't

1924
01:44:27,760 --> 01:44:30,840
Speaker 3: have you talked about a village. He was raised by

1925
01:44:30,840 --> 01:44:33,200
Speaker 3: a village of panthers and they was going through it.

1926
01:44:33,280 --> 01:44:36,120
Speaker 3: He was born in the belly, right, He was in

1927
01:44:36,160 --> 01:44:38,240
Speaker 3: the belly and his balls in prison.

1928
01:44:38,400 --> 01:44:39,840
Speaker 2: Yeah yeah, yeah, yeah.

1929
01:44:40,000 --> 01:44:42,519
Speaker 3: So you got a person with that that that that

1930
01:44:42,640 --> 01:44:45,919
Speaker 3: is has has taken all of this, this this trauma

1931
01:44:46,479 --> 01:44:49,160
Speaker 3: and been able to give it back. A lot of

1932
01:44:49,160 --> 01:44:52,559
Speaker 3: people were very critical of Pop because he tends to

1933
01:44:53,240 --> 01:44:55,400
Speaker 3: bounce around and go are you're a panther or you

1934
01:44:55,479 --> 01:44:56,000
Speaker 3: a gangster?

1935
01:44:56,200 --> 01:44:58,040
Speaker 2: That's a he's a he's an artist like that.

1936
01:44:58,120 --> 01:44:58,439
Speaker 3: He was.

1937
01:45:00,040 --> 01:45:03,880
Speaker 1: Understand how young he was, Like the last question back

1938
01:45:03,920 --> 01:45:07,120
Speaker 1: until we could go in and go into the Yeah,

1939
01:45:07,720 --> 01:45:14,360
Speaker 1: but when you go more, we hear you, bro, because

1940
01:45:14,960 --> 01:45:19,920
Speaker 1: take the mic and checked it. The question was what

1941
01:45:20,400 --> 01:45:23,720
Speaker 1: it was me against the world? Yeah, yeah, yeah, we're

1942
01:45:23,760 --> 01:45:27,160
Speaker 1: drinking to that. Okay, but we drank yeah yes, but

1943
01:45:27,240 --> 01:45:28,599
Speaker 1: now this is the last one and we're gonna get

1944
01:45:28,600 --> 01:45:32,240
Speaker 1: back into the interview. You heard yeah, Okay, this is

1945
01:45:32,240 --> 01:45:33,960
Speaker 1: the this is the one. I feel like everyone should

1946
01:45:34,000 --> 01:45:39,559
Speaker 1: drink on this. Loyalty or respect the guys start drinking.

1947
01:45:39,960 --> 01:45:52,000
Speaker 1: Everybody should drink, is there?

1948
01:45:52,240 --> 01:45:54,880
Speaker 2: Of course? You know they both go hand in hands.

1949
01:45:54,560 --> 01:45:58,519
Speaker 3: But like like what hand you grow up with, you

1950
01:45:58,600 --> 01:46:03,479
Speaker 3: will you will want the respect from your peers, and

1951
01:46:03,800 --> 01:46:04,280
Speaker 3: you're a man.

1952
01:46:04,360 --> 01:46:06,400
Speaker 6: You want that respect and you're gonna give it. But

1953
01:46:07,320 --> 01:46:10,439
Speaker 6: from that is gonna choose to be loyal to you

1954
01:46:10,560 --> 01:46:12,360
Speaker 6: or not because you might not need that loyal to

1955
01:46:12,439 --> 01:46:13,320
Speaker 6: you at the s time.

1956
01:46:13,479 --> 01:46:16,960
Speaker 1: So who would have wanted both? Who wouldn't want both?

1957
01:46:17,080 --> 01:46:20,479
Speaker 1: But respect is a big thing. So that's so you're

1958
01:46:20,479 --> 01:46:21,160
Speaker 1: going to respect.

1959
01:46:21,920 --> 01:46:24,720
Speaker 2: I'm going with respect, but I'm going with both. I

1960
01:46:24,840 --> 01:46:25,639
Speaker 2: respect that.

1961
01:46:29,320 --> 01:46:31,479
Speaker 1: You gotta drink on that ship.

1962
01:46:32,800 --> 01:46:43,679
Speaker 5: He said one, but ship.

1963
01:46:45,280 --> 01:46:47,280
Speaker 1: Because you could not, he said both at the end,

1964
01:46:49,439 --> 01:46:50,679
Speaker 1: still this one wanting.

1965
01:46:50,760 --> 01:46:53,639
Speaker 2: So yeah, you drinking.

1966
01:46:57,120 --> 01:47:01,719
Speaker 1: I'm not drinking that Wana shot you see? Yeah yeah,

1967
01:47:02,240 --> 01:47:05,880
Speaker 1: so hold on. So you know I watched I watched

1968
01:47:05,880 --> 01:47:13,240
Speaker 1: you uh on a clip of map Hapa, my expert

1969
01:47:13,280 --> 01:47:20,000
Speaker 1: opinion podcast, and it was a time where I believe

1970
01:47:20,040 --> 01:47:22,120
Speaker 1: the guy like kind of like he questioned you or

1971
01:47:22,120 --> 01:47:26,720
Speaker 1: something about your relationship with Pop and I believe your

1972
01:47:26,720 --> 01:47:29,840
Speaker 1: response on paraphrasing, it's like, yo, buddy, you wasn't there

1973
01:47:30,160 --> 01:47:33,920
Speaker 1: so there's no way you can actually judge this this scenario, right,

1974
01:47:34,280 --> 01:47:36,639
Speaker 1: which is like a lot of people ask me about

1975
01:47:36,680 --> 01:47:38,880
Speaker 1: things and it's really pretty much the same thing I say.

1976
01:47:38,920 --> 01:47:43,439
Speaker 1: It's like, Yo, it's being around and being in it

1977
01:47:43,520 --> 01:47:47,759
Speaker 1: is two different. Like I was, I never met Tupac

1978
01:47:47,800 --> 01:47:50,720
Speaker 1: at all, so so I can't I can't relate to it,

1979
01:47:50,760 --> 01:47:52,280
Speaker 1: like you know what I'm saying, so that but I

1980
01:47:52,320 --> 01:47:53,479
Speaker 1: was around it, but I.

1981
01:47:53,479 --> 01:47:54,120
Speaker 2: Wasn't in it.

1982
01:47:54,520 --> 01:47:57,320
Speaker 1: So can you describe for people who didn't know, like

1983
01:47:57,400 --> 01:48:01,120
Speaker 1: you know, or don't know when they google and they see,

1984
01:48:01,400 --> 01:48:04,200
Speaker 1: you know what I'm saying, the Coco brothers, Smith and

1985
01:48:04,240 --> 01:48:07,640
Speaker 1: West and at this time where we're supposed to be

1986
01:48:07,640 --> 01:48:11,000
Speaker 1: trimorial with what people know, it's really he was just

1987
01:48:11,120 --> 01:48:11,599
Speaker 1: bad boy.

1988
01:48:11,800 --> 01:48:13,240
Speaker 2: But people at that time.

1989
01:48:13,360 --> 01:48:15,400
Speaker 1: Tried to relate it to as if it was the

1990
01:48:15,520 --> 01:48:17,080
Speaker 1: whole East West coast.

1991
01:48:17,160 --> 01:48:20,040
Speaker 2: So yeah, yeah, it wasn't.

1992
01:48:20,760 --> 01:48:23,040
Speaker 6: As you know now, it wasn't that it was just

1993
01:48:23,120 --> 01:48:29,360
Speaker 6: between individuals and certain joints. But the whole time we

1994
01:48:29,479 --> 01:48:33,360
Speaker 6: had met Pop, his whole stance was like, Yo, I

1995
01:48:33,720 --> 01:48:35,519
Speaker 6: really want to unite this hip hop ship.

1996
01:48:35,680 --> 01:48:38,160
Speaker 2: What was it called One Nation? Was an album of

1997
01:48:38,160 --> 01:48:38,479
Speaker 2: the gun.

1998
01:48:38,720 --> 01:48:40,479
Speaker 6: He was like Yo, I really want to unite this

1999
01:48:40,600 --> 01:48:46,800
Speaker 6: hip hop ship. And we had a relationship for him.

2000
01:48:46,840 --> 01:48:49,080
Speaker 6: As soon as he came home, he called us up

2001
01:48:49,120 --> 01:48:52,080
Speaker 6: at the label was like yo. He talked to Buck

2002
01:48:52,120 --> 01:48:56,240
Speaker 6: Shot Wow and Buck. You know Buck used to be

2003
01:48:56,360 --> 01:48:58,720
Speaker 6: heavy on the print calls, just like the Jerky Boy.

2004
01:48:58,840 --> 01:49:03,880
Speaker 6: So he did that ship to record labels forever. So

2005
01:49:04,120 --> 01:49:06,640
Speaker 6: Buck got the call, It's like yo, Buck for you

2006
01:49:06,760 --> 01:49:08,960
Speaker 6: Like man.

2007
01:49:12,120 --> 01:49:14,040
Speaker 7: Sorry, but you guys had a relationship with Park already

2008
01:49:14,040 --> 01:49:19,360
Speaker 7: before this though, no, so this coming home, this was

2009
01:49:19,560 --> 01:49:20,000
Speaker 7: he was.

2010
01:49:20,040 --> 01:49:23,200
Speaker 1: One of the homies. One of the homes was one

2011
01:49:23,200 --> 01:49:27,599
Speaker 1: of the homies. Swan had a relationship with Stretcher.

2012
01:49:27,960 --> 01:49:35,479
Speaker 3: Stretch then like, you know, Outlaws is from Jersey and

2013
01:49:36,520 --> 01:49:40,960
Speaker 3: Dirty Jersey, Brooklyn Hard. It's a it's a weird relationship

2014
01:49:40,960 --> 01:49:46,200
Speaker 3: with Jersey Cats and Brooklyn. So I think that, you know,

2015
01:49:46,280 --> 01:49:49,280
Speaker 3: the Outlaw of Cats was checking out, you know, they

2016
01:49:49,360 --> 01:49:51,400
Speaker 3: listening to the Buck Shot.

2017
01:49:51,200 --> 01:49:54,559
Speaker 2: And seeing what's what and relaying words.

2018
01:49:54,560 --> 01:49:57,720
Speaker 3: I don't know who got what they I know on

2019
01:49:57,760 --> 01:49:59,960
Speaker 3: the back of the on the back of the show,

2020
01:50:00,040 --> 01:50:04,160
Speaker 3: and Tech had rolled a shout out Mike Tyson and

2021
01:50:04,560 --> 01:50:06,679
Speaker 3: Tupac like want to keep your head going with.

2022
01:50:06,560 --> 01:50:08,120
Speaker 1: My right Tyson shirt today too.

2023
01:50:08,640 --> 01:50:08,840
Speaker 11: Yeah.

2024
01:50:08,920 --> 01:50:12,280
Speaker 3: Yeah, yeah, this is like random, super random. It could

2025
01:50:12,280 --> 01:50:14,840
Speaker 3: be any any fact that our dudes that says, let's

2026
01:50:14,880 --> 01:50:15,920
Speaker 3: reach out the cats, you know.

2027
01:50:16,920 --> 01:50:18,400
Speaker 7: And then I don't want to say this to just

2028
01:50:18,439 --> 01:50:20,680
Speaker 7: to throw it out there, but just to clarify.

2029
01:50:21,200 --> 01:50:21,960
Speaker 2: Could it have been that?

2030
01:50:22,439 --> 01:50:25,040
Speaker 7: Because I know that boot Camp had something with Big

2031
01:50:25,080 --> 01:50:25,879
Speaker 7: and Drena Mafia.

2032
01:50:26,400 --> 01:50:28,280
Speaker 2: Do you think that had anything to do he would

2033
01:50:28,280 --> 01:50:31,800
Speaker 2: reach out to y'all? No, not at all.

2034
01:50:32,479 --> 01:50:34,880
Speaker 3: When we got down there where we learned that it

2035
01:50:35,040 --> 01:50:39,240
Speaker 3: was No, it was like they called who they could call.

2036
01:50:40,600 --> 01:50:42,879
Speaker 2: He mentioned it, he said, I reached out the cats.

2037
01:50:43,120 --> 01:50:45,639
Speaker 1: Because isn't that how that Method Man and Redman record

2038
01:50:45,760 --> 01:50:46,200
Speaker 1: came about?

2039
01:50:46,240 --> 01:50:46,360
Speaker 3: Too?

2040
01:50:46,600 --> 01:50:48,600
Speaker 1: I think that was like kind of insane.

2041
01:50:48,240 --> 01:50:52,120
Speaker 2: Vein what the one Magnum Forest doing.

2042
01:50:52,320 --> 01:50:55,599
Speaker 1: The Method Man, Red Man and Tupac and Dazz Dylan.

2043
01:50:56,040 --> 01:50:58,720
Speaker 2: Remember, I got my mind made up. I think I

2044
01:50:58,760 --> 01:51:01,040
Speaker 2: think I think that was Okay Man, I know that

2045
01:51:01,040 --> 01:51:03,040
Speaker 2: what we was down there with? Who was down there?

2046
01:51:03,080 --> 01:51:07,760
Speaker 1: I think, yeah, okay, Greg nice?

2047
01:51:07,800 --> 01:51:13,840
Speaker 3: Wow, Yeah some Jersey Cats, wasn't Meli Melan Nah?

2048
01:51:14,160 --> 01:51:15,360
Speaker 1: I don't think Melly Man who.

2049
01:51:15,479 --> 01:51:20,880
Speaker 3: Was knock you out or some ship with some one

2050
01:51:20,920 --> 01:51:22,799
Speaker 3: of these serious five.

2051
01:51:22,680 --> 01:51:26,120
Speaker 2: Niggas was there, Yeah, yeah, it was.

2052
01:51:26,160 --> 01:51:28,200
Speaker 3: It was exciting, man, because it's like you're in the

2053
01:51:28,240 --> 01:51:30,800
Speaker 3: studio with cats and everybody wants to get on the track.

2054
01:51:31,120 --> 01:51:33,840
Speaker 3: But for us, it was like an opportunity, you know

2055
01:51:33,880 --> 01:51:35,920
Speaker 3: what I mean, We're going down there as ambassadors of

2056
01:51:36,000 --> 01:51:38,640
Speaker 3: hip hop. We ain't talking about like we on this

2057
01:51:38,760 --> 01:51:41,080
Speaker 3: side of double agents or nothing like that. We're not

2058
01:51:41,120 --> 01:51:43,160
Speaker 3: thinking about no trees and we couldn't even think about

2059
01:51:43,160 --> 01:51:47,840
Speaker 3: trees in the Brooklyn That's that's ridiculous. So it was insulting,

2060
01:51:48,439 --> 01:51:50,400
Speaker 3: you know what I mean, and especially like Brooklyn don't

2061
01:51:50,439 --> 01:51:53,080
Speaker 3: even really we don't even be playing those types.

2062
01:51:52,920 --> 01:51:55,360
Speaker 2: Of games like that gets really serious.

2063
01:51:55,680 --> 01:52:00,240
Speaker 1: Word you use trees? Yeah, yeah, that's ship.

2064
01:52:00,280 --> 01:52:04,960
Speaker 2: They talk about a bitch or a snitch or something.

2065
01:52:05,439 --> 01:52:08,680
Speaker 1: So that was the backlash because so because you know,

2066
01:52:10,400 --> 01:52:15,000
Speaker 1: I had forgot about that until I seen the map

2067
01:52:15,000 --> 01:52:15,559
Speaker 1: hop thing.

2068
01:52:15,800 --> 01:52:17,640
Speaker 2: But was that let me just ask you, like me

2069
01:52:17,720 --> 01:52:18,880
Speaker 2: be a naive, was.

2070
01:52:18,880 --> 01:52:22,439
Speaker 1: That a backlash? Because y'all might have recorded it prior

2071
01:52:22,520 --> 01:52:25,360
Speaker 1: to pop you know whatever, whatever, but he released it

2072
01:52:25,439 --> 01:52:28,000
Speaker 1: or he published it at a time where it was

2073
01:52:28,040 --> 01:52:29,200
Speaker 1: like it was war.

2074
01:52:29,360 --> 01:52:30,799
Speaker 2: So was there a backlash?

2075
01:52:31,479 --> 01:52:32,799
Speaker 1: I mean it wasn't.

2076
01:52:33,400 --> 01:52:36,880
Speaker 3: It wasn't no backlash because I was still, like I said,

2077
01:52:36,880 --> 01:52:37,679
Speaker 3: I was hanging out.

2078
01:52:37,520 --> 01:52:38,840
Speaker 1: With Big every day.

2079
01:52:39,040 --> 01:52:41,799
Speaker 2: Wow wow, I remember every every day.

2080
01:52:42,080 --> 01:52:44,280
Speaker 1: That other beef that was.

2081
01:52:44,800 --> 01:52:47,840
Speaker 6: That wasn't even what we call a beef. It was

2082
01:52:47,920 --> 01:52:51,519
Speaker 6: just a miscommunication and a misunderstanding of ship that went

2083
01:52:51,640 --> 01:52:56,439
Speaker 6: down Brooklyn Niggas all right, But Nah, that wasn't no

2084
01:52:56,520 --> 01:53:01,800
Speaker 6: backlash for that, and we we we we would ride

2085
01:53:01,840 --> 01:53:04,880
Speaker 6: and act like it wasn't even in the forefront, which

2086
01:53:04,880 --> 01:53:07,799
Speaker 6: it wasn't. We were just being friends with one another

2087
01:53:07,840 --> 01:53:10,400
Speaker 6: and enjoying, you know what I mean. So now it

2088
01:53:10,439 --> 01:53:14,479
Speaker 6: wasn't a backlash until the media, like you said, started

2089
01:53:14,560 --> 01:53:16,800
Speaker 6: driving driving points home and making sure.

2090
01:53:16,880 --> 01:53:18,960
Speaker 1: But other than that, yeah, I don't think.

2091
01:53:19,080 --> 01:53:23,240
Speaker 3: Uh you know how the Hoby says deeper than rap

2092
01:53:23,320 --> 01:53:27,800
Speaker 3: Man and uh other home, he says bigger than hip hop.

2093
01:53:28,240 --> 01:53:31,320
Speaker 3: Like for us, we know it's politics at hip hop

2094
01:53:31,360 --> 01:53:34,880
Speaker 3: and the street politics, right, So like Smith and Western

2095
01:53:34,960 --> 01:53:36,960
Speaker 3: not not not for nothing, Like Smith and Western, we

2096
01:53:36,960 --> 01:53:39,120
Speaker 3: don't we don't do beef really like that.

2097
01:53:39,320 --> 01:53:41,840
Speaker 2: We don't really you know, we know, we.

2098
01:53:41,840 --> 01:53:44,400
Speaker 3: Know we're gonna cross some lines, We're gonna come across

2099
01:53:44,400 --> 01:53:46,639
Speaker 3: some dudes. We're gonna be in dudes towns in the city.

2100
01:53:46,680 --> 01:53:48,400
Speaker 3: They ain't gonna like it. We're gonna be picking up

2101
01:53:48,439 --> 01:53:52,120
Speaker 3: they chicks and and and looking good and they in

2102
01:53:52,160 --> 01:53:54,080
Speaker 3: the club and ain't gonna be hating, and we gonna

2103
01:53:54,080 --> 01:53:56,920
Speaker 3: get into some stuff. But like, like this is why

2104
01:53:57,120 --> 01:53:59,960
Speaker 3: Hip hop fifty is so glorious because now you get

2105
01:54:00,120 --> 01:54:02,120
Speaker 3: to see cats like niggas ain't really got no drama.

2106
01:54:02,880 --> 01:54:04,000
Speaker 1: He ain't got no beef.

2107
01:54:04,920 --> 01:54:07,639
Speaker 3: Beef is beef when it get going and get going

2108
01:54:07,800 --> 01:54:10,120
Speaker 3: like that. We've been at walls, we've been doing stuff

2109
01:54:10,160 --> 01:54:12,000
Speaker 3: for real. Nobody want to do that off of no

2110
01:54:12,160 --> 01:54:16,320
Speaker 3: rat like you, old goddamn yo, all of us, don't

2111
01:54:16,320 --> 01:54:22,840
Speaker 3: be dissing on me. My man Stormy big up to

2112
01:54:22,880 --> 01:54:25,120
Speaker 3: my man Stormy. Stormy as an outlaw too, right, but

2113
01:54:25,160 --> 01:54:28,479
Speaker 3: he's from Atlanta, right, And he said, Yo, that nigga

2114
01:54:28,479 --> 01:54:30,720
Speaker 3: probably get you killed. You gotta swallow your pride to

2115
01:54:30,800 --> 01:54:33,320
Speaker 3: standing on stage like you gotta like when you say

2116
01:54:33,360 --> 01:54:35,880
Speaker 3: when you put those names together like these is greats.

2117
01:54:36,400 --> 01:54:38,440
Speaker 3: These are two cats that could have been Their lives

2118
01:54:38,440 --> 01:54:40,280
Speaker 3: could have been at the tick of a one tick

2119
01:54:40,320 --> 01:54:41,320
Speaker 3: of a line on the clock.

2120
01:54:41,520 --> 01:54:43,920
Speaker 2: Their lives could have went any kind of way. You

2121
01:54:43,920 --> 01:54:44,440
Speaker 2: know what I'm saying.

2122
01:54:45,080 --> 01:54:47,760
Speaker 3: DMX left for legacy, you know what I mean, Like

2123
01:54:47,920 --> 01:54:49,800
Speaker 3: Big L left a legacy. He ain't gonna drop a

2124
01:54:49,800 --> 01:54:52,120
Speaker 3: lot of album, but he left for legacy. He put

2125
01:54:52,120 --> 01:54:54,960
Speaker 3: all them cats on, he gave Yeah, he gave put

2126
01:54:55,040 --> 01:54:56,440
Speaker 3: all them hall them D D.

2127
01:54:56,480 --> 01:54:56,920
Speaker 2: I, T C.

2128
01:54:57,160 --> 01:54:59,560
Speaker 3: They still you know what I mean, They still repping that.

2129
01:54:59,760 --> 01:55:02,160
Speaker 3: It's crazy because when we do shows across the world,

2130
01:55:02,880 --> 01:55:03,280
Speaker 3: we do.

2131
01:55:05,400 --> 01:55:05,839
Speaker 2: Tribute.

2132
01:55:05,960 --> 01:55:10,120
Speaker 3: Tribute Yeah, the artists. I think every artist should probably

2133
01:55:10,160 --> 01:55:11,680
Speaker 3: have that, and they said.

2134
01:55:13,400 --> 01:55:15,760
Speaker 1: Yeah, and the DJ of course definitely.

2135
01:55:16,000 --> 01:55:16,560
Speaker 2: You know what I mean.

2136
01:55:16,600 --> 01:55:18,680
Speaker 3: So it's like, yo, when you when these people are

2137
01:55:18,960 --> 01:55:21,920
Speaker 3: don't ever forget, Like we gotta gotta remind them how

2138
01:55:21,960 --> 01:55:24,160
Speaker 3: great hip hop is. It's not just a fat it

2139
01:55:24,160 --> 01:55:28,520
Speaker 3: ain't justa's wearing some cool clothes and a lot of jewelry.

2140
01:55:29,200 --> 01:55:40,000
Speaker 1: Reminded them how great snipping question, why did you guys

2141
01:55:40,160 --> 01:55:42,000
Speaker 1: ever change the name Smipping Western?

2142
01:55:43,240 --> 01:55:45,480
Speaker 2: Now that's the lawsuit? Because that was the lawsuit. So

2143
01:55:45,520 --> 01:55:45,960
Speaker 2: you're telling me.

2144
01:55:45,960 --> 01:55:47,640
Speaker 1: Because I ain't go lie this is some gangster ship.

2145
01:55:47,760 --> 01:55:51,720
Speaker 1: You're telling me the gun company. I want to know

2146
01:55:51,880 --> 01:56:00,600
Speaker 1: you assume me. Hold on, hold on, hold on, because

2147
01:56:00,680 --> 01:56:04,080
Speaker 1: there's no Twitter back then there's no Instagram. So you

2148
01:56:04,080 --> 01:56:07,240
Speaker 1: you go to the to the label and what.

2149
01:56:09,560 --> 01:56:12,040
Speaker 6: Was it like they sent us a book of a

2150
01:56:12,120 --> 01:56:17,160
Speaker 6: contract of a sense of saying itemized everything they made

2151
01:56:17,200 --> 01:56:24,040
Speaker 6: from being cans to the Hong clerk to saying they

2152
01:56:24,080 --> 01:56:27,600
Speaker 6: made and how we was confusing the consumers selling music.

2153
01:56:29,120 --> 01:56:32,080
Speaker 1: Different spelled different different. Yea.

2154
01:56:32,720 --> 01:56:36,280
Speaker 3: The interesting thing about the seacent decisions that is Smith

2155
01:56:36,600 --> 01:56:39,680
Speaker 3: and Wesson Smith and this is this is this is

2156
01:56:39,720 --> 01:56:41,640
Speaker 3: the ill think because when we got like it was

2157
01:56:41,680 --> 01:56:44,560
Speaker 3: certain parts like in the beginning, we had a lot

2158
01:56:44,600 --> 01:56:46,880
Speaker 3: of problems with people spelling our name.

2159
01:56:47,760 --> 01:56:51,000
Speaker 2: So when the magazines and interviews.

2160
01:56:50,440 --> 01:56:52,320
Speaker 3: And stuff like that, So I could see why cats

2161
01:56:52,320 --> 01:56:56,560
Speaker 3: would probably go yo boom if we had the paper

2162
01:56:57,280 --> 01:56:59,160
Speaker 3: to fight it, because we have some people that was

2163
01:56:59,200 --> 01:57:00,480
Speaker 3: going yo, now fight this.

2164
01:57:01,000 --> 01:57:03,000
Speaker 1: But dude, we just came in the game. We just

2165
01:57:03,120 --> 01:57:05,600
Speaker 1: came through the dude, that was our first album. They

2166
01:57:05,640 --> 01:57:07,320
Speaker 1: came right what I'm saying.

2167
01:57:09,360 --> 01:57:14,440
Speaker 3: They didn't even let us yes, yeah, yes, we just

2168
01:57:14,720 --> 01:57:17,640
Speaker 3: we're just getting like this, We're just mounting up.

2169
01:57:17,720 --> 01:57:19,440
Speaker 1: Like I thought this was not this.

2170
01:57:19,520 --> 01:57:21,320
Speaker 2: I thought this was later. This was your.

2171
01:57:24,040 --> 01:57:28,160
Speaker 6: First album. That that's what time between the next album.

2172
01:57:29,480 --> 01:57:31,080
Speaker 6: They came out as Coco Brothers.

2173
01:57:31,680 --> 01:57:33,800
Speaker 3: So it was a time where you could probably live

2174
01:57:33,840 --> 01:57:36,600
Speaker 3: a year both your album because you're gonna hit the roll,

2175
01:57:37,200 --> 01:57:39,080
Speaker 3: you're gonna come back, you're gonna chill, you're gonna hit

2176
01:57:39,120 --> 01:57:39,440
Speaker 3: the block.

2177
01:57:39,440 --> 01:57:40,760
Speaker 2: You're gonna burn your money.

2178
01:57:40,600 --> 01:57:42,200
Speaker 1: Up a little bit for me, I'm sorry, but it

2179
01:57:42,320 --> 01:57:43,720
Speaker 1: wasn't trying to collect from y'all.

2180
01:57:43,760 --> 01:57:44,400
Speaker 2: They was just telling you.

2181
01:57:44,400 --> 01:57:44,520
Speaker 3: Now.

2182
01:57:44,600 --> 01:57:47,120
Speaker 1: It was like, yes, but this is the thing that's

2183
01:57:47,320 --> 01:57:49,160
Speaker 1: for Brooklyn nigga. That means the same thing.

2184
01:57:49,200 --> 01:57:51,960
Speaker 2: Basically, because what you do trying to stop the breath.

2185
01:57:52,600 --> 01:57:54,760
Speaker 1: What they did was the slick ship that there was.

2186
01:57:54,880 --> 01:57:58,160
Speaker 2: They said, uh, they put other people's.

2187
01:57:57,840 --> 01:58:01,080
Speaker 3: Names into the suit as we like they like all right,

2188
01:58:02,160 --> 01:58:05,520
Speaker 3: any advertisers magazine that.

2189
01:58:05,720 --> 01:58:11,200
Speaker 1: You like, reverse like the blackballing you without black balling everybody,

2190
01:58:13,520 --> 01:58:17,360
Speaker 1: they could sue the sauce.

2191
01:58:16,080 --> 01:58:19,280
Speaker 3: They were stacking up. Somebody want was playing dirty. Yeah,

2192
01:58:19,640 --> 01:58:20,880
Speaker 3: so yeah, we had to. We had to.

2193
01:58:20,960 --> 01:58:23,640
Speaker 1: We had to get our war our wall paint on hot.

2194
01:58:24,440 --> 01:58:27,680
Speaker 2: And then the niggas ended up going broke anyway, bankwet.

2195
01:58:27,480 --> 01:58:28,680
Speaker 1: Swimmers break.

2196
01:58:33,400 --> 01:58:34,400
Speaker 2: Car was a motherfucker.

2197
01:58:34,920 --> 01:58:36,800
Speaker 6: You couldn't you would have thought that what been we

2198
01:58:36,800 --> 01:58:38,560
Speaker 6: would have been to post the boys.

2199
01:58:38,200 --> 01:58:42,600
Speaker 1: For swim, don't jam, don't jam, just don't damn right,

2200
01:58:43,240 --> 01:58:46,120
Speaker 1: all the smiff and Wessons, but then also a Brooklyn

2201
01:58:46,320 --> 01:58:47,080
Speaker 1: at the same time.

2202
01:58:47,160 --> 01:58:48,680
Speaker 2: We was what that that.

2203
01:58:48,720 --> 01:58:50,800
Speaker 3: I don't know what you say as far as being hot,

2204
01:58:51,240 --> 01:58:54,160
Speaker 3: we knew that, we knew the Shining was making paper

2205
01:58:54,880 --> 01:58:58,320
Speaker 3: and we wanted to negotiate our contract. So we went in.

2206
01:58:58,920 --> 01:59:01,680
Speaker 3: We was dealing with that, mm hmm. And then we

2207
01:59:01,720 --> 01:59:04,440
Speaker 3: get hit with that at the same time. So we

2208
01:59:04,480 --> 01:59:07,320
Speaker 3: ain't had no backing. We're back in the street. We're like, oh, snap,

2209
01:59:07,680 --> 01:59:10,640
Speaker 3: label ain't gonna support the sixth covers us going in.

2210
01:59:10,720 --> 01:59:14,040
Speaker 3: So it was dangerous. We had to bust some move. Yeah,

2211
01:59:14,240 --> 01:59:16,480
Speaker 3: so we sat on that man, we thought about that

2212
01:59:16,480 --> 01:59:19,640
Speaker 3: that name changing, and thought about, you know, the impact

2213
01:59:19,640 --> 01:59:22,640
Speaker 3: that it would have the fans.

2214
01:59:22,240 --> 01:59:23,080
Speaker 1: And all of that stuff.

2215
01:59:23,120 --> 01:59:24,600
Speaker 2: It was tough. It was a tough decision.

2216
01:59:24,640 --> 01:59:26,920
Speaker 3: But and then what made you come up with Coco Brothers.

2217
01:59:28,040 --> 01:59:29,480
Speaker 3: We was already Coco bros.

2218
01:59:29,720 --> 01:59:30,600
Speaker 1: We was, we was.

2219
01:59:32,480 --> 01:59:34,760
Speaker 6: We were smoking a lot of weed back a lot

2220
01:59:34,760 --> 01:59:39,160
Speaker 6: of a lot of chocolate, and I just figured, let's

2221
01:59:42,840 --> 01:59:46,360
Speaker 6: you know, it might have came from a black Moon session.

2222
01:59:49,480 --> 01:59:52,360
Speaker 6: It ain't it ain't fish ain't fish.

2223
01:59:52,400 --> 01:59:55,200
Speaker 1: You know, somebody trying to make it so y'all wasn't

2224
01:59:55,320 --> 01:59:57,080
Speaker 1: putting on coco butter. Just roll with it.

2225
02:00:03,360 --> 02:00:08,240
Speaker 3: Go brothers through Chocolate Niggas them chocolate brothers.

2226
02:00:08,240 --> 02:00:11,240
Speaker 2: They go brothers, not go go bother.

2227
02:00:12,640 --> 02:00:14,760
Speaker 3: I don't even think that black Mon was smoking when

2228
02:00:14,760 --> 02:00:19,480
Speaker 3: we came around, man, Really yeah, I think like we

2229
02:00:19,680 --> 02:00:22,920
Speaker 3: you know, we was the dirty Brooklyn cats that he

2230
02:00:23,120 --> 02:00:26,560
Speaker 3: was influencers. Yeah, we was. We would go through every

2231
02:00:26,600 --> 02:00:30,720
Speaker 3: game that was good influence because they made a hell

2232
02:00:30,720 --> 02:00:33,760
Speaker 3: of an album. They made a hell of an album.

2233
02:00:33,800 --> 02:00:36,080
Speaker 3: Like you think about. We was the guys that were

2234
02:00:36,080 --> 02:00:39,360
Speaker 3: brave enough to go to Hall them and get the hydro.

2235
02:00:40,280 --> 02:00:42,920
Speaker 2: They have hydro on Brove first s.

2236
02:00:43,280 --> 02:00:45,480
Speaker 3: If you came around with one jar of hydro, you

2237
02:00:45,480 --> 02:00:47,160
Speaker 3: would trying to make two slips out of there. You know,

2238
02:00:47,200 --> 02:00:50,440
Speaker 3: there's like one little dumb like Brooklyn niggas ain't even

2239
02:00:50,480 --> 02:00:52,360
Speaker 3: buying that. Brookly Niggas is going to buy like five

2240
02:00:52,880 --> 02:00:56,720
Speaker 3: tray bags. And you know what I'm saying, Hi, Grid,

2241
02:00:57,200 --> 02:00:59,560
Speaker 3: We was going through every neighborhood, but the chocolate was

2242
02:00:59,600 --> 02:01:01,240
Speaker 3: the the smoke of choice.

2243
02:01:03,160 --> 02:01:10,760
Speaker 1: Of course, he's doing something, I think, yeah, And and

2244
02:01:10,800 --> 02:01:12,960
Speaker 1: he's doing something with cookies. I like that burn up.

2245
02:01:12,960 --> 02:01:19,720
Speaker 1: I think that's very honorable. Chance, yeah, I think yeah.

2246
02:01:19,680 --> 02:01:21,240
Speaker 2: But hold on, I don't know, probably.

2247
02:01:21,760 --> 02:01:24,560
Speaker 3: But also what was what was part of the discussion

2248
02:01:24,800 --> 02:01:26,160
Speaker 3: was we thought.

2249
02:01:25,960 --> 02:01:29,080
Speaker 2: About using tacking. Still that would have been they would

2250
02:01:29,080 --> 02:01:29,520
Speaker 2: have been dope.

2251
02:01:29,520 --> 02:01:31,320
Speaker 3: But we would have been given that name to something,

2252
02:01:31,400 --> 02:01:34,280
Speaker 3: to somebody, you know what I'm saying, like to have

2253
02:01:34,360 --> 02:01:38,520
Speaker 3: tech and still to have the label have that name. Yeah,

2254
02:01:38,600 --> 02:01:41,520
Speaker 3: that label would have that. Yeah, exactly have that name.

2255
02:01:41,560 --> 02:01:44,000
Speaker 3: So it's like, yeah, we had to fall back. Even then,

2256
02:01:44,040 --> 02:01:45,760
Speaker 3: we were smart enough to know something. We didn't know

2257
02:01:45,840 --> 02:01:47,440
Speaker 3: too much, but we were smart enough to know that

2258
02:01:47,480 --> 02:01:49,360
Speaker 3: we got to make some moves and we didn't want

2259
02:01:49,360 --> 02:01:49,720
Speaker 3: to stop.

2260
02:01:50,080 --> 02:01:53,600
Speaker 6: So I'm always going to be Smith and wasn't taking

2261
02:01:53,640 --> 02:01:56,320
Speaker 6: still right of course, of course, so.

2262
02:01:56,360 --> 02:02:00,200
Speaker 1: Let me ask, right, Dame Dash has this big thing

2263
02:02:00,200 --> 02:02:03,560
Speaker 1: about him calling people coach coaches, right, people, that's not

2264
02:02:03,760 --> 02:02:07,360
Speaker 1: a part of the culture that actually, you know, benefit

2265
02:02:07,400 --> 02:02:09,920
Speaker 1: the benefit of the culture. One thing that I noticed

2266
02:02:09,960 --> 02:02:12,720
Speaker 1: about you know, boot camp clips all of y'all is

2267
02:02:12,800 --> 02:02:15,880
Speaker 1: y'all have pretty much one of one of the same

2268
02:02:15,920 --> 02:02:19,400
Speaker 1: CEOs Drew Drew has. You know, physically, you could see

2269
02:02:19,640 --> 02:02:22,000
Speaker 1: he's not a black man, you know what I mean.

2270
02:02:22,080 --> 02:02:26,000
Speaker 1: But I've never publicly other than Sean Price sometimes like

2271
02:02:26,000 --> 02:02:29,160
Speaker 1: like saying it about Drew. I've never publicly seen any

2272
02:02:29,200 --> 02:02:32,920
Speaker 1: of y'all like speak about him out of character or

2273
02:02:33,760 --> 02:02:37,000
Speaker 1: like I don't see y'all calling him a coach. He don't.

2274
02:02:37,040 --> 02:02:39,839
Speaker 2: He don't present it like that. That's not his character.

2275
02:02:40,440 --> 02:02:42,240
Speaker 6: He came in the same time we came and so

2276
02:02:42,320 --> 02:02:47,000
Speaker 6: we know his intentions is real. Him and backgrounds is

2277
02:02:47,080 --> 02:02:50,920
Speaker 6: different from ours. Yeah, but yeah, him and Buck came in.

2278
02:02:52,120 --> 02:02:57,440
Speaker 6: He was interning at our first nervous records was a rum.

2279
02:03:00,240 --> 02:03:02,520
Speaker 2: Oh, he's literally a fly on the wall.

2280
02:03:03,000 --> 02:03:05,600
Speaker 1: But then there's a couple of money that's not that's

2281
02:03:05,600 --> 02:03:12,880
Speaker 1: that's why I ain't say that, Okay.

2282
02:03:10,400 --> 02:03:14,440
Speaker 6: But nah, he never he never disrespected us across the line,

2283
02:03:14,520 --> 02:03:17,280
Speaker 6: so it was no reason for us as men to

2284
02:03:17,360 --> 02:03:20,680
Speaker 6: disrespect him across the mines. Plus, we're getting bread together,

2285
02:03:20,760 --> 02:03:25,400
Speaker 6: were working together like him and Bucket partners like fifty

2286
02:03:25,400 --> 02:03:29,360
Speaker 6: to fifty partners. So if he's he's taking care of

2287
02:03:29,400 --> 02:03:32,320
Speaker 6: our brother, taking care of each other, and then Buck

2288
02:03:33,200 --> 02:03:37,120
Speaker 6: reaches back and bring us on, why should we downplay

2289
02:03:37,240 --> 02:03:39,680
Speaker 6: or a bad mouth anybody when we could He's giving

2290
02:03:39,760 --> 02:03:42,160
Speaker 6: us that same opportunity to bring Health Skelter and the

2291
02:03:42,200 --> 02:03:42,960
Speaker 6: next groups on.

2292
02:03:43,080 --> 02:03:46,320
Speaker 1: So so it's not like the easy Jerry Heller thing

2293
02:03:46,560 --> 02:03:49,760
Speaker 1: Nahn Drew could have could have split a long time ago.

2294
02:03:49,840 --> 02:03:52,720
Speaker 3: Man. One thing that made me like fall in love

2295
02:03:52,720 --> 02:03:56,600
Speaker 3: with Drew Man is early early in the days, right,

2296
02:03:58,160 --> 02:04:01,520
Speaker 3: he came with us to Brooklyn. I'm like, man, I

2297
02:04:01,560 --> 02:04:08,520
Speaker 3: love this guy.

2298
02:04:08,960 --> 02:04:12,520
Speaker 1: Drive the bridge, took the.

2299
02:04:12,520 --> 02:04:17,720
Speaker 6: Tree, super some ship pack up in the super you

2300
02:04:17,760 --> 02:04:20,480
Speaker 6: know that's that back joint white joint.

2301
02:04:21,640 --> 02:04:23,360
Speaker 1: Right, he would drive us the shows and ship. But

2302
02:04:23,440 --> 02:04:26,640
Speaker 1: he came to Brooklyn. That was it for me. Was

2303
02:04:26,960 --> 02:04:28,000
Speaker 1: I was like, holy Ship.

2304
02:04:28,160 --> 02:04:32,760
Speaker 3: We went the best style around Smoky Way and we

2305
02:04:32,800 --> 02:04:36,040
Speaker 3: went to the park and was playing basketball and Drew

2306
02:04:36,120 --> 02:04:41,919
Speaker 3: High was nice Ship White making jump white man, good jump.

2307
02:04:45,000 --> 02:04:47,120
Speaker 1: Athlete. Though he played the.

2308
02:04:47,160 --> 02:04:54,000
Speaker 3: Best he was he was, he was standing up, he

2309
02:04:54,080 --> 02:04:57,280
Speaker 3: was he wasn't acting all you know what I mean, Ship,

2310
02:04:57,720 --> 02:04:58,880
Speaker 3: I was proud of that day.

2311
02:04:58,920 --> 02:05:01,280
Speaker 6: I'm like, yeah, all right, And it wasn't nothing way

2312
02:05:01,640 --> 02:05:04,200
Speaker 6: you get you know, and a lot of people have

2313
02:05:04,320 --> 02:05:07,040
Speaker 6: hitting agendas, the joints. You can really see through it

2314
02:05:07,080 --> 02:05:09,800
Speaker 6: when yeah, I believe if.

2315
02:05:09,720 --> 02:05:14,120
Speaker 2: You cut juha he believe who can't.

2316
02:05:13,880 --> 02:05:17,520
Speaker 6: Clear that's a fact you believe, call one of us

2317
02:05:17,560 --> 02:05:21,680
Speaker 6: on the phone, you cut them, But.

2318
02:05:22,200 --> 02:05:23,240
Speaker 2: Like, I believe that's what.

2319
02:05:24,320 --> 02:05:27,000
Speaker 7: And it's evident in what y'all created that family. You

2320
02:05:27,000 --> 02:05:29,360
Speaker 7: could see it like that was really inspirational to a

2321
02:05:29,400 --> 02:05:32,160
Speaker 7: lot of people, that family who can't click thing that

2322
02:05:32,320 --> 02:05:33,680
Speaker 7: wasn't normal at the time.

2323
02:05:33,760 --> 02:05:34,680
Speaker 2: Yet we didn't have a lot.

2324
02:05:34,520 --> 02:05:35,080
Speaker 1: Of that see.

2325
02:05:35,120 --> 02:05:38,000
Speaker 6: And again I think that's when you asked earlier about

2326
02:05:38,160 --> 02:05:41,680
Speaker 6: like a lot of families are raised military minded, a

2327
02:05:41,760 --> 02:05:44,720
Speaker 6: military style. You might not even know it, but your

2328
02:05:44,800 --> 02:05:47,840
Speaker 6: dad and your brother being there. So when you put

2329
02:05:47,840 --> 02:05:51,040
Speaker 6: that out and especially now you're doing music to it,

2330
02:05:51,080 --> 02:05:53,120
Speaker 6: and you got people that look like you and talk

2331
02:05:53,240 --> 02:05:57,800
Speaker 6: like you, you can relate to that. So now your

2332
02:05:58,440 --> 02:06:01,920
Speaker 6: your mind is is already introduced. But now you're seeing, oh,

2333
02:06:02,000 --> 02:06:05,040
Speaker 6: I'm just like this, I do right, fa tease. I

2334
02:06:05,040 --> 02:06:07,880
Speaker 6: am a military mind and I keep it in the heart.

2335
02:06:07,920 --> 02:06:10,640
Speaker 6: I want to shine and help my other brother shine.

2336
02:06:10,720 --> 02:06:13,400
Speaker 6: So it's easier to relate to it like that.

2337
02:06:14,120 --> 02:06:16,720
Speaker 1: How do y'all keep y'all y'all? You know, because you know,

2338
02:06:17,200 --> 02:06:21,720
Speaker 1: you know, being in you know these are both my partners,

2339
02:06:21,720 --> 02:06:24,120
Speaker 1: you know, being in groups you know, you go through

2340
02:06:24,120 --> 02:06:27,160
Speaker 1: turmoil and guys are both in the public's eye. How

2341
02:06:27,200 --> 02:06:29,520
Speaker 1: do y'all keep y'all like because one thing we don't see.

2342
02:06:29,560 --> 02:06:32,680
Speaker 1: We don't see y'all beefing with just you know, and

2343
02:06:32,720 --> 02:06:35,000
Speaker 1: of course through the business it has to be some

2344
02:06:35,080 --> 02:06:38,240
Speaker 1: things that y'all don't agree with through you know, relationships

2345
02:06:38,240 --> 02:06:40,040
Speaker 1: got to be things you don't agree with. How do

2346
02:06:40,160 --> 02:06:44,560
Speaker 1: y'all maintain y'all you know, discrepancies in house?

2347
02:06:46,600 --> 02:06:50,240
Speaker 6: Let's all do His answer probably be totally different demands, right,

2348
02:06:50,760 --> 02:06:54,320
Speaker 6: but that's all through faith. And like you said, this

2349
02:06:54,440 --> 02:06:57,360
Speaker 6: is this is my brother, this is like this wasn't

2350
02:06:57,400 --> 02:07:01,440
Speaker 6: a dude that lives in Brownsville. I lived on the

2351
02:07:01,440 --> 02:07:04,400
Speaker 6: sty and the record label put us together. We was

2352
02:07:04,440 --> 02:07:07,600
Speaker 6: already hand the hand in the dirt doing what he

2353
02:07:07,720 --> 02:07:12,560
Speaker 6: was doing before the record all that ship, all that

2354
02:07:12,600 --> 02:07:17,320
Speaker 6: ship and ship. I'm not even his original partner. He

2355
02:07:17,400 --> 02:07:18,840
Speaker 6: had like two partners before me.

2356
02:07:19,960 --> 02:07:29,040
Speaker 1: Damn somebody somebody now, because for me, it wasn't when

2357
02:07:29,080 --> 02:07:29,839
Speaker 1: we first started.

2358
02:07:30,200 --> 02:07:37,360
Speaker 6: I was just a security put two words together to Rob.

2359
02:07:37,400 --> 02:07:41,040
Speaker 6: Except for Tis Ski doing graffiti or whatever, I'm just

2360
02:07:41,120 --> 02:07:43,240
Speaker 6: while he's doing talent shows and winning.

2361
02:07:43,320 --> 02:07:44,960
Speaker 2: I'm just to get in the game.

2362
02:07:45,000 --> 02:07:47,640
Speaker 6: For me, I wanted to be an engineer, producer, to

2363
02:07:47,680 --> 02:07:51,440
Speaker 6: be behind the scene and just Mike is back. But

2364
02:07:51,640 --> 02:07:54,360
Speaker 6: you know, god, I ain't see it like that. He

2365
02:07:54,400 --> 02:07:57,320
Speaker 6: wrote my first rap. That's dope, that's great.

2366
02:07:57,360 --> 02:08:00,960
Speaker 1: That's like Prodigy and Avoc. I believe Havoc wrote pro

2367
02:08:01,000 --> 02:08:05,640
Speaker 1: disease first fine didn't. Yeah, they said that's crazy, but

2368
02:08:06,360 --> 02:08:10,400
Speaker 1: first round Annoyed wrote your first round annoyed.

2369
02:08:11,800 --> 02:08:13,600
Speaker 4: But I used to have all because I used to

2370
02:08:14,040 --> 02:08:15,800
Speaker 4: I used to have all equipment in the crib, so

2371
02:08:15,840 --> 02:08:18,560
Speaker 4: they we used to record them a crib cock bone.

2372
02:08:18,680 --> 02:08:20,520
Speaker 1: It was fun. It was fun. That's not fun.

2373
02:08:20,560 --> 02:08:23,000
Speaker 4: We go back, well beat Annoyed, you know, it was fun.

2374
02:08:23,600 --> 02:08:25,240
Speaker 4: But that's why I like y'all. Like I like that

2375
02:08:25,360 --> 02:08:28,320
Speaker 4: story climbers like that. We like little kids story.

2376
02:08:28,400 --> 02:08:32,160
Speaker 3: Yeah, when you think about boot camp, like boot camp

2377
02:08:32,240 --> 02:08:37,880
Speaker 3: is primarily family and like when you say faith, it's

2378
02:08:37,920 --> 02:08:41,560
Speaker 3: crazy because like we really we some movie watching cats too,

2379
02:08:42,200 --> 02:08:44,120
Speaker 3: So like one of our favorite movies is The Shaun

2380
02:08:44,200 --> 02:08:49,720
Speaker 3: And on the Shing they talk about like communicating Yeah, yeah,

2381
02:08:50,560 --> 02:08:55,320
Speaker 3: they about communicating without communicating, communicating like almost like like

2382
02:08:58,400 --> 02:09:01,560
Speaker 3: so it's times when you know, I know your brother's

2383
02:09:01,560 --> 02:09:03,920
Speaker 3: probably experienced this too, where he was like, damn me

2384
02:09:04,000 --> 02:09:06,680
Speaker 3: and this me and this cat is so close that

2385
02:09:06,760 --> 02:09:09,160
Speaker 3: it's like we are meet up in the place. We

2386
02:09:09,200 --> 02:09:11,120
Speaker 3: ain't talk or nothing, we're meet up in the place

2387
02:09:11,160 --> 02:09:15,040
Speaker 3: at the same time. Were going somewhere, or maybe we

2388
02:09:15,200 --> 02:09:15,720
Speaker 3: dressed alike.

2389
02:09:15,800 --> 02:09:16,120
Speaker 2: Niggas.

2390
02:09:16,120 --> 02:09:18,000
Speaker 3: Don't think we was on the phone like on some

2391
02:09:18,080 --> 02:09:23,880
Speaker 3: Bopsy twin ship. But sometimes you just be like and

2392
02:09:24,200 --> 02:09:27,640
Speaker 3: it be creepy, it be trippy, but it's dope, Like, Yo,

2393
02:09:27,720 --> 02:09:29,720
Speaker 3: this is not this is real. When you start really

2394
02:09:29,720 --> 02:09:31,760
Speaker 3: buying into it, it's like, yo, this is real. Thank you,

2395
02:09:32,240 --> 02:09:34,560
Speaker 3: this is real. So it's like we we play those

2396
02:09:34,640 --> 02:09:37,960
Speaker 3: angles and then you got a big squad and you

2397
02:09:37,960 --> 02:09:41,480
Speaker 3: know at some point you have a you have a hierarchy,

2398
02:09:41,480 --> 02:09:44,920
Speaker 3: but then you have this big brother little brother democracy

2399
02:09:45,560 --> 02:09:49,120
Speaker 3: and we really just learning on the job training. So whatever,

2400
02:09:49,160 --> 02:09:52,960
Speaker 3: we'll go out in the field, come back to the

2401
02:09:53,000 --> 02:09:55,000
Speaker 3: little hut and were kicking it with the rest of

2402
02:09:55,040 --> 02:09:59,120
Speaker 3: the teammates, were sharing amongst the cat. It's no split up,

2403
02:09:59,240 --> 02:10:02,080
Speaker 3: no son in them going over here. Niggas is different.

2404
02:10:02,120 --> 02:10:04,840
Speaker 3: They changed. So you watching the cubs, they're trying to

2405
02:10:04,880 --> 02:10:07,320
Speaker 3: they taking it from you. Some of them gonna get

2406
02:10:07,360 --> 02:10:09,280
Speaker 3: on with some raps. Some of them gonna probably do

2407
02:10:09,400 --> 02:10:13,480
Speaker 3: some film stuff and pick up somewhere and you know,

2408
02:10:13,560 --> 02:10:14,480
Speaker 3: try to eat that food.

2409
02:10:14,560 --> 02:10:16,560
Speaker 2: And we got to add on to that.

2410
02:10:16,680 --> 02:10:21,080
Speaker 6: I think it's kind of that that uh helped us

2411
02:10:21,080 --> 02:10:23,160
Speaker 6: out in the long run because even though he came

2412
02:10:23,200 --> 02:10:26,440
Speaker 6: from a big crew, we didn't go sign with a

2413
02:10:26,480 --> 02:10:29,160
Speaker 6: dev gym and this one go sign with that label

2414
02:10:29,200 --> 02:10:32,920
Speaker 6: and this we all kept it independent. What was duck

2415
02:10:33,000 --> 02:10:36,440
Speaker 6: Down our own ship. And I think that that that

2416
02:10:36,520 --> 02:10:38,000
Speaker 6: carried some weight with us.

2417
02:10:38,400 --> 02:10:42,919
Speaker 2: That carried a lot away because we didn't have no cosign.

2418
02:10:45,400 --> 02:10:47,560
Speaker 1: Was your owners and duck Down or had a piece

2419
02:10:47,600 --> 02:10:49,000
Speaker 1: of it or no.

2420
02:10:49,200 --> 02:10:52,000
Speaker 3: We discussed it, Okay, we disgusted, but you know it

2421
02:10:52,080 --> 02:10:54,320
Speaker 3: was It's a roller coaster, man, you know what I mean.

2422
02:10:54,440 --> 02:10:57,600
Speaker 3: And in all honesty, you watch you watching cash like

2423
02:10:57,680 --> 02:11:00,360
Speaker 3: Drew hot put in a lot of work, a lot

2424
02:11:00,400 --> 02:11:01,800
Speaker 3: of work. You know, he could have jumped ship a

2425
02:11:01,880 --> 02:11:02,440
Speaker 3: long time.

2426
02:11:02,320 --> 02:11:05,200
Speaker 7: And he's probably learning at the same time. We always

2427
02:11:05,280 --> 02:11:08,080
Speaker 7: living learn job training.

2428
02:11:08,120 --> 02:11:08,240
Speaker 1: Man.

2429
02:11:08,280 --> 02:11:11,240
Speaker 3: He around other casts. You know, you we we've all

2430
02:11:11,320 --> 02:11:13,160
Speaker 3: been in the game for some time. So you know,

2431
02:11:13,200 --> 02:11:15,720
Speaker 3: the sharks, the votures, the coach of voters, for real.

2432
02:11:15,960 --> 02:11:17,440
Speaker 3: A lot of people just like they're trying to get

2433
02:11:17,440 --> 02:11:19,320
Speaker 3: all this, They trying to get drew high to costs,

2434
02:11:19,440 --> 02:11:22,880
Speaker 3: like you could just come over here and you know

2435
02:11:22,920 --> 02:11:24,640
Speaker 3: what I mean, why you were with them boot camps.

2436
02:11:25,040 --> 02:11:27,400
Speaker 3: They're not even chanting right now, like what's really good?

2437
02:11:27,480 --> 02:11:28,920
Speaker 3: Like you know what I'm saying, But.

2438
02:11:29,560 --> 02:11:30,440
Speaker 2: How about the masters?

2439
02:11:30,440 --> 02:11:33,120
Speaker 1: Everyone is getting their masters back after twenty five years.

2440
02:11:33,160 --> 02:11:35,200
Speaker 1: That's something that you guys are keep blowing the amount

2441
02:11:35,200 --> 02:11:39,760
Speaker 1: of years, thirty five, thirty thirty five five next episode

2442
02:11:40,200 --> 02:11:43,040
Speaker 1: years for you. I just think it's been it's always

2443
02:11:43,040 --> 02:11:46,040
Speaker 1: been twenty five negotiating right now on my twenty five

2444
02:11:46,120 --> 02:11:48,960
Speaker 1: on my solo. But that's what Kane and he said

2445
02:11:49,000 --> 02:11:50,720
Speaker 1: thirty five, they said thirty.

2446
02:11:50,680 --> 02:11:52,880
Speaker 2: Thirty five, they said thirty five. It's not.

2447
02:11:55,360 --> 02:11:56,160
Speaker 1: But they in long.

2448
02:11:56,280 --> 02:11:57,480
Speaker 2: That's when I changed the numbers.

2449
02:11:57,600 --> 02:12:00,160
Speaker 1: Was because of Kane as special because they said theirty

2450
02:12:00,200 --> 02:12:04,960
Speaker 1: five just always twenty five. Maybe it's not still for

2451
02:12:05,080 --> 02:12:08,040
Speaker 1: my soul on right right, Remember what I'm saying, Diego,

2452
02:12:08,800 --> 02:12:11,200
Speaker 1: the Normy album is a separate thing. It's not under

2453
02:12:11,200 --> 02:12:14,280
Speaker 1: the component Noriega thing. I've always heard the number of thirty.

2454
02:12:14,280 --> 02:12:16,120
Speaker 1: I don't know if that it was thirty.

2455
02:12:16,360 --> 02:12:21,080
Speaker 6: Yeah right, but we we just started seeing residuals off

2456
02:12:21,080 --> 02:12:21,320
Speaker 6: of the.

2457
02:12:21,280 --> 02:12:25,520
Speaker 3: Shining Wow, the first album very first, just now seeing

2458
02:12:25,720 --> 02:12:27,720
Speaker 3: just now so I should put away this and what

2459
02:12:27,800 --> 02:12:29,480
Speaker 3: was it? This? U?

2460
02:12:32,360 --> 02:12:34,960
Speaker 1: No, that was what priority?

2461
02:12:35,120 --> 02:12:36,320
Speaker 2: Yeah it's priority?

2462
02:12:36,800 --> 02:12:39,640
Speaker 3: No, no, no, that that one know the Shining Oh no,

2463
02:12:39,720 --> 02:12:41,160
Speaker 3: duck Down had with priority.

2464
02:12:41,240 --> 02:12:46,000
Speaker 1: Yeah that's not priority. No, no, see there, I can't see.

2465
02:12:46,000 --> 02:12:46,560
Speaker 1: That's Nervous.

2466
02:12:47,120 --> 02:12:51,680
Speaker 3: This just Shining is Nervous, that's not Yeah, okay, Nervous

2467
02:12:51,680 --> 02:12:56,240
Speaker 3: Records shin this one which was an independent, which was initially.

2468
02:12:57,480 --> 02:13:00,320
Speaker 2: A damn the label, Yeah, Nervous and Ji was some

2469
02:13:00,440 --> 02:13:01,040
Speaker 2: ship like that.

2470
02:13:01,360 --> 02:13:05,360
Speaker 1: Nervous was a dance what just like the labels at home.

2471
02:13:05,680 --> 02:13:10,120
Speaker 7: His pops Barry was a dance label too. What was

2472
02:13:10,160 --> 02:13:13,320
Speaker 7: that That label? Freeze was a dance label too. No,

2473
02:13:13,400 --> 02:13:16,000
Speaker 7: ain't cared about Freeze and tell me boy it was

2474
02:13:16,000 --> 02:13:19,480
Speaker 7: a dance label. Yes, but he came from his pops

2475
02:13:19,560 --> 02:13:22,360
Speaker 7: was running. His pops was running you know, big up,

2476
02:13:22,360 --> 02:13:24,720
Speaker 7: big up to Mike Weiss. You know what I'm saying,

2477
02:13:24,800 --> 02:13:29,280
Speaker 7: because you know his father put him on. His pops

2478
02:13:29,320 --> 02:13:30,160
Speaker 7: was running the label.

2479
02:13:30,240 --> 02:13:30,839
Speaker 2: That's Nervous.

2480
02:13:31,040 --> 02:13:33,960
Speaker 3: Yeah, before it was Nervous, it was like my Sam

2481
02:13:34,160 --> 02:13:37,920
Speaker 3: or something like that, and his pops was doing you know,

2482
02:13:38,520 --> 02:13:40,800
Speaker 3: label record label ship, big Red and all of that,

2483
02:13:41,440 --> 02:13:42,080
Speaker 3: you know what I mean.

2484
02:13:42,600 --> 02:13:43,520
Speaker 2: And he put his.

2485
02:13:43,360 --> 02:13:47,720
Speaker 3: Son on and his son was sticking to the program generational.

2486
02:13:47,960 --> 02:13:50,760
Speaker 3: So you know, I think I think we probably was

2487
02:13:50,800 --> 02:13:53,240
Speaker 3: the first rap cat. Black Moon kicked in the door

2488
02:13:53,320 --> 02:13:55,720
Speaker 3: for real, and it was like the front one of

2489
02:13:55,720 --> 02:13:56,480
Speaker 3: the first guys.

2490
02:13:56,520 --> 02:13:57,560
Speaker 2: And Flex was over there.

2491
02:13:57,480 --> 02:14:00,840
Speaker 1: And that's came from there's a lot of sense.

2492
02:14:00,880 --> 02:14:04,400
Speaker 2: Now have love boots at that time, No, not yet, No,

2493
02:14:04,520 --> 02:14:05,160
Speaker 2: he was just.

2494
02:14:05,400 --> 02:14:14,040
Speaker 3: Put old vinyl boots, Channel Live, Channel Live, a lot

2495
02:14:14,080 --> 02:14:14,879
Speaker 3: of dope releases.

2496
02:14:14,920 --> 02:14:19,440
Speaker 2: Actually that was and it was a good volume.

2497
02:14:19,600 --> 02:14:23,440
Speaker 3: One brook something that was putting life like that color

2498
02:14:23,720 --> 02:14:27,880
Speaker 3: not Frankie Color No, No, Yeahmby Knuckles No, no Frankie Knuckles.

2499
02:14:27,920 --> 02:14:29,920
Speaker 1: The DJ and there was a Brooklyn something that you

2500
02:14:29,920 --> 02:14:32,160
Speaker 1: can put out like DJ records, I forget something.

2501
02:14:32,400 --> 02:14:33,440
Speaker 2: So we we.

2502
02:14:33,160 --> 02:14:36,160
Speaker 3: We came in there on some hip hop vibe. And

2503
02:14:37,360 --> 02:14:40,920
Speaker 3: you know, when we had that situation with the Gun

2504
02:14:40,960 --> 02:14:46,360
Speaker 3: company and with them renewing, we left them eventually, but

2505
02:14:46,480 --> 02:14:47,840
Speaker 3: we the name was on hold.

2506
02:14:47,920 --> 02:14:49,680
Speaker 2: This is another reason we had to switch it up

2507
02:14:49,720 --> 02:14:51,520
Speaker 2: to We couldn't.

2508
02:14:51,240 --> 02:14:55,400
Speaker 3: Use it but after twenty five years we sat down

2509
02:14:55,440 --> 02:14:58,280
Speaker 3: with them and discussed how.

2510
02:14:58,320 --> 02:15:02,040
Speaker 1: The gun company no no, no, the label okay.

2511
02:15:02,680 --> 02:15:06,600
Speaker 3: Yeah, discuss how that would be, that would be something else.

2512
02:15:06,640 --> 02:15:08,400
Speaker 3: We definitely got to, you know, because they made a

2513
02:15:08,400 --> 02:15:13,120
Speaker 3: lot of mock thats man. But yeah, it's good, like

2514
02:15:13,160 --> 02:15:14,840
Speaker 3: it's good to go, like it's good to move on

2515
02:15:14,920 --> 02:15:17,080
Speaker 3: because you know that all that btterness that don't that

2516
02:15:17,120 --> 02:15:18,920
Speaker 3: don't make for happy record things.

2517
02:15:20,560 --> 02:15:23,480
Speaker 1: That's real. So now this is something I always wanted

2518
02:15:23,480 --> 02:15:27,880
Speaker 1: to ask. Spanish Hall, Yes, I record. First off, I

2519
02:15:27,920 --> 02:15:31,600
Speaker 1: thought that that was honorable two brothers. You know, I'm

2520
02:15:31,640 --> 02:15:35,080
Speaker 1: half Puerto weecand so I always recognized.

2521
02:15:35,400 --> 02:15:35,840
Speaker 2: I love that.

2522
02:15:35,920 --> 02:15:37,680
Speaker 1: I love the fact that when you know, you know,

2523
02:15:37,720 --> 02:15:39,440
Speaker 1: I'm both I got the best Black jokes and I

2524
02:15:39,440 --> 02:15:42,200
Speaker 1: got the best Spanish drudges. Got both got two of

2525
02:15:42,200 --> 02:15:43,320
Speaker 1: the racist grandfathers.

2526
02:15:43,320 --> 02:15:47,600
Speaker 2: Both of them was racist. Best joke.

2527
02:15:48,160 --> 02:15:51,000
Speaker 1: But one thing I always is to hear on on

2528
02:15:51,160 --> 02:15:55,800
Speaker 1: Spanish by the way recipes Hurricane Hurricane Rican Tony.

2529
02:15:56,280 --> 02:15:57,680
Speaker 2: That touches as well.

2530
02:15:58,840 --> 02:16:02,200
Speaker 1: But I believe it's you and you say on the

2531
02:16:02,240 --> 02:16:07,240
Speaker 1: streets of Harlem by the Grand Concourse, there wasn't nothing

2532
02:16:07,240 --> 02:16:07,960
Speaker 1: near each other, sir.

2533
02:16:08,480 --> 02:16:21,920
Speaker 16: Yeah, no, wait a minute, why in jen you know.

2534
02:16:23,560 --> 02:16:25,120
Speaker 2: He's super Panny, super Panny.

2535
02:16:25,320 --> 02:16:28,600
Speaker 3: I always wanted to be like, wait a minute, all right,

2536
02:16:28,640 --> 02:16:32,080
Speaker 3: all right, and I just say this right, I'm a Brooklyn.

2537
02:16:32,200 --> 02:16:32,959
Speaker 2: I'm a Brooklyn.

2538
02:16:33,760 --> 02:16:39,560
Speaker 3: You know you Hall them is like uptown, like Uptoimes.

2539
02:16:39,760 --> 02:16:41,640
Speaker 2: I was like, so that's not the same thing, like.

2540
02:16:42,000 --> 02:16:44,880
Speaker 1: Because at that time we used to take uptown. It's uptown,

2541
02:16:46,840 --> 02:16:48,640
Speaker 1: it was up, it was uptown. But you got to

2542
02:16:48,680 --> 02:16:51,480
Speaker 1: realize hallm wrong.

2543
02:16:53,480 --> 02:16:57,240
Speaker 3: But hall them is with the Puerto Ricans mostly racist

2544
02:16:57,280 --> 02:17:01,000
Speaker 3: and uhen you when you want a concourse, are gonna

2545
02:17:01,000 --> 02:17:04,119
Speaker 3: be a lot of the D're gonna be a deal? Yes,

2546
02:17:04,600 --> 02:17:10,520
Speaker 3: probably copping something. You probably right right, but it's true. Now,

2547
02:17:10,560 --> 02:17:13,160
Speaker 3: I grew up around I grew up in Brownsville. I

2548
02:17:13,200 --> 02:17:15,800
Speaker 3: grew up around Puerto Ricans like I didn'tdn't. I didn't

2549
02:17:15,840 --> 02:17:19,320
Speaker 3: even know the difference Puerto Rican Dominican. I didn't know

2550
02:17:19,360 --> 02:17:21,240
Speaker 3: nothing about that. I was like Puerto Ricans. I wanted

2551
02:17:21,240 --> 02:17:22,800
Speaker 3: to hang around Puerto Rican I thought they was cool

2552
02:17:22,800 --> 02:17:23,039
Speaker 3: to ship.

2553
02:17:23,080 --> 02:17:25,400
Speaker 1: Bush was some of the best port of Spanish I

2554
02:17:25,440 --> 02:17:27,600
Speaker 1: ever had, the best Puerto Ricans, the.

2555
02:17:27,600 --> 02:17:28,360
Speaker 2: Best port Ofrian food.

2556
02:17:28,360 --> 02:17:29,280
Speaker 1: I about to say you know what I mean, But

2557
02:17:29,320 --> 02:17:31,720
Speaker 1: I would say but in genermal because I had Dominican

2558
02:17:31,720 --> 02:17:33,560
Speaker 1: food in bush Wick as well, So I don't want

2559
02:17:33,560 --> 02:17:35,640
Speaker 1: to just label it Puerto Ricans, you know what I mean.

2560
02:17:35,680 --> 02:17:38,400
Speaker 3: So I had like, yeah, I didn't know the difference. Man,

2561
02:17:38,400 --> 02:17:41,400
Speaker 3: It's crazy because like you good, like even you growing

2562
02:17:41,520 --> 02:17:44,120
Speaker 3: up around like even with black people, you know what

2563
02:17:44,160 --> 02:17:46,600
Speaker 3: I'm saying, Like you just the West Indian, you know

2564
02:17:46,680 --> 02:17:49,000
Speaker 3: you and flat, but you got all kind of West

2565
02:17:50,840 --> 02:17:55,960
Speaker 3: hate you like you don't even people don't even really yet,

2566
02:17:56,680 --> 02:17:59,760
Speaker 3: you know what I'm saying. Like even like that's why

2567
02:17:59,800 --> 02:18:02,000
Speaker 3: you give thanks for hip hop too, because it allows

2568
02:18:02,080 --> 02:18:03,400
Speaker 3: us to embrace that.

2569
02:18:04,080 --> 02:18:04,240
Speaker 11: Right.

2570
02:18:04,280 --> 02:18:05,800
Speaker 2: Other than that, it's like we're just trying to keep

2571
02:18:05,840 --> 02:18:06,640
Speaker 2: it to ourselves.

2572
02:18:06,640 --> 02:18:07,279
Speaker 1: Like you don't.

2573
02:18:07,080 --> 02:18:10,920
Speaker 3: Know you your your culture is represents you.

2574
02:18:11,440 --> 02:18:13,400
Speaker 2: It is dope, right, that's kind of fly.

2575
02:18:13,600 --> 02:18:15,199
Speaker 1: I mean that's why I love the fact that y'all

2576
02:18:15,240 --> 02:18:18,560
Speaker 1: even did that record, because the fact is one I

2577
02:18:18,600 --> 02:18:20,760
Speaker 1: knew what y'all was was doing, and I knew, like

2578
02:18:21,080 --> 02:18:26,640
Speaker 1: you know, to be because it's a difference between and

2579
02:18:26,800 --> 02:18:27,600
Speaker 1: I'm sorry for my.

2580
02:18:27,760 --> 02:18:28,800
Speaker 2: White people that's here.

2581
02:18:29,080 --> 02:18:31,199
Speaker 1: Like sometimes they say that the white people as guested

2582
02:18:31,240 --> 02:18:33,600
Speaker 1: in hip hop and to a certain extent, I understand

2583
02:18:33,640 --> 02:18:34,160
Speaker 1: what that means.

2584
02:18:34,200 --> 02:18:35,280
Speaker 2: I understand what you mean.

2585
02:18:35,480 --> 02:18:37,920
Speaker 1: But when you're looking at you know, breaking, and you're

2586
02:18:37,920 --> 02:18:40,160
Speaker 1: looking at all that the Puerto Ricans was there, bro,

2587
02:18:43,040 --> 02:18:44,400
Speaker 1: it was bringing out straight paint.

2588
02:18:44,720 --> 02:18:45,680
Speaker 2: They was doing everything.

2589
02:18:45,720 --> 02:18:48,080
Speaker 1: You know what I mean? Or so I love the

2590
02:18:48,080 --> 02:18:49,520
Speaker 1: fact that y'all yeah, yeah did that.

2591
02:18:49,920 --> 02:18:51,320
Speaker 2: Yeah yeah, Spanish Hall.

2592
02:18:51,600 --> 02:18:54,680
Speaker 3: We students at the games. That's the beauty of us.

2593
02:18:54,680 --> 02:18:55,720
Speaker 3: So we appreciate it.

2594
02:18:55,840 --> 02:18:58,080
Speaker 2: And tone touch was like you said, on that way,

2595
02:18:58,600 --> 02:18:59,240
Speaker 2: he's Brooklyn.

2596
02:18:59,360 --> 02:19:03,519
Speaker 3: Yeah, yeah, he's a legends shut out to his documentary,

2597
02:19:03,600 --> 02:19:06,280
Speaker 3: legend legendary DJ Tate and.

2598
02:19:06,200 --> 02:19:09,400
Speaker 1: He got his documentary out. You're an interview for it.

2599
02:19:09,440 --> 02:19:12,000
Speaker 1: I didn't make the cut. You didn't make the cut.

2600
02:19:12,600 --> 02:19:23,119
Speaker 1: Miami was a representative shout out should have been on

2601
02:19:23,160 --> 02:19:23,959
Speaker 1: that fact.

2602
02:19:24,040 --> 02:19:25,640
Speaker 2: That's a fact. Okay, So I don't feel that bad.

2603
02:19:25,959 --> 02:19:29,039
Speaker 1: Yeah, but I still shout out Tony Touches for making

2604
02:19:29,040 --> 02:19:29,800
Speaker 1: that documentary.

2605
02:19:29,879 --> 02:19:32,360
Speaker 2: Man, that's big man. I'm gonna change it up a

2606
02:19:32,360 --> 02:19:32,760
Speaker 2: little bit.

2607
02:19:32,840 --> 02:19:36,120
Speaker 1: On one time, right, you said the nerves and the

2608
02:19:36,160 --> 02:19:39,440
Speaker 1: calasthetics keep me healthy. You was on that just back

2609
02:19:41,280 --> 02:19:45,320
Speaker 1: a calisthetics do a body justice. I'm listening I'm like

2610
02:19:46,440 --> 02:19:47,440
Speaker 1: better back then.

2611
02:19:47,959 --> 02:19:54,160
Speaker 6: Yeah, we was. Again, that's family, that's in you already.

2612
02:19:54,240 --> 02:19:57,080
Speaker 6: You wake up and you do you see your dad

2613
02:19:57,200 --> 02:20:00,840
Speaker 6: is healthy, your brother's health. You want to be what

2614
02:20:00,920 --> 02:20:03,119
Speaker 6: you see, You want to imitate.

2615
02:20:02,760 --> 02:20:05,879
Speaker 1: That coming from like being like like Jamaican Caribbean side.

2616
02:20:06,120 --> 02:20:08,920
Speaker 1: What is that called blest bless? I don't know, I'm

2617
02:20:08,920 --> 02:20:13,400
Speaker 1: not Jamaican.

2618
02:20:14,680 --> 02:20:25,440
Speaker 2: At one point.

2619
02:20:28,440 --> 02:20:31,280
Speaker 6: From that just comes from jumping off to stop early

2620
02:20:31,400 --> 02:20:34,760
Speaker 6: and what you see you want to imitate. And I

2621
02:20:34,800 --> 02:20:39,320
Speaker 6: have strong men in my family. Before it was the streets.

2622
02:20:39,320 --> 02:20:43,680
Speaker 6: It was family already, so doing push ups and my

2623
02:20:43,760 --> 02:20:46,240
Speaker 6: mom's was a minister. My pots was a musician, so

2624
02:20:47,200 --> 02:20:51,480
Speaker 6: it's in the blood and meeting with him it was

2625
02:20:51,560 --> 02:20:53,680
Speaker 6: already workout me.

2626
02:20:53,800 --> 02:20:57,400
Speaker 2: I used to box, so it was it was work.

2627
02:20:57,600 --> 02:21:01,400
Speaker 2: It was a thing for me. You got the tattoo ship.

2628
02:21:03,080 --> 02:21:14,800
Speaker 6: Came from a uh from Adam, my man potato. I

2629
02:21:14,840 --> 02:21:17,200
Speaker 6: think his son was turning like five, so it was

2630
02:21:17,280 --> 02:21:22,120
Speaker 6: just his potato. Yeah exactly.

2631
02:21:23,280 --> 02:21:27,280
Speaker 3: We don't know anything about my son.

2632
02:21:27,480 --> 02:21:30,320
Speaker 6: His son was turned out maybe five or seven. So

2633
02:21:30,400 --> 02:21:32,320
Speaker 6: he had a party in a spot, you know, and

2634
02:21:32,400 --> 02:21:37,640
Speaker 6: there's the adults and the kids, but nobody is really

2635
02:21:38,800 --> 02:21:41,800
Speaker 6: fucking with each other, with them kids and the kids like.

2636
02:21:42,720 --> 02:21:48,480
Speaker 6: So it was like, Yo, you should get there. You

2637
02:21:48,520 --> 02:21:51,120
Speaker 6: should that face painting over there. You should let her

2638
02:21:51,120 --> 02:21:52,720
Speaker 6: put the tyson tattoo.

2639
02:21:54,959 --> 02:22:08,320
Speaker 1: The kids I brought you. That's how you break, you

2640
02:22:09,959 --> 02:22:10,480
Speaker 1: know what I mean?

2641
02:22:10,840 --> 02:22:13,320
Speaker 2: So it was it was play. It was it was

2642
02:22:14,360 --> 02:22:15,959
Speaker 2: the paint whatever this ship was.

2643
02:22:16,040 --> 02:22:18,440
Speaker 1: But but it's something about drinks was flowing in.

2644
02:22:18,560 --> 02:22:23,400
Speaker 3: Was like that ship was like everybody like you fit, you.

2645
02:22:26,120 --> 02:22:32,760
Speaker 1: Liked you might just got my dumb ass, like what

2646
02:22:34,320 --> 02:22:35,760
Speaker 1: it like this ship, dude?

2647
02:22:38,680 --> 02:22:42,840
Speaker 3: Not that same night that I went and got tested

2648
02:22:42,879 --> 02:22:47,879
Speaker 3: the way Hannah though, when I got Hannah should burnt into.

2649
02:22:48,160 --> 02:22:54,480
Speaker 6: That's like it's like a sure and my dumb ass

2650
02:22:54,480 --> 02:22:57,039
Speaker 6: got it in the summer and it actually burnt into

2651
02:22:57,120 --> 02:22:59,800
Speaker 6: my skin. So I was only supposed to lead a

2652
02:22:59,840 --> 02:23:03,240
Speaker 6: he interrupted for like maybe a couple of days being

2653
02:23:03,280 --> 02:23:05,680
Speaker 6: at it burnt in and wasn't even when I watched

2654
02:23:05,720 --> 02:23:09,039
Speaker 6: it away, You've still seeing the I was like, oh nah,

2655
02:23:09,480 --> 02:23:13,440
Speaker 6: my Mom's just like, look, dumb ass, you might just

2656
02:23:13,440 --> 02:23:15,879
Speaker 6: go all the way now. So I went to the

2657
02:23:15,959 --> 02:23:16,680
Speaker 6: joint got it.

2658
02:23:17,800 --> 02:23:18,320
Speaker 1: I just did.

2659
02:23:18,440 --> 02:23:19,240
Speaker 2: I couldn't go the.

2660
02:23:19,160 --> 02:23:19,960
Speaker 1: Whole ship with it.

2661
02:23:20,160 --> 02:23:22,320
Speaker 2: So what did Tyson say. When he first saw you,

2662
02:23:23,080 --> 02:23:24,560
Speaker 2: he was like, we're from the same tribe.

2663
02:23:27,200 --> 02:23:36,560
Speaker 1: I'm gonna tell you, you gotta shut out to.

2664
02:23:39,560 --> 02:23:43,039
Speaker 3: When I got this, we was it wasn't like it

2665
02:23:43,160 --> 02:23:46,119
Speaker 3: is now and the whole abundant of rappers with no face.

2666
02:23:46,959 --> 02:23:47,760
Speaker 1: It wasn't at all.

2667
02:23:48,840 --> 02:23:52,320
Speaker 6: It was right, So this ain't nothing that was. It

2668
02:23:52,480 --> 02:23:56,039
Speaker 6: still had its meaning to still a warrior ship like

2669
02:23:56,080 --> 02:23:57,679
Speaker 6: the Predators. Very tribal.

2670
02:24:00,080 --> 02:24:00,240
Speaker 1: There.

2671
02:24:00,360 --> 02:24:03,560
Speaker 2: But yeah, that's the way it came from. That's crazy.

2672
02:24:03,640 --> 02:24:06,959
Speaker 1: So so on one time you said, spoke about the calistatics,

2673
02:24:07,080 --> 02:24:09,800
Speaker 1: talked about being healthy. But this is something I always

2674
02:24:09,800 --> 02:24:12,199
Speaker 1: wanted to ask you to ask both of y'all too.

2675
02:24:12,560 --> 02:24:15,000
Speaker 1: Is that the care us one sample of you? Out

2676
02:24:15,000 --> 02:24:19,160
Speaker 1: of here? Do you ever think about when you're out

2677
02:24:19,160 --> 02:24:21,600
Speaker 1: of here? Is that the same beat? Or I've been

2678
02:24:21,680 --> 02:24:25,480
Speaker 1: bucking for years? Yeah, one time, one time, I don't

2679
02:24:25,480 --> 02:24:29,760
Speaker 1: think it was out yet, out of here, out of him? Okay, So,

2680
02:24:29,760 --> 02:24:32,520
Speaker 1: so did you're telling me Carres one sample job because

2681
02:24:32,520 --> 02:24:35,000
Speaker 1: at the end that that's out of here.

2682
02:24:34,959 --> 02:24:40,160
Speaker 2: Beat, it wasn't. I don't think so, so did you?

2683
02:24:40,879 --> 02:24:47,280
Speaker 3: My lifeline mister, it's on the one time record, Get

2684
02:24:47,280 --> 02:24:50,200
Speaker 3: miss the Walk, Get mister w on the uh on

2685
02:24:50,280 --> 02:24:54,440
Speaker 3: the phone over here, Well, weal can clear that one out.

2686
02:24:55,120 --> 02:24:56,360
Speaker 2: We will definitely know.

2687
02:24:56,440 --> 02:24:59,039
Speaker 1: He could tell you either what city he got the

2688
02:24:59,120 --> 02:25:01,480
Speaker 1: record from Timeline.

2689
02:25:01,520 --> 02:25:03,000
Speaker 2: I don't know. I don't know now.

2690
02:25:05,440 --> 02:25:05,920
Speaker 3: Mm hmmm.

2691
02:25:06,360 --> 02:25:08,359
Speaker 2: So we came year after.

2692
02:25:08,720 --> 02:25:13,880
Speaker 1: Oh so then it could have been possible. Possible, could

2693
02:25:13,920 --> 02:25:14,560
Speaker 1: be the same time.

2694
02:25:15,360 --> 02:25:19,760
Speaker 2: It's possible, yeah, hip hop man.

2695
02:25:20,959 --> 02:25:25,400
Speaker 6: Then it wasn't. They was chopping and doing everything clear.

2696
02:25:25,920 --> 02:25:29,000
Speaker 6: It wasn't clear or nothing. Man, if you hear it,

2697
02:25:29,160 --> 02:25:31,600
Speaker 6: you hear it. Other than that, it's like, let's go.

2698
02:25:32,080 --> 02:25:33,440
Speaker 2: There's a lot of that going on.

2699
02:25:33,760 --> 02:25:38,040
Speaker 3: I guess I never even put that together.

2700
02:25:38,160 --> 02:25:41,119
Speaker 2: And out of here is my ship too, Like.

2701
02:25:41,200 --> 02:25:43,039
Speaker 1: You ever think about when you're out of here?

2702
02:25:44,000 --> 02:25:47,320
Speaker 2: That's a creatible. One of my favorite KR Rush joints

2703
02:25:47,400 --> 02:25:48,840
Speaker 2: is was gonna get you.

2704
02:25:49,280 --> 02:25:50,080
Speaker 1: I was gonna get you.

2705
02:25:50,240 --> 02:25:51,240
Speaker 2: He spoke on that.

2706
02:25:51,640 --> 02:25:55,800
Speaker 1: It was like, I was gonna get you millimeter.

2707
02:26:01,160 --> 02:26:01,200
Speaker 3: Y.

2708
02:26:01,520 --> 02:26:03,840
Speaker 4: Come on, man, I have my kids singing this song

2709
02:26:03,920 --> 02:26:06,000
Speaker 4: in the car like ten years ago.

2710
02:26:06,080 --> 02:26:07,120
Speaker 1: I did.

2711
02:26:06,800 --> 02:26:11,160
Speaker 3: That's all they do.

2712
02:26:11,200 --> 02:26:12,760
Speaker 2: You.

2713
02:26:13,640 --> 02:26:21,359
Speaker 1: I'm on point man, A lot of you for years.

2714
02:26:21,480 --> 02:26:23,039
Speaker 1: This this is not new question.

2715
02:26:24,120 --> 02:26:27,800
Speaker 6: Were talking about it like yo, this man, nor re

2716
02:26:28,000 --> 02:26:39,440
Speaker 6: brain is is it's a retarded crazy you haven't story

2717
02:26:41,640 --> 02:26:46,039
Speaker 6: inredible man aggressing. And I'm like, we see what it is, and.

2718
02:26:46,000 --> 02:26:48,920
Speaker 1: You know what it is like because you know, I

2719
02:26:49,200 --> 02:26:51,080
Speaker 1: got a relationship with your brothers, and you know what

2720
02:26:51,120 --> 02:26:53,440
Speaker 1: I mean, like like I look at your brothers like family.

2721
02:26:53,680 --> 02:26:55,360
Speaker 1: But the thing is, I don't want to ever that

2722
02:26:55,440 --> 02:26:56,119
Speaker 1: to ever come.

2723
02:26:56,000 --> 02:26:57,200
Speaker 2: In the way of me being fan.

2724
02:26:57,840 --> 02:27:00,040
Speaker 1: You know what I'm saying, because you know what I mean, Like,

2725
02:27:00,680 --> 02:27:02,200
Speaker 1: I really thought about this. I know I'm jumping off

2726
02:27:02,200 --> 02:27:04,080
Speaker 1: the subject, but I looked at I kept looking at

2727
02:27:04,160 --> 02:27:06,200
Speaker 1: carras One the other day, right, and I was like, Yo,

2728
02:27:06,200 --> 02:27:08,600
Speaker 1: if you take hip hop out of cares One, I

2729
02:27:08,640 --> 02:27:12,760
Speaker 1: won't even know who this person is. Just think about that,

2730
02:27:13,320 --> 02:27:16,600
Speaker 1: like the way care rest Walk is hip hop. Like

2731
02:27:16,680 --> 02:27:18,560
Speaker 1: I don't even think he could. I don't think he

2732
02:27:18,560 --> 02:27:22,760
Speaker 1: could do anything, yo. And then when I thought about him,

2733
02:27:22,800 --> 02:27:25,120
Speaker 1: I thought about all of us? Can I say? Yeah?

2734
02:27:25,600 --> 02:27:27,520
Speaker 1: Because I was like, your cast might be like a

2735
02:27:27,560 --> 02:27:29,560
Speaker 1: funny dude without hip hop, Like he might be a

2736
02:27:29,560 --> 02:27:31,880
Speaker 1: weird off, right, And I said, And then I looked

2737
02:27:31,879 --> 02:27:35,080
Speaker 1: in the mirror, I said, how about you. I was like, oh,

2738
02:27:41,040 --> 02:27:43,480
Speaker 1: changing right right, all of us? Right of us?

2739
02:27:43,800 --> 02:27:48,520
Speaker 3: Nah, but that could potentially be like an incredible skit,

2740
02:27:50,240 --> 02:27:52,600
Speaker 3: an incredible movie from Who's.

2741
02:27:52,360 --> 02:27:54,440
Speaker 1: The Man movie? Remember how Who's the Man? Everyone was

2742
02:27:54,440 --> 02:27:58,120
Speaker 1: in it, everything everyone in it as the person that

2743
02:27:58,200 --> 02:28:03,760
Speaker 1: you would be without Raw and without him a sort movie,

2744
02:28:04,440 --> 02:28:07,400
Speaker 1: you know what I mean, because because because that's everyone's cliche,

2745
02:28:07,520 --> 02:28:10,720
Speaker 1: everyone cliche. If I wasn't a rap, I'll be selling drugs.

2746
02:28:10,760 --> 02:28:14,440
Speaker 1: A lot of y'all lie, that's to buye you know

2747
02:28:14,440 --> 02:28:20,680
Speaker 1: what I'm saying, Like myself, a lot of us would

2748
02:28:20,680 --> 02:28:24,000
Speaker 1: be uber driving. Okay, you know what I mean, nothing

2749
02:28:24,080 --> 02:28:26,520
Speaker 1: wrong with that, you know what I mean? You know

2750
02:28:26,600 --> 02:28:31,760
Speaker 1: I mean telemarket is what I'm saying. I was looking,

2751
02:28:31,800 --> 02:28:32,160
Speaker 1: I was looking.

2752
02:28:32,160 --> 02:28:32,640
Speaker 2: I was thinking.

2753
02:28:32,640 --> 02:28:36,920
Speaker 1: I was like, listen, this picture, bust a round picture

2754
02:28:37,440 --> 02:28:40,800
Speaker 1: without him, and you know what I mean, Like, I

2755
02:28:40,840 --> 02:28:42,720
Speaker 1: don't think none of us would be the same person

2756
02:28:42,800 --> 02:28:44,760
Speaker 1: we are. But that's the funny thing about the movie

2757
02:28:44,920 --> 02:28:47,680
Speaker 1: is we got to make up the first people in

2758
02:28:47,760 --> 02:28:55,720
Speaker 1: an awkward differences like a multi verse. That is, though

2759
02:28:56,200 --> 02:28:58,120
Speaker 1: I'm glad I got that break, fe that that's been

2760
02:28:58,160 --> 02:29:05,560
Speaker 1: bothering me forever. Yeah, James, James, Yeah, let's talk about

2761
02:29:05,560 --> 02:29:09,280
Speaker 1: wipe your wipe your mouth. Let's talk about that for

2762
02:29:09,320 --> 02:29:09,800
Speaker 1: a second.

2763
02:29:10,640 --> 02:29:11,760
Speaker 2: How the funk did y'all come on?

2764
02:29:13,280 --> 02:29:16,200
Speaker 1: What is respectful ship with y'all on what kind of

2765
02:29:16,320 --> 02:29:18,680
Speaker 1: what kind of bubble gum was said?

2766
02:29:18,800 --> 02:29:20,560
Speaker 2: I mun just be di respectful on this record.

2767
02:29:21,760 --> 02:29:26,840
Speaker 6: Best Style, man, it ain't never been a form of

2768
02:29:26,840 --> 02:29:29,160
Speaker 6: transportation exactly.

2769
02:29:29,640 --> 02:29:35,959
Speaker 3: Hang reboy projects, Rainbow recipes, slew the big old pen

2770
02:29:36,120 --> 02:29:37,560
Speaker 3: and see you know what I mean.

2771
02:29:38,640 --> 02:29:41,680
Speaker 1: Didn't Best Browns will have problems at that time. Yeah,

2772
02:29:41,760 --> 02:29:43,600
Speaker 1: that's what makes our relations right.

2773
02:29:43,760 --> 02:29:44,440
Speaker 2: Doesn't make me a.

2774
02:29:46,280 --> 02:29:46,440
Speaker 1: Us.

2775
02:29:46,440 --> 02:29:49,600
Speaker 6: Getting together was at a time when Brownsville was at

2776
02:29:49,640 --> 02:29:52,800
Speaker 6: war with Best Style, but it was Wow, there was

2777
02:29:52,840 --> 02:29:56,120
Speaker 6: still certain niggas that fucked with each other. Wow, from

2778
02:29:56,160 --> 02:29:58,600
Speaker 6: the Style, from the veil, like Roll Road and the Family,

2779
02:29:59,280 --> 02:30:04,959
Speaker 6: all these niggas is still riding with each other because yeah,

2780
02:30:05,400 --> 02:30:07,480
Speaker 6: once you you know who you are, Like you said,

2781
02:30:07,480 --> 02:30:08,400
Speaker 6: you gotta find your.

2782
02:30:08,360 --> 02:30:12,520
Speaker 3: Tribe, that straight ship, that straight ship hash it hecktic

2783
02:30:12,560 --> 02:30:14,640
Speaker 3: though it was sketchy, you got to have you had

2784
02:30:14,680 --> 02:30:17,240
Speaker 3: your passport, had to be right as soon as you

2785
02:30:17,280 --> 02:30:21,040
Speaker 3: go up the hill past a certain line and get different.

2786
02:30:21,320 --> 02:30:24,920
Speaker 1: But it's a lot of y'all right, and like like

2787
02:30:25,040 --> 02:30:27,760
Speaker 1: you hear the stories of ghost Face and raised neighborhood

2788
02:30:27,959 --> 02:30:33,160
Speaker 1: like going crazy at each other, did y'all like the

2789
02:30:33,240 --> 02:30:35,000
Speaker 1: other members ever?

2790
02:30:35,240 --> 02:30:39,640
Speaker 3: Absolutely not, No, No, we carry ourselves differently, man. I mean,

2791
02:30:39,760 --> 02:30:44,000
Speaker 3: you know we're lucky, we're not just exempt. But again again,

2792
02:30:44,080 --> 02:30:46,160
Speaker 3: like we ran with de set like that's that's that

2793
02:30:46,360 --> 02:30:49,560
Speaker 3: was like you really didn't know where these guys would

2794
02:30:49,600 --> 02:30:53,480
Speaker 3: pop out what would call an alley way, but we

2795
02:30:53,480 --> 02:30:54,240
Speaker 3: we was in.

2796
02:30:54,400 --> 02:30:57,920
Speaker 1: We was pretty much in the deep SSS was the

2797
02:30:58,320 --> 02:31:00,640
Speaker 1: things back then. That was all a gang for all

2798
02:31:00,680 --> 02:31:06,000
Speaker 1: of Brooklyn. They was huge, bigger than Brooklyn. No bigger

2799
02:31:06,000 --> 02:31:07,280
Speaker 1: than Brooklyn, I'm saying.

2800
02:31:07,360 --> 02:31:10,400
Speaker 7: No, he said they were huge, like me, Were there

2801
02:31:10,400 --> 02:31:11,640
Speaker 7: deceps outside of Brooklyn?

2802
02:31:11,920 --> 02:31:14,400
Speaker 1: Yeah, in Miami where.

2803
02:31:14,240 --> 02:31:17,720
Speaker 3: You have it's definitely some deceps in Miami, de House worldwide,

2804
02:31:17,760 --> 02:31:23,360
Speaker 3: some Decepts. Man, London, it's some, it's some you know

2805
02:31:23,400 --> 02:31:25,880
Speaker 3: those just like those was like it's crazy because we

2806
02:31:25,920 --> 02:31:30,480
Speaker 3: came up together, you know what I'm saying, and shout out,

2807
02:31:30,480 --> 02:31:34,039
Speaker 3: shout out to my man vict original original Low lives

2808
02:31:34,040 --> 02:31:35,360
Speaker 3: where Nigga used to run in the.

2809
02:31:35,320 --> 02:31:40,320
Speaker 1: Store and get and get busy. You know what I'm saying. Yeah,

2810
02:31:40,400 --> 02:31:41,240
Speaker 1: Bob Low.

2811
02:31:43,080 --> 02:31:44,480
Speaker 2: All the pumpkin rest in peace.

2812
02:31:44,720 --> 02:31:46,760
Speaker 3: But yeah, we A lot of people would like to

2813
02:31:46,760 --> 02:31:48,600
Speaker 3: say rivalries, but we grew up with them, A lot

2814
02:31:48,640 --> 02:31:50,279
Speaker 3: of a lot of them. Casts grew up in Brownsville.

2815
02:31:50,280 --> 02:31:53,160
Speaker 3: That's where I'm from, So like these are stomping grounds.

2816
02:31:53,160 --> 02:31:55,880
Speaker 3: Like me and Tech really went around neighborhoods. Wasn't those

2817
02:31:55,920 --> 02:32:00,200
Speaker 3: guys that stayed in where your your your your designated spot.

2818
02:32:00,240 --> 02:32:01,560
Speaker 1: We was adventurous.

2819
02:32:02,160 --> 02:32:04,640
Speaker 3: We was doing ship that we couldn't tell our parents

2820
02:32:05,280 --> 02:32:07,440
Speaker 3: when we got back. My moms ain't have a clue

2821
02:32:07,520 --> 02:32:10,440
Speaker 3: about a lot of stuff. So it's like, man, what

2822
02:32:10,560 --> 02:32:12,720
Speaker 3: it was? What my mom's ain't know? I was decept

2823
02:32:12,879 --> 02:32:16,959
Speaker 3: till like last year, I got somebody was running their

2824
02:32:16,959 --> 02:32:19,279
Speaker 3: mouth or something, and she's like, what.

2825
02:32:19,120 --> 02:32:20,000
Speaker 2: She was looking at me?

2826
02:32:20,560 --> 02:32:22,119
Speaker 1: You know you can feel somebody.

2827
02:32:21,760 --> 02:32:28,000
Speaker 2: Looking at I. I'm like, come on, man, that's it.

2828
02:32:28,000 --> 02:32:28,560
Speaker 2: It's crazy.

2829
02:32:28,560 --> 02:32:28,720
Speaker 1: Though.

2830
02:32:28,760 --> 02:32:31,000
Speaker 2: My pops used to be my prop.

2831
02:32:31,120 --> 02:32:33,880
Speaker 3: You know, he popped old school, even old school, but

2832
02:32:33,959 --> 02:32:36,080
Speaker 3: to you, we old school. And he used to call

2833
02:32:36,160 --> 02:32:38,760
Speaker 3: he was like, yo, duke duke, and I'm like, yo,

2834
02:32:39,040 --> 02:32:42,640
Speaker 3: you can't say duke in Brownsville. We say son in Brownsville.

2835
02:32:43,240 --> 02:32:46,480
Speaker 3: Duca's violations. You would get beat up for that back

2836
02:32:46,520 --> 02:32:48,480
Speaker 3: in the day you get beat up Browns with a

2837
02:32:48,560 --> 02:32:51,280
Speaker 3: niggas saying son that it was it was petty. But

2838
02:32:51,320 --> 02:32:54,360
Speaker 3: it's like it was, you survived through the petty ship.

2839
02:32:54,480 --> 02:32:57,400
Speaker 1: You got past cigarette cigarette.

2840
02:32:58,000 --> 02:33:01,600
Speaker 3: It's interesting when you go now is getting their head

2841
02:33:01,680 --> 02:33:05,600
Speaker 3: knocked off for colors and and and and uh, you know,

2842
02:33:06,000 --> 02:33:09,800
Speaker 3: hats and you know things of that nature. But there

2843
02:33:09,840 --> 02:33:11,560
Speaker 3: was always a battleground. Man.

2844
02:33:11,879 --> 02:33:13,360
Speaker 2: You know what I'm saying. We came up in that ship.

2845
02:33:14,320 --> 02:33:16,920
Speaker 1: Let me ask you aliens come down.

2846
02:33:17,879 --> 02:33:21,600
Speaker 3: They already came down. They according to some people that they're.

2847
02:33:21,400 --> 02:33:24,640
Speaker 1: Like, yeah, they walk in here, you walk into bar plays.

2848
02:33:25,040 --> 02:33:26,880
Speaker 7: They came down or came up from the ocean, which

2849
02:33:26,879 --> 02:33:29,160
Speaker 7: one man, there's that they came from.

2850
02:33:29,160 --> 02:33:30,040
Speaker 2: Both they came.

2851
02:33:30,200 --> 02:33:33,840
Speaker 1: They stuck to you and they say, listen, I want

2852
02:33:33,959 --> 02:33:38,720
Speaker 1: one album to teach me human behavior? Hip hop album?

2853
02:33:38,800 --> 02:33:40,560
Speaker 1: Let people hip one hip hop album?

2854
02:33:41,600 --> 02:33:44,240
Speaker 2: What did you get human behavior or whatever?

2855
02:33:44,400 --> 02:33:47,080
Speaker 1: Just just how would you what hip hop album would

2856
02:33:47,080 --> 02:33:49,000
Speaker 1: you give? Do you want to get one one to

2857
02:33:49,040 --> 02:33:51,000
Speaker 1: represent humanity? Yeah?

2858
02:33:51,120 --> 02:33:55,200
Speaker 2: Hip hop at least hip hop humanity.

2859
02:33:58,400 --> 02:34:02,160
Speaker 4: Wowsers, I know what I would saying.

2860
02:34:02,560 --> 02:34:07,720
Speaker 3: What you were saying, then everything the War Report teachers

2861
02:34:07,800 --> 02:34:10,280
Speaker 3: to call the report.

2862
02:34:10,800 --> 02:34:19,000
Speaker 9: They're gonna start attacking us. You're gonna get niggas. I

2863
02:34:19,000 --> 02:34:21,640
Speaker 9: don't want you representing you. Men.

2864
02:34:24,520 --> 02:34:28,040
Speaker 6: It's a couple of different avenues you could go. You

2865
02:34:28,160 --> 02:34:31,600
Speaker 6: might even say education of Laurence Hill.

2866
02:34:33,080 --> 02:34:35,560
Speaker 2: Mis education and Lauren. That's a good Actually, that's a

2867
02:34:35,560 --> 02:34:36,000
Speaker 2: good one.

2868
02:34:36,040 --> 02:34:36,840
Speaker 1: That is a good one.

2869
02:34:37,200 --> 02:34:39,800
Speaker 2: That is a good dumb ass, men are not thinking.

2870
02:34:39,600 --> 02:34:42,400
Speaker 1: That, you know, Lauren only got one album?

2871
02:34:42,840 --> 02:34:45,119
Speaker 2: Well, I mean, if you're not counting the fujis yet. Yeah, yeah,

2872
02:34:45,120 --> 02:34:45,840
Speaker 2: that's why I said Lauren.

2873
02:34:45,840 --> 02:34:46,560
Speaker 1: I ain't say the fuji.

2874
02:34:46,720 --> 02:34:50,160
Speaker 7: I mean, but you should count that because she carried

2875
02:34:50,160 --> 02:34:51,080
Speaker 7: those albums as well.

2876
02:34:52,040 --> 02:34:55,120
Speaker 1: Yeah, but it's not Lauren albums the fuji O. I'm

2877
02:34:55,160 --> 02:34:57,359
Speaker 1: just saying she's a big part of those albums.

2878
02:34:58,000 --> 02:35:02,400
Speaker 2: Yeah, one album. It's difficult, man, I think I would.

2879
02:35:02,480 --> 02:35:03,600
Speaker 2: I think I would have to take.

2880
02:35:03,440 --> 02:35:04,119
Speaker 1: A drink on that.

2881
02:35:04,440 --> 02:35:05,680
Speaker 2: Okay, we're not drinking on this.

2882
02:35:05,680 --> 02:35:12,480
Speaker 1: We're not drinking. You you can.

2883
02:35:12,400 --> 02:35:15,920
Speaker 2: Drink round on me.

2884
02:35:17,160 --> 02:35:19,560
Speaker 1: I think you said that, you said the War report

2885
02:35:19,600 --> 02:35:22,120
Speaker 1: he taking us the war. Okay, what would you say?

2886
02:35:23,280 --> 02:35:23,640
Speaker 2: Damn?

2887
02:35:23,720 --> 02:35:32,520
Speaker 7: Man, I'm gonna go with the first Tribe album. I'm trying.

2888
02:35:32,680 --> 02:35:37,680
Speaker 1: I'm trying to get the mellow with us man was

2889
02:35:38,680 --> 02:35:41,760
Speaker 1: not to be like I lost my walle to Yeah,

2890
02:35:42,800 --> 02:35:43,160
Speaker 1: I was.

2891
02:35:43,080 --> 02:35:48,119
Speaker 3: Thinking something about one right because I'm thinking like criminal minded,

2892
02:35:48,200 --> 02:35:51,520
Speaker 3: not criminal minded. But it's like we were talking the

2893
02:35:51,520 --> 02:35:53,760
Speaker 3: other day when he has this song, I don't know

2894
02:35:53,840 --> 02:35:58,280
Speaker 3: what I was, love Loves going to get you?

2895
02:35:58,320 --> 02:35:59,360
Speaker 1: Like what album is that on?

2896
02:35:59,720 --> 02:35:59,959
Speaker 3: That was.

2897
02:36:03,120 --> 02:36:04,960
Speaker 1: That's gonna get your b DP?

2898
02:36:06,480 --> 02:36:08,360
Speaker 3: It would be, it would be And you know, I

2899
02:36:08,360 --> 02:36:10,360
Speaker 3: mean and I only say that because it's something that's

2900
02:36:10,400 --> 02:36:11,840
Speaker 3: like it gotta be well rounded.

2901
02:36:11,840 --> 02:36:12,000
Speaker 1: Man.

2902
02:36:12,000 --> 02:36:13,600
Speaker 3: You gotta tell them about the hood. You gotta tell

2903
02:36:13,640 --> 02:36:16,200
Speaker 3: them about the dangers. You gotta get everything. You gotta

2904
02:36:16,200 --> 02:36:19,360
Speaker 3: give him some food from food for thought. You gotta

2905
02:36:19,480 --> 02:36:21,560
Speaker 3: let them enjoy themselves, you know what I mean, Like,

2906
02:36:21,640 --> 02:36:24,600
Speaker 3: don't scare them. But I think does that really well?

2907
02:36:24,680 --> 02:36:31,680
Speaker 3: Like yeah, matic Ellmatic is very intimidating. You think, yeah, man,

2908
02:36:32,120 --> 02:36:34,360
Speaker 3: they come on and come on lit when you come

2909
02:36:34,360 --> 02:36:36,840
Speaker 3: on with that first, I think when it come on,

2910
02:36:43,640 --> 02:36:49,240
Speaker 3: it's yeah, it's very uh, it's very hypnotics. When you

2911
02:36:49,240 --> 02:36:51,320
Speaker 3: start pulling text out the dressers and all that.

2912
02:36:51,360 --> 02:36:54,599
Speaker 2: When you start getting like and just the nigger.

2913
02:36:58,240 --> 02:37:00,720
Speaker 3: Right, but you but you're dropping gyms, you letting them

2914
02:37:00,720 --> 02:37:03,360
Speaker 3: know it's dangerous but you know I'm going through this.

2915
02:37:05,080 --> 02:37:06,480
Speaker 2: But yeah, man, it's it's.

2916
02:37:06,360 --> 02:37:23,120
Speaker 1: It's I think we just got to give him a mixtape.

2917
02:37:17,879 --> 02:37:18,920
Speaker 2: C compilation.

2918
02:37:20,080 --> 02:37:24,760
Speaker 3: Man, basic is stressed before leaven Earth. Here you go this,

2919
02:37:25,360 --> 02:37:30,720
Speaker 3: let's get Tony touch. No, no, you're gonna need that.

2920
02:37:30,760 --> 02:37:33,320
Speaker 3: You're gonna need to get the full the full meal.

2921
02:37:34,000 --> 02:37:34,160
Speaker 1: Right.

2922
02:37:34,440 --> 02:37:38,600
Speaker 3: You could pick songs that would be interesting, but you know,

2923
02:37:39,120 --> 02:37:42,360
Speaker 3: if you can, albums would because there's something I guess

2924
02:37:42,360 --> 02:37:43,560
Speaker 3: the album would have to be a no.

2925
02:37:43,720 --> 02:37:46,080
Speaker 1: Skipper, right, you can't have to be a no skipper.

2926
02:37:46,360 --> 02:37:50,640
Speaker 1: No skipper's representing humanity. Yeah, so if they skip, we

2927
02:37:50,680 --> 02:37:54,279
Speaker 1: fu Yeah, what is this bullship? What is this bullshit?

2928
02:37:54,680 --> 02:37:55,039
Speaker 1: That one?

2929
02:37:55,120 --> 02:37:58,160
Speaker 2: They must die?

2930
02:37:59,240 --> 02:38:04,640
Speaker 1: They're not worried, you know, damn so ill Kane asked

2931
02:38:04,680 --> 02:38:07,560
Speaker 1: Kane the other day, and I was like, I was like, yeah,

2932
02:38:07,560 --> 02:38:11,200
Speaker 1: you know, like some of your lyrics, like you couldn't

2933
02:38:11,600 --> 02:38:16,080
Speaker 1: you couldn't have got away with it different times, different times. Now,

2934
02:38:16,160 --> 02:38:17,960
Speaker 1: there was a specific lyrics that we heard before you

2935
02:38:18,000 --> 02:38:21,680
Speaker 1: got here. We didn't I'm not gonna mention I mentioned one. No, No,

2936
02:38:21,680 --> 02:38:24,480
Speaker 1: we didn't mention the one. I'm not mentioning, all right,

2937
02:38:26,240 --> 02:38:28,960
Speaker 1: I mentioned he said he said, Damn, I wouldn't have

2938
02:38:28,959 --> 02:38:30,080
Speaker 1: been able to get.

2939
02:38:31,120 --> 02:38:32,080
Speaker 2: I'm gonna say it that y'all.

2940
02:38:32,120 --> 02:38:34,160
Speaker 1: Y'all tell me if you have one of your own lyrics,

2941
02:38:35,080 --> 02:38:38,640
Speaker 1: K said, He said, I think from eight to eighty, blind, crippled,

2942
02:38:38,640 --> 02:38:42,320
Speaker 1: and great.

2943
02:38:42,080 --> 02:38:44,039
Speaker 2: You didn't repeat that again?

2944
02:38:46,680 --> 02:38:54,120
Speaker 1: This is a horlee. Yeah, I stop repeating it.

2945
02:38:55,080 --> 02:38:57,240
Speaker 2: Sorry, it's it, that's it.

2946
02:38:57,240 --> 02:39:01,960
Speaker 1: It's history. And listen, I love is my my my

2947
02:39:03,320 --> 02:39:06,480
Speaker 1: one record. I hate and as I get the job done,

2948
02:39:06,480 --> 02:39:08,280
Speaker 1: and that's that's work.

2949
02:39:08,440 --> 02:39:09,959
Speaker 2: That is from that same.

2950
02:39:10,320 --> 02:39:14,920
Speaker 1: Work, that's the same joy. So I analyzed that way

2951
02:39:14,959 --> 02:39:18,600
Speaker 1: too much. No, man, but is there any lyrics that

2952
02:39:18,640 --> 02:39:20,240
Speaker 1: you have for back then that you was like, man,

2953
02:39:20,280 --> 02:39:22,360
Speaker 1: you listen to now and be like, man, I got

2954
02:39:22,360 --> 02:39:22,920
Speaker 1: a couple.

2955
02:39:26,480 --> 02:39:30,760
Speaker 3: Like wait a minute, but absolutely then. I can't think

2956
02:39:30,760 --> 02:39:34,120
Speaker 3: of that specific personally, but I listened to some ship

2957
02:39:34,160 --> 02:39:36,600
Speaker 3: and I'm like, damn, Like you know, you it be

2958
02:39:36,720 --> 02:39:40,080
Speaker 3: lines where you use lines, or you use a word

2959
02:39:41,320 --> 02:39:43,840
Speaker 3: a lot sh yourself using the words. Like we had

2960
02:39:43,840 --> 02:39:47,680
Speaker 3: a meeting in the studio one time it was like, yo,

2961
02:39:47,760 --> 02:39:49,840
Speaker 3: we stopped putting words that you can't use.

2962
02:39:50,840 --> 02:39:51,600
Speaker 2: Can you imagine that?

2963
02:39:51,640 --> 02:39:54,959
Speaker 3: That's like, yeah, man, it was difficult, but but you.

2964
02:39:54,920 --> 02:39:56,039
Speaker 2: Start seeing the pattern.

2965
02:39:56,200 --> 02:39:58,000
Speaker 3: He was like, oh shit, you gotta start spanning your

2966
02:39:58,360 --> 02:40:01,880
Speaker 3: vocabulary a little bit. Like you start sounding you got

2967
02:40:01,879 --> 02:40:04,840
Speaker 3: these cruis. You start sounding and like black woman starting

2968
02:40:05,080 --> 02:40:08,120
Speaker 3: the West, ohc starts sounding like healthy skeelter, Like that's

2969
02:40:08,120 --> 02:40:08,840
Speaker 3: gonna that's whack.

2970
02:40:08,920 --> 02:40:10,920
Speaker 2: You're gonna rents after that.

2971
02:40:11,520 --> 02:40:13,560
Speaker 3: And it's a good challenge, man, Or just read some

2972
02:40:13,600 --> 02:40:17,000
Speaker 3: books that Sean Prices say, read some books these scholastic packs. Man,

2973
02:40:17,080 --> 02:40:19,720
Speaker 3: niggas need to can't be afraid of knowledge. Man, you

2974
02:40:19,760 --> 02:40:21,720
Speaker 3: gotta get smart. Man, it's gonna it's gonna help you

2975
02:40:21,840 --> 02:40:22,480
Speaker 3: thank me later.

2976
02:40:22,800 --> 02:40:25,600
Speaker 1: You know what I'm saying, Sorry about somebody you know? Unique?

2977
02:40:25,600 --> 02:40:29,560
Speaker 1: Sean Price was what try invited them to come see

2978
02:40:29,600 --> 02:40:31,840
Speaker 1: me in my hood, right and I told him it's

2979
02:40:31,840 --> 02:40:35,160
Speaker 1: a barbecue. So he came. But he was like but

2980
02:40:35,160 --> 02:40:40,160
Speaker 1: but he was like, I'm on raba dog came. He

2981
02:40:40,280 --> 02:40:43,320
Speaker 1: came to a barbecue, a.

2982
02:40:44,920 --> 02:40:54,440
Speaker 2: Gatorade go together. You being on in the barbecue. I

2983
02:40:54,480 --> 02:40:58,440
Speaker 2: was clear as a barbecue. You know how unique he was.

2984
02:40:58,560 --> 02:41:00,520
Speaker 1: I was like, I was like, yo, I could never

2985
02:41:00,600 --> 02:41:02,480
Speaker 1: imitate this moment right here.

2986
02:41:02,360 --> 02:41:05,120
Speaker 2: Like when I just sat with him, it was what

2987
02:41:05,120 --> 02:41:08,039
Speaker 2: you say is what you get yeah, and he can

2988
02:41:08,120 --> 02:41:12,520
Speaker 2: be smiling. Would you would be dead? SIMI At the

2989
02:41:12,520 --> 02:41:14,599
Speaker 2: same time, like he wasn't afraid.

2990
02:41:14,320 --> 02:41:15,640
Speaker 1: That Richard Pryor man.

2991
02:41:15,560 --> 02:41:17,520
Speaker 6: Tell you what was on his mind and why it

2992
02:41:17,680 --> 02:41:20,880
Speaker 6: was on his mind, and it ain't really too much

2993
02:41:20,879 --> 02:41:22,240
Speaker 6: you can do about it after that.

2994
02:41:22,879 --> 02:41:24,840
Speaker 1: Like I used to hang out with this kid and

2995
02:41:24,879 --> 02:41:27,520
Speaker 1: I'm not gonna say his name, but he knows who

2996
02:41:27,520 --> 02:41:28,720
Speaker 1: he is. And I used to tell him. I used

2997
02:41:28,720 --> 02:41:32,600
Speaker 1: to say, yo, man, every rapper is talking about Rose,

2998
02:41:33,360 --> 02:41:36,720
Speaker 1: every rapper is talking about fucking drinking Ace of Spade,

2999
02:41:36,760 --> 02:41:39,920
Speaker 1: every rapper is talking about and this this kid couldn't

3000
02:41:39,959 --> 02:41:41,880
Speaker 1: even buy back a weed. And I was like, why

3001
02:41:41,920 --> 02:41:45,640
Speaker 1: don't you just embrace that? Embrace the fact that the

3002
02:41:45,640 --> 02:41:49,840
Speaker 1: broken rapperver brokeus rapper ever and when like Sean Price

3003
02:41:49,920 --> 02:41:52,879
Speaker 1: did it, but you know that he had opportunities and

3004
02:41:52,959 --> 02:41:56,480
Speaker 1: places that that other people did. I always told this artist.

3005
02:41:56,520 --> 02:41:58,760
Speaker 1: I was like, yo, do this from the beginning, you

3006
02:41:58,800 --> 02:42:00,720
Speaker 1: know what I mean, Like, do you think people should

3007
02:42:00,720 --> 02:42:01,920
Speaker 1: live their truths like that?

3008
02:42:05,760 --> 02:42:08,840
Speaker 6: Keep it in the heart you haven't made Once you

3009
02:42:08,920 --> 02:42:11,480
Speaker 6: recognize who you are in the mirror, is gonna make

3010
02:42:11,520 --> 02:42:13,320
Speaker 6: your life easier to live with and.

3011
02:42:13,280 --> 02:42:16,400
Speaker 7: Deal with and I think that's hip hop authenticity to

3012
02:42:16,480 --> 02:42:18,600
Speaker 7: me is genuinely to be hip hop.

3013
02:42:18,840 --> 02:42:21,800
Speaker 6: But just because that's where you start at, that don't

3014
02:42:21,800 --> 02:42:24,879
Speaker 6: mean where you're going to end up. It you're going

3015
02:42:24,959 --> 02:42:30,800
Speaker 6: to start then eventually what you want or speaking into

3016
02:42:30,840 --> 02:42:32,760
Speaker 6: existing is gonna come along your path.

3017
02:42:32,800 --> 02:42:35,440
Speaker 1: But you have to start where you at.

3018
02:42:36,160 --> 02:42:39,680
Speaker 6: You can't just you ain't waking up in unless a

3019
02:42:39,680 --> 02:42:43,080
Speaker 6: brink truck falling in front of your crib turning over you.

3020
02:42:44,160 --> 02:42:46,360
Speaker 2: Other than that, you got to accept who you are

3021
02:42:46,520 --> 02:42:48,000
Speaker 2: and walk that way.

3022
02:42:48,160 --> 02:42:50,240
Speaker 3: And it's it's not it's not a it's no rule

3023
02:42:50,280 --> 02:42:55,760
Speaker 3: that says hip hop has to talk about opulence, you know,

3024
02:42:56,320 --> 02:42:59,800
Speaker 3: like it's it's a it's it's a it's a creative tool,

3025
02:43:00,720 --> 02:43:02,440
Speaker 3: like it's a tool that's used for.

3026
02:43:02,480 --> 02:43:04,320
Speaker 2: Expression, however you expressed it.

3027
02:43:04,400 --> 02:43:07,320
Speaker 3: Yeah, like we had we listened to the Hall, the Hall,

3028
02:43:07,440 --> 02:43:08,600
Speaker 3: remember that the Hall?

3029
02:43:08,959 --> 02:43:14,880
Speaker 1: What is that his dis record yesterday becaus eminem.

3030
02:43:16,760 --> 02:43:17,000
Speaker 3: Ship.

3031
02:43:21,600 --> 02:43:27,520
Speaker 2: I mean, and he created a whole persona.

3032
02:43:28,560 --> 02:43:30,520
Speaker 1: I mean himself as well.

3033
02:43:30,800 --> 02:43:35,039
Speaker 3: That's really definitely so, I mean it doesn't work for everybody. Now,

3034
02:43:35,200 --> 02:43:37,920
Speaker 3: what's real is that you got some sharks out here,

3035
02:43:38,480 --> 02:43:40,680
Speaker 3: like you got dudes like common and black thought like

3036
02:43:40,720 --> 02:43:44,920
Speaker 3: these guys can put some words together and meaningful words,

3037
02:43:45,160 --> 02:43:46,560
Speaker 3: you know what I mean. You got a guy like

3038
02:43:46,640 --> 02:43:51,200
Speaker 3: three thousand like one and clearly are argument one of

3039
02:43:51,240 --> 02:43:52,119
Speaker 3: the top guy.

3040
02:43:52,200 --> 02:43:53,760
Speaker 2: You can't even put him on the throw on the list.

3041
02:43:53,920 --> 02:43:55,520
Speaker 2: You got to take him to when the aliens can

3042
02:43:55,600 --> 02:43:56,039
Speaker 2: bring on.

3043
02:43:59,480 --> 02:43:59,879
Speaker 3: And right.

3044
02:44:03,360 --> 02:44:05,880
Speaker 1: Andre is so cool. He's like he eyeing his clothes

3045
02:44:05,920 --> 02:44:09,360
Speaker 1: in seven years and none of us said nothing. None

3046
02:44:09,400 --> 02:44:16,600
Speaker 1: of us said, that's like yeah, like he sleep under

3047
02:44:16,600 --> 02:44:16,959
Speaker 1: the bed.

3048
02:44:17,920 --> 02:44:20,640
Speaker 2: Nobody here like nobody. He's an artist.

3049
02:44:21,600 --> 02:44:22,080
Speaker 1: I like that.

3050
02:44:22,120 --> 02:44:25,920
Speaker 3: I like that. I like the creative aspect, and I

3051
02:44:25,959 --> 02:44:27,760
Speaker 3: like that. I like the journey too. I like the

3052
02:44:27,840 --> 02:44:31,400
Speaker 3: journey because sometimes sometimes when you're talking to real it

3053
02:44:31,440 --> 02:44:32,000
Speaker 3: seems fake.

3054
02:44:32,920 --> 02:44:34,080
Speaker 2: You're putting on the.

3055
02:44:34,040 --> 02:44:36,800
Speaker 3: Show and you're doing it and it's like you you're

3056
02:44:36,800 --> 02:44:38,400
Speaker 3: an a I, but you're a real nigga.

3057
02:44:39,760 --> 02:44:41,600
Speaker 2: I don't get it. I don't I don't go together

3058
02:44:41,720 --> 02:44:42,000
Speaker 2: for me.

3059
02:44:42,560 --> 02:44:45,560
Speaker 3: So like for me, Sean Price showed me another side

3060
02:44:45,600 --> 02:44:49,000
Speaker 3: of being honest, you know, like so and so so

3061
02:44:49,120 --> 02:44:51,320
Speaker 3: so it's like how you deal with your your younger pride,

3062
02:44:51,800 --> 02:44:54,039
Speaker 3: be honest, you know what I mean.

3063
02:44:54,240 --> 02:44:59,800
Speaker 2: It's not really like that for me and it's not bad.

3064
02:44:59,879 --> 02:45:01,959
Speaker 3: Like growing up in the ghetto, we thought we was poor.

3065
02:45:02,360 --> 02:45:05,200
Speaker 3: But you you're eating every day some of us. You

3066
02:45:05,240 --> 02:45:06,320
Speaker 3: know what I'm saying. I grew up with both of

3067
02:45:06,360 --> 02:45:09,160
Speaker 3: my parents. My mom's in my paw. It was it was,

3068
02:45:09,560 --> 02:45:11,280
Speaker 3: it was, it was, it was, it was, it was.

3069
02:45:11,360 --> 02:45:13,960
Speaker 3: It was that was that's rich, that's rich, that's valuable,

3070
02:45:14,280 --> 02:45:14,879
Speaker 3: that's wealthy.

3071
02:45:15,160 --> 02:45:17,920
Speaker 1: It was crazy. It was crazy in the crib behind

3072
02:45:17,920 --> 02:45:18,879
Speaker 1: them doors, it was it was.

3073
02:45:18,920 --> 02:45:21,480
Speaker 2: It was. It was showtime appreciated.

3074
02:45:21,520 --> 02:45:26,959
Speaker 3: It seemed like it was life. I'm looking at photographs.

3075
02:45:27,000 --> 02:45:29,440
Speaker 3: I see pictures. I had stuff I ain't have. I

3076
02:45:29,440 --> 02:45:32,480
Speaker 3: ain't had a shelter ads, but I had the other ones, you.

3077
02:45:32,480 --> 02:45:41,760
Speaker 2: Know with the five strikes. No, I had the soft toes.

3078
02:45:44,120 --> 02:45:47,520
Speaker 3: I mean you know yeah, it took me a minute

3079
02:45:47,560 --> 02:45:51,160
Speaker 3: from school, Like you gotta appreciate that, man, I don't know,

3080
02:45:51,280 --> 02:45:54,640
Speaker 3: like you got you got, you got you gotta think

3081
02:45:54,680 --> 02:45:57,200
Speaker 3: about like you ship man. We influenced by guys like

3082
02:45:57,280 --> 02:46:01,280
Speaker 3: ro Kim that really was teaching us while we was,

3083
02:46:01,640 --> 02:46:03,120
Speaker 3: like he said, thinking of a mask.

3084
02:46:03,240 --> 02:46:05,080
Speaker 2: He wasn't was sweating.

3085
02:46:04,720 --> 02:46:08,000
Speaker 7: Side crazy that he wasn't cursing.

3086
02:46:08,480 --> 02:46:10,440
Speaker 3: It was so it was it was it was, it was,

3087
02:46:10,480 --> 02:46:13,960
Speaker 3: it was, it was hypnotic. You didn't pay attention. You

3088
02:46:14,200 --> 02:46:17,480
Speaker 3: ain't even kid for you didn't miss it. You didn't

3089
02:46:17,520 --> 02:46:20,160
Speaker 3: miss it exactly. So he was telling the journey of

3090
02:46:20,200 --> 02:46:22,879
Speaker 3: every little kid that went outside that ain't had no bread.

3091
02:46:23,600 --> 02:46:25,520
Speaker 2: What I'm gonna do today? You know what I'm saying.

3092
02:46:25,520 --> 02:46:28,640
Speaker 3: You kicking rocks, kicking cans, and you might get into

3093
02:46:28,680 --> 02:46:30,800
Speaker 3: some trouble around as soon as you've been that left.

3094
02:46:31,440 --> 02:46:35,039
Speaker 3: You see thunning them over there, You're like, oh man, should.

3095
02:46:34,800 --> 02:46:35,360
Speaker 1: I go over there?

3096
02:46:35,400 --> 02:46:36,680
Speaker 2: Should I go to the sandparm?

3097
02:46:38,160 --> 02:46:38,440
Speaker 1: You know?

3098
02:46:38,600 --> 02:46:42,320
Speaker 3: So you you want to you you you adventure, you

3099
02:46:42,400 --> 02:46:44,959
Speaker 3: know which way you want to go? You know.

3100
02:46:45,760 --> 02:46:46,959
Speaker 7: Before we get out of here, though, cause I know

3101
02:46:46,959 --> 02:46:48,520
Speaker 7: we're gonna get out one more I want to get

3102
02:46:48,520 --> 02:46:50,840
Speaker 7: one thing off. Is that thank y'all for being on

3103
02:46:50,879 --> 02:46:52,040
Speaker 7: my twenty fifteen album.

3104
02:46:52,160 --> 02:46:52,720
Speaker 1: Oh man.

3105
02:46:53,959 --> 02:46:55,760
Speaker 2: Every time I when it goes.

3106
02:46:55,640 --> 02:46:58,680
Speaker 7: Back to mixtapes, just doing mixtapes, they always showed up

3107
02:46:58,840 --> 02:47:01,520
Speaker 7: like you guys did as well, y'alllwys showed up. And

3108
02:47:01,520 --> 02:47:03,560
Speaker 7: then when it came to my doing my first album,

3109
02:47:03,640 --> 02:47:07,160
Speaker 7: my studio album, y'all showed up and Sean P showed up, Yes,

3110
02:47:07,800 --> 02:47:09,920
Speaker 7: and I actually wanted to do the video and then

3111
02:47:09,959 --> 02:47:13,440
Speaker 7: he passed shortly, you know, after recording the record that

3112
02:47:13,480 --> 02:47:14,040
Speaker 7: he did for me.

3113
02:47:14,280 --> 02:47:17,720
Speaker 2: So thank y'all. Man, appreciate y'all, thank you, Thank you all.

3114
02:47:17,760 --> 02:47:20,040
Speaker 1: A part of like the two man groups right now,

3115
02:47:20,080 --> 02:47:22,000
Speaker 1: the back and forth. Who do y'all think in the

3116
02:47:22,040 --> 02:47:24,480
Speaker 1: two man group? Who is the ultimate back and forth

3117
02:47:25,760 --> 02:47:27,520
Speaker 1: two man when they're going back and forth with let's

3118
02:47:27,520 --> 02:47:29,120
Speaker 1: talking about in and out? You know, you know what

3119
02:47:29,160 --> 02:47:31,039
Speaker 1: I'm saying aside from us, I.

3120
02:47:31,000 --> 02:47:33,560
Speaker 2: Mean you canna say, y'all, yeah.

3121
02:47:33,720 --> 02:47:37,280
Speaker 3: Man, I mean it's from I like to answer in

3122
02:47:37,280 --> 02:47:41,520
Speaker 3: the fact. Aside from us, it would be like, oh,

3123
02:47:41,640 --> 02:47:47,680
Speaker 3: damn't think about it. I got saying that one studio

3124
02:47:47,760 --> 02:47:50,920
Speaker 3: and that was when you say the tortures was.

3125
02:47:50,920 --> 02:47:57,080
Speaker 1: Handed handed down. They was. It was like here you

3126
02:47:57,160 --> 02:48:01,320
Speaker 1: go definitely like you say one word.

3127
02:48:01,400 --> 02:48:03,959
Speaker 7: Damn okay, and then you reinvent styles because then you

3128
02:48:04,040 --> 02:48:04,920
Speaker 7: have y'all.

3129
02:48:04,920 --> 02:48:05,440
Speaker 1: And then M O.

3130
02:48:05,520 --> 02:48:09,000
Speaker 3: P came with it crazy with it. You know, wow,

3131
02:48:09,640 --> 02:48:12,560
Speaker 3: energy is hike it up. I mean true say run

3132
02:48:12,640 --> 02:48:13,720
Speaker 3: d M C had.

3133
02:48:14,440 --> 02:48:17,840
Speaker 1: M come on man sucking up. It was that, but

3134
02:48:17,879 --> 02:48:19,760
Speaker 1: it wasn't. I ain't gonna lie. I don't think run

3135
02:48:19,879 --> 02:48:22,000
Speaker 1: was going and now.

3136
02:48:27,120 --> 02:48:27,720
Speaker 2: They was doing it.

3137
02:48:27,760 --> 02:48:29,600
Speaker 1: They was doing I'm saying, no, no, no, no, I'm saying

3138
02:48:29,720 --> 02:48:33,000
Speaker 1: in and out is we're having the same conversation. Like

3139
02:48:33,360 --> 02:48:35,800
Speaker 1: I'm saying, what's something he's saying, I'm here, you know

3140
02:48:35,840 --> 02:48:37,760
Speaker 1: what I mean, like very specific with it. That's what

3141
02:48:37,760 --> 02:48:41,560
Speaker 1: that's that's why you want us to DJ you.

3142
02:48:49,959 --> 02:48:52,320
Speaker 2: Know, say B E. P. M. D.

3143
02:48:52,520 --> 02:48:56,640
Speaker 3: Smith and Western l o X. Yeah, no disrespect l

3144
02:48:56,680 --> 02:48:59,320
Speaker 3: o X. I see the back and forth with them

3145
02:48:59,640 --> 02:49:02,600
Speaker 3: like that. Man, I mean, they gladiate this man. So

3146
02:49:02,640 --> 02:49:04,480
Speaker 3: when they when they do the back and forth.

3147
02:49:04,280 --> 02:49:06,640
Speaker 2: To me, you say you like the better individually. I

3148
02:49:06,680 --> 02:49:07,120
Speaker 2: suppose that.

3149
02:49:07,120 --> 02:49:08,440
Speaker 1: I'm going, Okay, I can.

3150
02:49:08,360 --> 02:49:11,760
Speaker 4: See it sounds you know, I like, I like the

3151
02:49:11,840 --> 02:49:13,600
Speaker 4: different you back and forth.

3152
02:49:13,920 --> 02:49:16,080
Speaker 1: One one don't sound like the other. Like one.

3153
02:49:16,120 --> 02:49:17,560
Speaker 2: But that's what's killing ship too.

3154
02:49:20,440 --> 02:49:20,760
Speaker 3: They don't.

3155
02:49:20,760 --> 02:49:23,080
Speaker 7: I don't think they get enough enough respective they should

3156
02:49:23,280 --> 02:49:26,920
Speaker 7: now today right and they were hell do especially right

3157
02:49:27,800 --> 02:49:29,119
Speaker 7: he does effects on drink Champ.

3158
02:49:30,080 --> 02:49:30,280
Speaker 2: Yeah.

3159
02:49:30,320 --> 02:49:32,360
Speaker 1: But but I'm gonna agree with y'all on the in

3160
02:49:32,400 --> 02:49:36,400
Speaker 1: and out on the internet. I actually believe that, you know,

3161
02:49:36,440 --> 02:49:41,480
Speaker 1: because me just listening to the camaraderie out of camaraderie, camaraderie.

3162
02:49:41,640 --> 02:49:44,840
Speaker 1: Always I'm listening to it's like I know the difference

3163
02:49:45,080 --> 02:49:47,640
Speaker 1: in the voice patterns, but it still takes me a minute,

3164
02:49:47,840 --> 02:49:50,199
Speaker 1: like which which means that y'are class.

3165
02:49:50,080 --> 02:49:51,120
Speaker 2: The difference between me and poem.

3166
02:49:51,160 --> 02:49:53,760
Speaker 1: Poem's voice is so much deeper than minds or mine's

3167
02:49:54,240 --> 02:49:56,720
Speaker 1: stupid than his, and his is like a little like

3168
02:49:57,080 --> 02:50:00,680
Speaker 1: you know what I mean? So you at the same No,

3169
02:50:00,720 --> 02:50:03,040
Speaker 1: that was in the disc that was like because it's

3170
02:50:03,160 --> 02:50:11,400
Speaker 1: like almost scratch, yeah almost almost, Like how like if

3171
02:50:11,400 --> 02:50:16,359
Speaker 1: you deep is pretty much the same like you gotta

3172
02:50:18,040 --> 02:50:21,120
Speaker 1: but like sometimes this ship is hot, My ship is deep,

3173
02:50:21,520 --> 02:50:26,119
Speaker 1: all right? Joint how you approached the Yeah.

3174
02:50:25,720 --> 02:50:27,920
Speaker 3: Yeah, no, I'll be hearing some I'll be hearing some joints.

3175
02:50:27,959 --> 02:50:29,560
Speaker 3: It is like, damn, that's that ship kind of came

3176
02:50:29,560 --> 02:50:32,480
Speaker 3: out pretty good. But then also like you gotta think,

3177
02:50:32,600 --> 02:50:35,480
Speaker 3: like we spent some time in the in the in

3178
02:50:35,520 --> 02:50:40,720
Speaker 3: the in the dugout watching Black Boom, and although it's

3179
02:50:40,760 --> 02:50:44,000
Speaker 3: a group, it's three men, it's it's one of the

3180
02:50:44,040 --> 02:50:45,840
Speaker 3: men is a lead.

3181
02:50:46,320 --> 02:50:47,520
Speaker 2: He's the lead of the group.

3182
02:50:48,080 --> 02:50:51,520
Speaker 3: He's doing primarily all of the hits, all of the

3183
02:50:51,600 --> 02:50:55,840
Speaker 3: song Buckshot is doing all the hits, right, So we're

3184
02:50:55,920 --> 02:51:02,280
Speaker 3: sitting there going there, how do we coming different? Like

3185
02:51:02,680 --> 02:51:05,520
Speaker 3: what's our anger? Yeah, what's our anger? We're just gonna

3186
02:51:05,520 --> 02:51:07,720
Speaker 3: come and rap and rap like that's kind of corny like.

3187
02:51:08,160 --> 02:51:09,959
Speaker 3: So we're sitting there all the time, we get to

3188
02:51:10,000 --> 02:51:13,080
Speaker 3: formulate how we're going to do it. So our next

3189
02:51:13,200 --> 02:51:16,360
Speaker 3: our next up is to come like boom. So I

3190
02:51:16,400 --> 02:51:19,120
Speaker 3: think the first know the first song was was was

3191
02:51:19,120 --> 02:51:20,039
Speaker 3: was all.

3192
02:51:21,760 --> 02:51:23,280
Speaker 1: On Black Moore album.

3193
02:51:24,160 --> 02:51:26,120
Speaker 3: Alright, Blacksmiths, So we had to just shoot. We just

3194
02:51:26,120 --> 02:51:29,600
Speaker 3: had to shoot like boom. But then it's like, you know,

3195
02:51:29,800 --> 02:51:33,280
Speaker 3: you the man. So being a group, we always get

3196
02:51:33,320 --> 02:51:37,640
Speaker 3: like like one nigga take a stail, y'all got twelve

3197
02:51:37,680 --> 02:51:41,200
Speaker 3: bars together. Everybody else get you know what I mean,

3198
02:51:41,200 --> 02:51:43,640
Speaker 3: they get the bus. But we always had to share

3199
02:51:43,640 --> 02:51:45,640
Speaker 3: our bars. And that was the same way like the

3200
02:51:45,720 --> 02:51:47,600
Speaker 3: D N D D and D all start wanting to

3201
02:51:47,640 --> 02:51:48,200
Speaker 3: and pass it.

3202
02:51:48,600 --> 02:51:49,480
Speaker 1: That was a dope breaker.

3203
02:51:50,200 --> 02:51:51,199
Speaker 2: That was a dope breaker.

3204
02:51:52,000 --> 02:51:58,039
Speaker 3: That was incredible. That was incredible to be a part of,

3205
02:51:58,600 --> 02:51:59,240
Speaker 3: you know what I'm saying.

3206
02:51:59,600 --> 02:52:03,400
Speaker 1: So that's developed it when like short versus and they

3207
02:52:03,400 --> 02:52:04,360
Speaker 1: say you gotta share.

3208
02:52:04,920 --> 02:52:07,200
Speaker 3: That was one thing that helped us to develop it.

3209
02:52:07,840 --> 02:52:13,120
Speaker 3: Sitting there and just like you had admitted work because

3210
02:52:13,160 --> 02:52:15,320
Speaker 3: you got it. I wasn't even rapping, so it was

3211
02:52:16,280 --> 02:52:18,120
Speaker 3: I just gotta feed off of it.

3212
02:52:18,200 --> 02:52:20,760
Speaker 1: And I can't believe that part that wasn't rapping at all.

3213
02:52:21,760 --> 02:52:26,119
Speaker 1: Before my very first rap, I wasn't thinking about rap

3214
02:52:26,160 --> 02:52:26,440
Speaker 1: at all.

3215
02:52:27,000 --> 02:52:30,320
Speaker 2: We was face man, but he's like easy.

3216
02:52:30,560 --> 02:52:32,280
Speaker 1: We didn't.

3217
02:52:32,440 --> 02:52:35,440
Speaker 2: We didn't so much in the culture right school with

3218
02:52:35,560 --> 02:52:36,360
Speaker 2: a Craig G.

3219
02:52:37,280 --> 02:52:41,920
Speaker 1: Wow from Boklyn went to school your school what.

3220
02:52:41,879 --> 02:52:43,600
Speaker 2: The school now we.

3221
02:52:46,560 --> 02:52:50,000
Speaker 1: Went to. Our high school was in graphic art printing

3222
02:52:50,080 --> 02:52:52,520
Speaker 1: in Hell's kitchen. Oh okay, in the city. So yeah,

3223
02:52:52,760 --> 02:52:53,800
Speaker 1: that's what Craig g.

3224
02:52:53,800 --> 02:52:57,080
Speaker 6: Gemini, the gifted one who Rack Kim would come through

3225
02:52:57,240 --> 02:52:59,920
Speaker 6: soclonas we would see heavy body.

3226
02:52:59,800 --> 02:53:01,440
Speaker 1: I said, I came through the school.

3227
02:53:01,520 --> 02:53:03,520
Speaker 2: He didn't go to THEO.

3228
02:53:04,040 --> 02:53:07,800
Speaker 1: He just came pull up with the the.

3229
02:53:06,840 --> 02:53:09,800
Speaker 6: The bends with the big Amazon and the gold joints

3230
02:53:10,959 --> 02:53:14,520
Speaker 6: right in front of the joint hate chains on.

3231
02:53:14,560 --> 02:53:17,520
Speaker 2: You like I did that, Brooklyn.

3232
02:53:17,560 --> 02:53:21,080
Speaker 3: It was like that's effects would would pull up here,

3233
02:53:21,400 --> 02:53:27,000
Speaker 3: pull the big benches in the park man, Brooklyn, and

3234
02:53:27,040 --> 02:53:30,400
Speaker 3: one of them is Brooklyn the Jersey Jersey.

3235
02:53:31,200 --> 02:53:34,320
Speaker 2: Yeah what you said is Jersey and Brooklyn.

3236
02:53:34,760 --> 02:53:37,480
Speaker 3: Yeah, yeah, salute to Jersey.

3237
02:53:37,440 --> 02:53:41,480
Speaker 2: Yeah, it's like b q A Brooklyn queens.

3238
02:53:41,360 --> 02:53:43,400
Speaker 1: When you come over to Jerseys in Brooklyn.

3239
02:53:43,800 --> 02:53:47,760
Speaker 3: We was we was in California with park I was

3240
02:53:47,760 --> 02:53:51,640
Speaker 3: getting called from my man was in railway in Jersey

3241
02:53:51,879 --> 02:53:53,520
Speaker 3: in the prison. He was like, I heard y'all out

3242
02:53:53,560 --> 02:53:57,480
Speaker 3: there with with the big homie, like the niggas.

3243
02:54:00,920 --> 02:54:01,240
Speaker 1: Hot.

3244
02:54:01,480 --> 02:54:04,480
Speaker 3: No, but it's like news travel. We came from an

3245
02:54:04,480 --> 02:54:07,199
Speaker 3: era where news travel. We don't know how it got there,

3246
02:54:07,879 --> 02:54:08,959
Speaker 3: but news would travel.

3247
02:54:09,040 --> 02:54:11,240
Speaker 1: So you know, niggas in prison get the news before

3248
02:54:11,240 --> 02:54:17,280
Speaker 1: the streets that y'all have passed out on the beat

3249
02:54:17,320 --> 02:54:20,080
Speaker 1: that y'all regretted, Like someone will ever get y'all.

3250
02:54:21,720 --> 02:54:24,200
Speaker 6: I don't think so, because we don't complain. Whatever you

3251
02:54:24,280 --> 02:54:26,560
Speaker 6: put in front of us. We're gonna dis man, We're

3252
02:54:26,560 --> 02:54:27,600
Speaker 6: gonna do what we do to it.

3253
02:54:27,680 --> 02:54:28,440
Speaker 2: We munch man.

3254
02:54:28,520 --> 02:54:32,920
Speaker 3: We we are we are called special change. We the

3255
02:54:33,000 --> 02:54:34,560
Speaker 3: special change that the boot can't click.

3256
02:54:35,240 --> 02:54:39,959
Speaker 1: Track masters gave me jigga jigger. It was no thinking.

3257
02:54:40,040 --> 02:54:40,080
Speaker 3: No.

3258
02:54:40,360 --> 02:54:46,400
Speaker 1: I was like no that. I was like that that

3259
02:54:46,400 --> 02:54:46,840
Speaker 1: wouldn't have.

3260
02:54:50,879 --> 02:54:54,119
Speaker 3: But you know, not that era there is there is

3261
02:54:54,160 --> 02:54:57,160
Speaker 3: like when when when when your men for real came

3262
02:54:57,200 --> 02:55:02,119
Speaker 3: on the scene. It was a time when Fab five

3263
02:55:02,320 --> 02:55:05,200
Speaker 3: was working on an album and I think he gave them,

3264
02:55:06,440 --> 02:55:10,000
Speaker 3: gave something. Yeah, this is early for real, so nobody

3265
02:55:10,200 --> 02:55:10,920
Speaker 3: know what Son.

3266
02:55:10,879 --> 02:55:12,800
Speaker 1: Was getting on tight shirt. You couldn't understand.

3267
02:55:14,640 --> 02:55:17,879
Speaker 3: And this is when this is when it was given consents. Yeah,

3268
02:55:18,160 --> 02:55:20,080
Speaker 3: so I forgot what beat it was. I think it

3269
02:55:20,160 --> 02:55:22,160
Speaker 3: was a beat that came out later on. It was

3270
02:55:22,240 --> 02:55:26,640
Speaker 3: used by Chalice Kalise single Hate You So Much. It

3271
02:55:26,720 --> 02:55:28,560
Speaker 3: was that beat, but it was just that plane.

3272
02:55:28,959 --> 02:55:32,400
Speaker 7: Is this before super Thun Yeah, because he was doing

3273
02:55:32,440 --> 02:55:34,000
Speaker 7: Browns and.

3274
02:55:35,080 --> 02:55:38,039
Speaker 2: Record right there. It's incredible.

3275
02:55:38,240 --> 02:55:39,199
Speaker 1: Oh my gosh.

3276
02:55:41,120 --> 02:55:41,760
Speaker 2: What for me too?

3277
02:55:41,959 --> 02:55:45,160
Speaker 1: That was she had to beat not the intro and

3278
02:55:45,280 --> 02:55:47,720
Speaker 1: not not not the intro, not.

3279
02:55:47,720 --> 02:55:54,480
Speaker 17: The hook and what's name remixed now? Like just for

3280
02:55:54,600 --> 02:55:59,320
Speaker 17: the Phantom Phantom of the Beats gave us, Yeah, Phantom

3281
02:55:59,320 --> 02:56:01,879
Speaker 17: of the Beats from Dwellers know that selling Dwellers from

3282
02:56:02,360 --> 02:56:04,240
Speaker 17: Blue Cheese something.

3283
02:56:05,920 --> 02:56:08,800
Speaker 3: Shout out the Dwellers too. But he gave us I

3284
02:56:08,800 --> 02:56:12,320
Speaker 3: don't know what was working. Yeah, yeah, but he gave

3285
02:56:12,400 --> 02:56:20,080
Speaker 3: us Magic Stick, that's yeah. He gave us Noah Fantom.

3286
02:56:20,400 --> 02:56:23,840
Speaker 1: You know, we had Lil Wayne and t Payne joint

3287
02:56:23,920 --> 02:56:28,640
Speaker 1: get money. Oh yeah, we switched that.

3288
02:56:28,760 --> 02:56:31,840
Speaker 4: We did the joy with Shorty Low because what's the

3289
02:56:31,920 --> 02:56:32,880
Speaker 4: name of playing skills?

3290
02:56:32,920 --> 02:56:33,760
Speaker 1: Gave it to us.

3291
02:56:34,360 --> 02:56:36,200
Speaker 3: I'll tell you one thing though, like hanging out with

3292
02:56:36,280 --> 02:56:39,800
Speaker 3: Pok Park is a beast and it's crazy because you

3293
02:56:39,879 --> 02:56:43,640
Speaker 3: got to think, like, yes, he was very young, right,

3294
02:56:44,240 --> 02:56:46,039
Speaker 3: but in the studio he was like when we was

3295
02:56:46,040 --> 02:56:48,800
Speaker 3: out there with him, He's like, yo, who got beats?

3296
02:56:49,600 --> 02:56:52,760
Speaker 2: Anybody could have beats at that time. You never know, he.

3297
02:56:52,840 --> 02:56:55,240
Speaker 3: Might have changed it later on, but you you didn't

3298
02:56:55,280 --> 02:56:57,440
Speaker 3: know at the time that he was stacking up.

3299
02:56:58,200 --> 02:56:59,840
Speaker 2: It's like he knew what was going to happen.

3300
02:57:00,040 --> 02:57:01,560
Speaker 1: Want to say, he worked like he knew he was

3301
02:57:01,600 --> 02:57:02,000
Speaker 1: going to go.

3302
02:57:04,080 --> 02:57:08,440
Speaker 3: I have one hundred and fifty three hundred songs after Like, so,

3303
02:57:08,760 --> 02:57:11,640
Speaker 3: when we got back from dealing with this cat, I

3304
02:57:11,680 --> 02:57:14,640
Speaker 3: had got a I got a job at.

3305
02:57:14,640 --> 02:57:18,440
Speaker 2: At Duckdown as an a n R. It was a short,

3306
02:57:18,959 --> 02:57:19,560
Speaker 2: short gig.

3307
02:57:21,720 --> 02:57:26,080
Speaker 3: I loved it. I think I was power tripping firing niggas,

3308
02:57:26,280 --> 02:57:30,840
Speaker 3: was firing niggas. I was like, yeah, taking niggas lawyers

3309
02:57:30,840 --> 02:57:34,680
Speaker 3: out there. They're like, still come on, man, but you know,

3310
02:57:34,720 --> 02:57:36,200
Speaker 3: it's all for the it's all for the for the

3311
02:57:36,240 --> 02:57:39,560
Speaker 3: for the family. But we we had like I had

3312
02:57:39,560 --> 02:57:42,959
Speaker 3: an opportunity. I was taking meets with producers and I

3313
02:57:43,000 --> 02:57:47,840
Speaker 3: was like buying a lot of beats and niggas like, yo, fam,

3314
02:57:48,400 --> 02:57:50,040
Speaker 3: we not we don't need all of those beats.

3315
02:57:51,200 --> 02:57:53,119
Speaker 1: Let me get those five beats. Bro, Like.

3316
02:57:54,800 --> 02:57:57,120
Speaker 2: We got mad, Well, we got mad.

3317
02:57:57,240 --> 02:58:01,280
Speaker 3: You're thinking about what you're doing, makes sense how you

3318
02:58:01,320 --> 02:58:03,560
Speaker 3: feel today. I don't know what we're gonna make when

3319
02:58:03,560 --> 02:58:06,240
Speaker 3: we're going to spot Like, come on, man, now we

3320
02:58:06,360 --> 02:58:07,960
Speaker 3: are a part where we could we could pick and

3321
02:58:08,040 --> 02:58:10,160
Speaker 3: choose like that. We it ain't like when we got

3322
02:58:10,160 --> 02:58:12,119
Speaker 3: an hour. We just gotta make it happen. We gotta

3323
02:58:12,320 --> 02:58:14,000
Speaker 3: to the to the gates. It was like, yo, what

3324
02:58:14,040 --> 02:58:15,879
Speaker 3: we're working on, were in here till some mood.

3325
02:58:15,879 --> 02:58:18,960
Speaker 6: Even in the studio hours different today than an hour

3326
02:58:19,160 --> 02:58:19,760
Speaker 6: was back then.

3327
02:58:20,040 --> 02:58:25,119
Speaker 4: Yeah, yeah, yeah, Now reconcent in an hour, that's a fact.

3328
02:58:25,360 --> 02:58:28,440
Speaker 2: Going work now, it's like, all right, hold on, let

3329
02:58:28,440 --> 02:58:29,240
Speaker 2: me go smoke.

3330
02:58:29,000 --> 02:58:33,000
Speaker 1: Some of it. Yeah. Man, the last question, right, both

3331
02:58:33,000 --> 02:58:36,080
Speaker 1: of y'all together as a team, get to write one

3332
02:58:36,240 --> 02:58:42,160
Speaker 1: rime for one person anybody you want a ghost, right

3333
02:58:42,320 --> 02:58:47,280
Speaker 1: for some ghost, right for one person? Anybody you wanted

3334
02:58:47,320 --> 02:58:52,960
Speaker 1: to be who would it be ghost? Right for someone

3335
02:58:55,040 --> 02:58:56,920
Speaker 1: you paid all the money you want in the world,

3336
02:58:59,120 --> 02:59:01,080
Speaker 1: the world to know what not? It's on you. But

3337
02:59:02,120 --> 02:59:02,960
Speaker 1: who would you pick?

3338
02:59:05,720 --> 02:59:06,160
Speaker 6: I don't know.

3339
02:59:06,240 --> 02:59:07,680
Speaker 2: That ain't even a fair question.

3340
02:59:09,320 --> 02:59:14,680
Speaker 1: Damn hip hop have to be hip hop alive day.

3341
02:59:15,080 --> 02:59:18,400
Speaker 1: They gotta be whoever it is as broad as it

3342
02:59:18,400 --> 02:59:18,680
Speaker 1: could be.

3343
02:59:19,440 --> 02:59:22,640
Speaker 2: That's all live. Whoever a wrap damn.

3344
02:59:24,120 --> 02:59:27,720
Speaker 1: Record, you gotta be. You gotta go in and out?

3345
02:59:28,200 --> 02:59:32,680
Speaker 2: Why are you thinking of that better? Two people? He

3346
02:59:32,800 --> 02:59:34,720
Speaker 2: made it more difficult.

3347
02:59:34,160 --> 02:59:36,600
Speaker 1: You got in and out.

3348
02:59:40,280 --> 02:59:45,920
Speaker 2: Damn rap ship. I need to call my lifeline.

3349
02:59:48,600 --> 02:59:51,160
Speaker 1: Damn damn.

3350
02:59:54,280 --> 02:59:56,000
Speaker 2: It has to be for this day and age.

3351
02:59:57,360 --> 03:00:00,879
Speaker 1: If their prime, yeah, they're probably Yeah, any buddy, anybody

3352
03:00:00,920 --> 03:00:04,000
Speaker 1: from any given moment in history.

3353
03:00:05,160 --> 03:00:09,440
Speaker 2: Damn you want to be like turn Yeah, it could

3354
03:00:09,440 --> 03:00:09,760
Speaker 2: be done.

3355
03:00:10,080 --> 03:00:14,800
Speaker 6: Nah, because for me, like Boom being g rapper is

3356
03:00:14,800 --> 03:00:18,160
Speaker 6: my favorite rappers. If I could have rolled something for

3357
03:00:18,320 --> 03:00:22,440
Speaker 6: g wrap the head the list O that lyrics.

3358
03:00:22,480 --> 03:00:24,240
Speaker 1: Yeah, but you're writing in what you just said. It

3359
03:00:24,240 --> 03:00:26,879
Speaker 1: has to be two people that I just said that.

3360
03:00:26,879 --> 03:00:27,880
Speaker 2: That's what I said.

3361
03:00:28,800 --> 03:00:34,720
Speaker 1: I was making it easier for you. That's kind of impossible, man,

3362
03:00:35,680 --> 03:00:37,520
Speaker 1: for two people, because you gotta find a duel don't

3363
03:00:37,560 --> 03:00:40,959
Speaker 1: don't do the du don't do individual g rappers. Then

3364
03:00:41,000 --> 03:00:41,600
Speaker 1: who would you have?

3365
03:00:43,680 --> 03:00:48,800
Speaker 3: See I'm kind of like a damn crank a nerve, right,

3366
03:00:48,920 --> 03:00:53,519
Speaker 3: So it's like I don't really I respect the ghost writers,

3367
03:00:54,160 --> 03:00:56,600
Speaker 3: but I don't really believe in that ship.

3368
03:00:57,400 --> 03:01:02,080
Speaker 1: Yeah, hypothetically, you can just than anybody in the world,

3369
03:01:02,120 --> 03:01:06,680
Speaker 1: anybody whether they're dead alive, nobody cares about and whatever.

3370
03:01:07,360 --> 03:01:10,039
Speaker 2: Meverse if I could, if I what.

3371
03:01:09,920 --> 03:01:14,800
Speaker 3: If Marvin Gay put a joint of melody of it

3372
03:01:14,840 --> 03:01:16,760
Speaker 3: with a rip, this would.

3373
03:01:16,560 --> 03:01:18,119
Speaker 1: Be It's.

3374
03:01:19,840 --> 03:01:22,080
Speaker 3: Okay, let's keep that's all right. We're gon we're gonna

3375
03:01:22,080 --> 03:01:24,400
Speaker 3: go simplify. We're gonna simplify. I got I got to,

3376
03:01:24,720 --> 03:01:28,040
Speaker 3: I got to And this is this is the politically

3377
03:01:28,040 --> 03:01:32,080
Speaker 3: correct ship from me. It's right, Uh, because I was

3378
03:01:32,120 --> 03:01:35,720
Speaker 3: gonna go on somebody some some some ball marty ship

3379
03:01:35,760 --> 03:01:36,720
Speaker 3: Gil Scott had wrong, I.

3380
03:01:37,360 --> 03:01:38,320
Speaker 1: Would have been perfect.

3381
03:01:39,280 --> 03:01:41,280
Speaker 3: That's what That's what I want, that's what that's the

3382
03:01:41,400 --> 03:01:43,119
Speaker 3: that's my initial that's the first thing that came.

3383
03:01:43,040 --> 03:01:44,119
Speaker 1: To my mind. That's perfect.

3384
03:01:44,800 --> 03:01:54,280
Speaker 3: Scott, deal with give some comments on that, right, what.

3385
03:01:53,520 --> 03:01:54,240
Speaker 1: Like with your mind?

3386
03:01:54,320 --> 03:01:56,800
Speaker 3: But then I'm like, damn, what be what'll be the

3387
03:01:56,920 --> 03:02:01,760
Speaker 3: illest thing conceptually to do is the ghost right for

3388
03:02:01,879 --> 03:02:04,920
Speaker 3: my son? Right? My son want to get into the game.

3389
03:02:04,959 --> 03:02:07,200
Speaker 3: He thinks he wanted to get into the game. Right,

3390
03:02:07,480 --> 03:02:10,440
Speaker 3: But what stories does a child has if he can't

3391
03:02:10,440 --> 03:02:12,119
Speaker 3: if he ain't talking about opulence, if he ain't talking

3392
03:02:12,120 --> 03:02:13,960
Speaker 3: about the things they have or the chicks or whatever.

3393
03:02:14,280 --> 03:02:15,760
Speaker 2: What age is your son at this point?

3394
03:02:16,480 --> 03:02:19,039
Speaker 3: My son right now? Is my son right now is

3395
03:02:19,040 --> 03:02:20,160
Speaker 3: twenty five years old?

3396
03:02:20,280 --> 03:02:21,200
Speaker 1: Okay? Right?

3397
03:02:21,840 --> 03:02:25,360
Speaker 3: So but he's he grew up in He grew up

3398
03:02:25,360 --> 03:02:28,240
Speaker 3: in Queens. He had a backyard and front yard.

3399
03:02:28,440 --> 03:02:28,960
Speaker 1: You know what I'm saying.

3400
03:02:28,959 --> 03:02:31,080
Speaker 2: It wasn't no decept coming up to the school.

3401
03:02:31,240 --> 03:02:33,400
Speaker 1: Wasn't he ain't coming to trenches.

3402
03:02:33,520 --> 03:02:36,440
Speaker 3: He wasn't he would you know he was born in

3403
03:02:36,480 --> 03:02:37,760
Speaker 3: Brooklyn or you know what I'm saying.

3404
03:02:37,800 --> 03:02:40,080
Speaker 1: Whatever than that, Like what what's what's the stories? Right?

3405
03:02:40,320 --> 03:02:42,760
Speaker 1: What you're talking about? I would? I would?

3406
03:02:42,760 --> 03:02:45,600
Speaker 3: It would be interesting, Like I like, I like when

3407
03:02:46,400 --> 03:02:50,320
Speaker 3: Styles and his son did that project, I was like, oh,

3408
03:02:50,959 --> 03:02:52,960
Speaker 3: I want to do that.

3409
03:02:52,959 --> 03:02:57,200
Speaker 2: That's like that's like a younger you you're talking to.

3410
03:02:57,959 --> 03:03:01,720
Speaker 3: Like without stepping on toes, like without mm hmm. Yeah,

3411
03:03:02,240 --> 03:03:06,080
Speaker 3: you know, how could you put that together?

3412
03:03:07,480 --> 03:03:10,480
Speaker 1: If it's me and Capone. I want lining Richie oh?

3413
03:03:10,720 --> 03:03:13,760
Speaker 1: And who and leonon Richie? Oh? I forgot who was

3414
03:03:13,760 --> 03:03:19,600
Speaker 1: the other one? Smokey Robinson? Who's smoking? Who's lane? Doesn't matter?

3415
03:03:20,000 --> 03:03:24,760
Speaker 1: They both call, and then of course m J and Prince. Hey, god,

3416
03:03:24,879 --> 03:03:27,840
Speaker 1: Prince got I want them to do bang bang over.

3417
03:03:28,520 --> 03:03:32,160
Speaker 1: That seems a little weird though, No, nothing new phone time,

3418
03:03:32,879 --> 03:03:35,920
Speaker 1: not a new phone time over your son.

3419
03:03:37,520 --> 03:03:45,360
Speaker 13: That's something jail. Sure we wanted to do that.

3420
03:03:51,040 --> 03:03:52,480
Speaker 2: Prince when he says bang, mak.

3421
03:03:57,920 --> 03:04:01,600
Speaker 3: Me that kind of hello, that's a ring of ship,

3422
03:04:02,080 --> 03:04:03,199
Speaker 3: you know, that's.

3423
03:04:04,320 --> 03:04:05,480
Speaker 2: It's about to be fed up.

3424
03:04:06,720 --> 03:04:08,720
Speaker 1: I always wanted I always wanted to do that as

3425
03:04:08,720 --> 03:04:10,440
Speaker 1: a record. I always wanted to do, like I write

3426
03:04:10,480 --> 03:04:13,080
Speaker 1: your rhyme, you write minds as a record.

3427
03:04:12,840 --> 03:04:16,600
Speaker 2: Like y'all never did that. You never wrote rhyme.

3428
03:04:16,640 --> 03:04:20,320
Speaker 1: He wrote yours as a record like Yeah, But I

3429
03:04:20,360 --> 03:04:22,320
Speaker 1: always wanted to do that as a record. But I

3430
03:04:22,320 --> 03:04:25,320
Speaker 1: wouldn't right as me. But you gotta listen. I wouldn't

3431
03:04:25,320 --> 03:04:27,480
Speaker 1: write as me I have. I would want to write

3432
03:04:27,480 --> 03:04:33,800
Speaker 1: as I'm saying. That's what y'all. Let us we sit

3433
03:04:33,920 --> 03:04:36,720
Speaker 1: there and I say, y'all gonna write yours? You right mind?

3434
03:04:36,760 --> 03:04:40,000
Speaker 1: But you're not writing for you. You're right and me we're

3435
03:04:40,000 --> 03:04:42,360
Speaker 1: telling people, look, he wrote my ship. I wrote my ship,

3436
03:04:42,560 --> 03:04:44,800
Speaker 1: you know what I mean, like always like to bug

3437
03:04:44,840 --> 03:04:46,680
Speaker 1: out like this wasn't no ghost writer ship that we

3438
03:04:47,000 --> 03:04:47,480
Speaker 1: sat here.

3439
03:04:48,320 --> 03:04:52,560
Speaker 3: We were done every We've done every way to write.

3440
03:04:53,120 --> 03:04:56,119
Speaker 1: You know, everybody all partner's done yo.

3441
03:04:55,879 --> 03:04:56,800
Speaker 2: Check and I wrote this ship.

3442
03:04:56,840 --> 03:04:59,160
Speaker 1: I just say that ship right there, it's gonna fit.

3443
03:04:59,280 --> 03:05:02,120
Speaker 4: Like I don't given who group you are, you know,

3444
03:05:02,720 --> 03:05:06,720
Speaker 4: took somebody a part the ship. Like that's just the

3445
03:05:06,760 --> 03:05:09,360
Speaker 4: best thing about blessing about being a group.

3446
03:05:09,560 --> 03:05:12,600
Speaker 1: Yeah you gohost whiteness. No, no, that ship don't count.

3447
03:05:12,520 --> 03:05:14,680
Speaker 2: Right right, Put that ship aside. Man, we're making it.

3448
03:05:14,680 --> 03:05:17,000
Speaker 3: We were all working towards to the goal and make

3449
03:05:17,080 --> 03:05:19,720
Speaker 3: some fly ship and put that out in the universe

3450
03:05:20,440 --> 03:05:22,960
Speaker 3: and that that's like but but but it's like it's

3451
03:05:22,959 --> 03:05:24,720
Speaker 3: like when you go from the analog to the digital

3452
03:05:25,160 --> 03:05:28,080
Speaker 3: and when you think about like like I.

3453
03:05:28,120 --> 03:05:28,800
Speaker 1: Love You song.

3454
03:05:29,360 --> 03:05:32,960
Speaker 3: We was in the studio where I Love you torow marriage. Yeah,

3455
03:05:32,959 --> 03:05:36,520
Speaker 3: the marriage joint, you know, the piano chairs, the one.

3456
03:05:36,360 --> 03:05:39,400
Speaker 1: Seater, that ship shine forever, I shan that's.

3457
03:05:39,280 --> 03:05:40,640
Speaker 2: What that's what everybody calls it.

3458
03:05:41,080 --> 03:05:46,640
Speaker 1: That everybody, I know what everybody called. It took us

3459
03:05:46,680 --> 03:05:48,720
Speaker 1: a half an hour looking for that ship. He was like, Sean,

3460
03:05:48,800 --> 03:05:51,600
Speaker 1: I was looking at it. It's don't look for that.

3461
03:05:52,360 --> 03:05:56,280
Speaker 1: It's yeah, I'm sucking on somebody.

3462
03:05:58,680 --> 03:06:01,680
Speaker 3: You you forced into that into that that that that

3463
03:06:01,680 --> 03:06:05,879
Speaker 3: that setting where it's like, yo, you got one book, right,

3464
03:06:06,240 --> 03:06:09,320
Speaker 3: and you were sitting there facing each other, you know,

3465
03:06:09,480 --> 03:06:14,440
Speaker 3: you in this cell of sorts and you have to go, yo, boom,

3466
03:06:14,560 --> 03:06:21,080
Speaker 3: here's a one line here here mm hmm yeah boom.

3467
03:06:21,280 --> 03:06:24,040
Speaker 3: Or you might get hot. You might write three, you know, right,

3468
03:06:24,440 --> 03:06:26,480
Speaker 3: so you cover that one. I'm gonna cover this here,

3469
03:06:26,560 --> 03:06:29,080
Speaker 3: put that finished, finish the balls off, go go spliff.

3470
03:06:30,200 --> 03:06:33,080
Speaker 3: You know what I'm saying. It's like, Yo, it feels magical.

3471
03:06:33,120 --> 03:06:35,960
Speaker 3: Then when you see that ship, it's like seamless. You know,

3472
03:06:35,959 --> 03:06:38,640
Speaker 3: it's like, okay, it ain't or somebody just write a

3473
03:06:38,640 --> 03:06:40,160
Speaker 3: whole He might just get hot and be like ya,

3474
03:06:40,160 --> 03:06:43,280
Speaker 3: I got twelve, Just put like four to that. We

3475
03:06:43,320 --> 03:06:46,080
Speaker 3: bust up the front, or you know what I mean, whatever,

3476
03:06:46,160 --> 03:06:48,279
Speaker 3: we got autonomy.

3477
03:06:48,280 --> 03:06:48,879
Speaker 1: You know what I'm saying.

3478
03:06:48,840 --> 03:06:49,560
Speaker 2: It's great.

3479
03:06:49,879 --> 03:06:52,120
Speaker 3: And you know that is one of those moments where

3480
03:06:52,160 --> 03:06:54,800
Speaker 3: you have you want to say some fantabolist ship.

3481
03:06:55,080 --> 03:06:57,360
Speaker 2: But you ain't got enough breath. You're like, yo, son,

3482
03:06:57,440 --> 03:06:59,039
Speaker 2: come right here, right here, on this.

3483
03:07:00,200 --> 03:07:01,400
Speaker 1: In and outgat fan.

3484
03:07:02,520 --> 03:07:04,360
Speaker 2: I caught that. I caught that.

3485
03:07:04,520 --> 03:07:04,920
Speaker 3: I caught.

3486
03:07:05,480 --> 03:07:08,680
Speaker 2: I caught slang. When I hear it's like that was

3487
03:07:08,720 --> 03:07:15,360
Speaker 2: my word. Give me your everything.

3488
03:07:15,520 --> 03:07:20,000
Speaker 1: Just yes, but listen, man, brothers, man, you know what

3489
03:07:20,040 --> 03:07:22,520
Speaker 1: I mean. I was so thankful, Like I said, man,

3490
03:07:22,560 --> 03:07:25,680
Speaker 1: I looked at my brother Poem Graham and y'all was together,

3491
03:07:25,760 --> 03:07:27,520
Speaker 1: and I was and it just was so dope.

3492
03:07:27,560 --> 03:07:29,360
Speaker 2: And I just you know what I mean, I hate,

3493
03:07:29,400 --> 03:07:30,280
Speaker 2: I hit you up.

3494
03:07:30,320 --> 03:07:33,720
Speaker 1: I hate I came up and I definitely you know

3495
03:07:33,800 --> 03:07:36,480
Speaker 1: one or two as men man like you guys mean

3496
03:07:36,560 --> 03:07:38,480
Speaker 1: so much to hip hop, what you guys have done,

3497
03:07:38,840 --> 03:07:42,000
Speaker 1: and you know it's crazy, like you guys come from

3498
03:07:42,040 --> 03:07:44,280
Speaker 1: a whole camp. You don't sound like them. You guys

3499
03:07:44,280 --> 03:07:47,039
Speaker 1: have always been original. You guys have done. You guys

3500
03:07:47,040 --> 03:07:49,960
Speaker 1: are true legends icons. And I wanted to give you guys,

3501
03:07:50,080 --> 03:07:52,480
Speaker 1: y'all flowers. I wanted to give guys y'all props. I

3502
03:07:52,520 --> 03:07:54,800
Speaker 1: wanted to tell you how much you mean, how dope

3503
03:07:54,840 --> 03:07:57,440
Speaker 1: you are, and how how much you continue to do this.

3504
03:07:57,680 --> 03:08:00,880
Speaker 1: Hopefully we get a two man fu tall you know

3505
03:08:00,879 --> 03:08:06,160
Speaker 1: what I mean as as just a top head. How

3506
03:08:06,240 --> 03:08:15,720
Speaker 1: dope it is to have two of the greatests.

3507
03:08:16,800 --> 03:08:18,600
Speaker 3: It doesn't get greater than that. But this is this

3508
03:08:18,680 --> 03:08:22,119
Speaker 3: is this also, man, thank you brother, because it's like

3509
03:08:22,120 --> 03:08:25,080
Speaker 3: like hip hop has allowed us to go. We bridging gaps,

3510
03:08:25,120 --> 03:08:29,040
Speaker 3: We bridging gap, We're building bridges. And like when when

3511
03:08:29,160 --> 03:08:32,480
Speaker 3: Noriega calls text for Smith and Wesson on the Jackie, like, Yo,

3512
03:08:32,520 --> 03:08:32,959
Speaker 3: what you're.

3513
03:08:32,840 --> 03:08:35,240
Speaker 2: Doing next week? Where we need to be bro?

3514
03:08:35,440 --> 03:08:38,879
Speaker 3: Like that's incredible, bro, Like they have that great you're

3515
03:08:39,000 --> 03:08:40,840
Speaker 3: wanted that timeline.

3516
03:08:40,840 --> 03:08:43,240
Speaker 1: Family, But there's got nothing to do with being family.

3517
03:08:43,320 --> 03:08:45,520
Speaker 1: Just got everything to do with hip hop. Man. You

3518
03:08:45,640 --> 03:08:48,680
Speaker 1: guys deserve your flowers so much, man, Like, how kid

3519
03:08:48,760 --> 03:08:52,160
Speaker 1: you not like like although, like you know, I probably

3520
03:08:52,360 --> 03:08:54,880
Speaker 1: like a year or two probably younger than y'all. I

3521
03:08:54,959 --> 03:08:57,440
Speaker 1: feel like y'all still raised me with the music because

3522
03:08:57,680 --> 03:09:00,160
Speaker 1: I knew y'all music before I knew y'all to.

3523
03:09:00,160 --> 03:09:01,959
Speaker 2: See what I'm saying. So I'm just sitting there.

3524
03:09:01,840 --> 03:09:04,680
Speaker 1: Identifying with the music and listen.

3525
03:09:04,760 --> 03:09:04,960
Speaker 2: Listen.

3526
03:09:05,840 --> 03:09:09,879
Speaker 1: First, I swore, I swore, I was, I swore from

3527
03:09:09,920 --> 03:09:11,560
Speaker 1: Brooklyn Earlier, I was walking like.

3528
03:09:27,320 --> 03:09:29,640
Speaker 3: That's one thing I love about boot Camp too, because

3529
03:09:29,680 --> 03:09:32,320
Speaker 3: there's so many of us. If we listened to other

3530
03:09:32,480 --> 03:09:36,840
Speaker 3: cast music, everybody and and it's funny because we used

3531
03:09:36,840 --> 03:09:39,560
Speaker 3: to imitate all the cast that we like. Wow, we

3532
03:09:39,640 --> 03:09:42,000
Speaker 3: used to imitate everybody that we like, you know what

3533
03:09:42,040 --> 03:09:44,879
Speaker 3: I'm saying, And like eventually, you know, we were talking

3534
03:09:44,879 --> 03:09:47,760
Speaker 3: about that earlier. Because we're gonna borrow some of your ship,

3535
03:09:48,400 --> 03:09:51,640
Speaker 3: you might hear, like, wait a minute, y'all.

3536
03:09:51,640 --> 03:09:54,480
Speaker 1: Man, we want to give y'all, y'all flowers man and

3537
03:09:54,560 --> 03:09:56,640
Speaker 1: shout out, oh GC, y'all.

3538
03:09:58,760 --> 03:10:03,480
Speaker 2: Moon, get out here. What's next for y'all?

3539
03:10:03,600 --> 03:10:06,760
Speaker 3: Like, oh, man, right now, we're working on album number

3540
03:10:06,800 --> 03:10:11,000
Speaker 3: eighth right with the ninth one done the Soul Council,

3541
03:10:13,080 --> 03:10:16,840
Speaker 3: So that's like, want to do the whole it's one

3542
03:10:16,840 --> 03:10:19,520
Speaker 3: of the ninth got a squad called the Soul Counsel.

3543
03:10:19,760 --> 03:10:26,119
Speaker 1: Okay, it's uh he banks uh here.

3544
03:10:28,360 --> 03:10:31,960
Speaker 3: He got the new Young Boy what's the Young Boy soundtracks?

3545
03:10:32,040 --> 03:10:35,199
Speaker 3: That's a beast man and yo. One thing about working

3546
03:10:35,280 --> 03:10:37,520
Speaker 3: with these guys, man, it's like when you go down

3547
03:10:37,600 --> 03:10:39,640
Speaker 3: to the to the to the studio, it reminds me

3548
03:10:39,720 --> 03:10:43,080
Speaker 3: of d N D D D Any You're going to

3549
03:10:43,120 --> 03:10:49,440
Speaker 3: see anybody. Yeah, no roaches, but it's a lot of

3550
03:10:49,879 --> 03:10:50,920
Speaker 3: takeout food ship.

3551
03:10:50,879 --> 03:10:53,680
Speaker 2: All over you know what I'm saying, like cleaning up

3552
03:10:54,680 --> 03:10:58,520
Speaker 2: like but it's like home. Ain't no egos there, bro

3553
03:10:58,760 --> 03:11:00,840
Speaker 2: like everybody in there. This is New York.

3554
03:11:03,240 --> 03:11:06,480
Speaker 3: Yeah, everybody in there is a monster like you think

3555
03:11:06,480 --> 03:11:09,640
Speaker 3: about d n D we ain't know. Niggas is from

3556
03:11:09,680 --> 03:11:12,400
Speaker 3: Queen Niggas from now, he's from booklets, from hongs, from

3557
03:11:12,440 --> 03:11:15,119
Speaker 3: the Bronx, And everybody is about to be the biggest

3558
03:11:15,280 --> 03:11:17,840
Speaker 3: most They about to be Titans. And we all in

3559
03:11:17,920 --> 03:11:23,600
Speaker 3: here playing pool, smoking reefer incredible machine.

3560
03:11:23,640 --> 03:11:26,200
Speaker 1: So yeah, I wanted to what's the machine that you

3561
03:11:26,280 --> 03:11:31,760
Speaker 1: get your snicker bars out of? Machine? Phillies and Chasles,

3562
03:11:32,400 --> 03:11:32,680
Speaker 1: what's that?

3563
03:11:32,920 --> 03:11:34,480
Speaker 2: This is a This is a book that I wrote.

3564
03:11:35,320 --> 03:11:37,760
Speaker 2: Come on to talk about this, Come on.

3565
03:11:38,840 --> 03:11:38,960
Speaker 1: Uh.

3566
03:11:39,720 --> 03:11:45,200
Speaker 3: It's a book of poetry, right, poems. And I use

3567
03:11:46,160 --> 03:11:49,840
Speaker 3: artwork from some this is like fans, some of the

3568
03:11:49,959 --> 03:11:52,760
Speaker 3: fans that you know painted did some paintings that I'm

3569
03:11:52,760 --> 03:11:57,240
Speaker 3: gonna put include the fans in the work as well.

3570
03:11:57,360 --> 03:12:00,160
Speaker 3: And I try to use something I jacked the U

3571
03:12:00,440 --> 03:12:05,880
Speaker 3: Tupac scroll, put my own handwriting and the things I

3572
03:12:06,000 --> 03:12:08,160
Speaker 3: just wanted to make it like engaging for the people.

3573
03:12:08,240 --> 03:12:10,760
Speaker 3: Like you always had the wraps, you always had the

3574
03:12:10,920 --> 03:12:14,400
Speaker 3: tough guys. But sometimes you don't get to like, you know,

3575
03:12:14,600 --> 03:12:17,560
Speaker 3: just get into some abstract and parents and get.

3576
03:12:17,520 --> 03:12:18,320
Speaker 2: Niggas to read too.

3577
03:12:18,600 --> 03:12:23,359
Speaker 1: Yes, and you need to be sell books for everybody.

3578
03:12:23,959 --> 03:12:25,879
Speaker 1: I just sawed my book deal too. I don't even

3579
03:12:25,879 --> 03:12:27,600
Speaker 1: know what I'm gonna call it. Yeah, I'm gonna call

3580
03:12:27,640 --> 03:12:33,199
Speaker 1: that ship. Reading is overrated. It's gonna be seven Centizy'll

3581
03:12:33,400 --> 03:12:37,520
Speaker 1: look at in the book that's gonna be mad pictures,

3582
03:12:39,120 --> 03:12:42,360
Speaker 1: people FM, Resource Room, niggas, anybody, especially educase. We don't

3583
03:12:42,360 --> 03:12:44,840
Speaker 1: want to read Instagram. We don't want to read, y'all.

3584
03:12:46,080 --> 03:12:48,160
Speaker 1: I'm sorry you not listen to me. No, kids don't

3585
03:12:48,160 --> 03:12:55,200
Speaker 1: watch the show anyway. Drink business your parents up there.

3586
03:12:56,440 --> 03:12:59,000
Speaker 2: Yeah, it's like twelve thing.

3587
03:12:59,560 --> 03:13:01,879
Speaker 3: They don't what you right, man, just write something. Yeah,

3588
03:13:01,920 --> 03:13:05,960
Speaker 3: I'm bugging out, said yo. We he put out a

3589
03:13:06,080 --> 03:13:10,440
Speaker 3: We put out a Bible, right, and you know hip hop.

3590
03:13:11,320 --> 03:13:12,880
Speaker 3: A lot of people lost their mind. He's like, what

3591
03:13:12,920 --> 03:13:13,959
Speaker 3: does this guy think he's doing?

3592
03:13:14,080 --> 03:13:14,160
Speaker 1: Right?

3593
03:13:14,720 --> 03:13:17,720
Speaker 2: But he's like, yo, everybody should write a book to that.

3594
03:13:18,080 --> 03:13:22,080
Speaker 3: Like when the Bible Saint James King, James Joint It's

3595
03:13:22,120 --> 03:13:24,120
Speaker 3: like you had this nice seeing council. Right, you have

3596
03:13:24,280 --> 03:13:26,520
Speaker 3: all of these different people from all these different lands

3597
03:13:27,520 --> 03:13:28,320
Speaker 3: bringing their books.

3598
03:13:29,160 --> 03:13:30,920
Speaker 2: What does that sound like to you? If not hip hop?

3599
03:13:31,840 --> 03:13:31,960
Speaker 3: Right?

3600
03:13:32,000 --> 03:13:38,040
Speaker 2: Everybody everybody's head. That was deep but we all allowed no.

3601
03:13:38,160 --> 03:13:40,320
Speaker 3: But it's no, it's there's no gate kid that same

3602
03:13:41,280 --> 03:13:44,160
Speaker 3: I respected write a book, that book from there, you

3603
03:13:44,240 --> 03:13:44,640
Speaker 3: know what I mean.

3604
03:13:44,959 --> 03:13:47,320
Speaker 2: We love that. We would love to see that.

3605
03:13:47,560 --> 03:13:50,320
Speaker 3: Nobody behind the scenes, not nobody coming and telling our story,

3606
03:13:50,480 --> 03:13:51,199
Speaker 3: us telling our story.

3607
03:13:51,200 --> 03:13:52,760
Speaker 1: That's right, We got to tell our own story.

3608
03:14:00,560 --> 03:14:04,400
Speaker 7: Drink Champs is a Drink Champs LLC production in association

3609
03:14:04,520 --> 03:14:05,640
Speaker 7: with Interval Presents.

3610
03:14:06,560 --> 03:14:10,080
Speaker 2: Hosts and executive producers n O r E and dj e.

3611
03:14:10,320 --> 03:14:16,039
Speaker 7: FN from Interval Presents executive producers Alan Coy and Jake Kleinberg.

3612
03:14:16,720 --> 03:14:20,840
Speaker 7: Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3613
03:14:21,120 --> 03:14:24,760
Speaker 7: or wherever you get your podcasts. Thanks for joining us

3614
03:14:24,800 --> 03:14:27,400
Speaker 7: for another episode of Drink Champs, hosted by Yours Truly,

3615
03:14:27,560 --> 03:14:30,240
Speaker 7: dj e FN and n O r E. Please make

3616
03:14:30,280 --> 03:14:32,480
Speaker 7: sure to follow us on all our socials that's at

3617
03:14:32,600 --> 03:14:36,320
Speaker 7: drink Champs across all platforms. At the Real Noriagon ig

3618
03:14:37,040 --> 03:14:40,160
Speaker 7: at Noriega on Twitter, mine is at Who's Crazy on

3619
03:14:40,320 --> 03:14:44,200
Speaker 7: ig at dj e FN on Twitter, and most importantly,

3620
03:14:44,240 --> 03:14:47,040
Speaker 7: stay up to date with the latest releases, news and

3621
03:14:47,200 --> 03:14:49,520
Speaker 7: merch by going to drink Champs dot com