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Speaker 1: Hello the Internet, and welcome this season two eighty seven

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Speaker 1: to eighty seven. I said you got it the fuck

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Speaker 1: I mean to eighty seven, not to eighty step in Wolf,

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Speaker 1: Episode five of The Daily Sit Guys. It's a production

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Speaker 1: of iHeartRadio. It still is that, okay, and it's still

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Speaker 1: a fucking podcast where we take a deep dive into

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Speaker 1: America's shared consciousness. And you're hearing my voice, so you

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Speaker 1: know what time it is? The substitute teachers in the

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Speaker 1: fucking building, and he is high as shit. He just

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Speaker 1: got out of his Mitsubishi and the smoke clouds are

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Speaker 1: billowing out. It's Friday, May nineteenth. It's Friday. I'm fucking

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Speaker 1: Friday's fuck yeah, May nineteenth. And guess what. It's NASCAR Day.

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Speaker 1: Didn't know that that was a thing. It's National Pizza

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Speaker 1: Party Day, It's national It's Malcolm X Day. It's National

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Speaker 1: Devil's Food Cake Day. It's National Defense Transfer that National

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Speaker 1: Dangered Species Day, National Bike to Workday, and many other things.

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Speaker 1: It's a fantastic day, but really.

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Speaker 2: It's Friday.

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Speaker 1: Yeah. My name is Miles Gray. I'm your lovely host. AKA,

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Speaker 1: I'm sorry, Miss Feinstein. I am for real should didn't

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Speaker 1: have to work until you die. It's time to give

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Speaker 1: term limits a try. Okay, shout out to at right

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Speaker 1: to post, doing good right now, at right to post

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Speaker 1: with these akas, I'm feeling them with the hip hop

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Speaker 1: bend that only an elder millennial like me we'll appreciate.

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Speaker 1: But yes, thank you for that one. Obviously. That was

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Speaker 1: to the tune of Miss Jackson my outcast fantastic album

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Speaker 1: and I'm thrilled to be joined my co host today,

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Speaker 1: my guest co host today. Look, this brother's from Chicago.

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Speaker 1: You know what I mean. He's a great musician, he's

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Speaker 1: got great taste. He's got a brand new tattoo that

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Speaker 1: is fantastic and it's not even finished yet. And you know,

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Speaker 1: I don't and I know this is a podcast that

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Speaker 1: doesn't help to talk about tattoos, but I will. And look,

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Speaker 1: DJ Producer, I don't know what else to say. All around,

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Speaker 1: fantastic human. Please welcome to the microphone.

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Speaker 2: Justin Connor.

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Speaker 3: Man, it's your boy, Justin Connor, stay out of Chicago,

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Speaker 3: the perpetual shy guy on a twelve year siesta in

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Speaker 3: Los Angeles.

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Speaker 1: There you go. Yeah, the artist arms like we were

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Speaker 1: talking yesterday.

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Speaker 3: Yeah, I got the artist arms, the little noodle arm.

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Speaker 3: You know, you know you're trying to decorate them up

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Speaker 3: with some art right here. Yeah, yeah, yeah, it's it's

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Speaker 3: my arm is a little raw right now. But man,

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Speaker 3: amazing fantastic artists. I linked up with Danny Cansino. I'm

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Speaker 3: gonna drop more for information at the end of the

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Speaker 3: show and plug her because man, I couldn't be happier.

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Speaker 4: And I only have like twenty percent of the test.

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Speaker 1: I love that twenty percent, like and I recommend it. Yeah,

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Speaker 1: And then later you're like, man, it was a l man. No,

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Speaker 1: so fucked up. But anyway, you're doing good.

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Speaker 4: Justin Yeah, I'm doing great, man, fantastic you know.

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Speaker 1: Shoe game looking strong as ever in the background.

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Speaker 4: You know, hey, man, this is what are those dollars

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Speaker 4: worth of mistake?

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Speaker 5: What are those?

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Speaker 1: What are those? Are those threes down low?

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Speaker 5: What are those?

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Speaker 2: Yeah?

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Speaker 4: Which those are the Oh yeah.

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Speaker 1: Those are good from a sneaker heads out there, we

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Speaker 1: love those, We love those. But first we got to

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Speaker 1: introduce our guests today. We've got fantastic writers.

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Speaker 6: Comedians, performers, scientific explorers if you will. They got a

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Speaker 6: show on HBO, Max that it's pretty in line with

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Speaker 6: all of my interests because it's called high science, and

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Speaker 6: I like science, but I also love high.

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Speaker 1: I love high, you know. I think people know that

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Speaker 1: on this show. I love high. I love to get high,

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Speaker 1: you know. So it's one of the greatest things ever,

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Speaker 1: and combining that with science makes it a fantastic show

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Speaker 1: which is very accessible for people like me who have

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Speaker 1: an add addle brain. Please welcome to the microphone slash stage,

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Speaker 1: mister Matt Kleiman and Zach Hello, good to see, nice

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Speaker 1: to be here.

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Speaker 2: Yeah, thanks for having us, guys.

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Speaker 1: Yeah, yeah, I gotta say the show is fucking great man.

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Speaker 1: I love Like I said, I like science, but I

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Speaker 1: like high. And you have a show where Paul Bettony

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Speaker 1: voices a like a sentient bong that helps teach you

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Speaker 1: about complex scientific concepts. That's pretty much everything I need

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Speaker 1: in my life. And I'm like, I got to say,

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Speaker 1: like I was telling you, guys off, Mike, I fuck

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Speaker 1: with anything Paul Bettany does, mostly because he's an Arsenal

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Speaker 1: fan like me. That's really I have no really no

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Speaker 1: idea about his artistic acumen, but just because we fuck

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Speaker 1: with the same team, I love him. But Yeah, welcome

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Speaker 1: to the show. Like, how how are how are things

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Speaker 1: with the both of you? Oh?

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Speaker 5: Thank you so much, Thank you so much for digging

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Speaker 5: the show. Yeah, I mean we made it for yeah,

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Speaker 5: for people like you, people who just wanted to like

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Speaker 5: get high and like put something on. Like the The

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Speaker 5: ideal person watching the show is like you come back

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Speaker 5: home from a party or something, but you want to

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Speaker 5: like you're gonna like eat you got like like Jack

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Speaker 5: in the Box tacos on the way home or something,

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Speaker 5: and you want to smoke a little bit more and

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Speaker 5: put something on while you eat them. Yeah, that is

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Speaker 5: what we made the show for that exactly.

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Speaker 3: That's the best thing that I can recommend for anyone

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Speaker 3: is something that has a low level of entry, but

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Speaker 3: then you get fascinated with That is all I needed

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Speaker 3: was one sentence to jump in headfirst.

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Speaker 1: Oh yeah, look, this easy sentient teaches people lessons about science.

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Speaker 2: What that's that means? Our spirit guide, you know, he

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Speaker 2: guides us through our Yeah, so we get we get

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Speaker 2: high on what we're gonna learn that day. So it's

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Speaker 2: like we get high on Neanderthals, we get high on trees.

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Speaker 2: And then the rest of the episode is our hallucinogenic

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Speaker 2: journey learning about these topics from you know, scientists who

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Speaker 2: are at the top of their game out there were

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Speaker 2: also you know, hallucinating interviews with them, and the whole

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Speaker 2: way Doctor O Paul Benny Is is guiding us with

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Speaker 2: his robot bong geniusness.

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Speaker 1: And what's you know, how like, are y'all actual soners

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Speaker 1: or just really clever creators? I got it?

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Speaker 5: Uh yeah, yeah, yeah, I mean yeah, yeah, Okay.

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Speaker 3: Part of me is like they don't seem high during

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Speaker 3: this you had the skeptical look in your eye.

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Speaker 4: Miles.

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Speaker 2: You gotta we have to do super sober for the

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Speaker 2: shooting of it because we were like we had to

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Speaker 2: shoot the whole thing in like two days, and it

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Speaker 2: was like teleprompters and pressure and the whole season.

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Speaker 1: And two days.

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Speaker 5: Yes, you guys would not like this show is like

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Speaker 5: the lowest budget, like scrappy thing, Like it's a miracle

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Speaker 5: that it got made. The whole thing is like hand

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Speaker 5: crafted and we like tried to make it, you know,

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Speaker 5: and it's amazing. It's on HBO Max, but like truly, Yeah,

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Speaker 5: we shot the whole thing in two days on friend.

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Speaker 2: Of the whole high part and then we had one

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Speaker 2: half day in the lab, which is where it bookends

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Speaker 2: the whole experience, right, Yeah.

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Speaker 3: Well this sounds like I my little high self in

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Speaker 3: the mid two thousands watching Adult Swim when it was

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Speaker 3: in its heyday. Like it really feels like you captured

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Speaker 3: the heart of like my what I wanted at that time.

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Speaker 1: Amazing. If you with Adult Swim, if you fuck with aquatine,

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Speaker 1: if you fuck with science like all that, it's it's

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Speaker 1: all like, it's all very rhetorically related. That's why, Yeah,

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Speaker 1: I really dig that.

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Speaker 2: Yeah, cause it seems like the same people who love

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Speaker 2: Adult Swim shit also like to put on Planet Earth.

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Speaker 2: You know what I'm saying. I feel like those things

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Speaker 2: are definitely like those people are curious about ship in

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Speaker 2: different ways, but also aligne.

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Speaker 1: I brought up Planet Earth, yes and yesterday's episode. That's

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Speaker 1: how much Planet Earth. It just rings through my skull

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Speaker 1: because when that DVD set came out.

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Speaker 5: In the globe, in the globe, oh.

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Speaker 1: Yeah, high shit. And again I'll keep saying it, my

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Speaker 1: favorite episode Caves because that intro guy jumps into.

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Speaker 4: The pit and just disappears into darkness, and.

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Speaker 1: I'll have to say it every time. I just want

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Speaker 1: to feel that. I don't know why I want to

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Speaker 1: jump into a void and Vanish I don't know if

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Speaker 1: that's dangerous or says something about like my you know,

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Speaker 1: outlook on the earth, But hey, that's my fantasy at

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Speaker 1: the moment.

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Speaker 2: I would love to be in a cave and then

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Speaker 2: all of a sudden watch it come to life with

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Speaker 2: like bioluminescence and all these like little creatures who never

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Speaker 2: see the light of day, but they can go in

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Speaker 2: the darken. For some reason, I can see them very

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Speaker 2: clearly and easily.

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Speaker 1: I would. Well, Matt Zach, we're going to get to

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Speaker 1: know you a little bit better. But first let's let's

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Speaker 1: clue people into what we're going to talk about. Some

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Speaker 1: serious shit. First, the debt ceiling shit show continues. There

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Speaker 1: is this fucking stupid ass pantomime. But me and the

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Speaker 1: Democrats and Republicans are like, oh man, it's gonna fuck

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Speaker 1: up the economy, but we're gonna do a deal. It's

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Speaker 1: gonna be catastrophic, don't worry, We're not gonna default. But

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Speaker 1: if we do, oh shit, it's like it's exhausting and

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Speaker 1: really all it is is like it's all just a

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Speaker 1: fucking performative Act just to cut social spending, because this

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Speaker 1: is what happens every single fucking time. So we'll touch

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Speaker 1: in on that because it is it is. It is

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Speaker 1: talked about a lot in the news, but not in

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Speaker 1: this way that needs to cast a little more, you know,

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Speaker 1: cynicism on the process. And since we're with some creators,

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Speaker 1: some people who have made some shows, I think it's

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Speaker 1: good to talk about just sort of what the writer

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Speaker 1: lists sort of slates look like for people's entertainment coming up,

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Speaker 1: because with the writer's strike, guess what, y'all not getting

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Speaker 1: anything new? So what are the networks doing? They're scraping

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Speaker 1: the bottom of the fucking barrel. And we'll talk about

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Speaker 1: some of those shows as well as like Jimmy Fallon,

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Speaker 1: like flexing, he was stunting on people about the new

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Speaker 1: Zelda game. We'll talk about that too because it all

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Speaker 1: fits in with the strike. And then we'll rap out

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Speaker 1: because the new Fast and Furious movie is coming out.

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Speaker 1: We gotta ask, is this going to cause more people

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Speaker 1: to drive like they are out their fucking minds? Are

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Speaker 1: more domb Touretto Wanna Be is gonna hit the road

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Speaker 1: because apparently there's some some statistics that seem to suggest

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Speaker 1: that this movie is inspiring some idiotic behavior behind the wheel.

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Speaker 1: But hey, we'll talk about that and plenty more. But first,

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Speaker 1: who do we start with, Matt or Zach? I'm gonna

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Speaker 1: ask you, what's something from your search history that reveals

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Speaker 1: a little bit about who you are or what you're into?

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Speaker 5: Yeah, Zach, you go, man, you got that.

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Speaker 2: Yeah. So I've kind of taken over both of our

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Speaker 2: search histories because last my search history is all poison

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Speaker 2: IVY treatment based searches. A week and a half ago,

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Speaker 2: I was shooting a short film in Cape Cod and

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Speaker 2: it was we were doing a nighttime shot and I

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Speaker 2: needed to I'm not gonna say exactly what the whole

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Speaker 2: film is about, but I needed to get a giant

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Speaker 2: spoon that was like Technicolor lighting up to lift off

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Speaker 2: this mound at this Cranberry bog in Cape Cod. And

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Speaker 2: so I was laying on this mound and it was nighttime,

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Speaker 2: and I was actually just scared of ticks, right, I

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Speaker 2: was like tons of ticks around here.

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Speaker 5: Yeah.

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Speaker 2: So I laid down a jack and I was like,

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Speaker 2: this is all good. And then, as you know, I

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Speaker 2: was down there for like an hour and a half

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Speaker 2: trying to get this shot to work, and I'm just

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Speaker 2: laying on the ground. I'm like, you know what to

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Speaker 2: keep checking. I'm not seeing any ticks. This is awesome, man,

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Speaker 2: I've avoided all the ticks. And then two days later,

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Speaker 2: I start to get these little bumps on my arms

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Speaker 2: and I'm like, wait, what is going on? And then

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Speaker 2: I was like, did I get a mosquito bite? And

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Speaker 2: then I realized that that mound that I was laying

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Speaker 2: and I had realized this before, like a month ago.

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Speaker 2: I had tracked it in my brain. I was like,

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Speaker 2: don't don't forget that mound is covered in poison ivy.

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Speaker 2: And I realized, oh no, I've covered my arms and

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Speaker 2: my neck and in poison ivy. And over the plane

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Speaker 2: ride back to the West Coast, I just started to

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Speaker 2: like scratch more and like I started to feel it.

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Speaker 2: And then over the next the course of the week,

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Speaker 2: I just like, I just got a rash and there's

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Speaker 2: all over my body and it's been an insane experience,

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Speaker 2: but I'm finally getting better. And I sent photos to

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Speaker 2: Matt to tell him about it, and he reacted with horror,

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Speaker 2: and he also started looking at poison ivy.

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Speaker 5: Well, here's here's what I didn't know. I assume like, oh,

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Speaker 5: poison ivy, like that'll wreck your day or a couple

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Speaker 5: of days. Poyson ivy last two to three weeks?

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Speaker 1: Oh fuck?

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Speaker 2: Really?

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Speaker 4: Yea?

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Speaker 1: It is there a difference between poison ivy and poison oak,

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Speaker 1: Like is one better?

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Speaker 2: They released the same euriscitol. They're eurrishital I can't remember

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Speaker 2: his pronounce, but they're fine high science. Someone's gonna have

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Speaker 2: the same oil that is released by all these different

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Speaker 2: prices and it does the same thing and and that,

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Speaker 2: and interacting with that can be a two to three

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Speaker 2: week fuck fest basically for your skins. It also it

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Speaker 2: like it makes it so that you can when you

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Speaker 2: just brush against it, you spread the oil arms around

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Speaker 2: your skin. It gets all So I ended up getting

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Speaker 2: it like all replaces that weren't even exposed.

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Speaker 3: Yeah, I'm from Illinois. Like we moved to this little town.

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Speaker 3: After a while, there was just it was covered with

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Speaker 3: poison ivy. When you wanted to go camping or fishing,

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Speaker 3: which is new to me. I was like, okay, yeah,

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Speaker 3: I love the outdoors now. I used to be surrounded

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Speaker 3: by concrete and pavement and whatnot, And no one told

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Speaker 3: me about poison oak poison ivy. They literally, weirdly enough,

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Speaker 3: they told me to watch out for lime disease and ticks,

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Speaker 3: like that was the biggest thing.

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Speaker 4: Horse flies.

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Speaker 3: Yeah, and I we were just kids. We were rolling

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Speaker 3: up and down a hill like for hours and hours

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Speaker 3: and hours. Same exact thing happened to me. But I

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Speaker 3: got it all in like my inner thigh and I

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Speaker 3: could not resist scratching and I spread that shit everywhere

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Speaker 3: it was. It was painful. Yeah, it was like one

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Speaker 3: of the most painful experiences I've ever went through. And

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Speaker 3: shortly before that, I had a fishing hook go through

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Speaker 3: my finger and come out the other side. I would

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Speaker 3: say poison ivy was slightly because it lasted so long.

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Speaker 3: But I went back to fishing that afternoon after the

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Speaker 3: fish hook thing. The poison ivy took me out. I

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Speaker 3: didn't go outside for like a month.

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Speaker 1: I know that I was hearing the other day. I

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Speaker 1: was like, hey, man, there's this hill, new hill. I

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Speaker 1: want to roll down. Man to come check it out

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Speaker 1: with me. You're like no. Never.

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Speaker 2: I was like, okay, Ship, you feel like a child. Yeah,

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Speaker 2: you gotta scope out the hills. Before you roll down them. Yeah,

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Speaker 2: that's fucked up, man. Yeah, please be careful out there

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Speaker 2: with the poison ivs and oaks. And then Matt, you

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Speaker 2: were saying you were also searching because you just in

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Speaker 2: solid air.

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Speaker 5: Do you're like, I got yeah, well, I just wanted

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Speaker 5: to know how long my friend was gonna be.

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Speaker 2: I literally was stopped. I would be like talking to man,

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Speaker 2: be like, dude, I gotta go, I gotta take a

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Speaker 2: cold shower or something. Man Like.

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Speaker 5: I was like so amped up and I was talking

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Speaker 5: to I was like, what is going on?

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Speaker 1: But I just couldn't stand still picturing picturing you on

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Speaker 1: a flight as you're like realizing it's getting worse. I

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Speaker 1: feel like I feel bad for the other passengers too,

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Speaker 1: who might be like, is this guy? Yeah, it was

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Speaker 1: definitely like it just keep it cool, just keep it yeah,

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Speaker 1: Like because you're probably like, don't start scratching, You're just.

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Speaker 5: Like, yeah, yeah, obligatory. Sorry this is on a podcast,

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Speaker 5: but this is the photos extent.

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Speaker 4: Oh no that.

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Speaker 1: Yeah, yeah, I don't.

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Speaker 5: Listeners just imagine like blonde red sploshes all over the man.

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Speaker 1: That looks so bad. I would wish that on Mitch McConnell.

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Speaker 1: What's something I think is overrated? Oh, okay, I got

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Speaker 1: this one.

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Speaker 2: I don't know.

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Speaker 5: I don't know. Maybe your audience is like cinophiles and

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Speaker 5: I'm fucking myself and everyone's gonna but I find, you know,

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Speaker 5: like cit and Sound, pole top movie. I finally watched

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Speaker 5: In the Mood for Love. Are you guys familiar with

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Speaker 5: this movie? In the Mood for Love? It's considered one

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Speaker 5: of the greatest films of all time, Like it topped

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Speaker 5: the like cit and Sound like a tour you know

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Speaker 5: List twenty twelve. I think like it's always in the mix,

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Speaker 5: like Letterbox people are always talking about In the Mood

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Speaker 5: for Love is like, actually, this is the greatest film.

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Speaker 1: Oh this is the Wan Car Why Car Why?

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Speaker 5: Yeah, one Car Why in Hong Kong, And this movie

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Speaker 5: is horribly overrated. It's like the thing is, it is

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Speaker 5: beautiful and there's like the hallway thing with the music,

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Speaker 5: like if you've seen it or know it, like that

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Speaker 5: is great, But the whole movie is just about two

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Speaker 5: people who should fuck and then they don't fuck, and

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Speaker 5: that's the whole thing. And you're just like, oh, these

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Speaker 5: guys should fuck. You're like this is overly romanticized. It's crazy.

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Speaker 5: It's like these two people whose partners cheat on them

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Speaker 5: with each other and then they fall in love and

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Speaker 5: then it's like, okay, yeah, so you guys can do

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Speaker 5: it too, you should fuck but they don't.

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Speaker 3: Man, And it's so interesting. You bring this up, Matt,

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Speaker 3: because I live with my sister. She's you know, the

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Speaker 3: audience is familiar with her joelmo Nique, amazing film critic,

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Speaker 3: so it's kind of hard to have an argument with

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Speaker 3: her about this stuff. So generally I come from a

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Speaker 3: place of curiosity. I'm like, why is this or why

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Speaker 3: does this happen? She was watching some melo dramatic thing

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Speaker 3: the other day and I had the same thing. I

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Speaker 3: was like, this was an eight minute conversation about whether

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Speaker 3: they love each other or not. And I'm like, already

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Speaker 3: four steps ahead. I'm like, just get to it, you

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Speaker 3: know what I mean. And she was like yeah, and

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Speaker 3: she was like, you're missing the point of melo drama.

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Speaker 3: It's like almost kissing is like the hottest thing, you know,

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Speaker 3: not like not quite getting there. And I was like,

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Speaker 3: all right, you know, I it's not for me, but

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Speaker 3: like I'm I'm trying to appreciate the the art form

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Speaker 3: a little.

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Speaker 1: Blow the slow burn. Yeah, yeah, of will they want

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Speaker 1: but then you got to get to the burn.

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Speaker 5: You gotta get thee yeah yeah, yeah, come on. And

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Speaker 5: it's just like why didn't they Why why didn't you fuck?

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Speaker 5: Like you could have fucked. They could have fucked a

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Speaker 5: bunch of times, and then they don't And it's not

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Speaker 5: really like it just doesn't. I didn't believe the reason

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Speaker 5: why they didn't fuck, because people fuck. That's the thing.

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Speaker 5: The thing I know about people is that when they

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Speaker 5: want to fuck, they fuck.

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Speaker 2: It's okay to spoils for me, what what was the

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Speaker 2: reason for not fucking?

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Speaker 5: There's no reasons.

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Speaker 1: Yeah, I mean I get it because like for those people,

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Speaker 1: it's like it's like emotional edging, yes exactly, And you're like, oh,

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Speaker 1: some of us are Neanderthals, you know for pro magnet man,

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Speaker 1: where we're like just through the bang or not.

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Speaker 2: Yeah. Though they never actually kissed, they would withhold. They

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Speaker 2: were really good at. Yeah is their thing.

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Speaker 1: They invented edging Patrick yea, Yeah, they invented edging as

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Speaker 1: the first form of birth control.

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Speaker 5: People don't know that.

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Speaker 2: People really they died off. They didn't approach because they

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Speaker 2: just thought they were just so big on edging.

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Speaker 4: It was makes sense, that's science.

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Speaker 1: Yeah, that's what I'm thinking. That's what I'm saying. All right,

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Speaker 1: Well cool, I like to I'm glad to know, like

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Speaker 1: sometimes like there are those there are those films, and

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Speaker 1: I like, I like movies, but not to the point

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Speaker 1: where like I can connect with sort of those kinds

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Speaker 1: of films. And that's just me as a consumer. I'm

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Speaker 1: I'm more of a mouth a gape airplane guy whom

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Speaker 1: you view ship like that. Sometimes, Yeah, nous movies.

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Speaker 5: I loved bo Is Afraid for example, that just came out,

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00:17:36,680 --> 00:17:39,760
Speaker 5: was divisive, incredible film, Like I like that kind of thing.

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Speaker 5: This one didn't. My wife was asleep like halfway in,

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Speaker 5: and I was like, yeah.

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Speaker 1: I thought there was a time too, like in like

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Speaker 1: the early aughts where like all my friends who are like,

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Speaker 1: you know, big cinephiles, like like One Car Why was

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Speaker 1: just like just beyond repro Like there's like they're like,

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Speaker 1: don't funk, no, manfucker's a gene dud dude.

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Speaker 5: Reproach and proach o.

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Speaker 1: Everything is good. Yeah, I mean, you know, twenty forty six,

402
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Speaker 1: I fucked with that, you know, I wasn't. I wasn't mad.

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00:18:06,720 --> 00:18:07,160
Speaker 5: Was that good?

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Speaker 1: I mean, I remember at the time. I think I

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Speaker 1: may have just said it because I was dating somebody

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Speaker 1: who was like, you need to see this film, and

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Speaker 1: I'm like, yeah, yeah, yeah, fuck with that. I have

408
00:18:14,840 --> 00:18:17,600
Speaker 1: a bad habit of like being like, yeah, what do

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00:18:17,680 --> 00:18:19,840
Speaker 1: you like? Okay, I'll try that out. Even though I

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00:18:19,880 --> 00:18:23,480
Speaker 1: don't shout out Harry Potter films could only get through one. Okay, Now,

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Speaker 1: what is something I'll think is underrated?

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Speaker 5: Zach, you got a good one.

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Speaker 2: I mean, I've just got ivy on the brain and

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Speaker 2: I just want to say cold showers. I've also been

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Speaker 2: a huge fan of cold showers. Recently, it's been growing.

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Speaker 2: I think cold showers are absolutely incredible, wake you up more,

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00:18:40,280 --> 00:18:42,480
Speaker 2: and they kind of like, I think they make you

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Speaker 2: a better person. I think the longer that you can

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Speaker 2: say I do, I truly do. I.

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Speaker 5: Georgia, you're just saying that people who don't take cold

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Speaker 5: showers are bad people.

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Speaker 2: No, no, no, no, no, say you I'm saying I'm not

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Speaker 2: saying you're all lower. I'm saying we're all optim to this,

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Speaker 2: and we can we can optimize ourselves in did you start?

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00:18:59,160 --> 00:19:01,120
Speaker 2: You start with a hot and then you just slowly

426
00:19:01,240 --> 00:19:03,159
Speaker 2: towards the end of your shower just start making colder

427
00:19:03,160 --> 00:19:05,040
Speaker 2: and colder and colder, and then you get it to

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00:19:05,160 --> 00:19:07,119
Speaker 2: it's really cold, and you just would stand that for

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00:19:07,160 --> 00:19:10,639
Speaker 2: a couple of minutes just that way. So you do that,

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Speaker 2: You'll like, you'll feel what way better getting out of

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00:19:13,320 --> 00:19:16,480
Speaker 2: the shower. You do it like you do a reverse

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Speaker 2: frog boil, basically I do. Yeah, that's actually exactly converse

433
00:19:21,720 --> 00:19:24,080
Speaker 2: frog boil, and then I get it super cold, and

434
00:19:24,119 --> 00:19:26,760
Speaker 2: then by the end, like not only do I feel better,

435
00:19:26,800 --> 00:19:29,280
Speaker 2: but you know, my thought, my mirror is less foggy,

436
00:19:29,440 --> 00:19:31,679
Speaker 2: Like I can already see myself a little easier, you know,

437
00:19:31,800 --> 00:19:34,399
Speaker 2: like everything just kind of goes a little smoother when

438
00:19:34,440 --> 00:19:34,760
Speaker 2: you do that.

439
00:19:34,800 --> 00:19:37,000
Speaker 1: I mean, this isn't experience shared by many people. If

440
00:19:37,000 --> 00:19:39,680
Speaker 1: you had a fucked up water heater where that ship

441
00:19:39,800 --> 00:19:42,520
Speaker 1: might just actually happen during the shower, you're like, oh shit,

442
00:19:42,880 --> 00:19:43,439
Speaker 1: it's gone.

443
00:19:43,640 --> 00:19:45,359
Speaker 2: Maybe that's how it started for me where I was

444
00:19:45,400 --> 00:19:48,280
Speaker 2: missing that. Yeah, I've had Brooklyn apartments that had some

445
00:19:48,640 --> 00:19:51,119
Speaker 2: really shitty water situations, and it was like, yeah, you know,

446
00:19:51,600 --> 00:19:53,280
Speaker 2: I'm going cold showers because I had to be. But

447
00:19:53,359 --> 00:19:56,359
Speaker 2: now it's like, yeah, you know what, Yeah, I love it.

448
00:19:56,480 --> 00:19:57,720
Speaker 2: I love that. Okay, cool cool?

449
00:19:57,800 --> 00:20:00,600
Speaker 1: Yeah, I mean I I as much as I've tried

450
00:20:00,640 --> 00:20:03,280
Speaker 1: it before, because I remember I've heard the same thing

451
00:20:03,320 --> 00:20:06,000
Speaker 1: from like biohacker type people that I had interviewed in

452
00:20:06,040 --> 00:20:09,000
Speaker 1: the past. I just can't. I fucking hate Like when

453
00:20:09,000 --> 00:20:12,760
Speaker 1: my gas reflex kicks in, it's over. I'm like, yeah,

454
00:20:12,960 --> 00:20:15,280
Speaker 1: just you got to just get past that gap. You

455
00:20:15,400 --> 00:20:17,240
Speaker 1: get past and then you're and then you're in a

456
00:20:17,240 --> 00:20:17,920
Speaker 1: whole new world.

457
00:20:18,200 --> 00:20:19,840
Speaker 3: I'm a heat. I'm a heat in this bro. I

458
00:20:19,880 --> 00:20:24,159
Speaker 3: love being comfortable at all. And so when like I

459
00:20:24,280 --> 00:20:26,560
Speaker 3: literally I have a little space heater right here, like

460
00:20:26,680 --> 00:20:29,280
Speaker 3: next to this shower, I'll get out of the shower

461
00:20:29,520 --> 00:20:31,520
Speaker 3: and like turn that space heater on and just stand

462
00:20:31,560 --> 00:20:34,760
Speaker 3: in front of oh, like while I'm toweling myself off,

463
00:20:34,840 --> 00:20:36,800
Speaker 3: Like yeah, it's incredibly wasteful.

464
00:20:36,920 --> 00:20:40,280
Speaker 1: I've got You don't got the towel heater either, Uh no.

465
00:20:40,160 --> 00:20:42,359
Speaker 3: I don't have a to I really what you changed

466
00:20:42,359 --> 00:20:46,399
Speaker 3: the game mentioning the terry cloth. I haven't gotten one

467
00:20:46,440 --> 00:20:50,560
Speaker 3: of those yet. Oh yeah, macking it's because I got

468
00:20:50,560 --> 00:20:51,240
Speaker 3: that's the next step.

469
00:20:51,520 --> 00:20:53,960
Speaker 1: Because when again, like, if you don't like being cold,

470
00:20:54,560 --> 00:20:57,760
Speaker 1: just the fucking robe is a whole body towel, so

471
00:20:57,800 --> 00:20:59,760
Speaker 1: you don't have to feel all that water evaporating on

472
00:20:59,800 --> 00:21:00,840
Speaker 1: your skin and cool off.

473
00:21:01,080 --> 00:21:03,640
Speaker 3: I'm already making the DIY version. I put like four

474
00:21:03,680 --> 00:21:06,480
Speaker 3: towels around me, Like, yeah, it's not it's.

475
00:21:06,359 --> 00:21:08,640
Speaker 2: Not an economical What is the robe if not three

476
00:21:08,640 --> 00:21:12,080
Speaker 2: and a half to four towers right exactly without the stitching.

477
00:21:12,320 --> 00:21:14,360
Speaker 4: It's out the sewing machine, exactly exactly.

478
00:21:15,080 --> 00:21:17,360
Speaker 1: Matt Kleinman, what about you? You got anything you think

479
00:21:17,440 --> 00:21:18,400
Speaker 1: is underrated?

480
00:21:19,040 --> 00:21:19,440
Speaker 2: Oh?

481
00:21:19,680 --> 00:21:22,399
Speaker 5: Yeah, you know so. I'm a big I really like

482
00:21:22,560 --> 00:21:25,840
Speaker 5: spicy foods and hot sauces, and I've been talking to

483
00:21:25,840 --> 00:21:28,520
Speaker 5: people and like, even people who aren't into that sort

484
00:21:28,520 --> 00:21:30,159
Speaker 5: of stuff. I do you feel like people don't know

485
00:21:30,280 --> 00:21:34,440
Speaker 5: enough about crystal hot sauce? Whoas? Yes, you're talking about

486
00:21:34,440 --> 00:21:36,760
Speaker 5: white people, man, Yeah, that's that's all the rage.

487
00:21:36,880 --> 00:21:38,280
Speaker 1: I'm sorry, I didn't. I didn't mean to come at

488
00:21:38,320 --> 00:21:41,520
Speaker 1: you like that. No, great to hear.

489
00:21:41,680 --> 00:21:43,000
Speaker 5: I'm really glad to hear that.

490
00:21:43,320 --> 00:21:43,480
Speaker 1: Well.

491
00:21:43,520 --> 00:21:46,040
Speaker 5: But I would say, even in comparison to Louisiana and

492
00:21:46,080 --> 00:21:48,560
Speaker 5: like Texas, Pete is crystal held above them.

493
00:21:48,680 --> 00:21:52,480
Speaker 1: I don't like Texas peats. I have more experience.

494
00:21:53,119 --> 00:21:55,800
Speaker 3: I have more experience in like the Georgia area, Georgia,

495
00:21:55,840 --> 00:21:57,840
Speaker 3: Alabama area, and like crystals is huge.

496
00:21:58,119 --> 00:22:01,000
Speaker 1: Okay, yeah, yeah, no, no, I feel like the chain

497
00:22:01,040 --> 00:22:03,600
Speaker 1: you mean Crystal hot Sauce. Yeah, Crystal, Oh I thought

498
00:22:03,600 --> 00:22:07,080
Speaker 1: you mean crystals that there, because there's also the franchise. Yes,

499
00:22:07,240 --> 00:22:08,399
Speaker 1: the chain, yes, yes, exactly.

500
00:22:08,600 --> 00:22:13,920
Speaker 5: Also crystals the rock are great. I love rocks hung general. Yeah,

501
00:22:13,960 --> 00:22:17,159
Speaker 5: of course we love crystals. We're all about crystals. But

502
00:22:17,400 --> 00:22:20,119
Speaker 5: I feel like people don't know, like you know, I

503
00:22:20,160 --> 00:22:22,040
Speaker 5: don't know, it's it's I think it's a good gateway

504
00:22:22,040 --> 00:22:23,800
Speaker 5: hot sauce. Is kind of the thing that I've been

505
00:22:23,840 --> 00:22:26,600
Speaker 5: like telling people who are like getting into hot sauces

506
00:22:26,680 --> 00:22:28,639
Speaker 5: or want to or are like afraid of them. And

507
00:22:28,720 --> 00:22:30,960
Speaker 5: like I think Chilula had been the gateway hot sauce

508
00:22:31,000 --> 00:22:32,680
Speaker 5: for a lot of people for a while because a

509
00:22:32,720 --> 00:22:35,439
Speaker 5: lot of people thought Tabasco is too spicy. But I

510
00:22:35,440 --> 00:22:38,359
Speaker 5: actually think Crystal is a better gateway hot sauce for people.

511
00:22:38,440 --> 00:22:40,359
Speaker 5: And I think and a lot of this is also

512
00:22:40,440 --> 00:22:43,440
Speaker 5: just because like if you know, going over to some house,

513
00:22:43,440 --> 00:22:45,359
Speaker 5: are going and they just have nothing, It's like if

514
00:22:45,359 --> 00:22:47,840
Speaker 5: at least you have crystal, then we're like, okay, it

515
00:22:47,880 --> 00:22:49,000
Speaker 5: works with almost anything.

516
00:22:49,359 --> 00:22:52,680
Speaker 1: Yeah, they have everything, they have every grocery store. But

517
00:22:52,680 --> 00:22:54,320
Speaker 1: I think most people are like, I want Tabasco, and

518
00:22:54,320 --> 00:22:56,440
Speaker 1: now tabaskets in like nine thousand flavors.

519
00:22:56,440 --> 00:22:59,080
Speaker 5: I'm like, come on, Mountain, Yes, totally. The basket is great,

520
00:22:59,080 --> 00:23:01,119
Speaker 5: and I like Tabasco, but I think I don't know.

521
00:23:01,200 --> 00:23:03,120
Speaker 5: I want it to be more. It should be more

522
00:23:03,119 --> 00:23:05,240
Speaker 5: like the South everywhere. I guess, yeah, that's what I'm saying.

523
00:23:06,480 --> 00:23:09,400
Speaker 5: What about sir Racha is that is that falling off?

524
00:23:09,760 --> 00:23:10,000
Speaker 2: Yeah?

525
00:23:10,080 --> 00:23:13,160
Speaker 1: Si Racha had its heyday like in the like the tens,

526
00:23:13,240 --> 00:23:16,000
Speaker 1: the teens. I remember shout out my boy Randy wrote

527
00:23:16,040 --> 00:23:17,080
Speaker 1: a fucking cookbook.

528
00:23:17,200 --> 00:23:18,919
Speaker 2: I think we all over used it. I think ye

529
00:23:19,240 --> 00:23:20,919
Speaker 2: think you're Ryan. It's just I think we just it

530
00:23:21,000 --> 00:23:23,400
Speaker 2: was just everywhere, blew it out every meal, and then

531
00:23:23,480 --> 00:23:25,800
Speaker 2: like we all just got used to a siracha taste

532
00:23:26,080 --> 00:23:27,960
Speaker 2: for all of our cheap meals that we were eating,

533
00:23:28,200 --> 00:23:30,000
Speaker 2: and then it was like, I can't do I still

534
00:23:30,080 --> 00:23:32,200
Speaker 2: use it just in the context, right, like I love

535
00:23:32,280 --> 00:23:34,640
Speaker 2: to make hot I love grilling, I love I love

536
00:23:34,680 --> 00:23:36,760
Speaker 2: making wings especially.

537
00:23:37,200 --> 00:23:40,760
Speaker 3: I use it everyday conversation. Shout out to Chicago Bulls fans.

538
00:23:40,760 --> 00:23:42,480
Speaker 3: If you're a fan of Stacy King, give me the

539
00:23:42,480 --> 00:23:46,360
Speaker 3: hot sauce to Racha, that's his catchphrase. But yeah, other

540
00:23:46,520 --> 00:23:49,160
Speaker 3: other than that, yeah, I think it really really, really

541
00:23:49,200 --> 00:23:49,880
Speaker 3: really fell off.

542
00:23:50,000 --> 00:23:52,840
Speaker 5: Yeah, yeah, I will say I prefer their garlic paste,

543
00:23:52,880 --> 00:23:55,560
Speaker 5: the garlic about the one with like the green like

544
00:23:55,560 --> 00:23:58,000
Speaker 5: the little the jar squatty bottle with the green tom

545
00:23:58,119 --> 00:24:00,000
Speaker 5: The garlic paste one, I think is a little bit

546
00:24:00,080 --> 00:24:02,720
Speaker 5: better flavor wise, and it's less sweet. It's a little

547
00:24:02,720 --> 00:24:04,679
Speaker 5: bit more like everything you like and not maybe what

548
00:24:04,720 --> 00:24:05,040
Speaker 5: you don't.

549
00:24:05,080 --> 00:24:08,280
Speaker 1: This is my easy hack for wings. You take a

550
00:24:08,320 --> 00:24:11,119
Speaker 1: fucking you know, buy your buy your party wings or whatever,

551
00:24:11,160 --> 00:24:13,600
Speaker 1: whole wings, but however you like to get down and

552
00:24:14,040 --> 00:24:16,399
Speaker 1: marinade them. You know, just what I do is put

553
00:24:16,440 --> 00:24:18,359
Speaker 1: them in a ziplock bag, empty a whole bottle of

554
00:24:18,359 --> 00:24:21,480
Speaker 1: crystal in it, and you let that go. You let

555
00:24:21,520 --> 00:24:23,760
Speaker 1: that sip for a few hours. It like it's not

556
00:24:23,800 --> 00:24:25,760
Speaker 1: gonna get too spicy, but it gives it such a

557
00:24:25,800 --> 00:24:28,880
Speaker 1: great flavor. It's like my very easy way to have

558
00:24:29,440 --> 00:24:32,600
Speaker 1: like good wings that aren't too sort of intensive in

559
00:24:32,680 --> 00:24:33,560
Speaker 1: terms of the preparation.

560
00:24:33,680 --> 00:24:36,919
Speaker 5: So well, I think the hack for doing like Nashville Chicken.

561
00:24:37,119 --> 00:24:38,920
Speaker 5: You know that sort of thing, is marinating the chicken

562
00:24:38,960 --> 00:24:41,280
Speaker 5: in hot sauce before you brett.

563
00:24:41,359 --> 00:24:45,960
Speaker 1: Oh yeah, my bed. Yeah, and that like fucking oil

564
00:24:46,400 --> 00:24:50,920
Speaker 1: chili concoction that they'll pour over after you're like, yeah,

565
00:24:51,400 --> 00:24:54,160
Speaker 1: more of that, more of that. All right, We're gonna

566
00:24:54,160 --> 00:24:57,280
Speaker 1: take a quick break and do some light hot sauce

567
00:24:57,320 --> 00:24:59,080
Speaker 1: tastings and then we'll be right back to talk about

568
00:24:59,080 --> 00:25:12,240
Speaker 1: the dead scene right after. And we're back and just

569
00:25:12,280 --> 00:25:14,520
Speaker 1: to talk about some serious business really quick. The debt

570
00:25:14,600 --> 00:25:18,719
Speaker 1: ceiling shit shari how Australians would call it. It continues

571
00:25:19,480 --> 00:25:21,919
Speaker 1: right now. In the news, we keep hearing about the

572
00:25:21,960 --> 00:25:25,080
Speaker 1: looming debt ceialing crisis, that America could default on its

573
00:25:25,119 --> 00:25:27,560
Speaker 1: debt and worsen our image to the rest of the world,

574
00:25:27,800 --> 00:25:29,880
Speaker 1: especially our trading partners, because they're like, oh, y'all, don't

575
00:25:29,880 --> 00:25:32,520
Speaker 1: pay your fucking bills. This would be terrible for the

576
00:25:32,600 --> 00:25:35,960
Speaker 1: US economy. And the Republicans know that the super whack

577
00:25:36,080 --> 00:25:39,680
Speaker 1: jobs in the GOP are practically salivating for a manufactured

578
00:25:39,720 --> 00:25:42,800
Speaker 1: financial crisis to better the party's overall chances in twenty

579
00:25:42,840 --> 00:25:45,359
Speaker 1: twenty four, just so they can move on from we

580
00:25:45,440 --> 00:25:48,399
Speaker 1: don't believe in human rights or abortion access and just

581
00:25:48,440 --> 00:25:51,880
Speaker 1: start saying things like Joe Brandon killed the economy. That's

582
00:25:51,920 --> 00:25:55,080
Speaker 1: why you should vote for me a nazi. And Biden

583
00:25:55,119 --> 00:25:58,439
Speaker 1: and the Democrats have said that the default will be

584
00:25:58,480 --> 00:26:03,520
Speaker 1: a disaster. Same thing for the GOP defaulting would be terrible.

585
00:26:03,960 --> 00:26:09,800
Speaker 1: But then Joe Brandon, McCarthy, Mitch McConnell, they are also

586
00:26:09,920 --> 00:26:12,520
Speaker 1: saying some form of Oh, we're definitely not gonna default.

587
00:26:12,680 --> 00:26:14,320
Speaker 1: There's no way we're gonna default on the dead. No,

588
00:26:14,359 --> 00:26:15,880
Speaker 1: we're gonna figure it out. We're gonna make a deal.

589
00:26:15,960 --> 00:26:18,120
Speaker 1: We're gonna make a deal. Even though sometimes you hear

590
00:26:18,280 --> 00:26:21,080
Speaker 1: before Joe Brandon was a little more confident in his

591
00:26:21,800 --> 00:26:25,400
Speaker 1: lack of interest in negotiating, basically saying, why would I negotiate?

592
00:26:25,440 --> 00:26:27,840
Speaker 1: This is something, this is like the basic function of government.

593
00:26:27,840 --> 00:26:30,080
Speaker 1: We're not gonna use this as leverage to start gut

594
00:26:30,359 --> 00:26:35,400
Speaker 1: gutting social social programs. Well, it looks like we may

595
00:26:35,440 --> 00:26:37,840
Speaker 1: be there. And this is all very fucking confusing because

596
00:26:37,880 --> 00:26:39,480
Speaker 1: you're like, are y' all gonna make a deal or not,

597
00:26:40,080 --> 00:26:41,679
Speaker 1: but you're saying you won't, you say you will, and

598
00:26:41,720 --> 00:26:44,040
Speaker 1: it's gonna be a crisis. It's like they're both in

599
00:26:44,080 --> 00:26:46,439
Speaker 1: on a scheme to make the population sweat over this

600
00:26:46,520 --> 00:26:49,639
Speaker 1: crisis that may not be one. But the reality is

601
00:26:49,680 --> 00:26:52,439
Speaker 1: here is it looks like the President is going to

602
00:26:52,480 --> 00:26:55,919
Speaker 1: negotiate with the GOP, and that is bad since the

603
00:26:55,960 --> 00:26:59,919
Speaker 1: GOP's main requests here are making huge cuts to things like,

604
00:27:00,160 --> 00:27:03,840
Speaker 1: you know, like Medicare and food stamps, which it seems

605
00:27:03,840 --> 00:27:07,040
Speaker 1: like Joe Byron is a little more open to, like

606
00:27:07,280 --> 00:27:10,159
Speaker 1: having more strict work requirements for food stamps, which is

607
00:27:10,320 --> 00:27:13,399
Speaker 1: terrible and fucked up, while also the other part of

608
00:27:13,440 --> 00:27:16,000
Speaker 1: the GOP's requests are they want to completely fuck the

609
00:27:16,080 --> 00:27:19,200
Speaker 1: environment over too. They want to cut the tax incentives

610
00:27:19,240 --> 00:27:21,880
Speaker 1: for clean energy that came from the Inflation Reduction Act

611
00:27:21,960 --> 00:27:25,400
Speaker 1: and replace it with basically fossil fuel hand jobs for all.

612
00:27:26,000 --> 00:27:29,119
Speaker 1: So it's like a terrible backward step and you're like,

613
00:27:29,280 --> 00:27:31,480
Speaker 1: these are the things you're gonna like what the what

614
00:27:31,520 --> 00:27:33,960
Speaker 1: the fuck is this? Like this isn't even a negotiation,

615
00:27:34,480 --> 00:27:36,800
Speaker 1: but we see this script all the time that like

616
00:27:36,840 --> 00:27:41,600
Speaker 1: replays over and over throughout every administration. Like Republicans are like,

617
00:27:42,000 --> 00:27:44,199
Speaker 1: we want to go back to the eighteen hundreds, and

618
00:27:44,240 --> 00:27:47,040
Speaker 1: the Democrats like there's no way. We do not negotiate

619
00:27:47,080 --> 00:27:48,919
Speaker 1: with this kind of shit. This is not this is

620
00:27:49,080 --> 00:27:51,320
Speaker 1: this is beyond the pale. Then the GOP says, then

621
00:27:51,400 --> 00:27:54,399
Speaker 1: we will default. We don't give a fuck, watch us,

622
00:27:54,800 --> 00:27:56,919
Speaker 1: watch us not give a fuck. We'll completely fuck this

623
00:27:56,960 --> 00:27:59,479
Speaker 1: whole thing up. Then the Democrats come to the table

624
00:27:59,800 --> 00:28:02,880
Speaker 1: and cut spending and there's more austerity measures that are

625
00:28:02,880 --> 00:28:05,680
Speaker 1: just regressive. Then both parties walk out, like they say,

626
00:28:05,680 --> 00:28:08,960
Speaker 1: of the fucking day, and life moves on. But it's

627
00:28:09,040 --> 00:28:11,600
Speaker 1: it's it's it's a bit of a we'll see where

628
00:28:11,640 --> 00:28:14,639
Speaker 1: they end up. Because while there are negotiators now speaking

629
00:28:14,640 --> 00:28:19,080
Speaker 1: with McCarthy's deputy, they're like on both parties, whether it's

630
00:28:19,119 --> 00:28:21,880
Speaker 1: like the Freedom House, Freedom Caucus, who's like they better

631
00:28:21,920 --> 00:28:24,720
Speaker 1: gut fucking everything, or we're not voting for this, and

632
00:28:24,800 --> 00:28:27,040
Speaker 1: McCarthy's like, fuck, I don't. I don't know if we

633
00:28:27,080 --> 00:28:29,040
Speaker 1: can get all that. In the meantime, there are many

634
00:28:29,080 --> 00:28:32,639
Speaker 1: Democrats who are like, do not fuck with these social programs,

635
00:28:32,920 --> 00:28:36,520
Speaker 1: like working people need these fucking programs, and to do

636
00:28:36,600 --> 00:28:39,480
Speaker 1: this in service of like handouts to the fossil fuel

637
00:28:39,480 --> 00:28:41,920
Speaker 1: industry is it a bridge too far? And you know,

638
00:28:42,000 --> 00:28:43,680
Speaker 1: like they're like, I'm not gonna support that, so I

639
00:28:43,680 --> 00:28:47,040
Speaker 1: don't care what you negotiate, President Biden, it's not happening.

640
00:28:47,280 --> 00:28:49,960
Speaker 1: So a bit of a topsy turvy moment.

641
00:28:49,760 --> 00:28:52,240
Speaker 2: But it's just so frustrating because this is not a thing.

642
00:28:52,840 --> 00:28:55,000
Speaker 2: Then it became a thing like this debt ceiling thing

643
00:28:55,120 --> 00:28:57,920
Speaker 2: was just always like a bipartisan just like, yeah, we

644
00:28:58,040 --> 00:29:00,200
Speaker 2: just gotta keep it going because we just gotta that's

645
00:29:00,240 --> 00:29:02,760
Speaker 2: not even something to worry about. And then and then

646
00:29:02,760 --> 00:29:05,000
Speaker 2: in twenty eleven, it just became like, oh, we can

647
00:29:05,120 --> 00:29:07,320
Speaker 2: just kind of hold this as some sort of hostage

648
00:29:07,320 --> 00:29:09,840
Speaker 2: sort of situation where we can, you know, just demand

649
00:29:09,840 --> 00:29:11,800
Speaker 2: that someone work with us unless this thing that we

650
00:29:11,880 --> 00:29:14,600
Speaker 2: all have always agreed upon, like we you know, we

651
00:29:14,720 --> 00:29:18,080
Speaker 2: keep it from from happening, from passing. And it's just

652
00:29:18,120 --> 00:29:20,160
Speaker 2: like it's just so annoying because we all know, like

653
00:29:20,240 --> 00:29:22,040
Speaker 2: it's just like you just this doesn't need to be

654
00:29:22,080 --> 00:29:24,479
Speaker 2: a thing. Just keep it going. You're like, and uh,

655
00:29:25,280 --> 00:29:27,600
Speaker 2: and yeah, the fact that they're arguing, like we need

656
00:29:27,640 --> 00:29:29,840
Speaker 2: to negotiate, we need to do all this stuff, it's like, no,

657
00:29:29,960 --> 00:29:31,680
Speaker 2: we know that you could just keep this separate and

658
00:29:31,720 --> 00:29:33,600
Speaker 2: then just keep working on all of your other stuff.

659
00:29:33,720 --> 00:29:36,400
Speaker 1: Yeah. I mean again, they're the they're they're the party

660
00:29:36,440 --> 00:29:39,920
Speaker 1: of just bad faith everything. So you know, they're basically

661
00:29:40,640 --> 00:29:43,840
Speaker 1: you know, you're dealing with just absolute ghouls. We're like,

662
00:29:43,840 --> 00:29:46,640
Speaker 1: we don't get fucked like like we've we've invited these

663
00:29:46,640 --> 00:29:47,360
Speaker 1: people to the party.

664
00:29:47,640 --> 00:29:50,320
Speaker 3: There's also something to be said to like, once once

665
00:29:50,360 --> 00:29:53,040
Speaker 3: you're in like a certain class, like your job has

666
00:29:53,080 --> 00:29:55,960
Speaker 3: a certain level of prestige and a certain salary to it,

667
00:29:56,080 --> 00:29:58,600
Speaker 3: there's this level of self importance that comes with it.

668
00:29:59,000 --> 00:30:03,080
Speaker 3: And especially when it comes to politicians, they know they're

669
00:30:03,120 --> 00:30:06,800
Speaker 3: not going to be affected by anything that goes sideways,

670
00:30:07,000 --> 00:30:10,680
Speaker 3: like and so it's doubly fucked up for them to

671
00:30:10,760 --> 00:30:13,240
Speaker 3: like dangle this little thing like you know how dangerous

672
00:30:13,520 --> 00:30:15,640
Speaker 3: this can be for y'all right, I mean, I'm doing

673
00:30:15,640 --> 00:30:17,400
Speaker 3: my best here, but I don't know.

674
00:30:17,640 --> 00:30:17,840
Speaker 6: Man.

675
00:30:18,400 --> 00:30:22,520
Speaker 3: That really raises the anxiety amongst like people everyday people,

676
00:30:22,600 --> 00:30:26,160
Speaker 3: every single day, and it's like they cannot it doesn't

677
00:30:26,160 --> 00:30:28,520
Speaker 3: matter to them, It will never matter to them. And

678
00:30:28,560 --> 00:30:31,400
Speaker 3: that's what's I think where a lot of the apathy

679
00:30:31,440 --> 00:30:34,440
Speaker 3: comes from is because you see another human being so

680
00:30:34,640 --> 00:30:39,520
Speaker 3: dismissive of like most of the country, and your heart

681
00:30:39,640 --> 00:30:42,600
Speaker 3: kind of just wants to believe that people couldn't do that,

682
00:30:42,960 --> 00:30:45,040
Speaker 3: and they do it every time. Like you said, this

683
00:30:45,080 --> 00:30:47,040
Speaker 3: has become a pattern when it didn't used to be.

684
00:30:47,400 --> 00:30:51,120
Speaker 3: And it seems like there's no break system on this,

685
00:30:51,200 --> 00:30:54,280
Speaker 3: Like it's only going to get more manipulative and more insidious.

686
00:30:54,400 --> 00:30:56,840
Speaker 3: And I'm wondering where we go from here, you know.

687
00:30:57,120 --> 00:31:00,560
Speaker 1: Yeah, I mean there is you know, like there are

688
00:31:00,600 --> 00:31:03,080
Speaker 1: things that the president could do that are kind of

689
00:31:03,200 --> 00:31:07,360
Speaker 1: you know, revolutionary, like or not revolute, but like, you know, different,

690
00:31:07,880 --> 00:31:10,440
Speaker 1: like you know, evoking the fourteenth Amendment to sort of

691
00:31:10,440 --> 00:31:12,440
Speaker 1: be like, no, I am going to make sure like

692
00:31:12,520 --> 00:31:14,240
Speaker 1: all of this ship's paid. There's been talk of like

693
00:31:14,280 --> 00:31:15,760
Speaker 1: printing more money, when I'm.

694
00:31:15,640 --> 00:31:17,960
Speaker 5: Like, what's meaning the coin?

695
00:31:18,240 --> 00:31:18,960
Speaker 1: We don't need to do that.

696
00:31:19,560 --> 00:31:22,000
Speaker 2: And so whenever they start getting into making more money

697
00:31:22,000 --> 00:31:24,000
Speaker 2: and coins, I'm always like, I feel like that's not

698
00:31:24,040 --> 00:31:24,520
Speaker 2: gonna be.

699
00:31:24,480 --> 00:31:27,320
Speaker 5: What wouldn't you want to hold the trillion dollar coin?

700
00:31:27,520 --> 00:31:27,640
Speaker 2: Right?

701
00:31:28,000 --> 00:31:28,240
Speaker 5: Pic?

702
00:31:28,880 --> 00:31:29,720
Speaker 1: You want to have trill coin?

703
00:31:30,240 --> 00:31:32,160
Speaker 3: But also does Biden seem like the kind of person

704
00:31:32,160 --> 00:31:35,920
Speaker 3: who's gonna do something different? Like no, I'm like, so

705
00:31:36,240 --> 00:31:37,560
Speaker 3: what like with anything?

706
00:31:37,600 --> 00:31:42,440
Speaker 1: Ever, He's presided over this exact scenario many times. Himself already,

707
00:31:42,720 --> 00:31:44,280
Speaker 1: you know, and been on this, on it, on the

708
00:31:44,280 --> 00:31:46,360
Speaker 1: side of it as a senator, as a vice president,

709
00:31:46,360 --> 00:31:49,520
Speaker 1: and now as president. There's not they know because again

710
00:31:49,960 --> 00:31:52,120
Speaker 1: like at the end of the day, they're like, yeah, man,

711
00:31:52,160 --> 00:31:54,840
Speaker 1: I mean like I was just increasing food stamps as

712
00:31:54,920 --> 00:31:57,600
Speaker 1: like a campaign platform thing. We can dial that ship back,

713
00:31:57,760 --> 00:31:59,920
Speaker 1: but like here when we do that, like nobody's gonna

714
00:31:59,920 --> 00:32:02,520
Speaker 1: know because sadly, to your point, justin the people who

715
00:32:02,600 --> 00:32:06,000
Speaker 1: depend on it sometimes like the apathy rings through to

716
00:32:06,040 --> 00:32:08,360
Speaker 1: the point that they are like, you're not even aware

717
00:32:08,400 --> 00:32:10,160
Speaker 1: of the ship that's going on, because it's like, who

718
00:32:10,200 --> 00:32:11,800
Speaker 1: gives a fuck man, all they need to do is

719
00:32:11,840 --> 00:32:13,840
Speaker 1: fuck us over anyway. Why don't need to be engaged

720
00:32:13,840 --> 00:32:17,560
Speaker 1: with this shit? So it's you know, mix makes me

721
00:32:17,600 --> 00:32:19,520
Speaker 1: even more cynical when I look at it, because the

722
00:32:19,560 --> 00:32:23,560
Speaker 1: double speakers just like absurd, like it's it's it's happening

723
00:32:23,640 --> 00:32:25,520
Speaker 1: or it's not. You're negotiating or you're not. But you

724
00:32:25,520 --> 00:32:28,120
Speaker 1: guys are just saying this out loud while like winking

725
00:32:28,200 --> 00:32:30,240
Speaker 1: to each other like you no, we'll make it work.

726
00:32:30,280 --> 00:32:32,320
Speaker 1: We'll make it work. It just helps, it just helps

727
00:32:32,400 --> 00:32:35,400
Speaker 1: both of our collective audiences seem like, you know, we're

728
00:32:35,400 --> 00:32:38,360
Speaker 1: doing the fight, rolling our sleeves up and ship. All right, well,

729
00:32:38,400 --> 00:32:40,880
Speaker 1: let's let's move on to some people who aren't able

730
00:32:40,960 --> 00:32:42,760
Speaker 1: to roll up their sleeves because they're on strike.

731
00:32:42,840 --> 00:32:43,360
Speaker 2: The writers.

732
00:32:43,640 --> 00:32:46,480
Speaker 1: Yeah, yeah, the w GA is on strike. You know, obviously,

733
00:32:46,560 --> 00:32:50,080
Speaker 1: fuck these man Fuck these streamers, especially man like who

734
00:32:50,160 --> 00:32:53,080
Speaker 1: want to fuck around. I mean, obviously, look y'all shows

735
00:32:53,120 --> 00:32:54,800
Speaker 1: on streaming now work. I'm gonna come not to catch

736
00:32:54,800 --> 00:32:56,560
Speaker 1: this persons on your play, but you know what, you

737
00:32:56,640 --> 00:32:58,920
Speaker 1: know what to do with these royalties. Man, stop acting

738
00:32:58,920 --> 00:33:01,400
Speaker 1: brand new about this ship because people are watching it.

739
00:33:01,760 --> 00:33:04,840
Speaker 1: And again, this is a very very interesting moment, I think,

740
00:33:05,000 --> 00:33:07,520
Speaker 1: especially as it relates to AI and things like that.

741
00:33:07,640 --> 00:33:10,600
Speaker 1: While I see like I've been seeing like counter opinion

742
00:33:10,640 --> 00:33:13,760
Speaker 1: pieces written about they're like the writers are being completely

743
00:33:13,800 --> 00:33:17,440
Speaker 1: overblown with their fear of AI, and it's like, really, now,

744
00:33:17,840 --> 00:33:20,320
Speaker 1: I don't think so. I think it's very much a

745
00:33:20,400 --> 00:33:24,120
Speaker 1: thing and and potentially like one of the first groups

746
00:33:24,160 --> 00:33:26,800
Speaker 1: of workers who are like, we should be able to

747
00:33:26,800 --> 00:33:29,680
Speaker 1: decide when you like, deploy this technology that could completely

748
00:33:29,680 --> 00:33:31,960
Speaker 1: fuck up our industry and our ability to support ourselves

749
00:33:31,960 --> 00:33:34,880
Speaker 1: because you just loaded a prompted a chat GPT and

750
00:33:34,920 --> 00:33:37,200
Speaker 1: now you've got a whole franchise about talking Mason Jars

751
00:33:37,280 --> 00:33:37,720
Speaker 1: or some shit.

752
00:33:37,880 --> 00:33:38,040
Speaker 3: Yeah.

753
00:33:38,080 --> 00:33:39,880
Speaker 5: I mean that was so like so, I mean, so

754
00:33:39,960 --> 00:33:41,800
Speaker 5: Zach and I are both WJA, we're both on strike

755
00:33:41,920 --> 00:33:44,920
Speaker 5: right now. Yeah, but like stoked to be doing this,

756
00:33:45,040 --> 00:33:46,960
Speaker 5: to finally be standing up to these things. But the

757
00:33:47,000 --> 00:33:49,920
Speaker 5: AI thing, like literally that was put in if you

758
00:33:49,960 --> 00:33:51,760
Speaker 5: track kind of the new it's because like AI was

759
00:33:51,840 --> 00:33:54,760
Speaker 5: kind of in the news when the negotiation started, and

760
00:33:54,840 --> 00:33:56,680
Speaker 5: enough people were kind of talking about it, and so

761
00:33:56,800 --> 00:33:59,120
Speaker 5: I think they threw it in, not quite as a lark,

762
00:33:59,200 --> 00:34:01,000
Speaker 5: but as just to like, hey, okay, we'll address the

763
00:34:01,040 --> 00:34:03,440
Speaker 5: AI thing. We'll put it in our pattern of demands

764
00:34:03,440 --> 00:34:05,720
Speaker 5: that like no AI, but this is like an easy

765
00:34:05,760 --> 00:34:08,760
Speaker 5: gimme for the producers to just be like, of course, yeah, guys.

766
00:34:09,040 --> 00:34:11,080
Speaker 5: I think what freaked everyone out was that they did

767
00:34:11,120 --> 00:34:16,520
Speaker 5: not immediately be like of course. They instead were like, whoa, whoa, let's.

768
00:34:16,840 --> 00:34:18,920
Speaker 1: Let's revisit it. Let's put a pin in and just

769
00:34:18,960 --> 00:34:21,360
Speaker 1: see how bad AI fox things up, and then we offer.

770
00:34:21,400 --> 00:34:23,600
Speaker 5: Yearly meet it. It was like, so I think that

771
00:34:23,800 --> 00:34:26,600
Speaker 5: then got everybody like whoa, whoa, whoa, whoa whoa. Yeah, Well,

772
00:34:26,719 --> 00:34:27,439
Speaker 5: hold on a second.

773
00:34:27,480 --> 00:34:30,480
Speaker 2: Yeah, people had also started to see in their contracts

774
00:34:30,719 --> 00:34:35,320
Speaker 2: little things like that the AI that their whatever uber

775
00:34:35,360 --> 00:34:38,759
Speaker 2: corporation above them is working on like has like can

776
00:34:38,840 --> 00:34:43,160
Speaker 2: review their material. So it's almost like it's also also

777
00:34:43,239 --> 00:34:45,919
Speaker 2: quick permission that are you that our AI can read

778
00:34:45,960 --> 00:34:48,000
Speaker 2: your script or whatever and kind of learn your voice

779
00:34:48,040 --> 00:34:50,160
Speaker 2: a little bit just for you know, its own intensive

780
00:34:50,200 --> 00:34:52,960
Speaker 2: learning purposes, not for anything, you know, not for anything

781
00:34:52,960 --> 00:34:54,360
Speaker 2: negative towards you or anything like that. And it's like,

782
00:34:54,400 --> 00:34:56,919
Speaker 2: wait a second, who WHOA WHOA? Like now now AI

783
00:34:57,000 --> 00:35:00,440
Speaker 2: is studying our different our creative process, our voice and

784
00:35:00,520 --> 00:35:03,080
Speaker 2: like the things that we're making and learning that like

785
00:35:03,120 --> 00:35:05,279
Speaker 2: it's I mean, the thing is A is going to

786
00:35:05,320 --> 00:35:08,160
Speaker 2: affect every single job that there is in a in

787
00:35:08,200 --> 00:35:10,160
Speaker 2: a way like where there's like this is going to

788
00:35:10,239 --> 00:35:13,040
Speaker 2: be like the Internet and how it changes things. Absolutely

789
00:35:13,080 --> 00:35:15,879
Speaker 2: we can't even comprehend how it's going to affect all

790
00:35:15,920 --> 00:35:18,200
Speaker 2: of our jobs, all of the things that we interact

791
00:35:18,239 --> 00:35:22,240
Speaker 2: with in technology, and so I think it's incredibly important

792
00:35:22,280 --> 00:35:25,160
Speaker 2: for creative people, like creative places to also try to

793
00:35:25,160 --> 00:35:27,359
Speaker 2: get ahead of it in whatever way they can so

794
00:35:27,440 --> 00:35:30,080
Speaker 2: that doesn't screw us down the line. And it's too

795
00:35:30,160 --> 00:35:33,000
Speaker 2: late to have any sort of like chat about it,

796
00:35:33,040 --> 00:35:35,000
Speaker 2: even though we don't really know exactly what it means

797
00:35:35,080 --> 00:35:35,760
Speaker 2: right now.

798
00:35:35,719 --> 00:35:38,040
Speaker 3: Right it's a while, Like you not being able to

799
00:35:38,080 --> 00:35:42,560
Speaker 3: control your own voice and artistic integrity is something that

800
00:35:42,719 --> 00:35:44,759
Speaker 3: is like, you know, that's a spirit killer. Like there

801
00:35:44,840 --> 00:35:47,960
Speaker 3: is someone I really admire and appreciate who works for

802
00:35:48,000 --> 00:35:51,319
Speaker 3: a company that on the low, that guy's company took

803
00:35:51,400 --> 00:35:53,520
Speaker 3: a lot of his voice and a lot of his

804
00:35:53,760 --> 00:35:56,560
Speaker 3: mannerisms and like ran it through AI software and tried

805
00:35:56,600 --> 00:35:58,800
Speaker 3: to see if they could like replace him in something

806
00:35:58,880 --> 00:36:01,440
Speaker 3: without his knowledge, right, And he was like and then

807
00:36:01,760 --> 00:36:04,800
Speaker 3: he was able to make a video about it under

808
00:36:04,840 --> 00:36:08,120
Speaker 3: the company's like Moniker Like he's like still releasing videos,

809
00:36:08,120 --> 00:36:09,880
Speaker 3: but he's like, hey, my company tried to do this.

810
00:36:09,960 --> 00:36:12,680
Speaker 3: I'm just I'm just saying, you know. And it's and

811
00:36:12,880 --> 00:36:15,719
Speaker 3: this was, you know, a YouTube internet thing. So there's

812
00:36:15,719 --> 00:36:20,680
Speaker 3: no WGA or anything involved in this, but it's affecting everyone.

813
00:36:20,080 --> 00:36:20,719
Speaker 4: Down the line.

814
00:36:20,760 --> 00:36:22,920
Speaker 3: It's only a matter of time if you're especially in

815
00:36:23,000 --> 00:36:26,040
Speaker 3: a creative industry. It's it's scary, it's scary.

816
00:36:26,120 --> 00:36:28,520
Speaker 5: It's also it's just like a level of respect like

817
00:36:28,600 --> 00:36:30,520
Speaker 5: for people that you work with, Like I think that's

818
00:36:30,560 --> 00:36:32,640
Speaker 5: the other thing that it's like we've already we already

819
00:36:32,640 --> 00:36:34,799
Speaker 5: get like a lot of disrespect from like produced, you know,

820
00:36:34,840 --> 00:36:37,640
Speaker 5: from like from these companies or whatever, like not respecting

821
00:36:37,640 --> 00:36:40,319
Speaker 5: what we do, not really knowing what we do, but

822
00:36:40,440 --> 00:36:42,239
Speaker 5: being like you know, thinking they can just kind of

823
00:36:42,280 --> 00:36:44,120
Speaker 5: push it around, thinking they can kind of dictate and

824
00:36:44,160 --> 00:36:46,520
Speaker 5: know better than us how many people should be in

825
00:36:46,520 --> 00:36:46,799
Speaker 5: a room.

826
00:36:47,160 --> 00:36:49,200
Speaker 1: I can't three people write an entire season of a

827
00:36:49,280 --> 00:36:51,799
Speaker 1: show in two weeks, right, no, exactly, and.

828
00:36:51,760 --> 00:36:54,160
Speaker 2: Then we'll greenlight it. Okay, we just got to see

829
00:36:54,200 --> 00:36:56,680
Speaker 2: the whole show first, you gotta understand, and then we'll

830
00:36:56,680 --> 00:36:57,480
Speaker 2: give it a green light.

831
00:36:57,600 --> 00:37:00,279
Speaker 5: Yeah, yeah, yeah, it's just not it's so it's a

832
00:37:00,360 --> 00:37:02,040
Speaker 5: level of respect. And then so the a I think

833
00:37:02,200 --> 00:37:03,960
Speaker 5: it's in a way it's like to even ask is

834
00:37:04,000 --> 00:37:06,520
Speaker 5: like disrespectful, like you know, to even and then let

835
00:37:06,560 --> 00:37:09,160
Speaker 5: alone to like do those kinds, you know, to really

836
00:37:09,239 --> 00:37:12,680
Speaker 5: try to replicate one of your colleagues, someone that you're

837
00:37:12,719 --> 00:37:15,840
Speaker 5: working with, somebody who's the whole point. We make the

838
00:37:15,880 --> 00:37:18,480
Speaker 5: things that these companies put out, like we are the product.

839
00:37:18,480 --> 00:37:21,200
Speaker 5: We make the products for them, and so like it's

840
00:37:21,280 --> 00:37:23,719
Speaker 5: our companies too. In those you know, it's our products in.

841
00:37:23,680 --> 00:37:27,200
Speaker 1: Those creative labor that enables them to have these obscene

842
00:37:27,239 --> 00:37:29,560
Speaker 1: payouts and all this other crap so they can go

843
00:37:29,719 --> 00:37:31,560
Speaker 1: yacht it up wherever the fuck they are right now.

844
00:37:31,680 --> 00:37:33,440
Speaker 3: Yeah, and the guy I mentioned didn't even seem to

845
00:37:33,440 --> 00:37:35,600
Speaker 3: be shit talking his company, Like I said, the company

846
00:37:35,640 --> 00:37:38,759
Speaker 3: let him release the video like on their channel, and

847
00:37:38,920 --> 00:37:40,000
Speaker 3: it seemed like it was more.

848
00:37:39,920 --> 00:37:41,799
Speaker 4: Of like a oh, we did this, my bad, like

849
00:37:41,840 --> 00:37:42,919
Speaker 4: we didn't know you would care.

850
00:37:43,040 --> 00:37:46,360
Speaker 3: And that's also very scary, like like why wouldn't you

851
00:37:46,440 --> 00:37:49,120
Speaker 3: consider me in this? Like why wouldn't you think I

852
00:37:49,120 --> 00:37:50,920
Speaker 3: would care? You know, it's it's wild.

853
00:37:51,160 --> 00:37:55,320
Speaker 1: Well, we're beginning to see what happens when the workers

854
00:37:55,360 --> 00:37:58,400
Speaker 1: go on strike because their labor is being exploited over

855
00:37:58,480 --> 00:38:01,799
Speaker 1: and over again by group of fucking creeps that you know,

856
00:38:01,840 --> 00:38:04,400
Speaker 1: they're like, look, you know, we know our pattern is

857
00:38:04,440 --> 00:38:08,240
Speaker 1: to cut costs at any measure, and you know, AI

858
00:38:08,400 --> 00:38:10,399
Speaker 1: seems like a great way to do that. Anyway. We're

859
00:38:10,440 --> 00:38:12,880
Speaker 1: looking at some of the upfronts, some of the slates

860
00:38:12,920 --> 00:38:15,040
Speaker 1: that some of the networks, you know, they like to

861
00:38:15,040 --> 00:38:17,759
Speaker 1: present to advertisers. Here are the things that you could

862
00:38:18,000 --> 00:38:20,839
Speaker 1: advertise on coming up this fall like get to get

863
00:38:20,880 --> 00:38:23,240
Speaker 1: you excited, to get your ad dollars, which again that's

864
00:38:23,360 --> 00:38:25,680
Speaker 1: you know, the bread and butter of the ad based

865
00:38:25,800 --> 00:38:28,960
Speaker 1: broadcast television industry. So we're seeing things like what they're

866
00:38:29,000 --> 00:38:31,080
Speaker 1: doing now that there are no writers contributing to make

867
00:38:31,200 --> 00:38:34,960
Speaker 1: new material. Fox they didn't release their full schedule, but

868
00:38:35,040 --> 00:38:39,840
Speaker 1: they announced their slate, which features mostly unscripted shows, because

869
00:38:39,840 --> 00:38:42,000
Speaker 1: that's the way around this is to just go just

870
00:38:42,040 --> 00:38:44,240
Speaker 1: to lean into reality shows. The reason we have Cops

871
00:38:44,400 --> 00:38:46,840
Speaker 1: that the TV show is because of the like the

872
00:38:46,840 --> 00:38:49,239
Speaker 1: writers striking the eighties that they're like, oh, fuck it,

873
00:38:49,280 --> 00:38:51,440
Speaker 1: then we'll just follow cops around with cameras and that's

874
00:38:51,440 --> 00:38:53,719
Speaker 1: a show. We don't need writers. So they're like they

875
00:38:53,760 --> 00:38:57,640
Speaker 1: got their show. They're renewed Farmer Wants a Wife, Special Forces,

876
00:38:58,200 --> 00:39:01,120
Speaker 1: and a new game show called ake Oil hosted by

877
00:39:01,239 --> 00:39:03,360
Speaker 1: David Spade, which I'm like, is he just gonna improv

878
00:39:03,480 --> 00:39:07,520
Speaker 1: up there? Like is someone writing, like who's writing this

879
00:39:07,640 --> 00:39:10,279
Speaker 1: game show? But again that they'll figure out ways to

880
00:39:10,760 --> 00:39:13,080
Speaker 1: like maybe put them on like a creative producer who's.

881
00:39:12,840 --> 00:39:14,040
Speaker 2: Like, yeah, creative consultants.

882
00:39:14,360 --> 00:39:17,640
Speaker 1: Yeah, yeah, they just scab it up that way, because

883
00:39:17,680 --> 00:39:20,719
Speaker 1: someone is going to have to write it and ABC

884
00:39:21,280 --> 00:39:24,239
Speaker 1: also then they said we got a jaw dropper of

885
00:39:24,280 --> 00:39:29,480
Speaker 1: the schedule. They unveiled it. It's comprised entirely of unscripted shows,

886
00:39:30,120 --> 00:39:33,160
Speaker 1: with the exception of a pair of Abbott Elementary reruns

887
00:39:33,160 --> 00:39:36,520
Speaker 1: on Wednesday. That's it. They're like, fuck, man, at least

888
00:39:36,520 --> 00:39:37,880
Speaker 1: we got that show. But I guess we'll just do

889
00:39:37,920 --> 00:39:40,279
Speaker 1: reruns and put like not listen to the people that

890
00:39:40,360 --> 00:39:42,239
Speaker 1: make the fucking hit show that are giving you all

891
00:39:42,239 --> 00:39:46,080
Speaker 1: this whatever. And it sounds like this is from tv

892
00:39:46,160 --> 00:39:47,759
Speaker 1: line says and what can only be viewed as a

893
00:39:47,760 --> 00:39:50,520
Speaker 1: foreboding sign about the potential duration of the current writers strike,

894
00:39:50,680 --> 00:39:54,000
Speaker 1: the network's fall schedule. Fall schedule is compromised entirely of

895
00:39:54,080 --> 00:39:58,320
Speaker 1: unscripted fair and the lineup includes More America's Funniest Home Videos,

896
00:39:58,400 --> 00:40:01,560
Speaker 1: American Idol, Shark Tank, and the show nine to one

897
00:40:01,680 --> 00:40:05,960
Speaker 1: one which Fox dropped, and several Bachelor shows, including the

898
00:40:06,120 --> 00:40:10,080
Speaker 1: brand new Golden Bachelor, which isn't about people that are

899
00:40:10,080 --> 00:40:12,920
Speaker 1: like piss free, it's about it's about the senior citizen

900
00:40:13,239 --> 00:40:15,319
Speaker 1: season of The Bachelor, which we know about.

901
00:40:15,560 --> 00:40:17,719
Speaker 2: We were talking about that briefly. I'm excited for that one.

902
00:40:17,760 --> 00:40:20,040
Speaker 2: I think that yeah, actually of all, but you know,

903
00:40:20,120 --> 00:40:22,920
Speaker 2: older people are more real, So honestly, I could just

904
00:40:22,960 --> 00:40:25,200
Speaker 2: see it just being way more like, yeah, let's go

905
00:40:25,320 --> 00:40:25,839
Speaker 2: for it, Like.

906
00:40:26,040 --> 00:40:28,719
Speaker 1: Yeah, people who are in touch with their mortality make

907
00:40:28,880 --> 00:40:30,840
Speaker 1: way better contestants on game shops.

908
00:40:30,920 --> 00:40:31,560
Speaker 2: Absolutely.

909
00:40:31,719 --> 00:40:33,960
Speaker 4: Yeah, and unlike in the mood for love, they will

910
00:40:34,000 --> 00:40:34,719
Speaker 4: fuck in the end.

911
00:40:35,120 --> 00:40:38,000
Speaker 2: Yeah, they're probably gonna look for every opportunity on the

912
00:40:38,719 --> 00:40:39,680
Speaker 2: to go when.

913
00:40:39,600 --> 00:40:41,719
Speaker 1: They go to fantasy suites when they all man, you know,

914
00:40:41,920 --> 00:40:45,120
Speaker 1: one of them may come out in a wheelchair just because.

915
00:40:45,640 --> 00:40:47,600
Speaker 5: They're like instead of at the bottom, like what their

916
00:40:47,640 --> 00:40:50,080
Speaker 5: occupation is, it's like how many years they probably have

917
00:40:50,200 --> 00:40:50,759
Speaker 5: left a list?

918
00:40:50,840 --> 00:40:56,120
Speaker 1: Yeah, it's like Walt twenty twenty years at best. It's

919
00:40:56,360 --> 00:40:57,480
Speaker 1: twenty years at best.

920
00:40:58,000 --> 00:41:00,480
Speaker 5: The stakes are higher than Yeah, well, it's like the

921
00:41:00,520 --> 00:41:01,480
Speaker 5: thing you see even.

922
00:41:01,320 --> 00:41:03,759
Speaker 1: On like Love is Blind on Netflix, Like a lot

923
00:41:03,840 --> 00:41:05,799
Speaker 1: of the couples like Crash and Burn because you have

924
00:41:05,840 --> 00:41:08,480
Speaker 1: like cloud chasing young people who like also don't feel

925
00:41:08,600 --> 00:41:12,120
Speaker 1: like the creeping of time to be like, am I

926
00:41:12,200 --> 00:41:13,040
Speaker 1: gonna die alone?

927
00:41:13,560 --> 00:41:13,799
Speaker 5: No?

928
00:41:14,280 --> 00:41:17,920
Speaker 1: Surely not, So give me the Golden Bachelor please. But again,

929
00:41:18,320 --> 00:41:19,840
Speaker 1: this is sort of like where they're at. They're just

930
00:41:19,840 --> 00:41:23,239
Speaker 1: gonna lean into more of the unscripted shit as a

931
00:41:23,280 --> 00:41:25,759
Speaker 1: way to try and be like, well, we don't need you.

932
00:41:26,080 --> 00:41:27,400
Speaker 1: Guess what assholes you do?

933
00:41:28,400 --> 00:41:29,799
Speaker 5: This is what kills me though. I mean so like

934
00:41:29,920 --> 00:41:31,560
Speaker 5: and I feel like you guys probably were you know,

935
00:41:31,600 --> 00:41:33,560
Speaker 5: like the wet we Zach and I like we like

936
00:41:33,640 --> 00:41:35,400
Speaker 5: worked with Funnier and to eye, we worked at the Onion,

937
00:41:35,440 --> 00:41:37,920
Speaker 5: We worked in like website internet land and we know

938
00:41:38,000 --> 00:41:40,680
Speaker 5: how this plays out, yeah, which is that ultimately, like

939
00:41:40,680 --> 00:41:43,799
Speaker 5: the social media tech companies have figured out a non

940
00:41:43,960 --> 00:41:47,000
Speaker 5: union way of making what they call content, right, you know,

941
00:41:47,040 --> 00:41:49,759
Speaker 5: TikTok YouTube, like these things which and there are on

942
00:41:49,800 --> 00:41:52,279
Speaker 5: these platforms. Yeah right, sure, and there's good things, but

943
00:41:52,320 --> 00:41:55,680
Speaker 5: we're all trying to survive and basically the remnants of

944
00:41:55,880 --> 00:41:59,720
Speaker 5: like the apocalypse that happened to institution website based internet.

945
00:41:59,800 --> 00:42:02,760
Speaker 5: Yeah right, we're all scrambling and scratching trying to survive

946
00:42:02,840 --> 00:42:05,719
Speaker 5: because that was destroyed by this like race to the

947
00:42:05,760 --> 00:42:10,160
Speaker 5: bottom that algorithmically based like video production whatever. These these

948
00:42:10,200 --> 00:42:13,680
Speaker 5: companies Facebook, YouTube, what good you know that they did?

949
00:42:13,840 --> 00:42:16,359
Speaker 5: And the truth is those are the enemies of both

950
00:42:16,400 --> 00:42:19,760
Speaker 5: the AMPTP, the producers and studios and the writers guild.

951
00:42:19,840 --> 00:42:22,680
Speaker 5: Like if we're we're fighting among ourselves right now. But

952
00:42:22,719 --> 00:42:25,239
Speaker 5: what's happening is when there's not good quality television, not

953
00:42:25,280 --> 00:42:28,080
Speaker 5: good quality scripted work on TV, people are switching over

954
00:42:28,120 --> 00:42:30,360
Speaker 5: to their phone. Yep, they're gonna just start getting addicted

955
00:42:30,360 --> 00:42:32,480
Speaker 5: to the algorithms that are you know, made by our

956
00:42:32,600 --> 00:42:35,879
Speaker 5: like adversarial company countries. They're gonna switch over to those

957
00:42:35,880 --> 00:42:38,640
Speaker 5: things because they're literally crack and they're not gonna come back,

958
00:42:39,000 --> 00:42:42,759
Speaker 5: and then we're gonna just like slowly lose everything, right, absolutely, right,

959
00:42:42,880 --> 00:42:43,520
Speaker 5: that's crazy.

960
00:42:43,600 --> 00:42:44,439
Speaker 4: That was my first thought.

961
00:42:44,600 --> 00:42:46,680
Speaker 3: I mean, this lineup sounds like they've given up on

962
00:42:46,760 --> 00:42:49,520
Speaker 3: trying to appeal to anyone under the age of forty,

963
00:42:49,880 --> 00:42:52,719
Speaker 3: so they like, where are those people gonna go? They're not,

964
00:42:53,000 --> 00:42:55,200
Speaker 3: you know, it's and I think they feel like they've

965
00:42:55,200 --> 00:42:58,239
Speaker 3: already lost the like culture war in terms of like

966
00:42:58,840 --> 00:43:02,120
Speaker 3: you know, prestige TV and stuff like that. Age is

967
00:43:02,120 --> 00:43:04,840
Speaker 3: a little bit over. Everyone's watching so many different things.

968
00:43:04,880 --> 00:43:07,400
Speaker 3: You know, you might have someone who like, even like

969
00:43:07,480 --> 00:43:09,840
Speaker 3: a show like Secession that seems to be ubiquitous, Like

970
00:43:09,960 --> 00:43:12,280
Speaker 3: I haven't seen a single episode, and we talked about

971
00:43:12,360 --> 00:43:14,960
Speaker 3: this show so much that I know so much about it,

972
00:43:15,040 --> 00:43:16,359
Speaker 3: But it's like, you.

973
00:43:16,239 --> 00:43:18,040
Speaker 4: Know, I can't. I can't.

974
00:43:18,280 --> 00:43:22,360
Speaker 3: I can't figure out how you do that for reality

975
00:43:22,440 --> 00:43:26,000
Speaker 3: television for people who aren't already like wholly in that

976
00:43:26,120 --> 00:43:28,880
Speaker 3: universe like Miles. You know, yeah, it's not really in

977
00:43:28,960 --> 00:43:31,440
Speaker 3: my bubble, so I don't. They're not appealing to me

978
00:43:31,480 --> 00:43:32,240
Speaker 3: and they're not trying.

979
00:43:32,719 --> 00:43:34,440
Speaker 4: Yeah, and it's like how are you?

980
00:43:34,640 --> 00:43:38,080
Speaker 3: And that also leaves jobs on the on the table

981
00:43:38,120 --> 00:43:41,520
Speaker 3: for people who maybe could write some scripted television that

982
00:43:41,520 --> 00:43:43,560
Speaker 3: I would love to see and it's just not being produced.

983
00:43:43,840 --> 00:43:47,360
Speaker 1: Nah. Well again, I mean like like everything is just

984
00:43:47,520 --> 00:43:49,959
Speaker 1: been about how do we squeeze the most out of world?

985
00:43:50,040 --> 00:43:52,040
Speaker 1: It's like every it's again, this is like just it's

986
00:43:52,040 --> 00:43:55,080
Speaker 1: just a perfect example of happening everywhere, which is how

987
00:43:55,080 --> 00:43:57,080
Speaker 1: can we get the most out of the labor of

988
00:43:57,120 --> 00:44:00,319
Speaker 1: these workers for as little money as possible and keep

989
00:44:00,360 --> 00:44:02,600
Speaker 1: them in a desperate situation so all they can do

990
00:44:02,680 --> 00:44:05,160
Speaker 1: is accept the raw deal that we're giving them, and

991
00:44:05,440 --> 00:44:08,239
Speaker 1: really the only way is through collective action. So shout

992
00:44:08,239 --> 00:44:10,480
Speaker 1: out to the union for fucking striking, because it is

993
00:44:10,600 --> 00:44:11,360
Speaker 1: it's doing something.

994
00:44:11,520 --> 00:44:13,000
Speaker 5: It's true, And I do want to say, I mean,

995
00:44:13,040 --> 00:44:15,720
Speaker 5: like so this our show High Science, we were really

996
00:44:15,920 --> 00:44:18,480
Speaker 5: proud to unionize the show. It was actually the first

997
00:44:18,480 --> 00:44:22,799
Speaker 5: Discovery Channel show that's ever been WGA. What they told us, yeah,

998
00:44:22,800 --> 00:44:25,600
Speaker 5: because they had just bought HBO when it happened, and

999
00:44:25,680 --> 00:44:28,800
Speaker 5: normally Discovery is all unscripted all like that kind of stuff.

1000
00:44:28,920 --> 00:44:31,080
Speaker 5: But we were like, we're WJ writers, like this is

1001
00:44:31,120 --> 00:44:34,360
Speaker 5: going to be a scripted show. Discovery had just bought HBO,

1002
00:44:34,440 --> 00:44:36,359
Speaker 5: Max and all those things, and we kind of made

1003
00:44:36,400 --> 00:44:37,879
Speaker 5: the case like you're going to have to start doing

1004
00:44:38,000 --> 00:44:40,200
Speaker 5: union stuff. We went back and forth a few times.

1005
00:44:40,360 --> 00:44:42,120
Speaker 5: We were on that point of like will we walk

1006
00:44:42,160 --> 00:44:43,960
Speaker 5: away from this show that we've been trying to make

1007
00:44:44,000 --> 00:44:47,560
Speaker 5: for years, right, like if it wasn't doesn't go union?

1008
00:44:47,600 --> 00:44:50,560
Speaker 5: And then they let us do it WGA, which was amazing.

1009
00:44:51,040 --> 00:44:53,800
Speaker 5: And the other thing is like the people at these networks,

1010
00:44:53,800 --> 00:44:55,480
Speaker 5: like the people that we worked with who fought for

1011
00:44:55,560 --> 00:44:57,759
Speaker 5: our show over there are execs, Like a lot of

1012
00:44:57,800 --> 00:45:00,520
Speaker 5: people fought for our show on that side too, and

1013
00:45:00,600 --> 00:45:03,080
Speaker 5: like it's great to collaborate with those people. And I

1014
00:45:03,160 --> 00:45:05,480
Speaker 5: know a lot of those people also just want the

1015
00:45:05,520 --> 00:45:07,400
Speaker 5: best deal for all of us, right because they want

1016
00:45:07,440 --> 00:45:11,000
Speaker 5: to keep making TV too. They love television. It's also

1017
00:45:11,080 --> 00:45:13,200
Speaker 5: their job to make television and try to make the

1018
00:45:13,239 --> 00:45:16,200
Speaker 5: best shit for everybody. They want this to happen too,

1019
00:45:16,640 --> 00:45:18,560
Speaker 5: And the sooner we all just come together and make

1020
00:45:18,600 --> 00:45:21,000
Speaker 5: this something that we can all do like and live

1021
00:45:21,040 --> 00:45:23,400
Speaker 5: at the sooner we can start making dope shit that

1022
00:45:23,480 --> 00:45:26,200
Speaker 5: gets people away from the fucking crack like of the

1023
00:45:26,239 --> 00:45:28,919
Speaker 5: fucking algorithm screens and watching cool shit again.

1024
00:45:29,000 --> 00:45:31,440
Speaker 1: Yeah, exactly, and I mean like, and part of this

1025
00:45:31,480 --> 00:45:33,319
Speaker 1: too is like as the strike's going on, you know

1026
00:45:33,440 --> 00:45:37,319
Speaker 1: Jimmy Fallon, who's just like had gaff after gaff since

1027
00:45:37,320 --> 00:45:39,600
Speaker 1: the strike began, whether like being asked like, hey, are

1028
00:45:39,640 --> 00:45:42,080
Speaker 1: you painting right, He's like, I don't, I don't know,

1029
00:45:42,280 --> 00:45:44,080
Speaker 1: Oh yeah, okay, I'll do it, like for another couple

1030
00:45:44,080 --> 00:45:47,120
Speaker 1: of weeks or like this another two weeks. He's reportedly

1031
00:45:47,160 --> 00:45:48,920
Speaker 1: going to be the first late night show to stop

1032
00:45:48,960 --> 00:45:51,560
Speaker 1: paying its crew as the writer's strike continues, according to

1033
00:45:51,560 --> 00:45:55,000
Speaker 1: one of the employees, Nbcason calling it a layoff or furlough,

1034
00:45:55,440 --> 00:45:59,920
Speaker 1: but rather an unpaid leave of absence. Hopefully that doesn't sting,

1035
00:46:00,080 --> 00:46:02,080
Speaker 1: but basically it's the same thing because you're not getting

1036
00:46:02,080 --> 00:46:04,000
Speaker 1: your check. The last check you're getting is coming next week,

1037
00:46:04,040 --> 00:46:09,080
Speaker 1: and deal with it. Colbert Kimmel Myers, They're all reportedly

1038
00:46:09,080 --> 00:46:11,960
Speaker 1: continuing to keep their staff paid. We'll see how long

1039
00:46:12,360 --> 00:46:15,640
Speaker 1: that lasts. But the same day this report dropped about

1040
00:46:15,680 --> 00:46:19,720
Speaker 1: Fallon and like not paying the staff, he joins blue Sky,

1041
00:46:19,880 --> 00:46:23,200
Speaker 1: the new you know Twitter clone, and you know he's

1042
00:46:23,200 --> 00:46:25,560
Speaker 1: like may people that like, oh, maybe he'll address the

1043
00:46:25,600 --> 00:46:28,400
Speaker 1: concerns of this sort of note. Wait, he just posted

1044
00:46:28,400 --> 00:46:30,400
Speaker 1: about how you got the new Zelda game on switch?

1045
00:46:31,080 --> 00:46:34,520
Speaker 1: Like the most empty posted him I holding the switch up,

1046
00:46:34,520 --> 00:46:37,200
Speaker 1: like yeah, I got the Zelda. Naturally, most of the

1047
00:46:37,239 --> 00:46:40,440
Speaker 1: responses were like he was just getting brigaded in the

1048
00:46:40,440 --> 00:46:43,720
Speaker 1: comments of like, hey, your fucking staff, you fucking clown,

1049
00:46:43,880 --> 00:46:47,200
Speaker 1: rather than stunting like with a debt with your dead

1050
00:46:47,200 --> 00:46:50,760
Speaker 1: eyes being like that new Zelda, That's.

1051
00:46:50,640 --> 00:46:51,120
Speaker 2: What I'm doing.

1052
00:46:51,520 --> 00:46:53,480
Speaker 3: I feel like Jimmy Fallon is the kind of guy

1053
00:46:53,520 --> 00:46:56,000
Speaker 3: who just ends up in spaces and goes along with

1054
00:46:56,040 --> 00:46:58,640
Speaker 3: whatever is happening in the room at the moment, because

1055
00:46:58,640 --> 00:47:01,480
Speaker 3: he's just kind of like the aloof like aw shuck's

1056
00:47:01,640 --> 00:47:03,840
Speaker 3: silly white guy and he's supposed to be. You know,

1057
00:47:03,920 --> 00:47:05,759
Speaker 3: he's like used to people treating him like he's a

1058
00:47:05,760 --> 00:47:08,840
Speaker 3: golden retriever. So he's extra confused when people don't like

1059
00:47:08,920 --> 00:47:11,359
Speaker 3: something he did or didn't do, like the incident where

1060
00:47:11,360 --> 00:47:13,399
Speaker 3: he tussles Trump's hair and then he's like what would

1061
00:47:13,440 --> 00:47:13,719
Speaker 3: I do?

1062
00:47:14,080 --> 00:47:15,520
Speaker 4: Like I'm so what happened?

1063
00:47:15,640 --> 00:47:17,840
Speaker 1: Or the terrible bored ape.

1064
00:47:17,920 --> 00:47:23,319
Speaker 3: Yeah, this happens time and time again. I really just

1065
00:47:23,320 --> 00:47:25,680
Speaker 3: think he's like everyone really likes me, right, and then

1066
00:47:26,040 --> 00:47:28,239
Speaker 3: people will be like, well, no, not this thing, and

1067
00:47:28,280 --> 00:47:29,480
Speaker 3: he's like what why?

1068
00:47:29,840 --> 00:47:31,320
Speaker 4: And I can't help you?

1069
00:47:31,360 --> 00:47:31,520
Speaker 2: Bro?

1070
00:47:31,760 --> 00:47:34,480
Speaker 1: Yeah, you from education, you breaking character and laughing on

1071
00:47:34,600 --> 00:47:37,720
Speaker 1: SNL only got you a few years of endearment. Man. Yeah,

1072
00:47:37,800 --> 00:47:41,279
Speaker 1: like it ends. It ends after a while. But yeah,

1073
00:47:41,320 --> 00:47:45,720
Speaker 1: like after that, many people, like one person posted, wow, cool, dude,

1074
00:47:45,920 --> 00:47:48,480
Speaker 1: maybe you can build something that pays your staff since

1075
00:47:48,480 --> 00:47:52,120
Speaker 1: you see him unwilling to, and yeah, pretty much all

1076
00:47:52,120 --> 00:47:54,440
Speaker 1: the comments are like pay your fucking writers. And then

1077
00:47:54,480 --> 00:47:58,920
Speaker 1: someone on Twitter at Undefeated Matt treated to say, if

1078
00:47:58,920 --> 00:48:01,279
Speaker 1: you have Blue Sky account, we're pulling Jimmy Fallon over there.

1079
00:48:03,520 --> 00:48:06,080
Speaker 2: Okay, So I I was a writer of the Tonight

1080
00:48:06,120 --> 00:48:08,759
Speaker 2: Show for a couple of years, and I have to

1081
00:48:09,920 --> 00:48:11,960
Speaker 2: I don't know what's going on there now, but I

1082
00:48:12,040 --> 00:48:14,920
Speaker 2: do know that when the pandemic happened. I wasn't there

1083
00:48:14,960 --> 00:48:17,279
Speaker 2: when the pandemic happened, but that Jimmy out of his

1084
00:48:17,360 --> 00:48:20,920
Speaker 2: pocket paid everybody for a couple of months at least,

1085
00:48:21,080 --> 00:48:23,279
Speaker 2: So I lot of me that he has done that

1086
00:48:23,320 --> 00:48:25,120
Speaker 2: stuff before. I don't know what's going on now, but

1087
00:48:25,880 --> 00:48:29,000
Speaker 2: like he has, he has reached into his pockets before

1088
00:48:29,000 --> 00:48:31,800
Speaker 2: and paid people for a while without life, and shit's

1089
00:48:31,840 --> 00:48:35,280
Speaker 2: going down. The only hope that he continues or whatever.

1090
00:48:35,360 --> 00:48:38,120
Speaker 1: But yeah, and look, I you know, shout out to

1091
00:48:38,440 --> 00:48:42,200
Speaker 1: your good your good ex employee for sticking enough. I

1092
00:48:42,239 --> 00:48:45,760
Speaker 1: think the issue the issue though, I think just perceptually

1093
00:48:45,880 --> 00:48:49,239
Speaker 1: right in our Yeah, yeah, no, And I know what

1094
00:48:49,239 --> 00:48:51,840
Speaker 1: you mean because like Gordon did it, many other people

1095
00:48:51,880 --> 00:48:54,400
Speaker 1: did it as they should because they're millionaires and they

1096
00:48:54,400 --> 00:48:57,960
Speaker 1: get paid millions of dollars. And you again, they're not

1097
00:48:58,040 --> 00:48:59,600
Speaker 1: where they are. The hosts of these shows are not

1098
00:48:59,640 --> 00:49:02,080
Speaker 1: where they are without their staffs, especially their writing staff.

1099
00:49:02,080 --> 00:49:03,080
Speaker 1: They're monologue ms.

1100
00:49:03,239 --> 00:49:05,120
Speaker 2: I mean no, And I know, like I know tons

1101
00:49:05,160 --> 00:49:07,640
Speaker 2: of people on the staff, and like there are people

1102
00:49:07,760 --> 00:49:11,520
Speaker 2: there's like you know, costume designers and set makers who

1103
00:49:11,520 --> 00:49:13,920
Speaker 2: are worried about paying their mortgage. Yeah, you know, and

1104
00:49:13,960 --> 00:49:18,359
Speaker 2: it's like it's very real, very immediately for hundreds of

1105
00:49:18,360 --> 00:49:21,520
Speaker 2: people who aren't writers. Like that's and that's like one

1106
00:49:21,520 --> 00:49:24,319
Speaker 2: of the one of the crazy things that we have

1107
00:49:24,360 --> 00:49:26,160
Speaker 2: to do when we go on strike is we are

1108
00:49:26,200 --> 00:49:29,600
Speaker 2: doing it knowing that we are affecting the jobs of

1109
00:49:29,800 --> 00:49:33,160
Speaker 2: assistants who are being let go, like you know, so

1110
00:49:33,360 --> 00:49:36,359
Speaker 2: like so many people crews everywhere, So many people are

1111
00:49:36,360 --> 00:49:38,839
Speaker 2: being affected by this who didn't have a say, who

1112
00:49:38,880 --> 00:49:41,319
Speaker 2: didn't have a vote, and like that weighs heavily on

1113
00:49:41,400 --> 00:49:43,359
Speaker 2: all of our all of our minds, and so it's

1114
00:49:43,400 --> 00:49:45,480
Speaker 2: like that's why we just want this shit to like

1115
00:49:45,520 --> 00:49:47,839
Speaker 2: get fixed as soon as possible, because we want not

1116
00:49:47,960 --> 00:49:49,840
Speaker 2: just us to go back to work, we want everyone

1117
00:49:49,920 --> 00:49:52,879
Speaker 2: to go back to work, and like and and yeah,

1118
00:49:52,920 --> 00:49:54,640
Speaker 2: I don't know it's but I think that's why there's

1119
00:49:54,680 --> 00:49:57,360
Speaker 2: so much solidarity with the WGA, because like other you know,

1120
00:49:57,400 --> 00:49:59,759
Speaker 2: like the team Stirs or IATZI, which is another for

1121
00:49:59,800 --> 00:50:01,800
Speaker 2: peop who aren't aware of like at show business, like

1122
00:50:01,840 --> 00:50:04,799
Speaker 2: another major union in the film industry. Like they're like, yeah, man,

1123
00:50:04,880 --> 00:50:06,880
Speaker 2: because if you guys get it right, like that only

1124
00:50:06,960 --> 00:50:10,560
Speaker 2: increases our chances to better our situation as well. But yeah, yeah,

1125
00:50:10,560 --> 00:50:13,719
Speaker 2: and SAG AFTRA they're starting, they're talking about going on strike. Now.

1126
00:50:13,719 --> 00:50:16,080
Speaker 2: I mean that's it's always been where the Writers Guild

1127
00:50:16,440 --> 00:50:20,000
Speaker 2: we we like they start it, and then other groups

1128
00:50:20,040 --> 00:50:23,759
Speaker 2: that just may not be as collectively unified will like

1129
00:50:23,880 --> 00:50:25,800
Speaker 2: then be like, okay, we can get behind this too. Yeah,

1130
00:50:25,840 --> 00:50:28,640
Speaker 2: like yeah, this we're gonna start with the Writers Guild though, absolutely,

1131
00:50:28,760 --> 00:50:29,440
Speaker 2: because they're.

1132
00:50:29,239 --> 00:50:31,840
Speaker 1: Like, wait, I want yeah, I should get residuals to

1133
00:50:31,920 --> 00:50:32,760
Speaker 1: as a fucking performer.

1134
00:50:32,840 --> 00:50:32,960
Speaker 5: One.

1135
00:50:32,960 --> 00:50:34,840
Speaker 2: I also got to say, this is the first, like

1136
00:50:34,880 --> 00:50:36,920
Speaker 2: since I've joined the Writers Guild. I've been a member

1137
00:50:36,920 --> 00:50:38,799
Speaker 2: for like five six years now, this is the first

1138
00:50:38,800 --> 00:50:41,440
Speaker 2: big strike I've been a part of. And you guys,

1139
00:50:41,480 --> 00:50:43,520
Speaker 2: like when you're in the Writer's Guild and they're going

1140
00:50:43,560 --> 00:50:46,840
Speaker 2: on strikes, the speeches are so good that are like

1141
00:50:47,000 --> 00:50:50,600
Speaker 2: getting you pumped to go on strike. I mean they're

1142
00:50:50,680 --> 00:50:53,360
Speaker 2: just like we have been down here as rats in

1143
00:50:53,440 --> 00:50:56,200
Speaker 2: the ground, and now it's time to come together, and

1144
00:50:56,640 --> 00:51:00,719
Speaker 2: you're just like, oh my god, yes, yes, strike. That's incredible.

1145
00:51:00,800 --> 00:51:03,719
Speaker 1: Yeah. I mean Adam Conover like had a very fantastic

1146
00:51:03,840 --> 00:51:05,840
Speaker 1: sort of sound bite at the beginning of it, which

1147
00:51:05,960 --> 00:51:08,759
Speaker 1: I think captured the imagination of many people were like, yeah,

1148
00:51:08,840 --> 00:51:12,400
Speaker 1: man like fuck yeah, like try and do something, and

1149
00:51:12,440 --> 00:51:15,200
Speaker 1: you're in a situation to do it to better the

1150
00:51:15,239 --> 00:51:18,080
Speaker 1: situation that we're seeing where again, everywhere you look, labor

1151
00:51:18,160 --> 00:51:20,480
Speaker 1: is being exploited and all of the wealth is being

1152
00:51:20,520 --> 00:51:22,600
Speaker 1: concentrated at the top with no regard for the people

1153
00:51:22,640 --> 00:51:23,480
Speaker 1: that are actually creating.

1154
00:51:24,160 --> 00:51:26,040
Speaker 5: That's what I'm stoked about too, and like speaking to

1155
00:51:26,080 --> 00:51:28,440
Speaker 5: the solid air of the other unions, like but like

1156
00:51:28,480 --> 00:51:30,640
Speaker 5: I was out pickning yesterday and there was like nurses

1157
00:51:30,640 --> 00:51:33,480
Speaker 5: on the line with it. Like it feels like also

1158
00:51:33,560 --> 00:51:36,759
Speaker 5: just in general, this wave of like labor in America

1159
00:51:36,880 --> 00:51:38,879
Speaker 5: finally coming like finally people being like.

1160
00:51:38,840 --> 00:51:40,000
Speaker 1: Oh wait, that's right.

1161
00:51:40,120 --> 00:51:42,760
Speaker 5: That's why things were better for like the middle class

1162
00:51:42,880 --> 00:51:45,080
Speaker 5: like yeah thirty years ago, because we like fought to

1163
00:51:45,160 --> 00:51:47,480
Speaker 5: make it better, right I mean, and like people finally

1164
00:51:47,480 --> 00:51:49,319
Speaker 5: coming together to like do that. I grew up in

1165
00:51:49,320 --> 00:51:51,360
Speaker 5: the valley, the San Fernando Valley is a kid. So

1166
00:51:51,520 --> 00:51:54,279
Speaker 5: many people who worked in the industry, like that's where

1167
00:51:54,320 --> 00:51:56,400
Speaker 5: they settled, right, Like it's because like you didn't have

1168
00:51:56,400 --> 00:51:58,319
Speaker 5: the money to like live in Beverly Hills, like crew

1169
00:51:58,400 --> 00:52:00,080
Speaker 5: writers be like that they settled in the same f

1170
00:52:00,160 --> 00:52:03,799
Speaker 5: Nando Valley and there were people who, like I had

1171
00:52:03,800 --> 00:52:07,279
Speaker 5: friends whose parents had a very perfectly middle class life

1172
00:52:07,280 --> 00:52:09,480
Speaker 5: in the eighties and nineties just from like writing on

1173
00:52:09,480 --> 00:52:12,319
Speaker 5: one show and being able to do that, and that

1174
00:52:12,360 --> 00:52:15,200
Speaker 5: was affording them things like home ownership and other things,

1175
00:52:15,200 --> 00:52:17,920
Speaker 5: paying for college, and it wasn't like, oh, man, like

1176
00:52:18,200 --> 00:52:19,880
Speaker 5: this thing ends and then like they're not actually like

1177
00:52:19,920 --> 00:52:22,040
Speaker 5: the pay is terrible and there's no better. Like it's

1178
00:52:22,400 --> 00:52:25,120
Speaker 5: it's so different, and I think every person can speak

1179
00:52:25,120 --> 00:52:28,319
Speaker 5: to their industry like it wasn't like this thirty years ago,

1180
00:52:28,600 --> 00:52:31,279
Speaker 5: like you could fucking live off this shit. But you know,

1181
00:52:31,400 --> 00:52:34,279
Speaker 5: these hyper capitalists have figured it out by saying, what

1182
00:52:34,320 --> 00:52:36,839
Speaker 5: if we just took all the money and didn't share it?

1183
00:52:37,480 --> 00:52:40,400
Speaker 1: So yeah, obviously all of our support is with the

1184
00:52:40,680 --> 00:52:44,439
Speaker 1: WGA right now because it's absolutely imperative, and like I said,

1185
00:52:44,480 --> 00:52:47,319
Speaker 1: I mean, podcasting absolutely needs to. I mean like we're

1186
00:52:47,320 --> 00:52:49,799
Speaker 1: seeing it like places here, like iHeart is like in

1187
00:52:49,840 --> 00:52:55,239
Speaker 1: the Union talks because many, yeah, many, like many industries

1188
00:52:55,280 --> 00:52:57,600
Speaker 1: are experiencing this thing where it's like, well, you're you're

1189
00:52:57,640 --> 00:53:01,080
Speaker 1: selling all these ads against our war, but where is

1190
00:53:01,120 --> 00:53:05,080
Speaker 1: the proper you know, distribution of all that, because again,

1191
00:53:05,120 --> 00:53:07,359
Speaker 1: it looks like it's just shot up to the top,

1192
00:53:07,400 --> 00:53:09,360
Speaker 1: and then everyone's like, Okay, what's the how's the stock price?

1193
00:53:09,760 --> 00:53:11,799
Speaker 1: All right, let's take a quick break and we'll come

1194
00:53:11,840 --> 00:53:14,879
Speaker 1: back just to wrap it out with some movie talk

1195
00:53:15,040 --> 00:53:27,880
Speaker 1: after this and we're back, look over your shoulder if

1196
00:53:27,920 --> 00:53:30,680
Speaker 1: you're driving, please because people might be driving like straight

1197
00:53:30,760 --> 00:53:34,319
Speaker 1: up assholes, because a new Fast and Furious movie is out.

1198
00:53:34,640 --> 00:53:39,759
Speaker 1: Fast X is coming out today this weekend. It's out there.

1199
00:53:39,920 --> 00:53:42,960
Speaker 1: People are I don't know, they're probably has anyone ever

1200
00:53:43,160 --> 00:53:44,920
Speaker 1: not liked to Fast and Furious because like it's not

1201
00:53:45,000 --> 00:53:48,000
Speaker 1: like you're there for the the mellow drama, will they

1202
00:53:48,120 --> 00:53:51,319
Speaker 1: won't they You're there for the fucking just obscene like

1203
00:53:51,520 --> 00:53:53,040
Speaker 1: vehicular porno that.

1204
00:53:53,040 --> 00:53:55,319
Speaker 4: Is drift has its haters, but.

1205
00:53:55,400 --> 00:53:57,759
Speaker 1: Oh yeah yeah yeah people hate that.

1206
00:53:57,760 --> 00:53:59,560
Speaker 5: That would be the one car WI version, right is

1207
00:53:59,600 --> 00:54:01,520
Speaker 5: like the movie is like, are they going to drive

1208
00:54:01,600 --> 00:54:01,960
Speaker 5: the car?

1209
00:54:02,400 --> 00:54:02,560
Speaker 2: Yeah?

1210
00:54:02,600 --> 00:54:04,160
Speaker 5: Yeah, drive the car.

1211
00:54:04,120 --> 00:54:04,520
Speaker 1: Just drive.

1212
00:54:04,960 --> 00:54:09,000
Speaker 5: He's just almost like, I don't know, no, just I'm

1213
00:54:09,000 --> 00:54:10,359
Speaker 5: in the mood to drive the car.

1214
00:54:10,760 --> 00:54:13,759
Speaker 1: What was the car now? Was it Hans car or

1215
00:54:14,360 --> 00:54:16,920
Speaker 1: one in Fast Furious? Too too Fast, too Furious.

1216
00:54:17,040 --> 00:54:21,040
Speaker 3: I remember Little bow Wow's character had had a hulk

1217
00:54:21,239 --> 00:54:23,600
Speaker 3: like Scion XB I remember and.

1218
00:54:23,640 --> 00:54:26,600
Speaker 1: I remember that was like Devin Aoki was in everything,

1219
00:54:26,680 --> 00:54:29,120
Speaker 1: but yeah, yeah, if he had acting skills or not.

1220
00:54:29,160 --> 00:54:32,240
Speaker 1: There Yo, that Steve sit.

1221
00:54:32,160 --> 00:54:33,759
Speaker 4: In here Nepple baby, we love you.

1222
00:54:34,320 --> 00:54:34,600
Speaker 2: Yeah.

1223
00:54:34,800 --> 00:54:37,120
Speaker 1: Oh for people don't know her and Steve Aoki's dad

1224
00:54:37,200 --> 00:54:38,520
Speaker 1: started Ben.

1225
00:54:38,880 --> 00:54:44,680
Speaker 3: Yeah yeah but what yeah, oh my god, Rocky, Yeah

1226
00:54:45,280 --> 00:54:50,239
Speaker 3: I did not know that. Yeah, yeah, I remember Dom

1227
00:54:50,280 --> 00:54:51,920
Speaker 3: shows up at the end, his car is in there.

1228
00:54:51,920 --> 00:54:53,399
Speaker 3: I don't know what the car was in that one.

1229
00:54:53,400 --> 00:54:54,560
Speaker 3: I'd have to go back and watch.

1230
00:54:54,719 --> 00:54:58,040
Speaker 1: Anyway, we digress, because again, this is about people's safety.

1231
00:54:58,040 --> 00:54:59,800
Speaker 1: That's what this show is about, first and foremost. And

1232
00:55:00,000 --> 00:55:03,279
Speaker 1: and you know, we've come a really long way, you know,

1233
00:55:03,400 --> 00:55:07,080
Speaker 1: from this from a movie franchise that began merely with

1234
00:55:07,120 --> 00:55:10,800
Speaker 1: this simple story about stealing soon to be worthless DVD players.

1235
00:55:11,160 --> 00:55:12,920
Speaker 1: And look at where we're at. We're at the fucking

1236
00:55:12,960 --> 00:55:17,720
Speaker 1: tenth one. The question is now, will Fast ten usher

1237
00:55:17,800 --> 00:55:22,240
Speaker 1: in a wave of people driving like absolute maniacos. There's

1238
00:55:22,280 --> 00:55:24,600
Speaker 1: been a lot of suggestions that the Fast and Furious

1239
00:55:24,640 --> 00:55:27,960
Speaker 1: movies influence people's behavior. So when the first film came

1240
00:55:28,000 --> 00:55:30,680
Speaker 1: out way back in two thousand and one, there were

1241
00:55:30,760 --> 00:55:34,759
Speaker 1: reports of quote increase in street racing in Los Angeles.

1242
00:55:34,880 --> 00:55:36,640
Speaker 1: This is the headline that, like I said, Fast and

1243
00:55:36,680 --> 00:55:39,960
Speaker 1: Furious fuels increase in street racing. But even that article,

1244
00:55:40,040 --> 00:55:42,320
Speaker 1: as you read it, they admit that the street races

1245
00:55:42,480 --> 00:55:45,000
Speaker 1: occurred the first weekend the movie came out, which is

1246
00:55:45,040 --> 00:55:46,640
Speaker 1: not really enough time to be like, yeah, we're gonna

1247
00:55:46,719 --> 00:55:50,000
Speaker 1: organize mass street races because we're inspired by this and

1248
00:55:50,320 --> 00:55:53,879
Speaker 1: ours article also says a that street racing raids are

1249
00:55:54,000 --> 00:55:57,600
Speaker 1: regular for the LAPD. Street racing has been around since

1250
00:55:57,640 --> 00:55:58,960
Speaker 1: time immemorial, so like.

1251
00:55:58,920 --> 00:56:01,440
Speaker 4: These are forties or something in La specifically, come on,

1252
00:56:01,600 --> 00:56:02,280
Speaker 4: we saw grease.

1253
00:56:02,360 --> 00:56:04,839
Speaker 5: They were racing La high Man. What the fuck was that?

1254
00:56:05,600 --> 00:56:09,799
Speaker 1: And also secondly, the cops operation was quote explicitly time

1255
00:56:09,920 --> 00:56:12,000
Speaker 1: to coincide with the release of the movie, so it's

1256
00:56:12,000 --> 00:56:14,640
Speaker 1: like copaganda in a way. They're like, oh, yeah, we're

1257
00:56:14,640 --> 00:56:16,880
Speaker 1: on our ship man because you know, these fast and

1258
00:56:16,960 --> 00:56:19,160
Speaker 1: furious freaks to the headlines.

1259
00:56:19,239 --> 00:56:21,160
Speaker 2: Let's go get it. It'll be viral exactly.

1260
00:56:21,200 --> 00:56:22,239
Speaker 5: We've got a movie tie in.

1261
00:56:22,440 --> 00:56:25,000
Speaker 2: Yeah, this is great.

1262
00:56:23,200 --> 00:56:28,040
Speaker 1: Yeah, it'll movie tie in for a homeless encampment sweeps.

1263
00:56:28,080 --> 00:56:29,480
Speaker 1: I don't know how we're gonna tie it in, but

1264
00:56:29,520 --> 00:56:31,799
Speaker 1: we're like, yeah, man, we had to you saw Fast

1265
00:56:31,840 --> 00:56:32,320
Speaker 1: and Furious.

1266
00:56:32,600 --> 00:56:35,200
Speaker 2: Is there a Fluster movie about camping coming out soon?

1267
00:56:35,239 --> 00:56:36,560
Speaker 2: We could probably tie it in.

1268
00:56:36,800 --> 00:56:40,080
Speaker 1: Yeah, right, right exactly, So the movie didn't. If anything,

1269
00:56:40,160 --> 00:56:43,000
Speaker 1: the movie inspired the raids, not the fucking racing. When

1270
00:56:43,000 --> 00:56:46,400
Speaker 1: the sequel came out, some people even blamed a string

1271
00:56:46,480 --> 00:56:50,560
Speaker 1: of deaths around the country on Too Fast, Too Furious. Uh,

1272
00:56:50,680 --> 00:56:53,440
Speaker 1: the studio was like, this is very odd cause and

1273
00:56:53,480 --> 00:56:55,839
Speaker 1: effect that you're bringing up. They bring up the case

1274
00:56:55,880 --> 00:56:58,800
Speaker 1: of William Lakhass junior had quote just pulled out of

1275
00:56:58,840 --> 00:57:01,200
Speaker 1: a gas station and his mother corvette when two cars

1276
00:57:01,280 --> 00:57:03,560
Speaker 1: zipped by and flashed their hazard lights of the seventeen

1277
00:57:03,600 --> 00:57:06,640
Speaker 1: year old in a challenge to race like pass Forward Florida.

1278
00:57:06,719 --> 00:57:08,719
Speaker 1: Moments later, he crashed into a concrete light pull and

1279
00:57:08,800 --> 00:57:10,880
Speaker 1: was killed. And then they said, another victim in a

1280
00:57:10,920 --> 00:57:14,040
Speaker 1: string of deaths around the country. So they said this

1281
00:57:14,120 --> 00:57:16,040
Speaker 1: is all to blame on two Fast, Too Furious, a

1282
00:57:16,080 --> 00:57:19,000
Speaker 1: movie about street racers that hit theaters three weeks ago.

1283
00:57:19,680 --> 00:57:23,320
Speaker 1: But again, like you said, this has been around forever.

1284
00:57:23,760 --> 00:57:28,240
Speaker 3: Yeah, And also I think nowadays, if you are gonna

1285
00:57:28,280 --> 00:57:31,320
Speaker 3: ask like a young person who just got their driver's

1286
00:57:31,360 --> 00:57:33,920
Speaker 3: license and maybe has access to a cool car or

1287
00:57:33,960 --> 00:57:37,920
Speaker 3: something like where they learned how to like participate in

1288
00:57:37,960 --> 00:57:40,720
Speaker 3: takeovers or shutdowns or side shows or whatever.

1289
00:57:41,080 --> 00:57:43,000
Speaker 4: It's probably TikTok. I'm not gonna lie you.

1290
00:57:43,280 --> 00:57:46,960
Speaker 3: I'll spend hours and hours and hours on Instagram and

1291
00:57:46,960 --> 00:57:50,960
Speaker 3: TikTok just looking at the insanity of people just like

1292
00:57:51,160 --> 00:57:53,600
Speaker 3: shooting fireworks at cops who will just sit there and

1293
00:57:53,640 --> 00:57:56,440
Speaker 3: do nothing and just let them fuck around in an

1294
00:57:56,480 --> 00:57:59,280
Speaker 3: interception for forty minutes, just like waving guns at each

1295
00:57:59,280 --> 00:58:02,040
Speaker 3: other and stuff. I love the chaos, but it's obviously

1296
00:58:02,080 --> 00:58:04,200
Speaker 3: not safe and there's people who don't know what they're doing.

1297
00:58:04,400 --> 00:58:05,960
Speaker 1: So you see the one where they shut down the

1298
00:58:06,000 --> 00:58:07,640
Speaker 1: Golden Gate Bridge, Yes.

1299
00:58:07,480 --> 00:58:10,360
Speaker 4: Bro, and they have the drone footage from there is amazing.

1300
00:58:10,760 --> 00:58:10,960
Speaker 2: Yeah.

1301
00:58:11,440 --> 00:58:14,560
Speaker 3: I was like this furious, Yeah, put this in fast

1302
00:58:14,600 --> 00:58:15,640
Speaker 3: and furious, not the other way.

1303
00:58:16,160 --> 00:58:17,880
Speaker 1: What we need to do is we need to unite

1304
00:58:17,880 --> 00:58:20,840
Speaker 1: the street Racers and the Writers Guild of America for

1305
00:58:20,920 --> 00:58:23,480
Speaker 1: some real disruptive kind of demonstrations, you know what I mean.

1306
00:58:24,320 --> 00:58:27,200
Speaker 1: I'll be like, yo, we fuck with you man, and

1307
00:58:27,240 --> 00:58:29,480
Speaker 1: like we look we're down to like we're down to

1308
00:58:29,480 --> 00:58:30,640
Speaker 1: maybe figure out some content.

1309
00:58:30,680 --> 00:58:32,520
Speaker 3: Here we hang out the side of a charger with

1310
00:58:32,560 --> 00:58:36,400
Speaker 3: a fucking strike post like yeah, and bumping some big.

1311
00:58:36,240 --> 00:58:38,240
Speaker 1: Put it onfucking two wheels on its side, and you're

1312
00:58:38,240 --> 00:58:44,120
Speaker 1: scraping the ground with the picket sign like.

1313
00:58:41,880 --> 00:58:44,120
Speaker 2: Just like paper mache scripts on the cars.

1314
00:58:44,160 --> 00:58:46,960
Speaker 5: So just kind of ye, it looks like getting out

1315
00:58:47,000 --> 00:58:49,080
Speaker 5: on the picket line. It's just all about honking, Yes,

1316
00:58:49,240 --> 00:58:51,200
Speaker 5: just like honk. That's a huge part of the street.

1317
00:58:52,400 --> 00:58:55,200
Speaker 1: What about what about that ship that burt I'm sorry,

1318
00:58:55,240 --> 00:58:57,200
Speaker 1: I get to fucking sidetrack, but I saw it like

1319
00:58:57,240 --> 00:59:00,200
Speaker 1: outside of Warner Brothers, like honking is illegal, Like you're

1320
00:59:00,200 --> 00:59:02,160
Speaker 1: trying to make it seem like you can't honk. And

1321
00:59:02,200 --> 00:59:03,760
Speaker 1: then the mayor of Burbank was like, nam man, y'all

1322
00:59:03,760 --> 00:59:04,480
Speaker 1: fucking honk? I don't know.

1323
00:59:04,640 --> 00:59:07,520
Speaker 2: Fuck yeah, honk illgal, Yeah, go ahead.

1324
00:59:08,280 --> 00:59:10,000
Speaker 5: There's this whole button in the middle of your fucking

1325
00:59:10,040 --> 00:59:12,280
Speaker 5: steering wheel that was made to support union.

1326
00:59:12,920 --> 00:59:15,640
Speaker 1: Use the buta on that ship. And also shout out

1327
00:59:15,640 --> 00:59:17,720
Speaker 1: to the people in other cities where productions are happening

1328
00:59:17,800 --> 00:59:20,320
Speaker 1: that are also getting their shit together to shut down productions,

1329
00:59:20,360 --> 00:59:22,080
Speaker 1: because that's that's one of the things that a lot

1330
00:59:22,120 --> 00:59:23,400
Speaker 1: of studios are trying to do, is like maybe we

1331
00:59:23,400 --> 00:59:25,720
Speaker 1: can absconde back to Georgia. But it's like, no, think

1332
00:59:25,760 --> 00:59:28,320
Speaker 1: they're starting to figure all out and like sending out

1333
00:59:28,320 --> 00:59:30,600
Speaker 1: fake call sheets and stuff. It's a whole like information

1334
00:59:30,680 --> 00:59:33,360
Speaker 1: war happening with like you know, shutting these sets down.

1335
00:59:33,520 --> 00:59:36,800
Speaker 1: But we digress back to The Fast and the Furious.

1336
00:59:37,080 --> 00:59:39,520
Speaker 1: Whether or not the movies actually led to more street

1337
00:59:39,600 --> 00:59:43,440
Speaker 1: racing or not. Researchers they they did their best, and

1338
00:59:43,480 --> 00:59:46,200
Speaker 1: they said they could find a loose link between the

1339
00:59:46,240 --> 00:59:50,520
Speaker 1: releases of Fast and the Furious and increases in speeding violations,

1340
00:59:50,520 --> 00:59:54,800
Speaker 1: not necessarily you know, fucking racing, basically saying like, you know,

1341
00:59:54,960 --> 00:59:57,640
Speaker 1: people got too hopped up on watching dom Toretto and

1342
00:59:57,720 --> 01:00:00,600
Speaker 1: his charger, so you know, they left the theater in

1343
01:00:00,640 --> 01:00:03,280
Speaker 1: their fucking cam reacting like they had nitrous shit like

1344
01:00:03,600 --> 01:00:05,680
Speaker 1: in there and trying to hit the switches. The study,

1345
01:00:05,960 --> 01:00:08,600
Speaker 1: which even their authors admit it's like limited, but they

1346
01:00:08,640 --> 01:00:12,240
Speaker 1: analyzed traffic violations in Maryland, found a large increase in

1347
01:00:12,280 --> 01:00:14,480
Speaker 1: the average speed of drivers who received speeding tickets on

1348
01:00:14,520 --> 01:00:18,160
Speaker 1: the weekends after Fashion and Furious releases, and the percentage

1349
01:00:18,160 --> 01:00:21,440
Speaker 1: of people nailed for extreme speeding, which is like forty

1350
01:00:21,440 --> 01:00:24,840
Speaker 1: miles over the limit nearly doubled. It's like, oh, they

1351
01:00:24,920 --> 01:00:28,040
Speaker 1: juxtaposed that when a Hunger Games movie came out didn't

1352
01:00:28,040 --> 01:00:30,960
Speaker 1: go up, so they're like, I mean there might be something.

1353
01:00:31,080 --> 01:00:34,640
Speaker 2: Yeah, but more people became archers when games. A lot

1354
01:00:34,640 --> 01:00:37,800
Speaker 2: of bow and arrow accidents like that increased huge, like

1355
01:00:38,040 --> 01:00:41,400
Speaker 2: archery schools. Yeah, absolutely, Like it was a huge trend

1356
01:00:41,520 --> 01:00:45,080
Speaker 2: in kids taking archery from Hunger Games. So movies totally

1357
01:00:45,080 --> 01:00:48,240
Speaker 2: affect what you want to do and like and do stuff.

1358
01:00:48,400 --> 01:00:50,680
Speaker 4: Yeah, absolutely, yeah, yeah, yeah.

1359
01:00:50,560 --> 01:00:53,200
Speaker 2: Queen's Gambit guys, remember that I wanted to play chess

1360
01:00:53,240 --> 01:00:55,360
Speaker 2: so bad when that show came out. So yeah, I

1361
01:00:55,400 --> 01:00:58,120
Speaker 2: totally understand watching a car movie and being like, man,

1362
01:00:58,120 --> 01:00:59,560
Speaker 2: I want to fucking drive oh fast.

1363
01:00:59,600 --> 01:01:02,760
Speaker 1: I mean I was already I remember playing like on

1364
01:01:02,880 --> 01:01:05,040
Speaker 1: PlayStation or maybe just put PlayStation two. There's a game

1365
01:01:05,080 --> 01:01:07,800
Speaker 1: called Midnight Club that was like a street racing game,

1366
01:01:07,840 --> 01:01:10,840
Speaker 1: and I was totally into that shit. Then Fast and

1367
01:01:10,920 --> 01:01:12,800
Speaker 1: Furious came out and I was like, oh, I'm really

1368
01:01:12,800 --> 01:01:15,320
Speaker 1: into this game, and then Need for Speed started changing

1369
01:01:15,320 --> 01:01:18,040
Speaker 1: all theirs. They started switching it up anyway. I'm like,

1370
01:01:18,080 --> 01:01:20,160
Speaker 1: I'm like an old video game head number man. Remember

1371
01:01:20,200 --> 01:01:22,000
Speaker 1: that Need for Speed that had the Yin Yang Twins

1372
01:01:22,280 --> 01:01:23,440
Speaker 1: song when you loaded.

1373
01:01:23,240 --> 01:01:26,600
Speaker 4: Up midnight club Dub edition. You remember that edition?

1374
01:01:26,720 --> 01:01:28,520
Speaker 1: Maned to go to best show.

1375
01:01:29,000 --> 01:01:30,000
Speaker 2: I didn't play the other one.

1376
01:01:30,040 --> 01:01:31,720
Speaker 1: Yeah, I used to go to a lot of dub shows,

1377
01:01:31,800 --> 01:01:35,320
Speaker 1: especially when I worked in radio anyway. So again, the

1378
01:01:35,360 --> 01:01:39,080
Speaker 1: researchers conceded that it doesn't obviously suggest cause and effect,

1379
01:01:39,080 --> 01:01:42,000
Speaker 1: but that there was some kind of link there somewhere there.

1380
01:01:42,280 --> 01:01:44,280
Speaker 1: But you know, like it's probably more so that, like,

1381
01:01:44,280 --> 01:01:47,280
Speaker 1: if you're into driving fast, you're probably going to go

1382
01:01:47,360 --> 01:01:49,960
Speaker 1: see Fast and Furious because you're getting your jolly's like that.

1383
01:01:50,280 --> 01:01:53,960
Speaker 1: But one measurable nuisance that is caused by the film

1384
01:01:54,080 --> 01:01:58,160
Speaker 1: are for the residents of this very quaint neighborhood just

1385
01:01:58,160 --> 01:02:03,360
Speaker 1: west of downtown where Domto lifts, okay, and the people

1386
01:02:03,440 --> 01:02:06,919
Speaker 1: live that that live there. They've been complaining regularly about

1387
01:02:07,000 --> 01:02:11,040
Speaker 1: fans racing and doing donuts in the neighborhood nearly every night.

1388
01:02:11,280 --> 01:02:13,880
Speaker 1: That they protested the filming of the film because they're like,

1389
01:02:13,880 --> 01:02:16,919
Speaker 1: you're fucking up our neighborhood, Zach. Do you know any

1390
01:02:17,080 --> 01:02:19,320
Speaker 1: Are you familiar with anybody who lives in that party have?

1391
01:02:19,600 --> 01:02:22,480
Speaker 2: Yeah, man night, we have like four friends who live

1392
01:02:22,640 --> 01:02:27,480
Speaker 2: within blocks of that spot, and they have said that, Yeah,

1393
01:02:27,520 --> 01:02:29,760
Speaker 2: they're like, yeah, the one thing, it's a cool neighborhood,

1394
01:02:29,760 --> 01:02:31,000
Speaker 2: we like it. The one thing is, you know, it's

1395
01:02:31,040 --> 01:02:33,800
Speaker 2: the Don Turetto spot, So you know, there's just always

1396
01:02:33,840 --> 01:02:36,800
Speaker 2: car every The main thing that people do is show

1397
01:02:36,880 --> 01:02:39,800
Speaker 2: up with their cool car and just stop traffic to

1398
01:02:39,880 --> 01:02:42,640
Speaker 2: take a photo of it, like on the So it's

1399
01:02:42,640 --> 01:02:45,120
Speaker 2: just like constant traffic jams of people in line to

1400
01:02:45,200 --> 01:02:46,960
Speaker 2: take a photo of their car in the middle of

1401
01:02:47,000 --> 01:02:50,280
Speaker 2: the street and then nighttime race their car down the

1402
01:02:50,280 --> 01:02:53,080
Speaker 2: street because it feels also like fast and furious. So yes,

1403
01:02:53,160 --> 01:02:55,720
Speaker 2: it's a huge I can absolutely attest that that is

1404
01:02:55,920 --> 01:02:58,439
Speaker 2: a problem that's happening year round for them.

1405
01:02:58,680 --> 01:03:00,800
Speaker 1: Of the people who live near there, it's always funny

1406
01:03:00,880 --> 01:03:04,520
Speaker 1: like people who live near those like a home like

1407
01:03:04,560 --> 01:03:07,640
Speaker 1: that whose exterior served as like an iconic film or

1408
01:03:07,720 --> 01:03:11,000
Speaker 1: TV moment, like the people who absolutely like want to

1409
01:03:11,120 --> 01:03:14,200
Speaker 1: fuck up, like the visitors to the Walter White House

1410
01:03:14,200 --> 01:03:16,439
Speaker 1: in New Mexico, like how they.

1411
01:03:16,360 --> 01:03:19,840
Speaker 2: Just throw pizzas on it, like oh yeah.

1412
01:03:19,480 --> 01:03:21,760
Speaker 1: But like the owners of the house are like militant

1413
01:03:21,760 --> 01:03:22,400
Speaker 1: noth like, get.

1414
01:03:22,280 --> 01:03:23,880
Speaker 5: The fuck away from this fucking house.

1415
01:03:24,080 --> 01:03:26,440
Speaker 1: They're like, we get that it was Walter White's house

1416
01:03:26,800 --> 01:03:30,840
Speaker 1: and yeah, the love of just being family, you know,

1417
01:03:31,080 --> 01:03:33,560
Speaker 1: over there and cracking a brew open, which is also

1418
01:03:33,600 --> 01:03:36,720
Speaker 1: really interesting. The film also has a huge effect on

1419
01:03:36,880 --> 01:03:40,720
Speaker 1: beer sales, Like, while Corona did not pay to have

1420
01:03:40,800 --> 01:03:43,880
Speaker 1: their product featured in the films, the franchise like the

1421
01:03:43,880 --> 01:03:46,840
Speaker 1: people who make the movie, they're like, all in all told,

1422
01:03:46,920 --> 01:03:49,920
Speaker 1: we've gave them about fifteen million in free advertising when

1423
01:03:49,920 --> 01:03:51,920
Speaker 1: you really add it up, and like one of the

1424
01:03:51,920 --> 01:03:55,000
Speaker 1: producers like, why don't I have that shit just delivered

1425
01:03:55,000 --> 01:03:57,320
Speaker 1: to me on the fucking daily. I bet that was

1426
01:03:57,360 --> 01:04:00,320
Speaker 1: probably like a really low energy wave for them to

1427
01:04:00,320 --> 01:04:01,720
Speaker 1: be like, this is how we're going to get fucking

1428
01:04:01,760 --> 01:04:02,840
Speaker 1: Corona free for life.

1429
01:04:03,400 --> 01:04:05,520
Speaker 2: Cut to you've got to drop that fact if you've

1430
01:04:05,560 --> 01:04:07,800
Speaker 2: got that fast and they're like, you know, are helping

1431
01:04:07,800 --> 01:04:09,800
Speaker 2: out Corona for a long time. Do you guys think

1432
01:04:09,800 --> 01:04:12,680
Speaker 2: that white tank tops sell better when fast and Furious

1433
01:04:12,720 --> 01:04:14,560
Speaker 2: movies come out like the Don Touretto.

1434
01:04:14,800 --> 01:04:18,200
Speaker 1: Probably, I'd imagine if you're bald, you buying, you're buying

1435
01:04:18,200 --> 01:04:19,440
Speaker 1: a white tank and you may be.

1436
01:04:19,400 --> 01:04:21,120
Speaker 2: Doing Yeah, it's a good reminder for bald men to

1437
01:04:21,200 --> 01:04:22,160
Speaker 2: go pick up a new white.

1438
01:04:22,120 --> 01:04:26,360
Speaker 1: You oh yeah, I mean like every time comes I

1439
01:04:26,400 --> 01:04:28,720
Speaker 1: shaved my head, reshave it, but get it looking good.

1440
01:04:28,800 --> 01:04:31,720
Speaker 2: Bald man's confidence goes up three D whenever there's a

1441
01:04:31,760 --> 01:04:33,120
Speaker 2: near fast and yeah.

1442
01:04:33,680 --> 01:04:35,680
Speaker 1: How many how many bald men in white tank talks

1443
01:04:35,680 --> 01:04:37,600
Speaker 1: are this is they think? How many bald men in

1444
01:04:37,680 --> 01:04:39,960
Speaker 1: white tank tops are getting in car accidents after fast

1445
01:04:39,960 --> 01:04:42,560
Speaker 1: and furious that's we need? And how many of them

1446
01:04:42,560 --> 01:04:45,840
Speaker 1: are increasing in how much they much they mentioned family,

1447
01:04:46,000 --> 01:04:48,440
Speaker 1: Like I've been like mentioning family more.

1448
01:04:48,760 --> 01:04:50,080
Speaker 4: You been asking the right questions.

1449
01:04:50,120 --> 01:04:54,880
Speaker 1: Yeah, I'm certain you know I pulled you over family?

1450
01:04:55,160 --> 01:04:55,240
Speaker 3: What?

1451
01:04:55,920 --> 01:04:58,360
Speaker 1: Yeah, I know, get out of the car. Get out

1452
01:04:58,360 --> 01:05:00,240
Speaker 1: of the car, you fucking touretto on it.

1453
01:05:01,640 --> 01:05:04,120
Speaker 2: Our twentieth bald man in a white tank tops that

1454
01:05:04,160 --> 01:05:05,160
Speaker 2: we've arrested today.

1455
01:05:05,400 --> 01:05:07,760
Speaker 5: Uh, just all the mug shots the week after.

1456
01:05:07,800 --> 01:05:12,240
Speaker 1: Yeah, yeah, exactly, because like, okay, this is interesting. We

1457
01:05:12,280 --> 01:05:14,320
Speaker 1: got to look at all the states that have public

1458
01:05:14,400 --> 01:05:18,800
Speaker 1: mug shots and after a pastor how many tank top

1459
01:05:18,840 --> 01:05:20,479
Speaker 1: bald guys are we going to see? They're just like

1460
01:05:20,760 --> 01:05:22,000
Speaker 1: all like like.

1461
01:05:22,040 --> 01:05:25,040
Speaker 2: Yeah, all their mouths are in the they're saying family.

1462
01:05:25,080 --> 01:05:27,360
Speaker 2: You can see, like I think if we like show

1463
01:05:27,440 --> 01:05:29,840
Speaker 2: the dugshots they're saying the word family.

1464
01:05:30,000 --> 01:05:33,240
Speaker 1: Yeah, oh man, so uh yeah, I mean shout out

1465
01:05:33,240 --> 01:05:35,960
Speaker 1: to all of you getting fast and or furious, but

1466
01:05:36,000 --> 01:05:38,439
Speaker 1: please do it safely and you know, please wear white

1467
01:05:38,440 --> 01:05:42,439
Speaker 1: tank tops responsibly. Uh, Zach, Matt, thank you so much

1468
01:05:42,480 --> 01:05:45,520
Speaker 1: for joining us on the daily Zeitgeist. Where can people

1469
01:05:45,560 --> 01:05:48,840
Speaker 1: find you? Follow you and obviously catch High Science?

1470
01:05:49,160 --> 01:05:52,560
Speaker 2: Oh yeah, well watch High Science on HBO Max or

1471
01:05:52,640 --> 01:05:56,120
Speaker 2: Discovery Plus or Max now that it's all becoming Max. Yeah,

1472
01:05:56,480 --> 01:05:59,160
Speaker 2: we're gonna be on Max, so check that out. You

1473
01:05:59,200 --> 01:06:01,320
Speaker 2: can find me on Instaga at z Poytress or on

1474
01:06:01,360 --> 01:06:02,760
Speaker 2: Twitter at big Zach Poitris.

1475
01:06:02,960 --> 01:06:04,080
Speaker 1: Oh okay, big Zach.

1476
01:06:05,000 --> 01:06:07,160
Speaker 5: Yeah, I guess I'm my Twitter is the one that

1477
01:06:07,200 --> 01:06:09,120
Speaker 5: I stare at more than the other ones, and I'm

1478
01:06:09,160 --> 01:06:09,960
Speaker 5: at Matt Kleinman.

1479
01:06:10,120 --> 01:06:11,920
Speaker 1: But how you spell that? Man? You spelling that?

1480
01:06:12,080 --> 01:06:14,040
Speaker 5: Oh right? Ka l I m m an no e

1481
01:06:14,400 --> 01:06:17,400
Speaker 5: that he got dropped when the when the ell Asil

1482
01:06:17,760 --> 01:06:19,720
Speaker 5: one of those my name is spelled wrong, dude.

1483
01:06:19,520 --> 01:06:22,960
Speaker 1: When the Ameta guns made you change your name. It's

1484
01:06:23,000 --> 01:06:25,560
Speaker 1: my favorite. One of my favorite Sopranos scenes where Phil

1485
01:06:25,600 --> 01:06:30,120
Speaker 1: Leotardo talks about how they were really Leonardo and then anyway,

1486
01:06:30,320 --> 01:06:33,080
Speaker 1: great scene from my Sopranos fans. Yeah, and what's a

1487
01:06:33,120 --> 01:06:35,160
Speaker 1: tweet or a work of media or social media that

1488
01:06:35,200 --> 01:06:35,920
Speaker 1: you guys are loving?

1489
01:06:36,080 --> 01:06:38,600
Speaker 5: Oh yeah, I was. Well, So it came out this

1490
01:06:38,640 --> 01:06:41,480
Speaker 5: week the the hard Drive, right do you guys know

1491
01:06:41,520 --> 01:06:43,360
Speaker 5: the website hard Drive? And I don't know if you

1492
01:06:43,360 --> 01:06:44,880
Speaker 5: guys have already talked about this on the show. They

1493
01:06:45,040 --> 01:06:49,240
Speaker 5: had like a complete reviewing of every n sixty four

1494
01:06:49,320 --> 01:06:53,400
Speaker 5: game this week. WHOA, they dropped this massive article where

1495
01:06:53,400 --> 01:06:56,080
Speaker 5: they went back and played every single game that was

1496
01:06:56,120 --> 01:06:58,960
Speaker 5: released for the Nintendo sixty four and reviewed that. That's

1497
01:06:58,960 --> 01:07:01,560
Speaker 5: amazing and it's it's like two hundred and some odd

1498
01:07:01,640 --> 01:07:03,560
Speaker 5: games and it's like a complete I've just been like,

1499
01:07:03,760 --> 01:07:06,000
Speaker 5: have a tab open of it and just page through.

1500
01:07:06,600 --> 01:07:09,320
Speaker 5: And I like, I think maybe because I like obviously

1501
01:07:09,360 --> 01:07:11,680
Speaker 5: like had in sixty four and was renting a lot

1502
01:07:11,680 --> 01:07:13,520
Speaker 5: for Blackbuster, but also I had like a game Pro

1503
01:07:13,600 --> 01:07:16,520
Speaker 5: subscription during that time. I'm like shocked at the number

1504
01:07:16,520 --> 01:07:19,320
Speaker 5: of like games that I recognized and either played or

1505
01:07:19,360 --> 01:07:21,919
Speaker 5: like knew about, right and to like finally really hear

1506
01:07:21,960 --> 01:07:25,680
Speaker 5: about them. And also from now, it's a really spectacular

1507
01:07:25,720 --> 01:07:28,600
Speaker 5: piece of work, very comprehensive. I can't recommend it.

1508
01:07:28,560 --> 01:07:29,320
Speaker 2: Enough love that.

1509
01:07:29,520 --> 01:07:32,480
Speaker 1: Yeah, I mean, and I guess universally they're panning the

1510
01:07:32,520 --> 01:07:33,920
Speaker 1: Superman game because isn't that sort of.

1511
01:07:34,440 --> 01:07:37,000
Speaker 5: Yeah, although it's not they've they've it's actually they didn't

1512
01:07:37,040 --> 01:07:39,680
Speaker 5: consider it the absolute worst. There a few that were worse.

1513
01:07:40,280 --> 01:07:42,280
Speaker 5: Is the ver what is?

1514
01:07:42,840 --> 01:07:43,280
Speaker 2: What's the word?

1515
01:07:43,440 --> 01:07:45,160
Speaker 5: You have to look at the you know, like the

1516
01:07:45,240 --> 01:07:46,400
Speaker 5: thing here I pull it out.

1517
01:07:46,480 --> 01:07:48,000
Speaker 2: Oh, you're not saying that as a tease. You just

1518
01:07:48,040 --> 01:07:50,960
Speaker 2: don't know. You don't remember. No, I don't know it was.

1519
01:07:51,000 --> 01:07:52,920
Speaker 5: I think it was another superhero game though.

1520
01:07:52,960 --> 01:07:53,520
Speaker 4: That makes sense.

1521
01:07:53,760 --> 01:07:56,480
Speaker 1: Okay, okay, Zach, what about you?

1522
01:07:56,480 --> 01:07:59,600
Speaker 2: You know, man, I we're actually we're both watching the

1523
01:07:59,640 --> 01:08:03,640
Speaker 2: show Silo right now on Apple, and I realized that

1524
01:08:04,000 --> 01:08:06,640
Speaker 2: you can really easily hook me into any show where

1525
01:08:06,680 --> 01:08:10,760
Speaker 2: you go like all of humanity is living in a cave? Like,

1526
01:08:11,000 --> 01:08:13,680
Speaker 2: will that? Will that work out? I'm in you know,

1527
01:08:13,880 --> 01:08:18,120
Speaker 2: if you say, like all of humanities living in the trees, right,

1528
01:08:18,280 --> 01:08:21,200
Speaker 2: why what will that mean? I'm like, I don't know

1529
01:08:21,280 --> 01:08:23,479
Speaker 2: how that changes. I will check that out, dude, I

1530
01:08:23,479 --> 01:08:26,040
Speaker 2: will absolutely check that out. So you put any people

1531
01:08:26,040 --> 01:08:28,960
Speaker 2: in some sort of just like one place or something

1532
01:08:29,000 --> 01:08:29,519
Speaker 2: right right? Right?

1533
01:08:29,560 --> 01:08:32,160
Speaker 1: Ask the question why I'm in Yeah, there we go,

1534
01:08:32,360 --> 01:08:33,599
Speaker 1: There we go. Do you find out what the worst

1535
01:08:33,600 --> 01:08:33,960
Speaker 1: game was.

1536
01:08:33,960 --> 01:08:38,599
Speaker 5: Matt, Yeah, yeah, it's it's another Uh it's Batman beyond

1537
01:08:38,800 --> 01:08:39,960
Speaker 5: Return of the Joker.

1538
01:08:40,280 --> 01:08:40,840
Speaker 2: Oh shit.

1539
01:08:40,960 --> 01:08:42,240
Speaker 1: We were just talking about how the Joker would be

1540
01:08:42,240 --> 01:08:46,639
Speaker 1: a great podcaster, but he he sledged specifically, so.

1541
01:08:46,640 --> 01:08:49,240
Speaker 5: That one and then Karma Geddon sixty four they ranked

1542
01:08:49,280 --> 01:08:51,800
Speaker 5: worse than Superman, which makes me feel better because I

1543
01:08:51,800 --> 01:08:54,320
Speaker 5: always felt bad about not playing Karma Eddon right, because

1544
01:08:54,320 --> 01:08:56,920
Speaker 5: I was one of the most played like demos that

1545
01:08:56,960 --> 01:08:59,479
Speaker 5: I played on my computer. You know those games where

1546
01:08:59,479 --> 01:09:01,400
Speaker 5: you just had one level, you just have the demo,

1547
01:09:01,479 --> 01:09:03,559
Speaker 5: and you like kept playing it because you'd never I

1548
01:09:03,560 --> 01:09:05,280
Speaker 5: could never go to my parents and say, can you

1549
01:09:05,280 --> 01:09:06,479
Speaker 5: buy me Karma Geddon?

1550
01:09:06,640 --> 01:09:07,240
Speaker 1: Yeah?

1551
01:09:07,280 --> 01:09:09,960
Speaker 6: Oh man, shout out to Karmageddon, shout out those those

1552
01:09:10,000 --> 01:09:11,000
Speaker 6: long lost games.

1553
01:09:11,640 --> 01:09:13,720
Speaker 1: Justin thank you so much for joining me. Now, where

1554
01:09:13,720 --> 01:09:16,479
Speaker 1: can people find you? And all that? And there is

1555
01:09:16,520 --> 01:09:19,000
Speaker 1: there a work of social media or media that you're digging? Yeah?

1556
01:09:19,040 --> 01:09:22,519
Speaker 3: Yeah, you can find me on Instagram at j con

1557
01:09:22,600 --> 01:09:25,880
Speaker 3: the Smith that's at j C O N t H

1558
01:09:26,000 --> 01:09:29,840
Speaker 3: E S M I t H. Lately, Hulu has been

1559
01:09:29,920 --> 01:09:32,840
Speaker 3: killing it with the nineties hip hop documentaries of late

1560
01:09:33,120 --> 01:09:36,400
Speaker 3: by which I mean I've seen two. The J Dilla

1561
01:09:36,439 --> 01:09:40,360
Speaker 3: one is fantastic, course, but the Tupac one was the

1562
01:09:40,360 --> 01:09:43,040
Speaker 3: one that really was a huge surprise for me because

1563
01:09:43,400 --> 01:09:45,800
Speaker 3: I it's called Dear Mama. I was avoiding it for

1564
01:09:45,840 --> 01:09:48,720
Speaker 3: weeks because I was like another Tupac documentary. I don't

1565
01:09:48,760 --> 01:09:51,240
Speaker 3: really you know, what else can I learn. I've seen

1566
01:09:51,280 --> 01:09:54,479
Speaker 3: so many of these, it's fantastic. I sat there for

1567
01:09:54,520 --> 01:09:57,799
Speaker 3: like six hours and just absorbed all this stuff because

1568
01:09:58,200 --> 01:10:02,799
Speaker 3: it really isn't about him. It's equally his mom holds

1569
01:10:03,360 --> 01:10:06,000
Speaker 3: a weight in there. And it was released a little

1570
01:10:06,000 --> 01:10:09,599
Speaker 3: bit before Mother's Day and it's incredibly touching and heartwarming.

1571
01:10:09,600 --> 01:10:12,519
Speaker 3: If you know anything about Tupac, the gangster side of

1572
01:10:12,560 --> 01:10:14,200
Speaker 3: him came out a little bit later in life, but

1573
01:10:14,240 --> 01:10:16,880
Speaker 3: he was a sensitive young boy at a certain point,

1574
01:10:16,920 --> 01:10:19,000
Speaker 3: and you really see him for who he is in

1575
01:10:19,000 --> 01:10:21,240
Speaker 3: this documentary. I think that's the first time like I

1576
01:10:21,280 --> 01:10:23,160
Speaker 3: really didn't want to hear about like, oh, who really

1577
01:10:23,240 --> 01:10:25,360
Speaker 3: killed him? Or what I wanted to hear more about,

1578
01:10:25,360 --> 01:10:27,360
Speaker 3: like the person, and this really does that. So if

1579
01:10:27,400 --> 01:10:29,080
Speaker 3: you're interested in that, you can check that out.

1580
01:10:29,280 --> 01:10:30,360
Speaker 4: Dear Mama. On Hulu.

1581
01:10:30,400 --> 01:10:33,479
Speaker 3: And also I was lucky enough to get my sleeves

1582
01:10:33,479 --> 01:10:36,959
Speaker 3: started for my tattoo by an outstanding artist and professor

1583
01:10:37,000 --> 01:10:40,240
Speaker 3: at usc by the name of Danny Cansino. She's a

1584
01:10:40,280 --> 01:10:43,799
Speaker 3: local LA artist who's been blowing the fuck up lately.

1585
01:10:44,120 --> 01:10:46,080
Speaker 3: In fact, if you're in the area, she has a

1586
01:10:46,120 --> 01:10:49,639
Speaker 3: solo exhibition on display at the Charlie James Gallery titled

1587
01:10:49,800 --> 01:10:52,200
Speaker 3: This Is My Blood. It's a love letter to her city,

1588
01:10:52,439 --> 01:10:56,200
Speaker 3: her heritage, her culture. It's got Mexican spirituality all up

1589
01:10:56,280 --> 01:10:59,040
Speaker 3: in it. If that interests you, you should go check

1590
01:10:59,080 --> 01:11:01,320
Speaker 3: it out. And you can follow her on Instagram at

1591
01:11:01,640 --> 01:11:05,360
Speaker 3: Danny Cansino at d A n I E c A

1592
01:11:05,680 --> 01:11:06,800
Speaker 3: N s I n O.

1593
01:11:07,320 --> 01:11:10,200
Speaker 1: Somebody getting that sleeve done for a fucking free after Yeah,

1594
01:11:10,200 --> 01:11:10,720
Speaker 1: and I'm like.

1595
01:11:10,720 --> 01:11:14,799
Speaker 4: That we weed out. She's yeah, yeah, yeah, shout.

1596
01:11:14,880 --> 01:11:17,639
Speaker 1: Hey, shout out. Yeah yeah. I'll fuck with Danny too, man.

1597
01:11:18,080 --> 01:11:21,120
Speaker 1: I want to get a free tattooed though. Uh let's see.

1598
01:11:21,160 --> 01:11:23,559
Speaker 1: You can find me at Miles of Gray. On most

1599
01:11:23,560 --> 01:11:28,160
Speaker 1: apt based platforms, you can find our basketball podcast, Jack

1600
01:11:28,200 --> 01:11:31,320
Speaker 1: O'Brien and I basketball podcast Miles and Jack Got Mad Boosties.

1601
01:11:31,400 --> 01:11:33,920
Speaker 1: We've been talking about the postseason. Oh my god, that's

1602
01:11:33,920 --> 01:11:41,679
Speaker 1: Celtics man. Oh man, Jimmy Buckets doing his thing, and man,

1603
01:11:41,800 --> 01:11:44,960
Speaker 1: Jason Tatum absolutely turned to a ghost in that fourth quarter.

1604
01:11:45,080 --> 01:11:48,599
Speaker 1: Don't know what happened the invisible man, but look as

1605
01:11:48,640 --> 01:11:50,439
Speaker 1: if this recording don't know what happened in Game two

1606
01:11:50,439 --> 01:11:52,479
Speaker 1: of the Lakers Nuggets series. So I could be a

1607
01:11:52,520 --> 01:11:55,360
Speaker 1: sad boy as well, so who knows? Who knows? You

1608
01:11:55,360 --> 01:11:57,759
Speaker 1: can also find me on my uh, you know, reality

1609
01:11:57,800 --> 01:12:01,320
Speaker 1: show podcast with Sophia Alexandra about ninety day Fiance called

1610
01:12:01,479 --> 01:12:04,040
Speaker 1: four to twenty Day Fiance. You know what the fuck

1611
01:12:04,080 --> 01:12:07,160
Speaker 1: is up? And let's see some tweets I like At

1612
01:12:07,280 --> 01:12:11,960
Speaker 1: wbe Z tweeted hundreds of workers showed support for WGA

1613
01:12:12,040 --> 01:12:14,120
Speaker 1: TV and film writers and their third week of strike

1614
01:12:14,320 --> 01:12:17,800
Speaker 1: against the Alliance of Motion Picture and Television Producers, and

1615
01:12:17,840 --> 01:12:19,960
Speaker 1: then at Daisy Gardner sort of quote teeted then said,

1616
01:12:20,000 --> 01:12:21,960
Speaker 1: you got to feel pretty dumb if you could have

1617
01:12:21,960 --> 01:12:24,160
Speaker 1: given the writers what they wanted for the cost of

1618
01:12:24,200 --> 01:12:26,920
Speaker 1: a few private jet rides for your executives, but you

1619
01:12:27,000 --> 01:12:30,599
Speaker 1: refused and accidentally kicked off a nationwide labor solidarity movement

1620
01:12:30,840 --> 01:12:35,240
Speaker 1: hashtag WGA Strong. Yeah, that's true. And at Julie Underscore

1621
01:12:35,280 --> 01:12:39,200
Speaker 1: bush Quote tweeted that Daisy Gardener tweet and said, I'll

1622
01:12:39,200 --> 01:12:41,519
Speaker 1: never forget when an exec told me privately that the

1623
01:12:41,560 --> 01:12:44,240
Speaker 1: amount I was getting paid was literally the amount the

1624
01:12:44,280 --> 01:12:47,800
Speaker 1: execs were blowing on private jets to locations for no

1625
01:12:47,880 --> 01:12:51,840
Speaker 1: particular reason. It just shows you, like that the money's there,

1626
01:12:52,000 --> 01:12:57,040
Speaker 1: it's just not being properly distributed. It's for fucking indulgences.

1627
01:12:57,080 --> 01:13:02,639
Speaker 1: And at samo yedcoor tweet Hey nice man bun haha,

1628
01:13:02,800 --> 01:13:06,720
Speaker 1: fucking sucks you hipster asshole. He turns around and reveals

1629
01:13:06,920 --> 01:13:10,800
Speaker 1: he is a samurai from the Tokugawa shogun Age. Oh fuck,

1630
01:13:14,800 --> 01:13:17,960
Speaker 1: so specific, but I love that samurai reference. You can

1631
01:13:17,960 --> 01:13:20,120
Speaker 1: follow us at Daily Zeitgeist on Twitter, at the Daily

1632
01:13:20,160 --> 01:13:22,960
Speaker 1: zeit Guys on Zeitgeist on Instagram. Got a Facebook fan page,

1633
01:13:22,960 --> 01:13:25,280
Speaker 1: website Daly hike Gus dot com. We're post all episodes

1634
01:13:25,280 --> 01:13:29,120
Speaker 1: in our footnotes Thank you justin where we post all

1635
01:13:29,160 --> 01:13:31,120
Speaker 1: of the links to the articles we talk about and

1636
01:13:31,560 --> 01:13:32,679
Speaker 1: uh also the song.

1637
01:13:32,520 --> 01:13:33,200
Speaker 5: We write out on.

1638
01:13:33,439 --> 01:13:34,960
Speaker 1: What are we going out on? This is a track

1639
01:13:35,000 --> 01:13:40,000
Speaker 1: from the artist tlim Shug which the letters are being

1640
01:13:40,040 --> 01:13:42,840
Speaker 1: slit switched around from slim Thuck. Okay, I recognize that,

1641
01:13:42,920 --> 01:13:45,960
Speaker 1: but this is tlim Shug and this person is like

1642
01:13:45,960 --> 01:13:49,880
Speaker 1: a Brooklyn based like producer. This track that they put

1643
01:13:49,880 --> 01:13:52,280
Speaker 1: out like that we're going on. It's called DK zero

1644
01:13:52,400 --> 01:13:55,479
Speaker 1: zero one. It sounds like sort of a fly Low

1645
01:13:55,520 --> 01:13:58,720
Speaker 1: adjacent house track, like a really interesting production of like

1646
01:13:58,760 --> 01:14:01,320
Speaker 1: really great percussive textures on it and like haunting sort

1647
01:14:01,360 --> 01:14:04,280
Speaker 1: of vocal sample that might be twim Shug themselves, but

1648
01:14:04,320 --> 01:14:06,960
Speaker 1: I'm not sure. So check this one out. DK zero

1649
01:14:07,080 --> 01:14:09,760
Speaker 1: zero one all one word to you know, take that

1650
01:14:09,800 --> 01:14:12,520
Speaker 1: into the weekend again. This show's a production of iHeartRadio.

1651
01:14:12,560 --> 01:14:14,519
Speaker 1: So for more podcasts, check out the iHeartRadio app, Apple

1652
01:14:14,560 --> 01:14:16,680
Speaker 1: Podcasts or Rebigae podcast. Will be back later, tell you

1653
01:14:16,720 --> 01:14:20,120
Speaker 1: what's trending. Until then, Peace the fuck out by A