1 00:00:00,240 --> 00:00:03,560 Speaker 1: Hello the Internet, and welcome to Season to twenty three, 2 00:00:03,560 --> 00:00:07,160 Speaker 1: Episode three of DIR Days Like Gee, a production by 3 00:00:07,240 --> 00:00:09,440 Speaker 1: Heart Radio. This is a podcast where we take a 4 00:00:09,480 --> 00:00:14,520 Speaker 1: deep dive into America's share consciousness. And it's Wednesday, February nine. 5 00:00:16,160 --> 00:00:21,520 Speaker 1: My name is Jack O'Brien ak. His name is Joe Burrow. 6 00:00:22,880 --> 00:00:28,560 Speaker 1: He is kind of the dork. He is so lass cold. 7 00:00:29,160 --> 00:00:34,199 Speaker 1: He's got Pete Davidson eyes. That is courtesy of Salcolm 8 00:00:34,240 --> 00:00:37,440 Speaker 1: fuck Hat. It is based on my theory that Joe 9 00:00:37,479 --> 00:00:40,200 Speaker 1: Burrow and Pete Davidson have the same eyes. Not really 10 00:00:40,200 --> 00:00:44,800 Speaker 1: a theory, observation opinion. Maybe it's a roast. That's a roast, 11 00:00:45,040 --> 00:00:48,479 Speaker 1: a roast, they're both like, I have a theory that 12 00:00:48,600 --> 00:00:52,160 Speaker 1: like this is the direction that people seem to want 13 00:00:52,680 --> 00:00:55,360 Speaker 1: hot dudes to head is to kind of have those 14 00:00:55,400 --> 00:00:59,880 Speaker 1: buggy Pete Davidson Joe Burrow eyes or in some cases anyway, 15 00:01:00,240 --> 00:01:03,040 Speaker 1: I'm thrilled to be joined by that voice you just 16 00:01:03,120 --> 00:01:06,400 Speaker 1: heard today's very special guest co host and award winning 17 00:01:06,440 --> 00:01:10,960 Speaker 1: podcast host or writer, podcast producer, voice artist and even 18 00:01:10,959 --> 00:01:12,880 Speaker 1: though it's not one of his written credits, one of 19 00:01:12,920 --> 00:01:16,560 Speaker 1: my favorite singers also my word old Twin. Although he's 20 00:01:16,560 --> 00:01:18,880 Speaker 1: getting better than I think he's better than me now, 21 00:01:18,920 --> 00:01:23,080 Speaker 1: So not not so much twin aspirationally my twin uh 22 00:01:23,120 --> 00:01:25,800 Speaker 1: and not again not one of his written credits, which 23 00:01:25,800 --> 00:01:32,640 Speaker 1: I'm a little insulted by it is jackies Na Nassy 24 00:01:35,080 --> 00:01:50,520 Speaker 1: beincause Jockey's and not sy because uh n his I 25 00:01:51,880 --> 00:02:01,760 Speaker 1: his song the side guy, And I know Jack jess 26 00:02:02,400 --> 00:02:09,080 Speaker 1: me oh as my good friend Joe Rogan likes to 27 00:02:09,120 --> 00:02:17,680 Speaker 1: say what happening is hi, y'all? Yes, beautiful the N 28 00:02:17,680 --> 00:02:22,200 Speaker 1: word for me and Joe Rogan, only baby, how we 29 00:02:22,320 --> 00:02:24,560 Speaker 1: do it? You said he's allowed to say it? I 30 00:02:24,600 --> 00:02:26,639 Speaker 1: did you know people that that part of the news 31 00:02:26,639 --> 00:02:30,360 Speaker 1: cycle didn't didn't come. You know, they're trying to it's 32 00:02:30,400 --> 00:02:32,280 Speaker 1: because it's Black History Month. They don't want me to 33 00:02:32,320 --> 00:02:34,960 Speaker 1: be blamed for so I appreciate it. But I did 34 00:02:35,000 --> 00:02:39,000 Speaker 1: give him the card. Let me shut up for you 35 00:02:39,040 --> 00:02:41,800 Speaker 1: know the black people that listened to the dailies, like guys, 36 00:02:42,440 --> 00:02:46,000 Speaker 1: yeah coming my door. Yeah, we were rolling up on 37 00:02:46,080 --> 00:02:48,840 Speaker 1: Joe Rogan. We're gonna shoot, y'all, We're gonna we're gonna 38 00:02:48,840 --> 00:02:52,320 Speaker 1: shoot with kindness with It's okay in Texas, right, that's allowed? 39 00:02:52,520 --> 00:02:54,080 Speaker 1: Is there where he is he's in I think he. 40 00:02:54,240 --> 00:02:57,519 Speaker 1: I think he fled to Texas after being like l 41 00:02:57,600 --> 00:03:00,360 Speaker 1: a changed and he was talking about counts, some like 42 00:03:00,440 --> 00:03:03,160 Speaker 1: living in a on a compound where the only people 43 00:03:03,160 --> 00:03:05,440 Speaker 1: he saw were like the weird white supremis us that 44 00:03:05,480 --> 00:03:08,440 Speaker 1: he invited to his podcast. Uh, he was like, what's 45 00:03:08,440 --> 00:03:11,640 Speaker 1: going on in alle is different? Now? Anyways, Jackies, we 46 00:03:11,760 --> 00:03:16,040 Speaker 1: are thrilled, fortunately blessed to be joined by the host 47 00:03:16,080 --> 00:03:19,120 Speaker 1: of the wonderful new podcast like a virgin. They are 48 00:03:19,320 --> 00:03:23,520 Speaker 1: striking an intellect and wit. According to Last Culture, Rista's 49 00:03:23,960 --> 00:03:27,679 Speaker 1: a queer champion. According to The New York Fucking Times, 50 00:03:28,200 --> 00:03:35,240 Speaker 1: please welcome the hilarious, the talented Friend Toronto. Thank you, 51 00:03:35,480 --> 00:03:38,400 Speaker 1: thank you for having me. I will say, without any context, 52 00:03:38,480 --> 00:03:41,320 Speaker 1: this is quite a roller coaster ride of an introduction 53 00:03:41,360 --> 00:03:45,120 Speaker 1: to a podcast. I feel like I know everything about 54 00:03:45,200 --> 00:03:50,600 Speaker 1: y'all and also nothing, So you know, I appreciate that. 55 00:03:50,960 --> 00:03:53,200 Speaker 1: I appreciate that. It only it's only when I'm here. 56 00:03:53,560 --> 00:03:55,440 Speaker 1: I think this is only when the Edward has dropped 57 00:03:55,440 --> 00:03:59,600 Speaker 1: on the daily side. Guys, Yeah, you know, I I 58 00:03:59,680 --> 00:04:02,400 Speaker 1: have I I um. I feel like that speaks for itself. 59 00:04:02,440 --> 00:04:04,160 Speaker 1: But the thing that I wanted to comment on was 60 00:04:04,560 --> 00:04:08,520 Speaker 1: or rather ask is what celebrity's eyes do I have? Oh, 61 00:04:09,320 --> 00:04:11,160 Speaker 1: let's see, let's see if you're if this is what 62 00:04:11,200 --> 00:04:13,560 Speaker 1: you're going for, if you're trying to paint a picture 63 00:04:13,720 --> 00:04:16,480 Speaker 1: for the viewer. I mean, look, I'm seeing, I'm seeing 64 00:04:16,520 --> 00:04:19,840 Speaker 1: a little bit. I'm seeing a little Freddie Mercury eyes. Uh, 65 00:04:20,480 --> 00:04:25,400 Speaker 1: little Freddie Mercury eyes or maybe some maybe some Bruno 66 00:04:25,480 --> 00:04:30,360 Speaker 1: Mars eyes. Beautiful. I don't know if this is assaulted 67 00:04:30,440 --> 00:04:33,760 Speaker 1: to you another compliments. Both are very flattering. Both are 68 00:04:33,839 --> 00:04:36,320 Speaker 1: very I was gonna say my favorite stand up comedian, 69 00:04:36,400 --> 00:04:38,919 Speaker 1: Shade d s Oh yeah, I mean I get Shade 70 00:04:39,200 --> 00:04:44,440 Speaker 1: a lot, honestly, truly, like an insufferable Instagram narcissist, a 71 00:04:44,520 --> 00:04:49,840 Speaker 1: Latin non binary podcaster, I am suing, Okay, like absolutely 72 00:04:49,920 --> 00:04:54,080 Speaker 1: a plagiarization of my life and the podcast Hollywood Pipeline. 73 00:04:54,200 --> 00:04:57,200 Speaker 1: What the fuck? Yeah, I get it. I was. I 74 00:04:57,200 --> 00:04:59,120 Speaker 1: wasn't assaulted for you, and this is the first time 75 00:04:59,120 --> 00:05:01,640 Speaker 1: we've ever met. Thank you. I'm I'm here to to 76 00:05:01,760 --> 00:05:04,560 Speaker 1: hold sex in the city accountable to that please just 77 00:05:04,720 --> 00:05:07,440 Speaker 1: for having me, That's why I'm here. The daily sit guys, 78 00:05:07,480 --> 00:05:10,599 Speaker 1: the heroes we need and deserve everywhere. We do like 79 00:05:10,720 --> 00:05:12,880 Speaker 1: the front though, just a lot of confute, like a 80 00:05:12,920 --> 00:05:16,800 Speaker 1: lot of information out of context to just have our 81 00:05:16,880 --> 00:05:21,480 Speaker 1: guests really off off balance and our listeners just you know, 82 00:05:21,600 --> 00:05:25,000 Speaker 1: we it's like hazing. We like to, you know, make 83 00:05:25,000 --> 00:05:28,680 Speaker 1: sure that our listeners feel only the one, only the 84 00:05:28,720 --> 00:05:32,560 Speaker 1: true heads last through the first five minutes, Fran Are 85 00:05:32,600 --> 00:05:37,200 Speaker 1: you watching and just like that, are we watching? Yes? 86 00:05:37,400 --> 00:05:40,480 Speaker 1: Oh my god, religiously, I'm not just watching, but I'm 87 00:05:40,920 --> 00:05:43,479 Speaker 1: it's like appointment television. And I listened to not one, 88 00:05:43,560 --> 00:05:49,760 Speaker 1: but two podcasts about and just like that every single episode. So, um, 89 00:05:49,800 --> 00:05:55,400 Speaker 1: I am. Do you enjoy it? You know? Everybody, I'm like, 90 00:05:55,440 --> 00:05:57,240 Speaker 1: why are you watching it? But I guess that's why 91 00:05:57,240 --> 00:05:59,280 Speaker 1: we watch? You four? Are you too? So you know, 92 00:06:00,080 --> 00:06:03,479 Speaker 1: enjoy that's a that's a complicated word. It's I don't 93 00:06:03,520 --> 00:06:06,160 Speaker 1: know if anybody would really be able to answer that 94 00:06:06,279 --> 00:06:10,000 Speaker 1: question specifically. Um, however, I will say it's very fun 95 00:06:10,080 --> 00:06:13,839 Speaker 1: to talk about, and I have been unable to think 96 00:06:13,880 --> 00:06:18,000 Speaker 1: about literally anything else, So I mean that at least 97 00:06:18,040 --> 00:06:20,640 Speaker 1: it has in its favor and the testament to the 98 00:06:20,680 --> 00:06:25,200 Speaker 1: writing I can I can say, I'm I'm definitely on 99 00:06:25,279 --> 00:06:27,560 Speaker 1: a ride. I guess but I will say we talked 100 00:06:27,560 --> 00:06:30,599 Speaker 1: about it a lot on Like a Virgin, So I 101 00:06:30,640 --> 00:06:32,359 Speaker 1: love it. I could, I could talk about it for hours, 102 00:06:32,360 --> 00:06:36,200 Speaker 1: but I'll spare you all. Yeah, let's give the listeners 103 00:06:36,240 --> 00:06:38,920 Speaker 1: kind of an idea of what Like a Virgin is 104 00:06:39,200 --> 00:06:42,800 Speaker 1: like beyond being a and just like that fan cast, 105 00:06:44,320 --> 00:06:46,560 Speaker 1: you know, what do you all talk about? Yeah, it's 106 00:06:46,600 --> 00:06:48,320 Speaker 1: it's a it's a mix of things. But me and 107 00:06:48,320 --> 00:06:50,440 Speaker 1: my co host Rose damn you we kind of like 108 00:06:50,640 --> 00:06:54,640 Speaker 1: unpack pop culture from your um with a lens from today. 109 00:06:54,880 --> 00:06:57,760 Speaker 1: So you know, we'll take a deep dive into something 110 00:06:57,800 --> 00:07:00,240 Speaker 1: like Buffy with a guess that you know is writing 111 00:07:00,279 --> 00:07:03,120 Speaker 1: the book on Buffy, and we'll talk about what it 112 00:07:03,120 --> 00:07:06,080 Speaker 1: meant to you know, a kind of a group of 113 00:07:06,080 --> 00:07:08,360 Speaker 1: people that see it as a cult classic, and then 114 00:07:08,400 --> 00:07:10,240 Speaker 1: how we think about it today with like the joh 115 00:07:10,280 --> 00:07:12,520 Speaker 1: Sweden of it all, or like the way that those 116 00:07:12,560 --> 00:07:15,800 Speaker 1: actors were treated on said or you know, like deep 117 00:07:15,840 --> 00:07:19,080 Speaker 1: diving into Harry Potter and then talking about J. K. Rowlings, transphobia, 118 00:07:19,160 --> 00:07:21,760 Speaker 1: things like that, and so m our, our kind of 119 00:07:21,840 --> 00:07:24,760 Speaker 1: goal is to just like take things that we are 120 00:07:25,120 --> 00:07:29,080 Speaker 1: have long been in our cultural historical lexicon, and I 121 00:07:29,120 --> 00:07:33,120 Speaker 1: guess like talk about them in a modern context, but 122 00:07:33,160 --> 00:07:36,440 Speaker 1: also just we're very irreverent and trolley and funny and 123 00:07:36,440 --> 00:07:39,040 Speaker 1: we like to make fun of things, and so it's 124 00:07:39,040 --> 00:07:41,320 Speaker 1: a great show. People need to go check it out. 125 00:07:41,600 --> 00:07:45,320 Speaker 1: Thank you, thank you. Oh yeah, all right, Well, Fran 126 00:07:45,400 --> 00:07:47,160 Speaker 1: we're going to get to know you a little bit 127 00:07:47,160 --> 00:07:49,600 Speaker 1: better in a moment. First, we like to tell our 128 00:07:49,600 --> 00:07:51,800 Speaker 1: listeners a couple of the things we're talking about today. 129 00:07:52,320 --> 00:07:58,160 Speaker 1: The Oscar nominees were announced yesterday morning, which means the 130 00:07:58,240 --> 00:08:02,880 Speaker 1: Daily Zeitgeist will look back at the Oscar nominees from 131 00:08:02,920 --> 00:08:07,440 Speaker 1: five years ago. I have a thing, I think that 132 00:08:07,480 --> 00:08:10,000 Speaker 1: the Oscars should be given five years after the fact 133 00:08:10,080 --> 00:08:13,720 Speaker 1: so we can get all the you know, over excitement 134 00:08:14,120 --> 00:08:17,800 Speaker 1: the Oscar campaigns out of our system and like see 135 00:08:17,800 --> 00:08:20,840 Speaker 1: what what movies lasted and an impact. So we're gonna 136 00:08:20,840 --> 00:08:25,000 Speaker 1: talk about the nominees from the year seventeen, celebrating the 137 00:08:25,040 --> 00:08:29,280 Speaker 1: movies of the year seen and also the winners. And 138 00:08:29,640 --> 00:08:31,960 Speaker 1: it's it's kind of a weird one because it's one 139 00:08:32,000 --> 00:08:34,959 Speaker 1: of the very few times where I think most people 140 00:08:34,960 --> 00:08:39,760 Speaker 1: agree they got best picture right, is that it's the 141 00:08:39,800 --> 00:08:42,520 Speaker 1: moon might La like they were so surprised that they 142 00:08:42,559 --> 00:08:44,280 Speaker 1: got it right, that they gave it to La La 143 00:08:44,360 --> 00:08:47,080 Speaker 1: Land for a couple of minutes. But yeah, so we'll 144 00:08:47,120 --> 00:08:49,120 Speaker 1: talk about that. I'm gonna pitch a couple of new 145 00:08:49,200 --> 00:08:52,120 Speaker 1: categories for the Oscars because they're always talking about like 146 00:08:52,400 --> 00:08:55,000 Speaker 1: we need to make this more fun to watch, and 147 00:08:55,200 --> 00:09:00,160 Speaker 1: they're only strategy seems to be nominating Marvel movies for 148 00:09:00,320 --> 00:09:02,320 Speaker 1: Best Picture, Like that seems to be the only thing 149 00:09:02,360 --> 00:09:05,360 Speaker 1: that anyone's really proposed in in the mainstream media. So 150 00:09:05,400 --> 00:09:08,120 Speaker 1: I want to talk about like categories that might be fun. Uh, 151 00:09:08,120 --> 00:09:10,040 Speaker 1: And then we will do a quick look at this 152 00:09:10,120 --> 00:09:14,079 Speaker 1: year's noms. We're gonna talk about banned books, Mouse being 153 00:09:14,520 --> 00:09:18,520 Speaker 1: banned and seeing its sales skyrocket. We are going to 154 00:09:18,559 --> 00:09:21,840 Speaker 1: talk about the new horny Build a Bear. Hopefully we 155 00:09:21,880 --> 00:09:24,440 Speaker 1: will get to that because it's just it's not as 156 00:09:24,480 --> 00:09:28,440 Speaker 1: horny as it needs to be and we love them. 157 00:09:28,480 --> 00:09:31,720 Speaker 1: We we are a sex positive podcast, especially when it 158 00:09:31,760 --> 00:09:35,360 Speaker 1: comes to Build a Bears. Yeah, always been our policy. 159 00:09:35,920 --> 00:09:38,160 Speaker 1: Before we get to any of that frame, we do 160 00:09:38,280 --> 00:09:41,360 Speaker 1: like to ask our guest, what is something from your 161 00:09:41,440 --> 00:09:46,640 Speaker 1: search history? Oh Um, I have been binging America's next 162 00:09:46,679 --> 00:09:49,800 Speaker 1: top Model for the first time and the last thing 163 00:09:49,840 --> 00:09:55,360 Speaker 1: I was on was j Emanuel's Wikipedia page. He's the 164 00:09:55,480 --> 00:09:57,960 Speaker 1: makeup artist and creative director. He's kind of one of 165 00:09:57,960 --> 00:09:59,800 Speaker 1: the three like hosts of the show. Do y'all watch 166 00:09:59,880 --> 00:10:01,840 Speaker 1: him American America's Next Tip Model or have you watched 167 00:10:01,840 --> 00:10:04,920 Speaker 1: it before? What I like? I did a reality show 168 00:10:04,920 --> 00:10:08,679 Speaker 1: podcast last year and one episode was dedicated to America's 169 00:10:08,679 --> 00:10:14,360 Speaker 1: Next Top Model, The Tyra Banks Screaming episode Tiffany be Quiet, 170 00:10:14,360 --> 00:10:18,400 Speaker 1: Tiffany Um, Yeah, it's it's amazing. It's it's so funny 171 00:10:18,440 --> 00:10:21,160 Speaker 1: to watch the show now because like, if it were 172 00:10:21,240 --> 00:10:24,400 Speaker 1: made today would be shut down immediately. But like it 173 00:10:24,480 --> 00:10:28,040 Speaker 1: really did invent an entire genre of reality TV. So 174 00:10:28,200 --> 00:10:31,640 Speaker 1: I I have been just retroactively, I guess, deep diving 175 00:10:31,679 --> 00:10:36,400 Speaker 1: into things like jay Manuel Love. Yeah, what are you 176 00:10:36,480 --> 00:10:39,560 Speaker 1: learning about jam Manuel? Well? I had no idea that 177 00:10:39,600 --> 00:10:41,600 Speaker 1: he was bi racial. First of all, I just thought 178 00:10:41,640 --> 00:10:43,960 Speaker 1: he was you know, got that l a tan or 179 00:10:44,040 --> 00:10:47,800 Speaker 1: something I thought. Or I thought maybe he was Mexican um, 180 00:10:47,880 --> 00:10:51,319 Speaker 1: which is not. And so yeah, his parents survived apartheid 181 00:10:51,400 --> 00:10:54,319 Speaker 1: and he was I guess adopted in the United States, 182 00:10:54,400 --> 00:10:56,640 Speaker 1: so so much from his background that I didn't know about. 183 00:10:56,679 --> 00:10:59,920 Speaker 1: But I was also learning that like he was tire 184 00:11:00,120 --> 00:11:02,560 Speaker 1: makeup artist forever and that's how he got the big 185 00:11:02,640 --> 00:11:04,640 Speaker 1: and he originally wasn't supposed to be a part of 186 00:11:04,640 --> 00:11:06,520 Speaker 1: the show. He was just gonna do Tira's makeup and 187 00:11:06,559 --> 00:11:10,600 Speaker 1: then he you know, inevitably got folded into the what 188 00:11:10,640 --> 00:11:13,040 Speaker 1: it is today and it was such a natural part 189 00:11:13,080 --> 00:11:16,079 Speaker 1: of reality TV, so I thought it was I love 190 00:11:16,160 --> 00:11:19,120 Speaker 1: learning about it, even though the show was so so 191 00:11:19,240 --> 00:11:23,320 Speaker 1: problematic now, I mean because when what was that, like 192 00:11:23,320 --> 00:11:26,400 Speaker 1: like early two thousand's right, like three four somewhere around 193 00:11:26,440 --> 00:11:30,319 Speaker 1: there started. It's why it's wild. We're gonna do a 194 00:11:31,080 --> 00:11:33,240 Speaker 1: whole episode on it on like a virgin. But like 195 00:11:33,520 --> 00:11:39,080 Speaker 1: the level of like absolutely unhinged things that they did 196 00:11:39,160 --> 00:11:44,040 Speaker 1: these girls, psychological warfare honestly to these eighteen year old girls, 197 00:11:44,480 --> 00:11:47,040 Speaker 1: and a lot of gas lighting needed to to to 198 00:11:47,200 --> 00:11:49,280 Speaker 1: kind of like convince them that what they were doing 199 00:11:49,360 --> 00:11:55,439 Speaker 1: was completely normal. So, like all of the problematic things 200 00:11:55,600 --> 00:11:59,000 Speaker 1: about the modeling industry and like makes it into a 201 00:11:59,800 --> 00:12:03,040 Speaker 1: just a game where that's how you win, and that's yeah. 202 00:12:03,080 --> 00:12:05,960 Speaker 1: I watched one season because a friend of mine was 203 00:12:06,080 --> 00:12:10,920 Speaker 1: a contestant and she did well, but she you know, 204 00:12:11,320 --> 00:12:13,720 Speaker 1: bailed after it. She she got knocked out and never 205 00:12:13,760 --> 00:12:17,240 Speaker 1: did any modeling or anything. She came a lawyer, but 206 00:12:17,720 --> 00:12:21,559 Speaker 1: that's definitely. Uh, I don't know if becoming a lawyer 207 00:12:21,600 --> 00:12:27,000 Speaker 1: is good for anyone, but she's happy. Yeah, exactly, probably 208 00:12:27,000 --> 00:12:31,880 Speaker 1: a little bit more stable, but the yeah, it is. 209 00:12:32,360 --> 00:12:35,640 Speaker 1: You know, they're just straight up talking about the things 210 00:12:35,760 --> 00:12:40,439 Speaker 1: that people are like should the modeling industry be this way? 211 00:12:40,720 --> 00:12:42,800 Speaker 1: And they and they just straight up like make it 212 00:12:42,880 --> 00:12:45,680 Speaker 1: get make it into a game, right, Yeah, it's it's 213 00:12:46,080 --> 00:12:51,680 Speaker 1: it's absolutely bizonkers um. But that's an x X excellent television. 214 00:12:52,480 --> 00:12:55,240 Speaker 1: That's why we watched reality TV. We want we don't. 215 00:12:55,280 --> 00:12:57,360 Speaker 1: I mean, you know, look, if it wasn't no drama, 216 00:12:58,080 --> 00:13:00,640 Speaker 1: that wasn't no if it wasn't any any ship that 217 00:13:00,720 --> 00:13:03,319 Speaker 1: we will be like, I don't know about that. Yeah, 218 00:13:03,240 --> 00:13:08,200 Speaker 1: I want to watch it. We will watch American Idol absolutely, 219 00:13:08,480 --> 00:13:11,360 Speaker 1: which even American Idol is kind of problematic in many 220 00:13:11,360 --> 00:13:13,720 Speaker 1: ways as far as they treat like their talent, at 221 00:13:13,800 --> 00:13:15,719 Speaker 1: least it used to be back in the day. So 222 00:13:16,000 --> 00:13:20,400 Speaker 1: justice for Jennifer Hudson honest, yeah, yeah, just when we 223 00:13:20,400 --> 00:13:22,079 Speaker 1: were going to talk about the Oscars later, Justice for 224 00:13:22,160 --> 00:13:25,520 Speaker 1: Jennifer Hudson again. Yeah, Oh, should you get nominated for 225 00:13:26,160 --> 00:13:31,040 Speaker 1: That's right? That's right? Damn? How dare they? Does American 226 00:13:31,080 --> 00:13:34,480 Speaker 1: Idols still do the thing where they have the person 227 00:13:34,600 --> 00:13:38,440 Speaker 1: on who's struggling with a mental health crisis and then 228 00:13:38,520 --> 00:13:41,160 Speaker 1: the judges just like kind of smirked through it? Is 229 00:13:41,200 --> 00:13:45,439 Speaker 1: that still had Probably I haven't watched American Idols in 230 00:13:45,520 --> 00:13:48,160 Speaker 1: this Taylor Hicks shout, I'll tell you what, Hicks. Wait, 231 00:13:48,360 --> 00:13:53,800 Speaker 1: I think too. I think that maybe that was just 232 00:13:53,840 --> 00:13:56,800 Speaker 1: the last season period, and we actually don't know. Yeah, 233 00:13:56,840 --> 00:14:00,560 Speaker 1: we don't really have no way of verifying whether that 234 00:14:00,679 --> 00:14:04,600 Speaker 1: was the last season. So I guess we'll just never history. 235 00:14:04,679 --> 00:14:07,160 Speaker 1: We'll leave it there. We'll leave it there. Taylor Hicks 236 00:14:07,200 --> 00:14:12,920 Speaker 1: the last American Idol Taylor Hicks win. He was that 237 00:14:13,080 --> 00:14:16,920 Speaker 1: why you guys stopped watching as a protest of Taylor 238 00:14:17,000 --> 00:14:19,200 Speaker 1: Hicks winning. I actually like Taylor Hicks. I mean, there 239 00:14:19,200 --> 00:14:21,680 Speaker 1: were more talented if he want this eason who have 240 00:14:21,840 --> 00:14:25,240 Speaker 1: had a career beyond Taylor Hicks had a career. But 241 00:14:25,320 --> 00:14:28,680 Speaker 1: I like Taylor Higgs. Oh like really can't sing, but 242 00:14:28,800 --> 00:14:33,760 Speaker 1: it's really entertaining. Old gray head Salton Peppers. I sucked 243 00:14:33,800 --> 00:14:35,920 Speaker 1: with Taylor Hicks, but he was not the best one. 244 00:14:35,960 --> 00:14:39,640 Speaker 1: He should have been eliminated like week eight, right, Yeah, 245 00:14:39,960 --> 00:14:42,640 Speaker 1: I'm from Chicago and we used to watch that as 246 00:14:42,680 --> 00:14:44,880 Speaker 1: a family and so oh my gosh, no way, okay. 247 00:14:44,880 --> 00:14:47,440 Speaker 1: So like, really, the person who wins American Idol is 248 00:14:47,560 --> 00:14:50,920 Speaker 1: usually the one with the most Midwestern appeal or like 249 00:14:50,960 --> 00:14:53,720 Speaker 1: middle of the country of anyone that's not in New 250 00:14:53,800 --> 00:14:56,920 Speaker 1: York or l A. Like, that's the person that wins 251 00:14:57,040 --> 00:15:00,360 Speaker 1: American Idol. I feel like Taylor Hicks was the kind 252 00:15:00,360 --> 00:15:04,720 Speaker 1: of most palatable star that could have come absolutely because 253 00:15:04,760 --> 00:15:09,239 Speaker 1: he is. It like Sunday More what I got. Everybody 254 00:15:09,360 --> 00:15:11,960 Speaker 1: my grandma was like, oh Sunday morning. Oh let me 255 00:15:12,000 --> 00:15:18,360 Speaker 1: listen to this church man, you know, for him. What's 256 00:15:18,360 --> 00:15:22,280 Speaker 1: something you think is overrated? I was noodling on that. 257 00:15:22,400 --> 00:15:25,200 Speaker 1: I really couldn't think of anything this morning that was 258 00:15:25,440 --> 00:15:31,840 Speaker 1: overrated except for um urinals. I just I think that 259 00:15:32,040 --> 00:15:35,120 Speaker 1: urinals are an unfinished idea. I don't really know why 260 00:15:35,240 --> 00:15:38,080 Speaker 1: we use that. I don't you when you go when 261 00:15:38,120 --> 00:15:41,640 Speaker 1: you go to Piana urinal, it's splashes back on your pants, bro, 262 00:15:41,840 --> 00:15:45,400 Speaker 1: Like it's it's totally gross and it only saves you 263 00:15:45,480 --> 00:15:48,720 Speaker 1: a few seconds of time. But like I think that 264 00:15:48,800 --> 00:15:52,480 Speaker 1: like efficiency culture and like how we've like been taught 265 00:15:52,520 --> 00:15:55,000 Speaker 1: to like make the most out of like every second. 266 00:15:55,320 --> 00:15:58,280 Speaker 1: It's like so asinine and it's so much more relaxing 267 00:15:58,320 --> 00:16:00,920 Speaker 1: to just sit on the toilet and pit just just 268 00:16:01,080 --> 00:16:04,560 Speaker 1: piss sitting down, you know what I mean. Yeah, now listen, 269 00:16:04,600 --> 00:16:07,440 Speaker 1: I'm with you, friend on the on the p and 270 00:16:07,480 --> 00:16:10,600 Speaker 1: sitting down. I am an advocate. If I'm at the crib, 271 00:16:11,240 --> 00:16:13,440 Speaker 1: my ass cheeks hitting the toilet sheet as much as 272 00:16:13,440 --> 00:16:17,240 Speaker 1: they possibly can. But if I'm in the public, general policy, 273 00:16:17,280 --> 00:16:20,120 Speaker 1: that's just general politics. But if I'm in the public, 274 00:16:20,240 --> 00:16:22,520 Speaker 1: everybody else pan on that toilet seat. I don't know 275 00:16:22,520 --> 00:16:25,080 Speaker 1: if I'm trying to sit on every which look is 276 00:16:25,120 --> 00:16:27,920 Speaker 1: the is the male privilege because we don't have to 277 00:16:27,920 --> 00:16:30,480 Speaker 1: sit down on every toilet seat when we use the 278 00:16:30,560 --> 00:16:34,560 Speaker 1: rest room. But I do agree with you, urinals are 279 00:16:35,280 --> 00:16:41,200 Speaker 1: are unfinished ideas. They never they just like put it. 280 00:16:41,280 --> 00:16:43,560 Speaker 1: They came up with the idem theory and then put 281 00:16:43,600 --> 00:16:47,600 Speaker 1: it in every restroom around the world and never took 282 00:16:47,640 --> 00:16:49,600 Speaker 1: another look at it. If you had never heard of 283 00:16:49,600 --> 00:16:52,720 Speaker 1: it before, and someone said you're gonna piss on this 284 00:16:52,800 --> 00:16:56,520 Speaker 1: hole in the wall right next to someone else, like 285 00:16:56,720 --> 00:16:59,640 Speaker 1: I just would never, I would never want to do that. 286 00:16:59,720 --> 00:17:01,880 Speaker 1: And yeah, I mean brown kid culture, and we're taught, 287 00:17:01,880 --> 00:17:04,280 Speaker 1: like our mom's teach us to hover over the toilet seat. 288 00:17:04,320 --> 00:17:08,600 Speaker 1: But like your ass is already dirty, just just true. 289 00:17:08,720 --> 00:17:11,760 Speaker 1: Just you know, bring bring a little wipes everywhere you go. 290 00:17:12,280 --> 00:17:15,359 Speaker 1: He'll be fine. I don't know. I don't know if 291 00:17:15,400 --> 00:17:17,880 Speaker 1: you noticed him, but I'm known around East part says 292 00:17:17,960 --> 00:17:23,800 Speaker 1: the cleanest asked in American pride. So much pride and 293 00:17:23,920 --> 00:17:27,600 Speaker 1: no germs being all my cheeks. I also think I 294 00:17:27,640 --> 00:17:33,199 Speaker 1: also think urinals. This is probably a stretch, but I 295 00:17:33,240 --> 00:17:38,280 Speaker 1: also think the actual urinal too, is a product of 296 00:17:38,520 --> 00:17:41,080 Speaker 1: just dues being toxic a little bit, like to say, 297 00:17:41,400 --> 00:17:44,199 Speaker 1: because because you're from Chicago, I don't know if you've 298 00:17:44,200 --> 00:17:47,520 Speaker 1: ever been to Wrigley Field or not, but but so 299 00:17:47,600 --> 00:17:49,760 Speaker 1: you know, those bathrooms used used to be a big 300 00:17:49,800 --> 00:17:54,119 Speaker 1: ass open bucket where everybody trough, right, which is what 301 00:17:54,200 --> 00:17:55,840 Speaker 1: I think they used to be before they became you. 302 00:17:56,040 --> 00:17:57,919 Speaker 1: And people were just like, I don't want I'm touching 303 00:17:57,960 --> 00:18:01,560 Speaker 1: elbows with this person and people looking down at my junk, 304 00:18:01,640 --> 00:18:04,560 Speaker 1: and so they tried to separate them instead. But I 305 00:18:04,600 --> 00:18:07,000 Speaker 1: think the trough is even better because it's way down. 306 00:18:07,560 --> 00:18:12,359 Speaker 1: It's basically like you're pissing on the ground. No splashback thing. 307 00:18:12,400 --> 00:18:16,280 Speaker 1: We should go back to all trough troughs for everything, 308 00:18:16,640 --> 00:18:21,560 Speaker 1: troughs for every bathroom experience. Right, yes, awesome, We're so 309 00:18:21,640 --> 00:18:26,879 Speaker 1: good at ideas. I feel like the urinal cake industry 310 00:18:27,080 --> 00:18:30,360 Speaker 1: is what's keeping urinals around. Urinal cake and those like 311 00:18:30,480 --> 00:18:33,200 Speaker 1: plastic things that they have to put there too, like 312 00:18:33,480 --> 00:18:36,600 Speaker 1: doesn't splash, guards doesn't remove the splash, but it's I 313 00:18:36,600 --> 00:18:42,639 Speaker 1: guess it like cuts back on it. And it also 314 00:18:42,720 --> 00:18:45,080 Speaker 1: you know, makes the piss smell like, you know, like 315 00:18:45,359 --> 00:18:51,320 Speaker 1: a clean piss. Right, Yeah, it's always nice. Yeah. Wow, 316 00:18:51,920 --> 00:18:54,440 Speaker 1: what a great overrated? That is one of one of 317 00:18:54,600 --> 00:18:57,159 Speaker 1: an all time grade overrated. What is something that you 318 00:18:57,160 --> 00:19:01,080 Speaker 1: think is underrated? Underrated? You know, I don't want to 319 00:19:01,119 --> 00:19:05,240 Speaker 1: insult this cultural identity by calling it underrated, but I 320 00:19:05,280 --> 00:19:08,439 Speaker 1: will say not enough people are watching Abbott Elementary. Have 321 00:19:08,560 --> 00:19:11,520 Speaker 1: y'all heard of this show? Just one of my favorite 322 00:19:11,720 --> 00:19:14,680 Speaker 1: first of all, Yes, black black sitcoms are back in 323 00:19:14,800 --> 00:19:17,959 Speaker 1: its beautiful Elementary is truly one of my favorite new 324 00:19:18,000 --> 00:19:20,440 Speaker 1: shows that I've seen in the long best time. It's 325 00:19:20,560 --> 00:19:22,199 Speaker 1: so good. Have you all talked about it on the 326 00:19:22,200 --> 00:19:25,840 Speaker 1: show already. We haven't. Uh, it's amazing. I mean basically 327 00:19:25,920 --> 00:19:29,640 Speaker 1: the gist is it's a Philadelphia like elementary school that 328 00:19:29,800 --> 00:19:32,320 Speaker 1: is kind of parks and wrecked um slash the office 329 00:19:32,320 --> 00:19:36,160 Speaker 1: style mockumentary and all these teachers are just basically trying 330 00:19:36,160 --> 00:19:40,080 Speaker 1: to improve the education of these kids in very funny ways. 331 00:19:40,119 --> 00:19:43,720 Speaker 1: And it kind of exposes and pokes found at how 332 00:19:44,080 --> 00:19:48,119 Speaker 1: underfunded literally all schools are, and how they don't have 333 00:19:48,160 --> 00:19:50,719 Speaker 1: the budget to do anything. And it's I mean, like 334 00:19:50,840 --> 00:19:53,359 Speaker 1: to a comical degree that they have to like go 335 00:19:53,440 --> 00:19:55,359 Speaker 1: to great lengths to try and get these kids, you know, 336 00:19:55,720 --> 00:20:00,800 Speaker 1: new rugs or like a gifted program or things like, Yeah, 337 00:20:00,880 --> 00:20:03,600 Speaker 1: what do you think about it? It? First of all 338 00:20:04,359 --> 00:20:08,440 Speaker 1: its office like with with black folks centered in the middle, 339 00:20:08,440 --> 00:20:11,560 Speaker 1: which is really cool to see. And I the thing 340 00:20:11,600 --> 00:20:14,919 Speaker 1: I love about it is the writing is so specific 341 00:20:15,000 --> 00:20:21,040 Speaker 1: and so funny. And everybody on that cast is eating everybody. 342 00:20:21,119 --> 00:20:25,280 Speaker 1: Janelle James is fucking eating Tyler Christopher what he is 343 00:20:25,640 --> 00:20:29,280 Speaker 1: or what's what's I always forget Tyler something Williams, especially 344 00:20:29,440 --> 00:20:33,119 Speaker 1: that everybody loves Chris or hates Chris. Tyler, He's fucking 345 00:20:33,160 --> 00:20:36,240 Speaker 1: eating like he's a genius. His dad pand look everybody 346 00:20:36,280 --> 00:20:39,439 Speaker 1: on that show. If if multiple people don't win Emmy's 347 00:20:39,480 --> 00:20:42,120 Speaker 1: on Avid Elementary, there's a flaw in the system. Because 348 00:20:42,119 --> 00:20:46,199 Speaker 1: they're all so good as a cast and ensemble. And 349 00:20:46,240 --> 00:20:49,000 Speaker 1: that's what I love most about it is the ensemble 350 00:20:49,119 --> 00:20:52,120 Speaker 1: is very strong and missed his so well together that 351 00:20:52,560 --> 00:20:54,439 Speaker 1: I think it's one of the best shows in the 352 00:20:54,520 --> 00:20:58,080 Speaker 1: new you know, freshman class of TV. Tyler James william 353 00:20:58,080 --> 00:21:02,480 Speaker 1: I have to call them man Tyler, Christopher Williams. I mean, yeah, 354 00:21:02,480 --> 00:21:05,240 Speaker 1: this this show is incredible. It also has, even though 355 00:21:05,280 --> 00:21:08,040 Speaker 1: there's no explicitly queer characters, that has a queer appeal 356 00:21:08,080 --> 00:21:11,320 Speaker 1: because Chessie from The Parent Trap is in it. And 357 00:21:11,440 --> 00:21:14,040 Speaker 1: Chessie was, you know, a lesbian awakening for so many 358 00:21:14,080 --> 00:21:17,320 Speaker 1: baby gays back in the day, and she looks exactly 359 00:21:17,359 --> 00:21:20,679 Speaker 1: the same and her and her character is so funny too. 360 00:21:20,760 --> 00:21:23,159 Speaker 1: But yeah, just as you were saying, like every character 361 00:21:23,240 --> 00:21:26,680 Speaker 1: is so rich, and it also digs up these archetypes 362 00:21:26,720 --> 00:21:28,480 Speaker 1: from your past life that you never thought about, like 363 00:21:28,520 --> 00:21:31,760 Speaker 1: the school nurse and like their deal and like how 364 00:21:31,800 --> 00:21:34,280 Speaker 1: they're so over it, you know, like it was. It's 365 00:21:34,359 --> 00:21:37,760 Speaker 1: it's such a. There's such funny archetypes in this school, 366 00:21:38,240 --> 00:21:41,560 Speaker 1: you know, from the principle to the janitor, and I 367 00:21:41,760 --> 00:21:45,760 Speaker 1: just like it's NonStop fun. Every joke is funny and just, 368 00:21:45,960 --> 00:21:49,320 Speaker 1: and the casting is sublime. It's so good. Watch it. 369 00:21:49,440 --> 00:21:54,760 Speaker 1: Watch it everybody. It definitely feels like it's getting a 370 00:21:54,800 --> 00:21:57,040 Speaker 1: lot of love from is definitely on my list. I 371 00:21:57,119 --> 00:21:59,840 Speaker 1: just haven't watched. I haven't taken the time to like 372 00:22:00,160 --> 00:22:02,639 Speaker 1: put it into my DVR, but it definitely feels like 373 00:22:02,680 --> 00:22:07,200 Speaker 1: it's getting the sort of love that like the prestige 374 00:22:07,359 --> 00:22:09,840 Speaker 1: like HBO shows, Like the people who are usually talking 375 00:22:09,840 --> 00:22:13,400 Speaker 1: about those shows are talking about this, which I mean, 376 00:22:13,440 --> 00:22:16,680 Speaker 1: that's that's big for a for a network. I feel 377 00:22:16,680 --> 00:22:19,000 Speaker 1: like networks not just this year, but like it's been 378 00:22:19,040 --> 00:22:21,800 Speaker 1: it's been a while since they kind of hit one 379 00:22:21,840 --> 00:22:24,960 Speaker 1: that everybody was like, Yes, that's why I said underrated, 380 00:22:24,960 --> 00:22:27,280 Speaker 1: because I was like anything on network television, like people 381 00:22:27,280 --> 00:22:31,439 Speaker 1: aren't watching that. It's it's super underrated, but a lot 382 00:22:31,520 --> 00:22:33,680 Speaker 1: of people are starting. It's getting net word of mouth. 383 00:22:33,960 --> 00:22:37,160 Speaker 1: And again, I just wanna, I wanna take your underrated 384 00:22:37,240 --> 00:22:39,600 Speaker 1: just a little even further and say the black sitcom 385 00:22:39,720 --> 00:22:43,320 Speaker 1: Grant Crew is great. Abbott Elementary is so good. There's 386 00:22:43,359 --> 00:22:46,680 Speaker 1: a lot of really dope black lead sitcoms that are 387 00:22:46,720 --> 00:22:50,040 Speaker 1: coming back to the forefront this freshman year and in 388 00:22:50,080 --> 00:22:53,560 Speaker 1: their freshman year of seasons, and it's pretty dope to watch. 389 00:22:53,600 --> 00:22:58,440 Speaker 1: It's really dope to see networks giving the black sitcom 390 00:22:58,440 --> 00:23:03,080 Speaker 1: a chance again, because is very weird that in the 391 00:23:03,160 --> 00:23:06,959 Speaker 1: nineties when I was a child, there was more black television, 392 00:23:07,600 --> 00:23:10,280 Speaker 1: like and more than there than there was from like 393 00:23:10,320 --> 00:23:12,760 Speaker 1: two thousand and two thousand twenty, and that's that was 394 00:23:12,840 --> 00:23:14,960 Speaker 1: so weird to me. We went backwards in a very 395 00:23:15,040 --> 00:23:17,679 Speaker 1: weird way. So it's really dope to not only have 396 00:23:17,840 --> 00:23:20,520 Speaker 1: like a show that like was written by a black 397 00:23:20,560 --> 00:23:23,879 Speaker 1: woman that succeeding, but it's on ABC and it's getting 398 00:23:23,880 --> 00:23:28,080 Speaker 1: in play. So shout out, shout out to them, love love, 399 00:23:28,560 --> 00:23:31,480 Speaker 1: thanks for that. Yeah, all right, let's take a quick 400 00:23:31,480 --> 00:23:33,240 Speaker 1: break and we'll come back and talk about the Oscars. 401 00:23:43,800 --> 00:23:48,040 Speaker 1: And we're back, and uh, the Oscar nominees are out 402 00:23:48,840 --> 00:23:52,480 Speaker 1: and you know, well, well everybody is talking about who 403 00:23:53,040 --> 00:23:56,640 Speaker 1: got in, who got out, who snubs and flubs and 404 00:23:56,960 --> 00:23:59,479 Speaker 1: all all that ship from this year. I do like 405 00:23:59,560 --> 00:24:02,760 Speaker 1: to look five years ago. This is an idea that 406 00:24:02,960 --> 00:24:06,320 Speaker 1: I think I stole from Bill Simmons, the sports writer 407 00:24:06,920 --> 00:24:10,159 Speaker 1: who got the idea basically for like the sports world, 408 00:24:10,359 --> 00:24:13,400 Speaker 1: like when there's a Hall of Fame ballot, they don't 409 00:24:13,440 --> 00:24:16,880 Speaker 1: just immediately like once a person retires, be like, well 410 00:24:16,920 --> 00:24:18,840 Speaker 1: they go into the Hall of Fame because you know, 411 00:24:18,880 --> 00:24:22,680 Speaker 1: you're too emotional and you just you don't have perspective yet. 412 00:24:22,960 --> 00:24:26,359 Speaker 1: And like I feel like even if it's not the 413 00:24:26,400 --> 00:24:29,080 Speaker 1: Academy Awards that ends up doing this, I do feel 414 00:24:29,119 --> 00:24:32,960 Speaker 1: like a Hall of Fame four movies that like goes 415 00:24:33,040 --> 00:24:35,760 Speaker 1: five or ten years in the future or in the 416 00:24:35,800 --> 00:24:39,280 Speaker 1: past for for each year, it would be fun and 417 00:24:39,520 --> 00:24:44,040 Speaker 1: you you wouldn't get your green books coming through. Yeah, 418 00:24:45,000 --> 00:24:47,600 Speaker 1: k green Book one, right Book one like two years 419 00:24:47,600 --> 00:24:50,320 Speaker 1: ago or three years ago, like green Book one after 420 00:24:50,400 --> 00:24:54,600 Speaker 1: Moonlight right after it was such a r Even though 421 00:24:54,640 --> 00:24:57,000 Speaker 1: I love me some rehearsal Adelie, I think he is 422 00:24:57,960 --> 00:25:00,440 Speaker 1: one of the best in the industry. Right out green 423 00:25:00,480 --> 00:25:04,639 Speaker 1: Book was whack whack. We should be you know what, 424 00:25:04,760 --> 00:25:06,760 Speaker 1: not to jump the gun here, but I do think 425 00:25:07,200 --> 00:25:10,000 Speaker 1: we should be able to take nominations away like after 426 00:25:10,040 --> 00:25:12,119 Speaker 1: a few years after we look you know how they 427 00:25:12,160 --> 00:25:14,560 Speaker 1: always be like Academy Award nominate. We should be able 428 00:25:14,600 --> 00:25:16,399 Speaker 1: to take that damn tag away after a while and 429 00:25:16,480 --> 00:25:18,760 Speaker 1: be like, you know what we thought about it. Actually, 430 00:25:18,800 --> 00:25:22,240 Speaker 1: it wasn't an Academy Award nominated worthy. If you want 431 00:25:22,240 --> 00:25:25,640 Speaker 1: to keep your Union card, you have to come to 432 00:25:25,680 --> 00:25:29,000 Speaker 1: the ceremony where it's being taken from you and given 433 00:25:29,040 --> 00:25:33,040 Speaker 1: to somebody else, or honestly or honestly, we should be 434 00:25:33,080 --> 00:25:37,199 Speaker 1: able to give retroactive nominations to people, because, let me 435 00:25:37,240 --> 00:25:40,680 Speaker 1: tell you, Jennifer hud Jennifer Hudson, j LO deserves one 436 00:25:40,720 --> 00:25:45,479 Speaker 1: for Hustlers, Okay, like I think Tony Collette needs one 437 00:25:45,520 --> 00:25:48,040 Speaker 1: for Hereditary. I think a decade from now we should 438 00:25:48,080 --> 00:25:51,080 Speaker 1: give one to Gaga for House of Gucci. Honestly, yeah, 439 00:25:51,160 --> 00:25:53,159 Speaker 1: we're still gonna be watching it. We're still going to 440 00:25:53,240 --> 00:25:58,000 Speaker 1: be talking about it, like you asked, three hour movie, 441 00:25:58,040 --> 00:26:01,520 Speaker 1: we're gonna watch just for Gaga and also and and 442 00:26:01,520 --> 00:26:05,919 Speaker 1: and to be clear, today we understand she didn't get nominated. 443 00:26:05,880 --> 00:26:07,840 Speaker 1: We understand like, yeah, she didn't get nominated today. But 444 00:26:08,359 --> 00:26:10,600 Speaker 1: now once we live with this, exactly gonna be like, 445 00:26:10,600 --> 00:26:13,720 Speaker 1: oh that she was dope exactly exactly, you got it 446 00:26:13,760 --> 00:26:16,920 Speaker 1: cares about the accent? Who cares which they also said 447 00:26:17,080 --> 00:26:20,320 Speaker 1: about ben the cumber Batch for they said, who cares 448 00:26:20,320 --> 00:26:22,480 Speaker 1: about the accent? But they still give him and yeah, 449 00:26:22,720 --> 00:26:28,040 Speaker 1: his aska, his accent was terrible, terrible. I always say 450 00:26:28,080 --> 00:26:31,080 Speaker 1: he sounds like Hans Gruber and die Hard when he's 451 00:26:31,080 --> 00:26:34,919 Speaker 1: trying to do an American accent, when he's like, oh 452 00:26:35,320 --> 00:26:39,520 Speaker 1: oh my name is John right, It's like there are 453 00:26:39,560 --> 00:26:42,679 Speaker 1: moments like it's a great performance. I'm not saying he 454 00:26:42,680 --> 00:26:45,000 Speaker 1: shouldn't have been nominated. I'm just saying, if you're gonna 455 00:26:45,480 --> 00:26:48,800 Speaker 1: get all picky about accents, yeah, funk out of here. 456 00:26:49,200 --> 00:26:50,679 Speaker 1: And I watched that movie. I watched what was a 457 00:26:50,680 --> 00:26:52,480 Speaker 1: House of Dot? I don't watch it looked bored as 458 00:26:52,520 --> 00:26:58,000 Speaker 1: the eldest white people. Uh yeah, so you got to 459 00:26:58,080 --> 00:27:01,879 Speaker 1: catch me to watch that. Yeah, I thought it was 460 00:27:02,200 --> 00:27:04,200 Speaker 1: a very I think it would have been more successful 461 00:27:04,240 --> 00:27:07,240 Speaker 1: as a short film. That's what I think. I think 462 00:27:07,240 --> 00:27:10,640 Speaker 1: it was really really gorgeous and perfectly constructed, like it's 463 00:27:10,760 --> 00:27:14,080 Speaker 1: it's masterful filmmaking. But I just think it should have 464 00:27:14,080 --> 00:27:17,840 Speaker 1: been a short film. And I don't understand why. I 465 00:27:17,880 --> 00:27:21,359 Speaker 1: mean the spoiler alert that Benedict commor Batch just like 466 00:27:21,359 --> 00:27:24,840 Speaker 1: a closet a homosexual and like that didn't get folded 467 00:27:24,840 --> 00:27:27,719 Speaker 1: into the story at all. Really, I mean kind of tip, 468 00:27:27,880 --> 00:27:29,359 Speaker 1: but like, I don't know, I was I think there 469 00:27:29,359 --> 00:27:31,080 Speaker 1: were some things about it that I've been love but 470 00:27:31,160 --> 00:27:34,879 Speaker 1: I understand why. It's Oscar bait to the max. Yeah, 471 00:27:34,960 --> 00:27:41,840 Speaker 1: there's bait, there's Kristen Dunnest. Yeah, but it's the it's 472 00:27:41,880 --> 00:27:46,080 Speaker 1: like dominating the awards, like they gave it to plements 473 00:27:46,119 --> 00:27:51,240 Speaker 1: like Clemens. It's Plemons just being plements. Yeah, everything I 474 00:27:51,280 --> 00:27:53,720 Speaker 1: see him, man, I I and everything, but most things 475 00:27:53,760 --> 00:27:57,200 Speaker 1: I see him and I enjoy. He plays his role 476 00:27:57,480 --> 00:27:59,880 Speaker 1: very well. Also, I think it's dope at a couple 477 00:28:00,040 --> 00:28:02,359 Speaker 1: got nominated. They both got nominated for the first time. 478 00:28:02,800 --> 00:28:04,960 Speaker 1: He's married or dating. I don't know if they're married 479 00:28:05,040 --> 00:28:09,080 Speaker 1: or not to Kristen Kirsten Dunns. Yeah, yeah, I didn't 480 00:28:09,119 --> 00:28:12,000 Speaker 1: know that either. Oh that's so sweet. Yeah, I thought 481 00:28:12,000 --> 00:28:13,840 Speaker 1: that was pretty I thought that was dope. I thought 482 00:28:13,880 --> 00:28:16,119 Speaker 1: that was pretty cool to see them both be excited 483 00:28:16,119 --> 00:28:19,040 Speaker 1: about getting nominated for the first time. It's definitely a 484 00:28:19,080 --> 00:28:22,960 Speaker 1: performance where you're not like, oh, they're definitely fucking like 485 00:28:23,280 --> 00:28:26,560 Speaker 1: watching it does it does not scan that way at all, 486 00:28:27,200 --> 00:28:30,920 Speaker 1: But that's it's that's a good, good performance. But anyways, 487 00:28:30,920 --> 00:28:34,639 Speaker 1: I want to talk briefly for my selfish theory that 488 00:28:34,680 --> 00:28:37,439 Speaker 1: we should be talking about movies five years ago. So 489 00:28:37,560 --> 00:28:40,320 Speaker 1: this is this is the one where they got the 490 00:28:40,320 --> 00:28:44,280 Speaker 1: best picture, right, Moonlight one. But I feel like there 491 00:28:44,280 --> 00:28:47,000 Speaker 1: are lesser funk ups kind of all over the place, 492 00:28:47,400 --> 00:28:50,920 Speaker 1: Like so Molly Shannon and other people, have you guys 493 00:28:50,920 --> 00:28:54,760 Speaker 1: seen other people love that? And she's so good in it, 494 00:28:54,840 --> 00:28:59,920 Speaker 1: funny and wasn't even nominated for Best Supporting Actress, which 495 00:29:00,520 --> 00:29:04,960 Speaker 1: Viola Davis one four, but she was the best actress, 496 00:29:05,000 --> 00:29:07,000 Speaker 1: Like she was straight up like all over that movie. 497 00:29:07,040 --> 00:29:10,560 Speaker 1: She was definitely the lead in Fences, So like, yeah, 498 00:29:10,920 --> 00:29:15,440 Speaker 1: put her in the lead actress category. Put and that's 499 00:29:15,440 --> 00:29:18,720 Speaker 1: who wins Best Actress instead of yeah, oh she gained 500 00:29:18,720 --> 00:29:20,680 Speaker 1: the system that year. She was like, you know what, 501 00:29:21,360 --> 00:29:27,480 Speaker 1: but she could Best Actress, but I'm definitely going that's 502 00:29:27,720 --> 00:29:30,440 Speaker 1: is that the Academy. Actually, she knew that they just 503 00:29:30,480 --> 00:29:32,760 Speaker 1: needed to take out three of her lines and then 504 00:29:32,840 --> 00:29:35,240 Speaker 1: she would qualify for supporting And she's like, could you 505 00:29:35,280 --> 00:29:40,120 Speaker 1: please just added out three of my lines? Yeah? Yeah, 506 00:29:40,160 --> 00:29:42,000 Speaker 1: So Chris Kelly, I thought I should have been nominated 507 00:29:42,000 --> 00:29:45,200 Speaker 1: for other people who is the co creator and co 508 00:29:45,320 --> 00:29:48,640 Speaker 1: writer the other two, which is one of the best, 509 00:29:49,200 --> 00:29:51,760 Speaker 1: I say, underrated shows of the past couple of years. 510 00:29:51,760 --> 00:29:55,080 Speaker 1: Agreed Pax saw Ridge is this is the year that 511 00:29:55,200 --> 00:29:59,120 Speaker 1: had everybody was like, let's let's let Mel Gibson off 512 00:29:59,120 --> 00:30:07,640 Speaker 1: the hook, give him a fucking Oscar nomination. It's very 513 00:30:07,720 --> 00:30:10,480 Speaker 1: weird too, because like that was the I generally watched 514 00:30:10,480 --> 00:30:13,400 Speaker 1: the Oscars with the reason I'm so like, I don't 515 00:30:13,400 --> 00:30:15,160 Speaker 1: know much about this one was that's the one I 516 00:30:15,200 --> 00:30:17,320 Speaker 1: didn't watch, and I was in a bar when the 517 00:30:17,360 --> 00:30:21,480 Speaker 1: Best Picture nominee went down for this and like everybody 518 00:30:21,520 --> 00:30:23,600 Speaker 1: like to then it was like la la land one 519 00:30:23,640 --> 00:30:25,400 Speaker 1: and then everybody just went back to their drinks and 520 00:30:25,440 --> 00:30:28,200 Speaker 1: then like two minutes later, like we were here in commotion, 521 00:30:28,320 --> 00:30:31,680 Speaker 1: was like yo, but yeah, I don't I don't need 522 00:30:31,720 --> 00:30:35,280 Speaker 1: Mel Gibson nominated for Best Director, which was like a 523 00:30:35,360 --> 00:30:38,440 Speaker 1: surprise at the time. People weren't like this is the 524 00:30:38,480 --> 00:30:41,760 Speaker 1: best directed movie. It's just you know, Mel Gibson blowing 525 00:30:41,760 --> 00:30:46,520 Speaker 1: people up and making gross ship happen to human bodies loving. 526 00:30:46,840 --> 00:30:50,480 Speaker 1: But Jeff Nichols, I feel like Jeff Nichols just in general, 527 00:30:50,640 --> 00:30:53,840 Speaker 1: really good director who hasn't been nominated, so they I 528 00:30:53,880 --> 00:30:57,600 Speaker 1: have I have a wild card for both five years 529 00:30:57,600 --> 00:31:01,920 Speaker 1: ago and this year for Supporting act. The ray finds 530 00:31:01,920 --> 00:31:07,720 Speaker 1: in Hail Caesar was just like like an unforgettable scene 531 00:31:07,760 --> 00:31:10,280 Speaker 1: for me. Like that scene just like sticks in my head, 532 00:31:10,520 --> 00:31:13,160 Speaker 1: just everything about his performance. He's only in it for 533 00:31:13,200 --> 00:31:16,440 Speaker 1: like a couple of scenes, right, Like, But I don't 534 00:31:16,480 --> 00:31:19,360 Speaker 1: know if that needs a separate category or if we 535 00:31:19,520 --> 00:31:25,400 Speaker 1: just have like a best Scene, best cameo. That's the dot, 536 00:31:25,480 --> 00:31:29,160 Speaker 1: that's the dope, because cameos are becoming especially you know 537 00:31:29,320 --> 00:31:34,200 Speaker 1: with the Marvel movie for Real complex. Yeah, in the 538 00:31:34,240 --> 00:31:37,600 Speaker 1: past fifteen years, cameos are it. There should be an 539 00:31:37,640 --> 00:31:42,040 Speaker 1: aword for did the most with the least. I mean yeah, 540 00:31:42,240 --> 00:31:45,120 Speaker 1: like I would, I would love that, Like I think 541 00:31:45,360 --> 00:31:49,720 Speaker 1: this year's example is Bradley Cooper and Liquorice Pizza, Like 542 00:31:50,400 --> 00:31:54,920 Speaker 1: is only on screen for like three minutes, but he 543 00:31:55,080 --> 00:31:59,080 Speaker 1: is just so like, yeah, he just takes over the 544 00:31:59,160 --> 00:32:03,280 Speaker 1: movie in a yeah, and he's playing Barbara Streisand's husband 545 00:32:03,520 --> 00:32:07,960 Speaker 1: like a real Hollywood producer. Was like a monster and 546 00:32:08,600 --> 00:32:11,160 Speaker 1: it's a real like it's just watching like a force 547 00:32:11,240 --> 00:32:15,880 Speaker 1: of nature like passes through this movie. That's like somewhat unrelated, 548 00:32:16,320 --> 00:32:18,440 Speaker 1: but you can't stop thinking about it even when he's 549 00:32:18,480 --> 00:32:21,600 Speaker 1: not on screen. I kept waiting for him to come back. 550 00:32:21,840 --> 00:32:24,280 Speaker 1: I'm never going to watch that movie, but I almost 551 00:32:24,280 --> 00:32:27,520 Speaker 1: did because the trailer. The trailer convinced me that it 552 00:32:27,560 --> 00:32:30,440 Speaker 1: was some sort of Barbara streisand like, you know, coming 553 00:32:30,480 --> 00:32:34,080 Speaker 1: of age biopic. And I was because I didn't obviously 554 00:32:34,120 --> 00:32:37,000 Speaker 1: didn't perform even a cursory google, and I was like, oh, 555 00:32:37,080 --> 00:32:39,520 Speaker 1: I would see that, and then you know, I googled 556 00:32:39,560 --> 00:32:42,440 Speaker 1: and I was like, wait, this is about an adult 557 00:32:42,480 --> 00:32:45,440 Speaker 1: woman who wants to fuck a teen, like wants to 558 00:32:45,520 --> 00:32:48,120 Speaker 1: like date a teen, and the old premises that there 559 00:32:48,240 --> 00:32:50,840 Speaker 1: is I just like, don't. I was like, I'm going 560 00:32:50,880 --> 00:32:53,160 Speaker 1: to pass on that one, but cute name and I 561 00:32:53,200 --> 00:32:57,160 Speaker 1: love love him. It'll be a cold Day in Hail 562 00:32:57,280 --> 00:33:02,120 Speaker 1: before I watched Liquorice Pieces, Oh day, I'll watch Roots 563 00:33:02,120 --> 00:33:08,800 Speaker 1: again before I watch the the I think Liquorice Pizza 564 00:33:09,240 --> 00:33:11,880 Speaker 1: should like that. That's the one that made me think 565 00:33:11,920 --> 00:33:15,760 Speaker 1: we should have a best trailer category because the trailer 566 00:33:15,800 --> 00:33:18,080 Speaker 1: for that. First of all, I didn't realize until I 567 00:33:18,320 --> 00:33:21,080 Speaker 1: listened to Life on Mars, Like in its entirety that 568 00:33:21,520 --> 00:33:25,080 Speaker 1: basically Life on Mars is the plot of the movie 569 00:33:25,240 --> 00:33:27,280 Speaker 1: for the most part, Like he just listened to Life 570 00:33:27,280 --> 00:33:31,320 Speaker 1: on Mars and then wrote a movie, and it's it's 571 00:33:31,400 --> 00:33:35,760 Speaker 1: just a great trailer that like that movie, nor most 572 00:33:35,800 --> 00:33:38,280 Speaker 1: movies is able to live up to. But I think 573 00:33:38,280 --> 00:33:41,280 Speaker 1: the best Trailer would be a fun category and you 574 00:33:41,320 --> 00:33:45,520 Speaker 1: would get to watch it while you were watching the broadcast. 575 00:33:46,280 --> 00:33:49,040 Speaker 1: I love that. I love best Trailer because they're they're 576 00:33:49,080 --> 00:33:51,680 Speaker 1: they actually do need to bring a couple more categories 577 00:33:51,960 --> 00:33:54,400 Speaker 1: because they there's always like three days of the Oscars. 578 00:33:54,400 --> 00:33:56,640 Speaker 1: There's the two that we don't see when they give 579 00:33:56,680 --> 00:34:00,480 Speaker 1: audio wars that they know don't nobody want to seek, 580 00:34:01,440 --> 00:34:03,480 Speaker 1: and then like they have the actual they yeah, and 581 00:34:03,520 --> 00:34:05,880 Speaker 1: then they have the actual ceremony. I would love a 582 00:34:05,920 --> 00:34:09,600 Speaker 1: trailer category, But trailer has got to go back to 583 00:34:09,680 --> 00:34:13,200 Speaker 1: what they was in the nineties. Voice over, you need 584 00:34:13,200 --> 00:34:19,120 Speaker 1: the voice over, you need best performance by a voice yeah, 585 00:34:19,160 --> 00:34:21,200 Speaker 1: if we if okay, so if we were to if 586 00:34:21,200 --> 00:34:24,319 Speaker 1: we were to offer nominations for best Trailer, I would say, 587 00:34:24,320 --> 00:34:28,120 Speaker 1: across the universe. Do you remember that Beatles movie? One 588 00:34:28,239 --> 00:34:32,000 Speaker 1: long music video? Terrible movie, but like an amazing trailer. 589 00:34:32,280 --> 00:34:35,279 Speaker 1: So like such an exciting conceit for a movie, even 590 00:34:35,320 --> 00:34:38,200 Speaker 1: though it's like so average. But I also have to say, 591 00:34:38,239 --> 00:34:41,480 Speaker 1: if we were to offer a did the Most with 592 00:34:41,600 --> 00:34:45,759 Speaker 1: the Least, Drew Barrymore should have a nom for Scream 593 00:34:45,800 --> 00:34:50,640 Speaker 1: because is one of the most phenomenal things she's ever 594 00:34:50,680 --> 00:34:53,799 Speaker 1: done in her acting career period. I just saw the 595 00:34:53,840 --> 00:34:56,680 Speaker 1: new Scream like a week last week or something, and 596 00:34:57,480 --> 00:35:00,960 Speaker 1: the person I would with, I guess forgot because I thought, 597 00:35:01,320 --> 00:35:03,400 Speaker 1: I don't want to spoil it. But I thought they 598 00:35:03,400 --> 00:35:05,560 Speaker 1: were gonna do the same thing in the beginning of 599 00:35:05,560 --> 00:35:07,600 Speaker 1: the movie. I guess that is a spoiler. Who gives 600 00:35:07,600 --> 00:35:10,040 Speaker 1: a funk. If you ever seen screens the beginning, it's 601 00:35:10,080 --> 00:35:12,160 Speaker 1: the beginning. I thought they were gonna do the same thing, 602 00:35:12,280 --> 00:35:14,040 Speaker 1: and it was like, well, no, she's a star. And 603 00:35:14,080 --> 00:35:17,680 Speaker 1: I was like, well, Drew bar when she got marked 604 00:35:17,680 --> 00:35:19,759 Speaker 1: in the first five minutes of that movie, and that 605 00:35:19,840 --> 00:35:24,080 Speaker 1: she was like revolutionary because especially in our age, we 606 00:35:24,080 --> 00:35:27,040 Speaker 1: weren't used to that, like we were used to stars 607 00:35:27,920 --> 00:35:31,480 Speaker 1: getting killed in the first we still aren't. Like when 608 00:35:31,520 --> 00:35:34,280 Speaker 1: the other guys did it with the Rock and Sam Jackson, 609 00:35:34,360 --> 00:35:35,960 Speaker 1: and it was so funny because you thought they were 610 00:35:35,960 --> 00:35:39,920 Speaker 1: gonna be in the like it's such a really good 611 00:35:39,960 --> 00:35:43,000 Speaker 1: trope that doesn't get used often, but the people who 612 00:35:43,440 --> 00:35:46,759 Speaker 1: who it does get used with generally are fantastic. And 613 00:35:46,840 --> 00:35:49,200 Speaker 1: those like three to five minutes there in the movie, 614 00:35:49,560 --> 00:35:51,439 Speaker 1: did you think it was gonna do the same thing? 615 00:35:51,520 --> 00:35:54,880 Speaker 1: Because it has the exact same title as the previous movie, 616 00:35:55,080 --> 00:35:58,080 Speaker 1: It has the exact same title, and it started pretty 617 00:35:58,160 --> 00:36:02,719 Speaker 1: much exactly the same it starts. It was great though. 618 00:36:02,719 --> 00:36:04,760 Speaker 1: I did love the new Scream. I thought it was fun. 619 00:36:04,920 --> 00:36:07,160 Speaker 1: I think a lot of work could be done in 620 00:36:07,160 --> 00:36:10,319 Speaker 1: the Best Original Song category. From five years ago, La 621 00:36:10,440 --> 00:36:16,080 Speaker 1: La Land had two songs nominated, Moanna had one, didn't 622 00:36:16,080 --> 00:36:20,399 Speaker 1: even sniff the award, and You're Welcome, Like they gave 623 00:36:20,480 --> 00:36:22,839 Speaker 1: up the opportunity, so you're I have a three year 624 00:36:22,840 --> 00:36:24,759 Speaker 1: old and five year old, so like, I listened to 625 00:36:24,760 --> 00:36:27,319 Speaker 1: a lot of moan a soundtrack, but You're Welcome is 626 00:36:27,760 --> 00:36:32,919 Speaker 1: a fucking jam it really And they could have had 627 00:36:33,200 --> 00:36:36,440 Speaker 1: they could have had the rock rapping at the Oscars, 628 00:36:36,480 --> 00:36:39,960 Speaker 1: Like that's how you get people to watch the Oscars 629 00:36:40,200 --> 00:36:43,120 Speaker 1: is like, I don't know. And then there's like some 630 00:36:43,640 --> 00:36:46,120 Speaker 1: visual effects stuff like jungle Book one for that I 631 00:36:46,160 --> 00:36:49,160 Speaker 1: feel like in retrospect with the live action Lion King 632 00:36:49,239 --> 00:36:52,040 Speaker 1: under our belt, we recognize that maybe that's not the 633 00:36:52,080 --> 00:36:56,080 Speaker 1: path for movies to head down as much. But I 634 00:36:56,120 --> 00:36:58,160 Speaker 1: don't know. And then I think, like a new category 635 00:36:58,160 --> 00:37:00,440 Speaker 1: that would be fun is like in camera especially effect 636 00:37:00,880 --> 00:37:03,440 Speaker 1: like if you if you got to if you just 637 00:37:03,480 --> 00:37:08,080 Speaker 1: did like the best like practical special effect, and then 638 00:37:08,120 --> 00:37:10,319 Speaker 1: they like showed you how it was done in the 639 00:37:10,360 --> 00:37:13,959 Speaker 1: category like during the show, that would be fun. But yeah, 640 00:37:14,040 --> 00:37:16,719 Speaker 1: I have to say, how is this, I mean, what 641 00:37:16,920 --> 00:37:19,439 Speaker 1: we're talking about when you're talking about like soundtrack, how 642 00:37:19,560 --> 00:37:24,040 Speaker 1: is this Beyonce's first Oscar? Not what I thought? She 643 00:37:24,200 --> 00:37:27,440 Speaker 1: was halfway to an ego already, Like I'm so confused. 644 00:37:28,200 --> 00:37:31,080 Speaker 1: But yeah, I also feel like, you know, en Conto 645 00:37:31,440 --> 00:37:33,720 Speaker 1: like was one of my favorite movies, but the music 646 00:37:33,920 --> 00:37:36,680 Speaker 1: was not good, And yeah, the music wasn't great. Yeah, 647 00:37:36,680 --> 00:37:40,080 Speaker 1: but like if the yeah, if they were to nominate 648 00:37:40,120 --> 00:37:42,120 Speaker 1: a song, it should have been we don't talk about Bruno, 649 00:37:42,239 --> 00:37:46,720 Speaker 1: which is now like a TikTok sensation. But yeah, I 650 00:37:46,520 --> 00:37:49,200 Speaker 1: I agree, there's there's a lot of you know, retractive 651 00:37:49,280 --> 00:37:53,239 Speaker 1: work to be done. YEA. The music one is a 652 00:37:53,280 --> 00:37:57,239 Speaker 1: tough one for me because I it's very weird, all right. 653 00:37:57,440 --> 00:38:02,600 Speaker 1: So you know, if we go back in the five years, 654 00:38:03,520 --> 00:38:07,120 Speaker 1: most categories should have I think most categories should have 655 00:38:07,160 --> 00:38:11,080 Speaker 1: more nominees. It shouldn't be kept five because you know, 656 00:38:11,719 --> 00:38:14,160 Speaker 1: obviously you're gonna get snubs, that's how it is and everything. 657 00:38:15,440 --> 00:38:18,719 Speaker 1: But some of the snubs are just outlandish, like which 658 00:38:18,760 --> 00:38:20,520 Speaker 1: is which is wild? So I think you should just 659 00:38:20,560 --> 00:38:23,360 Speaker 1: have like seven to ten like they did for the 660 00:38:23,400 --> 00:38:25,759 Speaker 1: Best Picture and when The Dark Knight didn't you know, 661 00:38:25,800 --> 00:38:29,200 Speaker 1: get nominated, uh, and that's why they changed that category up. 662 00:38:29,640 --> 00:38:34,480 Speaker 1: But for the actual songs, we should one hundred percent 663 00:38:35,120 --> 00:38:37,799 Speaker 1: go back and take away like the Oscar nomination for 664 00:38:37,880 --> 00:38:40,480 Speaker 1: some songs because like some of them, songs don't hit. Man, 665 00:38:40,719 --> 00:38:43,440 Speaker 1: some of these songs don't hit no more. The songs 666 00:38:43,480 --> 00:38:47,160 Speaker 1: don't hit, they don't, they don't matter. But some songs 667 00:38:47,200 --> 00:38:49,680 Speaker 1: do hit, like the Bruno, Like that sho is gonna hit. 668 00:38:49,760 --> 00:38:52,000 Speaker 1: It's gonna be popular in two years. You mean to 669 00:38:52,080 --> 00:38:55,120 Speaker 1: tell me that's not an Oscar worthy? What else? We 670 00:38:55,120 --> 00:38:56,920 Speaker 1: We ain't going to the movies to listen to songs. 671 00:38:57,000 --> 00:38:59,640 Speaker 1: So if a song hits and it stays popular, that's 672 00:38:59,640 --> 00:39:03,960 Speaker 1: why I score. That's there. You go and then my 673 00:39:04,400 --> 00:39:07,719 Speaker 1: this is a controversial opinion that I don't even know 674 00:39:07,719 --> 00:39:10,840 Speaker 1: if I believe him. But so if they want to 675 00:39:12,080 --> 00:39:15,280 Speaker 1: like really get these like movies that everybody saw involved, 676 00:39:15,960 --> 00:39:19,560 Speaker 1: what about a separate category. That's not best picture, it's 677 00:39:19,600 --> 00:39:23,600 Speaker 1: just best movie. Like kind of having a separate sort 678 00:39:23,600 --> 00:39:26,759 Speaker 1: of category. That's just like, all right, this isn't necessarily art, 679 00:39:26,920 --> 00:39:29,880 Speaker 1: but it's like the most fun people had at the movies. 680 00:39:30,320 --> 00:39:35,200 Speaker 1: So just looking at you had Finding Dory, Zootopia, The 681 00:39:35,239 --> 00:39:40,279 Speaker 1: Force Awakens, Mowanna, Arrival, Captain America's Civil War, Deadpool, like, 682 00:39:40,280 --> 00:39:44,400 Speaker 1: those are all pretty iconic movies, so I don't knocks 683 00:39:44,440 --> 00:39:47,080 Speaker 1: that Arrival wasn't nominated. That's crazy. I love that the 684 00:39:47,120 --> 00:39:50,640 Speaker 1: rest of them are children's movies that are you really 685 00:39:50,680 --> 00:39:55,759 Speaker 1: are you have kids? We we get wet. I mean, 686 00:39:55,880 --> 00:39:57,719 Speaker 1: I love that. The only thing is it would only 687 00:39:57,760 --> 00:40:02,600 Speaker 1: be Marvel movies, and especially now they're making you know, 688 00:40:02,760 --> 00:40:05,279 Speaker 1: they're making so many a year. Two would be like 689 00:40:05,400 --> 00:40:08,240 Speaker 1: so many Marvel I mean, but I mean the Spider 690 00:40:08,280 --> 00:40:10,840 Speaker 1: Man movie was my favorite movie of the year period, 691 00:40:10,880 --> 00:40:15,080 Speaker 1: more than any of these nons. I tweeted this today actually, 692 00:40:16,000 --> 00:40:20,719 Speaker 1: and I I generally don't like to have debates with 693 00:40:21,000 --> 00:40:25,000 Speaker 1: Internet strangers about my opinions or theirs because I don't 694 00:40:25,000 --> 00:40:30,200 Speaker 1: give a fuck. But but but I wrote that if 695 00:40:30,280 --> 00:40:33,399 Speaker 1: Don't Look Up was nominated, the Spider Man No Way 696 00:40:33,400 --> 00:40:36,719 Speaker 1: Home should have been nominated become that movie not only 697 00:40:36,719 --> 00:40:38,719 Speaker 1: did it, and I liked Don't Look Up. I'm not 698 00:40:38,719 --> 00:40:41,360 Speaker 1: shopping on the movie, but that's all. Spider Man No 699 00:40:41,440 --> 00:40:44,480 Speaker 1: Way Home was a better movie almost in every way. 700 00:40:44,520 --> 00:40:46,920 Speaker 1: The story was better, the actually was better. I had 701 00:40:46,960 --> 00:40:52,400 Speaker 1: more fun in the movie was better. Like every way 702 00:40:52,560 --> 00:40:56,000 Speaker 1: that movie was better. It was good. And let me 703 00:40:56,080 --> 00:40:59,919 Speaker 1: tell you, don't look up that like tapid like net 704 00:41:00,040 --> 00:41:05,279 Speaker 1: Flix algorithm generated like like that. The function of that 705 00:41:05,320 --> 00:41:09,920 Speaker 1: movie was nothing but like performance on Netflix's streaming service, 706 00:41:10,760 --> 00:41:13,600 Speaker 1: I was. It was so transparently like I don't know, 707 00:41:13,840 --> 00:41:15,919 Speaker 1: I it took me. I'll just say this, it took 708 00:41:15,920 --> 00:41:18,919 Speaker 1: me three sittings to finish that movie because I kept 709 00:41:19,000 --> 00:41:21,560 Speaker 1: getting up and being like, I don't really know what 710 00:41:21,640 --> 00:41:23,239 Speaker 1: I'm watching. I don't know what the appeal of this 711 00:41:23,280 --> 00:41:26,120 Speaker 1: is outside of the fact that it's had so many stars. 712 00:41:26,160 --> 00:41:28,839 Speaker 1: I thought Cape Blanchatt was awesome. I thought, actually, Jonah Hill, 713 00:41:29,320 --> 00:41:32,560 Speaker 1: Jonah Hill was really fun. But the movie in general. 714 00:41:32,640 --> 00:41:34,200 Speaker 1: I was just like, I totally agree with you. I 715 00:41:34,280 --> 00:41:37,160 Speaker 1: was like, I don't understand why this is nominated. I mean, 716 00:41:37,440 --> 00:41:40,239 Speaker 1: actually I do. It's because you know, the devil works hard, 717 00:41:40,239 --> 00:41:44,239 Speaker 1: but Netflix is publicists work harder and and and they 718 00:41:44,320 --> 00:41:47,640 Speaker 1: will get Emily and Paris all of the awards they 719 00:41:47,640 --> 00:41:51,239 Speaker 1: can do that. To let me tell you, well, it 720 00:41:51,280 --> 00:41:55,520 Speaker 1: sounds to me like you are both climate deniers. Climate 721 00:41:55,560 --> 00:41:58,960 Speaker 1: change denier absolutely unless you thought it was the best 722 00:41:59,000 --> 00:42:02,040 Speaker 1: movie of the year, just don't understand the message and 723 00:42:02,120 --> 00:42:04,600 Speaker 1: you hate the environment. And man, I don't see no 724 00:42:04,640 --> 00:42:08,839 Speaker 1: comments coming near the uh over about Can I say 725 00:42:08,880 --> 00:42:12,160 Speaker 1: one more controversial thing about five years ago Oscars? First 726 00:42:12,200 --> 00:42:15,319 Speaker 1: of all, let me preface it because again people on 727 00:42:15,320 --> 00:42:19,640 Speaker 1: the internet are dumb and they don't recontext. Moonlight should 728 00:42:19,680 --> 00:42:23,840 Speaker 1: have won, should have won, But it was only after 729 00:42:24,080 --> 00:42:26,640 Speaker 1: that debacco where people started acting like La La Land 730 00:42:26,719 --> 00:42:28,920 Speaker 1: wasn't a good movie. I had a good time watching 731 00:42:29,000 --> 00:42:31,959 Speaker 1: La La Land, Like it was. Okay, I'm not saying 732 00:42:32,000 --> 00:42:34,640 Speaker 1: it was like it was not the best picture first nominated, 733 00:42:34,840 --> 00:42:37,719 Speaker 1: but I think after that was over high mind of 734 00:42:37,760 --> 00:42:40,600 Speaker 1: social media kind of like dictated. Oh and now we 735 00:42:40,680 --> 00:42:43,520 Speaker 1: also hate La La Land, like y'all. Motherfucker's was up 736 00:42:43,560 --> 00:42:45,600 Speaker 1: here tap dancing in the streets and singing all the 737 00:42:45,640 --> 00:42:48,280 Speaker 1: songs and ship before the Oscars came out with that movie, 738 00:42:48,560 --> 00:42:51,560 Speaker 1: y'all liked it. It was Okay, I think I think 739 00:42:51,560 --> 00:42:54,160 Speaker 1: they hate that La La Land got for that funk 740 00:42:54,239 --> 00:42:57,439 Speaker 1: up after the fact. It's a little it's a little whack. 741 00:42:57,520 --> 00:43:01,279 Speaker 1: It's a little whack in my opinion. It's honestly, it's 742 00:43:01,320 --> 00:43:04,560 Speaker 1: just wrong time, wrong place for that. It was just 743 00:43:05,040 --> 00:43:08,200 Speaker 1: it's a stunning movie, a stunning movie about a guy 744 00:43:08,360 --> 00:43:11,520 Speaker 1: who you know, likes to man explain jazz to an 745 00:43:11,560 --> 00:43:17,239 Speaker 1: aspiring actress, exactly as most movies are about that. Um. Yeah, 746 00:43:18,120 --> 00:43:20,400 Speaker 1: and I felt like you know, it was it was. 747 00:43:20,440 --> 00:43:22,640 Speaker 1: It was gorgeous. Um but yeah, a wrong time, wrong 748 00:43:22,680 --> 00:43:26,560 Speaker 1: place and enter the culture wars of that year. Al Right, 749 00:43:26,600 --> 00:43:31,120 Speaker 1: since you guys called me up for being kid movie focused, 750 00:43:31,160 --> 00:43:33,320 Speaker 1: I won't go into my fifteen minute a bit about 751 00:43:33,320 --> 00:43:38,000 Speaker 1: how cars to should have retroactively been getting. Let's let's 752 00:43:38,000 --> 00:43:39,879 Speaker 1: take a quick break and we'll come back and talk 753 00:43:39,920 --> 00:43:54,920 Speaker 1: about Build the Bears. And we're back, and we do 754 00:43:55,280 --> 00:43:58,759 Speaker 1: have to get to some serious news, which jackis just 755 00:43:59,360 --> 00:44:03,279 Speaker 1: saw one piece of evidence from the very serious news 756 00:44:03,320 --> 00:44:05,879 Speaker 1: we're about to talk about. That is, of course, all 757 00:44:05,920 --> 00:44:09,960 Speaker 1: the headlines about the new horny Build a Bear. I'll 758 00:44:10,000 --> 00:44:12,200 Speaker 1: just give you some samples seen it. Build a Bear 759 00:44:12,320 --> 00:44:15,640 Speaker 1: just launched an after dark series of horny teddy bears. 760 00:44:16,320 --> 00:44:19,239 Speaker 1: Fatherly dot com, where I always go from my I 761 00:44:19,280 --> 00:44:22,680 Speaker 1: don't know, I don't know what takes yala exclamation point. 762 00:44:22,960 --> 00:44:26,239 Speaker 1: Build a Bear launches a horny teddy bear line. Build 763 00:44:26,280 --> 00:44:28,839 Speaker 1: a Bear launched a range of horny teddy bears, and 764 00:44:29,000 --> 00:44:34,239 Speaker 1: we're confused, says Indie one. Uh. And then the New 765 00:44:34,280 --> 00:44:39,239 Speaker 1: York posts raunchy new furry and quotes toys released just 766 00:44:39,320 --> 00:44:43,600 Speaker 1: in time for Valentine's Day, So um, the ones I 767 00:44:43,760 --> 00:44:49,640 Speaker 1: just looked at. The one thing that is actually horny 768 00:44:49,680 --> 00:44:53,880 Speaker 1: about the entire thing is they did put out a 769 00:44:53,960 --> 00:44:57,480 Speaker 1: fun image that is I think it was like a 770 00:44:57,480 --> 00:45:01,600 Speaker 1: promotional image. It's a stuffed line in in a like 771 00:45:01,800 --> 00:45:08,960 Speaker 1: silk robe, leaning on one world Yeah, very Tom Sellic, 772 00:45:09,280 --> 00:45:13,960 Speaker 1: very Burt Reynolds, on a bear skin rug and just 773 00:45:14,040 --> 00:45:19,160 Speaker 1: kind of definitely giving you the impression that this stuffed 774 00:45:19,239 --> 00:45:22,600 Speaker 1: line wants to fuck you. Oh my god, I just 775 00:45:22,840 --> 00:45:25,960 Speaker 1: rose over this rose over roses. Bear is killing me 776 00:45:26,000 --> 00:45:31,520 Speaker 1: because she's just holding rose? Is that what the horny is? Yeah? Alcohol, 777 00:45:31,800 --> 00:45:35,120 Speaker 1: and important detail is like they really they thought that 778 00:45:35,200 --> 00:45:37,799 Speaker 1: these bears were so controversial that you have to go 779 00:45:37,920 --> 00:45:41,160 Speaker 1: through like a parental like wall, like an eighteen plus 780 00:45:41,840 --> 00:45:45,520 Speaker 1: like like sitewall that says you're about to enter the 781 00:45:45,560 --> 00:45:48,040 Speaker 1: bear cave. There's adult content in here when you click through, 782 00:45:48,040 --> 00:45:49,520 Speaker 1: and it's like a bear that's wearing a T shirt 783 00:45:49,560 --> 00:45:52,560 Speaker 1: that says like wine mom or something like that, and 784 00:45:52,600 --> 00:45:56,640 Speaker 1: it's like, what, like, I'm sorry. If these bears were 785 00:45:56,719 --> 00:45:59,840 Speaker 1: actually horny, we would have heard about it on Tucker 786 00:45:59,840 --> 00:46:02,040 Speaker 1: car Earls and the next thing. Okay, they did not 787 00:46:02,120 --> 00:46:05,000 Speaker 1: go hard enough. If I'm going to buy a horny bear, 788 00:46:05,360 --> 00:46:09,399 Speaker 1: I want, I want strap ons, I want I wonder 789 00:46:09,440 --> 00:46:11,640 Speaker 1: with the flesh light, Yeah, I want Yeah, I want this, 790 00:46:12,440 --> 00:46:17,480 Speaker 1: kiss pools, I want nipple clamps. Okay, ball stretchers, I want, 791 00:46:17,640 --> 00:46:22,440 Speaker 1: I want niche sex toys on all of these bears. Okay, 792 00:46:22,800 --> 00:46:26,120 Speaker 1: if the bear is horny, if like, let's just go 793 00:46:26,160 --> 00:46:28,880 Speaker 1: ahead and say what we're saying. We gotta funck this 794 00:46:29,000 --> 00:46:33,239 Speaker 1: bear and I can't fuck this bear. I can't fuck 795 00:46:33,320 --> 00:46:37,000 Speaker 1: this bear saying this this is this is wild. I 796 00:46:37,040 --> 00:46:39,319 Speaker 1: love this. I love this by the way, Like I said, 797 00:46:39,400 --> 00:46:41,799 Speaker 1: this is the first time I saw the headline. I 798 00:46:41,840 --> 00:46:44,440 Speaker 1: did not see the pictures. These pictures are very funny. 799 00:46:44,520 --> 00:46:46,440 Speaker 1: I thought it was gonna be something risk a like 800 00:46:46,600 --> 00:46:50,480 Speaker 1: nipple titties out or you know, showing whole or something. 801 00:46:50,520 --> 00:46:52,879 Speaker 1: I didn't know what I didn't know. I guess that 802 00:46:53,120 --> 00:46:55,920 Speaker 1: doesn't make sense because they still got the sadies to kiss. 803 00:46:57,880 --> 00:47:02,480 Speaker 1: But what world it? I feel like in the nineties, 804 00:47:02,520 --> 00:47:04,120 Speaker 1: if a brand would have did this, it would have 805 00:47:04,160 --> 00:47:08,680 Speaker 1: been more horny. But we as a collective society are 806 00:47:08,680 --> 00:47:11,839 Speaker 1: hornier than ever. Like I see so much sex on 807 00:47:11,880 --> 00:47:14,279 Speaker 1: Twitter and read it and only fans that like we 808 00:47:14,440 --> 00:47:17,719 Speaker 1: horny and ship it's more comfortable. And this is what 809 00:47:17,800 --> 00:47:19,560 Speaker 1: you come out with. You could have did better than this. 810 00:47:20,280 --> 00:47:23,200 Speaker 1: I should at least say some bear cleavage that the 811 00:47:23,239 --> 00:47:28,719 Speaker 1: actual products are a teddy bear with sunglasses on and 812 00:47:28,840 --> 00:47:31,760 Speaker 1: a dad T shirt that says I want to take 813 00:47:31,800 --> 00:47:37,319 Speaker 1: you out, which is also not oh like like he's 814 00:47:37,360 --> 00:47:40,640 Speaker 1: gonna like he's gonna kill me, Like there's a there's 815 00:47:40,640 --> 00:47:46,880 Speaker 1: a whole exchangeable fiction about how ambiguous that phrase that 816 00:47:47,280 --> 00:47:52,720 Speaker 1: you out daddy like they maybe they are like leaning 817 00:47:52,719 --> 00:47:56,840 Speaker 1: into the threatening aspect of that phrase, and that's why 818 00:47:56,960 --> 00:47:59,879 Speaker 1: it's being included included here. But then the other one 819 00:48:00,080 --> 00:48:04,160 Speaker 1: is it's one o'clock somewhere and it's just a stuffed 820 00:48:04,719 --> 00:48:10,000 Speaker 1: teddy bear? Is that a teddy bear? Is that an't even? 821 00:48:11,080 --> 00:48:12,759 Speaker 1: This is just a testament of the fact that there 822 00:48:12,840 --> 00:48:17,279 Speaker 1: is an untapped market for horny bears. Okay, And we 823 00:48:17,400 --> 00:48:21,279 Speaker 1: want like teddy bears and full leather gear in like 824 00:48:21,440 --> 00:48:25,600 Speaker 1: sex slings. Okay, um, And I feel like there's someone 825 00:48:25,640 --> 00:48:27,520 Speaker 1: out there to do it. And if you want to 826 00:48:27,600 --> 00:48:30,440 Speaker 1: hire me to consult, I will. I will gladly be 827 00:48:30,840 --> 00:48:33,320 Speaker 1: a part of that project. So let me know friend 828 00:48:33,360 --> 00:48:37,600 Speaker 1: as friend as volunteered themselves to bring us to the 829 00:48:37,600 --> 00:48:42,600 Speaker 1: new frontier of horny animals. Baby, you know what, I'm 830 00:48:42,640 --> 00:48:45,759 Speaker 1: here for it. I am here for it. Also, if 831 00:48:45,760 --> 00:48:47,959 Speaker 1: I gave this too, if I gave this to a date, 832 00:48:48,040 --> 00:48:50,120 Speaker 1: like if I gave one of these horny bears to 833 00:48:50,160 --> 00:48:53,960 Speaker 1: a girl for Valentine's Day, we're like, hey, baby, right, 834 00:48:54,360 --> 00:48:58,000 Speaker 1: I love you. You looking good. Here's what I think 835 00:48:58,000 --> 00:49:01,440 Speaker 1: of you. You I They're gonna be dry the rest 836 00:49:01,480 --> 00:49:03,000 Speaker 1: of the night. I'm not a kid. You ain't getting 837 00:49:03,000 --> 00:49:06,840 Speaker 1: no ass at the even build up there. I'm thirty 838 00:49:06,880 --> 00:49:12,000 Speaker 1: five years old, motherfucker. What you're giving me is the 839 00:49:12,040 --> 00:49:15,120 Speaker 1: idea to maybe like make it a date night thing 840 00:49:15,400 --> 00:49:17,759 Speaker 1: that people can go and do. But yeah, I mean 841 00:49:17,760 --> 00:49:20,560 Speaker 1: these are available for online orders, so I guess not. 842 00:49:20,960 --> 00:49:23,040 Speaker 1: I think it's for what's the what's the religion or 843 00:49:23,160 --> 00:49:26,600 Speaker 1: the people that get a year to uh like go 844 00:49:26,719 --> 00:49:30,239 Speaker 1: explore the world before they come a gap year, yes man, 845 00:49:30,320 --> 00:49:32,880 Speaker 1: a gap year, yes man. No, it's like a religion 846 00:49:33,000 --> 00:49:39,120 Speaker 1: or something. Oh yeah, wanted. Yeah, I think this. Yeah, 847 00:49:39,200 --> 00:49:45,120 Speaker 1: this is to seize them in slowly, slowly. When they 848 00:49:45,120 --> 00:49:50,360 Speaker 1: go sideways, they have a year of absolutely abhorrent, godless 849 00:49:50,440 --> 00:49:53,719 Speaker 1: heathen behavior, and then they go back tom This is 850 00:49:53,760 --> 00:49:56,480 Speaker 1: for them. This is to ease them into, you know, 851 00:49:56,600 --> 00:49:59,479 Speaker 1: the rest of the year that they're gonna have god 852 00:49:59,480 --> 00:50:02,879 Speaker 1: It Also, Bill a Bear had the same promotion last year, 853 00:50:03,160 --> 00:50:07,600 Speaker 1: and it prompted similarly confused responses from people. So it's 854 00:50:07,680 --> 00:50:11,719 Speaker 1: just it's just you know, clickbit it's mainstream media click 855 00:50:11,760 --> 00:50:16,600 Speaker 1: bait essentially. Also, the A Team plus warning maybe just 856 00:50:16,920 --> 00:50:20,120 Speaker 1: on all parts of their site because they don't want 857 00:50:20,200 --> 00:50:23,279 Speaker 1: kids grabbing their parents credit cards and ordering like a 858 00:50:23,360 --> 00:50:26,640 Speaker 1: dump truck full of custom made teddy Bears, So that 859 00:50:26,760 --> 00:50:30,000 Speaker 1: also might just be a misunderstanding by the mainstream media too. 860 00:50:30,480 --> 00:50:33,120 Speaker 1: You know, try and write some comedy, try and spice 861 00:50:33,120 --> 00:50:36,720 Speaker 1: things up a little bit. Let's talk really briefly about Mouse, 862 00:50:36,880 --> 00:50:41,560 Speaker 1: which is now a best seller thanks to a Tennessee 863 00:50:41,880 --> 00:50:48,200 Speaker 1: School Counties band. So the pretext for banning the book 864 00:50:48,360 --> 00:50:52,200 Speaker 1: was that it had nudity, technically illustrated animal nudity, and 865 00:50:52,239 --> 00:50:57,399 Speaker 1: bad language, which included the words bitch and goddamn. It 866 00:50:57,520 --> 00:51:00,279 Speaker 1: was the anchor text for an eighth grade mode Joel 867 00:51:00,320 --> 00:51:04,879 Speaker 1: on the Holocaust and the like. You can actually look 868 00:51:04,920 --> 00:51:07,799 Speaker 1: at the minutes of the school board meeting devoted to 869 00:51:08,239 --> 00:51:12,800 Speaker 1: this topic and it's like worst thing you would expect. 870 00:51:12,800 --> 00:51:15,759 Speaker 1: First of all, they get mad that the author had 871 00:51:15,800 --> 00:51:18,680 Speaker 1: once done artwork for Playboy, so they're like, that goes 872 00:51:18,680 --> 00:51:21,359 Speaker 1: on your permanent record. One board member called the book 873 00:51:21,400 --> 00:51:24,600 Speaker 1: offensive and then admitted they had never read or even 874 00:51:24,640 --> 00:51:28,240 Speaker 1: seen the book, but had read the reviews. They tried 875 00:51:28,800 --> 00:51:31,920 Speaker 1: to see if they could just redact words from it, 876 00:51:32,440 --> 00:51:35,239 Speaker 1: and then when they found that that was a free 877 00:51:35,239 --> 00:51:39,239 Speaker 1: speech issue, they said, well, anyways, that wouldn't do. It's 878 00:51:39,280 --> 00:51:41,640 Speaker 1: more offensive than that. I have not seen the book 879 00:51:41,640 --> 00:51:44,359 Speaker 1: and read the book, I read the reviews, and then 880 00:51:44,760 --> 00:51:47,600 Speaker 1: that was the only item on the school board meetings 881 00:51:47,640 --> 00:51:51,080 Speaker 1: agenda was what to do about Mouse. So the book 882 00:51:51,120 --> 00:51:55,640 Speaker 1: skyrocket at the top of Amazon charts, dominating online book sales. 883 00:51:55,760 --> 00:51:59,960 Speaker 1: Top three literary graphic novels were three different versions of 884 00:52:00,080 --> 00:52:04,960 Speaker 1: moles so that our writer Jam McNabb was pointing out 885 00:52:04,960 --> 00:52:07,840 Speaker 1: that like, you know that this isn't new and I 886 00:52:07,960 --> 00:52:10,600 Speaker 1: have like John Grisham, I guess A Time to Kill 887 00:52:10,760 --> 00:52:12,920 Speaker 1: was once put on a banned book list, and like 888 00:52:13,000 --> 00:52:16,600 Speaker 1: that skyrocketed the sales of that as well. But the 889 00:52:16,680 --> 00:52:19,960 Speaker 1: problem is that it usually hinges on like how profile 890 00:52:20,120 --> 00:52:22,120 Speaker 1: an author is at the time of the challenge. So 891 00:52:22,160 --> 00:52:27,080 Speaker 1: there's just you know, warehouses of banned books that are 892 00:52:27,120 --> 00:52:30,440 Speaker 1: written by people who don't have names that are people 893 00:52:30,480 --> 00:52:33,080 Speaker 1: are familiar with when a book When a book is banned, 894 00:52:33,080 --> 00:52:35,960 Speaker 1: are they saying is banned from schools? Is that what 895 00:52:36,000 --> 00:52:40,480 Speaker 1: they're saying? Or and schools? And then maybe it's like 896 00:52:40,560 --> 00:52:47,440 Speaker 1: restricted at libraries perhaps or school library library. Interesting, I 897 00:52:47,480 --> 00:52:49,640 Speaker 1: mean band books. They need to learn that they're just 898 00:52:49,680 --> 00:52:51,680 Speaker 1: putting these books in business. Let me tell you, like 899 00:52:52,160 --> 00:52:54,640 Speaker 1: like that that one children's book that's like, you know, 900 00:52:55,400 --> 00:52:57,719 Speaker 1: Kimberly has Two Mommies or whatever, as like one of 901 00:52:57,719 --> 00:53:00,640 Speaker 1: the most sold children's books of all time because of 902 00:53:00,680 --> 00:53:03,680 Speaker 1: like you know, culture wars, and like they're only putting 903 00:53:03,680 --> 00:53:07,439 Speaker 1: these books in the map and Mouse is like, isn't 904 00:53:07,440 --> 00:53:10,239 Speaker 1: it a Pulitzer Prize winning books? Like it's it's it's 905 00:53:10,280 --> 00:53:13,240 Speaker 1: like I read. I remember reading both of those books 906 00:53:13,280 --> 00:53:17,720 Speaker 1: and college and adoring them. But also I never learned 907 00:53:17,760 --> 00:53:21,040 Speaker 1: as much about the Holocaust from my history as I 908 00:53:21,080 --> 00:53:24,439 Speaker 1: did from those books specifically. And I think that it's 909 00:53:24,520 --> 00:53:26,440 Speaker 1: just a testament of the fact that people don't know 910 00:53:26,480 --> 00:53:29,600 Speaker 1: what the fun they're talking about. And also honestly like 911 00:53:29,840 --> 00:53:34,279 Speaker 1: that they just are so hypocritical because the Bible, that 912 00:53:34,320 --> 00:53:38,920 Speaker 1: book is whack okay, Like there's like just it just 913 00:53:38,960 --> 00:53:43,120 Speaker 1: like endorses slavery and like people having sex with their dads, 914 00:53:43,239 --> 00:53:45,520 Speaker 1: and like I just like I don't know, like like 915 00:53:45,719 --> 00:53:48,080 Speaker 1: that's a crazy book. And there's there's a story in 916 00:53:48,120 --> 00:53:52,319 Speaker 1: the Bible where like God deals all these people to 917 00:53:52,440 --> 00:53:55,320 Speaker 1: like because of a few people fucked up in the town, 918 00:53:55,440 --> 00:53:58,000 Speaker 1: God deals everybody, you gotta move out of your town. 919 00:53:58,640 --> 00:54:01,680 Speaker 1: Like people who lived in the down their whole life. 920 00:54:01,719 --> 00:54:04,480 Speaker 1: This was their home and they just gotta up and go. 921 00:54:05,160 --> 00:54:08,399 Speaker 1: And God was like, and don't turn around and look back. 922 00:54:08,600 --> 00:54:10,680 Speaker 1: I'm telling people like to not look back at the 923 00:54:10,719 --> 00:54:13,600 Speaker 1: place they've known forever. And the one person who did, 924 00:54:14,080 --> 00:54:16,920 Speaker 1: he turned her to a pillar or fucking salt. I remember. 925 00:54:17,520 --> 00:54:21,680 Speaker 1: That is the most petty, violent, overreactive ship that I've 926 00:54:21,719 --> 00:54:24,279 Speaker 1: ever read at my godtail, you know, don't look at 927 00:54:24,280 --> 00:54:27,000 Speaker 1: your home you lived in for your entire life, or 928 00:54:27,040 --> 00:54:31,200 Speaker 1: I'm going to turn you into be destroyed by God 929 00:54:33,440 --> 00:54:41,160 Speaker 1: like wo right, just out of curiosity like you. It's 930 00:54:41,160 --> 00:54:43,799 Speaker 1: funny too, because like I don't. I've never like I 931 00:54:43,840 --> 00:54:48,120 Speaker 1: will happily admit that I am not an avid book reader, 932 00:54:48,600 --> 00:54:51,799 Speaker 1: but so like keeping up with like the band book list, 933 00:54:51,840 --> 00:54:55,600 Speaker 1: it's never something that really clicks on my radar. But 934 00:54:55,680 --> 00:54:59,279 Speaker 1: it doesn't make sense to me because, for instance, which 935 00:54:59,320 --> 00:55:00,880 Speaker 1: is the reason why it's like, are they banned in 936 00:55:00,960 --> 00:55:03,439 Speaker 1: schools because like some books, like you ain't reading fifty 937 00:55:03,480 --> 00:55:05,319 Speaker 1: shades of grade in eighth grade. So like I I 938 00:55:05,400 --> 00:55:07,840 Speaker 1: get like not being able to read some books in school, 939 00:55:07,920 --> 00:55:10,319 Speaker 1: depending on what the content is, but the fact that 940 00:55:10,360 --> 00:55:13,480 Speaker 1: they're like restricted in certain areas of the library or 941 00:55:13,520 --> 00:55:16,560 Speaker 1: bookstores and things like that. You mean to tell me that, 942 00:55:16,640 --> 00:55:20,640 Speaker 1: like some of these like romance novels, these graphic novels, 943 00:55:20,640 --> 00:55:23,319 Speaker 1: these violent things, I can just easily go up and 944 00:55:23,320 --> 00:55:25,800 Speaker 1: down the library and get. But you're gonna ban a 945 00:55:25,840 --> 00:55:28,239 Speaker 1: book about the Holocaust? Like that doesn't it doesn't make 946 00:55:28,280 --> 00:55:32,600 Speaker 1: It doesn't compute in my brain because it's not about 947 00:55:32,640 --> 00:55:36,040 Speaker 1: banning things because they are graphic. It's about banning things 948 00:55:36,080 --> 00:55:38,799 Speaker 1: because you don't want people to know ship probably you know, 949 00:55:38,840 --> 00:55:41,360 Speaker 1: for the most part, it's what it seems like. And 950 00:55:41,719 --> 00:55:43,239 Speaker 1: like I haven't read this book, so I don't know 951 00:55:44,120 --> 00:55:47,080 Speaker 1: the content of it like you all do. But I 952 00:55:47,120 --> 00:55:50,280 Speaker 1: don't get banned book you we don't. Band movies were 953 00:55:50,480 --> 00:55:53,279 Speaker 1: slap of rating on them, but that's about it. Oh 954 00:55:53,320 --> 00:55:56,720 Speaker 1: my god, there's an amazing documentary about the rating system 955 00:55:57,040 --> 00:55:59,640 Speaker 1: that and how the rating system was also invented by 956 00:55:59,680 --> 00:56:02,160 Speaker 1: the same people that band bucks. It's like it's like 957 00:56:02,239 --> 00:56:06,239 Speaker 1: conservative Christian moms that like decide, you know, whether a 958 00:56:06,600 --> 00:56:08,960 Speaker 1: movie is you know, PG or PG thirteen. I think 959 00:56:08,960 --> 00:56:11,680 Speaker 1: it's called this film is not yet right. That's yeah, 960 00:56:12,440 --> 00:56:15,479 Speaker 1: it's strongly recommend one of the one of us, Yeah, 961 00:56:15,680 --> 00:56:19,160 Speaker 1: one of the best documentaries. Yeah, but yeah, the and 962 00:56:19,239 --> 00:56:23,120 Speaker 1: the specificity of the things they object to are it's 963 00:56:23,160 --> 00:56:28,800 Speaker 1: like they object to showing women have feel pleasure, experienced pleasure. 964 00:56:29,000 --> 00:56:32,440 Speaker 1: So like you can get away with a sex scene 965 00:56:32,480 --> 00:56:37,000 Speaker 1: in which the woman is uncomfortable or it's is being assaulted, 966 00:56:37,400 --> 00:56:40,480 Speaker 1: but you can't show the woman have an orgasm because 967 00:56:40,600 --> 00:56:43,279 Speaker 1: that it makes the movie, right. I thought about that, 968 00:56:43,320 --> 00:56:46,239 Speaker 1: I forget and yeah, yeah, because it's a bunch of 969 00:56:46,239 --> 00:56:48,879 Speaker 1: old it's it's funny. I do I do know this. 970 00:56:48,960 --> 00:56:51,040 Speaker 1: I didn't I've ever seen this documentary. But like the 971 00:56:51,080 --> 00:56:54,400 Speaker 1: word funk, for instance, the difference between PG. Thirteen and 972 00:56:54,520 --> 00:56:57,239 Speaker 1: radar ar. Your allow three Fox, but as long as 973 00:56:57,239 --> 00:57:02,040 Speaker 1: they're not sexual, Like, what's the fucking difference exactly, Like, 974 00:57:02,120 --> 00:57:04,680 Speaker 1: what's the difference between three Fox and four Fox? And 975 00:57:04,800 --> 00:57:07,120 Speaker 1: what's the difference between if the funk is not sexual 976 00:57:07,239 --> 00:57:09,680 Speaker 1: or not? It's still fun It's still like it doesn't 977 00:57:10,040 --> 00:57:12,320 Speaker 1: it doesn't make any sense to me. It's so funny. 978 00:57:12,600 --> 00:57:15,719 Speaker 1: It's for cocoa. The fourth the fourth Fux is what 979 00:57:15,760 --> 00:57:18,920 Speaker 1: pushed you over the edge. It makes you stop believing 980 00:57:18,960 --> 00:57:23,800 Speaker 1: in God. And the President of the United States, Yeah, yeah, 981 00:57:23,880 --> 00:57:27,680 Speaker 1: I mean they're also talking about banning Judy Bloom books 982 00:57:27,720 --> 00:57:31,600 Speaker 1: in Texas, and that was my first indication that Judy 983 00:57:31,720 --> 00:57:34,439 Speaker 1: Bloom books were cool like that, and now I'm going 984 00:57:34,480 --> 00:57:37,720 Speaker 1: to want my kids to read them. At the very least, 985 00:57:38,000 --> 00:57:39,680 Speaker 1: I probably won't read them. I feel like that would 986 00:57:39,800 --> 00:57:44,040 Speaker 1: I'd feel weird about that. But yeah, I don't know. 987 00:57:44,200 --> 00:57:47,760 Speaker 1: It's like I remember, there is something powerful both about 988 00:57:47,800 --> 00:57:51,000 Speaker 1: like the fact that books like you can get away 989 00:57:51,040 --> 00:57:53,240 Speaker 1: with more than like three fox in a in a 990 00:57:53,320 --> 00:57:55,640 Speaker 1: book without being banned, and like they don't have this 991 00:57:55,800 --> 00:57:59,800 Speaker 1: rating system, and also like I don't know, they're like 992 00:58:00,080 --> 00:58:04,520 Speaker 1: the feeling of getting to choose whatever you want to read, 993 00:58:04,680 --> 00:58:07,240 Speaker 1: and like finding out that there is like authority that 994 00:58:07,320 --> 00:58:10,040 Speaker 1: doesn't want you to read it is like one of 995 00:58:10,080 --> 00:58:13,240 Speaker 1: the most powerful like I guess you could say like 996 00:58:13,320 --> 00:58:17,480 Speaker 1: marketing tools. Like it's not marketing, like marketers don't use it. 997 00:58:17,480 --> 00:58:20,200 Speaker 1: It's just like that that makes you want to read 998 00:58:20,240 --> 00:58:24,360 Speaker 1: the hell out of some books. Literally, it's an amazing incentive. 999 00:58:24,400 --> 00:58:27,880 Speaker 1: It's literally why I'm corrupted now. I'm I'm a godless 1000 00:58:27,920 --> 00:58:32,480 Speaker 1: even because you know, I tore through my local library 1001 00:58:33,000 --> 00:58:34,760 Speaker 1: after you know, reading all the band books I could 1002 00:58:34,840 --> 00:58:36,720 Speaker 1: get my hands on. I think that I'm almost glad 1003 00:58:36,760 --> 00:58:39,240 Speaker 1: that they're banning books because all it does it makes 1004 00:58:39,360 --> 00:58:42,640 Speaker 1: kids is making want with them more so. Oh so 1005 00:58:42,680 --> 00:58:46,840 Speaker 1: this one's cool too. Okay, well, Fran, uh, this has 1006 00:58:46,880 --> 00:58:50,160 Speaker 1: been such a pleasure having you on daily Zeitgeist. Where 1007 00:58:50,160 --> 00:58:52,560 Speaker 1: can people find you? Follow you here? You all that 1008 00:58:52,560 --> 00:58:55,000 Speaker 1: good stuff. The pleasure is all mine. You can find 1009 00:58:55,040 --> 00:58:57,600 Speaker 1: me on social media at France squish code, or you 1010 00:58:57,640 --> 00:58:59,919 Speaker 1: can just search my name Fran Toronto and I said 1011 00:59:00,040 --> 00:59:02,800 Speaker 1: pop up, um. But more importantly, listen to my new 1012 00:59:02,840 --> 00:59:05,760 Speaker 1: podcast Like a Virgin with Rose Damn you and I 1013 00:59:05,880 --> 00:59:09,240 Speaker 1: heart radio sister, and you can listen to anywhere you 1014 00:59:09,280 --> 00:59:16,000 Speaker 1: stream podcasts, even Joe Rogan Spotify, Yeah that Rogan. Is 1015 00:59:16,040 --> 00:59:18,640 Speaker 1: there a tweet or some of the work of social 1016 00:59:18,640 --> 00:59:23,280 Speaker 1: media you've been enjoying. My favorite tweet, uh as of late, 1017 00:59:23,520 --> 00:59:27,000 Speaker 1: was yeah, I'm into n f t s non non 1018 00:59:27,000 --> 00:59:31,120 Speaker 1: binary fem Talks, which is uh a little bit of 1019 00:59:31,120 --> 00:59:34,200 Speaker 1: a queer insider joke there, but all night exes really 1020 00:59:34,240 --> 00:59:36,000 Speaker 1: are n f t s if I thought about it, 1021 00:59:36,080 --> 00:59:39,120 Speaker 1: so um, I guess yeah, that's maybe my my tweet 1022 00:59:39,120 --> 00:59:44,880 Speaker 1: of the day. Always so wonderful having you as co hosted. 1023 00:59:44,920 --> 00:59:46,920 Speaker 1: Do you know it. Where can people find you and 1024 00:59:46,960 --> 00:59:49,280 Speaker 1: follow you on? What's a tweet you've been enjoying? Ah, 1025 00:59:49,600 --> 00:59:52,160 Speaker 1: you know you can always find me in the streets 1026 00:59:53,200 --> 00:59:57,720 Speaker 1: as per usual. Follow your boy. I'm I'm getting closer 1027 00:59:57,760 --> 01:00:00,320 Speaker 1: to that tin k that I've the elusive h K 1028 01:00:00,520 --> 01:00:03,520 Speaker 1: that I want. Uh, So you know, go ahead and 1029 01:00:03,560 --> 01:00:06,360 Speaker 1: follow your boy and and and do it for Black 1030 01:00:06,440 --> 01:00:08,680 Speaker 1: History Month, y'all. If you don't do it this month, 1031 01:00:09,120 --> 01:00:13,120 Speaker 1: just gone ahead and admit that you racist. Uh, just 1032 01:00:13,240 --> 01:00:17,360 Speaker 1: admit it. Stop playing stuff playing Uh at Jackie's kneel 1033 01:00:17,400 --> 01:00:20,840 Speaker 1: on everything, y'all know what it is. So you know, 1034 01:00:21,400 --> 01:00:25,120 Speaker 1: I am one of the adults who watches euphor Euphoria 1035 01:00:25,600 --> 01:00:30,920 Speaker 1: and yeah, we exist. I was thinking about this earlier, like, Yeah, 1036 01:00:30,960 --> 01:00:34,440 Speaker 1: adults in our age range watch like movies centered around 1037 01:00:34,440 --> 01:00:37,760 Speaker 1: teams because we get it. Like, I mean, Euphoria's fucking wild. 1038 01:00:37,760 --> 01:00:39,840 Speaker 1: But we we used to be teenagers and like we've 1039 01:00:39,880 --> 01:00:42,640 Speaker 1: gone past that phase. We we can understand that more 1040 01:00:42,680 --> 01:00:45,600 Speaker 1: than I can understand watching a movie about fifty year 1041 01:00:45,600 --> 01:00:48,320 Speaker 1: old white men. So I get, like I get being 1042 01:00:48,360 --> 01:00:52,240 Speaker 1: a teenager, Like it's not that unfathomable. Uh, this is 1043 01:00:52,320 --> 01:00:56,320 Speaker 1: more like it is. It isn't one tweet and like 1044 01:00:56,360 --> 01:00:59,880 Speaker 1: they're mostly visual, but it's just been a bunch of tweets. 1045 01:01:00,080 --> 01:01:03,840 Speaker 1: I thought based off the last episode of YO. This 1046 01:01:04,000 --> 01:01:06,400 Speaker 1: was rue in the last episode and the picture is 1047 01:01:06,440 --> 01:01:11,040 Speaker 1: like a torn up fucking town, buildings on fire, or 1048 01:01:11,120 --> 01:01:13,320 Speaker 1: like there's a bit the Grim Reaper mean where he 1049 01:01:13,360 --> 01:01:16,000 Speaker 1: goes from door to door and there's a blood trail 1050 01:01:16,080 --> 01:01:20,520 Speaker 1: out of east door. And the one tweet from Coralina 1051 01:01:20,600 --> 01:01:24,680 Speaker 1: Dean was like Room making her rounds around Euphoria Town 1052 01:01:25,040 --> 01:01:29,360 Speaker 1: on a mission to ruin everyone's weekend. You've seen this 1053 01:01:29,440 --> 01:01:32,840 Speaker 1: last episode, you know the section that we're talking about, 1054 01:01:32,960 --> 01:01:35,840 Speaker 1: as she was fucking that town up, and it was 1055 01:01:36,040 --> 01:01:39,800 Speaker 1: a joy and so uncomfortable to watch, and I loved it, 1056 01:01:40,360 --> 01:01:42,760 Speaker 1: like I loved it. So that's what I'm talking about. 1057 01:01:42,800 --> 01:01:45,720 Speaker 1: That's the tweets. Jack, thank you for having me. I 1058 01:01:45,760 --> 01:01:49,480 Speaker 1: appreciate you. Appreciate you. You can find me on Twitter 1059 01:01:49,560 --> 01:01:54,240 Speaker 1: at Jack Underscore O'Brien. Couple tweets I've been enjoying. Miles 1060 01:01:54,400 --> 01:01:57,200 Speaker 1: at the Superior Pink tweeted this can't be the future, 1061 01:01:57,240 --> 01:02:01,640 Speaker 1: dipping docks was the ice cream of and Sarah at 1062 01:02:01,800 --> 01:02:05,240 Speaker 1: Sarah A. J. Cleary tweeted, I think this is a 1063 01:02:05,240 --> 01:02:08,480 Speaker 1: true story. John Waters just came into my cinema exclamation 1064 01:02:08,560 --> 01:02:12,000 Speaker 1: point to see Jackass exclamation point a film we aren't showing. 1065 01:02:15,040 --> 01:02:17,400 Speaker 1: And then Dan the Rocky Young tweeted big news. My 1066 01:02:17,480 --> 01:02:21,480 Speaker 1: bodega guy promoted me from boss to my brother, which 1067 01:02:21,560 --> 01:02:24,320 Speaker 1: is just a big moment in any New Yorker's life 1068 01:02:24,600 --> 01:02:27,360 Speaker 1: that you can find us on Twitter at Daily Zeitgeist. 1069 01:02:27,400 --> 01:02:29,840 Speaker 1: We're at the Daily Zeitgeist on Instagram, we have a 1070 01:02:29,840 --> 01:02:33,240 Speaker 1: Facebook fan page and a website, Daily zeitgeist dot com, 1071 01:02:33,240 --> 01:02:36,160 Speaker 1: where we post our episodes on Our foot notes were 1072 01:02:36,240 --> 01:02:38,040 Speaker 1: like off to the information that we talked about in 1073 01:02:38,080 --> 01:02:40,600 Speaker 1: today's episode, as well as a song that we think 1074 01:02:40,640 --> 01:02:44,880 Speaker 1: you might enjoy. And super producer justin Uh, do you 1075 01:02:44,960 --> 01:02:47,720 Speaker 1: have a song that you would like to send people 1076 01:02:47,760 --> 01:02:50,880 Speaker 1: to go check out? Well, yes I do, Jack. Since 1077 01:02:51,000 --> 01:02:54,520 Speaker 1: we have three people on this podcast with Chicago roots 1078 01:02:54,560 --> 01:02:57,880 Speaker 1: fran jackieson I, I figured I would shout out at 1079 01:02:57,960 --> 01:03:04,080 Speaker 1: Chicago artist Mick Jenkins referencing a Chicago bulls legend Scottie Pippen. 1080 01:03:04,480 --> 01:03:07,760 Speaker 1: Check out this track. It hads featuring and artists I 1081 01:03:07,800 --> 01:03:10,360 Speaker 1: put on last week's Serpent with feet. You know the 1082 01:03:10,360 --> 01:03:12,240 Speaker 1: whole song is metaphor about how you need a partner 1083 01:03:12,280 --> 01:03:14,560 Speaker 1: in life and you know you can't just shoot all 1084 01:03:14,560 --> 01:03:17,400 Speaker 1: the baskets by yourself. You gotta have support. Uh. And 1085 01:03:17,480 --> 01:03:22,600 Speaker 1: so this song has an incredible h instrumentalisten to it. 1086 01:03:22,760 --> 01:03:26,240 Speaker 1: This got these really floaty keys that are grounded by 1087 01:03:26,440 --> 01:03:30,080 Speaker 1: this countermelody that's played on this guitar that really really 1088 01:03:30,240 --> 01:03:33,000 Speaker 1: makes you relax and chill and ease into your night. 1089 01:03:33,160 --> 01:03:36,760 Speaker 1: So put this track on Scottie Pippen by Mick Jenkins 1090 01:03:36,760 --> 01:03:38,440 Speaker 1: and Serpent with Feet and you can find that in 1091 01:03:38,480 --> 01:03:42,040 Speaker 1: the footes Scotty Trip. If you're listening, You've been, You've 1092 01:03:42,080 --> 01:03:46,120 Speaker 1: a triplet? Say that that is actually a lyric in 1093 01:03:46,160 --> 01:03:49,720 Speaker 1: the song I've Been. Yeah, it's like I've been tripping. 1094 01:03:50,280 --> 01:03:52,760 Speaker 1: I was pipping, I was bullshitting. You gotta you guys, 1095 01:03:52,800 --> 01:03:56,600 Speaker 1: gotta check the ship. Yeah. By the way, I also 1096 01:03:56,640 --> 01:03:59,160 Speaker 1: have Chicago roots. When I lived in Kentucky, the eighth 1097 01:03:59,240 --> 01:04:04,240 Speaker 1: grade class trip was Chicago, where we got to go 1098 01:04:04,360 --> 01:04:08,200 Speaker 1: to the rock and roll McDonald's and medieval times. For 1099 01:04:08,280 --> 01:04:11,480 Speaker 1: some reason, that's only two things to do in Chicago. 1100 01:04:11,840 --> 01:04:14,040 Speaker 1: Now we have to bean, Now, we have to be 1101 01:04:14,360 --> 01:04:18,320 Speaker 1: we we have to be chain restaurant they took us 1102 01:04:18,320 --> 01:04:23,480 Speaker 1: to Anyway where many where many high school students with 1103 01:04:23,880 --> 01:04:29,480 Speaker 1: after prom sometimes yea all right. Well. The Daily Say 1104 01:04:29,520 --> 01:04:31,760 Speaker 1: Guys a production by Heart Radio. For more podcast for 1105 01:04:31,840 --> 01:04:34,600 Speaker 1: my Heart Radio, visit the Heart Radio app, Apple podcast, 1106 01:04:34,680 --> 01:04:37,080 Speaker 1: or wherever you listen to your favorite shows. Us gonna 1107 01:04:37,120 --> 01:04:39,440 Speaker 1: do it for us this morning. We are back this 1108 01:04:39,560 --> 01:04:42,360 Speaker 1: afternoon to tell you what is trending and we will 1109 01:04:42,400 --> 01:04:45,320 Speaker 1: talk to you all then by