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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama, Girl Drama Girl, all about them

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Speaker 1: high school queens.

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Speaker 2: We'll take you for a ride, and our comic girl

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Speaker 2: sharing for the right teen drama Queens, Jaylie's My Girl

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Speaker 2: Girl Fashion, which your tough girl? You could sit with us.

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Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, John the

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Speaker 1: Queens Drama Queens.

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Speaker 3: Who wants to do it? Who's jumping in the pool first?

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Speaker 2: And we had a lot to talk about in this up.

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Speaker 4: Be sure do Welcome back everyone.

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Speaker 2: Hi, friends, Hey, Hi, All right, So we're on season nine,

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Speaker 2: episode six, Catastrophe and the Cure, which aired February fifteenth,

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Speaker 2: twenty twelve. Okay, here's the synopsis. Dan enlists Julian, Well rather,

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Speaker 2: Julian asks to help out with Dan's search for Nathan Mouth,

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Speaker 2: also assisting Dan Phil's clay in about Nathan. As Haley

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Speaker 2: explains Nathan's disappearance to Janie, Brooke gets an idea of

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Speaker 2: how to bring patrons to an empty Karen's cafe, creating

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Speaker 2: quite a kerfuffle, and Chris Keller confronts Chase about data

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Speaker 2: and several puns were missed in this episode, We'll get

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Speaker 2: to them.

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Speaker 3: And it was directed by are very dear, very mister

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Speaker 3: James Lafferty and written by Roger Grant. This synopsis is

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Speaker 3: funny because it's each line is like one scene in

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Speaker 3: the episode. Yeah, I guess Julian and Dan is technically

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Speaker 3: two scenes. Mouth with Clay is one scene. Haley explaining

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Speaker 3: to I mean a lot more happens. Zampus like this

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Speaker 3: kind of covers it. But as we were reading, I'm

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Speaker 3: going like, this is eight scenes.

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Speaker 2: Yeah.

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Speaker 4: It feels like a very surface description, like someone at

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Speaker 4: who was in a rush and was like I don't.

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Speaker 5: Know this this yeah, and then skip skip Okay, Dan

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Speaker 5: and Julian skip.

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Speaker 2: Yeah, Yeah, they're There's just so much. There's so much

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Speaker 2: so happening in this episode. There's just a lot to cover.

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Speaker 2: I actually have never I don't think I've watched an

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Speaker 2: episode of our show where I was like, how are

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Speaker 2: we going to get through all of this in an hour?

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Speaker 3: Yeah?

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Speaker 2: Did you guys have the same reaction or were you

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Speaker 2: not as worried?

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Speaker 4: I guess I wasn't as worried. There were things I

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Speaker 4: really liked about the episode. I think what's hard for me,

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Speaker 4: and look, I think everyone's doing a really beautiful job

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Speaker 4: with the crisis, but it just like, we get into

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Speaker 4: this room, I mean, let's get into it. We get

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Speaker 4: into this room and it feels it almost feels like

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Speaker 4: a camp version of itself. Yeah, and I'm like really like,

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Speaker 4: even thank god they wrote that line, you know, Roger

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Speaker 4: Grant wrote a line for James to say where he's

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Speaker 4: like over a basketball player. Because this really feels silly.

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Speaker 2: It's just so silly.

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Speaker 3: This feels like Dan Scott going for a heart transplant

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Speaker 3: in Mexico, but just the craziest dialed down like two

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Speaker 3: or three notches.

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Speaker 4: But then it's also not two scenes. It's the universe

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Speaker 4: we're going to live in for most of the season.

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Speaker 4: And it's I feel so conflicted because the device is

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Speaker 4: so great for everyone involved, even the misdirect joy with

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Speaker 4: you and I like Brooke running to Haley's to be like, I.

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Speaker 2: Know why you're mad at me, I'm so sorry, and.

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Speaker 4: Then learning what happened, It's like it's giving us the

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Speaker 4: moment of comedic relief we need. It's giving everybody shock

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Speaker 4: and fear and watching everyone the Quinn Haley stuff, the

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Speaker 4: Clay finding out with mouth like seeing Dan show up,

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Speaker 4: seeing Julian kind of get right sided by Oh, I

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Speaker 4: should not be so self indulgent. There are real scary

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Speaker 4: problems that happen to people like I love the device

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Speaker 4: of it, and then you've got these guys quoting Shakespeare

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Speaker 4: in a basement, and I'm like, this is so dumb.

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Speaker 3: So both it's the dumbest. I agree with you. The

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Speaker 3: device is great for the show and for the storytelling. Yeah,

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Speaker 3: once we have to live in the world of the

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Speaker 3: device itself. It is so camp. It's like the fact that, yeah,

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Speaker 3: they're quoting I wish.

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Speaker 2: It's overwritten, only because he has to fill up time.

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Speaker 3: Here's my question. These Eastern European gangsters were hired by

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Speaker 3: some Eastern European gangster kingpin who, by the way, dumbest

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Speaker 3: line of the episode is when Nathan goes, this is

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Speaker 3: insane over baseball basketball But that's insane, and the guy goes, no, No,

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Speaker 3: insane is crossing a man who pays his players in

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Speaker 3: cash from a suitcase chain to his wrist. Okay, that's

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Speaker 3: not a flex man, that's just that's the boss. Never

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Speaker 3: has the thing handcuffed to his risk, right, No, no, okay,

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Speaker 3: So here's my question.

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Speaker 4: Though that's literal evidence in public, it would never happen.

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Speaker 3: Never, it's okay, So that's bad. But there is a transgression.

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Speaker 3: This kingpin gets word that some American agent is sniffing

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Speaker 3: around one of his best players. This is all happening

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Speaker 3: in the cuts of Eastern Europe. Here's my issue. Why

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Speaker 3: doesn't he kidnap Nathan In's home turf? Because here's what

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Speaker 3: I get curious is that he goes, you know, what's

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Speaker 3: a better idea. I'm gonna buy plane tickets for three

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Speaker 3: for sure convicts with the criminal record from this area.

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Speaker 3: I'm gonna have them just wing it in a town

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Speaker 3: they've never been to, finding a warehouse, kidnapping a guy

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Speaker 3: getting a getaway vehicle without licenses. I just don't understand

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Speaker 3: why the kidnapping didn't happen in Eastern Europe.

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Speaker 2: No one does. And there was no warning. There was

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Speaker 2: no like, hey, heads up, get out, not the player,

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Speaker 2: This ain't the player. You want? You better, you better bounce,

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Speaker 2: or something bad's gonna happen to you. None of that.

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Speaker 2: He's just all of a sudden and back home in

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Speaker 2: tree Hill, where it's so small, everybody could find him eventually.

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Speaker 4: Yeah, it's like, what these four guys were on his

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Speaker 4: flight and just followed him outside.

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Speaker 2: How did they know where to go?

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Speaker 4: And then to your point, Rob, it's like it jumps

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Speaker 4: the shark in a way because what it assumes in

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Speaker 4: that level of camp is like, oh, every member of

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Speaker 4: organized crime just shoots people all day, every day, totally NBD.

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Speaker 4: Murder is a big deal. Whether you are like an

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Speaker 4: above board citizen or a criminal, it's a really big

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Speaker 4: fucking deal.

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Speaker 2: And the idea that they're like, yeah, we're just.

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Speaker 4: Gonna follow you home and shoot you as soon as

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Speaker 4: our phone rings, not even by the way getting the order.

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Speaker 4: When the cell phone rings, you gotta die. It's like

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Speaker 4: it makes no sense.

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Speaker 2: I never did you hear at any other point in

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Speaker 2: the episode anyone say when the phone rings, he dies, Like,

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Speaker 2: so at least we were sitting there waiting the whole

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Speaker 2: time with bait of breath, like I hope the phone

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Speaker 2: doesn't ring. I hope the phone doesn't ring. No, it

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Speaker 2: just suddenly rings like any other normal phone, and we're like, okay,

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Speaker 2: who is it whatever, And then suddenly it's like, oh

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Speaker 2: the phone rang, It's time to die, But then the

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Speaker 2: guy doesn't shoot him, okay. So he's the one that's

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Speaker 2: standing there going like I've got two wives and a

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Speaker 2: million children, six kids, right, and he's like, I'm ready

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Speaker 2: to shoot you, okay, okay, big man. But then comes

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Speaker 2: in the other guy, who legitimately was a lot scarier

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Speaker 2: to me than the other guy. But he was so

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Speaker 2: realistic and scary that I didn't understand why he was

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Speaker 2: just standing there threatening, like the phone is ringing, it's

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Speaker 2: time to kill him. That guy would have walked in

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Speaker 2: the room and just shot forehead immediately. I didn't understand

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Speaker 2: why they didn't have, like, okay, he can be sitting

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Speaker 2: there having an argument with the guy and then with

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Speaker 2: the Shakespeare guy and then say no, that's it, and

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Speaker 2: then go to reach for his gun. Shakespeare turns around,

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Speaker 2: shoots him in front of everybody, and then turns around

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Speaker 2: to Nathan and says, we talked about it. I'm going

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Speaker 2: to ransom you instead. Like its way better then it

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Speaker 2: would have been action. It would have been exciting, so

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Speaker 2: many things would have been happening, but this weird, like

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Speaker 2: I'm just standing here threatening to kill you, and second now.

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Speaker 4: And by the way, to your point, there's no person

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Speaker 4: who's going to risk a murder charge without warning, and

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Speaker 4: like just to close that loop. It would have been

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Speaker 4: so easy. When Clay says he told me he was

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Speaker 4: going to off the beaten path, he didn't like any

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Speaker 4: of these players to mouth to be like it made

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Speaker 4: me nervous. And the next time I texted him, he said, yeah,

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Speaker 4: it didn't go well, they're not thrilled. I'm here. Yeah,

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Speaker 4: but I found someone promising anything to suggest maybe they

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Speaker 4: did threaten him, and he was like buzz off.

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Speaker 2: Which I don't know why Nathan would have done. But

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Speaker 2: it also could have been a mistake, like maybe they

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Speaker 2: left a message with Clay, but Clay has all this

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Speaker 2: other drama going on his life. He forgot and didn't

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Speaker 2: relay the message.

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Speaker 3: They don't have a receptionist because they're an upstart, so

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Speaker 3: it's on his voicemail at the.

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Speaker 2: Office, that's right, And so now it's Clay's fault that

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Speaker 2: Nathan is missing, like at least rope Clay in a

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Speaker 2: little bit.

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Speaker 3: So the quite possibly the weirdest flex in the history

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Speaker 3: of One Tree Hill is Nathan going, hey, come on, guys,

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Speaker 3: I have a wife in kids, And then with the

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Speaker 3: emotional maturity of a six year old that he's clearly

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Speaker 3: the worst bad guy because he has facial hair. And

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Speaker 3: this is the cw oh goes, So what I have

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Speaker 3: two wives and six kids. I'm like, what kind of

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Speaker 3: pissing match did we just walk into? Between? What? That

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Speaker 3: was odd? But here's what they should have done. In

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Speaker 3: my opinion, everyone's American and what we find out is

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Speaker 3: the Eastern European kingpin. He just hired a couple guys

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Speaker 3: on the ground who have no emotional investment and are

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Speaker 3: just cold.

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Speaker 2: Yes yeah, like like our park drug dealer would have

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Speaker 2: been fine to bring him would have been why not?

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Speaker 2: Why not? Okay?

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Speaker 3: But the idea that he he like, if you just

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Speaker 3: think of if you walk through the logistics that this

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Speaker 3: kingpin was like, no no, no, no, no no, send in

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Speaker 3: someone to find out his itinerary and then Jake and

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Speaker 3: fly to America, get your driver's license, stake out a

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Speaker 3: warehouse like it's just crazy town crazy.

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Speaker 4: But by the way, this is part of it. You

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Speaker 4: got to think through these things a little better. Because

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Speaker 4: they want it to happen in tree Hill because they

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Speaker 4: want to say he came home and no one knows

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Speaker 4: what happened, so we can think maybe it was Dan,

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Speaker 4: And as we all know, getting to the end of

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Speaker 4: the season, we want to give Dan Scott his night

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Speaker 4: and Shining Armor moment. So it has to happen on

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Speaker 4: the ground so people can hop in the car and

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Speaker 4: do the thing and we can know why. In the

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Speaker 4: flash forward, Chris Keller said to Dan, Chris Keller doesn't

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Speaker 4: like this. So to your point, Rob, just hire some

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Speaker 4: dudes that are on the eastern seaboard of America.

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Speaker 2: Dudes, they could have been New Yorkers. They could have

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Speaker 2: had a bronx accent like they're from the Sopranos. Drove Down,

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Speaker 2: They drove down. Yep, not that hard.

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Speaker 3: Okay.

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Speaker 2: Also, who is the guy in the coma and this

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Speaker 2: woman that lets these two strangers into her home when

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Speaker 2: he flashes a DGA card with a busted up face,

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Speaker 2: and the mayor who's clearly famous intry like, who are

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Speaker 2: these people?

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Speaker 3: The fact that they go on a tour that I

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Speaker 3: agree with you joy this. I laughed out loud at

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Speaker 3: this part that she just goes, Hey, you know what,

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Speaker 3: it's nighttime. You're two grown men I've never met.

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Speaker 4: And one of you looks like you've been brutalone on in.

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Speaker 3: Yes, clearly fight club come into my house. That The

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Speaker 3: next scene we see is that they are unattended, which

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Speaker 3: that's what you would do in the room of a

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Speaker 3: man on life support. Yeah, Like, what is this woman?

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Speaker 3: And then the woman comes back like I thought I

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Speaker 3: recognized you, No urgency.

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Speaker 4: Here's your book.

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Speaker 2: She literally has his book in her house. He's that

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Speaker 2: famous intry Hill. Yeah, and he shows up at her doors.

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Speaker 2: She hasn't recognize.

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Speaker 4: Him to your point of no urgency. Her next line is,

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Speaker 4: my husband was blackmailing you. If the guy husband was

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Speaker 4: blackmailing showed up at your house in the middle of

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Speaker 4: the night with a dodo who looks like you got

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Speaker 4: hit in the face with a crowbar, wouldn't you be

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Speaker 4: panicked even if you didn't know he.

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Speaker 2: Was the guy your husband was blackmailing. If you know

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Speaker 2: your husband is the type of person toil some two

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Speaker 2: bugs show up at your house. But who are they?

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Speaker 2: Do we know who they are?

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Speaker 3: Yes? Well, I mean it's explained in this episode, but

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Speaker 3: we haven't seen them prior.

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Speaker 4: Yes, So Dan is explaining to Julian when he is

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Speaker 4: obviously looking for some purpose and goes to see him

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Speaker 4: in the trailer that he's rented him. At the stages,

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Speaker 4: Dan is talking about how he's making a list of

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Speaker 4: all of his enemies and Rachel's on the list. And

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Speaker 4: back when he was with Rachel, he wrote a book

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Speaker 4: and he cheated the system and he got a guy

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Speaker 4: he was in prison with to buy him into being

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Speaker 4: a best seller on day one of publishing. And so

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Speaker 4: the guy that he was in prison with wanted interest.

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Speaker 4: And then when Dan got his he says to Julian

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Speaker 4: when he got his talk show, the guy wanted more

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Speaker 4: money because he threatened to out him for having lied

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Speaker 4: about his book, and so he kept having to pay guy.

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Speaker 4: And when the guy when the talk show got canceled,

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Speaker 4: the guy he was paying from prison was very unhappy

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Speaker 4: and maybe he had something to do with it.

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Speaker 2: But we never saw any of this in the season

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Speaker 2: with Rachel.

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Speaker 4: We never saw any of this. And by the way,

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Speaker 4: the craziest part of it is the guy was in

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Speaker 4: prison with Dan. How did the guy get out of prison?

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Speaker 4: How long has he been out of prison? Now he's

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Speaker 4: on life support. Like it's such, it's such thinly laid brick.

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Speaker 4: It doesn't it doesn't work.

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Speaker 2: I am a huge fan of murder mysteries. I read

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Speaker 2: them a lot. I have done since high school, and

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Speaker 2: one common theme in many not great murder mysteries is

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Speaker 2: when they don't give you all the information. The author

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Speaker 2: doesn't know how to give you all the information basically

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Speaker 2: ahead of time and tell you everything, you just don't

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Speaker 2: know how to put it together. The best ones are

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Speaker 2: made up of where you sit down and you have

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Speaker 2: all the puzzle pieces, you just can't quite figure out

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Speaker 2: how to put them together until the end. Yeah, this

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Speaker 2: storyline reminds me of that, where it's just like, oh,

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Speaker 2: by the way, this completely side character that I never

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Speaker 2: discussed and never alluded to, and never even told you

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Speaker 2: that your main character happened to live in another country

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Speaker 2: and met this person in their past, and they're telling

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Speaker 2: me on page two hundred and forty. I'm just like,

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Speaker 2: I never would have had a shot to figure this out.

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Speaker 2: Why are you wasting my time?

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Speaker 4: And to your point, when it's not central to the story,

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Speaker 4: whether you were taking notes, whether you were grabbing your

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Speaker 4: lunch out of the fridge, If you can miss the

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Speaker 4: lynchpin of the story in forty seven seconds, it's not

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Speaker 4: a good pint.

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Speaker 3: I'm going to push back on that one usual suspects.

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Speaker 3: We got ten seconds of Kevin Spacey's gate and his

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Speaker 3: walk changing at the end of the movie. To be fair,

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Speaker 3: that continues on. Though that continues.

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Speaker 2: Yes, there were clues. If you go back and watch

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Speaker 2: the movie again, you're like, oh, all the books were there,

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Speaker 2: Like the whole package of information was there. I just

295
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Speaker 2: couldn't put it all together because there was like one

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Speaker 2: piece missing, Like, okay, yeah, one big chunk is missing,

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Speaker 2: and that's what you have to find. Yeah, but when

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Speaker 2: there's like ten chunks missing, and suddenly at the end

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Speaker 2: of the authors or the writer or whatever is just going, oh, yeah,

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Speaker 2: well and I guess this happened, and maybe this and

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Speaker 2: they had the secret brother and they've got to sit

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Speaker 2: and you're just like, what.

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Speaker 3: Yeah, strike what I said from the record. You're right.

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Speaker 3: So if I agree with you, I would argue though,

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Speaker 3: that the bigger problem I had with it. To me,

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Speaker 3: the bigger issue is, so this guy agrees to buy

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Speaker 3: ten thousand copies of Dan's book. Yeah, Dan becomes a

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Speaker 3: best seller. It's obviously successful enough to warrant him getting

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Speaker 3: a talk show. I don't think that man has any

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Speaker 3: sort of actual leverage because by that point, if he

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Speaker 3: goes all out you that I bought ten thousand books,

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Speaker 3: Who cares? I have a talk show? Dan could just go.

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Speaker 3: I guess he was a big fan like it to me. Also,

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Speaker 3: Dan is Dan? You think he's going to get pushed

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Speaker 3: around by that guy with that little piece of blackmail?

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Speaker 3: It's it's no but here here's why the scene actually,

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Speaker 3: though I love it, you ready, Okay, Dan is doing

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Speaker 3: too much. I am more convinced than ever that he

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Speaker 3: is behind this. And here's why, Sharks, I'm coming to

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Speaker 3: you to invest in my fan theory of Dan Scott

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Speaker 3: actually being the perpetrator of Nathan's kidnapping. And what I

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Speaker 3: have for you today is this, Why does he go

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Speaker 3: to Julian to rent a trailer for three He didn't

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Speaker 3: ask for a favor for free. For three thousand dollars

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Speaker 3: a month, you could have a really nice hotel room,

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Speaker 3: You could have a whole entire house on a hill

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Speaker 3: with no neighbors. It is odd that he goes to

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Speaker 3: someone so centrally involved in this core group of friends

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Speaker 3: to rent out a tiny trailer for a lot of money.

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Speaker 3: It's high visibility. And then he ropes well, Julian asks to,

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Speaker 3: but he allows Julian to become part of what I

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00:17:16,160 --> 00:17:19,760
Speaker 3: think is an absolute fake witch hunt. He knows this

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Speaker 3: guy has nothing to do with it, This is just

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Speaker 3: a fool's errand demonstrating to Julian how hard he's working

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Speaker 3: to figuring.

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Speaker 2: This out and trying to gain trust in town. Yes,

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00:17:30,119 --> 00:17:32,600
Speaker 2: people he's got now, he's got Quinn's trust, now he's

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Speaker 2: got mouthstrusted, now he's got Julian's trust.

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Speaker 3: Why did he need to go back to Haley and

340
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Speaker 3: be like, you can just talked to you. If he

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Speaker 3: was really just committed go away and do your Liam

342
00:17:42,080 --> 00:17:45,159
Speaker 3: Nissen and taken business, buy yourself quietly, and then just

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Speaker 3: come back with it done. Everything he was doing to

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Speaker 3: me felt a bit performative.

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Speaker 4: Interesting and to your point, this is three thousand dollars

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Speaker 4: a month for a trailer on a soundstage lot in

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Speaker 4: twenty twelve. Yeah, like three thousand dollars a month could

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Speaker 4: rent you a house in twenty twenty five.

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Speaker 3: Yeah, you know what I mean.

350
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Speaker 4: Like, it strikes me for a guy who's lost everything,

351
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Speaker 4: who supposedly has not a dime left to his name,

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Speaker 4: needed to stay in his son and daughter in law's house.

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Speaker 4: Where's all this money coming from?

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Speaker 3: Well, he did say he has sixty five thousand dollars

355
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Speaker 3: in insurance money he got from burning his cape.

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Speaker 4: All right, he told the cop.

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Speaker 3: But here's the deal, okay, that, rather than spend three

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Speaker 3: thousand dollars on two legal pads and a crappy small trailer,

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Speaker 3: spend three thousand dollars on two private investigators in a

360
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Speaker 3: hotel room. Yep, it's fishy, gang, it's fishy.

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Speaker 2: I literally recorded this. This is Dan in the police station.

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Speaker 2: This line.

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Speaker 4: Is it what I think?

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Speaker 6: Oh?

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00:18:52,280 --> 00:18:53,600
Speaker 3: Yeah, I did.

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Speaker 2: The dealers require almost bringing myself to death in the process,

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Speaker 2: just so we have an excuse to murder my own brother.

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Speaker 2: Full term in jail, get the least, get a third

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Speaker 2: World heard transplant.

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00:19:04,560 --> 00:19:07,240
Speaker 3: Then when a book it's from my own motivational talk shot,

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Speaker 3: give them my new found fortune.

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Speaker 2: I moved to a remote down it just like could

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Speaker 2: burnt down to cut the sixty five thousand.

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Speaker 3: Dollars instance policy, thank you with my son and moving

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Speaker 3: with his family.

376
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Speaker 2: Who gets me?

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Speaker 3: You got me?

378
00:19:20,040 --> 00:19:24,520
Speaker 4: It's so good, it's so good.

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00:19:24,840 --> 00:19:27,800
Speaker 3: What is he defending in that? What I'm okay? So

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00:19:28,080 --> 00:19:31,040
Speaker 3: I don't understand how that is relevant to Nathan's kidnapping

381
00:19:31,040 --> 00:19:33,280
Speaker 3: because he actually did all of those things correct.

382
00:19:33,359 --> 00:19:34,240
Speaker 2: We do.

383
00:19:34,640 --> 00:19:38,040
Speaker 4: But that's what's so interesting is Dan's What I wrote

384
00:19:38,080 --> 00:19:42,160
Speaker 4: down is the absurdity of Dan's story is actually his

385
00:19:42,200 --> 00:19:46,119
Speaker 4: best defense because when he lists it out loud, it

386
00:19:46,359 --> 00:19:52,040
Speaker 4: sounds insane, and so of course the cop is like, right,

387
00:19:52,480 --> 00:19:56,640
Speaker 4: that sounds insane, but we know it's true. And then

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Speaker 4: that he has the nerve to be like, what's it

389
00:19:58,040 --> 00:19:59,600
Speaker 4: take to be a true a cop? Andry Hill these

390
00:19:59,680 --> 00:20:05,439
Speaker 4: days of pencil. He just emasculates this poor man in

391
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Speaker 4: such an intense way and then buttons the scene with

392
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Speaker 4: charge me or release me, and then we're done, and.

393
00:20:11,520 --> 00:20:14,440
Speaker 2: Then Haley's house and goes I would never hurt my family.

394
00:20:14,640 --> 00:20:18,240
Speaker 2: Dan is all over the place, yet it is calculated.

395
00:20:18,640 --> 00:20:19,040
Speaker 2: He is.

396
00:20:19,480 --> 00:20:24,200
Speaker 3: He is manic, and this episode specifically, he dialed his

397
00:20:24,440 --> 00:20:29,320
Speaker 3: bitchiness up to a twelve because he is just burning

398
00:20:29,400 --> 00:20:34,240
Speaker 3: people front, right and center. I mean, he rips on Julian. Granted,

399
00:20:34,240 --> 00:20:36,560
Speaker 3: though they have a really nice moment in the car

400
00:20:36,720 --> 00:20:39,879
Speaker 3: which I loved. That was a wonderful scene between Julian

401
00:20:39,880 --> 00:20:42,439
Speaker 3: and Dan after they go to visit the man on

402
00:20:42,480 --> 00:20:45,280
Speaker 3: life support and the wife, who clearly is hammered or

403
00:20:45,320 --> 00:20:50,840
Speaker 3: not all there. But he says to Mouth Mount, poor

404
00:20:51,040 --> 00:20:54,120
Speaker 3: poor Mouth. Let's just always. But first of all, Mouth

405
00:20:54,160 --> 00:20:57,840
Speaker 3: walks into the trailer. Yea, and his first line is Mouth,

406
00:20:58,160 --> 00:20:59,480
Speaker 3: is that you in there?

407
00:20:59,720 --> 00:20:59,960
Speaker 4: Yep?

408
00:21:00,520 --> 00:21:04,280
Speaker 3: Rude? And then as he's leaving, God bless him. All

409
00:21:04,320 --> 00:21:06,320
Speaker 3: he's trying to do is help out and be a

410
00:21:06,359 --> 00:21:09,280
Speaker 3: team player and get Nathan home, and all he's getting

411
00:21:09,520 --> 00:21:12,040
Speaker 3: is roasted because he's on the way out. He goes, hey,

412
00:21:12,440 --> 00:21:14,800
Speaker 3: is there anything else I can do to help out?

413
00:21:15,040 --> 00:21:18,120
Speaker 3: And Dan goes, yeah, go easy on the carbs.

414
00:21:19,000 --> 00:21:19,640
Speaker 2: I hated that.

415
00:21:20,200 --> 00:21:21,480
Speaker 4: Why so stupid?

416
00:21:21,760 --> 00:21:25,760
Speaker 3: Why it's so mean? It's such low hanging fruit. I

417
00:21:25,800 --> 00:21:29,520
Speaker 3: will say this though, to Clay's credit, he is like

418
00:21:29,640 --> 00:21:34,640
Speaker 3: the one of the few people didn't even acknowledge it. Yes,

419
00:21:34,760 --> 00:21:37,240
Speaker 3: way to go, Clay. You may be losing your mind,

420
00:21:37,359 --> 00:21:38,800
Speaker 3: but you are a decent man.

421
00:21:39,240 --> 00:21:43,280
Speaker 2: Speaking of Clay, why wasn't Clay also kidnapped? Don't you

422
00:21:43,320 --> 00:21:44,639
Speaker 2: guys run the agency together?

423
00:21:44,960 --> 00:21:47,600
Speaker 4: Because he didn't go to Europe Nathan went in his place.

424
00:21:48,000 --> 00:21:50,200
Speaker 3: If they were thorough, they should have kidnapped us both.

425
00:21:50,240 --> 00:21:52,919
Speaker 3: But yeah, then what if there's a secretary. They got

426
00:21:52,960 --> 00:21:54,679
Speaker 3: to kidnap her too, you know what I mean.

427
00:21:54,760 --> 00:21:58,240
Speaker 2: Then it just gets It's murders a little more complicated

428
00:21:58,280 --> 00:22:02,040
Speaker 2: to write off than a one guy in a warehouse,

429
00:22:02,080 --> 00:22:02,640
Speaker 2: I guess.

430
00:22:03,160 --> 00:22:05,560
Speaker 3: Yeah, speaking of Mouth, I would be remiss if I

431
00:22:05,600 --> 00:22:09,119
Speaker 3: didn't draw attention to yet again. What is this the

432
00:22:09,200 --> 00:22:11,879
Speaker 3: fourth episode in a row where they are trying to

433
00:22:11,960 --> 00:22:16,840
Speaker 3: equate storylines that are in no universe near each other.

434
00:22:17,520 --> 00:22:20,919
Speaker 3: Mouth at Jerry has said, listen, you can't work on

435
00:22:20,920 --> 00:22:23,399
Speaker 3: this outwardly, but if you want to work on it

436
00:22:23,440 --> 00:22:26,920
Speaker 3: after hours, I'm not going to say anything to you.

437
00:22:27,720 --> 00:22:32,080
Speaker 3: So it's nighttime clearly, and Mouth is at his computer

438
00:22:32,560 --> 00:22:36,240
Speaker 3: working feverishly to try to find some clues. Right. First

439
00:22:36,240 --> 00:22:38,880
Speaker 3: of all, it's hilarious because Jerry walks in with an

440
00:22:39,160 --> 00:22:43,320
Speaker 3: entire large pizza and goes, I thought you might be hungry.

441
00:22:44,200 --> 00:22:45,840
Speaker 2: Okay, yeah, well incongruous.

442
00:22:45,880 --> 00:22:47,960
Speaker 3: Maybe there's only a couple of cicers left. I'm willing

443
00:22:48,000 --> 00:22:51,040
Speaker 3: to overlook that. But then there's a close up shot

444
00:22:51,160 --> 00:22:56,040
Speaker 3: of Mouth investigating on his computer, and he goes from

445
00:22:56,359 --> 00:23:00,560
Speaker 3: looking into his friend's disappearance who may be dead, everyone worried,

446
00:23:01,280 --> 00:23:04,280
Speaker 3: and then he looks over to the large pizza pizza

447
00:23:04,600 --> 00:23:07,880
Speaker 3: as if these are the two challenges I am facing

448
00:23:08,000 --> 00:23:08,480
Speaker 3: right now.

449
00:23:08,720 --> 00:23:11,720
Speaker 2: I love the stuff you notice, Rob, that's so good,

450
00:23:12,920 --> 00:23:14,440
Speaker 2: that's very well said.

451
00:23:14,480 --> 00:23:17,359
Speaker 3: Like we can't try to equate these things.

452
00:23:17,440 --> 00:23:19,840
Speaker 2: Nope, No, it's so silly.

453
00:23:19,960 --> 00:23:22,360
Speaker 3: One of your best friends has been kidnapped and might

454
00:23:22,440 --> 00:23:27,040
Speaker 3: be dead. But equally stressful is the large pizza city

455
00:23:27,040 --> 00:23:28,560
Speaker 3: sit those carbs.

456
00:23:28,640 --> 00:23:33,040
Speaker 4: It's so stupid. It's so stupid. And the weird thing

457
00:23:33,160 --> 00:23:39,840
Speaker 4: is it that whole situation starts. I think really well

458
00:23:39,920 --> 00:23:42,919
Speaker 4: for Jerry and Mouth. You see their history. He's like,

459
00:23:43,000 --> 00:23:45,960
Speaker 4: I'm so sorry, you know, because Mouth got that news

460
00:23:46,000 --> 00:23:48,760
Speaker 4: on the air and had to read it. He wasn't prepared.

461
00:23:49,359 --> 00:23:54,199
Speaker 4: Jerry feels terrible, And then we go back to is

462
00:23:54,240 --> 00:23:56,199
Speaker 4: it or isn't it a dig about his weight? Like

463
00:23:56,280 --> 00:24:01,040
Speaker 4: it just feels like nobody's thinking about how real people

464
00:24:01,800 --> 00:24:03,440
Speaker 4: with real relationships talk.

465
00:24:03,320 --> 00:24:06,199
Speaker 2: To each other. That's the thing. Nobody's thinking about how real, like,

466
00:24:06,440 --> 00:24:08,719
Speaker 2: how things would happen in real life. Even the slight

467
00:24:08,760 --> 00:24:11,320
Speaker 2: adjustments of like what we were talking about with the

468
00:24:11,320 --> 00:24:13,359
Speaker 2: scene where he was threatening to shoot Nathan, or with

469
00:24:13,400 --> 00:24:15,760
Speaker 2: the pizza scene, like Okay, mounts at the computer and

470
00:24:15,880 --> 00:24:18,520
Speaker 2: all of a sudden, he just gets up, grabs the pizza,

471
00:24:18,560 --> 00:24:20,600
Speaker 2: shoves it in a garbage and then sits backs down.

472
00:24:20,920 --> 00:24:23,040
Speaker 2: Then you know, like, okay, the smell of it's been

473
00:24:23,040 --> 00:24:24,359
Speaker 2: in his face. He doesn't want to think about it.

474
00:24:24,359 --> 00:24:25,919
Speaker 2: He's getting it out of the way. He's focused on

475
00:24:25,960 --> 00:24:29,040
Speaker 2: his friend. Yes, like these tiny little adjustments that would

476
00:24:29,040 --> 00:24:31,600
Speaker 2: have just little things, Man made it easy.

477
00:24:32,040 --> 00:24:35,959
Speaker 4: And what's weird to me is is there are great

478
00:24:35,960 --> 00:24:40,679
Speaker 4: scenes in this episode that do work, like Millie not

479
00:24:40,800 --> 00:24:43,560
Speaker 4: knowing what to do for her friends in this situation,

480
00:24:43,960 --> 00:24:46,720
Speaker 4: so just being with Brooke and being like, Okay, we

481
00:24:46,800 --> 00:24:48,440
Speaker 4: had to do this terrible story on the news. I'm

482
00:24:48,440 --> 00:24:50,000
Speaker 4: so sorry. I have an idea for how we can

483
00:24:50,040 --> 00:24:51,679
Speaker 4: fix it. I can work on it. Guess what I

484
00:24:51,680 --> 00:24:54,639
Speaker 4: tweeted it? So did I like they're in cahoots in

485
00:24:54,680 --> 00:24:58,359
Speaker 4: a really sweet way. I mentioned this earlier. I love

486
00:24:58,440 --> 00:25:01,440
Speaker 4: the misdirect for you and I thinking you're mad at

487
00:25:01,440 --> 00:25:04,760
Speaker 4: me and then being like, oh my god, and then

488
00:25:04,920 --> 00:25:07,840
Speaker 4: saying to Millie, I can't tell her about the cafe.

489
00:25:07,960 --> 00:25:10,639
Speaker 4: This is so stupid. But also it's really bad and

490
00:25:10,680 --> 00:25:12,879
Speaker 4: I have to fix it because I can't fix the

491
00:25:12,920 --> 00:25:16,560
Speaker 4: other thing. Like some of the things they gave to

492
00:25:16,680 --> 00:25:22,040
Speaker 4: some of us felt so human even and it's a

493
00:25:22,080 --> 00:25:24,480
Speaker 4: tiny scene, so it doesn't I'm not saying we have

494
00:25:24,520 --> 00:25:27,639
Speaker 4: to make a meal of things, but even Quinn's logic

495
00:25:27,720 --> 00:25:32,040
Speaker 4: with you about listen, I understand why you don't trust him,

496
00:25:32,240 --> 00:25:34,159
Speaker 4: but he's a good person to have in your corner

497
00:25:34,160 --> 00:25:36,960
Speaker 4: in a crisis. He knows people, and for her that's

498
00:25:36,960 --> 00:25:40,320
Speaker 4: a plus and for you that's a minus. Certain things

499
00:25:40,440 --> 00:25:44,080
Speaker 4: are really tracking, yeah, and then there's this stuff that

500
00:25:44,240 --> 00:25:47,520
Speaker 4: just doesn't. And I think in a way what doesn't

501
00:25:47,600 --> 00:25:51,320
Speaker 4: track is almost more irritating to us because we're like, no, no,

502
00:25:51,560 --> 00:25:53,680
Speaker 4: you did that really well, and you did this other

503
00:25:53,720 --> 00:25:56,800
Speaker 4: thing pretty well, and this scene was great, so why

504
00:25:57,320 --> 00:25:59,720
Speaker 4: Like it almost feels like they got halfway through a

505
00:26:00,560 --> 00:26:01,919
Speaker 4: and then didn't finish it.

506
00:26:01,920 --> 00:26:04,800
Speaker 2: It's like whack a mole, Like, I just don't understand

507
00:26:04,880 --> 00:26:08,199
Speaker 2: what's happening. Rob, How are you feeling about the Clay stuff?

508
00:26:09,160 --> 00:26:11,399
Speaker 3: I okay, Well, first off, before we even go there,

509
00:26:11,400 --> 00:26:15,760
Speaker 3: I want to say I've realized that I think Quinn

510
00:26:16,960 --> 00:26:23,760
Speaker 3: was criminally underdeveloped, having seen how good Chantell is as

511
00:26:23,800 --> 00:26:27,320
Speaker 3: this character, and now three seasons end, seeing how she

512
00:26:28,359 --> 00:26:32,680
Speaker 3: for the most part solely exists to be there for

513
00:26:32,760 --> 00:26:36,600
Speaker 3: other people. She's helping Clay with his mess, She's helping Haley,

514
00:26:36,720 --> 00:26:39,480
Speaker 3: like she's just there to like support and react. And

515
00:26:40,760 --> 00:26:45,080
Speaker 3: I just found myself as episode going, oh we dropped

516
00:26:45,080 --> 00:26:48,000
Speaker 3: the ball not giving her her own storyline that she's

517
00:26:48,080 --> 00:26:52,239
Speaker 3: the center of and other people orbit around, because to

518
00:26:52,280 --> 00:26:54,119
Speaker 3: that it's sort of like becoming a purse, you know,

519
00:26:54,200 --> 00:26:55,679
Speaker 3: like the love interest on a show where it's like

520
00:26:55,760 --> 00:26:58,480
Speaker 3: you're year around but you don't really have your own identity.

521
00:26:58,720 --> 00:27:01,840
Speaker 3: And just this episode realized, Oh, I really wish Quinn

522
00:27:01,880 --> 00:27:05,440
Speaker 3: had more of her own identity because she's so damn

523
00:27:05,480 --> 00:27:08,320
Speaker 3: good in the role, and I just I want I

524
00:27:08,320 --> 00:27:11,040
Speaker 3: would love to see more, is all. Yeah, the quid

525
00:27:11,320 --> 00:27:14,440
Speaker 3: of it is getting better for me, largely just because

526
00:27:14,480 --> 00:27:20,240
Speaker 3: of Logan. Yeah. He Pierce is so freaking cute and

527
00:27:20,400 --> 00:27:23,720
Speaker 3: I had so much fun shooting with him. He was hilarious.

528
00:27:23,720 --> 00:27:27,600
Speaker 3: So we budied up, and then it became quickly apparent

529
00:27:27,640 --> 00:27:32,200
Speaker 3: that he listened to absolutely no one but me, So

530
00:27:32,480 --> 00:27:36,760
Speaker 3: our our onset producers would tell the director just go

531
00:27:36,800 --> 00:27:39,760
Speaker 3: through Buckley like, and so he would. If you would

532
00:27:39,800 --> 00:27:41,360
Speaker 3: start to get a little wild, then you know, the

533
00:27:41,400 --> 00:27:42,840
Speaker 3: director came over and be like, hey, maybe you could

534
00:27:42,840 --> 00:27:44,439
Speaker 3: you ask him to do, you know, give a little something,

535
00:27:44,680 --> 00:27:46,240
Speaker 3: and it was so cute. He was sort of like

536
00:27:46,280 --> 00:27:48,359
Speaker 3: my little my little sidekick, my little minion.

537
00:27:48,840 --> 00:27:49,760
Speaker 4: He's like, Oh, this.

538
00:27:49,640 --> 00:27:51,879
Speaker 3: Is so great. And what's cool about this episode is

539
00:27:51,880 --> 00:27:55,800
Speaker 3: when I found out they were going to have actual

540
00:27:55,840 --> 00:27:58,800
Speaker 3: comics in a scene, I said, Hey, is it Can

541
00:27:58,840 --> 00:28:02,159
Speaker 3: I pick the comics? And I said yeah. So the

542
00:28:02,240 --> 00:28:06,800
Speaker 3: comic you see was actually illustrated by a buddy of mine,

543
00:28:06,920 --> 00:28:11,960
Speaker 3: Jim Lee, who was absolutely icon in the comic world.

544
00:28:12,040 --> 00:28:15,560
Speaker 3: He's now, I think like creative chief officer of like

545
00:28:16,080 --> 00:28:18,119
Speaker 3: a DC or something. He's huge now. But it was

546
00:28:18,160 --> 00:28:19,760
Speaker 3: so cool. I got to be like, hey, buddy, I'm

547
00:28:19,760 --> 00:28:22,240
Speaker 3: gonna easter egg your work. It's like it's his most

548
00:28:22,240 --> 00:28:24,800
Speaker 3: famous like Uncanny X Men. So it was a very

549
00:28:24,800 --> 00:28:26,960
Speaker 3: cool thing when I watched the scene and going like, oh, yeah,

550
00:28:27,080 --> 00:28:30,520
Speaker 3: this was great. And then in real life, Sean Tell

551
00:28:30,560 --> 00:28:33,800
Speaker 3: and I took Pierce to his first comic shop ever

552
00:28:34,600 --> 00:28:38,240
Speaker 3: and bought him his first comics and it was such

553
00:28:38,400 --> 00:28:41,880
Speaker 3: So that was a really fun time. And I just

554
00:28:41,960 --> 00:28:45,200
Speaker 3: find the storyline infinitely more interesting than me wandering off

555
00:28:45,240 --> 00:28:49,320
Speaker 3: and screaming at Quinn. I was a little confused by

556
00:28:49,440 --> 00:28:55,880
Speaker 3: the timeline of So I was I was mentally present

557
00:28:56,000 --> 00:28:58,920
Speaker 3: when I decided I was going to leave. Yeah, I

558
00:28:59,000 --> 00:29:03,400
Speaker 3: packed my bag, m I said goodbye to Logan. But

559
00:29:03,440 --> 00:29:07,560
Speaker 3: then did I immediately enter the fugue state on the walkout?

560
00:29:08,000 --> 00:29:10,640
Speaker 2: Okay, it seems like with the suitcase when the suitcase dropped.

561
00:29:11,000 --> 00:29:12,400
Speaker 2: I don't know what do you think.

562
00:29:12,280 --> 00:29:16,400
Speaker 4: As a viewer, what it felt like to me was,

563
00:29:16,880 --> 00:29:20,240
Speaker 4: you weren't yourself in the scene with Logan at the door,

564
00:29:21,320 --> 00:29:25,760
Speaker 4: and then when we watch you talking to the doctor

565
00:29:25,840 --> 00:29:29,080
Speaker 4: about it and Quinn is with you and you don't

566
00:29:29,120 --> 00:29:33,760
Speaker 4: remember being outside, you obviously you're completely gone when she

567
00:29:33,880 --> 00:29:36,840
Speaker 4: finds you. And I loved getting to see that for you, guys,

568
00:29:37,200 --> 00:29:40,400
Speaker 4: because we got to see inside the moment for you,

569
00:29:40,960 --> 00:29:44,000
Speaker 4: and we got to see her realize that you really

570
00:29:44,040 --> 00:29:49,400
Speaker 4: are gone, that this a fugue state really means nobody's home.

571
00:29:50,040 --> 00:29:53,360
Speaker 4: And it was a short moment, but I thought really impactful,

572
00:29:53,880 --> 00:29:57,440
Speaker 4: and what it gave me was, Oh, the stress of

573
00:29:57,480 --> 00:29:59,920
Speaker 4: knowing about Nathan made him say, I got a pack,

574
00:30:00,080 --> 00:30:03,360
Speaker 4: I gotta go, I gotta go help, And it was

575
00:30:03,520 --> 00:30:10,160
Speaker 4: already causing that dissociative episode. To start, and Logan catches

576
00:30:10,200 --> 00:30:12,360
Speaker 4: you at the beginning of it, and you can't really

577
00:30:13,040 --> 00:30:15,920
Speaker 4: communicate with him, and then by the time you're in

578
00:30:15,960 --> 00:30:18,360
Speaker 4: the street, you're like gone. I felt like I was

579
00:30:18,480 --> 00:30:22,800
Speaker 4: watching you fade out rather than like it just happens

580
00:30:22,840 --> 00:30:25,040
Speaker 4: in an instant, And I really liked that. So if

581
00:30:25,040 --> 00:30:28,440
Speaker 4: that wasn't a conscious choice, I think you communicated something

582
00:30:28,520 --> 00:30:33,240
Speaker 4: really beautifully in the sort of transitions between those scenes,

583
00:30:33,280 --> 00:30:33,680
Speaker 4: for sure.

584
00:30:34,200 --> 00:30:38,080
Speaker 3: I like that explanation. Let's go with that. I was

585
00:30:38,160 --> 00:30:43,360
Speaker 3: just confused because if clay Is has the wherewithal to realize, no,

586
00:30:43,480 --> 00:30:47,320
Speaker 3: I need to go look for my friend and there's urgency,

587
00:30:47,480 --> 00:30:49,640
Speaker 3: why doesn't he call Quinn or a taxi.

588
00:30:50,440 --> 00:30:50,680
Speaker 2: Yeah.

589
00:30:50,680 --> 00:30:52,200
Speaker 3: The fact that he's like, I'm going to leave on

590
00:30:52,280 --> 00:30:55,400
Speaker 3: foot and just walk is odd to me. But I

591
00:30:55,960 --> 00:30:58,160
Speaker 3: like what you're saying, though, because if that is the case,

592
00:30:58,600 --> 00:31:03,040
Speaker 3: then common sense not prevailing. Yeah, okay, Yeah.

593
00:31:03,640 --> 00:31:07,640
Speaker 4: It feels like if you think about what it is

594
00:31:07,720 --> 00:31:12,320
Speaker 4: to panic, to be in your room and panicked and

595
00:31:12,360 --> 00:31:15,200
Speaker 4: to be packing, I think by the time you get

596
00:31:15,200 --> 00:31:18,440
Speaker 4: those bags shut, you're already halfway out of your brain.

597
00:31:19,640 --> 00:31:22,959
Speaker 3: I know where the logan thing is heading, but I

598
00:31:23,000 --> 00:31:25,920
Speaker 3: don't remember how long it takes us to get there.

599
00:31:25,960 --> 00:31:28,800
Speaker 4: So I'm I know me too, I don't remember you there.

600
00:31:30,080 --> 00:31:34,760
Speaker 3: I'm very eager. How about the Chris Keller Chase and

601
00:31:34,840 --> 00:31:37,200
Speaker 3: Tara of it all? He had one of the best

602
00:31:37,240 --> 00:31:40,840
Speaker 3: lines Chris Keller. That is where when he shows up

603
00:31:41,000 --> 00:31:44,720
Speaker 3: after Chase and Tara have had, of course another marathon

604
00:31:44,800 --> 00:31:47,600
Speaker 3: love making session. We know because they say you should

605
00:31:47,640 --> 00:31:50,760
Speaker 3: burn the sheets, No, you should bronze the sheets. Yeah,

606
00:31:51,000 --> 00:31:53,640
Speaker 3: he shows up, she's in the shower, and of course

607
00:31:53,760 --> 00:31:57,360
Speaker 3: Chase wants to get rid of him, and Chris Keller says,

608
00:31:57,480 --> 00:32:00,800
Speaker 3: bail honor or take me with you. Dudes look so

609
00:32:00,920 --> 00:32:05,760
Speaker 3: much better. I love that self awareness from Chris Keller.

610
00:32:06,040 --> 00:32:10,160
Speaker 2: Yeah, it's great. Great. Meanwhile, in that scene he sits

611
00:32:10,200 --> 00:32:13,240
Speaker 2: on Chase's bed with his boots on. Yeah, his boots

612
00:32:13,280 --> 00:32:14,800
Speaker 2: on the sheets of the bed.

613
00:32:15,240 --> 00:32:18,680
Speaker 3: He deserves to be cheated on, but also to.

614
00:32:18,680 --> 00:32:22,480
Speaker 4: Sit in the sheets you know, your friend. Just that's awesome.

615
00:32:23,200 --> 00:32:24,480
Speaker 3: I didn't even think of that.

616
00:32:24,640 --> 00:32:27,200
Speaker 2: Come on the thing.

617
00:32:27,440 --> 00:32:30,840
Speaker 4: He just doesn't care. It also really makes me laugh

618
00:32:31,000 --> 00:32:36,920
Speaker 4: because the awkwardness of Chase being like, oh my god,

619
00:32:36,920 --> 00:32:39,920
Speaker 4: what do I do? And the nervousness is an audience

620
00:32:40,000 --> 00:32:43,960
Speaker 4: member because I found myself not wanting him to get caught,

621
00:32:43,960 --> 00:32:46,600
Speaker 4: but also really wanting him to get caught. Yeah, And

622
00:32:46,640 --> 00:32:49,000
Speaker 4: I was like, if you get caught, you're not going

623
00:32:49,040 --> 00:32:52,400
Speaker 4: to be able to apologize for being such an ass man.

624
00:32:52,920 --> 00:32:53,960
Speaker 2: Like what are you doing?

625
00:32:54,640 --> 00:32:57,360
Speaker 4: And the whole thing was just so good and it

626
00:32:57,440 --> 00:33:01,080
Speaker 4: was funny to me that the way that Chase figures

627
00:33:01,120 --> 00:33:03,280
Speaker 4: out how to save himself is to try to be

628
00:33:03,600 --> 00:33:06,160
Speaker 4: like Chris Keller. She doesn't know me, she's lucky. I

629
00:33:06,240 --> 00:33:08,320
Speaker 4: let her stay, let's bail, She'll figure out how to

630
00:33:08,320 --> 00:33:08,880
Speaker 4: get out of here.

631
00:33:09,080 --> 00:33:11,440
Speaker 2: Like, yeah, he's just throwing the.

632
00:33:11,440 --> 00:33:14,280
Speaker 4: Douchiest things a man could say about a woman in

633
00:33:14,440 --> 00:33:18,040
Speaker 4: rapid succession trying to get this man out of his bed.

634
00:33:18,400 --> 00:33:36,600
Speaker 3: Yep, this brings up an interesting topic here. Okay, bed sheets, Okay,

635
00:33:37,000 --> 00:33:39,880
Speaker 3: would you go into your friend's bed totally?

636
00:33:40,160 --> 00:33:41,800
Speaker 2: Yeah? In what context?

637
00:33:42,000 --> 00:33:44,400
Speaker 3: I'm just I'm just wondering where the lion is right, Like,

638
00:33:44,440 --> 00:33:46,920
Speaker 3: at what point? Because if you don't know how often

639
00:33:46,960 --> 00:33:49,880
Speaker 3: someone washes their sheets, like is there and where does

640
00:33:49,920 --> 00:33:53,240
Speaker 3: the ick factor come in in terms of going into

641
00:33:53,280 --> 00:33:55,560
Speaker 3: someone's bed. I mean, I.

642
00:33:55,600 --> 00:33:58,239
Speaker 2: Don't know, it wouldn't bother me. I'm like, you know,

643
00:33:58,400 --> 00:34:00,000
Speaker 2: we're hanging out watching a movie and we just start

644
00:34:00,200 --> 00:34:03,040
Speaker 2: and we crash. Like, I don't it doesn't doesn't happen

645
00:34:03,240 --> 00:34:04,960
Speaker 2: a lot, but I could be. I could see myself

646
00:34:04,960 --> 00:34:06,520
Speaker 2: at a girlfriend's house and having that happen.

647
00:34:07,080 --> 00:34:08,840
Speaker 3: Yeah, okay, I don't know.

648
00:34:08,960 --> 00:34:10,080
Speaker 2: No, it doesn't really throw me.

649
00:34:10,360 --> 00:34:14,480
Speaker 4: I wouldn't get into an acquaintance's bed, No, that's a

650
00:34:14,480 --> 00:34:17,120
Speaker 4: hard line. But any of my closest friends, and I

651
00:34:17,160 --> 00:34:19,920
Speaker 4: mean also, we're all old enough. I think we know

652
00:34:20,000 --> 00:34:22,680
Speaker 4: each other's cleanliness habits. Like all of the yess are

653
00:34:22,680 --> 00:34:26,680
Speaker 4: as OCD as me, So I'm not worried about it.

654
00:34:26,800 --> 00:34:31,799
Speaker 4: But you know, there's also weird things like Okay, let's

655
00:34:31,800 --> 00:34:33,920
Speaker 4: say we all were out on a tour like we

656
00:34:33,960 --> 00:34:35,799
Speaker 4: did a few years ago with the show right.

657
00:34:35,960 --> 00:34:37,560
Speaker 2: Yeah, Like if we were all.

658
00:34:37,440 --> 00:34:39,480
Speaker 4: In the same hotel and Rob we all came to

659
00:34:39,520 --> 00:34:42,600
Speaker 4: your room to watch a movie. I wouldn't get into

660
00:34:42,640 --> 00:34:45,040
Speaker 4: your hotel bed, but I would sit on your hotel

661
00:34:45,040 --> 00:34:46,200
Speaker 4: bed for sure.

662
00:34:46,400 --> 00:34:46,640
Speaker 2: You know.

663
00:34:47,560 --> 00:34:51,520
Speaker 4: But it's like that's also an interesting thing is to realize, Yeah,

664
00:34:51,560 --> 00:34:55,400
Speaker 4: getting into someone's bed like under their covers got to

665
00:34:55,440 --> 00:34:58,400
Speaker 4: be one of your best bet best friends.

666
00:34:58,960 --> 00:35:00,680
Speaker 3: You know what it is forr because I agree with you.

667
00:35:00,760 --> 00:35:03,799
Speaker 3: Let's let's say the line is acquaintance then, because for me,

668
00:35:03,840 --> 00:35:07,120
Speaker 3: it's like, you know, sometimes it's just like I don't

669
00:35:07,160 --> 00:35:09,520
Speaker 3: want it. If someone's gross, I almost just don't want

670
00:35:09,520 --> 00:35:11,640
Speaker 3: to know about it. And I feel like it's much

671
00:35:11,719 --> 00:35:14,600
Speaker 3: easier for dudes to be like, I wash my bed sheets,

672
00:35:14,600 --> 00:35:17,720
Speaker 3: what's once a month? What's the big deal? I would

673
00:35:17,800 --> 00:35:20,560
Speaker 3: rather just not know. So this is what I'm saying, Like,

674
00:35:20,560 --> 00:35:22,360
Speaker 3: I think I would just not do the bed because

675
00:35:22,400 --> 00:35:24,520
Speaker 3: I don't want to get close to your sheets and go.

676
00:35:24,800 --> 00:35:28,239
Speaker 4: Oh yeah these like if there's crumbs in your bed,

677
00:35:28,320 --> 00:35:29,960
Speaker 4: it's going to be hard for me to unsee that.

678
00:35:30,880 --> 00:35:34,760
Speaker 3: Yes, yes, because I'm I I like very clean, tidy

679
00:35:34,800 --> 00:35:36,680
Speaker 3: ship and I just wouldn't want to find out that

680
00:35:36,719 --> 00:35:38,640
Speaker 3: my friend is some closet case grossy.

681
00:35:39,120 --> 00:35:42,760
Speaker 2: No, no, thanks for taking that detail, boundaries.

682
00:35:42,840 --> 00:35:44,600
Speaker 4: Yeah, you know what I thought you were going to

683
00:35:44,640 --> 00:35:46,440
Speaker 4: say when you asked that question. I thought you were

684
00:35:46,440 --> 00:35:49,040
Speaker 4: going to be like, are you a top sheet or

685
00:35:49,080 --> 00:35:51,720
Speaker 4: a comforter only person? That's where I thought you were old.

686
00:35:51,800 --> 00:35:54,319
Speaker 3: Let's go there too, Well, what are you in my

687
00:35:54,320 --> 00:35:59,640
Speaker 3: current sleeping situation? I am a comforter only whoa.

688
00:36:00,440 --> 00:36:02,840
Speaker 2: I'm totally top sheet. I need a top sheet.

689
00:36:02,680 --> 00:36:03,840
Speaker 3: So your top sheet and comforter.

690
00:36:04,080 --> 00:36:05,040
Speaker 2: Yes, me too.

691
00:36:05,320 --> 00:36:08,399
Speaker 3: I think that's normal. By the way, I'm just I'm

692
00:36:08,440 --> 00:36:11,080
Speaker 3: going through a season, guys. I'm embracing it. It's different.

693
00:36:12,160 --> 00:36:15,239
Speaker 4: Give it a shot. Also, it's summer. You could have

694
00:36:15,320 --> 00:36:20,320
Speaker 4: a great like Linen Blend, you know, super soft comforter

695
00:36:20,360 --> 00:36:22,000
Speaker 4: and just want to feel that on your skin.

696
00:36:22,160 --> 00:36:24,359
Speaker 3: I don't know that was the impetus was. I was

697
00:36:24,520 --> 00:36:27,000
Speaker 3: just getting a bit too hot at nighttime and it

698
00:36:27,040 --> 00:36:30,120
Speaker 3: was waking me up, and I thought, maybe we streamline

699
00:36:30,120 --> 00:36:30,560
Speaker 3: the operation.

700
00:36:30,680 --> 00:36:33,640
Speaker 4: Okay, not to be my grandmother, but have you ever

701
00:36:34,360 --> 00:36:37,160
Speaker 4: switched to a summer weight comforter in the summer?

702
00:36:37,880 --> 00:36:39,840
Speaker 2: No game changer?

703
00:36:41,120 --> 00:36:43,959
Speaker 4: Game changer and you're in the Pacific Northwest, you really

704
00:36:43,960 --> 00:36:48,920
Speaker 4: get some climate shifts and seasons. A summer week comforter

705
00:36:49,360 --> 00:36:52,279
Speaker 4: will change your life. It's like that to me, is

706
00:36:52,440 --> 00:36:57,080
Speaker 4: ljury like a light quilt, well waffled quilt, perhaps.

707
00:36:57,040 --> 00:36:57,800
Speaker 2: A little wawful.

708
00:36:57,880 --> 00:36:59,799
Speaker 4: Yeah, I bet you people at home are like, how

709
00:36:59,840 --> 00:37:02,759
Speaker 4: the did we go from kidnapping to put Like? What

710
00:37:02,880 --> 00:37:03,600
Speaker 4: is wrong with you?

711
00:37:03,640 --> 00:37:07,600
Speaker 3: Guys? And speaking of jarring segues, how about the resolution

712
00:37:07,760 --> 00:37:10,560
Speaker 3: to the fight between Chris and wait before.

713
00:37:10,320 --> 00:37:12,719
Speaker 2: We go there, hold on, hold on, because we have

714
00:37:12,760 --> 00:37:16,880
Speaker 2: to talk about the resolution, the revelation. We Brooke and

715
00:37:17,960 --> 00:37:22,160
Speaker 2: Chris in the capa and I forgot you guys. I

716
00:37:22,200 --> 00:37:22,960
Speaker 2: didn't know it was me.

717
00:37:23,360 --> 00:37:25,080
Speaker 4: I was surprised by my own scene.

718
00:37:25,480 --> 00:37:32,080
Speaker 2: Sophia, you were so great and Tyler. Tyler is like,

719
00:37:32,840 --> 00:37:35,160
Speaker 2: he's you know. I was just talking before we started

720
00:37:35,200 --> 00:37:37,040
Speaker 2: about how I'm helping out with the school play, and

721
00:37:37,080 --> 00:37:38,920
Speaker 2: it's amazing how some of the kids walk in and

722
00:37:38,960 --> 00:37:41,080
Speaker 2: they don't have any experience. Like there's one kid that

723
00:37:41,120 --> 00:37:43,799
Speaker 2: walked in and he's a football player and just was like,

724
00:37:43,840 --> 00:37:45,440
Speaker 2: I don't know. They told me there were auditions and

725
00:37:45,560 --> 00:37:47,400
Speaker 2: somebody told me I should come try out. So he

726
00:37:47,440 --> 00:37:49,759
Speaker 2: starts reading and we're all just like, oh my god,

727
00:37:50,040 --> 00:37:53,120
Speaker 2: Oh my god, you're amazing. Wait what this is so surprising.

728
00:37:53,440 --> 00:37:55,880
Speaker 2: And I feel like the fact that Tyler doesn't have

729
00:37:55,920 --> 00:37:58,960
Speaker 2: a ton of acting experience at this point and he's

730
00:37:59,320 --> 00:38:01,839
Speaker 2: other than our and a couple of movies, but he's

731
00:38:01,880 --> 00:38:04,800
Speaker 2: not like he still considers himself to be primarily a musician,

732
00:38:05,600 --> 00:38:08,640
Speaker 2: that he could come in and have the ability to

733
00:38:08,800 --> 00:38:13,560
Speaker 2: walk through every single one of the emotional experiences he

734
00:38:13,680 --> 00:38:17,400
Speaker 2: had in that the span of those eight seconds, and

735
00:38:17,440 --> 00:38:19,840
Speaker 2: we felt it all and it was realistic and not

736
00:38:20,000 --> 00:38:23,000
Speaker 2: over the top, and oh, it just made me love

737
00:38:23,080 --> 00:38:23,960
Speaker 2: Tyler even more.

738
00:38:24,480 --> 00:38:27,880
Speaker 4: It was such a fun scene and it was funny

739
00:38:27,920 --> 00:38:33,359
Speaker 4: because I didn't see it coming. When he walks up

740
00:38:33,520 --> 00:38:35,439
Speaker 4: and I decide to, you know, give him his lunch

741
00:38:35,440 --> 00:38:38,560
Speaker 4: for free. I know exactly what's happening, and you know,

742
00:38:38,600 --> 00:38:41,279
Speaker 4: you can kind of. I remember making the choice, like

743
00:38:41,360 --> 00:38:44,880
Speaker 4: I have to. I have to choke this down, you know,

744
00:38:45,040 --> 00:38:47,560
Speaker 4: like a like a really grassy smoothie, just like this

745
00:38:47,719 --> 00:38:51,200
Speaker 4: is disgusting. Well, like I gotta do it because Brooke

746
00:38:51,360 --> 00:38:54,439
Speaker 4: can't stand Chris Keller. So that I was like, God,

747
00:38:54,480 --> 00:38:55,200
Speaker 4: I remember.

748
00:38:54,920 --> 00:38:57,400
Speaker 2: The look you give him in the cafe over your shoulder.

749
00:38:59,000 --> 00:39:02,879
Speaker 4: I laughed at my self when Millie and I are

750
00:39:02,920 --> 00:39:05,600
Speaker 4: talking and I go that tera and just raise my

751
00:39:05,680 --> 00:39:07,000
Speaker 4: voice so I both can hear me.

752
00:39:07,480 --> 00:39:08,680
Speaker 2: And then you realize, I.

753
00:39:08,680 --> 00:39:10,279
Speaker 4: Literally don't know.

754
00:39:10,480 --> 00:39:12,080
Speaker 2: You don't know, Like I don't know.

755
00:39:12,320 --> 00:39:15,160
Speaker 4: I'm I'm throwing that at Steven and Tyler thinks I'm

756
00:39:15,200 --> 00:39:17,520
Speaker 4: throwing that at him, and then he gets up to

757
00:39:17,560 --> 00:39:23,319
Speaker 4: the thing and the humor of Brooke and Chris's high

758
00:39:23,400 --> 00:39:30,359
Speaker 4: school interaction is playing. So the oopsie of her revealing

759
00:39:30,520 --> 00:39:34,040
Speaker 4: a thing that she didn't know was a secret. I

760
00:39:34,239 --> 00:39:36,160
Speaker 4: just went, oh god, oh god, oh god, it was me.

761
00:39:36,400 --> 00:39:41,759
Speaker 2: It was me. And it's the introduction of Chris's first

762
00:39:41,600 --> 00:39:45,480
Speaker 2: storyline of his own. Yes, all the times that he's

763
00:39:45,480 --> 00:39:48,440
Speaker 2: been on the show, he's serving others, he's interfering really

764
00:39:48,480 --> 00:39:49,760
Speaker 2: with other people's storylines.

765
00:39:50,040 --> 00:39:51,600
Speaker 4: Yeah, he's like a little chaos goblin.

766
00:39:51,800 --> 00:39:54,120
Speaker 2: Yes, this is the first time. It was like that

767
00:39:54,280 --> 00:39:57,680
Speaker 2: moment right there turned Chris Keller from a side character

768
00:39:58,040 --> 00:40:00,560
Speaker 2: into a main character. He's got his own storyline right

769
00:40:00,600 --> 00:40:02,200
Speaker 2: now that he has to deal with. That's great.

770
00:40:02,520 --> 00:40:05,160
Speaker 3: And he crushed it, crushed.

771
00:40:04,680 --> 00:40:07,080
Speaker 2: It, and then he takes him outside to.

772
00:40:07,120 --> 00:40:12,480
Speaker 4: Kick it side, kicking him in the I don't even

773
00:40:12,520 --> 00:40:16,680
Speaker 4: know the upper thigh. No, he kicks him in like this.

774
00:40:16,840 --> 00:40:18,759
Speaker 4: It's like this, it's like kicking him in this part

775
00:40:18,760 --> 00:40:21,840
Speaker 4: of the shoulder. But the leg he he like comes around.

776
00:40:21,920 --> 00:40:23,920
Speaker 4: It's like he's trying to do a round house, but

777
00:40:23,960 --> 00:40:26,640
Speaker 4: his jeans are too tight and he just gets him

778
00:40:26,640 --> 00:40:30,080
Speaker 4: with his steel toe in like the meaty part of

779
00:40:30,160 --> 00:40:31,880
Speaker 4: the upper thigh.

780
00:40:31,719 --> 00:40:35,800
Speaker 3: And it is hands guitar doesn't want to hurt his guitar.

781
00:40:35,840 --> 00:40:38,040
Speaker 3: Pant I would have punched you, but I didn't want

782
00:40:38,080 --> 00:40:40,839
Speaker 3: to hurt my guitar hands. But consider yourself punched.

783
00:40:40,480 --> 00:40:45,400
Speaker 2: Punched, and Chase says, I deserve whatever whatever that was.

784
00:40:47,600 --> 00:40:53,719
Speaker 4: It's so funny to watch them and and to have

785
00:40:53,760 --> 00:40:59,279
Speaker 4: the confrontation be in front of everyone. And I forgot that.

786
00:40:59,360 --> 00:41:02,440
Speaker 4: When Tara gets called out, I pop up like a

787
00:41:02,480 --> 00:41:06,520
Speaker 4: little gopher over her shoulder because finally there's some vindication

788
00:41:06,680 --> 00:41:08,600
Speaker 4: for us, and you're not there to see it, but

789
00:41:08,680 --> 00:41:11,920
Speaker 4: I'm gonna get her. And then they go outside and

790
00:41:11,960 --> 00:41:14,480
Speaker 4: you think they're going to have this knockdown, drag out

791
00:41:15,160 --> 00:41:19,279
Speaker 4: and they both just feel terrible, and I love that

792
00:41:19,320 --> 00:41:21,920
Speaker 4: the immediate resolution is, well, we're going to stay friends

793
00:41:21,920 --> 00:41:23,560
Speaker 4: and she's out. It's great.

794
00:41:23,960 --> 00:41:28,400
Speaker 3: Yeah. It also felt like very quintessential guys of just

795
00:41:28,480 --> 00:41:30,520
Speaker 3: how fast they can move on and then be like, oh,

796
00:41:30,520 --> 00:41:32,880
Speaker 3: look a different shiny thing. Let's go investigate together, you know.

797
00:41:33,520 --> 00:41:35,560
Speaker 3: And they're at a strip club, Ben the beef has

798
00:41:35,600 --> 00:41:36,720
Speaker 3: been squashed.

799
00:41:36,480 --> 00:41:40,719
Speaker 2: Yeah, and Chase is paying I bumped on this on there.

800
00:41:42,040 --> 00:41:48,120
Speaker 2: It is so very stereotypical machismo, like it feels like, okay,

801
00:41:48,120 --> 00:41:50,239
Speaker 2: when the women on our show have found out that

802
00:41:50,280 --> 00:41:52,280
Speaker 2: they're interested in the same guy, let alone or slept

803
00:41:52,320 --> 00:41:55,200
Speaker 2: the same guy. Their lives are destroyed, their friendship is

804
00:41:55,320 --> 00:41:59,120
Speaker 2: marred for it takes months or sometimes seasons to get over.

805
00:42:00,120 --> 00:42:03,839
Speaker 2: And then we've got this where these guys clearly just

806
00:42:04,000 --> 00:42:07,839
Speaker 2: see her as an object that's totally replaceable, I mean,

807
00:42:07,880 --> 00:42:09,919
Speaker 2: and then to feel better about themselves they go find

808
00:42:09,920 --> 00:42:13,200
Speaker 2: a place where they can objectify more women. The whole

809
00:42:13,200 --> 00:42:17,719
Speaker 2: thing was just like, Okay, so men are growth destroying

810
00:42:17,719 --> 00:42:22,640
Speaker 2: your life over and women are just totally replaceable and objects.

811
00:42:22,719 --> 00:42:24,760
Speaker 4: Yeah, men are the center of your universe and women

812
00:42:24,800 --> 00:42:26,800
Speaker 4: are essentially lego bricks. Cool.

813
00:42:27,360 --> 00:42:29,800
Speaker 3: Yes, And the one thing I would say in defense

814
00:42:29,800 --> 00:42:33,080
Speaker 3: of this is that I don't think this is the

815
00:42:33,120 --> 00:42:36,520
Speaker 3: way I took it. This wasn't a generalization of how

816
00:42:36,719 --> 00:42:40,920
Speaker 3: men view women. This was a Maya kulpa from Chase

817
00:42:41,239 --> 00:42:44,560
Speaker 3: to Chris Keller, and that is how Chris Keller, that

818
00:42:45,040 --> 00:42:47,160
Speaker 3: is his attention span and what works. So to me,

819
00:42:47,480 --> 00:42:51,480
Speaker 3: it was just emblematic of how what Chris wanted and

820
00:42:51,480 --> 00:42:54,879
Speaker 3: what Chris needed. And Chase was like, great, I will

821
00:42:54,920 --> 00:42:56,680
Speaker 3: fund it. Let's go because I owe.

822
00:42:56,600 --> 00:42:59,120
Speaker 4: You, because you know what Nathan and Clay would never

823
00:42:59,160 --> 00:42:59,440
Speaker 4: do that.

824
00:43:00,920 --> 00:43:02,960
Speaker 2: Yeah, that's a great point. That's a great point.

825
00:43:03,480 --> 00:43:06,239
Speaker 4: I do think that matters. I agree with you also, Joy.

826
00:43:06,320 --> 00:43:08,640
Speaker 4: I think because we have the context of our whole show,

827
00:43:08,800 --> 00:43:11,439
Speaker 4: and you know, the people who ran it that were

828
00:43:11,480 --> 00:43:14,880
Speaker 4: like really, But what I what I will say is

829
00:43:14,920 --> 00:43:19,839
Speaker 4: because Steven and Tyler are both so charming, they d

830
00:43:20,160 --> 00:43:22,480
Speaker 4: it the thing in a way that I think a

831
00:43:22,480 --> 00:43:25,239
Speaker 4: lot of other actors wouldn't have been able to, and

832
00:43:25,280 --> 00:43:30,720
Speaker 4: they managed to keep it light somehow. But it's really

833
00:43:30,760 --> 00:43:33,279
Speaker 4: interesting that you say that. I won't go into like

834
00:43:33,360 --> 00:43:35,880
Speaker 4: too much detail because I would blow up someone's spot.

835
00:43:36,040 --> 00:43:41,560
Speaker 2: But many No. But it's like it's a story.

836
00:43:41,320 --> 00:43:45,640
Speaker 4: You know, we tell not for the public. But one

837
00:43:45,640 --> 00:43:47,960
Speaker 4: of my best friends did sleep with a guy I

838
00:43:48,000 --> 00:43:53,280
Speaker 4: was dating many years ago, and when we figured out

839
00:43:53,760 --> 00:43:58,680
Speaker 4: the sort of central nature of his communication, shall I say,

840
00:43:59,239 --> 00:44:03,560
Speaker 4: with her, we both were like, oh that guy, and

841
00:44:04,280 --> 00:44:08,600
Speaker 4: we were solid. It never affected our friendship. And I

842
00:44:08,640 --> 00:44:13,000
Speaker 4: think the root of it is the honesty, Like, how

843
00:44:13,000 --> 00:44:15,960
Speaker 4: do you communicate when you discover something, how quickly do

844
00:44:16,000 --> 00:44:16,880
Speaker 4: you communicate it?

845
00:44:16,960 --> 00:44:19,640
Speaker 2: Oh, it's totally possible. It's just yeah, we're so used

846
00:44:19,640 --> 00:44:22,279
Speaker 2: to seeing on our show in particular that I was like, oh,

847
00:44:22,320 --> 00:44:23,240
Speaker 2: here we go again.

848
00:44:23,640 --> 00:44:26,839
Speaker 4: Well, and what I will say is the reason I'm

849
00:44:26,880 --> 00:44:29,640
Speaker 4: sharing it is what we never saw on our show

850
00:44:30,680 --> 00:44:33,799
Speaker 4: was this scenario between any of the girls who were like,

851
00:44:34,040 --> 00:44:35,759
Speaker 4: oh my god, I know this thing now and I

852
00:44:35,840 --> 00:44:38,520
Speaker 4: need to tell you yeah, and then the girls could

853
00:44:38,520 --> 00:44:42,920
Speaker 4: be okay. The writers really leaned into women will betray

854
00:44:43,040 --> 00:44:46,880
Speaker 4: each other to win a man, and that makes it

855
00:44:46,880 --> 00:44:49,960
Speaker 4: feel itchy, you know, like the whole Peyton, Brooke and

856
00:44:50,080 --> 00:44:53,880
Speaker 4: Lucas love triangle was such a mess because they lied

857
00:44:53,920 --> 00:44:57,880
Speaker 4: about it for so long. Yeah, you know, And I

858
00:44:57,920 --> 00:45:00,560
Speaker 4: think that's part of maybe why we the bump on

859
00:45:00,640 --> 00:45:02,360
Speaker 4: it is we're like, oh.

860
00:45:01,960 --> 00:45:03,960
Speaker 2: Well, it was all throughout the show. Nanny Carrey was

861
00:45:03,960 --> 00:45:08,319
Speaker 2: obsessed with Nathan. He had the obsession of Emmanuel is

862
00:45:08,360 --> 00:45:11,480
Speaker 2: asked with Jape, Yeah, with Jake, and there is just

863
00:45:11,600 --> 00:45:16,000
Speaker 2: a renee with Nathan. There's a continual pattern of women

864
00:45:16,200 --> 00:45:20,319
Speaker 2: being obsessed over men and destroying their.

865
00:45:20,239 --> 00:45:22,360
Speaker 4: Lives, almost like there was a man in charge of

866
00:45:22,400 --> 00:45:25,160
Speaker 4: our show who wanted women to be obsessed with him.

867
00:45:25,560 --> 00:45:28,160
Speaker 2: It's almost like almost almost like that.

868
00:45:28,760 --> 00:45:30,520
Speaker 3: Also, this kind of goes back to what I was saying.

869
00:45:31,040 --> 00:45:36,560
Speaker 3: They had two central characters that they got to blank

870
00:45:36,600 --> 00:45:39,799
Speaker 3: slate starting in season seven. That's right, Yeah, and what

871
00:45:40,000 --> 00:45:45,280
Speaker 3: ended up happening, Clay got tons of storyline, and Quinn's

872
00:45:45,320 --> 00:45:49,719
Speaker 3: storyline was largely just being in Clay's orbit and reacting

873
00:45:49,880 --> 00:45:51,720
Speaker 3: and supporting well.

874
00:45:51,800 --> 00:45:54,439
Speaker 4: And by the way, Clay's storyline included a woman who

875
00:45:54,480 --> 00:45:57,160
Speaker 4: was so obsessed with him she tried to murder his girlfriend.

876
00:45:57,520 --> 00:46:00,200
Speaker 2: Yeah, and another woman who's so obsessed with him that,

877
00:46:00,239 --> 00:46:02,560
Speaker 2: in spite of the fact that it's super unhealthy for

878
00:46:02,600 --> 00:46:07,279
Speaker 2: her to be in this relationship, she's still like, I mean,

879
00:46:07,360 --> 00:46:09,759
Speaker 2: you know, we love Quinn. I love Quinn and Clay,

880
00:46:09,760 --> 00:46:11,799
Speaker 2: but yeah, we've talked about these moments that we've seen

881
00:46:11,800 --> 00:46:14,600
Speaker 2: where you're just like, ooh, like, yeah, give him a

882
00:46:14,680 --> 00:46:18,080
Speaker 2: day does he have to have? But it's oh, sorry,

883
00:46:18,120 --> 00:46:20,080
Speaker 2: I was just gonna say, it's just chan Tell's credit.

884
00:46:20,200 --> 00:46:22,160
Speaker 2: Really just going back a little bit to what you

885
00:46:22,200 --> 00:46:26,360
Speaker 2: were saying before, Rob, that that she still manages to

886
00:46:26,400 --> 00:46:29,080
Speaker 2: be so great and so convincing in this part that's

887
00:46:29,200 --> 00:46:33,160
Speaker 2: largely underwritten and you can really tell, particularly because after

888
00:46:33,200 --> 00:46:35,600
Speaker 2: she left our show, she has gone on to work

889
00:46:36,200 --> 00:46:41,920
Speaker 2: NonStop stop in spectacular roles on spectacular shows. Because her

890
00:46:42,080 --> 00:46:43,960
Speaker 2: her talent is undeniable.

891
00:46:44,320 --> 00:46:44,840
Speaker 1: Yeah.

892
00:46:45,560 --> 00:46:47,920
Speaker 4: Well, And one of the things that's interesting to me

893
00:46:47,960 --> 00:46:52,480
Speaker 4: about it is I wonder why it was something that

894
00:46:52,560 --> 00:46:56,239
Speaker 4: felt like, how do I want to phrase this? I

895
00:46:56,239 --> 00:46:59,280
Speaker 4: wonder why it was something that happened with her characters

896
00:46:59,320 --> 00:47:02,319
Speaker 4: so specific sort of toward the end of eight and

897
00:47:02,440 --> 00:47:05,160
Speaker 4: through nine. And we've talked about it with yours too,

898
00:47:06,080 --> 00:47:09,520
Speaker 4: that there have been seasons where Haley is basically helping

899
00:47:09,560 --> 00:47:13,000
Speaker 4: everyone else keep it together. And I don't know if

900
00:47:13,960 --> 00:47:19,960
Speaker 4: because there was almost a sort of like purity component

901
00:47:20,200 --> 00:47:23,960
Speaker 4: in like the James family, that you guys both wound

902
00:47:24,000 --> 00:47:26,279
Speaker 4: up having to play that role at some point or

903
00:47:26,280 --> 00:47:30,160
Speaker 4: another in the show. You know, I'm curious about that

904
00:47:30,360 --> 00:47:34,120
Speaker 4: if they were tracking that. I'm curious also if because

905
00:47:34,160 --> 00:47:36,279
Speaker 4: we did get a lot of feedback right that, like

906
00:47:36,360 --> 00:47:40,760
Speaker 4: the characters on our show all had the most insane success.

907
00:47:41,160 --> 00:47:43,320
Speaker 2: Oh yeah, who's a rock star.

908
00:47:43,200 --> 00:47:46,320
Speaker 4: A record label owner of a fashion designer, an NBA

909
00:47:46,440 --> 00:47:49,239
Speaker 4: player all from the same a best selling author, Like

910
00:47:49,320 --> 00:47:53,560
Speaker 4: it's so crazy. And I wonder if the writers kind

911
00:47:53,560 --> 00:47:55,640
Speaker 4: of felt like they shot themselves in the foot making

912
00:47:55,760 --> 00:48:00,160
Speaker 4: Quinn a photographer, like a big deal magazine photographer, and

913
00:48:00,239 --> 00:48:04,239
Speaker 4: then it was like you've done it again, Yeah, And

914
00:48:04,760 --> 00:48:07,040
Speaker 4: how does she do that job in this small town?

915
00:48:07,160 --> 00:48:08,960
Speaker 4: And then they kind of boxed her in in a way.

916
00:48:09,560 --> 00:48:10,959
Speaker 4: I wonder if it's a little of that.

917
00:48:11,560 --> 00:48:14,799
Speaker 5: Yeah, And I don't know, yeah, because also, if to

918
00:48:14,840 --> 00:48:17,640
Speaker 5: be a successful photographer, that would be her on location

919
00:48:17,719 --> 00:48:19,480
Speaker 5: at different places all the time, So it would be

920
00:48:19,560 --> 00:48:22,360
Speaker 5: a storyline that would be constantly taking her from a

921
00:48:22,360 --> 00:48:22,960
Speaker 5: production side.

922
00:48:23,000 --> 00:48:25,160
Speaker 3: That would be more because every time it's a new location.

923
00:48:25,320 --> 00:48:28,400
Speaker 3: And also it wouldn't be interwoven with the characters as

924
00:48:28,480 --> 00:48:30,959
Speaker 3: much because she wouldn't she wouldn't be around, and it's a.

925
00:48:30,880 --> 00:48:34,960
Speaker 4: Hard it's a hard profession for viewers around the world

926
00:48:35,000 --> 00:48:39,920
Speaker 4: to relate to, you know. Yeah, So I don't know,

927
00:48:40,000 --> 00:48:42,680
Speaker 4: I wonder if that. I wonder if that's kind of

928
00:48:42,680 --> 00:48:45,200
Speaker 4: why she got a little boxed in. And then because

929
00:48:45,239 --> 00:48:49,920
Speaker 4: you guys established such good on screen chemistry, it was like, oh,

930
00:48:49,960 --> 00:48:52,560
Speaker 4: watching the way she feels about what's happening to Clay

931
00:48:52,640 --> 00:48:55,719
Speaker 4: is so interesting that they weren't paying attention to the

932
00:48:55,719 --> 00:48:57,640
Speaker 4: fact that they weren't giving her anything else to do

933
00:48:57,680 --> 00:48:58,640
Speaker 4: but worry about Clay.

934
00:48:59,040 --> 00:49:00,600
Speaker 3: Going back to what you're just saying, though, I mean,

935
00:49:00,719 --> 00:49:04,400
Speaker 3: are there many relatable character professions on the show.

936
00:49:04,600 --> 00:49:06,200
Speaker 4: Well, no, but that's it.

937
00:49:06,360 --> 00:49:08,719
Speaker 3: Oh okay, thought I thought you're saying that there were

938
00:49:08,800 --> 00:49:10,600
Speaker 3: quite a few relatables that she was one of the

939
00:49:10,640 --> 00:49:13,960
Speaker 3: ones that wasn't say we kind of all had extraordinary jobs.

940
00:49:14,160 --> 00:49:16,200
Speaker 4: Yeah, I mean, at least at this point, we're running

941
00:49:16,200 --> 00:49:18,319
Speaker 4: a cafe, like that's pretty normal.

942
00:49:18,760 --> 00:49:22,319
Speaker 2: Now, familiar, hosting a morning show, twan is off in

943
00:49:22,440 --> 00:49:28,680
Speaker 2: Hollywood giving people lessons on stunt or sports training. Yeah,

944
00:49:28,719 --> 00:49:33,360
Speaker 2: everybody's got some extraordinary jobs. Yeah, strange.

945
00:49:34,600 --> 00:49:37,560
Speaker 3: Two quick small things I liked. I loved the opening

946
00:49:38,400 --> 00:49:40,879
Speaker 3: with Mouth and Melly, and I think thee's first line

947
00:49:40,920 --> 00:49:45,359
Speaker 3: is something the effect of like, now that we've heard

948
00:49:45,400 --> 00:49:47,800
Speaker 3: from a man who collects records in his parents' basement,

949
00:49:47,880 --> 00:49:50,000
Speaker 3: let's see what else is going on in local news.

950
00:49:51,719 --> 00:49:54,360
Speaker 3: That's a perfect line. And then I also loved the

951
00:49:54,480 --> 00:49:59,120
Speaker 3: exchange when Dan first gets to Julian's studio and he's like, okay,

952
00:49:59,160 --> 00:50:01,640
Speaker 3: three thousand dollars month and Julian laughs, He's like I

953
00:50:01,680 --> 00:50:04,399
Speaker 3: have zero customers and he's like, i'll pay you two

954
00:50:04,440 --> 00:50:07,280
Speaker 3: thousand dollars a month. Yeah, and then Julian says something

955
00:50:07,320 --> 00:50:08,839
Speaker 3: like I want to hang out it's something and.

956
00:50:08,800 --> 00:50:10,480
Speaker 2: There he asks him, what do you what do you

957
00:50:10,719 --> 00:50:11,440
Speaker 2: need all that for? Y?

958
00:50:11,800 --> 00:50:13,399
Speaker 3: Yeah, and he goes, I'll pay you three thousand dollars

959
00:50:13,440 --> 00:50:15,000
Speaker 3: a month to not ask me those questions.

960
00:50:15,600 --> 00:50:18,480
Speaker 4: It was so great, Like they're seen in the car.

961
00:50:18,600 --> 00:50:20,879
Speaker 2: I really liked they're seeing in the car. Yes, there

962
00:50:20,960 --> 00:50:23,640
Speaker 2: was kind of nobody else that could have said those

963
00:50:23,640 --> 00:50:27,239
Speaker 2: things to Julian. And yeah, it's again that thing in

964
00:50:27,280 --> 00:50:29,480
Speaker 2: the Seesaw with Dan where we love, we hate, we love,

965
00:50:29,520 --> 00:50:30,000
Speaker 2: we hate.

966
00:50:30,160 --> 00:50:34,080
Speaker 4: It's like sometimes he's just the perfect mentor even though

967
00:50:34,080 --> 00:50:36,319
Speaker 4: he's also the worst example of a human and it's

968
00:50:36,440 --> 00:50:40,839
Speaker 4: very confusing, but I enjoy the moments and I think

969
00:50:40,880 --> 00:50:45,880
Speaker 4: I I liked the whole episode for Julian in particular

970
00:50:45,960 --> 00:50:49,880
Speaker 4: after our conversation last week when we were talking about,

971
00:50:50,360 --> 00:50:52,120
Speaker 4: you know, why would you risk yourself when you have

972
00:50:52,600 --> 00:50:54,960
Speaker 4: a family at home, and then also what is it

973
00:50:55,040 --> 00:50:58,279
Speaker 4: like to be in such emotional turmoil and trauma that

974
00:50:58,320 --> 00:51:02,760
Speaker 4: you're essentially you know, emotionally cutting or getting physically punched

975
00:51:02,760 --> 00:51:06,160
Speaker 4: in the face. And we did the back and forth

976
00:51:06,280 --> 00:51:08,719
Speaker 4: the three of us, and then I loved that that

977
00:51:08,840 --> 00:51:11,680
Speaker 4: was Brooke and Julian's argument at the top of the episode,

978
00:51:12,280 --> 00:51:14,479
Speaker 4: you know, like, you need to come back, I need

979
00:51:14,640 --> 00:51:17,359
Speaker 4: a co parent, get your together, and he's like, all

980
00:51:17,360 --> 00:51:21,120
Speaker 4: I'm doing is thinking about my family. And you see,

981
00:51:21,400 --> 00:51:25,799
Speaker 4: you see that they're both suffering, and they're both they

982
00:51:25,800 --> 00:51:28,320
Speaker 4: both have the absolute right to feel the way that

983
00:51:28,360 --> 00:51:31,120
Speaker 4: they're feeling. And I was like, God, we really were

984
00:51:31,160 --> 00:51:33,920
Speaker 4: tapped into something trying to figure it out last week,

985
00:51:33,960 --> 00:51:37,799
Speaker 4: and it felt kind of cool to see that. And

986
00:51:37,880 --> 00:51:40,800
Speaker 4: last week's conversation really just made me feel for both

987
00:51:41,680 --> 00:51:45,040
Speaker 4: characters in this position. It's cool.

988
00:51:45,360 --> 00:51:48,200
Speaker 2: Oh boy, I don't know what's gonna happen next. We've

989
00:51:48,200 --> 00:51:50,560
Speaker 2: got Nathan's bought himself a little bit more time.

990
00:51:51,280 --> 00:51:54,200
Speaker 4: We've never given a razzie on this show. We always

991
00:51:54,200 --> 00:51:55,600
Speaker 4: do our honorable mention.

992
00:51:58,440 --> 00:51:59,160
Speaker 2: The time.

993
00:52:00,280 --> 00:52:05,680
Speaker 4: Really, I have to say that the gangster saying I

994
00:52:05,760 --> 00:52:11,080
Speaker 4: learned English from Shakespeare, it gets that gets my ras.

995
00:52:11,680 --> 00:52:16,160
Speaker 4: Sorry writers, but I was like, okay, enough enough.

996
00:52:17,800 --> 00:52:20,400
Speaker 2: Yeah, we don't need a backstory, we don't need.

997
00:52:20,440 --> 00:52:23,600
Speaker 4: We don't need a Shakespearean shooter. Were good.

998
00:52:24,480 --> 00:52:26,960
Speaker 3: No, they did the most when it would have been

999
00:52:27,000 --> 00:52:29,040
Speaker 3: so much more impactful if they had done the least.

1000
00:52:29,400 --> 00:52:34,560
Speaker 4: Yes, Yeah, that part, well done. Honorable mention to that

1001
00:52:34,680 --> 00:52:36,120
Speaker 4: observation Robert.

1002
00:52:35,840 --> 00:52:53,640
Speaker 6: Buckley Jenna asks which character who left the show but

1003
00:52:53,800 --> 00:52:56,080
Speaker 6: didn't die do you wish would have come back in

1004
00:52:56,120 --> 00:52:58,560
Speaker 6: the final season and how would you have liked them

1005
00:52:58,600 --> 00:52:59,759
Speaker 6: worked into the storyline.

1006
00:53:00,520 --> 00:53:02,400
Speaker 3: This is a tough one for me to answer, because

1007
00:53:02,480 --> 00:53:05,600
Speaker 3: I don't really know the show. The only one I

1008
00:53:05,640 --> 00:53:10,240
Speaker 3: know is Q because I love Robbie as a human being,

1009
00:53:10,320 --> 00:53:12,840
Speaker 3: and I do remember watching his arc on the show,

1010
00:53:13,239 --> 00:53:14,799
Speaker 3: but he died, so I guess I don't really have

1011
00:53:14,840 --> 00:53:15,840
Speaker 3: an answer for this one.

1012
00:53:16,960 --> 00:53:19,200
Speaker 4: Yeahd Greenberg is a great answer. Joy. I was going

1013
00:53:19,280 --> 00:53:22,360
Speaker 4: to say, well, obviously, it would have been really special

1014
00:53:22,360 --> 00:53:24,000
Speaker 4: to have Peyton and Lucas come back.

1015
00:53:24,040 --> 00:53:24,640
Speaker 2: It's weird.

1016
00:53:25,239 --> 00:53:29,160
Speaker 4: It's so weird to wrap up a series without them.

1017
00:53:29,719 --> 00:53:32,760
Speaker 2: But yeah, you know, and Barbara and I did Moier

1018
00:53:32,840 --> 00:53:33,960
Speaker 2: come back? I can't remember.

1019
00:53:34,120 --> 00:53:34,840
Speaker 4: I don't remember.

1020
00:53:34,920 --> 00:53:35,520
Speaker 3: I don't think so.

1021
00:53:35,840 --> 00:53:38,719
Speaker 4: But wait, wait, wait, isn't there there is a there

1022
00:53:38,800 --> 00:53:40,920
Speaker 4: is a scene or a series of scenes in this

1023
00:53:41,000 --> 00:53:46,280
Speaker 4: episode right between Chad and Chantelle. I mean, not this episode, sorry,

1024
00:53:46,280 --> 00:53:46,840
Speaker 4: this season?

1025
00:53:47,440 --> 00:53:48,600
Speaker 2: Doesn't he come back?

1026
00:53:48,719 --> 00:53:52,239
Speaker 3: He does because he used There was a time trade

1027
00:53:52,239 --> 00:53:54,600
Speaker 3: where I was I had left for something and he

1028
00:53:54,640 --> 00:53:56,319
Speaker 3: came back for a couple of days of shooting and

1029
00:53:56,360 --> 00:53:58,560
Speaker 3: he used my trailers and when I came back there

1030
00:53:58,640 --> 00:54:01,160
Speaker 3: was Christmas lights hung up in the trailer and a

1031
00:54:01,239 --> 00:54:03,000
Speaker 3: note that was like, thought you might like these. I

1032
00:54:03,040 --> 00:54:05,120
Speaker 3: was like, who the hell did this? And it was Chad.

1033
00:54:05,280 --> 00:54:07,759
Speaker 4: Oh my god, that is so funny, how bizarre.

1034
00:54:08,239 --> 00:54:09,439
Speaker 2: I do not remember this.

1035
00:54:09,920 --> 00:54:12,719
Speaker 4: But what makes me sad about it is I wish

1036
00:54:12,880 --> 00:54:17,080
Speaker 4: they had come back in a better way. And you know,

1037
00:54:18,200 --> 00:54:20,759
Speaker 4: given the fact that he who shan't be named, who

1038
00:54:20,800 --> 00:54:23,319
Speaker 4: was in charge of our show, was such a ding

1039
00:54:23,400 --> 00:54:27,080
Speaker 4: dong to women like it also makes me sad that

1040
00:54:27,760 --> 00:54:29,040
Speaker 4: we didn't get them back together.

1041
00:54:29,840 --> 00:54:30,600
Speaker 3: Yeah.

1042
00:54:30,920 --> 00:54:33,360
Speaker 2: I know, it's true. You have to enjoy.

1043
00:54:33,400 --> 00:54:35,640
Speaker 4: You have to read what our producer just said.

1044
00:54:35,680 --> 00:54:36,879
Speaker 2: Come on, it's so good.

1045
00:54:37,040 --> 00:54:39,600
Speaker 3: We're all laughing because of something in the chat said, Joy,

1046
00:54:39,680 --> 00:54:41,160
Speaker 3: why don't you please illuminate?

1047
00:54:41,400 --> 00:54:44,080
Speaker 2: The producer says, Chad does come back for one episode,

1048
00:54:44,120 --> 00:54:54,240
Speaker 2: and then the next text messages it scenes with you, Joy.

1049
00:54:50,840 --> 00:54:53,080
Speaker 3: I love the one trio, Amnija, we all have it.

1050
00:54:53,239 --> 00:54:54,200
Speaker 3: It's so fun.

1051
00:54:54,719 --> 00:54:59,640
Speaker 2: It's sorry I don't remember, all right, gang, Oh let's

1052
00:54:59,640 --> 00:55:06,520
Speaker 2: been a week yeah yeah, yeah, oh boy. So Dan's gonna.

1053
00:55:06,320 --> 00:55:11,040
Speaker 3: Save the day or or he's gonna pretend to save

1054
00:55:11,120 --> 00:55:11,399
Speaker 3: the day.

1055
00:55:11,480 --> 00:55:12,880
Speaker 2: Pretend to save the day.

1056
00:55:13,080 --> 00:55:18,280
Speaker 4: I'm so curious. I really wish I remembered what we discover.

1057
00:55:19,000 --> 00:55:21,960
Speaker 2: This also makes me glad that Dan dies because I'm

1058
00:55:22,000 --> 00:55:26,239
Speaker 2: at the point now, Oh.

1059
00:55:25,040 --> 00:55:27,239
Speaker 3: What the shore? Are you kidding me?

1060
00:55:28,400 --> 00:55:31,759
Speaker 2: Actually he died? I mean you know I didn't know that. Well,

1061
00:55:31,840 --> 00:55:34,080
Speaker 2: there's this whole flat flash forward, like into the future

1062
00:55:34,120 --> 00:55:37,839
Speaker 2: that's later on in the show. He's it's it's late.

1063
00:55:37,880 --> 00:55:40,279
Speaker 2: Don't worry about it. It's not. No, it's not like,

1064
00:55:40,440 --> 00:55:41,800
Speaker 2: it's not what you think is happening.

1065
00:55:41,840 --> 00:55:42,960
Speaker 3: The trains left the station.

1066
00:55:43,200 --> 00:55:44,280
Speaker 2: No, it's not what you think.

1067
00:55:44,680 --> 00:55:46,279
Speaker 3: How could it not be what I think?

1068
00:55:46,760 --> 00:55:49,120
Speaker 2: Because it's not. I promise you it's not what you think.

1069
00:55:49,480 --> 00:55:52,480
Speaker 4: Because if you think something obvious, you should know by

1070
00:55:52,520 --> 00:55:54,600
Speaker 4: the insanity of season nine that it won't be that.

1071
00:55:56,080 --> 00:55:58,560
Speaker 2: Oh fine, I'm sorry. Didn't mean to give you a

1072
00:55:58,600 --> 00:55:59,120
Speaker 2: heart attack.

1073
00:55:59,719 --> 00:56:07,280
Speaker 3: Well it's happened. My tongue is upset. We were starting

1074
00:56:07,280 --> 00:56:09,520
Speaker 3: to spin a wheel and the wheel never stop spinning.

1075
00:56:09,600 --> 00:56:10,200
Speaker 3: Have we given up?

1076
00:56:10,520 --> 00:56:11,120
Speaker 2: We have one?

1077
00:56:11,200 --> 00:56:12,640
Speaker 4: I think we just blew up the wheel.

1078
00:56:13,160 --> 00:56:14,719
Speaker 3: I can just make Oh, there we go.

1079
00:56:15,120 --> 00:56:15,400
Speaker 6: Oh.

1080
00:56:15,680 --> 00:56:19,400
Speaker 3: Most likely to steal a friend's baby name.

1081
00:56:19,400 --> 00:56:23,080
Speaker 4: Oh my god, Sicilian dead to me? You're Sarah Tara.

1082
00:56:23,160 --> 00:56:24,880
Speaker 3: Sarah nailed it, great one.

1083
00:56:25,160 --> 00:56:27,480
Speaker 2: Yes, Sicilian dead.

1084
00:56:27,280 --> 00:56:32,600
Speaker 4: To Sicilian dead to me, I would never forgive. That's dark.

1085
00:56:34,200 --> 00:56:34,319
Speaker 5: All.

1086
00:56:35,280 --> 00:56:37,759
Speaker 3: That should be the title of this episode. Sicilian dead

1087
00:56:37,760 --> 00:56:40,680
Speaker 3: to me. By the way, I saw that, never wear

1088
00:56:40,760 --> 00:56:44,200
Speaker 3: flip flops to a showdown was the previous episode's title.

1089
00:56:44,280 --> 00:56:47,680
Speaker 3: So thank you producers. I think this one should be dead.

1090
00:56:47,880 --> 00:56:49,080
Speaker 3: Was it? Sicilian dead to me?

1091
00:56:49,200 --> 00:56:50,080
Speaker 4: Sicilian dead to me?

1092
00:56:50,160 --> 00:56:50,480
Speaker 3: Love that.

1093
00:56:50,960 --> 00:56:55,000
Speaker 4: Yeah, it's like an extra, like, you know, big Italian

1094
00:56:55,040 --> 00:56:58,200
Speaker 4: family thing like you're dead to me means something. But

1095
00:56:58,239 --> 00:57:01,200
Speaker 4: when somebody says you are Sicilian undead to me, it's like.

1096
00:57:01,920 --> 00:57:04,600
Speaker 2: Yeah, oh no, this is real. This is yeah, yeah,

1097
00:57:05,080 --> 00:57:07,560
Speaker 2: this is gonna pass down to your generations.

1098
00:57:07,840 --> 00:57:11,320
Speaker 3: When the sorority goes I'm mad at you versus I'm

1099
00:57:11,560 --> 00:57:18,760
Speaker 3: literally mad at you, it's like, whoa, literally Okay, we're

1100
00:57:18,800 --> 00:57:19,640
Speaker 3: really in it now.

1101
00:57:20,440 --> 00:57:24,000
Speaker 2: Next episode, Season nine, Episode seven, Last Known Surroundings. We'll

1102
00:57:24,040 --> 00:57:29,000
Speaker 2: see you next week. See y Hey, thanks for listening.

1103
00:57:29,120 --> 00:57:31,360
Speaker 4: Don't forget to leave us a review. You can also

1104
00:57:31,440 --> 00:57:34,040
Speaker 4: follow us on Instagram at drama Queens o.

1105
00:57:34,200 --> 00:57:38,360
Speaker 2: T H or email us at drama Queens at iHeartRadio

1106
00:57:38,480 --> 00:57:40,520
Speaker 2: dot com. See you next time.

1107
00:57:41,720 --> 00:57:45,120
Speaker 1: We all about that high school drama girl, Drama girl,

1108
00:57:45,200 --> 00:57:45,880
Speaker 1: all about.

1109
00:57:45,680 --> 00:57:48,480
Speaker 2: Them high school queens Forever We'll take you for a

1110
00:57:48,640 --> 00:57:51,840
Speaker 2: ride and our comic girl shared for the right teams.

1111
00:57:51,920 --> 00:57:55,960
Speaker 2: Drama queens, my girl, up girl fashion with your tough girl,

1112
00:57:56,040 --> 00:57:57,000
Speaker 2: you could sit with us.

1113
00:57:57,040 --> 00:58:01,120
Speaker 1: Girl Drama Queens, Drama, quise, Drama Queens, Drama Drama Queens,

1114
00:58:01,200 --> 00:58:03,040
Speaker 1: Drama Queens