1 00:00:03,080 --> 00:00:06,000 Speaker 1: Welcome to Stuff to Blow Your Mind from how Stuff 2 00:00:06,000 --> 00:00:14,040 Speaker 1: Works dot com. Hey, welcome to Stuff to Blow your Mind. 3 00:00:14,120 --> 00:00:17,160 Speaker 1: My name is Robert Lamb and my name is Julie Douglas. 4 00:00:17,200 --> 00:00:19,239 Speaker 1: And uh, you know, guys, we have to have sponsors, 5 00:00:19,400 --> 00:00:22,919 Speaker 1: and this episode is sponsored in part by the numbers seven. 6 00:00:23,480 --> 00:00:26,400 Speaker 1: Big sponsors were really happy to have landed, uh, this 7 00:00:26,480 --> 00:00:30,840 Speaker 1: particular number as a sponsor because it's, uh, it's pretty magical. 8 00:00:31,240 --> 00:00:34,640 Speaker 1: It's a magical, mystical number that we see in nature, 9 00:00:34,760 --> 00:00:38,440 Speaker 1: we see in culture, it's everywhere. Um. In fact, you 10 00:00:38,479 --> 00:00:41,519 Speaker 1: could say that the number seven is just one of 11 00:00:41,600 --> 00:00:46,120 Speaker 1: the underpinnings that we use to piece together reality for us. Yeah, 12 00:00:46,120 --> 00:00:50,000 Speaker 1: it's easy to think of numbers as completely arbitrary, especially 13 00:00:50,040 --> 00:00:52,120 Speaker 1: as we take in the world around us and apply 14 00:00:52,159 --> 00:00:55,320 Speaker 1: these different values to things. But in this episode, we're 15 00:00:55,360 --> 00:00:58,320 Speaker 1: going to stop for a second and think, huh, maybe 16 00:00:58,360 --> 00:01:02,200 Speaker 1: there maybe there is something to off this seven. Uh magic. 17 00:01:02,520 --> 00:01:05,120 Speaker 1: It's true because when you start to consider the number 18 00:01:05,200 --> 00:01:08,399 Speaker 1: seven and it's relevance in society and again the way 19 00:01:08,400 --> 00:01:10,520 Speaker 1: that we organized life, you begin to see a pattern. 20 00:01:10,560 --> 00:01:13,560 Speaker 1: And so the question becomes it's just just our brain's 21 00:01:13,640 --> 00:01:19,800 Speaker 1: pattern recognition sinery or is seven somehow just branded into 22 00:01:19,800 --> 00:01:22,440 Speaker 1: our brains, and so we're gonna try to tease that 23 00:01:22,480 --> 00:01:25,400 Speaker 1: out a little bit without starting any sort of seven 24 00:01:25,400 --> 00:01:28,320 Speaker 1: conspiracy theories. No. Yeah, we're not going to get into 25 00:01:28,920 --> 00:01:31,959 Speaker 1: into numerology, and particularly in this sub podcast, or at 26 00:01:32,000 --> 00:01:33,679 Speaker 1: least I'm not going to advocate it, but we will 27 00:01:33,720 --> 00:01:35,720 Speaker 1: discuss a number of the things that do occur in 28 00:01:35,800 --> 00:01:39,840 Speaker 1: sevens in nature, in culture, in history, and pop culture. 29 00:01:40,040 --> 00:01:42,319 Speaker 1: Um where it's not gonna be a comprehensive list by 30 00:01:42,360 --> 00:01:45,200 Speaker 1: any stretch of the imagination, but um, I think we're 31 00:01:45,200 --> 00:01:47,080 Speaker 1: gonna fit a lot of stuff on there. Yeah, okay, well, 32 00:01:47,120 --> 00:01:49,400 Speaker 1: let's let's begin with nature. We've got those seven seas, 33 00:01:49,960 --> 00:01:53,880 Speaker 1: the seven continents, the seven colors in a rainbow, that's right, 34 00:01:54,120 --> 00:01:58,960 Speaker 1: Roy g. BIV. Seven colors. Most mammals have next with 35 00:01:59,000 --> 00:02:01,720 Speaker 1: seven bones in them. If you look at the periodic table, 36 00:02:02,160 --> 00:02:05,280 Speaker 1: what do you find? Number of rows is seven? True? 37 00:02:05,480 --> 00:02:09,720 Speaker 1: The neutral pH value that lies between acidity and alkalinity 38 00:02:09,880 --> 00:02:13,320 Speaker 1: is seven. And should we bet on seven? Seven? Seven? 39 00:02:13,320 --> 00:02:16,160 Speaker 1: A good gambling number? It is? Yes, it turns out, 40 00:02:16,240 --> 00:02:20,280 Speaker 1: you know it's a nine right to die? Nine, you know, 41 00:02:20,320 --> 00:02:23,080 Speaker 1: a bit too high, five, a bit too low. But 42 00:02:23,160 --> 00:02:26,280 Speaker 1: seven just right, So it's kind of like the Goldilocks 43 00:02:26,360 --> 00:02:30,720 Speaker 1: of numbers. Yes, you often here too, that by age seven, 44 00:02:30,919 --> 00:02:34,880 Speaker 1: the blueprint for adulthood is in place, that a child 45 00:02:34,960 --> 00:02:37,760 Speaker 1: personality is set in stone. In fact, there's a whole 46 00:02:37,800 --> 00:02:41,600 Speaker 1: documentary series based on this idea, and the first episode 47 00:02:41,600 --> 00:02:43,440 Speaker 1: in the series is called Seven Up. I don't know 48 00:02:43,440 --> 00:02:46,079 Speaker 1: if you've seen this before, but it's a it's a 49 00:02:46,120 --> 00:02:50,480 Speaker 1: series in the UK that follows these children at age 50 00:02:50,560 --> 00:02:54,200 Speaker 1: seven and then every seven years. Yeah I think, I 51 00:02:54,520 --> 00:02:56,600 Speaker 1: I'm I'm not quite sure what age they go up to, 52 00:02:56,840 --> 00:03:02,760 Speaker 1: but um, well into to the middle ages of these kids, 53 00:03:02,800 --> 00:03:06,400 Speaker 1: and it's fascinating to see really how very little these 54 00:03:06,480 --> 00:03:10,280 Speaker 1: kids have changed that truly by age seven there's something 55 00:03:10,320 --> 00:03:14,000 Speaker 1: that is set with a personality. Not to be confused though, 56 00:03:14,000 --> 00:03:16,920 Speaker 1: with the Seven Ups, the Roy Schneider follow up to 57 00:03:17,120 --> 00:03:20,400 Speaker 1: the French Connection, different film entirely, or the Drink or 58 00:03:20,440 --> 00:03:23,240 Speaker 1: the Drink. Yes, um. Now, of course, when we start 59 00:03:23,240 --> 00:03:26,400 Speaker 1: getting into culture, this is where the list really gets 60 00:03:26,840 --> 00:03:31,040 Speaker 1: pretty expansive. So um, you'll have to stop me once 61 00:03:31,080 --> 00:03:33,359 Speaker 1: I get going on this, but just to go back 62 00:03:33,360 --> 00:03:35,680 Speaker 1: and forth a little bit there, of course, seven Holy 63 00:03:35,760 --> 00:03:38,480 Speaker 1: Virtues and seven Deadly Sins. We talked about both of 64 00:03:38,520 --> 00:03:41,520 Speaker 1: those in our Seven Deadly Sins, a series that we 65 00:03:41,600 --> 00:03:45,560 Speaker 1: did on the science behind each one. And of course 66 00:03:45,600 --> 00:03:50,119 Speaker 1: there are seven virtues, and of course if you look 67 00:03:50,120 --> 00:03:52,360 Speaker 1: back at religious texts, you will see that seven shows 68 00:03:52,440 --> 00:03:55,880 Speaker 1: up quite a bit. It's a it's quite a fortuitous number. 69 00:03:56,640 --> 00:03:59,480 Speaker 1: And if you look at of course the Bible, there 70 00:03:59,600 --> 00:04:03,320 Speaker 1: is that God created the earth in seven days, right um. 71 00:04:03,400 --> 00:04:05,680 Speaker 1: And then of course that has to do with their 72 00:04:05,720 --> 00:04:08,440 Speaker 1: the way we arrange our week seven days a week, right, 73 00:04:08,800 --> 00:04:12,840 Speaker 1: seven chakras, the yoga, which we also did a podcast 74 00:04:12,880 --> 00:04:16,200 Speaker 1: about a couple of podcasts. Actually, in the Islamic tradition 75 00:04:16,200 --> 00:04:19,240 Speaker 1: there are seven heavens and seven earths, and the number 76 00:04:19,279 --> 00:04:21,520 Speaker 1: of fires in Hell, and the numbers of doors to 77 00:04:21,640 --> 00:04:25,200 Speaker 1: both the heaven and the hell is also seven. Yeah. Yeah. 78 00:04:25,279 --> 00:04:28,640 Speaker 1: Various uh maps of hell include seven levels, some a 79 00:04:28,640 --> 00:04:31,640 Speaker 1: little more, some a little less. Um. Among the Babylonians, 80 00:04:31,880 --> 00:04:34,279 Speaker 1: Egyptians and other ancient people's there were thought to be 81 00:04:34,360 --> 00:04:39,159 Speaker 1: seven planets. The Hebrew verb for swear means literally to 82 00:04:39,240 --> 00:04:43,760 Speaker 1: come under the influence of seven or beersheba um. Again, 83 00:04:43,800 --> 00:04:45,920 Speaker 1: you said there's seven days in creation. Likewise, there are 84 00:04:46,000 --> 00:04:49,479 Speaker 1: seven divisions of the Lord's prayer. The seventh son of 85 00:04:49,480 --> 00:04:52,640 Speaker 1: a seventh son will often turn out to be what 86 00:04:52,800 --> 00:04:57,480 Speaker 1: magical or Catholic or your boss? Right right? Is our 87 00:04:57,560 --> 00:04:59,880 Speaker 1: boss the seventh son of a seventh son. I don't. 88 00:05:00,320 --> 00:05:02,640 Speaker 1: I'm still thinking about the spare words, and now I'm 89 00:05:02,720 --> 00:05:05,400 Speaker 1: beginning to think about George Carlin and his seven sware 90 00:05:05,440 --> 00:05:08,400 Speaker 1: words that you cannot say on TV. There were seven 91 00:05:08,440 --> 00:05:11,080 Speaker 1: meals for Sister Sarah. If you want to go into uh, 92 00:05:11,080 --> 00:05:14,880 Speaker 1: into movies, um, seven notes in the musical scale. In 93 00:05:14,920 --> 00:05:19,880 Speaker 1: the Apocalypse, the Christian Apocalypse alone, we have seven chronicles 94 00:05:19,880 --> 00:05:24,040 Speaker 1: of Asia, seven candlesticks, seven stars, seven trumpets, seven spirits 95 00:05:24,040 --> 00:05:26,960 Speaker 1: before the throne of God's seven horns, seven vials, seven plagues, 96 00:05:27,080 --> 00:05:30,400 Speaker 1: a seven headed nonster, a lamb was seven eyes because 97 00:05:30,440 --> 00:05:33,160 Speaker 1: the Book of Revelation is is essentially one big death 98 00:05:33,160 --> 00:05:36,760 Speaker 1: metal album cover. UM. In the Spanish myth and fable, 99 00:05:36,800 --> 00:05:39,360 Speaker 1: you have the island of seven Cities. So where seven 100 00:05:39,400 --> 00:05:42,719 Speaker 1: bishops fled the moors in Spain to found these seven 101 00:05:42,720 --> 00:05:47,080 Speaker 1: cities that supposedly existed, I mean not really, it's smith uh. 102 00:05:47,200 --> 00:05:50,040 Speaker 1: Seven gifts of the spirit. In Japanese folklore, there are 103 00:05:50,080 --> 00:05:53,799 Speaker 1: seven gods of luck uh, seven Hills of Rome, seven 104 00:05:53,880 --> 00:05:58,040 Speaker 1: Joys of Mary, seven sacraments uh. Seven senses is interesting 105 00:05:58,040 --> 00:06:00,520 Speaker 1: an ancient notion that the soul of man is comprised 106 00:06:00,520 --> 00:06:04,000 Speaker 1: of seven properties under the influence of again those seven 107 00:06:04,040 --> 00:06:07,600 Speaker 1: planets that we mentioned, and likewise, the dark lord Voldemort 108 00:06:07,640 --> 00:06:10,400 Speaker 1: divided his soul into seven hore cruxes. You might remember 109 00:06:10,440 --> 00:06:14,400 Speaker 1: that part um. There are seven Abdal, the Sumerian guardian 110 00:06:14,440 --> 00:06:17,719 Speaker 1: water spirits who were kind of like Merman. Seven Naga 111 00:06:17,880 --> 00:06:22,080 Speaker 1: are often seen behind Buddha or the same with Shisha. Uh. 112 00:06:22,160 --> 00:06:24,080 Speaker 1: Do you see this in very like Hindu and time 113 00:06:25,320 --> 00:06:28,640 Speaker 1: is the serpent like creature? Yeah, especially entire They're crazy 114 00:06:28,640 --> 00:06:30,720 Speaker 1: cool because it's like a serpent, and then it's kind 115 00:06:30,720 --> 00:06:32,200 Speaker 1: of a serpent coming out of its head and out 116 00:06:32,240 --> 00:06:37,239 Speaker 1: of its head, really beautiful, often golden in appearance. Seven 117 00:06:37,279 --> 00:06:41,240 Speaker 1: dwarves uh. Seven Samurai, seven brides for seven brothers. There 118 00:06:41,320 --> 00:06:43,640 Speaker 1: was a seven year itch. There are seven Narnia books 119 00:06:43,920 --> 00:06:48,200 Speaker 1: House of the Seven Gables. Uh. There were a seven 120 00:06:48,240 --> 00:06:52,839 Speaker 1: headed demonic giant in Armenian folklore. Um. Oh what else 121 00:06:52,839 --> 00:06:55,400 Speaker 1: do I have on this list? I think there was? Oh, well, 122 00:06:55,520 --> 00:06:58,600 Speaker 1: I had to eventually just stop because it just it 123 00:06:58,680 --> 00:07:01,120 Speaker 1: just kept kept going and going. Yeah, but that's all 124 00:07:01,160 --> 00:07:03,560 Speaker 1: all I'm gonna get into right now. Well, of course, 125 00:07:03,560 --> 00:07:05,359 Speaker 1: and that makes me think about why we put so 126 00:07:05,400 --> 00:07:07,680 Speaker 1: much importance on the number seven, because it pops up 127 00:07:07,680 --> 00:07:11,520 Speaker 1: everywhere and you begin to ascribe luck to it, fortitude 128 00:07:11,560 --> 00:07:13,840 Speaker 1: to it, and uh. In fact, I was thinking about 129 00:07:13,840 --> 00:07:16,560 Speaker 1: when you're in Las Vegas, or really any casino for 130 00:07:16,600 --> 00:07:21,120 Speaker 1: that matter, the winning number, of course is seven, triple seven. 131 00:07:21,120 --> 00:07:23,960 Speaker 1: That is what is going to make the coins ring 132 00:07:24,120 --> 00:07:28,320 Speaker 1: into your po But here's the thing. Before you start 133 00:07:28,360 --> 00:07:31,400 Speaker 1: brushing your teeth seven times, are stirring your coffee seven 134 00:07:31,440 --> 00:07:35,160 Speaker 1: times in a ritual way to to invoke the gods 135 00:07:35,200 --> 00:07:37,800 Speaker 1: of luck, just consider that this is cultural and it 136 00:07:37,840 --> 00:07:40,240 Speaker 1: doesn't necessarily mean in every culture that it is a 137 00:07:40,240 --> 00:07:43,280 Speaker 1: good sign of things to come. Yeah, A lot of 138 00:07:43,320 --> 00:07:45,280 Speaker 1: it comes down to how we are this with these 139 00:07:45,680 --> 00:07:49,320 Speaker 1: natural number crunchers. We're always trying to define meaning in 140 00:07:49,360 --> 00:07:51,080 Speaker 1: the world around and when we've talked about this a 141 00:07:51,080 --> 00:07:53,000 Speaker 1: lot in the past and about how this can bleed 142 00:07:53,080 --> 00:07:57,120 Speaker 1: over into various supernatural beliefs and supernatural understandings of the 143 00:07:57,160 --> 00:08:01,080 Speaker 1: world as we try to use our pattern recognizing minds 144 00:08:01,120 --> 00:08:03,160 Speaker 1: just chew up all the data, and so we have 145 00:08:03,200 --> 00:08:05,360 Speaker 1: all of the sense data around us, and then we 146 00:08:05,360 --> 00:08:08,640 Speaker 1: we put all this culture over everything. We apply various 147 00:08:08,760 --> 00:08:12,120 Speaker 1: numbers to everything, and so it follows that we're going 148 00:08:12,160 --> 00:08:16,320 Speaker 1: to end up attaching varying degrees of meaning to different 149 00:08:16,320 --> 00:08:19,040 Speaker 1: things that occur in different numbers. Well in seven too. 150 00:08:19,080 --> 00:08:22,200 Speaker 1: It's just something that I think shows up UM in 151 00:08:22,240 --> 00:08:25,640 Speaker 1: different types of media too, because linguistically, it is the 152 00:08:25,680 --> 00:08:29,760 Speaker 1: only single digit with two syllables, right, so it just 153 00:08:29,840 --> 00:08:32,280 Speaker 1: kind of falls off the tongue more smoothly. So you 154 00:08:32,400 --> 00:08:36,199 Speaker 1: have uh snow white, and the seven dwarves snow white, 155 00:08:36,240 --> 00:08:38,360 Speaker 1: and the five dwarves snow in the six doors it 156 00:08:38,400 --> 00:08:42,680 Speaker 1: doesn't work as well, or the five samurai, the eight samurai, 157 00:08:43,559 --> 00:08:45,880 Speaker 1: it doesn't really well. The seven summari. There's a pleasure 158 00:08:45,960 --> 00:08:48,640 Speaker 1: in saying it's You get into that a lot too. 159 00:08:48,640 --> 00:08:52,360 Speaker 1: With we're talking about this yesterday, particularly in China, there's 160 00:08:52,400 --> 00:08:55,760 Speaker 1: a lot of influence um. Particularly in China. There's a 161 00:08:55,800 --> 00:08:58,880 Speaker 1: lot of emphasis on what a number sounds like. So 162 00:08:58,920 --> 00:09:01,280 Speaker 1: like the number four, its like the word for death, 163 00:09:01,800 --> 00:09:04,880 Speaker 1: and uh and therefore is to be avoided. Right, So 164 00:09:04,920 --> 00:09:07,520 Speaker 1: there is a good measure of magical thinking going on 165 00:09:07,600 --> 00:09:09,559 Speaker 1: here when we talk about in number, and maybe in 166 00:09:09,600 --> 00:09:13,000 Speaker 1: the English language, seven sounds like the word happened heaven. 167 00:09:13,040 --> 00:09:15,120 Speaker 1: There was even a show about the seventh Heaven, which 168 00:09:15,160 --> 00:09:20,440 Speaker 1: was I think, just all about numerology. All right, okay, 169 00:09:20,640 --> 00:09:22,600 Speaker 1: all right, we are going to take a quick break, 170 00:09:22,600 --> 00:09:24,680 Speaker 1: but when we get back, we're going to see if 171 00:09:24,720 --> 00:09:27,800 Speaker 1: this whole idea of the number seven is being this mystical, 172 00:09:27,880 --> 00:09:31,480 Speaker 1: magical number is somehow a lot into our brains. There's 173 00:09:31,480 --> 00:09:34,960 Speaker 1: some sort of secret there about why we heard it 174 00:09:35,040 --> 00:09:49,840 Speaker 1: so much. So we're back, we're talking about the number seven, 175 00:09:50,200 --> 00:09:52,680 Speaker 1: what it means to us, and we've mostly just rattled 176 00:09:52,679 --> 00:09:57,560 Speaker 1: through various um cultural, historical, geographic, a little science, a 177 00:09:57,559 --> 00:09:59,840 Speaker 1: little what have you there, all the different things that 178 00:09:59,880 --> 00:10:03,040 Speaker 1: we attached seven to and why we think it's a 179 00:10:03,040 --> 00:10:05,599 Speaker 1: pretty cool number. But is there more to that? Is 180 00:10:05,640 --> 00:10:08,600 Speaker 1: there something? Is there something going on inside the human 181 00:10:08,640 --> 00:10:11,680 Speaker 1: mind that's deeper than that. Well, so there's this idea 182 00:10:11,920 --> 00:10:14,600 Speaker 1: that when it comes to remembering numbers rattling them back 183 00:10:14,600 --> 00:10:18,840 Speaker 1: out again, we basically have a seven limit on that, 184 00:10:19,280 --> 00:10:21,719 Speaker 1: give or take it to and certainly there are individuals 185 00:10:21,720 --> 00:10:24,640 Speaker 1: without standing limits to that who can rattle off, you know, 186 00:10:24,720 --> 00:10:28,360 Speaker 1: pie to the ode of the ridiculous degree um sixty 187 00:10:28,400 --> 00:10:33,360 Speaker 1: seven thousand, nine digit if you're chow Lou, who holds 188 00:10:33,360 --> 00:10:35,800 Speaker 1: again as world record for a citing pie. But for 189 00:10:35,840 --> 00:10:40,319 Speaker 1: the most part we're hitting significantly lower than that um. 190 00:10:40,360 --> 00:10:42,000 Speaker 1: And you know, if you think of anything like your 191 00:10:42,040 --> 00:10:44,600 Speaker 1: social Security number or your phone number, it is worth 192 00:10:44,600 --> 00:10:46,960 Speaker 1: noting that you will remember you maybe remembering a digit, 193 00:10:47,040 --> 00:10:50,280 Speaker 1: a number longer than seven, but you're remembering it generally 194 00:10:50,440 --> 00:10:53,320 Speaker 1: like three different numbers. Yeah. I was gonna point out 195 00:10:53,720 --> 00:10:57,360 Speaker 1: a little interesting anecdote here, and uh, this is our 196 00:10:57,880 --> 00:11:01,040 Speaker 1: video producer and editor Tyler Or was telling me that 197 00:11:01,120 --> 00:11:03,520 Speaker 1: when he memorized pie in school, that he did it 198 00:11:03,520 --> 00:11:06,400 Speaker 1: in chunks of seven. Interesting. So again it places this 199 00:11:06,480 --> 00:11:09,880 Speaker 1: idea of anything you you can memorize, but these chunks 200 00:11:09,920 --> 00:11:12,240 Speaker 1: of seven sort of like when we talked about um 201 00:11:12,280 --> 00:11:14,760 Speaker 1: the rooms, the memory recall rooms that we create in 202 00:11:14,800 --> 00:11:17,480 Speaker 1: our mind. It's that same sort of idea where if 203 00:11:17,520 --> 00:11:20,320 Speaker 1: you can just make this definitive chunk, then you can 204 00:11:20,360 --> 00:11:22,640 Speaker 1: recall it a lot better. And this is an idea 205 00:11:22,720 --> 00:11:26,120 Speaker 1: that George Miller had. Yes, he wrote this excellent, at 206 00:11:26,120 --> 00:11:28,560 Speaker 1: times very confusing paper. I find it's not it's not 207 00:11:28,600 --> 00:11:31,040 Speaker 1: necessarily you know, it's not like straight up something you know, 208 00:11:31,080 --> 00:11:32,840 Speaker 1: something you would find on a Twitter feed and go 209 00:11:32,960 --> 00:11:34,920 Speaker 1: and just you know, consume it over lunch. And he 210 00:11:34,960 --> 00:11:37,720 Speaker 1: gets a little heady and a little mathematical. I mean, 211 00:11:37,720 --> 00:11:40,000 Speaker 1: it's awesome, but it's a you can get lost in 212 00:11:40,040 --> 00:11:43,240 Speaker 1: it a bit or I can. Uh. The title of 213 00:11:43,240 --> 00:11:46,000 Speaker 1: the article is the magical number seven plus or minus 214 00:11:46,040 --> 00:11:50,280 Speaker 1: two colon some limits on our capacity for processing information. 215 00:11:50,720 --> 00:11:53,439 Speaker 1: And in this uh, he starts off by pointing out 216 00:11:53,440 --> 00:11:55,640 Speaker 1: that there is a clear and definite limit to the 217 00:11:55,679 --> 00:11:59,720 Speaker 1: accuracy with which we can identify absolutely the magnitude of 218 00:12:00,080 --> 00:12:04,000 Speaker 1: you need dimensional stimulus variable. Uh. There's a span of 219 00:12:04,080 --> 00:12:06,959 Speaker 1: absolute judgment. And part of that is that there is 220 00:12:07,040 --> 00:12:09,440 Speaker 1: a uh, that there is a finite s fan of 221 00:12:09,600 --> 00:12:13,000 Speaker 1: immediate memory, and that for a lot of different kinds 222 00:12:13,000 --> 00:12:16,000 Speaker 1: of test materials, this span is about seven items in length. 223 00:12:16,040 --> 00:12:18,160 Speaker 1: All right, so we've already hit this seven items I 224 00:12:18,200 --> 00:12:21,280 Speaker 1: can remember. I mean I have trouble remembering like three 225 00:12:21,320 --> 00:12:22,599 Speaker 1: things if I need to pick them up at the 226 00:12:22,600 --> 00:12:26,160 Speaker 1: grocery store, but ideally I should be able to remember seven. Right, 227 00:12:26,200 --> 00:12:28,000 Speaker 1: if you had to really sit there and concentrate. You 228 00:12:28,040 --> 00:12:30,400 Speaker 1: could do it, and we'll get into why you can 229 00:12:30,400 --> 00:12:33,439 Speaker 1: concentrate for such a limited amount of time. But before 230 00:12:33,440 --> 00:12:36,000 Speaker 1: we do that, I just wanted to mention that if 231 00:12:36,000 --> 00:12:38,320 Speaker 1: you look at memory as this kind of house of memory, 232 00:12:38,720 --> 00:12:40,880 Speaker 1: you see that on one side you have, you know, 233 00:12:41,040 --> 00:12:43,360 Speaker 1: long term memory, which is like a library, which a 234 00:12:43,360 --> 00:12:45,320 Speaker 1: bunch of with a bunch of books of your memories 235 00:12:45,679 --> 00:12:49,400 Speaker 1: that you can recall whenever you want, right, just slip 236 00:12:49,440 --> 00:12:51,720 Speaker 1: them off, Michelle, look up what you want, right, Yeah, 237 00:12:51,880 --> 00:12:54,400 Speaker 1: change them and then put them back right. Long term memory, 238 00:12:54,520 --> 00:12:56,800 Speaker 1: but a short term memory is more like a white 239 00:12:56,800 --> 00:12:58,520 Speaker 1: board where you kind of have a cheat sheet to 240 00:12:58,600 --> 00:13:02,240 Speaker 1: keep up with the conversation or to remember directions, and 241 00:13:02,280 --> 00:13:05,240 Speaker 1: so it's just kind of there to help you create 242 00:13:05,320 --> 00:13:10,080 Speaker 1: some sort of association with what the present topic is. Right, 243 00:13:10,600 --> 00:13:14,560 Speaker 1: So if you look at someone like Mikhail Rabinovich and 244 00:13:14,840 --> 00:13:19,520 Speaker 1: his uh research into neural pathways, you begin to see 245 00:13:19,520 --> 00:13:23,320 Speaker 1: this idea that seven bears out just in the way 246 00:13:23,400 --> 00:13:28,240 Speaker 1: that we have um our neural pathways paved for us 247 00:13:28,840 --> 00:13:32,000 Speaker 1: and the limits really of our processing when we're working 248 00:13:32,120 --> 00:13:35,640 Speaker 1: with that white board, that working memory. Yes, he was 249 00:13:35,679 --> 00:13:37,960 Speaker 1: one of the others on this paper that presented a 250 00:13:38,000 --> 00:13:41,560 Speaker 1: mathematical picture of how neurons fire when we recall a 251 00:13:41,640 --> 00:13:44,719 Speaker 1: sequence of steps, and one of the examples used here 252 00:13:44,840 --> 00:13:47,679 Speaker 1: is is that it's like running across a tight rope 253 00:13:48,640 --> 00:13:51,440 Speaker 1: walker not even a walker, because a walker can take 254 00:13:51,480 --> 00:13:54,120 Speaker 1: his time and go back and forth between the World 255 00:13:54,160 --> 00:13:57,360 Speaker 1: Trade Center buildings. But but this is the idea that 256 00:13:57,360 --> 00:13:59,040 Speaker 1: that you you do not have that ability, you don't 257 00:13:59,080 --> 00:14:00,640 Speaker 1: have the big poll. What can you do? You just 258 00:14:00,679 --> 00:14:02,640 Speaker 1: have to sort of speed up and go with it. 259 00:14:02,800 --> 00:14:05,200 Speaker 1: How long can you go across that trip wire without 260 00:14:05,200 --> 00:14:08,680 Speaker 1: falling off? Yeah? And that trip wire is that neural pathway, right, 261 00:14:08,760 --> 00:14:12,360 Speaker 1: And what Rabinovitch discovered is that when a person recites 262 00:14:12,440 --> 00:14:14,520 Speaker 1: a sentence or a list, you can actually see an 263 00:14:14,520 --> 00:14:18,960 Speaker 1: excited cluster of neurons fire for each word. And then 264 00:14:19,000 --> 00:14:22,840 Speaker 1: these excited clusters create a pathway okay, that that tight 265 00:14:22,920 --> 00:14:26,240 Speaker 1: rope pathway, and at the same time they tamp down 266 00:14:26,280 --> 00:14:31,240 Speaker 1: any other competing neurons. Okay, So the competing neurons are 267 00:14:31,280 --> 00:14:33,560 Speaker 1: really like any other memories or any other thoughts that 268 00:14:33,600 --> 00:14:35,760 Speaker 1: you might be having at the same time. Okay, which 269 00:14:35,760 --> 00:14:37,760 Speaker 1: is really important. When I was saying earlier that you 270 00:14:37,760 --> 00:14:39,640 Speaker 1: could really do it if you're concentrated, you can recall 271 00:14:39,640 --> 00:14:42,200 Speaker 1: a certain things. That's what we're talking about. This, these 272 00:14:42,240 --> 00:14:46,280 Speaker 1: excited clusters telling everybody to step off, right. So the 273 00:14:46,400 --> 00:14:48,920 Speaker 1: longer the sentence or the string of numbers you try 274 00:14:48,920 --> 00:14:51,960 Speaker 1: to recall, the harder it is for those excited cluster 275 00:14:52,040 --> 00:14:55,200 Speaker 1: of neurons to suppress the others from firing. And then 276 00:14:55,200 --> 00:14:59,120 Speaker 1: the weaker the pathway, and then the lousier your your memory. 277 00:14:59,640 --> 00:15:02,560 Speaker 1: So really, what you're seeing here again as a mathematical model, 278 00:15:02,560 --> 00:15:05,600 Speaker 1: as you say, a picture of the seven idea at 279 00:15:05,640 --> 00:15:08,280 Speaker 1: play in your brain. Yeah, this is really interesting and 280 00:15:08,160 --> 00:15:10,080 Speaker 1: it ties right back into what I was talking about, 281 00:15:10,320 --> 00:15:13,200 Speaker 1: remembering three things to pick up at the grocery versions 282 00:15:13,240 --> 00:15:16,160 Speaker 1: remembering seven and uh. As they point out in this article, 283 00:15:16,600 --> 00:15:21,120 Speaker 1: recalling seven items requires about fifteen times the suppression needed 284 00:15:21,160 --> 00:15:23,560 Speaker 1: to recall three. And suppression again, like you say, forcing 285 00:15:23,600 --> 00:15:26,000 Speaker 1: all the other thoughts and competing thoughts out of your 286 00:15:26,000 --> 00:15:28,280 Speaker 1: head so that you can remember things. Ten more items 287 00:15:28,320 --> 00:15:30,960 Speaker 1: requires fifty times to strength, and twenty or more items 288 00:15:31,080 --> 00:15:34,200 Speaker 1: requires uh, hundreds of times to strength. So even in 289 00:15:34,560 --> 00:15:37,240 Speaker 1: the jump from three items to seven items, you see 290 00:15:37,280 --> 00:15:40,240 Speaker 1: this this pretty big jump in the the the amount 291 00:15:40,280 --> 00:15:42,080 Speaker 1: of memory. You're gonna have to throw it at the 292 00:15:42,080 --> 00:15:44,920 Speaker 1: amount there the cognitive load and the cognitive ramifications of 293 00:15:44,960 --> 00:15:48,000 Speaker 1: trying to remember things well, and it's interesting to put 294 00:15:48,000 --> 00:15:50,120 Speaker 1: a number on that cognitive load. We've talked about that 295 00:15:50,200 --> 00:15:53,040 Speaker 1: a lot of times when we're talking about free will 296 00:15:53,200 --> 00:15:55,960 Speaker 1: or well. One of the studies we looked at actually 297 00:15:55,960 --> 00:15:58,960 Speaker 1: involved individuals having to remember a number and then they 298 00:15:58,960 --> 00:16:01,320 Speaker 1: were introduced to the temptation of chocolate cake. And the 299 00:16:01,360 --> 00:16:03,960 Speaker 1: individuals who had to hold the longer number in their 300 00:16:04,000 --> 00:16:06,080 Speaker 1: in their head, which as I recall, was somewhere in 301 00:16:06,120 --> 00:16:10,200 Speaker 1: the in the neighborhood of seven or eight digits, they 302 00:16:10,280 --> 00:16:12,520 Speaker 1: had a harder time remembering it if they were introduced 303 00:16:12,720 --> 00:16:15,440 Speaker 1: with this to this cake temptation. What I think it's 304 00:16:15,440 --> 00:16:17,440 Speaker 1: so interesting is I wonder if those neurons that are 305 00:16:17,480 --> 00:16:19,760 Speaker 1: firing those competing ones are like chocolate cake, chocolate cake, 306 00:16:19,800 --> 00:16:22,520 Speaker 1: chocolate cake, like the literally thing that to the excited 307 00:16:22,560 --> 00:16:25,800 Speaker 1: cluster that's trying to recall the actual string of numbers. Yeah, 308 00:16:26,200 --> 00:16:29,040 Speaker 1: every time this is probably horrible, But every time I 309 00:16:29,080 --> 00:16:32,400 Speaker 1: think about this about like our limits on remembering numbers, 310 00:16:32,440 --> 00:16:34,880 Speaker 1: I think of the movie Running Man, because there was 311 00:16:35,000 --> 00:16:37,640 Speaker 1: the you know, the old Arnold source because there was 312 00:16:37,680 --> 00:16:39,920 Speaker 1: a scene in that where the good guys had to 313 00:16:39,960 --> 00:16:42,320 Speaker 1: remember some sort of code and then input it, and 314 00:16:42,320 --> 00:16:44,160 Speaker 1: it was a pretty long code. But they had one 315 00:16:44,240 --> 00:16:46,520 Speaker 1: character that's supposed to be a math whiz or something 316 00:16:46,560 --> 00:16:47,800 Speaker 1: I guess, and it was able to hold all these 317 00:16:47,880 --> 00:16:50,000 Speaker 1: numbers in his head. But I always found that that 318 00:16:50,080 --> 00:16:51,880 Speaker 1: part kind of terrifying because I'm like, oh, my goodness, 319 00:16:52,200 --> 00:16:54,960 Speaker 1: numbers so long, how can anybody remember it? Now, if 320 00:16:55,440 --> 00:16:59,880 Speaker 1: certain certain types of autism will actually allow for people 321 00:16:59,920 --> 00:17:04,320 Speaker 1: to have stronger pathways and recall a greater number of numbers, 322 00:17:04,320 --> 00:17:06,480 Speaker 1: and then just some people in general can can sort 323 00:17:06,480 --> 00:17:08,600 Speaker 1: of break that seven rule. Yeah, And certainly if you 324 00:17:09,040 --> 00:17:11,320 Speaker 1: if you bust out the memory palace on it, then 325 00:17:11,720 --> 00:17:13,840 Speaker 1: then you can really go far with it. Right Again, 326 00:17:13,880 --> 00:17:17,040 Speaker 1: there's that idea of storing seven, you know, having a 327 00:17:17,119 --> 00:17:20,200 Speaker 1: chunk of seven and storing maybe five chunks of seven 328 00:17:21,119 --> 00:17:23,720 Speaker 1: so that you can really roll out an impressive amount 329 00:17:23,800 --> 00:17:27,600 Speaker 1: of items. UM. Now, I wanted to also mention this 330 00:17:27,880 --> 00:17:31,840 Speaker 1: really cool study about neurons and dendrites UM. And I 331 00:17:31,880 --> 00:17:33,800 Speaker 1: do want to say that it doesn't mean that you know, 332 00:17:33,840 --> 00:17:39,560 Speaker 1: the brain is um. The brain especially loves the number seven. 333 00:17:39,640 --> 00:17:41,880 Speaker 1: But it it does kind of give you pause for thought, 334 00:17:42,040 --> 00:17:46,560 Speaker 1: because researchers Miliori, Novora and Togola published a two thousand 335 00:17:46,600 --> 00:17:49,440 Speaker 1: and eight study on neuros and the hippocampus that, of course, 336 00:17:49,480 --> 00:17:51,800 Speaker 1: this is the memory input unit of the brain. The 337 00:17:51,840 --> 00:17:55,840 Speaker 1: study showed that neurons produced the best information when they're dendrites, 338 00:17:55,960 --> 00:17:58,840 Speaker 1: the branches of a neuron that receives stimulation, when those 339 00:17:58,880 --> 00:18:04,440 Speaker 1: branches numbered seven. So again, here's this idea that this 340 00:18:04,640 --> 00:18:08,439 Speaker 1: uh sort of recall fitness has a limit, has a 341 00:18:08,480 --> 00:18:12,760 Speaker 1: limit within the neuron structure itself, within the pathway that 342 00:18:12,840 --> 00:18:15,879 Speaker 1: these neurons create, and then within our own ability to 343 00:18:15,960 --> 00:18:18,480 Speaker 1: recall information. And of course that brings up this crazy 344 00:18:18,520 --> 00:18:21,640 Speaker 1: idea of well, if we keep ordering the world in sevens, 345 00:18:22,080 --> 00:18:24,159 Speaker 1: you know, is it the tail wagging the dog? Is 346 00:18:24,200 --> 00:18:27,560 Speaker 1: that because that's the way our brains are constructed? Do 347 00:18:27,640 --> 00:18:30,080 Speaker 1: we end up falling into the trap of seven rather 348 00:18:30,119 --> 00:18:33,359 Speaker 1: than actually applying it logically? Yeah? Is it more to 349 00:18:33,400 --> 00:18:36,800 Speaker 1: it than just you know, a linguistic lovely sound of seven? Ye, 350 00:18:37,720 --> 00:18:40,160 Speaker 1: let's say, Oh, it's because our brains have a constraint 351 00:18:40,200 --> 00:18:42,320 Speaker 1: on them. You know, I can't help but think that 352 00:18:42,400 --> 00:18:46,040 Speaker 1: seven also appeals to us in numbering things because seven, 353 00:18:46,040 --> 00:18:48,399 Speaker 1: being an odd number, you have that you have that 354 00:18:48,600 --> 00:18:50,560 Speaker 1: room for one of the digits to be a leader, 355 00:18:50,680 --> 00:18:52,679 Speaker 1: you know, I guess you know. You have it in 356 00:18:52,720 --> 00:18:55,439 Speaker 1: five as well, you have it in nine, but it 357 00:18:55,440 --> 00:18:59,120 Speaker 1: seems most clear in seven because you have I can 358 00:18:59,119 --> 00:19:01,639 Speaker 1: easily picture seven dudes. You have the one dude in 359 00:19:01,640 --> 00:19:04,000 Speaker 1: the middle, and he's flanked by three on each side, 360 00:19:04,080 --> 00:19:06,400 Speaker 1: but you have one that stands out. Or if it's 361 00:19:06,520 --> 00:19:08,840 Speaker 1: a body of seven voting on something, then you have 362 00:19:08,920 --> 00:19:11,679 Speaker 1: room for there to be a clear majority pretty easily. Well, 363 00:19:11,680 --> 00:19:13,800 Speaker 1: there's a certain kind of natural symmetry to it. Yeah, 364 00:19:14,040 --> 00:19:16,320 Speaker 1: it's a very symmetrical number. You can just picture it 365 00:19:16,320 --> 00:19:19,080 Speaker 1: there on a movie poster. And esthetically too, it's it's 366 00:19:19,080 --> 00:19:22,960 Speaker 1: better to have seven objects displayed than yeah, six. Yeah, 367 00:19:23,000 --> 00:19:26,199 Speaker 1: And and then the numeral is pretty, uh, pretty sexy too. 368 00:19:26,280 --> 00:19:28,119 Speaker 1: You know. It looks kind of like a like a weapon, 369 00:19:28,680 --> 00:19:31,879 Speaker 1: like we're like a hockey stick, you know. Yeah, I 370 00:19:32,480 --> 00:19:34,600 Speaker 1: don't know. I feel a little bit weird about saying yeah, 371 00:19:34,680 --> 00:19:36,680 Speaker 1: it's got a long neck. I mean, like, now I'm 372 00:19:36,680 --> 00:19:39,199 Speaker 1: getting into some weird territory here. Probably, So I like 373 00:19:39,280 --> 00:19:42,919 Speaker 1: it because I can seven is an odd number, but 374 00:19:43,000 --> 00:19:45,520 Speaker 1: eventually if I do another seven to it's even number. 375 00:19:45,560 --> 00:19:47,280 Speaker 1: I don't know if anybody has this sort of particular 376 00:19:47,400 --> 00:19:51,119 Speaker 1: numbers obsession. Wait wait, so break this down for us again, 377 00:19:51,160 --> 00:19:53,280 Speaker 1: your number of obsession. How it works? Well I did. 378 00:19:53,760 --> 00:19:56,920 Speaker 1: I like even numbers, and I like getting to even numbers. 379 00:19:57,440 --> 00:19:59,440 Speaker 1: So you know, I could be sitting there in a 380 00:19:59,480 --> 00:20:03,440 Speaker 1: conversation counting letters, or in a sentence, or if there's 381 00:20:03,440 --> 00:20:06,040 Speaker 1: a sign nearby, and if it ends in an odd number, 382 00:20:06,080 --> 00:20:10,720 Speaker 1: it's uh disconcerting to me. Well, I'd say you have 383 00:20:10,760 --> 00:20:12,320 Speaker 1: to keep counting. I'm not a big fan of one 384 00:20:12,800 --> 00:20:17,400 Speaker 1: because one is the loneliest number to um, yeah, I'm 385 00:20:17,440 --> 00:20:19,960 Speaker 1: I'm okay. To two is a good number. I guess three, 386 00:20:20,080 --> 00:20:22,040 Speaker 1: three is three is nice because three is like a 387 00:20:22,160 --> 00:20:24,480 Speaker 1: three is that? You know, you're a nice odd number. 388 00:20:24,520 --> 00:20:28,080 Speaker 1: It's a trinity. Uh. Four, you got the four Horsemen 389 00:20:28,080 --> 00:20:30,359 Speaker 1: of the Apocalypse, So that's pretty good. I like that, yeah, 390 00:20:30,520 --> 00:20:33,679 Speaker 1: for in in Chinese death right, Yeah, so that's kind 391 00:20:33,720 --> 00:20:35,600 Speaker 1: of it's got, you know, some sort of death metal 392 00:20:35,680 --> 00:20:38,399 Speaker 1: vibe to it, which is nice. Uh. Five, you know 393 00:20:38,480 --> 00:20:40,720 Speaker 1: the five Wounds of Christ. So I kind of like that. 394 00:20:41,200 --> 00:20:43,440 Speaker 1: It's nice and grizzly, exactly what I thought of. Yeah. 395 00:20:43,800 --> 00:20:47,639 Speaker 1: Six unholy numbers, so you gotta love that. Um. Seven, 396 00:20:47,720 --> 00:20:49,719 Speaker 1: as we've been discussing here, lots of great things going 397 00:20:49,800 --> 00:20:53,000 Speaker 1: for that. Eight you turn it on its side, it's infinity, 398 00:20:52,720 --> 00:20:56,919 Speaker 1: so nice like that. Nine we have the nine Rings 399 00:20:56,920 --> 00:20:59,959 Speaker 1: of Power from Lord of the Rings, the Nine Ring Ray. 400 00:21:00,000 --> 00:21:02,400 Speaker 1: It's it's off the jokes store because it can flip 401 00:21:02,480 --> 00:21:04,440 Speaker 1: upside down and be a six. That's right, and it's 402 00:21:04,480 --> 00:21:06,600 Speaker 1: a it's also a trinity of trinities, so it's got 403 00:21:06,600 --> 00:21:08,800 Speaker 1: that going for it. And ten, I don't know, I 404 00:21:08,880 --> 00:21:11,560 Speaker 1: kind of lose interest at ten. Well, you know, now 405 00:21:11,600 --> 00:21:14,720 Speaker 1: you've gone into double digits. Yeah. Um, I would really 406 00:21:14,720 --> 00:21:16,359 Speaker 1: love to hear from from you guys out there. Do 407 00:21:16,359 --> 00:21:18,680 Speaker 1: you have a certain sort of number that you really liked? 408 00:21:18,800 --> 00:21:23,040 Speaker 1: You have some number obsession going on? And seven? Do 409 00:21:23,080 --> 00:21:25,959 Speaker 1: you if you have a particular feeling for it. Do 410 00:21:26,000 --> 00:21:27,920 Speaker 1: you think there's something to this the way that our 411 00:21:27,960 --> 00:21:30,440 Speaker 1: minds were constructed, in the way that we paint reality 412 00:21:30,520 --> 00:21:32,680 Speaker 1: with it. Yeah, I think about it and think about 413 00:21:32,680 --> 00:21:35,399 Speaker 1: it the next time you're walking, uh walking through your 414 00:21:35,440 --> 00:21:36,879 Speaker 1: video store. If you still go to those and you 415 00:21:36,880 --> 00:21:38,879 Speaker 1: should because they won't be around for long. You should 416 00:21:38,880 --> 00:21:41,240 Speaker 1: appreciate him while you have them. Check out the titles. 417 00:21:41,280 --> 00:21:42,879 Speaker 1: Notice the ones that have seven in the number in 418 00:21:42,880 --> 00:21:44,919 Speaker 1: the title. Those the ones that have six that have three? Like, 419 00:21:44,920 --> 00:21:46,639 Speaker 1: how does it? How does it affect you? Like? What 420 00:21:46,760 --> 00:21:49,879 Speaker 1: is the like instant cognitive impact of that title? Uh? 421 00:21:50,080 --> 00:21:52,399 Speaker 1: You know? Likewise look at I think the same thing 422 00:21:52,400 --> 00:21:55,800 Speaker 1: at a bookstore or library while those exist. Indeed, Yeah, 423 00:21:55,920 --> 00:21:57,600 Speaker 1: so we'd love to hear from you on that. Well, 424 00:21:57,680 --> 00:21:59,800 Speaker 1: let's let's call over the robot and do it just 425 00:21:59,840 --> 00:22:01,720 Speaker 1: a quick bit of listener mail, because I think he 426 00:22:01,760 --> 00:22:06,040 Speaker 1: may have something that relates to this. All right, here's 427 00:22:06,040 --> 00:22:08,359 Speaker 1: one that comes to us from Aaron Erin, writs In 428 00:22:08,440 --> 00:22:11,560 Speaker 1: and says, Hi, Julian Robert, I'm a bit behind at times. 429 00:22:11,680 --> 00:22:14,680 Speaker 1: I am commenting on episodes you did a year ago, 430 00:22:14,760 --> 00:22:16,600 Speaker 1: but you'll have to forgive me. I've spent the last 431 00:22:16,840 --> 00:22:19,280 Speaker 1: year as a Peace Corps volunteer in a rural village 432 00:22:19,280 --> 00:22:22,600 Speaker 1: in West Africa. I recently finished listening to your episodes 433 00:22:22,640 --> 00:22:25,479 Speaker 1: on the seven Deadly Since and was especially intrigued by 434 00:22:25,480 --> 00:22:28,320 Speaker 1: the episode on Gluttony. My fellow volunteers and I live 435 00:22:28,520 --> 00:22:32,080 Speaker 1: mostly in in small rural villages without access to markets 436 00:22:32,200 --> 00:22:34,240 Speaker 1: or food other than what has grown on the desert 437 00:22:34,280 --> 00:22:37,280 Speaker 1: like village land or brought in from a large town. 438 00:22:37,280 --> 00:22:39,879 Speaker 1: Each week, we eat with our host families out of 439 00:22:40,119 --> 00:22:43,080 Speaker 1: out of communal bowls, and while we usually get just 440 00:22:43,240 --> 00:22:46,520 Speaker 1: enough calories consumed, it's not the food that we are 441 00:22:46,600 --> 00:22:48,520 Speaker 1: used to in the United States, and it's not high 442 00:22:48,640 --> 00:22:51,679 Speaker 1: nutritional value. I think lots of porridge, white rice in oil. 443 00:22:52,119 --> 00:22:54,000 Speaker 1: So when I go into the cities and meet up 444 00:22:54,040 --> 00:22:56,520 Speaker 1: with my friends, we binge as a recovering health nut. 445 00:22:56,560 --> 00:23:00,160 Speaker 1: My sister calls my diet reindeer food. I never out 446 00:23:00,160 --> 00:23:02,119 Speaker 1: I was capable of that kind of eating. For example, 447 00:23:02,160 --> 00:23:04,639 Speaker 1: I had an entire jar of nutella in one setting, 448 00:23:05,480 --> 00:23:08,640 Speaker 1: remarkably easy to do um, something I wouldn't even touch 449 00:23:08,680 --> 00:23:11,000 Speaker 1: a year ago. My father recently referred to me as 450 00:23:11,160 --> 00:23:13,399 Speaker 1: as a sumo wrestler during one of my of the 451 00:23:13,400 --> 00:23:16,800 Speaker 1: many buffets we enjoyed. On implication, I began to call 452 00:23:16,920 --> 00:23:20,119 Speaker 1: us opportunistic bingers. Here's a nice way of avoiding the 453 00:23:20,119 --> 00:23:23,800 Speaker 1: word glutton us. Our circumstances that have definitely turned on 454 00:23:23,840 --> 00:23:27,080 Speaker 1: some evolutionary need may be triggered by being denied what 455 00:23:27,119 --> 00:23:29,480 Speaker 1: we are used to eating. I think this is true 456 00:23:29,520 --> 00:23:32,560 Speaker 1: not only of gluttony, but other sins as well. Lust, wrath, sloth, 457 00:23:32,640 --> 00:23:35,480 Speaker 1: and pride have emerged in our lives far more than 458 00:23:35,520 --> 00:23:38,240 Speaker 1: ever before because of living in a completely different culture 459 00:23:38,320 --> 00:23:41,680 Speaker 1: or and living in a completely different lifestyle. This sounds blasphemous, 460 00:23:41,720 --> 00:23:43,679 Speaker 1: and I mean no disrespect to any religion or to 461 00:23:43,760 --> 00:23:47,119 Speaker 1: me uh and other volunteers. But maybe we feel a 462 00:23:47,160 --> 00:23:50,560 Speaker 1: need to be more gluttonous, lustful, wrathful, slothful, and prideful 463 00:23:50,840 --> 00:23:53,080 Speaker 1: if we are going to maintain our sense of identity 464 00:23:53,119 --> 00:23:56,160 Speaker 1: in this new and challenging place. Or maybe we're simply 465 00:23:56,160 --> 00:23:58,760 Speaker 1: more aware of those tendencies here. Sometimes it feels like 466 00:23:58,840 --> 00:24:01,880 Speaker 1: we haven't changed, We're just using more of the potential 467 00:24:01,920 --> 00:24:04,320 Speaker 1: of our personalities, both for the worse and for the better. 468 00:24:04,640 --> 00:24:07,800 Speaker 1: So back to glightening. While most of us are not dieting, 469 00:24:07,800 --> 00:24:10,960 Speaker 1: our minds and bodies are rebelling, subconsciously demanding the food 470 00:24:11,040 --> 00:24:13,359 Speaker 1: we are not providing. Meanwhile, my host family and my 471 00:24:13,480 --> 00:24:16,000 Speaker 1: village is not very interested in the foods I make, 472 00:24:16,400 --> 00:24:18,680 Speaker 1: and they are perfectly satisfied and happy with the food 473 00:24:18,800 --> 00:24:20,919 Speaker 1: they're used to. It makes me wonder if it was 474 00:24:20,960 --> 00:24:24,400 Speaker 1: better to have loved than lost the variety and plethora 475 00:24:24,400 --> 00:24:26,480 Speaker 1: of food in the US than to never have loved 476 00:24:26,480 --> 00:24:28,760 Speaker 1: it at all. Does the loss of what we once 477 00:24:28,840 --> 00:24:31,600 Speaker 1: had make us more sinful in trying to fill the void? 478 00:24:31,960 --> 00:24:36,240 Speaker 1: Two very big hips in a hurrah for opportunistic eaters everywhere. 479 00:24:36,600 --> 00:24:38,800 Speaker 1: Thanks for the awesome science and stories you keep me 480 00:24:38,920 --> 00:24:42,520 Speaker 1: entertained and sane during long, hot days in a foreign land. 481 00:24:42,840 --> 00:24:44,960 Speaker 1: I make connections between the lives of people here in 482 00:24:45,000 --> 00:24:47,639 Speaker 1: my village and the science you unveil every day, and 483 00:24:47,680 --> 00:24:49,760 Speaker 1: I feel more informed and at peace because of it. 484 00:24:49,920 --> 00:24:52,520 Speaker 1: You help me understand this crazy world within the world 485 00:24:52,840 --> 00:24:56,720 Speaker 1: erin Wow. So that's really interesting. I keep thinking about 486 00:24:56,800 --> 00:24:59,679 Speaker 1: to one of the studies that talked about when you 487 00:25:00,040 --> 00:25:04,200 Speaker 1: lose something like of your weight, that you really your 488 00:25:04,240 --> 00:25:09,080 Speaker 1: body sort of rewires itself to crave fatty foods, to 489 00:25:09,200 --> 00:25:11,680 Speaker 1: want to regain that weight because it thinks that there's 490 00:25:11,720 --> 00:25:15,600 Speaker 1: something wrong, and it makes it incredibly hard to maintain 491 00:25:15,640 --> 00:25:19,480 Speaker 1: that weight. In fact, for someone who is a similar 492 00:25:19,600 --> 00:25:22,960 Speaker 1: weight but has not lost it, um you have to 493 00:25:23,040 --> 00:25:27,000 Speaker 1: expand many more calories exercising to maintain than that other 494 00:25:27,080 --> 00:25:29,919 Speaker 1: person such as your your body trying to make up 495 00:25:30,000 --> 00:25:32,560 Speaker 1: for this loss. Yeah, indeed, Yeah, I thought that was 496 00:25:32,560 --> 00:25:35,040 Speaker 1: a great email. I really enjoyed a particularly by the way, 497 00:25:35,359 --> 00:25:37,879 Speaker 1: you know, Aaron was sort of extrapolating this to the 498 00:25:37,920 --> 00:25:42,240 Speaker 1: other um sins that that we discussed as well. Yeah. No, 499 00:25:42,320 --> 00:25:44,280 Speaker 1: I mean it's a very interesting perspective to take. I 500 00:25:44,320 --> 00:25:46,600 Speaker 1: can't help the of course, thinking about how your body 501 00:25:46,680 --> 00:25:51,400 Speaker 1: is sort of gaining the gaming, the gluttony part of it, yea. Um. 502 00:25:51,440 --> 00:25:53,480 Speaker 1: But there's a lot to think about two in terms 503 00:25:53,640 --> 00:25:59,240 Speaker 1: of maintaining identity. Yeah. Yeah, So Aaron, Uh, first of all, 504 00:25:59,240 --> 00:26:01,560 Speaker 1: thanks for the great work you're doing out there, and 505 00:26:01,720 --> 00:26:03,920 Speaker 1: thanks for writing in and sharing your thoughts with us. 506 00:26:04,320 --> 00:26:06,840 Speaker 1: The rest of you can do the same. Uh. There 507 00:26:06,840 --> 00:26:08,720 Speaker 1: are numerous ways to get in touch with us, uh 508 00:26:08,880 --> 00:26:10,560 Speaker 1: and find out what we're up to. The big one, 509 00:26:10,560 --> 00:26:12,120 Speaker 1: of course, is go to Stuff to Blow your mind 510 00:26:12,160 --> 00:26:14,080 Speaker 1: dot com. That's the mothership. That's where all of our 511 00:26:14,119 --> 00:26:16,720 Speaker 1: stuff winds up in some form or another and links 512 00:26:16,760 --> 00:26:18,960 Speaker 1: to everything else we're in. It's the center of the 513 00:26:19,000 --> 00:26:22,000 Speaker 1: spider's web, and uh, I guess that makes us spiders, 514 00:26:22,560 --> 00:26:25,400 Speaker 1: but you cannot. You can also find us on elsewhere 515 00:26:25,400 --> 00:26:28,280 Speaker 1: in the web. On Facebook, we are Stuff to Blow 516 00:26:28,320 --> 00:26:30,000 Speaker 1: your Mind. You can find us on Twitter where we 517 00:26:30,000 --> 00:26:32,800 Speaker 1: are blow the Mind. We have a tumbler account we 518 00:26:32,800 --> 00:26:35,000 Speaker 1: are stuff to Blow your Mind on that as well, 519 00:26:35,480 --> 00:26:38,080 Speaker 1: and if you head on over to YouTube you will 520 00:26:38,119 --> 00:26:42,240 Speaker 1: find our account at mind stuff Show. That's right, you'll 521 00:26:42,280 --> 00:26:47,240 Speaker 1: see puppets of us talking in video about science. Really now, 522 00:26:49,000 --> 00:26:52,760 Speaker 1: it wouldn't be nice. I just got excited. Maybe soon 523 00:26:52,880 --> 00:26:54,760 Speaker 1: we can that's that's on the table. We could do that. 524 00:26:55,359 --> 00:26:57,440 Speaker 1: If you think we should do that, let us know. Yeah, 525 00:26:57,640 --> 00:27:00,320 Speaker 1: do you want to see puppets of us interacting and 526 00:27:00,480 --> 00:27:04,440 Speaker 1: us doing some freaky voices? Can build those puppets also, 527 00:27:05,440 --> 00:27:07,920 Speaker 1: that would be also, I would also be heppy. Please 528 00:27:07,920 --> 00:27:09,880 Speaker 1: do drop us a line there and let us know 529 00:27:10,000 --> 00:27:15,040 Speaker 1: about your thoughts on the number seven about puppets and 530 00:27:15,119 --> 00:27:17,360 Speaker 1: everything else that you can think of. Um, you can 531 00:27:17,440 --> 00:27:25,280 Speaker 1: do so at blow the Mind at discovery dot com 532 00:27:25,320 --> 00:27:27,760 Speaker 1: for more on this and thousands of other topics. Does 533 00:27:27,760 --> 00:27:34,600 Speaker 1: it how stuff works dot com