WEBVTT - 2: The Receipts

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<v Speaker 1>Novel. Hey listeners, this is Ellie Flynn. Before we get started,

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<v Speaker 1>I just want to let you know that this episode

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<v Speaker 1>contains swearing, explicit sexual language, and claims of sexual abuse.

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<v Speaker 1>It's also a story of female empowerment and camaraderie thanks

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<v Speaker 1>to the women who have shared their stories with us.

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<v Speaker 1>We contacted the photographer mentioned in this podcast multiple times

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<v Speaker 1>for comment, but we never heard back. He has not

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<v Speaker 1>been charged with any crimes and is presumed innocent under

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<v Speaker 1>the law. We also contacted Playboy USA. They state that

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<v Speaker 1>they have asked their licensees to blacklist the photographer mentioned

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<v Speaker 1>in this series and that they prohibit pay to play,

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<v Speaker 1>which you'll hear more about later in the series. Our

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<v Speaker 1>research into his association to Playboy and their statement will

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<v Speaker 1>be detailed in episode four of this series. Oh and

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<v Speaker 1>one more thing. Some of the voice notes you'll hear

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<v Speaker 1>in this episode are voiced by actors. It's September twenty twenty,

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<v Speaker 1>just days since the WhatsApp group was created, and Emily's

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<v Speaker 1>phone is already blowing up.

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<v Speaker 2>Girls.

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<v Speaker 3>I'm just having my hair done and I've just come

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<v Speaker 3>to this group and there's like two hundred and sixty

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<v Speaker 3>nine messages.

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<v Speaker 4>Help girls, I'm loving this group.

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<v Speaker 5>You're cracking me up here.

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<v Speaker 3>I'll make light of this situation because I'm traumatized.

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<v Speaker 2>So ow.

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<v Speaker 5>My dog's just dropped a bone on my leg, so.

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<v Speaker 4>You know, I'm exactly the same, Emily. I laugh in

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<v Speaker 4>the most darkest situations.

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<v Speaker 1>The group was established as a space for the models

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<v Speaker 1>to share their claims of abuse and harassment by photographer

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<v Speaker 1>Luis Gomez. In just days, the group had about a

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<v Speaker 1>dozen members, all models who'd shot with Luise on his

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<v Speaker 1>brief UK tour. Messages, voice notes and screenshots were piling

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<v Speaker 1>up and they were all full of support.

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<v Speaker 2>Em Glad you said that.

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<v Speaker 6>You wouldn't have known what to do because I went.

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<v Speaker 1>Alone and he was saying ex the same things to.

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<v Speaker 5>Me as he was you.

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<v Speaker 2>Oh, that's really shit.

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<v Speaker 5>That's fucking terrible, fucking hell.

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<v Speaker 2>It makes you wonders, isn't it.

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<v Speaker 4>If your friends weren't there, what would you have actually done.

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<v Speaker 1>The women found their stories were really similar. Nobody's would

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<v Speaker 1>tell you that shooting with him could mean amazing things

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<v Speaker 1>for your career, that he'd take you right to the

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<v Speaker 1>top and make you a start.

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<v Speaker 4>You feel like you've made it in the modeling world.

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<v Speaker 4>Especially like Playboy.

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<v Speaker 3>Maybe I'll go to America and I'll be really big

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<v Speaker 3>and famous, and I'll be rich and I'll have a yacht.

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<v Speaker 1>But then the shoot itself wouldn't be as glamorous as

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<v Speaker 1>Louis had made out. It would take place in a

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<v Speaker 1>shitty hotel room or airbnb, the.

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<v Speaker 5>People smoking, weeding them on next door.

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<v Speaker 7>It was horrible, horrible, and I'm thinking, why are we

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<v Speaker 7>shooting in a hotel? I would have thought publications had studios.

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<v Speaker 1>And during the shoot he'd start to pressure you.

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<v Speaker 4>I was like, that's enough, and he said no.

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<v Speaker 1>I just thought I've got to keep this guy happy.

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<v Speaker 2>I thought I was going.

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<v Speaker 1>To get a full on rate and there was nobody there.

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<v Speaker 2>It was awful.

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<v Speaker 1>The women all shared the same feelings of despair afterwards.

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<v Speaker 3>The whole experience was just disheartening, degrading.

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<v Speaker 2>Oh my god, it was Honestly, it's traumatic. I quit

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<v Speaker 2>my job after. I'm heartbroken, to be completely honest.

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<v Speaker 1>The women fell into two categories. Either they were just

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<v Speaker 1>starting out in glamour, green and naive, or the opposite,

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<v Speaker 1>on the brink of leaving it all behind and ready

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<v Speaker 1>to risk everything for one last shot at their Playboy dream,

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<v Speaker 1>But all of them had their careers on the line,

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<v Speaker 1>and it seemed like Luis knew that and exploited it.

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<v Speaker 8>I felt like everything was riding on that poot issue.

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<v Speaker 8>He kind of gets you sucked in with how amazing

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<v Speaker 8>he is. I'm going to do this, so I'm going

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<v Speaker 8>to do that, and then it's nothing like that.

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<v Speaker 1>But at least the women now knew they weren't alone,

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<v Speaker 1>and they wanted to make sure Luis Gomez could never

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<v Speaker 1>behave like this again. It wasn't going to be easy.

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<v Speaker 1>These were women without the influence or money that Luise

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<v Speaker 1>seemed to have. They were glamor models and sex workers,

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<v Speaker 1>some of the most overlooked and judged women in society.

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<v Speaker 1>But they were ready to shout.

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<v Speaker 5>We've all got each other to, you know, support each other.

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<v Speaker 1>Our case is going to be solid. We've got so

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<v Speaker 1>much evidence and.

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<v Speaker 9>So listening to people have their lives debrailed by him.

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<v Speaker 1>I'm Ellie Flynn and from the team at Novel. This

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<v Speaker 1>is the Bunny Trap, Episode two. The receipts.

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<v Speaker 2>H M, Hi.

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<v Speaker 10>Alive, how are you?

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<v Speaker 1>I've driven to the English countryside on a rainy Friday

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<v Speaker 1>to meet another member of the WhatsApp group. She's a

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<v Speaker 1>former model who goes by the name of Herah.

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<v Speaker 2>Thank You.

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<v Speaker 1>She's warm and friendly and immediately welcomes me into her

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<v Speaker 1>home with a cup of tea. Harrah's living room is

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<v Speaker 1>full of personality. It's got black and white striped walls

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<v Speaker 1>that she painted herself, and her own artworks hang everywhere.

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<v Speaker 1>It's very different from the CD hotel room where she

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<v Speaker 1>met Louise Gomez in August twenty twenty. Back then, Hera

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<v Speaker 1>was just beginning her modeling career. She was out of

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<v Speaker 1>work during the pandemic, and with two kids to raise,

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<v Speaker 1>she turned her OnlyFans to help make ends meet. So

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<v Speaker 1>when Louis Gomez wanted to shoot with her, she saw

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<v Speaker 1>an opportunity for a better life. After all, he had

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<v Speaker 1>shot for Playboy. It would come at a cost, though

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<v Speaker 1>Louise wanted six hundred pounds for the shoot. It was

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<v Speaker 1>a lot of money for an out of work single mum,

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<v Speaker 1>but Hera wanted to get noticed by Playboy. That's how

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<v Speaker 1>she justified the cost of the shoot and the cost

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<v Speaker 1>of getting ready. How much moneaged to think you spent

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<v Speaker 1>in preparation beforehand?

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<v Speaker 5>Oh gosh.

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<v Speaker 4>She included the boathowk's lips and then obviously there's the clothes,

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<v Speaker 4>about six to seven hundred pounds.

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<v Speaker 1>Harra says she told Louise that she wanted to do

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<v Speaker 1>topless only, but despite taking a friend with her to

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<v Speaker 1>the shoot, she says, Louise pushed her levels.

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<v Speaker 4>It escalated really really quickly. Within about ten minutes. I

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<v Speaker 4>had everything off with my legs open, which is not

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<v Speaker 4>what I wanted.

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<v Speaker 1>And how did that happen? What kind of things was

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<v Speaker 1>he saying?

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<v Speaker 4>Basically telling me that I was too shy and that

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<v Speaker 4>everyone else does it, so why aren't you doing it?

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<v Speaker 4>You know, if you want to be in Playboy, this

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<v Speaker 4>is what you have to do.

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<v Speaker 1>That was bad enough, but her nightmare with Luise continued.

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<v Speaker 1>After the shoot. Louisa sent Harra some edited photos from

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<v Speaker 1>their shoot that he plans on submitting some magazines like Playboy,

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<v Speaker 1>and that hera camposed on social media, but she can't

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<v Speaker 1>access the photos. The file transfer he sent doesn't work

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<v Speaker 1>for her.

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<v Speaker 2>Hello, I can't access the images.

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<v Speaker 6>Okay, you're gonna make me work twice.

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<v Speaker 1>It seems like Louise spots an opportunity.

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<v Speaker 6>I want you in the top so let's just start maybe.

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<v Speaker 1>This starts a text message exchange between HERA and Luise.

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<v Speaker 1>Just to warn you, it goes into some pretty explicit territory.

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<v Speaker 1>Both their messages are read by actors.

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<v Speaker 6>I want you select your coller.

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<v Speaker 1>Louise tells Harrah she can choose her cover shots, but

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<v Speaker 1>there's nothing for her to select from.

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<v Speaker 2>I've not received any pictures.

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<v Speaker 6>And then send me some super naughty I'm hard already. Hello.

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<v Speaker 4>I just remember being sat there, like up at the

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<v Speaker 4>breakfast bar, a phone in hand, panicking like, oh my god.

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<v Speaker 1>To get her photos. Louise wants hera to send him

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<v Speaker 1>sexually explicit content. Her heart is sinking. She's already paid

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<v Speaker 1>for the shoot where she says he pressured her into

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<v Speaker 1>an open leg pose, and now he wants her to

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<v Speaker 1>send him explicit photos. But she knows if she doesn't agree,

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<v Speaker 1>and she could lose her photos altogether, waste all that money.

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<v Speaker 1>There are so many other models whose photos Louise could

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<v Speaker 1>submit to Playboy.

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<v Speaker 4>I'm still kind of having to in a way keep

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<v Speaker 4>him sweet, and i didn't want to keep him sweet.

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<v Speaker 4>But at the same time, I've got something hanging in

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<v Speaker 4>the balance here, the very thought of actually speaking to

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<v Speaker 4>him or messaging him make me feel physically sick. At

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<v Speaker 4>that point, it was a lose lose situation for me.

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<v Speaker 4>This is kind of how I felt. I felt like

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<v Speaker 4>I was genuinely trapped.

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<v Speaker 1>Harrah pauses for a second, unsure what to do. She

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<v Speaker 1>might be able to buy herself some time if she

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<v Speaker 1>makes it seem like she's going to send Louise what

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<v Speaker 1>he wants, so she types out a reply, I have a.

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<v Speaker 2>Very naughty video for you. Have you resent the images?

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<v Speaker 1>His reply is immediate, I'm doing now. While hera waits,

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<v Speaker 1>his demands continue. I'm never coming more explicit.

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<v Speaker 6>I want came looking at you. I want to see

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<v Speaker 6>you naughty horny.

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<v Speaker 1>Harrah's phone is buzzing in her hand, inches away from

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<v Speaker 1>where her kids are finishing off their dinner. Sausages, broccoli,

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<v Speaker 1>and ketch up are congealing on their plates. Maybe if

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<v Speaker 1>she sends a few emojis, he'll leave off. But before

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<v Speaker 1>she can catch a breath, she gets another message, and

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<v Speaker 1>this one gets to her.

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<v Speaker 6>You're extremely shy.

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<v Speaker 1>Shy. It's the same word Luis used to describe her

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<v Speaker 1>on the chute, the language she says he used to

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<v Speaker 1>push her into shooting open leg can you remember how

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<v Speaker 1>that made you feel?

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<v Speaker 4>Yeah, like I wasn't good enough and that I was

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<v Speaker 4>going to fail in the industry. Then I felt like

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<v Speaker 4>I had to prove that to him, that I'm not shy.

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<v Speaker 2>Sure me, I've not received any pictures.

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<v Speaker 1>With her chest tight. Hearrah gives in. She sends Luis

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<v Speaker 1>a sexy video of her in the shower. Now stay

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<v Speaker 1>with me, because I understand some of you might lose

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<v Speaker 1>sympathy for her at this point. If she's willing to

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<v Speaker 1>share explicit content with a guy she's already had a

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<v Speaker 1>traumatic photo shoot with, you might think she's the one

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<v Speaker 1>at fault. But when you think about it, how much

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<v Speaker 1>choice did hera really have.

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<v Speaker 4>I was sending him things because he had these images

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<v Speaker 4>of me, So I just complied and did as I

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<v Speaker 4>was told, just to make it like an easier process.

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<v Speaker 4>If I just do it, it will speed things up.

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<v Speaker 4>Just get me my pictures and that will be the

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<v Speaker 4>end of it.

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<v Speaker 1>Finally he sends her the pictures.

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<v Speaker 4>I was like, you look really good, and this is

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<v Speaker 4>what's going to go in the magazine.

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<v Speaker 1>We have to hurry up, like right now, she opens

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<v Speaker 1>the file transfer.

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<v Speaker 6>I was like, oh my.

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<v Speaker 4>Gosh, because I hated them, absolutely hated them. My stomach

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<v Speaker 4>was a really huge thing for me. I felt quite

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<v Speaker 4>self conscious, and that's something that I wanted a bit

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<v Speaker 4>of control over.

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<v Speaker 1>This is her big shot, and Louise wants to submit

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<v Speaker 1>photos that she hates. She quickly messages him suggesting other options,

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<v Speaker 1>but less than a minute passes before the next demand.

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<v Speaker 6>Send me baby, I can't wait any longer, lolle take

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<v Speaker 6>some from me. Take one photo for me. I'm gonna

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<v Speaker 6>take care of your cover.

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<v Speaker 1>Louise continued to send her a graphically sexual messages. There's

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<v Speaker 1>too many for us to include them all.

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<v Speaker 4>It made me feel so angry. I can't even really

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<v Speaker 4>describe what it felt like. But it's just all these

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<v Speaker 4>emotions that happen at once. You've got the obviously, the anger,

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<v Speaker 4>you want to cry, and it's really really difficult to

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<v Speaker 4>deal with.

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<v Speaker 1>After HERA sends Louise some more explicit content, he tells

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<v Speaker 1>her that one of her photos has been selected for

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<v Speaker 1>the cover of a magazine.

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<v Speaker 6>The cover is yours, hope that you send me after

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<v Speaker 6>they saying you're designed too.

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<v Speaker 1>But when Louise sends the mock up of the cover,

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<v Speaker 1>it's not for Playboy. It's a magazine that Herah's never

0:13:04.800 --> 0:13:12.840
<v Speaker 1>heard of called Bikini Plus. This is so far from

0:13:12.840 --> 0:13:15.960
<v Speaker 1>what Hera had hoped for, But she's got no fight

0:13:16.040 --> 0:13:20.000
<v Speaker 1>left in her. She just wants this to stop, so

0:13:20.800 --> 0:13:22.040
<v Speaker 1>she pretends.

0:13:22.120 --> 0:13:23.840
<v Speaker 6>I love it me too.

0:13:25.600 --> 0:13:28.040
<v Speaker 1>A few days later, Luise gets in touch again.

0:13:29.160 --> 0:13:33.040
<v Speaker 6>I have some update your Govit goes out this week.

0:13:33.600 --> 0:13:35.199
<v Speaker 2>Wow, that's amazing.

0:13:35.679 --> 0:13:40.559
<v Speaker 6>Yes, super cool. Maybe, by the way, can you send

0:13:40.559 --> 0:13:46.120
<v Speaker 6>me some more more what Sylphie's I'm not like the

0:13:46.160 --> 0:13:47.040
<v Speaker 6>ones you send me.

0:13:47.880 --> 0:13:51.800
<v Speaker 7>You have enough explicit images of me from the shoe.

0:13:53.720 --> 0:13:54.280
<v Speaker 6>I know.

0:13:56.920 --> 0:13:59.280
<v Speaker 1>All of this harassment is coming on top of the

0:13:59.280 --> 0:14:01.560
<v Speaker 1>fact that you have paid him for this shoe, You've

0:14:01.600 --> 0:14:03.959
<v Speaker 1>paid him for a service, and he is then withholding

0:14:04.040 --> 0:14:05.839
<v Speaker 1>those photos that you've paid for.

0:14:06.080 --> 0:14:06.520
<v Speaker 6>Yeah.

0:14:06.679 --> 0:14:09.280
<v Speaker 4>I was pissed off, super pissed off, Like I was

0:14:09.280 --> 0:14:12.240
<v Speaker 4>putting a lot on the line. I was new to

0:14:12.280 --> 0:14:15.240
<v Speaker 4>the industry. I've got two children. You know. This was

0:14:15.320 --> 0:14:17.839
<v Speaker 4>kind of like make or break for me. It's your

0:14:17.840 --> 0:14:20.200
<v Speaker 4>dignity as well, and I felt like I lost that

0:14:20.560 --> 0:14:21.920
<v Speaker 4>as well as everything else.

0:14:23.360 --> 0:14:24.200
<v Speaker 1>Hair's done.

0:14:25.520 --> 0:14:27.960
<v Speaker 7>I'm not sending anything of me to you just for

0:14:28.040 --> 0:14:32.120
<v Speaker 7>a publication. I'll happily go without. I don't want to

0:14:32.160 --> 0:14:36.240
<v Speaker 7>send any photos. Please stop asking again.

0:14:37.240 --> 0:14:40.400
<v Speaker 1>The messages stop, but the feeling remains.

0:14:41.000 --> 0:14:43.480
<v Speaker 4>I felt completely taking the piss up and violated. Actually

0:14:43.800 --> 0:14:47.680
<v Speaker 4>I actually felt dirty, really dirty. I didn't have anything left,

0:14:47.920 --> 0:14:49.160
<v Speaker 4>like genuinely I didn't.

0:14:50.160 --> 0:14:52.600
<v Speaker 1>When Harah found Emily, who I spoke with in the

0:14:52.680 --> 0:14:55.160
<v Speaker 1>last episode, she learned she wasn't alone.

0:14:57.960 --> 0:15:00.920
<v Speaker 4>Emily told me what had happened when she turned up.

0:15:00.880 --> 0:15:01.320
<v Speaker 9>To the shoot.

0:15:02.320 --> 0:15:05.760
<v Speaker 4>Oh creep, absolute creep paver, and then we were like,

0:15:05.760 --> 0:15:09.640
<v Speaker 4>should we message some other people? And that day I

0:15:09.680 --> 0:15:15.000
<v Speaker 4>think we messaged about seventy people. We'd gone back through

0:15:15.040 --> 0:15:18.560
<v Speaker 4>his Instagram, messaged anyone that's recently shot with him over

0:15:18.600 --> 0:15:20.080
<v Speaker 4>here that he could have done it too.

0:15:20.560 --> 0:15:22.400
<v Speaker 1>And that is how they met Kiki.

0:15:22.480 --> 0:15:27.080
<v Speaker 10>J Emily messaged about her and I just burst out tears.

0:15:26.720 --> 0:15:28.240
<v Speaker 5>On the phone.

0:15:49.400 --> 0:15:52.160
<v Speaker 10>Ever since I was younger, I always wanted to become

0:15:52.200 --> 0:15:54.520
<v Speaker 10>a model. I really wanted to be a playerboy mo

0:15:54.600 --> 0:15:55.760
<v Speaker 10>doll like. It was my goal.

0:15:55.880 --> 0:15:56.520
<v Speaker 5>It was my dream.

0:15:56.520 --> 0:15:59.680
<v Speaker 1>I had to play a boy bedroom everything. This is

0:15:59.760 --> 0:16:03.400
<v Speaker 1>key kij She's a model from Newcastle in the northeast

0:16:03.400 --> 0:16:09.400
<v Speaker 1>of England. By the time I got in touch with her.

0:16:09.560 --> 0:16:11.560
<v Speaker 1>I'd heard quite a few of the women's accounts of

0:16:11.560 --> 0:16:14.160
<v Speaker 1>their shoots with Louise, and I was familiar with his

0:16:14.320 --> 0:16:18.280
<v Speaker 1>m O. I was expecting sleeves level pushing and harassment,

0:16:19.000 --> 0:16:23.680
<v Speaker 1>but Kiki's account shocked me. She was one of the

0:16:23.680 --> 0:16:25.600
<v Speaker 1>women who shot with Louise when he came to the

0:16:25.720 --> 0:16:29.840
<v Speaker 1>UK in summer twenty twenty, and her testimony is the

0:16:29.880 --> 0:16:36.560
<v Speaker 1>worst I've heard from that short trip. What you're about

0:16:36.560 --> 0:16:40.120
<v Speaker 1>to hear Akiki's recollections of that day. Her testimony is

0:16:40.160 --> 0:16:42.800
<v Speaker 1>about three and a half minutes long and contains graphic

0:16:42.840 --> 0:16:46.480
<v Speaker 1>descriptions of alleged sexual assault, so please take care when listening.

0:16:47.600 --> 0:16:50.320
<v Speaker 1>On the day of her appointment with Luis, Kiki made

0:16:50.320 --> 0:16:52.600
<v Speaker 1>the six hour journey to London with a friend.

0:16:53.000 --> 0:16:56.200
<v Speaker 10>We've drove down from Newcastle for the shoote Lewis was

0:16:56.240 --> 0:16:58.400
<v Speaker 10>sitting there with lords of Clear Boy magazines and asked

0:16:58.400 --> 0:17:01.720
<v Speaker 10>her for want at Danny Food drink and he had

0:17:01.960 --> 0:17:05.400
<v Speaker 10>vodka and we started just finishing off getting ready, both

0:17:05.440 --> 0:17:09.000
<v Speaker 10>together in the room upstairs. I shot solo with him

0:17:09.080 --> 0:17:13.520
<v Speaker 10>and my friend was downstairs. Everything was fine. He'd help

0:17:13.600 --> 0:17:15.920
<v Speaker 10>us with my cloven and stuff like that.

0:17:16.920 --> 0:17:20.560
<v Speaker 1>After a while Keiki says Luis's behavior started to change

0:17:20.800 --> 0:17:23.720
<v Speaker 1>and he became more physical with her. By the way,

0:17:24.040 --> 0:17:27.520
<v Speaker 1>Keiki's accents from Newcastle, so for those of you outside

0:17:27.560 --> 0:17:30.959
<v Speaker 1>the UK, she uses the plural us when she's actually

0:17:31.000 --> 0:17:32.240
<v Speaker 1>talking about the singular me.

0:17:33.160 --> 0:17:37.639
<v Speaker 10>He was like being more inappropriate or baby, I really

0:17:37.760 --> 0:17:41.000
<v Speaker 10>like you, really like you. God, I'm obsessed with your body.

0:17:41.320 --> 0:17:44.600
<v Speaker 10>I just want to touch it. And I was like right,

0:17:45.000 --> 0:17:49.120
<v Speaker 10>And as I was going out, he pulled us back

0:17:49.480 --> 0:17:52.800
<v Speaker 10>and was trying to kiss us, touching hers poll his

0:17:52.920 --> 0:17:53.560
<v Speaker 10>pants down.

0:17:54.040 --> 0:17:55.800
<v Speaker 1>Keiki says, she tries to stop him.

0:17:56.200 --> 0:17:59.359
<v Speaker 10>I was traumatized or was shocked and say, what you doing, Louis?

0:18:00.359 --> 0:18:02.080
<v Speaker 10>He say, don't you want to make me happy? Don't

0:18:02.119 --> 0:18:02.840
<v Speaker 10>you want to spoil me?

0:18:02.920 --> 0:18:03.200
<v Speaker 2>Baby?

0:18:03.200 --> 0:18:05.439
<v Speaker 10>Since I'm spoiling you, I'm going to help you get

0:18:05.480 --> 0:18:07.680
<v Speaker 10>where you want to go, and started like really and

0:18:07.800 --> 0:18:10.480
<v Speaker 10>all of the things, and I just go out and teas.

0:18:10.520 --> 0:18:12.920
<v Speaker 10>I says, yes, that's what I want, but not if

0:18:12.920 --> 0:18:15.320
<v Speaker 10>you're expecting me to do something and return for it.

0:18:16.119 --> 0:18:19.159
<v Speaker 10>This is never, never the deal, Nothing was ever a

0:18:19.240 --> 0:18:20.640
<v Speaker 10>great on that circumstance.

0:18:20.800 --> 0:18:24.000
<v Speaker 1>I do modeling and model and nonie and.

0:18:25.640 --> 0:18:29.080
<v Speaker 10>He was still trying to kiss us, touching us, trying

0:18:29.119 --> 0:18:33.280
<v Speaker 10>to feel my boobs and stuff, and he started trying

0:18:33.320 --> 0:18:35.560
<v Speaker 10>to pull my head down to his cock to suck it,

0:18:36.760 --> 0:18:38.240
<v Speaker 10>like force my head down, and.

0:18:38.280 --> 0:18:39.200
<v Speaker 5>I kept pulling back.

0:18:39.440 --> 0:18:42.359
<v Speaker 10>He went, do you you're really not going to please me, baby,

0:18:42.560 --> 0:18:44.440
<v Speaker 10>that sort of thing I want normous. I really don't

0:18:44.480 --> 0:18:47.080
<v Speaker 10>want to us as you can tell, says, I'm really upset.

0:18:47.160 --> 0:18:48.800
<v Speaker 2>I just want to go downstairs now.

0:18:50.720 --> 0:18:53.360
<v Speaker 1>All Keiki wanted to do was leave, but she says

0:18:53.480 --> 0:18:54.520
<v Speaker 1>Luise wouldn't let her go.

0:18:55.080 --> 0:18:55.800
<v Speaker 5>He carried on.

0:18:57.520 --> 0:18:59.399
<v Speaker 10>Like just touching us or trying to like pull his

0:18:59.520 --> 0:19:02.000
<v Speaker 10>back to says and stuff. And at the same time

0:19:02.240 --> 0:19:04.879
<v Speaker 10>he was wunk and he's cot with his hand. And

0:19:05.840 --> 0:19:09.240
<v Speaker 10>then she just calmed everywhere and was like, right, okay,

0:19:09.280 --> 0:19:10.439
<v Speaker 10>we're gonna get your friend now.

0:19:18.280 --> 0:19:22.240
<v Speaker 1>Keiki says she was immensely distressed after the sheet. She

0:19:22.440 --> 0:19:25.439
<v Speaker 1>was depressed, turning to drink and drugs in a bid

0:19:25.560 --> 0:19:30.680
<v Speaker 1>to forget. That was until Emily got in touch.

0:19:32.840 --> 0:19:36.639
<v Speaker 10>Emily messaged about it, and she asked me about it

0:19:37.320 --> 0:19:39.040
<v Speaker 10>and wrung its and I just burst.

0:19:38.800 --> 0:19:41.639
<v Speaker 2>Out the tears on the phone. She's went, that's not normal,

0:19:42.040 --> 0:19:42.600
<v Speaker 2>but it's.

0:19:42.520 --> 0:19:43.880
<v Speaker 10>Really not and I'm so sorry.

0:19:44.000 --> 0:19:44.760
<v Speaker 2>It's happened here.

0:19:45.760 --> 0:19:48.360
<v Speaker 4>She says, there's plenty of the girls I've been speaking

0:19:48.440 --> 0:19:49.680
<v Speaker 4>of that has happened.

0:19:50.480 --> 0:19:52.159
<v Speaker 5>And we'll want to do something about it.

0:19:53.160 --> 0:19:54.720
<v Speaker 10>So that was music to my ears.

0:19:58.880 --> 0:20:01.320
<v Speaker 1>If you felt like you could report people to the police.

0:20:02.040 --> 0:20:04.159
<v Speaker 10>I want it to go to the police, and the

0:20:04.240 --> 0:20:08.240
<v Speaker 10>people just say as well, they'll just make you out

0:20:08.280 --> 0:20:09.440
<v Speaker 10>to be the other way around you.

0:20:09.480 --> 0:20:11.280
<v Speaker 5>You'll be the one that's frowned upon. You'll be the

0:20:11.320 --> 0:20:12.359
<v Speaker 5>one that looks like a slag.

0:20:13.040 --> 0:20:15.399
<v Speaker 10>You're going to ruin your image, so I'm supposed to

0:20:15.520 --> 0:20:17.000
<v Speaker 10>just keep your mouth shut and get on mother.

0:20:17.160 --> 0:20:21.240
<v Speaker 1>Basically, you'll be the one that's frowned upon, so it's

0:20:21.280 --> 0:20:24.359
<v Speaker 1>best to keep your mouth shut. This attitude comes up

0:20:24.440 --> 0:20:26.600
<v Speaker 1>again and again when the women tell me about their

0:20:26.640 --> 0:20:29.639
<v Speaker 1>experiences and explain why they didn't go to the police,

0:20:33.000 --> 0:20:35.399
<v Speaker 1>no matter how much they wanted to stop Luis and

0:20:35.520 --> 0:20:38.199
<v Speaker 1>to make sure this never happened to another model, they

0:20:38.320 --> 0:20:41.640
<v Speaker 1>just didn't think they'd be taken seriously. Here's Errah.

0:20:42.000 --> 0:20:44.040
<v Speaker 4>I remember a model saying to me, it's all part

0:20:44.040 --> 0:20:47.960
<v Speaker 4>of the industry. So of course that makes you feel great,

0:20:47.960 --> 0:20:50.800
<v Speaker 4>don't it. If you're going to go to the police

0:20:50.880 --> 0:20:53.800
<v Speaker 4>and tell them that you do only fans or you

0:20:53.920 --> 0:20:56.960
<v Speaker 4>do glamour photography. It's like, well, you're asking for it.

0:20:58.440 --> 0:20:59.760
<v Speaker 4>That is how people see it.

0:21:01.240 --> 0:21:04.520
<v Speaker 1>Not all glamor models identify as sex workers. Some of

0:21:04.560 --> 0:21:07.280
<v Speaker 1>the models in this podcast don't see themselves that way either,

0:21:08.080 --> 0:21:11.120
<v Speaker 1>but society at large sees them that way, and there's

0:21:11.160 --> 0:21:14.480
<v Speaker 1>a stigma that comes with that. The thing is whether

0:21:14.520 --> 0:21:17.639
<v Speaker 1>you're a sex worker or not. Sexual assault convictions are

0:21:17.800 --> 0:21:22.040
<v Speaker 1>staggeringly low. In twenty twenty three in England and Wales,

0:21:22.400 --> 0:21:25.680
<v Speaker 1>only two point four percent of reported rape cases led

0:21:25.720 --> 0:21:29.240
<v Speaker 1>to a charge, so the women turned to each other.

0:21:29.880 --> 0:21:32.399
<v Speaker 1>They didn't think they'd get justice through the legal system,

0:21:33.240 --> 0:21:39.040
<v Speaker 1>so they went vigilante. And there was one place where

0:21:39.119 --> 0:21:44.120
<v Speaker 1>this group of women would be heard Instagram. Between them,

0:21:44.520 --> 0:21:48.080
<v Speaker 1>they had over three hundred thousand followers, and if they

0:21:48.119 --> 0:21:50.840
<v Speaker 1>all called Luis out, they could save other women from

0:21:50.840 --> 0:21:54.840
<v Speaker 1>suffering the same fate. So they leap into action, planning

0:21:54.880 --> 0:21:58.520
<v Speaker 1>their next move. In the WhatsApp group, they tried to

0:21:58.560 --> 0:22:00.400
<v Speaker 1>make sure their evidence is walter to tight.

0:22:01.080 --> 0:22:04.320
<v Speaker 5>Screenshot everything. Now I'm going to download the conversations as well.

0:22:04.960 --> 0:22:07.560
<v Speaker 1>In the FBI, it's mad they hype each other up.

0:22:08.119 --> 0:22:11.840
<v Speaker 4>If our voices mean that we can at least just

0:22:12.080 --> 0:22:15.399
<v Speaker 4>let people know that they're not alone. I want that

0:22:16.119 --> 0:22:18.720
<v Speaker 4>I'm here to support all of you girls. Obviously, the

0:22:18.920 --> 0:22:22.119
<v Speaker 4>more people that speak out the better. But I mean,

0:22:22.160 --> 0:22:24.800
<v Speaker 4>I think we've got a pretty strong case with all

0:22:24.880 --> 0:22:25.800
<v Speaker 4>of us in here anyway.

0:22:27.960 --> 0:22:30.440
<v Speaker 1>But the group is running out of time. Luis is

0:22:30.480 --> 0:22:32.360
<v Speaker 1>coming back to the UK soon.

0:22:33.600 --> 0:22:35.680
<v Speaker 3>He's asked me to shoot again in November and I've

0:22:35.720 --> 0:22:36.440
<v Speaker 3>not responded.

0:22:36.920 --> 0:22:40.760
<v Speaker 1>That means more shoots, more vulnerable women. They need to

0:22:40.840 --> 0:22:42.120
<v Speaker 1>stop him now.

0:22:43.560 --> 0:22:45.679
<v Speaker 5>That's why we want to get this done sooner.

0:22:45.920 --> 0:22:48.439
<v Speaker 4>Imagine those poor girls up there that he's maybe assaulted.

0:22:49.080 --> 0:22:49.920
<v Speaker 5>Shall we do At.

0:22:49.840 --> 0:22:52.360
<v Speaker 7>Seven o'clock announcement when everyone's finished work.

0:22:53.000 --> 0:22:56.040
<v Speaker 1>The models tease the reveal on their accounts. Something big

0:22:56.200 --> 0:22:56.920
<v Speaker 1>is on the way.

0:22:57.440 --> 0:23:00.240
<v Speaker 3>And then we tag each other's profiles all of our stories. Look,

0:23:00.720 --> 0:23:03.399
<v Speaker 3>we're going to expose somebody. Make sure you're watching.

0:23:04.000 --> 0:23:06.879
<v Speaker 1>At seven pm on the twenty fifth of October twenty twenty,

0:23:07.840 --> 0:23:15.000
<v Speaker 1>the model's press send in a series of posts on

0:23:15.119 --> 0:23:18.439
<v Speaker 1>hot pink or black backgrounds with blown up text, they

0:23:18.520 --> 0:23:19.360
<v Speaker 1>share their stories.

0:23:20.280 --> 0:23:24.240
<v Speaker 7>Harah writes, as this guy insists on being credited for

0:23:24.359 --> 0:23:27.440
<v Speaker 7>his work, I'd like to take this opportunity to call

0:23:27.480 --> 0:23:33.080
<v Speaker 7>out this photographer, Louise Gomez. I'm sorry if what I'm

0:23:33.119 --> 0:23:35.040
<v Speaker 7>posting may seem a little inappropriate.

0:23:35.720 --> 0:23:36.920
<v Speaker 2>However, I'm more.

0:23:36.840 --> 0:23:38.879
<v Speaker 7>Than happy to put my dignity on the line if

0:23:38.920 --> 0:23:42.760
<v Speaker 7>it means save in someone else's. Nothing can make me

0:23:42.840 --> 0:23:45.960
<v Speaker 7>feel more shameful than how I felt in those three hours,

0:23:47.040 --> 0:23:48.600
<v Speaker 7>not a single thing.

0:23:50.520 --> 0:23:53.399
<v Speaker 1>Harah posts a photograph that her friend secretly captured on

0:23:53.440 --> 0:23:56.040
<v Speaker 1>the shoot with Luise. It shows her on all fours

0:23:56.280 --> 0:23:58.800
<v Speaker 1>naked on the floor with Louise shooting her from behind.

0:23:59.359 --> 0:24:01.840
<v Speaker 1>She's picked late so that you can't see her intimate areas.

0:24:02.400 --> 0:24:05.639
<v Speaker 1>She's overlaid the image with the text that reads this was.

0:24:05.640 --> 0:24:07.159
<v Speaker 2>A topless only shoot.

0:24:07.640 --> 0:24:11.360
<v Speaker 7>Clearly, Thankfully I had a friend that was clever enough

0:24:11.440 --> 0:24:14.520
<v Speaker 7>to gather evidence while seeing me being level pushed. I

0:24:14.640 --> 0:24:19.000
<v Speaker 7>remember thinking I wish this was all over in this exact.

0:24:18.760 --> 0:24:22.240
<v Speaker 1>Moment, the models had come out swinging.

0:24:27.160 --> 0:24:32.040
<v Speaker 4>We posted everything, and it just blew up from there.

0:24:33.640 --> 0:24:37.720
<v Speaker 3>I've just put so many screenshots from my WhatsApp chat

0:24:37.880 --> 0:24:40.240
<v Speaker 3>and my Instagram chat with him on my story.

0:24:40.720 --> 0:24:44.720
<v Speaker 4>I have just shared screenshots on my Instagram and my

0:24:44.880 --> 0:24:46.920
<v Speaker 4>Facebook Star is You Girls?

0:24:46.920 --> 0:24:49.600
<v Speaker 5>And more than welcome to share whatever is posted from me.

0:24:50.320 --> 0:24:52.840
<v Speaker 3>When you like a match and you drop it on

0:24:52.960 --> 0:24:55.440
<v Speaker 3>something flammable, you don't realize how quickly that is gonna

0:24:55.880 --> 0:24:57.080
<v Speaker 3>catch and just spiral.

0:24:58.040 --> 0:24:59.760
<v Speaker 5>It got spread around like wildfire.

0:25:02.320 --> 0:25:04.719
<v Speaker 3>Girls that we had messaged before and they'd said, oh,

0:25:04.880 --> 0:25:06.280
<v Speaker 3>I don't want to talk about it or I don't

0:25:06.280 --> 0:25:08.480
<v Speaker 3>want to get involved. They changed their tune a little

0:25:08.480 --> 0:25:11.800
<v Speaker 3>bit because they saw how many girls were coming forward

0:25:11.840 --> 0:25:13.520
<v Speaker 3>and they thought, well, do you know what, I'm not

0:25:13.560 --> 0:25:14.080
<v Speaker 3>the only one.

0:25:15.040 --> 0:25:17.639
<v Speaker 5>She feels like she's probably wants to come forward.

0:25:17.840 --> 0:25:21.639
<v Speaker 3>She sent me private messages like a paragraphs upon paragraphs

0:25:21.800 --> 0:25:22.520
<v Speaker 3>like really bad.

0:25:22.800 --> 0:25:24.480
<v Speaker 4>Even if they don't want to tell me anything, I

0:25:24.640 --> 0:25:26.720
<v Speaker 4>just want them to know that if they ever.

0:25:26.680 --> 0:25:27.960
<v Speaker 2>Did that, we're there for them.

0:25:28.600 --> 0:25:31.680
<v Speaker 4>There were just so many people like messaging and their

0:25:31.720 --> 0:25:34.200
<v Speaker 4>experiences were horrific, really bad.

0:25:34.800 --> 0:25:36.920
<v Speaker 2>I've been aware of what's gone on for a long time.

0:25:37.280 --> 0:25:40.160
<v Speaker 4>I've worked with a photographer and there are so many

0:25:40.240 --> 0:25:42.520
<v Speaker 4>girls and the worst thing is about it.

0:25:42.880 --> 0:25:45.160
<v Speaker 2>He's going to still keep getting away with it unless

0:25:45.280 --> 0:25:46.080
<v Speaker 2>people report them.

0:25:46.880 --> 0:25:50.639
<v Speaker 3>I don't think we anticipated how quickly it was going

0:25:50.720 --> 0:25:51.200
<v Speaker 3>to take off.

0:25:53.000 --> 0:25:56.760
<v Speaker 5>We were tagging Louise. It was boom tag. You're there.

0:25:57.119 --> 0:26:04.200
<v Speaker 5>You can't hide. Everybody knows what you're at is. Louise

0:26:04.280 --> 0:26:05.439
<v Speaker 5>went absolutely mental.

0:26:06.440 --> 0:26:09.400
<v Speaker 1>Louise texted Emily this is a bit of their text exchange.

0:26:10.760 --> 0:26:14.439
<v Speaker 6>Wow, thanks a lot. I don't know why you are

0:26:14.520 --> 0:26:18.200
<v Speaker 6>doing these after all the HILP I gave the help.

0:26:18.520 --> 0:26:19.760
<v Speaker 5>You're a fucking predator.

0:26:20.400 --> 0:26:23.639
<v Speaker 6>It is not fair what you're doing and you're not.

0:26:24.560 --> 0:26:25.200
<v Speaker 7>Are you mad?

0:26:25.800 --> 0:26:30.760
<v Speaker 3>Honestly, just go away. He didn't apologize for what he'd done.

0:26:31.119 --> 0:26:33.080
<v Speaker 3>He didn't seem to think that he'd done anything wrong.

0:26:33.560 --> 0:26:36.560
<v Speaker 3>We're not going to just do this to destroy somebody's career.

0:26:37.080 --> 0:26:38.199
<v Speaker 3>You've been caught red handed.

0:26:41.600 --> 0:26:44.919
<v Speaker 1>Only hours after their big Instagram call out, the models

0:26:44.960 --> 0:26:46.719
<v Speaker 1>realized something big has happened.

0:26:47.720 --> 0:26:50.840
<v Speaker 5>He's not blocked girls, he's deleted his account.

0:26:51.600 --> 0:26:55.200
<v Speaker 1>The women had finally got what they wanted. Luise was gone.

0:27:18.359 --> 0:27:21.159
<v Speaker 1>When the models went public, it felt like a real moment.

0:27:22.000 --> 0:27:25.320
<v Speaker 1>But then, bubbling up beside the support, they started getting

0:27:25.480 --> 0:27:26.640
<v Speaker 1>very different messages.

0:27:30.040 --> 0:27:33.359
<v Speaker 5>You would have men commenting, sending DMS saying you do

0:27:33.480 --> 0:27:34.119
<v Speaker 5>only fans.

0:27:34.520 --> 0:27:35.960
<v Speaker 6>You deserve to be treated like this.

0:27:36.520 --> 0:27:39.600
<v Speaker 4>You bring this on yourself. You sold pictures of yourself

0:27:39.640 --> 0:27:41.560
<v Speaker 4>for a living, So what do you expect.

0:27:41.480 --> 0:27:44.520
<v Speaker 6>You've learned your lesson the hard way, so from now on,

0:27:45.040 --> 0:27:45.639
<v Speaker 6>don't do it.

0:27:48.280 --> 0:27:50.520
<v Speaker 3>People were saying, you're just doing it for social media

0:27:50.640 --> 0:27:53.800
<v Speaker 3>clout and for attention, and I feel like we were

0:27:53.840 --> 0:27:58.320
<v Speaker 3>being blamed. We only had each other and we knew

0:27:58.359 --> 0:28:01.200
<v Speaker 3>that we were telling the truth. I broke down in

0:28:01.320 --> 0:28:08.720
<v Speaker 3>tears because it was so hard. When sexual abuse happened.

0:28:09.119 --> 0:28:10.160
<v Speaker 3>People don't want.

0:28:10.040 --> 0:28:11.440
<v Speaker 5>To hear it.

0:28:11.800 --> 0:28:16.080
<v Speaker 3>They're not interested because it's so real. A lot of

0:28:16.119 --> 0:28:18.680
<v Speaker 3>people victim blame, and that's a very common thing that happens.

0:28:20.040 --> 0:28:22.800
<v Speaker 3>I went off the rails for a bit. The easiest

0:28:22.840 --> 0:28:25.240
<v Speaker 3>thing for me at that time was to use substances

0:28:25.400 --> 0:28:26.960
<v Speaker 3>just to forget everything.

0:28:27.760 --> 0:28:28.800
<v Speaker 1>Haro was suffering too.

0:28:29.440 --> 0:28:35.040
<v Speaker 4>In the evenings, I was drinking gin until I'd fallen asleep.

0:28:36.119 --> 0:28:39.120
<v Speaker 4>There was a lot of self destructive behaviors that were going.

0:28:39.000 --> 0:28:42.480
<v Speaker 1>On, and without its leaders, the group fell apart.

0:28:47.280 --> 0:28:50.280
<v Speaker 3>We all started just dropping the ball on communication and

0:28:50.520 --> 0:28:52.320
<v Speaker 3>it would end up being like three or four days

0:28:52.360 --> 0:28:54.360
<v Speaker 3>we wouldn't speak, and then it was a week and

0:28:54.480 --> 0:28:57.120
<v Speaker 3>then I would write in their or herold write in there.

0:28:57.600 --> 0:29:00.240
<v Speaker 4>Sorry girls, I've been a little bit absent because and

0:29:00.440 --> 0:29:02.240
<v Speaker 4>that great lately, Sorry.

0:29:02.040 --> 0:29:03.240
<v Speaker 5>Girls, I've literally just read this.

0:29:04.480 --> 0:29:07.600
<v Speaker 3>You'd get one reply or two replies, or no replies,

0:29:07.640 --> 0:29:10.400
<v Speaker 3>and it's like I just kind of leave this.

0:29:10.560 --> 0:29:13.280
<v Speaker 5>Then everybody just sort of went back to doing their

0:29:13.320 --> 0:29:13.760
<v Speaker 5>own thing.

0:29:14.920 --> 0:29:18.640
<v Speaker 1>The models had caused a social media storm, but like

0:29:18.760 --> 0:29:22.480
<v Speaker 1>all storms, it passed, and when the world moved on,

0:29:23.200 --> 0:29:24.880
<v Speaker 1>Luis crawled back out of the webwork.

0:29:25.680 --> 0:29:29.800
<v Speaker 4>I think he just changed the domain name of his website,

0:29:30.560 --> 0:29:34.360
<v Speaker 4>he started a new Instagram. He just kept popping up everywhere.

0:29:34.680 --> 0:29:37.680
<v Speaker 1>What the fuck? No, that ainn't even funny, is it.

0:29:38.160 --> 0:29:42.640
<v Speaker 10>The saddest thing is it's like everybody knows meant Although

0:29:42.680 --> 0:29:44.720
<v Speaker 10>because there was so much evidence.

0:29:45.840 --> 0:29:51.400
<v Speaker 1>So much evidence, the women were at rock bottom. They'd

0:29:51.440 --> 0:29:53.440
<v Speaker 1>put their necks on the line to expose the man

0:29:53.560 --> 0:29:57.280
<v Speaker 1>they said was a predator, and nothing had changed. But

0:29:57.440 --> 0:30:02.000
<v Speaker 1>there was one more option to whom it may concern.

0:30:02.360 --> 0:30:05.200
<v Speaker 1>I'm sending this email on behalf of myself and quite

0:30:05.200 --> 0:30:08.440
<v Speaker 1>a few other models about the horrific dealings we've all

0:30:08.560 --> 0:30:12.520
<v Speaker 1>had with a playboy photographer, Luis gai Mez. This is

0:30:12.560 --> 0:30:15.240
<v Speaker 1>the email I told you about, the one the models

0:30:15.280 --> 0:30:19.000
<v Speaker 1>sent to me and twelve international newspapers. As far as

0:30:19.080 --> 0:30:24.520
<v Speaker 1>I'm aware, I'm the only journalist who responded. By twenty twenty,

0:30:25.080 --> 0:30:27.520
<v Speaker 1>thanks to the Me Too movement, it felt like the

0:30:27.600 --> 0:30:31.560
<v Speaker 1>world was finally paying attention to allegations of sexual abuse

0:30:31.640 --> 0:30:35.560
<v Speaker 1>and harassment. But for these women, their claims were falling

0:30:35.600 --> 0:30:38.720
<v Speaker 1>on deaf ears. It seemed as though an invisible line

0:30:38.760 --> 0:30:41.920
<v Speaker 1>had been drawn excluding women in the sex industry. I

0:30:42.080 --> 0:30:43.120
<v Speaker 1>wanted to help change that.

0:30:44.880 --> 0:30:48.640
<v Speaker 4>Guys, I've just heard back from Ellie on sitting my parents.

0:30:49.120 --> 0:30:50.760
<v Speaker 5>This is insane news.

0:30:50.840 --> 0:30:51.840
<v Speaker 2>I'm absolutely buzzing.

0:30:52.240 --> 0:30:53.440
<v Speaker 5>No, that's unbelievable news.

0:30:53.600 --> 0:30:54.400
<v Speaker 2>I'm so buzzed.

0:30:54.440 --> 0:30:55.440
<v Speaker 5>I cannot wait for this.

0:31:00.200 --> 0:31:04.080
<v Speaker 1>That was years ago. Louise has never been held accountable,

0:31:04.960 --> 0:31:11.000
<v Speaker 1>but that's about to change. I'm going to try and

0:31:11.040 --> 0:31:13.400
<v Speaker 1>finish the job. Emily, Herra and the rest of the

0:31:13.480 --> 0:31:21.720
<v Speaker 1>model started coming up on the Bunny Trap. We tried

0:31:21.760 --> 0:31:26.000
<v Speaker 1>to figure out who and what we're up against. His

0:31:26.160 --> 0:31:31.000
<v Speaker 1>associations are vital to his reach, and I just remember thinking,

0:31:31.480 --> 0:31:32.520
<v Speaker 1>I got to watch this one.

0:31:33.000 --> 0:31:37.240
<v Speaker 10>This is our opportunity to for the first time speak

0:31:37.280 --> 0:31:38.959
<v Speaker 10>to someone close with Louise.

0:31:39.400 --> 0:31:40.680
<v Speaker 8>Why do I start with Lewis?

0:31:40.760 --> 0:31:44.239
<v Speaker 2>Oh my god, it's way darker and white, deeper than

0:31:44.320 --> 0:31:45.320
<v Speaker 2>I could they ever imagine.

0:31:54.000 --> 0:31:56.160
<v Speaker 1>Thanks to the women who shared their stories with us.

0:31:56.960 --> 0:32:00.360
<v Speaker 1>We contacted Luis Gomez multiple times for comment, but we

0:32:00.480 --> 0:32:03.080
<v Speaker 1>never heard back. He has not been charged with any

0:32:03.160 --> 0:32:06.840
<v Speaker 1>crimes and is presumed innocent under the law. We also

0:32:06.960 --> 0:32:10.280
<v Speaker 1>sought comment from Playboy USA. They declined our request for

0:32:10.320 --> 0:32:12.680
<v Speaker 1>an interview, but you can hear their statement later in

0:32:12.720 --> 0:32:23.080
<v Speaker 1>the series. The Bonnie Trap is produced by Novel. For

0:32:23.200 --> 0:32:27.520
<v Speaker 1>more from Novel, visit novel dot Audio. The show is

0:32:27.560 --> 0:32:30.000
<v Speaker 1>hosted by me Ellie Flynn. You can find me on

0:32:30.080 --> 0:32:33.000
<v Speaker 1>social media by searching my name that's eb l i

0:32:33.160 --> 0:32:37.080
<v Speaker 1>E Fly double n. This season is produced by Eleanor

0:32:37.120 --> 0:32:40.360
<v Speaker 1>Biggs and written by me Ellie Flynn and Eleana Biggs.

0:32:40.800 --> 0:32:44.400
<v Speaker 1>Our assistant producer is Amalia Sortland, with additional production from

0:32:44.480 --> 0:32:48.360
<v Speaker 1>Lee Meyer and Saskia Collette. Additional research by Valeria Rocker.

0:32:48.760 --> 0:32:52.200
<v Speaker 1>The editors are Georgia Moody and Austin Mitchell, our executive

0:32:52.240 --> 0:32:55.920
<v Speaker 1>producers and Max O'Brien and Craig Strachan. Our fact checker

0:32:56.040 --> 0:33:00.000
<v Speaker 1>is Fendall Fulton. Production management from Scherie Houston and Charlotte

0:33:01.000 --> 0:33:05.160
<v Speaker 1>Sound Design, mixing and scoring by Nicholas Alexander and Daniel Kempson.

0:33:05.840 --> 0:33:09.840
<v Speaker 1>Music supervision by Nicholas Alexander, Elena Biggs and Max O'Brien,

0:33:10.080 --> 0:33:13.360
<v Speaker 1>Original music composed and performed by Jake Law, and additional

0:33:13.440 --> 0:33:17.880
<v Speaker 1>production by Nicholas Alexander, Louisa Gersty and Daniel Kempson. The

0:33:18.040 --> 0:33:21.920
<v Speaker 1>series artwork was designed by Christina Lienkole Willard Foxton its

0:33:22.000 --> 0:33:26.080
<v Speaker 1>creative director of Development, Harris. Texts were voiced by Anna Brindle.

0:33:26.640 --> 0:33:29.960
<v Speaker 1>Various other women were voiced by Boo Miller. Luisco Mers

0:33:30.040 --> 0:33:31.320
<v Speaker 1>was played by Juan Solari.

0:33:43.280 --> 0:33:43.680
<v Speaker 5>Novel