WEBVTT - Come Again, Mimi (S3 E1, "Those Lazy-Hazy-Crazy Days")

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<v Speaker 1>I am all in. Oh that's just you more. I

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<v Speaker 1>am all in with Scott Patterson and I Hurt Radio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast, I

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<v Speaker 1>Hurt Radio one to Lear Productions, we are back for

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<v Speaker 1>season three premiere. Those lazy, hazy, crazy days. Um Riley,

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<v Speaker 1>take it away with your synopsis. So this air day

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<v Speaker 1>September two, it's the season three premiere, returns from Washington,

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<v Speaker 1>d C. While Jess is still on her mind and

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<v Speaker 1>finally makes a decision about Dean, Lorel breaks the news

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<v Speaker 1>to her parents that her and Christopher didn't work out

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<v Speaker 1>and finds comfort in talking to Luke. Mm hmm okay, uh.

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<v Speaker 1>I mean right from the start, who noticed this? EXI

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<v Speaker 1>Pinkney down. It was good. She looked good. And here

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<v Speaker 1>I've got a picture of her in that dress with

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<v Speaker 1>with Taylor in the wheelchair and she's got a white

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<v Speaker 1>bucket hat on. She looks good. She looks really good.

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<v Speaker 1>Speaking of was the real life Taylor actually injured? Does

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<v Speaker 1>anybody know? Because why was he in the wheelchair? Was

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<v Speaker 1>it part of the actual storyline or was he And

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<v Speaker 1>I think that he was probably hurt. Yeah, that's what

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<v Speaker 1>I'm thinking. Too friends trying to access my memory banks

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<v Speaker 1>from twenty two years ago. I didn't really didn't, wasn't

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<v Speaker 1>booting up. I was having problems connecting with my own brain.

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<v Speaker 1>We's just a frequent occurrence. Um, but anyway, go ahead,

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<v Speaker 1>So I have to ask you something, yes, ma'am, Okay,

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<v Speaker 1>this is like really important. Your first kiss when Laura

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<v Speaker 1>Lie was in a dream as it should be as

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<v Speaker 1>a job. Yeah, but that was a little bit interesting

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<v Speaker 1>because their actual first kiss we know comes later, but

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<v Speaker 1>you did kiss as a fan. I was. I was thrilled.

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<v Speaker 1>I was jumping up and down. I look, like I

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<v Speaker 1>said before, I really love them together. I think they

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<v Speaker 1>I think that she is so um, how can I

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<v Speaker 1>describe Laurelize. She's there's a side of her that I

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<v Speaker 1>luke balance is off very well, and I think all sides.

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<v Speaker 1>But she's a tough girl. She's tough, you know what

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<v Speaker 1>I mean. She's got that Emily Steele in her right.

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<v Speaker 1>I mean, that's where she gets it, and she needs

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<v Speaker 1>somebody to push back on her. And she's not going

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<v Speaker 1>to respect the guy. Um who doesn't who doesn't have

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<v Speaker 1>the and and look, if I don't have the background

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<v Speaker 1>of the educational credentials that her bloodline is used to,

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<v Speaker 1>her DNA is used to accustomed to then at least

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<v Speaker 1>have a have a spine and push back, and you know, Luke,

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<v Speaker 1>is that right? So it works for me. It's just

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<v Speaker 1>I don't know, they just look really good together. I

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<v Speaker 1>think we I thought we looked really we look really

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<v Speaker 1>good together, and and we act well together, and it

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<v Speaker 1>just works and it's easy and we you know, I

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<v Speaker 1>think the fact that he's not going all neodly on

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<v Speaker 1>her all the time, and you know what I mean,

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<v Speaker 1>because everybody does. They're all flipping out over and I'm

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<v Speaker 1>the guy that's like, listen, you know, you're a pain

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<v Speaker 1>in my ass. Love you buy, you know, And I

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<v Speaker 1>think that's refreshing. And so I really love that scene.

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<v Speaker 1>It's my one of my favorite scenes. I'm surprising that

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<v Speaker 1>like the episode because it's still bookended by two epic

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<v Speaker 1>scenes with them. I don't know, what did you guys

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<v Speaker 1>think of the episode? Tell me and then I'll come

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<v Speaker 1>in and look like a horse's ask go ahead, tell

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<v Speaker 1>me how great it was. I definitely squealed when I

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<v Speaker 1>when I saw you and Laura, I guess I was like,

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<v Speaker 1>oh my God, that's so cute. I was really excited

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<v Speaker 1>about that, and I agree with Amy the end, the

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<v Speaker 1>ending scene too. At the diner, I was like, oh,

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<v Speaker 1>here we go. Buckle up, Yeah, Riley, what do you

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<v Speaker 1>what do you think of this? I complete on all

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<v Speaker 1>and then but the way you like kissed and rubbed

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<v Speaker 1>her belly twins, just like you got all the tingly

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<v Speaker 1>fields that you like, we I guess, had been feeling

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<v Speaker 1>with Christopher. We finally got to feel it with Luke.

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<v Speaker 1>But wasn't it so much more powerful with Look? It

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<v Speaker 1>was it was like and I think that's where we

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<v Speaker 1>see like now the fans were talking about like hello,

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<v Speaker 1>it's Luke and more Lie, like we got to feel

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<v Speaker 1>that too finally. Yeah, it just seemed I don't know,

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<v Speaker 1>there was It's so funny. I have like fifty favorite lines.

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<v Speaker 1>You don't you don't. I don't mean to interrupt you. You

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<v Speaker 1>You explained why. You know. There's a lot of good lines.

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<v Speaker 1>For sure, there's and we'll get to those. There's there's

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<v Speaker 1>tons of good line. Um god, I mean, let's you

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<v Speaker 1>want to go through it in order? You want to

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<v Speaker 1>jump around? What do you what do you want? And

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<v Speaker 1>then yeah, so the next moment is lore Lie. She

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<v Speaker 1>has the dream, she falls out of bed and then

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<v Speaker 1>she wakes up Rory. So then we get to see

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<v Speaker 1>Rory in d c uh. I thought that was a

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<v Speaker 1>pretty funny scene. Um. I think it was of course

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<v Speaker 1>she's going to call she's going to call her daughter,

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<v Speaker 1>and of course we're going to get you know, the

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<v Speaker 1>Paris Geller hysterical. Ah I did. I did not have

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<v Speaker 1>sex with that woman. Really funny. I also love the

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<v Speaker 1>dialogue between Rory lor life. Was he naked? Good? And

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<v Speaker 1>then there was a genius Bill maer line which really

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<v Speaker 1>lit in there. But it was like politically correct. Didn't

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<v Speaker 1>anyone like yeah, but but but yeah, I remember that

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<v Speaker 1>well we remember what he said, right, Yes, I think

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<v Speaker 1>that was a little beyond politically incorrect. It was just

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<v Speaker 1>uh it was but it was such a it was

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<v Speaker 1>a great like pop culture. Sure something worked for and

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<v Speaker 1>it there an't been enough time, just enough time that

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<v Speaker 1>that was not inappropriate that they Yeah, I looked. I

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<v Speaker 1>thought that was a great scene. I thought it was

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<v Speaker 1>really funny. It was heartwarming, you know, they missed each other.

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<v Speaker 1>Rory was getting on with her little career and building

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<v Speaker 1>a resume, and Paris was providing some great humor talking

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<v Speaker 1>in her sleep. You know, that was all good stuff,

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<v Speaker 1>all really good stuff. It also gave us, It was

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<v Speaker 1>really brilliant. It gave us a very nice cap of

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<v Speaker 1>where we left off without having to put it in

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<v Speaker 1>our face. Because you you get a mention of Christopher,

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<v Speaker 1>you get a mention of Dean. You see the letters,

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<v Speaker 1>and then you see that just the letters, a lot

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<v Speaker 1>of letters from she, like one a day. It's like, oh,

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<v Speaker 1>and then you see the Jess. She she puts those

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<v Speaker 1>away and it starts thinking what she's gonna write to Jess?

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<v Speaker 1>But I thought, you know that, what a way to

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<v Speaker 1>open up. Yes, a great opening for season three because

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<v Speaker 1>it sets up Luke and Laurel and it sets up

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<v Speaker 1>what may come, and it sets up for Rory what

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<v Speaker 1>may come, you know her her Luke. So it's like

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<v Speaker 1>that that that that Gilmore blood mixing with the Danes blood.

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<v Speaker 1>Will it happen? Will it happened? On multiple levels here?

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<v Speaker 1>So so pretty cool, pretty cool set up for sure. Um,

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<v Speaker 1>so what do we have next? What came up next?

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<v Speaker 1>So then we go to see So then Laurel is

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<v Speaker 1>having breakfast at Suies, which I like that they referenced

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<v Speaker 1>she's there every day. I like that scene. I like

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<v Speaker 1>Jackson in that scene. I thought it was funny. I

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<v Speaker 1>thought it was the right tone. Um. And it just

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<v Speaker 1>I like how it started. I really was involved in it. Um.

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<v Speaker 1>I didn't quite understand what what Suki thought was wrong

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<v Speaker 1>with the house. She wanted to freshen it up, she

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<v Speaker 1>wanted to change it a little bit. There was some

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<v Speaker 1>some some ancillary dialogue between those two, and then Jackson

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<v Speaker 1>came funny though we're not right exactly. Uh, all good stuff.

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<v Speaker 1>I thought, beautifully acted, beautifully shot, The writing was great.

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<v Speaker 1>Everything was great. Firing on use so far the episode

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<v Speaker 1>is firing on all cylinders. Okay, agree, Yeah, I thought

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<v Speaker 1>it was hilarious when Jackson acknowledges if you come here

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<v Speaker 1>every day, you're gonna have to really great her as

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<v Speaker 1>a part of their cupboard. And I never liked Jackson more.

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<v Speaker 1>I thought he was He did very very well as

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<v Speaker 1>a Uh they're married at this point, right, yeah? Yeah,

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<v Speaker 1>as a husband. Yeah. Where we left, So what's the

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<v Speaker 1>what's what comes next? Okay? So then next we see

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<v Speaker 1>the bucket at and we realized Taylor injured, and we

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<v Speaker 1>learn about the new festival. I think it was the

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<v Speaker 1>maest festival and that looked quite all great. I thought

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<v Speaker 1>the acting was superb. I think Michael Winters just delivered

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<v Speaker 1>as he always does. And Lauren looked great. She looked

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<v Speaker 1>great in the dress, she looked great in the hat.

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<v Speaker 1>Everything was flowing outdoors, sunny festival coming. Loved it all.

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<v Speaker 1>Love the shot at the end when Luke is taken

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<v Speaker 1>in order from um a girl, a young girl and

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<v Speaker 1>Laura I just stairs and she's not going to go

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<v Speaker 1>in yet. She doesn't she doesn't feel like she can

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<v Speaker 1>go into the diner yet. So still the episode is

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<v Speaker 1>firing on all cylinders. Okay, So now Danielle, we're getting

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<v Speaker 1>to your moment. So we see Senator Barbara Boxer, which

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<v Speaker 1>I thought this was, and Paris is just pelting her

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<v Speaker 1>with questions and right, I I this is when I

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<v Speaker 1>started to get a headache. Yeah. It was just like

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<v Speaker 1>somebody turned her off. Find her off switch. It was

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<v Speaker 1>like Jesus cacaphonists. Funny okay, but so overbearing and over

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<v Speaker 1>the top. Um yeah, and I look, I thought the

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<v Speaker 1>whole bit was funny. I get it right, you throw

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<v Speaker 1>that in and and and you know, there's there's Paris

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<v Speaker 1>going off and you know, being her obnoxious self. And

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<v Speaker 1>yes it was funny, it was entertaining and all that,

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<v Speaker 1>but I mean, it was so much of it. Um,

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<v Speaker 1>I think it was just a little for me. It

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<v Speaker 1>just it was a little to to extend it. It

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<v Speaker 1>was like we could have done a third of that

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<v Speaker 1>and we get the point. It's just so. I thought

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<v Speaker 1>the spread of food was unbelievable. I was like, what

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<v Speaker 1>is happening? And Danielle, what did you think of the

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<v Speaker 1>Harris gets asked out and doesn't even know? I love it,

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<v Speaker 1>and and that's one of my favorite lines is part

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<v Speaker 1>of that seems so I'll save it for a little

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<v Speaker 1>bit later. But I was literally crying when she was like, Rory,

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<v Speaker 1>you have to go to the into the closet, like

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<v Speaker 1>you have to, Like I can't, I can't compete with you.

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<v Speaker 1>You're going you can't go out of order? All right,

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<v Speaker 1>take the hat off and slap yourself in the head.

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<v Speaker 1>So I don't know how you say his last name,

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<v Speaker 1>Congressman Doug Ose, Yeah, something like that. Yeah, okay, yeah,

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<v Speaker 1>he came out the bathroom and he too took a

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<v Speaker 1>You turn real fast, meself, Okay, so this is this

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<v Speaker 1>is what I mean by shrill. Okay, she just it

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<v Speaker 1>was like even when she was making the sandwich, and

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<v Speaker 1>even when she didn't realize and Rory is explaining to

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<v Speaker 1>her that she'd been asked out on a date, she

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<v Speaker 1>still maintained the same sort of angry red tone. I mean,

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<v Speaker 1>this aggressive, kind of over the top angry tone. I

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<v Speaker 1>didn't I wanted to see different colors. I wanted to

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<v Speaker 1>see something else beside like this sort of I don't know,

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<v Speaker 1>she has one dimensional yeah, and it gave me a headache,

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<v Speaker 1>and I wanted to come on vary at something, you know,

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<v Speaker 1>give me something else here, either cut it short or

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<v Speaker 1>give me something else. That's just how it came off

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<v Speaker 1>to Congressman in the background. I mean, that was so

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<v Speaker 1>brilliant because obviously he's not an actor. They have to

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<v Speaker 1>direct him. Okay, come out and then you're gonna see her. Yeah.

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<v Speaker 1>Well this is this is also what happens when you

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<v Speaker 1>don't have professionals. Even though that was Barbara Boxer and

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<v Speaker 1>Doug oys Um, you know, it really pulls the scene down.

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<v Speaker 1>You need, yeah, you need professionals, and it's cool to

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<v Speaker 1>have the Norman Mailer's and the Barber Boxers and the

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<v Speaker 1>Matele and all brights, and you sort of, you know,

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<v Speaker 1>you for give them for their lack of skills, right, yeah, okay,

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<v Speaker 1>that's fair. That is intriguing. Takes you out, you know,

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<v Speaker 1>because it's so real and you're supposed to buy that

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<v Speaker 1>they don't have any skills as actors and their timings off,

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<v Speaker 1>I thought Barbara Boxer did a passable job. Yeah, that

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<v Speaker 1>they both did. That's interesting. Okay, So that is something

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<v Speaker 1>very interesting that I'm curious what people watching things if

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<v Speaker 1>they have that experience too. For me, I just thought, oh,

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<v Speaker 1>that's so cool, because it's so But if you have

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<v Speaker 1>a real actress in there, with real comedic timing and

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<v Speaker 1>real skills, they'll make that three times as funny. Same

0:13:41.760 --> 0:13:45.800
<v Speaker 1>with the Dougos thing, they'll make that much more, much

0:13:45.840 --> 0:13:49.040
<v Speaker 1>funnier scene. I am not going to argue with you,

0:13:49.640 --> 0:13:52.880
<v Speaker 1>but I think they did great. But but I can't

0:13:52.920 --> 0:13:57.000
<v Speaker 1>argue with the obviously not professionals, so I'm probably nitpicking here.

0:13:57.040 --> 0:14:00.240
<v Speaker 1>And let's but but that's the thing. I do you

0:14:00.280 --> 0:14:04.520
<v Speaker 1>like the novelty of it? Is it worth sacrificing maybe

0:14:04.559 --> 0:14:06.920
<v Speaker 1>the little bit of skill? Yeah, I don't know if

0:14:06.920 --> 0:14:10.959
<v Speaker 1>I was so sold on this on the it didn't

0:14:10.960 --> 0:14:15.000
<v Speaker 1>measure up to the prior scenes. I just thought, Okay,

0:14:15.160 --> 0:14:19.760
<v Speaker 1>I can tolerate this one. I can take up an aspirin. Yeah,

0:14:20.640 --> 0:14:25.320
<v Speaker 1>I can feel better, fair, fair, Alright. So the next

0:14:25.760 --> 0:14:33.000
<v Speaker 1>cows don't wrinkle Kirk with his hey there, you're gonna

0:14:33.040 --> 0:14:39.560
<v Speaker 1>make me spit, Cols don't wrinkle, and Kirk is now

0:14:39.640 --> 0:14:42.960
<v Speaker 1>in the opening credit. Oh good good, Um. This is

0:14:43.040 --> 0:14:47.680
<v Speaker 1>when I first laughed out loud because Michelle was so

0:14:48.160 --> 0:14:50.320
<v Speaker 1>pleased that he was going to be able to mock

0:14:50.480 --> 0:14:55.560
<v Speaker 1>this boy. And no, please continue, No, we want to

0:14:55.600 --> 0:14:59.800
<v Speaker 1>hear all about it. It's like it's like his reactions,

0:15:00.480 --> 0:15:03.320
<v Speaker 1>his the pleasure that he was going to drive from

0:15:03.360 --> 0:15:08.200
<v Speaker 1>this kid. This Kirk just made us. Kirk's dialogue sound

0:15:08.240 --> 0:15:13.160
<v Speaker 1>even more absurd. So, um, beautiful acting job by Niche.

0:15:13.880 --> 0:15:19.080
<v Speaker 1>Not beautiful acting job. Really, that's how you're a great

0:15:19.160 --> 0:15:24.120
<v Speaker 1>scene partner. You you just do your job and you

0:15:24.240 --> 0:15:29.080
<v Speaker 1>let Kirk shine. And yeah, man, I tell you, I

0:15:29.120 --> 0:15:32.200
<v Speaker 1>really loved it, really loved that scene. Very funny, very

0:15:33.160 --> 0:15:37.880
<v Speaker 1>very clever writing, and you know, beautifully acted. Okay, so

0:15:37.880 --> 0:15:43.400
<v Speaker 1>so far you just didn't care for one scene. Correct. Okay,

0:15:43.480 --> 0:15:48.000
<v Speaker 1>So then Emily is on the phone before she's wearing

0:15:48.000 --> 0:15:51.600
<v Speaker 1>the beautiful majecta, and she says, what day is it? Well,

0:15:51.600 --> 0:15:55.400
<v Speaker 1>Thursday the third, because they were at Martha's vineyard. They

0:15:55.440 --> 0:15:58.200
<v Speaker 1>were at Martha's vineyard and we kind of have that

0:15:58.240 --> 0:16:00.920
<v Speaker 1>back and forth used you're gonna call us and you

0:16:00.960 --> 0:16:03.200
<v Speaker 1>did go us? And when's Roy coming home? I thought

0:16:03.240 --> 0:16:05.840
<v Speaker 1>that was a little strange for me. See, that was

0:16:05.880 --> 0:16:07.800
<v Speaker 1>another scene where I was just like, what what is

0:16:07.960 --> 0:16:10.480
<v Speaker 1>what is Emily complaining about? Now? What? What? What is

0:16:10.520 --> 0:16:13.080
<v Speaker 1>going on? I mean, usually I'm with her, I get it,

0:16:13.840 --> 0:16:17.160
<v Speaker 1>but on this it's like, well, she's calling up Laurela

0:16:17.160 --> 0:16:19.400
<v Speaker 1>I just to you know, to give her crap for

0:16:19.560 --> 0:16:22.080
<v Speaker 1>not calling when they get home and it's eleven o'clock

0:16:22.120 --> 0:16:25.000
<v Speaker 1>in the morning. She expected a phone call from Laurela

0:16:26.440 --> 0:16:29.520
<v Speaker 1>because they got home from where were they They were

0:16:29.520 --> 0:16:33.520
<v Speaker 1>in Hyaennas their high sport for Martha's venue. Okay, so

0:16:35.560 --> 0:16:38.960
<v Speaker 1>since one since one is Emily so needy from that

0:16:39.280 --> 0:16:41.680
<v Speaker 1>for a call from when they get I mean, it's like,

0:16:41.880 --> 0:16:44.200
<v Speaker 1>what's they ask here? What I don't I didn't get it.

0:16:45.120 --> 0:16:49.400
<v Speaker 1>I'm assuming good manners whatever, but what I'm assuming the

0:16:49.440 --> 0:16:52.080
<v Speaker 1>point of that moment was for us to learn that

0:16:52.120 --> 0:16:55.960
<v Speaker 1>she has not told her parents about Christopher. So it

0:16:56.040 --> 0:17:03.960
<v Speaker 1>was just a vehicle. Yeah, yeah, I'm gonna agree with you.

0:17:04.400 --> 0:17:08.240
<v Speaker 1>Wasn't It wasn't Again, I'm going to use the word shrill.

0:17:08.520 --> 0:17:11.280
<v Speaker 1>I thought. I thought the maybe the dialogue was a

0:17:11.320 --> 0:17:14.720
<v Speaker 1>little too shrill for me for my taste. Uh yeah,

0:17:14.720 --> 0:17:17.439
<v Speaker 1>I mean as a device to get into the Christopher stuff.

0:17:17.480 --> 0:17:20.800
<v Speaker 1>Just I don't know, given your daughter, I mean, she

0:17:20.960 --> 0:17:23.400
<v Speaker 1>came off like a wing nut. I mean, what what

0:17:23.520 --> 0:17:26.000
<v Speaker 1>is it like? That's not Emily to be so needy

0:17:26.040 --> 0:17:28.400
<v Speaker 1>of Laurelized attention. So it was it was just kind

0:17:28.400 --> 0:17:37.400
<v Speaker 1>of weird. So obviously Paris is waiting to get picked

0:17:37.440 --> 0:17:39.840
<v Speaker 1>up from her date, and the dialogue between her and

0:17:39.920 --> 0:17:44.560
<v Speaker 1>Rory is my favorite thing of the whole entire episode. Um.

0:17:44.600 --> 0:17:47.760
<v Speaker 1>I about died when she asked Rory to go into

0:17:47.800 --> 0:17:51.200
<v Speaker 1>the closet like so good, and then the guy shows

0:17:51.320 --> 0:17:55.080
<v Speaker 1>up and literally he says whatever, like I'm taking you here,

0:17:55.119 --> 0:17:57.800
<v Speaker 1>I got a reservation and she goes, you're perfect, and

0:17:57.840 --> 0:18:02.320
<v Speaker 1>I was like, yes, go for years, go, do kids

0:18:02.359 --> 0:18:04.639
<v Speaker 1>know what this gat is? And I always thought it

0:18:04.640 --> 0:18:07.960
<v Speaker 1>was well, Riley didn't know. I don't know. I don't

0:18:07.960 --> 0:18:11.719
<v Speaker 1>know what that is either. Of course I know, of

0:18:11.760 --> 0:18:16.520
<v Speaker 1>course I know, because I'm from before the internet, modern yelp.

0:18:16.640 --> 0:18:20.160
<v Speaker 1>It's a restaurant guide. Yes it's not. It's the not

0:18:20.359 --> 0:18:25.160
<v Speaker 1>modern yelp help of the two thousands. And he used

0:18:25.200 --> 0:18:27.040
<v Speaker 1>to like look in the I thought it was zagging,

0:18:27.240 --> 0:18:30.800
<v Speaker 1>but I guess it's and it would give you reviews

0:18:30.800 --> 0:18:35.119
<v Speaker 1>of restaurants. Yeah. I thought that scene was fine. Uh.

0:18:35.680 --> 0:18:38.639
<v Speaker 1>Interesting that Paris looks down on her Princeton. Man, she'll

0:18:38.640 --> 0:18:42.159
<v Speaker 1>overlook that. Remember she said that early. I mean, for

0:18:42.200 --> 0:18:44.479
<v Speaker 1>God's sake, we're talking about Princeton University. It's one of them.

0:18:45.400 --> 0:18:48.119
<v Speaker 1>But she's a Harvard gul. But it's Princeton has been

0:18:48.200 --> 0:18:52.119
<v Speaker 1>ranked over Harvard in national rankings multiple years. Don't they

0:18:52.200 --> 0:18:55.480
<v Speaker 1>like neck and neck? They used to be. I don't

0:18:55.480 --> 0:18:57.560
<v Speaker 1>want to brag my schools up there? What's your what's

0:18:57.560 --> 0:19:08.000
<v Speaker 1>your school? Berkeley? Look at you? Fancy? I look? Can

0:19:08.000 --> 0:19:11.760
<v Speaker 1>we take these halts? Yeah? Like I look. I love

0:19:11.840 --> 0:19:14.159
<v Speaker 1>the line when she's on the phone with Dean stop

0:19:14.200 --> 0:19:20.600
<v Speaker 1>being cute um and and Rory helping her and telling

0:19:20.600 --> 0:19:22.400
<v Speaker 1>her to wear her hair down and clambing her down

0:19:22.640 --> 0:19:28.240
<v Speaker 1>they they're really developing a friendship. Parents looked gorgeous. Parents,

0:19:28.320 --> 0:19:30.760
<v Speaker 1>parents look really good. Yeah, she cleans up, she cleans

0:19:30.800 --> 0:19:34.840
<v Speaker 1>up very well. Um yeah again. You know, I just

0:19:34.880 --> 0:19:38.280
<v Speaker 1>thought she came off like an insane person at the

0:19:38.520 --> 0:19:42.919
<v Speaker 1>political mixer in Washington. I think, yeah, I mean, it

0:19:43.000 --> 0:19:44.520
<v Speaker 1>was just like it was just too much. And then

0:19:44.720 --> 0:19:48.399
<v Speaker 1>you know, she was still coming. She's so intense. It

0:19:48.440 --> 0:19:50.960
<v Speaker 1>gives me a headache, what can I tell you? And

0:19:51.040 --> 0:19:53.440
<v Speaker 1>Rory standing there with her smile and you know, sort

0:19:53.480 --> 0:19:56.879
<v Speaker 1>of having to absorb all that energy coming. I don't know,

0:19:57.000 --> 0:19:59.920
<v Speaker 1>she doesn't you know, it's like, how can you? It's

0:20:00.040 --> 0:20:03.040
<v Speaker 1>like how do you? How are your friends with that?

0:20:03.040 --> 0:20:05.760
<v Speaker 1>That's that's like being friends with a with a hand grenade,

0:20:05.760 --> 0:20:09.600
<v Speaker 1>you know what I mean. So I don't know. Well, okay,

0:20:09.800 --> 0:20:13.159
<v Speaker 1>then we're gonna go to Kim's antiques and we've got

0:20:13.320 --> 0:20:18.880
<v Speaker 1>Suki and Lorelai shopping to man lay up the home.

0:20:21.160 --> 0:20:23.120
<v Speaker 1>So that was a funny little scene. What do you think?

0:20:23.280 --> 0:20:27.760
<v Speaker 1>I I you you guys talk about that scene? Well,

0:20:27.840 --> 0:20:30.080
<v Speaker 1>you know it could you could go with your shrill again.

0:20:30.119 --> 0:20:33.439
<v Speaker 1>It was a little maybe it wasn't the best in

0:20:33.480 --> 0:20:36.639
<v Speaker 1>the in the episode. You know, I think that's I

0:20:36.640 --> 0:20:39.040
<v Speaker 1>think that's the quality of some of these scenes which

0:20:39.080 --> 0:20:42.919
<v Speaker 1>made me tune out, which is why I don't. You know,

0:20:43.080 --> 0:20:46.159
<v Speaker 1>usually these shows and these scenes really impact me, and

0:20:46.200 --> 0:20:49.320
<v Speaker 1>I remember, you know a lot of details about them.

0:20:49.400 --> 0:20:53.000
<v Speaker 1>That scene, it's like, God, we are we are we

0:20:53.040 --> 0:20:55.359
<v Speaker 1>shrill again? And then I'm just gonna not not listen

0:20:55.400 --> 0:21:00.240
<v Speaker 1>to it. Okay, I think you're having a fair criticis them.

0:21:00.240 --> 0:21:02.720
<v Speaker 1>I love the Red Top, but I didn't love the

0:21:02.760 --> 0:21:05.960
<v Speaker 1>scene particularly as much as I love others. And I'm

0:21:06.000 --> 0:21:10.200
<v Speaker 1>not this this sort of c storyline of Suki needing

0:21:10.240 --> 0:21:15.240
<v Speaker 1>to redo the decre is so unnecessary. It was like

0:21:15.320 --> 0:21:18.560
<v Speaker 1>what a married people fight about, Oh the house, let's

0:21:18.560 --> 0:21:22.560
<v Speaker 1>do a storyline on that. I would agree. Yeah, I

0:21:22.600 --> 0:21:24.399
<v Speaker 1>didn't hook me in, and I think that's why I

0:21:24.400 --> 0:21:27.960
<v Speaker 1>didn't engage it. Okay, So now we're at the airport

0:21:28.040 --> 0:21:29.639
<v Speaker 1>and I have I'll let you guys talk about it.

0:21:29.640 --> 0:21:33.280
<v Speaker 1>But I do have two criticisms of the airport scene.

0:21:33.720 --> 0:21:37.320
<v Speaker 1>But you guys again, so this is Yeah, it was

0:21:37.400 --> 0:21:43.080
<v Speaker 1>just how long were they separated the whole summer? Yeah?

0:21:43.080 --> 0:21:46.399
<v Speaker 1>I guess it was h Well, Okay, so yeah, I

0:21:46.440 --> 0:21:48.720
<v Speaker 1>think you would be excited to see your daughter and

0:21:48.760 --> 0:21:51.560
<v Speaker 1>your daughter be excited to see you after an entire summer. Sure,

0:21:52.320 --> 0:21:56.639
<v Speaker 1>um yeah, falling down and then sitting down on the

0:21:56.720 --> 0:21:59.680
<v Speaker 1>floor of the thing and continuing their conversation. What didn't

0:21:59.720 --> 0:22:02.160
<v Speaker 1>they share some food too? Weren't they dug down there?

0:22:02.440 --> 0:22:06.800
<v Speaker 1>That's where I was like, what are you guys doing

0:22:06.840 --> 0:22:10.840
<v Speaker 1>on the floor at the airport eating? Did somebody start eating?

0:22:12.080 --> 0:22:14.440
<v Speaker 1>Did Lorela pull out a muffin or something start chumping?

0:22:14.440 --> 0:22:18.280
<v Speaker 1>I don't know the way I agree you were on

0:22:18.320 --> 0:22:23.000
<v Speaker 1>the airport floor, on the floor. So here's my criticism

0:22:23.119 --> 0:22:25.880
<v Speaker 1>now that I am a m what shall I say,

0:22:26.320 --> 0:22:32.080
<v Speaker 1>expert background actor number one, If you were in the

0:22:32.119 --> 0:22:38.199
<v Speaker 1>airport reading your book and two people fell, you're surely

0:22:38.200 --> 0:22:41.399
<v Speaker 1>going to look up your book and think what is

0:22:41.480 --> 0:22:45.040
<v Speaker 1>happening with those two texts? And the background actor just

0:22:45.040 --> 0:22:48.160
<v Speaker 1>stayed steady on the book. They they may have been

0:22:48.160 --> 0:22:51.439
<v Speaker 1>directed to do that or or that they were they

0:22:51.440 --> 0:22:55.080
<v Speaker 1>were looking up and overreacting. So you know, the director,

0:22:55.160 --> 0:22:57.119
<v Speaker 1>I think Amy Amy wrote and directed. So I think

0:22:57.160 --> 0:22:59.360
<v Speaker 1>Amy pribbly said, just just read your book because you're

0:22:59.359 --> 0:23:01.720
<v Speaker 1>screw you're screws or something, you know what I mean?

0:23:01.920 --> 0:23:04.280
<v Speaker 1>You never falling on the floor was like a bit

0:23:05.359 --> 0:23:12.359
<v Speaker 1>over the top, and it's like Jeremy down, Yeah for sure. Yeah, um,

0:23:12.400 --> 0:23:14.720
<v Speaker 1>And I mean you guys can go through the scene.

0:23:14.800 --> 0:23:17.159
<v Speaker 1>I again, I kind of tuned out with all the

0:23:17.240 --> 0:23:18.960
<v Speaker 1>back and forth and I didn't even know what they

0:23:18.960 --> 0:23:21.560
<v Speaker 1>were talking about because I'm all I kept thinking about

0:23:21.600 --> 0:23:25.280
<v Speaker 1>was get off the floor. Yes, that is not a

0:23:25.280 --> 0:23:27.400
<v Speaker 1>place you want to be. Do you think that's the

0:23:28.400 --> 0:23:32.640
<v Speaker 1>COVID in US or is? No? No, No, it's not.

0:23:32.760 --> 0:23:34.920
<v Speaker 1>It's it's like I've I've been doing enough airports. No,

0:23:35.040 --> 0:23:37.639
<v Speaker 1>you don't sit on the floor. I mean, am I

0:23:37.680 --> 0:23:39.439
<v Speaker 1>the only one? Now? That's like they're at the airport.

0:23:39.440 --> 0:23:45.720
<v Speaker 1>Where's the mass? Like for me, it's more like you

0:23:45.720 --> 0:23:48.240
<v Speaker 1>can't do that anymore. You can't like greet even your

0:23:48.520 --> 0:23:54.600
<v Speaker 1>significant or family member at the gate. You can't do that. Yeah,

0:23:55.280 --> 0:23:57.639
<v Speaker 1>well I think Hartfords a smaller Yeah, that's that's true.

0:23:57.760 --> 0:24:01.159
<v Speaker 1>That was and that post that wait a minute, that

0:24:01.240 --> 0:24:06.720
<v Speaker 1>was post were posting now because we have the bell

0:24:06.800 --> 0:24:11.760
<v Speaker 1>margin exactly. So Yeah, that was a little but fun,

0:24:11.920 --> 0:24:15.440
<v Speaker 1>a fun spirited scene. I think they captured the spirit

0:24:15.520 --> 0:24:19.880
<v Speaker 1>of the reunion and all wonderful, But yeah, I wanted

0:24:19.920 --> 0:24:22.960
<v Speaker 1>him to get off the floor. Then we get to

0:24:23.040 --> 0:24:26.320
<v Speaker 1>the festival, which, Oh my god, I want to live

0:24:26.320 --> 0:24:30.040
<v Speaker 1>in this town. Literally if I if I could go

0:24:30.080 --> 0:24:32.840
<v Speaker 1>to a festival like that in my town, I would

0:24:32.840 --> 0:24:36.600
<v Speaker 1>be the happiest person. That looked amazing that that. Yeah,

0:24:36.600 --> 0:24:41.200
<v Speaker 1>that was quite a production. Uh quite a production? Um

0:24:41.320 --> 0:24:48.560
<v Speaker 1>the song over and over again and again? Well was

0:24:48.640 --> 0:24:53.199
<v Speaker 1>it something? Something? In fair? Right? Have the lyrics for

0:24:53.280 --> 0:24:57.040
<v Speaker 1>us if we want to go through what was lyrics?

0:24:57.119 --> 0:24:59.720
<v Speaker 1>I did pull the lyrics, Oh Riley, give it to me,

0:24:59.760 --> 0:25:01.680
<v Speaker 1>but talk more to your mike. I can't hear you

0:25:04.760 --> 0:25:10.359
<v Speaker 1>the exact opposite. That's a good comedy. That's good comedy

0:25:10.359 --> 0:25:13.560
<v Speaker 1>there right, thank you? Okay, So do you want me

0:25:13.560 --> 0:25:15.240
<v Speaker 1>to share my screen or should should you want to

0:25:15.240 --> 0:25:20.160
<v Speaker 1>repeat after me? Take it away? Roll out those lazy, hazy,

0:25:20.280 --> 0:25:26.320
<v Speaker 1>crazy days of some ma, those days of soda and

0:25:26.400 --> 0:25:37.000
<v Speaker 1>pretzels and roll up right now we don't stop the

0:25:37.119 --> 0:25:44.920
<v Speaker 1>sun and moon to you. Thank you for participating. Oh

0:25:45.000 --> 0:25:52.480
<v Speaker 1>I got you? Uh okay, So this is where this

0:25:52.560 --> 0:25:56.359
<v Speaker 1>is fare the episode for me, and maybe this episode

0:25:56.480 --> 0:26:01.000
<v Speaker 1>is going off the rail now it's no, it's good fun.

0:26:01.160 --> 0:26:03.560
<v Speaker 1>We're having good fun. So this is where we see

0:26:03.600 --> 0:26:05.320
<v Speaker 1>the kids. You know, that's kind of where it went

0:26:05.400 --> 0:26:10.439
<v Speaker 1>off the rails for me. Um, Yeah, you know, I

0:26:10.520 --> 0:26:13.719
<v Speaker 1>get a whole summer has gone by, she hasn't been around.

0:26:13.760 --> 0:26:17.000
<v Speaker 1>Why hasn't Look if Jess shows up at at the wedding,

0:26:17.000 --> 0:26:21.400
<v Speaker 1>why didn't he show up in Washington? Great question. It's

0:26:21.400 --> 0:26:23.600
<v Speaker 1>a whole summer. They're supposed to be in love. They

0:26:23.720 --> 0:26:27.520
<v Speaker 1>just kissed. Why isn't Jess in Washington Dean? Maybe I

0:26:27.560 --> 0:26:31.280
<v Speaker 1>guess she's still with Dean. Come on, that's gonna stop Jess.

0:26:32.200 --> 0:26:34.400
<v Speaker 1>It's you know, in Washington is a bus ride. It's

0:26:34.440 --> 0:26:36.120
<v Speaker 1>a big deal. He jumps on a bus. He goes

0:26:36.119 --> 0:26:39.360
<v Speaker 1>Caesar in Washington. They didn't fit it in. She's trying

0:26:39.400 --> 0:26:42.679
<v Speaker 1>to write him the letter. Yeah, maybe they probably have

0:26:42.800 --> 0:26:47.480
<v Speaker 1>not even say it. Don't really have self right, I'll

0:26:47.520 --> 0:26:50.080
<v Speaker 1>say it straight out. I thought that the Jess character

0:26:50.240 --> 0:26:54.239
<v Speaker 1>was really damaged at that point, maybe irreparably, because if

0:26:54.280 --> 0:26:56.800
<v Speaker 1>you see that kind of behavior, and granted, she was

0:26:56.840 --> 0:26:59.160
<v Speaker 1>away and she tried to keep in touch, and he's,

0:26:59.600 --> 0:27:03.359
<v Speaker 1>you know what, sixteen seventeen, you know, you know, the

0:27:03.400 --> 0:27:06.679
<v Speaker 1>hormones are raging, and you know he's he's he's a

0:27:06.680 --> 0:27:09.439
<v Speaker 1>lonely kid and he needs somebody any we needs a

0:27:09.440 --> 0:27:14.760
<v Speaker 1>companion anyway, right, Um, but gosh, it really damaged that relationship.

0:27:14.800 --> 0:27:17.560
<v Speaker 1>And I don't know they built it up to to really,

0:27:17.880 --> 0:27:20.600
<v Speaker 1>you know, it was this sort of crescendo of of

0:27:20.960 --> 0:27:25.280
<v Speaker 1>this fruition of of of of youthful love, and it

0:27:25.400 --> 0:27:28.720
<v Speaker 1>took there were so many obstacles to get there. Why

0:27:28.720 --> 0:27:33.600
<v Speaker 1>did they Why did they still dating Dean? So what

0:27:34.560 --> 0:27:40.520
<v Speaker 1>is a non factor in her heart? He he doesn't

0:27:40.520 --> 0:27:43.440
<v Speaker 1>even register anymore. My god, she you know, she got already.

0:27:43.480 --> 0:27:45.080
<v Speaker 1>She wanted to wear a nice dress. She didn't want

0:27:45.080 --> 0:27:48.040
<v Speaker 1>to see Dean that that day or even that nice.

0:27:48.080 --> 0:27:49.800
<v Speaker 1>She wanted to go to the festival with her mother,

0:27:50.600 --> 0:27:52.920
<v Speaker 1>and where a Britain wear a nice dress and look

0:27:53.000 --> 0:27:57.280
<v Speaker 1>good and look for Jess. Agree, But we know that

0:27:58.200 --> 0:28:01.879
<v Speaker 1>and she but Jess doesn't know that. So all Jess

0:28:01.880 --> 0:28:04.879
<v Speaker 1>knows is I've come back for this girl. And she

0:28:05.080 --> 0:28:07.199
<v Speaker 1>still won't break up with Dean, and off she went

0:28:07.240 --> 0:28:11.280
<v Speaker 1>to Washington. So I'm a set teen. It's very she

0:28:11.400 --> 0:28:13.800
<v Speaker 1>still won't break up with Dean. There was some expectation

0:28:13.880 --> 0:28:15.760
<v Speaker 1>because you know, he showed up a thing and and

0:28:15.920 --> 0:28:18.080
<v Speaker 1>she kissed at the wedding and she kissed him at

0:28:18.119 --> 0:28:20.040
<v Speaker 1>the end of season two, that she's supposed to break

0:28:20.119 --> 0:28:22.320
<v Speaker 1>up with Dean. He's supposed to get on a bus

0:28:22.320 --> 0:28:25.760
<v Speaker 1>and go claim and go claim her if if he

0:28:25.880 --> 0:28:30.680
<v Speaker 1>wants her, go after her. He did. He did not.

0:28:31.040 --> 0:28:33.160
<v Speaker 1>He did not because he had nowhere else to go,

0:28:33.720 --> 0:28:35.760
<v Speaker 1>and he had nowhere else to go with the Luke.

0:28:35.840 --> 0:28:37.399
<v Speaker 1>He came back for Luke as much as he came

0:28:37.440 --> 0:28:40.920
<v Speaker 1>back for Rory. So why didn't he go to Washington

0:28:41.200 --> 0:28:46.840
<v Speaker 1>all summer? Tell me? Tell me she won't break up

0:28:46.840 --> 0:28:49.760
<v Speaker 1>with Dean. He's not going to be like the other

0:28:49.880 --> 0:28:54.400
<v Speaker 1>man that she's cheating on Dean with. He did the

0:28:54.480 --> 0:29:02.520
<v Speaker 1>grand gesture, he came there, wasn't it wasn't enough. He

0:29:03.200 --> 0:29:07.040
<v Speaker 1>doesn't understand women. He's got to go get in her

0:29:07.080 --> 0:29:11.000
<v Speaker 1>face in a real way and say listen, I'm your guy.

0:29:11.120 --> 0:29:13.120
<v Speaker 1>I want to be your guy. I mean, this was

0:29:13.160 --> 0:29:17.160
<v Speaker 1>so perfectly set up. This was so perfectly set up

0:29:17.160 --> 0:29:19.800
<v Speaker 1>at this point because we thought Jess was gone forever.

0:29:19.880 --> 0:29:22.160
<v Speaker 1>He done some horrible things, and now he's back. And

0:29:22.160 --> 0:29:24.120
<v Speaker 1>then he shows up the wedding and she plans a

0:29:24.200 --> 0:29:26.840
<v Speaker 1>kiss on him, and he's never looked more vulnerable. And

0:29:26.840 --> 0:29:29.959
<v Speaker 1>then the next time you see him. He's making out

0:29:30.000 --> 0:29:33.760
<v Speaker 1>in broad daylight with an unknown girl, you know, grabbing

0:29:33.800 --> 0:29:37.560
<v Speaker 1>her buttocks. I was mourning the storyline. Why did you

0:29:37.600 --> 0:29:42.160
<v Speaker 1>do this? I wanted to? I wanted to. It would

0:29:42.160 --> 0:29:44.560
<v Speaker 1>have been better for me if they just developed that

0:29:45.160 --> 0:29:49.120
<v Speaker 1>love story. More, go ahead, Daniel, Sorry, no, I agree

0:29:49.160 --> 0:29:53.720
<v Speaker 1>with you. I need Jess to kiss Rory, she said

0:29:53.720 --> 0:29:57.200
<v Speaker 1>to herself. I kissed him, I kissed her back, but

0:29:57.280 --> 0:30:00.760
<v Speaker 1>he not really. Yeah. They pause, and then he went

0:30:00.800 --> 0:30:03.040
<v Speaker 1>in for it. But we need we need him to

0:30:03.040 --> 0:30:06.040
<v Speaker 1>do the initiating. We need him to like be like

0:30:06.160 --> 0:30:10.200
<v Speaker 1>you are my girl, like you guys, got you effecting

0:30:10.440 --> 0:30:14.200
<v Speaker 1>so much of jets. He's already thank you. You shouldn't

0:30:14.240 --> 0:30:18.360
<v Speaker 1>have to expect something from you. Know, this is what

0:30:18.400 --> 0:30:22.480
<v Speaker 1>passion demands. If you're passionate about somebody, you cannot stop yourself.

0:30:24.040 --> 0:30:26.480
<v Speaker 1>It compels you to get on a bus and go

0:30:26.480 --> 0:30:29.520
<v Speaker 1>go kiss her like That's what I mean. I'm not

0:30:29.560 --> 0:30:32.640
<v Speaker 1>saying go. You know, harassing compelled him to come back

0:30:32.680 --> 0:30:38.320
<v Speaker 1>to start and ask for Luke's forgive me. I feel

0:30:38.360 --> 0:30:42.760
<v Speaker 1>like he's doing a lot. I see both sides. I

0:30:42.760 --> 0:30:45.520
<v Speaker 1>think I don't think he's doing nearly enough. Guys, Riley.

0:30:46.640 --> 0:30:48.880
<v Speaker 1>I do see both sides. But to be fair, if

0:30:49.440 --> 0:30:52.680
<v Speaker 1>if I kiss somebody and then they but they have

0:30:52.720 --> 0:30:56.880
<v Speaker 1>another person and then they leave for a summer, it's like,

0:30:58.000 --> 0:31:00.320
<v Speaker 1>I don't really know what to do here, and he's okay,

0:31:00.440 --> 0:31:03.400
<v Speaker 1>Like I think he's also like has a lot of

0:31:03.440 --> 0:31:05.240
<v Speaker 1>walls up and his guards up, and so he's like,

0:31:05.360 --> 0:31:07.000
<v Speaker 1>I'm just gonna move on. If she's going to move

0:31:07.040 --> 0:31:09.960
<v Speaker 1>on to go to DC, she already has Dean. I

0:31:10.040 --> 0:31:13.080
<v Speaker 1>think it made I think it hurt both characters. I

0:31:13.080 --> 0:31:15.240
<v Speaker 1>think it hurt his character because now he's just like

0:31:15.280 --> 0:31:18.320
<v Speaker 1>a mac daddy and and and and it hurt her

0:31:18.440 --> 0:31:20.840
<v Speaker 1>character because it makes her seem like she isn't worth

0:31:20.880 --> 0:31:24.520
<v Speaker 1>it or she isn't as desirable and she is. He's

0:31:24.560 --> 0:31:27.520
<v Speaker 1>a player and she's and she's not worth it, and

0:31:27.560 --> 0:31:28.960
<v Speaker 1>she's not worth it to him. So I think it

0:31:29.000 --> 0:31:31.480
<v Speaker 1>degrades her. So I think they took a big chance

0:31:31.520 --> 0:31:34.160
<v Speaker 1>story wise by doing that. And I didn't like it.

0:31:34.360 --> 0:31:35.920
<v Speaker 1>I didn't like it as a fan. I did not

0:31:36.040 --> 0:31:38.280
<v Speaker 1>like it. What it what How it made Rory look

0:31:38.600 --> 0:31:40.520
<v Speaker 1>and now she's back with Dean and it's all good,

0:31:40.520 --> 0:31:43.800
<v Speaker 1>and it's like Jesus Man, you know, where's you know,

0:31:44.040 --> 0:31:46.320
<v Speaker 1>all this build up and all this anticipation and then

0:31:46.360 --> 0:31:53.760
<v Speaker 1>this is this is the payoff. Riley. Would you guys

0:31:53.800 --> 0:31:58.440
<v Speaker 1>call Jess and that dirty word? You guys say, yeah,

0:31:59.240 --> 0:32:01.560
<v Speaker 1>well what I'm sorry to think? What word you can

0:32:01.600 --> 0:32:08.120
<v Speaker 1>say it? You can sleep boy? What word they called

0:32:08.160 --> 0:32:12.600
<v Speaker 1>an F boy? And f boy? That's what the younger

0:32:13.000 --> 0:32:22.920
<v Speaker 1>fell in the blanks, a fire boy. I know you

0:32:23.000 --> 0:32:25.080
<v Speaker 1>had a different name. What was what did you call

0:32:25.120 --> 0:32:27.520
<v Speaker 1>it two seconds ago? It's already out of my head,

0:32:27.560 --> 0:32:31.760
<v Speaker 1>but you had a good term for it, mac daddy.

0:32:33.480 --> 0:32:38.360
<v Speaker 1>Did I just date myself very just like my layers?

0:32:39.480 --> 0:32:43.000
<v Speaker 1>But they say that, and I agree with you. Jess

0:32:43.800 --> 0:32:48.000
<v Speaker 1>didn't necessarily need to like hook up with this trap.

0:32:48.560 --> 0:32:50.400
<v Speaker 1>But we don't we you know, we don't know her.

0:32:50.560 --> 0:32:52.280
<v Speaker 1>We don't know what the deal she could. She could

0:32:52.280 --> 0:32:55.200
<v Speaker 1>be extraordinary and maybe that's right, right, But I mean, it's,

0:32:55.560 --> 0:33:01.440
<v Speaker 1>you know there obviously unabashedly like really into each other.

0:33:01.480 --> 0:33:04.680
<v Speaker 1>There's a lot of passion there, like grind grinding against

0:33:04.760 --> 0:33:06.760
<v Speaker 1>a tree, you know what I mean? I have a

0:33:06.880 --> 0:33:13.000
<v Speaker 1>question a protracted period of time, have you been in

0:33:13.040 --> 0:33:15.480
<v Speaker 1>a scene like that before where you just have to oh,

0:33:15.520 --> 0:33:18.240
<v Speaker 1>I guess that's coming, that's coming. I will save it

0:33:18.520 --> 0:33:23.040
<v Speaker 1>forget it. Asking now, I want to know ask it again?

0:33:23.120 --> 0:33:26.200
<v Speaker 1>How awkward is that where you're just like, just make

0:33:26.240 --> 0:33:28.360
<v Speaker 1>out for three minutes straight, don't come up for air,

0:33:28.520 --> 0:33:33.960
<v Speaker 1>go um, you get you get an altoid or you

0:33:34.440 --> 0:33:39.200
<v Speaker 1>splits your breath. But awkward, you know what I mean? Yeah?

0:33:39.240 --> 0:33:43.160
<v Speaker 1>But you know people are professional about it, and what

0:33:43.360 --> 0:33:46.640
<v Speaker 1>is acting kissing life? Like do you try to kiss like,

0:33:46.880 --> 0:33:49.640
<v Speaker 1>oh I'm gonna kiss this girl, or you're like, this

0:33:49.720 --> 0:33:55.360
<v Speaker 1>is just work. Uh, you know, it's mostly it's mostly work.

0:33:56.120 --> 0:33:58.320
<v Speaker 1>I mean, let's say, even if you are attracted to

0:33:58.360 --> 0:34:02.840
<v Speaker 1>the person, Okay, it's still an awkward situation because so

0:34:02.840 --> 0:34:06.000
<v Speaker 1>many people are standing around watching you with with boom

0:34:06.000 --> 0:34:09.600
<v Speaker 1>mix and cameras and extras and you know, every everybody's

0:34:09.600 --> 0:34:12.080
<v Speaker 1>looking at you. So it's it's not an intimate situation

0:34:12.120 --> 0:34:16.200
<v Speaker 1>at all. There's nothing terribly sexy about it. You know,

0:34:16.880 --> 0:34:20.879
<v Speaker 1>is there an art to kissing on camera? Like yeah,

0:34:20.880 --> 0:34:25.040
<v Speaker 1>you really don't want to engage the tongue too much.

0:34:25.840 --> 0:34:30.239
<v Speaker 1>This is this is the thing that is discussed many directors,

0:34:30.680 --> 0:34:34.280
<v Speaker 1>you know, all directors where I've been in those situations, say, listen,

0:34:34.320 --> 0:34:36.160
<v Speaker 1>you know, it's you know what to do. It's like

0:34:36.800 --> 0:34:40.080
<v Speaker 1>if you go to if you get too liberal with

0:34:40.200 --> 0:34:42.120
<v Speaker 1>the tongue, it's gonna it's gonna be a little much.

0:34:42.160 --> 0:34:43.480
<v Speaker 1>And I said, well, you don't have to tell me that.

0:34:43.520 --> 0:34:49.319
<v Speaker 1>You don't want to, Courtney Krdassian, Yeah, you know you

0:34:49.320 --> 0:34:52.160
<v Speaker 1>don't want to go deep with the tongue. You you

0:34:52.200 --> 0:34:54.880
<v Speaker 1>really don't want to engage the tongue very much at all,

0:34:55.120 --> 0:34:57.759
<v Speaker 1>you know, So there's a way to do that to

0:34:57.840 --> 0:35:00.560
<v Speaker 1>make it palatable for an audience because you know you

0:35:00.560 --> 0:35:08.120
<v Speaker 1>don't want to. Yeah, you don't want to do that. Yeah, okay,

0:35:08.239 --> 0:35:13.040
<v Speaker 1>so let me just all just bring it. So now

0:35:14.320 --> 0:35:16.600
<v Speaker 1>Laura Lee and Rory are sort of going back and

0:35:16.640 --> 0:35:18.960
<v Speaker 1>forth with Jess and the making out in the background,

0:35:19.040 --> 0:35:26.920
<v Speaker 1>and she tells Laura, la we did kiss who kissed too? Yeah? Again,

0:35:27.040 --> 0:35:32.040
<v Speaker 1>I thought, I'm trying to understand why Laurel I got

0:35:32.080 --> 0:35:34.880
<v Speaker 1>so upset. And I think it's because and and there

0:35:34.880 --> 0:35:39.719
<v Speaker 1>there's another there's another. The scene just just it just

0:35:40.880 --> 0:35:44.040
<v Speaker 1>collapsed for me because here we are. You know, now

0:35:44.160 --> 0:35:47.520
<v Speaker 1>Rory's weakened as a character. This relationship isn't happening, or

0:35:47.520 --> 0:35:49.680
<v Speaker 1>at least it's paused for a long time, because how

0:35:49.680 --> 0:35:53.120
<v Speaker 1>do you come back from that? Um uh, you know,

0:35:53.239 --> 0:35:59.160
<v Speaker 1>Rory's all grossed out, she's offended, she's hurt. Um and

0:35:59.239 --> 0:36:02.759
<v Speaker 1>you know, Jess, it's like a fuzz boy and I

0:36:02.760 --> 0:36:08.320
<v Speaker 1>think that's the term fuzz or fooz fooz boy. And

0:36:07.200 --> 0:36:10.759
<v Speaker 1>and and now you've got Laurela, you know, jumping down

0:36:10.760 --> 0:36:13.400
<v Speaker 1>her throat because she needs to make a decision one

0:36:13.400 --> 0:36:16.279
<v Speaker 1>way or another, right and and it was just hey,

0:36:16.360 --> 0:36:22.359
<v Speaker 1>because she's she's cheating on in quotes emotionally obviously, and

0:36:22.400 --> 0:36:26.759
<v Speaker 1>she did kiss him, so I get that girl. I

0:36:26.800 --> 0:36:29.839
<v Speaker 1>think Laurel is upset because you know, her daughter Roy

0:36:29.880 --> 0:36:31.439
<v Speaker 1>didn't listen to her in the first place. Stay away

0:36:31.440 --> 0:36:33.560
<v Speaker 1>from this guy's bad news. Now you see his bad news,

0:36:33.840 --> 0:36:35.560
<v Speaker 1>make a choice. She I think she was just sick

0:36:35.600 --> 0:36:37.680
<v Speaker 1>of it. She was just sick of the whole thing.

0:36:37.760 --> 0:36:39.600
<v Speaker 1>And I told you this guy was gonna bust your

0:36:39.640 --> 0:36:43.400
<v Speaker 1>heart open, and she got angry at her daughter because

0:36:43.400 --> 0:36:47.440
<v Speaker 1>of it. I totally back up Lorelie. Am I the

0:36:47.480 --> 0:36:50.920
<v Speaker 1>only one. I'm like, I totally agreed with what she said.

0:36:51.320 --> 0:36:53.680
<v Speaker 1>I'm like, yeah, if you don't want to be with Dean,

0:36:53.719 --> 0:36:55.600
<v Speaker 1>you gotta let that guy go because you're breaking his

0:36:55.640 --> 0:36:59.239
<v Speaker 1>heart and that's not cool. But the whole time, I

0:36:59.280 --> 0:37:02.200
<v Speaker 1>was thinking, what about her own daughter's heart. She's her

0:37:02.239 --> 0:37:05.279
<v Speaker 1>daughters sitting there getting crushed by what's going on ten

0:37:05.280 --> 0:37:08.640
<v Speaker 1>feet away in a tree, under a tree, So what

0:37:08.680 --> 0:37:11.759
<v Speaker 1>about protecting her daughter's heart? What is this reaction like

0:37:11.840 --> 0:37:14.400
<v Speaker 1>jumping down to her about making a choice and and

0:37:14.719 --> 0:37:17.520
<v Speaker 1>giving a crap about Dean's feelings? Is what about her

0:37:17.560 --> 0:37:20.640
<v Speaker 1>own daughter's feelings that she hasn't seen in months? Who

0:37:20.680 --> 0:37:23.520
<v Speaker 1>just came back and got slammed in the face, you know,

0:37:23.680 --> 0:37:26.919
<v Speaker 1>by by Jess and this other girl, And now she's

0:37:26.960 --> 0:37:29.440
<v Speaker 1>sitting there dying in the street with her dress, And

0:37:29.480 --> 0:37:34.000
<v Speaker 1>I mean, what on earth about Jess? And I know that,

0:37:34.080 --> 0:37:39.319
<v Speaker 1>but she's sixteen, for God's sake, be a little you

0:37:39.360 --> 0:37:41.719
<v Speaker 1>know better, mother, Be be a little more gentle with

0:37:41.760 --> 0:37:45.239
<v Speaker 1>your own daughter. She's her heart is breaking, right. I

0:37:45.280 --> 0:37:48.440
<v Speaker 1>think she's being a great mom. She's tried, and at

0:37:48.480 --> 0:37:51.359
<v Speaker 1>a certain point you gotta let your kid figure out

0:37:51.400 --> 0:37:58.400
<v Speaker 1>on their own what's going on. I'm team Scott Riley,

0:37:58.560 --> 0:38:01.239
<v Speaker 1>back me I with Daniel this one. I don't I

0:38:01.280 --> 0:38:03.400
<v Speaker 1>don't like it when parents talk to their kids like

0:38:03.440 --> 0:38:06.200
<v Speaker 1>their screw ups. I don't like that. I don't think

0:38:06.239 --> 0:38:08.439
<v Speaker 1>you should ever talk to your kid like the kids

0:38:08.560 --> 0:38:14.640
<v Speaker 1>screw up. Yeah, have some, have some, especially especially if

0:38:14.680 --> 0:38:18.160
<v Speaker 1>it's a if it's somebody who is so so precocious

0:38:18.200 --> 0:38:22.000
<v Speaker 1>and so sweet and so gentle natured as Rory. I

0:38:22.080 --> 0:38:25.360
<v Speaker 1>thought that that was an abomination I was as a parent.

0:38:25.480 --> 0:38:30.799
<v Speaker 1>I was offended. Rory is doing sweet? What is what

0:38:30.880 --> 0:38:34.800
<v Speaker 1>Rory is? What Rory is doing sweet? She's a confused,

0:38:35.840 --> 0:38:39.600
<v Speaker 1>in love sixteen year old girl. She is not worldly.

0:38:39.800 --> 0:38:43.920
<v Speaker 1>She she is just an open soul and a sweet

0:38:43.960 --> 0:38:48.160
<v Speaker 1>soul who is has is having her first experience at

0:38:48.600 --> 0:38:51.279
<v Speaker 1>at being in some kind of a love triangle, you know,

0:38:51.520 --> 0:38:54.960
<v Speaker 1>as she's exposed to a bad boy. I'm not mad

0:38:55.000 --> 0:38:58.759
<v Speaker 1>at the messaging, loyalizes, No, it's not that you need

0:38:58.800 --> 0:39:01.600
<v Speaker 1>to get this figured out. But it was how she

0:39:01.920 --> 0:39:08.520
<v Speaker 1>could have just a tone that it was harsh I

0:39:08.560 --> 0:39:10.799
<v Speaker 1>agree with. It was a real tongue lashing man in

0:39:10.960 --> 0:39:14.960
<v Speaker 1>public from in front of her broken hearted daughter. I

0:39:15.080 --> 0:39:16.759
<v Speaker 1>was like, no, no, no, get her out of there.

0:39:16.800 --> 0:39:19.120
<v Speaker 1>Like I would have been like, let's get out and

0:39:19.239 --> 0:39:22.600
<v Speaker 1>let's go to Luke and have a cup of coffee

0:39:23.760 --> 0:39:26.640
<v Speaker 1>and and talk it through. What does Roy needs. So

0:39:26.640 --> 0:39:29.279
<v Speaker 1>there's three characters that were damaged for me and I

0:39:29.320 --> 0:39:33.480
<v Speaker 1>didn't like it. Yeah, so that's not Laurel. I she's

0:39:33.520 --> 0:39:37.719
<v Speaker 1>more compassionate pathetic than that. That's that's not Jess. You

0:39:37.719 --> 0:39:41.960
<v Speaker 1>know what's going on. Everybody's getting knocked down a notch

0:39:42.600 --> 0:39:54.040
<v Speaker 1>um bean Dean and she was like, hey, god off,

0:39:54.760 --> 0:39:57.080
<v Speaker 1>that poor step shows up. I mean, of course he

0:39:57.160 --> 0:40:04.120
<v Speaker 1>was probably up in the tree. No pun intended SAP trade.

0:40:04.239 --> 0:40:08.640
<v Speaker 1>Thank you very much, effectives though, because I don't. But

0:40:08.680 --> 0:40:11.759
<v Speaker 1>it's really interesting to hear how everyone feels about it. Sorry,

0:40:11.800 --> 0:40:17.279
<v Speaker 1>I'm going back was with me on the SAP thing.

0:40:19.440 --> 0:40:21.640
<v Speaker 1>I'm still thinking about who was right, who was wrong,

0:40:21.640 --> 0:40:24.520
<v Speaker 1>and it's just kind of a massive I'm not saying

0:40:24.560 --> 0:40:26.640
<v Speaker 1>it's wrong. I'm not saying it's wrong or right. I'm

0:40:26.680 --> 0:40:29.719
<v Speaker 1>just saying my my feeling of it, how it hit,

0:40:29.840 --> 0:40:32.520
<v Speaker 1>how it landed for me, just seemed I don't know

0:40:32.680 --> 0:40:36.680
<v Speaker 1>off for me. I agree to all right, So now

0:40:36.680 --> 0:40:43.120
<v Speaker 1>we're gonna go to the Gilmore and that hell. You know,

0:40:43.160 --> 0:40:45.920
<v Speaker 1>I was glad Laura like told them. It took her

0:40:45.960 --> 0:40:48.320
<v Speaker 1>too long, but I was glad she told them about

0:40:48.400 --> 0:40:52.360
<v Speaker 1>Christopher and Sherry and the baby, because I didn't enjoy

0:40:52.400 --> 0:40:54.920
<v Speaker 1>when they were blaming lower a lie or Emily was

0:40:55.200 --> 0:40:57.760
<v Speaker 1>you know, I learned some new information from that scene,

0:40:57.880 --> 0:41:02.920
<v Speaker 1>which is always helpful, you know, if you want to critique, uh,

0:41:03.200 --> 0:41:05.880
<v Speaker 1>the the overall series and its episodes and its scenes.

0:41:06.000 --> 0:41:08.799
<v Speaker 1>But I you know, I did. Maybe they mentioned this

0:41:08.840 --> 0:41:10.600
<v Speaker 1>earlier in the series, in the first two seasons, but

0:41:10.680 --> 0:41:13.000
<v Speaker 1>I did not know that Laurela I pushed Christopher away

0:41:13.000 --> 0:41:15.000
<v Speaker 1>when she was sixteen and he wanted to be a family.

0:41:15.640 --> 0:41:18.560
<v Speaker 1>I didn't know that he learned a glimpse of that. Yeah,

0:41:18.960 --> 0:41:22.279
<v Speaker 1>well but that's fine. It's been subtle. We don't totally know,

0:41:22.400 --> 0:41:25.799
<v Speaker 1>but we got glimpses that he would have stayed with

0:41:25.840 --> 0:41:31.080
<v Speaker 1>her and I think maybe even marry her. But again, right, okay,

0:41:31.120 --> 0:41:34.279
<v Speaker 1>well again, we're talking about a sixteen year old girl

0:41:34.320 --> 0:41:37.240
<v Speaker 1>who has a baby. We're not you know, her brain

0:41:37.320 --> 0:41:41.400
<v Speaker 1>isn't fully formed yet, right, she's sixteen, She's not making

0:41:41.480 --> 0:41:44.880
<v Speaker 1>good decisions. And here we have, you know, we have

0:41:45.120 --> 0:41:51.120
<v Speaker 1>Richard and Emily, you know, the two headed cyclops telling

0:41:51.239 --> 0:41:56.000
<v Speaker 1>their thirty two year old daughter what a complete screw

0:41:56.120 --> 0:42:00.280
<v Speaker 1>up she is, again and again and again, with every

0:42:00.400 --> 0:42:04.799
<v Speaker 1>sarcastic dripping horrible comment coming out of their mouth. I mean,

0:42:04.880 --> 0:42:08.160
<v Speaker 1>these are two of the nastiest people. I mean, for

0:42:08.200 --> 0:42:10.760
<v Speaker 1>God's sake, are they nasty to that girl? No wonder

0:42:10.880 --> 0:42:13.520
<v Speaker 1>she you know what, No wonder she got the hell

0:42:13.560 --> 0:42:16.879
<v Speaker 1>out of there. No wonder she didn't want any part

0:42:16.920 --> 0:42:18.759
<v Speaker 1>of that. And I think that part of her that

0:42:18.880 --> 0:42:22.040
<v Speaker 1>came out at Rory in the prior scene is too

0:42:22.160 --> 0:42:24.640
<v Speaker 1>much Emily, and is the reason she got the hell

0:42:24.680 --> 0:42:27.799
<v Speaker 1>away from those people, because there was on a certain level,

0:42:27.880 --> 0:42:32.760
<v Speaker 1>they are awful. I mean, do you want to be Scott,

0:42:32.800 --> 0:42:36.279
<v Speaker 1>You're so right? She reacted to like Emily reaction a

0:42:36.400 --> 0:42:40.000
<v Speaker 1>similar way to the way her parents reacted, and it's like,

0:42:40.840 --> 0:42:44.880
<v Speaker 1>where is the like if they should have felt bad

0:42:45.000 --> 0:42:47.600
<v Speaker 1>for lor lies. She wanted to be with Christopher finally

0:42:47.600 --> 0:42:50.080
<v Speaker 1>it's happening, and then this happens, and he's trying to

0:42:50.120 --> 0:42:54.000
<v Speaker 1>do the right thing. It's very harold. God, I wanted

0:42:54.040 --> 0:42:56.399
<v Speaker 1>to punch Richard in the face. I couldn't believe it.

0:42:56.800 --> 0:42:59.520
<v Speaker 1>I couldn't believe how he was talking to her. I

0:42:59.560 --> 0:43:03.439
<v Speaker 1>could not believe it. You know, she she had every

0:43:03.520 --> 0:43:06.880
<v Speaker 1>right too, and she I mean, I mean, continuing to

0:43:06.920 --> 0:43:11.200
<v Speaker 1>get beaten down by those two monsters for you know,

0:43:11.280 --> 0:43:16.120
<v Speaker 1>it's life, it's you know, she drove them, I mean,

0:43:16.160 --> 0:43:19.399
<v Speaker 1>they drove her to that behavior. She's sixteen years old.

0:43:19.440 --> 0:43:23.400
<v Speaker 1>She made a bad decision, you know, she went against

0:43:23.400 --> 0:43:27.360
<v Speaker 1>her wishes again, and she's a I think I'm at

0:43:27.400 --> 0:43:30.280
<v Speaker 1>the point where I'm tired of these two people telling

0:43:30.320 --> 0:43:34.479
<v Speaker 1>their daughter they're they're quite spectacular daughter, uh, that she's

0:43:34.480 --> 0:43:36.440
<v Speaker 1>to screw up. I'm sick of it. I don't want

0:43:36.440 --> 0:43:39.600
<v Speaker 1>to see it anymore. You know, It's like I've had

0:43:39.600 --> 0:43:43.480
<v Speaker 1>two seasons of it, and she's defended herself and and now,

0:43:43.680 --> 0:43:45.960
<v Speaker 1>you know, here's the interesting thing. Now I get why

0:43:46.040 --> 0:43:52.240
<v Speaker 1>Laurelai is so a cerbic with her wit towards her parents.

0:43:52.560 --> 0:43:56.320
<v Speaker 1>It's a it's a complete defense mechanism. It started at sixteen,

0:43:56.320 --> 0:43:59.760
<v Speaker 1>probably started prior to that. You know, she's smart, she's fast,

0:43:59.800 --> 0:44:03.560
<v Speaker 1>she's funny, she's quick. And now it explains all of

0:44:03.600 --> 0:44:07.799
<v Speaker 1>the successive dialogue because that's a defense mechanism as well.

0:44:07.840 --> 0:44:11.440
<v Speaker 1>She's using humor and she's using volumes of words as

0:44:11.480 --> 0:44:14.680
<v Speaker 1>an armor, as a shield. Even once she interacts with

0:44:14.680 --> 0:44:18.680
<v Speaker 1>her own daughter, that's her most safe space. She does

0:44:18.680 --> 0:44:21.120
<v Speaker 1>it with other people too. She does it with everybody,

0:44:21.360 --> 0:44:24.759
<v Speaker 1>am I is this amateur psychology one on one? Thank you?

0:44:27.040 --> 0:44:30.000
<v Speaker 1>But this is this is now I get why there's

0:44:30.040 --> 0:44:34.720
<v Speaker 1>so much verbiage. It's because she was raised and escaped

0:44:35.200 --> 0:44:39.279
<v Speaker 1>two of the most horrible people that I have ever

0:44:39.320 --> 0:44:42.080
<v Speaker 1>seen on television. How can you talk to your daughter

0:44:42.160 --> 0:44:46.799
<v Speaker 1>that way? Emily and Richard are complicated because I do

0:44:46.880 --> 0:44:51.120
<v Speaker 1>think they have many, many, many redeeming qualities as well.

0:44:52.760 --> 0:45:00.520
<v Speaker 1>They're not all bad. Wait a minute. Richard's all how

0:45:00.600 --> 0:45:05.040
<v Speaker 1>competent and how smart, and how helpful and how loving

0:45:05.480 --> 0:45:08.520
<v Speaker 1>his own daughter was when he was setting up his

0:45:08.560 --> 0:45:13.320
<v Speaker 1>own office, right, he was let go for whatever reasons,

0:45:13.800 --> 0:45:17.560
<v Speaker 1>and he now he knows that his daughter is indeed

0:45:17.600 --> 0:45:20.840
<v Speaker 1>not a screw up her daughter. His daughter is very competent,

0:45:22.520 --> 0:45:24.759
<v Speaker 1>and he didn't want her to leave. He wanted her

0:45:24.800 --> 0:45:27.480
<v Speaker 1>to stay. And now he's back to the same old tropes.

0:45:28.600 --> 0:45:32.240
<v Speaker 1>I think Richard is an abusive father. I think Emily

0:45:32.360 --> 0:45:39.080
<v Speaker 1>is a completely abusive mother, and I'm boy. I think

0:45:39.120 --> 0:45:40.680
<v Speaker 1>that's one of the things that disturbed me the most

0:45:40.680 --> 0:45:43.279
<v Speaker 1>about this is how much I started disliking those two

0:45:44.880 --> 0:45:47.399
<v Speaker 1>just beating up on her, on their daughter like that,

0:45:47.880 --> 0:45:51.319
<v Speaker 1>just beating up on that because I think there's some

0:45:51.400 --> 0:45:54.200
<v Speaker 1>truth to what you're saying. I mean, she's a she's

0:45:54.239 --> 0:45:56.719
<v Speaker 1>in a bad deal. That's a bad deal for her.

0:45:56.800 --> 0:45:58.480
<v Speaker 1>She's got to go there every Friday night and take

0:45:58.560 --> 0:46:03.479
<v Speaker 1>that crap. I feel I feel bad for her. Yeah,

0:46:03.800 --> 0:46:06.400
<v Speaker 1>why she left? Now I got it. Hey, you know,

0:46:07.280 --> 0:46:09.480
<v Speaker 1>didn't come to me right away, but now I got it.

0:46:10.480 --> 0:46:15.560
<v Speaker 1>That's the thing these this show is not whatever it's

0:46:15.680 --> 0:46:19.799
<v Speaker 1>it's complicated. And you go from a scene where you're

0:46:19.840 --> 0:46:23.440
<v Speaker 1>loving it to something like this, sorry that that, that

0:46:23.520 --> 0:46:27.319
<v Speaker 1>scene was vil that that that was vile again, and

0:46:27.360 --> 0:46:32.000
<v Speaker 1>now you're hurt. You're destroying those two characters. You're really goes,

0:46:36.280 --> 0:46:40.640
<v Speaker 1>what did you think of that? I love that scene.

0:46:40.800 --> 0:46:47.480
<v Speaker 1>I really love that scene. And you know, I she

0:46:47.560 --> 0:46:50.960
<v Speaker 1>had nowhere else to go. Oh I see, I look

0:46:51.000 --> 0:46:53.600
<v Speaker 1>at it differently. Not she had nowhere else to go.

0:46:54.040 --> 0:46:59.440
<v Speaker 1>She went to where she was meant to be interesting.

0:46:59.480 --> 0:47:06.360
<v Speaker 1>Well said wow destiny, huh wow. But I mean she

0:47:06.480 --> 0:47:10.200
<v Speaker 1>opened up and she she was justifiably upset. I mean,

0:47:10.280 --> 0:47:15.640
<v Speaker 1>having her reality is just not man. She's got this

0:47:15.760 --> 0:47:19.359
<v Speaker 1>great town, these great people, it's great daughter, and she's

0:47:19.360 --> 0:47:22.040
<v Speaker 1>got to deal with those two monsters every week. Good God,

0:47:23.480 --> 0:47:26.319
<v Speaker 1>I feel bad for her. I really love her. I

0:47:26.360 --> 0:47:30.560
<v Speaker 1>really love her character. I really I really love Laurela.

0:47:31.120 --> 0:47:35.720
<v Speaker 1>I really do. I think that she is a a

0:47:35.760 --> 0:47:39.640
<v Speaker 1>woman made out of iron and all heart and soul

0:47:39.800 --> 0:47:43.920
<v Speaker 1>and um man, she just wants to keep it light,

0:47:43.960 --> 0:47:46.600
<v Speaker 1>doesn't she. She just wants laughs because she didn't get

0:47:46.640 --> 0:47:54.840
<v Speaker 1>him growing up heavy stuff all heavy, heavy, Richard Emily

0:47:55.080 --> 0:48:03.839
<v Speaker 1>bs garbage, status, pressure, belittling and psychological torture every day

0:48:03.840 --> 0:48:06.880
<v Speaker 1>of her life. Magnitude of having a baby at sixteen,

0:48:07.640 --> 0:48:10.879
<v Speaker 1>basically no support. Throw that in. Yeah, thanks a lot,

0:48:10.960 --> 0:48:13.799
<v Speaker 1>Mom and dad, you were great. I really appreciate that.

0:48:14.640 --> 0:48:19.040
<v Speaker 1>And there's and now she has to relive it because Christopher,

0:48:19.400 --> 0:48:22.839
<v Speaker 1>you know, it is what he is, and now he's

0:48:22.840 --> 0:48:24.200
<v Speaker 1>trying to do the right thing. And you know, I

0:48:24.200 --> 0:48:29.279
<v Speaker 1>think Richard spelled it out very succinctly, right, you know,

0:48:29.360 --> 0:48:31.040
<v Speaker 1>he he's he's a guy that tried to do the

0:48:31.120 --> 0:48:34.359
<v Speaker 1>right thing back in the day. And you know, of

0:48:34.400 --> 0:48:36.919
<v Speaker 1>course you stopped that, Laura Lie, because you're who you are.

0:48:38.760 --> 0:48:42.759
<v Speaker 1>It's just the way the way they expressed it, which

0:48:42.800 --> 0:48:46.680
<v Speaker 1>is exactly how I felt about Laura Lae. Her sentiment

0:48:46.920 --> 0:48:49.600
<v Speaker 1>was correct in that you need to make a decision

0:48:49.640 --> 0:48:52.920
<v Speaker 1>about Dean, like you're going after the bad boy. But

0:48:53.000 --> 0:48:56.239
<v Speaker 1>it's the way she did. I even think Richard verbalizing

0:48:56.280 --> 0:48:59.520
<v Speaker 1>it was abusive. Why throw it in her face? What's

0:48:59.560 --> 0:49:04.279
<v Speaker 1>the point except they're so self indulgent with their need

0:49:04.400 --> 0:49:09.680
<v Speaker 1>to express their utter disappointment in that woman. God, man,

0:49:09.719 --> 0:49:12.439
<v Speaker 1>I would write them off. I would never go back there,

0:49:13.719 --> 0:49:16.200
<v Speaker 1>you know, I would never ever go back there after

0:49:16.239 --> 0:49:19.360
<v Speaker 1>a tongue lashing like that. But she has to, and

0:49:19.400 --> 0:49:22.399
<v Speaker 1>I think maybe that's why Amy wrote this. I think,

0:49:22.480 --> 0:49:25.200
<v Speaker 1>let's put a girl in an impossible situation with a

0:49:25.239 --> 0:49:29.319
<v Speaker 1>great kid. She's a spectacular strong woman, independent woman who

0:49:29.320 --> 0:49:32.200
<v Speaker 1>made a choice, and she has to go back into

0:49:32.239 --> 0:49:37.160
<v Speaker 1>the into the tiger's den week after week after week,

0:49:39.880 --> 0:49:45.359
<v Speaker 1>and the chair her chair, and her whip is her wit. God,

0:49:45.440 --> 0:49:47.600
<v Speaker 1>that's so interesting you said that because it's like there

0:49:47.640 --> 0:49:52.160
<v Speaker 1>are so many laughs in this episode, But really you're right,

0:49:52.239 --> 0:49:55.840
<v Speaker 1>like this show is so much deeper and there's so

0:49:55.920 --> 0:50:02.040
<v Speaker 1>much context that is that's what it's really about. And

0:50:02.040 --> 0:50:04.520
<v Speaker 1>the fact that they're able to give us those laughs

0:50:04.560 --> 0:50:10.520
<v Speaker 1>amidst all this, maybe that's why we're so hooked. I

0:50:10.560 --> 0:50:14.240
<v Speaker 1>think so. Were you happy to see Luke and Laurel.

0:50:14.280 --> 0:50:20.239
<v Speaker 1>I resolve their situation, I think, And this this is

0:50:20.280 --> 0:50:22.520
<v Speaker 1>one of my favorite lines and one of the bigger laughs.

0:50:22.520 --> 0:50:26.400
<v Speaker 1>And the thing was when he was listing all her

0:50:26.400 --> 0:50:31.760
<v Speaker 1>capabilities and her iron stomach, that meant he was forgiving

0:50:31.760 --> 0:50:34.399
<v Speaker 1>her because he was joking around with her a little

0:50:34.440 --> 0:50:36.480
<v Speaker 1>bit and he's so comfortable with her that he can

0:50:36.480 --> 0:50:39.160
<v Speaker 1>say something off the cuff like that, and I think

0:50:39.160 --> 0:50:45.320
<v Speaker 1>it gave her a great comfort. And then come again, Mimi,

0:50:45.880 --> 0:50:48.840
<v Speaker 1>and I was just like, I'm I've now melted, like

0:50:49.840 --> 0:50:53.120
<v Speaker 1>um lushy, this is so good. That great writing. It

0:50:53.280 --> 0:50:58.080
<v Speaker 1>was great writing. That's a great line. Yeah, it was

0:50:58.120 --> 0:51:01.080
<v Speaker 1>a very very I love the Luca moralized stuff and

0:51:01.080 --> 0:51:04.520
<v Speaker 1>this it was very tender. It was it really really

0:51:04.600 --> 0:51:07.640
<v Speaker 1>was without it being overtly tender and sweet on her part.

0:51:08.040 --> 0:51:14.080
<v Speaker 1>It's not it's not or whatever. It's just and she

0:51:14.400 --> 0:51:17.600
<v Speaker 1>really had a monologue there and it was like she

0:51:17.760 --> 0:51:21.640
<v Speaker 1>just nailed it. And you are so subtle with the

0:51:21.719 --> 0:51:25.920
<v Speaker 1>way like and I I hope I don't seem like

0:51:26.239 --> 0:51:29.799
<v Speaker 1>stupid trying to be like a like analyzing acting, but

0:51:29.840 --> 0:51:33.880
<v Speaker 1>it's like the way you move and just the subtlety

0:51:33.920 --> 0:51:36.640
<v Speaker 1>of it, just the slight with the towel or the

0:51:36.719 --> 0:51:39.920
<v Speaker 1>whatever you're doing over there. It's just so you're just

0:51:40.000 --> 0:51:46.319
<v Speaker 1>completely hooked. It's so good. And enacting parlance, it's called

0:51:46.360 --> 0:51:52.880
<v Speaker 1>being connected to the character to the other. Yeah, I mean, listen,

0:51:53.800 --> 0:51:57.440
<v Speaker 1>you know I enjoyed that scene very much. That it

0:51:57.560 --> 0:52:00.960
<v Speaker 1>was a powerful scene for me, you know, really really

0:52:01.120 --> 0:52:05.480
<v Speaker 1>was um And that's you know, I think, just in

0:52:05.520 --> 0:52:07.880
<v Speaker 1>an acting sense, to get a little wonky. You know,

0:52:07.920 --> 0:52:12.359
<v Speaker 1>the smaller you can work, the better. And uh, and

0:52:12.400 --> 0:52:15.040
<v Speaker 1>that really called for it. You know, you think you're

0:52:15.080 --> 0:52:20.399
<v Speaker 1>good at that because it's so you're so there and

0:52:20.520 --> 0:52:25.080
<v Speaker 1>so like your presence is big, but it's so like

0:52:25.400 --> 0:52:27.959
<v Speaker 1>just subtle. But yeah, I have to be careful because

0:52:27.960 --> 0:52:31.920
<v Speaker 1>I'm kind of large. Is that because you're tall you

0:52:31.920 --> 0:52:35.040
<v Speaker 1>have to be careful. You can't flail around if you're large,

0:52:35.840 --> 0:52:41.839
<v Speaker 1>little little guys can flail around. And so as as

0:52:41.880 --> 0:52:44.239
<v Speaker 1>we've gone through it, I kind of get why you

0:52:44.360 --> 0:52:50.120
<v Speaker 1>didn't love it. But looking now that we've discussed it,

0:52:50.160 --> 0:52:52.279
<v Speaker 1>how do you feel about the episode? You know what,

0:52:52.440 --> 0:52:55.040
<v Speaker 1>You're right? I think it was a pretty outstanding episode.

0:52:55.239 --> 0:52:58.480
<v Speaker 1>I would give it an A, not an a minus,

0:52:58.520 --> 0:53:00.080
<v Speaker 1>not an A plus, but I would give it an A.

0:53:00.360 --> 0:53:03.640
<v Speaker 1>I I think it had enough there to give a

0:53:03.680 --> 0:53:06.799
<v Speaker 1>top marks. I was just a little and and since

0:53:06.840 --> 0:53:09.600
<v Speaker 1>it's a season premiere, I think they'll rehabilitate these characters

0:53:09.600 --> 0:53:11.799
<v Speaker 1>in some way, shape or form. Will be we'll have,

0:53:11.960 --> 0:53:13.800
<v Speaker 1>you know, we'll hit the relief valve and go, oh,

0:53:13.800 --> 0:53:15.920
<v Speaker 1>thank god, you know. But I think it's just a

0:53:15.920 --> 0:53:17.839
<v Speaker 1>way of ratcheting up the tension right at the top

0:53:17.880 --> 0:53:20.640
<v Speaker 1>of the season, you know, and setting up for what's

0:53:20.680 --> 0:53:23.440
<v Speaker 1>to come. So I'm still going to give it an

0:53:23.440 --> 0:53:25.480
<v Speaker 1>A now that we've discussed it. Yeah, I've come around

0:53:25.520 --> 0:53:29.359
<v Speaker 1>a little bit. But those few things I'm telling you

0:53:29.400 --> 0:53:31.160
<v Speaker 1>and being honest with you in the moment last night

0:53:31.160 --> 0:53:34.560
<v Speaker 1>when I was watching it not a happy camper, I'm

0:53:34.600 --> 0:53:37.479
<v Speaker 1>glad that you tell us, Like, what did you guys

0:53:37.480 --> 0:53:42.840
<v Speaker 1>think now that we've discussed it. I love half of

0:53:42.880 --> 0:53:45.160
<v Speaker 1>it and I didn't like half of it, but I

0:53:45.239 --> 0:53:50.120
<v Speaker 1>would I would agree with the A rating. Yeah, I

0:53:50.120 --> 0:53:57.960
<v Speaker 1>would say I like the whole thing because I love

0:53:58.040 --> 0:54:02.319
<v Speaker 1>the complicated stuff. Yeah, it isn't amazing that this show

0:54:02.360 --> 0:54:06.640
<v Speaker 1>can even have awarts and all is still great, still great.

0:54:07.200 --> 0:54:09.759
<v Speaker 1>We've done a lot of the lines. Also sidebar the

0:54:09.800 --> 0:54:15.480
<v Speaker 1>fashion fashion this was great fashion before we get two lines,

0:54:15.520 --> 0:54:20.760
<v Speaker 1>I got a time code for everyone. Fool clown pillow

0:54:20.960 --> 0:54:25.359
<v Speaker 1>if anybody saw it was in your face right there.

0:54:26.400 --> 0:54:30.200
<v Speaker 1>I'm not gonna lie, guys. I immediately went on eBay

0:54:30.400 --> 0:54:36.319
<v Speaker 1>and purchased not one, but two of the Hello Kitty

0:54:36.680 --> 0:54:40.479
<v Speaker 1>alarm clock. Like, I don't even want to think about

0:54:40.480 --> 0:54:43.400
<v Speaker 1>how dirty and jeremy the clock is going to be

0:54:43.400 --> 0:54:47.480
<v Speaker 1>because it's obviously like twenty plus years old. But I

0:54:47.520 --> 0:54:52.080
<v Speaker 1>cannot wait. It's already shipped. I cannot wait. You know,

0:54:52.120 --> 0:54:56.080
<v Speaker 1>the Hello Kitty guys, I think I spent forty two

0:54:56.080 --> 0:54:58.360
<v Speaker 1>dollars on each one. So I spent almost a hundred

0:54:58.360 --> 0:55:00.760
<v Speaker 1>dollars on two. What do you going to do with those?

0:55:01.160 --> 0:55:05.279
<v Speaker 1>Give you one after I'm gonna take a lot of

0:55:05.320 --> 0:55:08.120
<v Speaker 1>four oh nine and clean it and then give you one,

0:55:08.160 --> 0:55:11.040
<v Speaker 1>and I'm gonna put one back here when we do

0:55:11.200 --> 0:55:14.560
<v Speaker 1>this Show're gonna watched Abon's Live where we just have

0:55:14.600 --> 0:55:17.960
<v Speaker 1>a prop like prop like wall behind us, which just

0:55:18.719 --> 0:55:22.040
<v Speaker 1>keeps getting Gilmore junk, Gilmore junk. I think I ordered

0:55:22.040 --> 0:55:27.439
<v Speaker 1>a Gilmore T shirt too, that I hopefully we're wearing soon. Um, alright, cool,

0:55:27.520 --> 0:55:29.399
<v Speaker 1>So I think I think we went through it. So

0:55:30.520 --> 0:55:33.920
<v Speaker 1>the line, my line is I'm ranting. You should recognize this.

0:55:34.040 --> 0:55:40.279
<v Speaker 1>I learned it from you. Mine's from Michelle, so sad

0:55:40.320 --> 0:55:42.359
<v Speaker 1>not to have a cocktail in your hand every time

0:55:42.360 --> 0:55:49.440
<v Speaker 1>he comes by. No, mine was from Paris. Was it

0:55:49.520 --> 0:55:55.080
<v Speaker 1>a good ask out? Was it a good ask out? Yeah?

0:55:55.360 --> 0:56:01.359
<v Speaker 1>She didn't really, she was getting asked out. I there

0:56:01.400 --> 0:56:03.800
<v Speaker 1>was a couple, but I settled on the look line

0:56:05.040 --> 0:56:10.000
<v Speaker 1>and your iron stomach. Oh yeah, it's right up there

0:56:10.000 --> 0:56:13.719
<v Speaker 1>with I think the Yanique line was better. H No,

0:56:14.040 --> 0:56:16.840
<v Speaker 1>do tell you know when it's just his attitude, not

0:56:16.920 --> 0:56:18.640
<v Speaker 1>the line so much, but his attitude when he was

0:56:18.680 --> 0:56:22.239
<v Speaker 1>just staring at Kirk like and told disbelief about his

0:56:23.040 --> 0:56:27.799
<v Speaker 1>cows don't wrinkle lotion. So but I'm gonna go with

0:56:27.800 --> 0:56:34.799
<v Speaker 1>the look line, iron stomach, and your iron stomach. So

0:56:34.920 --> 0:56:39.880
<v Speaker 1>that's it. I think we picked up apart pretty well.

0:56:40.280 --> 0:56:42.440
<v Speaker 1>I would like people to let us know if they

0:56:42.480 --> 0:56:45.400
<v Speaker 1>liked us going through it in order. I think they do.

0:56:45.800 --> 0:56:48.440
<v Speaker 1>I think they do. I think get some complaints about

0:56:48.440 --> 0:56:51.040
<v Speaker 1>our jumping. I think I think they do, because I

0:56:51.080 --> 0:56:56.520
<v Speaker 1>think we also inevitably can't help ourselves to create a

0:56:56.520 --> 0:57:04.799
<v Speaker 1>lot of chaos during our tangential chaos inclinations, So it's yeah,

0:57:04.840 --> 0:57:07.239
<v Speaker 1>I think it's just an ournature. Anyway, that was fun,

0:57:07.360 --> 0:57:11.560
<v Speaker 1>great season premiere. All in all, Um, they're gonna, really

0:57:11.719 --> 0:57:14.160
<v Speaker 1>the writers are gonna rehabilitate those characters and it's going

0:57:14.239 --> 0:57:16.680
<v Speaker 1>to be very entertaining to watch, and I'm very eager

0:57:16.720 --> 0:57:20.720
<v Speaker 1>to see how they do it, you know. Um, but uh,

0:57:21.160 --> 0:57:22.680
<v Speaker 1>sometimes you have to do what they say in the

0:57:22.680 --> 0:57:27.520
<v Speaker 1>writer's room. You gotta kill your your favorite children, and

0:57:27.560 --> 0:57:32.080
<v Speaker 1>they certainly did that in this episode. So anyway, thanks

0:57:32.120 --> 0:57:35.800
<v Speaker 1>everybody for downloading and listening. Uh, you're the best fans

0:57:35.800 --> 0:57:38.400
<v Speaker 1>on the planet. We love you dearly. Thank you. Free comments,

0:57:38.440 --> 0:57:41.800
<v Speaker 1>keep them coming. You are shaping this podcast as you

0:57:41.840 --> 0:57:44.840
<v Speaker 1>can well see, and we appreciate it. We think it's

0:57:44.840 --> 0:57:48.640
<v Speaker 1>making it better. Um, all the best. Stay safe out there,

0:58:18.560 --> 0:58:21.600
<v Speaker 1>hey everybody, and don't forget follow us on Instagram at

0:58:21.920 --> 0:58:26.440
<v Speaker 1>I Am all In Podcast and Emailie at Gilmore at

0:58:26.440 --> 0:58:29.880
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0:58:29.920 --> 0:58:31.920
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