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Speaker 1: I am all in. Oh that's just you more. I

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Speaker 1: am all in with Scott Patterson and I Hurt Radio Podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast, I

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Speaker 1: Hurt Radio one to Lear Productions, we are back for

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Speaker 1: season three premiere. Those lazy, hazy, crazy days. Um Riley,

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Speaker 1: take it away with your synopsis. So this air day

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Speaker 1: September two, it's the season three premiere, returns from Washington,

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Speaker 1: d C. While Jess is still on her mind and

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Speaker 1: finally makes a decision about Dean, Lorel breaks the news

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Speaker 1: to her parents that her and Christopher didn't work out

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Speaker 1: and finds comfort in talking to Luke. Mm hmm okay, uh.

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Speaker 1: I mean right from the start, who noticed this? EXI

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Speaker 1: Pinkney down. It was good. She looked good. And here

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Speaker 1: I've got a picture of her in that dress with

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Speaker 1: with Taylor in the wheelchair and she's got a white

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Speaker 1: bucket hat on. She looks good. She looks really good.

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Speaker 1: Speaking of was the real life Taylor actually injured? Does

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Speaker 1: anybody know? Because why was he in the wheelchair? Was

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Speaker 1: it part of the actual storyline or was he And

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Speaker 1: I think that he was probably hurt. Yeah, that's what

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Speaker 1: I'm thinking. Too friends trying to access my memory banks

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Speaker 1: from twenty two years ago. I didn't really didn't, wasn't

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Speaker 1: booting up. I was having problems connecting with my own brain.

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Speaker 1: We's just a frequent occurrence. Um, but anyway, go ahead,

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Speaker 1: So I have to ask you something, yes, ma'am, Okay,

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Speaker 1: this is like really important. Your first kiss when Laura

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Speaker 1: Lie was in a dream as it should be as

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Speaker 1: a job. Yeah, but that was a little bit interesting

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Speaker 1: because their actual first kiss we know comes later, but

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Speaker 1: you did kiss as a fan. I was. I was thrilled.

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Speaker 1: I was jumping up and down. I look, like I

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Speaker 1: said before, I really love them together. I think they

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Speaker 1: I think that she is so um, how can I

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Speaker 1: describe Laurelize. She's there's a side of her that I

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Speaker 1: luke balance is off very well, and I think all sides.

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Speaker 1: But she's a tough girl. She's tough, you know what

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Speaker 1: I mean. She's got that Emily Steele in her right.

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Speaker 1: I mean, that's where she gets it, and she needs

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Speaker 1: somebody to push back on her. And she's not going

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Speaker 1: to respect the guy. Um who doesn't who doesn't have

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Speaker 1: the and and look, if I don't have the background

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Speaker 1: of the educational credentials that her bloodline is used to,

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Speaker 1: her DNA is used to accustomed to then at least

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Speaker 1: have a have a spine and push back, and you know, Luke,

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Speaker 1: is that right? So it works for me. It's just

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Speaker 1: I don't know, they just look really good together. I

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Speaker 1: think we I thought we looked really we look really

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Speaker 1: good together, and and we act well together, and it

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Speaker 1: just works and it's easy and we you know, I

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Speaker 1: think the fact that he's not going all neodly on

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Speaker 1: her all the time, and you know what I mean,

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Speaker 1: because everybody does. They're all flipping out over and I'm

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Speaker 1: the guy that's like, listen, you know, you're a pain

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Speaker 1: in my ass. Love you buy, you know, And I

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Speaker 1: think that's refreshing. And so I really love that scene.

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Speaker 1: It's my one of my favorite scenes. I'm surprising that

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Speaker 1: like the episode because it's still bookended by two epic

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Speaker 1: scenes with them. I don't know, what did you guys

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Speaker 1: think of the episode? Tell me and then I'll come

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Speaker 1: in and look like a horse's ask go ahead, tell

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Speaker 1: me how great it was. I definitely squealed when I

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Speaker 1: when I saw you and Laura, I guess I was like,

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Speaker 1: oh my God, that's so cute. I was really excited

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Speaker 1: about that, and I agree with Amy the end, the

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Speaker 1: ending scene too. At the diner, I was like, oh,

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Speaker 1: here we go. Buckle up, Yeah, Riley, what do you

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Speaker 1: what do you think of this? I complete on all

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Speaker 1: and then but the way you like kissed and rubbed

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Speaker 1: her belly twins, just like you got all the tingly

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Speaker 1: fields that you like, we I guess, had been feeling

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Speaker 1: with Christopher. We finally got to feel it with Luke.

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Speaker 1: But wasn't it so much more powerful with Look? It

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Speaker 1: was it was like and I think that's where we

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Speaker 1: see like now the fans were talking about like hello,

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Speaker 1: it's Luke and more Lie, like we got to feel

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Speaker 1: that too finally. Yeah, it just seemed I don't know,

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Speaker 1: there was It's so funny. I have like fifty favorite lines.

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Speaker 1: You don't you don't. I don't mean to interrupt you. You

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Speaker 1: You explained why. You know. There's a lot of good lines.

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Speaker 1: For sure, there's and we'll get to those. There's there's

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Speaker 1: tons of good line. Um god, I mean, let's you

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Speaker 1: want to go through it in order? You want to

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Speaker 1: jump around? What do you what do you want? And

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Speaker 1: then yeah, so the next moment is lore Lie. She

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Speaker 1: has the dream, she falls out of bed and then

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Speaker 1: she wakes up Rory. So then we get to see

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Speaker 1: Rory in d c uh. I thought that was a

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Speaker 1: pretty funny scene. Um. I think it was of course

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Speaker 1: she's going to call she's going to call her daughter,

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Speaker 1: and of course we're going to get you know, the

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Speaker 1: Paris Geller hysterical. Ah I did. I did not have

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Speaker 1: sex with that woman. Really funny. I also love the

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Speaker 1: dialogue between Rory lor life. Was he naked? Good? And

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Speaker 1: then there was a genius Bill maer line which really

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Speaker 1: lit in there. But it was like politically correct. Didn't

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Speaker 1: anyone like yeah, but but but yeah, I remember that

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Speaker 1: well we remember what he said, right, Yes, I think

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Speaker 1: that was a little beyond politically incorrect. It was just

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Speaker 1: uh it was but it was such a it was

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Speaker 1: a great like pop culture. Sure something worked for and

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Speaker 1: it there an't been enough time, just enough time that

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Speaker 1: that was not inappropriate that they Yeah, I looked. I

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Speaker 1: thought that was a great scene. I thought it was

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Speaker 1: really funny. It was heartwarming, you know, they missed each other.

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Speaker 1: Rory was getting on with her little career and building

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Speaker 1: a resume, and Paris was providing some great humor talking

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Speaker 1: in her sleep. You know, that was all good stuff,

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Speaker 1: all really good stuff. It also gave us, It was

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Speaker 1: really brilliant. It gave us a very nice cap of

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Speaker 1: where we left off without having to put it in

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Speaker 1: our face. Because you you get a mention of Christopher,

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Speaker 1: you get a mention of Dean. You see the letters,

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Speaker 1: and then you see that just the letters, a lot

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Speaker 1: of letters from she, like one a day. It's like, oh,

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Speaker 1: and then you see the Jess. She she puts those

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Speaker 1: away and it starts thinking what she's gonna write to Jess?

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Speaker 1: But I thought, you know that, what a way to

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Speaker 1: open up. Yes, a great opening for season three because

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Speaker 1: it sets up Luke and Laurel and it sets up

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Speaker 1: what may come, and it sets up for Rory what

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Speaker 1: may come, you know her her Luke. So it's like

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Speaker 1: that that that that Gilmore blood mixing with the Danes blood.

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Speaker 1: Will it happen? Will it happened? On multiple levels here?

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Speaker 1: So so pretty cool, pretty cool set up for sure. Um,

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Speaker 1: so what do we have next? What came up next?

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Speaker 1: So then we go to see So then Laurel is

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Speaker 1: having breakfast at Suies, which I like that they referenced

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Speaker 1: she's there every day. I like that scene. I like

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Speaker 1: Jackson in that scene. I thought it was funny. I

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Speaker 1: thought it was the right tone. Um. And it just

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Speaker 1: I like how it started. I really was involved in it. Um.

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Speaker 1: I didn't quite understand what what Suki thought was wrong

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Speaker 1: with the house. She wanted to freshen it up, she

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Speaker 1: wanted to change it a little bit. There was some

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Speaker 1: some some ancillary dialogue between those two, and then Jackson

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Speaker 1: came funny though we're not right exactly. Uh, all good stuff.

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Speaker 1: I thought, beautifully acted, beautifully shot, The writing was great.

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Speaker 1: Everything was great. Firing on use so far the episode

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Speaker 1: is firing on all cylinders. Okay, agree, Yeah, I thought

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Speaker 1: it was hilarious when Jackson acknowledges if you come here

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Speaker 1: every day, you're gonna have to really great her as

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Speaker 1: a part of their cupboard. And I never liked Jackson more.

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Speaker 1: I thought he was He did very very well as

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Speaker 1: a Uh they're married at this point, right, yeah? Yeah,

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Speaker 1: as a husband. Yeah. Where we left, So what's the

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Speaker 1: what's what comes next? Okay? So then next we see

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Speaker 1: the bucket at and we realized Taylor injured, and we

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Speaker 1: learn about the new festival. I think it was the

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Speaker 1: maest festival and that looked quite all great. I thought

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Speaker 1: the acting was superb. I think Michael Winters just delivered

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Speaker 1: as he always does. And Lauren looked great. She looked

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Speaker 1: great in the dress, she looked great in the hat.

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Speaker 1: Everything was flowing outdoors, sunny festival coming. Loved it all.

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Speaker 1: Love the shot at the end when Luke is taken

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Speaker 1: in order from um a girl, a young girl and

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Speaker 1: Laura I just stairs and she's not going to go

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Speaker 1: in yet. She doesn't she doesn't feel like she can

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Speaker 1: go into the diner yet. So still the episode is

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Speaker 1: firing on all cylinders. Okay, So now Danielle, we're getting

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Speaker 1: to your moment. So we see Senator Barbara Boxer, which

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Speaker 1: I thought this was, and Paris is just pelting her

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Speaker 1: with questions and right, I I this is when I

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Speaker 1: started to get a headache. Yeah. It was just like

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Speaker 1: somebody turned her off. Find her off switch. It was

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Speaker 1: like Jesus cacaphonists. Funny okay, but so overbearing and over

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Speaker 1: the top. Um yeah, and I look, I thought the

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Speaker 1: whole bit was funny. I get it right, you throw

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Speaker 1: that in and and and you know, there's there's Paris

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Speaker 1: going off and you know, being her obnoxious self. And

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Speaker 1: yes it was funny, it was entertaining and all that,

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Speaker 1: but I mean, it was so much of it. Um,

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Speaker 1: I think it was just a little for me. It

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Speaker 1: just it was a little to to extend it. It

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Speaker 1: was like we could have done a third of that

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Speaker 1: and we get the point. It's just so. I thought

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Speaker 1: the spread of food was unbelievable. I was like, what

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Speaker 1: is happening? And Danielle, what did you think of the

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Speaker 1: Harris gets asked out and doesn't even know? I love it,

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Speaker 1: and and that's one of my favorite lines is part

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Speaker 1: of that seems so I'll save it for a little

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Speaker 1: bit later. But I was literally crying when she was like, Rory,

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Speaker 1: you have to go to the into the closet, like

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Speaker 1: you have to, Like I can't, I can't compete with you.

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Speaker 1: You're going you can't go out of order? All right,

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Speaker 1: take the hat off and slap yourself in the head.

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Speaker 1: So I don't know how you say his last name,

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Speaker 1: Congressman Doug Ose, Yeah, something like that. Yeah, okay, yeah,

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Speaker 1: he came out the bathroom and he too took a

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Speaker 1: You turn real fast, meself, Okay, so this is this

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Speaker 1: is what I mean by shrill. Okay, she just it

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Speaker 1: was like even when she was making the sandwich, and

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Speaker 1: even when she didn't realize and Rory is explaining to

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Speaker 1: her that she'd been asked out on a date, she

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Speaker 1: still maintained the same sort of angry red tone. I mean,

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Speaker 1: this aggressive, kind of over the top angry tone. I

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Speaker 1: didn't I wanted to see different colors. I wanted to

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Speaker 1: see something else beside like this sort of I don't know,

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Speaker 1: she has one dimensional yeah, and it gave me a headache,

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Speaker 1: and I wanted to come on vary at something, you know,

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Speaker 1: give me something else here, either cut it short or

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Speaker 1: give me something else. That's just how it came off

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Speaker 1: to Congressman in the background. I mean, that was so

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Speaker 1: brilliant because obviously he's not an actor. They have to

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Speaker 1: direct him. Okay, come out and then you're gonna see her. Yeah.

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Speaker 1: Well this is this is also what happens when you

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Speaker 1: don't have professionals. Even though that was Barbara Boxer and

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Speaker 1: Doug oys Um, you know, it really pulls the scene down.

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Speaker 1: You need, yeah, you need professionals, and it's cool to

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Speaker 1: have the Norman Mailer's and the Barber Boxers and the

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Speaker 1: Matele and all brights, and you sort of, you know,

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Speaker 1: you for give them for their lack of skills, right, yeah, okay,

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Speaker 1: that's fair. That is intriguing. Takes you out, you know,

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Speaker 1: because it's so real and you're supposed to buy that

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Speaker 1: they don't have any skills as actors and their timings off,

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Speaker 1: I thought Barbara Boxer did a passable job. Yeah, that

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Speaker 1: they both did. That's interesting. Okay, So that is something

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Speaker 1: very interesting that I'm curious what people watching things if

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Speaker 1: they have that experience too. For me, I just thought, oh,

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Speaker 1: that's so cool, because it's so But if you have

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Speaker 1: a real actress in there, with real comedic timing and

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Speaker 1: real skills, they'll make that three times as funny. Same

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Speaker 1: with the Dougos thing, they'll make that much more, much

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Speaker 1: funnier scene. I am not going to argue with you,

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Speaker 1: but I think they did great. But but I can't

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Speaker 1: argue with the obviously not professionals, so I'm probably nitpicking here.

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Speaker 1: And let's but but that's the thing. I do you

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Speaker 1: like the novelty of it? Is it worth sacrificing maybe

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Speaker 1: the little bit of skill? Yeah, I don't know if

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Speaker 1: I was so sold on this on the it didn't

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Speaker 1: measure up to the prior scenes. I just thought, Okay,

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Speaker 1: I can tolerate this one. I can take up an aspirin. Yeah,

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Speaker 1: I can feel better, fair, fair, Alright. So the next

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Speaker 1: cows don't wrinkle Kirk with his hey there, you're gonna

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Speaker 1: make me spit, Cols don't wrinkle, and Kirk is now

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Speaker 1: in the opening credit. Oh good good, Um. This is

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Speaker 1: when I first laughed out loud because Michelle was so

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Speaker 1: pleased that he was going to be able to mock

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Speaker 1: this boy. And no, please continue, No, we want to

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Speaker 1: hear all about it. It's like it's like his reactions,

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Speaker 1: his the pleasure that he was going to drive from

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Speaker 1: this kid. This Kirk just made us. Kirk's dialogue sound

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Speaker 1: even more absurd. So, um, beautiful acting job by Niche.

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Speaker 1: Not beautiful acting job. Really, that's how you're a great

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Speaker 1: scene partner. You you just do your job and you

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Speaker 1: let Kirk shine. And yeah, man, I tell you, I

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Speaker 1: really loved it, really loved that scene. Very funny, very

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Speaker 1: very clever writing, and you know, beautifully acted. Okay, so

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Speaker 1: so far you just didn't care for one scene. Correct. Okay,

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Speaker 1: So then Emily is on the phone before she's wearing

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Speaker 1: the beautiful majecta, and she says, what day is it? Well,

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Speaker 1: Thursday the third, because they were at Martha's vineyard. They

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Speaker 1: were at Martha's vineyard and we kind of have that

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Speaker 1: back and forth used you're gonna call us and you

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Speaker 1: did go us? And when's Roy coming home? I thought

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Speaker 1: that was a little strange for me. See, that was

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Speaker 1: another scene where I was just like, what what is

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Speaker 1: what is Emily complaining about? Now? What? What? What is

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Speaker 1: going on? I mean, usually I'm with her, I get it,

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Speaker 1: but on this it's like, well, she's calling up Laurela

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Speaker 1: I just to you know, to give her crap for

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Speaker 1: not calling when they get home and it's eleven o'clock

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Speaker 1: in the morning. She expected a phone call from Laurela

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Speaker 1: because they got home from where were they They were

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Speaker 1: in Hyaennas their high sport for Martha's venue. Okay, so

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Speaker 1: since one since one is Emily so needy from that

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Speaker 1: for a call from when they get I mean, it's like,

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Speaker 1: what's they ask here? What I don't I didn't get it.

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Speaker 1: I'm assuming good manners whatever, but what I'm assuming the

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Speaker 1: point of that moment was for us to learn that

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Speaker 1: she has not told her parents about Christopher. So it

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Speaker 1: was just a vehicle. Yeah, yeah, I'm gonna agree with you.

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Speaker 1: Wasn't It wasn't Again, I'm going to use the word shrill.

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Speaker 1: I thought. I thought the maybe the dialogue was a

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Speaker 1: little too shrill for me for my taste. Uh yeah,

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Speaker 1: I mean as a device to get into the Christopher stuff.

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Speaker 1: Just I don't know, given your daughter, I mean, she

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Speaker 1: came off like a wing nut. I mean, what what

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Speaker 1: is it like? That's not Emily to be so needy

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Speaker 1: of Laurelized attention. So it was it was just kind

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Speaker 1: of weird. So obviously Paris is waiting to get picked

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Speaker 1: up from her date, and the dialogue between her and

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Speaker 1: Rory is my favorite thing of the whole entire episode. Um.

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Speaker 1: I about died when she asked Rory to go into

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Speaker 1: the closet like so good, and then the guy shows

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Speaker 1: up and literally he says whatever, like I'm taking you here,

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Speaker 1: I got a reservation and she goes, you're perfect, and

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Speaker 1: I was like, yes, go for years, go, do kids

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Speaker 1: know what this gat is? And I always thought it

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Speaker 1: was well, Riley didn't know. I don't know. I don't

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Speaker 1: know what that is either. Of course I know, of

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Speaker 1: course I know, because I'm from before the internet, modern yelp.

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Speaker 1: It's a restaurant guide. Yes it's not. It's the not

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Speaker 1: modern yelp help of the two thousands. And he used

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Speaker 1: to like look in the I thought it was zagging,

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Speaker 1: but I guess it's and it would give you reviews

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Speaker 1: of restaurants. Yeah. I thought that scene was fine. Uh.

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Speaker 1: Interesting that Paris looks down on her Princeton. Man, she'll

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Speaker 1: overlook that. Remember she said that early. I mean, for

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Speaker 1: God's sake, we're talking about Princeton University. It's one of them.

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Speaker 1: But she's a Harvard gul. But it's Princeton has been

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Speaker 1: ranked over Harvard in national rankings multiple years. Don't they

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Speaker 1: like neck and neck? They used to be. I don't

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Speaker 1: want to brag my schools up there? What's your what's

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Speaker 1: your school? Berkeley? Look at you? Fancy? I look? Can

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Speaker 1: we take these halts? Yeah? Like I look. I love

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Speaker 1: the line when she's on the phone with Dean stop

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Speaker 1: being cute um and and Rory helping her and telling

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Speaker 1: her to wear her hair down and clambing her down

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Speaker 1: they they're really developing a friendship. Parents looked gorgeous. Parents,

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Speaker 1: parents look really good. Yeah, she cleans up, she cleans

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Speaker 1: up very well. Um yeah again. You know, I just

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Speaker 1: thought she came off like an insane person at the

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Speaker 1: political mixer in Washington. I think, yeah, I mean, it

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Speaker 1: was just like it was just too much. And then

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Speaker 1: you know, she was still coming. She's so intense. It

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Speaker 1: gives me a headache, what can I tell you? And

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Speaker 1: Rory standing there with her smile and you know, sort

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Speaker 1: of having to absorb all that energy coming. I don't know,

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Speaker 1: she doesn't you know, it's like, how can you? It's

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Speaker 1: like how do you? How are your friends with that?

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Speaker 1: That's that's like being friends with a with a hand grenade,

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Speaker 1: you know what I mean. So I don't know. Well, okay,

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Speaker 1: then we're gonna go to Kim's antiques and we've got

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Speaker 1: Suki and Lorelai shopping to man lay up the home.

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Speaker 1: So that was a funny little scene. What do you think?

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Speaker 1: I I you you guys talk about that scene? Well,

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Speaker 1: you know it could you could go with your shrill again.

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Speaker 1: It was a little maybe it wasn't the best in

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Speaker 1: the in the episode. You know, I think that's I

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Speaker 1: think that's the quality of some of these scenes which

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Speaker 1: made me tune out, which is why I don't. You know,

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Speaker 1: usually these shows and these scenes really impact me, and

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Speaker 1: I remember, you know a lot of details about them.

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Speaker 1: That scene, it's like, God, we are we are we

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Speaker 1: shrill again? And then I'm just gonna not not listen

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Speaker 1: to it. Okay, I think you're having a fair criticis them.

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Speaker 1: I love the Red Top, but I didn't love the

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Speaker 1: scene particularly as much as I love others. And I'm

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Speaker 1: not this this sort of c storyline of Suki needing

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Speaker 1: to redo the decre is so unnecessary. It was like

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Speaker 1: what a married people fight about, Oh the house, let's

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Speaker 1: do a storyline on that. I would agree. Yeah, I

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Speaker 1: didn't hook me in, and I think that's why I

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Speaker 1: didn't engage it. Okay, So now we're at the airport

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Speaker 1: and I have I'll let you guys talk about it.

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Speaker 1: But I do have two criticisms of the airport scene.

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Speaker 1: But you guys again, so this is Yeah, it was

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Speaker 1: just how long were they separated the whole summer? Yeah?

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Speaker 1: I guess it was h Well, Okay, so yeah, I

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Speaker 1: think you would be excited to see your daughter and

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Speaker 1: your daughter be excited to see you after an entire summer. Sure,

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Speaker 1: um yeah, falling down and then sitting down on the

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Speaker 1: floor of the thing and continuing their conversation. What didn't

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Speaker 1: they share some food too? Weren't they dug down there?

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Speaker 1: That's where I was like, what are you guys doing

356
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Speaker 1: on the floor at the airport eating? Did somebody start eating?

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Speaker 1: Did Lorela pull out a muffin or something start chumping?

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Speaker 1: I don't know the way I agree you were on

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Speaker 1: the airport floor, on the floor. So here's my criticism

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Speaker 1: now that I am a m what shall I say,

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Speaker 1: expert background actor number one, If you were in the

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Speaker 1: airport reading your book and two people fell, you're surely

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Speaker 1: going to look up your book and think what is

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Speaker 1: happening with those two texts? And the background actor just

365
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Speaker 1: stayed steady on the book. They they may have been

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Speaker 1: directed to do that or or that they were they

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Speaker 1: were looking up and overreacting. So you know, the director,

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Speaker 1: I think Amy Amy wrote and directed. So I think

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Speaker 1: Amy pribbly said, just just read your book because you're

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Speaker 1: screw you're screws or something, you know what I mean?

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Speaker 1: You never falling on the floor was like a bit

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Speaker 1: over the top, and it's like Jeremy down, Yeah for sure. Yeah, um,

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Speaker 1: And I mean you guys can go through the scene.

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Speaker 1: I again, I kind of tuned out with all the

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Speaker 1: back and forth and I didn't even know what they

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Speaker 1: were talking about because I'm all I kept thinking about

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Speaker 1: was get off the floor. Yes, that is not a

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Speaker 1: place you want to be. Do you think that's the

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Speaker 1: COVID in US or is? No? No, No, it's not.

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Speaker 1: It's it's like I've I've been doing enough airports. No,

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Speaker 1: you don't sit on the floor. I mean, am I

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Speaker 1: the only one? Now? That's like they're at the airport.

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Speaker 1: Where's the mass? Like for me, it's more like you

384
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Speaker 1: can't do that anymore. You can't like greet even your

385
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Speaker 1: significant or family member at the gate. You can't do that. Yeah,

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Speaker 1: well I think Hartfords a smaller Yeah, that's that's true.

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Speaker 1: That was and that post that wait a minute, that

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00:24:01,240 --> 00:24:06,720
Speaker 1: was post were posting now because we have the bell

389
00:24:06,800 --> 00:24:11,760
Speaker 1: margin exactly. So Yeah, that was a little but fun,

390
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Speaker 1: a fun spirited scene. I think they captured the spirit

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Speaker 1: of the reunion and all wonderful, But yeah, I wanted

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Speaker 1: him to get off the floor. Then we get to

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Speaker 1: the festival, which, Oh my god, I want to live

394
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Speaker 1: in this town. Literally if I if I could go

395
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Speaker 1: to a festival like that in my town, I would

396
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Speaker 1: be the happiest person. That looked amazing that that. Yeah,

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00:24:36,600 --> 00:24:41,200
Speaker 1: that was quite a production. Uh quite a production? Um

398
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Speaker 1: the song over and over again and again? Well was

399
00:24:48,640 --> 00:24:53,199
Speaker 1: it something? Something? In fair? Right? Have the lyrics for

400
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Speaker 1: us if we want to go through what was lyrics?

401
00:24:57,119 --> 00:24:59,720
Speaker 1: I did pull the lyrics, Oh Riley, give it to me,

402
00:24:59,760 --> 00:25:01,680
Speaker 1: but talk more to your mike. I can't hear you

403
00:25:04,760 --> 00:25:10,359
Speaker 1: the exact opposite. That's a good comedy. That's good comedy

404
00:25:10,359 --> 00:25:13,560
Speaker 1: there right, thank you? Okay, So do you want me

405
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Speaker 1: to share my screen or should should you want to

406
00:25:15,240 --> 00:25:20,160
Speaker 1: repeat after me? Take it away? Roll out those lazy, hazy,

407
00:25:20,280 --> 00:25:26,320
Speaker 1: crazy days of some ma, those days of soda and

408
00:25:26,400 --> 00:25:37,000
Speaker 1: pretzels and roll up right now we don't stop the

409
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Speaker 1: sun and moon to you. Thank you for participating. Oh

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Speaker 1: I got you? Uh okay, So this is where this

411
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Speaker 1: is fare the episode for me, and maybe this episode

412
00:25:56,480 --> 00:26:01,000
Speaker 1: is going off the rail now it's no, it's good fun.

413
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Speaker 1: We're having good fun. So this is where we see

414
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Speaker 1: the kids. You know, that's kind of where it went

415
00:26:05,400 --> 00:26:10,439
Speaker 1: off the rails for me. Um, Yeah, you know, I

416
00:26:10,520 --> 00:26:13,719
Speaker 1: get a whole summer has gone by, she hasn't been around.

417
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Speaker 1: Why hasn't Look if Jess shows up at at the wedding,

418
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Speaker 1: why didn't he show up in Washington? Great question. It's

419
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Speaker 1: a whole summer. They're supposed to be in love. They

420
00:26:23,720 --> 00:26:27,520
Speaker 1: just kissed. Why isn't Jess in Washington Dean? Maybe I

421
00:26:27,560 --> 00:26:31,280
Speaker 1: guess she's still with Dean. Come on, that's gonna stop Jess.

422
00:26:32,200 --> 00:26:34,400
Speaker 1: It's you know, in Washington is a bus ride. It's

423
00:26:34,440 --> 00:26:36,120
Speaker 1: a big deal. He jumps on a bus. He goes

424
00:26:36,119 --> 00:26:39,360
Speaker 1: Caesar in Washington. They didn't fit it in. She's trying

425
00:26:39,400 --> 00:26:42,679
Speaker 1: to write him the letter. Yeah, maybe they probably have

426
00:26:42,800 --> 00:26:47,480
Speaker 1: not even say it. Don't really have self right, I'll

427
00:26:47,520 --> 00:26:50,080
Speaker 1: say it straight out. I thought that the Jess character

428
00:26:50,240 --> 00:26:54,239
Speaker 1: was really damaged at that point, maybe irreparably, because if

429
00:26:54,280 --> 00:26:56,800
Speaker 1: you see that kind of behavior, and granted, she was

430
00:26:56,840 --> 00:26:59,160
Speaker 1: away and she tried to keep in touch, and he's,

431
00:26:59,600 --> 00:27:03,359
Speaker 1: you know what, sixteen seventeen, you know, you know, the

432
00:27:03,400 --> 00:27:06,679
Speaker 1: hormones are raging, and you know he's he's he's a

433
00:27:06,680 --> 00:27:09,439
Speaker 1: lonely kid and he needs somebody any we needs a

434
00:27:09,440 --> 00:27:14,760
Speaker 1: companion anyway, right, Um, but gosh, it really damaged that relationship.

435
00:27:14,800 --> 00:27:17,560
Speaker 1: And I don't know they built it up to to really,

436
00:27:17,880 --> 00:27:20,600
Speaker 1: you know, it was this sort of crescendo of of

437
00:27:20,960 --> 00:27:25,280
Speaker 1: this fruition of of of of youthful love, and it

438
00:27:25,400 --> 00:27:28,720
Speaker 1: took there were so many obstacles to get there. Why

439
00:27:28,720 --> 00:27:33,600
Speaker 1: did they Why did they still dating Dean? So what

440
00:27:34,560 --> 00:27:40,520
Speaker 1: is a non factor in her heart? He he doesn't

441
00:27:40,520 --> 00:27:43,440
Speaker 1: even register anymore. My god, she you know, she got already.

442
00:27:43,480 --> 00:27:45,080
Speaker 1: She wanted to wear a nice dress. She didn't want

443
00:27:45,080 --> 00:27:48,040
Speaker 1: to see Dean that that day or even that nice.

444
00:27:48,080 --> 00:27:49,800
Speaker 1: She wanted to go to the festival with her mother,

445
00:27:50,600 --> 00:27:52,920
Speaker 1: and where a Britain wear a nice dress and look

446
00:27:53,000 --> 00:27:57,280
Speaker 1: good and look for Jess. Agree, But we know that

447
00:27:58,200 --> 00:28:01,879
Speaker 1: and she but Jess doesn't know that. So all Jess

448
00:28:01,880 --> 00:28:04,879
Speaker 1: knows is I've come back for this girl. And she

449
00:28:05,080 --> 00:28:07,199
Speaker 1: still won't break up with Dean, and off she went

450
00:28:07,240 --> 00:28:11,280
Speaker 1: to Washington. So I'm a set teen. It's very she

451
00:28:11,400 --> 00:28:13,800
Speaker 1: still won't break up with Dean. There was some expectation

452
00:28:13,880 --> 00:28:15,760
Speaker 1: because you know, he showed up a thing and and

453
00:28:15,920 --> 00:28:18,080
Speaker 1: she kissed at the wedding and she kissed him at

454
00:28:18,119 --> 00:28:20,040
Speaker 1: the end of season two, that she's supposed to break

455
00:28:20,119 --> 00:28:22,320
Speaker 1: up with Dean. He's supposed to get on a bus

456
00:28:22,320 --> 00:28:25,760
Speaker 1: and go claim and go claim her if if he

457
00:28:25,880 --> 00:28:30,680
Speaker 1: wants her, go after her. He did. He did not.

458
00:28:31,040 --> 00:28:33,160
Speaker 1: He did not because he had nowhere else to go,

459
00:28:33,720 --> 00:28:35,760
Speaker 1: and he had nowhere else to go with the Luke.

460
00:28:35,840 --> 00:28:37,399
Speaker 1: He came back for Luke as much as he came

461
00:28:37,440 --> 00:28:40,920
Speaker 1: back for Rory. So why didn't he go to Washington

462
00:28:41,200 --> 00:28:46,840
Speaker 1: all summer? Tell me? Tell me she won't break up

463
00:28:46,840 --> 00:28:49,760
Speaker 1: with Dean. He's not going to be like the other

464
00:28:49,880 --> 00:28:54,400
Speaker 1: man that she's cheating on Dean with. He did the

465
00:28:54,480 --> 00:29:02,520
Speaker 1: grand gesture, he came there, wasn't it wasn't enough. He

466
00:29:03,200 --> 00:29:07,040
Speaker 1: doesn't understand women. He's got to go get in her

467
00:29:07,080 --> 00:29:11,000
Speaker 1: face in a real way and say listen, I'm your guy.

468
00:29:11,120 --> 00:29:13,120
Speaker 1: I want to be your guy. I mean, this was

469
00:29:13,160 --> 00:29:17,160
Speaker 1: so perfectly set up. This was so perfectly set up

470
00:29:17,160 --> 00:29:19,800
Speaker 1: at this point because we thought Jess was gone forever.

471
00:29:19,880 --> 00:29:22,160
Speaker 1: He done some horrible things, and now he's back. And

472
00:29:22,160 --> 00:29:24,120
Speaker 1: then he shows up the wedding and she plans a

473
00:29:24,200 --> 00:29:26,840
Speaker 1: kiss on him, and he's never looked more vulnerable. And

474
00:29:26,840 --> 00:29:29,959
Speaker 1: then the next time you see him. He's making out

475
00:29:30,000 --> 00:29:33,760
Speaker 1: in broad daylight with an unknown girl, you know, grabbing

476
00:29:33,800 --> 00:29:37,560
Speaker 1: her buttocks. I was mourning the storyline. Why did you

477
00:29:37,600 --> 00:29:42,160
Speaker 1: do this? I wanted to? I wanted to. It would

478
00:29:42,160 --> 00:29:44,560
Speaker 1: have been better for me if they just developed that

479
00:29:45,160 --> 00:29:49,120
Speaker 1: love story. More, go ahead, Daniel, Sorry, no, I agree

480
00:29:49,160 --> 00:29:53,720
Speaker 1: with you. I need Jess to kiss Rory, she said

481
00:29:53,720 --> 00:29:57,200
Speaker 1: to herself. I kissed him, I kissed her back, but

482
00:29:57,280 --> 00:30:00,760
Speaker 1: he not really. Yeah. They pause, and then he went

483
00:30:00,800 --> 00:30:03,040
Speaker 1: in for it. But we need we need him to

484
00:30:03,040 --> 00:30:06,040
Speaker 1: do the initiating. We need him to like be like

485
00:30:06,160 --> 00:30:10,200
Speaker 1: you are my girl, like you guys, got you effecting

486
00:30:10,440 --> 00:30:14,200
Speaker 1: so much of jets. He's already thank you. You shouldn't

487
00:30:14,240 --> 00:30:18,360
Speaker 1: have to expect something from you. Know, this is what

488
00:30:18,400 --> 00:30:22,480
Speaker 1: passion demands. If you're passionate about somebody, you cannot stop yourself.

489
00:30:24,040 --> 00:30:26,480
Speaker 1: It compels you to get on a bus and go

490
00:30:26,480 --> 00:30:29,520
Speaker 1: go kiss her like That's what I mean. I'm not

491
00:30:29,560 --> 00:30:32,640
Speaker 1: saying go. You know, harassing compelled him to come back

492
00:30:32,680 --> 00:30:38,320
Speaker 1: to start and ask for Luke's forgive me. I feel

493
00:30:38,360 --> 00:30:42,760
Speaker 1: like he's doing a lot. I see both sides. I

494
00:30:42,760 --> 00:30:45,520
Speaker 1: think I don't think he's doing nearly enough. Guys, Riley.

495
00:30:46,640 --> 00:30:48,880
Speaker 1: I do see both sides. But to be fair, if

496
00:30:49,440 --> 00:30:52,680
Speaker 1: if I kiss somebody and then they but they have

497
00:30:52,720 --> 00:30:56,880
Speaker 1: another person and then they leave for a summer, it's like,

498
00:30:58,000 --> 00:31:00,320
Speaker 1: I don't really know what to do here, and he's okay,

499
00:31:00,440 --> 00:31:03,400
Speaker 1: Like I think he's also like has a lot of

500
00:31:03,440 --> 00:31:05,240
Speaker 1: walls up and his guards up, and so he's like,

501
00:31:05,360 --> 00:31:07,000
Speaker 1: I'm just gonna move on. If she's going to move

502
00:31:07,040 --> 00:31:09,960
Speaker 1: on to go to DC, she already has Dean. I

503
00:31:10,040 --> 00:31:13,080
Speaker 1: think it made I think it hurt both characters. I

504
00:31:13,080 --> 00:31:15,240
Speaker 1: think it hurt his character because now he's just like

505
00:31:15,280 --> 00:31:18,320
Speaker 1: a mac daddy and and and and it hurt her

506
00:31:18,440 --> 00:31:20,840
Speaker 1: character because it makes her seem like she isn't worth

507
00:31:20,880 --> 00:31:24,520
Speaker 1: it or she isn't as desirable and she is. He's

508
00:31:24,560 --> 00:31:27,520
Speaker 1: a player and she's and she's not worth it, and

509
00:31:27,560 --> 00:31:28,960
Speaker 1: she's not worth it to him. So I think it

510
00:31:29,000 --> 00:31:31,480
Speaker 1: degrades her. So I think they took a big chance

511
00:31:31,520 --> 00:31:34,160
Speaker 1: story wise by doing that. And I didn't like it.

512
00:31:34,360 --> 00:31:35,920
Speaker 1: I didn't like it as a fan. I did not

513
00:31:36,040 --> 00:31:38,280
Speaker 1: like it. What it what How it made Rory look

514
00:31:38,600 --> 00:31:40,520
Speaker 1: and now she's back with Dean and it's all good,

515
00:31:40,520 --> 00:31:43,800
Speaker 1: and it's like Jesus Man, you know, where's you know,

516
00:31:44,040 --> 00:31:46,320
Speaker 1: all this build up and all this anticipation and then

517
00:31:46,360 --> 00:31:53,760
Speaker 1: this is this is the payoff. Riley. Would you guys

518
00:31:53,800 --> 00:31:58,440
Speaker 1: call Jess and that dirty word? You guys say, yeah,

519
00:31:59,240 --> 00:32:01,560
Speaker 1: well what I'm sorry to think? What word you can

520
00:32:01,600 --> 00:32:08,120
Speaker 1: say it? You can sleep boy? What word they called

521
00:32:08,160 --> 00:32:12,600
Speaker 1: an F boy? And f boy? That's what the younger

522
00:32:13,000 --> 00:32:22,920
Speaker 1: fell in the blanks, a fire boy. I know you

523
00:32:23,000 --> 00:32:25,080
Speaker 1: had a different name. What was what did you call

524
00:32:25,120 --> 00:32:27,520
Speaker 1: it two seconds ago? It's already out of my head,

525
00:32:27,560 --> 00:32:31,760
Speaker 1: but you had a good term for it, mac daddy.

526
00:32:33,480 --> 00:32:38,360
Speaker 1: Did I just date myself very just like my layers?

527
00:32:39,480 --> 00:32:43,000
Speaker 1: But they say that, and I agree with you. Jess

528
00:32:43,800 --> 00:32:48,000
Speaker 1: didn't necessarily need to like hook up with this trap.

529
00:32:48,560 --> 00:32:50,400
Speaker 1: But we don't we you know, we don't know her.

530
00:32:50,560 --> 00:32:52,280
Speaker 1: We don't know what the deal she could. She could

531
00:32:52,280 --> 00:32:55,200
Speaker 1: be extraordinary and maybe that's right, right, But I mean, it's,

532
00:32:55,560 --> 00:33:01,440
Speaker 1: you know there obviously unabashedly like really into each other.

533
00:33:01,480 --> 00:33:04,680
Speaker 1: There's a lot of passion there, like grind grinding against

534
00:33:04,760 --> 00:33:06,760
Speaker 1: a tree, you know what I mean? I have a

535
00:33:06,880 --> 00:33:13,000
Speaker 1: question a protracted period of time, have you been in

536
00:33:13,040 --> 00:33:15,480
Speaker 1: a scene like that before where you just have to oh,

537
00:33:15,520 --> 00:33:18,240
Speaker 1: I guess that's coming, that's coming. I will save it

538
00:33:18,520 --> 00:33:23,040
Speaker 1: forget it. Asking now, I want to know ask it again?

539
00:33:23,120 --> 00:33:26,200
Speaker 1: How awkward is that where you're just like, just make

540
00:33:26,240 --> 00:33:28,360
Speaker 1: out for three minutes straight, don't come up for air,

541
00:33:28,520 --> 00:33:33,960
Speaker 1: go um, you get you get an altoid or you

542
00:33:34,440 --> 00:33:39,200
Speaker 1: splits your breath. But awkward, you know what I mean? Yeah?

543
00:33:39,240 --> 00:33:43,160
Speaker 1: But you know people are professional about it, and what

544
00:33:43,360 --> 00:33:46,640
Speaker 1: is acting kissing life? Like do you try to kiss like,

545
00:33:46,880 --> 00:33:49,640
Speaker 1: oh I'm gonna kiss this girl, or you're like, this

546
00:33:49,720 --> 00:33:55,360
Speaker 1: is just work. Uh, you know, it's mostly it's mostly work.

547
00:33:56,120 --> 00:33:58,320
Speaker 1: I mean, let's say, even if you are attracted to

548
00:33:58,360 --> 00:34:02,840
Speaker 1: the person, Okay, it's still an awkward situation because so

549
00:34:02,840 --> 00:34:06,000
Speaker 1: many people are standing around watching you with with boom

550
00:34:06,000 --> 00:34:09,600
Speaker 1: mix and cameras and extras and you know, every everybody's

551
00:34:09,600 --> 00:34:12,080
Speaker 1: looking at you. So it's it's not an intimate situation

552
00:34:12,120 --> 00:34:16,200
Speaker 1: at all. There's nothing terribly sexy about it. You know,

553
00:34:16,880 --> 00:34:20,879
Speaker 1: is there an art to kissing on camera? Like yeah,

554
00:34:20,880 --> 00:34:25,040
Speaker 1: you really don't want to engage the tongue too much.

555
00:34:25,840 --> 00:34:30,239
Speaker 1: This is this is the thing that is discussed many directors,

556
00:34:30,680 --> 00:34:34,280
Speaker 1: you know, all directors where I've been in those situations, say, listen,

557
00:34:34,320 --> 00:34:36,160
Speaker 1: you know, it's you know what to do. It's like

558
00:34:36,800 --> 00:34:40,080
Speaker 1: if you go to if you get too liberal with

559
00:34:40,200 --> 00:34:42,120
Speaker 1: the tongue, it's gonna it's gonna be a little much.

560
00:34:42,160 --> 00:34:43,480
Speaker 1: And I said, well, you don't have to tell me that.

561
00:34:43,520 --> 00:34:49,319
Speaker 1: You don't want to, Courtney Krdassian, Yeah, you know you

562
00:34:49,320 --> 00:34:52,160
Speaker 1: don't want to go deep with the tongue. You you

563
00:34:52,200 --> 00:34:54,880
Speaker 1: really don't want to engage the tongue very much at all,

564
00:34:55,120 --> 00:34:57,759
Speaker 1: you know, So there's a way to do that to

565
00:34:57,840 --> 00:35:00,560
Speaker 1: make it palatable for an audience because you know you

566
00:35:00,560 --> 00:35:08,120
Speaker 1: don't want to. Yeah, you don't want to do that. Yeah, okay,

567
00:35:08,239 --> 00:35:13,040
Speaker 1: so let me just all just bring it. So now

568
00:35:14,320 --> 00:35:16,600
Speaker 1: Laura Lee and Rory are sort of going back and

569
00:35:16,640 --> 00:35:18,960
Speaker 1: forth with Jess and the making out in the background,

570
00:35:19,040 --> 00:35:26,920
Speaker 1: and she tells Laura, la we did kiss who kissed too? Yeah? Again,

571
00:35:27,040 --> 00:35:32,040
Speaker 1: I thought, I'm trying to understand why Laurel I got

572
00:35:32,080 --> 00:35:34,880
Speaker 1: so upset. And I think it's because and and there

573
00:35:34,880 --> 00:35:39,719
Speaker 1: there's another there's another. The scene just just it just

574
00:35:40,880 --> 00:35:44,040
Speaker 1: collapsed for me because here we are. You know, now

575
00:35:44,160 --> 00:35:47,520
Speaker 1: Rory's weakened as a character. This relationship isn't happening, or

576
00:35:47,520 --> 00:35:49,680
Speaker 1: at least it's paused for a long time, because how

577
00:35:49,680 --> 00:35:53,120
Speaker 1: do you come back from that? Um uh, you know,

578
00:35:53,239 --> 00:35:59,160
Speaker 1: Rory's all grossed out, she's offended, she's hurt. Um and

579
00:35:59,239 --> 00:36:02,759
Speaker 1: you know, Jess, it's like a fuzz boy and I

580
00:36:02,760 --> 00:36:08,320
Speaker 1: think that's the term fuzz or fooz fooz boy. And

581
00:36:07,200 --> 00:36:10,759
Speaker 1: and and now you've got Laurela, you know, jumping down

582
00:36:10,760 --> 00:36:13,400
Speaker 1: her throat because she needs to make a decision one

583
00:36:13,400 --> 00:36:16,279
Speaker 1: way or another, right and and it was just hey,

584
00:36:16,360 --> 00:36:22,359
Speaker 1: because she's she's cheating on in quotes emotionally obviously, and

585
00:36:22,400 --> 00:36:26,759
Speaker 1: she did kiss him, so I get that girl. I

586
00:36:26,800 --> 00:36:29,839
Speaker 1: think Laurel is upset because you know, her daughter Roy

587
00:36:29,880 --> 00:36:31,439
Speaker 1: didn't listen to her in the first place. Stay away

588
00:36:31,440 --> 00:36:33,560
Speaker 1: from this guy's bad news. Now you see his bad news,

589
00:36:33,840 --> 00:36:35,560
Speaker 1: make a choice. She I think she was just sick

590
00:36:35,600 --> 00:36:37,680
Speaker 1: of it. She was just sick of the whole thing.

591
00:36:37,760 --> 00:36:39,600
Speaker 1: And I told you this guy was gonna bust your

592
00:36:39,640 --> 00:36:43,400
Speaker 1: heart open, and she got angry at her daughter because

593
00:36:43,400 --> 00:36:47,440
Speaker 1: of it. I totally back up Lorelie. Am I the

594
00:36:47,480 --> 00:36:50,920
Speaker 1: only one. I'm like, I totally agreed with what she said.

595
00:36:51,320 --> 00:36:53,680
Speaker 1: I'm like, yeah, if you don't want to be with Dean,

596
00:36:53,719 --> 00:36:55,600
Speaker 1: you gotta let that guy go because you're breaking his

597
00:36:55,640 --> 00:36:59,239
Speaker 1: heart and that's not cool. But the whole time, I

598
00:36:59,280 --> 00:37:02,200
Speaker 1: was thinking, what about her own daughter's heart. She's her

599
00:37:02,239 --> 00:37:05,279
Speaker 1: daughters sitting there getting crushed by what's going on ten

600
00:37:05,280 --> 00:37:08,640
Speaker 1: feet away in a tree, under a tree, So what

601
00:37:08,680 --> 00:37:11,759
Speaker 1: about protecting her daughter's heart? What is this reaction like

602
00:37:11,840 --> 00:37:14,400
Speaker 1: jumping down to her about making a choice and and

603
00:37:14,719 --> 00:37:17,520
Speaker 1: giving a crap about Dean's feelings? Is what about her

604
00:37:17,560 --> 00:37:20,640
Speaker 1: own daughter's feelings that she hasn't seen in months? Who

605
00:37:20,680 --> 00:37:23,520
Speaker 1: just came back and got slammed in the face, you know,

606
00:37:23,680 --> 00:37:26,919
Speaker 1: by by Jess and this other girl, And now she's

607
00:37:26,960 --> 00:37:29,440
Speaker 1: sitting there dying in the street with her dress, And

608
00:37:29,480 --> 00:37:34,000
Speaker 1: I mean, what on earth about Jess? And I know that,

609
00:37:34,080 --> 00:37:39,319
Speaker 1: but she's sixteen, for God's sake, be a little you

610
00:37:39,360 --> 00:37:41,719
Speaker 1: know better, mother, Be be a little more gentle with

611
00:37:41,760 --> 00:37:45,239
Speaker 1: your own daughter. She's her heart is breaking, right. I

612
00:37:45,280 --> 00:37:48,440
Speaker 1: think she's being a great mom. She's tried, and at

613
00:37:48,480 --> 00:37:51,359
Speaker 1: a certain point you gotta let your kid figure out

614
00:37:51,400 --> 00:37:58,400
Speaker 1: on their own what's going on. I'm team Scott Riley,

615
00:37:58,560 --> 00:38:01,239
Speaker 1: back me I with Daniel this one. I don't I

616
00:38:01,280 --> 00:38:03,400
Speaker 1: don't like it when parents talk to their kids like

617
00:38:03,440 --> 00:38:06,200
Speaker 1: their screw ups. I don't like that. I don't think

618
00:38:06,239 --> 00:38:08,439
Speaker 1: you should ever talk to your kid like the kids

619
00:38:08,560 --> 00:38:14,640
Speaker 1: screw up. Yeah, have some, have some, especially especially if

620
00:38:14,680 --> 00:38:18,160
Speaker 1: it's a if it's somebody who is so so precocious

621
00:38:18,200 --> 00:38:22,000
Speaker 1: and so sweet and so gentle natured as Rory. I

622
00:38:22,080 --> 00:38:25,360
Speaker 1: thought that that was an abomination I was as a parent.

623
00:38:25,480 --> 00:38:30,799
Speaker 1: I was offended. Rory is doing sweet? What is what

624
00:38:30,880 --> 00:38:34,800
Speaker 1: Rory is? What Rory is doing sweet? She's a confused,

625
00:38:35,840 --> 00:38:39,600
Speaker 1: in love sixteen year old girl. She is not worldly.

626
00:38:39,800 --> 00:38:43,920
Speaker 1: She she is just an open soul and a sweet

627
00:38:43,960 --> 00:38:48,160
Speaker 1: soul who is has is having her first experience at

628
00:38:48,600 --> 00:38:51,279
Speaker 1: at being in some kind of a love triangle, you know,

629
00:38:51,520 --> 00:38:54,960
Speaker 1: as she's exposed to a bad boy. I'm not mad

630
00:38:55,000 --> 00:38:58,759
Speaker 1: at the messaging, loyalizes, No, it's not that you need

631
00:38:58,800 --> 00:39:01,600
Speaker 1: to get this figured out. But it was how she

632
00:39:01,920 --> 00:39:08,520
Speaker 1: could have just a tone that it was harsh I

633
00:39:08,560 --> 00:39:10,799
Speaker 1: agree with. It was a real tongue lashing man in

634
00:39:10,960 --> 00:39:14,960
Speaker 1: public from in front of her broken hearted daughter. I

635
00:39:15,080 --> 00:39:16,759
Speaker 1: was like, no, no, no, get her out of there.

636
00:39:16,800 --> 00:39:19,120
Speaker 1: Like I would have been like, let's get out and

637
00:39:19,239 --> 00:39:22,600
Speaker 1: let's go to Luke and have a cup of coffee

638
00:39:23,760 --> 00:39:26,640
Speaker 1: and and talk it through. What does Roy needs. So

639
00:39:26,640 --> 00:39:29,279
Speaker 1: there's three characters that were damaged for me and I

640
00:39:29,320 --> 00:39:33,480
Speaker 1: didn't like it. Yeah, so that's not Laurel. I she's

641
00:39:33,520 --> 00:39:37,719
Speaker 1: more compassionate pathetic than that. That's that's not Jess. You

642
00:39:37,719 --> 00:39:41,960
Speaker 1: know what's going on. Everybody's getting knocked down a notch

643
00:39:42,600 --> 00:39:54,040
Speaker 1: um bean Dean and she was like, hey, god off,

644
00:39:54,760 --> 00:39:57,080
Speaker 1: that poor step shows up. I mean, of course he

645
00:39:57,160 --> 00:40:04,120
Speaker 1: was probably up in the tree. No pun intended SAP trade.

646
00:40:04,239 --> 00:40:08,640
Speaker 1: Thank you very much, effectives though, because I don't. But

647
00:40:08,680 --> 00:40:11,759
Speaker 1: it's really interesting to hear how everyone feels about it. Sorry,

648
00:40:11,800 --> 00:40:17,279
Speaker 1: I'm going back was with me on the SAP thing.

649
00:40:19,440 --> 00:40:21,640
Speaker 1: I'm still thinking about who was right, who was wrong,

650
00:40:21,640 --> 00:40:24,520
Speaker 1: and it's just kind of a massive I'm not saying

651
00:40:24,560 --> 00:40:26,640
Speaker 1: it's wrong. I'm not saying it's wrong or right. I'm

652
00:40:26,680 --> 00:40:29,719
Speaker 1: just saying my my feeling of it, how it hit,

653
00:40:29,840 --> 00:40:32,520
Speaker 1: how it landed for me, just seemed I don't know

654
00:40:32,680 --> 00:40:36,680
Speaker 1: off for me. I agree to all right, So now

655
00:40:36,680 --> 00:40:43,120
Speaker 1: we're gonna go to the Gilmore and that hell. You know,

656
00:40:43,160 --> 00:40:45,920
Speaker 1: I was glad Laura like told them. It took her

657
00:40:45,960 --> 00:40:48,320
Speaker 1: too long, but I was glad she told them about

658
00:40:48,400 --> 00:40:52,360
Speaker 1: Christopher and Sherry and the baby, because I didn't enjoy

659
00:40:52,400 --> 00:40:54,920
Speaker 1: when they were blaming lower a lie or Emily was

660
00:40:55,200 --> 00:40:57,760
Speaker 1: you know, I learned some new information from that scene,

661
00:40:57,880 --> 00:41:02,920
Speaker 1: which is always helpful, you know, if you want to critique, uh,

662
00:41:03,200 --> 00:41:05,880
Speaker 1: the the overall series and its episodes and its scenes.

663
00:41:06,000 --> 00:41:08,799
Speaker 1: But I you know, I did. Maybe they mentioned this

664
00:41:08,840 --> 00:41:10,600
Speaker 1: earlier in the series, in the first two seasons, but

665
00:41:10,680 --> 00:41:13,000
Speaker 1: I did not know that Laurela I pushed Christopher away

666
00:41:13,000 --> 00:41:15,000
Speaker 1: when she was sixteen and he wanted to be a family.

667
00:41:15,640 --> 00:41:18,560
Speaker 1: I didn't know that he learned a glimpse of that. Yeah,

668
00:41:18,960 --> 00:41:22,279
Speaker 1: well but that's fine. It's been subtle. We don't totally know,

669
00:41:22,400 --> 00:41:25,799
Speaker 1: but we got glimpses that he would have stayed with

670
00:41:25,840 --> 00:41:31,080
Speaker 1: her and I think maybe even marry her. But again, right, okay,

671
00:41:31,120 --> 00:41:34,279
Speaker 1: well again, we're talking about a sixteen year old girl

672
00:41:34,320 --> 00:41:37,240
Speaker 1: who has a baby. We're not you know, her brain

673
00:41:37,320 --> 00:41:41,400
Speaker 1: isn't fully formed yet, right, she's sixteen, She's not making

674
00:41:41,480 --> 00:41:44,880
Speaker 1: good decisions. And here we have, you know, we have

675
00:41:45,120 --> 00:41:51,120
Speaker 1: Richard and Emily, you know, the two headed cyclops telling

676
00:41:51,239 --> 00:41:56,000
Speaker 1: their thirty two year old daughter what a complete screw

677
00:41:56,120 --> 00:42:00,280
Speaker 1: up she is, again and again and again, with every

678
00:42:00,400 --> 00:42:04,799
Speaker 1: sarcastic dripping horrible comment coming out of their mouth. I mean,

679
00:42:04,880 --> 00:42:08,160
Speaker 1: these are two of the nastiest people. I mean, for

680
00:42:08,200 --> 00:42:10,760
Speaker 1: God's sake, are they nasty to that girl? No wonder

681
00:42:10,880 --> 00:42:13,520
Speaker 1: she you know what, No wonder she got the hell

682
00:42:13,560 --> 00:42:16,879
Speaker 1: out of there. No wonder she didn't want any part

683
00:42:16,920 --> 00:42:18,759
Speaker 1: of that. And I think that part of her that

684
00:42:18,880 --> 00:42:22,040
Speaker 1: came out at Rory in the prior scene is too

685
00:42:22,160 --> 00:42:24,640
Speaker 1: much Emily, and is the reason she got the hell

686
00:42:24,680 --> 00:42:27,799
Speaker 1: away from those people, because there was on a certain level,

687
00:42:27,880 --> 00:42:32,760
Speaker 1: they are awful. I mean, do you want to be Scott,

688
00:42:32,800 --> 00:42:36,279
Speaker 1: You're so right? She reacted to like Emily reaction a

689
00:42:36,400 --> 00:42:40,000
Speaker 1: similar way to the way her parents reacted, and it's like,

690
00:42:40,840 --> 00:42:44,880
Speaker 1: where is the like if they should have felt bad

691
00:42:45,000 --> 00:42:47,600
Speaker 1: for lor lies. She wanted to be with Christopher finally

692
00:42:47,600 --> 00:42:50,080
Speaker 1: it's happening, and then this happens, and he's trying to

693
00:42:50,120 --> 00:42:54,000
Speaker 1: do the right thing. It's very harold. God, I wanted

694
00:42:54,040 --> 00:42:56,399
Speaker 1: to punch Richard in the face. I couldn't believe it.

695
00:42:56,800 --> 00:42:59,520
Speaker 1: I couldn't believe how he was talking to her. I

696
00:42:59,560 --> 00:43:03,439
Speaker 1: could not believe it. You know, she she had every

697
00:43:03,520 --> 00:43:06,880
Speaker 1: right too, and she I mean, I mean, continuing to

698
00:43:06,920 --> 00:43:11,200
Speaker 1: get beaten down by those two monsters for you know,

699
00:43:11,280 --> 00:43:16,120
Speaker 1: it's life, it's you know, she drove them, I mean,

700
00:43:16,160 --> 00:43:19,399
Speaker 1: they drove her to that behavior. She's sixteen years old.

701
00:43:19,440 --> 00:43:23,400
Speaker 1: She made a bad decision, you know, she went against

702
00:43:23,400 --> 00:43:27,360
Speaker 1: her wishes again, and she's a I think I'm at

703
00:43:27,400 --> 00:43:30,280
Speaker 1: the point where I'm tired of these two people telling

704
00:43:30,320 --> 00:43:34,479
Speaker 1: their daughter they're they're quite spectacular daughter, uh, that she's

705
00:43:34,480 --> 00:43:36,440
Speaker 1: to screw up. I'm sick of it. I don't want

706
00:43:36,440 --> 00:43:39,600
Speaker 1: to see it anymore. You know, It's like I've had

707
00:43:39,600 --> 00:43:43,480
Speaker 1: two seasons of it, and she's defended herself and and now,

708
00:43:43,680 --> 00:43:45,960
Speaker 1: you know, here's the interesting thing. Now I get why

709
00:43:46,040 --> 00:43:52,240
Speaker 1: Laurelai is so a cerbic with her wit towards her parents.

710
00:43:52,560 --> 00:43:56,320
Speaker 1: It's a it's a complete defense mechanism. It started at sixteen,

711
00:43:56,320 --> 00:43:59,760
Speaker 1: probably started prior to that. You know, she's smart, she's fast,

712
00:43:59,800 --> 00:44:03,560
Speaker 1: she's funny, she's quick. And now it explains all of

713
00:44:03,600 --> 00:44:07,799
Speaker 1: the successive dialogue because that's a defense mechanism as well.

714
00:44:07,840 --> 00:44:11,440
Speaker 1: She's using humor and she's using volumes of words as

715
00:44:11,480 --> 00:44:14,680
Speaker 1: an armor, as a shield. Even once she interacts with

716
00:44:14,680 --> 00:44:18,680
Speaker 1: her own daughter, that's her most safe space. She does

717
00:44:18,680 --> 00:44:21,120
Speaker 1: it with other people too. She does it with everybody,

718
00:44:21,360 --> 00:44:24,759
Speaker 1: am I is this amateur psychology one on one? Thank you?

719
00:44:27,040 --> 00:44:30,000
Speaker 1: But this is this is now I get why there's

720
00:44:30,040 --> 00:44:34,720
Speaker 1: so much verbiage. It's because she was raised and escaped

721
00:44:35,200 --> 00:44:39,279
Speaker 1: two of the most horrible people that I have ever

722
00:44:39,320 --> 00:44:42,080
Speaker 1: seen on television. How can you talk to your daughter

723
00:44:42,160 --> 00:44:46,799
Speaker 1: that way? Emily and Richard are complicated because I do

724
00:44:46,880 --> 00:44:51,120
Speaker 1: think they have many, many, many redeeming qualities as well.

725
00:44:52,760 --> 00:45:00,520
Speaker 1: They're not all bad. Wait a minute. Richard's all how

726
00:45:00,600 --> 00:45:05,040
Speaker 1: competent and how smart, and how helpful and how loving

727
00:45:05,480 --> 00:45:08,520
Speaker 1: his own daughter was when he was setting up his

728
00:45:08,560 --> 00:45:13,320
Speaker 1: own office, right, he was let go for whatever reasons,

729
00:45:13,800 --> 00:45:17,560
Speaker 1: and he now he knows that his daughter is indeed

730
00:45:17,600 --> 00:45:20,840
Speaker 1: not a screw up her daughter. His daughter is very competent,

731
00:45:22,520 --> 00:45:24,759
Speaker 1: and he didn't want her to leave. He wanted her

732
00:45:24,800 --> 00:45:27,480
Speaker 1: to stay. And now he's back to the same old tropes.

733
00:45:28,600 --> 00:45:32,240
Speaker 1: I think Richard is an abusive father. I think Emily

734
00:45:32,360 --> 00:45:39,080
Speaker 1: is a completely abusive mother, and I'm boy. I think

735
00:45:39,120 --> 00:45:40,680
Speaker 1: that's one of the things that disturbed me the most

736
00:45:40,680 --> 00:45:43,279
Speaker 1: about this is how much I started disliking those two

737
00:45:44,880 --> 00:45:47,399
Speaker 1: just beating up on her, on their daughter like that,

738
00:45:47,880 --> 00:45:51,319
Speaker 1: just beating up on that because I think there's some

739
00:45:51,400 --> 00:45:54,200
Speaker 1: truth to what you're saying. I mean, she's a she's

740
00:45:54,239 --> 00:45:56,719
Speaker 1: in a bad deal. That's a bad deal for her.

741
00:45:56,800 --> 00:45:58,480
Speaker 1: She's got to go there every Friday night and take

742
00:45:58,560 --> 00:46:03,479
Speaker 1: that crap. I feel I feel bad for her. Yeah,

743
00:46:03,800 --> 00:46:06,400
Speaker 1: why she left? Now I got it. Hey, you know,

744
00:46:07,280 --> 00:46:09,480
Speaker 1: didn't come to me right away, but now I got it.

745
00:46:10,480 --> 00:46:15,560
Speaker 1: That's the thing these this show is not whatever it's

746
00:46:15,680 --> 00:46:19,799
Speaker 1: it's complicated. And you go from a scene where you're

747
00:46:19,840 --> 00:46:23,440
Speaker 1: loving it to something like this, sorry that that, that

748
00:46:23,520 --> 00:46:27,319
Speaker 1: scene was vil that that that was vile again, and

749
00:46:27,360 --> 00:46:32,000
Speaker 1: now you're hurt. You're destroying those two characters. You're really goes,

750
00:46:36,280 --> 00:46:40,640
Speaker 1: what did you think of that? I love that scene.

751
00:46:40,800 --> 00:46:47,480
Speaker 1: I really love that scene. And you know, I she

752
00:46:47,560 --> 00:46:50,960
Speaker 1: had nowhere else to go. Oh I see, I look

753
00:46:51,000 --> 00:46:53,600
Speaker 1: at it differently. Not she had nowhere else to go.

754
00:46:54,040 --> 00:46:59,440
Speaker 1: She went to where she was meant to be interesting.

755
00:46:59,480 --> 00:47:06,360
Speaker 1: Well said wow destiny, huh wow. But I mean she

756
00:47:06,480 --> 00:47:10,200
Speaker 1: opened up and she she was justifiably upset. I mean,

757
00:47:10,280 --> 00:47:15,640
Speaker 1: having her reality is just not man. She's got this

758
00:47:15,760 --> 00:47:19,359
Speaker 1: great town, these great people, it's great daughter, and she's

759
00:47:19,360 --> 00:47:22,040
Speaker 1: got to deal with those two monsters every week. Good God,

760
00:47:23,480 --> 00:47:26,319
Speaker 1: I feel bad for her. I really love her. I

761
00:47:26,360 --> 00:47:30,560
Speaker 1: really love her character. I really I really love Laurela.

762
00:47:31,120 --> 00:47:35,720
Speaker 1: I really do. I think that she is a a

763
00:47:35,760 --> 00:47:39,640
Speaker 1: woman made out of iron and all heart and soul

764
00:47:39,800 --> 00:47:43,920
Speaker 1: and um man, she just wants to keep it light,

765
00:47:43,960 --> 00:47:46,600
Speaker 1: doesn't she. She just wants laughs because she didn't get

766
00:47:46,640 --> 00:47:54,840
Speaker 1: him growing up heavy stuff all heavy, heavy, Richard Emily

767
00:47:55,080 --> 00:48:03,839
Speaker 1: bs garbage, status, pressure, belittling and psychological torture every day

768
00:48:03,840 --> 00:48:06,880
Speaker 1: of her life. Magnitude of having a baby at sixteen,

769
00:48:07,640 --> 00:48:10,879
Speaker 1: basically no support. Throw that in. Yeah, thanks a lot,

770
00:48:10,960 --> 00:48:13,799
Speaker 1: Mom and dad, you were great. I really appreciate that.

771
00:48:14,640 --> 00:48:19,040
Speaker 1: And there's and now she has to relive it because Christopher,

772
00:48:19,400 --> 00:48:22,839
Speaker 1: you know, it is what he is, and now he's

773
00:48:22,840 --> 00:48:24,200
Speaker 1: trying to do the right thing. And you know, I

774
00:48:24,200 --> 00:48:29,279
Speaker 1: think Richard spelled it out very succinctly, right, you know,

775
00:48:29,360 --> 00:48:31,040
Speaker 1: he he's he's a guy that tried to do the

776
00:48:31,120 --> 00:48:34,359
Speaker 1: right thing back in the day. And you know, of

777
00:48:34,400 --> 00:48:36,919
Speaker 1: course you stopped that, Laura Lie, because you're who you are.

778
00:48:38,760 --> 00:48:42,759
Speaker 1: It's just the way the way they expressed it, which

779
00:48:42,800 --> 00:48:46,680
Speaker 1: is exactly how I felt about Laura Lae. Her sentiment

780
00:48:46,920 --> 00:48:49,600
Speaker 1: was correct in that you need to make a decision

781
00:48:49,640 --> 00:48:52,920
Speaker 1: about Dean, like you're going after the bad boy. But

782
00:48:53,000 --> 00:48:56,239
Speaker 1: it's the way she did. I even think Richard verbalizing

783
00:48:56,280 --> 00:48:59,520
Speaker 1: it was abusive. Why throw it in her face? What's

784
00:48:59,560 --> 00:49:04,279
Speaker 1: the point except they're so self indulgent with their need

785
00:49:04,400 --> 00:49:09,680
Speaker 1: to express their utter disappointment in that woman. God, man,

786
00:49:09,719 --> 00:49:12,439
Speaker 1: I would write them off. I would never go back there,

787
00:49:13,719 --> 00:49:16,200
Speaker 1: you know, I would never ever go back there after

788
00:49:16,239 --> 00:49:19,360
Speaker 1: a tongue lashing like that. But she has to, and

789
00:49:19,400 --> 00:49:22,399
Speaker 1: I think maybe that's why Amy wrote this. I think,

790
00:49:22,480 --> 00:49:25,200
Speaker 1: let's put a girl in an impossible situation with a

791
00:49:25,239 --> 00:49:29,319
Speaker 1: great kid. She's a spectacular strong woman, independent woman who

792
00:49:29,320 --> 00:49:32,200
Speaker 1: made a choice, and she has to go back into

793
00:49:32,239 --> 00:49:37,160
Speaker 1: the into the tiger's den week after week after week,

794
00:49:39,880 --> 00:49:45,359
Speaker 1: and the chair her chair, and her whip is her wit. God,

795
00:49:45,440 --> 00:49:47,600
Speaker 1: that's so interesting you said that because it's like there

796
00:49:47,640 --> 00:49:52,160
Speaker 1: are so many laughs in this episode, But really you're right,

797
00:49:52,239 --> 00:49:55,840
Speaker 1: like this show is so much deeper and there's so

798
00:49:55,920 --> 00:50:02,040
Speaker 1: much context that is that's what it's really about. And

799
00:50:02,040 --> 00:50:04,520
Speaker 1: the fact that they're able to give us those laughs

800
00:50:04,560 --> 00:50:10,520
Speaker 1: amidst all this, maybe that's why we're so hooked. I

801
00:50:10,560 --> 00:50:14,240
Speaker 1: think so. Were you happy to see Luke and Laurel.

802
00:50:14,280 --> 00:50:20,239
Speaker 1: I resolve their situation, I think, And this this is

803
00:50:20,280 --> 00:50:22,520
Speaker 1: one of my favorite lines and one of the bigger laughs.

804
00:50:22,520 --> 00:50:26,400
Speaker 1: And the thing was when he was listing all her

805
00:50:26,400 --> 00:50:31,760
Speaker 1: capabilities and her iron stomach, that meant he was forgiving

806
00:50:31,760 --> 00:50:34,399
Speaker 1: her because he was joking around with her a little

807
00:50:34,440 --> 00:50:36,480
Speaker 1: bit and he's so comfortable with her that he can

808
00:50:36,480 --> 00:50:39,160
Speaker 1: say something off the cuff like that, and I think

809
00:50:39,160 --> 00:50:45,320
Speaker 1: it gave her a great comfort. And then come again, Mimi,

810
00:50:45,880 --> 00:50:48,840
Speaker 1: and I was just like, I'm I've now melted, like

811
00:50:49,840 --> 00:50:53,120
Speaker 1: um lushy, this is so good. That great writing. It

812
00:50:53,280 --> 00:50:58,080
Speaker 1: was great writing. That's a great line. Yeah, it was

813
00:50:58,120 --> 00:51:01,080
Speaker 1: a very very I love the Luca moralized stuff and

814
00:51:01,080 --> 00:51:04,520
Speaker 1: this it was very tender. It was it really really

815
00:51:04,600 --> 00:51:07,640
Speaker 1: was without it being overtly tender and sweet on her part.

816
00:51:08,040 --> 00:51:14,080
Speaker 1: It's not it's not or whatever. It's just and she

817
00:51:14,400 --> 00:51:17,600
Speaker 1: really had a monologue there and it was like she

818
00:51:17,760 --> 00:51:21,640
Speaker 1: just nailed it. And you are so subtle with the

819
00:51:21,719 --> 00:51:25,920
Speaker 1: way like and I I hope I don't seem like

820
00:51:26,239 --> 00:51:29,799
Speaker 1: stupid trying to be like a like analyzing acting, but

821
00:51:29,840 --> 00:51:33,880
Speaker 1: it's like the way you move and just the subtlety

822
00:51:33,920 --> 00:51:36,640
Speaker 1: of it, just the slight with the towel or the

823
00:51:36,719 --> 00:51:39,920
Speaker 1: whatever you're doing over there. It's just so you're just

824
00:51:40,000 --> 00:51:46,319
Speaker 1: completely hooked. It's so good. And enacting parlance, it's called

825
00:51:46,360 --> 00:51:52,880
Speaker 1: being connected to the character to the other. Yeah, I mean, listen,

826
00:51:53,800 --> 00:51:57,440
Speaker 1: you know I enjoyed that scene very much. That it

827
00:51:57,560 --> 00:52:00,960
Speaker 1: was a powerful scene for me, you know, really really

828
00:52:01,120 --> 00:52:05,480
Speaker 1: was um And that's you know, I think, just in

829
00:52:05,520 --> 00:52:07,880
Speaker 1: an acting sense, to get a little wonky. You know,

830
00:52:07,920 --> 00:52:12,359
Speaker 1: the smaller you can work, the better. And uh, and

831
00:52:12,400 --> 00:52:15,040
Speaker 1: that really called for it. You know, you think you're

832
00:52:15,080 --> 00:52:20,399
Speaker 1: good at that because it's so you're so there and

833
00:52:20,520 --> 00:52:25,080
Speaker 1: so like your presence is big, but it's so like

834
00:52:25,400 --> 00:52:27,959
Speaker 1: just subtle. But yeah, I have to be careful because

835
00:52:27,960 --> 00:52:31,920
Speaker 1: I'm kind of large. Is that because you're tall you

836
00:52:31,920 --> 00:52:35,040
Speaker 1: have to be careful. You can't flail around if you're large,

837
00:52:35,840 --> 00:52:41,839
Speaker 1: little little guys can flail around. And so as as

838
00:52:41,880 --> 00:52:44,239
Speaker 1: we've gone through it, I kind of get why you

839
00:52:44,360 --> 00:52:50,120
Speaker 1: didn't love it. But looking now that we've discussed it,

840
00:52:50,160 --> 00:52:52,279
Speaker 1: how do you feel about the episode? You know what,

841
00:52:52,440 --> 00:52:55,040
Speaker 1: You're right? I think it was a pretty outstanding episode.

842
00:52:55,239 --> 00:52:58,480
Speaker 1: I would give it an A, not an a minus,

843
00:52:58,520 --> 00:53:00,080
Speaker 1: not an A plus, but I would give it an A.

844
00:53:00,360 --> 00:53:03,640
Speaker 1: I I think it had enough there to give a

845
00:53:03,680 --> 00:53:06,799
Speaker 1: top marks. I was just a little and and since

846
00:53:06,840 --> 00:53:09,600
Speaker 1: it's a season premiere, I think they'll rehabilitate these characters

847
00:53:09,600 --> 00:53:11,799
Speaker 1: in some way, shape or form. Will be we'll have,

848
00:53:11,960 --> 00:53:13,800
Speaker 1: you know, we'll hit the relief valve and go, oh,

849
00:53:13,800 --> 00:53:15,920
Speaker 1: thank god, you know. But I think it's just a

850
00:53:15,920 --> 00:53:17,839
Speaker 1: way of ratcheting up the tension right at the top

851
00:53:17,880 --> 00:53:20,640
Speaker 1: of the season, you know, and setting up for what's

852
00:53:20,680 --> 00:53:23,440
Speaker 1: to come. So I'm still going to give it an

853
00:53:23,440 --> 00:53:25,480
Speaker 1: A now that we've discussed it. Yeah, I've come around

854
00:53:25,520 --> 00:53:29,359
Speaker 1: a little bit. But those few things I'm telling you

855
00:53:29,400 --> 00:53:31,160
Speaker 1: and being honest with you in the moment last night

856
00:53:31,160 --> 00:53:34,560
Speaker 1: when I was watching it not a happy camper, I'm

857
00:53:34,600 --> 00:53:37,479
Speaker 1: glad that you tell us, Like, what did you guys

858
00:53:37,480 --> 00:53:42,840
Speaker 1: think now that we've discussed it. I love half of

859
00:53:42,880 --> 00:53:45,160
Speaker 1: it and I didn't like half of it, but I

860
00:53:45,239 --> 00:53:50,120
Speaker 1: would I would agree with the A rating. Yeah, I

861
00:53:50,120 --> 00:53:57,960
Speaker 1: would say I like the whole thing because I love

862
00:53:58,040 --> 00:54:02,319
Speaker 1: the complicated stuff. Yeah, it isn't amazing that this show

863
00:54:02,360 --> 00:54:06,640
Speaker 1: can even have awarts and all is still great, still great.

864
00:54:07,200 --> 00:54:09,759
Speaker 1: We've done a lot of the lines. Also sidebar the

865
00:54:09,800 --> 00:54:15,480
Speaker 1: fashion fashion this was great fashion before we get two lines,

866
00:54:15,520 --> 00:54:20,760
Speaker 1: I got a time code for everyone. Fool clown pillow

867
00:54:20,960 --> 00:54:25,359
Speaker 1: if anybody saw it was in your face right there.

868
00:54:26,400 --> 00:54:30,200
Speaker 1: I'm not gonna lie, guys. I immediately went on eBay

869
00:54:30,400 --> 00:54:36,319
Speaker 1: and purchased not one, but two of the Hello Kitty

870
00:54:36,680 --> 00:54:40,479
Speaker 1: alarm clock. Like, I don't even want to think about

871
00:54:40,480 --> 00:54:43,400
Speaker 1: how dirty and jeremy the clock is going to be

872
00:54:43,400 --> 00:54:47,480
Speaker 1: because it's obviously like twenty plus years old. But I

873
00:54:47,520 --> 00:54:52,080
Speaker 1: cannot wait. It's already shipped. I cannot wait. You know,

874
00:54:52,120 --> 00:54:56,080
Speaker 1: the Hello Kitty guys, I think I spent forty two

875
00:54:56,080 --> 00:54:58,360
Speaker 1: dollars on each one. So I spent almost a hundred

876
00:54:58,360 --> 00:55:00,760
Speaker 1: dollars on two. What do you going to do with those?

877
00:55:01,160 --> 00:55:05,279
Speaker 1: Give you one after I'm gonna take a lot of

878
00:55:05,320 --> 00:55:08,120
Speaker 1: four oh nine and clean it and then give you one,

879
00:55:08,160 --> 00:55:11,040
Speaker 1: and I'm gonna put one back here when we do

880
00:55:11,200 --> 00:55:14,560
Speaker 1: this Show're gonna watched Abon's Live where we just have

881
00:55:14,600 --> 00:55:17,960
Speaker 1: a prop like prop like wall behind us, which just

882
00:55:18,719 --> 00:55:22,040
Speaker 1: keeps getting Gilmore junk, Gilmore junk. I think I ordered

883
00:55:22,040 --> 00:55:27,439
Speaker 1: a Gilmore T shirt too, that I hopefully we're wearing soon. Um, alright, cool,

884
00:55:27,520 --> 00:55:29,399
Speaker 1: So I think I think we went through it. So

885
00:55:30,520 --> 00:55:33,920
Speaker 1: the line, my line is I'm ranting. You should recognize this.

886
00:55:34,040 --> 00:55:40,279
Speaker 1: I learned it from you. Mine's from Michelle, so sad

887
00:55:40,320 --> 00:55:42,359
Speaker 1: not to have a cocktail in your hand every time

888
00:55:42,360 --> 00:55:49,440
Speaker 1: he comes by. No, mine was from Paris. Was it

889
00:55:49,520 --> 00:55:55,080
Speaker 1: a good ask out? Was it a good ask out? Yeah?

890
00:55:55,360 --> 00:56:01,359
Speaker 1: She didn't really, she was getting asked out. I there

891
00:56:01,400 --> 00:56:03,800
Speaker 1: was a couple, but I settled on the look line

892
00:56:05,040 --> 00:56:10,000
Speaker 1: and your iron stomach. Oh yeah, it's right up there

893
00:56:10,000 --> 00:56:13,719
Speaker 1: with I think the Yanique line was better. H No,

894
00:56:14,040 --> 00:56:16,840
Speaker 1: do tell you know when it's just his attitude, not

895
00:56:16,920 --> 00:56:18,640
Speaker 1: the line so much, but his attitude when he was

896
00:56:18,680 --> 00:56:22,239
Speaker 1: just staring at Kirk like and told disbelief about his

897
00:56:23,040 --> 00:56:27,799
Speaker 1: cows don't wrinkle lotion. So but I'm gonna go with

898
00:56:27,800 --> 00:56:34,799
Speaker 1: the look line, iron stomach, and your iron stomach. So

899
00:56:34,920 --> 00:56:39,880
Speaker 1: that's it. I think we picked up apart pretty well.

900
00:56:40,280 --> 00:56:42,440
Speaker 1: I would like people to let us know if they

901
00:56:42,480 --> 00:56:45,400
Speaker 1: liked us going through it in order. I think they do.

902
00:56:45,800 --> 00:56:48,440
Speaker 1: I think they do. I think get some complaints about

903
00:56:48,440 --> 00:56:51,040
Speaker 1: our jumping. I think I think they do, because I

904
00:56:51,080 --> 00:56:56,520
Speaker 1: think we also inevitably can't help ourselves to create a

905
00:56:56,520 --> 00:57:04,799
Speaker 1: lot of chaos during our tangential chaos inclinations, So it's yeah,

906
00:57:04,840 --> 00:57:07,239
Speaker 1: I think it's just an ournature. Anyway, that was fun,

907
00:57:07,360 --> 00:57:11,560
Speaker 1: great season premiere. All in all, Um, they're gonna, really

908
00:57:11,719 --> 00:57:14,160
Speaker 1: the writers are gonna rehabilitate those characters and it's going

909
00:57:14,239 --> 00:57:16,680
Speaker 1: to be very entertaining to watch, and I'm very eager

910
00:57:16,720 --> 00:57:20,720
Speaker 1: to see how they do it, you know. Um, but uh,

911
00:57:21,160 --> 00:57:22,680
Speaker 1: sometimes you have to do what they say in the

912
00:57:22,680 --> 00:57:27,520
Speaker 1: writer's room. You gotta kill your your favorite children, and

913
00:57:27,560 --> 00:57:32,080
Speaker 1: they certainly did that in this episode. So anyway, thanks

914
00:57:32,120 --> 00:57:35,800
Speaker 1: everybody for downloading and listening. Uh, you're the best fans

915
00:57:35,800 --> 00:57:38,400
Speaker 1: on the planet. We love you dearly. Thank you. Free comments,

916
00:57:38,440 --> 00:57:41,800
Speaker 1: keep them coming. You are shaping this podcast as you

917
00:57:41,840 --> 00:57:44,840
Speaker 1: can well see, and we appreciate it. We think it's

918
00:57:44,840 --> 00:57:48,640
Speaker 1: making it better. Um, all the best. Stay safe out there,

919
00:58:18,560 --> 00:58:21,600
Speaker 1: hey everybody, and don't forget follow us on Instagram at

920
00:58:21,920 --> 00:58:26,440
Speaker 1: I Am all In Podcast and Emailie at Gilmore at

921
00:58:26,440 --> 00:58:29,880
Speaker 1: I Heart radio dot com. Oh you Gilmore fans. If

922
00:58:29,920 --> 00:58:31,920
Speaker 1: you're looking for the best cup of coffee in the world,

923
00:58:31,960 --> 00:58:35,880
Speaker 1: go to my website for my company scott EP dot com,

924
00:58:36,000 --> 00:58:38,160
Speaker 1: s C O T. T Y P dot com, scott

925
00:58:38,160 --> 00:58:48,920
Speaker 1: ep dot com Grade one Specialty coffee ye