WEBVTT - STBYM Listener Mail: The Joy of Fish

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow your Mind listener Mail.

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<v Speaker 2>My name is Robert.

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<v Speaker 3>Lamb and I am Joe McCormick, and today we are

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<v Speaker 3>bringing you some messages from the Stuff to Blow your

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<v Speaker 3>Mind email address. If you're a fan of the show

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<v Speaker 3>and you have never gotten in touch before, you can

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<v Speaker 3>do so at any time, for any reason at contact

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<v Speaker 3>at stuff to Blow your Mind dot com. We give

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<v Speaker 3>the address out at the end of every episode, but

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<v Speaker 3>we like to throw it at the top of listener

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<v Speaker 3>mail episodes just to remind people that, yes, you can

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<v Speaker 3>write about whatever you want. Most of the time we

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<v Speaker 3>get messages with people trying to add something interesting, maybe

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<v Speaker 3>from their own personal experience or from their own independent

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<v Speaker 3>research about a topic we've talked about on the show.

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<v Speaker 3>But really, whatever you want is fair game. Contact at

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<v Speaker 3>stuff to Blow Yourmind dot com.

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<v Speaker 2>That's right. If you have recommendations for the future, write

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<v Speaker 2>in HI. If you just want to share a picture

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<v Speaker 2>of your pet, that is also fair game, especially if

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<v Speaker 2>we've covered that animal recently on the show, and also

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<v Speaker 2>if you want to join the discord server. Sometimes we

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<v Speaker 2>read some messages from the discord server in these episodes.

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<v Speaker 2>Use that email address to get in touch with us,

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<v Speaker 2>and we'll shoot you the link so that you can

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<v Speaker 2>join us. And really those are the best ways to

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<v Speaker 2>get in touch with us. We are on some of

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<v Speaker 2>the socials, and if you message us through the socials,

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<v Speaker 2>there's a chance that message will make it to us.

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<v Speaker 2>But honestly, we don't tend those gardens as well as

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<v Speaker 2>we once did, so the best way is always going

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<v Speaker 2>to be that email address.

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<v Speaker 3>That's right, Let's see Rob, you good if we kick

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<v Speaker 3>things off with some messages about our series on Kartchner Caverns.

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<v Speaker 2>Yeah, let's do it.

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<v Speaker 3>Kartchner Caverns is a cave system in Arizona that Rob

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<v Speaker 3>you visited earlier this year with your family, and then

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<v Speaker 3>we did some episodes on it about its native bat

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<v Speaker 3>populations and the discovery and conservation history of it. So

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<v Speaker 3>that was an interesting topic and a lot of people

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<v Speaker 3>had thoughts Cartchner Caverns. So I'm going to do this

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<v Speaker 3>first message from Angela subject Caverns. Hey guys, longtime listener,

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<v Speaker 3>love the show, Thanks for such interesting topics. Just finish

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<v Speaker 3>listening to the first part of your Kartchner caverns episode, Man,

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<v Speaker 3>did that bring back memories? For context? I don't like

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<v Speaker 3>enclosed spaces. I really really don't like being stuck in

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<v Speaker 3>the dark. But I'm also a let's go it might

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<v Speaker 3>be fun kind of person I can identify. With that

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<v Speaker 3>combination of personality traits anxious but also game, it makes

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<v Speaker 3>for a lot of stressful situations. So Angela says we

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<v Speaker 3>were visiting. We were in Kentucky visiting Angela and she

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<v Speaker 3>doesn't say who. I guess friends or family. We were

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<v Speaker 3>in Kentucky visiting. As we were driving, we noticed a

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<v Speaker 3>sign for caverns. I made the joke that I'd rather

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<v Speaker 3>go to a tavern.

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<v Speaker 2>Okay to this story is starting off like a horror movie,

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<v Speaker 2>but yeah, let's continue and see where it goes.

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<v Speaker 3>Yeah, preferring taverns to caverns right. Regardless, my traveling companions

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<v Speaker 3>really wanted to go, so I thought, sure, this will

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<v Speaker 3>be interesting. As we waited for the tour to begin,

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<v Speaker 3>I started putting my mind at ease, remembering that cute

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<v Speaker 3>Atari spilunking game and trying to remember it's what I'm

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<v Speaker 3>sure we're equally adorable sounds. I had to look this

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<v Speaker 3>up because I've never played this game, but rob I

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<v Speaker 3>dug up a video of some gameplay and I attached

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<v Speaker 3>a screenshot in the outline you can look at here.

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<v Speaker 3>So it's one of these games where you know the

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<v Speaker 3>pixel quality is very it's you know, it looks like

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<v Speaker 3>some scuzz on the screen. So you play as a

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<v Speaker 3>little light blue wad of pixels exploring a cave and

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<v Speaker 3>there are ladders you can climb, and it looks like

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<v Speaker 3>ropes or vines or something you can swing from. The

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<v Speaker 3>sounds are very cute, as Angela remembered. It makes that

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<v Speaker 3>classic little Lodix bittoon sound when you pick up a

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<v Speaker 3>power up. But also I thought this game was funny

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<v Speaker 3>because it's not like a just biological cave entities. There

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<v Speaker 3>are ghosts. There are ghosts that float towards you, and

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<v Speaker 3>I think you can shoot the ghosts with a gun

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<v Speaker 3>or with something. There's like a projectile you put out.

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<v Speaker 3>Eventually it makes the ghosts disappear. But the other thing

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<v Speaker 3>about it that was funny is it keeps looping. The

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<v Speaker 3>first phrase of the mysterio so piscato. This is a

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<v Speaker 3>classic piece of music you might recognize from like old

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<v Speaker 3>silent movie or not silent movies, old movies. Whenever the

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<v Speaker 3>villain appears done dune dund dun dun dun dun dun.

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<v Speaker 2>Okay, and then that translates, I believe to mysterious pizza cat. Right,

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<v Speaker 2>that's exactly what. Okay?

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<v Speaker 3>Yeah, so anyway, this imagine, this that we've just described

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<v Speaker 3>is what our claustrophobe Angela is running through her brain

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<v Speaker 3>for comfort. But the next she says, we were helped

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<v Speaker 3>into this little boat. Oh, interesting, a boat, sweet mother

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<v Speaker 3>of God. As we started entering the cave, we were

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<v Speaker 3>instructed to lower our heads since it had rained and

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<v Speaker 3>the water level was high. If you're sitting down now,

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<v Speaker 3>put your ear against your knee. That was my current situation.

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<v Speaker 3>I could feel the rock ceiling against my puffy jacket.

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<v Speaker 3>This must have been the longest twelve seconds of my life.

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<v Speaker 3>We got off the boat and continued on foot. Man,

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<v Speaker 3>this just keeps getting rougher and rougher, like tight space

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<v Speaker 3>is but also water. Suffice to say the rest of

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<v Speaker 3>the tour was a piece of cake. The darkness, the

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<v Speaker 3>enclosed space is the creepy prehistoric atmosphere, the eerie silence.

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<v Speaker 3>The bats were their bats. I don't even remember, but

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<v Speaker 3>what do you know, I actually enjoyed it. From time

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<v Speaker 3>to time I would get waves of why as I

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<v Speaker 3>remembered I was underground, But altogether, I'm glad I got

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<v Speaker 3>to experience it, and I particularly I remember the guide addressing

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<v Speaker 3>not disturbing the ecosystem, which was an interesting reminder that

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<v Speaker 3>as far as nature is concerned, we were not really

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<v Speaker 3>meant to be there. We'll save episode two for another day,

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<v Speaker 3>Smiley face. Thanks for the cool show, Angela. Now, Angela

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<v Speaker 3>doesn't say exactly what this cave was or where it was,

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<v Speaker 3>except that it was in the state of Kentucky. But

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<v Speaker 3>based on her description, I did some googling and I

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<v Speaker 3>feel pretty confident that the cave she's talking about was

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<v Speaker 3>the is the Lost River Cave in Bowling Green, Kentucky.

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<v Speaker 3>So this is a cave that actually does have boat tours.

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<v Speaker 3>And I watched like a video somebody made of going

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<v Speaker 3>through the tour of this cave, and it does begin

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<v Speaker 3>like one of the first things is you get in

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<v Speaker 3>a boat and you have to go under this low

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<v Speaker 3>rock ceiling passage, and the guide at this part of

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<v Speaker 3>the tour it says, you know, you're not allowed to

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<v Speaker 3>touch the rocks and the rest of the cave. This

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<v Speaker 3>is the one place where you can touch the ceiling

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<v Speaker 3>because it's kind of unavoidable, So encourage people to just

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<v Speaker 3>like put their hands up up and touch it. I

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<v Speaker 3>guess the water was not as high in the video

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<v Speaker 3>I was watching as when Angela described it.

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<v Speaker 2>Yeah, I never visited that particular Kentucky cave. I think

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<v Speaker 2>I went to a different one when I was a kid,

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<v Speaker 2>and I did once tour I think some old salt

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<v Speaker 2>mines in Germany on like a high school trip where

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<v Speaker 2>you had to get in a boat, but the ceiling

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<v Speaker 2>was not that close. It was a little bit roomier,

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<v Speaker 2>again being if memory serves, a mining operation as opposed

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<v Speaker 2>to a naturally formed cavern.

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<v Speaker 3>So there's a funny thing about the Lost River Cave

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<v Speaker 3>if this is in fact the one that Angela is

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<v Speaker 3>talking about, and I'm pretty sure it is, because in

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<v Speaker 3>this case, it's funny that you say you would rather

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<v Speaker 3>go to a tavern than a cavern. The Lost River

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<v Speaker 3>Cave once literally was basically a tavern, not in the

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<v Speaker 3>you know, not in the tavern in sense of like

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<v Speaker 3>dungeons and dragons. Tavern but it was a place to drink,

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<v Speaker 3>party and get down. So I was reading about this

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<v Speaker 3>in a little history article by Teelia Butler for w NKY, Kentucky.

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<v Speaker 3>According to local lore, during the Prohibition era, this cave

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<v Speaker 3>was used for smuggling liquor, but by the nineteen thirties

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<v Speaker 3>it had become one of the most famous night clubs

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<v Speaker 3>in the country, called the Cavern Nightclub. The article calls

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<v Speaker 3>it quote the coolest place to be both above and

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<v Speaker 3>below ground. And there's a double meaning of coolest place

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<v Speaker 3>there because Billboard magazine called it the only air conditioned

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<v Speaker 3>nightclub in the United States. This is because of the

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<v Speaker 3>natural temperature control offered by the cave. Cave air tends

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<v Speaker 3>to be pretty stable and temperature year round, usually somewhere

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<v Speaker 3>around the upper fifties fahrenheit. The article goes on to

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<v Speaker 3>describe a bit of its history, saying, quote, it was

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<v Speaker 3>Jimmy Stewart's publicity. Now that's not Jimmy Stewart, James. That's

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<v Speaker 3>not the actor, not the guy from Vertigo in rear window.

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<v Speaker 3>This is different a bowling green Jimmy Stewart. Quote. It

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<v Speaker 3>was Jimmy Stewart's publicity. The Bowling Green, businessman who owned

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<v Speaker 3>the club from nineteen thirty four to nineteen forty nine.

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<v Speaker 3>That turned the club into a swinging place. Throughout the

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<v Speaker 3>big band jazz era of the nineteen forties, many famous

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<v Speaker 3>musicians and singers performed at the Cavern Nightclub. Big names

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<v Speaker 3>like Dinah Shore and Francis Craig with his NBC Orchestra

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<v Speaker 3>could be heard from the Cave's bandstand. In those days,

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<v Speaker 3>club partygoers could purchase a deluxe ice bowl with whiskey

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<v Speaker 3>hidden inside for just two dollars. Oh wow. As so,

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<v Speaker 3>the article goes on to describe how eventually the club

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<v Speaker 3>declined in popularity, in part, I think because they built

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<v Speaker 3>a new highway system. That meant a lot of the

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<v Speaker 3>traffic that used to go near it wasn't passing by

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<v Speaker 3>as much anymore. So there was that also just changes

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<v Speaker 3>in you like, musical taste. Jazz clubs weren't as popular

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<v Speaker 3>by the nineteen sixties. So if you go there today,

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<v Speaker 3>you can still see the bar and stage area, and

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<v Speaker 3>I think it may sometimes to be used for events today,

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<v Speaker 3>but but yeah, a lot of it's just this like

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<v Speaker 3>cave nature boat tour sort of thing.

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<v Speaker 2>Now, speaking of caves used for music up in Grundy County, Tennessee. Yeah,

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<v Speaker 2>you've got the caverns, Joe. Have you ever been to

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<v Speaker 2>a show there?

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<v Speaker 3>I have, Yeah, I have.

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<v Speaker 2>What was it like?

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<v Speaker 3>I do not want to speak ill of the musician

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<v Speaker 3>I saw there. It was actually it was. I could

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<v Speaker 3>tell it was a great place to see a show.

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<v Speaker 3>But the show I saw was not great. I actually

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<v Speaker 3>fell asleep.

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<v Speaker 2>Sometimes that's good. It depends what you're seeing, Like if

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<v Speaker 2>you're seeing, you know, particularly ambient group, you know sometimes

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<v Speaker 2>I mean not off a little bit, and that's fine.

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<v Speaker 3>It wasn't ambient. It was like it was like a

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<v Speaker 3>bluegrass show, and I forget it. I mean, I like

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<v Speaker 3>bluegrass music, but it was just not my favorite artist.

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<v Speaker 3>It was rather a somnolent experience experience. But yeah, but

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<v Speaker 3>I would like to go back there someday to yeah,

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<v Speaker 3>see something I'm more jazzed about.

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<v Speaker 2>Jazz? Yeah, jazz, which would brand of jazz would be

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<v Speaker 2>appropriate for a cavern environment?

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<v Speaker 3>I don't know. I guess Dinah Shore is not playing anymore.

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<v Speaker 2>All right, let's see what's next in the old mail bag.

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<v Speaker 2>This one comes to us from Bill. Bill writes Robin Joe,

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<v Speaker 2>thank you for entertaining and educating me for close to

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<v Speaker 2>a decade. Now. I was so glad to hear you

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<v Speaker 2>take on Cartooner Caverns a wonderful place. I visited it

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<v Speaker 2>once many years ago and was just thinking about returning

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<v Speaker 2>after recently checking out Carlsbad Caverns highly recommended, and feeling

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<v Speaker 2>the draw back to my caving days. Lehman Caves in

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<v Speaker 2>Great Basin National Park is also phenomenal, with unique formations

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<v Speaker 2>called shields that are a bit of a mystery now.

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<v Speaker 3>In Bill's email, he includes a link out to some

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<v Speaker 3>National Park's page information about these shield formations in Lehman Caves. Rob,

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<v Speaker 3>I've just got a picture for you to look at here.

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<v Speaker 3>Are these are pretty interesting? You know what they look like?

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<v Speaker 3>They look like gigantic oyster mushrooms.

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<v Speaker 2>They do giant stone mushrooms. Yeah, all right. Well Bill

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<v Speaker 2>continues here talking about the Lanmon Caves. Here, he says

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<v Speaker 2>the area has both wild caves, minimal human trace and

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<v Speaker 2>a great user friendly tour where their motto one hundred

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<v Speaker 2>years ago was if you can break it, you can

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<v Speaker 2>take it.

0:12:22.679 --> 0:12:22.880
<v Speaker 3>Oh.

0:12:22.960 --> 0:12:28.880
<v Speaker 2>No, obviously not great considering where a cave conservation has gone,

0:12:29.679 --> 0:12:32.280
<v Speaker 2>but that certainly tracks with what happened with a lot

0:12:32.280 --> 0:12:36.120
<v Speaker 2>of these early show caves. He continues, as for Joe's

0:12:36.120 --> 0:12:39.040
<v Speaker 2>request of inside the mind of a cave or Yes,

0:12:39.400 --> 0:12:42.360
<v Speaker 2>exploring a new canyon or cave where humans may never

0:12:42.400 --> 0:12:46.720
<v Speaker 2>have been is quite the attraction. In both caving and canyoneering,

0:12:47.000 --> 0:12:49.319
<v Speaker 2>I have had moments where I needed to do the

0:12:49.360 --> 0:12:52.880
<v Speaker 2>exhale trick that Robert mentioned in order to continue through

0:12:53.040 --> 0:12:57.320
<v Speaker 2>tight spots. As you both stated, please everyone be careful

0:12:57.360 --> 0:12:59.680
<v Speaker 2>out there. As I often say in guiding, one must

0:12:59.760 --> 0:13:03.400
<v Speaker 2>have three levels of trust in these sorts of adventures.

0:13:03.679 --> 0:13:06.600
<v Speaker 2>Trust in yourself and your abilities, trust in your partners,

0:13:06.920 --> 0:13:09.320
<v Speaker 2>and trust in your gear. I like to think of

0:13:09.400 --> 0:13:13.440
<v Speaker 2>slot canyoneering as caving with a sun roof, a great

0:13:13.440 --> 0:13:17.720
<v Speaker 2>way to explore the skinnies without the full commitment of spelunking.

0:13:18.360 --> 0:13:22.520
<v Speaker 2>If you ever wish to experience anything involving via Ferrata canyoneering,

0:13:22.640 --> 0:13:25.880
<v Speaker 2>or various levels of adventure in the Desert's southwest, hit

0:13:25.960 --> 0:13:26.920
<v Speaker 2>me up Bill.

0:13:27.440 --> 0:13:27.960
<v Speaker 3>Well, thank you.

0:13:28.040 --> 0:13:28.280
<v Speaker 2>Bill.

0:13:28.760 --> 0:13:30.319
<v Speaker 3>By the way, I just wanted to add one more

0:13:30.360 --> 0:13:33.960
<v Speaker 3>note about the shield cave formations that Bill was talking about.

0:13:34.040 --> 0:13:37.640
<v Speaker 3>In that is the Lehman Caves in Great Basin National Park.

0:13:38.600 --> 0:13:41.600
<v Speaker 3>So the page that Bill linked to is a National

0:13:41.679 --> 0:13:44.200
<v Speaker 3>Park's information page and it's got a big picture of

0:13:44.240 --> 0:13:47.680
<v Speaker 3>the one that's called the parachute formation in Lemon Caves.

0:13:48.240 --> 0:13:51.439
<v Speaker 3>And much like some of the formations we were talking

0:13:51.440 --> 0:13:56.240
<v Speaker 3>about in the Carshenter Caverns episode, apparently the exactly how

0:13:56.360 --> 0:13:59.280
<v Speaker 3>the shield formations come together is not fully understood. I

0:13:59.320 --> 0:14:03.360
<v Speaker 3>think there are some leading ideas, but it's not fully settled.

0:14:04.400 --> 0:14:08.120
<v Speaker 3>And the page says, quote, although cave shield formation is

0:14:08.160 --> 0:14:12.600
<v Speaker 3>still puzzling, it's hypothesized that cave shields form as extensions

0:14:12.640 --> 0:14:16.800
<v Speaker 3>of joints or cracks in the floor, wall and ceiling.

0:14:17.840 --> 0:14:21.480
<v Speaker 3>So the idea is that you've got hydrostatic pressure acting

0:14:21.640 --> 0:14:26.240
<v Speaker 3>on the calcium or calcite rich water that is inside

0:14:26.000 --> 0:14:30.520
<v Speaker 3>the stone that surrounds the cave, and then the water

0:14:30.640 --> 0:14:34.000
<v Speaker 3>kind of bleeds out at these joints or these cracks

0:14:34.000 --> 0:14:36.440
<v Speaker 3>in the walls and floor, and then of course the

0:14:36.480 --> 0:14:39.160
<v Speaker 3>same process that we talked about in those episodes happens.

0:14:39.200 --> 0:14:43.720
<v Speaker 3>You know, it loses carbon dioxide and precipitite precipitates calcite.

0:14:44.920 --> 0:14:47.400
<v Speaker 2>Fascinating. And again, you know, as we discussed in that episode.

0:14:47.400 --> 0:14:50.240
<v Speaker 2>I think it's just so amazing that we have these

0:14:50.240 --> 0:14:54.640
<v Speaker 2>cave environments and these amazing formations and mysteries remain regarding

0:14:54.720 --> 0:14:57.520
<v Speaker 2>how these things have formed. You know, we think it's

0:14:57.520 --> 0:14:59.960
<v Speaker 2>easy to make the mistake of thinking, well, it's literally

0:15:00.040 --> 0:15:02.920
<v Speaker 2>set in stone, it's you know, it's it's there. We

0:15:02.920 --> 0:15:05.960
<v Speaker 2>can figure it out. But we're not completely sure on

0:15:06.000 --> 0:15:09.000
<v Speaker 2>some of these things. And again, especially it's especially exciting

0:15:09.000 --> 0:15:12.000
<v Speaker 2>with these living caves where the rock is still forming

0:15:12.000 --> 0:15:15.880
<v Speaker 2>and reforming, breaking, repairing itself and so forth. It's almost

0:15:15.920 --> 0:15:16.560
<v Speaker 2>like a living thing.

0:15:26.400 --> 0:15:28.240
<v Speaker 3>All Right, are you cool if I do this message

0:15:28.240 --> 0:15:28.880
<v Speaker 3>from Chris?

0:15:29.200 --> 0:15:30.040
<v Speaker 2>Yeah, let's have it.

0:15:30.360 --> 0:15:34.040
<v Speaker 3>Subject line this is the way in This email begins

0:15:34.040 --> 0:15:39.160
<v Speaker 3>with an epigraph, classy nice quote. Presently they were under

0:15:39.200 --> 0:15:41.520
<v Speaker 3>the shadow, and here in the midst of it they

0:15:41.520 --> 0:15:44.440
<v Speaker 3>saw the opening of a cave. This is the way in,

0:15:44.760 --> 0:15:48.840
<v Speaker 3>said Gollum softly. I think this is from when galam

0:15:48.880 --> 0:15:51.880
<v Speaker 3>is leading Sam and Frodo into she Loob's Layer. And

0:15:52.720 --> 0:15:54.760
<v Speaker 3>which book is that? Is that? A Two Towers or

0:15:54.800 --> 0:15:55.440
<v Speaker 3>Return of the King.

0:15:55.960 --> 0:15:57.880
<v Speaker 2>Oh, I'm always a little shaky on this because and

0:15:57.920 --> 0:16:00.440
<v Speaker 2>then I also can't remember how this shuffle thing around

0:16:00.440 --> 0:16:01.680
<v Speaker 2>in the film versions.

0:16:01.960 --> 0:16:06.600
<v Speaker 3>Yeah, I think they put if I'm remembering correctly, this

0:16:06.680 --> 0:16:09.400
<v Speaker 3>might happen in the book The Two Towers, but they

0:16:09.400 --> 0:16:11.120
<v Speaker 3>put it in the movie Return of the King.

0:16:11.280 --> 0:16:13.000
<v Speaker 2>M okay, yeah that would make sense.

0:16:13.280 --> 0:16:17.960
<v Speaker 3>Yeah, Tolkien fans correct me if I'm wrong, and I

0:16:18.000 --> 0:16:23.960
<v Speaker 3>know you will anyway. This message goes on. Good day, Robert,

0:16:24.040 --> 0:16:27.040
<v Speaker 3>Joe and JJ writing today in response to your excellent

0:16:27.080 --> 0:16:30.960
<v Speaker 3>episodes on Carchner Caverns Listen slash watched with my kids

0:16:31.000 --> 0:16:34.000
<v Speaker 3>on Netflix. Side note, they are very happy to put

0:16:34.000 --> 0:16:37.200
<v Speaker 3>a face with the voice after all the time listening

0:16:37.200 --> 0:16:39.320
<v Speaker 3>with me. They would like you to know that you

0:16:39.400 --> 0:16:44.200
<v Speaker 3>both look way different than they thought crying laughing emoji. Yeah.

0:16:44.480 --> 0:16:46.360
<v Speaker 2>I mean I would be surprised at this point if

0:16:46.400 --> 0:16:49.760
<v Speaker 2>anyone were to say you look exactly as we imagined.

0:16:50.080 --> 0:16:53.600
<v Speaker 3>As a family. We have visited caves together before in

0:16:53.680 --> 0:16:56.560
<v Speaker 3>Kentucky at Mammoth Cave where we saw Helick Tights and

0:16:56.640 --> 0:17:01.480
<v Speaker 3>Cave Popcorn, and Missouri at Mirramac Caves and Onondoga Cave.

0:17:02.160 --> 0:17:04.800
<v Speaker 3>While all are unique in their own way. Your discussion

0:17:04.840 --> 0:17:09.480
<v Speaker 3>about how the two sorry the Two Cavers weighed their

0:17:09.520 --> 0:17:13.399
<v Speaker 3>options for Cartchner Caverns really struck me as interesting in

0:17:13.440 --> 0:17:16.840
<v Speaker 3>regards to the two Missouri caves I mentioned. On one hand,

0:17:16.920 --> 0:17:20.480
<v Speaker 3>you have Merrimac Caves, which, if not the most has

0:17:20.520 --> 0:17:23.720
<v Speaker 3>to be up there as the most commercialized cave in

0:17:23.760 --> 0:17:28.200
<v Speaker 3>the world as if as if you have driven anywhere

0:17:28.200 --> 0:17:30.960
<v Speaker 3>in the Midwest, you may have seen billboards for it

0:17:31.040 --> 0:17:34.720
<v Speaker 3>noting its location right off Route sixty six. On the

0:17:34.760 --> 0:17:37.639
<v Speaker 3>other hand, you have the Onondoga Cave, which has a

0:17:37.640 --> 0:17:41.360
<v Speaker 3>long history of land disputes and ownership changes, but has

0:17:41.400 --> 0:17:44.680
<v Speaker 3>been managed as a Missouri State park since nineteen eighty two.

0:17:45.200 --> 0:17:48.480
<v Speaker 3>For my money, I prefer Onondoga and highly recommend a

0:17:48.560 --> 0:17:51.720
<v Speaker 3>visit if able. It has some wonderful and unique features,

0:17:51.720 --> 0:17:55.920
<v Speaker 3>such as the lily pad room sands frogs. Though, thanks

0:17:55.920 --> 0:17:58.760
<v Speaker 3>as always for your episodes Chris and then Rob for

0:17:58.800 --> 0:18:00.600
<v Speaker 3>you to look at in the outline pulled in some

0:18:00.640 --> 0:18:04.600
<v Speaker 3>pictures of the lily pad room on Endoga Cave. That

0:18:04.720 --> 0:18:07.840
<v Speaker 3>is beautiful, quite beautiful. So it has a you know,

0:18:08.040 --> 0:18:09.440
<v Speaker 3>I don't know what you call this in a cave,

0:18:09.480 --> 0:18:11.480
<v Speaker 3>like a lake or a pond inside the cave and

0:18:11.640 --> 0:18:14.680
<v Speaker 3>looks like some standing water. And then there are these

0:18:14.760 --> 0:18:18.280
<v Speaker 3>formations that rise just above the surface of the water.

0:18:18.400 --> 0:18:21.080
<v Speaker 3>And I don't know exactly what you call those are

0:18:21.640 --> 0:18:24.000
<v Speaker 3>how they're formed, but yeah, they look kind of like

0:18:24.080 --> 0:18:25.720
<v Speaker 3>lily pads floating on the surface.

0:18:26.160 --> 0:18:30.760
<v Speaker 2>Very cool. Yeah, all right, well, I appreciate that field

0:18:30.800 --> 0:18:35.720
<v Speaker 2>report and the epigraph. Yeah, very classy. All right, Let's

0:18:35.720 --> 0:18:37.040
<v Speaker 2>see what else do we have in here in the

0:18:37.080 --> 0:18:41.520
<v Speaker 2>old male bag. Let's see, all right, This next one

0:18:41.520 --> 0:18:52.639
<v Speaker 2>comes to us from Sheldene, subject line cave conservation. She writes, Hey, guys,

0:18:52.840 --> 0:18:57.520
<v Speaker 2>I hope you're well. I don't know if that's responding

0:18:57.520 --> 0:18:58.160
<v Speaker 2>to anything in.

0:18:58.160 --> 0:18:59.960
<v Speaker 3>Particular is a question mark.

0:19:01.920 --> 0:19:04.359
<v Speaker 2>Anyway, As she continues, I wanted to tell you about

0:19:04.359 --> 0:19:09.200
<v Speaker 2>my admittedly limited experience with cave conservation in South Africa.

0:19:10.040 --> 0:19:13.080
<v Speaker 2>Probably the most famous tourist caves in South Africa are

0:19:13.280 --> 0:19:17.080
<v Speaker 2>the Congo Caves in Oatshorn. I think every school kid

0:19:17.160 --> 0:19:19.560
<v Speaker 2>I know, including my own, do a school tour to

0:19:19.640 --> 0:19:25.760
<v Speaker 2>Oatshorn to see the crocodiles, ostriches and Kingo caves. When

0:19:25.800 --> 0:19:28.000
<v Speaker 2>I went, it must have been in nineteen eighty seven,

0:19:28.000 --> 0:19:30.320
<v Speaker 2>because I was eleven or twelve. Back then, there was

0:19:30.359 --> 0:19:33.240
<v Speaker 2>a lot more stage dressing in the caves. In the

0:19:33.280 --> 0:19:36.360
<v Speaker 2>big cave you enter into first there's a huge formation

0:19:36.520 --> 0:19:39.120
<v Speaker 2>called the organ pipes, and when I was a kid,

0:19:39.200 --> 0:19:41.080
<v Speaker 2>they turned off all the lights in the cave and

0:19:41.119 --> 0:19:43.520
<v Speaker 2>lit up the formation with colored lights and played loud,

0:19:43.600 --> 0:19:47.320
<v Speaker 2>dramatic organ music. The whole cavern floor had been filled

0:19:47.320 --> 0:19:49.880
<v Speaker 2>in with clay to make it flat, and they used

0:19:49.920 --> 0:19:52.960
<v Speaker 2>to hold concerts in there. I remember seeing hundreds of

0:19:52.960 --> 0:19:54.600
<v Speaker 2>fold up chairs in one area.

0:19:54.880 --> 0:19:56.960
<v Speaker 3>What would be your favorite organ song to hear in

0:19:57.000 --> 0:19:57.320
<v Speaker 3>a cave?

0:19:57.400 --> 0:19:59.720
<v Speaker 2>Ro ooh, well, I mean, I guess I would have

0:19:59.760 --> 0:20:02.520
<v Speaker 2>to say a phanom of the opera music, or I

0:20:02.520 --> 0:20:04.360
<v Speaker 2>was thinking back to Doctor Five's. I had to look

0:20:04.400 --> 0:20:08.280
<v Speaker 2>it up, but Mendelssohn seemed to be a favorite of

0:20:08.320 --> 0:20:11.200
<v Speaker 2>the abominable Doctor Five, so I might put in a

0:20:11.280 --> 0:20:11.960
<v Speaker 2>request for that.

0:20:12.280 --> 0:20:15.560
<v Speaker 3>I could go for a little cave treatment of In

0:20:15.600 --> 0:20:18.600
<v Speaker 3>the Garden of Eden by Iron Butterfly.

0:20:20.440 --> 0:20:22.840
<v Speaker 2>There you go. That's a good one, all right, as

0:20:22.840 --> 0:20:25.159
<v Speaker 2>she continues as an aside for Joe. As part of

0:20:25.160 --> 0:20:28.240
<v Speaker 2>this little show, they have a tiny oil nap now

0:20:28.320 --> 0:20:31.400
<v Speaker 2>electric to give people an idea of how little light

0:20:31.520 --> 0:20:34.159
<v Speaker 2>that first explorer of the cave had available. It was

0:20:34.280 --> 0:20:38.600
<v Speaker 2>barely anything in the dark. Going back to that experience

0:20:38.600 --> 0:20:41.040
<v Speaker 2>in the eighties, I recall the air being moist but

0:20:41.160 --> 0:20:45.840
<v Speaker 2>not uncomfortable, and that the walls and formations glittered fast.

0:20:45.840 --> 0:20:47.960
<v Speaker 2>Farward to nineteen ninety nine, my husband and I went

0:20:48.000 --> 0:20:50.480
<v Speaker 2>back while on honeymoon, and I was intrigued at how

0:20:50.520 --> 0:20:53.439
<v Speaker 2>the tour had taken on a more ecological bent and

0:20:53.480 --> 0:20:57.359
<v Speaker 2>the changes to the caves. They had removed all the

0:20:57.440 --> 0:21:00.240
<v Speaker 2>unnecessary lights and even pointed out a spot where where

0:21:00.240 --> 0:21:04.000
<v Speaker 2>black algae had infested a section of the cave wall.

0:21:04.560 --> 0:21:06.440
<v Speaker 2>This sort of thing. I think we talked about this

0:21:06.640 --> 0:21:09.920
<v Speaker 2>in our episodes, like this is where human contact can

0:21:09.960 --> 0:21:14.240
<v Speaker 2>cause this to grow, or certainly naturally occur in contact

0:21:14.280 --> 0:21:18.600
<v Speaker 2>via bats. They explained that the lights encourage the growth

0:21:18.600 --> 0:21:21.119
<v Speaker 2>of the algae, so much like Rob described, the lights

0:21:21.400 --> 0:21:24.359
<v Speaker 2>switch off. The light switch off automatically to limit this.

0:21:24.840 --> 0:21:26.879
<v Speaker 2>They also explained how hard it is to remove or

0:21:26.920 --> 0:21:29.960
<v Speaker 2>kill the algae without damaging the cave. We went back

0:21:29.960 --> 0:21:32.439
<v Speaker 2>again in twenty fifteen, this time with our kids, and

0:21:32.480 --> 0:21:35.679
<v Speaker 2>what struck me was the humidity and the dullness of

0:21:35.680 --> 0:21:38.320
<v Speaker 2>the caves. There's no more glitter on the walls and formations.

0:21:38.520 --> 0:21:41.160
<v Speaker 2>They do seem to have managed to control the algae,

0:21:41.160 --> 0:21:43.480
<v Speaker 2>but I think the damage of thousands of humans is

0:21:43.560 --> 0:21:47.840
<v Speaker 2>visible in the overwhelming brownness of the caves. Now, there

0:21:47.880 --> 0:21:51.360
<v Speaker 2>are two other cave systems, imaginatively named can Go two

0:21:51.560 --> 0:21:54.600
<v Speaker 2>and three, which are off limits to the public. The

0:21:54.600 --> 0:21:57.400
<v Speaker 2>photos I've seen of them, taken in the seventies are beautiful.

0:21:57.480 --> 0:22:01.600
<v Speaker 2>The formations are white. Of note is that the Kango

0:22:01.680 --> 0:22:04.400
<v Speaker 2>caves are still living as well. The formations are still

0:22:04.400 --> 0:22:07.520
<v Speaker 2>growing despite the tourism and human damage. I could ramble

0:22:07.520 --> 0:22:09.760
<v Speaker 2>on for ages, but this email is already quite long.

0:22:10.040 --> 0:22:12.840
<v Speaker 2>Love you guys, my longtime ear friends. Keep up the

0:22:12.840 --> 0:22:13.919
<v Speaker 2>great work. Best witches.

0:22:14.160 --> 0:22:15.760
<v Speaker 3>Sheldy, Thank you, Sheldy.

0:22:16.359 --> 0:22:18.680
<v Speaker 2>Yeah, thanks for writing in. I love hearing about these

0:22:18.680 --> 0:22:22.640
<v Speaker 2>different caves around the world. They are different, you know. Obviously,

0:22:22.680 --> 0:22:27.000
<v Speaker 2>they're naturally occurring cave systems everywhere you go. And there

0:22:27.040 --> 0:22:30.520
<v Speaker 2>are a number of cave systems that are show caves

0:22:30.560 --> 0:22:33.640
<v Speaker 2>to some degree and are open to the public. So yeah,

0:22:33.640 --> 0:22:35.639
<v Speaker 2>I really have enjoyed hearing from listeners about this.

0:22:36.200 --> 0:22:44.640
<v Speaker 3>Okay, this next message is from David. David says, Hi,

0:22:44.760 --> 0:22:47.080
<v Speaker 3>Robert and Joe just listen to the first episode about

0:22:47.080 --> 0:22:49.680
<v Speaker 3>the card Schner Caverns and wanted to share my favorite

0:22:49.720 --> 0:22:53.480
<v Speaker 3>cave experience. I'm a French horn player, a player of

0:22:53.520 --> 0:22:57.399
<v Speaker 3>the French horn, not a French horn player, player of

0:22:57.440 --> 0:22:59.920
<v Speaker 3>the French horn, and attend as many workshops as I

0:23:00.200 --> 0:23:03.200
<v Speaker 3>can to stay in touch with other horn players, experience

0:23:03.320 --> 0:23:07.760
<v Speaker 3>performances of new music for horn and of course for horn,

0:23:08.520 --> 0:23:12.320
<v Speaker 3>out for the horn, new music for horn, and of

0:23:12.359 --> 0:23:16.240
<v Speaker 3>course play with all of the new equipment for hornists

0:23:16.280 --> 0:23:19.960
<v Speaker 3>brought by exhibitors. I've never heard hornists before.

0:23:20.040 --> 0:23:22.639
<v Speaker 2>I like them. We know, David, I'm something of a

0:23:22.640 --> 0:23:25.600
<v Speaker 2>French horn player myself, or I used to be. Really,

0:23:25.720 --> 0:23:28.760
<v Speaker 2>I was a bad French horn player in high school,

0:23:29.200 --> 0:23:31.680
<v Speaker 2>but I have you know, I have had my hand

0:23:31.720 --> 0:23:32.840
<v Speaker 2>in a number of French horns.

0:23:32.920 --> 0:23:35.359
<v Speaker 3>Yes, I was a bad trumpet player in middle school.

0:23:35.640 --> 0:23:38.639
<v Speaker 2>I was also a bad trumpet. Yeah. I think I

0:23:40.320 --> 0:23:42.280
<v Speaker 2>probably did not have the determination, But I also don't

0:23:42.280 --> 0:23:45.240
<v Speaker 2>think I had the lips for these instruments. Looking back on.

0:23:45.200 --> 0:23:48.840
<v Speaker 3>It, I'm gonna reflect on my own experiences and say,

0:23:48.880 --> 0:23:52.639
<v Speaker 3>I think a big problem was I did not practice enough,

0:23:52.720 --> 0:23:56.400
<v Speaker 3>because it was not very enjoyable to practice a trumpet

0:23:56.440 --> 0:23:59.639
<v Speaker 3>by myself alone at home, and I got the feeling

0:23:59.720 --> 0:24:02.000
<v Speaker 3>that other members of the house did not like that either.

0:24:02.200 --> 0:24:06.080
<v Speaker 2>So, yeah, that's always one of the challenges with a

0:24:06.160 --> 0:24:07.879
<v Speaker 2>musical instrument in the house, for sure.

0:24:08.080 --> 0:24:12.760
<v Speaker 3>Yeah. Anyway, the message goes on to say, these are

0:24:12.840 --> 0:24:17.880
<v Speaker 3>usually oh okay, the experiences, the horn related experiences. These

0:24:17.920 --> 0:24:20.879
<v Speaker 3>are usually regional affairs. But in twenty twenty five, the

0:24:20.960 --> 0:24:25.840
<v Speaker 3>International Horn Symposium was hosted by James Madison University in

0:24:25.880 --> 0:24:29.440
<v Speaker 3>the Shenandoah Valley of Virginia. With it being so close

0:24:29.480 --> 0:24:31.720
<v Speaker 3>to my home in North Carolina, I had to attend.

0:24:32.040 --> 0:24:36.080
<v Speaker 3>One of the add on opportunities for symposium attendees was

0:24:36.119 --> 0:24:40.200
<v Speaker 3>a tour of the nearby Louay Caverns. This cave system

0:24:40.359 --> 0:24:44.200
<v Speaker 3>is known for the Great Stalac Pipe organ, a lithophone

0:24:44.280 --> 0:24:48.240
<v Speaker 3>that produces sound when beaters strikes stalactites and stalagmites of

0:24:48.280 --> 0:24:51.560
<v Speaker 3>different sizes. We were lucky enough to add some additional

0:24:51.680 --> 0:24:55.360
<v Speaker 3>music to the space. The group of right around fifty

0:24:55.480 --> 0:24:59.160
<v Speaker 3>of us horn players brought I wish this email would

0:24:59.160 --> 0:25:02.840
<v Speaker 3>continue with horn the holy I'm going to say hornists.

0:25:03.359 --> 0:25:06.720
<v Speaker 3>Fifty of us hornists brought our horns on the tour.

0:25:07.119 --> 0:25:10.320
<v Speaker 3>When we reached the cathedral room where the organ keyboard

0:25:10.400 --> 0:25:14.080
<v Speaker 3>is located, we stopped and performed two pieces. One was

0:25:14.119 --> 0:25:16.920
<v Speaker 3>written to be premiered on that day in that space,

0:25:17.040 --> 0:25:20.000
<v Speaker 3>with the specific intention of using the cave itself as

0:25:20.040 --> 0:25:24.280
<v Speaker 3>a musical tool, incorporating the reverberation of the space. The

0:25:24.320 --> 0:25:28.040
<v Speaker 3>second was a beautiful arrangement that combined the tune Shenandoah

0:25:28.480 --> 0:25:32.720
<v Speaker 3>with the with the simple Gifts melody from Copeland's Appalachian Spring.

0:25:33.359 --> 0:25:36.480
<v Speaker 3>Both were fitting for the event and location. Fifty horn

0:25:36.520 --> 0:25:39.800
<v Speaker 3>players make an incredible sound, and that was multiplied by

0:25:39.800 --> 0:25:43.040
<v Speaker 3>the novelty of playing in such a beautiful and unique space,

0:25:43.160 --> 0:25:45.920
<v Speaker 3>and of course by the way the space affected the sound.

0:25:46.400 --> 0:25:48.520
<v Speaker 3>With the event being open to every one of all

0:25:48.600 --> 0:25:51.760
<v Speaker 3>backgrounds and skill levels, and with us playing after a

0:25:51.880 --> 0:25:55.080
<v Speaker 3>few hours of driving and walking without a warm up,

0:25:55.359 --> 0:25:58.200
<v Speaker 3>the performance wasn't spotless, but I'm pretty sure no one

0:25:58.240 --> 0:26:01.920
<v Speaker 3>there cared. The pick up nature of a world premiere

0:26:01.960 --> 0:26:04.320
<v Speaker 3>by a group of people who had never played together

0:26:04.680 --> 0:26:07.200
<v Speaker 3>until a couple of days beforehand, After just two or

0:26:07.240 --> 0:26:10.600
<v Speaker 3>three short rehearsals with our music taped to each other's

0:26:10.680 --> 0:26:14.040
<v Speaker 3>backs since we couldn't bring music stands into the caverns,

0:26:14.080 --> 0:26:17.879
<v Speaker 3>seemed just right. And then David includes a link to

0:26:18.119 --> 0:26:21.520
<v Speaker 3>a YouTube video of the performance with some notes about

0:26:21.800 --> 0:26:27.000
<v Speaker 3>I don't know some self review, I guess. Then David says,

0:26:27.119 --> 0:26:29.800
<v Speaker 3>thanks for what you do. I've listened to every episode

0:26:30.320 --> 0:26:32.720
<v Speaker 3>since sometime in twenty eighteen, and I love getting to

0:26:32.760 --> 0:26:35.840
<v Speaker 3>nerd out and explore wild topics along with you. Then

0:26:35.840 --> 0:26:39.760
<v Speaker 3>there's a PS. David says, sorry for the additional email,

0:26:39.800 --> 0:26:42.879
<v Speaker 3>but recounting this experience made me recall the episode of

0:26:42.960 --> 0:26:47.240
<v Speaker 3>yours that comes to mind most often when performing with ensembles,

0:26:47.320 --> 0:26:51.280
<v Speaker 3>usually either very large ensembles due to sheer scope and size,

0:26:51.640 --> 0:26:54.840
<v Speaker 3>or small chamber ensembles in which all of the musicians

0:26:54.880 --> 0:26:58.720
<v Speaker 3>are very comfortable playing with and following one another. Your

0:26:58.760 --> 0:27:02.800
<v Speaker 3>episode on Commmuda often comes to mind. The more I

0:27:02.800 --> 0:27:05.320
<v Speaker 3>remember that bit of podcasting, the better I know a

0:27:05.359 --> 0:27:09.640
<v Speaker 3>rehearsal or show has gone. Oh that's sweet to hear. Yeah,

0:27:09.760 --> 0:27:14.119
<v Speaker 3>kama Muda being a name that some people coined to

0:27:14.160 --> 0:27:16.800
<v Speaker 3>describe a unique kind of togetherness emotion.

0:27:18.240 --> 0:27:21.720
<v Speaker 2>Was this possibly the here comes the Warm Feels episode

0:27:21.760 --> 0:27:23.040
<v Speaker 2>from twenty twenty?

0:27:23.720 --> 0:27:24.600
<v Speaker 3>Could be that? Yeah?

0:27:24.680 --> 0:27:26.840
<v Speaker 2>Yeah, I think that might be the one. It's in

0:27:26.880 --> 0:27:29.000
<v Speaker 2>the archives, so if anyone wants to look that one up,

0:27:29.680 --> 0:27:32.199
<v Speaker 2>just go to wherever you get your audio podcasts and

0:27:32.240 --> 0:27:34.040
<v Speaker 2>you can dig it out of the earth there.

0:27:34.280 --> 0:27:36.720
<v Speaker 3>Yeah. Oh, and I didn't mention this, but David I

0:27:36.760 --> 0:27:39.159
<v Speaker 3>did click through. I watched some of the video with

0:27:39.160 --> 0:27:42.240
<v Speaker 3>the music, and it did sound really lovely. I liked

0:27:42.280 --> 0:27:46.640
<v Speaker 3>the original composition in the first half with the kind

0:27:46.680 --> 0:27:51.600
<v Speaker 3>of like a mounting overlapping sounding of the different horns,

0:27:51.680 --> 0:27:54.720
<v Speaker 3>and I thought it was very beautiful. Yeah.

0:27:55.480 --> 0:27:58.919
<v Speaker 2>Interesting. Yeah. Horn music is not the first thing that

0:27:58.960 --> 0:28:03.000
<v Speaker 2>I would think about concerning music in the caves. I

0:28:03.000 --> 0:28:05.440
<v Speaker 2>don't know. I guess I would want it. Just seems

0:28:05.480 --> 0:28:08.600
<v Speaker 2>like I would want something very minimal because I just

0:28:08.640 --> 0:28:10.959
<v Speaker 2>imagine things is getting very loud, very quickly in such

0:28:11.000 --> 0:28:14.159
<v Speaker 2>an enclosed space. But maybe part of this is just

0:28:14.160 --> 0:28:14.879
<v Speaker 2>my imagination.

0:28:15.240 --> 0:28:19.480
<v Speaker 3>I hear drums, drums and the TV. Yeah, okay, Rob,

0:28:19.600 --> 0:28:22.560
<v Speaker 3>you want to do some responses to our series on

0:28:22.680 --> 0:28:23.879
<v Speaker 3>the Suarro Cactus.

0:28:24.440 --> 0:28:27.199
<v Speaker 2>Sure? Yeah. This one comes to us from Alex's title

0:28:27.480 --> 0:28:37.400
<v Speaker 2>Suarro song. Hey dudes, first time, long time. Just started

0:28:37.600 --> 0:28:41.080
<v Speaker 2>listening to the episode on the Suaro Cactus, and I thought,

0:28:41.120 --> 0:28:43.480
<v Speaker 2>for sure you guys would mention the song Ain't No

0:28:43.600 --> 0:28:49.600
<v Speaker 2>Soarro in Texas by the inimitable Reverend Horton Heat. When

0:28:49.600 --> 0:28:52.320
<v Speaker 2>I heard Joe start to introduce a song that mentions

0:28:52.360 --> 0:28:55.120
<v Speaker 2>the cactus. I thought for sure that was what was coming.

0:28:55.400 --> 0:28:58.680
<v Speaker 2>The song is an alarmingly app counterpoint to You Guys's

0:28:58.720 --> 0:29:01.880
<v Speaker 2>episode discussing the actual habitat of the species and it's

0:29:01.960 --> 0:29:06.480
<v Speaker 2>hyperbolic association with all arid landscapes. The song is also

0:29:06.520 --> 0:29:10.000
<v Speaker 2>a complete bop and is indispensable if you're going to

0:29:10.040 --> 0:29:13.320
<v Speaker 2>be drinking cold beers on a hot day, and I

0:29:13.360 --> 0:29:16.360
<v Speaker 2>hope it would serve to acquaint the show with the

0:29:16.600 --> 0:29:20.200
<v Speaker 2>Honorable Reverend Horton Heat as a bestion of science and

0:29:20.240 --> 0:29:23.400
<v Speaker 2>culture in America. Huge fan love Weird House. You guys

0:29:23.400 --> 0:29:23.920
<v Speaker 2>are the best.

0:29:24.120 --> 0:29:26.920
<v Speaker 3>Thank you, Alex. I was not familiar with this song.

0:29:27.000 --> 0:29:27.680
<v Speaker 3>I looked it up.

0:29:27.760 --> 0:29:28.040
<v Speaker 2>It is.

0:29:28.160 --> 0:29:31.520
<v Speaker 3>It's a bop. I like it. Yeah. So the main

0:29:31.760 --> 0:29:36.480
<v Speaker 3>theme of the song is about how in all the movies,

0:29:36.960 --> 0:29:40.240
<v Speaker 3>like there's a line that says Hollywood and misinformed artists

0:29:40.360 --> 0:29:44.080
<v Speaker 3>made the swarro a Texas icon, but the souaro only

0:29:44.120 --> 0:29:46.960
<v Speaker 3>grows in Arizona, where people got them out on their lawn.

0:29:48.440 --> 0:29:50.480
<v Speaker 3>I don't know. It sounds more artful actually when he

0:29:50.520 --> 0:29:53.520
<v Speaker 3>sings it than when I just phrased it there. But

0:29:53.600 --> 0:29:56.080
<v Speaker 3>the chorus of the song goes, there ain't no souarro

0:29:56.200 --> 0:29:59.360
<v Speaker 3>in Texas. It's not the kind of cactus we got,

0:29:59.440 --> 0:30:02.040
<v Speaker 3>But somehow we're stuck with this image and changing it

0:30:02.080 --> 0:30:04.560
<v Speaker 3>is going to take a lot. Folks in Mexico and

0:30:04.600 --> 0:30:07.920
<v Speaker 3>Arizona are probably glad that I've cleared the air. There

0:30:07.920 --> 0:30:10.400
<v Speaker 3>ain't no soarro in Texas, but we've sure got a

0:30:10.400 --> 0:30:11.280
<v Speaker 3>lot of prickly pair.

0:30:13.320 --> 0:30:15.560
<v Speaker 2>Yeah. I don't know that I had heard this song before.

0:30:15.600 --> 0:30:19.520
<v Speaker 2>I occasionally will hear the revent horton heat and like,

0:30:20.960 --> 0:30:23.640
<v Speaker 2>if I'm listening to like a radio station of psychobilly,

0:30:24.400 --> 0:30:26.880
<v Speaker 2>you know it's They're kind of a mainstay of psychobilly.

0:30:26.880 --> 0:30:29.720
<v Speaker 2>I'm to understand, but I don't. But largely I don't

0:30:29.760 --> 0:30:32.520
<v Speaker 2>really know myself around the genre. I just have sometimes

0:30:32.520 --> 0:30:33.760
<v Speaker 2>put it on in the background.

0:30:34.040 --> 0:30:47.000
<v Speaker 3>Yeah, okay. This next message is from Tyler. Tyler says,

0:30:47.200 --> 0:30:49.680
<v Speaker 3>hey you pals, I'm just starting the first episode on

0:30:49.720 --> 0:30:52.440
<v Speaker 3>the Souarro, and Joe mentions he thought they looked like

0:30:52.520 --> 0:30:56.040
<v Speaker 3>an antenna. Well, depending on where you are, the souarro

0:30:56.200 --> 0:30:59.280
<v Speaker 3>you are looking at might be an antenna. A lot

0:30:59.320 --> 0:31:02.160
<v Speaker 3>of cell phone towers in southern Arizona are made to

0:31:02.200 --> 0:31:05.000
<v Speaker 3>look like souarrows. This would be hilarious if they put

0:31:05.040 --> 0:31:11.720
<v Speaker 3>souarrow cell phone towers in Texas. Yeah, just keep keep

0:31:11.760 --> 0:31:16.280
<v Speaker 3>the insult going, presumably to disguise an iesore. But most

0:31:16.360 --> 0:31:18.800
<v Speaker 3>of the towers aren't fooling anyone and are more of

0:31:18.840 --> 0:31:21.120
<v Speaker 3>a distraction than an actual tower would be.

0:31:21.800 --> 0:31:25.320
<v Speaker 2>I can absolutely back those up from my time spent

0:31:25.360 --> 0:31:28.200
<v Speaker 2>in Arizona. But then the rest of my time spent

0:31:28.280 --> 0:31:30.800
<v Speaker 2>in Georgia. You know, we of course have the big

0:31:30.840 --> 0:31:33.760
<v Speaker 2>fake cell towers that are disguised as trees as well,

0:31:34.040 --> 0:31:36.160
<v Speaker 2>but are not fooling anyone. So this just seems to

0:31:36.200 --> 0:31:39.560
<v Speaker 2>be a standard tactic. I don't know what they what

0:31:39.640 --> 0:31:42.320
<v Speaker 2>else they disguise them as in other parts of the world.

0:31:42.640 --> 0:31:45.000
<v Speaker 3>They should just go whole hal Actually, not just Texas,

0:31:45.000 --> 0:31:49.480
<v Speaker 3>they should do suarrow cell towers nationwide. Why not towers

0:31:49.480 --> 0:31:50.600
<v Speaker 3>in Vermont? There you go.

0:31:50.840 --> 0:31:53.480
<v Speaker 2>Nobody's believing it anyway. Just make it look like some

0:31:53.520 --> 0:31:55.200
<v Speaker 2>sort of a crazy roadside attraction.

0:31:57.000 --> 0:31:59.760
<v Speaker 3>The email goes on, also regarding the story about the

0:31:59.800 --> 0:32:02.600
<v Speaker 3>guy that was crushed by a soarrow. This is the

0:32:02.600 --> 0:32:05.480
<v Speaker 3>guy who was crushed by a soarro after shooting it.

0:32:05.640 --> 0:32:08.040
<v Speaker 3>He shot it with a shotgun and then it fell

0:32:08.080 --> 0:32:10.560
<v Speaker 3>on him and killed him. This was in the nineteen eighties.

0:32:11.840 --> 0:32:14.040
<v Speaker 3>Tyler says. The irony of the story is that he

0:32:14.120 --> 0:32:17.560
<v Speaker 3>set out to destroy a protected species that ultimately was

0:32:17.640 --> 0:32:21.480
<v Speaker 3>his undoing. It is illegal to remove or damage a soorrow,

0:32:21.520 --> 0:32:24.640
<v Speaker 3>even on your own property. You need a permit, and

0:32:24.680 --> 0:32:26.880
<v Speaker 3>most of the time they will try to relocate it

0:32:27.000 --> 0:32:29.920
<v Speaker 3>rather than cut it down. This process can be costly

0:32:30.000 --> 0:32:33.160
<v Speaker 3>and dangerous. As noted in the story, soorro sections are

0:32:33.360 --> 0:32:36.560
<v Speaker 3>very heavy and prone to breaking off. If you haven't

0:32:36.640 --> 0:32:40.120
<v Speaker 3>come across crested soarrows in your research, I suggest looking

0:32:40.200 --> 0:32:44.080
<v Speaker 3>them up. They're pretty neat. I think the prevailing theory

0:32:44.120 --> 0:32:47.680
<v Speaker 3>for why they happen is due to frost damage. Well, Tyler,

0:32:47.720 --> 0:32:49.880
<v Speaker 3>as you probably know now, in the later parts of

0:32:49.880 --> 0:32:52.920
<v Speaker 3>that series, we did get into crested souarros, so I

0:32:52.960 --> 0:32:56.440
<v Speaker 3>hope you enjoyed that segment. But finally, Tyler says, thanks

0:32:56.480 --> 0:33:01.040
<v Speaker 3>for all the years of edge youtainment. Ooh, what an accusation, Tyler.

0:33:01.360 --> 0:33:04.600
<v Speaker 3>And then there's a ps hay pals again. Forgot to

0:33:04.640 --> 0:33:07.840
<v Speaker 3>mention I am born and raised in Tucson. Many of

0:33:07.880 --> 0:33:12.080
<v Speaker 3>the old Westerns you referenced the Westerns that wherever they

0:33:12.120 --> 0:33:15.160
<v Speaker 3>are set in the American West, they have souarros in them.

0:33:16.000 --> 0:33:18.760
<v Speaker 3>Tyler says many of them were filmed just to the

0:33:18.800 --> 0:33:21.320
<v Speaker 3>west in a little studio that is now a theme

0:33:21.440 --> 0:33:25.080
<v Speaker 3>part called Old Tucson Studios. If you had any questions

0:33:25.120 --> 0:33:28.000
<v Speaker 3>about souarros or the Sonoran Desert Desert area, I'd be

0:33:28.040 --> 0:33:30.560
<v Speaker 3>happy to answer them to the best of my ability. Tyler,

0:33:30.960 --> 0:33:31.719
<v Speaker 3>Thank you, Tyler.

0:33:32.240 --> 0:33:35.960
<v Speaker 2>Awesome. As always, we appreciate the field reports. Very good,

0:33:36.120 --> 0:33:39.600
<v Speaker 2>very good. All right, here's another one. This one comes

0:33:39.640 --> 0:33:45.200
<v Speaker 2>to us from Chris. Subject line malic acid. Chris says,

0:33:45.200 --> 0:33:48.000
<v Speaker 2>I've never heard of malic acid before, but I listened

0:33:48.000 --> 0:33:50.680
<v Speaker 2>to Suaro Part two and saw this TikTok on the

0:33:50.680 --> 0:33:53.520
<v Speaker 2>same day. It is not my content, and I'm not

0:33:53.600 --> 0:33:55.680
<v Speaker 2>expecting you to share anything on the show, but I

0:33:55.800 --> 0:33:59.000
<v Speaker 2>found this an interesting extra note on the malic acid

0:33:59.360 --> 0:34:02.640
<v Speaker 2>powder you mentioned in the episode. It's probably much more

0:34:02.680 --> 0:34:06.040
<v Speaker 2>widely used than any of us know or expected. Love

0:34:06.080 --> 0:34:10.719
<v Speaker 2>the show and you guys, and looking forward to many more, Chris. So.

0:34:10.920 --> 0:34:14.360
<v Speaker 3>Chris includes a link to a video along with the email,

0:34:14.440 --> 0:34:16.920
<v Speaker 3>and yeah, this is picking up on in our discussion

0:34:16.960 --> 0:34:23.120
<v Speaker 3>about crasulation. Acid metabolism in the souaro cactus. That it

0:34:23.880 --> 0:34:27.640
<v Speaker 3>involves the use of this compound called malic acid. That

0:34:28.200 --> 0:34:30.840
<v Speaker 3>we were talking about its use in plant metabolism, but

0:34:30.880 --> 0:34:33.799
<v Speaker 3>then also talking about how it's actually a very familiar

0:34:33.840 --> 0:34:37.920
<v Speaker 3>flavor to most listeners, that it's part of what gives

0:34:37.960 --> 0:34:41.840
<v Speaker 3>the distinctive flavor of tartness in apples. I think the

0:34:41.920 --> 0:34:45.759
<v Speaker 3>name of malic acid comes from like apple acid, but

0:34:45.800 --> 0:34:49.280
<v Speaker 3>it's in tons of different plants. A lot of sour

0:34:49.320 --> 0:34:51.440
<v Speaker 3>flavors and fruits you recognize are going to be a

0:34:51.480 --> 0:34:54.280
<v Speaker 3>form of malic acid, but there are other acid compounds

0:34:54.280 --> 0:34:56.480
<v Speaker 3>and fruits as well. You've got citric acid and citric

0:34:56.719 --> 0:35:00.880
<v Speaker 3>citrus fruits and so on. But we also talk in

0:35:00.920 --> 0:35:05.400
<v Speaker 3>a funny twist about how some salt and vinegar potato

0:35:05.440 --> 0:35:08.000
<v Speaker 3>chips he used malic acid powder as one of the

0:35:08.360 --> 0:35:10.880
<v Speaker 3>tart components, which is funny because you would think they

0:35:10.880 --> 0:35:15.040
<v Speaker 3>would use a vinegar flavor, but actually it's a different acid. Anyway,

0:35:16.200 --> 0:35:19.200
<v Speaker 3>in this video, it is a it's a TikTok video

0:35:19.239 --> 0:35:22.480
<v Speaker 3>of a candy maker account called at Jeff's Candy Shop,

0:35:22.960 --> 0:35:25.040
<v Speaker 3>and so this guy in the video says he's trying

0:35:25.080 --> 0:35:28.279
<v Speaker 3>to make a hard candy similar to and I don't

0:35:28.280 --> 0:35:30.800
<v Speaker 3>know if I think maybe it's a now discontinued candy

0:35:30.880 --> 0:35:33.719
<v Speaker 3>called Altoid's Orange Sours. You ever have these?

0:35:33.800 --> 0:35:35.719
<v Speaker 2>Rub I don't know that I did that I did,

0:35:35.719 --> 0:35:38.320
<v Speaker 2>But certainly, when it comes to hard candies, the orange

0:35:38.320 --> 0:35:41.359
<v Speaker 2>flavored ones have always been my preference, even if I'm

0:35:41.480 --> 0:35:43.480
<v Speaker 2>even if I'm just going this flavor in general, if

0:35:43.520 --> 0:35:45.520
<v Speaker 2>I'm going for like a tongs, I'm going to go

0:35:45.560 --> 0:35:46.640
<v Speaker 2>for the orange ones first.

0:35:48.080 --> 0:35:48.960
<v Speaker 3>I like orange tew.

0:35:49.040 --> 0:35:51.560
<v Speaker 2>Yeah, yeah, even if it just tastes like chalk, if

0:35:51.600 --> 0:35:52.560
<v Speaker 2>it's orange shok.

0:35:53.040 --> 0:35:58.200
<v Speaker 3>Orange gatorade. So anyway, in this video, the guy boils

0:35:58.280 --> 0:36:00.680
<v Speaker 3>the sugar syrup and he pours it out on a table.

0:36:00.680 --> 0:36:03.040
<v Speaker 3>It starts to cool and thicken up, and as it's

0:36:03.120 --> 0:36:06.239
<v Speaker 3>doing that, he folds in first citric acid powder for

0:36:06.400 --> 0:36:09.120
<v Speaker 3>one sour element, and then he keeps folding it to

0:36:09.280 --> 0:36:12.360
<v Speaker 3>mix it all around inside the candy. Then he stretches

0:36:12.400 --> 0:36:14.759
<v Speaker 3>it out on a candy hook to incorporate air, then

0:36:14.840 --> 0:36:17.319
<v Speaker 3>runs it through a crank press to stamp it out

0:36:17.360 --> 0:36:19.560
<v Speaker 3>into these little ball shapes that are going to be

0:36:19.560 --> 0:36:22.600
<v Speaker 3>the final shape. And then once all of the little

0:36:23.040 --> 0:36:26.279
<v Speaker 3>pellet sized candies are cool. The final thing he does

0:36:26.440 --> 0:36:31.280
<v Speaker 3>is he tosses them inside a container with powdered malic acid.

0:36:31.400 --> 0:36:35.200
<v Speaker 3>So that's the sour white powder on the outside. So

0:36:35.640 --> 0:36:39.160
<v Speaker 3>interesting that this sour candy has two different sour flavor elements.

0:36:39.160 --> 0:36:42.040
<v Speaker 3>It's got citric acid mixed in with the sugar syrup,

0:36:42.320 --> 0:36:45.399
<v Speaker 3>and then it's got malic acid dusted on the outside.

0:36:46.640 --> 0:36:49.560
<v Speaker 2>Fascinating. You know, I had to do a quick search

0:36:49.640 --> 0:36:52.840
<v Speaker 2>because I don't make as many tiki drinks as I

0:36:52.920 --> 0:36:55.279
<v Speaker 2>used to, but I was looking around online. I know

0:36:55.400 --> 0:36:58.960
<v Speaker 2>that there's some online recipes that call for malic acid.

0:37:00.200 --> 0:37:03.720
<v Speaker 2>But I also looked in my Beech bumb Berry app

0:37:04.400 --> 0:37:07.400
<v Speaker 2>which has all the classic recipes, and I did do

0:37:07.480 --> 0:37:10.239
<v Speaker 2>just a quick search here for malik and nothing came up.

0:37:10.320 --> 0:37:14.400
<v Speaker 2>So I presume this is more of a relatively modern

0:37:15.040 --> 0:37:17.680
<v Speaker 2>use of an ingredient antique recipes.

0:37:17.880 --> 0:37:20.799
<v Speaker 3>I mean, I don't think powdered malic acid is going

0:37:20.880 --> 0:37:25.239
<v Speaker 3>to be a standard thing in many cooks or mixologist pantries.

0:37:25.320 --> 0:37:28.319
<v Speaker 3>You know, that's like more of a either an industrial

0:37:28.440 --> 0:37:32.359
<v Speaker 3>ingredient or maybe for your advanced home molecular gastronomist or so.

0:37:32.320 --> 0:37:36.080
<v Speaker 2>That must be a yeah, like gastronomy obbyist and so forth.

0:37:36.400 --> 0:37:40.080
<v Speaker 3>Yeah, I mean not like there's anything all that crazy

0:37:40.120 --> 0:37:42.680
<v Speaker 3>about it. It just doesn't seem like a commonly used

0:37:42.840 --> 0:37:45.640
<v Speaker 3>ingredient in the home, more so at the industrials.

0:37:45.719 --> 0:37:48.040
<v Speaker 2>Yeah, I had never run across it in a recipe before,

0:37:48.040 --> 0:37:50.719
<v Speaker 2>and I'm always running across things in recipes. Then I go, well,

0:37:50.760 --> 0:37:53.279
<v Speaker 2>I don't have that what's the substitute for that? But

0:37:53.320 --> 0:37:54.520
<v Speaker 2>I've never run across that one.

0:37:54.560 --> 0:37:57.000
<v Speaker 3>I mean it's kind of like how you know, sodium

0:37:57.040 --> 0:37:59.440
<v Speaker 3>citrate is something that's going to be in tons of

0:37:59.600 --> 0:38:02.360
<v Speaker 3>industry really produced foods, but is not going to be

0:38:02.440 --> 0:38:07.279
<v Speaker 3>in many people's home pantries, right right, Yeah.

0:38:06.200 --> 0:38:10.000
<v Speaker 2>All right, let's see we have some more soaro action here,

0:38:10.600 --> 0:38:15.280
<v Speaker 2>and the subject line here is teenage mutant Ninja Cactus.

0:38:16.280 --> 0:38:18.960
<v Speaker 3>Oh just to note that this message is from a

0:38:19.000 --> 0:38:21.960
<v Speaker 3>listener who gave both a real name, but then also

0:38:22.160 --> 0:38:24.719
<v Speaker 3>mentioned an alias, and I wasn't sure which one they

0:38:24.760 --> 0:38:26.360
<v Speaker 3>wanted us to use for the email, So we're just

0:38:26.440 --> 0:38:28.440
<v Speaker 3>going to say anonymous listener for now.

0:38:28.440 --> 0:38:30.520
<v Speaker 2>Right right. We don't want to blow your cover, but

0:38:31.560 --> 0:38:35.680
<v Speaker 2>one way or the other. So, yeah, this includes an

0:38:35.719 --> 0:38:42.919
<v Speaker 2>image of the thing we're talking about here. The author rights,

0:38:42.960 --> 0:38:46.120
<v Speaker 2>Hello again, gentlemen. Just wanted to share a comic drawn

0:38:46.160 --> 0:38:50.000
<v Speaker 2>in part by my middle school art teacher circa ninety two.

0:38:50.239 --> 0:38:53.560
<v Speaker 2>Fun stuff. I haven't chimed in for a while. Twenty

0:38:53.600 --> 0:38:55.640
<v Speaker 2>twenty five was a tough year. Among other things, I

0:38:55.680 --> 0:38:58.200
<v Speaker 2>lost my dog, I Kabad. I wrote you once about

0:38:58.200 --> 0:39:00.640
<v Speaker 2>the connection between his name and the arc the Covenant.

0:39:00.880 --> 0:39:03.600
<v Speaker 2>But I remain a loyal listener, and I want you

0:39:03.640 --> 0:39:05.960
<v Speaker 2>to know how much I appreciate you being a part

0:39:06.000 --> 0:39:08.840
<v Speaker 2>of my life through thick and thin. And after this,

0:39:08.880 --> 0:39:12.520
<v Speaker 2>he includes a personal message about his intent to hide

0:39:12.520 --> 0:39:15.759
<v Speaker 2>the Appellation trail, So good luck with that. But yes,

0:39:15.840 --> 0:39:20.919
<v Speaker 2>this is a comic book, and it is titled Sowarrow

0:39:22.400 --> 0:39:23.040
<v Speaker 2>So Warrior.

0:39:26.080 --> 0:39:29.680
<v Speaker 3>It is a Sowaro textured hero. It looks like Iceman

0:39:29.880 --> 0:39:32.160
<v Speaker 3>from the X Men. Is Iceman what he's called?

0:39:32.680 --> 0:39:33.560
<v Speaker 2>Yeah, Yeah, there's Iceman.

0:39:33.640 --> 0:39:35.600
<v Speaker 3>Yeah, Iceman. It looks kind of like Iceman from the

0:39:35.760 --> 0:39:38.320
<v Speaker 3>X Men, except he's like green and covered in spines.

0:39:38.840 --> 0:39:41.600
<v Speaker 2>Yeah he looks Yeah, he also kind of looks he

0:39:41.600 --> 0:39:43.839
<v Speaker 2>looks like a number of different comic book characters. Whatever,

0:39:43.840 --> 0:39:47.920
<v Speaker 2>you're sort of like naked bald guy comic book character

0:39:48.040 --> 0:39:50.200
<v Speaker 2>is you know, be a Vision or any of these

0:39:50.239 --> 0:39:55.839
<v Speaker 2>sorts of characters. It's this except he's all cactus. So yeah, yeah,

0:39:55.920 --> 0:39:59.239
<v Speaker 2>pretty cool. Reminds me of some of the some of

0:39:59.280 --> 0:40:02.360
<v Speaker 2>the different comic books that I'll see and for sale

0:40:02.360 --> 0:40:05.920
<v Speaker 2>in like little museums through the Southwest, and a lot

0:40:05.920 --> 0:40:09.240
<v Speaker 2>of times these are written by indigenous comic book artists,

0:40:09.280 --> 0:40:13.120
<v Speaker 2>and there's always some sort of the unique, local and

0:40:13.280 --> 0:40:16.480
<v Speaker 2>or traditional spin on comic book motifs, which I think

0:40:16.520 --> 0:40:17.120
<v Speaker 2>is really cool.

0:40:17.719 --> 0:40:21.720
<v Speaker 3>Okay, next message comes from Mike. This is another follow

0:40:21.800 --> 0:40:31.759
<v Speaker 3>up on our long running Raven Riding Desk conundrum. So

0:40:32.040 --> 0:40:35.040
<v Speaker 3>Mike says, was listening to the newest Listener mail this morning,

0:40:35.200 --> 0:40:37.680
<v Speaker 3>then catching up on my comics later in the day

0:40:38.040 --> 0:40:41.200
<v Speaker 3>and came across this random panel in a recent issue

0:40:41.200 --> 0:40:45.959
<v Speaker 3>of Batman slash Superman colon World's Finest Issue forty eight.

0:40:46.600 --> 0:40:49.560
<v Speaker 3>And then in the panel it is a hero. I

0:40:49.560 --> 0:40:51.560
<v Speaker 3>actually don't know who this is, Rob, You're gonna have.

0:40:51.560 --> 0:40:55.840
<v Speaker 2>Might be owl Man. Without actually looking up the issue

0:40:56.200 --> 0:40:59.760
<v Speaker 2>in question, I get an Owlman vibe off of this design.

0:41:00.000 --> 0:41:02.080
<v Speaker 3>Okay, yeah, don't know who it is, but the hero

0:41:02.320 --> 0:41:05.560
<v Speaker 3>in a mask says, this idiot thought it'd be wise

0:41:05.600 --> 0:41:08.799
<v Speaker 3>to taunt me quote why is a raven like a

0:41:08.840 --> 0:41:12.560
<v Speaker 3>writing desk? And then Mike says the issue does not

0:41:12.800 --> 0:41:15.560
<v Speaker 3>offer any answers for it either, lol.

0:41:15.600 --> 0:41:19.520
<v Speaker 2>Like, well, yeah, as we discussed, it is, for the

0:41:19.520 --> 0:41:22.520
<v Speaker 2>most part in a riddle without answer, by the way,

0:41:23.600 --> 0:41:26.239
<v Speaker 2>and Mike, I appreciate sitting this in. This is great.

0:41:26.760 --> 0:41:29.680
<v Speaker 2>But I'd mentioned in the previous episodes that I recalled

0:41:29.680 --> 0:41:32.359
<v Speaker 2>this particular riddle from the nineteen eighty two animated film

0:41:32.360 --> 0:41:35.560
<v Speaker 2>The Last Unicorn, But then later on I expressed doubt

0:41:35.840 --> 0:41:38.320
<v Speaker 2>as to whether I actually heard it in that movie,

0:41:38.400 --> 0:41:40.960
<v Speaker 2>and maybe it was just misremembering it given the Lewis

0:41:41.000 --> 0:41:43.160
<v Speaker 2>Carroll roots of the thing. But I looked it up

0:41:43.160 --> 0:41:46.320
<v Speaker 2>and I can confirm that, yes, this riddle is referenced

0:41:46.360 --> 0:41:48.400
<v Speaker 2>without answer in The Last Unicorn.

0:41:49.719 --> 0:41:53.799
<v Speaker 3>Nice and remember the previous listener who wrote in and

0:41:54.320 --> 0:41:58.120
<v Speaker 3>included the list of answers people had come up with

0:41:58.200 --> 0:42:00.000
<v Speaker 3>for it, even though it's not supposed to have an answer.

0:42:00.719 --> 0:42:04.000
<v Speaker 3>I think the clean the tidiest one was because.

0:42:03.719 --> 0:42:06.560
<v Speaker 2>Poe wrote on both Yes, that was pretty good.

0:42:08.239 --> 0:42:11.279
<v Speaker 3>Let's see now, oh Rob, But we have next up.

0:42:11.719 --> 0:42:15.440
<v Speaker 3>If you're feeling brave, we have a Pokemon intensive message.

0:42:15.480 --> 0:42:18.759
<v Speaker 3>Do you have the fortitude for this intense dive into

0:42:18.800 --> 0:42:19.560
<v Speaker 3>Pokemon lore?

0:42:20.280 --> 0:42:22.560
<v Speaker 2>Yeah? I guess, so let's do it. See what we got?

0:42:22.800 --> 0:42:24.960
<v Speaker 3>This is from Jeff take it? Take it?

0:42:25.719 --> 0:42:28.400
<v Speaker 2>Oh? Okay, all right, you want me to read it either? What?

0:42:28.680 --> 0:42:29.080
<v Speaker 3>Either way?

0:42:29.120 --> 0:42:33.000
<v Speaker 2>I could No, I'm happy to here we go this one. Yeah,

0:42:33.040 --> 0:42:37.400
<v Speaker 2>this one is titled Monsters for Your Pocket. Okay, Hey guys,

0:42:37.480 --> 0:42:41.320
<v Speaker 2>I accumulated some Pokemon related thoughts after listening to recent

0:42:41.440 --> 0:42:45.640
<v Speaker 2>IS shows. I agree with Rob that Pokemon Concierge on

0:42:45.680 --> 0:42:48.640
<v Speaker 2>Netflix is great. It doesn't have the depth of a

0:42:48.719 --> 0:42:52.319
<v Speaker 2>Kiki's Delivery Service. Of course, is the excellent Nyazaki film.

0:42:52.360 --> 0:42:55.399
<v Speaker 2>And you said your kiddo's a big fan of that one, now.

0:42:55.320 --> 0:42:58.120
<v Speaker 3>Right, My daughter's favorite movies. She's seen it a bazillion

0:42:58.200 --> 0:43:00.560
<v Speaker 3>times now and she was kekey for Halloween.

0:43:00.760 --> 0:43:03.000
<v Speaker 2>Ah. Well, if you want to introduce some Pokemon, this

0:43:03.280 --> 0:43:07.319
<v Speaker 2>might be the way to go. It is inevitable, one

0:43:07.360 --> 0:43:12.560
<v Speaker 2>would assume. Well, anyway, so just says it's no Kiky

0:43:12.640 --> 0:43:15.840
<v Speaker 2>Delivery service quote, but it does have a little ghibli flavor,

0:43:15.920 --> 0:43:19.600
<v Speaker 2>including the appreciation of nature and the joy of flight.

0:43:20.200 --> 0:43:23.640
<v Speaker 2>I would argue that it's the best Pokemon media ever created,

0:43:24.400 --> 0:43:27.120
<v Speaker 2>But then I was always more excited about the world's

0:43:27.160 --> 0:43:30.399
<v Speaker 2>ecology and biology, not so much the fighting. I prefer

0:43:30.480 --> 0:43:34.160
<v Speaker 2>the tangential world building. Weird stuff like the Detective Pikachu movie.

0:43:34.760 --> 0:43:37.520
<v Speaker 2>I totally agree there again, we may watch that one

0:43:37.520 --> 0:43:41.200
<v Speaker 2>on Weird House eventually. I really enjoyed that one. Concierg

0:43:41.400 --> 0:43:45.960
<v Speaker 2>is aggressively pleasant and easily digestible, A very short series

0:43:46.320 --> 0:43:49.839
<v Speaker 2>of very short episodes that just makes you feel good.

0:43:50.160 --> 0:43:51.880
<v Speaker 3>Now I'm sorry. I think we're probably going to be

0:43:51.920 --> 0:43:54.960
<v Speaker 3>recreating an exchange that already happened in earlier episodes, but

0:43:55.040 --> 0:43:58.560
<v Speaker 3>I don't remember the answer. Is Pokemon Concierge about an

0:43:58.600 --> 0:44:01.240
<v Speaker 3>actual concierge at a hotel.

0:44:01.280 --> 0:44:06.040
<v Speaker 2>Yes, yes, where Pokemon creatures come for vacations, and it's

0:44:06.080 --> 0:44:08.120
<v Speaker 2>her job to make sure they're they're you know, they're

0:44:08.160 --> 0:44:10.399
<v Speaker 2>they're well looked after, and I think that they don't

0:44:10.400 --> 0:44:15.919
<v Speaker 2>get in fights and stuff. So it's extremely comfy and

0:44:15.920 --> 0:44:18.320
<v Speaker 2>and and if memory serves, it's also kind of I

0:44:18.360 --> 0:44:20.279
<v Speaker 2>don't know if it's authentic stop motion, but at least

0:44:20.280 --> 0:44:23.959
<v Speaker 2>has that style, so it's it's kind of a rub

0:44:24.000 --> 0:44:26.560
<v Speaker 2>the fur situation where you literally want to rub the

0:44:26.600 --> 0:44:31.440
<v Speaker 2>fur of the creatures beautiful. Okay, So Jeff continues with

0:44:31.520 --> 0:44:35.600
<v Speaker 2>more just Pokemon thoughts here. Pokemon's Snap was a really

0:44:35.600 --> 0:44:38.560
<v Speaker 2>fun game in which the point was to take pictures

0:44:38.560 --> 0:44:42.120
<v Speaker 2>of Pokemon in nature. It really gave me the feeling

0:44:42.200 --> 0:44:44.240
<v Speaker 2>of what it might be like to go on vacation

0:44:44.400 --> 0:44:48.359
<v Speaker 2>in their universe. Photos were scored on framing composition, whether

0:44:48.400 --> 0:44:51.880
<v Speaker 2>you captured interesting behavior, rare species, et cetera. No battles.

0:44:52.200 --> 0:44:55.080
<v Speaker 2>This was the height of Pokemon fever. So they even

0:44:55.160 --> 0:44:57.480
<v Speaker 2>had kiosks in the real world where you could bring

0:44:57.560 --> 0:45:01.480
<v Speaker 2>favorite photos from your game and print color stickers and such.

0:45:01.760 --> 0:45:06.200
<v Speaker 3>Whoa was this was? This available for the Nintendo sixty

0:45:06.239 --> 0:45:08.240
<v Speaker 3>four after had the same.

0:45:08.200 --> 0:45:12.160
<v Speaker 2>Home this was I had a Nintendo sixty four, but

0:45:12.640 --> 0:45:14.080
<v Speaker 2>I was again I missed the boat on all the

0:45:14.120 --> 0:45:16.919
<v Speaker 2>Pokemon stuff, so I was just oblivious if it.

0:45:16.920 --> 0:45:21.000
<v Speaker 3>Was okay, okay, jj just chimed in to say almost positive.

0:45:21.040 --> 0:45:22.719
<v Speaker 3>It was on the n sixty four. So I think

0:45:22.760 --> 0:45:25.359
<v Speaker 3>I'm remembering this game correctly. I think my roommates in

0:45:25.400 --> 0:45:26.520
<v Speaker 3>college had this game.

0:45:26.719 --> 0:45:30.960
<v Speaker 2>Okay, cool, cool, Jeff continues. My favorite episode of the

0:45:31.000 --> 0:45:33.640
<v Speaker 2>classic anime were the ones where they ditched the main

0:45:33.680 --> 0:45:36.440
<v Speaker 2>plot line entirely, such as the one that showed what

0:45:36.560 --> 0:45:41.800
<v Speaker 2>Professor Oak is doing all day, running experiments, performing statistical research,

0:45:41.960 --> 0:45:44.720
<v Speaker 2>care and feeding of his Pokemon test subjects, et cetera.

0:45:45.239 --> 0:45:47.760
<v Speaker 2>It's a common theme in the game and the shows

0:45:47.880 --> 0:45:51.240
<v Speaker 2>that when Pokemon are discarded, they are transferred to Oak's lab.

0:45:51.600 --> 0:45:54.040
<v Speaker 2>This episode showed what happened on the other side of

0:45:54.080 --> 0:45:57.120
<v Speaker 2>those transactions and was proof that they weren't just sent

0:45:57.239 --> 0:45:58.800
<v Speaker 2>to quote a farm upstate.

0:45:59.080 --> 0:46:02.640
<v Speaker 3>Oh okay, that's nice to pick up on loose ends,

0:46:02.680 --> 0:46:04.240
<v Speaker 3>so people don't assume the worst.

0:46:04.440 --> 0:46:08.239
<v Speaker 2>Yes. In another episode, the human heroes and villains are

0:46:08.239 --> 0:46:11.800
<v Speaker 2>separated from their Pokemon, who are marooned on an island.

0:46:12.880 --> 0:46:17.200
<v Speaker 2>Miaw with a masterless Pokemon who chooses to be villainous.

0:46:17.520 --> 0:46:21.080
<v Speaker 2>Tries to rally the villain's Pokemon to fight the hero's team,

0:46:21.320 --> 0:46:24.640
<v Speaker 2>arguing that as bad guys, they should stick together. This

0:46:24.719 --> 0:46:28.200
<v Speaker 2>leads to a philosophical debate among the little monsters, with

0:46:28.320 --> 0:46:32.360
<v Speaker 2>the other bad Pokemon insisting that Pokemon are neither inherently

0:46:32.400 --> 0:46:36.200
<v Speaker 2>good nor evil, and they only fight to please their masters,

0:46:36.239 --> 0:46:38.680
<v Speaker 2>and there was no way that they were going to

0:46:38.719 --> 0:46:41.760
<v Speaker 2>attack their brothers just to please some third party jerk

0:46:42.040 --> 0:46:44.480
<v Speaker 2>trying to stir up trouble. I think they all end

0:46:44.520 --> 0:46:47.279
<v Speaker 2>up having snacks around a campfire or something like that.

0:46:47.760 --> 0:46:51.479
<v Speaker 3>Is a masterless Pokemon kind of like a Ronan, I guess.

0:46:51.560 --> 0:46:57.880
<v Speaker 2>So the Pokemon human relationship certainly raises a lot of questions,

0:46:58.920 --> 0:47:01.080
<v Speaker 2>which again, like this is kind of one of the

0:47:01.080 --> 0:47:04.960
<v Speaker 2>interesting parts about the world building in Detective Pikachu, where

0:47:04.960 --> 0:47:07.799
<v Speaker 2>it kind of it's almost like like, clearly they took

0:47:07.800 --> 0:47:10.040
<v Speaker 2>some inspiration from Blade Runner, and there's sort of like this,

0:47:10.320 --> 0:47:13.120
<v Speaker 2>how do humans and replicans live alongside each other? How

0:47:13.120 --> 0:47:15.640
<v Speaker 2>to pokemons and humans live alongside each other?

0:47:15.640 --> 0:47:16.319
<v Speaker 3>That sort of thing.

0:47:16.800 --> 0:47:19.479
<v Speaker 2>But there's no there's no Blade Runner out there icing

0:47:19.480 --> 0:47:22.120
<v Speaker 2>Pokemon in the street just to go ahead and prepare

0:47:22.120 --> 0:47:22.799
<v Speaker 2>everyone for that.

0:47:23.440 --> 0:47:25.840
<v Speaker 3>They don't have a void komp test.

0:47:27.200 --> 0:47:30.239
<v Speaker 2>No, there there are. There is one really key c

0:47:30.600 --> 0:47:33.000
<v Speaker 2>scene where a Pokemon is interrogated.

0:47:33.400 --> 0:47:37.040
<v Speaker 3>Okay, Mew two, I'll tell you about Mew two.

0:47:38.640 --> 0:47:41.799
<v Speaker 2>All right, Jeff continues. One thing that's never been clear

0:47:41.840 --> 0:47:45.200
<v Speaker 2>to me. Are there any regular animals in their universe?

0:47:45.400 --> 0:47:47.520
<v Speaker 2>I have I have asked my child this as well,

0:47:47.600 --> 0:47:53.160
<v Speaker 2>and uh the answer was wishy washy, but perhaps not anyway,

0:47:53.360 --> 0:47:57.120
<v Speaker 2>Jeff continues, says, I don't remember ever seeing anyone with

0:47:57.200 --> 0:47:59.839
<v Speaker 2>a regular dog or cat as a pet, though there

0:47:59.840 --> 0:48:03.320
<v Speaker 2>are many dog and cat Pokemon analogs, and in fact,

0:48:03.320 --> 0:48:07.800
<v Speaker 2>many species are explicitly described in relation to mundane animals.

0:48:08.600 --> 0:48:11.400
<v Speaker 2>Whenever they eat on the show, the food seems to

0:48:11.440 --> 0:48:15.920
<v Speaker 2>be vegetarian. Perhaps the notion of slaughtering and consuming creatures

0:48:15.960 --> 0:48:19.200
<v Speaker 2>who can follow complex instructions and pronounce their own names

0:48:20.080 --> 0:48:22.720
<v Speaker 2>was just completely beyond the pale in their world.

0:48:23.040 --> 0:48:26.839
<v Speaker 3>Oh yeah, I can imagine that. Yeah. So if they

0:48:26.840 --> 0:48:29.840
<v Speaker 3>have Pokemon instead of animals, and the Pokemon are a

0:48:29.840 --> 0:48:33.919
<v Speaker 3>little too lovable, like, can't you can't eat any of them?

0:48:34.200 --> 0:48:38.240
<v Speaker 2>Yeah? Like, really, the idea of eating a Pokemon is grotesque.

0:48:38.320 --> 0:48:41.319
<v Speaker 2>I think we can all agree. Back when the Good

0:48:41.360 --> 0:48:43.560
<v Speaker 2>Jeff continues, Back when it was all the rage, I

0:48:43.640 --> 0:48:46.800
<v Speaker 2>ran into a young guy playing Pokemon Go in a park.

0:48:47.239 --> 0:48:51.320
<v Speaker 2>He had just caught his favorite a corsela, a coral

0:48:51.440 --> 0:48:55.120
<v Speaker 2>based species. They can only survive in clean water. He

0:48:55.160 --> 0:48:58.000
<v Speaker 2>was excited because he was about to start undergraduate marine

0:48:58.040 --> 0:49:01.880
<v Speaker 2>science work protecting real life coral species from bleaching due

0:49:01.920 --> 0:49:04.480
<v Speaker 2>to climate change. Wow, he said he didn't know if

0:49:04.480 --> 0:49:07.239
<v Speaker 2>he would have been on this path in life, if

0:49:07.280 --> 0:49:11.200
<v Speaker 2>not for course Sola, that's intense. Is that I'd love

0:49:11.239 --> 0:49:14.880
<v Speaker 2>to hear that. So I believe the franchise Jeff continues

0:49:14.960 --> 0:49:18.719
<v Speaker 2>actually has some positive effect, hopefully enough to counter its

0:49:18.719 --> 0:49:22.000
<v Speaker 2>merch contribution to the Great Pacific garbage patch. Wow.

0:49:22.960 --> 0:49:26.280
<v Speaker 3>Well, I feel like we've heard enough from different listeners

0:49:26.280 --> 0:49:29.360
<v Speaker 3>in this regard that I'm pretty confident it really does

0:49:29.520 --> 0:49:33.640
<v Speaker 3>drive people to go into the biological sciences and zoology especially,

0:49:33.680 --> 0:49:36.919
<v Speaker 3>I guess. I mean we heard from that the other

0:49:37.000 --> 0:49:43.560
<v Speaker 3>listener who like runs the Pokemon themed wildlife camps for kids. Yeah,

0:49:43.600 --> 0:49:46.279
<v Speaker 3>so I'm sold on the idea it really does get

0:49:46.360 --> 0:49:50.120
<v Speaker 3>kids in the biological creature orientation space.

0:49:50.360 --> 0:49:53.560
<v Speaker 2>Yeah. I mean, it's like fascination with monsters, you know,

0:49:53.800 --> 0:50:00.040
<v Speaker 2>or you know, mythology and all these things activate the

0:50:00.080 --> 0:50:03.480
<v Speaker 2>wonder centers of the brain, you know. And we can

0:50:03.520 --> 0:50:07.080
<v Speaker 2>have wonder about the fantastic and the imagined, but we

0:50:07.120 --> 0:50:10.000
<v Speaker 2>can have equal and even greater amounts of wonder about

0:50:10.040 --> 0:50:14.200
<v Speaker 2>the natural world. And these things are interconnected. Oh, let's see.

0:50:14.200 --> 0:50:18.040
<v Speaker 2>But Jeff is not done. Jeff also chimes in on polywater.

0:50:18.880 --> 0:50:21.320
<v Speaker 2>It says, on a related note, polywater doesn't seem to

0:50:21.360 --> 0:50:22.799
<v Speaker 2>have been completely eliminated.

0:50:23.560 --> 0:50:26.879
<v Speaker 3>Well, Jeff's polywater syndrome doesn't seem to have been.

0:50:26.960 --> 0:50:29.400
<v Speaker 2>Oh, polywater syndrome. I'm sorry, I just read the email.

0:50:30.160 --> 0:50:33.560
<v Speaker 2>I was imagining polywater is actually real and there's some

0:50:33.600 --> 0:50:36.440
<v Speaker 2>of it out there and we have to eliminate it.

0:50:36.440 --> 0:50:39.680
<v Speaker 3>It is not real. So to explain, Jeff links to

0:50:39.800 --> 0:50:44.360
<v Speaker 3>a University of Michigan press release headline nitrial and latex

0:50:44.400 --> 0:50:49.640
<v Speaker 3>gloves may cause overestimation of microplastics University of Michigan study

0:50:49.680 --> 0:50:52.759
<v Speaker 3>reveals so. To read a bit from the top of

0:50:52.800 --> 0:50:57.080
<v Speaker 3>this article quote, nitrial and latex gloves that scientists wear

0:50:57.239 --> 0:51:00.600
<v Speaker 3>while they are measuring microplastics may lead to a potential

0:51:00.640 --> 0:51:04.640
<v Speaker 3>overestimation of the tiny pollutants, according to a University of

0:51:04.680 --> 0:51:09.040
<v Speaker 3>Michigan study. The study found that gloves may unintentionally contaminate

0:51:09.120 --> 0:51:13.200
<v Speaker 3>lab equipment scientists use to measure microplastics in air, water

0:51:13.320 --> 0:51:17.200
<v Speaker 3>and other samples with non plastic particles called steer rates.

0:51:17.840 --> 0:51:22.160
<v Speaker 3>University of Michigan researchers Matteline Clough and Ann McNeil suggest

0:51:22.320 --> 0:51:26.719
<v Speaker 3>clean room gloves, which release fewer particulates, be worn instead.

0:51:27.760 --> 0:51:31.120
<v Speaker 3>So the similarity to the polywater issue here would be

0:51:31.239 --> 0:51:36.879
<v Speaker 3>that if these researchers are correct, simple contamination problems contamination

0:51:37.040 --> 0:51:41.759
<v Speaker 3>of samples is contributing to a trend or perception in

0:51:41.840 --> 0:51:46.560
<v Speaker 3>recent research. That perception is about the abundance of microplastics

0:51:46.560 --> 0:51:51.080
<v Speaker 3>in the environment. But I think even if these critics

0:51:51.120 --> 0:51:54.840
<v Speaker 3>of microplastics research are correct, there's a major difference in

0:51:54.880 --> 0:51:59.239
<v Speaker 3>both quality and quantity of the misdirection that follows from

0:51:59.280 --> 0:52:03.560
<v Speaker 3>that contamination. So this is not arguing. The researchers here

0:52:03.600 --> 0:52:07.560
<v Speaker 3>are not arguing that there is no proliferation of microplastics

0:52:07.560 --> 0:52:11.719
<v Speaker 3>in the environment, just that it is somewhat overestimated by

0:52:11.760 --> 0:52:16.399
<v Speaker 3>contamination issues caused by lab gloves. So you know, they're

0:52:16.440 --> 0:52:20.799
<v Speaker 3>not at all suggesting that microplastics are a wholly invented

0:52:20.920 --> 0:52:25.439
<v Speaker 3>imaginary substance like polywater turned out to be. To read

0:52:25.480 --> 0:52:29.160
<v Speaker 3>from the article, this is quoting in McNeil, the senior

0:52:29.200 --> 0:52:31.920
<v Speaker 3>author of the study and a University of Michigan professor

0:52:31.920 --> 0:52:37.120
<v Speaker 3>of chemistry, macromolecular science, and engineering. McNeil says, quote, we

0:52:37.239 --> 0:52:41.279
<v Speaker 3>may be overestimating microplastics, but there should be none. There's

0:52:41.280 --> 0:52:43.640
<v Speaker 3>still a lot out there and that's the problem.

0:52:44.239 --> 0:52:48.600
<v Speaker 2>Yeah, very important to stress here, especially given how easily

0:52:50.040 --> 0:52:53.880
<v Speaker 2>a paper like this can be misconstrued in ther some

0:52:54.360 --> 0:52:58.360
<v Speaker 2>corners of the media, where if something is not if

0:52:58.360 --> 0:53:01.160
<v Speaker 2>there's some correction on something that was previously thought, well,

0:53:01.200 --> 0:53:04.120
<v Speaker 2>then it's spun as a hoax or some sort of

0:53:04.400 --> 0:53:08.080
<v Speaker 2>nefarious plot to get you to I don't know, but

0:53:08.200 --> 0:53:09.839
<v Speaker 2>buy less plastic, that sort of thing.

0:53:10.080 --> 0:53:13.520
<v Speaker 3>Yeah, that's a really good point. Motivated parties often like

0:53:13.600 --> 0:53:17.680
<v Speaker 3>to take research like this that expresses any skepticism or

0:53:17.680 --> 0:53:22.240
<v Speaker 3>correction of a trend in research as proof that the

0:53:22.400 --> 0:53:25.000
<v Speaker 3>entire trend in research is false, which is not the case.

0:53:25.040 --> 0:53:28.480
<v Speaker 3>Here was the case for polywater, does not appear to

0:53:28.520 --> 0:53:31.280
<v Speaker 3>it all be the case for microplastics. They're real.

0:53:31.920 --> 0:53:34.120
<v Speaker 2>All right, Well, Jeff closes out this email by saying,

0:53:34.160 --> 0:53:37.080
<v Speaker 2>thanks again for providing such varied and weird content. Your

0:53:37.120 --> 0:53:39.440
<v Speaker 2>shows have been helping to distract me as I recover

0:53:39.480 --> 0:53:43.200
<v Speaker 2>from injury. You provide an excellent service to us all Jeff.

0:53:43.520 --> 0:53:44.920
<v Speaker 3>I wish you a speedy recovery.

0:53:45.000 --> 0:53:57.480
<v Speaker 2>Jeff, absolutely all right. Well you know, Joe, I'm at

0:53:57.520 --> 0:54:00.480
<v Speaker 2>six percent battery on my laptop. Here, let's do a

0:54:00.520 --> 0:54:02.600
<v Speaker 2>little weird house before everything dies on it.

0:54:02.640 --> 0:54:06.160
<v Speaker 3>Okay, let's wrap it up. Pick, take your pick, of

0:54:06.239 --> 0:54:07.560
<v Speaker 3>any of the Weird House messages.

0:54:07.680 --> 0:54:09.919
<v Speaker 2>Oh, let's see, there's some good ones here, some good

0:54:10.560 --> 0:54:16.320
<v Speaker 2>recommendations here for films that we have not watched yet.

0:54:16.840 --> 0:54:19.480
<v Speaker 2>Let's just see where my cursor lands. This one comes

0:54:19.480 --> 0:54:22.000
<v Speaker 2>to us from lf. LF says, Hey, have you guys

0:54:22.000 --> 0:54:25.040
<v Speaker 2>done what Dreams May Come? I saw it a very

0:54:25.080 --> 0:54:27.960
<v Speaker 2>long time ago, probably twenty years, but it stayed with

0:54:28.120 --> 0:54:31.640
<v Speaker 2>me to this day. Not horror exactly, but more about

0:54:31.680 --> 0:54:34.359
<v Speaker 2>the horrors of real life and how one man goes

0:54:34.400 --> 0:54:37.080
<v Speaker 2>about dealing with it. Thanks.

0:54:37.920 --> 0:54:39.960
<v Speaker 3>No, we have not done it on the show. And

0:54:40.000 --> 0:54:41.240
<v Speaker 3>I've never seen this movie.

0:54:41.360 --> 0:54:42.840
<v Speaker 2>Oh yeah, I saw. I think I saw it in

0:54:42.880 --> 0:54:46.319
<v Speaker 2>theaters when it came out. Of course, has you know

0:54:46.360 --> 0:54:50.960
<v Speaker 2>the late great Robin Williams based on matheson work and

0:54:51.400 --> 0:54:55.160
<v Speaker 2>if memory, if my memory is correct, Werner Herzog has

0:54:55.200 --> 0:54:58.160
<v Speaker 2>a cameo in it. Oh, and it is essentially a

0:54:58.160 --> 0:55:02.200
<v Speaker 2>harrowing of hell, sort of a venturing into the underworld

0:55:02.280 --> 0:55:04.600
<v Speaker 2>in search of lost loved ones, that sort of thing.

0:55:04.760 --> 0:55:09.960
<v Speaker 3>Oh, kind of orphig tale. Yeah, yeah, okay, I'm going

0:55:10.000 --> 0:55:13.040
<v Speaker 3>to do this message from Scott because it also pertains

0:55:13.080 --> 0:55:16.879
<v Speaker 3>to Richard Matheson. So this was a response to our

0:55:17.440 --> 0:55:21.280
<v Speaker 3>episode on The Last Man on Earth during Vincent Price

0:55:21.320 --> 0:55:25.200
<v Speaker 3>the adaptation of Matheson's I Am Legend, Scott says, thank

0:55:25.239 --> 0:55:27.560
<v Speaker 3>you so much for covering I Am Legend on Weird House.

0:55:27.640 --> 0:55:30.240
<v Speaker 3>Richard Matheson's novel is one of my all time favorites,

0:55:30.239 --> 0:55:32.919
<v Speaker 3>and your discussion reminded me that it has been an

0:55:32.960 --> 0:55:36.520
<v Speaker 3>inexcusable length of time since my last reread. I found

0:55:36.520 --> 0:55:41.800
<v Speaker 3>your comparison of the ending's tone interesting. You offered variations

0:55:41.880 --> 0:55:45.560
<v Speaker 3>on two views for the ending of the movie. Number one,

0:55:45.680 --> 0:55:48.160
<v Speaker 3>the end is bleak because it is the end of

0:55:48.440 --> 0:55:51.919
<v Speaker 3>real humanity with the death of Morgan as the last Man.

0:55:52.600 --> 0:55:56.200
<v Speaker 3>And two, it's an uplifting end because the monster is

0:55:56.320 --> 0:55:59.080
<v Speaker 3>gone and the new people can get on with creating

0:55:59.120 --> 0:56:02.640
<v Speaker 3>the new civilis a I offer a third view, it

0:56:02.719 --> 0:56:06.640
<v Speaker 3>is a depressing ending because the new society reveals itself

0:56:06.680 --> 0:56:09.839
<v Speaker 3>to be subject to the same prejudices and hatred as

0:56:09.920 --> 0:56:13.680
<v Speaker 3>the old one. In the movie version, when they kill Morgan,

0:56:13.760 --> 0:56:16.160
<v Speaker 3>they destroy the hope of a true cure for the

0:56:16.200 --> 0:56:20.520
<v Speaker 3>disease his blood as the source of antibodies. Their fear

0:56:20.640 --> 0:56:24.120
<v Speaker 3>and desire for vengeance doom them to continue the stopgap

0:56:24.160 --> 0:56:26.680
<v Speaker 3>treatment they've been using to keep the disease at bay.

0:56:27.400 --> 0:56:29.880
<v Speaker 3>The novel does not include any of the ideas that

0:56:29.920 --> 0:56:33.040
<v Speaker 3>Morgan's blood has curative properties, but the depressing ending is

0:56:33.080 --> 0:56:35.960
<v Speaker 3>still there because of the ferocity with which the living

0:56:36.040 --> 0:56:40.360
<v Speaker 3>infected slaughter the undead vampires when they come to seize Morgan,

0:56:40.640 --> 0:56:43.760
<v Speaker 3>and the loathing with which he's treated while held captive

0:56:43.800 --> 0:56:47.800
<v Speaker 3>before his execution. The Wikipedia article states it as quote

0:56:47.920 --> 0:56:51.960
<v Speaker 3>fiendish glee, which matches my recollection of the scenes in

0:56:52.000 --> 0:56:54.880
<v Speaker 3>the novel. In the end, the new society is subject

0:56:54.920 --> 0:56:58.200
<v Speaker 3>to the same prejudices fear, hatred, and violence toward the

0:56:58.239 --> 0:57:02.440
<v Speaker 3>other as humanity has always been, be they undead vampires

0:57:02.640 --> 0:57:07.400
<v Speaker 3>or Morgan Scott. Yeah, that's an interesting view that. So

0:57:07.480 --> 0:57:10.200
<v Speaker 3>there are a new people in a way, and so

0:57:10.840 --> 0:57:15.279
<v Speaker 3>in one sense we're predisposed toward their success because they're

0:57:15.400 --> 0:57:17.920
<v Speaker 3>people if you accept them as people, like they are

0:57:17.960 --> 0:57:20.360
<v Speaker 3>the people now, but also they're people in all the

0:57:20.400 --> 0:57:21.120
<v Speaker 3>bad ways.

0:57:21.760 --> 0:57:25.000
<v Speaker 2>Yeah, and it's been a while since I've seen Omega man.

0:57:25.000 --> 0:57:27.720
<v Speaker 2>But they lean into this a bit more by having

0:57:27.760 --> 0:57:31.120
<v Speaker 2>the new people as mutants is kind of like ghoules,

0:57:31.520 --> 0:57:34.640
<v Speaker 2>kind of like the mutants that live underneath the planet

0:57:34.680 --> 0:57:39.480
<v Speaker 2>of the apes, and they're essentially like carrying out like

0:57:39.520 --> 0:57:44.280
<v Speaker 2>an anti technology inquisition as well. So yeah, very much

0:57:44.320 --> 0:57:46.920
<v Speaker 2>summoning up these ideas of like, yep, these are the

0:57:46.960 --> 0:57:50.920
<v Speaker 2>new people, same problems as with the old people. Nice

0:57:51.600 --> 0:57:55.040
<v Speaker 2>but maybe, just maybe Chuck Heston will give his life

0:57:55.080 --> 0:57:57.480
<v Speaker 2>to save everybody. We'll see. We may come back and

0:57:57.480 --> 0:57:59.360
<v Speaker 2>discuss the Mega Man in full at some point in

0:57:59.360 --> 0:57:59.840
<v Speaker 2>the future.

0:58:00.280 --> 0:58:01.520
<v Speaker 3>Okay, you want to do one more?

0:58:02.160 --> 0:58:03.920
<v Speaker 2>Yeah, let's see what we What do we got? We

0:58:04.000 --> 0:58:14.560
<v Speaker 2>got some more mentions of films. Yeah, here's one from Dean. Hey, guys,

0:58:14.560 --> 0:58:17.640
<v Speaker 2>just sending you some recommendations for Weird House two. I've

0:58:17.680 --> 0:58:21.440
<v Speaker 2>mentioned before. First Encounters of the Spooky Kind, which you

0:58:21.480 --> 0:58:23.880
<v Speaker 2>guys have been talking about featuring since you covered Mister

0:58:24.000 --> 0:58:28.440
<v Speaker 2>Vampire back in twenty twenty one. Twenty twenty one, Come on, guys.

0:58:29.160 --> 0:58:32.520
<v Speaker 2>Then there's Latitude Zero, a kooky one featuring Christopher Lee.

0:58:32.840 --> 0:58:36.760
<v Speaker 2>Then two more, the Angry Red Planet and the Monolith Monsters.

0:58:36.960 --> 0:58:39.080
<v Speaker 2>We've mentioned monolith monsters for sure on the show, and

0:58:39.120 --> 0:58:41.920
<v Speaker 2>I think we've mentioned Angry Red Planet. Think about it,

0:58:42.120 --> 0:58:45.480
<v Speaker 2>and thanks for the show, Dean. Well, Dean, thanks for

0:58:46.280 --> 0:58:49.280
<v Speaker 2>I like it when people keep writing in about shows.

0:58:49.280 --> 0:58:52.680
<v Speaker 2>Don't let us forget the ones that we need to cover. Yeah,

0:58:52.800 --> 0:58:56.120
<v Speaker 2>Encounters of the Spooky Kind is a very important film

0:58:56.160 --> 0:59:01.560
<v Speaker 2>in the history of this sort of supernannatural film, Hong

0:59:01.640 --> 0:59:05.720
<v Speaker 2>Kong supernatural picture, and that's one I would like to

0:59:05.720 --> 0:59:08.720
<v Speaker 2>cover that at some point. And then yeah, the model

0:59:08.760 --> 0:59:10.600
<v Speaker 2>of Monsters has come up on the show as well,

0:59:10.680 --> 0:59:12.480
<v Speaker 2>so yeah, I have to look I'm not as familiar

0:59:12.560 --> 0:59:14.800
<v Speaker 2>with Latitude Zero. I need to look that one up,

0:59:14.800 --> 0:59:19.800
<v Speaker 2>but generally, if Christopher Lee is in it, it's probably watchable.

0:59:21.480 --> 0:59:23.600
<v Speaker 3>Hey, do you have enough laptop battery for me to

0:59:23.640 --> 0:59:24.760
<v Speaker 3>do one more message here?

0:59:24.920 --> 0:59:25.640
<v Speaker 2>Let's find out.

0:59:25.920 --> 0:59:34.560
<v Speaker 3>Okay, this is from Lynn. Lynn says subject line film

0:59:34.600 --> 0:59:38.959
<v Speaker 3>for Weird House Cinema starring baby Hugh Grant. Lynn says,

0:59:39.040 --> 0:59:42.120
<v Speaker 3>a great, totally bonkers film for Weird House Cinema is

0:59:42.280 --> 0:59:45.440
<v Speaker 3>Layer of the White Worm, starring Hugh Grant before anyone

0:59:45.520 --> 0:59:48.760
<v Speaker 3>knew who he was. Rob Have we not done Lair

0:59:48.840 --> 0:59:50.280
<v Speaker 3>of the White Worm? I thought we had.

0:59:50.640 --> 0:59:53.600
<v Speaker 2>We almost did it once. Okay, you picked it and

0:59:53.640 --> 0:59:56.720
<v Speaker 2>then then, you know, for various reasons. Sometimes we'll change

0:59:56.800 --> 0:59:57.920
<v Speaker 2>things at the last minute.

0:59:58.600 --> 1:00:03.280
<v Speaker 3>I don't remember why that was. Okay, Yeah, anyway, Lynn

1:00:03.440 --> 1:00:08.320
<v Speaker 3>says Hugh Grant, before anyone knew who he was, almost

1:00:08.360 --> 1:00:12.000
<v Speaker 3>called him Lou Grant at least he probably hope so.

1:00:12.080 --> 1:00:14.080
<v Speaker 3>And I wonder if he lists it highly on his

1:00:14.120 --> 1:00:17.520
<v Speaker 3>filmography nowadays. I'm guessing not, but he should. Layer of

1:00:17.560 --> 1:00:20.560
<v Speaker 3>the White Worm is so balls to the wall crazy

1:00:20.600 --> 1:00:24.520
<v Speaker 3>it deserves to be celebrated somewhere. One viewer's warning, however,

1:00:24.640 --> 1:00:29.720
<v Speaker 3>devoted Catholics might be offended at one scene involving a crucifix. No,

1:00:30.120 --> 1:00:34.200
<v Speaker 3>nothing like The Exorcist. Layer is one of my favorite

1:00:34.200 --> 1:00:36.080
<v Speaker 3>films of all time. It's my dream to see it

1:00:36.120 --> 1:00:38.640
<v Speaker 3>discussed on a show like yours. Keep up the great

1:00:38.680 --> 1:00:43.280
<v Speaker 3>and important work you're doing. Best wishes, Lynn. Yeah, okay,

1:00:43.280 --> 1:00:46.080
<v Speaker 3>well I've forgotten whatever happened to that time we almost

1:00:46.080 --> 1:00:48.760
<v Speaker 3>did it. But I have long enjoyed this movie. My

1:00:48.800 --> 1:00:50.400
<v Speaker 3>wife and I both love it. It's kind of a

1:00:50.920 --> 1:00:56.280
<v Speaker 3>favorite horror movie in our house. It's it's very, very weird, definitely,

1:00:56.520 --> 1:00:57.840
<v Speaker 3>and has a great sense of humor.

1:00:58.080 --> 1:01:00.680
<v Speaker 2>Yeah, I don't. I honestly don't know how you Grant

1:01:00.760 --> 1:01:02.840
<v Speaker 2>views it, but you know he got to work with

1:01:02.920 --> 1:01:04.920
<v Speaker 2>Ken Russell on it. It's a kN Russell film, so

1:01:05.560 --> 1:01:08.520
<v Speaker 2>I would hope that you know, there's there's some fondness

1:01:08.520 --> 1:01:11.920
<v Speaker 2>for that, and in general, yes, if you were, if

1:01:11.960 --> 1:01:15.840
<v Speaker 2>you were, of if you find yourself sometimes offended by

1:01:15.880 --> 1:01:19.240
<v Speaker 2>religious content and films, Ken Russell movies might not be

1:01:19.360 --> 1:01:22.960
<v Speaker 2>for you, yes, but but he is he is indeed

1:01:23.040 --> 1:01:24.440
<v Speaker 2>quite a fascinating filmmaker.

1:01:24.520 --> 1:01:27.440
<v Speaker 3>I enjoyed Lin's warning that there might be one little

1:01:27.480 --> 1:01:32.080
<v Speaker 3>scene that could be offensive to Catholics, a tiny little

1:01:32.120 --> 1:01:36.400
<v Speaker 3>bit of blasphemy. Yeah, no, yeah, it's it. I think

1:01:36.440 --> 1:01:39.520
<v Speaker 3>will be a highly offensive affair. But but I don't know,

1:01:39.600 --> 1:01:43.440
<v Speaker 3>it's also very it's got a lightheartedness to it. Also,

1:01:43.560 --> 1:01:44.360
<v Speaker 3>it's very fun.

1:01:45.720 --> 1:01:48.200
<v Speaker 2>Yeah, I'm I'm a we need It would be great

1:01:48.240 --> 1:01:51.240
<v Speaker 2>to figure out what kN Russell film we should cover,

1:01:51.400 --> 1:01:53.680
<v Speaker 2>because there there's you know, a lot of a lot

1:01:53.720 --> 1:01:55.840
<v Speaker 2>of really good, weird Ken Russell movies.

1:01:56.160 --> 1:01:58.760
<v Speaker 3>Totally Okay, does that do it for today?

1:01:59.120 --> 1:02:01.640
<v Speaker 2>I think that's probably for today. But we have so

1:02:01.720 --> 1:02:02.600
<v Speaker 2>much we didn't get to.

1:02:03.000 --> 1:02:05.400
<v Speaker 3>We'll touch more in the bag here, So we're gonna

1:02:05.400 --> 1:02:07.640
<v Speaker 3>have to do another Listener Mail episode pretty soon. I

1:02:07.680 --> 1:02:08.600
<v Speaker 3>think in a few weeks.

1:02:08.680 --> 1:02:10.280
<v Speaker 2>Yeah, just in a few weeks. So if we didn't

1:02:10.280 --> 1:02:13.720
<v Speaker 2>get to what you wrote, us. Don't worry. We may

1:02:13.760 --> 1:02:16.280
<v Speaker 2>get to it next time, but don't let that stop

1:02:16.320 --> 1:02:19.280
<v Speaker 2>you from writing all new emails, from sending all new

1:02:19.320 --> 1:02:25.600
<v Speaker 2>pet photos, dream interpretations, thoughts about how we don't look like,

1:02:25.680 --> 1:02:28.760
<v Speaker 2>how we sound, and so forth. All of it's fair game.

1:02:29.320 --> 1:02:32.520
<v Speaker 2>We'd love to hear from you. Just a reminder that

1:02:32.600 --> 1:02:34.520
<v Speaker 2>Stuff to Blow Your Mind is primarily a science and

1:02:34.520 --> 1:02:37.280
<v Speaker 2>culture podcast, with core episodes on Tuesdays and Thursdays, short

1:02:37.280 --> 1:02:39.880
<v Speaker 2>form episodes on Wednesdays and on Fridays. We set aside

1:02:39.880 --> 1:02:42.120
<v Speaker 2>most serious concerns, so just talk about a weird film

1:02:42.440 --> 1:02:44.080
<v Speaker 2>on Weird House Cinema.

1:02:44.560 --> 1:02:48.160
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

1:02:48.440 --> 1:02:49.920
<v Speaker 3>If you would like to get in touch with us

1:02:49.920 --> 1:02:52.200
<v Speaker 3>with feedback on this episode or any other, to suggest

1:02:52.280 --> 1:02:54.240
<v Speaker 3>a topic for the future, or just to say hello,

1:02:54.360 --> 1:02:56.880
<v Speaker 3>you can email us at contact at stuff to Blow

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<v Speaker 3>your Mind dot com.

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<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

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<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.