WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>What's up, y'all, Welcome to the Best Bits of the Week.

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<v Speaker 1>I'm Morgan. If you haven't been on this podcast before,

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<v Speaker 1>what I do is break down the Bobby Bone Show

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<v Speaker 1>from this week. So I take the seven best segments

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<v Speaker 1>that y'all engage with, the most called in about, or

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<v Speaker 1>were the most controversial, or y'all just really loved, and

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<v Speaker 1>I share them here, maybe for you to listen to

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<v Speaker 1>him again or get caught up on the show. If

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<v Speaker 1>you miss some things from the podcast this week, maybe

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<v Speaker 1>life was a little bit crazy, so you get to

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<v Speaker 1>hear them all here and make sure you don't miss

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<v Speaker 1>out on anything, or maybe you just don't want to

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<v Speaker 1>feel left out. So that's what it is too. We're

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<v Speaker 1>just gonna go ahead and get started. Coming in in

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<v Speaker 1>that number seven spot, we had Elder Verse Millennial. Y'all

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<v Speaker 1>love this game. It's the battle of generations where Eddie

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<v Speaker 1>and myself go up against each other and have to

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<v Speaker 1>answer questions about each other's generations. And let me tell you,

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<v Speaker 1>this game is just totally against me. It's nearly impossible

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<v Speaker 1>for me to win sometimes because Edie he loves to

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<v Speaker 1>buzz in early and then you know, this week I

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<v Speaker 1>buzz in Earlanta did not work out for me, so

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<v Speaker 1>won't be doing that again anytime soon. And there's obviously

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<v Speaker 1>the new twist that just adds to all of this,

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<v Speaker 1>where the loser has to eat something gross. I've now

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<v Speaker 1>eaten mayo with peanut butter on a spoon, and I

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<v Speaker 1>have also now eaten a gummy hot dog with ketchup

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<v Speaker 1>and mustard on top. And let me tell you that

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<v Speaker 1>gummy hot dog was not bad, but then you had

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<v Speaker 1>all the texture of mustard and ketchup. Yeah, there was

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<v Speaker 1>a lot going on there. Okay, so you can hear

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<v Speaker 1>it right now, play along with your friends and your family,

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<v Speaker 1>and maybe you'll do better than I did and not

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<v Speaker 1>have to eat a gummy hot dog. Number seven, right,

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<v Speaker 1>Eddie the oldest on the show forty three years old,

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<v Speaker 1>Morgan the youngest on the show, twenty eight years old,

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<v Speaker 1>and they're playing a game based on what they knew

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<v Speaker 1>as they grew up as kids. The loser, no, no,

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<v Speaker 1>no, no no, no, no, what I don't know? Whatever this is,

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<v Speaker 1>I don't want. The loser has to eat an Oscar

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<v Speaker 1>Meyer group of flavored gummies. It's a hot dog gummy

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<v Speaker 1>Weener hot doc gummies. Oh and by the way, you

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<v Speaker 1>have to dip it in mustard or ketch up here.

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<v Speaker 1>Oh my god, you have that here. Okay, so let's

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<v Speaker 1>play elder versus millennial, which if you lose the product

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<v Speaker 1>says what do Oscar Meyer gummy hot dogs taste like?

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<v Speaker 1>There's only one way to find out. You guys have

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<v Speaker 1>your buzzer? Yeah, we do, Eddie yours, Morgan, that's Morgan, Morgan, Morgan.

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<v Speaker 1>If I hear that, that's your buzzer. Here we go.

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<v Speaker 1>Question number one. It's an elder question. What celebrity is

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<v Speaker 1>known for this catch phrase? That's Eddie, that's me, and

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<v Speaker 1>that's mister T. Mister T is correct, Yeah, Morgan, just

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<v Speaker 1>because of you, guys, I don't even Happycus Rocky three. Yeah, yes, yeah,

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<v Speaker 1>yeah yeah. Millennial question. This is a catch phrase from

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<v Speaker 1>what Disney Channel show? Here's the phrase I heard, Morgan

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<v Speaker 1>go ahead, that's so Raven is correct? Oh snap, okay,

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<v Speaker 1>an elder question and there will be a clip here.

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<v Speaker 1>In nineteen ninety three, this band released their debut studio album,

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<v Speaker 1>August and Everything After. It featured this song Eddie that's

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<v Speaker 1>counting crows. That is correct, man, I knew it right away,

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<v Speaker 1>but I didn't want to buzz too early. Is that

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<v Speaker 1>I'm gonna phrase the question either exactly. Next one up, millennial?

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<v Speaker 1>What Canadian artist released her date? Eddie Avril Levine? I

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<v Speaker 1>just said Canadian artists, right? And you want you just

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<v Speaker 1>jumped in the answer. Is that's why you do that?

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<v Speaker 1>What Canadian artists release our debut studio album let Go

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<v Speaker 1>in two thousand and two. There's so many Canadians. I

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<v Speaker 1>was never gonna get it, so why why not try?

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<v Speaker 1>I hate you, dang, I actually hate you. One question

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<v Speaker 1>left in each category. It's an elder question. Come on,

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<v Speaker 1>what's the name of the housekeeper on the show The

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<v Speaker 1>Brady Bunch? Morgan, you need this? Alice who? Correct? I

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<v Speaker 1>don't know where that it was in there? They came

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<v Speaker 1>on the sixties? Correct, that's what you get. That's some

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<v Speaker 1>kind of karma. What next up? Millennial question? Morgan, you

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<v Speaker 1>need this to tie? Oh my gosh. What actor began

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<v Speaker 1>his acting career on The Mickey Mouse Club as a

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<v Speaker 1>teen in nineteen Nice? Okay, there's a lot of them, Morgan,

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<v Speaker 1>so have at it. I know acting career justin Timberlake.

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<v Speaker 1>The question is what actor began his acting career on

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<v Speaker 1>The Mickey Mouse Club as a teen in nineteen ninety three,

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<v Speaker 1>in transition to adult stardom with the massive popular The

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<v Speaker 1>Notebook in two thousand and four. What is that, guys?

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<v Speaker 1>Ed you've already won? Name is uh? Gosh? I forgot

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<v Speaker 1>his name? His name? Notebook's a great movie, Morgan, you

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<v Speaker 1>would have got it. But more importantly, that's right, Morgan

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<v Speaker 1>is our loser. Now, Morgan, there's no meat in this gummy. Yeah.

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<v Speaker 1>I was gonna say, have a little. Morgan doesn't eat meat.

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<v Speaker 1>Why did you already put that? What is it? What

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<v Speaker 1>do you see in front of you? There, there's a

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<v Speaker 1>it looks like a plastic hot hot dog. Yeah, it's

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<v Speaker 1>it's a gummy with ketchup and mustard on it. Okay, here,

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<v Speaker 1>not like normal mustard. Oh it's a long gummy. I

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<v Speaker 1>thought it was gonna be like a gummy bear, the

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<v Speaker 1>whole thing. No, it's a hot It's an entire gummy

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<v Speaker 1>hot dog. You have to eat half of it. Okay,

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<v Speaker 1>I'm just gonna go the whole thing. Oh, it's a

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<v Speaker 1>whole hot dog shaped gum. Oh my goodness. I don't

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<v Speaker 1>even think I've had an actual hot dog since I

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<v Speaker 1>was like five years old. Welcome, welcome to the world

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<v Speaker 1>a hot dog. Oh that's disgusting. Oh it's stretching. It's stretching.

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<v Speaker 1>How did you find that just on the internet. Oh,

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<v Speaker 1>you gonna throw up? Shore, I get the trash can

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<v Speaker 1>are you? Okay? Obvisually a gummy's not bad. Just all

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<v Speaker 1>the head shows of the saft shows on it. Any

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<v Speaker 1>gummy with ketchup, I don't care what the gummy is

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<v Speaker 1>so gross? Oh she's struggling right now, trash can fine,

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<v Speaker 1>do you have a water? What kind of mustard was that? Oh?

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<v Speaker 1>My god, what kind of mustard was it? Scoop Steve,

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<v Speaker 1>that's a grape of bun. But of course, of course

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<v Speaker 1>set you in it up. This is a really hard gummy. Okay,

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<v Speaker 1>the shafts are gone. Oh that was the worst part. Okay,

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<v Speaker 1>the gummy. It kind of tastes like your your usual

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<v Speaker 1>gummy bear. She's back, guy, she's back. Minish it off,

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<v Speaker 1>Eddie Goodwin, thank you man. It's the best Bits of

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<v Speaker 1>the Week with Morgan. Number two. Raymundo hosted a cow

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<v Speaker 1>milking competition and he shared a story on the show

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<v Speaker 1>from it basically where a country artist who he was

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<v Speaker 1>there to also host her performance got knocked back by

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<v Speaker 1>the cow and the cow was not appreciating being milked.

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<v Speaker 1>So fun story, but also maybe a little bit of

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<v Speaker 1>fake news apparently based on what you guys are saying

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<v Speaker 1>online and what Bobby said on the show. So it's

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<v Speaker 1>just you know, here for yourself and then go check

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<v Speaker 1>out the video at Bobby Bones dot com. Number six,

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<v Speaker 1>here are your three options. We're gonna do one of

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<v Speaker 1>these segments right now. Number one, Raymundo, our audio producer,

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<v Speaker 1>was at a cow milking competition and he saw an

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<v Speaker 1>artist get kicked over by a cow. That's option one.

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<v Speaker 1>Option two is Morgan, who runs all of our digital

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<v Speaker 1>or social media. She saw someone trying to steal her

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<v Speaker 1>man and she recorded them. Or three Lunchbox made the

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<v Speaker 1>local news. No, have you seen me on the news lately? Right? Okay,

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<v Speaker 1>have you seen Lunchbox on the news lately? So if

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<v Speaker 1>you're not involved, you get to vote, So that would

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<v Speaker 1>be me Amy, Eddie. And if there's a tie, because

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<v Speaker 1>there's three, mic deal, come in, Okay, Eddie, which one

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<v Speaker 1>do you want to hear? Man Lunchboxes story has been

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<v Speaker 1>so long, but I don't really don't care about it,

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<v Speaker 1>So I want to go with Ray. I want to

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<v Speaker 1>know what artists got kicking Amy. Oh. I would like

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<v Speaker 1>to hear Morgan's story about the mail. Oh boy, I

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<v Speaker 1>hear lunchboxes story on opposite day. I'm gonna go with

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<v Speaker 1>I'm gonna go with ray story, all right, So pick

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<v Speaker 1>a bet which like, all right, bring the heat? What's

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<v Speaker 1>the bed? All right? So I'm doing this cow competition?

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<v Speaker 1>Hy did you do it well? First of all, a

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<v Speaker 1>cow milking competition? Where is that hilarious? It was at

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<v Speaker 1>the Nashural Fair and the local station hooked it up.

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<v Speaker 1>They said, we need somebody to do play by play

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<v Speaker 1>of cow milking and I said, it sounds random as crap.

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<v Speaker 1>I'm in okay, so you go. You have a microphone? Yeah?

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<v Speaker 1>And how many people are they? Kids or adults? There?

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<v Speaker 1>I mean the competition was between the news stations, so CBSABC, Fox,

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<v Speaker 1>all them, okay, go ahead, and they're all milking these cows.

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<v Speaker 1>But there's two of them, and these cows didn't want

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<v Speaker 1>to be there. And I don't know if y'all are

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<v Speaker 1>familiar with cows. While they're getting milked. They do a

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<v Speaker 1>lot of other stuff disgusting. Oh, like they're going one

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<v Speaker 1>and two the entire time. So the people in the

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<v Speaker 1>front row had to move back. So that's how it

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<v Speaker 1>started off. And I'm like, wow, this got real real quick. Well,

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<v Speaker 1>Pressley did not want to be milked whatsoever. The cow.

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<v Speaker 1>I guess they have names and stuff like that. They're

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<v Speaker 1>just like people. So this Pressley started bucking, knocks over

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<v Speaker 1>the milk cart and okay or whatever it was the

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<v Speaker 1>milk pail. And there's a country artist and the country

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<v Speaker 1>artist name is Hannah Ellis. We've had her on the

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<v Speaker 1>show before. She's an up and coming artist. And the

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<v Speaker 1>cow drills her in the chest because it was bucking.

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<v Speaker 1>I got video of it I put on my Instagram

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<v Speaker 1>and it knocks her back and she went back about

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<v Speaker 1>five feet and the entire crowd goes awkwardly silent. It's like,

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<v Speaker 1>are we going to continue the competition? This hick just

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<v Speaker 1>got knocked out by a cow. Wow that stinked if

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<v Speaker 1>that's really what happened. However, Rai's name is clickbait ray

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<v Speaker 1>for he could have just said my neighbor got hit

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<v Speaker 1>by the cow. I mean her, we've had her on

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<v Speaker 1>the show before. Yeah. I went to Hannah's Instagram and

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<v Speaker 1>she was talking about it and there was a whole guest.

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<v Speaker 1>The video is legit. She does get kicked back by

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<v Speaker 1>the cow. You see her boots like you see her

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<v Speaker 1>little feet lie back. She seemed okay, but she said

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<v Speaker 1>she's an extremely competitive person. She basically wasn't gonna le

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<v Speaker 1>cow back. That's what I was thinking. She got back

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<v Speaker 1>to the cow, so she had to get taken down

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<v Speaker 1>the hospital or anything. No, she got dusted, but she

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<v Speaker 1>never hit her head, which was the lucky things where

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<v Speaker 1>she just stood back up and they continued the competition.

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<v Speaker 1>They thought about not doing that. I bet that was embarrassing.

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<v Speaker 1>I got kicked in the cow and the chest by

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<v Speaker 1>a cow, I'd have to be like, oh, do some

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<v Speaker 1>little dance or something, because that would just be so humiliated.

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<v Speaker 1>And then she had to perform after that, and it

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<v Speaker 1>was all the cow stuff all over the ground, so

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<v Speaker 1>they had to come in and put sawdust down so

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<v Speaker 1>you couldn't smell it while you were watching her perform.

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<v Speaker 1>This all thing sounds like a disaswer, like just absolute

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<v Speaker 1>disas there he is Ray, Yeah, the nice bit. We

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<v Speaker 1>picked the bit It's the best Bits of the week

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<v Speaker 1>with Morgan. Number two. Another one of the picka bits

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<v Speaker 1>on the show this week was mine. So I almost

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<v Speaker 1>got my mail stolen and I captured it all on video. Thankfully.

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<v Speaker 1>I have a doorbell camera, and when I was at work,

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<v Speaker 1>I got a notification and well, let's just say some

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<v Speaker 1>people were trying to get in my bailbox and steal

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<v Speaker 1>some things. And also they had a not inconspicuous car

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<v Speaker 1>at all, So that was another twist to the story.

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<v Speaker 1>And I also shared what I'm doing now to make

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<v Speaker 1>sure it doesn't happen again. Mind you, I never even

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<v Speaker 1>thought this needed to be addressed, but here I am

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<v Speaker 1>having to make sure I don't have certain mail sent

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<v Speaker 1>to me and I have to get a new mailbox.

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<v Speaker 1>So yeah, there's that number five and Morgan a lot

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<v Speaker 1>of listeners, so they wanted to hear your story about

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<v Speaker 1>you catching the person stealing your mail, are trying to

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<v Speaker 1>steal your moil? What happened? Yeah, So I was at

0:11:58.160 --> 0:12:01.360
<v Speaker 1>work and I got a notification for my ring doorbell

0:12:01.440 --> 0:12:04.120
<v Speaker 1>camera and I pull it up and I look and

0:12:04.200 --> 0:12:08.240
<v Speaker 1>there's this orange Nissan Ultima sitting in my driveway. Never

0:12:08.320 --> 0:12:10.040
<v Speaker 1>seen that car in my life. That's a bold car

0:12:10.120 --> 0:12:14.160
<v Speaker 1>to be stealing an orange Ultima. Yes, I get a

0:12:14.200 --> 0:12:16.640
<v Speaker 1>white one. Wow, Okay, And I was shocked. I was like,

0:12:16.640 --> 0:12:19.400
<v Speaker 1>maybe they're turning around. No, They're sitting there for several minutes,

0:12:19.480 --> 0:12:22.240
<v Speaker 1>and then finally my notification goes off again and the

0:12:22.320 --> 0:12:25.679
<v Speaker 1>passenger gets out of their car, goes to my mailbox,

0:12:25.800 --> 0:12:29.160
<v Speaker 1>opens it up, looks for anything, and then closes it.

0:12:29.240 --> 0:12:31.640
<v Speaker 1>Runs back to the car, and they drive away. So

0:12:31.760 --> 0:12:34.480
<v Speaker 1>there was nothing in there, luckily, thank goodness, nothing was

0:12:34.480 --> 0:12:36.800
<v Speaker 1>in there. Yeah, so what do you do? I file

0:12:36.880 --> 0:12:39.560
<v Speaker 1>the police report, and I mean, I'm hoping they find them.

0:12:39.600 --> 0:12:41.240
<v Speaker 1>It's an orange car. There's not a lot of orange

0:12:41.240 --> 0:12:43.240
<v Speaker 1>cars out there. That's what I'm saying. I get an automobile,

0:12:43.280 --> 0:12:48.040
<v Speaker 1>that is it. Yeah. So a couple of things. One,

0:12:48.760 --> 0:12:51.200
<v Speaker 1>what people do. Some people do that want to steal

0:12:51.200 --> 0:12:53.040
<v Speaker 1>your identity. If they get into your mail and they

0:12:53.040 --> 0:12:58.360
<v Speaker 1>can find anything with your social or part social address

0:12:58.800 --> 0:13:00.440
<v Speaker 1>that stuffs in your mail, so they do is they

0:13:00.440 --> 0:13:03.080
<v Speaker 1>try to steal your mail, then they can have at

0:13:03.120 --> 0:13:05.280
<v Speaker 1>least one or two data points to try to steal

0:13:05.320 --> 0:13:07.400
<v Speaker 1>your identity. That's thing one. Thing two is they may

0:13:07.440 --> 0:13:09.400
<v Speaker 1>just be trying to steal stuff like a porch pirate,

0:13:09.400 --> 0:13:10.880
<v Speaker 1>but without the guts to go all the way up

0:13:10.880 --> 0:13:13.480
<v Speaker 1>on the port check but not as good as stuff

0:13:13.480 --> 0:13:16.600
<v Speaker 1>in the mail, maybe a check or something. But yeah,

0:13:16.679 --> 0:13:18.320
<v Speaker 1>I'm glad you caught them. So what do the cops

0:13:18.360 --> 0:13:19.679
<v Speaker 1>say or what do they say when you called it?

0:13:19.800 --> 0:13:21.480
<v Speaker 1>They haven't said anything. And I did talk to my

0:13:21.520 --> 0:13:23.520
<v Speaker 1>mailman about it happening. He was like, you can put

0:13:23.600 --> 0:13:26.360
<v Speaker 1>up one of those locked mailboxes that they can't get into.

0:13:26.480 --> 0:13:29.040
<v Speaker 1>And I did because I hadn't done this before. I

0:13:29.120 --> 0:13:31.800
<v Speaker 1>changed all of my statements over to electronics. So now

0:13:31.880 --> 0:13:33.600
<v Speaker 1>they really can't get a hold of anything. It'll just

0:13:33.640 --> 0:13:35.760
<v Speaker 1>be like junk mail in there. That's the number one

0:13:35.800 --> 0:13:38.040
<v Speaker 1>thing they advise people to do, if you can make

0:13:38.080 --> 0:13:40.760
<v Speaker 1>it electronic, do because it's hard for people to get

0:13:40.760 --> 0:13:43.360
<v Speaker 1>that information if it's on the internet, especially people that

0:13:43.400 --> 0:13:46.200
<v Speaker 1>are just driving around looking at mailboxes. But I'm glad

0:13:46.200 --> 0:13:48.560
<v Speaker 1>you made that call, because they're not just doing this

0:13:48.640 --> 0:13:51.600
<v Speaker 1>to you. No, this is somebody in the neighborhood or

0:13:51.640 --> 0:13:55.280
<v Speaker 1>somebody in town that's going to mailboxes trying to steal

0:13:55.400 --> 0:13:57.400
<v Speaker 1>mail for one reason or the other. That's also very

0:13:57.400 --> 0:13:59.480
<v Speaker 1>scary they do in the daytime. I guess when everybody's

0:13:59.480 --> 0:14:01.800
<v Speaker 1>at work. Yeah, I guess they thought I wasn't there.

0:14:01.880 --> 0:14:03.360
<v Speaker 1>But I just can't get over that it was an

0:14:03.360 --> 0:14:05.960
<v Speaker 1>orange car. Like they can find you very easily with

0:14:06.000 --> 0:14:08.320
<v Speaker 1>an orange car. Yeah, I'd be like somebody you know

0:14:08.360 --> 0:14:11.040
<v Speaker 1>in a Chick fil a van. It'll be like, Bro,

0:14:11.400 --> 0:14:15.439
<v Speaker 1>you're driving the loudest vehicle that there is. It's the

0:14:15.480 --> 0:14:22.320
<v Speaker 1>best bits of the week with Morgan. Number two. Amy's

0:14:22.400 --> 0:14:25.480
<v Speaker 1>daughter is all about the side hustle. She's always finding

0:14:25.480 --> 0:14:27.960
<v Speaker 1>ways to make money, and honestly, I think I need

0:14:28.000 --> 0:14:30.240
<v Speaker 1>to take some lessons from her because she has that

0:14:30.560 --> 0:14:34.280
<v Speaker 1>entrepreneurial spirit and I never really had that growing up,

0:14:34.360 --> 0:14:37.000
<v Speaker 1>so I definitely need to take some lessons from her.

0:14:37.240 --> 0:14:40.040
<v Speaker 1>She found a new donut hack where she's trying to

0:14:40.080 --> 0:14:42.400
<v Speaker 1>get some free donuts basically and resell them to make

0:14:42.480 --> 0:14:45.080
<v Speaker 1>some extra cash. And you know, I'm all supported of this,

0:14:45.360 --> 0:14:48.400
<v Speaker 1>but I'm not sure if it's going to work out,

0:14:48.480 --> 0:14:51.880
<v Speaker 1>because then Lunchbox went and tested the theory and it

0:14:51.920 --> 0:14:54.280
<v Speaker 1>didn't work for him, So I don't know. Maybe it's

0:14:54.320 --> 0:14:55.920
<v Speaker 1>because she's a kid and she can get away with

0:14:55.960 --> 0:14:58.600
<v Speaker 1>this and make some extra cash, and I am sure

0:14:58.600 --> 0:15:02.280
<v Speaker 1>hoping that happens for her number four. Okay, what happened? Well,

0:15:02.280 --> 0:15:03.960
<v Speaker 1>you know, house to Shear is all about making money

0:15:03.960 --> 0:15:06.640
<v Speaker 1>and saving money. Yeah, that's Amy's daughter. She loves to hustle.

0:15:06.840 --> 0:15:09.640
<v Speaker 1>It's her specialty, love it. So I guess she heard

0:15:09.840 --> 0:15:12.800
<v Speaker 1>that you could go to Duncan at the end of

0:15:12.880 --> 0:15:15.920
<v Speaker 1>the day when they're about to close and get any

0:15:15.960 --> 0:15:18.760
<v Speaker 1>donuts they're gonna throw away. So if you show up

0:15:19.240 --> 0:15:21.600
<v Speaker 1>right when they're shutting the doors, they will give you.

0:15:21.680 --> 0:15:24.600
<v Speaker 1>Don't what Okay, let's ask the expert Lunchbox used to

0:15:24.600 --> 0:15:26.720
<v Speaker 1>work at Duncan Donuts. Correct. If I were to go

0:15:26.800 --> 0:15:28.800
<v Speaker 1>to that place at the very end and go, like,

0:15:29.320 --> 0:15:30.920
<v Speaker 1>I don't know, I'm just here looking for a donut,

0:15:31.000 --> 0:15:33.320
<v Speaker 1>would they give me a donut? I have no idea

0:15:33.360 --> 0:15:36.000
<v Speaker 1>because my Duncan Donuts never closed, so there was never

0:15:36.280 --> 0:15:39.000
<v Speaker 1>a chance we were throwing We never threw donuts away,

0:15:39.120 --> 0:15:41.680
<v Speaker 1>so we were always making new ones and selling through

0:15:42.040 --> 0:15:44.480
<v Speaker 1>so they would never close the doors and so there

0:15:44.560 --> 0:15:46.480
<v Speaker 1>was no giving away donuts. What do you think the

0:15:46.480 --> 0:15:48.160
<v Speaker 1>answer is? Do you think it's a reality thing? No?

0:15:48.240 --> 0:15:50.840
<v Speaker 1>I think it's no because they can get in trouble

0:15:51.320 --> 0:15:55.080
<v Speaker 1>for health code violations. If they give away donuts, yes,

0:15:55.160 --> 0:15:56.280
<v Speaker 1>if they give them away at the end of the

0:15:56.360 --> 0:15:58.120
<v Speaker 1>day anyway, think oh I think they give him away.

0:15:58.120 --> 0:16:00.000
<v Speaker 1>I mean that would be wasted food. You have the donuts,

0:16:00.000 --> 0:16:02.200
<v Speaker 1>grocery stores getting try for that. Grocery stores. That's why

0:16:02.200 --> 0:16:04.160
<v Speaker 1>you can go dumpster dive and find good groceries. I

0:16:04.240 --> 0:16:05.960
<v Speaker 1>had a buddy that lived in San Francisco and he

0:16:06.040 --> 0:16:10.200
<v Speaker 1>only ate out dumpsters. Yeah, you had, but he had

0:16:10.240 --> 0:16:14.320
<v Speaker 1>a buddy to me. Okay, craziest. Okay, so she go

0:16:14.400 --> 0:16:16.360
<v Speaker 1>Do you let her? Yeah? She said, Hey, she had

0:16:16.400 --> 0:16:18.200
<v Speaker 1>a friend over and she asked if they could ride

0:16:18.240 --> 0:16:20.600
<v Speaker 1>their bikes down to the Duncoes. There's a duncan close

0:16:20.680 --> 0:16:22.880
<v Speaker 1>enough to ride a bike too. Closes at seven pm. Wow,

0:16:23.160 --> 0:16:25.320
<v Speaker 1>so it's not dark yet. So I said, okay, yeah,

0:16:25.560 --> 0:16:28.560
<v Speaker 1>take the bikes. See what happens. And sure enough they

0:16:28.600 --> 0:16:33.320
<v Speaker 1>got donuts. Wow. She came back. Are you sure she

0:16:33.320 --> 0:16:36.920
<v Speaker 1>didn't buy them? No, like she didn't take like five

0:16:36.920 --> 0:16:40.000
<v Speaker 1>bucks and buy donuts. No, I'm going today. Yeah, I

0:16:40.000 --> 0:16:42.480
<v Speaker 1>mean I figured lunch could probably test this out, but

0:16:43.200 --> 0:16:45.000
<v Speaker 1>it's kind of crazy, And I told her I don't

0:16:45.000 --> 0:16:46.880
<v Speaker 1>want to take advantage of that. So if she wants

0:16:46.880 --> 0:16:48.760
<v Speaker 1>to do this again, she needs to go in time

0:16:48.800 --> 0:16:52.120
<v Speaker 1>to buy something and then kindly offer to take any

0:16:52.160 --> 0:16:54.280
<v Speaker 1>donuts off their hands that they're just going to throw out.

0:16:54.320 --> 0:16:55.760
<v Speaker 1>But I don't think it's taken advantage of it if

0:16:55.760 --> 0:16:58.040
<v Speaker 1>they're just going to throw it out. Correct, But it's not.

0:16:58.480 --> 0:17:00.160
<v Speaker 1>But if you really want a donut, you should go

0:17:00.240 --> 0:17:02.080
<v Speaker 1>early enough to buy the donut and pay for it,

0:17:02.200 --> 0:17:03.880
<v Speaker 1>unless you don't want one bad enough, but you only

0:17:03.880 --> 0:17:06.640
<v Speaker 1>want one bad enough. It's free. Right when they're closing. Listen,

0:17:06.680 --> 0:17:08.359
<v Speaker 1>I'm waiting for the day honestly where she comes to

0:17:08.400 --> 0:17:11.280
<v Speaker 1>me and she to sell the donuts. Yes, And she's reselling, yes,

0:17:11.320 --> 0:17:14.640
<v Speaker 1>the donuts she just got on five. Once they close

0:17:14.720 --> 0:17:16.680
<v Speaker 1>the doors, right there in front of the duncan, it's

0:17:16.680 --> 0:17:19.160
<v Speaker 1>like getting nice you know, like a like a nice

0:17:19.200 --> 0:17:20.840
<v Speaker 1>chest and fell in full of chick plants and they're

0:17:20.880 --> 0:17:23.320
<v Speaker 1>on Sunday when people drive through. But like, hey, what

0:17:23.359 --> 0:17:25.560
<v Speaker 1>do you need? I got it right here, double the price.

0:17:26.000 --> 0:17:28.160
<v Speaker 1>So what's the line? Hey, I hear you're about to close.

0:17:28.359 --> 0:17:30.199
<v Speaker 1>Do I get the donuts for free? I mean, is

0:17:30.200 --> 0:17:32.040
<v Speaker 1>that all you say? I don't know that they you know,

0:17:32.280 --> 0:17:35.200
<v Speaker 1>had a strategic line other than oh they had a strategy.

0:17:35.240 --> 0:17:37.560
<v Speaker 1>Don't sure y'all are closing? Like, do y'all have any

0:17:37.560 --> 0:17:40.520
<v Speaker 1>donuts you're gonna throw out? We'll take them. Okay, you

0:17:40.520 --> 0:17:45.720
<v Speaker 1>gotta try that and bring us sound if they're free? Absolutely, okay,

0:17:45.760 --> 0:17:47.600
<v Speaker 1>I'll bring you some. I'll bring you two dozen. What

0:17:47.640 --> 0:17:49.480
<v Speaker 1>do you What do you like on yours? You like sprinkle?

0:17:49.520 --> 0:17:51.800
<v Speaker 1>I like I like Boston cream. I'm not eating sugar,

0:17:52.000 --> 0:17:54.119
<v Speaker 1>but I like the I like the cream. I like

0:17:54.160 --> 0:17:57.800
<v Speaker 1>any donut with the cream. Blueberry cake, no nuts, no, no, no, guy,

0:17:57.880 --> 0:18:02.800
<v Speaker 1>that's crazy. Blueberry cake are good, so good? A cream cream.

0:18:02.840 --> 0:18:04.760
<v Speaker 1>I'll get you a Boston cream, a Bavarian cream, and

0:18:04.800 --> 0:18:06.119
<v Speaker 1>then I'll watch you eat it, and I'll be like,

0:18:06.320 --> 0:18:09.920
<v Speaker 1>m that looks so good. Lunchbox is a Farmer Duncan employee.

0:18:09.960 --> 0:18:12.040
<v Speaker 1>But you didn't know about this because you never closed, right,

0:18:12.040 --> 0:18:13.480
<v Speaker 1>We were up in twenty four hours a day, seven

0:18:13.520 --> 0:18:15.919
<v Speaker 1>days a week, never closed, never threw donuts away. So

0:18:15.960 --> 0:18:17.679
<v Speaker 1>now in depth or for it, because Lunchbox meant to

0:18:17.680 --> 0:18:19.560
<v Speaker 1>find out if this was true or not. Here we go,

0:18:20.200 --> 0:18:22.160
<v Speaker 1>since you're closing, is there any donuts that you want

0:18:22.160 --> 0:18:24.080
<v Speaker 1>to give away? So you don't have to throw them away.

0:18:24.440 --> 0:18:27.200
<v Speaker 1>I wish, but if we do that, the cameras watch

0:18:27.280 --> 0:18:30.880
<v Speaker 1>and then they like, aren't mad? Oh? Because Bobby, I'm

0:18:30.960 --> 0:18:33.960
<v Speaker 1>reporting live from Dunkin Donuts, and the rumor on the

0:18:34.000 --> 0:18:36.159
<v Speaker 1>street is that if you come into closing and you

0:18:36.240 --> 0:18:38.200
<v Speaker 1>ask for that, you're supposed to get free donuts. So

0:18:38.800 --> 0:18:42.639
<v Speaker 1>you're telling me what I am telling you that not

0:18:42.760 --> 0:18:47.480
<v Speaker 1>at this Duncan Donuts. Okay, gotcha? Okay, So the rumor

0:18:47.520 --> 0:18:50.840
<v Speaker 1>that we have heard from other people is not true.

0:18:51.640 --> 0:18:56.399
<v Speaker 1>So they are lying when they say they get free donuts. Wow,

0:18:56.560 --> 0:18:58.800
<v Speaker 1>that is amazing. I didn't think it was true because

0:18:58.800 --> 0:19:01.080
<v Speaker 1>I used to work in Duncant. I used to sling donuts,

0:19:01.080 --> 0:19:03.120
<v Speaker 1>but we never closed. We were opened twenty four hours.

0:19:03.280 --> 0:19:04.960
<v Speaker 1>So we had to come and put this rumor. We

0:19:04.960 --> 0:19:06.880
<v Speaker 1>had to find out if it was true. Her fall.

0:19:06.960 --> 0:19:10.760
<v Speaker 1>So you are saying it is false? All right, Bobby,

0:19:10.840 --> 0:19:13.520
<v Speaker 1>that's it back to you. Yeah? Why'd you ask her

0:19:13.520 --> 0:19:15.600
<v Speaker 1>over and over again? She's false? And I wanted to

0:19:15.640 --> 0:19:17.879
<v Speaker 1>see if she would stick to her story it is.

0:19:18.119 --> 0:19:20.640
<v Speaker 1>I didn't know if I was persistent, if she'd be like, okay, okay,

0:19:20.680 --> 0:19:22.119
<v Speaker 1>we really give them away. I think it has to

0:19:22.160 --> 0:19:24.120
<v Speaker 1>do with you're an adult man, probably sure, and you're

0:19:24.160 --> 0:19:27.480
<v Speaker 1>filming her as to shares a kid, right, and they're like, oh, kid,

0:19:27.520 --> 0:19:29.959
<v Speaker 1>let's give them some donuts. You think that you know what?

0:19:30.040 --> 0:19:33.600
<v Speaker 1>I think someone lying to mom? No, why would she lie?

0:19:34.080 --> 0:19:37.320
<v Speaker 1>Did you see the donuts? Aiming the story? I didn't.

0:19:38.200 --> 0:19:40.719
<v Speaker 1>But I have let her go and buy donuts if

0:19:40.720 --> 0:19:43.320
<v Speaker 1>she wanted to do. Yes, that's what I'm to do. Yes,

0:19:43.440 --> 0:19:46.480
<v Speaker 1>like she has money to buy them. But they they

0:19:46.720 --> 0:19:49.480
<v Speaker 1>got the donuts. Yeah, okay, so they don't do it.

0:19:50.040 --> 0:19:51.399
<v Speaker 1>I think they gave her the donuts because she was

0:19:51.400 --> 0:19:53.160
<v Speaker 1>a kid, and they didn't give you the donuts because

0:19:53.200 --> 0:19:56.520
<v Speaker 1>you're I mean, I mean, she pointed at the cameras said,

0:19:56.520 --> 0:20:00.199
<v Speaker 1>see these cameras. But to drive through Nope, okay. This

0:20:00.280 --> 0:20:03.480
<v Speaker 1>duncan that we she went to is a drive through. Okay,

0:20:03.480 --> 0:20:05.840
<v Speaker 1>it has it drive through attached to it. But you

0:20:05.880 --> 0:20:08.399
<v Speaker 1>can't drive through on your bikes. Oh yeah, you can

0:20:08.400 --> 0:20:11.800
<v Speaker 1>go up to the window. I'm okay, drive through on

0:20:11.840 --> 0:20:14.200
<v Speaker 1>your bike and see if they hear it. It's probably easy. Yes,

0:20:16.400 --> 0:20:20.200
<v Speaker 1>it's the best bits of the week with Morgan Number two.

0:20:21.400 --> 0:20:23.800
<v Speaker 1>This is definitely one of my favorite moments from the show.

0:20:23.840 --> 0:20:26.399
<v Speaker 1>This week, Breland stopped by. He's been one of my

0:20:26.400 --> 0:20:28.920
<v Speaker 1>favorite artists for a long time now. If you want

0:20:28.920 --> 0:20:31.160
<v Speaker 1>to check out one of his old songs, go listen

0:20:31.200 --> 0:20:33.960
<v Speaker 1>to Hot Sauce because I'm telling you it's a whole

0:20:34.080 --> 0:20:36.760
<v Speaker 1>vibe and I still listen to it today, even though

0:20:36.760 --> 0:20:38.840
<v Speaker 1>he has a new album out which I also listened to.

0:20:39.280 --> 0:20:41.560
<v Speaker 1>But this song is just really good. So he came

0:20:41.600 --> 0:20:43.359
<v Speaker 1>on the show for the first time this week. He

0:20:43.400 --> 0:20:47.960
<v Speaker 1>talked about his collaborations and basically how you won't release

0:20:48.000 --> 0:20:50.879
<v Speaker 1>the song if he doesn't get the collaborator on that

0:20:51.000 --> 0:20:54.280
<v Speaker 1>he wants. And that's super interesting because most artists don't

0:20:54.320 --> 0:20:56.720
<v Speaker 1>do that. They'll just release the song anyway. So you

0:20:56.760 --> 0:20:59.520
<v Speaker 1>can hear him talk about that story, and he also

0:20:59.520 --> 0:21:01.400
<v Speaker 1>performed on the show. You can go and check out

0:21:01.440 --> 0:21:05.040
<v Speaker 1>at Bobby Bones dot com number three and so Bobby

0:21:05.040 --> 0:21:08.840
<v Speaker 1>Bones Show interviews. In case you didn't know. The first

0:21:08.880 --> 0:21:11.440
<v Speaker 1>time I heard of this guy, Breland, it was Keith

0:21:11.520 --> 0:21:13.480
<v Speaker 1>Urban going, hey, you got to hear this guy's awesome.

0:21:14.000 --> 0:21:16.240
<v Speaker 1>I was like, well, Keith Urban loves him, then let

0:21:16.320 --> 0:21:18.680
<v Speaker 1>me give him a listen. So again, his name is Breland,

0:21:19.320 --> 0:21:23.360
<v Speaker 1>real smart guy, was a student at Georgetown University. He's

0:21:23.400 --> 0:21:27.600
<v Speaker 1>the son of two ordained ministers, and they were very

0:21:27.680 --> 0:21:31.800
<v Speaker 1>much into gospel music and that that's affected him a bunch.

0:21:31.920 --> 0:21:35.040
<v Speaker 1>It's influenced him a bunch. But again, he's a music nerd,

0:21:35.040 --> 0:21:37.800
<v Speaker 1>that's what he calls himself, but loves country music, and

0:21:38.080 --> 0:21:41.119
<v Speaker 1>everybody in Nashville country music has wanted to work with him.

0:21:41.160 --> 0:21:44.520
<v Speaker 1>He's written songs with Florida Georgia Line and Sam Hunt

0:21:44.520 --> 0:21:46.520
<v Speaker 1>and Keith Urban, even Justin Bieber. I'm a big fan

0:21:46.560 --> 0:21:49.760
<v Speaker 1>of this guy, Breland on the Bobby Bones Show right now,

0:21:50.240 --> 0:21:53.840
<v Speaker 1>on the Bobby Bones Show. Now, I'm a big fan Briland.

0:21:53.840 --> 0:21:55.639
<v Speaker 1>You know that, right, I'm I'm also a big fan

0:21:55.720 --> 0:21:57.680
<v Speaker 1>you know what this of yourself. We're both Brian fans.

0:21:58.560 --> 0:22:01.479
<v Speaker 1>I like that. I like that a lot. This This

0:22:01.560 --> 0:22:03.800
<v Speaker 1>new song, Praised the Lord is so good. Thanks. I mean,

0:22:03.840 --> 0:22:06.640
<v Speaker 1>I heard you walked out during the commercial. I think

0:22:06.640 --> 0:22:08.320
<v Speaker 1>I heard you guys doing praise or it just runs

0:22:08.320 --> 0:22:09.880
<v Speaker 1>in my head NonStop. It's one of those two. It's

0:22:09.880 --> 0:22:13.399
<v Speaker 1>either I think you heard of a looping thing or

0:22:13.680 --> 0:22:15.800
<v Speaker 1>you're gonna perform that here in a second. But I'm

0:22:15.840 --> 0:22:18.280
<v Speaker 1>just so curious about how your live performances have been

0:22:18.320 --> 0:22:20.719
<v Speaker 1>going because I think you told me when you went

0:22:20.760 --> 0:22:22.720
<v Speaker 1>out to play for Dirk's. When Dirk's called, it was

0:22:22.720 --> 0:22:25.080
<v Speaker 1>like breathing, big fan can play. You were like, I

0:22:25.080 --> 0:22:28.040
<v Speaker 1>hadn't performed like that live before, right, Yeah, I'd only

0:22:28.080 --> 0:22:31.159
<v Speaker 1>played two shows before that, one of which was a

0:22:31.160 --> 0:22:33.639
<v Speaker 1>whiskey jam and the other one was at my former

0:22:33.720 --> 0:22:36.679
<v Speaker 1>high school, which is crazy to think. And then Derek's

0:22:36.720 --> 0:22:38.400
<v Speaker 1>calls and goes come out and play. But I saw,

0:22:38.520 --> 0:22:41.480
<v Speaker 1>are you playing stagecoach? We are? Yeah, So it is

0:22:41.600 --> 0:22:44.800
<v Speaker 1>gone from zero to sixty, yeah, zero to one hundred

0:22:44.880 --> 0:22:47.120
<v Speaker 1>if you're in kilometers yeah, yeah, well I'm not though

0:22:47.400 --> 0:22:49.800
<v Speaker 1>I've been places like use kilometers and have no idea

0:22:49.840 --> 0:22:53.119
<v Speaker 1>what how far? No, you never know. So are you

0:22:53.119 --> 0:22:54.920
<v Speaker 1>you're on stage doing these shows now you are you

0:22:55.000 --> 0:22:56.960
<v Speaker 1>kind of getting it? Are you feeling comfortable performing? I

0:22:57.000 --> 0:23:00.399
<v Speaker 1>would say after this summer, I definitely feel comfortable. It

0:23:00.520 --> 0:23:02.359
<v Speaker 1>just you you need the reps. You got to be

0:23:02.400 --> 0:23:05.639
<v Speaker 1>able to work through different types of problems, figure out

0:23:05.680 --> 0:23:09.200
<v Speaker 1>how your body response to different climates, different types of audiences,

0:23:09.200 --> 0:23:12.439
<v Speaker 1>people who are and aren't necessarily familiar or receptive to

0:23:12.480 --> 0:23:15.159
<v Speaker 1>what you're doing, and I'm starting to get some of

0:23:15.440 --> 0:23:17.679
<v Speaker 1>some of that confidences. Like one of the most cerebral

0:23:17.760 --> 0:23:20.520
<v Speaker 1>artists that I think I've ever spoken to, I can

0:23:20.560 --> 0:23:24.600
<v Speaker 1>tell he just brought up brought kilometers. Yeah, there are

0:23:24.600 --> 0:23:26.480
<v Speaker 1>a lot of people in the world that kilometers is

0:23:26.520 --> 0:23:28.800
<v Speaker 1>not like a big word for the world, But in

0:23:28.840 --> 0:23:32.200
<v Speaker 1>the States were like, Kims, we don't know what it is.

0:23:32.320 --> 0:23:36.800
<v Speaker 1>Stuff is your parents gospel singers? Yeah, and you know,

0:23:36.880 --> 0:23:39.919
<v Speaker 1>I definitely, especially in this song because it's an easy okay,

0:23:39.920 --> 0:23:42.640
<v Speaker 1>well it makes sense praise the Lord. But how much

0:23:42.680 --> 0:23:45.959
<v Speaker 1>of that stylistically vocally do you think that was passed

0:23:45.960 --> 0:23:48.520
<v Speaker 1>on to you? I would say a lot of it. Um,

0:23:48.600 --> 0:23:50.400
<v Speaker 1>you know, you grow up in a house with two

0:23:50.440 --> 0:23:55.160
<v Speaker 1>people who have strong Gospel of voices, Like I would say,

0:23:55.200 --> 0:23:58.800
<v Speaker 1>a lot of a lot of my vocal choices are

0:23:58.880 --> 0:24:02.360
<v Speaker 1>informed by some of the things that my parents were

0:24:02.400 --> 0:24:05.119
<v Speaker 1>doing as as singers and listening to in the house.

0:24:05.520 --> 0:24:07.760
<v Speaker 1>Did you sing in church? I did? Yeah? Could you

0:24:07.960 --> 0:24:09.880
<v Speaker 1>could you let it go? I mean as a kid,

0:24:09.960 --> 0:24:12.200
<v Speaker 1>did you have the power to do that? Young where

0:24:12.240 --> 0:24:14.359
<v Speaker 1>they were like that kid right there, he's going places.

0:24:14.600 --> 0:24:16.480
<v Speaker 1>I don't think I was that kid. I think my

0:24:16.520 --> 0:24:19.960
<v Speaker 1>sister was that kid. I think I started to grow

0:24:20.000 --> 0:24:22.520
<v Speaker 1>into it over time. I was a pretty shy kid,

0:24:22.560 --> 0:24:25.040
<v Speaker 1>so I you would have to like really pushed me

0:24:25.119 --> 0:24:28.879
<v Speaker 1>to get in front of an audience. Now I'm more comfortable,

0:24:29.000 --> 0:24:33.080
<v Speaker 1>But at like ten, eleven twelve, there was vocal talent.

0:24:33.200 --> 0:24:34.880
<v Speaker 1>But you would have you would have to be really

0:24:34.880 --> 0:24:36.960
<v Speaker 1>close to my family to probably know it. There's so

0:24:37.040 --> 0:24:39.320
<v Speaker 1>much vocal talent. When I say he hasn't you know

0:24:39.359 --> 0:24:42.480
<v Speaker 1>he wasn't performing. He still could sing his face off.

0:24:42.480 --> 0:24:44.119
<v Speaker 1>I'm gonna have you play right now. This is that

0:24:44.240 --> 0:24:46.520
<v Speaker 1>Praise the Lord and on the track, if people spend it,

0:24:46.880 --> 0:24:49.640
<v Speaker 1>Thomas Rhetz on it with you? Yeah? Do you call him?

0:24:49.840 --> 0:24:52.000
<v Speaker 1>Do you? How does that get to him? Yeah? I

0:24:52.960 --> 0:24:56.040
<v Speaker 1>sent it through some channels seeing if I could get

0:24:56.040 --> 0:24:58.680
<v Speaker 1>it to him, and it eventually did a few months

0:24:58.680 --> 0:25:00.320
<v Speaker 1>after we wrote it, and I would it's like, I'm

0:25:00.320 --> 0:25:02.840
<v Speaker 1>not putting this song out until we get Thomas on

0:25:02.880 --> 0:25:04.239
<v Speaker 1>the song. And if he doesn't get on the song,

0:25:04.280 --> 0:25:05.800
<v Speaker 1>I'm never gonna put it out. You were never gonna

0:25:05.840 --> 0:25:07.479
<v Speaker 1>put this out without I wouldn't have put it out

0:25:07.480 --> 0:25:09.600
<v Speaker 1>without him. I knew, I knew I wanted him on

0:25:09.640 --> 0:25:11.800
<v Speaker 1>the song, and I was going to stick to that.

0:25:11.880 --> 0:25:13.639
<v Speaker 1>Are there any songs you were like, you know what

0:25:13.720 --> 0:25:15.320
<v Speaker 1>if I don't get Harry styles, I ain't put it out.

0:25:15.320 --> 0:25:16.479
<v Speaker 1>And then he said, no, we never heard it. How

0:25:16.480 --> 0:25:19.280
<v Speaker 1>many of those actually exist? Some of those exist really,

0:25:19.600 --> 0:25:22.479
<v Speaker 1>maybe not necessarily with Harry specifically, but there are artists

0:25:22.600 --> 0:25:25.320
<v Speaker 1>that I'm waiting for them to get on it, to

0:25:25.320 --> 0:25:26.520
<v Speaker 1>put it out. You let me know who. We'll call

0:25:26.600 --> 0:25:29.400
<v Speaker 1>him out right now. Yeah, probably shame him. Yeah, tell

0:25:29.480 --> 0:25:36.199
<v Speaker 1>Cane to quit playing, call him right now. Feel different

0:25:36.480 --> 0:25:39.280
<v Speaker 1>parts of my upbringing during that song meeting. When I

0:25:39.320 --> 0:25:41.800
<v Speaker 1>was really young, my grandmother went to a Pentecostal church

0:25:41.840 --> 0:25:44.320
<v Speaker 1>and I could feel her like starting to like spoken

0:25:44.400 --> 0:25:46.200
<v Speaker 1>tongues at times, yeah, like during that. And then I

0:25:46.240 --> 0:25:47.960
<v Speaker 1>grew up in a Baptist church, and I could feel

0:25:48.000 --> 0:25:49.920
<v Speaker 1>him going, I don't dance too much, but still a little.

0:25:49.920 --> 0:25:51.959
<v Speaker 1>I know you want to. That's that songs? Awesome? Man,

0:25:52.160 --> 0:25:53.959
<v Speaker 1>So you're playing I've heard it many times obviously, are

0:25:53.960 --> 0:25:56.680
<v Speaker 1>you playing it live? Holy crap. There's a part maybe

0:25:56.800 --> 0:25:59.560
<v Speaker 1>like the pre chorus or or you're yeah, what is

0:25:59.560 --> 0:26:03.080
<v Speaker 1>that part? I'm gonna try that. It doesn't matter how

0:26:03.240 --> 0:26:07.560
<v Speaker 1>you worship sent us, say what come on? That win lose.

0:26:09.080 --> 0:26:10.440
<v Speaker 1>Every time he did was like, I can't remember to

0:26:10.480 --> 0:26:13.520
<v Speaker 1>bring that up. You got it? You got it, It's

0:26:13.600 --> 0:26:16.119
<v Speaker 1>right there. What I don't have it? It's Okayven going

0:26:16.119 --> 0:26:20.880
<v Speaker 1>through puberty. We'll try to get a two PM. We're

0:26:20.880 --> 0:26:22.479
<v Speaker 1>gonna drop it three keys. We're gonna do it as

0:26:22.480 --> 0:26:27.200
<v Speaker 1>a duet when or loose end up doing it. So

0:26:27.320 --> 0:26:29.400
<v Speaker 1>you put out the record, and you know you can

0:26:29.400 --> 0:26:31.119
<v Speaker 1>tell him what You're respected in Nashville by all the

0:26:31.119 --> 0:26:33.000
<v Speaker 1>people that agreed to do the record with you. Right.

0:26:33.040 --> 0:26:35.520
<v Speaker 1>It came out like a couple of weeks ago, September ninth, Right,

0:26:36.200 --> 0:26:38.760
<v Speaker 1>So just to list some of them here, you got

0:26:38.920 --> 0:26:42.200
<v Speaker 1>Ingrid Andrews, you got Lady A, Keith Urban, h Mickey Guiden,

0:26:42.520 --> 0:26:46.960
<v Speaker 1>obviously Thomas Rhett. I heard about you first. I was

0:26:46.960 --> 0:26:49.160
<v Speaker 1>with Keith Urban. Yeah, and he was like you gotta

0:26:49.160 --> 0:26:51.919
<v Speaker 1>hear this guy. And I was like, that's wow. He

0:26:52.000 --> 0:26:54.800
<v Speaker 1>is good. But when Keith Urban brings up somebody, You're like, okay,

0:26:54.800 --> 0:26:57.840
<v Speaker 1>well Keith respects them, then I probably should pay attention.

0:26:57.880 --> 0:26:59.919
<v Speaker 1>And I know you've written with Keith. What is that

0:27:00.160 --> 0:27:03.480
<v Speaker 1>like to just sit with him? Because Keith's a genius

0:27:03.520 --> 0:27:06.959
<v Speaker 1>in quirky yeah, and it's thinking ten thousand things at

0:27:06.960 --> 0:27:09.320
<v Speaker 1>once and you're meeting him and writing with the same day.

0:27:09.320 --> 0:27:11.600
<v Speaker 1>I gotta assume that is there any pressure there at all?

0:27:12.240 --> 0:27:15.719
<v Speaker 1>There wasn't really any pressure, because I knew that because

0:27:15.720 --> 0:27:18.320
<v Speaker 1>he reached out to me, that there was a level

0:27:18.320 --> 0:27:21.879
<v Speaker 1>of mutual respect creatively. So I was like, all I

0:27:21.920 --> 0:27:23.760
<v Speaker 1>really have to do is come in and do what

0:27:23.840 --> 0:27:26.320
<v Speaker 1>I usually do, and that was the thing that caused

0:27:26.400 --> 0:27:27.879
<v Speaker 1>him to reach out in the first place. So we

0:27:27.920 --> 0:27:30.880
<v Speaker 1>should be good. And Keith and I are both we

0:27:30.960 --> 0:27:34.080
<v Speaker 1>think about music very differently but also very similarly. Like

0:27:34.119 --> 0:27:37.720
<v Speaker 1>we agree on melody pretty much all the time, and

0:27:37.840 --> 0:27:40.840
<v Speaker 1>usually when you write with people there's melodic differences. I

0:27:40.920 --> 0:27:42.760
<v Speaker 1>might be like, what about this melody, and they'll be like, oh,

0:27:42.800 --> 0:27:45.399
<v Speaker 1>what about this melody? We always agree on melody, and

0:27:45.440 --> 0:27:47.800
<v Speaker 1>we always agree on chords. But because he's such a

0:27:47.840 --> 0:27:52.800
<v Speaker 1>talented instrumentalist, he'll play a lick before he'll sing something,

0:27:53.200 --> 0:27:55.800
<v Speaker 1>and I'll sing something before I'll play something, and so

0:27:56.280 --> 0:27:58.840
<v Speaker 1>we usually will kind of come at the song from

0:27:58.880 --> 0:28:01.520
<v Speaker 1>two different perspective is and then land on something that

0:28:01.560 --> 0:28:04.600
<v Speaker 1>we both agree on. So every song that we've done

0:28:04.840 --> 0:28:07.520
<v Speaker 1>sounds very different. You know, a song like Crimson Blue

0:28:07.520 --> 0:28:11.240
<v Speaker 1>that he dropped for uh nine Perfect Strangers is wildly

0:28:11.280 --> 0:28:13.960
<v Speaker 1>different than my song throw It Back, which is totally

0:28:14.000 --> 0:28:16.440
<v Speaker 1>different than the two songs that I co wrote on

0:28:16.800 --> 0:28:20.040
<v Speaker 1>his project, And all of them are the result of

0:28:20.080 --> 0:28:24.760
<v Speaker 1>both of us agreeing on a totally different side of music,

0:28:24.840 --> 0:28:27.919
<v Speaker 1>whether it's approaching it from classic rock perspective, approaching it

0:28:27.920 --> 0:28:30.520
<v Speaker 1>from a hip hop perspective, approaching it, you know, from

0:28:30.520 --> 0:28:34.320
<v Speaker 1>this like led Zeppelin, Pink Floyd classic, you know, whatever.

0:28:34.359 --> 0:28:37.280
<v Speaker 1>We we know, we know what we want. I saw

0:28:37.320 --> 0:28:41.000
<v Speaker 1>you on TikTok with and I don't know if, I

0:28:41.000 --> 0:28:42.400
<v Speaker 1>don't know if you released this song, but I'm a

0:28:42.400 --> 0:28:45.040
<v Speaker 1>big Mazie Peters fan. Yeah, yeah and so, and I

0:28:45.080 --> 0:28:46.800
<v Speaker 1>was talking about her on this show a few weeks

0:28:46.840 --> 0:28:51.120
<v Speaker 1>ago because she her songs are so hooky. Yeah, and

0:28:51.480 --> 0:28:54.800
<v Speaker 1>you were singing one of her song? Was it? Which one?

0:28:54.840 --> 0:28:57.000
<v Speaker 1>Were you? Were you do editing her? Kate's brother? Oh,

0:28:57.120 --> 0:29:02.640
<v Speaker 1>that's what it is. Yeah. So because you were talking

0:29:02.840 --> 0:29:04.440
<v Speaker 1>was this when you set up? Did you know you

0:29:04.440 --> 0:29:07.600
<v Speaker 1>were gonna do that? Yes? Okay, it looks like you

0:29:07.600 --> 0:29:11.040
<v Speaker 1>were shooting your shot, like like right on. Yeah, we

0:29:11.040 --> 0:29:13.320
<v Speaker 1>we you know, TikTok. Here's the secret for those of

0:29:13.360 --> 0:29:15.600
<v Speaker 1>you who are listening. Nothing that looks like it's a

0:29:15.640 --> 0:29:18.680
<v Speaker 1>surprise on TikTok is a surprise. It is. It is

0:29:18.680 --> 0:29:22.440
<v Speaker 1>like what Yeah, it's very everything is planned in advance,

0:29:22.680 --> 0:29:25.600
<v Speaker 1>Like I'm not trying to ruin everyone's social media engagement,

0:29:25.640 --> 0:29:28.160
<v Speaker 1>but yeah, everything is planned. They probably filmed it like

0:29:28.200 --> 0:29:30.400
<v Speaker 1>four or five times to get it right. These tour

0:29:30.440 --> 0:29:32.800
<v Speaker 1>announcements where they get a call out of those seems

0:29:32.800 --> 0:29:36.240
<v Speaker 1>so fake. Yeah, those seems so fake. It like I'm like,

0:29:36.360 --> 0:29:38.840
<v Speaker 1>come on, like who buys this? But some people buy it,

0:29:38.920 --> 0:29:40.760
<v Speaker 1>So I just wanted to pop that bubble real quick.

0:29:40.760 --> 0:29:43.760
<v Speaker 1>It's all fake. Well you sotold it to me because

0:29:43.800 --> 0:29:45.520
<v Speaker 1>I was like, oh, I like Mazie and then I

0:29:45.520 --> 0:29:47.080
<v Speaker 1>saw you and I was like, okay, they all look

0:29:47.080 --> 0:29:50.160
<v Speaker 1>Brillian shooting shot beaters and then I was gonna ask

0:29:50.200 --> 0:29:52.520
<v Speaker 1>you next time I saw you. But it's all it

0:29:52.600 --> 0:29:54.239
<v Speaker 1>was all set up. Yeah, it was all set up.

0:29:54.240 --> 0:29:57.600
<v Speaker 1>I'm a mark. Yeah I did that song. I love

0:29:57.720 --> 0:30:00.240
<v Speaker 1>I love Mazie. I think what she's doing in the

0:30:00.320 --> 0:30:03.480
<v Speaker 1>UK and on a global scale is massive. She's so

0:30:03.520 --> 0:30:08.080
<v Speaker 1>talented as a writer, vocalist, entertainer. I've seen seen clips

0:30:08.080 --> 0:30:10.880
<v Speaker 1>of her live show. She brings it. But that song,

0:30:10.920 --> 0:30:12.800
<v Speaker 1>I've never done a song that was in that kind

0:30:12.800 --> 0:30:16.480
<v Speaker 1>of punk pop lane uh. And I liked a lot

0:30:16.520 --> 0:30:19.920
<v Speaker 1>of that music. It was reminiscent of like early Avril Levine, yeah,

0:30:19.960 --> 0:30:23.360
<v Speaker 1>aver like Hilary Duffy and you know, I'm I'm a

0:30:23.440 --> 0:30:26.680
<v Speaker 1>I'm a nineties kid. So that was all the stuff

0:30:26.720 --> 0:30:29.360
<v Speaker 1>that we were listening to when I was in school.

0:30:29.440 --> 0:30:31.040
<v Speaker 1>So for me to be able to get on a

0:30:31.080 --> 0:30:33.760
<v Speaker 1>song like that and kind of add my sauce and

0:30:33.800 --> 0:30:36.800
<v Speaker 1>flavor to it tell my side of the story, it

0:30:36.880 --> 0:30:38.520
<v Speaker 1>was a lot of fun. Well, I'm just sad. I

0:30:38.560 --> 0:30:40.040
<v Speaker 1>was tricked. Like all he's talking about it all I

0:30:40.040 --> 0:30:42.440
<v Speaker 1>think about how big idiot I am. You've been bamboozle, Yeah,

0:30:42.440 --> 0:30:44.480
<v Speaker 1>I haven't, and I try not to be bamboos She

0:30:44.520 --> 0:30:46.640
<v Speaker 1>has a song John Hughes movie. I just I'm a

0:30:46.640 --> 0:30:48.160
<v Speaker 1>big fan of amazing people. That's when I saw that.

0:30:48.160 --> 0:30:50.280
<v Speaker 1>I was like, dang, I like both of them. So look,

0:30:50.600 --> 0:30:53.200
<v Speaker 1>you're you're an amazing performing an amazing singer. You have

0:30:53.520 --> 0:30:55.000
<v Speaker 1>you do have a lot of followers on TikTok to you,

0:30:55.080 --> 0:30:57.640
<v Speaker 1>by the way, like don't you have like you have

0:30:57.720 --> 0:31:00.400
<v Speaker 1>millions right now? There is like half a million. Maybe

0:31:00.400 --> 0:31:02.440
<v Speaker 1>you have all the light. I looked and I was like, dang,

0:31:02.520 --> 0:31:04.480
<v Speaker 1>like you already built a TikTok following too. Are you

0:31:04.480 --> 0:31:08.520
<v Speaker 1>making any money on social media yet? Uh? Probably somewhere. Yeah,

0:31:09.360 --> 0:31:13.400
<v Speaker 1>you're so rich you don't even know any social media money.

0:31:13.440 --> 0:31:15.960
<v Speaker 1>I don't even know where that would register, but I'm

0:31:15.960 --> 0:31:20.760
<v Speaker 1>sure I've benefited from it in some way directly or indirectly. Yeah, yeah, yeah, okay, Ammy,

0:31:20.760 --> 0:31:22.760
<v Speaker 1>you have anything for brillim, I'm gonna play his new

0:31:22.800 --> 0:31:24.880
<v Speaker 1>single bit. Yeah, well, I just want to personally know

0:31:24.920 --> 0:31:27.840
<v Speaker 1>about his energy. Like I when I walked in, I

0:31:27.880 --> 0:31:29.880
<v Speaker 1>felt it, and then the whole time you're performing, I

0:31:29.920 --> 0:31:32.160
<v Speaker 1>had goose bumps. So, like, what do you do to

0:31:32.280 --> 0:31:35.360
<v Speaker 1>keep yourself? Maybe you were just born this way? Definitely

0:31:35.360 --> 0:31:38.080
<v Speaker 1>not okay, So what do you do to keep yourself

0:31:38.160 --> 0:31:41.080
<v Speaker 1>with whatever the synergy is that you have? Yeah? Um,

0:31:41.640 --> 0:31:46.080
<v Speaker 1>I have become very intentional about two things. One who

0:31:46.120 --> 0:31:49.120
<v Speaker 1>I am and am not spending time around people who

0:31:49.200 --> 0:31:51.680
<v Speaker 1>don't pour into me, who don't believe in me, who

0:31:51.760 --> 0:31:55.400
<v Speaker 1>don't hold me accountable. I don't spend time with anyone

0:31:55.440 --> 0:31:58.479
<v Speaker 1>who isn't a part of that. And then two, just

0:31:58.560 --> 0:32:02.200
<v Speaker 1>focusing on gratitude, being grateful for everything, whether it's good

0:32:02.280 --> 0:32:04.520
<v Speaker 1>or bad. That's why in the song when it says

0:32:04.680 --> 0:32:07.680
<v Speaker 1>win or lose, praise the Lord, like, I really abide

0:32:07.680 --> 0:32:11.760
<v Speaker 1>by that. I think it's easy to be grateful for

0:32:11.840 --> 0:32:14.120
<v Speaker 1>things when you're getting good news and when things are

0:32:14.160 --> 0:32:16.080
<v Speaker 1>going the way that you want them too, it's really

0:32:16.120 --> 0:32:19.280
<v Speaker 1>hard to do that and almost seems counterintuitive to do

0:32:19.320 --> 0:32:22.080
<v Speaker 1>that when you're getting bad news or when things are tough.

0:32:22.640 --> 0:32:26.480
<v Speaker 1>And I've been really mindful of just being grateful for

0:32:26.560 --> 0:32:31.200
<v Speaker 1>everything regardless. Ray, you saw Breylon ware like Chick fil

0:32:31.200 --> 0:32:33.160
<v Speaker 1>a the food, Yeah, you just went through the straight

0:32:33.280 --> 0:32:34.920
<v Speaker 1>up drive through. I think you walked up to it.

0:32:34.960 --> 0:32:36.760
<v Speaker 1>I figured you maybe had a person go get you

0:32:36.920 --> 0:32:41.440
<v Speaker 1>your food. Oh, you can't hear him forgot. Ray said

0:32:41.480 --> 0:32:43.880
<v Speaker 1>he saw you at Chick fil A and you you

0:32:44.560 --> 0:32:46.760
<v Speaker 1>walked up because there's a chick flame there's a window

0:32:46.760 --> 0:32:48.160
<v Speaker 1>you can want to And he was like, I was surprise,

0:32:48.200 --> 0:32:49.680
<v Speaker 1>you have somebody just getting his food for him. He's

0:32:50.040 --> 0:32:51.960
<v Speaker 1>I'm definitely getting my own food. What do you do?

0:32:52.200 --> 0:32:55.280
<v Speaker 1>This is my first album, Like, I think it's going

0:32:55.320 --> 0:32:58.840
<v Speaker 1>on here, like, I had Keith pull up and play

0:32:58.920 --> 0:33:00.720
<v Speaker 1>with me at the High wat last year, and he

0:33:00.840 --> 0:33:04.680
<v Speaker 1>came to the sound check entirely by himself. Nobody just

0:33:04.800 --> 0:33:07.800
<v Speaker 1>walked in looking like Keith. I was like, this is absurd.

0:33:07.920 --> 0:33:10.120
<v Speaker 1>So yeah, I'm definitely getting my own food. Until I

0:33:10.160 --> 0:33:13.240
<v Speaker 1>passed that level, I will be getting my own food. Well,

0:33:13.280 --> 0:33:14.960
<v Speaker 1>we can't wait until you do pass that level. I

0:33:15.040 --> 0:33:17.040
<v Speaker 1>was still gonna be getting I don't know. I don't

0:33:17.080 --> 0:33:18.680
<v Speaker 1>know Ray, so he was shocked. He was like brialand

0:33:18.720 --> 0:33:20.360
<v Speaker 1>was getting his own food. You'll see me at Chick

0:33:20.400 --> 0:33:25.560
<v Speaker 1>fil A in twenty thirty. There's a window. Sure, you

0:33:25.600 --> 0:33:27.600
<v Speaker 1>can order on the app, and then I have my

0:33:27.640 --> 0:33:32.720
<v Speaker 1>people go get it from me. So they go up. Okay, hey,

0:33:32.840 --> 0:33:34.600
<v Speaker 1>let's talk about the single real quick because we're gonna

0:33:34.600 --> 0:33:36.840
<v Speaker 1>play it here for what it's worth Now. For audience

0:33:36.880 --> 0:33:38.640
<v Speaker 1>who hasn't heard this, it's it's always weird to hear

0:33:38.680 --> 0:33:40.160
<v Speaker 1>a song for the first time. Yep, it's good to

0:33:40.200 --> 0:33:43.000
<v Speaker 1>have some background give me what they need to know

0:33:43.080 --> 0:33:45.720
<v Speaker 1>before they hear it. Yeah, the song is is just

0:33:45.920 --> 0:33:48.720
<v Speaker 1>my take on a breakup song. I've had a couple

0:33:48.720 --> 0:33:51.160
<v Speaker 1>of breakups in my life, and anytime I've had one.

0:33:51.720 --> 0:33:54.600
<v Speaker 1>I hold myself accountable for the things that I may

0:33:54.600 --> 0:33:56.520
<v Speaker 1>have dropped the ball on and I wanted to write

0:33:56.520 --> 0:34:00.160
<v Speaker 1>a song from that perspective, just maturely being able to say, hey,

0:34:00.440 --> 0:34:02.400
<v Speaker 1>I understand I may not have been the person that

0:34:02.560 --> 0:34:04.600
<v Speaker 1>you wanted me to be for you at that time,

0:34:04.600 --> 0:34:06.960
<v Speaker 1>and I hope that you're able to find that. He's like,

0:34:07.080 --> 0:34:09.920
<v Speaker 1>so mature. You know, I hate myself when I hang

0:34:09.960 --> 0:34:14.680
<v Speaker 1>out with that. To him, we are one and the same.

0:34:15.520 --> 0:34:19.319
<v Speaker 1>It's the best bits of the week with Morgan number two.

0:34:23.320 --> 0:34:26.759
<v Speaker 1>It's always interesting when a listener gets very angry at

0:34:26.880 --> 0:34:29.120
<v Speaker 1>us for something and I shouldn't say us. This time

0:34:29.160 --> 0:34:32.359
<v Speaker 1>they were angry with Lunchbox. So Lunchbox took over our

0:34:32.400 --> 0:34:34.600
<v Speaker 1>voicemail line, which is something he's been doing for a

0:34:34.680 --> 0:34:38.719
<v Speaker 1>long time, and it's always funny because somehow he manages

0:34:38.840 --> 0:34:41.640
<v Speaker 1>to get people on that have no idea it's actually

0:34:41.680 --> 0:34:43.440
<v Speaker 1>him on the other side. They do think it's a

0:34:43.520 --> 0:34:48.879
<v Speaker 1>voicemail sometimes. But one listener was not happy with lunchboxes

0:34:49.160 --> 0:34:53.000
<v Speaker 1>joke and he was getting very angry. He all that Lunchbox.

0:34:53.040 --> 0:34:55.880
<v Speaker 1>He asked for Abby and I instead, which is also

0:34:55.920 --> 0:34:58.640
<v Speaker 1>a little weird. There's a lot that happened in this segment,

0:34:58.719 --> 0:35:00.799
<v Speaker 1>so I'm just gonna let you hear for yourself. The

0:35:00.920 --> 0:35:03.840
<v Speaker 1>listener who got very angry with Lunchbox while he was

0:35:03.880 --> 0:35:06.839
<v Speaker 1>taking over the voice on line number two. If we're

0:35:06.880 --> 0:35:08.920
<v Speaker 1>not here, still call because we have a voice on online.

0:35:08.920 --> 0:35:10.560
<v Speaker 1>You can say whatever you want. We'll play back on

0:35:10.600 --> 0:35:14.520
<v Speaker 1>the air. This is Matt from San Diego, California. I

0:35:14.560 --> 0:35:16.880
<v Speaker 1>was catching up on some of the podcasts and I

0:35:16.920 --> 0:35:20.319
<v Speaker 1>was listening to talk about taking on the Kangaroo, and

0:35:20.520 --> 0:35:24.520
<v Speaker 1>as your friendly neighborhood zookeeper, I just have to say

0:35:24.560 --> 0:35:27.200
<v Speaker 1>that I don't think you could do it, Bobby. Kangaroos

0:35:27.280 --> 0:35:30.319
<v Speaker 1>are massive. I've worked with them. I know you're a

0:35:30.440 --> 0:35:33.080
<v Speaker 1>tall dude at six one, and you work out and

0:35:33.160 --> 0:35:35.719
<v Speaker 1>you train, But I'm telling you, man, I don't think

0:35:35.880 --> 0:35:38.239
<v Speaker 1>you could take on the kangaroo. Love the show, Love

0:35:38.280 --> 0:35:41.960
<v Speaker 1>you guys, though, Yeah I could. Whoo. That's a specialist

0:35:42.000 --> 0:35:44.880
<v Speaker 1>time he works with kangaroo. Special with the heart of

0:35:44.880 --> 0:35:47.080
<v Speaker 1>a lion. When you take a heart of a lion

0:35:47.120 --> 0:35:49.440
<v Speaker 1>and the heart of a kangaroo whose heart wins the

0:35:49.520 --> 0:35:51.880
<v Speaker 1>heart of a lion, I would whoop a kangaroo's but

0:35:52.320 --> 0:35:54.640
<v Speaker 1>don't send me a big muscular kangaroo and be like,

0:35:54.640 --> 0:35:57.040
<v Speaker 1>look at this one, you'll lose. That's like sending someone

0:35:57.200 --> 0:35:59.640
<v Speaker 1>a wrestler from WW going like if you just met this,

0:36:00.000 --> 0:36:02.280
<v Speaker 1>of course that one you'd probably lose too. But random

0:36:02.360 --> 0:36:06.520
<v Speaker 1>kangaroo on the street, bring it, brohoop, I stick my

0:36:06.560 --> 0:36:09.439
<v Speaker 1>head in your pouch and be like boot and then

0:36:09.760 --> 0:36:13.480
<v Speaker 1>cold cocko. Okay, okay, whoop a kangaroo. So you can

0:36:13.560 --> 0:36:15.960
<v Speaker 1>leave a voicemail just like that, the voicemail lines like, hey,

0:36:16.000 --> 0:36:18.520
<v Speaker 1>it's Bobby, thanks for leaving. Leave a voicemail. Sometimes Lunchbox

0:36:18.560 --> 0:36:21.400
<v Speaker 1>gets on the voicemail lines and just messes with people.

0:36:21.640 --> 0:36:24.160
<v Speaker 1>So here as Lunchbox and Callegs are thinking they're gonna

0:36:24.160 --> 0:36:26.840
<v Speaker 1>get this, but instead they get this, thank you for

0:36:26.880 --> 0:36:30.520
<v Speaker 1>going the Bobby Bone Show. I spent a voicemail last night.

0:36:30.560 --> 0:36:32.359
<v Speaker 1>I don't know if y'all got or grief. Even listen

0:36:32.400 --> 0:36:36.440
<v Speaker 1>to your voicemail. This is the voicemail leave a message

0:36:35.680 --> 0:36:42.560
<v Speaker 1>be okay, you're doing this again? All right? Hello? Hello, Hello?

0:36:43.040 --> 0:36:46.960
<v Speaker 1>Are you there? Well? Actually anything else you'd like to say?

0:36:47.239 --> 0:36:50.160
<v Speaker 1>You want to give a shout out? No shout out,

0:36:50.239 --> 0:36:52.719
<v Speaker 1>No one cares. Have a great day, Okay, thank you.

0:36:53.280 --> 0:36:58.520
<v Speaker 1>That's what you did. Just be mean to someone. Okay,

0:36:58.560 --> 0:37:05.440
<v Speaker 1>here's another one, Bobby Bone Show. This is the voicemail Lunchbox. Hello.

0:37:05.920 --> 0:37:09.120
<v Speaker 1>If you're satisfied with your message, press one. If you'd

0:37:09.120 --> 0:37:13.840
<v Speaker 1>like to rerecord, Press two. Lunch Bunch is Abby around

0:37:14.200 --> 0:37:18.799
<v Speaker 1>or Morgan. If you're satisfied with your message, press one.

0:37:17.600 --> 0:37:21.920
<v Speaker 1>Believe this is a joke because I think you're the

0:37:21.920 --> 0:37:28.520
<v Speaker 1>only one. I'm used by it boring. Why are you

0:37:28.640 --> 0:37:32.240
<v Speaker 1>being such that one was rude? There is no cursing

0:37:32.360 --> 0:37:36.000
<v Speaker 1>on the voicemail. Please rephrase your statement. I hope to

0:37:36.120 --> 0:37:39.160
<v Speaker 1>god you and I never meet a person. Dude, why

0:37:39.160 --> 0:37:41.320
<v Speaker 1>did you got a robot voice? Because you weren't robots

0:37:41.360 --> 0:37:43.839
<v Speaker 1>and all of a sudden you got a robot. And also,

0:37:43.920 --> 0:37:46.839
<v Speaker 1>nobody believes this bed anymore. That guy's gonna go, he said,

0:37:46.920 --> 0:37:48.759
<v Speaker 1>He says it's you, He said, I hope we never

0:37:48.840 --> 0:37:53.640
<v Speaker 1>meet in person. I'm nervous, free, nervous. Not make him happy.

0:37:53.760 --> 0:37:56.719
<v Speaker 1>Here's one more, and this one is Lunchbox. Then you're

0:37:56.760 --> 0:37:59.040
<v Speaker 1>not the voicemail anymore. No, no, it is unless she

0:37:59.080 --> 0:38:01.520
<v Speaker 1>was on hold. I'm gonna patch her through. Thank you

0:38:01.560 --> 0:38:04.880
<v Speaker 1>for calling The Bobby Bones Show. So I have a

0:38:05.000 --> 0:38:07.520
<v Speaker 1>random question. I'm going to put you on hold so

0:38:07.560 --> 0:38:09.920
<v Speaker 1>I can patch you through to Bobby. But please practice

0:38:09.960 --> 0:38:11.960
<v Speaker 1>your story while you're on hold so you get it

0:38:12.120 --> 0:38:18.080
<v Speaker 1>concise and to the point. Please hold. We are live

0:38:18.239 --> 0:38:24.360
<v Speaker 1>and three two one, you're live. Go with your question. Please, Hey,

0:38:24.560 --> 0:38:27.560
<v Speaker 1>So I'm calling to see what you're going. Whoa, whoa,

0:38:28.040 --> 0:38:30.000
<v Speaker 1>A little more energy, a little more energy. Here we go.

0:38:30.280 --> 0:38:35.200
<v Speaker 1>You are live and three two one we are live. Hey,

0:38:35.400 --> 0:38:38.560
<v Speaker 1>so no, no, no, no, no no energy, energy energy. We

0:38:38.640 --> 0:38:40.960
<v Speaker 1>got millions of people listening across the country. We got it.

0:38:41.080 --> 0:38:43.720
<v Speaker 1>Here we go, here go, you're live and three two

0:38:43.920 --> 0:38:48.720
<v Speaker 1>one live. It's time for the Bobby Bones post show.

0:38:49.320 --> 0:39:01.279
<v Speaker 1>Here's your host, Bobby Bone. Go go go all right,

0:39:01.320 --> 0:39:08.680
<v Speaker 1>I need your by The Bobby Bones Show talks about

0:39:10.320 --> 0:39:12.719
<v Speaker 1>I mean, just does you just mean to people? It's

0:39:12.719 --> 0:39:16.319
<v Speaker 1>not even like you're stupid. Hold. I feel like this

0:39:16.400 --> 0:39:18.040
<v Speaker 1>was like us when we were like prank calling people

0:39:18.040 --> 0:39:21.680
<v Speaker 1>and we're kids. Get the system for sure. If Luxbox

0:39:21.680 --> 0:39:24.080
<v Speaker 1>ever answers, no, stop, don't ruin this. No you're talking

0:39:24.120 --> 0:39:27.120
<v Speaker 1>about nobody believes it. Don't ruin the bit. We're gonna

0:39:27.160 --> 0:39:29.200
<v Speaker 1>lose caller. Here's one more This is a real one.

0:39:29.239 --> 0:39:31.479
<v Speaker 1>This is a Heather in Texas. Go ahead, say, Bobby Bones,

0:39:31.719 --> 0:39:35.200
<v Speaker 1>I need some help. My best friend, flash Boss Principal

0:39:35.480 --> 0:39:38.000
<v Speaker 1>loves Luke Brian and I just bought us tickets to

0:39:38.040 --> 0:39:41.239
<v Speaker 1>go see him in Boers City October seventh. Do you

0:39:41.280 --> 0:39:43.799
<v Speaker 1>have any suggestions on how to tell her love your show?

0:39:44.200 --> 0:39:46.640
<v Speaker 1>How I would tell her? I don't know you were

0:39:46.680 --> 0:39:49.680
<v Speaker 1>going to Luke Brian in Boger City. Seven yell a

0:39:49.719 --> 0:39:51.799
<v Speaker 1>little bit, wait, was saying right now to her friend,

0:39:51.840 --> 0:39:54.320
<v Speaker 1>and she can play this back and do an impression

0:39:54.360 --> 0:39:57.120
<v Speaker 1>of Luke. Yeah, Okay, go ahead, go ahead, what's what's

0:39:57.239 --> 0:40:00.600
<v Speaker 1>what's her name? Didn't say? Okay, Principal, Hey, it's me Brian,

0:40:00.880 --> 0:40:04.719
<v Speaker 1>and you're gonna come see me in Bowjer City. Let's go.

0:40:05.080 --> 0:40:09.520
<v Speaker 1>It's too much of simity, Sam. I'm sorry I went

0:40:09.520 --> 0:40:12.600
<v Speaker 1>a little overboard there. You're coming to my show in

0:40:12.719 --> 0:40:15.600
<v Speaker 1>Bojer City and I can't wait to see you. That's

0:40:15.600 --> 0:40:18.360
<v Speaker 1>pretty good, lu Yeah, player this clipback. That'll work, And

0:40:18.360 --> 0:40:20.560
<v Speaker 1>that's how you leave a voicemail. Yeah, lunch Box is

0:40:20.600 --> 0:40:22.680
<v Speaker 1>never messing with the other voicemails. But you can't call

0:40:22.760 --> 0:40:27.520
<v Speaker 1>us eight seven, seven seventy seven Bobby it's the best

0:40:27.640 --> 0:40:31.840
<v Speaker 1>bits of the week. With Morgan number two and of

0:40:31.880 --> 0:40:34.600
<v Speaker 1>course coming in at this number one spot, we did

0:40:34.640 --> 0:40:39.439
<v Speaker 1>some blind karaoke. It was Garth Brooks audition and y'all

0:40:39.440 --> 0:40:42.000
<v Speaker 1>love blind karaoke. I think that means you guys love

0:40:42.040 --> 0:40:45.359
<v Speaker 1>hearing us in misery or you love hearing us sing

0:40:45.480 --> 0:40:48.239
<v Speaker 1>things that we possibly can't remember. I don't know. If

0:40:48.280 --> 0:40:50.440
<v Speaker 1>you just love the chaos of it, maybe that's what

0:40:50.480 --> 0:40:53.560
<v Speaker 1>it is. But blind karaoke was a good time this

0:40:53.600 --> 0:40:56.960
<v Speaker 1>week hearing all the Garth Brooks songs, and especially because

0:40:57.280 --> 0:41:01.200
<v Speaker 1>Eddie is a Garth Brooks fan girl, I think would

0:41:01.200 --> 0:41:03.640
<v Speaker 1>be safe to say. And he had to sing one

0:41:03.680 --> 0:41:05.399
<v Speaker 1>of the songs and did he live up to it?

0:41:05.680 --> 0:41:08.600
<v Speaker 1>I don't know. You tell us number one. So it's

0:41:08.680 --> 0:41:11.120
<v Speaker 1>karaoke except nobody has the words to the songs. It's

0:41:11.200 --> 0:41:16.080
<v Speaker 1>blind karaoke. Welcome everybody, Raymundo, you've never played the game,

0:41:16.160 --> 0:41:17.680
<v Speaker 1>now you've heard them play it? Are you always? Like? Man?

0:41:17.719 --> 0:41:20.239
<v Speaker 1>They're terrible. I could I could probably do a lot

0:41:20.239 --> 0:41:22.360
<v Speaker 1>better than them. Yeah, like that and the categories Garth

0:41:22.360 --> 0:41:27.240
<v Speaker 1>Brooks songs. That's my boy, I just boyd. Hey who's

0:41:27.280 --> 0:41:30.400
<v Speaker 1>the judge? Since Ray is not judging. No, Ray's never

0:41:30.480 --> 0:41:34.600
<v Speaker 1>a judge. Scuba right, love it? Okay, so we'll spend

0:41:34.600 --> 0:41:36.400
<v Speaker 1>the wheel whatever lands on Ray, that's the song you

0:41:36.400 --> 0:41:38.759
<v Speaker 1>will sing. Do you have any preference? I think I

0:41:38.760 --> 0:41:43.359
<v Speaker 1>can pretty much nail any of those bad about five

0:41:43.400 --> 0:41:51.880
<v Speaker 1>of his shows. So let's spin who Ray you'll be performing?

0:41:52.640 --> 0:41:54.719
<v Speaker 1>Oh that's a good one. If Tomorrow never come, face,

0:41:55.040 --> 0:41:56.799
<v Speaker 1>can you play a little clip of the real song?

0:41:57.000 --> 0:41:59.160
<v Speaker 1>So Raymundo can hear it? Just so we can get

0:41:59.200 --> 0:42:01.960
<v Speaker 1>the feel. Here is if tomorrow never comes from Garth Brooks.

0:42:02.120 --> 0:42:12.200
<v Speaker 1>If tomorrow never Ray doing, If tomorrow never comes. It's

0:42:12.200 --> 0:42:14.520
<v Speaker 1>probably a slow start to this one. I'm guessing about

0:42:14.520 --> 0:42:20.040
<v Speaker 1>a twenty second intro. No, no, I'll give you a

0:42:20.080 --> 0:42:24.799
<v Speaker 1>more shot. I do cue them sometimes, would you like

0:42:24.880 --> 0:42:30.040
<v Speaker 1>a queue? Yeah? You know that? Sometimes late at night,

0:42:30.040 --> 0:42:32.840
<v Speaker 1>here we go, Wow, okay, he's so serious. There we go.

0:42:38.080 --> 0:42:45.880
<v Speaker 1>Sometimes late at night, I wander in the dark, thinking

0:42:46.080 --> 0:42:53.000
<v Speaker 1>if I've done enough to see tomorrow? And everybody goes

0:42:53.040 --> 0:43:03.320
<v Speaker 1>to work, experiencing the workforce, never thinking once that if

0:43:03.480 --> 0:43:11.160
<v Speaker 1>tomorrow never comes, will my boss know how much he

0:43:11.360 --> 0:43:20.480
<v Speaker 1>hurt me? If tomorrow never comes, will I know how

0:43:20.719 --> 0:43:28.080
<v Speaker 1>much I lived? But if tomorrow does come, you die

0:43:28.200 --> 0:43:38.720
<v Speaker 1>gonna work and Denna always wonder what if tomorrow never come? Wow?

0:43:39.080 --> 0:43:43.560
<v Speaker 1>He didn't. It really were terrible. He sounded like drunk Elvis.

0:43:42.680 --> 0:43:46.320
<v Speaker 1>He I mean he didn't know any words, and I

0:43:47.080 --> 0:43:50.520
<v Speaker 1>thought you knew tomorrow. I mean he sang all the

0:43:50.520 --> 0:43:52.799
<v Speaker 1>words with a clip right on, and then when it

0:43:52.840 --> 0:43:54.320
<v Speaker 1>came to it, you were on the wrong spot. But

0:43:54.320 --> 0:43:56.800
<v Speaker 1>you didn't even singing those words. Singing is really hard.

0:43:56.800 --> 0:43:59.439
<v Speaker 1>Why are you still yelling at me? Oh? It's tough

0:43:59.440 --> 0:44:01.799
<v Speaker 1>with this micro on these headphones. I like how you think.

0:44:01.840 --> 0:44:05.200
<v Speaker 1>Garth puts the words of workforce and a really slow,

0:44:05.320 --> 0:44:10.120
<v Speaker 1>meaningful song in the lyrics at you. I didn't mean

0:44:10.160 --> 0:44:13.040
<v Speaker 1>to tech attack bosses in general, but it put part

0:44:13.040 --> 0:44:14.279
<v Speaker 1>of the song and the I felt like you were

0:44:14.280 --> 0:44:17.160
<v Speaker 1>coming to me there, buddy. I wasn't. But it's about tomorrow,

0:44:17.200 --> 0:44:20.640
<v Speaker 1>and usually work is tomorrow. Okay, so that's true. Blind

0:44:20.719 --> 0:44:23.440
<v Speaker 1>karaoke Ray has no lyrics in front of him. Do

0:44:23.640 --> 0:44:26.080
<v Speaker 1>I just write your scores down one to ten? It's

0:44:26.160 --> 0:44:28.919
<v Speaker 1>raised first time ever playing there, you go write it down?

0:44:29.000 --> 0:44:33.360
<v Speaker 1>All right? Ray, Thank you very much? All right, next

0:44:33.480 --> 0:44:39.399
<v Speaker 1>up producer ready, Oh Eddie, I love you some guard.

0:44:39.680 --> 0:44:41.759
<v Speaker 1>I love GARTHI you know that bone. He's gonna know

0:44:41.880 --> 0:44:44.799
<v Speaker 1>every song, every lyric. I mean, this is if you

0:44:44.840 --> 0:44:47.120
<v Speaker 1>don't win this, it's a Travis to Eddie. There are

0:44:47.120 --> 0:44:49.879
<v Speaker 1>a lot of good songs though this because they're all great,

0:44:49.920 --> 0:44:52.239
<v Speaker 1>but I think good songs to actually perform. I think

0:44:52.360 --> 0:44:55.920
<v Speaker 1>if he did, like Colin Baton, rouge operator, won't you

0:44:56.000 --> 0:44:58.520
<v Speaker 1>let me on through? Guys, come on, both, you know

0:44:58.640 --> 0:45:02.560
<v Speaker 1>I know all these songs. I I used to dress

0:45:02.640 --> 0:45:05.120
<v Speaker 1>like Garth. I was in the Garth Fan club. I

0:45:05.160 --> 0:45:08.120
<v Speaker 1>had a world tour jacket that my mom got me

0:45:08.120 --> 0:45:10.480
<v Speaker 1>for Christmas one year. I am a Garth fan. Well,

0:45:10.600 --> 0:45:12.800
<v Speaker 1>we have nothing else to do because I spend that wheel. Guys, ready,

0:45:13.120 --> 0:45:17.640
<v Speaker 1>let's spend that Let's see which town do. I want

0:45:17.880 --> 0:45:20.359
<v Speaker 1>a lot of songs on the wheel and Eddie will

0:45:20.400 --> 0:45:23.880
<v Speaker 1>be singing the thunder rolls. Oh you know what. I

0:45:23.920 --> 0:45:26.320
<v Speaker 1>was singing this just the other day. Okay, yeah, it

0:45:26.400 --> 0:45:28.799
<v Speaker 1>was a rainstorm coming in and when the thunder rolled,

0:45:28.800 --> 0:45:31.520
<v Speaker 1>I was like three thirty in the morning. You're going

0:45:31.600 --> 0:45:34.360
<v Speaker 1>full full bow by Oh no, I'm not. I'm not.

0:45:34.400 --> 0:45:37.759
<v Speaker 1>I need I need music. Okay, wow for our audience, right,

0:45:37.800 --> 0:45:42.840
<v Speaker 1>if you could play them the clip under and the

0:45:43.000 --> 0:45:48.160
<v Speaker 1>light doesn't stride. Oh oh, absolutely all right, here we go.

0:45:48.200 --> 0:45:57.880
<v Speaker 1>This is Eddie doing the thunder rolls blind karaoke's bell buckle.

0:45:58.040 --> 0:46:08.160
<v Speaker 1>That's what Garth did in the video three thirty in

0:46:08.200 --> 0:46:14.080
<v Speaker 1>the morning, not a soul in sight. Cities looking like

0:46:14.160 --> 0:46:20.040
<v Speaker 1>a ghost town on the moonlit summer night. Rain drops

0:46:20.080 --> 0:46:26.120
<v Speaker 1>on the windshield. There's a storm moving in set it

0:46:26.200 --> 0:46:31.480
<v Speaker 1>from somewhere that he never should have been. And the

0:46:31.480 --> 0:46:45.600
<v Speaker 1>thunder rolls for thunder and the thunder roll. Every light

0:46:45.840 --> 0:46:50.400
<v Speaker 1>is burning in the house across town. Here. Look at

0:46:50.440 --> 0:46:54.839
<v Speaker 1>that headphones boss, I'm on the telephone. Thankful, he's right.

0:46:55.120 --> 0:46:58.400
<v Speaker 1>He's gone to Garth head mic now and the wind

0:46:58.560 --> 0:47:04.160
<v Speaker 1>and rain just strange. Je Perfume blows. The lightning crashes

0:47:04.239 --> 0:47:09.160
<v Speaker 1>in her eyes and he knows that she knows. And

0:47:09.320 --> 0:47:19.640
<v Speaker 1>the thunder roll and the thunder rolls, the thunder rose

0:47:21.000 --> 0:47:27.200
<v Speaker 1>and the lightning strides. Another love goes cold on the

0:47:27.280 --> 0:47:34.160
<v Speaker 1>sleepless nah and the storm goes on out of control,

0:47:35.880 --> 0:47:43.320
<v Speaker 1>deep in her harm. The thunder Buddies does not sound

0:47:43.360 --> 0:47:46.800
<v Speaker 1>just like Arth. No, but what you definitely had passionate energy.

0:47:46.880 --> 0:47:48.520
<v Speaker 1>Thank you man. Do we penalize you more if you

0:47:48.560 --> 0:47:50.319
<v Speaker 1>mess up to you wanting to be an expert. Yeah,

0:47:50.360 --> 0:47:53.120
<v Speaker 1>we're playing to note every single like you're playing. You're

0:47:53.160 --> 0:47:57.279
<v Speaker 1>playing this, you obviously want them to lose all judge, Yes,

0:47:57.440 --> 0:48:00.160
<v Speaker 1>just take that into account. Just listen to a ray

0:48:00.200 --> 0:48:02.400
<v Speaker 1>did and compare it to mine and just write your

0:48:02.440 --> 0:48:11.160
<v Speaker 1>score out. Okay, than coming up Lunchbox and then our

0:48:11.400 --> 0:48:13.839
<v Speaker 1>two time champion two times in a row, Abbey who

0:48:13.920 --> 0:48:19.120
<v Speaker 1>continues to dominate these fools. What I'm in the competitions,

0:48:19.120 --> 0:48:23.120
<v Speaker 1>I can't say anything that's true that he makes noises.

0:48:23.800 --> 0:48:31.200
<v Speaker 1>I can't saying do you think it's a conspiracy? Lunch

0:48:31.200 --> 0:48:35.279
<v Speaker 1>Boxes up next? Whoa what? Hey? Let me tell you

0:48:35.840 --> 0:48:39.399
<v Speaker 1>some of these Garth songs I should know, and it's

0:48:39.400 --> 0:48:41.480
<v Speaker 1>all Garth Brooks today. Let me all the time I

0:48:41.520 --> 0:48:43.800
<v Speaker 1>went saw him in Las Vegas and I knew some

0:48:43.840 --> 0:48:45.759
<v Speaker 1>of these songs. Okay, And if you buy the box

0:48:45.760 --> 0:48:48.960
<v Speaker 1>set at Walmart, when they're singing the River, you see

0:48:49.000 --> 0:48:51.440
<v Speaker 1>me in the crowd, just so you know the video

0:48:52.080 --> 0:48:54.680
<v Speaker 1>the corner of your head, not my face, right on.

0:48:54.719 --> 0:48:58.080
<v Speaker 1>So on life is like a river ever chat and

0:48:58.120 --> 0:48:59.759
<v Speaker 1>it shows me and it's like, wow, so do you

0:48:59.800 --> 0:49:02.319
<v Speaker 1>want the river? No? Oh why not? What would you

0:49:02.320 --> 0:49:06.719
<v Speaker 1>prefer here on the wheel? Hey? I answered, Okay, he

0:49:06.719 --> 0:49:09.600
<v Speaker 1>wants answer prayers. I hope you go, hope I get it? Yeah,

0:49:09.800 --> 0:49:12.040
<v Speaker 1>a couple of those. I got no idea. You know

0:49:12.120 --> 0:49:14.600
<v Speaker 1>the dance? I don't think I know the dance? Wait?

0:49:14.640 --> 0:49:17.520
<v Speaker 1>You talking about that because I'm like nervous. Because these

0:49:17.520 --> 0:49:19.920
<v Speaker 1>are a huge song I should know. And when they

0:49:19.960 --> 0:49:23.160
<v Speaker 1>come on the CDs or my iPod, I listen to them.

0:49:23.160 --> 0:49:31.040
<v Speaker 1>I hear open. Ok Okay, let's come on, come on,

0:49:31.840 --> 0:49:33.680
<v Speaker 1>give me some good juju. Give me some good ju

0:49:33.800 --> 0:49:38.320
<v Speaker 1>ju on that wheel you'll be doing? Oh shameless? Have

0:49:38.360 --> 0:49:40.879
<v Speaker 1>you ever heard shameless before? I've heard it a couple

0:49:40.920 --> 0:49:42.239
<v Speaker 1>of times. How do you think it goes before you

0:49:42.280 --> 0:49:45.200
<v Speaker 1>hear it? Because I'm shameless? That's it. But I don't

0:49:45.200 --> 0:49:56.200
<v Speaker 1>know anything else. Listen, Why do you look so stressed

0:49:56.239 --> 0:49:59.600
<v Speaker 1>and sad right now? Because the wheel never gives me

0:49:59.680 --> 0:50:01.279
<v Speaker 1>any saying that I have it? What do you want?

0:50:01.960 --> 0:50:06.440
<v Speaker 1>Unanswered prayers? Hey? Everybody? What? WHOA? I don't even do this.

0:50:06.640 --> 0:50:09.080
<v Speaker 1>You guys don't don't do this? Do you don't? Don't

0:50:10.280 --> 0:50:13.920
<v Speaker 1>problem with giving him unanswered prayers? I don't. Okay, everybody

0:50:13.920 --> 0:50:16.760
<v Speaker 1>has to sign off ray you go you okay? Abby?

0:50:16.840 --> 0:50:19.720
<v Speaker 1>Can you have on unentwer prayers? Yeah? Okay? Hey lunchbox,

0:50:19.719 --> 0:50:28.040
<v Speaker 1>hold on shameless no wrong song? Can see that's that's

0:50:28.040 --> 0:50:31.080
<v Speaker 1>the wrong song. Do you want shameless? You no shame?

0:50:32.719 --> 0:50:36.839
<v Speaker 1>Last night at a hometown okay, you play unanswered prayers?

0:50:36.840 --> 0:50:45.000
<v Speaker 1>Somebjoms a thing? Or do you know everywhere to this

0:50:45.040 --> 0:50:56.640
<v Speaker 1>one from the beginning blind karaoke? Just last night at

0:50:56.640 --> 0:51:01.279
<v Speaker 1>a hometown football game, me and my my wife ran

0:51:01.400 --> 0:51:06.480
<v Speaker 1>into my old high school flame. Then in there I

0:51:06.680 --> 0:51:12.640
<v Speaker 1>thank God for unanswered prayers. She was the one I

0:51:12.680 --> 0:51:16.920
<v Speaker 1>had wanted for all time. But then I realized that

0:51:17.080 --> 0:51:21.720
<v Speaker 1>just because you got unanswered prayers, I said, I thank

0:51:21.840 --> 0:51:27.080
<v Speaker 1>God for unanswered prayers. Remember when you're talking to that

0:51:27.200 --> 0:51:33.080
<v Speaker 1>man upstairs, that just because he doesn't answer doesn't mean

0:51:33.200 --> 0:51:38.640
<v Speaker 1>he don't care. And that's why I thank God for

0:51:39.320 --> 0:51:45.320
<v Speaker 1>unanswered prayers. Because I wanted her, and now she's fat.

0:51:45.560 --> 0:51:50.919
<v Speaker 1>She's not I know yet I could have gotten worse.

0:51:51.800 --> 0:51:55.359
<v Speaker 1>You know, It's just it's just do you even hear

0:51:55.400 --> 0:51:57.480
<v Speaker 1>the music? The music just went to the chorus right now?

0:51:57.719 --> 0:51:59.839
<v Speaker 1>Do you even hear the music? Really? Okay? Because it

0:52:00.000 --> 0:52:03.279
<v Speaker 1>doesn't seem like I don't really hear it. Yeah, I'm

0:52:03.320 --> 0:52:05.320
<v Speaker 1>worried about just getting the words right, but you don't.

0:52:06.160 --> 0:52:09.319
<v Speaker 1>You got more. I thought I got a lot. You

0:52:09.320 --> 0:52:11.080
<v Speaker 1>did get more than that. Thought. She was the one

0:52:11.120 --> 0:52:14.319
<v Speaker 1>I wanted for all time. Uh yeah, yeah, yeah, yeah yeah.

0:52:14.320 --> 0:52:16.040
<v Speaker 1>But you generally you say you just want it, but

0:52:16.080 --> 0:52:19.000
<v Speaker 1>you don't. So I just wonder if you tried to

0:52:19.000 --> 0:52:20.919
<v Speaker 1>stay on beat. No, I did try to stay on beat,

0:52:21.160 --> 0:52:23.160
<v Speaker 1>like it was I did I go too fast? Pretty good?

0:52:23.400 --> 0:52:26.800
<v Speaker 1>I went too fast? Yeah, you skip some stuff, but

0:52:27.200 --> 0:52:28.759
<v Speaker 1>course it's a great like, like, what part did that?

0:52:28.840 --> 0:52:32.479
<v Speaker 1>Maybe maybe your finest performance if we're being honest here, Wow? Yeah,

0:52:32.600 --> 0:52:34.359
<v Speaker 1>what what part did I skip? Though? The whole song?

0:52:34.480 --> 0:52:36.000
<v Speaker 1>You were done with the whole song in thirty seconds

0:52:36.000 --> 0:52:37.600
<v Speaker 1>and then you said, just old fatters up? All right,

0:52:37.600 --> 0:52:41.239
<v Speaker 1>here we go, let's talk to somebody. Write your scores down. Wow,

0:52:41.320 --> 0:52:43.040
<v Speaker 1>let me just say I'm looking at one of the scores.

0:52:43.480 --> 0:52:47.120
<v Speaker 1>Oh oh wait, never mind, that was that's combined? Oh

0:52:47.480 --> 0:52:55.960
<v Speaker 1>dang you, I swear I saw that. What part of

0:52:56.080 --> 0:52:58.719
<v Speaker 1>miss Because they let us bring in our poard contestant,

0:52:59.320 --> 0:53:08.520
<v Speaker 1>two time defending champion, they call a rabbit. She's so good, Abbey,

0:53:08.680 --> 0:53:12.000
<v Speaker 1>we're so happy that you grace us. If it's another

0:53:12.040 --> 0:53:14.240
<v Speaker 1>appearance here on the stage. I can't wait from singing

0:53:14.239 --> 0:53:16.480
<v Speaker 1>at the bars in Vegas and Nashville to right here

0:53:16.520 --> 0:53:19.160
<v Speaker 1>in front of us. Look, I'm going you have a

0:53:19.200 --> 0:53:23.200
<v Speaker 1>favorite song, Friends on Low Places, but I love Shameless also,

0:53:23.239 --> 0:53:25.640
<v Speaker 1>so I'm glad you didn't do that song. So Abby

0:53:25.719 --> 0:53:27.879
<v Speaker 1>will have the wheel spun and whatever lands, and she'll

0:53:27.880 --> 0:53:29.319
<v Speaker 1>sing with no words in front of her. Do you

0:53:29.320 --> 0:53:33.440
<v Speaker 1>study any Garth songs for performing your sets? It's not really. Now,

0:53:34.160 --> 0:53:44.040
<v Speaker 1>let's spend what you're a fast one? Abby? You have mama?

0:53:44.239 --> 0:53:48.719
<v Speaker 1>Oh shoot, there's so many words to this tough Let's

0:53:48.760 --> 0:53:52.840
<v Speaker 1>see what you made of Abigail? Is that your name? It? No,

0:53:53.080 --> 0:54:00.440
<v Speaker 1>but we'll go with it. All right, Let's go, Mama, Mama.

0:54:03.000 --> 0:54:05.480
<v Speaker 1>Mom was in the graveyard, Tom was in the thing.

0:54:05.880 --> 0:54:16.160
<v Speaker 1>I think I know the chorus, but yeah, here we go.

0:54:19.760 --> 0:54:23.439
<v Speaker 1>Mama loved going down there every night, and Daddy told

0:54:23.440 --> 0:54:26.680
<v Speaker 1>her he was gonna be all right. They went down

0:54:26.800 --> 0:54:29.640
<v Speaker 1>to the liquor store and they said, hey, I want

0:54:29.719 --> 0:54:33.360
<v Speaker 1>some fun, Mum. They go out and every now and

0:54:33.440 --> 0:54:35.719
<v Speaker 1>then they go to Broadway and they go to all

0:54:35.800 --> 0:54:38.839
<v Speaker 1>the bars. Oh yeah, they keep on walking until they

0:54:38.880 --> 0:54:41.200
<v Speaker 1>see a guitar, and then they fire it up and

0:54:41.560 --> 0:54:47.080
<v Speaker 1>ding into town. Yeah. Thank oh mama the lover Lona

0:54:47.320 --> 0:54:53.080
<v Speaker 1>shouts down. Was a looking dad's kind Comma, Mama, mama,

0:54:53.360 --> 0:54:57.560
<v Speaker 1>Oh my god, Eddie got this. MoMA is in the graveyard,

0:54:57.600 --> 0:55:00.319
<v Speaker 1>Comma is in the pin I can't see guy song.

0:55:03.840 --> 0:55:07.319
<v Speaker 1>That's it. I have never seen someone give up an

0:55:07.400 --> 0:55:09.920
<v Speaker 1>award the winner in the middle of the same. She

0:55:10.000 --> 0:55:13.400
<v Speaker 1>did both. She quit and gave the championship to somebody.

0:55:14.520 --> 0:55:21.000
<v Speaker 1>Lunchboxes in this right. No, I know what I missed.

0:55:21.520 --> 0:55:23.640
<v Speaker 1>I knew I destroyed it. Remember the angel, She's not

0:55:23.680 --> 0:55:25.239
<v Speaker 1>the angel I remembered of all time. That's what I

0:55:25.239 --> 0:55:29.640
<v Speaker 1>mean by that lay thinking music for me. I need

0:55:29.680 --> 0:55:34.080
<v Speaker 1>this In tabulations, he's still on the song. Okay, let

0:55:34.080 --> 0:55:39.720
<v Speaker 1>it go Garth Okay, God that okay, then I'm gonna

0:55:39.760 --> 0:55:45.640
<v Speaker 1>do boy, Abby, Abby, that might be the lowest ever forever.

0:55:47.960 --> 0:55:52.279
<v Speaker 1>I was like, because she just quit. Yeah, I like

0:55:52.400 --> 0:56:05.480
<v Speaker 1>the fired it up though. That was good. Okay, in

0:56:05.600 --> 0:56:07.640
<v Speaker 1>last place, and this person will not be before me

0:56:07.760 --> 0:56:11.000
<v Speaker 1>next week because she quit his Abbey Yeah, get out

0:56:11.000 --> 0:56:14.360
<v Speaker 1>of here, let's go. Abby got a total score of

0:56:14.440 --> 0:56:17.959
<v Speaker 1>six day. That's the Champ defending Champ. Does she quit?

0:56:18.320 --> 0:56:22.000
<v Speaker 1>You can't quit? You can't. I mean I thought you've

0:56:22.000 --> 0:56:24.680
<v Speaker 1>tried to teach her that weeks ago. Man quit, can't quit?

0:56:24.760 --> 0:56:27.000
<v Speaker 1>So but Abby gets the lowest square it's six, So

0:56:27.040 --> 0:56:32.120
<v Speaker 1>everybody else is surviving in next week? Okay, in third

0:56:32.160 --> 0:56:39.439
<v Speaker 1>place with a score of fourteen. Ray, that'll do. Wow,

0:56:44.360 --> 0:56:49.279
<v Speaker 1>I'm I got it. I'm gonna sing us out? Is

0:56:49.280 --> 0:56:50.880
<v Speaker 1>that what we do? No? Even if he doesn't win,

0:56:50.920 --> 0:56:54.240
<v Speaker 1>any sing out? Please that same song? No, whatever, whatever

0:56:54.320 --> 0:56:57.640
<v Speaker 1>one he wants. Maybe we try shameless, yes, because I

0:56:57.719 --> 0:56:59.839
<v Speaker 1>will never know. I want to work for her all

0:56:59.880 --> 0:57:03.680
<v Speaker 1>the that's so No, that's that summer. Yeah, yeah, you know,

0:57:04.040 --> 0:57:10.160
<v Speaker 1>you know. With a score of sixteen. Oh oh, it's close. Huh.

0:57:10.360 --> 0:57:13.919
<v Speaker 1>Lunchbox second okay, oh no, you were supposed to tease

0:57:13.920 --> 0:57:15.879
<v Speaker 1>me and say oh and then Eddie got a fifteen, Eddie,

0:57:15.920 --> 0:57:22.560
<v Speaker 1>Eddie got twenty one. It's almost not Bear because I

0:57:22.600 --> 0:57:25.840
<v Speaker 1>mean Garth, dude, Garth's my favorite. He's the goat, Eddie.

0:57:26.080 --> 0:57:27.400
<v Speaker 1>Would you like to sing us out? Or would you

0:57:27.400 --> 0:57:29.200
<v Speaker 1>like somebody else? No? I would like Lunchbox to sing

0:57:29.240 --> 0:57:30.680
<v Speaker 1>us out, and I'd like to pick the song. Okay,

0:57:30.680 --> 0:57:33.360
<v Speaker 1>go ahead calling baton rude. Okay, here's lunchboxing calling baton

0:57:33.400 --> 0:57:39.680
<v Speaker 1>rouge from right there. Put on the wait, go on

0:57:40.360 --> 0:57:44.880
<v Speaker 1>straight your smity sad all right, yo head put her

0:57:44.920 --> 0:57:47.080
<v Speaker 1>on the line. I got a collar, sheet hot as

0:57:47.080 --> 0:57:49.960
<v Speaker 1>a dime, I got I got a collar and tell

0:57:50.040 --> 0:57:55.360
<v Speaker 1>him coming in a baton rude because I love you,

0:57:55.640 --> 0:57:59.360
<v Speaker 1>hey operators, he is fine, bye ye, Please put her

0:57:59.360 --> 0:58:07.520
<v Speaker 1>on that line. It's the Best Bits of the Week

0:58:08.280 --> 0:58:12.640
<v Speaker 1>with Morgan number two. That's it for the Best Bits,

0:58:12.680 --> 0:58:15.120
<v Speaker 1>just the bits this weekend. I hope you guys are

0:58:15.600 --> 0:58:18.919
<v Speaker 1>enjoying some awesome weather. Maybe you have fault weather, maybe

0:58:18.920 --> 0:58:22.040
<v Speaker 1>you have a right before fault weather, or enjoying whatever

0:58:22.080 --> 0:58:24.400
<v Speaker 1>your plans are this weekend. But I appreciate you guys

0:58:24.680 --> 0:58:27.080
<v Speaker 1>hanging out with me here and listening to the bits.

0:58:27.120 --> 0:58:30.560
<v Speaker 1>Make sure you go and check out Best Bits Part one,

0:58:30.600 --> 0:58:32.720
<v Speaker 1>which is with Abby. This week. We talk about a

0:58:32.760 --> 0:58:36.720
<v Speaker 1>lot of fun things, including some TV show movie suggestions.

0:58:36.840 --> 0:58:39.640
<v Speaker 1>We also just talk about life lately, which is always

0:58:39.680 --> 0:58:41.560
<v Speaker 1>a good time. If you want to follow me, you

0:58:41.560 --> 0:58:44.400
<v Speaker 1>can go to at web Girl Morgan on All the Things,

0:58:44.760 --> 0:58:46.800
<v Speaker 1>and you can also check out the show at Bobby

0:58:46.840 --> 0:58:49.320
<v Speaker 1>Bones Show. Go see some of this content that I

0:58:49.320 --> 0:58:51.840
<v Speaker 1>talked about this week. Also, there's more up there that

0:58:51.880 --> 0:58:54.320
<v Speaker 1>I didn't get a chance to talk to, so definitely

0:58:54.400 --> 0:58:57.520
<v Speaker 1>check that out. Y'all have the best weekend. I'll see

0:58:57.520 --> 0:59:01.160
<v Speaker 1>you next time. Bobby Ball, Bobby Bone Show