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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: What's up, y'all, Welcome to the Best Bits of the Week.

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Speaker 1: I'm Morgan. If you haven't been on this podcast before,

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Speaker 1: what I do is break down the Bobby Bone Show

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Speaker 1: from this week. So I take the seven best segments

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Speaker 1: that y'all engage with, the most called in about, or

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Speaker 1: were the most controversial, or y'all just really loved, and

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Speaker 1: I share them here, maybe for you to listen to

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Speaker 1: him again or get caught up on the show. If

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Speaker 1: you miss some things from the podcast this week, maybe

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Speaker 1: life was a little bit crazy, so you get to

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Speaker 1: hear them all here and make sure you don't miss

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Speaker 1: out on anything, or maybe you just don't want to

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Speaker 1: feel left out. So that's what it is too. We're

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Speaker 1: just gonna go ahead and get started. Coming in in

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Speaker 1: that number seven spot, we had Elder Verse Millennial. Y'all

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Speaker 1: love this game. It's the battle of generations where Eddie

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Speaker 1: and myself go up against each other and have to

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Speaker 1: answer questions about each other's generations. And let me tell you,

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Speaker 1: this game is just totally against me. It's nearly impossible

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Speaker 1: for me to win sometimes because Edie he loves to

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Speaker 1: buzz in early and then you know, this week I

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Speaker 1: buzz in Earlanta did not work out for me, so

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Speaker 1: won't be doing that again anytime soon. And there's obviously

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Speaker 1: the new twist that just adds to all of this,

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Speaker 1: where the loser has to eat something gross. I've now

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Speaker 1: eaten mayo with peanut butter on a spoon, and I

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Speaker 1: have also now eaten a gummy hot dog with ketchup

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Speaker 1: and mustard on top. And let me tell you that

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Speaker 1: gummy hot dog was not bad, but then you had

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Speaker 1: all the texture of mustard and ketchup. Yeah, there was

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Speaker 1: a lot going on there. Okay, so you can hear

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Speaker 1: it right now, play along with your friends and your family,

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Speaker 1: and maybe you'll do better than I did and not

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Speaker 1: have to eat a gummy hot dog. Number seven, right,

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Speaker 1: Eddie the oldest on the show forty three years old,

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Speaker 1: Morgan the youngest on the show, twenty eight years old,

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Speaker 1: and they're playing a game based on what they knew

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Speaker 1: as they grew up as kids. The loser, no, no,

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Speaker 1: no, no no, no, no, what I don't know? Whatever this is,

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Speaker 1: I don't want. The loser has to eat an Oscar

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Speaker 1: Meyer group of flavored gummies. It's a hot dog gummy

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Speaker 1: Weener hot doc gummies. Oh and by the way, you

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Speaker 1: have to dip it in mustard or ketch up here.

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Speaker 1: Oh my god, you have that here. Okay, so let's

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Speaker 1: play elder versus millennial, which if you lose the product

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Speaker 1: says what do Oscar Meyer gummy hot dogs taste like?

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Speaker 1: There's only one way to find out. You guys have

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Speaker 1: your buzzer? Yeah, we do, Eddie yours, Morgan, that's Morgan, Morgan, Morgan.

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Speaker 1: If I hear that, that's your buzzer. Here we go.

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Speaker 1: Question number one. It's an elder question. What celebrity is

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Speaker 1: known for this catch phrase? That's Eddie, that's me, and

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Speaker 1: that's mister T. Mister T is correct, Yeah, Morgan, just

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Speaker 1: because of you, guys, I don't even Happycus Rocky three. Yeah, yes, yeah,

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Speaker 1: yeah yeah. Millennial question. This is a catch phrase from

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Speaker 1: what Disney Channel show? Here's the phrase I heard, Morgan

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Speaker 1: go ahead, that's so Raven is correct? Oh snap, okay,

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Speaker 1: an elder question and there will be a clip here.

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Speaker 1: In nineteen ninety three, this band released their debut studio album,

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Speaker 1: August and Everything After. It featured this song Eddie that's

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Speaker 1: counting crows. That is correct, man, I knew it right away,

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Speaker 1: but I didn't want to buzz too early. Is that

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Speaker 1: I'm gonna phrase the question either exactly. Next one up, millennial?

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Speaker 1: What Canadian artist released her date? Eddie Avril Levine? I

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Speaker 1: just said Canadian artists, right? And you want you just

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Speaker 1: jumped in the answer. Is that's why you do that?

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Speaker 1: What Canadian artists release our debut studio album let Go

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Speaker 1: in two thousand and two. There's so many Canadians. I

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Speaker 1: was never gonna get it, so why why not try?

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Speaker 1: I hate you, dang, I actually hate you. One question

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Speaker 1: left in each category. It's an elder question. Come on,

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Speaker 1: what's the name of the housekeeper on the show The

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Speaker 1: Brady Bunch? Morgan, you need this? Alice who? Correct? I

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Speaker 1: don't know where that it was in there? They came

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Speaker 1: on the sixties? Correct, that's what you get. That's some

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Speaker 1: kind of karma. What next up? Millennial question? Morgan, you

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Speaker 1: need this to tie? Oh my gosh. What actor began

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Speaker 1: his acting career on The Mickey Mouse Club as a

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Speaker 1: teen in nineteen Nice? Okay, there's a lot of them, Morgan,

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Speaker 1: so have at it. I know acting career justin Timberlake.

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Speaker 1: The question is what actor began his acting career on

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Speaker 1: The Mickey Mouse Club as a teen in nineteen ninety three,

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Speaker 1: in transition to adult stardom with the massive popular The

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Speaker 1: Notebook in two thousand and four. What is that, guys?

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Speaker 1: Ed you've already won? Name is uh? Gosh? I forgot

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Speaker 1: his name? His name? Notebook's a great movie, Morgan, you

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Speaker 1: would have got it. But more importantly, that's right, Morgan

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Speaker 1: is our loser. Now, Morgan, there's no meat in this gummy. Yeah.

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Speaker 1: I was gonna say, have a little. Morgan doesn't eat meat.

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Speaker 1: Why did you already put that? What is it? What

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Speaker 1: do you see in front of you? There, there's a

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Speaker 1: it looks like a plastic hot hot dog. Yeah, it's

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Speaker 1: it's a gummy with ketchup and mustard on it. Okay, here,

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Speaker 1: not like normal mustard. Oh it's a long gummy. I

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Speaker 1: thought it was gonna be like a gummy bear, the

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Speaker 1: whole thing. No, it's a hot It's an entire gummy

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Speaker 1: hot dog. You have to eat half of it. Okay,

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Speaker 1: I'm just gonna go the whole thing. Oh, it's a

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Speaker 1: whole hot dog shaped gum. Oh my goodness. I don't

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Speaker 1: even think I've had an actual hot dog since I

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Speaker 1: was like five years old. Welcome, welcome to the world

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Speaker 1: a hot dog. Oh that's disgusting. Oh it's stretching. It's stretching.

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Speaker 1: How did you find that just on the internet. Oh,

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Speaker 1: you gonna throw up? Shore, I get the trash can

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Speaker 1: are you? Okay? Obvisually a gummy's not bad. Just all

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Speaker 1: the head shows of the saft shows on it. Any

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Speaker 1: gummy with ketchup, I don't care what the gummy is

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Speaker 1: so gross? Oh she's struggling right now, trash can fine,

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Speaker 1: do you have a water? What kind of mustard was that? Oh?

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Speaker 1: My god, what kind of mustard was it? Scoop Steve,

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Speaker 1: that's a grape of bun. But of course, of course

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Speaker 1: set you in it up. This is a really hard gummy. Okay,

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Speaker 1: the shafts are gone. Oh that was the worst part. Okay,

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Speaker 1: the gummy. It kind of tastes like your your usual

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Speaker 1: gummy bear. She's back, guy, she's back. Minish it off,

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Speaker 1: Eddie Goodwin, thank you man. It's the best Bits of

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Speaker 1: the Week with Morgan. Number two. Raymundo hosted a cow

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Speaker 1: milking competition and he shared a story on the show

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Speaker 1: from it basically where a country artist who he was

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Speaker 1: there to also host her performance got knocked back by

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Speaker 1: the cow and the cow was not appreciating being milked.

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Speaker 1: So fun story, but also maybe a little bit of

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Speaker 1: fake news apparently based on what you guys are saying

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Speaker 1: online and what Bobby said on the show. So it's

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Speaker 1: just you know, here for yourself and then go check

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Speaker 1: out the video at Bobby Bones dot com. Number six,

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Speaker 1: here are your three options. We're gonna do one of

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Speaker 1: these segments right now. Number one, Raymundo, our audio producer,

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Speaker 1: was at a cow milking competition and he saw an

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Speaker 1: artist get kicked over by a cow. That's option one.

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Speaker 1: Option two is Morgan, who runs all of our digital

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Speaker 1: or social media. She saw someone trying to steal her

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Speaker 1: man and she recorded them. Or three Lunchbox made the

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Speaker 1: local news. No, have you seen me on the news lately? Right? Okay,

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Speaker 1: have you seen Lunchbox on the news lately? So if

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Speaker 1: you're not involved, you get to vote, So that would

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Speaker 1: be me Amy, Eddie. And if there's a tie, because

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Speaker 1: there's three, mic deal, come in, Okay, Eddie, which one

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Speaker 1: do you want to hear? Man Lunchboxes story has been

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Speaker 1: so long, but I don't really don't care about it,

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Speaker 1: So I want to go with Ray. I want to

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Speaker 1: know what artists got kicking Amy. Oh. I would like

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Speaker 1: to hear Morgan's story about the mail. Oh boy, I

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Speaker 1: hear lunchboxes story on opposite day. I'm gonna go with

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Speaker 1: I'm gonna go with ray story, all right, So pick

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Speaker 1: a bet which like, all right, bring the heat? What's

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Speaker 1: the bed? All right? So I'm doing this cow competition?

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Speaker 1: Hy did you do it well? First of all, a

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Speaker 1: cow milking competition? Where is that hilarious? It was at

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Speaker 1: the Nashural Fair and the local station hooked it up.

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Speaker 1: They said, we need somebody to do play by play

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Speaker 1: of cow milking and I said, it sounds random as crap.

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Speaker 1: I'm in okay, so you go. You have a microphone? Yeah?

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Speaker 1: And how many people are they? Kids or adults? There?

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Speaker 1: I mean the competition was between the news stations, so CBSABC, Fox,

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Speaker 1: all them, okay, go ahead, and they're all milking these cows.

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Speaker 1: But there's two of them, and these cows didn't want

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Speaker 1: to be there. And I don't know if y'all are

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Speaker 1: familiar with cows. While they're getting milked. They do a

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Speaker 1: lot of other stuff disgusting. Oh, like they're going one

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Speaker 1: and two the entire time. So the people in the

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Speaker 1: front row had to move back. So that's how it

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Speaker 1: started off. And I'm like, wow, this got real real quick. Well,

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Speaker 1: Pressley did not want to be milked whatsoever. The cow.

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Speaker 1: I guess they have names and stuff like that. They're

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Speaker 1: just like people. So this Pressley started bucking, knocks over

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Speaker 1: the milk cart and okay or whatever it was the

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Speaker 1: milk pail. And there's a country artist and the country

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Speaker 1: artist name is Hannah Ellis. We've had her on the

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Speaker 1: show before. She's an up and coming artist. And the

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Speaker 1: cow drills her in the chest because it was bucking.

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Speaker 1: I got video of it I put on my Instagram

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Speaker 1: and it knocks her back and she went back about

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Speaker 1: five feet and the entire crowd goes awkwardly silent. It's like,

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Speaker 1: are we going to continue the competition? This hick just

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Speaker 1: got knocked out by a cow. Wow that stinked if

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Speaker 1: that's really what happened. However, Rai's name is clickbait ray

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Speaker 1: for he could have just said my neighbor got hit

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Speaker 1: by the cow. I mean her, we've had her on

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Speaker 1: the show before. Yeah. I went to Hannah's Instagram and

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Speaker 1: she was talking about it and there was a whole guest.

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Speaker 1: The video is legit. She does get kicked back by

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Speaker 1: the cow. You see her boots like you see her

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Speaker 1: little feet lie back. She seemed okay, but she said

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Speaker 1: she's an extremely competitive person. She basically wasn't gonna le

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Speaker 1: cow back. That's what I was thinking. She got back

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Speaker 1: to the cow, so she had to get taken down

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Speaker 1: the hospital or anything. No, she got dusted, but she

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Speaker 1: never hit her head, which was the lucky things where

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Speaker 1: she just stood back up and they continued the competition.

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Speaker 1: They thought about not doing that. I bet that was embarrassing.

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Speaker 1: I got kicked in the cow and the chest by

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Speaker 1: a cow, I'd have to be like, oh, do some

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Speaker 1: little dance or something, because that would just be so humiliated.

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Speaker 1: And then she had to perform after that, and it

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Speaker 1: was all the cow stuff all over the ground, so

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Speaker 1: they had to come in and put sawdust down so

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Speaker 1: you couldn't smell it while you were watching her perform.

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Speaker 1: This all thing sounds like a disaswer, like just absolute

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Speaker 1: disas there he is Ray, Yeah, the nice bit. We

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Speaker 1: picked the bit It's the best Bits of the week

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Speaker 1: with Morgan. Number two. Another one of the picka bits

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Speaker 1: on the show this week was mine. So I almost

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Speaker 1: got my mail stolen and I captured it all on video. Thankfully.

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Speaker 1: I have a doorbell camera, and when I was at work,

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Speaker 1: I got a notification and well, let's just say some

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Speaker 1: people were trying to get in my bailbox and steal

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Speaker 1: some things. And also they had a not inconspicuous car

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Speaker 1: at all, So that was another twist to the story.

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Speaker 1: And I also shared what I'm doing now to make

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Speaker 1: sure it doesn't happen again. Mind you, I never even

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Speaker 1: thought this needed to be addressed, but here I am

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Speaker 1: having to make sure I don't have certain mail sent

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Speaker 1: to me and I have to get a new mailbox.

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Speaker 1: So yeah, there's that number five and Morgan a lot

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Speaker 1: of listeners, so they wanted to hear your story about

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Speaker 1: you catching the person stealing your mail, are trying to

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Speaker 1: steal your moil? What happened? Yeah, So I was at

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Speaker 1: work and I got a notification for my ring doorbell

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Speaker 1: camera and I pull it up and I look and

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Speaker 1: there's this orange Nissan Ultima sitting in my driveway. Never

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Speaker 1: seen that car in my life. That's a bold car

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Speaker 1: to be stealing an orange Ultima. Yes, I get a

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Speaker 1: white one. Wow, Okay, And I was shocked. I was like,

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Speaker 1: maybe they're turning around. No, They're sitting there for several minutes,

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Speaker 1: and then finally my notification goes off again and the

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Speaker 1: passenger gets out of their car, goes to my mailbox,

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Speaker 1: opens it up, looks for anything, and then closes it.

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Speaker 1: Runs back to the car, and they drive away. So

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Speaker 1: there was nothing in there, luckily, thank goodness, nothing was

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Speaker 1: in there. Yeah, so what do you do? I file

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Speaker 1: the police report, and I mean, I'm hoping they find them.

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Speaker 1: It's an orange car. There's not a lot of orange

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Speaker 1: cars out there. That's what I'm saying. I get an automobile,

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Speaker 1: that is it. Yeah. So a couple of things. One,

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Speaker 1: what people do. Some people do that want to steal

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Speaker 1: your identity. If they get into your mail and they

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Speaker 1: can find anything with your social or part social address

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Speaker 1: that stuffs in your mail, so they do is they

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Speaker 1: try to steal your mail, then they can have at

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Speaker 1: least one or two data points to try to steal

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Speaker 1: your identity. That's thing one. Thing two is they may

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Speaker 1: just be trying to steal stuff like a porch pirate,

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Speaker 1: but without the guts to go all the way up

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Speaker 1: on the port check but not as good as stuff

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Speaker 1: in the mail, maybe a check or something. But yeah,

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Speaker 1: I'm glad you caught them. So what do the cops

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Speaker 1: say or what do they say when you called it?

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Speaker 1: They haven't said anything. And I did talk to my

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Speaker 1: mailman about it happening. He was like, you can put

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Speaker 1: up one of those locked mailboxes that they can't get into.

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Speaker 1: And I did because I hadn't done this before. I

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Speaker 1: changed all of my statements over to electronics. So now

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Speaker 1: they really can't get a hold of anything. It'll just

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Speaker 1: be like junk mail in there. That's the number one

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Speaker 1: thing they advise people to do, if you can make

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Speaker 1: it electronic, do because it's hard for people to get

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Speaker 1: that information if it's on the internet, especially people that

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Speaker 1: are just driving around looking at mailboxes. But I'm glad

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Speaker 1: you made that call, because they're not just doing this

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Speaker 1: to you. No, this is somebody in the neighborhood or

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Speaker 1: somebody in town that's going to mailboxes trying to steal

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Speaker 1: mail for one reason or the other. That's also very

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Speaker 1: scary they do in the daytime. I guess when everybody's

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Speaker 1: at work. Yeah, I guess they thought I wasn't there.

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Speaker 1: But I just can't get over that it was an

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Speaker 1: orange car. Like they can find you very easily with

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Speaker 1: an orange car. Yeah, I'd be like somebody you know

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Speaker 1: in a Chick fil a van. It'll be like, Bro,

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Speaker 1: you're driving the loudest vehicle that there is. It's the

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Speaker 1: best bits of the week with Morgan. Number two. Amy's

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Speaker 1: daughter is all about the side hustle. She's always finding

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Speaker 1: ways to make money, and honestly, I think I need

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Speaker 1: to take some lessons from her because she has that

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Speaker 1: entrepreneurial spirit and I never really had that growing up,

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Speaker 1: so I definitely need to take some lessons from her.

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Speaker 1: She found a new donut hack where she's trying to

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Speaker 1: get some free donuts basically and resell them to make

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Speaker 1: some extra cash. And you know, I'm all supported of this,

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Speaker 1: but I'm not sure if it's going to work out,

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Speaker 1: because then Lunchbox went and tested the theory and it

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Speaker 1: didn't work for him, So I don't know. Maybe it's

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Speaker 1: because she's a kid and she can get away with

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Speaker 1: this and make some extra cash, and I am sure

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Speaker 1: hoping that happens for her number four. Okay, what happened? Well,

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Speaker 1: you know, house to Shear is all about making money

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Speaker 1: and saving money. Yeah, that's Amy's daughter. She loves to hustle.

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Speaker 1: It's her specialty, love it. So I guess she heard

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Speaker 1: that you could go to Duncan at the end of

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Speaker 1: the day when they're about to close and get any

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Speaker 1: donuts they're gonna throw away. So if you show up

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Speaker 1: right when they're shutting the doors, they will give you.

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Speaker 1: Don't what Okay, let's ask the expert Lunchbox used to

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Speaker 1: work at Duncan Donuts. Correct. If I were to go

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Speaker 1: to that place at the very end and go, like,

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Speaker 1: I don't know, I'm just here looking for a donut,

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Speaker 1: would they give me a donut? I have no idea

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Speaker 1: because my Duncan Donuts never closed, so there was never

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Speaker 1: a chance we were throwing We never threw donuts away,

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Speaker 1: so we were always making new ones and selling through

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Speaker 1: so they would never close the doors and so there

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Speaker 1: was no giving away donuts. What do you think the

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Speaker 1: answer is? Do you think it's a reality thing? No?

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Speaker 1: I think it's no because they can get in trouble

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Speaker 1: for health code violations. If they give away donuts, yes,

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Speaker 1: if they give them away at the end of the

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Speaker 1: day anyway, think oh I think they give him away.

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Speaker 1: I mean that would be wasted food. You have the donuts,

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Speaker 1: grocery stores getting try for that. Grocery stores. That's why

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Speaker 1: you can go dumpster dive and find good groceries. I

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Speaker 1: had a buddy that lived in San Francisco and he

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Speaker 1: only ate out dumpsters. Yeah, you had, but he had

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Speaker 1: a buddy to me. Okay, craziest. Okay, so she go

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Speaker 1: Do you let her? Yeah? She said, Hey, she had

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Speaker 1: a friend over and she asked if they could ride

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Speaker 1: their bikes down to the Duncoes. There's a duncan close

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Speaker 1: enough to ride a bike too. Closes at seven pm. Wow,

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Speaker 1: so it's not dark yet. So I said, okay, yeah,

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Speaker 1: take the bikes. See what happens. And sure enough they

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Speaker 1: got donuts. Wow. She came back. Are you sure she

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Speaker 1: didn't buy them? No, like she didn't take like five

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Speaker 1: bucks and buy donuts. No, I'm going today. Yeah, I

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Speaker 1: mean I figured lunch could probably test this out, but

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Speaker 1: it's kind of crazy, And I told her I don't

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Speaker 1: want to take advantage of that. So if she wants

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Speaker 1: to do this again, she needs to go in time

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Speaker 1: to buy something and then kindly offer to take any

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Speaker 1: donuts off their hands that they're just going to throw out.

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Speaker 1: But I don't think it's taken advantage of it if

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Speaker 1: they're just going to throw it out. Correct, But it's not.

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Speaker 1: But if you really want a donut, you should go

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Speaker 1: early enough to buy the donut and pay for it,

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Speaker 1: unless you don't want one bad enough, but you only

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Speaker 1: want one bad enough. It's free. Right when they're closing. Listen,

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Speaker 1: I'm waiting for the day honestly where she comes to

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Speaker 1: me and she to sell the donuts. Yes, And she's reselling, yes,

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Speaker 1: the donuts she just got on five. Once they close

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Speaker 1: the doors, right there in front of the duncan, it's

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Speaker 1: like getting nice you know, like a like a nice

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Speaker 1: chest and fell in full of chick plants and they're

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Speaker 1: on Sunday when people drive through. But like, hey, what

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Speaker 1: do you need? I got it right here, double the price.

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Speaker 1: So what's the line? Hey, I hear you're about to close.

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Speaker 1: Do I get the donuts for free? I mean, is

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Speaker 1: that all you say? I don't know that they you know,

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Speaker 1: had a strategic line other than oh they had a strategy.

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Speaker 1: Don't sure y'all are closing? Like, do y'all have any

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Speaker 1: donuts you're gonna throw out? We'll take them. Okay, you

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Speaker 1: gotta try that and bring us sound if they're free? Absolutely, okay,

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Speaker 1: I'll bring you some. I'll bring you two dozen. What

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Speaker 1: do you What do you like on yours? You like sprinkle?

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Speaker 1: I like I like Boston cream. I'm not eating sugar,

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Speaker 1: but I like the I like the cream. I like

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Speaker 1: any donut with the cream. Blueberry cake, no nuts, no, no, no, guy,

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Speaker 1: that's crazy. Blueberry cake are good, so good? A cream cream.

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Speaker 1: I'll get you a Boston cream, a Bavarian cream, and

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Speaker 1: then I'll watch you eat it, and I'll be like,

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Speaker 1: m that looks so good. Lunchbox is a Farmer Duncan employee.

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Speaker 1: But you didn't know about this because you never closed, right,

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Speaker 1: We were up in twenty four hours a day, seven

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Speaker 1: days a week, never closed, never threw donuts away. So

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Speaker 1: now in depth or for it, because Lunchbox meant to

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Speaker 1: find out if this was true or not. Here we go,

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Speaker 1: since you're closing, is there any donuts that you want

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Speaker 1: to give away? So you don't have to throw them away.

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Speaker 1: I wish, but if we do that, the cameras watch

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Speaker 1: and then they like, aren't mad? Oh? Because Bobby, I'm

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Speaker 1: reporting live from Dunkin Donuts, and the rumor on the

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Speaker 1: street is that if you come into closing and you

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Speaker 1: ask for that, you're supposed to get free donuts. So

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Speaker 1: you're telling me what I am telling you that not

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Speaker 1: at this Duncan Donuts. Okay, gotcha? Okay, So the rumor

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Speaker 1: that we have heard from other people is not true.

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Speaker 1: So they are lying when they say they get free donuts. Wow,

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Speaker 1: that is amazing. I didn't think it was true because

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Speaker 1: I used to work in Duncant. I used to sling donuts,

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Speaker 1: but we never closed. We were opened twenty four hours.

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Speaker 1: So we had to come and put this rumor. We

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Speaker 1: had to find out if it was true. Her fall.

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Speaker 1: So you are saying it is false? All right, Bobby,

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Speaker 1: that's it back to you. Yeah? Why'd you ask her

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Speaker 1: over and over again? She's false? And I wanted to

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Speaker 1: see if she would stick to her story it is.

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Speaker 1: I didn't know if I was persistent, if she'd be like, okay, okay,

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Speaker 1: we really give them away. I think it has to

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Speaker 1: do with you're an adult man, probably sure, and you're

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Speaker 1: filming her as to shares a kid, right, and they're like, oh, kid,

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Speaker 1: let's give them some donuts. You think that you know what?

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Speaker 1: I think someone lying to mom? No, why would she lie?

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Speaker 1: Did you see the donuts? Aiming the story? I didn't.

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Speaker 1: But I have let her go and buy donuts if

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Speaker 1: she wanted to do. Yes, that's what I'm to do. Yes,

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Speaker 1: like she has money to buy them. But they they

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Speaker 1: got the donuts. Yeah, okay, so they don't do it.

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Speaker 1: I think they gave her the donuts because she was

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Speaker 1: a kid, and they didn't give you the donuts because

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Speaker 1: you're I mean, I mean, she pointed at the cameras said,

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Speaker 1: see these cameras. But to drive through Nope, okay. This

399
00:20:00,280 --> 00:20:03,480
Speaker 1: duncan that we she went to is a drive through. Okay,

400
00:20:03,480 --> 00:20:05,840
Speaker 1: it has it drive through attached to it. But you

401
00:20:05,880 --> 00:20:08,399
Speaker 1: can't drive through on your bikes. Oh yeah, you can

402
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Speaker 1: go up to the window. I'm okay, drive through on

403
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Speaker 1: your bike and see if they hear it. It's probably easy. Yes,

404
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Speaker 1: it's the best bits of the week with Morgan Number two.

405
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Speaker 1: This is definitely one of my favorite moments from the show.

406
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Speaker 1: This week, Breland stopped by. He's been one of my

407
00:20:26,400 --> 00:20:28,920
Speaker 1: favorite artists for a long time now. If you want

408
00:20:28,920 --> 00:20:31,160
Speaker 1: to check out one of his old songs, go listen

409
00:20:31,200 --> 00:20:33,960
Speaker 1: to Hot Sauce because I'm telling you it's a whole

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Speaker 1: vibe and I still listen to it today, even though

411
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Speaker 1: he has a new album out which I also listened to.

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Speaker 1: But this song is just really good. So he came

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Speaker 1: on the show for the first time this week. He

414
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Speaker 1: talked about his collaborations and basically how you won't release

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Speaker 1: the song if he doesn't get the collaborator on that

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Speaker 1: he wants. And that's super interesting because most artists don't

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Speaker 1: do that. They'll just release the song anyway. So you

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Speaker 1: can hear him talk about that story, and he also

419
00:20:59,520 --> 00:21:01,400
Speaker 1: performed on the show. You can go and check out

420
00:21:01,440 --> 00:21:05,040
Speaker 1: at Bobby Bones dot com number three and so Bobby

421
00:21:05,040 --> 00:21:08,840
Speaker 1: Bones Show interviews. In case you didn't know. The first

422
00:21:08,880 --> 00:21:11,440
Speaker 1: time I heard of this guy, Breland, it was Keith

423
00:21:11,520 --> 00:21:13,480
Speaker 1: Urban going, hey, you got to hear this guy's awesome.

424
00:21:14,000 --> 00:21:16,240
Speaker 1: I was like, well, Keith Urban loves him, then let

425
00:21:16,320 --> 00:21:18,680
Speaker 1: me give him a listen. So again, his name is Breland,

426
00:21:19,320 --> 00:21:23,360
Speaker 1: real smart guy, was a student at Georgetown University. He's

427
00:21:23,400 --> 00:21:27,600
Speaker 1: the son of two ordained ministers, and they were very

428
00:21:27,680 --> 00:21:31,800
Speaker 1: much into gospel music and that that's affected him a bunch.

429
00:21:31,920 --> 00:21:35,040
Speaker 1: It's influenced him a bunch. But again, he's a music nerd,

430
00:21:35,040 --> 00:21:37,800
Speaker 1: that's what he calls himself, but loves country music, and

431
00:21:38,080 --> 00:21:41,119
Speaker 1: everybody in Nashville country music has wanted to work with him.

432
00:21:41,160 --> 00:21:44,520
Speaker 1: He's written songs with Florida Georgia Line and Sam Hunt

433
00:21:44,520 --> 00:21:46,520
Speaker 1: and Keith Urban, even Justin Bieber. I'm a big fan

434
00:21:46,560 --> 00:21:49,760
Speaker 1: of this guy, Breland on the Bobby Bones Show right now,

435
00:21:50,240 --> 00:21:53,840
Speaker 1: on the Bobby Bones Show. Now, I'm a big fan Briland.

436
00:21:53,840 --> 00:21:55,639
Speaker 1: You know that, right, I'm I'm also a big fan

437
00:21:55,720 --> 00:21:57,680
Speaker 1: you know what this of yourself. We're both Brian fans.

438
00:21:58,560 --> 00:22:01,479
Speaker 1: I like that. I like that a lot. This This

439
00:22:01,560 --> 00:22:03,800
Speaker 1: new song, Praised the Lord is so good. Thanks. I mean,

440
00:22:03,840 --> 00:22:06,640
Speaker 1: I heard you walked out during the commercial. I think

441
00:22:06,640 --> 00:22:08,320
Speaker 1: I heard you guys doing praise or it just runs

442
00:22:08,320 --> 00:22:09,880
Speaker 1: in my head NonStop. It's one of those two. It's

443
00:22:09,880 --> 00:22:13,399
Speaker 1: either I think you heard of a looping thing or

444
00:22:13,680 --> 00:22:15,800
Speaker 1: you're gonna perform that here in a second. But I'm

445
00:22:15,840 --> 00:22:18,280
Speaker 1: just so curious about how your live performances have been

446
00:22:18,320 --> 00:22:20,719
Speaker 1: going because I think you told me when you went

447
00:22:20,760 --> 00:22:22,720
Speaker 1: out to play for Dirk's. When Dirk's called, it was

448
00:22:22,720 --> 00:22:25,080
Speaker 1: like breathing, big fan can play. You were like, I

449
00:22:25,080 --> 00:22:28,040
Speaker 1: hadn't performed like that live before, right, Yeah, I'd only

450
00:22:28,080 --> 00:22:31,159
Speaker 1: played two shows before that, one of which was a

451
00:22:31,160 --> 00:22:33,639
Speaker 1: whiskey jam and the other one was at my former

452
00:22:33,720 --> 00:22:36,679
Speaker 1: high school, which is crazy to think. And then Derek's

453
00:22:36,720 --> 00:22:38,400
Speaker 1: calls and goes come out and play. But I saw,

454
00:22:38,520 --> 00:22:41,480
Speaker 1: are you playing stagecoach? We are? Yeah, So it is

455
00:22:41,600 --> 00:22:44,800
Speaker 1: gone from zero to sixty, yeah, zero to one hundred

456
00:22:44,880 --> 00:22:47,120
Speaker 1: if you're in kilometers yeah, yeah, well I'm not though

457
00:22:47,400 --> 00:22:49,800
Speaker 1: I've been places like use kilometers and have no idea

458
00:22:49,840 --> 00:22:53,119
Speaker 1: what how far? No, you never know. So are you

459
00:22:53,119 --> 00:22:54,920
Speaker 1: you're on stage doing these shows now you are you

460
00:22:55,000 --> 00:22:56,960
Speaker 1: kind of getting it? Are you feeling comfortable performing? I

461
00:22:57,000 --> 00:23:00,399
Speaker 1: would say after this summer, I definitely feel comfortable. It

462
00:23:00,520 --> 00:23:02,359
Speaker 1: just you you need the reps. You got to be

463
00:23:02,400 --> 00:23:05,639
Speaker 1: able to work through different types of problems, figure out

464
00:23:05,680 --> 00:23:09,200
Speaker 1: how your body response to different climates, different types of audiences,

465
00:23:09,200 --> 00:23:12,439
Speaker 1: people who are and aren't necessarily familiar or receptive to

466
00:23:12,480 --> 00:23:15,159
Speaker 1: what you're doing, and I'm starting to get some of

467
00:23:15,440 --> 00:23:17,679
Speaker 1: some of that confidences. Like one of the most cerebral

468
00:23:17,760 --> 00:23:20,520
Speaker 1: artists that I think I've ever spoken to, I can

469
00:23:20,560 --> 00:23:24,600
Speaker 1: tell he just brought up brought kilometers. Yeah, there are

470
00:23:24,600 --> 00:23:26,480
Speaker 1: a lot of people in the world that kilometers is

471
00:23:26,520 --> 00:23:28,800
Speaker 1: not like a big word for the world, But in

472
00:23:28,840 --> 00:23:32,200
Speaker 1: the States were like, Kims, we don't know what it is.

473
00:23:32,320 --> 00:23:36,800
Speaker 1: Stuff is your parents gospel singers? Yeah, and you know,

474
00:23:36,880 --> 00:23:39,919
Speaker 1: I definitely, especially in this song because it's an easy okay,

475
00:23:39,920 --> 00:23:42,640
Speaker 1: well it makes sense praise the Lord. But how much

476
00:23:42,680 --> 00:23:45,959
Speaker 1: of that stylistically vocally do you think that was passed

477
00:23:45,960 --> 00:23:48,520
Speaker 1: on to you? I would say a lot of it. Um,

478
00:23:48,600 --> 00:23:50,400
Speaker 1: you know, you grow up in a house with two

479
00:23:50,440 --> 00:23:55,160
Speaker 1: people who have strong Gospel of voices, Like I would say,

480
00:23:55,200 --> 00:23:58,800
Speaker 1: a lot of a lot of my vocal choices are

481
00:23:58,880 --> 00:24:02,360
Speaker 1: informed by some of the things that my parents were

482
00:24:02,400 --> 00:24:05,119
Speaker 1: doing as as singers and listening to in the house.

483
00:24:05,520 --> 00:24:07,760
Speaker 1: Did you sing in church? I did? Yeah? Could you

484
00:24:07,960 --> 00:24:09,880
Speaker 1: could you let it go? I mean as a kid,

485
00:24:09,960 --> 00:24:12,200
Speaker 1: did you have the power to do that? Young where

486
00:24:12,240 --> 00:24:14,359
Speaker 1: they were like that kid right there, he's going places.

487
00:24:14,600 --> 00:24:16,480
Speaker 1: I don't think I was that kid. I think my

488
00:24:16,520 --> 00:24:19,960
Speaker 1: sister was that kid. I think I started to grow

489
00:24:20,000 --> 00:24:22,520
Speaker 1: into it over time. I was a pretty shy kid,

490
00:24:22,560 --> 00:24:25,040
Speaker 1: so I you would have to like really pushed me

491
00:24:25,119 --> 00:24:28,879
Speaker 1: to get in front of an audience. Now I'm more comfortable,

492
00:24:29,000 --> 00:24:33,080
Speaker 1: But at like ten, eleven twelve, there was vocal talent.

493
00:24:33,200 --> 00:24:34,880
Speaker 1: But you would have you would have to be really

494
00:24:34,880 --> 00:24:36,960
Speaker 1: close to my family to probably know it. There's so

495
00:24:37,040 --> 00:24:39,320
Speaker 1: much vocal talent. When I say he hasn't you know

496
00:24:39,359 --> 00:24:42,480
Speaker 1: he wasn't performing. He still could sing his face off.

497
00:24:42,480 --> 00:24:44,119
Speaker 1: I'm gonna have you play right now. This is that

498
00:24:44,240 --> 00:24:46,520
Speaker 1: Praise the Lord and on the track, if people spend it,

499
00:24:46,880 --> 00:24:49,640
Speaker 1: Thomas Rhetz on it with you? Yeah? Do you call him?

500
00:24:49,840 --> 00:24:52,000
Speaker 1: Do you? How does that get to him? Yeah? I

501
00:24:52,960 --> 00:24:56,040
Speaker 1: sent it through some channels seeing if I could get

502
00:24:56,040 --> 00:24:58,680
Speaker 1: it to him, and it eventually did a few months

503
00:24:58,680 --> 00:25:00,320
Speaker 1: after we wrote it, and I would it's like, I'm

504
00:25:00,320 --> 00:25:02,840
Speaker 1: not putting this song out until we get Thomas on

505
00:25:02,880 --> 00:25:04,239
Speaker 1: the song. And if he doesn't get on the song,

506
00:25:04,280 --> 00:25:05,800
Speaker 1: I'm never gonna put it out. You were never gonna

507
00:25:05,840 --> 00:25:07,479
Speaker 1: put this out without I wouldn't have put it out

508
00:25:07,480 --> 00:25:09,600
Speaker 1: without him. I knew, I knew I wanted him on

509
00:25:09,640 --> 00:25:11,800
Speaker 1: the song, and I was going to stick to that.

510
00:25:11,880 --> 00:25:13,639
Speaker 1: Are there any songs you were like, you know what

511
00:25:13,720 --> 00:25:15,320
Speaker 1: if I don't get Harry styles, I ain't put it out.

512
00:25:15,320 --> 00:25:16,479
Speaker 1: And then he said, no, we never heard it. How

513
00:25:16,480 --> 00:25:19,280
Speaker 1: many of those actually exist? Some of those exist really,

514
00:25:19,600 --> 00:25:22,479
Speaker 1: maybe not necessarily with Harry specifically, but there are artists

515
00:25:22,600 --> 00:25:25,320
Speaker 1: that I'm waiting for them to get on it, to

516
00:25:25,320 --> 00:25:26,520
Speaker 1: put it out. You let me know who. We'll call

517
00:25:26,600 --> 00:25:29,400
Speaker 1: him out right now. Yeah, probably shame him. Yeah, tell

518
00:25:29,480 --> 00:25:36,199
Speaker 1: Cane to quit playing, call him right now. Feel different

519
00:25:36,480 --> 00:25:39,280
Speaker 1: parts of my upbringing during that song meeting. When I

520
00:25:39,320 --> 00:25:41,800
Speaker 1: was really young, my grandmother went to a Pentecostal church

521
00:25:41,840 --> 00:25:44,320
Speaker 1: and I could feel her like starting to like spoken

522
00:25:44,400 --> 00:25:46,200
Speaker 1: tongues at times, yeah, like during that. And then I

523
00:25:46,240 --> 00:25:47,960
Speaker 1: grew up in a Baptist church, and I could feel

524
00:25:48,000 --> 00:25:49,920
Speaker 1: him going, I don't dance too much, but still a little.

525
00:25:49,920 --> 00:25:51,959
Speaker 1: I know you want to. That's that songs? Awesome? Man,

526
00:25:52,160 --> 00:25:53,959
Speaker 1: So you're playing I've heard it many times obviously, are

527
00:25:53,960 --> 00:25:56,680
Speaker 1: you playing it live? Holy crap. There's a part maybe

528
00:25:56,800 --> 00:25:59,560
Speaker 1: like the pre chorus or or you're yeah, what is

529
00:25:59,560 --> 00:26:03,080
Speaker 1: that part? I'm gonna try that. It doesn't matter how

530
00:26:03,240 --> 00:26:07,560
Speaker 1: you worship sent us, say what come on? That win lose.

531
00:26:09,080 --> 00:26:10,440
Speaker 1: Every time he did was like, I can't remember to

532
00:26:10,480 --> 00:26:13,520
Speaker 1: bring that up. You got it? You got it, It's

533
00:26:13,600 --> 00:26:16,119
Speaker 1: right there. What I don't have it? It's Okayven going

534
00:26:16,119 --> 00:26:20,880
Speaker 1: through puberty. We'll try to get a two PM. We're

535
00:26:20,880 --> 00:26:22,479
Speaker 1: gonna drop it three keys. We're gonna do it as

536
00:26:22,480 --> 00:26:27,200
Speaker 1: a duet when or loose end up doing it. So

537
00:26:27,320 --> 00:26:29,400
Speaker 1: you put out the record, and you know you can

538
00:26:29,400 --> 00:26:31,119
Speaker 1: tell him what You're respected in Nashville by all the

539
00:26:31,119 --> 00:26:33,000
Speaker 1: people that agreed to do the record with you. Right.

540
00:26:33,040 --> 00:26:35,520
Speaker 1: It came out like a couple of weeks ago, September ninth, Right,

541
00:26:36,200 --> 00:26:38,760
Speaker 1: So just to list some of them here, you got

542
00:26:38,920 --> 00:26:42,200
Speaker 1: Ingrid Andrews, you got Lady A, Keith Urban, h Mickey Guiden,

543
00:26:42,520 --> 00:26:46,960
Speaker 1: obviously Thomas Rhett. I heard about you first. I was

544
00:26:46,960 --> 00:26:49,160
Speaker 1: with Keith Urban. Yeah, and he was like you gotta

545
00:26:49,160 --> 00:26:51,919
Speaker 1: hear this guy. And I was like, that's wow. He

546
00:26:52,000 --> 00:26:54,800
Speaker 1: is good. But when Keith Urban brings up somebody, You're like, okay,

547
00:26:54,800 --> 00:26:57,840
Speaker 1: well Keith respects them, then I probably should pay attention.

548
00:26:57,880 --> 00:26:59,919
Speaker 1: And I know you've written with Keith. What is that

549
00:27:00,160 --> 00:27:03,480
Speaker 1: like to just sit with him? Because Keith's a genius

550
00:27:03,520 --> 00:27:06,959
Speaker 1: in quirky yeah, and it's thinking ten thousand things at

551
00:27:06,960 --> 00:27:09,320
Speaker 1: once and you're meeting him and writing with the same day.

552
00:27:09,320 --> 00:27:11,600
Speaker 1: I gotta assume that is there any pressure there at all?

553
00:27:12,240 --> 00:27:15,719
Speaker 1: There wasn't really any pressure, because I knew that because

554
00:27:15,720 --> 00:27:18,320
Speaker 1: he reached out to me, that there was a level

555
00:27:18,320 --> 00:27:21,879
Speaker 1: of mutual respect creatively. So I was like, all I

556
00:27:21,920 --> 00:27:23,760
Speaker 1: really have to do is come in and do what

557
00:27:23,840 --> 00:27:26,320
Speaker 1: I usually do, and that was the thing that caused

558
00:27:26,400 --> 00:27:27,879
Speaker 1: him to reach out in the first place. So we

559
00:27:27,920 --> 00:27:30,880
Speaker 1: should be good. And Keith and I are both we

560
00:27:30,960 --> 00:27:34,080
Speaker 1: think about music very differently but also very similarly. Like

561
00:27:34,119 --> 00:27:37,720
Speaker 1: we agree on melody pretty much all the time, and

562
00:27:37,840 --> 00:27:40,840
Speaker 1: usually when you write with people there's melodic differences. I

563
00:27:40,920 --> 00:27:42,760
Speaker 1: might be like, what about this melody, and they'll be like, oh,

564
00:27:42,800 --> 00:27:45,399
Speaker 1: what about this melody? We always agree on melody, and

565
00:27:45,440 --> 00:27:47,800
Speaker 1: we always agree on chords. But because he's such a

566
00:27:47,840 --> 00:27:52,800
Speaker 1: talented instrumentalist, he'll play a lick before he'll sing something,

567
00:27:53,200 --> 00:27:55,800
Speaker 1: and I'll sing something before I'll play something, and so

568
00:27:56,280 --> 00:27:58,840
Speaker 1: we usually will kind of come at the song from

569
00:27:58,880 --> 00:28:01,520
Speaker 1: two different perspective is and then land on something that

570
00:28:01,560 --> 00:28:04,600
Speaker 1: we both agree on. So every song that we've done

571
00:28:04,840 --> 00:28:07,520
Speaker 1: sounds very different. You know, a song like Crimson Blue

572
00:28:07,520 --> 00:28:11,240
Speaker 1: that he dropped for uh nine Perfect Strangers is wildly

573
00:28:11,280 --> 00:28:13,960
Speaker 1: different than my song throw It Back, which is totally

574
00:28:14,000 --> 00:28:16,440
Speaker 1: different than the two songs that I co wrote on

575
00:28:16,800 --> 00:28:20,040
Speaker 1: his project, And all of them are the result of

576
00:28:20,080 --> 00:28:24,760
Speaker 1: both of us agreeing on a totally different side of music,

577
00:28:24,840 --> 00:28:27,919
Speaker 1: whether it's approaching it from classic rock perspective, approaching it

578
00:28:27,920 --> 00:28:30,520
Speaker 1: from a hip hop perspective, approaching it, you know, from

579
00:28:30,520 --> 00:28:34,320
Speaker 1: this like led Zeppelin, Pink Floyd classic, you know, whatever.

580
00:28:34,359 --> 00:28:37,280
Speaker 1: We we know, we know what we want. I saw

581
00:28:37,320 --> 00:28:41,000
Speaker 1: you on TikTok with and I don't know if, I

582
00:28:41,000 --> 00:28:42,400
Speaker 1: don't know if you released this song, but I'm a

583
00:28:42,400 --> 00:28:45,040
Speaker 1: big Mazie Peters fan. Yeah, yeah and so, and I

584
00:28:45,080 --> 00:28:46,800
Speaker 1: was talking about her on this show a few weeks

585
00:28:46,840 --> 00:28:51,120
Speaker 1: ago because she her songs are so hooky. Yeah, and

586
00:28:51,480 --> 00:28:54,800
Speaker 1: you were singing one of her song? Was it? Which one?

587
00:28:54,840 --> 00:28:57,000
Speaker 1: Were you? Were you do editing her? Kate's brother? Oh,

588
00:28:57,120 --> 00:29:02,640
Speaker 1: that's what it is. Yeah. So because you were talking

589
00:29:02,840 --> 00:29:04,440
Speaker 1: was this when you set up? Did you know you

590
00:29:04,440 --> 00:29:07,600
Speaker 1: were gonna do that? Yes? Okay, it looks like you

591
00:29:07,600 --> 00:29:11,040
Speaker 1: were shooting your shot, like like right on. Yeah, we

592
00:29:11,040 --> 00:29:13,320
Speaker 1: we you know, TikTok. Here's the secret for those of

593
00:29:13,360 --> 00:29:15,600
Speaker 1: you who are listening. Nothing that looks like it's a

594
00:29:15,640 --> 00:29:18,680
Speaker 1: surprise on TikTok is a surprise. It is. It is

595
00:29:18,680 --> 00:29:22,440
Speaker 1: like what Yeah, it's very everything is planned in advance,

596
00:29:22,680 --> 00:29:25,600
Speaker 1: Like I'm not trying to ruin everyone's social media engagement,

597
00:29:25,640 --> 00:29:28,160
Speaker 1: but yeah, everything is planned. They probably filmed it like

598
00:29:28,200 --> 00:29:30,400
Speaker 1: four or five times to get it right. These tour

599
00:29:30,440 --> 00:29:32,800
Speaker 1: announcements where they get a call out of those seems

600
00:29:32,800 --> 00:29:36,240
Speaker 1: so fake. Yeah, those seems so fake. It like I'm like,

601
00:29:36,360 --> 00:29:38,840
Speaker 1: come on, like who buys this? But some people buy it,

602
00:29:38,920 --> 00:29:40,760
Speaker 1: So I just wanted to pop that bubble real quick.

603
00:29:40,760 --> 00:29:43,760
Speaker 1: It's all fake. Well you sotold it to me because

604
00:29:43,800 --> 00:29:45,520
Speaker 1: I was like, oh, I like Mazie and then I

605
00:29:45,520 --> 00:29:47,080
Speaker 1: saw you and I was like, okay, they all look

606
00:29:47,080 --> 00:29:50,160
Speaker 1: Brillian shooting shot beaters and then I was gonna ask

607
00:29:50,200 --> 00:29:52,520
Speaker 1: you next time I saw you. But it's all it

608
00:29:52,600 --> 00:29:54,239
Speaker 1: was all set up. Yeah, it was all set up.

609
00:29:54,240 --> 00:29:57,600
Speaker 1: I'm a mark. Yeah I did that song. I love

610
00:29:57,720 --> 00:30:00,240
Speaker 1: I love Mazie. I think what she's doing in the

611
00:30:00,320 --> 00:30:03,480
Speaker 1: UK and on a global scale is massive. She's so

612
00:30:03,520 --> 00:30:08,080
Speaker 1: talented as a writer, vocalist, entertainer. I've seen seen clips

613
00:30:08,080 --> 00:30:10,880
Speaker 1: of her live show. She brings it. But that song,

614
00:30:10,920 --> 00:30:12,800
Speaker 1: I've never done a song that was in that kind

615
00:30:12,800 --> 00:30:16,480
Speaker 1: of punk pop lane uh. And I liked a lot

616
00:30:16,520 --> 00:30:19,920
Speaker 1: of that music. It was reminiscent of like early Avril Levine, yeah,

617
00:30:19,960 --> 00:30:23,360
Speaker 1: aver like Hilary Duffy and you know, I'm I'm a

618
00:30:23,440 --> 00:30:26,680
Speaker 1: I'm a nineties kid. So that was all the stuff

619
00:30:26,720 --> 00:30:29,360
Speaker 1: that we were listening to when I was in school.

620
00:30:29,440 --> 00:30:31,040
Speaker 1: So for me to be able to get on a

621
00:30:31,080 --> 00:30:33,760
Speaker 1: song like that and kind of add my sauce and

622
00:30:33,800 --> 00:30:36,800
Speaker 1: flavor to it tell my side of the story, it

623
00:30:36,880 --> 00:30:38,520
Speaker 1: was a lot of fun. Well, I'm just sad. I

624
00:30:38,560 --> 00:30:40,040
Speaker 1: was tricked. Like all he's talking about it all I

625
00:30:40,040 --> 00:30:42,440
Speaker 1: think about how big idiot I am. You've been bamboozle, Yeah,

626
00:30:42,440 --> 00:30:44,480
Speaker 1: I haven't, and I try not to be bamboos She

627
00:30:44,520 --> 00:30:46,640
Speaker 1: has a song John Hughes movie. I just I'm a

628
00:30:46,640 --> 00:30:48,160
Speaker 1: big fan of amazing people. That's when I saw that.

629
00:30:48,160 --> 00:30:50,280
Speaker 1: I was like, dang, I like both of them. So look,

630
00:30:50,600 --> 00:30:53,200
Speaker 1: you're you're an amazing performing an amazing singer. You have

631
00:30:53,520 --> 00:30:55,000
Speaker 1: you do have a lot of followers on TikTok to you,

632
00:30:55,080 --> 00:30:57,640
Speaker 1: by the way, like don't you have like you have

633
00:30:57,720 --> 00:31:00,400
Speaker 1: millions right now? There is like half a million. Maybe

634
00:31:00,400 --> 00:31:02,440
Speaker 1: you have all the light. I looked and I was like, dang,

635
00:31:02,520 --> 00:31:04,480
Speaker 1: like you already built a TikTok following too. Are you

636
00:31:04,480 --> 00:31:08,520
Speaker 1: making any money on social media yet? Uh? Probably somewhere. Yeah,

637
00:31:09,360 --> 00:31:13,400
Speaker 1: you're so rich you don't even know any social media money.

638
00:31:13,440 --> 00:31:15,960
Speaker 1: I don't even know where that would register, but I'm

639
00:31:15,960 --> 00:31:20,760
Speaker 1: sure I've benefited from it in some way directly or indirectly. Yeah, yeah, yeah, okay, Ammy,

640
00:31:20,760 --> 00:31:22,760
Speaker 1: you have anything for brillim, I'm gonna play his new

641
00:31:22,800 --> 00:31:24,880
Speaker 1: single bit. Yeah, well, I just want to personally know

642
00:31:24,920 --> 00:31:27,840
Speaker 1: about his energy. Like I when I walked in, I

643
00:31:27,880 --> 00:31:29,880
Speaker 1: felt it, and then the whole time you're performing, I

644
00:31:29,920 --> 00:31:32,160
Speaker 1: had goose bumps. So, like, what do you do to

645
00:31:32,280 --> 00:31:35,360
Speaker 1: keep yourself? Maybe you were just born this way? Definitely

646
00:31:35,360 --> 00:31:38,080
Speaker 1: not okay, So what do you do to keep yourself

647
00:31:38,160 --> 00:31:41,080
Speaker 1: with whatever the synergy is that you have? Yeah? Um,

648
00:31:41,640 --> 00:31:46,080
Speaker 1: I have become very intentional about two things. One who

649
00:31:46,120 --> 00:31:49,120
Speaker 1: I am and am not spending time around people who

650
00:31:49,200 --> 00:31:51,680
Speaker 1: don't pour into me, who don't believe in me, who

651
00:31:51,760 --> 00:31:55,400
Speaker 1: don't hold me accountable. I don't spend time with anyone

652
00:31:55,440 --> 00:31:58,479
Speaker 1: who isn't a part of that. And then two, just

653
00:31:58,560 --> 00:32:02,200
Speaker 1: focusing on gratitude, being grateful for everything, whether it's good

654
00:32:02,280 --> 00:32:04,520
Speaker 1: or bad. That's why in the song when it says

655
00:32:04,680 --> 00:32:07,680
Speaker 1: win or lose, praise the Lord, like, I really abide

656
00:32:07,680 --> 00:32:11,760
Speaker 1: by that. I think it's easy to be grateful for

657
00:32:11,840 --> 00:32:14,120
Speaker 1: things when you're getting good news and when things are

658
00:32:14,160 --> 00:32:16,080
Speaker 1: going the way that you want them too, it's really

659
00:32:16,120 --> 00:32:19,280
Speaker 1: hard to do that and almost seems counterintuitive to do

660
00:32:19,320 --> 00:32:22,080
Speaker 1: that when you're getting bad news or when things are tough.

661
00:32:22,640 --> 00:32:26,480
Speaker 1: And I've been really mindful of just being grateful for

662
00:32:26,560 --> 00:32:31,200
Speaker 1: everything regardless. Ray, you saw Breylon ware like Chick fil

663
00:32:31,200 --> 00:32:33,160
Speaker 1: a the food, Yeah, you just went through the straight

664
00:32:33,280 --> 00:32:34,920
Speaker 1: up drive through. I think you walked up to it.

665
00:32:34,960 --> 00:32:36,760
Speaker 1: I figured you maybe had a person go get you

666
00:32:36,920 --> 00:32:41,440
Speaker 1: your food. Oh, you can't hear him forgot. Ray said

667
00:32:41,480 --> 00:32:43,880
Speaker 1: he saw you at Chick fil A and you you

668
00:32:44,560 --> 00:32:46,760
Speaker 1: walked up because there's a chick flame there's a window

669
00:32:46,760 --> 00:32:48,160
Speaker 1: you can want to And he was like, I was surprise,

670
00:32:48,200 --> 00:32:49,680
Speaker 1: you have somebody just getting his food for him. He's

671
00:32:50,040 --> 00:32:51,960
Speaker 1: I'm definitely getting my own food. What do you do?

672
00:32:52,200 --> 00:32:55,280
Speaker 1: This is my first album, Like, I think it's going

673
00:32:55,320 --> 00:32:58,840
Speaker 1: on here, like, I had Keith pull up and play

674
00:32:58,920 --> 00:33:00,720
Speaker 1: with me at the High wat last year, and he

675
00:33:00,840 --> 00:33:04,680
Speaker 1: came to the sound check entirely by himself. Nobody just

676
00:33:04,800 --> 00:33:07,800
Speaker 1: walked in looking like Keith. I was like, this is absurd.

677
00:33:07,920 --> 00:33:10,120
Speaker 1: So yeah, I'm definitely getting my own food. Until I

678
00:33:10,160 --> 00:33:13,240
Speaker 1: passed that level, I will be getting my own food. Well,

679
00:33:13,280 --> 00:33:14,960
Speaker 1: we can't wait until you do pass that level. I

680
00:33:15,040 --> 00:33:17,040
Speaker 1: was still gonna be getting I don't know. I don't

681
00:33:17,080 --> 00:33:18,680
Speaker 1: know Ray, so he was shocked. He was like brialand

682
00:33:18,720 --> 00:33:20,360
Speaker 1: was getting his own food. You'll see me at Chick

683
00:33:20,400 --> 00:33:25,560
Speaker 1: fil A in twenty thirty. There's a window. Sure, you

684
00:33:25,600 --> 00:33:27,600
Speaker 1: can order on the app, and then I have my

685
00:33:27,640 --> 00:33:32,720
Speaker 1: people go get it from me. So they go up. Okay, hey,

686
00:33:32,840 --> 00:33:34,600
Speaker 1: let's talk about the single real quick because we're gonna

687
00:33:34,600 --> 00:33:36,840
Speaker 1: play it here for what it's worth Now. For audience

688
00:33:36,880 --> 00:33:38,640
Speaker 1: who hasn't heard this, it's it's always weird to hear

689
00:33:38,680 --> 00:33:40,160
Speaker 1: a song for the first time. Yep, it's good to

690
00:33:40,200 --> 00:33:43,000
Speaker 1: have some background give me what they need to know

691
00:33:43,080 --> 00:33:45,720
Speaker 1: before they hear it. Yeah, the song is is just

692
00:33:45,920 --> 00:33:48,720
Speaker 1: my take on a breakup song. I've had a couple

693
00:33:48,720 --> 00:33:51,160
Speaker 1: of breakups in my life, and anytime I've had one.

694
00:33:51,720 --> 00:33:54,600
Speaker 1: I hold myself accountable for the things that I may

695
00:33:54,600 --> 00:33:56,520
Speaker 1: have dropped the ball on and I wanted to write

696
00:33:56,520 --> 00:34:00,160
Speaker 1: a song from that perspective, just maturely being able to say, hey,

697
00:34:00,440 --> 00:34:02,400
Speaker 1: I understand I may not have been the person that

698
00:34:02,560 --> 00:34:04,600
Speaker 1: you wanted me to be for you at that time,

699
00:34:04,600 --> 00:34:06,960
Speaker 1: and I hope that you're able to find that. He's like,

700
00:34:07,080 --> 00:34:09,920
Speaker 1: so mature. You know, I hate myself when I hang

701
00:34:09,960 --> 00:34:14,680
Speaker 1: out with that. To him, we are one and the same.

702
00:34:15,520 --> 00:34:19,319
Speaker 1: It's the best bits of the week with Morgan number two.

703
00:34:23,320 --> 00:34:26,759
Speaker 1: It's always interesting when a listener gets very angry at

704
00:34:26,880 --> 00:34:29,120
Speaker 1: us for something and I shouldn't say us. This time

705
00:34:29,160 --> 00:34:32,359
Speaker 1: they were angry with Lunchbox. So Lunchbox took over our

706
00:34:32,400 --> 00:34:34,600
Speaker 1: voicemail line, which is something he's been doing for a

707
00:34:34,680 --> 00:34:38,719
Speaker 1: long time, and it's always funny because somehow he manages

708
00:34:38,840 --> 00:34:41,640
Speaker 1: to get people on that have no idea it's actually

709
00:34:41,680 --> 00:34:43,440
Speaker 1: him on the other side. They do think it's a

710
00:34:43,520 --> 00:34:48,879
Speaker 1: voicemail sometimes. But one listener was not happy with lunchboxes

711
00:34:49,160 --> 00:34:53,000
Speaker 1: joke and he was getting very angry. He all that Lunchbox.

712
00:34:53,040 --> 00:34:55,880
Speaker 1: He asked for Abby and I instead, which is also

713
00:34:55,920 --> 00:34:58,640
Speaker 1: a little weird. There's a lot that happened in this segment,

714
00:34:58,719 --> 00:35:00,799
Speaker 1: so I'm just gonna let you hear for yourself. The

715
00:35:00,920 --> 00:35:03,840
Speaker 1: listener who got very angry with Lunchbox while he was

716
00:35:03,880 --> 00:35:06,839
Speaker 1: taking over the voice on line number two. If we're

717
00:35:06,880 --> 00:35:08,920
Speaker 1: not here, still call because we have a voice on online.

718
00:35:08,920 --> 00:35:10,560
Speaker 1: You can say whatever you want. We'll play back on

719
00:35:10,600 --> 00:35:14,520
Speaker 1: the air. This is Matt from San Diego, California. I

720
00:35:14,560 --> 00:35:16,880
Speaker 1: was catching up on some of the podcasts and I

721
00:35:16,920 --> 00:35:20,319
Speaker 1: was listening to talk about taking on the Kangaroo, and

722
00:35:20,520 --> 00:35:24,520
Speaker 1: as your friendly neighborhood zookeeper, I just have to say

723
00:35:24,560 --> 00:35:27,200
Speaker 1: that I don't think you could do it, Bobby. Kangaroos

724
00:35:27,280 --> 00:35:30,319
Speaker 1: are massive. I've worked with them. I know you're a

725
00:35:30,440 --> 00:35:33,080
Speaker 1: tall dude at six one, and you work out and

726
00:35:33,160 --> 00:35:35,719
Speaker 1: you train, But I'm telling you, man, I don't think

727
00:35:35,880 --> 00:35:38,239
Speaker 1: you could take on the kangaroo. Love the show, Love

728
00:35:38,280 --> 00:35:41,960
Speaker 1: you guys, though, Yeah I could. Whoo. That's a specialist

729
00:35:42,000 --> 00:35:44,880
Speaker 1: time he works with kangaroo. Special with the heart of

730
00:35:44,880 --> 00:35:47,080
Speaker 1: a lion. When you take a heart of a lion

731
00:35:47,120 --> 00:35:49,440
Speaker 1: and the heart of a kangaroo whose heart wins the

732
00:35:49,520 --> 00:35:51,880
Speaker 1: heart of a lion, I would whoop a kangaroo's but

733
00:35:52,320 --> 00:35:54,640
Speaker 1: don't send me a big muscular kangaroo and be like,

734
00:35:54,640 --> 00:35:57,040
Speaker 1: look at this one, you'll lose. That's like sending someone

735
00:35:57,200 --> 00:35:59,640
Speaker 1: a wrestler from WW going like if you just met this,

736
00:36:00,000 --> 00:36:02,280
Speaker 1: of course that one you'd probably lose too. But random

737
00:36:02,360 --> 00:36:06,520
Speaker 1: kangaroo on the street, bring it, brohoop, I stick my

738
00:36:06,560 --> 00:36:09,439
Speaker 1: head in your pouch and be like boot and then

739
00:36:09,760 --> 00:36:13,480
Speaker 1: cold cocko. Okay, okay, whoop a kangaroo. So you can

740
00:36:13,560 --> 00:36:15,960
Speaker 1: leave a voicemail just like that, the voicemail lines like, hey,

741
00:36:16,000 --> 00:36:18,520
Speaker 1: it's Bobby, thanks for leaving. Leave a voicemail. Sometimes Lunchbox

742
00:36:18,560 --> 00:36:21,400
Speaker 1: gets on the voicemail lines and just messes with people.

743
00:36:21,640 --> 00:36:24,160
Speaker 1: So here as Lunchbox and Callegs are thinking they're gonna

744
00:36:24,160 --> 00:36:26,840
Speaker 1: get this, but instead they get this, thank you for

745
00:36:26,880 --> 00:36:30,520
Speaker 1: going the Bobby Bone Show. I spent a voicemail last night.

746
00:36:30,560 --> 00:36:32,359
Speaker 1: I don't know if y'all got or grief. Even listen

747
00:36:32,400 --> 00:36:36,440
Speaker 1: to your voicemail. This is the voicemail leave a message

748
00:36:35,680 --> 00:36:42,560
Speaker 1: be okay, you're doing this again? All right? Hello? Hello, Hello?

749
00:36:43,040 --> 00:36:46,960
Speaker 1: Are you there? Well? Actually anything else you'd like to say?

750
00:36:47,239 --> 00:36:50,160
Speaker 1: You want to give a shout out? No shout out,

751
00:36:50,239 --> 00:36:52,719
Speaker 1: No one cares. Have a great day, Okay, thank you.

752
00:36:53,280 --> 00:36:58,520
Speaker 1: That's what you did. Just be mean to someone. Okay,

753
00:36:58,560 --> 00:37:05,440
Speaker 1: here's another one, Bobby Bone Show. This is the voicemail Lunchbox. Hello.

754
00:37:05,920 --> 00:37:09,120
Speaker 1: If you're satisfied with your message, press one. If you'd

755
00:37:09,120 --> 00:37:13,840
Speaker 1: like to rerecord, Press two. Lunch Bunch is Abby around

756
00:37:14,200 --> 00:37:18,799
Speaker 1: or Morgan. If you're satisfied with your message, press one.

757
00:37:17,600 --> 00:37:21,920
Speaker 1: Believe this is a joke because I think you're the

758
00:37:21,920 --> 00:37:28,520
Speaker 1: only one. I'm used by it boring. Why are you

759
00:37:28,640 --> 00:37:32,240
Speaker 1: being such that one was rude? There is no cursing

760
00:37:32,360 --> 00:37:36,000
Speaker 1: on the voicemail. Please rephrase your statement. I hope to

761
00:37:36,120 --> 00:37:39,160
Speaker 1: god you and I never meet a person. Dude, why

762
00:37:39,160 --> 00:37:41,320
Speaker 1: did you got a robot voice? Because you weren't robots

763
00:37:41,360 --> 00:37:43,839
Speaker 1: and all of a sudden you got a robot. And also,

764
00:37:43,920 --> 00:37:46,839
Speaker 1: nobody believes this bed anymore. That guy's gonna go, he said,

765
00:37:46,920 --> 00:37:48,759
Speaker 1: He says it's you, He said, I hope we never

766
00:37:48,840 --> 00:37:53,640
Speaker 1: meet in person. I'm nervous, free, nervous. Not make him happy.

767
00:37:53,760 --> 00:37:56,719
Speaker 1: Here's one more, and this one is Lunchbox. Then you're

768
00:37:56,760 --> 00:37:59,040
Speaker 1: not the voicemail anymore. No, no, it is unless she

769
00:37:59,080 --> 00:38:01,520
Speaker 1: was on hold. I'm gonna patch her through. Thank you

770
00:38:01,560 --> 00:38:04,880
Speaker 1: for calling The Bobby Bones Show. So I have a

771
00:38:05,000 --> 00:38:07,520
Speaker 1: random question. I'm going to put you on hold so

772
00:38:07,560 --> 00:38:09,920
Speaker 1: I can patch you through to Bobby. But please practice

773
00:38:09,960 --> 00:38:11,960
Speaker 1: your story while you're on hold so you get it

774
00:38:12,120 --> 00:38:18,080
Speaker 1: concise and to the point. Please hold. We are live

775
00:38:18,239 --> 00:38:24,360
Speaker 1: and three two one, you're live. Go with your question. Please, Hey,

776
00:38:24,560 --> 00:38:27,560
Speaker 1: So I'm calling to see what you're going. Whoa, whoa,

777
00:38:28,040 --> 00:38:30,000
Speaker 1: A little more energy, a little more energy. Here we go.

778
00:38:30,280 --> 00:38:35,200
Speaker 1: You are live and three two one we are live. Hey,

779
00:38:35,400 --> 00:38:38,560
Speaker 1: so no, no, no, no, no no energy, energy energy. We

780
00:38:38,640 --> 00:38:40,960
Speaker 1: got millions of people listening across the country. We got it.

781
00:38:41,080 --> 00:38:43,720
Speaker 1: Here we go, here go, you're live and three two

782
00:38:43,920 --> 00:38:48,720
Speaker 1: one live. It's time for the Bobby Bones post show.

783
00:38:49,320 --> 00:39:01,279
Speaker 1: Here's your host, Bobby Bone. Go go go all right,

784
00:39:01,320 --> 00:39:08,680
Speaker 1: I need your by The Bobby Bones Show talks about

785
00:39:10,320 --> 00:39:12,719
Speaker 1: I mean, just does you just mean to people? It's

786
00:39:12,719 --> 00:39:16,319
Speaker 1: not even like you're stupid. Hold. I feel like this

787
00:39:16,400 --> 00:39:18,040
Speaker 1: was like us when we were like prank calling people

788
00:39:18,040 --> 00:39:21,680
Speaker 1: and we're kids. Get the system for sure. If Luxbox

789
00:39:21,680 --> 00:39:24,080
Speaker 1: ever answers, no, stop, don't ruin this. No you're talking

790
00:39:24,120 --> 00:39:27,120
Speaker 1: about nobody believes it. Don't ruin the bit. We're gonna

791
00:39:27,160 --> 00:39:29,200
Speaker 1: lose caller. Here's one more This is a real one.

792
00:39:29,239 --> 00:39:31,479
Speaker 1: This is a Heather in Texas. Go ahead, say, Bobby Bones,

793
00:39:31,719 --> 00:39:35,200
Speaker 1: I need some help. My best friend, flash Boss Principal

794
00:39:35,480 --> 00:39:38,000
Speaker 1: loves Luke Brian and I just bought us tickets to

795
00:39:38,040 --> 00:39:41,239
Speaker 1: go see him in Boers City October seventh. Do you

796
00:39:41,280 --> 00:39:43,799
Speaker 1: have any suggestions on how to tell her love your show?

797
00:39:44,200 --> 00:39:46,640
Speaker 1: How I would tell her? I don't know you were

798
00:39:46,680 --> 00:39:49,680
Speaker 1: going to Luke Brian in Boger City. Seven yell a

799
00:39:49,719 --> 00:39:51,799
Speaker 1: little bit, wait, was saying right now to her friend,

800
00:39:51,840 --> 00:39:54,320
Speaker 1: and she can play this back and do an impression

801
00:39:54,360 --> 00:39:57,120
Speaker 1: of Luke. Yeah, Okay, go ahead, go ahead, what's what's

802
00:39:57,239 --> 00:40:00,600
Speaker 1: what's her name? Didn't say? Okay, Principal, Hey, it's me Brian,

803
00:40:00,880 --> 00:40:04,719
Speaker 1: and you're gonna come see me in Bowjer City. Let's go.

804
00:40:05,080 --> 00:40:09,520
Speaker 1: It's too much of simity, Sam. I'm sorry I went

805
00:40:09,520 --> 00:40:12,600
Speaker 1: a little overboard there. You're coming to my show in

806
00:40:12,719 --> 00:40:15,600
Speaker 1: Bojer City and I can't wait to see you. That's

807
00:40:15,600 --> 00:40:18,360
Speaker 1: pretty good, lu Yeah, player this clipback. That'll work, And

808
00:40:18,360 --> 00:40:20,560
Speaker 1: that's how you leave a voicemail. Yeah, lunch Box is

809
00:40:20,600 --> 00:40:22,680
Speaker 1: never messing with the other voicemails. But you can't call

810
00:40:22,760 --> 00:40:27,520
Speaker 1: us eight seven, seven seventy seven Bobby it's the best

811
00:40:27,640 --> 00:40:31,840
Speaker 1: bits of the week. With Morgan number two and of

812
00:40:31,880 --> 00:40:34,600
Speaker 1: course coming in at this number one spot, we did

813
00:40:34,640 --> 00:40:39,439
Speaker 1: some blind karaoke. It was Garth Brooks audition and y'all

814
00:40:39,440 --> 00:40:42,000
Speaker 1: love blind karaoke. I think that means you guys love

815
00:40:42,040 --> 00:40:45,359
Speaker 1: hearing us in misery or you love hearing us sing

816
00:40:45,480 --> 00:40:48,239
Speaker 1: things that we possibly can't remember. I don't know. If

817
00:40:48,280 --> 00:40:50,440
Speaker 1: you just love the chaos of it, maybe that's what

818
00:40:50,480 --> 00:40:53,560
Speaker 1: it is. But blind karaoke was a good time this

819
00:40:53,600 --> 00:40:56,960
Speaker 1: week hearing all the Garth Brooks songs, and especially because

820
00:40:57,280 --> 00:41:01,200
Speaker 1: Eddie is a Garth Brooks fan girl, I think would

821
00:41:01,200 --> 00:41:03,640
Speaker 1: be safe to say. And he had to sing one

822
00:41:03,680 --> 00:41:05,399
Speaker 1: of the songs and did he live up to it?

823
00:41:05,680 --> 00:41:08,600
Speaker 1: I don't know. You tell us number one. So it's

824
00:41:08,680 --> 00:41:11,120
Speaker 1: karaoke except nobody has the words to the songs. It's

825
00:41:11,200 --> 00:41:16,080
Speaker 1: blind karaoke. Welcome everybody, Raymundo, you've never played the game,

826
00:41:16,160 --> 00:41:17,680
Speaker 1: now you've heard them play it? Are you always? Like? Man?

827
00:41:17,719 --> 00:41:20,239
Speaker 1: They're terrible. I could I could probably do a lot

828
00:41:20,239 --> 00:41:22,360
Speaker 1: better than them. Yeah, like that and the categories Garth

829
00:41:22,360 --> 00:41:27,240
Speaker 1: Brooks songs. That's my boy, I just boyd. Hey who's

830
00:41:27,280 --> 00:41:30,400
Speaker 1: the judge? Since Ray is not judging. No, Ray's never

831
00:41:30,480 --> 00:41:34,600
Speaker 1: a judge. Scuba right, love it? Okay, so we'll spend

832
00:41:34,600 --> 00:41:36,400
Speaker 1: the wheel whatever lands on Ray, that's the song you

833
00:41:36,400 --> 00:41:38,759
Speaker 1: will sing. Do you have any preference? I think I

834
00:41:38,760 --> 00:41:43,359
Speaker 1: can pretty much nail any of those bad about five

835
00:41:43,400 --> 00:41:51,880
Speaker 1: of his shows. So let's spin who Ray you'll be performing?

836
00:41:52,640 --> 00:41:54,719
Speaker 1: Oh that's a good one. If Tomorrow never come, face,

837
00:41:55,040 --> 00:41:56,799
Speaker 1: can you play a little clip of the real song?

838
00:41:57,000 --> 00:41:59,160
Speaker 1: So Raymundo can hear it? Just so we can get

839
00:41:59,200 --> 00:42:01,960
Speaker 1: the feel. Here is if tomorrow never comes from Garth Brooks.

840
00:42:02,120 --> 00:42:12,200
Speaker 1: If tomorrow never Ray doing, If tomorrow never comes. It's

841
00:42:12,200 --> 00:42:14,520
Speaker 1: probably a slow start to this one. I'm guessing about

842
00:42:14,520 --> 00:42:20,040
Speaker 1: a twenty second intro. No, no, I'll give you a

843
00:42:20,080 --> 00:42:24,799
Speaker 1: more shot. I do cue them sometimes, would you like

844
00:42:24,880 --> 00:42:30,040
Speaker 1: a queue? Yeah? You know that? Sometimes late at night,

845
00:42:30,040 --> 00:42:32,840
Speaker 1: here we go, Wow, okay, he's so serious. There we go.

846
00:42:38,080 --> 00:42:45,880
Speaker 1: Sometimes late at night, I wander in the dark, thinking

847
00:42:46,080 --> 00:42:53,000
Speaker 1: if I've done enough to see tomorrow? And everybody goes

848
00:42:53,040 --> 00:43:03,320
Speaker 1: to work, experiencing the workforce, never thinking once that if

849
00:43:03,480 --> 00:43:11,160
Speaker 1: tomorrow never comes, will my boss know how much he

850
00:43:11,360 --> 00:43:20,480
Speaker 1: hurt me? If tomorrow never comes, will I know how

851
00:43:20,719 --> 00:43:28,080
Speaker 1: much I lived? But if tomorrow does come, you die

852
00:43:28,200 --> 00:43:38,720
Speaker 1: gonna work and Denna always wonder what if tomorrow never come? Wow?

853
00:43:39,080 --> 00:43:43,560
Speaker 1: He didn't. It really were terrible. He sounded like drunk Elvis.

854
00:43:42,680 --> 00:43:46,320
Speaker 1: He I mean he didn't know any words, and I

855
00:43:47,080 --> 00:43:50,520
Speaker 1: thought you knew tomorrow. I mean he sang all the

856
00:43:50,520 --> 00:43:52,799
Speaker 1: words with a clip right on, and then when it

857
00:43:52,840 --> 00:43:54,320
Speaker 1: came to it, you were on the wrong spot. But

858
00:43:54,320 --> 00:43:56,800
Speaker 1: you didn't even singing those words. Singing is really hard.

859
00:43:56,800 --> 00:43:59,439
Speaker 1: Why are you still yelling at me? Oh? It's tough

860
00:43:59,440 --> 00:44:01,799
Speaker 1: with this micro on these headphones. I like how you think.

861
00:44:01,840 --> 00:44:05,200
Speaker 1: Garth puts the words of workforce and a really slow,

862
00:44:05,320 --> 00:44:10,120
Speaker 1: meaningful song in the lyrics at you. I didn't mean

863
00:44:10,160 --> 00:44:13,040
Speaker 1: to tech attack bosses in general, but it put part

864
00:44:13,040 --> 00:44:14,279
Speaker 1: of the song and the I felt like you were

865
00:44:14,280 --> 00:44:17,160
Speaker 1: coming to me there, buddy. I wasn't. But it's about tomorrow,

866
00:44:17,200 --> 00:44:20,640
Speaker 1: and usually work is tomorrow. Okay, so that's true. Blind

867
00:44:20,719 --> 00:44:23,440
Speaker 1: karaoke Ray has no lyrics in front of him. Do

868
00:44:23,640 --> 00:44:26,080
Speaker 1: I just write your scores down one to ten? It's

869
00:44:26,160 --> 00:44:28,919
Speaker 1: raised first time ever playing there, you go write it down?

870
00:44:29,000 --> 00:44:33,360
Speaker 1: All right? Ray, Thank you very much? All right, next

871
00:44:33,480 --> 00:44:39,399
Speaker 1: up producer ready, Oh Eddie, I love you some guard.

872
00:44:39,680 --> 00:44:41,759
Speaker 1: I love GARTHI you know that bone. He's gonna know

873
00:44:41,880 --> 00:44:44,799
Speaker 1: every song, every lyric. I mean, this is if you

874
00:44:44,840 --> 00:44:47,120
Speaker 1: don't win this, it's a Travis to Eddie. There are

875
00:44:47,120 --> 00:44:49,879
Speaker 1: a lot of good songs though this because they're all great,

876
00:44:49,920 --> 00:44:52,239
Speaker 1: but I think good songs to actually perform. I think

877
00:44:52,360 --> 00:44:55,920
Speaker 1: if he did, like Colin Baton, rouge operator, won't you

878
00:44:56,000 --> 00:44:58,520
Speaker 1: let me on through? Guys, come on, both, you know

879
00:44:58,640 --> 00:45:02,560
Speaker 1: I know all these songs. I I used to dress

880
00:45:02,640 --> 00:45:05,120
Speaker 1: like Garth. I was in the Garth Fan club. I

881
00:45:05,160 --> 00:45:08,120
Speaker 1: had a world tour jacket that my mom got me

882
00:45:08,120 --> 00:45:10,480
Speaker 1: for Christmas one year. I am a Garth fan. Well,

883
00:45:10,600 --> 00:45:12,800
Speaker 1: we have nothing else to do because I spend that wheel. Guys, ready,

884
00:45:13,120 --> 00:45:17,640
Speaker 1: let's spend that Let's see which town do. I want

885
00:45:17,880 --> 00:45:20,359
Speaker 1: a lot of songs on the wheel and Eddie will

886
00:45:20,400 --> 00:45:23,880
Speaker 1: be singing the thunder rolls. Oh you know what. I

887
00:45:23,920 --> 00:45:26,320
Speaker 1: was singing this just the other day. Okay, yeah, it

888
00:45:26,400 --> 00:45:28,799
Speaker 1: was a rainstorm coming in and when the thunder rolled,

889
00:45:28,800 --> 00:45:31,520
Speaker 1: I was like three thirty in the morning. You're going

890
00:45:31,600 --> 00:45:34,360
Speaker 1: full full bow by Oh no, I'm not. I'm not.

891
00:45:34,400 --> 00:45:37,759
Speaker 1: I need I need music. Okay, wow for our audience, right,

892
00:45:37,800 --> 00:45:42,840
Speaker 1: if you could play them the clip under and the

893
00:45:43,000 --> 00:45:48,160
Speaker 1: light doesn't stride. Oh oh, absolutely all right, here we go.

894
00:45:48,200 --> 00:45:57,880
Speaker 1: This is Eddie doing the thunder rolls blind karaoke's bell buckle.

895
00:45:58,040 --> 00:46:08,160
Speaker 1: That's what Garth did in the video three thirty in

896
00:46:08,200 --> 00:46:14,080
Speaker 1: the morning, not a soul in sight. Cities looking like

897
00:46:14,160 --> 00:46:20,040
Speaker 1: a ghost town on the moonlit summer night. Rain drops

898
00:46:20,080 --> 00:46:26,120
Speaker 1: on the windshield. There's a storm moving in set it

899
00:46:26,200 --> 00:46:31,480
Speaker 1: from somewhere that he never should have been. And the

900
00:46:31,480 --> 00:46:45,600
Speaker 1: thunder rolls for thunder and the thunder roll. Every light

901
00:46:45,840 --> 00:46:50,400
Speaker 1: is burning in the house across town. Here. Look at

902
00:46:50,440 --> 00:46:54,839
Speaker 1: that headphones boss, I'm on the telephone. Thankful, he's right.

903
00:46:55,120 --> 00:46:58,400
Speaker 1: He's gone to Garth head mic now and the wind

904
00:46:58,560 --> 00:47:04,160
Speaker 1: and rain just strange. Je Perfume blows. The lightning crashes

905
00:47:04,239 --> 00:47:09,160
Speaker 1: in her eyes and he knows that she knows. And

906
00:47:09,320 --> 00:47:19,640
Speaker 1: the thunder roll and the thunder rolls, the thunder rose

907
00:47:21,000 --> 00:47:27,200
Speaker 1: and the lightning strides. Another love goes cold on the

908
00:47:27,280 --> 00:47:34,160
Speaker 1: sleepless nah and the storm goes on out of control,

909
00:47:35,880 --> 00:47:43,320
Speaker 1: deep in her harm. The thunder Buddies does not sound

910
00:47:43,360 --> 00:47:46,800
Speaker 1: just like Arth. No, but what you definitely had passionate energy.

911
00:47:46,880 --> 00:47:48,520
Speaker 1: Thank you man. Do we penalize you more if you

912
00:47:48,560 --> 00:47:50,319
Speaker 1: mess up to you wanting to be an expert. Yeah,

913
00:47:50,360 --> 00:47:53,120
Speaker 1: we're playing to note every single like you're playing. You're

914
00:47:53,160 --> 00:47:57,279
Speaker 1: playing this, you obviously want them to lose all judge, Yes,

915
00:47:57,440 --> 00:48:00,160
Speaker 1: just take that into account. Just listen to a ray

916
00:48:00,200 --> 00:48:02,400
Speaker 1: did and compare it to mine and just write your

917
00:48:02,440 --> 00:48:11,160
Speaker 1: score out. Okay, than coming up Lunchbox and then our

918
00:48:11,400 --> 00:48:13,839
Speaker 1: two time champion two times in a row, Abbey who

919
00:48:13,920 --> 00:48:19,120
Speaker 1: continues to dominate these fools. What I'm in the competitions,

920
00:48:19,120 --> 00:48:23,120
Speaker 1: I can't say anything that's true that he makes noises.

921
00:48:23,800 --> 00:48:31,200
Speaker 1: I can't saying do you think it's a conspiracy? Lunch

922
00:48:31,200 --> 00:48:35,279
Speaker 1: Boxes up next? Whoa what? Hey? Let me tell you

923
00:48:35,840 --> 00:48:39,399
Speaker 1: some of these Garth songs I should know, and it's

924
00:48:39,400 --> 00:48:41,480
Speaker 1: all Garth Brooks today. Let me all the time I

925
00:48:41,520 --> 00:48:43,800
Speaker 1: went saw him in Las Vegas and I knew some

926
00:48:43,840 --> 00:48:45,759
Speaker 1: of these songs. Okay, And if you buy the box

927
00:48:45,760 --> 00:48:48,960
Speaker 1: set at Walmart, when they're singing the River, you see

928
00:48:49,000 --> 00:48:51,440
Speaker 1: me in the crowd, just so you know the video

929
00:48:52,080 --> 00:48:54,680
Speaker 1: the corner of your head, not my face, right on.

930
00:48:54,719 --> 00:48:58,080
Speaker 1: So on life is like a river ever chat and

931
00:48:58,120 --> 00:48:59,759
Speaker 1: it shows me and it's like, wow, so do you

932
00:48:59,800 --> 00:49:02,319
Speaker 1: want the river? No? Oh why not? What would you

933
00:49:02,320 --> 00:49:06,719
Speaker 1: prefer here on the wheel? Hey? I answered, Okay, he

934
00:49:06,719 --> 00:49:09,600
Speaker 1: wants answer prayers. I hope you go, hope I get it? Yeah,

935
00:49:09,800 --> 00:49:12,040
Speaker 1: a couple of those. I got no idea. You know

936
00:49:12,120 --> 00:49:14,600
Speaker 1: the dance? I don't think I know the dance? Wait?

937
00:49:14,640 --> 00:49:17,520
Speaker 1: You talking about that because I'm like nervous. Because these

938
00:49:17,520 --> 00:49:19,920
Speaker 1: are a huge song I should know. And when they

939
00:49:19,960 --> 00:49:23,160
Speaker 1: come on the CDs or my iPod, I listen to them.

940
00:49:23,160 --> 00:49:31,040
Speaker 1: I hear open. Ok Okay, let's come on, come on,

941
00:49:31,840 --> 00:49:33,680
Speaker 1: give me some good juju. Give me some good ju

942
00:49:33,800 --> 00:49:38,320
Speaker 1: ju on that wheel you'll be doing? Oh shameless? Have

943
00:49:38,360 --> 00:49:40,879
Speaker 1: you ever heard shameless before? I've heard it a couple

944
00:49:40,920 --> 00:49:42,239
Speaker 1: of times. How do you think it goes before you

945
00:49:42,280 --> 00:49:45,200
Speaker 1: hear it? Because I'm shameless? That's it. But I don't

946
00:49:45,200 --> 00:49:56,200
Speaker 1: know anything else. Listen, Why do you look so stressed

947
00:49:56,239 --> 00:49:59,600
Speaker 1: and sad right now? Because the wheel never gives me

948
00:49:59,680 --> 00:50:01,279
Speaker 1: any saying that I have it? What do you want?

949
00:50:01,960 --> 00:50:06,440
Speaker 1: Unanswered prayers? Hey? Everybody? What? WHOA? I don't even do this.

950
00:50:06,640 --> 00:50:09,080
Speaker 1: You guys don't don't do this? Do you don't? Don't

951
00:50:10,280 --> 00:50:13,920
Speaker 1: problem with giving him unanswered prayers? I don't. Okay, everybody

952
00:50:13,920 --> 00:50:16,760
Speaker 1: has to sign off ray you go you okay? Abby?

953
00:50:16,840 --> 00:50:19,720
Speaker 1: Can you have on unentwer prayers? Yeah? Okay? Hey lunchbox,

954
00:50:19,719 --> 00:50:28,040
Speaker 1: hold on shameless no wrong song? Can see that's that's

955
00:50:28,040 --> 00:50:31,080
Speaker 1: the wrong song. Do you want shameless? You no shame?

956
00:50:32,719 --> 00:50:36,839
Speaker 1: Last night at a hometown okay, you play unanswered prayers?

957
00:50:36,840 --> 00:50:45,000
Speaker 1: Somebjoms a thing? Or do you know everywhere to this

958
00:50:45,040 --> 00:50:56,640
Speaker 1: one from the beginning blind karaoke? Just last night at

959
00:50:56,640 --> 00:51:01,279
Speaker 1: a hometown football game, me and my my wife ran

960
00:51:01,400 --> 00:51:06,480
Speaker 1: into my old high school flame. Then in there I

961
00:51:06,680 --> 00:51:12,640
Speaker 1: thank God for unanswered prayers. She was the one I

962
00:51:12,680 --> 00:51:16,920
Speaker 1: had wanted for all time. But then I realized that

963
00:51:17,080 --> 00:51:21,720
Speaker 1: just because you got unanswered prayers, I said, I thank

964
00:51:21,840 --> 00:51:27,080
Speaker 1: God for unanswered prayers. Remember when you're talking to that

965
00:51:27,200 --> 00:51:33,080
Speaker 1: man upstairs, that just because he doesn't answer doesn't mean

966
00:51:33,200 --> 00:51:38,640
Speaker 1: he don't care. And that's why I thank God for

967
00:51:39,320 --> 00:51:45,320
Speaker 1: unanswered prayers. Because I wanted her, and now she's fat.

968
00:51:45,560 --> 00:51:50,919
Speaker 1: She's not I know yet I could have gotten worse.

969
00:51:51,800 --> 00:51:55,359
Speaker 1: You know, It's just it's just do you even hear

970
00:51:55,400 --> 00:51:57,480
Speaker 1: the music? The music just went to the chorus right now?

971
00:51:57,719 --> 00:51:59,839
Speaker 1: Do you even hear the music? Really? Okay? Because it

972
00:52:00,000 --> 00:52:03,279
Speaker 1: doesn't seem like I don't really hear it. Yeah, I'm

973
00:52:03,320 --> 00:52:05,320
Speaker 1: worried about just getting the words right, but you don't.

974
00:52:06,160 --> 00:52:09,319
Speaker 1: You got more. I thought I got a lot. You

975
00:52:09,320 --> 00:52:11,080
Speaker 1: did get more than that. Thought. She was the one

976
00:52:11,120 --> 00:52:14,319
Speaker 1: I wanted for all time. Uh yeah, yeah, yeah, yeah yeah.

977
00:52:14,320 --> 00:52:16,040
Speaker 1: But you generally you say you just want it, but

978
00:52:16,080 --> 00:52:19,000
Speaker 1: you don't. So I just wonder if you tried to

979
00:52:19,000 --> 00:52:20,919
Speaker 1: stay on beat. No, I did try to stay on beat,

980
00:52:21,160 --> 00:52:23,160
Speaker 1: like it was I did I go too fast? Pretty good?

981
00:52:23,400 --> 00:52:26,800
Speaker 1: I went too fast? Yeah, you skip some stuff, but

982
00:52:27,200 --> 00:52:28,759
Speaker 1: course it's a great like, like, what part did that?

983
00:52:28,840 --> 00:52:32,479
Speaker 1: Maybe maybe your finest performance if we're being honest here, Wow? Yeah,

984
00:52:32,600 --> 00:52:34,359
Speaker 1: what what part did I skip? Though? The whole song?

985
00:52:34,480 --> 00:52:36,000
Speaker 1: You were done with the whole song in thirty seconds

986
00:52:36,000 --> 00:52:37,600
Speaker 1: and then you said, just old fatters up? All right,

987
00:52:37,600 --> 00:52:41,239
Speaker 1: here we go, let's talk to somebody. Write your scores down. Wow,

988
00:52:41,320 --> 00:52:43,040
Speaker 1: let me just say I'm looking at one of the scores.

989
00:52:43,480 --> 00:52:47,120
Speaker 1: Oh oh wait, never mind, that was that's combined? Oh

990
00:52:47,480 --> 00:52:55,960
Speaker 1: dang you, I swear I saw that. What part of

991
00:52:56,080 --> 00:52:58,719
Speaker 1: miss Because they let us bring in our poard contestant,

992
00:52:59,320 --> 00:53:08,520
Speaker 1: two time defending champion, they call a rabbit. She's so good, Abbey,

993
00:53:08,680 --> 00:53:12,000
Speaker 1: we're so happy that you grace us. If it's another

994
00:53:12,040 --> 00:53:14,240
Speaker 1: appearance here on the stage. I can't wait from singing

995
00:53:14,239 --> 00:53:16,480
Speaker 1: at the bars in Vegas and Nashville to right here

996
00:53:16,520 --> 00:53:19,160
Speaker 1: in front of us. Look, I'm going you have a

997
00:53:19,200 --> 00:53:23,200
Speaker 1: favorite song, Friends on Low Places, but I love Shameless also,

998
00:53:23,239 --> 00:53:25,640
Speaker 1: so I'm glad you didn't do that song. So Abby

999
00:53:25,719 --> 00:53:27,879
Speaker 1: will have the wheel spun and whatever lands, and she'll

1000
00:53:27,880 --> 00:53:29,319
Speaker 1: sing with no words in front of her. Do you

1001
00:53:29,320 --> 00:53:33,440
Speaker 1: study any Garth songs for performing your sets? It's not really. Now,

1002
00:53:34,160 --> 00:53:44,040
Speaker 1: let's spend what you're a fast one? Abby? You have mama?

1003
00:53:44,239 --> 00:53:48,719
Speaker 1: Oh shoot, there's so many words to this tough Let's

1004
00:53:48,760 --> 00:53:52,840
Speaker 1: see what you made of Abigail? Is that your name? It? No,

1005
00:53:53,080 --> 00:54:00,440
Speaker 1: but we'll go with it. All right, Let's go, Mama, Mama.

1006
00:54:03,000 --> 00:54:05,480
Speaker 1: Mom was in the graveyard, Tom was in the thing.

1007
00:54:05,880 --> 00:54:16,160
Speaker 1: I think I know the chorus, but yeah, here we go.

1008
00:54:19,760 --> 00:54:23,439
Speaker 1: Mama loved going down there every night, and Daddy told

1009
00:54:23,440 --> 00:54:26,680
Speaker 1: her he was gonna be all right. They went down

1010
00:54:26,800 --> 00:54:29,640
Speaker 1: to the liquor store and they said, hey, I want

1011
00:54:29,719 --> 00:54:33,360
Speaker 1: some fun, Mum. They go out and every now and

1012
00:54:33,440 --> 00:54:35,719
Speaker 1: then they go to Broadway and they go to all

1013
00:54:35,800 --> 00:54:38,839
Speaker 1: the bars. Oh yeah, they keep on walking until they

1014
00:54:38,880 --> 00:54:41,200
Speaker 1: see a guitar, and then they fire it up and

1015
00:54:41,560 --> 00:54:47,080
Speaker 1: ding into town. Yeah. Thank oh mama the lover Lona

1016
00:54:47,320 --> 00:54:53,080
Speaker 1: shouts down. Was a looking dad's kind Comma, Mama, mama,

1017
00:54:53,360 --> 00:54:57,560
Speaker 1: Oh my god, Eddie got this. MoMA is in the graveyard,

1018
00:54:57,600 --> 00:55:00,319
Speaker 1: Comma is in the pin I can't see guy song.

1019
00:55:03,840 --> 00:55:07,319
Speaker 1: That's it. I have never seen someone give up an

1020
00:55:07,400 --> 00:55:09,920
Speaker 1: award the winner in the middle of the same. She

1021
00:55:10,000 --> 00:55:13,400
Speaker 1: did both. She quit and gave the championship to somebody.

1022
00:55:14,520 --> 00:55:21,000
Speaker 1: Lunchboxes in this right. No, I know what I missed.

1023
00:55:21,520 --> 00:55:23,640
Speaker 1: I knew I destroyed it. Remember the angel, She's not

1024
00:55:23,680 --> 00:55:25,239
Speaker 1: the angel I remembered of all time. That's what I

1025
00:55:25,239 --> 00:55:29,640
Speaker 1: mean by that lay thinking music for me. I need

1026
00:55:29,680 --> 00:55:34,080
Speaker 1: this In tabulations, he's still on the song. Okay, let

1027
00:55:34,080 --> 00:55:39,720
Speaker 1: it go Garth Okay, God that okay, then I'm gonna

1028
00:55:39,760 --> 00:55:45,640
Speaker 1: do boy, Abby, Abby, that might be the lowest ever forever.

1029
00:55:47,960 --> 00:55:52,279
Speaker 1: I was like, because she just quit. Yeah, I like

1030
00:55:52,400 --> 00:56:05,480
Speaker 1: the fired it up though. That was good. Okay, in

1031
00:56:05,600 --> 00:56:07,640
Speaker 1: last place, and this person will not be before me

1032
00:56:07,760 --> 00:56:11,000
Speaker 1: next week because she quit his Abbey Yeah, get out

1033
00:56:11,000 --> 00:56:14,360
Speaker 1: of here, let's go. Abby got a total score of

1034
00:56:14,440 --> 00:56:17,959
Speaker 1: six day. That's the Champ defending Champ. Does she quit?

1035
00:56:18,320 --> 00:56:22,000
Speaker 1: You can't quit? You can't. I mean I thought you've

1036
00:56:22,000 --> 00:56:24,680
Speaker 1: tried to teach her that weeks ago. Man quit, can't quit?

1037
00:56:24,760 --> 00:56:27,000
Speaker 1: So but Abby gets the lowest square it's six, So

1038
00:56:27,040 --> 00:56:32,120
Speaker 1: everybody else is surviving in next week? Okay, in third

1039
00:56:32,160 --> 00:56:39,439
Speaker 1: place with a score of fourteen. Ray, that'll do. Wow,

1040
00:56:44,360 --> 00:56:49,279
Speaker 1: I'm I got it. I'm gonna sing us out? Is

1041
00:56:49,280 --> 00:56:50,880
Speaker 1: that what we do? No? Even if he doesn't win,

1042
00:56:50,920 --> 00:56:54,240
Speaker 1: any sing out? Please that same song? No, whatever, whatever

1043
00:56:54,320 --> 00:56:57,640
Speaker 1: one he wants. Maybe we try shameless, yes, because I

1044
00:56:57,719 --> 00:56:59,839
Speaker 1: will never know. I want to work for her all

1045
00:56:59,880 --> 00:57:03,680
Speaker 1: the that's so No, that's that summer. Yeah, yeah, you know,

1046
00:57:04,040 --> 00:57:10,160
Speaker 1: you know. With a score of sixteen. Oh oh, it's close. Huh.

1047
00:57:10,360 --> 00:57:13,919
Speaker 1: Lunchbox second okay, oh no, you were supposed to tease

1048
00:57:13,920 --> 00:57:15,879
Speaker 1: me and say oh and then Eddie got a fifteen, Eddie,

1049
00:57:15,920 --> 00:57:22,560
Speaker 1: Eddie got twenty one. It's almost not Bear because I

1050
00:57:22,600 --> 00:57:25,840
Speaker 1: mean Garth, dude, Garth's my favorite. He's the goat, Eddie.

1051
00:57:26,080 --> 00:57:27,400
Speaker 1: Would you like to sing us out? Or would you

1052
00:57:27,400 --> 00:57:29,200
Speaker 1: like somebody else? No? I would like Lunchbox to sing

1053
00:57:29,240 --> 00:57:30,680
Speaker 1: us out, and I'd like to pick the song. Okay,

1054
00:57:30,680 --> 00:57:33,360
Speaker 1: go ahead calling baton rude. Okay, here's lunchboxing calling baton

1055
00:57:33,400 --> 00:57:39,680
Speaker 1: rouge from right there. Put on the wait, go on

1056
00:57:40,360 --> 00:57:44,880
Speaker 1: straight your smity sad all right, yo head put her

1057
00:57:44,920 --> 00:57:47,080
Speaker 1: on the line. I got a collar, sheet hot as

1058
00:57:47,080 --> 00:57:49,960
Speaker 1: a dime, I got I got a collar and tell

1059
00:57:50,040 --> 00:57:55,360
Speaker 1: him coming in a baton rude because I love you,

1060
00:57:55,640 --> 00:57:59,360
Speaker 1: hey operators, he is fine, bye ye, Please put her

1061
00:57:59,360 --> 00:58:07,520
Speaker 1: on that line. It's the Best Bits of the Week

1062
00:58:08,280 --> 00:58:12,640
Speaker 1: with Morgan number two. That's it for the Best Bits,

1063
00:58:12,680 --> 00:58:15,120
Speaker 1: just the bits this weekend. I hope you guys are

1064
00:58:15,600 --> 00:58:18,919
Speaker 1: enjoying some awesome weather. Maybe you have fault weather, maybe

1065
00:58:18,920 --> 00:58:22,040
Speaker 1: you have a right before fault weather, or enjoying whatever

1066
00:58:22,080 --> 00:58:24,400
Speaker 1: your plans are this weekend. But I appreciate you guys

1067
00:58:24,680 --> 00:58:27,080
Speaker 1: hanging out with me here and listening to the bits.

1068
00:58:27,120 --> 00:58:30,560
Speaker 1: Make sure you go and check out Best Bits Part one,

1069
00:58:30,600 --> 00:58:32,720
Speaker 1: which is with Abby. This week. We talk about a

1070
00:58:32,760 --> 00:58:36,720
Speaker 1: lot of fun things, including some TV show movie suggestions.

1071
00:58:36,840 --> 00:58:39,640
Speaker 1: We also just talk about life lately, which is always

1072
00:58:39,680 --> 00:58:41,560
Speaker 1: a good time. If you want to follow me, you

1073
00:58:41,560 --> 00:58:44,400
Speaker 1: can go to at web Girl Morgan on All the Things,

1074
00:58:44,760 --> 00:58:46,800
Speaker 1: and you can also check out the show at Bobby

1075
00:58:46,840 --> 00:58:49,320
Speaker 1: Bones Show. Go see some of this content that I

1076
00:58:49,320 --> 00:58:51,840
Speaker 1: talked about this week. Also, there's more up there that

1077
00:58:51,880 --> 00:58:54,320
Speaker 1: I didn't get a chance to talk to, so definitely

1078
00:58:54,400 --> 00:58:57,520
Speaker 1: check that out. Y'all have the best weekend. I'll see

1079
00:58:57,520 --> 00:59:01,160
Speaker 1: you next time. Bobby Ball, Bobby Bone Show