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Speaker 1: Don snow a ka tent toes. Donnie was in the building.

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Speaker 2: Donald Trump made an appearance at UFC two eighty seven,

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Speaker 2: him and Dana White.

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Speaker 1: He was just the rest of the last week was

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Speaker 1: he was just indicted in Manhattan.

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Speaker 3: It was just kind of crazy week ago.

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Speaker 1: And now he's really excited. UFC two eighty seven. Frank

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Speaker 1: Lucashit yo, listen, man, I mean yo, you know say

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Speaker 1: what y'all want. This is this is entertaining, shiit No.

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Speaker 1: Welcome to a new new episode of the New Rory

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Speaker 1: and Mal Podcast. I am Maul, I'm Rory, and we

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Speaker 1: are back with a new episode. Bro.

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Speaker 4: How you feeling, Bike? I feel great. Yeah, interesting weekend,

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Speaker 4: and we can get right.

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Speaker 1: To something's happened, right, some things, Some things were going

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Speaker 1: on out there.

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Speaker 4: Some laughable moments, yeah, some people sounding smart.

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Speaker 2: Good weekend though, yeah, good weekend. It felt good. It

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Speaker 2: was good, good weather for the most part.

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Speaker 4: I'll make this actually quick and brief because I know

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Speaker 4: there's a lot of people that are here just for

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Speaker 4: the other response. Let's dead. The narratives that were happening

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Speaker 4: this weekend, I'm not even talking about them over there,

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Speaker 4: just the narratives that exist outside of maybe two or

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Speaker 4: three jokes. Since we put our response video out two

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Speaker 4: years ago, I have not said a fucking word. Matter

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Speaker 4: of fact. If anything, I've been objective and complimentary in

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Speaker 4: a lot of places. And if you look at that clip,

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Speaker 4: I even said you deserve to be on that fucking list.

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Speaker 4: Oh and by the way, I'm talking to Joe, I

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Speaker 4: don't do this who we made concern bullshit and subs.

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Speaker 4: You're fucking forty five. Talk to people. Don't bleep my

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Speaker 4: name anymore on the podcast. Shut the fuck up. I

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Speaker 4: told you the last time I saw you, leave me alone,

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Speaker 4: and I have not said a fucking word. I've been

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Speaker 4: nothing but kind, polite. Anytime someone brings you up publicly,

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Speaker 4: I don't say bad words. Stop talking about me, leave

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Speaker 4: me the fuck alone. It's getting obsessive. This is his

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Speaker 4: third press run in two years, and this last one,

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Speaker 4: his whole press run was trying to tell people that

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Speaker 4: he does not talk about us. Your press run was

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Speaker 4: talking about us, saying you don't talk about us. You

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Speaker 4: just went on your third press run in two years.

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Speaker 4: I have not been on one press run talking about

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Speaker 4: your ass. I did my response video and I left

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Speaker 4: it the fuck alone, you're dead. Don't talk about lists, right,

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Speaker 4: You should shut the fuck up if you're not on

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Speaker 4: the list to talk about a list, right. Your YouTube

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Speaker 4: popped from you talking about a list you weren't on,

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Speaker 4: and we know how that ended.

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Speaker 1: My arms are just tired. I need a mic stand.

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Speaker 5: Like.

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Speaker 2: I don't know about you, but like, yes, we have

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Speaker 2: mikes stands without like, I think we need more mic stands.

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Speaker 1: We know, need like ten more mices. Yeah, no, I understand,

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Speaker 1: just get a few more mice stands in here.

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Speaker 4: Should have kept your library car.

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Speaker 1: Yeah, that's that's what I should have did.

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Speaker 5: Well.

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Speaker 1: But I'm glad you. I'm glad you addressed that.

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Speaker 4: No, it's not even like I may even sound frustrated

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Speaker 4: and upset, and I'm totally cool with sounding that way

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Speaker 4: because I really have been quiet about this entire shit.

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Speaker 4: That's what's making it even cornier, Like this started with

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Speaker 4: you yelling at an empty chair that I shouldn't come

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Speaker 4: to your son's birth. After there's a full episode of

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Speaker 4: you talking about how much that meant to you. One

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Speaker 4: story has not changed at all, One continues to change.

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Speaker 4: I never took it personal. I never said wild shit.

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Speaker 4: I never even went in on your business. I left

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Speaker 4: it alone after that response video, so leave me the

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Speaker 4: fuck alone.

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Speaker 1: And had we not spoken about that, we would have

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Speaker 1: been hating.

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Speaker 4: That's where you get it.

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Speaker 1: Now we spoke about it. We hate. I don't hate nobody.

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Speaker 1: I don't pay attention to niggas enough to hate niggas like.

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Speaker 2: That's that's why I hate when I get dragged drug

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Speaker 2: into this ship, cause it's like, I don't care about

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Speaker 2: none of these dudes. Man, Respect and love to all

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Speaker 2: of y'all. I'm just saying, facts are facts.

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Speaker 1: That's it.

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Speaker 2: Let's deal with the facts. But we're not mad Rory

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Speaker 2: and are happy. Our staff is happy. Everybody's having a

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Speaker 2: great time. We have Mike stans, we have Mike stands,

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Speaker 2: we have equipment like I don't want people to think

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Speaker 2: that we don't have. These are all like false just

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Speaker 2: moving the gold post shit like, cut it out, man

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Speaker 2: with the bullshit. Stop Bro, You not the nigga that

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Speaker 2: know you're not the fucking the master of podcasting. I

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Speaker 2: know niggas you call you the podfall and you let

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Speaker 2: that shit circle jerk you when you came on yourself.

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Speaker 4: Combat no combat jet and then he passed away. And

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Speaker 4: then you started like.

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Speaker 2: Stop with that bullshit, man, cut it out. Is corny, bro,

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Speaker 2: Like it's no, this is corny. I gotta take seven

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Speaker 2: shours a day now because my name is next to

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Speaker 2: yours in the mud, like you know what I mean.

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Speaker 1: I don't want to do this ship man. Look what

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Speaker 1: y'all got me doing.

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Speaker 4: The same thing I said to Joe and everyone else.

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Speaker 4: Leave me alone, don't talk about me. I don't talk

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Speaker 4: about y'all. Leave me the fuck alone. I know we're

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Speaker 4: creating content, people of pod wars all this shit. I'm

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Speaker 4: talking just to y'all in real life. It just happens

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Speaker 4: to be on a fucking podcast. This is not a

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Speaker 4: war or back and forth. Shut up. I'm gonna shut

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Speaker 4: up and we can all move the fuck on and

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Speaker 4: do whatever we want with our lives. Let the fans

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Speaker 4: talk all day, but y'all shut up. Shut up. I'm

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Speaker 4: going to do the same. Shut up.

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Speaker 1: My arm is still tired.

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Speaker 4: I do want to move on. I will stick to

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Speaker 4: my side of that if everyone relaxes, because if I

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Speaker 4: wanted to get froggy, not talking about anything with physical violence,

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Speaker 4: talking about other things, things in the bookstore, things on

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Speaker 4: the first page, of the book. I could, and I

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Speaker 4: never wanted to. So everyone just fucking relax and enjoy

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Speaker 4: their lives and leave me the fuck alone and we

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Speaker 4: can move on to other other topics. Yeah, you got

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Speaker 4: the dolly Lama out here touching kids and we're talking

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Speaker 4: about fucking podcast wars.

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Speaker 1: Nasty.

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Speaker 4: There's a war against the children in India.

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Speaker 1: So Rory, I was scrolling uh the timelines, and I

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Speaker 1: saw something uh that I was kind of I thought

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Speaker 1: it was Ai. Okay, so I thought we got a

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Speaker 1: new AI, uh, because you know AI is everything now.

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Speaker 2: So I was scrolling the timelines and I saw something

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Speaker 2: and it says the Dalai Lama was.

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Speaker 1: Uh was asking the young boy to suck his tongue.

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Speaker 4: So you have big pedal algorithm, is what you're saying?

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Speaker 4: Your AI is pedal?

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Speaker 1: No, well, you know it's it's a holy time. It's

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Speaker 1: a holy time. You know.

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Speaker 2: I'm kind of trying to keep the frequencies in a

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Speaker 2: peaceful state. So I guess the men of peace. You know,

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Speaker 2: the energy is following me, it's finding me.

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Speaker 4: Nothing about this is okay. During Ramadan, I see the

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Speaker 4: sun is down with that's not an excuse.

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Speaker 2: Well, no, not this but it's it's just, you know,

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Speaker 2: that's just where my my levels are. So anything that's

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Speaker 2: under the umbrella of being peace and love and harmony

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Speaker 2: and things like that. So the Holy One, the Dolly Lomba,

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Speaker 2: he found his way to my timeline.

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Speaker 1: I thought it was ai.

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Speaker 2: I thought this was something something fake that the timeline

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Speaker 2: made up. And he's asking a young a young boy

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Speaker 2: to give him a kiss. And I believe he said

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Speaker 2: suck my thongue.

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Speaker 4: Okay, he took your message of peace and love and

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Speaker 4: took it a little too far, little too literal, little

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Speaker 4: too much love for the children.

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Speaker 1: But what is this though, Like, this isn't hip hop.

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Speaker 1: I'm not sho no, this, this isn't hip hop. This

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Speaker 1: telling the little boy to suck your tongue.

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Speaker 4: All right? At some point, what can the UN do,

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Speaker 4: back to back to Roy not knowing shit make a

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Speaker 4: TikTok about it? Yes, man, the UN needs an army

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Speaker 4: and they need to be able to raid this country.

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Speaker 4: Is when shit like this happens. I don't know the

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Speaker 4: pedal laws and wherever the fuck they are, but it's

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Speaker 4: on camera clear. He asked the child to suck his tongue,

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Speaker 4: and then the kid did it, and you can see

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Speaker 4: the kid doesn't want to. Well, and even if the

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Speaker 4: kid wanted to, it's still nasty.

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Speaker 1: I'm near the kid.

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Speaker 2: I don't know if they cut the video, but he

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Speaker 2: smacked him some sugar. At first, he gave the kid

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Speaker 2: a little peck on the lips, and then he gave

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Speaker 2: him what he seems to be. This is what Professor

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Speaker 2: X does and Cerebro when trying to find out with

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Speaker 2: all the X menIt put your his forehead on your

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Speaker 2: forehead to kind of feel your thoughts and see what

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Speaker 2: you're thinking. But then he gave him a kiss, and then.

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Speaker 1: He he stuck his tongue out and said, suck my tongue.

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Speaker 3: What is this?

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Speaker 4: What in the gymnastic coach foot long subway, saydwhich is

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Speaker 4: going on right now?

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Speaker 1: Who's all right?

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Speaker 4: Who's man's look at the people around too?

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Speaker 1: Yeah? His man, his man.

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Speaker 2: They look like his right hand man is looking at

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Speaker 2: him like, yo, you bugging like we The cameras are on.

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Speaker 4: And you got the whole Last Supper set up on Easter.

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Speaker 2: Uh see, I'm just I'm just I'm just confused because everyone.

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Speaker 4: There was an age limit at the Last Supper, but

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Speaker 4: here's here's the confusion. Eighteen plus to get in.

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Speaker 2: Everyone else has a mask on, right, you see everbody

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Speaker 2: in the back, everybody's walking past the camera. Everybody has

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Speaker 2: a mask on. COVID No, because the Dali Lama will

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Speaker 2: try to stick like your tongue in your mouth.

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Speaker 1: Is why they have COVID is over it. COVID is gone.

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Speaker 1: The Dalai Lama is the reason you need to wear

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Speaker 1: a mask now mouth protection. Yeah, like what is he?

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Speaker 1: Why are you trying to have this young boy suck

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Speaker 1: your tongue?

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Speaker 4: And then my man's in the back and take a photo.

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Speaker 1: Look at that.

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Speaker 3: I mean, this whole thing is on video.

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Speaker 2: This bro, this is disturb four K and I think

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Speaker 2: the Dalai Lama, whoever runs his account, I think they

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Speaker 2: posted an apology or something.

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Speaker 1: They issued something, They issued some words. I don't know.

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Speaker 1: Julian Key pull up. I know the Dalai Lama tweeted

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Speaker 1: what are the PR.

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Speaker 4: Teams between this one?

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Speaker 3: He said it was on camera.

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Speaker 2: I mean, I just don't know, but this is this

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Speaker 2: is This is scary stuff though, because you can only

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Speaker 2: imagine what happens behind closed behind closed doors when the

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Speaker 2: camera's not around. So they they posted a message on Twitter.

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Speaker 2: They tweeted from Dali Lama's count It says a video

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Speaker 2: clip has been circulating no Ship that shows a recent meeting.

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Speaker 2: That was a meeting when a young boy asked His

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Speaker 2: Holiness that Daali Lama if he could give him hut

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Speaker 2: blame the kid. His holiness wishes to apologize to the boy. No,

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Speaker 2: his his peddleness, but I don't use holiness here. His

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Speaker 2: pedalness wishes to apologize to the boy and his family,

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Speaker 2: as well as as many friends across the world for

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Speaker 2: the hurt his words.

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Speaker 1: May have caused. His words well, suck my tongue as

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Speaker 1: the words that they think hurt people.

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Speaker 2: His holy tongue is a wicked sword, right. His peddleness

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Speaker 2: often teases people. He meets in an innocent and playful way,

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Speaker 2: and before cameras he regrets the incident.

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Speaker 4: This is uh regrets he had a face of glee.

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Speaker 4: This is he was in heaven.

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Speaker 2: Yeah, but this is this is this is some This

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Speaker 2: is some sad stuff though, because again you can only

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Speaker 2: imagine what goes on, uh when the cameras are not on,

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Speaker 2: you know, behind closed doors. This is absolutely pedophile behavior.

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Speaker 2: This is again using the umbrella of you know, religion

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Speaker 2: and and and and all these holiness figures and all

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Speaker 2: of this, and then you have these little kids and

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Speaker 2: kids who are taught that these are the most holiest

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Speaker 2: figures that they can possibly ever meet and be in

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Speaker 2: the same room with. And then you have things like this.

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Speaker 2: You can tell that little boy was confused, didn't know

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Speaker 2: what to do. He didn't want to be disrespectful. You know,

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Speaker 2: it was a very awkward situation for him. You could

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Speaker 2: just tell him his body language. He wasn't trying to

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Speaker 2: kiss the Dali Lama in his mouth.

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Speaker 4: You can't say you regret something when it's on a

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Speaker 4: red camera.

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Speaker 1: Yeah, like no.

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Speaker 4: One just happened to catch this real quick. But then

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Speaker 4: like this is scared, so I can't really talk like that. Yeah,

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Speaker 4: I mean, at least Catholicism has a no phone policy

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Speaker 4: in mass.

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Speaker 3: To like taking adrenochron from like children to preserve their youth.

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Speaker 4: I'm sorry, Yeah, like a lot of these put that on.

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Speaker 4: If maybe he just has a good skin carotine.

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Speaker 3: What if this is how he does it. What if

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Speaker 3: he sucks the the adrenochron from little children and that's

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Speaker 3: how he stays so youthful.

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Speaker 4: No, watch too much Harry Potter or too much Reddit of.

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Speaker 3: Considers trying to see is this like the natural vaccine?

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Speaker 2: No, this is the natural pedophile and his most natural habitat.

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Speaker 3: But it's a tax right off too though, so he's chilling,

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Speaker 3: he's good. This is a tax right off.

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Speaker 1: Is there laws?

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Speaker 4: What country is this? I could be wrong with. This

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Speaker 4: appears to be in India. I think they need to

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Speaker 4: speak for this as a country, like their government needs

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Speaker 4: to address this.

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Speaker 1: I don't care to address you know.

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Speaker 4: Children being molested on video. Yeah, yeah, go arrest this guy.

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Speaker 1: I agree, you can arrest the dalai La. Yes, yes,

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Speaker 1: you should. You can.

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Speaker 2: You should not be able to be a pedophile and

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Speaker 2: and be able to hide under the umbrella of religion

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Speaker 2: and his holiness and all these other things.

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Speaker 4: That's like the whole thing able to But I mean,

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Speaker 4: listen America as well, we have laws, but we just

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Speaker 4: move priests. Yeah to another diocese gets the waiver wire.

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Speaker 2: Yeah, but this is but again, this is some you know,

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Speaker 2: this is troubling ship because this is on camera in

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Speaker 2: front of everybody. It's a room full of people that's

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Speaker 2: sitting there watching. It's like and nobody felt like freaked out,

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Speaker 2: like nobody felt like.

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Speaker 1: Yo, like walk up to like whoa, whoa whoa, Like no,

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Speaker 1: you can't.

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Speaker 2: Go grab the kid, Like it's like everybody's just sitting

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Speaker 2: there watching this happen.

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Speaker 3: Is it sacrilegious not to suck his tongue shut?

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Speaker 1: I have no idea.

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Speaker 3: I'm just saying, I don't know.

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Speaker 1: That's not my religion. That's not I don't. I don't.

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Speaker 2: I wouldn't kiss no man in the mouth. That's just

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Speaker 2: me though I'm from the I'm from. That's not hip hop.

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Speaker 1: That's the religion.

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Speaker 4: Whene and Baby were smalling on your camera.

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Speaker 5: That was mad.

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Speaker 1: That was that wasn't hip hop. Everybody everybody spoke out

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Speaker 1: about that not being hip hop, Like, Yo, what is

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Speaker 1: that you said? It's like, you kiss your father in

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Speaker 1: the mouth. No, you fallow like your punch on your face.

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Speaker 1: You try to kiss him, then that doesn't even You

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Speaker 1: try to kiss your dad in the mouth, he'll punch

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Speaker 1: you right in your face.

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Speaker 4: That's the way he shows effect the good job exactly.

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Speaker 1: That's what you're supposed to do. You don't kiss your

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Speaker 1: father in the mouth.

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Speaker 4: They said this was because of the mob. The mob

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Speaker 4: would do this I've seen.

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Speaker 1: That was the response. I've seen enough mob movies to

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Speaker 1: know that they don't kiss.

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Speaker 5: Look at it.

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Speaker 4: Look at his man's At least he has a better reaction. Yeah,

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Speaker 4: kissing than the Dalai Lama's.

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Speaker 1: Yeah, I never, I never.

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Speaker 3: That wasn't hip hop security is hilarious?

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Speaker 1: Yeah tight, Yeah, I never understood the kissing of you

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Speaker 1: know that to my next nigga?

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Speaker 5: Dad only kiss him? What I like the way that

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Speaker 5: came off? My bad?

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Speaker 4: You gotta do that to your dight girlfriend.

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Speaker 1: Yeah, I'm just not. I don't know.

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Speaker 2: That's That's something that I always kind of felt was weird.

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Speaker 2: Even when I see like when I see father's kissed

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Speaker 2: their daughter in the mouth.

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Speaker 1: I'm kind of like, I A, A, you kiss your

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Speaker 1: dad in the mouth?

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Speaker 6: I recently just recently stopped recently maybe with another past

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Speaker 6: three years, both my parents kissed me on the mouth, and.

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Speaker 1: I feel like at a certain age, but like as

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Speaker 1: a grown woman kissing your father in the mouth, it's

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Speaker 1: kind of crazy.

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Speaker 4: Because I also think there is a line where I'm

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Speaker 4: not sexualized a child when I'm thinking that apparently could

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Speaker 4: kiss their kid. But I do think at a certain age,

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Speaker 4: like maybe you shouldn't kiss your daughter in the mouth.

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Speaker 5: They stopped around like twenty three.

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Speaker 3: My parents like, as a dad, you shouldn't want to

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Speaker 3: kiss your daughter on the mouth at a certain that

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Speaker 3: it goes.

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Speaker 6: To give me affection. He's not thinking about the dick.

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Speaker 6: I'd be sucking like he's just because I know Julian.

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Speaker 6: Julian's over here smarking.

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Speaker 3: That's not what I'm saying. I'm saying.

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Speaker 4: I'm saying there's a certain age that maybe you just

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Speaker 4: shouldn't kiss your daughter.

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Speaker 3: Yeah, okay, father's side.

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Speaker 6: This is because this is the thing I was actually

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Speaker 6: going to bring this up. This is a thing that's

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Speaker 6: going on right now where the game is being criticized

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Speaker 6: for some pictures he took recently with his daughter that

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Speaker 6: people said look too affectionate. And this is his second

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Speaker 6: time being under fire for this because when she was

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Speaker 6: a little girl, there was a picture of him kissing

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Speaker 6: her on the mouth. So I would like to know

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Speaker 6: what age you all think stop kissing their daughters when

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Speaker 6: they're little babies.

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Speaker 2: And that's listen, that's fine. I'm talking about as a

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Speaker 2: as a I'm an adult. No, you shouldn't be kissing

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Speaker 2: why your kids and you just shouldn't be kissing your

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Speaker 2: kids in the mouth as young adults.

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Speaker 4: But why it's I mean, it's one of Drake's biggest

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Speaker 4: wishes that I feel like we should fulfill what I

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Speaker 4: wish all daughters would kiss their mothers with all that

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Speaker 4: lips that covers. You're never too grown to kissing.

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Speaker 5: Hugger, No real conversation. Why why is this I'm asking?

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Speaker 4: I don't know.

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00:16:22,840 --> 00:16:26,200
Speaker 2: Starts don't think it's appropriate to kissing your young adult

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Speaker 2: daughter or your young adult son in the mouth.

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Speaker 5: But it's just inappropriate.

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Speaker 3: Yeah, it's appropriates.

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Speaker 4: Myst reaction was no, But now that I'm starting to

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Speaker 4: think about it, I don't know.

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Speaker 1: Maybe it's a baby, sure, like that's you actually shouldn't

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Speaker 1: be actually worse than a baby, yeah.

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Speaker 2: You know what I mean, not like a newborn, but

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Speaker 2: like I'm talking about like two, three, four years that's fine.

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Speaker 2: Eighteen seventeen, eighteen, nineteen, twenty twenty.

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Speaker 1: No, no, no, no, no, we can't do that. No, that's

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Speaker 1: a bit much. I'm a gift.

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Speaker 5: But why.

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00:16:53,840 --> 00:16:55,360
Speaker 6: What I'm trying to get to the root of is

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Speaker 6: why is it a bit much? What makes it uncomfortable?

381
00:16:57,720 --> 00:17:00,480
Speaker 6: Does it make it uncomfortable, uncomfortable for you to watch?

382
00:17:00,720 --> 00:17:02,600
Speaker 6: Would it be uncomfortable for you if I get.

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Speaker 2: Comfortable watching heterosexual adults tongue kissing in public?

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00:17:06,760 --> 00:17:09,400
Speaker 5: We're talking about loving family, affection.

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Speaker 1: Just me, I'm just speaking for myself. I just don't.

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Speaker 2: I just don't think it's appropriate to kiss your young

387
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Speaker 2: adult child in the mouth.

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Speaker 4: But now I'm just trying to think where that what

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Speaker 4: would the day be that I was like, today's the days?

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Speaker 3: Da, what's the cutoff?

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Speaker 4: And like telling your daughter that, like, hey, no more affection, No,

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Speaker 4: don't find a dude.

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Speaker 2: No you can be no, no, you can be affectionate

394
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Speaker 2: with your kids and not kissed them in the mouth.

395
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Speaker 2: Let's not make it seem like that's the only way

396
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Speaker 2: to be affectionate.

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Speaker 3: That's my point.

398
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Speaker 2: I've never my mom has not kissed me in my

399
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Speaker 2: mouth as a young adult.

400
00:17:37,840 --> 00:17:38,600
Speaker 1: It's never happened.

401
00:17:38,640 --> 00:17:40,159
Speaker 2: My dad has never kissed me in my mouth as

402
00:17:40,160 --> 00:17:42,880
Speaker 2: a young adult, and they both love me. Deaily grew

403
00:17:42,920 --> 00:17:44,520
Speaker 2: up with nothing but love and affection. So you can

404
00:17:44,560 --> 00:17:47,119
Speaker 2: be affection with your children and not kiss them in

405
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Speaker 2: the mouth.

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Speaker 1: Also, how long do.

407
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Speaker 3: You hold the kiss for?

408
00:17:50,000 --> 00:17:51,119
Speaker 5: Now, you're just being weird.

409
00:17:51,480 --> 00:17:53,560
Speaker 3: How is that I being weird?

410
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Speaker 5: Now? Why are you even thinking.

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00:17:54,920 --> 00:17:57,399
Speaker 4: I'm starting to change my mind? I don't. I wouldn't

412
00:17:57,400 --> 00:17:59,080
Speaker 4: see it as sexualizing your kids. If you want to GISs,

413
00:17:59,119 --> 00:18:01,520
Speaker 4: keep the mouth, have a blast, But would you but

414
00:18:01,920 --> 00:18:03,360
Speaker 4: would you give it an age cut off?

415
00:18:03,359 --> 00:18:03,439
Speaker 5: Like?

416
00:18:03,480 --> 00:18:05,960
Speaker 3: When does that get weird? Because that was your original point.

417
00:18:05,880 --> 00:18:07,840
Speaker 4: That's what I'm saying. That was my first reaction. That's

418
00:18:07,880 --> 00:18:10,040
Speaker 4: what felt right to say, was you should stop doing it.

419
00:18:10,040 --> 00:18:11,679
Speaker 4: Now that I'm thinking about it, I don't know.

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00:18:11,880 --> 00:18:14,000
Speaker 5: Yeah, when when do you stop looking at your child?

421
00:18:14,040 --> 00:18:16,480
Speaker 4: If you sexualize your daughter, get fall the funk away

422
00:18:16,520 --> 00:18:18,760
Speaker 4: from her period. But if you're not doing that and

423
00:18:18,800 --> 00:18:20,280
Speaker 4: that kiss.

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00:18:20,080 --> 00:18:23,080
Speaker 3: Yeah, but there's so many ways to show affection, that's

425
00:18:23,080 --> 00:18:25,520
Speaker 3: all I'm saying. Like both my parents were like great

426
00:18:25,720 --> 00:18:28,520
Speaker 3: loving present all that. Never once did I kiss at

427
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Speaker 3: either of my parents on the mouth.

428
00:18:29,640 --> 00:18:31,880
Speaker 1: No, my dad kisses me on the cheek, my forehead,

429
00:18:31,920 --> 00:18:34,640
Speaker 1: he hugs me. Yeah, never in the mouth.

430
00:18:34,760 --> 00:18:37,400
Speaker 4: That's maybe why you have intimacy issues now and why

431
00:18:37,600 --> 00:18:40,080
Speaker 4: you have to kick women out within an hour after

432
00:18:40,640 --> 00:18:43,639
Speaker 4: Maybe if your father kissed you in the mouth, I

433
00:18:43,640 --> 00:18:47,280
Speaker 4: don't have because it's weird. The two people that feel

434
00:18:47,280 --> 00:18:49,239
Speaker 4: like it shouldn't happen. Are the two people that like

435
00:18:49,680 --> 00:18:52,600
Speaker 4: can't really maintain past the one night?

436
00:18:54,840 --> 00:18:59,879
Speaker 3: No wait, I got I gotta respond, no groundstand and

437
00:19:00,080 --> 00:19:05,119
Speaker 3: father anything maintain relationship when father O perv was was

438
00:19:05,560 --> 00:19:07,040
Speaker 3: busting cracking you open.

439
00:19:08,680 --> 00:19:09,840
Speaker 1: Rushing, cracking.

440
00:19:11,080 --> 00:19:11,920
Speaker 3: Like the dolly lama.

441
00:19:11,960 --> 00:19:12,080
Speaker 5: Here.

442
00:19:12,080 --> 00:19:13,919
Speaker 3: What I'm saying like, were you like, oh, like, I

443
00:19:13,960 --> 00:19:15,359
Speaker 3: get it. He was trying to put me on, like

444
00:19:15,400 --> 00:19:17,359
Speaker 3: he was trying to make me like, well.

445
00:19:17,200 --> 00:19:19,080
Speaker 4: It was, it was less intimate. I wish you would

446
00:19:19,119 --> 00:19:20,639
Speaker 4: have asked me to kiss him in the mouth instead

447
00:19:20,640 --> 00:19:24,520
Speaker 4: of just treated me like some flusy some meat. I'm

448
00:19:24,520 --> 00:19:26,760
Speaker 4: not like like I'm at least at least kissing me

449
00:19:26,800 --> 00:19:27,840
Speaker 4: in the mouth like you.

450
00:19:27,880 --> 00:19:32,320
Speaker 1: Like me, sir trauma. But that is it's inappropriate.

451
00:19:33,240 --> 00:19:37,240
Speaker 2: It's inappropriate to kiss your young adult child in the mouth.

452
00:19:37,720 --> 00:19:40,280
Speaker 6: Okay, Well I strongly disagree, Like I said, is what

453
00:19:40,359 --> 00:19:41,480
Speaker 6: I come from it strongly.

454
00:19:41,720 --> 00:19:41,920
Speaker 5: Yeah.

455
00:19:41,960 --> 00:19:44,080
Speaker 6: So this they said, this looked like coughing pictures. But

456
00:19:44,080 --> 00:19:47,080
Speaker 6: people have been on him. No, No, what I'm saying

457
00:19:47,119 --> 00:19:49,520
Speaker 6: is people have been on gave the game and his

458
00:19:49,640 --> 00:19:53,359
Speaker 6: daughter for years because years ago, when she was maybe

459
00:19:53,359 --> 00:19:56,920
Speaker 6: around like ten, a viral picture, a picture when viral

460
00:19:56,960 --> 00:20:00,080
Speaker 6: of them kissing in the mouth, and people were sexualizing

461
00:20:00,119 --> 00:20:01,840
Speaker 6: it and saying that he was sick and that was

462
00:20:01,880 --> 00:20:04,760
Speaker 6: inappropriate and all of these things. So when I bring

463
00:20:04,840 --> 00:20:06,760
Speaker 6: up what mal is saying is as a young adult,

464
00:20:06,800 --> 00:20:09,919
Speaker 6: it becomes inappropriate. So so what I'm asking you is

465
00:20:09,960 --> 00:20:12,439
Speaker 6: at ten, when he did it, it was appropriate. But

466
00:20:12,480 --> 00:20:14,720
Speaker 6: at some point he can't look at his daughter like

467
00:20:15,200 --> 00:20:16,840
Speaker 6: the ten year old and he has to acknowledge that

468
00:20:16,840 --> 00:20:17,840
Speaker 6: she's been fifteen.

469
00:20:19,480 --> 00:20:21,320
Speaker 4: Yes, and we can put this photo. This is what's

470
00:20:21,320 --> 00:20:22,400
Speaker 4: wrong with that?

471
00:20:21,760 --> 00:20:24,800
Speaker 1: That's not an oppression, but that's that's that's not inapprop

472
00:20:24,880 --> 00:20:26,560
Speaker 1: that's his daughter. That's she's not a young adult.

473
00:20:26,560 --> 00:20:27,680
Speaker 3: They're having an ice cream date.

474
00:20:27,800 --> 00:20:29,879
Speaker 1: That she's not a young adult. What I'm trying to

475
00:20:29,920 --> 00:20:30,720
Speaker 1: adult what.

476
00:20:30,680 --> 00:20:32,040
Speaker 6: I'm trying to explain to you, and I think it's

477
00:20:32,080 --> 00:20:35,639
Speaker 6: because you you don't have kids that maybe you don't understand.

478
00:20:35,640 --> 00:20:37,240
Speaker 6: And I'm not just talking about the kiss. I'm talking

479
00:20:37,240 --> 00:20:40,680
Speaker 6: about at no point do you stop looking at your kid?

480
00:20:40,960 --> 00:20:44,359
Speaker 6: From what I hear from as a kid my parents,

481
00:20:44,600 --> 00:20:46,199
Speaker 6: do you know how long it takes from parents to

482
00:20:46,240 --> 00:20:48,680
Speaker 6: not look at me as I will always be their child,

483
00:20:49,000 --> 00:20:51,040
Speaker 6: so they don't look at me and be like, oh,

484
00:20:51,160 --> 00:20:54,200
Speaker 6: I don't know. Demerius is dating now and is grown

485
00:20:54,240 --> 00:20:57,399
Speaker 6: and it's tall and has ass, and like now I

486
00:20:57,480 --> 00:20:59,240
Speaker 6: can't kiss her. They don't look at it like that.

487
00:20:59,240 --> 00:21:00,400
Speaker 6: They look at me like a their child.

488
00:21:00,560 --> 00:21:02,240
Speaker 4: They as you to borrow money. That's when it changes.

489
00:21:02,320 --> 00:21:03,600
Speaker 4: That's when you're an adult.

490
00:21:03,800 --> 00:21:04,600
Speaker 3: Then you kiss them.

491
00:21:05,400 --> 00:21:07,840
Speaker 1: But you're sitting here talking to two guys. Your mother

492
00:21:07,840 --> 00:21:09,679
Speaker 1: has never kissed you in the mouth as she not

493
00:21:09,720 --> 00:21:11,240
Speaker 1: that I remember as a young adult.

494
00:21:11,720 --> 00:21:12,600
Speaker 4: I don't think period.

495
00:21:12,960 --> 00:21:14,840
Speaker 1: But your dad hasn't either, right.

496
00:21:14,840 --> 00:21:17,840
Speaker 4: No, But we're from an Irish non affectionate family.

497
00:21:18,080 --> 00:21:20,920
Speaker 2: I'm I'm from a black affectionate family and my mother

498
00:21:21,000 --> 00:21:22,600
Speaker 2: and my father has not kissed me in my mouth

499
00:21:22,600 --> 00:21:23,240
Speaker 2: as a young adult.

500
00:21:23,280 --> 00:21:25,679
Speaker 4: There was love, but just like that wasn't how we

501
00:21:25,680 --> 00:21:26,240
Speaker 4: showed love.

502
00:21:26,680 --> 00:21:29,119
Speaker 2: Yeah, So all I'm saying is as as as you

503
00:21:29,119 --> 00:21:32,440
Speaker 2: when your kids start to become adults, you shouldn't be

504
00:21:32,480 --> 00:21:33,240
Speaker 2: kissing them in the mouth.

505
00:21:33,760 --> 00:21:35,760
Speaker 5: So when do you think kids start to become adults?

506
00:21:36,119 --> 00:21:37,240
Speaker 4: And is it just father?

507
00:21:37,800 --> 00:21:38,320
Speaker 1: High school?

508
00:21:38,600 --> 00:21:41,240
Speaker 4: Like mothers should not kiss their sons. Were there theys

509
00:21:41,400 --> 00:21:43,560
Speaker 4: or like where you can kiss, you can kiss your

510
00:21:43,600 --> 00:21:47,200
Speaker 4: kids kiss not in the mouth though, I kiss basely

511
00:21:47,240 --> 00:21:48,200
Speaker 4: in the mouth. Who am I to talk?

512
00:21:48,840 --> 00:21:52,880
Speaker 1: Well, that's well, that's what you whites do, though, ya kiss,

513
00:21:53,560 --> 00:21:57,280
Speaker 1: I kiss basically. Yeah, I don't say.

514
00:21:57,160 --> 00:22:02,399
Speaker 3: All it's get around a little bit. She'll jump up

515
00:22:02,400 --> 00:22:03,760
Speaker 3: on the back of the couch and like, snipe you

516
00:22:03,800 --> 00:22:06,479
Speaker 3: when you're not snipy in my mouth, when you're laying back, No,

517
00:22:06,600 --> 00:22:07,280
Speaker 3: in my mouth.

518
00:22:07,920 --> 00:22:08,480
Speaker 1: Yeah, I don't know.

519
00:22:08,640 --> 00:22:08,920
Speaker 5: I don't.

520
00:22:09,760 --> 00:22:11,600
Speaker 1: I don't know how much sniping you think is going.

521
00:22:13,400 --> 00:22:15,440
Speaker 6: To bring the point of home. Don't be kissing kids

522
00:22:15,480 --> 00:22:18,479
Speaker 6: that ain't that aren't yours. But if you're comfortable kissing

523
00:22:18,520 --> 00:22:20,720
Speaker 6: your child longs.

524
00:22:20,640 --> 00:22:23,040
Speaker 4: And don't go up to strange children and stick your

525
00:22:23,040 --> 00:22:25,240
Speaker 4: tongue out and say, hey, suck my tongue and bring

526
00:22:25,280 --> 00:22:27,800
Speaker 4: their head closer to your tongue and also put it

527
00:22:27,840 --> 00:22:30,080
Speaker 4: in four k and then put it on it and

528
00:22:30,119 --> 00:22:34,320
Speaker 4: then also be the high holiness of an entire fucking religion. Yeah.

529
00:22:35,359 --> 00:22:38,959
Speaker 3: Yeah, maybe it does make Joe Biden look better for

530
00:22:39,080 --> 00:22:40,439
Speaker 3: the hair sniffing that he's done.

531
00:22:41,359 --> 00:22:42,400
Speaker 1: Yeah, that doesn't seem as bad.

532
00:22:42,440 --> 00:22:43,720
Speaker 3: It looks pretty chill at this point.

533
00:22:43,880 --> 00:22:45,880
Speaker 4: Yeah, sometimes you got to sniff some hair.

534
00:22:46,520 --> 00:22:47,880
Speaker 3: No, no, I mean.

535
00:22:49,560 --> 00:22:49,919
Speaker 4: Joking.

536
00:22:50,880 --> 00:22:54,359
Speaker 1: No, leave it there. If it's somebody you're dating, let

537
00:22:54,480 --> 00:22:54,720
Speaker 1: them know.

538
00:22:54,720 --> 00:22:55,240
Speaker 5: The real you.

539
00:22:56,560 --> 00:22:59,720
Speaker 4: I don't go around sniffing stranger's head. Definitely someone I

540
00:22:59,760 --> 00:23:02,359
Speaker 4: feel with your big I like their smells. You smell

541
00:23:02,400 --> 00:23:02,840
Speaker 4: their you.

542
00:23:02,760 --> 00:23:04,240
Speaker 1: Look like you'd be like, is that gone?

543
00:23:04,280 --> 00:23:04,520
Speaker 5: Yay?

544
00:23:07,200 --> 00:23:08,960
Speaker 3: You sniffed Only's hair when she first joined.

545
00:23:09,040 --> 00:23:10,960
Speaker 4: Wow, she has a beanie on all the time.

546
00:23:13,000 --> 00:23:15,520
Speaker 1: You can't even sniff you only say if you tried to, only.

547
00:23:16,280 --> 00:23:18,720
Speaker 4: Would knock me clean in my nose if I sniffed

548
00:23:18,720 --> 00:23:22,159
Speaker 4: her hair. Absolutely, yeah, no questions asked, Just what swift

549
00:23:22,200 --> 00:23:26,440
Speaker 4: elbow like this? The more I went, Oh, you made that's.

550
00:23:26,240 --> 00:23:29,160
Speaker 6: A weird sniff. You gotta do one?

551
00:23:29,320 --> 00:23:29,520
Speaker 4: Hell?

552
00:23:29,520 --> 00:23:30,920
Speaker 5: Why are you just one?

553
00:23:31,119 --> 00:23:32,359
Speaker 3: One?

554
00:23:33,240 --> 00:23:34,600
Speaker 4: Well, that's it. You have to do the longer and

555
00:23:34,600 --> 00:23:38,960
Speaker 4: then then quick one. It's like tasting wine, little savory one.

556
00:23:39,240 --> 00:23:44,560
Speaker 1: Yeah, you look like and there I'm I'm I'm I

557
00:23:44,560 --> 00:23:45,440
Speaker 1: don't know what's going on?

558
00:23:45,920 --> 00:23:47,440
Speaker 3: Were standing appropriate relationships?

559
00:23:47,760 --> 00:23:48,080
Speaker 4: Yeah?

560
00:23:48,200 --> 00:23:48,440
Speaker 5: Well?

561
00:23:48,480 --> 00:23:52,760
Speaker 2: In more pedophilia news, uh, text message conversation between Kelly's

562
00:23:52,760 --> 00:23:58,520
Speaker 2: ex girlfriend, age sixteen, and her mother are apparently leaked.

563
00:23:58,520 --> 00:24:00,399
Speaker 2: I don't know how true these text this is all,

564
00:24:00,440 --> 00:24:03,400
Speaker 2: how real they are? I don't know was this in court?

565
00:24:03,440 --> 00:24:05,760
Speaker 2: Because it has no text messages look like this incoming

566
00:24:05,800 --> 00:24:06,360
Speaker 2: out going.

567
00:24:06,160 --> 00:24:08,360
Speaker 3: First of all, well these are printed from like.

568
00:24:08,760 --> 00:24:11,040
Speaker 1: Okay, so this is transcription from court.

569
00:24:11,440 --> 00:24:14,120
Speaker 3: Basically, the issue here is it looks like the mother

570
00:24:14,200 --> 00:24:17,560
Speaker 3: of the girl is trying to get her daughter to

571
00:24:18,200 --> 00:24:21,239
Speaker 3: get right for it looks like saying it looks like that.

572
00:24:22,200 --> 00:24:23,879
Speaker 1: Listen, let's be let's be clear. When all of this

573
00:24:24,000 --> 00:24:24,680
Speaker 1: came out with R.

574
00:24:24,760 --> 00:24:27,480
Speaker 2: Kelly, uh, that was one of the one thing the

575
00:24:27,560 --> 00:24:30,240
Speaker 2: things that I said automatically was where the parents.

576
00:24:30,280 --> 00:24:31,760
Speaker 1: I don't care if you tell me my daughter is

577
00:24:31,800 --> 00:24:35,159
Speaker 1: in some studio right here with R. Kelly. If my

578
00:24:35,280 --> 00:24:37,080
Speaker 1: daughter's in there and I feel.

579
00:24:36,840 --> 00:24:40,000
Speaker 2: Like she's being sexually abused, there's nobody and nothing that's

580
00:24:40,000 --> 00:24:41,600
Speaker 2: going to stop me from going in that building and

581
00:24:41,680 --> 00:24:43,240
Speaker 2: get my daughter out of there. So I always felt

582
00:24:43,240 --> 00:24:46,320
Speaker 2: like where the parents when old this was happening, Where

583
00:24:46,400 --> 00:24:48,840
Speaker 2: the parents at The parents.

584
00:24:48,600 --> 00:24:49,679
Speaker 1: Must know that this is going on.

585
00:24:49,720 --> 00:24:51,680
Speaker 2: The parents must be in on this somehow, they must

586
00:24:51,720 --> 00:24:54,600
Speaker 2: be okay with this, Like you're not going to tell

587
00:24:54,640 --> 00:24:57,520
Speaker 2: me that somebody has your daughter Rory in a warehouse

588
00:24:58,240 --> 00:25:02,280
Speaker 2: and she's saying, oh, I'm being I'm being kidnapped or

589
00:25:02,280 --> 00:25:05,320
Speaker 2: I'm being held here against my own will, and you're

590
00:25:05,359 --> 00:25:07,280
Speaker 2: not gonna know where that studio is and break the

591
00:25:07,280 --> 00:25:08,320
Speaker 2: door down and go get your daughter.

592
00:25:08,320 --> 00:25:10,040
Speaker 4: Did you watch Surviving r Kelly? I know there's been

593
00:25:10,080 --> 00:25:11,960
Speaker 4: like seventeen of them since the first one came out,

594
00:25:11,960 --> 00:25:13,520
Speaker 4: and I could I could only take I could take

595
00:25:13,520 --> 00:25:15,640
Speaker 4: the first season, and then once it continued, I was like, yeah,

596
00:25:15,640 --> 00:25:18,160
Speaker 4: I watched the first I just can't.

597
00:25:18,240 --> 00:25:19,200
Speaker 1: I watched the first drop.

598
00:25:19,760 --> 00:25:22,760
Speaker 4: So there's been three or four more drops after that one.

599
00:25:22,800 --> 00:25:24,600
Speaker 4: I think they actually just put out which is around

600
00:25:24,600 --> 00:25:28,480
Speaker 4: the trial and him getting a sentenced. But there were

601
00:25:28,560 --> 00:25:32,760
Speaker 4: cases where yes, women were kidnapped manipulated and the parents

602
00:25:32,800 --> 00:25:34,720
Speaker 4: were against it and were trying to find their children.

603
00:25:34,880 --> 00:25:36,960
Speaker 4: But there was also many cases and it's not just

604
00:25:37,000 --> 00:25:40,200
Speaker 4: with R Kelly that you get these mamagers and these

605
00:25:40,240 --> 00:25:43,240
Speaker 4: show parents that do this, Even if it's not to

606
00:25:43,280 --> 00:25:46,080
Speaker 4: sexualize for them to like sleep with an exact or

607
00:25:46,119 --> 00:25:48,760
Speaker 4: an artist, they do say this type of shit, do

608
00:25:48,840 --> 00:25:51,920
Speaker 4: something seductive that make a silly face like this happens

609
00:25:52,240 --> 00:25:54,880
Speaker 4: way more with these fucking mamagers than people think.

610
00:25:54,920 --> 00:25:56,600
Speaker 2: Well that was the one thing about the whole R

611
00:25:56,680 --> 00:25:58,879
Speaker 2: Kelly thing that I think people kind of lost is

612
00:25:58,920 --> 00:26:01,600
Speaker 2: that parents are groomers too.

613
00:26:02,560 --> 00:26:05,240
Speaker 1: Parents sexually abuse their kids too, for sure.

614
00:26:05,280 --> 00:26:10,120
Speaker 2: So I think that one pedophiles, no pedophiles, sexual abuses,

615
00:26:10,200 --> 00:26:11,200
Speaker 2: no sexual abusers.

616
00:26:11,680 --> 00:26:12,720
Speaker 1: And I think that r.

617
00:26:12,800 --> 00:26:16,399
Speaker 2: Kelly was able to have conversations with certain women and

618
00:26:16,920 --> 00:26:19,240
Speaker 2: have those type of conversations one and identify with it

619
00:26:19,280 --> 00:26:20,480
Speaker 2: because he was sexually abused.

620
00:26:20,680 --> 00:26:21,240
Speaker 1: So you have a.

621
00:26:21,160 --> 00:26:24,320
Speaker 2: Conversation, you start asking certain questions, You're like, oh, okay,

622
00:26:24,680 --> 00:26:28,560
Speaker 2: so you are you sexually abused like I was? Now

623
00:26:28,920 --> 00:26:31,320
Speaker 2: it comes to it, okay, Well, then come to the studio.

624
00:26:31,400 --> 00:26:32,920
Speaker 2: You can stay here, we can work on some music.

625
00:26:32,920 --> 00:26:36,119
Speaker 1: It's grooming. You start to, you know, create an environment.

626
00:26:35,760 --> 00:26:38,480
Speaker 2: Where this person could become relaxed and comfortable with you

627
00:26:38,520 --> 00:26:41,359
Speaker 2: and things like that, because you're grooming them to do

628
00:26:41,480 --> 00:26:43,720
Speaker 2: what it is that you want them to do. From

629
00:26:43,800 --> 00:26:46,000
Speaker 2: day one, I always said, there's no way a parent

630
00:26:46,040 --> 00:26:47,960
Speaker 2: will know, or a father will know, a mother will

631
00:26:48,000 --> 00:26:50,119
Speaker 2: know that their kid is in some building with some

632
00:26:50,200 --> 00:26:54,199
Speaker 2: men being sexually abused, and they do not break that

633
00:26:54,280 --> 00:26:55,760
Speaker 2: door down and get their kids out of it.

634
00:26:55,760 --> 00:26:57,679
Speaker 1: It's impossible if you're a loving parents.

635
00:26:57,680 --> 00:26:59,000
Speaker 3: It's a work financially.

636
00:26:59,160 --> 00:27:01,720
Speaker 4: Just talk about parents ualizing their kids. There's no way

637
00:27:01,760 --> 00:27:04,600
Speaker 4: you would think your fifteen year old daughter could be

638
00:27:04,640 --> 00:27:07,840
Speaker 4: sexualized unless you think that way, right. There's no way

639
00:27:07,880 --> 00:27:10,480
Speaker 4: you prep your daughter to do all these things unless

640
00:27:10,520 --> 00:27:13,200
Speaker 4: you're already sexualizing your children because you think someone else

641
00:27:13,840 --> 00:27:16,199
Speaker 4: would think the same way, right, So you have some

642
00:27:16,240 --> 00:27:18,080
Speaker 4: pedal in you, even if it is your own kid.

643
00:27:18,119 --> 00:27:21,040
Speaker 3: But Kelso's kind of using the same and it's not

644
00:27:21,160 --> 00:27:23,560
Speaker 3: excuse the parents at all. But he was like, okay,

645
00:27:23,760 --> 00:27:25,760
Speaker 3: the parents, like I'm setting them off with the superstar.

646
00:27:25,880 --> 00:27:27,600
Speaker 3: What he's going to do is foul, but there could

647
00:27:27,600 --> 00:27:30,359
Speaker 3: be a potential financial upside. So his cell to the

648
00:27:30,400 --> 00:27:32,560
Speaker 3: parents was, I like your daughter's voice, she can sing.

649
00:27:33,080 --> 00:27:35,720
Speaker 3: That looks like that's what's going on here. Be prepared.

650
00:27:36,000 --> 00:27:38,920
Speaker 3: The woman tells her daughter, be prepared to sing three songs.

651
00:27:39,119 --> 00:27:41,439
Speaker 3: He'll meet you, listen to your songs. But then everything

652
00:27:41,480 --> 00:27:43,600
Speaker 3: that files that after is like, make sure you look sexy,

653
00:27:43,640 --> 00:27:45,840
Speaker 3: looks seductive, look all that stuff. So I feel like

654
00:27:45,920 --> 00:27:48,919
Speaker 3: the parents, at least in this case, was willing to

655
00:27:48,960 --> 00:27:51,359
Speaker 3: sell her daughter as long as there might be the

656
00:27:51,480 --> 00:27:53,200
Speaker 3: potential for some financial gain.

657
00:27:53,520 --> 00:27:55,359
Speaker 4: The other bigger problem there is that she didn't go

658
00:27:55,440 --> 00:27:57,960
Speaker 4: with her daughter for real, just be in the room

659
00:27:57,960 --> 00:28:00,480
Speaker 4: you're just sending let's say not it's not even R. Kelly,

660
00:28:00,480 --> 00:28:02,320
Speaker 4: who we know has a history of this shit. Why

661
00:28:02,320 --> 00:28:06,280
Speaker 4: are you sending your daughter anywhere with grown adults without.

662
00:28:05,960 --> 00:28:08,040
Speaker 1: You and telling them to be sexy and seductive?

663
00:28:09,440 --> 00:28:10,040
Speaker 4: What the fuck?

664
00:28:10,640 --> 00:28:13,119
Speaker 1: But this is again, this is what I'm saying a

665
00:28:13,119 --> 00:28:14,680
Speaker 1: lot of times. Yes, we know that R.

666
00:28:14,760 --> 00:28:17,800
Speaker 2: Kelly is a nasty pedophile. We got that he's in jail,

667
00:28:17,840 --> 00:28:20,600
Speaker 2: he's serving his time, he was found guilty. But now

668
00:28:20,640 --> 00:28:22,520
Speaker 2: it's time to start looking at a lot of things

669
00:28:22,560 --> 00:28:26,400
Speaker 2: around the situation, like where were the parents. We're rolled

670
00:28:26,400 --> 00:28:28,400
Speaker 2: to the parents playing this, and.

671
00:28:28,680 --> 00:28:31,160
Speaker 4: You're not about to tell me you have this much

672
00:28:31,200 --> 00:28:33,600
Speaker 4: attention to detail about coaching your daughter to do something,

673
00:28:33,640 --> 00:28:36,280
Speaker 4: and you wouldn't have done research on R. Kelly and

674
00:28:36,320 --> 00:28:38,720
Speaker 4: what he has done with Aliyah.

675
00:28:39,480 --> 00:28:43,160
Speaker 2: But we have no idea. But without even going to that,

676
00:28:43,240 --> 00:28:44,400
Speaker 2: it's like you just said, you know.

677
00:28:44,400 --> 00:28:46,720
Speaker 4: He wants to fuck young girls that are artists, so

678
00:28:46,840 --> 00:28:47,960
Speaker 4: you're sending your daughter there.

679
00:28:47,800 --> 00:28:49,880
Speaker 2: But without even going to that, like you just said,

680
00:28:50,120 --> 00:28:53,320
Speaker 2: why are you sending your young daughter there by herself?

681
00:28:53,360 --> 00:28:54,640
Speaker 1: Anyway?

682
00:28:55,200 --> 00:28:58,680
Speaker 2: Like especially if it's an audition or you know, whatever

683
00:28:58,720 --> 00:29:01,280
Speaker 2: it is. R Kelly's supposed to your daughter. Why are

684
00:29:01,320 --> 00:29:06,440
Speaker 2: you not there with your daughter? Anyway, That's the whole point.

685
00:29:06,240 --> 00:29:06,680
Speaker 1: Of this thing.

686
00:29:07,120 --> 00:29:09,680
Speaker 6: I think you guys are failing to realize that, like

687
00:29:09,760 --> 00:29:12,720
Speaker 6: the most obviously people be stupid, like people are really

688
00:29:12,800 --> 00:29:16,120
Speaker 6: really like stupid, and not only just stupid. Poor people

689
00:29:16,200 --> 00:29:19,000
Speaker 6: are stupid and poor. And that's not me like throwing

690
00:29:19,040 --> 00:29:21,480
Speaker 6: shots or sticking up for anybody, but that's just the truth.

691
00:29:22,000 --> 00:29:26,120
Speaker 6: This is out of straight like desperation, and people who

692
00:29:26,120 --> 00:29:28,560
Speaker 6: are desperate are easy to manipulate.

693
00:29:28,680 --> 00:29:29,640
Speaker 5: And if you think R.

694
00:29:29,760 --> 00:29:32,520
Speaker 6: Kelly didn't notice the same way that people a lot

695
00:29:32,560 --> 00:29:35,080
Speaker 6: of times. And I'm not blaming this, I'm not victim blaming,

696
00:29:35,080 --> 00:29:38,280
Speaker 6: but a lot of people who are domestically abused, the

697
00:29:38,800 --> 00:29:42,440
Speaker 6: abuser can recognize, Ah, you don't have a strong support system,

698
00:29:42,600 --> 00:29:44,520
Speaker 6: or you don't have people who are going to look

699
00:29:44,520 --> 00:29:46,240
Speaker 6: out for you or have your best interest in heart.

700
00:29:46,240 --> 00:29:47,920
Speaker 6: So I can do whatever I want to you and

701
00:29:47,960 --> 00:29:50,080
Speaker 6: there will be no repercussions for me. There will be

702
00:29:50,160 --> 00:29:52,960
Speaker 6: nobody at a gun on my doorstep because I can

703
00:29:53,000 --> 00:29:55,120
Speaker 6: manipulate you and make you believe that I'm the only

704
00:29:55,160 --> 00:29:57,800
Speaker 6: person that cares about you. And I think that this

705
00:29:57,920 --> 00:30:00,160
Speaker 6: happened a lot. Yes, I think this happened a lot too.

706
00:30:00,240 --> 00:30:02,760
Speaker 6: So yes, a lot of parents were wrong. They were wrong,

707
00:30:02,840 --> 00:30:05,160
Speaker 6: or they were stupid and informed, or they were poor

708
00:30:05,200 --> 00:30:05,920
Speaker 6: and desperate.

709
00:30:06,680 --> 00:30:10,320
Speaker 2: Themarriage his news for you, when you're an adult, being

710
00:30:10,360 --> 00:30:14,040
Speaker 2: stupid costs. Being an uninformed cost So now, if you

711
00:30:14,400 --> 00:30:17,360
Speaker 2: groomed your child to go into a studio with a

712
00:30:17,360 --> 00:30:20,440
Speaker 2: grown man who happens to be a pedophile, you should

713
00:30:20,520 --> 00:30:22,920
Speaker 2: have some type of blaming that and some.

714
00:30:22,840 --> 00:30:23,520
Speaker 1: Food for sure.

715
00:30:23,600 --> 00:30:25,000
Speaker 5: Yeah, for sure, that's just part.

716
00:30:24,800 --> 00:30:26,920
Speaker 1: Of being an adult. Like you have to you have

717
00:30:27,000 --> 00:30:28,520
Speaker 1: to wear that like you were.

718
00:30:28,600 --> 00:30:32,160
Speaker 2: You were you were stupid enough to tell your child, well,

719
00:30:32,200 --> 00:30:34,400
Speaker 2: it seems like you're smart because you're trying to make

720
00:30:34,400 --> 00:30:36,560
Speaker 2: sure you look shimmy for him and then wink at

721
00:30:36,640 --> 00:30:38,800
Speaker 2: him and wiggle and sit on his lap and make

722
00:30:38,840 --> 00:30:41,440
Speaker 2: sure your lips are shiny. You smart enough to tell

723
00:30:41,480 --> 00:30:43,960
Speaker 2: your daughter all of those things. You know you're telling

724
00:30:43,960 --> 00:30:46,440
Speaker 2: me you're not smart enough to go to that audition

725
00:30:46,600 --> 00:30:48,880
Speaker 2: or rehearsal with your daughter. You tell them you're not

726
00:30:48,920 --> 00:30:50,920
Speaker 2: smart enough to understand that you may be sending your

727
00:30:51,000 --> 00:30:54,320
Speaker 2: young child into a room with a predator. Like it

728
00:30:54,360 --> 00:30:56,880
Speaker 2: sounds like you're grooming your daughter to be a victim

729
00:30:56,920 --> 00:30:59,880
Speaker 2: to be taking advantage of for your shortcomings because you

730
00:31:00,120 --> 00:31:02,800
Speaker 2: are not financially able to take care of the family

731
00:31:02,880 --> 00:31:05,080
Speaker 2: or whatever it is, like you should have to pay

732
00:31:05,080 --> 00:31:06,800
Speaker 2: for that as as as a parent.

733
00:31:08,560 --> 00:31:12,080
Speaker 4: You're definitely well versed in what needs to happen around

734
00:31:12,160 --> 00:31:14,520
Speaker 4: r Kelly. Like, that's where I'm at with it. It's

735
00:31:14,600 --> 00:31:17,400
Speaker 4: that she's not stupid. H if she would just flat

736
00:31:17,400 --> 00:31:19,880
Speaker 4: out stupid and like accidentally sent her kids to an

737
00:31:19,880 --> 00:31:22,040
Speaker 4: audition thinking hey, I want my daughter to sing and.

738
00:31:22,000 --> 00:31:24,360
Speaker 5: That's which and that was that was this.

739
00:31:24,240 --> 00:31:27,920
Speaker 4: Person and knows what they're doing. They're evil, but they're

740
00:31:28,000 --> 00:31:30,160
Speaker 4: not stupid. They know what they know what to do

741
00:31:30,200 --> 00:31:30,560
Speaker 4: with art.

742
00:31:30,680 --> 00:31:33,440
Speaker 3: That's the false I'm saying, Like, that's the false pitch.

743
00:31:33,480 --> 00:31:36,600
Speaker 3: He's like, yo, I'll this could change your life, your daughter,

744
00:31:36,720 --> 00:31:39,560
Speaker 3: and you like he knows what he's Also he's equally manipulative.

745
00:31:39,640 --> 00:31:41,720
Speaker 4: He's like, okay, word, give me your daughter.

746
00:31:42,280 --> 00:31:44,400
Speaker 3: And we know how restrict if you watch the things,

747
00:31:44,400 --> 00:31:47,040
Speaker 3: how rigid his rules were in the studios, like only

748
00:31:47,240 --> 00:31:50,000
Speaker 3: very few people, if anyone else outside of him and

749
00:31:50,040 --> 00:31:51,920
Speaker 3: the girl would be allowed in the room. So even

750
00:31:51,920 --> 00:31:53,840
Speaker 3: if the mom wanted to if she wasn't, she was

751
00:31:53,920 --> 00:31:54,920
Speaker 3: not going to get in that room.

752
00:31:55,080 --> 00:31:57,239
Speaker 4: We also don't talk about how many artists do this

753
00:31:57,400 --> 00:32:02,960
Speaker 4: with women of age that are also consenting. I'll put

754
00:32:02,960 --> 00:32:05,680
Speaker 4: you there, how many producers and artists lie to women

755
00:32:05,720 --> 00:32:08,560
Speaker 4: about what they'll do for them to fuck part of

756
00:32:08,560 --> 00:32:09,040
Speaker 4: the industry.

757
00:32:09,080 --> 00:32:10,560
Speaker 2: We know that we know what goes on in the

758
00:32:10,560 --> 00:32:12,520
Speaker 2: industry where we know that there's a lot of this

759
00:32:12,720 --> 00:32:15,240
Speaker 2: type of shit going on. We know that there's a

760
00:32:15,240 --> 00:32:17,760
Speaker 2: lot of predators and they and like again, predators know

761
00:32:18,600 --> 00:32:22,400
Speaker 2: they look at the prey that's vulnerable, Like Damara said, Oh,

762
00:32:22,520 --> 00:32:26,120
Speaker 2: she doesn't come from a strong family, strong support system.

763
00:32:26,160 --> 00:32:28,160
Speaker 2: She lives on her own, she doesn't even have a

764
00:32:28,160 --> 00:32:31,080
Speaker 2: good relationship with her parents. Those are the ones that

765
00:32:31,080 --> 00:32:33,440
Speaker 2: these predators kind of go after an aim because they

766
00:32:33,440 --> 00:32:36,480
Speaker 2: feel like there's no repercussions, there's nobody coming to help them,

767
00:32:36,480 --> 00:32:39,720
Speaker 2: there's nobody coming to save them. And whatever I wave

768
00:32:39,760 --> 00:32:42,000
Speaker 2: in front of her, she's going to be so happy

769
00:32:42,000 --> 00:32:45,040
Speaker 2: with and so just you know, like in AWE, she

770
00:32:45,120 --> 00:32:46,080
Speaker 2: just wants to be around.

771
00:32:46,520 --> 00:32:51,400
Speaker 4: Has a woman ever that was pursuing music and probably

772
00:32:51,480 --> 00:32:54,040
Speaker 4: isn't very good, But we see plenty of women now

773
00:32:54,040 --> 00:32:55,760
Speaker 4: because it is a great lick. Just I want to

774
00:32:55,760 --> 00:32:58,160
Speaker 4: decide to rap because they have a big Instagram following them. Yeah,

775
00:32:58,720 --> 00:33:02,600
Speaker 4: if any of those women play you music privately from

776
00:33:03,560 --> 00:33:08,160
Speaker 4: huge producers and in your head you're like, that song's

777
00:33:08,280 --> 00:33:11,000
Speaker 4: never going to be cleared or coming out. He gave

778
00:33:11,040 --> 00:33:14,040
Speaker 4: you that to fuck it seemed like he wanted to work.

779
00:33:14,080 --> 00:33:16,120
Speaker 1: That happens all the time, all the time.

780
00:33:16,320 --> 00:33:19,320
Speaker 4: At what point is that not dirty macking? And should

781
00:33:19,360 --> 00:33:21,880
Speaker 4: we say that to people? I mean you, I've thought

782
00:33:21,880 --> 00:33:22,560
Speaker 4: it in my head.

783
00:33:23,680 --> 00:33:24,280
Speaker 1: Absolutely.

784
00:33:24,800 --> 00:33:27,680
Speaker 4: I've wanted to be like, y'all know you're about to

785
00:33:27,680 --> 00:33:30,160
Speaker 4: plan your entire next year around this record because this

786
00:33:30,200 --> 00:33:34,120
Speaker 4: producer is huge. It's not gonna come out, to be clear.

787
00:33:34,280 --> 00:33:37,560
Speaker 4: But we see that he purposely sent you this to

788
00:33:37,600 --> 00:33:38,960
Speaker 4: make it look like he wasn't trying.

789
00:33:38,760 --> 00:33:41,440
Speaker 2: To beat Well, we've spoken about this before, Rory. We've

790
00:33:41,440 --> 00:33:43,600
Speaker 2: seen it all the time. You know, artists have a

791
00:33:43,640 --> 00:33:45,520
Speaker 2: record and they and then they talk about it. How

792
00:33:45,560 --> 00:33:47,600
Speaker 2: he didn't clear the record. I think that he was

793
00:33:47,640 --> 00:33:48,960
Speaker 2: trying to, you know, get with me.

794
00:33:49,040 --> 00:33:49,640
Speaker 1: He was trying to.

795
00:33:49,680 --> 00:33:51,520
Speaker 2: Date me and then got mad when I didn't and

796
00:33:51,560 --> 00:33:54,200
Speaker 2: then didn't clear the record. That's not that's the oldest.

797
00:33:54,360 --> 00:33:56,680
Speaker 2: That's one of the oldest angles in the industry, and

798
00:33:56,720 --> 00:33:59,760
Speaker 2: it happens all the time, not just with recording artist

799
00:33:59,800 --> 00:34:02,719
Speaker 2: things like that, that happens with regular nine to fives.

800
00:34:03,480 --> 00:34:04,840
Speaker 1: He told me he would give me a raise.

801
00:34:04,960 --> 00:34:07,120
Speaker 4: I've seen I've seen men do that to men. One

802
00:34:07,120 --> 00:34:09,520
Speaker 4: of my favorite biggie stories is when before like shit

803
00:34:09,600 --> 00:34:12,719
Speaker 4: popped off, he would do like all these verses, like

804
00:34:12,719 --> 00:34:15,480
Speaker 4: for brown bag money because he wasn't hustling anymore, and

805
00:34:15,680 --> 00:34:17,879
Speaker 4: he would just leave and tell his major, tell puff

806
00:34:17,960 --> 00:34:19,719
Speaker 4: not to clear that shit, and just walk away with

807
00:34:19,719 --> 00:34:21,480
Speaker 4: the bread. Yeah, and the song would never see light

808
00:34:21,480 --> 00:34:21,600
Speaker 4: of that.

809
00:34:21,760 --> 00:34:24,080
Speaker 2: Yeah, it happens all the time, and it's fucked up,

810
00:34:24,120 --> 00:34:25,799
Speaker 2: but it's again, it's it's part of the game. It's

811
00:34:25,840 --> 00:34:28,000
Speaker 2: part of the learning curve, especially if you don't have

812
00:34:28,080 --> 00:34:30,839
Speaker 2: anybody in your corner that knows the industry and knows

813
00:34:30,880 --> 00:34:32,400
Speaker 2: how this shit goes. Like, you're gonna run into a

814
00:34:32,400 --> 00:34:34,880
Speaker 2: lot of situations where you are taking advantage of and

815
00:34:34,960 --> 00:34:36,880
Speaker 2: shit does happen and you get to show the end

816
00:34:36,880 --> 00:34:38,719
Speaker 2: of the stick. It's just part of it is fucked up.

817
00:34:38,760 --> 00:34:39,720
Speaker 2: I know, I agree.

818
00:34:39,960 --> 00:34:42,120
Speaker 4: And what's even more fucked up about it the person

819
00:34:42,160 --> 00:34:44,799
Speaker 4: that should be in your corner. Your manager a lot

820
00:34:44,800 --> 00:34:47,640
Speaker 4: of times are trying to beat too. Now that's a

821
00:34:47,640 --> 00:34:50,000
Speaker 4: whole the person that would tell you, hey, this producer

822
00:34:50,040 --> 00:34:53,200
Speaker 4: is just doing this to fuck. He doesn't like your music.

823
00:34:53,520 --> 00:34:55,080
Speaker 4: You haven't put anything out. There's no way you're just

824
00:34:55,120 --> 00:34:57,400
Speaker 4: gonna get this beat from this producer. Like hate to

825
00:34:57,440 --> 00:35:00,400
Speaker 4: break it to you. He's also trying to fuck happens.

826
00:35:00,520 --> 00:35:02,000
Speaker 1: I mean, I mean, but if you can kind of.

827
00:35:01,920 --> 00:35:04,480
Speaker 4: Look to manage you was his way to get in there.

828
00:35:04,760 --> 00:35:07,560
Speaker 2: I mean, bro, we just watched we just watched serious,

829
00:35:07,600 --> 00:35:10,080
Speaker 2: we watched IRV. God, he basically confessed to all of that.

830
00:35:11,400 --> 00:35:14,040
Speaker 4: Wow, I mean I think had some talent, but.

831
00:35:14,040 --> 00:35:15,920
Speaker 2: No, no, she of course she did. But a lot

832
00:35:15,920 --> 00:35:18,800
Speaker 2: of artists have talent. But then in a situation where

833
00:35:19,120 --> 00:35:24,279
Speaker 2: the executive producer, the producer, whoever, the manager is kind

834
00:35:24,320 --> 00:35:26,399
Speaker 2: of sort of like keeping them around, like because they

835
00:35:26,560 --> 00:35:28,800
Speaker 2: like this girl, or they they're attracted to them, and

836
00:35:28,840 --> 00:35:30,600
Speaker 2: this that and the third like and if you want

837
00:35:30,640 --> 00:35:33,480
Speaker 2: your opportunity, okay, listen, like you got to beat my girl.

838
00:35:34,200 --> 00:35:35,840
Speaker 2: It had I mean, this is just what he basically

839
00:35:35,880 --> 00:35:37,960
Speaker 2: confessed with, which by everybody was on irv's ass, like

840
00:35:38,320 --> 00:35:40,520
Speaker 2: basically you like taking advantage of this.

841
00:35:40,480 --> 00:35:44,000
Speaker 3: Girl or let's roy you've spent the last couple of years,

842
00:35:44,040 --> 00:35:46,800
Speaker 3: like the bulk of your time writing, producing and putting

843
00:35:46,840 --> 00:35:49,440
Speaker 3: out music, ser like more in the weeds, so to speak,

844
00:35:49,480 --> 00:35:51,760
Speaker 3: of the industry on that front. On the creation side,

845
00:35:52,080 --> 00:35:55,040
Speaker 3: have you seen or like firsthand or have you been

846
00:35:55,160 --> 00:35:57,560
Speaker 3: like compromised or has anyone tried to pull some shit

847
00:35:57,600 --> 00:35:58,360
Speaker 3: like that on you.

848
00:35:58,520 --> 00:36:00,000
Speaker 4: Like someone's tried they just wanted to work.

849
00:36:00,360 --> 00:36:02,880
Speaker 3: Not try to fuck you, but like I mean, I mean,

850
00:36:03,320 --> 00:36:06,040
Speaker 3: I can assure you no, not like it, not in

851
00:36:06,040 --> 00:36:08,400
Speaker 3: a sexual way. But I'm sure you've come across some

852
00:36:08,400 --> 00:36:10,000
Speaker 3: people that have tried to run like a play on

853
00:36:10,040 --> 00:36:12,840
Speaker 3: you where they'll try to isolate either like a production

854
00:36:12,920 --> 00:36:15,279
Speaker 3: thing or some vocals or something where someone's trying to

855
00:36:15,320 --> 00:36:16,719
Speaker 3: like pull the wool over your eyes and try to

856
00:36:16,760 --> 00:36:17,560
Speaker 3: get away with something.

857
00:36:18,480 --> 00:36:21,759
Speaker 4: There's been cases where I knew stuff may have been

858
00:36:23,239 --> 00:36:26,400
Speaker 4: verse swaps in the pod world, and I ended up

859
00:36:26,440 --> 00:36:28,279
Speaker 4: not working with those artists because I didn't want to

860
00:36:28,280 --> 00:36:33,160
Speaker 4: do the All right, if you work with me, we'll

861
00:36:33,160 --> 00:36:35,239
Speaker 4: do an interview or like we'll do something and if

862
00:36:35,239 --> 00:36:39,080
Speaker 4: that's starting the basis of our working relationship, let's not

863
00:36:39,160 --> 00:36:42,480
Speaker 4: do this because I'm not about to feel like I

864
00:36:42,520 --> 00:36:44,600
Speaker 4: need to put you on an interview, and I don't

865
00:36:44,600 --> 00:36:46,320
Speaker 4: want you to make you feel like you're only working

866
00:36:46,320 --> 00:36:48,600
Speaker 4: with me because I can put you on a pod.

867
00:36:49,200 --> 00:36:51,400
Speaker 4: If you don't respect me musically, cool, that's fine, But

868
00:36:51,480 --> 00:36:55,120
Speaker 4: let's not pretend and do the swap thing here, right.

869
00:36:55,200 --> 00:36:57,160
Speaker 4: I'm just not It's just not how I work. And

870
00:36:57,200 --> 00:36:58,920
Speaker 4: I think it's fine when people do do that, like

871
00:36:59,360 --> 00:37:03,120
Speaker 4: that's cool. I just don't feel like doing that. I

872
00:37:03,120 --> 00:37:04,680
Speaker 4: wish people wanted to work with me to fuck me,

873
00:37:04,680 --> 00:37:06,080
Speaker 4: but it's usually just podcast stuff.

874
00:37:08,880 --> 00:37:10,440
Speaker 2: I don't know if that's a bad thing or a

875
00:37:10,440 --> 00:37:12,640
Speaker 2: good thing, but I mean, you know, good luck, and

876
00:37:12,719 --> 00:37:15,680
Speaker 2: just don't try to luck. Don't try to like tell

877
00:37:15,760 --> 00:37:17,600
Speaker 2: a girl listen, you know, I'll get you an interview

878
00:37:17,600 --> 00:37:19,120
Speaker 2: in the pod if you, you know, give me a

879
00:37:19,160 --> 00:37:21,759
Speaker 2: little pickle tickle, like don't pickle tickles never.

880
00:37:22,680 --> 00:37:25,200
Speaker 4: Yeah, do you think we mostly have men on here anyway?

881
00:37:25,320 --> 00:37:26,959
Speaker 4: So I don't want to start that rumor.

882
00:37:27,440 --> 00:37:30,560
Speaker 6: Do you think that the music industry will ever have

883
00:37:30,760 --> 00:37:34,920
Speaker 6: that me too movement like Hollywood did?

884
00:37:36,640 --> 00:37:38,719
Speaker 3: Isn't that me too? In general, A lot of people

885
00:37:38,760 --> 00:37:39,840
Speaker 3: in the industry got jammed.

886
00:37:39,920 --> 00:37:42,000
Speaker 4: No, I know what Demers was saying, though, like it wasn't.

887
00:37:42,040 --> 00:37:45,120
Speaker 4: It wasn't to the degree R. Kelly is R Kelly.

888
00:37:45,280 --> 00:37:48,000
Speaker 4: The music industry hasn't had its Harvey YC moment that

889
00:37:48,000 --> 00:37:50,120
Speaker 4: we knew it was the whole thing. And unfortunately, it's

890
00:37:50,160 --> 00:37:52,799
Speaker 4: because most of the women that would come out would

891
00:37:52,840 --> 00:37:56,080
Speaker 4: be black women, whereas Hollywood it was white women. You know,

892
00:37:56,200 --> 00:37:59,040
Speaker 4: That's why I think the music industry hasn't gotten their

893
00:37:59,040 --> 00:38:02,319
Speaker 4: big meat to movement because the victims are people that

894
00:38:02,360 --> 00:38:05,719
Speaker 4: society cares the least about. Unfortunately, I do think some

895
00:38:05,760 --> 00:38:06,680
Speaker 4: stuff is gonna come out.

896
00:38:06,680 --> 00:38:09,000
Speaker 1: Though personally I think that stuff will come out.

897
00:38:09,280 --> 00:38:12,040
Speaker 2: It's just, you know, again, it's unfortunate because a lot

898
00:38:12,080 --> 00:38:15,799
Speaker 2: of the times, you know, I've had some talks with

899
00:38:15,840 --> 00:38:17,799
Speaker 2: some women in the industry, artists and things like that,

900
00:38:17,840 --> 00:38:21,160
Speaker 2: and they've told me things in confidence where it completely

901
00:38:21,200 --> 00:38:24,600
Speaker 2: fucked me up because you would never know, like you

902
00:38:24,800 --> 00:38:27,120
Speaker 2: I had no idea some of the shit that they

903
00:38:27,160 --> 00:38:29,680
Speaker 2: go through and things that they have been through, and

904
00:38:29,719 --> 00:38:33,239
Speaker 2: it's like, you know, it really changes the way one

905
00:38:33,280 --> 00:38:35,160
Speaker 2: you look at the industry and the culture that you

906
00:38:35,200 --> 00:38:38,800
Speaker 2: love so much. But then it also makes you wonder

907
00:38:38,800 --> 00:38:41,719
Speaker 2: how many others have dealt with some shit like.

908
00:38:41,680 --> 00:38:44,640
Speaker 4: That, And you also kind of have to overcompensate. When

909
00:38:44,640 --> 00:38:46,880
Speaker 4: I've talked to Ourtis, whether it be like DM or

910
00:38:46,920 --> 00:38:49,000
Speaker 4: text and hadn't met them in person and we wanted

911
00:38:49,040 --> 00:38:52,759
Speaker 4: to work the way, I had to overcompensate of how

912
00:38:52,800 --> 00:38:54,759
Speaker 4: safe the studio space would be when they come to

913
00:38:54,840 --> 00:38:58,600
Speaker 4: link like sucks. Could you almost even look more insane

914
00:38:58,600 --> 00:39:01,719
Speaker 4: if you have to keep reiterating like that type of shit,

915
00:39:02,040 --> 00:39:04,200
Speaker 4: But that always creates an environment at the end of

916
00:39:04,239 --> 00:39:06,319
Speaker 4: the session like, damn, this was nice, Like it felt

917
00:39:06,360 --> 00:39:08,640
Speaker 4: like everyone's just here to make music. No one's trying

918
00:39:08,640 --> 00:39:12,680
Speaker 4: to fuck because they're so used to that happening, and

919
00:39:12,719 --> 00:39:16,400
Speaker 4: that's typically where you need. Somebody with a girlfriend. I

920
00:39:16,400 --> 00:39:19,440
Speaker 4: know that sounds insane. Somebody with a girlfriend saves a

921
00:39:20,239 --> 00:39:23,440
Speaker 4: music space for women to feel a bit safer because

922
00:39:23,480 --> 00:39:26,799
Speaker 4: you're not like that guy like, oh I'm here with

923
00:39:26,840 --> 00:39:31,439
Speaker 4: my girl, come through. It drops everything better. Music is made.

924
00:39:31,520 --> 00:39:33,960
Speaker 4: Everyone is just a little bit more laid back, like

925
00:39:34,640 --> 00:39:37,480
Speaker 4: we're having female managers, Yo, she's gonna be here, Like

926
00:39:38,239 --> 00:39:39,880
Speaker 4: it sucks that you have to go that route, but

927
00:39:40,280 --> 00:39:44,080
Speaker 4: the studio is probably one of the most predatorial places

928
00:39:44,640 --> 00:39:45,200
Speaker 4: on earth.

929
00:39:46,040 --> 00:39:46,560
Speaker 3: And that's it.

930
00:39:46,640 --> 00:39:48,839
Speaker 2: But it's fucked up that you say that, but it's

931
00:39:48,840 --> 00:39:51,719
Speaker 2: even worse that it's true. And you know, again, you

932
00:39:52,600 --> 00:39:55,440
Speaker 2: walk around this industry, and you have an industry long

933
00:39:55,520 --> 00:39:57,440
Speaker 2: enough to have conversations with certain people that you have

934
00:39:57,480 --> 00:40:00,440
Speaker 2: a certain relationship with, and you will be com completely

935
00:40:00,480 --> 00:40:02,799
Speaker 2: surprised as some of the stories and some of the

936
00:40:02,840 --> 00:40:04,799
Speaker 2: things that a lot of these women walk around with

937
00:40:05,120 --> 00:40:07,920
Speaker 2: every day in this industry. So as far as the

938
00:40:07,960 --> 00:40:11,120
Speaker 2: me too movement happening in music and then you know,

939
00:40:11,280 --> 00:40:14,040
Speaker 2: specifically the hip hop culture, hip hop R and B culture,

940
00:40:15,160 --> 00:40:20,000
Speaker 2: it's tough. I do think that it will happen eventually,

941
00:40:21,160 --> 00:40:22,920
Speaker 2: but it's gonna surprise a lot of people.

942
00:40:23,239 --> 00:40:27,360
Speaker 4: What might pop it off is this freaknick doc that

943
00:40:27,440 --> 00:40:30,800
Speaker 4: might that might spread the seeds, you know, some crazy

944
00:40:30,840 --> 00:40:31,360
Speaker 4: shit happening.

945
00:40:31,560 --> 00:40:33,440
Speaker 2: This is while a lot of you know, a lot

946
00:40:33,480 --> 00:40:36,040
Speaker 2: of the people that was there back then, that was

947
00:40:36,080 --> 00:40:38,600
Speaker 2: outside at these events that kind of they're kind of

948
00:40:38,600 --> 00:40:41,239
Speaker 2: nervous about this one hitting the waves because we might

949
00:40:41,280 --> 00:40:44,040
Speaker 2: see some faces, you know, you might start looking at

950
00:40:44,040 --> 00:40:47,279
Speaker 2: Auntie and Grandma a little different, like oh, because it's

951
00:40:47,440 --> 00:40:49,320
Speaker 2: it's gonna be some Grandmas in this documentary.

952
00:40:49,600 --> 00:40:51,880
Speaker 4: Well, I think no matter what is JD producing this.

953
00:40:57,239 --> 00:41:00,840
Speaker 1: So Uncle Uncle Luke, Luther Campbell and j D.

954
00:41:01,040 --> 00:41:05,160
Speaker 2: Jermaine dupri are executive producers for this documentary that will

955
00:41:05,160 --> 00:41:10,400
Speaker 2: be on Hulu. And if you are familiar with Uncle Luke, uh,

956
00:41:10,520 --> 00:41:14,960
Speaker 2: he's not one that is scared or shy to air anything.

957
00:41:15,120 --> 00:41:19,239
Speaker 1: I was a huge Uncle Luke peep show connoisseur. I

958
00:41:19,280 --> 00:41:23,759
Speaker 1: had every DVD, I had a VHS like I was

959
00:41:24,040 --> 00:41:26,640
Speaker 1: I had I had all the Uncle Luke's freak nick

960
00:41:26,760 --> 00:41:30,160
Speaker 1: DVDs and VHS tapes at the top of my closet.

961
00:41:30,280 --> 00:41:32,520
Speaker 1: Thanks that's where you had to keep stuff. Mommy mom

962
00:41:32,520 --> 00:41:33,960
Speaker 1: would have foundation would throw that shit out.

963
00:41:34,040 --> 00:41:39,399
Speaker 4: Yeah, I mean Uncle Luke. I don't want to put

964
00:41:39,440 --> 00:41:41,480
Speaker 4: any smut on his jacket because nothing has ever come out.

965
00:41:41,520 --> 00:41:44,120
Speaker 4: And I think that speaks to how ill he really is,

966
00:41:44,920 --> 00:41:47,200
Speaker 4: and maybe how nice of a fucking guy he is,

967
00:41:47,280 --> 00:41:49,200
Speaker 4: and actually how much he cares about the safety of women,

968
00:41:49,719 --> 00:41:51,600
Speaker 4: because if you know the story of Uncle Luke, the

969
00:41:51,640 --> 00:41:55,480
Speaker 4: fact that there's been no complaints, right, like, you must

970
00:41:55,480 --> 00:41:57,040
Speaker 4: have been the nicest guy on planet.

971
00:41:57,280 --> 00:42:02,040
Speaker 2: Because she's I think that that's something that people kind

972
00:42:02,040 --> 00:42:04,520
Speaker 2: of lose sight of you can have a show like

973
00:42:04,920 --> 00:42:08,399
Speaker 2: Uncle Luke's Peep Show where there's strippers and you know, uh,

974
00:42:08,719 --> 00:42:11,040
Speaker 2: Triple X stars and things like that on set, h

975
00:42:11,440 --> 00:42:14,239
Speaker 2: sitting around. Uh there's one video where that we just

976
00:42:14,239 --> 00:42:16,200
Speaker 2: talked about where he has he got Jay doing the

977
00:42:16,239 --> 00:42:20,360
Speaker 2: interview and it's two girls. Yeah, like two girls, you know,

978
00:42:20,480 --> 00:42:22,600
Speaker 2: and playing with each other and kissing and looking all

979
00:42:22,600 --> 00:42:25,120
Speaker 2: over each other right next to Jay, right next to them.

980
00:42:25,400 --> 00:42:26,680
Speaker 4: Hope might be the only one that could come to

981
00:42:26,719 --> 00:42:29,439
Speaker 4: the podium. He looks very uncomfortable time he did.

982
00:42:30,040 --> 00:42:32,640
Speaker 2: But that's that speaks to the fact that again Uncle

983
00:42:32,680 --> 00:42:35,480
Speaker 2: Luke probably created an environment where it was like, listen,

984
00:42:36,239 --> 00:42:38,520
Speaker 2: nobody's touching these girls if they don't want them, you

985
00:42:38,600 --> 00:42:41,320
Speaker 2: to touch them. Nobody's disrespecting these girls. Let the girls

986
00:42:41,360 --> 00:42:43,960
Speaker 2: do what they want to do. And once you create

987
00:42:43,960 --> 00:42:48,520
Speaker 2: an environment like that, listen, let the ladies be comfortable

988
00:42:48,520 --> 00:42:50,240
Speaker 2: with whatever it is they doing. You don't just start

989
00:42:50,360 --> 00:42:52,520
Speaker 2: grabbing these girls, touching on these girls and they don't

990
00:42:52,520 --> 00:42:55,040
Speaker 2: want you doing that. So you can create the environment

991
00:42:55,160 --> 00:42:57,120
Speaker 2: to have it, you know, be sexual, but it also

992
00:42:57,200 --> 00:42:59,400
Speaker 2: be you know, uh consensual.

993
00:42:59,520 --> 00:43:00,200
Speaker 1: It's like the.

994
00:43:00,120 --> 00:43:02,040
Speaker 2: Women know this is what they're comfortable with. This is

995
00:43:02,040 --> 00:43:04,000
Speaker 2: what they're not comfortable with, and we're gonna have a

996
00:43:04,040 --> 00:43:05,840
Speaker 2: great time. Respect the ladies at all times.

997
00:43:06,000 --> 00:43:09,080
Speaker 4: I think this freakink doc may get me back on Facebook.

998
00:43:10,040 --> 00:43:14,239
Speaker 4: I might start because the yo, this you moments that

999
00:43:14,320 --> 00:43:16,799
Speaker 4: are going to be on Facebook are going to this

1000
00:43:17,000 --> 00:43:21,000
Speaker 4: magical Oh no, every auntie that's just post fucking biblical

1001
00:43:21,080 --> 00:43:23,840
Speaker 4: verse starts judging all these little girls rapping about pussy.

1002
00:43:23,920 --> 00:43:28,439
Speaker 4: Oh yeah, the yo, this you moment blusting a wide open.

1003
00:43:29,880 --> 00:43:31,319
Speaker 2: But then it's gonna be a lot of like, like

1004
00:43:31,360 --> 00:43:33,319
Speaker 2: what this situation is right here? You see this this

1005
00:43:33,400 --> 00:43:36,319
Speaker 2: angle this girl is her top is being pulled things

1006
00:43:36,360 --> 00:43:38,719
Speaker 2: like that. Unfortunately, this is a lot of this that

1007
00:43:38,800 --> 00:43:41,120
Speaker 2: was going on back then as well. I remember in

1008
00:43:41,120 --> 00:43:42,759
Speaker 2: here in New York City at the Puerto Rican Day

1009
00:43:42,800 --> 00:43:45,000
Speaker 2: Parade the year that that happened, a bunch of girls

1010
00:43:45,040 --> 00:43:47,920
Speaker 2: was having their bikini tops pulled off at the parade

1011
00:43:47,920 --> 00:43:51,160
Speaker 2: and things like that. Like that's when the whole dynamic of.

1012
00:43:51,080 --> 00:43:53,120
Speaker 1: The parade changed. After that year. It was like, yo,

1013
00:43:53,160 --> 00:43:54,759
Speaker 1: women were being sexually assaulted.

1014
00:43:55,160 --> 00:43:57,439
Speaker 2: They were having their clothes ripped off, they were having

1015
00:43:57,480 --> 00:44:02,160
Speaker 2: you know, body parts grabbed, and it wasn't consensual at Freaknik. Unfortunately,

1016
00:44:02,480 --> 00:44:03,839
Speaker 2: as you see in this clip, it was a lot

1017
00:44:03,880 --> 00:44:05,600
Speaker 2: of that going on as well, when men having it

1018
00:44:05,719 --> 00:44:08,080
Speaker 2: butts grabbed just because a woman is dressed, you know,

1019
00:44:08,280 --> 00:44:11,000
Speaker 2: with some bikini walking down the street, that doesn't mean

1020
00:44:11,000 --> 00:44:12,560
Speaker 2: that you can just grab her ass.

1021
00:44:13,239 --> 00:44:16,239
Speaker 3: Well, Maul, we were too young to experience or like

1022
00:44:16,320 --> 00:44:19,319
Speaker 3: obviously live in this news cycle. But at the time,

1023
00:44:19,400 --> 00:44:21,440
Speaker 3: like was there's people a lot of people saying it's

1024
00:44:21,480 --> 00:44:23,359
Speaker 3: like rape dick and it was just ended up being

1025
00:44:23,360 --> 00:44:26,200
Speaker 3: a rape fest, Like was that the headline going around

1026
00:44:26,200 --> 00:44:26,680
Speaker 3: at that time?

1027
00:44:26,880 --> 00:44:29,600
Speaker 2: Honestly, no, and that's and that and that's the sad

1028
00:44:29,640 --> 00:44:33,680
Speaker 2: part because it wasn't. That wasn't the that wasn't looked

1029
00:44:33,680 --> 00:44:37,319
Speaker 2: at as some rapeye type shit. Unfortunately, it wasn't now

1030
00:44:37,600 --> 00:44:40,600
Speaker 2: in the world, in now or one percent like all

1031
00:44:40,600 --> 00:44:42,960
Speaker 2: of this right here now that this could never happen.

1032
00:44:43,560 --> 00:44:45,200
Speaker 2: Then none of this shit could ever which is why

1033
00:44:45,239 --> 00:44:48,200
Speaker 2: I think this documentary coming out of this time is

1034
00:44:48,239 --> 00:44:52,279
Speaker 2: important to show like this is what it used to be, like, this.

1035
00:44:52,239 --> 00:44:53,600
Speaker 1: Is the type of shit that was going on.

1036
00:44:53,719 --> 00:44:56,879
Speaker 2: Unfortunately, we're all older now and we understand what things

1037
00:44:57,000 --> 00:44:59,480
Speaker 2: was wrong, but at the same time. There was a

1038
00:44:59,480 --> 00:45:02,800
Speaker 2: lot of things is going on back then that today.

1039
00:45:02,800 --> 00:45:04,520
Speaker 2: I'm sure some of these women see it they're going

1040
00:45:04,600 --> 00:45:07,280
Speaker 2: to be like, oh, hell no. But you know again,

1041
00:45:07,320 --> 00:45:09,120
Speaker 2: at the in the moment, in the time, you know,

1042
00:45:09,160 --> 00:45:11,320
Speaker 2: the world was different. The way we viewed things was different,

1043
00:45:11,719 --> 00:45:15,000
Speaker 2: The way people conducted themselves was different. You know, back

1044
00:45:15,040 --> 00:45:16,960
Speaker 2: then it wasn't It wasn't those type of words weren't

1045
00:45:16,960 --> 00:45:19,120
Speaker 2: around like, we didn't We didn't look at it in

1046
00:45:19,160 --> 00:45:21,680
Speaker 2: that way. It was like oh yo, he wildin or

1047
00:45:21,680 --> 00:45:24,040
Speaker 2: like y'all bugging out like it wasn't like, oh, y'all

1048
00:45:24,080 --> 00:45:27,480
Speaker 2: just raped this girl. Y'all just basically like molested her

1049
00:45:27,480 --> 00:45:30,879
Speaker 2: and took all her ship off and sexually violated. Unfortunately,

1050
00:45:30,920 --> 00:45:33,600
Speaker 2: that wasn't the temperature and that wasn't the energy. But

1051
00:45:33,719 --> 00:45:36,719
Speaker 2: now looking at this this footage, now this ship is

1052
00:45:36,760 --> 00:45:40,719
Speaker 2: absolutely crazy, but this was something that happened every year.

1053
00:45:41,040 --> 00:45:43,640
Speaker 4: This younger generation is going to watch this doc with

1054
00:45:43,719 --> 00:45:45,879
Speaker 4: a note pass and they are going to find all

1055
00:45:45,880 --> 00:45:49,600
Speaker 4: of you and they're going to contact your jobs, your church.

1056
00:45:49,840 --> 00:45:50,160
Speaker 3: Crazy.

1057
00:45:50,320 --> 00:45:52,680
Speaker 2: No, I want to see the grannies because there's some

1058
00:45:52,719 --> 00:45:55,680
Speaker 2: grannies in these documentaries that supposed.

1059
00:45:55,320 --> 00:45:56,920
Speaker 4: Can we pull up that one clip right there, Julian

1060
00:45:56,920 --> 00:45:57,359
Speaker 4: to play that.

1061
00:45:57,320 --> 00:46:00,000
Speaker 7: I don't know. We might be in trouble, you trouble.

1062
00:46:00,080 --> 00:46:03,080
Speaker 7: The Hulu is about to release a.

1063
00:46:03,000 --> 00:46:08,760
Speaker 4: Documentary in the hospital parking lot right now, terrifying.

1064
00:46:10,440 --> 00:46:12,879
Speaker 7: Yes, they are about to release the documentary.

1065
00:46:13,480 --> 00:46:17,000
Speaker 5: So just now.

1066
00:46:17,120 --> 00:46:20,160
Speaker 7: I've been to several freakniks before. It was one that

1067
00:46:20,200 --> 00:46:24,320
Speaker 7: I attended. So I'm just praying that Jesus be a fence.

1068
00:46:24,560 --> 00:46:29,360
Speaker 7: I'm praying that to just be a big tall privacy fence.

1069
00:46:29,960 --> 00:46:33,920
Speaker 7: That's my prayer. Yes, Easter, this good Friday.

1070
00:46:33,880 --> 00:46:35,399
Speaker 1: Yeah, she's hoping none of that.

1071
00:46:35,360 --> 00:46:36,759
Speaker 3: Foot you know.

1072
00:46:36,840 --> 00:46:37,759
Speaker 5: I will say this though.

1073
00:46:37,800 --> 00:46:39,920
Speaker 7: I will say this, like when they would bring out

1074
00:46:39,920 --> 00:46:44,000
Speaker 7: those video cameras and start recording, I immediately removed myself

1075
00:46:44,000 --> 00:46:50,279
Speaker 7: from the situation. I've never, ever, ever was okay with

1076
00:46:50,440 --> 00:46:55,240
Speaker 7: being recorded, so hopefully that worked to my benefit.

1077
00:46:55,360 --> 00:46:56,680
Speaker 1: But hopefully.

1078
00:46:57,840 --> 00:47:00,680
Speaker 7: You never know. So the only thing I do is

1079
00:47:01,120 --> 00:47:05,439
Speaker 7: if you see your girl in the documentary, hey man,

1080
00:47:05,640 --> 00:47:07,880
Speaker 7: at least I'm fully closed. At least all my clothes.

1081
00:47:08,320 --> 00:47:13,720
Speaker 7: That's that's all I got, all right, Yeah.

1082
00:47:14,160 --> 00:47:17,040
Speaker 6: Apologies for whoever's mother this is, but yeah, you definitely

1083
00:47:17,080 --> 00:47:18,399
Speaker 6: fucking us might be on.

1084
00:47:18,400 --> 00:47:24,759
Speaker 7: TV, so get your parental controls together and uh, I

1085
00:47:24,800 --> 00:47:25,840
Speaker 7: don't know y'all.

1086
00:47:25,680 --> 00:47:28,640
Speaker 2: But but honestly think about that though, like that's not

1087
00:47:29,600 --> 00:47:31,600
Speaker 2: that's not some scary ship because if you know you

1088
00:47:31,760 --> 00:47:34,839
Speaker 2: was wild like at Freaknick, you know you, and then

1089
00:47:34,880 --> 00:47:37,319
Speaker 2: where you are now in your life, like things that

1090
00:47:37,360 --> 00:47:40,279
Speaker 2: you have going on that could that could affect you

1091
00:47:40,360 --> 00:47:43,040
Speaker 2: in a real way, like if you have a like

1092
00:47:43,440 --> 00:47:46,280
Speaker 2: a business or you like a real professional woman now

1093
00:47:47,120 --> 00:47:50,600
Speaker 2: and footage services of you with some niggas from Atlanta

1094
00:47:50,680 --> 00:47:55,240
Speaker 2: picking you up and pulling your bikini top off and yeah.

1095
00:47:55,040 --> 00:47:57,280
Speaker 1: And you busting it open, that could.

1096
00:47:57,160 --> 00:48:01,839
Speaker 4: Affect you from It's a very small window for one

1097
00:48:01,880 --> 00:48:04,799
Speaker 4: event of one year that maybe a VHS camera called you.

1098
00:48:04,920 --> 00:48:05,240
Speaker 1: Yeah.

1099
00:48:05,400 --> 00:48:07,759
Speaker 4: We now film our own dirt and put it on

1100
00:48:07,800 --> 00:48:11,160
Speaker 4: the internet every day. Yeah, and people think that your

1101
00:48:11,200 --> 00:48:13,000
Speaker 4: life isn't going to change and you're going to evolve

1102
00:48:13,000 --> 00:48:15,680
Speaker 4: to a different person those four years. Are you busting

1103
00:48:15,680 --> 00:48:17,439
Speaker 4: it open on Instagram? It's not gonna go away?

1104
00:48:17,560 --> 00:48:18,879
Speaker 2: No, but this is listened. But this is how much

1105
00:48:18,880 --> 00:48:20,840
Speaker 2: the world has changed. They were busting it open on

1106
00:48:20,880 --> 00:48:23,240
Speaker 2: the middle of Peachtree Street right for free.

1107
00:48:23,520 --> 00:48:24,000
Speaker 3: That's hard.

1108
00:48:24,280 --> 00:48:26,319
Speaker 2: Now they're busting it open and getting the honey bands

1109
00:48:26,320 --> 00:48:27,440
Speaker 2: a month on OnlyFans.

1110
00:48:27,560 --> 00:48:30,279
Speaker 4: Yeah, but at least this there was some beauty in this.

1111
00:48:30,480 --> 00:48:35,600
Speaker 4: It's because it was a bit more civate culture. But

1112
00:48:35,680 --> 00:48:38,960
Speaker 4: like culture, I feel like women that would enjoy I'm

1113
00:48:38,960 --> 00:48:41,920
Speaker 4: talking about the consensual fun side of this. Yeah, would

1114
00:48:41,960 --> 00:48:44,239
Speaker 4: do this in public and it could exist, but there's

1115
00:48:44,280 --> 00:48:47,319
Speaker 4: too many cameras. How are that's where like it would

1116
00:48:47,360 --> 00:48:50,080
Speaker 4: be okay, you can't bust it open on peatree now right?

1117
00:48:50,440 --> 00:48:52,719
Speaker 4: You could then and that was the beauty of it.

1118
00:48:52,920 --> 00:48:55,880
Speaker 3: I how are they still? I don't get legally, how

1119
00:48:55,920 --> 00:48:58,680
Speaker 3: are they allowed to use this footage? Like where they

1120
00:48:58,719 --> 00:49:00,960
Speaker 3: get the footage from? And how are they getting permission

1121
00:49:01,000 --> 00:49:03,400
Speaker 3: to clear using all this? Like the likeness of everyone

1122
00:49:03,400 --> 00:49:04,399
Speaker 3: that's going to be shown in this.

1123
00:49:04,760 --> 00:49:07,480
Speaker 2: That's interesting. I don't I don't know how they're doing it.

1124
00:49:07,760 --> 00:49:09,760
Speaker 2: I'm guessing because it was public.

1125
00:49:10,239 --> 00:49:11,280
Speaker 3: Yeah, you were outside.

1126
00:49:11,400 --> 00:49:13,120
Speaker 1: It was outside at a public event.

1127
00:49:14,320 --> 00:49:17,000
Speaker 3: A lot of festivals have in the ticket clauses like

1128
00:49:17,040 --> 00:49:18,520
Speaker 3: when you purchase any.

1129
00:49:18,480 --> 00:49:21,240
Speaker 1: Footage or what you just purchased something.

1130
00:49:21,440 --> 00:49:23,200
Speaker 3: You know what I'm saying, This was just people in

1131
00:49:23,280 --> 00:49:25,399
Speaker 3: ninety four, That's what I'm saying. In ninety four, those

1132
00:49:25,920 --> 00:49:28,799
Speaker 3: stipulations weren't written into the ticket purchase. You just showed up.

1133
00:49:28,840 --> 00:49:30,759
Speaker 1: You didn't have to take It was just a party

1134
00:49:30,800 --> 00:49:31,200
Speaker 1: on the streets.

1135
00:49:31,280 --> 00:49:33,799
Speaker 3: So I'm saying, like, if you go to Coachella and

1136
00:49:33,920 --> 00:49:35,799
Speaker 3: there's a doc that comes out and you're in it,

1137
00:49:35,920 --> 00:49:38,120
Speaker 3: you agreed to be in it by purchasing that ticket.

1138
00:49:38,200 --> 00:49:40,960
Speaker 3: There is a legal line in fine print that says,

1139
00:49:41,160 --> 00:49:43,799
Speaker 3: by purchasing stepping on these grounds, you can your face

1140
00:49:43,840 --> 00:49:46,840
Speaker 3: can now be shown anywhere we put out That didn't

1141
00:49:46,880 --> 00:49:49,360
Speaker 3: exist in freakingick. So how are they getting permission to

1142
00:49:49,400 --> 00:49:51,920
Speaker 3: put everyone's likeness? You know, a sign we didn't know

1143
00:49:52,840 --> 00:49:53,360
Speaker 3: were signs.

1144
00:49:53,880 --> 00:49:55,319
Speaker 2: They gonna put that in the video somewhere, Like look

1145
00:49:55,320 --> 00:49:57,360
Speaker 2: at the signs all over Pea Street that said.

1146
00:49:57,120 --> 00:50:00,600
Speaker 4: You don't think you'll you'll be at a Huler doc years.

1147
00:50:00,960 --> 00:50:01,759
Speaker 1: No, but I think it was.

1148
00:50:01,800 --> 00:50:04,080
Speaker 2: I think it was different because it really was just,

1149
00:50:04,280 --> 00:50:07,040
Speaker 2: uh you know, it was just a street that was

1150
00:50:07,120 --> 00:50:09,200
Speaker 2: just like everybody was out there walking around.

1151
00:50:09,960 --> 00:50:10,040
Speaker 6: Uh.

1152
00:50:10,160 --> 00:50:11,960
Speaker 2: So it wasn't like you had to pay to go there.

1153
00:50:12,360 --> 00:50:14,040
Speaker 2: It wasn't to buy a ticket to get on this

1154
00:50:14,080 --> 00:50:16,160
Speaker 2: street and this festival type of thing. It was literally, yo,

1155
00:50:16,560 --> 00:50:18,520
Speaker 2: park over there, We're gonna walk the peach tree, We're

1156
00:50:18,520 --> 00:50:20,719
Speaker 2: gonna hang out over here, so some of us gonna

1157
00:50:20,760 --> 00:50:24,279
Speaker 2: drive down like it was just an open event. You

1158
00:50:24,320 --> 00:50:26,520
Speaker 2: don't have to pay to go there. Just go to

1159
00:50:26,520 --> 00:50:28,160
Speaker 2: that landa for that weekend, you know what I mean,

1160
00:50:28,200 --> 00:50:30,279
Speaker 2: and just just have have fun. You didn't have to pay.

1161
00:50:30,320 --> 00:50:32,960
Speaker 2: So maybe that's why they're able to use the footage

1162
00:50:32,960 --> 00:50:35,359
Speaker 2: because it wasn't like you had to pay. It was like, Yo, listen,

1163
00:50:35,400 --> 00:50:37,680
Speaker 2: you were just here walking around. You know, you had

1164
00:50:37,719 --> 00:50:39,720
Speaker 2: a bikini on, like we may have you on camera.

1165
00:50:39,920 --> 00:50:42,640
Speaker 2: So I just want to know how much of the

1166
00:50:42,680 --> 00:50:44,279
Speaker 2: documentary were not going to see.

1167
00:50:44,440 --> 00:50:47,120
Speaker 4: I do want to know why they're specifically just doing

1168
00:50:47,200 --> 00:50:49,480
Speaker 4: ninety four. Is it because that had the most footage

1169
00:50:49,560 --> 00:50:51,839
Speaker 4: or probably that's wild shit happened in ninety four?

1170
00:50:51,880 --> 00:50:53,200
Speaker 5: What probably had the most footage?

1171
00:50:53,320 --> 00:50:55,640
Speaker 4: Yeah, like the way they did the woodstock dock just

1172
00:50:55,640 --> 00:51:00,799
Speaker 4: for that one specific Yeah, Yeah, why they land crazy?

1173
00:51:01,080 --> 00:51:01,800
Speaker 3: That was nuts.

1174
00:51:02,239 --> 00:51:03,719
Speaker 1: Yeah, I do want to know why they landed on

1175
00:51:03,800 --> 00:51:07,120
Speaker 1: ninety four. Either way, I'm gonna watch it.

1176
00:51:07,200 --> 00:51:08,680
Speaker 4: Were you there ninety four? Hell?

1177
00:51:08,760 --> 00:51:09,839
Speaker 3: Did you ever go to any of them?

1178
00:51:09,880 --> 00:51:10,840
Speaker 5: You were too young, Grandma?

1179
00:51:10,960 --> 00:51:13,239
Speaker 1: No, I went to one. I went to one in

1180
00:51:13,400 --> 00:51:18,480
Speaker 1: ninety eight. He was in there showing ass the camera

1181
00:51:18,640 --> 00:51:21,080
Speaker 1: was wow, Wow, why would I be showing that.

1182
00:51:21,719 --> 00:51:23,880
Speaker 6: I didn't mean literally showing your ass. I meant like

1183
00:51:23,920 --> 00:51:25,640
Speaker 6: showing your ass that you were acting up.

1184
00:51:25,800 --> 00:51:27,400
Speaker 4: No, he was being a freaking I was.

1185
00:51:27,560 --> 00:51:27,880
Speaker 3: I was.

1186
00:51:27,960 --> 00:51:31,799
Speaker 2: I was young, so he was more so just like like, yo,

1187
00:51:31,840 --> 00:51:33,360
Speaker 2: this is crazy, Like you know I was. I was

1188
00:51:33,360 --> 00:51:35,480
Speaker 2: like seventeen. I think I was just like, yo, this

1189
00:51:35,600 --> 00:51:37,080
Speaker 2: is wild, Like this shit is crazy. But it was

1190
00:51:37,120 --> 00:51:39,440
Speaker 2: like it was fun, like, yes, you're gonna see things

1191
00:51:39,480 --> 00:51:41,640
Speaker 2: in this dock. And I'm sure it was like but

1192
00:51:41,680 --> 00:51:44,120
Speaker 2: it was like it was really just people hanging out

1193
00:51:44,120 --> 00:51:47,520
Speaker 2: on the strip, chilling, having a good time, drinking music,

1194
00:51:47,640 --> 00:51:50,799
Speaker 2: cars you know, the dope boys had their jewelry on,

1195
00:51:51,000 --> 00:51:52,719
Speaker 2: niggas flexing like it was you know, it was just

1196
00:51:52,760 --> 00:51:53,399
Speaker 2: that type of thing.

1197
00:51:53,440 --> 00:51:55,960
Speaker 1: But it was a lot of girls walking around that look.

1198
00:51:56,160 --> 00:51:58,799
Speaker 2: And I will say this though, there was a lot

1199
00:51:58,840 --> 00:52:01,080
Speaker 2: of pretty girls, but they And the thing about it now,

1200
00:52:01,080 --> 00:52:02,160
Speaker 2: when you have events like this.

1201
00:52:02,480 --> 00:52:05,480
Speaker 1: All the girls look alike. They looked the same.

1202
00:52:05,880 --> 00:52:10,240
Speaker 2: Ye back then you saw all types of different shades

1203
00:52:10,239 --> 00:52:15,359
Speaker 2: of women, hair complexion, shape, style. It was just like

1204
00:52:15,960 --> 00:52:17,560
Speaker 2: it's just it was a whole different thing if they

1205
00:52:17,560 --> 00:52:20,160
Speaker 2: were to have this now, because now you have Instagram,

1206
00:52:20,239 --> 00:52:22,960
Speaker 2: every girl wants to look like every girl anyway. I

1207
00:52:23,040 --> 00:52:26,000
Speaker 2: want that same hairstyle, I want that same dress, I

1208
00:52:26,040 --> 00:52:28,640
Speaker 2: want them same shoes, I want to have that same makeup.

1209
00:52:29,360 --> 00:52:30,959
Speaker 2: So you're going to have now, if you have this event,

1210
00:52:31,000 --> 00:52:32,880
Speaker 2: all the girls will looking like back then. And as

1211
00:52:32,880 --> 00:52:35,080
Speaker 2: you've seen the doc, it was just a complete mix

1212
00:52:35,160 --> 00:52:36,360
Speaker 2: of all different types of women.

1213
00:52:36,520 --> 00:52:38,160
Speaker 4: Well it appears, I don't know if this is a coincidence.

1214
00:52:38,239 --> 00:52:41,160
Speaker 4: Ninety eight they had to shut it down. It's odd

1215
00:52:41,200 --> 00:52:42,480
Speaker 4: that that was the one you went to.

1216
00:52:43,600 --> 00:52:46,279
Speaker 3: Was that the last week was the official last year.

1217
00:52:46,360 --> 00:52:50,760
Speaker 4: We cannot support events that bring mall lewd activities, seal assault,

1218
00:52:50,880 --> 00:52:53,840
Speaker 4: violence against women, and public safety concern fire trucks not

1219
00:52:53,840 --> 00:52:54,399
Speaker 4: being able to.

1220
00:52:54,320 --> 00:52:56,480
Speaker 2: Get why was you blocking the fire because I remember

1221
00:52:56,520 --> 00:52:58,359
Speaker 2: that year they were saying like it wasn't like it

1222
00:52:58,360 --> 00:52:59,439
Speaker 2: was kind of wasn't the same.

1223
00:52:59,840 --> 00:53:01,520
Speaker 1: I mean like it was you know, that was like

1224
00:53:01,520 --> 00:53:03,279
Speaker 1: the tail end of it, like it wasn't.

1225
00:53:03,200 --> 00:53:04,760
Speaker 3: What it used to be at that touchdown.

1226
00:53:05,719 --> 00:53:06,879
Speaker 1: Not because I mean I was young.

1227
00:53:06,960 --> 00:53:11,239
Speaker 2: I was seventeen sixteen, seventeen seventeen, and I mean you

1228
00:53:11,280 --> 00:53:12,799
Speaker 2: could tell it was a lot. But that's when it

1229
00:53:12,840 --> 00:53:15,640
Speaker 2: turned into that. And then we started going to uh

1230
00:53:15,719 --> 00:53:19,080
Speaker 2: we started going to Virginia for BT weekend. Okay, we

1231
00:53:19,160 --> 00:53:21,880
Speaker 2: started going to King's Dominion for b T weekend.

1232
00:53:22,000 --> 00:53:24,839
Speaker 4: Well, then US Greeks took over and it became atl Greek.

1233
00:53:25,480 --> 00:53:28,879
Speaker 4: What's this? Which is you know, freaknick to something?

1234
00:53:28,880 --> 00:53:31,520
Speaker 2: Agree, Yeah, y'all know some y'all know some freaky Greeks,

1235
00:53:31,800 --> 00:53:34,680
Speaker 2: the freak Greeks, Greeks, Greeky freaks.

1236
00:53:34,719 --> 00:53:38,479
Speaker 1: What's it? What' wasn't it like a Greek fest here

1237
00:53:38,840 --> 00:53:40,480
Speaker 1: like Jones be just something? What was that they used

1238
00:53:40,480 --> 00:53:40,839
Speaker 1: to do here?

1239
00:53:40,880 --> 00:53:41,040
Speaker 5: Oh?

1240
00:53:41,160 --> 00:53:43,520
Speaker 4: Yeah, there was a New York Greek like what was

1241
00:53:43,560 --> 00:53:43,919
Speaker 4: it called?

1242
00:53:43,920 --> 00:53:45,600
Speaker 1: Though? Greek Fest?

1243
00:53:46,080 --> 00:53:46,400
Speaker 4: Greek?

1244
00:53:47,560 --> 00:53:49,200
Speaker 1: It was something that they used to do at Jones

1245
00:53:49,239 --> 00:53:51,560
Speaker 1: Beach that was like a Greek Well.

1246
00:53:51,520 --> 00:53:53,360
Speaker 4: No, it's switched because they would do the step.

1247
00:53:53,120 --> 00:53:54,240
Speaker 1: Show Greek Fest.

1248
00:53:54,640 --> 00:53:57,279
Speaker 4: Yeah, but it switched because even Brighton Beach one year

1249
00:53:57,320 --> 00:53:59,960
Speaker 4: we did the step show there, like it's around the

1250
00:54:00,000 --> 00:54:02,120
Speaker 4: whole city, but it did start, yeah at Jones.

1251
00:54:01,840 --> 00:54:03,839
Speaker 1: Beach Greek festh Yeah, I remember Greek Feest.

1252
00:54:03,920 --> 00:54:05,920
Speaker 4: Yeah, but a lot of stuff had to switch over

1253
00:54:05,960 --> 00:54:10,960
Speaker 4: to like barbecues, like a Martien Jersey is New Jersey barbecue, Like, yeah,

1254
00:54:11,000 --> 00:54:13,279
Speaker 4: it all, it all gets past the different people who

1255
00:54:13,280 --> 00:54:15,640
Speaker 4: remix it. But yeah, Greek Fest is great and at

1256
00:54:15,840 --> 00:54:17,640
Speaker 4: Greek is a lot of fun. You would enjoy it.

1257
00:54:18,560 --> 00:54:20,440
Speaker 1: What I am I welcome though because I'm not Greek.

1258
00:54:20,520 --> 00:54:22,120
Speaker 4: So yeah, you just have to pay.

1259
00:54:22,400 --> 00:54:26,279
Speaker 6: Oh okay, So what events do you guys think will

1260
00:54:26,280 --> 00:54:29,200
Speaker 6: have the most lewed footage of you guys?

1261
00:54:29,239 --> 00:54:30,760
Speaker 5: Like, what do you think you're going to be embarrassed

1262
00:54:30,760 --> 00:54:32,280
Speaker 5: about in twenty five years?

1263
00:54:32,440 --> 00:54:34,399
Speaker 4: I want to see the documentary on Howard home Coming

1264
00:54:34,440 --> 00:54:36,839
Speaker 4: when in the late eighties, when the drug dealers were

1265
00:54:36,840 --> 00:54:41,239
Speaker 4: going Howard Howard DC. I want to see that doc.

1266
00:54:42,680 --> 00:54:46,919
Speaker 4: I want to see the doc when ALPO was running Howard,

1267
00:54:47,120 --> 00:54:48,920
Speaker 4: not when me and my pussy friends went down there

1268
00:54:49,160 --> 00:54:49,799
Speaker 4: through a little bit.

1269
00:54:50,080 --> 00:54:51,839
Speaker 2: That was a whole different thing you talk about, that's

1270
00:54:51,840 --> 00:54:52,800
Speaker 2: a whole different energy.

1271
00:54:53,280 --> 00:54:55,640
Speaker 4: I want to see that doc. What would be another

1272
00:54:55,960 --> 00:54:58,480
Speaker 4: cool event that needs its own shit.

1273
00:54:59,280 --> 00:55:03,439
Speaker 2: The Puerto Rican a Parade in New York. Honestly before

1274
00:55:03,480 --> 00:55:05,360
Speaker 2: it got oh labor did in Brooklyn. That's a whole

1275
00:55:06,480 --> 00:55:09,560
Speaker 2: that's a whole violent things. Yeah, that's a whole different

1276
00:55:09,640 --> 00:55:12,520
Speaker 2: that's a the doc.

1277
00:55:15,280 --> 00:55:17,879
Speaker 4: The last time I did Juve was two thousand and eight.

1278
00:55:18,080 --> 00:55:20,600
Speaker 4: I did the whole night in Crown Nights and then

1279
00:55:21,120 --> 00:55:22,080
Speaker 4: did the parade right after.

1280
00:55:23,120 --> 00:55:25,000
Speaker 2: It is just crazy because you out all day, you

1281
00:55:25,040 --> 00:55:27,359
Speaker 2: got powder all over you, paint all over you. Yeah,

1282
00:55:27,640 --> 00:55:29,719
Speaker 2: he's supposed to go home, shower and then get out

1283
00:55:29,760 --> 00:55:30,640
Speaker 2: and go to the parade.

1284
00:55:30,719 --> 00:55:32,440
Speaker 4: Now you just stay up and go to the parade.

1285
00:55:32,960 --> 00:55:35,319
Speaker 1: Hell nah, that's too hot that paint.

1286
00:55:35,400 --> 00:55:38,880
Speaker 2: You start passing out, your poles all clogged up with

1287
00:55:39,520 --> 00:55:41,240
Speaker 2: baby powdered and liquor.

1288
00:55:41,400 --> 00:55:41,720
Speaker 5: Baby.

1289
00:55:42,480 --> 00:55:44,320
Speaker 1: Not a good idea. It's just not a good idea.

1290
00:55:44,440 --> 00:55:45,600
Speaker 4: Potential stab wounds.

1291
00:55:45,680 --> 00:55:48,359
Speaker 2: Yeah, No, the Juve doc would be interesting. I would

1292
00:55:48,360 --> 00:55:49,279
Speaker 2: love to see something like that.

1293
00:55:49,640 --> 00:55:52,000
Speaker 4: You'll see Rory's white face somewhere in this fat footage.

1294
00:55:52,480 --> 00:55:54,920
Speaker 1: Can't miss you ross the copy the crowd?

1295
00:55:56,080 --> 00:55:57,480
Speaker 4: Did you some hot top blazers on?

1296
00:55:57,800 --> 00:56:00,400
Speaker 5: Did you guys record? Because I'm I don't want to

1297
00:56:00,400 --> 00:56:01,239
Speaker 5: see that in twenty five?

1298
00:56:01,280 --> 00:56:01,840
Speaker 1: Oh what is that?

1299
00:56:02,000 --> 00:56:03,120
Speaker 5: I don't need my kids.

1300
00:56:02,880 --> 00:56:03,319
Speaker 3: To see that.

1301
00:56:03,800 --> 00:56:06,520
Speaker 1: What's what's the no? No, no, forget the deuce and

1302
00:56:06,560 --> 00:56:09,920
Speaker 1: what's the handy polluza doc? Let's take it back to that.

1303
00:56:10,120 --> 00:56:12,560
Speaker 2: Let's go to where It started with the handy polluzer

1304
00:56:12,760 --> 00:56:14,560
Speaker 2: the doc over there right there on a Hun's the

1305
00:56:14,560 --> 00:56:15,279
Speaker 2: help forty knife.

1306
00:56:15,719 --> 00:56:19,400
Speaker 4: Yeah, night, well started, it started on one to fifteenth

1307
00:56:19,440 --> 00:56:21,360
Speaker 4: and pleasant uh huh, and then it went to the

1308
00:56:21,440 --> 00:56:24,560
Speaker 4: Kapa Castle over there right and there was our gallery

1309
00:56:24,840 --> 00:56:28,359
Speaker 4: downtown Samny Hall. I don't know, we shot a doc.

1310
00:56:28,400 --> 00:56:32,359
Speaker 4: There's a supertrailer that's about like seventeen minutes long, like

1311
00:56:32,400 --> 00:56:35,719
Speaker 4: we shot a documentary. The trailer is Yeah, it's like

1312
00:56:35,719 --> 00:56:39,920
Speaker 4: a supertrailer and it was your shop around. And despite

1313
00:56:39,960 --> 00:56:42,560
Speaker 4: what narratives have been put out there anyone that has

1314
00:56:42,680 --> 00:56:48,840
Speaker 4: talked about the uh assault side or lewd side, nothing

1315
00:56:48,840 --> 00:56:51,640
Speaker 4: ever happened at ducat Palusa. To be honest with do

1316
00:56:51,719 --> 00:56:54,920
Speaker 4: say PALUSI doc wouldn't be that crazy as far as

1317
00:56:55,600 --> 00:56:58,319
Speaker 4: footage in the crowd, like it was just people having fun. Yeah,

1318
00:56:59,080 --> 00:57:01,520
Speaker 4: there was never fights. Yeah, there was there was one

1319
00:57:01,560 --> 00:57:03,279
Speaker 4: fight that I can remember, and it was because a

1320
00:57:03,400 --> 00:57:06,640
Speaker 4: guy hit a girl outside the grounds and then seven

1321
00:57:06,760 --> 00:57:09,400
Speaker 4: dudes beat the fuck out of them. Well, that's the

1322
00:57:09,440 --> 00:57:11,880
Speaker 4: only one I can remember. And that wasn't even all

1323
00:57:11,960 --> 00:57:14,200
Speaker 4: the grounds, it was somewhere else in Coney Ala.

1324
00:57:14,360 --> 00:57:16,320
Speaker 2: That's one thing I can say about when you guys

1325
00:57:16,440 --> 00:57:20,160
Speaker 2: was doing that that, it was never no like drama

1326
00:57:20,280 --> 00:57:23,240
Speaker 2: inside and when it was at the Kappa House and

1327
00:57:23,240 --> 00:57:25,880
Speaker 2: all that was like a small house for all of

1328
00:57:25,880 --> 00:57:27,800
Speaker 2: those people to be in the backyard things like that.

1329
00:57:28,160 --> 00:57:30,240
Speaker 2: But it was never any fights. I never witnessed like

1330
00:57:30,280 --> 00:57:33,240
Speaker 2: a fight or anything like that. I mean, you were

1331
00:57:33,280 --> 00:57:35,520
Speaker 2: going to leave there with your clothes off, fucked up,

1332
00:57:35,560 --> 00:57:37,560
Speaker 2: heney all over your shirt and sneakers, was finished.

1333
00:57:37,560 --> 00:57:38,600
Speaker 4: But that was part of the experience.

1334
00:57:38,640 --> 00:57:39,280
Speaker 1: That was part of it.

1335
00:57:39,320 --> 00:57:42,480
Speaker 2: But I never I never witnessed any like uh, wild,

1336
00:57:42,560 --> 00:57:45,960
Speaker 2: disrespectful or any type of you know, fights and things

1337
00:57:46,000 --> 00:57:47,840
Speaker 2: like that. Like that was impressive for you guys to

1338
00:57:48,120 --> 00:57:51,560
Speaker 2: put on an event like that with that much alcohol

1339
00:57:51,760 --> 00:57:53,800
Speaker 2: and nobody ended up getting in the fight.

1340
00:57:54,000 --> 00:57:56,080
Speaker 4: And I mean that's what we did. Pride ourselves in it.

1341
00:57:56,080 --> 00:57:58,960
Speaker 4: It is unfortunate outside of the obvious that there has

1342
00:57:59,040 --> 00:58:02,480
Speaker 4: been narratives put on it, but even within and I

1343
00:58:02,480 --> 00:58:05,920
Speaker 4: will respect every woman's story, and I'm saying that every

1344
00:58:05,960 --> 00:58:09,120
Speaker 4: story had nothing to do with Pelusa. Wasn't at Palosa,

1345
00:58:09,880 --> 00:58:12,680
Speaker 4: it didn't meet it Palosa, and nothing was Pollusa related.

1346
00:58:12,680 --> 00:58:15,560
Speaker 4: That's why it kind of sucks when you have a

1347
00:58:15,600 --> 00:58:19,120
Speaker 4: decade long party of nothing but safety, especially in that

1348
00:58:19,160 --> 00:58:21,600
Speaker 4: type of environment. To have that type of smut on

1349
00:58:21,600 --> 00:58:25,400
Speaker 4: your name when we did damn nearly impossible to do

1350
00:58:25,440 --> 00:58:30,280
Speaker 4: that and everyone remained safe. So yeah, such as life,

1351
00:58:30,400 --> 00:58:33,800
Speaker 4: you know, narratives.

1352
00:58:36,920 --> 00:58:40,400
Speaker 1: So over the week and Rory Drake released Search and Rescue?

1353
00:58:41,240 --> 00:58:43,160
Speaker 4: Were you search Search and rescuing the entire weekend?

1354
00:58:43,200 --> 00:58:44,400
Speaker 1: Well, I text you I was looking for you. I

1355
00:58:44,440 --> 00:58:46,160
Speaker 1: was trying to figure out where you were searching for you.

1356
00:58:46,400 --> 00:58:49,600
Speaker 2: I was, I was searching for you. But to make

1357
00:58:49,640 --> 00:58:50,880
Speaker 2: sure my my dude.

1358
00:58:50,720 --> 00:58:52,440
Speaker 4: Was I'm your kim.

1359
00:58:52,680 --> 00:58:54,000
Speaker 1: No, You're definitely not my kim.

1360
00:58:54,360 --> 00:58:57,640
Speaker 2: But so he released Search, Search and Rescue, and uh,

1361
00:58:58,000 --> 00:59:00,840
Speaker 2: when the when the audio had leaked, we kind of

1362
00:59:01,200 --> 00:59:02,280
Speaker 2: spoke about it a little bit.

1363
00:59:02,640 --> 00:59:04,480
Speaker 4: I thought it was AI didn't think it was real.

1364
00:59:04,400 --> 00:59:05,720
Speaker 2: Thought it was a I didn't think it was a

1365
00:59:05,720 --> 00:59:07,560
Speaker 2: real Drake record until we found out that it premiered

1366
00:59:07,600 --> 00:59:10,680
Speaker 2: on forty two Sound Sound forty two. I just hope

1367
00:59:10,720 --> 00:59:12,560
Speaker 2: I'm not saying that sound forty two forty two sounds

1368
00:59:12,560 --> 00:59:15,000
Speaker 2: Sound forty two Sound forty two. So that's when we

1369
00:59:15,040 --> 00:59:17,760
Speaker 2: knew it was a real, obviously real record. So that

1370
00:59:17,920 --> 00:59:20,920
Speaker 2: the record is out, Uh, what are your feelings?

1371
00:59:21,320 --> 00:59:24,600
Speaker 4: Why I had the same tys. I'm gonna start there.

1372
00:59:24,640 --> 00:59:26,840
Speaker 4: Why what was the point of this? What?

1373
00:59:27,480 --> 00:59:28,200
Speaker 1: I just don't know.

1374
00:59:28,360 --> 00:59:30,720
Speaker 2: Okay, even if it let's just talk about let's just

1375
00:59:30,720 --> 00:59:31,760
Speaker 2: talk about everything around the record.

1376
00:59:31,800 --> 00:59:33,720
Speaker 4: Larry Hoover squashed it. Why are we still talking about it?

1377
00:59:33,760 --> 00:59:36,280
Speaker 2: No, he just did that for the mob Ties, so

1378
00:59:37,080 --> 00:59:40,000
Speaker 2: we know what the the artwork did. Obviously, people were

1379
00:59:40,280 --> 00:59:43,360
Speaker 2: had their their their you know, theories about who it

1380
00:59:43,480 --> 00:59:46,960
Speaker 2: was with Drake underneath the helmet? Was it Kim you

1381
00:59:46,960 --> 00:59:49,640
Speaker 2: know that was one of excuse me, obviously one of

1382
00:59:49,680 --> 00:59:50,560
Speaker 2: the bigger names.

1383
00:59:51,400 --> 00:59:52,200
Speaker 1: I don't think it is.

1384
00:59:52,280 --> 00:59:55,000
Speaker 2: But I think Drake is calculated enough to know that

1385
00:59:55,040 --> 00:59:58,560
Speaker 2: people will, you know, this is all everything is calculated.

1386
00:59:58,600 --> 00:59:59,640
Speaker 2: He knows that people like, who's that?

1387
00:59:59,680 --> 01:00:01,960
Speaker 1: Who is she? Who is it? Who was he referring to?

1388
01:00:02,000 --> 01:00:03,920
Speaker 1: Who is he dissing? Who is the song about?

1389
01:00:04,360 --> 01:00:04,440
Speaker 5: Uh?

1390
01:00:04,560 --> 01:00:08,840
Speaker 2: Then sampling Kim K's voice obviously fed the he was

1391
01:00:08,920 --> 01:00:12,080
Speaker 2: using it wrong. I mean fed that's crazy.

1392
01:00:12,200 --> 01:00:14,400
Speaker 1: She was using wife.

1393
01:00:14,480 --> 01:00:17,240
Speaker 4: He made the breath to break up a hot song, and.

1394
01:00:17,160 --> 01:00:19,680
Speaker 1: So people fed into the conspiracy theories of all He's

1395
01:00:20,320 --> 01:00:20,840
Speaker 1: that's what it was.

1396
01:00:20,920 --> 01:00:23,360
Speaker 4: It's not a conspiracy and also in Drake's defense, even

1397
01:00:23,400 --> 01:00:24,920
Speaker 4: though this is of course supposed to look like him,

1398
01:00:24,920 --> 01:00:26,160
Speaker 4: every girl looks like him, so.

1399
01:00:29,640 --> 01:00:30,560
Speaker 1: Goes my other point.

1400
01:00:30,640 --> 01:00:33,200
Speaker 3: The audio he sampled of Kim, though, was from an

1401
01:00:33,200 --> 01:00:36,280
Speaker 3: episode from Keeping Over the Kardashians where she's talking to

1402
01:00:36,440 --> 01:00:39,880
Speaker 3: Chris about her divorce to Kanye. Absolutely very specific the

1403
01:00:39,920 --> 01:00:40,560
Speaker 3: audio he chose.

1404
01:00:40,600 --> 01:00:43,760
Speaker 2: I'm talking about more so just the artwork, because we

1405
01:00:43,800 --> 01:00:44,960
Speaker 2: don't know if that's Kim.

1406
01:00:45,000 --> 01:00:46,520
Speaker 3: It's supposed to represent Kim.

1407
01:00:46,600 --> 01:00:48,440
Speaker 2: We know what it's supposed to represent, we know who

1408
01:00:48,480 --> 01:00:50,560
Speaker 2: it's supposed to be, but we don't know it's what

1409
01:00:50,560 --> 01:00:51,000
Speaker 2: I'm saying.

1410
01:00:51,040 --> 01:00:52,160
Speaker 1: We know what it's supposed to be.

1411
01:00:52,240 --> 01:00:53,280
Speaker 4: Can we go back to the why?

1412
01:00:54,560 --> 01:00:57,000
Speaker 1: Why? Why is this song up? Why I release his record? Now?

1413
01:00:57,080 --> 01:00:57,760
Speaker 3: Why is this?

1414
01:00:57,800 --> 01:01:00,280
Speaker 2: Where's the song going to live? Obviously Drake is not

1415
01:01:00,600 --> 01:01:02,280
Speaker 2: putting out another album anytime soon.

1416
01:01:02,720 --> 01:01:06,640
Speaker 4: I think Scorpion and then the few records on CLB

1417
01:01:07,200 --> 01:01:10,120
Speaker 4: where he addressed everything. I thought, like, we just put

1418
01:01:10,120 --> 01:01:12,280
Speaker 4: the nail on the coffin. Yeah they did this, even

1419
01:01:12,280 --> 01:01:14,000
Speaker 4: if they we know they weren't actually friends when they

1420
01:01:14,000 --> 01:01:15,800
Speaker 4: did the Larry Hoover shit, but it still appeared like

1421
01:01:16,480 --> 01:01:21,960
Speaker 4: this is done. I don't think anyone cares anymore about

1422
01:01:22,000 --> 01:01:24,600
Speaker 4: their back and forth, And if the song was good,

1423
01:01:24,920 --> 01:01:26,560
Speaker 4: I'd also be like, all right, I don't know why

1424
01:01:26,560 --> 01:01:28,200
Speaker 4: you're still talking about it, but at least the record's good.

1425
01:01:28,200 --> 01:01:30,840
Speaker 4: The record's not good, and it's bringing up something that

1426
01:01:31,480 --> 01:01:33,280
Speaker 4: I feel everyone is kind of over.

1427
01:01:34,320 --> 01:01:36,440
Speaker 2: Over and we don't know, Like we haven't heard from

1428
01:01:36,480 --> 01:01:38,880
Speaker 2: Kanye so long, we don't know where he's at, what

1429
01:01:38,920 --> 01:01:39,360
Speaker 2: he's doing.

1430
01:01:39,920 --> 01:01:41,440
Speaker 1: So it's just like, why now.

1431
01:01:41,440 --> 01:01:45,440
Speaker 4: Does Drake need a Kanye sub or a Kim Kardashian

1432
01:01:45,560 --> 01:01:48,400
Speaker 4: interlude to get people to listen to music? Absolutely, of

1433
01:01:48,440 --> 01:01:50,960
Speaker 4: course not so why And on top of that, this

1434
01:01:51,040 --> 01:01:54,160
Speaker 4: sounds like a leftover from CLB. This is more so

1435
01:01:54,240 --> 01:01:58,720
Speaker 4: in the CLB category than it is the twenty one

1436
01:01:58,720 --> 01:02:03,200
Speaker 4: Savage shit ardible. Like I had my complaints about CLB,

1437
01:02:03,280 --> 01:02:05,520
Speaker 4: it felt like Drake was doing an impersonation of himself.

1438
01:02:05,560 --> 01:02:08,160
Speaker 4: It felt a little lazy, like he just put it

1439
01:02:08,160 --> 01:02:10,920
Speaker 4: out to put it out. This song sounds exactly like that.

1440
01:02:10,960 --> 01:02:14,040
Speaker 4: This sounds like from the CLB time when we know

1441
01:02:14,120 --> 01:02:16,680
Speaker 4: he's in the twenty one Savage time where he went

1442
01:02:16,720 --> 01:02:20,440
Speaker 4: fucking nuts. Right, the music was way fucking better. It

1443
01:02:20,520 --> 01:02:22,520
Speaker 4: was a completely different sound. He sounded like he gave

1444
01:02:22,520 --> 01:02:25,800
Speaker 4: a fuck again. This sounds but like we're back in

1445
01:02:25,920 --> 01:02:27,800
Speaker 4: fucking This was that funny.

1446
01:02:27,880 --> 01:02:29,480
Speaker 2: This is definitely one of the records that I think

1447
01:02:29,520 --> 01:02:33,320
Speaker 2: he had in his hard drive and he just decided

1448
01:02:33,400 --> 01:02:34,520
Speaker 2: to put it out.

1449
01:02:35,160 --> 01:02:36,600
Speaker 1: Why I'm stuck on why?

1450
01:02:36,680 --> 01:02:36,760
Speaker 3: Like?

1451
01:02:36,800 --> 01:02:37,080
Speaker 1: Why?

1452
01:02:37,120 --> 01:02:37,320
Speaker 5: Now?

1453
01:02:37,400 --> 01:02:40,240
Speaker 1: Why the timing good Friday is when he dropped it?

1454
01:02:40,360 --> 01:02:43,200
Speaker 3: Right? You know why he did that? Right?

1455
01:02:43,440 --> 01:02:45,360
Speaker 2: I mean, or if you don't know, it's he knows.

1456
01:02:45,400 --> 01:02:47,479
Speaker 2: People will tie it together, but all of them.

1457
01:02:47,400 --> 01:02:49,760
Speaker 4: Try to make the correlation since in twenty twenty, this

1458
01:02:49,800 --> 01:02:51,760
Speaker 4: would have been no I get. I would have understood

1459
01:02:51,760 --> 01:02:53,400
Speaker 4: this in twenty twenty, even if I don't like the song,

1460
01:02:53,400 --> 01:02:55,240
Speaker 4: I would have got the move. I don't get the

1461
01:02:55,280 --> 01:02:56,120
Speaker 4: move or the song.

1462
01:02:56,200 --> 01:02:58,280
Speaker 1: I just don't understand why Drake will put out a

1463
01:02:58,320 --> 01:03:02,520
Speaker 1: record right now when he's getting ready to go on tour. So,

1464
01:03:02,520 --> 01:03:03,480
Speaker 1: which is why I'm saying, I don't.

1465
01:03:03,520 --> 01:03:05,200
Speaker 2: I doubt another album is coming because he's going on

1466
01:03:05,240 --> 01:03:06,880
Speaker 2: tour with twenty one to tour that album that they

1467
01:03:06,880 --> 01:03:09,800
Speaker 2: have together. So I just don't. I just don't understand

1468
01:03:09,880 --> 01:03:12,439
Speaker 2: why this move? Why put this record out? And it's

1469
01:03:12,560 --> 01:03:14,440
Speaker 2: just not one of your better records it's not a

1470
01:03:14,440 --> 01:03:17,600
Speaker 2: good record, Like I just I understand it's it's catchy.

1471
01:03:17,640 --> 01:03:18,200
Speaker 1: The melody.

1472
01:03:18,280 --> 01:03:20,120
Speaker 2: You're gonna find yourself singing it, just like if you

1473
01:03:20,160 --> 01:03:23,200
Speaker 2: hear a commercial jingle. Of course, it's like you're gonna

1474
01:03:23,240 --> 01:03:25,080
Speaker 2: you're gonna get remember the melody in your head. It's

1475
01:03:25,120 --> 01:03:27,560
Speaker 2: like a repetitive melody. It's on a loop, so you

1476
01:03:27,600 --> 01:03:28,959
Speaker 2: get the melody as soon as.

1477
01:03:28,840 --> 01:03:31,240
Speaker 1: You hit the record. But it's just where does this

1478
01:03:31,280 --> 01:03:33,560
Speaker 1: record live? What are you doing with this record? What

1479
01:03:33,640 --> 01:03:35,120
Speaker 1: is this for? Why put this out now?

1480
01:03:35,600 --> 01:03:39,000
Speaker 4: Yeah? We already have this song and it's better from

1481
01:03:39,240 --> 01:03:40,240
Speaker 4: older projects.

1482
01:03:40,400 --> 01:03:42,720
Speaker 3: Well, it's time sensitive because you obviously wanted to put

1483
01:03:42,720 --> 01:03:45,280
Speaker 3: it out on Good Friday, So I think that plays

1484
01:03:45,280 --> 01:03:46,120
Speaker 3: a big part in it.

1485
01:03:47,040 --> 01:03:49,880
Speaker 1: Again, why but her look at those.

1486
01:03:49,720 --> 01:03:52,560
Speaker 4: People killed our lord on that day. But like the

1487
01:03:52,600 --> 01:03:55,560
Speaker 4: ethos of her loss, the entire project. I was offended,

1488
01:03:55,600 --> 01:03:58,880
Speaker 4: not for Kanye, just as a Christian, Yes, Drake being Jewish,

1489
01:03:58,920 --> 01:04:01,840
Speaker 4: How dare you put out this Good Friday? Your people

1490
01:04:01,920 --> 01:04:03,040
Speaker 4: murdered my guy that day?

1491
01:04:03,160 --> 01:04:03,720
Speaker 1: Yeah?

1492
01:04:03,840 --> 01:04:06,800
Speaker 3: Okay, all of her loss is taking shots at everyone.

1493
01:04:07,120 --> 01:04:10,160
Speaker 3: That's the whole ethos of that project. He's in that

1494
01:04:10,320 --> 01:04:13,760
Speaker 3: mode like this isn't this doesn't skew that far out

1495
01:04:13,800 --> 01:04:15,560
Speaker 3: of the mission of that whole project.

1496
01:04:16,080 --> 01:04:16,479
Speaker 1: It does.

1497
01:04:16,720 --> 01:04:18,920
Speaker 3: It doesn't how because this record.

1498
01:04:18,640 --> 01:04:21,160
Speaker 4: Is not good good, This sucks.

1499
01:04:21,200 --> 01:04:23,880
Speaker 3: I hate this song, but it's it falls in line

1500
01:04:24,120 --> 01:04:26,640
Speaker 3: with the messaging in Her Loss.

1501
01:04:27,080 --> 01:04:27,520
Speaker 1: Yeah.

1502
01:04:28,040 --> 01:04:29,720
Speaker 4: I think he covered everything on Her Loss.

1503
01:04:30,080 --> 01:04:32,680
Speaker 2: Great album, great album. I love the way he ended

1504
01:04:32,680 --> 01:04:36,480
Speaker 2: that album. Great song. This is just I don't know, man.

1505
01:04:36,480 --> 01:04:39,240
Speaker 2: I Again, when you're an artist like Drake, you can

1506
01:04:39,240 --> 01:04:41,080
Speaker 2: put out shit whenever you want, you can drop whenever

1507
01:04:41,120 --> 01:04:42,720
Speaker 2: you want. Obviously, it doesn't matter if you like it

1508
01:04:42,800 --> 01:04:45,200
Speaker 2: or not. It's already at five over five million streams,

1509
01:04:45,600 --> 01:04:48,240
Speaker 2: so it's like, you know, what is my opinion matter

1510
01:04:48,280 --> 01:04:48,720
Speaker 2: on this ship?

1511
01:04:48,760 --> 01:04:51,120
Speaker 1: But I just I want to know why. I like

1512
01:04:51,200 --> 01:04:53,360
Speaker 1: to know, like, what is the thinking behind certain moves

1513
01:04:53,360 --> 01:04:54,560
Speaker 1: that the artists make and.

1514
01:04:54,480 --> 01:04:56,880
Speaker 4: Watch us be wrong. Let's say everyone starts playing this

1515
01:04:56,920 --> 01:04:57,680
Speaker 4: the next two weeks.

1516
01:04:58,520 --> 01:04:59,240
Speaker 1: I mean, it's Drake.

1517
01:04:59,320 --> 01:05:01,160
Speaker 4: There's plenty of Dre songs I've hated and now I.

1518
01:05:01,080 --> 01:05:04,040
Speaker 1: Love, Yeah, but this one is it's just not.

1519
01:05:05,000 --> 01:05:07,040
Speaker 4: I think this stinks. I don't think it's gonna be that.

1520
01:05:07,080 --> 01:05:08,880
Speaker 2: I listened to it like three times just to kind

1521
01:05:08,880 --> 01:05:11,680
Speaker 2: of like get the bars and and and obviously you know,

1522
01:05:12,040 --> 01:05:14,160
Speaker 2: the girls already went crazy with the captions and all

1523
01:05:14,200 --> 01:05:16,680
Speaker 2: of that, but it's just not one that I will

1524
01:05:16,680 --> 01:05:17,200
Speaker 2: go back to.

1525
01:05:17,320 --> 01:05:19,240
Speaker 4: Like, I'm not gonna what bars gave you, like the

1526
01:05:19,240 --> 01:05:22,280
Speaker 4: most confused yet read between the lines on I don't

1527
01:05:22,280 --> 01:05:27,280
Speaker 4: know how to express my love. That's why I American express,

1528
01:05:27,320 --> 01:05:30,760
Speaker 4: not any suggesting. Do you know what he's talking about?

1529
01:05:31,480 --> 01:05:32,560
Speaker 1: Yeah, I know what he's home.

1530
01:05:32,600 --> 01:05:34,320
Speaker 4: He's going to spend on this young woman. He doesn't

1531
01:05:34,360 --> 01:05:37,000
Speaker 4: know how to express love because his parents never kiss

1532
01:05:37,040 --> 01:05:41,560
Speaker 4: him the mouth, so he doesn't really know about He

1533
01:05:41,640 --> 01:05:42,160
Speaker 4: never met the.

1534
01:05:42,520 --> 01:05:45,000
Speaker 1: Lama, his holiness.

1535
01:05:45,680 --> 01:05:47,960
Speaker 6: Take me off the market, take me off the map.

1536
01:05:48,000 --> 01:05:50,000
Speaker 6: I'm trying to hit the group chat and tell them

1537
01:05:50,040 --> 01:05:51,560
Speaker 6: it's a rap. That's what I'm trying to do.

1538
01:05:51,680 --> 01:05:52,920
Speaker 5: I'm trying to hit the group.

1539
01:05:52,720 --> 01:05:56,880
Speaker 4: Chat his target. You've done that in our group chat.

1540
01:05:57,040 --> 01:05:57,960
Speaker 4: It hasn't been an it.

1541
01:05:58,000 --> 01:06:01,800
Speaker 1: Has it's still it's unful, everything is, everything is all

1542
01:06:01,840 --> 01:06:03,040
Speaker 1: over the place. It's not a rap.

1543
01:06:04,760 --> 01:06:06,920
Speaker 4: Imagine mall hitting the group chat and just yo, it's

1544
01:06:06,920 --> 01:06:07,320
Speaker 4: a rap.

1545
01:06:08,960 --> 01:06:10,680
Speaker 2: No, I think I think the group chat he's talking

1546
01:06:10,680 --> 01:06:16,720
Speaker 2: about is the group chat with all his girls. Oh okay, okay, yeah,

1547
01:06:16,840 --> 01:06:18,200
Speaker 2: I think I think hes talking about getting all these

1548
01:06:18,240 --> 01:06:20,000
Speaker 2: girls in one group chat like you're listening.

1549
01:06:19,680 --> 01:06:21,960
Speaker 4: To old I thought he was about like hitting Forty

1550
01:06:22,000 --> 01:06:24,520
Speaker 4: and Noel, you know, like your fellas.

1551
01:06:25,000 --> 01:06:27,040
Speaker 1: I don't rap, like Forty looked like he had just

1552
01:06:27,080 --> 01:06:28,840
Speaker 1: thumbs up it, like he wouldn't even he wouldn't even

1553
01:06:28,840 --> 01:06:30,640
Speaker 1: type nothing. It's like, all right, who whatever?

1554
01:06:30,840 --> 01:06:33,280
Speaker 3: Like you think Kim and Chris got publishing on.

1555
01:06:33,280 --> 01:06:37,040
Speaker 5: This, they're not in the credits as far as I

1556
01:06:37,080 --> 01:06:37,560
Speaker 5: can see.

1557
01:06:38,240 --> 01:06:40,040
Speaker 4: I mean, the hold this well, actually they probably don't

1558
01:06:40,040 --> 01:06:45,680
Speaker 4: own that audio. Yeah, Ryan, Ryan Seacrest election is a

1559
01:06:45,680 --> 01:06:46,160
Speaker 4: writer on this.

1560
01:06:46,160 --> 01:06:47,080
Speaker 3: This is his first number one.

1561
01:06:47,200 --> 01:06:49,640
Speaker 1: He's got the pub again.

1562
01:06:49,720 --> 01:06:52,720
Speaker 2: I just why, just why, like why now why put

1563
01:06:52,720 --> 01:06:53,560
Speaker 2: this record out now?

1564
01:06:54,880 --> 01:06:56,800
Speaker 4: Because it gets four point six million strings?

1565
01:06:57,640 --> 01:06:58,400
Speaker 1: Because there's Drake.

1566
01:06:58,440 --> 01:07:01,880
Speaker 2: Once you attached Drake's name, anything it's gonna Drake is

1567
01:07:01,920 --> 01:07:03,400
Speaker 2: like target. I keep telling you all that you put

1568
01:07:03,440 --> 01:07:06,160
Speaker 2: you put anything next to Drake, it's gonna sell. That's

1569
01:07:06,160 --> 01:07:07,400
Speaker 2: just what it is that we know that we're not

1570
01:07:07,400 --> 01:07:09,640
Speaker 2: talking about the numbers. Obviously it's gonna Drake.

1571
01:07:10,440 --> 01:07:14,120
Speaker 1: The quality of the record, though, the why of the record, Why.

1572
01:07:14,040 --> 01:07:16,400
Speaker 4: You're saying it's more Dollar Store than Tarja.

1573
01:07:17,720 --> 01:07:20,680
Speaker 2: Yeah, it's just I just you know, I'm I'm cool,

1574
01:07:20,720 --> 01:07:22,520
Speaker 2: Like we didn't need this, like if I you know,

1575
01:07:22,520 --> 01:07:25,360
Speaker 2: because you I still like when we when we find

1576
01:07:25,400 --> 01:07:27,400
Speaker 2: out a Drake record is coming, because he's just that

1577
01:07:27,440 --> 01:07:29,480
Speaker 2: type of artist that's just known for putting out great music.

1578
01:07:29,920 --> 01:07:31,720
Speaker 1: So it's like, Okay, I know we'reet a new Drake

1579
01:07:31,760 --> 01:07:32,280
Speaker 1: record tonight.

1580
01:07:33,320 --> 01:07:33,920
Speaker 4: But then when you.

1581
01:07:33,880 --> 01:07:37,240
Speaker 1: Get that, it's like my night is ruined. Like I

1582
01:07:37,280 --> 01:07:38,480
Speaker 1: can't really same.

1583
01:07:38,720 --> 01:07:41,520
Speaker 2: This wasn't what I was expecting, Like it's like, ah, man,

1584
01:07:41,560 --> 01:07:44,000
Speaker 2: I want to give us that ship that worked, put

1585
01:07:44,040 --> 01:07:44,800
Speaker 2: too much cut on that.

1586
01:07:44,960 --> 01:07:46,840
Speaker 4: It's hard to say because it did four point six

1587
01:07:46,880 --> 01:07:50,960
Speaker 4: million streams and broke whatever Spotify Easter Record, whatever, the

1588
01:07:51,040 --> 01:07:51,800
Speaker 4: lebron James.

1589
01:07:51,640 --> 01:07:53,520
Speaker 3: Hops theming hip Hop record of the Year.

1590
01:07:53,880 --> 01:07:57,240
Speaker 4: Was this the first flop that we've seen with Drake

1591
01:07:57,280 --> 01:07:58,080
Speaker 4: putting out of Lucy.

1592
01:07:58,200 --> 01:08:00,800
Speaker 1: If this is a flop, this is amazing. This speaks

1593
01:08:00,800 --> 01:08:03,240
Speaker 1: to the caliber. Let's dude, If this is a flop

1594
01:08:03,560 --> 01:08:05,840
Speaker 1: the biggest three but the song of the year.

1595
01:08:05,960 --> 01:08:08,600
Speaker 4: But we do know, with how algorithms work and how

1596
01:08:08,800 --> 01:08:12,960
Speaker 4: celebrity works, no matter what, Drake is going to break

1597
01:08:12,960 --> 01:08:16,280
Speaker 4: a record anytime he puts something out. I'm suggesting, with

1598
01:08:16,400 --> 01:08:20,280
Speaker 4: the attention around it, people caring and the quality of

1599
01:08:20,320 --> 01:08:25,280
Speaker 4: the music, is this his first flop on a Lucy

1600
01:08:25,360 --> 01:08:29,200
Speaker 4: This didn't stop anything. I pay attention and I asked you.

1601
01:08:29,400 --> 01:08:31,080
Speaker 4: I asked you guys on Thursday said, wait, drake'sut not

1602
01:08:31,080 --> 01:08:33,559
Speaker 4: a song tomorrow. I know what fucking idea. There was

1603
01:08:33,560 --> 01:08:35,080
Speaker 4: no even real shit around it.

1604
01:08:35,520 --> 01:08:36,800
Speaker 5: You thought it was Ai.

1605
01:08:37,040 --> 01:08:39,479
Speaker 4: Originally because it just sounded like someone doing a Drake impression.

1606
01:08:39,520 --> 01:08:40,880
Speaker 3: It sounds really lazy.

1607
01:08:41,120 --> 01:08:42,840
Speaker 4: And I'm saying, if you're also trying to make the

1608
01:08:42,880 --> 01:08:47,120
Speaker 4: moments with putting Kim on the fucking cover from this photo,

1609
01:08:47,200 --> 01:08:50,000
Speaker 4: you know, and it's gonna find Kim and Kanye going

1610
01:08:50,040 --> 01:08:52,599
Speaker 4: go karting. I love the mash it on. Oh, you

1611
01:08:52,640 --> 01:08:54,400
Speaker 4: did do a lot of the petty shit that creates

1612
01:08:54,400 --> 01:08:56,280
Speaker 4: the moments that we do. Love Drake four with that

1613
01:08:56,320 --> 01:09:00,000
Speaker 4: calculator shit, Hm, I don't really care about four point

1614
01:09:00,160 --> 01:09:01,720
Speaker 4: six million streams. It felt like a flop to me.

1615
01:09:02,400 --> 01:09:04,439
Speaker 2: Well, it felt like a flop to me as well,

1616
01:09:04,439 --> 01:09:06,679
Speaker 2: only because I didn't go back to the record after

1617
01:09:06,720 --> 01:09:08,880
Speaker 2: I listened like two or three times. It's kind of like, oh,

1618
01:09:09,160 --> 01:09:10,439
Speaker 2: like I didn't listen to it the rest of the

1619
01:09:10,479 --> 01:09:12,320
Speaker 2: weekend at all. It's kind of like I forgot it

1620
01:09:12,320 --> 01:09:15,080
Speaker 2: even came out, honestly, and that's not something that you

1621
01:09:15,160 --> 01:09:16,639
Speaker 2: usually do when a direct record drops.

1622
01:09:16,680 --> 01:09:18,840
Speaker 1: You can't get away from the fucking record when it

1623
01:09:18,840 --> 01:09:19,280
Speaker 1: comes out.

1624
01:09:19,800 --> 01:09:22,640
Speaker 2: But yeah, it just wasn't again, I understand, you know,

1625
01:09:22,680 --> 01:09:26,320
Speaker 2: there might be some secret, you know, like just type

1626
01:09:26,360 --> 01:09:29,280
Speaker 2: of you know, just just Morris code type of reason

1627
01:09:29,280 --> 01:09:30,760
Speaker 2: why he released this, you know, all of that.

1628
01:09:30,680 --> 01:09:31,240
Speaker 1: Type of shit.

1629
01:09:31,680 --> 01:09:32,840
Speaker 4: Something happened at a gas station.

1630
01:09:33,000 --> 01:09:33,360
Speaker 3: Ya ya.

1631
01:09:33,400 --> 01:09:35,920
Speaker 1: I'm just just give me the Just give me quality, though,

1632
01:09:36,000 --> 01:09:37,639
Speaker 1: give me a good record. That's a lot.

1633
01:09:37,720 --> 01:09:40,160
Speaker 2: I don't care about why you put it out, Actually

1634
01:09:40,200 --> 01:09:41,680
Speaker 2: I do. I want to know why, because I may

1635
01:09:41,720 --> 01:09:44,679
Speaker 2: be able to paint a better picture. But give me quality.

1636
01:09:44,840 --> 01:09:47,120
Speaker 2: Let the record be dope like that. Just this is

1637
01:09:47,439 --> 01:09:49,920
Speaker 2: nothing that I can go back and listen to.

1638
01:09:50,000 --> 01:09:52,599
Speaker 3: What do you guys think, if at all Kanye's response

1639
01:09:52,680 --> 01:09:53,080
Speaker 3: is going to be.

1640
01:09:54,640 --> 01:09:56,080
Speaker 4: Drinks the jew whoa?

1641
01:09:56,600 --> 01:09:59,120
Speaker 3: You think he's gonna hate Jews again because Jonah Hill

1642
01:09:59,200 --> 01:10:00,679
Speaker 3: brought him back to Jonahill.

1643
01:10:00,680 --> 01:10:02,960
Speaker 1: He wasn't fro stured all all faith.

1644
01:10:02,720 --> 01:10:04,840
Speaker 3: He saw twenty when John Free was converted. But now

1645
01:10:04,920 --> 01:10:06,120
Speaker 3: he might be anti again.

1646
01:10:06,560 --> 01:10:09,439
Speaker 1: Damn, it's just again, man, Antig.

1647
01:10:09,640 --> 01:10:12,440
Speaker 2: It's just funny that we got that that that crazy

1648
01:10:12,640 --> 01:10:16,559
Speaker 2: dope show that they did together. The visuals was amazing,

1649
01:10:16,640 --> 01:10:18,519
Speaker 2: Like it was just a moment that was like a

1650
01:10:18,600 --> 01:10:21,519
Speaker 2: huge moment, and it's just funny to know that we

1651
01:10:21,600 --> 01:10:22,400
Speaker 2: got that moment.

1652
01:10:22,960 --> 01:10:25,720
Speaker 1: They're still not cool, like they still don't.

1653
01:10:25,960 --> 01:10:27,040
Speaker 4: Was it a huge moment though?

1654
01:10:27,520 --> 01:10:33,240
Speaker 1: Absolutely everybody who wasn't at hours it was watching, who.

1655
01:10:33,080 --> 01:10:35,080
Speaker 2: Wasn't at home in front of the TV watching at

1656
01:10:35,120 --> 01:10:38,360
Speaker 2: that We talked about two biggest artists in the world.

1657
01:10:38,439 --> 01:10:41,280
Speaker 2: Happened that we know the history that they were beefing,

1658
01:10:41,320 --> 01:10:43,479
Speaker 2: they didn't fuck with each other, and now they're about

1659
01:10:43,520 --> 01:10:45,080
Speaker 2: to do a show in the middle of a fucking

1660
01:10:45,479 --> 01:10:46,760
Speaker 2: a stadium.

1661
01:10:46,800 --> 01:10:48,400
Speaker 1: Like who didn't who wasn't watching that?

1662
01:10:48,439 --> 01:10:50,920
Speaker 4: I agree? It was a moment for about two hours

1663
01:10:51,360 --> 01:10:53,960
Speaker 4: and then we realized, oh this is fake, and no

1664
01:10:53,960 --> 01:10:55,720
Speaker 4: one gave a funk after that, and they continue to

1665
01:10:55,720 --> 01:10:56,280
Speaker 4: diss each other.

1666
01:10:56,400 --> 01:10:57,400
Speaker 1: But that's the way the world.

1667
01:10:57,400 --> 01:10:59,559
Speaker 2: Like shit only last I don't even no matter how

1668
01:10:59,600 --> 01:11:02,160
Speaker 2: big it is, it still only lasts for like forty hours,

1669
01:11:02,240 --> 01:11:03,519
Speaker 2: and then went on to the next.

1670
01:11:03,320 --> 01:11:07,120
Speaker 4: But it should it should have been bigger. To your point,

1671
01:11:07,160 --> 01:11:09,479
Speaker 4: the two biggest artists that have been beefing downstop are

1672
01:11:09,479 --> 01:11:11,280
Speaker 4: about to walk down the steps together like they just

1673
01:11:11,360 --> 01:11:15,559
Speaker 4: got fucking married, all the name of GDS and mob tize.

1674
01:11:16,320 --> 01:11:18,719
Speaker 4: And then we get Kanye doing his greatest hits, Drake

1675
01:11:18,800 --> 01:11:22,160
Speaker 4: giving us rehearsals for his CLB tour that didn't happen

1676
01:11:22,560 --> 01:11:24,960
Speaker 4: and it was over. Not even the merch did well,

1677
01:11:25,560 --> 01:11:28,640
Speaker 4: and that's always a thing with him. Yeah, people move

1678
01:11:28,720 --> 01:11:31,000
Speaker 4: the fuck on immediately. I don't think people even really

1679
01:11:31,040 --> 01:11:33,519
Speaker 4: remember it like that. They remember them beefing more than

1680
01:11:33,520 --> 01:11:33,960
Speaker 4: that moment.

1681
01:11:35,080 --> 01:11:37,840
Speaker 1: Was that moment? Are we able to watch that now

1682
01:11:38,400 --> 01:11:38,880
Speaker 1: on Amazon?

1683
01:11:38,960 --> 01:11:40,120
Speaker 4: Ya is still on Amazon?

1684
01:11:40,880 --> 01:11:42,920
Speaker 1: I felt like that wasn't on Amazon after after the

1685
01:11:42,960 --> 01:11:43,519
Speaker 1: show was over.

1686
01:11:43,880 --> 01:11:45,639
Speaker 6: I just felt like we talked about that way more

1687
01:11:45,680 --> 01:11:47,639
Speaker 6: before it happened than we did after it happened.

1688
01:11:48,080 --> 01:11:50,400
Speaker 5: I feel like we were extremely disappointed and let down.

1689
01:11:50,479 --> 01:11:51,799
Speaker 3: The full version of it on YouTube.

1690
01:11:51,960 --> 01:11:53,760
Speaker 2: Oh okay, I mean it was an amazing it was

1691
01:11:53,880 --> 01:11:57,679
Speaker 2: it was aesthetically it was amazing, The production was was crazy.

1692
01:11:58,600 --> 01:12:01,640
Speaker 2: The sound was a little off. Obviously, we talked about it.

1693
01:12:01,720 --> 01:12:03,280
Speaker 2: Drake didn't do the record we wanted him to do.

1694
01:12:03,720 --> 01:12:05,240
Speaker 2: You and I we shit that he didn't do glow.

1695
01:12:05,320 --> 01:12:06,479
Speaker 2: We hated that they didn't do that.

1696
01:12:07,280 --> 01:12:09,840
Speaker 4: They also didn't They don't like each other. I was like,

1697
01:12:10,080 --> 01:12:12,479
Speaker 4: Larry Hoover, this didn't work.

1698
01:12:12,520 --> 01:12:14,680
Speaker 3: There's still beefing. Hoover is still locked up. So this

1699
01:12:14,760 --> 01:12:15,479
Speaker 3: is just a flop.

1700
01:12:17,680 --> 01:12:19,680
Speaker 4: Matter of fact, it started to whack one hundred and j.

1701
01:12:19,800 --> 01:12:25,240
Speaker 3: Prinsby did way more hurt harm for the culture. Looking

1702
01:12:25,280 --> 01:12:29,840
Speaker 3: back at it, no peace was made this evening.

1703
01:12:30,000 --> 01:12:32,439
Speaker 1: No peace was made. The two dudes that shiped the

1704
01:12:32,479 --> 01:12:33,720
Speaker 1: stage is still hate each other.

1705
01:12:34,240 --> 01:12:36,000
Speaker 4: I have yet to see one person where the fly

1706
01:12:36,120 --> 01:12:38,519
Speaker 4: fishing boots. I can't think of one thing that came

1707
01:12:38,520 --> 01:12:38,720
Speaker 4: from this.

1708
01:12:41,880 --> 01:12:44,160
Speaker 5: Put on a good show. And I enjoyed that he put.

1709
01:12:44,000 --> 01:12:49,200
Speaker 4: On a great show. Yes, but Chubbs was right, That's

1710
01:12:49,240 --> 01:12:53,599
Speaker 4: all I'm saying. Look look at Chubb's face. This entire

1711
01:12:54,040 --> 01:12:56,400
Speaker 4: they want to be there like this is not dead.

1712
01:12:56,479 --> 01:12:57,840
Speaker 1: You're like, why are we here?

1713
01:12:58,120 --> 01:12:59,639
Speaker 5: It's still up on doubt.

1714
01:13:00,120 --> 01:13:01,799
Speaker 4: Just look at Cheff's face. He will tell you everything

1715
01:13:01,840 --> 01:13:02,400
Speaker 4: that's going on.

1716
01:13:02,720 --> 01:13:04,439
Speaker 1: Damn, this ship was that? How long was this? Drake

1717
01:13:04,479 --> 01:13:05,760
Speaker 1: didn't even have hear then?

1718
01:13:06,840 --> 01:13:07,080
Speaker 4: God?

1719
01:13:07,240 --> 01:13:09,559
Speaker 1: Damn, what was this? This was last year?

1720
01:13:09,640 --> 01:13:11,679
Speaker 4: Right? Twenty twenty one. I don't think it was twenty

1721
01:13:11,680 --> 01:13:12,080
Speaker 4: twenty two.

1722
01:13:12,240 --> 01:13:16,400
Speaker 3: You know, Drake went to turf. It was like, yeah, shit,

1723
01:13:16,880 --> 01:13:17,599
Speaker 3: rapid growth.

1724
01:13:18,560 --> 01:13:21,040
Speaker 2: It looked great though, definitely was a beautiful set up,

1725
01:13:21,080 --> 01:13:24,439
Speaker 2: beautiful production, looked amazing. But yeah, it's just funny to

1726
01:13:24,760 --> 01:13:28,120
Speaker 2: looking back at it and realizing that no peace was

1727
01:13:28,160 --> 01:13:31,200
Speaker 2: made and it's still on. It's still lit.

1728
01:13:31,920 --> 01:13:34,360
Speaker 4: I mean, even your idea of doing the Eye Declare

1729
01:13:34,400 --> 01:13:36,479
Speaker 4: War show but bringing nas out to squash the beef

1730
01:13:36,560 --> 01:13:37,280
Speaker 4: was more important than this.

1731
01:13:37,960 --> 01:13:38,719
Speaker 1: That was my dude.

1732
01:13:38,720 --> 01:13:40,160
Speaker 3: That was yeah, that was your It was.

1733
01:13:40,160 --> 01:13:42,559
Speaker 4: A juxtaposition, was like, Yo, he's gonna declare war, but

1734
01:13:42,600 --> 01:13:45,679
Speaker 4: it's actually gonna be peace. You can't pull on time.

1735
01:13:45,680 --> 01:13:46,960
Speaker 2: You're not going to go see somebody to say I

1736
01:13:46,960 --> 01:13:48,599
Speaker 2: have to clear peace. Like, who's going to that show?

1737
01:13:48,680 --> 01:13:48,920
Speaker 3: Wack?

1738
01:13:49,240 --> 01:13:50,599
Speaker 2: You want to go to a show where you think, Yo,

1739
01:13:50,640 --> 01:13:52,920
Speaker 2: these niggas gonna kill each other in here tonight, that's

1740
01:13:52,960 --> 01:13:53,880
Speaker 2: where you want to be at.

1741
01:13:54,360 --> 01:13:57,200
Speaker 4: Unfortunately, a showy thought was peace had to be called free.

1742
01:13:57,320 --> 01:14:01,120
Speaker 2: Larry Hoover, listen, man, I don't know. I just I

1743
01:14:01,200 --> 01:14:02,800
Speaker 2: just wanted the song to be better, that's all I know.

1744
01:14:03,360 --> 01:14:06,240
Speaker 2: He didn't I hate when one of my favorite artists

1745
01:14:06,240 --> 01:14:07,720
Speaker 2: release of record and I'm looking forward.

1746
01:14:07,439 --> 01:14:10,559
Speaker 1: To it and then it's disappointing. It's like that, ain't it.

1747
01:14:10,880 --> 01:14:12,040
Speaker 5: Did you like Black's album?

1748
01:14:12,680 --> 01:14:14,240
Speaker 1: I did like Black's album. I did.

1749
01:14:14,400 --> 01:14:15,639
Speaker 2: I know, I know it didn't do well as far

1750
01:14:15,640 --> 01:14:17,920
Speaker 2: as numbers are concerned, first week numbers or I don't

1751
01:14:17,920 --> 01:14:20,160
Speaker 2: know what the second week numbers are. I've seen people

1752
01:14:20,160 --> 01:14:22,920
Speaker 2: talking about it was in comparison to his last album,

1753
01:14:23,120 --> 01:14:24,920
Speaker 2: this would be considered a flop.

1754
01:14:25,680 --> 01:14:28,320
Speaker 4: I mean numbers wise, yeah, numbers are wise about half,

1755
01:14:28,400 --> 01:14:31,120
Speaker 4: but the album is good though the music is good.

1756
01:14:31,240 --> 01:14:33,360
Speaker 4: Last album he had a rollout. He had a single

1757
01:14:33,360 --> 01:14:35,559
Speaker 4: with j Cole in a video. They worked that record

1758
01:14:35,600 --> 01:14:38,280
Speaker 4: for a while. That was also coming off Free Black,

1759
01:14:38,280 --> 01:14:40,880
Speaker 4: which had so much momentum. Yeah, he disappeared for a

1760
01:14:40,880 --> 01:14:43,840
Speaker 4: while and then didn't do a full rollout at all.

1761
01:14:44,920 --> 01:14:46,840
Speaker 4: And I think Elvirn I don't know to be a

1762
01:14:46,840 --> 01:14:48,639
Speaker 4: fact at all. This is really just me looking from

1763
01:14:48,640 --> 01:14:51,200
Speaker 4: the outside looking at it. I think elv An tried

1764
01:14:51,240 --> 01:14:52,960
Speaker 4: to do a rollout with him and Black said no

1765
01:14:53,640 --> 01:14:57,519
Speaker 4: because he was handing out roses in Atlanta for like

1766
01:14:57,560 --> 01:15:00,599
Speaker 4: a day and that felt like the art of what

1767
01:15:00,640 --> 01:15:03,200
Speaker 4: the organic Black roleout was going to be yeah, and

1768
01:15:03,240 --> 01:15:05,280
Speaker 4: then he was like, nah, I'm cool, I'm not going

1769
01:15:05,280 --> 01:15:06,360
Speaker 4: to any more red lights.

1770
01:15:06,520 --> 01:15:06,840
Speaker 1: We're not.

1771
01:15:08,280 --> 01:15:10,200
Speaker 2: When I see artists like this like Black, I don't.

1772
01:15:10,200 --> 01:15:12,679
Speaker 2: I don't know him personally, But when I see artists

1773
01:15:12,720 --> 01:15:17,160
Speaker 2: like this, it makes me wonder if where is he personally,

1774
01:15:18,200 --> 01:15:20,400
Speaker 2: like in his life, like mental health wise, is he

1775
01:15:20,520 --> 01:15:22,040
Speaker 2: you know, is he is he feeling it? Is he

1776
01:15:22,800 --> 01:15:24,640
Speaker 2: just not in a space where he even cares to

1777
01:15:24,640 --> 01:15:28,400
Speaker 2: put out any music. And I don't know, because LVRN

1778
01:15:28,479 --> 01:15:30,599
Speaker 2: they are pretty good at working with their artists through

1779
01:15:30,600 --> 01:15:33,760
Speaker 2: like mental health and things like that, and definitely working

1780
01:15:33,760 --> 01:15:35,240
Speaker 2: with the artists depending on what they want to do

1781
01:15:35,280 --> 01:15:38,240
Speaker 2: with their project when they want to release it. But

1782
01:15:38,320 --> 01:15:40,000
Speaker 2: I know Black is he's He's not one of those

1783
01:15:40,080 --> 01:15:41,880
Speaker 2: artists that you see out all the time. You don't

1784
01:15:41,880 --> 01:15:43,439
Speaker 2: really see him, you don't hear from him, you don't

1785
01:15:43,439 --> 01:15:45,680
Speaker 2: see him any headlines. He's kind of stays in his

1786
01:15:45,720 --> 01:15:50,240
Speaker 2: own zone. I feel like sometimes artists just are not uh,

1787
01:15:50,280 --> 01:15:52,559
Speaker 2: you know, they don't want to disappoint their fans and

1788
01:15:52,600 --> 01:15:54,160
Speaker 2: they don't want to, you know, keep their fans wait

1789
01:15:54,280 --> 01:15:54,840
Speaker 2: much longer.

1790
01:15:55,280 --> 01:15:57,120
Speaker 1: But I don't, I don't. I don't feel like Black

1791
01:15:57,320 --> 01:16:01,960
Speaker 1: was one hundred percent into this release, in this project

1792
01:16:01,960 --> 01:16:02,400
Speaker 1: coming out.

1793
01:16:03,040 --> 01:16:05,120
Speaker 4: I don't know. I think this is his best example

1794
01:16:05,439 --> 01:16:10,840
Speaker 4: of writing, to be quite honest. Sonically it is more

1795
01:16:10,840 --> 01:16:14,200
Speaker 4: of the same, which I think can hinder him because

1796
01:16:14,479 --> 01:16:17,000
Speaker 4: you know, there was no real progression as far as

1797
01:16:17,400 --> 01:16:19,320
Speaker 4: the type of music. But I think this is his

1798
01:16:20,040 --> 01:16:23,200
Speaker 4: best written album. He tells the story from a very

1799
01:16:23,240 --> 01:16:27,599
Speaker 4: unique perspective. Not songs about relationships, but songs about actually

1800
01:16:27,640 --> 01:16:30,639
Speaker 4: being in a relationship. Yeah, there's some love songs, there's

1801
01:16:30,640 --> 01:16:32,840
Speaker 4: some hate songs, there's some just in the middle hout

1802
01:16:32,840 --> 01:16:35,000
Speaker 4: of the fuck I'm feeling. He tells a real story,

1803
01:16:35,040 --> 01:16:37,000
Speaker 4: in my opinion, of what it's like to actually be

1804
01:16:37,040 --> 01:16:40,599
Speaker 4: in a long term relationship, the highs and lows of it.

1805
01:16:40,600 --> 01:16:42,640
Speaker 4: It's not love songs and songs about love. So I

1806
01:16:42,680 --> 01:16:44,840
Speaker 4: think it's an incredibly written album, and there could have

1807
01:16:44,880 --> 01:16:46,879
Speaker 4: been a way to tell that story in the rollout,

1808
01:16:47,360 --> 01:16:49,000
Speaker 4: But I'm with you, I don't think Black wanted to

1809
01:16:49,000 --> 01:16:50,240
Speaker 4: do that. I think he just kind of wanted to

1810
01:16:50,240 --> 01:16:52,800
Speaker 4: get this out, yeah, and leave it alone. But it

1811
01:16:52,880 --> 01:16:56,599
Speaker 4: is a great album. The albums are numbers, everyone's numbers

1812
01:16:56,640 --> 01:16:58,840
Speaker 4: are suffering, period. Yeah, I don't Choe Bailey has the

1813
01:16:58,880 --> 01:17:02,160
Speaker 4: highest celebrity shit ever ten thousand records. Yeah, sometimes things

1814
01:17:02,200 --> 01:17:04,920
Speaker 4: just don't connect. So seventeen thousand first Week is not

1815
01:17:05,000 --> 01:17:09,040
Speaker 4: a bad release, but when you went from seventy seven,

1816
01:17:09,120 --> 01:17:12,240
Speaker 4: but you also had the j Cole video. Also, they

1817
01:17:12,280 --> 01:17:15,639
Speaker 4: counted single numbers with your album numbers at that time,

1818
01:17:15,720 --> 01:17:19,040
Speaker 4: Like so, yeah, it appears the optics that he quote

1819
01:17:19,080 --> 01:17:22,160
Speaker 4: unquote flop numbers. Wise, he kind of didn't. I do

1820
01:17:22,200 --> 01:17:23,960
Speaker 4: think it is a great album. I don't know if

1821
01:17:23,960 --> 01:17:26,880
Speaker 4: it pushed his career forward wise music, but as a

1822
01:17:26,920 --> 01:17:29,640
Speaker 4: Black fan, some of the best writing I've ever heard.

1823
01:17:29,720 --> 01:17:32,719
Speaker 2: Yeah, I like the album. The Song's a Dope. Black

1824
01:17:32,800 --> 01:17:34,479
Speaker 2: is one of those artists that I again, I'm not

1825
01:17:34,520 --> 01:17:37,120
Speaker 2: looking at numbers. Just give me quality, give me good music.

1826
01:17:37,720 --> 01:17:40,080
Speaker 2: Sometimes you write it doesn't connect, and it doesn't. It

1827
01:17:40,120 --> 01:17:45,000
Speaker 2: doesn't reflect in the numbers. But I think that this album.

1828
01:17:45,120 --> 01:17:46,880
Speaker 2: As a Black fan, I'm happy with this album. I'm

1829
01:17:46,880 --> 01:17:50,080
Speaker 2: not disappointed. The records sound good. He sounds good again.

1830
01:17:50,120 --> 01:17:53,519
Speaker 2: The writing is amazing, and that's all I want from

1831
01:17:53,600 --> 01:17:57,320
Speaker 2: artists like just be just give deliver good work. Sometimes again,

1832
01:17:57,360 --> 01:18:00,639
Speaker 2: you don't the industry the way things up you don't

1833
01:18:00,640 --> 01:18:02,600
Speaker 2: have this big feature and then the rollout and all

1834
01:18:02,640 --> 01:18:05,200
Speaker 2: these things. I understand that, but at the end of

1835
01:18:05,240 --> 01:18:06,840
Speaker 2: the day, what does the art sound like, what is

1836
01:18:06,880 --> 01:18:08,559
Speaker 2: the what does what does it look like? What does

1837
01:18:08,600 --> 01:18:10,320
Speaker 2: it feel like? And this album is a good album.

1838
01:18:10,439 --> 01:18:13,280
Speaker 4: I think it speaks to the times. Outside of Frank Ocean,

1839
01:18:13,479 --> 01:18:15,880
Speaker 4: I think you maybe get a two project window to

1840
01:18:15,960 --> 01:18:20,080
Speaker 4: do the mysterious shit. I think it passed Black's time

1841
01:18:20,200 --> 01:18:22,320
Speaker 4: to disappear and not say a word and then just

1842
01:18:22,439 --> 01:18:25,360
Speaker 4: drop music this rollout. I think he had to be

1843
01:18:26,080 --> 01:18:29,080
Speaker 4: more forward facing or more active, which I I mean,

1844
01:18:29,120 --> 01:18:30,679
Speaker 4: if he doesn't want to do that, that's his right

1845
01:18:30,720 --> 01:18:33,840
Speaker 4: as a human being artist. But I think now in

1846
01:18:33,880 --> 01:18:37,400
Speaker 4: these times, you get maybe one project to be mysterious,

1847
01:18:38,040 --> 01:18:40,120
Speaker 4: then you kind of have to play the game a

1848
01:18:40,160 --> 01:18:43,000
Speaker 4: bit to get into the ether of all this shit.

1849
01:18:43,360 --> 01:18:44,920
Speaker 4: But then you have shit like Chloe, who had one

1850
01:18:44,920 --> 01:18:47,400
Speaker 4: of the best rollouts ever, and the music doesn't connect

1851
01:18:47,760 --> 01:18:49,639
Speaker 4: the people just connect to the person, They don't connect

1852
01:18:49,640 --> 01:18:50,719
Speaker 4: to the person making the music.

1853
01:18:50,960 --> 01:18:54,240
Speaker 2: It's funny because I really don't remember what rollouts were before.

1854
01:18:54,840 --> 01:18:57,280
Speaker 2: Before you started paying attention to rollouts.

1855
01:18:57,400 --> 01:19:00,599
Speaker 4: They were a bit more simple because there was only

1856
01:19:00,600 --> 01:19:02,760
Speaker 4: so many outlets that were super effective. If you got

1857
01:19:02,800 --> 01:19:05,880
Speaker 4: on the radio, he was good, Go do MTV six

1858
01:19:05,920 --> 01:19:06,320
Speaker 4: and part.

1859
01:19:06,240 --> 01:19:09,679
Speaker 1: MTV TRL one oh six in part, and.

1860
01:19:09,840 --> 01:19:12,880
Speaker 4: The billboards, make sure you're on the front of the

1861
01:19:12,920 --> 01:19:14,680
Speaker 4: CD store, and the nowl one was out.

1862
01:19:15,000 --> 01:19:17,479
Speaker 3: It wasn't it wasn't so much creative forward.

1863
01:19:17,600 --> 01:19:20,920
Speaker 2: It's like you gotta you almost have to, like you

1864
01:19:20,920 --> 01:19:23,920
Speaker 2: gotta go and eat hot wings somewhere and take a shit.

1865
01:19:24,240 --> 01:19:24,640
Speaker 1: You know what I mean.

1866
01:19:24,640 --> 01:19:26,479
Speaker 2: You gotta do ship. It's like, what the fuck does

1867
01:19:26,520 --> 01:19:28,439
Speaker 2: this have to do with my album? Like, well, you

1868
01:19:28,479 --> 01:19:31,200
Speaker 2: gotta do so many things, and it's like why not

1869
01:19:31,320 --> 01:19:35,200
Speaker 2: just create good art and then the people go get it, because.

1870
01:19:34,960 --> 01:19:37,920
Speaker 4: That's not how you're going to reach Like, yeah, regular fans,

1871
01:19:37,960 --> 01:19:42,120
Speaker 4: like we speak to the time with fifty and Kanye

1872
01:19:42,720 --> 01:19:45,880
Speaker 4: where like the quote unquote nerd music took over the

1873
01:19:45,880 --> 01:19:48,360
Speaker 4: street music. That was also the time, in my opinion,

1874
01:19:48,360 --> 01:19:51,880
Speaker 4: that you had to do rollouts, like it couldn't just

1875
01:19:51,880 --> 01:19:54,799
Speaker 4: be the regular ship. Yea and fifty created a whole narrative,

1876
01:19:54,800 --> 01:19:56,880
Speaker 4: did the whole They still did the t rls and

1877
01:19:56,880 --> 01:19:58,599
Speaker 4: one O six and parks that's why they did it,

1878
01:19:58,680 --> 01:20:02,640
Speaker 4: but that that narrative was their rollout, like they created

1879
01:20:03,160 --> 01:20:07,040
Speaker 4: creative rollouts, and from there, I feel people have been

1880
01:20:07,080 --> 01:20:09,240
Speaker 4: forced to do that. And this isn't gonna be a

1881
01:20:09,280 --> 01:20:11,479
Speaker 4: Kanye Dick writing session, but Kanye has forced a lot

1882
01:20:11,520 --> 01:20:13,519
Speaker 4: of people to do things that they never would have

1883
01:20:13,600 --> 01:20:16,160
Speaker 4: in music because Kanye did it. Now you're forced to

1884
01:20:16,200 --> 01:20:19,720
Speaker 4: have a better live show, forced to be involved with

1885
01:20:19,760 --> 01:20:22,240
Speaker 4: every last part of your production, your merch like which

1886
01:20:22,320 --> 01:20:22,960
Speaker 4: I'm not mad at that.

1887
01:20:23,040 --> 01:20:24,360
Speaker 1: No, I think it's I'm not mad at that.

1888
01:20:24,400 --> 01:20:25,880
Speaker 2: I think all of that ties into the artists and

1889
01:20:25,920 --> 01:20:28,240
Speaker 2: the art that you're putting out. I just think that

1890
01:20:28,280 --> 01:20:31,479
Speaker 2: there's certain artists that just don't want to do shit

1891
01:20:31,600 --> 01:20:33,719
Speaker 2: that don't doesn't have anything to do with the music

1892
01:20:33,720 --> 01:20:35,439
Speaker 2: and the album. Like I don't want to have to

1893
01:20:35,479 --> 01:20:38,559
Speaker 2: go on this show or this podcast and do this

1894
01:20:38,640 --> 01:20:41,000
Speaker 2: and do that. Like I want to create good music.

1895
01:20:41,560 --> 01:20:42,880
Speaker 2: I want to put it out to the fans and

1896
01:20:42,880 --> 01:20:43,519
Speaker 2: what the people to.

1897
01:20:43,520 --> 01:20:44,479
Speaker 1: Enjoy it is.

1898
01:20:44,520 --> 01:20:48,439
Speaker 2: I'm vulnerable some of my best writing, you know, like,

1899
01:20:48,479 --> 01:20:49,960
Speaker 2: why do I have to go here and do this?

1900
01:20:50,040 --> 01:20:51,800
Speaker 1: I wouldn't normally do this anyway. I don't want to

1901
01:20:51,800 --> 01:20:53,240
Speaker 1: have to do this so that you buy my album.

1902
01:20:53,400 --> 01:20:56,600
Speaker 1: It almost feels like a little like like like prostituted.

1903
01:20:56,680 --> 01:20:59,360
Speaker 4: But that's where you're selling creative as an artist, and

1904
01:20:59,400 --> 01:21:01,280
Speaker 4: unfortunately I have to play that game in some degree

1905
01:21:01,320 --> 01:21:03,120
Speaker 4: no matter what. I wish it could be that way too.

1906
01:21:03,160 --> 01:21:06,639
Speaker 4: But Cole, we know, didn't like to do that. Of course,

1907
01:21:06,680 --> 01:21:08,120
Speaker 4: it's a little different because he had a lot of

1908
01:21:08,120 --> 01:21:10,360
Speaker 4: money at that time. But I thought the Forest Hills

1909
01:21:10,400 --> 01:21:13,160
Speaker 4: rollout was incredible. Let me go to fans house, let

1910
01:21:13,160 --> 01:21:14,600
Speaker 4: me go buy my childhood home, let me do the

1911
01:21:14,640 --> 01:21:17,080
Speaker 4: listening session with just fans there, let's shoot the content.

1912
01:21:17,760 --> 01:21:20,360
Speaker 4: I'll do maybe one interview with Angie. That was amazing though,

1913
01:21:21,240 --> 01:21:24,519
Speaker 4: But that's how that's how you can do creative. Of course,

1914
01:21:24,520 --> 01:21:26,640
Speaker 4: he was in a different position because you have to

1915
01:21:26,680 --> 01:21:28,200
Speaker 4: be at a certain level to be able to do

1916
01:21:28,240 --> 01:21:32,240
Speaker 4: that type of rollout. If an artist of lower than

1917
01:21:32,240 --> 01:21:34,439
Speaker 4: Blacks level tried to do that, it wouldn't get much traction.

1918
01:21:34,680 --> 01:21:36,320
Speaker 4: But you have to be creative in that sense to

1919
01:21:36,360 --> 01:21:39,080
Speaker 4: figure out how the rollout fits you. Rather than Hey,

1920
01:21:39,080 --> 01:21:41,080
Speaker 4: I know I'm going to go on these interviews and

1921
01:21:41,120 --> 01:21:43,080
Speaker 4: I'm bad at talking. I'm not gonna be interested. It's

1922
01:21:43,080 --> 01:21:45,280
Speaker 4: gonna come off worse. I shouldn't do that. We need

1923
01:21:45,280 --> 01:21:46,120
Speaker 4: to figure something else out.

1924
01:21:46,880 --> 01:21:50,400
Speaker 2: Yeah, it's just you know, unfortunately it's again the artists

1925
01:21:50,439 --> 01:21:52,720
Speaker 2: are able to make more money now, they're able to

1926
01:21:52,840 --> 01:21:55,519
Speaker 2: you know, own more of their own their art and

1927
01:21:55,560 --> 01:21:57,720
Speaker 2: things like that, but there are other areas that you

1928
01:21:57,720 --> 01:21:59,639
Speaker 2: have to play the game because the game is changed.

1929
01:21:59,640 --> 01:22:02,320
Speaker 2: So I understand it, and it's just unfortunate that some

1930
01:22:02,439 --> 01:22:04,120
Speaker 2: artists don't want to do that. They don't want to

1931
01:22:04,160 --> 01:22:05,840
Speaker 2: go that extra mount and do shit that they normally

1932
01:22:05,880 --> 01:22:08,880
Speaker 2: wouldn't do just to sell their music and sell the

1933
01:22:09,000 --> 01:22:09,880
Speaker 2: art that they're putting out.

1934
01:22:09,920 --> 01:22:12,280
Speaker 1: So I understand it. I get it, understand it.

1935
01:22:12,320 --> 01:22:15,000
Speaker 2: You know, it's a different, different climate that we're in now,

1936
01:22:15,040 --> 01:22:17,200
Speaker 2: but it does get to a point. I know some

1937
01:22:17,280 --> 01:22:18,760
Speaker 2: artists are sick of the shit, like, you know, what

1938
01:22:18,800 --> 01:22:19,479
Speaker 2: the fuck am I doing?

1939
01:22:19,560 --> 01:22:20,400
Speaker 1: Like I want to make music.

1940
01:22:20,479 --> 01:22:23,840
Speaker 3: Most artists are inherently insular people like you want to

1941
01:22:23,840 --> 01:22:27,519
Speaker 3: be left alone. They use the music as their creative voice,

1942
01:22:27,720 --> 01:22:31,240
Speaker 3: that's their outlet. So like the same way in which

1943
01:22:31,280 --> 01:22:34,559
Speaker 3: not all musicians are natural born entertainers, Like you're putting

1944
01:22:34,600 --> 01:22:37,679
Speaker 3: me in an environment that I'm not comfortable with because

1945
01:22:37,680 --> 01:22:39,519
Speaker 3: it's a part of now what you deem important. The

1946
01:22:39,560 --> 01:22:41,640
Speaker 3: digital era, right, you have to you kind of you

1947
01:22:41,640 --> 01:22:45,080
Speaker 3: can't avoid it, but yeah, unless you can be afforded

1948
01:22:45,080 --> 01:22:47,240
Speaker 3: to create it on your own, Like the J Cole moment,

1949
01:22:47,439 --> 01:22:49,439
Speaker 3: you do, you have to play by the rules.

1950
01:22:49,520 --> 01:22:51,880
Speaker 1: That was some genius. That was genius. Though my favorite

1951
01:22:51,960 --> 01:22:55,799
Speaker 1: rollouts that was oh man, that was genius genius rollout.

1952
01:22:56,000 --> 01:23:00,639
Speaker 4: Kind of a different topic, but tied into it. Does

1953
01:23:00,680 --> 01:23:01,719
Speaker 4: Chloe Bailly tour.

1954
01:23:02,960 --> 01:23:04,560
Speaker 5: She's about to go on to I have tickets to

1955
01:23:04,560 --> 01:23:06,400
Speaker 5: our show in two three weeks.

1956
01:23:07,080 --> 01:23:11,040
Speaker 4: You think it's going to start to get chopped, I'm

1957
01:23:11,080 --> 01:23:12,559
Speaker 4: asking I don't know, I don't know.

1958
01:23:12,640 --> 01:23:14,920
Speaker 5: I don't know how the ticket sales are doing.

1959
01:23:16,040 --> 01:23:17,400
Speaker 4: Where's the one you're going to?

1960
01:23:18,240 --> 01:23:20,880
Speaker 3: It is at terminal five headlines and.

1961
01:23:21,200 --> 01:23:24,960
Speaker 5: The tickets were released before the album was released.

1962
01:23:25,800 --> 01:23:27,640
Speaker 6: I bought those tickets maybe like two months ago, I

1963
01:23:27,680 --> 01:23:29,719
Speaker 6: want to say a month and a half ago.

1964
01:23:30,240 --> 01:23:32,240
Speaker 4: And I'm not shooting on ten thousand weeks. Yeah, she's

1965
01:23:32,560 --> 01:23:37,640
Speaker 4: I'm saying that's at all, But her celebrity compared to

1966
01:23:37,680 --> 01:23:41,240
Speaker 4: the numbers is a bit different, and I'm just curious.

1967
01:23:41,240 --> 01:23:44,759
Speaker 4: I'm asking a question, how do you take that? In tour?

1968
01:23:45,960 --> 01:23:48,759
Speaker 4: Ten k first week? I don't know if I'm ready

1969
01:23:48,760 --> 01:23:50,439
Speaker 4: to invest all this money when we have to start

1970
01:23:50,439 --> 01:23:51,520
Speaker 4: canceling tour days.

1971
01:23:52,360 --> 01:23:53,920
Speaker 3: It's not too many shows.

1972
01:23:54,240 --> 01:23:55,080
Speaker 5: Yeah, it's not a lot.

1973
01:23:55,200 --> 01:23:57,400
Speaker 6: It's not a big show. It's not a big tour.

1974
01:23:57,760 --> 01:23:59,160
Speaker 6: They aren't huge venues.

1975
01:24:01,080 --> 01:24:04,840
Speaker 3: Eleven eleven shows mostly in April, one show in May.

1976
01:24:05,200 --> 01:24:08,080
Speaker 4: So these are all great sized theaters. I was just

1977
01:24:08,120 --> 01:24:11,639
Speaker 4: curious because her celebrity is so high that maybe whoever

1978
01:24:11,680 --> 01:24:14,599
Speaker 4: her booking agent, was like, well, let's let's go get

1979
01:24:14,680 --> 01:24:15,479
Speaker 4: uh the Hulu theater.

1980
01:24:16,560 --> 01:24:18,320
Speaker 2: But these are some the Noble, These are nice rooms though,

1981
01:24:18,360 --> 01:24:21,360
Speaker 2: the Nobles a nice Terminal five, the film on Philadelphia,

1982
01:24:21,880 --> 01:24:23,760
Speaker 2: the film on Detroit, like these are some These are

1983
01:24:23,760 --> 01:24:26,679
Speaker 2: some nice rooms, respectful rooms, respectable rooms.

1984
01:24:26,680 --> 01:24:28,479
Speaker 1: The House of Blues and Dallas and in Houston.

1985
01:24:28,560 --> 01:24:30,559
Speaker 4: The Novo in La is one of my favorite thus

1986
01:24:30,680 --> 01:24:32,839
Speaker 4: ever with Terminal five is incredible.

1987
01:24:33,280 --> 01:24:34,960
Speaker 2: The thing I didn't now, I'm not gonna lie when

1988
01:24:35,080 --> 01:24:37,280
Speaker 2: when these numbers came back, I was a little surprised,

1989
01:24:37,280 --> 01:24:40,160
Speaker 2: only because you know, Chloe has been so visible.

1990
01:24:40,560 --> 01:24:41,160
Speaker 1: We've seen her.

1991
01:24:41,240 --> 01:24:43,360
Speaker 2: I feel like anytime we turned on the TV, we've

1992
01:24:43,360 --> 01:24:45,559
Speaker 2: seen her. In the last however many months, she was

1993
01:24:45,880 --> 01:24:47,280
Speaker 2: just in one of the best shows of the year

1994
01:24:47,320 --> 01:24:48,120
Speaker 2: so far was Swarm.

1995
01:24:48,320 --> 01:24:49,679
Speaker 5: She just had a movie released.

1996
01:24:49,800 --> 01:24:52,360
Speaker 2: Yeah, like she so she's had, she's had the momentum

1997
01:24:52,400 --> 01:24:56,400
Speaker 2: she's had. She's been, you know, visible enough for me

1998
01:24:56,439 --> 01:24:58,880
Speaker 2: to not expect to see ten k first we come back.

1999
01:24:59,000 --> 01:25:00,840
Speaker 4: But what is the focus? Then? It's been on the

2000
01:25:01,000 --> 01:25:04,160
Speaker 4: visual which is unfortunate because she's not one of those

2001
01:25:04,280 --> 01:25:06,280
Speaker 4: artists where you have to just focus on the visuals.

2002
01:25:06,320 --> 01:25:10,400
Speaker 4: She's extremely talented and musical, and if you stop doing

2003
01:25:10,400 --> 01:25:12,840
Speaker 4: these pop chasy singles that I know they're just giving her,

2004
01:25:12,960 --> 01:25:15,800
Speaker 4: let her make fucking music, it may connect a bit more.

2005
01:25:22,160 --> 01:25:25,519
Speaker 3: She said she's heavily involved with the music creation process.

2006
01:25:26,320 --> 01:25:29,040
Speaker 4: Okay, well, I don't think it's connected the way it

2007
01:25:29,080 --> 01:25:32,920
Speaker 4: could with someone that is so talented musically. I think

2008
01:25:33,160 --> 01:25:36,920
Speaker 4: that a lot of records feel very much plug and play.

2009
01:25:37,400 --> 01:25:40,439
Speaker 4: Like here's a single that we've shopped to other artists

2010
01:25:40,520 --> 01:25:43,360
Speaker 4: who has the most money bet and I don't think

2011
01:25:43,439 --> 01:25:45,600
Speaker 4: Chloe's that artist. I think she's way more talented than that.

2012
01:25:46,040 --> 01:25:50,479
Speaker 6: Well, Chloe is also writing these songs too. M Chloe

2013
01:25:50,520 --> 01:25:53,240
Speaker 6: is writing and producing a lot of her songs.

2014
01:25:53,040 --> 01:25:54,640
Speaker 4: And I think she should do more of that in

2015
01:25:54,720 --> 01:25:57,840
Speaker 4: these singles that they focused on where the visual has

2016
01:25:57,880 --> 01:26:00,240
Speaker 4: been the main thing more than the actual music. It

2017
01:26:00,280 --> 01:26:04,720
Speaker 4: doesn't appear like it's Chloe's pen and production the way

2018
01:26:04,760 --> 01:26:07,840
Speaker 4: it used to. Like that Chloe and Haley album I

2019
01:26:07,960 --> 01:26:11,160
Speaker 4: like a lot, and that sounds to me like Chloe

2020
01:26:11,200 --> 01:26:14,120
Speaker 4: is producing and writing and arranging everything. This sounds like

2021
01:26:15,120 --> 01:26:17,120
Speaker 4: Chloe is. We're trying to make her a pop star

2022
01:26:17,320 --> 01:26:20,840
Speaker 4: by pop stars standards, and let's do the exact same

2023
01:26:21,280 --> 01:26:23,519
Speaker 4: not even rollout, but same plug and play shit we

2024
01:26:23,600 --> 01:26:30,120
Speaker 4: do with others. She's getting the Normani and Tanasche treatment

2025
01:26:30,200 --> 01:26:31,680
Speaker 4: as far as what they're doing with her.

2026
01:26:31,800 --> 01:26:34,000
Speaker 6: Have Mercy to answer your question, Have Mercy was the

2027
01:26:34,000 --> 01:26:35,640
Speaker 6: one that she was performing all over all of the

2028
01:26:35,680 --> 01:26:38,840
Speaker 6: award shows. It had the beautiful video. It was like

2029
01:26:38,880 --> 01:26:41,000
Speaker 6: her premiere thing. But if you even look at how

2030
01:26:41,040 --> 01:26:44,200
Speaker 6: hard how far that charted, Julian, if you could pull

2031
01:26:44,200 --> 01:26:45,840
Speaker 6: it up, I think the highest it got was like

2032
01:26:45,880 --> 01:26:51,040
Speaker 6: maybe sixteen that no, it's not not so. She released

2033
01:26:51,080 --> 01:26:53,680
Speaker 6: about three singles and none of those singles are on

2034
01:26:53,720 --> 01:26:56,559
Speaker 6: this album. So that's another thing. You know, with the

2035
01:26:56,640 --> 01:26:59,000
Speaker 6: with the with the streaming things are an interrupted rory.

2036
01:26:59,240 --> 01:27:01,360
Speaker 6: You know what this stream mean thing where if you

2037
01:27:01,479 --> 01:27:03,639
Speaker 6: release a single and people have streamed that single that

2038
01:27:03,680 --> 01:27:06,639
Speaker 6: counts toward the album sales not anymore, but not any

2039
01:27:06,720 --> 01:27:07,320
Speaker 6: Oh that changed.

2040
01:27:07,400 --> 01:27:09,160
Speaker 3: Yeah, that's why album.

2041
01:27:09,000 --> 01:27:10,639
Speaker 4: Sales are so drastically lower.

2042
01:27:10,800 --> 01:27:11,800
Speaker 5: Oh okay, well, she yees.

2043
01:27:12,160 --> 01:27:12,320
Speaker 1: Well.

2044
01:27:12,520 --> 01:27:14,400
Speaker 6: At the same time, none of the three singles that

2045
01:27:14,439 --> 01:27:16,280
Speaker 6: she released are on this album.

2046
01:27:16,640 --> 01:27:17,959
Speaker 5: Well from a year ago.

2047
01:27:17,880 --> 01:27:19,519
Speaker 4: How does it feel with Chris Brown? I do like

2048
01:27:19,560 --> 01:27:21,640
Speaker 4: that song and shout out to Berg and Cardiac. I

2049
01:27:21,640 --> 01:27:25,559
Speaker 4: think it's a great record, but I think Chloe is

2050
01:27:25,680 --> 01:27:31,800
Speaker 4: so much more unique than doing those types of and like,

2051
01:27:31,840 --> 01:27:34,000
Speaker 4: I'm not saying don't do that. That song is amazing.

2052
01:27:34,479 --> 01:27:35,880
Speaker 4: I just think Chloe is more than that.

2053
01:27:36,360 --> 01:27:37,840
Speaker 6: So what I will say about the album, because I'm

2054
01:27:37,840 --> 01:27:39,600
Speaker 6: probably the only person in the room who has heard it,

2055
01:27:40,640 --> 01:27:42,439
Speaker 6: what I will say about Ana'm also a Chloe fan.

2056
01:27:42,479 --> 01:27:46,040
Speaker 6: What I will say about the album is it does

2057
01:27:46,040 --> 01:27:49,960
Speaker 6: feel dumb down. It doesn't feel up to Chloe's caliber.

2058
01:27:51,280 --> 01:27:54,960
Speaker 6: I feel like whatever direction her team is going with her,

2059
01:27:55,760 --> 01:27:56,400
Speaker 6: they need.

2060
01:27:56,240 --> 01:27:57,200
Speaker 5: To pick a fan base.

2061
01:27:57,600 --> 01:27:59,920
Speaker 6: It's okay for you to be well rounded, and it's

2062
01:28:00,040 --> 01:28:03,280
Speaker 6: okay for you to have, you know, multiple talents and

2063
01:28:03,400 --> 01:28:06,320
Speaker 6: multiple types of fans, But if you're trying to become

2064
01:28:06,400 --> 01:28:09,520
Speaker 6: this pop star and you have all these these pushes.

2065
01:28:10,360 --> 01:28:12,599
Speaker 6: We don't know who your fan base is. Is your

2066
01:28:12,680 --> 01:28:15,840
Speaker 6: fan base? Your age group is your fan base. The

2067
01:28:15,880 --> 01:28:18,240
Speaker 6: girls who sit in their room and play guitar and

2068
01:28:18,680 --> 01:28:20,559
Speaker 6: do covers is your fan base?

2069
01:28:20,680 --> 01:28:23,719
Speaker 5: The young TikTok girls? Who is your fan base?

2070
01:28:23,840 --> 01:28:27,640
Speaker 6: Because I'm a fan, but this album sounds nothing like

2071
01:28:27,720 --> 01:28:31,080
Speaker 6: the songs that you already previously released. If you're gonna

2072
01:28:31,080 --> 01:28:33,600
Speaker 6: be the pop dancy Gurly, then give me that, but

2073
01:28:33,680 --> 01:28:36,400
Speaker 6: give it to me hard. Don't try to cover every

2074
01:28:36,600 --> 01:28:39,640
Speaker 6: bass pause in. Don't try to cover every bass, but

2075
01:28:39,720 --> 01:28:43,799
Speaker 6: cover them badly like this the album. I enjoy the album,

2076
01:28:43,960 --> 01:28:45,800
Speaker 6: but I know that she can do so much better,

2077
01:28:45,800 --> 01:28:47,880
Speaker 6: and I just wish that somebody sent her in a

2078
01:28:47,920 --> 01:28:51,200
Speaker 6: direct direction, like you have a single called cheat Back

2079
01:28:51,760 --> 01:28:55,519
Speaker 6: with Future Future Choe Bailey next to the Future. There's

2080
01:28:55,560 --> 01:28:59,439
Speaker 6: no synergy in that feature, there's no chemistry in it.

2081
01:28:59,720 --> 01:29:02,280
Speaker 6: And then when the lyrics are find another dude from

2082
01:29:02,280 --> 01:29:04,200
Speaker 6: the hood with some tasks, give him what he wants,

2083
01:29:04,200 --> 01:29:06,559
Speaker 6: show him. I could throw it back. Nothing about you.

2084
01:29:06,760 --> 01:29:10,479
Speaker 6: Chloe says that that's it doesn't hit, it doesn't connect

2085
01:29:10,640 --> 01:29:11,880
Speaker 6: like you know, so I.

2086
01:29:11,880 --> 01:29:15,479
Speaker 2: Don't basically like they tried to turn her into this

2087
01:29:15,520 --> 01:29:19,240
Speaker 2: more sexy, soultry vixen type of thing, and that's not who.

2088
01:29:19,080 --> 01:29:22,040
Speaker 4: She is, which it's okay, especially when you're going from

2089
01:29:22,080 --> 01:29:24,519
Speaker 4: like the she's not a child actor, but like that's

2090
01:29:24,560 --> 01:29:27,800
Speaker 4: always transition to younger artists to when they're adults. Like

2091
01:29:27,840 --> 01:29:30,360
Speaker 4: she's a woman now and she could be sexy, which

2092
01:29:30,400 --> 01:29:34,160
Speaker 4: is fine, but they made that her one hundred percent identity.

2093
01:29:34,200 --> 01:29:36,439
Speaker 4: There's nothing else that we've gotten from Chloe since she's

2094
01:29:36,439 --> 01:29:40,880
Speaker 4: been a solo act and of age that isn't It's

2095
01:29:40,960 --> 01:29:43,080
Speaker 4: okay for me to be sexy, which is totally fine,

2096
01:29:43,080 --> 01:29:45,479
Speaker 4: but that can't be the whole thing, especially when you're

2097
01:29:45,560 --> 01:29:48,240
Speaker 4: more her than you are to Nashe and they're treating

2098
01:29:48,280 --> 01:29:52,320
Speaker 4: you like Tanashe. Her has a sound. We got to

2099
01:29:52,360 --> 01:29:55,880
Speaker 4: know her on her shit. Yeah, she experimented with different music.

2100
01:29:56,400 --> 01:29:59,320
Speaker 4: And if Chloe was just some chick that looked good

2101
01:29:59,400 --> 01:30:02,280
Speaker 4: and could to sing, I'd say go, that's Nashe route.

2102
01:30:03,000 --> 01:30:05,760
Speaker 4: She can produce, she can make other type of music.

2103
01:30:06,040 --> 01:30:08,680
Speaker 4: Her last music with her sister was better and more

2104
01:30:08,760 --> 01:30:09,240
Speaker 4: unique than this.

2105
01:30:09,720 --> 01:30:12,320
Speaker 6: Do you know you know nothing about Ungodly Hour was

2106
01:30:12,320 --> 01:30:14,800
Speaker 6: an incredible album and this this was a This is

2107
01:30:14,800 --> 01:30:16,200
Speaker 6: a little bit of a disappointment. Do I think it

2108
01:30:16,200 --> 01:30:19,679
Speaker 6: should have sold better? For sure, but it didn't stick

2109
01:30:19,720 --> 01:30:21,879
Speaker 6: out to me. None of the none of the features

2110
01:30:21,920 --> 01:30:23,920
Speaker 6: have any type of chemistry on them. It just it

2111
01:30:24,000 --> 01:30:25,000
Speaker 6: doesn't connect.

2112
01:30:25,080 --> 01:30:27,160
Speaker 4: Well. You and Normani should not have the same role up.

2113
01:30:27,600 --> 01:30:30,800
Speaker 3: Do you not think because her acting career is taking off,

2114
01:30:31,439 --> 01:30:33,200
Speaker 3: probably at a little faster of a rate than her

2115
01:30:33,280 --> 01:30:36,040
Speaker 3: music career, is that they were that was their primary focus,

2116
01:30:36,120 --> 01:30:37,960
Speaker 3: especially when you have to be on set for a

2117
01:30:38,040 --> 01:30:40,760
Speaker 3: swarm and the Little Mermaid thing, which is a Disney bag,

2118
01:30:41,280 --> 01:30:44,519
Speaker 3: that this became secondary. So like to Demeris's point, wait, she.

2119
01:30:47,520 --> 01:30:49,920
Speaker 4: Swarm was probably a six hour shoot day.

2120
01:30:50,240 --> 01:30:53,840
Speaker 5: Yeah, yeah, but but she is. She did just released

2121
01:30:53,880 --> 01:30:56,240
Speaker 5: a movie with with Drew Ski called Praise.

2122
01:30:56,400 --> 01:31:00,360
Speaker 3: This point still stands. Yeah, so she's definitely active, saying

2123
01:31:00,400 --> 01:31:02,720
Speaker 3: like is the music second theory in the sense that

2124
01:31:02,840 --> 01:31:05,439
Speaker 3: it's like here, like that, put punch in record, These

2125
01:31:05,560 --> 01:31:08,000
Speaker 3: vocals will take care of the rest. Go back, you're

2126
01:31:08,040 --> 01:31:10,360
Speaker 3: doing a lot in acting. Continue to act. We're really

2127
01:31:10,400 --> 01:31:12,560
Speaker 3: happy that that's taking off, but we need you to

2128
01:31:12,720 --> 01:31:14,400
Speaker 3: just do this just so we can put out this AILM.

2129
01:31:14,479 --> 01:31:18,400
Speaker 6: I would say that, but not exactly because Chloe never

2130
01:31:19,320 --> 01:31:22,360
Speaker 6: this is not was not required of Chloe. Chloe and

2131
01:31:22,600 --> 01:31:25,360
Speaker 6: Hallie were in a group. Hallie went to go tape

2132
01:31:25,400 --> 01:31:27,840
Speaker 6: The Little Mermaid in London for eight to ten months

2133
01:31:27,920 --> 01:31:29,080
Speaker 6: or however long she was gone.

2134
01:31:29,280 --> 01:31:30,599
Speaker 4: They didn't shoot that under the Sea.

2135
01:31:32,600 --> 01:31:33,280
Speaker 3: The East River.

2136
01:31:36,160 --> 01:31:37,080
Speaker 1: On at your beach mambo.

2137
01:31:39,200 --> 01:31:42,719
Speaker 4: No, it's a different type of crimes there go ahead

2138
01:31:42,760 --> 01:31:43,920
Speaker 4: of Wow all you can eat.

2139
01:31:45,280 --> 01:31:49,280
Speaker 6: And while Halle was recording her movie, Chloe got lonely.

2140
01:31:49,439 --> 01:31:52,160
Speaker 6: She started writing solo music because they lived, they used

2141
01:31:52,160 --> 01:31:55,280
Speaker 6: to live together, So Chloe got lonely and started writing. Yeah,

2142
01:31:55,640 --> 01:32:01,080
Speaker 6: they they got so annoying. She started writing solo music

2143
01:32:01,120 --> 01:32:02,880
Speaker 6: and that's how her solo album came to be. And

2144
01:32:02,960 --> 01:32:04,519
Speaker 6: this was, like I want to say, maybe two or

2145
01:32:04,720 --> 01:32:07,080
Speaker 6: two years ago that she started on this album. Like

2146
01:32:07,280 --> 01:32:10,680
Speaker 6: the album has consistently changed, Like like I said, the

2147
01:32:10,800 --> 01:32:12,719
Speaker 6: earlier singles didn't even make this album.

2148
01:32:14,200 --> 01:32:15,040
Speaker 5: I don't know what's going on.

2149
01:32:15,360 --> 01:32:17,320
Speaker 6: I don't know what to tell her team, but what

2150
01:32:17,479 --> 01:32:20,800
Speaker 6: I will say is that Doja Cat's Hot Pink album

2151
01:32:20,920 --> 01:32:24,320
Speaker 6: sold seven point nine k and Doja Cat is who

2152
01:32:24,360 --> 01:32:25,200
Speaker 6: Doja Cat is now?

2153
01:32:25,280 --> 01:32:26,720
Speaker 5: So Chloe, we still have hope for you.

2154
01:32:27,400 --> 01:32:30,519
Speaker 1: Where doja only so eight thousand first week and one of.

2155
01:32:30,560 --> 01:32:34,920
Speaker 6: Her past albums like two albums ago, Yeah, which I

2156
01:32:34,960 --> 01:32:39,320
Speaker 6: thought you meant. Like my point in saying that is

2157
01:32:39,400 --> 01:32:40,840
Speaker 6: that Chloe has time to.

2158
01:32:41,000 --> 01:32:44,280
Speaker 3: Fa and this isn't.

2159
01:32:44,320 --> 01:32:45,920
Speaker 1: This isn't the end all be all for Chloe.

2160
01:32:46,040 --> 01:32:48,200
Speaker 2: This is this is just you know, obviously it's it's

2161
01:32:48,240 --> 01:32:51,640
Speaker 2: a little uh disappointing because again, she has been so

2162
01:32:52,000 --> 01:32:54,840
Speaker 2: visible in the last few months and she's been like

2163
01:32:55,000 --> 01:32:57,240
Speaker 2: on our TVs, and so I just thought it would

2164
01:32:57,240 --> 01:33:00,360
Speaker 2: connect with her music and her fan base, but obviously didn't.

2165
01:33:01,200 --> 01:33:03,880
Speaker 1: I didn't hear the album. You heard it, so I don't.

2166
01:33:03,880 --> 01:33:05,640
Speaker 2: I don't know if it's just the music and that

2167
01:33:05,800 --> 01:33:07,640
Speaker 2: the fans were just turned off by the music and

2168
01:33:07,720 --> 01:33:10,040
Speaker 2: this wasn't who they were expecting or how they were

2169
01:33:10,080 --> 01:33:11,040
Speaker 2: expecting her to sound.

2170
01:33:11,800 --> 01:33:13,479
Speaker 1: But no, this is not the end all be all.

2171
01:33:14,160 --> 01:33:16,360
Speaker 4: She more so needs to go work with the Tylers

2172
01:33:16,400 --> 01:33:18,920
Speaker 4: and Steve Lacy's of the world. I think she fare

2173
01:33:19,040 --> 01:33:22,439
Speaker 4: better for the type of talented artist she is working

2174
01:33:22,520 --> 01:33:26,280
Speaker 4: with that genre of pop R and B, rather than

2175
01:33:27,360 --> 01:33:30,640
Speaker 4: doing the plug and play hits. That's just yeah, I

2176
01:33:30,720 --> 01:33:31,800
Speaker 4: think she's too talented to do that.

2177
01:33:31,880 --> 01:33:34,519
Speaker 6: I agree and then there's just like some cringey like interlot,

2178
01:33:34,960 --> 01:33:36,840
Speaker 6: like just little shit where she's like, have you ever

2179
01:33:37,040 --> 01:33:39,040
Speaker 6: wondered who else is fucking your man?

2180
01:33:39,160 --> 01:33:41,400
Speaker 5: And it's just this is not you. It makes me

2181
01:33:41,600 --> 01:33:42,439
Speaker 5: cringe to hear it.

2182
01:33:42,479 --> 01:33:44,280
Speaker 6: And I'm not just saying because you're not an adult,

2183
01:33:44,560 --> 01:33:47,080
Speaker 6: but it's just like, this is nothing about your personality

2184
01:33:47,200 --> 01:33:49,680
Speaker 6: gives me this like why are you talking like me?

2185
01:33:50,040 --> 01:33:52,599
Speaker 5: Like it's not it's not crossing over.

2186
01:33:53,080 --> 01:33:55,679
Speaker 1: Your swag, that's why you When she's speaking to her fans,

2187
01:33:55,760 --> 01:33:58,240
Speaker 1: you know that's fucked up though, because now you're gonna

2188
01:33:58,240 --> 01:34:01,120
Speaker 1: hang her for not because I bought her album.

2189
01:34:01,439 --> 01:34:06,120
Speaker 2: She's trying to make her fans relatable, Like Okay, I

2190
01:34:06,240 --> 01:34:08,160
Speaker 2: know this is what you'll be doing and going through, so.

2191
01:34:08,240 --> 01:34:09,479
Speaker 4: This is look at what's relatable?

2192
01:34:09,600 --> 01:34:11,839
Speaker 1: Yeah, like yeah, I'm this is my interlude.

2193
01:34:11,880 --> 01:34:15,920
Speaker 4: But if it doesn't come off authentic, yeah, all right.

2194
01:34:16,000 --> 01:34:18,720
Speaker 4: Remember Tory Lane's first album when he had all the

2195
01:34:18,800 --> 01:34:23,640
Speaker 4: interludes of him being a fucking mafia. Don how unauthentic

2196
01:34:23,800 --> 01:34:25,800
Speaker 4: and corny did it sound? The music was really good

2197
01:34:26,439 --> 01:34:29,280
Speaker 4: and those interludes were like Tori, shut up, like this

2198
01:34:29,439 --> 01:34:31,679
Speaker 4: is you're ruining your music right now, Yeah, we didn't

2199
01:34:31,680 --> 01:34:33,600
Speaker 4: need it. It doesn't feel like it's even if it

2200
01:34:33,680 --> 01:34:37,160
Speaker 4: could be. Her music is perception, unfortunately, and if it

2201
01:34:37,240 --> 01:34:39,320
Speaker 4: comes across that that's not you, it's not going to

2202
01:34:39,400 --> 01:34:41,519
Speaker 4: connect with the people, even if they are that right.

2203
01:34:42,120 --> 01:34:44,479
Speaker 4: So you know, Demerius didn't start thinking as someone was

2204
01:34:44,520 --> 01:34:46,960
Speaker 4: sucking her man because it didn't feel like she was

2205
01:34:47,000 --> 01:34:48,639
Speaker 4: talking to someone whose man was being fucked.

2206
01:34:49,840 --> 01:34:53,439
Speaker 2: Speaking of man fucking, UFC two eighty seven was h

2207
01:34:54,520 --> 01:34:57,439
Speaker 2: as well, shout out to shout out the izzy man.

2208
01:34:57,560 --> 01:35:00,200
Speaker 2: He he redeemed hisself coming off of a lost so

2209
01:35:00,439 --> 01:35:03,799
Speaker 2: Israel adis sonya ak is he? He fought Alex Pereira

2210
01:35:03,920 --> 01:35:06,519
Speaker 2: over the weekend at UFC two eighty seven. Uh, he

2211
01:35:06,680 --> 01:35:12,519
Speaker 2: redeemed hisself. Uh knocked knocked Alex out. I saw a

2212
01:35:12,600 --> 01:35:16,839
Speaker 2: clip of him talking with the guys from Brandon Marshall

2213
01:35:17,160 --> 01:35:19,000
Speaker 2: and Brandon. He was telling Brandon Marshall, you know, put

2214
01:35:19,080 --> 01:35:20,960
Speaker 2: one hundred thousand on me, I guarantee you I'll win.

2215
01:35:21,920 --> 01:35:23,880
Speaker 2: B Marshall look kind of like nervous. He like he

2216
01:35:23,960 --> 01:35:26,040
Speaker 2: didn't want to put that put the house on it,

2217
01:35:26,120 --> 01:35:28,400
Speaker 2: but he did. He did put a hundred thousand on

2218
01:35:28,680 --> 01:35:31,160
Speaker 2: he And is he came through and delivered a knockout,

2219
01:35:31,920 --> 01:35:33,080
Speaker 2: knocking Alex Perera out.

2220
01:35:33,280 --> 01:35:34,920
Speaker 4: Can you talk to your man's after that? If like

2221
01:35:35,000 --> 01:35:37,760
Speaker 4: he loses and you lose on a gram, if.

2222
01:35:37,720 --> 01:35:39,400
Speaker 2: I put a hundred thousand on you, Rory in a

2223
01:35:39,479 --> 01:35:43,680
Speaker 2: fight and you tell me, yo, Ma, listen, I got

2224
01:35:43,760 --> 01:35:45,720
Speaker 2: to I got him this time, Like I'm a I'm

2225
01:35:45,720 --> 01:35:48,360
Speaker 2: gonna finish him, and I put I put one hundred

2226
01:35:48,439 --> 01:35:52,160
Speaker 2: k on you and you lose, It's another fight you're gonna.

2227
01:35:51,960 --> 01:35:53,280
Speaker 1: Have to have right after that.

2228
01:35:53,520 --> 01:35:54,880
Speaker 4: Or maybe I'm just trying to pete Rosie.

2229
01:35:55,360 --> 01:35:58,800
Speaker 1: Maybe, but either way, is he I wanted.

2230
01:35:58,520 --> 01:36:00,679
Speaker 4: You to change the odds so then I could against myself.

2231
01:36:01,320 --> 01:36:01,880
Speaker 1: Yeah, I got you.

2232
01:36:02,120 --> 01:36:05,160
Speaker 4: Yeah, I left with five hundred thousand. Black guy? Is

2233
01:36:05,200 --> 01:36:05,720
Speaker 4: he is?

2234
01:36:05,760 --> 01:36:08,920
Speaker 2: He did knock knock knock out Alex Perreira. Uh so

2235
01:36:09,080 --> 01:36:11,519
Speaker 2: he redeemed itself And I think I think at this

2236
01:36:11,640 --> 01:36:14,000
Speaker 2: point is he is top dog in my opinion?

2237
01:36:14,080 --> 01:36:15,240
Speaker 4: We know why you really watched them?

2238
01:36:15,360 --> 01:36:16,920
Speaker 3: Yeah, let's talk about the stars of the fight.

2239
01:36:17,400 --> 01:36:19,040
Speaker 4: Big four five was in there. That's why you know

2240
01:36:19,320 --> 01:36:19,519
Speaker 4: I was.

2241
01:36:19,640 --> 01:36:20,960
Speaker 2: I was waiting for him to get in the ring.

2242
01:36:21,280 --> 01:36:23,599
Speaker 2: That's what I was waiting for. Don snow A Ka

2243
01:36:24,000 --> 01:36:26,720
Speaker 2: Tin Toes. Donnie was in the building. Donald Trump made

2244
01:36:26,720 --> 01:36:29,360
Speaker 2: an appearance at UFC twenty seven. Him and Dana White

2245
01:36:29,920 --> 01:36:31,280
Speaker 2: are our good friends.

2246
01:36:31,479 --> 01:36:34,400
Speaker 3: So trans assassin in the back, Yeah.

2247
01:36:34,640 --> 01:36:36,639
Speaker 1: Yeah, big Maga Kid Rock was there.

2248
01:36:37,320 --> 01:36:37,439
Speaker 6: Uh.

2249
01:36:37,600 --> 01:36:39,120
Speaker 1: And then Mike Tyson who we don't know.

2250
01:36:39,240 --> 01:36:43,040
Speaker 2: Mike just might be at events, you know, Mike, Mike, Yeah, Mike,

2251
01:36:43,680 --> 01:36:45,599
Speaker 2: Mike doesn't even Mike don't even vote. He just at

2252
01:36:45,640 --> 01:36:48,880
Speaker 2: the event watching the dudes fight, having a good time,

2253
01:36:49,000 --> 01:36:52,519
Speaker 2: high as fucked smoking smoking some of that good. But yeah,

2254
01:36:52,520 --> 01:36:54,840
Speaker 2: everybody was posting Donald Trump made an appearance. They didn't

2255
01:36:54,880 --> 01:36:56,639
Speaker 2: understand how he was just the rest of last week

2256
01:36:56,640 --> 01:36:56,800
Speaker 2: he was.

2257
01:36:57,040 --> 01:36:59,760
Speaker 1: He was just indicted in Manhattan. It was just kind

2258
01:36:59,800 --> 01:37:02,479
Speaker 1: of a week ago, and now he's re excited U

2259
01:37:02,800 --> 01:37:06,000
Speaker 1: two eighty seven. Frank lucashitpo listen, man, I mean yo,

2260
01:37:06,479 --> 01:37:08,519
Speaker 1: you know say what y'all want. This is this is

2261
01:37:08,680 --> 01:37:09,320
Speaker 1: entertaining ship.

2262
01:37:09,479 --> 01:37:12,120
Speaker 2: This this is this is the former president of the

2263
01:37:12,160 --> 01:37:15,920
Speaker 2: United States who is now facing an indictment, and he's

2264
01:37:16,040 --> 01:37:18,519
Speaker 2: life as usual, just the regular weekend with the boys

2265
01:37:18,640 --> 01:37:19,639
Speaker 2: UFC two eighty seven.

2266
01:37:20,160 --> 01:37:22,639
Speaker 4: I don't want to know what beer Kid Rock had,

2267
01:37:23,160 --> 01:37:24,760
Speaker 4: what beverages were around.

2268
01:37:25,600 --> 01:37:27,160
Speaker 1: He doesn't like he has a beer like he has

2269
01:37:27,320 --> 01:37:27,760
Speaker 1: one of those.

2270
01:37:28,080 --> 01:37:30,960
Speaker 3: That's a logan, Paul, Yeah, Paul Brothers.

2271
01:37:31,720 --> 01:37:32,120
Speaker 1: Was it water?

2272
01:37:32,280 --> 01:37:34,599
Speaker 4: Is it like drink radio?

2273
01:37:35,160 --> 01:37:36,400
Speaker 1: So they didn't have any of the transhi.

2274
01:37:36,920 --> 01:37:39,679
Speaker 4: It's a strength. It's a straight. It's a straight, prime,

2275
01:37:39,840 --> 01:37:43,519
Speaker 4: straight white man product, white Anglo Saxon.

2276
01:37:43,680 --> 01:37:47,200
Speaker 2: Yeah, that's the only one that it won't even actually

2277
01:37:47,240 --> 01:37:49,400
Speaker 2: won't even work this man. It's designed to for the

2278
01:37:49,520 --> 01:37:52,880
Speaker 2: DNA of a white Anglo Saxon heterosexual males.

2279
01:37:52,960 --> 01:37:55,040
Speaker 4: I see that the bottle is blue to represent the

2280
01:37:55,160 --> 01:37:57,879
Speaker 4: pure blue eyes that must be you see.

2281
01:37:57,720 --> 01:37:59,760
Speaker 2: Don you see Don got the red battle for the

2282
01:38:00,400 --> 01:38:04,120
Speaker 2: for the Republican's tie, the Master Master Party, the political

2283
01:38:04,200 --> 01:38:08,120
Speaker 2: party tie. No, but this was interesting to see Donald

2284
01:38:08,160 --> 01:38:10,040
Speaker 2: Trump out. People thought he was gonna go into hiding,

2285
01:38:10,720 --> 01:38:11,679
Speaker 2: and you know he didn't.

2286
01:38:12,439 --> 01:38:13,639
Speaker 4: We're never not going to see this guy.

2287
01:38:13,960 --> 01:38:15,479
Speaker 2: Well you didn't think well, a lot of people didn't

2288
01:38:15,479 --> 01:38:16,960
Speaker 2: think he was gonna be at UFC two eighty seven.

2289
01:38:17,000 --> 01:38:18,720
Speaker 2: I'll tell you that this would be the event he

2290
01:38:18,760 --> 01:38:20,920
Speaker 2: would be at. Though I thought he was gonna come

2291
01:38:20,960 --> 01:38:23,200
Speaker 2: out at a at WrestleMania. I'm not gonna lie.

2292
01:38:23,760 --> 01:38:26,160
Speaker 1: Was that before the indictment and get suplexed. Yeah, I

2293
01:38:26,200 --> 01:38:28,559
Speaker 1: think that was before the indictment was it was, But.

2294
01:38:29,320 --> 01:38:33,040
Speaker 4: I mean, listen, I'd like to see Trump maybe go

2295
01:38:33,200 --> 01:38:37,200
Speaker 4: to like a croquet game, a croquet something a little softer.

2296
01:38:37,400 --> 01:38:39,840
Speaker 1: No, he gotta go to range. This is a man's sport.

2297
01:38:39,960 --> 01:38:43,040
Speaker 1: This is the this is the man's man gotta go

2298
01:38:43,040 --> 01:38:43,920
Speaker 1: to you gotta go to UFC.

2299
01:38:44,600 --> 01:38:45,840
Speaker 4: He really tweeted world War three.

2300
01:38:46,120 --> 01:38:49,360
Speaker 3: Yeah, from the truth apt that he is still not

2301
01:38:49,520 --> 01:38:52,680
Speaker 3: beanned from Okay, he treated he tweeted. I don't know

2302
01:38:52,720 --> 01:38:53,559
Speaker 3: if they call it tweets.

2303
01:38:53,840 --> 01:38:56,920
Speaker 4: Is that the one that Kanye bought from Candice Owen's husband.

2304
01:38:57,640 --> 01:38:59,559
Speaker 1: Oh, he was trying to buy at one point, I believe, Yeah,

2305
01:39:00,720 --> 01:39:02,840
Speaker 1: world War three? Whatever that means. Don listen, don we

2306
01:39:03,160 --> 01:39:05,680
Speaker 1: just here to just follow whatever you're saying and just

2307
01:39:05,880 --> 01:39:06,400
Speaker 1: have fun with it.

2308
01:39:06,560 --> 01:39:07,280
Speaker 3: We're not We're not.

2309
01:39:08,080 --> 01:39:10,960
Speaker 1: You're not gonna you have to whatever. Whenever he speaks,

2310
01:39:11,439 --> 01:39:13,080
Speaker 1: you know what he's saying. Look at him, Look at

2311
01:39:13,160 --> 01:39:15,880
Speaker 1: him and Mike Tyson, just bro look at this. It's

2312
01:39:15,960 --> 01:39:19,680
Speaker 1: man's facing an indictment. Like he's just you know what

2313
01:39:19,680 --> 01:39:22,360
Speaker 1: I mean, Like with his Prime Nasty suit, it didn't

2314
01:39:22,360 --> 01:39:24,720
Speaker 1: even put no steam into the suit, just nasty, look

2315
01:39:24,760 --> 01:39:25,400
Speaker 1: like he slept in it.

2316
01:39:25,560 --> 01:39:27,519
Speaker 3: That's the same suit he addressed the nation and after

2317
01:39:27,560 --> 01:39:28,080
Speaker 3: his indictment.

2318
01:39:28,360 --> 01:39:32,200
Speaker 1: Yeah, long night. You know nothing about those type of knights, Juliet,

2319
01:39:32,200 --> 01:39:34,320
Speaker 1: you wake up. You gotta go to your seat, get dressed.

2320
01:39:34,640 --> 01:39:36,280
Speaker 4: Went to mic for some Ramadan blessings.

2321
01:39:36,360 --> 01:39:38,880
Speaker 1: Yeah, man, yo, all right.

2322
01:39:39,960 --> 01:39:42,679
Speaker 4: With that said, rest in peace to Bob Lee, founder

2323
01:39:42,720 --> 01:39:45,040
Speaker 4: of cash app. We touched upon in the last episode.

2324
01:39:45,040 --> 01:39:46,880
Speaker 4: We were trying to see if more was going to

2325
01:39:46,920 --> 01:39:49,120
Speaker 4: come out. All that came out was a video that

2326
01:39:49,400 --> 01:39:52,920
Speaker 4: was very unfortunate to watch. I don't want to start

2327
01:39:52,920 --> 01:39:55,439
Speaker 4: getting in my conspiracy bag because this person obviously is

2328
01:39:55,439 --> 01:39:57,519
Speaker 4: a family, not to say that their families listen.

2329
01:39:57,920 --> 01:40:00,240
Speaker 1: Know why we're able to see h A I like

2330
01:40:00,320 --> 01:40:02,679
Speaker 1: Bobby die on social media? Like, why are we able

2331
01:40:02,720 --> 01:40:03,080
Speaker 1: to see that?

2332
01:40:03,200 --> 01:40:04,439
Speaker 4: Why was he alone in two thirty?

2333
01:40:05,120 --> 01:40:07,320
Speaker 1: That's weird? That's the weird. I mean, yes, him dying

2334
01:40:07,360 --> 01:40:09,160
Speaker 1: is weird, but him being alone at that's time weird.

2335
01:40:09,800 --> 01:40:13,200
Speaker 1: Him being the creative cash at or founder of cashup.

2336
01:40:13,240 --> 01:40:15,479
Speaker 2: But here's the thing, because I've seen people going to

2337
01:40:15,560 --> 01:40:19,200
Speaker 2: that a lot. Yes, he's the he's the creator founder

2338
01:40:19,400 --> 01:40:23,080
Speaker 2: of cash at right. However, many worth how much, however

2339
01:40:23,200 --> 01:40:26,719
Speaker 2: much he's worth. This is the first time I've ever seen.

2340
01:40:26,600 --> 01:40:28,760
Speaker 1: A picture that dude that same. So a lot of

2341
01:40:28,800 --> 01:40:30,640
Speaker 1: these tech guys that have all of this money, they

2342
01:40:30,680 --> 01:40:33,040
Speaker 1: don't have fame. Yeah you don't know. He could walk

2343
01:40:33,080 --> 01:40:34,200
Speaker 1: right past him and never know that.

2344
01:40:34,360 --> 01:40:36,400
Speaker 4: But they have fame. They have fame to some much

2345
01:40:36,479 --> 01:40:38,080
Speaker 4: more dangerous people exactly.

2346
01:40:38,240 --> 01:40:41,000
Speaker 3: And he does live. The companies run out of San Francisco.

2347
01:40:41,160 --> 01:40:43,800
Speaker 3: He called San Francisco home, like people there know him.

2348
01:40:44,080 --> 01:40:45,960
Speaker 4: Yeah, and I se I really don't want to be

2349
01:40:46,160 --> 01:40:49,680
Speaker 4: the YouTube ship, but not fuck it, do it?

2350
01:40:49,800 --> 01:40:49,880
Speaker 5: They?

2351
01:40:50,560 --> 01:40:52,759
Speaker 4: It did cross my mind that three of the biggest

2352
01:40:52,800 --> 01:40:58,200
Speaker 4: crypto people all died under thirty last year. It's very

2353
01:40:58,280 --> 01:41:00,439
Speaker 4: weird that the irs is about to put out their

2354
01:41:00,479 --> 01:41:05,000
Speaker 4: own fucking It's just I don't know, it's odd. It's

2355
01:41:05,040 --> 01:41:07,080
Speaker 4: just weird. It's all weird. We're not it very much.

2356
01:41:07,120 --> 01:41:10,920
Speaker 4: Could just be an accident happened, or just something I'm

2357
01:41:11,000 --> 01:41:13,000
Speaker 4: just saying. As of right now, I find it weird,

2358
01:41:13,880 --> 01:41:17,120
Speaker 4: and respectfully rest in peace and condolence is the family.

2359
01:41:17,360 --> 01:41:17,960
Speaker 4: This is just weird.

2360
01:41:18,120 --> 01:41:20,320
Speaker 6: It's not weird that you find it weird. We might

2361
01:41:20,400 --> 01:41:22,680
Speaker 6: not be in the know enough to know exactly what

2362
01:41:22,880 --> 01:41:24,960
Speaker 6: is going on, but something is happening.

2363
01:41:25,760 --> 01:41:27,920
Speaker 2: Now, Yeah, I mean, you don't have to be in

2364
01:41:28,040 --> 01:41:30,800
Speaker 2: the know to know that something doesn't look right. Something

2365
01:41:30,960 --> 01:41:34,240
Speaker 2: just doesn't add up, something looks funny. All these guys

2366
01:41:34,280 --> 01:41:37,040
Speaker 2: that are big into cryptocurrency just died. One of them

2367
01:41:37,120 --> 01:41:40,800
Speaker 2: actually said he spoke about him being killed or something

2368
01:41:40,840 --> 01:41:43,479
Speaker 2: like that, and then was killed a couple weeks later.

2369
01:41:43,960 --> 01:41:47,200
Speaker 2: So it's something that has happened and something is going on.

2370
01:41:47,439 --> 01:41:51,439
Speaker 2: I'm not the big conspiracy theory guy, but something just

2371
01:41:51,560 --> 01:41:52,400
Speaker 2: doesn't feel right.

2372
01:41:52,800 --> 01:41:53,320
Speaker 1: I'm that guy.

2373
01:41:53,360 --> 01:41:56,000
Speaker 2: I'm the guy when something doesn't feel right, like something

2374
01:41:56,040 --> 01:41:57,439
Speaker 2: about this, this doesn't feel right.

2375
01:41:57,720 --> 01:42:00,680
Speaker 1: Why do we see him dying. We don't have any

2376
01:42:00,720 --> 01:42:01,879
Speaker 1: footage of this stabbing.

2377
01:42:03,080 --> 01:42:03,639
Speaker 4: It may exist.

2378
01:42:03,680 --> 01:42:05,240
Speaker 3: They just probably just put it out.

2379
01:42:05,280 --> 01:42:08,120
Speaker 4: But also even with like news reports, of course, I

2380
01:42:08,240 --> 01:42:11,439
Speaker 4: know that Donald Trump thing is gonna take over everywhere,

2381
01:42:11,520 --> 01:42:14,560
Speaker 4: but we know, whether you're a fan of Foxy and

2382
01:42:14,680 --> 01:42:17,040
Speaker 4: and whatever, they all get an agenda from the higher ups.

2383
01:42:18,240 --> 01:42:21,920
Speaker 4: I feel like this has been purposely placed out of

2384
01:42:22,000 --> 01:42:25,800
Speaker 4: the high agenda that those anchors are given every morning.

2385
01:42:26,280 --> 01:42:27,120
Speaker 1: Yeah, where this.

2386
01:42:27,479 --> 01:42:30,240
Speaker 4: Could be a week long never shut the fuck up

2387
01:42:31,240 --> 01:42:33,280
Speaker 4: about it type thing and it's just been a quick

2388
01:42:33,360 --> 01:42:36,880
Speaker 4: report like this isn't crazy, Like the CEO of cash

2389
01:42:36,920 --> 01:42:40,280
Speaker 4: app was not just stabbed and murdered in public.

2390
01:42:40,960 --> 01:42:43,519
Speaker 2: Yeah, this was definitely something in his city. I thought

2391
01:42:43,560 --> 01:42:48,360
Speaker 2: we would have more information on by now, and we don't. Again,

2392
01:42:48,439 --> 01:42:51,519
Speaker 2: we just see the footage of him struggling in front

2393
01:42:51,520 --> 01:42:53,400
Speaker 2: of a building. He was trying to wave cars down

2394
01:42:53,520 --> 01:42:57,160
Speaker 2: to get some help. It's just unfortunate that his family

2395
01:42:57,240 --> 01:42:57,720
Speaker 2: has to see that.

2396
01:42:57,880 --> 01:43:02,559
Speaker 1: Number one. But again, this isn't this is it. They

2397
01:43:02,600 --> 01:43:06,479
Speaker 1: found a knife, needed crime scene. Again, this is just not.

2398
01:43:07,120 --> 01:43:10,000
Speaker 1: Something just does not feel right about this. Something just

2399
01:43:10,040 --> 01:43:10,680
Speaker 1: doesn't feel right.

2400
01:43:10,800 --> 01:43:12,840
Speaker 4: And I'm not connecting all of them. It's just odd

2401
01:43:13,200 --> 01:43:17,559
Speaker 4: that this is happening to people that created in tech

2402
01:43:17,760 --> 01:43:22,000
Speaker 4: and currency. What's been the connection between everyone that we're

2403
01:43:22,000 --> 01:43:24,840
Speaker 4: talking about here that has died unexpectedly from this world?

2404
01:43:25,479 --> 01:43:28,560
Speaker 4: Mm hm, tech and currency you figured out how to

2405
01:43:28,600 --> 01:43:35,000
Speaker 4: put together, then you just mysteriously have murdered. And before

2406
01:43:35,040 --> 01:43:38,280
Speaker 4: we get to Patreon to discuss rock songs that black

2407
01:43:38,320 --> 01:43:41,320
Speaker 4: people like, I'm going to be asking you about you people.

2408
01:43:41,920 --> 01:43:43,559
Speaker 4: I mean black people. Okay, I just want to make

2409
01:43:43,600 --> 01:43:44,680
Speaker 4: that clear when I say you.

2410
01:43:44,720 --> 01:43:46,519
Speaker 1: People is what I meant they.

2411
01:43:47,880 --> 01:43:48,000
Speaker 3: Us.

2412
01:43:49,120 --> 01:43:54,280
Speaker 4: Yeah, the NBA playoffs about to start. I'm sure mall

2413
01:43:54,360 --> 01:43:56,080
Speaker 4: Is gonna get me a ticket to the first round

2414
01:43:56,160 --> 01:43:59,080
Speaker 4: Cavs Knicks. I'm certain of it. He's going to take

2415
01:43:59,080 --> 01:44:01,439
Speaker 4: me to one of the playoff games. Team got You

2416
01:44:01,720 --> 01:44:02,559
Speaker 4: do I have knicks fever?

2417
01:44:04,560 --> 01:44:06,479
Speaker 1: You know? I know that you say that when I

2418
01:44:06,560 --> 01:44:08,960
Speaker 1: have I felt like something was wrong with you today.

2419
01:44:09,400 --> 01:44:10,680
Speaker 1: I didn't know what it was. But now that you

2420
01:44:10,720 --> 01:44:12,080
Speaker 1: say you have knicks fhever, you do look a little

2421
01:44:12,080 --> 01:44:12,720
Speaker 1: orange in the face.

2422
01:44:12,840 --> 01:44:16,160
Speaker 4: I have been a suffering Knicks fan my entire life.

2423
01:44:17,120 --> 01:44:19,519
Speaker 2: The New York Knicks are headed to the playoff. Listen, man,

2424
01:44:19,560 --> 01:44:21,960
Speaker 2: I say it all the time. It's just basketball. The

2425
01:44:22,040 --> 01:44:23,799
Speaker 2: playoffs just feel right.

2426
01:44:24,360 --> 01:44:25,960
Speaker 1: When the Knicks are in the playoffs. I don't know

2427
01:44:26,040 --> 01:44:26,400
Speaker 1: what it is.

2428
01:44:26,560 --> 01:44:28,639
Speaker 4: The basketball hasn't felt right and quite some time.

2429
01:44:28,840 --> 01:44:30,240
Speaker 1: Well, no, the Knicks were in the playoffs.

2430
01:44:30,400 --> 01:44:33,639
Speaker 4: Was one time? Yeah? No knocked out the first round.

2431
01:44:33,800 --> 01:44:34,880
Speaker 1: No, they were just in the playoffs.

2432
01:44:35,720 --> 01:44:37,840
Speaker 4: Yeah, that was That was actually a good series.

2433
01:44:37,880 --> 01:44:40,519
Speaker 1: Though. It was a good series for who I mean, well,

2434
01:44:40,600 --> 01:44:41,120
Speaker 1: not for the Knicks.

2435
01:44:41,160 --> 01:44:44,080
Speaker 4: Yes, it's terrible, it was at.

2436
01:44:43,400 --> 01:44:45,599
Speaker 2: It just felt good seeing the Knicks in that type

2437
01:44:45,640 --> 01:44:49,000
Speaker 2: of situation, the playoff environment, playoff atmosphere. It's just a

2438
01:44:49,080 --> 01:44:51,639
Speaker 2: better time for basketball when the Knicks and the Lakers.

2439
01:44:52,160 --> 01:44:54,400
Speaker 2: Just something about those organizations when they're in the playoffs,

2440
01:44:54,720 --> 01:44:56,640
Speaker 2: things just feel right, they feel good.

2441
01:44:56,800 --> 01:44:59,600
Speaker 4: It's gonna be a tough two weeks for the I G.

2442
01:44:59,720 --> 01:45:03,360
Speaker 4: Batty of New York City. The Knicks and the Nets

2443
01:45:03,760 --> 01:45:06,679
Speaker 4: are both in playoff mode. Little Sister is gonna be empty.

2444
01:45:07,240 --> 01:45:10,080
Speaker 4: Everyone is going to be focusing on basketball. It's gonna

2445
01:45:10,080 --> 01:45:10,599
Speaker 4: look rough.

2446
01:45:10,520 --> 01:45:12,840
Speaker 1: And one else say, let's won't be saying anything at all.

2447
01:45:13,000 --> 01:45:13,960
Speaker 3: It will be nothing.

2448
01:45:14,080 --> 01:45:16,120
Speaker 1: It will be less said, yeah, say less.

2449
01:45:16,160 --> 01:45:17,720
Speaker 4: It'll be a lot of girls nights in the next

2450
01:45:17,760 --> 01:45:18,120
Speaker 4: two weeks.

2451
01:45:18,880 --> 01:45:21,679
Speaker 2: The Lakers, though, surprised me because about two months ago

2452
01:45:21,840 --> 01:45:25,040
Speaker 2: it looked very bleak for the Lakers. I thought that

2453
01:45:25,120 --> 01:45:27,479
Speaker 2: they were gonna be on the outside looking in.

2454
01:45:28,280 --> 01:45:31,080
Speaker 1: Uh. They they managed to win some games turning around

2455
01:45:31,520 --> 01:45:32,200
Speaker 1: and now they.

2456
01:45:32,160 --> 01:45:35,040
Speaker 2: Are in the play in correct, Yes, I know it

2457
01:45:35,120 --> 01:45:37,080
Speaker 2: was they were fighting for six, but then I think

2458
01:45:37,120 --> 01:45:39,439
Speaker 2: the somebody had to lose for them to get that.

2459
01:45:39,560 --> 01:45:41,599
Speaker 3: They lost that head to head against the Clippers, which

2460
01:45:41,680 --> 01:45:42,360
Speaker 3: was a big loss.

2461
01:45:42,439 --> 01:45:44,160
Speaker 1: Okay, got it. Yeah, so they're in the they're in

2462
01:45:44,200 --> 01:45:45,960
Speaker 1: the play in they get to play. They play the

2463
01:45:46,040 --> 01:45:49,160
Speaker 1: timber Wolves. I believe Tuesday, Jordan's never even said those

2464
01:45:49,200 --> 01:45:51,640
Speaker 1: two days together. Yeah, well, no, Jordan is you know

2465
01:45:51,840 --> 01:45:53,519
Speaker 1: that he doesn't even know, he doesn't even know what

2466
01:45:53,600 --> 01:45:57,040
Speaker 1: the playing is. But I'm just happy that the Knicks

2467
01:45:57,040 --> 01:45:57,599
Speaker 1: and the playoffs.

2468
01:45:57,640 --> 01:45:57,720
Speaker 3: I do.

2469
01:45:57,920 --> 01:45:59,759
Speaker 1: I do feel like the Knicks can. I've said it before.

2470
01:46:00,120 --> 01:46:01,800
Speaker 1: I don't know. I'm feeling like the Knicks have They

2471
01:46:01,880 --> 01:46:04,439
Speaker 1: have a chance at the Eastern Conference Finals. They have

2472
01:46:04,520 --> 01:46:06,840
Speaker 1: a chance. I do think they'll take care of the

2473
01:46:06,880 --> 01:46:10,240
Speaker 1: Cleveland second round is we It may get a little a.

2474
01:46:10,240 --> 01:46:12,320
Speaker 3: Little tricky for the tough luck in the second round.

2475
01:46:12,640 --> 01:46:15,360
Speaker 2: May get a little tricky. But I'm on the Jalen

2476
01:46:15,400 --> 01:46:18,479
Speaker 2: brunch and train bro. I feel like he's I feel

2477
01:46:18,520 --> 01:46:21,200
Speaker 2: like he's capable of leading his team. Julius is coming

2478
01:46:21,240 --> 01:46:24,599
Speaker 2: back healthy after springing his ankle. The Knicks look good

2479
01:46:25,160 --> 01:46:27,599
Speaker 2: without Julius and Jalen, like those other guys, in gains

2480
01:46:27,600 --> 01:46:31,920
Speaker 2: some confidence quickly will be topping the next team. Like

2481
01:46:31,960 --> 01:46:35,320
Speaker 2: they figured it out, they found their identity, they're playing together.

2482
01:46:36,560 --> 01:46:37,639
Speaker 1: I like this next team.

2483
01:46:37,880 --> 01:46:40,800
Speaker 2: It just feels this feels like a year that they

2484
01:46:40,880 --> 01:46:43,240
Speaker 2: will surprise a lot of people, and I think they

2485
01:46:43,320 --> 01:46:44,880
Speaker 2: will get out of the second round. So hopefully the

2486
01:46:44,920 --> 01:46:46,920
Speaker 2: Knicks do get out of the first round. Though, First, Julian,

2487
01:46:47,040 --> 01:46:49,240
Speaker 2: we gotta, we gotta. I mean, like, I know you,

2488
01:46:49,439 --> 01:46:51,880
Speaker 2: I know you're excited. Take care of business first, taking

2489
01:46:52,000 --> 01:46:53,760
Speaker 2: the cabs, which I I feel like they should be

2490
01:46:53,800 --> 01:46:56,679
Speaker 2: able to, and then worry about the second round.

2491
01:46:56,720 --> 01:47:00,719
Speaker 1: But the Nets, they're going home. This is just extended.

2492
01:47:00,920 --> 01:47:02,400
Speaker 1: They just extended the season.

2493
01:47:03,160 --> 01:47:06,960
Speaker 4: All right. Harden finally has to show up in the playoffs.

2494
01:47:07,040 --> 01:47:08,960
Speaker 1: I think that even if Harden doesn't show up, they're

2495
01:47:09,000 --> 01:47:09,639
Speaker 1: not beating Philly.

2496
01:47:10,160 --> 01:47:11,760
Speaker 4: I don't either, but I'm saying in general, like the

2497
01:47:11,760 --> 01:47:15,400
Speaker 4: Sixers obviously could go to the finals. This is like

2498
01:47:15,560 --> 01:47:18,679
Speaker 4: I think, a make or break year for Harden's legacy,

2499
01:47:20,000 --> 01:47:23,880
Speaker 4: one of the greatest ever stat wise. Well, he doesn't

2500
01:47:23,920 --> 01:47:27,200
Speaker 4: show up in the playoffs and now it's yeah, it's time.

2501
01:47:27,479 --> 01:47:29,679
Speaker 4: He's not He's not the player he was, no excuse anymore.

2502
01:47:30,000 --> 01:47:31,160
Speaker 1: Yeah, he's not the player he was.

2503
01:47:31,240 --> 01:47:33,719
Speaker 2: But I do think that Joellen beat is that good

2504
01:47:34,200 --> 01:47:35,759
Speaker 2: to where he could beat the Nets by himself.

2505
01:47:35,840 --> 01:47:38,120
Speaker 4: Yes, well, he's in a good position that he's been

2506
01:47:38,160 --> 01:47:39,960
Speaker 4: going crazy with the assists. So if that's all you

2507
01:47:40,000 --> 01:47:41,880
Speaker 4: have to do to show up to carry the sixers,

2508
01:47:41,960 --> 01:47:43,080
Speaker 4: then you'll be fine. You don't have to be the

2509
01:47:43,120 --> 01:47:44,479
Speaker 4: scoring guy that you were before.

2510
01:47:44,880 --> 01:47:46,400
Speaker 2: It's gonna be fun to watch, though. I think this

2511
01:47:46,560 --> 01:47:48,559
Speaker 2: is the This is gonna be a really really interesting

2512
01:47:48,600 --> 01:47:52,360
Speaker 2: playoff year. Again, though, I think the team to beat.

2513
01:47:52,720 --> 01:47:54,799
Speaker 2: I think the healthy Warriors team.

2514
01:47:54,720 --> 01:47:55,920
Speaker 3: Is still don't sleep on them.

2515
01:47:56,080 --> 01:47:58,080
Speaker 2: I still think the healthy Warriors team is still the

2516
01:47:58,120 --> 01:48:01,360
Speaker 2: team to beat. That the defending champs, Andrew Wiggins is back,

2517
01:48:02,920 --> 01:48:04,519
Speaker 2: I just think that they're they're the team to beat.

2518
01:48:04,640 --> 01:48:06,840
Speaker 2: I know that people like, oh, what their road record

2519
01:48:06,960 --> 01:48:07,400
Speaker 2: is terrible?

2520
01:48:08,320 --> 01:48:08,519
Speaker 4: Bad?

2521
01:48:09,360 --> 01:48:10,120
Speaker 1: No, the Kings are bad.

2522
01:48:10,120 --> 01:48:12,560
Speaker 2: They're not bad, but they're young, and the playoffs is

2523
01:48:12,720 --> 01:48:14,639
Speaker 2: very different, the game changes.

2524
01:48:15,680 --> 01:48:18,240
Speaker 1: They the Kings, I don't think that they have anything

2525
01:48:18,280 --> 01:48:18,799
Speaker 1: for the Warriors.

2526
01:48:18,840 --> 01:48:21,200
Speaker 2: I think that they're just happy to be in back

2527
01:48:21,240 --> 01:48:24,519
Speaker 2: in the playoffs after but fifteen sixteen years, so I

2528
01:48:24,560 --> 01:48:26,880
Speaker 2: think that they're just happy with that. But the Warriors,

2529
01:48:26,960 --> 01:48:28,760
Speaker 2: in my opinion, are still the team to beat. But

2530
01:48:29,280 --> 01:48:31,679
Speaker 2: either way, the playoffs start next week. The playing tournament

2531
01:48:31,840 --> 01:48:36,000
Speaker 2: is this week tomorrow, well tonight tonight, or you're listening

2532
01:48:36,080 --> 01:48:38,439
Speaker 2: to this is the playoff, the playing tournament begins.

2533
01:48:38,520 --> 01:48:40,439
Speaker 4: Who do the next get if we win the first

2534
01:48:40,520 --> 01:48:41,760
Speaker 4: round Celtics or six Ers.

2535
01:48:42,840 --> 01:48:49,160
Speaker 1: I believe they would get the winner of Philly Brooklyn.

2536
01:48:50,080 --> 01:48:52,160
Speaker 1: I believe, I believe. I don't think they see the

2537
01:48:52,200 --> 01:48:55,439
Speaker 1: Celtics or the Bucks until the lack could.

2538
01:48:55,240 --> 01:48:59,320
Speaker 4: Be wrong, but I think the Subway series, I don't

2539
01:48:59,320 --> 01:49:00,479
Speaker 4: want to see series.

2540
01:49:00,960 --> 01:49:02,360
Speaker 1: I'd rather see them play Philly.

2541
01:49:03,840 --> 01:49:05,680
Speaker 4: If you if you were doing the subway series from

2542
01:49:05,760 --> 01:49:07,360
Speaker 4: Yankee Stadium to Shade Stadium, you have a lot of

2543
01:49:07,400 --> 01:49:07,760
Speaker 4: time with her.

2544
01:49:08,680 --> 01:49:10,439
Speaker 1: That was great. It's a long train, rude, but that

2545
01:49:10,560 --> 01:49:13,080
Speaker 1: was a great time though. The Subway series like two transfers.

2546
01:49:13,439 --> 01:49:15,760
Speaker 1: That was great though. I remember that that was fun.

2547
01:49:16,000 --> 01:49:18,519
Speaker 1: That was fun. That was fun to watch for Yankees

2548
01:49:18,560 --> 01:49:19,559
Speaker 1: and the Mets was fun to watch.

2549
01:49:19,840 --> 01:49:22,560
Speaker 4: Just want to note it has been recorded audio and

2550
01:49:22,760 --> 01:49:25,800
Speaker 4: visual that Maul said he will get me tickets to

2551
01:49:26,040 --> 01:49:26,759
Speaker 4: one of the games.

2552
01:49:27,400 --> 01:49:27,800
Speaker 3: All of us.

2553
01:49:28,400 --> 01:49:31,880
Speaker 4: I can't guarantee that. Wow, that you're on your own,

2554
01:49:32,040 --> 01:49:33,880
Speaker 4: You're gonna have to text mall on the side, but

2555
01:49:34,080 --> 01:49:36,560
Speaker 4: he did say on camera that I would get a

2556
01:49:36,600 --> 01:49:39,160
Speaker 4: ticket to one of these Knicks games. Been a suffering

2557
01:49:39,240 --> 01:49:41,840
Speaker 4: Knicks fan. Everyone in the city. I'm glad it's happy,

2558
01:49:42,240 --> 01:49:44,320
Speaker 4: but you guys weren't there when we were suffering.

2559
01:49:45,439 --> 01:49:47,720
Speaker 2: It feels it feels good, man, I'm not gonna lie.

2560
01:49:47,760 --> 01:49:49,639
Speaker 2: It always feels good when the Knicks in the playoffs.

2561
01:49:49,680 --> 01:49:53,080
Speaker 2: It's just something about just seeing the Knicks, one of

2562
01:49:53,120 --> 01:49:55,560
Speaker 2: the Knights on TV in a playoff atmosphere.

2563
01:49:55,680 --> 01:49:56,960
Speaker 1: It's just something feels right about it.

2564
01:49:57,000 --> 01:49:59,720
Speaker 4: You all jump ship to the Barclays. I've been at

2565
01:49:59,720 --> 01:50:02,240
Speaker 4: the guard who chilling.

2566
01:50:02,160 --> 01:50:03,800
Speaker 2: A lot of people jump shit. You know when Katie

2567
01:50:03,800 --> 01:50:07,360
Speaker 2: and Kyrie lose over there. Damn it was Katie, Kyrie

2568
01:50:07,479 --> 01:50:08,559
Speaker 2: and James at one point.

2569
01:50:09,200 --> 01:50:10,560
Speaker 4: I don't want to see you at the Garden. The

2570
01:50:10,640 --> 01:50:14,000
Speaker 4: city's under new management. I didn't forget all of you

2571
01:50:14,120 --> 01:50:18,000
Speaker 4: that were Nets fans. Shut the fuck up, suffering Knicks fans,

2572
01:50:18,080 --> 01:50:19,400
Speaker 4: talk your shit, ever.

2573
01:50:19,760 --> 01:50:21,320
Speaker 1: Talk your ship, y'all back in the playoff.

2574
01:50:21,360 --> 01:50:23,040
Speaker 4: Haven't been happy since Jeremy Lynn.

2575
01:50:23,960 --> 01:50:26,400
Speaker 3: That shit was hard he stopped here.

2576
01:50:26,479 --> 01:50:29,160
Speaker 4: No, it's only happy for a week and that shit.

2577
01:50:29,040 --> 01:50:29,400
Speaker 1: Was over with.

2578
01:50:30,040 --> 01:50:32,320
Speaker 6: You know what is so cute about this? It reminds

2579
01:50:32,400 --> 01:50:34,160
Speaker 6: me of like you ever see your friend whose man

2580
01:50:34,320 --> 01:50:37,240
Speaker 6: always like disappoints her, but like he does good for

2581
01:50:37,360 --> 01:50:39,240
Speaker 6: like a good two months and she's like, yeah, we're

2582
01:50:39,280 --> 01:50:41,200
Speaker 6: like back on track, and I really think it's gonna

2583
01:50:41,280 --> 01:50:43,519
Speaker 6: last this time. And I just really don't want you

2584
01:50:43,560 --> 01:50:44,920
Speaker 6: guys to get your heart broken again.

2585
01:50:45,120 --> 01:50:46,559
Speaker 3: Oh you know they're gonna lose. Yeah.

2586
01:50:46,640 --> 01:50:49,519
Speaker 1: See that's what you don't understand about Nick's mania delusion.

2587
01:50:49,760 --> 01:50:52,439
Speaker 2: Yeah, Nix Nicks may They just they just want to

2588
01:50:52,479 --> 01:50:54,320
Speaker 2: talk their ship one time at the table, get their

2589
01:50:54,360 --> 01:50:54,760
Speaker 2: ship off.

2590
01:50:55,080 --> 01:50:56,960
Speaker 4: What they know is gonna end demeress. My level of

2591
01:50:57,040 --> 01:50:59,280
Speaker 4: delusion is, at least he didn't hit me today, wow

2592
01:50:59,479 --> 01:51:04,200
Speaker 4: wow wow wow wow wow. Get into the first round

2593
01:51:04,240 --> 01:51:07,240
Speaker 4: of the playoffs is hey, he didn't smack me.

2594
01:51:07,439 --> 01:51:10,000
Speaker 1: Yeah. Wow, he came in and just went straight to sleep.

2595
01:51:11,240 --> 01:51:12,320
Speaker 3: I'm at these second night.

2596
01:51:13,280 --> 01:51:16,720
Speaker 4: I'm at the level of you just don't understand him, okay.

2597
01:51:16,880 --> 01:51:20,040
Speaker 1: Oh man, Yeah that's bad and good at the same time.

2598
01:51:20,479 --> 01:51:22,760
Speaker 4: I'm at the level of, at least he's a good father.

2599
01:51:23,240 --> 01:51:27,080
Speaker 1: Yeah. The Knicks are good fathers. They come around with

2600
01:51:27,160 --> 01:51:28,680
Speaker 1: like ice cream and sneakers every like.

2601
01:51:28,880 --> 01:51:30,760
Speaker 4: No, they overcharges and don't win.

2602
01:51:31,200 --> 01:51:33,040
Speaker 2: Yeah, I think they get out the first round. I'm

2603
01:51:33,080 --> 01:51:35,240
Speaker 2: root for them, man, I'm rude for the We beat

2604
01:51:35,280 --> 01:51:39,639
Speaker 2: the Calves last but three and them three and one.

2605
01:51:40,080 --> 01:51:42,200
Speaker 3: So they won the first matchup, we won the last three.

2606
01:51:42,360 --> 01:51:46,720
Speaker 4: Yeah, so we'll be there court side. All's gonna have

2607
01:51:46,760 --> 01:51:47,639
Speaker 4: my feet on the hardwood.

2608
01:51:50,200 --> 01:51:53,519
Speaker 2: This has been another episode of the New Rory d

2609
01:51:53,560 --> 01:51:56,599
Speaker 2: A Podcast. We'll be back in a couple of days

2610
01:51:56,640 --> 01:51:57,280
Speaker 2: to speak to y'all.

2611
01:51:57,760 --> 01:51:59,320
Speaker 4: We're gonna right here.

2612
01:51:59,439 --> 01:52:02,280
Speaker 1: Oh my god, shout off now because my hands getting tired.

2613
01:52:02,280 --> 01:52:03,240
Speaker 1: From home. We need Mike Stands.

2614
01:52:03,280 --> 01:52:04,720
Speaker 4: Oh yeah, I never thought of that.

2615
01:52:05,000 --> 01:52:10,519
Speaker 1: We need to find some even though who has or

2616
01:52:10,560 --> 01:52:12,439
Speaker 1: the one in the closet over there, We'll find some.

2617
01:52:13,280 --> 01:52:15,439
Speaker 4: Find some Mike Stands to the only person in the closet.

2618
01:52:16,960 --> 01:52:19,160
Speaker 1: We'll talk to y'all soon. Y'all be blessed. I'm that nigga.

2619
01:52:19,200 --> 01:52:22,200
Speaker 1: He's just Ginger peace, no worry. And now