1 00:00:09,160 --> 00:00:11,240 Speaker 1: Advice shooters. 2 00:00:13,880 --> 00:00:16,400 Speaker 2: No, welcome to the Naughty Beani Show. I'm your host, 3 00:00:16,480 --> 00:00:20,000 Speaker 2: Drubs Shooter. It's Monday, which means our dear friend, Garrett 4 00:00:20,079 --> 00:00:21,920 Speaker 2: Vogel joins us. Hey, Garrett, are. 5 00:00:21,880 --> 00:00:27,280 Speaker 1: You there, Robert? You're ready for this rob shooter? All right, 6 00:00:27,320 --> 00:00:29,280 Speaker 1: So we're on a zoom room right now and we're 7 00:00:29,360 --> 00:00:32,360 Speaker 1: recording the show, and uh, your camera's off. So I 8 00:00:32,400 --> 00:00:35,960 Speaker 1: only like to believe that you are either your makeup's 9 00:00:35,960 --> 00:00:38,280 Speaker 1: not on, or you are in the nude. 10 00:00:39,159 --> 00:00:40,280 Speaker 2: Look at that. My cameras on. 11 00:00:40,560 --> 00:00:44,840 Speaker 1: You are you will receive. You are like the great 12 00:00:44,840 --> 00:00:47,839 Speaker 1: and parafule eyes coming out from beyond the curtain, going, aha, 13 00:00:47,960 --> 00:00:50,280 Speaker 1: you are wrong. I am here, greeting friend. 14 00:00:50,440 --> 00:00:52,200 Speaker 2: Look at that. I'm here. 15 00:00:52,320 --> 00:00:52,760 Speaker 1: I'm here. 16 00:00:54,120 --> 00:00:56,640 Speaker 2: I forgot to hit my camera. Ah, that's why we 17 00:00:56,640 --> 00:00:58,760 Speaker 2: were a little bit late starting. You didn't see my 18 00:00:59,000 --> 00:00:59,800 Speaker 2: face pop up. 19 00:01:00,080 --> 00:01:01,800 Speaker 1: Yeah. I was sitting there and going, you know, like 20 00:01:01,840 --> 00:01:03,640 Speaker 1: you're in the waiting room at the doctor's office and 21 00:01:03,680 --> 00:01:06,759 Speaker 1: you're just like flipping through magazines, and you know, time 22 00:01:06,800 --> 00:01:09,240 Speaker 1: goes by and it's like, well, maybe maybe the doctor 23 00:01:09,240 --> 00:01:11,360 Speaker 1: forgot about me. And then you're like, you know what, 24 00:01:11,400 --> 00:01:12,759 Speaker 1: I'm just going to go up to the front desk 25 00:01:12,800 --> 00:01:14,480 Speaker 1: and ask them if he's still. 26 00:01:14,520 --> 00:01:17,280 Speaker 2: Excuse me, excuse me, I'm here too much longer. They're like, 27 00:01:18,000 --> 00:01:20,520 Speaker 2: you can sit back down. We know you're here. I know, 28 00:01:20,800 --> 00:01:22,520 Speaker 2: I know, I know. Okay, let's jump into the show. 29 00:01:22,520 --> 00:01:24,440 Speaker 2: I've got too so much gossip about one of your 30 00:01:24,440 --> 00:01:26,640 Speaker 2: favorite people in the whole wide world, Garret, I don't 31 00:01:26,640 --> 00:01:29,080 Speaker 2: know your favorite celebrity. What time is it? My friends, 32 00:01:29,160 --> 00:01:31,760 Speaker 2: so this tea time. This story was kind of shocking. 33 00:01:31,800 --> 00:01:34,319 Speaker 2: So over the weekend a massive story blew up that 34 00:01:34,440 --> 00:01:38,120 Speaker 2: Kelly Clarkson Show, not Kelly Clarkson, but the show was 35 00:01:38,160 --> 00:01:43,280 Speaker 2: an alleged toxic work environment at Toxic work Culture. Kelly's 36 00:01:43,319 --> 00:01:46,880 Speaker 2: finally addressing this, she put out a statement on Instagram 37 00:01:46,920 --> 00:01:49,840 Speaker 2: she doesn't miss about when she sees there's a problem. 38 00:01:50,120 --> 00:01:52,600 Speaker 2: A lot of celebrities, including Ellen, when this happened to her, 39 00:01:52,960 --> 00:01:55,880 Speaker 2: sort of disappeared for a little bit too long. Kelly 40 00:01:55,960 --> 00:01:58,760 Speaker 2: was right out, and she said quote to find out 41 00:01:58,920 --> 00:02:04,440 Speaker 2: that anybody is feeling unheard or disrespected on the show 42 00:02:04,640 --> 00:02:09,560 Speaker 2: is unacceptable. I have always been and will continue to 43 00:02:09,680 --> 00:02:14,600 Speaker 2: be committed to creating and maintaining a safe and healthy 44 00:02:14,840 --> 00:02:17,640 Speaker 2: environment at the Kelly Clarkson Show. Just a little bit 45 00:02:17,639 --> 00:02:21,000 Speaker 2: of background here. So Rolling Stone, very reputable, put our 46 00:02:21,080 --> 00:02:25,280 Speaker 2: report on Friday that eleven current and former employees of 47 00:02:25,320 --> 00:02:29,800 Speaker 2: the show had made complaints about being overworked and underpaid, 48 00:02:30,160 --> 00:02:32,320 Speaker 2: and they went on to say that the work environment 49 00:02:33,000 --> 00:02:35,320 Speaker 2: was toxic. They did add, though, which I thought was 50 00:02:35,360 --> 00:02:38,079 Speaker 2: so interesting and very unusual on these type of stories, 51 00:02:38,360 --> 00:02:41,200 Speaker 2: that Kelly was great. They had no complaint with her. 52 00:02:41,360 --> 00:02:43,120 Speaker 2: It was all the other people on the show. Yes, 53 00:02:43,160 --> 00:02:45,320 Speaker 2: her name is on the door of the show, but 54 00:02:45,400 --> 00:02:47,440 Speaker 2: they didn't think she knew and if she was guilty 55 00:02:47,440 --> 00:02:50,680 Speaker 2: of anything, it was being in a little bubble where 56 00:02:50,800 --> 00:02:52,760 Speaker 2: very few people on the show actually really got to 57 00:02:52,840 --> 00:02:55,480 Speaker 2: talk to her, and so she wasn't aware of how 58 00:02:55,520 --> 00:02:56,959 Speaker 2: bad things actually are. 59 00:02:57,160 --> 00:03:00,320 Speaker 1: All Right, Yes, I will take the side of Kelly 60 00:03:00,320 --> 00:03:02,600 Speaker 1: Clarkson no matter what she does in life. But yes, 61 00:03:03,200 --> 00:03:05,760 Speaker 1: it does suck to hear that. Now here's here's me 62 00:03:05,919 --> 00:03:10,160 Speaker 1: looking past page one of the headlines. The show is 63 00:03:10,200 --> 00:03:12,840 Speaker 1: moving from LA to New York, and it just so 64 00:03:13,000 --> 00:03:16,640 Speaker 1: happens that this story is coming out just as people 65 00:03:16,760 --> 00:03:21,280 Speaker 1: are unfortunately losing their jobs. So it was either probably 66 00:03:21,440 --> 00:03:26,320 Speaker 1: a hey, we're moving, or a jealous jealous x you know, 67 00:03:26,680 --> 00:03:29,000 Speaker 1: a jilted lover when you know, you break up with 68 00:03:29,040 --> 00:03:31,160 Speaker 1: someone and then all of a sudden they love you 69 00:03:31,440 --> 00:03:33,360 Speaker 1: up until the moment like you guys separate and then 70 00:03:33,360 --> 00:03:35,320 Speaker 1: all of a sudden was like, oh, well you have 71 00:03:35,440 --> 00:03:38,080 Speaker 1: bad breath. Then I've just I've held that in for 72 00:03:38,120 --> 00:03:40,000 Speaker 1: so long, and i just didn't have the heart to 73 00:03:40,040 --> 00:03:43,560 Speaker 1: tell you, like like you've been working there for so long, 74 00:03:43,640 --> 00:03:46,760 Speaker 1: and then all of a sudden, this expose comes out. You. 75 00:03:46,760 --> 00:03:49,240 Speaker 1: You obviously go to Rolling Stone and say, hey, these 76 00:03:49,240 --> 00:03:52,280 Speaker 1: are the these are the conditions I'm working in. But 77 00:03:52,360 --> 00:03:55,400 Speaker 1: yet you still stay there just as the show's moving, 78 00:03:55,520 --> 00:03:58,000 Speaker 1: and and maybe you didn't get the opportunity or were 79 00:03:58,040 --> 00:04:00,680 Speaker 1: given the opportunity to get up and move across the 80 00:04:00,680 --> 00:04:03,440 Speaker 1: country to New York. That's just me, I hear you. 81 00:04:03,520 --> 00:04:05,560 Speaker 2: I'm in this business, so I'm in the gossip business, 82 00:04:05,560 --> 00:04:08,200 Speaker 2: so I know how these stories often happen, how they work. 83 00:04:08,560 --> 00:04:12,600 Speaker 2: It takes a massive event, something like a show moving 84 00:04:12,760 --> 00:04:17,040 Speaker 2: or somebody getting fired often for people to talk. And 85 00:04:17,080 --> 00:04:19,039 Speaker 2: so for instance, a lot of people have just been 86 00:04:19,080 --> 00:04:21,520 Speaker 2: fired from the Sherry Shepherd Show who have been with 87 00:04:21,560 --> 00:04:25,120 Speaker 2: Sherry now over a year. Those people are happy to 88 00:04:25,279 --> 00:04:27,839 Speaker 2: talk about their experience because they're not frightened of losing 89 00:04:27,839 --> 00:04:31,880 Speaker 2: their jobs anymore. So it's quite complicated here. So I 90 00:04:31,960 --> 00:04:36,000 Speaker 2: personally feel as if the momentous move moving to New 91 00:04:36,080 --> 00:04:40,080 Speaker 2: York has freed some people up to reveal the truth. 92 00:04:40,279 --> 00:04:43,480 Speaker 2: Their truth here right, eleven people is a lot of people. 93 00:04:43,520 --> 00:04:46,160 Speaker 2: If this was a few people who were angry or 94 00:04:46,200 --> 00:04:48,880 Speaker 2: a few people that had lost their joms. I mean, 95 00:04:49,240 --> 00:04:51,719 Speaker 2: we've all lost our jobs. How often have we run 96 00:04:51,800 --> 00:04:54,080 Speaker 2: to the press and made something up? I know I've 97 00:04:54,200 --> 00:04:55,480 Speaker 2: never done that. 98 00:04:55,760 --> 00:04:57,800 Speaker 1: It's the entertainment business, though, you know what I mean? 99 00:04:57,880 --> 00:05:00,720 Speaker 1: And I think we've the other thing I I've seen too, 100 00:05:00,720 --> 00:05:04,440 Speaker 1: because we've both been around celebrities and all it takes 101 00:05:04,800 --> 00:05:08,600 Speaker 1: is one bad day or one whatever. You know. Given 102 00:05:08,640 --> 00:05:12,240 Speaker 1: they didn't knock Kelly Clarkson, but maybe they didn't have 103 00:05:12,600 --> 00:05:15,720 Speaker 1: they wanted to be closer to Kelly Clarkson, they didn't 104 00:05:15,760 --> 00:05:19,200 Speaker 1: get that access because of their job title, you know 105 00:05:19,240 --> 00:05:20,960 Speaker 1: what I mean. Like if you were if you were 106 00:05:20,960 --> 00:05:23,520 Speaker 1: a show runner, you're not hanging out with Kelly Clarkson 107 00:05:23,560 --> 00:05:26,320 Speaker 1: and the executive producers. You're grabbing coffee, you know what 108 00:05:26,360 --> 00:05:29,240 Speaker 1: I mean. If you are a producer, you're talking to 109 00:05:29,279 --> 00:05:32,200 Speaker 1: the guest. You're not hanging out with Kelly Clarkson specifically 110 00:05:32,200 --> 00:05:34,400 Speaker 1: in her inner circle of producers. 111 00:05:34,839 --> 00:05:38,560 Speaker 2: Yeah, I think you're onto something, But I do also 112 00:05:39,240 --> 00:05:42,080 Speaker 2: believe that we've all worked at jobs right where there 113 00:05:42,080 --> 00:05:45,600 Speaker 2: have been bad days, And then does that make that 114 00:05:45,720 --> 00:05:48,359 Speaker 2: job toxic? Just because you have one or two, or 115 00:05:48,360 --> 00:05:51,400 Speaker 2: three or four bad days, saying the whole year you 116 00:05:51,480 --> 00:05:54,760 Speaker 2: have twenty percent bad days and eighty percent good days? 117 00:05:55,320 --> 00:05:58,159 Speaker 2: Is the show toxic? Is your work environment toxic? 118 00:05:58,240 --> 00:05:58,320 Speaker 1: Like? 119 00:05:58,400 --> 00:06:00,840 Speaker 2: Where's the line? It's very completing. I try to make 120 00:06:00,880 --> 00:06:04,000 Speaker 2: sure as somebody that runs my own business, I'm the boss, right, 121 00:06:04,040 --> 00:06:06,919 Speaker 2: and so I make sure that every day were fair. 122 00:06:07,320 --> 00:06:09,279 Speaker 2: We try to do our best. There are days where 123 00:06:09,279 --> 00:06:12,280 Speaker 2: I'm not as happy as others. But I really think 124 00:06:12,320 --> 00:06:15,640 Speaker 2: about this. If I give somebody just one day of 125 00:06:15,760 --> 00:06:19,080 Speaker 2: attitude of making them feel bad about themselves, then in 126 00:06:19,160 --> 00:06:21,359 Speaker 2: my opinion, that's a toxic work environment. 127 00:06:21,440 --> 00:06:23,800 Speaker 1: And I shouldn't just wait till this show's over. I shooter. 128 00:06:23,839 --> 00:06:26,080 Speaker 1: As soon as we shut down this podcast, I am 129 00:06:26,160 --> 00:06:28,719 Speaker 1: running to the to the next podcast that would take 130 00:06:28,760 --> 00:06:30,800 Speaker 1: me and just blowing this thing up. 131 00:06:31,360 --> 00:06:34,520 Speaker 2: You're unusual because you've been at Z one hundred pretty 132 00:06:34,600 --> 00:06:37,640 Speaker 2: much your entire work life. It's been your only job, 133 00:06:37,720 --> 00:06:38,440 Speaker 2: so you don't know. 134 00:06:39,560 --> 00:06:41,920 Speaker 1: I went from the lifeguard stand to the radio stand. 135 00:06:42,040 --> 00:06:44,840 Speaker 2: Look at that, that's pretty great. I've had lots of 136 00:06:44,839 --> 00:06:47,159 Speaker 2: different jobs, and I've got to admit several of them 137 00:06:47,200 --> 00:06:50,880 Speaker 2: have been on TV or around TV, and I do 138 00:06:50,960 --> 00:06:54,919 Speaker 2: find TV in general quite a tough environment, right Like, 139 00:06:55,000 --> 00:06:59,600 Speaker 2: I think it's much tougher than print, magazine work, newspaper work, 140 00:07:00,240 --> 00:07:03,440 Speaker 2: radio work. TV is a really rough So I would 141 00:07:03,520 --> 00:07:06,080 Speaker 2: argue here, and I'm not saying this is a good thing. 142 00:07:06,080 --> 00:07:09,680 Speaker 2: I'm not justifying it, but I would argue here that 143 00:07:09,840 --> 00:07:14,640 Speaker 2: most TV shows are toxic. Unfortunately, They're really are high pressure. 144 00:07:15,080 --> 00:07:18,360 Speaker 2: There's lots of drama, there's lots of personalities. We've seen 145 00:07:18,360 --> 00:07:22,680 Speaker 2: the morning shd day every day. There's drama, there's pressure 146 00:07:22,720 --> 00:07:26,320 Speaker 2: to beat your competitor. There's lots of push. Kelly's show 147 00:07:26,360 --> 00:07:29,120 Speaker 2: that's new, it might not have survived. A lot of 148 00:07:29,160 --> 00:07:32,920 Speaker 2: new shows don't survive. I've been on there's competition for guests, 149 00:07:32,920 --> 00:07:36,520 Speaker 2: this competition for ratings, there's competition between the staff to 150 00:07:36,600 --> 00:07:40,200 Speaker 2: try to outwork each other. And so I've been on 151 00:07:40,280 --> 00:07:44,000 Speaker 2: TV shows where it's a lot of pressure. So maybe 152 00:07:44,080 --> 00:07:48,240 Speaker 2: the people on this show have not experienced to other shows, 153 00:07:48,280 --> 00:07:51,440 Speaker 2: and once they start doing that, they'll realize that maybe 154 00:07:51,480 --> 00:07:53,280 Speaker 2: the TV business isn't for them. 155 00:07:53,400 --> 00:07:56,640 Speaker 1: Right, or they realize just like a jilted lover that 156 00:07:56,760 --> 00:07:59,040 Speaker 1: just dumps you right away and tries to see if 157 00:07:59,040 --> 00:08:03,360 Speaker 1: the grass is greener on the other side, Kelly, are 158 00:08:03,360 --> 00:08:06,960 Speaker 1: you still open to that idea of moving to New York? 159 00:08:07,160 --> 00:08:07,400 Speaker 2: Right? 160 00:08:08,160 --> 00:08:08,440 Speaker 1: Would you? 161 00:08:08,520 --> 00:08:10,760 Speaker 2: If you were Kelly now, would you make sure everybody 162 00:08:10,760 --> 00:08:13,200 Speaker 2: that wanted to move to New York did? How do 163 00:08:13,200 --> 00:08:13,760 Speaker 2: you fix this? 164 00:08:13,960 --> 00:08:15,960 Speaker 1: But you know what I mean, You can't put it 165 00:08:16,000 --> 00:08:19,000 Speaker 1: all on Kelly Clarkson. That like, given her names on 166 00:08:19,040 --> 00:08:23,160 Speaker 1: the show doesn't mean she looks over every nook and cranny. 167 00:08:23,400 --> 00:08:27,480 Speaker 1: That's why you have executive producers and associate producers and 168 00:08:27,640 --> 00:08:31,400 Speaker 1: senior producers and senior this and senior like. There's so 169 00:08:31,520 --> 00:08:34,319 Speaker 1: many people here. The whole point of having those big 170 00:08:34,360 --> 00:08:38,800 Speaker 1: titles in your job description is to alleviate any stress 171 00:08:39,160 --> 00:08:41,440 Speaker 1: on Kelly. Kelly's job is to do the show and 172 00:08:41,559 --> 00:08:44,440 Speaker 1: just be and to be a great host. Everything else 173 00:08:44,520 --> 00:08:46,440 Speaker 1: is on everyone else that gets a paycheck from it. 174 00:08:46,440 --> 00:08:49,280 Speaker 2: It is it is, But is her name? People that 175 00:08:49,800 --> 00:08:52,200 Speaker 2: work in senior positions for me. I remind them all 176 00:08:52,240 --> 00:08:55,319 Speaker 2: the time that they represent me. It's my name that's 177 00:08:55,360 --> 00:08:56,840 Speaker 2: on pretty much everything. Some such a. 178 00:08:56,880 --> 00:08:59,640 Speaker 1: Narcissist, right, Well, you know you are. I mean I 179 00:09:00,120 --> 00:09:02,080 Speaker 1: did turn around once and your name is on my 180 00:09:02,160 --> 00:09:03,720 Speaker 1: shirt and I go back how that worked. 181 00:09:03,760 --> 00:09:06,640 Speaker 2: But I do like to put my names on things. 182 00:09:06,920 --> 00:09:11,200 Speaker 2: But these people I hire, they do represent me. And 183 00:09:11,240 --> 00:09:14,000 Speaker 2: so this leads us beautifully to our pole question of 184 00:09:14,040 --> 00:09:18,480 Speaker 2: the day. Kelly Clarkson is addressing a reported allegations about 185 00:09:18,520 --> 00:09:22,600 Speaker 2: a toxic work culture at her talk show. Is Kelly 186 00:09:23,200 --> 00:09:27,360 Speaker 2: ultimately responsible? It's her name that's on this stuff. It's 187 00:09:27,480 --> 00:09:33,400 Speaker 2: the Kelly Clarkson Show. Does the buck stop with her? 188 00:09:33,520 --> 00:09:36,079 Speaker 2: It's a tough question, isn't it. Hey, go vote on 189 00:09:36,080 --> 00:09:38,880 Speaker 2: our Twitter page. I'd not too nice, rob Facebook page 190 00:09:38,920 --> 00:09:41,280 Speaker 2: is naughty gossip. I'll be sure to check back tomorrow 191 00:09:41,520 --> 00:09:44,480 Speaker 2: to hear your results. Hey, Garrett, what are you working on? 192 00:09:44,559 --> 00:09:46,720 Speaker 1: All? Right? Well, since we can't afford tickets to tell 193 00:09:46,760 --> 00:09:49,199 Speaker 1: her soft, let's talk about her. So over the weekend 194 00:09:49,280 --> 00:09:52,760 Speaker 1: she had big shows. It's so smart. Taylorshift does this 195 00:09:52,960 --> 00:09:56,400 Speaker 1: brilliant thing where she only works three days a week 196 00:09:56,600 --> 00:10:00,360 Speaker 1: pretty much. She rolls into town on a Friday, reforms 197 00:10:00,400 --> 00:10:03,160 Speaker 1: on a Friday, Saturday, and Sunday, and she took She 198 00:10:03,240 --> 00:10:06,960 Speaker 1: took the Ears Tour Era's tour to Philadelphia over the 199 00:10:06,960 --> 00:10:10,720 Speaker 1: weekend at Lincoln Financial, sold out crowd three nights. The 200 00:10:10,760 --> 00:10:14,320 Speaker 1: Swifties were crazy, and you know, just having a ticket 201 00:10:14,360 --> 00:10:18,560 Speaker 1: to sold out show and knowing that no one else 202 00:10:18,600 --> 00:10:22,319 Speaker 1: has that ticket, you're excited for it. So during during 203 00:10:22,360 --> 00:10:25,439 Speaker 1: the marathon of anthems of Taylor Swift songs, she got 204 00:10:25,440 --> 00:10:28,240 Speaker 1: to bad Blood. Everybody knows it. Everybody goes crazy. It's 205 00:10:28,280 --> 00:10:31,880 Speaker 1: probably one of the crescendos of the of the show, 206 00:10:32,240 --> 00:10:34,800 Speaker 1: and fans started coming up to the stage where there 207 00:10:34,840 --> 00:10:37,080 Speaker 1: was a barricade the stage. It's huge, it takes up 208 00:10:37,080 --> 00:10:41,079 Speaker 1: the whole football stadium. And Taylor noticed that some of 209 00:10:41,120 --> 00:10:42,920 Speaker 1: the security guards were kind of like pushing back on 210 00:10:42,960 --> 00:10:44,880 Speaker 1: the fans that were trying to get as close as possible. 211 00:10:45,080 --> 00:10:47,040 Speaker 1: And during the song. It takes a lot for Taylor 212 00:10:47,080 --> 00:10:50,280 Speaker 1: Swift to notice something in a freaking stadium. She tells 213 00:10:50,320 --> 00:10:53,439 Speaker 1: the security guard, hey, stop during the song, like, so 214 00:10:53,840 --> 00:10:57,560 Speaker 1: there's dancing going on there, there's people playing. Taylor Swift 215 00:10:57,600 --> 00:11:00,480 Speaker 1: stops the whole thing and says, stop didn't do anything. 216 00:11:00,640 --> 00:11:03,280 Speaker 1: Security guards were getting a little little frisky. And let's 217 00:11:03,280 --> 00:11:07,880 Speaker 1: be honest, Philadelphia, they are a little rough at Philly. 218 00:11:07,960 --> 00:11:09,599 Speaker 1: Well not even that rob Shoot. Let me tell you 219 00:11:09,640 --> 00:11:13,040 Speaker 1: about the stadium. The fans in Philadelphia, they are they 220 00:11:13,080 --> 00:11:16,560 Speaker 1: are crazy, They're passionate. They once threw batteries at Santa 221 00:11:16,600 --> 00:11:19,480 Speaker 1: claus And during a football game. It's it's a whole 222 00:11:19,480 --> 00:11:22,800 Speaker 1: big thing. But Taylor noticed she was looking out for 223 00:11:22,840 --> 00:11:24,640 Speaker 1: the fans. And the great thing is you're at a 224 00:11:24,640 --> 00:11:27,040 Speaker 1: Taylor Swift show, so you're on camera no matter where 225 00:11:27,080 --> 00:11:29,600 Speaker 1: you are from from the actual stage itself down to 226 00:11:29,640 --> 00:11:31,640 Speaker 1: the fan that's sitting up in the nosebleed. There is 227 00:11:31,640 --> 00:11:34,760 Speaker 1: a camera angle for everything. So of course Twitter has 228 00:11:34,840 --> 00:11:37,400 Speaker 1: every single angle of it. And I'm surprised they haven't 229 00:11:37,400 --> 00:11:41,040 Speaker 1: found the security guard yet and really given it to them. 230 00:11:41,480 --> 00:11:44,320 Speaker 1: But yeah, Taylor pretty much says said hey see you later. Uh. 231 00:11:44,440 --> 00:11:47,040 Speaker 1: And of course the security guard for their own safety, 232 00:11:47,120 --> 00:11:49,520 Speaker 1: not for their for their wrongdoing, for their own safety 233 00:11:49,520 --> 00:11:52,559 Speaker 1: from the Swifties and Taylor. They were escorted out of 234 00:11:52,679 --> 00:11:56,760 Speaker 1: the building and Taylor's fans even said on Twitter, you 235 00:11:56,880 --> 00:11:59,400 Speaker 1: know you did something wrong. If Taylor Swift does to 236 00:11:59,440 --> 00:12:02,200 Speaker 1: stop her and call you out on something. 237 00:12:02,160 --> 00:12:05,040 Speaker 2: It's a judgment, isn't it. It's a judgment call. When 238 00:12:05,080 --> 00:12:07,520 Speaker 2: are you acting up too much? Like I get it. 239 00:12:07,559 --> 00:12:10,520 Speaker 2: I've been to concerts. I've screamed, I've shouted, I've jumped 240 00:12:10,559 --> 00:12:13,680 Speaker 2: up and done I've probably been very annoying to the people. 241 00:12:13,480 --> 00:12:15,719 Speaker 1: Because I said a Barry Manilow show, I. 242 00:12:15,720 --> 00:12:19,720 Speaker 2: Love bar I love Barray. And it's so interesting. At 243 00:12:19,720 --> 00:12:22,960 Speaker 2: what point is it unacceptable? And I personally feel here, 244 00:12:23,320 --> 00:12:26,200 Speaker 2: if you're rushing against the barricade that you're not meant 245 00:12:26,240 --> 00:12:29,880 Speaker 2: to be rushing towards it's the security guard's jump to 246 00:12:29,960 --> 00:12:32,679 Speaker 2: say sit down, calm down, Like but have. 247 00:12:32,679 --> 00:12:34,720 Speaker 1: You seen the video so so the way you described it, 248 00:12:34,720 --> 00:12:36,640 Speaker 1: you would think, yes, that's the way to act. The 249 00:12:36,720 --> 00:12:41,400 Speaker 1: security guard versus a little kid, pretty much a teenager. 250 00:12:42,240 --> 00:12:45,520 Speaker 1: You would think that this teenager is you know, a 251 00:12:45,559 --> 00:12:50,080 Speaker 1: big football player ready to yeah, you know, four hundred 252 00:12:50,080 --> 00:12:53,120 Speaker 1: pounds and they're holding them back from Taylor Swift getting rushed. 253 00:12:53,240 --> 00:12:56,360 Speaker 1: Not the case like that. That's the problem. It's just 254 00:12:56,400 --> 00:12:59,480 Speaker 1: like the previous story with Kelly Clarkson, It's about how 255 00:12:59,480 --> 00:13:02,520 Speaker 1: you handle the situation, not not how you react to it. 256 00:13:03,080 --> 00:13:04,920 Speaker 2: I think Taylor did the right thing here. If you're 257 00:13:05,040 --> 00:13:08,560 Speaker 2: on stage, it's your show. You're the boss, it's your 258 00:13:08,720 --> 00:13:13,120 Speaker 2: show now. Taylor, though, didn't blame anybody else. She took responsibility. 259 00:13:13,280 --> 00:13:16,599 Speaker 2: So it's really interesting. So it goes back to Kelly Clarkson. 260 00:13:17,200 --> 00:13:19,960 Speaker 2: You've got to take responsibility when something happens and you're 261 00:13:20,040 --> 00:13:23,400 Speaker 2: the boss, it's your problem. And I loved that Taylor 262 00:13:23,640 --> 00:13:26,280 Speaker 2: almost stopped her show like she carried on singing. I've 263 00:13:26,280 --> 00:13:28,960 Speaker 2: got a video up on Lordy Gossip of Taylor's reaction. 264 00:13:29,040 --> 00:13:31,720 Speaker 2: I'll find the video of what happened with the security 265 00:13:31,760 --> 00:13:34,280 Speaker 2: guard and the fan. But it's fascinating. I love that 266 00:13:34,400 --> 00:13:37,840 Speaker 2: Taylor did this. She should be the nicest of the day. Okay, quickly, 267 00:13:37,880 --> 00:13:39,960 Speaker 2: before we get a break, we have some breaking news. 268 00:13:40,480 --> 00:13:46,679 Speaker 2: Charles and Harry spoke the night before the coronation. Harry, 269 00:13:47,120 --> 00:13:49,920 Speaker 2: so they did talk. If you remember, Harry was in 270 00:13:49,960 --> 00:13:53,760 Speaker 2: town for just I think twenty eight hours. We counted 271 00:13:53,760 --> 00:13:57,360 Speaker 2: the hours. He arrived the night before the coronation, He 272 00:13:57,440 --> 00:14:00,280 Speaker 2: went to the coronation on Saturday, then he went to 273 00:14:00,320 --> 00:14:04,360 Speaker 2: Buckingham Palace, literally changed clothes and left for the airport. 274 00:14:04,760 --> 00:14:07,600 Speaker 2: A royal expert in London is saying that it is 275 00:14:07,679 --> 00:14:12,200 Speaker 2: quote my understanding that Harry didn't have any interactions with 276 00:14:12,240 --> 00:14:14,400 Speaker 2: the Prince or Princess of Wales, but he did have 277 00:14:14,400 --> 00:14:18,880 Speaker 2: a conversation with his father the night before. Sources close 278 00:14:18,920 --> 00:14:21,600 Speaker 2: to Charles are saying Charles hoped he would stick around 279 00:14:21,880 --> 00:14:24,320 Speaker 2: but understood that he had to rush back to LA 280 00:14:24,800 --> 00:14:27,160 Speaker 2: to see his little son Archie. It was his birthday. 281 00:14:27,200 --> 00:14:30,400 Speaker 2: So a lot of understanding here. But they did talk 282 00:14:30,440 --> 00:14:33,360 Speaker 2: the night before. This is a very very good sign 283 00:14:33,520 --> 00:14:36,640 Speaker 2: because our reporting really up to this moment was they 284 00:14:36,680 --> 00:14:40,160 Speaker 2: had almost no interaction, or if in fact none, that's 285 00:14:40,200 --> 00:14:41,400 Speaker 2: not true. They did speak. 286 00:14:41,560 --> 00:14:45,400 Speaker 1: I just I feel like Charles did it as a checkmate, 287 00:14:45,720 --> 00:14:48,680 Speaker 1: no pun intended where you know what I mean? Like 288 00:14:48,760 --> 00:14:52,040 Speaker 1: by him going please stay, you well know that your 289 00:14:52,080 --> 00:14:56,200 Speaker 1: grandson is turning what for back home back in LA 290 00:14:56,360 --> 00:14:58,800 Speaker 1: and you're going to put your son in that awkward 291 00:14:58,840 --> 00:15:02,560 Speaker 1: position of missing your son's birthday or staying for that. 292 00:15:02,760 --> 00:15:04,680 Speaker 1: Like again, it goes back to what we talked about. 293 00:15:04,720 --> 00:15:07,560 Speaker 1: You knew that your son, your grandson's birthday was when. 294 00:15:07,480 --> 00:15:09,720 Speaker 2: It did this, that's all the day and that's set 295 00:15:09,840 --> 00:15:10,280 Speaker 2: in stone. 296 00:15:10,400 --> 00:15:10,880 Speaker 1: It's a day. 297 00:15:11,120 --> 00:15:15,360 Speaker 2: You know, we can't change Christmas, you can't change Thanksgiving, 298 00:15:15,640 --> 00:15:19,400 Speaker 2: you can't change Garrett's birthday. Okay, we're going to take 299 00:15:19,480 --> 00:15:21,600 Speaker 2: a quick break here because we can't change that, and 300 00:15:21,640 --> 00:15:25,080 Speaker 2: we will be right back. Welcome back to the Naughty 301 00:15:25,120 --> 00:15:28,960 Speaker 2: but Nice you remember shoot with her Different Garrett Vogel. Hey, Garrett, 302 00:15:29,000 --> 00:15:31,280 Speaker 2: let's get to the polls that the Here we go, 303 00:15:31,360 --> 00:15:33,320 Speaker 2: Thank you very much, Darling. Last show, we talked about 304 00:15:33,320 --> 00:15:35,880 Speaker 2: the video that's really blowing up online. It's Ben Affleck 305 00:15:36,080 --> 00:15:40,240 Speaker 2: slamming the car door behind his wife Jennifer Lopez. We 306 00:15:40,280 --> 00:15:44,040 Speaker 2: ad this. We asked, is this a bad sign? Let's 307 00:15:44,040 --> 00:15:47,080 Speaker 2: have a look eighty percent of you so this is 308 00:15:47,120 --> 00:15:49,920 Speaker 2: a bad sign. Not first, before I watched the video, 309 00:15:50,360 --> 00:15:52,240 Speaker 2: I thought it was just like, oh, it's a bit weird. 310 00:15:52,320 --> 00:15:54,640 Speaker 2: But he always looks so grumpy. 311 00:15:55,200 --> 00:15:58,360 Speaker 1: You know why, because because the photos that were looking 312 00:15:58,400 --> 00:16:00,800 Speaker 1: at he's mad at the on the other side of 313 00:16:00,880 --> 00:16:04,280 Speaker 1: taking the photos and you know what, brilliant on them 314 00:16:04,480 --> 00:16:06,920 Speaker 1: for the sake of we know how to piss off. 315 00:16:07,240 --> 00:16:09,440 Speaker 1: And look, we're talking about it like he's he's pissed 316 00:16:09,440 --> 00:16:11,840 Speaker 1: off at Jennifer. You know what I mean? No one's 317 00:16:11,880 --> 00:16:16,680 Speaker 1: going he's mad because you're literally photographing him like walking, 318 00:16:16,960 --> 00:16:19,880 Speaker 1: like you give the man some space. And yes, it's 319 00:16:19,920 --> 00:16:20,640 Speaker 1: a part of the job. 320 00:16:21,600 --> 00:16:23,960 Speaker 2: When you marry Jennifer Lopez there, I was there around one, 321 00:16:24,000 --> 00:16:25,440 Speaker 2: so I was with Jennifer and Ben when they were 322 00:16:25,480 --> 00:16:28,400 Speaker 2: together the first time. And the amount of press and 323 00:16:28,440 --> 00:16:32,200 Speaker 2: attention she gets, you can't really change that, so you 324 00:16:32,280 --> 00:16:35,520 Speaker 2: know what you're getting. Ben. Put on a smile, sweetie. 325 00:16:35,520 --> 00:16:36,960 Speaker 2: If you want these stories to go away, maybe he 326 00:16:36,960 --> 00:16:39,480 Speaker 2: doesn't care, but if you're listening, Aloe, and if you 327 00:16:39,480 --> 00:16:41,600 Speaker 2: want them to go away, a little smile. 328 00:16:41,360 --> 00:16:43,960 Speaker 1: And Ben, I'm sorry, Team Ben here. 329 00:16:43,840 --> 00:16:46,400 Speaker 2: When you close the door, Garrett, I hope you're listening 330 00:16:46,480 --> 00:16:48,640 Speaker 2: when you close the door. First of all, do you 331 00:16:48,680 --> 00:16:50,760 Speaker 2: open your car door for your wife? 332 00:16:51,000 --> 00:16:53,600 Speaker 1: Most times, when we're not arguing like Ben and Jennifer. 333 00:16:53,280 --> 00:16:58,520 Speaker 2: Are, when the photographers are not following you. Okay, let's 334 00:16:58,520 --> 00:17:01,160 Speaker 2: do a noisiest of the We finally have some good 335 00:17:01,240 --> 00:17:03,280 Speaker 2: news about Jamie Fox. 336 00:17:03,320 --> 00:17:05,119 Speaker 1: See and this kind of goes back to what we 337 00:17:05,119 --> 00:17:07,280 Speaker 1: were just talking about about with the pole question with 338 00:17:07,480 --> 00:17:11,399 Speaker 1: Jennifer Lopez and Ben Affleck, where Jamie Fox has been 339 00:17:11,400 --> 00:17:13,760 Speaker 1: out of the hospital for weeks. According to his daughter. Now, 340 00:17:13,800 --> 00:17:16,600 Speaker 1: the stories are, if you've been reading the Internet or 341 00:17:16,640 --> 00:17:19,800 Speaker 1: just scrolling on your phone, that Jamie Fox's dire need 342 00:17:19,880 --> 00:17:22,679 Speaker 1: and needs our prayers and and this and that, and 343 00:17:22,720 --> 00:17:26,680 Speaker 1: his daughter's like enough already, he's been playing pickleball. He's out, 344 00:17:26,760 --> 00:17:30,399 Speaker 1: he's recovering, he's he's doing okay, he's he's not on 345 00:17:30,440 --> 00:17:34,240 Speaker 1: his deathbed. So it's so interesting where you just take 346 00:17:34,320 --> 00:17:36,639 Speaker 1: one story on the Internet, but not at Noddy Gossip, 347 00:17:36,640 --> 00:17:39,800 Speaker 1: because that's nothing but the true and and you and 348 00:17:39,840 --> 00:17:42,080 Speaker 1: you and people run with it and and it's it's 349 00:17:42,119 --> 00:17:47,280 Speaker 1: a very sick game of like a snowball avalanche where 350 00:17:47,280 --> 00:17:49,720 Speaker 1: the slightest little thing, Jamie Fox is still in the hospital, 351 00:17:49,760 --> 00:17:52,520 Speaker 1: and it turns into this, did you hear Jamie Fox 352 00:17:52,560 --> 00:17:55,280 Speaker 1: has no legs? You know, Like it's it's so weird. 353 00:17:55,359 --> 00:17:57,199 Speaker 2: Right, we get character with it. I mean, I hope, 354 00:17:57,440 --> 00:17:59,080 Speaker 2: I hope all this is true. And I think the 355 00:17:59,119 --> 00:18:01,760 Speaker 2: best thing if you these stories to go away is 356 00:18:01,800 --> 00:18:03,720 Speaker 2: to let us see him. He doesn't know us anything, 357 00:18:03,760 --> 00:18:06,440 Speaker 2: but I've made a video for TikTok or if he 358 00:18:06,920 --> 00:18:09,120 Speaker 2: made a little speech, we'd love to hear that he's 359 00:18:09,160 --> 00:18:12,200 Speaker 2: okay a little He's already I think put something on Instagram. 360 00:18:12,240 --> 00:18:14,480 Speaker 2: We didn't see him where he said, thank you for 361 00:18:14,520 --> 00:18:17,119 Speaker 2: all your prayers and your thoughts, but I'd love to 362 00:18:17,359 --> 00:18:19,640 Speaker 2: love to see him this This story is still such 363 00:18:19,640 --> 00:18:23,040 Speaker 2: a strange story, but the update is something that we're 364 00:18:23,119 --> 00:18:25,760 Speaker 2: thrilled to hear. Our nicest of the day and now 365 00:18:25,880 --> 00:18:29,760 Speaker 2: a naughtice the day. Naughty, naughty, naughty. Apparently the knives 366 00:18:29,800 --> 00:18:33,359 Speaker 2: are out for Prince Andrew as the King demands that 367 00:18:33,440 --> 00:18:35,760 Speaker 2: he'd leave his Windsor home. 368 00:18:36,000 --> 00:18:40,240 Speaker 1: So beheading or like right off the case, like you say, 369 00:18:40,240 --> 00:18:42,919 Speaker 1: the knives are out Prince Andrew, and then you go, 370 00:18:42,960 --> 00:18:46,040 Speaker 1: oh to leave Windsor, And I'm like, okay, was going. 371 00:18:46,200 --> 00:18:50,040 Speaker 2: He's a bad guy, Prince Andrew, but he's shameless and 372 00:18:50,080 --> 00:18:54,440 Speaker 2: he's refusing to leave the Royal Lodge. The Royal Lodge 373 00:18:54,920 --> 00:18:58,560 Speaker 2: is on the ninety eight acre Windsor property, so Windsor 374 00:18:58,640 --> 00:19:01,439 Speaker 2: the Castle of Windsor. It's enormous and there's lots of 375 00:19:01,480 --> 00:19:06,160 Speaker 2: homes on there, including one where the Duke lives. However, 376 00:19:06,560 --> 00:19:10,480 Speaker 2: he has to pay the upkeep of this home, and 377 00:19:10,600 --> 00:19:14,240 Speaker 2: Charles has now cut his almost two hundred and fifty 378 00:19:14,280 --> 00:19:17,159 Speaker 2: thousands he earns every year, so instead of throwing him 379 00:19:17,160 --> 00:19:19,480 Speaker 2: on the street. Here, don't get worried. They're going to 380 00:19:19,560 --> 00:19:24,359 Speaker 2: move him into a smaller palace, but he's refusing to leave. 381 00:19:24,680 --> 00:19:28,800 Speaker 2: He's a smart and naughtiest robb You get a Robbie, 382 00:19:28,840 --> 00:19:32,719 Speaker 2: get a rob. Doing the best at this difficult moment 383 00:19:33,280 --> 00:19:36,600 Speaker 2: will put you in the best place for the next 384 00:19:36,760 --> 00:19:40,280 Speaker 2: wonderful moment. If you're going through a hard time today, 385 00:19:40,359 --> 00:19:44,040 Speaker 2: a lot of us are, remember that this is setting 386 00:19:44,160 --> 00:19:47,520 Speaker 2: us up so that when a good time comes, we 387 00:19:47,560 --> 00:19:51,760 Speaker 2: are in the best place for that. Life is a journey. 388 00:19:51,840 --> 00:19:53,639 Speaker 2: We are on a marathon. I like to think of 389 00:19:53,680 --> 00:19:56,520 Speaker 2: life as a bridge and sometimes you've got a crossover, 390 00:19:57,240 --> 00:20:00,199 Speaker 2: pass by some things that are not that great to 391 00:20:00,280 --> 00:20:03,399 Speaker 2: get to the end of the rainbow. Hey, that is 392 00:20:03,520 --> 00:20:05,560 Speaker 2: it for today. Thank you so much for listening to 393 00:20:05,560 --> 00:20:08,480 Speaker 2: The Naughty Went Nice with Rob and Garrett Show, a 394 00:20:08,560 --> 00:20:12,600 Speaker 2: production of iHeartRadio. Don't forget to subscribe on the iHeartRadio 395 00:20:12,640 --> 00:20:17,840 Speaker 2: app Apple podcast wherever you listen, and remember altogether. Now, 396 00:20:17,960 --> 00:20:23,679 Speaker 2: if you're going to be naughty, we got to be nice. 397 00:20:24,240 --> 00:20:29,879 Speaker 1: Take care of his It's not even nice with ro