1
00:00:05,680 --> 00:00:09,400
Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

2
00:00:09,400 --> 00:00:12,400
Speaker 2: And daphnews Aniga and iHeartRadio Podcast.

3
00:00:14,720 --> 00:00:19,040
Speaker 1: Hey guys, Hey everyone to our recap of Still the Place.

4
00:00:19,800 --> 00:00:23,040
Speaker 3: Yes, back for another recap.

5
00:00:23,840 --> 00:00:27,240
Speaker 2: Episode twenty three in case anyone wants to catch up.

6
00:00:27,280 --> 00:00:30,120
Speaker 1: So exactly, we're doing a little bit of a new format.

7
00:00:30,480 --> 00:00:32,560
Speaker 1: Laura's going to give us an overview of the show

8
00:00:32,640 --> 00:00:34,320
Speaker 1: and then we're going to just get into the nitty

9
00:00:34,320 --> 00:00:36,680
Speaker 1: gritty and storytelling, which is all of our favorite parts.

10
00:00:36,720 --> 00:00:39,400
Speaker 1: So Laura tell us a little bit about episode twenty

11
00:00:39,400 --> 00:00:40,560
Speaker 1: three of Melrose Place.

12
00:00:41,120 --> 00:00:44,559
Speaker 4: Yeah, so episode twenty three, my new partner.

13
00:00:44,280 --> 00:00:44,920
Speaker 3: Is the title.

14
00:00:45,120 --> 00:00:49,479
Speaker 4: It was directed by Richard Lang and was written by

15
00:00:49,520 --> 00:00:52,560
Speaker 4: Frank South. And this episode, we don't see all of

16
00:00:52,600 --> 00:00:59,279
Speaker 4: our characters. We really focus on Alison and Billy and

17
00:00:59,320 --> 00:01:03,760
Speaker 4: Amanda and Keith shows up and Jake and Joe heat up.

18
00:01:04,080 --> 00:01:08,440
Speaker 3: And what happens is Alison learns.

19
00:01:08,080 --> 00:01:11,679
Speaker 4: That Amanda is definitely going to be dating Billy, and

20
00:01:11,760 --> 00:01:17,400
Speaker 4: she is confused about that and wants to confront her

21
00:01:17,440 --> 00:01:21,120
Speaker 4: feelings about the relationship with Billy, and so they make

22
00:01:21,160 --> 00:01:25,840
Speaker 4: a plan to have the conversation about their own relationship,

23
00:01:26,840 --> 00:01:32,880
Speaker 4: and it's confusing because when Alison gets a flower delivery,

24
00:01:33,319 --> 00:01:35,759
Speaker 4: it turns out it's from Keith and she.

25
00:01:35,959 --> 00:01:38,320
Speaker 2: But she doesn't say who it's from. So she's in

26
00:01:38,360 --> 00:01:40,559
Speaker 2: front of Amanda saying, oh, it must be from Billy

27
00:01:40,600 --> 00:01:43,440
Speaker 2: because you know, we decide to talk about our relationship

28
00:01:43,800 --> 00:01:49,600
Speaker 2: and it's not long stem roses from Billy.

29
00:01:48,120 --> 00:01:52,320
Speaker 4: Yad, but clearly Allison assumes it is. And so it's

30
00:01:52,480 --> 00:01:56,680
Speaker 4: heartbreaking because Keith comes back into her life and she

31
00:01:57,040 --> 00:01:59,560
Speaker 4: decides to sort of let him back in after.

32
00:01:59,360 --> 00:02:00,240
Speaker 3: All because.

33
00:02:01,440 --> 00:02:04,200
Speaker 2: And then they have a fabulous dinner party where they

34
00:02:04,880 --> 00:02:06,640
Speaker 2: invite Amanda and Billy over.

35
00:02:08,400 --> 00:02:10,399
Speaker 4: It's not the most fun to watch. I'm not really

36
00:02:10,440 --> 00:02:12,360
Speaker 4: happy seeing her go back with Keith.

37
00:02:12,560 --> 00:02:13,440
Speaker 5: Yeah, not at all.

38
00:02:13,480 --> 00:02:15,480
Speaker 4: At the same time, Geek and Joe are having this

39
00:02:15,480 --> 00:02:20,600
Speaker 4: fabulous relationship and he's telling Joe how happy he is

40
00:02:20,880 --> 00:02:22,720
Speaker 4: being with her, but he's.

41
00:02:22,639 --> 00:02:23,760
Speaker 3: Sort of struggling for money.

42
00:02:23,800 --> 00:02:27,920
Speaker 4: His job is his job disappears that motorcycle shop is

43
00:02:27,919 --> 00:02:31,880
Speaker 4: going under, so this episode is about him trying to

44
00:02:31,880 --> 00:02:33,920
Speaker 4: come up with the money to take over the motorcycle

45
00:02:33,960 --> 00:02:37,120
Speaker 4: shop and he can't get alone in the bank. While

46
00:02:37,160 --> 00:02:41,560
Speaker 4: at the same time, Joe's getting a divorce settlement, her.

47
00:02:41,480 --> 00:02:43,200
Speaker 3: First inclination is turned down.

48
00:02:44,800 --> 00:02:47,960
Speaker 4: Yeah, but she ends up offering this divorce settlement as

49
00:02:48,040 --> 00:02:49,359
Speaker 4: a like, hey, I can give you the money for

50
00:02:49,400 --> 00:02:50,960
Speaker 4: a down payment on the shop, and they end up

51
00:02:50,960 --> 00:02:52,600
Speaker 4: deciding by the end of the episode to go into

52
00:02:52,639 --> 00:02:53,639
Speaker 4: business together.

53
00:02:53,320 --> 00:02:53,800
Speaker 3: For the Moors.

54
00:02:54,280 --> 00:02:57,000
Speaker 2: Oh and I didn't say this, but I just want

55
00:02:57,000 --> 00:02:59,200
Speaker 2: to say my very favorite last thing is like they're

56
00:02:59,240 --> 00:03:02,080
Speaker 2: toasting sham pain in the shop that he bought with

57
00:03:02,160 --> 00:03:04,320
Speaker 2: the money that she gave him for the down payment,

58
00:03:04,919 --> 00:03:06,760
Speaker 2: and they're toasting champagne and as.

59
00:03:06,560 --> 00:03:10,160
Speaker 5: She's drinking Jacob's. So you're a silent partner, right.

60
00:03:13,000 --> 00:03:15,720
Speaker 6: We'll see silent as silent as can be?

61
00:03:16,720 --> 00:03:19,000
Speaker 2: Now, have you could just be a fly on the

62
00:03:19,040 --> 00:03:21,280
Speaker 2: wall with my husband and I he knows I can't

63
00:03:21,280 --> 00:03:24,800
Speaker 2: be silent about anything, And I just where is this

64
00:03:24,919 --> 00:03:26,040
Speaker 2: partnership gonna go?

65
00:03:27,680 --> 00:03:29,639
Speaker 3: Do you think that was scripted or do you think

66
00:03:29,680 --> 00:03:30,680
Speaker 3: that was on the mind?

67
00:03:31,440 --> 00:03:31,880
Speaker 5: I don't know.

68
00:03:31,919 --> 00:03:32,840
Speaker 6: That's a good question.

69
00:03:33,160 --> 00:03:34,240
Speaker 5: The silentist can be.

70
00:03:35,680 --> 00:03:38,040
Speaker 4: Well, it was a It was a very cute episode

71
00:03:38,080 --> 00:03:42,600
Speaker 4: for Jake and Joe and the Amanda and Billy relationship

72
00:03:43,160 --> 00:03:43,920
Speaker 4: kind of turned.

73
00:03:43,680 --> 00:03:45,920
Speaker 3: Into a thing. And by the end of the episode

74
00:03:46,000 --> 00:03:47,000
Speaker 3: there in bed together.

75
00:03:48,480 --> 00:03:51,800
Speaker 1: Yeah, man, if we could just not bring that up,

76
00:03:51,840 --> 00:03:52,560
Speaker 1: that would be great.

77
00:03:55,080 --> 00:03:58,760
Speaker 4: Well, there's so much to talk about inside of this episode,

78
00:03:58,920 --> 00:04:00,480
Speaker 4: like is good?

79
00:04:00,920 --> 00:04:03,440
Speaker 1: Yeah, all right, yes, I can't even wait.

80
00:04:03,880 --> 00:04:05,400
Speaker 3: All right, let's go you first.

81
00:04:05,720 --> 00:04:09,200
Speaker 2: First, I want to say, as the woman who played

82
00:04:09,360 --> 00:04:12,520
Speaker 2: Alison's bestie, I just want to say, I'm so sorry,

83
00:04:12,560 --> 00:04:15,600
Speaker 2: but Billy and Amanda are so cute together.

84
00:04:16,920 --> 00:04:17,920
Speaker 5: I'm so sorry.

85
00:04:18,640 --> 00:04:22,400
Speaker 2: Yeah, you're together soon because the ice skating, and then

86
00:04:22,480 --> 00:04:24,960
Speaker 2: you know at the end when she's on top of him.

87
00:04:25,000 --> 00:04:27,200
Speaker 5: You're with a woman. Now, I'm like, this makes sense.

88
00:04:27,720 --> 00:04:28,920
Speaker 5: And I was like, oh, I can't believe.

89
00:04:28,960 --> 00:04:29,159
Speaker 2: I know.

90
00:04:29,200 --> 00:04:31,200
Speaker 1: I was thinking in the beginning, like they have their

91
00:04:31,240 --> 00:04:33,240
Speaker 1: first kiss, and I'm like, good for you, Andrew, because

92
00:04:33,240 --> 00:04:35,599
Speaker 1: his mouth is closed. It's a very chase kissed. But

93
00:04:35,640 --> 00:04:37,200
Speaker 1: at the end, when she's in the lawn room, I'm like,

94
00:04:37,360 --> 00:04:41,400
Speaker 1: oh my god, they're really kissing. But you know what

95
00:04:41,440 --> 00:04:45,040
Speaker 1: I thought, Apparently Andrew noticed too how beautiful Heather is

96
00:04:45,080 --> 00:04:46,760
Speaker 1: by the end of the yes.

97
00:04:46,800 --> 00:04:48,560
Speaker 5: But you know what I thought. I thought that eight

98
00:04:48,680 --> 00:04:51,599
Speaker 5: pack that she climbed on that was work. That was like,

99
00:04:51,680 --> 00:04:54,760
Speaker 5: you're nine. Believe Courtney gets to go home to that

100
00:04:54,880 --> 00:04:55,719
Speaker 5: after hours.

101
00:04:55,760 --> 00:04:58,800
Speaker 1: That's what I did well, I did thirty years ago.

102
00:04:59,080 --> 00:05:04,520
Speaker 1: Now not so Now I go home to this twelve pack. Yes, now.

103
00:05:06,480 --> 00:05:06,960
Speaker 5: Awesome.

104
00:05:07,240 --> 00:05:09,240
Speaker 4: Did you guys notice in the in the scene it's

105
00:05:09,240 --> 00:05:12,640
Speaker 4: supposed to be like so sexy with Amanda and Billy.

106
00:05:13,200 --> 00:05:17,839
Speaker 4: Billy's dialogue is so stupid, like don't don't. Don't start

107
00:05:17,880 --> 00:05:20,680
Speaker 4: a sentence with well, all the women I've slept with

108
00:05:21,279 --> 00:05:23,840
Speaker 4: are dated whatever, Like he starts a sentence that way

109
00:05:23,880 --> 00:05:26,200
Speaker 4: when he's about he's getting into bed with Amanda, and

110
00:05:26,240 --> 00:05:27,440
Speaker 4: that's the way he starts a sentence.

111
00:05:27,440 --> 00:05:28,080
Speaker 3: Well, do you.

112
00:05:28,040 --> 00:05:30,800
Speaker 2: Remember that Woody Allen movie when Dian Wee says to

113
00:05:30,880 --> 00:05:32,080
Speaker 2: John Cusack.

114
00:05:33,120 --> 00:05:37,279
Speaker 3: Yeah, don't don't. It's honestly, that's what it is.

115
00:05:37,880 --> 00:05:42,280
Speaker 4: I wanted to shut up and stop saying stupid stuff.

116
00:05:43,040 --> 00:05:44,239
Speaker 5: I thought it was very hot.

117
00:05:44,440 --> 00:05:48,320
Speaker 6: I loved how she just pulled his belt out of

118
00:05:48,320 --> 00:05:49,360
Speaker 6: the pants.

119
00:05:49,520 --> 00:05:51,600
Speaker 5: And you're just like, what the hell is she gonna do.

120
00:05:51,520 --> 00:05:54,200
Speaker 2: With She like makes this loop and then she just

121
00:05:54,279 --> 00:05:56,039
Speaker 2: runs it down, and I thought it was I thought

122
00:05:56,040 --> 00:05:57,880
Speaker 2: it was great. I was like, wow, you know, we

123
00:05:57,920 --> 00:05:59,479
Speaker 2: had a really good show back then.

124
00:06:00,000 --> 00:06:02,280
Speaker 1: We were sex and adorable and Alison and Keith Are

125
00:06:02,320 --> 00:06:05,920
Speaker 1: just was like, oh, could you stop it. So you know,

126
00:06:06,279 --> 00:06:08,880
Speaker 1: Keith is the one waiting in Shooters when Alison's expecting

127
00:06:08,920 --> 00:06:10,840
Speaker 1: Bill and we're all expecting Billy and it's Keith. And

128
00:06:10,880 --> 00:06:13,919
Speaker 1: it's like, oh, Keith, He's so disappointing. And I was

129
00:06:14,040 --> 00:06:17,000
Speaker 1: so annoyed with Alison. I'm so annoyed, and I remember

130
00:06:17,040 --> 00:06:19,080
Speaker 1: when the Keith relationship ended, and then instead we're bringing

131
00:06:19,160 --> 00:06:21,760
Speaker 1: him back for three and I'm like, come on, can

132
00:06:21,839 --> 00:06:24,920
Speaker 1: Alison not have learned anything? And there's this really funny

133
00:06:24,920 --> 00:06:26,920
Speaker 1: line when when they were all at dinner first of all,

134
00:06:26,960 --> 00:06:29,480
Speaker 1: and Allison says, why don't you guys come to dinner tonight?

135
00:06:29,560 --> 00:06:30,080
Speaker 5: I'm like what?

136
00:06:30,160 --> 00:06:32,440
Speaker 1: So they get they meet at Shooters, and then the

137
00:06:32,440 --> 00:06:35,480
Speaker 1: next day she's inviting Billy and a man come to dinner.

138
00:06:36,120 --> 00:06:39,719
Speaker 1: It happens fast in the house in the wrong, so wrong,

139
00:06:40,520 --> 00:06:43,560
Speaker 1: And they're sitting at dinner and Keith is just pontificating

140
00:06:43,600 --> 00:06:46,440
Speaker 1: and blah blah blah blah blah, and Amanda goes, I

141
00:06:46,480 --> 00:06:48,680
Speaker 1: don't mean to offend, but basically she goes, but you're

142
00:06:48,720 --> 00:06:51,280
Speaker 1: obnoxious and arrogant, and.

143
00:06:51,240 --> 00:06:54,280
Speaker 2: I'm too bored. I'm too tired to point out why

144
00:06:54,320 --> 00:06:54,800
Speaker 2: you're bored.

145
00:06:56,960 --> 00:06:59,440
Speaker 3: That was great boring and I'm too annoyed to even

146
00:06:59,440 --> 00:06:59,840
Speaker 3: talking about it.

147
00:06:59,880 --> 00:07:01,719
Speaker 1: Right, So I felt the same way you did, DAF.

148
00:07:01,720 --> 00:07:04,320
Speaker 1: I'm like, Billy and Amanda are so cute together, and

149
00:07:04,440 --> 00:07:07,960
Speaker 1: Keith and Allison are so exhausted. I don't know it's

150
00:07:08,200 --> 00:07:08,400
Speaker 1: is it?

151
00:07:08,440 --> 00:07:10,440
Speaker 2: Because I know it's coming because I know what a

152
00:07:10,520 --> 00:07:13,080
Speaker 2: jerk he was before. But I also know what's coming

153
00:07:13,120 --> 00:07:15,680
Speaker 2: because we've seen this. You know, I know what's happening.

154
00:07:15,720 --> 00:07:17,760
Speaker 2: But I'm so creeped out by him. It's like the

155
00:07:17,760 --> 00:07:19,120
Speaker 2: whole time you want to.

156
00:07:19,040 --> 00:07:22,520
Speaker 5: Go, oh you guys, Oh yeah, there should be some conflict.

157
00:07:22,520 --> 00:07:25,440
Speaker 5: There's no conflict. I don't want him near her.

158
00:07:25,680 --> 00:07:28,520
Speaker 1: Well because he cheated on his wife with her. She

159
00:07:28,640 --> 00:07:31,400
Speaker 1: finally gets out, it's a terrible relationship. Everybody's rolling their

160
00:07:31,440 --> 00:07:34,280
Speaker 1: eyes's keeping her from Billy. Allison finally walks away. He

161
00:07:34,360 --> 00:07:37,480
Speaker 1: comes back in just says I'm divorced. Now, didn't you

162
00:07:37,480 --> 00:07:39,360
Speaker 1: miss me? She goes yes, and next thing you know,

163
00:07:39,440 --> 00:07:42,600
Speaker 1: they're kissing. And she said, fighting Billy and Amanda for

164
00:07:42,680 --> 00:07:46,480
Speaker 1: dinner it wasn't earned. And so we're so mad at

165
00:07:46,520 --> 00:07:49,040
Speaker 1: him for last time, as should Allison be. By the way,

166
00:07:49,080 --> 00:07:51,400
Speaker 1: she should still be mad at him. She should totally

167
00:07:51,440 --> 00:07:53,720
Speaker 1: be and he was a jerk to her at the end.

168
00:07:53,760 --> 00:07:56,640
Speaker 4: He was obviously like, you know, we're getting the idea

169
00:07:56,680 --> 00:07:58,840
Speaker 4: that he can't control his temper, and he's.

170
00:07:58,960 --> 00:08:01,520
Speaker 5: Yes, he grabbed her and shooters. Did you know that

171
00:08:01,600 --> 00:08:03,880
Speaker 5: he noticed that he wrapped her by the arm again?

172
00:08:04,200 --> 00:08:04,480
Speaker 1: Yes?

173
00:08:05,520 --> 00:08:09,160
Speaker 4: And but what I really saw in this episode for you,

174
00:08:10,480 --> 00:08:14,000
Speaker 4: Courtney as Alison is like that you were you were

175
00:08:14,040 --> 00:08:16,000
Speaker 4: reluctant to be in this relationship too.

176
00:08:16,040 --> 00:08:18,080
Speaker 3: You were just so sad that the Billy thing.

177
00:08:18,280 --> 00:08:20,600
Speaker 4: Like this is what I got from it, that Alison

178
00:08:20,720 --> 00:08:23,800
Speaker 4: is clearly like Keith is kind of her second choice,

179
00:08:23,840 --> 00:08:26,720
Speaker 4: but she wants you know, she feels like, okay, Billy,

180
00:08:26,760 --> 00:08:27,640
Speaker 4: that ship is sailed.

181
00:08:28,160 --> 00:08:29,640
Speaker 3: So I got to I guess I take this.

182
00:08:30,480 --> 00:08:32,920
Speaker 4: That to me just felt so sickening because I could

183
00:08:32,960 --> 00:08:37,080
Speaker 4: see that that was just the psychology in Allison's I mean,

184
00:08:37,280 --> 00:08:37,520
Speaker 4: I was.

185
00:08:37,559 --> 00:08:40,160
Speaker 2: Going by the line, though, you know, it's like, again,

186
00:08:40,240 --> 00:08:43,640
Speaker 2: I know what Keith is and I know it's almost

187
00:08:43,679 --> 00:08:45,480
Speaker 2: like I know I'm not seeing it for the first time,

188
00:08:45,720 --> 00:08:48,160
Speaker 2: but I'm just trusting the lines, and I'm thinking, well,

189
00:08:48,520 --> 00:08:52,040
Speaker 2: you know, maybe she did love him, she did fall

190
00:08:52,080 --> 00:08:52,880
Speaker 2: in love with him.

191
00:08:52,720 --> 00:08:54,160
Speaker 5: And maybe she she.

192
00:08:54,200 --> 00:08:56,559
Speaker 2: Is willing to take it back him back, and she says,

193
00:08:56,720 --> 00:08:58,520
Speaker 2: we got to start over. I'm not willing to just

194
00:08:58,600 --> 00:09:00,679
Speaker 2: like hop in the sack with you and pick up

195
00:09:00,679 --> 00:09:02,600
Speaker 2: where we have to start over. This is, you know,

196
00:09:03,080 --> 00:09:05,719
Speaker 2: slowly first date time. Yeah, get to know each other

197
00:09:05,840 --> 00:09:07,800
Speaker 2: on these terms.

198
00:09:08,200 --> 00:09:11,480
Speaker 4: She's saying the words I still love you or whatever,

199
00:09:11,559 --> 00:09:13,800
Speaker 4: but I don't believe it. It's like the way she

200
00:09:13,920 --> 00:09:18,640
Speaker 4: says it is what gives me like the heartbreak to go,

201
00:09:18,760 --> 00:09:19,120
Speaker 4: oh god.

202
00:09:19,240 --> 00:09:22,480
Speaker 3: She doesn't mean that. She's just doing that because she's.

203
00:09:22,640 --> 00:09:25,679
Speaker 1: Also so embarrassing. So the flowers come and she thinks

204
00:09:25,720 --> 00:09:28,120
Speaker 1: that Alison thinks they're from Billy and makes it big

205
00:09:28,200 --> 00:09:30,640
Speaker 1: to do to Amanda about well we had this talk

206
00:09:30,679 --> 00:09:34,400
Speaker 1: and we're going to talk tonight. So so embarrassing and humiliating.

207
00:09:34,920 --> 00:09:37,360
Speaker 1: So maybe when Keith comes up, it's like, you know,

208
00:09:37,520 --> 00:09:40,520
Speaker 1: it's really it's such a hard thing. And then well,

209
00:09:40,559 --> 00:09:42,120
Speaker 1: I guess I was just confused, like I didn't have

210
00:09:42,120 --> 00:09:43,760
Speaker 1: feelings to you. I guess I just said feelings for

211
00:09:43,840 --> 00:09:45,600
Speaker 1: Keith and I projected them onto you. So I think

212
00:09:45,640 --> 00:09:49,720
Speaker 1: you're right, Laura. I think that she's trying to make

213
00:09:49,800 --> 00:09:52,960
Speaker 1: sense of it because it's it's humiliating to kind of

214
00:09:52,960 --> 00:09:56,160
Speaker 1: realize she finally likes Billy and then he's clearly into Amanda,

215
00:09:56,200 --> 00:09:59,679
Speaker 1: And how embarrassing to make that big thing about, oh,

216
00:09:59,720 --> 00:10:01,960
Speaker 1: we're talking tonight and then it wasn't even him.

217
00:10:02,120 --> 00:10:04,600
Speaker 2: I think the dinner thing is, you know, trying to

218
00:10:04,640 --> 00:10:08,719
Speaker 2: make it work. Okay, you know, well maybe we can

219
00:10:08,920 --> 00:10:11,400
Speaker 2: go on double dates and we'll all get along and

220
00:10:11,480 --> 00:10:14,120
Speaker 2: I'll be fine with it, you know, because Alison's confused.

221
00:10:14,120 --> 00:10:16,560
Speaker 2: Alison and Billy, if they weren't so confused, they wouldn't

222
00:10:16,600 --> 00:10:20,240
Speaker 2: be platonic. Still, you know, they've been together now for

223
00:10:20,280 --> 00:10:24,319
Speaker 2: how many episodes? But so my point is like, maybe

224
00:10:24,320 --> 00:10:26,440
Speaker 2: she's just trying to make it work. Okay, we can

225
00:10:27,000 --> 00:10:28,320
Speaker 2: all big one happy family.

226
00:10:28,440 --> 00:10:31,120
Speaker 1: And I think she wants to show Billy, look, we're happy.

227
00:10:31,200 --> 00:10:32,360
Speaker 1: I'm with Keith. This is good.

228
00:10:32,400 --> 00:10:34,240
Speaker 3: You have a person and I have a person. Look,

229
00:10:34,280 --> 00:10:34,840
Speaker 3: this is great.

230
00:10:35,080 --> 00:10:35,400
Speaker 4: Yeah.

231
00:10:35,480 --> 00:10:40,200
Speaker 1: Yeah, and then he goes blah blah blah. Well, and

232
00:10:40,240 --> 00:10:41,720
Speaker 1: Allison's boyfriend's annoying.

233
00:10:42,040 --> 00:10:44,800
Speaker 4: After the dinner when Billy and Amanda get to go

234
00:10:45,080 --> 00:10:48,760
Speaker 4: going what is she seeing him? But you have to

235
00:10:48,800 --> 00:10:52,400
Speaker 4: stay there and be the character of Allison still in

236
00:10:52,400 --> 00:10:54,920
Speaker 4: the moment going, why was Amanda go toing you?

237
00:10:54,920 --> 00:11:01,400
Speaker 3: You know, like that must have been so hard also leave.

238
00:11:02,640 --> 00:11:05,280
Speaker 5: But no, she's just stepping right into this role, isn't she.

239
00:11:05,360 --> 00:11:08,360
Speaker 2: I'm gonna support him even though he was like, you know,

240
00:11:08,400 --> 00:11:11,640
Speaker 2: there's a time and place to do what he was doing,

241
00:11:11,640 --> 00:11:14,600
Speaker 2: going on about the environment and you don't insult everyone,

242
00:11:14,640 --> 00:11:14,959
Speaker 2: I know.

243
00:11:15,200 --> 00:11:15,840
Speaker 5: As an environment.

244
00:11:15,840 --> 00:11:18,320
Speaker 1: I think she's trying to convince herself. And also, haven't

245
00:11:18,320 --> 00:11:20,520
Speaker 1: you ever like this just current? Haven't you ever had

246
00:11:20,960 --> 00:11:22,920
Speaker 1: a bad relationships and all your friends like you should

247
00:11:22,920 --> 00:11:24,280
Speaker 1: get out, you should getut, you should get out, but

248
00:11:24,280 --> 00:11:26,600
Speaker 1: you have to like you're so in it, you're like, no,

249
00:11:26,720 --> 00:11:28,840
Speaker 1: this is good, and here's why it's good. I think

250
00:11:28,840 --> 00:11:32,160
Speaker 1: maybe she's trying to rewrite the past and say, no,

251
00:11:32,320 --> 00:11:34,319
Speaker 1: this was worth it, This was worth all the wreckage

252
00:11:34,400 --> 00:11:36,640
Speaker 1: I caused, Like he got divorced, this was worth it,

253
00:11:37,160 --> 00:11:40,040
Speaker 1: even though the audience is going, it's really not sweetie,

254
00:11:40,080 --> 00:11:42,080
Speaker 1: like it's really yeah.

255
00:11:42,200 --> 00:11:44,480
Speaker 4: I mean I think we've all done that, being in

256
00:11:44,800 --> 00:11:47,440
Speaker 4: a relationship that you know, you justify to yourself, you

257
00:11:47,480 --> 00:11:50,360
Speaker 4: explain it and you're like, yes, this.

258
00:11:50,240 --> 00:11:50,840
Speaker 5: Is this is fine.

259
00:11:50,880 --> 00:11:53,640
Speaker 4: Well he's actually this yeah, okay that but he's also this,

260
00:11:53,880 --> 00:11:55,880
Speaker 4: and I think we've all done it, and you just

261
00:11:55,920 --> 00:11:57,120
Speaker 4: see Alison doing that.

262
00:11:57,240 --> 00:12:00,040
Speaker 1: It's just so you know it's bad when you're looking

263
00:12:00,080 --> 00:12:01,800
Speaker 1: around for people who have it worse, like, well, it's

264
00:12:01,840 --> 00:12:02,520
Speaker 1: not that bad.

265
00:12:03,360 --> 00:12:06,680
Speaker 3: It's at least it's not that it.

266
00:12:06,880 --> 00:12:07,720
Speaker 5: Is not that bad.

267
00:12:09,559 --> 00:12:10,280
Speaker 3: Just lower the bar.

268
00:12:11,240 --> 00:12:13,280
Speaker 1: So I want to get back to to the Joe

269
00:12:13,520 --> 00:12:16,240
Speaker 1: Jake storyline, which is so cute. First of all, first

270
00:12:16,320 --> 00:12:20,960
Speaker 1: scene when Grant comes in and those baggy boxers. Grant

271
00:12:21,000 --> 00:12:24,040
Speaker 1: is being absolutely adorable and he's talking about how happy

272
00:12:24,000 --> 00:12:25,600
Speaker 1: he is, how happy is in his life. And at

273
00:12:25,600 --> 00:12:27,360
Speaker 1: one point she reaches out, you do this for us

274
00:12:27,360 --> 00:12:30,400
Speaker 1: a lot, Dawn. She touches his biceps and I'm like, oh,

275
00:12:30,559 --> 00:12:32,240
Speaker 1: thank you, sweetie, thank you for doing that.

276
00:12:32,400 --> 00:12:34,000
Speaker 5: For the auto, I touch his bop.

277
00:12:34,360 --> 00:12:36,200
Speaker 1: Yes, I'm like, thank you for doing that. We all

278
00:12:36,200 --> 00:12:36,800
Speaker 1: wanted to do that.

279
00:12:37,000 --> 00:12:38,080
Speaker 5: I didn't know where else to grab.

280
00:12:38,120 --> 00:12:39,120
Speaker 1: I mean, what do you do?

281
00:12:39,160 --> 00:12:40,719
Speaker 5: It's like they need a close up as a cell.

282
00:12:41,360 --> 00:12:44,240
Speaker 5: You gotta go this, of course you do.

283
00:12:44,920 --> 00:12:48,960
Speaker 4: I also noticed your hair was so bouncy and amazing

284
00:12:49,120 --> 00:12:49,760
Speaker 4: up curly.

285
00:12:49,840 --> 00:12:50,720
Speaker 5: It was so curly.

286
00:12:51,080 --> 00:12:53,200
Speaker 2: I had a short haircut that was growing out, and

287
00:12:53,240 --> 00:12:56,000
Speaker 2: they used a little red Belcrows. Remember the smallest were

288
00:12:56,000 --> 00:12:58,560
Speaker 2: the red ones, and there's like blue and green and.

289
00:12:58,600 --> 00:13:01,160
Speaker 5: Whatever, those little red I was like, that was.

290
00:13:01,080 --> 00:13:04,240
Speaker 2: A red Belcrow day because all over and then my

291
00:13:04,280 --> 00:13:05,679
Speaker 2: little hair just comes.

292
00:13:05,440 --> 00:13:08,079
Speaker 3: Off like you had pobulous hair upon waking.

293
00:13:08,760 --> 00:13:10,280
Speaker 5: But I noticed there were two chokers.

294
00:13:10,280 --> 00:13:12,280
Speaker 2: We need to have a choker count going forward because

295
00:13:12,320 --> 00:13:15,319
Speaker 2: Melrose will have a lot of women in chokers. Those

296
00:13:15,320 --> 00:13:18,400
Speaker 2: little necklaces and I Joe wore to this episode.

297
00:13:18,480 --> 00:13:19,640
Speaker 5: I felt very Melrose.

298
00:13:20,800 --> 00:13:25,280
Speaker 2: It was very cute as far as the wardrobe felt

299
00:13:25,400 --> 00:13:27,080
Speaker 2: very like the Melrose that I remember.

300
00:13:27,840 --> 00:13:30,400
Speaker 1: Yeah, I know that, but yeah, I love the Jake.

301
00:13:31,040 --> 00:13:33,240
Speaker 2: The Jake and Joe thing I thought was so great

302
00:13:33,280 --> 00:13:35,120
Speaker 2: because it's like they're setting.

303
00:13:34,800 --> 00:13:38,559
Speaker 6: Up home, you know what I mean, Yeah, and she's like.

304
00:13:38,559 --> 00:13:40,560
Speaker 2: I believe in you, and you know he's like, oh,

305
00:13:40,600 --> 00:13:42,320
Speaker 2: I believe in you, but I don't want you know,

306
00:13:42,440 --> 00:13:46,520
Speaker 2: your money? He and then he she's dressing him in

307
00:13:46,559 --> 00:13:49,400
Speaker 2: that blue chambray shirt, the jean shirt and the tie.

308
00:13:49,440 --> 00:13:51,680
Speaker 2: They're both fans to go to the tie and the

309
00:13:52,200 --> 00:13:56,120
Speaker 2: you know that wool blazer and and she's just like

310
00:13:56,280 --> 00:13:59,760
Speaker 2: talking him up and everything. It felt very like newly

311
00:13:59,800 --> 00:14:01,520
Speaker 2: wet or something very supportive of it.

312
00:14:01,600 --> 00:14:03,719
Speaker 1: But did you notice I noticed when I watched Her Day,

313
00:14:03,760 --> 00:14:05,320
Speaker 1: you did a lot of accents in this one. So

314
00:14:05,360 --> 00:14:07,439
Speaker 1: in the first scene you're like, do you know Jeff Rowe?

315
00:14:07,480 --> 00:14:10,080
Speaker 1: And then the last one, I think it was Russian,

316
00:14:11,800 --> 00:14:12,560
Speaker 1: was like, is that Russian?

317
00:14:13,480 --> 00:14:13,880
Speaker 3: Yes?

318
00:14:13,880 --> 00:14:17,160
Speaker 5: She did right right. It's her fun it's her playfulness.

319
00:14:17,200 --> 00:14:21,160
Speaker 5: That's what I find. It's a very playfulness.

320
00:14:21,200 --> 00:14:24,520
Speaker 4: Like every scene you did a little something different in

321
00:14:24,640 --> 00:14:25,560
Speaker 4: cute cuteness.

322
00:14:25,800 --> 00:14:26,000
Speaker 1: Yeah.

323
00:14:26,080 --> 00:14:28,960
Speaker 2: I think for me it was really nice to see,

324
00:14:29,720 --> 00:14:32,640
Speaker 2: you know, as I feel back into thirty years ago,

325
00:14:32,920 --> 00:14:36,680
Speaker 2: I feel overall that Joe was so put upon, that

326
00:14:36,760 --> 00:14:39,800
Speaker 2: she had so much going on, like episode after episode

327
00:14:39,800 --> 00:14:42,200
Speaker 2: over the four years that I was there. So to

328
00:14:42,200 --> 00:14:45,080
Speaker 2: see your like happy and joyful and literally bouncy, her

329
00:14:45,120 --> 00:14:49,440
Speaker 2: hair all bouncy, and her just happy with Jake, it's like, oh, yeah,

330
00:14:49,640 --> 00:14:50,600
Speaker 2: hang on to that girl.

331
00:14:51,360 --> 00:14:52,400
Speaker 5: I was so happy to see that.

332
00:14:57,480 --> 00:14:59,720
Speaker 1: The second that they start talking about the money and

333
00:14:59,720 --> 00:15:01,480
Speaker 1: she's not going to take it, I'm like, Oh, someone's

334
00:15:01,480 --> 00:15:03,040
Speaker 1: going to need the money, and you know it was

335
00:15:03,080 --> 00:15:04,880
Speaker 1: going to be Jake because I love that he said

336
00:15:05,240 --> 00:15:08,440
Speaker 1: only rich people turned down money. And then we go

337
00:15:08,520 --> 00:15:11,640
Speaker 1: to his garage, did you notice how much that looked

338
00:15:11,640 --> 00:15:16,920
Speaker 1: like our production office, Like they didn't even try.

339
00:15:17,320 --> 00:15:20,520
Speaker 2: Yeah, this was like outa no, that was our production

340
00:15:20,600 --> 00:15:22,520
Speaker 2: office with the desk.

341
00:15:22,600 --> 00:15:23,440
Speaker 1: You could see it.

342
00:15:23,680 --> 00:15:26,520
Speaker 4: A crew truck was in the background of the scene

343
00:15:26,600 --> 00:15:31,000
Speaker 4: where Rusty's telling Jake that the place has gone under

344
00:15:31,000 --> 00:15:33,120
Speaker 4: and you can't pay him and it's all over whatever.

345
00:15:34,000 --> 00:15:37,320
Speaker 4: That like you can tell they're outside these offices that

346
00:15:37,360 --> 00:15:39,600
Speaker 4: you're talking about, and you can see their breath.

347
00:15:39,840 --> 00:15:42,520
Speaker 6: So it was like, yes, early in the morning I

348
00:15:42,560 --> 00:15:42,880
Speaker 6: think it.

349
00:15:42,840 --> 00:15:46,000
Speaker 4: Was February or something when this episode was shot, right

350
00:15:46,040 --> 00:15:46,960
Speaker 4: the cold up there.

351
00:15:47,080 --> 00:15:50,240
Speaker 1: Maybe they didn't remember getting that cold. I noticed that too,

352
00:15:50,280 --> 00:15:52,240
Speaker 1: that you could see their breath, you think because it

353
00:15:52,280 --> 00:15:53,120
Speaker 1: was first shot out.

354
00:15:53,800 --> 00:15:55,680
Speaker 4: There was one of our crew trucks in the background too,

355
00:15:56,160 --> 00:15:58,920
Speaker 4: so it's clearly up on a lot like right nearby.

356
00:15:59,000 --> 00:16:01,400
Speaker 1: You couldn't shown the no it was in there.

357
00:16:01,840 --> 00:16:04,800
Speaker 3: It was actually in the distance, but you could see it.

358
00:16:05,040 --> 00:16:07,160
Speaker 2: But I noticed that about the breath, and I was like, Okay,

359
00:16:07,160 --> 00:16:09,280
Speaker 2: they either wanted to knock this off quickly, like just

360
00:16:09,400 --> 00:16:12,240
Speaker 2: like one camera angle to me, like just bring your

361
00:16:12,240 --> 00:16:14,520
Speaker 2: bike in front of there and then move that truck

362
00:16:14,520 --> 00:16:16,040
Speaker 2: in to hide all of our other props.

363
00:16:16,080 --> 00:16:17,800
Speaker 3: Let's just do it here, let's do it.

364
00:16:18,160 --> 00:16:22,280
Speaker 2: Hurry up and get it move inside. Oh there are

365
00:16:22,360 --> 00:16:26,560
Speaker 2: scenes like that. But yeah, I you know, but I

366
00:16:26,560 --> 00:16:28,560
Speaker 2: I the reason that she turned it down.

367
00:16:28,600 --> 00:16:32,600
Speaker 5: I mean, watching it. I was going fifty thousand dollars.

368
00:16:32,920 --> 00:16:35,400
Speaker 5: They could really use that. That could really be.

369
00:16:35,280 --> 00:16:37,920
Speaker 1: I could use that right now. Yeah, it would be great,

370
00:16:38,840 --> 00:16:41,560
Speaker 1: it'd be great, It would be great. I will not

371
00:16:41,640 --> 00:16:42,359
Speaker 1: be angry.

372
00:16:42,400 --> 00:16:45,320
Speaker 6: And it was nineteen ninety two or three.

373
00:16:45,600 --> 00:16:46,600
Speaker 5: So how much was that?

374
00:16:46,640 --> 00:16:49,520
Speaker 1: Core? Let me do the math. Carry on here, let

375
00:16:49,560 --> 00:16:50,120
Speaker 1: me do the math.

376
00:16:50,880 --> 00:16:52,160
Speaker 5: Probably seventy five grand.

377
00:16:52,760 --> 00:16:54,480
Speaker 3: They both really needed the money.

378
00:16:54,720 --> 00:16:55,720
Speaker 5: But you really just.

379
00:16:55,680 --> 00:16:59,960
Speaker 2: Go what she went through with that family. That's very,

380
00:17:00,080 --> 00:17:04,119
Speaker 2: very controlling and very you know New York family. It's

381
00:17:04,160 --> 00:17:07,159
Speaker 2: all quid pro quo. You know, you're going to come

382
00:17:07,200 --> 00:17:09,679
Speaker 2: to my benefit. You're essentially buying it.

383
00:17:09,760 --> 00:17:10,360
Speaker 5: I'm buying a.

384
00:17:10,320 --> 00:17:13,760
Speaker 2: Ticket to yours. Like it's very there's no free lunches.

385
00:17:14,000 --> 00:17:16,480
Speaker 2: And she knows that because she lived it.

386
00:17:16,840 --> 00:17:18,000
Speaker 5: So the price must.

387
00:17:17,800 --> 00:17:20,840
Speaker 6: Have been much higher than the fifty grand that she

388
00:17:20,960 --> 00:17:21,480
Speaker 6: was offered.

389
00:17:21,840 --> 00:17:24,480
Speaker 2: And she also knows how much they really have probably

390
00:17:24,760 --> 00:17:27,240
Speaker 2: so in a scheme of things, it wasn't that much.

391
00:17:27,240 --> 00:17:30,520
Speaker 2: And She probably just felt like anyway, it was an

392
00:17:30,520 --> 00:17:31,600
Speaker 2: emotional response.

393
00:17:31,800 --> 00:17:33,920
Speaker 5: But I think she changes her mind and.

394
00:17:33,880 --> 00:17:36,520
Speaker 1: She's said, but way do you hear this, staff? It's

395
00:17:36,520 --> 00:17:40,960
Speaker 1: one hundred and twelve thousand dollars in today's dollars. What Well,

396
00:17:41,720 --> 00:17:45,399
Speaker 1: so now now we're all mad at Joe one hundred

397
00:17:45,400 --> 00:17:46,080
Speaker 1: and twelve thou.

398
00:17:46,760 --> 00:17:53,000
Speaker 4: Given that, Like Jake's reaction I thought was fairly calm.

399
00:17:53,800 --> 00:17:58,320
Speaker 2: He just turned down over one hundred grand and and

400
00:17:58,359 --> 00:18:02,600
Speaker 2: he's like, okay, yeah, yeah, that is common, right.

401
00:18:02,800 --> 00:18:06,240
Speaker 5: You do about inflation? That's incredible, that's it.

402
00:18:06,320 --> 00:18:09,160
Speaker 1: Well, having gone to the market yesterday, I can attest

403
00:18:09,160 --> 00:18:12,119
Speaker 1: to the fact that things are insanely expensive right now.

404
00:18:12,400 --> 00:18:14,560
Speaker 1: Can you believe it? When you go to the market

405
00:18:14,600 --> 00:18:17,159
Speaker 1: and you expect it to be whatever it used to be,

406
00:18:17,200 --> 00:18:19,040
Speaker 1: and it is crazy. Butt's we don't have to go

407
00:18:19,080 --> 00:18:19,640
Speaker 1: down that road.

408
00:18:19,720 --> 00:18:22,199
Speaker 2: Okay, let's not get into the depression of today. This

409
00:18:22,240 --> 00:18:23,399
Speaker 2: is an escape for people.

410
00:18:23,800 --> 00:18:27,560
Speaker 6: Let's go back to the hell of Melrose Place characters.

411
00:18:27,640 --> 00:18:29,160
Speaker 3: Let's talk about the early nineties.

412
00:18:29,280 --> 00:18:32,840
Speaker 4: By the way, the uh thinking about this time in

413
00:18:32,920 --> 00:18:37,360
Speaker 4: nineteen ninety three and what was going on, like the Bodyguard, right,

414
00:18:37,720 --> 00:18:39,680
Speaker 4: had just come out of the movie and Huch movie

415
00:18:40,119 --> 00:18:42,439
Speaker 4: Houston and Whitney Houston's song I Will Always Love You.

416
00:18:42,520 --> 00:18:44,760
Speaker 4: Its like the top hit, Like that's the time that

417
00:18:44,760 --> 00:18:45,480
Speaker 4: we're talking about.

418
00:18:45,560 --> 00:18:47,280
Speaker 3: I love it. Just thinking about it doesn't.

419
00:18:46,960 --> 00:18:49,160
Speaker 2: Seem like that was that long ago, that song, because

420
00:18:49,200 --> 00:18:51,080
Speaker 2: you know, we all loved that song. I love it.

421
00:18:51,240 --> 00:18:56,520
Speaker 4: It's still so like contested and used and like such

422
00:18:56,560 --> 00:18:57,399
Speaker 4: a iconic.

423
00:18:58,840 --> 00:19:01,120
Speaker 1: Well there wasn't it funny the back to the show.

424
00:19:01,200 --> 00:19:04,560
Speaker 1: But that so when when Jake goes to the bank

425
00:19:04,600 --> 00:19:06,440
Speaker 1: and he looks all nice in his shirt and they said,

426
00:19:06,800 --> 00:19:08,240
Speaker 1: like he tries to get a loan and they said,

427
00:19:08,680 --> 00:19:11,520
Speaker 1: we gave out bad loans. I was like, bad luck

428
00:19:11,560 --> 00:19:13,560
Speaker 1: because I think of that is two thousand and eight, right,

429
00:19:13,600 --> 00:19:16,080
Speaker 1: But this was back in the nineties, so I don't

430
00:19:16,080 --> 00:19:19,520
Speaker 1: think I was as aware of that term. But that

431
00:19:19,640 --> 00:19:22,440
Speaker 1: turn as it was in two thousand and eight, like, oh,

432
00:19:22,840 --> 00:19:26,840
Speaker 1: is this like being a bad lot. Yeah, well he says,

433
00:19:26,920 --> 00:19:28,080
Speaker 1: you have no collateral.

434
00:19:28,160 --> 00:19:29,960
Speaker 5: He's like, it's my hard work and.

435
00:19:29,920 --> 00:19:33,959
Speaker 1: My my business acumen, my business mind collateral.

436
00:19:35,200 --> 00:19:39,359
Speaker 3: But having ben Stein deliver that information.

437
00:19:39,000 --> 00:19:41,080
Speaker 1: Yeah, wasn't that interesting.

438
00:19:41,520 --> 00:19:43,680
Speaker 4: I wanted him to open the scene by like Mueller.

439
00:19:46,000 --> 00:19:48,679
Speaker 4: I think he was disappointed but.

440
00:19:50,160 --> 00:19:50,960
Speaker 5: Sarah's Buehler.

441
00:19:51,520 --> 00:19:54,159
Speaker 1: But then when Jake comes back and he's upset and

442
00:19:54,240 --> 00:19:56,400
Speaker 1: Joe goes to comfort him, he has such a terrible

443
00:19:56,400 --> 00:20:00,760
Speaker 1: reaction when Joe offers him the money, right, Like, he

444
00:20:00,800 --> 00:20:03,959
Speaker 1: has such a huge pride reaction and she's being so

445
00:20:04,000 --> 00:20:04,800
Speaker 1: sweet about it.

446
00:20:05,119 --> 00:20:07,639
Speaker 2: Well, yeah, she obviously had to call back the lawyer

447
00:20:07,840 --> 00:20:09,640
Speaker 2: and say okay, I'll.

448
00:20:09,480 --> 00:20:12,320
Speaker 5: Okay, twist my arm, I'll take the fifty grand.

449
00:20:12,760 --> 00:20:15,359
Speaker 1: And wait, and I think in this one you had

450
00:20:15,400 --> 00:20:18,840
Speaker 1: a Spanish accent because you're talking about the food. That's

451
00:20:18,960 --> 00:20:20,399
Speaker 1: three accents.

452
00:20:20,640 --> 00:20:22,640
Speaker 5: Wait wait, well you know, yes.

453
00:20:22,760 --> 00:20:27,000
Speaker 1: Right, she had some bassas and I said it with

454
00:20:27,040 --> 00:20:30,840
Speaker 1: an accent. Well you said it. You said it probably

455
00:20:30,880 --> 00:20:31,679
Speaker 1: with the proper.

456
00:20:31,880 --> 00:20:36,800
Speaker 5: Today New York thing, like.

457
00:20:37,119 --> 00:20:39,280
Speaker 1: Maybe we're working with a dialect coach of this episode.

458
00:20:39,320 --> 00:20:42,080
Speaker 4: Well, I did notice that there was food and drink

459
00:20:42,160 --> 00:20:43,800
Speaker 4: in every scene with Jake and Joe.

460
00:20:44,760 --> 00:20:47,880
Speaker 1: Yeah, Andrew, and I noticed he commented on it too.

461
00:20:48,280 --> 00:20:52,400
Speaker 5: Food was three dollars and the beers were too, Yes.

462
00:20:53,000 --> 00:21:02,240
Speaker 1: What was six dollars? Yeah? Big, you big spender, you

463
00:21:02,359 --> 00:21:05,440
Speaker 1: no wonder you have money to buy him his thing? Yeah?

464
00:21:05,680 --> 00:21:06,280
Speaker 4: Oh god?

465
00:21:06,880 --> 00:21:10,600
Speaker 1: And then did you see Jake's big pleated chinos.

466
00:21:11,280 --> 00:21:14,600
Speaker 2: Yes, I thought that outfit was great, the one with

467
00:21:14,640 --> 00:21:16,159
Speaker 2: the blazer when he was all put together.

468
00:21:16,680 --> 00:21:17,760
Speaker 5: But I loved it.

469
00:21:17,840 --> 00:21:21,120
Speaker 1: But he's he has the body for flat front ginos,

470
00:21:21,240 --> 00:21:23,360
Speaker 1: don't we don't do big pleated pants on.

471
00:21:23,760 --> 00:21:25,560
Speaker 2: Well, he can get away with it because there's like

472
00:21:25,720 --> 00:21:27,880
Speaker 2: nothing but hardboard there.

473
00:21:30,680 --> 00:21:32,359
Speaker 5: But yeah, I did notice those.

474
00:21:32,440 --> 00:21:35,320
Speaker 2: I noticed them on Billy a lot, those big pleated

475
00:21:35,400 --> 00:21:38,240
Speaker 2: chinos there there. I noticed them on Michael.

476
00:21:38,560 --> 00:21:40,720
Speaker 4: I thought that's oh, I think Matt was wearing pleated

477
00:21:40,800 --> 00:21:44,560
Speaker 4: ginos too. Yeah, or maybe he pleated denim kind of

478
00:21:44,600 --> 00:21:47,719
Speaker 4: like some guy who delivered the flowers was wearing pleated denim.

479
00:21:47,920 --> 00:21:49,560
Speaker 6: Unbelievable pleated denim.

480
00:21:49,640 --> 00:21:57,840
Speaker 2: That is nineties right there, very p Yeah.

481
00:21:58,840 --> 00:22:01,680
Speaker 3: You know what else I noticed? I think there's product placement.

482
00:22:01,960 --> 00:22:03,959
Speaker 4: I'd been noticing it for a couple episodes that like

483
00:22:04,280 --> 00:22:08,280
Speaker 4: in the morning, Billy used to bring Alison juice, here's

484
00:22:08,320 --> 00:22:13,480
Speaker 4: your juice, drink your juice, and then Jake brings Joe,

485
00:22:13,960 --> 00:22:18,600
Speaker 4: here's your juice, and toast, and just after Billy has

486
00:22:18,800 --> 00:22:20,919
Speaker 4: said here's your juice.

487
00:22:20,440 --> 00:22:23,280
Speaker 1: And there juice in the morning, like what is this juice?

488
00:22:23,520 --> 00:22:27,040
Speaker 4: There was a very prominent minute made bottle of orange.

489
00:22:26,760 --> 00:22:29,480
Speaker 5: Juice and thought, I wonder.

490
00:22:31,040 --> 00:22:33,800
Speaker 4: Everybody's drinking juice in the morning instead of coffee, Like

491
00:22:33,800 --> 00:22:34,360
Speaker 4: who are these?

492
00:22:34,560 --> 00:22:37,440
Speaker 1: Well maybe that explains because in the first episode, I'm

493
00:22:37,480 --> 00:22:42,479
Speaker 1: making toast and squirting what I guess is margarine, Like

494
00:22:43,560 --> 00:22:45,879
Speaker 1: we're out of a square, like if a squirre bottle

495
00:22:46,480 --> 00:22:48,960
Speaker 1: and I noticed I didn't eat it, Like I noticed

496
00:22:49,000 --> 00:22:50,760
Speaker 1: that I didn't. I chose to not eat the toast,

497
00:22:51,480 --> 00:22:53,880
Speaker 1: but that I was Could that be product placement?

498
00:22:54,000 --> 00:22:54,600
Speaker 5: I don't know, but.

499
00:22:56,359 --> 00:22:58,359
Speaker 4: I didn't see the brand, but I did see the

500
00:22:58,440 --> 00:23:01,320
Speaker 4: squirt on that one. I saw the brand on the

501
00:23:01,359 --> 00:23:04,320
Speaker 4: minute made orange juice, and that made me go, Okay,

502
00:23:04,320 --> 00:23:06,320
Speaker 4: that's why we keep bringing everybody juice in the morning.

503
00:23:06,400 --> 00:23:07,120
Speaker 3: I actually do.

504
00:23:07,400 --> 00:23:09,639
Speaker 1: That was pretty subtle. In the beginning, I'm watching the

505
00:23:09,680 --> 00:23:12,639
Speaker 1: show Bones, which I never watched before. It's adorable, by

506
00:23:12,680 --> 00:23:16,119
Speaker 1: the way, and the product placement on that is so hilarious.

507
00:23:16,160 --> 00:23:18,520
Speaker 1: Like she drives a Prius and she'll say, oh, let

508
00:23:18,600 --> 00:23:20,720
Speaker 1: me put it into my GPS. I can do it

509
00:23:20,760 --> 00:23:21,600
Speaker 1: with just my voice.

510
00:23:21,680 --> 00:23:22,320
Speaker 5: No, go, what's that?

511
00:23:22,440 --> 00:23:26,879
Speaker 1: She goes, Oh, that's my automatic parallel parking button, Like

512
00:23:26,920 --> 00:23:30,680
Speaker 1: it's that over the prius? Has it Wow, God, it's

513
00:23:30,800 --> 00:23:33,000
Speaker 1: so funny. It is that air?

514
00:23:33,200 --> 00:23:35,520
Speaker 5: Is that a two thousands bones?

515
00:23:35,680 --> 00:23:38,560
Speaker 1: Yeah, it's actually adorable. So I never watched it before

516
00:23:38,600 --> 00:23:40,639
Speaker 1: because people start to made fun of it. But I

517
00:23:40,640 --> 00:23:43,320
Speaker 1: think it's really really a cute show. So I highly

518
00:23:43,320 --> 00:23:45,000
Speaker 1: recommend it. And if you want to write a PRES,

519
00:23:45,119 --> 00:23:47,320
Speaker 1: then you'll see all the if you're looking for a pres,

520
00:23:47,359 --> 00:23:48,960
Speaker 1: you'll see all the things that prius can do by

521
00:23:48,960 --> 00:23:49,560
Speaker 1: watching the show.

522
00:23:49,560 --> 00:23:50,720
Speaker 3: Starting to get ads for it.

523
00:23:50,760 --> 00:23:54,640
Speaker 1: At this time, they advertise it over I remember them

524
00:23:54,680 --> 00:23:56,639
Speaker 1: talking about it a little bit. Remember this was the

525
00:23:56,640 --> 00:23:59,400
Speaker 1: time of Seinfeld and they were always talking about Snapple

526
00:23:59,640 --> 00:24:03,320
Speaker 1: and I do you remember we had some product placement

527
00:24:04,000 --> 00:24:05,719
Speaker 1: and it was a big debate at the time if

528
00:24:05,760 --> 00:24:07,480
Speaker 1: that was okay, but it really brought money in.

529
00:24:07,920 --> 00:24:10,720
Speaker 2: I remember like whenever there was product placement for foods

530
00:24:10,720 --> 00:24:12,399
Speaker 2: at craft service, there would just been to have a

531
00:24:12,480 --> 00:24:15,040
Speaker 2: whole like you know, like a whole cooler of snapples

532
00:24:15,160 --> 00:24:15,800
Speaker 2: or a whole thing.

533
00:24:16,200 --> 00:24:19,160
Speaker 5: Yes, you know, and like all the same.

534
00:24:18,960 --> 00:24:20,480
Speaker 2: Thing, and you're like, well, they must have gotten this

535
00:24:20,520 --> 00:24:22,520
Speaker 2: for free. They get boxes of it for free.

536
00:24:22,320 --> 00:24:24,320
Speaker 6: And then they put it in the cupboards and stuff.

537
00:24:24,960 --> 00:24:27,200
Speaker 1: Yes, that must have been the beginning of it.

538
00:24:27,840 --> 00:24:28,479
Speaker 5: I think it was.

539
00:24:28,600 --> 00:24:29,959
Speaker 4: I think it was the do you think we had

540
00:24:30,000 --> 00:24:32,800
Speaker 4: a bunch of like minute made juice boxes at the time.

541
00:24:33,280 --> 00:24:37,480
Speaker 1: I don't think we had juice boxes then, just did we?

542
00:24:38,240 --> 00:24:42,040
Speaker 4: I mean, finally the mystery is solved, is why is

543
00:24:42,040 --> 00:24:43,800
Speaker 4: everybody drinking juice in these seasons?

544
00:24:44,080 --> 00:24:44,359
Speaker 3: No?

545
00:24:44,359 --> 00:24:45,960
Speaker 5: No, that might be it.

546
00:24:46,200 --> 00:24:50,080
Speaker 1: This was also Frank South's first script, and I thought

547
00:24:50,119 --> 00:24:51,080
Speaker 1: it was really good.

548
00:24:51,480 --> 00:24:57,000
Speaker 2: When Billy and Amanda, when Billy says, yeah, you know,

549
00:24:57,040 --> 00:24:59,880
Speaker 2: I've always who do I love? He said Hamy Away

550
00:25:01,000 --> 00:25:03,960
Speaker 2: and he's like yeah, and he goes on about how

551
00:25:03,960 --> 00:25:06,360
Speaker 2: he's read everything all of the and how he's such

552
00:25:06,359 --> 00:25:08,920
Speaker 2: a great writer. He's so simple, just goes on about,

553
00:25:09,000 --> 00:25:11,520
Speaker 2: you know, heming away, and I thought, I thought, Okay,

554
00:25:11,520 --> 00:25:14,000
Speaker 2: I want to see who wrote this, because every once

555
00:25:14,000 --> 00:25:16,159
Speaker 2: in a while there's like a little easter egg of

556
00:25:16,240 --> 00:25:17,840
Speaker 2: like the writer.

557
00:25:17,960 --> 00:25:19,720
Speaker 5: I could see like if that were Darren, I could.

558
00:25:19,640 --> 00:25:23,680
Speaker 2: See that being Darren, you know, or now it's Frank South,

559
00:25:23,680 --> 00:25:25,920
Speaker 2: who wanted who thought that is when he was a young.

560
00:25:25,720 --> 00:25:27,840
Speaker 1: Writer, because he's a literary reference, you.

561
00:25:27,800 --> 00:25:30,960
Speaker 5: Know, yeah, just wanting that. So I'm just going to

562
00:25:31,040 --> 00:25:31,840
Speaker 5: put it in there and.

563
00:25:32,040 --> 00:25:34,800
Speaker 2: Just like that poem remember oh my gosh, remember he

564
00:25:34,880 --> 00:25:36,960
Speaker 2: was talking who was it Chip talking about or was

565
00:25:37,000 --> 00:25:41,200
Speaker 2: it talking about Frank South and how he was so literary.

566
00:25:40,760 --> 00:25:41,760
Speaker 5: And putting poems.

567
00:25:42,160 --> 00:25:46,520
Speaker 2: Remember when Jake holds that poem to Joe and he's like,

568
00:25:46,600 --> 00:25:47,760
Speaker 2: get rid of the poem.

569
00:25:48,440 --> 00:25:50,320
Speaker 6: So this is the same writer. That's Frank South who

570
00:25:50,320 --> 00:25:51,119
Speaker 6: he was talking about.

571
00:25:51,240 --> 00:25:53,520
Speaker 1: Yeah. Yeah, he didn't want it to be a soap opera,

572
00:25:53,560 --> 00:25:55,280
Speaker 1: and you can kind of see it in the script.

573
00:25:55,320 --> 00:25:58,040
Speaker 1: I thought it was a really good, really fun script,

574
00:25:58,119 --> 00:25:59,879
Speaker 1: well crafted and the lines were great.

575
00:26:00,280 --> 00:26:05,800
Speaker 4: Did you guys notice that Michael, Jane and Matt weren't

576
00:26:05,840 --> 00:26:09,560
Speaker 4: in the episode at all. They didn't once, and we

577
00:26:09,760 --> 00:26:11,760
Speaker 4: barely even had a Rhonda sighting. She was like an

578
00:26:11,760 --> 00:26:13,119
Speaker 4: extra in the shooter scene.

579
00:26:14,000 --> 00:26:16,560
Speaker 1: Yeah. They were really focused on these two relationships.

580
00:26:16,600 --> 00:26:19,800
Speaker 4: Yeah, it's like so many people just barely appeared, if

581
00:26:20,280 --> 00:26:22,439
Speaker 4: at all, and they you know, they have to be

582
00:26:22,520 --> 00:26:25,439
Speaker 4: paid because they're serious regulars, so they got paid for

583
00:26:25,480 --> 00:26:27,280
Speaker 4: those episodes even though they didn't appear at all.

584
00:26:28,480 --> 00:26:30,600
Speaker 1: Well, it really started, you remember it. You know, if

585
00:26:30,600 --> 00:26:32,719
Speaker 1: you had a really strong storyline, you were there all

586
00:26:32,760 --> 00:26:34,680
Speaker 1: the time, and then if you didn't, you were just gone.

587
00:26:34,680 --> 00:26:36,639
Speaker 1: Because there were so many characters to take care of.

588
00:26:37,000 --> 00:26:37,840
Speaker 5: You'd be golfing.

589
00:26:37,920 --> 00:26:41,880
Speaker 2: I remember Grant golfing and maybe Thomas too, because there's

590
00:26:41,880 --> 00:26:43,960
Speaker 2: a golf club out that there's a golf course out there,

591
00:26:44,840 --> 00:26:46,159
Speaker 2: or napping or whatever.

592
00:26:47,760 --> 00:26:51,000
Speaker 1: They were so nice to us that, you know, it

593
00:26:51,320 --> 00:26:53,480
Speaker 1: was so well run that they could look at the

594
00:26:53,520 --> 00:26:55,639
Speaker 1: schedule and say, yeah, you have three hours off and

595
00:26:55,680 --> 00:26:58,639
Speaker 1: they would let us go for three hours. Yeah, but

596
00:26:58,760 --> 00:27:02,159
Speaker 1: not far rare, not far, not far. But you know

597
00:27:02,240 --> 00:27:04,120
Speaker 1: we could go to target. The guys could go hit

598
00:27:04,160 --> 00:27:06,920
Speaker 1: golf balls. Like that's pretty rare that you can actually leave,

599
00:27:07,320 --> 00:27:11,040
Speaker 1: because you know, you work on a sound stage. Usually

600
00:27:11,119 --> 00:27:14,760
Speaker 1: you're there all day. Right, maybe you can go to

601
00:27:14,800 --> 00:27:16,640
Speaker 1: the little company store, but that's it.

602
00:27:17,119 --> 00:27:19,479
Speaker 5: I just remember a chip like, okay, we'll let you go.

603
00:27:19,520 --> 00:27:23,119
Speaker 2: But he cut it very closely, like very short, like

604
00:27:23,160 --> 00:27:24,720
Speaker 2: I would come back and still wait two and a

605
00:27:24,720 --> 00:27:27,520
Speaker 2: half three hours, you know, I mean before they needed

606
00:27:27,560 --> 00:27:30,600
Speaker 2: to be sure that you know, it wasn't like but

607
00:27:31,560 --> 00:27:32,600
Speaker 2: and you're doing like.

608
00:27:32,680 --> 00:27:34,960
Speaker 3: All the things I could have done in that extra time.

609
00:27:35,400 --> 00:27:37,760
Speaker 2: Yeah, but it's hard to keep the ten of us,

610
00:27:37,840 --> 00:27:40,280
Speaker 2: or however many of us are were like at hand

611
00:27:40,359 --> 00:27:42,160
Speaker 2: and ready to go because sometimes they have to switch

612
00:27:42,160 --> 00:27:43,360
Speaker 2: something around, you know.

613
00:27:43,400 --> 00:27:45,560
Speaker 1: It's a weird thing. I remember working that schedule and

614
00:27:45,600 --> 00:27:48,200
Speaker 1: thinking about, like, how would that work when you had kids,

615
00:27:48,200 --> 00:27:51,000
Speaker 1: because you'd get there at six and whether you had

616
00:27:51,040 --> 00:27:53,159
Speaker 1: a lot of a lot to do that day or not.

617
00:27:53,240 --> 00:27:55,560
Speaker 1: You'd be there till like sometimes you have scenes in between,

618
00:27:55,560 --> 00:27:57,040
Speaker 1: so you get there at six am, you get home

619
00:27:57,040 --> 00:27:59,679
Speaker 1: at eight am. And I remember thinking, Man, if you

620
00:27:59,720 --> 00:28:01,600
Speaker 1: had to be somewhere like I was young, I didn't

621
00:28:01,600 --> 00:28:06,040
Speaker 1: have any real responsibilities, how would that feel right? And

622
00:28:06,080 --> 00:28:09,240
Speaker 1: I remember after I had my son and I got

623
00:28:09,240 --> 00:28:11,879
Speaker 1: offered a couple of episodics, which is what this is, episodics,

624
00:28:11,880 --> 00:28:14,520
Speaker 1: and I thought no, because if I left the house

625
00:28:14,560 --> 00:28:16,720
Speaker 1: at six and I was waiting around for six hours

626
00:28:16,760 --> 00:28:18,960
Speaker 1: during the day and I was missing time with my kid,

627
00:28:19,520 --> 00:28:23,879
Speaker 1: I would lose my mind. Right, did you work on

628
00:28:23,960 --> 00:28:25,320
Speaker 1: episodic after you had kids?

629
00:28:25,400 --> 00:28:28,119
Speaker 4: Laura, only a little?

630
00:28:28,280 --> 00:28:28,800
Speaker 3: And it does.

631
00:28:29,160 --> 00:28:32,679
Speaker 4: It's just everything changes after you've had kids and how

632
00:28:32,760 --> 00:28:34,800
Speaker 4: you look at your time and how you spend.

633
00:28:34,680 --> 00:28:36,920
Speaker 2: Did you guys ever bring your kids to or babies

634
00:28:36,920 --> 00:28:39,600
Speaker 2: when they were very young to set and have someone

635
00:28:39,640 --> 00:28:40,840
Speaker 2: there with you And yeah, I was.

636
00:28:40,800 --> 00:28:44,400
Speaker 1: Trailing on According to Jim when I had Jack, and

637
00:28:44,440 --> 00:28:46,720
Speaker 1: it was great. It was a sitcom, right, so sitcom

638
00:28:46,760 --> 00:28:50,920
Speaker 1: actors are very humane, and he would come with me

639
00:28:51,080 --> 00:28:54,000
Speaker 1: and it's so relaxed. It's a very different world. And

640
00:28:54,040 --> 00:28:56,960
Speaker 1: then one time I did a guest spot on a

641
00:28:57,040 --> 00:29:00,600
Speaker 1: show and they asked me for like this specific and

642
00:29:00,960 --> 00:29:02,680
Speaker 1: it ended up the one day I worked with on

643
00:29:02,800 --> 00:29:06,280
Speaker 1: Jack's birthday and it was just a couple of scenes,

644
00:29:06,320 --> 00:29:09,360
Speaker 1: but you know how episodic goes, it ended up. I

645
00:29:09,440 --> 00:29:11,080
Speaker 1: was there from morning and then I thought I'll be

646
00:29:11,080 --> 00:29:12,720
Speaker 1: back in a couple hours and it was eight o'clock

647
00:29:12,720 --> 00:29:14,320
Speaker 1: at night and he's like, Mommy, where are you? Or

648
00:29:14,360 --> 00:29:17,720
Speaker 1: are you He's probably eight Oh. I was dying and

649
00:29:17,720 --> 00:29:19,400
Speaker 1: then I said I'm done. I'm done. I started leaving

650
00:29:19,400 --> 00:29:20,880
Speaker 1: and they said, no, no, no, we've added you to

651
00:29:20,920 --> 00:29:23,200
Speaker 1: a scene. And I just started. I was like, no,

652
00:29:23,320 --> 00:29:25,800
Speaker 1: you can't, you can't, No, no, you can't. And they

653
00:29:25,800 --> 00:29:27,520
Speaker 1: were like, good news, You've added you to a scene.

654
00:29:27,920 --> 00:29:30,400
Speaker 1: And I lost my mind and they let me go

655
00:29:30,560 --> 00:29:32,280
Speaker 1: and shockingly they didn't ask me back.

656
00:29:32,520 --> 00:29:35,240
Speaker 5: But I, she's so difficult.

657
00:29:36,800 --> 00:29:39,440
Speaker 1: It was like it was his like the one day

658
00:29:39,480 --> 00:29:41,680
Speaker 1: of the entire year. But the lesson I took from

659
00:29:41,680 --> 00:29:44,520
Speaker 1: that is episodic wasn't the right thing for me, Like

660
00:29:44,680 --> 00:29:48,479
Speaker 1: just as a mom. It was too hard because I

661
00:29:48,600 --> 00:29:51,600
Speaker 1: was around, Like for people who have full time nannies

662
00:29:52,200 --> 00:29:53,959
Speaker 1: and they know they're going to work full time, that

663
00:29:54,040 --> 00:29:56,680
Speaker 1: works for people, but that's not how I had it

664
00:29:56,800 --> 00:29:59,560
Speaker 1: set up. So I thought, Okay, this, this doesn't work

665
00:29:59,600 --> 00:29:59,880
Speaker 1: for me.

666
00:30:00,080 --> 00:30:02,640
Speaker 5: Yeah, so you mean episodical, great job is a mom?

667
00:30:03,080 --> 00:30:05,120
Speaker 2: Right, Well, it's a great job for anyone because I

668
00:30:05,120 --> 00:30:06,320
Speaker 2: think it's you know, it's a.

669
00:30:06,400 --> 00:30:10,520
Speaker 1: Very late today, yeah, or hers for hers for hers

670
00:30:10,560 --> 00:30:13,800
Speaker 1: and then shoot. But but episodic, you mean an hour

671
00:30:14,080 --> 00:30:17,840
Speaker 1: drama That was Alan McBeal, wasn't It wasn't that drama? Yeah,

672
00:30:17,840 --> 00:30:19,720
Speaker 1: that was before. That was before I had Drag. Those

673
00:30:19,720 --> 00:30:21,719
Speaker 1: We were eighteen hour days on that show. Those were

674
00:30:21,840 --> 00:30:26,320
Speaker 1: crazy hours done in Manhattan Beach. Those were crazy Manhattan Beach.

675
00:30:26,360 --> 00:30:29,520
Speaker 1: I've never shot down There was that katiful once you're there,

676
00:30:29,760 --> 00:30:32,280
Speaker 1: but it takes a long time. It wasn't. It was

677
00:30:32,360 --> 00:30:35,440
Speaker 1: equi distant. It may even been closer than Santa Clarita,

678
00:30:35,920 --> 00:30:38,400
Speaker 1: but the drive to Santa Clarita, you're going against traffic.

679
00:30:38,400 --> 00:30:41,680
Speaker 1: It was it was thirty minutes Manhattan beach can be

680
00:30:41,840 --> 00:30:45,120
Speaker 1: an hour, just if traffic's not on your side. So

681
00:30:45,800 --> 00:30:47,560
Speaker 1: you know so much about more And I was thinking too,

682
00:30:47,600 --> 00:30:48,800
Speaker 1: and I just want to say this quickly. I know

683
00:30:48,840 --> 00:30:50,800
Speaker 1: we have to wrap up, but I was thinking the

684
00:30:50,800 --> 00:30:53,200
Speaker 1: beginning seeing and Allison again, it is really annoyed through

685
00:30:53,200 --> 00:30:56,840
Speaker 1: the full show, She's just cranky, cranky, cranky. And I thought,

686
00:30:57,160 --> 00:30:58,800
Speaker 1: you know, one of the things we talk about a

687
00:30:58,840 --> 00:31:00,920
Speaker 1: lot is how much fun is to have this time

688
00:31:00,960 --> 00:31:02,920
Speaker 1: together now and we see people, and I thought, you know,

689
00:31:03,000 --> 00:31:05,720
Speaker 1: part of why Alison is so intense is I just

690
00:31:05,760 --> 00:31:09,520
Speaker 1: took myself more seriously in my twenties. Like one of

691
00:31:09,560 --> 00:31:12,480
Speaker 1: the great things about getting older is I just don't

692
00:31:12,520 --> 00:31:15,720
Speaker 1: take myself so seriously. I feel lighter, don't you guys

693
00:31:15,760 --> 00:31:17,960
Speaker 1: feel that? Like I just go through my I'm lighter.

694
00:31:18,000 --> 00:31:20,800
Speaker 1: I have such better perspective on what's important and what isn't.

695
00:31:21,360 --> 00:31:24,200
Speaker 3: Perspective is a way. Yeah.

696
00:31:24,360 --> 00:31:26,600
Speaker 1: Yeah, So that's part of why there's not as much

697
00:31:26,720 --> 00:31:30,400
Speaker 1: gradation and my performance as Alison. I just think so

698
00:31:30,480 --> 00:31:32,760
Speaker 1: many more things felt serious to me. I just wasn't

699
00:31:32,880 --> 00:31:35,800
Speaker 1: light about as light about things as I am now,

700
00:31:36,400 --> 00:31:38,280
Speaker 1: Like I really want to enjoy the moment now, I

701
00:31:38,280 --> 00:31:40,600
Speaker 1: don't think I got that as much when I was younger,

702
00:31:40,960 --> 00:31:41,320
Speaker 1: for sure.

703
00:31:42,240 --> 00:31:44,960
Speaker 4: Well, also, like these scripts are coming fast and furious,

704
00:31:44,960 --> 00:31:46,440
Speaker 4: and you're working all the time, like if you don't

705
00:31:46,440 --> 00:31:50,080
Speaker 4: have a whole lot of time to like, yeah, you

706
00:31:50,080 --> 00:31:53,080
Speaker 4: know whatever, really find all the layers or have time

707
00:31:53,120 --> 00:31:54,720
Speaker 4: to even play them and stuff.

708
00:31:54,720 --> 00:31:56,800
Speaker 3: But I actually thought you had a very.

709
00:31:56,680 --> 00:32:01,760
Speaker 4: Nuanced performance in that because I could I could feel

710
00:32:01,760 --> 00:32:05,600
Speaker 4: that Allison was not actually doing what she wanted, but

711
00:32:05,760 --> 00:32:09,160
Speaker 4: what she just was going to settle for. And I

712
00:32:09,240 --> 00:32:12,400
Speaker 4: just think that's that's a nuance that I don't know,

713
00:32:12,640 --> 00:32:15,440
Speaker 4: I think having picked up I like of malverrose Place.

714
00:32:15,200 --> 00:32:16,400
Speaker 5: Having nuance at all.

715
00:32:16,520 --> 00:32:18,960
Speaker 3: So that's the way it was, Daphne.

716
00:32:19,120 --> 00:32:20,960
Speaker 1: That's why it was all the more impressive that I

717
00:32:21,080 --> 00:32:26,520
Speaker 1: nuance the ass out of it. I didn't we don't want.

718
00:32:27,000 --> 00:32:28,640
Speaker 1: I don't know if I did or not, but I

719
00:32:28,680 --> 00:32:31,640
Speaker 1: was just I was realizing going I was more serious,

720
00:32:31,680 --> 00:32:33,680
Speaker 1: Like I laughed a lot, We did laugh, like we

721
00:32:33,720 --> 00:32:36,560
Speaker 1: did have fun. But I just think that that was

722
00:32:36,640 --> 00:32:39,120
Speaker 1: part of it. I think I was absolutely curious then,

723
00:32:39,200 --> 00:32:41,200
Speaker 1: like this was serious work, even though.

724
00:32:41,240 --> 00:32:43,600
Speaker 2: Yeah, and there's a lot on our plate, there was

725
00:32:43,640 --> 00:32:46,240
Speaker 2: a lot on your plate on all of our plates

726
00:32:46,520 --> 00:32:48,880
Speaker 2: and we're in our I was thirty, You guys are

727
00:32:49,000 --> 00:32:52,440
Speaker 2: late twenties. You're probably middle twenties. I was twenties for

728
00:32:52,840 --> 00:32:55,400
Speaker 2: your early twenties. Okay, well I was thirty. I think

729
00:32:55,440 --> 00:32:58,920
Speaker 2: when I started her about to be something. But but

730
00:32:59,040 --> 00:33:01,240
Speaker 2: that's young, and you have all this on your plate,

731
00:33:01,440 --> 00:33:03,440
Speaker 2: so I think you have to be serious.

732
00:33:03,440 --> 00:33:06,000
Speaker 5: There's like a real intention. There's an intensity to it

733
00:33:06,040 --> 00:33:06,320
Speaker 5: for me.

734
00:33:06,600 --> 00:33:08,680
Speaker 1: Would I think that if I were to do it now,

735
00:33:08,800 --> 00:33:10,080
Speaker 1: I think I'd have a lot more fun with.

736
00:33:10,240 --> 00:33:13,440
Speaker 6: Well, of course it would be light and day different.

737
00:33:14,160 --> 00:33:16,480
Speaker 5: I would be like, they're so cute together. You'd be

738
00:33:16,520 --> 00:33:17,960
Speaker 5: all over Billy like that.

739
00:33:20,200 --> 00:33:23,480
Speaker 1: Well, so good to see you guys as always. Yeah,

740
00:33:23,560 --> 00:33:24,160
Speaker 1: super fun.

741
00:33:24,560 --> 00:33:27,440
Speaker 2: The next episode, you guys, is called Bye Bye Billy,

742
00:33:27,960 --> 00:33:30,320
Speaker 2: So I'm curious what is that going to mean?

743
00:33:31,520 --> 00:33:33,760
Speaker 5: What does that mean? Where's it going?

744
00:33:34,360 --> 00:33:39,520
Speaker 4: We're in the like third trimester of season one.

745
00:33:39,920 --> 00:33:41,040
Speaker 1: That's where your ankles are so.

746
00:33:41,040 --> 00:33:45,560
Speaker 5: Swollen, the third trimester.

747
00:33:47,160 --> 00:33:50,280
Speaker 4: Well, well you guys soon, Thanks again for tuning in,

748
00:33:50,640 --> 00:33:53,560
Speaker 4: don't forget to subscribe and download, and we'll see you

749
00:33:53,600 --> 00:33:54,040
Speaker 4: next time on.

750
00:33:54,120 --> 00:33:57,160
Speaker 1: Still the Place and we'll see you for the Morrow's minute.

751
00:33:56,880 --> 00:33:58,680
Speaker 1: Bye everyone,