WEBVTT - Jim Guerinot

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<v Speaker 1>Welcome, Welcome, Welcome. You're listening to the Bob Left Sets podcast.

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<v Speaker 1>My guest this week he's Jim Garno. There's a lot

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<v Speaker 1>of parapatetic career in music business. He's been a fan,

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<v Speaker 1>he's been a punker, he's been a promoter, he's been

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<v Speaker 1>a label executive, he's been a manager. He's done it all. Jim,

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<v Speaker 1>Welcome to the podcast. Thank you, Bob. Nice to be here. Now.

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<v Speaker 1>You grew up in upstate New York. Right. I was

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<v Speaker 1>raised in Rochester, New York. Yeah, My both my mother

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<v Speaker 1>and father each had one job and they were worked

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<v Speaker 1>for Eastman Kodak. Really did they move there for the job?

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<v Speaker 1>They were raised in Rochester, New York. We moved out

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<v Speaker 1>here in seventy two for eighth grade. When I was

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<v Speaker 1>in eighth grade, my dad got a transfer. He sold

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<v Speaker 1>X ray film for Eastman Kodak. I often think of

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<v Speaker 1>Eastman Kodek as the original, you know, company that was

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<v Speaker 1>digitally disrupted. You know, of course that's a story, but

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<v Speaker 1>a while you're from Rochester. And but the reason I

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<v Speaker 1>mentioned that is whenever we talk, you talk about your

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<v Speaker 1>sister turning you onto records. That's true, It's true, I'm

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<v Speaker 1>and I uh. I don't remember watching the Beatles. I

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<v Speaker 1>remember the reaction of my parents watching the Beatle, which

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<v Speaker 1>was what they just stood. They stood and watched from

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<v Speaker 1>over in the corner and they did not like it

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<v Speaker 1>at all. I know they didn't like it, and they

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<v Speaker 1>complained about the hair um. And I remember my sisters

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<v Speaker 1>records and I still have some of them. I just

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<v Speaker 1>showed my eleven year old an old Herman's Hermit's record

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<v Speaker 1>and an old Holly's record that that has my sister's

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<v Speaker 1>name on it, that that I still have. I retained somehow. Well,

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<v Speaker 1>it's funny because somebody sent me a turntable replace the

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<v Speaker 1>one that I had was kind of sketchy, and I

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<v Speaker 1>whipped out some of those old records and you always

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<v Speaker 1>wrote your name on it, even had Dimo tape and

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<v Speaker 1>you stuck it right on. They couldn't believe what was

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<v Speaker 1>written on the back. You know, whoever wrote those bios,

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<v Speaker 1>you know, because they are so corny and say you know,

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<v Speaker 1>but there's a charm to it. You know. It was

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<v Speaker 1>of the era. Since we're talking about the Beatles. I

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<v Speaker 1>just remember my mother left in November six to go

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<v Speaker 1>out on a Friday night, she said, you have to

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<v Speaker 1>watch this band on Jack Part Jack Part, the Nightly Show,

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<v Speaker 1>the Tonight Show. But now he had a Friday night

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<v Speaker 1>show that I have this band from England, the Beatles,

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<v Speaker 1>And what it was was a video shot from the

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<v Speaker 1>back of the theater of them doing she Loves You,

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<v Speaker 1>which of course we couldn't understand because there was so

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<v Speaker 1>much yelling. It was we I thought it was we

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<v Speaker 1>loved too, and of course we laughed. And then in January,

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<v Speaker 1>all of a sudden, I want to hold your hand

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<v Speaker 1>hit and it was mega. And I remember watching on

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<v Speaker 1>Ed Sullivan where we took out our brownie cameras and

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<v Speaker 1>we shot pictures of the television. People may not know,

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<v Speaker 1>but what you get is a blank screen. I didn't

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<v Speaker 1>know that, no, because the reflection from the flash you

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<v Speaker 1>get nothing on screen. I mean, everything is much more

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<v Speaker 1>sophisticated now. But did you know you were a music fan? No? No, no.

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<v Speaker 1>But one of the little anecdote about my sister in

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<v Speaker 1>the Beatles, she bought me a black light poster Sergeant

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<v Speaker 1>Pepper right on Sergeant Pepper came out and they hung

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<v Speaker 1>it in my room. She hung it up in my

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<v Speaker 1>room and at the same time. I was always a

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<v Speaker 1>newspaper reader. I read the paper every morning. I always

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<v Speaker 1>read the because of the sports scores, probably the sports scores,

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<v Speaker 1>but I remember, you know, we had snow days, and

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<v Speaker 1>I remember I would go downstairs and and and the

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<v Speaker 1>heating events were on the floor, and I'd sit in

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<v Speaker 1>front of the heating bed and i'd I'd read the

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<v Speaker 1>comics probably first, and then kind of venture into sports

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<v Speaker 1>in order. But I read an article about LSD and

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<v Speaker 1>it talked about I couldn't have been more than nine,

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<v Speaker 1>but i'd read and it talked about a guy. It

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<v Speaker 1>showed a picture of his face kind of haywire like

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<v Speaker 1>you'd be tripping, and that he jumped off a building.

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<v Speaker 1>And I remember I went to bed and I had

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<v Speaker 1>read about the Beatles and drugs, and you know, I

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<v Speaker 1>knew what was I had some idea what was going on,

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<v Speaker 1>and I'm not sure exactly how I knew, but I

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<v Speaker 1>woke up having nightmares and my dad had to come

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<v Speaker 1>in and take the black light poster of Sergeant Pepper

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<v Speaker 1>down was terrible. Did you have a drug career yourself

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<v Speaker 1>a career? Did you, I think? Did you ultimately take LSD?

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<v Speaker 1>And what do you worry about jumping off a building.

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<v Speaker 1>I probably worried about it. Yeah, you know, I mean

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<v Speaker 1>that was heavy stuff. It really really was. That was

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<v Speaker 1>you know. I always used to kid with the guys

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<v Speaker 1>that we would do took a day to prepare, a

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<v Speaker 1>day to do it, and then a day to recover

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<v Speaker 1>from it. You know, we would we would find ourselves,

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<v Speaker 1>you know, at Disneyland on Pirates of the Caribbean or

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<v Speaker 1>the or the mon Santo where it was shrinking, you know,

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<v Speaker 1>and things like that. That was kind of the Remember

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<v Speaker 1>going to the cable car Disneyland. That's we used to

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<v Speaker 1>smoke dope, okay, because you went from one end to

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<v Speaker 1>the other. Oh yeah, the people mover. So in any event,

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<v Speaker 1>you're in Rochester, you're reading the newspaper. What else. Yeah,

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<v Speaker 1>I am big sports basketball. I I had that that.

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<v Speaker 1>Uh you know, our block was here, Our church was

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<v Speaker 1>the next block. I went to a Catholic school, you know,

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<v Speaker 1>tie dress up. I served Mass in the morning, would

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<v Speaker 1>walk there, had a paper route in the morning, trudging

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<v Speaker 1>in the snow, doing all those kind of things. I

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<v Speaker 1>remember vividly going next door to Kevin dowt Our next

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<v Speaker 1>door neighbor's house and I would open the porch and

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<v Speaker 1>you'd smell the newsprint and you had to take the

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<v Speaker 1>wire cutters and pop and it would go bam and

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<v Speaker 1>it would explode. And I'm telling you, if you were

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<v Speaker 1>anywhere near, it would take your eye out. And you

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<v Speaker 1>had to fold the newspapers into thirds and put them

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<v Speaker 1>in your bag because you had to open the storm

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<v Speaker 1>door and throw the paper up and then get the

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<v Speaker 1>door shut, because that they didn't just throw him on

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<v Speaker 1>the driveway in the snow, you know, you had to

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<v Speaker 1>deliver it inside the storm door. And so he would

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<v Speaker 1>leave me three rows of numbers. The first row of

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<v Speaker 1>numbers my street, totally comfortable, no big deal. I know

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<v Speaker 1>that second street, Verena Drive, I kind of knew it

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<v Speaker 1>was okay. The third street, glenn Ellen Way, kind of terrifying.

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<v Speaker 1>It's still dark, I don't know the houses. You have

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<v Speaker 1>to kind of navigate to find the number, and it

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<v Speaker 1>was a little bit scary by the time I would

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<v Speaker 1>get there. But I would finish up on glenn Ellen

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<v Speaker 1>Way and it would end right near this bar, and

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<v Speaker 1>I remember the smell of the bar and that alcohol

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<v Speaker 1>on the ground and it's stunk and as I walked

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<v Speaker 1>behind it, I would cut and there would be an

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<v Speaker 1>opening in the alley and there was Dunkin Donuts, And

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<v Speaker 1>if I had a paper to left, I'd stand out

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<v Speaker 1>front Dunkin Donuts and I'd sell the paper and I

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<v Speaker 1>go sit at the count and have a hot chocolate.

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<v Speaker 1>And I thought I was grown up. Did you get

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<v Speaker 1>a paper route because your parents told you to earn

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<v Speaker 1>money or you wanted money? I wanted money. I wanted money.

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<v Speaker 1>They didn't. I never got an allowance as a kid.

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<v Speaker 1>You know, paper route you can actually make some decent money.

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<v Speaker 1>And so what did you do with the money? I

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<v Speaker 1>saved it. I remember I bought a Shwin ten speed

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<v Speaker 1>that it was a hundred five dollars. I said, saved

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<v Speaker 1>all that and bought a Shwin ten speed. My parents,

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<v Speaker 1>I never felt wanting for anything in terms of the necessities.

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<v Speaker 1>But they were never going to give you the stereo

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<v Speaker 1>like the other kid got. There was no way, you

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<v Speaker 1>know what I mean? What about your own kids? You

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<v Speaker 1>make them work? No, no, they do chores and things.

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<v Speaker 1>But I'll tell you the interesting thing. I've had this

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<v Speaker 1>conversation with quite a few people about raising kids who

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<v Speaker 1>have a lot of stuff. They want their money. You know,

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<v Speaker 1>where they will I think find their ambition and motivation

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<v Speaker 1>is they do not like to come to me to

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<v Speaker 1>ask for stuff, and they don't like being told no,

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<v Speaker 1>and they don't like they don't like my input. They

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<v Speaker 1>want their own, you know, And I can see it

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<v Speaker 1>where that will be the motivating factor for them. You know,

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<v Speaker 1>you think that, well, gosh, if a kid got a

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<v Speaker 1>car when they were sixteen, how are they ever going

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<v Speaker 1>to be motivated to do anything in life? Why about

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<v Speaker 1>the car? When they want another one, they're gonna buy

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<v Speaker 1>the car. And they don't like coming to you and asking,

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<v Speaker 1>That's the thing, you know, they really don't. And I

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<v Speaker 1>see it with my two oldest ones nineteen ones almost seventeen.

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<v Speaker 1>They want the autonomy and the independence of not having

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<v Speaker 1>to ask their parents for stuff. So we'll see that's

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<v Speaker 1>a big experiment parenting and we could right. So when

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<v Speaker 1>you hear that you're going to be moving to California,

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<v Speaker 1>is that a good I'm super excited. The Los Angeles

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<v Speaker 1>Lakers are my favorite basketball team. It's the Wilt Chamberlain

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<v Speaker 1>Jerry West seventy two season where they go sixty and

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<v Speaker 1>thirteen I'm a huge Wilt fan. I remember the game

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<v Speaker 1>he played against the Bucks with Louell Cinder and it

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<v Speaker 1>goes into overtime and he's got five fouls and he

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<v Speaker 1>blocks Kareem shot, and he has one of the greatest

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<v Speaker 1>records of all time. He's never felled out of game

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<v Speaker 1>in high school, college, or his professional career. And he's

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<v Speaker 1>still on the court and he blocks a shot, and

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<v Speaker 1>that's an incredible statistic. So I was a big fan

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<v Speaker 1>of his. He could rebound, he could do assists, he

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<v Speaker 1>could do anything. I loved Will And I'm coming to

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<v Speaker 1>the land of the Lakers. Did your father take you

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<v Speaker 1>to the game? Never? Never took me to a game.

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<v Speaker 1>Did he come to your sports when you were growing up? Occasionally,

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<v Speaker 1>my dad traveled. He spent about ten days a month

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<v Speaker 1>on the road. Later on, when I was at one

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<v Speaker 1>of my son's baseball games, he said, I really regret

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<v Speaker 1>not having done that. I said, Dad, you were born.

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<v Speaker 1>He was born on his kitchen table. My father was

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<v Speaker 1>raised with two foster kids in his home. He had

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<v Speaker 1>two brothers, but his parents took in foster kids to

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<v Speaker 1>make ends meet. My mom was raised off and on

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<v Speaker 1>in Catholic orphanages and foster homes. So they had a

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<v Speaker 1>tough you know. And I said, Dad, your point of

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<v Speaker 1>view was not, Hey, how do I go hang out

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<v Speaker 1>and do all the contemporary parenting things. You're concerned? Am

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<v Speaker 1>I gonna have enough money? Get my kid to school?

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<v Speaker 1>We're gonna have clothes? Are We're gonna That was a

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<v Speaker 1>legitimate concern for you. And because of that, I said

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<v Speaker 1>to him, I don't ever think about those things. I

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<v Speaker 1>always know I was gonna be Okay, that's a gift.

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<v Speaker 1>You didn't have that gift. So you moved to southern California.

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<v Speaker 1>Were exactly do you move? Fullerton, California. Now that's far

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<v Speaker 1>from the beach home of the electric guitar. It's a

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<v Speaker 1>straight shot down brook her Store Beach Boulevard on the O. C.

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<v Speaker 1>T D by the way, So it's not horrible that

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<v Speaker 1>gets you into Huntington Beach. Okay, So how did you

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<v Speaker 1>get into music? Really? My sister played a big, big part.

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<v Speaker 1>I was really really a fan. I remember going to

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<v Speaker 1>singer you know, the sewing machine shop, and uh, I

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<v Speaker 1>want to say, Easy to Be Hard was my first

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<v Speaker 1>single that I bought, you know, And and I started

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<v Speaker 1>collecting singles, and she had her record player, and I

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<v Speaker 1>had a record player, and uh, I would connect multiple

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<v Speaker 1>speakers to it, so I'd have like eight speakers in

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<v Speaker 1>my room. I thought I was like creating some sort

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<v Speaker 1>of audio system, you know, but it was just I

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<v Speaker 1>just remember, you know, I really didn't know a much

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<v Speaker 1>about electronics, right, And I hooked up the external speaker

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<v Speaker 1>without an Apple fire and blew out the whole house.

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<v Speaker 1>Did you really? Absolutely? Oh, I have a photo I'll

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<v Speaker 1>show you when we take a a moment. You can

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<v Speaker 1>see basketball posters in my bedroom, and then you see

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<v Speaker 1>a David Bowie poster and Jimi Hendrix, and the transition

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<v Speaker 1>is coming, you know what I mean. You can see

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<v Speaker 1>the the sports stuff moving off the wall and the

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<v Speaker 1>rock stuff starting to happen. Okay, now, but you say

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<v Speaker 1>that you grew up with these people and you were

0:10:19.800 --> 0:10:23.560
<v Speaker 1>part of the punk rock scene. Well that's that's years later. Okay,

0:10:23.559 --> 0:10:25.520
<v Speaker 1>So then a little bit slower, So you suddenly are

0:10:25.520 --> 0:10:28.160
<v Speaker 1>getting into music. You're in a high school, you're just

0:10:28.200 --> 0:10:30.559
<v Speaker 1>living a regular high school life. Or does music become

0:10:30.600 --> 0:10:34.400
<v Speaker 1>your passion? Music's everything? Music is? You know, when when

0:10:34.440 --> 0:10:37.280
<v Speaker 1>you want to say freshman year, was the first time

0:10:37.280 --> 0:10:39.960
<v Speaker 1>where all of a sudden, buddy of mine looked and goes,

0:10:40.400 --> 0:10:42.680
<v Speaker 1>you want to try pot? Yeah, what do we do?

0:10:42.840 --> 0:10:45.360
<v Speaker 1>You know? In your fourteen your kid, let's talk to

0:10:45.400 --> 0:10:47.680
<v Speaker 1>this guy, you know, and you go and and you

0:10:47.720 --> 0:10:51.120
<v Speaker 1>get your little yellow zigzag papers and your four finger

0:10:51.280 --> 0:10:55.040
<v Speaker 1>bag of really bad you know, but I remember when

0:10:55.559 --> 0:10:57.720
<v Speaker 1>Bucks was the good stuff in You know, when you

0:10:57.760 --> 0:10:59.320
<v Speaker 1>talk about this a lot, and I've talked about this

0:10:59.360 --> 0:11:01.120
<v Speaker 1>with you a lot, all of a sudden, you're part

0:11:01.120 --> 0:11:04.760
<v Speaker 1>of a community. There's something going on. You're bonded to somebody.

0:11:04.800 --> 0:11:09.040
<v Speaker 1>Because in three it's still a criminal offense. It's not

0:11:09.120 --> 0:11:12.080
<v Speaker 1>been decriminalized. This is a This is not an era

0:11:12.160 --> 0:11:14.200
<v Speaker 1>where people are saying, oh, I smoked, but I didn't

0:11:14.200 --> 0:11:17.480
<v Speaker 1>Inhale or multiple presidents have admitted to it. It's like

0:11:17.679 --> 0:11:21.200
<v Speaker 1>a problem. You're bound to that community and you find

0:11:21.240 --> 0:11:23.600
<v Speaker 1>that when you go to a concert, that whole community

0:11:23.679 --> 0:11:26.320
<v Speaker 1>is there. You're all together. Okay, So where did you

0:11:26.360 --> 0:11:29.200
<v Speaker 1>go to concerts? Oh? You go to Anaheim Convention Center.

0:11:29.400 --> 0:11:32.120
<v Speaker 1>You know there. I remember seeing Crosby and Nash there

0:11:32.240 --> 0:11:37.480
<v Speaker 1>and James Taylor there and Peter Frampton before broke out,

0:11:37.559 --> 0:11:39.520
<v Speaker 1>and it'd go to the Long Beach Arena. I remember

0:11:39.520 --> 0:11:41.559
<v Speaker 1>going to Long Beach Arena for the Forum, right, and

0:11:41.559 --> 0:11:42.880
<v Speaker 1>where did you get the money? And how did you

0:11:42.920 --> 0:11:45.760
<v Speaker 1>get there? There's always somebody that could drive, you know.

0:11:45.920 --> 0:11:49.840
<v Speaker 1>I remember going to see Queen and Thin Lizzie at

0:11:49.840 --> 0:11:52.240
<v Speaker 1>the Forum and I had no ticket, and we walked

0:11:52.280 --> 0:11:53.719
<v Speaker 1>up and we thought we might be able to get

0:11:53.760 --> 0:11:55.959
<v Speaker 1>one because we've seen that happen. And there's a guy

0:11:56.040 --> 0:11:58.679
<v Speaker 1>standing on the corner with the tickets. It worked out

0:11:58.679 --> 0:12:00.840
<v Speaker 1>really well. I had many that did work out as well.

0:12:00.880 --> 0:12:02.240
<v Speaker 1>But I walk up and he's trying to sell the

0:12:02.240 --> 0:12:04.120
<v Speaker 1>tickets and a cop walks up and grabs the tickets

0:12:04.160 --> 0:12:07.160
<v Speaker 1>out of his hand and says, are you scalping these? No, sir,

0:12:07.920 --> 0:12:09.840
<v Speaker 1>And I said I was getting ready to buy them

0:12:09.840 --> 0:12:12.440
<v Speaker 1>at face value, officer. And the cop looks at me

0:12:12.520 --> 0:12:16.560
<v Speaker 1>and I'm a kid. I'm dealing with, you know, older kids,

0:12:16.559 --> 0:12:18.520
<v Speaker 1>so you know, I mean people in their twenties, you

0:12:18.520 --> 0:12:20.199
<v Speaker 1>know what I mean. I'm just a kid, and he goes,

0:12:20.240 --> 0:12:21.679
<v Speaker 1>do you have the money? I go right here a

0:12:21.760 --> 0:12:24.080
<v Speaker 1>game and we got like twenty throw seats to seek

0:12:24.240 --> 0:12:26.760
<v Speaker 1>Lizzie and Queen, and it was fantastic. I think that

0:12:27.000 --> 0:12:32.000
<v Speaker 1>time of my life was. Everything was just a brand

0:12:32.040 --> 0:12:34.560
<v Speaker 1>new experience. It was amazing. It was amazing to go

0:12:34.600 --> 0:12:36.839
<v Speaker 1>see the Who at Anaheim Stadium. It was amazing to

0:12:37.320 --> 0:12:39.000
<v Speaker 1>all of it. I just I couldn't get enough of

0:12:39.040 --> 0:12:41.800
<v Speaker 1>the live music thing. The live music thing was extraordinary

0:12:41.800 --> 0:12:44.280
<v Speaker 1>to me. How often did you go to shows? Don't remember?

0:12:44.360 --> 0:12:45.920
<v Speaker 1>You know what I mean? As often as I could.

0:12:45.960 --> 0:12:47.360
<v Speaker 1>But I was a kid. I was in high school

0:12:47.400 --> 0:12:49.240
<v Speaker 1>and I could only only do so. Did you have

0:12:49.280 --> 0:12:51.840
<v Speaker 1>any lightbulb go off in your head say this is

0:12:51.880 --> 0:12:53.560
<v Speaker 1>something I want to make a career out of. I

0:12:53.640 --> 0:12:56.320
<v Speaker 1>never thought. And that's where punk rock comes in. I

0:12:56.320 --> 0:12:59.079
<v Speaker 1>would read the Sunday calendar section, of course, and you'd

0:12:59.080 --> 0:13:01.360
<v Speaker 1>get it was the tabloid it in the Los Angeles times.

0:13:01.520 --> 0:13:03.400
<v Speaker 1>You go to the Pacific Stereo ad in the middle,

0:13:03.520 --> 0:13:06.280
<v Speaker 1>of course, and then you'd turn and you'd start to read,

0:13:06.600 --> 0:13:10.240
<v Speaker 1>and it felt so distant, and uh, I didn't have

0:13:10.280 --> 0:13:13.040
<v Speaker 1>a great high school career. A little deeper. That means

0:13:13.080 --> 0:13:16.360
<v Speaker 1>what I was truant frequently. And then where I went

0:13:16.360 --> 0:13:17.920
<v Speaker 1>to school, you couldn't get away with that. How did

0:13:17.920 --> 0:13:20.120
<v Speaker 1>you get away with it? Well? I didn't. By the

0:13:20.360 --> 0:13:22.160
<v Speaker 1>halfway through my junior they wanted to send me to

0:13:22.160 --> 0:13:24.960
<v Speaker 1>the continuation school, and I dropped out and I took

0:13:25.000 --> 0:13:27.240
<v Speaker 1>the g E D. And at this point, I'm moving

0:13:27.240 --> 0:13:29.600
<v Speaker 1>out of my parents house. Okay, wait, wait, wait wait.

0:13:29.640 --> 0:13:33.480
<v Speaker 1>Your father comes from a background that's somewhat hard. He's

0:13:33.480 --> 0:13:35.360
<v Speaker 1>got a good job and he's on the road. How

0:13:35.360 --> 0:13:38.040
<v Speaker 1>are you getting along with your parents? Not well? And

0:13:38.160 --> 0:13:42.120
<v Speaker 1>the issue is what well they had? At one point,

0:13:42.160 --> 0:13:45.600
<v Speaker 1>my mother moved my dresser and I would always take

0:13:45.640 --> 0:13:47.839
<v Speaker 1>out the bottom drawer and that's where I would keep

0:13:47.880 --> 0:13:51.360
<v Speaker 1>all my you know, hash pipe and my rolling papers

0:13:51.360 --> 0:13:54.920
<v Speaker 1>and everything. And she found it, and to someone in

0:13:55.000 --> 0:13:58.760
<v Speaker 1>my parents era, the difference between marijuana and heroin was

0:13:58.800 --> 0:14:01.160
<v Speaker 1>non existent. She thought I was a drug addict. And

0:14:01.240 --> 0:14:02.920
<v Speaker 1>my father approached me and said, we're going to the

0:14:02.920 --> 0:14:07.000
<v Speaker 1>police right now, or you're going into therapy. And I said, well,

0:14:07.040 --> 0:14:10.920
<v Speaker 1>this is an easy call. How old were you? And

0:14:10.920 --> 0:14:15.120
<v Speaker 1>I'd gotten in a couple of scrapes similar uh with

0:14:15.200 --> 0:14:17.280
<v Speaker 1>the law, but like what well, when I was fourteen,

0:14:17.320 --> 0:14:19.960
<v Speaker 1>I was learning to drive, but I hadn't taken driver

0:14:20.040 --> 0:14:22.040
<v Speaker 1>head yet. I just used my parents car and I

0:14:22.080 --> 0:14:24.880
<v Speaker 1>got caught and I got arrested doing that. And then

0:14:24.920 --> 0:14:27.760
<v Speaker 1>when I was sixteen, I was smoking some weed with

0:14:27.800 --> 0:14:30.320
<v Speaker 1>a buddy of mine and got caught doing that, and

0:14:30.360 --> 0:14:32.680
<v Speaker 1>it just turned out he had some cross tops and

0:14:32.760 --> 0:14:35.280
<v Speaker 1>emphetamines with them, and I was like, oh god, this

0:14:35.320 --> 0:14:37.160
<v Speaker 1>isn't good, you know. And so that was, you know,

0:14:37.560 --> 0:14:40.520
<v Speaker 1>high school was chaos for me. Okay, But these are

0:14:40.880 --> 0:14:44.960
<v Speaker 1>choices you made. Is that part of your personality? We say,

0:14:44.960 --> 0:14:47.040
<v Speaker 1>what are you a limit tester? Are you willing to

0:14:47.120 --> 0:14:50.120
<v Speaker 1>do the thing that other people might pooh pooh or

0:14:50.280 --> 0:14:52.280
<v Speaker 1>be too scared of. I don't know. I don't think

0:14:52.320 --> 0:14:53.800
<v Speaker 1>that was the reason I was doing it. I was

0:14:53.880 --> 0:14:56.760
<v Speaker 1>doing it because I was having fun. I mean, plain

0:14:56.840 --> 0:14:58.440
<v Speaker 1>and simple. I was just having fun. It was like,

0:14:58.520 --> 0:15:01.240
<v Speaker 1>let's let's smoke a point and go see altered states.

0:15:01.320 --> 0:15:03.520
<v Speaker 1>Let's go. You know, you know, what are you doing?

0:15:03.960 --> 0:15:05.480
<v Speaker 1>You know? After school? I don't know what do you

0:15:05.480 --> 0:15:06.800
<v Speaker 1>want to meet and go? You know? It was just

0:15:06.840 --> 0:15:09.160
<v Speaker 1>what I was the nineteen seventy three or seventy four.

0:15:09.520 --> 0:15:11.600
<v Speaker 1>It's just what you did, okay. So you felt like

0:15:11.760 --> 0:15:13.640
<v Speaker 1>you went to the therapist. What did the therapist saying

0:15:13.640 --> 0:15:15.480
<v Speaker 1>after why? I said, you seem like an okay kid,

0:15:15.720 --> 0:15:18.280
<v Speaker 1>you know, And and he met with my parents. He said,

0:15:18.280 --> 0:15:20.560
<v Speaker 1>you seem you seem okay, you know, but but I

0:15:20.640 --> 0:15:25.760
<v Speaker 1>definitely was straining. There's no question that I was experiencing

0:15:25.800 --> 0:15:29.040
<v Speaker 1>the generation gap. Everything my parents stood for. Everything they

0:15:29.120 --> 0:15:32.000
<v Speaker 1>liked I didn't like. They didn't like long hair, they

0:15:32.000 --> 0:15:34.040
<v Speaker 1>didn't like the fact, you know. They just didn't like

0:15:34.040 --> 0:15:36.360
<v Speaker 1>how I addressed. They didn't like how I conducted. And

0:15:36.400 --> 0:15:38.800
<v Speaker 1>there was a point in our relationship where there was

0:15:38.840 --> 0:15:41.200
<v Speaker 1>a break, I mean a big break, particularly when it

0:15:41.240 --> 0:15:44.080
<v Speaker 1>came to curfews and things like that would be like

0:15:44.160 --> 0:15:46.160
<v Speaker 1>I'm going out. When we would be back, I don't know,

0:15:46.600 --> 0:15:48.720
<v Speaker 1>and that would be Friday night, it might be Saturday

0:15:48.760 --> 0:15:51.240
<v Speaker 1>afternoon I had come back. And it got to the

0:15:51.240 --> 0:15:54.239
<v Speaker 1>point where I think they would define it now is incorrigible,

0:15:54.440 --> 0:15:56.320
<v Speaker 1>where it was just like I wasn't going to be

0:15:56.320 --> 0:15:57.840
<v Speaker 1>told to do. And I moved out of my parents

0:15:57.840 --> 0:15:59.520
<v Speaker 1>house once when I was sixteen, and then for good

0:15:59.560 --> 0:16:03.040
<v Speaker 1>when I was event where like an apartment with what

0:16:03.120 --> 0:16:06.840
<v Speaker 1>money I was working now I left school at that point.

0:16:06.880 --> 0:16:10.360
<v Speaker 1>I think I was a Mason's tender. Where's what It's

0:16:10.400 --> 0:16:13.280
<v Speaker 1>an awful job of something that that really no one

0:16:13.360 --> 0:16:15.760
<v Speaker 1>would want to do. But I moved all the stone

0:16:15.800 --> 0:16:18.600
<v Speaker 1>and brick off of trucks for the mason to set

0:16:18.640 --> 0:16:21.400
<v Speaker 1>around pools. And I made the cement and would bring

0:16:21.400 --> 0:16:24.040
<v Speaker 1>it to them, and it was backbreaking work. And I

0:16:24.080 --> 0:16:26.880
<v Speaker 1>was seventeen years old and a d thirty five pounds

0:16:26.880 --> 0:16:29.080
<v Speaker 1>and I'm dealing with grown men with beards. And I

0:16:29.120 --> 0:16:32.040
<v Speaker 1>eventually got the clue and said, this sucks. I need

0:16:32.080 --> 0:16:34.160
<v Speaker 1>to go back to school. I'm never going to meet

0:16:34.160 --> 0:16:37.160
<v Speaker 1>a girl any girls. I would finish work and I

0:16:37.160 --> 0:16:39.400
<v Speaker 1>would just have one beer in my apartment, go, oh,

0:16:39.440 --> 0:16:41.400
<v Speaker 1>this is wonderful. I have my own apartment, and I

0:16:41.400 --> 0:16:44.040
<v Speaker 1>would just fall asleep. I was so fatigued. Okay, so

0:16:44.120 --> 0:16:46.920
<v Speaker 1>the school said, hey, you're not going and you literally

0:16:47.000 --> 0:16:49.600
<v Speaker 1>dropped out and took the g ding And how long

0:16:49.640 --> 0:16:52.480
<v Speaker 1>before you went back to school? Within six months. I

0:16:52.480 --> 0:16:54.880
<v Speaker 1>went to junior college as a seventeen year old, and

0:16:54.920 --> 0:16:58.240
<v Speaker 1>you're still living in your own apartment and you're paying

0:16:58.240 --> 0:17:00.560
<v Speaker 1>for yourself because it's cheap. Then it was really cheap.

0:17:00.600 --> 0:17:02.760
<v Speaker 1>It wasn't bad at all. I mean it wasn't. It wasn't.

0:17:03.000 --> 0:17:06.639
<v Speaker 1>And and college at this point, within college, within the

0:17:06.640 --> 0:17:09.719
<v Speaker 1>community college system, you paid a five dollar health fee

0:17:09.800 --> 0:17:13.760
<v Speaker 1>and your books and you're in and all those units. Uh,

0:17:13.840 --> 0:17:16.000
<v Speaker 1>you know, I transferred sixty units to U C Irvine

0:17:16.000 --> 0:17:18.240
<v Speaker 1>and got my degree from U C Irvine years later,

0:17:19.000 --> 0:17:22.400
<v Speaker 1>many years later. So how many years later, Well as

0:17:22.480 --> 0:17:24.720
<v Speaker 1>it would have been if seventeen, that would have been

0:17:24.920 --> 0:17:29.800
<v Speaker 1>U seventy. So I didn't graduate college till eighty five. Okay,

0:17:30.119 --> 0:17:32.880
<v Speaker 1>so you're still living in your own apartment, you're still

0:17:32.920 --> 0:17:36.120
<v Speaker 1>paying your own bills, and now you're going to community college.

0:17:36.240 --> 0:17:38.240
<v Speaker 1>And what are you doing for work? Then? Just a

0:17:38.320 --> 0:17:40.439
<v Speaker 1>hodgepodge of different jobs. I went back to work at

0:17:40.440 --> 0:17:42.840
<v Speaker 1>a supermarket. I had worked at supermarkets. I had worked

0:17:42.840 --> 0:17:45.880
<v Speaker 1>at Ralph's when I was sixteen years old, and Fullerton

0:17:46.240 --> 0:17:48.560
<v Speaker 1>I went and started working for Vaughan's, you know, at

0:17:48.600 --> 0:17:50.159
<v Speaker 1>that point. And these were great jobs because it was

0:17:50.200 --> 0:17:52.880
<v Speaker 1>a union job, you had health benefits. Uh, they paid

0:17:52.880 --> 0:17:55.320
<v Speaker 1>time in half on Sundays, and and I could make

0:17:55.400 --> 0:17:58.879
<v Speaker 1>enough money working part time to pay my bills. But

0:17:59.040 --> 0:18:01.800
<v Speaker 1>nothing had really started to come together as it relates

0:18:01.840 --> 0:18:04.280
<v Speaker 1>to music yet at this point, I'm still going to

0:18:04.320 --> 0:18:06.760
<v Speaker 1>a lot of shows. Punk rock has hit and now

0:18:06.800 --> 0:18:09.520
<v Speaker 1>all of a sudden, I'm starting to go to clubs,

0:18:10.040 --> 0:18:12.119
<v Speaker 1>and that's a big shift. At least it was for

0:18:12.240 --> 0:18:14.840
<v Speaker 1>me when you've been going to concerts and concerts and

0:18:14.880 --> 0:18:17.840
<v Speaker 1>they're big, and then you find yourself in a club

0:18:18.280 --> 0:18:20.600
<v Speaker 1>and the music is much more visceral, and you're right

0:18:20.640 --> 0:18:24.159
<v Speaker 1>there and the local Los Angeles scene is exploding. Of

0:18:24.200 --> 0:18:28.119
<v Speaker 1>course it's going. It's amazing, you know. And I remember

0:18:28.160 --> 0:18:30.879
<v Speaker 1>I spent the night on Lancashire Boulevard and saw Elvis

0:18:30.920 --> 0:18:33.119
<v Speaker 1>Costello at the Palamino around the Armed Forces tour. I

0:18:33.160 --> 0:18:35.280
<v Speaker 1>spent the night on Sunset Boulevard and saw Tom Petty

0:18:35.320 --> 0:18:37.439
<v Speaker 1>at the Whiskey. I I was there the night that

0:18:37.480 --> 0:18:41.240
<v Speaker 1>Excine's sister died, when X released their debut record. This

0:18:41.359 --> 0:18:43.439
<v Speaker 1>was so exciting to me to see music in that

0:18:43.560 --> 0:18:46.440
<v Speaker 1>small format. And that is where I all of a

0:18:46.480 --> 0:18:48.680
<v Speaker 1>sudden got in where all of a sudden, I'm going

0:18:48.720 --> 0:18:52.280
<v Speaker 1>to Shifted and I'm going to Fullerton Junior College and

0:18:53.200 --> 0:18:55.720
<v Speaker 1>I ran for student office, something I'd never done in

0:18:55.760 --> 0:18:58.000
<v Speaker 1>my life. I've never been to a dance in high school,

0:18:58.080 --> 0:19:00.639
<v Speaker 1>like I literally, what was your motivation? I wanted to

0:19:00.720 --> 0:19:03.439
<v Speaker 1>bring bands to school. I wanted to be able to

0:19:03.560 --> 0:19:08.640
<v Speaker 1>somehow bring bands to school. And I made really cool posters.

0:19:08.680 --> 0:19:11.240
<v Speaker 1>I used pop art graphics. You know, Beatles jumping in

0:19:11.280 --> 0:19:14.439
<v Speaker 1>the air vote for gym. It was really embarrassing. I felt,

0:19:14.520 --> 0:19:17.359
<v Speaker 1>you know what I mean, because promoting yourself is really

0:19:18.240 --> 0:19:20.280
<v Speaker 1>it takes a certain kind of person that can do it. Well.

0:19:20.359 --> 0:19:23.280
<v Speaker 1>I'm not that person. I felt like a colossal douche

0:19:23.280 --> 0:19:26.080
<v Speaker 1>bag the whole time doing it and I lost. But

0:19:26.160 --> 0:19:28.640
<v Speaker 1>the guy who became president said, hey, you know, there's

0:19:28.640 --> 0:19:32.120
<v Speaker 1>a stipend position for an events director. I've never even

0:19:32.119 --> 0:19:34.359
<v Speaker 1>heard the word stipend before, and I said, what does

0:19:34.359 --> 0:19:36.280
<v Speaker 1>that mean? He goes, you can bring concerts here what

0:19:36.320 --> 0:19:38.480
<v Speaker 1>you wanted to do, and we'll pay you fifty a

0:19:38.520 --> 0:19:41.159
<v Speaker 1>week to do it. And you can have access to

0:19:41.240 --> 0:19:44.200
<v Speaker 1>the phones. And I phone is a big deal. That's

0:19:44.200 --> 0:19:48.159
<v Speaker 1>what people don't understand, long distance calls. It is a

0:19:48.200 --> 0:19:51.480
<v Speaker 1>big deal. But there was a nightclub called Ichabod's in

0:19:51.520 --> 0:19:54.720
<v Speaker 1>Fullerton on Sunday nights. They were dark. Occasionally they would

0:19:54.720 --> 0:19:57.600
<v Speaker 1>bring a band in and I approached the manager and said,

0:19:57.600 --> 0:19:59.520
<v Speaker 1>can I do the bookings? And I got to do

0:19:59.560 --> 0:20:02.320
<v Speaker 1>the bookings. So I'm booking the cramps, I'm booking suburban

0:20:02.359 --> 0:20:05.239
<v Speaker 1>lawns and booking. I told Social distortion, wait, wait, wait, wait,

0:20:05.280 --> 0:20:06.640
<v Speaker 1>you're living in your own apartment. Do you have any

0:20:06.640 --> 0:20:09.240
<v Speaker 1>contact with your parents at this point? Okay, it's kind

0:20:09.240 --> 0:20:11.679
<v Speaker 1>of normalize. It does what goes off in your head.

0:20:11.760 --> 0:20:13.399
<v Speaker 1>You're saying, I can be a book or I can

0:20:13.440 --> 0:20:15.639
<v Speaker 1>do this. Well, I had had done a T. S

0:20:15.680 --> 0:20:18.280
<v Speaker 1>o L show at my college, and so he did

0:20:18.320 --> 0:20:22.320
<v Speaker 1>college shows before the Ichabod stuff. Yes, had done one,

0:20:22.960 --> 0:20:25.800
<v Speaker 1>just one. It was a nightmare, but by the same token,

0:20:25.880 --> 0:20:27.840
<v Speaker 1>to do one in the college, you're talking to so

0:20:27.840 --> 0:20:29.600
<v Speaker 1>many middle agents whatever. You learn a lot in that

0:20:29.640 --> 0:20:32.680
<v Speaker 1>one show. Yeah, Well it was just T. S O L.

0:20:32.720 --> 0:20:35.400
<v Speaker 1>And they were local, and I forget how I made contact,

0:20:35.640 --> 0:20:38.240
<v Speaker 1>but it was interesting, you know, I made I made

0:20:38.280 --> 0:20:41.160
<v Speaker 1>some friends in that situation. And then I had seen

0:20:41.320 --> 0:20:44.440
<v Speaker 1>Dennis to L, the guitar player of Social Distortion. We

0:20:44.440 --> 0:20:46.560
<v Speaker 1>were both in court for something. I don't know what

0:20:46.680 --> 0:20:48.760
<v Speaker 1>I was in court for, but I remember seeing Dennis.

0:20:48.960 --> 0:20:52.840
<v Speaker 1>He was wearing a green suit, he had saddle shoes on,

0:20:53.440 --> 0:20:55.640
<v Speaker 1>and he was reading up and down with the rolling stones.

0:20:56.119 --> 0:20:58.320
<v Speaker 1>And I'd seen Social d and I love Social Distortion.

0:20:58.520 --> 0:21:00.480
<v Speaker 1>I thought they were great. They were very Lodi. They

0:21:00.520 --> 0:21:03.160
<v Speaker 1>reminder me much more of the Buzzcocks than thrash music.

0:21:03.160 --> 0:21:06.359
<v Speaker 1>They are Generation X. They were very melodic, and I

0:21:06.400 --> 0:21:08.440
<v Speaker 1>approached my said, can get you a gig at Kabots

0:21:08.520 --> 0:21:10.160
<v Speaker 1>And he said they won't let us play there because

0:21:10.160 --> 0:21:11.879
<v Speaker 1>they wouldn't let punk bands play. And it goes, I

0:21:11.920 --> 0:21:14.040
<v Speaker 1>can get you a gig there, and I got them

0:21:14.040 --> 0:21:16.119
<v Speaker 1>a gig there. You'd already spoken with the guy at

0:21:16.160 --> 0:21:18.200
<v Speaker 1>Nikabots or you said if I have this in my pocket,

0:21:18.880 --> 0:21:20.760
<v Speaker 1>I'd already spoken, And so I was starting to do

0:21:20.800 --> 0:21:23.040
<v Speaker 1>bookings there and it was great because it meant I

0:21:23.080 --> 0:21:24.840
<v Speaker 1>got to see the shows for free. It also meant

0:21:24.840 --> 0:21:27.239
<v Speaker 1>that I got to hit the bar for free. I

0:21:27.280 --> 0:21:29.760
<v Speaker 1>got to by my friends drinks for free. It was

0:21:29.800 --> 0:21:32.960
<v Speaker 1>like it was It was amazing. So you book a

0:21:33.000 --> 0:21:35.080
<v Speaker 1>social dy, that's your first show at Nickabo. No, it's

0:21:35.080 --> 0:21:36.720
<v Speaker 1>not my first show. I don't know what my first

0:21:36.720 --> 0:21:39.320
<v Speaker 1>show was, to be honest with you, were they all successful? Yeah?

0:21:39.359 --> 0:21:41.040
<v Speaker 1>I never lost money? And how did you get the

0:21:41.080 --> 0:21:43.920
<v Speaker 1>word out Flyers? You just did Flyers. The punk rock

0:21:44.040 --> 0:21:49.840
<v Speaker 1>thing was very rapid community because there was very little

0:21:49.960 --> 0:21:52.439
<v Speaker 1>that you were permitted to do in terms of venues,

0:21:52.480 --> 0:21:55.920
<v Speaker 1>Like you couldn't go and play at the Rock Sea.

0:21:56.000 --> 0:21:58.800
<v Speaker 1>And I remember I started booking bands. Up and down

0:21:58.880 --> 0:22:00.560
<v Speaker 1>the coast, and in different places, you couldn't get to

0:22:00.560 --> 0:22:02.720
<v Speaker 1>the stone in San Francisco, Bill Gret they wouldn't let

0:22:02.760 --> 0:22:05.480
<v Speaker 1>you book these so you wind up calling as you

0:22:05.480 --> 0:22:07.800
<v Speaker 1>started booking around the country, you call the Victor Brothers

0:22:07.800 --> 0:22:09.280
<v Speaker 1>and Phoenix and they would put you with the Knights

0:22:09.280 --> 0:22:12.440
<v Speaker 1>of Pitheus Hall. And then you'd call Tom bunchdown in

0:22:12.640 --> 0:22:15.040
<v Speaker 1>Texas and he had a place where and you started

0:22:15.080 --> 0:22:17.760
<v Speaker 1>networking all these people because they all had these scenes

0:22:17.840 --> 0:22:20.200
<v Speaker 1>and they knew how to where to put the flyers.

0:22:24.760 --> 0:22:27.000
<v Speaker 1>Thanks for joining me on another episode of the Bob

0:22:27.080 --> 0:22:30.000
<v Speaker 1>Left Sets podcast. I hope you've enjoyed going down the

0:22:30.040 --> 0:22:32.640
<v Speaker 1>rabbit hole with me. You never know who's gonna stop

0:22:32.680 --> 0:22:34.960
<v Speaker 1>by the studio. I've already had the chance to talk

0:22:35.000 --> 0:22:39.480
<v Speaker 1>the legendary skateboarder Tony Hawk, Grammy nominated songwriter and bal

0:22:39.520 --> 0:22:43.360
<v Speaker 1>Oscar nominated songwriter Diane Warren, and we're just getting started.

0:22:43.640 --> 0:22:46.040
<v Speaker 1>Make sure to subscribe to the podcast on tune in,

0:22:46.160 --> 0:22:49.720
<v Speaker 1>Apple podcast or wherever you listen to podcasts. Back to

0:22:49.800 --> 0:22:55.080
<v Speaker 1>my conversation with Jim Garrino. Okay, so let's go back

0:22:55.080 --> 0:22:59.600
<v Speaker 1>your bookingabas. How do you then morph that into booking

0:22:59.680 --> 0:23:01.639
<v Speaker 1>up and down on the coast. In other so, what

0:23:01.680 --> 0:23:06.640
<v Speaker 1>winds up happening is I wind up transferring to UC Irvine.

0:23:06.800 --> 0:23:09.880
<v Speaker 1>And at the same time I meet Gary Tover. I'm

0:23:09.880 --> 0:23:13.639
<v Speaker 1>blown away. He's got this thing called Golden Voice, and

0:23:13.680 --> 0:23:16.320
<v Speaker 1>they're doing shows on a much larger scale than seems

0:23:16.359 --> 0:23:18.280
<v Speaker 1>that one should be able to do. Like, you can't

0:23:18.400 --> 0:23:21.000
<v Speaker 1>do shows this big punk rock shows. You're gonna get

0:23:21.000 --> 0:23:23.000
<v Speaker 1>shut down, Like I feel like I'm getting away with

0:23:23.080 --> 0:23:26.600
<v Speaker 1>something doing an Ichabod show here and there. Jerry Roach

0:23:26.640 --> 0:23:29.200
<v Speaker 1>has already had his troubles with the Cuckoo's Nest that's

0:23:29.200 --> 0:23:31.600
<v Speaker 1>been shut down. Everything in Orange County has been shut down.

0:23:31.920 --> 0:23:34.600
<v Speaker 1>And I meet Gary and I don't know how I

0:23:34.640 --> 0:23:38.199
<v Speaker 1>weasel my way into it, but I get Gary to

0:23:38.359 --> 0:23:41.560
<v Speaker 1>let Mike Vrainey, who's the manager of the Dead Kennedy's

0:23:41.560 --> 0:23:44.960
<v Speaker 1>and t s o L and me I'm now handling

0:23:45.000 --> 0:23:48.680
<v Speaker 1>Social Distortion, open a booking agency for him. And so

0:23:48.720 --> 0:23:52.280
<v Speaker 1>we book Agent Orange forty five Grave the Dickies, Dead

0:23:52.320 --> 0:23:54.919
<v Speaker 1>Kennedy's TSL Social Distoration, and we start booking him. When

0:23:54.920 --> 0:23:58.080
<v Speaker 1>he would bring a band in from England to do

0:23:58.200 --> 0:24:00.640
<v Speaker 1>his concert at the Olympic auditorium. We would then book

0:24:00.680 --> 0:24:02.600
<v Speaker 1>them up and down the coast for him. Okay, how

0:24:02.600 --> 0:24:06.960
<v Speaker 1>do you become the manager of Social Mike? The band

0:24:07.000 --> 0:24:11.480
<v Speaker 1>breaks up, the manager leaves for Las Vegas, he splits

0:24:11.800 --> 0:24:16.159
<v Speaker 1>the rhythm section, leaves the band. Mike. I don't know

0:24:16.200 --> 0:24:19.040
<v Speaker 1>the exact sequence, but he winds up coming to live

0:24:19.080 --> 0:24:21.920
<v Speaker 1>with me when he gets clean. He winds up, you know,

0:24:22.200 --> 0:24:25.119
<v Speaker 1>Dennis and I have found him o'ded a couple, you know,

0:24:25.280 --> 0:24:29.240
<v Speaker 1>many situations where there's big problems and he's having serious,

0:24:29.280 --> 0:24:31.800
<v Speaker 1>serious drug problems. But he gets clean and he comes

0:24:31.840 --> 0:24:35.120
<v Speaker 1>to live with me, and he's trying the whole time

0:24:35.160 --> 0:24:37.880
<v Speaker 1>to do the band. We go through four or five drummers,

0:24:37.880 --> 0:24:40.280
<v Speaker 1>but it's really not coming together until he gets clean.

0:24:40.560 --> 0:24:42.840
<v Speaker 1>And then we kind of get an established lineup and

0:24:42.880 --> 0:24:46.240
<v Speaker 1>I'm managing them, and I put together a distribution deal

0:24:46.680 --> 0:24:50.120
<v Speaker 1>through Enigma Records, Bill Hin and we pay for and

0:24:50.280 --> 0:24:54.480
<v Speaker 1>record this record, Social Recording. It's not there's another one

0:24:54.520 --> 0:24:58.280
<v Speaker 1>that came out before that that that this is their second,

0:24:58.800 --> 0:25:01.480
<v Speaker 1>you know, full length album, but it's the first word

0:25:01.480 --> 0:25:04.040
<v Speaker 1>Mike's claim and where we end to have a cohesive

0:25:04.240 --> 0:25:07.120
<v Speaker 1>thing going on where we can say we're gonna be somewhere, Mike.

0:25:07.240 --> 0:25:10.080
<v Speaker 1>Let me tell you. We book Gary Tovar book Social

0:25:10.080 --> 0:25:15.920
<v Speaker 1>Distortion in the Olympic Auditorium. They do five thousand people. Okay,

0:25:14.960 --> 0:25:22.240
<v Speaker 1>we're probably eight three. We get there to do the show,

0:25:22.440 --> 0:25:24.879
<v Speaker 1>we have no gear, Mike's pond at all. It's gone.

0:25:25.160 --> 0:25:29.480
<v Speaker 1>It's gone, and we're headlining. Okay. And I remember seeing

0:25:29.520 --> 0:25:32.120
<v Speaker 1>this guy, Don Burnett the band plane wrap and said,

0:25:32.600 --> 0:25:34.439
<v Speaker 1>I think he was the opening act. He might not

0:25:34.520 --> 0:25:36.119
<v Speaker 1>have been, it may have been a different act. But

0:25:36.640 --> 0:25:38.240
<v Speaker 1>we say, we'll give you a hunter Bucks if we

0:25:38.280 --> 0:25:40.840
<v Speaker 1>can use your gear. You're applying. We'll be here late,

0:25:40.960 --> 0:25:43.080
<v Speaker 1>you know, Yeah, no problem. We give him a Hunter Bucks.

0:25:43.080 --> 0:25:45.280
<v Speaker 1>Now we have a gear to play through. End of

0:25:45.280 --> 0:25:48.479
<v Speaker 1>the night, we're all hanging around partying. Guy walks up

0:25:48.480 --> 0:25:50.880
<v Speaker 1>and goes, hey, where do you put my gear? Fucking

0:25:50.920 --> 0:25:53.440
<v Speaker 1>Mike has taken his gear and hocked it and it's

0:25:53.440 --> 0:25:56.600
<v Speaker 1>in the pawn shop. Just like that, it's gone. He's

0:25:56.600 --> 0:25:59.280
<v Speaker 1>stolen the gear again. And that's what it was like,

0:25:59.440 --> 0:26:02.119
<v Speaker 1>you know what I mean. Meanwhile, this guy is selling

0:26:02.160 --> 0:26:04.480
<v Speaker 1>five thousand tickets. You can't get a major label deal.

0:26:04.720 --> 0:26:07.720
<v Speaker 1>So when he cleans up the band records this record

0:26:07.760 --> 0:26:10.480
<v Speaker 1>prison Bound. The song goes number one on k Rock.

0:26:11.000 --> 0:26:13.560
<v Speaker 1>It literally is number one. We put the record out

0:26:13.560 --> 0:26:16.280
<v Speaker 1>through Enigma as a pressing and distribution deal, which was

0:26:16.320 --> 0:26:18.919
<v Speaker 1>the only deal you could get. Back then nobody recognized

0:26:19.080 --> 0:26:21.280
<v Speaker 1>the brilliance of it, that you own the masters and

0:26:21.320 --> 0:26:23.199
<v Speaker 1>that you get the lions share the money. It was

0:26:23.240 --> 0:26:24.679
<v Speaker 1>just like, well, nobody will give us a deal, so

0:26:24.720 --> 0:26:27.280
<v Speaker 1>we'll just make it ourselves, and you know, do that

0:26:27.359 --> 0:26:29.120
<v Speaker 1>and they would do the pressing and they charge you back.

0:26:29.160 --> 0:26:30.560
<v Speaker 1>But it turned out to be great because they wound

0:26:30.600 --> 0:26:32.840
<v Speaker 1>up owning owning their masters. It goes number one on

0:26:32.920 --> 0:26:36.600
<v Speaker 1>k Rock. Epic winds up signing him. But that's you know, Okay,

0:26:36.680 --> 0:26:39.760
<v Speaker 1>you're the manager, you make a deal with Enigma, You

0:26:39.920 --> 0:26:42.280
<v Speaker 1>and Bill hind sit down, or you get a lawyer.

0:26:42.680 --> 0:26:45.479
<v Speaker 1>At this point, I do everything. I have no lawyer,

0:26:46.240 --> 0:26:49.760
<v Speaker 1>and I have come out of you see your vine.

0:26:49.920 --> 0:26:52.560
<v Speaker 1>There's a little bit of backtracking. I meet Steve Rennie

0:26:52.880 --> 0:26:54.720
<v Speaker 1>at u C Irvine. He has a company called Steve

0:26:54.760 --> 0:26:57.480
<v Speaker 1>Rennie Presents, which we affectionately used to call Steve Renny

0:26:57.600 --> 0:27:00.600
<v Speaker 1>Resents because nobody wanted to do much bisy this with him.

0:27:00.680 --> 0:27:04.720
<v Speaker 1>But he gets hired at Avalon. At the time, they're

0:27:04.720 --> 0:27:07.600
<v Speaker 1>doing four nights of Bruce Springsteen at the Colisseum eighty thou.

0:27:08.200 --> 0:27:10.640
<v Speaker 1>They're the biggest there is in l A. They own

0:27:10.760 --> 0:27:13.160
<v Speaker 1>l A. And Renny gets hired by Avalon, and we've

0:27:13.200 --> 0:27:17.200
<v Speaker 1>been doing concerts. I'm at u c Irvine. This is four.

0:27:17.520 --> 0:27:20.119
<v Speaker 1>I don't graduate till Lady five. So we bring Wingo

0:27:20.200 --> 0:27:22.560
<v Speaker 1>Boingo for two shows in one night. We bring the

0:27:22.640 --> 0:27:25.080
<v Speaker 1>Cure in two shows in one night, turned the house.

0:27:25.359 --> 0:27:28.119
<v Speaker 1>We do all these concerts, and he realizes he can

0:27:28.160 --> 0:27:31.359
<v Speaker 1>rely on me. So they hired me for two fifty

0:27:31.359 --> 0:27:34.280
<v Speaker 1>dollars a week to drive from Coasta Mesa to Encino

0:27:35.080 --> 0:27:36.919
<v Speaker 1>when Bruce is coming to do his four nights at

0:27:36.920 --> 0:27:38.800
<v Speaker 1>the Colisseum. They called it the Bruce Excees. We'll need

0:27:38.840 --> 0:27:40.920
<v Speaker 1>a little extra help, and so I get I get

0:27:40.960 --> 0:27:44.280
<v Speaker 1>hired to do that. Uh, and so you know, all

0:27:44.320 --> 0:27:46.280
<v Speaker 1>this is kind of going on. At the same time,

0:27:46.280 --> 0:27:49.080
<v Speaker 1>I'm continuing to do work for Gary Tovar. I was

0:27:49.119 --> 0:27:51.520
<v Speaker 1>doing his graphic arts. I would do his l a

0:27:51.600 --> 0:27:55.520
<v Speaker 1>time Sunday calendar ad with rub out letters, throw a

0:27:55.520 --> 0:27:57.840
<v Speaker 1>few skulls in there, take it and get a line

0:27:57.840 --> 0:27:59.639
<v Speaker 1>stat v locks and then I drive it down to

0:27:59.640 --> 0:28:01.960
<v Speaker 1>Bobs upreds In at the l A Times and Gary

0:28:02.000 --> 0:28:04.240
<v Speaker 1>give me a hundred bucks a week to do that. Okay,

0:28:04.240 --> 0:28:06.320
<v Speaker 1>but let's go back to socialty. If you're selling five

0:28:06.320 --> 0:28:09.680
<v Speaker 1>thousand tickets forgetting that Mike's not clean, there's a lot

0:28:09.720 --> 0:28:12.680
<v Speaker 1>of money somewhere. Is any of that money floating down

0:28:12.680 --> 0:28:15.240
<v Speaker 1>to you? Oh yeah, I'm getting fift at this point

0:28:15.040 --> 0:28:17.920
<v Speaker 1>of that, you know, but it's not a lot of money.

0:28:17.920 --> 0:28:22.120
<v Speaker 1>In in four it was a flat guarantee. It might

0:28:22.119 --> 0:28:27.200
<v Speaker 1>have been three four thou dollars. Ticket ticket prices were

0:28:27.240 --> 0:28:29.560
<v Speaker 1>not what they are. You know, we're talking about keeping

0:28:29.560 --> 0:28:32.159
<v Speaker 1>ticket prices under ten dollars. When I started managing the

0:28:32.160 --> 0:28:34.720
<v Speaker 1>Offspring in ninety four, they wouldn't go over a ten

0:28:34.720 --> 0:28:37.679
<v Speaker 1>dollar ticket. That's nine four. This is ten years before that.

0:28:38.240 --> 0:28:41.160
<v Speaker 1>So okay, so you're slapping up to the cino. You're working.

0:28:41.240 --> 0:28:44.200
<v Speaker 1>So that was only for the four days with Bruce

0:28:44.400 --> 0:28:47.640
<v Speaker 1>or did you can? I worked the entire time from

0:28:47.680 --> 0:28:50.800
<v Speaker 1>the literally the moment I graduated. I started the following Monday.

0:28:50.800 --> 0:28:53.360
<v Speaker 1>I never had to do a resume. Started. I sat

0:28:53.400 --> 0:28:55.719
<v Speaker 1>on the couch and I would go up there. They

0:28:55.720 --> 0:28:58.360
<v Speaker 1>have all on office and CEO Brian Murphy. I thought

0:28:58.560 --> 0:29:01.200
<v Speaker 1>was the coolest guy I'd ever seen that works at

0:29:01.200 --> 0:29:03.760
<v Speaker 1>a G But it's a long time at L a promoter,

0:29:04.520 --> 0:29:06.800
<v Speaker 1>and Bob, you can't imagine seeing this guy sit there

0:29:06.800 --> 0:29:09.080
<v Speaker 1>on the phone. And I've told this story before, but

0:29:09.160 --> 0:29:11.400
<v Speaker 1>I'm gonna tell it again because most people haven't heard it.

0:29:11.560 --> 0:29:14.800
<v Speaker 1>I'll never forget when he's getting ready to announce Bruce Springsteen,

0:29:14.880 --> 0:29:17.920
<v Speaker 1>his tickets are going on sale. He's calling Cynthia Fox

0:29:17.920 --> 0:29:21.160
<v Speaker 1>at Camyte and he's going to go live on the air. Now,

0:29:21.200 --> 0:29:25.200
<v Speaker 1>that's just unbelievable. And I'm sitting there watching a little

0:29:25.200 --> 0:29:28.160
<v Speaker 1>bit of Remember I mean, I'm sitting there watching him,

0:29:28.160 --> 0:29:30.480
<v Speaker 1>and I'm like quiet, like I gotta be U watch.

0:29:30.760 --> 0:29:32.840
<v Speaker 1>He's got his Diet Coke there in his Marlborough lights,

0:29:32.840 --> 0:29:35.960
<v Speaker 1>and he's got his jacket on, jeans, white tennis shoes,

0:29:36.000 --> 0:29:39.400
<v Speaker 1>and Murphy looks cool as hell. And he picks up

0:29:39.400 --> 0:29:40.920
<v Speaker 1>the phone. He gets ready to do the phone call.

0:29:40.920 --> 0:29:42.200
<v Speaker 1>It's a couple of minutes before he's going to go

0:29:42.200 --> 0:29:44.520
<v Speaker 1>in there, and and I just remember him going, Hey, Fox,

0:29:44.520 --> 0:29:47.920
<v Speaker 1>what's happening? And I'm just like, oh my god, this

0:29:47.960 --> 0:29:50.480
<v Speaker 1>guy is so cool. Because yeah, we're bringing Bruce l

0:29:50.520 --> 0:29:53.760
<v Speaker 1>A And I'm just like, this is the greatest thing ever.

0:29:53.800 --> 0:29:56.200
<v Speaker 1>I'm just in awe of it. You know, there's nothing

0:29:56.240 --> 0:29:58.440
<v Speaker 1>like being on the inside. It was, and I'm just

0:29:58.680 --> 0:30:00.680
<v Speaker 1>you know, I'm a week or two out of school

0:30:00.720 --> 0:30:02.440
<v Speaker 1>and he let me sit on his couch in his

0:30:02.520 --> 0:30:04.320
<v Speaker 1>office because there's no desk for me. I mean, he

0:30:04.400 --> 0:30:07.280
<v Speaker 1>was very I'd met him over the years because I

0:30:07.280 --> 0:30:09.680
<v Speaker 1>had interned and done stuff and helped out. But it

0:30:09.760 --> 0:30:12.280
<v Speaker 1>was really really cool. And what was your theoretical job?

0:30:12.600 --> 0:30:14.960
<v Speaker 1>I did store reports. I would call Moby Disc and

0:30:15.000 --> 0:30:16.719
<v Speaker 1>I would talk to Bob Say and I would say, hey,

0:30:16.760 --> 0:30:18.800
<v Speaker 1>what's selling this week? You know, what do you got going?

0:30:18.880 --> 0:30:21.960
<v Speaker 1>What's going on? And a lot of things were you know, again,

0:30:22.000 --> 0:30:24.040
<v Speaker 1>it was kind of a for me. It meant a

0:30:24.040 --> 0:30:25.400
<v Speaker 1>lot to all of a sudden be able to say, Hey,

0:30:25.400 --> 0:30:27.680
<v Speaker 1>the Smiths are selling really well, that's gonna that's something

0:30:27.720 --> 0:30:29.920
<v Speaker 1>we should book, or this is doing well. This is

0:30:29.960 --> 0:30:31.640
<v Speaker 1>something we we had to deal with the palladium. So

0:30:31.680 --> 0:30:33.920
<v Speaker 1>we're doing the Palladium shows. And we had a venue

0:30:33.920 --> 0:30:36.360
<v Speaker 1>in San Diego, the open air Amphitheater at San Diego

0:30:36.400 --> 0:30:38.680
<v Speaker 1>State about a four thousand theaters. So you know, I'm

0:30:38.720 --> 0:30:41.920
<v Speaker 1>calling all these records store, I'm talking to X and

0:30:41.920 --> 0:30:44.120
<v Speaker 1>I'm I don't know what I'm doing, but people are

0:30:44.160 --> 0:30:46.200
<v Speaker 1>talking about music and they're telling me bands that I

0:30:46.280 --> 0:30:48.280
<v Speaker 1>like that, how they're selling and what they'll do, and

0:30:48.280 --> 0:30:50.360
<v Speaker 1>and they'd say, I'll never forget any saying me, so

0:30:50.360 --> 0:30:52.080
<v Speaker 1>what do you think the Smith's Palladium? Is it one

0:30:52.160 --> 0:30:55.960
<v Speaker 1>or two? And I'm like, you're asking me, you're asking me,

0:30:56.320 --> 0:31:00.320
<v Speaker 1>this is awesome, right, how long are you I beend

0:31:00.360 --> 0:31:03.800
<v Speaker 1>a couple of years there, and uh, we start managing

0:31:03.880 --> 0:31:06.520
<v Speaker 1>Drama Rama, Steve and I and at this point Moss

0:31:06.600 --> 0:31:10.000
<v Speaker 1>Jacobs is still there, and we would split the money

0:31:10.000 --> 0:31:12.360
<v Speaker 1>four ways. So I did a P and D with

0:31:12.480 --> 0:31:15.880
<v Speaker 1>Important Now and they had a blowtorch hit called Anything

0:31:15.920 --> 0:31:18.120
<v Speaker 1>Anything on k Rock. It was huge, and I start

0:31:18.160 --> 0:31:20.040
<v Speaker 1>booking the band. I do all the booking at this point,

0:31:20.040 --> 0:31:22.800
<v Speaker 1>I make all the calls, college bookings, and we split

0:31:22.840 --> 0:31:24.600
<v Speaker 1>all the money. And it's like I have to ask

0:31:24.640 --> 0:31:26.440
<v Speaker 1>you a license agent at that time, not at all,

0:31:26.520 --> 0:31:29.520
<v Speaker 1>of course, No, not not at all, you know, And

0:31:29.520 --> 0:31:32.400
<v Speaker 1>and that's going on, and I found another club in

0:31:32.440 --> 0:31:35.240
<v Speaker 1>Orange County that very similar to an Ichabod's Thing, and

0:31:35.280 --> 0:31:37.000
<v Speaker 1>I changed the name of it when I book it

0:31:37.080 --> 0:31:38.880
<v Speaker 1>that night, and I call it pretty vacant after a

0:31:38.920 --> 0:31:42.160
<v Speaker 1>sex pistol song and book Jane's addiction in their Red Laura,

0:31:42.240 --> 0:31:45.400
<v Speaker 1>Yellow Lauria, a bunch of Geiger bands and uh, that's

0:31:45.440 --> 0:31:49.760
<v Speaker 1>mark now ahead of music and very pivotal in my career.

0:31:49.800 --> 0:31:53.120
<v Speaker 1>But Reny decides that he wants to form a management

0:31:53.160 --> 0:31:56.080
<v Speaker 1>company within Avalon and he's going to be the head

0:31:56.080 --> 0:31:58.000
<v Speaker 1>of it. Now, all the money has to go into

0:31:58.000 --> 0:32:00.840
<v Speaker 1>this management company, and I don't like that very much

0:32:00.960 --> 0:32:03.800
<v Speaker 1>because well, because we're splitting it four ways, and at

0:32:03.800 --> 0:32:07.280
<v Speaker 1>this point I'm doing the bulk of the work. It's like, okay,

0:32:07.640 --> 0:32:10.680
<v Speaker 1>but you know, I'm young and arrogant about it, like

0:32:10.720 --> 0:32:13.880
<v Speaker 1>this is bullshit, you know what's going on? Okay. Also,

0:32:14.080 --> 0:32:16.400
<v Speaker 1>I'd gotten a raise. I went from two fifty dollars

0:32:16.440 --> 0:32:18.680
<v Speaker 1>a week to something more, but it amounted to thirty

0:32:18.720 --> 0:32:20.840
<v Speaker 1>three thousand dollars a year. And they had given me

0:32:20.880 --> 0:32:23.720
<v Speaker 1>that raise four months before, but I hadn't seen it yet,

0:32:24.080 --> 0:32:26.120
<v Speaker 1>and I complained to complained the complain They said, Okay,

0:32:26.120 --> 0:32:27.520
<v Speaker 1>we're gonna do it, but it's not going to be

0:32:27.560 --> 0:32:30.880
<v Speaker 1>retroactive to the time. Well, right around this time, Mark

0:32:30.880 --> 0:32:33.280
<v Speaker 1>Geiger has put my name in with Larry Vallen who

0:32:33.280 --> 0:32:36.280
<v Speaker 1>turned me onto The Left Sets Letter and Ja Marciano,

0:32:36.360 --> 0:32:38.600
<v Speaker 1>and they invite me to the Hamburger Hamlet and I

0:32:38.640 --> 0:32:40.600
<v Speaker 1>sit down and they say, we'd like you to come

0:32:40.640 --> 0:32:43.120
<v Speaker 1>over to the Universal Lamp Theater. I'm like, wow, because

0:32:43.240 --> 0:32:45.840
<v Speaker 1>the Universe Lamp Theater, that's to me, the big time,

0:32:45.880 --> 0:32:48.280
<v Speaker 1>like I've seen before. They put the roof on, I've

0:32:48.280 --> 0:32:51.760
<v Speaker 1>been there. It is veep to me, preeminent music venue

0:32:51.760 --> 0:32:54.480
<v Speaker 1>in Los Angeles. And they explain what it is and

0:32:54.520 --> 0:32:57.040
<v Speaker 1>how they do their thing different. Do you remember what

0:32:57.080 --> 0:32:59.840
<v Speaker 1>they said that was different. Well, they booked a venue

0:33:00.160 --> 0:33:03.400
<v Speaker 1>and I had been in the four wall business, which

0:33:03.400 --> 0:33:06.360
<v Speaker 1>as we go in, you know we had irvine meadows,

0:33:06.360 --> 0:33:08.240
<v Speaker 1>but we treated it like a four wall business. We

0:33:08.280 --> 0:33:10.440
<v Speaker 1>would go in explain what a four wall business. You

0:33:10.520 --> 0:33:13.240
<v Speaker 1>basically go in and you rent the four walls and

0:33:13.280 --> 0:33:15.680
<v Speaker 1>you charge let's say ten dollars at the door, and

0:33:15.720 --> 0:33:17.600
<v Speaker 1>a hundred people show up, you have a thousand dollars

0:33:17.840 --> 0:33:19.280
<v Speaker 1>and you have some to pay the ban or whatever

0:33:19.320 --> 0:33:22.400
<v Speaker 1>is left over you keep. Well, they own that building now,

0:33:22.640 --> 0:33:25.920
<v Speaker 1>so there's the parking, the peanuts, the concessions, and they're

0:33:26.000 --> 0:33:29.840
<v Speaker 1>running a much different operation. It is truly the contemporary

0:33:29.840 --> 0:33:33.400
<v Speaker 1>concert industry. And I feel like wow. And they're getting

0:33:33.400 --> 0:33:35.760
<v Speaker 1>ready to build one in Denver, and they have one Atlanta,

0:33:35.840 --> 0:33:39.080
<v Speaker 1>and and Irving, by the way, is running it right.

0:33:39.160 --> 0:33:42.360
<v Speaker 1>Of course, Irving had left management after the Eagles broke up.

0:33:42.520 --> 0:33:44.640
<v Speaker 1>That's Irving as off and he got hired to run

0:33:44.720 --> 0:33:46.680
<v Speaker 1>m c A Records, which was a dump at the time,

0:33:46.960 --> 0:33:50.040
<v Speaker 1>and he started this concert business and let Ja Marciano

0:33:50.120 --> 0:33:53.520
<v Speaker 1>run around the country and building these venues. That's right.

0:33:53.720 --> 0:33:56.200
<v Speaker 1>And for those who don't know, Ja Marciano now runs

0:33:56.280 --> 0:33:59.120
<v Speaker 1>a g one of the two concert powerhouses in the world.

0:33:59.160 --> 0:34:01.440
<v Speaker 1>That's right. And they bring me in to do what

0:34:01.680 --> 0:34:04.440
<v Speaker 1>to book the new bands. I'm the new band guy.

0:34:04.520 --> 0:34:06.719
<v Speaker 1>Whatever that thing is that you guys do at the Palladium,

0:34:06.840 --> 0:34:08.640
<v Speaker 1>we needed to bring here. And I'm going to tell

0:34:08.680 --> 0:34:13.480
<v Speaker 1>you something. Larry Vallen, in as many chances as he had,

0:34:13.520 --> 0:34:16.000
<v Speaker 1>would always say, Jim came up with the idea of

0:34:16.000 --> 0:34:19.000
<v Speaker 1>party in the pit, take the seats out of the pit. Really,

0:34:19.680 --> 0:34:21.400
<v Speaker 1>he would say that he would give me credit for

0:34:21.440 --> 0:34:23.280
<v Speaker 1>having done that, so that there would be a general

0:34:23.280 --> 0:34:25.920
<v Speaker 1>admission to give some of the stiffness of the universe

0:34:26.040 --> 0:34:28.880
<v Speaker 1>lamp there. It was never my idea. It was always Larry's.

0:34:29.320 --> 0:34:31.480
<v Speaker 1>And I'm telling you the guy, I'm like, Larry, this

0:34:31.520 --> 0:34:33.200
<v Speaker 1>is You're the one who came up with the idea,

0:34:33.600 --> 0:34:35.680
<v Speaker 1>you know. But He's like, yeah, we came up with

0:34:35.680 --> 0:34:37.239
<v Speaker 1>it together. And then it would be you just came

0:34:37.320 --> 0:34:39.799
<v Speaker 1>up with it alone. The generosity of that guy, he

0:34:39.880 --> 0:34:41.840
<v Speaker 1>was fantastic to work with, you know. I mean, he

0:34:41.920 --> 0:34:45.640
<v Speaker 1>was really, really, really terrific. And Jay Jay had a

0:34:45.719 --> 0:34:48.799
<v Speaker 1>vocabulary of music that was foreign to me. He would

0:34:48.880 --> 0:34:52.120
<v Speaker 1>be booking Stephanie Mills and he had booked the the

0:34:52.120 --> 0:34:59.759
<v Speaker 1>Theater on and he had a musical vocabulary that was

0:34:59.760 --> 0:35:01.359
<v Speaker 1>four to me. He would just sit there and these

0:35:01.360 --> 0:35:04.920
<v Speaker 1>guys the Beverly Theater, right, And so they would sit

0:35:04.960 --> 0:35:06.719
<v Speaker 1>there and they do five nights of Earth, Wind and Fire,

0:35:06.760 --> 0:35:08.480
<v Speaker 1>and they bring in George Benson, and they bring in

0:35:08.480 --> 0:35:11.520
<v Speaker 1>the Whispers and Stephanie Mila and Larry was doing all

0:35:11.560 --> 0:35:15.279
<v Speaker 1>these Latin things and I started to go, Okay, they're

0:35:15.320 --> 0:35:18.640
<v Speaker 1>doing things that are outside of just my sphere of understanding.

0:35:18.960 --> 0:35:21.800
<v Speaker 1>They know how to do the business and I started

0:35:21.800 --> 0:35:24.600
<v Speaker 1>to grow up a little bit, you know, and uh,

0:35:24.719 --> 0:35:26.680
<v Speaker 1>and that's when he gave me my first left set.

0:35:26.680 --> 0:35:29.319
<v Speaker 1>So I'm like, what is this? Okay? So how long

0:35:29.360 --> 0:35:32.319
<v Speaker 1>do you work at Universal? Ten months? I hate it.

0:35:32.640 --> 0:35:36.520
<v Speaker 1>You hate it because because it was very corporate and

0:35:36.760 --> 0:35:39.839
<v Speaker 1>the guy who was the boss of Larry and Jay

0:35:40.560 --> 0:35:44.759
<v Speaker 1>I had booked you Be forty into Fiddler's Green, the

0:35:44.800 --> 0:35:48.080
<v Speaker 1>new venue in Denver, and I did it with Ian Copeland,

0:35:48.400 --> 0:35:50.319
<v Speaker 1>who ran the FBI agency. And they had a lot

0:35:50.360 --> 0:35:52.680
<v Speaker 1>of acts. Everybody from the police and Squeeze to the

0:35:52.680 --> 0:35:55.520
<v Speaker 1>go goes, all sorts of different acts. And Ian was

0:35:55.520 --> 0:35:57.200
<v Speaker 1>a great guy. He was one of the pioneers of

0:35:57.280 --> 0:36:00.600
<v Speaker 1>music that I loved recently to see. And the show

0:36:00.680 --> 0:36:03.200
<v Speaker 1>wasn't selling great. And he said, you go back and

0:36:03.239 --> 0:36:05.080
<v Speaker 1>tell him what if we were giving him X. He said,

0:36:05.080 --> 0:36:07.319
<v Speaker 1>give him half off X. He said, I can't do that,

0:36:07.520 --> 0:36:08.919
<v Speaker 1>so you gotta do it. I know I'm not gonna

0:36:08.960 --> 0:36:11.239
<v Speaker 1>do it. This is the corporate guy. Yeah, and it

0:36:11.400 --> 0:36:16.080
<v Speaker 1>just really was awful. I haven't heard from him in

0:36:16.680 --> 0:36:19.400
<v Speaker 1>thirty years, probably heard about him for thirty years. But

0:36:19.480 --> 0:36:22.000
<v Speaker 1>it just wasn't comfortable, and so I wasn't willing to

0:36:22.000 --> 0:36:24.200
<v Speaker 1>do that. And at this point Mark Geiger shows up

0:36:24.200 --> 0:36:26.520
<v Speaker 1>again and he goes, wall, wait before you get there,

0:36:26.560 --> 0:36:28.680
<v Speaker 1>the show played. How did it do? We made money?

0:36:29.440 --> 0:36:32.000
<v Speaker 1>We made money. So Geiger at this time when he

0:36:32.000 --> 0:36:34.240
<v Speaker 1>shows up again, what is he doing? I think he's

0:36:34.840 --> 0:36:39.080
<v Speaker 1>he's the hot guy at Triad probably, which is another

0:36:39.120 --> 0:36:42.160
<v Speaker 1>agency that morphs into some other agency and you know,

0:36:42.360 --> 0:36:45.439
<v Speaker 1>kind of repopulates itself. But he shows up and he goes, hey,

0:36:45.560 --> 0:36:48.040
<v Speaker 1>you know A and m is looking for somebody, and

0:36:48.080 --> 0:36:50.320
<v Speaker 1>I'm like, what is that? What was the job description?

0:36:50.560 --> 0:36:54.560
<v Speaker 1>It was the head of artist development. And so Michael Leon,

0:36:54.600 --> 0:36:56.839
<v Speaker 1>who's the head of the East Coast office, comes in

0:36:56.920 --> 0:36:58.600
<v Speaker 1>and he says, I want you to meet Gil Freezing.

0:36:59.080 --> 0:37:00.600
<v Speaker 1>We'd like to talk to you about this job. And

0:37:00.600 --> 0:37:02.920
<v Speaker 1>I'll never forget that because if there is a mentor

0:37:03.040 --> 0:37:05.080
<v Speaker 1>for me in the business, it was Guil Freezing for sure.

0:37:05.360 --> 0:37:07.600
<v Speaker 1>I go in, I sit down, and and I say,

0:37:08.040 --> 0:37:11.120
<v Speaker 1>what is artist development as well? Jim, That's how Gil talked.

0:37:11.280 --> 0:37:15.440
<v Speaker 1>You'll tell us now, won't you. That's so guilt. So

0:37:15.640 --> 0:37:17.799
<v Speaker 1>so the Gil unfortunately is not with us either. But

0:37:18.560 --> 0:37:20.840
<v Speaker 1>and I was like, this guy is just weird, you know,

0:37:21.880 --> 0:37:25.399
<v Speaker 1>just so uncomfortable you know what I mean. And uh,

0:37:25.440 --> 0:37:28.280
<v Speaker 1>And my experience with record companies are you'd call somebody

0:37:28.280 --> 0:37:31.399
<v Speaker 1>in the promotion department, because I'm a concert promoter, to say, hey,

0:37:31.440 --> 0:37:33.880
<v Speaker 1>do you want to help promote. I didn't realize promotion

0:37:33.960 --> 0:37:35.880
<v Speaker 1>was they call radio stations. I was like, we're going

0:37:35.920 --> 0:37:37.719
<v Speaker 1>to promote, and they wouldn't help you at all, and

0:37:37.760 --> 0:37:39.600
<v Speaker 1>they'd be there the night of the show taking pictures.

0:37:39.800 --> 0:37:41.960
<v Speaker 1>I didn't like record company people as a rule, but

0:37:42.080 --> 0:37:43.760
<v Speaker 1>I was not happy where I was and I wanted

0:37:43.800 --> 0:37:45.680
<v Speaker 1>something new, and I went to A and M and

0:37:45.719 --> 0:37:47.759
<v Speaker 1>I took on this job. And at the time when

0:37:47.800 --> 0:37:52.400
<v Speaker 1>I start the job, it's primarily making copies of videos

0:37:52.400 --> 0:37:55.120
<v Speaker 1>and sending them to the local video shows. Artist development

0:37:55.560 --> 0:37:58.080
<v Speaker 1>is video promotion. You remember the year that you go

0:37:58.120 --> 0:38:04.360
<v Speaker 1>to work at and I'm like, this is videos, making videos.

0:38:04.400 --> 0:38:07.040
<v Speaker 1>I didn't understand that as artist development in my mind.

0:38:07.600 --> 0:38:10.960
<v Speaker 1>But I also controlled the promotional budget and the tour

0:38:11.000 --> 0:38:13.880
<v Speaker 1>support budget, and I see that as as something. And

0:38:13.880 --> 0:38:16.279
<v Speaker 1>we're signing bands, and I remember eight is when I

0:38:16.320 --> 0:38:18.960
<v Speaker 1>met Tony Hawk. I took Social Distortion up to Seattle

0:38:19.000 --> 0:38:21.360
<v Speaker 1>to do the Gotcha Grind and we had just signed

0:38:21.640 --> 0:38:25.160
<v Speaker 1>this band called Sound Garden and the manager called me,

0:38:25.200 --> 0:38:27.400
<v Speaker 1>Susan Silver, and she said, I'd like to talk to you,

0:38:27.440 --> 0:38:29.080
<v Speaker 1>and we're going to go to the new music seminar

0:38:29.120 --> 0:38:30.319
<v Speaker 1>and we like to see if we can open for

0:38:30.360 --> 0:38:32.160
<v Speaker 1>Iggy Pop. And Iggy Pop at the time is on

0:38:32.239 --> 0:38:34.160
<v Speaker 1>A and M. And I said, I'm gonna be in Seattle.

0:38:34.160 --> 0:38:35.759
<v Speaker 1>Why don't we meet each other in person? So we

0:38:35.800 --> 0:38:39.200
<v Speaker 1>do and she shows up with this long haired Hessian

0:38:39.440 --> 0:38:42.799
<v Speaker 1>and of course I don't realize it's Chris Cornell, you know.

0:38:42.880 --> 0:38:44.480
<v Speaker 1>And I meet Chris and Susan for the first time.

0:38:44.480 --> 0:38:46.560
<v Speaker 1>I'm with the drummer of Social Distortion. I'm there is

0:38:46.600 --> 0:38:48.880
<v Speaker 1>the A and M rep but also managing Social Distortion.

0:38:48.920 --> 0:38:51.000
<v Speaker 1>They let me keep Social Distortion. That was a big thing.

0:38:51.040 --> 0:38:53.680
<v Speaker 1>Gil said, yeah, you can continue with them, because nobody

0:38:53.719 --> 0:38:55.799
<v Speaker 1>thought they were anything. That didn't matter. It turns out

0:38:55.840 --> 0:38:58.040
<v Speaker 1>they signed an epic and you know, I'm not managing

0:38:58.040 --> 0:39:02.320
<v Speaker 1>a band on Sony, you know, from like that's crazy.

0:39:02.480 --> 0:39:06.760
<v Speaker 1>So anyway, it's eight and I start to encounter these

0:39:06.960 --> 0:39:10.440
<v Speaker 1>younger bands. This is pre Nirvana, whether it's Soul Asylum,

0:39:10.560 --> 0:39:13.560
<v Speaker 1>Sound Garden, but bands that they're not getting a lot

0:39:13.600 --> 0:39:15.879
<v Speaker 1>of attention at the time. There's a general manager there

0:39:15.880 --> 0:39:18.120
<v Speaker 1>by the name of Bob Rightman. He's like, Sting doesn't

0:39:18.160 --> 0:39:21.560
<v Speaker 1>need your help, don't worry about that. There's somewhere that

0:39:21.880 --> 0:39:24.319
<v Speaker 1>find the bands that are excited, that want to talk

0:39:24.400 --> 0:39:26.560
<v Speaker 1>to you. And I thought it was really good advice

0:39:26.600 --> 0:39:30.400
<v Speaker 1>because within a label, which is pretty big, there are

0:39:30.440 --> 0:39:33.400
<v Speaker 1>these little orphaned bands that are kind of just lingering.

0:39:33.440 --> 0:39:35.360
<v Speaker 1>And I needed something to do, and I need somewhere

0:39:35.400 --> 0:39:37.600
<v Speaker 1>to hang my hat and something to to work on.

0:39:37.680 --> 0:39:40.400
<v Speaker 1>And so these bands start to become important. And I

0:39:40.440 --> 0:39:43.520
<v Speaker 1>remember having a meeting with Sound Garden and Susan and

0:39:43.520 --> 0:39:46.520
<v Speaker 1>we're sitting there. I had suggested that they bring an

0:39:46.560 --> 0:39:50.760
<v Speaker 1>extension cord and clip on lights when they go on tour,

0:39:51.440 --> 0:39:54.080
<v Speaker 1>and I'm like, why, I said, your T shirt sales

0:39:54.120 --> 0:39:58.160
<v Speaker 1>will go up. And that was like the moment where

0:39:58.160 --> 0:40:00.440
<v Speaker 1>I realized this is what artists develop him in. Is

0:40:01.000 --> 0:40:04.600
<v Speaker 1>this is where you shift away from sending videos out

0:40:04.640 --> 0:40:07.560
<v Speaker 1>and all that nonsense to you're gonna do this like

0:40:07.600 --> 0:40:09.759
<v Speaker 1>a concert promoter. You're gonna try and you're gonna try

0:40:09.760 --> 0:40:11.520
<v Speaker 1>and build bands on the road. So you knew that

0:40:11.520 --> 0:40:13.879
<v Speaker 1>about the extension corp. From being a promoter, from being

0:40:14.080 --> 0:40:16.160
<v Speaker 1>a manager, of Social Distortion. That's how we sold more

0:40:16.200 --> 0:40:18.880
<v Speaker 1>T shirts because we did all our own merch And

0:40:18.920 --> 0:40:21.920
<v Speaker 1>I'd done that now with Social Distortion for five years.

0:40:22.120 --> 0:40:25.480
<v Speaker 1>I'd managed them through the clubs, through the all the places.

0:40:25.680 --> 0:40:28.160
<v Speaker 1>I'd done what these bands are getting ready to do,

0:40:28.400 --> 0:40:30.640
<v Speaker 1>I've been doing for five years. And I said, if

0:40:30.680 --> 0:40:33.200
<v Speaker 1>we can grow you at a certain point to where

0:40:33.239 --> 0:40:36.640
<v Speaker 1>you can tour on your own and make money, at

0:40:36.719 --> 0:40:39.640
<v Speaker 1>some point, you'll have success. Now, I didn't know what

0:40:39.680 --> 0:40:41.279
<v Speaker 1>it would become. I you know, I mean, it looks

0:40:41.280 --> 0:40:43.960
<v Speaker 1>great in hindsight. Yes, the market moved a little bit.

0:40:43.960 --> 0:40:46.880
<v Speaker 1>Sound Garden has black Hole, Sun It Works, Blues Traveler,

0:40:47.520 --> 0:40:49.440
<v Speaker 1>you know a number of bands. But I knew that

0:40:49.480 --> 0:40:51.480
<v Speaker 1>the touring thing was going to be very important, and

0:40:51.520 --> 0:40:53.800
<v Speaker 1>it seemed to also correspond with the kind of artists

0:40:53.880 --> 0:40:56.640
<v Speaker 1>that I liked and that could have long term success,

0:40:56.680 --> 0:40:58.879
<v Speaker 1>that would create catalog and all the things that felt

0:40:58.920 --> 0:41:01.200
<v Speaker 1>like buzzwords for this word label that I'm starting at.

0:41:01.280 --> 0:41:03.480
<v Speaker 1>You know, I saw with the Police that was the

0:41:03.640 --> 0:41:06.279
<v Speaker 1>kind of template. Okay, so at this time, a lot

0:41:06.280 --> 0:41:09.120
<v Speaker 1>of crazy stuff happens at A and M and M

0:41:09.160 --> 0:41:13.840
<v Speaker 1>is sold to poly Graham. Jerry Moss leaves not right away.

0:41:14.120 --> 0:41:18.040
<v Speaker 1>Jerry gil leaves right away, but Jerry and Herbs stay on.

0:41:18.400 --> 0:41:20.400
<v Speaker 1>They run up for about a year, and at this

0:41:20.440 --> 0:41:23.799
<v Speaker 1>point there's heavy turnover. And I've been there for a

0:41:23.800 --> 0:41:27.520
<v Speaker 1>few years now. I had become the head of marketing.

0:41:27.600 --> 0:41:30.520
<v Speaker 1>I think at this point Alcaferro had been the general manager.

0:41:31.120 --> 0:41:34.000
<v Speaker 1>When Jerry leaves, he becomes the president. I become the

0:41:34.040 --> 0:41:37.480
<v Speaker 1>general manager. And we had been really cold for a

0:41:37.480 --> 0:41:40.400
<v Speaker 1>long time, like it had been been bad. But we

0:41:40.440 --> 0:41:43.120
<v Speaker 1>start to things start to happen. We start to sell

0:41:43.160 --> 0:41:45.880
<v Speaker 1>some records. We start to have Amy Grant, Brian Adams

0:41:45.920 --> 0:41:48.680
<v Speaker 1>goes on Fire and Aaron Neville. We have the C. C.

0:41:48.840 --> 0:41:51.799
<v Speaker 1>Peniston single, the Gin Blossom. Zo and I had had

0:41:51.840 --> 0:41:55.160
<v Speaker 1>a discussion over Temple of the Dog, Sound Garden Blue.

0:41:55.520 --> 0:41:58.440
<v Speaker 1>You know, Cheryl Crow. We get hot, you know, we

0:41:58.520 --> 0:42:02.839
<v Speaker 1>get hot. And like everybody, any any executive, you're only

0:42:02.880 --> 0:42:04.720
<v Speaker 1>as good as the clients you have and the people

0:42:04.760 --> 0:42:07.520
<v Speaker 1>you work with. That's what you do. And so Al

0:42:07.600 --> 0:42:10.759
<v Speaker 1>goes away for six months. Okay, I'll len Leavey who

0:42:10.800 --> 0:42:14.840
<v Speaker 1>runs PolyGram sends him to Harvard for educational purpose, Harvard

0:42:14.880 --> 0:42:17.040
<v Speaker 1>Business School, and I get to take over for six

0:42:17.040 --> 0:42:19.600
<v Speaker 1>months and I've got a great group of people, but

0:42:19.640 --> 0:42:22.880
<v Speaker 1>it's uncomfortable because I'm young. I'm without question have the

0:42:23.160 --> 0:42:26.919
<v Speaker 1>shortest tenure in the record industry. But I just say

0:42:26.960 --> 0:42:28.799
<v Speaker 1>that to everybody. I know, this is uncomfortable. I got

0:42:28.800 --> 0:42:30.560
<v Speaker 1>the shortest tenure. But we got a job to do.

0:42:30.600 --> 0:42:32.600
<v Speaker 1>We got we gotta get this done and we've got

0:42:32.600 --> 0:42:35.200
<v Speaker 1>to nail it. We've got to keep these PolyGram dogs

0:42:35.239 --> 0:42:38.680
<v Speaker 1>at Bay because they're very corporate. Now it's simultaneously it

0:42:38.760 --> 0:42:41.840
<v Speaker 1>becomes a big factor. You become involved with the offspring.

0:42:41.880 --> 0:42:44.799
<v Speaker 1>How does that happen, Well, that doesn't happen until and

0:42:44.840 --> 0:42:48.000
<v Speaker 1>at this point, my feeling about A and M has

0:42:48.040 --> 0:42:51.439
<v Speaker 1>gone sour. I've been approached by Sony to come work there.

0:42:51.719 --> 0:42:53.640
<v Speaker 1>I've had a couple other approaches from some people. I

0:42:53.680 --> 0:42:56.239
<v Speaker 1>don't take anything, but I'm not happy where I'm at

0:42:56.280 --> 0:42:58.959
<v Speaker 1>because the PolyGram influence has really come in. It really

0:42:59.040 --> 0:43:01.480
<v Speaker 1>hits uh a point. First off, I have to say

0:43:01.480 --> 0:43:05.120
<v Speaker 1>Alc Farroll gave me a tremendous amount of just latitude.

0:43:05.120 --> 0:43:06.879
<v Speaker 1>He gave me. I don't know why, but he did,

0:43:07.200 --> 0:43:09.520
<v Speaker 1>and and we had success. And so he continued to

0:43:09.920 --> 0:43:13.600
<v Speaker 1>but theyre reached a point where he was spending so

0:43:13.719 --> 0:43:16.799
<v Speaker 1>much time dealing with PolyGram, and they were interfering so

0:43:16.920 --> 0:43:19.400
<v Speaker 1>much with our operation. I was starting to lose people.

0:43:19.440 --> 0:43:20.919
<v Speaker 1>I was starting to not be able to pay people.

0:43:20.920 --> 0:43:23.000
<v Speaker 1>I was starting not to build bonus people. They came

0:43:23.080 --> 0:43:25.920
<v Speaker 1>up with a certain point where they weren't honoring contracts,

0:43:26.400 --> 0:43:29.600
<v Speaker 1>and it hit between Al and me when we had

0:43:29.600 --> 0:43:31.880
<v Speaker 1>our Grammy tickets. We had fifty tickets and I had

0:43:31.880 --> 0:43:33.600
<v Speaker 1>made the list of who they should go to. I

0:43:33.640 --> 0:43:35.680
<v Speaker 1>sent it to him for approval, and all of a

0:43:35.719 --> 0:43:37.799
<v Speaker 1>suddenen day calls because they want forty six of them back.

0:43:37.960 --> 0:43:41.000
<v Speaker 1>I said, for what he goes for Wall Street people,

0:43:41.280 --> 0:43:43.319
<v Speaker 1>he can't let him do that. Now he's dealing with

0:43:43.360 --> 0:43:45.600
<v Speaker 1>PolyGram directly in a lan can't him do well? We

0:43:45.680 --> 0:43:47.520
<v Speaker 1>have no choice And I said, then you got forty

0:43:47.560 --> 0:43:49.400
<v Speaker 1>eight tickets. I'm not going. And I said, and you

0:43:49.400 --> 0:43:53.120
<v Speaker 1>shouldn't go either. And that was kind of arrogant, asshole

0:43:53.160 --> 0:43:55.560
<v Speaker 1>move on my part, but it was what it was

0:43:55.600 --> 0:43:58.239
<v Speaker 1>at the time, you know. And I realized that my

0:43:58.360 --> 0:44:00.480
<v Speaker 1>time was up there and I was ring to have

0:44:00.520 --> 0:44:02.920
<v Speaker 1>this sense that I just don't want to do this anymore.

0:44:02.960 --> 0:44:05.319
<v Speaker 1>I'd gone from that point where you're making two fifty

0:44:05.360 --> 0:44:08.680
<v Speaker 1>dollars a week and loving every minute to making a

0:44:08.680 --> 0:44:10.359
<v Speaker 1>lot more money than I ever thought I would make,

0:44:11.040 --> 0:44:13.720
<v Speaker 1>and just not enjoying myself. And I wanted to change

0:44:13.760 --> 0:44:20.640
<v Speaker 1>my life, and so I quit bob here. When I'm

0:44:20.680 --> 0:44:23.120
<v Speaker 1>not interviewing industry titans and learning about how they made

0:44:23.160 --> 0:44:26.600
<v Speaker 1>their mark in their fields, all write about music, tech,

0:44:26.880 --> 0:44:30.200
<v Speaker 1>current events, and everything in between. Subscribe to the Left

0:44:30.200 --> 0:44:32.600
<v Speaker 1>Sets later at left sets dot com to find out

0:44:32.680 --> 0:44:36.560
<v Speaker 1>what's on my mind. Back to my conversation with Jim Garreto,

0:44:39.640 --> 0:44:44.000
<v Speaker 1>I thought that Offspring had success before you quit. April

0:44:44.040 --> 0:44:46.160
<v Speaker 1>of ninety four, I start managing them. So what had

0:44:46.160 --> 0:44:49.560
<v Speaker 1>happened is in I get a phone call and I'd

0:44:49.600 --> 0:44:52.200
<v Speaker 1>always been taught. I don't care whether it was Bill

0:44:52.239 --> 0:44:55.920
<v Speaker 1>Elson or Toma Ross. You return every phone call. And

0:44:56.000 --> 0:44:58.920
<v Speaker 1>this guy calls me and it's Dexter Holland and he

0:44:58.960 --> 0:45:01.160
<v Speaker 1>explains he's in a band and he's going to USC

0:45:01.360 --> 0:45:04.359
<v Speaker 1>and he's this, and uh, do I want to manage him?

0:45:04.360 --> 0:45:05.840
<v Speaker 1>And I said I can't. I'm the general manager of

0:45:05.880 --> 0:45:07.560
<v Speaker 1>Van m you know. And he goes, can you help

0:45:07.640 --> 0:45:10.239
<v Speaker 1>me get on a Fugazi show at the Palladium with

0:45:10.280 --> 0:45:12.600
<v Speaker 1>Golden boys, and I said, well, here's Paul Toilett's phone number,

0:45:12.640 --> 0:45:14.120
<v Speaker 1>you know, reach out and he got on the show.

0:45:14.520 --> 0:45:16.239
<v Speaker 1>And the following year he calls me because we've got

0:45:16.280 --> 0:45:18.200
<v Speaker 1>another record and it looks like A Rock is gonna

0:45:18.200 --> 0:45:21.200
<v Speaker 1>start playing it. Larry Weintraub was my assistant at the time,

0:45:21.520 --> 0:45:24.000
<v Speaker 1>and I was like, dude, this record is amazing, and

0:45:24.040 --> 0:45:27.960
<v Speaker 1>I'm just uncomfortable enough of what I'm doing that I say,

0:45:27.960 --> 0:45:29.520
<v Speaker 1>you know what, I'm gonna have this guy come in.

0:45:29.600 --> 0:45:32.239
<v Speaker 1>And so he comes in and I love him. He's

0:45:32.280 --> 0:45:36.040
<v Speaker 1>a real genuine sweetheart. He's a gentleman, he's polite, and

0:45:36.080 --> 0:45:38.560
<v Speaker 1>the records amazing. You know, it's amazing, and it goes

0:45:38.600 --> 0:45:40.160
<v Speaker 1>through the roof at A Rock and I say, I'll

0:45:40.160 --> 0:45:45.000
<v Speaker 1>start managing you. So that's April ofission. No. At this

0:45:45.040 --> 0:45:47.440
<v Speaker 1>point I really don't care. I wind up quitting in July.

0:45:48.640 --> 0:45:51.880
<v Speaker 1>Was there any pressure this this was literally the biggest

0:45:51.960 --> 0:45:54.200
<v Speaker 1>hit on K Rock at that time. Was there any

0:45:54.200 --> 0:45:57.920
<v Speaker 1>pressure for me? And Am absolutely absolutely? And there were

0:45:57.960 --> 0:46:01.120
<v Speaker 1>pressure from internally. Bob Score Mercury want to sign him.

0:46:01.120 --> 0:46:03.520
<v Speaker 1>I'm hearing from Danny Goldberg. He wants to sign everybody,

0:46:03.520 --> 0:46:05.920
<v Speaker 1>all all the people I know want to sign them,

0:46:05.960 --> 0:46:07.399
<v Speaker 1>And I'm saying to the band, They're like, we don't

0:46:07.440 --> 0:46:09.560
<v Speaker 1>want to meet anybody. We don't want to meet anybody,

0:46:09.600 --> 0:46:10.880
<v Speaker 1>we don't want to talk to anybody. We're not going

0:46:10.920 --> 0:46:12.760
<v Speaker 1>to take a meeting. We want to be on Epitaph.

0:46:13.000 --> 0:46:15.319
<v Speaker 1>They turned down Saturday Night Live, they turned down all

0:46:15.320 --> 0:46:16.840
<v Speaker 1>these things. They're just like, we don't want to participate

0:46:16.880 --> 0:46:18.760
<v Speaker 1>in any of that stuff. We think that's all lame

0:46:18.800 --> 0:46:20.960
<v Speaker 1>and don't want to do it. In retrospect, good or

0:46:21.000 --> 0:46:26.719
<v Speaker 1>bad move? In retrospect bad move, because um, well, I'm sorry,

0:46:26.760 --> 0:46:29.680
<v Speaker 1>it's a mixed grade. They weren't ready for it. For sure.

0:46:30.040 --> 0:46:33.279
<v Speaker 1>Had they been where they are were several years later,

0:46:33.320 --> 0:46:35.040
<v Speaker 1>they would have been able to deliver the goods. But

0:46:35.040 --> 0:46:37.040
<v Speaker 1>at this point they've never even sold out the whiskey.

0:46:37.160 --> 0:46:39.680
<v Speaker 1>They're not at that point where you need to be

0:46:39.719 --> 0:46:43.360
<v Speaker 1>at the premier television show playing because it would have

0:46:43.360 --> 0:46:45.120
<v Speaker 1>been too soon. They would have tanked. Frankly, I don't

0:46:45.120 --> 0:46:47.560
<v Speaker 1>think they would have been very good. You know, they're

0:46:47.600 --> 0:46:49.919
<v Speaker 1>they're just getting ready to go out and do their

0:46:50.040 --> 0:46:53.360
<v Speaker 1>first real touring and start to develop their chops. And

0:46:53.400 --> 0:46:56.200
<v Speaker 1>in a weird way, that's the irony of a band

0:46:56.239 --> 0:46:58.400
<v Speaker 1>like that. They kind of broke off a pop music

0:46:58.480 --> 0:47:02.360
<v Speaker 1>model more than a mat Alica model or social distoration

0:47:02.440 --> 0:47:04.560
<v Speaker 1>or sound Garden. They almost broke more of a pop

0:47:04.600 --> 0:47:07.720
<v Speaker 1>model where the song got huge. They sell eleven million

0:47:07.719 --> 0:47:10.799
<v Speaker 1>records on Epitaph, and they're just growing into being a

0:47:10.840 --> 0:47:14.120
<v Speaker 1>good band. They haven't fully realized that yet. Well, it's

0:47:14.160 --> 0:47:17.719
<v Speaker 1>fascinated because it's today's marketplace. You know, it used to

0:47:17.760 --> 0:47:20.680
<v Speaker 1>be up until like five years ago, cream would rise

0:47:20.680 --> 0:47:22.880
<v Speaker 1>to the top on the Internet. Now there's so much noise.

0:47:23.200 --> 0:47:25.360
<v Speaker 1>So the question is do you take the opportunities do

0:47:25.520 --> 0:47:28.960
<v Speaker 1>not take the opportunities. It's more gray than ever before.

0:47:29.480 --> 0:47:31.759
<v Speaker 1>But I think these are important questions. I think they

0:47:31.760 --> 0:47:33.800
<v Speaker 1>are too and I'm not sure whether it's the cred

0:47:33.920 --> 0:47:37.320
<v Speaker 1>question that would be each specific situation, but you definitely

0:47:37.360 --> 0:47:39.080
<v Speaker 1>have to be able to be ready when you do

0:47:39.160 --> 0:47:41.960
<v Speaker 1>get the shot. You can undo your shot very quickly

0:47:42.000 --> 0:47:44.160
<v Speaker 1>if you suck. It's funny because I've been living through

0:47:44.200 --> 0:47:47.560
<v Speaker 1>this with Greta van Fleet, which the label is Jason

0:47:47.600 --> 0:47:50.040
<v Speaker 1>Flom and the agent his guide whether you push the

0:47:50.040 --> 0:47:53.920
<v Speaker 1>button or not, and whether it eventually happened. So how

0:47:53.920 --> 0:47:55.839
<v Speaker 1>does it ultimately go down with a and M I

0:47:55.880 --> 0:47:58.160
<v Speaker 1>decided to leave. I decaid I'm gonna move to Laguna

0:47:58.200 --> 0:48:00.839
<v Speaker 1>Beach And they say, what would say? You're gonna leave?

0:48:01.360 --> 0:48:05.760
<v Speaker 1>Really you're the gentleman, like why? But at this point

0:48:05.800 --> 0:48:09.319
<v Speaker 1>there's enough strife between Al and me. Then he's like, yes,

0:48:09.760 --> 0:48:12.279
<v Speaker 1>probably time for him to go. It's probably time for him.

0:48:12.400 --> 0:48:15.319
<v Speaker 1>You know, we're we're definitely butting heads, you know, on

0:48:15.360 --> 0:48:17.880
<v Speaker 1>a pretty regular basis. And again I say that with

0:48:17.880 --> 0:48:19.920
<v Speaker 1>all due respect because the guy gave me such a shot.

0:48:20.040 --> 0:48:22.359
<v Speaker 1>But subsequent to that, they really never had another hit.

0:48:22.480 --> 0:48:25.439
<v Speaker 1>Who's that? And m Cheryl continued, you know, I'm talking

0:48:25.440 --> 0:48:27.360
<v Speaker 1>about a new act. Yeah, I mean, I'm sure we

0:48:27.400 --> 0:48:30.560
<v Speaker 1>could go through, but relatively speaking, they got colder and colder. Yeah,

0:48:30.640 --> 0:48:33.120
<v Speaker 1>I think so. I think that that that the the

0:48:33.200 --> 0:48:37.480
<v Speaker 1>PolyGram influence was inevitable, and sooner or later it just

0:48:37.560 --> 0:48:40.279
<v Speaker 1>choked him off. And I really do think that. You know,

0:48:40.520 --> 0:48:42.520
<v Speaker 1>at some point, you know, you've got to have the spirit.

0:48:42.560 --> 0:48:44.040
<v Speaker 1>I remember going in Dalla's office say I want to

0:48:44.040 --> 0:48:46.760
<v Speaker 1>spend two hund fifty thousand dollars on Cheryl Crow TV.

0:48:47.480 --> 0:48:50.440
<v Speaker 1>He's like, really, yeah, I think it's time. I think

0:48:50.440 --> 0:48:53.640
<v Speaker 1>we gotta go okay, and I brought him Bill Gilbert,

0:48:53.640 --> 0:48:56.200
<v Speaker 1>who was the Grizzly sales guy from Boston. He was

0:48:56.239 --> 0:48:58.040
<v Speaker 1>like twenty years older than May. And whenever Billy and

0:48:58.040 --> 0:48:59.960
<v Speaker 1>I walked in Dalla's, obviously just threw santhem because lee

0:49:00.000 --> 0:49:01.640
<v Speaker 1>me alone. Guys, whatever you want, you know what I mean?

0:49:01.680 --> 0:49:03.600
<v Speaker 1>It was, and it was great. Once Billy left, it

0:49:03.640 --> 0:49:05.600
<v Speaker 1>really changed for me. You know, when Billy left, the

0:49:05.880 --> 0:49:09.280
<v Speaker 1>whole game really changed because there was nothing in between

0:49:09.320 --> 0:49:12.960
<v Speaker 1>Al and me. You know, So when you go to Laguna,

0:49:13.040 --> 0:49:17.080
<v Speaker 1>if you already have a deal with Clive, what's the story. No, No,

0:49:17.239 --> 0:49:19.920
<v Speaker 1>if this goes you go to Laguna, you're just gonna

0:49:19.960 --> 0:49:22.240
<v Speaker 1>manage social Dan, You're just gonna be in the draw offspring.

0:49:22.320 --> 0:49:24.360
<v Speaker 1>Not that there's not enough money there honestly, but my

0:49:24.480 --> 0:49:28.319
<v Speaker 1>calculus was, you can either make more money. Okay, you

0:49:28.440 --> 0:49:31.840
<v Speaker 1>make more money, you get more stuff and you create

0:49:31.880 --> 0:49:34.400
<v Speaker 1>your own prison, or find a way to live off

0:49:34.440 --> 0:49:36.239
<v Speaker 1>a hunter Grand. And that's what I was saying to

0:49:36.280 --> 0:49:37.400
<v Speaker 1>my friends at the time. I'll find a way to

0:49:37.400 --> 0:49:39.839
<v Speaker 1>live off a Hunter Grand. You know, I'm single at

0:49:39.840 --> 0:49:42.839
<v Speaker 1>this point, I'm thirty five years old. Move, I'm gonna

0:49:42.880 --> 0:49:44.840
<v Speaker 1>make it simple I'm gonna simplify my life, you know,

0:49:44.920 --> 0:49:46.560
<v Speaker 1>I want to have fun again. I don't want to

0:49:46.560 --> 0:49:48.960
<v Speaker 1>approach the music industry like it's a chore. We all

0:49:48.960 --> 0:49:50.560
<v Speaker 1>know these people, you know, you reach a certain age

0:49:50.560 --> 0:49:52.560
<v Speaker 1>where it's like God, all they do is complain about there.

0:49:52.680 --> 0:49:54.440
<v Speaker 1>I didn't want to be that. I wanted to make

0:49:54.440 --> 0:49:56.680
<v Speaker 1>Flyers again. I wanted to get involved with the video.

0:49:56.719 --> 0:49:58.360
<v Speaker 1>I wanted to do that, and I just wanted to

0:49:58.480 --> 0:50:01.919
<v Speaker 1>enjoy myself doing it again. And so at this point

0:50:01.920 --> 0:50:04.600
<v Speaker 1>I moved to Laguna. Did you immediately read the office

0:50:04.680 --> 0:50:06.960
<v Speaker 1>you ultimately did? Oh? No, no, no, not at all.

0:50:07.160 --> 0:50:11.000
<v Speaker 1>I stay at my house in Sherman Oaks until September

0:50:11.040 --> 0:50:13.359
<v Speaker 1>of ninety four. And then Peter Harper, who now works

0:50:13.360 --> 0:50:16.680
<v Speaker 1>a ticketmaster, had found a two bedroom house down on

0:50:16.800 --> 0:50:19.000
<v Speaker 1>Victoria Street, and we took one of the bedrooms and

0:50:19.000 --> 0:50:22.120
<v Speaker 1>converted it and I slept in the other bedroom. And uh,

0:50:22.760 --> 0:50:24.400
<v Speaker 1>I didn't even see it. I was on tour at

0:50:24.400 --> 0:50:27.680
<v Speaker 1>the Offspring. I come home, directions to my house or

0:50:27.760 --> 0:50:30.040
<v Speaker 1>my new place are are on the seat of my

0:50:30.120 --> 0:50:32.359
<v Speaker 1>new jeep, Grand Cherokee, which I had bought before I left,

0:50:32.400 --> 0:50:34.799
<v Speaker 1>and sitting in my garage in Sherman Oaks. I drive down,

0:50:34.840 --> 0:50:38.280
<v Speaker 1>It's like, Wow, this is it. And it was challenging

0:50:38.280 --> 0:50:40.040
<v Speaker 1>because all of a sudden, you know, I would come

0:50:40.040 --> 0:50:43.640
<v Speaker 1>home from work and it would be quiet, and I've

0:50:43.680 --> 0:50:45.239
<v Speaker 1>done one of these guys. I was out every single

0:50:45.320 --> 0:50:47.200
<v Speaker 1>night now VISU and I don't know where to go.

0:50:47.800 --> 0:50:49.759
<v Speaker 1>And it was what I needed at that point in

0:50:49.760 --> 0:50:51.400
<v Speaker 1>my life. If I wanted to change my life, I

0:50:51.480 --> 0:50:54.319
<v Speaker 1>knew I wanted something different. I didn't know what it was,

0:50:54.600 --> 0:50:57.560
<v Speaker 1>but I knew if I just kept filling that void

0:50:57.640 --> 0:51:00.160
<v Speaker 1>with activity, it was nothing going to change. I was

0:51:00.160 --> 0:51:01.799
<v Speaker 1>just gonna keep doing the same ship over and over

0:51:01.840 --> 0:51:03.719
<v Speaker 1>and over until I was in my sixties. Okay, So

0:51:03.880 --> 0:51:05.840
<v Speaker 1>was the next step the deal with time Bomb with

0:51:05.840 --> 0:51:09.640
<v Speaker 1>Clive Davis. The next step was Michelle Anthony, who had

0:51:09.680 --> 0:51:12.879
<v Speaker 1>been Soundgarden's lawyer, had gone to Sony and she said,

0:51:12.920 --> 0:51:15.680
<v Speaker 1>Donny's gonna call you. I said, what She goes, Donnie

0:51:15.719 --> 0:51:17.120
<v Speaker 1>and Tommy want you to come to New York. They

0:51:17.120 --> 0:51:20.480
<v Speaker 1>want you to be the president of Columbia Records. I'm like, oh, wow,

0:51:20.920 --> 0:51:22.920
<v Speaker 1>you know, I mean, that's a big gig if you've

0:51:22.960 --> 0:51:27.239
<v Speaker 1>been a career music person. It was a This was

0:51:27.280 --> 0:51:29.880
<v Speaker 1>sixty three days after I moved to Laguna. I'm like,

0:51:30.800 --> 0:51:33.040
<v Speaker 1>and at that point, you know, I've got the offspring.

0:51:33.320 --> 0:51:35.479
<v Speaker 1>I had had a good career as a record guy.

0:51:36.120 --> 0:51:38.600
<v Speaker 1>I'm having my moment and Clive wants me to come

0:51:38.640 --> 0:51:40.840
<v Speaker 1>in and I had met with Danny about some stuff

0:51:40.880 --> 0:51:42.480
<v Speaker 1>and it's kind of going like you know, I mean,

0:51:42.520 --> 0:51:44.080
<v Speaker 1>like I'm I'm in the mix. And this is the

0:51:44.080 --> 0:51:47.040
<v Speaker 1>point where I'm kind of quasi down shifting, you know,

0:51:47.080 --> 0:51:48.799
<v Speaker 1>And all of a sudden it's heating up. And they

0:51:48.800 --> 0:51:50.319
<v Speaker 1>fly me into New York and I go to New

0:51:50.400 --> 0:51:51.840
<v Speaker 1>York and I sit down and they tell me what

0:51:51.880 --> 0:51:53.840
<v Speaker 1>it would be to be president of Columbia Records. The

0:51:53.880 --> 0:51:56.759
<v Speaker 1>youngest president, you know, and the biggest label, and it's

0:51:57.000 --> 0:52:00.400
<v Speaker 1>Yankee Stadium, it's Harvard and you know, like in the

0:52:00.560 --> 0:52:03.239
<v Speaker 1>five Madison building, you know what I mean. And it's

0:52:03.480 --> 0:52:06.520
<v Speaker 1>it's impressive and I go right along with it. And

0:52:06.600 --> 0:52:09.799
<v Speaker 1>Dave Johnson comes in, he starts writing the contract. And

0:52:09.840 --> 0:52:11.399
<v Speaker 1>I get home and I tell a friend of mine,

0:52:12.000 --> 0:52:13.799
<v Speaker 1>this girl I worked with it and m Emily Kay,

0:52:13.920 --> 0:52:16.120
<v Speaker 1>I tell her, yep, I'm gonna go be the president

0:52:16.160 --> 0:52:18.359
<v Speaker 1>of Columbia and she goes, what is wrong with you.

0:52:19.239 --> 0:52:21.440
<v Speaker 1>She goes, that is just the opposite of what you said.

0:52:21.760 --> 0:52:23.960
<v Speaker 1>I didn't picture you being doing something like that just

0:52:24.000 --> 0:52:27.480
<v Speaker 1>for the money. And it's stung because it was true.

0:52:27.960 --> 0:52:31.520
<v Speaker 1>It was one of those roads not taken moments where

0:52:31.520 --> 0:52:33.400
<v Speaker 1>you go, you know what, I'm doing it because I

0:52:33.400 --> 0:52:36.560
<v Speaker 1>think you'll think it's cool. I'm doing it because they'll

0:52:36.600 --> 0:52:38.640
<v Speaker 1>think it's cool. I don't want to go to New York.

0:52:38.719 --> 0:52:40.839
<v Speaker 1>My mom and dad are probably in their eighties at

0:52:40.840 --> 0:52:43.279
<v Speaker 1>this point. You know, they live nearby. I've got a

0:52:43.280 --> 0:52:47.200
<v Speaker 1>phenomenal relationship with them. I love living in Laguna Beach.

0:52:47.719 --> 0:52:50.480
<v Speaker 1>I've got a life. And it was just enough where

0:52:50.480 --> 0:52:52.279
<v Speaker 1>I called Michelle and I said, I don't want to

0:52:52.280 --> 0:52:54.800
<v Speaker 1>do it. She was really and Tommy called mint it,

0:52:54.920 --> 0:52:57.200
<v Speaker 1>I can't believe this is the stupidest thing anybody's ever

0:52:57.200 --> 0:52:59.040
<v Speaker 1>done in their life. And I said, it may be,

0:52:59.280 --> 0:53:00.920
<v Speaker 1>but it's what I need to do, you know. And

0:53:00.960 --> 0:53:04.440
<v Speaker 1>it was really, really, really a big moment because it

0:53:04.520 --> 0:53:05.880
<v Speaker 1>was also a moment where I said I'm not going

0:53:05.920 --> 0:53:08.360
<v Speaker 1>to live through my business card. I'm going to have

0:53:08.400 --> 0:53:11.200
<v Speaker 1>an adult relationship with my job. Up to that point,

0:53:11.560 --> 0:53:13.799
<v Speaker 1>my job had been my life. My job had been

0:53:13.840 --> 0:53:15.839
<v Speaker 1>who I was and how I was defined, and at

0:53:15.880 --> 0:53:17.680
<v Speaker 1>that moment it was like, you know what, it's time

0:53:17.840 --> 0:53:20.120
<v Speaker 1>to put the big boy pants on. You know, this

0:53:20.200 --> 0:53:21.799
<v Speaker 1>is a good job. I like what I do for

0:53:21.840 --> 0:53:24.640
<v Speaker 1>a living, but it's just a job. It's no longer

0:53:24.760 --> 0:53:27.520
<v Speaker 1>going to be what it was when I was twenty

0:53:27.560 --> 0:53:30.160
<v Speaker 1>one or fourteen, when I'm listening to Quadraphini and it's

0:53:30.200 --> 0:53:33.640
<v Speaker 1>my religion and everything rolled into one. And I think

0:53:33.640 --> 0:53:36.160
<v Speaker 1>that's what happens is there's attention as you get older

0:53:36.320 --> 0:53:40.520
<v Speaker 1>where it's like, Okay, that doesn't feel right. I have

0:53:40.680 --> 0:53:43.839
<v Speaker 1>other things that I'm growing into that are interesting to me,

0:53:43.920 --> 0:53:45.840
<v Speaker 1>Like I like to read books to you know what

0:53:45.840 --> 0:53:47.319
<v Speaker 1>I mean. There was a point where it's just I

0:53:47.360 --> 0:53:49.080
<v Speaker 1>just wanted to go to a show every night, and

0:53:49.120 --> 0:53:51.399
<v Speaker 1>if I party three out of five nights a week.

0:53:51.440 --> 0:53:54.560
<v Speaker 1>When going whatever, it was just life on the run. Well,

0:53:54.560 --> 0:53:56.600
<v Speaker 1>now in thirty five and I don't want to do

0:53:56.640 --> 0:53:58.720
<v Speaker 1>that anymore. But you move to look at a beach

0:53:59.040 --> 0:54:02.440
<v Speaker 1>and you don't have any solill infrastructure, have no social infrastructure,

0:54:02.520 --> 0:54:04.880
<v Speaker 1>and that's when the walls come in and all of

0:54:04.920 --> 0:54:07.879
<v Speaker 1>a sudden it's like, Okay, I'm not going to rely

0:54:08.000 --> 0:54:11.799
<v Speaker 1>on that anymore now concurrent with Sony approaching me. Clive

0:54:11.880 --> 0:54:13.560
<v Speaker 1>had approached me, but he had said, you should just

0:54:13.560 --> 0:54:15.440
<v Speaker 1>do your own label. And Sony had told me I

0:54:15.440 --> 0:54:18.960
<v Speaker 1>can have my own label too well being the president. Um.

0:54:19.000 --> 0:54:21.000
<v Speaker 1>But once I told him I didn't want to be president,

0:54:21.040 --> 0:54:22.880
<v Speaker 1>they weren't putting forth the idea of a label. And

0:54:22.880 --> 0:54:25.359
<v Speaker 1>so I agreed to do with Clive, you know, and

0:54:25.400 --> 0:54:27.600
<v Speaker 1>I wasn't sure about it, but I had seen what

0:54:27.600 --> 0:54:30.239
<v Speaker 1>Brett Kurwitz had done with Epitaph, and I was very

0:54:30.280 --> 0:54:32.680
<v Speaker 1>impressed with Brett, and I was just the way he

0:54:32.800 --> 0:54:34.560
<v Speaker 1>talked about it, the way that you when you start

0:54:34.560 --> 0:54:37.239
<v Speaker 1>a label. Again, this is gonna sound goofy, but I

0:54:37.280 --> 0:54:39.400
<v Speaker 1>didn't have my own assistant. I didn't need an assistant.

0:54:39.400 --> 0:54:41.840
<v Speaker 1>If I'm gonna book travel, I'm gonna use the travel

0:54:42.160 --> 0:54:45.440
<v Speaker 1>things on the internet, in which is all new, and

0:54:45.480 --> 0:54:48.319
<v Speaker 1>I'm gonna compose my own letters, because to write it

0:54:48.320 --> 0:54:51.239
<v Speaker 1>out longhand and then have somebody type it and then

0:54:51.280 --> 0:54:53.759
<v Speaker 1>correct it it was just inefficient. So there was there

0:54:53.840 --> 0:54:56.640
<v Speaker 1>was starting to be this shift where technology would create

0:54:56.680 --> 0:54:59.799
<v Speaker 1>these efficiencies if you're starting your company now, and so

0:55:00.280 --> 0:55:02.960
<v Speaker 1>I figured I want to adopt what Brett's mindset was,

0:55:03.120 --> 0:55:05.319
<v Speaker 1>and I want to do that. And we signed a

0:55:05.320 --> 0:55:07.920
<v Speaker 1>bunch of great bands, you know, whether it was Social

0:55:07.920 --> 0:55:11.560
<v Speaker 1>Distortion who came aboard and the Vandals we put out

0:55:11.560 --> 0:55:15.200
<v Speaker 1>in Amazing Crowns and Sunny Day Real Estate and Death

0:55:15.239 --> 0:55:17.759
<v Speaker 1>in Vegas and all sorts of great x. But none

0:55:17.800 --> 0:55:20.480
<v Speaker 1>of them hit. You own those records. I was a

0:55:20.560 --> 0:55:23.080
<v Speaker 1>joint venture, so I owned half of them. Why do

0:55:23.160 --> 0:55:25.759
<v Speaker 1>you think they didn't hit? There weren't hits. It wasn't

0:55:25.800 --> 0:55:28.520
<v Speaker 1>a matter of not having enough infrastructure to promote them. No,

0:55:29.280 --> 0:55:32.680
<v Speaker 1>at this point, here's what infrastructure looks like. Okay, what

0:55:33.120 --> 0:55:36.600
<v Speaker 1>is required. You call Kevin Weatherly, if he agrees with you,

0:55:36.640 --> 0:55:38.279
<v Speaker 1>it goes on k Rock. If it gets hot, it

0:55:38.320 --> 0:55:41.359
<v Speaker 1>picks up ten markets the next week. Once you get

0:55:41.400 --> 0:55:43.840
<v Speaker 1>those ten markets, you call Rick Krim and he's like,

0:55:43.880 --> 0:55:47.920
<v Speaker 1>if he agrees with those ten markets, you're on MTV. Wait,

0:55:48.040 --> 0:55:49.640
<v Speaker 1>we did that gag over at A and m over

0:55:49.640 --> 0:55:52.360
<v Speaker 1>and over again. You know, but you had to have reality.

0:55:52.520 --> 0:55:54.000
<v Speaker 1>And the beauty about what was going on in the

0:55:54.040 --> 0:55:56.400
<v Speaker 1>record industry at this point was what Mike Chalotte had

0:55:56.400 --> 0:55:59.439
<v Speaker 1>created with sound Scan. You now knew when something was real.

0:56:00.080 --> 0:56:03.200
<v Speaker 1>You now knew right away you could see that thing

0:56:03.280 --> 0:56:06.360
<v Speaker 1>that would happen. If Drama Rama had hit in ninety

0:56:06.400 --> 0:56:09.840
<v Speaker 1>four instead of eight five or eighty six, with anything Anything,

0:56:10.000 --> 0:56:12.040
<v Speaker 1>you would have seen the sales explode out of Bob

0:56:12.120 --> 0:56:14.400
<v Speaker 1>Says store, and and it would have been more visible,

0:56:14.480 --> 0:56:17.120
<v Speaker 1>it would have been more more legible to the powers

0:56:17.200 --> 0:56:21.239
<v Speaker 1>that be that controlled the media. And so those just

0:56:21.280 --> 0:56:23.759
<v Speaker 1>weren't hits. They would get on the air and they

0:56:23.760 --> 0:56:26.400
<v Speaker 1>would be passive. What did you learn in that process?

0:56:26.680 --> 0:56:29.359
<v Speaker 1>I learned having hits is very, very hard, and when

0:56:29.400 --> 0:56:32.719
<v Speaker 1>when you find them, you know, it's it takes a

0:56:32.760 --> 0:56:37.000
<v Speaker 1>certain genius to find acts, or be patient long enough

0:56:37.040 --> 0:56:39.480
<v Speaker 1>for a black hole sun to come along, or for

0:56:39.480 --> 0:56:43.440
<v Speaker 1>social distortion to have a These are years in the

0:56:43.520 --> 0:56:46.040
<v Speaker 1>making these bands. You bet on the band and then eventually,

0:56:46.440 --> 0:56:48.640
<v Speaker 1>but at this point things are starting to turn into

0:56:48.680 --> 0:56:50.520
<v Speaker 1>a bit of a microwave in the record industry, and

0:56:50.560 --> 0:56:52.720
<v Speaker 1>there's an expectation of it happening a little bit quicker.

0:56:52.800 --> 0:56:55.239
<v Speaker 1>Certainly there was for me. How long did you do

0:56:55.280 --> 0:56:59.120
<v Speaker 1>it with Clive Well, through him leaving, you know, through

0:56:59.200 --> 0:57:00.839
<v Speaker 1>him leaving you know, I mean I was still with

0:57:00.960 --> 0:57:03.719
<v Speaker 1>BMG at the point when Clive left you're talking about

0:57:03.760 --> 0:57:07.080
<v Speaker 1>when he left Arista informed J. Yeah, So how many

0:57:07.160 --> 0:57:10.240
<v Speaker 1>years was that? I don't remember exactly, Okay, but today

0:57:10.320 --> 0:57:13.919
<v Speaker 1>do you remember presenting my time bomb stuff right after

0:57:14.040 --> 0:57:16.680
<v Speaker 1>Puffy one time at a BMG thing And it was

0:57:16.880 --> 0:57:19.919
<v Speaker 1>torture because he was so big and it was such

0:57:19.920 --> 0:57:22.160
<v Speaker 1>a monster, and I'm coming in with all these little

0:57:22.160 --> 0:57:24.720
<v Speaker 1>indie bands being like, oh gosh, and it owns those

0:57:24.760 --> 0:57:28.880
<v Speaker 1>records today now Concorde owns it. At some point BMG

0:57:29.000 --> 0:57:31.760
<v Speaker 1>wanted out and they said, you can keep the Masters,

0:57:32.440 --> 0:57:34.120
<v Speaker 1>but we want to terminate the deal, and so I

0:57:34.160 --> 0:57:38.040
<v Speaker 1>got the Masters, and then years later sold him to Concord. Okay,

0:57:38.080 --> 0:57:41.800
<v Speaker 1>and how was your experience working with Claude Davis? Well?

0:57:41.800 --> 0:57:44.000
<v Speaker 1>He was a trip. What I was trying to do.

0:57:44.280 --> 0:57:48.120
<v Speaker 1>I don't think he understood really, but he gave me

0:57:48.160 --> 0:57:50.360
<v Speaker 1>a lot of room to prove that I was right,

0:57:50.720 --> 0:57:52.920
<v Speaker 1>and I didn't prove that I was right many people

0:57:53.000 --> 0:57:57.320
<v Speaker 1>from the rock world because splitting his ten ures in half,

0:57:57.600 --> 0:57:59.120
<v Speaker 1>you had the era of Columbia. Then he went to

0:57:59.120 --> 0:58:02.920
<v Speaker 1>aristad Face soon after Patti Smith and a few of

0:58:02.960 --> 0:58:05.480
<v Speaker 1>the Kinks whatever. He went very pop sure and the

0:58:05.520 --> 0:58:08.040
<v Speaker 1>people from ROC and went to work for Clive ultimately

0:58:08.080 --> 0:58:12.160
<v Speaker 1>complained that it became a pop sensibility where's the hit

0:58:12.520 --> 0:58:15.360
<v Speaker 1>micro management? And they were not happy and they were

0:58:15.400 --> 0:58:17.800
<v Speaker 1>not given much leeway. But it seems that your situation

0:58:17.840 --> 0:58:19.840
<v Speaker 1>was different. It was much different. He gave me a

0:58:19.840 --> 0:58:22.920
<v Speaker 1>lot of leeway. He was very curious. I remember one

0:58:22.920 --> 0:58:25.440
<v Speaker 1>time him grabbed me in the elevators. Time Bomb is

0:58:25.480 --> 0:58:28.000
<v Speaker 1>not the right name for your label, you know, And

0:58:28.040 --> 0:58:30.880
<v Speaker 1>I wanted something that evoked the stacks vault, you know

0:58:31.040 --> 0:58:33.320
<v Speaker 1>type thing. I wanted something like that that you can

0:58:33.360 --> 0:58:35.440
<v Speaker 1>make a great T shirt out of. And and I've

0:58:35.440 --> 0:58:37.480
<v Speaker 1>got the great time Bomb logo and it looked really

0:58:37.520 --> 0:58:40.920
<v Speaker 1>really cool. I'm like wow. But that kind of was

0:58:40.920 --> 0:58:42.920
<v Speaker 1>was a bit of a non secret of the conversation.

0:58:42.960 --> 0:58:45.640
<v Speaker 1>He gave me as much room to operate and resources

0:58:46.080 --> 0:58:48.120
<v Speaker 1>to operate. I just didn't hit it. I just didn't.

0:58:48.160 --> 0:58:50.120
<v Speaker 1>I failed at it. You know. I would love to

0:58:50.200 --> 0:58:52.800
<v Speaker 1>have had one of those records hit and been able

0:58:52.800 --> 0:58:55.120
<v Speaker 1>to say, ah, proof of concept, but I didn't. But

0:58:55.200 --> 0:58:56.480
<v Speaker 1>the deal, if you were there that long, how to

0:58:56.520 --> 0:58:59.160
<v Speaker 1>be renewed. It was renewed. So thank you. You know,

0:58:59.240 --> 0:59:01.440
<v Speaker 1>he gave me a great oportunity. So at what point

0:59:01.480 --> 0:59:04.479
<v Speaker 1>do you start picking up other acts from management. Well,

0:59:04.520 --> 0:59:08.200
<v Speaker 1>at this point I had become very very close with

0:59:08.600 --> 0:59:12.560
<v Speaker 1>Chris Cornell through Sound Garden and he's getting ready to

0:59:12.640 --> 0:59:17.640
<v Speaker 1>leave Sound Garden, and I don't know exactly how it

0:59:17.720 --> 0:59:19.880
<v Speaker 1>came up with Susan, who's still one of my best friends,

0:59:20.360 --> 0:59:22.919
<v Speaker 1>but she says, I'm not going to manage your solo career,

0:59:23.000 --> 0:59:25.040
<v Speaker 1>Jim should do it. And it was like the three

0:59:25.040 --> 0:59:26.680
<v Speaker 1>of us, you know, I mean like we would meet

0:59:26.720 --> 0:59:29.760
<v Speaker 1>and talk about them purchasing their first home, like this

0:59:29.800 --> 0:59:31.000
<v Speaker 1>is how you're gonna do it, you know. I mean

0:59:31.040 --> 0:59:34.560
<v Speaker 1>we're really really, really close. And so I'm like, yeah, okay,

0:59:34.680 --> 0:59:36.520
<v Speaker 1>you know, and and so I start managing Chris and

0:59:36.560 --> 0:59:40.320
<v Speaker 1>then I take on Ran said they're on Epitaph. They

0:59:40.360 --> 0:59:43.080
<v Speaker 1>were getting ready to leave to go to Epic Records.

0:59:43.200 --> 0:59:47.600
<v Speaker 1>Michael Goldstone was signing them, and ran into them at

0:59:47.680 --> 0:59:50.080
<v Speaker 1>a Fillmore show that the Offspring were doing. And at

0:59:50.080 --> 0:59:52.800
<v Speaker 1>this point, they're kind of personna on Garrata at Epitaph

0:59:52.840 --> 0:59:56.280
<v Speaker 1>because they're leaving and they're really unhappy, like you could

0:59:56.280 --> 0:59:58.120
<v Speaker 1>just see the strain on them. And I see Tim

0:59:58.160 --> 1:00:00.560
<v Speaker 1>and I see Lars. I'm like, guys, what's the deal

1:00:00.560 --> 1:00:03.120
<v Speaker 1>and just you know, this is hard and while then

1:00:03.360 --> 1:00:06.160
<v Speaker 1>why are you leaving? You know, clearly the Offspring have

1:00:06.200 --> 1:00:08.320
<v Speaker 1>shown you can have success, and they're like, well, it

1:00:08.320 --> 1:00:10.480
<v Speaker 1>feels like we're too far down the road, and I'm like,

1:00:10.720 --> 1:00:13.000
<v Speaker 1>never too far. And so within a month they had

1:00:13.120 --> 1:00:15.480
<v Speaker 1>had reached out to me and said would you manage us?

1:00:15.720 --> 1:00:17.680
<v Speaker 1>And I said, yeah, I love the band. I think

1:00:17.680 --> 1:00:20.960
<v Speaker 1>they're great and I love the guys, and um I

1:00:21.000 --> 1:00:23.200
<v Speaker 1>called Brett up and I said, hey, listen, they're not

1:00:23.240 --> 1:00:25.439
<v Speaker 1>going to go to epic. Do you want him back?

1:00:25.680 --> 1:00:27.440
<v Speaker 1>And he was are your kidding? Because he was heartbroken.

1:00:27.480 --> 1:00:29.040
<v Speaker 1>I think it was his favorite band of all time

1:00:29.040 --> 1:00:31.880
<v Speaker 1>on epitaph. And I said, yeah, here's you know what

1:00:31.920 --> 1:00:34.600
<v Speaker 1>it would look like to do, and if you're agreeable

1:00:34.640 --> 1:00:36.560
<v Speaker 1>to that, let's meet with the guys in the next

1:00:36.600 --> 1:00:38.440
<v Speaker 1>couple of days. He's like, you're not joking me, and

1:00:38.480 --> 1:00:40.720
<v Speaker 1>I said no. I said, We've seen through the Offspring

1:00:40.760 --> 1:00:43.920
<v Speaker 1>that anything that they can have success. You guys have

1:00:44.360 --> 1:00:47.080
<v Speaker 1>sold a lot of records on a worldwide basis. There's

1:00:47.120 --> 1:00:48.800
<v Speaker 1>no reason, you know. He goes wow, you know, And

1:00:48.840 --> 1:00:51.520
<v Speaker 1>so it was a really great moment where they kind

1:00:51.520 --> 1:00:57.040
<v Speaker 1>of returned was that the right choice, no question, because

1:00:57.040 --> 1:00:59.360
<v Speaker 1>they're still there by the way, and they've had opportunities

1:00:59.360 --> 1:01:01.360
<v Speaker 1>to leave. You know, that's where they're kind of heart

1:01:01.400 --> 1:01:03.840
<v Speaker 1>and soul is. You know, they were that kind of band.

1:01:04.160 --> 1:01:07.640
<v Speaker 1>So we complete that record cycle, record called Let's Go,

1:01:07.920 --> 1:01:10.360
<v Speaker 1>get a video called Salvation on MTV, come out without

1:01:10.360 --> 1:01:12.400
<v Speaker 1>an outcome the Wolves, and it sells two million copies.

1:01:12.680 --> 1:01:15.680
<v Speaker 1>So it worked, you know, and they were doing really

1:01:15.720 --> 1:01:19.000
<v Speaker 1>really well. Okay, So now you have RANSD Yeah, and

1:01:19.040 --> 1:01:23.080
<v Speaker 1>then Chris Social Distortion in the Offspring. Suddenly you're a manager.

1:01:23.120 --> 1:01:25.440
<v Speaker 1>You're comfortable with that because you're someone who's always evaluating

1:01:25.440 --> 1:01:28.400
<v Speaker 1>your direction. Yeah, I am. I'm I'm okay with it

1:01:28.400 --> 1:01:30.160
<v Speaker 1>because I love the bands that I'm working with, and

1:01:30.160 --> 1:01:33.600
<v Speaker 1>I'm comfortable with it. By this point, I've I've gotten married.

1:01:33.600 --> 1:01:37.600
<v Speaker 1>I get married in ninety seven and we start having kids.

1:01:37.640 --> 1:01:42.640
<v Speaker 1>We have Jessica in October. Uh, and I'm a dad too.

1:01:42.680 --> 1:01:45.320
<v Speaker 1>So life is kind of all all over and and

1:01:45.320 --> 1:01:47.760
<v Speaker 1>and changing for sure, and I'm having a I'm having

1:01:47.760 --> 1:01:49.560
<v Speaker 1>a good time with it. In the back of your mind,

1:01:49.560 --> 1:01:51.560
<v Speaker 1>are you plotting it all saying this is where I

1:01:51.600 --> 1:01:53.479
<v Speaker 1>want to be next, but this is what I want

1:01:53.560 --> 1:01:55.480
<v Speaker 1>or you're just going with the flow. I'm going with

1:01:55.520 --> 1:01:58.120
<v Speaker 1>it at this point. I'm really, you know, trying very

1:01:58.160 --> 1:02:01.800
<v Speaker 1>hard to remain in laguon a beach somewhere between Crown

1:02:01.880 --> 1:02:04.200
<v Speaker 1>Valley and Broadway, you know, and like I'm really trying

1:02:04.240 --> 1:02:06.280
<v Speaker 1>not to travel. One of the things that I would

1:02:06.280 --> 1:02:09.080
<v Speaker 1>say to everybody along is getting big z easy. Staying

1:02:09.120 --> 1:02:11.920
<v Speaker 1>small as hard. Saying no is hard to do because

1:02:11.960 --> 1:02:14.600
<v Speaker 1>what do you say no to at that time? More opportunities,

1:02:14.600 --> 1:02:16.720
<v Speaker 1>more bands, because everybody wants you to manage a band.

1:02:17.000 --> 1:02:18.880
<v Speaker 1>You can only do so much before you lose a

1:02:18.880 --> 1:02:21.800
<v Speaker 1>connection with them. So I think it's ninety eight that

1:02:21.840 --> 1:02:24.320
<v Speaker 1>I pick up No Doubt, you know. And what is

1:02:24.320 --> 1:02:26.360
<v Speaker 1>the status of No Doubt at that time? Well, they

1:02:26.400 --> 1:02:29.480
<v Speaker 1>they had Tragic Kingdom and they sold b zillions of records.

1:02:31.160 --> 1:02:34.000
<v Speaker 1>Tom Attensio right, right, So how did it end with Atensio?

1:02:34.080 --> 1:02:36.560
<v Speaker 1>I don't know exactly. I think they mutually agreed to

1:02:36.600 --> 1:02:39.040
<v Speaker 1>part ways, is what I understand. I've known Tom because

1:02:39.040 --> 1:02:41.680
<v Speaker 1>he was managing New Order back in the day. Geiger

1:02:41.720 --> 1:02:43.400
<v Speaker 1>was the agent. Tom was the manager, and I was

1:02:43.400 --> 1:02:46.800
<v Speaker 1>promoting the shows. Uh. In a lot of instances, uh,

1:02:46.840 --> 1:02:49.040
<v Speaker 1>And you know, Tom was a very capable guy. So

1:02:49.120 --> 1:02:51.800
<v Speaker 1>but at that point, they're on the open market. And

1:02:51.800 --> 1:02:54.360
<v Speaker 1>I've met him over the years just because I grew

1:02:54.440 --> 1:02:56.680
<v Speaker 1>up in Orange County and I've done social distortion, the

1:02:56.720 --> 1:02:59.960
<v Speaker 1>Offspring John Boyle. You know, my first meeting with boy

1:03:00.040 --> 1:03:04.200
<v Speaker 1>Hill is Offspring sublime, no doubt. You know, Big Snow

1:03:04.200 --> 1:03:08.040
<v Speaker 1>Show in ninety four or maybe it was early, you know.

1:03:08.080 --> 1:03:10.400
<v Speaker 1>I remember Gwen coming back and thanking us for having

1:03:10.400 --> 1:03:12.600
<v Speaker 1>them on it. She was really really polite, you know,

1:03:12.680 --> 1:03:15.640
<v Speaker 1>And they were great, great guys. So they become available,

1:03:15.960 --> 1:03:18.720
<v Speaker 1>and every single manager is in the hunt. I mean,

1:03:18.760 --> 1:03:23.080
<v Speaker 1>it is ridiculous. Like every manager you name a person,

1:03:23.360 --> 1:03:25.080
<v Speaker 1>they were in a meeting with him. And it came

1:03:25.120 --> 1:03:28.080
<v Speaker 1>down to myself and Andy Slatter, and I think there

1:03:28.080 --> 1:03:30.720
<v Speaker 1>were a little resistant to me because I was the

1:03:30.760 --> 1:03:33.680
<v Speaker 1>Orange County guy. Because of those things. It felt like

1:03:33.800 --> 1:03:37.400
<v Speaker 1>tow Sammy Sammy. Yeah. But I felt like I also

1:03:37.560 --> 1:03:40.600
<v Speaker 1>was able to communicate my experience to Gwen working with

1:03:40.680 --> 1:03:42.880
<v Speaker 1>Cheryl Crowe and the amount of time I'd spent with

1:03:42.960 --> 1:03:45.240
<v Speaker 1>Cheryl and what that looked like and being able to

1:03:45.280 --> 1:03:48.920
<v Speaker 1>work with a girl and and understanding that and and uh.

1:03:49.040 --> 1:03:50.560
<v Speaker 1>And I think I proved that pretty quickly. I brought

1:03:50.600 --> 1:03:54.560
<v Speaker 1>in this really terrific publicist, Luke Berland. When got her lane,

1:03:54.600 --> 1:03:56.560
<v Speaker 1>I said, Luke, I've got to give this girl her lane.

1:03:56.600 --> 1:03:58.920
<v Speaker 1>She's like busting at the seams and it's a problem

1:03:58.920 --> 1:04:01.120
<v Speaker 1>with the band, and you know, Gwen getting her solo.

1:04:01.160 --> 1:04:03.360
<v Speaker 1>It's the traditional thing that we've all seen a million times.

1:04:03.560 --> 1:04:05.560
<v Speaker 1>She's oh, this is easy. I'll just get her in

1:04:05.640 --> 1:04:08.000
<v Speaker 1>all the girls magazines and all the fashion magazines. The

1:04:08.000 --> 1:04:10.280
<v Speaker 1>boys don't want to be in those anyways. And I'm like, oh,

1:04:10.280 --> 1:04:12.919
<v Speaker 1>my god, your genius. And that starts Gwen down that road.

1:04:13.120 --> 1:04:14.960
<v Speaker 1>It doesn't mean to say that she hadn't had any fashion,

1:04:15.200 --> 1:04:18.360
<v Speaker 1>but that really gives her lane independent of the guys.

1:04:18.400 --> 1:04:20.680
<v Speaker 1>And so we're managing them. And then I take on

1:04:20.760 --> 1:04:23.320
<v Speaker 1>Beck and it's like, wow, we're a real management company.

1:04:23.560 --> 1:04:26.960
<v Speaker 1>You know. Isn't this fun? You know? I had a

1:04:26.960 --> 1:04:29.240
<v Speaker 1>great time, but I'm starting to get a little older.

1:04:29.560 --> 1:04:32.680
<v Speaker 1>I'm starting to have more kids. And another one of

1:04:32.720 --> 1:04:34.920
<v Speaker 1>those pivotal moments, as I said, I'm gonna be home

1:04:34.960 --> 1:04:37.640
<v Speaker 1>at five o'clock for dinner. I will be home every

1:04:37.720 --> 1:04:39.320
<v Speaker 1>night at five o'clock for dinner. And I make a

1:04:39.320 --> 1:04:41.000
<v Speaker 1>point to be home every night at five o'clock for dinner.

1:04:41.040 --> 1:04:43.040
<v Speaker 1>Nless I have to be in New York or you know,

1:04:43.120 --> 1:04:45.160
<v Speaker 1>there's something going on, you know. But I say that's

1:04:45.160 --> 1:04:47.040
<v Speaker 1>going to be part of my daily routine, and I

1:04:47.080 --> 1:04:50.040
<v Speaker 1>start moving my clock back, and I start getting up earlier,

1:04:50.160 --> 1:04:52.200
<v Speaker 1>waking in the morning and taking care of New York

1:04:52.240 --> 1:04:55.320
<v Speaker 1>and Europe. But five o'clock and I give, you know,

1:04:55.560 --> 1:04:58.000
<v Speaker 1>the receptionist, the list of these people. If they call,

1:04:58.440 --> 1:05:01.800
<v Speaker 1>call the house, no body else, just send an email

1:05:01.920 --> 1:05:03.080
<v Speaker 1>and I'll check it at the end of the nine

1:05:03.080 --> 1:05:05.200
<v Speaker 1>If it was urgent, I'll deal with it. And that

1:05:05.320 --> 1:05:06.600
<v Speaker 1>was good for you. Do you think it hurt your

1:05:06.600 --> 1:05:09.200
<v Speaker 1>business at all? I don't think it hurt my business. Initially.

1:05:09.880 --> 1:05:15.240
<v Speaker 1>I think it probably contributed to losing nine inch nails.

1:05:15.680 --> 1:05:18.240
<v Speaker 1>I think it probably contributed to losing, no doubt. And

1:05:18.280 --> 1:05:20.720
<v Speaker 1>those were the first jobs I've ever lost. I've never

1:05:20.800 --> 1:05:25.040
<v Speaker 1>been fired from a job before. And I realized afterwards,

1:05:25.320 --> 1:05:28.600
<v Speaker 1>when somebody would say, like, wow, what they're going to

1:05:28.680 --> 1:05:30.480
<v Speaker 1>come back. You did a great job for those bags,

1:05:30.680 --> 1:05:33.920
<v Speaker 1>never come back. I remember saying, they can offer me

1:05:34.000 --> 1:05:36.040
<v Speaker 1>double And it wasn't because I was angry at them,

1:05:36.040 --> 1:05:38.800
<v Speaker 1>because I'm not angry at them, but I realized I

1:05:38.880 --> 1:05:42.080
<v Speaker 1>no longer was that guy. I wasn't the guy that

1:05:42.200 --> 1:05:46.200
<v Speaker 1>was going to eat, sleep, breathe, snort, rub into my belly,

1:05:46.280 --> 1:05:49.160
<v Speaker 1>do everything possible for a band. And they need that

1:05:49.240 --> 1:05:51.800
<v Speaker 1>and they deserve that, and so I kind of went

1:05:51.880 --> 1:05:54.080
<v Speaker 1>like they did the right thing by getting rid of me.

1:05:54.520 --> 1:05:56.000
<v Speaker 1>They did the right thing. I think I did a

1:05:56.040 --> 1:05:58.280
<v Speaker 1>better job than anybody else could have done for them.

1:05:58.440 --> 1:06:00.600
<v Speaker 1>Don't mistake me. I don't think anybody you know, and

1:06:00.600 --> 1:06:02.320
<v Speaker 1>I've had many people come to me and say, oh,

1:06:03.000 --> 1:06:04.920
<v Speaker 1>you do such a good job. Yeah, I think so.

1:06:05.360 --> 1:06:07.360
<v Speaker 1>That isn't what was on the list of needs, though.

1:06:07.480 --> 1:06:10.440
<v Speaker 1>The need was. It had to be everything, and they

1:06:10.480 --> 1:06:12.800
<v Speaker 1>deserve that. This is their one career, and I wasn't

1:06:12.800 --> 1:06:15.240
<v Speaker 1>willing to give that. I couldn't divide my loyalty by

1:06:15.280 --> 1:06:19.000
<v Speaker 1>the same token. It must be quite a blow when

1:06:19.080 --> 1:06:22.600
<v Speaker 1>these bands move on. It was initially the first time,

1:06:22.640 --> 1:06:25.560
<v Speaker 1>particularly with Trent, because he was like a brother. I

1:06:25.600 --> 1:06:27.240
<v Speaker 1>talked to the guy every day, you know what I mean,

1:06:27.280 --> 1:06:30.000
<v Speaker 1>I talked to him every single day. I love Trent.

1:06:30.160 --> 1:06:32.800
<v Speaker 1>I think he was the real deal, you know, I mean,

1:06:32.880 --> 1:06:36.520
<v Speaker 1>I think he's extremely talented, he's unbelievably funny. I mean,

1:06:36.560 --> 1:06:40.000
<v Speaker 1>I had so many great times with them, and it stunned.

1:06:40.120 --> 1:06:42.760
<v Speaker 1>But as I said, you know, it's his name up there, man,

1:06:42.960 --> 1:06:45.640
<v Speaker 1>and he's got a feel that he's got somebody who's

1:06:46.800 --> 1:06:49.960
<v Speaker 1>he's comfortable, is giving everything. And I don't think he

1:06:50.000 --> 1:06:52.160
<v Speaker 1>felt that way with I'm guessing he didn't feel that way.

1:06:52.360 --> 1:06:56.080
<v Speaker 1>Now a couple of questions in retrospect. Were there signs

1:06:56.480 --> 1:06:59.520
<v Speaker 1>that these acts were going to move on? For sure? Absolutely?

1:06:59.640 --> 1:07:03.040
<v Speaker 1>Any time you have an argument over money that you're

1:07:03.120 --> 1:07:06.560
<v Speaker 1>being paid with a client, that's a tell. And I

1:07:06.600 --> 1:07:09.080
<v Speaker 1>walked in the very next day and said, we are

1:07:09.120 --> 1:07:11.680
<v Speaker 1>not going to be managing Gwen. I knew. And then

1:07:11.720 --> 1:07:16.080
<v Speaker 1>the next thing becomes any contact with these acts thereafter. Yeah,

1:07:16.280 --> 1:07:18.520
<v Speaker 1>actually both of them. In fact, I just heard from

1:07:18.560 --> 1:07:20.800
<v Speaker 1>Trent right around the holidays, not for a long time

1:07:20.840 --> 1:07:24.600
<v Speaker 1>and not consistent. I heard from Gwen and I said,

1:07:24.680 --> 1:07:26.200
<v Speaker 1>I just want to thank you for everything you did

1:07:26.200 --> 1:07:27.960
<v Speaker 1>for me and my family. I thought it was very,

1:07:28.040 --> 1:07:30.520
<v Speaker 1>very nice. And I heard from Trent recently said, you know,

1:07:30.560 --> 1:07:32.160
<v Speaker 1>we should get together. It's been a while, you know,

1:07:32.480 --> 1:07:36.840
<v Speaker 1>So now those two acts are gone. Social distortion, you're

1:07:36.880 --> 1:07:39.200
<v Speaker 1>not as involved. I'm not involved at all. I had,

1:07:39.880 --> 1:07:42.440
<v Speaker 1>I had stopped managing them. There was a point where,

1:07:42.560 --> 1:07:46.840
<v Speaker 1>after twenty six years, I just said I had spotted

1:07:46.840 --> 1:07:50.240
<v Speaker 1>in myself what I would ultimately spot post nine inch

1:07:50.280 --> 1:07:53.000
<v Speaker 1>nails and and no doubt where it's time for them

1:07:53.040 --> 1:07:55.240
<v Speaker 1>to move on. It's time for Mike to assert a

1:07:55.280 --> 1:07:57.640
<v Speaker 1>greater role. It had always been like, you do everything

1:07:57.640 --> 1:08:00.880
<v Speaker 1>on stage, I do everything else. Well, he started having

1:08:00.880 --> 1:08:04.160
<v Speaker 1>opinions about the business and I resisted that, like, I

1:08:04.160 --> 1:08:06.200
<v Speaker 1>don't know, I don't think that's a very good idea.

1:08:06.560 --> 1:08:09.160
<v Speaker 1>I had spent so much time with this guy. I

1:08:09.200 --> 1:08:11.880
<v Speaker 1>just wasn't willing to alter my mode of how I

1:08:11.920 --> 1:08:14.000
<v Speaker 1>was going to do that at this stage of my life.

1:08:14.600 --> 1:08:16.519
<v Speaker 1>And I said, I think it's time for us. It

1:08:16.600 --> 1:08:21.800
<v Speaker 1>was at my uh suggestion. My son boxes over at

1:08:21.840 --> 1:08:24.519
<v Speaker 1>this gym, and Mike boxes at the gym, and he's

1:08:24.600 --> 1:08:26.799
<v Speaker 1>amazing with my son. You know, he gives the T shirts,

1:08:26.800 --> 1:08:29.400
<v Speaker 1>he gave him some boxing shoes, and I've stayed very

1:08:29.400 --> 1:08:31.920
<v Speaker 1>close contact with him. And a guy in my office

1:08:32.320 --> 1:08:34.559
<v Speaker 1>who was the day to day guy started managing them.

1:08:34.640 --> 1:08:37.320
<v Speaker 1>So in your office, now your peak, how many people

1:08:37.320 --> 1:08:41.280
<v Speaker 1>were working there and how many people now one you well,

1:08:41.320 --> 1:08:43.880
<v Speaker 1>one more Larry, okay, and so what are you guys

1:08:43.880 --> 1:08:47.000
<v Speaker 1>working on now? Well, we continue to manage the offspring.

1:08:47.439 --> 1:08:50.400
<v Speaker 1>If Robbie ever has anything he once done, I'm always

1:08:50.439 --> 1:08:53.639
<v Speaker 1>available to Robbie because I love Robbie. Um. I'm getting

1:08:53.680 --> 1:08:57.639
<v Speaker 1>ready to teach twenty four ap US history courses UH

1:08:57.720 --> 1:09:01.519
<v Speaker 1>to eleventh graders at a UH school in Orange County,

1:09:01.560 --> 1:09:03.840
<v Speaker 1>and I love doing that and that's my third year

1:09:03.880 --> 1:09:06.680
<v Speaker 1>doing that, so I'm preparing me. We've talked about this.

1:09:06.720 --> 1:09:08.040
<v Speaker 1>Tell us a little bit more about what the course

1:09:08.160 --> 1:09:11.200
<v Speaker 1>is about. Well, it's based on the sixties, and it's

1:09:11.240 --> 1:09:13.360
<v Speaker 1>a p U s history. So it's not like, hey,

1:09:13.720 --> 1:09:15.640
<v Speaker 1>tell me what Donovan meant when he said, you know,

1:09:15.920 --> 1:09:18.599
<v Speaker 1>electric banana. You know what I mean. Although that's part

1:09:18.600 --> 1:09:20.800
<v Speaker 1>of the sixties and you have to understand that, but

1:09:21.080 --> 1:09:23.799
<v Speaker 1>is not the core thing. I start off in the fifties,

1:09:23.880 --> 1:09:25.479
<v Speaker 1>and I start off, you know, really all the way

1:09:25.479 --> 1:09:29.559
<v Speaker 1>back in when when Russia gets nuclear capability and what

1:09:29.680 --> 1:09:31.719
<v Speaker 1>the flip was, how did they become not an ally

1:09:31.800 --> 1:09:33.960
<v Speaker 1>and they became that? And how the Cold War starts.

1:09:34.360 --> 1:09:36.960
<v Speaker 1>And I take through the Cold War through sput Nick,

1:09:37.000 --> 1:09:39.439
<v Speaker 1>through ury Gagar and through the fact that they can

1:09:39.439 --> 1:09:41.760
<v Speaker 1>put rockets in the air and we can't. What does

1:09:41.800 --> 1:09:45.000
<v Speaker 1>that look like? In nineteen sixty, when John Kennedy is

1:09:45.040 --> 1:09:49.559
<v Speaker 1>elected by point, most people say he stole the election

1:09:49.600 --> 1:09:51.960
<v Speaker 1>out of Chicago. And you know, I say this to

1:09:52.000 --> 1:09:55.559
<v Speaker 1>my students. He won by d twelve eight hundred boats.

1:09:55.680 --> 1:09:57.720
<v Speaker 1>I'll do this with you. I'll play the gag with you.

1:09:58.160 --> 1:10:01.120
<v Speaker 1>He wins nationally by a hundred twelve thousand, eight hundred boats.

1:10:01.120 --> 1:10:03.959
<v Speaker 1>Cook County, one county in the US that houses Chicago.

1:10:04.280 --> 1:10:06.320
<v Speaker 1>How many votes does he beat Richard Nixon by there?

1:10:06.560 --> 1:10:09.920
<v Speaker 1>I would guess a hundred twelve four hundred and fifty

1:10:09.920 --> 1:10:14.599
<v Speaker 1>thousand and one county. So you've got a guy coming

1:10:14.600 --> 1:10:17.679
<v Speaker 1>out of World War Two where it's not nine eleven

1:10:17.680 --> 1:10:20.400
<v Speaker 1>worth three thousand people die, or San Bernardino where fourteen

1:10:20.400 --> 1:10:23.519
<v Speaker 1>people die World War two or somewhere between sixty and

1:10:23.720 --> 1:10:27.640
<v Speaker 1>eighty million people die, and you've got Isis on steroids

1:10:27.680 --> 1:10:31.800
<v Speaker 1>called Russia with nuclear weapons, you know. And so do

1:10:31.840 --> 1:10:33.320
<v Speaker 1>you go to Vietnam or not? And that's why I

1:10:33.320 --> 1:10:35.120
<v Speaker 1>say the kids, do you go to Vietnam? And that

1:10:35.160 --> 1:10:37.720
<v Speaker 1>which looks like an inevitable thing? In nineteen sixty how

1:10:37.720 --> 1:10:40.960
<v Speaker 1>does it become a big mistake by nineteen sixty sixty seven?

1:10:41.040 --> 1:10:42.400
<v Speaker 1>And so we have a lot of fun doing that.

1:10:42.479 --> 1:10:44.439
<v Speaker 1>And I love doing this the same way that that

1:10:44.560 --> 1:10:48.120
<v Speaker 1>I probably, you know, obsessed over the B side of

1:10:48.160 --> 1:10:51.960
<v Speaker 1>an import Jam single in nineteen you know eighty. I

1:10:52.000 --> 1:10:55.160
<v Speaker 1>love being able to do this and and use media

1:10:55.200 --> 1:10:57.080
<v Speaker 1>and and and how to do all those things. So

1:10:57.080 --> 1:10:58.800
<v Speaker 1>I'm having a lot of fun doing that. Also, you

1:10:58.840 --> 1:11:00.880
<v Speaker 1>did a book with Robbie Robert I did. We did

1:11:00.920 --> 1:11:03.479
<v Speaker 1>it with Robbie and his son Sebastian and Jared Levine.

1:11:03.560 --> 1:11:06.200
<v Speaker 1>And uh, when I did that book, it was interesting.

1:11:06.200 --> 1:11:08.240
<v Speaker 1>We had the Scholastic book fair at my kids school

1:11:08.320 --> 1:11:11.200
<v Speaker 1>and the person who was running it came up and said, hey,

1:11:11.280 --> 1:11:14.479
<v Speaker 1>we have authors. Come, You're an author. Like I laugh,

1:11:14.520 --> 1:11:15.960
<v Speaker 1>because I don't feel like an author, do you know

1:11:15.960 --> 1:11:17.680
<v Speaker 1>what I mean? Like I just did that, you know.

1:11:17.760 --> 1:11:21.200
<v Speaker 1>And it was legends, icons, and and rebels, twenty seven

1:11:21.280 --> 1:11:24.679
<v Speaker 1>artists that changed the world. And you would talk about

1:11:24.720 --> 1:11:26.920
<v Speaker 1>these artists in the context of what they were doing,

1:11:26.960 --> 1:11:30.800
<v Speaker 1>you know, and what why it was different? Why Sam Why? Yeah,

1:11:30.800 --> 1:11:33.639
<v Speaker 1>Bob Dylan going electric is a big deal. But Sam

1:11:33.720 --> 1:11:36.479
<v Speaker 1>Cook leaving the church why is that so big? Way,

1:11:36.479 --> 1:11:39.080
<v Speaker 1>he goes on to form a record company before Barry

1:11:39.080 --> 1:11:41.960
<v Speaker 1>Gordy first, you know, African Americana doing that who by

1:11:42.000 --> 1:11:44.479
<v Speaker 1>the way his an arguiser, Lou Adler and Herb Albert,

1:11:44.640 --> 1:11:46.360
<v Speaker 1>you know what I mean. And he starts a publishing

1:11:46.360 --> 1:11:49.920
<v Speaker 1>company and the night before Ali defeats Listen, he's in

1:11:49.920 --> 1:11:52.760
<v Speaker 1>a hotel room with Malcolm X and Muhammad Ali and

1:11:52.760 --> 1:11:54.559
<v Speaker 1>they're talking about and and you know, you kind of

1:11:54.560 --> 1:11:58.080
<v Speaker 1>put them in in the context of that. And so

1:11:58.200 --> 1:12:00.439
<v Speaker 1>I went and did the presentation for the book, and

1:12:00.479 --> 1:12:02.160
<v Speaker 1>I decided I'm gonna do it kind of rock and

1:12:02.240 --> 1:12:04.040
<v Speaker 1>roll stone. So I do a bunch of media, and

1:12:04.080 --> 1:12:07.000
<v Speaker 1>so I have video clips from Louis Jordan and Louis

1:12:07.080 --> 1:12:10.400
<v Speaker 1>Armstrong and Billie Holiday and Elvis and Little Richard and

1:12:10.400 --> 1:12:13.240
<v Speaker 1>the Beatles, and I take people kind of out of

1:12:13.600 --> 1:12:17.559
<v Speaker 1>end of century marching band John Philip Sousa all the

1:12:17.600 --> 1:12:20.040
<v Speaker 1>way up to Bob Dylan and the band and I

1:12:20.080 --> 1:12:22.200
<v Speaker 1>and I talked about the book in that and that

1:12:22.240 --> 1:12:24.599
<v Speaker 1>became a forty five minute lecture that I've done probably

1:12:25.240 --> 1:12:27.840
<v Speaker 1>fifteen of them, you know, at various schools. Bring me

1:12:27.920 --> 1:12:30.880
<v Speaker 1>in and and I'll do these lectures separate of the A.

1:12:31.040 --> 1:12:33.280
<v Speaker 1>P U. S history, But I love doing that too.

1:12:33.560 --> 1:12:36.160
<v Speaker 1>So I'm finding a little little niche of fun stuff

1:12:36.200 --> 1:12:38.000
<v Speaker 1>for me to do. And and it may only be

1:12:38.120 --> 1:12:40.559
<v Speaker 1>that I sit in front of fifteen students and talk

1:12:40.600 --> 1:12:43.720
<v Speaker 1>about this, but it's mine, you know what I mean.

1:12:43.720 --> 1:12:46.519
<v Speaker 1>It's mine. It may not be on a scale of

1:12:46.680 --> 1:12:49.880
<v Speaker 1>seventeen million records sold, but it's mine, and I feel

1:12:50.160 --> 1:12:51.719
<v Speaker 1>proud of it, and I like it, and I feel

1:12:51.760 --> 1:12:53.640
<v Speaker 1>that that when a kid comes up to me at

1:12:53.640 --> 1:12:55.080
<v Speaker 1>the end of the year and it was my favorite

1:12:55.120 --> 1:12:59.320
<v Speaker 1>class I took all year. Yeah, okay, I remember various

1:12:59.360 --> 1:13:01.960
<v Speaker 1>points in our relationship. You were really the first person

1:13:02.400 --> 1:13:04.599
<v Speaker 1>to talk to me about the potential of the internet,

1:13:04.840 --> 1:13:08.280
<v Speaker 1>both in terms of communication and distribution. You were always

1:13:08.280 --> 1:13:10.160
<v Speaker 1>on the tip temple of the dog. You turned me

1:13:10.200 --> 1:13:13.439
<v Speaker 1>onto that, you know, before it came out. You gave

1:13:13.439 --> 1:13:15.880
<v Speaker 1>me the book Generation X. And the reason I put

1:13:15.880 --> 1:13:19.120
<v Speaker 1>all those markers in the landscape is where this is.

1:13:19.160 --> 1:13:20.920
<v Speaker 1>We'll get a little deeper. But where do you think

1:13:20.920 --> 1:13:24.360
<v Speaker 1>we're going now? I would argue that the baby boomers

1:13:24.360 --> 1:13:26.559
<v Speaker 1>are still alive. They haven't passed away, even though as

1:13:26.560 --> 1:13:29.880
<v Speaker 1>we talk here that Neil Diamonds now got Parkinson's going

1:13:29.960 --> 1:13:32.240
<v Speaker 1>off the Road. We have a lot of classic rockers

1:13:32.240 --> 1:13:35.439
<v Speaker 1>who are dying or can no longer perform, but the

1:13:35.479 --> 1:13:38.960
<v Speaker 1>people who lived through that era are still alive. And

1:13:39.000 --> 1:13:41.879
<v Speaker 1>what do we know. In the sixties music drove the culture.

1:13:42.160 --> 1:13:44.679
<v Speaker 1>There were very few outlets. Most markets only have three

1:13:44.720 --> 1:13:48.479
<v Speaker 1>television stations. You live by the radio. Uh, there was

1:13:48.560 --> 1:13:51.800
<v Speaker 1>being in the sixties. Music was the equivalent of social media.

1:13:52.439 --> 1:13:54.559
<v Speaker 1>But my kids can pull up today and kind of

1:13:54.640 --> 1:13:59.200
<v Speaker 1>network was you hearing? Ohio? That was our connectivity, that

1:13:59.280 --> 1:14:02.479
<v Speaker 1>was our social media. So the music is intertwined in

1:14:02.520 --> 1:14:05.920
<v Speaker 1>that time and Needles just say it blew up financially, etcetera.

1:14:06.520 --> 1:14:08.679
<v Speaker 1>Music has had a couple of ups and downs since then,

1:14:08.720 --> 1:14:12.840
<v Speaker 1>certainly the CD era than the MTV era simultaneous with

1:14:12.960 --> 1:14:15.920
<v Speaker 1>that and the napster going up and down. Now there

1:14:15.920 --> 1:14:18.519
<v Speaker 1>are many people who say today's music is just as

1:14:18.520 --> 1:14:20.479
<v Speaker 1>good as the music before. I don't really want to

1:14:20.479 --> 1:14:25.040
<v Speaker 1>get into a debate of that, but culturally, where is

1:14:25.160 --> 1:14:27.960
<v Speaker 1>music in this great pot of life where there's so

1:14:28.040 --> 1:14:30.880
<v Speaker 1>much else in the landscape, and as a culture, in

1:14:31.000 --> 1:14:33.360
<v Speaker 1>youth culture in it, where do you think it's going?

1:14:33.520 --> 1:14:35.760
<v Speaker 1>What do you think are trends that are going to

1:14:35.840 --> 1:14:39.439
<v Speaker 1>impact the future. Well, that's a lot of a question.

1:14:41.120 --> 1:14:45.400
<v Speaker 1>I have four kids nineteen, seventeen, fourteen, and eleven. Music

1:14:45.520 --> 1:14:48.880
<v Speaker 1>is so important to them. And you go, oh, well

1:14:48.880 --> 1:14:51.439
<v Speaker 1>that's because what you do, Jim, And that's true. Okay.

1:14:51.479 --> 1:14:54.679
<v Speaker 1>So they can tell you Ray Charles songs and Otis

1:14:54.680 --> 1:14:59.320
<v Speaker 1>Redding songs. But lilus e virt I don't know. I

1:14:59.320 --> 1:15:01.200
<v Speaker 1>didn't turn them into it, you know what I mean?

1:15:01.280 --> 1:15:03.679
<v Speaker 1>And and every one of them knows lit lousy vert,

1:15:03.760 --> 1:15:06.360
<v Speaker 1>you know. Or I remember three years ago going to

1:15:06.360 --> 1:15:10.280
<v Speaker 1>see Flume. I'm like Flume, it's the guy with the

1:15:10.280 --> 1:15:13.960
<v Speaker 1>computer wave in his hand. Really it was amazing and

1:15:14.000 --> 1:15:19.440
<v Speaker 1>it was really really exciting to see. So I realize

1:15:19.640 --> 1:15:21.960
<v Speaker 1>I am exactly where I need to be. As I

1:15:22.000 --> 1:15:26.960
<v Speaker 1>turned fifty nine this year, I have no idea. I

1:15:27.040 --> 1:15:30.719
<v Speaker 1>have no idea where it is my kids. I can't

1:15:30.720 --> 1:15:34.599
<v Speaker 1>believe hip hop is rock and roll period. The rockers

1:15:34.600 --> 1:15:36.559
<v Speaker 1>can't handle it. They can't handle it, you know what

1:15:36.560 --> 1:15:40.720
<v Speaker 1>I mean. And that's just fine. That is okay, you

1:15:40.760 --> 1:15:44.840
<v Speaker 1>know what I mean, because it's a shift. Sorry, get out.

1:15:45.000 --> 1:15:48.719
<v Speaker 1>You had your time, Dad, you had your This is theirs?

1:15:49.080 --> 1:15:51.519
<v Speaker 1>Is it? My No, I don't go home and throw

1:15:51.640 --> 1:15:53.840
<v Speaker 1>hip hop on. That's not what I do. I'd rather

1:15:53.840 --> 1:15:57.519
<v Speaker 1>hear it Joe Cocker sing Darling Be Home Soon. But

1:15:57.600 --> 1:16:01.160
<v Speaker 1>do you think the times were friend? But we're investigating

1:16:01.200 --> 1:16:03.759
<v Speaker 1>a little bit where the music when hand in hand

1:16:03.920 --> 1:16:07.559
<v Speaker 1>with anti Vietnam were peace rallies, etcetera. We have not

1:16:07.760 --> 1:16:11.439
<v Speaker 1>hit that moment in an era of great discord. And

1:16:11.600 --> 1:16:14.640
<v Speaker 1>you think that was a moment in time when we

1:16:14.680 --> 1:16:17.519
<v Speaker 1>haven't found the right record. It's not necessary now. It

1:16:17.560 --> 1:16:21.080
<v Speaker 1>was necessary then because when you and I, and you're

1:16:21.120 --> 1:16:22.760
<v Speaker 1>just a few years older than main, when you and

1:16:22.800 --> 1:16:25.280
<v Speaker 1>I we only had those three stations. That was the

1:16:25.320 --> 1:16:29.200
<v Speaker 1>modus operandi of communicating between people. How do you raise

1:16:29.280 --> 1:16:32.679
<v Speaker 1>the consciousness? Well, now you have this the phone since

1:16:32.680 --> 1:16:35.479
<v Speaker 1>two thousand seven. You know you have better vehicles for

1:16:35.600 --> 1:16:38.200
<v Speaker 1>that than than just music. You have things that are

1:16:38.240 --> 1:16:42.240
<v Speaker 1>far more immediate, that are visual, that are communicating. Back then,

1:16:42.880 --> 1:16:46.960
<v Speaker 1>the best you had was to communicate the alienation of

1:16:47.040 --> 1:16:49.920
<v Speaker 1>somebody with their parents. Is is she's leaving home by

1:16:49.920 --> 1:16:52.280
<v Speaker 1>the Beatles and you go, oh, I know that feeling.

1:16:52.760 --> 1:16:55.120
<v Speaker 1>You know, fun is the one thing that money can't buy.

1:16:55.160 --> 1:16:59.479
<v Speaker 1>I relate. Well, now you can have that within seconds. Okay,

1:16:59.520 --> 1:17:02.680
<v Speaker 1>you don't have to wait for a record. It's been displaced.

1:17:02.720 --> 1:17:05.000
<v Speaker 1>The need for it has been displaced. It doesn't mean

1:17:05.000 --> 1:17:07.360
<v Speaker 1>that it doesn't exist. It just means that the need

1:17:07.439 --> 1:17:10.840
<v Speaker 1>for it it's not as pronounced as it was for us.

1:17:11.080 --> 1:17:13.680
<v Speaker 1>For us, the only thing we could count on I

1:17:13.800 --> 1:17:17.000
<v Speaker 1>was putting that needle down. We couldn't see Wizard of

1:17:17.000 --> 1:17:20.519
<v Speaker 1>Oz unless you wait until Easter. Okay. You couldn't watch

1:17:20.520 --> 1:17:22.519
<v Speaker 1>a movie, you couldn't do play a video. You can

1:17:22.600 --> 1:17:25.120
<v Speaker 1>do anything. We could control that. We can put that

1:17:25.320 --> 1:17:27.960
<v Speaker 1>and if we're really clever, we take the arm off

1:17:28.120 --> 1:17:31.160
<v Speaker 1>and it will play it a second time. That was

1:17:31.240 --> 1:17:34.200
<v Speaker 1>the best we had. Okay. So last night I was

1:17:34.240 --> 1:17:38.120
<v Speaker 1>comparing the media based charts, which are the radio airplay charts,

1:17:38.160 --> 1:17:41.920
<v Speaker 1>to Spotify, and in many cases they're different. In our

1:17:42.080 --> 1:17:48.200
<v Speaker 1>era of the business, radio drove consumption. Okay, now where

1:17:48.200 --> 1:17:49.880
<v Speaker 1>were they different? What was that? What was the I

1:17:50.200 --> 1:17:52.000
<v Speaker 1>know what the Spotify looks like. I have no idea

1:17:52.080 --> 1:17:56.519
<v Speaker 1>what radio looks like. Things. Certainly, if you look at

1:17:56.520 --> 1:17:59.800
<v Speaker 1>the media base top forty, it's more pop. But there

1:17:59.800 --> 1:18:03.280
<v Speaker 1>are records in all of their charts that are very

1:18:03.280 --> 1:18:05.479
<v Speaker 1>successful that are not in the U s Top fifty

1:18:05.520 --> 1:18:09.000
<v Speaker 1>on Spotify. So my question ultimately would be, what do

1:18:09.080 --> 1:18:12.240
<v Speaker 1>you believe the future of the paradigm is relative to

1:18:12.360 --> 1:18:17.160
<v Speaker 1>radio streaming on demand? My kids, my two older kids,

1:18:17.200 --> 1:18:20.719
<v Speaker 1>have never heard KROK and they have never seen MTV.

1:18:20.920 --> 1:18:22.640
<v Speaker 1>I have no idea what it is they get in

1:18:22.640 --> 1:18:25.200
<v Speaker 1>the car. What do they do for entertainment? They put

1:18:25.240 --> 1:18:28.280
<v Speaker 1>something on on their phone through the system, whether it's SoundCloud,

1:18:28.439 --> 1:18:31.280
<v Speaker 1>which my older daughter has turned me onto so much

1:18:31.360 --> 1:18:35.000
<v Speaker 1>music through SoundCloud. She finds stuff on SoundCloud or through Tumbler,

1:18:35.200 --> 1:18:38.440
<v Speaker 1>you know, all these different places. But who wants the commercials?

1:18:39.080 --> 1:18:41.160
<v Speaker 1>Who wants I'm with you totally, I mean. But the

1:18:41.160 --> 1:18:43.360
<v Speaker 1>reason it's fascinating to me is two fold. We live

1:18:43.360 --> 1:18:46.959
<v Speaker 1>in a disinformation community where a lot of traditional outlets

1:18:46.960 --> 1:18:50.360
<v Speaker 1>focused on these old things which will ultimately be decimated.

1:18:50.680 --> 1:18:53.240
<v Speaker 1>And of course we've also learned in the Internet world

1:18:53.439 --> 1:18:56.080
<v Speaker 1>you can be too early. So the key is making

1:18:56.120 --> 1:19:00.479
<v Speaker 1>that transition. But it's fascinating because we have a major

1:19:00.600 --> 1:19:05.000
<v Speaker 1>media that missed the nationalistic uprising which we've seen around

1:19:05.000 --> 1:19:08.800
<v Speaker 1>the world ultimately resulted in Trump getting elected. Shifting to

1:19:08.840 --> 1:19:10.760
<v Speaker 1>another gear because I know you're a student of this

1:19:11.320 --> 1:19:13.400
<v Speaker 1>In terms of the tech, I would say for the

1:19:13.479 --> 1:19:16.839
<v Speaker 1>last twenty years tectro of the culture. But I believe

1:19:16.960 --> 1:19:20.240
<v Speaker 1>that is done. We have four major companies, the whole

1:19:20.280 --> 1:19:22.640
<v Speaker 1>thing of you know, a new app every week, a

1:19:22.640 --> 1:19:26.200
<v Speaker 1>new device. We don't have that. What do you think

1:19:27.000 --> 1:19:29.439
<v Speaker 1>drives the culture or what the next thing we're going

1:19:29.479 --> 1:19:32.920
<v Speaker 1>to be rallying around is. Well, I really don't know, Bob.

1:19:32.960 --> 1:19:35.400
<v Speaker 1>I mean, I really none of us know. But you

1:19:35.400 --> 1:19:37.439
<v Speaker 1>you tend to be a student giving an opinion. Yeah,

1:19:37.479 --> 1:19:41.000
<v Speaker 1>I mean, you know, I love the marvelous Mrs Mizelle.

1:19:41.400 --> 1:19:43.800
<v Speaker 1>How am I sitting there watching a television show on

1:19:43.880 --> 1:19:48.320
<v Speaker 1>Amazon Prime on my iPad? Well, I'm on a recumbent

1:19:48.360 --> 1:19:51.320
<v Speaker 1>bike and having a great experience doing it. You know,

1:19:51.360 --> 1:19:53.400
<v Speaker 1>you hold your phone two inches from your eyes. It's

1:19:53.439 --> 1:19:55.240
<v Speaker 1>as big as a sixty inch television set. When you're

1:19:55.240 --> 1:19:57.519
<v Speaker 1>sitting to anything away, you know, people are like, oh,

1:19:57.600 --> 1:19:59.720
<v Speaker 1>it's too small screen. I prefer to watch on the

1:19:59.720 --> 1:20:01.880
<v Speaker 1>I I find it more intimate. I love it, you know,

1:20:01.920 --> 1:20:03.479
<v Speaker 1>I mean, and I can choose to do it when

1:20:03.479 --> 1:20:05.240
<v Speaker 1>I want to do it. So I think our our

1:20:05.360 --> 1:20:09.519
<v Speaker 1>consumption of media is going through the roof. It's going

1:20:09.560 --> 1:20:12.519
<v Speaker 1>through I'm watching more than I've ever watched. But it

1:20:12.560 --> 1:20:14.840
<v Speaker 1>fits in the niche of when I can watch, you know,

1:20:14.920 --> 1:20:17.240
<v Speaker 1>whereas previously would be just like, oh no, I haven't

1:20:17.280 --> 1:20:19.160
<v Speaker 1>seen that yet. Oh I have a chance, you know.

1:20:19.479 --> 1:20:22.120
<v Speaker 1>And so I don't think any of that is necessarily

1:20:22.200 --> 1:20:24.720
<v Speaker 1>really going to change, you know, I really, well, do

1:20:24.760 --> 1:20:27.439
<v Speaker 1>you find yourself I don't want to box you in

1:20:27.479 --> 1:20:30.800
<v Speaker 1>a corner here, but you find yourself keeping up more

1:20:30.840 --> 1:20:34.600
<v Speaker 1>on TV than you do on music? Yeah? Probably? Do

1:20:34.680 --> 1:20:37.519
<v Speaker 1>you keep up on music? I do? But I am

1:20:37.720 --> 1:20:41.439
<v Speaker 1>unique in that I have three teenagers and I am

1:20:41.520 --> 1:20:45.479
<v Speaker 1>spoon fed NonStop of of what we've got to see.

1:20:45.479 --> 1:20:48.680
<v Speaker 1>Brock Hampton at Coachella. Okay, you know, I mean I

1:20:48.720 --> 1:20:51.240
<v Speaker 1>better check that out. I better get the Coachella playlist.

1:20:51.360 --> 1:20:53.000
<v Speaker 1>I better sit there and I just sit there and

1:20:53.280 --> 1:20:58.080
<v Speaker 1>I'll review all that stuff because once the Coachella set

1:20:58.080 --> 1:21:00.360
<v Speaker 1>times come out, I gotta make my because I got

1:21:00.479 --> 1:21:02.759
<v Speaker 1>to overlap. I gotta see the ones that I share

1:21:02.760 --> 1:21:05.280
<v Speaker 1>with my kids, which ones they'll actually let me see

1:21:05.280 --> 1:21:07.200
<v Speaker 1>with them, and which ones I'll have to go stand alone.

1:21:08.360 --> 1:21:10.639
<v Speaker 1>You know that's cool. I'm okay with that. Why, as

1:21:10.680 --> 1:21:12.800
<v Speaker 1>I say, the music that can be overwhelming. There's a

1:21:12.840 --> 1:21:16.599
<v Speaker 1>station on the satellite serious x MU, and you'll tune

1:21:16.640 --> 1:21:18.760
<v Speaker 1>that in. You'll here's something good, and then you'll say

1:21:18.800 --> 1:21:20.880
<v Speaker 1>to yourself, am I the only person who ever heard this?

1:21:21.360 --> 1:21:24.439
<v Speaker 1>It's a very weird experience. We want community, which is

1:21:24.840 --> 1:21:27.200
<v Speaker 1>what you know. It costs much more to make a

1:21:27.240 --> 1:21:29.880
<v Speaker 1>television show than to make the average record, so there's

1:21:29.920 --> 1:21:32.519
<v Speaker 1>a limited amount of product, but you can discover something,

1:21:32.560 --> 1:21:36.640
<v Speaker 1>own it, and discuss it with people. It's an amazing community.

1:21:37.200 --> 1:21:42.760
<v Speaker 1>And you know, to what degree has television usurped the

1:21:42.880 --> 1:21:45.839
<v Speaker 1>power of music? Yeah? I don't think so. It's interesting

1:21:45.840 --> 1:21:47.840
<v Speaker 1>because I see it with my again, with my kids,

1:21:48.240 --> 1:21:51.760
<v Speaker 1>with me for sure. Not with my kids, no way.

1:21:51.960 --> 1:21:55.320
<v Speaker 1>Now they appreciate television, but music is portable. It's on

1:21:55.360 --> 1:21:58.240
<v Speaker 1>the go. They can do this, and their community is

1:21:58.439 --> 1:22:02.320
<v Speaker 1>much more activated around music experience. They're going to shows,

1:22:02.360 --> 1:22:05.960
<v Speaker 1>They're unbelievably active. But it's a world apart from me.

1:22:06.200 --> 1:22:08.240
<v Speaker 1>For sure. I want to see Kodak Black. They come

1:22:08.280 --> 1:22:13.080
<v Speaker 1>on at you know, really, Okay, what's Kodak Black? I

1:22:13.160 --> 1:22:16.360
<v Speaker 1>have no idea, Like, I literally have no idea, idea,

1:22:16.560 --> 1:22:18.040
<v Speaker 1>and then I have to go check it out. It's like, oh,

1:22:18.400 --> 1:22:21.840
<v Speaker 1>it's hit hip hop thing, you know. But they're all

1:22:21.920 --> 1:22:24.040
<v Speaker 1>over it, you know what I mean? And their friends

1:22:24.040 --> 1:22:27.120
<v Speaker 1>are too, They all know it. How about the identity,

1:22:27.200 --> 1:22:30.720
<v Speaker 1>since you're the expert, certainly, I don't have any children. Um,

1:22:30.760 --> 1:22:33.040
<v Speaker 1>when we grew up, there was a very clear delineation

1:22:33.640 --> 1:22:37.160
<v Speaker 1>of who was talent, who was famous, and who was not. Theoretically,

1:22:37.200 --> 1:22:38.960
<v Speaker 1>you could try to jump through hoops, get a record deal,

1:22:38.960 --> 1:22:40.960
<v Speaker 1>you could try to be an actor on television. That

1:22:41.080 --> 1:22:45.360
<v Speaker 1>was very rarefied here, whereas today, you know, they're Instagram

1:22:45.479 --> 1:22:49.679
<v Speaker 1>stars people. To what degree do you feel that your

1:22:49.840 --> 1:22:53.000
<v Speaker 1>kids or kids in general, adore the anointed stars or

1:22:53.040 --> 1:22:56.719
<v Speaker 1>want to be stars themselves. I don't see them wanting

1:22:56.720 --> 1:22:59.519
<v Speaker 1>to be stars themselves. I don't see them falling for

1:22:59.560 --> 1:23:02.920
<v Speaker 1>the quote unquote anointed stars. But I see them all

1:23:02.960 --> 1:23:06.160
<v Speaker 1>over social media picking up on people. If somebody tells

1:23:06.240 --> 1:23:08.400
<v Speaker 1>them it's cool, they sense it right away and smell

1:23:08.439 --> 1:23:10.960
<v Speaker 1>a rat there's something, you know. But if all of

1:23:11.000 --> 1:23:13.880
<v Speaker 1>a sudden, there on Instagram and they see stuff or

1:23:13.920 --> 1:23:16.680
<v Speaker 1>on a snap story or something that they're following, like,

1:23:16.760 --> 1:23:19.840
<v Speaker 1>how do you know this? Well? I follow on Instagram

1:23:20.000 --> 1:23:21.800
<v Speaker 1>and the one that I discovered this year the fence

1:23:21.840 --> 1:23:24.679
<v Speaker 1>to account. You know, everybody has a fence to account.

1:23:24.920 --> 1:23:30.880
<v Speaker 1>Really yeah, fensta fake in? Okay, Okay. So if you

1:23:30.960 --> 1:23:32.760
<v Speaker 1>had to do it all over again, and although I

1:23:32.760 --> 1:23:34.960
<v Speaker 1>think I know the answer, but I'm gonna ask it anyway,

1:23:35.080 --> 1:23:38.160
<v Speaker 1>would you do anything differently? Well, of course not. But

1:23:38.479 --> 1:23:41.280
<v Speaker 1>the one thing I regret is what I put my

1:23:41.320 --> 1:23:44.120
<v Speaker 1>parents through. I made it rough on them. They had

1:23:44.160 --> 1:23:46.920
<v Speaker 1>a rough time. Forget now that because I'm a parent.

1:23:46.960 --> 1:23:48.800
<v Speaker 1>I felt this way before I had kids. You know,

1:23:48.920 --> 1:23:52.360
<v Speaker 1>they were overmatched. When you talk about that generation gap,

1:23:52.520 --> 1:23:54.880
<v Speaker 1>you know, I don't think it's easy to convey to

1:23:54.960 --> 1:23:57.200
<v Speaker 1>kids today what that look like, where there was such

1:23:57.240 --> 1:24:00.240
<v Speaker 1>a splinter where they looked at you, like, where did

1:24:00.280 --> 1:24:04.040
<v Speaker 1>you come from? What happened? You were? We were good parents,

1:24:04.080 --> 1:24:06.760
<v Speaker 1>We we we did right, you know, and and you're

1:24:06.800 --> 1:24:09.200
<v Speaker 1>just off the rails, you know. And I think that's

1:24:09.240 --> 1:24:11.400
<v Speaker 1>really a sign of what the seventies look like, not

1:24:11.479 --> 1:24:13.519
<v Speaker 1>just the sixties, because the seventies. I always used the

1:24:13.560 --> 1:24:16.840
<v Speaker 1>example of Silence of the Lambs where the FBI agent

1:24:16.880 --> 1:24:19.080
<v Speaker 1>is talking to Claris and he says, remember the first

1:24:19.080 --> 1:24:22.000
<v Speaker 1>thing they do is covet So go to the first thing.

1:24:22.280 --> 1:24:26.600
<v Speaker 1>And I think for people like myself. I coveted the sixties.

1:24:27.200 --> 1:24:30.400
<v Speaker 1>I coveted being in Orange County, Hollywood, in l A.

1:24:30.880 --> 1:24:33.920
<v Speaker 1>And so your passion gets kind of turbocharged for those things,

1:24:34.000 --> 1:24:35.840
<v Speaker 1>you know what I mean? And I think people who

1:24:35.960 --> 1:24:39.120
<v Speaker 1>were teenagers in the seventies very much wanted to be

1:24:39.240 --> 1:24:44.280
<v Speaker 1>kids at the sixties. You really are, like, I missed it.

1:24:44.560 --> 1:24:47.200
<v Speaker 1>I can't believe by that much, you know, I missed

1:24:47.800 --> 1:24:50.640
<v Speaker 1>that the greatest ever. I never saw the Beatles like

1:24:50.680 --> 1:24:52.639
<v Speaker 1>I can't believe. I've still pissed at you for seeing

1:24:52.720 --> 1:24:56.200
<v Speaker 1>Laura Narrow a few times. Okay, And in the thirty

1:24:56.240 --> 1:24:59.839
<v Speaker 1>odd years you have left hopefully anything you'd want to achieve.

1:25:00.120 --> 1:25:03.640
<v Speaker 1>Do I still think there's something here having to do

1:25:03.720 --> 1:25:06.800
<v Speaker 1>with education and the passion I have for education. I

1:25:06.840 --> 1:25:09.360
<v Speaker 1>like that. I like being able to communicate. I love

1:25:09.360 --> 1:25:11.719
<v Speaker 1>when you can sit there and still have those moments

1:25:11.720 --> 1:25:14.760
<v Speaker 1>where you get excited about ideas and things like that,

1:25:14.880 --> 1:25:17.280
<v Speaker 1>and to see people come up with different ideas. I

1:25:17.320 --> 1:25:18.960
<v Speaker 1>never want to be that guy on the other side

1:25:18.960 --> 1:25:21.920
<v Speaker 1>of the glass where Matt Damon slaps the thing or

1:25:22.280 --> 1:25:26.920
<v Speaker 1>the is the Harvard guy who just uses information to

1:25:27.000 --> 1:25:29.200
<v Speaker 1>club other people over, you know, and he goes, what's

1:25:29.240 --> 1:25:31.840
<v Speaker 1>wrong with you? Do you have an original idea? You know?

1:25:31.880 --> 1:25:33.639
<v Speaker 1>I don't want to be that. I'd like to hope

1:25:33.640 --> 1:25:35.920
<v Speaker 1>that I find a voice in all this where it

1:25:35.960 --> 1:25:38.599
<v Speaker 1>isn't just regurgitating it. You know. It's funny, Bob, this

1:25:38.680 --> 1:25:40.600
<v Speaker 1>is a great time where all of a sudden, it's like,

1:25:40.800 --> 1:25:43.160
<v Speaker 1>I don't know, I don't know. I'm open to a

1:25:43.200 --> 1:25:45.880
<v Speaker 1>new idea. I'm open to something new because if I

1:25:46.000 --> 1:25:49.040
<v Speaker 1>use what I've got, I'm in a feedback loop. I'm

1:25:49.080 --> 1:25:51.479
<v Speaker 1>just self referencing again. I need to be open to

1:25:51.520 --> 1:25:53.400
<v Speaker 1>the idea that I don't know what's next, you know.

1:25:53.680 --> 1:25:56.120
<v Speaker 1>And if I close myself off and say here, this

1:25:56.160 --> 1:25:57.840
<v Speaker 1>is what it needs to be, I'm just using the

1:25:57.840 --> 1:25:59.960
<v Speaker 1>experience i've already got. I want to have a new experience.

1:26:00.520 --> 1:26:03.559
<v Speaker 1>I'm not done. You know. Well, this has really been

1:26:03.560 --> 1:26:07.080
<v Speaker 1>wonderful for reasons that were unanticipated by me. Because I've

1:26:07.120 --> 1:26:09.919
<v Speaker 1>had interactions with a lot of these people and sometimes

1:26:09.960 --> 1:26:12.880
<v Speaker 1>acted differently. And I'm running through my brain. I remember

1:26:12.880 --> 1:26:15.559
<v Speaker 1>I was at Beverly Hills Hotel and a bungalow with

1:26:15.680 --> 1:26:20.400
<v Speaker 1>a meeting with Donnie Ironer and Michelle Anthony, and I

1:26:20.439 --> 1:26:23.639
<v Speaker 1>remember they showed me a video for the Bob Dylan

1:26:23.760 --> 1:26:27.720
<v Speaker 1>under the blood Red Sky out and I said, it's

1:26:27.720 --> 1:26:29.599
<v Speaker 1>a staff and you don't tell him what to do.

1:26:30.520 --> 1:26:33.639
<v Speaker 1>And then Donnie called me like a week later and said,

1:26:33.640 --> 1:26:35.519
<v Speaker 1>you really fucked up. You were there, We were gonna

1:26:35.560 --> 1:26:39.960
<v Speaker 1>offer you a job, blah blah blah. I didn't even know. Okay.

1:26:40.000 --> 1:26:41.680
<v Speaker 1>And as I've gotten older, you know, you think of

1:26:41.680 --> 1:26:44.000
<v Speaker 1>how to play these things. But as many people we

1:26:44.120 --> 1:26:48.240
<v Speaker 1>discussed here, so many are out of the business. Okay.

1:26:48.360 --> 1:26:50.280
<v Speaker 1>It's like Donnie, I used to interact with him about

1:26:50.280 --> 1:26:52.960
<v Speaker 1>ten years ago, and then he ultimately retired, and you

1:26:53.040 --> 1:26:55.719
<v Speaker 1>make the choices, and then there are other things you're saying,

1:26:55.720 --> 1:26:58.080
<v Speaker 1>and I say, okay, you know, these are spots that

1:26:58.439 --> 1:27:00.439
<v Speaker 1>maybe I would have wanted to have been in or

1:27:00.520 --> 1:27:03.360
<v Speaker 1>been a little bit said my personality never could have worked.

1:27:03.400 --> 1:27:07.240
<v Speaker 1>So this has really been you know, insightful, edifying. Thank

1:27:07.280 --> 1:27:10.400
<v Speaker 1>you so much until next time. Is That was Jim

1:27:10.439 --> 1:27:13.320
<v Speaker 1>Garanto on the Bob Left Sets podcast. Thank you Jim,

1:27:13.400 --> 1:27:20.639
<v Speaker 1>Thank you Bob. That concludes this episode of the Bob

1:27:20.720 --> 1:27:23.599
<v Speaker 1>Left Sets Podcast. It's really been a thrill learning how

1:27:23.640 --> 1:27:25.479
<v Speaker 1>some of the biggest acts of our time broke through

1:27:25.760 --> 1:27:28.160
<v Speaker 1>and hearing directly from the movers and shakers who made

1:27:28.160 --> 1:27:30.240
<v Speaker 1>it happen. I hope I've been able to add a

1:27:30.280 --> 1:27:32.879
<v Speaker 1>little more context to some of your favorite music memories.

1:27:33.560 --> 1:27:35.800
<v Speaker 1>Thanks for listening, and catch you next time on the

1:27:35.840 --> 1:27:37.320
<v Speaker 1>Bob Left Sets podcast