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Speaker 1: The Knickki Gliser Podcast.

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Speaker 2: Glaser posts here's Nikki.

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Speaker 1: Hello here, I am welcome to the show. It's the

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Speaker 1: Niki Glazer Podcast. I haven't washed my hair in four

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Speaker 1: days since Sunday. It's Wednesday. It seems about right. I'm

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Speaker 1: trying to get all the way to tomorrow. So I

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Speaker 1: just have to wash it before my show. Because washing

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Speaker 1: your hair, it's it's just it's just too much of

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Speaker 1: a process to have to dry it. In order for

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Speaker 1: it to look good, you must dry it, and I

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Speaker 1: don't feel like drying it. And also I get really

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Speaker 1: depressed and how much hair comes out when I do

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Speaker 1: dry it. So I just like to save that for

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Speaker 1: once and then and then I'll have to and then

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Speaker 1: I can't. Just like, so I'm performing on Friday, Thursday, Friday, Saturday, Sunday,

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Speaker 1: I'm not gonna be able to like make one of

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Speaker 1: those washes last till the next day. I always have

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Speaker 1: clean hair for the stage. It just gives me a

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Speaker 1: boost of confidence to have like a blowout that I

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Speaker 1: give myself sadly in my hotel room.

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Speaker 3: Uh, but that's not sad.

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Speaker 1: It is sad. It's sad because it's like because it's

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Speaker 1: just like not I'm bent over, I'm naked. I'm like

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Speaker 1: second guessing everything. My hair keeps getting tangled into the brush.

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Speaker 1: My hair then tangles into the the the hair dryer

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Speaker 1: that I have to use from the hotel. And I

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Speaker 1: would say eighty nine percent of the time at the hotels,

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Speaker 1: the hair dryer sucks and is about the hotel you're

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Speaker 1: staying at is no one can get it right. Even

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Speaker 1: if there is a little nozzle attachment, which I need

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Speaker 1: for a good blowout, it most of the time that

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Speaker 1: is missing. It's not even in the pouch. Yeah, it

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Speaker 1: just sucks. And I and people go, oh, just bring

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Speaker 1: your own hair dryer. I know Emily is gonna be like,

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Speaker 1: message me as soon as she hears this, do you

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Speaker 1: should we add a hair dryer to your bag of things?

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Speaker 1: I guess, but like it's it's just another thing to bring.

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Speaker 1: But I guess that's.

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Speaker 4: Started using a blow dryer and a brush in one

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Speaker 4: and it's a game changer.

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Speaker 2: I gotta say, is.

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Speaker 1: That the thing you got me? Yes, Oh my god, Okay,

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Speaker 1: I need to use that. I get scared of it

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Speaker 1: because I get scared that it does my hair is

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Speaker 1: gonna get tangled too much over around it, it won't

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Speaker 1: and get stuck, and then I'll have to like stop

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Speaker 1: and unwind it because it like gets too tangled.

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Speaker 4: Your hair will get caught in it, the same way

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Speaker 4: gets caught in a round brush. Yeah, but it's so

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Speaker 4: much more convenient than having two tools and having to

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Speaker 4: do like a crazy maneuver.

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Speaker 1: Oh my god, and just the sad Yeah, I get

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Speaker 1: my hair is just so not thick the way it

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Speaker 1: used to be. But you have extensions. How do you

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Speaker 1: blow dry extensions.

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Speaker 2: The same way I would my hair?

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Speaker 1: Really? Yeah, but like where are they attached? Like does

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Speaker 1: it ever pull on the attached part?

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Speaker 4: No? I mean I also have like a head of steel.

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Speaker 4: At this point, I can't really feel pain in my head,

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Speaker 4: but I just kind of do it gently. And also

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Speaker 4: I I hold the part closer to my scalp, and

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Speaker 4: I can, you know, pull the knots out of.

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Speaker 1: The ascensions get less dirty than your actual hair because

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Speaker 1: I find that when I wear clip and extensions, I

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Speaker 1: never have to wash some literally ever ever, they never

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Speaker 1: get greasy.

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Speaker 2: I only wash my hair once a week.

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Speaker 1: So the only hair masks really getting dirty is the

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Speaker 1: hair that's attached to your scalp exactly naturally, it's getting weary.

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Speaker 1: So why so even the end of your hair is

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Speaker 1: dirty because it is attached to your scalp. Because even

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Speaker 1: the ends of my fake hair are is always clean

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Speaker 1: as a whistle, and then the ends of my real

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Speaker 1: house will be dirty. So it's all connected to your scalp.

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Speaker 4: Yeah, but I will say if I go to like

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Speaker 4: a house that's kind of like, uh, you know, has

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Speaker 4: like the smell of cooking or if we're cooking and stuff,

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Speaker 4: then that's stench stays in my hair and I have

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Speaker 4: to wash it.

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Speaker 1: Oh, I don't even think about that. I never think

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Speaker 1: about how I smell, And that's probably why no one's

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Speaker 1: ever told me I smell good.

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Speaker 3: Well, you know that hair is you know, uh, first

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Speaker 3: of all, it's covered in oils and it it really

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Speaker 3: is just kind of like uh like waist. It's like

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Speaker 3: your body. It's like your fingernails that you can cut

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Speaker 3: off and discuss. Yeah, it's like.

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Speaker 4: Healthy, isn't it. It's kind of healthy to keep it

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Speaker 4: on otherwise why would our bodies make it?

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Speaker 1: But like, think about the difference between finding someone else's

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Speaker 1: hair in your salad as opposed to your own. Hair.

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Speaker 1: My own hair does not bother me at all. I

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Speaker 1: just be like, hey, gross, but someone else's hair just

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Speaker 1: I'll never eat a salad again. But it's like, who

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Speaker 1: really cares. That's why I literally don't care when I

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Speaker 1: find hair in my food. Yeah, I was just speaking

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Speaker 1: like other people before. I don't care when I find

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Speaker 1: hair in my food because I'm like, it's just hair.

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Speaker 1: It's like it's kind of gross, but it doesn't really

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Speaker 1: ruin it for me. I just take it off and

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Speaker 1: I hope that no one else sees it, because if

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Speaker 1: people see me take off a hair and then keep eating,

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Speaker 1: they go, oh my god. And I'm like, I don't

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Speaker 1: want to wait for them to make a whole other

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Speaker 1: one and like throw this out because I like need

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Speaker 1: to be an entitled bitch right now. And yeah, and

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Speaker 1: I just think that just get over it. Your food

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Speaker 1: has bos in it, It as dirt, it has spit,

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Speaker 1: it has feces. Like your food is really contaminated.

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Speaker 3: There's certain foods that if it had a hair, and

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Speaker 3: it would be worse than others. Like I think I

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Speaker 3: wouldn't eat a hair that was in like a soup,

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Speaker 3: Like if it was in the soup because I feel

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Speaker 3: like it would get mixed up in the broth if

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Speaker 3: it wasn't, Like if there was a hair in my soup.

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Speaker 1: No, Like, if you there's a hair in your soup

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Speaker 1: and you get I saw it and I took it out,

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Speaker 1: and you didn't see me taking it out, the soup

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Speaker 1: would not taste different to you. You would not die

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Speaker 1: of anything that you would have died from before. Like

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Speaker 1: it's like it just is.

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Speaker 3: It's you know, it's all mental for sure.

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Speaker 1: Right then let's all get over it and let's stop

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Speaker 1: freaking out about germs.

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Speaker 4: I'm also less repulsed by a long hair than a

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Speaker 4: short hair. If I find a short hair, it's like question.

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Speaker 1: Because it's more bacteria, more oils, uh, and pube. I'm

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Speaker 1: just like, it's not a pube. It's just a short

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Speaker 1: It's like a short guy's hair. It's so funny that

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Speaker 1: we instantly think black short hair is pube when it

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Speaker 1: can be beard. Most likely it's beard and it's short

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Speaker 1: guy hair. But women don't have short hair, so they

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Speaker 1: don't understand it out of side of pubes.

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Speaker 3: I think there's nothing grosser than when, like if you

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Speaker 3: go over to someone's house, or if you have a

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Speaker 3: guest and you go into the bathroom and there's little

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Speaker 3: short hairs on the on the bathroom counter or by

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Speaker 3: the thing. There's nothing grosser. I don't even think if

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Speaker 3: they took a ship on the counter, I think i'd

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Speaker 3: be less gross because at least I at least I

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Speaker 3: know they meant it.

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Speaker 1: Oh god, I just don't I would. I just don't

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Speaker 1: care about that stuff. I think. I think like stains

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Speaker 1: in a toilet bowl or grosser.

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Speaker 3: Yeah, man, it sucks when there's a stain you have,

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Speaker 3: you have a stand and you don't realize it, and

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Speaker 3: you have guests over and they're like, oh my god,

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Speaker 3: there was the whole time.

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Speaker 1: Literally every time someone uses my bathroom, which I hope

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Speaker 1: would be never. I don't like having people over. I

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Speaker 1: don't like company. But when they do come over or

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Speaker 1: be like, oh, you know, I have hair and makeup.

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Speaker 1: People come to my room and they're like, can I

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Speaker 1: use your bathroom, I'm like, they're sorry. If there's piss

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Speaker 1: in the toilet, I just don't flush the toilet literally.

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Speaker 3: Ever ever, well, you're.

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Speaker 1: Always peeking on top of my pee.

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Speaker 3: I mean you your time spent in the bathroom, I

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Speaker 3: think it's like a record record levels, whether it's showering

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Speaker 3: or pissing. I mean sometimes yeah, it's almost like I

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Speaker 3: have you started. Sometimes I'll be talking to you, yeah,

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Speaker 3: and you'll start a sentence, Yeah, go to the bathroom

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Speaker 3: and piss or even shower, yeah, and you'll I can

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Speaker 3: finish the sentence you want to even pick it up.

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Speaker 3: The sentence won't be over by the time you're out

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Speaker 3: of the bathroom.

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Speaker 1: Other people are doing in showers. I truly, I've discussed

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Speaker 1: it before. I don't know what to do in there.

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Speaker 1: I get everything I need to get done, and I

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Speaker 1: don't know what people are doing. People are just standing

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Speaker 1: in the shower and just thinking. And you're telling me

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Speaker 1: these people struggle to meditate. That's crazy what you're doing

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Speaker 1: right there, just sitting in the shower with your eyes closed,

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Speaker 1: like you are meditating, a master of your own domain,

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Speaker 1: if you are able to. I'm so bored in there.

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Speaker 1: I can't either powers showers. Of course, I do hot showers.

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Speaker 1: I would never do cold showers. Kirsten's always trying to

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Speaker 1: suggest cold showers on the Girl's Chat, and I'm like,

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Speaker 1: that's the one self help thing I will literally never

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Speaker 1: get behind. I don't care what it does for me.

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Speaker 1: It's so tortuous. I don't like it. I will never

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Speaker 1: do it. I can't.

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Speaker 3: No, it's crazy. Maybe it shocked your system. You do

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Speaker 3: get it like that job.

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Speaker 1: Oh yeah, that's good.

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Speaker 3: And in the day is I don't know if that's

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Speaker 3: good for you or what, but I guess.

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Speaker 1: I think it's very good for you. I think it's

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Speaker 1: like told it's definitely it's like that little chill pill thing,

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Speaker 1: like it's shocking. It makes you feel a pain that

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Speaker 1: you cannot be distracted by anything else. All of your

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Speaker 1: worries seem inconsequential because of the pain of the shower.

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Speaker 1: I'd rather do a plant class that is going to

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Speaker 1: give me results in my muscle tone and my body

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Speaker 1: definition as and it's definitely excruciating, then standing in a

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Speaker 1: cold shower. I just I can't. I just will not

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Speaker 1: do it. And by the way, we're all gonna whatever.

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Speaker 1: My shower is kind of cold and there's not off

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Speaker 1: hot water. I just always think about what's gonna happen

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Speaker 1: with the water wars coming up where it's like we

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Speaker 1: will not have where it's like if things are going

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Speaker 1: the way I think they're going in this like we

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Speaker 1: won't have hot water. Like you're trying to enjoy hot

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Speaker 1: showers now, I'll be doing cold plunges the rest of

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Speaker 1: my life.

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Speaker 3: When when we are not enjoying the hot shower because

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Speaker 3: they're doing it so fast. The true enjoyment of a

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Speaker 3: hot shower is standing in the shower and just letting

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Speaker 3: your day pass by while the warmth takes you over. No, okay,

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Speaker 3: well here's the essentially pass away.

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Speaker 1: But don't you feel like I feel like I'm wasting

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Speaker 1: time and I feel like I guess some people might

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Speaker 1: think of showers as like this is me time, no

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Speaker 1: one can get to me. This is the one time

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Speaker 1: I have for myself, like no one's going to interrupt me.

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Speaker 1: It's like they're airplane is really know? Yes to me?

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Speaker 1: An airplane?

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Speaker 3: Is that? To me?

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Speaker 1: Napping?

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Speaker 4: Is that?

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Speaker 1: I just sent anya a There's a guy that does

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Speaker 1: these like things on the subway where he's like, asked

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Speaker 1: you to have a take. Have you seen this where

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Speaker 1: it's like what's your strong opinion? And then he eithers

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Speaker 1: one hundred percent disagrees or one hundred percent agrees and

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Speaker 1: he likes you on fire. Yeah, I think that. I

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Speaker 1: think that's what happened without that guy. Was that was

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Speaker 1: that one homeless small woman who got on fire?

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Speaker 3: Yeah, she was.

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Speaker 1: She had a strong take about something. She uh she

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Speaker 1: thought that the new season White Lotus seemed promising or

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Speaker 1: something like that anyway, which it does.

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Speaker 3: There's only one episode out right, I love it.

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Speaker 1: But okay, so this guy had a strong take with

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Speaker 1: he was doing. Cazzie David, Larry David's daughter, had such

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Speaker 1: a Larry David take. Yes, I don't mean to take

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Speaker 1: anything from her by saying that I think I would

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Speaker 1: be annoyed if I were her, and every time I

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Speaker 1: said something interesting, people are like, that's so your dad,

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Speaker 1: I'd be like, well, or it's me. But she was

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Speaker 1: saying that she hates naps and like people who take

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Speaker 1: naps are losers, like I felt so called out. She

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Speaker 1: thinks that like you wake up from a nap disoriented.

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Speaker 1: It's like it's it's just you sleep at night, you're

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Speaker 1: supposed to sleep at night, Like you're just like every

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Speaker 1: time you wake up from a nap, you're just like

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Speaker 1: what you look stupid, You're a fool, And they're their

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Speaker 1: naps are for babies and dogs. But not fully grown

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Speaker 1: humans like grow up.

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Speaker 3: And sleep old people. Once you get to a certain age,

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Speaker 3: you gotta have that nap. You gotta have your afternoon nap.

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Speaker 3: My like my neighbor who's now ninety one, I think

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Speaker 3: she takes a nap every day from two thirty to four,

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Speaker 3: and I think it's honestly been one of the things

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Speaker 3: to rob her. That's when that's when I go in

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Speaker 3: and I take all of her jewels and it really

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Speaker 3: is sad because she's running out of jewels and it's like,

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Speaker 3: how much longer is this going to go on for?

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Speaker 1: Well, she threw them all in the ocean at the

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Speaker 1: end of that movie. That is, yeah, well it's okay,

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Speaker 1: it's I think naps. I love naps, But I also

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Speaker 1: heard what Kazzi was saying, and I was like, oh,

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Speaker 1: she's someone who doesn't can't nap. Like I don't wake

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Speaker 1: up from naps groggy. I don't wake up being like

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Speaker 1: who am I? What am I doing? I wasted my day.

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Speaker 1: I can't get back on. Like I can take a

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Speaker 1: nap for fifteen minutes and then go down and he

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Speaker 1: Pilate's class right away. I can take a nap for

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Speaker 1: twenty minutes and like feel totally refreshing and then perform

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Speaker 1: on stage. I don't need like a rook. I don't

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Speaker 1: need this, like refractory period. I think that's a word

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Speaker 1: that I thought I was using, right, But it doesn't

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Speaker 1: feel right to like.

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Speaker 3: That's not right at all. In fact, fract I think

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Speaker 3: refractory is like something to do with like light being

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Speaker 3: changing these.

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Speaker 1: Maybe metaphorically it works anyway. I don't need that. I

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Speaker 1: don't need that at all.

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Speaker 3: I can discovery period is what you meant to say,

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Speaker 3: but like.

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Speaker 1: Maybe it makes sense in some way. I can't look

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Speaker 1: it up right now, but I think maybe I'm going

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Speaker 1: to look it up later improve myself that I was

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Speaker 1: maybe right, but not in a way I thought I was.

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Speaker 4: The other night, neds you the definition if you want

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Speaker 4: a refractory Yeah, well, Nikki said, refractory periods.

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Speaker 1: Yeah, what does that mean?

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Speaker 4: A period immediately following stimulation during which a nerve or

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Speaker 4: muscle is under responsive to further stimulation.

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Speaker 3: I think that's actually much closer than I thought.

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Speaker 1: Yeah, is there another kind of definition that makes?

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Speaker 3: Is there an alternate because the opposite of what you meant?

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Speaker 4: Okay, yes, I do have one yeah, okay. Refractory period

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Speaker 4: is usually the recovery phase after orgasm, during which it

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Speaker 4: is physiologically impossible for males to have additional orgasms.

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Speaker 1: Okay, okay, that's kind of where I got it from.

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Speaker 1: I was listening to something talk about a orgasm and

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Speaker 1: it was someone mentioned refractory.

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Speaker 3: That's actually much closer when you initially said it, I

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Speaker 3: was thinking like light beaming being like angled differently because

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Speaker 3: it hits a mirror. But what you said, I think

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Speaker 3: what you said makes is actually very close to being

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Speaker 3: a proper use of the phrase.

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Speaker 1: I rescind my comment, thank you, what just kidding?

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Speaker 3: No, rescined is how you feel after your orgasm?

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Speaker 1: I don't I don't need I don't need that, so

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Speaker 1: I do agree, And then I sent it to Anya

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Speaker 1: and Nanya said she also doesn't nap. And I have

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Speaker 1: always secretly been really jealous of people. Envious of people,

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Speaker 1: I should say jealous is when you are someone has

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Speaker 1: something that you think is going to take from you.

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Speaker 1: So I guess it is jealousy because they are having

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Speaker 1: more time in the day, which is taking from me.

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Speaker 1: So I'll stick with jealous. I'm jealous of people who

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Speaker 1: don't need naps because I feel like napping is a

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Speaker 1: sign of laziness, which is my biggest core fear about myself.

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Speaker 1: And I'm jealous of people who just seem to not

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Speaker 1: need as much rest as I do.

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Speaker 3: And fifteen minutes, twenty minutes, that's the proper amount of

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Speaker 3: time you're supposed to take to nap.

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Speaker 1: Yeah, but I'm not doing that.

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Speaker 3: You're going longer.

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Speaker 2: How long are theyking?

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Speaker 4: Now?

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Speaker 1: But yesterday I took three naps because I was depressed,

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Speaker 1: And honestly, napping really helps my depression because a lot

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Speaker 1: of times I think being depressed is just being underslept.

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Speaker 1: And so I slept three supper times yesterday and each

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Speaker 1: was about forty five minutes, and they were great, and

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Speaker 1: each time I woke up, I was a little bit happier,

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Speaker 1: and I was like, I told Chris, I'm thinking of

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Speaker 1: twenty percent feeling better, and now another twenty percent. And

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Speaker 1: I was finally by the end of the day, like

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Speaker 1: seventy five percent happier than the start of the day

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Speaker 1: because of those they just getting that extra rest and

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Speaker 1: just having that moment where I was like, for me,

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Speaker 1: I was telling Anya, like, naps are airplane mode. They

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Speaker 1: are like they are that time in the shower when

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Speaker 1: no one can get to me, Like I am napping

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Speaker 1: right now, so it's like my my brain is able

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Speaker 1: to shut off. Anya said she can't imagine being able

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Speaker 1: to shut your brain off in the middle of the day.

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Speaker 1: And for me, it is like so easy to do.

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Speaker 1: It's like closing a working laptop. It just everything shuts down.

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Speaker 1: It's not even optional for me to worry when I'm napping.

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Speaker 1: Like it's like it's I don't know what my brain does,

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Speaker 1: but it doesn't allow me to keep thinking about the

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Speaker 1: thing I'm nervous about. It's like it lets me have

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Speaker 1: a vacation from all my worries.

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Speaker 3: Oh yeah, I meanata hakuna matata. Yeah, I mean it is.

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Speaker 3: I think also when you're depressed, all the nap rules

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Speaker 3: are thrown out the window. You got It's like having

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Speaker 3: a cold and saying like, oh, do I have to

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Speaker 3: still go to the gym today when I'm sick. It's like, no,

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Speaker 3: the rules are changed because you're feeling this way.

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Speaker 1: Yeah. I think that I don't get colds very often.

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Speaker 1: I got one, you know, a couple of weeks ago,

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Speaker 1: and I really learned a lot about myself in it

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Speaker 1: because I was like I wasn't feeling visit, like I

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Speaker 1: wasn't my body wasn't tired, but I was just maybe

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Speaker 1: I wasn't registering it because I'm not in touch with

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Speaker 1: my body. But I couldn't go work out. I couldn't.

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Speaker 1: I needed to lay down a lot more, and I

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Speaker 1: my brain wasn't wanting me too, because my brain was

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Speaker 1: fine and was like, you should go to the classes,

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Speaker 1: you should do the things. And I realized depression is

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Speaker 1: like a brain cold and I need to honor it

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Speaker 1: and lay down and drink fluids and be like gentle

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Speaker 1: with myself. But it's just so hard not to. But

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Speaker 1: I do you guys ever nap? No, you don't nap.

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Speaker 2: I can't.

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Speaker 4: I actually envy people who can nap. And this is

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Speaker 4: a household of a napper and a non napper, and

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Speaker 4: it's been really obvious. A napper, Oh, he's he's got

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Speaker 4: to have a nap at the end of the Yeah,

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Speaker 4: we're mixed couple. And if he doesn't, he just can't

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Speaker 4: do anything after work. He's just like like a zombie

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Speaker 4: and it totally revives him. And I just can't, Like

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Speaker 4: if I were to lay down for a nap. I

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Speaker 4: just want like eight hours of sleep.

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Speaker 1: Yeah, just for me. It's like a little piece of

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Speaker 1: chocolate after a meal, Like it's a little treat that

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Speaker 1: it's like at the end of the but I get

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Speaker 1: a treat, like I get to reward myself with a nap,

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Speaker 1: and it's like it just it. And I will say

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Speaker 1: that it never feels like it's enough at the beginning

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Speaker 1: where I'm like, I only have forty minutes. It always

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Speaker 1: is like it's you don't don't underestimate that you should

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Speaker 1: try napping. Have you tried or do you do?

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Speaker 4: And I and I I actually took a nap last

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Speaker 4: week and I regretted it because I woke up even

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Speaker 4: more tired than when I went to sleep.

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Speaker 1: I just needed a fucking real good rest.

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Speaker 4: Yeah, I just need like a full sleep, like to

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Speaker 4: turn the daytime.

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Speaker 3: Yeah, rapping is like not the same for you. I mean,

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Speaker 3: you're you've got a baby, so it's like you're gonna

399
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Speaker 3: be You're tired all the time. You're constantly oh my god,

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Speaker 3: you're responsible thing.

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Speaker 2: I mean, I was thinking about it.

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Speaker 4: I've only had interrupted sleep for about a year now,

403
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Speaker 4: I would say since like seven months of pregnancy. I

404
00:17:50,080 --> 00:17:53,800
Speaker 4: haven't slept through the whole night, like sleep probably losing

405
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Speaker 4: my mind.

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Speaker 1: You guys, Yeah, but are you so tired that you

407
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Speaker 1: like fall asleep watching TV? Like when I get tired, like,

408
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Speaker 1: how are you staying awake?

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Speaker 4: Then there's just something in my brain that's keeping me up.

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Speaker 4: I do, like I yeah, exactly, I can't. I mean

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Speaker 4: I just pass out like around ten o'clock at night,

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Speaker 4: and then I wake up like around eleven thirty, and

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Speaker 4: then I get I would be and then again I.

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Speaker 1: Guess bitch, ever I am. If I didn't sleep, I

415
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Speaker 1: would just be an awful person to everyone I know

416
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Speaker 1: and love if I wasn't getting out it could sleep

417
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Speaker 1: so ironic that you have to, like, you become a

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Speaker 1: mother and you're supposed to be like full of love

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Speaker 1: and like just like this matriarch of the family that

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Speaker 1: is keeping everything together and just loving everything and being

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Speaker 1: so strong and like it. Just being tired weakens you

422
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Speaker 1: incredibly and it makes you so unprepared today.

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Speaker 3: And we wonder, we wonder why so many kids are

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Speaker 3: fucked up and have to go to therapy when it's

425
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Speaker 3: like your parents for the first several years of your life,

426
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Speaker 3: were exhausted the whole time.

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Speaker 1: I just that's just does not seem worth it to me.

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Speaker 1: I just I like sleeping way too much, and I

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Speaker 1: just I would rather I just can't imagine sacrificing that.

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Speaker 1: But I guess you just don't feel it because I

431
00:19:09,320 --> 00:19:11,359
Speaker 1: never I hear you guys say you're tired, but you

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Speaker 1: don't ever seem to do anything about it because you

433
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Speaker 1: just can't. Yeah right, I mean the different it's like

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Speaker 1: you can't complain too much or let it in that

435
00:19:19,040 --> 00:19:21,200
Speaker 1: you're so sleep deprived, because what are you going to

436
00:19:21,240 --> 00:19:21,639
Speaker 1: do about it.

437
00:19:21,760 --> 00:19:25,240
Speaker 4: It's kind of like your baby starve. I think you'd understand.

438
00:19:25,280 --> 00:19:27,760
Speaker 4: It's like you and getting sick. I think it could

439
00:19:27,800 --> 00:19:30,320
Speaker 4: be like a similar comparison where you just like have

440
00:19:30,480 --> 00:19:33,760
Speaker 4: not let that in, and I just don't let it in.

441
00:19:33,880 --> 00:19:36,480
Speaker 2: I'm just like I'm fine, you know, like mind over matter, just.

442
00:19:36,800 --> 00:19:39,920
Speaker 3: Running on adrenaline. It's like when you're prepping for something,

443
00:19:40,160 --> 00:19:42,160
Speaker 3: you know, and you're going one hundred miles an hour,

444
00:19:42,320 --> 00:19:44,080
Speaker 3: and you just like there's no time to even think

445
00:19:44,119 --> 00:19:46,760
Speaker 3: about stopping, and then when it's over, then all of

446
00:19:46,840 --> 00:19:49,439
Speaker 3: a sudden, never you're adrenaline drains from your body. And

447
00:19:49,440 --> 00:19:53,480
Speaker 3: you become a husk zombie like thing.

448
00:19:54,080 --> 00:19:56,560
Speaker 1: Well it's Tom Brady. I saw him being interviewed about

449
00:19:57,320 --> 00:20:00,120
Speaker 1: his first Super Bowl. He took a fifteen minute nap before.

450
00:20:00,240 --> 00:20:04,280
Speaker 3: Yeah that was pre super Bowl d roll or whatever,

451
00:20:04,359 --> 00:20:06,960
Speaker 3: pre tape. Yeah, yeah, yeah, he said that he was

452
00:20:07,119 --> 00:20:08,919
Speaker 3: and then everyone was like, what the fuck? How are

453
00:20:08,960 --> 00:20:11,000
Speaker 3: you able to nap? And he was like, well, because

454
00:20:11,000 --> 00:20:13,040
Speaker 3: I was too young and dumb to understand that this

455
00:20:13,160 --> 00:20:13,800
Speaker 3: was important.

456
00:20:14,240 --> 00:20:15,600
Speaker 1: So I was I think that's true.

457
00:20:15,800 --> 00:20:16,960
Speaker 3: You think he lied there?

458
00:20:17,119 --> 00:20:19,600
Speaker 1: How would he not know it's important? How would he

459
00:20:19,640 --> 00:20:21,800
Speaker 1: not know his first super Bowl? I don't think he

460
00:20:21,880 --> 00:20:24,400
Speaker 1: was lying. I just think he doesn't understand why he

461
00:20:24,440 --> 00:20:24,920
Speaker 1: was able.

462
00:20:24,760 --> 00:20:25,040
Speaker 3: To do that.

463
00:20:25,119 --> 00:20:27,919
Speaker 1: I think thrust before he got anxiety.

464
00:20:28,440 --> 00:20:30,480
Speaker 3: Yeah, because he when you're that.

465
00:20:30,400 --> 00:20:33,240
Speaker 1: I think he understood the important. I don't think they equals.

466
00:20:33,280 --> 00:20:36,399
Speaker 1: You get you understand important importance of something more, it

467
00:20:36,440 --> 00:20:38,040
Speaker 1: just means like you were more fucked up.

468
00:20:38,359 --> 00:20:41,480
Speaker 3: I think the anxiety was lower because he felt like, oh,

469
00:20:41,640 --> 00:20:44,080
Speaker 3: I got here my first year as a starter. That

470
00:20:44,119 --> 00:20:46,520
Speaker 3: means I'm going to get here. So almost every year

471
00:20:46,560 --> 00:20:46,960
Speaker 3: I'll get.

472
00:20:47,000 --> 00:20:48,439
Speaker 1: Oh, maybe it's practical about it?

473
00:20:48,760 --> 00:20:52,080
Speaker 3: Yeah. So and then he didn't realize until later until

474
00:20:52,119 --> 00:20:54,640
Speaker 3: after you know, he had that big long gap where

475
00:20:54,640 --> 00:20:56,000
Speaker 3: he wasn't in the Super Bowl that he's like, oh

476
00:20:56,040 --> 00:20:58,520
Speaker 3: my god, this is special and really hard to get

477
00:20:58,520 --> 00:21:02,760
Speaker 3: to and so I shouldn't take a nap beforehand because

478
00:21:03,320 --> 00:21:04,960
Speaker 3: you know he just kind of he listens to Kazi.

479
00:21:05,119 --> 00:21:07,840
Speaker 3: I mean, that's his his monstus career.

480
00:21:09,119 --> 00:21:10,639
Speaker 1: All right, we gotta go break. We'll be back up

481
00:21:10,680 --> 00:21:15,760
Speaker 1: to this. Noah shared on Girls Jet Today a picture

482
00:21:15,800 --> 00:21:18,440
Speaker 1: of herself from the weekend where she did her makeup

483
00:21:18,640 --> 00:21:21,160
Speaker 1: and she went kind of like a little bit harder

484
00:21:21,200 --> 00:21:21,800
Speaker 1: than usual.

485
00:21:22,680 --> 00:21:26,560
Speaker 4: Yeah, I went to I went to a birthday party

486
00:21:26,600 --> 00:21:30,200
Speaker 4: and it was themed, so like the theme was Valentine's

487
00:21:30,280 --> 00:21:33,880
Speaker 4: Day Fairy and what I was telling the theme, Well,

488
00:21:33,920 --> 00:21:36,240
Speaker 4: it's just like my friends, like when Kirsten went to

489
00:21:36,280 --> 00:21:37,960
Speaker 4: the zoo and she was like the theme tonight is

490
00:21:38,320 --> 00:21:40,560
Speaker 4: octopus and was like, what are you talking about?

491
00:21:40,760 --> 00:21:43,920
Speaker 1: They were like this. There was like a zoo function,

492
00:21:44,119 --> 00:21:46,119
Speaker 1: like a like I guess they do like z at

493
00:21:46,119 --> 00:21:48,960
Speaker 1: the zoo in Kansas City, like a jazz night at

494
00:21:48,960 --> 00:21:51,080
Speaker 1: the zoo and everybody goes to the zoo and they

495
00:21:51,160 --> 00:21:52,800
Speaker 1: drink and they hang out and they walk around at

496
00:21:52,840 --> 00:21:55,119
Speaker 1: night and it's like an adult kind of game. And

497
00:21:55,160 --> 00:21:57,200
Speaker 1: she was like, yeah, tonight's theme is octopus and we're

498
00:21:57,240 --> 00:22:00,320
Speaker 1: all like what what, what does that even mean? And

499
00:22:00,359 --> 00:22:02,840
Speaker 1: then she got there and the theme was indeed octopus.

500
00:22:02,880 --> 00:22:07,639
Speaker 1: I mean they people wearing octopus themed clothing and and

501
00:22:07,760 --> 00:22:12,000
Speaker 1: different like tentacles on everything. So Valentine's Day fairy was

502
00:22:12,000 --> 00:22:13,800
Speaker 1: a theme. What are men supposed to do with that?

503
00:22:14,080 --> 00:22:16,000
Speaker 2: So it was an all girls gathering.

504
00:22:16,000 --> 00:22:18,080
Speaker 1: There was no no always.

505
00:22:17,800 --> 00:22:20,399
Speaker 3: Allowed birthday or Valentine's that you're saying.

506
00:22:20,600 --> 00:22:23,199
Speaker 4: It was for a birthday party. It was like just

507
00:22:23,240 --> 00:22:26,000
Speaker 4: a small gathering. And my friend likes to dress up

508
00:22:26,040 --> 00:22:26,760
Speaker 4: and stuff, so I.

509
00:22:27,480 --> 00:22:29,680
Speaker 3: Her she wants to have a theme and it's her birthday.

510
00:22:29,760 --> 00:22:32,800
Speaker 3: So now everyone's gonna go glam up, go to this

511
00:22:32,920 --> 00:22:35,120
Speaker 3: party and be a fairy.

512
00:22:34,920 --> 00:22:37,280
Speaker 1: And try to nail this theme that it seems very

513
00:22:38,640 --> 00:22:40,639
Speaker 1: it's opened to many different interpretations.

514
00:22:40,840 --> 00:22:43,760
Speaker 3: Dress up like Cupid right the Valentine Day?

515
00:22:45,320 --> 00:22:48,280
Speaker 2: Oh yeah, well, isn't he an angel a shareup?

516
00:22:48,359 --> 00:22:51,960
Speaker 3: He's a little fast shy. Yeah, very few people know

517
00:22:52,040 --> 00:22:53,560
Speaker 3: what he is. They've been trying to figure.

518
00:22:53,359 --> 00:22:56,240
Speaker 1: Out everyone that's Valentine. The story of it is like

519
00:22:56,359 --> 00:22:59,800
Speaker 1: tragic where it's like there was a Saint Valentine who

520
00:22:59,840 --> 00:23:03,679
Speaker 1: was like marrying people and the church didn't like that

521
00:23:03,720 --> 00:23:05,639
Speaker 1: he was doing this, so they forbade him to and

522
00:23:05,640 --> 00:23:08,600
Speaker 1: put him to death or something like that. That's what

523
00:23:08,680 --> 00:23:10,840
Speaker 1: it comes from. He was a guy that like believed

524
00:23:10,880 --> 00:23:13,080
Speaker 1: in love and wanted to marry people and like got

525
00:23:13,080 --> 00:23:14,160
Speaker 1: shut down for doing it.

526
00:23:14,640 --> 00:23:16,359
Speaker 3: So that that's why he's got the air. I heard that.

527
00:23:16,480 --> 00:23:19,040
Speaker 1: I don't know that some ASM artists was whispering about.

528
00:23:18,800 --> 00:23:21,639
Speaker 3: It, okay, so trust them, you don't know.

529
00:23:21,720 --> 00:23:23,840
Speaker 1: Yeah, they were. They were eating a cake and telling

530
00:23:23,840 --> 00:23:26,720
Speaker 1: me about the Actually I was reading about it because

531
00:23:26,720 --> 00:23:29,440
Speaker 1: they're all they're all like Chinese and so they don't

532
00:23:29,440 --> 00:23:32,800
Speaker 1: speak English. So they write out their captions and then

533
00:23:32,840 --> 00:23:36,640
Speaker 1: the captions are translated and then you read what they're

534
00:23:36,720 --> 00:23:39,280
Speaker 1: thinking while they're eating. But it can't possibly be what

535
00:23:39,320 --> 00:23:40,879
Speaker 1: they're thinking while they're eating, because they put in the

536
00:23:40,920 --> 00:23:43,680
Speaker 1: captions after they've already were editing the pot the video.

537
00:23:44,119 --> 00:23:46,359
Speaker 1: But it's so interesting because I just watched these people

538
00:23:46,680 --> 00:23:51,040
Speaker 1: read the I watched their thought prossees processes these while

539
00:23:51,040 --> 00:23:54,119
Speaker 1: they're eating. I just can't recommend enough. So anyway, No,

540
00:23:54,240 --> 00:23:55,360
Speaker 1: I went to this party.

541
00:23:55,600 --> 00:23:58,800
Speaker 4: Okay, so I went to this party and I just

542
00:23:59,000 --> 00:24:03,280
Speaker 4: exaggerated my makeup, And what I was trying to say

543
00:24:03,320 --> 00:24:06,679
Speaker 4: on girls Chat is that I had this realization that, like,

544
00:24:06,720 --> 00:24:09,440
Speaker 4: I've been doing my makeup the same way for so long,

545
00:24:10,000 --> 00:24:11,920
Speaker 4: and it's just kind of time for me to retire

546
00:24:12,400 --> 00:24:16,800
Speaker 4: what I'm doing regularly. And my question was, like, have

547
00:24:17,160 --> 00:24:19,000
Speaker 4: has anyone else done that with their makeup?

548
00:24:19,080 --> 00:24:19,560
Speaker 2: Change it up?

549
00:24:19,640 --> 00:24:22,560
Speaker 4: Or your style like a hat that you keep wearing,

550
00:24:22,680 --> 00:24:25,080
Speaker 4: or like just certain clothes and stuff where you just

551
00:24:25,119 --> 00:24:27,080
Speaker 4: kind of realize, like I think I've outgrown this, or

552
00:24:27,119 --> 00:24:29,600
Speaker 4: I'm just like, yes, looking like I'm trying to dress.

553
00:24:29,960 --> 00:24:32,600
Speaker 4: I guess I just keep imagining like those old talk

554
00:24:32,640 --> 00:24:35,160
Speaker 4: shows where kids bring their parents on for a makeover

555
00:24:35,200 --> 00:24:36,120
Speaker 4: because they dress.

556
00:24:36,200 --> 00:24:40,120
Speaker 1: Those two sex Now, yeah, they never let go of

557
00:24:40,200 --> 00:24:43,320
Speaker 1: like this one style where they learned, like, they got

558
00:24:43,520 --> 00:24:45,920
Speaker 1: they got fitted, they got like some advice. At one point,

559
00:24:45,920 --> 00:24:47,720
Speaker 1: they really looked good. They got a lot of positive

560
00:24:47,720 --> 00:24:50,640
Speaker 1: affirmation about that kind of like look, and then they

561
00:24:50,760 --> 00:24:52,479
Speaker 1: they're too scared to go away from it.

562
00:24:52,720 --> 00:24:54,320
Speaker 2: Right, I'm just like used to it.

563
00:24:54,520 --> 00:24:57,560
Speaker 3: This is just what I know as the tough party. Though.

564
00:24:57,640 --> 00:25:00,240
Speaker 3: I mean I also went to the party and I

565
00:25:00,240 --> 00:25:02,560
Speaker 3: I was embarrassed. I thought the theme was octopus and

566
00:25:02,600 --> 00:25:03,560
Speaker 3: so I was walking around.

567
00:25:03,920 --> 00:25:08,160
Speaker 1: Yeah, E ten, Your makeup style has not changed, Brian

568
00:25:08,200 --> 00:25:10,160
Speaker 1: through the years. I think you've been doing the same

569
00:25:10,240 --> 00:25:10,800
Speaker 1: kind of thing.

570
00:25:11,040 --> 00:25:13,560
Speaker 3: You know. Sometimes I think about that, Well, it kind

571
00:25:13,560 --> 00:25:15,960
Speaker 3: of not really, But I think about I watched like

572
00:25:16,040 --> 00:25:18,359
Speaker 3: videos of like Chapel Roone and stuff, and I'm like,

573
00:25:20,160 --> 00:25:25,040
Speaker 3: someday they'll be fifty and everything that was cool is

574
00:25:25,080 --> 00:25:29,120
Speaker 3: cool right now will be not cool slash made fun

575
00:25:29,160 --> 00:25:31,760
Speaker 3: of by whoever is not born yet.

576
00:25:32,359 --> 00:25:34,920
Speaker 1: No, I think it will be retro and people will

577
00:25:34,960 --> 00:25:37,919
Speaker 1: be doing what she's doing in homage.

578
00:25:38,400 --> 00:25:40,919
Speaker 3: I think after long enough, it becomes retro. But I

579
00:25:40,920 --> 00:25:43,720
Speaker 3: think about, like, there are some there are millennial things

580
00:25:44,000 --> 00:25:48,480
Speaker 3: right now that are lame that people are TikTok make

581
00:25:48,680 --> 00:25:52,840
Speaker 3: ridicules a lot of the millennial tropes that people And

582
00:25:52,880 --> 00:25:55,359
Speaker 3: it's like either like like I think about like the

583
00:25:55,480 --> 00:25:58,200
Speaker 3: coolest people from my high school and how cool they

584
00:25:58,200 --> 00:26:00,240
Speaker 3: were back then, how cool Like if I I was

585
00:26:00,240 --> 00:26:02,679
Speaker 3: interviewed by someone when I was like nineteen in college,

586
00:26:02,720 --> 00:26:06,560
Speaker 3: they were like whatever he thinks is cool, And now

587
00:26:06,600 --> 00:26:08,520
Speaker 3: you look back on those things, yeah, all and like

588
00:26:08,560 --> 00:26:10,720
Speaker 3: all these things that if you go to like a

589
00:26:10,760 --> 00:26:14,240
Speaker 3: millennial party and you do and you're doing millennial things.

590
00:26:14,280 --> 00:26:14,880
Speaker 3: That's like lame.

591
00:26:15,000 --> 00:26:17,040
Speaker 1: Now, No, this is what I always do. I always

592
00:26:17,040 --> 00:26:18,920
Speaker 1: try to whenever I get threatened by something because it's

593
00:26:18,920 --> 00:26:22,560
Speaker 1: cool or popular like it. I always just realized, don't worry.

594
00:26:22,720 --> 00:26:25,159
Speaker 1: It'll be taken from them. They won't be cool at

595
00:26:25,200 --> 00:26:28,400
Speaker 1: some point, they won't be the it girl they and

596
00:26:28,600 --> 00:26:30,640
Speaker 1: I do it for myself. Like I was just having

597
00:26:30,680 --> 00:26:32,440
Speaker 1: an interview where the woman was like, this is your year,

598
00:26:32,480 --> 00:26:35,080
Speaker 1: and I was like, it's gonna go away, Like I

599
00:26:35,960 --> 00:26:37,800
Speaker 1: I got offered to do this thing. I was just

600
00:26:37,840 --> 00:26:41,359
Speaker 1: talking to Chris about this last night. I got offered two.

601
00:26:41,680 --> 00:26:43,440
Speaker 1: I was just talking about like I'm just like kind

602
00:26:43,440 --> 00:26:45,600
Speaker 1: of overworked right now. And I'm like, when you reach

603
00:26:45,840 --> 00:26:50,520
Speaker 1: a level where people are like finally recognize like you're

604
00:26:50,520 --> 00:26:52,399
Speaker 1: good to be on shows, they ask you to do

605
00:26:52,400 --> 00:26:53,960
Speaker 1: all the shows, and all these shows that you've always

606
00:26:54,000 --> 00:26:56,760
Speaker 1: been wanting to be a regular on are start asking

607
00:26:56,800 --> 00:26:58,919
Speaker 1: and you're like, well, I can't do a show a

608
00:26:58,920 --> 00:27:00,320
Speaker 1: week where I have to fly to New York or

609
00:27:00,440 --> 00:27:02,240
Speaker 1: LA and I have to also get fitted for it.

610
00:27:02,240 --> 00:27:03,720
Speaker 1: I have to be in hair and makeup. I also

611
00:27:03,800 --> 00:27:06,040
Speaker 1: have to come up with like funny stories, do a

612
00:27:06,080 --> 00:27:11,240
Speaker 1: creative call, practice the stories, write them. Then the day

613
00:27:11,240 --> 00:27:13,280
Speaker 1: of you have to like it's just then you got

614
00:27:13,280 --> 00:27:15,439
Speaker 1: to post about it. It's like it's exhausting to just

615
00:27:15,480 --> 00:27:18,520
Speaker 1: appear on one show and so and also you have

616
00:27:18,560 --> 00:27:21,159
Speaker 1: to worry about like oversaturating and people getting sick of you.

617
00:27:21,200 --> 00:27:23,919
Speaker 1: And so this is we were having this conversation about, well,

618
00:27:23,960 --> 00:27:26,080
Speaker 1: you got to pick and choose, like what you're gonna do.

619
00:27:26,119 --> 00:27:28,800
Speaker 1: You can't do everything anymore, even though I want to.

620
00:27:28,880 --> 00:27:31,600
Speaker 1: And then as I'm having this conversation, I check my

621
00:27:31,640 --> 00:27:34,080
Speaker 1: email and an offer came up for the show that

622
00:27:34,119 --> 00:27:37,040
Speaker 1: I love doing and I've loved doing. And I'm scared

623
00:27:37,040 --> 00:27:39,840
Speaker 1: to ever say no because it was something that I

624
00:27:39,960 --> 00:27:41,760
Speaker 1: was so grateful to ever even get asked in the

625
00:27:41,760 --> 00:27:44,399
Speaker 1: first place. But I'm like, I'm gonna say no because

626
00:27:44,480 --> 00:27:48,960
Speaker 1: I just don't. I think that I can't. I'm like

627
00:27:49,040 --> 00:27:51,119
Speaker 1: looking at how much I'm gonna be on TV coming up,

628
00:27:51,160 --> 00:27:53,159
Speaker 1: and I'm like it's too much, and I got to

629
00:27:53,160 --> 00:27:55,359
Speaker 1: pull back a little bit, yeah, because it will go

630
00:27:55,480 --> 00:27:57,639
Speaker 1: so yeah, like everything that's cool will not be at

631
00:27:57,680 --> 00:28:01,040
Speaker 1: some point. And I'm just trying to you know, refractory period.

632
00:28:01,080 --> 00:28:02,200
Speaker 1: I'm trying to make longer.

633
00:28:02,400 --> 00:28:03,240
Speaker 3: Trying to make it longer.

634
00:28:03,880 --> 00:28:05,960
Speaker 1: People want to come to whatever I do again. Yeah,

635
00:28:06,840 --> 00:28:10,280
Speaker 1: but anyway, in terms of makeup and style, like no,

636
00:28:10,359 --> 00:28:13,600
Speaker 1: I Emily has injected some like kind of gen Z

637
00:28:13,880 --> 00:28:16,200
Speaker 1: energy into my life. In fact, I actually she made

638
00:28:16,240 --> 00:28:18,119
Speaker 1: me throw out all my granny shoes that were just

639
00:28:18,160 --> 00:28:20,600
Speaker 1: these like plain white rebockxs that I had literally twenty

640
00:28:20,600 --> 00:28:23,280
Speaker 1: pairs of. She made me get rid of all of those.

641
00:28:23,280 --> 00:28:25,680
Speaker 1: And then I saw yesterday a gen Z girl wearing them,

642
00:28:25,680 --> 00:28:27,720
Speaker 1: and I sent a screenshot and I was like, see

643
00:28:28,040 --> 00:28:31,560
Speaker 1: Frans wearing these shoes or whoever it was. Franz does

644
00:28:31,600 --> 00:28:33,199
Speaker 1: not sound like a gen Z's name, but it was,

645
00:28:33,480 --> 00:28:35,240
Speaker 1: or maybe it was Maria. I was either Maria or

646
00:28:35,240 --> 00:28:35,800
Speaker 1: fran On.

647
00:28:36,440 --> 00:28:38,280
Speaker 3: A lot of gen zs people's names are like the

648
00:28:38,360 --> 00:28:40,560
Speaker 3: names of our grand office girls.

649
00:28:40,680 --> 00:28:44,080
Speaker 1: Yes, yeah, oh yeah, because that's coming back around, you know,

650
00:28:44,280 --> 00:28:47,840
Speaker 1: like yeah, it was like Pearls wearing her side part

651
00:28:48,240 --> 00:28:51,400
Speaker 1: and so but she was like, no, You're not allowed

652
00:28:51,400 --> 00:28:54,160
Speaker 1: to do that anymore. And so I've gotten a lot

653
00:28:54,160 --> 00:28:58,040
Speaker 1: of different new style tips from her, of course, But

654
00:28:58,040 --> 00:29:00,920
Speaker 1: but oftentimes I feel like he goes no you are

655
00:29:00,960 --> 00:29:03,080
Speaker 1: not a millennial. You are gen Z at heart. You

656
00:29:03,080 --> 00:29:05,760
Speaker 1: don't look ridiculous when you wear gen Z things. I

657
00:29:05,800 --> 00:29:08,680
Speaker 1: think that sometimes I do, and it's it's hard for

658
00:29:08,680 --> 00:29:12,240
Speaker 1: me to know my age because I do feel stunted

659
00:29:12,720 --> 00:29:16,440
Speaker 1: maturity wise. I don't feel like a real adult. I'm all.

660
00:29:16,520 --> 00:29:18,120
Speaker 1: And then sometimes I can be really adult and I

661
00:29:18,160 --> 00:29:19,600
Speaker 1: feel like it ages me and it makes me act

662
00:29:19,600 --> 00:29:21,080
Speaker 1: a little bit different if I dress differently.

663
00:29:21,080 --> 00:29:21,320
Speaker 3: I don't.

664
00:29:22,920 --> 00:29:26,680
Speaker 1: I mean, I'm solidly. This is the interesting thing I am.

665
00:29:26,720 --> 00:29:29,720
Speaker 1: I'm stopped at seventeen. I think everyone you can kind

666
00:29:29,720 --> 00:29:33,840
Speaker 1: of pinpoint where they stopped or something happened to them

667
00:29:33,840 --> 00:29:37,680
Speaker 1: and they are frozen. I determined this weekend. We ran

668
00:29:37,720 --> 00:29:40,800
Speaker 1: around the van this weekend and told all my openers

669
00:29:40,840 --> 00:29:44,480
Speaker 1: where they were stopped maturity wise, including Emily and Chris.

670
00:29:45,080 --> 00:29:49,080
Speaker 1: I don't think we did, Chris, but go good. Mine's seventeen,

671
00:29:49,200 --> 00:29:53,360
Speaker 1: but it appears to be thirteen, so I because I

672
00:29:53,440 --> 00:29:56,440
Speaker 1: was a late bloomer, so it truly is seventeen year old.

673
00:29:56,520 --> 00:29:58,640
Speaker 1: Me is where it kind of clicked, and that's where

674
00:29:58,640 --> 00:30:01,320
Speaker 1: I am. But it looks like a thirteen year old

675
00:30:01,360 --> 00:30:04,080
Speaker 1: because I was not acting like a seventeen year old.

676
00:30:04,080 --> 00:30:05,480
Speaker 1: When I was seventeen, I was, I was, I didn't

677
00:30:05,480 --> 00:30:06,200
Speaker 1: act like a certeen.

678
00:30:06,360 --> 00:30:08,320
Speaker 3: I agree with that. I think that's thirty seventeen. It's

679
00:30:08,360 --> 00:30:10,760
Speaker 3: a good a good range. It's tough for me because

680
00:30:10,800 --> 00:30:13,560
Speaker 3: I I started at seventy eight, So.

681
00:30:14,200 --> 00:30:22,600
Speaker 1: You are you are to me, I would say.

682
00:30:21,080 --> 00:30:24,000
Speaker 3: I don't think I'm done eleven eleven.

683
00:30:24,800 --> 00:30:27,200
Speaker 1: Yeah, how a world vibe of like this is? This

684
00:30:27,280 --> 00:30:29,880
Speaker 1: is how I determine it. I blur my eyes and

685
00:30:29,920 --> 00:30:31,960
Speaker 1: the way you walk and the way you stand and

686
00:30:32,000 --> 00:30:34,680
Speaker 1: the way you like sit. It's like really about almost

687
00:30:34,720 --> 00:30:37,120
Speaker 1: like the physicality. If you were to like blur your

688
00:30:37,120 --> 00:30:41,200
Speaker 1: eyes and see that person's skeleton shrunk down, what size

689
00:30:41,360 --> 00:30:43,040
Speaker 1: you know, it's almost like when so it's.

690
00:30:42,920 --> 00:30:45,360
Speaker 3: More like a physical thing and not physical like.

691
00:30:45,320 --> 00:30:48,360
Speaker 1: How people's No, it's like it's the whole vibe. An

692
00:30:48,400 --> 00:30:50,800
Speaker 1: easy way. Yeah, body language is a good way to

693
00:30:50,840 --> 00:30:53,040
Speaker 1: trump it. Like I'm always kind of just like angsty,

694
00:30:53,160 --> 00:30:55,880
Speaker 1: like like I'm sticking out my hips and I'm crossing

695
00:30:55,880 --> 00:30:58,640
Speaker 1: my arms, and I think that that's a great Emily.

696
00:30:58,920 --> 00:31:01,960
Speaker 1: Emily is always kind of like tucking her hair behind

697
00:31:02,000 --> 00:31:05,360
Speaker 1: her ears, and I'm like, she's seven, she's squarely seven

698
00:31:05,400 --> 00:31:08,600
Speaker 1: to nine, like adorable, like and kind of like doing

699
00:31:08,680 --> 00:31:12,000
Speaker 1: this with her hands, and like she hasn't her body language.

700
00:31:12,000 --> 00:31:16,000
Speaker 1: Isn't the shrunken girl that's ashamed of her body, teenager

701
00:31:16,200 --> 00:31:19,200
Speaker 1: or angry because she doesn't have boob yet. Like it's

702
00:31:19,200 --> 00:31:22,840
Speaker 1: still like this kind of like precocious, innocent kind of vibe.

703
00:31:23,000 --> 00:31:24,960
Speaker 1: Doesn't mean she doesn't have an insecurities, and she doesn't.

704
00:31:24,960 --> 00:31:27,480
Speaker 1: She's not a mature woman, she like, but that's what

705
00:31:27,520 --> 00:31:31,880
Speaker 1: her essence is. It's like she is kind of frozen there. Noah,

706
00:31:31,920 --> 00:31:35,480
Speaker 1: you are to my assessment. I don't know if this

707
00:31:35,560 --> 00:31:38,040
Speaker 1: is okay, Yeah, tell me, okay, hold on, let me

708
00:31:38,040 --> 00:31:39,160
Speaker 1: get my number and then we'll say it at the

709
00:31:39,200 --> 00:31:46,800
Speaker 1: same time. Noah, okay, okay, I'll go three, two, one.

710
00:31:46,960 --> 00:31:50,440
Speaker 3: Four, nine. I said nine.

711
00:31:50,440 --> 00:31:53,880
Speaker 1: You said four for a meek four, a very mature four.

712
00:31:54,120 --> 00:32:00,360
Speaker 1: So maybe nine, but like still little girl, not angsty not.

713
00:32:02,120 --> 00:32:04,280
Speaker 3: So that's not all. You're not going to go over

714
00:32:04,400 --> 00:32:05,400
Speaker 3: like twenty five on this.

715
00:32:05,640 --> 00:32:07,480
Speaker 1: No, never, You're never going to go eighteen. This is

716
00:32:07,560 --> 00:32:10,440
Speaker 1: like where you and your adolescence, like where something kind

717
00:32:10,480 --> 00:32:13,240
Speaker 1: of traumatic happened and you kind of FROs when I was.

718
00:32:14,000 --> 00:32:18,000
Speaker 3: That's when my uh when I realized my parents were divorced.

719
00:32:18,080 --> 00:32:18,840
Speaker 3: That's when, like the.

720
00:32:18,840 --> 00:32:21,240
Speaker 1: Actual, dude, I nailed it.

721
00:32:21,560 --> 00:32:23,920
Speaker 3: I thought my parents were together that whole time.

722
00:32:23,960 --> 00:32:25,479
Speaker 1: That's right, Yeah, that's right.

723
00:32:25,560 --> 00:32:27,760
Speaker 3: So maybe that's why that's when I stopped.

724
00:32:28,080 --> 00:32:31,480
Speaker 1: Are you really about do you love or not love?

725
00:32:31,600 --> 00:32:35,800
Speaker 1: Are you? Are you very keen to wanting to know

726
00:32:35,920 --> 00:32:38,480
Speaker 1: what's going on at all times, like knowing the score

727
00:32:38,600 --> 00:32:40,959
Speaker 1: because you felt left out of the loop about that

728
00:32:41,000 --> 00:32:43,760
Speaker 1: and you maybe were like I would think if I

729
00:32:43,800 --> 00:32:46,000
Speaker 1: was assessing you, But I don't think this tracks for

730
00:32:46,080 --> 00:32:48,120
Speaker 1: you that you want to know at all times now,

731
00:32:48,240 --> 00:32:50,880
Speaker 1: like what's happening so that you don't get blindsided again.

732
00:32:51,120 --> 00:32:52,800
Speaker 3: Yeah No, that's like my whole thing. It's like I

733
00:32:53,200 --> 00:32:57,240
Speaker 3: hate The number one thing that really hurts me is

734
00:32:57,280 --> 00:32:59,920
Speaker 3: being is feeling like I'm left out of the loop,

735
00:33:00,400 --> 00:33:00,640
Speaker 3: not I.

736
00:33:00,640 --> 00:33:04,640
Speaker 1: Don't information or like a party like the.

737
00:33:05,080 --> 00:33:07,680
Speaker 3: Like you're an example. Is the worst case scenario for

738
00:33:07,760 --> 00:33:10,760
Speaker 3: me is I know someone's cheating on me and they're

739
00:33:10,760 --> 00:33:15,840
Speaker 3: not telling me because this happening, and then they act

740
00:33:15,960 --> 00:33:18,400
Speaker 3: like everything's fine, or maybe they even act like more

741
00:33:18,440 --> 00:33:22,560
Speaker 3: positive than normal, and oh God, because of this, I

742
00:33:22,600 --> 00:33:25,920
Speaker 3: am I am. I think I'm I don't want to

743
00:33:26,520 --> 00:33:28,000
Speaker 3: pat myself in the back. I think I am the

744
00:33:28,080 --> 00:33:32,560
Speaker 3: number one judge of character that in in my in

745
00:33:32,600 --> 00:33:35,240
Speaker 3: the country, I mean in the continental the United States.

746
00:33:35,560 --> 00:33:38,640
Speaker 3: I can tell if someone's good or bad, and I

747
00:33:38,640 --> 00:33:43,760
Speaker 3: can sense how someone's feeling, like instantaneously.

748
00:33:43,080 --> 00:33:45,400
Speaker 1: Oh I know, I think I have. I think I

749
00:33:45,440 --> 00:33:46,480
Speaker 1: could beat you.

750
00:33:46,480 --> 00:33:47,920
Speaker 3: You could beat me in a context I.

751
00:33:48,480 --> 00:33:51,280
Speaker 1: Really pride myself on not not if they're good or bad,

752
00:33:51,640 --> 00:33:56,080
Speaker 1: but I think you probably have a better sense of that.

753
00:33:56,400 --> 00:33:58,760
Speaker 1: But I can tell if someone's uncomfortable.

754
00:33:58,920 --> 00:34:00,600
Speaker 3: Oh, sure, comfortable.

755
00:34:01,440 --> 00:34:05,800
Speaker 1: I'm always on alert for that that someone someone is

756
00:34:05,960 --> 00:34:09,239
Speaker 1: judging someone around me, like someone because I grew up

757
00:34:09,320 --> 00:34:11,560
Speaker 1: with like being kind of embarrassed with my parents I

758
00:34:11,560 --> 00:34:14,080
Speaker 1: think at times not not any fault of their own,

759
00:34:14,120 --> 00:34:17,640
Speaker 1: but like not wanting people to think ill of my

760
00:34:17,960 --> 00:34:20,640
Speaker 1: and just picking up on if someone was gonna shit

761
00:34:20,719 --> 00:34:24,080
Speaker 1: talk my family, and like, yeah, noticing if someone thought

762
00:34:24,120 --> 00:34:26,920
Speaker 1: something I said was weird. Not me. I probably don't

763
00:34:26,920 --> 00:34:28,960
Speaker 1: pick up on me because I'm like I'm perfect, but

764
00:34:29,040 --> 00:34:31,880
Speaker 1: like I'm looking up for other people judging my friends

765
00:34:31,960 --> 00:34:34,080
Speaker 1: or someone judging Yeah that kind of right.

766
00:34:34,120 --> 00:34:36,319
Speaker 3: Okay, So no, I'm not We're not even be here,

767
00:34:36,920 --> 00:34:40,600
Speaker 3: I'm because I don't care if anyone's uncomfortable at any time.

768
00:34:41,280 --> 00:34:43,160
Speaker 1: So that's not oh yeah, because I was gonna say,

769
00:34:43,160 --> 00:34:45,080
Speaker 1: I don't feel like you, I don't think that you're

770
00:34:45,120 --> 00:34:47,319
Speaker 1: not good at knowing if people are uncomfortable. I think, yeah,

771
00:34:47,360 --> 00:34:49,680
Speaker 1: that's it's more like you don't really care, Whereas I'm like,

772
00:34:49,840 --> 00:34:52,960
Speaker 1: I need everyone to be comfortable at all times. I

773
00:34:52,960 --> 00:34:55,840
Speaker 1: don't want anyone to ever feel left out or feel

774
00:34:55,880 --> 00:34:59,319
Speaker 1: like they can't leave if they want to. Like even

775
00:34:59,320 --> 00:35:01,279
Speaker 1: this weekend we were when you strip or like doing

776
00:35:01,440 --> 00:35:03,480
Speaker 1: karaoke for the shows, and I was like, I just

777
00:35:03,520 --> 00:35:05,120
Speaker 1: want to let you all know that you are not

778
00:35:05,200 --> 00:35:07,360
Speaker 1: required to go to this. It will not affect you

779
00:35:07,480 --> 00:35:09,279
Speaker 1: opening for me in the future or working for me

780
00:35:09,280 --> 00:35:10,960
Speaker 1: in the future if you do not go to this

781
00:35:11,040 --> 00:35:13,520
Speaker 1: hang or if you leave early. Like I just want

782
00:35:13,560 --> 00:35:16,720
Speaker 1: to make sure everyone knows that kind of stuff, because

783
00:35:16,760 --> 00:35:19,720
Speaker 1: I know I would hate someone to stay somewhere because

784
00:35:19,760 --> 00:35:20,919
Speaker 1: they were scared.

785
00:35:20,600 --> 00:35:24,000
Speaker 3: Of me exactly. I mean, yeah, I don't. The reason

786
00:35:24,080 --> 00:35:26,880
Speaker 3: why I don't care if people are uncomfortable not because

787
00:35:26,920 --> 00:35:29,440
Speaker 3: I don't care, like, oh, if someone's uncomfortable, I just

788
00:35:29,440 --> 00:35:32,080
Speaker 3: like whatever, It's because I believe that everybody is in

789
00:35:32,160 --> 00:35:35,800
Speaker 3: charge of themselves. Know that you're health. It's your responsibility

790
00:35:36,000 --> 00:35:37,960
Speaker 3: to do something to make yourself not uncomfortable.

791
00:35:38,000 --> 00:35:40,160
Speaker 1: No, it is not. It is my responsibility, Brian. It

792
00:35:40,200 --> 00:35:43,120
Speaker 1: is my responsibility to make everyone comfortable because people do

793
00:35:43,200 --> 00:35:45,200
Speaker 1: not stand up for themselves, so it is up to

794
00:35:45,320 --> 00:35:49,880
Speaker 1: me as an alan on too. If someone doesn't like

795
00:35:49,920 --> 00:35:53,319
Speaker 1: their food, I need to let them know. Hey, I'll

796
00:35:53,320 --> 00:35:55,200
Speaker 1: say something to the waiter about this food because I

797
00:35:55,200 --> 00:35:56,879
Speaker 1: know you're a pussy and I want you to actually

798
00:35:56,960 --> 00:35:58,279
Speaker 1: enjoy your meal, and I don't want you have to

799
00:35:58,360 --> 00:36:01,319
Speaker 1: like you know, like I will take the hair out

800
00:36:01,360 --> 00:36:02,680
Speaker 1: of food and demand that you eat it. But if

801
00:36:02,680 --> 00:36:04,480
Speaker 1: you still don't want to eat it, I will be

802
00:36:04,520 --> 00:36:05,920
Speaker 1: the one to tell the waiter she doesn't want to

803
00:36:05,920 --> 00:36:08,000
Speaker 1: eat this, and like I will be the one to

804
00:36:08,000 --> 00:36:09,960
Speaker 1: tell the pilot, hey, we have someone on the plane

805
00:36:09,960 --> 00:36:14,040
Speaker 1: that is uncomfortable, like and sometimes the yeah, the person

806
00:36:14,040 --> 00:36:15,640
Speaker 1: probably doesn't want me to do that, but I take

807
00:36:15,680 --> 00:36:19,080
Speaker 1: it upon myself because I feel like I'm always like.

808
00:36:19,760 --> 00:36:22,680
Speaker 1: I think that's sometimes also why people are like how

809
00:36:22,719 --> 00:36:25,080
Speaker 1: do you do these roasts? How do you do stand up?

810
00:36:25,080 --> 00:36:28,399
Speaker 1: How do you speak up? And it's from doing that

811
00:36:28,480 --> 00:36:31,200
Speaker 1: of being like, I'm going to speak what other people

812
00:36:31,239 --> 00:36:33,239
Speaker 1: are too scared to because and then they're just gonna

813
00:36:33,280 --> 00:36:35,560
Speaker 1: tough it out and white knuckle it and be uncomfortable

814
00:36:35,760 --> 00:36:37,799
Speaker 1: because they don't want to ask for another chair even

815
00:36:37,840 --> 00:36:39,560
Speaker 1: though this chair hurts and there is a chair across

816
00:36:39,560 --> 00:36:41,560
Speaker 1: the room, but that would draw too much attention to themselves.

817
00:36:41,640 --> 00:36:42,959
Speaker 1: I'll be the one to get them that chair.

818
00:36:43,120 --> 00:36:43,480
Speaker 3: Mm hmm.

819
00:36:43,840 --> 00:36:45,440
Speaker 2: Yeah, Nicki's really good about that.

820
00:36:45,600 --> 00:36:49,880
Speaker 4: As someone who uh has social anxiety, Nikki's like always

821
00:36:49,880 --> 00:36:52,400
Speaker 4: been so cool about that, And you're really the first

822
00:36:52,400 --> 00:36:54,920
Speaker 4: person to kind of like give someone.

823
00:36:54,640 --> 00:36:58,000
Speaker 2: An like an out, an out, yes, an out.

824
00:36:59,440 --> 00:37:02,160
Speaker 4: And yeah, like now I will do that too, And

825
00:37:02,160 --> 00:37:04,920
Speaker 4: I think I think it's actually very helpful, especially in

826
00:37:04,960 --> 00:37:07,080
Speaker 4: a setting where you're just kind of like getting to

827
00:37:07,120 --> 00:37:09,799
Speaker 4: know people and until you really know how they are.

828
00:37:10,440 --> 00:37:13,239
Speaker 1: Yeah, just give people like I mean, they don't have

829
00:37:13,320 --> 00:37:15,120
Speaker 1: to trust you, but being able to say to someone

830
00:37:15,200 --> 00:37:17,719
Speaker 1: like it won't affect your standing with me if you

831
00:37:17,760 --> 00:37:20,200
Speaker 1: go to this or not, or if you need to

832
00:37:20,280 --> 00:37:23,120
Speaker 1: leave this early, or if you yeah, if you don't

833
00:37:23,120 --> 00:37:25,960
Speaker 1: write back to this, like I'll tell Emily, like, can

834
00:37:25,960 --> 00:37:27,400
Speaker 1: you give me an answer on this? I'm like, you

835
00:37:27,440 --> 00:37:29,239
Speaker 1: don't need to do this tonight, like it will not

836
00:37:29,320 --> 00:37:32,480
Speaker 1: affect your life, my life or yours, whether you respond

837
00:37:32,480 --> 00:37:34,759
Speaker 1: to me. Just giving people a little bit of outs,

838
00:37:34,760 --> 00:37:38,160
Speaker 1: whether they take it or not. I mean, but back

839
00:37:38,200 --> 00:37:44,960
Speaker 1: to uh that, Yeah, so no, where was your sore trauma?

840
00:37:45,040 --> 00:37:49,480
Speaker 1: So I thought, I know what damaged you the most

841
00:37:49,480 --> 00:37:51,279
Speaker 1: in your life that you've maybe never spoken about, and

842
00:37:51,280 --> 00:37:52,160
Speaker 1: are you ready to do it right now?

843
00:37:52,200 --> 00:37:55,319
Speaker 4: Several things, But I thought the most traumatic was at

844
00:37:55,400 --> 00:37:59,120
Speaker 4: age seven when I moved to this country and my

845
00:37:59,160 --> 00:38:02,160
Speaker 4: parents really explain what was happening. But now that I'm

846
00:38:02,200 --> 00:38:05,160
Speaker 4: thinking about it, I think you're probably right that it

847
00:38:05,239 --> 00:38:09,920
Speaker 4: was younger because I didn't know this at all until recently.

848
00:38:09,920 --> 00:38:12,480
Speaker 4: But my dad would leave for like long periods of time,

849
00:38:13,440 --> 00:38:16,880
Speaker 4: and again, like my parents didn't explain anything, They didn't

850
00:38:16,960 --> 00:38:19,759
Speaker 4: talk about They didn't think the kids had anxiety, like

851
00:38:19,800 --> 00:38:21,480
Speaker 4: that was not even a thought in their minds. You

852
00:38:21,600 --> 00:38:24,919
Speaker 4: just go through life, right, And now that I'm thinking

853
00:38:24,960 --> 00:38:27,000
Speaker 4: about you, you probably are right. It's probably even be

854
00:38:27,160 --> 00:38:32,000
Speaker 4: four seven. And that's why I have nervous too anxious attachment.

855
00:38:31,920 --> 00:38:36,319
Speaker 1: About Like I remember being left with my aunt Line,

856
00:38:36,400 --> 00:38:39,080
Speaker 1: who was a severe alcoholic and even I knew, like

857
00:38:39,239 --> 00:38:43,480
Speaker 1: this is very irresponsible, and they don't know that I've

858
00:38:43,480 --> 00:38:45,440
Speaker 1: got this, and I'll be okay because I'm like a

859
00:38:45,480 --> 00:38:48,280
Speaker 1: smart kid. But if I were a parent, I would

860
00:38:48,400 --> 00:38:51,240
Speaker 1: not be leaving me with And thank god my sister

861
00:38:51,280 --> 00:38:53,359
Speaker 1: has me because she's too young to be in this

862
00:38:53,480 --> 00:38:56,000
Speaker 1: environment and I'll protect her from it. But I remember

863
00:38:56,120 --> 00:38:59,680
Speaker 1: clocking like, if I ever have kids, I'm gonna let

864
00:38:59,719 --> 00:39:02,760
Speaker 1: them know, so like, uh, I'll be back at this time.

865
00:39:03,239 --> 00:39:05,920
Speaker 1: This is where I'm gonna just give them more information

866
00:39:06,000 --> 00:39:08,600
Speaker 1: than I was given. And maybe I'm talking too much

867
00:39:08,600 --> 00:39:10,360
Speaker 1: about this because I just got done with an interview

868
00:39:10,400 --> 00:39:12,960
Speaker 1: about like my comedy process, and so I'm like a

869
00:39:12,960 --> 00:39:16,040
Speaker 1: little bit in that mindset. But of like this woman

870
00:39:16,120 --> 00:39:18,719
Speaker 1: is asking me about like why I'm motivated to talk

871
00:39:18,760 --> 00:39:20,400
Speaker 1: about the things I am, and it's just like I

872
00:39:20,480 --> 00:39:23,480
Speaker 1: just want people to have all the information because I

873
00:39:23,719 --> 00:39:25,439
Speaker 1: was not given that as a child, and I think

874
00:39:25,560 --> 00:39:30,160
Speaker 1: children deserve to be given all the details that they

875
00:39:30,200 --> 00:39:32,080
Speaker 1: want and not be kept in the dark about things.

876
00:39:32,080 --> 00:39:35,000
Speaker 1: And I think people people just think they're like dogs,

877
00:39:35,040 --> 00:39:37,480
Speaker 1: like they don't they don't have the capability to understand

878
00:39:37,480 --> 00:39:39,520
Speaker 1: so much. So let's just give them less where I

879
00:39:39,560 --> 00:39:41,560
Speaker 1: was like, where are we going? How long is it

880
00:39:41,600 --> 00:39:43,600
Speaker 1: gonna take there? Why is this car going so fast?

881
00:39:43,960 --> 00:39:46,160
Speaker 1: Why do we change lanes so much? Why are we

882
00:39:46,400 --> 00:39:48,840
Speaker 1: Like I wanted all the information, I wasn't given it,

883
00:39:48,880 --> 00:39:51,560
Speaker 1: So I think that's why now I just uh, I

884
00:39:51,719 --> 00:39:53,759
Speaker 1: try to, like in my stand up, give all the

885
00:39:53,800 --> 00:39:56,520
Speaker 1: information about things that are kind of like shielded from

886
00:39:56,560 --> 00:39:57,120
Speaker 1: me as a kid.

887
00:39:57,800 --> 00:39:59,720
Speaker 3: But it's a double edged story as a parent, because

888
00:40:00,280 --> 00:40:02,640
Speaker 3: you know, you could tell your child all this information.

889
00:40:02,760 --> 00:40:05,239
Speaker 3: You could say I'm gonna be home at four specifically,

890
00:40:05,520 --> 00:40:08,520
Speaker 3: and then if you're home at four fifteen, that's a betrayal.

891
00:40:09,040 --> 00:40:12,200
Speaker 1: Well no, you say around four now give or take

892
00:40:13,040 --> 00:40:13,879
Speaker 1: a little bit after your.

893
00:40:13,840 --> 00:40:15,600
Speaker 3: Home, But what if you got second trafficking, you're home

894
00:40:15,640 --> 00:40:16,440
Speaker 3: at five thirty and.

895
00:40:16,600 --> 00:40:20,400
Speaker 1: You're coming back? Just no, I don't like that, Okay,

896
00:40:20,440 --> 00:40:22,919
Speaker 1: I will be back. I don't like when people say

897
00:40:23,040 --> 00:40:25,160
Speaker 1: when I see on like movies and stuff where the

898
00:40:25,200 --> 00:40:27,840
Speaker 1: parent goes, I will never leave you. I will always

899
00:40:27,840 --> 00:40:30,960
Speaker 1: come back, because what if you don't, that kid's fucked

900
00:40:31,040 --> 00:40:33,640
Speaker 1: up and will never trust the rest of their lives.

901
00:40:33,680 --> 00:40:36,400
Speaker 1: Like nothing's guaranteed. I don't know what you're supposed to say,

902
00:40:36,560 --> 00:40:38,200
Speaker 1: but I just find that every time I hear that,

903
00:40:38,200 --> 00:40:40,680
Speaker 1: I'm always like, she's gonna die. Like I just like,

904
00:40:40,840 --> 00:40:41,640
Speaker 1: I don't.

905
00:40:41,680 --> 00:40:43,520
Speaker 3: I don't want a movie. Yeah, I mean I whenever

906
00:40:43,600 --> 00:40:45,319
Speaker 3: that happens, I knock on wood in real life, like

907
00:40:45,320 --> 00:40:47,600
Speaker 3: if i'm if I if even someone says i'll see

908
00:40:47,640 --> 00:40:51,600
Speaker 3: you later, I'll add hopefully just to you know, cover

909
00:40:51,680 --> 00:40:54,480
Speaker 3: my bases. Yeah, then I'll knock on wood and then

910
00:40:54,520 --> 00:40:56,880
Speaker 3: I'll do free circles.

911
00:40:58,000 --> 00:41:02,200
Speaker 1: Speaking of White Lotus episode, did you catch when the Girl?

912
00:41:02,400 --> 00:41:04,120
Speaker 3: I didn't watch it yet. I didn't watch it yet.

913
00:41:04,360 --> 00:41:06,280
Speaker 1: It's not a spoiler really well.

914
00:41:06,440 --> 00:41:08,879
Speaker 3: Really, it's less of a spoiler and more like I'm

915
00:41:08,880 --> 00:41:10,560
Speaker 3: not gonna be able to respond to you in an

916
00:41:10,680 --> 00:41:11,399
Speaker 3: educated way.

917
00:41:11,560 --> 00:41:15,040
Speaker 1: Have you watched it? Noah, No, here's what I'll say

918
00:41:15,040 --> 00:41:16,640
Speaker 1: about it, So I'll just talk to two people who

919
00:41:16,640 --> 00:41:20,839
Speaker 1: haven't seen it. I I love the White Lotus. Thank

920
00:41:20,880 --> 00:41:24,760
Speaker 1: you so much to Mike White for creating this fucked

921
00:41:24,800 --> 00:41:28,040
Speaker 1: up show that is like a murder mystery, just with

922
00:41:28,080 --> 00:41:30,439
Speaker 1: a cast of characters that has people coming in and out.

923
00:41:30,520 --> 00:41:33,359
Speaker 1: You recognize characters. They don't always get all brought back.

924
00:41:33,520 --> 00:41:36,280
Speaker 1: It's always in a different setting. It is a gift

925
00:41:36,719 --> 00:41:38,759
Speaker 1: that we have gotten the White Lotus. It is a

926
00:41:39,000 --> 00:41:42,120
Speaker 1: cultural gift because also you don't get them all dumped

927
00:41:42,120 --> 00:41:44,560
Speaker 1: at the same time. They're parsed out week by week

928
00:41:44,880 --> 00:41:47,800
Speaker 1: like old time TV. It reminds me I can place

929
00:41:47,880 --> 00:41:50,319
Speaker 1: myself with you know, White Lotus season one, White Loast

930
00:41:50,360 --> 00:41:54,320
Speaker 1: season two. It was like these benchmarks of the COVID

931
00:41:54,719 --> 00:41:57,600
Speaker 1: where we were all like kind of it's a It

932
00:41:57,640 --> 00:41:59,439
Speaker 1: was a timeline. It wasn't just one week and where

933
00:41:59,440 --> 00:42:01,879
Speaker 1: you binge them. At least for me, I watched through

934
00:42:01,960 --> 00:42:04,560
Speaker 1: like weeks like this is going to be Spring Summer

935
00:42:04,600 --> 00:42:07,040
Speaker 1: twenty twenty five for me is White Lotus three, and

936
00:42:07,080 --> 00:42:09,799
Speaker 1: it's gonna be like a yeah moment and thank you Mike,

937
00:42:09,840 --> 00:42:15,480
Speaker 1: wait for talking for putting in premises within these characters

938
00:42:15,520 --> 00:42:19,040
Speaker 1: and the plot that are so fucked up and you're like,

939
00:42:19,080 --> 00:42:21,719
Speaker 1: there's no way he's going here with this. Like there

940
00:42:21,760 --> 00:42:23,799
Speaker 1: is some stuff this season that is a brewing that

941
00:42:23,880 --> 00:42:27,799
Speaker 1: I'm like, no one touches this, Pornhub touches this, no

942
00:42:27,840 --> 00:42:31,400
Speaker 1: one else does like it is it's getting in Like

943
00:42:31,600 --> 00:42:32,920
Speaker 1: if you know what I'm talking about, you know what

944
00:42:32,960 --> 00:42:35,200
Speaker 1: I'm talking about. There's a scene with two brothers that

945
00:42:35,239 --> 00:42:37,600
Speaker 1: I'm like, what the fuck is going on here? This

946
00:42:37,680 --> 00:42:41,920
Speaker 1: is so weird and it is awesome because it is

947
00:42:41,960 --> 00:42:44,399
Speaker 1: so weird, it's so fucked up that, like I would

948
00:42:44,440 --> 00:42:47,120
Speaker 1: think most studio executives would be like, we're not allowing

949
00:42:47,160 --> 00:42:50,319
Speaker 1: this storyline, like what is going on here? But it's

950
00:42:50,360 --> 00:42:53,239
Speaker 1: happening and it's crazy and it's something like I've never

951
00:42:53,239 --> 00:42:56,800
Speaker 1: seen before in something, and I just love all the characters.

952
00:42:56,920 --> 00:42:59,360
Speaker 1: I just I just love this. It's like reading a book.

953
00:42:59,440 --> 00:43:02,200
Speaker 1: I love White Lotus, and I always forget how much

954
00:43:02,239 --> 00:43:05,440
Speaker 1: I love it in the interim and then the refractory

955
00:43:05,480 --> 00:43:08,400
Speaker 1: period's over and I am ready to come again. Like

956
00:43:08,560 --> 00:43:10,880
Speaker 1: I am so fucking pumped for White Lotus. It is

957
00:43:10,920 --> 00:43:14,000
Speaker 1: giving me a joa, a viv It is like it's

958
00:43:14,080 --> 00:43:17,000
Speaker 1: it's honestly, I'm looking so forward to every Sunday now, Like,

959
00:43:17,239 --> 00:43:20,640
Speaker 1: thank you so much for giving us fucking destination television again.

960
00:43:22,360 --> 00:43:24,240
Speaker 2: I'll see you, guys were saying, and.

961
00:43:24,320 --> 00:43:26,279
Speaker 1: Like destination in the sense that I want to go

962
00:43:26,320 --> 00:43:29,080
Speaker 1: to fucking Thailand now. And am I obsessed with a

963
00:43:29,160 --> 00:43:31,960
Speaker 1: song that is playing in the first episode of uh

964
00:43:32,080 --> 00:43:34,040
Speaker 1: White Lotus that I heard a million times because our

965
00:43:34,280 --> 00:43:36,719
Speaker 1: HBO was lagging, so we had to keep going. You

966
00:43:36,760 --> 00:43:38,160
Speaker 1: know when you like buffer it and you keep going

967
00:43:38,200 --> 00:43:39,400
Speaker 1: back and you have to watch the same scene over

968
00:43:39,440 --> 00:43:43,000
Speaker 1: and over. There is this song by a group I

969
00:43:43,280 --> 00:43:46,279
Speaker 1: don't it's it really was. It was written in Thai,

970
00:43:46,960 --> 00:43:49,160
Speaker 1: like the language, like I can't even tell you what

971
00:43:49,160 --> 00:43:51,720
Speaker 1: the name of the song is, but it is so good.

972
00:43:52,440 --> 00:43:56,960
Speaker 1: And I posted on my story the other day. Let

973
00:43:57,000 --> 00:43:58,799
Speaker 1: me just pull it up. It's on my Spotify right now.

974
00:43:59,000 --> 00:44:00,880
Speaker 1: I'm not gonna play it.

975
00:44:00,360 --> 00:44:03,239
Speaker 3: But it is what it is. It's amazing, and as

976
00:44:03,320 --> 00:44:06,839
Speaker 3: you know, it's so incredibly well written, and that is

977
00:44:07,120 --> 00:44:09,440
Speaker 3: I mean, the writing is amazing, the characters are amazing.

978
00:44:09,560 --> 00:44:13,480
Speaker 3: Mike White is one of the best writers ever alive. Yeah,

979
00:44:13,520 --> 00:44:18,439
Speaker 3: and it really is great. I want to meet Yeah.

980
00:44:18,640 --> 00:44:20,080
Speaker 3: And you know, he wrote School of Rock.

981
00:44:20,400 --> 00:44:24,479
Speaker 1: I know. He also wrote Enlightened with Laura Dern, which

982
00:44:24,520 --> 00:44:27,400
Speaker 1: was such a weird, cool show. He also is a

983
00:44:27,480 --> 00:44:29,400
Speaker 1: vegan and I just saw a quote from him the

984
00:44:29,440 --> 00:44:31,520
Speaker 1: other day that was like, I don't know. One day,

985
00:44:31,520 --> 00:44:33,479
Speaker 1: I just realized my dog kind of looked like a pig,

986
00:44:33,520 --> 00:44:35,239
Speaker 1: and I was just like, I can't eat pigs again,

987
00:44:35,320 --> 00:44:37,600
Speaker 1: And I'm just like, fuck yes, Mike White makes it

988
00:44:37,719 --> 00:44:38,360
Speaker 1: so simple.

989
00:44:39,000 --> 00:44:39,600
Speaker 3: He just is.

990
00:44:40,640 --> 00:44:42,560
Speaker 1: I just want to shake his hand someday. He just

991
00:44:42,680 --> 00:44:45,839
Speaker 1: is a He's someone that I it's fine. It's fun

992
00:44:45,880 --> 00:44:48,319
Speaker 1: to realize there's someone you haven't met yet that you

993
00:44:48,440 --> 00:44:50,640
Speaker 1: probably will get the cross paths with that you get

994
00:44:50,680 --> 00:44:53,680
Speaker 1: to like kind of fangirl out over. And he's one

995
00:44:53,680 --> 00:44:55,960
Speaker 1: of those people that I'm just realizing, like, has brought

996
00:44:56,239 --> 00:44:57,680
Speaker 1: me so much away. Do you know that he is

997
00:44:57,680 --> 00:45:01,080
Speaker 1: on Survivor. No, it's such a fan of the show's

998
00:45:01,080 --> 00:45:03,040
Speaker 1: Survivor that he got cast on it, because sometimes they

999
00:45:03,080 --> 00:45:06,160
Speaker 1: cast celebrity fans. I think a couple of seasons ago,

1000
00:45:06,480 --> 00:45:08,080
Speaker 1: and I think he was really good at it. I

1001
00:45:08,400 --> 00:45:10,200
Speaker 1: really want to go back and watch his season because

1002
00:45:10,239 --> 00:45:13,920
Speaker 1: I'm just fascinated by him is He's so cool. But

1003
00:45:13,960 --> 00:45:17,440
Speaker 1: there's there is in the White Lotus Episode one. Everyone

1004
00:45:17,480 --> 00:45:19,800
Speaker 1: needs to watch this show. It's not really an option,

1005
00:45:19,840 --> 00:45:21,200
Speaker 1: and I don't care if you're not watching it and

1006
00:45:21,239 --> 00:45:22,759
Speaker 1: then you feel left out. You just need to get

1007
00:45:22,760 --> 00:45:25,320
Speaker 1: on board. You need to find someone with an HBO

1008
00:45:25,480 --> 00:45:28,759
Speaker 1: password to share it with you and watch together. But

1009
00:45:30,120 --> 00:45:32,759
Speaker 1: there is a girl's trip that's going on, and it's

1010
00:45:32,880 --> 00:45:36,080
Speaker 1: very interesting because one of the girls is a famous actress,

1011
00:45:36,080 --> 00:45:38,880
Speaker 1: and the other two are like, it's kind of giving

1012
00:45:38,960 --> 00:45:42,680
Speaker 1: girls chat, but like a dysfunctional girl's chat. Because there's

1013
00:45:42,719 --> 00:45:44,520
Speaker 1: three girls. I wish there were more because I think

1014
00:45:44,520 --> 00:45:46,680
Speaker 1: they could do more interesting things with dynamics. But they

1015
00:45:46,680 --> 00:45:48,319
Speaker 1: have too many characters on the show. I understand whether

1016
00:45:48,480 --> 00:45:50,600
Speaker 1: or not more. But one of them is a famous actress,

1017
00:45:50,880 --> 00:45:54,080
Speaker 1: one of them is married to a billionaire, and one

1018
00:45:54,120 --> 00:45:56,480
Speaker 1: of them is we don't know what's going on with her,

1019
00:45:56,560 --> 00:45:58,440
Speaker 1: but they keep like the two girls that are like

1020
00:45:58,520 --> 00:46:01,000
Speaker 1: killing it, keep complimenting each other, and then they'll turn

1021
00:46:01,040 --> 00:46:04,640
Speaker 1: to the third girl and go and you your life

1022
00:46:04,680 --> 00:46:05,680
Speaker 1: is so hard.

1023
00:46:06,280 --> 00:46:11,360
Speaker 3: Yeah, it's so funny. Everything you do is so hard.

1024
00:46:11,680 --> 00:46:14,960
Speaker 1: Everything you do is so hard. And your daughter, she's oh,

1025
00:46:15,000 --> 00:46:17,960
Speaker 1: she's just really growing up, Like they just keep crossing

1026
00:46:18,000 --> 00:46:19,480
Speaker 1: her these nothing thanks.

1027
00:46:19,440 --> 00:46:23,440
Speaker 3: She gets older every day, incredible understated jokes.

1028
00:46:23,760 --> 00:46:27,720
Speaker 1: Yeah, it's there's gonna be some really funny fun things

1029
00:46:27,760 --> 00:46:30,959
Speaker 1: to play out. And Parker Posey, I love her so much.

1030
00:46:31,000 --> 00:46:33,239
Speaker 1: I in fact, I just to get I saw her

1031
00:46:33,280 --> 00:46:35,840
Speaker 1: talking on a red carpet and I was just so

1032
00:46:36,040 --> 00:46:38,359
Speaker 1: intrigued by the way she talks and like what an

1033
00:46:38,440 --> 00:46:41,200
Speaker 1: artist she is In terms of like, I don't know,

1034
00:46:41,239 --> 00:46:44,280
Speaker 1: I don't I don't always respect the art of acting.

1035
00:46:44,480 --> 00:46:46,840
Speaker 1: No offense to actors. I just don't care. Most of

1036
00:46:46,880 --> 00:46:49,880
Speaker 1: the time, it just feels like, Okay, good job. But

1037
00:46:50,280 --> 00:46:53,760
Speaker 1: people like Ray Fines make me go, whoa, that's acting.

1038
00:46:54,160 --> 00:46:58,120
Speaker 1: And then people like Parker fucking Posy blow my mind.

1039
00:46:58,200 --> 00:47:01,360
Speaker 1: And I know I'm a little bit like, I don't know.

1040
00:47:01,440 --> 00:47:03,399
Speaker 1: It's like with napping. Some people get it, some people don't.

1041
00:47:03,440 --> 00:47:05,799
Speaker 1: Acting doesn't blow me away most of the time. But

1042
00:47:05,840 --> 00:47:09,960
Speaker 1: Parker Posey is so nuanced and so incredible. And I

1043
00:47:10,000 --> 00:47:13,080
Speaker 1: went back and I downloaded or I rented Best in

1044
00:47:13,160 --> 00:47:16,880
Speaker 1: Show just so I could watch her. And she is spectacular.

1045
00:47:16,960 --> 00:47:19,279
Speaker 1: She is so good on Best in Show and she

1046
00:47:19,400 --> 00:47:21,880
Speaker 1: was so young, and she just is playing this character

1047
00:47:21,920 --> 00:47:24,080
Speaker 1: who works at the dairy queen and just she just

1048
00:47:24,120 --> 00:47:27,480
Speaker 1: plays this small town girl who's kind of like jaded

1049
00:47:27,719 --> 00:47:33,040
Speaker 1: but like lost, so well she is her sorry not

1050
00:47:33,160 --> 00:47:36,799
Speaker 1: Best in Show. Waiting for Guffman. Waiting for Guffman. Oh,

1051
00:47:36,920 --> 00:47:38,880
Speaker 1: that's what she used to be my favorite movie in

1052
00:47:38,960 --> 00:47:41,000
Speaker 1: high school. And I forgot why, and so I went

1053
00:47:41,000 --> 00:47:42,960
Speaker 1: back and rented it and I was I was reminded.

1054
00:47:43,000 --> 00:47:45,640
Speaker 1: It's it's a little bit like you know, comedy's age

1055
00:47:45,640 --> 00:47:46,800
Speaker 1: in a way that you're like, oh, this is a

1056
00:47:46,800 --> 00:47:48,799
Speaker 1: little bit slower than I'm used to now, like any

1057
00:47:48,840 --> 00:47:49,080
Speaker 1: things that.

1058
00:47:50,719 --> 00:47:55,160
Speaker 3: Peer you know, well, I think you appreciate acting more

1059
00:47:55,200 --> 00:47:57,319
Speaker 3: like when you really can appreciate acting is when you're

1060
00:47:57,360 --> 00:48:01,120
Speaker 3: watching a good and okay, it's a good movie and

1061
00:48:01,400 --> 00:48:03,759
Speaker 3: people are acting in it well, and then there's one

1062
00:48:03,800 --> 00:48:06,719
Speaker 3: person who's not good at acting, and it's just like

1063
00:48:06,960 --> 00:48:08,560
Speaker 3: I was watching a movie this weekend and I'm not

1064
00:48:08,600 --> 00:48:11,960
Speaker 3: gonna say which one, but because this person was so

1065
00:48:12,000 --> 00:48:15,560
Speaker 3: bad in it, it was like unbelievable. And every time

1066
00:48:15,640 --> 00:48:18,799
Speaker 3: this person had a scene, me and my wife we

1067
00:48:18,840 --> 00:48:22,200
Speaker 3: were just start laughing. It was so bad. It was like, wait,

1068
00:48:22,400 --> 00:48:24,560
Speaker 3: how is it possible they made it through all of

1069
00:48:24,560 --> 00:48:27,640
Speaker 3: these levels to get here to be doing a scene

1070
00:48:27,680 --> 00:48:30,000
Speaker 3: with this person who is one of the most famous

1071
00:48:30,000 --> 00:48:33,239
Speaker 3: best actors of all someone we know, no you, no

1072
00:48:33,280 --> 00:48:34,200
Speaker 3: one knows this person.

1073
00:48:35,320 --> 00:48:37,880
Speaker 1: That's nice of you to do that. Then because they

1074
00:48:38,280 --> 00:48:39,440
Speaker 1: have an upcoming career.

1075
00:48:40,080 --> 00:48:42,080
Speaker 3: Maybe, I mean it's just.

1076
00:48:43,320 --> 00:48:46,160
Speaker 1: Recently because the acting was I mean I was in

1077
00:48:46,440 --> 00:48:48,080
Speaker 1: I didn't even want to see the movie. I read

1078
00:48:48,160 --> 00:48:49,960
Speaker 1: the book and then I was like I don't know.

1079
00:48:50,120 --> 00:48:51,360
Speaker 1: Like I heard about the movie and I go, I

1080
00:48:51,360 --> 00:48:53,120
Speaker 1: don't even really want to see this because it's just

1081
00:48:53,200 --> 00:48:54,560
Speaker 1: I heard that, like some of the parts of the

1082
00:48:54,600 --> 00:48:55,920
Speaker 1: book didn't make it, and I was like, those are

1083
00:48:55,920 --> 00:48:57,319
Speaker 1: my favorite parts. So I was like, I don't want

1084
00:48:57,360 --> 00:48:59,040
Speaker 1: even want to see it. Then there was a lot

1085
00:48:59,040 --> 00:49:03,000
Speaker 1: of news about this movie, and I was like, Okay,

1086
00:49:03,239 --> 00:49:07,120
Speaker 1: now I just want to like see what was the

1087
00:49:07,160 --> 00:49:09,840
Speaker 1: movie behind this thing? And I was very intrigued to

1088
00:49:09,840 --> 00:49:12,120
Speaker 1: watch it, and I literally had to turn it off

1089
00:49:12,520 --> 00:49:16,000
Speaker 1: in the first scene because the acting was making me

1090
00:49:16,040 --> 00:49:20,240
Speaker 1: feel so awkward and I cannot believe the other story

1091
00:49:20,280 --> 00:49:24,000
Speaker 1: about this movie is taking over the story what should

1092
00:49:24,040 --> 00:49:28,160
Speaker 1: be being talked about, which is the acting is unwatchable

1093
00:49:28,200 --> 00:49:29,960
Speaker 1: and I am not even that good of an actress,

1094
00:49:29,960 --> 00:49:34,320
Speaker 1: and I am so sorry, But I was like, what

1095
00:49:34,880 --> 00:49:37,000
Speaker 1: is going on here? Maybe I have to stick it out.

1096
00:49:37,320 --> 00:49:38,959
Speaker 1: Maybe I make.

1097
00:49:39,000 --> 00:49:41,719
Speaker 3: An abusive relationship. Sometimes you just got to stick it

1098
00:49:41,760 --> 00:49:44,000
Speaker 3: out and you sit with it longer than you should.

1099
00:49:44,120 --> 00:49:47,759
Speaker 1: But I also don't know that I am good at

1100
00:49:47,760 --> 00:49:50,960
Speaker 1: telling what good acting is. I really I don't think

1101
00:49:50,960 --> 00:49:52,839
Speaker 1: I'm like someone who should be a critic, even though

1102
00:49:52,880 --> 00:49:55,880
Speaker 1: I was voted most likely to be Ciskel and Ebert

1103
00:49:56,120 --> 00:50:02,080
Speaker 1: in eighth Grade. Don't you ever Forget It? Final thought, Well, the.

1104
00:50:02,080 --> 00:50:04,680
Speaker 3: Other the other thing is to close the loop on this,

1105
00:50:04,760 --> 00:50:09,320
Speaker 3: sorry to interrupt. The final is that sometimes it happens

1106
00:50:09,360 --> 00:50:11,799
Speaker 3: in reverse where you're watching a movie and everyone in

1107
00:50:11,840 --> 00:50:15,880
Speaker 3: it is bad at acting except one person, and you're like,

1108
00:50:16,120 --> 00:50:19,399
Speaker 3: and then even though they're the good actor, they seem

1109
00:50:19,480 --> 00:50:22,880
Speaker 3: out of place because they're acting well and in a

1110
00:50:22,960 --> 00:50:25,080
Speaker 3: world where everyone's acting poorly. And this happened when I

1111
00:50:25,239 --> 00:50:29,680
Speaker 3: in the last Jurassic Park movie Jurassic Worlds, I don't know,

1112
00:50:29,719 --> 00:50:31,759
Speaker 3: on on Knife's Edge or whatever it was called that

1113
00:50:31,800 --> 00:50:34,480
Speaker 3: came out a few years ago. The acting in it

1114
00:50:34,600 --> 00:50:39,520
Speaker 3: was horrible, except for Laura Dern, who was so good

1115
00:50:40,000 --> 00:50:43,080
Speaker 3: that she seemed like she was a bad actor. Like

1116
00:50:43,080 --> 00:50:45,520
Speaker 3: when the dinosaurs. When the dinosaurs would come and they'd

1117
00:50:45,560 --> 00:50:49,520
Speaker 3: be attacking people, all the actors were like, oh, no, dinosaur,

1118
00:50:49,840 --> 00:50:52,479
Speaker 3: and then she'd be like screaming like someone was gonna

1119
00:50:52,480 --> 00:50:55,200
Speaker 3: eat her, and it made her seem like she was bad.

1120
00:50:56,719 --> 00:51:00,560
Speaker 1: Just scream like a really traumatic thing is happening. Nail it.

1121
00:51:00,719 --> 00:51:04,720
Speaker 1: I'll never ever forget Gwyneth Paltrow in the movie Bounce

1122
00:51:04,840 --> 00:51:07,000
Speaker 1: finding out her husband died in a plane crash, and

1123
00:51:07,000 --> 00:51:09,560
Speaker 1: it's just a scene shot through a window, and her

1124
00:51:09,640 --> 00:51:13,680
Speaker 1: collapsing and wailing is so fucking real, and I just

1125
00:51:13,719 --> 00:51:17,240
Speaker 1: remember being like that is acting. Also Romeo and Juliet,

1126
00:51:17,320 --> 00:51:22,920
Speaker 1: when Juliette Claire Danes realizes that Leo is dead. Sorry

1127
00:51:23,000 --> 00:51:26,719
Speaker 1: spoiler alert, something that has been out for centuries.

1128
00:51:27,840 --> 00:51:30,000
Speaker 3: Sorry, I haven't read Romeo and Juliet. How long is

1129
00:51:30,000 --> 00:51:30,479
Speaker 3: that that happen?

1130
00:51:30,760 --> 00:51:34,480
Speaker 1: So? Yeah, since I mean I would guess, let me okay,

1131
00:51:34,600 --> 00:51:36,359
Speaker 1: let me just show you how dumb I am. Let's

1132
00:51:36,400 --> 00:51:38,839
Speaker 1: please show you how. Let's guess how dumb I am.

1133
00:51:39,239 --> 00:51:43,479
Speaker 1: I am guessing Shakespeare was. Okay, my life is riding

1134
00:51:43,520 --> 00:51:43,719
Speaker 1: on this.

1135
00:51:43,800 --> 00:51:44,040
Speaker 2: Okay.

1136
00:51:44,120 --> 00:51:46,080
Speaker 1: Let me just pretend there's a fucking gun to my

1137
00:51:46,120 --> 00:51:47,839
Speaker 1: head and if I don't get it within one hundred years,

1138
00:51:47,920 --> 00:51:48,719
Speaker 1: I'm gonna get shot.

1139
00:51:48,760 --> 00:51:51,000
Speaker 3: Okay, here we are, oay, one hundred years?

1140
00:51:52,320 --> 00:51:57,719
Speaker 1: Oh god, oh god, Okay, I am going to guess

1141
00:52:00,680 --> 00:52:03,440
Speaker 1: sixteen fifty nine.

1142
00:52:04,719 --> 00:52:09,000
Speaker 3: Not bad. You're you're you're almost one hundred years off. No,

1143
00:52:09,880 --> 00:52:14,239
Speaker 3: you're years No, you get shot in my head? Yeah, yeah, yeah,

1144
00:52:14,280 --> 00:52:15,120
Speaker 3: you're within.

1145
00:52:15,000 --> 00:52:19,240
Speaker 1: Oh yeah, I definitely to me that's a huge, huge,

1146
00:52:19,600 --> 00:52:22,120
Speaker 1: uh said, that's a success. I got it right when

1147
00:52:22,160 --> 00:52:22,319
Speaker 1: I was.

1148
00:52:22,480 --> 00:52:25,840
Speaker 3: Seventeen, fifteen thirty late, like fifteen nineties.

1149
00:52:25,920 --> 00:52:28,399
Speaker 1: I was gonna say fourteen ninety, like I was gonna

1150
00:52:28,400 --> 00:52:31,320
Speaker 1: say around Columbus sailed the Ocean Blue, and then I went, okay,

1151
00:52:31,880 --> 00:52:33,799
Speaker 1: sixteen fifty nine, Okay, it was around fifteen what.

1152
00:52:34,360 --> 00:52:36,400
Speaker 3: In the fifteen nineties. I think he wrote most of this?

1153
00:52:36,480 --> 00:52:37,040
Speaker 1: Did you know that?

1154
00:52:37,160 --> 00:52:37,680
Speaker 2: Off the top?

1155
00:52:38,160 --> 00:52:40,280
Speaker 3: I knew, I knew. You know. I'm not. I'm guessing

1156
00:52:40,280 --> 00:52:40,719
Speaker 3: it's the right.

1157
00:52:40,840 --> 00:52:42,560
Speaker 1: Why do you know that? How did you know that?

1158
00:52:43,480 --> 00:52:44,960
Speaker 1: Do you remember when you learned that?

1159
00:52:46,920 --> 00:52:47,040
Speaker 3: Did?

1160
00:52:47,160 --> 00:52:49,120
Speaker 1: I mean, I definitely learned it, but I don't I

1161
00:52:49,200 --> 00:52:52,239
Speaker 1: usually remember when I like cement knowledge, and right now

1162
00:52:52,320 --> 00:52:54,600
Speaker 1: is when I'm cementing Shakespeare's fifteen nineties.

1163
00:52:55,160 --> 00:52:57,600
Speaker 3: Let me see, when was Romeo and Juliet written?

1164
00:52:58,880 --> 00:53:01,800
Speaker 4: They said between fifteen ninety one to fifteen ninety seven.

1165
00:53:02,560 --> 00:53:04,240
Speaker 1: That's a really long time.

1166
00:53:04,520 --> 00:53:05,480
Speaker 2: I know, it's not crazy.

1167
00:53:06,440 --> 00:53:07,799
Speaker 3: I don't even know if he's the one who wrote

1168
00:53:07,800 --> 00:53:08,080
Speaker 3: this show.

1169
00:53:08,080 --> 00:53:11,040
Speaker 1: Okay, it was within sixty five years. That's pretty good.

1170
00:53:11,080 --> 00:53:13,160
Speaker 3: Yeah, yeah, you results you got in it. You did it,

1171
00:53:13,200 --> 00:53:14,560
Speaker 3: you did shot in the head.

1172
00:53:14,480 --> 00:53:16,240
Speaker 1: Fucking god, because that could have been really.

1173
00:53:16,120 --> 00:53:18,879
Speaker 3: Firsingiky avoids getting shot in the head's.

1174
00:53:18,719 --> 00:53:21,400
Speaker 1: Yeah, that's good. I avoid it every day living in

1175
00:53:21,400 --> 00:53:25,600
Speaker 1: the neighborhood. And uh, what I was gonna say? Oh,

1176
00:53:25,640 --> 00:53:27,319
Speaker 1: can I just say I recommend a couple other things

1177
00:53:27,360 --> 00:53:27,720
Speaker 1: to watch.

1178
00:53:27,920 --> 00:53:28,520
Speaker 3: Final thought?

1179
00:53:29,280 --> 00:53:35,680
Speaker 1: Yeah, Uh, the new Gabby Potito documentary about that murder

1180
00:53:35,880 --> 00:53:40,320
Speaker 1: is pretty good. They do it in three semi short episodes.

1181
00:53:40,400 --> 00:53:41,960
Speaker 1: I don't feel like they were all hour long. They

1182
00:53:42,120 --> 00:53:44,000
Speaker 1: might be, but Netflix is a way of kind of

1183
00:53:44,000 --> 00:53:47,359
Speaker 1: like really stretching out the details. That one really held

1184
00:53:47,360 --> 00:53:52,520
Speaker 1: my attention. It's well done, very tragic, but has tons

1185
00:53:52,560 --> 00:53:56,000
Speaker 1: of footage because she took a lot of footage and

1186
00:53:56,600 --> 00:53:57,800
Speaker 1: she was influencderr.

1187
00:53:58,360 --> 00:53:58,600
Speaker 3: Yeah.

1188
00:53:58,640 --> 00:54:02,520
Speaker 1: And I also her best friend on the show that

1189
00:54:02,680 --> 00:54:05,040
Speaker 1: is seen throughout it, who she met on Bumble when

1190
00:54:05,080 --> 00:54:06,719
Speaker 1: she moved to Florida, because that idiot pulled her away

1191
00:54:06,719 --> 00:54:08,319
Speaker 1: from her family and moved her to Florida, and then

1192
00:54:08,360 --> 00:54:10,160
Speaker 1: she was looking for friends, so she went on Bumble

1193
00:54:10,160 --> 00:54:14,000
Speaker 1: and sound a best friend. That girl should be on

1194
00:54:14,040 --> 00:54:16,440
Speaker 1: White Lotus. She is a fascinating character. I want her

1195
00:54:16,480 --> 00:54:19,400
Speaker 1: to be famous. She is so cool and she seems

1196
00:54:19,480 --> 00:54:22,279
Speaker 1: like she was cast. She's so good. So that is

1197
00:54:22,440 --> 00:54:24,600
Speaker 1: very I watched all three episodes last night. That was great.

1198
00:54:25,680 --> 00:54:29,440
Speaker 1: And then I'm obsessed with a new comedian. It's not

1199
00:54:29,480 --> 00:54:31,600
Speaker 1: a new comedian, but I'm obsessed with. I'm there's a

1200
00:54:31,640 --> 00:54:34,920
Speaker 1: comedian I'm obsessed with and I can't stop watching clips

1201
00:54:34,920 --> 00:54:38,080
Speaker 1: and I think I've consumed every single thing he's put

1202
00:54:38,120 --> 00:54:42,000
Speaker 1: out in his like ten year YouTube career within a

1203
00:54:42,120 --> 00:54:46,439
Speaker 1: couple of days. And that comedian is Chris Fleming. I've

1204
00:54:46,480 --> 00:54:48,480
Speaker 1: known about him for a while, yea, but I am

1205
00:54:48,600 --> 00:54:54,640
Speaker 1: He's awesome, literally obsessed. I I it was it as

1206
00:54:54,680 --> 00:54:58,879
Speaker 1: if it's like it's it's it may it's it's really

1207
00:54:58,960 --> 00:55:00,920
Speaker 1: hard for me to laugh out loud at things. And

1208
00:55:00,960 --> 00:55:04,760
Speaker 1: I am constantly cackling in bed listening to his stuff.

1209
00:55:04,800 --> 00:55:06,880
Speaker 1: I crave every new clip that comes up. One just

1210
00:55:06,920 --> 00:55:10,600
Speaker 1: came up yesterday about he's like talking about he has

1211
00:55:10,640 --> 00:55:16,360
Speaker 1: a sixth sense for when a restaurant is owned by brothers. Yes,

1212
00:55:17,280 --> 00:55:19,720
Speaker 1: because there's always a brother that like goes to Austin

1213
00:55:19,840 --> 00:55:23,120
Speaker 1: is like people love breakfast burritos. I can do that

1214
00:55:23,200 --> 00:55:26,040
Speaker 1: side of things. You do the menus like it's always

1215
00:55:26,040 --> 00:55:28,200
Speaker 1: like these but like it like you have a passion

1216
00:55:28,200 --> 00:55:30,160
Speaker 1: for marketing, and it's like he and then he just

1217
00:55:30,200 --> 00:55:33,279
Speaker 1: goes what is going on with brothers and he just

1218
00:55:33,320 --> 00:55:35,920
Speaker 1: talks about like the relationship of brothers. The tone that

1219
00:55:35,960 --> 00:55:39,400
Speaker 1: they have with each other is like this. You just

1220
00:55:39,400 --> 00:55:41,920
Speaker 1: have to watch it. Chris Fleming with one M for

1221
00:55:42,200 --> 00:55:47,960
Speaker 1: Chris Fleming. He is I just I was like telling Chris,

1222
00:55:48,000 --> 00:55:50,080
Speaker 1: I'm like, I found my new favorite comedian, I wrote, Chris,

1223
00:55:50,080 --> 00:55:52,360
Speaker 1: and I'm like, you are literally my favorite comedian that

1224
00:55:52,440 --> 00:55:55,560
Speaker 1: has ever been. You're on like my Mount Rushmore. I'm obsessed.

1225
00:55:56,040 --> 00:55:57,799
Speaker 1: I can't. I'm gonna try to go see him at

1226
00:55:57,880 --> 00:56:01,120
Speaker 1: Largo coming up. I it's just fun to like find

1227
00:56:01,160 --> 00:56:03,600
Speaker 1: someone new that you're obsessed with, Like I like, I

1228
00:56:03,640 --> 00:56:07,719
Speaker 1: love being obsessed about with artists, as everyone knows. And

1229
00:56:07,760 --> 00:56:10,600
Speaker 1: he's my He's my new obsession. He is so fucking funny.

1230
00:56:10,880 --> 00:56:14,360
Speaker 1: He writes in such a specific way. He is he

1231
00:56:14,480 --> 00:56:18,439
Speaker 1: is a poet. Great style, great style. But I love

1232
00:56:18,480 --> 00:56:20,719
Speaker 1: that it's like not the joke, you know what I mean?

1233
00:56:20,760 --> 00:56:25,960
Speaker 1: Like right, he dresses like a like he dresses like

1234
00:56:26,040 --> 00:56:30,000
Speaker 1: disco seventies, kind of almost feminine. Sometimes he's like a.

1235
00:56:30,000 --> 00:56:32,200
Speaker 2: Really like a rocks like a seventies rocks.

1236
00:56:32,400 --> 00:56:38,120
Speaker 1: Yeah, yeah, like Iggy's Iggy, Who's what is David Bowie's

1237
00:56:38,160 --> 00:56:43,279
Speaker 1: like alter ego? Yeah yeah, it's kind of like like onesies,

1238
00:56:43,280 --> 00:56:45,759
Speaker 1: like you seek win onesies. He just doesn't. He has

1239
00:56:45,760 --> 00:56:48,360
Speaker 1: impeccable style, but it's not the joke, Like he just

1240
00:56:48,520 --> 00:56:50,959
Speaker 1: is who he is and he's not making jokes about

1241
00:56:50,960 --> 00:56:53,440
Speaker 1: his outfit, you know, like you would initially see him

1242
00:56:53,440 --> 00:56:57,319
Speaker 1: and be like, oh, this guy is like that's the joke, right,

1243
00:56:57,520 --> 00:56:59,359
Speaker 1: but it isn't. That's just like who he is at

1244
00:56:59,360 --> 00:57:01,360
Speaker 1: his core, he's a he's a just true artist and

1245
00:57:01,400 --> 00:57:04,520
Speaker 1: I and he even talked shit and he didn't talk shit,

1246
00:57:04,560 --> 00:57:06,200
Speaker 1: but he definitely made fun of me in one of

1247
00:57:06,200 --> 00:57:09,399
Speaker 1: his specials. And this was my first time ever even

1248
00:57:09,520 --> 00:57:12,480
Speaker 1: even hearing about him. Someone was like, yeah he was

1249
00:57:12,520 --> 00:57:15,000
Speaker 1: like someone goes like, oh, Kirsten was like, you know

1250
00:57:15,080 --> 00:57:17,840
Speaker 1: that you are in mentioned in Chris Fleming's newest special.

1251
00:57:17,840 --> 00:57:20,120
Speaker 1: It's on Peacock right now, I forget what it's called,

1252
00:57:20,560 --> 00:57:25,680
Speaker 1: but there's like a sketch at the beginning where I

1253
00:57:25,720 --> 00:57:27,840
Speaker 1: actually that is the one special I haven't seen of his.

1254
00:57:27,920 --> 00:57:31,040
Speaker 1: I'm like kind of leaving some things because I've just

1255
00:57:31,200 --> 00:57:33,960
Speaker 1: I literally started watching him when I was on my

1256
00:57:34,000 --> 00:57:36,480
Speaker 1: travel day last week on Wednesday, and it took so

1257
00:57:36,600 --> 00:57:38,640
Speaker 1: long to get across the country. I watched literally four

1258
00:57:38,680 --> 00:57:40,280
Speaker 1: hours of this stuff, and I keep like parsing it

1259
00:57:40,320 --> 00:57:45,360
Speaker 1: out now. But his new special is called hell, Hell, Okay,

1260
00:57:45,520 --> 00:57:48,560
Speaker 1: that's the special where at the beginning there's a sketch

1261
00:57:48,600 --> 00:57:50,080
Speaker 1: and I kind of watched it out of context because

1262
00:57:50,080 --> 00:57:52,440
Speaker 1: people were just sending me the clip. But from what

1263
00:57:52,560 --> 00:57:56,640
Speaker 1: I remember, there's something that's going on where he can't perform,

1264
00:57:57,160 --> 00:57:59,160
Speaker 1: and the venue is like, well, we still have this

1265
00:57:59,240 --> 00:58:00,920
Speaker 1: venue rented. We got to put on some kind of

1266
00:58:00,960 --> 00:58:03,440
Speaker 1: show here. And then his like agent is on the

1267
00:58:03,440 --> 00:58:05,640
Speaker 1: phone and he goes, she goes, okay, maybe we can

1268
00:58:05,680 --> 00:58:07,720
Speaker 1: do Nicky Glazer special. I think she's ready to tape

1269
00:58:07,760 --> 00:58:11,640
Speaker 1: two in the Pink. But I deserve it because I

1270
00:58:11,680 --> 00:58:13,240
Speaker 1: have talked a lot about sex, and it's like, you

1271
00:58:13,280 --> 00:58:15,200
Speaker 1: could like whittle down my special to just like two

1272
00:58:15,200 --> 00:58:18,760
Speaker 1: in the Pink for sure, and I actually appreciated it.

1273
00:58:18,800 --> 00:58:21,880
Speaker 3: But he like, then I saw just the vagina. I

1274
00:58:21,920 --> 00:58:23,400
Speaker 3: mean you also talk about ass stuff.

1275
00:58:23,800 --> 00:58:27,760
Speaker 1: Yeah, yes, exactly. I'm so much more than that and

1276
00:58:27,760 --> 00:58:31,720
Speaker 1: the taint everything in between yea and I'm going yeah,

1277
00:58:31,720 --> 00:58:33,040
Speaker 1: I'm going up and I'm doing like.

1278
00:58:33,400 --> 00:58:38,760
Speaker 3: Clit now and you've expanded your range.

1279
00:58:39,680 --> 00:58:43,560
Speaker 1: So yeah, PUPA is my next special, So that'll be exciting.

1280
00:58:43,720 --> 00:58:46,040
Speaker 3: We never thought you'd get to but it's amazing to

1281
00:58:46,040 --> 00:58:46,919
Speaker 3: see how much you've grown.

1282
00:58:47,080 --> 00:58:52,280
Speaker 1: It's like my fubo, it's for me, by me, all right,

1283
00:58:53,440 --> 00:58:57,360
Speaker 1: it's not dead. No, I was packing one today sometimes,

1284
00:58:57,360 --> 00:58:58,960
Speaker 1: like when you're about to be on your period, that's

1285
00:58:59,040 --> 00:59:01,959
Speaker 1: that area just like inflates to get ready to carry

1286
00:59:01,960 --> 00:59:04,200
Speaker 1: a baby that you are not going to carry, and

1287
00:59:04,200 --> 00:59:08,040
Speaker 1: then your body punishes you with cramps for not giving

1288
00:59:08,120 --> 00:59:13,760
Speaker 1: Jesus another son or whatever. So anyway, Chris, I he

1289
00:59:14,160 --> 00:59:16,840
Speaker 1: I didn't even care, Like make fun of me all

1290
00:59:16,840 --> 00:59:19,880
Speaker 1: you want, because he makes fun of everyone, and I

1291
00:59:19,960 --> 00:59:21,840
Speaker 1: kind of like it. He's kind of like trolling everyone

1292
00:59:21,880 --> 00:59:24,760
Speaker 1: because he's just telling the truth. He's making observations. He's

1293
00:59:24,760 --> 00:59:28,000
Speaker 1: not I appreciate someone who's not scared to call out

1294
00:59:28,280 --> 00:59:31,360
Speaker 1: when something's lame or when someone's doing something that's kind

1295
00:59:31,360 --> 00:59:35,600
Speaker 1: of you know, I mockable, And he's not ever trying

1296
00:59:35,640 --> 00:59:39,200
Speaker 1: to climb by like not mentioning certain people's names, Like

1297
00:59:39,280 --> 00:59:43,240
Speaker 1: everyone is fair to get called out. And if I

1298
00:59:43,320 --> 00:59:45,760
Speaker 1: want in my artist, I want someone who is fearless

1299
00:59:45,760 --> 00:59:47,400
Speaker 1: in that way, and if that puts me in the

1300
00:59:47,440 --> 00:59:50,600
Speaker 1: line of fire, so fucking be it. Like I still

1301
00:59:50,680 --> 00:59:54,920
Speaker 1: love him and and you know I And then it

1302
00:59:55,000 --> 00:59:57,320
Speaker 1: also made me go, hey, I don't want to be

1303
00:59:57,360 --> 00:59:59,840
Speaker 1: that person that that joke can be made like that,

1304
01:00:00,280 --> 01:00:03,280
Speaker 1: like I need to be better and maybe you know,

1305
01:00:03,320 --> 01:00:05,160
Speaker 1: and this was already something that I wanted to do

1306
01:00:05,240 --> 01:00:08,280
Speaker 1: prior to hearing that joke, But like, I hope that

1307
01:00:08,280 --> 01:00:10,560
Speaker 1: that joke doesn't work in years to come, and I

1308
01:00:10,560 --> 01:00:12,400
Speaker 1: don't think it would work now for me. My act

1309
01:00:12,440 --> 01:00:15,880
Speaker 1: is not really about sex anymore. But he is just

1310
01:00:16,120 --> 01:00:18,760
Speaker 1: incredible and I just think everyone should follow him. And

1311
01:00:20,080 --> 01:00:22,680
Speaker 1: I don't know why he isn't like the biggest comedian

1312
01:00:22,760 --> 01:00:26,600
Speaker 1: working today, Like he has a a presence on stage

1313
01:00:26,920 --> 01:00:29,600
Speaker 1: that is reminiscent of like I don't know, just like

1314
01:00:29,640 --> 01:00:32,320
Speaker 1: an arena comic, Like it's he's he's incredible and such

1315
01:00:32,360 --> 01:00:34,240
Speaker 1: a great writer. You've known about it over awhile brand.

1316
01:00:34,320 --> 01:00:35,920
Speaker 3: It's a tale. I mean, I don't know him personally,

1317
01:00:35,960 --> 01:00:37,520
Speaker 3: but this is the tales all this time. There's a

1318
01:00:37,600 --> 01:00:40,040
Speaker 3: reason why he's not the most famous comic is because

1319
01:00:40,080 --> 01:00:44,440
Speaker 3: the public is too dumb too. I agree for a

1320
01:00:44,480 --> 01:00:48,200
Speaker 3: comic like him to be the most famous is impossible.

1321
01:00:47,920 --> 01:00:52,520
Speaker 1: But no, I would not listen. I don't know that

1322
01:00:52,560 --> 01:00:55,360
Speaker 1: he has aspirations to be the most famous, and not

1323
01:00:55,440 --> 01:00:57,560
Speaker 1: that he wouldn't be. I don't think he'd be offended

1324
01:00:57,560 --> 01:00:59,880
Speaker 1: if we were to say that he's just out of

1325
01:01:00,080 --> 01:01:03,040
Speaker 1: reach for some people. But I don't know him, but

1326
01:01:03,320 --> 01:01:07,440
Speaker 1: I will say that I think I don't know. I've

1327
01:01:07,640 --> 01:01:09,800
Speaker 1: he definitely is more intellectual than me. I have to

1328
01:01:09,840 --> 01:01:11,680
Speaker 1: look up words all the time that he uses. I

1329
01:01:11,760 --> 01:01:14,160
Speaker 1: learned the word spoonerism the other day, which was so

1330
01:01:14,200 --> 01:01:17,760
Speaker 1: funny because he was just saying that, who did he say?

1331
01:01:17,840 --> 01:01:20,760
Speaker 1: He like he was saying something about weight. Wait, don't

1332
01:01:20,760 --> 01:01:24,120
Speaker 1: tell me that show on NPR, how like these people

1333
01:01:24,160 --> 01:01:27,360
Speaker 1: are killing with these boomers and these boomers are losing

1334
01:01:27,360 --> 01:01:29,360
Speaker 1: their minds. I have you ever heard that show? The

1335
01:01:29,880 --> 01:01:32,040
Speaker 1: roof is blown off the place because they're laughing so

1336
01:01:32,120 --> 01:01:34,040
Speaker 1: hard at spoonerisms. And I didn't know what it was,

1337
01:01:34,080 --> 01:01:38,560
Speaker 1: so I looked it up in a Spoonerism is like uh,

1338
01:01:38,800 --> 01:01:42,600
Speaker 1: gicky in the laser is just changing the first part

1339
01:01:42,600 --> 01:01:48,160
Speaker 1: of like switching the consonants, Yeah kind of, but just yeah,

1340
01:01:48,240 --> 01:01:51,959
Speaker 1: like uh yeah, what's the one way you get pulled

1341
01:01:52,000 --> 01:01:54,600
Speaker 1: over and you're like I was in you call the

1342
01:01:54,640 --> 01:01:55,840
Speaker 1: officer something else?

1343
01:01:56,120 --> 01:01:56,560
Speaker 2: What is it?

1344
01:01:57,280 --> 01:02:00,920
Speaker 1: Do you know what I'm saying? No, what's the problem?

1345
01:02:01,080 --> 01:02:02,040
Speaker 3: Off? I forget?

1346
01:02:02,040 --> 01:02:05,280
Speaker 1: This is like it just proves the person's drunk because

1347
01:02:05,320 --> 01:02:09,280
Speaker 1: they say something as a problem, Yes, thank you. I

1348
01:02:09,280 --> 01:02:11,840
Speaker 1: think that could be Maybe that's not spoonerism, but like

1349
01:02:12,000 --> 01:02:14,320
Speaker 1: it just I've I looked up a ton of words

1350
01:02:14,320 --> 01:02:16,600
Speaker 1: that he taught me, and I didn't retain most of them.

1351
01:02:17,720 --> 01:02:20,200
Speaker 1: I like someone who's like challenging me to go, and

1352
01:02:20,240 --> 01:02:22,919
Speaker 1: I have to constantly rewind to be like I missed

1353
01:02:22,920 --> 01:02:25,000
Speaker 1: that because it was so quick, Like it feels like

1354
01:02:25,040 --> 01:02:27,520
Speaker 1: a thirty rock, feels like veep, Like it feels like

1355
01:02:27,800 --> 01:02:31,320
Speaker 1: I'm being challenged to be smarter. It's like it's really.

1356
01:02:31,480 --> 01:02:34,080
Speaker 3: I had to retrain myself to not do a spoonerism.

1357
01:02:34,080 --> 01:02:36,280
Speaker 3: In fact, because for my whole life I had trouble

1358
01:02:36,360 --> 01:02:41,240
Speaker 3: saying coin toss. I would say coin costs all the time.

1359
01:02:41,320 --> 01:02:43,320
Speaker 3: That's like my brain. And so it took me like

1360
01:02:43,360 --> 01:02:46,360
Speaker 3: a couple of years of saying that very slowly in

1361
01:02:46,480 --> 01:02:48,000
Speaker 3: order to say coin toss correctly.

1362
01:02:48,320 --> 01:02:51,720
Speaker 1: It's like me with take for granted. I always want

1363
01:02:51,720 --> 01:02:54,120
Speaker 1: to say granted because I know one of them's wrong

1364
01:02:54,160 --> 01:02:55,840
Speaker 1: and I want to say the right one, and I

1365
01:02:55,880 --> 01:02:59,360
Speaker 1: always choose the wrong one. Yeah, sometimes smart people do

1366
01:02:59,480 --> 01:03:01,360
Speaker 1: dumb things.

1367
01:03:00,000 --> 01:03:03,439
Speaker 3: But I have a list of spoonerisms, and I will

1368
01:03:03,480 --> 01:03:06,520
Speaker 3: read you the spoonerism and you tell me what the

1369
01:03:06,600 --> 01:03:12,040
Speaker 3: actual thing is already. All right, all right here, I

1370
01:03:12,080 --> 01:03:19,400
Speaker 3: am belly jeans, belly jeans, belly jeans.

1371
01:03:19,520 --> 01:03:20,920
Speaker 1: You were saying, I am belly jean.

1372
01:03:21,000 --> 01:03:23,720
Speaker 3: No, no, forget about I am. That was me just saying jeans,

1373
01:03:23,880 --> 01:03:24,880
Speaker 3: jelly beans. That's correct.

1374
01:03:24,880 --> 01:03:26,800
Speaker 1: Well, these aren't going to be hard, Brian, because I'm

1375
01:03:26,800 --> 01:03:34,080
Speaker 1: just going to switch the first word. Sometimes they're hard, Okay, okay.

1376
01:03:34,080 --> 01:03:35,600
Speaker 3: A well boiled icicle.

1377
01:03:37,240 --> 01:03:39,200
Speaker 1: Okay, I know what this is.

1378
01:03:39,400 --> 01:03:44,160
Speaker 3: I don't tell me the answer. A well boiled icicle.

1379
01:03:44,120 --> 01:03:45,320
Speaker 1: A well oiled bicycle.

1380
01:03:45,760 --> 01:03:50,400
Speaker 3: Oh okay. Wow, it's like it's almost like, yes, I

1381
01:03:50,520 --> 01:03:53,120
Speaker 3: told you to be fun. I could come up with

1382
01:03:53,120 --> 01:03:57,560
Speaker 3: fun things on occasion, but now they're all right. He

1383
01:03:57,680 --> 01:03:59,840
Speaker 3: told us A lack of pies.

1384
01:04:01,160 --> 01:04:02,640
Speaker 2: Uh, pack of lies?

1385
01:04:03,040 --> 01:04:09,160
Speaker 1: Yeah, wow, these are harder. Oh what confidence I spoke

1386
01:04:09,200 --> 01:04:10,840
Speaker 1: with that, this was gonna be a lame game. This

1387
01:04:10,960 --> 01:04:11,680
Speaker 1: is fun.

1388
01:04:13,240 --> 01:04:16,520
Speaker 3: Is the bean dizzy? This one's impossible.

1389
01:04:16,960 --> 01:04:18,200
Speaker 1: This is the Dean busy.

1390
01:04:18,480 --> 01:04:20,520
Speaker 3: Yeah, it's the Dean busy. That doesn't even that's not

1391
01:04:20,520 --> 01:04:25,320
Speaker 3: even a real thing. I mean, who's saying that is we.

1392
01:04:25,320 --> 01:04:28,200
Speaker 1: Gotta go a person that needs to go and talk

1393
01:04:28,240 --> 01:04:31,880
Speaker 1: to the dean about you know, some hijinks that are

1394
01:04:31,880 --> 01:04:33,640
Speaker 1: going on on campus because we got to get this

1395
01:04:33,800 --> 01:04:35,720
Speaker 1: frat thrown out. That's the only time I ever see

1396
01:04:35,760 --> 01:04:37,760
Speaker 1: the Dean is when like a frat on campus is

1397
01:04:37,760 --> 01:04:40,000
Speaker 1: in trouble, right.

1398
01:04:39,920 --> 01:04:44,880
Speaker 3: Yeah, no, yeah, Or in a bud Light Shane Gillis commercial.

1399
01:04:45,280 --> 01:04:49,000
Speaker 1: Exactly, yeah, exactly. I do like that commercial where they

1400
01:04:49,000 --> 01:04:52,280
Speaker 1: count down they're like, oh, we can't drink on camera. Yeah.

1401
01:04:52,320 --> 01:04:54,720
Speaker 3: No, all the bud Light Shane Gillis commercial has been great.

1402
01:04:55,000 --> 01:04:57,120
Speaker 1: Yeah. You know what. The other one I really love

1403
01:04:57,160 --> 01:05:00,760
Speaker 1: is the one with oh God, George Kittle.

1404
01:05:01,640 --> 01:05:02,800
Speaker 3: Have you seen that? Yes?

1405
01:05:02,840 --> 01:05:04,680
Speaker 1: And then at the very end he goes the guy goes,

1406
01:05:04,720 --> 01:05:07,560
Speaker 1: thanks George Kittle, and he goes, no, call me George Kittle.

1407
01:05:07,880 --> 01:05:11,920
Speaker 1: Yeah that's good, that's good. All right, we're gonna go.

1408
01:05:12,240 --> 01:05:17,040
Speaker 1: We're gir wanna go whoa gir wanna whoa? Thank you

1409
01:05:17,120 --> 01:05:19,120
Speaker 1: guys for listening to the podcast. If we learned a

1410
01:05:19,120 --> 01:05:21,760
Speaker 1: lot today. We will be back next week. I'll be

1411
01:05:21,800 --> 01:05:24,760
Speaker 1: in Boston all week. The only show that is not

1412
01:05:24,840 --> 01:05:26,920
Speaker 1: sold out out of my six Boston shows is a

1413
01:05:27,080 --> 01:05:29,880
Speaker 1: Sunday night nine thirty, So get on that if you're

1414
01:05:29,880 --> 01:05:31,400
Speaker 1: in the Boston area. That one is going to be

1415
01:05:31,600 --> 01:05:33,400
Speaker 1: a triumphant one because it will be the end of

1416
01:05:33,440 --> 01:05:36,120
Speaker 1: the run. I will have a newfound energy. I will

1417
01:05:36,120 --> 01:05:38,080
Speaker 1: be as practiced as I possibly could be. I think

1418
01:05:38,120 --> 01:05:40,000
Speaker 1: that's gonna be the best show of the week. And uh,

1419
01:05:40,080 --> 01:05:41,800
Speaker 1: they're still tickets available if you want to come see

1420
01:05:41,800 --> 01:05:44,680
Speaker 1: me at the Wang Theater Nicki Glazer dot com. So

1421
01:05:44,720 --> 01:05:48,200
Speaker 1: many tour dates being added, so many you know, you

1422
01:05:48,240 --> 01:05:50,200
Speaker 1: know what if I nick Laser dot com, thank you

1423
01:05:50,240 --> 01:05:52,560
Speaker 1: for listening. We will see you next week on the show.

1424
01:05:52,960 --> 01:05:56,880
Speaker 1: Don't be Cooked. Bye. The Nicki Glazer Podcast is a

1425
01:05:56,880 --> 01:06:00,000
Speaker 1: production by Will Ferrell's Big Money Players and iHeart podcas

1426
01:06:00,520 --> 01:06:03,560
Speaker 1: created and hosted by me Nicki Glazer, co hosted by

1427
01:06:03,560 --> 01:06:07,160
Speaker 1: Brian Frangie. Executive produced by Will Ferrell, Hans Sonny and

1428
01:06:07,240 --> 01:06:11,280
Speaker 1: Noah Avior. Edited. It engineered by Lean and Loaf video

1429
01:06:11,320 --> 01:06:15,120
Speaker 1: production Mark Canton and music by Anya Marina. You can

1430
01:06:15,120 --> 01:06:18,640
Speaker 1: now watch full episodes of the Nicki Glazer podcast on YouTube,

1431
01:06:18,720 --> 01:06:21,720
Speaker 1: follow at Nicki Glazer pod and subscribe to our channel