1 00:00:00,160 --> 00:00:02,600 Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I 2 00:00:02,640 --> 00:00:04,680 Speaker 1: am your host Movie Mike, and today we're talking about 3 00:00:04,720 --> 00:00:08,840 Speaker 1: movies celebrating birthdays, movies turning ten, twenty, thirty, forty, and 4 00:00:08,960 --> 00:00:11,239 Speaker 1: fifty years old. And then we're gonna play the fun 5 00:00:11,280 --> 00:00:13,320 Speaker 1: game of which of these movies from each of these 6 00:00:13,400 --> 00:00:15,960 Speaker 1: years are we gonna save and which ones are we 7 00:00:16,079 --> 00:00:18,960 Speaker 1: going to burn from existence. In the movie review, we'll 8 00:00:18,960 --> 00:00:21,279 Speaker 1: be talking about Argyle, a movie that I've seen the 9 00:00:21,280 --> 00:00:23,600 Speaker 1: trailer so many times that is gonna have to live 10 00:00:23,680 --> 00:00:25,880 Speaker 1: up to this crazy expectation I have set for it 11 00:00:25,920 --> 00:00:28,840 Speaker 1: because they spent so much money marketing this movie. And 12 00:00:28,960 --> 00:00:32,599 Speaker 1: in the trailer park, we're gonna look at Ghostbusters, the 13 00:00:32,640 --> 00:00:37,200 Speaker 1: new Frozen Empire movie, and determine whether or not people 14 00:00:37,280 --> 00:00:40,760 Speaker 1: care about this movie right now. From a legendary franchise, 15 00:00:40,800 --> 00:00:43,320 Speaker 1: you have people coming back in this movie. But do 16 00:00:43,479 --> 00:00:47,000 Speaker 1: kids today even care about Ghostbusters? That is the question. 17 00:00:47,360 --> 00:00:49,760 Speaker 1: Thank you for listening, Thank you for being subscribed. Shout 18 00:00:49,760 --> 00:00:52,760 Speaker 1: out to the Monday Morning Movie crew. And now let's 19 00:00:52,800 --> 00:00:55,800 Speaker 1: talk movies. In a world where everyone and their mother 20 00:00:55,960 --> 00:01:00,480 Speaker 1: has a podcast, one man stands to infiltrate the ears 21 00:01:00,520 --> 00:01:04,760 Speaker 1: of listeners. Like never before in a movie podcast. A 22 00:01:04,920 --> 00:01:08,399 Speaker 1: man with so much movie knowledge he's basically like a 23 00:01:08,560 --> 00:01:13,560 Speaker 1: walking IMTB with glasses. From the Nashville Podcast Network. This 24 00:01:13,800 --> 00:01:18,720 Speaker 1: is Movie Mikes, Movie Podcasts. I got a big old 25 00:01:18,800 --> 00:01:22,959 Speaker 1: list of movies celebrating birthdays this year, talking about movies 26 00:01:23,000 --> 00:01:26,959 Speaker 1: turning ten, twenty thirty, forty fifty years old. So what 27 00:01:27,080 --> 00:01:30,080 Speaker 1: I did. I compiled the top ten from each of 28 00:01:30,160 --> 00:01:34,360 Speaker 1: these years which to go into consideration. I scoured the internet, 29 00:01:34,400 --> 00:01:38,720 Speaker 1: looking at box office numbers, looking at critics scores, looking 30 00:01:38,760 --> 00:01:42,080 Speaker 1: at the most searched about movies according to Google. And 31 00:01:42,160 --> 00:01:44,480 Speaker 1: for each of these years, I have what made the 32 00:01:44,520 --> 00:01:47,000 Speaker 1: top ten. I'll rank them one through ten, and then 33 00:01:47,000 --> 00:01:49,120 Speaker 1: we're gonna play the fun game where I picked the 34 00:01:49,200 --> 00:01:51,880 Speaker 1: one movie that I would save out of all of 35 00:01:51,920 --> 00:01:55,160 Speaker 1: those ten. And then also just for fundies, we're gonna 36 00:01:55,160 --> 00:01:57,560 Speaker 1: set one on fire. If I could eliminate one of 37 00:01:57,600 --> 00:02:00,240 Speaker 1: these movies from existence out of these top ten from 38 00:02:00,280 --> 00:02:02,880 Speaker 1: the year, we're gonna get rid of him. So let's 39 00:02:02,880 --> 00:02:05,560 Speaker 1: get right into the list, right into the game. Movies 40 00:02:05,960 --> 00:02:08,400 Speaker 1: turning ten years old this year that came out in 41 00:02:08,440 --> 00:02:11,840 Speaker 1: twenty fourteen. I was twenty three years old at the time. 42 00:02:12,200 --> 00:02:14,840 Speaker 1: The number ten movie of the year is Night Crawler, 43 00:02:14,880 --> 00:02:17,600 Speaker 1: which is such a good movie starring Jake Jillenhall. This 44 00:02:17,760 --> 00:02:20,359 Speaker 1: was the one that solidified him in my mind as 45 00:02:20,400 --> 00:02:22,840 Speaker 1: somebody who could really do it all. He had the 46 00:02:22,919 --> 00:02:26,160 Speaker 1: look in this movie. He went to places that I 47 00:02:26,280 --> 00:02:29,360 Speaker 1: kind of question exactly what happens with Jake Jillenhall behind 48 00:02:29,360 --> 00:02:32,360 Speaker 1: closed doors because he played this character so well. Who 49 00:02:32,440 --> 00:02:35,920 Speaker 1: is this photographer who really takes it up as a 50 00:02:35,919 --> 00:02:38,919 Speaker 1: hobby and realizes he can make money by taking pictures 51 00:02:38,919 --> 00:02:42,280 Speaker 1: and videos from crime scenes because if it bleeds, it leads. 52 00:02:42,320 --> 00:02:45,400 Speaker 1: So he got so obsessed with it that he went 53 00:02:45,480 --> 00:02:48,000 Speaker 1: a step further and a step further than the whole movie. 54 00:02:48,040 --> 00:02:51,560 Speaker 1: He gets crazy. So if you have just one vision 55 00:02:51,600 --> 00:02:54,280 Speaker 1: of Jake Jillenhall in your head, maybe it's more on 56 00:02:54,320 --> 00:02:56,440 Speaker 1: the rom com side. Maybe it's more just on the 57 00:02:56,440 --> 00:02:59,480 Speaker 1: straight on action side. If you haven't seen Night Crawler, 58 00:02:59,560 --> 00:03:01,800 Speaker 1: could not recommended more. But that one comes in at 59 00:03:01,840 --> 00:03:04,160 Speaker 1: number ten. At number nine is Fury, which is one 60 00:03:04,200 --> 00:03:07,120 Speaker 1: of my favorite war movies of all time. Maybe it's 61 00:03:07,120 --> 00:03:08,720 Speaker 1: because Brad Pitt's in it, Maybe because it has a 62 00:03:08,760 --> 00:03:11,239 Speaker 1: little bit of Shila above the entire cast is amazing 63 00:03:11,280 --> 00:03:14,440 Speaker 1: in fury and just a really powerful story and told 64 00:03:14,480 --> 00:03:16,799 Speaker 1: with just the right amount of grit and the right 65 00:03:16,880 --> 00:03:20,240 Speaker 1: amount of war action. At number seven is Gone Girl. 66 00:03:20,840 --> 00:03:22,640 Speaker 1: It is one of those movies that will blow your 67 00:03:22,680 --> 00:03:25,200 Speaker 1: mind the first time you watch it. At number six 68 00:03:25,280 --> 00:03:28,880 Speaker 1: American Sniper, which gave me quite the trip to go 69 00:03:28,919 --> 00:03:31,800 Speaker 1: see this movie in theaters, one that I'd remember vividly. 70 00:03:32,080 --> 00:03:35,320 Speaker 1: This was one where very specific moments I remember in 71 00:03:35,360 --> 00:03:38,920 Speaker 1: this movie where the entire theater was shocked and you 72 00:03:38,960 --> 00:03:43,000 Speaker 1: could just almost feel that energy. It was palpable and man, 73 00:03:43,400 --> 00:03:46,720 Speaker 1: some really great war stories here in twenty fourteen. That 74 00:03:46,760 --> 00:03:49,360 Speaker 1: one's at number six. At number five we're getting into 75 00:03:49,400 --> 00:03:52,120 Speaker 1: the marvel stuff. You have Captain America, the Winter Soldier 76 00:03:52,440 --> 00:03:55,800 Speaker 1: at number four. Guardians of the Galaxy. At number three 77 00:03:55,920 --> 00:03:58,760 Speaker 1: is Whiplash, which to some people this is their favorite 78 00:03:58,840 --> 00:04:01,240 Speaker 1: movie of all time. This one took me a little 79 00:04:01,240 --> 00:04:03,760 Speaker 1: bit to get. First time I watched Whiplash, I was like, 80 00:04:04,240 --> 00:04:08,680 Speaker 1: that was interesting. JK. Simmons is good, Miles Teller is good. 81 00:04:09,600 --> 00:04:12,360 Speaker 1: But it really took all the nominations to come out 82 00:04:12,400 --> 00:04:14,760 Speaker 1: and people hyping this movie up so much that it 83 00:04:14,800 --> 00:04:16,680 Speaker 1: had to go back and watch it and think was 84 00:04:16,720 --> 00:04:19,320 Speaker 1: that really that good? And every now and then a 85 00:04:19,320 --> 00:04:21,440 Speaker 1: clip of it will get posted on TikTok and I'll 86 00:04:21,480 --> 00:04:23,440 Speaker 1: be like, Okay, I get it now. But it took 87 00:04:23,480 --> 00:04:25,880 Speaker 1: me a little bit to really warm up to the 88 00:04:25,920 --> 00:04:29,560 Speaker 1: impactfulness of Whiplash. And yes, on the surface, it is 89 00:04:29,600 --> 00:04:32,839 Speaker 1: a movie about drumming, but there's also so much more 90 00:04:32,880 --> 00:04:36,159 Speaker 1: to that. At number two is Boyhood, which was a 91 00:04:36,200 --> 00:04:39,760 Speaker 1: movie that was shot over several years, and that was 92 00:04:39,800 --> 00:04:42,360 Speaker 1: really the whole I don't want to call it a gimmick, 93 00:04:42,400 --> 00:04:44,839 Speaker 1: but the whole premise in this movie really made this 94 00:04:44,920 --> 00:04:47,800 Speaker 1: movie appealing to critics. And why people really made this 95 00:04:47,880 --> 00:04:50,159 Speaker 1: a notable movie was because of the way they filmed 96 00:04:50,200 --> 00:04:53,080 Speaker 1: it got together every few years and film parts of 97 00:04:53,120 --> 00:04:55,919 Speaker 1: the movie that way. In the film, you were actually 98 00:04:55,960 --> 00:04:59,320 Speaker 1: watching these characters age. Aside from that, I really don't 99 00:04:59,320 --> 00:05:02,760 Speaker 1: remember exactly what happens in Boyhood, just a story about 100 00:05:02,760 --> 00:05:05,080 Speaker 1: well kid growing up. But at number one on the 101 00:05:05,080 --> 00:05:08,719 Speaker 1: list from twenty fourteen is Interstellar. You could argue this 102 00:05:08,800 --> 00:05:11,200 Speaker 1: is one of the best sci fi movies of all time. 103 00:05:11,279 --> 00:05:13,800 Speaker 1: And I wouldn't call you crazy if you told me that. 104 00:05:14,040 --> 00:05:16,960 Speaker 1: A Northern movie that took me a couple of watches 105 00:05:17,000 --> 00:05:19,839 Speaker 1: to really love and understand more than a couple, maybe 106 00:05:19,839 --> 00:05:22,720 Speaker 1: even three or four that once I actually went back 107 00:05:22,760 --> 00:05:25,000 Speaker 1: and it is a long movie and sat with the 108 00:05:25,040 --> 00:05:28,479 Speaker 1: idea of it, appreciated the way that Matthew McConaughey just 109 00:05:28,720 --> 00:05:32,000 Speaker 1: oozes emotion at all the right moments in this movie. 110 00:05:32,200 --> 00:05:37,200 Speaker 1: And you think about the entire idea behind Interstellar. Quite magnificent, 111 00:05:37,240 --> 00:05:39,880 Speaker 1: but you would really expect no less from Christopher Nolan. 112 00:05:40,160 --> 00:05:42,200 Speaker 1: So out of those top ten, if I could only 113 00:05:42,279 --> 00:05:46,120 Speaker 1: keep one, call me basic. But I'm keeping number one 114 00:05:46,120 --> 00:05:49,479 Speaker 1: mainly because out of all the sci fi movies in 115 00:05:49,560 --> 00:05:52,440 Speaker 1: the last ten years, this one barely makes the cut. 116 00:05:52,640 --> 00:05:54,840 Speaker 1: It is the one that just has it all when 117 00:05:54,880 --> 00:05:58,560 Speaker 1: it comes to the visual aspect of it. The storyline, 118 00:05:58,680 --> 00:06:03,320 Speaker 1: the cast, the cinematography, and the score in Interstellar is 119 00:06:03,360 --> 00:06:06,600 Speaker 1: one of Christopher Nolan's best. So I'm gonna have to 120 00:06:06,720 --> 00:06:11,080 Speaker 1: keep Interstellar and the movie that I'm going to burn. 121 00:06:11,320 --> 00:06:13,560 Speaker 1: And maybe I was a little biased when talking about 122 00:06:13,560 --> 00:06:16,520 Speaker 1: it earlier, but it's Boyhood. Boyhood is going up in flames, 123 00:06:19,400 --> 00:06:24,520 Speaker 1: and the reason is everybody told me how amazing Boyhood is, 124 00:06:25,120 --> 00:06:28,520 Speaker 1: and when I watched it, quite honestly, I was bored. 125 00:06:28,839 --> 00:06:32,359 Speaker 1: I got it. I understood the appeal of it, the 126 00:06:32,440 --> 00:06:36,800 Speaker 1: dramatic side of it. It's about a family, people getting divorced, 127 00:06:36,880 --> 00:06:40,320 Speaker 1: all these coming of age things that happened to one 128 00:06:40,400 --> 00:06:44,160 Speaker 1: kid in particular, and you see the kid actually grow 129 00:06:44,240 --> 00:06:47,560 Speaker 1: up on screen. But aside from that, I don't really 130 00:06:47,560 --> 00:06:51,160 Speaker 1: think it's that good of a movie. It's fine, it's artistic, 131 00:06:51,680 --> 00:06:54,039 Speaker 1: but I watched it once and I never need to 132 00:06:54,080 --> 00:06:56,440 Speaker 1: watch it again. So if I had to get one movie, 133 00:06:56,760 --> 00:06:58,839 Speaker 1: so if I had to get rid of one movie 134 00:06:58,880 --> 00:07:02,280 Speaker 1: turning ten this year, it would be Boyhood, See you later, 135 00:07:04,480 --> 00:07:07,599 Speaker 1: all right? Moving on now to two thousand and four, 136 00:07:07,760 --> 00:07:11,480 Speaker 1: twenty years ago, I was a meor thirteen years old. 137 00:07:11,560 --> 00:07:14,840 Speaker 1: Teenage me was, oh wow, all the fire came back. 138 00:07:15,160 --> 00:07:17,560 Speaker 1: All right. That's the thing about fires, you got to 139 00:07:17,600 --> 00:07:19,480 Speaker 1: keep an eye on them. They get out of control. 140 00:07:19,960 --> 00:07:23,800 Speaker 1: But yeah, thirteen year old me, pimply faced, not a 141 00:07:23,800 --> 00:07:26,760 Speaker 1: whole lot different than I am now, greasy and greasy 142 00:07:26,800 --> 00:07:28,880 Speaker 1: listening to punk rock. I'm basically the same person that 143 00:07:28,920 --> 00:07:31,320 Speaker 1: I was at thirteen now, and the two thousands were 144 00:07:31,360 --> 00:07:34,280 Speaker 1: just so formative in my years of loving movies, and 145 00:07:34,320 --> 00:07:36,720 Speaker 1: also back when I was a teenager had all the 146 00:07:36,800 --> 00:07:38,960 Speaker 1: time in the world, and I had no friends, So 147 00:07:38,960 --> 00:07:42,160 Speaker 1: it was the perfect combination for somebody to really dive 148 00:07:42,280 --> 00:07:45,320 Speaker 1: into their love of movies. This was still in the 149 00:07:45,400 --> 00:07:49,960 Speaker 1: day of DVDs, and not only DVDs, but burn DVDs 150 00:07:50,000 --> 00:07:52,240 Speaker 1: that your friends would make for you. What is a 151 00:07:52,240 --> 00:07:54,960 Speaker 1: burn DVD if you were under the age of maybe eighteen, 152 00:07:55,400 --> 00:07:57,960 Speaker 1: it is where you would get a file and put 153 00:07:58,120 --> 00:08:01,520 Speaker 1: a CD or a blake DVD into your computer. Yes, 154 00:08:01,560 --> 00:08:04,400 Speaker 1: computers used to have discs. You'd throw that disc in 155 00:08:04,480 --> 00:08:07,440 Speaker 1: there and you would burn that file. I don't really 156 00:08:07,520 --> 00:08:09,800 Speaker 1: know how you burn a CD, but you would hit 157 00:08:10,280 --> 00:08:13,520 Speaker 1: record or hit whatever and put that movie file onto 158 00:08:13,600 --> 00:08:16,760 Speaker 1: that physical thing, and that physical thing you would slide 159 00:08:16,760 --> 00:08:19,640 Speaker 1: into your DVD hole and on that DVD you would 160 00:08:19,720 --> 00:08:23,200 Speaker 1: hit play and you can watch a movie. And piracy 161 00:08:23,480 --> 00:08:26,600 Speaker 1: was so rampant in the two thousands, but that is 162 00:08:26,640 --> 00:08:28,680 Speaker 1: how I watched a lot of movies. You'd get the 163 00:08:28,760 --> 00:08:31,640 Speaker 1: flank DVD because we were broke. We couldn't buy every 164 00:08:31,680 --> 00:08:35,480 Speaker 1: single movie on DVD from Walmart for twenty bucks, or 165 00:08:35,520 --> 00:08:37,760 Speaker 1: we would go get a used copy at the flea market. 166 00:08:37,960 --> 00:08:42,200 Speaker 1: Shout out to Trader's Village in Granberry, Texas, where they 167 00:08:42,200 --> 00:08:45,440 Speaker 1: would also sell Bake Burn DVDs. But from the year 168 00:08:45,559 --> 00:08:49,200 Speaker 1: two thousand and four. The top ten movies turning twenty 169 00:08:49,240 --> 00:08:52,880 Speaker 1: this year At number ten Turtle Sunshine on the Spotless Mind. 170 00:08:53,080 --> 00:08:56,280 Speaker 1: I'm looking at the posters in this studio as I 171 00:08:56,320 --> 00:08:59,680 Speaker 1: do this show, the one looking right at me. Turtle Sunshine, 172 00:09:00,000 --> 00:09:03,160 Speaker 1: Spotless Mind two thousand and four. One of my favorite 173 00:09:03,160 --> 00:09:06,480 Speaker 1: movies of all time. At number nine is Anchorman getting 174 00:09:06,480 --> 00:09:09,320 Speaker 1: into some great comedies here. Two thousand and four was 175 00:09:09,360 --> 00:09:12,560 Speaker 1: a great year for comedies. Following it up at number eight, 176 00:09:12,600 --> 00:09:15,679 Speaker 1: you have Mean Girls at number seven, we have Lord 177 00:09:15,679 --> 00:09:18,720 Speaker 1: of the Rings The Return of the King. At number six, 178 00:09:18,760 --> 00:09:22,439 Speaker 1: we have National Treasure, Nick Cage doing what he does best. 179 00:09:22,559 --> 00:09:25,960 Speaker 1: I'm gonna steal the Declaration of Independence. Yes that movie. 180 00:09:26,200 --> 00:09:29,520 Speaker 1: Oh man, I watched that movie so many times in school. No, 181 00:09:29,640 --> 00:09:31,800 Speaker 1: we're just talking about that last week. But I feel 182 00:09:31,840 --> 00:09:34,880 Speaker 1: like every history teacher I had from two thousand and 183 00:09:34,960 --> 00:09:38,440 Speaker 1: four to two thousand and nine was throwing on National 184 00:09:38,520 --> 00:09:41,720 Speaker 1: Treasure on any single movie day. At number five the 185 00:09:41,800 --> 00:09:45,120 Speaker 1: day after tomorrow, an underrated movie, and I'm glad it 186 00:09:45,160 --> 00:09:48,280 Speaker 1: comes in at number five, really, because that movie made 187 00:09:48,280 --> 00:09:51,200 Speaker 1: a lot of money at the box office, and disaster 188 00:09:51,360 --> 00:09:53,680 Speaker 1: films always get the raw end of the deal when 189 00:09:53,679 --> 00:09:56,920 Speaker 1: it comes to critics scores. But look at it landing 190 00:09:57,000 --> 00:09:59,719 Speaker 1: at number five. That means it made some money. That 191 00:09:59,800 --> 00:10:03,360 Speaker 1: means this movie is so memorable. From the two thousand, 192 00:10:03,480 --> 00:10:06,640 Speaker 1: you also have Jake Jillenhoe in there too, so man, 193 00:10:07,040 --> 00:10:09,320 Speaker 1: what a career that guy's had. And that is a 194 00:10:09,360 --> 00:10:11,400 Speaker 1: movie that Kelsey and I will just watch whenever we 195 00:10:11,440 --> 00:10:13,440 Speaker 1: need a little comfort movie. I don't know what it 196 00:10:13,480 --> 00:10:15,640 Speaker 1: is about disaster movies, but that is kind of our 197 00:10:15,640 --> 00:10:17,520 Speaker 1: thing and we just want to watch something make us 198 00:10:17,520 --> 00:10:19,679 Speaker 1: feel good. I don't want a disaster movie if it's 199 00:10:19,720 --> 00:10:22,480 Speaker 1: not Twister. It is usually the Day after Tomorrow. At 200 00:10:22,559 --> 00:10:26,640 Speaker 1: number four. From Pixar, we have The Incredibles. Not only 201 00:10:26,679 --> 00:10:29,080 Speaker 1: are we in the Golden age of comedy, but we 202 00:10:29,120 --> 00:10:32,920 Speaker 1: are also in the golden age of animation, in particular 203 00:10:33,080 --> 00:10:36,720 Speaker 1: with Pixar, who came out with banger after banger after 204 00:10:36,840 --> 00:10:39,400 Speaker 1: banger in the early two thousands. One of their best 205 00:10:39,440 --> 00:10:41,560 Speaker 1: ones ever came out in two thousand and four at 206 00:10:41,640 --> 00:10:45,600 Speaker 1: number four with The Incredibles. At number three, Harry Potter 207 00:10:45,679 --> 00:10:48,520 Speaker 1: and The Prisoner of Azkaband I think that movie is 208 00:10:48,559 --> 00:10:51,480 Speaker 1: twenty years old now is mind blowing to me because 209 00:10:51,920 --> 00:10:55,160 Speaker 1: I guess I always identify with the Harry Potter movies 210 00:10:55,200 --> 00:10:59,560 Speaker 1: feeling fresh, new, and modern. But the further and further 211 00:10:59,640 --> 00:11:02,800 Speaker 1: we get away from them, I start to worry that 212 00:11:03,400 --> 00:11:06,640 Speaker 1: young people who are exposed to them will think that 213 00:11:06,720 --> 00:11:09,600 Speaker 1: they look so old and dated. That would be like 214 00:11:09,720 --> 00:11:13,160 Speaker 1: me looking at movies from the seventies and thinking those 215 00:11:13,160 --> 00:11:16,480 Speaker 1: are so old, boring and dumb, and I'm not gonna 216 00:11:16,520 --> 00:11:18,600 Speaker 1: watch them. But maybe it's just because of me, and 217 00:11:18,640 --> 00:11:20,800 Speaker 1: everybody has this different perspective. But I feel like the 218 00:11:20,840 --> 00:11:24,120 Speaker 1: world changed so much from the seventies to the nineties 219 00:11:24,400 --> 00:11:27,040 Speaker 1: than they did from two thousand and four to twenty 220 00:11:27,280 --> 00:11:29,680 Speaker 1: twenty four. So again, the idea of that just blows 221 00:11:29,679 --> 00:11:30,960 Speaker 1: my mind and I don't want to think about it. 222 00:11:30,960 --> 00:11:33,680 Speaker 1: So let's move on to number two. Spider Man two, 223 00:11:33,760 --> 00:11:37,680 Speaker 1: which on paper, is the best Spider Man movie and 224 00:11:37,800 --> 00:11:40,360 Speaker 1: has the formula. It gets right into the action, It 225 00:11:40,400 --> 00:11:43,800 Speaker 1: eliminates the need for an origin story. Doc owk A 226 00:11:43,840 --> 00:11:48,199 Speaker 1: is an incredible villain. Toby Maguire and Kirsten Dunn's chemistry 227 00:11:48,240 --> 00:11:50,800 Speaker 1: in this movie is unmatched. They really had the best 228 00:11:50,880 --> 00:11:55,000 Speaker 1: chemistry out of any single Spider Man couple, rivaled only 229 00:11:55,040 --> 00:11:58,360 Speaker 1: by Zendeia and Tom Holland. And I think, looking back now, 230 00:11:58,520 --> 00:12:01,320 Speaker 1: that is really what sets those movies apart, is their 231 00:12:01,400 --> 00:12:05,200 Speaker 1: love story and being so connected to the comics. Spider 232 00:12:05,240 --> 00:12:06,960 Speaker 1: Man two is gonna be a hard one not to 233 00:12:07,080 --> 00:12:09,960 Speaker 1: pass up. And at number one, the top movie of 234 00:12:09,960 --> 00:12:13,120 Speaker 1: two thousand and four from critics and from box office 235 00:12:13,120 --> 00:12:16,000 Speaker 1: scores is Shrek two. A lot of people say they 236 00:12:16,040 --> 00:12:18,680 Speaker 1: love Shrek two more than they love the original. For me, 237 00:12:18,800 --> 00:12:21,360 Speaker 1: it's all about the original, the one that started it all. 238 00:12:21,720 --> 00:12:24,679 Speaker 1: That one is so much more memorable to me, and 239 00:12:24,720 --> 00:12:27,280 Speaker 1: then it really diminished with the third and the fourth one, 240 00:12:27,320 --> 00:12:30,280 Speaker 1: and they're supposed to be making another one. But in 241 00:12:30,360 --> 00:12:34,040 Speaker 1: its heyday, Shrek was so dominant, and it's because it 242 00:12:34,120 --> 00:12:37,000 Speaker 1: was poking fun at all of the fairy tale movies. 243 00:12:37,480 --> 00:12:40,640 Speaker 1: It really just animation in general, and it really was 244 00:12:40,720 --> 00:12:43,559 Speaker 1: just a fun parody movie marketed towards kids. But there 245 00:12:43,600 --> 00:12:46,240 Speaker 1: was a lot of adult humor in the Shrek movies, 246 00:12:46,600 --> 00:12:49,079 Speaker 1: which I think is why they were successful, and they 247 00:12:49,080 --> 00:12:52,880 Speaker 1: crossed over into the adult world and they kind of 248 00:12:52,880 --> 00:12:56,160 Speaker 1: started that trend two of making movies for kids, but 249 00:12:56,360 --> 00:12:58,959 Speaker 1: also putting things in there for the adults. So now 250 00:12:59,240 --> 00:13:01,400 Speaker 1: when it comes to what movie I'm going to save 251 00:13:01,600 --> 00:13:05,360 Speaker 1: and burn from the two thousand and four year, this 252 00:13:05,400 --> 00:13:08,600 Speaker 1: one's tough. I love Spider Man. As I record this 253 00:13:08,679 --> 00:13:10,960 Speaker 1: episode in the studio. If you don't follow me on 254 00:13:11,000 --> 00:13:14,120 Speaker 1: TikTok and Instagram or the YouTube channel, you can always 255 00:13:14,120 --> 00:13:16,680 Speaker 1: see the set behind me. It's all Spider Man comics. 256 00:13:16,760 --> 00:13:18,719 Speaker 1: Is a Big Spider Man painting that a listener did 257 00:13:18,760 --> 00:13:21,040 Speaker 1: for me. It is hard for me not to Big 258 00:13:21,080 --> 00:13:23,600 Speaker 1: Spider Man two. But there are a lot of other 259 00:13:23,679 --> 00:13:25,720 Speaker 1: Spider Man movies that I love and I could go 260 00:13:25,800 --> 00:13:29,560 Speaker 1: watch if I had to still in this collection, So 261 00:13:29,920 --> 00:13:33,280 Speaker 1: I think the movie I'm going to keep is Harry 262 00:13:33,320 --> 00:13:37,959 Speaker 1: Potter and the Prisoner of Azkaban, that recently just entered 263 00:13:37,960 --> 00:13:40,600 Speaker 1: into my top two Harry Potter movie. It is hard 264 00:13:40,600 --> 00:13:42,480 Speaker 1: for me to get past my love of the first one. 265 00:13:42,840 --> 00:13:45,720 Speaker 1: But over the Christmas break, Kelsey and I rewatched all 266 00:13:45,760 --> 00:13:48,840 Speaker 1: the Harry Potter movies, and then at the end of 267 00:13:49,000 --> 00:13:50,920 Speaker 1: fall we also went to go see a movie in 268 00:13:50,920 --> 00:13:53,480 Speaker 1: the park where they show it on this big inflatable 269 00:13:53,520 --> 00:13:55,000 Speaker 1: screen and you get to watch it with a bunch 270 00:13:55,000 --> 00:13:58,560 Speaker 1: of people laying out in a lawn. We watch Harry 271 00:13:58,559 --> 00:14:01,320 Speaker 1: Potter and the Prisoner of Azkaban, and that movie is 272 00:14:01,400 --> 00:14:04,479 Speaker 1: just so good from start to finish, and so important 273 00:14:04,480 --> 00:14:07,320 Speaker 1: and so different than all the other Harry Potter movies 274 00:14:07,320 --> 00:14:10,600 Speaker 1: in the series that it has become my second favorite. 275 00:14:11,120 --> 00:14:12,960 Speaker 1: So it's really tough, but I'm gonna have to go 276 00:14:13,040 --> 00:14:16,160 Speaker 1: with Harry Potter and the Prisoner Azkaban of the movie 277 00:14:16,200 --> 00:14:20,080 Speaker 1: to keep. That's my two thousand and four pick in 278 00:14:20,160 --> 00:14:22,600 Speaker 1: the movie I'm getting rid of. I would get rid 279 00:14:22,640 --> 00:14:25,360 Speaker 1: of this entire franchise if I could. Let's throw it 280 00:14:25,400 --> 00:14:28,120 Speaker 1: into the flames. Lord of the Rings, The Return of 281 00:14:28,160 --> 00:14:33,760 Speaker 1: the King. Critics love these movies. I could live without them. 282 00:14:33,800 --> 00:14:38,240 Speaker 1: Put it in the flames. There we go, all right, 283 00:14:38,320 --> 00:14:41,800 Speaker 1: Moving on now to thirty years ago. I was a 284 00:14:41,880 --> 00:14:46,000 Speaker 1: Mirror three years old. In nineteen ninety four, the top 285 00:14:46,080 --> 00:14:49,160 Speaker 1: ten movies from the year according to Box Office Critics 286 00:14:49,240 --> 00:14:53,080 Speaker 1: Scores and the most searched movies on Google at number 287 00:14:53,080 --> 00:14:57,320 Speaker 1: ten is Clerks, which is surprising, not the most financially 288 00:14:57,440 --> 00:15:02,080 Speaker 1: successful movie from director Kevin Smith, but one that was 289 00:15:02,160 --> 00:15:05,600 Speaker 1: done so cheaply that has remained the blueprint for a 290 00:15:05,760 --> 00:15:08,560 Speaker 1: lot of Young Filmmakers, and number ten is Clerks. I 291 00:15:08,640 --> 00:15:10,800 Speaker 1: love that it made the list. At number nine is 292 00:15:10,880 --> 00:15:14,520 Speaker 1: True Lies, starring the one and only Arnold Schwarzenegger and 293 00:15:14,800 --> 00:15:18,240 Speaker 1: Jamie Lee Curtis. I remember not being allowed to watch 294 00:15:18,280 --> 00:15:21,560 Speaker 1: this movie growing up. It's fine. I don't know why 295 00:15:21,600 --> 00:15:24,360 Speaker 1: I made it into the top ten, because nineteen ninety 296 00:15:24,400 --> 00:15:28,040 Speaker 1: four is arguably one of the best years in cinema 297 00:15:28,080 --> 00:15:29,920 Speaker 1: of all time. There are a lot of movies that 298 00:15:30,000 --> 00:15:32,640 Speaker 1: didn't make this top ten, but the fact that Truellies 299 00:15:32,680 --> 00:15:35,400 Speaker 1: made it at number nine is shocking to me. At 300 00:15:35,480 --> 00:15:39,120 Speaker 1: number eight, a Spinterra Pet Detective. This is a movie 301 00:15:39,160 --> 00:15:41,680 Speaker 1: that shouldn't be as popular as it is, and it 302 00:15:41,720 --> 00:15:45,120 Speaker 1: really shows you the landscape of movies in the nineties 303 00:15:45,160 --> 00:15:47,960 Speaker 1: that were so ridiculous and so out there. What you 304 00:15:48,080 --> 00:15:50,680 Speaker 1: really got in the nineties was a mix of really 305 00:15:50,720 --> 00:15:53,920 Speaker 1: great dramas, a lot of movies that were really heavy, 306 00:15:54,040 --> 00:15:56,800 Speaker 1: like The Green, Miles, Schinner's List, and some other ones 307 00:15:56,840 --> 00:15:59,600 Speaker 1: that we'll get into later on this list. But then 308 00:15:59,600 --> 00:16:02,520 Speaker 1: you also I just had really stupid movies with Jim 309 00:16:02,600 --> 00:16:05,280 Speaker 1: Carrey talking out of his butt in ace Ventura. That 310 00:16:05,440 --> 00:16:09,320 Speaker 1: is the nineties. Everybody at number seven pulp fiction, the 311 00:16:09,440 --> 00:16:12,480 Speaker 1: movie that put Quentin Tarantino on the map. After this 312 00:16:12,600 --> 00:16:15,800 Speaker 1: movie came out, everybody wanted to get their own version 313 00:16:15,920 --> 00:16:18,200 Speaker 1: of pulp fiction made. And I know this movie had 314 00:16:18,240 --> 00:16:20,760 Speaker 1: a lot of critical acclaim, but I was also surprised 315 00:16:20,760 --> 00:16:22,800 Speaker 1: to see that it actually did really well at the 316 00:16:22,840 --> 00:16:25,600 Speaker 1: box office back in the nineties. At number six, you 317 00:16:25,640 --> 00:16:28,920 Speaker 1: have The Mask. At number five you have Speed, the 318 00:16:28,960 --> 00:16:31,760 Speaker 1: movie with the bus that cannot slow down. That is 319 00:16:31,800 --> 00:16:35,480 Speaker 1: how you describe Speed. Great movie, but one I don't 320 00:16:35,520 --> 00:16:37,760 Speaker 1: really go back and watch Speed because you already know 321 00:16:37,840 --> 00:16:41,120 Speaker 1: what happens and the thrill of it is gone. So 322 00:16:41,400 --> 00:16:43,960 Speaker 1: as far as nineties movies, I don't think that's the 323 00:16:44,040 --> 00:16:48,360 Speaker 1: most rewatchable. At number four, Dumb and Dumber, which was 324 00:16:48,400 --> 00:16:52,400 Speaker 1: my favorite comedy for I don't know ever. If ever 325 00:16:52,440 --> 00:16:54,240 Speaker 1: I got like a survey in school, like what's your 326 00:16:54,240 --> 00:16:57,360 Speaker 1: favorite movie, it would always be Dumb and Dumber. Growing up, 327 00:16:57,440 --> 00:16:59,720 Speaker 1: I watched this movie so much. I can quote every 328 00:16:59,800 --> 00:17:03,040 Speaker 1: single line in this movie, basically, even the dumb ones 329 00:17:03,080 --> 00:17:05,879 Speaker 1: like big gulps, huh, all right, see you later. I 330 00:17:05,880 --> 00:17:07,840 Speaker 1: can see now why old people say they don't make 331 00:17:07,880 --> 00:17:10,359 Speaker 1: them like they used to. At number three, you have 332 00:17:10,440 --> 00:17:15,000 Speaker 1: the Shawshank Redemption. At number two you have Forst Gump, 333 00:17:15,440 --> 00:17:18,200 Speaker 1: and at number one you have The Lion King. Those 334 00:17:18,200 --> 00:17:21,520 Speaker 1: are all movies turning thirty years old. Look at that 335 00:17:21,640 --> 00:17:25,240 Speaker 1: list to think that all these movies came out in 336 00:17:25,320 --> 00:17:29,600 Speaker 1: one calendar year. Not even just good movie after good movie, 337 00:17:29,600 --> 00:17:35,080 Speaker 1: classic after classic. These movies are dominant in their genres. 338 00:17:35,280 --> 00:17:37,919 Speaker 1: Lion King one of the best animated movies of all time. 339 00:17:38,280 --> 00:17:41,560 Speaker 1: Forrest Gump is not only one of the best dramas, 340 00:17:41,640 --> 00:17:45,000 Speaker 1: just hands down. If you told me your favorite movie 341 00:17:45,000 --> 00:17:48,000 Speaker 1: of all time was Forrest Gump, I couldn't argue with it. 342 00:17:48,640 --> 00:17:51,720 Speaker 1: That is one of the only few movies that's universally 343 00:17:51,800 --> 00:17:54,280 Speaker 1: loved in that way that it's okay if you don't 344 00:17:54,320 --> 00:17:56,679 Speaker 1: love it and it's not your favorite, but you can't 345 00:17:56,720 --> 00:18:00,280 Speaker 1: say that Forrest Gump is not a good movie. Josh 346 00:18:00,320 --> 00:18:04,000 Speaker 1: Ank Redemption one of the most impactful, most parodied movies 347 00:18:04,040 --> 00:18:06,560 Speaker 1: of all time. Every single one of the movies in 348 00:18:06,640 --> 00:18:10,200 Speaker 1: this list is fantastic, except for the one. I'm Gonna burn. 349 00:18:10,480 --> 00:18:12,960 Speaker 1: So the one I'm going to keep is really tough. 350 00:18:13,280 --> 00:18:15,359 Speaker 1: The Lion King. When that movie came out, you had 351 00:18:15,520 --> 00:18:18,320 Speaker 1: kids running out of the theater having to be consoled 352 00:18:18,560 --> 00:18:21,439 Speaker 1: in the lobbies of theaters because they weren't prepared for it. 353 00:18:21,560 --> 00:18:24,800 Speaker 1: Tom Hanks gave his best performance ever in Forrest Gump. 354 00:18:25,000 --> 00:18:28,200 Speaker 1: I mean also the fact that you have three Jim 355 00:18:28,280 --> 00:18:31,360 Speaker 1: Carrey movies on this list. Had an incredible nineteen ninety 356 00:18:31,359 --> 00:18:34,600 Speaker 1: four Dumb and Dumber, The Mask and a spintera Pet Detective, 357 00:18:34,680 --> 00:18:36,560 Speaker 1: And I think that is where I'm going to look 358 00:18:36,600 --> 00:18:39,159 Speaker 1: to pick the movie I'm gonna save. It's gonna have 359 00:18:39,240 --> 00:18:42,120 Speaker 1: to go to Dumb and Dumber. Out of all these movies. 360 00:18:42,200 --> 00:18:44,719 Speaker 1: If there was only one that I could continue watching 361 00:18:44,800 --> 00:18:46,560 Speaker 1: every single day, I just had to hit play on 362 00:18:46,600 --> 00:18:49,280 Speaker 1: it and watch it all the way through. It's gonna 363 00:18:49,320 --> 00:18:51,480 Speaker 1: be Dumb and Dumber. That's the one we're keeping from 364 00:18:51,560 --> 00:18:56,080 Speaker 1: ninety four, And the one we're gonna burn is the 365 00:18:56,080 --> 00:18:58,760 Speaker 1: one I gave the least love to throw it in 366 00:18:58,800 --> 00:19:06,320 Speaker 1: the fire. True Life all right movies turning forty years 367 00:19:06,359 --> 00:19:08,960 Speaker 1: old this year. All of these came out in nineteen 368 00:19:09,640 --> 00:19:12,960 Speaker 1: eighty four. It was seven years until I would even 369 00:19:13,040 --> 00:19:16,760 Speaker 1: be born. Wow, parents weren't even thinking of me yet. 370 00:19:17,080 --> 00:19:19,119 Speaker 1: I was a mere glimmer in my dad's eye. But 371 00:19:19,200 --> 00:19:22,800 Speaker 1: at number ten, a nightmare on ELM Street. I'm glad 372 00:19:22,840 --> 00:19:24,879 Speaker 1: that this one makes the list. I think the reason 373 00:19:24,920 --> 00:19:27,880 Speaker 1: why it's so low down there is because didn't really 374 00:19:27,920 --> 00:19:30,040 Speaker 1: make a whole lot of money at the box office, 375 00:19:30,080 --> 00:19:33,439 Speaker 1: but later through VHS sales and word of mouth and 376 00:19:33,480 --> 00:19:37,199 Speaker 1: the fan base spawned a ton of sequels, which it's 377 00:19:37,240 --> 00:19:40,439 Speaker 1: about time for another reboot of a Nightmare on ELM Street. 378 00:19:40,880 --> 00:19:43,040 Speaker 1: I know I give reboots a hard time, but when 379 00:19:43,119 --> 00:19:45,840 Speaker 1: it comes to horror, I'm okay with it because I 380 00:19:45,840 --> 00:19:48,720 Speaker 1: feel like those characters just continue to live on and 381 00:19:48,800 --> 00:19:51,320 Speaker 1: I don't hate it. Michael Myers has had so many 382 00:19:51,359 --> 00:19:54,000 Speaker 1: different versions, some of them good, some of them bad. 383 00:19:54,040 --> 00:19:57,280 Speaker 1: There are so many Friday the Thirteenth movies. Anytime they 384 00:19:57,320 --> 00:20:01,000 Speaker 1: decide it is the perfect opportunity to rebooted again, so 385 00:20:01,119 --> 00:20:03,280 Speaker 1: we'll probably get one of the next four or five years. 386 00:20:03,280 --> 00:20:06,560 Speaker 1: To be honest. At number nine, you have Sixteen Candles 387 00:20:06,560 --> 00:20:09,720 Speaker 1: from John Hughes, who ruled the eighties, and I give 388 00:20:09,760 --> 00:20:12,000 Speaker 1: the eighties a hard time because I just think the 389 00:20:12,040 --> 00:20:16,640 Speaker 1: movies are very cheesy and the eighties in general were 390 00:20:16,680 --> 00:20:20,639 Speaker 1: just really lacking emotional death. You had the movies like 391 00:20:20,680 --> 00:20:23,240 Speaker 1: Sixteen Candles and all the other John Hughes movies that 392 00:20:23,320 --> 00:20:25,480 Speaker 1: were good at the time, and maybe it was just 393 00:20:25,520 --> 00:20:27,680 Speaker 1: one of those decades where you had to be there. 394 00:20:27,880 --> 00:20:30,480 Speaker 1: Because a lot of these movies that are considered classics 395 00:20:30,520 --> 00:20:33,359 Speaker 1: from the eighties, there are very few that I have 396 00:20:33,480 --> 00:20:36,240 Speaker 1: watched and actually enjoyed and would go back to. First 397 00:20:36,280 --> 00:20:38,159 Speaker 1: when it comes to mind, Back to the Future, one 398 00:20:38,200 --> 00:20:40,720 Speaker 1: of the best movies of all time. But a lot 399 00:20:40,720 --> 00:20:42,720 Speaker 1: of the other movies on this list would be considered 400 00:20:42,760 --> 00:20:46,840 Speaker 1: eighties classics, and I could honestly do with burning all 401 00:20:46,920 --> 00:20:50,080 Speaker 1: of these, But again I'll refrain from my bias of 402 00:20:50,119 --> 00:20:52,760 Speaker 1: not loving eighties movies and continue on with the list, 403 00:20:53,040 --> 00:20:56,160 Speaker 1: because at number eight you have the Terminator. At number 404 00:20:56,200 --> 00:20:58,560 Speaker 1: seven you have Footloot. See what I'm talking about. You 405 00:20:58,640 --> 00:21:01,520 Speaker 1: got movies like Footloos with people dancing around. That was 406 00:21:01,560 --> 00:21:03,840 Speaker 1: like the theme in the eighties, We're Gonna dance. It 407 00:21:03,880 --> 00:21:06,280 Speaker 1: just seemed like everybody was dancing to pop music in 408 00:21:06,320 --> 00:21:08,639 Speaker 1: this decade, which I guess we're all doing now. But 409 00:21:08,680 --> 00:21:11,640 Speaker 1: on TikTok anyway, carrying on with the list, at number six, 410 00:21:11,680 --> 00:21:14,720 Speaker 1: you have Police Academy. I don't really remember the plotline 411 00:21:14,760 --> 00:21:17,280 Speaker 1: of all the Police Academy movies. We all just really 412 00:21:17,280 --> 00:21:19,960 Speaker 1: remember the guy who would do the voice effects with 413 00:21:20,040 --> 00:21:23,560 Speaker 1: his mouth. That is the most memorable thing about Police Academy. 414 00:21:23,920 --> 00:21:27,320 Speaker 1: And apparently that was enough to spawn an entire franchise 415 00:21:27,359 --> 00:21:30,159 Speaker 1: of these movies. I remember at one point whenever I 416 00:21:30,240 --> 00:21:32,520 Speaker 1: was just renting a bunch of movies from Netflix, back 417 00:21:32,560 --> 00:21:35,399 Speaker 1: when you could actually get DVDs. I try to watch 418 00:21:35,560 --> 00:21:38,199 Speaker 1: every single one of the Police Academy movies, but I 419 00:21:38,200 --> 00:21:40,280 Speaker 1: think I only made it to about three because they 420 00:21:40,280 --> 00:21:44,080 Speaker 1: get so repetitive. The first one is good, fine, even, 421 00:21:44,440 --> 00:21:46,639 Speaker 1: but after that you don't really need to watch anymore 422 00:21:46,680 --> 00:21:50,520 Speaker 1: Police Academy movies. At number five you have The Karate Kid, 423 00:21:50,560 --> 00:21:53,520 Speaker 1: which I'm curious to see the rebooted version that they 424 00:21:53,520 --> 00:21:56,359 Speaker 1: are doing later this year with Ralph Macchio coming back 425 00:21:56,640 --> 00:21:59,280 Speaker 1: and Jackie Chan being a part of that. One actually 426 00:21:59,280 --> 00:22:01,800 Speaker 1: think looking at the every movie in the top five 427 00:22:02,000 --> 00:22:05,199 Speaker 1: is a quintessential eighties movie. And number four you have 428 00:22:05,280 --> 00:22:09,080 Speaker 1: Grimlins and number three Indiana Jones and The Temple of Doom. 429 00:22:09,480 --> 00:22:13,080 Speaker 1: At number two Ghostbusters. I'm gonna talk about Ghostbusters a 430 00:22:13,080 --> 00:22:14,840 Speaker 1: little bit. I'll get into it more when we're talking 431 00:22:14,840 --> 00:22:17,080 Speaker 1: about the new one. But there is such a die 432 00:22:17,200 --> 00:22:22,920 Speaker 1: hard fandom for Ghostbusters. A lot of fanboys, guys love Ghostbusters. 433 00:22:23,160 --> 00:22:25,040 Speaker 1: I don't think it's a bad movie. I'm not gonna 434 00:22:25,040 --> 00:22:27,200 Speaker 1: hold the special effects to it because it came out 435 00:22:27,240 --> 00:22:29,720 Speaker 1: in the eighties. But when I think of classics that 436 00:22:29,760 --> 00:22:33,280 Speaker 1: I want on my shelf, I'm not putting Ghostbusters up there. 437 00:22:33,560 --> 00:22:36,480 Speaker 1: And at number one is Beverly Hills Cop and they're 438 00:22:36,520 --> 00:22:39,639 Speaker 1: making another one of these. They're really digging into the 439 00:22:39,720 --> 00:22:42,440 Speaker 1: eighties well, and maybe it's because a lot of these 440 00:22:42,440 --> 00:22:44,240 Speaker 1: movies were made way back then and you can do 441 00:22:44,280 --> 00:22:46,560 Speaker 1: a lot of improvements now, you can make them look better. 442 00:22:46,720 --> 00:22:48,600 Speaker 1: But I just feel a lot of them you had 443 00:22:48,600 --> 00:22:50,520 Speaker 1: to be there. But we do have to keep one, 444 00:22:50,520 --> 00:22:53,040 Speaker 1: and we do have to burn one. This one isn't 445 00:22:53,040 --> 00:22:55,520 Speaker 1: even one I have to compromise to keep. I love 446 00:22:55,560 --> 00:22:58,600 Speaker 1: this movie. I rewatch it every year around Halloween time, 447 00:22:59,160 --> 00:23:01,560 Speaker 1: and it's still a movie that's scary. I don't care 448 00:23:01,640 --> 00:23:04,320 Speaker 1: how old you get. The idea that somebody can kill 449 00:23:04,320 --> 00:23:08,520 Speaker 1: you in your sleep is terrifying place where really, the 450 00:23:08,560 --> 00:23:10,919 Speaker 1: only plays I have piece is when I'm sleeping and 451 00:23:10,920 --> 00:23:13,240 Speaker 1: you're telling me a dude with razor blade fingers it's 452 00:23:13,240 --> 00:23:16,280 Speaker 1: gonna come into my dreams. I Am Keeping a Nightmare 453 00:23:16,320 --> 00:23:20,359 Speaker 1: on elm Street. Fantastic movie. And also one in the 454 00:23:20,480 --> 00:23:24,800 Speaker 1: eighties where they use practical special effects, real fake blood 455 00:23:25,359 --> 00:23:28,000 Speaker 1: to make that movie so much more impactful and look 456 00:23:28,080 --> 00:23:30,800 Speaker 1: so much better on screen that if you still watch 457 00:23:30,840 --> 00:23:33,240 Speaker 1: this movie in twenty twenty four, not all of the 458 00:23:33,359 --> 00:23:37,000 Speaker 1: special effects look so hokey and cheesy, because when you 459 00:23:37,040 --> 00:23:41,760 Speaker 1: put real dedication into filmmaking creating practical effects, it looks 460 00:23:41,800 --> 00:23:44,600 Speaker 1: better forty years down the line. But the movie I'm 461 00:23:44,640 --> 00:23:47,240 Speaker 1: Going to Burn, it's an easy one. I don't really 462 00:23:47,280 --> 00:23:49,960 Speaker 1: like dancing in my movies. Let it alone to songs 463 00:23:49,960 --> 00:23:56,520 Speaker 1: from the eighties, throw footloose into the Inferno. Well we'll 464 00:23:56,520 --> 00:24:02,200 Speaker 1: do a double light on that one, all right. And finally, 465 00:24:02,800 --> 00:24:06,120 Speaker 1: movies turning fifty years old this year. All of these 466 00:24:06,160 --> 00:24:10,439 Speaker 1: movies came out in nineteen seventy four, seventeen years before 467 00:24:10,520 --> 00:24:13,919 Speaker 1: I was born. But in comparison, my dad was about 468 00:24:14,080 --> 00:24:18,280 Speaker 1: fourteen years old back in nineteen seventy four, so he 469 00:24:18,359 --> 00:24:20,159 Speaker 1: didn't go to the movies much in Mexico. So I 470 00:24:20,200 --> 00:24:22,240 Speaker 1: doubt you've seen any of these movies even to this day. 471 00:24:22,359 --> 00:24:25,720 Speaker 1: Doesn't watch TV, doesn't watch movies, but at number ten, 472 00:24:25,920 --> 00:24:29,520 Speaker 1: you have The Towering Inferno. At number nine, you have 473 00:24:29,680 --> 00:24:33,800 Speaker 1: The Conversation. At number eight, you have Alice doesn't live 474 00:24:33,880 --> 00:24:37,600 Speaker 1: here anymore. I'll be fully transparent with you, guys. I 475 00:24:37,720 --> 00:24:40,680 Speaker 1: try to watch every single movie I come across as 476 00:24:40,680 --> 00:24:43,879 Speaker 1: a movie historian, as a movie enthusiast, as a person 477 00:24:43,880 --> 00:24:47,280 Speaker 1: who has a movie podcast. I have not seen any 478 00:24:47,280 --> 00:24:50,800 Speaker 1: of those three movies, and I've read about them now 479 00:24:51,080 --> 00:24:53,800 Speaker 1: as I was putting together this list, and eventually I 480 00:24:53,800 --> 00:24:57,080 Speaker 1: will go watch those movies, mainly because I feel like 481 00:24:57,200 --> 00:25:01,880 Speaker 1: if I have the weakest decade the seventies, Because even 482 00:25:01,920 --> 00:25:04,240 Speaker 1: though I don't fully love the eighties, I've seen a 483 00:25:04,240 --> 00:25:07,119 Speaker 1: lot of those movies. Having older siblings who grew up 484 00:25:07,160 --> 00:25:09,480 Speaker 1: in the eighties, they love a lot of those movies, 485 00:25:09,480 --> 00:25:12,360 Speaker 1: so I've been exposed to them. Comes to movies from 486 00:25:12,400 --> 00:25:15,159 Speaker 1: the seventies, my parents didn't watch movies, so I was 487 00:25:15,200 --> 00:25:18,000 Speaker 1: never really exposed to seventies movies. But I also don't 488 00:25:18,080 --> 00:25:21,119 Speaker 1: use that as an excuse. Just because you weren't alive 489 00:25:21,119 --> 00:25:22,800 Speaker 1: when something came out, does it mean you can't go 490 00:25:22,880 --> 00:25:26,199 Speaker 1: research it. So as of service to you guys, I 491 00:25:26,240 --> 00:25:28,919 Speaker 1: will eventually watch every single movie on this list. That 492 00:25:28,960 --> 00:25:32,080 Speaker 1: I have not seen from the seventies, my weakest decade. 493 00:25:32,080 --> 00:25:34,600 Speaker 1: Maybe I'll do an episode down the line just covering 494 00:25:34,600 --> 00:25:36,840 Speaker 1: seventies movies. Hey, we'll go back in time. They had 495 00:25:36,880 --> 00:25:38,960 Speaker 1: podcasts back in the seventies. This would be the one 496 00:25:39,000 --> 00:25:42,520 Speaker 1: to listen to. At number seven. The Texas Chainsaw Mascer. Okay, 497 00:25:42,520 --> 00:25:43,920 Speaker 1: from here on now, I think I've seen all of 498 00:25:43,960 --> 00:25:47,040 Speaker 1: these other movies. Texas Changs are Massacre, I've not only seen, 499 00:25:47,320 --> 00:25:50,159 Speaker 1: but it is one of my favorite horror movies. Leatherface 500 00:25:50,200 --> 00:25:52,960 Speaker 1: in that one is so gross and visceral, and it's 501 00:25:53,080 --> 00:25:56,159 Speaker 1: oh like the slasher movies and horror movies of the 502 00:25:56,240 --> 00:25:59,760 Speaker 1: seventies are one of my favorite aesthetics. Just the movie 503 00:25:59,800 --> 00:26:02,800 Speaker 1: trait Taylors to seventies horror movies, you know those real 504 00:26:02,960 --> 00:26:07,600 Speaker 1: rough cuts, the sound design, the chilling voice over seventies 505 00:26:07,640 --> 00:26:11,240 Speaker 1: horror movies. Oh my gosh, I love them. Texas Chainsaw 506 00:26:11,440 --> 00:26:13,399 Speaker 1: one of the best, the longest yard of the original 507 00:26:13,440 --> 00:26:16,440 Speaker 1: one with Burt Reynolds. Given my age, I am more 508 00:26:16,560 --> 00:26:19,119 Speaker 1: the fan of the Adam Sandler one. Back to the argument, 509 00:26:19,240 --> 00:26:21,679 Speaker 1: sometimes you just gotta be there, and for me, I 510 00:26:21,800 --> 00:26:23,920 Speaker 1: was there on the two thousands and I loved Adam 511 00:26:24,000 --> 00:26:26,879 Speaker 1: Sandler in this same role, but I have seen the 512 00:26:26,920 --> 00:26:30,080 Speaker 1: original one because when I first saw the Adam Sandler 513 00:26:30,160 --> 00:26:32,439 Speaker 1: version of The Two Thousands, I didn't realize it was 514 00:26:32,440 --> 00:26:34,399 Speaker 1: a remake. And as soon as I find out that 515 00:26:34,400 --> 00:26:36,760 Speaker 1: a movie is a remake, I am immediately going over 516 00:26:36,880 --> 00:26:39,600 Speaker 1: and watching the original movie. And also because Burt Reynolds 517 00:26:39,640 --> 00:26:42,040 Speaker 1: is also in the Adam Sandler one at number five. 518 00:26:42,560 --> 00:26:47,000 Speaker 1: Blazing Saddles mel Brooks movies are films that I was 519 00:26:47,480 --> 00:26:50,359 Speaker 1: exposed to more because of my love of The Simpsons, 520 00:26:50,400 --> 00:26:54,000 Speaker 1: and they would always reference movies from mel Brooks, Blazing 521 00:26:54,040 --> 00:26:56,720 Speaker 1: Saddles being one of them. And I also feel, as 522 00:26:56,760 --> 00:27:00,919 Speaker 1: somebody who does stand up and writes comedy, I listened 523 00:27:00,920 --> 00:27:03,520 Speaker 1: to a lot of people speak about their influences when 524 00:27:03,520 --> 00:27:06,160 Speaker 1: it comes to things that they found funny and things 525 00:27:06,200 --> 00:27:09,600 Speaker 1: they draw inspiration from, and for a lot of comedians 526 00:27:09,680 --> 00:27:13,280 Speaker 1: it is movies like Blazing Saddles. Anything from mel Brooks 527 00:27:13,560 --> 00:27:17,080 Speaker 1: is highly influential. A number four is another movie kind 528 00:27:17,080 --> 00:27:19,560 Speaker 1: of in the same vein you also have Gene Wilder 529 00:27:19,640 --> 00:27:23,320 Speaker 1: in Young Frankenstein, which is one of the best horror 530 00:27:23,359 --> 00:27:26,879 Speaker 1: comedy classics of all time, and a movie that. Of course, 531 00:27:26,960 --> 00:27:29,080 Speaker 1: I didn't grow up with this one. I wasn't alive 532 00:27:29,119 --> 00:27:33,320 Speaker 1: when it came out, But this is one that transcends decades, 533 00:27:33,560 --> 00:27:36,280 Speaker 1: and one that if you consider yourself to be somebody 534 00:27:36,280 --> 00:27:39,480 Speaker 1: who loves film and you haven't seen Young Frankenstein, you 535 00:27:39,560 --> 00:27:41,960 Speaker 1: gotta go back and watch this one. At number three 536 00:27:42,200 --> 00:27:45,240 Speaker 1: you have The Trial of Billy Jack, another one I'll 537 00:27:45,280 --> 00:27:48,240 Speaker 1: admit I have not seen. And number two you have Chinatown. 538 00:27:48,320 --> 00:27:50,280 Speaker 1: I have seen that one. But at number one you 539 00:27:50,320 --> 00:27:54,000 Speaker 1: have The Godfather Part two. Very few times I would 540 00:27:54,040 --> 00:27:56,800 Speaker 1: say that a sequel is better than the original, but 541 00:27:57,119 --> 00:28:00,920 Speaker 1: most definitely the case with The Godfather. Now which one 542 00:28:01,000 --> 00:28:03,320 Speaker 1: are we going to burn? Which one are we going 543 00:28:03,400 --> 00:28:06,439 Speaker 1: to keep? I think the keep here is a pretty 544 00:28:06,480 --> 00:28:08,960 Speaker 1: easy pick. It is gonna be leather Faced and the 545 00:28:09,000 --> 00:28:14,080 Speaker 1: Texas Chainsaw Massacre and the movie I Am Going to Burn. 546 00:28:14,320 --> 00:28:16,159 Speaker 1: I could burn a lot of these. I let you 547 00:28:16,280 --> 00:28:18,840 Speaker 1: know the ones I haven't seen. I'm gonna go way 548 00:28:18,880 --> 00:28:21,320 Speaker 1: down to the list. And because it has Inferno in 549 00:28:21,400 --> 00:28:27,760 Speaker 1: the title, We're gonna burn the Towering Inferno because I 550 00:28:27,800 --> 00:28:30,400 Speaker 1: think it wants to be burned, right, The Towering Inferno 551 00:28:30,440 --> 00:28:33,840 Speaker 1: definitely wants to go. So that is the list of 552 00:28:33,920 --> 00:28:37,639 Speaker 1: movies turning ten, twenty thirty, forty and fifty years old. 553 00:28:37,880 --> 00:28:40,560 Speaker 1: To recap, these are the movies we're adding into the 554 00:28:40,560 --> 00:28:43,280 Speaker 1: movie in my collection. So if we all had just 555 00:28:43,360 --> 00:28:46,160 Speaker 1: a shelf where we were putting movies, these would be 556 00:28:46,160 --> 00:28:48,640 Speaker 1: ones that would be available for all of us to watch. 557 00:28:48,880 --> 00:28:52,840 Speaker 1: Based on my picks, we would have Interstellar from twenty fourteen, 558 00:28:53,240 --> 00:28:55,960 Speaker 1: Harry Potter and the Prisoner of Azkaban from two thousand 559 00:28:56,000 --> 00:28:59,120 Speaker 1: and four. Then we also kept Dumb and Dumber from 560 00:28:59,200 --> 00:29:03,760 Speaker 1: nineteen ninety, A Nightmare on Elm Street from nineteen eighty four, 561 00:29:04,160 --> 00:29:08,400 Speaker 1: and The Texas Chainsaw Massacre from nineteen seventy four, and 562 00:29:08,440 --> 00:29:11,960 Speaker 1: the movies We All Set on Fire from twenty fourteen. 563 00:29:12,400 --> 00:29:15,040 Speaker 1: We got rid of Boyhood from two thousand and four. 564 00:29:15,120 --> 00:29:17,520 Speaker 1: The movie we never have to watch again is Lord 565 00:29:17,520 --> 00:29:20,280 Speaker 1: of the Rings the Return of the King from nineteen 566 00:29:20,400 --> 00:29:23,480 Speaker 1: ninety four. We got rid of True Lies. From nineteen 567 00:29:23,600 --> 00:29:26,440 Speaker 1: eighty four, we got rid of Footloose See You Later, 568 00:29:26,920 --> 00:29:29,840 Speaker 1: and from nineteen seventy four we got rid of The 569 00:29:30,000 --> 00:29:33,560 Speaker 1: Towering Inferno. So that is the list. We'll come back 570 00:29:33,640 --> 00:29:36,120 Speaker 1: and review Argyle and then we'll talk about the new 571 00:29:36,160 --> 00:29:44,200 Speaker 1: Ghostbusters movie coming out in March. Let's get into it now. 572 00:29:44,280 --> 00:29:48,120 Speaker 1: A spoiler free review of Argyle. I've been seeing this 573 00:29:48,240 --> 00:29:51,560 Speaker 1: trailer for I don't know six months, and a movie 574 00:29:51,640 --> 00:29:56,000 Speaker 1: that has spent so much money on marketing and advertising, 575 00:29:56,040 --> 00:29:58,600 Speaker 1: and you have a pretty good cast here with Henry Cavill, 576 00:29:58,800 --> 00:30:03,520 Speaker 1: Bryce Dallas Howard's Sam Rockwell, Dua Lipa John Cena from 577 00:30:03,600 --> 00:30:07,400 Speaker 1: director Matthew Vaughan, who was also done the Kingsman movies. 578 00:30:07,440 --> 00:30:09,560 Speaker 1: He did X Men First Class, and he did one 579 00:30:09,600 --> 00:30:13,520 Speaker 1: of my favorite superhero movies, Kick Ass. The movie costs 580 00:30:13,520 --> 00:30:16,280 Speaker 1: two hundred million dollars to make. It's about two hours 581 00:30:16,320 --> 00:30:19,640 Speaker 1: and twenty minutes, which is a pretty long run time. 582 00:30:19,760 --> 00:30:24,240 Speaker 1: It's an Apple Original film, rated PG thirteen. It's described 583 00:30:24,640 --> 00:30:27,400 Speaker 1: as an action thriller, and I will say at the 584 00:30:27,440 --> 00:30:31,200 Speaker 1: top of this review, I mean there was action in it. 585 00:30:31,200 --> 00:30:34,760 Speaker 1: It was weak, kind of lame, made for kids action. 586 00:30:35,240 --> 00:30:37,320 Speaker 1: So what the premise of this movie is. Bryce Dallas 587 00:30:37,320 --> 00:30:40,720 Speaker 1: Howard plays an author. She meets a real life spy 588 00:30:40,920 --> 00:30:43,320 Speaker 1: on a train. He tells her that the things that 589 00:30:43,400 --> 00:30:47,400 Speaker 1: she has been writing about she's actually predicted real life events. 590 00:30:47,400 --> 00:30:50,240 Speaker 1: So now people want to capture her because they believe 591 00:30:50,640 --> 00:30:53,560 Speaker 1: that she is onto something bigger than herself. And that's 592 00:30:53,600 --> 00:30:55,960 Speaker 1: really all I can tell you about the plot, because 593 00:30:55,960 --> 00:30:59,000 Speaker 1: again we're a spoiler free show here. Everything that is 594 00:30:59,040 --> 00:31:02,080 Speaker 1: shown in the trailer, that's the initial setup. So she 595 00:31:02,160 --> 00:31:05,040 Speaker 1: meets Sam Rockwell, they're going at an adventure together, and 596 00:31:05,080 --> 00:31:07,760 Speaker 1: then it's a spy movie. The tagline of this movie 597 00:31:07,880 --> 00:31:11,680 Speaker 1: is the bigger the spy, the bigger the lie, and 598 00:31:11,720 --> 00:31:14,560 Speaker 1: that kind of plays out throughout the entire spy movies. 599 00:31:14,600 --> 00:31:17,240 Speaker 1: You can imagine with a movie like this a lot 600 00:31:17,240 --> 00:31:19,480 Speaker 1: of twists and turn so I won't get into all 601 00:31:19,480 --> 00:31:22,160 Speaker 1: of the details about that, So let's talk about where 602 00:31:22,160 --> 00:31:24,560 Speaker 1: this movie went wrong and why it only made eighteen 603 00:31:24,640 --> 00:31:28,280 Speaker 1: million dollars at the box office. The movie started off very, 604 00:31:28,920 --> 00:31:32,120 Speaker 1: very cheesy. It's a very kind of cheeky play on 605 00:31:32,200 --> 00:31:34,600 Speaker 1: the whole spy thriller. What you have in the movie, 606 00:31:34,600 --> 00:31:36,920 Speaker 1: it goes back and forth between playing out things from 607 00:31:36,960 --> 00:31:39,720 Speaker 1: the book and then how it actually happens in real life. 608 00:31:39,760 --> 00:31:43,080 Speaker 1: So Henry Cavill plays Argyle in the book, so you 609 00:31:43,160 --> 00:31:46,120 Speaker 1: have scenes from the book being acted out as either 610 00:31:46,160 --> 00:31:48,400 Speaker 1: the story is being read or as she is writing 611 00:31:48,440 --> 00:31:51,160 Speaker 1: the story. And I found cutting from that to the 612 00:31:51,240 --> 00:31:54,440 Speaker 1: real life action was a little bit weird. I understand 613 00:31:54,480 --> 00:31:56,600 Speaker 1: what they were trying to do with that, but it 614 00:31:56,800 --> 00:32:01,520 Speaker 1: really fell flat. My biggest plint with this movie is 615 00:32:01,760 --> 00:32:04,840 Speaker 1: it's an action movie. The director knows action, you can 616 00:32:04,880 --> 00:32:07,840 Speaker 1: tell by his resume, but he knows action in the 617 00:32:08,080 --> 00:32:11,800 Speaker 1: R rated genre, and this almost felt like the studio 618 00:32:11,880 --> 00:32:14,560 Speaker 1: came to him saying, hey, we love what you do, 619 00:32:14,840 --> 00:32:16,680 Speaker 1: but we want a little bit more of a family 620 00:32:16,720 --> 00:32:19,360 Speaker 1: friendly version of what you do. So they slapped a 621 00:32:19,400 --> 00:32:23,320 Speaker 1: PG thirteen rating on it. And what that does is 622 00:32:23,480 --> 00:32:26,240 Speaker 1: it creates a lot of weak action. There are a 623 00:32:26,240 --> 00:32:28,680 Speaker 1: lot of guns in this movie, a lot of shootouts 624 00:32:28,920 --> 00:32:32,200 Speaker 1: and people getting shot, but there is no blood. So 625 00:32:32,400 --> 00:32:35,640 Speaker 1: it very much feels like it's playing to a younger audience. 626 00:32:36,240 --> 00:32:38,440 Speaker 1: But all the themes in this movie are playing to 627 00:32:38,640 --> 00:32:42,480 Speaker 1: an older audience, so I don't really think they had 628 00:32:42,520 --> 00:32:45,360 Speaker 1: it targeted down of who they wanted this movie to 629 00:32:45,400 --> 00:32:48,440 Speaker 1: appeal to. Maybe they also said, what if you made 630 00:32:48,480 --> 00:32:50,120 Speaker 1: one of your movies and made it a little bit 631 00:32:50,160 --> 00:32:52,840 Speaker 1: more female friendly, you throw to do Aleapa in there, 632 00:32:52,840 --> 00:32:55,240 Speaker 1: Bryce Styllis Howard, Maybe that's a little bit more appealing. 633 00:32:55,760 --> 00:32:58,800 Speaker 1: But even then, did it really come across in this 634 00:32:58,840 --> 00:33:04,440 Speaker 1: movie because all the action sequences were beyond cheesy. My 635 00:33:04,640 --> 00:33:07,920 Speaker 1: favorite thing out of its entire movie was the cat. 636 00:33:08,240 --> 00:33:10,640 Speaker 1: I think the cat actually wrote this movie because it 637 00:33:10,760 --> 00:33:15,360 Speaker 1: made literally no sense and it tried to be very 638 00:33:15,440 --> 00:33:19,360 Speaker 1: witty and thoughtful and throw things at you, but it 639 00:33:19,440 --> 00:33:22,520 Speaker 1: was so poorly done. And it's surprising to me of 640 00:33:22,560 --> 00:33:25,560 Speaker 1: how many great actors are actually involved in this project. Yeah, 641 00:33:25,680 --> 00:33:29,360 Speaker 1: Brian Krantz been breaking bad himself in this movie, and 642 00:33:29,440 --> 00:33:32,840 Speaker 1: it just was hard for me to believe and hear 643 00:33:32,920 --> 00:33:37,720 Speaker 1: their performances. And the acting from great actors was so 644 00:33:37,720 --> 00:33:41,680 Speaker 1: so bad. And I like Sam rockwell, but he did 645 00:33:41,720 --> 00:33:44,080 Speaker 1: not really do a good job at leading this movie. 646 00:33:44,360 --> 00:33:48,760 Speaker 1: And Bryce Ellis Howard in his chemistry was so off putting, 647 00:33:49,360 --> 00:33:52,760 Speaker 1: and her character altogether, I don't know exactly what they 648 00:33:52,760 --> 00:33:56,080 Speaker 1: were trying to accomplish with her, but it was so 649 00:33:56,400 --> 00:33:59,240 Speaker 1: unbelievable to have somebody who was supposed to be so 650 00:33:59,320 --> 00:34:03,280 Speaker 1: smart being author be so clueless. Through the better part 651 00:34:03,320 --> 00:34:06,640 Speaker 1: of this movie. A lot of the details just didn't 652 00:34:06,680 --> 00:34:09,000 Speaker 1: really add up for me. And as I'm watching this 653 00:34:09,120 --> 00:34:12,279 Speaker 1: movie and thinking about who exactly was this movie made for, 654 00:34:12,960 --> 00:34:16,800 Speaker 1: I feel like the premise of Argyle and the entire 655 00:34:16,880 --> 00:34:20,680 Speaker 1: story probably would have worked better as an animated film. 656 00:34:20,719 --> 00:34:23,440 Speaker 1: There were some elements of that, with Argyle having like 657 00:34:23,520 --> 00:34:26,640 Speaker 1: action figures, and when I saw that action figure, I thought, 658 00:34:27,040 --> 00:34:29,000 Speaker 1: that's what this movie needs to be. It needs to 659 00:34:29,040 --> 00:34:34,040 Speaker 1: be a spy animated movie, because everything is so outlandish 660 00:34:34,160 --> 00:34:37,520 Speaker 1: and just so cheesy that it would probably work better 661 00:34:37,560 --> 00:34:39,960 Speaker 1: if they took this story and could even be a hit. 662 00:34:40,320 --> 00:34:42,879 Speaker 1: If they just made it directly for kids, with all 663 00:34:42,880 --> 00:34:45,359 Speaker 1: these people voicing these characters, it probably would have been 664 00:34:45,360 --> 00:34:49,000 Speaker 1: a much better film. Argyle had one of the worst 665 00:34:49,000 --> 00:34:52,760 Speaker 1: scenes in any movie I've seen in such a long time. 666 00:34:53,120 --> 00:34:56,719 Speaker 1: I watched this one scene in particular and thought, this 667 00:34:56,880 --> 00:34:59,920 Speaker 1: is the dumbest thing I have ever seen. How to 668 00:35:00,040 --> 00:35:03,560 Speaker 1: did anybody think that this was going to work? I 669 00:35:03,680 --> 00:35:08,399 Speaker 1: felt dumber after watching this scene. And then not only 670 00:35:08,440 --> 00:35:11,160 Speaker 1: did that scene completely fall flat, but they followed it 671 00:35:11,239 --> 00:35:15,000 Speaker 1: up with an even dumber scene. So this was one 672 00:35:15,040 --> 00:35:18,440 Speaker 1: of the most pointless movies I have ever seen. And 673 00:35:18,480 --> 00:35:21,960 Speaker 1: to think they spent two hundred million dollars on this garbage. 674 00:35:22,040 --> 00:35:23,960 Speaker 1: You could have paid me forty bucks in an ice 675 00:35:24,040 --> 00:35:26,680 Speaker 1: coffee and I probably could have made a better movie. 676 00:35:26,920 --> 00:35:29,520 Speaker 1: And I got sad every time I saw Henry Cavill 677 00:35:29,600 --> 00:35:32,719 Speaker 1: on screen, thinking that man, he was supposed to come 678 00:35:32,760 --> 00:35:35,319 Speaker 1: back as Superman, because I do think Henry Cavill is 679 00:35:35,320 --> 00:35:38,080 Speaker 1: a good actor and he is such a great Superman, 680 00:35:38,160 --> 00:35:40,920 Speaker 1: and to think he was all teed up to come 681 00:35:40,960 --> 00:35:43,400 Speaker 1: back as Superman. He left his job on the Witcher 682 00:35:43,640 --> 00:35:45,799 Speaker 1: and then they left him high and dry, and now 683 00:35:45,840 --> 00:35:48,879 Speaker 1: he's not going to be Superman again. Instead, he needed money, 684 00:35:48,920 --> 00:35:52,080 Speaker 1: so he made this Argyle movie. I just can't wrap 685 00:35:52,160 --> 00:35:54,480 Speaker 1: my head around who thought all the elements in this 686 00:35:54,480 --> 00:35:57,600 Speaker 1: movie were going to work. An interesting play though, from Apple, 687 00:35:57,680 --> 00:35:59,719 Speaker 1: who is kind of getting back into putting their movies 688 00:35:59,760 --> 00:36:02,359 Speaker 1: out out in theaters before they put it on their 689 00:36:02,360 --> 00:36:04,880 Speaker 1: streaming service to kind of see how they do. And 690 00:36:04,920 --> 00:36:06,759 Speaker 1: they spend a lot of money on this movie, not 691 00:36:06,840 --> 00:36:09,719 Speaker 1: only with making it, but also with the promotion. I 692 00:36:09,800 --> 00:36:12,640 Speaker 1: kind of forgot that it wasn't Apple original until I 693 00:36:12,680 --> 00:36:15,000 Speaker 1: pulled up Apple to watch Masters of the Year and 694 00:36:15,040 --> 00:36:17,760 Speaker 1: there it was front and center Argyle. So they probably 695 00:36:17,840 --> 00:36:19,560 Speaker 1: put it out because they do have a lot of 696 00:36:19,560 --> 00:36:23,080 Speaker 1: big names attached to it. It's also February, which is 697 00:36:23,120 --> 00:36:26,160 Speaker 1: a slower month at the movies, and they thought Okay, 698 00:36:26,200 --> 00:36:28,400 Speaker 1: we could put this out right now, doesn't have a 699 00:36:28,400 --> 00:36:31,640 Speaker 1: whole lot of competition. What's the worst that could happen? 700 00:36:31,840 --> 00:36:34,200 Speaker 1: And now that people know it's not a great movie, 701 00:36:34,280 --> 00:36:36,720 Speaker 1: it's not going to motivate those people who haven't subscribed 702 00:36:36,760 --> 00:36:39,160 Speaker 1: to your service, or even those who are already Apple 703 00:36:39,200 --> 00:36:42,080 Speaker 1: TV subscribers, to go and click it whenever you decide 704 00:36:42,080 --> 00:36:44,840 Speaker 1: to add it. So maybe they were just trying to 705 00:36:44,840 --> 00:36:47,319 Speaker 1: make a little bit of money back on this movie, 706 00:36:47,480 --> 00:36:49,839 Speaker 1: but I feel like they're not up to a good 707 00:36:49,880 --> 00:36:52,560 Speaker 1: start with kind of diminishing what their movies have set 708 00:36:52,560 --> 00:36:55,920 Speaker 1: out to be, which they kind of have one tier 709 00:36:56,000 --> 00:36:58,560 Speaker 1: of putting out Martin Scorsese movies and the other tier 710 00:36:58,560 --> 00:37:01,360 Speaker 1: of putting out movies like this or movies with Mark Wahlberg. 711 00:37:01,520 --> 00:37:03,840 Speaker 1: And at the end of the day, I really believe 712 00:37:04,360 --> 00:37:07,240 Speaker 1: that this movie was just a paycheck for these actors. 713 00:37:07,480 --> 00:37:10,839 Speaker 1: You look at the entire list of everybody involved, and yeah, 714 00:37:11,040 --> 00:37:12,880 Speaker 1: on paper, it looks like it's going to be a 715 00:37:12,920 --> 00:37:15,759 Speaker 1: good movie. But there are moments in this movie when 716 00:37:15,960 --> 00:37:19,840 Speaker 1: I wanted to fall asleep. About an hour in I 717 00:37:20,040 --> 00:37:23,640 Speaker 1: was completely checked out of the movie. And usually when 718 00:37:23,640 --> 00:37:26,040 Speaker 1: it's a story where you're trying to figure out all 719 00:37:26,080 --> 00:37:28,480 Speaker 1: the pieces put it together, and you think you have 720 00:37:28,520 --> 00:37:31,000 Speaker 1: a theory and you're wanting to see that all play out. 721 00:37:31,560 --> 00:37:34,160 Speaker 1: I didn't really care how this movie was going to end, 722 00:37:34,360 --> 00:37:36,680 Speaker 1: and then it just continued and continued to make me 723 00:37:36,800 --> 00:37:39,960 Speaker 1: angry as it kept doing these ridiculous things to try 724 00:37:40,000 --> 00:37:42,160 Speaker 1: to win us back in the theater. It's usually not 725 00:37:42,239 --> 00:37:44,680 Speaker 1: until March that we get our first big bomba of 726 00:37:44,680 --> 00:37:47,440 Speaker 1: the year, but to come out in February and already 727 00:37:47,640 --> 00:37:50,480 Speaker 1: just oh so bad. I give it one out of 728 00:37:50,520 --> 00:37:52,480 Speaker 1: five cats. And the only reason I give it a 729 00:37:52,520 --> 00:37:56,160 Speaker 1: one is because there was one moment in the movie, 730 00:37:56,200 --> 00:37:59,520 Speaker 1: just one moment where I was like, Okay, they're kind 731 00:37:59,520 --> 00:38:02,200 Speaker 1: of winning me back here, there's kind of some momentum 732 00:38:02,239 --> 00:38:05,719 Speaker 1: going and then boom, they crushed it. So not only 733 00:38:05,800 --> 00:38:08,040 Speaker 1: is this a movie you don't need to go see 734 00:38:08,080 --> 00:38:11,239 Speaker 1: in theaters, it's not even a movie I would recommend 735 00:38:11,239 --> 00:38:13,560 Speaker 1: to watch when it goes to streaming. And this is 736 00:38:13,600 --> 00:38:16,040 Speaker 1: the best movie quote I found to describe this movie. 737 00:38:16,200 --> 00:38:19,800 Speaker 1: Just when I think you couldn't possibly be any dumber, 738 00:38:20,360 --> 00:38:23,239 Speaker 1: you go and do something like this. And then I 739 00:38:23,239 --> 00:38:24,200 Speaker 1: also felt like this. 740 00:38:24,160 --> 00:38:27,680 Speaker 2: What you just said is one of the most insanely 741 00:38:27,800 --> 00:38:32,040 Speaker 2: idiotic things I have ever heard. At no point in 742 00:38:32,160 --> 00:38:37,000 Speaker 2: your rambling, incoherent response were you even close to anything 743 00:38:37,600 --> 00:38:41,360 Speaker 2: that could be considered a rational thought. Everyone in this 744 00:38:41,520 --> 00:38:45,640 Speaker 2: room is now dumber for having listened to it. I 745 00:38:45,719 --> 00:38:49,120 Speaker 2: award you no points, and may God have mercy on 746 00:38:49,160 --> 00:38:49,600 Speaker 2: your soul. 747 00:38:50,040 --> 00:38:57,160 Speaker 1: That is how I feel about Argyle. It's time to 748 00:38:57,239 --> 00:39:01,400 Speaker 1: head down to movie Mike Traylor, Paul. When it's something's 749 00:39:01,440 --> 00:39:07,319 Speaker 1: strange in your neighborhood, who you're gonna call? Ghost Busters? 750 00:39:07,360 --> 00:39:09,960 Speaker 1: All right? Today we are taking a look at Ghostbusters 751 00:39:09,960 --> 00:39:13,600 Speaker 1: Frozen Empires, coming out in theaters on March twenty second. 752 00:39:14,440 --> 00:39:18,400 Speaker 1: This is the second installment in this reboot franchise. They 753 00:39:18,400 --> 00:39:21,400 Speaker 1: tried it with the all female movie back in twenty sixteen. 754 00:39:22,320 --> 00:39:25,080 Speaker 1: Ghostbusters Afterlife came out in twenty twenty one, and that 755 00:39:25,120 --> 00:39:28,879 Speaker 1: one we had a brief cameo from the original Ghostbusters. 756 00:39:28,880 --> 00:39:32,000 Speaker 1: But now in this trailer it looks like full on 757 00:39:32,120 --> 00:39:36,560 Speaker 1: nostalgia bit with Dan Akroyd, Bill Murray and Ernie Hedson 758 00:39:36,760 --> 00:39:40,560 Speaker 1: now playing a bigger role in this sequel. We're also 759 00:39:40,719 --> 00:39:43,480 Speaker 1: joined again by Paul Rudd and Finn Wolfhardt, who you 760 00:39:43,480 --> 00:39:46,160 Speaker 1: would know from Stranger things. In this one, they are 761 00:39:46,200 --> 00:39:48,640 Speaker 1: back in New York City, so also giving us some 762 00:39:48,719 --> 00:39:51,640 Speaker 1: vibes of the original movie taking on an evil spirit 763 00:39:51,719 --> 00:39:54,920 Speaker 1: that's threatening New York City and possibly forcing the world 764 00:39:54,960 --> 00:39:58,240 Speaker 1: into a second ice Age. And as I'm watching this trailer, 765 00:39:58,320 --> 00:40:00,800 Speaker 1: I'm thinking for a movie to come out in twenty 766 00:40:00,880 --> 00:40:03,520 Speaker 1: twenty four in the Ghostbusters franchise, and to have the 767 00:40:03,560 --> 00:40:06,640 Speaker 1: original Ghostbusters. You see Bill Murray there in the trailer, 768 00:40:06,760 --> 00:40:09,719 Speaker 1: and to think it's not really grasping a whole lot 769 00:40:09,719 --> 00:40:14,720 Speaker 1: of headlines. Is Ghostbusters still a valuable franchise that people 770 00:40:14,880 --> 00:40:17,200 Speaker 1: care about and not just people who grew up in 771 00:40:17,239 --> 00:40:20,200 Speaker 1: the eighties. I'm here to answer that question before I 772 00:40:20,200 --> 00:40:23,359 Speaker 1: get into more about Frozen Empire. Here's just a little 773 00:40:23,400 --> 00:40:28,480 Speaker 1: bit of the trailer there. Something strange, but just something weird. 774 00:40:29,400 --> 00:40:32,279 Speaker 1: Who people canna call the golf Busters? What do you want? 775 00:40:34,920 --> 00:40:37,439 Speaker 1: We have the Ghostbusters? Can I tell you something else? 776 00:40:37,560 --> 00:40:40,200 Speaker 1: What Buster makes me feel good? It makes me feel good. 777 00:40:40,320 --> 00:40:42,080 Speaker 1: We're gonna need all the help we can get. That's 778 00:40:42,080 --> 00:40:44,640 Speaker 1: good to work. Tall, dark, and horny at twelve o'clock. 779 00:40:46,360 --> 00:40:49,680 Speaker 1: So some other familiar faces that you see in this trailer. 780 00:40:49,719 --> 00:40:52,600 Speaker 1: You see the save Puff marshmallow Man. You'll also have 781 00:40:52,719 --> 00:40:56,560 Speaker 1: the first appearance of Slimer coming back into these movies. Sadly, 782 00:40:56,600 --> 00:40:58,680 Speaker 1: there is no Harold Ramis, who passed away back in 783 00:40:58,680 --> 00:41:01,640 Speaker 1: twenty fourteen, but even though he's not in the trailer, 784 00:41:01,680 --> 00:41:03,560 Speaker 1: there's still a chance they put him in this movie 785 00:41:03,600 --> 00:41:06,640 Speaker 1: because with the power of CGI, he did have an 786 00:41:06,680 --> 00:41:10,719 Speaker 1: appearance in Afterlife. Now. I don't think the first Ghostbusters 787 00:41:10,760 --> 00:41:13,880 Speaker 1: back in the eighties was ever marketed as a kids movie, 788 00:41:14,160 --> 00:41:16,799 Speaker 1: but it seems to me that everybody who was an 789 00:41:16,800 --> 00:41:21,520 Speaker 1: eighties kid loved Ghostbusters. Even though there are a lot 790 00:41:21,560 --> 00:41:24,640 Speaker 1: of sexual jokes in that original movie, it's also quite 791 00:41:24,680 --> 00:41:27,480 Speaker 1: political when you look back on the themes of that movie 792 00:41:27,520 --> 00:41:29,960 Speaker 1: of how they got started busting ghosts and also all 793 00:41:30,000 --> 00:41:32,360 Speaker 1: the loopholes they tried to do with starting a business. 794 00:41:32,520 --> 00:41:35,319 Speaker 1: Maybe eighties kids movies were just a different breed and 795 00:41:35,360 --> 00:41:37,919 Speaker 1: we're a little bit too soft now. But I will say, 796 00:41:37,960 --> 00:41:41,280 Speaker 1: out of all the attempts to reboot this franchise, Frozen 797 00:41:41,320 --> 00:41:43,799 Speaker 1: Empire is looking the best. It has the best mix 798 00:41:43,960 --> 00:41:46,919 Speaker 1: of what I'm seeing of new and old. But when 799 00:41:46,920 --> 00:41:49,759 Speaker 1: it comes to it really hitting me in the fields 800 00:41:49,760 --> 00:41:53,840 Speaker 1: of playing on my emotions and playing on the nostalgia factor, 801 00:41:53,920 --> 00:41:56,080 Speaker 1: It's really not there for me. I didn't grow up 802 00:41:56,120 --> 00:41:59,000 Speaker 1: with the original Ghostbusters movie, and really that's a movie 803 00:41:59,080 --> 00:42:01,759 Speaker 1: that people just kept telling me was a classic. But 804 00:42:01,800 --> 00:42:03,880 Speaker 1: when I look up on my shelf of all the 805 00:42:03,920 --> 00:42:07,879 Speaker 1: movies I considered classics, I never really go to Ghostbusters. 806 00:42:07,920 --> 00:42:10,680 Speaker 1: I watch it for the first time, probably in my 807 00:42:10,920 --> 00:42:15,640 Speaker 1: early teens tweens, and I enjoyed it, but I remember thinking, man, 808 00:42:15,719 --> 00:42:19,560 Speaker 1: these special effects look terrible. And I think I rewatched 809 00:42:19,560 --> 00:42:22,200 Speaker 1: some clips every now and then, and I still think 810 00:42:22,239 --> 00:42:26,520 Speaker 1: to myself, man, the special effects look terrible even for 811 00:42:26,719 --> 00:42:29,520 Speaker 1: the time. The great improvements they are able to do 812 00:42:29,600 --> 00:42:31,880 Speaker 1: now is making all the ghosts look so much better. 813 00:42:32,239 --> 00:42:34,640 Speaker 1: Although in this one they almost still have that old 814 00:42:34,680 --> 00:42:39,080 Speaker 1: school special effects feel to them. They don't look entirely cgi. 815 00:42:39,440 --> 00:42:41,360 Speaker 1: They have a little bit more of that old school 816 00:42:41,400 --> 00:42:43,680 Speaker 1: monster character. Almost even gives me a little bit of 817 00:42:43,680 --> 00:42:46,160 Speaker 1: Scooby Doo vibes, to be honest, But I think having 818 00:42:46,200 --> 00:42:49,040 Speaker 1: that charm makes it feel a little bit more like 819 00:42:49,080 --> 00:42:53,080 Speaker 1: the original movie. And after watching this trailer, I really 820 00:42:53,120 --> 00:42:56,760 Speaker 1: think this is a superhero movie in disguise. Right now, 821 00:42:56,800 --> 00:42:58,880 Speaker 1: there's a lot of superhero fatigue I feel like the 822 00:42:58,920 --> 00:43:01,560 Speaker 1: genre is just being hounded on with all the hate 823 00:43:01,560 --> 00:43:04,480 Speaker 1: people saying they're over superhero movies. When you look at 824 00:43:04,480 --> 00:43:08,680 Speaker 1: this movie, what are the Ghostbusters? They are essentially superheroes, 825 00:43:08,880 --> 00:43:12,440 Speaker 1: And if you look at individual scenes from this trailer, 826 00:43:12,800 --> 00:43:15,640 Speaker 1: to me, it just looks like the Avengers from twenty twelve. 827 00:43:15,920 --> 00:43:19,400 Speaker 1: You have these big monsters taking over in New York City, 828 00:43:19,520 --> 00:43:22,560 Speaker 1: people running in terror, and then you have our heroes. 829 00:43:23,000 --> 00:43:26,120 Speaker 1: In this case, their jumpsuits is essentially just the superhero 830 00:43:26,200 --> 00:43:29,000 Speaker 1: costume going to try and put an end to their 831 00:43:29,080 --> 00:43:32,279 Speaker 1: evil plan. So this is what you gotta do in 832 00:43:32,360 --> 00:43:35,160 Speaker 1: order to make superhero movies in twenty twenty four. Just 833 00:43:35,239 --> 00:43:37,840 Speaker 1: take characters from back in the eighties, the well that 834 00:43:37,920 --> 00:43:41,160 Speaker 1: everybody's going to right now, use the same formula, and 835 00:43:41,239 --> 00:43:44,279 Speaker 1: you can make a movie like this. So honestly, there 836 00:43:44,320 --> 00:43:47,600 Speaker 1: is very little for me to feel excited about. After 837 00:43:47,640 --> 00:43:50,960 Speaker 1: watching the Frozen Empire trailer. Did they really think we 838 00:43:50,960 --> 00:43:54,520 Speaker 1: were going to be hype for Slimer because I am not. 839 00:43:54,760 --> 00:43:57,040 Speaker 1: And even seeing Bill Murray in there make well the 840 00:43:57,040 --> 00:43:59,640 Speaker 1: sexual joke like you did in the original movie, for 841 00:43:59,680 --> 00:44:02,520 Speaker 1: some reason, that doesn't really resonate with me. I feel 842 00:44:02,560 --> 00:44:05,319 Speaker 1: like now, Bill Murray just kind of phones in his cameos, 843 00:44:05,440 --> 00:44:08,040 Speaker 1: so I'm not really expecting a whole lot out of 844 00:44:08,080 --> 00:44:10,520 Speaker 1: his performance. I think if anybody's gonna give it there all, 845 00:44:10,520 --> 00:44:13,719 Speaker 1: it's probably gonna be dan Aykroyd or Ernie Hudson, who 846 00:44:13,760 --> 00:44:16,280 Speaker 1: was so good in the original movie. So I honestly 847 00:44:16,280 --> 00:44:18,400 Speaker 1: think I'm more excited to see what they have to 848 00:44:18,520 --> 00:44:21,440 Speaker 1: offer when I should be excited about Bill Murray. And 849 00:44:21,480 --> 00:44:24,280 Speaker 1: then you have Paul run in there, who is always likable. 850 00:44:24,640 --> 00:44:27,040 Speaker 1: What I feel like writers kind of put them in 851 00:44:27,040 --> 00:44:29,640 Speaker 1: a hole of not really showing his true potential when 852 00:44:29,680 --> 00:44:32,000 Speaker 1: it comes to comedy and the clips they decided to 853 00:44:32,080 --> 00:44:34,360 Speaker 1: use in this trailer, I just feel like it's the 854 00:44:34,360 --> 00:44:37,080 Speaker 1: same old Paul rud again playing up that same type 855 00:44:37,080 --> 00:44:39,200 Speaker 1: of character. I wish he had a little bit more 856 00:44:39,239 --> 00:44:41,800 Speaker 1: of an edge to him and a roll like this. So, 857 00:44:41,920 --> 00:44:44,560 Speaker 1: even though I'm not that excited about it, by looking 858 00:44:44,600 --> 00:44:46,360 Speaker 1: at it, it does seem like out of all the 859 00:44:46,360 --> 00:44:49,080 Speaker 1: rebooting movies, it is the one that demands the big 860 00:44:49,080 --> 00:44:51,760 Speaker 1: screen a little bit more. I didn't watch the twenty 861 00:44:51,800 --> 00:44:55,640 Speaker 1: twenty six version or twenty twenty one's Afterlife in theaters. 862 00:44:55,920 --> 00:44:58,719 Speaker 1: These are both what I would consider airplane movies. You 863 00:44:58,840 --> 00:45:01,320 Speaker 1: happen to be on a fly and they offer this movie, 864 00:45:01,400 --> 00:45:03,400 Speaker 1: I'm gonna watch it, but because I'm not the biggest 865 00:45:03,400 --> 00:45:05,520 Speaker 1: fan of the franchise, I'm not really gonna seek it 866 00:45:05,560 --> 00:45:08,120 Speaker 1: out in theaters. And they're also weird about putting these 867 00:45:08,160 --> 00:45:10,600 Speaker 1: movies on streaming. I don't think After Life even went 868 00:45:10,680 --> 00:45:12,719 Speaker 1: to a streaming service. You had to rent it, and 869 00:45:13,000 --> 00:45:16,240 Speaker 1: I was not gonna do that. But for Ghostbusters Frozen Empire, 870 00:45:16,560 --> 00:45:18,480 Speaker 1: just because I want to see how big of a 871 00:45:18,600 --> 00:45:21,239 Speaker 1: role the original cast is actually going to have in 872 00:45:21,280 --> 00:45:23,399 Speaker 1: the film. And if they can't get it right after 873 00:45:23,440 --> 00:45:25,600 Speaker 1: this one, I think I'm out. But again, that's coming 874 00:45:25,640 --> 00:45:29,160 Speaker 1: out in theaters next month. On March twenty second ad. 875 00:45:29,239 --> 00:45:33,560 Speaker 2: That was this week's edition of Movie Line Framer Bar And. 876 00:45:33,600 --> 00:45:36,120 Speaker 1: That's gonna do it for another episode here of the podcast, 877 00:45:36,160 --> 00:45:38,279 Speaker 1: But before I go, I gotta give my listeners shout 878 00:45:38,320 --> 00:45:40,319 Speaker 1: out of the week. You can get one of these 879 00:45:40,360 --> 00:45:44,239 Speaker 1: by finding my socials in the episode notes, tweet me, 880 00:45:44,360 --> 00:45:47,720 Speaker 1: you DM me, you comment on my TikTok or Facebook page, 881 00:45:47,960 --> 00:45:50,360 Speaker 1: or send me an email Movie Mike d at gmail 882 00:45:50,400 --> 00:45:53,680 Speaker 1: dot com. The podcast is also on YouTube, where I 883 00:45:53,719 --> 00:45:57,800 Speaker 1: post individual movie reviews YouTube dot com slash Mike dstro 884 00:45:58,120 --> 00:46:01,120 Speaker 1: Be sure to go over there and subscribe, especially if 885 00:46:01,160 --> 00:46:03,520 Speaker 1: you miss an episode and you want to know if 886 00:46:03,560 --> 00:46:06,680 Speaker 1: I reviewed a movie or not. Go there, look at 887 00:46:06,680 --> 00:46:09,080 Speaker 1: my library and all of those are posted for you. 888 00:46:09,360 --> 00:46:11,160 Speaker 1: And that is actually where I am going for this 889 00:46:11,239 --> 00:46:14,520 Speaker 1: week's listener shout out. This week's listener of the week 890 00:46:14,600 --> 00:46:17,360 Speaker 1: is Becca Hill, who commented on my Dumb Money movie 891 00:46:17,400 --> 00:46:19,879 Speaker 1: review on YouTube and said I finally got to watch 892 00:46:19,880 --> 00:46:21,759 Speaker 1: this on Netflix and rushed over to see if you 893 00:46:21,840 --> 00:46:24,400 Speaker 1: had a review of the movie. I love this movie, 894 00:46:24,400 --> 00:46:27,120 Speaker 1: although quite frankly, I still feel like I don't understand 895 00:46:27,120 --> 00:46:29,920 Speaker 1: the stock market. Your videos are always a great watch. 896 00:46:30,080 --> 00:46:32,080 Speaker 1: Thanks for the content to keep me in a good 897 00:46:32,120 --> 00:46:34,480 Speaker 1: mood at work. So thank you, Beca for that comment. 898 00:46:34,600 --> 00:46:36,839 Speaker 1: I love seeing comments like this whenever movies that I've 899 00:46:36,840 --> 00:46:40,040 Speaker 1: reviewed finally hit in Netflix and get people discovering the 900 00:46:40,040 --> 00:46:42,880 Speaker 1: movies for the first time. Go back on that YouTube 901 00:46:42,920 --> 00:46:45,640 Speaker 1: channel and search out any review that you may have missed, 902 00:46:45,680 --> 00:46:48,279 Speaker 1: So thanks becha for doing that. I always encourage you 903 00:46:48,320 --> 00:46:50,279 Speaker 1: to go through all the episodes here on the feed, 904 00:46:50,280 --> 00:46:53,600 Speaker 1: whether you listen on Apple podcasts, iHeartRadio Spotify or wherever 905 00:46:53,680 --> 00:46:56,160 Speaker 1: you get your podcasts. Make sure you're subscribed, make sure 906 00:46:56,200 --> 00:46:59,080 Speaker 1: you tell a friend, And until next time, go out 907 00:46:59,120 --> 00:47:01,239 Speaker 1: and watch good movie and I will talk to you 908 00:47:01,880 --> 00:47:02,120 Speaker 1: later