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Speaker 1: On the Bedel Cast, the questions asked if movies have

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Speaker 1: women in them, are all their discussions just boyfriends and husbands,

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Speaker 1: or do they have individualism? The patriarchy ze in best

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Speaker 1: start changing it with the Becktel Cast. Hello and welcome

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Speaker 1: to the Bechtel Cast. My name is Caitlin, my name

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Speaker 1: is Jamie, and we're here to talk about movies. But

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Speaker 1: what about in movies? Were Well, did we already mess

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Speaker 1: it up? I think that there's like a ten second

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Speaker 1: threshold long it takes for one of us to speak

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Speaker 1: in an unintelligible fragment, just really derail it. We talked,

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Speaker 1: We talked about women in movies, women as women, women women.

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Speaker 1: This podcast is inspired by the Bechtel test, which requires

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Speaker 1: that a movie has two women characters in it that

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Speaker 1: talked to each other about something other than a man.

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Speaker 1: Someday I want to play a prank and say that

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Speaker 1: the Bechtel test was invented by Mr Joseph Bechtel has

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Speaker 1: nothing to do with women at all. That would be

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Speaker 1: a hilarious joke. Can we say we got iced? We

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Speaker 1: got iced? For those of you who don't know what

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Speaker 1: being iced is, which is probably everybody Jesus Christ. I'm like,

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Speaker 1: first of all, I feel attacked. I'm sorry. I'm so sorry.

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Speaker 1: This is, uh, you know, an assault on all my senses.

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Speaker 1: I if you are listening and you have been iced,

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Speaker 1: please reach out to me. Let's let's meet at Hamburger Phone.

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Speaker 1: You can come to my house. We'll just have a

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Speaker 1: conversation and then at some point I'll ice you. If

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Speaker 1: you don't know what being iced is in this context,

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Speaker 1: it's when someone presents you with a smear knof ice,

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Speaker 1: taking you by surprise, and and then you have to,

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Speaker 1: I guess, get done on one knee and then chug

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Speaker 1: the smear knof ice. Yes, there's a there's like a

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Speaker 1: lot of pomp and circumstance surrounding me. I essentially it's

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Speaker 1: moving a lot of product for the Smirknov company. I

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Speaker 1: don't think it's been practiced in at least five years. Besides,

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Speaker 1: before today, it seems to be a very regional potentially

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Speaker 1: just New England ten and eleven. Apparently that's the last

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Speaker 1: time I saw it. Anyway, Um Aristotle, our producer, he

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Speaker 1: iced us because we were talking about it last week

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Speaker 1: and he hate we are now Jamie and I are

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Speaker 1: both drinking smearoff ices. Well you finished yours. You actually,

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Speaker 1: I was iced the way you're supposed to. And I'm

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Speaker 1: a little baby and I can't chug anything, so I'm

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Speaker 1: still drinking. I have my signature, Mike's Harder lemonade, my

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Speaker 1: my white trap, my ode to white trash. Every week,

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Speaker 1: take a Mike's Hard to the face. Well gross, wait, no,

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Speaker 1: that's my dad's name. I need, I need to go home.

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Speaker 1: Well let's not do that. Let's instead introduce our guests

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Speaker 1: this week. Okay, good intro though, Yes, that was it

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Speaker 1: turned It started out pretty rocky, took a turn for

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Speaker 1: the better. I ended with my dad's hard dick. Anyway,

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Speaker 1: our guest she she just found out that she's going

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Speaker 1: to be a series regular on HBO's Insecure. She also

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Speaker 1: produces a live comedy show at nerd Melt called Smart,

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Speaker 1: Funny and Black the first Tuesday of every month, and

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Speaker 1: she's a very funny comedian. Amanda Seals, Thanks for being here,

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Speaker 1: Thanks for having me. Oh my god, this is like

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Speaker 1: R and B one am exactly. Yeah. Can you stand

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Speaker 1: the rain? Can you stand the rain? Mike's That's where,

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Speaker 1: that's where my dad when he's making love this and

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Speaker 1: it's kill me. Do you think that people only say

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Speaker 1: making love in the Pacific Northwest? That's my theory. It

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Speaker 1: seems like a very Pacific Northwest thing to do. I

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Speaker 1: think it's pretty uh widespread. Yeah, people make western I

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Speaker 1: think they make love everywhere. Gross. All right, well I

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Speaker 1: just did not happen here. You've got no argument for

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Speaker 1: me that no one's ever said that to me. Yeah, well,

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Speaker 1: once someone said it to me, I was like, I

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Speaker 1: need to go some I need to go somewhere else.

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Speaker 1: Don't say but like making love to me, it has

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Speaker 1: nothing to do with sex. Like if we're gonna make love,

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Speaker 1: that means that we're going to like put a puzzle

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Speaker 1: together and drink hocko, because that's love, like something that

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Speaker 1: you don't totally want to do, Like you're gonna watch

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Speaker 1: me do a full interpretive dance to the intro music

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Speaker 1: to Harry Potter and still like me after. If someone

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Speaker 1: I'm dating comes to a show I'm on, that to

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Speaker 1: me is closer to making love than fucking yeah, because

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Speaker 1: that is inconvenient, very easy to get a man to

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Speaker 1: have sex with you. It's very hard to get them

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Speaker 1: to come to your comedy show. I had a guy

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Speaker 1: tell me on vale Time's Day that he was tired

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Speaker 1: from meetings and so he could not come to my

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Speaker 1: one woman show. He was too tired to watch me

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Speaker 1: perform for an hour and a half by myself, which

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Speaker 1: tiring by the way he and he even put in

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Speaker 1: the text the hustle is real gross no yeah, with

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Speaker 1: two exclamation points, no is he and then you made

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Speaker 1: love to him later that night. My version of me,

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Speaker 1: I don't know what my version of making love would be.

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Speaker 1: It would be like I don't know, Like, I mean,

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Speaker 1: that was real what you said about them coming to

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Speaker 1: a show, Like that's you're making love. I mean it

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Speaker 1: would be like being quiet for a little while, just

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Speaker 1: like you woman not talked for five minutes. This is

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Speaker 1: how I make love? Oh you're saying, Like what your

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Speaker 1: version of making love to someone else would be? Yeah?

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Speaker 1: Like stuff I would be like inconvenienced, Yeah, sports related endeavors.

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Speaker 1: I would consider make love on my part. For me,

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Speaker 1: I think it would be like having them lure some

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Speaker 1: feelings out of me, like having me express some some

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Speaker 1: feelings which I don't usually like to talk. It would

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Speaker 1: be like stop talking about your feelings, right, that's way

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Speaker 1: for cancer feelings. I'm a leo. I'm very and I'm

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Speaker 1: just like, like I have feelings. They are important, So

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Speaker 1: I'm in charge and people love it, love it. Hey,

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Speaker 1: should we talk about the movie? I don't know. Well,

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Speaker 1: the Making Love combo is a good segue for the movie.

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Speaker 1: That's true, pretty good. The movie that we're here to

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Speaker 1: talk about today is Coming to America, which I think

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Speaker 1: you said is your favorite movie of all time. So

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Speaker 1: you grew up with it. When was the first time

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Speaker 1: you saw it? When is the first time I come

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Speaker 1: into America? I honestly don't even know, because, yeah, I

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Speaker 1: was too young to see it in the theater, but

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Speaker 1: I definitely had it on VHS. I'm pretty sure I

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Speaker 1: saw it when I was eight, because back then it

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Speaker 1: took a year for something to come from the theater

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Speaker 1: to a beach. Which, by the way, I was trying

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Speaker 1: to go see Mo Wanna and they're like, that's on DVD. Now,

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Speaker 1: what are you trying to go to the theater? Or

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Speaker 1: like it's just hadding like November. Yes, that's weird, that's

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Speaker 1: too that's too fast. I literally was like, I finally

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Speaker 1: have time to go see Milana and then I saw

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Speaker 1: commercial that I could just stay just have it. So

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Speaker 1: I love it. I love it so much, you love it.

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Speaker 1: That's that's a large expression of feelings. You just made

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Speaker 1: love to my love, all right. That makes you feel

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Speaker 1: good about it. Seeing seeing that sixteen year old the

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Speaker 1: voice of mo Wanna saying at the Oscars, I was like,

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Speaker 1: maybe I could I canna do that? Yeah? Is that

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Speaker 1: like a formal princess movie? Not that I see what

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Speaker 1: is like this? She is it a princess like with

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Speaker 1: the dress joining the France track? Yeah, I mean, I'm

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Speaker 1: sure they'll try to poison like that. But this movie

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Speaker 1: is quite unique in terms of Disney. This film is

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Speaker 1: quite unique. Kaitlin has to wait. We always forget to

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Speaker 1: say this. Well, I don't like to mention it, but

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Speaker 1: I do have a master's degree in screenwriting. I hate

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Speaker 1: bringing it up. You don't like to talk about We're

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Speaker 1: pulling it out of here. I feel sick. It could

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Speaker 1: be the smearnock fights that you just chugged that No,

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Speaker 1: that went down easy, like like my sweet nectar. I'm

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Speaker 1: going to Chucky Cheese after this to see how many,

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Speaker 1: how much they'll serve me. I'm going to there. You

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Speaker 1: said there's a to drink limit in theory. I feel

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Speaker 1: like it will not be hard. It's going to be packed.

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Speaker 1: It's Friday night. It's Friday night night. Yeah, yeah, yeah,

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Speaker 1: Chucky cheese. Anyway, So Coming to America. I had seen

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Speaker 1: it before, I want to say, like maybe five years ago,

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Speaker 1: so I wasn't that familiar with it. I had just

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Speaker 1: seen it that once. Um, Jamie, and you've seen it before,

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Speaker 1: I had not. You all are so white. Oh my god.

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Speaker 1: That was like the whitest sentence I heard today from

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Speaker 1: both of you, but like literally black person listening just

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Speaker 1: gasped that you've never seen Coming to America, only because

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Speaker 1: it is on all the time. And it's one of

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Speaker 1: those movies that like if I if I'm skipping channels

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Speaker 1: and I see it on, I have you have to.

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Speaker 1: I have to stop and watch it, Like I can't

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Speaker 1: not watch it. I know that it was one of

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Speaker 1: my dad's favorite movies, and we had it. First of all,

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Speaker 1: my dad's name is Mike. Uh yeah, shout out to

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Speaker 1: my dad's girlfriend, whose name is Lisa great sway back

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Speaker 1: to Oh My Night to the movie. But we had

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Speaker 1: it on VHS and then I think by the time

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Speaker 1: I was old enough to watch it, we no longer

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Speaker 1: had a VHS, so I just never saw it. But

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Speaker 1: I loved it. It's so good. Should I do the recap?

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Speaker 1: Do the recap time? So I do a very bad

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Speaker 1: recap on that in most episodes, to everyone's dismay. We've

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Speaker 1: got a team played by Eddie Murphy. He's the prince

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Speaker 1: in a fictional African country or kingdom called Zamunda, and

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Speaker 1: he just turned twenty one and his dad, James L. Jones,

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Speaker 1: the King, is like, you gotta marry this lady, and

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Speaker 1: he's like, she's very boring. I don't like her. So

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Speaker 1: he goes to America to find a bride with his

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Speaker 1: friend Arsenio Hall friend and servant his name is Semi,

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Speaker 1: and they like go to Queen's and he meets this

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Speaker 1: woman who is the daughter of a McDonald's rip off

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Speaker 1: Jane restaurant, and he falls in love with her, but

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Speaker 1: he the whole thing is that he wants someone who

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Speaker 1: was just going to love him for who he is,

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Speaker 1: so like he pretends to not have any of his

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Speaker 1: riches and he just pretends to be like a commoner,

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Speaker 1: very much Jasmine in Laddin and interesting. Yeah, so they

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Speaker 1: like fall in love and then like something's happened, but

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Speaker 1: she's also got this like boyfriend who kind of sucks

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Speaker 1: Darryll and uh you know some Hi jinkson Sue involving

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Speaker 1: Sam Jackson. Yeah, I love that scene. I love that

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Speaker 1: he was in it. I love that Louis Anderson is

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Speaker 1: forgot about randomly. I I'm gonna make the big Arsenio

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Speaker 1: makes it very pretty lady. Oh my god. Like, I

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Speaker 1: don't even know where I first saw him, but when

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Speaker 1: I was a kid, I had a huge crush on

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Speaker 1: her City Hall and I don't I think this is

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Speaker 1: like the youngest I had ever seen him. I had

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Speaker 1: a crush on him when he was already old. That

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Speaker 1: was my m as a child. Some people like Disney Princes,

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Speaker 1: you like middle aged black guys. That's your Alextra bed

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Speaker 1: Kelsey Grammar. Wow, just middle age. I had a very

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Speaker 1: big crush on Jim from the Adventures of Huck Finn

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Speaker 1: The Elijah would one by Courtney be fans. Yes, none

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Speaker 1: of this surprises me. Also, Alfred Molina in Spiderman Too

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Speaker 1: made me so Horney is a twelve year old. I

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Speaker 1: had a poster of dot Cock in my room because

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Speaker 1: my mom, I think, was like, you know, Jay's a tomboy,

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Speaker 1: she's into she's in action movies now, And I was

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Speaker 1: just like horny for Molina. That's very peculiar. He's not

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Speaker 1: a typical heart throb. He's a beef cake. He's a

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Speaker 1: beef cake with a bad attitude. I love him so anyway,

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Speaker 1: that's the story of Coming to America. The whole thing

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Speaker 1: is that, like as he says in the movie, Achem

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Speaker 1: wants a woman who will arouse his intellect as well

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Speaker 1: as his loins. Love it, but I don't. The woman

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Speaker 1: would was my intellect as well as my loins. I

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Speaker 1: love the accents that they like going and out of

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Speaker 1: throughout the whatever's comfortable. But the best part of the

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Speaker 1: movie is that there's like all these just like every

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Speaker 1: scene is funny, Like there's no not funny scene. And

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Speaker 1: as a comic, I appreciate that there aren't any throwaway

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Speaker 1: lines in this movie. Like you can watch this movie

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Speaker 1: and line for line they're set up punch like. It

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Speaker 1: all makes a point that can stays consistent throughout. And

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Speaker 1: then you just have all these random characters that are

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Speaker 1: played by for the most part's so good see those scenes.

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Speaker 1: Just to say again coming from a screenwriting master, a

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Speaker 1: lot of those scenes, Um, a lot of those scenes

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Speaker 1: felt very unneeded. I feel like they were just like, hey,

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Speaker 1: we can do different characters, Let's have a barbershop. I

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Speaker 1: have a genuine question. I'm sure that this was not

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Speaker 1: the first time that was done, but is this one

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Speaker 1: of the movies that popularized doing not that like led

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Speaker 1: us to Jack and Jill or like of the main

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Speaker 1: star playing multiple characters. That's a really great question because

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Speaker 1: I don't have a frame of reference for because I

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Speaker 1: feel like that Sailor movies are like the worst possible

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Speaker 1: endgame of that trope, but it works so well in

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Speaker 1: this movie because half the time you have to do

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Speaker 1: a double take, where in like the Jagging jail kind

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Speaker 1: of movies was like Jesus Quiet. They might have popularized

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Speaker 1: it for like mainstream comedies, but there's a bunch of

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Speaker 1: movies that like, um, yeah, Wizard of Oz, that's I

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Speaker 1: think Doctor's Strange love differently different characters. Can I uh,

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Speaker 1: can I give some insight into why the barbershop scenes

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Speaker 1: are necessary? Because when I when I came and see

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Speaker 1: me come over to America. They're like, Oh, we need

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Speaker 1: to go where the common parts are. We need to

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Speaker 1: be with the common people. Let's go to queens. So

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Speaker 1: they go to queens, and they're like trying to like

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Speaker 1: immerse themselves into like Black America can culture, and the

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Speaker 1: barbershop is an integral part of Black American culture and

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Speaker 1: experience and just kind of like the ship talking that

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Speaker 1: happens in the barbershop, and the barbershop ends up being

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Speaker 1: like what leads them in the right direction for him

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Speaker 1: to meet Lisa, you know, because and so like it

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Speaker 1: serves as like the parents for him in America that

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Speaker 1: he didn't like when he was in because the barber

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Speaker 1: like leads him directly literally and leads his and leads

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Speaker 1: his father to him. Like they're kind of like this

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Speaker 1: centralized nucleus that serve as the home base for queens

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Speaker 1: the same way that like, essentially it's like saying, like

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Speaker 1: the barbershop is the palace for queens. Yeah, that's a

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Speaker 1: very good point. I think maybe I just think that

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Speaker 1: those scenes go on too long because I'm missing the

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Speaker 1: man you ain't never been. Yes, I didn't know you

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Speaker 1: did not you fuck you fuck you next, Like so good.

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Speaker 1: They brought up they brought up that when yeah, he's

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Speaker 1: from my hometown, and I was like, oh, it's the

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Speaker 1: one white boxer that's from where I'm from. Yeah, shout

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Speaker 1: out to Bracton City Champions aka Rocky Marciano was born

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Speaker 1: there a very long time ago. There's in my in

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Speaker 1: my high school, there's a fifty foot statue of Rocky Marciano.

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Speaker 1: It's gaudy and we like it is a very low income,

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Speaker 1: Like where did the money come from to make that?

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Speaker 1: We don't know. It's everybody know that he was not

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Speaker 1: at all. Those us are so good. I love, I know,

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Speaker 1: you know what I gotta I gotta be contrary sometimes,

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Speaker 1: you know, I know, well you're training. I got to

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Speaker 1: get rid of them. My god, it's just let me

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Speaker 1: set him on fire. I don't need him, I really don't.

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Speaker 1: So we have we talked about some of those characters

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Speaker 1: of the women in the movie. We have the mean mother, Yes,

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Speaker 1: Queen Yeah, Queen Eli. That was a good scene too.

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Speaker 1: Lisa McDowell is the kind of I did the main

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Speaker 1: woman character. Her sister, Patrese Love. Patrese is the voice

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Speaker 1: of like real. I don't know. Every time I was

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Speaker 1: just like man, Patrese. Not everybody thinks like you. Yes

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Speaker 1: they do, they just don't admit it. Right. Yeah, that's

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Speaker 1: like our intro to Patriqui. And then when she ends

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Speaker 1: up with Arthen, I'm just like, she wins in my

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Speaker 1: head because she got to make out with Arseniel Hall.

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Speaker 1: Why does she? I love how corny she is the

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Speaker 1: whole so horny, and she has great outfits, which is

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Speaker 1: all my favorite movie characters fit that description. When they're

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Speaker 1: at the basketball game, I'm like, Oh, she's just gonna

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Speaker 1: go for it. Yeah, she just goes him like an

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Speaker 1: under the coat hand job at a basketball game. Peek patrise.

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Speaker 1: So those are pretty much the most notable women characters

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Speaker 1: in the movie. There's also Amani, who is the bride

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Speaker 1: to be that he leaves back in Zamunda, which it

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Speaker 1: was just very dumb. Yeah. I just like whenever food

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Speaker 1: and music, you like like a dog dog. Yeah, she

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Speaker 1: does worse and worses shop on my leg. I guess

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Speaker 1: I'm looking a wrong at time. And I love that

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Speaker 1: the father comes in. It's like I see you are

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Speaker 1: getting along nicely, or later when he's just like, I

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Speaker 1: fucked the ladies that Babe was like, man, your poor,

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Speaker 1: poor queen. I know she knows that. But in their

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Speaker 1: first yeah, in their first scene, they're basically like, we

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Speaker 1: won't love each other right for you get married. We

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Speaker 1: figured it out. I was nauseous when I she's the

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Speaker 1: first thing I wanted to talk about is how many

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Speaker 1: of the characters have very poor attitudes towards women. We

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Speaker 1: start with Arsenio Hall. He's like, look, all a, he

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Speaker 1: just has to have a very nice face and a

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Speaker 1: very hot but very like a stop of melons. And

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Speaker 1: he's like, why do you care what her opinions are?

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Speaker 1: And meanwhile Eddie Murphy is like, I want a woman

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Speaker 1: who gives my brain a boner, and then he's a

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Speaker 1: great attitude. My question in the movie, I'm just like, man,

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Speaker 1: where did he? Where does this come from? Free? Where? Right?

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Speaker 1: Because his dad doesn't feel that way? It seems like

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Speaker 1: his indirection. But I was like, you know, I don't care.

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Speaker 1: You know what, I would say, that's the only hole

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Speaker 1: in the film. We don't know why. I know that

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Speaker 1: Caitlin believes they're a very wide gaping. I don't think,

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Speaker 1: but I do feel like that is a whole, Like

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Speaker 1: we never find out like why he in particularly has

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Speaker 1: decided like just they're going to tell us. I thought

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Speaker 1: they're going to tell us. In a scene where he's

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Speaker 1: on the date with Lisa and she's she basically asks

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Speaker 1: him that question of like why do you think this way?

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Speaker 1: Even though she still thinks he's poor at the time,

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Speaker 1: and he gives her an excuse, but he doesn't like

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Speaker 1: give us. I was like, is there a director's cut? Maybe? Right,

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Speaker 1: I'm like, is there did you read? Dude? That doesn't

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Speaker 1: bother me, Like, he's just a free thinker. He got

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Speaker 1: sick of like just being pampered and who gets that

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00:20:18,040 --> 00:20:23,159
Speaker 1: the Royal penis is plane. That was great. I was

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Speaker 1: wondering that maybe this year I could have my shoelaces,

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Speaker 1: know what, you know? He said, I wonder I maybe

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Speaker 1: this year I could wipe myself And he's like very

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Speaker 1: funny high yeah, and then no, James RL. Johnson, the

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Speaker 1: shoelacesces once. He's everything. That's good. Yeah, I mean it

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Speaker 1: didn't bother me. I didn't. I was just like, you know,

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Speaker 1: he's just a he's a free thinker, he's a he's

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Speaker 1: a nice guy. Yeah. I mean, of all the plot

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Speaker 1: holes that could exist. This is Yeah, I'm okay with that.

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Speaker 1: He respects women as a I do feel bad for

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Speaker 1: the like rose bearers who lose their jobs. I don't

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Speaker 1: want you to throw ropes in my feet anymore. And

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Speaker 1: I'm like, what's going to happen to the bros bearers?

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Speaker 1: They'll become dick wipers. They they get promoted to the

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Speaker 1: Royal penis cleaning. Amazing, what a resume. Yeah, that's like

355
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Speaker 1: when I worked at the Gap and this chick was like,

356
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Speaker 1: I really can't wait to become a denim specialist, and

357
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Speaker 1: I was like, I gotta quit. I can't can't stay here.

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Speaker 1: I worked at a place once in Austin, mass called

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Speaker 1: Swiss bakers don't go there, and we were called guest huggers,

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Speaker 1: which is disgusting the Swiss or pervert. I was a

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Speaker 1: shift lead. I'd show up at four in the morning.

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Speaker 1: I was twenty one. I shouldn't have been there. And

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Speaker 1: then the owner was a Swiss guy and he's like,

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Speaker 1: you know your guest huggers, So if a guest comes

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Speaker 1: in and ask to hug you, you must oblige. No,

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Speaker 1: so not against the wood, absolutely against a lot, but

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Speaker 1: to them against a lot equals Swiss custom. And if

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Speaker 1: someone if some pervert per se wanders in at five

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Speaker 1: thirty in the morning and I was like, I want

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Speaker 1: to hug you gotta hug him. Did that happen? It

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00:22:06,160 --> 00:22:09,240
Speaker 1: happened several times. Very few people actually wanted hugs. But

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Speaker 1: the only people who want hugs other people. You don't

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Speaker 1: want to be hugging. So um words. Oh so that's

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Speaker 1: my dick wiper job because it fell in to an extent,

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Speaker 1: it was a dick whipper and I had to make

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Speaker 1: them a lot day. Yeah, sorry, you know what I'm doing. Okay,

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00:22:28,600 --> 00:22:31,240
Speaker 1: I recovered. He's making a lot of Mike's hard lemonade though,

378
00:22:31,960 --> 00:22:39,200
Speaker 1: hitting the sauce hard, hugging, yeah, nubbing the effect. Imagine

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00:22:39,200 --> 00:22:41,720
Speaker 1: waking up at three thirty in the morning to go

380
00:22:41,960 --> 00:22:49,399
Speaker 1: feel someone's hard dick. No sound in New York. At

381
00:22:49,440 --> 00:22:54,040
Speaker 1: least I was getting paid. That's so Arsenio's you know,

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Speaker 1: attitudes towards women are not very great. And then now

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Speaker 1: there is the king. He's just like, oh, who cares.

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Speaker 1: She's a woman and she's hot, and we picked her

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00:23:03,200 --> 00:23:08,080
Speaker 1: for you, so marry her. Then we um Darryl. Darryl

386
00:23:08,160 --> 00:23:12,040
Speaker 1: is the next person. Darryl is Lisa's boyfriend. Whenever we

387
00:23:12,080 --> 00:23:16,200
Speaker 1: first meet Lisa, he's all, like, a woman just needs

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Speaker 1: to be taken care of. You don't need to work.

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Speaker 1: I'll take care of you. I got my what's the

390
00:23:21,280 --> 00:23:24,399
Speaker 1: name of the hair product? Just letting you're so glow,

391
00:23:25,560 --> 00:23:32,480
Speaker 1: just lady, chan baby, just lay your so. Yeah, he's

392
00:23:32,480 --> 00:23:34,479
Speaker 1: got that so glow fortune. He's like, let me just

393
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Speaker 1: take care of you. When this episode comes up, I'm

394
00:23:36,720 --> 00:23:42,800
Speaker 1: going to make that marrying tongue the genuine question again,

395
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Speaker 1: what is Lisa's job exactly at McDowell's. She's on the

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Speaker 1: computer and yeah, she seems like she's crunching numbers. She's

397
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Speaker 1: got she's our social media according she has a recent grad.

398
00:23:56,359 --> 00:23:59,040
Speaker 1: I figure things out. She's working it out. No, I

399
00:23:59,080 --> 00:24:02,320
Speaker 1: think she's like, they're a bookkeeper, right, because she like

400
00:24:02,440 --> 00:24:05,159
Speaker 1: has this like she's the one who's like donate you know,

401
00:24:05,680 --> 00:24:08,199
Speaker 1: all right, we gotta fix up Lincoln Park. That's the

402
00:24:08,200 --> 00:24:10,440
Speaker 1: scene where we all fall in love with Lisa likes

403
00:24:10,640 --> 00:24:13,679
Speaker 1: what a grand, motivated, beautiful person. It is also the

404
00:24:13,800 --> 00:24:17,280
Speaker 1: scene that is what makes the movie one of the

405
00:24:17,320 --> 00:24:18,920
Speaker 1: best movies ever made in the history of the world,

406
00:24:19,080 --> 00:24:22,359
Speaker 1: because we get to meet Randy Watson. Randy Watson you

407
00:24:22,480 --> 00:24:25,040
Speaker 1: might know him, that the policeman from What's Going Down

408
00:24:25,119 --> 00:24:28,439
Speaker 1: episode and that's my mama. That's not where I know.

409
00:24:31,960 --> 00:24:36,960
Speaker 1: Oh but that scene is another Bethel des scene, like

410
00:24:37,000 --> 00:24:41,680
Speaker 1: how they have all the women in bikinis, right, So

411
00:24:42,000 --> 00:24:45,000
Speaker 1: that yeah, that so that Black Awareness Rally is really

412
00:24:45,040 --> 00:24:49,960
Speaker 1: just like a beauty pageant with like wins why did

413
00:24:50,000 --> 00:24:52,560
Speaker 1: anyone win? At the end of he is like everyone

414
00:24:52,640 --> 00:24:55,199
Speaker 1: show your ass and now you can leave. It was like,

415
00:24:55,240 --> 00:24:57,760
Speaker 1: but woy, who won? Who won this? I think that

416
00:24:58,040 --> 00:25:02,600
Speaker 1: what that's references. Have you ever seen Jet Magazine? Yes,

417
00:25:03,040 --> 00:25:06,439
Speaker 1: so Jet Magazine was like a little mini magazine, but

418
00:25:06,480 --> 00:25:12,879
Speaker 1: it's like a it's a legendary black women's magazine, and um,

419
00:25:12,920 --> 00:25:15,520
Speaker 1: I want necessarily say it's a black women's magazine, but

420
00:25:15,520 --> 00:25:17,920
Speaker 1: it's like it was like a black It's still in print,

421
00:25:18,000 --> 00:25:21,399
Speaker 1: like is it no, they're on they stopped printing. It

422
00:25:21,480 --> 00:25:23,280
Speaker 1: was like a whole thing like maybe two and a

423
00:25:23,280 --> 00:25:26,280
Speaker 1: half years ago, and every issue of Jet Magazine had

424
00:25:26,280 --> 00:25:29,320
Speaker 1: a Jet Beauty of the Week, and the Jet Beauty

425
00:25:29,320 --> 00:25:31,920
Speaker 1: of the Week would be like in some very eighties

426
00:25:32,359 --> 00:25:36,680
Speaker 1: bikini and sitting on like a rock you know, or

427
00:25:36,800 --> 00:25:39,679
Speaker 1: some ship and then it would have like her likes

428
00:25:39,720 --> 00:25:42,800
Speaker 1: and her you know, her goals, and it was always

429
00:25:42,880 --> 00:25:47,800
Speaker 1: just vapid vs. But the Black Awareness Rally is essentially

430
00:25:47,840 --> 00:25:50,080
Speaker 1: like here are the jet beauties of the week, Like

431
00:25:50,160 --> 00:25:53,520
Speaker 1: that's essentially what they're doing. Yeah, I didn't look up who.

432
00:25:53,600 --> 00:25:56,639
Speaker 1: I wonder who the women in the actual like line

433
00:25:56,840 --> 00:26:02,000
Speaker 1: of I wonder if we're that Well in the scene

434
00:26:02,440 --> 00:26:05,879
Speaker 1: with the three guys from my t shop, from the barbershop,

435
00:26:06,040 --> 00:26:07,280
Speaker 1: you know, the three of them are sitting there at

436
00:26:07,280 --> 00:26:10,240
Speaker 1: the Black Ranness Rally in front of them in the

437
00:26:10,320 --> 00:26:12,920
Speaker 1: row in front of them is director f Gary Gray,

438
00:26:13,040 --> 00:26:17,920
Speaker 1: who directed straight Ava Coompton and Friday. Well, that's crazy

439
00:26:19,840 --> 00:26:22,760
Speaker 1: trying to bring you out some some extra facts, some

440
00:26:22,800 --> 00:26:27,359
Speaker 1: black facts. This is yeah, there are there were so

441
00:26:27,359 --> 00:26:30,280
Speaker 1: many things I had to pause and which isn't like

442
00:26:30,440 --> 00:26:33,520
Speaker 1: ordinary for just like watching a comedy is like I

443
00:26:33,520 --> 00:26:35,320
Speaker 1: had to pause multiple times and be like, wait a second.

444
00:26:35,400 --> 00:26:38,160
Speaker 1: What I had to like find the list of who

445
00:26:38,240 --> 00:26:41,000
Speaker 1: is Eddie, Who's are sending from the list of parts, Yeah,

446
00:26:41,000 --> 00:26:42,439
Speaker 1: because I didn't know that that was a part of

447
00:26:42,440 --> 00:26:45,120
Speaker 1: the movie, and so by the time I figured it out,

448
00:26:45,200 --> 00:26:49,600
Speaker 1: I'm like, wait, what did I already miss? Yeah, yeah,

449
00:26:50,040 --> 00:26:53,040
Speaker 1: there's there's a lot of sexism, though I really it's

450
00:26:53,040 --> 00:26:56,639
Speaker 1: like almost like, I mean, I know that, but it

451
00:26:56,760 --> 00:27:00,199
Speaker 1: never made me like the movie less almost like a

452
00:27:00,240 --> 00:27:04,920
Speaker 1: little John song there's I mean, there are there are

453
00:27:05,000 --> 00:27:08,359
Speaker 1: some I don't know, and I guess like Eddie Murphy,

454
00:27:08,400 --> 00:27:12,480
Speaker 1: who's like kind of arguably like a problematic dude in

455
00:27:12,560 --> 00:27:15,119
Speaker 1: a lot of ways, it like in regards to his

456
00:27:15,200 --> 00:27:19,439
Speaker 1: stand up anyways. Um, Like, I wasn't totally surprised to

457
00:27:19,480 --> 00:27:22,399
Speaker 1: see some like women, but of the joke things like

458
00:27:22,480 --> 00:27:25,480
Speaker 1: at the beginning, before we meet the really hot lady

459
00:27:25,480 --> 00:27:27,760
Speaker 1: who doesn't have any thoughts of her own, we the

460
00:27:27,800 --> 00:27:31,320
Speaker 1: person who introduces her, you know, is like a bigger woman,

461
00:27:31,359 --> 00:27:37,000
Speaker 1: and he's like, oh yeah, uh. That joke is he

462
00:27:37,040 --> 00:27:40,240
Speaker 1: doesn't find her attractive. Um, And there's like a few

463
00:27:40,240 --> 00:27:43,760
Speaker 1: things like that that I man, it's not that I

464
00:27:43,840 --> 00:27:46,159
Speaker 1: gave the benefit of the doubt, but I wasn't like

465
00:27:46,359 --> 00:27:49,480
Speaker 1: surprised to see because if it was any Murphy standing

466
00:27:49,600 --> 00:27:51,000
Speaker 1: like I don't know, it was like I wasn't totally

467
00:27:51,000 --> 00:27:54,520
Speaker 1: surprised to be like, oh, this movie isn't amazing to women.

468
00:27:54,600 --> 00:27:58,440
Speaker 1: I was honestly surprised that I loved Lisa so much,

469
00:27:58,480 --> 00:28:02,520
Speaker 1: and Lisa was so clearly awesome. She was very definitively

470
00:28:03,520 --> 00:28:06,680
Speaker 1: like not about the bullshit, but she was very much

471
00:28:06,720 --> 00:28:09,760
Speaker 1: the only woman character who was like that every other

472
00:28:09,760 --> 00:28:14,840
Speaker 1: woman because mom, yeah true, I mean produced you know,

473
00:28:14,920 --> 00:28:20,240
Speaker 1: she was sexually free third wave feminism, Kim Karashian feminist

474
00:28:20,440 --> 00:28:24,720
Speaker 1: type ways. Yeah, because maybe at the time it was like, oh,

475
00:28:24,760 --> 00:28:31,040
Speaker 1: this is like the sister, but I don't know through seggs,

476
00:28:31,359 --> 00:28:35,199
Speaker 1: she's just sexually liberated, and I think she was just

477
00:28:35,240 --> 00:28:37,480
Speaker 1: like more material. She's more like a she was the

478
00:28:37,480 --> 00:28:41,560
Speaker 1: Basketball Wives sister. Yeah yeah, yeah, Like she's more like

479
00:28:41,760 --> 00:28:44,920
Speaker 1: why is she always get the rich guys? Like she's

480
00:28:45,000 --> 00:28:49,479
Speaker 1: like that brings me to the fourth dude character who

481
00:28:49,640 --> 00:28:52,200
Speaker 1: is not very great towards women, which is their dad,

482
00:28:52,360 --> 00:28:57,120
Speaker 1: Cleo mcdone. He's basically just like a mercenary who's like,

483
00:28:57,280 --> 00:29:00,000
Speaker 1: who's the richest guy who I can marry my daughter?

484
00:29:00,080 --> 00:29:02,240
Speaker 1: Under off too. That was one of the scenes where

485
00:29:02,280 --> 00:29:05,400
Speaker 1: I was like, wait, like that was a weird parallel

486
00:29:05,960 --> 00:29:11,240
Speaker 1: between was the fake Country anymore Munda And I was

487
00:29:11,280 --> 00:29:14,640
Speaker 1: like that wouldn't have happened in someone being like, hey,

488
00:29:14,720 --> 00:29:18,520
Speaker 1: my daughter is gonna marry this guy I don't know,

489
00:29:18,640 --> 00:29:22,160
Speaker 1: like Queen's and with that that's happening in Queen's right now,

490
00:29:22,240 --> 00:29:25,480
Speaker 1: like literally, I mean I think it came from a

491
00:29:25,480 --> 00:29:27,480
Speaker 1: different place. I think it did come from a place

492
00:29:27,520 --> 00:29:30,480
Speaker 1: of like I want my daughter to be taking care

493
00:29:30,520 --> 00:29:33,480
Speaker 1: of because he's like a single father, Like she doesn't

494
00:29:33,480 --> 00:29:36,080
Speaker 1: have they don't have her mom around. So I think

495
00:29:37,000 --> 00:29:40,280
Speaker 1: because there because even though that there was that once

496
00:29:40,360 --> 00:29:43,800
Speaker 1: James Joe Jones was like, I'll pay you. He was

497
00:29:43,800 --> 00:29:46,000
Speaker 1: like to leave my daughter alone. That's when he know,

498
00:29:46,120 --> 00:29:47,680
Speaker 1: but he was like no, He was like, you can't

499
00:29:47,680 --> 00:29:50,920
Speaker 1: buy my daughter off, like offers him a million dollars

500
00:29:50,960 --> 00:29:56,000
Speaker 1: to million dollars. She's like no, she's yeah, which redeems him. Yeah.

501
00:29:56,040 --> 00:29:58,760
Speaker 1: So I feel like he was just like I do,

502
00:29:58,880 --> 00:30:01,120
Speaker 1: feel like it was more out like my daughter is

503
00:30:01,360 --> 00:30:05,520
Speaker 1: someone that's worth something more than like I want to

504
00:30:05,560 --> 00:30:08,880
Speaker 1: just pedal my daughter off. I tried to contextualize a

505
00:30:08,960 --> 00:30:12,160
Speaker 1: little with like, mm, you know, if you would Mike

506
00:30:12,600 --> 00:30:15,600
Speaker 1: be okay, if I was like, hey Mike, I'm dating

507
00:30:15,640 --> 00:30:19,600
Speaker 1: a janitor, uh, he would be like David, come on,

508
00:30:19,920 --> 00:30:23,400
Speaker 1: you know, like even if and I could be like no,

509
00:30:23,480 --> 00:30:26,560
Speaker 1: this this janitor is Eddie Murphy. He's great, and my

510
00:30:26,640 --> 00:30:28,760
Speaker 1: dad would be like, I don't know, you know, like

511
00:30:29,160 --> 00:30:32,360
Speaker 1: you know, I guess my lawyer told me that I

512
00:30:32,400 --> 00:30:36,480
Speaker 1: cannot date anyone who doesn't have a master's. It was like, well,

513
00:30:36,520 --> 00:30:40,280
Speaker 1: it was like that's tough. Really, that's yeah, I have

514
00:30:40,440 --> 00:30:42,440
Speaker 1: the people here. He was like, high school, I'm gonna

515
00:30:42,480 --> 00:30:44,600
Speaker 1: talk what do you want to talk about? I've meant

516
00:30:44,600 --> 00:30:48,360
Speaker 1: more successful high school dropouts here. Then it's like it's

517
00:30:48,360 --> 00:30:51,920
Speaker 1: but then to talk about because that's the thing. There's

518
00:30:51,960 --> 00:30:54,160
Speaker 1: nothing I'm like. But she was like, she was like,

519
00:30:54,200 --> 00:30:55,920
Speaker 1: you were not. She was like, there's going You're gonna

520
00:30:55,960 --> 00:30:58,280
Speaker 1: hit a wall. She was like, you're gonna hit a wall. Look,

521
00:30:58,280 --> 00:31:04,400
Speaker 1: you don't need to talk. You just make we call

522
00:31:04,440 --> 00:31:09,880
Speaker 1: that a call back. I love it. You have the masters.

523
00:31:09,920 --> 00:31:13,680
Speaker 1: You're like hot tail. I gotta get masters. I gotta

524
00:31:13,760 --> 00:31:16,360
Speaker 1: be more in debt. That's what's gonna make me like

525
00:31:16,400 --> 00:31:21,200
Speaker 1: a valuable partner. I definitely. Yeah, I'm still playing paying

526
00:31:21,240 --> 00:31:26,800
Speaker 1: Colombia for that masters and solid thirty three thousand left.

527
00:31:27,040 --> 00:31:30,000
Speaker 1: That's not that bad. That's like, I mean, I'm thirty

528
00:31:30,040 --> 00:31:32,959
Speaker 1: six this year, so okay, Yeah, I've been paying this

529
00:31:33,080 --> 00:31:36,680
Speaker 1: off for almost fifteen years. I just got under forty

530
00:31:37,800 --> 00:31:40,640
Speaker 1: for my undergrad and I've never felt better in my time.

531
00:31:40,880 --> 00:31:43,600
Speaker 1: If my income is low enough right now where they're

532
00:31:43,640 --> 00:31:46,560
Speaker 1: not making me pay back my loans, I've lived that life.

533
00:31:46,840 --> 00:31:50,520
Speaker 1: That's amazing. So I just have to stay poor and

534
00:31:50,680 --> 00:31:55,280
Speaker 1: I die and I don't ever have to pay them back. Legitimately,

535
00:31:55,360 --> 00:31:58,120
Speaker 1: my plan stole it. I don't want to get rich

536
00:31:58,200 --> 00:31:59,520
Speaker 1: enough that I can pay them back. I want to

537
00:31:59,520 --> 00:32:01,680
Speaker 1: stay or enough that I don't have to pay them back.

538
00:32:01,880 --> 00:32:04,640
Speaker 1: I don't deserve it, and I think I can settle,

539
00:32:05,040 --> 00:32:07,360
Speaker 1: like I think I'm at enough. Of us told me

540
00:32:07,440 --> 00:32:12,360
Speaker 1: that I think I've had like a low enough balance

541
00:32:12,400 --> 00:32:14,280
Speaker 1: where if I hit him up and was like, listen,

542
00:32:14,840 --> 00:32:18,200
Speaker 1: how about I just gave you a four thousand bucks

543
00:32:18,400 --> 00:32:22,800
Speaker 1: and we call any when they won't take it that low,

544
00:32:23,280 --> 00:32:25,920
Speaker 1: but like if it's thirty three, they might take twenty three. Well,

545
00:32:25,960 --> 00:32:32,160
Speaker 1: you're a serious regular now on an HBO alumnihilist listen.

546
00:32:32,520 --> 00:32:39,560
Speaker 1: And the time my mom today was like, remember when

547
00:32:39,600 --> 00:32:42,760
Speaker 1: you used to sell bags on my space? Yes, I

548
00:32:42,840 --> 00:32:46,920
Speaker 1: used to sell hand painted tote bags on my space. Yes,

549
00:32:47,120 --> 00:32:51,840
Speaker 1: that's amazing, thank you. It's a good idea very difficult. Yeah,

550
00:32:51,920 --> 00:32:54,720
Speaker 1: that sounds like a long time. Yeah, there it is. Yeah,

551
00:32:55,240 --> 00:32:57,680
Speaker 1: I used to be a paint night instructor. That was

552
00:32:57,800 --> 00:33:02,080
Speaker 1: my hug caught me that drunk too, Yeah, and I

553
00:33:02,120 --> 00:33:03,560
Speaker 1: trained for it and then I was like, this is

554
00:33:03,800 --> 00:33:06,200
Speaker 1: I've had every bad job, but this is too much.

555
00:33:07,600 --> 00:33:11,240
Speaker 1: It's a thing where like usually middle aged women go

556
00:33:11,640 --> 00:33:16,760
Speaker 1: to like a bar and it's disturbing. It's like an

557
00:33:16,760 --> 00:33:19,040
Speaker 1: event where you just like paint a painting. There's an

558
00:33:19,040 --> 00:33:21,680
Speaker 1: instructor who like teaches you like it's like usually a

559
00:33:21,800 --> 00:33:26,520
Speaker 1: landscape or a tree or somethin You drink Margarita's, you

560
00:33:26,640 --> 00:33:30,080
Speaker 1: drink white wine, and then you just get drunk with

561
00:33:30,080 --> 00:33:34,720
Speaker 1: your friends. It means very like how comrade twenty four.

562
00:33:34,840 --> 00:33:36,720
Speaker 1: That's why it's grossed to you. It's really to me.

563
00:33:36,800 --> 00:33:39,640
Speaker 1: I'm like me and the gal painting, Oh my god,

564
00:33:39,880 --> 00:33:42,240
Speaker 1: this sounds amazing. It's like where everyone where they're like

565
00:33:42,320 --> 00:33:44,840
Speaker 1: former sorority, they're like, you won't be great if we

566
00:33:44,880 --> 00:33:47,520
Speaker 1: all made the same bad painting. Can we talk about

567
00:33:47,520 --> 00:33:51,840
Speaker 1: the there's a montage where um, a Cheam and Semi

568
00:33:52,160 --> 00:33:55,760
Speaker 1: go to a bar and there's all these very ludicrous

569
00:33:55,760 --> 00:34:01,440
Speaker 1: women who I mean very l a. Some of them

570
00:34:01,440 --> 00:34:04,280
Speaker 1: bothered me, others did not. Like some of them seem

571
00:34:04,320 --> 00:34:07,160
Speaker 1: more like satirical, like the girl who's talking about a

572
00:34:07,280 --> 00:34:08,759
Speaker 1: career and stuff like I don't really want to do

573
00:34:08,760 --> 00:34:11,000
Speaker 1: like my own videos, wanna be my starting my own songs,

574
00:34:11,040 --> 00:34:14,720
Speaker 1: you know, because I mean that's a lot of Antle's conversation. Laughed, Yeah, yeah,

575
00:34:14,880 --> 00:34:16,960
Speaker 1: Like I thought that was really funny. And then there

576
00:34:16,960 --> 00:34:18,440
Speaker 1: were a few that were more like what were the

577
00:34:18,480 --> 00:34:24,000
Speaker 1: ones did any bother you or bothered me? But they

578
00:34:24,040 --> 00:34:26,120
Speaker 1: were all just like such ridiculous, I want to tear

579
00:34:26,200 --> 00:34:31,279
Speaker 1: you to pieces that and your friends spit and a

580
00:34:31,360 --> 00:34:34,200
Speaker 1: great spit take. I wrote that it was like, great,

581
00:34:35,080 --> 00:34:40,000
Speaker 1: he spends the entire movie just like mugging. Arsenio's over

582
00:34:40,120 --> 00:34:43,680
Speaker 1: forty and this movie he's like forty three in this movie.

583
00:34:44,320 --> 00:34:46,360
Speaker 1: Damn well, you know what the best women in that

584
00:34:46,400 --> 00:34:52,080
Speaker 1: scene are though, right, oh my name is and the

585
00:34:52,080 --> 00:34:57,000
Speaker 1: best all the j's want to feel my breath? Wickupick

586
00:34:57,080 --> 00:35:01,640
Speaker 1: up movie should end right there? Owner you found that

587
00:35:01,760 --> 00:35:07,760
Speaker 1: was my like voicemail message for a good four years.

588
00:35:07,760 --> 00:35:10,280
Speaker 1: Like if I wasn't a series regular on the HBO

589
00:35:10,400 --> 00:35:14,800
Speaker 1: hitch so insecure, I would put it back. Sorry, I'm

590
00:35:14,800 --> 00:35:20,520
Speaker 1: that's my screenwriting degree too. I love them, and I

591
00:35:20,560 --> 00:35:23,400
Speaker 1: also there's another pair of twins. I don't know if

592
00:35:23,400 --> 00:35:27,200
Speaker 1: those yes. What I love about it is that they

593
00:35:27,360 --> 00:35:30,480
Speaker 1: are speaking in unison and they say something like, this

594
00:35:30,560 --> 00:35:32,919
Speaker 1: is the first time Teresa and I've been out since

595
00:35:32,920 --> 00:35:37,560
Speaker 1: the doctor separated us. But they both say Teresa their names.

596
00:35:40,000 --> 00:35:43,360
Speaker 1: I have never got that. I have seen this film

597
00:35:43,440 --> 00:35:47,719
Speaker 1: nine twenty two point seven five times. I have never

598
00:35:47,880 --> 00:35:49,800
Speaker 1: got that. I think it's maybe the best joke in

599
00:35:49,840 --> 00:35:55,040
Speaker 1: the entire movie. Oh my god, this is and I've

600
00:35:55,080 --> 00:35:57,320
Speaker 1: been oun since the doctor separate this is for centuries,

601
00:35:57,360 --> 00:35:59,839
Speaker 1: and I've been out since the Doctor's epated us. Because

602
00:35:59,840 --> 00:36:04,520
Speaker 1: they have the beat in there and they were sitting

603
00:36:04,560 --> 00:36:07,560
Speaker 1: as if they were can still conjoined twins to like

604
00:36:07,640 --> 00:36:11,439
Speaker 1: just like a little to left, dude, have you ever

605
00:36:11,520 --> 00:36:16,120
Speaker 1: like gotten into the conjoined twins wormhole? Like of googling stuff?

606
00:36:16,560 --> 00:36:18,880
Speaker 1: I started it and then I ended up purchasing books.

607
00:36:18,960 --> 00:36:21,560
Speaker 1: It took I used to work at a bookstore and

608
00:36:21,600 --> 00:36:24,080
Speaker 1: one day there was like a sale. There was sale

609
00:36:24,120 --> 00:36:28,719
Speaker 1: about there's these great vaudeville conjoined twins, Violet and Daisy.

610
00:36:29,200 --> 00:36:33,000
Speaker 1: That's what there's a play yes, Yeah, there's so much.

611
00:36:33,880 --> 00:36:37,120
Speaker 1: A Netflix documentary. They were in movies and all this stuff,

612
00:36:37,440 --> 00:36:39,480
Speaker 1: and you like, I was like, there's gotta be a

613
00:36:39,520 --> 00:36:43,000
Speaker 1: chapter in their sex life. There is. They were horny

614
00:36:43,040 --> 00:36:45,279
Speaker 1: as hell and they made it work. I love them

615
00:36:45,400 --> 00:36:51,439
Speaker 1: how they either by one twin choosing to be chill,

616
00:36:51,640 --> 00:36:54,520
Speaker 1: I mean, like have a good night, I'm going to

617
00:36:55,280 --> 00:36:57,719
Speaker 1: turn my head to the side, or there was like

618
00:36:57,719 --> 00:37:01,080
Speaker 1: a curtain arrangement. Do you remember where they were joined?

619
00:37:01,480 --> 00:37:05,200
Speaker 1: They were joined like traditionally like at the at the hip.

620
00:37:05,280 --> 00:37:08,600
Speaker 1: My question was, can one twin feel if the other

621
00:37:08,640 --> 00:37:11,400
Speaker 1: twin is coming? Would you know if you're twins? Did

622
00:37:11,440 --> 00:37:16,240
Speaker 1: they talking to separate vaginas? They did have two separate vaginas. Yeah, okay,

623
00:37:16,600 --> 00:37:19,480
Speaker 1: so and they were both married at one point and

624
00:37:19,520 --> 00:37:22,800
Speaker 1: they were also like for a while riches. Fuck wow.

625
00:37:23,600 --> 00:37:28,200
Speaker 1: Anyway back to the no no no no. So there's

626
00:37:28,239 --> 00:37:31,920
Speaker 1: a line that Lisa delivers whenever. So there's a party

627
00:37:32,040 --> 00:37:36,600
Speaker 1: where Darryl goes to Lisa's dad and it's like, Hey,

628
00:37:37,480 --> 00:37:39,680
Speaker 1: I'm gonna ask your daughter to marry me, and Cleo

629
00:37:39,800 --> 00:37:43,800
Speaker 1: is like great, and then they just decide her future

630
00:37:43,840 --> 00:37:46,560
Speaker 1: for her basically, and it's like she's like I'm not

631
00:37:46,640 --> 00:37:50,319
Speaker 1: apprised to be one again, just like in Aladdin with

632
00:37:50,400 --> 00:37:53,720
Speaker 1: Jasmine Um. But she goes out and she just starts

633
00:37:53,760 --> 00:37:56,600
Speaker 1: talking to a cheam and she's like, I'm not going

634
00:37:56,640 --> 00:37:59,239
Speaker 1: to be pressured into marriage, not by my father or

635
00:37:59,360 --> 00:38:03,440
Speaker 1: Darryl or anyone. But then not long after that she

636
00:38:03,680 --> 00:38:06,960
Speaker 1: gets married anyway, at the end of the movie to

637
00:38:07,520 --> 00:38:13,160
Speaker 1: a chem She's married after saying exactly, but she tells

638
00:38:13,239 --> 00:38:17,160
Speaker 1: him like yourself, yeah, yeah, take your earrings. I feel

639
00:38:17,239 --> 00:38:19,680
Speaker 1: fine with how it ended. Yeah, like because then he

640
00:38:19,719 --> 00:38:22,759
Speaker 1: says to her, like, we don't have to live like this.

641
00:38:23,080 --> 00:38:27,960
Speaker 1: Would you give this up? And renounced right right? I

642
00:38:27,960 --> 00:38:31,359
Speaker 1: don't know. There's like so many sometimes I kind of

643
00:38:31,360 --> 00:38:34,360
Speaker 1: get caught up in that, Like everyone thinks that movies

644
00:38:34,400 --> 00:38:37,160
Speaker 1: should end like Sex in the City the series where

645
00:38:37,160 --> 00:38:39,080
Speaker 1: it's like I don't have a man, I'm fine, but

646
00:38:39,120 --> 00:38:42,239
Speaker 1: it's like you can still be a fine person and

647
00:38:42,280 --> 00:38:45,719
Speaker 1: like empowered and and and like yeah and like be

648
00:38:45,840 --> 00:38:48,160
Speaker 1: in love and stuff. And I feel like it's almost

649
00:38:48,440 --> 00:38:52,799
Speaker 1: like that, I mean, that's what can happen. Maybe it's

650
00:38:52,880 --> 00:38:58,239
Speaker 1: just because I'm so cynical and so sent every year

651
00:38:59,360 --> 00:39:03,719
Speaker 1: who has someone to be with. I's like, fuck you

652
00:39:03,760 --> 00:39:10,560
Speaker 1: and your stupid wedding and your pink dress not dress,

653
00:39:10,920 --> 00:39:15,279
Speaker 1: which I appreciate. I liked that. Okay, Patrese wears a

654
00:39:15,360 --> 00:39:18,200
Speaker 1: two piece pank outfit the first time she hooks up

655
00:39:18,200 --> 00:39:21,520
Speaker 1: with our Sinea in this movie, with these unbelievable earrings,

656
00:39:21,560 --> 00:39:24,239
Speaker 1: and I'm just like that. I screenshot at it. I

657
00:39:24,280 --> 00:39:28,279
Speaker 1: was like, let me figure this out. I want Patrese's

658
00:39:28,320 --> 00:39:35,360
Speaker 1: look here. Let me. It seems achievable, but I don't know. Well,

659
00:39:35,600 --> 00:39:39,880
Speaker 1: you lived in Englewood, I live. You can definitely achieve

660
00:39:39,960 --> 00:39:43,440
Speaker 1: that look slas and swat meat. I lived right by

661
00:39:43,600 --> 00:39:48,680
Speaker 1: um yes, yes, like right around the corner. Yeah. I

662
00:39:48,719 --> 00:39:51,520
Speaker 1: went to that Walmart optometrist to get glasses and then

663
00:39:51,560 --> 00:39:53,959
Speaker 1: I called back a year later. I was like, hey,

664
00:39:54,000 --> 00:39:55,600
Speaker 1: I came here last year. Can I come back? And

665
00:39:55,640 --> 00:39:59,240
Speaker 1: they're like, this Walmart is closed. I was like, okay,

666
00:39:59,320 --> 00:40:01,920
Speaker 1: see you never there's a what I think is a

667
00:40:02,920 --> 00:40:10,520
Speaker 1: trading places reference. Yes where like yeah, Randolph, I told you,

668
00:40:10,560 --> 00:40:14,120
Speaker 1: I'm not talking to you anymore. Oh I miss okay

669
00:40:14,200 --> 00:40:16,640
Speaker 1: because I I haven't seen trading places for a long time,

670
00:40:16,640 --> 00:40:18,520
Speaker 1: but I have seen it and it was like that

671
00:40:18,760 --> 00:40:22,480
Speaker 1: rings up. Yeah. For some reason, yeah, he gives um

672
00:40:22,520 --> 00:40:25,520
Speaker 1: them a lot of cash. He basically takes Semmi's spending

673
00:40:25,560 --> 00:40:27,760
Speaker 1: money and he's like, you can't do any more damage

674
00:40:27,760 --> 00:40:31,440
Speaker 1: with this. I'm and to pour homeless white guys on

675
00:40:31,480 --> 00:40:33,440
Speaker 1: the street. And then it turns out that they're the

676
00:40:33,520 --> 00:40:37,080
Speaker 1: characters from Trading Places Looking Good, Valentine, I feel like

677
00:40:37,080 --> 00:40:40,920
Speaker 1: the Winthrop. There's a scene at the beginning where I

678
00:40:40,960 --> 00:40:43,080
Speaker 1: had to double check when this movie was made because

679
00:40:43,080 --> 00:40:45,520
Speaker 1: it sounds it almost sounded like James W. Jones was

680
00:40:45,560 --> 00:40:48,080
Speaker 1: doing a weird MoU Fossa reference. But then I was like,

681
00:40:48,120 --> 00:40:50,319
Speaker 1: apparently he just plays royalty a lot, because he was

682
00:40:50,360 --> 00:40:53,960
Speaker 1: just like he says something like like I was like,

683
00:40:54,000 --> 00:40:57,680
Speaker 1: that's a move yeah, yeah, yeah, And I was like,

684
00:40:57,719 --> 00:41:00,600
Speaker 1: that sounds like move Fossa. But it was that sounds

685
00:41:00,640 --> 00:41:04,200
Speaker 1: like that very yes, well, because yeah, they're interchangeable. He

686
00:41:04,239 --> 00:41:06,960
Speaker 1: does play a king a lot um. He's legal as

687
00:41:07,040 --> 00:41:13,200
Speaker 1: fun Vader yea that and Royal Conan the Barbarian. I

688
00:41:13,560 --> 00:41:17,960
Speaker 1: think of that he's a bad guy, but I think

689
00:41:18,000 --> 00:41:21,000
Speaker 1: he's like a lead two cast. James Earl Jones is

690
00:41:21,040 --> 00:41:25,520
Speaker 1: like a popper. He sounds like fucking royalty, like that

691
00:41:25,560 --> 00:41:28,279
Speaker 1: would maybe be fun a fun turn that could be

692
00:41:28,320 --> 00:41:32,640
Speaker 1: his good will hunting. This time, James Earl Jones sounds

693
00:41:32,640 --> 00:41:39,560
Speaker 1: the same, except he is poor. Haven't out instant If

694
00:41:39,640 --> 00:41:41,960
Speaker 1: James Okay, this is my theory. If James Earl Jones

695
00:41:42,280 --> 00:41:45,719
Speaker 1: played someone very poor, he would win an oscar. He

696
00:41:45,840 --> 00:41:48,800
Speaker 1: has a very bad job, which is crazy. He's gotta

697
00:41:48,880 --> 00:41:50,919
Speaker 1: he's got to have a good will hunting. You've got

698
00:41:50,920 --> 00:41:53,600
Speaker 1: to have a Dallas Buyers Club. He's overdue. These are

699
00:41:53,600 --> 00:41:56,160
Speaker 1: all movies with all white men, though. This is but

700
00:41:56,239 --> 00:41:58,439
Speaker 1: I want James. I want that for James Earl killing,

701
00:41:58,520 --> 00:42:01,720
Speaker 1: I know, I want well, It's like even like Denzel

702
00:42:01,840 --> 00:42:04,719
Speaker 1: not winning for Fences was like, that's true, I mean,

703
00:42:04,800 --> 00:42:10,280
Speaker 1: and what a fucking abysmal actual win for Casey Affleck

704
00:42:10,320 --> 00:42:12,480
Speaker 1: who I would kill using my legs if I had

705
00:42:12,480 --> 00:42:17,720
Speaker 1: any I can't stand them. That was so specific. Oh

706
00:42:17,800 --> 00:42:21,640
Speaker 1: I would kill using my legs. I have very strong legs.

707
00:42:21,680 --> 00:42:24,279
Speaker 1: I think yourself vocadom. I like to think I could

708
00:42:24,280 --> 00:42:27,600
Speaker 1: do that too, like wrap and then squee yeah, yeah, yeah, yeah,

709
00:42:27,640 --> 00:42:34,600
Speaker 1: that's like some shadow. What's that movie about teeth teeth Vagina?

710
00:42:34,760 --> 00:42:36,279
Speaker 1: That was my favorite movie in high school? Have you

711
00:42:36,280 --> 00:42:39,600
Speaker 1: heard about this it's a horror movie. A woman discovers

712
00:42:39,680 --> 00:42:42,040
Speaker 1: she has teeth in her vagina and then she uses

713
00:42:42,040 --> 00:42:47,279
Speaker 1: it for vigilante justice. They have they have condoms in

714
00:42:47,680 --> 00:42:50,600
Speaker 1: South Africa that they were using that have like, I mean,

715
00:42:50,680 --> 00:42:53,400
Speaker 1: quote unquote teeth inside the condom, so it's like a

716
00:42:53,440 --> 00:42:56,640
Speaker 1: woman's it's like a feminom that women put up their

717
00:42:56,719 --> 00:43:02,320
Speaker 1: vaginas to uh be safe against rapists so that the

718
00:43:03,040 --> 00:43:06,040
Speaker 1: teeth grab and so they can move themselves out of

719
00:43:06,080 --> 00:43:08,800
Speaker 1: him and be like piece off like that. Why isn't

720
00:43:08,840 --> 00:43:14,239
Speaker 1: that everywhere? That's believable. Yeah, that's like a thing. It's

721
00:43:14,239 --> 00:43:17,200
Speaker 1: like a little bear trap. Wait, Aristotle held up that

722
00:43:17,320 --> 00:43:20,440
Speaker 1: thing that said the sand Lot? What's that about? What? What?

723
00:43:20,440 --> 00:43:23,520
Speaker 1: What's that? You don't know about the sand Lot? I

724
00:43:23,560 --> 00:43:25,919
Speaker 1: mean I know that it's a movie, but I didn't

725
00:43:25,920 --> 00:43:29,839
Speaker 1: know what it was. You're killing me, Smalls, you're killing me? Yeah?

726
00:43:29,880 --> 00:43:33,240
Speaker 1: I know that. Wait. Does Jim Joel Jones in it? Yeah?

727
00:43:33,440 --> 00:43:35,880
Speaker 1: He's is he a king in it too? Well, he's

728
00:43:35,920 --> 00:43:40,239
Speaker 1: like a former like legendary baseball player. But they don't.

729
00:43:40,360 --> 00:43:42,680
Speaker 1: They're afraid of him, they think because they're like he's

730
00:43:42,719 --> 00:43:44,960
Speaker 1: like a recluse. And then they finally go over there

731
00:43:44,960 --> 00:43:48,279
Speaker 1: to get the ball, and it turns out that he's

732
00:43:48,360 --> 00:43:51,520
Speaker 1: like this legendary baseball player. I have chills thinking about it, literally,

733
00:43:51,560 --> 00:43:55,360
Speaker 1: I have right now. The end he's still higher echelon,

734
00:43:55,520 --> 00:43:57,600
Speaker 1: but you just don't know it for a long got it.

735
00:43:58,000 --> 00:44:00,120
Speaker 1: I've never seen The sand Lot, although I thought I

736
00:44:00,160 --> 00:44:01,600
Speaker 1: was about to watch it one time I went over.

737
00:44:01,640 --> 00:44:03,759
Speaker 1: I was in seventh grade. I went over to my

738
00:44:03,800 --> 00:44:05,759
Speaker 1: friend's house and he had friends over and he had

739
00:44:05,760 --> 00:44:07,799
Speaker 1: a swimming pool, and then we're like, hey, guys, we're

740
00:44:07,840 --> 00:44:10,799
Speaker 1: going to watch the sand Lot. Yeah, so we go

741
00:44:10,840 --> 00:44:13,719
Speaker 1: and sit down around this TV. They hit play and

742
00:44:13,760 --> 00:44:19,120
Speaker 1: then apporne and I didn't even know what the sand

743
00:44:19,120 --> 00:44:23,759
Speaker 1: Lot was. I was like, is this going to call

744
00:44:23,840 --> 00:44:29,080
Speaker 1: my vagina as well? Oh my god? Yeah, I feel

745
00:44:29,080 --> 00:44:31,839
Speaker 1: like everyone, Okay, that's a very extreme example of we're

746
00:44:31,880 --> 00:44:33,840
Speaker 1: going in to watch a movie but actually something horrible

747
00:44:35,480 --> 00:44:41,359
Speaker 1: light moment. He never knew what's gonna happen. So that's

748
00:44:41,360 --> 00:44:43,360
Speaker 1: like the Betel Test movie too, though, because there's a

749
00:44:43,400 --> 00:44:47,600
Speaker 1: lot of you so like a girl. Yeah, yeah, there's

750
00:44:47,600 --> 00:44:50,680
Speaker 1: a lot of good we should do a kid's movie.

751
00:44:51,080 --> 00:44:55,040
Speaker 1: So yeah. Um. My version of that story was at

752
00:44:55,040 --> 00:44:57,720
Speaker 1: Winter was in high school. Uh my, my friend Jenny

753
00:44:57,760 --> 00:45:00,200
Speaker 1: invited a bunch of us over to watch p US

754
00:45:00,200 --> 00:45:03,440
Speaker 1: I Love You on DVD from Blockbuster. This is like

755
00:45:03,480 --> 00:45:06,960
Speaker 1: the waning days of Blockbuster. But right. I made eye

756
00:45:07,000 --> 00:45:08,840
Speaker 1: contact with him one time because I was an extra

757
00:45:09,560 --> 00:45:13,319
Speaker 1: on this set of Bounty Hunter whatever that movie was.

758
00:45:14,200 --> 00:45:16,160
Speaker 1: He looked right at me. I looked right at him,

759
00:45:16,840 --> 00:45:23,719
Speaker 1: became instantly pregnant. Oh my god. Anyways, I love you.

760
00:45:24,920 --> 00:45:28,359
Speaker 1: Um So I went to watch ps I Love You

761
00:45:28,640 --> 00:45:33,319
Speaker 1: and our valedictorian showed up, a weird guy, as valedictorians

762
00:45:33,360 --> 00:45:35,479
Speaker 1: tend to be. But he showed up and he wasn't

763
00:45:35,480 --> 00:45:37,920
Speaker 1: like technically invited, and we're like, why Richie here, this

764
00:45:37,960 --> 00:45:40,520
Speaker 1: is weird. And then the middle of ps I Love You,

765
00:45:41,160 --> 00:45:44,920
Speaker 1: Richie pretends to fall asleep on me, and I'm like, okay,

766
00:45:45,680 --> 00:45:48,879
Speaker 1: let make Jesus sleep on me. And then when I

767
00:45:48,880 --> 00:45:51,200
Speaker 1: I sort of let him rest there, and then he

768
00:45:51,400 --> 00:45:55,080
Speaker 1: grabbed my left boob and then I was like and

769
00:45:55,120 --> 00:45:57,080
Speaker 1: then there was like two other people in the room

770
00:45:57,120 --> 00:45:59,640
Speaker 1: and they didn't really see what was going on. And

771
00:45:59,680 --> 00:46:02,680
Speaker 1: then Richie like is like, I'm tired, I gotta go home,

772
00:46:02,719 --> 00:46:04,759
Speaker 1: and they boots out and we don't talk for the

773
00:46:04,760 --> 00:46:08,120
Speaker 1: rest of high school. Whoa he So he sexually assaulted

774
00:46:08,160 --> 00:46:11,279
Speaker 1: you and then he fled the scene at the Yeah,

775
00:46:11,440 --> 00:46:13,239
Speaker 1: I guess, so I get. But it was it was

776
00:46:13,360 --> 00:46:17,560
Speaker 1: like a honk. It was a weird sexual it's a

777
00:46:17,600 --> 00:46:19,920
Speaker 1: sexual assault, but it was Richie, So I wasn't afraid.

778
00:46:20,760 --> 00:46:23,000
Speaker 1: I was just like I hated that. And then when

779
00:46:23,000 --> 00:46:25,040
Speaker 1: he left it, my friend Jenny, like I don't know,

780
00:46:25,200 --> 00:46:27,680
Speaker 1: came to and she was just like, why would she leave?

781
00:46:27,760 --> 00:46:29,160
Speaker 1: So suddenly I was like, well, hey, he was not

782
00:46:29,320 --> 00:46:32,799
Speaker 1: invited be he honked my boob and left. Man, it's

783
00:46:32,840 --> 00:46:35,400
Speaker 1: like we have honked. It's sort of like the reverse

784
00:46:35,440 --> 00:46:37,560
Speaker 1: of what happens in the basketball scene up Coming to

785
00:46:37,600 --> 00:46:41,160
Speaker 1: America where he's like, oh, you gotta dick under this coat,

786
00:46:41,239 --> 00:46:43,840
Speaker 1: let me touch a little bit. And then he stands

787
00:46:43,880 --> 00:46:45,759
Speaker 1: up and he was like yes, and then he's like

788
00:46:45,880 --> 00:46:48,360
Speaker 1: I gotta go. It's halftime. He's like, this is my

789
00:46:48,440 --> 00:46:51,600
Speaker 1: favorite of the game. Yeah, so maybe, But then he

790
00:46:51,640 --> 00:46:59,200
Speaker 1: goes to the bathroom and gets recognized. That's yeah, this

791
00:46:59,320 --> 00:47:02,640
Speaker 1: is the happy s D of my life. Do you

792
00:47:02,680 --> 00:47:05,919
Speaker 1: know that I someone I mentioned right, Yeah, And that's

793
00:47:05,920 --> 00:47:09,640
Speaker 1: such a great one. I think I need to watch

794
00:47:09,680 --> 00:47:15,400
Speaker 1: it again and just watch it like without expectation, Like

795
00:47:15,440 --> 00:47:17,319
Speaker 1: you just have to watch it like it's just a

796
00:47:17,400 --> 00:47:20,799
Speaker 1: long sketch show. I mean, I like the movie. It

797
00:47:20,800 --> 00:47:30,040
Speaker 1: don't get me wrong. I just had something when she

798
00:47:30,080 --> 00:47:33,080
Speaker 1: said it, I note is literally a thing I only

799
00:47:33,160 --> 00:47:36,040
Speaker 1: learned about, like in l A. Like when I would

800
00:47:36,040 --> 00:47:40,120
Speaker 1: receive notes for something in New York, it wasn't notes

801
00:47:40,200 --> 00:47:43,319
Speaker 1: coming to me and it was like like executives were

802
00:47:43,360 --> 00:47:46,200
Speaker 1: getting notes on the project that I did a pilot

803
00:47:46,239 --> 00:47:49,879
Speaker 1: for something whatever. Out Here though, it's like everyone has

804
00:47:49,920 --> 00:47:55,719
Speaker 1: notes for everything. Yeah. And I literally sent someone a

805
00:47:55,840 --> 00:48:00,160
Speaker 1: video that I had made for Instagram because they had

806
00:48:00,200 --> 00:48:03,520
Speaker 1: made a joke and I had a video that could

807
00:48:03,560 --> 00:48:06,440
Speaker 1: be like that went along with the joke. And they

808
00:48:06,480 --> 00:48:09,319
Speaker 1: replied and said, oh, did you want notes on this?

809
00:48:10,640 --> 00:48:12,919
Speaker 1: And this is an Instagram videos for fifteen seconds? Did

810
00:48:12,920 --> 00:48:16,680
Speaker 1: you flip a table? That's like? I was like, why

811
00:48:16,719 --> 00:48:19,480
Speaker 1: would I want? What? What are you talking about? And

812
00:48:19,520 --> 00:48:22,760
Speaker 1: he was like, yeah, I mean people the guy people

813
00:48:22,840 --> 00:48:26,560
Speaker 1: often send me Instagram videos to give them notes. And

814
00:48:26,640 --> 00:48:30,360
Speaker 1: I was like, why would that be a thing? Love notes,

815
00:48:30,480 --> 00:48:32,600
Speaker 1: love career advice? I did not ask for. I had

816
00:48:32,719 --> 00:48:35,160
Speaker 1: someone who was going to be a guest on my pilot,

817
00:48:35,680 --> 00:48:40,640
Speaker 1: come to the live dress rehearsal of it. Never speak

818
00:48:40,680 --> 00:48:43,239
Speaker 1: to me like never like said hi, like I'm going

819
00:48:43,280 --> 00:48:45,319
Speaker 1: to do your pilot next week. Nice to meet you.

820
00:48:46,040 --> 00:48:51,920
Speaker 1: But however, sent notes on my show via somebody else.

821
00:48:52,160 --> 00:48:56,640
Speaker 1: I hate people assigning value to their opinions. It's so gross. Yeah,

822
00:48:56,960 --> 00:48:59,400
Speaker 1: I was like, why would I give any of a

823
00:48:59,480 --> 00:49:02,960
Speaker 1: fun right? But if, like, deep down, it does make

824
00:49:03,040 --> 00:49:05,280
Speaker 1: me insecure about something I wasn't going to be insecure

825
00:49:05,320 --> 00:49:09,400
Speaker 1: about before, So it ends up just hurting everyone. I

826
00:49:09,440 --> 00:49:13,239
Speaker 1: don't know, nobody needs your notes. That being said, I

827
00:49:13,280 --> 00:49:19,880
Speaker 1: do give notes professionally on screenplays. If you want to

828
00:49:19,880 --> 00:49:23,000
Speaker 1: go to my website, but you wait to be asked

829
00:49:23,719 --> 00:49:28,040
Speaker 1: confidence and it's constructive. Yeah yeah, Like I literally had

830
00:49:28,040 --> 00:49:30,120
Speaker 1: someone safe for smart, funny and black, like you should have.

831
00:49:30,200 --> 00:49:33,080
Speaker 1: You shouldn't have comedians because they're they're trying, they're having

832
00:49:33,080 --> 00:49:36,319
Speaker 1: to think too much about being funny. And I was

833
00:49:36,440 --> 00:49:39,840
Speaker 1: like that, I gotta go to grow up, get a

834
00:49:39,880 --> 00:49:44,120
Speaker 1: library card, I gotta get out of here. And steampunk

835
00:49:44,239 --> 00:49:48,480
Speaker 1: check staunch, no steampunks, no steampunks, no, none of that.

836
00:49:48,640 --> 00:49:52,640
Speaker 1: And every episode steampunk Culture referenced it just makes me

837
00:49:52,680 --> 00:49:55,799
Speaker 1: think of that waas movie that's exactly that is like

838
00:49:56,040 --> 00:49:58,600
Speaker 1: peak steampunk, but also a great movie. So that's part

839
00:49:58,719 --> 00:50:01,680
Speaker 1: a great movie. That's I enjoy it. I know all

840
00:50:01,680 --> 00:50:04,279
Speaker 1: the words of the theme song, Oh my god, Wow

841
00:50:04,320 --> 00:50:08,480
Speaker 1: well West, that's almost all the you know what that

842
00:50:08,800 --> 00:50:12,680
Speaker 1: song comes from? No from cool MODI had a song

843
00:50:12,760 --> 00:50:16,640
Speaker 1: called Wow Wow West. Really it's a sample. I didn't

844
00:50:16,680 --> 00:50:22,560
Speaker 1: know that. So the like court sample and then the

845
00:50:22,680 --> 00:50:27,920
Speaker 1: actual music doom, that's a Stevie Wonder sample. I knew that.

846
00:50:28,080 --> 00:50:34,520
Speaker 1: I knew that get back, but the chorus West learning

847
00:50:34,560 --> 00:50:37,040
Speaker 1: every day. That's what we come together for. It, that's

848
00:50:37,040 --> 00:50:39,680
Speaker 1: what community is for, it what togetherness is for. That's

849
00:50:39,719 --> 00:50:45,320
Speaker 1: true Holmes steepunk. The modern interpretation of Holmes, like Robert

850
00:50:45,320 --> 00:50:50,640
Speaker 1: Downey totally seem punk. I'm just but I, oh, you

851
00:50:50,640 --> 00:50:53,960
Speaker 1: know what else, probably Back to the Future part three,

852
00:50:54,280 --> 00:51:01,719
Speaker 1: definitely doing he's a jury punk. Yeah, he's in which

853
00:51:02,120 --> 00:51:08,000
Speaker 1: the biggest invented steampunk shit steam. I will say. The

854
00:51:08,040 --> 00:51:12,040
Speaker 1: one thing about that's like steampunk adjacent that resonates with

855
00:51:12,080 --> 00:51:14,720
Speaker 1: me is the harpoon gun. Every time I invoke a weapon,

856
00:51:14,800 --> 00:51:16,759
Speaker 1: that's my as my first choice is I want to

857
00:51:16,800 --> 00:51:19,560
Speaker 1: you know, like I'm going to harpoon you, so I

858
00:51:19,600 --> 00:51:22,480
Speaker 1: do invoke the harpoon gun a lot that is vaguely steampunk.

859
00:51:22,800 --> 00:51:31,240
Speaker 1: Well that's a shout out to my who realized this discrepancy. Yeah, anyway,

860
00:51:31,320 --> 00:51:32,920
Speaker 1: the last thing I wanted to say about this movie

861
00:51:33,280 --> 00:51:37,560
Speaker 1: is so Eddie Murphy his attitude toward women, the fact

862
00:51:37,560 --> 00:51:39,680
Speaker 1: that he wants someone who stimulates his brand and he

863
00:51:39,719 --> 00:51:43,000
Speaker 1: can have a conversation with that's encouraging. That's good. I

864
00:51:43,080 --> 00:51:46,200
Speaker 1: like that all of the other main characters who are

865
00:51:46,239 --> 00:51:50,960
Speaker 1: men have, as we discussed, pretty poor attitudes toward women,

866
00:51:51,440 --> 00:51:54,720
Speaker 1: and none of them really like we said, like Lisa's

867
00:51:54,760 --> 00:51:57,080
Speaker 1: father sort of redeems himself by saying like my daughter's

868
00:51:57,080 --> 00:52:00,520
Speaker 1: not for sale, but everyone else kind of. I want

869
00:52:00,719 --> 00:52:03,120
Speaker 1: them to see them more, to learn their lesson and

870
00:52:03,360 --> 00:52:06,440
Speaker 1: for their character arc happening, for them to grow that

871
00:52:06,480 --> 00:52:10,440
Speaker 1: doesn't really happen. Arseneo gets to just be with Patrese,

872
00:52:10,680 --> 00:52:14,440
Speaker 1: which I do like that pairing, but um, yeah, I

873
00:52:14,440 --> 00:52:18,920
Speaker 1: don't know. They still have like pretty poor attitudes. And

874
00:52:18,960 --> 00:52:23,360
Speaker 1: I mean this, this movie terribly and crazily fails the

875
00:52:23,360 --> 00:52:28,680
Speaker 1: beckteldst Actually I think always talking about actually, oh my God,

876
00:52:28,880 --> 00:52:34,560
Speaker 1: to degree Caitlin coming through. Actually, there is the scene

877
00:52:34,560 --> 00:52:39,319
Speaker 1: where Lisa and Patrese are in I think their home

878
00:52:39,719 --> 00:52:42,719
Speaker 1: and they receive a package. It's the diamond earrings that

879
00:52:42,760 --> 00:52:46,759
Speaker 1: Akeem sends to Lisa. They start off the conversation not

880
00:52:46,920 --> 00:52:50,759
Speaker 1: talking about men or a specific man. They're literally just

881
00:52:50,800 --> 00:52:54,160
Speaker 1: talking about the ear rings in the package. Technically passes

882
00:52:54,200 --> 00:52:59,160
Speaker 1: the backtel test. You must have a yeah, yeah, I

883
00:52:59,160 --> 00:53:01,960
Speaker 1: don't guess you do. Ain't nobody given anybody ears like

884
00:53:01,960 --> 00:53:05,160
Speaker 1: that unless they've given up the nanny. You know this

885
00:53:06,440 --> 00:53:09,080
Speaker 1: like literally talked about them. I can just watch it

886
00:53:09,120 --> 00:53:13,520
Speaker 1: and say all the words that's great, and watch the

887
00:53:13,640 --> 00:53:17,040
Speaker 1: favorite line. But why do you know all the words?

888
00:53:17,880 --> 00:53:22,719
Speaker 1: I can? I could probably recite another. Oh, that movie

889
00:53:22,800 --> 00:53:24,680
Speaker 1: scares me. They're doing like a TV show that's kind

890
00:53:24,680 --> 00:53:27,040
Speaker 1: of like a spoof on that. They're doing a jink

891
00:53:27,120 --> 00:53:31,520
Speaker 1: spoof about time. That's what I say. But that scene,

892
00:53:31,680 --> 00:53:35,399
Speaker 1: so that scene, like I said, it digresses into them

893
00:53:35,440 --> 00:53:39,880
Speaker 1: talking about secret meyer and men, insects with men and

894
00:53:39,920 --> 00:53:43,400
Speaker 1: stuff like that to the top of the scene technically passes.

895
00:53:43,480 --> 00:53:46,919
Speaker 1: There's also another one where towards the end of the movie,

896
00:53:47,640 --> 00:53:49,960
Speaker 1: the king was like, oh, he just came just came

897
00:53:50,000 --> 00:53:54,000
Speaker 1: to America to sew his royal oats. He doesn't care

898
00:53:54,000 --> 00:53:57,120
Speaker 1: about you. So Alsa is very upset and she like

899
00:53:57,320 --> 00:53:59,880
Speaker 1: runs out into the living room and the Queen goes,

900
00:54:00,040 --> 00:54:02,480
Speaker 1: are you alright, honey or something like that, and she's

901
00:54:02,520 --> 00:54:06,040
Speaker 1: just like, I gotta go. But that's technically a conversation

902
00:54:06,120 --> 00:54:12,959
Speaker 1: between about man specifically an amazing coat. She's a full

903
00:54:13,040 --> 00:54:16,960
Speaker 1: length she and I would dive for. It's like Swede

904
00:54:17,080 --> 00:54:19,520
Speaker 1: or something. And then she immediately goes out into the rain.

905
00:54:20,560 --> 00:54:23,080
Speaker 1: What does that mean? This is a very New York coat,

906
00:54:23,440 --> 00:54:26,239
Speaker 1: Like it's a it is Swede, but it's like it's

907
00:54:26,239 --> 00:54:29,959
Speaker 1: like a swede that you expect that it can get wet. Okay, yeah,

908
00:54:30,480 --> 00:54:33,440
Speaker 1: it's like a coated swede, I guess. And then the

909
00:54:33,480 --> 00:54:38,480
Speaker 1: inside is like wool and it's the it's literally the

910
00:54:38,520 --> 00:54:42,319
Speaker 1: warmest jacket you've ever ever worn in your life. I

911
00:54:42,360 --> 00:54:44,759
Speaker 1: saw that jacket and I was like, my mom definitely

912
00:54:44,760 --> 00:54:49,400
Speaker 1: had the QVC version jacket. It has the you know,

913
00:54:49,520 --> 00:54:51,920
Speaker 1: thirty five dollar version of that jacket. It just doesn't

914
00:54:51,920 --> 00:54:54,680
Speaker 1: look waterproof. And she goes out into the pouring rain

915
00:54:54,760 --> 00:54:57,520
Speaker 1: and I was just like, that poor jacket, you gotta

916
00:54:57,640 --> 00:55:00,640
Speaker 1: end you got you gotta have a rain scene. Yeah,

917
00:55:00,760 --> 00:55:04,200
Speaker 1: the rain scene was very attached to me. I really

918
00:55:04,200 --> 00:55:07,840
Speaker 1: I was surprised how barely this movie passes the Bechtel

919
00:55:07,880 --> 00:55:13,399
Speaker 1: test formally for a movie that whose protagonists has such

920
00:55:13,400 --> 00:55:16,560
Speaker 1: a good attitude about but there's so few conversations with

921
00:55:16,640 --> 00:55:20,800
Speaker 1: just women. Yeah. Yeah, it's literally like three women characters.

922
00:55:20,920 --> 00:55:24,000
Speaker 1: It's just strange that, like usually the movies that barely

923
00:55:24,040 --> 00:55:27,800
Speaker 1: pass it don't have a great attitude about about women,

924
00:55:27,920 --> 00:55:30,400
Speaker 1: Like where the scene that I was default too is

925
00:55:30,440 --> 00:55:35,360
Speaker 1: the scene from Um where that scene barely passes because

926
00:55:35,360 --> 00:55:39,160
Speaker 1: of a similar exchange. It's like you're home late, shut

927
00:55:39,320 --> 00:55:42,920
Speaker 1: up between like a step mom and a daughter, and

928
00:55:43,520 --> 00:55:45,920
Speaker 1: that movie didn't have a great attitude towards women, but

929
00:55:45,960 --> 00:55:51,600
Speaker 1: this one barely passes. And that's just the most depressed

930
00:55:52,120 --> 00:55:58,560
Speaker 1: god saying that such a drag. Next level there is

931
00:55:58,640 --> 00:56:01,759
Speaker 1: like there's opportunity for women to speak to each other

932
00:56:01,760 --> 00:56:04,040
Speaker 1: more in this movie because of the like the pretty

933
00:56:04,040 --> 00:56:08,560
Speaker 1: strong relationship that's established between Lisa and Patrese. When they

934
00:56:08,560 --> 00:56:11,640
Speaker 1: are in a scene together, they're usually talking about Achim

935
00:56:11,760 --> 00:56:15,000
Speaker 1: or Darryl, so it doesn't pass. But the thing is

936
00:56:15,360 --> 00:56:18,040
Speaker 1: neither of them get that much screen time, Like I

937
00:56:18,080 --> 00:56:20,600
Speaker 1: really part of why I don't like that those scenes

938
00:56:20,680 --> 00:56:23,680
Speaker 1: with all of the barbershop go on for so long,

939
00:56:23,719 --> 00:56:27,759
Speaker 1: as it takes time away from Lisa's screen time, Like

940
00:56:27,960 --> 00:56:30,400
Speaker 1: she could be a much more developed character, and she's

941
00:56:30,440 --> 00:56:32,880
Speaker 1: just like but she. I mean, if you added it up,

942
00:56:33,040 --> 00:56:35,000
Speaker 1: she made has twenty minutes of screen time, Like we

943
00:56:35,040 --> 00:56:39,520
Speaker 1: don't get to know her that well pretty much what

944
00:56:39,560 --> 00:56:42,880
Speaker 1: I do see e her. I like, but she But

945
00:56:42,920 --> 00:56:44,880
Speaker 1: the story is not about her. It's not about her,

946
00:56:44,920 --> 00:56:48,520
Speaker 1: but we could it's about yeah, but it's about him

947
00:56:48,560 --> 00:56:52,200
Speaker 1: finding the right woman for him. So I feel like

948
00:56:52,440 --> 00:56:54,239
Speaker 1: if we just knew her a little bit better and

949
00:56:54,280 --> 00:56:57,799
Speaker 1: we could understand why she's the best match for him.

950
00:56:57,960 --> 00:57:01,400
Speaker 1: Well that's why I like Atlanta because I watch it.

951
00:57:02,040 --> 00:57:04,440
Speaker 1: You know, Atlanta at first glance feels like, oh, it's

952
00:57:04,440 --> 00:57:06,239
Speaker 1: just gonna be about dudes and we're gonna have to

953
00:57:06,280 --> 00:57:09,440
Speaker 1: just like see Donald Glover. But then no, like there's

954
00:57:09,800 --> 00:57:14,360
Speaker 1: entire episodes just about the woman who plays is child's

955
00:57:14,400 --> 00:57:17,880
Speaker 1: mother and so it's just a but it's like they

956
00:57:17,920 --> 00:57:21,440
Speaker 1: also had time. Sure, yeah, well they had time in

957
00:57:21,480 --> 00:57:23,320
Speaker 1: this movie. It's two hours long. They just gave so

958
00:57:23,440 --> 00:57:28,360
Speaker 1: much of its barbershop scenes that I can recite. I

959
00:57:28,400 --> 00:57:32,200
Speaker 1: would not. I would What is that velvet? It's beautiful.

960
00:57:32,680 --> 00:57:37,520
Speaker 1: I wouldn't. Barbershop. Who plays that the Jewish guy Murphy

961
00:57:37,880 --> 00:57:42,280
Speaker 1: is it? Really wasn't sure, damn it. I missed one.

962
00:57:42,360 --> 00:57:44,040
Speaker 1: I was like, because I looked at the list, I'm like, no,

963
00:57:44,080 --> 00:57:46,120
Speaker 1: I can figure it out. The only one that's not

964
00:57:46,360 --> 00:57:48,920
Speaker 1: played by either of them is the short guy in

965
00:57:48,960 --> 00:57:53,919
Speaker 1: the barbershop, was like the voice of reason. That's neither

966
00:57:53,960 --> 00:57:57,000
Speaker 1: of them, but like the guy who cuts the hair,

967
00:57:57,080 --> 00:57:59,240
Speaker 1: and you know, people getting juniors in the movie, right,

968
00:57:59,360 --> 00:58:01,840
Speaker 1: so he gets he's the first person in the chair

969
00:58:01,880 --> 00:58:04,160
Speaker 1: when they when they first go in the barbershop, coople

970
00:58:04,200 --> 00:58:07,320
Speaker 1: get duds in the chair. I missed that, damn it.

971
00:58:07,640 --> 00:58:10,440
Speaker 1: And I'm just in the middle of the people versus

972
00:58:12,360 --> 00:58:16,360
Speaker 1: I've seen the whole ESPN. I've seen Mary. I couldn't

973
00:58:16,360 --> 00:58:21,520
Speaker 1: watch it was It's very melodramatic. So I don't even

974
00:58:21,600 --> 00:58:23,560
Speaker 1: understand why it's winning all these awards. I don't get it.

975
00:58:23,920 --> 00:58:26,440
Speaker 1: I like, I like, I like it, but it's so much.

976
00:58:26,880 --> 00:58:31,160
Speaker 1: Who's the antress who plays Marcia? Sarah Sarah Paulson. Yeah,

977
00:58:31,200 --> 00:58:33,400
Speaker 1: she does really well. Did you know that Marshall Clark

978
00:58:33,440 --> 00:58:36,760
Speaker 1: has nudes. I found them? Why were you looking for them?

979
00:58:36,840 --> 00:58:39,520
Speaker 1: Because it's referenced in the People Versus O J. It's

980
00:58:39,560 --> 00:58:42,000
Speaker 1: not referenced in the documentary. And then I recently wanted

981
00:58:42,080 --> 00:58:44,880
Speaker 1: the series and they referenced like Marcia, did you know

982
00:58:44,920 --> 00:58:47,080
Speaker 1: your nudes from when you're twenty five? Got late? And

983
00:58:47,120 --> 00:58:49,640
Speaker 1: she's like no, and like those better fucking be real

984
00:58:49,840 --> 00:58:53,200
Speaker 1: they are? She looks great? Uh cool? Does anyone else

985
00:58:53,200 --> 00:58:56,280
Speaker 1: have any Does anyone have any final thoughts about the movie,

986
00:58:56,600 --> 00:59:00,600
Speaker 1: specifically the portrayal of women in the movie. I mean,

987
00:59:00,880 --> 00:59:02,680
Speaker 1: I don't think the portrayal of women in the movie

988
00:59:03,120 --> 00:59:06,720
Speaker 1: is as profound as it could have been. But what

989
00:59:06,800 --> 00:59:09,800
Speaker 1: I do appreciate is that, at the very least, because

990
00:59:09,800 --> 00:59:12,479
Speaker 1: this was also a time when like that was coming through,

991
00:59:12,560 --> 00:59:14,880
Speaker 1: Like we were seeing Sally Field and like Meryl Street

992
00:59:14,880 --> 00:59:18,000
Speaker 1: play these roles like in silk Wood and in like

993
00:59:18,040 --> 00:59:21,000
Speaker 1: Steel Magnolias, where like it was very women's centric, was

994
00:59:21,080 --> 00:59:25,280
Speaker 1: just now becoming like even a concept like oh, women's

995
00:59:25,520 --> 00:59:30,240
Speaker 1: movies to um. But I do appreciate that, like the

996
00:59:30,320 --> 00:59:34,000
Speaker 1: lead and the overall concept of this movie is about

997
00:59:34,040 --> 00:59:37,720
Speaker 1: looking at women beyond sexual objects. Yeah, and then that's

998
00:59:37,840 --> 00:59:41,240
Speaker 1: established pretty early that that is like what the protagonist

999
00:59:41,400 --> 00:59:44,200
Speaker 1: is looking for. Like he's literally in a hot tub,

1000
00:59:44,400 --> 00:59:47,520
Speaker 1: like in a bathing pool with the three women, and

1001
00:59:47,560 --> 00:59:53,160
Speaker 1: he's just like, oh um, can't we talk about because

1002
00:59:53,160 --> 00:59:58,560
Speaker 1: with the most with most, like I guess, comedy and

1003
00:59:58,840 --> 01:00:01,720
Speaker 1: round comes. It's starts with like the male character feels

1004
01:00:01,760 --> 01:00:04,560
Speaker 1: the opposite and then must be persuaded throughout the movie.

1005
01:00:04,880 --> 01:00:07,320
Speaker 1: Do not only want to fuck but I like that

1006
01:00:07,960 --> 01:00:12,560
Speaker 1: A team starts like Okay, I've fucked enough, you know which.

1007
01:00:12,560 --> 01:00:14,480
Speaker 1: Imagine a man saying that I'm good. I want to

1008
01:00:14,480 --> 01:00:18,800
Speaker 1: talk about that's where is he? Where is he? I

1009
01:00:18,880 --> 01:00:23,360
Speaker 1: want that person? Where is he at? We'll find find

1010
01:00:23,360 --> 01:00:29,600
Speaker 1: our sweet prints he's in. He's a Chuck chese that

1011
01:00:29,680 --> 01:00:31,600
Speaker 1: chuck e cheese tonight you gotta go to check. What

1012
01:00:31,640 --> 01:00:34,200
Speaker 1: if what if it literally started taking the bartender at

1013
01:00:34,280 --> 01:00:37,760
Speaker 1: Chuck Mike would be like come on, would be like

1014
01:00:41,400 --> 01:00:45,440
Speaker 1: now this, yeah, I've I've already went down enough times

1015
01:00:45,520 --> 01:00:48,200
Speaker 1: with the professions of people that I've run inside me,

1016
01:00:48,360 --> 01:00:53,400
Speaker 1: so uh yeah, maybe not. But if he's amazing, Hey, hey,

1017
01:00:53,600 --> 01:00:55,479
Speaker 1: if he gives me a free blue moon, for sure,

1018
01:00:55,920 --> 01:01:00,560
Speaker 1: for sure. My selling praise is like seven dollars years. Okay,

1019
01:01:00,640 --> 01:01:03,920
Speaker 1: let's do the subject. Hey, let's write the movie. Okay.

1020
01:01:04,880 --> 01:01:06,600
Speaker 1: So we reade the movie on the scale of zero

1021
01:01:06,640 --> 01:01:10,720
Speaker 1: to five nipples, the nipple scale, the famous spectel cast nipples,

1022
01:01:12,920 --> 01:01:15,440
Speaker 1: and we read it specifically on its portrayal of the

1023
01:01:15,440 --> 01:01:19,480
Speaker 1: women in the movie. Specifically on its portrayal of women

1024
01:01:19,480 --> 01:01:22,440
Speaker 1: in the movie. I'm gonna give it a three and

1025
01:01:22,480 --> 01:01:25,040
Speaker 1: a half. Actually, I'm going to give it a four

1026
01:01:25,920 --> 01:01:29,520
Speaker 1: because the four main like representations of women in the

1027
01:01:29,560 --> 01:01:35,280
Speaker 1: movie are Lisa Patrese, Prince Akim's mom, and then the

1028
01:01:35,320 --> 01:01:38,080
Speaker 1: woman at the beginning, and three out of four of

1029
01:01:38,120 --> 01:01:41,680
Speaker 1: those are very like in charge of their lives, are

1030
01:01:41,920 --> 01:01:46,240
Speaker 1: very vocal, you know, and don't feel like suppressed to

1031
01:01:46,400 --> 01:01:50,800
Speaker 1: say no to things that are not in their individual

1032
01:01:50,840 --> 01:01:54,920
Speaker 1: per view. And I appreciate that. And they don't have

1033
01:01:54,960 --> 01:01:59,680
Speaker 1: like consequences for being that either. They're not punished for it. Yeah,

1034
01:01:59,760 --> 01:02:03,200
Speaker 1: we're just another rare empowered woman thing. We didn't talk

1035
01:02:03,200 --> 01:02:07,760
Speaker 1: about the Queen that much. I wish we she Yeah, um,

1036
01:02:07,920 --> 01:02:11,320
Speaker 1: she doesn't get much screen time either, but when she's

1037
01:02:11,360 --> 01:02:14,200
Speaker 1: on screen, she's basically being like, hey, husband of mine,

1038
01:02:14,800 --> 01:02:19,680
Speaker 1: quipping a fucking stupid idiot. This basically he's a cuk,

1039
01:02:19,840 --> 01:02:22,680
Speaker 1: but he doesn't he doesn't want to project that image.

1040
01:02:22,960 --> 01:02:26,120
Speaker 1: But like we know, she knows. I mean he's wearing

1041
01:02:26,240 --> 01:02:29,800
Speaker 1: a giant lion face right, like he's got something which

1042
01:02:30,040 --> 01:02:42,040
Speaker 1: proved he's fassa maybe foresta. Yeah, I'm gonna give it.

1043
01:02:42,080 --> 01:02:45,640
Speaker 1: I'm gonna give it three and a half nipples because

1044
01:02:46,400 --> 01:02:48,160
Speaker 1: cant do you make a good point that there? That

1045
01:02:48,400 --> 01:02:53,080
Speaker 1: I liked all the female characters I you know, and

1046
01:02:53,120 --> 01:02:55,000
Speaker 1: the woman at the beginning he's supposed to marry. I

1047
01:02:55,040 --> 01:02:58,360
Speaker 1: felt for her, even if she was just she was

1048
01:02:58,440 --> 01:03:02,000
Speaker 1: conditioned to be that way. We're all conditioned by the patriarchy.

1049
01:03:02,160 --> 01:03:05,280
Speaker 1: She didn't have the opportunity being to develop her own personality,

1050
01:03:05,320 --> 01:03:07,480
Speaker 1: So I don't hold it too much against her. But

1051
01:03:07,600 --> 01:03:09,720
Speaker 1: the screen time thing that you have pointed out that

1052
01:03:09,800 --> 01:03:12,600
Speaker 1: was like that, that is a good point, um and

1053
01:03:12,720 --> 01:03:15,160
Speaker 1: the fact that it barely passes the Betel test in

1054
01:03:15,200 --> 01:03:18,160
Speaker 1: spite of its good attitude towards women. So three and

1055
01:03:18,200 --> 01:03:20,640
Speaker 1: a half I'm gonna give to those nipples to put

1056
01:03:20,680 --> 01:03:24,000
Speaker 1: trees because she is my favorite character. I'm gonna give

1057
01:03:24,680 --> 01:03:26,560
Speaker 1: half a nipple to the lady. I feel bad for

1058
01:03:26,800 --> 01:03:29,800
Speaker 1: I'm gonna give one nipple to the queen nice, I'm

1059
01:03:29,800 --> 01:03:34,960
Speaker 1: gonna give it three nipples, because I like that at

1060
01:03:35,000 --> 01:03:37,480
Speaker 1: least the main character's attitude towards women isn't. Yes, I

1061
01:03:37,480 --> 01:03:43,360
Speaker 1: want someone to stimulate me intellectually. In addition to mak

1062
01:03:45,080 --> 01:03:48,120
Speaker 1: they only do that in the Pacific North Cess. Like

1063
01:03:48,160 --> 01:03:52,160
Speaker 1: I said, the other men in the movie do not

1064
01:03:52,360 --> 01:03:55,160
Speaker 1: have nearly as progressive attitudes toward women, and there I

1065
01:03:55,200 --> 01:03:58,560
Speaker 1: feel like, don't suffer the consequences of those bad thoughts

1066
01:03:58,600 --> 01:04:02,840
Speaker 1: and ideas. And well, I mean Daryl gets broken up

1067
01:04:02,880 --> 01:04:04,720
Speaker 1: with but then and then he's like in the rain,

1068
01:04:04,800 --> 01:04:08,320
Speaker 1: it ruins his Jerry curl right, that was the big deal.

1069
01:04:08,520 --> 01:04:11,080
Speaker 1: Was more poignant than I was expecting it to be.

1070
01:04:11,480 --> 01:04:14,800
Speaker 1: This like, but can we say that like the guys

1071
01:04:14,840 --> 01:04:17,960
Speaker 1: in the barbershop, they were never disrespectful to women, and

1072
01:04:18,000 --> 01:04:20,360
Speaker 1: they were also like, well, you need to go to

1073
01:04:20,360 --> 01:04:23,920
Speaker 1: the Black Awareness rally, like there's really, you know, women

1074
01:04:23,960 --> 01:04:26,320
Speaker 1: there that are about more than just like going to

1075
01:04:26,360 --> 01:04:28,520
Speaker 1: the club. And then he says like that's why I'm going,

1076
01:04:28,680 --> 01:04:32,680
Speaker 1: Like although the women there are mostly again in a

1077
01:04:32,720 --> 01:04:39,840
Speaker 1: beauty pageant, just like being very objectified. Yeah, I think

1078
01:04:39,880 --> 01:04:42,040
Speaker 1: my main. My main thing is that I just wish

1079
01:04:42,120 --> 01:04:45,120
Speaker 1: we had gotten to know Lisa a bit more. I agree,

1080
01:04:45,160 --> 01:04:48,560
Speaker 1: I agree, and I selfishly wanted more screen time for

1081
01:04:48,640 --> 01:04:51,960
Speaker 1: Patrese because I didn't want to absorb her. Let's see

1082
01:04:51,960 --> 01:04:57,200
Speaker 1: a Patrese and Lisa spin off. Patrise to return to America,

1083
01:04:57,480 --> 01:05:02,720
Speaker 1: Character to America. I want to coming to Zamunda. That's

1084
01:05:02,720 --> 01:05:04,640
Speaker 1: what's gonna say. I would love to see Putris and

1085
01:05:04,640 --> 01:05:07,920
Speaker 1: Semunda Like, what is that? Don't make me write this

1086
01:05:07,960 --> 01:05:15,800
Speaker 1: movie movie? We've got it. Yes, I'm just gonna start

1087
01:05:15,840 --> 01:05:21,400
Speaker 1: sending people files and see if they assume that they Amanda,

1088
01:05:21,440 --> 01:05:23,600
Speaker 1: thanks so much again for coming, Thanks for having me.

1089
01:05:23,800 --> 01:05:27,880
Speaker 1: Where can people find you online? Anywhere? At Amanda Seals?

1090
01:05:27,960 --> 01:05:34,040
Speaker 1: So Twitter, YouTube, The Graham all at Amanda Seals and

1091
01:05:34,080 --> 01:05:37,840
Speaker 1: then Facebook some broad name Amanda Seals won't give it up,

1092
01:05:38,480 --> 01:05:43,280
Speaker 1: So I'm Facebook Amanda Seals TV. Okay, that's a cool

1093
01:05:43,280 --> 01:05:47,000
Speaker 1: one too. I have no consistency. My Facebook is Facebook

1094
01:05:47,000 --> 01:05:51,240
Speaker 1: dot com slash dog Stealer, which I chose my senior

1095
01:05:51,320 --> 01:05:53,240
Speaker 1: year of high school, like this would be funny and

1096
01:05:53,280 --> 01:05:57,600
Speaker 1: confusing for the time. Facebook is relevant, um and here

1097
01:05:58,040 --> 01:06:01,640
Speaker 1: nothing else with dog Stealer it's like a branding thing.

1098
01:06:01,920 --> 01:06:04,960
Speaker 1: It's like I'm not branding very well. It's always a

1099
01:06:05,040 --> 01:06:13,320
Speaker 1: different stupid two word friends, pie. If you want to

1100
01:06:13,360 --> 01:06:18,520
Speaker 1: follow the Bectel Cast, which you should brand, Yeah, we're

1101
01:06:18,560 --> 01:06:21,600
Speaker 1: at at Bactel Cast on Twitter. You can listen to

1102
01:06:21,680 --> 01:06:25,160
Speaker 1: us on iTunes. You can also right and review us there.

1103
01:06:25,280 --> 01:06:27,520
Speaker 1: We really appreciate it when you do that. Can I

1104
01:06:27,560 --> 01:06:30,320
Speaker 1: also invite people to come to Smart, Funny and Black

1105
01:06:30,360 --> 01:06:33,320
Speaker 1: every First Tuesday. You sure canties? You just do if

1106
01:06:33,320 --> 01:06:36,800
Speaker 1: you live in Los Angeles at the ned Melt Showroom.

1107
01:06:36,920 --> 01:06:39,520
Speaker 1: You don't have to be smart, funny or black to attend.

1108
01:06:39,880 --> 01:06:42,840
Speaker 1: You just have to want to watch. That's most people

1109
01:06:42,840 --> 01:06:47,400
Speaker 1: in Los Angeles. You have to kind of you have

1110
01:06:47,480 --> 01:06:51,760
Speaker 1: to appreciate good comedy and h black culture because that's

1111
01:06:51,800 --> 01:06:55,520
Speaker 1: what we do. Awesome, thanks against thanks for having me.

1112
01:06:55,760 --> 01:06:58,320
Speaker 1: Of course. Anytime I get to sit around and talk

1113
01:06:58,400 --> 01:07:02,160
Speaker 1: with two smart funny gals about coming to America at

1114
01:07:02,240 --> 01:07:05,400
Speaker 1: that's the best way to spend my day. If you

1115
01:07:05,440 --> 01:07:08,040
Speaker 1: haven't seen the movie, watch the movie for crying out loud.

1116
01:07:08,440 --> 01:07:11,520
Speaker 1: I'm on Twitter at Hamburger Phone. Where are you? I'm at,

1117
01:07:11,520 --> 01:07:14,440
Speaker 1: Caitlin Darante Okay, don't add me on Facebook, but it's

1118
01:07:14,480 --> 01:07:16,080
Speaker 1: dog stealer, okay by