1 00:00:00,480 --> 00:00:03,240 Speaker 1: Hello the Internet, and welcome to season three oh one, 2 00:00:03,279 --> 00:00:08,159 Speaker 1: Episode one of DALY'SAI Guys Day production of iHeartRadio. This 3 00:00:08,240 --> 00:00:09,680 Speaker 1: is a podcast where we take a deep to dive 4 00:00:09,720 --> 00:00:13,640 Speaker 1: into america shared consciousness. And it is Tuesday, August twenty second, 5 00:00:13,680 --> 00:00:17,239 Speaker 1: twenty twenty three. You've been waiting for us to get 6 00:00:17,239 --> 00:00:19,520 Speaker 1: to this day, so the week can tell you that. 7 00:00:19,640 --> 00:00:23,479 Speaker 2: It is, of course, National Pecan tort Day. There's so 8 00:00:23,520 --> 00:00:24,840 Speaker 2: many days for peacans. 9 00:00:24,840 --> 00:00:27,520 Speaker 1: Man, the con farmers have gotten to the National Day 10 00:00:27,560 --> 00:00:28,520 Speaker 1: industrial Complex. 11 00:00:28,600 --> 00:00:31,680 Speaker 2: We'll go alright while you're you know, enjoying all those 12 00:00:31,680 --> 00:00:34,960 Speaker 2: sweet sweets. Don't forget. It's also National Tooth Fairy Day. 13 00:00:34,960 --> 00:00:38,560 Speaker 2: Shout out the Tooth Fairy Union. National Surgical on College 14 00:00:38,640 --> 00:00:41,239 Speaker 2: this day, Fuck cancer, shout out to the surgeons, though 15 00:00:41,280 --> 00:00:44,199 Speaker 2: that'd be trying to battle it. National Boo Day, International 16 00:00:44,280 --> 00:00:47,200 Speaker 2: Day of commemorating the Victims of Acts of Woya, my god, 17 00:00:47,240 --> 00:00:50,000 Speaker 2: it's so long acts of violence based off religion or belief. 18 00:00:50,960 --> 00:00:54,160 Speaker 2: That's a tall one. And what's one more? Just to 19 00:00:54,240 --> 00:00:58,200 Speaker 2: make it super fun? The last one is National Being 20 00:00:58,280 --> 00:00:58,920 Speaker 2: Angel Day. 21 00:00:59,400 --> 00:01:02,560 Speaker 1: Just being Angel? Yeah, hey, every day nation will be 22 00:01:02,560 --> 00:01:06,920 Speaker 1: an Angel Day for you, sweethearts. Thanks, hey, my name 23 00:01:06,959 --> 00:01:11,760 Speaker 1: is Jack O'Brien aka don't go Chase and Zaz love Balls. 24 00:01:12,280 --> 00:01:16,319 Speaker 1: Just stay on the picket line until that asshole pays you. 25 00:01:17,080 --> 00:01:21,119 Speaker 1: I know that you're gonna have to compete with AI y'all, 26 00:01:21,640 --> 00:01:25,080 Speaker 1: but I think that strokes are so bad. That is 27 00:01:25,160 --> 00:01:29,560 Speaker 1: Curtzy a Fighter of the Night Man underscore AAA on 28 00:01:29,600 --> 00:01:32,040 Speaker 1: the discord, and I'm thrilled to be joined as always 29 00:01:32,040 --> 00:01:34,399 Speaker 1: by my co host mister Miles. 30 00:01:33,959 --> 00:01:39,760 Speaker 2: Grad Miles Gray AKA, and I've fable ten thousand miles 31 00:01:39,760 --> 00:01:45,000 Speaker 2: and I'll trivele ten thousand more to be the world's 32 00:01:45,040 --> 00:01:50,080 Speaker 2: most renowned auctioneer. I will tribal ten thousand miles or more. 33 00:01:50,280 --> 00:01:52,360 Speaker 2: Shout out to no clue when I catch up on 34 00:01:52,400 --> 00:01:56,440 Speaker 2: the discord for combining you know the the Proclaimers track 35 00:01:56,560 --> 00:02:00,800 Speaker 2: with that State Center is Holden Moore. Food basically wrote 36 00:02:00,840 --> 00:02:03,400 Speaker 2: his entire Wikipedia article and had to shout out the 37 00:02:03,400 --> 00:02:06,720 Speaker 2: fact that he's traveled seventy five thousand miles doing auction 38 00:02:06,840 --> 00:02:09,560 Speaker 2: Oh yeah, that's right, yeah, while also trying to cover 39 00:02:09,600 --> 00:02:10,240 Speaker 2: for Donald Trump. 40 00:02:10,320 --> 00:02:13,600 Speaker 1: It counts every mile that he travels. I respect that. 41 00:02:13,680 --> 00:02:16,240 Speaker 1: Actually that you just never get over it, like, look 42 00:02:16,240 --> 00:02:17,320 Speaker 1: how far we're going. 43 00:02:17,760 --> 00:02:19,880 Speaker 2: I mean, if you really want to stunt, like, you know, 44 00:02:19,919 --> 00:02:22,880 Speaker 2: we could, we could pull the passports out, young man. 45 00:02:23,000 --> 00:02:26,359 Speaker 1: You know, businessmen do love to do that shit too. 46 00:02:26,680 --> 00:02:28,360 Speaker 2: Be like, oh yeah, the. 47 00:02:30,080 --> 00:02:31,080 Speaker 1: Status dude. 48 00:02:31,160 --> 00:02:35,080 Speaker 2: The fucking airport any fucking like airport bar, You'll see 49 00:02:35,080 --> 00:02:37,280 Speaker 2: two dicks in suits being like, yeah, like, you know, 50 00:02:37,360 --> 00:02:39,120 Speaker 2: I just got I just got my million miler shot 51 00:02:39,160 --> 00:02:41,480 Speaker 2: as so you know I'm back status dude. Yeah, taking 52 00:02:41,520 --> 00:02:45,040 Speaker 2: my family down a Tobali next week. So yeah, got 53 00:02:45,040 --> 00:02:46,280 Speaker 2: to get the tripped miles. 54 00:02:46,639 --> 00:02:49,920 Speaker 1: Yeah. Thrilled to be joined in our third seat by 55 00:02:50,160 --> 00:02:54,120 Speaker 1: a brilliantly talented filmmaker writer. She was one of the 56 00:02:54,120 --> 00:02:56,919 Speaker 1: head writers for the Problem with John Stewart and wrote 57 00:02:56,919 --> 00:02:59,600 Speaker 1: on Girls five, Have a Blessed, This Mess, The Opposition 58 00:02:59,639 --> 00:03:02,760 Speaker 1: with Klepper, among many others. She wrote, directed, and starred 59 00:03:02,800 --> 00:03:06,320 Speaker 1: in the acclaimed short film Basic Hosts the podcast Celebrity 60 00:03:06,320 --> 00:03:10,440 Speaker 1: book Club. It's Chelsea Davanta. 61 00:03:10,639 --> 00:03:14,760 Speaker 3: Oh Hi, intro like shouting my name into a cave, 62 00:03:15,240 --> 00:03:17,639 Speaker 3: you know, seeing what echoes. 63 00:03:17,240 --> 00:03:20,920 Speaker 1: Back to a cave full of the entire Internet. So 64 00:03:22,680 --> 00:03:26,640 Speaker 1: that's right, the whole damn Internet is here to welcome you. 65 00:03:27,160 --> 00:03:30,400 Speaker 3: On the I'm feeling very blessed to be back here 66 00:03:30,639 --> 00:03:32,600 Speaker 3: and continue some very important discussions. 67 00:03:33,120 --> 00:03:37,240 Speaker 1: Yes always yeah, So this is this is our Tuesday 68 00:03:37,280 --> 00:03:41,040 Speaker 1: episode where we kind of take a look at one 69 00:03:41,560 --> 00:03:47,200 Speaker 1: specific topic that we think kind of undergirds the whole zeitgeist. 70 00:03:47,280 --> 00:03:49,200 Speaker 1: That's important to understanding the zeitgeist. 71 00:03:50,320 --> 00:03:57,400 Speaker 3: Undergirds are what I use instead of spanks, so very. 72 00:03:55,600 --> 00:04:00,680 Speaker 2: They were the free date spanks. That's right, what's my underds? 73 00:04:00,840 --> 00:04:03,400 Speaker 1: Yeah, but yeah, I mean, so we wanted to have 74 00:04:03,440 --> 00:04:05,960 Speaker 1: you on. You had one of our favorite observations in 75 00:04:06,000 --> 00:04:10,640 Speaker 1: the history of the show when you you basically said 76 00:04:10,680 --> 00:04:14,160 Speaker 1: that you knew Trump was going to win the twenty 77 00:04:14,160 --> 00:04:18,120 Speaker 1: sixteen election based off of watching The Bachelor, and then 78 00:04:18,160 --> 00:04:22,640 Speaker 1: you explained why and it made perfect sense and looking 79 00:04:22,680 --> 00:04:26,760 Speaker 1: at pop culture tea leaves and like reading what it acted, 80 00:04:26,880 --> 00:04:30,560 Speaker 1: like what is actually being said about what's happening to 81 00:04:30,640 --> 00:04:33,520 Speaker 1: people on the inside, what has gone on with our 82 00:04:33,520 --> 00:04:36,520 Speaker 1: shared dreams is one of my favorite subjects. You are 83 00:04:36,560 --> 00:04:38,719 Speaker 1: really good at it. We love to do it on 84 00:04:38,760 --> 00:04:41,839 Speaker 1: the Zeitgeist, and so we wanted to have you on 85 00:04:42,040 --> 00:04:46,400 Speaker 1: to do just that, and we'll get into what specifically 86 00:04:47,000 --> 00:04:49,000 Speaker 1: we're talking or actually we can do that now, I 87 00:04:49,000 --> 00:04:52,159 Speaker 1: mean we throughout stan culture being the new religion. We've 88 00:04:52,160 --> 00:04:57,159 Speaker 1: talked about that before, but this one subject keeps popping 89 00:04:57,240 --> 00:04:59,920 Speaker 1: up on social media. Popped up over the weekend after 90 00:05:00,040 --> 00:05:03,880 Speaker 1: we had selected this subject, and that is kind of 91 00:05:03,960 --> 00:05:10,440 Speaker 1: like the desexualization of pop culture. Movie sex scenes in 92 00:05:10,480 --> 00:05:14,960 Speaker 1: particular seem to be like a particular thing that is 93 00:05:15,160 --> 00:05:18,200 Speaker 1: that people are objecting to lately and are like, why 94 00:05:18,200 --> 00:05:21,960 Speaker 1: do these exist? When I watch an eighties movie? Why 95 00:05:22,560 --> 00:05:25,680 Speaker 1: does dan Aykroyd get a blood job from a ghost? 96 00:05:25,880 --> 00:05:30,400 Speaker 1: For instance? And that one's actually a really good question. 97 00:05:30,720 --> 00:05:34,080 Speaker 1: But anyways, there's all sorts of things we've talked about before. 98 00:05:34,160 --> 00:05:41,479 Speaker 1: The idea that like desexualized beautiful bodies is like actually 99 00:05:41,480 --> 00:05:45,680 Speaker 1: a feature of fascist art, and so we've puzzled over 100 00:05:45,720 --> 00:05:48,520 Speaker 1: whether that's what we're seeing here. But there's lots of 101 00:05:48,920 --> 00:05:50,880 Speaker 1: As this has become more and more of a mainstream 102 00:05:50,960 --> 00:05:54,880 Speaker 1: thing that we're seeing on social media, there's lots of explanations, 103 00:05:55,040 --> 00:05:58,360 Speaker 1: and we thought you were the best person to have 104 00:05:58,640 --> 00:06:00,720 Speaker 1: to have on the show to talk about this. 105 00:06:01,400 --> 00:06:03,240 Speaker 3: I'm I'm thrilled to be here to talk about like 106 00:06:03,440 --> 00:06:07,640 Speaker 3: very hot sexy bodies not having sex. No, but I 107 00:06:08,440 --> 00:06:11,119 Speaker 3: was so fascinated you guys chose this because it's also 108 00:06:11,200 --> 00:06:14,560 Speaker 3: something I've been thinking about a lot. Also just as 109 00:06:14,640 --> 00:06:17,120 Speaker 3: like a side topic and where I'm coming from. I was, 110 00:06:17,760 --> 00:06:19,240 Speaker 3: you know, the writers are on strike right now, but 111 00:06:19,320 --> 00:06:21,960 Speaker 3: before we were on strike, I was pitching a show 112 00:06:22,040 --> 00:06:24,159 Speaker 3: and one of the demographics it was going out to 113 00:06:24,360 --> 00:06:27,159 Speaker 3: it was gonna be like part for millennials, part for 114 00:06:27,279 --> 00:06:30,880 Speaker 3: gen Z. Sort of this basically like late twenties early 115 00:06:30,920 --> 00:06:36,000 Speaker 3: thirties audience that people seem to think millennials and gen Z. 116 00:06:36,160 --> 00:06:38,120 Speaker 4: Are just like so so so different. 117 00:06:38,120 --> 00:06:41,279 Speaker 3: So when you're pitching for like that late twenties early thirties, 118 00:06:41,480 --> 00:06:45,200 Speaker 3: executives start referencing studies like the ones we're going to 119 00:06:45,279 --> 00:06:48,039 Speaker 3: talk about, like gen Z actually isn't having in sex anymore, 120 00:06:48,120 --> 00:06:50,800 Speaker 3: so like like can one of these characters just like 121 00:06:50,960 --> 00:06:53,200 Speaker 3: not have a partner of any kind and they just 122 00:06:53,200 --> 00:06:54,520 Speaker 3: sort of like live in a hole and they stare 123 00:06:54,520 --> 00:06:57,440 Speaker 3: at a wall because that's what we assume gen Z 124 00:06:57,680 --> 00:07:02,719 Speaker 3: is doing. And it was so frustrating because every time 125 00:07:02,839 --> 00:07:06,320 Speaker 3: I looked around, be it from people in my. 126 00:07:06,440 --> 00:07:09,120 Speaker 4: Real life, the youth of the real life. 127 00:07:08,880 --> 00:07:12,920 Speaker 3: TikTok, social media, really anything, I just kept feeling like 128 00:07:12,960 --> 00:07:16,040 Speaker 3: that is not true at all, even in gen Z 129 00:07:16,320 --> 00:07:19,880 Speaker 3: reality shows, like they are getting engaged, they are getting married, 130 00:07:19,880 --> 00:07:21,920 Speaker 3: they're talking about dating kind of like the same way. 131 00:07:21,920 --> 00:07:24,720 Speaker 3: You've always had this feeling of like, you know, I 132 00:07:24,760 --> 00:07:26,160 Speaker 3: want to be having good sex, but I'm not. 133 00:07:26,240 --> 00:07:28,640 Speaker 4: I don't know if that's something particular. 134 00:07:28,200 --> 00:07:30,080 Speaker 3: To be in my friends, but like I remember in 135 00:07:30,120 --> 00:07:32,040 Speaker 3: my early twenties it was like, yeah, we would like 136 00:07:32,200 --> 00:07:34,800 Speaker 3: to be having sex, but no one's having sex, like 137 00:07:34,840 --> 00:07:36,800 Speaker 3: sex in the city. Like that just feels like the 138 00:07:36,880 --> 00:07:39,880 Speaker 3: twenties thing, unless, of course, you know, I'm sure some 139 00:07:39,920 --> 00:07:42,960 Speaker 3: people were. But anyways, all to say that, like I 140 00:07:43,000 --> 00:07:45,200 Speaker 3: really think about these studies that are being referenced, like 141 00:07:45,240 --> 00:07:46,960 Speaker 3: gen Z is like this, and dah da da is 142 00:07:47,000 --> 00:07:49,680 Speaker 3: like this, And all I keep thinking about is like 143 00:07:50,840 --> 00:07:52,080 Speaker 3: who's doing these studies? 144 00:07:52,120 --> 00:07:54,640 Speaker 4: And maybe gen Z is just not participating. 145 00:07:55,200 --> 00:07:58,920 Speaker 3: Yeah, you know what, we're actually not going to answer 146 00:07:58,920 --> 00:08:02,280 Speaker 3: the polls about like what we've been fucking lately. We're 147 00:08:02,320 --> 00:08:05,040 Speaker 3: just not because I just don't think they're correct. But 148 00:08:05,320 --> 00:08:06,640 Speaker 3: I would love to hear what you guys think. 149 00:08:06,720 --> 00:08:09,840 Speaker 1: It's like the political polls that are like, man, these 150 00:08:09,920 --> 00:08:13,840 Speaker 1: elderly people certainly over index. They seem like they're doing great, 151 00:08:14,160 --> 00:08:16,640 Speaker 1: and it's like, well, how did you conduct this? Calling 152 00:08:16,720 --> 00:08:19,120 Speaker 1: land lines exactly exactly? 153 00:08:19,160 --> 00:08:21,160 Speaker 3: It's like, oh, I guess we didn't predict the election 154 00:08:21,320 --> 00:08:24,880 Speaker 3: correctly off of the hundred landlines. And then the I mean, 155 00:08:24,920 --> 00:08:26,600 Speaker 3: how weird do you have to be to pick up 156 00:08:26,600 --> 00:08:29,520 Speaker 3: the phone these days? Who is answering the phone? We're 157 00:08:29,560 --> 00:08:32,240 Speaker 3: trusting them with our polling data. The people who answer 158 00:08:32,280 --> 00:08:33,839 Speaker 3: an unknown number, I don't trust them. 159 00:08:34,200 --> 00:08:38,280 Speaker 1: We actually asked a bunch of gen Z people's grandparents 160 00:08:38,520 --> 00:08:41,319 Speaker 1: about their sexual behavior, and this is what they told me. 161 00:08:41,480 --> 00:08:44,280 Speaker 4: This is what they told us. Yeah, I just I 162 00:08:44,320 --> 00:08:45,680 Speaker 4: think so anyways, I do. 163 00:08:45,800 --> 00:08:48,240 Speaker 3: But what I do think is a really interesting discussion 164 00:08:48,320 --> 00:08:51,560 Speaker 3: with this fascism thing is. And the thing that I've 165 00:08:51,559 --> 00:08:55,560 Speaker 3: been feeling is that I'll say, as a millennial to 166 00:08:55,640 --> 00:09:02,400 Speaker 3: the gen Z's is perhaps lacking new one discourse nuance, 167 00:09:02,640 --> 00:09:05,280 Speaker 3: which I don't know how. I mean, how close do 168 00:09:05,360 --> 00:09:09,240 Speaker 3: you think lack of nuance and understanding nuance is to 169 00:09:09,360 --> 00:09:10,840 Speaker 3: turning fascist? 170 00:09:11,240 --> 00:09:11,480 Speaker 1: Right? 171 00:09:11,679 --> 00:09:11,880 Speaker 4: You know? 172 00:09:12,000 --> 00:09:14,320 Speaker 3: On the nuance to fascist spectrum. I do think we're 173 00:09:14,360 --> 00:09:16,480 Speaker 3: somewhat close, But I don't think it's fascism. I think 174 00:09:16,480 --> 00:09:17,160 Speaker 3: it's nuanced. 175 00:09:17,600 --> 00:09:21,520 Speaker 1: Yeah, yeah, I think that's probably true. We have talked 176 00:09:21,559 --> 00:09:24,800 Speaker 1: before speaking of David Zaslove that he's a real gen 177 00:09:24,920 --> 00:09:28,040 Speaker 1: zer because when he saw flea bag, he paused it 178 00:09:28,440 --> 00:09:32,280 Speaker 1: and told everyone that we're if we're either going to 179 00:09:32,360 --> 00:09:35,439 Speaker 1: turn this trash off for the sex scenes or we're 180 00:09:35,480 --> 00:09:37,920 Speaker 1: just gonna watch it, and nobody's allowed to look at 181 00:09:37,960 --> 00:09:40,360 Speaker 1: me while we watch it, don't. So he was very 182 00:09:40,400 --> 00:09:41,360 Speaker 1: scandalized by a second. 183 00:09:41,400 --> 00:09:43,640 Speaker 3: I'm sure he didn't want people to look at him 184 00:09:43,640 --> 00:09:46,800 Speaker 3: as he was just coming egregiously flee back. 185 00:09:47,000 --> 00:09:50,280 Speaker 2: Eyes off. Yeah, hands free, watch hands free, hands up, 186 00:09:50,320 --> 00:09:55,240 Speaker 2: hands up, still laughing, how how well. 187 00:09:55,280 --> 00:09:57,160 Speaker 3: I think that's also another good point though, of like, 188 00:09:57,240 --> 00:10:00,080 Speaker 3: people like Zaslov and them are at the top of 189 00:10:00,080 --> 00:10:02,600 Speaker 3: of our TV pop culture right now. 190 00:10:03,120 --> 00:10:04,760 Speaker 1: So it is plugged in, I. 191 00:10:05,120 --> 00:10:06,920 Speaker 2: Can just finish listen. 192 00:10:07,040 --> 00:10:09,760 Speaker 4: Yes, that's exactly what I was going to say. God, 193 00:10:09,800 --> 00:10:11,800 Speaker 4: he wants to look cool so bad. 194 00:10:11,840 --> 00:10:15,480 Speaker 3: I saw him wearing three popped collared shirts the other day. 195 00:10:15,520 --> 00:10:17,920 Speaker 3: Three So that's a jacket. That's a shirt, and then 196 00:10:17,960 --> 00:10:20,360 Speaker 3: there was another shirt underneath three and all of them 197 00:10:20,360 --> 00:10:23,079 Speaker 3: popped collars, and then the little pockets on the jacket popped. 198 00:10:23,960 --> 00:10:25,360 Speaker 4: I said, come on, my dog. 199 00:10:25,280 --> 00:10:28,440 Speaker 3: But anyways, all to say that, like, normally, I think 200 00:10:28,520 --> 00:10:31,280 Speaker 3: we look at pop culture and it can really reflect 201 00:10:32,320 --> 00:10:35,319 Speaker 3: what you were saying, reflect back on to like culture culture. 202 00:10:35,400 --> 00:10:38,560 Speaker 3: But right now I'm feeling that actually only reality TV 203 00:10:39,080 --> 00:10:41,720 Speaker 3: and social media can accurately do that, because people like 204 00:10:41,800 --> 00:10:44,960 Speaker 3: Zaslov have been making television decisions for a good five 205 00:10:45,040 --> 00:10:48,720 Speaker 3: years and they're not accurately reflecting culture anymore. 206 00:10:49,200 --> 00:10:52,040 Speaker 1: Interesting. All right, well we are. That's what we're going 207 00:10:52,120 --> 00:10:54,240 Speaker 1: to be talking about in the second and third act. 208 00:10:54,600 --> 00:11:00,880 Speaker 1: First we were there first. That's something from your We 209 00:11:00,920 --> 00:11:03,080 Speaker 1: need to get to know you better. Oh my god, 210 00:11:03,160 --> 00:11:05,480 Speaker 1: I get to know you. We do like to ask 211 00:11:05,520 --> 00:11:08,240 Speaker 1: our guests, what's something from your search history that's revealing 212 00:11:08,280 --> 00:11:10,079 Speaker 1: about who you are? Sir? 213 00:11:10,240 --> 00:11:10,480 Speaker 3: You know what? 214 00:11:10,600 --> 00:11:13,719 Speaker 4: I'll do it live? Do you know what I mean? Yeah, 215 00:11:13,760 --> 00:11:14,480 Speaker 4: I'll go in live. 216 00:11:15,240 --> 00:11:19,840 Speaker 3: Oh well, we're gonna get to it. But Chloe Bailey, 217 00:11:20,440 --> 00:11:25,520 Speaker 3: patiently responding to swarm sex scene backlash, I was an 218 00:11:25,600 --> 00:11:28,760 Speaker 3: article I'd read a while ago, but cue it up 219 00:11:28,760 --> 00:11:29,760 Speaker 3: for our conversation. 220 00:11:30,320 --> 00:11:31,400 Speaker 2: Got it, got it? Got it? 221 00:11:31,559 --> 00:11:33,360 Speaker 1: What is something you think is overrated? 222 00:11:33,720 --> 00:11:36,600 Speaker 4: Okay, here we go. Stay with me on this. 223 00:11:37,440 --> 00:11:42,880 Speaker 3: So I was getting very nostalgic for magazines US weeklies, 224 00:11:43,120 --> 00:11:46,600 Speaker 3: people holding it in your hands, someone basically curating your 225 00:11:46,640 --> 00:11:48,760 Speaker 3: feed for you and telling you this is what people 226 00:11:48,800 --> 00:11:51,160 Speaker 3: are paying attention to. So my husband got me a 227 00:11:51,200 --> 00:11:53,920 Speaker 3: subscription to US Weekly and I was like, yes, back 228 00:11:53,960 --> 00:11:56,800 Speaker 3: in the saddle, here we go. And I know it's like, okay, 229 00:11:56,840 --> 00:11:58,560 Speaker 3: print media is dying, blah blah. 230 00:11:58,320 --> 00:12:03,200 Speaker 5: Blah, but wow, oh my god, has this magazine taken 231 00:12:03,440 --> 00:12:06,240 Speaker 5: such a turn to the point where even if we 232 00:12:06,320 --> 00:12:09,440 Speaker 5: don't rate US Weekly highly anymore, whatever it is is 233 00:12:09,480 --> 00:12:14,840 Speaker 5: still too high. Like in the magazine they are now 234 00:12:14,920 --> 00:12:19,520 Speaker 5: printing celebrities own Instagram photos. 235 00:12:20,679 --> 00:12:22,880 Speaker 2: Wow, okay, so. 236 00:12:24,440 --> 00:12:27,320 Speaker 4: Yes, paper Instagram, but like sometimes like out of date. 237 00:12:27,440 --> 00:12:30,840 Speaker 3: So it's like, over the course of six months, Selena 238 00:12:30,840 --> 00:12:33,040 Speaker 3: Gomez posted a photo with a fish, and then someone 239 00:12:33,120 --> 00:12:34,920 Speaker 3: else did, and now there's just a page in US 240 00:12:34,960 --> 00:12:39,120 Speaker 3: Weekly being like, look, sometimes celebrities fish and it's like 241 00:12:39,400 --> 00:12:42,080 Speaker 3: I already saw that on Instagram and you just like 242 00:12:42,480 --> 00:12:45,439 Speaker 3: put it through your printer, Like what's happening. 243 00:12:45,480 --> 00:12:47,640 Speaker 4: Do we not pay paparazzis anymore? Do they not have 244 00:12:47,679 --> 00:12:48,400 Speaker 4: the money for that? 245 00:12:48,600 --> 00:12:48,680 Speaker 3: Like? 246 00:12:49,320 --> 00:12:52,319 Speaker 4: Are we not curating like thoughts throughout the fish photos? 247 00:12:52,360 --> 00:12:54,800 Speaker 3: It's just And then I started going through all of 248 00:12:54,840 --> 00:12:57,480 Speaker 3: it and like the just they're just like us, that's 249 00:12:57,559 --> 00:12:59,439 Speaker 3: it's just they're just printing Instagram. 250 00:12:59,440 --> 00:13:00,480 Speaker 4: Still, I couldn't believe. 251 00:13:00,840 --> 00:13:02,720 Speaker 2: I remember it used to be like the paparazzi things 252 00:13:02,720 --> 00:13:05,120 Speaker 2: like you go to sprouts, you know whatever. 253 00:13:05,280 --> 00:13:08,360 Speaker 3: Now they're like, oh, look Chrissy Cheekan dances in her 254 00:13:08,400 --> 00:13:11,359 Speaker 3: living room. It's like, yeah, because she's holding the camera herself, 255 00:13:11,840 --> 00:13:12,680 Speaker 3: what are you doing? 256 00:13:13,120 --> 00:13:13,600 Speaker 2: Oh wow? 257 00:13:13,800 --> 00:13:15,240 Speaker 3: As soon as I just couldn't believe it was still 258 00:13:15,240 --> 00:13:18,040 Speaker 3: a magazine, and then they're like atoning for their crimes, 259 00:13:18,080 --> 00:13:20,240 Speaker 3: Like do you guys remember when two celebrities would be 260 00:13:20,280 --> 00:13:23,160 Speaker 3: caught wearing the same dress and they'd be like who 261 00:13:23,200 --> 00:13:26,040 Speaker 3: wore it better? And they it'd be like one percent 262 00:13:26,240 --> 00:13:27,800 Speaker 3: for me and a Suvari. 263 00:13:27,920 --> 00:13:33,960 Speaker 1: Like you know, everyone thinks you look like shit. 264 00:13:34,200 --> 00:13:36,040 Speaker 4: You look like shit in this dress. 265 00:13:36,120 --> 00:13:39,719 Speaker 3: And so now they're sort of like they've learned like, oh, 266 00:13:39,760 --> 00:13:41,880 Speaker 3: we're not you know, we're not supposed to like pen 267 00:13:42,000 --> 00:13:43,040 Speaker 3: women against each other. 268 00:13:43,320 --> 00:13:44,800 Speaker 4: And so now they just put a little thing that 269 00:13:44,840 --> 00:13:45,720 Speaker 4: says twining. 270 00:13:46,800 --> 00:13:49,520 Speaker 1: Oh but. 271 00:13:50,440 --> 00:13:54,000 Speaker 3: Boo boo, tell me a story, do something interesting, Like 272 00:13:54,160 --> 00:13:56,080 Speaker 3: I get that. I like, yeah, like, don't put them 273 00:13:56,120 --> 00:13:58,440 Speaker 3: against each other, but like that was it twiny? They 274 00:13:58,559 --> 00:14:00,520 Speaker 3: just they just past photos of them and is going 275 00:14:00,520 --> 00:14:03,560 Speaker 3: twinning and then the silent part is better? 276 00:14:04,080 --> 00:14:06,800 Speaker 2: Yeah, you know which twin do you prefer? 277 00:14:07,400 --> 00:14:07,640 Speaker 4: Yeah? 278 00:14:07,720 --> 00:14:09,800 Speaker 3: And the comedians used to make fun of fashion in 279 00:14:09,880 --> 00:14:12,280 Speaker 3: the back, like the back page, just to be sad 280 00:14:12,320 --> 00:14:16,560 Speaker 3: pathetic comedians like myself being like tent dress, I'd go 281 00:14:16,720 --> 00:14:19,720 Speaker 3: camping in that, you know, something like that. And now 282 00:14:19,840 --> 00:14:23,440 Speaker 3: it's people being like, mules are very in, pink is in? 283 00:14:23,640 --> 00:14:25,680 Speaker 4: Color? Is a color that's in this season? 284 00:14:26,080 --> 00:14:30,040 Speaker 2: Bright green? Are you missing out on the Yeah? 285 00:14:31,360 --> 00:14:34,760 Speaker 1: I wonder like, do we think this happened because budget 286 00:14:34,760 --> 00:14:39,240 Speaker 1: cuts at US Weekly or because there's only one magazine 287 00:14:39,560 --> 00:14:42,640 Speaker 1: now and so they like don't have to compete with anybody, 288 00:14:42,760 --> 00:14:46,120 Speaker 1: so they're just like I don't fucking care. Let's pretend 289 00:14:46,200 --> 00:14:47,360 Speaker 1: green is a new thing. 290 00:14:48,040 --> 00:14:48,400 Speaker 6: Yeah. 291 00:14:48,520 --> 00:14:50,000 Speaker 3: I you know, I was thinking about it and I 292 00:14:50,040 --> 00:14:52,520 Speaker 3: was like, Okay, are they just sort of getting like 293 00:14:52,680 --> 00:14:55,200 Speaker 3: is this a thing where most of Americans aren't on 294 00:14:55,240 --> 00:14:57,720 Speaker 3: social media? So this magazine is like still helping people, 295 00:14:57,720 --> 00:15:00,040 Speaker 3: but like no, like six out of six. 296 00:15:00,280 --> 00:15:02,320 Speaker 4: Ten Americans are on Instagram. 297 00:15:02,280 --> 00:15:02,840 Speaker 2: You know what I mean? 298 00:15:02,880 --> 00:15:05,800 Speaker 4: And I think the four that aren't don't subscribe to 299 00:15:05,880 --> 00:15:06,480 Speaker 4: us weekly. 300 00:15:07,320 --> 00:15:07,520 Speaker 1: Yeah. 301 00:15:07,680 --> 00:15:10,200 Speaker 2: Yeah, Like the people I know who aren't on social media, 302 00:15:10,400 --> 00:15:12,800 Speaker 2: they damn sure don't give a fuck about celebrity culture. 303 00:15:12,800 --> 00:15:12,920 Speaker 6: Eve. 304 00:15:13,040 --> 00:15:15,680 Speaker 2: Yeah, they're like on their own shit. They're like, I know, 305 00:15:16,160 --> 00:15:18,920 Speaker 2: I'm I operate on a completely different system than. 306 00:15:18,800 --> 00:15:20,480 Speaker 4: Other people, exactly. 307 00:15:20,520 --> 00:15:22,400 Speaker 3: And this is where it's like, oh, print media is 308 00:15:22,400 --> 00:15:24,800 Speaker 3: going out of business. Well it's like I think they've 309 00:15:24,840 --> 00:15:27,320 Speaker 3: been told time of death is in four years, and 310 00:15:27,360 --> 00:15:30,040 Speaker 3: they're just trying to like in their lives early. Like 311 00:15:30,080 --> 00:15:31,800 Speaker 3: I don't know, I like it's as if they're like, 312 00:15:32,360 --> 00:15:33,080 Speaker 3: no one's like that. 313 00:15:33,480 --> 00:15:35,480 Speaker 2: Yeah, like I'm not gonna bust my ass as the 314 00:15:35,480 --> 00:15:38,040 Speaker 2: factory burns down. I'm gonna fucking just kick it and 315 00:15:38,200 --> 00:15:40,360 Speaker 2: just you know, just like we get singed in the corner. 316 00:15:40,480 --> 00:15:42,880 Speaker 2: Yeah exactly. We used to every week. I mean we 317 00:15:42,960 --> 00:15:45,200 Speaker 2: used to buy all the tabloids shout out bloyd Watch 318 00:15:45,280 --> 00:15:49,240 Speaker 2: where we would buy like every tabloid like National Inquirer, Globe, 319 00:15:49,320 --> 00:15:51,320 Speaker 2: all that shit, and then all the gossip mags like 320 00:15:51,360 --> 00:15:54,080 Speaker 2: People in Touch. And I'm curious now to see, like 321 00:15:54,160 --> 00:15:56,640 Speaker 2: I wonder how much the pandemic has changed that coverage, 322 00:15:56,680 --> 00:15:59,360 Speaker 2: because even then it was still doing like who wore 323 00:15:59,400 --> 00:16:02,320 Speaker 2: it better? Yeah, and other things and just being like 324 00:16:02,320 --> 00:16:04,840 Speaker 2: they're just like us. But it was like the old 325 00:16:05,040 --> 00:16:07,960 Speaker 2: you know, the paparazzi shots out in Malibu or somebody 326 00:16:07,960 --> 00:16:11,040 Speaker 2: wearing big glasses with the Starbucks trained the cup or whatever. 327 00:16:11,360 --> 00:16:14,800 Speaker 4: Yeah, she kind of looks sad. I bet she's divorced. 328 00:16:14,920 --> 00:16:15,360 Speaker 2: Oh yeah. 329 00:16:15,360 --> 00:16:19,120 Speaker 1: The best was like, oh dude, this girl paradise. Yeah, 330 00:16:19,120 --> 00:16:21,960 Speaker 1: it was a subtext of every photograph, wasn't there. One 331 00:16:22,080 --> 00:16:25,800 Speaker 1: was like Brad Pitt touched rape Jennifer Aniston's stomach. They're 332 00:16:25,880 --> 00:16:30,720 Speaker 1: fucking pregnant. Yeah, exactly one miles. That was an entire 333 00:16:31,800 --> 00:16:34,920 Speaker 1: that was in every magazine for ten and a half years. 334 00:16:35,640 --> 00:16:37,400 Speaker 4: For real, every day she's pregnant. 335 00:16:37,440 --> 00:16:40,360 Speaker 2: She's pregnant. Why would you touch your stomach right after 336 00:16:40,400 --> 00:16:41,160 Speaker 2: eating if she wasn't. 337 00:16:41,280 --> 00:16:44,080 Speaker 1: I hadn't seen each other for fifteen years, and they're 338 00:16:44,120 --> 00:16:48,360 Speaker 1: like shocking new photos suggest that they're back together. 339 00:16:48,640 --> 00:16:52,080 Speaker 3: It's like Angelina Jolie says, he's pretty abusive on a plane. 340 00:16:52,200 --> 00:16:54,200 Speaker 4: Jennifer Aniston pregnant with twins. 341 00:16:54,320 --> 00:16:58,760 Speaker 2: Yeah, yeah, cut to Jennifer Aniston missed me with that gossip. 342 00:17:00,520 --> 00:17:06,000 Speaker 1: But US Weekly was purchased by American Media, Inc. Which 343 00:17:06,119 --> 00:17:10,760 Speaker 1: is the owner of National Inquoir and all that, like 344 00:17:10,800 --> 00:17:12,160 Speaker 1: the actual bloids. 345 00:17:12,480 --> 00:17:14,560 Speaker 4: Yeah, I mean, then it should get juicier. 346 00:17:15,119 --> 00:17:15,920 Speaker 1: I just don't. 347 00:17:16,280 --> 00:17:19,000 Speaker 3: I have to say, Like I listen, I subscribed to 348 00:17:19,040 --> 00:17:22,680 Speaker 3: some GUS newsletters and they're so funny. They're so fun 349 00:17:22,720 --> 00:17:25,280 Speaker 3: the ones that include pictures fucking ty. If you printed 350 00:17:25,320 --> 00:17:27,400 Speaker 3: that out, I would buy it for three ninety nine. 351 00:17:27,480 --> 00:17:30,240 Speaker 3: I just like it's as if like they brought in, 352 00:17:30,640 --> 00:17:32,639 Speaker 3: they brought in a bunch of granddads to run this 353 00:17:32,800 --> 00:17:35,480 Speaker 3: weekly and they're like, I think my wife said there 354 00:17:35,640 --> 00:17:38,399 Speaker 3: was uh recipes. 355 00:17:38,800 --> 00:17:42,120 Speaker 1: They almost definitely did, because like what that was one 356 00:17:42,119 --> 00:17:44,520 Speaker 1: thing that we noticed about National Inquiry and like the 357 00:17:44,560 --> 00:17:48,359 Speaker 1: actual supermarket tabloids was that they seemed to be made 358 00:17:48,480 --> 00:17:52,760 Speaker 1: by and for people who were in their eighties, Like truly, 359 00:17:53,000 --> 00:17:55,400 Speaker 1: it was just all about like this elderly celebrity might 360 00:17:55,440 --> 00:17:59,919 Speaker 1: be dying last days for Dolly like that that was 361 00:18:00,119 --> 00:18:03,160 Speaker 1: Every other issue was about how Dolly Parton was dying. 362 00:18:03,280 --> 00:18:06,240 Speaker 1: But for the most part it was just old old 363 00:18:06,280 --> 00:18:07,200 Speaker 1: people news. 364 00:18:07,480 --> 00:18:07,800 Speaker 2: Yeah. 365 00:18:08,000 --> 00:18:10,760 Speaker 4: Yeah, and I guess that's really just the demographic. It's 366 00:18:10,800 --> 00:18:12,760 Speaker 4: them and me with a subscription. 367 00:18:12,960 --> 00:18:17,240 Speaker 1: Right, I'll read what is what's something you think is underrated? 368 00:18:17,600 --> 00:18:21,320 Speaker 3: Okay, I'm doing a little like you know, mine go 369 00:18:21,480 --> 00:18:23,320 Speaker 3: together like they match. 370 00:18:23,520 --> 00:18:24,040 Speaker 2: Wow. 371 00:18:25,440 --> 00:18:29,440 Speaker 3: Reddit, Now again you'll be like, yes, Reddit's really popular, Chelse, 372 00:18:29,520 --> 00:18:32,800 Speaker 3: Like what are you talking about? But again, I feel 373 00:18:32,840 --> 00:18:36,000 Speaker 3: like a bunch of communians myself included, have always used 374 00:18:36,000 --> 00:18:39,640 Speaker 3: Reddit as a punchline as like oh the like the trolls, 375 00:18:40,359 --> 00:18:42,960 Speaker 3: the sub humans, you know what I mean, Like who cares? 376 00:18:42,960 --> 00:18:44,280 Speaker 4: What's like happening on Reddit? 377 00:18:44,440 --> 00:18:47,359 Speaker 3: And I have some Google search terms up for my 378 00:18:47,440 --> 00:18:51,280 Speaker 3: podcast and I did this Carolyn Callaway Natalie Beach episode 379 00:18:51,320 --> 00:18:54,120 Speaker 3: and somehow, you know, one of. 380 00:18:54,040 --> 00:18:56,480 Speaker 4: My Google alerts brought me to a Reddit thread. 381 00:18:57,200 --> 00:18:59,080 Speaker 3: Before clicking it, I thought like you're not supposed to 382 00:18:59,119 --> 00:19:02,160 Speaker 3: do this, Chelsea, Like this is not Whatever happens from 383 00:19:02,200 --> 00:19:04,760 Speaker 3: here is like not gonna go well. And when I 384 00:19:04,800 --> 00:19:08,240 Speaker 3: got there, I was like, holy shit, this is some 385 00:19:08,320 --> 00:19:12,760 Speaker 3: good discourse. This is some really smart, high level discourse. 386 00:19:12,840 --> 00:19:15,000 Speaker 3: And I think there's been a shift. Granted I have 387 00:19:15,160 --> 00:19:17,720 Speaker 3: not been real checked in to Reddit, but like on 388 00:19:17,800 --> 00:19:22,320 Speaker 3: TikTok comments and Instagram comments and Twitter, they all kind 389 00:19:22,359 --> 00:19:24,760 Speaker 3: of like derail the discourse and it always goes into 390 00:19:24,840 --> 00:19:28,359 Speaker 3: like your up, You're ugly that and should die like 391 00:19:28,400 --> 00:19:30,480 Speaker 3: somehow that always gets there, like within the first fe minutes. 392 00:19:30,760 --> 00:19:31,800 Speaker 4: Reddit is for the people. 393 00:19:31,640 --> 00:19:35,080 Speaker 3: Who are like we we we want seven hundred characters, 394 00:19:35,520 --> 00:19:39,160 Speaker 3: we have something to say, we need a real forum. 395 00:19:39,560 --> 00:19:42,520 Speaker 3: And I just I found some really elevated topics in there, 396 00:19:42,560 --> 00:19:45,040 Speaker 3: and I was like, I cannot believe I haven't been 397 00:19:45,080 --> 00:19:45,560 Speaker 3: living here. 398 00:19:45,440 --> 00:19:46,080 Speaker 4: The whole time. 399 00:19:46,480 --> 00:19:49,480 Speaker 2: It's yeah, it's definitely all about like what subreddits you 400 00:19:49,560 --> 00:19:52,560 Speaker 2: go on, Definitely what the energy is of people, because yeah, 401 00:19:52,600 --> 00:19:56,240 Speaker 2: some places are just total toxic meltdowns constantly. Like it's 402 00:19:56,240 --> 00:19:59,680 Speaker 2: funny even how like sports teams will have different subreddits. 403 00:19:59,680 --> 00:20:02,399 Speaker 2: We're like some people are like, nah, that other subreddit 404 00:20:02,440 --> 00:20:05,080 Speaker 2: is for like the fucking wishy washy day dreamers who 405 00:20:05,080 --> 00:20:08,760 Speaker 2: don't actually know ball. We know shit on this subreddit, 406 00:20:08,840 --> 00:20:10,760 Speaker 2: and like you'll even see like people with the same 407 00:20:10,800 --> 00:20:14,600 Speaker 2: interest like no, you guys over there, serious shit over here, 408 00:20:14,720 --> 00:20:16,760 Speaker 2: or like if you want a shit post, do that there. 409 00:20:17,080 --> 00:20:18,119 Speaker 2: But yeah, there really is. 410 00:20:18,320 --> 00:20:22,640 Speaker 3: But really it's like they're yeah, creating internal guidelines, they're 411 00:20:22,720 --> 00:20:24,840 Speaker 3: kicking people out to the of the threads. I saw 412 00:20:24,840 --> 00:20:26,600 Speaker 3: this thing where it's like, yeah, we don't like I 413 00:20:26,600 --> 00:20:29,199 Speaker 3: saw this battle of like, don't call this girl pick me. 414 00:20:29,560 --> 00:20:31,639 Speaker 4: Don't use pick me energy. It's a sexist term. But 415 00:20:31,680 --> 00:20:33,920 Speaker 4: I was in a thread for people to shit talk 416 00:20:34,160 --> 00:20:35,960 Speaker 4: other probably women. 417 00:20:36,359 --> 00:20:38,800 Speaker 3: I was in the thread where you're like, isn't this 418 00:20:38,840 --> 00:20:41,160 Speaker 3: woman so fucking stupid? And someone was like, you are 419 00:20:41,240 --> 00:20:44,919 Speaker 3: misusing pick me right right? That is toxic, And I 420 00:20:45,040 --> 00:20:45,440 Speaker 3: was like. 421 00:20:46,080 --> 00:20:48,879 Speaker 2: Where am I hello, professor? 422 00:20:51,520 --> 00:20:53,239 Speaker 4: Yeah, I just really yeah, I really liked it. 423 00:20:53,760 --> 00:20:55,240 Speaker 1: Yeah. I think that's a really good point. I think 424 00:20:55,240 --> 00:20:58,760 Speaker 1: that's a really good underrated because Reddit does, like it 425 00:20:58,800 --> 00:21:01,800 Speaker 1: is still used as shorthand and for like dumb internet 426 00:21:02,080 --> 00:21:05,320 Speaker 1: like trolls and in cells, and like that's definitely not 427 00:21:05,560 --> 00:21:08,800 Speaker 1: exclusively the case or even like largely the case. I 428 00:21:08,800 --> 00:21:12,480 Speaker 1: feel like there's usually like if you want to find 429 00:21:12,480 --> 00:21:15,600 Speaker 1: a way to like use the Internet that doesn't make 430 00:21:15,640 --> 00:21:18,960 Speaker 1: it feel like it's completely broken and your every page 431 00:21:19,000 --> 00:21:21,000 Speaker 1: that you go to is taken over by ads. Just 432 00:21:21,040 --> 00:21:23,840 Speaker 1: like put a Reddit filter on all your searches. Just 433 00:21:23,920 --> 00:21:27,040 Speaker 1: do like whatever you're looking for and then Reddit, and 434 00:21:28,160 --> 00:21:30,920 Speaker 1: you're going to have a better time on the Internet. 435 00:21:31,320 --> 00:21:33,720 Speaker 2: Yeah. See, how like on Google when people have like 436 00:21:33,800 --> 00:21:37,000 Speaker 2: questions about like day to day things, the like when 437 00:21:37,000 --> 00:21:39,200 Speaker 2: it auto fills reddit will be like one of them. 438 00:21:39,200 --> 00:21:43,320 Speaker 2: They're like how to change car battery Reddit, you know, 439 00:21:43,880 --> 00:21:46,680 Speaker 2: then like YouTube because like it's really interesting. I mean, 440 00:21:47,119 --> 00:21:50,120 Speaker 2: I'm I'm on Reddit a lot. I you know, obviously 441 00:21:50,200 --> 00:21:53,199 Speaker 2: like you go like the shit I'm interested in. I 442 00:21:53,240 --> 00:21:55,560 Speaker 2: go I check those subreddits out and it's fantastic. There's 443 00:21:55,600 --> 00:21:57,040 Speaker 2: other ones I just like to watch, Like there's one 444 00:21:57,080 --> 00:21:59,920 Speaker 2: about economics where like a bunch of economists choke. It's 445 00:21:59,920 --> 00:22:03,680 Speaker 2: like you'll never get consensus with like with two economists 446 00:22:03,720 --> 00:22:06,080 Speaker 2: in the same room, and then like they just like laugh, 447 00:22:06,240 --> 00:22:09,639 Speaker 2: like all high minded economy economic shit, and I'm like, 448 00:22:09,720 --> 00:22:11,320 Speaker 2: what the fuck. I'm like this is kind of interesting. 449 00:22:11,359 --> 00:22:15,560 Speaker 2: But yeah, there's it's there's truly something for everybody there. 450 00:22:15,600 --> 00:22:17,320 Speaker 2: Like I was on a subreddit where people just be 451 00:22:17,400 --> 00:22:19,800 Speaker 2: like I just found this thing? What is this? And 452 00:22:19,840 --> 00:22:21,520 Speaker 2: then people come in they're like, oh, I've been a 453 00:22:21,560 --> 00:22:23,720 Speaker 2: plumber for thirty years. This tools actually used to like 454 00:22:23,760 --> 00:22:25,600 Speaker 2: stop a drain or blah blah blah blah blah. People 455 00:22:25,640 --> 00:22:27,399 Speaker 2: like whoa. 456 00:22:26,880 --> 00:22:28,160 Speaker 1: Yes it was a plunger. 457 00:22:28,840 --> 00:22:31,679 Speaker 2: Yeah, it's like this like goes down a drain and 458 00:22:31,760 --> 00:22:33,959 Speaker 2: like inflates. It's like when there is and when there 459 00:22:34,000 --> 00:22:36,000 Speaker 2: isn't a stop for it. It's like some very specific 460 00:22:36,080 --> 00:22:38,280 Speaker 2: plumbing tool. But it just looks like a lightsaber. So 461 00:22:38,320 --> 00:22:38,879 Speaker 2: people are like, I. 462 00:22:38,880 --> 00:22:43,560 Speaker 1: Don't know what I just found this ship encrusted lightsaber. 463 00:22:46,640 --> 00:22:48,320 Speaker 4: But yeah, I totally agree. 464 00:22:48,359 --> 00:22:50,760 Speaker 3: I think the mob mentality of Reddit is very It 465 00:22:50,840 --> 00:22:55,240 Speaker 3: has a higher IQ and EQ than TikTok mob mentality. 466 00:22:55,280 --> 00:22:56,800 Speaker 3: I think if you went on TikTok, you're like, yo 467 00:22:56,880 --> 00:22:58,280 Speaker 3: with this plunger, people. 468 00:22:58,119 --> 00:23:01,760 Speaker 4: Like you idiot, ye know what this is? And you'd 469 00:23:01,760 --> 00:23:03,120 Speaker 4: go on Reddit and they'd be like, we don't talk 470 00:23:03,240 --> 00:23:04,000 Speaker 4: like that in this one. 471 00:23:04,359 --> 00:23:07,440 Speaker 2: Yeah, well yeah why. There's like some people on subredd 472 00:23:07,440 --> 00:23:10,359 Speaker 2: it's called like no dumb questions, like where people go 473 00:23:10,480 --> 00:23:12,919 Speaker 2: and there's not like people are like I'm sorry, what 474 00:23:13,040 --> 00:23:16,760 Speaker 2: is Selena Gomez? And like a kidney thing I keep 475 00:23:16,760 --> 00:23:18,360 Speaker 2: reading about. Please okay, this. 476 00:23:18,359 --> 00:23:20,159 Speaker 4: Sounds like I should go there because I've. 477 00:23:20,000 --> 00:23:21,040 Speaker 1: Got answers for that one. 478 00:23:21,320 --> 00:23:23,280 Speaker 2: Oh yeah, there's another one. Yeah, out of the loop. 479 00:23:23,359 --> 00:23:25,680 Speaker 2: You'd probably like because that's another one where people come 480 00:23:25,720 --> 00:23:28,240 Speaker 2: in with like pop culture questions and they're like, I'm sorry, 481 00:23:28,280 --> 00:23:31,879 Speaker 2: who is D four four VB? The artist? 482 00:23:32,640 --> 00:23:33,560 Speaker 4: I love this? 483 00:23:33,680 --> 00:23:37,280 Speaker 3: Yeah, I feel I feel sad for myself that I 484 00:23:37,320 --> 00:23:39,240 Speaker 3: missed out on Reddit for so many years because I 485 00:23:39,400 --> 00:23:41,920 Speaker 3: just assumed it was like you know what I mean, 486 00:23:42,160 --> 00:23:45,159 Speaker 3: it's a lazy punchline of like these losers. It's like, hmmm, 487 00:23:45,320 --> 00:23:47,760 Speaker 3: they're pretty smart. They want to type out paragraphs like 488 00:23:47,800 --> 00:23:48,240 Speaker 3: that takes. 489 00:23:48,520 --> 00:23:49,440 Speaker 1: Yeah, it's pretty smart. 490 00:23:49,720 --> 00:23:51,600 Speaker 2: Just don't venture anywhere where like you may be the 491 00:23:51,640 --> 00:23:53,119 Speaker 2: topic of conversation. 492 00:23:52,720 --> 00:23:56,919 Speaker 1: That's subreddit specific. To Miles's point, not great place to 493 00:23:57,119 --> 00:24:00,320 Speaker 1: find out about Donald Trump if you're just reading from 494 00:24:00,359 --> 00:24:03,040 Speaker 1: a Donald Trump reddit sub reddit. Not a great place 495 00:24:03,119 --> 00:24:07,439 Speaker 1: to see crimes solved in real time, but then in 496 00:24:07,680 --> 00:24:12,040 Speaker 1: absolutely nowhere is good at crowdsourcing crime solutions. 497 00:24:13,000 --> 00:24:17,000 Speaker 3: Good point, But listen, specific genre of books, that's where 498 00:24:17,000 --> 00:24:21,720 Speaker 3: I'm at. Get to the book places, influencer snark threads, 499 00:24:21,800 --> 00:24:21,960 Speaker 3: you know. 500 00:24:22,080 --> 00:24:26,560 Speaker 2: There there's like foam wah, which is like a Dumois 501 00:24:26,680 --> 00:24:28,240 Speaker 2: kind of I don't know, have you seen foam wak? 502 00:24:28,400 --> 00:24:31,560 Speaker 3: Yeah, but you know what, I am so so out 503 00:24:31,680 --> 00:24:35,159 Speaker 3: on Dumoi and foam wa because it's like they have 504 00:24:35,320 --> 00:24:37,760 Speaker 3: made every single person into a paparazzi. 505 00:24:38,240 --> 00:24:40,920 Speaker 4: And I don't trust half. 506 00:24:40,720 --> 00:24:42,680 Speaker 3: Of these paparazzis, you know, I mean, like every time 507 00:24:42,680 --> 00:24:46,520 Speaker 3: they're like, hey, guess what you know Toby Maguire is 508 00:24:46,560 --> 00:24:49,040 Speaker 3: suing his wife a non please, It's like that could 509 00:24:49,080 --> 00:24:51,080 Speaker 3: be that honestly, could be my grandma. 510 00:24:51,520 --> 00:24:51,639 Speaker 2: Right. 511 00:24:52,080 --> 00:24:54,000 Speaker 4: Have you read Las Weekly ten years ago and is 512 00:24:54,040 --> 00:24:54,920 Speaker 4: like guess what I heard? 513 00:24:55,000 --> 00:24:57,760 Speaker 3: Like it's like, yo, we have to I want to 514 00:24:57,960 --> 00:25:00,199 Speaker 3: read the juice and know it's real, and now it's 515 00:25:00,240 --> 00:25:02,639 Speaker 3: not because it's just some girl being like SoC Crystalia 516 00:25:02,760 --> 00:25:04,360 Speaker 3: without his mask in a coffee. 517 00:25:04,000 --> 00:25:07,760 Speaker 2: Shop, right right right boo. Also, yeah, Victor in the 518 00:25:07,840 --> 00:25:09,640 Speaker 2: chap brings up going a shower or you know about 519 00:25:09,640 --> 00:25:13,480 Speaker 2: shower oranges. No please, this were motherfuckers. They go into 520 00:25:13,480 --> 00:25:17,240 Speaker 2: a hot shower and just just just cave man, bite 521 00:25:17,320 --> 00:25:18,200 Speaker 2: into an orange. 522 00:25:19,040 --> 00:25:22,040 Speaker 1: Not necessarily, it's just they're just saying that you should 523 00:25:22,080 --> 00:25:24,639 Speaker 1: eat an orange and in a shower because of the 524 00:25:24,640 --> 00:25:27,680 Speaker 1: accommodation of hot shower and cold orange. 525 00:25:27,800 --> 00:25:29,680 Speaker 2: Like it was caping for shower oranges right now. 526 00:25:31,560 --> 00:25:35,240 Speaker 6: It was very sexy and yours was very like just 527 00:25:36,720 --> 00:25:39,640 Speaker 6: because the posts I read on shower oranges, I'm more 528 00:25:39,720 --> 00:25:41,920 Speaker 6: in like, I'm more interested by the ones where people 529 00:25:42,040 --> 00:25:43,040 Speaker 6: like guys, I did it. 530 00:25:43,040 --> 00:25:45,639 Speaker 2: I just I just let my animal instincts overcome me, 531 00:25:45,720 --> 00:25:47,679 Speaker 2: I just bugged it out with this orange and the 532 00:25:47,680 --> 00:25:50,159 Speaker 2: shower and it was beautiful, and they see people like, 533 00:25:50,160 --> 00:25:51,639 Speaker 2: would tangerines work? 534 00:25:54,800 --> 00:25:56,080 Speaker 1: I mean, one of the things I like about the 535 00:25:56,119 --> 00:25:58,439 Speaker 1: concept of shower oranges is that you can just peel 536 00:25:58,480 --> 00:26:00,960 Speaker 1: it and drop it wherever you want, because you know, 537 00:26:01,440 --> 00:26:03,440 Speaker 1: shower peels are pretty much waterproof. 538 00:26:03,680 --> 00:26:10,600 Speaker 3: But then you're leaving them there, okay, but then yeah. 539 00:26:10,119 --> 00:26:13,040 Speaker 4: It was just the joy of dropping it up later. 540 00:26:13,240 --> 00:26:15,679 Speaker 2: Yeah, yeah, I think, yeah, I think it appeals to 541 00:26:15,720 --> 00:26:18,439 Speaker 2: like really messy people because it seems like the appeal 542 00:26:18,480 --> 00:26:20,160 Speaker 2: is all messy. 543 00:26:19,920 --> 00:26:20,239 Speaker 1: All right. 544 00:26:20,720 --> 00:26:23,000 Speaker 2: I mean, look, I'm not I'm not some you know, 545 00:26:23,600 --> 00:26:25,840 Speaker 2: very put together person like that, but I guess it 546 00:26:25,880 --> 00:26:27,760 Speaker 2: doesn't appeal to me, Like, yeah, get all gross, but 547 00:26:27,760 --> 00:26:29,359 Speaker 2: the water just watches it away. You know, the thing 548 00:26:29,400 --> 00:26:31,000 Speaker 2: you hate about the way you want to eat in 549 00:26:31,040 --> 00:26:33,359 Speaker 2: real life, which let the food get all over you, 550 00:26:33,560 --> 00:26:33,960 Speaker 2: Like I don't. 551 00:26:34,359 --> 00:26:38,440 Speaker 1: Maybe, all right, so everybody just wants to just bite 552 00:26:38,480 --> 00:26:41,680 Speaker 1: into a watermelon from the outside in, stick your head 553 00:26:41,720 --> 00:26:46,160 Speaker 1: through it, and then just like throw the rind everywhere. Right, No, yeah, 554 00:26:46,280 --> 00:26:52,200 Speaker 1: that's just all right, moving on pool watermelons. I'm just saying, 555 00:26:52,480 --> 00:26:55,199 Speaker 1: all right, let's take a quick break, and when we 556 00:26:55,240 --> 00:26:58,359 Speaker 1: come back, we will talk about the de sexualization of 557 00:26:58,359 --> 00:27:01,680 Speaker 1: pop culture. Is it a thing? What does it mean? 558 00:27:01,920 --> 00:27:16,199 Speaker 1: We'll be right back and we're back. So just a 559 00:27:16,240 --> 00:27:19,320 Speaker 1: couple things to kick us off. More and more we're 560 00:27:19,320 --> 00:27:22,440 Speaker 1: seeing like these reactions go viral. There was one over 561 00:27:22,440 --> 00:27:28,800 Speaker 1: the weekend where a woman describes the movie Oppenheimer and 562 00:27:28,920 --> 00:27:31,320 Speaker 1: like that her and her husband wanted to see Oppenheimer, 563 00:27:31,320 --> 00:27:33,680 Speaker 1: but they had heard there was a sex scene. You know. 564 00:27:33,800 --> 00:27:36,199 Speaker 1: They she looks to be in her I'd say like 565 00:27:36,280 --> 00:27:42,080 Speaker 1: late twenties, early thirties, and it's it's just a it's wild. 566 00:27:42,160 --> 00:27:43,919 Speaker 1: The way she's talking about the sex scene as if 567 00:27:43,960 --> 00:27:46,159 Speaker 1: it's like a thing we can all agree is like 568 00:27:47,560 --> 00:27:50,439 Speaker 1: traumatic and not something that like anybody wants to watch, 569 00:27:51,000 --> 00:27:54,239 Speaker 1: and like they talk about like how they got through it. 570 00:27:54,280 --> 00:27:58,080 Speaker 1: They did their research, they like looked when it was 571 00:27:58,119 --> 00:28:00,920 Speaker 1: going to happen, and then they like close their eyes 572 00:28:01,000 --> 00:28:06,080 Speaker 1: during it. And this comes. I don't know what her 573 00:28:06,119 --> 00:28:08,840 Speaker 1: deal is, what her husband's deal is, if like, you know, 574 00:28:08,880 --> 00:28:13,440 Speaker 1: this is part of a long running social media presence 575 00:28:13,480 --> 00:28:17,480 Speaker 1: where people know like that they have some past trauma 576 00:28:17,560 --> 00:28:19,400 Speaker 1: as a couple or something like that. So I don't 577 00:28:19,400 --> 00:28:21,879 Speaker 1: want to dive too much in and be like, what 578 00:28:22,040 --> 00:28:25,280 Speaker 1: a weirdo. She also has like a Jesus fish on 579 00:28:25,320 --> 00:28:28,560 Speaker 1: her wrist, like tattooed on her wrist, so it could 580 00:28:28,600 --> 00:28:32,159 Speaker 1: just be like religious stuff, but like this does seem 581 00:28:32,200 --> 00:28:35,919 Speaker 1: to be. I think the reason it's getting so much 582 00:28:35,960 --> 00:28:39,920 Speaker 1: traction is people are seeing this as a take more 583 00:28:39,960 --> 00:28:42,640 Speaker 1: and more where people are like, finally someone says it 584 00:28:42,720 --> 00:28:46,000 Speaker 1: like sex scenes are weird. They make me feel gross. 585 00:28:46,320 --> 00:28:50,080 Speaker 1: I don't want to see them, And it came out 586 00:28:50,080 --> 00:28:53,880 Speaker 1: a lot with Oppenheimer in particular. But Chelsea, I just 587 00:28:53,920 --> 00:28:56,640 Speaker 1: want to open the floor to you on this subject 588 00:28:56,840 --> 00:29:04,960 Speaker 1: of like a step from horniness as media consumers. 589 00:29:05,360 --> 00:29:08,640 Speaker 3: Well, first I have to say I haven't been totally 590 00:29:08,760 --> 00:29:11,239 Speaker 3: drawn to see Appenheimer, but after that video, now I 591 00:29:11,280 --> 00:29:12,960 Speaker 3: really want to go, Like I found myself being like 592 00:29:13,000 --> 00:29:14,760 Speaker 3: I have to know what this sex scene is, so 593 00:29:15,320 --> 00:29:16,720 Speaker 3: I don't, you know, I don't know where that puts 594 00:29:16,760 --> 00:29:19,920 Speaker 3: me perspective, But now I want to see the movie. 595 00:29:20,360 --> 00:29:22,440 Speaker 4: Have you guys seen it? Is it a graphic sex scene? 596 00:29:22,440 --> 00:29:23,000 Speaker 4: I'd have to know. 597 00:29:23,040 --> 00:29:23,960 Speaker 1: It's not graphic. 598 00:29:24,040 --> 00:29:31,719 Speaker 2: It's actually like really so if you only have missionary sex, yeah, 599 00:29:31,920 --> 00:29:35,960 Speaker 2: it's straight, like the woman's yeah okay, but that was the. 600 00:29:35,880 --> 00:29:39,960 Speaker 4: Most risk thing, and it's it's like nudity, yeah, there's like. 601 00:29:40,040 --> 00:29:43,160 Speaker 1: Yeah, there's there's some nudity. But I actually think like 602 00:29:43,840 --> 00:29:48,720 Speaker 1: it feels very strange. Like Christopher Nolan has traditionally been 603 00:29:49,760 --> 00:29:52,640 Speaker 1: described as like being somewhat of a sexless filmmaker, Like 604 00:29:52,680 --> 00:29:55,840 Speaker 1: he made a movie about people's like going inside people's 605 00:29:55,920 --> 00:29:58,920 Speaker 1: dreams and no one, no one sucks at all, Like nobody, 606 00:29:59,080 --> 00:30:02,560 Speaker 1: like sex doesn't even inside these people's dreams. Sex doesn't 607 00:30:02,560 --> 00:30:06,680 Speaker 1: really exist inside most of his movies, I would say, 608 00:30:06,840 --> 00:30:11,080 Speaker 1: other than like the Joker character is kind of the 609 00:30:11,120 --> 00:30:15,600 Speaker 1: most fuckingest character that like he has and like any 610 00:30:15,600 --> 00:30:17,920 Speaker 1: of his movies in the sense that like he is 611 00:30:18,000 --> 00:30:20,760 Speaker 1: like this kind of creep but like at least there 612 00:30:20,840 --> 00:30:24,920 Speaker 1: is a sexual energy with the Joker. But anyways, this 613 00:30:24,960 --> 00:30:27,720 Speaker 1: seemed like he was responding to that and being like, oh, yeah, 614 00:30:27,760 --> 00:30:30,120 Speaker 1: I can't do a sex scene and it just feels 615 00:30:30,440 --> 00:30:35,000 Speaker 1: it is a weird sex scene. The first one is 616 00:30:35,080 --> 00:30:39,240 Speaker 1: really like it feels almost like self parody to me. 617 00:30:39,440 --> 00:30:41,840 Speaker 1: I don't know if I went in with a if 618 00:30:41,840 --> 00:30:44,480 Speaker 1: I went in being like I'm going to hate this 619 00:30:44,560 --> 00:30:48,200 Speaker 1: Christopher Nolan sex scene. But I think he's trying to 620 00:30:48,240 --> 00:30:50,440 Speaker 1: fight against the idea that his movies are dead sexually 621 00:30:51,360 --> 00:30:51,960 Speaker 1: and he failed. 622 00:30:51,960 --> 00:30:52,760 Speaker 4: It sounds like he failed. 623 00:30:53,120 --> 00:30:54,240 Speaker 2: I think he did. 624 00:30:54,520 --> 00:30:58,400 Speaker 1: But I also I think he's popular, at least partially 625 00:30:58,440 --> 00:31:01,400 Speaker 1: because his movies take place in a sexless universe, and 626 00:31:01,440 --> 00:31:04,600 Speaker 1: I think people want that from their movies, like the 627 00:31:04,960 --> 00:31:06,040 Speaker 1: blockbuster movies. 628 00:31:06,360 --> 00:31:09,880 Speaker 3: Well, it's yeah, there's so many one after that description, 629 00:31:10,080 --> 00:31:12,280 Speaker 3: no two after that description. I want to see it 630 00:31:12,280 --> 00:31:14,000 Speaker 3: even more. I just have to know, I have to know. 631 00:31:14,080 --> 00:31:16,240 Speaker 3: It's the only thing that has brought me to this movie. 632 00:31:16,360 --> 00:31:19,440 Speaker 3: But yeah, there's so many threads to connect on this, 633 00:31:19,640 --> 00:31:22,240 Speaker 3: but kind of the The number one thought that comes 634 00:31:22,280 --> 00:31:23,800 Speaker 3: to my mind is something I talked about with my 635 00:31:23,920 --> 00:31:26,080 Speaker 3: one of my best friends, Ashley, who's also a television writer, 636 00:31:26,400 --> 00:31:30,520 Speaker 3: which is that prior to this moment in culture, sex 637 00:31:30,520 --> 00:31:35,400 Speaker 3: scenes have somewhat always They've always been bad story wise, 638 00:31:35,880 --> 00:31:40,880 Speaker 3: so there's never there's almost I'm gonna say Deadpool is 639 00:31:40,920 --> 00:31:44,920 Speaker 3: maybe the one exception where like a sex scene actually 640 00:31:44,960 --> 00:31:48,080 Speaker 3: had to be there to move the story forward. But 641 00:31:48,320 --> 00:31:51,880 Speaker 3: usually sex scenes are like a brief intermission where like, 642 00:31:52,560 --> 00:31:54,080 Speaker 3: you know what I mean, because the moment they've gotten 643 00:31:54,160 --> 00:31:57,040 Speaker 3: to like kissing. We know, Okay, so we're there story wise, 644 00:31:57,120 --> 00:31:59,760 Speaker 3: So if you're gonna show the full sex, like you 645 00:31:59,840 --> 00:32:02,400 Speaker 3: just kind of sitting it, and so then it really 646 00:32:02,600 --> 00:32:05,600 Speaker 3: is to be a very It's just exists to be 647 00:32:05,600 --> 00:32:08,239 Speaker 3: a sexy sex scene, which was way more needed in 648 00:32:08,280 --> 00:32:10,480 Speaker 3: previous generations where like that was the only time you 649 00:32:10,520 --> 00:32:13,080 Speaker 3: were going to see a sexy, sexy sex scene, right. 650 00:32:13,040 --> 00:32:16,640 Speaker 2: Yeah, I was wearing the trench coat and times Square. Yeah. 651 00:32:17,760 --> 00:32:20,520 Speaker 1: I was thinking that like some examples of sex scenes 652 00:32:20,560 --> 00:32:24,120 Speaker 1: that needed to exist and that I think should inspire 653 00:32:24,760 --> 00:32:27,440 Speaker 1: people to like think more creatively about sex scenes. Is 654 00:32:27,480 --> 00:32:30,600 Speaker 1: like Parasite has a really interesting sex scene. Not an 655 00:32:30,640 --> 00:32:34,120 Speaker 1: American film, but it like shows this like really wealthy 656 00:32:34,160 --> 00:32:38,320 Speaker 1: couple like kind of having this weird sexual encounter on 657 00:32:38,360 --> 00:32:41,520 Speaker 1: the couch where they're like fantasizing that they are like 658 00:32:41,680 --> 00:32:45,840 Speaker 1: part of this lower class that they looked down on 659 00:32:46,080 --> 00:32:50,320 Speaker 1: and suppress. And like I thought that was like a 660 00:32:50,360 --> 00:32:51,239 Speaker 1: good that's a good one. 661 00:32:51,320 --> 00:32:53,160 Speaker 4: Yeah, that's another going when we were like, oh, there's 662 00:32:53,240 --> 00:32:54,120 Speaker 4: like meaning and. 663 00:32:54,200 --> 00:32:57,560 Speaker 3: Purpose for yes, But I feel like, yeah, sort of 664 00:32:57,600 --> 00:33:02,000 Speaker 3: traditionally and for the most part, sex scenes exist simply 665 00:33:02,040 --> 00:33:04,520 Speaker 3: to be sexy and they don't move anything forward, and 666 00:33:05,680 --> 00:33:08,320 Speaker 3: almost all of them have been written and directed by 667 00:33:09,160 --> 00:33:12,760 Speaker 3: you know, white cis men for a hundred years and so, 668 00:33:13,680 --> 00:33:16,080 Speaker 3: which and which I'm bringing up to say, like, I 669 00:33:16,120 --> 00:33:19,560 Speaker 3: think if our previous canon of sex scenes like had 670 00:33:19,840 --> 00:33:23,000 Speaker 3: had any sort of other like sexual lens on them, 671 00:33:23,040 --> 00:33:25,440 Speaker 3: that could turn a different portion of people on. 672 00:33:26,080 --> 00:33:27,800 Speaker 4: I wonder if we'd be having this conversation. 673 00:33:27,960 --> 00:33:30,080 Speaker 3: But because of that, people are sort of looking at 674 00:33:30,120 --> 00:33:32,720 Speaker 3: this as like, oh, like you can go back and 675 00:33:32,760 --> 00:33:35,600 Speaker 3: look at what was I just watching. It was a 676 00:33:36,720 --> 00:33:38,200 Speaker 3: it was it was a movie where you're like, oh, 677 00:33:38,200 --> 00:33:39,760 Speaker 3: it has a lot of sex scenes and you rewatch 678 00:33:39,760 --> 00:33:43,560 Speaker 3: them and you're like, oh, all of them rape scenes. 679 00:33:43,960 --> 00:33:47,160 Speaker 4: Like and you just don't It was a it was 680 00:33:47,160 --> 00:33:47,760 Speaker 4: a movie. 681 00:33:47,520 --> 00:33:49,480 Speaker 3: That had let me look hold on it was Sharon 682 00:33:50,440 --> 00:33:52,360 Speaker 3: Sharon Stone basics. 683 00:33:53,120 --> 00:33:54,680 Speaker 4: I think it was basic instinct. 684 00:33:54,760 --> 00:33:57,000 Speaker 3: And I'm just like blinded by the most famous part 685 00:33:57,000 --> 00:33:59,000 Speaker 3: of that movie and too, but I think it is 686 00:33:59,080 --> 00:34:01,479 Speaker 3: basic instinct. But there are other sex scenes in that 687 00:34:01,520 --> 00:34:04,960 Speaker 3: movie and they're just all rapes and and but they 688 00:34:05,040 --> 00:34:08,200 Speaker 3: but they're films like sex scenes, and so I think 689 00:34:08,239 --> 00:34:10,320 Speaker 3: this sort of like pushback to stuff like that is 690 00:34:10,719 --> 00:34:15,560 Speaker 3: is built on one hundred years of only one version 691 00:34:15,600 --> 00:34:17,320 Speaker 3: of sex being shown on screen. 692 00:34:17,800 --> 00:34:21,359 Speaker 1: Yeah, I think like just the other thing as we 693 00:34:21,360 --> 00:34:24,120 Speaker 1: were like thinking about the Nolan and like, is he 694 00:34:24,800 --> 00:34:28,440 Speaker 1: popular because he's like a particular like sex doesn't exist 695 00:34:28,480 --> 00:34:33,600 Speaker 1: in his cinematic universe, and like his sex scene in 696 00:34:33,680 --> 00:34:36,200 Speaker 1: Appenheimer seems like it was directed by somebody who's never 697 00:34:36,239 --> 00:34:39,200 Speaker 1: had sex. Like I was also thinking about Tom Cruise, who, 698 00:34:39,360 --> 00:34:43,120 Speaker 1: like the whole kind of argument against him has always 699 00:34:43,120 --> 00:34:47,239 Speaker 1: been this guy has like no sexual charisma, Like he 700 00:34:47,360 --> 00:34:51,160 Speaker 1: just like you can't really picture him having sex. Really, 701 00:34:51,239 --> 00:34:55,239 Speaker 1: he's like kind of this beautiful creature who doesn't have 702 00:34:55,400 --> 00:34:58,560 Speaker 1: any like you can't really picture him. And like the 703 00:34:58,600 --> 00:35:00,960 Speaker 1: other sex scene that made me id identify other than 704 00:35:00,960 --> 00:35:03,160 Speaker 1: the Appenheimer one, the one that like made me identify 705 00:35:03,160 --> 00:35:05,440 Speaker 1: with all the people who are like please stop was 706 00:35:05,520 --> 00:35:09,719 Speaker 1: the fucking Top Gun two sex scene where it's like 707 00:35:10,080 --> 00:35:13,680 Speaker 1: uh huh, yeah, it's just so weird, Like all of 708 00:35:13,719 --> 00:35:15,640 Speaker 1: a sudden, the movie starts to feel like it's an 709 00:35:15,680 --> 00:35:18,120 Speaker 1: ad for a retirement home. Like not that they're like 710 00:35:18,200 --> 00:35:20,480 Speaker 1: that old, but like the vibe of it is just 711 00:35:20,560 --> 00:35:24,680 Speaker 1: like this, like it like feels like a like Viagra commercial, 712 00:35:24,880 --> 00:35:27,680 Speaker 1: like totally because yes, it's just like dead and remote 713 00:35:27,719 --> 00:35:30,600 Speaker 1: and like takes place in heaven or something. It's really weird. 714 00:35:30,920 --> 00:35:33,319 Speaker 3: And the the you know, the first hop Gun, the 715 00:35:33,320 --> 00:35:35,920 Speaker 3: most sexual scene in that movie is a abs at 716 00:35:35,920 --> 00:35:38,080 Speaker 3: the beach playing volleyball and they crush it, you know 717 00:35:38,120 --> 00:35:40,359 Speaker 3: what I mean. Like, and then in the second movie 718 00:35:40,360 --> 00:35:42,239 Speaker 3: they did it again and I don't know if you noticed, 719 00:35:42,280 --> 00:35:44,560 Speaker 3: but they had to shoot Tom Cruise like profile and 720 00:35:44,640 --> 00:35:48,600 Speaker 3: silhouette shirtless like it was a very like long lens. Yeah, 721 00:35:48,680 --> 00:35:50,920 Speaker 3: technically shirtless on the beach, but we're really going to 722 00:35:50,960 --> 00:35:53,719 Speaker 3: focus on on miles, you know what I mean. 723 00:35:54,120 --> 00:35:57,279 Speaker 1: Jeans are super high for no reason that this is 724 00:35:57,320 --> 00:35:58,839 Speaker 1: just how people wear their jeans now. 725 00:35:59,239 --> 00:36:02,520 Speaker 3: Yeah, but they crushed it in that beach scene too, 726 00:36:02,760 --> 00:36:05,600 Speaker 3: and where it's like no one is I don't feel 727 00:36:05,600 --> 00:36:07,400 Speaker 3: like Yeah, I feel like on the most part, it's 728 00:36:07,440 --> 00:36:09,279 Speaker 3: like we can take sexy abs at the beach, but 729 00:36:09,320 --> 00:36:14,719 Speaker 3: like actual sexual intercourse, like I don't even know, like 730 00:36:14,800 --> 00:36:18,839 Speaker 3: don't film it. It does feel like very uncomfortable, which yeah, 731 00:36:19,000 --> 00:36:21,360 Speaker 3: I have to say that when you brought up this 732 00:36:21,520 --> 00:36:25,319 Speaker 3: topic because personally, I feel like this is when it 733 00:36:25,360 --> 00:36:28,879 Speaker 3: goes into gen Z. I'm sort of out on all 734 00:36:28,880 --> 00:36:30,759 Speaker 3: the like gen Z is not having sex. It's like 735 00:36:30,920 --> 00:36:33,600 Speaker 3: they were in a pandemic during the years when you 736 00:36:33,680 --> 00:36:36,000 Speaker 3: learn how to put your mouth on someone else's face, 737 00:36:36,520 --> 00:36:37,839 Speaker 3: so you know what I mean, So like where there's 738 00:36:37,840 --> 00:36:40,200 Speaker 3: gonna be a lag and like I you know, I'm 739 00:36:40,239 --> 00:36:42,840 Speaker 3: not believing all of these the so called data of 740 00:36:42,880 --> 00:36:44,279 Speaker 3: like they don't believe in sexy or I don't think 741 00:36:44,320 --> 00:36:46,680 Speaker 3: that's it. But what I do think is true is 742 00:36:46,719 --> 00:36:49,840 Speaker 3: that there's been a lot of sexual education, but not 743 00:36:49,960 --> 00:36:53,440 Speaker 3: that second step into the nuance of sexual education. So 744 00:36:53,520 --> 00:36:56,800 Speaker 3: like things feel very cut and dry, to the point 745 00:36:56,880 --> 00:37:01,520 Speaker 3: that in the television show Swarm, which Chloe Bailey was in, 746 00:37:01,560 --> 00:37:02,880 Speaker 3: I don't know if you guys saw that, but it 747 00:37:02,960 --> 00:37:06,400 Speaker 3: has a very very graphic sex scene in the pilot, 748 00:37:06,920 --> 00:37:11,640 Speaker 3: and a bunch of people online truly believed they were 749 00:37:11,640 --> 00:37:15,719 Speaker 3: having sex. So they wrote into the television show accounts 750 00:37:15,719 --> 00:37:18,319 Speaker 3: and on TikTok to be like why did they make 751 00:37:18,400 --> 00:37:24,319 Speaker 3: Chloe Bailey have sex and seem to have no understanding of. 752 00:37:24,120 --> 00:37:25,400 Speaker 4: The art of television. 753 00:37:25,600 --> 00:37:31,280 Speaker 3: Yeah, pantomime, Yes, like pantomime set you guys, it's not happening. 754 00:37:31,320 --> 00:37:35,040 Speaker 3: There's like you know, protect sheer protection cups over their parts. 755 00:37:35,040 --> 00:37:39,040 Speaker 3: But that's where I'm like, this is a nuanced understanding 756 00:37:39,480 --> 00:37:43,720 Speaker 3: mental alacrity, how to look in the real world issue 757 00:37:43,760 --> 00:37:46,600 Speaker 3: and less of like what is like we don't like 758 00:37:46,640 --> 00:37:48,560 Speaker 3: sex anymore issue, because. 759 00:37:48,920 --> 00:37:50,879 Speaker 2: There's like a few ways to look because I think 760 00:37:50,880 --> 00:37:54,880 Speaker 2: of like erotic thrillers, right, And it was like the eighties, 761 00:37:55,520 --> 00:37:59,120 Speaker 2: we were you know, the conservatives. Conservatism of the eighties 762 00:37:59,160 --> 00:38:01,560 Speaker 2: sort of like helped build up the pressure for like 763 00:38:01,680 --> 00:38:04,400 Speaker 2: in the mid eighties for these films to start propping up, 764 00:38:04,520 --> 00:38:06,520 Speaker 2: like you know, coming up and people like, oh, actually 765 00:38:06,560 --> 00:38:08,480 Speaker 2: fuck with this something by night. The nineties were so 766 00:38:08,640 --> 00:38:12,440 Speaker 2: horny and dumb, We're like these are our greatest movies. 767 00:38:13,080 --> 00:38:16,160 Speaker 2: And I think like there's an uptake for like a 768 00:38:16,200 --> 00:38:18,400 Speaker 2: few reasons after, Like it's just kind of as we 769 00:38:18,400 --> 00:38:20,680 Speaker 2: were talking about this and just like researching the topic 770 00:38:20,719 --> 00:38:23,080 Speaker 2: and everything is like one really interesting thing is you 771 00:38:23,120 --> 00:38:25,360 Speaker 2: point out is like a lot of those erotic thrillers 772 00:38:25,360 --> 00:38:28,560 Speaker 2: have like sex can be dangerous, but also these women 773 00:38:28,640 --> 00:38:31,279 Speaker 2: are crazy and will kill you. Yeah, And I think 774 00:38:31,760 --> 00:38:34,480 Speaker 2: part of that is like the AIDS epidemic was already 775 00:38:34,520 --> 00:38:38,640 Speaker 2: making people question the quote unquote dangers of sex or 776 00:38:38,640 --> 00:38:42,120 Speaker 2: how sex could lead to like your eventual death right. 777 00:38:42,520 --> 00:38:45,640 Speaker 2: And then there's also like this sort of evolution of 778 00:38:45,680 --> 00:38:48,799 Speaker 2: sexual agency where like again to your point about these 779 00:38:48,840 --> 00:38:51,719 Speaker 2: like male writers and directors, like it almost feels like 780 00:38:51,800 --> 00:38:55,000 Speaker 2: for them, they're getting out their anxieties over like an 781 00:38:55,040 --> 00:38:58,000 Speaker 2: evolving new form of sexual politics coming out, and like 782 00:38:58,040 --> 00:39:00,000 Speaker 2: what does that mean for dudes? Like are they just 783 00:39:00,120 --> 00:39:01,440 Speaker 2: gonna fucking kill us? 784 00:39:02,080 --> 00:39:02,640 Speaker 1: Yeah? 785 00:39:03,040 --> 00:39:03,719 Speaker 2: Yeah? 786 00:39:03,719 --> 00:39:06,239 Speaker 4: And also what sexually turns them on? 787 00:39:06,400 --> 00:39:06,920 Speaker 2: You know what I mean. 788 00:39:06,920 --> 00:39:09,440 Speaker 4: It's like it's like one dude's fantasy, Like she says no, 789 00:39:09,680 --> 00:39:10,759 Speaker 4: but she means yes. 790 00:39:11,120 --> 00:39:13,440 Speaker 3: I said one dude. I meant hundreds of millions of dudes, 791 00:39:13,480 --> 00:39:16,720 Speaker 3: but who made all the art? But it's like had 792 00:39:17,920 --> 00:39:20,840 Speaker 3: had there been like to take this to the to 793 00:39:20,880 --> 00:39:24,799 Speaker 3: the porn conversation, like like it is so hard to 794 00:39:24,840 --> 00:39:28,799 Speaker 3: find porn that that that I personally like, I know 795 00:39:28,880 --> 00:39:30,760 Speaker 3: this is TMI, but it's more of like a female 796 00:39:30,840 --> 00:39:33,920 Speaker 3: thing like and I'm talking about like I don't like 797 00:39:33,960 --> 00:39:35,120 Speaker 3: when the house is dirty. 798 00:39:35,560 --> 00:39:37,520 Speaker 4: And I'm not talking about like I like it clean. 799 00:39:37,640 --> 00:39:40,440 Speaker 3: It's just like if there's like a super dirty mattress, 800 00:39:40,440 --> 00:39:43,080 Speaker 3: it's just so distracting. It's like like or like put 801 00:39:43,080 --> 00:39:44,920 Speaker 3: a sheet on it, you guys, like what is it? 802 00:39:44,960 --> 00:39:48,440 Speaker 3: And it's just like the actual ambiance and the actual atmosphere, 803 00:39:48,480 --> 00:39:51,960 Speaker 3: and it's like stuff like that isn't thought through. And 804 00:39:52,040 --> 00:39:56,200 Speaker 3: I feel like if our history of sex on TV 805 00:39:56,320 --> 00:39:59,520 Speaker 3: and film had included other people perspectives of point of 806 00:39:59,600 --> 00:40:00,680 Speaker 3: views of what turn them on. 807 00:40:01,480 --> 00:40:03,879 Speaker 4: Yeah, yeah, there wouldn't be such a backlash right now. 808 00:40:04,000 --> 00:40:06,479 Speaker 1: I don't mind a backlash against sex scenes that aren't 809 00:40:06,520 --> 00:40:10,319 Speaker 1: doing anything interesting or like see yeah, like like the 810 00:40:10,320 --> 00:40:14,399 Speaker 1: Oppenheimer's sex scene, like the or uh not Mission Top 811 00:40:14,440 --> 00:40:17,760 Speaker 1: Gun two sex scene, Like I'm fine with people lashing 812 00:40:17,840 --> 00:40:21,600 Speaker 1: back against that because it's not doing anything. I just 813 00:40:21,640 --> 00:40:25,360 Speaker 1: don't want people to not feel like they can express 814 00:40:25,480 --> 00:40:30,120 Speaker 1: that part of the human experience because like there's something 815 00:40:30,160 --> 00:40:32,920 Speaker 1: bad about inherently bad about sex scenes as opposed to 816 00:40:33,000 --> 00:40:35,640 Speaker 1: like there being something that is inherently bad about how 817 00:40:35,680 --> 00:40:40,279 Speaker 1: sex scenes and sexual like energy was expressed in film 818 00:40:40,440 --> 00:40:41,320 Speaker 1: up to this point. 819 00:40:41,560 --> 00:40:42,520 Speaker 4: That's really well said. 820 00:40:42,680 --> 00:40:45,759 Speaker 2: Yeah there's I mean like there's other dimensions too, like 821 00:40:45,800 --> 00:40:48,320 Speaker 2: when you look at it, like I'm also like, where 822 00:40:48,360 --> 00:40:52,120 Speaker 2: does capitalism factor into this too? Because you know, like 823 00:40:52,280 --> 00:40:54,640 Speaker 2: there was an analysis of like from just like around 824 00:40:54,680 --> 00:40:56,800 Speaker 2: two thousand, like post nine, like right after nine to 825 00:40:56,840 --> 00:40:59,040 Speaker 2: eleven to like two thousand and six, like all these films, 826 00:40:59,040 --> 00:41:01,840 Speaker 2: and like seeing that sex or nudity like was not 827 00:41:02,320 --> 00:41:05,399 Speaker 2: like a like a revenue booster for films at all, 828 00:41:05,440 --> 00:41:07,200 Speaker 2: Like it really did nothing, Like it didn't move the 829 00:41:07,200 --> 00:41:10,680 Speaker 2: needle at all. And then you think about like, you know, 830 00:41:10,760 --> 00:41:13,680 Speaker 2: I guess eyes wide shut. It's just like our sort 831 00:41:13,719 --> 00:41:18,040 Speaker 2: of lasser prestige eerotic thriller. And that's two thousand and 832 00:41:18,080 --> 00:41:20,480 Speaker 2: there are a couple you know, trickling out after that, 833 00:41:20,840 --> 00:41:23,319 Speaker 2: but then you have like Lord of the Rings and 834 00:41:23,400 --> 00:41:25,600 Speaker 2: Harry Potter come out, and then the studios are setting like, 835 00:41:25,680 --> 00:41:28,359 Speaker 2: oh man, these like broad fucking movies, like we can 836 00:41:28,440 --> 00:41:31,120 Speaker 2: just start like these are just money printing things, and 837 00:41:31,160 --> 00:41:32,960 Speaker 2: like maybe we just need to go all in on 838 00:41:33,040 --> 00:41:35,400 Speaker 2: this shit too. So I know there's like a dimension 839 00:41:35,480 --> 00:41:37,759 Speaker 2: of that. But then I also think of like the 840 00:41:37,800 --> 00:41:40,480 Speaker 2: taboo element too, which is like to your point, even Chelsea, 841 00:41:40,520 --> 00:41:42,600 Speaker 2: of like you know, in the eighties and nineties, like 842 00:41:42,640 --> 00:41:44,319 Speaker 2: this was like a date night thing where like you 843 00:41:44,400 --> 00:41:46,439 Speaker 2: go like, I don't know, like there's some sexy shit 844 00:41:46,520 --> 00:41:47,799 Speaker 2: going on up there, and we don't have to feel 845 00:41:47,840 --> 00:41:51,120 Speaker 2: bad because there's no online porn where we can just 846 00:41:51,200 --> 00:41:54,000 Speaker 2: kind of like blow the doors open on everything we desire. 847 00:41:54,080 --> 00:41:56,759 Speaker 2: So it fills that sort of need. But then there's 848 00:41:56,800 --> 00:41:59,160 Speaker 2: also like the taboo where like I remember, as like 849 00:41:59,200 --> 00:42:02,560 Speaker 2: a ten year old middle schooler, you would talk about 850 00:42:02,560 --> 00:42:05,279 Speaker 2: these movies, not even because they were worked, like it's 851 00:42:05,280 --> 00:42:07,400 Speaker 2: like a good movie. You'd be like, did you see it? 852 00:42:07,440 --> 00:42:10,120 Speaker 2: Did your parents let you minute and. 853 00:42:10,040 --> 00:42:12,840 Speaker 3: Thirty seconds in on the VHS exactly? 854 00:42:12,920 --> 00:42:16,040 Speaker 2: And become a man? Yeah, you will. You will know 855 00:42:16,120 --> 00:42:18,760 Speaker 2: what it looks like if you go to that scene, 856 00:42:18,880 --> 00:42:22,600 Speaker 2: like what? And so I feel like for my generation too, 857 00:42:22,640 --> 00:42:26,000 Speaker 2: like we were like somewhat educating ourselves in this really 858 00:42:26,000 --> 00:42:29,160 Speaker 2: bizarre way with these films. But then also I think we, 859 00:42:29,239 --> 00:42:31,759 Speaker 2: like the nineties were so hyper sexual, Like I feel 860 00:42:31,800 --> 00:42:34,000 Speaker 2: like it also burned us out to the point where 861 00:42:34,560 --> 00:42:37,279 Speaker 2: now you're looking for something a little more nuanced rather 862 00:42:37,320 --> 00:42:39,200 Speaker 2: than like, well, when's the part where they're going to 863 00:42:39,239 --> 00:42:40,960 Speaker 2: show a topless woman in the movie? 864 00:42:41,160 --> 00:42:43,680 Speaker 3: Totally, And also I think it's sort of that thing 865 00:42:43,719 --> 00:42:45,520 Speaker 3: we're talking about, which is like it's just a call 866 00:42:45,640 --> 00:42:48,400 Speaker 3: for better art. And also I think there is a 867 00:42:48,400 --> 00:42:51,600 Speaker 3: call for better porn, like consensual porn porn being but like, 868 00:42:51,600 --> 00:42:53,480 Speaker 3: I think there's just a call for like being better 869 00:42:53,560 --> 00:42:56,520 Speaker 3: because we did get educated and now with the Internet, 870 00:42:56,560 --> 00:43:00,440 Speaker 3: this generation is like the most educated. I mean, I 871 00:43:00,560 --> 00:43:04,240 Speaker 3: was just thinking about how Harvey Weinstein, you know, maker 872 00:43:04,320 --> 00:43:07,760 Speaker 3: of many many Mirramax films made Free to Callow, which 873 00:43:07,840 --> 00:43:11,240 Speaker 3: was this you know, supposed supposed to be Prestige filmed 874 00:43:11,320 --> 00:43:13,759 Speaker 3: with Sama Hayek, And there's this famous story where he's like, 875 00:43:14,480 --> 00:43:18,880 Speaker 3: you need to do a full frontal naked lesbian scene 876 00:43:18,920 --> 00:43:23,600 Speaker 3: in the Free to Collo movie or I'm not gonna 877 00:43:23,600 --> 00:43:26,040 Speaker 3: make it, And Salma thinks to herself, like, I really 878 00:43:26,120 --> 00:43:28,279 Speaker 3: think the story about this woman is important, So I 879 00:43:28,320 --> 00:43:31,799 Speaker 3: guess I'm gonna do this sort of softcore porn scene 880 00:43:31,800 --> 00:43:34,520 Speaker 3: that makes absolutely no fucking sense again because people like 881 00:43:34,520 --> 00:43:36,919 Speaker 3: Harvey Weinstein were in charge, and I feel like it's 882 00:43:36,960 --> 00:43:39,680 Speaker 3: more of a pushback to that or even going to 883 00:43:39,760 --> 00:43:42,239 Speaker 3: swarm where they think, like, you know, this sex scene 884 00:43:42,280 --> 00:43:44,960 Speaker 3: is kind of really glorifying the male character, and Chloe 885 00:43:44,960 --> 00:43:50,160 Speaker 3: Bailey's character isn't. It's a very like male sex scene again, 886 00:43:50,280 --> 00:43:52,040 Speaker 3: and they're sort of like, what about her consent? 887 00:43:52,400 --> 00:43:54,000 Speaker 4: Why does she have to be used like this. 888 00:43:54,440 --> 00:43:57,600 Speaker 3: Granted I don't think they're understanding it's fake, but that 889 00:43:57,719 --> 00:44:01,239 Speaker 3: sort of nuance of like this is so silly, But 890 00:44:01,280 --> 00:44:04,040 Speaker 3: it's like they've been taught about consent and me too 891 00:44:04,160 --> 00:44:06,759 Speaker 3: an assault and being better, but also not how to 892 00:44:07,000 --> 00:44:10,160 Speaker 3: still be sexy or how to still like go forward 893 00:44:10,200 --> 00:44:11,920 Speaker 3: with it, And so it probably does feel like a 894 00:44:12,040 --> 00:44:14,800 Speaker 3: very like just don't do that type of situation. 895 00:44:15,040 --> 00:44:17,040 Speaker 1: Or that it could be a statement. I actually haven't 896 00:44:17,040 --> 00:44:20,000 Speaker 1: seen swarm, but like swarm, but like it could be 897 00:44:20,040 --> 00:44:24,000 Speaker 1: a statement about like, you know, every film character is 898 00:44:24,040 --> 00:44:27,680 Speaker 1: not meant to be a model of virtue, right Like, 899 00:44:27,719 --> 00:44:31,560 Speaker 1: sometimes you're showing bad people doing bad things or like 900 00:44:31,920 --> 00:44:35,440 Speaker 1: and the like that. I feel like that becomes a 901 00:44:35,480 --> 00:44:38,759 Speaker 1: problem when you're not allowed to do that without being 902 00:44:38,840 --> 00:44:42,360 Speaker 1: seen as like approving of the behavior that you're depicting 903 00:44:42,400 --> 00:44:43,080 Speaker 1: in the movie. 904 00:44:43,400 --> 00:44:43,640 Speaker 2: Right that. 905 00:44:43,800 --> 00:44:45,680 Speaker 3: Yeah, and I feel like I've seen that a lot too, 906 00:44:45,760 --> 00:44:47,840 Speaker 3: which kind of goes again to like the nuance and 907 00:44:48,040 --> 00:44:51,520 Speaker 3: art and how like that has sort of that conversation 908 00:44:51,640 --> 00:44:55,120 Speaker 3: I feel like has gotten so stilted in places like TikTok, 909 00:44:55,440 --> 00:44:57,480 Speaker 3: whereas in other forums it's still alive. 910 00:44:58,080 --> 00:45:01,080 Speaker 1: Right, let's take a quick break, real quick and we'll 911 00:45:01,120 --> 00:45:02,480 Speaker 1: come back and keep talking about this. 912 00:45:02,480 --> 00:45:03,280 Speaker 2: We'll be right back. 913 00:45:13,800 --> 00:45:16,880 Speaker 1: And we're back, and Miles, I think you're about to taskol. 914 00:45:16,920 --> 00:45:19,200 Speaker 2: Oh just yeah. I mean, like you know, the other 915 00:45:19,280 --> 00:45:21,279 Speaker 2: thing is like we're just kind of the evolution. I 916 00:45:21,320 --> 00:45:23,840 Speaker 2: just think of like where I got my sexy imagery 917 00:45:23,920 --> 00:45:26,600 Speaker 2: as someone born in the eighties, like through you know, 918 00:45:26,760 --> 00:45:29,040 Speaker 2: like coming of age and then like late nineties aughts 919 00:45:29,080 --> 00:45:31,520 Speaker 2: and things like that, and it feels like at a 920 00:45:31,560 --> 00:45:34,640 Speaker 2: certain point, like it would be like, oh, a Van 921 00:45:34,719 --> 00:45:37,160 Speaker 2: Damn movie is gonna have movies in it, Like that 922 00:45:37,320 --> 00:45:39,440 Speaker 2: was a shorthand in my mind, like you you were 923 00:45:39,480 --> 00:45:43,279 Speaker 2: like conditioned to know like certain directors, actors, whatever, like 924 00:45:43,360 --> 00:45:46,239 Speaker 2: there would be that sort of thing and then you 925 00:45:46,480 --> 00:45:49,240 Speaker 2: But but then like a lot of the sex or 926 00:45:49,280 --> 00:45:52,319 Speaker 2: sexual content just really kind of shifted to like our 927 00:45:52,360 --> 00:45:54,600 Speaker 2: popular culture, like it didn't have to live in these 928 00:45:54,640 --> 00:45:57,760 Speaker 2: sort of movies like basic Oh what about basic instinct 929 00:45:57,800 --> 00:46:00,160 Speaker 2: kind of thing. It's like it's in my music video, 930 00:46:00,440 --> 00:46:04,719 Speaker 2: it's in the advertisements, it's on cable TV at night. 931 00:46:05,200 --> 00:46:07,239 Speaker 2: So it's almost like I don't know if it's like 932 00:46:07,360 --> 00:46:10,560 Speaker 2: also again, this sort of diversification of where that sort 933 00:46:10,560 --> 00:46:14,080 Speaker 2: of content lived to the points that it literally omni sexual, 934 00:46:14,239 --> 00:46:19,160 Speaker 2: like everywhere was sex. So that also feels like another 935 00:46:19,239 --> 00:46:22,320 Speaker 2: point where I guess the appeal of it only getting 936 00:46:22,360 --> 00:46:24,960 Speaker 2: it directly from film begins to wane a bit. 937 00:46:25,120 --> 00:46:27,920 Speaker 3: Yeah, and also like if you're like, Okay, check out 938 00:46:27,920 --> 00:46:30,960 Speaker 3: this van dam sexy scene, or I can go to 939 00:46:31,040 --> 00:46:35,400 Speaker 3: my OnlyFans of a real person who is alive who's 940 00:46:35,440 --> 00:46:38,319 Speaker 3: doing my niche fetish and will look into the eyes 941 00:46:38,360 --> 00:46:39,279 Speaker 3: of the camera. 942 00:46:39,040 --> 00:46:42,400 Speaker 4: And say my name right, yeah, what you know what 943 00:46:42,440 --> 00:46:44,440 Speaker 4: I mean? So when you go back to a VANDAM movie, 944 00:46:44,440 --> 00:46:47,839 Speaker 4: you're like boring Seid, move it along, like. 945 00:46:48,120 --> 00:46:50,920 Speaker 3: Yeah, I was just thinking of remember when Seth MacFarlane 946 00:46:51,000 --> 00:46:55,680 Speaker 3: did that Oscar song called boobs. Yeah the movies you 947 00:46:55,680 --> 00:46:59,840 Speaker 3: can see boobs in And that was twenty thirteen and the. 948 00:47:00,040 --> 00:47:05,040 Speaker 4: Response was like yawn like on like yeah, that's all. 949 00:47:04,840 --> 00:47:07,000 Speaker 3: You're in it for, and it's like shitty to treat 950 00:47:07,040 --> 00:47:09,600 Speaker 3: women that way, and it's like I'm still I'm still 951 00:47:09,600 --> 00:47:11,799 Speaker 3: here for a song, like I still need to get 952 00:47:11,800 --> 00:47:13,600 Speaker 3: to a place where like Seth McFarland can sing a 953 00:47:13,640 --> 00:47:16,680 Speaker 3: song about full frontal dick and he's got thirty movies 954 00:47:16,719 --> 00:47:19,480 Speaker 3: to reference, Like I think I've got one, you. 955 00:47:19,440 --> 00:47:25,480 Speaker 1: Know, were there, Harvey Kaitel, Yeah, yeah, you go. I 956 00:47:25,520 --> 00:47:29,359 Speaker 1: mean so I do still think it's interesting. So like 957 00:47:29,400 --> 00:47:31,840 Speaker 1: the miles you were talking about, like they made it 958 00:47:31,920 --> 00:47:34,520 Speaker 1: did an analysis in the early two thousands and found 959 00:47:34,800 --> 00:47:39,080 Speaker 1: that like nudity was not something that drove money making, 960 00:47:39,120 --> 00:47:43,120 Speaker 1: and I think rather than just that being always true, 961 00:47:43,280 --> 00:47:47,440 Speaker 1: I think that's probably an indicator of like changing tastes 962 00:47:47,640 --> 00:47:50,840 Speaker 1: in like filmgoers. And like the whole thesis that I 963 00:47:50,880 --> 00:47:54,560 Speaker 1: have about movies is like, yes, they're like commercial ventures, 964 00:47:54,640 --> 00:47:58,160 Speaker 1: but they people pay money to go see them because 965 00:47:58,360 --> 00:48:01,880 Speaker 1: they are getting to see something that is happening that 966 00:48:01,920 --> 00:48:05,319 Speaker 1: they can't really access inside them up on the screen, right, 967 00:48:05,520 --> 00:48:08,080 Speaker 1: And so like that's why I think it's interesting that 968 00:48:08,719 --> 00:48:11,400 Speaker 1: like early two thousands, like as the country was becoming 969 00:48:11,440 --> 00:48:15,520 Speaker 1: like explicitly fascist in the War on Terror, and you 970 00:48:15,560 --> 00:48:18,279 Speaker 1: know that that was a time when suddenly people were like, yeah, yeah, 971 00:48:18,280 --> 00:48:19,759 Speaker 1: we don't we don't want to see this shit. And 972 00:48:20,040 --> 00:48:23,160 Speaker 1: I agree, like it definitely has to do with like 973 00:48:23,480 --> 00:48:27,719 Speaker 1: that there became there like suddenly there were better places 974 00:48:27,760 --> 00:48:31,360 Speaker 1: to get that. But I also I don't know, like 975 00:48:31,400 --> 00:48:34,920 Speaker 1: there it does feel like they're one of these articles 976 00:48:34,920 --> 00:48:39,160 Speaker 1: from I think slash Film was saying that it it's 977 00:48:39,320 --> 00:48:42,320 Speaker 1: there's been like sort of an internalization of the PG 978 00:48:42,440 --> 00:48:46,600 Speaker 1: thirteen rating when it comes to like our movies, where 979 00:48:46,920 --> 00:48:53,080 Speaker 1: that's just kind of what people expect from movies. And 980 00:48:53,800 --> 00:48:57,480 Speaker 1: I do think that there's like I think that happened 981 00:48:57,560 --> 00:49:03,480 Speaker 1: because corporations came through and like overtook everything, you know, 982 00:49:03,600 --> 00:49:06,439 Speaker 1: Like the big example that this blood Knife article uses, 983 00:49:06,520 --> 00:49:08,200 Speaker 1: the Bloo Knife article that we'll link off to on 984 00:49:08,239 --> 00:49:11,880 Speaker 1: the footnotes is called Everyone's Beautiful and Nobody's horny or 985 00:49:11,880 --> 00:49:15,200 Speaker 1: something to that effect, and it's about like superhero movies 986 00:49:15,239 --> 00:49:19,719 Speaker 1: where everybody you know is just trained within just like 987 00:49:19,800 --> 00:49:24,680 Speaker 1: an inch of like perfection, just like and that does 988 00:49:24,800 --> 00:49:27,120 Speaker 1: that goes forward the superhero, it also goes for like 989 00:49:27,480 --> 00:49:31,279 Speaker 1: the FBI agent and the background character, and you know, 990 00:49:31,440 --> 00:49:36,239 Speaker 1: like that that's just how everybody is supposed to look perfect. 991 00:49:36,680 --> 00:49:41,440 Speaker 1: But then our favorite filmmakers, this guy whose movies take 992 00:49:41,480 --> 00:49:44,279 Speaker 1: place in a world where like dreams don't have sex 993 00:49:44,320 --> 00:49:48,719 Speaker 1: in them, And I think that there is something to 994 00:49:48,960 --> 00:49:53,279 Speaker 1: the idea that like so fascist art, like when you 995 00:49:53,320 --> 00:49:56,239 Speaker 1: look at like what was popular in Nazi Germany, like 996 00:49:56,360 --> 00:50:00,279 Speaker 1: the films of Lenny reech install with like the these 997 00:50:00,360 --> 00:50:04,239 Speaker 1: documentaries where they would like glorify the human body and 998 00:50:04,280 --> 00:50:07,800 Speaker 1: particularly the male body and like its strength and muscles, 999 00:50:07,920 --> 00:50:12,120 Speaker 1: but like completely it was all about power dynamics, right, 1000 00:50:12,280 --> 00:50:15,120 Speaker 1: it was nothing about sex, and in fact, like sex 1001 00:50:15,320 --> 00:50:21,239 Speaker 1: was like to be completely removed from the equation. And 1002 00:50:21,719 --> 00:50:25,320 Speaker 1: I feel like there is like we obviously those movies 1003 00:50:25,320 --> 00:50:27,839 Speaker 1: also had like Hitler and it was like and all 1004 00:50:27,920 --> 00:50:31,239 Speaker 1: of the sexual energy is to be like sublimated to 1005 00:50:32,239 --> 00:50:35,960 Speaker 1: your religious fealty to the furor and like that. 1006 00:50:36,480 --> 00:50:38,760 Speaker 4: Horny for Hitler only, horny for Hitler only. 1007 00:50:39,239 --> 00:50:43,680 Speaker 1: And now it feels like it is done to sublimate 1008 00:50:43,760 --> 00:50:47,399 Speaker 1: to like the broader just kind of ideals of capitalism, 1009 00:50:47,440 --> 00:50:49,920 Speaker 1: and like the the fact that there's like an internal 1010 00:50:50,040 --> 00:50:54,000 Speaker 1: understanding of like, yeah, why would they put like iron 1011 00:50:54,000 --> 00:50:56,799 Speaker 1: Man fucking in this movie? Like it wouldn't make as 1012 00:50:56,840 --> 00:50:59,480 Speaker 1: much money. And I root for this movie because like 1013 00:50:59,800 --> 00:51:03,600 Speaker 1: that that's my team is Marvel and so like, and 1014 00:51:03,680 --> 00:51:07,400 Speaker 1: Marvel is winning against DC, and so I don't know, 1015 00:51:07,440 --> 00:51:09,920 Speaker 1: I think it's interesting. I don't think it is like 1016 00:51:10,000 --> 00:51:14,040 Speaker 1: I don't think it's a telltale symptom that like America 1017 00:51:14,400 --> 00:51:19,120 Speaker 1: is headed towards some sort of fascism with like a 1018 00:51:19,280 --> 00:51:22,640 Speaker 1: central fascist leader. But I do think it says something 1019 00:51:22,680 --> 00:51:28,080 Speaker 1: interesting about our relationship to this all consuming, like capitalistic 1020 00:51:28,920 --> 00:51:32,440 Speaker 1: ideal where it's like, yeah, no, we just take the 1021 00:51:32,480 --> 00:51:35,560 Speaker 1: sex out of everything, because like that is not actually 1022 00:51:35,560 --> 00:51:37,680 Speaker 1: making money for the thing that we want to see 1023 00:51:37,719 --> 00:51:40,239 Speaker 1: make money. And we're all on board with that, not 1024 00:51:40,320 --> 00:51:42,680 Speaker 1: just David Zaslov, Like we're all on board with that 1025 00:51:43,040 --> 00:51:46,600 Speaker 1: because it doesn't like I can just get my sexual 1026 00:51:46,640 --> 00:51:47,480 Speaker 1: content elsewhere. 1027 00:51:47,840 --> 00:51:49,560 Speaker 4: I'm going to say, I'm gonna push back on it. 1028 00:51:49,960 --> 00:51:55,520 Speaker 3: Yeah, having written in late night comedy for I can't now, 1029 00:51:55,520 --> 00:51:56,840 Speaker 3: I'm trying to do the math. I don't know, but 1030 00:51:56,960 --> 00:52:00,839 Speaker 3: I feel like the like, are we turning fascist think 1031 00:52:00,880 --> 00:52:03,880 Speaker 3: pieces like make the Rounds every three years, you know 1032 00:52:03,920 --> 00:52:04,319 Speaker 3: what I mean? 1033 00:52:04,360 --> 00:52:05,759 Speaker 4: And it's like are we are? 1034 00:52:05,800 --> 00:52:05,880 Speaker 2: We? 1035 00:52:06,040 --> 00:52:08,680 Speaker 3: Are we to the point where like it's not even 1036 00:52:08,760 --> 00:52:12,400 Speaker 3: gonna matter because the term fascist now means something different 1037 00:52:12,400 --> 00:52:15,080 Speaker 3: to everyone. It's lost all meaning, Like we're never gonna know, 1038 00:52:15,360 --> 00:52:17,440 Speaker 3: you know what I mean, It's gonna be here and. 1039 00:52:17,400 --> 00:52:19,680 Speaker 4: No one will have any understanding on it. 1040 00:52:19,840 --> 00:52:24,520 Speaker 3: But taking this back to where we started the Bachelor, 1041 00:52:25,520 --> 00:52:29,560 Speaker 3: I will bring us into my main basis for this 1042 00:52:29,760 --> 00:52:35,239 Speaker 3: argument which is that the Bachelor is dying a slow death. 1043 00:52:35,280 --> 00:52:37,640 Speaker 3: It's definitely slow, but it's just every season it's dying. 1044 00:52:37,680 --> 00:52:38,239 Speaker 4: It's dining time. 1045 00:52:38,360 --> 00:52:41,400 Speaker 3: And this last year we got reality shows about dating, 1046 00:52:41,640 --> 00:52:45,520 Speaker 3: like Love Is Blind, like The Ultimatum, Queer Love, which 1047 00:52:45,560 --> 00:52:47,560 Speaker 3: is Milf Manner one if the. 1048 00:52:47,480 --> 00:52:49,880 Speaker 4: Best shows I've ever watched, would you say. 1049 00:52:49,760 --> 00:52:52,560 Speaker 2: Miles, I said Manner, Milf Manner. 1050 00:52:52,760 --> 00:52:54,839 Speaker 4: I did watch every episode, Yes I did. 1051 00:52:55,320 --> 00:52:59,000 Speaker 3: And that's actually a great one to reference because in 1052 00:52:59,400 --> 00:53:03,920 Speaker 3: the Ultimate Queer Love, they've got cameras on and you, 1053 00:53:04,400 --> 00:53:07,319 Speaker 3: I mean, you're watching porn for a second, and you're 1054 00:53:07,320 --> 00:53:09,480 Speaker 3: watching porn if someone you've intimately gotten to know like 1055 00:53:09,520 --> 00:53:14,280 Speaker 3: all their relationship issues, and that show was wildly popular, 1056 00:53:14,480 --> 00:53:17,960 Speaker 3: and on TikTok, the discourse about queer love stories and 1057 00:53:18,040 --> 00:53:21,360 Speaker 3: like there was an entire storyline of like, you fingered 1058 00:53:21,360 --> 00:53:24,480 Speaker 3: the woman I'm in love with and where's your fingers go? 1059 00:53:24,560 --> 00:53:26,320 Speaker 3: When did they start? And how did it happen? Is 1060 00:53:26,360 --> 00:53:29,200 Speaker 3: that considered sex? And then there's a conversation of like, everyone, 1061 00:53:29,680 --> 00:53:31,200 Speaker 3: you know what I mean? Is that penetrative sex or 1062 00:53:31,239 --> 00:53:32,680 Speaker 3: not to be count that as sex? What is the 1063 00:53:32,719 --> 00:53:35,360 Speaker 3: consent needed for finger sex versus other sex yous and 1064 00:53:35,400 --> 00:53:37,600 Speaker 3: you're like and TikTok is like going nuts and loving 1065 00:53:37,640 --> 00:53:40,719 Speaker 3: this conversation. And everyone is loving that show. And I 1066 00:53:40,760 --> 00:53:42,960 Speaker 3: think it's because it was it was showing sex in 1067 00:53:42,960 --> 00:53:45,799 Speaker 3: the way that we understand and want to see it now, 1068 00:53:45,800 --> 00:53:49,480 Speaker 3: which is like real authentic. It's not through this like 1069 00:53:49,680 --> 00:53:52,160 Speaker 3: very singular patriarchal lens. 1070 00:53:52,280 --> 00:53:55,480 Speaker 4: Even on like Love Islands, they live in bikinis. 1071 00:53:55,920 --> 00:53:59,000 Speaker 3: They live in bikinis, and they switch partners every other 1072 00:53:59,080 --> 00:54:02,400 Speaker 3: day for fifty episodes every season, and it's crushing it, 1073 00:54:02,800 --> 00:54:04,680 Speaker 3: Like Love is Blind, you know, they talk about are 1074 00:54:04,680 --> 00:54:06,800 Speaker 3: they I mean sex are they not? Meanwhile, the Bachelor, 1075 00:54:06,800 --> 00:54:08,799 Speaker 3: which is a very sterile show, which would fit this 1076 00:54:08,840 --> 00:54:11,520 Speaker 3: sort of like fascist thing where it's like overnight sweets, 1077 00:54:11,560 --> 00:54:15,440 Speaker 3: like the door closes and like who knows is dying 1078 00:54:15,880 --> 00:54:16,719 Speaker 3: a death. 1079 00:54:16,520 --> 00:54:18,800 Speaker 4: In popularity and so interesting. 1080 00:54:19,239 --> 00:54:22,239 Speaker 3: If we look to reality TV, I would say we 1081 00:54:22,280 --> 00:54:24,600 Speaker 3: are still very much here for sex, but we're no 1082 00:54:24,680 --> 00:54:29,160 Speaker 3: longer here for it in the ways that are harmful. Yeah, 1083 00:54:29,239 --> 00:54:31,080 Speaker 3: like it's it doesn't feel good. And then if sex 1084 00:54:31,120 --> 00:54:32,879 Speaker 3: scene is to like make you feel sexy, you don't 1085 00:54:32,880 --> 00:54:34,440 Speaker 3: want to feel bad while you're watching it. 1086 00:54:34,640 --> 00:54:38,000 Speaker 1: Yeahh So maybe my ultimate Plya is like that movies 1087 00:54:38,480 --> 00:54:41,759 Speaker 1: do something interesting with their sex scenes because that's what 1088 00:54:41,800 --> 00:54:46,160 Speaker 1: people want. And it's not that people are necessarily fascist, yo, 1089 00:54:46,560 --> 00:54:50,000 Speaker 1: that they just want something interesting and not like the 1090 00:54:50,080 --> 00:54:52,080 Speaker 1: traditional eighties movie sexy. 1091 00:54:52,560 --> 00:54:56,360 Speaker 2: Yeah, to Chelsea's point, like again, I was raised on 1092 00:54:56,480 --> 00:54:59,040 Speaker 2: the Buck Wild movie sex scenes, you know what I mean. 1093 00:54:59,160 --> 00:55:01,799 Speaker 2: And then you know, the internet kind of was like 1094 00:55:01,840 --> 00:55:03,200 Speaker 2: I was like, Okay, I think I know what I 1095 00:55:03,320 --> 00:55:06,880 Speaker 2: like and to the point to nuance, like now I'm like, 1096 00:55:06,960 --> 00:55:10,399 Speaker 2: how come they not kissing in this porno. I'm like, nah, nah, 1097 00:55:10,440 --> 00:55:12,319 Speaker 2: I'm off this, Like y'all need to be making out 1098 00:55:12,360 --> 00:55:14,080 Speaker 2: as shit, like I need to, like I want to 1099 00:55:14,120 --> 00:55:17,400 Speaker 2: see y'all be passionate, right or y'all Like in Bridgerton, 1100 00:55:17,719 --> 00:55:19,600 Speaker 2: I just started watching the second see there's like one 1101 00:55:19,600 --> 00:55:23,280 Speaker 2: moment where this one character she just says she said, 1102 00:55:23,640 --> 00:55:26,400 Speaker 2: mister Bridgerton, and they just have like a look at 1103 00:55:26,400 --> 00:55:28,759 Speaker 2: each other, and I was like, oh shit, like and 1104 00:55:28,800 --> 00:55:30,759 Speaker 2: then they say shit, except like there was just a 1105 00:55:30,880 --> 00:55:34,120 Speaker 2: very tense moment and the release was just saying it 1106 00:55:34,200 --> 00:55:36,360 Speaker 2: and they shared a look and I was even like, damn, 1107 00:55:36,440 --> 00:55:39,319 Speaker 2: that was all right, Like yeah. 1108 00:55:38,600 --> 00:55:41,200 Speaker 3: We're like you're just like doing it well, you know, 1109 00:55:41,600 --> 00:55:43,600 Speaker 3: like that was hot and I didn't need to just 1110 00:55:43,640 --> 00:55:47,480 Speaker 3: see you coldly simulate motions. 1111 00:55:47,320 --> 00:55:49,600 Speaker 2: Right right exactly, like making the back of the beast 1112 00:55:49,640 --> 00:55:52,399 Speaker 2: with two backs, as it were. And I think, yeah, 1113 00:55:52,440 --> 00:55:54,880 Speaker 2: we're I think because we've moved on from just being like, 1114 00:55:54,920 --> 00:55:59,560 Speaker 2: will they show sex? They do yes, And then once 1115 00:55:59,680 --> 00:56:02,000 Speaker 2: everyone now this is I do want to say this 1116 00:56:02,080 --> 00:56:03,840 Speaker 2: is a direct attack on me, because that is a 1117 00:56:03,840 --> 00:56:06,960 Speaker 2: direct quote from something I said earlier before we started rowling. 1118 00:56:07,800 --> 00:56:09,759 Speaker 2: So I didn't do the fist pump though, Like I 1119 00:56:09,760 --> 00:56:14,200 Speaker 2: didn't do the double fist pump, yes, but like yeah 1120 00:56:14,360 --> 00:56:17,239 Speaker 2: that now we're so like, you know, it's like when you, like, 1121 00:56:17,280 --> 00:56:19,520 Speaker 2: you're you get introduced to a new cuisine. In the beginning, 1122 00:56:19,560 --> 00:56:22,400 Speaker 2: anything will do, and then as you formulate tastes, you're like, no, actually, 1123 00:56:22,400 --> 00:56:26,080 Speaker 2: I'm like, it's not just about having you know, steak 1124 00:56:26,320 --> 00:56:28,520 Speaker 2: or whatever or whatever. You know, you just you begin 1125 00:56:28,600 --> 00:56:32,080 Speaker 2: to actually understand what it is that is appealing to you. 1126 00:56:32,120 --> 00:56:33,920 Speaker 2: And I think, yeah, I think it's like it's just 1127 00:56:33,920 --> 00:56:37,520 Speaker 2: sort of simultaneous cultural evolution along with the amount of 1128 00:56:37,680 --> 00:56:39,839 Speaker 2: things we've been exposed to that kind of puts us 1129 00:56:39,840 --> 00:56:41,680 Speaker 2: in this different place and I think. 1130 00:56:41,480 --> 00:56:46,080 Speaker 3: It's the problem with art meeting capitalism right now, especially 1131 00:56:46,080 --> 00:56:47,840 Speaker 3: as like we're in the writer strike and the whole 1132 00:56:47,920 --> 00:56:50,920 Speaker 3: like you go woke, you Go broke movement, which is 1133 00:56:50,960 --> 00:56:54,120 Speaker 3: that like people come in and try and quantify it 1134 00:56:54,160 --> 00:56:56,080 Speaker 3: and do the data and the statistics and what's selling 1135 00:56:56,120 --> 00:56:57,799 Speaker 3: when what's not selling and actually this is in and 1136 00:56:57,840 --> 00:56:58,760 Speaker 3: that is in blah blah. 1137 00:56:58,640 --> 00:57:02,680 Speaker 4: But like the thesis is good, we would love a 1138 00:57:02,880 --> 00:57:03,680 Speaker 4: good movie. 1139 00:57:04,320 --> 00:57:06,880 Speaker 3: We would love a good movie, and the moment we 1140 00:57:06,920 --> 00:57:08,439 Speaker 3: get a good movie, they go, oh, do that again, 1141 00:57:08,480 --> 00:57:11,000 Speaker 3: do that again? Or like, you know, network television was dead, 1142 00:57:11,000 --> 00:57:14,000 Speaker 3: then Abbot Elementary comes up, right, it was it was good. 1143 00:57:14,760 --> 00:57:15,880 Speaker 4: Right, everyone goes. 1144 00:57:16,120 --> 00:57:21,280 Speaker 5: Workplace comedies, right, workplace comedies, and you're like, oh, okay, 1145 00:57:21,360 --> 00:57:22,320 Speaker 5: so that's nuts. 1146 00:57:22,600 --> 00:57:24,640 Speaker 4: That was not the only thing that made that show good, 1147 00:57:24,720 --> 00:57:25,840 Speaker 4: you know. And I just. 1148 00:57:25,760 --> 00:57:27,919 Speaker 3: Feel like people want really great art and every time 1149 00:57:27,960 --> 00:57:29,680 Speaker 3: it shows up, they're gonna love it, and every time 1150 00:57:29,680 --> 00:57:31,560 Speaker 3: it's shitty, they're gonna hate it. And then people are 1151 00:57:31,600 --> 00:57:34,800 Speaker 3: gonna drain it down into headline pieces of what could 1152 00:57:34,800 --> 00:57:36,840 Speaker 3: sell more or less, and they're gonna miss the point, 1153 00:57:36,840 --> 00:57:39,360 Speaker 3: which is that if it's good, it sells, and if 1154 00:57:39,360 --> 00:57:39,680 Speaker 3: it's bad. 1155 00:57:39,800 --> 00:57:41,200 Speaker 2: It does not right. 1156 00:57:41,320 --> 00:57:45,200 Speaker 1: Yeah, that's right. Well, Chelsea, such a pleasure having you. 1157 00:57:45,720 --> 00:57:46,040 Speaker 2: Thank you. 1158 00:57:46,040 --> 00:57:47,800 Speaker 1: I knew I would learn a lot. I did learn 1159 00:57:47,840 --> 00:57:48,080 Speaker 1: a lot. 1160 00:57:48,280 --> 00:57:51,280 Speaker 3: Were you guys horny the whole episode? I just need 1161 00:57:51,320 --> 00:57:53,040 Speaker 3: to know, like, you know, was it a horny episode 1162 00:57:53,080 --> 00:57:53,640 Speaker 3: for you guys? 1163 00:57:54,480 --> 00:57:56,560 Speaker 1: I was quaking? I mean you could then see that 1164 00:57:56,600 --> 00:57:57,280 Speaker 1: I was quaking. 1165 00:57:57,440 --> 00:57:59,400 Speaker 2: Yeah, yeah, I feel that for Justin, he's gonna have 1166 00:57:59,440 --> 00:57:59,960 Speaker 2: to cut out. 1167 00:58:00,280 --> 00:58:00,480 Speaker 1: Yeah. 1168 00:58:00,520 --> 00:58:02,320 Speaker 4: I was an edgelord the whole time, So. 1169 00:58:04,080 --> 00:58:06,800 Speaker 2: Shout out the goon everybody gooning out there. Yeah, it 1170 00:58:06,840 --> 00:58:09,880 Speaker 2: was all I was all Sax music in the background, playing. 1171 00:58:12,600 --> 00:58:15,440 Speaker 1: Where can People Find You? Follow You? All that good stuff. 1172 00:58:15,520 --> 00:58:17,520 Speaker 4: Oh my gosh, please come listen to my podcast. 1173 00:58:17,560 --> 00:58:20,120 Speaker 3: It's called Celebrity book Club with Chelsea Devantes, but it's 1174 00:58:20,160 --> 00:58:22,960 Speaker 3: so much more you guys. We discuss female celebrity memoirs. 1175 00:58:22,960 --> 00:58:25,280 Speaker 3: We also do some pop culture stuff. I inspired by 1176 00:58:25,280 --> 00:58:30,400 Speaker 3: you guys. I did an entire Bachelor episode talking about 1177 00:58:30,400 --> 00:58:33,120 Speaker 3: politics and where we're at now, and someone pointed out 1178 00:58:33,120 --> 00:58:34,880 Speaker 3: to me that in our Republican years is when we 1179 00:58:34,920 --> 00:58:36,320 Speaker 3: had our worst bachelors too. 1180 00:58:37,080 --> 00:58:41,040 Speaker 4: It's you know, the method. Still I am. 1181 00:58:41,640 --> 00:58:44,680 Speaker 3: I am our data scientists on elections and so anyway, 1182 00:58:44,800 --> 00:58:48,240 Speaker 3: come listen there. And I'm on Instagram at Chelsea Devantes 1183 00:58:48,360 --> 00:58:50,680 Speaker 3: and I do like I post things from books and 1184 00:58:50,680 --> 00:58:52,280 Speaker 3: stuff and have conversations over there. 1185 00:58:52,720 --> 00:58:55,760 Speaker 1: Yeah. Is it? Wait, so that the thesis is that 1186 00:58:56,680 --> 00:58:59,360 Speaker 1: when the Bachelor is bad, we elect Republicans. 1187 00:58:59,800 --> 00:59:04,480 Speaker 4: No, no, it's when we have Republicans in office. Is 1188 00:59:04,600 --> 00:59:06,520 Speaker 4: also cultural times. 1189 00:59:06,200 --> 00:59:09,840 Speaker 3: Where we are enjoying shittier bachelors who break the rules 1190 00:59:09,840 --> 00:59:12,520 Speaker 3: and are only out for themselves and are selfish peace shit, 1191 00:59:12,600 --> 00:59:14,600 Speaker 3: but they're so entertaining, So. 1192 00:59:14,560 --> 00:59:16,400 Speaker 4: Like Pete's the pilots, you know. 1193 00:59:16,360 --> 00:59:18,240 Speaker 3: Like if you just look at our Trump bachelor's, they're 1194 00:59:18,240 --> 00:59:21,680 Speaker 3: the worst of all time and they're very selfish dudes. 1195 00:59:22,080 --> 00:59:26,640 Speaker 1: Oh interesting, So maybe that's due to casting on the 1196 00:59:26,680 --> 00:59:28,400 Speaker 1: part of the producers of the Bachelor. 1197 00:59:28,800 --> 00:59:31,720 Speaker 3: Well yeah, and I think thinking of like like where 1198 00:59:31,720 --> 00:59:34,200 Speaker 3: we're at, Like Ari, You guys remember Ari as a bachelor. 1199 00:59:34,240 --> 00:59:36,200 Speaker 3: They brought him back and he like does the old 1200 00:59:36,200 --> 00:59:38,000 Speaker 3: switcher roo at the end. You guys are nodding, but 1201 00:59:38,000 --> 00:59:39,120 Speaker 3: you have no idea what I'm talking about. 1202 00:59:39,160 --> 00:59:42,480 Speaker 2: Before I remember because Anna no, Anna would regularly play 1203 00:59:42,880 --> 00:59:45,880 Speaker 2: because what's Ari's last name? It's like Louis. It's like 1204 00:59:45,880 --> 00:59:48,640 Speaker 2: a food Oh is that. 1205 00:59:48,560 --> 00:59:51,000 Speaker 4: One ari gray hair? Race car drivers? 1206 00:59:51,080 --> 00:59:53,320 Speaker 2: Oh yeah yeah they race car driver guy? Yees yeah 1207 00:59:53,360 --> 00:59:55,920 Speaker 2: yeah yeah, yes, I'm savvy. I'm savvy. 1208 00:59:56,080 --> 00:59:56,280 Speaker 1: Yeah. 1209 00:59:56,360 --> 00:59:59,360 Speaker 3: Colton, who was like in the closet, did an entire 1210 00:59:59,480 --> 01:00:02,640 Speaker 3: season as a fully gay man choosing one woman. 1211 01:00:02,880 --> 01:00:03,720 Speaker 4: He then stalks her. 1212 01:00:03,800 --> 01:00:05,320 Speaker 3: She has to take out her string order on him, 1213 01:00:05,320 --> 01:00:07,080 Speaker 3: and then he's like, I've been gay the whole time, 1214 01:00:07,680 --> 01:00:11,040 Speaker 3: Like wow, this is where we were at in the 1215 01:00:11,080 --> 01:00:11,720 Speaker 3: Trump years. 1216 01:00:12,240 --> 01:00:14,840 Speaker 2: Right, hey, do we get our first black bachelor and 1217 01:00:14,840 --> 01:00:15,800 Speaker 2: the Trump lay hear it too? 1218 01:00:16,640 --> 01:00:17,959 Speaker 4: Right? Yes we did. 1219 01:00:18,000 --> 01:00:21,440 Speaker 3: And that's also when we got our racial Reckoning season 1220 01:00:22,280 --> 01:00:26,080 Speaker 3: where they brought in one black guy to host the 1221 01:00:26,120 --> 01:00:29,280 Speaker 3: reunion and then guess what he left never has never 1222 01:00:29,320 --> 01:00:30,920 Speaker 3: been heard from again. They brought him in for the 1223 01:00:31,000 --> 01:00:33,240 Speaker 3: Racial Reckoning then sent him away. 1224 01:00:34,080 --> 01:00:36,560 Speaker 4: Anyways, what was I saying? Follow me on Instagram. 1225 01:00:36,280 --> 01:00:39,600 Speaker 1: Actually get more takes like that? Is there a work 1226 01:00:39,600 --> 01:00:40,760 Speaker 1: of media you've been enjoying? 1227 01:00:41,600 --> 01:00:43,120 Speaker 4: Oh my gosh so much? 1228 01:00:43,320 --> 01:00:45,360 Speaker 3: You know what, let's just give a shout out to 1229 01:00:45,400 --> 01:00:47,600 Speaker 3: milf manor it is not what you think. 1230 01:00:47,400 --> 01:00:50,440 Speaker 4: It is it is because it starts and. 1231 01:00:50,440 --> 01:00:52,680 Speaker 3: They're like, you're gonna be dating young men, and they're like, 1232 01:00:52,760 --> 01:00:55,080 Speaker 3: that's tight. And then the gate opens and it's all 1233 01:00:55,120 --> 01:00:58,400 Speaker 3: of their sons. Okay, so it's all of their sons. 1234 01:00:58,480 --> 01:01:00,560 Speaker 3: And then they're like, and you're gonna share room with 1235 01:01:00,560 --> 01:01:02,760 Speaker 3: your son, but you're gonna date the other sons of 1236 01:01:02,800 --> 01:01:05,560 Speaker 3: these other ladies here, and you're like, this is maniacal. 1237 01:01:05,840 --> 01:01:07,840 Speaker 3: And by the end of the episode, they've all like 1238 01:01:08,920 --> 01:01:11,320 Speaker 3: they're all just kind of like teaching their sons about 1239 01:01:11,360 --> 01:01:13,680 Speaker 3: like how to put a condom on a banana. 1240 01:01:14,160 --> 01:01:14,800 Speaker 1: Oh wow. 1241 01:01:15,160 --> 01:01:18,680 Speaker 2: It's also one of the worst made reality shows I've 1242 01:01:18,680 --> 01:01:21,800 Speaker 2: ever seen, Like there's no host. It feels like it 1243 01:01:21,840 --> 01:01:25,240 Speaker 2: feels like Lord of the Flies, with like weird, incestuous 1244 01:01:25,280 --> 01:01:26,480 Speaker 2: prompts that they have to do. 1245 01:01:26,560 --> 01:01:29,280 Speaker 4: Yes, they send them a text message like read this lab. 1246 01:01:29,320 --> 01:01:30,880 Speaker 3: They're like, all right, I guess we're gonna go to 1247 01:01:30,920 --> 01:01:32,760 Speaker 3: commercial break now, and then we come back. 1248 01:01:32,880 --> 01:01:35,360 Speaker 4: We're gonna put on Blindfeldt's We're gonna fiel up our sons. 1249 01:01:35,360 --> 01:01:37,120 Speaker 4: We're trying and choose which one is my son. 1250 01:01:37,560 --> 01:01:41,480 Speaker 2: Oh, this is definitely him. 1251 01:01:39,640 --> 01:01:43,080 Speaker 3: Oh, this is my son, this is my boy. 1252 01:01:42,520 --> 01:01:47,000 Speaker 2: There's some moments where I'm like, they've destroyed my mind. 1253 01:01:47,120 --> 01:01:50,040 Speaker 2: Completely like in ways that I did not I did 1254 01:01:50,080 --> 01:01:51,800 Speaker 2: not expect, and I think I'm know because of the 1255 01:01:51,800 --> 01:01:55,320 Speaker 2: depravity or whoever was behind anyway, it's out there. 1256 01:01:55,800 --> 01:01:58,360 Speaker 1: This this episode has been the greatest add for trash 1257 01:01:58,440 --> 01:01:59,360 Speaker 1: reality television. 1258 01:02:00,000 --> 01:02:00,720 Speaker 2: Maybe ever. 1259 01:02:02,360 --> 01:02:05,000 Speaker 1: I'm about I guess we should ask the question like 1260 01:02:05,320 --> 01:02:09,760 Speaker 1: if Germany had access to trash television, like is the 1261 01:02:09,800 --> 01:02:11,280 Speaker 1: whole Third Reich avoided? 1262 01:02:11,720 --> 01:02:17,440 Speaker 2: Maybe well, we'll trash television save us or bring us 1263 01:02:17,440 --> 01:02:18,320 Speaker 2: our next president. 1264 01:02:18,960 --> 01:02:22,160 Speaker 1: That's right, Miles, where can people find you as their 1265 01:02:22,200 --> 01:02:24,640 Speaker 1: working media? You've been enjoying at Miles of Gray where 1266 01:02:24,640 --> 01:02:25,760 Speaker 1: they got at symbols. 1267 01:02:25,800 --> 01:02:28,640 Speaker 2: Find Jack and Iron a basketball podcast Miles and Jack 1268 01:02:28,640 --> 01:02:31,600 Speaker 2: got Mad Boosties. If you like trash realities, guess what 1269 01:02:32,080 --> 01:02:35,320 Speaker 2: check Sophia Alexander out on four to twenty Day Fiance 1270 01:02:35,440 --> 01:02:37,560 Speaker 2: where we talk about ninety day Fiance, which is also 1271 01:02:37,640 --> 01:02:40,800 Speaker 2: pretty garbage. And then if you like some true crimes, 1272 01:02:40,840 --> 01:02:42,720 Speaker 2: you can still catch me on The Good Thief talking 1273 01:02:42,760 --> 01:02:45,880 Speaker 2: about the Greek robin Hood and all that. I don't 1274 01:02:45,920 --> 01:02:49,960 Speaker 2: have a piece of media, but I've been watching the 1275 01:02:50,000 --> 01:02:53,280 Speaker 2: newest season of How To with John Wilson, and there 1276 01:02:53,360 --> 01:02:55,800 Speaker 2: was a couple of moments where I've been like wow, wow, wow, 1277 01:02:55,840 --> 01:02:58,920 Speaker 2: wow wow. Anyway, it's it's always an interesting show, so 1278 01:02:59,040 --> 01:02:59,840 Speaker 2: maybe check that out. 1279 01:03:00,240 --> 01:03:05,000 Speaker 1: A tweet I've been enjoying is actually Ben Rosen at 1280 01:03:05,040 --> 01:03:09,120 Speaker 1: Ben Underscore. Roseen tweeted John Wilson narrating the Zapruder film, 1281 01:03:09,600 --> 01:03:13,320 Speaker 1: so you decide to go for a drive, but not 1282 01:03:13,520 --> 01:03:17,080 Speaker 1: everyone thinks that's a good idea. 1283 01:03:18,560 --> 01:03:20,760 Speaker 2: Wow, dude, the delivery on that. 1284 01:03:22,280 --> 01:03:25,400 Speaker 1: And Pat Tobin retweeted an image so that I don't 1285 01:03:25,400 --> 01:03:27,160 Speaker 1: know who made this, but I think about it a lot, 1286 01:03:27,800 --> 01:03:30,640 Speaker 1: and it's a side by side the sky and scenic locations. 1287 01:03:30,800 --> 01:03:33,600 Speaker 1: It's just a blue sky the sky at grocery stores 1288 01:03:33,960 --> 01:03:38,440 Speaker 1: and it's like this gorgeous, dramatic cloud sunset which just 1289 01:03:38,640 --> 01:03:41,760 Speaker 1: resident like totally rang true to me. I've seen some 1290 01:03:41,840 --> 01:03:45,840 Speaker 1: of the greatest skies of my life doing the most boring, 1291 01:03:46,160 --> 01:03:48,760 Speaker 1: like mundane shit in my life and then you like 1292 01:03:49,000 --> 01:03:51,960 Speaker 1: go on vacation to someplace and it's just blue skys. 1293 01:03:52,160 --> 01:03:55,800 Speaker 1: So anyway, fuck blue skies, is what I'm saying. Wow, 1294 01:03:56,360 --> 01:03:59,440 Speaker 1: the shout out to grocery stores. You can find me 1295 01:03:59,560 --> 01:04:02,320 Speaker 1: on Twitter, Jack Underscore Obrian you can find us on 1296 01:04:02,360 --> 01:04:05,600 Speaker 1: Twitter at daily zeitgeist 're at the Daily Zeichgeist on Instagram. 1297 01:04:05,800 --> 01:04:07,840 Speaker 1: We have a Facebook fan page and a website, Daily 1298 01:04:07,960 --> 01:04:10,880 Speaker 1: Zeitgeist dot com, where we post our episodes and our 1299 01:04:10,960 --> 01:04:13,560 Speaker 1: footnote or link off to the information that we talked 1300 01:04:13,560 --> 01:04:15,880 Speaker 1: about in today's episode, as well as a song that 1301 01:04:15,960 --> 01:04:18,760 Speaker 1: we think you might enjoy. Miles Lit's song do you 1302 01:04:18,800 --> 01:04:19,680 Speaker 1: think people might just. 1303 01:04:19,720 --> 01:04:22,360 Speaker 2: You know, something nice get us into the week? This 1304 01:04:22,480 --> 01:04:25,680 Speaker 2: is George Ben j O R G E D E N. 1305 01:04:26,080 --> 01:04:30,160 Speaker 2: And this track is called Dominga's It's so dope. George 1306 01:04:30,160 --> 01:04:32,480 Speaker 2: Ben is one of my favorite Brazilian artists. I'll never 1307 01:04:33,040 --> 01:04:35,560 Speaker 2: I'll keep saying that every time someone asks me that. 1308 01:04:36,240 --> 01:04:39,040 Speaker 2: And his singing's fantastic, Like the beginning has like a 1309 01:04:39,080 --> 01:04:41,160 Speaker 2: really dope you know, like I feel like if I 1310 01:04:41,200 --> 01:04:44,440 Speaker 2: was sampling, i'd sample that first maybe twenty seconds. But anyway, 1311 01:04:44,600 --> 01:04:46,360 Speaker 2: Dominga's by George Benn. 1312 01:04:46,880 --> 01:04:48,920 Speaker 1: All right, we will link off to that in the footnotes. 1313 01:04:48,960 --> 01:04:51,000 Speaker 1: The Daily zeit Geist is the production of iHeartRadio. For 1314 01:04:51,040 --> 01:04:53,560 Speaker 1: more podcasts from My Heart Radio, visit the iHeartRadio app, 1315 01:04:53,600 --> 01:04:56,080 Speaker 1: Apple podcast, or wherever you listen to your favorite shows. 1316 01:04:56,400 --> 01:04:58,160 Speaker 1: That's gonna do it for us this morning, back this 1317 01:04:58,200 --> 01:05:00,400 Speaker 1: afternoon to tell you what is trending, and we will 1318 01:05:00,440 --> 01:05:01,800 Speaker 1: talk to y'all that fight. 1319 01:05:02,320 --> 01:05:05,080 Speaker 2: Jay Horny