WEBVTT - QLS Classic: Chris Hayes

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<v Speaker 1>Of Course Love Supreme is a production of iHeartRadio. This

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<v Speaker 1>classic episode was produced by the team at Pandora.

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<v Speaker 2>Hey, this is on paid Bill.

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<v Speaker 3>This week's QLs classic features journalist, author, and host of

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<v Speaker 3>NBC's All In with Chris Haes. We discussed politics, We

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<v Speaker 3>discussed hip hop, We discuss the Upper east Side. Originally

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<v Speaker 3>released on July fourth, twenty eighteen, Enjoy, We'll hold.

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<v Speaker 2>Your hand through the process. It's good.

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<v Speaker 4>Yeah, It's all good.

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<v Speaker 5>Sume su Suprema Roll Call, Suprema Suprema Roll Call, Suprema

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<v Speaker 5>S Suprema Roll Call, Suprema S sub Suprema roll.

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<v Speaker 2>Cruse is here.

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<v Speaker 4>Yeah, to explain the fear. Yeah of why panic? Yeah,

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<v Speaker 4>I hear in the rear mirror.

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<v Speaker 6>Suprema Sun Sun Suprema roll Call, Suprema Supremo roll Call.

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<v Speaker 7>The World's a mess. Yeah, these are the days. Yeah,

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<v Speaker 7>to be all in. Yeah with the Sugar Network.

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<v Speaker 6>Suprema Suprema roll Call, Supreema Suprema Roll.

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<v Speaker 2>Called, Ivanka Trump, Yeah, opens Embassy.

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<v Speaker 6>Yeah.

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<v Speaker 2>Film at eight pm. Yeah on MSNBC.

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<v Speaker 6>Roll Call, Supreme Son, Son Suprema Roll Call, Suprema Son Sun, Suprema.

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<v Speaker 2>Roll Called, pay Bill. Yeah, and here's my stick. Yeah,

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<v Speaker 2>you know it's time, yeah for politics super Suprema roll called,

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<v Speaker 2>Supreme roll call.

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<v Speaker 4>It's been a while, yeah, since I had the rhyme. Yeah,

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<v Speaker 4>I'm sitting here, Yeah, just watching the time ro Suprema.

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<v Speaker 6>Son set Suprema roll call, Supremat Suprema roll Suprema su

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<v Speaker 6>Suprema roll call, Suprema Sun Sun Suprema roll call.

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<v Speaker 2>Now see, it wasn't that bad.

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<v Speaker 4>Not not too bad, not too bad.

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<v Speaker 3>Okay, listen quest of Supreme brus.

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<v Speaker 6>Yeah.

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<v Speaker 2>Wait, can I ask a technical question about our theme? Yeah? Okay?

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<v Speaker 2>Do you not hear any time it's the third person's

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<v Speaker 2>turn to Ryan normally to you when Fante is here?

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<v Speaker 2>Do you not hear the sound of parking? Uh?

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<v Speaker 3>That's just on the track, literally really literally every time

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<v Speaker 3>in the background noise.

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<v Speaker 2>All right, Well, the next time we do the theme song,

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<v Speaker 2>I guess when we recorded.

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<v Speaker 7>The recordings fucked up? Remember remember when the engineer, Oh yeah.

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<v Speaker 8>Yeah, and in between if you if if nobody's rhyming,

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<v Speaker 8>you can hear your guide in the background's leaking through.

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<v Speaker 2>Right, But at what point was I in a car

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<v Speaker 2>reverse driving to here? Yeah?

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<v Speaker 8>That parts in your head? It is not or it's

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<v Speaker 8>a harmonic of something that's happening.

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<v Speaker 2>It's not in my head, my stroke. Can we run

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<v Speaker 2>the team all the time? We're doing it all yeah, yeah, Hello,

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<v Speaker 2>I always hear it, and I'm like looking at you guys,

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<v Speaker 2>like do you not hear it? Do you not hear it?

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<v Speaker 2>So we have to do this all over again. Play

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<v Speaker 2>the theme again. We're doing Yes, this is the first

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<v Speaker 2>time we're doing all new themes.

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<v Speaker 7>No, you listen to it without without us singing that.

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<v Speaker 4>Yeah, just listen to it.

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<v Speaker 2>Okay, nothing there, suprema. I can't believe I'm doing this

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<v Speaker 2>on my own show. Okay. Course comes in, YadA, YadA, okay, okay,

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<v Speaker 2>So then this is what a mere speaks. Yeah, and

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<v Speaker 2>then I say something else yeah, and then here comes

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<v Speaker 2>to set up and then the punch line. Shout out

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<v Speaker 2>to Mark Kelly and angry. They sound great on this.

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<v Speaker 4>Right, well, the drums just drumm themselves.

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<v Speaker 3>The drummer second, yeah, yeah, you can hear somebody.

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<v Speaker 2>Yeah, I he't somebody talking all right? Now, wait here

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<v Speaker 2>comes the third one. You ready, here we go. Someone's

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<v Speaker 2>parking the car. Ohr, I hear it. Yeah it feedback

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<v Speaker 2>feedback somebody.

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<v Speaker 4>Out that that sounds like a right, now we can

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<v Speaker 4>lower it.

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<v Speaker 2>Someone backing up a goddamn delivery whatever are you you

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<v Speaker 2>you lower the volume? Yeah, I'm just saying that someone

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<v Speaker 2>was backing that thing up. Okay, looking over for the

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<v Speaker 2>led the small ship slide. Anyway, ladies and gentlemen, this

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<v Speaker 2>is a very deep political episode already, yeah, already.

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<v Speaker 7>Thanks for pointing out the horrible engine delivery trucks.

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<v Speaker 2>And I don't know. I was like, did I make

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<v Speaker 2>the theme in the car? I don't know, it just

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<v Speaker 2>it just happens every time.

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<v Speaker 7>Hey, look, we have a guest, Ladies and gentlemen.

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<v Speaker 4>Welcome to another quest Love Supreme.

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<v Speaker 5>Uh.

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<v Speaker 2>We got Sugar Steve or the Sugar Network explaining to

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<v Speaker 2>our guess how powerful his network is.

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<v Speaker 8>Well, the long story short of what we're talking about

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<v Speaker 8>is this new feature that Instagram has which yes, allows

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<v Speaker 8>you to interview somebody on this on your live story

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<v Speaker 8>where you're on the top and they're on the bottom.

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<v Speaker 2>But we we have a guest. We have we have

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<v Speaker 2>double Bill. We're double Bill today unpaid and Boss Bill

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<v Speaker 2>uh and our guest today, ladies and gentlemen. Uh, he

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<v Speaker 2>is a journalist. Uh, some say that he's the co

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<v Speaker 2>leader of the liberal media along with with Rachel Maddow

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<v Speaker 2>Bronx Native Hunter College and which is actually a high school, Yeah,

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<v Speaker 2>which is weird, stupid. Yeah.

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<v Speaker 3>No, it's a wonderful school. I used to live right

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<v Speaker 3>near it. It's great host of one.

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<v Speaker 2>Of my favorite MSNBC shows, and of course after this

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<v Speaker 2>election cycle, my station channel always stays on MSNBC. UH

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<v Speaker 2>all over Chris Hayes and probably author of the best

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<v Speaker 2>liberal spleen uh book of Our Imbalanced System. I have

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<v Speaker 2>to say, well written. I feel like it's almost uh

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<v Speaker 2>to date myself uh a cliff notes. Cliff notes to

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<v Speaker 2>people who are like sort of on the fence of

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<v Speaker 2>you know, like those people that ask like, well, they

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<v Speaker 2>must have did something, and this is the best liberals

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<v Speaker 2>plain book. I actually when I got it, and I

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<v Speaker 2>got it like three days ago, I didn't think I

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<v Speaker 2>was going to get through it in time for the

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<v Speaker 2>for the the our interview today.

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<v Speaker 4>But it's that you read I got that was sort

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<v Speaker 4>of by design that people would My favorite thing that

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<v Speaker 4>people say to my two favorite bits of feedback from

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<v Speaker 4>the book. One is that people were like, oh, I

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<v Speaker 4>sat down, I read it once sitting or I got

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<v Speaker 4>through really quick. And two is for the for people

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<v Speaker 4>that are you know, I don't think the audience for

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<v Speaker 4>the book. I don't think it's people that are hardcore,

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<v Speaker 4>like you know, Blue lives matter and Black lives matter,

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<v Speaker 4>you know. And I'm not gonna way I'm gonna boycott

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<v Speaker 4>the NFL because Colin Kaepernick is kneeling. Yeah, yeah, Like

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<v Speaker 4>it's gonna be hard to reach those folks. But there's

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<v Speaker 4>a huge swath of people, particularly white folks, that I

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<v Speaker 4>think are generally sympathetic but also like that kind of

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<v Speaker 4>they must have done they they did something right. There

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<v Speaker 4>was a reason.

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<v Speaker 2>Was it?

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<v Speaker 4>Did he really? And the book is an attempt to

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<v Speaker 4>try to walk people through kind of some of the

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<v Speaker 4>reality of what it's.

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<v Speaker 2>It's it's it's well, it's well executed. Anyway. I haven't

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<v Speaker 2>said his name, I haven't said the office name. Let's

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<v Speaker 2>see how long it's going. Can I get to ten minutes?

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<v Speaker 2>Steve finishing?

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<v Speaker 7>So one night I was on Instagram and I was like,

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<v Speaker 7>I'm gonna play.

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<v Speaker 2>Wait, ladies and Tom and please welcome colony in the nation.

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<v Speaker 2>Uh and our friend Chris Aes to.

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<v Speaker 4>Course love the free Thank you, thank you very much.

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<v Speaker 2>Right before we get all into that, Yes, Steve, we

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<v Speaker 2>really don't have Well, we had a guest, that's your relationship.

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<v Speaker 4>It's taking me ten minutes to explain who he is.

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<v Speaker 8>So the feature just just came out recently a few

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<v Speaker 8>months ago, and I was just messing around with it

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<v Speaker 8>one night and I was super high and I was like,

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<v Speaker 8>I'm going to be Chris Hayes and I'm going to

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<v Speaker 8>interview motherfucker.

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<v Speaker 7>So I started, you can invite people?

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<v Speaker 4>Does it just?

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<v Speaker 2>How?

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<v Speaker 4>Does how does that invite request show up on someone's account?

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<v Speaker 2>Like you two have to mutually follow each other, right.

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<v Speaker 4>Following should make that happen, by the way, Yeah, I should.

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<v Speaker 8>Find you can either invite them where they can invite you,

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<v Speaker 8>and it's obvious something pops up and you, you know,

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<v Speaker 8>you both have to be cool with it. You can't

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<v Speaker 8>just somebody's screen. Well, you can do that too, there's

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<v Speaker 8>no way. Maybe you have to be verified special shut

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<v Speaker 8>the ship down.

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<v Speaker 7>Yes, verified people can just cock your.

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<v Speaker 4>Phone check mark you have.

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<v Speaker 2>Yeah, there's there's a list of people that I'm following

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<v Speaker 2>that are following me that I can talk to Illuminati

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<v Speaker 2>and then if I want to interview Erica. I can

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<v Speaker 2>also search for her name. I have an option that

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<v Speaker 2>lets me search for a name presser and if she accepts, and.

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<v Speaker 4>She accepts, and then you go and then you go

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<v Speaker 4>live and anyone.

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<v Speaker 2>And people watch. It's a voyeurs. People watch each other

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<v Speaker 2>interview each other. So Steve is taking us actually to

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<v Speaker 2>the next level.

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<v Speaker 7>I got to a few hundred people knowing, you know,

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<v Speaker 7>and then network And.

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<v Speaker 4>You find it unnerving to watch in real time how

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<v Speaker 4>many people are watching.

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<v Speaker 7>Meaning what how few people are watching.

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<v Speaker 4>I find something bizarre like we'll do a Facebook live

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<v Speaker 4>before the show, and my whole life, in a weird way,

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<v Speaker 4>gets you know. We get the ratings every day at

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<v Speaker 4>four fifteen and at MSNBC we get a spreadsheet and

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<v Speaker 4>it matters a lot, like what kind of numbers you're doing?

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<v Speaker 4>It it resonates aroound the building, you know, So in

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<v Speaker 4>a weird way, a lot of my professional life is

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<v Speaker 4>oriented towards this number. And I find something unnerving about

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<v Speaker 4>the instant feedback as you're talking of, like seeing the

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<v Speaker 4>numbers go up and down, like it's some kind of

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<v Speaker 4>like say, absolute extremist version of let me perform in

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<v Speaker 4>the way what will maximally, maximally get people to what

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<v Speaker 4>am I doing?

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<v Speaker 2>What am I doing? Part? It's most people will probably

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<v Speaker 2>sit for a good eight nine seconds, right, And I

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<v Speaker 2>noticed that. I mean one time I had a very

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<v Speaker 2>magical movement happened on my feed where it's like at

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<v Speaker 2>an actual DiAngelo rehearsal. Well, yeah, I did one of

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<v Speaker 2>those two with common No, I'm just saying that. It

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<v Speaker 2>was like even even at a DiAngelo rehearsal for the

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<v Speaker 2>Roots Picnic, like, you know, my numbers went to ungotly

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<v Speaker 2>like four figures and then about fifteen minutes later it

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<v Speaker 2>went down to like three hundred, which you know, maybe

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<v Speaker 2>it is kind of ridiculous to but the thing is

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<v Speaker 2>that your people.

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<v Speaker 3>I was at that rehearsal, it got kind of boring

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<v Speaker 3>as it went on. Yeah wait, it was uh huh.

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<v Speaker 7>That doesn't happen.

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<v Speaker 3>It just drifts like it was like it was all

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<v Speaker 3>hitting and then everybody sort of just went for a

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<v Speaker 3>walk and it kind of went away and then.

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<v Speaker 2>Yeah, but I mean I think just the the the

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<v Speaker 2>the art of or the the task of watching someone

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<v Speaker 2>have a conversation.

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<v Speaker 4>Yeah. Plus I mean one of the things that I

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<v Speaker 4>learned one of the kind of crash course. Realities of

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<v Speaker 4>this job is keeping people's attention is hard. That's it's

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<v Speaker 4>work to keep people's attention, you know.

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<v Speaker 2>So Okay, as as a fan of of uh what

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<v Speaker 2>was the show and HBO? Okay, I'm gonna take the

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<v Speaker 2>long scenic route Star Dumb and Dumber, not Jim Carrey,

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<v Speaker 2>the other one Jeff Bridges's show an HBO about Okay,

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<v Speaker 2>all right, So when you're on the air, is there

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<v Speaker 2>a do you have a an ear piece in which

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<v Speaker 2>there is a producer like okay, now ask about this

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<v Speaker 2>and then.

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<v Speaker 4>So we Yeah, so you're you're always passionate to the

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<v Speaker 4>control room through what's called an I F B. Right,

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<v Speaker 4>So you got an earpiece, and there's a really wide

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<v Speaker 4>spectrum of how active the control room is in that

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<v Speaker 4>in questions. In my case almost never. I would say

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<v Speaker 4>a few times a week the control room will say,

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<v Speaker 4>will suggest a question, but it's it's very rare, partly

0:13:10.640 --> 0:13:16.160
<v Speaker 4>because I get I get super annoying. It just feels

0:13:16.160 --> 0:13:18.680
<v Speaker 4>like backseyt driving. It's like I like, I'm at the wheel,

0:13:19.559 --> 0:13:21.640
<v Speaker 4>so don't tell me to make a left here. I

0:13:21.679 --> 0:13:25.000
<v Speaker 4>know I know what I'm doing that other people have

0:13:25.040 --> 0:13:27.280
<v Speaker 4>different feelings about that. That's my feeling about it.

0:13:27.320 --> 0:13:30.000
<v Speaker 2>Does that depend on the relationship you have with your producer?

0:13:30.160 --> 0:13:31.959
<v Speaker 4>I think it does. It depends on you know, the

0:13:32.320 --> 0:13:36.280
<v Speaker 4>different shows have a different balance between how host driven

0:13:36.320 --> 0:13:40.120
<v Speaker 4>and how producer driven they are. Different hosts have different

0:13:40.200 --> 0:13:43.080
<v Speaker 4>levels of comfort of asking questions in the moment, Like

0:13:43.120 --> 0:13:46.640
<v Speaker 4>some want questions pre written and prompter to go through

0:13:46.679 --> 0:13:49.800
<v Speaker 4>that they've already done through like a process. Some don't

0:13:49.840 --> 0:13:51.520
<v Speaker 4>want anything imprompter. They just want to kind of think

0:13:51.520 --> 0:13:53.000
<v Speaker 4>in the moment, which is usually the way I am, Like,

0:13:53.040 --> 0:13:54.240
<v Speaker 4>I kind of know what I want to ask, but

0:13:54.280 --> 0:13:56.319
<v Speaker 4>I want to be One of the things I think

0:13:56.320 --> 0:13:59.400
<v Speaker 4>that happens is if you script it too much, kind

0:13:59.400 --> 0:14:02.280
<v Speaker 4>of like this though you don't listen right, Because one

0:14:02.280 --> 0:14:03.520
<v Speaker 4>of the things that can happen is if you've got

0:14:03.559 --> 0:14:06.000
<v Speaker 4>your idea about question one, is this in question two,

0:14:06.000 --> 0:14:07.800
<v Speaker 4>and you ask question one, what you're doing in your

0:14:07.840 --> 0:14:10.360
<v Speaker 4>head is okay, uh huh yeah, now I'm on question

0:14:10.360 --> 0:14:12.600
<v Speaker 4>two as opposed to wait, what are they saying?

0:14:12.720 --> 0:14:12.920
<v Speaker 2>Gay?

0:14:14.800 --> 0:14:17.000
<v Speaker 4>But but I think it varies a lot the person.

0:14:17.160 --> 0:14:19.320
<v Speaker 4>The person I talked to the most, which is the

0:14:19.360 --> 0:14:21.800
<v Speaker 4>line producer on the show who's the person who keeps time,

0:14:22.200 --> 0:14:25.080
<v Speaker 4>which is a key part of the whole. You know,

0:14:25.120 --> 0:14:27.800
<v Speaker 4>she's the drummer, right, She's the drummer for the show.

0:14:27.840 --> 0:14:29.720
<v Speaker 4>So we got to figure out, you know, we got

0:14:29.760 --> 0:14:31.440
<v Speaker 4>to bring things in at certain moments, and we got

0:14:31.440 --> 0:14:34.000
<v Speaker 4>to hit our marks to make a show. Because it's live,

0:14:34.680 --> 0:14:36.400
<v Speaker 4>it's a zero sum. You go long here, you got

0:14:36.400 --> 0:14:37.800
<v Speaker 4>to go short here, you go, you got to cut

0:14:37.840 --> 0:14:39.840
<v Speaker 4>something here, and she's the one with cues a minute,

0:14:40.000 --> 0:14:41.600
<v Speaker 4>got to get to break. Okay, we're over.

0:14:42.160 --> 0:14:44.480
<v Speaker 2>So I'm not certain if All In is the type

0:14:44.520 --> 0:14:48.440
<v Speaker 2>of show that deals with real time this just then,

0:14:49.080 --> 0:14:55.000
<v Speaker 2>but certainly or surely with the time that we're living in,

0:14:55.880 --> 0:15:00.040
<v Speaker 2>especially with yeah, you know who behind it? Will that

0:15:00.120 --> 0:15:03.320
<v Speaker 2>can happen anyway? Even this morning, Like you know, Alie

0:15:03.360 --> 0:15:07.240
<v Speaker 2>Jackson had an entirely different show plan.

0:15:07.160 --> 0:15:09.880
<v Speaker 4>And then she got four thousand pages probably of transcripts.

0:15:09.480 --> 0:15:11.720
<v Speaker 2>And then she got of this just in.

0:15:11.920 --> 0:15:13.440
<v Speaker 4>Yeah, and then it's.

0:15:13.760 --> 0:15:17.760
<v Speaker 2>How how much on your game? Well, I know you

0:15:17.840 --> 0:15:20.080
<v Speaker 2>have to be on your game, but how annoying is

0:15:20.120 --> 0:15:24.520
<v Speaker 2>it that at any moment the world can fall apart

0:15:24.640 --> 0:15:27.560
<v Speaker 2>and you have to be fluid and explain and knowledgeable and.

0:15:27.800 --> 0:15:31.880
<v Speaker 4>It can be it's both. I would say it's invigorating

0:15:31.920 --> 0:15:34.280
<v Speaker 4>and thrilling in its own way because there's a certain

0:15:34.440 --> 0:15:37.040
<v Speaker 4>adrenaline to it when something happens at seven fifteen and

0:15:37.040 --> 0:15:40.600
<v Speaker 4>it's like, Okay, we're making decisions. What's okay, this is

0:15:40.600 --> 0:15:42.320
<v Speaker 4>the new A block, then what gets kicked out? Then

0:15:42.360 --> 0:15:44.040
<v Speaker 4>A goes down to B, then B gets killed? Or

0:15:44.040 --> 0:15:45.400
<v Speaker 4>do we keep the guests there and they move to

0:15:45.440 --> 0:15:47.480
<v Speaker 4>see or do we move like and you're making all

0:15:47.480 --> 0:15:51.600
<v Speaker 4>these decisions very quickly. One of the blessings and I

0:15:51.600 --> 0:15:54.320
<v Speaker 4>imagine it's actually this way on the Tonight Show that

0:15:55.120 --> 0:15:59.560
<v Speaker 4>there's a bizarre blessing of having a live show at

0:15:59.600 --> 0:16:03.600
<v Speaker 4>eight o'clock in that we don't have an option not

0:16:03.640 --> 0:16:08.680
<v Speaker 4>to do it right, Like if news breaks is seven fifteen,

0:16:08.960 --> 0:16:11.680
<v Speaker 4>whatever happens in those forty five minutes, the show comes

0:16:11.720 --> 0:16:16.239
<v Speaker 4>on air at eight, and there's there's something weirdly relieving

0:16:16.280 --> 0:16:18.440
<v Speaker 4>of stress about that, because if it was like, no,

0:16:18.560 --> 0:16:21.280
<v Speaker 4>it has to be perfect, we can let's wait till

0:16:21.320 --> 0:16:24.000
<v Speaker 4>eight twenty five to make sure that it's perfect. Is

0:16:24.000 --> 0:16:27.360
<v Speaker 4>that Mandy Patinkin, Hey, Manny Patinkin all just so wow,

0:16:27.560 --> 0:16:30.760
<v Speaker 4>that's the most wild thing that happened to me in

0:16:30.800 --> 0:16:31.200
<v Speaker 4>my life.

0:16:31.320 --> 0:16:37.440
<v Speaker 2>Wait a minute, Wait a minute, we just got up

0:16:37.440 --> 0:16:42.600
<v Speaker 2>the anti randomly walks in a room star of Homeland.

0:16:43.240 --> 0:16:44.760
<v Speaker 4>Yeah yeah, come on here, you want to be a

0:16:44.800 --> 0:16:45.160
<v Speaker 4>part of it.

0:16:47.680 --> 0:16:56.280
<v Speaker 2>Oh well we're we're yes, no podcast?

0:16:56.720 --> 0:17:01.840
<v Speaker 4>Hey this and I'm good. How are you this?

0:17:03.920 --> 0:17:05.840
<v Speaker 2>Man? It's good to see you again.

0:17:11.880 --> 0:17:15.359
<v Speaker 4>Awesome, very enough to meet you.

0:17:17.160 --> 0:17:20.600
<v Speaker 2>I have a podcast and Chris Is from M S

0:17:20.680 --> 0:17:22.520
<v Speaker 2>n b C is the host of it.

0:17:24.000 --> 0:17:30.720
<v Speaker 9>Yeah, I don't know who I am, right, yeah, all right,

0:17:30.880 --> 0:17:34.200
<v Speaker 9>thank you.

0:17:34.240 --> 0:17:36.679
<v Speaker 4>Oh it's a copy of my book. Yeah, absolutely, that

0:17:36.680 --> 0:17:40.200
<v Speaker 4>would be my great pleasure. All right, right, thank you man,

0:17:40.280 --> 0:17:44.320
<v Speaker 4>You're a legend. You're a legend. Literally, that was the

0:17:44.440 --> 0:17:47.000
<v Speaker 4>fucking best thing that ever just happened.

0:17:47.040 --> 0:17:55.639
<v Speaker 3>Thank you for being on chatting with Sugar. Can I

0:17:55.680 --> 0:17:58.320
<v Speaker 3>tell me the particular story when you wait?

0:17:58.320 --> 0:18:00.640
<v Speaker 4>Can we interrupt your course?

0:18:00.720 --> 0:18:01.600
<v Speaker 2>Yes? Wait, hit me.

0:18:01.920 --> 0:18:04.159
<v Speaker 3>I was working on a musical and man Pittinking was

0:18:04.160 --> 0:18:06.920
<v Speaker 3>going to be in it, and he uh came and

0:18:07.080 --> 0:18:10.760
<v Speaker 3>sang and delivered and told all these stories about his

0:18:10.880 --> 0:18:13.560
<v Speaker 3>mother and he's a very fascinating human being.

0:18:13.600 --> 0:18:15.000
<v Speaker 2>I could talk about him for a long time.

0:18:15.000 --> 0:18:17.760
<v Speaker 3>But that was an awesome cameo in quest Love Supreme

0:18:17.800 --> 0:18:19.199
<v Speaker 3>only on Pandora Sugar Network.

0:18:19.320 --> 0:18:21.000
<v Speaker 2>Fucking many Pink was amazing.

0:18:21.040 --> 0:18:22.960
<v Speaker 7>So we gotta get him to sign some ship.

0:18:24.359 --> 0:18:29.720
<v Speaker 2>No, we can't, we can't. We know he has to

0:18:29.760 --> 0:18:32.320
<v Speaker 2>remain I mean, he didn't get the Agelo to sign yeah,

0:18:32.560 --> 0:18:35.880
<v Speaker 2>just ship though he did, did he? Yeah, he said

0:18:36.760 --> 0:18:39.760
<v Speaker 2>it's more and then he walked wait what was the

0:18:39.840 --> 0:18:42.280
<v Speaker 2>question to I can't remember. It was a print something

0:18:42.520 --> 0:18:44.359
<v Speaker 2>probably it was more R and B.

0:18:44.720 --> 0:18:46.200
<v Speaker 10>And then he went to get cigarettes and never came

0:18:46.240 --> 0:18:50.600
<v Speaker 10>back like that all right.

0:18:50.520 --> 0:18:54.600
<v Speaker 4>So man, he's so what's the right word, like he

0:18:54.680 --> 0:18:58.280
<v Speaker 4>is so entirely himself. Oh yeah, I mean that I

0:18:58.040 --> 0:19:00.800
<v Speaker 4>you would expect that, but that that was what I

0:19:01.000 --> 0:19:02.480
<v Speaker 4>expect Mandy Patinka to be like.

0:19:02.520 --> 0:19:06.960
<v Speaker 2>Yeah, that was a wow, that's that was great. You're

0:19:07.000 --> 0:19:08.160
<v Speaker 2>the host of the show now, so.

0:19:10.760 --> 0:19:13.240
<v Speaker 10>You kind of just got and something crazy happens in

0:19:13.240 --> 0:19:15.439
<v Speaker 10>the middle of a show and then and I lose control.

0:19:15.800 --> 0:19:17.560
<v Speaker 4>Yes, you were just talking about how you how you

0:19:17.600 --> 0:19:23.280
<v Speaker 4>reacted in the moment improvisation, and you got all flustered.

0:19:23.280 --> 0:19:25.080
<v Speaker 4>You were like, he's he's the host of my show.

0:19:26.800 --> 0:19:27.879
<v Speaker 4>What was that's questioned?

0:19:28.359 --> 0:19:33.400
<v Speaker 2>What was your very first uh journalist assignment, like what

0:19:33.560 --> 0:19:37.240
<v Speaker 2>is what is the road that leads to you having

0:19:37.280 --> 0:19:40.760
<v Speaker 2>your own show? And isn't there an internship that leads

0:19:40.840 --> 0:19:42.120
<v Speaker 2>like did you work at a newsroom?

0:19:42.119 --> 0:19:45.120
<v Speaker 4>And I came up a sort of a weird way

0:19:45.160 --> 0:19:48.000
<v Speaker 4>and and in a way that doesn't really exist anymore,

0:19:48.040 --> 0:19:51.359
<v Speaker 4>partly because the ecosystem I came through has all died

0:19:51.400 --> 0:19:56.040
<v Speaker 4>off a little bit. I graduated from college and I

0:19:56.200 --> 0:19:58.199
<v Speaker 4>was really into theater and mooch Chicago with my then

0:19:58.240 --> 0:20:01.399
<v Speaker 4>girlfriend now wife. And what in Chicago's super cheap. I

0:20:01.400 --> 0:20:03.400
<v Speaker 4>don't know if any of you have ever lived in Chicago,

0:20:03.440 --> 0:20:05.879
<v Speaker 4>but it is a great place if you're twenty two

0:20:05.920 --> 0:20:09.440
<v Speaker 4>and broke, because it's so much cheaper than New York.

0:20:09.480 --> 0:20:11.840
<v Speaker 4>It's so much cheaper than La The Winner sucks. But

0:20:12.280 --> 0:20:14.760
<v Speaker 4>there's a lot of people in Chicago doing a lot

0:20:14.760 --> 0:20:17.160
<v Speaker 4>of really cool stuff because people pay nothing for rent.

0:20:17.160 --> 0:20:20.360
<v Speaker 4>And there's like people playing shows in the abandoned buildings

0:20:20.359 --> 0:20:23.560
<v Speaker 4>and doing theater and photography. And I was there doing

0:20:23.600 --> 0:20:26.400
<v Speaker 4>theater and also freelance writing and started writing.

0:20:26.440 --> 0:20:27.800
<v Speaker 7>Yes, sorry, what'd you major in there?

0:20:27.960 --> 0:20:30.840
<v Speaker 4>Just I majored in philosophy, Yeah, I major in philosophy.

0:20:31.040 --> 0:20:33.040
<v Speaker 4>I was doing theater and I was. I started writing

0:20:33.119 --> 0:20:35.600
<v Speaker 4>for the Chicago Reader, which is like the alternative weekly there.

0:20:35.600 --> 0:20:39.760
<v Speaker 4>It's like the Village Voice, Washington, DC City paper like that.

0:20:40.520 --> 0:20:44.160
<v Speaker 4>And I started freelancing and got had more and more

0:20:44.160 --> 0:20:47.280
<v Speaker 4>success doing that, started writing for more publications like online

0:20:47.320 --> 0:20:51.000
<v Speaker 4>liberal publications. I got a job at a lefty magazine

0:20:51.000 --> 0:20:53.800
<v Speaker 4>called In These Times. I then got hired by the Nation,

0:20:54.760 --> 0:20:57.160
<v Speaker 4>and then my wife got a job in Washington, d C.

0:20:57.160 --> 0:20:59.400
<v Speaker 4>Clerking on the Supreme Court. In two thousand and seven

0:20:59.440 --> 0:21:01.879
<v Speaker 4>we moved to watch Washington, d C. She was clerking

0:21:01.880 --> 0:21:04.480
<v Speaker 4>for Justice Stevens, which was an amazing thing to see

0:21:04.560 --> 0:21:10.960
<v Speaker 4>up close. And I became the through complete accident, the

0:21:11.040 --> 0:21:13.760
<v Speaker 4>long time Washington bureau chief of The Nation magazine David

0:21:13.800 --> 0:21:16.320
<v Speaker 4>Korn left to go to Mother Jones three months after

0:21:16.400 --> 0:21:18.320
<v Speaker 4>I moved to DC, and they're like, oh, we needed

0:21:18.359 --> 0:21:20.280
<v Speaker 4>to be a new bureau chief, and they interviewed me

0:21:20.280 --> 0:21:21.919
<v Speaker 4>and they gave me the job. And from that I

0:21:21.960 --> 0:21:25.520
<v Speaker 4>started appearing on television as a talking head punch of

0:21:25.680 --> 0:21:27.560
<v Speaker 4>the Yeah, I'm the Washington Bureau chief of the Nation,

0:21:27.600 --> 0:21:29.480
<v Speaker 4>So what do you think about? And this was in

0:21:29.520 --> 0:21:32.280
<v Speaker 4>the sort of last year the Bush administration in the

0:21:32.280 --> 0:21:34.280
<v Speaker 4>two thousand and eight campaign and the financial crisis and

0:21:34.280 --> 0:21:34.920
<v Speaker 4>all that, But.

0:21:34.880 --> 0:21:37.800
<v Speaker 2>How often does that happen? Usually don't you have to

0:21:37.880 --> 0:21:40.840
<v Speaker 2>like work your way up the ranks out of paper?

0:21:40.840 --> 0:21:42.800
<v Speaker 4>And so yeah, it was. It was a bunch of

0:21:42.840 --> 0:21:46.080
<v Speaker 4>accidents and timing was perfect, timing, timing, And I think

0:21:46.119 --> 0:21:47.800
<v Speaker 4>the fact that I had a little I had a

0:21:47.800 --> 0:21:49.640
<v Speaker 4>background in theater, I had acted, I had a little

0:21:49.640 --> 0:21:50.679
<v Speaker 4>bit of a performance background.

0:21:50.720 --> 0:21:51.400
<v Speaker 2>I like to talk.

0:21:53.040 --> 0:21:54.760
<v Speaker 4>I think that was you know, you have we try

0:21:54.800 --> 0:21:56.520
<v Speaker 4>people out on TV all the time, and talking on

0:21:56.560 --> 0:21:59.240
<v Speaker 4>TV is a very specific and weird skill that is

0:21:59.280 --> 0:22:03.639
<v Speaker 4>different than talking, It's different than being an interesting person.

0:22:03.680 --> 0:22:05.440
<v Speaker 4>It's just a weird skill. You sit in a room,

0:22:05.800 --> 0:22:08.840
<v Speaker 4>you stare into a camera. You don't have any of

0:22:08.840 --> 0:22:10.760
<v Speaker 4>the physical cues that come, like right now, we're all

0:22:10.800 --> 0:22:12.360
<v Speaker 4>looking at each other like you're not in your head

0:22:12.359 --> 0:22:14.320
<v Speaker 4>when I say something, which is a nice encouragement, I

0:22:14.400 --> 0:22:17.119
<v Speaker 4>keep going. But you don't have that in it in

0:22:17.200 --> 0:22:20.360
<v Speaker 4>a TV studio. It's it's a weird and alienating experience.

0:22:20.400 --> 0:22:22.800
<v Speaker 2>Oh you're saying, even that's more different than this that

0:22:22.880 --> 0:22:24.840
<v Speaker 2>what we're doing right now? Oh yeah, yeah, I feel

0:22:24.880 --> 0:22:30.159
<v Speaker 2>like this exposes everything about me. Whereas I'm better tweeting

0:22:30.240 --> 0:22:34.040
<v Speaker 2>and typing thoughts than this than I am because I

0:22:34.320 --> 0:22:38.440
<v Speaker 2>have to think about things and edit. Where I'm even

0:22:38.560 --> 0:22:40.600
<v Speaker 2>two years into this, I'm not. I feel like I'm

0:22:40.600 --> 0:22:42.359
<v Speaker 2>not fluid at all, and.

0:22:42.440 --> 0:22:44.240
<v Speaker 4>Well that I would disagree with that, but I would

0:22:44.280 --> 0:22:48.000
<v Speaker 4>say that it's really interesting ask Bill people have. People

0:22:48.040 --> 0:22:52.480
<v Speaker 4>have different experiences of how they you know, how they talk,

0:22:52.720 --> 0:22:55.520
<v Speaker 4>and how and how easily that kind of that form

0:22:55.520 --> 0:22:57.040
<v Speaker 4>of communication comes to them. And I think I had

0:22:57.080 --> 0:23:00.439
<v Speaker 4>a sort of aptitude for it. And so what was

0:23:00.440 --> 0:23:03.400
<v Speaker 4>I started getting booked more and more as a guest. Eventually,

0:23:03.400 --> 0:23:06.000
<v Speaker 4>in twenty ten, I was asked to guest host a

0:23:06.040 --> 0:23:08.400
<v Speaker 4>show for Rachel. That was a huge deal. I went

0:23:08.400 --> 0:23:10.320
<v Speaker 4>down to New York a day early. I read off

0:23:10.320 --> 0:23:17.960
<v Speaker 4>the teleprompter as practice. I was nervous af the I

0:23:18.040 --> 0:23:21.560
<v Speaker 4>was so nervous, and then I did it and it

0:23:21.600 --> 0:23:24.359
<v Speaker 4>went well and it rated well, and then I started

0:23:24.359 --> 0:23:25.960
<v Speaker 4>guest hosting more and more often. And the more I

0:23:25.960 --> 0:23:28.360
<v Speaker 4>guest hosted, then I moved from that to a weekend show,

0:23:28.359 --> 0:23:30.000
<v Speaker 4>and from the weekend show to an evening show. So

0:23:30.000 --> 0:23:31.720
<v Speaker 4>it was it was a very strange route because I

0:23:31.800 --> 0:23:36.120
<v Speaker 4>came through kind of liberal lefty magazine, alternative weekly journalism

0:23:36.240 --> 0:23:38.160
<v Speaker 4>on the print side. I was a writer, always a writer.

0:23:38.560 --> 0:23:40.800
<v Speaker 4>I didn't have any TV background. I didn't intern at

0:23:40.840 --> 0:23:44.040
<v Speaker 4>a local station. I wasn't a news anchor at a

0:23:44.320 --> 0:23:46.520
<v Speaker 4>you know station Des Moines or you know. People moved

0:23:46.520 --> 0:23:48.919
<v Speaker 4>from smaller markets to bigger markets. I came in this

0:23:49.040 --> 0:23:51.960
<v Speaker 4>completely different direction and kind of had to learn TV

0:23:52.040 --> 0:23:52.480
<v Speaker 4>as I went.

0:23:54.000 --> 0:23:58.159
<v Speaker 3>Wow, Oh, Chris like you, yeah, to learn TV as

0:23:58.200 --> 0:23:59.960
<v Speaker 3>he went, so did I.

0:24:00.119 --> 0:24:04.920
<v Speaker 8>Chris, So, what what percentage of your current job is journalism?

0:24:05.040 --> 0:24:06.640
<v Speaker 7>What percentage is performance?

0:24:06.880 --> 0:24:08.600
<v Speaker 4>Let's say it's a great, great question.

0:24:11.040 --> 0:24:13.840
<v Speaker 7>I only ask great questions.

0:24:13.960 --> 0:24:18.120
<v Speaker 4>Your Instagram channel is amazing, The Eight Hour Extended Mandy

0:24:18.119 --> 0:24:28.800
<v Speaker 4>Patinkin interview, The Ring Cycle, the you know, look, I

0:24:28.880 --> 0:24:31.680
<v Speaker 4>try to I basically am consuming things all day and

0:24:31.680 --> 0:24:33.400
<v Speaker 4>I'm trying to report every day, which means that I'm

0:24:33.440 --> 0:24:35.800
<v Speaker 4>constantly in contact with a bunch of different people in

0:24:35.800 --> 0:24:40.119
<v Speaker 4>different areas. But you know, the staff is, you know,

0:24:40.119 --> 0:24:42.200
<v Speaker 4>we're got twenty five people to make an hour of TV,

0:24:42.960 --> 0:24:45.359
<v Speaker 4>and so much of it is taken up with just

0:24:45.400 --> 0:24:48.280
<v Speaker 4>getting that thing on the air. If we had a

0:24:48.400 --> 0:24:50.120
<v Speaker 4>I would love it if we had a newsroom where

0:24:50.160 --> 0:24:52.440
<v Speaker 4>we were sending people out. You know, dozens of reporters

0:24:52.440 --> 0:24:56.760
<v Speaker 4>to do enterprise journalism every day. In terms of what

0:24:56.800 --> 0:24:59.240
<v Speaker 4>I'm doing, I think it's a combination. I mean, you

0:24:59.359 --> 0:25:01.240
<v Speaker 4>kind of can't say to create the performance part from it,

0:25:01.240 --> 0:25:05.320
<v Speaker 4>because if the performance part isn't there, then people are

0:25:05.320 --> 0:25:10.960
<v Speaker 4>not gonna watch. But the interviews, you know, my favorite.

0:25:11.000 --> 0:25:12.719
<v Speaker 4>We had someone on last night. We had a political

0:25:12.760 --> 0:25:15.280
<v Speaker 4>reporter wrote a great piece about basically the Trump administration

0:25:15.720 --> 0:25:18.280
<v Speaker 4>burying a report that came from their own administration about

0:25:18.400 --> 0:25:21.199
<v Speaker 4>the toxicity levels of certain chemicals and water. And they

0:25:21.200 --> 0:25:24.400
<v Speaker 4>were like, let's not release this, it'll freak everyone out.

0:25:24.640 --> 0:25:26.840
<v Speaker 4>And my favorite moments that happened on TV are when

0:25:26.880 --> 0:25:29.320
<v Speaker 4>I'm learning something live in the moment from the interview,

0:25:29.400 --> 0:25:32.000
<v Speaker 4>because that feels like I'm making discovery. So we talked

0:25:32.000 --> 0:25:33.920
<v Speaker 4>to this reporter. She was great. I learned from her.

0:25:33.960 --> 0:25:36.400
<v Speaker 4>I learned things I hadn't learned even in reading her piece.

0:25:37.119 --> 0:25:39.440
<v Speaker 4>And I try to get as many of those moments

0:25:39.440 --> 0:25:41.840
<v Speaker 4>as I can in the show, where as opposed to

0:25:41.880 --> 0:25:44.399
<v Speaker 4>some pre rehearse thing where I throw a lob and

0:25:44.440 --> 0:25:48.360
<v Speaker 4>you dunk it that I'm actually like, we're actually reacting

0:25:48.359 --> 0:25:50.200
<v Speaker 4>to each other. And I'm learning things in real time.

0:25:52.200 --> 0:25:58.440
<v Speaker 2>So all right, similar to the comedy world where save

0:25:59.440 --> 0:26:01.240
<v Speaker 2>news of the world. All right, all right, so say,

0:26:02.000 --> 0:26:06.080
<v Speaker 2>as of this cycle or this us speaking right now,

0:26:08.920 --> 0:26:12.159
<v Speaker 2>Kanye opinions are like a thing right now in the

0:26:12.160 --> 0:26:16.600
<v Speaker 2>comedy world where Kanye is so crazy or even just

0:26:17.400 --> 0:26:20.160
<v Speaker 2>let's go you know years ago where it was always

0:26:20.280 --> 0:26:25.479
<v Speaker 2>OJ jokes, that sort of thing. With the way that

0:26:25.560 --> 0:26:33.120
<v Speaker 2>your particular channel runs, if everyone is telling the same story,

0:26:33.560 --> 0:26:35.400
<v Speaker 2>is that just with the thought in mind that there's

0:26:35.480 --> 0:26:38.560
<v Speaker 2>no one watching this show concurrently, like nine hours in

0:26:38.600 --> 0:26:40.440
<v Speaker 2>a row, and that you just have to refresh and

0:26:40.560 --> 0:26:43.800
<v Speaker 2>me tell the story again. And I'll take Stephanie Ruhl's

0:26:43.840 --> 0:26:52.000
<v Speaker 2>take on it and Halle and so but what is there?

0:26:52.080 --> 0:26:54.080
<v Speaker 2>I mean, I don't want to say a competition thing. No,

0:26:54.200 --> 0:26:56.280
<v Speaker 2>are you guys dreaming of like Okay, I'm gonna this

0:26:56.359 --> 0:26:57.680
<v Speaker 2>is gonna be my Bob Wood.

0:26:57.440 --> 0:27:00.840
<v Speaker 4>Word totally moment or you know, my Harbernstein.

0:27:02.080 --> 0:27:03.480
<v Speaker 2>I would say this, it's going to play me in

0:27:03.520 --> 0:27:05.840
<v Speaker 2>the movie when I bless this story open.

0:27:05.960 --> 0:27:08.600
<v Speaker 4>Well, you know it's a balance between the two. So

0:27:08.640 --> 0:27:11.000
<v Speaker 4>there's two competing impulses. I think one is you don't

0:27:11.000 --> 0:27:12.520
<v Speaker 4>want to run the same show over and over, and

0:27:12.560 --> 0:27:16.520
<v Speaker 4>repetition is a real problem, and it's a real challenge.

0:27:16.600 --> 0:27:20.480
<v Speaker 4>And there's I think partly we can't think of it

0:27:20.520 --> 0:27:23.280
<v Speaker 4>as Okay, someone's watching the network for four hours, because

0:27:23.600 --> 0:27:25.520
<v Speaker 4>it's a little like ten ten wins here in New

0:27:25.560 --> 0:27:28.000
<v Speaker 4>York City, right, like traffic and weather together every twelve minutes,

0:27:28.000 --> 0:27:30.479
<v Speaker 4>because people are just cycling through. And so it's like, well,

0:27:30.480 --> 0:27:32.000
<v Speaker 4>I already know the traffic and weather. It's like, well,

0:27:32.080 --> 0:27:34.320
<v Speaker 4>you other people are coming to it. We got to

0:27:34.320 --> 0:27:36.760
<v Speaker 4>tell them what's up. So there's a little bit of that, right,

0:27:36.800 --> 0:27:38.800
<v Speaker 4>So a certain amount of repetition. At the same time,

0:27:38.840 --> 0:27:41.520
<v Speaker 4>you do want to distinguish the shows. And the real

0:27:41.840 --> 0:27:44.200
<v Speaker 4>hard part is, and you know, I say this about

0:27:44.520 --> 0:27:47.200
<v Speaker 4>TV all the time, which is that plants grow towards

0:27:47.280 --> 0:27:49.480
<v Speaker 4>the light. And what I mean by that is you

0:27:49.520 --> 0:27:52.640
<v Speaker 4>can have a garden in your backyard and you can

0:27:52.680 --> 0:27:54.879
<v Speaker 4>plant everything all nice and spaced out, and if you

0:27:54.920 --> 0:27:56.760
<v Speaker 4>come back six months later and light is only hitting

0:27:56.760 --> 0:27:59.000
<v Speaker 4>one part, all of the plants have grown over here.

0:27:59.560 --> 0:28:02.560
<v Speaker 4>And the light is ratings attention, what people are paying

0:28:02.600 --> 0:28:06.000
<v Speaker 4>attention to, and so what will inevitably happen is people

0:28:06.080 --> 0:28:08.440
<v Speaker 4>chase the stories that they feel like there's the most

0:28:08.600 --> 0:28:11.000
<v Speaker 4>juice in, that there's the most attention in, and that

0:28:11.080 --> 0:28:15.600
<v Speaker 4>leads to a certain inescapable level of redundancy about what

0:28:15.680 --> 0:28:18.600
<v Speaker 4>the stories of the day are not always defensible. I

0:28:18.600 --> 0:28:21.320
<v Speaker 4>think sometimes that there's certain myths get embedded in people's

0:28:21.359 --> 0:28:23.800
<v Speaker 4>heads about what people are interested in. There's a little

0:28:23.800 --> 0:28:25.560
<v Speaker 4>bit of a bubble that can happen, which is that

0:28:25.600 --> 0:28:27.480
<v Speaker 4>you work in this building where the TV's on all day,

0:28:27.720 --> 0:28:29.719
<v Speaker 4>so you're constantly looking up at cable News and you're like, Oh,

0:28:29.720 --> 0:28:32.040
<v Speaker 4>they're talking about x X is the thing we should

0:28:32.040 --> 0:28:35.199
<v Speaker 4>talk about. So I actually try to keep the TVs

0:28:35.240 --> 0:28:38.720
<v Speaker 4>off in my office for that reason. Okay, precisely because

0:28:38.720 --> 0:28:40.680
<v Speaker 4>I don't want to. I just don't want to be

0:28:40.720 --> 0:28:44.800
<v Speaker 4>overly influenced by what everyone in cable news is talking

0:28:44.800 --> 0:28:46.400
<v Speaker 4>about all the time, because then you can have a

0:28:46.480 --> 0:28:49.680
<v Speaker 4>kind of self fulfilling prophecy about that. But it's a challenge.

0:28:49.720 --> 0:28:51.160
<v Speaker 4>We have a bunch of meetings throughout the day in

0:28:51.160 --> 0:28:54.120
<v Speaker 4>which the production staffs of the different shows actually huddle

0:28:54.160 --> 0:28:57.240
<v Speaker 4>and talk about what their respective rundowns are and try

0:28:57.280 --> 0:28:59.040
<v Speaker 4>to make sure that we're not all doing the same show.

0:29:00.160 --> 0:29:10.760
<v Speaker 2>So without being too bias towards whatever my cable news preferences.

0:29:11.280 --> 0:29:15.200
<v Speaker 2>I think there was. I was in a waiting room

0:29:15.400 --> 0:29:20.200
<v Speaker 2>and an airport once, and that's probably the longest I've

0:29:20.200 --> 0:29:26.080
<v Speaker 2>been in a place in which Fox News was constantly running. Well,

0:29:26.280 --> 0:29:28.440
<v Speaker 2>they did some weird thing where Fox News was on

0:29:28.440 --> 0:29:32.160
<v Speaker 2>this television, but then behind me was CNN in the

0:29:32.200 --> 0:29:36.000
<v Speaker 2>same room playing at the same time. Yeah, it was well,

0:29:36.040 --> 0:29:39.120
<v Speaker 2>it was like one of them large like waiting room things.

0:29:40.960 --> 0:29:48.280
<v Speaker 2>And so then it finally hit me why Fox News'

0:29:48.400 --> 0:29:51.600
<v Speaker 2>ratings is how it is. One. I didn't know that

0:29:51.680 --> 0:29:57.440
<v Speaker 2>they exploited women, uh that much to that level. It's

0:29:57.440 --> 0:30:00.800
<v Speaker 2>like practically every journey, even if it's with a mail journalist,

0:30:00.840 --> 0:30:07.600
<v Speaker 2>there's always a leggy, thy, stiletto heeled, young blonde uras

0:30:07.640 --> 0:30:11.160
<v Speaker 2>And I was like, oh, this is why everyone's watching,

0:30:11.720 --> 0:30:14.240
<v Speaker 2>Like I finally got it, because in my head, I'm like,

0:30:15.520 --> 0:30:18.040
<v Speaker 2>people can't. I know, people want to accept the reality

0:30:18.120 --> 0:30:23.120
<v Speaker 2>that accept I mean, I feel as though of the three,

0:30:23.560 --> 0:30:26.400
<v Speaker 2>the big three networks, that you guys tell the truth

0:30:27.040 --> 0:30:31.160
<v Speaker 2>of what's happening, regardless of what it is, but is

0:30:31.200 --> 0:30:33.960
<v Speaker 2>there because there was a point where a lot of

0:30:34.000 --> 0:30:37.560
<v Speaker 2>my favorite chills were getting pushed to the side, like

0:30:37.640 --> 0:30:43.000
<v Speaker 2>suddenly Roland didn't have his show in the afternoon, and

0:30:42.320 --> 0:30:47.840
<v Speaker 2>the Daily Shoe like a whole bunch of ms. And

0:30:49.080 --> 0:30:51.960
<v Speaker 2>I was fearing that, oh God, they're trying to they're

0:30:51.960 --> 0:30:56.120
<v Speaker 2>feeling the pressure of Fox News, Like will they adjust

0:30:56.200 --> 0:30:58.400
<v Speaker 2>or I didn't know if it's new management, But how

0:30:59.440 --> 0:31:02.400
<v Speaker 2>do you feel year that one day there will be

0:31:03.600 --> 0:31:06.400
<v Speaker 2>the hammer comes down. It's just like, Okay, people aren't

0:31:07.560 --> 0:31:10.080
<v Speaker 2>here for the truth anymore, and we gotta you know.

0:31:10.440 --> 0:31:13.440
<v Speaker 4>I actually I sort of experienced this in reverse because

0:31:14.760 --> 0:31:17.080
<v Speaker 4>when we launched the show in twenty thirteen, interest in

0:31:17.120 --> 0:31:19.560
<v Speaker 4>politics was at a real low point. I mean, Barack

0:31:19.560 --> 0:31:22.280
<v Speaker 4>Obama's just been re elected, Congress is in the hand

0:31:22.280 --> 0:31:26.280
<v Speaker 4>of Republicans, there's this kind of stalemate, you know, and

0:31:26.560 --> 0:31:29.120
<v Speaker 4>people just were like, eh, I'm kind of done with politics.

0:31:29.200 --> 0:31:31.720
<v Speaker 4>I think the I think Barack Obama's re election particularly

0:31:31.760 --> 0:31:34.160
<v Speaker 4>was like, Okay, that's the end of that chapter, right,

0:31:34.240 --> 0:31:35.280
<v Speaker 4>like the.

0:31:35.560 --> 0:31:36.480
<v Speaker 2>I can go on with the life.

0:31:36.560 --> 0:31:38.080
<v Speaker 4>Yeah, Like we had George W. Bush and then like

0:31:38.120 --> 0:31:42.840
<v Speaker 4>this crazy insane financial crisis and also this crazy insane campaign,

0:31:42.880 --> 0:31:45.080
<v Speaker 4>and also we elected the first black president, and then it

0:31:45.080 --> 0:31:46.520
<v Speaker 4>was like, is he going to get re elected and

0:31:46.520 --> 0:31:48.080
<v Speaker 4>then he did, and it was like, okay, well we've

0:31:48.120 --> 0:31:51.040
<v Speaker 4>got a sort of narrative arc here that was a

0:31:51.160 --> 0:31:54.400
<v Speaker 4>dangerous for years of extremely Yeah, but people a lot

0:31:54.400 --> 0:31:56.040
<v Speaker 4>of people checked out, and we saw it in the numbers.

0:31:56.080 --> 0:31:59.520
<v Speaker 4>I mean, so my experiences, I've been doing the show

0:31:59.520 --> 0:32:02.960
<v Speaker 4>for five years, twenty thirteen, we started twenty thirteen, fourteen fifteen.

0:32:03.000 --> 0:32:04.520
<v Speaker 4>Those were lean years, and that's when a lot of

0:32:04.560 --> 0:32:06.480
<v Speaker 4>those shows were getting canceled. And I think it was

0:32:06.520 --> 0:32:08.560
<v Speaker 4>a combination of there was new management that came in,

0:32:09.200 --> 0:32:11.760
<v Speaker 4>but also everyone was kind of struggling trying to figure

0:32:11.760 --> 0:32:13.880
<v Speaker 4>out what gets people's attention. I mean, you remember the

0:32:13.880 --> 0:32:16.920
<v Speaker 4>missing plane thing, right when the plane went missing, and

0:32:16.960 --> 0:32:19.480
<v Speaker 4>that was that became this running joke, understandably because it

0:32:19.520 --> 0:32:22.080
<v Speaker 4>was insane how much cable news covered it, but people

0:32:22.120 --> 0:32:23.840
<v Speaker 4>were covering it out of desperation because it was it

0:32:23.880 --> 0:32:27.240
<v Speaker 4>was the only thing rating. It's like, you couldn't you

0:32:27.280 --> 0:32:30.120
<v Speaker 4>couldn't get people to do we.

0:32:30.040 --> 0:32:31.280
<v Speaker 2>Have a fine at plane? No?

0:32:31.280 --> 0:32:34.680
<v Speaker 4>No, No, it's crazy. Okay, Yeah, that's one of those

0:32:34.720 --> 0:32:37.240
<v Speaker 4>for where did we end up up on that files? Yeah,

0:32:37.280 --> 0:32:39.760
<v Speaker 4>like where we end up on the plane? I know,

0:32:40.000 --> 0:32:41.760
<v Speaker 4>I know there was it was missing.

0:32:41.600 --> 0:32:43.880
<v Speaker 2>But and they thought they found it. That they right.

0:32:44.240 --> 0:32:49.320
<v Speaker 4>So what's happened instead over the course of our trajectory

0:32:49.360 --> 0:32:52.400
<v Speaker 4>on the show is that we now have We've got

0:32:52.400 --> 0:32:55.520
<v Speaker 4>form four times as many viewers as we had, you know,

0:32:55.680 --> 0:32:58.600
<v Speaker 4>back in twenty thirteen, twenty fourteen, the lean years, and

0:33:00.080 --> 0:33:03.240
<v Speaker 4>my feeling, I feel like if the viewers are there,

0:33:03.360 --> 0:33:08.040
<v Speaker 4>we're there. But TV's fickle. I mean, TV's rough. It's

0:33:08.080 --> 0:33:10.480
<v Speaker 4>like it's like the restaurant business in New York City.

0:33:11.200 --> 0:33:16.000
<v Speaker 2>So you don't even feel secure in your position now

0:33:16.320 --> 0:33:17.680
<v Speaker 2>as a anchor.

0:33:17.480 --> 0:33:19.719
<v Speaker 4>I feel pretty I feel them. I will say this,

0:33:19.800 --> 0:33:22.280
<v Speaker 4>I feel the most secure I've ever felt like I

0:33:22.320 --> 0:33:25.440
<v Speaker 4>have a contract. I'm going to be there through you know,

0:33:25.480 --> 0:33:31.640
<v Speaker 4>through twenty twenty you know, barring something completely unforeseen, and

0:33:31.640 --> 0:33:33.280
<v Speaker 4>and I feel as secure as've ever felt. But I

0:33:33.320 --> 0:33:37.200
<v Speaker 4>have also I also understand that it's a crazy business

0:33:37.480 --> 0:33:41.880
<v Speaker 4>and you know people things blow up all the time,

0:33:42.080 --> 0:33:44.120
<v Speaker 4>and things get canceled to get moved around. It's just

0:33:44.160 --> 0:33:45.680
<v Speaker 4>the nature of the business. And you got to kind

0:33:45.720 --> 0:33:48.320
<v Speaker 4>of be a little at peace with that otherwise you're

0:33:48.360 --> 0:33:49.760
<v Speaker 4>going to stress yourself out all the time.

0:33:54.840 --> 0:33:57.320
<v Speaker 2>Normally, well, we kind of worked our way backwards, but

0:33:57.680 --> 0:33:59.920
<v Speaker 2>I always started your beginnings.

0:34:00.720 --> 0:34:03.720
<v Speaker 7>Can I just ask one more question before we go backwards?

0:34:05.040 --> 0:34:09.920
<v Speaker 8>And speaking of like fickle and TV and stuff, Trump fatigue.

0:34:10.520 --> 0:34:12.440
<v Speaker 8>So I'm kind of a news junkie, or I was,

0:34:12.760 --> 0:34:15.840
<v Speaker 8>and now I'm kind of like I have Trump.

0:34:16.120 --> 0:34:17.200
<v Speaker 4>You've hit You've hit your point.

0:34:17.280 --> 0:34:18.000
<v Speaker 7>Yeah I stopped.

0:34:18.320 --> 0:34:21.120
<v Speaker 8>That's interesting and well it's sort of correlated with the

0:34:21.160 --> 0:34:24.080
<v Speaker 8>beginning of chatting with Sugar. So I don't really do

0:34:24.160 --> 0:34:28.399
<v Speaker 8>anything anymore except that. But but no, in all seriousness, though,

0:34:29.520 --> 0:34:30.279
<v Speaker 8>do you get that?

0:34:30.320 --> 0:34:30.920
<v Speaker 2>Do you have that?

0:34:31.080 --> 0:34:33.160
<v Speaker 7>Or are you getting that? Do you fear having that?

0:34:34.080 --> 0:34:34.319
<v Speaker 2>Yeah?

0:34:34.440 --> 0:34:39.440
<v Speaker 4>I feel it sometimes, I think, you know, there are

0:34:39.520 --> 0:34:42.880
<v Speaker 4>times where it feels a little like being trapped in

0:34:42.960 --> 0:34:48.239
<v Speaker 4>a dysfunctional or toxic relationship or a toxic household. Like

0:34:48.280 --> 0:34:50.800
<v Speaker 4>I've been very lucky in my life that the people

0:34:51.160 --> 0:34:53.000
<v Speaker 4>that are closest to me, I haven't had to deal

0:34:53.080 --> 0:34:55.479
<v Speaker 4>with people very close to my life that are really

0:34:55.520 --> 0:34:59.480
<v Speaker 4>toxic personalities. People do People have parents that are toxic personality,

0:34:59.480 --> 0:35:02.239
<v Speaker 4>They have partners that are you know, siblings, Like people

0:35:02.280 --> 0:35:03.560
<v Speaker 4>deal with that, they deal with that all the time.

0:35:03.600 --> 0:35:06.920
<v Speaker 4>I'm very lucky my loved ones aren't you know, aren't

0:35:06.960 --> 0:35:09.920
<v Speaker 4>like that. I feel like I have this weird experience

0:35:09.960 --> 0:35:11.840
<v Speaker 4>of it now because so much of my day is

0:35:11.880 --> 0:35:14.799
<v Speaker 4>dominated by the President of the United States and what

0:35:14.840 --> 0:35:18.279
<v Speaker 4>he's doing, and and yeah, I think I have some

0:35:18.440 --> 0:35:20.520
<v Speaker 4>craving to get outside that a little bit. We just

0:35:20.560 --> 0:35:26.760
<v Speaker 4>we actually just launched a podcast that called whise is Happening,

0:35:26.760 --> 0:35:29.040
<v Speaker 4>where I get to have kind of longer conversations with

0:35:29.080 --> 0:35:33.120
<v Speaker 4>people and outside of the specifics of the daily news

0:35:33.120 --> 0:35:35.560
<v Speaker 4>cycle that tends to be so driven by the President.

0:35:36.520 --> 0:35:40.399
<v Speaker 4>And partly I think that's because that's nurturing a need

0:35:40.480 --> 0:35:43.760
<v Speaker 4>I have to talk about, yeah, talk about other stuff.

0:35:43.760 --> 0:35:46.239
<v Speaker 4>I mean, just just to talk about you know, I've

0:35:46.239 --> 0:35:48.880
<v Speaker 4>been trying recently. I just found myself so trapped in

0:35:48.960 --> 0:35:51.040
<v Speaker 4>the news cycle just for my job that I've been

0:35:51.040 --> 0:35:53.400
<v Speaker 4>trying to like read more books and I just you know,

0:35:53.560 --> 0:35:54.920
<v Speaker 4>read novels.

0:35:54.960 --> 0:35:57.319
<v Speaker 3>And but don't you think, like I listened to all

0:35:57.320 --> 0:36:00.640
<v Speaker 3>your podcasts on the way in, and as far as

0:36:00.680 --> 0:36:02.320
<v Speaker 3>you try to get away from them, they all circle

0:36:02.400 --> 0:36:04.319
<v Speaker 3>back to Trump and what's going on now, Like the

0:36:04.360 --> 0:36:06.839
<v Speaker 3>conservative one, it's all it doesn't matter.

0:36:07.080 --> 0:36:09.239
<v Speaker 2>Yeah, as far out as you go, you always get

0:36:09.320 --> 0:36:09.839
<v Speaker 2>sucked back.

0:36:09.760 --> 0:36:11.479
<v Speaker 4>Into that thing like, that's a good point.

0:36:11.520 --> 0:36:12.799
<v Speaker 3>It was like the Middle East and it was all

0:36:12.840 --> 0:36:14.359
<v Speaker 3>about like but then it was like Kushner, what's going

0:36:14.360 --> 0:36:14.919
<v Speaker 3>on in the Middle East?

0:36:14.960 --> 0:36:15.799
<v Speaker 2>Like totally one of them.

0:36:16.080 --> 0:36:18.400
<v Speaker 4>Yeah, no, And I think as we go further, I

0:36:18.440 --> 0:36:19.959
<v Speaker 4>think we want to try to push to go further

0:36:19.960 --> 0:36:21.440
<v Speaker 4>a field. Part of it also is I mean the

0:36:21.840 --> 0:36:23.840
<v Speaker 4>funny thing about that, right, this comes back to this

0:36:23.920 --> 0:36:26.160
<v Speaker 4>question about, you know, the plants growing towards the light.

0:36:26.840 --> 0:36:30.320
<v Speaker 4>So I was like obsessively looking at the podcast numbers

0:36:30.360 --> 0:36:33.200
<v Speaker 4>last night because I'm a crazy, compulsively addicted junkie.

0:36:33.320 --> 0:36:38.440
<v Speaker 2>Sounds like me, Yeah, this is I stopped looking at

0:36:38.440 --> 0:36:43.759
<v Speaker 2>my Metacritic numbers like three months ago. But yeah, at

0:36:43.760 --> 0:36:46.440
<v Speaker 2>one point, man like, well that's sick.

0:36:46.719 --> 0:36:48.000
<v Speaker 4>Say I do it too.

0:36:48.000 --> 0:36:48.560
<v Speaker 2>It's terrible.

0:36:48.640 --> 0:36:51.080
<v Speaker 4>Yeah. Authors, Man, you talk to authors, they sit there

0:36:51.080 --> 0:36:54.319
<v Speaker 4>just hitting refresh on the Amazon ranking and it's like.

0:36:55.080 --> 0:36:56.200
<v Speaker 2>Even give me a start with that ship.

0:36:56.320 --> 0:36:58.920
<v Speaker 4>Yeah, it's crazy. So I was looking at it last night,

0:36:58.960 --> 0:37:02.319
<v Speaker 4>and sure enough, we put out three episodes and one

0:37:02.320 --> 0:37:04.520
<v Speaker 4>of them is one is very explicitly about Trump and

0:37:04.520 --> 0:37:07.200
<v Speaker 4>how he fits into conservatism, and lo and behold that's

0:37:07.200 --> 0:37:10.880
<v Speaker 4>the best performing one, right, which which which is not

0:37:11.160 --> 0:37:13.799
<v Speaker 4>that surprising because the even if there are people I

0:37:13.800 --> 0:37:16.320
<v Speaker 4>think like yourself, and I think that's not an uncommon experience,

0:37:16.400 --> 0:37:20.040
<v Speaker 4>a sort of fatigue, there's also just this insatiable desire

0:37:20.200 --> 0:37:21.480
<v Speaker 4>to try to understand.

0:37:21.960 --> 0:37:23.880
<v Speaker 3>But it also felt like the most relatable. Sorry, it

0:37:23.880 --> 0:37:25.839
<v Speaker 3>felt like the most relatable. The one about conservatism too

0:37:26.040 --> 0:37:27.480
<v Speaker 3>very black and white to me. It was like, this

0:37:27.560 --> 0:37:30.239
<v Speaker 3>is the guy the guy you had on was Yeah,

0:37:30.239 --> 0:37:32.719
<v Speaker 3>it was very explicit about what it felt very clear

0:37:32.760 --> 0:37:32.920
<v Speaker 3>to me.

0:37:33.080 --> 0:37:40.719
<v Speaker 2>Yeah, is it hard to not insert your personal beliefs

0:37:41.440 --> 0:37:45.799
<v Speaker 2>into a situation and being neutral? Because the thing is

0:37:45.840 --> 0:37:50.440
<v Speaker 2>that this is the first time in which I'm seeing

0:37:53.080 --> 0:37:55.319
<v Speaker 2>being neutral being a dangerous thing.

0:37:56.120 --> 0:37:57.359
<v Speaker 7>I mean, I.

0:37:57.320 --> 0:38:00.239
<v Speaker 2>Guess I would. You're not neutral? Yeah, I mean no,

0:38:00.280 --> 0:38:02.040
<v Speaker 2>I know that, But I'm just saying that. Is it

0:38:05.320 --> 0:38:08.400
<v Speaker 2>the days of you know, you not knowing where Walter

0:38:08.480 --> 0:38:18.000
<v Speaker 2>khank this this may take a while, Walter. Yeah, with

0:38:18.120 --> 0:38:21.720
<v Speaker 2>Walter Kronkite or Peter Jennings or whatever, right, the days

0:38:21.760 --> 0:38:27.480
<v Speaker 2>of just asking a question and you you know, Yeah.

0:38:27.320 --> 0:38:29.560
<v Speaker 4>I think that the model that we have that I

0:38:29.640 --> 0:38:32.200
<v Speaker 4>have is that I'm not neutral, that I have a

0:38:32.360 --> 0:38:34.560
<v Speaker 4>set of beliefs in a worldview that people know and

0:38:34.600 --> 0:38:38.319
<v Speaker 4>are familiar with. But we try really hard on the

0:38:38.320 --> 0:38:40.880
<v Speaker 4>show to be what I would say would be fair,

0:38:41.040 --> 0:38:44.000
<v Speaker 4>and to be open minded, to not take cheap shots,

0:38:44.440 --> 0:38:50.399
<v Speaker 4>to not to not just tell ourselves things that feel good,

0:38:50.760 --> 0:38:54.439
<v Speaker 4>to not be hacks. Right, So that, oh, well, this

0:38:54.560 --> 0:38:57.799
<v Speaker 4>Republican was accused of sexual harassment and ergo, that person

0:38:57.920 --> 0:38:59.399
<v Speaker 4>is terrible and we're going to do a hip piece

0:38:59.400 --> 0:39:02.160
<v Speaker 4>segment on them. And then the next day this Democrat

0:39:02.200 --> 0:39:04.080
<v Speaker 4>was accused of sexual harassment. Like we're just going to

0:39:04.160 --> 0:39:06.560
<v Speaker 4>keep that out of the show, Okay. Like the other night,

0:39:06.600 --> 0:39:11.399
<v Speaker 4>for instance, half forty minutes before we went to air,

0:39:11.480 --> 0:39:13.640
<v Speaker 4>Eric Sneiderman, the New York Attorney General, there was a

0:39:13.640 --> 0:39:16.960
<v Speaker 4>piece in New Yorker devastating, horrifying Peace in which he's

0:39:17.000 --> 0:39:22.240
<v Speaker 4>alleged to be this just sort of psychotically disgusting abuser,

0:39:22.280 --> 0:39:24.919
<v Speaker 4>I mean with women in his piece. Yeah, Ronan's piece.

0:39:25.040 --> 0:39:26.440
<v Speaker 2>Yiks, Ronan does man.

0:39:27.320 --> 0:39:29.640
<v Speaker 4>People on the record, women on the record talking about

0:39:29.640 --> 0:39:32.319
<v Speaker 4>this horrible physical and verbal abuse from him. And it

0:39:32.360 --> 0:39:35.600
<v Speaker 4>broke at seven twenty and I was like, we're doing

0:39:35.600 --> 0:39:38.160
<v Speaker 4>this in the show because Eric Snydermann's been on our

0:39:38.160 --> 0:39:43.160
<v Speaker 4>show and it's important that this, we don't. You know,

0:39:43.840 --> 0:39:45.720
<v Speaker 4>if you were a Republican, we do it. IF's a Democrat,

0:39:45.800 --> 0:39:48.160
<v Speaker 4>we do it. So there's a level which like we

0:39:48.320 --> 0:39:52.480
<v Speaker 4>have our worldview, but we also are not just out

0:39:52.520 --> 0:39:54.960
<v Speaker 4>there trying to play for a team, which is really

0:39:54.960 --> 0:39:58.440
<v Speaker 4>important to me, like that we are good faith arbiters

0:39:59.000 --> 0:40:03.080
<v Speaker 4>from the perspective of a set of values as opposed

0:40:03.120 --> 0:40:06.160
<v Speaker 4>to a perspective of one of two tribes or one

0:40:06.160 --> 0:40:07.840
<v Speaker 4>of two colors, or one or two teams.

0:40:08.000 --> 0:40:09.440
<v Speaker 3>But like when you were coming up, we're fairly the

0:40:09.480 --> 0:40:11.160
<v Speaker 3>same age, like you were saying, I feel like Peter

0:40:11.239 --> 0:40:13.480
<v Speaker 3>Jennings and Dan Rather they're all like trying to be

0:40:13.520 --> 0:40:15.520
<v Speaker 3>the face of neutrality and try to present both things.

0:40:15.640 --> 0:40:17.520
<v Speaker 3>When did you decide to really define yourself as being

0:40:17.520 --> 0:40:21.360
<v Speaker 3>liberal because like your Wikipedia page it's as a liberal commentary.

0:40:21.400 --> 0:40:23.279
<v Speaker 3>It's like it feels like that's something you're very proud,

0:40:23.360 --> 0:40:24.000
<v Speaker 3>yeah or whatever.

0:40:24.200 --> 0:40:26.359
<v Speaker 4>Well for me for it started, I mean it went

0:40:26.400 --> 0:40:29.080
<v Speaker 4>the other way. So people people that come up through

0:40:29.120 --> 0:40:31.400
<v Speaker 4>TV have to be neutral, I think as they come up,

0:40:31.440 --> 0:40:34.799
<v Speaker 4>because if you're the you're reading the news in Des

0:40:34.800 --> 0:40:37.880
<v Speaker 4>Moines or in Broward County or wherever you got it,

0:40:37.920 --> 0:40:40.319
<v Speaker 4>that's the way the business model works, and then if

0:40:40.400 --> 0:40:43.480
<v Speaker 4>you know, you work your way up past that and

0:40:43.520 --> 0:40:45.719
<v Speaker 4>you're doing other stuff. For me, I started as just

0:40:46.280 --> 0:40:50.120
<v Speaker 4>a writer writing for explicitly ideological publications where everybody knew.

0:40:50.200 --> 0:40:52.640
<v Speaker 4>So the Nation magazine and In These Times and Chicago

0:40:52.640 --> 0:40:55.160
<v Speaker 4>Reader are a certain extent like they were places where

0:40:55.239 --> 0:40:58.040
<v Speaker 4>that was just part of the social contract with the reader,

0:40:58.560 --> 0:41:01.480
<v Speaker 4>like the reader understood they're getting yeah, yeah, And I

0:41:01.520 --> 0:41:04.040
<v Speaker 4>think you know, I read a lot of a lot

0:41:04.080 --> 0:41:09.200
<v Speaker 4>of different stuff from different ideological corners that I really

0:41:09.320 --> 0:41:12.080
<v Speaker 4>like because to me, the big, the most important thing

0:41:12.120 --> 0:41:16.680
<v Speaker 4>is just to be honest and upfront and not be deceptive. Right,

0:41:16.800 --> 0:41:18.880
<v Speaker 4>So the the sort of sneak attack that kind of

0:41:18.880 --> 0:41:21.480
<v Speaker 4>like oh, well, this is just when you're smuggling stuff

0:41:21.480 --> 0:41:23.200
<v Speaker 4>in and you're not telling him as opposed you're saying like, hey,

0:41:23.239 --> 0:41:26.080
<v Speaker 4>I'm a conservative, and here's why I think you know

0:41:26.440 --> 0:41:29.600
<v Speaker 4>X about the tax cuts or X about our cultural

0:41:29.680 --> 0:41:32.360
<v Speaker 4>rot of Hollywood or whatever it is that's interesting to me,

0:41:32.400 --> 0:41:34.160
<v Speaker 4>and I can I can engage with that. It's the

0:41:34.280 --> 0:41:36.640
<v Speaker 4>it's the it's the bad faith deception that I find

0:41:36.680 --> 0:41:37.520
<v Speaker 4>a little unnerving.

0:41:37.600 --> 0:41:41.440
<v Speaker 2>Well, actually, well, this could lead us into a colony

0:41:41.520 --> 0:41:45.839
<v Speaker 2>and a nation which I always felt that the term

0:41:45.960 --> 0:41:51.160
<v Speaker 2>liberal was sort of a dog whistle turn that conservative

0:41:51.200 --> 0:41:56.319
<v Speaker 2>media has come up with, uh when they describe a

0:41:56.560 --> 0:42:09.120
<v Speaker 2>journalist that considers black people, gay people, brown people, anyone

0:42:09.360 --> 0:42:19.239
<v Speaker 2>not under the white male hetero kind of umbrella as equals.

0:42:19.880 --> 0:42:22.759
<v Speaker 2>Always felt as though that has been the sort of

0:42:22.840 --> 0:42:26.560
<v Speaker 2>dog whistle term of which you you there's there's a

0:42:26.600 --> 0:42:30.000
<v Speaker 2>great part of in chapter four where you really explain

0:42:30.080 --> 0:42:33.759
<v Speaker 2>that the genesis of the idea of white fear and

0:42:33.920 --> 0:42:44.239
<v Speaker 2>that the fear of losing knowing acknowledging that you have

0:42:44.280 --> 0:42:46.960
<v Speaker 2>an advantage and that one day it could be lost.

0:42:47.880 --> 0:42:51.120
<v Speaker 2>And I almost feel as that's where that falls under it.

0:42:51.239 --> 0:42:54.120
<v Speaker 2>So even I mean, I consider when I hear liberal,

0:42:54.160 --> 0:42:58.839
<v Speaker 2>I feel that that's the hidden the hidden four letter

0:42:58.880 --> 0:43:03.640
<v Speaker 2>word that I mean basically is you're telling the truth

0:43:04.120 --> 0:43:07.040
<v Speaker 2>right in my opinion. But of course, like the way

0:43:07.080 --> 0:43:10.640
<v Speaker 2>that we're programming built today that it's it's kind of like,

0:43:11.520 --> 0:43:15.640
<v Speaker 2>you know, you have to preference with you know, I'm

0:43:15.719 --> 0:43:18.719
<v Speaker 2>neutral and I'm that sort of thing. So like, how

0:43:18.760 --> 0:43:20.520
<v Speaker 2>do you feel when you hear that title?

0:43:21.520 --> 0:43:23.880
<v Speaker 4>I don't, you know, it's funny liberal. I never feel

0:43:24.560 --> 0:43:27.239
<v Speaker 4>I don't feel like there's really a great term that

0:43:27.360 --> 0:43:31.200
<v Speaker 4>I feel like I want to embrace. Like liberal doesn't

0:43:31.200 --> 0:43:34.200
<v Speaker 4>feel quite right, progressa doesn't feel quite right, leftist doesn't

0:43:34.239 --> 0:43:35.920
<v Speaker 4>feel None of those feel quite right. I don't know

0:43:35.920 --> 0:43:36.920
<v Speaker 4>what the right term.

0:43:36.760 --> 0:43:39.200
<v Speaker 2>Is, right. What does the Fox journalists call themselves?

0:43:40.239 --> 0:43:44.200
<v Speaker 4>Oh, you know, they say they're unbiased or they're you know,

0:43:44.280 --> 0:43:46.880
<v Speaker 4>I think Sean Hannity calls them. I think that's not true.

0:43:46.960 --> 0:43:49.360
<v Speaker 4>I think Tucker Carls and Sean Hanny, Laura Ingram, they

0:43:49.360 --> 0:43:51.839
<v Speaker 4>would all call themselves conservatives. I think they would say

0:43:51.880 --> 0:43:56.520
<v Speaker 4>that they were conservatives. I I think if I were to,

0:43:57.080 --> 0:43:59.600
<v Speaker 4>you know, my biggest commitment, I would And this is

0:43:59.800 --> 0:44:02.319
<v Speaker 4>a word that you I think sounds annoying if you

0:44:02.360 --> 0:44:04.879
<v Speaker 4>go around calling yourself this but an egalitarian. I mean,

0:44:04.880 --> 0:44:10.560
<v Speaker 4>I'm like, I'm really my worldview is really ordered around

0:44:10.680 --> 0:44:14.759
<v Speaker 4>equality and getting to equality and what a society with real,

0:44:14.880 --> 0:44:17.120
<v Speaker 4>genuine that took a quality seriously it would look like,

0:44:17.440 --> 0:44:19.839
<v Speaker 4>and what that would mean for full human flourishing. I mean,

0:44:20.320 --> 0:44:22.279
<v Speaker 4>you know, it's easy, I think sometimes to lose sight.

0:44:22.280 --> 0:44:24.880
<v Speaker 4>Everything gets so cramped of like what is the project?

0:44:26.200 --> 0:44:28.120
<v Speaker 4>Why are we as humans? Why do we build a

0:44:28.120 --> 0:44:29.960
<v Speaker 4>democratic society, Why do we do any of this? What's

0:44:30.000 --> 0:44:33.799
<v Speaker 4>the idea behind this all? And the idea is to

0:44:33.880 --> 0:44:38.880
<v Speaker 4>facilitate human flourishing. The idea is everybody has an opportunity

0:44:38.880 --> 0:44:42.160
<v Speaker 4>and a chance and is given the tools to flourish,

0:44:42.239 --> 0:44:44.840
<v Speaker 4>to do things they love, to do, things they enjoy,

0:44:45.000 --> 0:44:49.040
<v Speaker 4>to be in relationships that are fulfilling to them, to

0:44:49.160 --> 0:44:52.239
<v Speaker 4>go on vacations and play on the beach. I mean,

0:44:53.120 --> 0:44:55.359
<v Speaker 4>that's the vision here, and there's a bunch of questions

0:44:55.400 --> 0:44:57.239
<v Speaker 4>about how do you get that vision? But to me,

0:44:58.080 --> 0:45:02.200
<v Speaker 4>when we have hierarchies and categorical systems that put some

0:45:02.239 --> 0:45:03.839
<v Speaker 4>people on one side of the line and some people

0:45:03.840 --> 0:45:06.359
<v Speaker 4>on the other of it, whether that's through the way

0:45:06.360 --> 0:45:10.160
<v Speaker 4>the economy works or in the case of colony nation policing, like,

0:45:10.200 --> 0:45:12.520
<v Speaker 4>that's the fundamental thing that I'm taken with that I

0:45:12.560 --> 0:45:16.320
<v Speaker 4>think about, is are those hierarchies and that and getting

0:45:16.360 --> 0:45:18.480
<v Speaker 4>to a quality and sort of ways that we can

0:45:18.560 --> 0:45:19.680
<v Speaker 4>upend those hierarchies.

0:45:19.840 --> 0:45:23.359
<v Speaker 2>When you were a kid, what were your aspirations as

0:45:23.440 --> 0:45:25.359
<v Speaker 2>far as what you thought you were going to do

0:45:26.280 --> 0:45:28.560
<v Speaker 2>as an adult when you were six or seven years old.

0:45:29.320 --> 0:45:30.919
<v Speaker 4>Well, when I was six or seven, I probably wanted

0:45:30.960 --> 0:45:35.399
<v Speaker 4>to be a basketball player. To be honest, that did

0:45:35.440 --> 0:45:39.160
<v Speaker 4>not work out. I was like barely a high school

0:45:39.200 --> 0:45:42.480
<v Speaker 4>varsity basketball player, So I was a long way.

0:45:43.600 --> 0:45:45.160
<v Speaker 2>But that philosophy degree from Brown.

0:45:45.320 --> 0:45:45.600
<v Speaker 5>Yeah.

0:45:45.680 --> 0:45:49.719
<v Speaker 4>Yeah, Weirdly, you know, I knocked around the D League

0:45:49.719 --> 0:45:53.120
<v Speaker 4>for a bit. But no, I would say that the

0:45:53.120 --> 0:45:56.239
<v Speaker 4>two biggest things I thought about was something in some

0:45:56.440 --> 0:46:00.640
<v Speaker 4>kind of way of like, I think I always wanted

0:46:00.680 --> 0:46:02.960
<v Speaker 4>to perform in some ways. And then I think I

0:46:03.000 --> 0:46:05.319
<v Speaker 4>wanted to be I really wanted to be an intellectual,

0:46:05.520 --> 0:46:07.480
<v Speaker 4>even at a really young age, Like I wanted to

0:46:07.520 --> 0:46:12.560
<v Speaker 4>be a professor, you know, I want to be someone

0:46:12.600 --> 0:46:15.320
<v Speaker 4>who learned for a living and wrote books for a

0:46:15.360 --> 0:46:19.080
<v Speaker 4>living and you know, engage with other people about ideas

0:46:19.120 --> 0:46:20.919
<v Speaker 4>and that. I think I wanted to do that even

0:46:20.960 --> 0:46:23.399
<v Speaker 4>when I was really really young, I think seven eight nine,

0:46:23.520 --> 0:46:25.799
<v Speaker 4>probably I wanted to do that.

0:46:25.800 --> 0:46:28.120
<v Speaker 2>That's weird because I feel like I was just forced

0:46:28.120 --> 0:46:32.440
<v Speaker 2>into that position, like forced intellectualism. No, I'm just forced

0:46:32.480 --> 0:46:36.719
<v Speaker 2>into the whatever, the teacher role that people expect me

0:46:36.800 --> 0:46:39.560
<v Speaker 2>to be. Then I was like, well what they what

0:46:39.600 --> 0:46:39.840
<v Speaker 2>did you?

0:46:39.920 --> 0:46:40.640
<v Speaker 4>What did you want to be?

0:46:40.880 --> 0:46:42.560
<v Speaker 2>No, I was I was going to be a musician,

0:46:43.080 --> 0:46:43.640
<v Speaker 2>and then.

0:46:43.480 --> 0:46:46.200
<v Speaker 4>From from from from real young from.

0:46:46.040 --> 0:46:47.919
<v Speaker 2>The age of two. But the thing was is that

0:46:48.120 --> 0:46:51.760
<v Speaker 2>because did you come from my my my my family.

0:46:51.760 --> 0:46:54.680
<v Speaker 2>I came from a musical think think the Black Partes family,

0:46:54.760 --> 0:46:58.879
<v Speaker 2>So I came from that sort of environment. But now

0:46:58.920 --> 0:47:02.279
<v Speaker 2>that I think about it, it's either you're going to

0:47:02.360 --> 0:47:09.719
<v Speaker 2>be a musician and pursue and create art, which I

0:47:09.719 --> 0:47:13.920
<v Speaker 2>think I did. Yeah, but then I get equal amounts

0:47:13.920 --> 0:47:19.279
<v Speaker 2>of pleasure of studying other people's method of making art.

0:47:20.400 --> 0:47:26.600
<v Speaker 2>So it's like, would I rather you know, go batch

0:47:26.640 --> 0:47:29.560
<v Speaker 2>it crazy over watching other people make art and marvel

0:47:29.600 --> 0:47:32.640
<v Speaker 2>over it and figure out the process of value did

0:47:32.640 --> 0:47:36.760
<v Speaker 2>it versus me just doing it myself like my version

0:47:36.760 --> 0:47:39.040
<v Speaker 2>of it. And I actually think that the former is

0:47:39.080 --> 0:47:54.440
<v Speaker 2>what I gravitate towards. So really, uh yeah, yeah.

0:47:49.920 --> 0:47:52.520
<v Speaker 4>I always think to myself, if I could be given

0:47:52.680 --> 0:47:56.400
<v Speaker 4>any power or ability in the world. I mean, the

0:47:56.480 --> 0:47:58.759
<v Speaker 4>honest and lay answer is probably dunk of basketball. But

0:47:59.080 --> 0:48:02.880
<v Speaker 4>if you put that, ah, you put that aside, like

0:48:03.000 --> 0:48:05.840
<v Speaker 4>really dunk, I mean like really, I don't mean like

0:48:05.840 --> 0:48:10.640
<v Speaker 4>they just get me over, like were like trained for

0:48:10.719 --> 0:48:15.320
<v Speaker 4>ten months and I mean like row down down, but

0:48:15.320 --> 0:48:18.080
<v Speaker 4>but that but I would say after that, the number

0:48:18.080 --> 0:48:20.160
<v Speaker 4>one thing would be to like write a great song

0:48:21.200 --> 0:48:23.560
<v Speaker 4>that to me seems like the ultimate superpower, like to

0:48:23.600 --> 0:48:26.319
<v Speaker 4>walk through Earth and being able to do that.

0:48:26.640 --> 0:48:30.080
<v Speaker 2>See, that's weird. I'd rather discover a great song, like in.

0:48:30.000 --> 0:48:31.759
<v Speaker 4>My mind iascinating to me.

0:48:31.880 --> 0:48:36.720
<v Speaker 2>Really, I know somewhere and it's like do I dream

0:48:36.760 --> 0:48:38.919
<v Speaker 2>of Like, Man, I'm gonna write a great song that's

0:48:38.920 --> 0:48:41.839
<v Speaker 2>going to change people's lives, and hey, it's me a

0:48:41.880 --> 0:48:44.080
<v Speaker 2>writing song of the year and I'm holding my grammy.

0:48:44.320 --> 0:48:47.400
<v Speaker 2>I don't have those dreams. My dreams are, man, I

0:48:47.520 --> 0:48:48.919
<v Speaker 2>know in that Prince Fault.

0:48:50.960 --> 0:48:52.080
<v Speaker 4>There's let's be in.

0:48:52.560 --> 0:48:55.279
<v Speaker 2>Yeah, there's at least forty one songs at least of

0:48:55.320 --> 0:48:58.320
<v Speaker 2>those thousands. I know at least there's forty one songs

0:48:58.920 --> 0:49:01.240
<v Speaker 2>that could change my life.

0:49:02.080 --> 0:49:05.200
<v Speaker 4>Gotta get to them like other people's just changed your life,

0:49:05.239 --> 0:49:08.759
<v Speaker 4>my life discovery. You're saying discovery as a bust of creation, and.

0:49:08.719 --> 0:49:11.759
<v Speaker 2>You know what it was? Okay, So when I'll give

0:49:11.760 --> 0:49:17.239
<v Speaker 2>you example, So maybe a month before the Purple Raine

0:49:17.640 --> 0:49:24.640
<v Speaker 2>reissue came out, when quote, my connect gave me, uh

0:49:25.520 --> 0:49:28.480
<v Speaker 2>whatever the whatever the final listening was going to be

0:49:28.520 --> 0:49:31.480
<v Speaker 2>of the extra songs that were making it. He sent

0:49:31.520 --> 0:49:34.360
<v Speaker 2>me a particular song he sent me we can Funk

0:49:35.120 --> 0:49:43.600
<v Speaker 2>or we can fuck uh funk, and I can't describe

0:49:43.640 --> 0:49:45.960
<v Speaker 2>it to you, but in hearing it and knowing that

0:49:46.040 --> 0:49:49.200
<v Speaker 2>song already and heard it and it's different incarnations of

0:49:49.800 --> 0:49:55.040
<v Speaker 2>in boot Bootlegology, at one point for a particular minute,

0:49:55.760 --> 0:50:01.640
<v Speaker 2>I was back to being that thirteen year old that

0:50:02.280 --> 0:50:07.640
<v Speaker 2>there's nothing like staring at the speaker discovering new music

0:50:07.840 --> 0:50:10.920
<v Speaker 2>and how it made you. It just brought me back

0:50:10.960 --> 0:50:16.600
<v Speaker 2>to fifty two to twelve. Oh Sage Avenue and the

0:50:17.200 --> 0:50:20.960
<v Speaker 2>bowl a si My cereal bowl and the color television

0:50:20.960 --> 0:50:24.520
<v Speaker 2>with the set, you know, with the antenna. So yeah,

0:50:24.600 --> 0:50:27.640
<v Speaker 2>it's just like I don't know if maybe, and maybe

0:50:27.640 --> 0:50:30.680
<v Speaker 2>that's why I also obsessed over well, I've explained like

0:50:31.640 --> 0:50:35.120
<v Speaker 2>watch me obsessing over Soul Train isn't necessarily about me

0:50:35.280 --> 0:50:38.200
<v Speaker 2>loving the show Soul Train, but more or less because

0:50:38.960 --> 0:50:42.520
<v Speaker 2>every episode does the synesthesia thing with me that I

0:50:42.640 --> 0:50:48.160
<v Speaker 2>can I know what happened this particular day, I'll make

0:50:48.200 --> 0:50:50.600
<v Speaker 2>it be silly shit, Like the most silliest one was

0:50:50.640 --> 0:50:55.399
<v Speaker 2>like Shalamar's first appearance on the show. Oh, I love

0:50:55.440 --> 0:50:59.040
<v Speaker 2>that one. Shalamar's first appearance on the show in nineteen

0:50:59.120 --> 0:51:07.360
<v Speaker 2>seventy seven triggers off Ah a can of of Pathmark

0:51:07.640 --> 0:51:14.759
<v Speaker 2>no frill spaghetti meatballs with the good stuff. Stop dismissing me,

0:51:14.800 --> 0:51:17.640
<v Speaker 2>Steve in my dreams, I'm just saying.

0:51:20.280 --> 0:51:20.360
<v Speaker 10>No.

0:51:20.440 --> 0:51:23.320
<v Speaker 2>But it's it's it just takes me to a magical

0:51:23.360 --> 0:51:26.360
<v Speaker 2>time in second grade at seven years old. And I

0:51:26.400 --> 0:51:29.520
<v Speaker 2>mean it might be silly, but maybe that's how my

0:51:29.680 --> 0:51:36.760
<v Speaker 2>memories are preserved. Yeah, So it's almost like I don't

0:51:37.360 --> 0:51:43.160
<v Speaker 2>I'm happy with, you know, the Grammys and stuff, but

0:51:43.200 --> 0:51:45.680
<v Speaker 2>maybe that's why they're in my bathroom. Like like I

0:51:45.680 --> 0:51:48.600
<v Speaker 2>don't dream of my own achievements more than I dream

0:51:48.680 --> 0:51:51.200
<v Speaker 2>of preserving my memories.

0:51:51.200 --> 0:51:52.600
<v Speaker 3>But I don't think that's I think you're talking about

0:51:52.640 --> 0:51:55.120
<v Speaker 3>what would be your best super superpower. He was said

0:51:55.120 --> 0:51:57.040
<v Speaker 3>to write a great song. I'm not sure that that's

0:51:57.040 --> 0:51:58.000
<v Speaker 3>answering that right.

0:51:57.880 --> 0:52:00.719
<v Speaker 2>But that's the thing, like I never well, my whole

0:52:00.719 --> 0:52:05.440
<v Speaker 2>point was that I never had those dreams for myself

0:52:05.480 --> 0:52:08.920
<v Speaker 2>more or less discovering other people's great songs.

0:52:08.680 --> 0:52:10.799
<v Speaker 3>Right, and like putting part of tastemaker and putting people

0:52:10.840 --> 0:52:13.160
<v Speaker 3>onto things. I feel like that's your other great thing,

0:52:13.840 --> 0:52:15.799
<v Speaker 3>because we have tastemakers on this show all the time,

0:52:15.840 --> 0:52:17.480
<v Speaker 3>and that to me is always interesting is watching you

0:52:17.520 --> 0:52:20.840
<v Speaker 3>talk to those people because they can define the culture

0:52:20.880 --> 0:52:22.440
<v Speaker 3>and define music and define.

0:52:22.320 --> 0:52:24.640
<v Speaker 2>Don't even know if I'm gonna put see that's why

0:52:24.680 --> 0:52:26.839
<v Speaker 2>that's why Bill is here, Like Bill is my put

0:52:26.880 --> 0:52:30.040
<v Speaker 2>people on, right, But you're kind of just he's like

0:52:30.040 --> 0:52:36.560
<v Speaker 2>you're condo inspired though, or that he's old point. Well yeah,

0:52:36.680 --> 0:52:40.800
<v Speaker 2>but so you're but for you to be a to

0:52:41.239 --> 0:52:43.480
<v Speaker 2>be a teacher at such a young age.

0:52:43.960 --> 0:52:48.520
<v Speaker 4>Like I just really liked you know, I was a kid.

0:52:48.800 --> 0:52:50.440
<v Speaker 4>I grew up in the Bronx in the nineteen eighties.

0:52:50.480 --> 0:52:53.400
<v Speaker 4>My my dad was a community organizer and my mom

0:52:53.719 --> 0:52:56.080
<v Speaker 4>uh stayed home with us and then she did arts

0:52:56.120 --> 0:52:58.120
<v Speaker 4>and education. So I was a real I was like

0:52:58.160 --> 0:53:01.920
<v Speaker 4>a middle class outer borough kid. I went to this

0:53:02.680 --> 0:53:06.560
<v Speaker 4>gifted program that was a Burrow wide gifted program, uh

0:53:07.040 --> 0:53:09.200
<v Speaker 4>in the Bronx in the eighties, which is a fascinating

0:53:09.200 --> 0:53:09.800
<v Speaker 4>group of people.

0:53:10.920 --> 0:53:13.319
<v Speaker 2>Can you explain the because like a lot of us,

0:53:14.120 --> 0:53:16.399
<v Speaker 2>by a lot of us, I mean mean like I'm

0:53:16.440 --> 0:53:17.920
<v Speaker 2>still thinking of come out and.

0:53:18.440 --> 0:53:21.840
<v Speaker 3>Yeah right or right, so yeah, pretty much it was

0:53:22.280 --> 0:53:25.000
<v Speaker 3>basically you look like the Bronx.

0:53:26.000 --> 0:53:28.239
<v Speaker 2>And it's different because even now, like when I went

0:53:28.280 --> 0:53:30.040
<v Speaker 2>to see Michael McDonald in the Bronx.

0:53:31.440 --> 0:53:34.400
<v Speaker 4>Like, I was like, wait a minute, people, you know

0:53:34.440 --> 0:53:36.719
<v Speaker 4>the thing about the thing about the first of all,

0:53:36.800 --> 0:53:39.799
<v Speaker 4>there's a sound stuff New York City. New York City

0:53:39.840 --> 0:53:42.640
<v Speaker 4>is enormous. Each borough is enormous. You're talking about a

0:53:42.719 --> 0:53:45.640
<v Speaker 4>million and a half people somewhere thereabouts. Now, the Bronx

0:53:45.680 --> 0:53:48.319
<v Speaker 4>in the nineteen eighties was in a bad way. I mean,

0:53:48.320 --> 0:53:51.480
<v Speaker 4>my dad's community organizing was basically focused on neighborhoods that

0:53:51.520 --> 0:53:55.279
<v Speaker 4>were bordering the neighborhoods that were literally burning from like

0:53:55.320 --> 0:53:59.680
<v Speaker 4>the Bronx is burning right, so arson disinvestment, huge spike

0:53:59.800 --> 0:54:03.520
<v Speaker 4>in both in crime, in drug addiction, all those things.

0:54:04.520 --> 0:54:06.600
<v Speaker 4>He was doing communit organizing in these neighborhoods that were

0:54:06.600 --> 0:54:08.560
<v Speaker 4>sort of adjacent to those, trying to kind of hold

0:54:08.600 --> 0:54:13.799
<v Speaker 4>the line against this scourge of disinvestment and flight that

0:54:13.840 --> 0:54:17.839
<v Speaker 4>had taken place in the borough. You know, the world

0:54:17.920 --> 0:54:19.920
<v Speaker 4>that I lived in was a really interesting world in

0:54:20.280 --> 0:54:22.840
<v Speaker 4>grade school that I'm forever grateful to because it was

0:54:23.880 --> 0:54:27.799
<v Speaker 4>very multi racial. I mean, the borough is probably, you know,

0:54:28.880 --> 0:54:31.000
<v Speaker 4>twenty five percent white.

0:54:31.200 --> 0:54:32.439
<v Speaker 2>Maybe I never knew.

0:54:32.520 --> 0:54:35.959
<v Speaker 4>Yeah, it's probably like it's seventy or eighty percent black

0:54:36.000 --> 0:54:39.480
<v Speaker 4>and brown. And so the program that the school I

0:54:39.480 --> 0:54:42.000
<v Speaker 4>went to, which was a borough wide program, you know,

0:54:42.360 --> 0:54:44.719
<v Speaker 4>you just got really used to being one of only

0:54:44.760 --> 0:54:48.200
<v Speaker 4>a few white people in spaces all the time in

0:54:48.239 --> 0:54:51.920
<v Speaker 4>school and classes, in dances and all in competitions and

0:54:51.960 --> 0:54:56.520
<v Speaker 4>all that stuff. And I think it was a really

0:54:56.520 --> 0:55:01.640
<v Speaker 4>good formative experience. And you know, for all of the

0:55:02.160 --> 0:55:04.920
<v Speaker 4>bronx Is Burning Warriors all that, you know, it's a

0:55:05.000 --> 0:55:07.160
<v Speaker 4>huge burrow with a huge working middle class. And these

0:55:07.160 --> 0:55:11.399
<v Speaker 4>were people whose parents, you know, owned a bodega, drove

0:55:11.440 --> 0:55:16.279
<v Speaker 4>city buses, worked as bank tellers, you know, you know,

0:55:16.520 --> 0:55:23.120
<v Speaker 4>had working class, middle class jobs and and you know

0:55:23.880 --> 0:55:25.520
<v Speaker 4>it was not a place with a lot of privilege,

0:55:25.560 --> 0:55:29.280
<v Speaker 4>but it was it was a fascinating and then culturally

0:55:29.320 --> 0:55:34.600
<v Speaker 4>explosive universe. I mean we were exposed. I was exposed

0:55:34.600 --> 0:55:35.880
<v Speaker 4>to well, you were you born? I'm sorry, I was

0:55:35.880 --> 0:55:37.120
<v Speaker 4>born nineteen seventy nine.

0:55:37.520 --> 0:55:40.680
<v Speaker 2>So after the hip hop explosion of.

0:55:40.840 --> 0:55:44.439
<v Speaker 4>Yeah, so it wasn't like the you know, DJ cool

0:55:44.520 --> 0:55:50.080
<v Speaker 4>Hirk like apartment party sort of formative years. But I

0:55:50.120 --> 0:55:52.440
<v Speaker 4>do remember my friend Kamal telling me that his cousin

0:55:52.520 --> 0:55:55.240
<v Speaker 4>was in a special ad music video and then showing

0:55:55.280 --> 0:55:56.600
<v Speaker 4>me the dance.

0:55:58.560 --> 0:55:58.879
<v Speaker 2>Very good.

0:55:58.880 --> 0:56:02.680
<v Speaker 4>I have a very live memory of that, but so

0:56:03.160 --> 0:56:06.040
<v Speaker 4>so yeah, and I think that it just was a

0:56:06.200 --> 0:56:09.240
<v Speaker 4>very What was interesting about my upbringing, and my upbringing

0:56:09.239 --> 0:56:12.600
<v Speaker 4>in the Bronx particularly was because of my parents and

0:56:12.719 --> 0:56:14.920
<v Speaker 4>their education level. And then we moved to this neighborhood

0:56:14.920 --> 0:56:16.319
<v Speaker 4>that was more affluent than the one that I grew

0:56:16.400 --> 0:56:18.560
<v Speaker 4>up in. And then I went to a Magnet High

0:56:18.560 --> 0:56:22.680
<v Speaker 4>school in New York City. That's where a bunch of

0:56:22.719 --> 0:56:25.600
<v Speaker 4>people in including Li Mel and Miranda a Moral Technique,

0:56:26.960 --> 0:56:29.840
<v Speaker 4>a whole bunch of different books, Bobby Lopez, who's you know,

0:56:30.040 --> 0:56:32.839
<v Speaker 4>got an egot and wrote Avenue Q and Frozen and

0:56:32.920 --> 0:56:36.640
<v Speaker 4>with his wife and all these really interesting talented people.

0:56:37.160 --> 0:56:39.960
<v Speaker 4>But because of that, I had a very interesting upbringing

0:56:40.040 --> 0:56:42.560
<v Speaker 4>in which I was exposed to, like the full spectrum

0:56:42.560 --> 0:56:47.279
<v Speaker 4>of American class status. So everything from kids in my

0:56:47.320 --> 0:56:50.280
<v Speaker 4>class who were in and out of homelessness, food stamps

0:56:50.800 --> 0:56:55.239
<v Speaker 4>or in housing projects, through people who had fifteen room

0:56:55.320 --> 0:56:59.759
<v Speaker 4>apartments on Park Avenue, from ages, you know, from the

0:56:59.760 --> 0:57:01.360
<v Speaker 4>time I was born to the time I wanted a

0:57:01.360 --> 0:57:06.160
<v Speaker 4>way to college. I had social interactions and saw patches

0:57:06.200 --> 0:57:10.000
<v Speaker 4>of life in each of those different worlds, and that

0:57:10.160 --> 0:57:13.800
<v Speaker 4>was really a huge part of I think my formative experience.

0:57:14.239 --> 0:57:17.520
<v Speaker 2>I don't I don't condone bullying, but still the thought

0:57:17.560 --> 0:57:21.840
<v Speaker 2>of immortal Technique being the school bully to you and women,

0:57:22.000 --> 0:57:28.960
<v Speaker 2>well one of the most hilarious.

0:57:26.360 --> 0:57:27.240
<v Speaker 4>As funny at the time.

0:57:27.280 --> 0:57:30.720
<v Speaker 2>But yes, in retrospect, I think, but that I think

0:57:30.800 --> 0:57:33.400
<v Speaker 2>when I first met you and didn't know that you

0:57:33.480 --> 0:57:36.760
<v Speaker 2>knew Lynn, when you were interviewing this about Hamilton, you

0:57:36.840 --> 0:57:38.720
<v Speaker 2>two told me like, yeah, he used to throw us

0:57:38.720 --> 0:57:42.320
<v Speaker 2>in the trash can, which I was like, one of

0:57:42.320 --> 0:57:48.520
<v Speaker 2>his best stories. I'm sorry, okay for hip hop, for

0:57:48.600 --> 0:57:51.560
<v Speaker 2>hip hop versus like what what verse would you have

0:57:51.600 --> 0:57:52.760
<v Speaker 2>to study in high school?

0:57:53.440 --> 0:57:55.880
<v Speaker 4>The thing they were always making people sing Bucktown. That

0:57:56.000 --> 0:57:59.000
<v Speaker 4>was the that was the thing. It was always singing Bucktown.

0:57:59.000 --> 0:58:00.960
<v Speaker 4>It was like people put people in trash cans of

0:58:01.040 --> 0:58:01.640
<v Speaker 4>making them sing.

0:58:05.160 --> 0:58:08.840
<v Speaker 2>I'm sorry, I don't know why that's one hip hop crime.

0:58:08.920 --> 0:58:12.480
<v Speaker 2>I'll give him a past too. I'm sorry because I

0:58:12.520 --> 0:58:16.920
<v Speaker 2>want to do that to kids now say Bucktown? Dammit?

0:58:18.840 --> 0:58:24.760
<v Speaker 2>Oh god, So leading leading to a colony in a nation,

0:58:27.280 --> 0:58:30.600
<v Speaker 2>why did you feel it was necessary?

0:58:30.800 --> 0:58:30.960
<v Speaker 7>Two?

0:58:31.920 --> 0:58:35.440
<v Speaker 2>Do you see this as sort of a supplement to uh,

0:58:35.600 --> 0:58:39.680
<v Speaker 2>Tanahse coaches uh uh me against the Between the World

0:58:39.680 --> 0:58:42.479
<v Speaker 2>and Me. I'm thinking of Tupac me against the world,

0:58:43.000 --> 0:58:45.640
<v Speaker 2>the same thing. He knows what he meant.

0:58:46.600 --> 0:58:48.520
<v Speaker 4>Yeah, I mean, I think it's I hope it's uh

0:58:48.840 --> 0:58:50.480
<v Speaker 4>I hope it's for a lot of people. I hope

0:58:50.520 --> 0:58:52.920
<v Speaker 4>it's a kind of gateway to a whole, a whole

0:58:53.480 --> 0:58:58.240
<v Speaker 4>massive literature from you know, Racecraft by the by Barbara

0:58:58.240 --> 0:59:00.120
<v Speaker 4>and Karen Fields, and Between the World and Me on

0:59:00.120 --> 0:59:03.919
<v Speaker 4>the Hazie to the Nudrum Crow by Michelle Crowe by

0:59:03.920 --> 0:59:10.200
<v Speaker 4>Michelle Alexander. There's a great book by James former Junior

0:59:10.240 --> 0:59:11.920
<v Speaker 4>that actually won the Pultzer this year. It came out

0:59:12.040 --> 0:59:13.800
<v Speaker 4>right around the same time as a Colony Nation called

0:59:13.840 --> 0:59:16.040
<v Speaker 4>Locking Up Our Own, which is about the politics crime

0:59:16.080 --> 0:59:20.160
<v Speaker 4>punishment in predominantly black neighborhoods and cities, which is a

0:59:20.160 --> 0:59:24.320
<v Speaker 4>really fascinating book, great book. The reason I wrote the

0:59:24.320 --> 0:59:27.040
<v Speaker 4>book was I've always been really interested in criminal justice.

0:59:27.160 --> 0:59:28.640
<v Speaker 4>I think the experience of growing up in New York

0:59:28.680 --> 0:59:31.200
<v Speaker 4>City in the eighties and nineties during the peak of

0:59:31.240 --> 0:59:32.960
<v Speaker 4>the kind of crime boom, I mean nineteen ninety three

0:59:33.080 --> 0:59:36.000
<v Speaker 4>or nineteen nine. Yeah, when I was thirteen I started

0:59:36.040 --> 0:59:39.000
<v Speaker 4>commuting down to Manhattan. You know, New York City's got

0:59:39.040 --> 0:59:41.480
<v Speaker 4>twenty four hundred murders a year. It's got about three

0:59:41.560 --> 0:59:45.240
<v Speaker 4>hundred and fifty last year. So and that's true. All

0:59:45.280 --> 0:59:47.760
<v Speaker 4>index crimes basically were the same, right, All index crimes

0:59:47.800 --> 0:59:50.400
<v Speaker 4>basically reduced by eighty percent from the peak in ninety

0:59:50.400 --> 0:59:52.280
<v Speaker 4>two ninety three when we were when I was a

0:59:52.320 --> 0:59:54.920
<v Speaker 4>thirteen year old walking around getting my starter caps jacked

0:59:55.120 --> 0:59:56.200
<v Speaker 4>like every other day.

0:59:57.200 --> 0:59:58.880
<v Speaker 2>Whoa you've been.

1:00:02.840 --> 1:00:09.680
<v Speaker 4>Oh, yes, yeah, we went to starter car.

1:00:09.840 --> 1:00:11.320
<v Speaker 2>That's my brain went Okay.

1:00:12.000 --> 1:00:14.520
<v Speaker 4>So I wanted to write about it, and I wanted

1:00:14.520 --> 1:00:17.640
<v Speaker 4>to write about I was covering, I was covering Ferguson,

1:00:17.680 --> 1:00:20.680
<v Speaker 4>I was covering Baltimore, Freddie Gray, I was covering uh,

1:00:21.160 --> 1:00:22.800
<v Speaker 4>some of the stuff that went down in Chicago even

1:00:22.800 --> 1:00:27.240
<v Speaker 4>before Lauwan McDonald uh and and our garner here in

1:00:27.280 --> 1:00:29.560
<v Speaker 4>New York. And wanted to kind of write about it,

1:00:29.600 --> 1:00:32.600
<v Speaker 4>and was kind of worried about I think I had

1:00:32.600 --> 1:00:35.080
<v Speaker 4>a moment of is this a book? Is this a

1:00:35.120 --> 1:00:37.480
<v Speaker 4>topic that a white man should write a book about?

1:00:38.160 --> 1:00:41.680
<v Speaker 4>And I think I came to believe that actually, part

1:00:41.720 --> 1:00:44.240
<v Speaker 4>of the problem with the way I think, particularly white

1:00:44.240 --> 1:00:47.760
<v Speaker 4>people think about the system, even if they're sympathetic to

1:00:48.360 --> 1:00:50.480
<v Speaker 4>the aims of say, Black Lives Matter, is that it's

1:00:50.600 --> 1:00:54.760
<v Speaker 4>essentially like some other ancillary problem, Like that's a thing

1:00:54.840 --> 1:00:57.920
<v Speaker 4>that is a problem, Like it's a bad thing, and

1:00:57.960 --> 1:01:02.920
<v Speaker 4>I'm it's a bummer that happens, but I'm not implicated

1:01:02.920 --> 1:01:04.280
<v Speaker 4>in it, and it's like part of the point of the

1:01:04.280 --> 1:01:08.920
<v Speaker 4>book is like, no, you very much are we collectively

1:01:08.920 --> 1:01:11.880
<v Speaker 4>as a democratic society, but particularly as white majorities and

1:01:11.920 --> 1:01:14.520
<v Speaker 4>particularly as white voters, have created this system that puts

1:01:14.520 --> 1:01:16.320
<v Speaker 4>more people in prison than anywhere else in the world

1:01:16.440 --> 1:01:19.040
<v Speaker 4>in a per capita basis. It didn't just come about.

1:01:19.080 --> 1:01:21.840
<v Speaker 4>It wasn't handed down by you know, Moses, and it

1:01:21.880 --> 1:01:24.560
<v Speaker 4>wasn't the product of back room lobbyists. It was actually

1:01:25.680 --> 1:01:28.400
<v Speaker 4>voters going to the polls and voting for people that

1:01:28.480 --> 1:01:31.400
<v Speaker 4>ran really racist ads about getting tough on crimes and

1:01:31.960 --> 1:01:35.520
<v Speaker 4>crack you know, crack thugs and things like that. And

1:01:35.600 --> 1:01:37.560
<v Speaker 4>so part of the project of the book is to say, look,

1:01:38.440 --> 1:01:42.040
<v Speaker 4>you're implicated in the system we all are as democratic citizens,

1:01:42.160 --> 1:01:45.160
<v Speaker 4>and the system that we've built fails to live up

1:01:45.200 --> 1:01:49.280
<v Speaker 4>to the democratic aspirations and promises we have, and so

1:01:49.880 --> 1:01:52.120
<v Speaker 4>we should all be troubled by that, and we should

1:01:52.160 --> 1:01:54.760
<v Speaker 4>all be trying to unbuild that system. And that's that's

1:01:54.800 --> 1:01:57.040
<v Speaker 4>sort of the idea behind why I wanted to write

1:01:57.040 --> 1:01:57.400
<v Speaker 4>the book.

1:01:59.640 --> 1:02:06.200
<v Speaker 2>Well as far as the target audience to whom it

1:02:06.280 --> 1:02:13.600
<v Speaker 2>should hit, how do you how do you propose not

1:02:13.640 --> 1:02:17.000
<v Speaker 2>even reading not even reading your book per se? But

1:02:17.080 --> 1:02:21.280
<v Speaker 2>it's like, how do you even plant the seed in

1:02:21.280 --> 1:02:25.560
<v Speaker 2>people's minds, especially where we the times that we live

1:02:25.560 --> 1:02:33.680
<v Speaker 2>in now, where journalists aren't trusted that much. The idea

1:02:33.680 --> 1:02:37.560
<v Speaker 2>of fake news and liberal media is just oh, you're

1:02:37.600 --> 1:02:39.640
<v Speaker 2>just a liberal and you know, which is like instant

1:02:39.680 --> 1:02:43.320
<v Speaker 2>turn off. So it's like, how do you It's like, okay,

1:02:43.400 --> 1:02:45.000
<v Speaker 2>let me just save the people that are on the

1:02:45.000 --> 1:02:45.600
<v Speaker 2>fence now.

1:02:45.640 --> 1:02:47.480
<v Speaker 4>And I think, you know, it's a good question.

1:02:47.840 --> 1:02:48.080
<v Speaker 2>You know.

1:02:48.600 --> 1:02:50.560
<v Speaker 4>The hope always, I think when you're writing is that

1:02:50.600 --> 1:02:52.840
<v Speaker 4>you can speak to people, whoever they are, if they're

1:02:52.840 --> 1:02:56.960
<v Speaker 4>willing to give you a charitable read the book. It's

1:02:57.000 --> 1:03:00.160
<v Speaker 4>funny I'm watching now this sort of national conversation and

1:03:00.200 --> 1:03:01.760
<v Speaker 4>that started to click in a dear do you see

1:03:01.760 --> 1:03:02.800
<v Speaker 4>the thing about t I? Today?

1:03:03.360 --> 1:03:03.520
<v Speaker 7>No?

1:03:03.600 --> 1:03:04.840
<v Speaker 4>You see this. I was on the way we are

1:03:05.320 --> 1:03:07.520
<v Speaker 4>t I got arrested because someone called the cops on

1:03:07.600 --> 1:03:09.000
<v Speaker 4>him as he was trying to get into his own

1:03:09.040 --> 1:03:11.080
<v Speaker 4>gated community in Atlanta.

1:03:13.400 --> 1:03:16.120
<v Speaker 2>Yeah, no, that that's it's real, because sometimes you don't

1:03:16.120 --> 1:03:17.600
<v Speaker 2>have your code. Yes.

1:03:17.680 --> 1:03:17.760
<v Speaker 7>No.

1:03:17.840 --> 1:03:19.280
<v Speaker 4>And someone was like, who's this dude?

1:03:19.480 --> 1:03:19.760
<v Speaker 2>Right?

1:03:20.280 --> 1:03:23.320
<v Speaker 4>And I think as we're having this natural conversation about

1:03:23.440 --> 1:03:25.440
<v Speaker 4>you know, there's a Starbucks incident, there's there's been a

1:03:25.440 --> 1:03:27.120
<v Speaker 4>bunch of this and I think it's been really really

1:03:27.160 --> 1:03:30.400
<v Speaker 4>he got arrested. There was an ap bulleton as I

1:03:30.440 --> 1:03:32.240
<v Speaker 4>was coming up here saying that t I got arrested

1:03:33.800 --> 1:03:34.960
<v Speaker 4>for breaking into basically bagging.

1:03:35.000 --> 1:03:38.200
<v Speaker 2>It was on that damn. Even the cops come like,

1:03:38.240 --> 1:03:38.960
<v Speaker 2>oh you're t I.

1:03:39.120 --> 1:03:41.240
<v Speaker 4>Yeah, well look I don't know.

1:03:41.480 --> 1:03:42.040
<v Speaker 2>That's horrible.

1:03:42.080 --> 1:03:43.160
<v Speaker 4>Clearly they didn't.

1:03:44.480 --> 1:03:44.840
<v Speaker 2>Thought of it.

1:03:45.280 --> 1:03:48.400
<v Speaker 4>So, you know, the book A Calling Nation like it

1:03:48.520 --> 1:03:50.280
<v Speaker 4>starts and ends on a question of when to call

1:03:50.320 --> 1:03:52.480
<v Speaker 4>the cops. Like the first the first sentence of the

1:03:52.520 --> 1:03:54.040
<v Speaker 4>book is when's the last time you called the cops?

1:03:54.080 --> 1:03:56.520
<v Speaker 4>And the last sentence of the book is recounting a

1:03:56.520 --> 1:03:58.320
<v Speaker 4>story of me being in Prospect Park and taking on

1:03:58.440 --> 1:04:00.560
<v Speaker 4>my phone and considering whether I should die one one one.

1:04:01.520 --> 1:04:04.080
<v Speaker 4>And the reason that I started and ended with that

1:04:04.240 --> 1:04:07.600
<v Speaker 4>is because that is a thing that you know, Ferguson

1:04:08.080 --> 1:04:10.600
<v Speaker 4>or the police shooting people might team abstract to a

1:04:10.640 --> 1:04:14.800
<v Speaker 4>citizen like, well, I'm not a cop, but people call

1:04:14.840 --> 1:04:16.880
<v Speaker 4>the cops a lot. You're You're part of the link

1:04:16.880 --> 1:04:20.040
<v Speaker 4>in the chain, and I think it's really important we're

1:04:20.080 --> 1:04:23.560
<v Speaker 4>having this discussion right now. We I think primarily white people,

1:04:23.720 --> 1:04:26.560
<v Speaker 4>and I think people that you know don't want to

1:04:27.040 --> 1:04:30.640
<v Speaker 4>end up screwing people over about like when should you

1:04:30.680 --> 1:04:31.560
<v Speaker 4>call the cops?

1:04:31.720 --> 1:04:31.880
<v Speaker 7>Right?

1:04:32.280 --> 1:04:34.080
<v Speaker 4>Should you call the cops because someone has been in

1:04:34.120 --> 1:04:37.520
<v Speaker 4>a Starbucks or two minutes or that people are going

1:04:37.520 --> 1:04:40.200
<v Speaker 4>too slowly on the golf course? Like I don't think so.

1:04:40.320 --> 1:04:42.240
<v Speaker 4>I think you should not call the cops. I think

1:04:42.280 --> 1:04:44.360
<v Speaker 4>you should not call the cops unless someone's life is

1:04:44.400 --> 1:04:47.800
<v Speaker 4>in danger. Basically, well, you know, if there is violence

1:04:47.840 --> 1:04:50.560
<v Speaker 4>imminent or that you witnessed, if there is a danger

1:04:51.120 --> 1:04:53.880
<v Speaker 4>that you're witnessing, she should call nine one one.

1:04:54.360 --> 1:04:56.440
<v Speaker 2>Short of that, I think a lot of the times

1:04:56.520 --> 1:04:59.320
<v Speaker 2>cops are used because people are generally just afraid of

1:04:59.520 --> 1:05:00.440
<v Speaker 2>conference conflict.

1:05:00.440 --> 1:05:03.200
<v Speaker 4>They don't want to say oh they of course, of course,

1:05:03.240 --> 1:05:05.760
<v Speaker 4>it's so much easier. I mean, and that's what you

1:05:05.840 --> 1:05:07.960
<v Speaker 4>do my fighting for me, Like yeah, and the first

1:05:08.000 --> 1:05:09.680
<v Speaker 4>example I gave in the book is called the Last

1:05:09.680 --> 1:05:12.520
<v Speaker 4>time I did call the cops was one watching a

1:05:12.680 --> 1:05:16.040
<v Speaker 4>guy basically intimidate sort of threaten his girlfriend on the

1:05:16.040 --> 1:05:20.200
<v Speaker 4>street and screaming at her. And yeah, I didn't want

1:05:20.200 --> 1:05:22.520
<v Speaker 4>to go out there and be like, hey, you, what

1:05:22.560 --> 1:05:23.000
<v Speaker 4>are you doing?

1:05:23.280 --> 1:05:24.520
<v Speaker 2>Get your hands off of her?

1:05:24.600 --> 1:05:28.120
<v Speaker 4>Like George, I was like, no, I'm going to make

1:05:28.120 --> 1:05:28.600
<v Speaker 4>a phone call.

1:05:33.960 --> 1:05:41.480
<v Speaker 2>There's also there's there's a part of the book in

1:05:41.520 --> 1:05:46.600
<v Speaker 2>which he explained that which I'm actually shocked at the

1:05:46.680 --> 1:05:50.680
<v Speaker 2>fact that you were explaining about you coming home from

1:05:50.720 --> 1:05:56.280
<v Speaker 2>a school dance and uh, you got accost it by

1:05:56.840 --> 1:06:05.640
<v Speaker 2>some undesirables go fugs, And somehow I was like wow,

1:06:05.800 --> 1:06:09.120
<v Speaker 2>Like that would have instantly changed my mind, because even

1:06:09.240 --> 1:06:13.800
<v Speaker 2>my even my head to this day, when I visit

1:06:13.880 --> 1:06:17.680
<v Speaker 2>my childhood home, I'm still looking for Big Reggie and

1:06:17.720 --> 1:06:22.240
<v Speaker 2>his cousin Lamar. Yep, Like I'm certain, and I hate

1:06:22.280 --> 1:06:24.880
<v Speaker 2>to say this, I'm certain they're dead by now, which

1:06:24.960 --> 1:06:26.000
<v Speaker 2>I shouldn't.

1:06:25.560 --> 1:06:28.000
<v Speaker 4>Say this, but no, it's still there.

1:06:28.120 --> 1:06:31.120
<v Speaker 2>Even in getting out of my car, like as a

1:06:31.240 --> 1:06:34.560
<v Speaker 2>near fifty year old, my first thing I thought about

1:06:34.720 --> 1:06:37.680
<v Speaker 2>was Big Reggie Lamar might be down a black tag

1:06:37.720 --> 1:06:41.160
<v Speaker 2>Reggie hey Man taking someone's pack man money is some

1:06:41.200 --> 1:06:46.560
<v Speaker 2>big shit back in the early agies. So yeah, you know,

1:06:46.800 --> 1:06:52.200
<v Speaker 2>like that one incident at the arcade in my childhood

1:06:52.320 --> 1:06:56.760
<v Speaker 2>has almost scarred me for life where I'm always looking,

1:06:56.880 --> 1:07:00.880
<v Speaker 2>you know, shell shocked and the fact that that happened

1:07:00.880 --> 1:07:03.120
<v Speaker 2>to you, and I thought like, wow, at no point

1:07:03.160 --> 1:07:05.720
<v Speaker 2>were you just like dad, why the hell are we

1:07:05.840 --> 1:07:08.840
<v Speaker 2>up here? And I should be living this life of

1:07:09.160 --> 1:07:11.240
<v Speaker 2>you know, and I don't know if the P word

1:07:11.360 --> 1:07:13.479
<v Speaker 2>is a four letter word to white people to say

1:07:13.520 --> 1:07:16.480
<v Speaker 2>like privileged or anything, but like we don't have to

1:07:16.520 --> 1:07:20.080
<v Speaker 2>live here that like what why did you not ever?

1:07:21.280 --> 1:07:22.560
<v Speaker 2>Actually what made you.

1:07:24.080 --> 1:07:24.160
<v Speaker 7>It?

1:07:24.360 --> 1:07:26.440
<v Speaker 2>You know, come to this point of understanding if most

1:07:26.480 --> 1:07:27.720
<v Speaker 2>people don't do that, I.

1:07:27.680 --> 1:07:30.200
<v Speaker 4>Think that, yeah, there's a lot of you know, we

1:07:30.200 --> 1:07:32.600
<v Speaker 4>were scared all the time and we we got And

1:07:32.680 --> 1:07:35.040
<v Speaker 4>part of that was I think that was true of

1:07:35.080 --> 1:07:38.440
<v Speaker 4>every teenager in New York City at that at that age,

1:07:38.880 --> 1:07:41.720
<v Speaker 4>like you just that happened, you got jacked, like run

1:07:41.760 --> 1:07:46.520
<v Speaker 4>your loot, run your bus pass, you know, jacket, backpack, starter,

1:07:46.520 --> 1:07:49.800
<v Speaker 4>a cap whatever, you know. I think part of it

1:07:49.920 --> 1:07:54.560
<v Speaker 4>was at the same time that was happening the ethos

1:07:54.600 --> 1:07:57.480
<v Speaker 4>at my high school and at my middle school and

1:07:57.520 --> 1:07:59.720
<v Speaker 4>even in grade school. Although more when you're an adolescent,

1:07:59.720 --> 1:08:03.520
<v Speaker 4>you're thinkinking about like what's cool. Everything that was cool

1:08:03.600 --> 1:08:09.120
<v Speaker 4>was urban. Everything that was cool was emanated from communities

1:08:09.120 --> 1:08:12.360
<v Speaker 4>of color, like like the center, the center of gravity

1:08:12.400 --> 1:08:15.280
<v Speaker 4>of everything culturally, of the worldview of what we wanted

1:08:15.320 --> 1:08:17.360
<v Speaker 4>to be, of the music we listened to. Everything was

1:08:17.920 --> 1:08:21.880
<v Speaker 4>it was non white, right, So it there And I

1:08:21.880 --> 1:08:24.560
<v Speaker 4>think there's ways that you that can get real pathological

1:08:24.800 --> 1:08:28.120
<v Speaker 4>and kind of fetishistic, you know, in the in certain ways.

1:08:28.439 --> 1:08:32.000
<v Speaker 4>But our experience of it, I think was just that, Yeah,

1:08:32.000 --> 1:08:33.880
<v Speaker 4>that was just part of being in the city. But

1:08:33.920 --> 1:08:36.120
<v Speaker 4>the city was great and we were urban kids and

1:08:36.160 --> 1:08:38.320
<v Speaker 4>that's what mattered, and that was the kind of cultural

1:08:38.320 --> 1:08:39.200
<v Speaker 4>world we inhabited.

1:08:39.920 --> 1:08:41.519
<v Speaker 2>So do you that was just a part of growing

1:08:41.600 --> 1:08:42.280
<v Speaker 2>up in New York?

1:08:42.439 --> 1:08:45.080
<v Speaker 4>Yeah, I mean it stressed me out a lot. It definitely,

1:08:45.080 --> 1:08:47.880
<v Speaker 4>like I spent a lot of time scared. I really did.

1:08:47.920 --> 1:08:50.160
<v Speaker 4>I walked around the city all the time. You know,

1:08:50.320 --> 1:08:52.439
<v Speaker 4>My brother tells this hilarious story because when I was

1:08:52.439 --> 1:08:54.200
<v Speaker 4>telling him about the book, he was talking about how,

1:08:55.000 --> 1:08:57.240
<v Speaker 4>you know, we would all work, everyone wore jan sports

1:08:57.720 --> 1:09:00.000
<v Speaker 4>and the style was that you wore them like hitting

1:09:00.040 --> 1:09:02.640
<v Speaker 4>against your butt, like the with the you know, they

1:09:02.680 --> 1:09:04.479
<v Speaker 4>were all the way low on you, like the the

1:09:04.680 --> 1:09:09.040
<v Speaker 4>the loop was as big as possible, but that if

1:09:09.080 --> 1:09:11.400
<v Speaker 4>you were about if something was about to go down,

1:09:11.520 --> 1:09:15.760
<v Speaker 4>you would like preparatorily grab the straps and pull them

1:09:15.840 --> 1:09:18.200
<v Speaker 4>up to tighten because you were going to have to

1:09:18.280 --> 1:09:20.080
<v Speaker 4>book it and you didn't want to.

1:09:24.400 --> 1:09:28.640
<v Speaker 2>Indiana, I'm having flashbacks right now, Like Bill, you're like

1:09:28.720 --> 1:09:31.240
<v Speaker 2>seven ft tall. Didn't matter, just.

1:09:31.120 --> 1:09:33.880
<v Speaker 4>The moment, the moment right before was going to go

1:09:33.920 --> 1:09:37.160
<v Speaker 4>down was always like strap them up, like pull the

1:09:37.320 --> 1:09:39.400
<v Speaker 4>pull the straps on the on the jan sports you could.

1:09:39.240 --> 1:09:42.800
<v Speaker 8>Book, so you couldn't book.

1:09:44.439 --> 1:09:47.200
<v Speaker 4>So you you you?

1:09:48.880 --> 1:09:49.960
<v Speaker 2>Thanks? Steve?

1:09:50.120 --> 1:09:53.200
<v Speaker 7>What justo?

1:09:54.720 --> 1:09:58.000
<v Speaker 2>Yes, I get it.

1:09:58.000 --> 1:09:59.760
<v Speaker 4>It's like when I say when I call my CA

1:10:00.080 --> 1:10:05.200
<v Speaker 4>wife boo and the millennials in my office, what.

1:10:06.000 --> 1:10:07.280
<v Speaker 7>Book is much older than?

1:10:07.479 --> 1:10:09.360
<v Speaker 4>Yeah?

1:10:09.840 --> 1:10:15.320
<v Speaker 2>You you explained how you know? Because you're saying that

1:10:15.320 --> 1:10:18.680
<v Speaker 2>at one point crime was at an all time high

1:10:18.720 --> 1:10:24.519
<v Speaker 2>and then suddenly it stopped. And now, as a New

1:10:25.080 --> 1:10:30.600
<v Speaker 2>New Yorker, I always wondered about that because when I

1:10:30.720 --> 1:10:32.920
<v Speaker 2>first arrived in New York City.

1:10:34.280 --> 1:10:35.160
<v Speaker 4>When did you move here?

1:10:35.960 --> 1:10:39.920
<v Speaker 2>Well, okay, i'd moved here in two thousand and nine,

1:10:40.120 --> 1:10:44.040
<v Speaker 2>which I mean gentrification. They're already taken over. But I'm

1:10:44.080 --> 1:10:48.160
<v Speaker 2>talking about when we as a group first started to

1:10:48.240 --> 1:10:50.160
<v Speaker 2>record up here. I mean, we would stay here, but

1:10:51.200 --> 1:10:53.559
<v Speaker 2>I mean I guess technically maybe I have lived here

1:10:53.600 --> 1:10:56.799
<v Speaker 2>for twenty five years and just haven't admitted it. Yeah.

1:10:57.120 --> 1:11:02.639
<v Speaker 2>But but the thing was is that when we first moved,

1:11:02.840 --> 1:11:07.240
<v Speaker 2>ironically on forty sixth Street where Hamilton is right now,

1:11:10.160 --> 1:11:14.920
<v Speaker 2>everyone kept complaining about like the Disney the disneyfied occasion

1:11:15.040 --> 1:11:18.000
<v Speaker 2>of Times Square, which I didn't know any better, Like

1:11:18.040 --> 1:11:21.680
<v Speaker 2>I didn't get that they were longing for what was

1:11:22.479 --> 1:11:24.320
<v Speaker 2>I didn't and I didn't even know that was there.

1:11:24.400 --> 1:11:26.200
<v Speaker 2>And I was like, wait, this is great, Like it's

1:11:26.320 --> 1:11:29.679
<v Speaker 2>it's like a mall, and there's y Roger's Chicken across

1:11:29.680 --> 1:11:31.479
<v Speaker 2>the street, and there's the McDonald's over there, and there's

1:11:31.479 --> 1:11:33.599
<v Speaker 2>a movie theater, Like this is really awesome. And people

1:11:33.600 --> 1:11:39.599
<v Speaker 2>were like everyone complained about that happening. And then even

1:11:39.640 --> 1:11:49.040
<v Speaker 2>more recently and looking for homeless people, I discovered that

1:11:49.760 --> 1:11:55.320
<v Speaker 2>they've all been moved out of Manhattan, So why were

1:11:55.360 --> 1:11:58.800
<v Speaker 2>you looking for homeless people? I did. We did a

1:11:58.840 --> 1:12:01.639
<v Speaker 2>photo shoot in which they ordered way too much food

1:12:02.040 --> 1:12:05.280
<v Speaker 2>and the interns were about to throw like twenty boxes

1:12:05.280 --> 1:12:08.280
<v Speaker 2>of pizza away perfectly good. And I was like, nah,

1:12:08.320 --> 1:12:10.200
<v Speaker 2>let's let's get him to the homeless. But then it

1:12:10.320 --> 1:12:13.840
<v Speaker 2>was like a two hour search for Yeah, like I

1:12:13.880 --> 1:12:18.160
<v Speaker 2>found people in Brooklyn at a near a shelter, but

1:12:19.640 --> 1:12:21.479
<v Speaker 2>at forty second Street. When I was going through the

1:12:21.479 --> 1:12:24.080
<v Speaker 2>bus station, the cop was like, what's loft? I was like,

1:12:24.120 --> 1:12:27.920
<v Speaker 2>I didn't do it, but and I hit him. I

1:12:27.960 --> 1:12:31.280
<v Speaker 2>was like, yo, I said, I thought I'd come here

1:12:31.320 --> 1:12:34.760
<v Speaker 2>with you know, the bus station, but where the where

1:12:34.800 --> 1:12:37.120
<v Speaker 2>the people at? And they kind of laughed at each

1:12:37.160 --> 1:12:40.120
<v Speaker 2>other like a joke, like in't that cute? It said noah, man,

1:12:40.160 --> 1:12:42.439
<v Speaker 2>you ain't gonna find nothing down here. And I was

1:12:42.479 --> 1:12:45.880
<v Speaker 2>like what happened to them? And he kind of leveled

1:12:45.880 --> 1:12:48.080
<v Speaker 2>with me. He's a black dude, so you just level

1:12:48.120 --> 1:12:50.280
<v Speaker 2>with me, like, yeah, dog, they don't want homeless the

1:12:50.320 --> 1:12:54.000
<v Speaker 2>more like they up and like past the Bronx like

1:12:54.360 --> 1:12:57.800
<v Speaker 2>in Yonkers. And I was just like, oh, so it

1:12:57.880 --> 1:13:00.760
<v Speaker 2>wasn't because when people say those that's like, you know,

1:13:00.800 --> 1:13:03.000
<v Speaker 2>crime is going down in homelessness, and da da da

1:13:03.080 --> 1:13:07.000
<v Speaker 2>da da. You're made to think like suddenly, like you know,

1:13:07.120 --> 1:13:10.479
<v Speaker 2>there are more jobs and people and less crime because

1:13:10.479 --> 1:13:14.040
<v Speaker 2>people were more moral. But no, like either people have

1:13:14.040 --> 1:13:19.800
<v Speaker 2>been killed or thrown in jail or just displaced and

1:13:19.880 --> 1:13:23.400
<v Speaker 2>put Yeah, he explained about the one way ticket system

1:13:23.439 --> 1:13:26.200
<v Speaker 2>that I never knew about. There was a period in

1:13:27.040 --> 1:13:30.439
<v Speaker 2>I think two thousand and one where if they put

1:13:30.479 --> 1:13:33.240
<v Speaker 2>you on a plane or a bus and someone's on

1:13:33.280 --> 1:13:36.160
<v Speaker 2>the other side to get you, that's how they got

1:13:36.200 --> 1:13:39.679
<v Speaker 2>rid of you, which isn't necessarily fixing the situation either.

1:13:40.000 --> 1:13:42.600
<v Speaker 4>Yeah, there's two things about I think the way the

1:13:42.600 --> 1:13:45.240
<v Speaker 4>city changed. One is that it really did get less dangerous.

1:13:45.720 --> 1:13:47.479
<v Speaker 4>But then there's this ambient thing I talk about in

1:13:47.520 --> 1:13:49.479
<v Speaker 4>the book of just like seediness, and that was such

1:13:49.479 --> 1:13:51.800
<v Speaker 4>a part of what the experience of New York was,

1:13:51.840 --> 1:13:55.280
<v Speaker 4>which was a little related to the threat of danger,

1:13:55.360 --> 1:13:57.920
<v Speaker 4>but also just this kind of ambient thing of there

1:13:57.920 --> 1:14:00.200
<v Speaker 4>were squeegee men. It would come and there were a

1:14:00.240 --> 1:14:02.280
<v Speaker 4>lot of panhandlers, and there were people all the time

1:14:02.360 --> 1:14:04.920
<v Speaker 4>who were kind of like quasi living in subway stations,

1:14:04.920 --> 1:14:06.680
<v Speaker 4>and it had this feeling. You see a lot of

1:14:06.680 --> 1:14:08.760
<v Speaker 4>discourse about this around San Francisco right now, and they're

1:14:08.760 --> 1:14:10.920
<v Speaker 4>constantly writing about that, like, oh, there's all these drug addicts.

1:14:10.960 --> 1:14:12.880
<v Speaker 4>It was all these homeless and New York City was

1:14:12.960 --> 1:14:15.439
<v Speaker 4>very much had that feeling to it, and it was

1:14:15.479 --> 1:14:19.080
<v Speaker 4>a real it was a real thing, and this sense

1:14:19.120 --> 1:14:21.880
<v Speaker 4>of like cleaning it up, which is very loaded politically

1:14:22.040 --> 1:14:25.400
<v Speaker 4>in terms of what it means and for whom, particularly

1:14:25.400 --> 1:14:27.920
<v Speaker 4>in Manhattan, right, I mean particularly it's like, well, we've

1:14:28.160 --> 1:14:30.120
<v Speaker 4>we're going to clean up Midtown, We're going to clean

1:14:30.160 --> 1:14:32.599
<v Speaker 4>up Downtown, clean up the financial district, clean up Brian Park.

1:14:32.640 --> 1:14:35.960
<v Speaker 4>That was all this very much kind of business oriented thing,

1:14:36.160 --> 1:14:39.559
<v Speaker 4>much more than you know, communities coming together because they

1:14:39.600 --> 1:14:42.639
<v Speaker 4>wanted it for their neighborhood. But one of the complicated

1:14:42.640 --> 1:14:46.280
<v Speaker 4>things about this, right is that folks who live in

1:14:46.320 --> 1:14:49.000
<v Speaker 4>neighborhoods don't love a bunch of people hanging out outside

1:14:49.000 --> 1:14:52.120
<v Speaker 4>of liquor store either. A lot of times, like it's

1:14:52.160 --> 1:14:56.200
<v Speaker 4>not always just this external thing of you know, the

1:14:56.240 --> 1:14:59.599
<v Speaker 4>business district or this power structure from outside. There's always

1:14:59.640 --> 1:15:01.679
<v Speaker 4>this is one of the things that James Warmer Junior

1:15:01.680 --> 1:15:03.240
<v Speaker 4>talks about in his book Locking Up Our Own is

1:15:03.280 --> 1:15:06.559
<v Speaker 4>like the internal dynamics of neighborhoods about who's you know.

1:15:06.720 --> 1:15:10.599
<v Speaker 2>I'm sorry side note, I kind of missed the neighborhood whino.

1:15:11.760 --> 1:15:14.280
<v Speaker 2>I haven't seen a good whino in about twenty years.

1:15:14.320 --> 1:15:16.639
<v Speaker 2>Like you've been searching the wrong place, apparently, ah Man,

1:15:16.920 --> 1:15:19.360
<v Speaker 2>I just missed the neighborhood whino. I'm sorry, Go ahead, Chris.

1:15:19.760 --> 1:15:22.400
<v Speaker 4>So. So, there was a real transformation that happened in

1:15:22.400 --> 1:15:25.839
<v Speaker 4>the city and the experience of it, and that experience

1:15:25.920 --> 1:15:28.080
<v Speaker 4>was that was a very intentional thing that was done

1:15:28.080 --> 1:15:31.120
<v Speaker 4>by Giuliani and then Bloomberg Broken Windows. I write about

1:15:31.120 --> 1:15:33.479
<v Speaker 4>in the book, like this whole thing about how there's

1:15:33.520 --> 1:15:36.400
<v Speaker 4>a whole theory that there's a relationship between those two

1:15:36.400 --> 1:15:39.360
<v Speaker 4>things that if people are jumping turnstyles, it sends a

1:15:39.360 --> 1:15:42.840
<v Speaker 4>message to everyone else that lawlessness is okay, and then

1:15:42.880 --> 1:15:45.080
<v Speaker 4>you get lots of murder and that that was the argument,

1:15:46.040 --> 1:15:48.360
<v Speaker 4>and a lot of people it wasn't a bad faith argument.

1:15:48.360 --> 1:15:51.400
<v Speaker 4>I think people really believe that argument. But what ended

1:15:51.479 --> 1:15:55.920
<v Speaker 4>up happening is the city starts enforcing these low level

1:15:56.200 --> 1:16:00.000
<v Speaker 4>misdemeanor things, selling em and ms on the subway, jumping turnstyles, YadA, YadA, YadA.

1:16:00.120 --> 1:16:01.639
<v Speaker 2>You can't tell eminem's on the subway.

1:16:01.680 --> 1:16:04.120
<v Speaker 4>No more people, people, those little kids, people get citations,

1:16:04.120 --> 1:16:05.960
<v Speaker 4>for selling emms on the subway every day and you're

1:16:06.000 --> 1:16:08.280
<v Speaker 4>setting their feet up on us or putting their feet

1:16:08.360 --> 1:16:09.599
<v Speaker 4>up or doing the showtime thing.

1:16:09.640 --> 1:16:14.920
<v Speaker 2>Oh yeah, no more performances. Move up, move. Steve prevents

1:16:14.960 --> 1:16:17.040
<v Speaker 2>me from getting on the subway, so I would have. Actually,

1:16:18.680 --> 1:16:21.120
<v Speaker 2>I suggested that he and I take the subway down there,

1:16:21.120 --> 1:16:23.080
<v Speaker 2>and Steve has this thing in his mind where he

1:16:23.120 --> 1:16:24.200
<v Speaker 2>has to be my protector.

1:16:24.439 --> 1:16:28.280
<v Speaker 7>It's not the most pleasant place to be. You know, wait,

1:16:28.360 --> 1:16:30.559
<v Speaker 7>celebrity right if that's I've.

1:16:30.439 --> 1:16:33.639
<v Speaker 2>Been the subway with him and like nobody I rode

1:16:33.640 --> 1:16:35.640
<v Speaker 2>a celebrity with a tuxedo on with the rest of

1:16:35.640 --> 1:16:36.759
<v Speaker 2>the roots and no one bothered.

1:16:37.080 --> 1:16:39.640
<v Speaker 4>Really, it was like Obama was Do you see that

1:16:39.680 --> 1:16:42.400
<v Speaker 4>instagram is instagram of the when the Cavs are in town.

1:16:42.400 --> 1:16:44.880
<v Speaker 4>Do you see that? Was pretty funny They got where

1:16:44.920 --> 1:16:46.320
<v Speaker 4>they were on the subway. They were on the subway

1:16:46.360 --> 1:16:48.679
<v Speaker 4>like it was like the whole Calves squad and taking

1:16:48.680 --> 1:16:51.000
<v Speaker 4>the subway to Madison's Square Garden when they were in

1:16:51.000 --> 1:16:53.759
<v Speaker 4>town to play the next and I forget what happened,

1:16:53.760 --> 1:16:56.000
<v Speaker 4>but Lebron is definitely on there. He's got a hoodie on,

1:16:56.360 --> 1:16:59.160
<v Speaker 4>and I think no one recognized I'm pretty sure no

1:16:59.160 --> 1:17:01.920
<v Speaker 4>one recognized them, but it was. It's a really funny,

1:17:01.960 --> 1:17:04.080
<v Speaker 4>like there's there's a woman next to Lebron I think,

1:17:04.080 --> 1:17:05.840
<v Speaker 4>who's kind of like making a face because they're like

1:17:05.880 --> 1:17:08.160
<v Speaker 4>acting the fool a little bit right, and and and

1:17:08.200 --> 1:17:09.880
<v Speaker 4>she doesn't like them acting up. That has no idea

1:17:09.920 --> 1:17:11.439
<v Speaker 4>that she's next to like literally one of the most

1:17:11.439 --> 1:17:12.360
<v Speaker 4>famous people on earth.

1:17:12.439 --> 1:17:15.800
<v Speaker 2>Right, see, let's think it.

1:17:16.240 --> 1:17:20.120
<v Speaker 7>That's a squad of eight foot black guys. And instead

1:17:20.120 --> 1:17:23.360
<v Speaker 7>of me and you on the suburb, it's a different thing.

1:17:23.320 --> 1:17:29.280
<v Speaker 2>Big steven little yeah, little mirror protection. So where do

1:17:29.360 --> 1:17:33.040
<v Speaker 2>you see? Do you see an end of the this nightmare?

1:17:36.479 --> 1:17:38.439
<v Speaker 4>But the thing is the nightmare ends.

1:17:38.479 --> 1:17:42.920
<v Speaker 2>But if the nightmare ends, then we won't watch the news.

1:17:43.320 --> 1:17:47.080
<v Speaker 2>I'm not saying you yourself like, thanks, well, didn't let's

1:17:47.080 --> 1:17:51.360
<v Speaker 2>move us to like the country for us? Yeah? Yeah,

1:17:51.439 --> 1:17:51.840
<v Speaker 2>I don't.

1:17:52.200 --> 1:17:54.240
<v Speaker 4>I don't know. I don't know the answer. I don't

1:17:54.240 --> 1:17:55.960
<v Speaker 4>know how it ends. I really don't. I think everyone

1:17:56.080 --> 1:17:56.719
<v Speaker 4>so you don't.

1:17:56.520 --> 1:17:58.880
<v Speaker 2>Have a vision of your head of like, okay, so

1:17:59.680 --> 1:18:01.920
<v Speaker 2>you know you gotta check your phone every twelve seconds

1:18:01.920 --> 1:18:02.400
<v Speaker 2>to see.

1:18:02.200 --> 1:18:06.760
<v Speaker 4>If Michael Cone got indicted. No he didn't. I'm saying

1:18:06.840 --> 1:18:11.599
<v Speaker 4>check my phone, dude. I'm like, really, actually many Pettien's

1:18:11.600 --> 1:18:14.240
<v Speaker 4>come back and tell us he'll sing it.

1:18:15.640 --> 1:18:21.280
<v Speaker 2>But do you have but do you sorry, I'm all,

1:18:23.160 --> 1:18:26.240
<v Speaker 2>do you have this vision of like all of them

1:18:26.320 --> 1:18:27.759
<v Speaker 2>getting arrested in slow motion?

1:18:27.960 --> 1:18:30.840
<v Speaker 4>And yeah, I mean, look, I think everybody has their

1:18:30.880 --> 1:18:34.000
<v Speaker 4>own kind of fantasies about how it all ends. And

1:18:34.720 --> 1:18:36.320
<v Speaker 4>you know, I think there's some I feel like it's

1:18:36.320 --> 1:18:39.879
<v Speaker 4>going to happen. But I here's my can I my

1:18:39.640 --> 1:18:41.479
<v Speaker 4>my my thing about this, which is a little school

1:18:41.520 --> 1:18:43.519
<v Speaker 4>marmish but I'll I'll do it anyway, which is that

1:18:44.640 --> 1:18:47.320
<v Speaker 4>I think people want some deliverance. They want a White Knight,

1:18:47.320 --> 1:18:49.479
<v Speaker 4>they want a Dais X Machino. They want some way

1:18:49.479 --> 1:18:51.519
<v Speaker 4>to be rescued. They want the bad guys to get

1:18:51.520 --> 1:18:54.040
<v Speaker 4>carted away. They want Bob Muller to sort of ride

1:18:54.080 --> 1:18:56.400
<v Speaker 4>in and slay the dragon. And my thing about this,

1:18:56.439 --> 1:18:59.639
<v Speaker 4>which is the same theme of the book, is it's

1:18:59.680 --> 1:19:02.519
<v Speaker 4>just in a democracy, like it's just us, it's us

1:19:02.520 --> 1:19:05.400
<v Speaker 4>as citizens, it's we. No one's going to do it

1:19:05.439 --> 1:19:09.880
<v Speaker 4>for you the work, like that's just the way it works.

1:19:09.880 --> 1:19:12.759
<v Speaker 4>It's the hard thing about democracies is they they're fricking

1:19:13.000 --> 1:19:16.560
<v Speaker 4>They take a lot of exertion to make them work. Well,

1:19:16.720 --> 1:19:19.599
<v Speaker 4>you can outsource all that shit, you can say. I'm

1:19:19.640 --> 1:19:21.559
<v Speaker 4>you know, I trust these people in charge are just

1:19:21.560 --> 1:19:22.600
<v Speaker 4>going to do it. I'm going to show up to

1:19:22.680 --> 1:19:25.120
<v Speaker 4>vote or maybe even not vote, but at the minimum,

1:19:25.120 --> 1:19:26.679
<v Speaker 4>just show up and vote and be like okay.

1:19:27.960 --> 1:19:30.719
<v Speaker 2>But so even in the hands of a storm.

1:19:30.720 --> 1:19:34.200
<v Speaker 4>He's a lawyer, Mike Michae Lavanati. He's a great character.

1:19:35.000 --> 1:19:37.280
<v Speaker 2>Your eyes at him, but do you not feel as

1:19:37.320 --> 1:19:38.120
<v Speaker 2>though he has traction?

1:19:38.360 --> 1:19:40.400
<v Speaker 4>He's got traction, man, Dude, do your thing. Dude, I

1:19:40.400 --> 1:19:42.840
<v Speaker 4>don't like I don't begrudge anyone anything. Everyone's doing all

1:19:42.880 --> 1:19:46.519
<v Speaker 4>this stuff. I'm just saying the ending will. I think

1:19:46.520 --> 1:19:49.240
<v Speaker 4>the ending will be written by us collectively as a society,

1:19:49.479 --> 1:19:53.840
<v Speaker 4>as opposed to some squad of elliot ness untouchables that

1:19:53.880 --> 1:19:56.720
<v Speaker 4>bring down the ring. And even though even though I

1:19:56.720 --> 1:20:00.200
<v Speaker 4>think that there's a possibility that Bob Muller does, I

1:20:00.200 --> 1:20:01.840
<v Speaker 4>can dit a lot of people. Don't get me wrong,

1:20:02.160 --> 1:20:04.320
<v Speaker 4>I think they probably. I think people in the president's

1:20:04.320 --> 1:20:07.599
<v Speaker 4>circle definitely committed crimes that's already been established, but even

1:20:07.600 --> 1:20:11.000
<v Speaker 4>worse than we know. I just think that in a

1:20:11.920 --> 1:20:14.360
<v Speaker 4>deeper sense of will it be okay? The answer to

1:20:14.400 --> 1:20:17.479
<v Speaker 4>that question lies of us as opposed to.

1:20:18.680 --> 1:20:22.599
<v Speaker 2>Do you believe that Mahler is all right? To compare

1:20:22.640 --> 1:20:27.960
<v Speaker 2>this to like a police drama instead of arresting the

1:20:28.040 --> 1:20:33.320
<v Speaker 2>corner boy, okay, instead of arresting the corner boy and

1:20:34.520 --> 1:20:39.840
<v Speaker 2>his drug dealer boss, that Mahler is actually trying to

1:20:39.920 --> 1:20:43.640
<v Speaker 2>cast a widen est amongst anyone involved, Like this is

1:20:43.680 --> 1:20:46.320
<v Speaker 2>a bigger story, even bigger than Trump being president.

1:20:46.400 --> 1:20:49.280
<v Speaker 4>I think he has gone All indications from the outside

1:20:49.320 --> 1:20:50.760
<v Speaker 4>is that he has gone about this in both a

1:20:50.760 --> 1:20:52.800
<v Speaker 4>methodical way and in the kind of way that you

1:20:52.800 --> 1:20:57.000
<v Speaker 4>would attempt to go after or roll up in organize

1:20:57.000 --> 1:21:00.720
<v Speaker 4>crime ring. And I think that's been pretty clear. I

1:21:00.720 --> 1:21:03.040
<v Speaker 4>mean the stories, the craziest stories to me are the

1:21:03.040 --> 1:21:07.960
<v Speaker 4>international stories where you know, some oligarch shows up on

1:21:08.000 --> 1:21:09.840
<v Speaker 4>a private jet and Kennedy and gets off the plane

1:21:09.880 --> 1:21:12.880
<v Speaker 4>and it's like, excuse me, sir, with the FBI, come

1:21:12.920 --> 1:21:15.360
<v Speaker 4>with us and like search his phones, question on that

1:21:15.400 --> 1:21:17.920
<v Speaker 4>whole thing. And that's happened multiple times to multiple people.

1:21:18.640 --> 1:21:21.080
<v Speaker 4>They've got agents working overseas, so you know there's a

1:21:21.120 --> 1:21:23.439
<v Speaker 4>lot going on in that. I don't I don't know

1:21:23.479 --> 1:21:25.680
<v Speaker 4>what ultimately that will bear out, but I do have

1:21:25.720 --> 1:21:28.280
<v Speaker 4>a fair amount of faith in the in the diligence

1:21:28.320 --> 1:21:30.640
<v Speaker 4>with which they're approaching that job. I just don't know.

1:21:31.479 --> 1:21:33.519
<v Speaker 2>Okay, So in your version, this is my last question

1:21:33.560 --> 1:21:36.320
<v Speaker 2>in your version of all the presidents have been who's

1:21:36.360 --> 1:21:41.480
<v Speaker 2>playing you in the movie? And I'm slowly.

1:21:42.880 --> 1:21:47.920
<v Speaker 4>Good, good, Who's who's playing you?

1:21:49.280 --> 1:21:58.759
<v Speaker 2>There you go, ladies and gentlemen, Thank yoursees for hopefully

1:21:58.840 --> 1:22:01.680
<v Speaker 2>not to traumatize right now. I won't be at a

1:22:01.880 --> 1:22:06.400
<v Speaker 2>boss Bill, imday, Bill and sucer Steve. This is a

1:22:07.360 --> 1:22:10.720
<v Speaker 2>Questlove Quest, Love Supreme, only on Pandora. We will see

1:22:10.720 --> 1:22:25.240
<v Speaker 2>you over the next go round. H course.

1:22:25.320 --> 1:22:29.280
<v Speaker 1>Love Supreme is a production of iHeartRadio. This classic episode

1:22:29.360 --> 1:22:30.160
<v Speaker 1>was produced by.

1:22:30.080 --> 1:22:31.560
<v Speaker 2>The team at Pandora.

1:22:37.200 --> 1:22:40.479
<v Speaker 1>For more podcasts from iHeart Radio, visit the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.