WEBVTT - Bandon Deep Dives: Bandon Trails

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<v Speaker 1>I miss a green, for example, I'm already upset.

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<v Speaker 2>When I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in a brid egg

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<v Speaker 1>Friday egg and dreaded Frida egg, Frida egg, Frida egg

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<v Speaker 1>Brian Egg Frida egg.

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<v Speaker 3>Bride egg Lie, I'm about ready to run off.

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<v Speaker 4>Of the course.

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<v Speaker 1>Hello and welcome to the Frida Egg Podcast. My name

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<v Speaker 1>is Garrett Morrison. I am here today with Andy Johnson

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<v Speaker 1>Andy House, San Francisco.

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<v Speaker 2>Revealing my location.

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<v Speaker 3>It's it's delightful to be out of winter, and uh,

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<v Speaker 3>it's cool. It's just nice to be out seeing some

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<v Speaker 3>some golf courses and seeing some stuff and being somewhere

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<v Speaker 3>where you can do that and not be really cold.

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<v Speaker 1>Yeah, well, well it looks lovely. In any case, We

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<v Speaker 1>are here today to talk about a West coast location.

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<v Speaker 2>Pacific Northwest locations shared Pacific Northwest location.

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<v Speaker 1>Yeah, well, is San Francisco in the Pacific Northwest.

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<v Speaker 2>Some can say it? Consider it?

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<v Speaker 3>Who would say that, I don't know. Okay, it's somebody,

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<v Speaker 3>you know. Intelligent people would consider it.

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<v Speaker 1>So okay.

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<v Speaker 3>Now Midwesterns, naive Middlewesterns would consider it.

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<v Speaker 1>Anything that's not the Southwest or southern California is the

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<v Speaker 1>Pacific Northwest.

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<v Speaker 2>I think yeah, I think that's that's true.

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<v Speaker 3>It's if you have redwood trees, you're the Pacific Northwest

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<v Speaker 3>in my book.

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<v Speaker 1>So we are talking about Bandon Dunes obviously, that that

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<v Speaker 1>little known resort on the Oregon coast, and today is

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<v Speaker 1>the third of our bandoned deep dives. We've done Sheep

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<v Speaker 1>Ranch and the last one we did was Old MacDonald

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<v Speaker 1>and today we're going to dig into Bandon Trails, which

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<v Speaker 1>was the third course that was built at the resort.

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<v Speaker 1>You know, we're doing these in reverse order, and so

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<v Speaker 1>that's why we're at Bandon Trails now. Designed by Bill

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<v Speaker 1>Corr and Ben Crenshaw. It was built in two thousand

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<v Speaker 1>and three two thousand and four, opened in two thousand

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<v Speaker 1>and five. Some of the associates on this project included

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<v Speaker 1>Tony Russell, Jim Craig, David Zincnd, Jeff Bradley, kind of

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<v Speaker 1>a murderer's row of shapers and great architects in their

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<v Speaker 1>own right at this point, just to kind of situate

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<v Speaker 1>people historically with the Bandon Dunees project and where Bandon

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<v Speaker 1>Trails was in that Bandon Dunes had opened in nineteen

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<v Speaker 1>ninety nine and had been a sensation. Pacific Dunes opened

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<v Speaker 1>in two thousand and one. I think it was right,

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<v Speaker 1>and that too was a sensation, right immediate entry into

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<v Speaker 1>you know, the top twenty in the world, and Bandon

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<v Speaker 1>Dunes had become a really really big deal. You know,

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<v Speaker 1>if you can imagine when Banded Dunes had one course,

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<v Speaker 1>it was, although it was an incredible course and everybody

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<v Speaker 1>knew about it, it was just one course way out

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<v Speaker 1>in the middle of nowhere.

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<v Speaker 3>It was like going and finding the great up and

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<v Speaker 3>coming band at a local dive bar, that you know.

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<v Speaker 3>And then when Pacific Dunes is when they started playing

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<v Speaker 3>at like relatively known locations and on a tour in cities.

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<v Speaker 3>And then I think, you know, Pacific Trails or Banded Trails, Jesus,

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<v Speaker 3>Pacific Trails Abandoned Trails is where you know, kind of

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<v Speaker 3>probably it launched the resort into you know, you know,

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<v Speaker 3>in the subsequent courses, really launched the resort into a

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<v Speaker 3>whole new stratosphere of superstardom.

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<v Speaker 1>That's when they started playing arenas.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 1>Yeah, So that is the context in which Banded Trails

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<v Speaker 1>came about. And I think there was a lot of

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<v Speaker 1>pressure on it because Banded Dunes and Pacific Dunes had

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<v Speaker 1>been so well received. Both were on the ocean, in

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<v Speaker 1>these spectacular environments with great cliff top holes and everything

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<v Speaker 1>like that, and people knew very early on that Bandon

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<v Speaker 1>Trails would be a different kind of property. It wasn't

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<v Speaker 1>going to be on the cliffs, it was going to

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<v Speaker 1>be inland. There were parts of it that were even

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<v Speaker 1>going to be in the forest, and so there was

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<v Speaker 1>quite a bit of pressure on corn Crenshaw to sort

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<v Speaker 1>of live up to what band In Dunes and Pacific

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<v Speaker 1>Dunes had been. Now, Okay, so Bandon Trails was different

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<v Speaker 1>in a couple of ways. One way, obviously, is that

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<v Speaker 1>property that I talked about. Another is that Bill kre

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<v Speaker 1>and Ben Crenshaw were very well established at this time

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<v Speaker 1>in their career in a way that Tom Doak and

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<v Speaker 1>especially David Kidd were not when they built the first

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<v Speaker 1>two courses. So by this point corn Crenshaw had built

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<v Speaker 1>Kapalua sand Hills Friar's Head Old Sandwich just before Bandon Trails,

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<v Speaker 1>and so you know, they were already incredibly well regarded architects,

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<v Speaker 1>maybe the best regarded architects in the world of golf,

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<v Speaker 1>and here they come to do trails.

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<v Speaker 3>I think it's important to note here that this is

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<v Speaker 3>the first time that they worked with Mike Kaiser, Yeah,

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<v Speaker 3>which we then see, you know, they they were the

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<v Speaker 3>first course at Sand Valley, they were you know, they

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<v Speaker 3>did Cabot Cliffs and who knows what you know, they

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<v Speaker 3>might do in the future with with the Kaisers. But

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<v Speaker 3>you know, the this started the Core Crenshaw relationship there,

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<v Speaker 3>which we see more and more of. And obviously they

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<v Speaker 3>continue to work with Tom Doak and David Kidd, but

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<v Speaker 3>this is a significant point in terms of them working

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<v Speaker 3>with the Kaisers and building their most you know, publicly

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<v Speaker 3>popular courses you know, generally come from these big resorts,

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<v Speaker 3>and the Kaiser resorts are some of the most popular

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<v Speaker 3>golf destinations. So this is you know, Coren Crenshaw, you

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<v Speaker 3>know sand Hills and Friars Head or of courses that

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<v Speaker 3>nobody's going to see. You know, this is this is

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<v Speaker 3>a golf course that people could go see built by

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<v Speaker 3>Ben Ben Creunschhaw and Bill core.

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<v Speaker 1>And this is really an incredible error era for their

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<v Speaker 1>architecture because I think most people would agree that Friar's

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<v Speaker 1>Head and Old Sandwich are both among their best courses,

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<v Speaker 1>and that that is the time in their career when

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<v Speaker 1>they came to band In and built their first Kaiser

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<v Speaker 1>golf course, and then since then at Bandon you mentioned

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<v Speaker 1>some of the other courses that they've built at Kaiser

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<v Speaker 1>associated properties. They did band and Preserve and then they

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<v Speaker 1>did Sheep Ranch and so now at the Bandon Dunes Resort,

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<v Speaker 1>kren Crenshaw are the dominant architects. You know, Tom dok

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<v Speaker 1>has two eighteen whole courses there too, But you know,

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<v Speaker 1>Kaiser obviously liked what he saw from the trails project.

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<v Speaker 2>As of now three of the six courses.

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<v Speaker 1>All right. So that's all to say that there was

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<v Speaker 1>quite a bit of excitement about this project and some

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<v Speaker 1>trepidation on the part of Mike Kaiser and probably on

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<v Speaker 1>the part of kren Crenshaw as well, that you know,

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<v Speaker 1>this wouldn't work out as well. It wasn't. It wasn't

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<v Speaker 1>quite as splashy and exciting seeming as the first two

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<v Speaker 1>Bandon Dune's courses were, where you had up and coming

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<v Speaker 1>architects and you had these incredible sort of mind blowing

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<v Speaker 1>properties right by the sea. You know, where is this

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<v Speaker 1>new course that's kind of in this forest land area,

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<v Speaker 1>how is that going to fit into this resort? And

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<v Speaker 1>so recently you talked to Bill Krr And in fact,

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<v Speaker 1>this episode just came out a couple of weeks ago.

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<v Speaker 1>It came out on February first, so this is not

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<v Speaker 1>that long after it. But you talked to Bill Corr

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<v Speaker 1>about Bandon Trails and he told a great story about

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<v Speaker 1>essentially how the concept of the course design came about,

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<v Speaker 1>how they worked out how to tie together the property

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<v Speaker 1>and some of the decisions that went into that. And

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<v Speaker 1>we thought we would replay that clip here. Now, if

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<v Speaker 1>this is really fresh in your memory, then it's about

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<v Speaker 1>nine minutes and thirty seconds long, So just skip ahead

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<v Speaker 1>if you want. But even if you've listened to this once,

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<v Speaker 1>I think it's really worth listening to again because to

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<v Speaker 1>me it's just so interesting.

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<v Speaker 2>The whole thing on Banded Trails was really illuminating.

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<v Speaker 1>Yeah, very much. So, Okay, so here's that.

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<v Speaker 2>Clip Bandon Trails.

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<v Speaker 3>I'm quite smitten about that place, and you know, I

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<v Speaker 3>think it's at the resort. It's got its cult following

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<v Speaker 3>there among a lot of golf courses that are right

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<v Speaker 3>on the ocean, and I would love to hear a

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<v Speaker 3>little bit about the constructing the golf course and connecting

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<v Speaker 3>those very distinct different areas of the course, the different ecosystems, if.

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<v Speaker 2>You would say, you could say.

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<v Speaker 3>The ocean, the dunescape ocean holes with the meadow holes,

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<v Speaker 3>with the forest holes, and kind of how you guys

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<v Speaker 3>creatively weave that journey together.

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<v Speaker 4>Well, Andy, it was Bandon Trails began when Mike Kaiser called,

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<v Speaker 4>and I remember quite well the conversation telephone conversation. He said, Bill,

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<v Speaker 4>I'm thinking about doing a third golf course Abandon Dunes.

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<v Speaker 4>He said, it will not be on the ocean, so

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<v Speaker 4>you and Ben may not be interested, he said, but

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<v Speaker 4>I would just like to have the conversation to see

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<v Speaker 4>if you if you might be, and if you are,

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<v Speaker 4>would you come and take a look at the site.

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<v Speaker 4>And I remember then, Andy, I mean just said Mike, yeah, absolutely,

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<v Speaker 4>we would love to come sit. I've seen Bandon Dune's,

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<v Speaker 4>I've seen Pacific Dunes. It's just fantastic. We'd love to

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<v Speaker 4>do that. And it's not like the site has to

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<v Speaker 4>be on the ocean. It's not like we have to say, oh,

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<v Speaker 4>we've got to have the best site. If we can

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<v Speaker 4>do something that's that you and we and hopefully others

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<v Speaker 4>will thank complimentary to the whole goth experience there, then

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<v Speaker 4>let's take a look at it. He said, Okay, come on,

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<v Speaker 4>let's go. And so went out and did look at

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<v Speaker 4>the site at that particular time, Andy, Mike and Howard McKee,

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<v Speaker 4>you know McKee's pub. Howard McKee who's passed on, but

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<v Speaker 4>did all the planning and permitting and everything for Bandon

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<v Speaker 4>Dunes and for Mike, and it was a fabulous architect too,

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<v Speaker 4>brilliant guy. But they had they had thought that abandoned

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<v Speaker 4>trails would be all east of the big dune ridge

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<v Speaker 4>back in the forest.

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<v Speaker 3>And that dune ridge is the dune ridge that runs

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<v Speaker 3>through from the hotel really the lodge, all the way across,

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<v Speaker 3>you know, like two at Bandon Dunes plays into it,

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<v Speaker 3>and then eighteen at Pacific and plays along it, and

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<v Speaker 3>Old Mac plays over it on the third hole. So

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<v Speaker 3>that's the dunes ridge, and it'd be east inland of that.

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<v Speaker 4>Yes, but it extends down the coast. It's just a

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<v Speaker 4>giant dune ridge there. And so originally Howard and Mike said,

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<v Speaker 4>let's build it back in the forest.

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<v Speaker 5>It'll be more protected from the wind.

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<v Speaker 4>And I went out there with that understanding, and I

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<v Speaker 4>went back and I wandered back there as best you could.

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<v Speaker 4>It was very hard to get through because of the

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<v Speaker 4>trees and the gorse and things. There were trails though,

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<v Speaker 4>there were both animal trails and a couple of hiking

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<v Speaker 4>trails that went back through there, and.

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<v Speaker 5>I would just look at it. I went out for.

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<v Speaker 4>A number of days, but each time I was staying

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<v Speaker 4>in the lodge, there abandoned dunes and I would walk out,

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<v Speaker 4>and each day I would walk out and I'd look

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<v Speaker 4>at the dunes what's now number one and eighteen abandoned trails,

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<v Speaker 4>and there was a trail that I walked on through

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<v Speaker 4>those dunes, and I walked out through what's now number

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<v Speaker 4>five and number seventeen, the two part threes there what

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<v Speaker 4>we called the meadow area. And then i'd walk and

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<v Speaker 4>get and go around the bottom end of the big

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<v Speaker 4>dune and back into the forest. And each day andy

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<v Speaker 4>i'd come back, I go I could see, I guess

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<v Speaker 4>putting it all over here in the forest. And then

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<v Speaker 4>one day Mike Causer was out there an hour and

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<v Speaker 4>I just remember looking at both of them and I go,

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<v Speaker 4>you know, guys, this is after all called Bandon Dunes.

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<v Speaker 4>What if we start in the dunes and work our

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<v Speaker 4>way to the forest. And Mike was going, well, I

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<v Speaker 4>kind of like I might how are you going to

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<v Speaker 4>do that?

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<v Speaker 5>Though?

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<v Speaker 4>And uh, well, I don't know, but it might be

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<v Speaker 4>interesting that the more I've walked out there, it's three

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<v Speaker 4>distinctly different environments dunes again what we call the meadow

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<v Speaker 4>with the beautiful but the beautiful trees and the connect

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<v Speaker 4>and neck and the ground vegetation and sand, and and

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<v Speaker 4>then of.

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<v Speaker 5>Course in the Pacific Northwest forest.

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<v Speaker 4>And so I'm not quite sure, but I think maybe

0:13:25.400 --> 0:13:27.760
<v Speaker 4>there could be a way. And Mike said, well, how

0:13:27.760 --> 0:13:30.320
<v Speaker 4>are you going to get over the big the big ridge?

0:13:30.559 --> 0:13:33.120
<v Speaker 4>And I'm not sure about that either, cause I know

0:13:33.160 --> 0:13:34.840
<v Speaker 4>we can go at the bottom end of it where

0:13:34.880 --> 0:13:37.960
<v Speaker 4>it's it's much smaller, which is down where six Green

0:13:38.120 --> 0:13:39.480
<v Speaker 4>is seventy.

0:13:39.480 --> 0:13:41.920
<v Speaker 2>So that was a big lynch pans that you.

0:13:41.880 --> 0:13:43.760
<v Speaker 4>Could get around that way. It's just how you were

0:13:43.800 --> 0:13:47.560
<v Speaker 4>going to get back across. And but the more just

0:13:47.760 --> 0:13:50.240
<v Speaker 4>wandered out there and undered out, and Ben came out

0:13:50.320 --> 0:13:52.480
<v Speaker 4>and we just kind of you know, we looked at

0:13:52.520 --> 0:13:57.800
<v Speaker 4>it and it just it just seemed certainly to me

0:13:58.280 --> 0:14:01.439
<v Speaker 4>and Ben was in agreement this it could be interesting

0:14:01.480 --> 0:14:09.040
<v Speaker 4>to tie those three elements environments together. And Mike was

0:14:09.200 --> 0:14:14.640
<v Speaker 4>so as he's always been so supportive, and even though

0:14:14.679 --> 0:14:17.120
<v Speaker 4>it didn't fit what he was thinking of in the beginning,

0:14:17.760 --> 0:14:20.680
<v Speaker 4>he was open to it. And Howard McKee, who had

0:14:20.720 --> 0:14:26.720
<v Speaker 4>permitted everything there, and Howard was Howard whom I just

0:14:27.080 --> 0:14:30.720
<v Speaker 4>absolutely told was one of the most amazing human beings

0:14:30.800 --> 0:14:33.640
<v Speaker 4>I've ever met, and talented people. But I would have

0:14:33.720 --> 0:14:36.760
<v Speaker 4>dinner with Howard quite often and he go, Bill, I

0:14:36.800 --> 0:14:41.280
<v Speaker 4>don't know. I just don't know, he said. He said,

0:14:41.320 --> 0:14:43.800
<v Speaker 4>first of all, he said, we're getting ready to dedicate

0:14:43.840 --> 0:14:47.040
<v Speaker 4>a lot of this dunes area and to preserve and

0:14:48.240 --> 0:14:51.560
<v Speaker 4>he said secondly, he said, that area where you go

0:14:51.640 --> 0:14:55.160
<v Speaker 4>through you call the meadow. He said, that may be

0:14:55.320 --> 0:15:00.760
<v Speaker 4>the prettiest property on this entire all abandoned. Do sight,

0:15:01.240 --> 0:15:03.520
<v Speaker 4>you know, he said, I just don't know how you're

0:15:03.520 --> 0:15:06.360
<v Speaker 4>gonna do golf out there, he goes, but maybe you

0:15:06.400 --> 0:15:11.240
<v Speaker 4>could convince me. And Howard too was open minded. And

0:15:11.280 --> 0:15:12.640
<v Speaker 4>the more we looked at it and the more he

0:15:12.880 --> 0:15:17.040
<v Speaker 4>tried to piece some holes together in the routing. He said,

0:15:17.080 --> 0:15:20.720
<v Speaker 4>all right, all right. I remember distinctly him calling me.

0:15:21.360 --> 0:15:24.000
<v Speaker 4>They were met me out there where the old road

0:15:24.440 --> 0:15:26.920
<v Speaker 4>used to go in to the main road in the

0:15:26.920 --> 0:15:30.280
<v Speaker 4>abandoned dunes. You hit over now on the third T

0:15:30.600 --> 0:15:34.960
<v Speaker 4>and the eighteenth T. And Howard and Mike are both going,

0:15:35.040 --> 0:15:37.160
<v Speaker 4>you're gonna play over the main entry road.

0:15:38.120 --> 0:15:41.120
<v Speaker 5>Well we did. We've all seen places you do it

0:15:41.160 --> 0:15:44.040
<v Speaker 5>a lot, and they go, okay, that's okay.

0:15:44.480 --> 0:15:48.080
<v Speaker 4>But Howard came out there and then he just said, Bill,

0:15:48.200 --> 0:15:54.000
<v Speaker 4>you have one thousand feet one thousand feet from this

0:15:54.160 --> 0:15:59.080
<v Speaker 4>road towards the ocean. He said, that's it. You can't

0:15:59.120 --> 0:16:01.920
<v Speaker 4>go one inch more. He said, I've talked to the

0:16:02.920 --> 0:16:07.440
<v Speaker 4>you know, all the agencies, the state agencies, the county agencies.

0:16:07.800 --> 0:16:10.240
<v Speaker 4>We can get you that much that strip of dunes,

0:16:10.320 --> 0:16:13.120
<v Speaker 4>which is exactly where one in the two and eighteen

0:16:14.000 --> 0:16:18.280
<v Speaker 4>or he said, So you've got that nothing more. And

0:16:18.280 --> 0:16:19.720
<v Speaker 4>then he looked at me and he said, and if

0:16:19.760 --> 0:16:23.640
<v Speaker 4>you mess this up in this medal out here, I'm

0:16:23.680 --> 0:16:26.640
<v Speaker 4>just gonna kill you. He said, this is my favorite

0:16:26.640 --> 0:16:31.400
<v Speaker 4>place in the entire resort. And I said, Howard, look

0:16:31.440 --> 0:16:34.400
<v Speaker 4>at this because what's now the fifth hole, the little

0:16:34.440 --> 0:16:37.080
<v Speaker 4>part three, the green was there. You were talking earlier

0:16:37.080 --> 0:16:39.120
<v Speaker 4>about greens. It was there, the big trough in the

0:16:39.160 --> 0:16:41.760
<v Speaker 4>middle of it. It just graded it off enough to

0:16:41.760 --> 0:16:45.840
<v Speaker 4>put some pins on it. The green at seventeen was

0:16:45.960 --> 0:16:48.960
<v Speaker 4>more or less there, and all the stuff in between.

0:16:49.760 --> 0:16:52.400
<v Speaker 4>So it was it was like, Howard, we're gonna build

0:16:52.400 --> 0:16:55.320
<v Speaker 4>two part three's in your metal here, one going this way,

0:16:55.400 --> 0:16:57.760
<v Speaker 4>one gone that we will do very little disturbance.

0:16:58.160 --> 0:16:59.600
<v Speaker 5>And he goes okay.

0:17:00.800 --> 0:17:06.200
<v Speaker 4>So anyway, that's that's when it linked together and people say, well,

0:17:06.200 --> 0:17:09.240
<v Speaker 4>where did the name trails come from? It came from

0:17:09.320 --> 0:17:13.560
<v Speaker 4>trails because there were hiking trails out there, particularly through

0:17:14.040 --> 0:17:17.440
<v Speaker 4>the meadow part the dunes and the meadow, but then

0:17:17.480 --> 0:17:20.439
<v Speaker 4>there were animal trails over the big dune ridge and

0:17:20.560 --> 0:17:23.880
<v Speaker 4>back into the east. So I used to literally walk

0:17:23.920 --> 0:17:26.679
<v Speaker 4>around all of those trails. And so when Mike and

0:17:27.080 --> 0:17:30.200
<v Speaker 4>everybody was talking about what would the name be, I

0:17:30.400 --> 0:17:33.120
<v Speaker 4>just go, well, there's a lot of trails out there.

0:17:33.560 --> 0:17:35.240
<v Speaker 4>So they said, all right, Bandon trails.

0:17:43.240 --> 0:17:48.200
<v Speaker 1>All right, So that's how Bandon trails became Bandon Trails. Now,

0:17:48.440 --> 0:17:51.800
<v Speaker 1>one thing I think that didn't necessarily come through in

0:17:52.000 --> 0:17:56.679
<v Speaker 1>Bill's memory of the construction is that tying together these

0:17:56.920 --> 0:18:02.520
<v Speaker 1>three environments was a really big, big concern during the project.

0:18:02.920 --> 0:18:06.359
<v Speaker 1>They were actually very worried about it. And this is

0:18:06.400 --> 0:18:09.280
<v Speaker 1>something that comes out and Stephen Goodwin's book Dream Golf

0:18:09.320 --> 0:18:11.760
<v Speaker 1>that you know, I've been mentioning from time to time

0:18:11.800 --> 0:18:17.160
<v Speaker 1>in these deep dives, they were actively thinking like, this

0:18:17.280 --> 0:18:19.600
<v Speaker 1>might not work, we might not be able to do this.

0:18:20.400 --> 0:18:21.400
<v Speaker 2>I think that's the thing.

0:18:21.600 --> 0:18:25.200
<v Speaker 3>Sometimes when you have a golf course that moves into

0:18:25.280 --> 0:18:30.240
<v Speaker 3>different distinct environments, you can get a feel of disjointedness

0:18:30.600 --> 0:18:34.560
<v Speaker 3>and it cannot tie together right, and it cannot blend

0:18:34.560 --> 0:18:38.439
<v Speaker 3>together right. And obviously, you know, a good example of

0:18:38.480 --> 0:18:41.320
<v Speaker 3>a golf course that does it really well is one

0:18:41.359 --> 0:18:44.800
<v Speaker 3>of Bill Corr's favorites, who he's talked about a great

0:18:44.840 --> 0:18:47.800
<v Speaker 3>deal about the routing, how he is enamored with it

0:18:47.840 --> 0:18:51.560
<v Speaker 3>as Cyprus Point. But then there's you know, probably everybody

0:18:51.600 --> 0:18:54.960
<v Speaker 3>here has played a golf course where you all of

0:18:54.960 --> 0:18:57.040
<v Speaker 3>a sudden are like, ah, this, this is out of

0:18:57.080 --> 0:18:59.520
<v Speaker 3>the blue. I didn't know this was coming. And I

0:18:59.520 --> 0:19:02.320
<v Speaker 3>don't know if I necessarily like moving into this environment,

0:19:02.359 --> 0:19:04.840
<v Speaker 3>and then you go back into a different environment, you're

0:19:04.880 --> 0:19:06.879
<v Speaker 3>like Ah, it would be nice if they could have

0:19:06.960 --> 0:19:09.680
<v Speaker 3>just had that the whole way around, you know. And

0:19:09.760 --> 0:19:12.480
<v Speaker 3>I think that's that's something that a lot of courses face,

0:19:12.560 --> 0:19:18.840
<v Speaker 3>and tying together different environments. Obviously a banded trails, there's

0:19:18.880 --> 0:19:20.960
<v Speaker 3>three of them. They have the dunes, the meadow, in

0:19:21.000 --> 0:19:24.760
<v Speaker 3>the in the forest, and tying together those parts and

0:19:24.800 --> 0:19:28.160
<v Speaker 3>making it feel like the same golf course and feel

0:19:28.560 --> 0:19:31.679
<v Speaker 3>you know, like a you know, a well put together story.

0:19:31.720 --> 0:19:34.280
<v Speaker 3>It's just like if you're writing something, it's sometimes hard

0:19:34.359 --> 0:19:38.920
<v Speaker 3>to change topics right and tie those topics together back together.

0:19:39.280 --> 0:19:41.480
<v Speaker 3>They do it so well here, and I think part

0:19:41.520 --> 0:19:44.240
<v Speaker 3>of it is the way that the golf course starts

0:19:44.240 --> 0:19:48.000
<v Speaker 3>and ends in one spot and then visits and you know,

0:19:48.160 --> 0:19:50.480
<v Speaker 3>and revisits to the different other areas.

0:19:50.720 --> 0:19:54.880
<v Speaker 1>Yeah, very successful and not easy to do. I mean,

0:19:54.880 --> 0:19:58.240
<v Speaker 1>it seems that when you just play the finished product,

0:19:58.240 --> 0:20:00.679
<v Speaker 1>it seems like it was easy. It seems like it

0:20:00.760 --> 0:20:03.199
<v Speaker 1>was natural that it would be this way. But I

0:20:03.200 --> 0:20:06.239
<v Speaker 1>think it can't be overstated, like how hard it is

0:20:06.280 --> 0:20:09.400
<v Speaker 1>to pull this off and do it well. Cypress Point

0:20:09.440 --> 0:20:11.800
<v Speaker 1>you mentioned as an example of a course that obviously

0:20:11.920 --> 0:20:15.000
<v Speaker 1>does this well. Now, there was another course that was

0:20:15.240 --> 0:20:18.680
<v Speaker 1>specifically on Mike Kaiser's mind when Bandon Trails was being

0:20:18.760 --> 0:20:22.040
<v Speaker 1>built as an example of a course where it's not

0:20:22.240 --> 0:20:25.720
<v Speaker 1>as successful tying the environments together, and it's very close

0:20:25.760 --> 0:20:26.560
<v Speaker 1>to Cypress Point.

0:20:27.000 --> 0:20:31.680
<v Speaker 3>Yeah, spy Glass, So Spyglass is obviously always the victim

0:20:31.880 --> 0:20:36.320
<v Speaker 3>of this. It's a perfect example of this is where

0:20:36.359 --> 0:20:39.480
<v Speaker 3>you play the first five holes and they're spectacular, they're

0:20:39.520 --> 0:20:42.480
<v Speaker 3>on the ocean, you know, and then the rest of

0:20:42.520 --> 0:20:44.800
<v Speaker 3>the round you're climbing up a hill in a forest

0:20:44.880 --> 0:20:48.560
<v Speaker 3>and there's artificial ponds and it just you're just kind

0:20:48.560 --> 0:20:51.520
<v Speaker 3>of like, oh, that's a different golf course. And I

0:20:51.560 --> 0:20:54.200
<v Speaker 3>always say it should be just flip the nines. It

0:20:54.200 --> 0:20:56.240
<v Speaker 3>would get a lot better. It would be a lot

0:20:56.280 --> 0:20:58.600
<v Speaker 3>more coherent of a story because you'd start up in

0:20:58.640 --> 0:21:00.840
<v Speaker 3>the forest and then you play down and then back

0:21:00.920 --> 0:21:04.680
<v Speaker 3>up into the forest. But like this, that's a good

0:21:04.720 --> 0:21:09.560
<v Speaker 3>example of a golf course that just doesn't feel together,

0:21:10.040 --> 0:21:15.120
<v Speaker 3>jointed in its current routing and journey that you go on.

0:21:15.400 --> 0:21:18.520
<v Speaker 3>Like it, it wouldn't be the way as Bill Bill

0:21:18.560 --> 0:21:21.680
<v Speaker 3>always says, you know, he talks about routing a course

0:21:21.720 --> 0:21:24.119
<v Speaker 3>the way you'd walk a course the first time of

0:21:24.200 --> 0:21:27.080
<v Speaker 3>property the first time, and I don't necessarily think that'd

0:21:27.080 --> 0:21:30.680
<v Speaker 3>be the way you'd walk Spyglass, but I certainly think

0:21:30.760 --> 0:21:34.719
<v Speaker 3>it would be the way very similar way you'd walk

0:21:35.160 --> 0:21:36.000
<v Speaker 3>bandoned trails.

0:21:36.240 --> 0:21:39.000
<v Speaker 1>Right now, I think that an underrated part of what

0:21:39.320 --> 0:21:41.920
<v Speaker 1>makes Spyglass not quite working. I don't want to dump

0:21:41.920 --> 0:21:44.520
<v Speaker 1>on Spyglass too much here because I think it's a

0:21:44.600 --> 0:21:45.720
<v Speaker 1>terrific golf course.

0:21:45.960 --> 0:21:48.240
<v Speaker 2>You lived right next door to it for a while.

0:21:48.000 --> 0:21:50.800
<v Speaker 1>I know. Yeah, so I lived at Stephenson School, which

0:21:50.880 --> 0:21:54.280
<v Speaker 1>is a boarding school that literally is right next to

0:21:54.880 --> 0:21:58.840
<v Speaker 1>Spyglass Hill golf course. Stephenson School is right between Spyglass

0:21:58.840 --> 0:22:01.399
<v Speaker 1>and Poppy Hills, so it's Pop on one side, Spyglass

0:22:01.400 --> 0:22:03.919
<v Speaker 1>on the other. And yeah, I was really close to it.

0:22:03.960 --> 0:22:06.400
<v Speaker 1>And in fact, actually it's great at spy Glass because

0:22:06.400 --> 0:22:08.359
<v Speaker 1>there are little trails that go through the course that

0:22:08.400 --> 0:22:10.760
<v Speaker 1>are public. You can just go walk through that golf course.

0:22:10.760 --> 0:22:13.360
<v Speaker 1>It's not a problem. And we did it all the time.

0:22:13.400 --> 0:22:14.840
<v Speaker 1>You know, my kids were young. We'd put them in

0:22:14.840 --> 0:22:17.800
<v Speaker 1>the strollers and we would be off and taking these

0:22:17.920 --> 0:22:23.120
<v Speaker 1>wonderfully beautiful walks in the forest, which is an incredible environment.

0:22:23.240 --> 0:22:25.119
<v Speaker 1>And so, you know, I don't want to say that

0:22:25.160 --> 0:22:28.040
<v Speaker 1>Spyglass Hill is a terrible golf course. It's really not.

0:22:28.160 --> 0:22:32.200
<v Speaker 1>It's very, very, very good, but it doesn't quite link

0:22:32.280 --> 0:22:35.280
<v Speaker 1>up those two different parts of its identity. And I

0:22:35.320 --> 0:22:37.399
<v Speaker 1>think that one reason for that is that the holes

0:22:37.440 --> 0:22:40.960
<v Speaker 1>that are in the dunes are different in more ways

0:22:41.119 --> 0:22:44.200
<v Speaker 1>than the holes that are up in the forest than

0:22:44.320 --> 0:22:46.560
<v Speaker 1>just the fact that they're in the dunes. The holes

0:22:46.600 --> 0:22:50.959
<v Speaker 1>in the dunes are shorter, they're a quirkier, they just

0:22:51.080 --> 0:22:53.639
<v Speaker 1>look different. Overall that the shaping is kind of different.

0:22:53.680 --> 0:22:56.760
<v Speaker 1>The greens sit in different types of places. The green

0:22:56.840 --> 0:22:59.480
<v Speaker 1>shapes are very different. You know that the fourth green

0:22:59.560 --> 0:23:03.000
<v Speaker 1>is this crazy, like, you know, narrow long thing that

0:23:04.119 --> 0:23:06.480
<v Speaker 1>you never saw Robert tran Jones do something like that again,

0:23:06.520 --> 0:23:09.840
<v Speaker 1>and for some reason he was inspired to do so

0:23:10.760 --> 0:23:13.359
<v Speaker 1>in those dunes. But then when you climb back up

0:23:13.359 --> 0:23:16.480
<v Speaker 1>into the forest, it just it gets a lot more conventional,

0:23:16.560 --> 0:23:19.359
<v Speaker 1>and so it really does give you that schizophrenic feeling.

0:23:19.400 --> 0:23:22.359
<v Speaker 1>Now at a place like Cyprus Point, the holes that

0:23:22.480 --> 0:23:25.200
<v Speaker 1>are back in the forest or in the dune environment

0:23:25.440 --> 0:23:28.720
<v Speaker 1>or out on the ocean cliffs do have a sense

0:23:28.720 --> 0:23:33.160
<v Speaker 1>of unity because the execution of the architecture is similar

0:23:33.320 --> 0:23:35.840
<v Speaker 1>across those environments. So even if they're in different types

0:23:35.880 --> 0:23:37.919
<v Speaker 1>of landscapes, they still feel like they're part of the

0:23:37.920 --> 0:23:38.480
<v Speaker 1>same course.

0:23:38.800 --> 0:23:41.159
<v Speaker 3>I think, yeah, I think that there's also like a

0:23:41.320 --> 0:23:48.200
<v Speaker 3>unifying strategy. They have coherent holes that you know, kind

0:23:48.240 --> 0:23:53.919
<v Speaker 3>of fit alongside each other and blend together well in

0:23:54.040 --> 0:23:57.160
<v Speaker 3>terms of like they you know, you have the rhythm

0:23:57.320 --> 0:24:00.760
<v Speaker 3>and when you go Spyglass, like you go it's it's

0:24:00.800 --> 0:24:03.879
<v Speaker 3>all those short holes you're talking about, kind of quirkier holes,

0:24:04.520 --> 0:24:08.280
<v Speaker 3>and then you go back up into the hill and

0:24:08.320 --> 0:24:11.160
<v Speaker 3>you just feel like you're getting bludgeoned with a hammer.

0:24:11.880 --> 0:24:15.880
<v Speaker 3>But you know, there's it loses some of the kind

0:24:15.920 --> 0:24:18.359
<v Speaker 3>of up and down nature that some of the really

0:24:18.400 --> 0:24:21.200
<v Speaker 3>great courses have where you have a mix of gettable

0:24:21.240 --> 0:24:24.400
<v Speaker 3>holes and tough holes, and you know, golf course could

0:24:24.400 --> 0:24:27.080
<v Speaker 3>be hard, like this is not, but it is a

0:24:27.440 --> 0:24:30.720
<v Speaker 3>it's the idea of some flow in it where you

0:24:30.760 --> 0:24:36.280
<v Speaker 3>feel like you've got some good chances, and especially chances

0:24:36.320 --> 0:24:38.480
<v Speaker 3>if you pull off shots, like there are holes out

0:24:38.480 --> 0:24:42.879
<v Speaker 3>of Spyglass where if you hit two great shots, you're

0:24:42.960 --> 0:24:45.720
<v Speaker 3>just like hoping to make a par after two great shots,

0:24:45.800 --> 0:24:47.879
<v Speaker 3>you know, like the eighth holes.

0:24:47.920 --> 0:24:49.640
<v Speaker 2>When it comes to mind, like I don't know what

0:24:49.680 --> 0:24:50.080
<v Speaker 2>you do.

0:24:50.040 --> 0:24:53.720
<v Speaker 3>There, just just praying to hit two good shots and

0:24:53.760 --> 0:24:55.960
<v Speaker 3>then you might have like forty feet out of pretty

0:24:55.960 --> 0:24:59.080
<v Speaker 3>severe green to make you know, and you know, I

0:24:59.119 --> 0:25:01.879
<v Speaker 3>think that's kind of what what happens. Whereas, like, I

0:25:01.920 --> 0:25:04.720
<v Speaker 3>think one of the things overarching with Core and Crenshaw

0:25:04.760 --> 0:25:08.240
<v Speaker 3>that I I've noticed is like if you execute, if

0:25:08.240 --> 0:25:12.800
<v Speaker 3>you hit shots, you get really good scoring opportunities. And

0:25:13.320 --> 0:25:16.080
<v Speaker 3>I think that's something like where you can really get

0:25:16.119 --> 0:25:19.160
<v Speaker 3>cooking on Core Crenshaw courses.

0:25:18.800 --> 0:25:19.760
<v Speaker 2>If you play well.

0:25:20.119 --> 0:25:23.800
<v Speaker 3>But if you're off, you know, it's going to be

0:25:23.840 --> 0:25:26.720
<v Speaker 3>a tough day, Like it's not easy if you're off.

0:25:28.280 --> 0:25:30.679
<v Speaker 1>This episode of the Frida Egg Podcast is brought to

0:25:30.720 --> 0:25:33.880
<v Speaker 1>you by Zero Restriction. So on our trip to Bandon

0:25:33.960 --> 0:25:37.320
<v Speaker 1>Dune's last November, we encountered all kinds of weather. We

0:25:37.400 --> 0:25:41.080
<v Speaker 1>played bandoned trails and torrential rains and gale force wins,

0:25:41.600 --> 0:25:45.159
<v Speaker 1>and we played Old Mac on a beautiful, clear, but

0:25:45.280 --> 0:25:49.080
<v Speaker 1>somewhat chilly day. So we needed performance apparel that was

0:25:49.119 --> 0:25:52.520
<v Speaker 1>really versatile, that could handle anything that the Oregon Coast

0:25:52.600 --> 0:25:56.160
<v Speaker 1>threw at us. Thankfully, we were outfitted on this trip

0:25:56.240 --> 0:26:01.760
<v Speaker 1>by Zero Restriction. Zero Restriction makes cutting edge outerwear and

0:26:02.160 --> 0:26:04.240
<v Speaker 1>we actually got to try a couple of new items

0:26:04.240 --> 0:26:07.920
<v Speaker 1>from the ZR collection on this trip, including the Mayweather

0:26:08.000 --> 0:26:11.640
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0:26:11.880 --> 0:26:15.280
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0:26:15.320 --> 0:26:18.879
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0:26:19.200 --> 0:26:22.600
<v Speaker 1>and finally, both items can function really well as either

0:26:22.840 --> 0:26:25.560
<v Speaker 1>a top layer for a mild day or as a

0:26:25.560 --> 0:26:28.800
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0:26:28.800 --> 0:26:32.160
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0:26:32.160 --> 0:26:35.600
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0:26:36.040 --> 0:26:38.640
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0:26:38.680 --> 0:26:43.760
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0:26:43.960 --> 0:26:49.960
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0:26:50.240 --> 0:26:54.600
<v Speaker 1>Let's get back to how Trails ties together these different places. Okay,

0:26:54.680 --> 0:26:58.480
<v Speaker 1>so we've mentioned that there is a coherence to the architecture,

0:26:58.480 --> 0:27:02.439
<v Speaker 1>whether it's strategy or shape. Trails has that across the

0:27:02.520 --> 0:27:04.840
<v Speaker 1>three different areas. But I think that there are other

0:27:04.920 --> 0:27:10.120
<v Speaker 1>things that make these different environments feel like they're part

0:27:10.119 --> 0:27:12.879
<v Speaker 1>of the same course. One is the way that the

0:27:12.920 --> 0:27:15.840
<v Speaker 1>holes are connected with each other, and how thoughtful the

0:27:15.880 --> 0:27:20.480
<v Speaker 1>transitions from a green to the next tee are and

0:27:20.520 --> 0:27:25.240
<v Speaker 1>how often those trails between a green and a tea

0:27:26.160 --> 0:27:29.439
<v Speaker 1>take you from one environment to the next, And so

0:27:29.520 --> 0:27:34.000
<v Speaker 1>there's kind of a gradual fade or a gradual blend.

0:27:34.760 --> 0:27:36.919
<v Speaker 1>Think of the trail from the second hole, which is

0:27:36.920 --> 0:27:39.919
<v Speaker 1>in the dunes, to the third te which is starting

0:27:39.960 --> 0:27:42.840
<v Speaker 1>to be in the meadow with some trees around. You

0:27:42.920 --> 0:27:45.760
<v Speaker 1>walk off of that second green and you're still in

0:27:45.800 --> 0:27:47.920
<v Speaker 1>the dunes. You can kind of see what's ahead of you.

0:27:47.920 --> 0:27:50.400
<v Speaker 1>You can kind of see that there are some trees

0:27:50.720 --> 0:27:54.159
<v Speaker 1>and a different type of terrain, but that trail just

0:27:54.200 --> 0:28:01.440
<v Speaker 1>so beautifully like gradually fades from dunes to the flora

0:28:01.840 --> 0:28:05.359
<v Speaker 1>of the meadow environment, and it just makes you feel

0:28:05.400 --> 0:28:08.320
<v Speaker 1>like they're part of each other. So there are these segues.

0:28:08.359 --> 0:28:11.520
<v Speaker 1>If we're using a writing metaphor, you need segues between

0:28:11.560 --> 0:28:15.040
<v Speaker 1>different sections and paragraphs. That's what these trails do.

0:28:15.720 --> 0:28:17.760
<v Speaker 3>I think another way you could put it is like

0:28:17.840 --> 0:28:22.040
<v Speaker 3>when you're somewhere where you have a great DJ. They're

0:28:22.080 --> 0:28:25.760
<v Speaker 3>playing all these different songs, different you know, sometimes different

0:28:25.800 --> 0:28:28.919
<v Speaker 3>genres of music. But the way they kind of blend

0:28:29.000 --> 0:28:32.239
<v Speaker 3>the two songs together at the transition. Think of that

0:28:32.320 --> 0:28:35.360
<v Speaker 3>as the Trails at Banded Trails where it's that kind

0:28:35.359 --> 0:28:38.680
<v Speaker 3>of in between the two songs where you get you

0:28:38.800 --> 0:28:42.680
<v Speaker 3>know what's coming, but you're still finishing out the other song,

0:28:42.920 --> 0:28:45.120
<v Speaker 3>so you know that's ending and you're going and it's

0:28:45.120 --> 0:28:47.720
<v Speaker 3>that in between phase. And that's kind of the way

0:28:48.200 --> 0:28:51.120
<v Speaker 3>trails works with these in between these holes that go

0:28:51.200 --> 0:28:52.400
<v Speaker 3>from one area to the next.

0:28:52.840 --> 0:28:56.600
<v Speaker 1>Yeah, okay, So there are the connections between the holes,

0:28:57.200 --> 0:28:59.840
<v Speaker 1>and then there's the overall sense of coherence in the

0:29:00.120 --> 0:29:03.360
<v Speaker 1>story of the course and it's routing. I've heard you

0:29:03.400 --> 0:29:07.320
<v Speaker 1>talk about this before. What's your basic take on what

0:29:07.360 --> 0:29:08.680
<v Speaker 1>the story of this course is?

0:29:09.080 --> 0:29:12.360
<v Speaker 3>So I think one of the things with the resort, right,

0:29:12.640 --> 0:29:15.840
<v Speaker 3>all the holes on the ocean are are kind of interconnected,

0:29:16.080 --> 0:29:19.040
<v Speaker 3>and you're you're at this resort and you know you're

0:29:19.080 --> 0:29:21.560
<v Speaker 3>at the resort when you're at these courses and you're

0:29:22.160 --> 0:29:27.240
<v Speaker 3>you're right there, you're on the ocean. There's infrastructure, there's clubhouses,

0:29:27.360 --> 0:29:31.840
<v Speaker 3>there's everything. At Bandon Trails, you kind of go out

0:29:31.960 --> 0:29:35.360
<v Speaker 3>to the edge of this ocean side and you start

0:29:35.760 --> 0:29:38.320
<v Speaker 3>and what it is, it's a story of departure.

0:29:38.520 --> 0:29:41.880
<v Speaker 2>You leave the resort and you.

0:29:41.720 --> 0:29:45.720
<v Speaker 3>Go almost it's really you know as somebody who shoot

0:29:45.840 --> 0:29:48.280
<v Speaker 3>shot out there. I took a hiking trail and it

0:29:48.360 --> 0:29:50.760
<v Speaker 3>is you go on almost a hike out there. It

0:29:51.360 --> 0:29:54.840
<v Speaker 3>definitely has the most vertical climb of any golf course

0:29:54.880 --> 0:29:58.440
<v Speaker 3>out there, and you go up into the forest, but

0:29:58.600 --> 0:30:01.840
<v Speaker 3>like you're leaving and it's it's very peaceful. Everywhere else

0:30:01.880 --> 0:30:04.160
<v Speaker 3>you hear the crashing of the waves on the ocean.

0:30:04.480 --> 0:30:07.960
<v Speaker 3>At Trails, it's silent, and it's really a peaceful place

0:30:08.000 --> 0:30:10.479
<v Speaker 3>to be because when you're down at the resort, you

0:30:10.520 --> 0:30:14.040
<v Speaker 3>see people, you see your you know, you see other holes.

0:30:14.360 --> 0:30:16.880
<v Speaker 3>You get up at the top of the of Trails

0:30:17.160 --> 0:30:20.360
<v Speaker 3>and you're isolated and it's and you really feel a

0:30:20.440 --> 0:30:24.200
<v Speaker 3>way and you feel this, you know, departure from this

0:30:24.480 --> 0:30:27.560
<v Speaker 3>resort that you've been staying in. The resort's wonderful, but

0:30:27.640 --> 0:30:29.760
<v Speaker 3>it is nice to get away. And I think that's

0:30:29.760 --> 0:30:34.800
<v Speaker 3>one of the things Trails has got this somewhat cult following,

0:30:34.960 --> 0:30:37.680
<v Speaker 3>and I think, you know, some people have trouble synthesizing

0:30:37.720 --> 0:30:41.360
<v Speaker 3>why it's their favorite place. And you get to leave

0:30:41.440 --> 0:30:44.400
<v Speaker 3>society for a while, and that's really delightful. It's a

0:30:44.400 --> 0:30:49.920
<v Speaker 3>delightful escapism that it offers guests out there and you know,

0:30:50.080 --> 0:30:53.320
<v Speaker 3>you get to go on effectively, what's the most beautiful

0:30:53.400 --> 0:30:55.480
<v Speaker 3>hike that you could create out there.

0:30:56.040 --> 0:31:00.400
<v Speaker 1>It's interesting that the resort sort of feels like civilization now.

0:31:00.720 --> 0:31:05.360
<v Speaker 1>Right the place where Bandon dunees is Pacific Dunes and

0:31:05.800 --> 0:31:08.800
<v Speaker 1>Old MacDonald, all of that really does feel like a

0:31:08.840 --> 0:31:13.520
<v Speaker 1>bustling city at this point, and so Bandon Trails is

0:31:13.560 --> 0:31:16.400
<v Speaker 1>a departure from that. It is more isolated up there.

0:31:16.480 --> 0:31:19.600
<v Speaker 1>It is, there's more solitude, and there's this sense that,

0:31:19.760 --> 0:31:23.280
<v Speaker 1>you know, what you're hearing is no longer other people

0:31:23.400 --> 0:31:25.680
<v Speaker 1>and vehicles and stuff like that. It's it's the sounds

0:31:25.680 --> 0:31:28.360
<v Speaker 1>of nature when you're up there. But just think of

0:31:28.400 --> 0:31:31.960
<v Speaker 1>when Bandon Dunes was just one course, the whole thing

0:31:32.120 --> 0:31:35.840
<v Speaker 1>was a departure. Then there wasn't this sense of bustle

0:31:36.200 --> 0:31:39.240
<v Speaker 1>or civilization as much at the resort. And so maybe

0:31:39.560 --> 0:31:43.360
<v Speaker 1>what the function of Trails was was that the resort

0:31:43.400 --> 0:31:45.960
<v Speaker 1>was starting to take on this character of a really

0:31:46.000 --> 0:31:49.720
<v Speaker 1>busy place. Right. You know, Pacific Dunes and Bandon Dunes

0:31:49.760 --> 0:31:53.320
<v Speaker 1>in the early two thousands were packed just all the time,

0:31:53.480 --> 0:31:57.560
<v Speaker 1>all day, and so here comes Bandon Trails, offering a

0:31:57.640 --> 0:32:00.600
<v Speaker 1>reprieve from that and a little sense of what the

0:32:01.000 --> 0:32:04.880
<v Speaker 1>overall feel of the resort was very early in its life,

0:32:05.480 --> 0:32:08.040
<v Speaker 1>so it's kind of appropriate that Trails came along when

0:32:08.120 --> 0:32:09.360
<v Speaker 1>when it did well.

0:32:09.400 --> 0:32:14.600
<v Speaker 3>I think that also, you know, I think that leads

0:32:14.640 --> 0:32:19.280
<v Speaker 3>into some of the real popularity today and how it's

0:32:19.320 --> 0:32:23.720
<v Speaker 3>grown over time, is that people get there and they're

0:32:24.000 --> 0:32:25.640
<v Speaker 3>you're part of the resort, and.

0:32:26.000 --> 0:32:26.920
<v Speaker 2>You know you're part of this.

0:32:27.200 --> 0:32:29.880
<v Speaker 3>It's like a disney It's not Disneyland, like I'm just

0:32:29.960 --> 0:32:32.920
<v Speaker 3>to say, like a Disneyland of golf, right, and this

0:32:33.080 --> 0:32:35.040
<v Speaker 3>is the one where you get away and you get

0:32:35.160 --> 0:32:37.920
<v Speaker 3>you get and that's such a nice feeling and whether

0:32:38.120 --> 0:32:40.800
<v Speaker 3>you know, I think that is something that's become more

0:32:40.880 --> 0:32:44.800
<v Speaker 3>and more part of its identity as the resorts continue

0:32:44.840 --> 0:32:47.760
<v Speaker 3>to grow after it, because Old MacDonald is definitely part

0:32:47.800 --> 0:32:51.720
<v Speaker 3>of that bustling system and Sheep Ranch is a little

0:32:51.720 --> 0:32:54.840
<v Speaker 3>bit disconnected but still really part of that system.

0:32:54.880 --> 0:32:56.360
<v Speaker 2>You can see all the other courses.

0:32:56.720 --> 0:32:57.240
<v Speaker 1>You get that.

0:32:57.280 --> 0:33:00.320
<v Speaker 3>Ocean sound, that ambient noise. I think think one of

0:33:00.400 --> 0:33:02.360
<v Speaker 3>the things that when you if you go out to

0:33:02.440 --> 0:33:05.440
<v Speaker 3>Trails is the solitude.

0:33:04.800 --> 0:33:06.960
<v Speaker 1>Of it and away from the ocean, the ocean is

0:33:07.000 --> 0:33:09.600
<v Speaker 1>super loud. When you get away from Trails, you notice

0:33:09.640 --> 0:33:10.280
<v Speaker 1>its absence.

0:33:10.640 --> 0:33:11.400
<v Speaker 2>Yeah, that's the thing.

0:33:11.800 --> 0:33:15.000
<v Speaker 3>One time I played a golf tournament at like a

0:33:15.040 --> 0:33:18.160
<v Speaker 3>state am at Beverly in the city, and I was there.

0:33:18.160 --> 0:33:21.000
<v Speaker 3>So I was there for four straight days, and it's

0:33:21.080 --> 0:33:23.360
<v Speaker 3>one of the loudest courses in the country. Like it's

0:33:23.360 --> 0:33:27.400
<v Speaker 3>got city roads, it's got a railroad, it's got it's

0:33:27.520 --> 0:33:31.719
<v Speaker 3>right in the flight path of a major airport, and

0:33:32.760 --> 0:33:33.719
<v Speaker 3>it's so loud.

0:33:33.760 --> 0:33:35.720
<v Speaker 2>But after four days you get used to it.

0:33:35.760 --> 0:33:39.200
<v Speaker 3>And I remember the next day or a day after that,

0:33:39.320 --> 0:33:41.960
<v Speaker 3>I went to a different golf course and I was like, God,

0:33:42.000 --> 0:33:44.800
<v Speaker 3>it's so quiet here, you know. And I think that's

0:33:45.080 --> 0:33:48.880
<v Speaker 3>something that happens with Trails is that it's it's it

0:33:49.080 --> 0:33:52.760
<v Speaker 3>and it's so distinctly different. That's I think the magic

0:33:52.800 --> 0:33:56.680
<v Speaker 3>of it for the resort is that it is it

0:33:56.760 --> 0:34:00.440
<v Speaker 3>is so unique to the other courses. Like the other

0:34:00.520 --> 0:34:04.240
<v Speaker 3>courses are all different, you know, they have their own identities,

0:34:04.280 --> 0:34:08.600
<v Speaker 3>but they do sit on ocean dunes. They all share

0:34:09.000 --> 0:34:13.439
<v Speaker 3>a very similar setting. Here, the settings completely unique and

0:34:13.880 --> 0:34:16.960
<v Speaker 3>it and that is something I think that makes it

0:34:17.120 --> 0:34:19.840
<v Speaker 3>such a you know, have such a cult following.

0:34:20.120 --> 0:34:24.040
<v Speaker 1>Okay, so you mentioned that it's a story of departure,

0:34:24.680 --> 0:34:27.160
<v Speaker 1>but then it's also a story of return, right, So

0:34:27.200 --> 0:34:31.000
<v Speaker 1>it's departure and return. And the key is that you

0:34:31.040 --> 0:34:36.120
<v Speaker 1>don't start already departed. You start with something familiar. You

0:34:36.200 --> 0:34:39.080
<v Speaker 1>start in the bustle of the rest of the resort

0:34:39.239 --> 0:34:42.120
<v Speaker 1>with the two holes in the dunes with one and two,

0:34:42.480 --> 0:34:47.359
<v Speaker 1>and then you gradually fade into this sense that you're

0:34:47.560 --> 0:34:51.080
<v Speaker 1>away and that you're you've departed by working your way

0:34:51.120 --> 0:34:55.520
<v Speaker 1>through the meadow and then up back ridge and into

0:34:55.560 --> 0:34:59.400
<v Speaker 1>the forest where you stay for seven holes. And then

0:34:59.760 --> 0:35:02.719
<v Speaker 1>there there's a turning point where you launch off of

0:35:02.760 --> 0:35:07.480
<v Speaker 1>the ridge spectacularly with the fourteenth hole, but a controversial

0:35:07.480 --> 0:35:10.279
<v Speaker 1>hole which we'll we'll talk about later, and you're back

0:35:10.320 --> 0:35:12.520
<v Speaker 1>in the meadow all of a sudden, and then the

0:35:12.560 --> 0:35:15.560
<v Speaker 1>story is, you know, kind of gradually fading back into

0:35:15.600 --> 0:35:18.840
<v Speaker 1>the dunes and then you fully return there by the

0:35:18.880 --> 0:35:22.080
<v Speaker 1>eighteenth hole. So I think the way that these the

0:35:22.160 --> 0:35:26.360
<v Speaker 1>dunes environment at Bandon Trails functions is sort of like

0:35:26.960 --> 0:35:30.799
<v Speaker 1>a frame story in a movie, and novels sometimes use

0:35:30.840 --> 0:35:32.840
<v Speaker 1>this device too, And what a frame story is is

0:35:32.880 --> 0:35:36.799
<v Speaker 1>basically a separate set of scenes that take place at

0:35:36.840 --> 0:35:41.120
<v Speaker 1>a different place in a different time and Often what

0:35:41.239 --> 0:35:44.680
<v Speaker 1>happens is that the characters in the frame story are

0:35:44.840 --> 0:35:48.720
<v Speaker 1>telling the story that constitutes most of what you're reading

0:35:48.960 --> 0:35:51.400
<v Speaker 1>or watching. And so an example of this is like

0:35:51.440 --> 0:35:56.000
<v Speaker 1>Saving Private Ryan. The frame story is the older Private

0:35:56.080 --> 0:35:59.160
<v Speaker 1>Ryan in basically the present day, the nineties when the

0:35:59.160 --> 0:36:03.080
<v Speaker 1>movie came out, all right, going to the cemetery. Do

0:36:03.120 --> 0:36:05.160
<v Speaker 1>you remember this? Yeah, he goes to this, it's the

0:36:05.160 --> 0:36:07.000
<v Speaker 1>beginning of the movie. That's the beginning of the movie.

0:36:07.480 --> 0:36:11.520
<v Speaker 1>He goes to the cemetery and then flashes back remembers.

0:36:11.840 --> 0:36:13.960
<v Speaker 1>I think, I don't think he's telling the story, but

0:36:14.480 --> 0:36:19.240
<v Speaker 1>d day right, and and the whole movie is set there.

0:36:19.440 --> 0:36:21.719
<v Speaker 1>But then at the end it goes back to the

0:36:21.760 --> 0:36:24.759
<v Speaker 1>older Private Ryan at the cemetery. We returned there. That's

0:36:24.760 --> 0:36:28.520
<v Speaker 1>a frame story. It brackets the story. Another example of

0:36:28.560 --> 0:36:31.680
<v Speaker 1>this is the Princess Bride, right with Peter Falk I

0:36:31.680 --> 0:36:33.719
<v Speaker 1>think it is who plays the grandfather, and then Fred

0:36:33.760 --> 0:36:35.399
<v Speaker 1>Savage as the as the little boy.

0:36:36.000 --> 0:36:37.640
<v Speaker 2>And that's familiar with that one.

0:36:38.080 --> 0:36:38.880
<v Speaker 1>Princess Bride.

0:36:38.920 --> 0:36:40.200
<v Speaker 2>Really, I don't know.

0:36:40.320 --> 0:36:42.640
<v Speaker 1>I got to get you to watch Princess Bride. It'll

0:36:42.680 --> 0:36:44.200
<v Speaker 1>be familiar to a lot of people who are not

0:36:44.239 --> 0:36:46.239
<v Speaker 1>familiar with Saving private, Ryan, I'm trying to cover all

0:36:46.239 --> 0:36:50.920
<v Speaker 1>our bases here. And so the frame story is the

0:36:50.960 --> 0:36:55.760
<v Speaker 1>grandfather reading the story to the little boy, and most

0:36:55.800 --> 0:36:58.920
<v Speaker 1>of the movie is that story that he's reading, right,

0:36:59.000 --> 0:37:01.560
<v Speaker 1>and you return there a couple of times throughout the movie,

0:37:01.560 --> 0:37:04.120
<v Speaker 1>but mainly at the beginning and the end. It is

0:37:04.160 --> 0:37:07.200
<v Speaker 1>this bracketing frame story. And so for me that the

0:37:07.640 --> 0:37:10.279
<v Speaker 1>first and last holes at Bandon Trails are like the

0:37:10.320 --> 0:37:14.000
<v Speaker 1>frame story, right, This is we're in a familiar kind

0:37:14.040 --> 0:37:16.879
<v Speaker 1>of time and place, but we we know.

0:37:16.800 --> 0:37:18.360
<v Speaker 2>Where we are, almost like a dream.

0:37:18.719 --> 0:37:21.279
<v Speaker 1>Yeah, and then we then we transition. Yeah. The rest

0:37:21.320 --> 0:37:22.760
<v Speaker 1>of the course, I feel like is the dream.

0:37:23.160 --> 0:37:25.240
<v Speaker 2>Yeah, it's like you're it's you're waking.

0:37:25.719 --> 0:37:29.360
<v Speaker 3>It's like you're going to sleep conscious and you're waking conscious.

0:37:29.520 --> 0:37:31.800
<v Speaker 3>If you consider if you thought of it as a dream.

0:37:32.080 --> 0:37:34.719
<v Speaker 1>Yeah, No, I love that. I think that's exactly what

0:37:34.760 --> 0:37:36.880
<v Speaker 1>it feels like. Now. People may think that we're getting

0:37:37.480 --> 0:37:39.840
<v Speaker 1>a little bit high on our own supply.

0:37:39.960 --> 0:37:43.839
<v Speaker 3>Yeah, they're gonna be wondering what we smoked before this.

0:37:43.840 --> 0:37:47.560
<v Speaker 1>This is getting very dorm room. But it really does

0:37:47.680 --> 0:37:50.240
<v Speaker 1>feel that way that that is what we're trying to explain,

0:37:50.520 --> 0:37:55.640
<v Speaker 1>is the the ineffable feeling of magic at bandoned trails.

0:37:55.680 --> 0:37:59.120
<v Speaker 1>This course has it. It has that something that really

0:37:59.160 --> 0:38:03.640
<v Speaker 1>transports you. And that's why I love it so much. Right,

0:38:03.920 --> 0:38:05.640
<v Speaker 1>That's why I love this course. I don't love this

0:38:05.680 --> 0:38:08.360
<v Speaker 1>course because it's a collection of the best holes abandoned dunes,

0:38:08.400 --> 0:38:11.799
<v Speaker 1>because it's not that's Pacific Dunes, you know. I love

0:38:11.840 --> 0:38:16.279
<v Speaker 1>it because it has this feeling to it that is

0:38:16.440 --> 0:38:20.360
<v Speaker 1>dream like, that is story like, that's transporting. That's what

0:38:20.440 --> 0:38:20.719
<v Speaker 1>it does.

0:38:20.760 --> 0:38:21.120
<v Speaker 5>So well.

0:38:22.040 --> 0:38:24.560
<v Speaker 3>Yeah, I think that's the that is it, and I

0:38:24.560 --> 0:38:27.080
<v Speaker 3>think there's some other qualities to it. You know, if

0:38:27.120 --> 0:38:29.400
<v Speaker 3>you play it in the afternoon, one of the things

0:38:29.440 --> 0:38:32.360
<v Speaker 3>that you get out there is you get, whether you

0:38:32.480 --> 0:38:36.399
<v Speaker 3>whether you're a photographer that recognizes this stuff or you're

0:38:36.440 --> 0:38:40.000
<v Speaker 3>just somebody that does, you know, you get that unbelievable

0:38:40.360 --> 0:38:43.120
<v Speaker 3>filtered light through the trees out there that you don't

0:38:43.120 --> 0:38:45.879
<v Speaker 3>get anywhere else. You get you get that like kind

0:38:45.880 --> 0:38:48.879
<v Speaker 3>of misty filtered light in the afternoon out there.

0:38:48.960 --> 0:38:50.640
<v Speaker 2>That adds to that aura.

0:38:50.719 --> 0:38:53.399
<v Speaker 3>And and you're going through this journey and if you're

0:38:53.440 --> 0:38:56.839
<v Speaker 3>playing in the afternoon, which I recommend everybody if you're

0:38:56.880 --> 0:38:58.360
<v Speaker 3>going to do an app like if you're doing a

0:38:58.400 --> 0:39:01.920
<v Speaker 3>morning afternoon round, do an afternoon round it at Trails

0:39:01.960 --> 0:39:05.120
<v Speaker 3>because in the afternoon that light, that afternoon light hits

0:39:05.440 --> 0:39:07.920
<v Speaker 3>and it comes through those trees and it's just like

0:39:08.239 --> 0:39:12.880
<v Speaker 3>everything turns gold and it just adds to you know,

0:39:12.920 --> 0:39:15.080
<v Speaker 3>if we're going to use dream, it adds to that

0:39:15.200 --> 0:39:19.200
<v Speaker 3>dream that you're having out there, and it's it's super neat,

0:39:19.280 --> 0:39:22.160
<v Speaker 3>I think, like, and what you said is right, like

0:39:22.640 --> 0:39:25.640
<v Speaker 3>when I think about you know, they have some weak

0:39:25.680 --> 0:39:29.000
<v Speaker 3>holes at Trails, like and it's not not at all

0:39:29.120 --> 0:39:33.080
<v Speaker 3>the best collection of golf holes from a from a

0:39:33.120 --> 0:39:37.719
<v Speaker 3>golf architecture standpoint on the resort, but it's got the

0:39:37.760 --> 0:39:41.719
<v Speaker 3>best story of any golf course out there from from

0:39:41.760 --> 0:39:43.319
<v Speaker 3>a storytelling standpoint.

0:39:43.960 --> 0:39:47.200
<v Speaker 1>And the holes are really good and some of them

0:39:47.200 --> 0:39:50.160
<v Speaker 1>are absolutely great, Like a good half of them I

0:39:50.200 --> 0:39:53.120
<v Speaker 1>think you could say are great golf holes. But there

0:39:53.120 --> 0:39:56.960
<v Speaker 1>are courses at the resort Pacific Dunes certainly, but maybe

0:39:56.960 --> 0:40:00.359
<v Speaker 1>also Old MacDonald where if you're going hole by if

0:40:00.360 --> 0:40:02.160
<v Speaker 1>you do that kind of head to head thing people do.

0:40:02.239 --> 0:40:04.479
<v Speaker 1>But what's the best first hole, what's the best second hole?

0:40:04.680 --> 0:40:06.759
<v Speaker 1>I mean, we did this exercise with the Dream eighteen, but.

0:40:06.920 --> 0:40:10.720
<v Speaker 3>It Trails finished had so many that just finished second

0:40:10.800 --> 0:40:11.320
<v Speaker 3>or third.

0:40:11.760 --> 0:40:14.600
<v Speaker 1>You know, in people thought we didn't like trails. When

0:40:14.600 --> 0:40:16.719
<v Speaker 1>we put out that episode, They're like, ooh, seems like

0:40:16.760 --> 0:40:18.640
<v Speaker 1>you don't like trails. It's like, no, it just is

0:40:18.680 --> 0:40:21.000
<v Speaker 1>not built to do well in this kind of exercise.

0:40:21.320 --> 0:40:23.520
<v Speaker 3>Yeah, but if you if you flipped it and said

0:40:23.560 --> 0:40:26.520
<v Speaker 3>how you would you split ten rounds between this course

0:40:26.560 --> 0:40:28.520
<v Speaker 3>and this course, it would win a lot.

0:40:28.719 --> 0:40:29.840
<v Speaker 1>Yes, exactly.

0:40:30.480 --> 0:40:33.240
<v Speaker 3>Let's talk about so we've talked about the dunes holes,

0:40:33.360 --> 0:40:34.720
<v Speaker 3>let's talk about the metal holes.

0:40:34.760 --> 0:40:36.160
<v Speaker 2>That's the next thing. You transition.

0:40:36.280 --> 0:40:39.680
<v Speaker 3>So obviously you move from two to three, and that's

0:40:39.680 --> 0:40:42.680
<v Speaker 3>one of the cooler transitions of the golf course you play,

0:40:42.800 --> 0:40:45.200
<v Speaker 3>you know, to the dramatic part three that you kind

0:40:45.200 --> 0:40:48.560
<v Speaker 3>of plunge down into the bottom of a dune and

0:40:48.600 --> 0:40:52.040
<v Speaker 3>then you're down and it enters you into the meadow.

0:40:52.560 --> 0:40:56.319
<v Speaker 3>I will say this really quickly. If that damn road

0:40:56.400 --> 0:40:59.520
<v Speaker 3>wasn't there, it'd be so much cooler. It already is

0:41:00.160 --> 0:41:03.680
<v Speaker 3>extraordinarily cool, but it was you know, it's like, what

0:41:03.880 --> 0:41:07.560
<v Speaker 3>I think, one of the coolest moments on property. But

0:41:08.160 --> 0:41:10.759
<v Speaker 3>it would be so much better if the road wasn't there.

0:41:11.000 --> 0:41:13.400
<v Speaker 2>And I kind of hate the road. It makes me angry.

0:41:13.560 --> 0:41:15.919
<v Speaker 1>Now, that's so, I see it. It's too bad. Yeah

0:41:15.920 --> 0:41:19.080
<v Speaker 1>and yeah, and the road was there before the course

0:41:19.239 --> 0:41:21.719
<v Speaker 1>was built too, that was the entrance road. And it

0:41:21.800 --> 0:41:24.880
<v Speaker 1>was a discussion on the design team and with the ownership,

0:41:24.960 --> 0:41:27.560
<v Speaker 1>like isn't it kind of weird guys that were building

0:41:27.600 --> 0:41:30.200
<v Speaker 1>holes like right by our road? You know, what are

0:41:30.200 --> 0:41:34.080
<v Speaker 1>we doing here? But it certainly wasn't planned that way.

0:41:34.320 --> 0:41:36.280
<v Speaker 1>There is a different way to get into the resort.

0:41:36.360 --> 0:41:38.880
<v Speaker 1>There's a road that comes straight out. It doesn't do

0:41:39.040 --> 0:41:41.560
<v Speaker 1>kind of this wandering path around that this road does.

0:41:42.200 --> 0:41:45.080
<v Speaker 1>And you kind of wish maybe that they'd close it down,

0:41:45.200 --> 0:41:48.319
<v Speaker 1>but that's obviously very much easier said than done.

0:41:48.480 --> 0:41:49.120
<v Speaker 5>Can you think it?

0:41:49.200 --> 0:41:51.160
<v Speaker 2>I think you're going to get the logistics guys on

0:41:51.239 --> 0:41:51.799
<v Speaker 2>your ass here.

0:41:51.840 --> 0:41:54.319
<v Speaker 1>Yeah, you can't. It's not realistic, Garrett, Why are you

0:41:54.320 --> 0:41:55.239
<v Speaker 1>even talking about it?

0:41:55.680 --> 0:41:56.040
<v Speaker 2>Yeah?

0:41:56.160 --> 0:41:59.400
<v Speaker 3>You need to get a big infrastructure talk gone. You know,

0:41:59.480 --> 0:42:03.040
<v Speaker 3>maybe they'll be part Deep Dives, Part six bandon.

0:42:02.760 --> 0:42:06.000
<v Speaker 1>Infrastructure, really really deep dive.

0:42:06.160 --> 0:42:07.719
<v Speaker 2>We'll bring chron Carter in as.

0:42:07.640 --> 0:42:14.280
<v Speaker 1>It Infrastructure week on the freddig podcast featuring Trunk Carter. Yeah, yeah,

0:42:14.400 --> 0:42:18.280
<v Speaker 1>let's make it happen. Why not The Meadow. The meadow

0:42:18.360 --> 0:42:22.479
<v Speaker 1>is one of the coolest places ever. I mean, it's

0:42:22.560 --> 0:42:27.520
<v Speaker 1>just so beautiful there. It is completely unique. The plants

0:42:27.560 --> 0:42:30.240
<v Speaker 1>that they have around there. I don't know all the names.

0:42:30.320 --> 0:42:33.280
<v Speaker 1>I think there's one called kinnikinick, which is a great

0:42:33.440 --> 0:42:36.239
<v Speaker 1>name for a plant. But there's you know, there's all

0:42:36.280 --> 0:42:39.759
<v Speaker 1>this different all these different little things that you see.

0:42:39.760 --> 0:42:43.040
<v Speaker 1>There's so many different colors and textures. It's just a

0:42:43.080 --> 0:42:46.200
<v Speaker 1>great place. Bill Korer loved it from the start. He

0:42:46.320 --> 0:42:48.640
<v Speaker 1>wanted that and had to fight for that piece of land.

0:42:49.400 --> 0:42:54.439
<v Speaker 3>Beyond the the unbelievable aesthetic that the meadow has, it's

0:42:54.520 --> 0:43:00.080
<v Speaker 3>it's so beautiful. The fauna flora make that and the

0:43:00.120 --> 0:43:04.880
<v Speaker 3>trees make that, you know, aesthetic so unique. Beyond having

0:43:04.960 --> 0:43:09.680
<v Speaker 3>this beautiful aesthetic as as pretty of an inland asthetic

0:43:09.719 --> 0:43:13.279
<v Speaker 3>as you could have, it also has some of the

0:43:13.320 --> 0:43:15.839
<v Speaker 3>best ridges that you could ask for in terms of

0:43:15.840 --> 0:43:19.240
<v Speaker 3>golf ridges that you know, they worked into the holes

0:43:19.600 --> 0:43:23.319
<v Speaker 3>to be in very impactful areas off the tea and

0:43:23.480 --> 0:43:27.160
<v Speaker 3>at greens where greens sat into uh you know, below

0:43:27.800 --> 0:43:30.600
<v Speaker 3>or on top of these ridges.

0:43:30.960 --> 0:43:34.359
<v Speaker 1>Incredible land for golf. And you know, if we're talking

0:43:34.360 --> 0:43:37.200
<v Speaker 1>about ridges, there's one that kind of cuts semi diagonally

0:43:37.239 --> 0:43:38.319
<v Speaker 1>across the fourth hole.

0:43:38.640 --> 0:43:41.040
<v Speaker 3>What's such a great thing about that ridge on the

0:43:41.080 --> 0:43:43.680
<v Speaker 3>fourth and it's why it's you know, I picked the

0:43:43.760 --> 0:43:46.920
<v Speaker 3>fourth and old Mac. I sometimes regret that decision for

0:43:47.000 --> 0:43:51.160
<v Speaker 3>the dream eighteen I may, I may, I love the

0:43:51.239 --> 0:43:55.759
<v Speaker 3>fourth that abandoned the diagonal nature of it, and an

0:43:55.800 --> 0:43:57.600
<v Speaker 3>old max is diagonal.

0:43:57.120 --> 0:43:58.160
<v Speaker 2>In a similar way.

0:43:58.560 --> 0:44:01.680
<v Speaker 3>But what that does, which I think is is something

0:44:01.800 --> 0:44:05.640
<v Speaker 3>really important in the modern game of golf, is it

0:44:05.719 --> 0:44:10.319
<v Speaker 3>makes long hitters particularly have to hit the ball the

0:44:10.400 --> 0:44:13.440
<v Speaker 3>right distance and on the correct line. And that's something

0:44:13.480 --> 0:44:16.120
<v Speaker 3>that Bill Korr talks a lot about. He talked about

0:44:16.160 --> 0:44:19.120
<v Speaker 3>it in the lead up to Trinity Forest. Is the

0:44:19.239 --> 0:44:22.479
<v Speaker 3>idea of hey, you know, you're gonna have to pick

0:44:22.520 --> 0:44:24.239
<v Speaker 3>how far you hit it if you want to hit

0:44:24.280 --> 0:44:27.200
<v Speaker 3>it on a certain line and there you know, if

0:44:27.239 --> 0:44:29.680
<v Speaker 3>you hit it a little too far on the left line,

0:44:29.719 --> 0:44:31.880
<v Speaker 3>which is safer, you're going to run into the bunkers.

0:44:32.200 --> 0:44:34.239
<v Speaker 3>If you hit it a little too short on the

0:44:34.320 --> 0:44:37.040
<v Speaker 3>right line, you're gonna not get over the hill, or

0:44:37.080 --> 0:44:40.040
<v Speaker 3>you're gonna tumble into the right bunkers. You have to

0:44:40.160 --> 0:44:44.040
<v Speaker 3>really merge, you know, you a great t shot is

0:44:44.160 --> 0:44:47.279
<v Speaker 3>different based off of what distance you hit it, which

0:44:47.360 --> 0:44:50.040
<v Speaker 3>I think is really neat. Like you know, it's not

0:44:50.200 --> 0:44:53.320
<v Speaker 3>just one singular line. It is are you hitting it

0:44:53.440 --> 0:44:56.200
<v Speaker 3>three hundred, are you hitting it two fifty? Are you

0:44:56.239 --> 0:45:00.000
<v Speaker 3>hitting it to seventy five? These are all different windows,

0:45:00.360 --> 0:45:03.239
<v Speaker 3>which is really neat because of that ridge. And then

0:45:03.560 --> 0:45:06.160
<v Speaker 3>and then the green sits in a beautiful little pocket.

0:45:06.239 --> 0:45:08.800
<v Speaker 1>Which is a theme in this part of the property.

0:45:08.920 --> 0:45:13.359
<v Speaker 1>The green sites are incredible. The fifteenth Green is one

0:45:13.360 --> 0:45:15.840
<v Speaker 1>of the great green sites on the on the resort.

0:45:15.920 --> 0:45:19.120
<v Speaker 1>That's it just is perfectly kind of blended in there.

0:45:19.160 --> 0:45:22.600
<v Speaker 1>I don't know how much dirt they moved to make

0:45:22.640 --> 0:45:23.040
<v Speaker 1>that green.

0:45:23.200 --> 0:45:25.560
<v Speaker 3>Bill Bill said it wasn't very much. I think he

0:45:25.600 --> 0:45:27.120
<v Speaker 3>didn't say it on the pod, but he was.

0:45:27.239 --> 0:45:28.480
<v Speaker 2>We were talking about it before.

0:45:28.560 --> 0:45:29.480
<v Speaker 1>It wasn't very much.

0:45:29.680 --> 0:45:32.600
<v Speaker 2>Yeah, it was a green that he brought up himself.

0:45:32.880 --> 0:45:36.360
<v Speaker 1>The fifth Green I know, which has that big trough

0:45:36.800 --> 0:45:40.640
<v Speaker 1>through it was there. Yes, that's what That's what Bill

0:45:40.680 --> 0:45:43.600
<v Speaker 1>says is that was basically just sitting there. And the

0:45:43.640 --> 0:45:46.960
<v Speaker 1>discussion was about whether they had to tone it down

0:45:47.000 --> 0:45:49.839
<v Speaker 1>a little bit because because it's it is, it has

0:45:49.920 --> 0:45:52.760
<v Speaker 1>big undulations. But that was essentially sitting in the land

0:45:53.120 --> 0:45:55.959
<v Speaker 1>waiting to be discovered as a green for a short

0:45:56.000 --> 0:45:58.319
<v Speaker 1>part of three, which it is now the fourth hole.

0:45:58.520 --> 0:46:00.600
<v Speaker 1>I've come around on this hole. This is not one

0:46:00.640 --> 0:46:03.240
<v Speaker 1>that I liked. Initially, I thought it was too hard

0:46:03.239 --> 0:46:04.640
<v Speaker 1>to get over the ridge. I thought it was just

0:46:04.719 --> 0:46:07.440
<v Speaker 1>a blind second shot, no matter what. But you know,

0:46:07.480 --> 0:46:10.319
<v Speaker 1>when I revisited it, I saw that there were these

0:46:10.400 --> 0:46:14.040
<v Speaker 1>different ways that you could negotiate your way around.

0:46:14.120 --> 0:46:17.760
<v Speaker 3>Since you brought up holes that upon first site sometimes

0:46:17.840 --> 0:46:20.560
<v Speaker 3>rubbed people the wrong way. Should we should we talk

0:46:20.600 --> 0:46:22.440
<v Speaker 3>about another metal hole, the fourteeth.

0:46:22.600 --> 0:46:24.839
<v Speaker 1>I don't think it's just first sight that people don't

0:46:24.880 --> 0:46:27.000
<v Speaker 1>like this whole. Hold on. I think there are people

0:46:27.000 --> 0:46:30.799
<v Speaker 1>who have seen this hole many times who despise it.

0:46:30.800 --> 0:46:33.640
<v Speaker 3>It's so the fourteenth you come out of the forest.

0:46:33.680 --> 0:46:36.080
<v Speaker 3>It's the first hole out of the forest. And obviously

0:46:36.160 --> 0:46:39.520
<v Speaker 3>you've got the famous bench up there that you know,

0:46:39.600 --> 0:46:41.680
<v Speaker 3>Mike Kaiser sat at and you know.

0:46:42.080 --> 0:46:45.240
<v Speaker 1>And gazed out upon his domain and yeah.

0:46:45.200 --> 0:46:49.880
<v Speaker 3>You know, some some line that's probably been changed a

0:46:49.920 --> 0:46:50.520
<v Speaker 3>little bit.

0:46:50.400 --> 0:46:53.120
<v Speaker 2>Over the years. Yeah, maybe makes a little bit more dramatic,

0:46:53.560 --> 0:46:54.680
<v Speaker 2>but it is.

0:46:54.680 --> 0:46:56.560
<v Speaker 1>An incredible view. I mean, you can kind of why,

0:46:56.920 --> 0:46:59.120
<v Speaker 1>you know, somebody who came there and looked out at

0:46:59.120 --> 0:47:01.839
<v Speaker 1>the view of the ocean and the dunes and all

0:47:01.880 --> 0:47:05.360
<v Speaker 1>the variety of this property might think to himself, Yeah,

0:47:05.440 --> 0:47:07.799
<v Speaker 1>that this should be this should be a place people

0:47:07.840 --> 0:47:08.120
<v Speaker 1>play go.

0:47:08.280 --> 0:47:11.600
<v Speaker 3>The first time I played Banded Trails, I played by

0:47:11.719 --> 0:47:14.680
<v Speaker 3>myself late in the afternoon. This was like the day

0:47:14.760 --> 0:47:18.359
<v Speaker 3>before the world shut down for COVID, like, and I

0:47:18.440 --> 0:47:20.480
<v Speaker 3>was in bandoned that it was the first time I

0:47:20.520 --> 0:47:24.360
<v Speaker 3>played trails. I teed off like two hours before sunset

0:47:24.480 --> 0:47:27.279
<v Speaker 3>and was just nobody was out there, and I was

0:47:27.320 --> 0:47:31.880
<v Speaker 3>just booking around myself and honestly, I didn't know where

0:47:31.920 --> 0:47:35.719
<v Speaker 3>anything was. And I walked from from thirteen up to

0:47:35.800 --> 0:47:39.279
<v Speaker 3>fourteen to that exact spot and I just was like,

0:47:39.400 --> 0:47:41.680
<v Speaker 3>oh my it was a beautiful night. And I was like,

0:47:41.760 --> 0:47:44.799
<v Speaker 3>oh my god. And then I read it so like

0:47:45.040 --> 0:47:47.160
<v Speaker 3>I will say I had a.

0:47:47.200 --> 0:47:51.840
<v Speaker 1>Similar, same experience. I did not know fun of it.

0:47:52.280 --> 0:47:54.000
<v Speaker 3>I know, I didn't know it was there, but like

0:47:54.080 --> 0:47:56.560
<v Speaker 3>it was like a very similar experience.

0:47:56.640 --> 0:47:58.759
<v Speaker 2>But it is like, you know, I don't know.

0:48:01.440 --> 0:48:03.839
<v Speaker 1>Well, there's that view, okay, so that that's the view

0:48:03.840 --> 0:48:07.640
<v Speaker 1>from the tee. It's absolutely amazing and so you're immediately

0:48:07.719 --> 0:48:10.640
<v Speaker 1>primed to think that this is a great hole you're

0:48:10.640 --> 0:48:13.560
<v Speaker 1>about to play, because look at what you're playing off of.

0:48:14.280 --> 0:48:17.799
<v Speaker 1>But okay, so here's the hole. It sits on a

0:48:17.880 --> 0:48:21.920
<v Speaker 1>pretty severe side slope. There is a little area on

0:48:22.040 --> 0:48:25.280
<v Speaker 1>the left where if you place your T shot there

0:48:25.880 --> 0:48:29.120
<v Speaker 1>then you will stay up high and you'll have a

0:48:29.160 --> 0:48:33.120
<v Speaker 1>shot into the green. But most people's tea shots run

0:48:33.160 --> 0:48:36.640
<v Speaker 1>down to the right. Okay, And when you're down on

0:48:36.719 --> 0:48:41.560
<v Speaker 1>the right and hitting up onto this green, I don't

0:48:41.600 --> 0:48:45.960
<v Speaker 1>think I've really seen somebody hold the green from down

0:48:46.280 --> 0:48:49.600
<v Speaker 1>on the bottom on the right, and that's because this

0:48:49.719 --> 0:48:53.400
<v Speaker 1>green is a tabletop. On the right are bunkers and

0:48:53.440 --> 0:48:57.240
<v Speaker 1>a severe drop off that goes with the general movement

0:48:57.280 --> 0:49:00.120
<v Speaker 1>of the land. And then on the left there is

0:49:00.480 --> 0:49:04.439
<v Speaker 1>another drop off that's that's doesn't go down as far,

0:49:04.560 --> 0:49:07.480
<v Speaker 1>but there's a definite kind of rejecting contour on the

0:49:07.560 --> 0:49:10.880
<v Speaker 1>left of this green that goes down into this little gully,

0:49:11.000 --> 0:49:14.040
<v Speaker 1>and then the land moves back up the hillside. And

0:49:14.120 --> 0:49:17.960
<v Speaker 1>so people's objection to this hole is I think twofold one.

0:49:18.440 --> 0:49:21.160
<v Speaker 1>It's too hard to find the ideal position on your

0:49:21.160 --> 0:49:24.439
<v Speaker 1>T shot to be up on the left and have

0:49:24.480 --> 0:49:26.799
<v Speaker 1>a view of the green and a reasonable angle in there.

0:49:27.200 --> 0:49:30.320
<v Speaker 1>And two it's just too hard to hold this green.

0:49:30.840 --> 0:49:33.360
<v Speaker 1>And once you're kind of in various spots around it,

0:49:33.520 --> 0:49:37.359
<v Speaker 1>it's you can go back and forth all day. Now,

0:49:37.400 --> 0:49:39.720
<v Speaker 1>I'm just putting that out there as the argument against

0:49:39.719 --> 0:49:42.080
<v Speaker 1>this hole. I'm not saying I necessarily agree with it.

0:49:42.480 --> 0:49:45.719
<v Speaker 3>Now, i'd say from the left side, if you I've

0:49:45.840 --> 0:49:48.000
<v Speaker 3>been in the boat where I've been over left after

0:49:48.040 --> 0:49:50.080
<v Speaker 3>my second shot, I've been in the boat where I

0:49:50.160 --> 0:49:52.400
<v Speaker 3>went right off the tee and hit the green.

0:49:52.840 --> 0:49:54.279
<v Speaker 2>You know it was a really good shot.

0:49:54.360 --> 0:49:55.080
<v Speaker 1>Did you hit the green?

0:49:55.719 --> 0:49:57.120
<v Speaker 2>This was the first time I played it?

0:49:57.760 --> 0:49:59.640
<v Speaker 3>Oh, okay, I've been in the spot where I was

0:49:59.680 --> 0:50:02.879
<v Speaker 3>in the ideal location and I missed the.

0:50:02.840 --> 0:50:06.720
<v Speaker 2>Green from the idea. Remember that horrible shot.

0:50:07.160 --> 0:50:09.640
<v Speaker 3>But but the point I think is like, if you

0:50:09.719 --> 0:50:13.200
<v Speaker 3>miss back left, it's it's a pretty manageable up and

0:50:13.280 --> 0:50:14.479
<v Speaker 3>down from there for par.

0:50:14.760 --> 0:50:16.680
<v Speaker 1>I think so too. I think that that is the

0:50:17.360 --> 0:50:20.200
<v Speaker 1>that is the best counter argument that you can make

0:50:20.239 --> 0:50:21.279
<v Speaker 1>that shot from back there.

0:50:21.360 --> 0:50:24.200
<v Speaker 3>Yeah, Like if you so, if you miss right off

0:50:24.200 --> 0:50:26.840
<v Speaker 3>the tee, which is the natural place to hit the ball,

0:50:27.200 --> 0:50:29.040
<v Speaker 3>there's you know what I love.

0:50:29.400 --> 0:50:30.200
<v Speaker 2>Here's what I like.

0:50:30.280 --> 0:50:34.520
<v Speaker 3>About the whole lot is that it is a very

0:50:34.800 --> 0:50:39.879
<v Speaker 3>friendly T shot. If you consider friendly fairway, Like, if

0:50:39.920 --> 0:50:43.400
<v Speaker 3>you think a success of your T shot is finding

0:50:43.440 --> 0:50:47.400
<v Speaker 3>the fairway, you're gonna love the T shot. But what

0:50:47.520 --> 0:50:50.239
<v Speaker 3>I like, what I love even more about it, is

0:50:50.280 --> 0:50:53.960
<v Speaker 3>that it is a hole where the fairway isn't necessarily friendly.

0:50:54.680 --> 0:50:56.880
<v Speaker 1>No, that's the thing.

0:50:57.000 --> 0:50:59.440
<v Speaker 3>I just think the magic of a golf hole, I

0:50:59.480 --> 0:51:02.720
<v Speaker 3>think just one of the greatest, one of my greatest joys.

0:51:02.719 --> 0:51:05.840
<v Speaker 3>And I think I think this comes if you you know,

0:51:05.880 --> 0:51:08.960
<v Speaker 3>I used to play strictly for score really early in

0:51:09.000 --> 0:51:12.560
<v Speaker 3>my life, and that was what my my round and

0:51:12.960 --> 0:51:15.480
<v Speaker 3>how I thought of things was was through a lens

0:51:15.480 --> 0:51:19.120
<v Speaker 3>of this. And when I stopped caring about score as

0:51:19.200 --> 0:51:22.880
<v Speaker 3>much because I stopped playing competitive golf, what I started

0:51:22.880 --> 0:51:26.840
<v Speaker 3>to realize was my favorite things happened when I playing,

0:51:27.040 --> 0:51:29.720
<v Speaker 3>when I was playing a course for the first, second, third,

0:51:30.160 --> 0:51:33.040
<v Speaker 3>and in really great courses for the you know, if

0:51:33.080 --> 0:51:36.120
<v Speaker 3>you've played somewhere ten times and then they still trick you.

0:51:36.480 --> 0:51:39.919
<v Speaker 3>When you get tricked, it's such a wonderful thing.

0:51:39.960 --> 0:51:42.520
<v Speaker 2>It's like I thought, I thought I could hit it

0:51:42.520 --> 0:51:43.560
<v Speaker 2>over there, but I can't.

0:51:43.960 --> 0:51:47.600
<v Speaker 3>You know, that is a magical feeling, I think if

0:51:47.640 --> 0:51:50.040
<v Speaker 3>you but you know, it's hard to feel that way

0:51:50.160 --> 0:51:54.440
<v Speaker 3>if you're really, really, you know, grinding on score on

0:51:54.480 --> 0:51:56.920
<v Speaker 3>your personal score. And I think this is a whole

0:51:57.280 --> 0:51:59.279
<v Speaker 3>that's so brilliant because they give you all the room

0:51:59.320 --> 0:52:02.480
<v Speaker 3>in the world over there, and it's super short. You

0:52:02.520 --> 0:52:05.919
<v Speaker 3>can make a two here if you're long hitter, it's

0:52:06.000 --> 0:52:09.520
<v Speaker 3>two is in the cards. But if you're if you're

0:52:09.680 --> 0:52:12.959
<v Speaker 3>out of position, four is gonna be very very hard

0:52:12.960 --> 0:52:14.319
<v Speaker 3>to make well.

0:52:14.400 --> 0:52:17.239
<v Speaker 1>So I don't know if this hole necessarily tricks you,

0:52:17.640 --> 0:52:20.200
<v Speaker 1>does it. I think it's pretty clear to most people

0:52:20.520 --> 0:52:22.360
<v Speaker 1>what you need to do. You need to try to

0:52:22.360 --> 0:52:24.719
<v Speaker 1>stay up left, but it's just really hard to do that.

0:52:25.040 --> 0:52:27.600
<v Speaker 3>Here's the thing, though, is you you know that the

0:52:27.640 --> 0:52:31.840
<v Speaker 3>only place, the only place you can really ruin the

0:52:31.920 --> 0:52:34.960
<v Speaker 3>hole and your mind is left is if you hit

0:52:35.000 --> 0:52:38.800
<v Speaker 3>it left where the way and the forest on the

0:52:38.880 --> 0:52:42.880
<v Speaker 3>left and and and it's it's just like the almost

0:52:42.960 --> 0:52:46.279
<v Speaker 3>like that famous hole Woking the fourth right with the

0:52:46.360 --> 0:52:50.000
<v Speaker 3>railroad and the center line bunker. Right here, they have

0:52:50.080 --> 0:52:52.279
<v Speaker 3>a ridge right in the center of the fairway right

0:52:52.680 --> 0:52:57.000
<v Speaker 3>that that that ridge then pushes you further and further

0:52:57.040 --> 0:53:00.600
<v Speaker 3>off line. But if you play along the railroad at

0:53:00.640 --> 0:53:03.640
<v Speaker 3>Woking at a boundary line, so just think of the

0:53:03.719 --> 0:53:06.319
<v Speaker 3>left as out of bounds, is it. You know, you're

0:53:06.360 --> 0:53:08.040
<v Speaker 3>just gonna be hard to find your ball over there,

0:53:08.440 --> 0:53:10.879
<v Speaker 3>and they give you all the space of the world, right.

0:53:11.000 --> 0:53:13.839
<v Speaker 3>I mean, you can hit it really bad shot right

0:53:13.960 --> 0:53:17.320
<v Speaker 3>and it still finds that fairway over there on fourteen

0:53:17.840 --> 0:53:19.880
<v Speaker 3>and you know, they give you all the room of

0:53:19.920 --> 0:53:22.799
<v Speaker 3>the world over there. And whether you or not you

0:53:22.840 --> 0:53:26.799
<v Speaker 3>admit it. Subliminally, what happens is people bail out. You know,

0:53:26.800 --> 0:53:28.840
<v Speaker 3>it's very hard to get yourself to hit it up

0:53:28.880 --> 0:53:32.880
<v Speaker 3>the left, and that's where you know, whether or not

0:53:32.920 --> 0:53:35.200
<v Speaker 3>people admit it, they chicken out a lot and they

0:53:35.560 --> 0:53:38.719
<v Speaker 3>and they bail right, and you face the penalty for

0:53:38.800 --> 0:53:41.799
<v Speaker 3>bailing right, and people what people get upset about is

0:53:41.800 --> 0:53:44.279
<v Speaker 3>that they can't hit the green from the fairway from

0:53:44.360 --> 0:53:48.240
<v Speaker 3>forty yards and you shouldn't always be able to, especially

0:53:48.239 --> 0:53:50.560
<v Speaker 3>on a three hundred and twenty yard hold or whatever

0:53:50.800 --> 0:53:54.600
<v Speaker 3>the yardage is. The yardage is irrelevant, right, you know,

0:53:54.280 --> 0:53:56.280
<v Speaker 3>if you if you can hit it up there that close,

0:53:56.400 --> 0:53:58.560
<v Speaker 3>there should be some penalty for being in a very

0:53:58.640 --> 0:53:59.520
<v Speaker 3>very bad position.

0:54:00.120 --> 0:54:02.680
<v Speaker 1>Yeah, And if we're talking about course management. If you're

0:54:02.719 --> 0:54:04.880
<v Speaker 1>down on the right, what you need to do is

0:54:04.960 --> 0:54:08.640
<v Speaker 1>have a club or a distance where you know you're

0:54:08.680 --> 0:54:12.600
<v Speaker 1>going to be long. You know where you're not going

0:54:12.640 --> 0:54:14.560
<v Speaker 1>to be short in the bunkers on the right, because

0:54:14.560 --> 0:54:17.799
<v Speaker 1>that's really really dead and you can hit that shot.

0:54:17.840 --> 0:54:17.960
<v Speaker 3>Now.

0:54:18.000 --> 0:54:20.680
<v Speaker 1>I think that over time they have softened that green

0:54:20.719 --> 0:54:24.960
<v Speaker 1>a little bit, so maybe the recoveries are easier than

0:54:24.960 --> 0:54:27.480
<v Speaker 1>they used to be, and maybe some people form their

0:54:27.480 --> 0:54:30.920
<v Speaker 1>impression of the hole earlier on when the green was

0:54:31.560 --> 0:54:32.200
<v Speaker 1>more severe.

0:54:32.280 --> 0:54:36.520
<v Speaker 2>Apparently the hole is really similar to ten at Riviera.

0:54:37.400 --> 0:54:40.200
<v Speaker 1>Yeah, but so much more extreme in its land.

0:54:40.960 --> 0:54:44.719
<v Speaker 3>The land is what the Riviera has, the extreme bunkers

0:54:44.840 --> 0:54:47.560
<v Speaker 3>and more extreme green contours.

0:54:46.960 --> 0:54:48.439
<v Speaker 1>And really hard to hit from the right.

0:54:49.040 --> 0:54:52.080
<v Speaker 3>Yeah, it's the same thing though, it's the same concept.

0:54:52.320 --> 0:54:52.560
<v Speaker 1>Yep.

0:54:52.640 --> 0:54:54.840
<v Speaker 3>You know if you can hit it pin high left

0:54:54.880 --> 0:54:58.359
<v Speaker 3>your gold. It's just it's just, you know, a riv

0:54:58.400 --> 0:55:01.239
<v Speaker 3>you've got palm trees, like palm tree bushes that you

0:55:01.239 --> 0:55:03.920
<v Speaker 3>could get in here, you've got a forest.

0:55:04.080 --> 0:55:06.440
<v Speaker 1>Here's the difference. I think here's the difference between fourteen

0:55:06.480 --> 0:55:09.839
<v Speaker 1>abandoned Trails and ten at Riviera, and that's that it's

0:55:09.880 --> 0:55:12.840
<v Speaker 1>a much more common outcome on the tenth hole at

0:55:12.920 --> 0:55:16.959
<v Speaker 1>Riviera that a player ends up left of the green.

0:55:17.400 --> 0:55:19.040
<v Speaker 2>They don't have out of bounds, they don't.

0:55:18.840 --> 0:55:20.200
<v Speaker 1>Have out of bounds on the left. You have room

0:55:20.239 --> 0:55:24.120
<v Speaker 1>on the left, and you don't have the whole fair

0:55:24.160 --> 0:55:26.640
<v Speaker 1>way pushing your ball to the right. So it's a

0:55:26.719 --> 0:55:30.160
<v Speaker 1>much more common outcome to be up the left, And

0:55:30.200 --> 0:55:33.359
<v Speaker 1>I think that that's what that's the argument I think

0:55:33.400 --> 0:55:36.399
<v Speaker 1>that a lot of people have against trails is that

0:55:36.480 --> 0:55:40.200
<v Speaker 1>if you're thinking about the percentage of times that the

0:55:40.239 --> 0:55:42.360
<v Speaker 1>outcome is that you're up on the left and you

0:55:42.400 --> 0:55:46.600
<v Speaker 1>have the ideal angle, it's pretty rare. That said, I

0:55:46.640 --> 0:55:49.120
<v Speaker 1>saw you up there once, and I've been up there

0:55:49.120 --> 0:55:52.480
<v Speaker 1>once the first time I played trails, So it does happen.

0:55:52.800 --> 0:55:56.719
<v Speaker 1>And so the question is like what percentage is acceptable?

0:55:57.000 --> 0:55:59.080
<v Speaker 1>You know, if we're talking about a hole where the

0:55:59.080 --> 0:56:03.080
<v Speaker 1>there's an ideal side of the fairway or angle, at

0:56:03.080 --> 0:56:06.000
<v Speaker 1>what point does it become a bad golf hole because

0:56:06.080 --> 0:56:09.040
<v Speaker 1>that outcome is too rare? And I don't know. I

0:56:09.080 --> 0:56:12.640
<v Speaker 1>think it's an open question. I think that if every

0:56:12.640 --> 0:56:14.960
<v Speaker 1>hole abandoned trails were like this, it would be a problem.

0:56:15.600 --> 0:56:19.839
<v Speaker 1>But personally, I don't have a big issue with it

0:56:20.000 --> 0:56:22.360
<v Speaker 1>being the one hole on the course that's kind of

0:56:22.440 --> 0:56:22.759
<v Speaker 1>like this.

0:56:23.200 --> 0:56:26.120
<v Speaker 3>Another thing I like about it is it introduces an

0:56:26.160 --> 0:56:32.480
<v Speaker 3>extremely high variance in scoring without a ton of lost balls.

0:56:32.880 --> 0:56:36.600
<v Speaker 3>It does this without like a huge water hazard in

0:56:36.600 --> 0:56:38.720
<v Speaker 3>front of the green like an island green.

0:56:39.080 --> 0:56:41.799
<v Speaker 2>It creates an extreme.

0:56:41.440 --> 0:56:43.840
<v Speaker 3>Like if you get out of there with a birdie,

0:56:44.239 --> 0:56:47.120
<v Speaker 3>you know, if you're playing in a foursome, somebody's making

0:56:47.120 --> 0:56:50.000
<v Speaker 3>a five or six, you know, and it's a short hole,

0:56:50.360 --> 0:56:54.920
<v Speaker 3>and I just think that it's I think sometimes like

0:56:55.000 --> 0:56:57.920
<v Speaker 3>if you think about like a golf course as a

0:56:58.000 --> 0:57:01.040
<v Speaker 3>you know, golf course is kind of like defender, right,

0:57:01.920 --> 0:57:05.719
<v Speaker 3>the fourteenth is kind of like you're Bruce Bowen. He's like,

0:57:05.760 --> 0:57:11.399
<v Speaker 3>you're the guy that's just like he's He's or Patrick, Yeah,

0:57:11.440 --> 0:57:16.120
<v Speaker 3>he's Javan Javian. At your sides, he's You're chippy. It's

0:57:16.160 --> 0:57:19.919
<v Speaker 3>the chippy defender that gets under everybody's skin at one point.

0:57:20.600 --> 0:57:23.040
<v Speaker 2>But it's just that, yeah, it's just he just here.

0:57:23.240 --> 0:57:26.440
<v Speaker 3>It is just an irritator, you know, And some people

0:57:26.520 --> 0:57:29.080
<v Speaker 3>can have a wonderful time and have no problem. Like

0:57:29.120 --> 0:57:32.000
<v Speaker 3>people have games where they have no problem with Bruce

0:57:32.040 --> 0:57:34.760
<v Speaker 3>Bowen and torch him but then there's some other days

0:57:34.760 --> 0:57:37.400
<v Speaker 3>where they just they just get under their skin. And

0:57:37.840 --> 0:57:39.680
<v Speaker 3>you know, and I think that's the way you got

0:57:39.680 --> 0:57:41.800
<v Speaker 3>to think of this is it's like it's the guy

0:57:41.840 --> 0:57:44.040
<v Speaker 3>that you want on your team, but you don't want

0:57:44.080 --> 0:57:44.760
<v Speaker 3>to play against.

0:57:45.120 --> 0:57:47.480
<v Speaker 1>Yeah, and the and the guy. When you play against

0:57:47.920 --> 0:57:50.520
<v Speaker 1>this kind of player, you think you should be able

0:57:50.520 --> 0:57:52.880
<v Speaker 1>to take advantage. I mean, Bruce Bowen wasn't the most

0:57:52.920 --> 0:57:55.520
<v Speaker 1>athletic player in the world, right, Yeah, And I think

0:57:55.560 --> 0:57:57.160
<v Speaker 1>you have that a lot of people have the same

0:57:57.200 --> 0:57:59.520
<v Speaker 1>reaction to the fourteenth fold. We just compared to golf.

0:57:59.560 --> 0:58:02.960
<v Speaker 1>Hold the Bruce Bowen. By the way, why am I

0:58:03.080 --> 0:58:10.120
<v Speaker 1>not short bar four with a hugely wide fair way.

0:58:10.360 --> 0:58:13.240
<v Speaker 1>It's drivable in a lot of situations when the wind

0:58:13.320 --> 0:58:16.160
<v Speaker 1>is going the right direction. How am I taking a

0:58:16.200 --> 0:58:20.520
<v Speaker 1>seven here? You know that's the feeling. Okay, so banit.

0:58:20.520 --> 0:58:22.720
<v Speaker 1>We should probably talk about that. We've spent twenty minutes

0:58:22.760 --> 0:58:24.680
<v Speaker 1>now on fourteen abandoned trails.

0:58:24.720 --> 0:58:27.360
<v Speaker 3>But the forest holes, the forest you want to talk

0:58:27.400 --> 0:58:30.360
<v Speaker 3>about the crossing because the crossing school too. Five and

0:58:30.440 --> 0:58:34.560
<v Speaker 3>seventeen in the metal holes abandoned trails. One of the

0:58:34.600 --> 0:58:35.960
<v Speaker 3>best spots in golf.

0:58:36.200 --> 0:58:38.560
<v Speaker 1>Fourteen is an interesting hole to talk about because there's

0:58:38.600 --> 0:58:41.800
<v Speaker 1>a debate about it. But I don't see any argument

0:58:42.160 --> 0:58:47.320
<v Speaker 1>that fifteen isn't just an incredible, wonderful golf hole. Same

0:58:47.400 --> 0:58:49.600
<v Speaker 1>with five and seventeen and three and four.

0:58:49.720 --> 0:58:51.560
<v Speaker 2>Six is cool. I think six is a cool hole.

0:58:51.560 --> 0:58:56.000
<v Speaker 1>Two six is so cool. High low fairway, very subtle green,

0:58:56.080 --> 0:58:57.440
<v Speaker 1>probably the flattest green.

0:58:57.840 --> 0:59:00.200
<v Speaker 3>Very hard green to hit because of the angle. I

0:59:00.440 --> 0:59:02.840
<v Speaker 3>especially if you're on the low side, on the left side.

0:59:03.640 --> 0:59:06.920
<v Speaker 1>Now, sixteen is definitely not one of my favorite holes.

0:59:06.720 --> 0:59:08.840
<v Speaker 1>That's that's one where I actually think this is not

0:59:08.880 --> 0:59:10.920
<v Speaker 1>a very good golf hole. It's a part five that

0:59:11.000 --> 0:59:12.080
<v Speaker 1>just goes straight up a hill.

0:59:12.440 --> 0:59:16.080
<v Speaker 3>Seven fits into that boat too. The hard holes out

0:59:16.080 --> 0:59:18.200
<v Speaker 3>there are the ones that go up the hills.

0:59:18.600 --> 0:59:21.600
<v Speaker 1>And there may be holes that you, especially the first

0:59:21.640 --> 0:59:24.240
<v Speaker 1>time you play them, you might not remember much about them.

0:59:24.320 --> 0:59:27.080
<v Speaker 1>You might remember that seventeen goes sixteen goes straight up

0:59:27.080 --> 0:59:29.520
<v Speaker 1>a hill. But I think nine and ten also are

0:59:29.600 --> 0:59:32.760
<v Speaker 1>ones that don't stick super firmly in the memory. Come

0:59:32.760 --> 0:59:33.880
<v Speaker 1>on twelve.

0:59:34.120 --> 0:59:34.400
<v Speaker 2>Nine.

0:59:34.560 --> 0:59:37.880
<v Speaker 3>I love nine. I just love the green. I love

0:59:37.960 --> 0:59:41.120
<v Speaker 3>the back there all in the trees. I think the

0:59:41.240 --> 0:59:43.840
<v Speaker 3>ridge off the tee on nine's cool. I think you're

0:59:43.880 --> 0:59:47.160
<v Speaker 3>short change in nine. I really I enjoyed nine.

0:59:47.200 --> 0:59:49.400
<v Speaker 1>I'm just saying it's not a hole that you remember,

0:59:49.480 --> 0:59:51.400
<v Speaker 1>particularly after the first time playing.

0:59:51.600 --> 0:59:54.000
<v Speaker 3>I think that's like the most peaceful spot, like you

0:59:54.040 --> 0:59:57.640
<v Speaker 3>get back there or eleven that are eleven, you know,

0:59:57.720 --> 1:00:01.000
<v Speaker 3>the nine and eleven stick out to me is two

1:00:01.080 --> 1:00:06.760
<v Speaker 3>places where like I kind of pinch myself as to like, God,

1:00:06.920 --> 1:00:08.959
<v Speaker 3>is this really you know, I don't think. I don't

1:00:08.960 --> 1:00:12.360
<v Speaker 3>think the best I think the weakest holes the trails

1:00:12.440 --> 1:00:15.880
<v Speaker 3>probably are the forest holes in general. But I will

1:00:15.920 --> 1:00:18.360
<v Speaker 3>say that, you know, the meadow is probably my favorite,

1:00:18.480 --> 1:00:22.960
<v Speaker 3>but the forest part is where I feel like the

1:00:23.000 --> 1:00:24.280
<v Speaker 3>most alive.

1:00:25.160 --> 1:00:27.280
<v Speaker 1>Yeah, I mean I was working through all the holes

1:00:27.320 --> 1:00:32.840
<v Speaker 1>that might be considered less than absolutely exceptional to get

1:00:32.840 --> 1:00:38.960
<v Speaker 1>to holes like eight, eleven, thirteen that are incredible.

1:00:39.560 --> 1:00:40.439
<v Speaker 2>Yeah, I don't.

1:00:40.560 --> 1:00:43.920
<v Speaker 3>I think the meadows probably to be the best golf holes,

1:00:44.240 --> 1:00:48.120
<v Speaker 3>but the I think the in there. I'd love the

1:00:48.160 --> 1:00:51.560
<v Speaker 3>forest holes too. I just love that getting up to

1:00:51.640 --> 1:00:54.040
<v Speaker 3>the top. You know, you climb up on the seventh,

1:00:54.200 --> 1:00:56.720
<v Speaker 3>and you know, I think the seventh is a decent hole,

1:00:57.600 --> 1:00:59.840
<v Speaker 3>and you get up there and then I think those

1:01:00.120 --> 1:01:02.720
<v Speaker 3>that being up there, you feel that like sense of

1:01:02.760 --> 1:01:05.640
<v Speaker 3>accomplishment that you've almost made it to the top and

1:01:05.680 --> 1:01:08.080
<v Speaker 3>then you get to just explore back there in the forest.

1:01:08.120 --> 1:01:10.400
<v Speaker 3>And I think one of the things for me being

1:01:10.440 --> 1:01:14.400
<v Speaker 3>somebody not from the Pacific Northwest is like, that's such

1:01:14.440 --> 1:01:18.160
<v Speaker 3>a unique type of golf and and just setting for

1:01:18.240 --> 1:01:23.200
<v Speaker 3>golf with those big trees. And yeah, the eleventh is

1:01:23.240 --> 1:01:25.760
<v Speaker 3>so cool too, the green site down by the pond,

1:01:25.920 --> 1:01:28.959
<v Speaker 3>that's that's just like and it's so fun looking back

1:01:29.080 --> 1:01:31.840
<v Speaker 3>up up the hill and having that you know, it's

1:01:31.920 --> 1:01:35.680
<v Speaker 3>just such a gargantuane, you know, like feature that goes

1:01:35.680 --> 1:01:37.520
<v Speaker 3>through at that ridge that you tee off over.

1:01:38.400 --> 1:01:39.560
<v Speaker 2>But yeah, I agree.

1:01:40.360 --> 1:01:44.120
<v Speaker 3>It's it's like in every other whole course in a

1:01:44.160 --> 1:01:47.080
<v Speaker 3>way where like you know, like it has like these

1:01:47.160 --> 1:01:51.000
<v Speaker 3>like just absolutely spectacular holes, and then there's some holes

1:01:51.000 --> 1:01:54.200
<v Speaker 3>that you know aren't spectacular, but they're still very good.

1:01:54.840 --> 1:01:54.960
<v Speaker 5>There.

1:01:55.080 --> 1:01:58.320
<v Speaker 1>There's usually at least one thing, a couple of things

1:01:58.480 --> 1:02:03.960
<v Speaker 1>about each hole, even the less memorable ones where when

1:02:04.000 --> 1:02:06.280
<v Speaker 1>you play it a second, a third time, you discover

1:02:06.360 --> 1:02:09.320
<v Speaker 1>it and you say to yourself, that's really clever or

1:02:09.320 --> 1:02:13.320
<v Speaker 1>that's really fun. Okay, So that's band in trails. We

1:02:13.320 --> 1:02:16.440
<v Speaker 1>should probably start wrapping this up as a kind of

1:02:16.480 --> 1:02:20.880
<v Speaker 1>closing thought. Is something that I think is remarkable about

1:02:20.880 --> 1:02:24.520
<v Speaker 1>the history of this course and kind of how the

1:02:24.560 --> 1:02:27.720
<v Speaker 1>idea developed as it got designed, is that there was

1:02:27.760 --> 1:02:30.720
<v Speaker 1>a time when they were working with this property at

1:02:30.720 --> 1:02:35.000
<v Speaker 1>the very beginning, when Mike Kaiser and Kemper Sports, which

1:02:35.000 --> 1:02:39.560
<v Speaker 1>manages the manages the resort. We're thinking that Bandon Trails

1:02:39.840 --> 1:02:42.400
<v Speaker 1>might be the first course where they would introduce golf carts.

1:02:43.360 --> 1:02:46.240
<v Speaker 1>They were considering that because you can see why, it's

1:02:46.240 --> 1:02:49.439
<v Speaker 1>a pretty extreme property. It's a tough walk, it's spread out,

1:02:49.960 --> 1:02:54.280
<v Speaker 1>and so they were considering maybe offering golf carts for

1:02:54.320 --> 1:02:58.520
<v Speaker 1>this course. They ultimately chose not to, and I think

1:02:58.520 --> 1:03:03.760
<v Speaker 1>that that was such a great decision because this course

1:03:03.880 --> 1:03:08.520
<v Speaker 1>is really a tribute to the beauties and the wonders

1:03:08.720 --> 1:03:13.959
<v Speaker 1>of walking. It's everything that's wonderful about taking a walk,

1:03:14.080 --> 1:03:16.919
<v Speaker 1>or you could even call it a hike, the things

1:03:16.960 --> 1:03:19.640
<v Speaker 1>that you discover along the way. This is something that

1:03:19.640 --> 1:03:22.240
<v Speaker 1>Bill Corr talks about all the time. You know, he

1:03:22.280 --> 1:03:26.520
<v Speaker 1>and Ben Crenshaw are all about walking. They walk everywhere

1:03:26.720 --> 1:03:29.720
<v Speaker 1>when they are exploring a site. They don't take their vehicles.

1:03:30.320 --> 1:03:34.440
<v Speaker 1>They walk and look and talk and walk and look

1:03:34.480 --> 1:03:37.880
<v Speaker 1>and talk. And this course, more than just about any other,

1:03:38.000 --> 1:03:41.520
<v Speaker 1>I think brings forward that part of golf.

1:03:42.320 --> 1:03:45.840
<v Speaker 3>Yeah, golf carts would have really taken away from just

1:03:46.000 --> 1:04:04.520
<v Speaker 2>The whole journey.