1 00:00:02,279 --> 00:00:05,320 Speaker 1: Bro managers are making a comeback big time. And let 2 00:00:05,320 --> 00:00:07,520 Speaker 1: me tell you something, if I have my own wrestling promotion, 3 00:00:07,840 --> 00:00:10,040 Speaker 1: or I should say win, that's the positive thinking way 4 00:00:10,080 --> 00:00:12,320 Speaker 1: of looking at it. Wrestling managers are going to be 5 00:00:13,200 --> 00:00:16,360 Speaker 1: heavily featured. I think they're way underserved. I think they 6 00:00:16,400 --> 00:00:18,720 Speaker 1: can do such a great job for wrestlers who can't speak. 7 00:00:25,200 --> 00:00:32,000 Speaker 2: And now you're mad even introducing ghosts wrestling win for Ready, 8 00:00:32,520 --> 00:00:37,200 Speaker 2: Jef died and for Ready friends, tunor. 9 00:00:37,640 --> 00:00:40,000 Speaker 1: Ladies and gentlemen. Welcome to a brand new episode of 10 00:00:40,120 --> 00:00:43,720 Speaker 1: Wrestling with Friends with me as Jeff Die. I'm Freddie Prinz. 11 00:00:44,159 --> 00:00:51,040 Speaker 1: Let's start the show. Jeff, Welcome back, sir. How was 12 00:00:51,040 --> 00:00:53,600 Speaker 1: your weekend? I saw photos. It looked like you had fun, 13 00:00:53,720 --> 00:00:55,200 Speaker 1: more fun than you thought you were gonna have. 14 00:00:55,440 --> 00:00:58,040 Speaker 3: I am traveling all over the Giant but it's been great. 15 00:00:58,040 --> 00:01:00,640 Speaker 3: I'm getting to see this beautiful country. So the weather 16 00:01:00,760 --> 00:01:03,320 Speaker 3: is good everywhere. Have you noticed this, Well, that's that 17 00:01:03,520 --> 00:01:07,959 Speaker 3: lovely climate change. Man, It's improved conditions for everybody. It's incredible. 18 00:01:08,200 --> 00:01:11,640 Speaker 3: I was in New York, I was in Houston. Obviously, 19 00:01:11,680 --> 00:01:14,840 Speaker 3: I'm in LA now, but I was in DC. Everywhere 20 00:01:14,840 --> 00:01:16,959 Speaker 3: I'm going I was in Colorado. They're they're going, oh, 21 00:01:17,000 --> 00:01:19,759 Speaker 3: what a beautiful day. It's like everywhere has just been 22 00:01:19,880 --> 00:01:20,640 Speaker 3: beautiful weather. 23 00:01:20,680 --> 00:01:22,959 Speaker 1: It's been great. See all you people complaining about the 24 00:01:23,040 --> 00:01:27,039 Speaker 1: aerosol deodorants and my old school car that puts gas 25 00:01:27,040 --> 00:01:29,399 Speaker 1: into the air and destroys the ozone and it's warming 26 00:01:29,440 --> 00:01:34,240 Speaker 1: the planet. All I did was improve Jeff's weekend. Sorry, yeah, also, yeah, 27 00:01:34,319 --> 00:01:35,480 Speaker 1: me apologize for that. 28 00:01:36,160 --> 00:01:39,640 Speaker 3: They say, Oh, this is the hottest it's been in 29 00:01:40,120 --> 00:01:40,640 Speaker 3: New York. 30 00:01:40,959 --> 00:01:41,520 Speaker 1: How do we know. 31 00:01:42,040 --> 00:01:44,040 Speaker 3: We've only been keeping track of that for a few 32 00:01:44,160 --> 00:01:47,840 Speaker 3: hundred years. Maybe New York is famously that's its weather 33 00:01:48,000 --> 00:01:50,720 Speaker 3: thousands of years ago, maybe a million years ago, before 34 00:01:50,800 --> 00:01:51,360 Speaker 3: humans were here. 35 00:01:51,400 --> 00:01:53,880 Speaker 1: How do we know? What do you know? Oh, we're 36 00:01:53,880 --> 00:01:55,440 Speaker 1: measuring a small little. 37 00:01:57,640 --> 00:02:00,560 Speaker 3: I'd be like judging my body's health based on one hour. 38 00:02:01,240 --> 00:02:04,160 Speaker 3: My body's been around for forty years and I'm judging 39 00:02:04,200 --> 00:02:05,280 Speaker 3: it based on one hour. 40 00:02:05,360 --> 00:02:07,160 Speaker 1: That's what we're doing to the earth. Well, it was 41 00:02:07,240 --> 00:02:10,160 Speaker 1: hot here fifty years ago. You're like, who cares? The 42 00:02:10,200 --> 00:02:13,680 Speaker 1: Earth does? What Earth does? All I know is warm, 43 00:02:13,760 --> 00:02:15,959 Speaker 1: and I like it because the cold sucks. If you 44 00:02:16,000 --> 00:02:18,880 Speaker 1: live somewhere cold, come move out here. It's gorgeous, all right, 45 00:02:18,919 --> 00:02:22,640 Speaker 1: jes lots of wrestling to get into. Rhea Ripley comes 46 00:02:22,639 --> 00:02:25,079 Speaker 1: from a place that's really hot. It's called Australia. I'll 47 00:02:25,080 --> 00:02:26,800 Speaker 1: be going there in about a month to do the 48 00:02:26,840 --> 00:02:29,480 Speaker 1: I not you did last summer sequel. Their winter or 49 00:02:29,560 --> 00:02:31,640 Speaker 1: our winter is their summer, so I don't even have 50 00:02:31,680 --> 00:02:35,080 Speaker 1: to experience winter this year, Jeff. People like me and 51 00:02:35,120 --> 00:02:38,880 Speaker 1: really Rhea Ripley are truly blessed because I get to 52 00:02:38,919 --> 00:02:40,799 Speaker 1: go and have summer all year long, and she gets 53 00:02:40,840 --> 00:02:44,640 Speaker 1: to get the biggest freaking pop in wrestling on the 54 00:02:44,760 --> 00:02:47,359 Speaker 1: active roster. I'm not saying if like a Legend comes back, 55 00:02:47,360 --> 00:02:50,040 Speaker 1: they wouldn't get a bigger pop. But every single week 56 00:02:50,240 --> 00:02:52,680 Speaker 1: when they're showing all the people coming into the building 57 00:02:52,760 --> 00:02:55,000 Speaker 1: and well and see him Punk, see them, Punk gets 58 00:02:55,040 --> 00:02:59,360 Speaker 1: the biggest But he's not full time Itt maybe he 59 00:02:59,520 --> 00:03:02,639 Speaker 1: is and they're just storylining him part time. But as 60 00:03:02,639 --> 00:03:05,720 Speaker 1: far as takes them Punk out of the picture, she 61 00:03:05,720 --> 00:03:08,640 Speaker 1: gets the biggest pop every single time she comes out there, 62 00:03:08,720 --> 00:03:10,799 Speaker 1: and this week was no different. And then she gets 63 00:03:10,880 --> 00:03:15,200 Speaker 1: to open the show. When she comes out, she looks awesome. 64 00:03:15,240 --> 00:03:17,080 Speaker 1: She looks like a bad ass, like she would really 65 00:03:17,120 --> 00:03:19,680 Speaker 1: beat you up. That's what Jeff and I love about her. 66 00:03:19,720 --> 00:03:22,320 Speaker 1: She looks like she actually kicks ass. The only way 67 00:03:22,360 --> 00:03:25,600 Speaker 1: Live Morgan can beaters through cheating with Dominic Mysterio or 68 00:03:25,720 --> 00:03:28,240 Speaker 1: rock Hel Rodriguez or a kendo stick. That's the only 69 00:03:28,280 --> 00:03:30,720 Speaker 1: way she went otherwise, Real will kill you, girl, kill you. 70 00:03:32,280 --> 00:03:35,800 Speaker 1: She comes out and she challenges Live and Raquel, and 71 00:03:35,800 --> 00:03:38,480 Speaker 1: who does she gets? She gets Tiffany Stratton, which was 72 00:03:38,560 --> 00:03:42,480 Speaker 1: odd and strange, and the crowd thought so as well, 73 00:03:42,720 --> 00:03:45,320 Speaker 1: and then she explained why it wasn't so odd and strange. 74 00:03:45,320 --> 00:03:47,880 Speaker 1: She said, look, Nia Jack sent me out here, and 75 00:03:47,920 --> 00:03:49,720 Speaker 1: she said you better stay out of her business. You 76 00:03:49,760 --> 00:03:52,320 Speaker 1: look punk ass bitch, or she's gonna kick your ass. 77 00:03:52,320 --> 00:03:53,920 Speaker 1: And Riel was like, yo, did you just call me 78 00:03:53,960 --> 00:03:56,560 Speaker 1: a punk ass bitch? I will kill your ass, and 79 00:03:56,600 --> 00:03:58,600 Speaker 1: they kind of get in each other's face. It wasn't 80 00:03:58,640 --> 00:04:00,920 Speaker 1: written exactly like that, and then all of a sudden, 81 00:04:01,000 --> 00:04:04,880 Speaker 1: Rackel Rodriguez and Live Morgan and Women's Champion jump in 82 00:04:04,920 --> 00:04:07,440 Speaker 1: the ring and they beat up on Tiffany Stratt and 83 00:04:07,440 --> 00:04:10,320 Speaker 1: to hit her with her own briefcase, which is just disrespectful, 84 00:04:10,720 --> 00:04:13,680 Speaker 1: and then Raquel helps Outlive because she's getting shit kicks 85 00:04:13,720 --> 00:04:15,960 Speaker 1: out of her by Ripley she wouldn't have, and that 86 00:04:16,400 --> 00:04:20,039 Speaker 1: they stand on top while Riha and poor Tiffy Stratton 87 00:04:20,080 --> 00:04:22,680 Speaker 1: got beat down and Live Morgan did her evil laugh 88 00:04:22,960 --> 00:04:25,719 Speaker 1: that everyone loves to hate, and that was the segment. 89 00:04:26,520 --> 00:04:33,520 Speaker 1: I don't care who Ria Ripley's fighting. I'm always going 90 00:04:33,600 --> 00:04:36,400 Speaker 1: to be rooting for Ria Ripley. I think she's the 91 00:04:36,440 --> 00:04:43,479 Speaker 1: most accessible, like emotionally accessible wrestler on camera. I think 92 00:04:43,520 --> 00:04:46,960 Speaker 1: you can relate to her the way men related to 93 00:04:47,080 --> 00:04:49,880 Speaker 1: Bruce Willis in the Diehard franchise and they were like, 94 00:04:49,920 --> 00:04:52,920 Speaker 1: that's John McClain, and if I was in that situation, 95 00:04:53,400 --> 00:04:55,479 Speaker 1: that's what I would do too, damn it. And it's 96 00:04:55,520 --> 00:04:58,240 Speaker 1: this fantasy life that you can actually live. I think 97 00:04:58,279 --> 00:05:00,880 Speaker 1: people see a lot of themselves in re maybe not 98 00:05:00,960 --> 00:05:03,440 Speaker 1: physically because she's unique and is one of a kind, 99 00:05:03,720 --> 00:05:06,640 Speaker 1: but in her attitude towards life, and they want to 100 00:05:06,720 --> 00:05:09,200 Speaker 1: say the things she says, they want to do the 101 00:05:09,200 --> 00:05:12,520 Speaker 1: things she does, and most most importantly, they want to 102 00:05:12,600 --> 00:05:16,560 Speaker 1: react to situations the way Rhea Ripley reacts to situations. 103 00:05:16,839 --> 00:05:20,480 Speaker 1: She's head first. It's like an old actor exercise, right, 104 00:05:20,520 --> 00:05:23,680 Speaker 1: like what's your obstacle? My obstacle or what's your goal? 105 00:05:23,760 --> 00:05:27,280 Speaker 1: My goal is to beat the bad guy? What's your obstacle? 106 00:05:27,360 --> 00:05:30,680 Speaker 1: His obstacle is his power is stronger than my power. 107 00:05:30,920 --> 00:05:33,800 Speaker 1: So what kind of character are you? How do you 108 00:05:33,920 --> 00:05:36,960 Speaker 1: deal with the obstacle? Are you he man? Do you 109 00:05:37,080 --> 00:05:40,440 Speaker 1: run straight through it? Are you sneaky with your brain? 110 00:05:40,560 --> 00:05:43,400 Speaker 1: Do you go around the obstacle? Are you a coward? 111 00:05:43,440 --> 00:05:45,640 Speaker 1: Are you Shaggy and Scooby? Do you run away from 112 00:05:45,640 --> 00:05:48,239 Speaker 1: the obstacle? Or are you Bruce Lee? Are you agile? 113 00:05:48,240 --> 00:05:51,080 Speaker 1: Do you literally and figuratively jump over the ops? How 114 00:05:51,080 --> 00:05:53,480 Speaker 1: do you deal with the obstacle? Ria Ripley goes straight 115 00:05:53,720 --> 00:05:57,960 Speaker 1: through the obstacle? She is the badass she is John McClain, 116 00:05:58,480 --> 00:06:00,800 Speaker 1: I love her so much. I don't care who she's 117 00:06:00,839 --> 00:06:03,719 Speaker 1: working with. I think Liv Morgan's Mike work's gotten way 118 00:06:03,720 --> 00:06:05,800 Speaker 1: better from last year to this year. So I like 119 00:06:05,920 --> 00:06:08,640 Speaker 1: the story that they're telling. And they only give live wins. 120 00:06:08,680 --> 00:06:11,240 Speaker 1: If she cheats, she's never going to get something straight 121 00:06:11,360 --> 00:06:13,880 Speaker 1: on Riha. I like the way they protected Rhea's character. 122 00:06:14,360 --> 00:06:19,039 Speaker 1: But most importantly, or not most importantly, equally as important, 123 00:06:19,320 --> 00:06:21,960 Speaker 1: it's how you feel about Ria, because you were the 124 00:06:21,960 --> 00:06:24,880 Speaker 1: first one to talk about her on this podcast. Not me, sir, 125 00:06:25,320 --> 00:06:25,760 Speaker 1: it was you. 126 00:06:25,880 --> 00:06:28,880 Speaker 3: Well, I'm biased because she's got a great look, she's 127 00:06:28,920 --> 00:06:31,840 Speaker 3: got a she's got a great build, she has kind 128 00:06:31,839 --> 00:06:34,640 Speaker 3: of like the she's the total package for for wrestling, 129 00:06:34,760 --> 00:06:38,080 Speaker 3: especially female wrestling. She's got all the things you're looking for. 130 00:06:38,279 --> 00:06:41,320 Speaker 3: Remember in the NBA when you had you had a 131 00:06:41,360 --> 00:06:43,680 Speaker 3: big Shaquille O'Neil who could dunk the ball, and then 132 00:06:43,720 --> 00:06:46,120 Speaker 3: you had like a power forward that could that could 133 00:06:46,160 --> 00:06:47,680 Speaker 3: make the thing. Then you'd have like a kind of 134 00:06:47,680 --> 00:06:50,480 Speaker 3: a fiery three point shooter. If you needed the big three, 135 00:06:50,520 --> 00:06:51,920 Speaker 3: you could kick it out to the outside. 136 00:06:52,040 --> 00:06:52,360 Speaker 1: Yeah. 137 00:06:52,400 --> 00:06:55,400 Speaker 3: And then a guy came along named Dirt Novitzky and 138 00:06:55,440 --> 00:06:57,839 Speaker 3: he was a seven footer who could also make threes. 139 00:06:57,960 --> 00:07:01,000 Speaker 3: And you're like, this is unusual, but he can dunk, 140 00:07:01,040 --> 00:07:03,239 Speaker 3: he can like he's a five tool guy. I feel 141 00:07:03,240 --> 00:07:06,080 Speaker 3: like that is exactly what we see with with Rhea Ripley. 142 00:07:06,320 --> 00:07:09,560 Speaker 3: She's got all the things you could put. She's dressed 143 00:07:09,680 --> 00:07:12,960 Speaker 3: like someone who is trying to prove to their parents 144 00:07:12,960 --> 00:07:18,240 Speaker 3: that they're not religious, Like I'm wearing the leather, I'm 145 00:07:18,240 --> 00:07:20,960 Speaker 3: not like you, I'm not in the church. And it's 146 00:07:21,040 --> 00:07:25,480 Speaker 3: like it works yeah, it feels she looks so bad 147 00:07:25,480 --> 00:07:30,360 Speaker 3: at work. Yeah, I like, I feel like things that 148 00:07:30,400 --> 00:07:33,040 Speaker 3: shouldn't work she can make work. And then she's just 149 00:07:33,080 --> 00:07:35,800 Speaker 3: so physical. I really believe she could beat up any 150 00:07:35,880 --> 00:07:38,720 Speaker 3: female wrestler if you don't count like Ronda Rousi or 151 00:07:38,720 --> 00:07:40,559 Speaker 3: like some of these MMA girls like SHANEA. 152 00:07:40,600 --> 00:07:44,400 Speaker 1: Basler. But she's so good. Everything she does is absolutely great. 153 00:07:44,520 --> 00:07:45,920 Speaker 3: One thing I did want to point out before we 154 00:07:45,960 --> 00:07:49,520 Speaker 3: move on from this is I wish wwe would stop 155 00:07:51,280 --> 00:07:54,280 Speaker 3: dragging out the money in the bank briefcase. I feel 156 00:07:54,280 --> 00:07:56,600 Speaker 3: like titles we should have to wait for, but I 157 00:07:56,600 --> 00:07:58,440 Speaker 3: feel like the money in the bank stuff, like, let's 158 00:07:58,560 --> 00:08:00,760 Speaker 3: use it. Why do we have to drag it out 159 00:08:01,000 --> 00:08:01,800 Speaker 3: so long? 160 00:08:02,200 --> 00:08:05,800 Speaker 1: They haven't been good with it so like, But if 161 00:08:05,840 --> 00:08:08,120 Speaker 1: they have a good story, then yeah, you can drag 162 00:08:08,160 --> 00:08:10,320 Speaker 1: it out. But that you have done multiple stories, not 163 00:08:10,400 --> 00:08:12,360 Speaker 1: just one. But I totally agree with you. They drag 164 00:08:12,400 --> 00:08:14,960 Speaker 1: it out almost every year and the story is not 165 00:08:15,080 --> 00:08:17,240 Speaker 1: motivated the way it should be. I totally agree with 166 00:08:17,280 --> 00:08:17,560 Speaker 1: you on that. 167 00:08:17,920 --> 00:08:20,320 Speaker 3: Maybe this here's a little pitch, maybe the if anyone 168 00:08:20,400 --> 00:08:23,960 Speaker 3: from WB listens to this, here's my idea. Once you 169 00:08:24,120 --> 00:08:28,440 Speaker 3: use the money in the bank, it becomes yours. So 170 00:08:28,520 --> 00:08:30,840 Speaker 3: like if it's used on you, you now have the money, 171 00:08:30,880 --> 00:08:33,240 Speaker 3: kind of like the twenty four to seven Championship, Like 172 00:08:33,320 --> 00:08:36,200 Speaker 3: maybe explain that I'm dumb. I don't understand. Well, you're 173 00:08:36,200 --> 00:08:38,080 Speaker 3: not dumb, it's just it might be a dumb idea. 174 00:08:38,120 --> 00:08:40,320 Speaker 3: Here's the thing. So, like let's say you're the champ 175 00:08:40,400 --> 00:08:42,280 Speaker 3: and I use the money in the bank on you 176 00:08:42,480 --> 00:08:45,959 Speaker 3: right now if I if I get the title and 177 00:08:46,880 --> 00:08:48,360 Speaker 3: I've given you, know, I use the money in the 178 00:08:48,360 --> 00:08:52,880 Speaker 3: bank briefcase to pin you. You now have the money 179 00:08:52,920 --> 00:08:56,160 Speaker 3: in the bank briefcase, like you now keep the Now 180 00:08:56,240 --> 00:08:58,120 Speaker 3: you have a chance to cash it in at any 181 00:08:58,120 --> 00:08:58,680 Speaker 3: time you want. 182 00:08:58,840 --> 00:09:03,520 Speaker 1: The loser gets the case. Yeah, and if because you 183 00:09:03,760 --> 00:09:06,520 Speaker 1: can't get rewarded as the loser, it'd be awesome. 184 00:09:07,559 --> 00:09:10,240 Speaker 3: It like I got screwed, but now I'm gonna screw 185 00:09:10,280 --> 00:09:12,240 Speaker 3: somebody because it's a it follows you. 186 00:09:12,240 --> 00:09:14,000 Speaker 1: Have to win it in the match because they would 187 00:09:14,000 --> 00:09:16,000 Speaker 1: take away the match and the match is so much fun. 188 00:09:16,040 --> 00:09:18,520 Speaker 1: The money in the bank match you don't like that, 189 00:09:18,520 --> 00:09:20,440 Speaker 1: that's the problem. You can't. You can't. You can't find 190 00:09:20,480 --> 00:09:22,400 Speaker 1: a new winner. No, I don't think you can give 191 00:09:22,440 --> 00:09:25,360 Speaker 1: the loser a reward. That's you're so anti giving everyone 192 00:09:25,400 --> 00:09:30,400 Speaker 1: a trophy, aren't you? Yes? Really, yeah, I mean even 193 00:09:30,440 --> 00:09:33,360 Speaker 1: the losing I think the losing team gets should get trophies. 194 00:09:34,080 --> 00:09:35,959 Speaker 3: No, but they should get a nice handshake, which is 195 00:09:36,000 --> 00:09:38,080 Speaker 3: the same thing as yeah, you still get still played. 196 00:09:38,200 --> 00:09:40,880 Speaker 1: They still played the game. I don't. Yeah, they gave 197 00:09:40,920 --> 00:09:43,040 Speaker 1: it to my to my kids even if they lost, 198 00:09:43,080 --> 00:09:45,280 Speaker 1: and I hated it. I was just like, oh, what 199 00:09:45,880 --> 00:09:48,760 Speaker 1: if we lost. They should know how that feels. It sucks. 200 00:09:49,600 --> 00:10:01,480 Speaker 1: It does suck. I'm older than you, so maybe that's fine. 201 00:10:02,360 --> 00:10:06,719 Speaker 1: All right, dude, bron freaking Breaker, the son of the 202 00:10:07,160 --> 00:10:13,600 Speaker 1: great Steiner jay Uso, son of Rakishi. These are generational dudes. 203 00:10:14,600 --> 00:10:17,880 Speaker 1: They got a generational beef coming up that I hope 204 00:10:17,920 --> 00:10:20,960 Speaker 1: takes us all the way to Netflix and they don't 205 00:10:21,080 --> 00:10:23,280 Speaker 1: end it before then. But I can't see. Nah, it's 206 00:10:23,280 --> 00:10:26,360 Speaker 1: only October. It's gonna end soon. Never mind, these dudes 207 00:10:26,360 --> 00:10:30,640 Speaker 1: are gonna have beef. Bron Breaker explained his side of 208 00:10:30,679 --> 00:10:32,839 Speaker 1: the story, and his side of the story was, Yo, 209 00:10:32,920 --> 00:10:35,079 Speaker 1: you didn't show me the same respect I showed you, 210 00:10:35,920 --> 00:10:39,520 Speaker 1: and because of that, I'm gonna frigging destroy you and 211 00:10:39,520 --> 00:10:42,400 Speaker 1: I'm gonna punish you, and nobody's ever gonna speak to 212 00:10:42,440 --> 00:10:44,160 Speaker 1: me that way again. And it's not even what you 213 00:10:44,200 --> 00:10:47,480 Speaker 1: said to me, it's what you didn't say. I told you, hey, 214 00:10:47,520 --> 00:10:50,439 Speaker 1: big ups to you, big respect. You beat me straight up. 215 00:10:50,640 --> 00:10:53,560 Speaker 1: You didn't say shit back, basically except yet, so so 216 00:10:53,679 --> 00:10:56,120 Speaker 1: fuck you man, like we're not We're not cool. And 217 00:10:56,120 --> 00:10:58,200 Speaker 1: that's why I speared you twenty seven times and why 218 00:10:58,240 --> 00:11:00,440 Speaker 1: I'm gonna bust your ass. I was going to move 219 00:11:00,480 --> 00:11:02,920 Speaker 1: on to bigger things, but no, dude, after that, I'm 220 00:11:03,080 --> 00:11:07,400 Speaker 1: beat your ass. And they wrote it differently than that. 221 00:11:07,600 --> 00:11:10,080 Speaker 1: I didn't. I didn't think it was as colorful as 222 00:11:10,080 --> 00:11:12,400 Speaker 1: it could be. But maybe the Brown Breaker characters not 223 00:11:13,080 --> 00:11:15,400 Speaker 1: as colorful as I want him to be. Maybe he's 224 00:11:15,440 --> 00:11:18,560 Speaker 1: more of a you know, the boulder that chases Indiana 225 00:11:18,640 --> 00:11:21,560 Speaker 1: Jones in the first movie, just moving straight ahead with 226 00:11:21,640 --> 00:11:24,760 Speaker 1: as little burbage as possible. But I think he could 227 00:11:24,760 --> 00:11:26,560 Speaker 1: handle it. So maybe that's why I want to I 228 00:11:26,600 --> 00:11:29,320 Speaker 1: want to see it. But I will say this, they're 229 00:11:29,320 --> 00:11:32,560 Speaker 1: shooting this stuff cooler now. When I worked there, this 230 00:11:32,600 --> 00:11:35,680 Speaker 1: would have just been eyes to camera, no room for anything. 231 00:11:35,720 --> 00:11:38,880 Speaker 1: But that. I don't know if he's doing that stylistically 232 00:11:39,000 --> 00:11:40,840 Speaker 1: or if there's Q cards there that are helping him out. 233 00:11:40,880 --> 00:11:42,680 Speaker 1: I know they've used Q cards in the past, but 234 00:11:42,760 --> 00:11:44,440 Speaker 1: either way, I still thought he was doing a good 235 00:11:44,520 --> 00:11:47,960 Speaker 1: job and he's growing. He's not the best promo in 236 00:11:48,000 --> 00:11:51,600 Speaker 1: the WWE yet, but considering he's been there for three days, 237 00:11:52,040 --> 00:11:54,760 Speaker 1: he's doing a really really good job. He's making me 238 00:11:54,800 --> 00:11:57,280 Speaker 1: want to watch them wrestle again and giving us a 239 00:11:57,320 --> 00:12:00,120 Speaker 1: reason why, which I think is super super important. How 240 00:12:00,160 --> 00:12:01,199 Speaker 1: did you feel, sir. 241 00:12:01,600 --> 00:12:04,319 Speaker 3: Yeah, I'm all in on bron Breaker. I just want 242 00:12:04,360 --> 00:12:06,480 Speaker 3: to see more, that's all. I feel like we're not 243 00:12:06,520 --> 00:12:09,640 Speaker 3: getting enough bron Breaker, especially after all the heat. Wait, 244 00:12:09,760 --> 00:12:12,760 Speaker 3: we use heat in wrestling as good Yeah. 245 00:12:12,320 --> 00:12:14,640 Speaker 1: Well he's heat can be a good thing. When you're 246 00:12:14,679 --> 00:12:16,520 Speaker 1: a bad guy, you want to get heat, you want 247 00:12:16,520 --> 00:12:19,840 Speaker 1: people to be mad at you. Well, in business, he 248 00:12:19,960 --> 00:12:22,440 Speaker 1: was getting. Yeah, heat and show business is a good 249 00:12:22,440 --> 00:12:24,360 Speaker 1: thing no matter what, because it means people. Yeah, I 250 00:12:24,360 --> 00:12:25,079 Speaker 1: see what you're saying. 251 00:12:25,360 --> 00:12:27,480 Speaker 3: Yeah, I meant it in the way that we use it, 252 00:12:27,559 --> 00:12:30,040 Speaker 3: like heat and comedy means like everyone's talking about you. 253 00:12:30,400 --> 00:12:34,520 Speaker 3: So bron Breaker months ago, everyone was talking about him. 254 00:12:34,559 --> 00:12:36,720 Speaker 3: He was like literally the hottest thing to that. That 255 00:12:36,880 --> 00:12:40,439 Speaker 3: was like in the scene, so I guess I just 256 00:12:40,520 --> 00:12:42,640 Speaker 3: kind of feel like that's died a little, that momentum 257 00:12:42,720 --> 00:12:44,760 Speaker 3: died a little, So I wish we could see more 258 00:12:44,760 --> 00:12:46,600 Speaker 3: of him. I'd like them when you're about to build 259 00:12:46,600 --> 00:12:48,440 Speaker 3: in him. So I'm happy as long as I can 260 00:12:48,480 --> 00:12:50,720 Speaker 3: get some more bron Breaker before I make any opinions 261 00:12:50,720 --> 00:12:51,200 Speaker 3: about him. 262 00:12:51,280 --> 00:12:53,040 Speaker 1: But I already like him. It would be cool if 263 00:12:53,040 --> 00:12:56,360 Speaker 1: they went back and forth and had like a cool rivalry. 264 00:12:56,440 --> 00:12:59,360 Speaker 1: I don't think they'll do that, but if they did 265 00:12:59,360 --> 00:13:01,920 Speaker 1: have a rivalry, could take them to January and then 266 00:13:01,920 --> 00:13:03,800 Speaker 1: you can have brown Breaker move on to the bigger 267 00:13:03,840 --> 00:13:06,160 Speaker 1: and better things that I think the company sees for him, 268 00:13:06,360 --> 00:13:09,600 Speaker 1: or at least the general public does. But yeah, he's 269 00:13:09,600 --> 00:13:12,199 Speaker 1: big and bad. I think i'd like to see less 270 00:13:12,320 --> 00:13:17,120 Speaker 1: j if I'm honest. More. I think Jay's the freaking man. 271 00:13:17,160 --> 00:13:21,120 Speaker 1: I think he's charisma. I think most men like him. 272 00:13:21,160 --> 00:13:23,360 Speaker 1: My wife digs him. I think women dig him. I 273 00:13:23,360 --> 00:13:25,440 Speaker 1: think he's a universal kind of guy. Man, you're not 274 00:13:25,440 --> 00:13:29,160 Speaker 1: feeling the yeat dude, are you? Team no Yee? Maybe 275 00:13:29,200 --> 00:13:33,760 Speaker 1: just this version of him. I'm not crazy about bro 276 00:13:35,120 --> 00:13:35,920 Speaker 1: We got no yea. 277 00:13:36,640 --> 00:13:40,320 Speaker 3: The second he said said no lost me, he lost me, 278 00:13:40,400 --> 00:13:42,920 Speaker 3: right when he goes no yea and walks away. 279 00:13:42,960 --> 00:13:46,559 Speaker 1: I was like, oh no, we got we got to 280 00:13:46,679 --> 00:13:49,560 Speaker 1: you and I have a problem. I don't know. If 281 00:13:49,880 --> 00:13:52,800 Speaker 1: I don't know, I'm real. I can be easily influenced. 282 00:13:53,040 --> 00:13:55,520 Speaker 3: There's a thing, we'll see it. I'm weak to weak dude. 283 00:13:55,640 --> 00:13:58,120 Speaker 3: That's the same people could call me in a lot 284 00:13:58,120 --> 00:14:00,959 Speaker 3: of things. But you you give me two good reasons 285 00:14:01,000 --> 00:14:01,800 Speaker 3: to like a guy, and I go. 286 00:14:01,720 --> 00:14:03,920 Speaker 1: Okay, I like them. You know, by the way, the 287 00:14:03,960 --> 00:14:06,679 Speaker 1: cardigan's looking good, it's growing on me. Man, you rock 288 00:14:06,760 --> 00:14:09,920 Speaker 1: the cardigan to the show today. You look very mature, 289 00:14:10,200 --> 00:14:14,200 Speaker 1: or like a mature statesman. Not a statesman, they wouldn't 290 00:14:14,200 --> 00:14:17,360 Speaker 1: wear a cardigan. You look like a guy who like 291 00:14:17,360 --> 00:14:19,840 Speaker 1: like a beat poet, like Jack Kerouac. You just need 292 00:14:19,840 --> 00:14:20,800 Speaker 1: a hat, a cool head. 293 00:14:20,840 --> 00:14:23,480 Speaker 3: No one's ever worn a cardigan and been stressed out 294 00:14:23,480 --> 00:14:26,600 Speaker 3: about something, you know, like, there's no cardigans. No one's 295 00:14:26,640 --> 00:14:29,040 Speaker 3: rocking a cardigan around going oh good, what's happening in 296 00:14:29,080 --> 00:14:31,520 Speaker 3: the Middle East? You know that this is like I 297 00:14:31,560 --> 00:14:36,280 Speaker 3: got my espresso, my kids are running around, my wife's happy, 298 00:14:36,400 --> 00:14:37,240 Speaker 3: and I drink it. 299 00:14:37,320 --> 00:14:41,120 Speaker 1: You know, it feels very cardigany. Before we move on 300 00:14:41,240 --> 00:14:46,120 Speaker 1: to smack sound. I guess we can talk Crown Jewel. 301 00:14:46,320 --> 00:14:49,120 Speaker 1: The Crown Jewels super goofy. To me, it only exists 302 00:14:49,160 --> 00:14:52,080 Speaker 1: because they gave the WW like forty million dollars a 303 00:14:52,200 --> 00:14:54,840 Speaker 1: year to come and do a private show. It's like 304 00:14:54,840 --> 00:14:57,800 Speaker 1: when they hire singers to sing at their kids bar 305 00:14:57,920 --> 00:14:59,880 Speaker 1: mitzvah or something and pay them a million dollars to 306 00:15:00,080 --> 00:15:03,080 Speaker 1: sing three songs. That's what this always has been to me. 307 00:15:03,280 --> 00:15:06,680 Speaker 1: Nice corporate gig. Yeah, a nice corporate gig is what 308 00:15:06,720 --> 00:15:09,280 Speaker 1: it is, but I've never been into it. Now they've 309 00:15:09,280 --> 00:15:13,640 Speaker 1: built this belt, this fifty carrot diamond and emerald jeweled 310 00:15:13,680 --> 00:15:17,400 Speaker 1: bedazzled belt. I think the belt looks goofy. You like 311 00:15:17,520 --> 00:15:20,280 Speaker 1: it because is it too big? I thought you liked it. 312 00:15:20,280 --> 00:15:23,080 Speaker 1: It looks very video gamey, and I don't think we 313 00:15:23,080 --> 00:15:26,280 Speaker 1: should take video game stuff into real life. Sometimes I 314 00:15:26,280 --> 00:15:28,880 Speaker 1: think this is interesting. I would use you to say 315 00:15:28,880 --> 00:15:32,640 Speaker 1: that it's I don't like it. It looks digitized. To me. 316 00:15:32,840 --> 00:15:34,040 Speaker 1: It just looks fake. 317 00:15:34,120 --> 00:15:36,640 Speaker 3: Well, we haven't seen it dawn anyone yet, but like 318 00:15:37,080 --> 00:15:39,640 Speaker 3: the I think the big reason that wrestlers started wearing 319 00:15:39,680 --> 00:15:42,120 Speaker 3: the championship belts as they got bigger on their shoulders, 320 00:15:42,440 --> 00:15:45,320 Speaker 3: is because it's just so large that it covers your abs. 321 00:15:45,480 --> 00:15:47,640 Speaker 3: It kind of cuts into the top of your legs. 322 00:15:47,760 --> 00:15:49,720 Speaker 3: If you try to bend over, it cuts into like 323 00:15:50,000 --> 00:15:52,840 Speaker 3: right under your pecks. But here's the thing, this one's 324 00:15:53,000 --> 00:15:55,080 Speaker 3: double the length. I can't even fit it in the 325 00:15:55,080 --> 00:15:57,960 Speaker 3: screen where my hands are. It's so long that I 326 00:15:58,040 --> 00:15:59,880 Speaker 3: don't know how anyone's going to be able to wear. 327 00:15:59,880 --> 00:16:01,680 Speaker 3: You gotter be Drew McIntyre to win this thing, because 328 00:16:01,680 --> 00:16:02,320 Speaker 3: he's the north. 329 00:16:02,240 --> 00:16:05,000 Speaker 1: To be long waisted to rock like Triple h was 330 00:16:05,120 --> 00:16:08,400 Speaker 1: long waisted, small chest like super long Tour, So Drew 331 00:16:08,440 --> 00:16:09,800 Speaker 1: McIntyre's all tours. 332 00:16:09,800 --> 00:16:12,960 Speaker 3: So. But the thing about the Crown Jewel belt is 333 00:16:13,080 --> 00:16:16,040 Speaker 3: I do like that. It's it's gaudy, you know what 334 00:16:16,080 --> 00:16:19,120 Speaker 3: I'm saying. If this belt was made by Persian culture, 335 00:16:19,280 --> 00:16:22,520 Speaker 3: this was this is very like the all the diamonds, 336 00:16:22,560 --> 00:16:25,680 Speaker 3: all of the jewels, all the all the things, very gaudy. 337 00:16:25,720 --> 00:16:27,200 Speaker 3: But it looked I think it looks cool. I just 338 00:16:27,200 --> 00:16:28,720 Speaker 3: haven't seen it on anyone yet. 339 00:16:28,960 --> 00:16:31,560 Speaker 1: I'm not a fan of the belt. And with that 340 00:16:32,040 --> 00:16:34,840 Speaker 1: we'll move on to Smack Sound Solo. Ska entered the 341 00:16:34,880 --> 00:16:39,400 Speaker 1: ring and he had the Samoan Werewolf Jacob Fatu. I 342 00:16:39,440 --> 00:16:42,520 Speaker 1: hate that they stole our werewolf thing. They didn't steal it, 343 00:16:42,560 --> 00:16:44,680 Speaker 1: but you know what I mean. Came out with the 344 00:16:44,760 --> 00:16:49,600 Speaker 1: tag team champs Tama and Tonga and listed his accomplishments 345 00:16:49,640 --> 00:16:52,479 Speaker 1: and let everybody know that beatdowns we're going to continue 346 00:16:52,640 --> 00:16:56,160 Speaker 1: unless Roman Reigns appeared at Nights and he wants to 347 00:16:56,200 --> 00:17:01,480 Speaker 1: be acknowledged by the former former tribal chief. See I 348 00:17:01,520 --> 00:17:03,240 Speaker 1: called him for I didn't call him the original the 349 00:17:03,360 --> 00:17:06,760 Speaker 1: former tribal chief because he got beat down and instead 350 00:17:06,800 --> 00:17:12,080 Speaker 1: of him coming out, Jeff's favorite, Jay Uso came out instead, 351 00:17:12,480 --> 00:17:15,480 Speaker 1: and instead of coming out and yeating it up with 352 00:17:15,560 --> 00:17:21,080 Speaker 1: the crowd, he pled with his brother, his baby brother. 353 00:17:22,119 --> 00:17:24,280 Speaker 1: Shouldn't have called him little brother. That made Solo mad, 354 00:17:24,320 --> 00:17:26,359 Speaker 1: by the way, and he shut down emotionally and he 355 00:17:26,400 --> 00:17:28,840 Speaker 1: wasn't going to receive whatever message you were trying to communicate. 356 00:17:29,160 --> 00:17:32,879 Speaker 1: That's just basic psychology. Jay should have treated him as 357 00:17:32,880 --> 00:17:36,320 Speaker 1: an equal, but he said, you're dividing the family, and 358 00:17:36,840 --> 00:17:42,080 Speaker 1: Solo wasn't having it. He dismisses Jay. Jay's basically like, look, 359 00:17:42,840 --> 00:17:45,080 Speaker 1: I was cool this time, but if you don't listen 360 00:17:45,080 --> 00:17:46,720 Speaker 1: to me next time, it's not going to be cool. 361 00:17:46,800 --> 00:17:50,880 Speaker 1: This gets pieced out. Later in the show. We see 362 00:17:50,960 --> 00:17:55,640 Speaker 1: Roman Reigns and Jimmy backstage. They get there in an suv. 363 00:17:56,320 --> 00:17:58,439 Speaker 1: Jay Uso gets there. He's a little more chill with 364 00:17:58,480 --> 00:18:01,280 Speaker 1: his brother. Now he has a commerce with Roman. Roman 365 00:18:01,720 --> 00:18:04,080 Speaker 1: hits him with the yeat. Jay's like, now, I remember 366 00:18:04,200 --> 00:18:07,399 Speaker 1: that's the no yeat. So fuck you man, We're not cool. 367 00:18:07,800 --> 00:18:11,800 Speaker 1: I'm out of here. Pieced him out. Roman comes out 368 00:18:11,840 --> 00:18:15,639 Speaker 1: at the end of the show to supposedly acknowledge Solo. 369 00:18:15,680 --> 00:18:17,399 Speaker 1: We know he's not gonna we know he's not going 370 00:18:17,480 --> 00:18:20,240 Speaker 1: to do that, and instead kind of makes the say 371 00:18:20,280 --> 00:18:23,560 Speaker 1: a similar case that Jimmy made a little too similar 372 00:18:23,600 --> 00:18:27,240 Speaker 1: promo wise, but a similar case. He gets his ass 373 00:18:27,280 --> 00:18:30,840 Speaker 1: beat for it. He doesn't acknowledge Solo in the way 374 00:18:30,880 --> 00:18:33,359 Speaker 1: Solo won. Solo like laughs at him straight up. It's like, 375 00:18:33,400 --> 00:18:36,200 Speaker 1: I knew you wouldn't do it. So everybody get out here. 376 00:18:36,600 --> 00:18:41,000 Speaker 1: Kick this dude's ass asses get kicked. I'm summarizing this 377 00:18:41,080 --> 00:18:44,840 Speaker 1: story because we went long on Monday Night Raw, But this, 378 00:18:45,119 --> 00:18:48,679 Speaker 1: to me is how you keep the Bloodline story fresh. 379 00:18:49,720 --> 00:18:53,560 Speaker 1: Jeff wants unity, but to get unity, you have to 380 00:18:53,640 --> 00:18:57,640 Speaker 1: have conflict, right, So there can be eventual unity when 381 00:18:57,720 --> 00:19:02,280 Speaker 1: someone brings them together, like Robert Bruce from Braveheart unite 382 00:19:02,320 --> 00:19:06,280 Speaker 1: the clowns, and we need a uniter, and we believe 383 00:19:06,320 --> 00:19:08,520 Speaker 1: it's Roman. It could be someone else. Someone else could 384 00:19:08,520 --> 00:19:11,560 Speaker 1: come in late and be the reason that everyone gets united. 385 00:19:11,600 --> 00:19:14,320 Speaker 1: But Roman's still the cheap That's obviously how this story 386 00:19:14,359 --> 00:19:17,200 Speaker 1: has to end eventually. And I'm sure it's a WrestleMania match, 387 00:19:17,560 --> 00:19:19,320 Speaker 1: or it doesn't have to be, but it's big enough 388 00:19:19,320 --> 00:19:21,480 Speaker 1: to be one. But to me, this is how you 389 00:19:21,600 --> 00:19:25,600 Speaker 1: keep the story fresh without blowing it up and ruining 390 00:19:25,640 --> 00:19:27,320 Speaker 1: the thing or getting rid of it because it was 391 00:19:27,359 --> 00:19:30,560 Speaker 1: a little stale. It's you have these like moments where 392 00:19:30,720 --> 00:19:32,800 Speaker 1: it's calms before the storm, and then you have a storm. 393 00:19:32,840 --> 00:19:34,760 Speaker 1: If it's a storm all the time, we don't appreciate 394 00:19:34,800 --> 00:19:38,000 Speaker 1: the storm. Jeff, I like that. I like the way 395 00:19:38,040 --> 00:19:41,040 Speaker 1: you're worded that. How did you okay? Well? Did I 396 00:19:41,119 --> 00:19:42,760 Speaker 1: change your mind? Were you hating it or were you 397 00:19:42,800 --> 00:19:44,720 Speaker 1: agreeing with me? Though I actually like what's going on. 398 00:19:44,800 --> 00:19:45,719 Speaker 1: I like what they're doing with it. 399 00:19:45,800 --> 00:19:48,760 Speaker 3: My overall thing is just an idea that I think 400 00:19:48,800 --> 00:19:50,520 Speaker 3: would be great, but doesn't mean I don't like what 401 00:19:50,560 --> 00:19:53,000 Speaker 3: they're doing. I think what they're doing is great, especially 402 00:19:53,040 --> 00:19:54,720 Speaker 3: like kind of what they hinted at too, when he 403 00:19:54,840 --> 00:19:57,760 Speaker 3: was like, we've been staying away from them, almost like 404 00:19:58,160 --> 00:19:59,360 Speaker 3: saying like, that's the. 405 00:19:59,400 --> 00:20:03,040 Speaker 1: Rough side of it, the family. Yeah, due the family reason. 406 00:20:03,280 --> 00:20:06,560 Speaker 3: There's a reason we didn't associate with that side of 407 00:20:06,560 --> 00:20:08,840 Speaker 3: the family. And I think that's such a smart way 408 00:20:08,880 --> 00:20:11,080 Speaker 3: to do it. We all have the black sheeps in 409 00:20:11,119 --> 00:20:14,040 Speaker 3: our family, and they're really kind of hanging on to this. 410 00:20:14,040 --> 00:20:16,280 Speaker 3: Some of us might be the black sheeps of our family, 411 00:20:16,560 --> 00:20:19,520 Speaker 3: but that means we can identify with both sides of 412 00:20:19,560 --> 00:20:22,000 Speaker 3: this of like that's the uncle we don't talk to, 413 00:20:22,440 --> 00:20:25,560 Speaker 3: that's the brother who votes differently than me, that's the 414 00:20:26,000 --> 00:20:28,760 Speaker 3: that's the aunt who got a duy, or like, you know, 415 00:20:28,800 --> 00:20:31,600 Speaker 3: whatever the reason is, Oh we we they went through 416 00:20:31,600 --> 00:20:34,400 Speaker 3: a hairy divorce and I didn't agree with blah blah blah, 417 00:20:34,440 --> 00:20:37,160 Speaker 3: whatever that thing is. They're they're really stirring that up, 418 00:20:37,560 --> 00:20:40,080 Speaker 3: and I like the way he hinted at that. Another 419 00:20:40,119 --> 00:20:43,000 Speaker 3: thing they did this week that I love is that 420 00:20:43,440 --> 00:20:47,040 Speaker 3: Roman Reigns is so famous and so successful and has 421 00:20:47,040 --> 00:20:49,879 Speaker 3: had such a great body of work that you like, 422 00:20:50,000 --> 00:20:51,240 Speaker 3: you know, sorry, let me get back that. 423 00:20:51,359 --> 00:20:52,680 Speaker 1: Let me put a pin into what I just said. 424 00:20:52,760 --> 00:20:55,639 Speaker 3: Okay, you know how the Rock had seventy five catchphrases, 425 00:20:56,000 --> 00:21:00,000 Speaker 3: you know, rudy, pooh, candy ass. Finally the rock has 426 00:21:00,119 --> 00:21:02,199 Speaker 3: come back. Do you smell what the rock is cooking? 427 00:21:02,920 --> 00:21:04,800 Speaker 3: Shut your mouth, know your role, like he had a 428 00:21:04,840 --> 00:21:08,760 Speaker 3: billion catchphrases. Now, going back to what I just said 429 00:21:08,760 --> 00:21:11,159 Speaker 3: about Roman reigns, he has had such a body of 430 00:21:11,160 --> 00:21:13,720 Speaker 3: work and so much things that he doesn't need every 431 00:21:13,760 --> 00:21:16,960 Speaker 3: little thing to be his for them to now give 432 00:21:17,160 --> 00:21:21,240 Speaker 3: the term acknowledge me to whoever the tribal chief is. 433 00:21:21,760 --> 00:21:25,440 Speaker 3: I think is Chef's kiss such a good idea that 434 00:21:25,880 --> 00:21:29,840 Speaker 3: Solo Socoa goes, I want you to acknowledge me. I'm 435 00:21:29,840 --> 00:21:32,040 Speaker 3: not your brother, Like I like that that's coming with 436 00:21:32,320 --> 00:21:35,360 Speaker 3: the necklace, so I kind of like that, Like, no, 437 00:21:36,000 --> 00:21:38,639 Speaker 3: you don't have to. It's almost like the Persian god 438 00:21:38,760 --> 00:21:41,840 Speaker 3: from three hundred. He's like, all you need to do 439 00:21:41,920 --> 00:21:44,479 Speaker 3: is acknowledge. You just have to kneel, and that's all 440 00:21:44,520 --> 00:21:47,120 Speaker 3: Solo wanted, Like listen, don't call me your brother. I'm 441 00:21:47,119 --> 00:21:49,639 Speaker 3: your tribal chief now, and I want you to acknowledge me. 442 00:21:49,680 --> 00:21:54,520 Speaker 3: It's a very good like powerful you will acknowledge me, 443 00:21:54,680 --> 00:21:56,320 Speaker 3: and I think that that doesn't need to be romans. 444 00:21:56,359 --> 00:21:59,119 Speaker 3: I think that that needs to be whoever the tribal 445 00:21:59,160 --> 00:22:01,959 Speaker 3: chief is like, that's what they're doing, which is really awesome. 446 00:22:02,040 --> 00:22:03,600 Speaker 1: I love it, but I love the storyline. 447 00:22:03,680 --> 00:22:05,760 Speaker 3: I think what they're doing with it is is awesome 448 00:22:05,760 --> 00:22:09,040 Speaker 3: and it works, and it's also playing on both sides 449 00:22:09,080 --> 00:22:10,240 Speaker 3: of a family dynamic. 450 00:22:21,840 --> 00:22:28,200 Speaker 1: A W STU. John Moxley, the real Werewolf, kicked off 451 00:22:28,240 --> 00:22:28,600 Speaker 1: the show. 452 00:22:29,600 --> 00:22:33,240 Speaker 3: He'll be our white Werewolf, you know what I mean, 453 00:22:33,480 --> 00:22:35,600 Speaker 3: because we really like that he's the werewolf, but like 454 00:22:35,680 --> 00:22:38,240 Speaker 3: you know, we can there's there's a bloodline werewolf, and 455 00:22:38,280 --> 00:22:40,119 Speaker 3: then we got the a W Werewolf. 456 00:22:40,440 --> 00:22:43,920 Speaker 1: He's the double dub, the white Werewolf, the triple dub. Shit. 457 00:22:44,200 --> 00:22:46,879 Speaker 1: I like him, all right, so cool now he does 458 00:22:47,040 --> 00:22:50,560 Speaker 1: man bad Guy John Moxley is the greatest John Moxley, 459 00:22:50,840 --> 00:22:54,440 Speaker 1: so convincing. Everybody loves John Moxley, and everybody hates John Moxley, 460 00:22:54,440 --> 00:22:57,080 Speaker 1: and everyone's afraid of John Moxley, Like he gets a 461 00:22:57,119 --> 00:22:59,520 Speaker 1: little bit of everything when he goes full bad guy. 462 00:22:59,560 --> 00:23:01,800 Speaker 1: Like kids, they're afraid of him because he tried to 463 00:23:01,880 --> 00:23:05,560 Speaker 1: murder Brian Danielson twice. And anybody else that he stabs 464 00:23:05,560 --> 00:23:08,520 Speaker 1: people with forks, like he's a scary wrestler. If you're 465 00:23:08,560 --> 00:23:10,680 Speaker 1: a little kid at a show, it's like he's actually 466 00:23:10,760 --> 00:23:14,119 Speaker 1: drawing blace. He's really stabbing people or himself, Like he 467 00:23:14,160 --> 00:23:18,440 Speaker 1: doesn't care. If you like bad guys, he's your dude, 468 00:23:18,480 --> 00:23:21,760 Speaker 1: Like he's the ultimate bad guy. He's if Han Solo 469 00:23:21,880 --> 00:23:24,879 Speaker 1: was the lead of Star Wars, that's your dude, Like 470 00:23:25,119 --> 00:23:28,520 Speaker 1: that's the guy you're pulling for. And then if you 471 00:23:28,560 --> 00:23:30,639 Speaker 1: want to hate him because you love the good guys, 472 00:23:30,880 --> 00:23:34,240 Speaker 1: he's so good and disrespectful towards your guy that you 473 00:23:34,320 --> 00:23:36,800 Speaker 1: hate him, like he's he's such a perfect bad guy. 474 00:23:36,840 --> 00:23:38,600 Speaker 1: As a good guy, he can't give you all those 475 00:23:38,600 --> 00:23:41,040 Speaker 1: things because he's still going to scare kids, because he's 476 00:23:41,080 --> 00:23:42,240 Speaker 1: still going to make people bleed. 477 00:23:42,520 --> 00:23:45,280 Speaker 3: But is bad also, go ahead, I was gonna say 478 00:23:45,280 --> 00:23:47,240 Speaker 3: it's also I think a little more complex than that too. 479 00:23:47,320 --> 00:23:49,760 Speaker 3: He's such a good wrestler or sorry, he's such a 480 00:23:49,800 --> 00:23:53,720 Speaker 3: good storyteller that like he'll justify why he's doing what 481 00:23:53,800 --> 00:23:56,960 Speaker 3: he's doing, and and then you're kind of like, yeah, 482 00:23:57,000 --> 00:23:59,520 Speaker 3: well maybe he's right, Like he's kind of seducing me, 483 00:23:59,600 --> 00:24:02,080 Speaker 3: like the or something like I'm like, yeah, well, you 484 00:24:02,080 --> 00:24:05,320 Speaker 3: know he had this coming. Daniel Bryan's changed and it's 485 00:24:05,359 --> 00:24:06,480 Speaker 3: about time someone cut. 486 00:24:06,560 --> 00:24:09,280 Speaker 1: So it's like he kind of it's about time he 487 00:24:09,480 --> 00:24:12,600 Speaker 1: just got the title JEF. Yeah, he kind of persuaded you. Yeah, 488 00:24:12,640 --> 00:24:14,919 Speaker 1: you know, you're right. This guy he needs to be 489 00:24:14,960 --> 00:24:18,960 Speaker 1: put in check. I love what Moxley's doing. Yeah, he's 490 00:24:19,000 --> 00:24:21,119 Speaker 1: the man. Everything he does, from what he does with 491 00:24:21,160 --> 00:24:24,160 Speaker 1: the belt, to his promos, to his to his entering stuff, 492 00:24:24,640 --> 00:24:28,200 Speaker 1: to the backstage segments like it's always good too entrance. 493 00:24:28,960 --> 00:24:30,960 Speaker 1: I think they he even got rid of wild thing 494 00:24:31,080 --> 00:24:33,800 Speaker 1: like now it's just like fuck you music, Like everything 495 00:24:33,880 --> 00:24:38,120 Speaker 1: is just different and badass and mean. Adam Cole's back, sir, 496 00:24:38,440 --> 00:24:41,720 Speaker 1: and it was story time with Uncle Adam babe. And 497 00:24:42,520 --> 00:24:45,720 Speaker 1: this was a little weird for me because of how 498 00:24:46,680 --> 00:24:50,040 Speaker 1: the MJF and Adam Cole's story ended, because Adam was 499 00:24:50,080 --> 00:24:52,639 Speaker 1: the bad guy and Max was the good guy, and 500 00:24:52,720 --> 00:24:54,920 Speaker 1: so this was kind of this promo was more an 501 00:24:54,920 --> 00:24:58,400 Speaker 1: explanation of let's talk Freddy and people like Freddy off 502 00:24:58,440 --> 00:25:02,560 Speaker 1: the cliff where they're the of questions and back them 503 00:25:02,640 --> 00:25:04,680 Speaker 1: up and give them a reason why they don't need 504 00:25:04,720 --> 00:25:06,120 Speaker 1: to walk to the edge of the cliff they should 505 00:25:06,119 --> 00:25:08,439 Speaker 1: head back to town. And the reason why is because I 506 00:25:08,480 --> 00:25:13,399 Speaker 1: never trusted MJF ever and he sort of re established 507 00:25:13,480 --> 00:25:16,600 Speaker 1: himself as the good guy and showed that look how 508 00:25:16,640 --> 00:25:19,200 Speaker 1: Max is now, That's who he's always been, that's who 509 00:25:19,200 --> 00:25:23,000 Speaker 1: he'll always be. And Max comes in on a jumbo 510 00:25:23,040 --> 00:25:27,120 Speaker 1: trun and reconfirms everything Adam said, so that the audience 511 00:25:27,119 --> 00:25:29,119 Speaker 1: then goes, yeah, Okay, we'll give you guys a break. 512 00:25:29,160 --> 00:25:32,639 Speaker 1: We'll let you call Mulligan on this and just have 513 00:25:33,200 --> 00:25:35,560 Speaker 1: another swing at it. And Max is like, yeah, if 514 00:25:35,600 --> 00:25:37,760 Speaker 1: you I'm never going to fight you, and Adam's like, 515 00:25:37,800 --> 00:25:39,879 Speaker 1: you could run, baby, but you can't hide because I'm 516 00:25:39,920 --> 00:25:43,080 Speaker 1: Adam Cole Babay and the Cole crowd loves Adam, and 517 00:25:43,119 --> 00:25:45,359 Speaker 1: the whole crowd hates mjf except the hardcorese who are 518 00:25:45,400 --> 00:25:47,600 Speaker 1: going to love no matter what. And we'll get a 519 00:25:47,640 --> 00:25:50,240 Speaker 1: story out of them. The story that got that was 520 00:25:50,280 --> 00:25:54,080 Speaker 1: incomplete and that got terminated and blown up because of injuries, 521 00:25:54,119 --> 00:25:56,600 Speaker 1: which always sucks. So they get a second bite at 522 00:25:56,600 --> 00:25:59,040 Speaker 1: the apple to kind of finish this up. No title 523 00:25:59,080 --> 00:26:01,359 Speaker 1: on the line, unfortunately, but at least they'll get to 524 00:26:01,400 --> 00:26:03,840 Speaker 1: do some of the stuff they had planned for us. 525 00:26:04,119 --> 00:26:06,000 Speaker 1: I'll bet you the match is probably all of the 526 00:26:06,000 --> 00:26:08,159 Speaker 1: stuff they had planned for us, but they've certainly had 527 00:26:08,200 --> 00:26:11,280 Speaker 1: to alter and tweak the story. So I would say 528 00:26:11,280 --> 00:26:13,360 Speaker 1: give it a little time, as as the kids say, 529 00:26:13,440 --> 00:26:15,399 Speaker 1: let it, let it cook a little, let it simmer, 530 00:26:15,680 --> 00:26:18,480 Speaker 1: put it on low, don't burn your food. Low and slow, baby, 531 00:26:18,520 --> 00:26:20,960 Speaker 1: that's the way to go. Or medium low and let 532 00:26:20,960 --> 00:26:23,520 Speaker 1: it cook a little bit. Even with your bacon started 533 00:26:23,560 --> 00:26:25,280 Speaker 1: a medium, but then when you flip it, cut it 534 00:26:25,280 --> 00:26:27,720 Speaker 1: to medium low, and I'm telling you it'll be crispyer 535 00:26:27,760 --> 00:26:28,560 Speaker 1: and you'll never burn it. 536 00:26:29,440 --> 00:26:32,320 Speaker 3: I love that this started at as a wrestling metaphor 537 00:26:32,400 --> 00:26:35,520 Speaker 3: for Michael or for Adam cole and it turned into 538 00:26:35,720 --> 00:26:36,959 Speaker 3: actual cooking advice. 539 00:26:37,080 --> 00:26:40,240 Speaker 1: This play just gives you everything. Bacon shouldn't bend, Jeff, 540 00:26:40,359 --> 00:26:43,080 Speaker 1: Bacon should not bend. And I'm just trying to help everyone. 541 00:26:44,160 --> 00:26:47,119 Speaker 1: What did you think, dude, about my bacon, about Adam, 542 00:26:47,160 --> 00:26:49,439 Speaker 1: about everything? I love that. I'll have to take care 543 00:26:49,480 --> 00:26:50,960 Speaker 1: of just your word on the cooking thing. 544 00:26:51,000 --> 00:26:53,240 Speaker 3: I know nothing, but I will say with Adam Coleby, 545 00:26:53,280 --> 00:26:56,280 Speaker 3: I'm just so happy he's back, and I'm super pumped that, 546 00:26:56,520 --> 00:27:00,680 Speaker 3: like I Also, I feel like we've kind of remembered 547 00:27:00,800 --> 00:27:03,160 Speaker 3: not me and you, but just in general wrestling. There's 548 00:27:03,240 --> 00:27:06,720 Speaker 3: never been a bad Adam Colet chapter. Even last time 549 00:27:06,800 --> 00:27:09,320 Speaker 3: before he left, like he was doing that best friends 550 00:27:09,320 --> 00:27:12,200 Speaker 3: thing with MGF and it was so different and so great. 551 00:27:12,480 --> 00:27:13,080 Speaker 1: They killed it. 552 00:27:13,560 --> 00:27:17,080 Speaker 3: I just gotta trust that whatever he does this chapter 553 00:27:17,160 --> 00:27:19,400 Speaker 3: is gonna be awesome too. So I'm just happy he's back. 554 00:27:19,560 --> 00:27:20,000 Speaker 3: Love out of it. 555 00:27:20,320 --> 00:27:22,160 Speaker 1: And am I tripping or does he kind of look 556 00:27:22,240 --> 00:27:25,120 Speaker 1: like Tom Cruise? I could see it, Yeah, think about 557 00:27:25,200 --> 00:27:27,000 Speaker 1: I'm telling you, dude, when he's in there with the 558 00:27:27,040 --> 00:27:29,040 Speaker 1: mic kind it's got a Tom Cruise think going on. 559 00:27:29,000 --> 00:27:31,600 Speaker 1: I'm just throwing it out for the people. Let us 560 00:27:31,600 --> 00:27:33,560 Speaker 1: know on our social if I'm tripping, but I don't. 561 00:27:33,680 --> 00:27:38,399 Speaker 1: I don't think I am. Jeff MVP has signed with 562 00:27:38,440 --> 00:27:42,800 Speaker 1: aw Nice, which means the Hurt business is on the way, 563 00:27:44,000 --> 00:27:48,600 Speaker 1: and he's been pursuing Swerve Strickland aggressively and he's brought 564 00:27:48,600 --> 00:27:51,760 Speaker 1: in Shelton Benjamin Prince Nana has gotten some fire on 565 00:27:51,800 --> 00:27:53,800 Speaker 1: the mic talks some shit back to MVP, was like, 566 00:27:53,880 --> 00:27:55,240 Speaker 1: you all fight you right now. I used to be 567 00:27:55,320 --> 00:27:57,320 Speaker 1: a wrestler. I got boots in the back. I'll stratch 568 00:27:57,400 --> 00:27:59,239 Speaker 1: like it was the best probom I've ever seen. Nn 569 00:27:59,320 --> 00:28:03,320 Speaker 1: On due and it's because he was challenged by another 570 00:28:03,400 --> 00:28:07,160 Speaker 1: manager and that manager was MVP, and he responded to 571 00:28:07,160 --> 00:28:08,880 Speaker 1: to Nane and he goes, that sounds like a complaint. 572 00:28:08,880 --> 00:28:10,840 Speaker 1: I don't deal with complaints. But here's the head of 573 00:28:10,840 --> 00:28:14,639 Speaker 1: my complaints department, Shelton fucking Benjamin and Shelton. Benjamin's like, yo, 574 00:28:14,720 --> 00:28:16,280 Speaker 1: you got a problem, and none. I was like, well, 575 00:28:16,280 --> 00:28:19,600 Speaker 1: hold on now, I don't didn't say that problem per se, 576 00:28:20,080 --> 00:28:22,159 Speaker 1: and it established Shelton as someone to be dealt with 577 00:28:22,240 --> 00:28:25,000 Speaker 1: right away. They had a promo in the ring where 578 00:28:25,040 --> 00:28:27,000 Speaker 1: sort of was like, yo, fuck you, I would never 579 00:28:27,040 --> 00:28:28,920 Speaker 1: sign with you now as my family. You tried to 580 00:28:28,960 --> 00:28:32,200 Speaker 1: punk him. So just because of that, we're done, like done, done, 581 00:28:32,200 --> 00:28:35,560 Speaker 1: It's done. There's no Bobby Lashley yet though, no Bobby 582 00:28:35,640 --> 00:28:39,120 Speaker 1: Lashley yet. Now Shelton had a match against Leo Rush 583 00:28:39,360 --> 00:28:42,400 Speaker 1: just murdered the poor boy. No police were called. There 584 00:28:42,440 --> 00:28:46,400 Speaker 1: were witnesses everywhere, but when they got there they saw nothing. 585 00:28:46,760 --> 00:28:49,440 Speaker 1: They just saw an ass whipping. They made Shelton look great. 586 00:28:49,920 --> 00:28:52,200 Speaker 1: Where was this in ww oh? He was having to 587 00:28:52,200 --> 00:28:55,720 Speaker 1: make other people look great. That's why people forget about 588 00:28:55,920 --> 00:28:58,200 Speaker 1: back in the day, like when he was wrestling Sean 589 00:28:58,280 --> 00:29:00,400 Speaker 1: Michaels on Monday Night Raw and having of like the 590 00:29:00,440 --> 00:29:02,640 Speaker 1: greatest matches that I've ever seen in my life. Like 591 00:29:03,000 --> 00:29:07,040 Speaker 1: people forget about that. We don't people do? And it's 592 00:29:07,040 --> 00:29:10,440 Speaker 1: set up a match at Fright Night what do they 593 00:29:10,440 --> 00:29:13,440 Speaker 1: call it? Fright Night Dynamite on October thirtieth, the night 594 00:29:13,480 --> 00:29:18,440 Speaker 1: before Halloween, Shelton Benjamin versus Swerve Strickland. Jeff, I'm telling 595 00:29:18,440 --> 00:29:21,440 Speaker 1: you right now, this match is going to smoke any 596 00:29:21,440 --> 00:29:24,560 Speaker 1: other match on the card. These two dudes are going 597 00:29:24,600 --> 00:29:28,400 Speaker 1: to absolutely tear the house down. And the Hurt business 598 00:29:28,440 --> 00:29:31,080 Speaker 1: is coming. And you know, the Hurt Business is incomplete 599 00:29:31,400 --> 00:29:34,200 Speaker 1: because not all its members are there. You could say, well, Freddy, 600 00:29:34,240 --> 00:29:36,280 Speaker 1: Samoa Joe's there and they kind of did a thing 601 00:29:36,320 --> 00:29:39,080 Speaker 1: in TNA. You could say that, and maybe Samoa Joe 602 00:29:39,080 --> 00:29:41,720 Speaker 1: will be a part of this story. But I think 603 00:29:42,520 --> 00:29:45,120 Speaker 1: some shit's going to go down and we might see 604 00:29:45,480 --> 00:29:51,479 Speaker 1: the debut of Bobby Lashley in AW October thirtieth. Dude, 605 00:29:51,640 --> 00:29:52,240 Speaker 1: is he is? 606 00:29:52,280 --> 00:29:52,360 Speaker 3: He? 607 00:29:52,400 --> 00:29:55,000 Speaker 1: Did he sign with AW? I mean that's what everyone's 608 00:29:55,000 --> 00:29:59,720 Speaker 1: assuming because MVP signed there and they're tight as right. 609 00:30:00,160 --> 00:30:04,360 Speaker 1: Great dude, he's like, I fucking love it, like straight up, 610 00:30:04,400 --> 00:30:07,760 Speaker 1: like I would. I'd lie in court for MVP. Would 611 00:30:07,960 --> 00:30:10,280 Speaker 1: I'd give him one hundred grand and a private jet 612 00:30:10,320 --> 00:30:12,680 Speaker 1: to a non extradition country if he needed it, Like, 613 00:30:12,720 --> 00:30:15,400 Speaker 1: I really respect the guy. He made me work for it. 614 00:30:15,480 --> 00:30:18,320 Speaker 1: I made him work for it. It wasn't just here's respect, 615 00:30:18,320 --> 00:30:20,080 Speaker 1: Oh yeah, here's some respect for you too. It was no, 616 00:30:20,160 --> 00:30:23,120 Speaker 1: here's an opportunity to earn respect, and here's one for 617 00:30:23,200 --> 00:30:25,520 Speaker 1: you as well, and both of us did that. 618 00:30:25,640 --> 00:30:27,720 Speaker 3: Yeah that's good to know. Yeah, because I do like 619 00:30:27,800 --> 00:30:31,920 Speaker 3: you a fricking so valuable even now. Like you know, 620 00:30:31,960 --> 00:30:34,360 Speaker 3: he's not exactly in his prime of wrestling age, but 621 00:30:34,400 --> 00:30:36,200 Speaker 3: I think he's in his prime of talking age. 622 00:30:36,200 --> 00:30:39,280 Speaker 1: He's really good. Bro. Managers are making a comeback big time. 623 00:30:39,440 --> 00:30:40,920 Speaker 1: And let me tell you something. If I have my 624 00:30:40,960 --> 00:30:43,480 Speaker 1: own wrestling promotion, or I should say, when that's the 625 00:30:43,520 --> 00:30:46,239 Speaker 1: positive thinking way of looking at it, wrestling managers are 626 00:30:46,280 --> 00:30:50,120 Speaker 1: going to be heavily featured. I think they're way underserved. 627 00:30:50,400 --> 00:30:51,920 Speaker 1: I think they can do such a great job for 628 00:30:51,960 --> 00:30:55,280 Speaker 1: wrestlers who can't speak, who have maybe a language issue 629 00:30:55,360 --> 00:30:57,320 Speaker 1: or something like that. Like they can really really help. 630 00:30:57,680 --> 00:30:59,200 Speaker 1: Can't do it the way they did in the eighties. 631 00:30:59,240 --> 00:31:02,440 Speaker 1: You have to evolve, like every business and every art form. 632 00:31:02,680 --> 00:31:05,240 Speaker 1: But there's definitely room for managers and dudes like MVP. 633 00:31:05,400 --> 00:31:11,360 Speaker 1: Let us know, Jeff, how would you like to hear 634 00:31:11,400 --> 00:31:14,000 Speaker 1: a review of our show? Sir? I would love to 635 00:31:14,000 --> 00:31:16,760 Speaker 1: hear it, and it better be positive. Well, I can't. 636 00:31:16,840 --> 00:31:20,240 Speaker 1: I can't promise that you know the negative ones too. 637 00:31:20,840 --> 00:31:24,440 Speaker 1: This is from the Mystery Spot, so this might be mysterious. 638 00:31:25,160 --> 00:31:31,080 Speaker 1: I'll read it mysteriously from parts unknown. It's from George 639 00:31:31,120 --> 00:31:36,160 Speaker 1: The Animals Deal. The best wrestling podcast A whoa, whoa. 640 00:31:36,440 --> 00:31:39,719 Speaker 1: There's nothing bad about this one the best wrestling podcast 641 00:31:39,840 --> 00:31:44,040 Speaker 1: out there. Here we go as a middle aged woman. 642 00:31:44,120 --> 00:31:47,160 Speaker 1: Oh that's my fan base. Watch out as a middle 643 00:31:47,160 --> 00:31:49,720 Speaker 1: aged woman getting back into wrestling with my kids after 644 00:31:49,800 --> 00:31:53,520 Speaker 1: dropping off decades ago. Myself, I wanted extra content to 645 00:31:53,560 --> 00:31:56,680 Speaker 1: get up to speed. What sets this podcast apart from 646 00:31:56,680 --> 00:31:59,440 Speaker 1: other wrestling content is that Freddie and Jeff are interested 647 00:31:59,480 --> 00:32:04,160 Speaker 1: in the story and character development as much as the physicality. 648 00:32:04,360 --> 00:32:07,960 Speaker 1: But Freddy's insight into story building and acting are genuinely 649 00:32:08,000 --> 00:32:11,360 Speaker 1: fascinating for fans who are interested in character building. We 650 00:32:11,480 --> 00:32:14,200 Speaker 1: know it's scripted. That's why we love it. Jeff Die 651 00:32:14,440 --> 00:32:17,520 Speaker 1: adds levity and a great sounding board, so don't sleep 652 00:32:17,560 --> 00:32:21,400 Speaker 1: on him either. Michael Twitter, give these boys more content 653 00:32:21,880 --> 00:32:24,200 Speaker 1: and a big fat raise. I'm not have thrown the 654 00:32:24,200 --> 00:32:27,480 Speaker 1: big fat raise part in there just at the end, 655 00:32:27,560 --> 00:32:30,120 Speaker 1: but everything else was word for word. Thank you very much, 656 00:32:30,280 --> 00:32:31,160 Speaker 1: Mystery Spot. 657 00:32:31,200 --> 00:32:33,920 Speaker 3: We love you, love it. Thanks mister Spott. I didn't 658 00:32:33,960 --> 00:32:36,280 Speaker 3: have to good go A'll heal on you. 659 00:32:36,640 --> 00:32:39,120 Speaker 1: Yeah you didn't. Yeah, yeah, that's true. See, you guys 660 00:32:39,120 --> 00:32:41,280 Speaker 1: are scared. You're scared of Jeff. That's why you don't 661 00:32:41,280 --> 00:32:42,120 Speaker 1: write the mean ones. 662 00:32:42,840 --> 00:32:43,000 Speaker 2: Uh. 663 00:32:43,040 --> 00:32:45,720 Speaker 1: Stay tuned, you guys. For Thursday show. We want to 664 00:32:45,760 --> 00:32:49,000 Speaker 1: give you, guys some of our favorite scary movies that 665 00:32:49,080 --> 00:32:50,800 Speaker 1: are coming out. I don't know if Jeff even likes 666 00:32:50,800 --> 00:32:52,640 Speaker 1: scary movies, so I hit him with all of mine 667 00:32:52,680 --> 00:32:54,800 Speaker 1: and if he hasn't seen him, then he'll see some 668 00:32:54,840 --> 00:32:56,880 Speaker 1: new ones. If he has, then he's gonna pitch you 669 00:32:56,880 --> 00:32:59,880 Speaker 1: guys some too, so enjoy that. We'll give you five 670 00:33:00,200 --> 00:33:02,800 Speaker 1: ten movies you can watch over the entire friggin week. 671 00:33:03,080 --> 00:33:05,640 Speaker 1: Hopefully I pick some that you haven't seen. Although wrestling 672 00:33:05,680 --> 00:33:08,720 Speaker 1: fans horror fans pretty much hold hands and go on 673 00:33:08,840 --> 00:33:12,120 Speaker 1: dates together. Anyway, See you guys Thursday on behalf of 674 00:33:12,200 --> 00:33:17,480 Speaker 1: Jeff I'm Freddy by. This has been a production of 675 00:33:17,520 --> 00:33:21,680 Speaker 1: Iheart'smichael Toura podcast Network. For more podcasts from iHeartRadio, visit 676 00:33:21,720 --> 00:33:25,240 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 677 00:33:25,280 --> 00:33:35,600 Speaker 1: your favorite shows.