WEBVTT - Susan Kelechi Watson

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<v Speaker 1>You and I have worked together Boom nailed It, What

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<v Speaker 1>You're Gonna Laugh?

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<v Speaker 2>And Celebrity Jeopardy.

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<v Speaker 3>Rumble I was in Rumble Stop It?

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<v Speaker 2>Who did you play in Rumble?

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<v Speaker 3>Clonk? I was a wrestler. Wow, Yep, yep, we worked together.

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<v Speaker 2>This is why I don't like when, you know, with

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<v Speaker 2>the voice acting, they put you in a room by yourself.

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<v Speaker 3>You don't put you in a room by yourself.

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<v Speaker 1>I think, especially when it's the middle of a global

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<v Speaker 1>pandemic and they put you in a room by yourself.

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<v Speaker 1>You literally don't know, don't know anyone. I really don't

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<v Speaker 1>have anything else to say about that except that we

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<v Speaker 1>did work together. So I'm just I'm just closing the

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<v Speaker 1>loop on that. I'm just closing I'm just closing the

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<v Speaker 1>loop on that.

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<v Speaker 2>It's so good to know.

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<v Speaker 1>Hi.

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<v Speaker 2>Hey, I'm Susan Kiletchi Watson and I am happy.

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<v Speaker 1>Welcome dear listeners. You know last week I asked you

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<v Speaker 1>to come back, and so I'm very glad that you did.

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<v Speaker 1>Thank you. This is Off the Beat and I am

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<v Speaker 1>your host, Brian Baumgartner. Today this is us, and by us,

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<v Speaker 1>of course, I mean me and Susan Colecchi Watson. That's right,

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<v Speaker 1>I have the Beth Pearson from one of the most

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<v Speaker 1>watch shows in recent memory on television or streaming. This

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<v Speaker 1>is Us. But she is so much more than just

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<v Speaker 1>an excellent actor on a highly acclaimed and beloved show.

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<v Speaker 1>She is also an Oxford trained thespian, a producer who

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<v Speaker 1>can call names like Angela Davis and Oprah, and an

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<v Speaker 1>absolutely radiant person that I was so happy to get

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<v Speaker 1>to know today. So let's talk about her childhood in Brooklyn,

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<v Speaker 1>her impeccable resume, and her new life in the White House.

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<v Speaker 1>That's right on the upcoming Shonda Rhime's murder mystery series

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<v Speaker 1>The Residents. Listen up, everybody. I think you're gonna have

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<v Speaker 1>a lot to learn from my well, my new best friend,

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<v Speaker 1>the brilliant Susan Colecchi Watson.

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<v Speaker 4>Burblon Squeak, I love it, Burblon Squeak, Burble and Squeaker

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<v Speaker 4>Cook get every more lift over.

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<v Speaker 5>From the night before. Hi, Susan, Hi, how's it going?

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<v Speaker 2>Pretty good? How's it going?

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<v Speaker 1>Uh know what, I have no complaints and if I

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<v Speaker 1>did not, many people would care anyway, So I'm just good.

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<v Speaker 1>Keep it to myself. Where where am I talking to

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<v Speaker 1>you from today?

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<v Speaker 2>I am coming to live from the borough of Brooklyn.

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<v Speaker 1>Coming to you live. Well, that was a question for

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<v Speaker 1>me if you ever made the move over to Los Angeles.

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<v Speaker 1>So are you so you're still in uh mainly in

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<v Speaker 1>New York.

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<v Speaker 2>I'm mainly well, you know, I cannot say mainly. I

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<v Speaker 2>could say that I have a home base in New York, Okay,

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<v Speaker 2>but I would say I am not here all the time.

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<v Speaker 2>I just need I need to have someplace I call home.

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<v Speaker 1>So this this is it, you know, you know, you

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<v Speaker 1>know what we call that, Susan, we call that.

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<v Speaker 2>I know, I keep your b words to yourself. I'm

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<v Speaker 2>trying to like not do you know what I'm saying, Like,

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<v Speaker 2>I don't know, I don't know, but I think recently,

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<v Speaker 2>like I just got back from LA two days ago,

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<v Speaker 2>Brian no litter, and like I think for the first time,

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<v Speaker 2>like I shot a whole series for like six years,

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<v Speaker 2>and this is the first time I said to myself,

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<v Speaker 2>I might be by coastal.

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<v Speaker 1>Is uh we're going to talk about uh, your your

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<v Speaker 1>news series. I'm very excited about that. But are you

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<v Speaker 1>uh so you're done with that now?

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<v Speaker 2>I literally Yeah. Yeah, yeah, we just wrapped it after

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<v Speaker 2>probably a year, a year and two months. Oh god,

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<v Speaker 2>it was. Yeah, it's about that long for eight episodes,

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<v Speaker 2>I mean mostly due to two strikes mostly why it

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<v Speaker 2>took that long.

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<v Speaker 3>Yeah, I read something about I heard.

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<v Speaker 2>That that that.

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<v Speaker 3>Yeah, I heard.

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<v Speaker 2>Yeah, it's kind of major.

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<v Speaker 1>It was.

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<v Speaker 3>It was in the news. Uh, for sure. I'm so

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<v Speaker 3>excited to talk to you.

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<v Speaker 1>I'm even more excited after after doing a little research

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<v Speaker 1>on you. I've been a fan of yours for quite

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<v Speaker 1>a while really not yes now, and just after reading

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<v Speaker 1>about you, I think I'm an even bigger fan. You

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<v Speaker 1>grew up You grew up there in the borough of Brooklyn.

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<v Speaker 2>I did. I grew up here and Long Island. So

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<v Speaker 2>it was like first eight years I was born in Brooklyn,

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<v Speaker 2>of course, and then raised half of my childhood in

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<v Speaker 2>Long Island. Then the second half, sorry half of my

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<v Speaker 2>childhood in Brooklyn. Then second half was in Long Island,

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<v Speaker 2>and then after college I moved back to Brooklyn. So

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<v Speaker 2>I've been in Brooklyn for the majority of my life.

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<v Speaker 3>That's home.

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<v Speaker 2>That's it. Yeah, it's been home. I'm you know, people

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<v Speaker 2>somewhat of a New Yorker, but as I travel more,

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<v Speaker 2>I think that that's shifting a bit. I think, I

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<v Speaker 2>just I'm always going to be that in my heart,

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<v Speaker 2>and I'm always a Brooklyn girl in my heart no

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<v Speaker 2>matter where I roam. I just I think that I'll

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<v Speaker 2>tell you a funny story. I remember we were leaving.

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<v Speaker 2>I grew up in Section in East New York and

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<v Speaker 2>in Start City, right and I remember when we were leaving,

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<v Speaker 2>and I like eight years old. I was the last

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<v Speaker 2>person to walk out of the apartment door and I

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<v Speaker 2>was helping my mother sweep okay, yeah, And she walked

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<v Speaker 2>out and I walked out behind her, and as dramatic

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<v Speaker 2>as I was at eight, I turned around and I said,

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<v Speaker 2>I'll be back, and I want so. I just think,

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<v Speaker 2>in my heart, it's just who I be.

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<v Speaker 1>Well, I mean, I you know you you gave me

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<v Speaker 1>some news about the strike. I hadn't heard about that.

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<v Speaker 1>I don't know if you've heard this or not. Brooklyn's

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<v Speaker 1>changed quite a bit. I don't know, I don't know

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<v Speaker 1>if you've noticed. But Brooklyn, I mean when I started going,

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<v Speaker 1>and I am not a New Yorker, but I was

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<v Speaker 1>there quite a lot that was never a place, that

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<v Speaker 1>was never a visitor's destination.

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<v Speaker 3>Now it's like you have to go there.

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<v Speaker 1>That's where, That's where's where everything everything is now.

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<v Speaker 2>Yeah, so true. It's like I knew when I saw

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<v Speaker 2>like I was living kind of deep and ben Stye

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<v Speaker 2>and Stuyvesant Heights and Bedstye a beautiful area. And I

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<v Speaker 2>knew when I started seeing like whole families from like

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<v Speaker 2>Europe like wheeling bags behind them and like looking on

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<v Speaker 2>their phone for like an address, I was like, wait, wait,

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<v Speaker 2>what's that mean? I was like, this is too far

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<v Speaker 2>to just have missed the stop, you know, off the

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<v Speaker 2>A train, you know what I'm saying. So it really

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<v Speaker 2>did start to to it had shifted. I mean, there

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<v Speaker 2>are some times that I even don't recognize certain areas,

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<v Speaker 2>which is you know, for me, if I'm being honest,

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<v Speaker 2>it's there's a lot of heartbreak that comes along with that,

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<v Speaker 2>and also a lot of things that make me think, well, gosh,

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<v Speaker 2>why couldn't it have been like this, you know, why

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<v Speaker 2>couldn't there have been attention paid to you know, the

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<v Speaker 2>streets and keeping up buildings and you know, making sure,

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<v Speaker 2>you know, keeping crime low and just all these things

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<v Speaker 2>that I feel like could have had that same attention

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<v Speaker 2>had the money been invested before that, and so those

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<v Speaker 2>type of things, those are the things that I think about,

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<v Speaker 2>especially as a black woman growing up here and have

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<v Speaker 2>been here all my life and child of immigrants, you know,

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<v Speaker 2>and so much of that population comes to Brooklyn to

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<v Speaker 2>build lives for themselves, and so many of them are entrepreneurial.

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<v Speaker 2>Like if you come into Flatbush and you know, there

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<v Speaker 2>are areas in East New York, you just see such

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<v Speaker 2>a thriving Caribbean community. These are people who come and

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<v Speaker 2>they build and make away from themselves, like my parents did.

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<v Speaker 2>My parents came and they had four kids together, and

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<v Speaker 2>they worked a job and went to school, and they

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<v Speaker 2>made sure they got like their masters so that they

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<v Speaker 2>could go and you know, do the things that they

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<v Speaker 2>wanted to do. And my dad became an engineer, and

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<v Speaker 2>my mom is like a psychiatric nurse, you know. So

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<v Speaker 2>they do all these things to like better than leaves

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<v Speaker 2>and better their kids, and they want their kids to

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<v Speaker 2>go to college and all this kind of stuff. So

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<v Speaker 2>there's so many hard working, really great, great people in

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<v Speaker 2>this borough that I feel like tried and deserved better

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<v Speaker 2>than what it came. The eighties and nineties but like

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<v Speaker 2>you know what I'm saying, You know, that's that's like

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<v Speaker 2>gentrification for me. I see both sides of it. But

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<v Speaker 2>I also, you know, love New York. I love my city,

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<v Speaker 2>and I know that there are a lot of things

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<v Speaker 2>that we can enjoy now that benefit everybody, right, you know,

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<v Speaker 2>And that's impossible not to see as well.

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<v Speaker 1>So given that your parents were immigrants, moved there were

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<v Speaker 1>there are things that you feel like you were exposed to,

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<v Speaker 1>either culturally or in terms of your extended family. I

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<v Speaker 1>always say extended family slash friend group that gave you

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<v Speaker 1>something there in Brooklyn that you feel like was unique.

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<v Speaker 2>Oh wow, there isn't. I don't know if it's just

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<v Speaker 2>a sort of an organic energy that is here, but

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<v Speaker 2>there is this unique sense of cool in Brooklyn, do

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<v Speaker 2>you know what I mean? That's specifically a Brooklyn thing,

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<v Speaker 2>you know, And maybe that's the thing that I've always

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<v Speaker 2>It's something that when you experienced it, it's like you

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<v Speaker 2>kind of always want it or long for it or

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<v Speaker 2>whatever it is. But it's the sense of being comfortable,

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<v Speaker 2>comfortable in your authenticity that is kind of lovely about Brooklyn.

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<v Speaker 2>Like I just find that these people are my people

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<v Speaker 2>are so in their skin, you know, in a really

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<v Speaker 2>cool way and sort of unafraid of the uniqueness of

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<v Speaker 2>whatever that is, but also kind of very much identified

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<v Speaker 2>with the ones around them that have you know, been

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<v Speaker 2>a part of this culture well.

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<v Speaker 3>But grounded and secure.

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<v Speaker 2>It feels very grounded. Yeah, it feels very ground Everybody

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<v Speaker 2>has their stuff, you know, if we dug in, we

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<v Speaker 2>find some things, you know what I'm saying. But like,

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<v Speaker 2>but just overall I think that that's it's very I

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<v Speaker 2>think unique to this borough. I each borough has its

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<v Speaker 2>own thing. Long Island has its own thing that is

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<v Speaker 2>very unique and special about the vibe there as well.

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<v Speaker 2>But I found that it's quite identifiable even outside of

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<v Speaker 2>the borough, Like people can kind of sense if you're

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<v Speaker 2>from there, you know.

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<v Speaker 1>That's yeah, no, absolutely. What were you interested in as

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<v Speaker 1>a kid? Were you interested in the arts or performing?

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<v Speaker 2>I was from the time I think I was three,

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<v Speaker 2>I was interested in performing. I remember my mom took

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<v Speaker 2>me to a modeling agency. You know, Moms was trying

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<v Speaker 2>to help me. She was trying you know what I mean.

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<v Speaker 2>She's you know, just Jamaican woman coming hair and making

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<v Speaker 2>her way. My mom is a very strong, you know,

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<v Speaker 2>independent woman, who was fierce in terms of like forging

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<v Speaker 2>a life for herself and very successful at it. And

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<v Speaker 2>so what she saw, you know, her little girl wanted

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<v Speaker 2>to be a part of something. And she took me

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<v Speaker 2>to a modeling agency and I took I remember actually

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<v Speaker 2>taking these pictures. Yeah, these little sad, lonely girl picture.

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<v Speaker 2>I don't know why they maybe looks so sad in

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<v Speaker 2>the day, gonna picture brow but I'm like, my head

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<v Speaker 2>is like leaning on the back of a chair with

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<v Speaker 2>my two hands under knee that just longingly looking up

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<v Speaker 2>into a light. And I remember we came out and

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<v Speaker 2>the guy said to my mom her stomach sticks out

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<v Speaker 2>in her butts to be and I remember it, yeah, yeah,

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<v Speaker 2>curiously seriously, and my mother the okay, was like, and

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<v Speaker 2>we're done here. Nobody's gonna talk to my kid like that.

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<v Speaker 2>And but it's sort of like never it never died

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<v Speaker 2>in me. But I appreciated the fact maybe that didn't

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<v Speaker 2>start so young, because the way I am in the

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<v Speaker 2>business at this stage in my life is different because

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<v Speaker 2>I entered into it, you know, as an adult young adult.

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<v Speaker 2>But I entered into it as an adult.

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<v Speaker 1>Right were you did you were you seeing? I mean

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<v Speaker 1>obviously New York again spoiler alert. New York has a

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<v Speaker 1>lot of theater and it's a thriving ARTSYE were you

0:13:25.160 --> 0:13:28.840
<v Speaker 1>going and seeing shows at a fairly young age. Was

0:13:28.840 --> 0:13:30.440
<v Speaker 1>that something you were interested in doing?

0:13:31.160 --> 0:13:33.600
<v Speaker 2>No, But I remember my parents like if somebody came

0:13:33.679 --> 0:13:36.360
<v Speaker 2>up to visit, if somebody came up from Jamaica to visit,

0:13:36.480 --> 0:13:38.240
<v Speaker 2>or something like that. I remember them getting all just

0:13:38.280 --> 0:13:41.360
<v Speaker 2>stuff and going to Broadway, right, you know, and it

0:13:41.480 --> 0:13:44.679
<v Speaker 2>was a big deal. They had gotten these tickets and

0:13:45.160 --> 0:13:47.120
<v Speaker 2>I mean, honey, the first came out. I mean, it

0:13:47.200 --> 0:13:50.320
<v Speaker 2>was like a thing to go to Broadway. So I

0:13:50.360 --> 0:13:53.920
<v Speaker 2>had this imagination of Manhattan and what it would be

0:13:54.040 --> 0:13:57.080
<v Speaker 2>like to go to school in Manhattan and you know,

0:13:57.320 --> 0:13:59.680
<v Speaker 2>go be on stage. I mean I just had this

0:13:59.720 --> 0:14:03.240
<v Speaker 2>imagine the nation about it. But I did not go

0:14:04.240 --> 0:14:06.400
<v Speaker 2>until and it was my mom who took me and

0:14:06.440 --> 0:14:11.360
<v Speaker 2>my younger brother to see Five Guys named Mo. I

0:14:11.360 --> 0:14:13.880
<v Speaker 2>think it was that it was on Broadway, and I

0:14:13.880 --> 0:14:16.439
<v Speaker 2>remember there it was like a review type of show,

0:14:17.240 --> 0:14:20.240
<v Speaker 2>and I remember watching it and there was a moment

0:14:20.320 --> 0:14:23.800
<v Speaker 2>where they say they invited the audience of one stay.

0:14:23.800 --> 0:14:26.040
<v Speaker 2>Anybody who wanted to be up on stage could come

0:14:26.120 --> 0:14:29.840
<v Speaker 2>up for this for this for the song, and I

0:14:29.840 --> 0:14:35.360
<v Speaker 2>think it was called pus Okay, all right, it's fine,

0:14:35.480 --> 0:14:39.680
<v Speaker 2>it's foe. And I remember I was like ooh me

0:14:40.200 --> 0:14:42.120
<v Speaker 2>and I jumped up and I was one of the

0:14:42.120 --> 0:14:45.000
<v Speaker 2>people who got to like dance across the stage. And

0:14:45.040 --> 0:14:48.240
<v Speaker 2>that was sort of me. Like any opportunity I got,

0:14:48.640 --> 0:14:52.360
<v Speaker 2>I took it. If the opportunity was there, or I

0:14:52.440 --> 0:14:57.000
<v Speaker 2>was at home kind of creating dances and singing and

0:14:57.640 --> 0:14:59.640
<v Speaker 2>waiting for an opportunity to like do it at a

0:14:59.680 --> 0:15:02.360
<v Speaker 2>talent show, and you know, I went a little money

0:15:02.360 --> 0:15:04.560
<v Speaker 2>here and there, you know what I mean, and that

0:15:04.680 --> 0:15:06.400
<v Speaker 2>type of thing. And I grew up dancing, so there

0:15:06.480 --> 0:15:10.280
<v Speaker 2>was performance with dancing and competitions with dancing, so there

0:15:10.400 --> 0:15:13.040
<v Speaker 2>was there was that I kept it as a part

0:15:13.480 --> 0:15:15.960
<v Speaker 2>of my of my life, and I think there was

0:15:16.000 --> 0:15:18.360
<v Speaker 2>like the tiny little secret within myself that that's what

0:15:18.400 --> 0:15:22.760
<v Speaker 2>I wanted to do. But I think to sound realistic

0:15:22.800 --> 0:15:25.000
<v Speaker 2>in any way, I came up with like, oh, I

0:15:25.040 --> 0:15:27.240
<v Speaker 2>want to be you know, when I was young, I

0:15:27.240 --> 0:15:29.600
<v Speaker 2>wanted to be a waitress, and when I was older,

0:15:29.640 --> 0:15:32.720
<v Speaker 2>I wanted to be a lawyer or maybe a writer.

0:15:32.840 --> 0:15:36.320
<v Speaker 2>You know, it's these things, but deep down underneath, I

0:15:36.400 --> 0:15:39.440
<v Speaker 2>was like, I really want to do this. I just don't.

0:15:39.640 --> 0:15:41.880
<v Speaker 2>I don't know if that's the thing to say, or

0:15:42.800 --> 0:15:46.800
<v Speaker 2>or maybe I didn't fully know how to do that,

0:15:47.240 --> 0:15:47.440
<v Speaker 2>you know.

0:15:48.080 --> 0:15:51.120
<v Speaker 1>Yeah, I mean I think in a way and I

0:15:51.160 --> 0:15:52.400
<v Speaker 1>don't want to put words in your mouth.

0:15:52.520 --> 0:15:55.000
<v Speaker 3>I mean that I was the same like I will.

0:15:55.120 --> 0:15:59.200
<v Speaker 1>I've defined it now for myself, like that was an

0:15:59.240 --> 0:16:02.920
<v Speaker 1>activity that I did, you know, like theater and in

0:16:03.360 --> 0:16:06.600
<v Speaker 1>school and stuff like that. But I never, like my

0:16:06.720 --> 0:16:09.240
<v Speaker 1>brain never went to, oh, that's what I want to

0:16:09.320 --> 0:16:12.800
<v Speaker 1>do when I grow up. I think, right, yeah, and

0:16:12.920 --> 0:16:13.480
<v Speaker 1>a lawyer.

0:16:13.560 --> 0:16:14.440
<v Speaker 3>That's a funny thing.

0:16:14.440 --> 0:16:17.200
<v Speaker 1>And I think, you know, my parents will say now like,

0:16:17.760 --> 0:16:20.960
<v Speaker 1>well that was because that was another way to perform.

0:16:21.040 --> 0:16:23.520
<v Speaker 1>And I don't know if they're thinking about lawyer like

0:16:23.520 --> 0:16:24.240
<v Speaker 1>like on TV.

0:16:25.040 --> 0:16:25.440
<v Speaker 2>I don't know.

0:16:25.720 --> 0:16:27.920
<v Speaker 1>My sister's a lawyer. I don't know how much performing

0:16:28.000 --> 0:16:30.440
<v Speaker 1>she actually does. It seems like she pushes a lot

0:16:30.480 --> 0:16:34.000
<v Speaker 1>of paper. But for me, it was more of an activity. Now,

0:16:34.040 --> 0:16:38.640
<v Speaker 1>you you went to Howard, I read and got a BFA.

0:16:38.880 --> 0:16:42.600
<v Speaker 3>At that point were you were you studying theater?

0:16:43.440 --> 0:16:45.920
<v Speaker 2>Yeah? So that I got a Bachelor of Fine Arts

0:16:45.960 --> 0:16:50.160
<v Speaker 2>and I started off writing so I started off as

0:16:50.160 --> 0:16:52.680
<v Speaker 2>like an English major, okay, and I'd never been more

0:16:52.720 --> 0:16:58.040
<v Speaker 2>depressed in my life. Everything I couldn't, you know. I

0:16:58.080 --> 0:17:01.240
<v Speaker 2>saw so many ces. It was terrible, and so I

0:17:01.400 --> 0:17:03.480
<v Speaker 2>just like go back to my dorm and just curl

0:17:03.520 --> 0:17:05.280
<v Speaker 2>them in my bed. I just wasn't enjoying it. And

0:17:05.320 --> 0:17:08.800
<v Speaker 2>then one day I just walked across the yard, which

0:17:08.840 --> 0:17:11.080
<v Speaker 2>is like the middle of Howard. It's sort of this

0:17:11.320 --> 0:17:15.640
<v Speaker 2>iconic space at Howard where all students gather, and at

0:17:15.640 --> 0:17:19.919
<v Speaker 2>the top of the yard at one end is like

0:17:20.040 --> 0:17:24.239
<v Speaker 2>our huge library, I believe it's moreland spring guard at

0:17:24.240 --> 0:17:26.359
<v Speaker 2>the top of the yard, and then at the other

0:17:26.560 --> 0:17:29.520
<v Speaker 2>end it's the College of Fine Arts, which is now

0:17:29.520 --> 0:17:31.879
<v Speaker 2>the CHAT was in the College of Fine Arts, and

0:17:34.080 --> 0:17:37.080
<v Speaker 2>I remember I was in. I was I was sort

0:17:37.080 --> 0:17:40.840
<v Speaker 2>of on the right side of the yard, and I

0:17:40.880 --> 0:17:43.040
<v Speaker 2>was in this building. I don't even know what it's called,

0:17:43.040 --> 0:17:45.240
<v Speaker 2>because that's how much I committed that to memory. And

0:17:45.280 --> 0:17:47.119
<v Speaker 2>I walked out of the class one day and I

0:17:47.200 --> 0:17:50.840
<v Speaker 2>just literally walked diagonally across the yard to the College

0:17:50.840 --> 0:17:53.439
<v Speaker 2>of Fine Arts. And I just walked in and I

0:17:53.480 --> 0:17:58.320
<v Speaker 2>was like, can I just do this? And they were like, yeah,

0:17:58.359 --> 0:18:01.080
<v Speaker 2>you want to change you major. Yeah, you know what

0:18:01.080 --> 0:18:08.199
<v Speaker 2>I'm saying. And I remember Miss Janet, Miss Janet, who

0:18:08.240 --> 0:18:11.520
<v Speaker 2>might still be there. I love you, Miss Janet. She

0:18:11.720 --> 0:18:14.360
<v Speaker 2>was just like, yeah, yeah, you can do that. And

0:18:14.400 --> 0:18:16.119
<v Speaker 2>I think I may have said in my classes whatever,

0:18:16.119 --> 0:18:18.240
<v Speaker 2>but I changed my major and I did not tell

0:18:18.240 --> 0:18:23.440
<v Speaker 2>my parents. Okay, yeah, yeah, yeah. The padres were not

0:18:23.600 --> 0:18:27.240
<v Speaker 2>necessarily feeling me being an acting major, so I didn't

0:18:27.280 --> 0:18:30.639
<v Speaker 2>tell them. I just did it. And then I don't know,

0:18:30.840 --> 0:18:33.080
<v Speaker 2>it was a while before I told them, but I

0:18:33.119 --> 0:18:35.919
<v Speaker 2>invited them to come see a show that I was

0:18:35.960 --> 0:18:39.000
<v Speaker 2>in and they came down and they saw it and

0:18:39.040 --> 0:18:42.840
<v Speaker 2>they were like, okay, you know, and I told them

0:18:42.840 --> 0:18:44.560
<v Speaker 2>that I had switched my major and they're like, okay,

0:18:44.600 --> 0:18:47.639
<v Speaker 2>as long as you have English as your minor, so

0:18:47.720 --> 0:18:50.840
<v Speaker 2>you have a backup. And I said, yes, great, I'll

0:18:50.880 --> 0:18:53.440
<v Speaker 2>be fine. And then I started taking so many dance

0:18:53.440 --> 0:18:58.040
<v Speaker 2>classes that I had an acting major and a dance miner.

0:18:58.119 --> 0:19:06.720
<v Speaker 2>So good luck parents. The Immigrant dream.

0:19:07.119 --> 0:19:09.639
<v Speaker 3>It's so funny. I can't even believe this is coming up.

0:19:09.680 --> 0:19:11.680
<v Speaker 1>This was not This is gonna sound like a weird

0:19:11.760 --> 0:19:14.360
<v Speaker 1>humble brag, but I will tell you this, Okay that

0:19:14.680 --> 0:19:18.280
<v Speaker 1>because you're talking about writing. And I right now, at

0:19:18.280 --> 0:19:21.120
<v Speaker 1>this moment, it'll be by the time this airs, it'll

0:19:21.160 --> 0:19:23.640
<v Speaker 1>be over, so I won't get in trouble with anybody.

0:19:23.800 --> 0:19:27.280
<v Speaker 1>I am delivering the commencement address at my college.

0:19:27.359 --> 0:19:30.040
<v Speaker 3>Wow, in just a couple of days.

0:19:30.359 --> 0:19:32.200
<v Speaker 2>I'm very proud of you, and let.

0:19:32.080 --> 0:19:33.720
<v Speaker 3>Me well, no, but let me say this.

0:19:34.000 --> 0:19:40.800
<v Speaker 1>It's it doesn't that doesn't involve performing that that involves writing. Yeah,

0:19:40.840 --> 0:19:45.520
<v Speaker 1>and so it's me now like I feel like I'm

0:19:45.560 --> 0:19:49.800
<v Speaker 1>back in college. I'm back in college with a deadline

0:19:49.920 --> 0:19:52.800
<v Speaker 1>to finish this paper that I then am going to

0:19:52.920 --> 0:19:54.760
<v Speaker 1>read in front of my class.

0:19:55.040 --> 0:19:56.760
<v Speaker 5>Oh my gosh, I.

0:19:56.680 --> 0:19:58.359
<v Speaker 3>Don't remember being more.

0:19:58.480 --> 0:20:01.600
<v Speaker 1>And I've written books by in the way Susan, I've

0:20:01.600 --> 0:20:06.200
<v Speaker 1>written books. But there's something about this that has transported

0:20:06.240 --> 0:20:08.720
<v Speaker 1>me back to those days.

0:20:08.720 --> 0:20:09.320
<v Speaker 3>And I took some.

0:20:09.320 --> 0:20:14.440
<v Speaker 1>English courses as well. But yeah, trans has transported me back.

0:20:14.440 --> 0:20:17.280
<v Speaker 1>And I'm not I'm not feeling overly comforted. I'm wishing

0:20:17.320 --> 0:20:20.119
<v Speaker 1>that I could change my major or what you like

0:20:20.680 --> 0:20:24.160
<v Speaker 1>an interpretive dance of somebody else's words right now?

0:20:24.800 --> 0:20:26.440
<v Speaker 2>What what college are you doing this at?

0:20:27.080 --> 0:20:30.600
<v Speaker 3>S m U Southern Methodist University there in Dallas, Texas.

0:20:30.800 --> 0:20:35.479
<v Speaker 2>Okay, fantastic. Listen, here you go. All you need I

0:20:35.520 --> 0:20:37.520
<v Speaker 2>think is like once you find I don't know if

0:20:37.520 --> 0:20:38.400
<v Speaker 2>you've written this yet.

0:20:38.720 --> 0:20:40.959
<v Speaker 3>Yeah right, I'm in it.

0:20:41.119 --> 0:20:46.439
<v Speaker 2>Yeah, okay, I feel like once you find your theme

0:20:46.680 --> 0:20:51.560
<v Speaker 2>or like your little thesis.

0:20:49.600 --> 0:20:50.880
<v Speaker 3>Whatever, there you go.

0:20:51.040 --> 0:20:54.959
<v Speaker 1>That's college. That's what I'm saying. That's what I'm saying.

0:20:55.119 --> 0:20:58.000
<v Speaker 1>That's what I'm talking about. That's yeah.

0:20:58.160 --> 0:21:01.840
<v Speaker 2>Okay. Something they didn't have we're in college was chat dpts.

0:21:02.040 --> 0:21:04.160
<v Speaker 3>Oh, I can't use that.

0:21:05.119 --> 0:21:10.080
<v Speaker 2>I wouldn't want you to, but yeah, it is. That

0:21:10.200 --> 0:21:12.320
<v Speaker 2>isn't it. It's crazy and they're all you know, all

0:21:12.359 --> 0:21:14.160
<v Speaker 2>the teachers, they're going to be just in you.

0:21:14.200 --> 0:21:17.840
<v Speaker 3>Oh of course are you kidding me? Especially me? Like

0:21:17.960 --> 0:21:21.000
<v Speaker 3>there is there is? Why is this guy here? And

0:21:21.040 --> 0:21:22.439
<v Speaker 3>what is you talking about?

0:21:40.800 --> 0:21:45.920
<v Speaker 1>So you obviously dove in once you changed your majors.

0:21:46.440 --> 0:21:49.760
<v Speaker 1>So at what point there did you say like this

0:21:49.880 --> 0:21:52.520
<v Speaker 1>is what I'm going to do, this is this.

0:21:52.359 --> 0:21:53.200
<v Speaker 3>Is my path.

0:21:53.560 --> 0:21:55.120
<v Speaker 2>Yeah, I got you, and I.

0:21:55.080 --> 0:21:57.560
<v Speaker 1>Know eventually you went back, you went got your master's

0:21:57.600 --> 0:22:01.840
<v Speaker 1>at Tish, So by then I know he had decided.

0:22:01.600 --> 0:22:04.159
<v Speaker 2>Decided for well, I never I never even wanted to

0:22:04.200 --> 0:22:06.440
<v Speaker 2>do that. I thought I was done with school until

0:22:06.440 --> 0:22:09.000
<v Speaker 2>I found out that I just it was Ron van

0:22:09.080 --> 0:22:10.560
<v Speaker 2>Lou who kind of showed me I could be a

0:22:10.560 --> 0:22:13.560
<v Speaker 2>way better actor than I actually thought I was. But

0:22:13.880 --> 0:22:16.639
<v Speaker 2>I I decided that. I think that was when I

0:22:16.840 --> 0:22:24.600
<v Speaker 2>just everything in me at that point turned on and

0:22:25.280 --> 0:22:29.679
<v Speaker 2>you just know, we know that feeling of when you

0:22:29.920 --> 0:22:33.280
<v Speaker 2>just know there's no other way around that. You know,

0:22:33.359 --> 0:22:36.359
<v Speaker 2>you just know, like everything that was dead a minute

0:22:36.359 --> 0:22:38.959
<v Speaker 2>ago came to life and you're like, and this is it.

0:22:39.400 --> 0:22:41.679
<v Speaker 2>And so that's what happened to me. And it was

0:22:41.920 --> 0:22:44.199
<v Speaker 2>probably in that way. I mean, I it's like the

0:22:44.200 --> 0:22:46.920
<v Speaker 2>way of the world lifted off me and I felt like, oh,

0:22:46.960 --> 0:22:50.200
<v Speaker 2>this is my tribe. I'm home. I found my people

0:22:50.280 --> 0:22:55.240
<v Speaker 2>who are like me, and it just made me come

0:22:55.320 --> 0:22:58.119
<v Speaker 2>alive in a way. I started, really I actually started

0:22:58.240 --> 0:23:00.440
<v Speaker 2>enjoying my time at school.

0:23:00.520 --> 0:23:01.920
<v Speaker 3>Then that's awesome.

0:23:02.800 --> 0:23:05.480
<v Speaker 1>Uh you go to Tish, Are you thinking about film

0:23:05.520 --> 0:23:08.880
<v Speaker 1>and television at Such.

0:23:08.720 --> 0:23:10.760
<v Speaker 2>A good question, Such a good question. I think we

0:23:10.880 --> 0:23:14.119
<v Speaker 2>focused so much on theater. Yeah, me too, that it

0:23:14.280 --> 0:23:18.840
<v Speaker 2>was like, okay, I I think my focus honestly was

0:23:18.920 --> 0:23:22.040
<v Speaker 2>becoming the best actor I could be. Like it was

0:23:22.080 --> 0:23:25.800
<v Speaker 2>such a time to like focus fully on art, on

0:23:25.840 --> 0:23:29.480
<v Speaker 2>the art right, and so I just thought, oh, man,

0:23:29.560 --> 0:23:33.240
<v Speaker 2>I want to be like the dopest, like leading character

0:23:33.280 --> 0:23:35.840
<v Speaker 2>actress I can be, you know. And I wanted to

0:23:35.880 --> 0:23:39.439
<v Speaker 2>be the type of actor who was quite transformative. So

0:23:39.520 --> 0:23:41.760
<v Speaker 2>if I I could do one thing and then do

0:23:41.800 --> 0:23:45.600
<v Speaker 2>something completely different and be seen completely differently, and that

0:23:45.720 --> 0:23:49.880
<v Speaker 2>was success to me. So if that came on stage,

0:23:49.920 --> 0:23:51.360
<v Speaker 2>and I thought it was going to be like, oh,

0:23:51.760 --> 0:23:53.720
<v Speaker 2>you know, I'll come out and I'll do stage and film,

0:23:53.960 --> 0:23:56.280
<v Speaker 2>you know. And then I came out and then I

0:23:56.359 --> 0:23:59.480
<v Speaker 2>was successful in television, I said, okay, television is And

0:23:59.520 --> 0:24:01.119
<v Speaker 2>then it's like I didn't do as much theater as

0:24:01.119 --> 0:24:02.400
<v Speaker 2>I thought I was going to do, or I didn't

0:24:02.400 --> 0:24:05.080
<v Speaker 2>do as much film, and it just the business just

0:24:05.119 --> 0:24:09.439
<v Speaker 2>started to who I wasn't. It took on its own life,

0:24:09.640 --> 0:24:13.679
<v Speaker 2>and so I loved that. And then TV started to

0:24:13.760 --> 0:24:18.040
<v Speaker 2>change and it felt it felt more like really great

0:24:18.400 --> 0:24:21.240
<v Speaker 2>short films and it felt more you know. So yeah,

0:24:21.440 --> 0:24:24.439
<v Speaker 2>just this dynamic started to shift and happen. It's so

0:24:24.560 --> 0:24:29.000
<v Speaker 2>funny how you just don't know, right, you just and

0:24:29.040 --> 0:24:31.000
<v Speaker 2>it's hard to go, well, this is what I want

0:24:31.040 --> 0:24:33.120
<v Speaker 2>to do as soon as I come out, because nobody knows,

0:24:33.160 --> 0:24:35.760
<v Speaker 2>you they don't know what you can do. They you know,

0:24:35.800 --> 0:24:39.480
<v Speaker 2>it's hard to prove yourself, especially at a time where

0:24:39.520 --> 0:24:43.119
<v Speaker 2>I feel like they weren't seeing all the ethnicities, and

0:24:43.119 --> 0:24:45.840
<v Speaker 2>they weren't seeing like, you know, women for like these

0:24:45.880 --> 0:24:48.800
<v Speaker 2>major roles, or black women in certain ways. And so

0:24:48.880 --> 0:24:54.320
<v Speaker 2>it was it really was staying consistent and sort of

0:24:54.920 --> 0:25:00.280
<v Speaker 2>not buying into how they felt about me. They jart

0:25:00.320 --> 0:25:04.159
<v Speaker 2>of the you know out there, whoever they are. It was, yeah,

0:25:04.200 --> 0:25:07.040
<v Speaker 2>the them, It was like, well, I know, I'm supposed

0:25:07.080 --> 0:25:11.000
<v Speaker 2>to be doing this, and I'm just going to go

0:25:11.040 --> 0:25:13.119
<v Speaker 2>through the doors that open for me, knock down some

0:25:13.280 --> 0:25:16.280
<v Speaker 2>that won't, and you know, just kind of keep it moving,

0:25:16.320 --> 0:25:21.320
<v Speaker 2>but not let that thing take over my drive or anything. Like.

0:25:21.359 --> 0:25:24.439
<v Speaker 2>I never let it. I guess in a way I

0:25:24.480 --> 0:25:26.560
<v Speaker 2>could say I did not let it get under my skin.

0:25:26.880 --> 0:25:27.120
<v Speaker 3>Yeah.

0:25:27.440 --> 0:25:30.600
<v Speaker 2>I just kind of continue to love what I do

0:25:30.680 --> 0:25:31.680
<v Speaker 2>and just keep doing it.

0:25:32.400 --> 0:25:37.840
<v Speaker 1>You spoke about having early success in television. I see

0:25:37.920 --> 0:25:41.600
<v Speaker 1>a number of shows. Of course, the requirement for anyone

0:25:42.240 --> 0:25:48.800
<v Speaker 1>in New York is lawn.

0:25:44.320 --> 0:25:49.119
<v Speaker 3>The law in order. How early on was that for you?

0:25:50.080 --> 0:25:53.159
<v Speaker 2>Oh? Super? So I was just out of school. Yeah, yeah, yeah,

0:25:53.200 --> 0:25:54.840
<v Speaker 2>most of them that I did, I think I was

0:25:54.880 --> 0:25:57.720
<v Speaker 2>like I think I was like a year out or

0:25:57.760 --> 0:26:01.240
<v Speaker 2>something like that, but it was but you know, it

0:26:01.280 --> 0:26:04.199
<v Speaker 2>was like it was really cool. It was it was

0:26:04.320 --> 0:26:08.720
<v Speaker 2>so iconic. It's so New York and like for New York,

0:26:08.720 --> 0:26:11.160
<v Speaker 2>it's like we don't have we didn't have anything else

0:26:11.160 --> 0:26:16.920
<v Speaker 2>shooting right here. So it was really fantastic to do. Well,

0:26:16.960 --> 0:26:19.119
<v Speaker 2>it's like you graduated, you know what I'm saying, and

0:26:19.160 --> 0:26:26.480
<v Speaker 2>you got to do the commencement speech at your college.

0:26:26.880 --> 0:26:27.240
<v Speaker 3>Yeah.

0:26:27.600 --> 0:26:30.760
<v Speaker 1>I I was not a New York actor. I had

0:26:30.800 --> 0:26:35.000
<v Speaker 1>the opportunity to do one the s you know, I

0:26:35.040 --> 0:26:38.159
<v Speaker 1>don't know always it's always SUV, but yeah, because of

0:26:38.200 --> 0:26:43.040
<v Speaker 1>your brain. But SVU, I remember this, and I've heard

0:26:43.160 --> 0:26:48.600
<v Speaker 1>this is true on all of them, the most well

0:26:48.640 --> 0:26:52.520
<v Speaker 1>oiled machines maybe in the industry period.

0:26:52.560 --> 0:26:53.880
<v Speaker 3>Was that your experience as well?

0:26:54.480 --> 0:26:56.440
<v Speaker 2>Yeah, yeah, they got you in and got you out

0:26:56.480 --> 0:26:58.600
<v Speaker 2>and they and they knew what they wanted.

0:26:58.400 --> 0:27:02.040
<v Speaker 1>They knew what they wanted, their organized together on time,

0:27:02.640 --> 0:27:08.479
<v Speaker 1>no farting around. And so I wonder, because for me

0:27:08.560 --> 0:27:12.040
<v Speaker 1>that experience was way later. I was brought into it,

0:27:12.280 --> 0:27:17.320
<v Speaker 1>But I wonder for you one was that helpful for

0:27:17.480 --> 0:27:21.560
<v Speaker 1>you in terms of your career? Your development you're sort

0:27:21.600 --> 0:27:24.440
<v Speaker 1>of getting I mean, it feels like, on the one hand,

0:27:24.800 --> 0:27:27.720
<v Speaker 1>like having your feet under you when everybody else very

0:27:27.760 --> 0:27:29.960
<v Speaker 1>clearly knows what they're doing is helpful.

0:27:31.119 --> 0:27:33.880
<v Speaker 3>Or what? Did it end up being.

0:27:33.680 --> 0:27:36.280
<v Speaker 1>More problematic as you continue to move on and maybe

0:27:36.320 --> 0:27:41.720
<v Speaker 1>did not have those same experiences on other shows immediately following.

0:27:42.720 --> 0:27:45.520
<v Speaker 2>It takes your training wheels off. I think, you know,

0:27:45.680 --> 0:27:50.480
<v Speaker 2>it's like, okay, now, you know, I'm a little wobbly,

0:27:50.520 --> 0:27:52.120
<v Speaker 2>but I got it. You know, I'm on the two

0:27:52.119 --> 0:27:54.760
<v Speaker 2>wheels now. And then you move on to the next

0:27:54.800 --> 0:27:57.480
<v Speaker 2>thing and you have that under your belt, and as

0:27:57.480 --> 0:27:59.160
<v Speaker 2>we know in this business, anything that you could get

0:27:59.240 --> 0:28:01.280
<v Speaker 2>under your belt, it just gives you a little bit

0:28:01.320 --> 0:28:04.960
<v Speaker 2>more wind under your wings, you know. And so it

0:28:05.000 --> 0:28:08.000
<v Speaker 2>was like that, and I don't think I speak alone,

0:28:08.080 --> 0:28:10.000
<v Speaker 2>and you know, so many of my friends who have

0:28:10.040 --> 0:28:12.240
<v Speaker 2>gone through that you feel like, oh, I have that

0:28:12.359 --> 0:28:14.720
<v Speaker 2>TV experience. Now I've been on it. You know, I've

0:28:14.760 --> 0:28:17.159
<v Speaker 2>done the thing where you gather with your friends and

0:28:17.200 --> 0:28:19.320
<v Speaker 2>you watch your one scene. You know what I'm saying,

0:28:19.359 --> 0:28:22.160
<v Speaker 2>and like, yeah, you're like, you know, it's.

0:28:21.960 --> 0:28:26.680
<v Speaker 1>Seven emails out exactly.

0:28:27.480 --> 0:28:29.800
<v Speaker 2>I found some of those emails a while back I

0:28:29.840 --> 0:28:31.600
<v Speaker 2>was like, oh my god, I'm so obnoxious.

0:28:34.040 --> 0:28:34.880
<v Speaker 3>It's all the same.

0:28:37.119 --> 0:28:37.520
<v Speaker 5>Yeah.

0:28:37.560 --> 0:28:41.480
<v Speaker 1>So I'm wondering if if there's you know, you begin

0:28:41.800 --> 0:28:45.320
<v Speaker 1>to go into some recurring stuff, so you know, if

0:28:45.360 --> 0:28:47.920
<v Speaker 1>there's something before that. I mean, I saw a list

0:28:47.960 --> 0:28:49.960
<v Speaker 1>of shows. I know this from a lot of different times,

0:28:49.960 --> 0:28:54.120
<v Speaker 1>but and you know, big shows, The Good Wife, n Cis,

0:28:54.280 --> 0:28:59.080
<v Speaker 1>Royal Pains, the following VEEP Blacklist. Was there a show

0:28:59.160 --> 0:29:03.560
<v Speaker 1>or an experience that you had early on, either because

0:29:03.600 --> 0:29:05.400
<v Speaker 1>of the people that you were working with or the

0:29:05.480 --> 0:29:09.040
<v Speaker 1>show or the role that you had that you feel

0:29:09.080 --> 0:29:15.520
<v Speaker 1>like really propelled you forward and either gave you confidence

0:29:15.840 --> 0:29:19.800
<v Speaker 1>or changed something for you early on.

0:29:20.520 --> 0:29:25.320
<v Speaker 2>Hmmm, that's so good. Let's see something that gave me confidence. Well,

0:29:26.280 --> 0:29:31.360
<v Speaker 2>I feel like when I started to get recurrings, Well,

0:29:31.400 --> 0:29:33.800
<v Speaker 2>here's what gave me confidence. No, I'll be honest with you.

0:29:33.880 --> 0:29:35.520
<v Speaker 2>And I remember you were saying like, you don't mean

0:29:35.560 --> 0:29:38.720
<v Speaker 2>to sound like you're humble bragging, right, And I don't either,

0:29:38.840 --> 0:29:42.320
<v Speaker 2>But this gave me confidence. I would go in for

0:29:42.520 --> 0:29:47.360
<v Speaker 2>roles that I was absolutely not right for, you know,

0:29:47.800 --> 0:29:50.280
<v Speaker 2>but I went in and I was like, all right,

0:29:50.680 --> 0:29:56.000
<v Speaker 2>you know, and or maybe I could have played it,

0:29:56.520 --> 0:29:58.480
<v Speaker 2>but they would say, you know what, go out and

0:29:58.520 --> 0:30:02.000
<v Speaker 2>read this, and I would come back in and booked

0:30:02.040 --> 0:30:04.160
<v Speaker 2>the role. They told me to go out and read

0:30:04.200 --> 0:30:06.600
<v Speaker 2>four and come back and it was like, Oh, it's

0:30:06.640 --> 0:30:09.479
<v Speaker 2>just going to be on for maybe like once or twice,

0:30:09.680 --> 0:30:12.880
<v Speaker 2>and they would become recurrence nice and those were the

0:30:12.880 --> 0:30:14.800
<v Speaker 2>ones that I was really proud of, and those gave

0:30:14.840 --> 0:30:18.240
<v Speaker 2>me confidence. Like even when I did Louis back in

0:30:18.280 --> 0:30:21.840
<v Speaker 2>the day and that started, like, you know, he was like,

0:30:21.880 --> 0:30:24.320
<v Speaker 2>I'm not gonna have my wife on this show, you

0:30:24.360 --> 0:30:26.040
<v Speaker 2>know what I mean? First of all, it started where

0:30:26.080 --> 0:30:28.320
<v Speaker 2>I was like, how did I get his wife? You

0:30:28.320 --> 0:30:30.600
<v Speaker 2>know what I'm saying? Like, I just was like, the

0:30:30.640 --> 0:30:33.160
<v Speaker 2>two children have been established. This is like a big

0:30:33.240 --> 0:30:38.000
<v Speaker 2>Like I was really surprised that I would even get that.

0:30:38.600 --> 0:30:41.880
<v Speaker 2>And it started again. It was like one or two

0:30:41.960 --> 0:30:43.800
<v Speaker 2>episodes and it became I was on it for two

0:30:43.840 --> 0:30:46.880
<v Speaker 2>seasons or there was things that I was able to

0:30:46.920 --> 0:30:49.880
<v Speaker 2>create certain characters just because they felt like they saw

0:30:49.920 --> 0:30:53.120
<v Speaker 2>something and they were like, you know, what can you do?

0:30:53.160 --> 0:30:55.400
<v Speaker 2>Oh can you give her Jamaican accent? Great, We'll put

0:30:55.400 --> 0:30:56.880
<v Speaker 2>her on. And then it was like, great, should be

0:30:56.880 --> 0:31:00.280
<v Speaker 2>on for the rest of this season and So those

0:31:00.280 --> 0:31:04.200
<v Speaker 2>were the moments that I got that there was confidence.

0:31:04.320 --> 0:31:08.400
<v Speaker 2>Not only it's you know, it's not just because of

0:31:08.440 --> 0:31:10.200
<v Speaker 2>what you think the obvious reason would be. It was

0:31:10.280 --> 0:31:14.240
<v Speaker 2>mostly because it was like, oh, you can get an

0:31:14.280 --> 0:31:19.120
<v Speaker 2>opportunity in so many different ways. Like it's not just like, oh,

0:31:19.160 --> 0:31:24.200
<v Speaker 2>it's this particular part, this audition, this thing, it's it

0:31:24.240 --> 0:31:26.840
<v Speaker 2>could be that's just your entry point, and then it

0:31:26.840 --> 0:31:30.400
<v Speaker 2>becomes something completely different that actually had a lot more

0:31:30.440 --> 0:31:32.920
<v Speaker 2>life than the original thing you went in for. So

0:31:33.080 --> 0:31:36.200
<v Speaker 2>that's I love that. I love when this business is

0:31:36.240 --> 0:31:38.720
<v Speaker 2>not so black and white and there's so many ways

0:31:38.720 --> 0:31:41.640
<v Speaker 2>that you can cultivate like a really cool career.

0:31:42.360 --> 0:31:47.600
<v Speaker 3>I'm glad you brought up Louis. The show was super celebrated,

0:31:48.000 --> 0:31:54.920
<v Speaker 3>well received, and really I think was groundbreaking in terms

0:31:54.960 --> 0:31:57.160
<v Speaker 3>of its format in the comedy space.

0:31:57.360 --> 0:32:02.400
<v Speaker 1>How was that for you working on something that you

0:32:02.480 --> 0:32:05.840
<v Speaker 1>have to be aware is so different than anything else

0:32:06.840 --> 0:32:09.840
<v Speaker 1>was on television. Did you enjoy that aspect of it

0:32:09.920 --> 0:32:11.560
<v Speaker 1>and working with him?

0:32:12.320 --> 0:32:17.480
<v Speaker 2>I enjoyed that. I loved that they gave Louis basically

0:32:17.560 --> 0:32:19.680
<v Speaker 2>two hundred and fifty thousand an episode to do what

0:32:19.720 --> 0:32:24.040
<v Speaker 2>he wanted to do, and the creativity that was allowed

0:32:24.040 --> 0:32:27.880
<v Speaker 2>to come from that, and he taught me, you know,

0:32:28.640 --> 0:32:31.520
<v Speaker 2>the camera and things like that, Like any questions I had,

0:32:31.680 --> 0:32:34.400
<v Speaker 2>like were answered and I was allowed to learn by

0:32:34.440 --> 0:32:40.840
<v Speaker 2>watching directing and the playfulness and the I love comedy,

0:32:40.880 --> 0:32:44.440
<v Speaker 2>so comedy is like one of my favorite loves in

0:32:44.480 --> 0:32:48.120
<v Speaker 2>the world. And to do a comedy, to do something

0:32:48.160 --> 0:32:50.480
<v Speaker 2>that felt very like off the beat and path, and

0:32:50.520 --> 0:32:53.840
<v Speaker 2>to be so unexpected in it, like nobody is looking

0:32:53.880 --> 0:32:58.560
<v Speaker 2>for me to play his wife and have these very

0:32:58.560 --> 0:33:02.640
<v Speaker 2>white children. None of that made sense. But he hired

0:33:02.680 --> 0:33:08.240
<v Speaker 2>me because he went off of his instinct and what

0:33:08.320 --> 0:33:14.600
<v Speaker 2>he saw when he watched audition tapes, and so that

0:33:14.680 --> 0:33:17.840
<v Speaker 2>worked in my favor at that particular time. And I

0:33:18.000 --> 0:33:22.280
<v Speaker 2>felt like I dig that. I dig when people are

0:33:22.400 --> 0:33:26.440
<v Speaker 2>just like, yeah, I get it. Yeah, no, she's not

0:33:26.520 --> 0:33:29.960
<v Speaker 2>any of the checklist things, but like what she go

0:33:29.960 --> 0:33:32.200
<v Speaker 2>out to it, Yeah, let's go there. Like I again,

0:33:32.240 --> 0:33:34.320
<v Speaker 2>it's that area of like it's not black and white,

0:33:34.840 --> 0:33:38.000
<v Speaker 2>and I really I dig that. And it showed to

0:33:38.040 --> 0:33:40.440
<v Speaker 2>me a lot of creativity in the way that the

0:33:40.520 --> 0:33:44.960
<v Speaker 2>show was being thought about and developed in a very creative.

0:33:44.600 --> 0:33:49.800
<v Speaker 1>Way based on what happened in the news.

0:33:50.080 --> 0:33:52.840
<v Speaker 3>I don't know that's a weird way to say it.

0:33:53.400 --> 0:33:57.840
<v Speaker 1>You know, I feel like the show is not respected

0:33:58.000 --> 0:34:02.120
<v Speaker 1>or has talked about now as maybe it should be

0:34:02.280 --> 0:34:08.560
<v Speaker 1>in terms of how groundbreaking it truly was. Does what's

0:34:08.600 --> 0:34:13.520
<v Speaker 1>happened after color for you the experience in any way

0:34:14.920 --> 0:34:18.440
<v Speaker 1>or make you not able to enjoy it or tainted

0:34:18.480 --> 0:34:19.080
<v Speaker 1>it in some way?

0:34:19.840 --> 0:34:25.719
<v Speaker 2>No, But I also understand the importance of what needed

0:34:25.760 --> 0:34:28.080
<v Speaker 2>to be expressed, do you know, And so there was

0:34:28.120 --> 0:34:32.560
<v Speaker 2>this balance. You have to have this balance of knowing

0:34:32.600 --> 0:34:36.160
<v Speaker 2>when to stand down and which voices need to arise

0:34:36.520 --> 0:34:38.839
<v Speaker 2>at what time. You know what I'm saying, And so

0:34:38.960 --> 0:34:43.719
<v Speaker 2>it's just negotiating and still having gratitude for what I

0:34:43.760 --> 0:34:48.440
<v Speaker 2>got to experience at the same time having respect for

0:34:48.520 --> 0:34:52.640
<v Speaker 2>what other people had to experience. So it's a balance.

0:34:53.360 --> 0:34:56.480
<v Speaker 2>I know that I can say things that would would

0:34:56.520 --> 0:35:00.560
<v Speaker 2>be on the opposite end. That was my experience. So

0:35:00.640 --> 0:35:03.279
<v Speaker 2>at the time, when you know all was being said,

0:35:03.400 --> 0:35:06.680
<v Speaker 2>I just I understood my place at that time, and

0:35:06.719 --> 0:35:09.279
<v Speaker 2>I understood that there was a space, there needed to

0:35:09.320 --> 0:35:12.120
<v Speaker 2>be a space for those voices to be heard. And

0:35:12.160 --> 0:35:13.919
<v Speaker 2>that's I can give all.

0:35:13.840 --> 0:35:16.560
<v Speaker 3>Respect to that good well said.

0:35:17.960 --> 0:35:19.799
<v Speaker 1>Knowing I was going to talk to you and look,

0:35:20.040 --> 0:35:23.840
<v Speaker 1>not only was I watching, I feel like everybody was watching.

0:35:24.800 --> 0:35:28.480
<v Speaker 1>You began a little show called This Is Us on NBC,

0:35:28.719 --> 0:35:30.759
<v Speaker 1>And as I was thinking about it today, this is

0:35:30.800 --> 0:35:34.879
<v Speaker 1>what I was going to say. I feel like it was,

0:35:35.320 --> 0:35:38.240
<v Speaker 1>in a lot of ways, or at least my memory,

0:35:38.719 --> 0:35:46.279
<v Speaker 1>sort of the first big blockbuster hit show on NBC

0:35:47.160 --> 0:35:52.840
<v Speaker 1>after US, after not after the Office, Like there was

0:35:52.880 --> 0:35:54.440
<v Speaker 1>a period of time, and there was a couple of

0:35:54.480 --> 0:35:56.760
<v Speaker 1>years in there, and again if I'm forgetting some show.

0:35:56.960 --> 0:35:58.759
<v Speaker 2>It was like seven to ten. Yeah, it was a

0:35:59.040 --> 0:35:59.680
<v Speaker 2>whole Yeah.

0:36:00.360 --> 0:36:08.120
<v Speaker 1>Well you well you were you started in U in sixteen, right, sixteen? Yes, yeah,

0:36:08.200 --> 0:36:11.160
<v Speaker 1>so yeah, so like there were two or three years

0:36:11.160 --> 0:36:12.120
<v Speaker 1>there in between US.

0:36:12.239 --> 0:36:15.480
<v Speaker 3>But that's my memory, right, And I chose not.

0:36:15.400 --> 0:36:17.440
<v Speaker 2>To look at that drama maybe go ahead, sorry.

0:36:17.280 --> 0:36:19.680
<v Speaker 1>Yeah no, no, no, Like like in terms of just

0:36:20.200 --> 0:36:23.560
<v Speaker 1>like tent pole shows on NBC that they were building

0:36:24.120 --> 0:36:27.239
<v Speaker 1>their slate around, This is Us came out of the

0:36:27.280 --> 0:36:33.160
<v Speaker 1>gate like Gangbusters and was a hit sort of immediately.

0:36:34.760 --> 0:36:36.600
<v Speaker 3>First off, how did you how did you get the

0:36:36.680 --> 0:36:38.000
<v Speaker 3>role of Beth.

0:36:39.200 --> 0:36:44.120
<v Speaker 2>I auditioned like it was a normal, normal, super duper

0:36:44.200 --> 0:36:49.719
<v Speaker 2>normal audition, but I got two sides, you know, and

0:36:49.760 --> 0:36:53.359
<v Speaker 2>I went in during like a weird you know, sort

0:36:53.360 --> 0:36:56.799
<v Speaker 2>of like there was no more pilot season really, you know,

0:36:57.080 --> 0:37:01.319
<v Speaker 2>just like all over the place, and I auditioned with

0:37:01.760 --> 0:37:07.279
<v Speaker 2>a probably a casting associate, you know, and in one

0:37:07.320 --> 0:37:11.400
<v Speaker 2>of the little back rooms that tells and one of

0:37:11.440 --> 0:37:14.160
<v Speaker 2>the smaller rooms. Let me stop making this story extra,

0:37:14.600 --> 0:37:16.040
<v Speaker 2>but it was.

0:37:18.560 --> 0:37:20.600
<v Speaker 3>It was it was. It was pedestrian.

0:37:20.880 --> 0:37:25.960
<v Speaker 2>Yeah, it was just very so soups Cash. Yeah, nothing

0:37:26.800 --> 0:37:30.799
<v Speaker 2>nothing stood out to me, you know, yeah, it was

0:37:30.920 --> 0:37:31.400
<v Speaker 2>very much that.

0:37:32.880 --> 0:37:36.719
<v Speaker 1>You know, sometime and sometimes it's it's who's doing a show?

0:37:36.719 --> 0:37:38.120
<v Speaker 1>I mean, you know, I don't have to tell you this.

0:37:38.719 --> 0:37:43.719
<v Speaker 1>It's like who's producing a show or you know what

0:37:43.880 --> 0:37:48.439
<v Speaker 1>their legacy is, you know, Shondaland, or it's you know,

0:37:48.600 --> 0:37:52.920
<v Speaker 1>Chuck Lori, or it's Greg Daniels or it's whatever. Did

0:37:52.960 --> 0:37:56.120
<v Speaker 1>you you You're like when the show is coming here, like, oh,

0:37:56.320 --> 0:38:00.000
<v Speaker 1>this is important to the network, not necessary even necessary,

0:38:00.160 --> 0:38:01.640
<v Speaker 1>they're going to pick it up to series or whatever.

0:38:02.040 --> 0:38:05.160
<v Speaker 1>Did you feel that early on, like that this was

0:38:05.200 --> 0:38:06.759
<v Speaker 1>going to be a big show or no, this was

0:38:06.760 --> 0:38:07.960
<v Speaker 1>another pilot you were doing.

0:38:08.480 --> 0:38:11.720
<v Speaker 2>No, I just it was another pilot. Well here's the thing, also, Brian,

0:38:11.760 --> 0:38:17.120
<v Speaker 2>I didn't read it the full pilot until they were

0:38:17.160 --> 0:38:20.319
<v Speaker 2>ready to test me. Okay, so I didn't know the

0:38:20.360 --> 0:38:22.880
<v Speaker 2>specialness of it till like the day before I tested,

0:38:23.760 --> 0:38:26.239
<v Speaker 2>And when I read it, they were asking me if

0:38:26.280 --> 0:38:28.640
<v Speaker 2>I wanted to fly out to la or stay in

0:38:28.680 --> 0:38:31.240
<v Speaker 2>New York and just have them keep my producers session

0:38:31.320 --> 0:38:33.680
<v Speaker 2>tape because by that point I had now auditioned for

0:38:33.760 --> 0:38:36.759
<v Speaker 2>it again with like some of the executive producers who

0:38:36.800 --> 0:38:41.919
<v Speaker 2>were directing the first episode, John and Glenn, and I had,

0:38:42.200 --> 0:38:43.480
<v Speaker 2>you know, So they were like, do you want to

0:38:43.640 --> 0:38:45.520
<v Speaker 2>just keep the tape that you did with John and

0:38:45.520 --> 0:38:47.839
<v Speaker 2>Glenn or do you want to come out and do

0:38:47.920 --> 0:38:51.480
<v Speaker 2>it sort of in person? And they're like, well, how

0:38:51.480 --> 0:38:52.840
<v Speaker 2>do you feel about the script? And I was like,

0:38:54.200 --> 0:38:58.319
<v Speaker 2>did y'all send me the script? And they were like,

0:38:58.400 --> 0:39:00.920
<v Speaker 2>oh my god, I read this. So I went and

0:39:00.920 --> 0:39:03.040
<v Speaker 2>read the script and then I was like, oh, this

0:39:03.200 --> 0:39:06.520
<v Speaker 2>is I'm going to be on a plane. I am

0:39:06.560 --> 0:39:09.759
<v Speaker 2>definitely going into the room for this, you know. So

0:39:09.880 --> 0:39:13.440
<v Speaker 2>that's when I knew that it was special, But beyond that,

0:39:14.280 --> 0:39:16.440
<v Speaker 2>it wasn't necessarily about the team. And I knew that

0:39:16.560 --> 0:39:18.719
<v Speaker 2>Dan had done crazy stupid love, so I knew that,

0:39:18.800 --> 0:39:21.400
<v Speaker 2>you know, there was a quality there that's gonna be

0:39:21.560 --> 0:39:26.400
<v Speaker 2>there and and so I didn't know much else but

0:39:26.480 --> 0:39:30.480
<v Speaker 2>I but I read that script and that script was insane.

0:39:30.680 --> 0:39:33.640
<v Speaker 2>I was like that first episode got me like there

0:39:33.680 --> 0:39:35.160
<v Speaker 2>was no doubt in my mind, like you have to

0:39:35.200 --> 0:39:38.279
<v Speaker 2>be on a plane, right, So, yeah.

0:39:38.960 --> 0:39:41.560
<v Speaker 1>We could have been co workers. They talked to me

0:39:41.640 --> 0:39:45.719
<v Speaker 1>about that show, tell me yeah they I mean, they

0:39:45.800 --> 0:39:50.520
<v Speaker 1>obviously made a way better choice with Chris Sullivan who.

0:39:50.320 --> 0:39:50.719
<v Speaker 3>Played to.

0:39:52.480 --> 0:39:55.319
<v Speaker 1>There were conversations that happened, and I don't remember how

0:39:55.360 --> 0:39:58.359
<v Speaker 1>serious they got. I don't remember. I don't remember any

0:39:58.440 --> 0:40:01.000
<v Speaker 1>of it at this point. I don't think it was

0:40:01.040 --> 0:40:02.879
<v Speaker 1>a serious regular thing at that point.

0:40:03.160 --> 0:40:06.399
<v Speaker 2>It wasn't. It wasn't. It actually wasn't. And I think

0:40:06.440 --> 0:40:10.560
<v Speaker 2>they were kind of deciding as the show went because

0:40:10.600 --> 0:40:12.440
<v Speaker 2>I feel like I remember hearing some kind of rumors,

0:40:12.440 --> 0:40:14.439
<v Speaker 2>like at some point in the first season when when

0:40:14.520 --> 0:40:17.520
<v Speaker 2>Chris's character has the heart attack, Untoby has a heart attack,

0:40:17.640 --> 0:40:19.839
<v Speaker 2>like they weren't sure if he was going to come

0:40:19.880 --> 0:40:21.960
<v Speaker 2>back from that, right, and I think there was going

0:40:22.040 --> 0:40:23.719
<v Speaker 2>to be like too much with like William and then

0:40:23.920 --> 0:40:26.160
<v Speaker 2>I don't know, you know what I'm saying then, or

0:40:26.160 --> 0:40:27.920
<v Speaker 2>maybe it's one of those things where Chris just turned

0:40:27.920 --> 0:40:31.359
<v Speaker 2>it into, you know, what it wanted to be for him,

0:40:31.400 --> 0:40:34.560
<v Speaker 2>and so I but I do remember that. I do

0:40:34.680 --> 0:40:38.080
<v Speaker 2>remember him saying like he wasn't a regular and I

0:40:38.200 --> 0:40:41.320
<v Speaker 2>was so I had never been a regular on anything.

0:40:41.440 --> 0:40:43.799
<v Speaker 2>So I was very wet behind my ears when it

0:40:43.840 --> 0:40:46.759
<v Speaker 2>came to that, to that, and I was in this

0:40:46.840 --> 0:40:49.040
<v Speaker 2>space of like, oh, damn, I'm gonna be on TV

0:40:49.160 --> 0:40:53.920
<v Speaker 2>every week, you know what I mean? You know, So

0:40:54.840 --> 0:40:57.239
<v Speaker 2>some of the stuff was, you know, it's all very new.

0:40:57.320 --> 0:40:59.880
<v Speaker 2>Every every stage you get to it's all new, and

0:41:00.480 --> 0:41:06.640
<v Speaker 2>you know, And so hearing that about Chris was it

0:41:07.080 --> 0:41:09.920
<v Speaker 2>felt like, Oh, I thought you were already a regular,

0:41:10.000 --> 0:41:13.000
<v Speaker 2>So when the transition happened, it felt kind of seamless.

0:41:13.440 --> 0:41:16.560
<v Speaker 2>But I do remember us having discussions in that first

0:41:16.880 --> 0:41:19.520
<v Speaker 2>year or so that he wasn't a regular yet.

0:41:19.760 --> 0:41:21.920
<v Speaker 1>You guys came out of the bat and suddenly it

0:41:21.920 --> 0:41:25.960
<v Speaker 1>becomes a huge, huge hit. As you just said, it's

0:41:26.000 --> 0:41:29.480
<v Speaker 1>your first show that you're a serious regular on. It's

0:41:29.640 --> 0:41:33.759
<v Speaker 1>become like the most important show for NBC and everybody

0:41:33.840 --> 0:41:36.840
<v Speaker 1>is watching it. How does that? How does that feel

0:41:36.880 --> 0:41:40.000
<v Speaker 1>for you? And did you feel the change happen very

0:41:40.040 --> 0:41:43.239
<v Speaker 1>quickly or again, was it more gradual for you?

0:41:44.000 --> 0:41:48.200
<v Speaker 2>I think I felt it. It did happen fast. It

0:41:48.239 --> 0:41:53.120
<v Speaker 2>happened after the first episode, yeah, aired, and then it

0:41:53.600 --> 0:41:59.160
<v Speaker 2>didn't slow down the show. Yeah. Just very grateful anytime

0:41:59.200 --> 0:42:02.040
<v Speaker 2>I say this, but it's stayed number one for the

0:42:02.200 --> 0:42:04.960
<v Speaker 2>entire time it was on, you know, and it just

0:42:05.040 --> 0:42:09.560
<v Speaker 2>did not slow down. And so the great thing about

0:42:09.600 --> 0:42:13.000
<v Speaker 2>it was how grounded we all were about it. I

0:42:13.080 --> 0:42:16.239
<v Speaker 2>dig that. I just love when really wild stuff could

0:42:16.239 --> 0:42:19.759
<v Speaker 2>be happening and everybody is just everybody's calm, you know

0:42:19.800 --> 0:42:23.480
<v Speaker 2>what I mean. Everybody's like, we're all here, it's all fine.

0:42:23.760 --> 0:42:26.600
<v Speaker 2>You were still, you know, having our lives with our

0:42:26.640 --> 0:42:30.600
<v Speaker 2>families and our things and enjoying it, enjoying the mess

0:42:30.600 --> 0:42:34.919
<v Speaker 2>out of it. But like there's a perspective on it.

0:42:35.520 --> 0:42:39.640
<v Speaker 2>And I think we had that and maintained that throughout

0:42:39.640 --> 0:42:40.879
<v Speaker 2>the six years we were on.

0:42:41.520 --> 0:42:44.600
<v Speaker 1>You've said, the show opened a lot of doors for you,

0:42:44.680 --> 0:42:47.040
<v Speaker 1>gave you a lot of opportunities. You got to direct,

0:42:47.280 --> 0:42:49.319
<v Speaker 1>you were allowed to be in the writer's room.

0:42:50.160 --> 0:42:52.600
<v Speaker 2>I didn't it's a direct, but I didn't want to direct,

0:42:52.640 --> 0:42:53.799
<v Speaker 2>but I had the opportunity to.

0:42:54.080 --> 0:42:55.840
<v Speaker 3>I will get that, Okay.

0:42:55.560 --> 0:42:58.640
<v Speaker 2>Yeah, yeah, yeah, yeah, I didn't, but I want. I

0:42:58.920 --> 0:43:01.000
<v Speaker 2>had the opportunity to. They gave it to me many times.

0:43:01.080 --> 0:43:03.480
<v Speaker 2>If I wanted to direct but I wanted to write,

0:43:04.280 --> 0:43:08.040
<v Speaker 2>I went back to the writing thing. Who knewressede.

0:43:08.400 --> 0:43:09.040
<v Speaker 3>Here's the thing.

0:43:09.800 --> 0:43:31.719
<v Speaker 1>I chose the directing and not the writing. What was

0:43:31.760 --> 0:43:34.920
<v Speaker 1>the best thing out of that show that you were

0:43:35.000 --> 0:43:38.640
<v Speaker 1>able to do or accomplish. And it could be in

0:43:38.719 --> 0:43:44.040
<v Speaker 1>terms of specific performance or storyline, or or an outside

0:43:44.600 --> 0:43:48.319
<v Speaker 1>something that you were given to do there that you

0:43:48.440 --> 0:43:51.560
<v Speaker 1>feel grateful for and that you feel like has changed

0:43:51.600 --> 0:43:53.280
<v Speaker 1>you as an artist moving forward.

0:43:54.280 --> 0:43:56.520
<v Speaker 2>I love that I was able to write on an

0:43:56.520 --> 0:43:59.759
<v Speaker 2>episode because also when you write it, you end up

0:43:59.800 --> 0:44:04.720
<v Speaker 2>like it. Yes, And I love producing, and I've produced

0:44:04.760 --> 0:44:08.560
<v Speaker 2>other projects, so like for me, that comes like second

0:44:08.640 --> 0:44:12.000
<v Speaker 2>nature behind the camera, the way acting feels like sort

0:44:12.040 --> 0:44:13.719
<v Speaker 2>of first nature in front of the camera, you know.

0:44:14.239 --> 0:44:22.239
<v Speaker 2>And so I really really credit Dan with that. He

0:44:22.400 --> 0:44:25.160
<v Speaker 2>was so generous about making sure that we all got

0:44:25.200 --> 0:44:29.120
<v Speaker 2>what we needed out of the show other than the

0:44:29.280 --> 0:44:32.520
<v Speaker 2>acting part of it. Always had an open door policy.

0:44:32.760 --> 0:44:34.600
<v Speaker 2>We could always be in the writer's room, We could

0:44:34.600 --> 0:44:37.839
<v Speaker 2>always sort of be chiming in. They were specific about

0:44:37.840 --> 0:44:39.520
<v Speaker 2>this stories It's not like I'm going in the writer's

0:44:39.560 --> 0:44:42.640
<v Speaker 2>room and changing minds and hearts. But there was a

0:44:42.680 --> 0:44:44.920
<v Speaker 2>thing where it was an open door. We could hear

0:44:44.920 --> 0:44:48.200
<v Speaker 2>what was going on and give them any information that

0:44:48.239 --> 0:44:51.080
<v Speaker 2>we felt like about ourselves might feel relevant to the

0:44:51.160 --> 0:44:53.040
<v Speaker 2>character and things like that, and we could always talk

0:44:53.080 --> 0:44:57.600
<v Speaker 2>to him about stuff, and he was just really very

0:44:57.719 --> 0:45:00.799
<v Speaker 2>very good about that. It took so much out of

0:45:00.840 --> 0:45:03.839
<v Speaker 2>me just producing that one episode and writing it and

0:45:03.920 --> 0:45:07.880
<v Speaker 2>acting in it. I had such an appreciation for like

0:45:08.200 --> 0:45:10.799
<v Speaker 2>what we do. I loved it. I really loved it

0:45:10.840 --> 0:45:13.920
<v Speaker 2>on every level, being able to have a hand in it,

0:45:14.040 --> 0:45:16.760
<v Speaker 2>all of it. And then I realized how much goes

0:45:16.840 --> 0:45:22.120
<v Speaker 2>on per episode. You know, there's so much that goes on,

0:45:23.080 --> 0:45:27.440
<v Speaker 2>you know, from anything from casting every little part to

0:45:28.160 --> 0:45:30.560
<v Speaker 2>what the location is going to be, what the wardrobe

0:45:30.600 --> 0:45:32.040
<v Speaker 2>is going to be, what the hair is going to be,

0:45:32.160 --> 0:45:34.680
<v Speaker 2>what the props are going to be, what the you know,

0:45:34.719 --> 0:45:36.759
<v Speaker 2>and then it's the redoing of all those things, and

0:45:36.760 --> 0:45:39.480
<v Speaker 2>it's daily. There's meetings that we had in getting with

0:45:39.520 --> 0:45:41.640
<v Speaker 2>the director and doing the director's past and going through

0:45:41.680 --> 0:45:45.080
<v Speaker 2>the script with the director to get the tone quality,

0:45:45.120 --> 0:45:47.440
<v Speaker 2>and I mean, there was just so much stuff that

0:45:47.560 --> 0:45:55.480
<v Speaker 2>I was like, damn, this is happening every episode, you know,

0:45:56.080 --> 0:46:00.200
<v Speaker 2>it was so full. It was so full, but so fulfilling.

0:46:00.320 --> 0:46:01.400
<v Speaker 2>So yeah, that was great.

0:46:02.200 --> 0:46:06.240
<v Speaker 1>I noted earlier when you when you talked about comedy

0:46:06.480 --> 0:46:10.400
<v Speaker 1>being your love, and look, you had some serious storylines.

0:46:10.480 --> 0:46:11.960
<v Speaker 3>By the way, again.

0:46:12.000 --> 0:46:14.680
<v Speaker 1>Spoiler alert, a lot of the characters went through a

0:46:14.719 --> 0:46:16.560
<v Speaker 1>lot of things in your show.

0:46:16.840 --> 0:46:17.680
<v Speaker 3>A lot of stuff.

0:46:18.080 --> 0:46:21.520
<v Speaker 1>However, and this isn't really a question, it's more just

0:46:21.680 --> 0:46:25.479
<v Speaker 1>a comment. I always felt like you were a breath

0:46:25.480 --> 0:46:29.880
<v Speaker 1>of fresh air and to call you like comedic relief

0:46:30.360 --> 0:46:34.640
<v Speaker 1>not fair, not fair or right, But there was an

0:46:34.920 --> 0:46:39.319
<v Speaker 1>ease that you had that you showed that was part

0:46:39.360 --> 0:46:42.560
<v Speaker 1>of the personality of the character for sure. But also

0:46:42.680 --> 0:46:46.839
<v Speaker 1>I know now you that you brought a lightness to

0:46:46.920 --> 0:46:50.279
<v Speaker 1>it where I feel like the shows like that have

0:46:50.320 --> 0:46:54.840
<v Speaker 1>a tendency to they can they can sit down in

0:46:54.920 --> 0:46:59.799
<v Speaker 1>that morass of like the horrible things that are going on,

0:47:00.520 --> 0:47:04.920
<v Speaker 1>and you were, uh, you were a fresh light throughout

0:47:04.960 --> 0:47:08.120
<v Speaker 1>the run of that show. Obviously things going on as well.

0:47:08.160 --> 0:47:11.200
<v Speaker 1>But it made sense to me earlier when you were

0:47:11.400 --> 0:47:13.480
<v Speaker 1>when you said, like, comedy is my first love, like

0:47:13.600 --> 0:47:18.000
<v Speaker 1>sometimes playing against those significant moments that are going on

0:47:18.239 --> 0:47:21.920
<v Speaker 1>and using some some lightness can give it equal or

0:47:21.960 --> 0:47:24.640
<v Speaker 1>more impact. So anyway, that's just my way of saying

0:47:25.400 --> 0:47:30.360
<v Speaker 1>kudos to you. I'm sure it was difficult after six years,

0:47:30.440 --> 0:47:33.640
<v Speaker 1>one hundred and six episodes to to say goodbye. The

0:47:33.719 --> 0:47:37.120
<v Speaker 1>fans obviously had a difficult time when it was over.

0:47:37.280 --> 0:47:40.279
<v Speaker 1>For you, did tough when it when it was over?

0:47:40.640 --> 0:47:42.120
<v Speaker 3>Or for you? Was it was it time?

0:47:42.880 --> 0:47:47.360
<v Speaker 2>It was? I wouldn't say tough, It was said sad,

0:47:48.080 --> 0:47:52.640
<v Speaker 2>but it was time because we had never imagined it

0:47:52.680 --> 0:47:56.720
<v Speaker 2>going longer. It's Dan had from the beginning at least,

0:47:57.040 --> 0:47:59.960
<v Speaker 2>you know, I'd always known that he wanted to five season,

0:48:01.080 --> 0:48:03.920
<v Speaker 2>and they, the network, as for us to do six,

0:48:04.200 --> 0:48:09.600
<v Speaker 2>and so we did six. And I saw the end

0:48:09.680 --> 0:48:12.920
<v Speaker 2>always coming, and there was this story that was happening

0:48:12.960 --> 0:48:16.000
<v Speaker 2>within that, but it had it had an ending. It

0:48:16.040 --> 0:48:19.840
<v Speaker 2>always had an ending, and you know, with Rebecca's passing,

0:48:19.840 --> 0:48:23.319
<v Speaker 2>it was like, that's we've now told this chapter, you

0:48:23.360 --> 0:48:25.240
<v Speaker 2>know what I mean, And we've told so many chapters

0:48:25.239 --> 0:48:30.440
<v Speaker 2>within that. The sadness started coming to me. It started

0:48:31.280 --> 0:48:36.320
<v Speaker 2>February of twenty twenty two and we wrapped in May.

0:48:36.719 --> 0:48:41.400
<v Speaker 2>So I remember things like, oh, this is the last oh,

0:48:41.600 --> 0:48:45.400
<v Speaker 2>shuttle ride, We're gonna take to more pray aluh, you

0:48:45.440 --> 0:48:47.600
<v Speaker 2>know what I mean, like all that stuff. And I

0:48:47.600 --> 0:48:52.839
<v Speaker 2>remember walking behind Miguel Miguel John Quertas and Mandy Moore

0:48:53.680 --> 0:48:56.680
<v Speaker 2>one day and I just knew, like us was getting

0:48:56.719 --> 0:49:00.520
<v Speaker 2>ready to kind of wrap up his storyline, and I

0:49:00.560 --> 0:49:02.160
<v Speaker 2>was like, Yo, this is actually the last time I'm

0:49:02.160 --> 0:49:05.160
<v Speaker 2>gonna see them do that. And so there was a

0:49:05.200 --> 0:49:09.120
<v Speaker 2>great consciousness about all of the last and all of

0:49:09.160 --> 0:49:15.799
<v Speaker 2>the moments that I knew were in their final you

0:49:15.840 --> 0:49:20.520
<v Speaker 2>know run, And I was getting very nostalgic and very sad,

0:49:20.560 --> 0:49:22.240
<v Speaker 2>but I was happy I did it because I started

0:49:22.239 --> 0:49:25.520
<v Speaker 2>to metabolize it early so that by the time May hit,

0:49:26.680 --> 0:49:28.360
<v Speaker 2>I was all right, you know what I mean, Like

0:49:29.280 --> 0:49:32.239
<v Speaker 2>I got the show. I had about fall months, you know,

0:49:32.480 --> 0:49:35.719
<v Speaker 2>to get my little self together. So I was it

0:49:35.880 --> 0:49:37.480
<v Speaker 2>helped me. It really worked for me.

0:49:38.200 --> 0:49:38.680
<v Speaker 3>Good for you.

0:49:39.640 --> 0:49:42.479
<v Speaker 1>It does take time, and you do start thinking about

0:49:42.560 --> 0:49:46.400
<v Speaker 1>those very small moments that you would never think about before,

0:49:46.480 --> 0:49:50.640
<v Speaker 1>right that this is the last Yeah, I played, this

0:49:50.760 --> 0:49:51.920
<v Speaker 1>played the same game.

0:49:52.800 --> 0:49:56.720
<v Speaker 3>You and I have worked together. Boom nailed it. What

0:49:58.040 --> 0:49:58.719
<v Speaker 3>you're gonna laugh?

0:49:59.200 --> 0:50:01.440
<v Speaker 2>And we had never met celebrity Jeopardy.

0:50:01.560 --> 0:50:05.600
<v Speaker 3>Rumble, I was in Rumble stop it?

0:50:05.680 --> 0:50:06.800
<v Speaker 2>Who did you play in Rumble?

0:50:07.440 --> 0:50:12.799
<v Speaker 3>Clonk I was a wrestler, nip wow, yep, yep. We

0:50:12.880 --> 0:50:13.440
<v Speaker 3>work together.

0:50:13.840 --> 0:50:15.840
<v Speaker 2>This is why I don't like when, you know, with

0:50:15.880 --> 0:50:17.840
<v Speaker 2>the voice acting, they put you in a room by yourself.

0:50:17.880 --> 0:50:19.640
<v Speaker 3>You don't know a room by yourself.

0:50:19.960 --> 0:50:22.480
<v Speaker 1>I think, especially when it's the middle of a global

0:50:22.520 --> 0:50:25.320
<v Speaker 1>pandemic and they put you in a room by yourself.

0:50:25.360 --> 0:50:29.319
<v Speaker 1>You literally don't know, don't know anyone. I really don't

0:50:29.360 --> 0:50:31.319
<v Speaker 1>have anything else to say about that except that we

0:50:31.360 --> 0:50:34.319
<v Speaker 1>did work together. So I'm just I'm just closing the

0:50:34.360 --> 0:50:36.840
<v Speaker 1>loop on that. I'm just closing I'm just closing the

0:50:36.880 --> 0:50:37.520
<v Speaker 1>loop on that.

0:50:37.760 --> 0:50:38.640
<v Speaker 2>It's so good to know.

0:50:40.000 --> 0:50:44.480
<v Speaker 1>Yes, so you mentioned before you enjoy producing. Yes, you

0:50:44.520 --> 0:50:48.080
<v Speaker 1>have produced at least a couple of projects, and that,

0:50:48.320 --> 0:50:54.080
<v Speaker 1>as you said, gives you something that just just acting doesn't.

0:50:54.120 --> 0:50:56.080
<v Speaker 1>Are you you want to continue to do that in

0:50:56.120 --> 0:50:56.719
<v Speaker 1>the future.

0:50:57.400 --> 0:50:59.920
<v Speaker 2>Yeah, and I am doing it. Yeah, I just I've

0:51:00.120 --> 0:51:03.800
<v Speaker 2>really I enjoy putting stuff together. I enjoy connecting people.

0:51:03.840 --> 0:51:05.399
<v Speaker 2>I like putting all the right people in the room.

0:51:05.800 --> 0:51:08.960
<v Speaker 2>I like yeah right, I like seeing something lift off

0:51:08.960 --> 0:51:11.719
<v Speaker 2>the ground. I love a great idea. I love. I

0:51:11.760 --> 0:51:14.359
<v Speaker 2>love when I have an idea and I can get

0:51:14.400 --> 0:51:17.200
<v Speaker 2>the right people to help me to make it happen.

0:51:17.600 --> 0:51:20.200
<v Speaker 2>And I love helping other people execute an idea, you know.

0:51:20.320 --> 0:51:24.000
<v Speaker 2>So it's it's just part of how I like to

0:51:24.080 --> 0:51:27.520
<v Speaker 2>exist in this whole business that we're in. Outside of

0:51:27.920 --> 0:51:31.279
<v Speaker 2>you know, the acting in front of the camera. I

0:51:31.400 --> 0:51:35.600
<v Speaker 2>just kind of adore it, Like I really love being

0:51:35.600 --> 0:51:38.680
<v Speaker 2>boots on the ground as a producer. It is fun,

0:51:39.000 --> 0:51:40.640
<v Speaker 2>really fun, and it's so freeing.

0:51:40.960 --> 0:51:44.040
<v Speaker 5>You know, really hard, but fun hard.

0:51:44.239 --> 0:51:46.359
<v Speaker 2>And people, you know, they're like, oh, you don't want

0:51:46.360 --> 0:51:48.680
<v Speaker 2>to direct, but producing is like direct, and I was like,

0:51:48.719 --> 0:51:50.839
<v Speaker 2>it kind of is, but it's not. And there's something

0:51:50.840 --> 0:51:54.359
<v Speaker 2>about direct producing that is different for me. And even

0:51:54.400 --> 0:51:56.520
<v Speaker 2>when it's hard, I enjoy it, which is how I

0:51:56.560 --> 0:51:58.439
<v Speaker 2>know it's something that I should be doing.

0:51:58.920 --> 0:52:04.600
<v Speaker 3>Yeah, something that you have done, which I have not yet.

0:52:05.160 --> 0:52:05.319
<v Speaker 3>You know.

0:52:05.360 --> 0:52:08.719
<v Speaker 1>I did theater for years and years and years, and

0:52:08.760 --> 0:52:11.120
<v Speaker 1>then I feel like I and I call it like

0:52:11.160 --> 0:52:14.080
<v Speaker 1>I changed my career, like for me because it was

0:52:14.080 --> 0:52:17.600
<v Speaker 1>an abrupt it was all I did was theater, and

0:52:17.640 --> 0:52:20.840
<v Speaker 1>then for me it was boom and sort of changed

0:52:20.840 --> 0:52:25.799
<v Speaker 1>careers into film and television, you a couple of years ago,

0:52:26.200 --> 0:52:33.440
<v Speaker 1>Shakespeare in the Park, Mary Wives. It's a groulic show.

0:52:34.000 --> 0:52:38.040
<v Speaker 1>You're outdoors, you're in the park, you're in well, at

0:52:38.120 --> 0:52:43.799
<v Speaker 1>least your hometown adjacent in New York performing. Did you

0:52:44.000 --> 0:52:44.560
<v Speaker 1>enjoy it?

0:52:45.280 --> 0:52:49.040
<v Speaker 2>I enjoyed the mess out of it, like we had.

0:52:49.440 --> 0:52:50.719
<v Speaker 1>I didn't know what you were going to do it

0:52:51.000 --> 0:52:56.560
<v Speaker 1>most fun, It was so, it was so.

0:52:56.840 --> 0:53:00.600
<v Speaker 2>I love those people, you understand, eighteen people that I

0:53:00.800 --> 0:53:04.920
<v Speaker 2>just adore and love, and our director Sahima Lee and

0:53:05.000 --> 0:53:08.520
<v Speaker 2>are our writer Jocelyn Bio who's now nominated for a

0:53:08.600 --> 0:53:11.000
<v Speaker 2>Tony fora ja Ja's hand Brating that was on Broadway,

0:53:11.040 --> 0:53:15.240
<v Speaker 2>but she translated Mary Wives of Windsor into Mary Wives

0:53:15.280 --> 0:53:21.160
<v Speaker 2>and placed it in Harlem among the Nigerian Ghanaian community

0:53:21.200 --> 0:53:24.759
<v Speaker 2>and various communities you know that come from the African diaspora.

0:53:24.920 --> 0:53:27.319
<v Speaker 2>And when I tell you like, I'm telling you like

0:53:27.719 --> 0:53:30.319
<v Speaker 2>it is criminal to have as much fun as we

0:53:30.360 --> 0:53:33.960
<v Speaker 2>had in the middle of coming back from COVID. We

0:53:33.960 --> 0:53:39.439
<v Speaker 2>were the first show, first theater play to come back

0:53:39.480 --> 0:53:41.120
<v Speaker 2>from COVID, the first.

0:53:41.360 --> 0:53:42.480
<v Speaker 3>And were outside.

0:53:43.320 --> 0:53:48.000
<v Speaker 2>Yeah, and it was nuts and we had we fought

0:53:48.120 --> 0:53:53.360
<v Speaker 2>monsoons and just whole tropical storms and sets coming down

0:53:53.480 --> 0:53:58.279
<v Speaker 2>and everything thundering, enlightening, and we I mean it was

0:53:58.920 --> 0:54:01.960
<v Speaker 2>out of They made documentary about it. It's on HBO.

0:54:02.040 --> 0:54:04.160
<v Speaker 2>Y'all could watch it. I ain't lying, and I tell you,

0:54:04.200 --> 0:54:06.640
<v Speaker 2>like I sad you. The things we went through was,

0:54:07.080 --> 0:54:12.600
<v Speaker 2>you know, preposterous, but like one of my favorite experiences

0:54:12.600 --> 0:54:16.719
<v Speaker 2>of all time at one thousand percent. I would do

0:54:16.840 --> 0:54:19.040
<v Speaker 2>it over exactly the same way in a heartbeat.

0:54:19.080 --> 0:54:22.319
<v Speaker 1>Stop it, student, you're gonna make me do it, and

0:54:22.360 --> 0:54:24.400
<v Speaker 1>then I'm gonna don't.

0:54:25.760 --> 0:54:29.520
<v Speaker 2>I think they're adding the re renovating the delacors right now.

0:54:29.960 --> 0:54:32.560
<v Speaker 2>I believe they're adding a retractable roof. So what happened

0:54:32.600 --> 0:54:36.200
<v Speaker 2>to you? What happens? That's what happens. I think it

0:54:36.280 --> 0:54:38.880
<v Speaker 2>might have been because of us. We missed so many shows,

0:54:38.920 --> 0:54:42.080
<v Speaker 2>including our opening night, not our opening night, but our

0:54:42.120 --> 0:54:47.279
<v Speaker 2>first show, our first preview, second preview, no no, no,

0:54:47.920 --> 0:54:51.239
<v Speaker 2>rain Thune, the light Raccoons, oh god, you name it.

0:54:52.440 --> 0:54:55.000
<v Speaker 2>We did. It's fantastic, fantastic.

0:54:55.520 --> 0:54:56.320
<v Speaker 5>Uh.

0:54:56.360 --> 0:55:02.680
<v Speaker 1>Well, you have a very very big show just wrapped

0:55:02.760 --> 0:55:06.880
<v Speaker 1>up production. You've heard it here first exclusively reporting.

0:55:08.440 --> 0:55:09.680
<v Speaker 3>You.

0:55:09.680 --> 0:55:15.000
<v Speaker 1>You just wrapped several years ago. Infact, in two thousand

0:55:15.040 --> 0:55:19.719
<v Speaker 1>and seven, you were a guest star on an episode

0:55:19.760 --> 0:55:25.080
<v Speaker 1>of Private Practice, a show sure in the Shondaland universe.

0:55:25.360 --> 0:55:30.680
<v Speaker 1>Now you are back a much bigger role in a

0:55:31.800 --> 0:55:36.400
<v Speaker 1>very very eight I one might call it not the

0:55:36.440 --> 0:55:40.759
<v Speaker 1>same as this is Us that a highly anticipated new

0:55:40.880 --> 0:55:45.480
<v Speaker 1>show in the Shondaland universe the Residents. Any connection between

0:55:45.600 --> 0:55:49.640
<v Speaker 1>your guest spot in two thousand and seven and this

0:55:50.640 --> 0:55:54.640
<v Speaker 1>is there? Is there a line there or no.

0:55:53.840 --> 0:55:56.960
<v Speaker 2>Just that I'm I'm just me as a person, as

0:55:56.960 --> 0:55:58.279
<v Speaker 2>an individual.

0:55:58.040 --> 0:56:00.799
<v Speaker 3>But in terms of like your work with them, No.

0:56:01.000 --> 0:56:04.080
<v Speaker 2>No, I don't think I mean no, it was no

0:56:04.080 --> 0:56:04.880
<v Speaker 2>one said anything.

0:56:05.480 --> 0:56:05.719
<v Speaker 4>No.

0:56:05.840 --> 0:56:08.000
<v Speaker 2>But guess what when I was like when I heard

0:56:08.000 --> 0:56:09.719
<v Speaker 2>about the role, I was like, O, can you tell

0:56:09.760 --> 0:56:15.799
<v Speaker 2>Shata I was Private cra Remember she has said that

0:56:15.920 --> 0:56:18.800
<v Speaker 2>she liked all of my cuts. I mean, let I listen,

0:56:19.080 --> 0:56:22.600
<v Speaker 2>you go there right? But I know it was this

0:56:22.719 --> 0:56:24.439
<v Speaker 2>was like a whole new, whole new game.

0:56:25.560 --> 0:56:32.560
<v Speaker 1>Uza Aduba, Andre Brower, Gian Carlo Esposito, you, of course,

0:56:32.719 --> 0:56:39.799
<v Speaker 1>Jason Lee, Ken Marino, and many many more fantastic actors

0:56:40.440 --> 0:56:44.839
<v Speaker 1>working on the new show. A. If you haven't read

0:56:44.920 --> 0:56:47.920
<v Speaker 1>the book or know the story, the log line is

0:56:47.960 --> 0:56:52.720
<v Speaker 1>simply a murder mystery set in the White House. Uh,

0:56:53.120 --> 0:56:56.359
<v Speaker 1>now you read it. You wanted to do it. You

0:56:56.440 --> 0:56:59.520
<v Speaker 1>asked if if if if she remembered your takes from

0:56:59.560 --> 0:57:05.000
<v Speaker 1>two thou seven. Now, Uh, first season is shot. Yes,

0:57:05.160 --> 0:57:07.720
<v Speaker 1>we are you still excited about us?

0:57:07.960 --> 0:57:13.520
<v Speaker 2>I am so so excited about it. I I you.

0:57:13.400 --> 0:57:16.720
<v Speaker 1>Know, you can't say anything else, I know, but anyway, God, no,

0:57:16.880 --> 0:57:17.520
<v Speaker 1>I know.

0:57:17.520 --> 0:57:20.680
<v Speaker 2>I'm so excited. It's it's you know, I just talked

0:57:20.680 --> 0:57:23.560
<v Speaker 2>about how much I love working on Marywise. I gotta

0:57:23.600 --> 0:57:28.360
<v Speaker 2>tell you this right here. Same feelings, same feelings. I mean,

0:57:28.720 --> 0:57:35.400
<v Speaker 2>the most fun, the most amazing people to work with,

0:57:35.960 --> 0:57:39.920
<v Speaker 2>like just comedy. It was just comedy and plus the

0:57:39.960 --> 0:57:43.960
<v Speaker 2>most I hung out with this cast like you would believe.

0:57:44.000 --> 0:57:46.800
<v Speaker 2>Like we've we've karaoke, We've gone to Rod Show, We've

0:57:46.840 --> 0:57:49.920
<v Speaker 2>done all things. You know, We've gone, we've traveled together.

0:57:49.920 --> 0:57:53.480
<v Speaker 2>I mean, it's incredible. And you know, we lost our

0:57:53.520 --> 0:57:56.200
<v Speaker 2>dear Andre Brower, you know, as we all did the world,

0:57:56.200 --> 0:57:58.400
<v Speaker 2>did you know, sort of in the center of it,

0:57:59.040 --> 0:58:04.040
<v Speaker 2>and John Carlos Posito came in and you know, just

0:58:04.120 --> 0:58:10.000
<v Speaker 2>with open arms, and it's been really, really incredible. It's yeah,

0:58:10.000 --> 0:58:11.760
<v Speaker 2>I can't say too much about you know, the story itself.

0:58:11.760 --> 0:58:14.280
<v Speaker 2>But I will say it's not anything like the book.

0:58:14.800 --> 0:58:17.440
<v Speaker 2>I mean no, he completely made this. He read the

0:58:17.440 --> 0:58:19.200
<v Speaker 2>book and was like, can I do this with it?

0:58:19.800 --> 0:58:21.840
<v Speaker 2>You know, this book is just about the White It's

0:58:21.880 --> 0:58:25.080
<v Speaker 2>not just about This book is about the White House,

0:58:25.200 --> 0:58:28.480
<v Speaker 2>and there's the White House staff. So that's what people

0:58:28.480 --> 0:58:29.960
<v Speaker 2>need to know. This is not something that takes place

0:58:30.000 --> 0:58:32.760
<v Speaker 2>in the West Wing. This is very upstairs, downstairs. This

0:58:32.840 --> 0:58:37.640
<v Speaker 2>is very like the ushers, the butlers, the engineers, the painters,

0:58:38.200 --> 0:58:43.160
<v Speaker 2>the housekeeping. This is that, and it happens this murder

0:58:43.200 --> 0:58:47.720
<v Speaker 2>happens amongst them during a state dinner, and so what

0:58:47.960 --> 0:58:52.240
<v Speaker 2>unfolds after that is absolutely But the way I felt

0:58:52.280 --> 0:58:55.000
<v Speaker 2>about that script is very similar, Like when I first

0:58:55.040 --> 0:58:58.600
<v Speaker 2>read this is Us. I read the first fifteen pages

0:58:58.760 --> 0:59:01.439
<v Speaker 2>of this script and I call my people and was like, yes,

0:59:01.680 --> 0:59:04.760
<v Speaker 2>I would like to do this. Can we make that happen?

0:59:04.840 --> 0:59:08.600
<v Speaker 2>So it was that for me, and I just could

0:59:08.680 --> 0:59:12.760
<v Speaker 2>not be happier and prouder of coming through it after

0:59:12.920 --> 0:59:17.880
<v Speaker 2>you know the many you know, just big girls. Yeah, yeah,

0:59:18.120 --> 0:59:19.800
<v Speaker 2>like there was some there's some rough stuff we had

0:59:19.840 --> 0:59:24.520
<v Speaker 2>to deal with unfortunately, but here we are and we

0:59:24.560 --> 0:59:27.320
<v Speaker 2>could not be happier, prouder.

0:59:27.480 --> 0:59:29.640
<v Speaker 3>Yeah, did you like this is us?

0:59:29.680 --> 0:59:34.960
<v Speaker 1>Did you audition in a tiny.

0:59:34.680 --> 0:59:38.960
<v Speaker 2>Well, listen, this is this might be that this is

0:59:39.000 --> 0:59:43.360
<v Speaker 2>as effect right, every every different you know, every job

0:59:43.400 --> 0:59:46.680
<v Speaker 2>has a different story. So this one, you know, was

0:59:46.960 --> 0:59:52.720
<v Speaker 2>not an audition, so I was able to enjoy just say, yeah,

0:59:53.000 --> 0:59:55.320
<v Speaker 2>would you like to be this? And I said I

0:59:55.320 --> 0:59:58.960
<v Speaker 2>would love to be this, and so yeah, so you

0:59:59.040 --> 1:00:01.520
<v Speaker 2>know it's it's not graduation, you know.

1:00:04.160 --> 1:00:11.000
<v Speaker 1>Congratulations to you. I breaking news from the internet. There's

1:00:11.080 --> 1:00:17.360
<v Speaker 1>no date yet, expected first quarter of twenty twenty five,

1:00:17.960 --> 1:00:20.200
<v Speaker 1>so still you're gonna have to wait. But the Resident's

1:00:20.280 --> 1:00:24.120
<v Speaker 1>coming out. Susan, thank you so much for joining me today.

1:00:24.160 --> 1:00:26.440
<v Speaker 1>I can't tell you what a pleasure it was for

1:00:26.520 --> 1:00:28.960
<v Speaker 1>me to get to know you a little bit and

1:00:29.000 --> 1:00:32.360
<v Speaker 1>to hear your story. And I promise I will be

1:00:32.560 --> 1:00:36.560
<v Speaker 1>looking ahead to not just the Residents, but whatever comes,

1:00:36.840 --> 1:00:37.960
<v Speaker 1>whatever comes next for you.

1:00:38.280 --> 1:00:41.360
<v Speaker 2>Thank you so much, Brian, and I would like to

1:00:41.440 --> 1:00:45.400
<v Speaker 2>see a link to your speech.

1:00:48.360 --> 1:00:51.360
<v Speaker 5>Well, Well you know what, here's the thing.

1:00:51.240 --> 1:00:54.800
<v Speaker 2>No pressure, but go ahead major in English too much.

1:00:55.840 --> 1:01:00.000
<v Speaker 5>If it goes really well or really bad.

1:01:00.040 --> 1:01:02.120
<v Speaker 3>Yeah, and I'm sure you'll.

1:01:01.880 --> 1:01:03.840
<v Speaker 2>See it about it.

1:01:03.800 --> 1:01:20.560
<v Speaker 5>One way or the other Susan. Thanks so much, Susan.

1:01:21.360 --> 1:01:25.120
<v Speaker 1>Amazing to get to know you and your work today.

1:01:25.360 --> 1:01:29.320
<v Speaker 1>I can't wait to watch the Residents. I'll be keeping

1:01:29.360 --> 1:01:33.439
<v Speaker 1>an eye out for that and truly anything you do

1:01:33.640 --> 1:01:36.640
<v Speaker 1>in the future. Listeners, you know what I'm gonna do next.

1:01:36.800 --> 1:01:40.280
<v Speaker 1>I'm going to bring you another great guest for this podcast.

1:01:40.440 --> 1:01:43.920
<v Speaker 3>I might even do it next Tuesday. You never know,

1:01:44.160 --> 1:01:45.720
<v Speaker 3>so check back.

1:01:45.520 --> 1:01:59.240
<v Speaker 1>In and until then, have a great week. Off the

1:01:59.280 --> 1:02:03.200
<v Speaker 1>Beat is hosted and executive produced by me Brian Baumgartner,

1:02:03.440 --> 1:02:07.440
<v Speaker 1>alongside our executive producer, Lang Lee. Our senior producer is

1:02:07.520 --> 1:02:11.520
<v Speaker 1>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

1:02:11.600 --> 1:02:16.000
<v Speaker 1>Emily Carr. Our talent producer is Ryan Papa Zachary, and

1:02:16.080 --> 1:02:20.200
<v Speaker 1>our intern is Ali Amir Sahim. Our theme song Bubble

1:02:20.280 --> 1:02:24.280
<v Speaker 1>and Squeak, performed by the one and only Creed Bratton,