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Speaker 1: Well, hello, hello, fan Ritos, Hi Fanurritos.

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Speaker 2: We're back.

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Speaker 1: We're back.

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Speaker 2: We are back.

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Speaker 1: We're well into season two.

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Speaker 3: I don't know about better than ever, but.

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Speaker 2: We're but we're we're back.

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Speaker 1: We're back, We're upright, And I'm so glad you watched

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Speaker 1: the correct episode for today, which wasn't always the case.

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Speaker 2: Like, so I need to tell everyone that when you

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Speaker 2: purchase the show, like on Amazon, we can say that

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Speaker 2: now because there's no strike. Well, when you purchase the

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Speaker 2: show on Amazon, it comes in a certain order, okay,

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Speaker 2: but apparently it's not the correct order because cuz I

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Speaker 2: watched episode four thinking it was episode three, and I

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Speaker 2: was kind of confused because it started off like kind

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Speaker 2: of in the middle of like Joey and Jesse starting

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Speaker 2: this new thing, and I was like, that's weird. We

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Speaker 2: didn't like like intro that we just kind of went

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Speaker 2: right into Jesse's like an exterminator, right, So it felt

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Speaker 2: like a little bit of a jump, but it also

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Speaker 2: didn't feel like a jump that didn't happen during eighties television,

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Speaker 2: where it was like you just you know, it was

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Speaker 2: a new character and you're like, oh, it's fine, We've

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Speaker 2: just accepted it. So I watched the whole episode whatever,

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Speaker 2: and it's nine thirty eight and we're getting on at

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Speaker 2: ten o'clock and you mentioned something about a ripper and

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Speaker 2: a rat tail, like a bad hairstyle choice, and I

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Speaker 2: in that moment, I was like, there were no rippers

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Speaker 2: in the episode that I watched, because I would have

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Speaker 2: noticed that. And so at nine thirty eight, I start

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Speaker 2: panic watching episode three because I watched it was four,

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Speaker 2: which now makes sense. Episode four ye, so but twenty

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Speaker 2: two minutes. Let me tell you, it's exactly the length

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Speaker 2: of a full house episode. I started watching it, and

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Speaker 2: as I was signing on earlier to do our interview

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Speaker 2: with Scott, the credits started rolling on the episodes.

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Speaker 1: I was like, okay, wow, my goodness, is not an

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Speaker 1: hour long drama or we want to be right?

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Speaker 2: I thought I was. I was. I was so prepared.

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Speaker 2: I was still prepared.

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Speaker 1: Well that makes sense, And.

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Speaker 2: Now now I'm extra prepared though, because now I have

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Speaker 2: the next episode done as well as this one.

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Speaker 1: So yeah, you're you're you're now I'm a'repared now.

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Speaker 2: Yeah yeah, well, I'm only ever over prepared in a

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Speaker 2: moment of panic when I have unknowingly underprepared.

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Speaker 1: So yeah, only when you make a mistake over prepared

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Speaker 1: that tracks track.

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Speaker 2: But yeah, I'm but I'm so glad and now everything's

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Speaker 2: all coming together, the jingles, the job, the all of it.

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Speaker 1: Yes, this is the start of the jingle writing. This

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Speaker 1: is the origin story of.

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Speaker 3: The origin story of the jingle writing.

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Speaker 2: Yeah. So okay, now I'm here, I'm on track. I

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Speaker 2: know what's happening. Now that we're all up to speed,

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Speaker 2: we can, I guess, you know, be professionals and do

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Speaker 2: an episode.

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Speaker 1: That's hysterical and that makes sense. Way if you didn't

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Speaker 1: have the rundown, you wouldn't know what episode you were just.

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Speaker 2: I was like, I didn't like it got emailed to me,

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Speaker 2: but I was like, oh, I'll look at it whatever,

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Speaker 2: Like I wasn't. I don't know what I was thinking

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Speaker 2: because I usually watched the episode and then I'll look

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Speaker 2: at the rundown because I like to kind of, you know,

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Speaker 2: come up with my own little things that I noticed

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Speaker 2: or whatever. So I usually we'll read the rundown after

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Speaker 2: I do my notes. And I did that and then

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Speaker 2: the rundown. Yeah, and then I was like, there's not

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Speaker 2: a ripper episode, right, Yeah, there was no mention.

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Speaker 3: Of other care.

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Speaker 2: I was like, wait, I've done something terribly wrong, so.

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Speaker 3: So well, what the what?

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Speaker 1: What?

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Speaker 2: What's the deal Amazon? Why shuffling things around and confusing people,

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Speaker 2: because it's very confusing, and it's happened before Season one

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Speaker 2: has happened as well.

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Speaker 1: I don't oh, man, I don't know.

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Speaker 2: I don't know what's happening over there. But I don't

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Speaker 2: know if it's because is it that way in like

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Speaker 2: the box sets? I actually randomly don't have the.

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Speaker 1: Box sets I have.

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Speaker 2: I have a box set, but I wonder if it's

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Speaker 2: opened it okay, I wonder if it's like that in

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Speaker 2: the box set?

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Speaker 3: Did they put it in the wrong order?

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Speaker 1: A fan, A Reno please Fanorritos if you have a

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Speaker 1: box set, well you have for us and tell us

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Speaker 1: if this is the correct order? Are releasing these episodes

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Speaker 1: in the right order.

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Speaker 2: We are releasing them in the right order, but the

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Speaker 2: order that they're in on Amazon was decidedly wrong. And

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Speaker 2: I wonder if that is how they are in the

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Speaker 2: box set as well, and like when they you know,

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Speaker 2: I don't know, or is it just a just a

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Speaker 2: streaming thing anyway? I was confused now I'm not as

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Speaker 2: much now, yeah, and it's all good.

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Speaker 1: Well, let's get into it and see ye please, let's

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Speaker 1: double check watch the right, the right episode. Welcome back

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Speaker 1: to how Rude tan Rito's I am Andrea Barber and

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Speaker 1: I'm Jodi Sweeten, and today we are discussing season two,

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Speaker 1: episode three, entitled It's Not My Job.

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Speaker 3: I also paid attention to the title.

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Speaker 1: The title.

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Speaker 2: The title did well. They don't enlist the title when

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Speaker 2: you're watching the episode.

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Speaker 3: It doesn't. I mean it does. It says it on

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Speaker 3: the thing.

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Speaker 2: But look at that.

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Speaker 1: I was just watching, okay anyway, okay, and it's and

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Speaker 1: you watched a jingle related episode, just a related episode.

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Speaker 2: It was just episode we already established the jingle thing

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Speaker 2: and I was lost.

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Speaker 1: Yeah, okay, Glad you're back. Glad you're back in present time.

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Speaker 1: Here mean This episode originally aired on October twenty eighth,

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Speaker 1: nineteen eighty eight, and it goes a little something like this.

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Speaker 1: Jesse tells his father he's leaving the family bug killing

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Speaker 1: business to pursue a career in the music industry. Stephanie

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Speaker 1: gets her first cavity and faces her fear of the dentist.

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Speaker 1: It was directed by our dear friend Joel Zwick and

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Speaker 1: written by Jeff Franklin. And we have some amazing guest stars.

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Speaker 1: This week we have Yvonne Wilder as Grandma Katsopolis Irene Katzopolis,

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Speaker 1: which is a different actress.

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Speaker 3: Is it different?

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Speaker 1: Yes, we went with the season one Grandma Grandma Cochran

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Speaker 1: at that time.

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Speaker 2: What right, Well, there's a lot of Cochran and Grandma Caszopolis.

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Speaker 2: We just changed about and Danny's mom I think changes too.

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Speaker 3: Yeah, we didn't. We didn't stick with the original.

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Speaker 1: There's no continuity when it comes to Grandma's here. But

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Speaker 1: Ivon Wilder is fantastic. She's so good, so I can

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Speaker 1: forgive this recast. But she is best known as Consuelo

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Speaker 1: in West Side Story from nineteen sixty one. Incredible. Well,

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Speaker 1: I didn't know.

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Speaker 2: Which Genus Cronus and Roberta Hayes, our two wardrobe people

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Speaker 2: were in. Remember they were, I mean I know, because

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Speaker 2: like I was, you know, fascinated with dancing stuff.

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Speaker 3: But Gina and Roberta were in West Side Story. They

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Speaker 3: were dancers.

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Speaker 2: Wow, And so yeah, that is so they actually knew her. Anyway,

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Speaker 2: what history.

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Speaker 1: We've met such cool people in with this job. That's

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Speaker 1: so fantastic, truly. So this is Vonn's first of seven

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Speaker 1: full House episodes. She stopped acting in nineteen ninety three

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Speaker 1: and unfortunately she recently passed in twenty twenty one. Yeah,

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Speaker 1: I was sad to hear that. And then we have

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Speaker 1: John A. Priya as Grandpa Catsopolis Nia Catzopolis. He's another

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Speaker 1: legendary actor. He was in Godfather Part two, also k

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Speaker 1: New Jack City and nineteen sixty eight Bullet with Steve McQueen.

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Speaker 1: You just see him everywhere. He's eighty three and he's

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Speaker 1: still acting like really goals. Yeah, he's just he's incredible,

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Speaker 1: such a good actor, and he's so good as Grandpa cuts.

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Speaker 2: I was great as Grandpa Enzopolis.

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Speaker 1: Yeah, yep. Great, great team, a great duo here. And

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Speaker 1: then our last guest star this week is Peter Kwang.

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Speaker 1: He plays the dentist and he is a legendary character actor,

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Speaker 1: best known as Rain in Big Trouble, Little China, and

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Speaker 1: he also appeared in The Golden Child and Gleaming the Cube.

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Speaker 3: And he's still oh no, sorry, that's the one.

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Speaker 2: See I always screwed up, LORI was a rad Gleaming

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Speaker 2: the Cubes, the one I always mistake it for.

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Speaker 1: Oh so she wasn't in that one, okay, And he's

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Speaker 1: Peter is still working, even recently appearing in an Ed

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Speaker 1: Sheeran Farrell video which we didn't know that. That's great.

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Speaker 1: He's got a lot of credits to his name, and

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Speaker 1: he does a great job as the dentist.

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Speaker 3: Fantastic dentist.

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Speaker 1: I wish I had a dentist as a calm as

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Speaker 1: Peter Kwang. Okay, So we open with a cold open

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Speaker 1: in the living room and it's Halloween. Apparently there's pumpkins.

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Speaker 2: The random Well, this was like, this was like our

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Speaker 2: nod to a holiday, and then we didn't have to

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Speaker 2: make an episode about it, but we just got to

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Speaker 2: like acknowledge, like, hey, this is airing around Halloween, guys.

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Speaker 1: Yeah, let's just throw some pumpkins eighth.

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Speaker 3: Yeah.

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Speaker 2: So they were like, oh, it will dress them up

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Speaker 2: and stick it in a cold open. Yeah.

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Speaker 1: No, it was perfect. It was perfect. The costumes were great.

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Speaker 1: So Stephanie is dressed up in an elaborate bunny costume

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Speaker 1: with a giant carrot in her hand, hopping across the

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Speaker 1: living room yelling for everyone to hurry up.

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Speaker 2: Yes, she's a very warm costume.

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Speaker 1: Oh I bet, I bet that was hot. And you're

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Speaker 1: you're you're saying you're late, You're late for a very

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Speaker 1: important date.

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Speaker 3: Alice in Wonderland.

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Speaker 1: Yeah, I love You've got like the the whiskers drawn

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Speaker 1: on to your face and everything.

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Speaker 2: I have a picture of me as a little little kid.

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Speaker 2: I think my first Halloween costume was a bunny, very

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Speaker 2: similar to that that my mom made.

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Speaker 1: Oh that's so great. That's okay. You know it's art

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Speaker 1: imitating life against true.

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Speaker 3: I mean it just yeah.

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Speaker 1: And DJ is dressed as Cleopatra, so uh oh yes.

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Speaker 2: I think I was intensely jealous of her costume too.

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Speaker 2: I was like, I wanted to be Cleabo.

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Speaker 1: It was elaborate. Yeah, it was in the makeup. I'm

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Speaker 1: sure she loved this, like intense eyeliner. Yeah. Yeah, no

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Speaker 1: longer an acceptable costume to wear these days. But that's okay.

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Speaker 1: This is nineteen eighty nine. So she's dancing her way

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Speaker 1: into the living room and she tells Stephanie make way

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Speaker 1: for Cleopatra, Queen of the Nile. Stephanie looks at her

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Speaker 1: and asks, why did you pick that? And DJ admits, well,

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Speaker 1: it's because Dad wouldn't let me be Elvira, okay, and

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Speaker 1: then the kitchen door swings open and we get the

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Speaker 1: infamous Three Stooges Hello song, Hello, Hello Yeah, performed by Joey,

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Speaker 1: Jesse and Danny. They're wearing these scary wigs like they're

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Speaker 1: wearing the wigs.

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Speaker 3: They're horrifying.

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Speaker 1: It's so it's really.

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Speaker 2: I guess it was meant to look like homemade. I

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Speaker 2: can't imagine them allowing that on television now, Like, if

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Speaker 2: you did it now, it would have to look perfect.

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Speaker 1: It would have to look a lot more authentic.

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Speaker 2: You know what I mean, Like they'd want it to

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Speaker 2: look like on Fuller House, it would have been like

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Speaker 2: days of wig testing and makeup. But this literally looked

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Speaker 2: like they drew fake hair on a shower cap and

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Speaker 2: stuck it on their head.

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Speaker 1: And it's yeah, you can see like the partial bald. Yeah,

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Speaker 1: like'd be the line that wrinkles.

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Speaker 2: It's really yeah, like and I think that was part

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Speaker 2: of it, was like make it look like they just

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Speaker 2: did it at home. But I feel like that we

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Speaker 2: don't do that as much on shows anymore.

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Speaker 1: Now.

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Speaker 2: It's like make it look perfect.

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Speaker 3: But it was strange.

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Speaker 1: The guys looked I'm sure they were loving it, but

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Speaker 1: it was a little terrifying as a viewer to be like, whoa,

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Speaker 1: which guys really went all out?

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Speaker 2: Yeah?

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Speaker 1: Yeah, So they stay in character as they perform one

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Speaker 1: of the three Stooges bits in the living room and

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Speaker 1: Danny tells the girls they are a lock to win

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Speaker 1: the costume contest. DJ tells them we'll forget it. As

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Speaker 1: everyone looks towards the kitchen door and we see Michelle

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Speaker 1: dressed up in an adorable pumpkin costume. It is so cute.

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Speaker 1: She's wearing green tights and she says the word Candy's

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Speaker 1: so sweet, and DJ says, we are all dead neat.

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Speaker 1: I guess, insinuating that Michelle is going to.

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Speaker 2: Will get a wim test. Yes, absolutely, sogs She's not wrong,

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Speaker 2: she's not wrong, She's not wrong. And now that Halloween's

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Speaker 2: over and back to the real show.

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Speaker 1: This was such a big investment. I thought, for just

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Speaker 1: a short little teaser scene, like they invested a lot

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Speaker 1: in these costumes, at least the Cleopatra one and the

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Speaker 1: Bunny one, and it's like, yeah, it was.

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Speaker 2: Just well, they didn't invest in the wigs. I think

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Speaker 2: all the money went to the Bunny and the Cleopatra costume.

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Speaker 1: Yeah. True, that's where the whole budget went.

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Speaker 3: So all the budget went.

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Speaker 1: Yeah, So we continue after the credits, we continue in

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Speaker 1: the living room where Jesse is surrounded by a whole

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Speaker 1: team of mullets and rippers.

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Speaker 2: Once again, mullets, rippers and rattails. Oh my, if you

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Speaker 2: don't know what a rattail is, it's it's like a

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Speaker 2: little that one of the rippers had like a small

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Speaker 2: chunk of hair right here kind of behind his ear

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Speaker 2: that was braided and hanging down. Did it have beads?

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Speaker 2: Did it have had beads?

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Speaker 1: Well, not only was this like a little brain, he

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Speaker 1: had a ponytail, he had his mullet pulled back at

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Speaker 1: a ponytail.

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Speaker 2: This is the right.

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Speaker 1: This is the ripper on the far left for people

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Speaker 1: who are watching the show at home. And so he

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Speaker 1: had a ponytail, and then he had the little rattail

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Speaker 1: that went around his neck. That is a choice. That

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Speaker 1: is a bold. That was a very Yeah.

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Speaker 2: I do remember there was a phase of rattails in

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Speaker 2: the eighties and nineties and was I still don't understand it.

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Speaker 3: But to each their own, you know, it's.

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Speaker 1: Giving Jordan Knight in nineteen eighty nine because Jordan I

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Speaker 1: was famous for his rat tail.

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Speaker 2: He had a rat tail.

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Speaker 1: Oh yeah, and Danny would too this on the scene.

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Speaker 1: This was in the late eighties. I thought it was incredible,

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Speaker 1: this this ripper but stealing the scene.

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Speaker 2: Yep, rippers, brattails and ullets on my.

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Speaker 1: Oh my. So Jesse tells the mullet rippers, Uh, all right,

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Speaker 1: let's take it from.

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Speaker 2: The bullet rippers. The mullet sounds.

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Speaker 3: That sounds awful.

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Speaker 2: That sounds like like some sort of like masked men

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Speaker 2: that go around ripping mullets off of people. It's like

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Speaker 2: a horror, which is really I mean, doing a favor

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Speaker 2: to to society and to the people.

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Speaker 1: We need mullet ros. We need mullet rippers, communities. Yes,

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Speaker 1: So they all start to snap in unison as Jesse

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Speaker 1: counts down one two, one, two, three, but Joey interrupts.

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Speaker 1: He asks, uh, Jesse, you've never written an advertising jingle before,

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Speaker 1: have you? And Jesse says no. Joey tells them, well,

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Speaker 1: if you're gonna sell this thing, you're gonna need something

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Speaker 1: that no one else has me and Joey breaks out

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Speaker 1: his harmonica and start playing a medley. This is so Dave, which.

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Speaker 2: Was great, and I was a fantastic harmonica player. I

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Speaker 2: agree with Joey in this situation.

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Speaker 1: I kinda do he added a lot to this. I'd

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Speaker 1: take the retael out, put the harmonica in, replaced by

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Speaker 1: the harmonica. But Jesse snatches this harmonica out of his

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Speaker 1: hands and he yells, Lucy, I didn't say you could

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Speaker 1: be in the show, and Joey winds, oh ranky, so wonderful,

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Speaker 1: nod to I let Lucy there. Jesse dismisses Joey and

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Speaker 1: starts with the rippers again from the top, and as

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Speaker 1: he's counting down, Danny interrupts him. This time he and

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Speaker 1: DJ are just getting back from the dentist. DJ walks

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Speaker 1: in the door proudly announces no cavities, baby, thank you,

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Speaker 1: and Jesse and Joey hug her in excitement, but then

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Speaker 1: Stephanie slowly walks through the door, moping. As Danny tells

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Speaker 1: the group, Stephanie has her very first cavity. She sits

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Speaker 1: on the step and questions, why do I have to

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Speaker 1: have a filling? I'm gonna lose it anyway. It's a

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Speaker 1: baby tooth.

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Speaker 2: I mean, I agree it's the tooth is coming out. Well, yeah,

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Speaker 2: she's got a pus.

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Speaker 1: You've got an infection in there. You don't want it

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Speaker 1: to linger. You know.

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Speaker 2: I've never had a cavity, so I don't know what. Yeah,

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Speaker 2: get out like a little like a like the one

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Speaker 2: they had to seal, but never like a drill.

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Speaker 1: I've never like a drill.

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Speaker 3: Wow, I've just.

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Speaker 2: Had other tons of horrible oral surgeries. But yeah, no cavities.

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Speaker 1: Good for you, good oral hygiene. Tody Sweeten, very proud

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Speaker 1: of you.

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Speaker 3: I mean, I guess.

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Speaker 1: Yeah, it all started with this episode. It all learned

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Speaker 1: at age six.

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Speaker 3: I learned. I was like, I'm never having this actually

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Speaker 3: happen to me.

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Speaker 1: You found your courage hanging bawl. So Joey walks over

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Speaker 1: to a disappointed Stephanie telling her it's not that bad,

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Speaker 1: and Danny agrees. Stephanie tells them when somebody says it's

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Speaker 1: not that bad, it's bad, which is kind of true.

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Speaker 2: She's got a point when everyone's like no, no, no, you're fine,

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Speaker 2: You're not.

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Speaker 1: Fine, and you're like, no, I'm being gas lit right now,

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Speaker 1: six year old.

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Speaker 2: I feel pity. I feel pity.

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Speaker 1: Yeah, Jesse says he is the perfect thing to cheer

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Speaker 1: her up. She can help him rehearse for his jingle presentation,

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Speaker 1: and Stephanie sadly responds, hot dog.

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Speaker 3: Yeah.

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Speaker 2: I'm like, how that's that's not a consolation, but your

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00:17:21,840 --> 00:17:23,160
Speaker 2: delivery of this is great.

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Speaker 1: Hot dog. I mean, this could have been another catchphrase

350
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Speaker 1: for you. It is so funny. So Jesse sits stephan

351
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Speaker 1: Dj down, pretending that they are important advertising executives, and

352
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Speaker 1: he starts his presentation. He introduces himself to the advertising executives,

353
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Speaker 1: explaining that he wrote a jingle for their new water

354
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Speaker 1: theme part, which is splash City. He starts off the

355
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Speaker 1: group counting down again as they snap in unison, and

356
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Speaker 1: the group starts to perform an a cappella masterpiece. This

357
00:17:53,800 --> 00:17:56,280
Speaker 1: jingle's really catchy too, like motion the Law.

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Speaker 2: I mean, the longest jingle i've I was like, this

359
00:17:59,040 --> 00:18:00,560
Speaker 2: is a this is a.

360
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Speaker 1: Long jingle. It's a single. Yeah, it's it's long, it's catchy.

361
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Speaker 1: I enjoyed it. I thought that it sounded very beach

362
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Speaker 1: Boys as well.

363
00:18:11,880 --> 00:18:13,960
Speaker 2: It was very yeah yeah, yeah, yeah.

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00:18:14,000 --> 00:18:16,160
Speaker 1: This was definitely a nod to the Beach Boys before

365
00:18:16,200 --> 00:18:17,160
Speaker 1: we had the Beach Boys.

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Speaker 3: Well, it was not it was a nod to Surf City.

367
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Speaker 2: The song.

368
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Speaker 1: It sounded very so to Serf City. So the family

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Speaker 1: loves this jingle. They clap along with the tune, and

370
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Speaker 1: I didn't.

371
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Speaker 2: Steph was not very impressed though, And I don't know

372
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Speaker 2: if I was supposed to look that way, But there's

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Speaker 2: one point where they cut to like like DJ and

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Speaker 2: Steph on the chair, and you know, DJ is kind

375
00:18:36,800 --> 00:18:37,600
Speaker 2: of like this, and I'm like.

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Speaker 1: You're still bored, You're still pissed about your cavity.

377
00:18:40,720 --> 00:18:42,639
Speaker 2: Well, I don't know if I was supposed to be

378
00:18:42,720 --> 00:18:44,240
Speaker 2: or they just caught me in an off moment, but

379
00:18:44,320 --> 00:18:45,119
Speaker 2: either way it worked.

380
00:18:46,200 --> 00:18:48,320
Speaker 1: Yeah, who knows if this was you were directed to

381
00:18:48,320 --> 00:18:51,720
Speaker 1: do that or if the scene I'm not great. It

382
00:18:51,720 --> 00:18:55,040
Speaker 1: could go either way. So the family's loving it. They're

383
00:18:55,040 --> 00:18:58,040
Speaker 1: clapping along, and Joey gets up and puts sunglasses on

384
00:18:58,240 --> 00:19:02,119
Speaker 1: as he worms his way into this group. Joey breaks

385
00:19:02,119 --> 00:19:05,120
Speaker 1: out his harmonica again and starts adding his own blues

386
00:19:05,240 --> 00:19:09,639
Speaker 1: melody to the mix. Dave is so into this, like

387
00:19:09,680 --> 00:19:11,800
Speaker 1: he's so committed to this bit.

388
00:19:12,000 --> 00:19:14,080
Speaker 2: It's oh great, Oh I got to play harmonica.

389
00:19:14,080 --> 00:19:14,520
Speaker 3: He loves it.

390
00:19:14,720 --> 00:19:16,880
Speaker 1: Yeah, he loves it. He's good at it, so Jesse

391
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Speaker 1: stops him and the group finishes the last line of

392
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Speaker 1: the jingle. The audience goes crazy along with the rest

393
00:19:23,720 --> 00:19:27,280
Speaker 1: of the family, and Jesse asks Stephanie what she thinks.

394
00:19:27,760 --> 00:19:30,560
Speaker 1: She tells him, I think it's gonna fall out anyway.

395
00:19:30,600 --> 00:19:34,679
Speaker 1: It's a baby tooth. You're clearly thinking about her.

396
00:19:34,880 --> 00:19:37,320
Speaker 2: Yeah, like, I think none of this matters to me.

397
00:19:37,640 --> 00:19:41,080
Speaker 1: Yeah, She's like, this is not important. My cavity is important.

398
00:19:42,440 --> 00:19:45,480
Speaker 1: So then we cut to DJ and Stephanie's room where

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Speaker 1: DJ and Kimmy are doing homework.

400
00:19:48,040 --> 00:19:51,600
Speaker 2: And well, DJ's doing home, DJ's.

401
00:19:51,119 --> 00:19:55,560
Speaker 1: Doing homework, Kimmy is just blatantly copying all of DJ's answers.

402
00:19:56,560 --> 00:19:59,200
Speaker 1: DJ looks at her and points out, you even copied

403
00:19:59,200 --> 00:20:04,159
Speaker 1: my name, and Kimmy starts erasing her name furiously. And

404
00:20:04,200 --> 00:20:07,119
Speaker 1: we got to talk about these outfits, like I feel like, okay,

405
00:20:07,119 --> 00:20:09,640
Speaker 1: first of all, me like I'm wearing this. I think

406
00:20:09,640 --> 00:20:12,320
Speaker 1: we're finally starting to lean into the Gibbler fashion. You know, yes,

407
00:20:12,840 --> 00:20:16,400
Speaker 1: why like hot pink and purple zig zags with big

408
00:20:16,480 --> 00:20:21,200
Speaker 1: pink sleek. Oh yeah, definitely, this is where the Gibbler

409
00:20:21,240 --> 00:20:22,800
Speaker 1: fashion is starting to take off.

410
00:20:22,880 --> 00:20:26,320
Speaker 2: I mean, I definitely and also, uh, I am wearing

411
00:20:26,520 --> 00:20:30,520
Speaker 2: a sweater with Scotti's on it, which which I was too,

412
00:20:30,760 --> 00:20:34,159
Speaker 2: And because I'm so well prepared, I also am in

413
00:20:34,200 --> 00:20:37,399
Speaker 2: the next episode as well, in episode four, I also

414
00:20:37,960 --> 00:20:39,240
Speaker 2: have a Scotty sweater.

415
00:20:39,920 --> 00:20:42,159
Speaker 1: Did you have a Scottie dog as a child?

416
00:20:42,240 --> 00:20:42,320
Speaker 4: Like?

417
00:20:42,359 --> 00:20:43,119
Speaker 1: Why?

418
00:20:43,200 --> 00:20:45,119
Speaker 2: Like I said, my mom did when she was like

419
00:20:45,280 --> 00:20:46,240
Speaker 2: twenty was her fruit?

420
00:20:46,280 --> 00:20:46,720
Speaker 3: But I don't think.

421
00:20:46,760 --> 00:20:49,240
Speaker 2: I don't know. And also like where are they finding

422
00:20:49,280 --> 00:20:51,600
Speaker 2: all of this? Why were Scotti dogs so popular in

423
00:20:51,640 --> 00:20:53,240
Speaker 2: the late eighties early nineties?

424
00:20:53,640 --> 00:20:56,160
Speaker 1: What happened? I don't know. I don't know. It's great

425
00:20:56,560 --> 00:20:59,119
Speaker 1: your commitment to this, Yeah to this, both.

426
00:20:58,880 --> 00:21:03,440
Speaker 2: Black Scotties and white Scottis Yeah, on your equal opportunities.

427
00:21:03,560 --> 00:21:06,679
Speaker 2: And there's one we're coming next week too, so uh.

428
00:21:06,720 --> 00:21:09,080
Speaker 1: And then we have to talk about DJ's sweater too.

429
00:21:09,160 --> 00:21:12,760
Speaker 1: She's got this wild striped sweater. I think it says

430
00:21:12,880 --> 00:21:14,280
Speaker 1: berries Berries.

431
00:21:14,480 --> 00:21:17,240
Speaker 2: It's got a little farmer boy on it who looks

432
00:21:17,280 --> 00:21:20,120
Speaker 2: like he's wearing chaps. But I can't, I don't.

433
00:21:20,480 --> 00:21:22,479
Speaker 1: I kept staring at that too. I didn't know if

434
00:21:22,480 --> 00:21:25,280
Speaker 1: it was like a handkerchief or it was like assless chaps.

435
00:21:25,600 --> 00:21:29,520
Speaker 2: I mean, it looked like fairly certain it's not the

436
00:21:29,600 --> 00:21:33,080
Speaker 2: assless chaps. Uh. Those weren't done I think until a

437
00:21:33,080 --> 00:21:36,639
Speaker 2: little bit later by Prince. But I do feel like

438
00:21:36,720 --> 00:21:38,080
Speaker 2: it's it's deceiving.

439
00:21:38,200 --> 00:21:39,240
Speaker 3: You can't quite tell.

440
00:21:39,800 --> 00:21:42,600
Speaker 1: It's distracting. It's what it is. It's very distracting.

441
00:21:42,720 --> 00:21:45,400
Speaker 2: Yeah, and like berries, I don't what were they doing? Well,

442
00:21:45,400 --> 00:21:47,640
Speaker 2: why in the eighties were they just throwing random things

443
00:21:47,680 --> 00:21:48,399
Speaker 2: on shirts?

444
00:21:48,840 --> 00:21:51,639
Speaker 1: Why? I don't know. This was Scottie dogs.

445
00:21:51,880 --> 00:21:52,399
Speaker 3: What's happening?

446
00:21:53,200 --> 00:21:55,359
Speaker 1: This was a little bit of a departure from the

447
00:21:55,400 --> 00:21:58,680
Speaker 1: three D sweaters. Similar but a little different from the

448
00:21:58,720 --> 00:21:59,800
Speaker 1: three D sweaters to the last.

449
00:22:00,560 --> 00:22:03,200
Speaker 2: Yeah, but I do have well, don't worry, there's more.

450
00:22:03,600 --> 00:22:05,680
Speaker 1: There's more three D sweaters, comedy sweaters.

451
00:22:05,359 --> 00:22:07,320
Speaker 2: And then these, I think even had like little bows

452
00:22:07,400 --> 00:22:09,520
Speaker 2: that were in three DS. So there was still a

453
00:22:10,560 --> 00:22:14,600
Speaker 2: three D effect, Okay, to the sweater because apparently it

454
00:22:14,680 --> 00:22:17,199
Speaker 2: wasn't good if you unless it had things hanging off

455
00:22:17,240 --> 00:22:17,760
Speaker 2: of it.

456
00:22:17,840 --> 00:22:22,439
Speaker 1: You were very consistent with your wardrobe choices. Yeah, I

457
00:22:22,480 --> 00:22:26,280
Speaker 1: love it. Okay. So Kimmy's a racing DJ's name off

458
00:22:26,280 --> 00:22:29,719
Speaker 1: her homework, and Stephanie walks in and greets the girls

459
00:22:29,720 --> 00:22:33,000
Speaker 1: as she's brushing her teeth. Kimmy asks, what are you doing,

460
00:22:33,280 --> 00:22:37,080
Speaker 1: and Steph says, brushing away my cavity. DJ tells her

461
00:22:37,080 --> 00:22:41,000
Speaker 1: that she's been brushing it for three days straight and Kimmy.

462
00:22:41,320 --> 00:22:43,720
Speaker 1: Kimmy gets up and she decides to break the news

463
00:22:43,720 --> 00:22:46,760
Speaker 1: to step You can't just brush it away. You can't

464
00:22:46,800 --> 00:22:50,159
Speaker 1: wish it away. You have to drill it away. And

465
00:22:50,200 --> 00:22:53,240
Speaker 1: then she starts making these scary drill sounds just to

466
00:22:53,560 --> 00:22:54,720
Speaker 1: annoys Stephanie.

467
00:22:55,400 --> 00:22:58,960
Speaker 2: Do you really no wonder? Stephanie and Kimmy were always frenemies.

468
00:22:59,000 --> 00:23:00,320
Speaker 2: You just tortured this bord child.

469
00:23:00,440 --> 00:23:03,200
Speaker 1: I loved it. I loved really torture and.

470
00:23:03,280 --> 00:23:06,000
Speaker 2: So true, like I watched my kids so true.

471
00:23:06,640 --> 00:23:09,360
Speaker 1: Yep, yep. I just wanted to torture and put put

472
00:23:09,359 --> 00:23:11,159
Speaker 1: a little bit of fear in you, to make your

473
00:23:11,200 --> 00:23:14,000
Speaker 1: anxiety a little bit worse. You know, you could always

474
00:23:14,000 --> 00:23:17,720
Speaker 1: count on Kimmy for that. So then she asks Stephanie

475
00:23:17,760 --> 00:23:20,800
Speaker 1: if she's ever heard of Kathy Santoni. This is our

476
00:23:20,840 --> 00:23:26,600
Speaker 1: first mention of I love that she hadn't even been

477
00:23:26,640 --> 00:23:28,639
Speaker 1: cast yet, but we're already like talking about her.

478
00:23:28,840 --> 00:23:30,639
Speaker 2: She was, Yeah, she was a name. We brought her

479
00:23:30,720 --> 00:23:33,440
Speaker 2: name up a ton. You think she was like the

480
00:23:33,800 --> 00:23:36,280
Speaker 2: the it girl for you know, DJ and Kimmy.

481
00:23:36,440 --> 00:23:39,800
Speaker 1: Yep, she went through several metamorphoses, but yeah, yeah, this

482
00:23:39,920 --> 00:23:42,720
Speaker 1: is great. So Kimmy says that Kathy went in for

483
00:23:42,760 --> 00:23:46,400
Speaker 1: a filling and got her mouth wired shut and had

484
00:23:46,440 --> 00:23:49,879
Speaker 1: to eat through a hole in her throat. Stephanie hears

485
00:23:49,880 --> 00:23:52,400
Speaker 1: this and starts brushing her cavity with two two bread

486
00:23:52,480 --> 00:23:53,200
Speaker 1: tooth brushes.

487
00:23:54,040 --> 00:23:54,920
Speaker 2: You can never have too many.

488
00:23:54,920 --> 00:23:58,320
Speaker 1: Two two is better than one. So at this moment,

489
00:23:58,400 --> 00:24:01,280
Speaker 1: Danny walks into the girl's room and says, guess who's here,

490
00:24:02,040 --> 00:24:07,440
Speaker 1: and Kimmy guesses you. I'm like duh, and Denny says, well, yes,

491
00:24:07,960 --> 00:24:10,199
Speaker 1: but there's someone else. We hear a knock on the

492
00:24:10,200 --> 00:24:13,000
Speaker 1: bedroom door and the man on the other side says,

493
00:24:13,080 --> 00:24:16,000
Speaker 1: it's Grandpa Kitsolis. Open up.

494
00:24:16,920 --> 00:24:20,679
Speaker 2: Finally someone we're referring to as Grandpa and making some

495
00:24:20,840 --> 00:24:21,960
Speaker 2: family connections.

496
00:24:22,240 --> 00:24:25,400
Speaker 1: Yes, finally. It only took one season and a name

497
00:24:25,520 --> 00:24:27,959
Speaker 1: change too. This is I believe the first reference to

498
00:24:28,040 --> 00:24:30,240
Speaker 1: Ksopolis we've changed from Cochrane.

499
00:24:32,240 --> 00:24:34,480
Speaker 2: I think we've mentioned it. I think it may have

500
00:24:34,560 --> 00:24:37,399
Speaker 2: been mentioned before the name before this.

501
00:24:37,440 --> 00:24:40,640
Speaker 1: Okay, if you knew this, knew this season, but yeah, new, yeah,

502
00:24:41,160 --> 00:24:41,879
Speaker 1: knew this season.

503
00:24:42,119 --> 00:24:44,159
Speaker 2: No, I think it was changed in the first season,

504
00:24:44,680 --> 00:24:47,320
Speaker 2: was it. It was with it just like halfway through,

505
00:24:47,359 --> 00:24:49,960
Speaker 2: but it was never really mentioned, like it wasn't like there,

506
00:24:50,000 --> 00:24:51,720
Speaker 2: you know, we didn't quite like hang a hat on

507
00:24:51,760 --> 00:24:55,080
Speaker 2: it necessarily, but we'd changed it. But now this is yeah,

508
00:24:55,119 --> 00:24:56,520
Speaker 2: now we have Grandpa Cassopolis.

509
00:24:56,640 --> 00:24:59,439
Speaker 1: Now we have we have other Kissopoli. Yes, so we

510
00:24:59,480 --> 00:25:04,280
Speaker 1: say this now about eighty four times in the entire episode. Right, So,

511
00:25:04,840 --> 00:25:08,760
Speaker 1: Danny opens the door. He reveals that Stephanie and DJ's

512
00:25:08,800 --> 00:25:12,359
Speaker 1: grandma and grandpa are there. Each one of them gives

513
00:25:12,440 --> 00:25:15,639
Speaker 1: each girl a giant hug, and then Grandma Pazopolis yells

514
00:25:15,720 --> 00:25:18,600
Speaker 1: switch and the girls get to hug the other grandparent.

515
00:25:19,040 --> 00:25:22,080
Speaker 1: Oh my gosh, this is so cute. Like this couple

516
00:25:22,160 --> 00:25:24,560
Speaker 1: is a force, you know, Grandma and Grandpa they look

517
00:25:24,720 --> 00:25:27,520
Speaker 1: like grandparents. They are connected to the kids.

518
00:25:27,720 --> 00:25:30,760
Speaker 2: What they're like. I didn't realize. I didn't realize that

519
00:25:30,880 --> 00:25:35,679
Speaker 2: we had like East Coast Italian Greeks. Yeah in the

520
00:25:35,720 --> 00:25:39,159
Speaker 2: family though heavy it was heavy accents and the heavy

521
00:25:39,240 --> 00:25:42,199
Speaker 2: Italian and that I was like, I did not, Oh,

522
00:25:42,280 --> 00:25:45,119
Speaker 2: I didn't realize this. And do they live in San Francisco?

523
00:25:46,160 --> 00:25:47,520
Speaker 2: I was trying to figure that out.

524
00:25:47,760 --> 00:25:50,560
Speaker 1: That's implant they live. Yeah, that is because Grandpa talks

525
00:25:50,600 --> 00:25:52,880
Speaker 1: about the car pouches and the rats.

526
00:25:52,480 --> 00:25:55,160
Speaker 3: And getting to places and do it anyway. That comes

527
00:25:55,200 --> 00:25:55,600
Speaker 3: up later.

528
00:25:55,680 --> 00:25:58,000
Speaker 2: But but yeah, I did not realize that they were

529
00:25:58,000 --> 00:26:02,919
Speaker 2: so like Italian Greek East Coast vibe.

530
00:26:02,960 --> 00:26:07,120
Speaker 1: And they write personalities to prove that they are dominating personalities.

531
00:26:07,160 --> 00:26:10,600
Speaker 1: I love it they're selling this. So Kimmy interrupts and

532
00:26:10,640 --> 00:26:14,080
Speaker 1: she says goodbye to DJ since they have company, and

533
00:26:14,400 --> 00:26:17,640
Speaker 1: Grandpa Nicks stops her and asks if she's still copying

534
00:26:17,680 --> 00:26:20,919
Speaker 1: people's homework. Kimmy shrugs and admits, hm, I'm trying to

535
00:26:20,920 --> 00:26:25,760
Speaker 1: cut down. See, even Grandpa's got Kimmy's number. So steph

536
00:26:25,760 --> 00:26:29,879
Speaker 1: starts brushing her cavity with two toothbrushes again, and Grandma

537
00:26:29,920 --> 00:26:34,040
Speaker 1: Irene points out, I see your stressing. Good oral hygiene.

538
00:26:34,920 --> 00:26:37,840
Speaker 1: Stephanie tells them Kimmy Gibbler said I have to get

539
00:26:38,000 --> 00:26:40,520
Speaker 1: mouth wires and eat through a hole in my throat.

540
00:26:40,960 --> 00:26:44,600
Speaker 1: She's still panicked. Danny reminds her that Kimmy has a

541
00:26:44,640 --> 00:26:51,080
Speaker 1: tendency to sometimes Kimmy's imagination. After stuttering for a minute

542
00:26:51,760 --> 00:26:54,200
Speaker 1: trying to find the right words to describe Kimmy. Danny

543
00:26:54,280 --> 00:26:58,600
Speaker 1: lands on, telling her Kimmy's an airhead. We are finally

544
00:26:58,680 --> 00:27:02,520
Speaker 1: leaning into this. Gimmy's an airhead. She's annoying, like they're

545
00:27:02,560 --> 00:27:05,320
Speaker 1: building up this character. Yes, and it's true. You know

546
00:27:05,520 --> 00:27:07,679
Speaker 1: she's copying homework. Of course, she's in her head. Yeah.

547
00:27:07,800 --> 00:27:10,560
Speaker 1: So DJ gets straight to the point, asking Grandpa Nick

548
00:27:10,600 --> 00:27:15,200
Speaker 1: if he has anything that needs unwrapping. Wink wink. Danny

549
00:27:15,280 --> 00:27:19,240
Speaker 1: shakes his head, telling DJ that's tacky. She can't expect

550
00:27:19,280 --> 00:27:23,040
Speaker 1: presents every time they visit. Then Danny pat's Nick and

551
00:27:23,160 --> 00:27:25,240
Speaker 1: asks him, well, did you get me anything? And they

552
00:27:25,240 --> 00:27:29,360
Speaker 1: share a laugh. Uh, and Nick explains to the girls,

553
00:27:29,480 --> 00:27:31,280
Speaker 1: or maybe Danny. Dan explains to the girls, we give

554
00:27:31,320 --> 00:27:35,880
Speaker 1: each other love, not toys and bags of money. Grandpa

555
00:27:35,920 --> 00:27:39,240
Speaker 1: agrees that's very true, and she tells Danny she wants

556
00:27:39,240 --> 00:27:42,000
Speaker 1: to see Michelle. She wants to know if Michelle has

557
00:27:42,080 --> 00:27:45,440
Speaker 1: learned to say grandma yet, and Danny tells her, oh,

558
00:27:45,480 --> 00:27:49,639
Speaker 1: she's working on it right now. It sounds more like granola.

559
00:27:50,280 --> 00:27:52,880
Speaker 1: So Danny takes Grandma to go see Michelle, but Nick

560
00:27:52,960 --> 00:27:55,560
Speaker 1: stays back, saying that he wants to finish his lecture

561
00:27:55,640 --> 00:28:00,160
Speaker 1: with Stephan DJ. He explains, you can't expect presents every

562
00:28:00,320 --> 00:28:03,280
Speaker 1: time we pop over. He gives Irene and Danny the

563
00:28:03,320 --> 00:28:05,919
Speaker 1: okay to leave, and as soon as they do, he

564
00:28:06,000 --> 00:28:09,080
Speaker 1: reaches into his pocket and gives them each five bucks.

565
00:28:09,640 --> 00:28:12,120
Speaker 1: He reminds them they can't tell Grandma, and so they

566
00:28:12,160 --> 00:28:16,040
Speaker 1: seal their lips and throw away the key. Grandpa, such

567
00:28:16,040 --> 00:28:18,000
Speaker 1: a grandpa move. Let me just give you some cash

568
00:28:18,000 --> 00:28:21,880
Speaker 1: on the side. I love it. I love this man.

569
00:28:21,960 --> 00:28:24,760
Speaker 1: Nick and Irene have so much chemistry in this. They

570
00:28:24,760 --> 00:28:27,439
Speaker 1: are such a great couple. We cut to the kitchen.

571
00:28:28,280 --> 00:28:32,400
Speaker 1: Joey's making pasta sauce and tells Grandma Irene to try it.

572
00:28:33,000 --> 00:28:36,080
Speaker 1: She sniffs it and says, I'd rather eat the spoon.

573
00:28:37,920 --> 00:28:41,280
Speaker 1: She tells the boys she'll make a nice egg plant parmesan.

574
00:28:42,560 --> 00:28:45,160
Speaker 1: Joey asks what can I do to help, and Irene

575
00:28:45,160 --> 00:28:48,360
Speaker 1: tells him go to your room. Dang, Why is Grandma

576
00:28:48,440 --> 00:28:51,160
Speaker 1: so hostile towards Joey? Like what you just because he's

577
00:28:51,160 --> 00:28:52,000
Speaker 1: a terrible cook?

578
00:28:52,080 --> 00:28:54,400
Speaker 2: Italian look, Italian women take their cooking very serious.

579
00:28:54,440 --> 00:28:56,760
Speaker 1: Oh that's true, that's true. I didn't think about that.

580
00:28:56,920 --> 00:29:00,480
Speaker 1: She's offended by this bad cookie. It's a bad write

581
00:29:00,480 --> 00:29:03,040
Speaker 1: this back for her heritage. Yeah, yeah, okay, okay, that

582
00:29:03,080 --> 00:29:06,760
Speaker 1: makes more sense. So Nick walks downstairs and he sees

583
00:29:06,800 --> 00:29:08,960
Speaker 1: Michelle and he says, oh, I want to eat that

584
00:29:09,120 --> 00:29:12,800
Speaker 1: face for dessert, and Joey responds, well, thanks, Nick, but

585
00:29:12,920 --> 00:29:16,240
Speaker 1: I got a run. Danny tells Irene and Nick that

586
00:29:16,360 --> 00:29:18,760
Speaker 1: Jesse should be back any minute, and he has to

587
00:29:18,840 --> 00:29:21,480
Speaker 1: run to the station to go tape some promos. So

588
00:29:21,600 --> 00:29:24,800
Speaker 1: Nick starts playing with Michelle, joking that he's got her nose.

589
00:29:25,600 --> 00:29:28,440
Speaker 1: Michelle starts scrunching up her nose or scretching up her

590
00:29:28,440 --> 00:29:31,000
Speaker 1: whole face, playing along with him. It's so cute.

591
00:29:31,040 --> 00:29:32,040
Speaker 2: It was very cute.

592
00:29:32,400 --> 00:29:34,920
Speaker 1: He sets her down on her little bouncing horse and

593
00:29:34,960 --> 00:29:38,200
Speaker 1: announces to Irene, I have a terrific idea. Let's have

594
00:29:38,280 --> 00:29:42,800
Speaker 1: another baby, and Irene tells him, sweetie, if your brain

595
00:29:42,920 --> 00:29:47,600
Speaker 1: was a pasture, the sheep would starve. He defends himself

596
00:29:47,640 --> 00:29:50,160
Speaker 1: and tells her, well, I read in the National Intruder

597
00:29:50,560 --> 00:29:53,720
Speaker 1: that a ninety five year old great grandmother gave birth

598
00:29:53,760 --> 00:29:57,760
Speaker 1: to twins, and Irene snaps back, and she had a

599
00:29:57,880 --> 00:30:01,880
Speaker 1: nineteen year old boyfriend. My goodness, how old are these grandparents?

600
00:30:01,880 --> 00:30:04,120
Speaker 1: I kind of feel like they're maybe the same age

601
00:30:04,160 --> 00:30:05,360
Speaker 1: we are right now?

602
00:30:05,760 --> 00:30:07,840
Speaker 2: Oh god, no, are there? I think a little a

603
00:30:07,880 --> 00:30:10,440
Speaker 2: little older, maybe fifties.

604
00:30:10,200 --> 00:30:13,000
Speaker 4: They must be not much well if Danny, well, but

605
00:30:13,160 --> 00:30:19,000
Speaker 4: Jesse's twenty five, so yeah, yeah they're please, I'd yeah,

606
00:30:19,040 --> 00:30:20,280
Speaker 4: I'd say fifties early.

607
00:30:20,320 --> 00:30:21,800
Speaker 2: You know, they had them when they were in their

608
00:30:21,800 --> 00:30:22,680
Speaker 2: early twenties. Young.

609
00:30:22,760 --> 00:30:25,960
Speaker 1: But they look great. They look great for grandparents.

610
00:30:25,400 --> 00:30:28,000
Speaker 2: It's not saying well, I mean, you know they've they

611
00:30:28,400 --> 00:30:31,080
Speaker 2: the offspring was, you know, Jesse and Pamela, so they

612
00:30:31,120 --> 00:30:32,360
Speaker 2: had the good looking kids.

613
00:30:32,640 --> 00:30:36,000
Speaker 1: So Nick walks towards Irene, asking her, what are you saying?

614
00:30:36,240 --> 00:30:39,600
Speaker 1: Are you saying I'm running out of gas? He questions her, well,

615
00:30:39,600 --> 00:30:42,880
Speaker 1: what about last night? Was I out of gas? Why?

616
00:30:42,960 --> 00:30:45,440
Speaker 2: I don't need to know about Grandma and grandpackets opos

617
00:30:45,480 --> 00:30:47,040
Speaker 2: his sex life?

618
00:30:46,520 --> 00:30:48,920
Speaker 1: This was oh yeah.

619
00:30:48,960 --> 00:30:50,760
Speaker 2: And then I was like, now I see where Jesse

620
00:30:50,840 --> 00:30:53,000
Speaker 2: gets it because they're making out and there's people in

621
00:30:53,000 --> 00:30:55,040
Speaker 2: the room, and I'm like, no one in this family

622
00:30:55,720 --> 00:30:58,840
Speaker 2: has any sort of boundaries when it comes to this stuff.

623
00:30:58,920 --> 00:31:00,320
Speaker 2: Like now it makes sense.

624
00:31:00,360 --> 00:31:00,520
Speaker 3: I go.

625
00:31:00,800 --> 00:31:02,880
Speaker 2: This was they were always making out in the kitchen,

626
00:31:03,000 --> 00:31:04,800
Speaker 2: and Jesse and you know, would walk in and so

627
00:31:04,880 --> 00:31:07,560
Speaker 2: that's why he's like, no, it's totally acceptable behavior to

628
00:31:07,600 --> 00:31:09,520
Speaker 2: be randomly making out with someone in a room where

629
00:31:09,560 --> 00:31:10,200
Speaker 2: there's other people.

630
00:31:10,480 --> 00:31:14,480
Speaker 1: Oh yeah, oh yeah, No, the Cazopolis jeans are very strong,

631
00:31:14,680 --> 00:31:16,800
Speaker 1: very strong, very strong.

632
00:31:16,880 --> 00:31:20,400
Speaker 2: It's yeah yeah, because then we're talking about a Texaco.

633
00:31:20,080 --> 00:31:24,560
Speaker 1: Station station and they start making out like they they

634
00:31:24,720 --> 00:31:26,960
Speaker 1: these they're still getting it on, Like I'm sorry.

635
00:31:27,000 --> 00:31:30,000
Speaker 2: These grandparents are no judgment, very proud, especially now that

636
00:31:30,080 --> 00:31:32,360
Speaker 2: you know we're as we approached them like they're they're young,

637
00:31:32,400 --> 00:31:35,360
Speaker 2: they're babies, look and look at them. But you know it.

638
00:31:35,640 --> 00:31:36,120
Speaker 1: Uh.

639
00:31:36,160 --> 00:31:41,600
Speaker 2: It was again some of these moments surprise me for

640
00:31:41,800 --> 00:31:45,160
Speaker 2: the show that I thought that we did, you know

641
00:31:45,200 --> 00:31:47,720
Speaker 2: what I mean, Like I thought we never, Like I

642
00:31:47,760 --> 00:31:49,520
Speaker 2: don't know, I just thought we'd never had sort of

643
00:31:49,600 --> 00:31:50,440
Speaker 2: racy jokes like that.

644
00:31:50,480 --> 00:31:51,800
Speaker 3: But I'm like, no, I guess we did.

645
00:31:51,800 --> 00:31:53,840
Speaker 1: Or did we just we were so young? Did these

646
00:31:53,920 --> 00:31:55,640
Speaker 1: jokes just go right over our heads?

647
00:31:55,880 --> 00:31:58,840
Speaker 2: Maybe the jokes went right over our heads? Normally they weren't.

648
00:31:58,920 --> 00:32:01,640
Speaker 2: Those type of jokes were done with kids necessarily in

649
00:32:01,680 --> 00:32:03,920
Speaker 2: the room or in the shot. But like I just

650
00:32:04,120 --> 00:32:05,840
Speaker 2: we never I never watched the show, so I had

651
00:32:05,840 --> 00:32:08,920
Speaker 2: no idea. Yeah, I just never realized how like that

652
00:32:08,920 --> 00:32:11,640
Speaker 2: we would say hell, or that we would you know,

653
00:32:12,320 --> 00:32:14,880
Speaker 2: make like sex jokes or there was you know, like

654
00:32:15,080 --> 00:32:15,920
Speaker 2: those kinds of things.

655
00:32:15,960 --> 00:32:18,200
Speaker 3: I never now I kind.

656
00:32:18,040 --> 00:32:20,520
Speaker 2: Of get maybe why adults were like, oh I liked it,

657
00:32:20,760 --> 00:32:22,600
Speaker 2: you know, like there were some jokes in there that

658
00:32:22,680 --> 00:32:25,920
Speaker 2: were for me, like you know, I mean not me personally,

659
00:32:25,960 --> 00:32:26,680
Speaker 2: but no.

660
00:32:26,560 --> 00:32:28,880
Speaker 1: But like for for the adults and the children. Can

661
00:32:28,920 --> 00:32:32,200
Speaker 1: get equal enjoyment out of this show, definitely, Yeah, No

662
00:32:32,520 --> 00:32:35,920
Speaker 1: innuendos abound, not just with the Sea Cruise episode, but

663
00:32:36,000 --> 00:32:39,280
Speaker 1: all throughout the series. There's lots of innuendos. Oh yes,

664
00:32:39,400 --> 00:32:43,640
Speaker 1: and that's okay. So they're making out. Michelle sees this

665
00:32:43,760 --> 00:32:46,560
Speaker 1: and she sticks a hand over her mouth like she's shocked,

666
00:32:46,680 --> 00:32:50,479
Speaker 1: which is so funny, right, and then DJ and Steph

667
00:32:50,520 --> 00:32:54,880
Speaker 1: walk in on them next, announcing kids in the room, thank.

668
00:32:54,680 --> 00:32:55,520
Speaker 2: You, thank you.

669
00:32:56,960 --> 00:32:59,600
Speaker 1: So I read and Nick immediately break it up. They're

670
00:32:59,760 --> 00:33:04,040
Speaker 1: green the kids in embarrassment, which is funny, and Steph

671
00:33:04,160 --> 00:33:06,280
Speaker 1: tells them that hey, uncle Jesse is back with some

672
00:33:06,400 --> 00:33:10,440
Speaker 1: big news, and so Grandma Irene pulls the girls in quickly.

673
00:33:10,960 --> 00:33:13,600
Speaker 1: She hands each of them five bucks, reminding them of

674
00:33:13,640 --> 00:33:16,840
Speaker 1: their deal. Don't tell Grandpa. So the girls once again

675
00:33:16,880 --> 00:33:20,160
Speaker 1: seal their lips and throw away the key. Michelle is

676
00:33:20,160 --> 00:33:23,040
Speaker 1: watching all of this and she just says me money,

677
00:33:24,240 --> 00:33:27,920
Speaker 1: So yes, hey, starting them young, you know, age one

678
00:33:27,960 --> 00:33:30,400
Speaker 1: and a half or whatever she is, She's already wanting

679
00:33:30,440 --> 00:33:32,160
Speaker 1: to dip into this grand.

680
00:33:31,960 --> 00:33:33,920
Speaker 2: Grandparent does how the grandparents work, you know.

681
00:33:34,200 --> 00:33:38,080
Speaker 1: We cut to the living room where Nick is scolding Jesse,

682
00:33:38,280 --> 00:33:41,400
Speaker 1: telling him he let him off work early today to

683
00:33:41,480 --> 00:33:44,920
Speaker 1: do his music hobby, but tomorrow he'll need him in

684
00:33:45,000 --> 00:33:50,280
Speaker 1: real early. Yeah, I know a crizy, this little music hobby.

685
00:33:51,160 --> 00:33:53,920
Speaker 1: Jesse understands this, but he tells his dad, hey, he's

686
00:33:53,960 --> 00:33:57,280
Speaker 1: got great news. Nick interrupts and says, well, I got

687
00:33:57,320 --> 00:34:00,840
Speaker 1: great news too. Frasier Street is crawling with cockroaches. It's

688
00:34:00,880 --> 00:34:02,280
Speaker 1: an exterminator's dream.

689
00:34:03,080 --> 00:34:06,800
Speaker 2: Cocker roaches. By the way, he does very egroaths, very

690
00:34:06,840 --> 00:34:08,520
Speaker 2: East Coast cocker roaches.

691
00:34:08,840 --> 00:34:10,800
Speaker 1: So now we're aware that this is a family business.

692
00:34:10,840 --> 00:34:12,839
Speaker 1: We've known for a while that Jesse is an exterminator,

693
00:34:12,840 --> 00:34:13,399
Speaker 1: but now we know.

694
00:34:13,360 --> 00:34:14,479
Speaker 3: That it is a family.

695
00:34:14,480 --> 00:34:19,319
Speaker 1: It's a family business, and Nick is very into this

696
00:34:19,480 --> 00:34:23,600
Speaker 1: family business. So the family walks in and steph asks

697
00:34:23,719 --> 00:34:26,920
Speaker 1: Jesse what is the big news. Jesse announces that the

698
00:34:27,040 --> 00:34:32,720
Speaker 1: advertising company bought his very first jingle. He sold it. Yeah, great,

699
00:34:32,920 --> 00:34:37,520
Speaker 1: family is happy. The audience even applauds, and DJ puts

700
00:34:37,560 --> 00:34:41,760
Speaker 1: her finger on Jesse and remarks, the man is hot.

701
00:34:42,719 --> 00:34:43,759
Speaker 2: I like it. I like it.

702
00:34:43,880 --> 00:34:46,319
Speaker 1: This is now almost like a catchphrase for her.

703
00:34:46,760 --> 00:34:47,000
Speaker 2: Yep.

704
00:34:47,560 --> 00:34:50,920
Speaker 1: Jesse looks to his father for approval and Nick just

705
00:34:50,960 --> 00:34:54,120
Speaker 1: tells him good going now back to the real word

706
00:34:54,239 --> 00:34:57,080
Speaker 1: world cockroaches. I'll pick you up at five am. We

707
00:34:57,160 --> 00:35:03,120
Speaker 1: attack at dawn. Yeah, Papa, Papa Kitzopolis is just not

708
00:35:03,120 --> 00:35:09,600
Speaker 1: not Yeah, he's not very support Yeah, it's not not

709
00:35:09,640 --> 00:35:11,360
Speaker 1: as excited about this as Jesse is.

710
00:35:11,560 --> 00:35:12,720
Speaker 3: I mean, I get it, as.

711
00:35:12,640 --> 00:35:14,640
Speaker 2: You know, is very like, Look, this is what's going

712
00:35:14,680 --> 00:35:17,279
Speaker 2: to actually provide money and an income and a thing.

713
00:35:17,320 --> 00:35:20,880
Speaker 2: But you know, Jesse's selling jingles, which apparently is just

714
00:35:20,920 --> 00:35:21,360
Speaker 2: the thing.

715
00:35:21,200 --> 00:35:21,680
Speaker 3: That you do.

716
00:35:22,120 --> 00:35:24,799
Speaker 1: No, it's Jesse so wants his father's approval that his

717
00:35:24,840 --> 00:35:28,000
Speaker 1: father just seems very practical. You know, you got to

718
00:35:28,040 --> 00:35:30,680
Speaker 1: get a job to support your family. It's a very

719
00:35:30,680 --> 00:35:34,239
Speaker 1: old school way of thinking, but very practical too. Yeah.

720
00:35:34,239 --> 00:35:37,400
Speaker 1: So next we are in Jesse's room, Jesse and Irene

721
00:35:37,440 --> 00:35:39,799
Speaker 1: walk in and she's happy to see that there's a

722
00:35:39,800 --> 00:35:42,520
Speaker 1: poster of Sinatra on the wall, and she says, ah,

723
00:35:42,560 --> 00:35:43,200
Speaker 1: there is a god.

724
00:35:43,960 --> 00:35:46,879
Speaker 2: Apparently it's that we're leaning into the Italian now because

725
00:35:46,880 --> 00:35:48,680
Speaker 2: we didn't know that Jesse was Italian. So now we've

726
00:35:48,680 --> 00:35:50,440
Speaker 2: got to put some Sinatra posters up on the wall.

727
00:35:50,520 --> 00:35:51,160
Speaker 2: Make it a thing.

728
00:35:51,360 --> 00:35:52,160
Speaker 1: It's in evidence.

729
00:35:53,600 --> 00:35:56,120
Speaker 2: If it's on the wall of the room, that means

730
00:35:56,239 --> 00:35:58,480
Speaker 2: it is important to that person and is a huge

731
00:35:58,520 --> 00:36:00,840
Speaker 2: part of their life. Yep, even if it's only there for.

732
00:36:00,800 --> 00:36:03,160
Speaker 1: A week, right, right, they'll be tearing it down right

733
00:36:03,200 --> 00:36:03,920
Speaker 1: right for the taping.

734
00:36:04,760 --> 00:36:05,320
Speaker 3: Yeah.

735
00:36:05,400 --> 00:36:09,200
Speaker 1: Jesse says he's doing a little redecorating, and Irene asks,

736
00:36:09,360 --> 00:36:12,080
Speaker 1: you didn't call me up here to talk about redecorating,

737
00:36:12,160 --> 00:36:15,719
Speaker 1: did you. Jesse smiles and asks how she knew that,

738
00:36:16,239 --> 00:36:18,799
Speaker 1: and Irene reminds him that she gave birth to him.

739
00:36:18,920 --> 00:36:22,879
Speaker 1: She powdered that little tushy. She starts patting his little

740
00:36:22,920 --> 00:36:26,000
Speaker 1: tushy as she says this, and Jesse laughs, forcing her

741
00:36:26,000 --> 00:36:28,239
Speaker 1: to stop so that they can finally sit down and talk.

742
00:36:29,200 --> 00:36:31,600
Speaker 1: He starts off by saying, I want to talk to

743
00:36:31,600 --> 00:36:34,000
Speaker 1: you about my life and my music, and I hope

744
00:36:34,040 --> 00:36:38,520
Speaker 1: you'll understand. Irene assures him that she will understand. She

745
00:36:38,600 --> 00:36:40,959
Speaker 1: tells him it's me. I'm hip, I'm with it, I'm bad.

746
00:36:41,040 --> 00:36:44,920
Speaker 1: Who's bad? I'm bad? You know it, and she encourages

747
00:36:45,000 --> 00:36:48,080
Speaker 1: him to talk it out. To talk to her. Jesse

748
00:36:48,200 --> 00:36:50,640
Speaker 1: tells her, I've been working as an exterminator to earn

749
00:36:50,680 --> 00:36:53,680
Speaker 1: a living until my band made it. Selling this jingle

750
00:36:53,680 --> 00:36:55,880
Speaker 1: made me realize I can earn a living playing music.

751
00:36:56,080 --> 00:36:59,080
Speaker 1: Right now, the bottom line is I don't want to

752
00:36:59,160 --> 00:37:03,839
Speaker 1: work with pop anymore. Irene sighs, admitting, oh, I knew

753
00:37:03,880 --> 00:37:06,400
Speaker 1: this day was coming, and I was hoping I'd be

754
00:37:06,520 --> 00:37:10,319
Speaker 1: dead when it did. Jesse confirms, Yeah, he's gonna flip out,

755
00:37:10,360 --> 00:37:13,680
Speaker 1: isn't he. Irene tells him, well, he's always dreamed that

756
00:37:13,719 --> 00:37:16,160
Speaker 1: you would take over the family business and follow in

757
00:37:16,200 --> 00:37:20,400
Speaker 1: his footsteps. But you gotta follow your own dreams, so

758
00:37:20,920 --> 00:37:22,960
Speaker 1: you tell him, but when you do it, do it

759
00:37:23,000 --> 00:37:25,759
Speaker 1: with love. Jesse puts his hand to his chest and

760
00:37:25,800 --> 00:37:31,040
Speaker 1: repeats love, Thanks Ma. Right at this moment, Nick walks

761
00:37:31,080 --> 00:37:33,640
Speaker 1: in and he sees the Sinatra poster and he says,

762
00:37:33,640 --> 00:37:37,160
Speaker 1: oh well, and he sings, you understand the words. Jesse

763
00:37:37,239 --> 00:37:39,680
Speaker 1: tells him, well, you turned me on to Frank Pop.

764
00:37:39,960 --> 00:37:44,520
Speaker 1: You know your music. Nick responds Greeks invented music, and

765
00:37:44,600 --> 00:37:51,279
Speaker 1: Irene butts in, yeah, and Italians perfected it. Okay. Jesse

766
00:37:51,400 --> 00:37:54,880
Speaker 1: grabs his dad and asks him to sit. Jesse starts

767
00:37:54,920 --> 00:37:58,040
Speaker 1: the conversation, providing examples of the way his life is

768
00:37:58,120 --> 00:38:02,000
Speaker 1: changing and how he's really growing up, which includes cutting

769
00:38:02,080 --> 00:38:05,239
Speaker 1: his hair. Which is he is signed that he's reached adulthood.

770
00:38:04,880 --> 00:38:06,640
Speaker 2: Apparently, Yeah, it's true.

771
00:38:06,920 --> 00:38:09,279
Speaker 1: It's a it's a big moment in Jesse my hair.

772
00:38:09,520 --> 00:38:11,520
Speaker 2: I'm living in a room with pink bunnies. I'm an

773
00:38:11,560 --> 00:38:12,080
Speaker 2: adult now.

774
00:38:12,480 --> 00:38:16,239
Speaker 1: Yes, yes, they're surrounded by pink bunnies during this whole conversation.

775
00:38:17,520 --> 00:38:19,839
Speaker 1: So Jesse tells Nick, I think it's time I made

776
00:38:19,840 --> 00:38:23,640
Speaker 1: a real commitment to my career. His dad is shocked, saying,

777
00:38:24,000 --> 00:38:27,360
Speaker 1: you're finally ready to be a partner. Oh, he's ecstatic,

778
00:38:27,440 --> 00:38:30,080
Speaker 1: telling Jesse twenty seven years ago, I started out with

779
00:38:30,080 --> 00:38:33,359
Speaker 1: nothing but a fly swatter and a dream. Today over

780
00:38:33,480 --> 00:38:37,960
Speaker 1: one billion squashed. Irene joins in this conversation, telling her

781
00:38:38,040 --> 00:38:41,440
Speaker 1: husband that he's not listening to what Jesse is trying

782
00:38:41,480 --> 00:38:44,560
Speaker 1: to say. Nick assures her, hey, when it comes to

783
00:38:44,600 --> 00:38:49,240
Speaker 1: my son I don't need your help, and Irene snaps back, Oh, really,

784
00:38:49,520 --> 00:38:52,360
Speaker 1: I suppose when he was born you went into labor.

785
00:38:53,120 --> 00:38:55,400
Speaker 1: Nick gets defensive, what do you think carrying you out

786
00:38:55,440 --> 00:38:59,920
Speaker 1: to the car wasn't labor? Is fighting to take.

787
00:39:00,120 --> 00:39:02,279
Speaker 2: All of a sudden, they they're in it and it's

788
00:39:02,280 --> 00:39:03,839
Speaker 2: a whole other thing, and you see why.

789
00:39:03,920 --> 00:39:05,120
Speaker 3: Jesse's like, no one's listening.

790
00:39:05,600 --> 00:39:09,160
Speaker 1: Yes, yes, they're off on a tangent. They're they're the Bickersons.

791
00:39:09,239 --> 00:39:14,320
Speaker 1: They're fighting and about like ridiculous stuff too, and Ireen

792
00:39:14,480 --> 00:39:16,240
Speaker 1: is like, oh what starting up with the weight again?

793
00:39:16,320 --> 00:39:18,560
Speaker 1: That was love weight and so there's just they're bickering.

794
00:39:18,560 --> 00:39:20,920
Speaker 1: They're arguing, and Jesse gets up. He's trying to get

795
00:39:20,960 --> 00:39:24,480
Speaker 1: them to stop this. Jesse finally blurts out, pop, I

796
00:39:24,560 --> 00:39:26,960
Speaker 1: find I found a way to make money doing something.

797
00:39:27,040 --> 00:39:31,520
Speaker 1: I love music, And Nick just mocks him and he says, oh,

798
00:39:31,560 --> 00:39:34,160
Speaker 1: you're gonna make a living with this, mister musician. How

799
00:39:34,200 --> 00:39:40,080
Speaker 1: many records have you sold? Jesse sighs and he says none. Yeah,

800
00:39:40,239 --> 00:39:42,120
Speaker 1: and Nick asked, well, how many bugs have you killed?

801
00:39:42,360 --> 00:39:46,560
Speaker 1: And Jesse rolls his eyes and says millions. Nick miles

802
00:39:46,560 --> 00:39:50,600
Speaker 1: and tells Jesse stick with a winner. Ouch. I mean,

803
00:39:51,120 --> 00:39:52,520
Speaker 1: Nick's got a point, but he's.

804
00:39:54,040 --> 00:39:56,719
Speaker 2: Yeah, I could do both. I Also, I'm gonna say

805
00:39:57,440 --> 00:40:01,279
Speaker 2: Jesse's quitting his job after selling one jingle free. It's

806
00:40:01,320 --> 00:40:03,240
Speaker 2: a bit of it is not it's a bit abrupt,

807
00:40:03,360 --> 00:40:05,919
Speaker 2: and it's it's it is you know. I can see

808
00:40:05,920 --> 00:40:07,920
Speaker 2: his dad being like, this isn't a very mature decision.

809
00:40:08,480 --> 00:40:10,719
Speaker 2: You said that you're being an adult, but how are

810
00:40:10,719 --> 00:40:11,520
Speaker 2: you going to you.

811
00:40:11,480 --> 00:40:13,400
Speaker 1: Know, are going to support yourself?

812
00:40:13,560 --> 00:40:16,080
Speaker 2: Yeah, now that I'm going now that I have kids,

813
00:40:16,120 --> 00:40:17,319
Speaker 2: I'm like, oh my god, I get it.

814
00:40:17,800 --> 00:40:19,439
Speaker 1: Yes, when you're twenty five, you're like, I'm just gonna

815
00:40:19,440 --> 00:40:23,360
Speaker 1: follow my dream. I'm gonna be creative. And then so like,

816
00:40:23,600 --> 00:40:27,040
Speaker 1: you know, also, yes, there's a balance, and neither of

817
00:40:27,200 --> 00:40:31,840
Speaker 1: these men are achieving this balance. So Jesse argues, I

818
00:40:31,880 --> 00:40:34,520
Speaker 1: can't do something just because you want me to do it.

819
00:40:34,560 --> 00:40:38,280
Speaker 1: We're two totally different people. Nick argues that they're the same,

820
00:40:38,440 --> 00:40:40,600
Speaker 1: and Jesse assures him they're different. They go back and

821
00:40:40,640 --> 00:40:43,440
Speaker 1: forth until they yell in unison, will you listen to me?

822
00:40:43,960 --> 00:40:46,319
Speaker 1: And they walk in away and annoyance at the same time,

823
00:40:46,360 --> 00:40:48,000
Speaker 1: and they do the hair.

824
00:40:48,080 --> 00:40:48,759
Speaker 2: They rub their.

825
00:40:48,680 --> 00:40:50,960
Speaker 1: Hands to their hairs, at the same time. It's great

826
00:40:51,680 --> 00:40:55,160
Speaker 1: they both have great hair. Jesse tells him he's made

827
00:40:55,239 --> 00:40:59,480
Speaker 1: up his mind and Nick asks, meaning what, and Jesse says,

828
00:40:59,640 --> 00:41:04,360
Speaker 1: meaning I quit. Nick tries to convince him he can't quit.

829
00:41:04,680 --> 00:41:09,200
Speaker 1: He built this, this business for Jesse. Jesse reiterates, it's

830
00:41:09,239 --> 00:41:12,520
Speaker 1: not what I want to do. Nick tells him to quit,

831
00:41:12,680 --> 00:41:15,600
Speaker 1: and Jesse screams that he is. Nick yells at his son,

832
00:41:15,760 --> 00:41:18,000
Speaker 1: if you're out of the family business, you're out of

833
00:41:18,000 --> 00:41:22,680
Speaker 1: the family wow. And we cut to a dramatic commercial break. Yes,

834
00:41:22,760 --> 00:41:23,479
Speaker 1: that that is.

835
00:41:23,520 --> 00:41:24,240
Speaker 2: That's a large.

836
00:41:24,680 --> 00:41:28,239
Speaker 1: That's a large. You can disagree with your child's choices

837
00:41:28,440 --> 00:41:33,279
Speaker 1: with the family. Nick is taking this hard. Poor Jesse, Like,

838
00:41:33,320 --> 00:41:35,960
Speaker 1: I actually feel really bad for Jesse in his whole

839
00:41:36,000 --> 00:41:40,240
Speaker 1: episode too. So after the commercial. After the dramatic commercial break,

840
00:41:40,280 --> 00:41:44,000
Speaker 1: we cut to Michelle's room. Danny is reading Goodnight Moon

841
00:41:44,239 --> 00:41:47,680
Speaker 1: to Michelle, trying to help her read the words. Jesse

842
00:41:47,840 --> 00:41:50,120
Speaker 1: is watching from the doorway and finishes one of the

843
00:41:50,160 --> 00:41:53,560
Speaker 1: words before Michelle does. Danny asks if he'd like to

844
00:41:53,560 --> 00:41:56,680
Speaker 1: help put Michelle to bed, and Jesse says, no, I

845
00:41:56,800 --> 00:41:59,520
Speaker 1: just want to watch a great dad in action. He

846
00:41:59,560 --> 00:42:02,840
Speaker 1: tells Dan, you listen to her. You try to understand

847
00:42:02,840 --> 00:42:06,760
Speaker 1: her problems. You accept her for who she is, her goals,

848
00:42:07,080 --> 00:42:10,799
Speaker 1: her values. Danny points out that she's a two year old.

849
00:42:11,000 --> 00:42:14,520
Speaker 1: Her goal is to eat with a fork. It's true,

850
00:42:14,840 --> 00:42:20,320
Speaker 1: and Jesse responds, yet still you respect that. Danny's catching

851
00:42:20,400 --> 00:42:22,080
Speaker 1: on to what's going on here, and he decides to

852
00:42:22,080 --> 00:42:25,399
Speaker 1: cut the story short tonight with Michelle because Uncle Jesse

853
00:42:25,600 --> 00:42:28,920
Speaker 1: needs him more than Michelle does. So he puts Michelle

854
00:42:28,920 --> 00:42:31,279
Speaker 1: in her crib and says good night, little mouse, and

855
00:42:31,320 --> 00:42:33,360
Speaker 1: she responds, good night daddy.

856
00:42:33,680 --> 00:42:34,840
Speaker 2: Oh so cute.

857
00:42:34,880 --> 00:42:36,879
Speaker 3: That was like the first. That was the first good

858
00:42:36,960 --> 00:42:37,839
Speaker 3: night Daddy, wasn't it.

859
00:42:37,920 --> 00:42:41,680
Speaker 2: Oh? Yeah's starting to Yeah now that she's now that

860
00:42:42,280 --> 00:42:44,520
Speaker 2: Ashley and Mary Kay are talking more, they're definitely giving

861
00:42:44,520 --> 00:42:45,840
Speaker 2: them more to more to say.

862
00:42:46,080 --> 00:42:48,640
Speaker 1: Yeah. They have actually reactions now, yeah, yeah, which is

863
00:42:48,640 --> 00:42:51,640
Speaker 1: so great. So Danny exits. He turns out the light,

864
00:42:51,840 --> 00:42:54,040
Speaker 1: which I was very excited to see that Michelle doesn't

865
00:42:54,040 --> 00:42:54,839
Speaker 1: have to sleep in the dark.

866
00:42:55,239 --> 00:42:57,480
Speaker 2: I was like, thank god, the child's sleeping in the dark. Yeah.

867
00:42:57,600 --> 00:42:59,920
Speaker 1: So we cut immediately to the hallway where Jesse is

868
00:43:00,040 --> 00:43:03,960
Speaker 1: slumped down against the wall. Danny asks if he's tried

869
00:43:04,000 --> 00:43:07,440
Speaker 1: calling his dad and Jesse responds, what's the point he

870
00:43:07,520 --> 00:43:10,520
Speaker 1: kicked me out of the family. Danny tells him, well,

871
00:43:10,520 --> 00:43:13,040
Speaker 1: the point is you're sitting on the floor in the

872
00:43:13,040 --> 00:43:16,600
Speaker 1: hallway like a potted plant. Danny forces him up so

873
00:43:16,600 --> 00:43:19,279
Speaker 1: that they can go talk about it. They walk into

874
00:43:19,360 --> 00:43:22,120
Speaker 1: Jesse's room, where Jesse goes straight to his bed and

875
00:43:22,200 --> 00:43:26,760
Speaker 1: Danny exclaims, look at this room. It's a mess. Jesse

876
00:43:27,160 --> 00:43:30,719
Speaker 1: glares at him and he apologizes it just slipped out I.

877
00:43:31,000 --> 00:43:33,399
Speaker 2: Danny was like, I have become Danny Tanner because every

878
00:43:33,400 --> 00:43:34,919
Speaker 2: time I walk in my kids room, I'm like, yeah,

879
00:43:34,960 --> 00:43:38,120
Speaker 2: sure I can what is happening? This is disgusting, And

880
00:43:38,120 --> 00:43:40,440
Speaker 2: they're like I need you mom, Like I'm sorry, I'm sorry,

881
00:43:40,480 --> 00:43:41,160
Speaker 2: I'm okay.

882
00:43:40,960 --> 00:43:43,879
Speaker 1: Yep, You're like, no, focus on the focus on talk

883
00:43:43,920 --> 00:43:44,640
Speaker 1: you're about to get.

884
00:43:44,760 --> 00:43:46,120
Speaker 2: But also, is that garbage?

885
00:43:46,200 --> 00:43:46,319
Speaker 4: Right?

886
00:43:46,400 --> 00:43:46,600
Speaker 3: Yeah?

887
00:43:47,560 --> 00:43:50,080
Speaker 1: Did you? Yes? Did you leave dirty dishes and forks

888
00:43:50,080 --> 00:43:53,040
Speaker 1: in here last night? So Danny sits next to Jesse

889
00:43:53,160 --> 00:43:56,120
Speaker 1: on the bed and insures him, I know, Nick, he

890
00:43:56,200 --> 00:43:59,479
Speaker 1: didn't mean it. He's just a hot headed, stubborn guy.

891
00:44:00,040 --> 00:44:04,880
Speaker 1: But underneath all that anger is more anger, and he concludes,

892
00:44:05,280 --> 00:44:08,160
Speaker 1: but underneath all that is a man who's really hurting

893
00:44:08,440 --> 00:44:13,319
Speaker 1: because he really loves you. Jesse sighs and says, well,

894
00:44:13,360 --> 00:44:15,919
Speaker 1: he's got to stop trying to run my life. I'm

895
00:44:15,920 --> 00:44:19,200
Speaker 1: twenty five years old. God, how is he only twenty

896
00:44:19,239 --> 00:44:24,480
Speaker 1: five years old? Like still blows my mind. Jesse says

897
00:44:24,560 --> 00:44:26,719
Speaker 1: he's got to start accepting me as an adult who

898
00:44:26,719 --> 00:44:29,319
Speaker 1: can make his own decisions. It's my life and I'm

899
00:44:29,320 --> 00:44:32,680
Speaker 1: gonna do whatever it takes to make me happy. Danny

900
00:44:32,719 --> 00:44:36,359
Speaker 1: nods and he says, good. Are you happy? And Jesse

901
00:44:36,440 --> 00:44:40,680
Speaker 1: admits no, I'm miserable. Danny advises You're not gonna be

902
00:44:40,800 --> 00:44:43,600
Speaker 1: happy until you do everything you can to make things

903
00:44:43,719 --> 00:44:46,760
Speaker 1: right with your father. You have to reach out to him.

904
00:44:47,239 --> 00:44:49,640
Speaker 1: Danny starts to tuck Jesse in, telling him to sleep

905
00:44:49,680 --> 00:44:53,160
Speaker 1: on it. Danny smiles, saying good night, little mouse, and

906
00:44:53,239 --> 00:44:56,560
Speaker 1: Jesse laughs and says good night. Danny closes the door

907
00:44:56,560 --> 00:44:59,080
Speaker 1: and turns off the lights. Jesse looks at the clock

908
00:44:59,120 --> 00:45:02,200
Speaker 1: and he is The realization hits him what am I doing?

909
00:45:02,280 --> 00:45:04,919
Speaker 1: It's only seven o'clock and he gets up and leaves.

910
00:45:05,120 --> 00:45:06,880
Speaker 2: I thought I was like, are we going for another

911
00:45:06,960 --> 00:45:07,720
Speaker 2: dream sequence?

912
00:45:07,760 --> 00:45:08,000
Speaker 1: In this?

913
00:45:08,560 --> 00:45:09,320
Speaker 2: Yeah?

914
00:45:09,440 --> 00:45:10,359
Speaker 1: It felt like a set up.

915
00:45:10,400 --> 00:45:13,640
Speaker 2: If I was like oh, they're a montage or montage, Yeah, exactly.

916
00:45:14,520 --> 00:45:17,640
Speaker 1: So we cut to DJ in Steph's room. Steph is

917
00:45:17,680 --> 00:45:21,839
Speaker 1: in DJ's bed, sleep talking and saying, no, dentist, I'm

918
00:45:21,840 --> 00:45:25,960
Speaker 1: not going, I'm not going. As she's talking, she's rolling

919
00:45:26,000 --> 00:45:29,760
Speaker 1: all around all over DJ, waking her up and prompting

920
00:45:29,840 --> 00:45:34,320
Speaker 1: DJ to ask, may I help you? Steph sleepily asks

921
00:45:34,360 --> 00:45:37,759
Speaker 1: where am i? And DJ scoffs, saying in my bed,

922
00:45:37,920 --> 00:45:38,879
Speaker 1: what are you doing here?

923
00:45:39,400 --> 00:45:42,360
Speaker 2: Apparently I still sleep like that, just all over the place,

924
00:45:42,480 --> 00:45:45,800
Speaker 2: talking in my sleep, do you Yeah, yeah.

925
00:45:45,600 --> 00:45:47,960
Speaker 1: So you're not a sleepwalker, but you're a still sleepwalker.

926
00:45:47,960 --> 00:45:51,840
Speaker 2: But I definitely occupy much more space than I need.

927
00:45:52,120 --> 00:45:57,960
Speaker 1: Okay, Okay, Lucky Mescal, Yeah, yeah, he's thrilled. Yeah. So,

928
00:45:58,040 --> 00:46:00,839
Speaker 1: Stephanie admits she doesn't know why she's in DJ's bed.

929
00:46:00,960 --> 00:46:03,520
Speaker 1: She had a bad dream, and she says I was

930
00:46:03,600 --> 00:46:06,440
Speaker 1: running in a forest and all the trees were dentists

931
00:46:06,600 --> 00:46:10,240
Speaker 1: and they were chasing me, yelling open wide, open wide.

932
00:46:10,560 --> 00:46:11,520
Speaker 2: That would be terrifying.

933
00:46:11,760 --> 00:46:15,560
Speaker 1: That is a terrifying dream. DJ dismisses her, saying it

934
00:46:15,640 --> 00:46:18,840
Speaker 1: was just a dream, and Stephanie wonders, how do you

935
00:46:18,960 --> 00:46:22,799
Speaker 1: know you're not a dream? Telling me it's just a dream.

936
00:46:23,480 --> 00:46:27,600
Speaker 1: Stephanie pinches DJ and confirms yes, I'm awake, and DJ

937
00:46:27,800 --> 00:46:31,480
Speaker 1: is angry. She says, you're supposed to pinch yourself, not me,

938
00:46:32,040 --> 00:46:39,000
Speaker 1: you little nerd bomber. It did. Stephanie apologizes and admits

939
00:46:39,120 --> 00:46:42,759
Speaker 1: she is not herself. She confesses, I'm really afraid of

940
00:46:42,800 --> 00:46:46,080
Speaker 1: the dentist. DJ tells her, well, that's just because she's

941
00:46:46,120 --> 00:46:49,080
Speaker 1: a little kid. She tells steph a story that a

942
00:46:49,120 --> 00:46:51,520
Speaker 1: long time ago, back when I was a little kid,

943
00:46:51,560 --> 00:46:53,920
Speaker 1: I was afraid of getting sucked down the drain in

944
00:46:54,000 --> 00:46:57,040
Speaker 1: the bathtub. When you were one year old. I put

945
00:46:57,120 --> 00:46:59,279
Speaker 1: you in the tub and pulled the plug, and when

946
00:46:59,320 --> 00:47:01,280
Speaker 1: you didn't go anywhere, I knew it was safe.

947
00:47:01,680 --> 00:47:03,120
Speaker 3: Such a sibling thing to do.

948
00:47:03,719 --> 00:47:05,880
Speaker 2: She was like, I put you in danger, it was fine,

949
00:47:06,000 --> 00:47:06,960
Speaker 2: So maybe it's.

950
00:47:06,800 --> 00:47:10,600
Speaker 1: Okay for me. Yeah, yep, right, Such an older sister thing, right.

951
00:47:11,160 --> 00:47:13,520
Speaker 1: And Stephanie's a little horrified. She says, you tried to

952
00:47:13,560 --> 00:47:16,440
Speaker 1: send me down the drain and DJ says, well, you

953
00:47:16,440 --> 00:47:18,560
Speaker 1: were only a year old. I hardly knew you.

954
00:47:19,480 --> 00:47:21,520
Speaker 2: Like that makes it so funny because it's like the

955
00:47:21,640 --> 00:47:25,960
Speaker 2: dentist getting sucked down the drain, like such things that.

956
00:47:26,000 --> 00:47:26,960
Speaker 3: Kids are terrified of.

957
00:47:27,160 --> 00:47:27,560
Speaker 1: Mm hmm.

958
00:47:27,760 --> 00:47:29,440
Speaker 3: My kid's terrified of being sucked down the drain.

959
00:47:29,600 --> 00:47:32,239
Speaker 1: It's just it's something. Yeah, just like I used to

960
00:47:32,320 --> 00:47:34,520
Speaker 1: be afraid of jumping off my bed and the monsters

961
00:47:34,560 --> 00:47:35,400
Speaker 1: being able to grab it.

962
00:47:35,719 --> 00:47:37,359
Speaker 2: Right, I'm still a little bit like that. I don't

963
00:47:37,440 --> 00:47:39,239
Speaker 2: like my foot hanging out. It's got to be under

964
00:47:39,239 --> 00:47:41,680
Speaker 2: the covers or completely on the bed because they can

965
00:47:41,719 --> 00:47:45,800
Speaker 2: reach it if you're hanging over the border of the mattress.

966
00:47:45,920 --> 00:47:48,960
Speaker 2: But as long as you're within that, monsters can't get you. Yeah,

967
00:47:49,040 --> 00:47:49,359
Speaker 2: you're fine.

968
00:47:49,400 --> 00:47:52,000
Speaker 1: You can't have any limbs hanging out or hanging over.

969
00:47:52,280 --> 00:47:55,320
Speaker 2: No, he sleeps like that, completely unsecured. I can't.

970
00:47:56,000 --> 00:47:59,520
Speaker 1: Got to secure your limbs before you sleep. Yes, So

971
00:47:59,560 --> 00:48:01,840
Speaker 1: we switched to a new scene and a new set.

972
00:48:02,040 --> 00:48:06,160
Speaker 1: We're in the dentist's office and stuff is in her chair.

973
00:48:07,400 --> 00:48:09,799
Speaker 1: You've got some great hair, Like I've noticed your hair

974
00:48:09,880 --> 00:48:11,200
Speaker 1: is really long in this.

975
00:48:11,520 --> 00:48:16,000
Speaker 2: My hair was longer, and I believe permed. I was

976
00:48:16,040 --> 00:48:19,200
Speaker 2: wondered and I think this, I don't know if this

977
00:48:19,320 --> 00:48:22,200
Speaker 2: was I think some at some point in my perming

978
00:48:23,280 --> 00:48:27,840
Speaker 2: hair stages, I permed it and it like damaged my

979
00:48:27,880 --> 00:48:31,160
Speaker 2: hair really bad and just like flaked off as perms

980
00:48:31,160 --> 00:48:34,319
Speaker 2: are as perms to do as they do. Yeah, but yeah,

981
00:48:34,360 --> 00:48:37,239
Speaker 2: it was very curly eighties like.

982
00:48:38,080 --> 00:48:39,960
Speaker 1: It looked it looked like it was permed, and then

983
00:48:40,000 --> 00:48:42,799
Speaker 1: you kind of brushed it out once it dried. So

984
00:48:43,160 --> 00:48:45,120
Speaker 1: at least you didn't have to wear those pink rollers

985
00:48:45,120 --> 00:48:47,680
Speaker 1: anymore at night that your mom used to put in

986
00:48:47,680 --> 00:48:49,680
Speaker 1: your hair with the dippity deuce. That's true.

987
00:48:49,719 --> 00:48:51,879
Speaker 2: I just ried my hair off with a perm, so yeah,

988
00:48:51,920 --> 00:48:52,840
Speaker 2: because yeah, you.

989
00:48:53,360 --> 00:48:57,280
Speaker 1: Trade one problem for another. True. Okay, So the dentist

990
00:48:57,320 --> 00:48:59,640
Speaker 1: is asking Stephanie if she's ready to open her mouth.

991
00:49:00,120 --> 00:49:02,359
Speaker 1: Her lips are sealed shut as she shakes her head

992
00:49:02,360 --> 00:49:06,120
Speaker 1: and musters out mmmm. The dentist asks, well, then, how

993
00:49:06,160 --> 00:49:08,560
Speaker 1: am I going to fill your cavity? With her lips

994
00:49:08,680 --> 00:49:14,200
Speaker 1: sealed shut, Steph makes a noise again. Joey is with her,

995
00:49:14,239 --> 00:49:16,680
Speaker 1: and he asks the doctor if he and Stephanie can

996
00:49:16,719 --> 00:49:19,480
Speaker 1: just have a moment alone. Joey walks over to Steph

997
00:49:19,520 --> 00:49:21,960
Speaker 1: and tells her, I know this isn't as much fun

998
00:49:22,000 --> 00:49:25,920
Speaker 1: as the circus, but you have to be brave, so

999
00:49:25,960 --> 00:49:29,680
Speaker 1: you know what you're gonna need courage. Steph opens her

1000
00:49:29,680 --> 00:49:32,839
Speaker 1: mouth and asks courage that She realizes she opened her

1001
00:49:32,880 --> 00:49:37,080
Speaker 1: mouth and immediately says, oh, I mean mm hmm, and

1002
00:49:37,120 --> 00:49:40,960
Speaker 1: she seals her lips back up. Joey references the Cowardly

1003
00:49:41,040 --> 00:49:43,640
Speaker 1: Lion in the Wizard of Oz and does a spot

1004
00:49:43,719 --> 00:49:47,760
Speaker 1: on impersonation of him. Great impression. This is a great

1005
00:49:47,760 --> 00:49:51,120
Speaker 1: callback to that Joey's three minute impersonation of the whole

1006
00:49:51,160 --> 00:49:55,080
Speaker 1: Wizard of Oz twister A Twister, a twister back in

1007
00:49:55,160 --> 00:49:59,399
Speaker 1: season one. He reminds steph that the Cowardly Lion thought

1008
00:49:59,440 --> 00:50:02,560
Speaker 1: he needed Wizard to give him courage, but he really

1009
00:50:02,600 --> 00:50:06,680
Speaker 1: had it all along, and so do you. Joey tells

1010
00:50:06,680 --> 00:50:09,960
Speaker 1: her everyone keeps their courage in a different place. He

1011
00:50:10,040 --> 00:50:12,200
Speaker 1: points to his ear lobes and says that's where he

1012
00:50:12,320 --> 00:50:15,600
Speaker 1: keeps his courage. Stephanie asks, well, where do you think

1013
00:50:15,760 --> 00:50:19,319
Speaker 1: my courage is? Joey admits that he doesn't know, and

1014
00:50:19,320 --> 00:50:21,239
Speaker 1: then he looks around and pulls out a dental tool,

1015
00:50:21,320 --> 00:50:25,040
Speaker 1: pretending that it's a courage detector. She tells him, well,

1016
00:50:25,120 --> 00:50:27,240
Speaker 1: last time I was here, it was a spit sucker.

1017
00:50:28,320 --> 00:50:30,600
Speaker 1: Joey shrugs and says, oh, yeah, well it does that too,

1018
00:50:31,480 --> 00:50:33,479
Speaker 1: So he holds up the spit sucker and tells Steph,

1019
00:50:33,600 --> 00:50:36,680
Speaker 1: let's find out where your courage is. He starts to

1020
00:50:36,719 --> 00:50:39,480
Speaker 1: move this tool across Steph's arm as he's making these

1021
00:50:39,560 --> 00:50:41,959
Speaker 1: beepy noises going up to her mouth.

1022
00:50:42,120 --> 00:50:43,359
Speaker 2: Very unsanitary by the way.

1023
00:50:43,640 --> 00:50:45,200
Speaker 1: It does, like this is going to go in your mouth.

1024
00:50:45,800 --> 00:50:48,160
Speaker 2: Mouth. You can be wiping it on my sleeve.

1025
00:50:48,520 --> 00:50:48,880
Speaker 3: Anyway.

1026
00:50:48,880 --> 00:50:51,359
Speaker 1: It was the eighties they didn't steroilize as well as

1027
00:50:51,400 --> 00:50:55,359
Speaker 1: they do now. It's fine. So he finally reaches her

1028
00:50:55,360 --> 00:50:59,399
Speaker 1: mouth and he makes this alarm noise. That's where her

1029
00:50:59,520 --> 00:51:03,160
Speaker 1: courage is. Joey grabs a small mirror to show Steph

1030
00:51:03,200 --> 00:51:06,000
Speaker 1: where her courage is and he explains, you see that

1031
00:51:06,040 --> 00:51:11,040
Speaker 1: little hangy ball thing and she says yes and admits, well,

1032
00:51:11,040 --> 00:51:14,279
Speaker 1: I thought that was just there for decoration and he's like, no,

1033
00:51:14,400 --> 00:51:15,839
Speaker 1: that's your courage, hangy ball.

1034
00:51:16,880 --> 00:51:20,480
Speaker 2: We just had discussion. We just had it. I'm telling you,

1035
00:51:20,560 --> 00:51:22,919
Speaker 2: we keep doing this. We had the discussion with Dave

1036
00:51:23,120 --> 00:51:24,719
Speaker 2: with the puppet, and I was like, oh my god,

1037
00:51:24,719 --> 00:51:26,600
Speaker 2: look and we said it looks like the little thing

1038
00:51:26,640 --> 00:51:27,960
Speaker 2: in the back of his show, and that was why

1039
00:51:28,000 --> 00:51:29,759
Speaker 2: he laughed. He was like, oh, the courage, hangy ball,

1040
00:51:29,800 --> 00:51:33,240
Speaker 2: the courage hangy ball. Yes, I'm sure he remembered that reference.

1041
00:51:33,440 --> 00:51:36,279
Speaker 2: We were like ah, and then this week I'm like,

1042
00:51:36,280 --> 00:51:37,640
Speaker 2: oh my god, yeah it was.

1043
00:51:37,960 --> 00:51:41,640
Speaker 1: But like again, it's so funny. The timing of this just.

1044
00:51:41,600 --> 00:51:46,560
Speaker 2: Can't get away from losing turtles and courage hangy balls

1045
00:51:46,640 --> 00:51:47,840
Speaker 2: and yeah.

1046
00:51:47,560 --> 00:51:50,200
Speaker 1: We keep living in a full house episode. I think

1047
00:51:50,239 --> 00:51:53,600
Speaker 1: these lines are just embedded in, are subconscious and we

1048
00:51:53,640 --> 00:51:56,880
Speaker 1: don't know why we remember. We remember it, are subconscious

1049
00:51:56,920 --> 00:51:59,759
Speaker 1: but not actively. So until we watch these episodes, were like, oh, yeah,

1050
00:51:59,760 --> 00:52:00,680
Speaker 1: that's why that's.

1051
00:52:00,600 --> 00:52:01,960
Speaker 2: Yeah, probably, I'm sure.

1052
00:52:02,040 --> 00:52:02,200
Speaker 1: Yeah.

1053
00:52:02,480 --> 00:52:03,720
Speaker 3: And they're floating around somewhere.

1054
00:52:04,040 --> 00:52:05,839
Speaker 1: Yeah, okay, so I.

1055
00:52:05,760 --> 00:52:08,239
Speaker 2: Thought it was there for decoration. I thought it was

1056
00:52:08,239 --> 00:52:09,000
Speaker 2: there for decorations.

1057
00:52:10,440 --> 00:52:14,160
Speaker 1: Epiglottis I love. I much prefer the name courage hangy

1058
00:52:14,160 --> 00:52:16,359
Speaker 1: ball to Epiglottis. It's just I think they should change

1059
00:52:16,360 --> 00:52:19,080
Speaker 1: the definition. And that's what I call it, the courage

1060
00:52:19,080 --> 00:52:22,360
Speaker 1: hangy ball. So the Dennis walks back in and asks

1061
00:52:22,520 --> 00:52:26,400
Speaker 1: Steph if she's ready to give it a try. Steph obliges,

1062
00:52:26,520 --> 00:52:29,359
Speaker 1: and Joey kind of flicks his ear lobes, signaling hey,

1063
00:52:29,360 --> 00:52:32,319
Speaker 1: don't forget about your courage. She looks at him and

1064
00:52:32,320 --> 00:52:34,440
Speaker 1: tells him you better not be kidding me about this

1065
00:52:34,600 --> 00:52:38,960
Speaker 1: hangyball business. And Dennis. Dennis gets to work.

1066
00:52:39,040 --> 00:52:40,879
Speaker 2: And then the novacaine comes out and it all goes.

1067
00:52:42,840 --> 00:52:45,520
Speaker 1: We should we needed a video of Steph with the

1068
00:52:46,320 --> 00:52:48,880
Speaker 1: with the what do you call it? The the mouth

1069
00:52:49,160 --> 00:52:52,279
Speaker 1: device where you get the what do you call what

1070
00:52:52,320 --> 00:52:52,799
Speaker 1: do you call it?

1071
00:52:53,320 --> 00:52:55,000
Speaker 2: The mouth divide the courage hanging ball.

1072
00:52:56,680 --> 00:52:58,759
Speaker 1: It makes you sleepy and then it makes you kind

1073
00:52:58,760 --> 00:53:00,480
Speaker 1: of high where you're Oh.

1074
00:53:00,480 --> 00:53:02,839
Speaker 2: That's that's only if you get like they don't give

1075
00:53:02,880 --> 00:53:03,800
Speaker 2: that to you normally.

1076
00:53:04,200 --> 00:53:05,560
Speaker 1: Oh, that's not for cavities.

1077
00:53:05,600 --> 00:53:09,399
Speaker 2: That's you just know, that's for oral surgery. They give

1078
00:53:09,400 --> 00:53:13,160
Speaker 2: you that, like, not nitrous oxide. Not usually they just

1079
00:53:13,280 --> 00:53:15,440
Speaker 2: know they shoot you with the little novacane.

1080
00:53:15,680 --> 00:53:18,879
Speaker 1: Okay, not nearly as interesting as when you get there, but.

1081
00:53:18,800 --> 00:53:20,799
Speaker 2: I think if you have a really horrible time with

1082
00:53:20,880 --> 00:53:22,800
Speaker 2: the dentist, they will give you some of the like

1083
00:53:22,800 --> 00:53:25,239
Speaker 2: like laughing gas to kind of mellow you out a

1084
00:53:25,280 --> 00:53:25,680
Speaker 2: little bit.

1085
00:53:25,760 --> 00:53:28,279
Speaker 1: Oh yeah, I request it. When I go in, I'm

1086
00:53:28,320 --> 00:53:32,839
Speaker 1: just like, hey, can I can I? So we we

1087
00:53:32,880 --> 00:53:35,759
Speaker 1: cut back to the living room. Jesse is sitting on

1088
00:53:35,800 --> 00:53:38,719
Speaker 1: the couch with Michelle. He has his guitar and she

1089
00:53:38,880 --> 00:53:42,320
Speaker 1: has her little toy guitar. He asks her to sing

1090
00:53:42,400 --> 00:53:45,440
Speaker 1: I got you, babe, and she's able to say, I

1091
00:53:45,480 --> 00:53:50,920
Speaker 1: got babe, so cute. It's so cute. Jesse continues strumming,

1092
00:53:51,200 --> 00:53:54,000
Speaker 1: telling her, well that settles it. You'll be sunny, and

1093
00:53:54,040 --> 00:53:55,680
Speaker 1: he tells her to sing it again, and this time

1094
00:53:55,719 --> 00:54:01,440
Speaker 1: she says I want a babe close, very close. But

1095
00:54:01,520 --> 00:54:05,760
Speaker 1: she gets full credit for this. She's so cute. Irene

1096
00:54:05,760 --> 00:54:08,400
Speaker 1: and Nick walk in and Nick throws his arms up

1097
00:54:08,440 --> 00:54:11,360
Speaker 1: in the air when he sees Jesse, and he tells Irene,

1098
00:54:11,400 --> 00:54:14,480
Speaker 1: I thought you said Barney Manilow wasn't gonna be here,

1099
00:54:15,280 --> 00:54:18,000
Speaker 1: and Jesse tells him, I asked MA to bring you

1100
00:54:18,120 --> 00:54:21,000
Speaker 1: over here. Nick shrugs and tells him, well he has

1101
00:54:21,040 --> 00:54:24,160
Speaker 1: nothing to say. Irene snaps at him and says, find

1102
00:54:24,200 --> 00:54:26,880
Speaker 1: something to say. I can't stand you two not speaking

1103
00:54:26,920 --> 00:54:28,919
Speaker 1: to each other. There are two men in this world

1104
00:54:29,000 --> 00:54:33,680
Speaker 1: that I love more than anyone, Marcello Mastrioani and one

1105
00:54:33,719 --> 00:54:37,560
Speaker 1: of you guys, which I didn't know who this was,

1106
00:54:38,040 --> 00:54:40,920
Speaker 1: but he's apparently an Italian actor who died in nineteen

1107
00:54:41,000 --> 00:54:43,320
Speaker 1: ninety six, best known for the movies Eight and a

1108
00:54:43,360 --> 00:54:47,000
Speaker 1: Half and La Dulce vita vita. Yes, got it? Okay,

1109
00:54:48,160 --> 00:54:51,439
Speaker 1: So Jesse asks if they took Market Street to get here?

1110
00:54:51,719 --> 00:54:55,120
Speaker 1: And Nick asks market street at this hour? What am

1111
00:54:55,120 --> 00:54:57,399
Speaker 1: I an idiot? Is this why you called me over here?

1112
00:54:58,120 --> 00:55:00,719
Speaker 1: Jesse gets defensive, saying what are you you yelling at

1113
00:55:00,760 --> 00:55:02,319
Speaker 1: me for? This is the small talk?

1114
00:55:02,360 --> 00:55:02,839
Speaker 3: We have read?

1115
00:55:02,920 --> 00:55:04,040
Speaker 2: Got the fight yet?

1116
00:55:05,120 --> 00:55:06,320
Speaker 1: Nick is triggered.

1117
00:55:06,400 --> 00:55:10,239
Speaker 2: Wow, yeah, he is a angry, angry little man.

1118
00:55:10,400 --> 00:55:12,759
Speaker 1: He's a very angry man. Is that Cazopolis?

1119
00:55:13,040 --> 00:55:13,239
Speaker 4: You know?

1120
00:55:13,520 --> 00:55:13,600
Speaker 2: Ye?

1121
00:55:13,800 --> 00:55:18,920
Speaker 1: That ain't y? Yeah? Nick argues, yes, we have. We've

1122
00:55:18,920 --> 00:55:21,000
Speaker 1: gotten to the fight. If you think that I'm going

1123
00:55:21,080 --> 00:55:24,040
Speaker 1: to admit that I was wrong, You're crazy. My only

1124
00:55:24,160 --> 00:55:28,760
Speaker 1: son quits the family business, I mean. Irene interrupts this argument,

1125
00:55:29,120 --> 00:55:32,600
Speaker 1: bringing Michelle into the room, saying she wants to visit Grandpa.

1126
00:55:32,840 --> 00:55:38,920
Speaker 1: Good distraction, Irene smart. Nick's demeanor immediately changes, saying this

1127
00:55:39,000 --> 00:55:42,520
Speaker 1: isn't fair. I was steamed. I want to stay steamed.

1128
00:55:43,280 --> 00:55:45,279
Speaker 1: He takes Michelle in his arms and tries to get

1129
00:55:45,280 --> 00:55:48,160
Speaker 1: her to say Grandpa. Irene tells Nick, we have a

1130
00:55:48,200 --> 00:55:51,319
Speaker 1: wonderful son. He loves you very much and you love him.

1131
00:55:51,680 --> 00:55:54,880
Speaker 1: Now forgive him or we're getting Ozzie and Harriet beds,

1132
00:55:55,320 --> 00:55:58,719
Speaker 1: so Jesse continues the conversation. He says, I want out

1133
00:55:58,760 --> 00:56:01,319
Speaker 1: of the family business, but I don't want out of

1134
00:56:01,360 --> 00:56:05,319
Speaker 1: the family. Nick starts to walk away, and Jesse pleads, well,

1135
00:56:05,400 --> 00:56:07,839
Speaker 1: what do you think. I woke up yesterday and I said, oh,

1136
00:56:07,840 --> 00:56:10,040
Speaker 1: what should I do today? Make an omelet or break

1137
00:56:10,080 --> 00:56:13,400
Speaker 1: my father's heart. Jesse tells him this is the one

1138
00:56:13,440 --> 00:56:16,239
Speaker 1: of the hardest things I've ever done, but you can't

1139
00:56:16,239 --> 00:56:19,319
Speaker 1: throw me out of the family. I am your son. Yeah,

1140
00:56:19,320 --> 00:56:22,000
Speaker 1: And I'm kind of distracted by how far forward they

1141
00:56:22,040 --> 00:56:24,200
Speaker 1: are in the set, Like it feels like they're almost

1142
00:56:24,200 --> 00:56:26,719
Speaker 1: in the camera aisle because they're not like back, like

1143
00:56:26,719 --> 00:56:28,400
Speaker 1: they're not on the couch, They're not like they're so

1144
00:56:28,560 --> 00:56:30,160
Speaker 1: far forward far forward.

1145
00:56:30,640 --> 00:56:32,680
Speaker 2: Yeah, but I think I mean, once we moved the

1146
00:56:32,719 --> 00:56:36,080
Speaker 2: second couch, we definitely had a lot more business. Like

1147
00:56:36,120 --> 00:56:39,719
Speaker 2: by those two blue chairs, they're kind of true, that's true.

1148
00:56:39,960 --> 00:56:42,440
Speaker 1: Okay, So Nick argues, I didn't build a business to

1149
00:56:42,480 --> 00:56:45,360
Speaker 1: sell to some stranger. You really messed up my dream,

1150
00:56:45,719 --> 00:56:48,239
Speaker 1: and Jesse asks him, what about my dream? Don't you

1151
00:56:48,239 --> 00:56:53,440
Speaker 1: want to see me happy bingo exactly? Jesse? Nick tells

1152
00:56:53,520 --> 00:56:57,640
Speaker 1: him yes, and Jesse questions, then why can't you be

1153
00:56:57,680 --> 00:57:00,759
Speaker 1: proud of me? Nick stands up Ellie, who said I

1154
00:57:00,800 --> 00:57:04,759
Speaker 1: wasn't proud of you. Jesse is surprised, asking you're proud

1155
00:57:04,800 --> 00:57:06,719
Speaker 1: of me. You're proud of me for standing up to

1156
00:57:06,719 --> 00:57:09,640
Speaker 1: you and doing what I believe in, and Nick responds, no, no,

1157
00:57:09,680 --> 00:57:12,000
Speaker 1: I hate that. He shakes his head and tells Jesse,

1158
00:57:12,200 --> 00:57:14,840
Speaker 1: I told you you really messed up my dream, But

1159
00:57:15,280 --> 00:57:18,640
Speaker 1: you came through on another dream, the one about you

1160
00:57:18,680 --> 00:57:21,720
Speaker 1: growing up to be the kind of man I respect.

1161
00:57:21,960 --> 00:57:24,640
Speaker 1: When your sister died, May she rest in peace.

1162
00:57:24,760 --> 00:57:27,720
Speaker 2: Finally we're talking about Pam and the relate, like we

1163
00:57:27,840 --> 00:57:30,640
Speaker 2: get to this one. I was like, oh, thank God,

1164
00:57:30,760 --> 00:57:34,720
Speaker 2: Like we're finally having a moment where it's like, yeah, yes, yeah,

1165
00:57:34,760 --> 00:57:35,920
Speaker 2: how are you going to kick your son out of

1166
00:57:35,920 --> 00:57:37,360
Speaker 2: the family when your daughter just died?

1167
00:57:37,400 --> 00:57:40,360
Speaker 1: Bro, you won't have any children left, right, It's.

1168
00:57:40,200 --> 00:57:43,040
Speaker 2: Not the time to be ridding people out of your family,

1169
00:57:43,080 --> 00:57:43,280
Speaker 2: you know.

1170
00:57:44,120 --> 00:57:44,320
Speaker 4: No.

1171
00:57:44,440 --> 00:57:47,200
Speaker 1: I'm so glad they finally brought up dead Pam because

1172
00:57:47,240 --> 00:57:49,720
Speaker 1: I was like, where where is this in any of

1173
00:57:49,760 --> 00:57:53,960
Speaker 1: the grief filled conversations? Right? So he says, when your

1174
00:57:53,960 --> 00:57:57,080
Speaker 1: sister died, the whole family was devastated and the way

1175
00:57:57,120 --> 00:57:59,800
Speaker 1: you moved in here and you pulled us all together.

1176
00:58:00,320 --> 00:58:04,240
Speaker 1: The sacrifices you made to help Danny raise our granddaughters,

1177
00:58:04,760 --> 00:58:08,160
Speaker 1: that really made me proud. This is such a nice moment.

1178
00:58:08,360 --> 00:58:09,360
Speaker 1: It is.

1179
00:58:09,000 --> 00:58:11,880
Speaker 2: This made a quick churn, so glad that we got

1180
00:58:11,920 --> 00:58:16,200
Speaker 2: to have this moment though. It was very but it.

1181
00:58:16,120 --> 00:58:17,640
Speaker 1: Only lasted fifteen seconds, but.

1182
00:58:17,720 --> 00:58:20,520
Speaker 3: Well, which is a lot of emotion in a sitcom.

1183
00:58:20,840 --> 00:58:23,680
Speaker 1: Yeah, it definitely. It hit the emotional beat so that

1184
00:58:23,760 --> 00:58:27,800
Speaker 1: I was craving and it was very satisfying. Jesse thanks

1185
00:58:27,880 --> 00:58:30,960
Speaker 1: him and says, but I'm a musician, and I want

1186
00:58:30,960 --> 00:58:33,160
Speaker 1: you to be proud of me for that too. I

1187
00:58:33,200 --> 00:58:36,640
Speaker 1: want you in my corner, Nick says, realizing that he

1188
00:58:36,800 --> 00:58:39,320
Speaker 1: might have been a little rough on him. He admits,

1189
00:58:39,560 --> 00:58:41,680
Speaker 1: I'm never going to be happy about this music thing,

1190
00:58:42,040 --> 00:58:45,760
Speaker 1: but I'm always going to be in your corner. He laughs,

1191
00:58:45,760 --> 00:58:48,000
Speaker 1: and he tells him I'm your old man. They give

1192
00:58:48,040 --> 00:58:50,120
Speaker 1: each other a big hug, and Jesse yells to his

1193
00:58:50,160 --> 00:58:52,840
Speaker 1: mom that she can come back in now. I Rene

1194
00:58:52,840 --> 00:58:55,360
Speaker 1: appears from the kitchen and tells him I never left.

1195
00:58:57,000 --> 00:59:00,920
Speaker 1: Steph walks in through the door, announcing Teta, and Joey

1196
00:59:00,920 --> 00:59:04,080
Speaker 1: tells them that they are back from the dentist. Steph

1197
00:59:04,160 --> 00:59:07,600
Speaker 1: tells them it was great. She received a goodie bag,

1198
00:59:07,680 --> 00:59:10,160
Speaker 1: and then she starts showing everyone what she got, a

1199
00:59:10,200 --> 00:59:16,520
Speaker 1: snoopy toothbrush, dental floss, cinnamon and sugarless gum. Very tasty.

1200
00:59:17,080 --> 00:59:19,640
Speaker 1: And I can see you concentrating hard on with the prop.

1201
00:59:19,680 --> 00:59:22,120
Speaker 1: You have the prop business, You've got the lines, that prop.

1202
00:59:22,240 --> 00:59:25,880
Speaker 2: It's multitasking, it is, and it's all, yeah, everything's always

1203
00:59:25,920 --> 00:59:27,680
Speaker 2: great in a scene until you hand an actor props

1204
00:59:27,680 --> 00:59:29,520
Speaker 2: and then we're like, oh no, now I've got to

1205
00:59:29,560 --> 00:59:30,920
Speaker 2: do things and the lines and the thing.

1206
00:59:31,000 --> 00:59:33,240
Speaker 1: Yeah, it's a lot harder than you would think to

1207
00:59:33,720 --> 00:59:35,680
Speaker 1: manage props and your lines.

1208
00:59:35,520 --> 00:59:37,880
Speaker 2: Well, because you're trying to have a normal rhythm of

1209
00:59:37,920 --> 00:59:39,960
Speaker 2: like how you talk, but also pull the prop out

1210
00:59:39,960 --> 00:59:41,840
Speaker 2: at the same time. And sometimes for like a five

1211
00:59:41,920 --> 00:59:43,600
Speaker 2: six year old, that's a lot to think.

1212
00:59:43,760 --> 00:59:46,560
Speaker 1: Yeah, yeah, that's a lot of business. And Dave's helping

1213
00:59:46,600 --> 00:59:48,400
Speaker 1: you out because you're kind of handing him the thing

1214
00:59:48,480 --> 00:59:50,680
Speaker 1: so you don't get bogged down by yeah props.

1215
00:59:51,320 --> 00:59:53,280
Speaker 2: Yes, I was gonna make a comment, and then I

1216
00:59:53,320 --> 00:59:55,480
Speaker 2: realized that was actually for next week's episode, So I'm gonna.

1217
00:59:55,280 --> 00:59:57,760
Speaker 1: Say, oh, okay, that we pulled it for next week.

1218
00:59:57,920 --> 00:59:59,400
Speaker 3: Oh no, wait, sorry, that was the one I got

1219
00:59:59,440 --> 00:59:59,680
Speaker 3: had on.

1220
01:00:02,360 --> 01:00:06,080
Speaker 1: Stephanie tells everyone that for her next birthday, forget the clown.

1221
01:00:06,480 --> 01:00:10,200
Speaker 1: She wants a dentist. And that is our show, ladies

1222
01:00:10,200 --> 01:00:14,440
Speaker 1: and gentlemen, great little button. On that episode, everyone's happy,

1223
01:00:14,560 --> 01:00:15,680
Speaker 1: everyone's made up.

1224
01:00:15,840 --> 01:00:17,000
Speaker 2: Everyone's happy.

1225
01:00:17,040 --> 01:00:18,120
Speaker 3: Back in the family.

1226
01:00:18,400 --> 01:00:22,520
Speaker 2: We've had a moment about Pam and everyone's sad. We

1227
01:00:22,560 --> 01:00:28,400
Speaker 2: had a courage hanging ball. We've got Italian grandma's and.

1228
01:00:28,520 --> 01:00:30,160
Speaker 1: Making out, making out with Grandpa.

1229
01:00:30,160 --> 01:00:32,280
Speaker 2: You're getting it on in the yeah, in the in

1230
01:00:32,360 --> 01:00:35,840
Speaker 2: the kitchen, and then you know, Steph makes it through

1231
01:00:35,840 --> 01:00:36,320
Speaker 2: the dentist.

1232
01:00:36,720 --> 01:00:39,680
Speaker 3: Yes, all is well in the Tanner Household.

1233
01:00:40,040 --> 01:00:42,400
Speaker 1: I was happy to finally have a Jesse episode where

1234
01:00:42,440 --> 01:00:44,920
Speaker 1: I wasn't irritated with him, where I actually felt really

1235
01:00:45,040 --> 01:00:49,880
Speaker 1: bad for him and right character, Yeah, it makes all.

1236
01:00:50,000 --> 01:00:52,200
Speaker 1: It makes sense why Jesse keeps having this these midlife

1237
01:00:52,240 --> 01:00:55,600
Speaker 1: crises at age twenty five. Right, he gets it from Nick.

1238
01:00:55,760 --> 01:00:59,480
Speaker 2: Nick gets ahead and it makes exactly kind of impulsive loses,

1239
01:00:59,520 --> 01:01:04,280
Speaker 2: it gets frustrate. Yeah, it definitely like so many kind

1240
01:01:04,280 --> 01:01:08,400
Speaker 2: of questions and where things kind of came from, Like oh, okay,

1241
01:01:08,440 --> 01:01:09,280
Speaker 2: this makes sense.

1242
01:01:09,120 --> 01:01:11,000
Speaker 1: Now, Oh, great episode.

1243
01:01:11,040 --> 01:01:13,360
Speaker 2: Do you have any episodes Everywhere you looks?

1244
01:01:13,520 --> 01:01:15,720
Speaker 1: Do you have any? Uh? Or maybe not because you

1245
01:01:15,840 --> 01:01:18,120
Speaker 1: just watched that episode.

1246
01:01:19,080 --> 01:01:21,920
Speaker 2: No, But I for me, it was the my Everywhere

1247
01:01:21,960 --> 01:01:23,480
Speaker 2: you Look we already kind of talked about, but it

1248
01:01:23,520 --> 01:01:26,680
Speaker 2: was the more Scotties on the sweat on the sweater.

1249
01:01:26,680 --> 01:01:28,680
Speaker 1: So many Scotties. We got to keep a Scottie count

1250
01:01:28,920 --> 01:01:30,600
Speaker 1: around tally of Scotties.

1251
01:01:31,400 --> 01:01:32,560
Speaker 2: Did you have an everywhere you Look?

1252
01:01:32,680 --> 01:01:35,800
Speaker 1: Well, not a great one, but I just kept noticing

1253
01:01:36,280 --> 01:01:37,560
Speaker 1: these the baby gates.

1254
01:01:37,600 --> 01:01:37,920
Speaker 2: Were there?

1255
01:01:37,960 --> 01:01:40,400
Speaker 1: Always baby gates in the living room set by the

1256
01:01:40,440 --> 01:01:41,640
Speaker 1: stairs and the alcove.

1257
01:01:41,920 --> 01:01:43,480
Speaker 3: No, because the baby wasn't walking.

1258
01:01:44,120 --> 01:01:47,040
Speaker 2: Once she started walking, then we put the baby gates up.

1259
01:01:47,080 --> 01:01:48,440
Speaker 1: Then we had to put the baby gates, which is

1260
01:01:48,440 --> 01:01:51,240
Speaker 1: really just for show, like we didn't know we actually.

1261
01:01:51,000 --> 01:01:53,320
Speaker 2: Needed to put the Yeah, but you needed to put

1262
01:01:53,320 --> 01:01:54,680
Speaker 2: the baby gates up. I mean you had to put

1263
01:01:54,760 --> 01:01:57,320
Speaker 2: that one in front of the stairs that went down

1264
01:01:57,320 --> 01:02:00,800
Speaker 2: to the basement. For sure. Apposition bought that was just

1265
01:02:00,840 --> 01:02:03,240
Speaker 2: a pit, you know, they down there, And then we

1266
01:02:03,240 --> 01:02:05,800
Speaker 2: didn't want him running up the stairs and coming down,

1267
01:02:05,920 --> 01:02:08,280
Speaker 2: so we did have it on there, I think, I mean,

1268
01:02:08,280 --> 01:02:10,240
Speaker 2: not like they were just running around set. But right,

1269
01:02:10,240 --> 01:02:12,720
Speaker 2: I do think it actually did help keep them where

1270
01:02:12,720 --> 01:02:13,280
Speaker 2: we needed them.

1271
01:02:13,640 --> 01:02:16,920
Speaker 1: Okay, okay, so now we've established baby gates. We've established

1272
01:02:16,960 --> 01:02:19,320
Speaker 1: it we need baby gates because Michelle is toddling all

1273
01:02:19,360 --> 01:02:22,040
Speaker 1: around the set, and I just remember from Fuller at

1274
01:02:22,120 --> 01:02:24,320
Speaker 1: least how hard it was to work those baby gates,

1275
01:02:24,400 --> 01:02:26,240
Speaker 1: and I would always get stuck on I'm trying to

1276
01:02:26,280 --> 01:02:29,360
Speaker 1: walk up or down the stairs because uh, you know,

1277
01:02:29,600 --> 01:02:32,120
Speaker 1: they don't they were just prop baby gates. They weren't

1278
01:02:32,160 --> 01:02:33,760
Speaker 1: like really that durable.

1279
01:02:33,960 --> 01:02:36,200
Speaker 2: So okay, now I have to look. Now I'm looking

1280
01:02:36,200 --> 01:02:38,560
Speaker 2: at something because I'm like, oh, we're next next episode,

1281
01:02:38,560 --> 01:02:41,520
Speaker 2: Season two, episode four, DJ's very first horse. That's not

1282
01:02:41,600 --> 01:02:44,439
Speaker 2: the episode that I've that I watched on as episode four.

1283
01:02:44,960 --> 01:02:48,240
Speaker 1: What did you watch then? Jingle Hello?

1284
01:02:49,240 --> 01:02:53,120
Speaker 2: Oh, Jingle Jingle Hell, which comes after Jesse and Enjoy

1285
01:02:53,120 --> 01:02:56,720
Speaker 2: are writing jingles? What is happening on see if they're not.

1286
01:02:56,800 --> 01:02:58,680
Speaker 1: Happening on Amazon? Wow?

1287
01:03:00,280 --> 01:03:02,680
Speaker 2: Now though, now I'm gonna I gotta watch the horse episode.

1288
01:03:02,720 --> 01:03:04,320
Speaker 2: But now we know why all the horse stuff has

1289
01:03:04,320 --> 01:03:08,280
Speaker 2: made it in to uh to room, to DJ's room. Right,

1290
01:03:08,360 --> 01:03:10,720
Speaker 2: I remember I said we must be having the horse episode.

1291
01:03:10,720 --> 01:03:12,960
Speaker 2: Soon because we're establishing horses.

1292
01:03:13,200 --> 01:03:15,520
Speaker 1: Oh yeah, and it's coming, it's coming. Next week we're

1293
01:03:15,560 --> 01:03:17,919
Speaker 1: getting DJ's very first horse. It's Gray.

1294
01:03:18,000 --> 01:03:18,080
Speaker 4: Up.

1295
01:03:18,840 --> 01:03:21,800
Speaker 2: Wait, there is more than one horse that DJ eventually gets.

1296
01:03:21,960 --> 01:03:25,400
Speaker 2: Oh yeah, of all the multiple horses, horses are very

1297
01:03:25,400 --> 01:03:26,040
Speaker 2: first one.

1298
01:03:26,240 --> 01:03:28,880
Speaker 1: Right, maybe this is like a little teaser that she's

1299
01:03:28,880 --> 01:03:32,200
Speaker 1: gonna become a veterinarian someday thirty six years from now.

1300
01:03:32,320 --> 01:03:34,960
Speaker 1: So think about that with the horses that Yeah, I

1301
01:03:34,960 --> 01:03:37,240
Speaker 1: mean I doubt we were that forward thinking back in

1302
01:03:37,320 --> 01:03:38,880
Speaker 1: nineteen Oh, I don't think at all.

1303
01:03:39,000 --> 01:03:39,720
Speaker 2: It does track.

1304
01:03:39,880 --> 01:03:40,400
Speaker 1: It tracks.

1305
01:03:40,600 --> 01:03:44,440
Speaker 2: Yeah, DJ's a horse girl. Well, thank you everybody for

1306
01:03:44,560 --> 01:03:46,480
Speaker 2: joining us on this fabulous episode.

1307
01:03:46,520 --> 01:03:48,080
Speaker 3: I'm so glad that I watched the right one.

1308
01:03:48,600 --> 01:03:52,200
Speaker 2: I hope you did two. But see if people watching

1309
01:03:52,240 --> 01:03:54,040
Speaker 2: it on Amazon, they're gonna tune in and they're gonna

1310
01:03:54,040 --> 01:03:55,400
Speaker 2: be They're gonna listen to this and they're.

1311
01:03:55,320 --> 01:03:57,320
Speaker 1: Like, wait, what, Yeah, what happened?

1312
01:03:58,080 --> 01:04:02,600
Speaker 2: So everyone, next week's episodode is DJ and the Well,

1313
01:04:03,080 --> 01:04:06,880
Speaker 2: if there's not an interview, but it's DJ's very first horse, Right,

1314
01:04:07,640 --> 01:04:10,880
Speaker 2: you're watching that one. If it's on Amazon that order,

1315
01:04:11,400 --> 01:04:13,840
Speaker 2: you're gonna screw it up, right, do what I did.

1316
01:04:14,480 --> 01:04:17,280
Speaker 1: I'm watching on Hulu where it so far it's in order,

1317
01:04:17,400 --> 01:04:19,440
Speaker 1: so yeah, that might be the better platform.

1318
01:04:19,600 --> 01:04:22,000
Speaker 3: Well, I I mean, here we.

1319
01:04:21,960 --> 01:04:25,520
Speaker 2: Go anyway, DJ's very first Horses next week. We appreciate

1320
01:04:25,520 --> 01:04:28,640
Speaker 2: you guys tuning in for another fun episode of how

1321
01:04:28,720 --> 01:04:31,440
Speaker 2: Rude Tannerrito's. If you guys want to follow us on Instagram,

1322
01:04:31,480 --> 01:04:34,240
Speaker 2: you can check us out at how Rude Podcast. You

1323
01:04:34,240 --> 01:04:38,160
Speaker 2: can also email us at how Rudepodcast at gmail dot com.

1324
01:04:38,320 --> 01:04:41,400
Speaker 2: We'd love to hear your questions, any comments, anything we've

1325
01:04:41,480 --> 01:04:43,840
Speaker 2: screwed up, what you're loving about the show, all of it,

1326
01:04:44,240 --> 01:04:46,760
Speaker 2: and make sure that you are liking and subscribing wherever

1327
01:04:46,800 --> 01:04:48,560
Speaker 2: you're listening to the podcast so that you can make

1328
01:04:48,560 --> 01:04:50,880
Speaker 2: sure and get those new episodes right when they drop.

1329
01:04:51,320 --> 01:04:54,120
Speaker 2: And thank you so much for joining us. Are Fana Ritos.

1330
01:04:54,120 --> 01:04:57,800
Speaker 2: We love you guys, And remember the house is the

1331
01:04:57,800 --> 01:04:59,960
Speaker 2: world is small, but the house is full.

1332
01:05:00,880 --> 01:05:03,800
Speaker 1: You recovered, You recovered very well quickly.

1333
01:05:03,880 --> 01:05:05,760
Speaker 2: Did I always want to say the house first, That's

1334
01:05:05,800 --> 01:05:09,120
Speaker 2: why that's I remember, I always wanted to the houses first.

1335
01:05:09,440 --> 01:05:10,840
Speaker 2: But no, start with the world.

1336
01:05:11,320 --> 01:05:17,680
Speaker 1: The world is start small. Yeah, I'm just confusing. Just stop, yes,

1337
01:05:17,720 --> 01:05:18,560
Speaker 1: I'll stop talking now.