WEBVTT - Episode 5 - Warrior Spirit

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<v Speaker 1>BBCD.

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<v Speaker 2>Hey, I'm Maggie. Just a quick heads up before we start.

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<v Speaker 2>The series does contain some descriptions of violence and deals

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<v Speaker 2>with adult themes. How many tattoos do you have a lot?

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<v Speaker 3>I have a physics equation tramp stamp.

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<v Speaker 4>I thought that would be funny, funny. I love a

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<v Speaker 4>physics tramp stapp. High brow lowbrow.

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<v Speaker 2>Is my love language, and that is the epitome of

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<v Speaker 2>hy braw lowbrow.

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<v Speaker 3>That would be kind of ironic.

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<v Speaker 2>So what's the physics equations?

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<v Speaker 3>The Dirac equation. It kind of brings like quantum physics

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<v Speaker 3>and relativity together. It just like explains everything, and it

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<v Speaker 3>kind of talks about like dark matter and I don't

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<v Speaker 3>know antimatter. I can't even remember. It's been so long.

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<v Speaker 2>I'm sitting next to Liz on her oversized, well loved

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<v Speaker 2>teal colored couch in London, nodding my head, pretending I

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<v Speaker 2>know exactly what the Dorac equation is. I have no

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<v Speaker 2>idea what the Dorac equation is.

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<v Speaker 5>I love.

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<v Speaker 2>Liz starts to roll up her sleeve, showing me her

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<v Speaker 2>other tattoos, her mood changing as she does.

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<v Speaker 4>This is beautiful.

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<v Speaker 3>It's just got touched up. But most of this was

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<v Speaker 3>done by a Mexican toutoo artist, and it's hard to see.

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<v Speaker 2>Liz pivots her body further, lifting the fabric up and

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<v Speaker 2>revealing a kaleidoscope of colorful flowers inked on her arm.

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<v Speaker 1>So there was like a rose up here for their

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<v Speaker 1>last name.

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<v Speaker 2>She's now Liz Melgar Rose, taking the name Rose from

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<v Speaker 2>her husband Anthony. And there are others, each flower representing

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<v Speaker 2>a different member of her family.

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<v Speaker 6>And then these.

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<v Speaker 3>Are for my parents and stergazer Lily's. This is my

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<v Speaker 3>mom's birth flower. This is the sacred mind flower.

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<v Speaker 2>This one, yeah, a deep purple aster with its brilliant

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<v Speaker 2>yellow center. There's a violet a sunflower.

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<v Speaker 3>This is my daughter's birth flower.

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<v Speaker 4>My son's a chrysanthemum.

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<v Speaker 3>And the poppies are my dad's. And then this is

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<v Speaker 3>a simplest cheese or a miracle and those are used

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<v Speaker 3>young Day of the Dead. So that's like me wearing

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<v Speaker 3>my altar all the time.

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<v Speaker 2>Her tattoos her altar are not just devotions to her dad,

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<v Speaker 2>but to their shared my inheritage. Something she says, Jim

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<v Speaker 2>was deeply proud of having grown up in Guatemala.

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<v Speaker 3>When I was a kid, He was always trying to

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<v Speaker 3>teach me about our culture and tell me I should

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<v Speaker 3>be proud of where we've come from, and you know

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<v Speaker 3>that we've come from nothing and look at where we are.

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<v Speaker 3>And I really didn't appreciate it at the time. I

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<v Speaker 3>really didn't. I was just oh, my god, Okay, I

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<v Speaker 3>get it. I've heard the story a hundred times.

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<v Speaker 4>What would he tell you about living in Guatemala.

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<v Speaker 3>He would just talk about like the absolute poverty. He

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<v Speaker 3>would always tell me that, you know, you don't know

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<v Speaker 3>how good you have it or how lucky you are.

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<v Speaker 3>My grandmother she used to live in like straw and

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<v Speaker 3>mud houses that they would have to rebuild every year.

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<v Speaker 3>Her first language was a Mayan dialect called Kikichi, and

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<v Speaker 3>then she learned Spanish later on once she got older.

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<v Speaker 3>But they were very, very poor. So when I was six,

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<v Speaker 3>we went for six weeks and I remember that trip vividly.

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<v Speaker 4>Yeah, tell me about it.

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<v Speaker 3>Yeah, I mean, we get there and in the middle

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<v Speaker 3>of the courtyard there's like this shit and that's where

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<v Speaker 3>everyone showers. But you know, I was like, there's no

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<v Speaker 3>hot water. How am I going to take a bath?

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<v Speaker 3>So my grandma got like one of those metal clothes,

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<v Speaker 3>washing bins, and heated hot water on the stove so

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<v Speaker 3>I could have a warm bath. And my dad said

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<v Speaker 3>that as soon as we got there, I said, there's

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<v Speaker 3>nothing cool to drink. I'm ready to go home.

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<v Speaker 2>I mean understandable. I think I would feel the same

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<v Speaker 2>way at age six. But as Liz gets older, her

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<v Speaker 2>interest in her indigenous roots continued to grow, and after

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<v Speaker 2>her dad's murder, that interest becomes a passion.

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<v Speaker 3>I guess I'm trying to get to know the culture

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<v Speaker 3>because I don't know. I guess it makes me feel

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<v Speaker 3>more connected to my dad and my family.

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<v Speaker 2>Liz is planning another test you to honor her kek

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<v Speaker 2>Chi spirit.

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<v Speaker 4>Do you know what you're going to get? Just a

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<v Speaker 4>red band on your wrist?

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<v Speaker 7>Yeah.

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<v Speaker 3>Cool. It's supposed to signify the blood that's been shed

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<v Speaker 3>from the genocide of the Mayan people.

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<v Speaker 2>A symbol to mark the oppression of the mind people,

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<v Speaker 2>which is no doubt an incredibly heavy thing to have

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<v Speaker 2>inked on your body. But this red band also symbolizes

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<v Speaker 2>a message of resilience and survival against acts of cruelty,

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<v Speaker 2>And if you've been through what Liz has, I can

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<v Speaker 2>see why this message would resonate so deeply. She's already

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<v Speaker 2>lost one parent, and to rewind back to the summer

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<v Speaker 2>of twenty fourteen, she feels like she's about to lose another.

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<v Speaker 2>It's been eighteen months since Jim's death. Liz is at

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<v Speaker 2>the new home she shares with her mom and husband,

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<v Speaker 2>a high of flyers from various lawyers in her hands,

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<v Speaker 2>all offering to represent Sandy.

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<v Speaker 4>I can't imagine what Liz is feeling.

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<v Speaker 2>She's trying to come to terms with the loss of

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<v Speaker 2>her dad and now this all while just becoming a

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<v Speaker 2>mother herself.

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<v Speaker 3>I just had my daughter, so I was kind of

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<v Speaker 3>all over the place.

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<v Speaker 2>Liz is likely sleep deprived adjusting to her new life

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<v Speaker 2>as a mom. Maybe this is all a mistake. Could

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<v Speaker 2>this really be happening. She keeps checking the records on

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<v Speaker 2>the district attorney's website.

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<v Speaker 3>Clearing the page and then searching for her name, like

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<v Speaker 3>this has to be a mistake, and like doing the

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<v Speaker 3>search a couple of different ways just to be sure

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<v Speaker 3>that I had the right information.

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<v Speaker 4>But it's no mistake.

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<v Speaker 2>Sandy had been indicted for Jim's murder, and right now

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<v Speaker 2>Liz is going to need every fiber of her keck

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<v Speaker 2>che Warrior Spirit to keep her mom out of jail.

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<v Speaker 2>I'm Maggie Robinson Katz and from BBC Studios and iHeart Podcasts.

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<v Speaker 2>This is Hands Tied Episode five Warrior Spirit. Liz has

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<v Speaker 2>entered what feels like a parallel universe. Her mom is

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<v Speaker 2>no longer Sandy Melgar, but the defendant accused of first

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<v Speaker 2>degree murder and things are about to get even worse.

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<v Speaker 3>We all served to Houston together so that she could

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<v Speaker 3>turn herself in and be processed. My mom was in tears,

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<v Speaker 3>and she's never been rested before, She's never gotten in trouble.

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<v Speaker 3>I was terrifying for her.

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<v Speaker 2>At nine am on July twenty ninth, twenty fourteen, in Houston, Texas,

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<v Speaker 2>Sandy is arrested and the formal indictment is read out.

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<v Speaker 2>Sandra Melgar is accused of unlawfully, intentionally and knowingly causing

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<v Speaker 2>the death of I may by and I quote, stabbing

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<v Speaker 2>the complainant with the deadly weapon, namely a knife. Sandy

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<v Speaker 2>is granted bail.

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<v Speaker 3>You don't know what's going to happen. You don't know

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<v Speaker 3>how to prepare for that. There is no one you

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<v Speaker 3>can really talk to you because not everybody goes through that.

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<v Speaker 3>You know, it's very isolating, it's very it's it's hard.

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<v Speaker 2>I think we all have expectations of how justice moves

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<v Speaker 2>from what we've seen on movies or on TV. You're indicted,

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<v Speaker 2>then it's straight to court. But the truth is the

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<v Speaker 2>legal system often moves really slowly.

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<v Speaker 3>You're on hold, you can't do anything, You're just in

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<v Speaker 3>a holding pattern.

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<v Speaker 2>Weeks turn into months, months turn into years.

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<v Speaker 3>It never gets easier, but you learn to live with

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<v Speaker 3>it and you learn how did you know? Yeah, have

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<v Speaker 3>it be part of your life.

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<v Speaker 2>In life, no matter how difficult March is. On the

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<v Speaker 2>following summer in twenty fifteen, Liz and her daughter move

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<v Speaker 2>out of Texas, thousands of miles away to Seattle after

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<v Speaker 2>her husband, Anthony, lands a job there.

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<v Speaker 3>I just tried to focus on my daughter really and

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<v Speaker 3>I just felt like I didn't have a bandwidth to

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<v Speaker 3>really deal with everything. I was just like, Okay, well

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<v Speaker 3>this is how it's going to go. Now, like one

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<v Speaker 3>foot in front of the other, what do we do?

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<v Speaker 2>Sandy stays in Houston but tries to see Liz and

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<v Speaker 2>her grandchild as often as she can.

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<v Speaker 3>We actually spent a lot of time together. She spent

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<v Speaker 3>a lot of time with my daughter, and I think that.

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<v Speaker 5>Helped her a lot.

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<v Speaker 2>And sixteen, four years after Jim's death and two years

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<v Speaker 2>after Sandy's indictment, Liz is pregnant again.

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<v Speaker 3>And my son was born, and she came and helped.

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<v Speaker 3>She came and stayed with my daughter while I had

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<v Speaker 3>him in the hospital.

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<v Speaker 2>On the surface, Sandy's doing remarkably well.

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<v Speaker 3>My mom is really good at like compartmentalizing, I guess,

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<v Speaker 3>just pretending like that's not guess being in denial. I

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<v Speaker 3>don't know, I don't know what you want to call it.

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<v Speaker 3>But she's just good. I'm like, everything's fine.

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<v Speaker 4>But everything's not fine. And Liz can see right through.

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<v Speaker 3>It, obviously, like she was still under a ton of

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<v Speaker 3>stress and still trying to process everything that happened and

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<v Speaker 3>dealing with her own health not doing well, and stress

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<v Speaker 3>also makes things worse, both the lupas and the epilepsy.

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<v Speaker 3>So she struggled a lot.

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<v Speaker 4>And what about Liz.

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<v Speaker 2>She's filled with anxiety about the future. There might be

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<v Speaker 2>some people who are listening who feel like accepting.

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<v Speaker 8>The murder of your dad is horrible. That to accept

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<v Speaker 8>that your mom killed your dad is way too horrible

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<v Speaker 8>to entertain. So you can even like think about that possibility.

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<v Speaker 3>But you have to, like, how can you not? You

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<v Speaker 3>have to because it is a possibility, right, There's a

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<v Speaker 3>ton of possibilities. Unfortunately, that is one. She's just a

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<v Speaker 3>very warm and loving person. She's a mom. Like when

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<v Speaker 3>you picture a mom, at least, I picture someone who

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<v Speaker 3>gives you hugs and who's affectionate and who you can

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<v Speaker 3>talk to and who you feel comfortable with.

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<v Speaker 2>According to Liz, Sandy was always nurturing, constantly doting on

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<v Speaker 2>her only daughter.

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<v Speaker 3>You know, they're making you food, and they're feeding you,

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<v Speaker 3>and they're making sure you're okay, and you know, it's

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<v Speaker 3>just someone you can trust.

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<v Speaker 4>Liz says.

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<v Speaker 2>Sandy was the peacemaker of the family, especially during shall

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<v Speaker 2>we say Liz's more rebellious years. She was always the.

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<v Speaker 3>Buffer between me and my dad, and she was always

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<v Speaker 3>telling my dad to just you know, it's okay, just

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<v Speaker 3>give her some space. It'll be fine. I felt like

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<v Speaker 3>my mother was somebody I could genuinely talk to, not

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<v Speaker 3>about everything, but about most things.

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<v Speaker 2>I think a lot of daughters feel that way about

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<v Speaker 2>their mothers. They don't need to know everything like, you know,

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<v Speaker 2>maybe the time you flirted with shoplifting when you were a.

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<v Speaker 3>Little too old to be doing that.

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<v Speaker 2>Just me.

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<v Speaker 3>My mom is an incredibly calmon, easy going She never complains.

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<v Speaker 3>It was always about other people, and you know, she

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<v Speaker 3>just wanted everyone else to be okay. And I think

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<v Speaker 3>she came last a lot at the time. But I

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<v Speaker 3>think that's a lot of moms.

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<v Speaker 2>I feel like throughout this podcast, we've talked a lot

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<v Speaker 2>about Sandy's situation, but who she is, what she likes, dislikes,

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<v Speaker 2>her favorite foods, you know, the things that make us us.

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<v Speaker 2>All of that feels a little fuzzy to me. I

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<v Speaker 2>want to see if I can understand her a bit

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<v Speaker 2>more where she comes from, so I seek out some

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<v Speaker 2>of her family.

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<v Speaker 1>The age difference between Sandy and I is about thirteen

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<v Speaker 1>fourteen years. We grew up together, so she was raised

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<v Speaker 1>by my grandmother, as was I, So Sandy has always

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<v Speaker 1>been in my life.

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<v Speaker 4>Diana is Sandy's cousin.

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<v Speaker 1>Her mom and.

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<v Speaker 2>My dad were siblings, but in reality they're more like sisters,

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<v Speaker 2>just like Sandy. Diana says she was abandoned by her parents,

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<v Speaker 2>so they both grew up in Laredo, a town in

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<v Speaker 2>Texas near the Mexican border.

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<v Speaker 1>At any given point, that could be like seven kids

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<v Speaker 1>in a tiny house. It was just fun for me

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<v Speaker 1>having so many people around, so much love around.

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<v Speaker 5>But it was difficult.

0:14:31.080 --> 0:14:34.400
<v Speaker 1>We were poor and we struggled for food, and you know,

0:14:34.440 --> 0:14:37.600
<v Speaker 1>we would go hungry. I could see pictures and look

0:14:37.680 --> 0:14:40.440
<v Speaker 1>back on it now and see the conditions we were

0:14:40.440 --> 0:14:43.880
<v Speaker 1>living in, how I was dressed, how malnursed I look.

0:14:45.200 --> 0:14:51.600
<v Speaker 2>Sandy was Diana's role model, caring, reliable, sensible. She even

0:14:51.640 --> 0:14:52.880
<v Speaker 2>taught Diana to drive.

0:14:53.960 --> 0:14:55.920
<v Speaker 5>She was such a goodie two shoes, like I don't

0:14:55.920 --> 0:14:58.520
<v Speaker 5>know how else to put it. She wasn't a rule breaker,

0:14:59.440 --> 0:15:03.320
<v Speaker 5>you know. She we followed the law. She barely had

0:15:03.320 --> 0:15:04.320
<v Speaker 5>a speeding ticket.

0:15:05.640 --> 0:15:09.800
<v Speaker 2>Diana followed Sandy from Laredo to Houston and lived with

0:15:09.840 --> 0:15:10.720
<v Speaker 2>her in Jim for a.

0:15:10.680 --> 0:15:11.560
<v Speaker 4>Couple of years.

0:15:12.320 --> 0:15:14.880
<v Speaker 2>She says it was her first experience of living in

0:15:14.920 --> 0:15:16.080
<v Speaker 2>a peaceful home.

0:15:16.840 --> 0:15:20.720
<v Speaker 5>Sandy and Jim, they had a good life, like they

0:15:20.760 --> 0:15:23.480
<v Speaker 5>had made it, you know, out of the whole family,

0:15:23.680 --> 0:15:26.400
<v Speaker 5>she was the first one to have a nice home

0:15:27.280 --> 0:15:30.640
<v Speaker 5>and a good marriage, like we didn't grow up with,

0:15:30.960 --> 0:15:34.840
<v Speaker 5>you know, examples of a good marriage. Besides my aunt.

0:15:35.360 --> 0:15:38.440
<v Speaker 5>Everyone else was broken home. You know, my dad, his

0:15:38.520 --> 0:15:41.360
<v Speaker 5>marriage didn't work out. Her mom, you know, their marriage

0:15:41.400 --> 0:15:46.720
<v Speaker 5>didn't work out. So they were a perfect example of

0:15:47.440 --> 0:15:51.240
<v Speaker 5>what we all strive to achieve one day, you know,

0:15:51.360 --> 0:15:57.320
<v Speaker 5>the financial stability, the good marriage, you know. I it's

0:15:57.480 --> 0:16:00.440
<v Speaker 5>just still so crazy that out of all of us,

0:16:01.160 --> 0:16:04.720
<v Speaker 5>she is the one that ended up in this situation.

0:16:07.960 --> 0:16:12.920
<v Speaker 2>Maybe it's unsurprising considering how much Diana revered Sandy, but

0:16:12.960 --> 0:16:16.240
<v Speaker 2>you can't think of anyone less likely to murder their husband.

0:16:17.200 --> 0:16:21.840
<v Speaker 5>It was devastating that anyone could think that she was

0:16:21.920 --> 0:16:24.680
<v Speaker 5>capable of that, and that she would do something like

0:16:24.760 --> 0:16:28.680
<v Speaker 5>that to Jim. And I think maybe she was afraid that,

0:16:29.000 --> 0:16:30.600
<v Speaker 5>you know, we were going to think the same thing,

0:16:31.600 --> 0:16:36.680
<v Speaker 5>But it just it never entered my mind that Sandy

0:16:36.680 --> 0:16:38.120
<v Speaker 5>could be capable of that.

0:16:40.040 --> 0:16:43.480
<v Speaker 2>But in the summer of twenty seventeen, Sandy's murder trial

0:16:43.600 --> 0:16:47.760
<v Speaker 2>is finally scheduled, and Diana braces herself for what might

0:16:47.800 --> 0:16:48.720
<v Speaker 2>come out in court.

0:16:49.720 --> 0:16:51.000
<v Speaker 4>What if she got it all wrong?

0:16:52.200 --> 0:16:56.320
<v Speaker 5>You know, I believe in science, I believe in evidence,

0:16:56.640 --> 0:17:00.840
<v Speaker 5>I believe in law enforcement. And so before the how started,

0:17:01.440 --> 0:17:05.320
<v Speaker 5>I prepared myself. I prepared myself for the possibility of

0:17:06.000 --> 0:17:10.760
<v Speaker 5>Sandy actually doing this crime, Like I was not blind

0:17:10.840 --> 0:17:14.760
<v Speaker 5>to the fact that it is possible, you know, And

0:17:14.800 --> 0:17:18.480
<v Speaker 5>so I prepared myself that I'm going to be sitting there,

0:17:18.640 --> 0:17:22.480
<v Speaker 5>you know, during the trial and I could find out

0:17:23.040 --> 0:17:26.080
<v Speaker 5>Sandy is guilty. That's how I looked at it, because

0:17:26.119 --> 0:17:29.879
<v Speaker 5>I was prepared to see the evidence, you know. I

0:17:29.960 --> 0:17:35.199
<v Speaker 5>believe that if they charge someone that they have the

0:17:35.240 --> 0:17:38.639
<v Speaker 5>evidence to back it up. And I thought, well, what

0:17:38.760 --> 0:17:42.119
<v Speaker 5>am I going to do if she's guilty, Like, what

0:17:42.240 --> 0:17:46.400
<v Speaker 5>am I going to do? And I knew that, Okay,

0:17:46.480 --> 0:17:49.800
<v Speaker 5>if she's guilty, then she deserves to be in prison,

0:17:50.040 --> 0:17:52.760
<v Speaker 5>and I'm not going to turn my back on her.

0:17:53.280 --> 0:17:55.879
<v Speaker 5>You know, She's been there my whole life, so I

0:17:56.000 --> 0:18:01.120
<v Speaker 5>will support her however I can. But she definitely deserves

0:18:01.160 --> 0:18:03.760
<v Speaker 5>to be in prison if that's what she did, if

0:18:03.760 --> 0:18:07.560
<v Speaker 5>she's guilty of this. So that's how I went into

0:18:07.600 --> 0:18:11.960
<v Speaker 5>the trial, knowing that I could get some devastating news.

0:18:25.160 --> 0:18:29.600
<v Speaker 6>Mac and I wholeheartedly, without a doubt, believe in Sandra's innocence.

0:18:30.480 --> 0:18:33.359
<v Speaker 2>This is, no doubt a helpful sentiment if you're going

0:18:33.440 --> 0:18:37.080
<v Speaker 2>to defend someone against the murder charge, and Sandy's lucky

0:18:37.119 --> 0:18:41.560
<v Speaker 2>She's got Allison Seacrest, who, along with her uncle Mac Seacrest,

0:18:41.760 --> 0:18:43.879
<v Speaker 2>will be representing her in court.

0:18:44.359 --> 0:18:48.240
<v Speaker 9>I was honored and delighted to step in and represent

0:18:48.480 --> 0:18:49.960
<v Speaker 9>Sandy at trial.

0:18:51.359 --> 0:18:54.080
<v Speaker 6>Mac is my uncle and like a second father.

0:18:55.080 --> 0:18:58.640
<v Speaker 4>She lived with me and studied the law and learned

0:18:58.680 --> 0:18:59.280
<v Speaker 4>to have a cook.

0:19:00.000 --> 0:19:03.320
<v Speaker 6>I had a cook, Oh gosh, amazing salads, you know,

0:19:03.400 --> 0:19:07.000
<v Speaker 6>lovely fish, all kinds of things. He's an amazing chef

0:19:07.040 --> 0:19:09.840
<v Speaker 6>and more importantly, a great friend and excellent mentor.

0:19:11.720 --> 0:19:15.560
<v Speaker 2>George McCall c Chris Junior, or Mac as he prefers

0:19:15.560 --> 0:19:19.160
<v Speaker 2>to be called as in his late seventies. Now, he's

0:19:19.200 --> 0:19:22.439
<v Speaker 2>one of the big guns of the Texas legal world.

0:19:22.880 --> 0:19:26.280
<v Speaker 2>He's been practicing since nineteen seventy seven, and he wrote

0:19:26.320 --> 0:19:30.399
<v Speaker 2>the book on law. No really, he's the author of

0:19:30.560 --> 0:19:36.400
<v Speaker 2>O'Connor's Texas Criminal Codes plus a kind of Texan legal bible.

0:19:37.160 --> 0:19:40.760
<v Speaker 2>And Alison is not only his niece but his protege.

0:19:41.520 --> 0:19:43.440
<v Speaker 6>I had the opportunity to go to court with him

0:19:43.440 --> 0:19:47.080
<v Speaker 6>when I was gosh, probably fourth grade or so, and

0:19:47.720 --> 0:19:50.679
<v Speaker 6>just thought it was really fascinating seeing him interacting with

0:19:50.800 --> 0:19:53.480
<v Speaker 6>judges and lawyers and his client.

0:19:54.080 --> 0:19:56.480
<v Speaker 2>Alison cut her teeth as a prosecutor in the Harris

0:19:56.520 --> 0:20:01.240
<v Speaker 2>County DA's office before going into private practice. After taking

0:20:01.280 --> 0:20:04.760
<v Speaker 2>on Sandy's case, they request the Melgar police files and

0:20:04.800 --> 0:20:08.080
<v Speaker 2>began acquainting themselves with the various details.

0:20:09.280 --> 0:20:13.560
<v Speaker 6>We spent hours and hours with Sandy, hours and hours

0:20:13.600 --> 0:20:17.240
<v Speaker 6>with her daughter and with other witnesses and family friends

0:20:17.280 --> 0:20:20.800
<v Speaker 6>that we called, you know, as a young defense attorney,

0:20:21.480 --> 0:20:25.480
<v Speaker 6>not the experience that my uncle had. Obviously, it was

0:20:25.600 --> 0:20:29.159
<v Speaker 6>hard not to get involved. You know. I think a

0:20:29.200 --> 0:20:32.200
<v Speaker 6>lot of doctors and lawyers and probably some other professions

0:20:32.720 --> 0:20:35.960
<v Speaker 6>have to learn to compartmentalize and not become attached. But

0:20:36.760 --> 0:20:39.360
<v Speaker 6>I like Sandy. We did a deep dive into all

0:20:39.400 --> 0:20:45.719
<v Speaker 6>of her text messages and understanding what their relationship was like,

0:20:45.840 --> 0:20:50.600
<v Speaker 6>what a sweet, loving family, and it wasn't possible for

0:20:50.680 --> 0:20:52.879
<v Speaker 6>us to not get emotionally involved.

0:20:55.080 --> 0:21:00.760
<v Speaker 2>But soon mac Alison, Liz and Diana, we'll see how

0:21:00.800 --> 0:21:02.960
<v Speaker 2>this will all play out in court.

0:21:04.640 --> 0:21:05.840
<v Speaker 1>A local mark case.

0:21:05.720 --> 0:21:08.000
<v Speaker 2>That grabbed national attention is headed.

0:21:07.720 --> 0:21:10.479
<v Speaker 7>To trial Jerry's selection starting today in the trial of

0:21:10.560 --> 0:21:14.119
<v Speaker 7>Sandra Melgar, who's accused of murdering her longtime husband then

0:21:14.200 --> 0:21:15.200
<v Speaker 7>trying to cover it up.

0:21:15.760 --> 0:21:19.760
<v Speaker 2>The media circus picks into high gear and presents viewers

0:21:19.760 --> 0:21:23.840
<v Speaker 2>with a familiar setup of a lurid them fatale murder trial.

0:21:24.320 --> 0:21:27.440
<v Speaker 7>This is a case that began in twenty twelve and

0:21:27.680 --> 0:21:31.560
<v Speaker 7>Sandra Melgar stands accused of murdering her husband, hi May Melgar,

0:21:31.640 --> 0:21:34.280
<v Speaker 7>then staging a home invasion as a cover up. It

0:21:34.320 --> 0:21:37.639
<v Speaker 7>happened on December twenty third in northwest Harris County. Sandra

0:21:37.680 --> 0:21:40.119
<v Speaker 7>and her husband were both found tied up. He was

0:21:40.200 --> 0:21:43.199
<v Speaker 7>found dead, stabbed thirty one times in a closet. She

0:21:43.520 --> 0:21:45.240
<v Speaker 7>was found bound in a bathroom.

0:21:45.640 --> 0:21:48.440
<v Speaker 10>Melgar originally had told investigators that she blacked out in

0:21:48.520 --> 0:21:51.440
<v Speaker 10>a bathroom and woke up tied up in a closet,

0:21:51.640 --> 0:21:54.680
<v Speaker 10>but nearly two years later she was arrested and charged

0:21:54.760 --> 0:21:57.439
<v Speaker 10>with murder. Now Melgar has been free on a fifty

0:21:57.520 --> 0:22:01.000
<v Speaker 10>thousand dollars bond. If convicted of murder, she faces up

0:22:01.040 --> 0:22:02.480
<v Speaker 10>to like in prison.

0:22:09.200 --> 0:22:14.119
<v Speaker 2>On Thursday, August twenty seventeen, the State of Texas Versus

0:22:14.119 --> 0:22:25.880
<v Speaker 2>Sandra Jean Melgar begins Harris County Criminal Justice Center, Franklin Street,

0:22:26.040 --> 0:22:32.560
<v Speaker 2>Downtown Houston. A busker greets the study flow of people

0:22:32.640 --> 0:22:35.159
<v Speaker 2>as they climb the stone steps and pass through the

0:22:35.160 --> 0:22:42.440
<v Speaker 2>glass doors of the imposing twenty one story building. Attorneys,

0:22:42.680 --> 0:22:47.320
<v Speaker 2>journalists Jim and Sandy's family including Liz, Anthony and Diana,

0:22:47.920 --> 0:22:50.280
<v Speaker 2>and members of the public all wait in line at

0:22:50.320 --> 0:22:55.280
<v Speaker 2>the airport style security. Laptops are laid neatly in trays,

0:22:55.680 --> 0:23:02.000
<v Speaker 2>pockets emptied. Today the line is longer than usual. A

0:23:02.080 --> 0:23:05.399
<v Speaker 2>noisy knot of law students join the line. They've just

0:23:05.440 --> 0:23:08.359
<v Speaker 2>finished their bar exams and for the first time in months,

0:23:08.400 --> 0:23:11.840
<v Speaker 2>they've got some downtime. What better way to spend it

0:23:11.880 --> 0:23:14.520
<v Speaker 2>than setting in on the opening day of what promises

0:23:14.600 --> 0:23:16.639
<v Speaker 2>to be an extraordinary case.

0:23:19.480 --> 0:23:21.640
<v Speaker 3>It was just like one of the most surreal moments

0:23:21.680 --> 0:23:24.280
<v Speaker 3>of my life. It just felt like this, like a

0:23:24.560 --> 0:23:28.680
<v Speaker 3>snowball that just was gathering momentum.

0:23:28.840 --> 0:23:32.479
<v Speaker 2>Liz attempts to navigate the swirling frenzy of the media.

0:23:33.400 --> 0:23:37.360
<v Speaker 2>Cameras aren't allowed inside the courtroom, so the TV crews linger.

0:23:37.160 --> 0:23:41.880
<v Speaker 3>In the hallway, and there's just this camera guy from

0:23:41.880 --> 0:23:44.439
<v Speaker 3>one of the news stations and he's just like he

0:23:44.520 --> 0:23:47.240
<v Speaker 3>hits somebody in the head of his camera. My husband

0:23:47.560 --> 0:23:50.000
<v Speaker 3>is trying to get him the way to block him.

0:23:50.680 --> 0:23:53.120
<v Speaker 3>The guy's walking backwards and my husband's like in front

0:23:53.119 --> 0:23:55.520
<v Speaker 3>of us I'm trying not to trip over my crutches.

0:23:57.119 --> 0:24:01.520
<v Speaker 2>As if things aren't complicated enough covering from surgery and

0:24:01.600 --> 0:24:03.119
<v Speaker 2>hobbling around on crutches.

0:24:04.840 --> 0:24:07.679
<v Speaker 3>I mean, there's just like it's just pure chaos in

0:24:07.720 --> 0:24:11.600
<v Speaker 3>this whole way. And I mean I'd never experienced anything

0:24:11.640 --> 0:24:12.480
<v Speaker 3>like that before.

0:24:14.400 --> 0:24:17.640
<v Speaker 2>But Liz isn't allowed to watch the trial because she's

0:24:17.680 --> 0:24:19.240
<v Speaker 2>going to be called as a witness.

0:24:19.760 --> 0:24:21.520
<v Speaker 3>Well, yeah, they put you in a witness room and

0:24:21.560 --> 0:24:22.960
<v Speaker 3>you just have to sit in there all day, every

0:24:23.000 --> 0:24:24.399
<v Speaker 3>day and wait because you don't know when you're going

0:24:24.480 --> 0:24:25.000
<v Speaker 3>to be called.

0:24:26.280 --> 0:24:28.280
<v Speaker 2>Liz is going to miss the moment she's been waiting

0:24:28.560 --> 0:24:32.879
<v Speaker 2>years for when the detectives finally reveal their evidence against

0:24:32.920 --> 0:24:37.680
<v Speaker 2>her mom, why they think Sandy killed her dad, even

0:24:37.720 --> 0:24:38.360
<v Speaker 2>though she was.

0:24:38.359 --> 0:24:39.919
<v Speaker 4>Found with her hands tied.

0:24:41.320 --> 0:24:44.600
<v Speaker 2>It's the same for Sandy's cousin Diana, who's also being

0:24:44.600 --> 0:24:45.520
<v Speaker 2>called as a witness.

0:24:46.920 --> 0:24:52.360
<v Speaker 5>That devastated me because I wanted to hear the evidence firsthand.

0:24:52.840 --> 0:24:55.040
<v Speaker 5>I wanted to see it. I didn't want to read it.

0:24:55.640 --> 0:24:58.160
<v Speaker 5>I wanted to see what the jury was going to

0:24:58.160 --> 0:25:00.879
<v Speaker 5>see and hear. I wanted to exp experience it just

0:25:00.960 --> 0:25:02.600
<v Speaker 5>like they're going to.

0:25:03.720 --> 0:25:06.640
<v Speaker 2>And so the State of Texas versus Sandra Jean Melgar

0:25:07.240 --> 0:25:12.879
<v Speaker 2>finally begins. First, they need to select a jury, feeding

0:25:12.960 --> 0:25:15.119
<v Speaker 2>even more breathless coverage in the press.

0:25:15.720 --> 0:25:18.360
<v Speaker 10>Both the prosecution and the defense spent the morning going

0:25:18.400 --> 0:25:21.719
<v Speaker 10>through sixty five prospective jurors. But after going through that

0:25:21.720 --> 0:25:24.639
<v Speaker 10>selection process, it couldn't come up with a group of

0:25:24.680 --> 0:25:27.679
<v Speaker 10>twelve that they were looking for. Sandra Melgar is charged.

0:25:28.040 --> 0:25:30.960
<v Speaker 2>Both sides get a chance to quiz potential jurors, trying

0:25:30.960 --> 0:25:33.280
<v Speaker 2>to weed out anyone with a conflict of interest or

0:25:33.320 --> 0:25:37.840
<v Speaker 2>an obvious bias. If you've read MAXI Christ's book, you'll

0:25:37.840 --> 0:25:40.439
<v Speaker 2>know that the legal term for this is war dyer.

0:25:41.640 --> 0:25:44.720
<v Speaker 2>The potential jurors are reminded that the defendant, Sandy is

0:25:44.800 --> 0:25:48.280
<v Speaker 2>innocent until proven guilty, and that it's the prosecution's job

0:25:48.320 --> 0:25:52.600
<v Speaker 2>to prove her guilt beyond a reasonable doubt. But what

0:25:52.680 --> 0:25:58.000
<v Speaker 2>they don't have to prove is motive, which isn't quite

0:25:58.000 --> 0:26:01.000
<v Speaker 2>how I remember it from all those courtrooms dramas I've watched.

0:26:01.040 --> 0:26:03.840
<v Speaker 2>I mean, I'm looking at you Law and Order Detective

0:26:03.840 --> 0:26:09.560
<v Speaker 2>Olivia Benson, where whole episodes revolve around exposing someone's motive.

0:26:10.800 --> 0:26:14.520
<v Speaker 2>But this is real life, and there's no legal requirement

0:26:14.600 --> 0:26:15.520
<v Speaker 2>to prove motive.

0:26:16.440 --> 0:26:19.080
<v Speaker 4>You can find someone guilty of murder without ever knowing

0:26:19.119 --> 0:26:20.040
<v Speaker 4>why they did it.

0:26:21.640 --> 0:26:24.960
<v Speaker 2>So the potential jurors are asked, could they convict someone

0:26:25.000 --> 0:26:27.879
<v Speaker 2>without a motive, and some say they do have a

0:26:27.960 --> 0:26:32.240
<v Speaker 2>problem with that and are upfront about it, admitting they

0:26:32.280 --> 0:26:35.560
<v Speaker 2>wouldn't be able to find someone guilty without knowing their motive,

0:26:36.600 --> 0:26:39.640
<v Speaker 2>so they're out. Others don't make the cut for other reasons.

0:26:40.880 --> 0:26:43.840
<v Speaker 2>They're into day two of the trial before they finally

0:26:43.880 --> 0:26:47.480
<v Speaker 2>select eight men and four women who will sit in

0:26:47.560 --> 0:26:49.360
<v Speaker 2>judgment of Sandy Melgar.

0:26:53.280 --> 0:26:55.879
<v Speaker 9>It's part of my life, part of my history. I

0:26:55.920 --> 0:26:58.960
<v Speaker 9>got called into something I didn't want. I resent it,

0:26:59.280 --> 0:27:01.720
<v Speaker 9>but I was to do it. I did it because

0:27:01.720 --> 0:27:04.800
<v Speaker 9>that's of my civil responsibility. That's what I would want

0:27:04.800 --> 0:27:07.320
<v Speaker 9>the government to protect me and make sure if I

0:27:07.359 --> 0:27:09.840
<v Speaker 9>was in her situation and somebody was there protecting me.

0:27:11.200 --> 0:27:13.760
<v Speaker 3>Once they picked all the jurors that were gonna sit,

0:27:14.520 --> 0:27:16.800
<v Speaker 3>I just remember my cousin saying, there they go. Those

0:27:16.800 --> 0:27:19.920
<v Speaker 3>are the people that have your mom's life in their hands,

0:27:21.200 --> 0:27:22.840
<v Speaker 3>And that's when it hit home.

0:27:24.200 --> 0:27:27.520
<v Speaker 2>Liz watches the jurors file in before we're treating to

0:27:27.560 --> 0:27:31.000
<v Speaker 2>the cold airless witness room, like I kept.

0:27:31.160 --> 0:27:32.840
<v Speaker 3>I was like trying to look at them and like

0:27:32.880 --> 0:27:36.440
<v Speaker 3>get a read on them or figure out like please, please,

0:27:36.600 --> 0:27:39.800
<v Speaker 3>just be a good human, do the right thing. That's

0:27:39.800 --> 0:27:42.600
<v Speaker 3>what made it real, Like that was the moment.

0:27:44.400 --> 0:27:48.000
<v Speaker 2>Once again, she'll be drawing on every ounce of her

0:27:48.080 --> 0:27:52.320
<v Speaker 2>Kekchi warrior spirit to get her through the nerve shredding

0:27:52.400 --> 0:27:53.080
<v Speaker 2>days ahead.

0:27:53.960 --> 0:27:57.400
<v Speaker 11>It was made to be a sensationalis trial, I think

0:27:57.680 --> 0:27:59.119
<v Speaker 11>because it was so unusual.

0:28:00.280 --> 0:28:01.760
<v Speaker 4>What will the jurors make of her?

0:28:01.800 --> 0:28:07.280
<v Speaker 11>Mom Sendra Melkar herself would limp into the courtroom every morning.

0:28:07.320 --> 0:28:10.280
<v Speaker 11>When we sat down, she usually put her head down

0:28:10.320 --> 0:28:13.480
<v Speaker 11>and she didn't look at us very much.

0:28:13.640 --> 0:28:15.680
<v Speaker 4>And how will they determine Sandy's fate?

0:28:16.240 --> 0:28:19.000
<v Speaker 11>I want to believe somebody is innocent until the state

0:28:19.000 --> 0:28:21.560
<v Speaker 11>can prove them guilty. And is the state doing their

0:28:21.640 --> 0:28:25.040
<v Speaker 11>job improving this person guilty? And we all place that

0:28:25.160 --> 0:28:28.359
<v Speaker 11>at the forefront of our deliberations and our discussion, saying

0:28:29.080 --> 0:28:30.679
<v Speaker 11>let's do this the way we're supposed to.

0:28:30.880 --> 0:28:33.000
<v Speaker 9>We're here to decide innocent or guilty.

0:28:34.160 --> 0:28:36.480
<v Speaker 4>That's next time on Hands Tied.

0:28:48.840 --> 0:28:51.960
<v Speaker 2>You've been listening to Hands TIEDE, a new eight part

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<v Speaker 2>true crime series from BBC Studios and iHeart Podcasts. New

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<v Speaker 2>episodes will be released weekly, so subscribe, follow on the

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<v Speaker 2>iHeartRadio app or wherever you get your podcasts so you

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<v Speaker 2>don't miss out. If you like the show, please help

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<v Speaker 2>us by spreading the word or giving us a five

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<v Speaker 2>star review. I'm Maggie Robinson Katz and the producer is

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<v Speaker 2>Maggie Latham. Sound design and mix is by Tom Brignoll.

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<v Speaker 2>Our script consultant is Emma Weatherall production support is from

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<v Speaker 2>Dan Martini, Elena Boutang and Mabel Finnegan Wright and our

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<v Speaker 2>production Executive is Laura Jordan Rawl.

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<v Speaker 4>The series was developed by Anya Saunders and Emma Shaw.

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<v Speaker 2>At iHeart, the Managing Executive Producer is Christina Everett, and

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<v Speaker 2>for BBC Studios, the Executive Producer is Joe Kent. James

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<v Speaker 2>Cook is the creative director A Factual for BBC Studios

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<v Speaker 2>Audio and the Director of Audio at BBC Studios is

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<v Speaker 2>Richard Knight.