1
00:00:00,080 --> 00:00:03,440
Speaker 1: First of all, you don't know me. We all about

2
00:00:03,440 --> 00:00:06,439
Speaker 1: that high school drama, girl drama, girl, all about.

3
00:00:06,160 --> 00:00:08,119
Speaker 2: Them high school queens.

4
00:00:08,160 --> 00:00:10,360
Speaker 1: We'll take you for a ride, and our comic girl

5
00:00:11,119 --> 00:00:15,520
Speaker 1: sharing for the right teams, drama, Queens of girl fashion,

6
00:00:15,560 --> 00:00:18,200
Speaker 1: but your tough girl, you could sit with us. Girl drama,

7
00:00:18,239 --> 00:00:24,960
Speaker 1: Queens drama, Queens drama, Queens drama, drama, Queens drama, queens. Hey, Hey, hey,

8
00:00:25,560 --> 00:00:28,760
Speaker 1: oh hell love my friends.

9
00:00:29,160 --> 00:00:31,520
Speaker 3: Guys. What are we doing? What are we to do?

10
00:00:34,000 --> 00:00:36,159
Speaker 2: We're asking some questions and we're getting some answers.

11
00:00:36,240 --> 00:00:38,800
Speaker 3: Robert, see what I was doing. I was starting the

12
00:00:38,880 --> 00:00:41,800
Speaker 3: Q and A with a Q Q, and then you

13
00:00:41,880 --> 00:00:42,360
Speaker 3: brought the A.

14
00:00:42,840 --> 00:00:43,080
Speaker 2: Yes.

15
00:00:43,680 --> 00:00:44,600
Speaker 4: See.

16
00:00:45,560 --> 00:00:47,120
Speaker 2: I love how you just live by example.

17
00:00:47,200 --> 00:00:52,360
Speaker 3: Rob Thank you, thank you for seeing me. Joy. Shall

18
00:00:52,400 --> 00:00:53,319
Speaker 3: we just jump right in?

19
00:00:53,640 --> 00:00:54,360
Speaker 2: I think we should.

20
00:00:54,400 --> 00:00:57,080
Speaker 4: We have a lot of very good questions.

21
00:00:57,400 --> 00:00:59,840
Speaker 3: We also have a lot of really good nicknames. Starting

22
00:00:59,880 --> 00:01:04,200
Speaker 3: with T Shirt. Any shirt asks do we know if

23
00:01:04,240 --> 00:01:06,760
Speaker 3: Clay is from tree Hill or did his therapist he

24
00:01:06,800 --> 00:01:10,640
Speaker 3: saw after Sarah died just happened to be in tree Hill?

25
00:01:10,720 --> 00:01:14,959
Speaker 3: Now because plot Okay, I've always had it in my

26
00:01:15,000 --> 00:01:16,800
Speaker 3: head that Clay was not from tree Hill and moved

27
00:01:16,840 --> 00:01:18,920
Speaker 3: there when he started working with Nathan. I need to

28
00:01:19,440 --> 00:01:21,240
Speaker 3: I can jump right in answer this one. I do

29
00:01:21,360 --> 00:01:25,000
Speaker 3: not believe Clay was from tree Hill, and I don't.

30
00:01:25,400 --> 00:01:28,440
Speaker 3: I mean, I guess maybe, I don't. Really this is

31
00:01:28,480 --> 00:01:30,920
Speaker 3: interesting the geography of the therapist I can't speak to

32
00:01:31,040 --> 00:01:33,120
Speaker 3: right because here's what we do know from a therapy

33
00:01:33,160 --> 00:01:36,240
Speaker 3: session between Clay and a therapist, was that Clay said

34
00:01:37,000 --> 00:01:39,319
Speaker 3: he decided he was just gonna get in his car

35
00:01:40,240 --> 00:01:44,720
Speaker 3: and drive until he couldn't drive anymore, and then he

36
00:01:45,120 --> 00:01:47,760
Speaker 3: was going to take his own life. And it was

37
00:01:47,880 --> 00:01:50,640
Speaker 3: on that drive that he saw the house where he

38
00:01:50,680 --> 00:01:54,280
Speaker 3: saw the ghost of Sarah. So that tells me, unless

39
00:01:54,440 --> 00:01:56,760
Speaker 3: unless it was the world's shortest drive, he is not

40
00:01:56,880 --> 00:02:00,440
Speaker 3: from tree Hill and just happened to see her in

41
00:02:00,520 --> 00:02:04,160
Speaker 3: the house in tree Hill. But you're right, it's odd

42
00:02:04,200 --> 00:02:07,440
Speaker 3: because the hospital where he is doing the therapy with

43
00:02:07,480 --> 00:02:10,520
Speaker 3: this therapist is the same one that he and Quinn

44
00:02:10,880 --> 00:02:13,840
Speaker 3: got went to when they were shot, which means it's

45
00:02:14,000 --> 00:02:16,399
Speaker 3: very local. I'm guessing a tree Hill hospital.

46
00:02:16,480 --> 00:02:20,880
Speaker 2: So yeah, why does therapist know so much about Clay's life?

47
00:02:20,960 --> 00:02:23,320
Speaker 2: Why is he like leading Clay down this road to

48
00:02:23,360 --> 00:02:27,760
Speaker 2: these major revelations? But is he or does he not know?

49
00:02:27,919 --> 00:02:29,880
Speaker 2: Is he just a therapist who is helping on.

50
00:02:30,440 --> 00:02:34,880
Speaker 3: He knows Clay, Yes, because he was seeing Clay. I

51
00:02:34,880 --> 00:02:36,960
Speaker 3: mean spoiler for those who haven't seen it, stop listening.

52
00:02:37,040 --> 00:02:40,520
Speaker 3: For like forty five seconds, he was He was treating

53
00:02:40,560 --> 00:02:43,560
Speaker 3: Clay after Sarah died. So he knows that Clay has

54
00:02:43,600 --> 00:02:47,560
Speaker 3: a son. So he is trying to lead Clay down

55
00:02:47,560 --> 00:02:48,919
Speaker 3: the path of remembering.

56
00:02:48,960 --> 00:02:52,280
Speaker 2: Oh oh, so, how in the world did this therapist

57
00:02:52,320 --> 00:02:55,000
Speaker 2: It's like he it's like he was brought in. But

58
00:02:55,040 --> 00:02:57,000
Speaker 2: how would he have known? I guess does Clay have

59
00:02:57,040 --> 00:02:59,960
Speaker 2: a medical chart? Your charts follow you around?

60
00:03:00,280 --> 00:03:00,640
Speaker 3: Yeah?

61
00:03:00,720 --> 00:03:03,960
Speaker 4: Yeah, maybe maybe Maybe the easy way to explain this

62
00:03:04,080 --> 00:03:06,600
Speaker 4: is a chart, because in my head, as I'm listening

63
00:03:06,600 --> 00:03:09,440
Speaker 4: to you recount that, I'm going, well, if he got

64
00:03:09,440 --> 00:03:12,200
Speaker 4: in his car to drive, maybe he decided to drive

65
00:03:12,320 --> 00:03:15,200
Speaker 4: to where one of his clients lived and then had

66
00:03:15,200 --> 00:03:17,720
Speaker 4: this crazy experience and felt like he was supposed to

67
00:03:17,840 --> 00:03:21,080
Speaker 4: stay there, and maybe that's when he started working with

68
00:03:21,120 --> 00:03:25,320
Speaker 4: this guy. But that also wouldn't make sense because then

69
00:03:25,360 --> 00:03:27,760
Speaker 4: by then he's in a few Yeah. Well, let's go

70
00:03:27,800 --> 00:03:28,280
Speaker 4: with chart.

71
00:03:29,360 --> 00:03:32,160
Speaker 3: And it could be though that Clay saw this guy

72
00:03:32,240 --> 00:03:35,120
Speaker 3: in whatever city he used to live in. And then

73
00:03:35,160 --> 00:03:37,160
Speaker 3: when all this stuff started going down, they did look

74
00:03:37,200 --> 00:03:40,080
Speaker 3: at the chart realize he was seeing this therapist, called

75
00:03:40,120 --> 00:03:43,320
Speaker 3: this therapist and he said, that's like, I really care

76
00:03:43,360 --> 00:03:45,640
Speaker 3: about how I can treat him out of your hospital.

77
00:03:45,840 --> 00:03:47,360
Speaker 3: It shouldn't take me more than a week.

78
00:03:47,960 --> 00:03:51,640
Speaker 2: Great, that's it, that's what happened. We could be visitor,

79
00:03:54,160 --> 00:03:59,440
Speaker 2: good catch t shirt interesting in a complete one eighty mystical,

80
00:03:59,520 --> 00:04:05,120
Speaker 2: Maria wants to know waffles, pancakes, or French toast and

81
00:04:05,160 --> 00:04:06,080
Speaker 2: what kind of topics.

82
00:04:06,400 --> 00:04:10,920
Speaker 3: I love this question questions. Yes, joy, Yes, exactly my sentiment.

83
00:04:11,040 --> 00:04:13,160
Speaker 3: These are the hard hitting questions I'm here for.

84
00:04:13,120 --> 00:04:15,720
Speaker 2: Because this really is It's a real thing. I sit

85
00:04:15,760 --> 00:04:17,599
Speaker 2: down a restaurant. I'm not getting all three of these.

86
00:04:17,640 --> 00:04:19,279
Speaker 2: I have to pick one, okay, And I.

87
00:04:19,320 --> 00:04:21,760
Speaker 3: Want to set some ground rules for this sympathetical. Okay,

88
00:04:22,839 --> 00:04:27,200
Speaker 3: you are getting the best version of waffle, the best

89
00:04:27,279 --> 00:04:29,800
Speaker 3: version of pancakes, or the best version, so there's no

90
00:04:29,920 --> 00:04:31,960
Speaker 3: caveats to like, well, if it was good, I want

91
00:04:32,000 --> 00:04:34,159
Speaker 3: you to assume it's the best version of each one

92
00:04:34,200 --> 00:04:37,240
Speaker 3: you've had. Ooh, okay, and you can only pick one.

93
00:04:39,000 --> 00:04:43,440
Speaker 4: That's hard because they're all so delicious. I can tell

94
00:04:43,480 --> 00:04:46,640
Speaker 4: you what would be the tiebreaker for me. Okay, if

95
00:04:46,680 --> 00:04:48,680
Speaker 4: it was going to be the best version of any

96
00:04:48,720 --> 00:04:51,520
Speaker 4: of these things, Number one on my list would be

97
00:04:51,640 --> 00:04:56,479
Speaker 4: French toast unless it was fried chicken and waffles, and

98
00:04:56,520 --> 00:04:58,880
Speaker 4: then I'm going waffle and I want the chicken to

99
00:04:58,920 --> 00:05:03,520
Speaker 4: be my topping, and a honey butter oh in a

100
00:05:03,520 --> 00:05:05,880
Speaker 4: little flaky salt seals the deal for me.

101
00:05:05,920 --> 00:05:07,120
Speaker 2: Maybe a little hot honey.

102
00:05:07,240 --> 00:05:12,360
Speaker 3: Oh my god, you broke the game right there. I

103
00:05:12,400 --> 00:05:14,680
Speaker 3: don't think anyone at home was thinking fried chicken was

104
00:05:14,720 --> 00:05:16,520
Speaker 3: an option as a topping, But I love that you

105
00:05:16,520 --> 00:05:16,800
Speaker 3: did that.

106
00:05:16,920 --> 00:05:20,800
Speaker 2: Excellent Snacks had a thought. I'm a French toast girl too.

107
00:05:20,880 --> 00:05:24,400
Speaker 2: I love it, but it's too I don't order it

108
00:05:24,480 --> 00:05:28,039
Speaker 2: very often because it's usually way too sweet or it's

109
00:05:28,080 --> 00:05:30,920
Speaker 2: just covered in. The toppings are way too heavy, and

110
00:05:30,960 --> 00:05:34,000
Speaker 2: then the bread gets soggy, and so because I don't

111
00:05:34,120 --> 00:05:37,359
Speaker 2: trust it in most places, I would go waffles because

112
00:05:37,640 --> 00:05:40,800
Speaker 2: I feel like I know what I'm going to get. However, again,

113
00:05:40,839 --> 00:05:44,680
Speaker 2: if this is really the best version, I really feel

114
00:05:44,680 --> 00:05:48,000
Speaker 2: you on that chicken and waffles. I do love a

115
00:05:48,040 --> 00:05:51,200
Speaker 2: French toast that's like a crunchy, like a Captain crunch

116
00:05:51,560 --> 00:05:54,680
Speaker 2: crust on the French toast, so it's crunchy on the

117
00:05:54,680 --> 00:05:58,719
Speaker 2: outside and soft on the inside, with like a little

118
00:05:58,760 --> 00:06:00,920
Speaker 2: whipped cream, but not much. I don't want it overloaded.

119
00:06:00,960 --> 00:06:04,040
Speaker 2: I just don't want it too sweet. A little butter, yeah,

120
00:06:04,120 --> 00:06:05,800
Speaker 2: bits simple. I feel that.

121
00:06:05,880 --> 00:06:07,880
Speaker 4: I Actually, I think one of the secrets to French

122
00:06:07,960 --> 00:06:11,039
Speaker 4: toast is getting all your toppings on the side, because

123
00:06:11,040 --> 00:06:12,640
Speaker 4: once it's soggy, it's ruined.

124
00:06:12,800 --> 00:06:14,920
Speaker 2: It's ruined. Then I'm just eating bread pudding.

125
00:06:15,440 --> 00:06:18,440
Speaker 3: Yeah. It's like when you order a chimney chonga and

126
00:06:18,480 --> 00:06:20,799
Speaker 3: they bring it out with two different sauces on top,

127
00:06:21,240 --> 00:06:23,680
Speaker 3: and you're like, did you not realize the whole allure

128
00:06:23,720 --> 00:06:27,640
Speaker 3: of this is the textual component of the crunch? Yeah,

129
00:06:27,720 --> 00:06:28,479
Speaker 3: what are we doing?

130
00:06:28,960 --> 00:06:32,279
Speaker 2: What are we doing? Folks? What about you?

131
00:06:32,360 --> 00:06:32,600
Speaker 1: Rob?

132
00:06:32,640 --> 00:06:33,360
Speaker 2: What's your answer?

133
00:06:33,800 --> 00:06:36,359
Speaker 3: I you made a very good point about the cap'n

134
00:06:36,400 --> 00:06:38,479
Speaker 3: crunch French toast. Because I was going to say waffle,

135
00:06:38,560 --> 00:06:42,279
Speaker 3: because I love a crunch. I am a sucker for crunch,

136
00:06:42,520 --> 00:06:46,039
Speaker 3: and a waffle is going to give you that. But

137
00:06:46,200 --> 00:06:49,720
Speaker 3: just to be contrarian, I'm going to say chocolate chip pancakes.

138
00:06:50,040 --> 00:06:53,520
Speaker 4: Oh, really, a dessert pancake I'm.

139
00:06:53,400 --> 00:06:55,560
Speaker 3: Gonna tell you what. I've never been a pancake guy,

140
00:06:55,560 --> 00:06:57,440
Speaker 3: and I was really never a sweets guy. But in

141
00:06:57,480 --> 00:06:59,839
Speaker 3: the last year or two, if we go to a

142
00:07:00,040 --> 00:07:02,400
Speaker 3: like a griddle type place, I WIO were one chocolate

143
00:07:02,440 --> 00:07:07,159
Speaker 3: chip pancake on the side. Yeah, and it is transcendent.

144
00:07:06,720 --> 00:07:07,640
Speaker 2: Solves your problems.

145
00:07:07,960 --> 00:07:12,120
Speaker 3: It's exactly thank you, Maria.

146
00:07:13,240 --> 00:07:13,600
Speaker 2: Okay.

147
00:07:13,720 --> 00:07:16,400
Speaker 4: Tina wants to know, Oh my god, this is actually

148
00:07:16,400 --> 00:07:19,800
Speaker 4: a heart eating question depending on your relationship with your family.

149
00:07:20,960 --> 00:07:23,800
Speaker 4: Tina wants to know what is something your family still

150
00:07:23,880 --> 00:07:24,880
Speaker 4: teases you about.

151
00:07:29,000 --> 00:07:32,040
Speaker 2: I never had a teasy family. Everyone in my family

152
00:07:32,120 --> 00:07:35,440
Speaker 2: was always very serious. Unfortunately, it's something I look for

153
00:07:35,480 --> 00:07:37,280
Speaker 2: in my Friendship's probably why I love both of you

154
00:07:37,280 --> 00:07:39,800
Speaker 2: guys so much. Is there anybody wants to make fun

155
00:07:39,800 --> 00:07:43,720
Speaker 2: of me? Good? I don't know what about you?

156
00:07:43,720 --> 00:07:47,040
Speaker 4: You know, you know what I still get teased about

157
00:07:48,160 --> 00:07:52,280
Speaker 4: my sophomore year in college. I you know, you have

158
00:07:52,320 --> 00:07:57,200
Speaker 4: spring break, like everyone's off for a week, and I

159
00:07:57,280 --> 00:08:00,400
Speaker 4: remember I was at a restaurant with a couple of

160
00:08:00,480 --> 00:08:04,400
Speaker 4: my friends and my friend Katie's boyfriend was older than us.

161
00:08:05,160 --> 00:08:06,960
Speaker 4: I don't remember if he was a junior or a senior,

162
00:08:07,000 --> 00:08:10,320
Speaker 4: but he could like, you know, actually order cocktails legally

163
00:08:10,480 --> 00:08:14,840
Speaker 4: out And there was this man who kind of like

164
00:08:14,960 --> 00:08:18,520
Speaker 4: walked by our table twice when the boys had gotten up.

165
00:08:19,440 --> 00:08:20,720
Speaker 4: I don't know if they had gone to the bathroom

166
00:08:20,800 --> 00:08:23,160
Speaker 4: or what. And I was like, shocker. You know, I

167
00:08:23,200 --> 00:08:25,600
Speaker 4: am my mother's daughter. I was like, who's this old

168
00:08:25,680 --> 00:08:28,800
Speaker 4: pervy guy who keeps like walking over here looking at

169
00:08:28,800 --> 00:08:32,960
Speaker 4: me and me and my friend Katie. And he said

170
00:08:33,000 --> 00:08:35,200
Speaker 4: something to us. He goes, how old are you? And

171
00:08:35,240 --> 00:08:39,440
Speaker 4: I was like, excuse me, just thinking like you're disgusting.

172
00:08:39,480 --> 00:08:41,840
Speaker 4: You look old enough to be my dad. And he

173
00:08:41,880 --> 00:08:43,600
Speaker 4: took a badge out and he was like, I asked

174
00:08:43,600 --> 00:08:45,320
Speaker 4: you girls how old you are? And we were like,

175
00:08:45,480 --> 00:08:49,240
Speaker 4: oh my god. And you know, Steven had ordered a

176
00:08:49,280 --> 00:08:53,120
Speaker 4: round of drinks for everyone, and the irony was this

177
00:08:53,320 --> 00:08:56,000
Speaker 4: like really blizes my young age. I was like, ooh,

178
00:08:56,000 --> 00:08:58,840
Speaker 4: I should try an Apple martini. Everyone says those are good.

179
00:08:59,080 --> 00:09:01,200
Speaker 4: It was disgusting. I didn't want to drink it. It

180
00:09:01,280 --> 00:09:03,839
Speaker 4: was sitting on the table and we all wound up,

181
00:09:04,200 --> 00:09:08,439
Speaker 4: you know, essentially getting arrested for underage drinking. And what

182
00:09:08,720 --> 00:09:10,480
Speaker 4: I was like, and I didn't even drink it, Like

183
00:09:10,520 --> 00:09:12,760
Speaker 4: we all got tickets from minor and possession of alcohol,

184
00:09:12,840 --> 00:09:17,000
Speaker 4: this whole really embarrassing thing. And when I called my mom,

185
00:09:17,200 --> 00:09:22,319
Speaker 4: she goes, you, you're such a square. I literally was like,

186
00:09:22,760 --> 00:09:25,560
Speaker 4: this is so embarrassing. Like, my mom is so cool.

187
00:09:26,480 --> 00:09:28,360
Speaker 4: She like grew up in New York in the era

188
00:09:28,440 --> 00:09:31,599
Speaker 4: of Studio fifty four and is trolling me because she

189
00:09:31,760 --> 00:09:37,000
Speaker 4: knows how lame I am, and this is like so sad.

190
00:09:37,200 --> 00:09:39,360
Speaker 3: She's like, what did you order an apple? Martine?

191
00:09:41,040 --> 00:09:44,640
Speaker 2: Call it a hole and die? Yeah, that's great.

192
00:09:44,880 --> 00:09:47,480
Speaker 4: My mom still trolls me because she's like, remember when

193
00:09:47,520 --> 00:09:51,920
Speaker 4: you were so shy and you got arrested and you

194
00:09:51,960 --> 00:09:53,280
Speaker 4: weren't even actually drinking.

195
00:09:53,400 --> 00:09:55,240
Speaker 2: So that was fun for me. Awesome.

196
00:10:08,160 --> 00:10:11,359
Speaker 3: Pamelam asks, I want to know, of all the storylines

197
00:10:11,400 --> 00:10:13,960
Speaker 3: in all nine seasons, which do you find to be

198
00:10:14,080 --> 00:10:18,680
Speaker 3: the absolute most ridiculous. And I'm not talking little tiny

199
00:10:18,679 --> 00:10:21,040
Speaker 3: things like a dog eating a heart pretty well to

200
00:10:21,080 --> 00:10:24,000
Speaker 3: call that a little tiny thing exactly, I'm talking about us. Oh,

201
00:10:24,040 --> 00:10:26,200
Speaker 3: I see what. Okay, I'm talking about a storyline that

202
00:10:26,280 --> 00:10:29,880
Speaker 3: played through which is the most ridiculous or unrealistic to you.

203
00:10:30,160 --> 00:10:33,680
Speaker 4: Okay, that's a good question. Also, I do just want

204
00:10:33,679 --> 00:10:35,800
Speaker 4: to boop that. Rob was like, I'm not touching this one.

205
00:10:35,800 --> 00:10:36,600
Speaker 4: We're moving on.

206
00:10:36,480 --> 00:10:37,400
Speaker 2: To the next question.

207
00:10:37,480 --> 00:10:42,640
Speaker 4: I noticed that love You, Respect you totally. Okay, gosh,

208
00:10:42,640 --> 00:10:43,680
Speaker 4: what do you guys think?

209
00:10:44,920 --> 00:10:47,720
Speaker 2: I mean, obviously it's the one we're watching right now,

210
00:10:47,880 --> 00:10:53,920
Speaker 2: Nathan being kidnapped by the Serbian mafia. I'm sorry. I mean,

211
00:10:53,920 --> 00:10:57,000
Speaker 2: I'm not sorry, but it's a colloquial phrase. I just

212
00:10:57,320 --> 00:10:58,800
Speaker 2: I think it's ridiculous.

213
00:10:59,200 --> 00:11:01,439
Speaker 4: Yeah, it's ridiculous.

214
00:11:01,679 --> 00:11:03,640
Speaker 2: Do we have any others.

215
00:11:04,160 --> 00:11:09,280
Speaker 4: I was going to say, and listen Nanny Carrie. Yeah,

216
00:11:09,400 --> 00:11:13,000
Speaker 4: like that one went a little nuts. And this, I mean,

217
00:11:13,280 --> 00:11:15,120
Speaker 4: you know, no shade to any of the actors. I

218
00:11:15,160 --> 00:11:20,960
Speaker 4: thought it was portrayed really well, but the intensity of

219
00:11:21,040 --> 00:11:25,600
Speaker 4: the psychoederic storyline was always a little crazy.

220
00:11:25,840 --> 00:11:28,040
Speaker 2: That's right. Yeah, the acting is not even on the

221
00:11:28,040 --> 00:11:29,920
Speaker 2: table with this question. Like, we were hired to do

222
00:11:29,960 --> 00:11:32,320
Speaker 2: a job, and that's what we all did. But in

223
00:11:32,400 --> 00:11:34,960
Speaker 2: terms of what they decided in the writer's room was

224
00:11:35,000 --> 00:11:39,040
Speaker 2: going to be a good idea and then like made

225
00:11:39,120 --> 00:11:41,800
Speaker 2: us do it for so long. Yes, I agree.

226
00:11:41,880 --> 00:11:43,760
Speaker 4: It's like sometimes you look at that stuff and you go,

227
00:11:43,840 --> 00:11:46,360
Speaker 4: you couldn't it just pulled it back ten percent, like

228
00:11:46,400 --> 00:11:48,760
Speaker 4: that famous old Coco Chanelle quote where she's like, take

229
00:11:48,800 --> 00:11:49,920
Speaker 4: one thing off.

230
00:11:49,840 --> 00:11:51,280
Speaker 2: Yeah, really fast thing you put on?

231
00:11:51,440 --> 00:11:55,280
Speaker 4: Yes, take one thing off the top of some of these.

232
00:11:56,200 --> 00:11:59,880
Speaker 3: I feel as though they had a bowl of ideas,

233
00:12:00,080 --> 00:12:02,080
Speaker 3: like of crazy ideas that they're like, we'll find a

234
00:12:02,080 --> 00:12:04,480
Speaker 3: place for it later. This one seems a little too weird.

235
00:12:04,559 --> 00:12:06,760
Speaker 3: And then once Clay got written into the show, they

236
00:12:06,800 --> 00:12:08,720
Speaker 3: were like, oh shit, let's just give him that bowl

237
00:12:08,720 --> 00:12:12,600
Speaker 3: of ideas, you know from the Sarah of it.

238
00:12:12,760 --> 00:12:14,640
Speaker 2: Oh yeah, and that yeah, and.

239
00:12:14,800 --> 00:12:15,960
Speaker 3: We hired the same actress.

240
00:12:16,040 --> 00:12:19,000
Speaker 2: It was like that was that actually might take the

241
00:12:19,040 --> 00:12:21,959
Speaker 2: cake rob like a twin. That's full soap opera. You've

242
00:12:22,000 --> 00:12:24,600
Speaker 2: got the same actress playing her evil twin. Yes, we

243
00:12:24,640 --> 00:12:27,720
Speaker 2: are in full daytime soap territory with ye.

244
00:12:27,880 --> 00:12:31,720
Speaker 3: Then Clay escapes that one to only a couple episodes

245
00:12:31,760 --> 00:12:36,280
Speaker 3: later find himself in fugue States and forgetting he has

246
00:12:36,320 --> 00:12:42,000
Speaker 3: a child, like I Clay got real like passions general Hospital.

247
00:12:42,360 --> 00:12:45,400
Speaker 2: Yes, and we're in the Swan's Crossing territory. Now this

248
00:12:45,559 --> 00:12:52,240
Speaker 2: is just really yeah, yeah, I think that wins. That wins.

249
00:12:52,400 --> 00:12:58,040
Speaker 2: Okay say it, Joyce. I would like for you all

250
00:12:58,040 --> 00:13:03,760
Speaker 2: to know this is spelled h O a r o are. Hello,

251
00:13:05,120 --> 00:13:09,000
Speaker 2: thank you for your nickname and your question, which is

252
00:13:10,200 --> 00:13:12,800
Speaker 2: what has been your longest road trip? And where did

253
00:13:12,800 --> 00:13:17,239
Speaker 2: you go? That's sweet? I love our real longest.

254
00:13:17,040 --> 00:13:18,679
Speaker 3: Road trip LA to Vancouver.

255
00:13:19,160 --> 00:13:21,040
Speaker 2: Yeah, what is that? Nineteen twenty hours?

256
00:13:21,160 --> 00:13:23,160
Speaker 3: Yeah, and it's a beautiful drive, especially I think if

257
00:13:23,160 --> 00:13:25,720
Speaker 3: you go I five, there's some parts of it that

258
00:13:25,760 --> 00:13:26,760
Speaker 3: are just gorgeous.

259
00:13:27,080 --> 00:13:29,040
Speaker 2: How long did you take to do it?

260
00:13:30,559 --> 00:13:33,360
Speaker 3: I've done it, Sae. Stevie and I did it one time,

261
00:13:33,720 --> 00:13:35,800
Speaker 3: and we did it in two days, Stevie being Stephen

262
00:13:35,840 --> 00:13:42,040
Speaker 3: Clettie and so usually two two day affair. Okay, Yeah,

263
00:13:42,400 --> 00:13:44,440
Speaker 3: it's very doable. You know, it's two nine to now.

264
00:13:44,480 --> 00:13:46,160
Speaker 3: If you're me, it's like an eleven hour day because

265
00:13:46,160 --> 00:13:48,640
Speaker 3: I stopped at Pee about every hour and a half.

266
00:13:49,480 --> 00:13:50,400
Speaker 3: So yeah, two day affair.

267
00:13:51,120 --> 00:13:51,640
Speaker 2: What about you?

268
00:13:51,720 --> 00:13:51,960
Speaker 1: Joy?

269
00:13:52,600 --> 00:13:56,080
Speaker 2: My longest road trip was when I was nine or

270
00:13:56,120 --> 00:13:59,360
Speaker 2: ten years old, living in Texas. We went we were

271
00:13:59,400 --> 00:14:01,959
Speaker 2: going to we were just going up to Oklahoma. I

272
00:14:02,040 --> 00:14:04,640
Speaker 2: was in Dallas. We were going to Oklahoma City maybe

273
00:14:04,679 --> 00:14:09,400
Speaker 2: for Christmas with relatives, and we had a station wagon,

274
00:14:09,440 --> 00:14:12,920
Speaker 2: I believe, and we pulled over because the car was overheating.

275
00:14:13,800 --> 00:14:16,400
Speaker 2: So we got we pulled over under this diner parking lot.

276
00:14:16,840 --> 00:14:19,240
Speaker 2: It's freezing cold. You know, it's like two days before

277
00:14:19,320 --> 00:14:23,000
Speaker 2: Christmas or no, it was it was Christmas Eve. It

278
00:14:23,040 --> 00:14:26,200
Speaker 2: was Christmas Eve morning. So we pull over this diner,

279
00:14:26,280 --> 00:14:28,400
Speaker 2: we go sit down, we're eating, we're ordering food, and

280
00:14:28,440 --> 00:14:31,360
Speaker 2: we look over and the car is the on fire,

281
00:14:31,680 --> 00:14:37,440
Speaker 2: like the engine is That's this is how I remember it.

282
00:14:37,760 --> 00:14:39,840
Speaker 2: I'm like, now I'm thinking logistics, like what did they

283
00:14:39,880 --> 00:14:41,600
Speaker 2: leave the car on and the parking lot. Maybe they

284
00:14:41,640 --> 00:14:43,240
Speaker 2: were trying to cool it down and it just like

285
00:14:43,360 --> 00:14:45,640
Speaker 2: kept sparking. I don't know what was going on, but anyway,

286
00:14:45,960 --> 00:14:47,720
Speaker 2: the trunk, the front of the car was on fire.

287
00:14:47,720 --> 00:14:49,760
Speaker 2: So we run out pull all the presents out of

288
00:14:49,800 --> 00:14:54,080
Speaker 2: the trunk, and the fire department comes and the cars

289
00:14:54,360 --> 00:14:57,440
Speaker 2: were just stranded in the middle of like the beginning

290
00:14:57,440 --> 00:15:02,120
Speaker 2: of Oklahoma on Christmas Eve. And we had to go

291
00:15:02,440 --> 00:15:05,240
Speaker 2: get a taxi to the bus station and with all

292
00:15:05,240 --> 00:15:11,400
Speaker 2: of our gifts and get a Greyhound bus back to Dallas.

293
00:15:11,440 --> 00:15:13,840
Speaker 2: And my mom and I got the flu while we

294
00:15:13,840 --> 00:15:15,640
Speaker 2: were on the bus, and so Christmas morning we just

295
00:15:15,680 --> 00:15:16,240
Speaker 2: had them flu.

296
00:15:16,960 --> 00:15:17,400
Speaker 1: Oh my.

297
00:15:18,040 --> 00:15:20,880
Speaker 2: So that was the longest road trip ever, even though

298
00:15:20,880 --> 00:15:23,440
Speaker 2: it wasn't supposed to be too terribly long. It definitely took.

299
00:15:23,560 --> 00:15:25,480
Speaker 2: I think it ended up being like a twelve hour

300
00:15:25,840 --> 00:15:30,040
Speaker 2: round trip situation, and then maybe well maybe longer. I

301
00:15:30,040 --> 00:15:32,360
Speaker 2: don't know. I'm bad with math, but yeah, that was rough.

302
00:15:33,520 --> 00:15:35,600
Speaker 3: Oh man, you win.

303
00:15:37,680 --> 00:15:40,640
Speaker 4: No, that makes me so sad. I love a road trip.

304
00:15:41,400 --> 00:15:46,040
Speaker 4: That was my favorite thing about Wilmington. We started, I

305
00:15:46,080 --> 00:15:48,840
Speaker 4: started to do a road trip home, like I don't know,

306
00:15:48,880 --> 00:15:52,560
Speaker 4: every couple of seasons. I did one after I think

307
00:15:52,600 --> 00:15:54,000
Speaker 4: season four.

308
00:15:54,280 --> 00:15:56,160
Speaker 2: To La You went back to La.

309
00:15:56,280 --> 00:16:00,280
Speaker 4: Yeah, and I took like, you know, eight days is

310
00:16:00,320 --> 00:16:03,480
Speaker 4: to do it. And then after season eight, because you know,

311
00:16:03,520 --> 00:16:06,920
Speaker 4: we thought we were wrapped, me and Jenny and Jane

312
00:16:06,920 --> 00:16:10,200
Speaker 4: Beck all drove and we did it in nine days.

313
00:16:10,760 --> 00:16:14,080
Speaker 4: We zigzagged all over the country and like you know,

314
00:16:14,200 --> 00:16:17,840
Speaker 4: went to see landmarks and did the Grand Canyon and like, oh,

315
00:16:17,840 --> 00:16:21,040
Speaker 4: we had the best time. It was so fun awesome.

316
00:16:21,760 --> 00:16:23,320
Speaker 4: I think we need to we need to give you

317
00:16:23,360 --> 00:16:25,800
Speaker 4: a new, clean slate, new road trip.

318
00:16:26,120 --> 00:16:29,200
Speaker 2: Yeah, well, I guess our drama Queen's road trip would

319
00:16:29,200 --> 00:16:30,320
Speaker 2: be a pretty long one too.

320
00:16:30,400 --> 00:16:30,600
Speaker 3: Here.

321
00:16:30,680 --> 00:16:33,400
Speaker 2: Yeah, we really, I mean, we had a lot of cities.

322
00:16:33,400 --> 00:16:35,880
Speaker 2: That was the entire East coast. That was long.

323
00:16:36,360 --> 00:16:38,040
Speaker 4: You're right in that RV.

324
00:16:38,600 --> 00:16:40,520
Speaker 2: But I've done a music tour up the East Coast

325
00:16:40,600 --> 00:16:42,440
Speaker 2: as well, so I guess that kind of counts too.

326
00:16:42,480 --> 00:16:44,800
Speaker 2: If you're stopping, I wasn't really thinking of like all

327
00:16:44,800 --> 00:16:45,360
Speaker 2: the stops.

328
00:16:47,120 --> 00:16:50,200
Speaker 3: Sparkling Pony asks, what is something you always have to

329
00:16:50,200 --> 00:16:52,920
Speaker 3: bring with you when you travel, no matter where you go?

330
00:16:54,000 --> 00:16:54,200
Speaker 2: Oh?

331
00:16:54,280 --> 00:16:59,760
Speaker 4: Man, I don't know why, because clearly, when you're traveling,

332
00:17:00,920 --> 00:17:04,200
Speaker 4: you're going If you're going on a trip, you're likely

333
00:17:04,240 --> 00:17:07,000
Speaker 4: going with friends, or you're going to work, you're going

334
00:17:07,080 --> 00:17:10,200
Speaker 4: to be busy. But I have to have an emotional

335
00:17:10,240 --> 00:17:12,960
Speaker 4: support book. And when I say an emotional support book,

336
00:17:13,000 --> 00:17:16,280
Speaker 4: I mean three. Even if I'm going somewhere for two days,

337
00:17:16,560 --> 00:17:18,840
Speaker 4: I pack three books in my carry on. And I

338
00:17:18,920 --> 00:17:21,560
Speaker 4: know it's insane behavior because I'm not going to read

339
00:17:21,600 --> 00:17:25,639
Speaker 4: three books in two days. But I can't not have

340
00:17:26,640 --> 00:17:29,800
Speaker 4: three books in my carry on. I just I can't

341
00:17:29,800 --> 00:17:30,320
Speaker 4: do it.

342
00:17:30,320 --> 00:17:33,240
Speaker 2: It's comfort, Yeah, that you know you'll never be bored

343
00:17:33,280 --> 00:17:35,679
Speaker 2: if your phone dies, if you're going to talk to

344
00:17:35,960 --> 00:17:39,440
Speaker 2: if you're going to a restaurant by yourself, you are prepared.

345
00:17:39,640 --> 00:17:41,920
Speaker 2: I'm saying if you have a book with you and.

346
00:17:41,880 --> 00:17:43,960
Speaker 4: It's always the book I'm reading, and then a book

347
00:17:44,000 --> 00:17:46,119
Speaker 4: I really want to read but haven't gotten to, and

348
00:17:46,160 --> 00:17:47,800
Speaker 4: then something kind of in the middle.

349
00:17:47,800 --> 00:17:50,960
Speaker 2: Why are we the same person? Something like what is that?

350
00:17:51,280 --> 00:17:53,840
Speaker 4: I don't know why? And Ash makes fun of me.

351
00:17:53,920 --> 00:17:57,439
Speaker 4: She'll be like, bab, you're still still. She'll pick up

352
00:17:57,480 --> 00:17:58,960
Speaker 4: a book and be like this one, this one that's

353
00:17:58,960 --> 00:18:01,040
Speaker 4: been in the carry on for the last four months,

354
00:18:01,040 --> 00:18:01,520
Speaker 4: and I'm like.

355
00:18:02,119 --> 00:18:03,560
Speaker 2: Yeah, you just leave it in the carry on so

356
00:18:03,600 --> 00:18:05,280
Speaker 2: that when you go back it's already there.

357
00:18:05,400 --> 00:18:08,280
Speaker 4: It's just there, and it's just in case it's good.

358
00:18:08,640 --> 00:18:11,240
Speaker 3: What about you, I'm going to go really comfy pair

359
00:18:11,280 --> 00:18:14,840
Speaker 3: of sweats, Oh yeah, because a big part of the

360
00:18:14,840 --> 00:18:18,760
Speaker 3: allure of the travel for me is getting real cozy

361
00:18:18,760 --> 00:18:21,280
Speaker 3: in that hotel room, maybe with a movie and some

362
00:18:21,400 --> 00:18:26,000
Speaker 3: room service and a primo pair of sweats really ties

363
00:18:26,040 --> 00:18:27,000
Speaker 3: the experience together.

364
00:18:27,720 --> 00:18:30,840
Speaker 2: Yeah, and comfy socks I think is probably my thing too,

365
00:18:30,880 --> 00:18:33,640
Speaker 2: because I'm not walking barefoot on those hotel floors.

366
00:18:33,960 --> 00:18:35,760
Speaker 3: No, let's just call it a comfy get up. Because

367
00:18:35,880 --> 00:18:37,760
Speaker 3: now that you're saying this and thinking, I also love

368
00:18:37,880 --> 00:18:39,920
Speaker 3: to crank that ac up and put on a hoodie.

369
00:18:40,400 --> 00:18:45,520
Speaker 3: Oh yeah, head to toe. You know, sweatsuit. Yeah, and

370
00:18:45,520 --> 00:18:46,080
Speaker 3: then when.

371
00:18:45,880 --> 00:18:48,359
Speaker 4: You're in when you're in said sweatsuit, are you like

372
00:18:48,600 --> 00:18:53,200
Speaker 4: hood on a cozy you are okay?

373
00:18:53,320 --> 00:18:53,560
Speaker 1: Yeah?

374
00:18:53,600 --> 00:18:54,880
Speaker 3: Yea, yeah, yeah yeah yeah yeah.

375
00:18:54,920 --> 00:18:57,080
Speaker 2: I think I always need a face cream too, or

376
00:18:57,080 --> 00:18:59,960
Speaker 2: it's some I need a lotion. My skin gets so dry,

377
00:19:00,240 --> 00:19:04,479
Speaker 2: So I think that's probably absolute guarantee. That's always going

378
00:19:04,520 --> 00:19:05,960
Speaker 2: to be in my purse. It's always going to be

379
00:19:06,000 --> 00:19:08,240
Speaker 2: in my carry on. I don't think I go anywhere

380
00:19:08,240 --> 00:19:11,840
Speaker 2: without some kind of like a face cream. Yeah, there

381
00:19:11,880 --> 00:19:15,760
Speaker 2: you go. Have you used these like fro yet organics yet?

382
00:19:15,880 --> 00:19:16,840
Speaker 2: Have you guys seen these?

383
00:19:17,320 --> 00:19:17,399
Speaker 1: No?

384
00:19:17,520 --> 00:19:18,120
Speaker 4: What is that?

385
00:19:18,280 --> 00:19:20,840
Speaker 2: My friend Sara Wayne Kelly's started using it, and then

386
00:19:20,880 --> 00:19:23,480
Speaker 2: I saw her advertising it on Instagram, so I bought some.

387
00:19:23,720 --> 00:19:26,160
Speaker 2: It's really great. It's just like really things just made

388
00:19:26,200 --> 00:19:28,920
Speaker 2: out of beeswax. It's like a beeswax balm that you

389
00:19:29,200 --> 00:19:31,919
Speaker 2: that's got other botanicals in it, and you just I

390
00:19:32,000 --> 00:19:35,199
Speaker 2: just slathered on my face every morning. It's so great. Oh,

391
00:19:35,240 --> 00:19:51,399
Speaker 2: we love that anyway. Emma wants to know. Have you

392
00:19:51,440 --> 00:19:53,760
Speaker 2: ever completely forgotten your lines or lyrics in the middle

393
00:19:53,760 --> 00:19:55,160
Speaker 2: of a performance? Yes?

394
00:19:55,440 --> 00:19:57,960
Speaker 3: Okay, I know we can all say yes because that's

395
00:19:58,040 --> 00:20:01,600
Speaker 3: just part of what we do. A yes, and to

396
00:20:01,680 --> 00:20:06,679
Speaker 3: this question, which is has this ever happened? Like so

397
00:20:06,800 --> 00:20:10,040
Speaker 3: when you did that your performance in London, your theater, right,

398
00:20:10,080 --> 00:20:13,600
Speaker 3: that was your first big time theater. Correct? Yeah, Now,

399
00:20:13,800 --> 00:20:17,240
Speaker 3: so did you have a different level of anxiety because

400
00:20:17,560 --> 00:20:19,960
Speaker 3: whenever you're on camera forgetting your lines isn't that big

401
00:20:20,000 --> 00:20:23,040
Speaker 3: of a deal. You know, it's a very commonplace stage,

402
00:20:23,520 --> 00:20:26,160
Speaker 3: not so much. So did you have a heightened level

403
00:20:26,160 --> 00:20:26,919
Speaker 3: of fear around that?

404
00:20:27,160 --> 00:20:27,320
Speaker 2: Oh?

405
00:20:27,400 --> 00:20:30,679
Speaker 4: Yeah, when we were I remember the days leading up

406
00:20:30,720 --> 00:20:36,280
Speaker 4: to previews starting and looking at all my coworkers there,

407
00:20:36,320 --> 00:20:39,320
Speaker 4: who you know, all live in London and have done

408
00:20:39,840 --> 00:20:43,879
Speaker 4: the West End before, and I was just like, this

409
00:20:43,920 --> 00:20:48,399
Speaker 4: feels impossible. It feels absolutely impossible that the amount of

410
00:20:48,440 --> 00:20:50,840
Speaker 4: words in this binder, in this script we are going

411
00:20:50,880 --> 00:20:54,159
Speaker 4: to do, Like how is this going to happen? And

412
00:20:54,200 --> 00:20:58,480
Speaker 4: then it just does. It's the weirdest thing. It all

413
00:20:58,600 --> 00:21:01,400
Speaker 4: just works, and everyone's like, it'll just work, and there

414
00:21:01,440 --> 00:21:06,440
Speaker 4: will absolutely be a performance or multiple performances in which

415
00:21:07,280 --> 00:21:09,840
Speaker 4: all of us are going to go round robin styles.

416
00:21:09,880 --> 00:21:14,520
Speaker 4: Someone's always gonna forget something, miss a cue, like You'll

417
00:21:14,520 --> 00:21:16,679
Speaker 4: be perfect for two weeks and then something will happen,

418
00:21:17,359 --> 00:21:19,400
Speaker 4: and I remember, I think it was our third night

419
00:21:19,560 --> 00:21:24,240
Speaker 4: on stage, and Jamie Winston and I the whole dynamic

420
00:21:24,280 --> 00:21:26,879
Speaker 4: when our scene, our first scene starts together, is that

421
00:21:26,920 --> 00:21:29,080
Speaker 4: we don't know what to say to each other and

422
00:21:29,119 --> 00:21:31,159
Speaker 4: to play that, even though obviously you have all the

423
00:21:31,200 --> 00:21:35,639
Speaker 4: lines perfectly memorized, is hilarious and we got really in

424
00:21:35,720 --> 00:21:38,160
Speaker 4: it and we had a lot of sort of physical

425
00:21:38,200 --> 00:21:40,600
Speaker 4: awkwardness that was very funny, and she did something that

426
00:21:40,720 --> 00:21:43,159
Speaker 4: was so funny to me, and then I did something

427
00:21:43,480 --> 00:21:45,960
Speaker 4: sort of differently that made her laugh. And I looked

428
00:21:46,000 --> 00:21:48,479
Speaker 4: at her because we were having this moment and then

429
00:21:48,520 --> 00:21:52,360
Speaker 4: I just it was gone, Like I was like, oh

430
00:21:52,400 --> 00:21:56,480
Speaker 4: my god, I'm so in the reality of this moment

431
00:21:56,520 --> 00:22:00,760
Speaker 4: with you that my brain is blank. And I had

432
00:22:00,800 --> 00:22:04,520
Speaker 4: no idea who was supposed to talk, and she looked

433
00:22:04,520 --> 00:22:06,200
Speaker 4: at me and I looked at her, and it wound

434
00:22:06,280 --> 00:22:09,480
Speaker 4: up being this really funny beat, and then she went,

435
00:22:10,080 --> 00:22:12,240
Speaker 4: I'm sorry you haven't met her yet. It's my fault.

436
00:22:12,240 --> 00:22:14,320
Speaker 4: And I was like, no, it's my fault. And I'm

437
00:22:14,359 --> 00:22:17,320
Speaker 4: sorry i haven't met her yet was my line. But

438
00:22:17,480 --> 00:22:22,000
Speaker 4: in the weirdest way, that beat that night got more

439
00:22:22,080 --> 00:22:25,560
Speaker 4: laughs than ever before. Because genuinely we had no idea

440
00:22:25,600 --> 00:22:28,720
Speaker 4: what we were doing, and it was perfect. And then

441
00:22:28,760 --> 00:22:32,040
Speaker 4: like two nights later, she had a thing with her

442
00:22:32,119 --> 00:22:36,680
Speaker 4: props and something fell that wasn't supposed to and as

443
00:22:36,680 --> 00:22:38,960
Speaker 4: she was picking it up, she didn't hear her cue line.

444
00:22:39,480 --> 00:22:41,280
Speaker 4: And then me and the boys are looking at each

445
00:22:41,280 --> 00:22:42,919
Speaker 4: other like, oh my god, how do we do this?

446
00:22:43,000 --> 00:22:46,159
Speaker 4: And I was like, I'll just reverse engineer her line tonight,

447
00:22:46,600 --> 00:22:50,600
Speaker 4: and it like, in the weirdest way. Once it starts happening,

448
00:22:50,880 --> 00:22:54,160
Speaker 4: you realized you're going to be okay, and that you're

449
00:22:54,160 --> 00:22:57,679
Speaker 4: working with great actors and everything. You'll solve it. But

450
00:22:57,800 --> 00:23:01,280
Speaker 4: oh my god, the first time I went up on

451
00:23:01,320 --> 00:23:02,920
Speaker 4: a line, I will never forget that feeling.

452
00:23:03,000 --> 00:23:04,280
Speaker 2: I was like, well, I need, I'm gonna go.

453
00:23:04,680 --> 00:23:06,760
Speaker 4: I'm gonna crawl under the stage and die. Now that's

454
00:23:06,880 --> 00:23:08,160
Speaker 4: obviously my future.

455
00:23:09,640 --> 00:23:13,560
Speaker 3: How about you joy any memorable line drops.

456
00:23:14,720 --> 00:23:18,480
Speaker 2: Not in theater? I mean, I echo everything you just said,

457
00:23:18,520 --> 00:23:20,560
Speaker 2: so like that. It happens to everyone. It happens to

458
00:23:20,560 --> 00:23:22,080
Speaker 2: all of us. When you're on stage, you just sort

459
00:23:22,119 --> 00:23:24,960
Speaker 2: of expect that at some point that'll happen, and you

460
00:23:25,080 --> 00:23:27,159
Speaker 2: really hope that your team has your back, which is

461
00:23:27,160 --> 00:23:29,639
Speaker 2: why it's really important to trust your other actors, so

462
00:23:29,680 --> 00:23:33,480
Speaker 2: that everybody's become a part of everyone, as a cog

463
00:23:33,640 --> 00:23:36,119
Speaker 2: in the wheel that's running the clock, you know, and

464
00:23:36,200 --> 00:23:39,879
Speaker 2: so you can trust each other. I have gone up

465
00:23:39,920 --> 00:23:42,359
Speaker 2: on lyrics in a song, like when I'm performing before

466
00:23:42,400 --> 00:23:48,119
Speaker 2: a crowd, which sucks, but it's not as stressful, I

467
00:23:48,160 --> 00:23:51,360
Speaker 2: think as going up in a play because there are

468
00:23:51,359 --> 00:23:55,640
Speaker 2: so many other people who relying on you. When it's

469
00:23:55,680 --> 00:23:58,159
Speaker 2: my show, I can just stop my song and be like, you, guys,

470
00:23:58,200 --> 00:24:00,760
Speaker 2: I forgot the lyric, I'm sorry, and then it's charming.

471
00:24:00,800 --> 00:24:03,479
Speaker 2: Everybody laughs. I just start over like it's you know,

472
00:24:03,680 --> 00:24:08,080
Speaker 2: it's safe. So but that has definitely happened to me before.

473
00:24:08,320 --> 00:24:10,520
Speaker 2: What about you, I mean, have you done theater? Like,

474
00:24:10,560 --> 00:24:11,480
Speaker 2: have you done stage work?

475
00:24:11,600 --> 00:24:15,520
Speaker 3: Rob? I brought down the House and a performance of

476
00:24:15,560 --> 00:24:19,359
Speaker 3: The Emperor's New Clothes in third grade. It was just

477
00:24:19,520 --> 00:24:21,879
Speaker 3: so good that I thought I should probably stop now

478
00:24:21,880 --> 00:24:24,439
Speaker 3: because it's never going to get better than this. So

479
00:24:24,520 --> 00:24:25,960
Speaker 3: that was it. I was last in my theater.

480
00:24:26,760 --> 00:24:28,800
Speaker 2: That surprises me because I feel like you're such a

481
00:24:28,880 --> 00:24:33,280
Speaker 2: natural improviser that you would be so great on stage.

482
00:24:33,320 --> 00:24:35,600
Speaker 2: There would be such a comfort level because it's like, well,

483
00:24:36,119 --> 00:24:39,040
Speaker 2: we rely on Rob. He's going to fix it whatever happens.

484
00:24:40,200 --> 00:24:42,200
Speaker 3: That's a lot of faith. It's funny. For the first

485
00:24:42,560 --> 00:24:44,960
Speaker 3: ten years of my career, people would be would ask

486
00:24:45,040 --> 00:24:46,600
Speaker 3: me like an interviewers and like, O have you ever

487
00:24:46,600 --> 00:24:49,440
Speaker 3: done theater? And I would always find myself going, no,

488
00:24:49,560 --> 00:24:51,800
Speaker 3: I haven't done it yet, but I'm interested in it.

489
00:24:51,880 --> 00:24:54,399
Speaker 3: And then I finally went, I've been saying that same

490
00:24:54,520 --> 00:24:57,800
Speaker 3: sentence for a decade yeah, and I have never I've

491
00:24:57,880 --> 00:25:01,280
Speaker 3: made zero effort and act pursuing theater. So I think

492
00:25:01,320 --> 00:25:04,680
Speaker 3: I need to, like, I need my motivation, my intentions

493
00:25:04,680 --> 00:25:06,880
Speaker 3: need to match my words, which is I don't think

494
00:25:06,880 --> 00:25:11,040
Speaker 3: I have any interest in doing that right now. Nothing,

495
00:25:11,119 --> 00:25:12,560
Speaker 3: I'm opposed to it. But I was like, I think

496
00:25:12,560 --> 00:25:14,280
Speaker 3: I was just trying to give an answer that would

497
00:25:14,320 --> 00:25:18,159
Speaker 3: like please everyone, whether it was like I'm good with

498
00:25:18,200 --> 00:25:18,720
Speaker 3: what I'm doing.

499
00:25:19,160 --> 00:25:20,399
Speaker 2: Yeah, I love that about you.

500
00:25:20,480 --> 00:25:24,520
Speaker 4: It's great, it's so great. I echo Joy's sentiment, though

501
00:25:24,560 --> 00:25:27,760
Speaker 4: I think I do think you would love it. I

502
00:25:27,800 --> 00:25:31,080
Speaker 4: find myself really like I'm in one of those phases

503
00:25:31,080 --> 00:25:33,760
Speaker 4: you know when you get your creative itch and you think, oh,

504
00:25:33,800 --> 00:25:37,280
Speaker 4: I really want to do that. I'm itching to get

505
00:25:37,320 --> 00:25:38,719
Speaker 4: back to it.

506
00:25:38,520 --> 00:25:41,879
Speaker 3: It is something I'm absolutely open to because it terrifies me.

507
00:25:42,040 --> 00:25:44,879
Speaker 3: And usually when something terrifies me and then I actually

508
00:25:44,920 --> 00:25:49,000
Speaker 3: put myself out there and do it, I love it. It's

509
00:25:48,560 --> 00:25:50,680
Speaker 3: like the more scared I am, the better the payoff

510
00:25:50,760 --> 00:25:54,160
Speaker 3: is once I walk through it. Yeah, so I see

511
00:25:53,880 --> 00:25:58,600
Speaker 3: you like on the horizon. Well, gang, we had some questions,

512
00:25:58,840 --> 00:25:59,840
Speaker 3: we had some answers.

513
00:26:00,160 --> 00:26:03,080
Speaker 2: Can't wait till next time. We had some good nicknames too.

514
00:26:03,200 --> 00:26:06,439
Speaker 4: We sure did did. Also, there is a there's a

515
00:26:06,560 --> 00:26:12,200
Speaker 4: question becoming increasingly common in our inbox, and I don't

516
00:26:12,200 --> 00:26:14,400
Speaker 4: think we should tell the people what it is just yet.

517
00:26:14,600 --> 00:26:16,879
Speaker 4: You know, we want to keep some surprises up our sleeves.

518
00:26:16,960 --> 00:26:20,680
Speaker 4: But to the people who have a hunch that maybe

519
00:26:20,720 --> 00:26:25,280
Speaker 4: I'm referring to their question, we see you and we're

520
00:26:25,359 --> 00:26:26,879
Speaker 4: thinking about it.

521
00:26:27,359 --> 00:26:29,040
Speaker 3: Look who got their black belt and.

522
00:26:29,119 --> 00:26:31,560
Speaker 4: Teases leave them with a little mystery, you know.

523
00:26:32,520 --> 00:26:37,680
Speaker 2: Okay, Mordica, Hey, thanks for listening.

524
00:26:37,800 --> 00:26:40,040
Speaker 4: Don't forget to leave us a review. You can also

525
00:26:40,080 --> 00:26:42,720
Speaker 4: follow us on Instagram at Drama Queen's o.

526
00:26:42,840 --> 00:26:47,040
Speaker 2: T H or email us at Drama Queens at iHeartRadio

527
00:26:47,119 --> 00:26:49,160
Speaker 2: dot com. See you next time.

528
00:26:50,400 --> 00:26:53,800
Speaker 1: We all about that high school drama, Girl Drama Girl,

529
00:26:53,840 --> 00:26:54,520
Speaker 1: all about.

530
00:26:54,320 --> 00:26:57,520
Speaker 2: Them high school queens. We'll take you for a ride

531
00:26:57,600 --> 00:26:58,560
Speaker 2: at our comic.

532
00:26:58,280 --> 00:27:02,639
Speaker 4: Girl Shared for the Right Drama Queens. Jise my girl,

533
00:27:02,680 --> 00:27:03,560
Speaker 4: off girl.

534
00:27:03,320 --> 00:27:04,640
Speaker 2: Fashion with your tough girl.

535
00:27:04,720 --> 00:27:07,399
Speaker 1: You could sit with us Girl Drama Queens, Drama Queens,

536
00:27:07,480 --> 00:27:11,520
Speaker 1: Drama Queens, Drama Drama Queens, Drama Queens