WEBVTT - Mini Crush #147

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Mini Crush Monday with Noel Brown and Charles W. Bryant. No,

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<v Speaker 1>you get top billing? Now? Had that happen? I think

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<v Speaker 1>it was. I think you're just having sort of a

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<v Speaker 1>dyslexic kind of morning, you know. Uh. No, I would

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<v Speaker 1>be a bad movie star because I'm always happy to

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<v Speaker 1>give up the billing. And yeah, none, none of that

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<v Speaker 1>hard for all that stuff. I only realized that recently.

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<v Speaker 1>And I obviously top billing is cool important, but even

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<v Speaker 1>like production companies as to the order they're listed or

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<v Speaker 1>whether they get a you know, executive producer, all that

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<v Speaker 1>stuff is like contractually obligated and very very hard fought. Yeah,

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<v Speaker 1>it's a thing. I when it came time to do

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<v Speaker 1>this stuff. You should know a book. They asked us

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<v Speaker 1>about whose name should be first, whatever, and I was like,

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<v Speaker 1>I do not care at all. So Josh went first. Okay,

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<v Speaker 1>Oh yeah, that makes I don't think he requested or joking.

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<v Speaker 1>I'm joking. I always just go with alphabetical order, you know.

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<v Speaker 1>That way, there's no one has to worry about anything. Yeah, exactly,

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<v Speaker 1>who cares? Nol Uh and by the way, we have

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<v Speaker 1>a book out everyone if you want to buy it.

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<v Speaker 1>Stuff you should know Colon, an incomplete compendium of mostly

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<v Speaker 1>interesting things. The Crushers have come through, I think, and

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<v Speaker 1>are responsible for a lot of these books. They also

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<v Speaker 1>very very grateful for that everybody sales picked up. They're

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<v Speaker 1>they're happier with the snack. You don't want to disappoint

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<v Speaker 1>the book publisher. Oh my god, they'll come after you,

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<v Speaker 1>the iron fist of the book publisher. They will fuck

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<v Speaker 1>you up. I mean well, they're like the Iron Bank

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<v Speaker 1>and Game of Thrones paper cuts, that's how they do

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<v Speaker 1>it death. I have a thousand papers all right. Now,

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<v Speaker 1>we're gonna jump right in here and get going because

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<v Speaker 1>we got a Crusher special lined up. And this is

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<v Speaker 1>where I mind the Crushers page for those great great

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<v Speaker 1>posts and threads. And we're gonna start it off with

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<v Speaker 1>Sammy Cahill. Uh. Sammy's one of our old friends, and

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<v Speaker 1>I had just a very great sort of back to

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<v Speaker 1>the basics post. We all missed go into the movies.

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<v Speaker 1>We all missed that movie theater Popcorn, And Sammy said,

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<v Speaker 1>I want to hear your popcorn eating style, one piece

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<v Speaker 1>at a time, handful straight to the mouth, a few

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<v Speaker 1>pieces at a time. Add add your own stuff to

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<v Speaker 1>the comments, and I'm gonna ask you in a secondal

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<v Speaker 1>but I chimed in and said, uh, sort of medium butter,

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<v Speaker 1>although it's not butter, but medium whatever that stuff is.

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<v Speaker 1>Ideally it's a place that has that orange popcorn salt.

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<v Speaker 1>Love that stuff. Uh, and then give me, give me

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<v Speaker 1>a shovel. I don't take my time with a popcorn, man,

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<v Speaker 1>I fucking I rake that stuff in and get it

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<v Speaker 1>out of the way because I don't want to be

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<v Speaker 1>eating popcorn. I'll through the movie. I'd like to have

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<v Speaker 1>it and be watching. Yeah, what about you. I sort

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<v Speaker 1>of trying to fight against my impulse to just shovel by. Um. Yeah.

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<v Speaker 1>I often will share popcorn like get you know, because

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<v Speaker 1>get a big one and just kind of pass it

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<v Speaker 1>around between the three or four of us that are

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<v Speaker 1>at the movies. And so I'm a fan of the

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<v Speaker 1>handful where I just eat three or four pieces at

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<v Speaker 1>a time. It keeps me from gorg ng and and

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<v Speaker 1>eating all the popcorn before the movie even starts. Otherwise

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<v Speaker 1>I will because it's such it's such crack, dude, popcorn

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<v Speaker 1>butter and salt. It's just a perfect combination, perfect combo.

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<v Speaker 1>And do you do the thing Nola where if you

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<v Speaker 1>have like the popcorn and the soda and like another

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<v Speaker 1>thing in your hand, you're walking to the theater, do

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<v Speaker 1>you go down there and you get some with your

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<v Speaker 1>tongue like a frog? Yeah? Of course everyone does that, right,

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<v Speaker 1>It's fun. Yeah. Who doesn't want to feel a little

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<v Speaker 1>bit like a frog? And you can't wait till you

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<v Speaker 1>get to your seat to use your hands. You gotta

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<v Speaker 1>get some of that on the tongue. I completely agree. Alright, No,

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<v Speaker 1>we're gonna go with Rick Smith here. Rick says, by

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<v Speaker 1>the fistful with all the butter m. Dave Croucher says,

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<v Speaker 1>icing sugar and a couple at a time. I don't

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<v Speaker 1>know what that is. Icing sugar is just powdered sugar. Okay, really,

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<v Speaker 1>it's just like a Britt Britt we're talking to here.

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<v Speaker 1>I don't know, never heard it called icing sugar, but

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<v Speaker 1>I'm pretty sure that's what it is. I'm not really sure,

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<v Speaker 1>but I'm interested in what you're laying down there. Dave. Uh.

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<v Speaker 1>Sammy actually chimed in and says, I have no self control.

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<v Speaker 1>I'm a handful to the mouth or hashtag fat ass.

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<v Speaker 1>I'm with you, Sammy, break it in. J Fraser says,

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<v Speaker 1>sweet popcorn bowl under chin, tongue out and it sticks

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<v Speaker 1>eat like a lizard. See there, I said frog. But

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<v Speaker 1>yeah that's the thing. And actually there's a lot of

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<v Speaker 1>up likes and people our old pal Carol and Gaston says, yeah,

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<v Speaker 1>that's definitely how I eat. The top player between concessions

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<v Speaker 1>in my seat and the premask todays yes, yes, yes, yes,

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<v Speaker 1>I love. I mean, like I said, I would do

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<v Speaker 1>that too if I didn't attempt to safeguard myself from

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<v Speaker 1>the uh, because I too am an absolute gluttonous um

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<v Speaker 1>fat ass. But I try to fight against those impulses

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<v Speaker 1>to do a better job. But I don't always succeed.

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<v Speaker 1>But I like to build in little things to keep

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<v Speaker 1>me from you know, like if I make a bunch

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<v Speaker 1>of food UH for dinner, rather than to keep myself

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<v Speaker 1>from just eating all the leftovers like as a midnight snack,

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<v Speaker 1>I will freeze it and then throw it and then

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<v Speaker 1>set it on fire in the backyard. Exactly. No, it

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<v Speaker 1>just it just means it has to be an extra

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<v Speaker 1>step in order for me to access said food because

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<v Speaker 1>it is locked up in ice. Yeah, I mean there

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<v Speaker 1>are things that people can do, like if you're trying

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<v Speaker 1>to drop a little weight, they do recommend things like

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<v Speaker 1>if you go to a restaurant, like order your food

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<v Speaker 1>with it to go box and just put half of

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<v Speaker 1>it in there, or if you make your plate at home. Um,

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<v Speaker 1>some people have a hard time putting a small portion,

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<v Speaker 1>so make your regular portion and then rap half of

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<v Speaker 1>it into the thing and freeze it. Just to make

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<v Speaker 1>yourself feel better. We're all tryan noll, I know, man,

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<v Speaker 1>this COVID thing. Yeah, I always doing so well for

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<v Speaker 1>so long, and then I definitely gained that COVID fit team.

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<v Speaker 1>I'm gonna call it that too. It was definitely more

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<v Speaker 1>than that though. But I'm now getting to a place where,

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<v Speaker 1>like I think I've I've I've dropped that COVID malaise

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<v Speaker 1>and depression. So I'm starting to kind of try to

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<v Speaker 1>try to like eyes on the prize it again. You know, no,

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<v Speaker 1>me too. I lost twenty three pounds between January and March,

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<v Speaker 1>and I wanted to lose fifty and I was like

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<v Speaker 1>fucking halfway there almost and then gained almost all that back.

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<v Speaker 1>Since then, I was so mad at myself. But I

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<v Speaker 1>started two weeks ago back on a new routine. I've

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<v Speaker 1>already dropped like four pounds and uh it's it's it's

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<v Speaker 1>the winner during COVID. So like what else we got

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<v Speaker 1>to do? Man? We might try and get in shape

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<v Speaker 1>a little bit. Same here the girl that I'm seeing

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<v Speaker 1>is giving me her extra fitbit um so cool. I

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<v Speaker 1>don't know. Something about gamifying your status is definitely something

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<v Speaker 1>that I that I can get behind. Yeah, I'm tracking

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<v Speaker 1>my stuff with the Apple Lose It. Uh, I know

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<v Speaker 1>that tracking. I think it's something like people have a

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<v Speaker 1>better chance of losing weight if they actually track their

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<v Speaker 1>stuff somehow. So I'm tracking, and you know, this is

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<v Speaker 1>all in a bid for good health. People should be

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<v Speaker 1>happy with whatever size they are if that's what makes

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<v Speaker 1>them happy, and that same on my on my and

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<v Speaker 1>I actually have gotten to a point where I very

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<v Speaker 1>much am comfortable with how I look. And I've never

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<v Speaker 1>like had a problem, like, you know, finding women that

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<v Speaker 1>I am their type and it's not an issue. But

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<v Speaker 1>I just you know, for my daughter and for my longevity,

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<v Speaker 1>I just want to like do a better job and

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<v Speaker 1>just yeah, exactly exactly. I got a family and all

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<v Speaker 1>we want to stick around. So Johnson Line says, one

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<v Speaker 1>piece at a time. I need to make it last.

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<v Speaker 1>Even in the theater. I can only eat about half

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<v Speaker 1>a bag before my body says I've had enough, so

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<v Speaker 1>I just take the rest home. L O L. All right,

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<v Speaker 1>there's no right way to do it. Brian Buckley says,

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<v Speaker 1>handfuls until I finished the bowl, and whatever spilled is

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<v Speaker 1>an extra snack. You eat those sweater pieces to a dunch, knol.

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<v Speaker 1>I love all these people talking about a bowl. These

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<v Speaker 1>are clearly not at the movies situations that are quitely

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<v Speaker 1>talking about these. Yeah, I need to, I need to.

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<v Speaker 1>I never make popcorn at home. I should do that

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<v Speaker 1>for How do you feel about kettle corn and chuck? Sweet?

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<v Speaker 1>Love it? Corn? You like it? You do love it?

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<v Speaker 1>Not for movies, but I like it as a snack.

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<v Speaker 1>It's good. Yeah, popcorn is a pretty good little snack too,

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<v Speaker 1>if you're into losing weight. It's can be filling, and

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<v Speaker 1>it's not. Uh it's not like the most high end

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<v Speaker 1>calorie thing. What is it? Smart pop? That's one right, smart,

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<v Speaker 1>A little less less caloric. Yeah, that white cheddar smart food,

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<v Speaker 1>good stuff that they should give us some money. No one,

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<v Speaker 1>I agree, Carolyn Gaston. We were just talking about old Caroline,

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<v Speaker 1>or is it Caroline? If I've been saying it this

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<v Speaker 1>wrong this whole time, as much butter as possible and

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<v Speaker 1>unbearably salty a few at a time anymore, and I'll

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<v Speaker 1>definitely end up with buttery grease stains on my shirt. Yeah,

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<v Speaker 1>I love that. Windy White is a one piece at

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<v Speaker 1>a timer. J J. Verbino is giant handful than individuals

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<v Speaker 1>from that. Okay, so it makes a little mini bowl

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<v Speaker 1>of a mini scoop in his hand and then picks

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<v Speaker 1>from that. Interesting. Yeah that's what I did that thought

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<v Speaker 1>that was my thing, right, the mini scoop. Yeah, I'm

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<v Speaker 1>a share But also if you're sharing, you shouldn't be

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<v Speaker 1>doing the lizard move either. Well, we never do that

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<v Speaker 1>with a sharing container. But I also I will say

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<v Speaker 1>this too when I get it for myself, I know

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<v Speaker 1>they always try to up charge you or like upsell you,

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<v Speaker 1>but I never go for it. I'm like, I don't

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<v Speaker 1>want that much popcorn for myself because I will eat

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<v Speaker 1>it all. So I want the smallest one. Give me

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<v Speaker 1>the child's one. I don't care if it's twice as much,

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<v Speaker 1>I'll pay a premium to not have fifty pounds of popcorn. Well,

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<v Speaker 1>you know, the good deal is is the little kid's

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<v Speaker 1>package where you get like a little small candy, a

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<v Speaker 1>small drink, and a small popcorn. Altogether, it's not a

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<v Speaker 1>bad deal. And you ever wonder, like, well they will

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<v Speaker 1>they like deny you that chuck if you're an adult.

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<v Speaker 1>I don't think they will. Hell no, this is America, knol.

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<v Speaker 1>Eric and Sam's start out real dainty, one piece of

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<v Speaker 1>a time saving it halfway through. I'm seeing how much

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<v Speaker 1>can fit into my fist and why open mouth? Yeah,

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<v Speaker 1>we all have good intentions. All I heard in that

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<v Speaker 1>sense was fist and wide open mouth. Oh god. Uh.

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<v Speaker 1>Courtney Abbott says, few pieces at a time. If I

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<v Speaker 1>met the theater, I like to get nacho cheese to

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<v Speaker 1>dip it in. WHOA, that's leveling up. Dip your popcorn

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<v Speaker 1>and nacho cheese, That's what she says. How does that

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<v Speaker 1>even work logistically? You gotta do it like one tiny

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<v Speaker 1>piece at a time. Yeah, And I think your little

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<v Speaker 1>fingies are going to get in there. You just gotta

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<v Speaker 1>get some cheesy fingies. Cheesy fingies. But hey, that's you

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<v Speaker 1>can lick the cheese off of your fingies, no problem,

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<v Speaker 1>China Town Baby or old pal gin A van Balen.

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<v Speaker 1>I like to first pick out the best looking pieces,

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<v Speaker 1>one at a time. Then I shovel fistful as at

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<v Speaker 1>a time. Interesting picking out the best looking pieces. I

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<v Speaker 1>wonder how she rates those. That's a good question. I mean,

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<v Speaker 1>popcorn typically pretty uniform and unless you do, unless you do,

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<v Speaker 1>the drag at the bottom is different. But drags at

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<v Speaker 1>the bottom all the other stuff is kind of the same,

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<v Speaker 1>right it would it would seem so, it would seem so.

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<v Speaker 1>I guess you could argue that they're like a snowflake,

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<v Speaker 1>that no, two popcorn kernels are exactly alike. I thought

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<v Speaker 1>you mean a liberal Democrat also that. Yeah, I gotta

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<v Speaker 1>own those popcorn kernels. Um, but I don't know about that.

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<v Speaker 1>That's interesting. I'd love to you'd love to hear back

0:11:15.320 --> 0:11:19.480
<v Speaker 1>on your rating system for popcorn kernels. Yeah, people get

0:11:19.559 --> 0:11:22.679
<v Speaker 1>very specific here, nol. One of her old friends, Jen Max, says,

0:11:23.160 --> 0:11:26.600
<v Speaker 1>as many pieces as I can grab between my thumb

0:11:26.840 --> 0:11:32.000
<v Speaker 1>and first three fingers, buttery with tabasco, the popcorn claw,

0:11:32.080 --> 0:11:35.640
<v Speaker 1>that's what they call or with everything bagel. Seasoning is good.

0:11:36.080 --> 0:11:39.000
<v Speaker 1>Whoa you know I discovered that last year and the

0:11:39.040 --> 0:11:41.559
<v Speaker 1>one that changed my life. Yeah, it's fantastic. I put

0:11:41.600 --> 0:11:43.520
<v Speaker 1>it in a lot of stuff really like and like

0:11:43.679 --> 0:11:46.959
<v Speaker 1>what like cooking like uh uh. Like if I'll make

0:11:47.080 --> 0:11:50.800
<v Speaker 1>like a dip, like a like a salmon dip or something,

0:11:51.240 --> 0:11:53.520
<v Speaker 1>sprinkled that in there, it's the seasoning. Or you know,

0:11:53.559 --> 0:11:56.080
<v Speaker 1>I get my everything bagel with cream, cheese and locks,

0:11:56.480 --> 0:11:58.719
<v Speaker 1>and then I also sprinkled that stuff on top. I

0:11:58.760 --> 0:12:01.439
<v Speaker 1>can't get enough of it. Kayla mh is a fingertip

0:12:01.520 --> 0:12:03.719
<v Speaker 1>grabber as much as I can fit in a four

0:12:03.800 --> 0:12:07.319
<v Speaker 1>finger pinch uh, four finger pinch. That's a great band name.

0:12:07.360 --> 0:12:09.160
<v Speaker 1>Well that's the same move that they were just talking about.

0:12:09.200 --> 0:12:11.719
<v Speaker 1>Three three uh, three fingers in a thumb. That's the

0:12:11.760 --> 0:12:14.839
<v Speaker 1>four finger pinch. Four finger pinch uh in cale office

0:12:14.920 --> 0:12:18.640
<v Speaker 1>is this volume loss on every bite, but I still

0:12:18.679 --> 0:12:21.400
<v Speaker 1>do it. I don't know why. And fresh parmesan, Yeah,

0:12:21.400 --> 0:12:23.640
<v Speaker 1>I've never been into the parmesan on the popcorn. I

0:12:23.720 --> 0:12:25.920
<v Speaker 1>dig it because it has it's got a little saltiness

0:12:26.000 --> 0:12:28.439
<v Speaker 1>to it already. You know, it's nice. What about you

0:12:28.520 --> 0:12:32.800
<v Speaker 1>nutritional yeast with the hippies put on their popcorn really yeah,

0:12:32.840 --> 0:12:37.400
<v Speaker 1>it's good. They also put that in their underarms. Lilian

0:12:37.440 --> 0:12:40.440
<v Speaker 1>Rolph says, I'm sitting in a car right now eating

0:12:40.480 --> 0:12:43.679
<v Speaker 1>fistfuls of boom chicken pop. Yeah. That's that's good. That's

0:12:43.760 --> 0:12:46.240
<v Speaker 1>the that's sort of like the kettle corn. If I'm

0:12:46.280 --> 0:12:49.360
<v Speaker 1>not mistaken, I think you're right. Uh, and then let's

0:12:49.360 --> 0:12:52.120
<v Speaker 1>see let's finish up here. Oh, here we go. Brianna

0:12:52.200 --> 0:12:54.360
<v Speaker 1>Rossi says, a few pieces at a time, lots of

0:12:54.480 --> 0:12:59.160
<v Speaker 1>nutritional yeast and everything, but the bagel, seasoning, sometimes even

0:12:59.200 --> 0:13:04.520
<v Speaker 1>melted coconut oil and pep rika. Wow, Brianna, that sound good, amazing.

0:13:05.120 --> 0:13:08.840
<v Speaker 1>I don't even know what is nutritional yeast. Uh. Salty, Yeah,

0:13:08.840 --> 0:13:11.360
<v Speaker 1>it's salty and kind of uh yeah, got it's got

0:13:11.440 --> 0:13:15.599
<v Speaker 1>a nice kind of um I say, yeasty, but that

0:13:15.760 --> 0:13:17.520
<v Speaker 1>is kind of what it's like. And people use it

0:13:17.559 --> 0:13:19.760
<v Speaker 1>as a cheese substitute who are vegan, so it has

0:13:19.800 --> 0:13:22.720
<v Speaker 1>a cheesiness to it. That's it's very good. Is it healthy?

0:13:23.480 --> 0:13:25.440
<v Speaker 1>I don't know, it's it's it's probably got like I mean,

0:13:25.480 --> 0:13:27.640
<v Speaker 1>it's probably got really high salt content and but it's

0:13:27.679 --> 0:13:38.679
<v Speaker 1>definitely like you know, vegan. Okay, all right, now we're

0:13:38.679 --> 0:13:40.839
<v Speaker 1>gonna move on to another one. This is from our

0:13:40.840 --> 0:13:44.040
<v Speaker 1>old friend Dave Nap. He asked, very simply, what is

0:13:44.120 --> 0:13:50.000
<v Speaker 1>the first DVD you ever owned? Uh? Mine, I'm almost

0:13:51.120 --> 0:13:53.720
<v Speaker 1>sure nol that the first DVD I bought was Jaws

0:13:54.400 --> 0:13:58.040
<v Speaker 1>Nice a long long time ago. Yeah. Do you remember

0:13:58.080 --> 0:14:00.800
<v Speaker 1>when DVDs were like it was a new exciting thing,

0:14:01.080 --> 0:14:05.160
<v Speaker 1>kind of like I remember Blu Ray. Uh yeah, absolutely, yeah,

0:14:05.480 --> 0:14:08.480
<v Speaker 1>I remember. You know, I'm of the I'd like to

0:14:08.520 --> 0:14:10.440
<v Speaker 1>to out my generation as being one of the best

0:14:10.520 --> 0:14:13.400
<v Speaker 1>because we had um a lot of the old analog

0:14:13.520 --> 0:14:18.080
<v Speaker 1>stuff like radio and records, and then cassettes and then

0:14:18.160 --> 0:14:21.560
<v Speaker 1>c d s and then you know, laser disc and

0:14:21.600 --> 0:14:24.560
<v Speaker 1>then vhs. Like we saw a big transition, you know,

0:14:24.640 --> 0:14:28.280
<v Speaker 1>old school telephones and then old school cameras, and so

0:14:28.600 --> 0:14:30.640
<v Speaker 1>we I think I like to think that Generation X

0:14:30.680 --> 0:14:32.760
<v Speaker 1>has lived the best of both worlds, and I can

0:14:32.840 --> 0:14:34.720
<v Speaker 1>imagine growing up in a world without some of that

0:14:34.920 --> 0:14:38.560
<v Speaker 1>old stuff. You know. My daughter thinks, like I had

0:14:38.560 --> 0:14:40.440
<v Speaker 1>to explain to her that cameras used to just speak

0:14:40.440 --> 0:14:43.160
<v Speaker 1>cameras the other day. She's like, you mean your phone.

0:14:43.160 --> 0:14:46.520
<v Speaker 1>I was like, no, Ruby, you know, at shoar pictures.

0:14:46.560 --> 0:14:48.560
<v Speaker 1>I was like, he used to have a camera and

0:14:48.720 --> 0:14:50.320
<v Speaker 1>that was all it did, I know, And now it's

0:14:50.360 --> 0:14:52.520
<v Speaker 1>like old school. I mean, I definite. But the thing

0:14:52.640 --> 0:14:56.560
<v Speaker 1>is too though, Like it used to be uh that

0:14:56.840 --> 0:15:00.000
<v Speaker 1>you know, cell phone, the megapixels, like you just couldn't

0:15:00.200 --> 0:15:03.320
<v Speaker 1>rival a nice DSLR camera or even you know, a

0:15:03.400 --> 0:15:06.320
<v Speaker 1>film camera. But now they're so good. The sensors on

0:15:06.360 --> 0:15:08.320
<v Speaker 1>the phones are so good, or you can even make

0:15:08.400 --> 0:15:11.480
<v Speaker 1>like really high quality video with them. Obviously I sound

0:15:11.520 --> 0:15:13.440
<v Speaker 1>like a grandpa saying that, but it's true, like you

0:15:13.480 --> 0:15:15.520
<v Speaker 1>can really make something that would be indistinguishable from like

0:15:15.640 --> 0:15:18.800
<v Speaker 1>DSLR footage. At this point, they make movies, they really do,

0:15:19.320 --> 0:15:22.120
<v Speaker 1>and they're so small that you can really get great

0:15:22.160 --> 0:15:24.600
<v Speaker 1>steady shots because there's like no hef to them. You

0:15:24.640 --> 0:15:26.520
<v Speaker 1>can hand hold it and make it look like a

0:15:26.720 --> 0:15:29.360
<v Speaker 1>steady cam. You know. It's great that that took my

0:15:29.680 --> 0:15:31.760
<v Speaker 1>DSLR out the other day. Nol put it in the

0:15:31.840 --> 0:15:33.680
<v Speaker 1>driveway and I drove over it with my car. That's

0:15:33.680 --> 0:15:36.520
<v Speaker 1>how much I don't need it. Yeah, I mean that's

0:15:36.600 --> 0:15:39.200
<v Speaker 1>you know, you could have sent it to some you know,

0:15:39.360 --> 0:15:44.120
<v Speaker 1>aspiring young artist in Ethiopia, Chuck. But I I get

0:15:44.200 --> 0:15:47.680
<v Speaker 1>the gesture. You know, I'm so mad at you right now?

0:15:49.040 --> 0:15:51.120
<v Speaker 1>All right, No, do you remember your first DVD by

0:15:51.160 --> 0:15:53.000
<v Speaker 1>the way, Yeah, it was a handful, because I remember

0:15:53.080 --> 0:15:56.240
<v Speaker 1>distinctly getting a bunch for Christmas, and I think I

0:15:56.320 --> 0:15:58.240
<v Speaker 1>told you this. Maybe I didn't tell you this. Um,

0:15:58.840 --> 0:16:01.560
<v Speaker 1>when I went to the fests and uh, there was

0:16:01.600 --> 0:16:03.840
<v Speaker 1>a package from my ex girlfriend that I had noticed

0:16:03.880 --> 0:16:07.520
<v Speaker 1>for like years, and there's someone were in there. Um.

0:16:07.680 --> 0:16:12.480
<v Speaker 1>One of them was the Momento Um Criterion Collection DVD. UM.

0:16:12.800 --> 0:16:15.760
<v Speaker 1>One of them was The Wall the Pink Floyd UM,

0:16:16.880 --> 0:16:23.400
<v Speaker 1>and uh, one of them was The Fight Club. And

0:16:23.520 --> 0:16:26.160
<v Speaker 1>then another one was Requiem for a Dream, which I

0:16:26.280 --> 0:16:28.840
<v Speaker 1>was a real glutton for punishment in those days. Like

0:16:28.880 --> 0:16:31.320
<v Speaker 1>I would never watch that movie again on purpose now,

0:16:31.440 --> 0:16:33.840
<v Speaker 1>but I really loved it at the time. You know. No,

0:16:34.040 --> 0:16:37.000
<v Speaker 1>if we had a computer program and where you type

0:16:37.040 --> 0:16:40.240
<v Speaker 1>in for an algorithm movies in who that would equal

0:16:40.320 --> 0:16:42.720
<v Speaker 1>as first purchases. If you typed in those movies, it

0:16:42.760 --> 0:16:44.920
<v Speaker 1>would just spit out a picture of you. Those are

0:16:45.000 --> 0:16:48.120
<v Speaker 1>all very much on the nose, Noel Brown first DVD

0:16:48.240 --> 0:16:53.920
<v Speaker 1>purchases kind of kind of perfect, all right, Dave Knapp says, Uh,

0:16:54.480 --> 0:16:57.200
<v Speaker 1>contact watch it on my computer because it was my

0:16:57.280 --> 0:17:00.360
<v Speaker 1>first DVD player. Yeah, because a lot of did that

0:17:01.800 --> 0:17:04.760
<v Speaker 1>when DVD players were hundreds of dollars. Yeah, man, I

0:17:04.840 --> 0:17:07.280
<v Speaker 1>mean I had, like I had. I remember now and

0:17:07.280 --> 0:17:09.280
<v Speaker 1>now it's like, I don't think anybody. Maybe that's not true.

0:17:09.480 --> 0:17:12.200
<v Speaker 1>They are like still really high end like audio file

0:17:12.320 --> 0:17:15.480
<v Speaker 1>fancy DVD players that you know, the super rich have.

0:17:15.680 --> 0:17:17.960
<v Speaker 1>But I think most people just play it on a

0:17:18.119 --> 0:17:21.080
<v Speaker 1>on a game gaming system these days. It seems, well,

0:17:21.200 --> 0:17:23.360
<v Speaker 1>I have to Jesse Thorn is coming on the show

0:17:23.400 --> 0:17:26.560
<v Speaker 1>soon and his movie Pick is only available on DVD,

0:17:26.680 --> 0:17:29.399
<v Speaker 1>so I had to buy it, and I guess I

0:17:29.400 --> 0:17:31.280
<v Speaker 1>will play it on my gaming system because I don't

0:17:31.280 --> 0:17:33.399
<v Speaker 1>I don't have one otherwise. What's his movie? It's a

0:17:33.440 --> 0:17:36.800
<v Speaker 1>movie called A Thousand Clowns. That's a great name. I

0:17:36.920 --> 0:17:40.320
<v Speaker 1>love his interview style. He did a really greats. You

0:17:40.359 --> 0:17:42.639
<v Speaker 1>know he's obviously it's on NPR, just on the regular

0:17:42.720 --> 0:17:45.080
<v Speaker 1>role radio and so I always hear him. Um. He

0:17:45.240 --> 0:17:47.320
<v Speaker 1>did a really cool interview with an artist that I

0:17:47.440 --> 0:17:50.639
<v Speaker 1>quite enjoy. Has got a project called Black Moth Super

0:17:50.800 --> 0:17:53.720
<v Speaker 1>Rainbow and it's sort of like weird, kind of murky

0:17:53.800 --> 0:17:56.520
<v Speaker 1>electronic stuff. But he has really interesting guests and he

0:17:56.760 --> 0:18:00.320
<v Speaker 1>has a nice way about him. I quite enjoy his interviews. Great.

0:18:00.880 --> 0:18:02.920
<v Speaker 1>Uh he just said Dave Letterman on a show which

0:18:03.000 --> 0:18:05.639
<v Speaker 1>was his bucket list guests. So very very happy for

0:18:05.760 --> 0:18:08.880
<v Speaker 1>Jesse and the interview was just fucking amazing. Go check

0:18:08.920 --> 0:18:12.239
<v Speaker 1>it out if you have it, dear listener, and you uh.

0:18:12.359 --> 0:18:16.160
<v Speaker 1>Dave Crotcher says, I've only ever owned music DVDs. Okay,

0:18:16.480 --> 0:18:18.920
<v Speaker 1>I'm not sure what that means. CDs are like music

0:18:18.960 --> 0:18:21.919
<v Speaker 1>concerts and stuff. Maybe, but then they also will release

0:18:22.200 --> 0:18:28.080
<v Speaker 1>like remastered records in surround sound on DVD. It'll just

0:18:28.200 --> 0:18:30.120
<v Speaker 1>be like a static image on the TV, but it's

0:18:30.119 --> 0:18:33.080
<v Speaker 1>actually like a remixed Dark Side of the Moon that's

0:18:33.119 --> 0:18:34.960
<v Speaker 1>in five point one or whatever. So maybe that's what

0:18:35.000 --> 0:18:36.680
<v Speaker 1>we're talking about. He could also be talking about just

0:18:36.720 --> 0:18:39.919
<v Speaker 1>like concert films, but interested that is a thing. Uh.

0:18:40.119 --> 0:18:42.919
<v Speaker 1>Patrick Gorman, one of our old friends, says Disney's Dinosaur.

0:18:43.920 --> 0:18:46.360
<v Speaker 1>I remember reading a Premiere magazine that didn't transfer well

0:18:46.400 --> 0:18:50.200
<v Speaker 1>on VHS. Oh boy, Premier magazine. I subscribed to that

0:18:50.840 --> 0:18:55.080
<v Speaker 1>as a ute that what is Disney's Dinosaur. I don't

0:18:55.080 --> 0:18:56.920
<v Speaker 1>know that. I don't know. I've never heard of it.

0:18:57.760 --> 0:19:01.240
<v Speaker 1>James d s has lethal Weapon four. Philip Ashworth says

0:19:01.320 --> 0:19:06.520
<v Speaker 1>lethal weapon for interesting. Earl pal. Brianna Rossi, who likes

0:19:06.520 --> 0:19:11.119
<v Speaker 1>that nutritional yeast, also got a Backstreet Boys Live DVD

0:19:12.680 --> 0:19:17.120
<v Speaker 1>as her first DVD. That's great. Vanessa Cashman Mulin Rouge, Yeah,

0:19:17.280 --> 0:19:20.920
<v Speaker 1>I enjoyed that. The Gooch David goochs the Matrix also

0:19:21.040 --> 0:19:25.520
<v Speaker 1>first DVD player I ever owned. Lauren Edwards says, I

0:19:25.600 --> 0:19:28.679
<v Speaker 1>have a memory of getting almost famous in both DVD

0:19:28.840 --> 0:19:33.159
<v Speaker 1>and VHS from my birthday. Interesting, that's either from two

0:19:33.200 --> 0:19:36.520
<v Speaker 1>different people. It's probably from two family members who didn't

0:19:36.600 --> 0:19:40.280
<v Speaker 1>know what medium that she was enjoying, don't you think?

0:19:40.560 --> 0:19:44.600
<v Speaker 1>Agreed y Zack Pointer when a world friend says, I

0:19:44.720 --> 0:19:48.200
<v Speaker 1>want to say it's something with Jackie Chan Drunken Master maybe.

0:19:49.040 --> 0:19:51.960
<v Speaker 1>Heidi Laman says Out of Africa, what a great movie.

0:19:53.119 --> 0:19:56.360
<v Speaker 1>Mike Binder says the right stuff. I bought her first

0:19:56.359 --> 0:20:00.600
<v Speaker 1>family computer back in comp Usa. Oh boy, since this

0:20:00.720 --> 0:20:03.000
<v Speaker 1>is our first computer, I had to buy everything. We

0:20:03.080 --> 0:20:05.960
<v Speaker 1>had no components at home. The salesman, who I think

0:20:06.000 --> 0:20:08.840
<v Speaker 1>it took a Caribbean vacation on my commission, offered me

0:20:08.920 --> 0:20:11.119
<v Speaker 1>a free DVD at checkout. We didn't even have a

0:20:11.200 --> 0:20:13.040
<v Speaker 1>DVD player at home, so we watched it on the PC.

0:20:13.359 --> 0:20:16.120
<v Speaker 1>Very expensive movie. That's that's a great story, Mike, that's

0:20:16.119 --> 0:20:17.440
<v Speaker 1>a great story. I had a quick question for me,

0:20:17.520 --> 0:20:21.720
<v Speaker 1>backtracking like two entries ago. Dinosaur, the Disney movie it was,

0:20:22.040 --> 0:20:23.800
<v Speaker 1>you know, it was a C G I movie about

0:20:23.840 --> 0:20:26.479
<v Speaker 1>dinosaurs came out in two thousand. When do you think

0:20:26.520 --> 0:20:30.960
<v Speaker 1>they stopped making VHS is? I don't know. You could

0:20:30.960 --> 0:20:32.600
<v Speaker 1>probably find that out. I mean you probably could, but

0:20:32.640 --> 0:20:36.399
<v Speaker 1>I'm just saying it struck like actually stopped manufacturing altogether. No.

0:20:36.480 --> 0:20:38.159
<v Speaker 1>I mean I'm sure that you can still maybe you

0:20:38.160 --> 0:20:40.120
<v Speaker 1>can still get b stock of them. But like as

0:20:40.160 --> 0:20:43.640
<v Speaker 1>far as like making a release of a movie on VHS,

0:20:43.800 --> 0:20:45.760
<v Speaker 1>you know, like I would think I think it would

0:20:45.760 --> 0:20:46.959
<v Speaker 1>have been. I would have thought it would have been.

0:20:47.800 --> 0:20:51.359
<v Speaker 1>I guess two thousand, VHS was probably still a thing, right.

0:20:53.040 --> 0:20:56.960
<v Speaker 1>I have a terrible memory for dates for stuff like this,

0:20:57.359 --> 0:21:00.160
<v Speaker 1>But in two thousand I was living in l A. Eight,

0:21:00.440 --> 0:21:03.439
<v Speaker 1>So when they stopped making VHS is But when did

0:21:03.480 --> 0:21:10.560
<v Speaker 1>DVDs come out? That was in Okay, so we're in there, yea.

0:21:11.480 --> 0:21:13.240
<v Speaker 1>I mean I definitely remember I was on the DVDs

0:21:13.240 --> 0:21:17.920
<v Speaker 1>in l A and that was early. Yeah, that sounds

0:21:17.920 --> 0:21:23.120
<v Speaker 1>about right. Let me see here, Karen uh Guindi says

0:21:23.320 --> 0:21:27.120
<v Speaker 1>the matrix. I probably didn't pronounce that right any Rowl says,

0:21:27.119 --> 0:21:30.760
<v Speaker 1>don't remember which DVD, but first VHS was Purple Rain. Yeah,

0:21:30.960 --> 0:21:34.080
<v Speaker 1>that's a good one. Unless wind it up with our

0:21:34.119 --> 0:21:38.000
<v Speaker 1>old pal Yevan Bodette, Honey, I shrunk the Kids and

0:21:38.240 --> 0:21:51.520
<v Speaker 1>Batman Batman. That's good stuff, all right, nol And we're

0:21:51.520 --> 0:21:54.560
<v Speaker 1>gonna wrap it up with one final crusher thread. This

0:21:54.680 --> 0:21:58.480
<v Speaker 1>from Mike Snelling Jr. Best job in show business that

0:21:58.520 --> 0:22:01.399
<v Speaker 1>can be sort of anything, no, any kind of business

0:22:01.440 --> 0:22:06.199
<v Speaker 1>of show from like Broadway stage manager to movie director.

0:22:06.680 --> 0:22:12.520
<v Speaker 1>Um I would say, uh, sex scene coordinator. Come on,

0:22:12.800 --> 0:22:14.919
<v Speaker 1>I'm joking. I don't know. Manly there, that's it's all.

0:22:14.960 --> 0:22:17.800
<v Speaker 1>It's hard work, all that stuff. I think you have

0:22:17.840 --> 0:22:20.320
<v Speaker 1>to really be passionate about. I mean, I for me personally,

0:22:20.400 --> 0:22:23.080
<v Speaker 1>fully artist would be a lot of fun. Well, there's

0:22:23.080 --> 0:22:24.440
<v Speaker 1>a lot of people on the page that want to

0:22:24.520 --> 0:22:27.720
<v Speaker 1>do that, not the least of which is Gail Kuntz.

0:22:28.080 --> 0:22:30.720
<v Speaker 1>Always want to be a fully artist and Chi even

0:22:30.720 --> 0:22:32.520
<v Speaker 1>says does that count Well, of course it does counts.

0:22:32.560 --> 0:22:35.000
<v Speaker 1>I guess to go to an operation here in Atlanta

0:22:35.880 --> 0:22:38.200
<v Speaker 1>for a guy. It's a studio that is associated with

0:22:38.280 --> 0:22:41.320
<v Speaker 1>Adult Swim and makes a lot of animation stuff. And

0:22:42.040 --> 0:22:44.600
<v Speaker 1>had had one of those little fully pits with sand

0:22:44.680 --> 0:22:46.840
<v Speaker 1>in it that you can you make up. And the

0:22:46.920 --> 0:22:49.320
<v Speaker 1>pit is just like a wooden kind of plate plate

0:22:49.440 --> 0:22:51.679
<v Speaker 1>like sandbox literally, and all it does is it kind

0:22:51.680 --> 0:22:55.000
<v Speaker 1>of contains the sounds. Um, so it feels a little

0:22:55.040 --> 0:22:57.159
<v Speaker 1>more like you know, you're in the room sort of.

0:22:57.920 --> 0:23:00.119
<v Speaker 1>But yeah, you can put different materials down and do

0:23:00.200 --> 0:23:02.840
<v Speaker 1>footsteps or you know, put put in dirt or whatever

0:23:03.000 --> 0:23:04.720
<v Speaker 1>to do like all that stuff. And you know, you

0:23:04.760 --> 0:23:07.840
<v Speaker 1>would think that that stuff wasn't done custom for everything.

0:23:07.880 --> 0:23:09.760
<v Speaker 1>They would just use stock stuff. But usually it is

0:23:09.960 --> 0:23:13.480
<v Speaker 1>somebody looking at the screen doing footsteps. Or there's a

0:23:13.560 --> 0:23:19.640
<v Speaker 1>great video of Hugh Jackman doing his grunting uh overdubs

0:23:19.720 --> 0:23:23.960
<v Speaker 1>for for Wolverine right over him and he's just gonna

0:23:24.160 --> 0:23:26.400
<v Speaker 1>hirl ghirl and like punching the air and like super

0:23:26.480 --> 0:23:30.680
<v Speaker 1>into it. Really cool. That's great, Uh, Samuel g bets,

0:23:30.720 --> 0:23:32.520
<v Speaker 1>this is kind of cool. You'll appreciate this one. Nol

0:23:33.280 --> 0:23:35.040
<v Speaker 1>I used to tour a lot. One of the best

0:23:35.119 --> 0:23:38.639
<v Speaker 1>jobs I've ever had was turning off the house lights

0:23:38.840 --> 0:23:42.080
<v Speaker 1>and an arena right before the concert starts. Talk about

0:23:42.080 --> 0:23:44.359
<v Speaker 1>a feeling of power. You hit that switch and everyone

0:23:44.440 --> 0:23:47.000
<v Speaker 1>goes crazy. That's pretty neat. That's a great moment. Man,

0:23:48.240 --> 0:23:52.399
<v Speaker 1>I missed that ship, so but I know, god, I

0:23:52.480 --> 0:23:54.800
<v Speaker 1>miss live music. House lights. That is a It's a

0:23:54.840 --> 0:23:58.040
<v Speaker 1>beautiful moment, especially when you see like texts on stage

0:23:58.160 --> 0:24:00.560
<v Speaker 1>dicking around for a while and you're getting really you're

0:24:00.560 --> 0:24:03.199
<v Speaker 1>getting really antsy, and then it finally happens and well

0:24:03.280 --> 0:24:05.200
<v Speaker 1>they kind of clear out, it gets a little quiet,

0:24:05.280 --> 0:24:08.160
<v Speaker 1>and you're like, oh, I know what's happening. So great.

0:24:08.240 --> 0:24:10.639
<v Speaker 1>It's tractually a big, big show, like you know, a

0:24:10.720 --> 0:24:14.399
<v Speaker 1>big arena or stadium or something. Lighting is fun to like,

0:24:14.640 --> 0:24:17.320
<v Speaker 1>you know, like someone who designs lighting, and then usually

0:24:17.400 --> 0:24:20.159
<v Speaker 1>it's like the a lot of times the designer is

0:24:20.240 --> 0:24:22.840
<v Speaker 1>the person that actually triggers it too, you know, right,

0:24:22.960 --> 0:24:27.359
<v Speaker 1>yeah's heading up that team. Can you imagine how fucking

0:24:27.560 --> 0:24:30.200
<v Speaker 1>off the chain live shows are going to be when

0:24:30.280 --> 0:24:33.199
<v Speaker 1>people come back to them, like, just the energy, it's

0:24:33.240 --> 0:24:35.479
<v Speaker 1>gonna be cool. It's gonna be amazing. I feel really

0:24:35.560 --> 0:24:38.160
<v Speaker 1>lucky because like right before COVID hit like I got

0:24:38.240 --> 0:24:41.720
<v Speaker 1>to see a handful of really fucking amazing live shows.

0:24:41.760 --> 0:24:43.520
<v Speaker 1>So it's the same here. Not to say that, you know,

0:24:44.000 --> 0:24:46.000
<v Speaker 1>I'm okay if it never comes back. That's not true

0:24:46.000 --> 0:24:47.920
<v Speaker 1>at all. But I do feel like I got tied

0:24:47.960 --> 0:24:51.080
<v Speaker 1>it over for literally a year without live music, because

0:24:51.119 --> 0:24:52.680
<v Speaker 1>that's a big part of my life too, as I

0:24:52.720 --> 0:24:55.840
<v Speaker 1>know it is, of course, all right, Karen slump heughs

0:24:55.840 --> 0:24:58.280
<v Speaker 1>when our rold Friends is joint roller for Woody Harrelson,

0:24:59.480 --> 0:25:03.160
<v Speaker 1>that's great. Martin Kid, says stunt man on the radio.

0:25:03.600 --> 0:25:06.720
<v Speaker 1>We gotta we gotta kid her in the house. Um,

0:25:07.640 --> 0:25:10.480
<v Speaker 1>Travis lang Cow Welcome to the show, Travis says, have

0:25:10.560 --> 0:25:13.320
<v Speaker 1>a great job. I do band meerch get to hang

0:25:13.320 --> 0:25:14.800
<v Speaker 1>out with all my favorite bands, get all kinds of

0:25:14.840 --> 0:25:18.280
<v Speaker 1>cool perks like free clothes, concert tickets, bar tabs. But

0:25:18.359 --> 0:25:20.119
<v Speaker 1>I don't have to do anything like beyond stage or

0:25:20.160 --> 0:25:22.920
<v Speaker 1>deal with the fame. Only real downside is I don't

0:25:23.440 --> 0:25:25.919
<v Speaker 1>get to make the big bucks. I know you met

0:25:26.000 --> 0:25:28.119
<v Speaker 1>movie show biz, but I think my job still counts now,

0:25:28.200 --> 0:25:33.639
<v Speaker 1>that's anything counts. J J. Arbinos is fully artist. Uh.

0:25:33.720 --> 0:25:36.159
<v Speaker 1>Courtney Hoover says it took a wardrobe in class in college.

0:25:36.200 --> 0:25:38.800
<v Speaker 1>Costume designer would be my dream, but I'm just not

0:25:38.960 --> 0:25:42.240
<v Speaker 1>that creative, So the costumer or buyer for the wardrobe

0:25:42.280 --> 0:25:45.359
<v Speaker 1>department would be next best, I think. Plus I get

0:25:45.440 --> 0:25:48.320
<v Speaker 1>to shop a lot. Yeah, shopper, that's cool job. It's

0:25:48.320 --> 0:25:50.000
<v Speaker 1>a thing. Yeah, I mean I used to date a

0:25:50.040 --> 0:25:52.639
<v Speaker 1>girl who was, uh, she's more of a set dresser

0:25:52.760 --> 0:25:55.720
<v Speaker 1>for like fashion photo shoots and you know, product things.

0:25:56.000 --> 0:25:59.399
<v Speaker 1>But she often had to go buy clothes, you know,

0:25:59.600 --> 0:26:01.639
<v Speaker 1>for for like the models and stuff. And they have

0:26:01.760 --> 0:26:04.440
<v Speaker 1>a very sneaky thing they do, or they'll they'll buy

0:26:04.520 --> 0:26:07.120
<v Speaker 1>them and then use them and then return them. Yeah,

0:26:08.359 --> 0:26:10.320
<v Speaker 1>it's a thing. I mean, they're much more set up

0:26:10.320 --> 0:26:12.080
<v Speaker 1>for that in l A obviously and now in Atlanta.

0:26:12.160 --> 0:26:13.840
<v Speaker 1>But when I was coming up in the film in

0:26:14.000 --> 0:26:16.840
<v Speaker 1>in Atlanta, there weren't wardrobe shops here, and that's what

0:26:16.960 --> 0:26:20.080
<v Speaker 1>we did. He would go buy stuff and and return it.

0:26:20.600 --> 0:26:23.520
<v Speaker 1>You obviously couldn't return stuff that had been worn by

0:26:23.560 --> 0:26:26.200
<v Speaker 1>the cast, but you buy so many variations and you

0:26:26.320 --> 0:26:28.520
<v Speaker 1>just return all that ship. But in l A, not

0:26:28.640 --> 0:26:30.760
<v Speaker 1>only do they have the costume shops. There's a little

0:26:30.800 --> 0:26:34.800
<v Speaker 1>insider tidbit, they also have all the department stores have

0:26:34.960 --> 0:26:40.480
<v Speaker 1>studio services. So the Macy's in Los Angeles has a

0:26:40.520 --> 0:26:43.119
<v Speaker 1>studio services wing that is set up just for that,

0:26:43.480 --> 0:26:46.040
<v Speaker 1>like you delivery or something or will they like you

0:26:46.160 --> 0:26:49.400
<v Speaker 1>just go and it's it's it's known that you're buying

0:26:49.400 --> 0:26:51.200
<v Speaker 1>and returning, and it's not like a you know, you

0:26:51.240 --> 0:26:53.159
<v Speaker 1>don't have to kind of like sneak it, like I

0:26:53.240 --> 0:26:57.639
<v Speaker 1>just want to turn these seventeen variations of this one outfit. No,

0:26:57.760 --> 0:27:00.240
<v Speaker 1>you're right, Like if it's not worn and it makes

0:27:00.280 --> 0:27:02.879
<v Speaker 1>perfect sense and if they understand that's the deal, that

0:27:02.960 --> 0:27:08.760
<v Speaker 1>it shouldn't be a problem exactly. Blair Christiansen. Christison says,

0:27:08.840 --> 0:27:11.639
<v Speaker 1>I wish I was an editor with a rolled up

0:27:11.680 --> 0:27:13.639
<v Speaker 1>newspaper so I could sit there and hit directors on

0:27:13.680 --> 0:27:20.639
<v Speaker 1>the nose and say no bad boy. Jason Roberts Jason

0:27:20.680 --> 0:27:23.159
<v Speaker 1>Roberts wants to be a film critic, the ability to

0:27:23.280 --> 0:27:26.240
<v Speaker 1>judge others artistic vision from the comfort of a keyboard

0:27:26.240 --> 0:27:28.840
<v Speaker 1>without expending a bit of creativity on your own to

0:27:28.880 --> 0:27:31.200
<v Speaker 1>be judged intour ridicule. I think he's I think he's

0:27:31.320 --> 0:27:33.560
<v Speaker 1>being a little satirical there. Well, I don't know, you

0:27:33.640 --> 0:27:36.520
<v Speaker 1>never know. I mean, people aspire to be film critics

0:27:36.640 --> 0:27:38.719
<v Speaker 1>nol I suppose so it just seems like a real

0:27:38.880 --> 0:27:43.880
<v Speaker 1>miserable job. Kevin Urban says, one of our oldest friends

0:27:43.880 --> 0:27:47.320
<v Speaker 1>says seat filler at the Oscars. And then our old

0:27:47.359 --> 0:27:49.760
<v Speaker 1>friend Ian Lyne said that he has done that twice,

0:27:50.280 --> 0:27:53.040
<v Speaker 1>definitely a fun and surreal time. And Stephanie Ruth has

0:27:53.080 --> 0:27:56.919
<v Speaker 1>done it once at the Radio Music Awards in Las Vegas.

0:27:57.280 --> 0:27:59.359
<v Speaker 1>Is that something you gotta like sign up for you

0:27:59.480 --> 0:28:01.760
<v Speaker 1>just show up or has you know? I'm sure there's

0:28:01.760 --> 0:28:04.080
<v Speaker 1>different processes, but no, they just picked names out of

0:28:04.080 --> 0:28:06.520
<v Speaker 1>the phone book, They call you off and you are

0:28:06.840 --> 0:28:11.439
<v Speaker 1>required under penalty of flogging. Yeah, it seems like one

0:28:11.440 --> 0:28:14.680
<v Speaker 1>of those things. That's uh, there's probably like a little insider.

0:28:14.720 --> 0:28:16.000
<v Speaker 1>You gotta be in the know on how to get

0:28:16.040 --> 0:28:18.080
<v Speaker 1>on that list, and then once you do it, you

0:28:18.119 --> 0:28:20.159
<v Speaker 1>can probably do it. It's true you gotta have that

0:28:20.240 --> 0:28:24.320
<v Speaker 1>tuxedo or the gown, gotta fit in and not talk

0:28:24.400 --> 0:28:26.560
<v Speaker 1>to the people next to you. I think that's the rule. Oh,

0:28:26.640 --> 0:28:29.760
<v Speaker 1>I'm sure. Yeah, I'm sure you will be promptly asked

0:28:29.840 --> 0:28:33.239
<v Speaker 1>to leave if you make a pest of yourself. Uh.

0:28:33.440 --> 0:28:37.560
<v Speaker 1>Carrie McQuaid says, aside from assisting Mike Sam's styling Chris Evans,

0:28:38.480 --> 0:28:40.280
<v Speaker 1>I want this lady's job. She all she does is

0:28:40.400 --> 0:28:43.200
<v Speaker 1>keep track of Sherlock's curls. And there's a lady just

0:28:43.760 --> 0:28:47.280
<v Speaker 1>this is the hair and makeup person on the Benedict

0:28:47.320 --> 0:28:51.840
<v Speaker 1>Cumberbatch show Sherlock. Yeah, which Sherlock's girls does? He have

0:28:51.960 --> 0:28:54.920
<v Speaker 1>lots of girls in that show. Curls, girls, curls. I

0:28:54.960 --> 0:28:58.400
<v Speaker 1>thought you said keep track of Sherlock's girls, and I'm like,

0:28:58.480 --> 0:29:02.440
<v Speaker 1>that's called a continuity person. There are a script eh.

0:29:02.520 --> 0:29:05.880
<v Speaker 1>One of our old friends, Brittany Story, says him. I

0:29:05.920 --> 0:29:07.240
<v Speaker 1>would like to be the author of a best selling

0:29:07.240 --> 0:29:09.480
<v Speaker 1>autoiography after an epic journey, and then would like to

0:29:09.520 --> 0:29:11.760
<v Speaker 1>sell the rights for a screenplay. With the caveat that

0:29:11.760 --> 0:29:14.160
<v Speaker 1>I get to be the music director, cast whoever you want.

0:29:14.200 --> 0:29:17.240
<v Speaker 1>I picked the music. This sounded a lot less narcissistic

0:29:17.280 --> 0:29:19.720
<v Speaker 1>in my head. That's cute, that's fair, that's not narcissistic.

0:29:19.800 --> 0:29:25.880
<v Speaker 1>That's great, that's the perfect scenario. Stellan Carlson says fluffer.

0:29:27.080 --> 0:29:29.040
<v Speaker 1>I would love to fluff pillows for a living. Wait what,

0:29:29.600 --> 0:29:34.880
<v Speaker 1>oh no something? Yeah, yeah, it's cute. They don't have

0:29:34.960 --> 0:29:37.440
<v Speaker 1>fluffers and proper films, though, I don't believe that's just

0:29:37.560 --> 0:29:42.680
<v Speaker 1>more in the and the dirty pictures. NIS. We had

0:29:42.680 --> 0:29:46.040
<v Speaker 1>a few, uh, a few fun people that said fluffer. Dermott,

0:29:47.320 --> 0:29:50.160
<v Speaker 1>ken Ff or ken Iffy said fluffer. I think it's

0:29:50.200 --> 0:29:54.320
<v Speaker 1>Caneff probably, and someone else up there said fluffer. If

0:29:54.360 --> 0:29:56.000
<v Speaker 1>you don't know what a fluffer is, everyone look it up.

0:29:56.080 --> 0:29:58.160
<v Speaker 1>I'm not gonna I'm not gonna stoop solo on this

0:29:58.240 --> 0:30:00.960
<v Speaker 1>show just to talk about that stuff. No, sir, we're

0:30:01.040 --> 0:30:04.840
<v Speaker 1>classy around the store, nor I alright, No, that is

0:30:04.920 --> 0:30:08.440
<v Speaker 1>it another crush? Are special in the books, respectable length

0:30:08.520 --> 0:30:11.680
<v Speaker 1>to chuck, respectable. No, this is not supersized right at

0:30:11.680 --> 0:30:15.120
<v Speaker 1>thirty minutes, So thank you for joining me today. Good sir,

0:30:16.080 --> 0:30:21.760
<v Speaker 1>and uh, I think this takes care of us through Thanksgiving,

0:30:22.960 --> 0:30:26.680
<v Speaker 1>So happy Thanksgiving coming up, you guys. Keeping it just

0:30:26.880 --> 0:30:30.160
<v Speaker 1>just the immediate fam. You're doing any kind of outdoor

0:30:30.320 --> 0:30:33.000
<v Speaker 1>visitations of any kind with other just us? Man, We're

0:30:33.200 --> 0:30:35.200
<v Speaker 1>we're not even seeing my brother and his family. I think,

0:30:36.280 --> 0:30:39.240
<v Speaker 1>I don't know. It's things are worse than they were

0:30:39.400 --> 0:30:41.960
<v Speaker 1>when this first started. So we are going to treat

0:30:42.000 --> 0:30:43.640
<v Speaker 1>it like we treated it when it first started. I

0:30:43.640 --> 0:30:45.840
<v Speaker 1>think that's smart. We had plans to maybe do a

0:30:45.920 --> 0:30:49.560
<v Speaker 1>little tiny something, but people are starting to rethink that. Yeah,

0:30:49.760 --> 0:30:52.360
<v Speaker 1>I'm I'm locking it down and telling most of my

0:30:52.440 --> 0:30:57.440
<v Speaker 1>friends like, see you next spring. So thanks for listening everyone,

0:30:57.640 --> 0:31:01.200
<v Speaker 1>and we will see you next Monday. Movie Crash is

0:31:01.240 --> 0:31:04.280
<v Speaker 1>produced and written by Charles Bryant and Roel Brown, edited

0:31:04.280 --> 0:31:07.480
<v Speaker 1>and engineered by Seth Nicholas Johnson, and scored by Noel

0:31:07.520 --> 0:31:11.040
<v Speaker 1>Brown here in our home studio at Pontsty Market, Atlanta, Georgia.

0:31:11.240 --> 0:31:14.280
<v Speaker 1>For iHeart Radio. For more podcasts for my heart Radio,

0:31:14.360 --> 0:31:17.200
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you

0:31:17.280 --> 0:31:18.440
<v Speaker 1>listen to your favorite shows.