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Speaker 1: The I Am rapp Report Stereonion podcast Live and you're

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Speaker 1: down with rapp Report. Yes I am, I'm a Rapperport,

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Speaker 1: Yes I am. I'm a Rapperport. Yes I am a Rapperport.

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Speaker 1: Yes I am at a tune in. I am rapp

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Speaker 1: Report dot com because every single podcast, you know, we

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Speaker 1: drops bombs. I've seen him on set a season vet

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Speaker 1: with True Town. Catch him on his way to course

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Speaker 1: fit rocking the new balance here it's men to do

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Speaker 1: the drack because you know I round the leak. But

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Speaker 1: I'm just waiting for the Roberts the nearer line of

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Speaker 1: the week rightference the champions hosted Bagel, Cream, Cheese and lock.

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Speaker 1: This is I Am Rappaport. The show Never Stopped. Might

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Speaker 1: catch the Mountain Public stretching his knees. But if you

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Speaker 1: don't listen to the show, Yo, we're gonna pleading. We're

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Speaker 1: gonna please, sister, Rappingport Podcast. All right, let's see Iron

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Speaker 1: Rapports stereo podcast. UM. My name is Michael Rappaport, a

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Speaker 1: k the Guigo Mandingo, um G Moody, whose last name

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Speaker 1: rhymes with duty Um is stuck at the airport. UH

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Speaker 1: travel plans have been tough. We're we're we're we're flying

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Speaker 1: all over the place this week. UM, we're doing live

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Speaker 1: shows in Austin at south By Southwest NBA on tune in,

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Speaker 1: all at this spot called Easy Tiger on sixth Street Wednesday, Thursday, Friday.

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Speaker 1: I'm gonna be there with Kenyan Martin live NBA on

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Speaker 1: tune in. And then on Thursday me and Karan Butler

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Speaker 1: NBA on tune in two. Man, we've me and Karan

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Speaker 1: Butler come see us. It's free, talk shit, ask questions, UM.

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Speaker 1: And then Friday all a Easy Tiger on six Streets

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Speaker 1: south By Southwest Festival. We're doing a live podcast, me

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Speaker 1: and Ge Moody, last name rhymes with duty. He was

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Speaker 1: coming from New York. He got sucked up with the storm.

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Speaker 1: But we're doing a live show. We got a friend

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Speaker 1: of the podcast coming on me A Khalifa. If you

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Speaker 1: don't know who me is. She she's a ship talker.

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Speaker 1: She likes to talk ship. She's gonna fit in good.

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Speaker 1: She loves her sports. She used to be in the uh,

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Speaker 1: the adult film business, but she's hard body into her

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Speaker 1: her sports controversial, UM, and she's gonna be good. So

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Speaker 1: we're gonna rock with her live five to six pm Central.

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Speaker 1: Come on out. Like I said, it's free. UM. Easy

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Speaker 1: Tiger is a dope spot right on Sixth Street. But

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Speaker 1: this podcast right here, this episode right here, I'm flying solo, UM,

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Speaker 1: and then I'm gonna rock with my man Dean Dean Collins.

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Speaker 1: We call him the Young Shooter friend of the Iron

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Speaker 1: Rap Pors Stereo Podcast. UM, get some tales of the

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Speaker 1: Young Shooter, UM, his spacelight tales, UM, and his his

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Speaker 1: trying to get some tale tales. But this is the

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Speaker 1: Iron Wrap Pors Stereo Podcast. My name is Rachel Rap Report.

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Speaker 1: Listen to this funk and I'll be right back with

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Speaker 1: that good good, all right. The Iron Reports Stereo podcast

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Speaker 1: to Casper dot com. Welcome to play a new podcast

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Speaker 1: network featuring radio and TV personalities talking business, sports, tech, entertainment,

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Speaker 1: and more. Play it at play dot It all right,

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Speaker 1: the question and the debate has started. I gotta give

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Speaker 1: a shout out to him, man, Jay Logic, supporter of

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Speaker 1: the show friend. Um, he's a good follow on Twitter.

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Speaker 1: J Logic. Um, he hit me up and he was like, yo, rap.

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Speaker 1: You know you talk a lot of shit about your man,

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Speaker 1: Derek Jeter being a great coxman, a great stick man.

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Speaker 1: Obviously now he's married. Um, he's off the market. He's

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Speaker 1: got a baby on the way. Um. He had a

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Speaker 1: fantastic run. But he said, listen man. The debate, the

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Speaker 1: question about whether or not he was even the greatest

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Speaker 1: Yankee stickman is up for Gramps was like, what are

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Speaker 1: you talking about telling about Joe Demgic goes, no, I'm

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Speaker 1: talking about fucking Alex Rodriguez, Okay, And uh. I looked

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Speaker 1: at the lineup and the resume of Alex Rodriguez, and

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Speaker 1: I gotta say, uh, he's creeping up on Jeter's greatest

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Speaker 1: stick man in Yankee history. He's now with Jennifer Lopez,

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Speaker 1: which automatically you climb up the ladder of coxman Um.

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Speaker 1: Apparently there are a couple uh J Low and a

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Speaker 1: Rod Um. I don't know if they have a moniker.

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Speaker 1: But when you look at Alex Rodriguez is stats that's

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Speaker 1: working on baseball. If you're looking at his stats as

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Speaker 1: a coxman Um, I think my man j logic is right.

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Speaker 1: I don't know if we're gonna add this to like

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Speaker 1: a full debate, how we're gonna work this out here,

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Speaker 1: but his resume is it speaks for itself. Here we go.

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Speaker 1: I mean he's with Jennifer Lopez now, who looks as

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Speaker 1: good as ever um, and we'll Checkie. I don't know

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Speaker 1: who she is. She's some ceo, big time money chick.

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Speaker 1: I don't know who she is. Demi Moore caught Demi Moore, Uh,

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Speaker 1: Tory Wilson model chick. Uh you know they were they

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Speaker 1: were They were rocking for a little while. Cameron Diaz,

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Speaker 1: which makes me think that a Rod smokes weed. I'm

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Speaker 1: not saying he does it when he's playing, but Cameron

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Speaker 1: Diaz is a very public uh pothead. Um. I like

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Speaker 1: Cameron Diaz, But Cameron Diaz and a Rod were rocking

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Speaker 1: in at two thousand, two thousand eleven, another model chicken

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Speaker 1: Lane spots would Uh Kate Hudson and him they were

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Speaker 1: rocking hard body out in public and all that ship. Uh.

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Speaker 1: Bethany Frankel rumored to be an item in two thousand nine.

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Speaker 1: She's got like a hundred fifty million in the bank.

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Speaker 1: Cool chick, of course. Uh. Real Housewives of New York's Uh,

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Speaker 1: Michael Jordan's the greatest housewife of all time arguably um Madonna.

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Speaker 1: Uh this other model chick named Joscelyn Morris. Another model

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Speaker 1: chick named Melissa Britos, Cynthia Skurtis. I don't know who

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Speaker 1: the funk she is. The list goes on and on

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Speaker 1: and on. Okay, and these are again, these are just

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Speaker 1: the ones that we know about publicly. This list has

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Speaker 1: not been fact checked. But but based on everything I know,

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Speaker 1: this is a This is a debate. This is a

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Speaker 1: very very reasonable, arguable debate whether or not a Rod

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Speaker 1: might be catching up to Jeter. As far as great

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Speaker 1: as coxman that the Yankees have ever seen, Mickey Mantel

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Speaker 1: apparently was great Reggie Jackson in the seventies, fantastic stick

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Speaker 1: man for the Yankees, and of course the great Joe DiMaggio. Um.

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Speaker 1: Did it quietly. This is uh in his prime married

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Speaker 1: Uh Maryland, Uh Monroe. Um, but I don't think anybody

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Speaker 1: beats Jeter unless we're talking about a rod. For discussion,

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Speaker 1: I'd love to hear what people think. Um, the Patriot Way,

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Speaker 1: the fucking Patriots. Oh my goodness, they don't give a

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Speaker 1: shit about you. Then, Jose loyal. Shout out to Chris Brown.

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Speaker 1: The Paytriots ain't loyal. The Patriot Way is found another victim,

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Speaker 1: Malcolm Butler. If you do not follow sports, you know this.

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Speaker 1: I don't know what year it was to three years ago.

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Speaker 1: The Patriots are in the Super Bowl. They were about

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Speaker 1: to lose to the Seattle Seahawks. This is a fact.

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Speaker 1: Seattle Seahawks fucked up. Didn't run it in with Marshawn

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Speaker 1: Lynch the beast mode. They decided to throw a pass.

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Speaker 1: It got intercepted. Malcolm Butler was the rookie cornerback who

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Speaker 1: intercepted the fucking ball. Okay, he's a hero, He's an

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Speaker 1: American hero. He's a New England Patriot hero. But they

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Speaker 1: don't give a ship. The team is at odds over

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Speaker 1: a contract Butler, who deserves to be paid like a

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Speaker 1: top quarterback um is getting shifted on by the Patriots

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Speaker 1: because that's what they do, these hosing loyal They paid

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Speaker 1: this other dude, Stefan Gilmour, who's also a good cornerback,

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Speaker 1: a lot of money. And Malcolm Butler is like, yeah,

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Speaker 1: first of all, I won you, motherfucker's a super Bowl.

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Speaker 1: Second of all, I've been doing my things since then.

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Speaker 1: Fuck you pay me. But the Patriots again, these hojost

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Speaker 1: loyal um, they don't care. Um. So you know what,

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Speaker 1: Malcolm Butllo, I start packing your bags. Now, take your

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Speaker 1: m v P of the super Bowl trophy and and

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Speaker 1: and find greener pastures because Bill Belichia Sorry, Bill Belichick,

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Speaker 1: he doesn't give a shit about you, okay or your

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Speaker 1: m v P trophy. Shame on you, Bill Belichick, Shame

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Speaker 1: on you. You know when I'm doing, uh, the Iron

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Speaker 1: Reports Stereo podcast solo. Um, it's a little different, um.

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Speaker 1: But the only thing that that that that isn't different

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Speaker 1: is the sick Fox of the Week Miles Davis and

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Speaker 1: Jordan Winter, the two podcast uh producers of the Iron

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Speaker 1: Reports Stereo podcast. We call them dust brothers. Um, please

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Speaker 1: please queue up the sick fuck of the week music.

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Speaker 1: This award is earned, not given. It's called the sick

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Speaker 1: fucking a Week. This guy is really sick. Lock him up?

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Speaker 1: How could you do it? Don't let him out? Damn?

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Speaker 1: Who fucked the door? You want you fuck the door?

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Speaker 1: Why would you fuck the dog? Why would you fuck

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Speaker 1: your girlfriend's dog? Sick fuck the sick funck of the week.

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Speaker 1: It's earned and not giving. You did what no, no, no, yes,

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Speaker 1: sick Funck of the week, the sick funk of the Week.

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Speaker 1: If you never listened to the I Am Wrapping for

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Speaker 1: its stereo podcast, you will know that the sick Funk

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Speaker 1: of the Week is an award that has earned, not given.

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Speaker 1: Once again, this is an award that has earned, not given. Um.

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Speaker 1: For the last couple of weeks, we've been talking about Gustafito,

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Speaker 1: this beautiful hippoponamus, peaceful hippoponamus. Hippopontamus is a peaceful animal.

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Speaker 1: Okay Um. There was in in a San Salvador zoo

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Speaker 1: was murdered. The case is still under investigation. At first

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Speaker 1: they said he was stabbed. Why would you say a

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Speaker 1: hippopontamus was stabbed? And then a few days later say

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Speaker 1: it wasn't stabbed. Something bad happened to Gusta Fido, shout

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Speaker 1: out to gustafito Um, the king of all hippopotamus is.

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Speaker 1: We're gonna get to the bottom of this. But this

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Speaker 1: is some kind of sick thing that's going on. Rhinoceros

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Speaker 1: in in the Paris zoo, Okay, people are breaking in

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Speaker 1: the fucking zoos uh and killing animals. A four year

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Speaker 1: old rhinoceros well shot and killed in the zoo and

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Speaker 1: they cut the fucking horns off. Okay, the poachers. This

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Speaker 1: is no good. This is not okay. Okay. And then

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Speaker 1: on top of that, this is happening. This is becoming

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Speaker 1: like some sort of regular thing. You know. You think

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Speaker 1: animals in the zoo are safe. But in a German zoo, okay,

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Speaker 1: a bear escaped its cage and were shot dead. Now

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Speaker 1: you might say, well, of course we got to shoot

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Speaker 1: the bear dead if it escaped the cage. Well why

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Speaker 1: don't you shoot the cage maker, the dumb funk who

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Speaker 1: can't make the cage? Uh. That's safe enough and secure

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Speaker 1: enough to keep this, this this beautiful bear safe. You

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Speaker 1: know what I mean? The bear should not be able

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Speaker 1: to climb over the fence. You know, it's not an

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Speaker 1: elementary school. It's a fucking it's a bear in it

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Speaker 1: in a zoo. Find the guy who built the cage,

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Speaker 1: and and why don't we taize him a few times?

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Speaker 1: Cheer fucking fall. Okay, obviously, you know a bear running

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Speaker 1: around a zoo is dangerous. It happened in uh Austin, Bru.

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Speaker 1: I don't like doing the German accent brings back old memories. Um,

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Speaker 1: but I want to give the sick funk of the

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Speaker 1: Week award to the cage builder in Germany who built

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Speaker 1: the cage. Okay, that's the sick fuck. Do your job, okay,

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Speaker 1: just do your job. Okay, do your job right, do

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Speaker 1: it correctly, do with some pride, build your cage with

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Speaker 1: some pride. Okay, don't just you know it's you know,

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Speaker 1: do a little uh little chicken wire for a bear

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Speaker 1: in a zoo. The other sick funk of the week

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Speaker 1: I want to give the award to apparently I've never

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Speaker 1: been to the Bahamas, Okay, but apparently these are some

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Speaker 1: world famous pigs in Bahamas. There's pigs that swim there

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Speaker 1: down there in the island of big, big, major k Uh. People.

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Speaker 1: People go down to the Bahamas. They chill. And there's

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Speaker 1: world famous pigs that swim in the ocean, and some

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Speaker 1: sick fox are down there giving them beer, rum vodka

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Speaker 1: and riding them. And now what happens the world famous pigs,

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Speaker 1: the swimming pigs of the Mohammed's, they're dying. Why don't

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Speaker 1: you leave the pigs alone, you pig? You okay, let

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Speaker 1: them swim, let them do their thing. You don't feed

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Speaker 1: swimming pigs vodka. Okay, you dumb fuck. I'm not Mr Animal,

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Speaker 1: I'm not Mr Animal Planet. You know I'm I'm not

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Speaker 1: a vegetarian. I eat my chicken. I had a presciutto

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Speaker 1: and mozzarella sandwich today. I believe prushudo is is from

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Speaker 1: pig um. I don't know why they're so called bacon

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Speaker 1: tastes like bacon. It's fantastic. I support the vegetarians, I

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Speaker 1: support the animals, but I'm also gonna eat them. Okay,

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Speaker 1: that's what they're here for, because they got they got

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Speaker 1: animals running wild. And Fukushima, Japan, where they had the

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Speaker 1: terrible radioactive uh disaster a few years ago, well, people

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Speaker 1: are moving back into Fukushima. I'm sure I'm saying that wrong.

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Speaker 1: No disrespect to the people of Fukushima. But they got

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Speaker 1: wild boars who are corroded with nuclear waste. Okay, so

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Speaker 1: what are they doing to the wild wild boars that

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Speaker 1: have survived the nuclear disaster? To killing these poor wild boars. Now,

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Speaker 1: I don't want nothing to do with these things. These

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Speaker 1: wild boars over there in Japan are frightening looking, they

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Speaker 1: look crazy. They're killing them, Okay, they have no choice

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Speaker 1: because the people are just trying to get their lives together.

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Speaker 1: Back over there in Japan where where this disaster happened,

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Speaker 1: um and and it's out of control. There's there's animals

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Speaker 1: all over the planet, um dying, being poached, being killed

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Speaker 1: in zoos okay, running out of their cages. And now

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Speaker 1: there's nuclear infected boars in Japan. Shout out to the

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Speaker 1: nuclear infected boars in Japan. R I P. But they

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Speaker 1: gotta get rid of you because these are ugly animals

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Speaker 1: and unfortunately they they they've been just you know, everybody left.

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Speaker 1: Nobody cares about the boars. And wild boars that aren't

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Speaker 1: infected with radioactive waste are scary looking. But if you

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Speaker 1: take a look at some of these pictures of these

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Speaker 1: ones that are infected it's no good, it's no moss.

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Speaker 1: And and finally, the the the sick funk of the week. Um,

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Speaker 1: I wanted to talk about Florida. Shout out to the

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Speaker 1: great state of Florida. UM, your votes don't count for anything,

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Speaker 1: but you do you do come consistently with the sick

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Speaker 1: fox of the week. Um. The the the guy we

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Speaker 1: talked about him before is a college student. Uh, he

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Speaker 1: was caught. He killed a guy and then he uh

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Speaker 1: was chewing, biting, eating the man's face. Uh, and he

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Speaker 1: said that he fled the demon like figures that were

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Speaker 1: chasing him. Before the killing. You had locked this fucking

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Speaker 1: guy up. I guarantee you he was listening to E. D.

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Speaker 1: M And chopping up and snorting that good bath salt.

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Speaker 1: But when you start biting people's face and killing people, Uh,

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Speaker 1: there's there's no room for you. There's no coming back,

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Speaker 1: my friend. Uh, there's no rehabilitation for that kind of behavior.

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Speaker 1: So you're the sick funk of the week as well.

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Speaker 1: It's like three or four of them. Leave the animals alone,

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Speaker 1: keep them safe, and keep them ripe. So keeping up

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Speaker 1: with the Kardashians started and Real Housewives of Atlanta is

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Speaker 1: just a fantastic, fantastic television show. You can call it reality,

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Speaker 1: you could call it whatever you want. I call it

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Speaker 1: a fantastic television show. So deep in the thick, I

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Speaker 1: wish g Moody liked Housewives. I wish there was somebody

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Speaker 1: else that I could talk to about the Housewives on

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Speaker 1: this Iron Reports stereo podcast, because I'm about that housewife life. Okay,

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Speaker 1: I've said it once, I've said it before. A great

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Speaker 1: episode of the Real Housewives is as good as Madmen,

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Speaker 1: Breaking Bad, the Sopranos, Six Ft Under, How to Get

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Speaker 1: Away with Murder, whatever the funk you're into. Okay, I

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Speaker 1: love that show. On the other hand, keeping Up with

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Speaker 1: the Kardashians. I watched this, Okay, I watched the show

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Speaker 1: with my wife. I feel violated every time I watch it.

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Speaker 1: I feel like a little, a little piece of me

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Speaker 1: is taken away. You might say, well, why do you

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Speaker 1: watch it? Because that's just the kind of person I am.

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Speaker 1: It's the same reason why I argue with funck noses

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Speaker 1: on the Internet. That's just I can't walk away from

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Speaker 1: something sometimes. Okay, yes, I'll admit it publicly. Okay, there's

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Speaker 1: a part of me that is fascinated by the Kardashians.

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Speaker 1: I'm not alone in this, you know, but I get

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Speaker 1: so so many different feelings and emotions and thoughts when

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00:19:29,440 --> 00:19:31,280
Speaker 1: I'm watching watching the show, and that might mean it's

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Speaker 1: great television as well. Okay, I'm not putting up there

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Speaker 1: anywhere near with the housewives. Um, but I watched the

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Speaker 1: fucking Kardashians. The big drama this week is whether or

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Speaker 1: not the Kardashian Girls are gonna keep open, uh their

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Speaker 1: shop Dash, which I guess there's a shop in Miami.

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Speaker 1: I know there's a shop in Los Angeles. I drive

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Speaker 1: by it all the time. Not on purpose. Okay, I'm

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Speaker 1: not a fucking weirdo. Me and Moody have been out there.

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Speaker 1: We tried the podcast outside of Dash, the Dash Show.

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Speaker 1: The Dash store in Melrose, and there's one in New York.

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Speaker 1: The girls, that's how they refer to him. The girls,

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Speaker 1: the Kardashian girls. Uh, they've put their their blood, sweat

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Speaker 1: and tears into the shop. Um, and what do you

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Speaker 1: want from me? I don't know. They may or may

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Speaker 1: not close down the shop. Um. The big season, uh,

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Speaker 1: the big season. Uh. Thing that's gonna bring the ratings

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Speaker 1: in is Kim Kardashian is on camera crying and revealing

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Speaker 1: everything that happened with the Paris uh robbery, which to

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Speaker 1: me is this is why this show is so fucking

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Speaker 1: bugged out, because if something that's scary happened to me,

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Speaker 1: the last thing I would do is put it on

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Speaker 1: a reality show. It's just bugged out. Kanye West Kanye

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Speaker 1: Kardashian has the new opening theme song for the Keeping

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Speaker 1: Up with the Kardashians. And I don't know. I I

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Speaker 1: like the show. I've also turned it around again. I'm

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Speaker 1: gonna say it on the Show Girls, I think Lena

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Speaker 1: Dunham is much as she drives me crazy. Um, I

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Speaker 1: think she's a fucking talented writer, really really talented writer,

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Speaker 1: and and she's you know, really good on the show,

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Speaker 1: and that shows good. It's a good fucking show. Um.

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Speaker 1: What else is going on? I don't know. I'm concerned

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Speaker 1: about flying so kind I don't I don't want to

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00:21:19,720 --> 00:21:22,719
Speaker 1: get stranded. I don't want to get uh deep planed.

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00:21:23,440 --> 00:21:26,359
Speaker 1: I don't want any problems with the snowstorms. I just

340
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Speaker 1: I don't want anything to do with it. Um. I

341
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Speaker 1: also don't want to do anything to do with movie

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Speaker 1: theaters that have jungle gyms in them. Apparently there's jungle

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Speaker 1: gyms in movie theaters. Now, listen, let me tell you something.

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Speaker 1: Let tell you something. Take your kids to the fucking movies,

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00:21:44,520 --> 00:21:47,639
Speaker 1: all right. They need to either be tranquilized, stuff some

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00:21:47,680 --> 00:21:50,720
Speaker 1: eminem's down their throat, or they should be able to

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00:21:50,760 --> 00:21:52,399
Speaker 1: sit still and watch a movie there. Because if I

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Speaker 1: go to see a movie and there's a bunch of

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Speaker 1: little fucking pricks running around, jumping around on a jungle gym, Okay,

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Speaker 1: well I'm trying to watch a film, I'm gonna have

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Speaker 1: a problem with that. Okay, apparently this has because a thing. Now.

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Speaker 1: I'm sure it's probably for for for Chillion's children's films,

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Speaker 1: but uh, some of my greatest moments as a child

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Speaker 1: were in the movie theater. It's not a fucking zoo.

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Speaker 1: It's not a park. Parents, do not go for the

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Speaker 1: oky dope. If your kids can't sit still while you

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00:22:22,680 --> 00:22:25,520
Speaker 1: take them to the movies, drop them the funk off

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Speaker 1: at the park and see how they like it, and

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00:22:27,359 --> 00:22:29,600
Speaker 1: you go home, Hey, and you go to the theater

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Speaker 1: and you watch the movie on your own. Okay. My

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Speaker 1: mother and my father, my sister, my babysitters. They took

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Speaker 1: me to the movies. When I was a kid, there

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Speaker 1: was no running around, no while I don't want to

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Speaker 1: be here. Some of my greatest experience as a kid,

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Speaker 1: my memories were were in movie theaters, whether it was

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Speaker 1: to go see Rocky Saturday Night, Fever, Slap Shot, Fast Break,

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Speaker 1: The Shining Carrie, Rosemary's Baby. Did I see Rosemaries Baby

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Speaker 1: in the theater? Maybe I did? I don't know, um,

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Speaker 1: but you know I talked about this all the time.

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Speaker 1: You know we're going to see the movie. I love

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Speaker 1: doing that. The Fish Should Save Pittsburgh. Rocky too. Woody

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Speaker 1: Allen movies? Uh, my, my sister used to take me

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Speaker 1: to all kind of Woody Allen movies. Was like I

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Speaker 1: was bored out of my fucking mind. Listen, Okay, you

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Speaker 1: don't take a six year old, of five year old

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Speaker 1: and seven year old and nine year old eleven year

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Speaker 1: old to see Woody Allen movies. It was way over

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Speaker 1: my head. But I didn't I didn't mouth off. She

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Speaker 1: stuffed some popcorn and and some twizzlers down my throat,

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Speaker 1: gave me a soda, and I was having the time

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Speaker 1: of my life. Okay, I go to the movie theater

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Speaker 1: and there's a bunch of kids jumping around in a

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Speaker 1: fucking jungle gym. I'm gonna suo somebody, it's not appropriate.

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Speaker 1: It's not okay. They detained Muhammad Ali Junior, Muhammad Ali's

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Speaker 1: son again at the airport. Oh man, I'm not gonna

386
00:23:51,440 --> 00:23:53,000
Speaker 1: get into the political in this, but just know the

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Speaker 1: Muhammad Ali Jr. Muhammad Ali Jr. You know, if my man,

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00:23:58,880 --> 00:24:01,920
Speaker 1: you you know who it is. It's Mohammad Ali Jr.

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Speaker 1: He was just detained at the airport. If you're a

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Speaker 1: t s A dude and you got the fucking balls

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00:24:06,960 --> 00:24:11,600
Speaker 1: big enough to detain Mohammed Ali Jr. God bless you, man,

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00:24:11,600 --> 00:24:14,000
Speaker 1: and that's that should be a sick, funcking week. We

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Speaker 1: gotta find out, Miles Jordan, find out who who the

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Speaker 1: t s A guy was who detained Mohammad Ali Jr.

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Speaker 1: Not once, but for the second time. Some other asshole

396
00:24:24,560 --> 00:24:34,199
Speaker 1: was trying to smuggle ten pounds of the Coco that

397
00:24:34,280 --> 00:24:37,360
Speaker 1: I'm in love with, the Coco from the Dominican Republic.

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00:24:37,400 --> 00:24:42,119
Speaker 1: This asshole had ten pounds of cocaine taped to his body.

399
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Speaker 1: He looked like he had like, you know, the thighs

400
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Speaker 1: of life. He looked like he was Arnold Schwarzenegger in

401
00:24:47,320 --> 00:24:50,160
Speaker 1: his prime. They caught this asshole. He's never gonna see

402
00:24:50,160 --> 00:24:54,760
Speaker 1: the light of day. Ten pounds of cocaine. Look like

403
00:24:55,040 --> 00:24:57,280
Speaker 1: he had like, you know, like a thigh pads on.

404
00:24:57,320 --> 00:25:00,679
Speaker 1: He was playing for the Pittsburgh Steelers in nineteen seventy nine. Ridiculous.

405
00:25:00,880 --> 00:25:02,639
Speaker 1: I don't know what he was thinking, all right. Just

406
00:25:02,680 --> 00:25:07,000
Speaker 1: see Iron Rapports Stereo podcast. Here a little funk uh

407
00:25:07,080 --> 00:25:08,920
Speaker 1: and gonna come back, my man, Dean Collins a k.

408
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Speaker 1: The Young Shooter, You're all soft dest. Iron Rapports Stereo

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00:25:13,720 --> 00:25:16,520
Speaker 1: Podcast T shirts are available at district lines dot com,

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00:25:16,600 --> 00:25:19,680
Speaker 1: Forward Slash, Iron wrapp Report. We got the five Star

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00:25:19,800 --> 00:25:23,680
Speaker 1: Stereo podcast t the Iron Wrap Reports Stereo Podcast, zip

412
00:25:23,760 --> 00:25:26,920
Speaker 1: up and pull over hoodies, the full Iverson T shirt,

413
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Speaker 1: the Stickman T shirt collection, the I Don't fact Check

414
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Speaker 1: the Hard Body Karate T shirt for men and women.

415
00:25:33,240 --> 00:25:37,199
Speaker 1: Go to district Lines dot com. Forward Slash. I am Rappaport.

416
00:25:38,280 --> 00:25:41,760
Speaker 1: If you're into YouTube, subscribe to our page for exclusive

417
00:25:41,800 --> 00:25:45,080
Speaker 1: content that we're gonna be rolling out. Go to www

418
00:25:45,200 --> 00:25:48,159
Speaker 1: dot YouTube dot com. Forward Slash Rappaport. We got our

419
00:25:48,200 --> 00:25:51,600
Speaker 1: own page on YouTube people. All right, if you're into YouTube,

420
00:25:51,640 --> 00:25:55,720
Speaker 1: subscribe to our page again www dot YouTube dot com.

421
00:25:55,800 --> 00:26:04,160
Speaker 1: Forward slash. I am Rappaport. Welcome to play a new

422
00:26:04,240 --> 00:26:09,840
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

423
00:26:09,840 --> 00:26:19,520
Speaker 1: and more. Play it at play dot it. Okay, I'm here.

424
00:26:19,640 --> 00:26:23,119
Speaker 1: This is the Iron Wrap Ports Stereo Podcast. Um, we

425
00:26:23,240 --> 00:26:26,879
Speaker 1: got the Young Shooter Dean Collins. Um. You may or

426
00:26:26,920 --> 00:26:28,920
Speaker 1: may not have ever heard him, because the legions and

427
00:26:29,040 --> 00:26:32,280
Speaker 1: legions of Iron Wrap Ports Stereo podcast fans keep building. Um,

428
00:26:32,320 --> 00:26:36,560
Speaker 1: Dean collins is a part of the show. Um, part

429
00:26:36,560 --> 00:26:38,719
Speaker 1: of my life, can't can't get rid of It's He's

430
00:26:38,720 --> 00:26:40,879
Speaker 1: like a part of my life, like a callous on

431
00:26:41,000 --> 00:26:43,560
Speaker 1: your foot? Am I supposed to talk? Like? I'm just

432
00:26:43,600 --> 00:26:48,159
Speaker 1: listening to you? Dean collins Is is a friend of mine. Um.

433
00:26:48,200 --> 00:26:51,639
Speaker 1: We call him the Young Shooter. Um. He actually played

434
00:26:51,680 --> 00:26:57,040
Speaker 1: my son UM on defunct the now defunct War at Home.

435
00:26:58,119 --> 00:27:00,639
Speaker 1: They fucked up on that. We could have been in

436
00:27:00,760 --> 00:27:02,920
Speaker 1: year twelve right now we would have been buying houses

437
00:27:02,920 --> 00:27:05,480
Speaker 1: in Bermuda. We we might not have been happy doing

438
00:27:05,520 --> 00:27:09,640
Speaker 1: twelve seasons on that show, but I would have rather

439
00:27:09,720 --> 00:27:12,680
Speaker 1: been getting paid out the ass than still having a

440
00:27:12,760 --> 00:27:15,960
Speaker 1: fucking you know, you know, shuck and jive with you

441
00:27:16,320 --> 00:27:18,040
Speaker 1: as much as I have to shuck and drive with you,

442
00:27:18,080 --> 00:27:21,080
Speaker 1: because the reality of it is, listen, we we we

443
00:27:21,160 --> 00:27:23,000
Speaker 1: love the young shooter, but there's a there's a price

444
00:27:23,040 --> 00:27:25,560
Speaker 1: to pay. There's like it's like a little roller coaster ride.

445
00:27:25,760 --> 00:27:27,320
Speaker 1: I don't know what I'm supposed to say during this part,

446
00:27:27,400 --> 00:27:29,560
Speaker 1: but you could have gotten paid if we were still

447
00:27:29,560 --> 00:27:31,080
Speaker 1: on the air. You could have gotten paid to be

448
00:27:31,440 --> 00:27:34,640
Speaker 1: at least be hanging out with me now exactly. It's

449
00:27:34,720 --> 00:27:36,639
Speaker 1: kind of like, what are you doing? I'm forty seven?

450
00:27:36,640 --> 00:27:39,360
Speaker 1: How old I'm gonna be forty seven on March twenty six?

451
00:27:39,480 --> 00:27:43,159
Speaker 1: Right now, my birthday is coming up. Is you know

452
00:27:43,160 --> 00:27:46,280
Speaker 1: what's cool is that Dean you told me you got

453
00:27:46,359 --> 00:27:48,760
Speaker 1: me a house swarming gift, which I didn't get had

454
00:27:48,800 --> 00:27:52,080
Speaker 1: my birthdays coming up, and I'm sure like that gift

455
00:27:52,119 --> 00:27:55,800
Speaker 1: will be something totally different. Double whammy. Well, it's kind

456
00:27:55,800 --> 00:27:58,280
Speaker 1: of no, no, no, I want a house sworming gift,

457
00:27:58,560 --> 00:28:00,640
Speaker 1: and I wanted in separate rapping paper. And then when

458
00:28:00,640 --> 00:28:03,920
Speaker 1: my birthday comes up on March, I want a separate

459
00:28:03,960 --> 00:28:06,199
Speaker 1: fucking gift in separate wrapping paper. Like, don't try to

460
00:28:06,240 --> 00:28:09,200
Speaker 1: too for one me. Okay, but what did you get

461
00:28:09,200 --> 00:28:10,960
Speaker 1: me from my birthday last year? Because I'm just curious

462
00:28:11,080 --> 00:28:12,520
Speaker 1: if I think I got you. I think I fucking

463
00:28:12,520 --> 00:28:14,560
Speaker 1: took you to New York for the Tribeca Film Festival.

464
00:28:14,800 --> 00:28:16,560
Speaker 1: So what the funk I got you? Know? I paid

465
00:28:16,600 --> 00:28:19,119
Speaker 1: for that ticket. I think I got you something that

466
00:28:19,200 --> 00:28:21,080
Speaker 1: had to do with that fucking trip, like two weeks

467
00:28:21,440 --> 00:28:25,159
Speaker 1: pizza fun that. Anyway, this is the Iron Reports stereo podcasts.

468
00:28:25,200 --> 00:28:28,200
Speaker 1: I'm here with Dean Collins, um, who's moved into quite

469
00:28:28,200 --> 00:28:30,639
Speaker 1: a squinky place. We are not not gonna lie. We

470
00:28:30,680 --> 00:28:34,280
Speaker 1: are not in the gloom Tomb. Well no, we're not

471
00:28:34,320 --> 00:28:38,880
Speaker 1: in the road. We're in Dean Collins's swanky new apartment. UMU.

472
00:28:39,160 --> 00:28:42,080
Speaker 1: And this is my second time being here, and um,

473
00:28:43,160 --> 00:28:46,800
Speaker 1: you have some sort of obsession with fabreeze. I don't. Um.

474
00:28:46,840 --> 00:28:50,600
Speaker 1: My roommate Daniel, also my best friend Daniel, uh he

475
00:28:50,600 --> 00:28:53,840
Speaker 1: he loves his fabrize, sense I guess, but it's it's

476
00:28:53,920 --> 00:28:56,040
Speaker 1: it's like a fucking It's like we'll have a cat.

477
00:28:56,320 --> 00:28:58,720
Speaker 1: So there's one fabreeze that goes in his litter box

478
00:28:58,760 --> 00:29:00,400
Speaker 1: area so that you don't have to smell that ship.

479
00:29:00,880 --> 00:29:02,959
Speaker 1: Then there's just a plug in just when you walk in.

480
00:29:03,000 --> 00:29:06,360
Speaker 1: That's nice, you know, welcoming to the house. Nobody uses

481
00:29:06,400 --> 00:29:08,600
Speaker 1: plug in for breezes anymore. What do you use? There's

482
00:29:09,400 --> 00:29:13,240
Speaker 1: different things. There's potpourri, there's candles. Plug in for breezes

483
00:29:13,280 --> 00:29:15,280
Speaker 1: are like bad for the planet. Like don't you listen

484
00:29:15,280 --> 00:29:19,080
Speaker 1: to Leonardo DiCaprio talk. I mean yeah, I mean he's

485
00:29:19,080 --> 00:29:21,080
Speaker 1: not like my number one go to guy for the planet.

486
00:29:21,080 --> 00:29:23,080
Speaker 1: But in my birthday is coming up, and if you

487
00:29:23,120 --> 00:29:25,600
Speaker 1: have some candles that you'd like to kind of get

488
00:29:25,600 --> 00:29:28,600
Speaker 1: me and replace the for breeze, I'm up for that too. Okay.

489
00:29:28,680 --> 00:29:30,760
Speaker 1: We we talked about this early on. I don't think

490
00:29:30,800 --> 00:29:33,880
Speaker 1: when people were listening to the Iron Wrappers stereo podcast.

491
00:29:34,400 --> 00:29:36,640
Speaker 1: But one of the things that I've done with Dean

492
00:29:36,760 --> 00:29:39,640
Speaker 1: over there throughout the years, and one of the classic

493
00:29:39,680 --> 00:29:43,760
Speaker 1: episodes with Logan Lerman, big big, big, big time young actor,

494
00:29:44,320 --> 00:29:47,080
Speaker 1: um we had him on the show was Dean and

495
00:29:47,120 --> 00:29:49,120
Speaker 1: Logan Lerman. Logan has been in what are what are

496
00:29:49,120 --> 00:29:50,960
Speaker 1: some of the movies he's been in. Logan has been

497
00:29:51,040 --> 00:29:53,280
Speaker 1: in his I guess his claim to fame would be

498
00:29:53,280 --> 00:29:55,520
Speaker 1: the Percy Jackson films. He was also in Perks of

499
00:29:55,520 --> 00:29:58,479
Speaker 1: Being a Wallflower with Emma Watson. He was in Fury

500
00:29:58,720 --> 00:30:02,000
Speaker 1: the Two Young Shoe UM I had. I had Logan

501
00:30:02,040 --> 00:30:04,360
Speaker 1: and Dean on. It was the first ever three rate podcast.

502
00:30:04,400 --> 00:30:07,360
Speaker 1: I was. I was proud about that, um and we

503
00:30:07,400 --> 00:30:10,719
Speaker 1: talked about Mountain Top moments because Logan, you know, and

504
00:30:10,800 --> 00:30:12,680
Speaker 1: Dean they do some cool ship. But me and Dean

505
00:30:12,720 --> 00:30:14,240
Speaker 1: have done some cool shit. And since we brought up

506
00:30:14,240 --> 00:30:18,320
Speaker 1: to Caprio, why don't you retell the story about when

507
00:30:18,560 --> 00:30:21,040
Speaker 1: I introduced you to the Leonardo the Capri and what

508
00:30:21,120 --> 00:30:23,840
Speaker 1: that men team? Yeah? Why not? You told it once

509
00:30:23,880 --> 00:30:25,880
Speaker 1: on the podcast? Tell it again. I'm going to tell

510
00:30:25,920 --> 00:30:27,600
Speaker 1: it again. Well, because we have a million and a

511
00:30:27,680 --> 00:30:31,479
Speaker 1: half listeners, like like we're we're popping off here, so

512
00:30:31,640 --> 00:30:34,600
Speaker 1: not everybody heard the first time. Give the short version

513
00:30:35,520 --> 00:30:37,880
Speaker 1: when I I introduced you, when I took you to

514
00:30:37,920 --> 00:30:42,760
Speaker 1: meet Leo d pool side, okay at the Hollywood Picture

515
00:30:42,960 --> 00:30:46,680
Speaker 1: So it's two thousand nine, okay, um And I get

516
00:30:46,680 --> 00:30:48,760
Speaker 1: a call from Michael and he says, hey, come meet

517
00:30:48,760 --> 00:30:51,200
Speaker 1: me at the Roosevelt Hotel. It's Sunday afternoon, and paint

518
00:30:51,320 --> 00:30:54,000
Speaker 1: not everybody is not everybody's a hipster like you, Dean

519
00:30:54,320 --> 00:30:57,800
Speaker 1: and knows what. The Roosevelt Hotel is, the world famous Roosevelt,

520
00:30:57,880 --> 00:31:01,000
Speaker 1: Hollywood Roosevelt Hotel. There's been many people, celebrities that have

521
00:31:01,040 --> 00:31:04,000
Speaker 1: died there. Um, what the funk who died there? I

522
00:31:04,000 --> 00:31:06,960
Speaker 1: think John Belushi? Maybe, No, that's the Chateau Warmont. Okay,

523
00:31:06,960 --> 00:31:09,200
Speaker 1: well someone are you putting that on him? I'm not.

524
00:31:09,240 --> 00:31:14,560
Speaker 1: I'm just saying someone who what? Celebrities? The bunch of

525
00:31:14,600 --> 00:31:17,560
Speaker 1: people anyway, whatever you want to be. It doesn't matter

526
00:31:17,560 --> 00:31:20,560
Speaker 1: about who died there. It doesn't matter people have overdosed whatever.

527
00:31:20,920 --> 00:31:24,160
Speaker 1: And so anyway, it's the Hollywood Roosevelt Hotels, and it's

528
00:31:24,160 --> 00:31:26,440
Speaker 1: in the center of Hollywood. A lot of big, famous

529
00:31:26,440 --> 00:31:29,400
Speaker 1: people stay there. Anyway, it's Sunday, it's two thousand nine.

530
00:31:29,440 --> 00:31:31,400
Speaker 1: Michael calls me and says, hey, you gotta meet me

531
00:31:31,440 --> 00:31:34,200
Speaker 1: at the rose Hotel pool side. I got you know,

532
00:31:34,480 --> 00:31:37,040
Speaker 1: some big Actually you didn't. You didn't tell me. Leo

533
00:31:37,160 --> 00:31:39,120
Speaker 1: was there. I said come, don't you just said come?

534
00:31:39,360 --> 00:31:43,480
Speaker 1: Because this is when you were a little younger, Yes,

535
00:31:43,600 --> 00:31:47,440
Speaker 1: nineteen Um, I cut the whole line of people at

536
00:31:47,480 --> 00:31:49,520
Speaker 1: the Roosevelt with you. You took me. We went straight

537
00:31:49,520 --> 00:31:51,640
Speaker 1: in we're at the bar. I don't think I'm not

538
00:31:51,760 --> 00:31:55,000
Speaker 1: drinking at this point or underage, and so we're there

539
00:31:55,000 --> 00:31:57,320
Speaker 1: and then I see this guy and that guy happens

540
00:31:57,320 --> 00:32:00,600
Speaker 1: to be Leonardo DiCaprio, and I turned almost like, holy ship, dude,

541
00:32:00,600 --> 00:32:02,760
Speaker 1: that's Leo right there, and I know that you're friends

542
00:32:02,760 --> 00:32:05,040
Speaker 1: with him, so I was like, fucking go say hi,

543
00:32:05,120 --> 00:32:06,640
Speaker 1: go say hi, just do you know? And You're like,

544
00:32:06,640 --> 00:32:07,680
Speaker 1: where is he? Where is he? And I was like,

545
00:32:07,680 --> 00:32:11,720
Speaker 1: he's there with a hat on. So finally we see

546
00:32:11,800 --> 00:32:14,560
Speaker 1: him and he's texting on his his BlackBerry if any

547
00:32:14,560 --> 00:32:16,200
Speaker 1: of you guys know what the funk that is these days,

548
00:32:16,240 --> 00:32:18,240
Speaker 1: but he had a BlackBerry at the time. He's sitting

549
00:32:18,240 --> 00:32:20,280
Speaker 1: down with his his buddy and it's just them too,

550
00:32:20,320 --> 00:32:23,200
Speaker 1: and they're just sitting just texting on their phones. And

551
00:32:23,240 --> 00:32:27,000
Speaker 1: there's a guy who's like past the funk out, drunk,

552
00:32:27,320 --> 00:32:30,520
Speaker 1: and his legs are up blocking the way to get

553
00:32:30,560 --> 00:32:32,840
Speaker 1: to Leo. Okay, so we're we're on our way to

554
00:32:32,880 --> 00:32:34,640
Speaker 1: go say hello to him, and we're a couple of

555
00:32:34,680 --> 00:32:36,840
Speaker 1: feet away and there's this guy with his fucking feet

556
00:32:36,880 --> 00:32:39,320
Speaker 1: up past the funk out and Michael goes, excuse me,

557
00:32:39,520 --> 00:32:42,800
Speaker 1: you know, I'm I'm trying to trying to go that way,

558
00:32:42,840 --> 00:32:44,520
Speaker 1: and the guy has passed out. And then he looks

559
00:32:44,600 --> 00:32:47,000
Speaker 1: up at Michael and his a little drunken stupor, and

560
00:32:47,000 --> 00:32:50,160
Speaker 1: he looks up at him he goes, oh, dude, really

561
00:32:50,920 --> 00:32:53,640
Speaker 1: and Mike because his feet are up and Michael and

562
00:32:53,680 --> 00:32:57,520
Speaker 1: You're like, You're like, yeah, motherfucker, really moved your feet.

563
00:32:57,880 --> 00:33:00,360
Speaker 1: So he gets up. He's the jolts out. We've idly

564
00:33:00,400 --> 00:33:03,080
Speaker 1: passed that guy. Um. We and then it's and then

565
00:33:03,200 --> 00:33:05,320
Speaker 1: you go to Leo and you say, yo, what's up.

566
00:33:05,640 --> 00:33:08,200
Speaker 1: You guys are reminiscing. This is my friend Dean. He

567
00:33:08,320 --> 00:33:10,600
Speaker 1: stands up, Leo, Nice to meet you. I shake his hand,

568
00:33:11,000 --> 00:33:13,600
Speaker 1: you know, she stood up to meet you. Yeah, real

569
00:33:13,640 --> 00:33:17,520
Speaker 1: fucking Gelly. Good people. So it's just our little pod

570
00:33:17,720 --> 00:33:19,560
Speaker 1: at this at this point, okay, it's me and you.

571
00:33:19,880 --> 00:33:22,480
Speaker 1: I'm nineteen. This has gotta look weird, like like like

572
00:33:22,600 --> 00:33:24,920
Speaker 1: you your little panties are like all fucking like you.

573
00:33:25,040 --> 00:33:28,920
Speaker 1: They're like all fucking in a bunch. Okay, yeah, sure, okay,

574
00:33:28,960 --> 00:33:30,720
Speaker 1: you're just telling the story. Just a couple of guys

575
00:33:30,720 --> 00:33:33,640
Speaker 1: hanging out. It's nothing crazy, um, but yeah, it's yeah,

576
00:33:33,680 --> 00:33:36,040
Speaker 1: it's it just so happens that it's Leonardo DiCaprio and

577
00:33:36,080 --> 00:33:38,640
Speaker 1: me and you and and his friend whoever, and it

578
00:33:40,320 --> 00:33:43,080
Speaker 1: sure um, and we're sitting there, all of us, i'd say,

579
00:33:43,120 --> 00:33:45,480
Speaker 1: for about thirty to forty five minutes, okay, and we're

580
00:33:45,520 --> 00:33:47,200
Speaker 1: facing each other like it's like we're at a booth

581
00:33:47,240 --> 00:33:49,240
Speaker 1: at a at a restaurant. That's how close we are. Okay.

582
00:33:49,560 --> 00:33:52,200
Speaker 1: And Leo's on his phone most of the time, but

583
00:33:52,240 --> 00:33:55,440
Speaker 1: he's he's loving talking about basketball, he loves talking about

584
00:33:55,560 --> 00:33:57,720
Speaker 1: you know whatever. So he goes, oh, I'm about to

585
00:33:57,760 --> 00:33:59,960
Speaker 1: go do this movie. I just came off of the

586
00:34:00,120 --> 00:34:03,520
Speaker 1: movie with Scorsese. And at this point, I don't make

587
00:34:03,560 --> 00:34:04,880
Speaker 1: it seem like he said it like it was like

588
00:34:04,920 --> 00:34:07,280
Speaker 1: a burden where he's talking this is his life. Don't

589
00:34:07,280 --> 00:34:11,040
Speaker 1: make it's like, oh I just came on, was a prick. No,

590
00:34:11,840 --> 00:34:14,839
Speaker 1: this is just what I hear. Man. I loved him.

591
00:34:14,880 --> 00:34:16,880
Speaker 1: I I thought it was he's fucking talking to you.

592
00:34:16,920 --> 00:34:18,640
Speaker 1: And he's like, how do you know, he's like treating

593
00:34:18,600 --> 00:34:20,719
Speaker 1: me like a civilized person. He didn't really talk to me, no,

594
00:34:21,000 --> 00:34:22,960
Speaker 1: but yes, you how do you know? Because he said

595
00:34:22,960 --> 00:34:25,520
Speaker 1: we were talking somebody he played my son and He's like,

596
00:34:25,960 --> 00:34:27,879
Speaker 1: why would you still be hanging around him? And I say,

597
00:34:28,200 --> 00:34:30,239
Speaker 1: he said, he said, well, Mike, why would you still

598
00:34:30,239 --> 00:34:32,080
Speaker 1: be hanging around He didn't say that. I think he

599
00:34:32,120 --> 00:34:35,320
Speaker 1: did say that. Okay, well he didn't say that. No, Okay,

600
00:34:35,360 --> 00:34:37,080
Speaker 1: anyway ahead, Okay, you see a lot of people say

601
00:34:37,120 --> 00:34:41,400
Speaker 1: that guys selective memory. But get the story. If I

602
00:34:41,400 --> 00:34:43,319
Speaker 1: don't take the lead of the story, you're gonna fucking

603
00:34:43,360 --> 00:34:45,759
Speaker 1: nigger the story. Man, I can't cut out, you know,

604
00:34:45,800 --> 00:34:49,439
Speaker 1: these are important parts. So he's done, He's he's with scorse.

605
00:34:49,640 --> 00:34:51,000
Speaker 1: He goes, it just came off this movie. And I said, oh,

606
00:34:51,000 --> 00:34:53,000
Speaker 1: Shutter Island, and I know, you know, I'm a fan.

607
00:34:53,080 --> 00:34:55,160
Speaker 1: He goes yeah, and then he starts telling this story

608
00:34:55,160 --> 00:34:56,480
Speaker 1: about Shutter Island. And then he goes, hey, now I'm

609
00:34:56,480 --> 00:34:58,400
Speaker 1: a out to go off to the fucking Japan to

610
00:34:58,440 --> 00:35:00,279
Speaker 1: go do this whole fucking movie. I don't know what

611
00:35:00,320 --> 00:35:04,200
Speaker 1: the funk it's about. And I said Inception, right, and

612
00:35:04,280 --> 00:35:07,440
Speaker 1: he was yeah. He was nervous about Inception because he

613
00:35:07,480 --> 00:35:09,480
Speaker 1: said the script was buggles. I want to go meet

614
00:35:09,520 --> 00:35:12,920
Speaker 1: Christopher Nolan and uh, And he's like, and you know,

615
00:35:13,080 --> 00:35:14,600
Speaker 1: this guy is trying to put me in my place

616
00:35:14,680 --> 00:35:17,040
Speaker 1: and tell me what to do. And I'm like, no, motherfucker,

617
00:35:17,080 --> 00:35:18,799
Speaker 1: you listen to what I'm telling you. You know, I

618
00:35:18,880 --> 00:35:20,920
Speaker 1: know what to do. And he's like, I don't know.

619
00:35:20,960 --> 00:35:23,880
Speaker 1: And this is when inception plot no One. It was

620
00:35:24,160 --> 00:35:26,040
Speaker 1: top secret. He was a little nervous, and he's a

621
00:35:26,080 --> 00:35:28,080
Speaker 1: little nervous. Did he did he? He wouldn't Oscar for

622
00:35:28,120 --> 00:35:31,560
Speaker 1: that or the film. I'm sure something, you know whatever, Yeah,

623
00:35:31,600 --> 00:35:33,920
Speaker 1: some ofsts whatever. So he's like, I'm about to go

624
00:35:34,000 --> 00:35:37,480
Speaker 1: do this anyway. The juicy part of the story, which

625
00:35:37,520 --> 00:35:39,319
Speaker 1: I thought was there was girls all over that that's

626
00:35:39,320 --> 00:35:42,359
Speaker 1: what I'm getting. So he's on his BlackBerry texting as

627
00:35:42,400 --> 00:35:44,960
Speaker 1: if you know, he just he's super low key. This

628
00:35:45,000 --> 00:35:46,800
Speaker 1: is the middle of the summer. There's a hundred and

629
00:35:46,880 --> 00:35:50,600
Speaker 1: fifty so the's a beautiful summer day. So these girls,

630
00:35:50,760 --> 00:35:54,360
Speaker 1: these hot girls, three of them probably walk over to

631
00:35:54,360 --> 00:35:57,400
Speaker 1: our little circle and they whispering in Leo's here, and

632
00:35:57,440 --> 00:35:59,279
Speaker 1: they go hey, and he's on his phone texting, not

633
00:35:59,320 --> 00:36:01,400
Speaker 1: even look up at them. Okay, is if it's this

634
00:36:01,520 --> 00:36:04,960
Speaker 1: fucking second nature, this guy gets it all the time. Uh.

635
00:36:05,440 --> 00:36:07,239
Speaker 1: And she goes, you know, we're in room two oh

636
00:36:07,239 --> 00:36:08,960
Speaker 1: two and if you want to come up there. You know,

637
00:36:09,000 --> 00:36:11,320
Speaker 1: we're just we're all over here. And he's like cool, alright,

638
00:36:11,360 --> 00:36:13,640
Speaker 1: thanks cool, not even looking up. And I'm sitting there

639
00:36:13,680 --> 00:36:16,480
Speaker 1: like wild, this is crazy. This is like you know

640
00:36:16,560 --> 00:36:18,680
Speaker 1: we're talking about They're just straight up like just like

641
00:36:18,960 --> 00:36:21,520
Speaker 1: come up here. It was insane. And we're in this

642
00:36:21,560 --> 00:36:24,600
Speaker 1: little hub and there's a and there's a girl from

643
00:36:24,640 --> 00:36:26,759
Speaker 1: Beverly High who I didn't go to Beverly High, but

644
00:36:26,760 --> 00:36:28,399
Speaker 1: I know a lot of people there. And she looks

645
00:36:28,440 --> 00:36:29,759
Speaker 1: at me and she's and this is a girl who

646
00:36:29,760 --> 00:36:31,960
Speaker 1: didn't usually give me the time of day, and she's

647
00:36:31,960 --> 00:36:34,359
Speaker 1: looking at me like you're sitting with Leonardo de Capra.

648
00:36:34,400 --> 00:36:36,839
Speaker 1: And I look at her and I kind of like, yeah, bitch, yeah,

649
00:36:37,000 --> 00:36:38,839
Speaker 1: that's what I'm doing. Sorry, not bitch, but at the time,

650
00:36:38,960 --> 00:36:40,960
Speaker 1: bitch was a little bit more appropriate to say that. Yeah,

651
00:36:40,960 --> 00:36:42,719
Speaker 1: you can't say that now. So we don't want to

652
00:36:43,040 --> 00:36:45,680
Speaker 1: piste off any of any of the men or women.

653
00:36:46,040 --> 00:36:48,160
Speaker 1: Pussy hats and and I'm not even going do you

654
00:36:48,200 --> 00:36:49,840
Speaker 1: have a pussy hat? I don't know what that means,

655
00:36:49,960 --> 00:36:52,000
Speaker 1: you know, the little it's like a feminist statement, the

656
00:36:52,040 --> 00:36:54,160
Speaker 1: pussy hats. No, I don't even know what that is.

657
00:36:54,239 --> 00:36:56,759
Speaker 1: You don't have a pussy hat? I don't know I

658
00:36:56,840 --> 00:37:00,239
Speaker 1: have that is that actually attaches too. It's a hat

659
00:37:00,320 --> 00:37:02,520
Speaker 1: that's like pussycat ears. They call it a pussy hell

660
00:37:02,680 --> 00:37:04,840
Speaker 1: oh no, no, why would I have that? I have

661
00:37:04,880 --> 00:37:06,680
Speaker 1: a lot of men are wearing them. I have a cat.

662
00:37:06,760 --> 00:37:09,719
Speaker 1: I don't have a hat. All right, we'll speaking of girls. Well.

663
00:37:09,760 --> 00:37:12,080
Speaker 1: One of the things that the people have asked for

664
00:37:12,800 --> 00:37:15,600
Speaker 1: is more adventures of the young Shooter. The question it

665
00:37:15,640 --> 00:37:19,239
Speaker 1: always is with Dean Collins, Can a shooter shoot? Can

666
00:37:19,239 --> 00:37:23,319
Speaker 1: a skeeter skeet? Okay? And and and um, Dean's moved

667
00:37:23,360 --> 00:37:27,080
Speaker 1: into a new swanky bachelor pad, thank you, um, and

668
00:37:27,080 --> 00:37:29,080
Speaker 1: and we haven't had you on in a few a

669
00:37:29,120 --> 00:37:31,640
Speaker 1: few weeks. And the people want to know, and I

670
00:37:31,719 --> 00:37:34,880
Speaker 1: want to know, really, what's going on in your dating life?

671
00:37:35,320 --> 00:37:37,520
Speaker 1: What do we got? Like, what happened this weekend? What's

672
00:37:37,520 --> 00:37:40,600
Speaker 1: been the most recent events? Okay? What are you win too? Is?

673
00:37:40,719 --> 00:37:43,799
Speaker 1: Are you still on Tinder? Oh? Oh, I read down well,

674
00:37:43,840 --> 00:37:45,360
Speaker 1: I cut all of it because I was glued to

675
00:37:45,400 --> 00:37:48,280
Speaker 1: my phone about it. But I read downloaded and paid

676
00:37:48,520 --> 00:37:50,759
Speaker 1: because this is a little crazy. I'm doing a subscription now.

677
00:37:50,800 --> 00:37:53,719
Speaker 1: What is it just unlimited swipes? Um? You know it?

678
00:37:53,880 --> 00:37:59,799
Speaker 1: Just yeah, I'm paying now monthly? How much and how

679
00:37:59,880 --> 00:38:01,600
Speaker 1: much do you pay for that for the porn channel?

680
00:38:01,640 --> 00:38:03,560
Speaker 1: That I don't pay for a porn channel? Why would

681
00:38:03,600 --> 00:38:05,760
Speaker 1: any First of all, I don't know. Maybe it's your generation.

682
00:38:05,800 --> 00:38:08,719
Speaker 1: No one pays for porn. Man, it's all fucking unlimited.

683
00:38:08,719 --> 00:38:11,200
Speaker 1: It's it's on the it's on the internet, on the internet. Man.

684
00:38:11,440 --> 00:38:15,520
Speaker 1: But like dot com, you google porn? But how do

685
00:38:15,600 --> 00:38:16,960
Speaker 1: you get it? Like how do you get it? Like?

686
00:38:17,000 --> 00:38:18,560
Speaker 1: So like you get what you want? I mean if

687
00:38:18,560 --> 00:38:20,360
Speaker 1: you google porn? Like who wants to be doing that

688
00:38:20,400 --> 00:38:21,960
Speaker 1: all the time? What do you what do you mean

689
00:38:22,000 --> 00:38:23,560
Speaker 1: you were trying to like pay per view point? Like

690
00:38:23,640 --> 00:38:24,879
Speaker 1: know what I'm saying? Like, if you if you want

691
00:38:24,920 --> 00:38:27,719
Speaker 1: something specific, yeah, you look up the specific. Let's say, like,

692
00:38:27,800 --> 00:38:30,240
Speaker 1: let's say you're interested in watching like chicks with dicks

693
00:38:30,520 --> 00:38:32,360
Speaker 1: and like you're like, do you I'm not interested in that?

694
00:38:32,520 --> 00:38:34,120
Speaker 1: But if that's what you're interested, I can say that

695
00:38:34,160 --> 00:38:35,839
Speaker 1: on the podcast, can send you a few links if

696
00:38:35,840 --> 00:38:38,279
Speaker 1: that's what you were into, Chicks with dicks. If that's

697
00:38:38,320 --> 00:38:39,760
Speaker 1: what you were into, I could send you a few

698
00:38:39,840 --> 00:38:42,080
Speaker 1: places just to start, But how do you know the

699
00:38:42,160 --> 00:38:44,279
Speaker 1: places to start? How how do you know the place

700
00:38:44,360 --> 00:38:47,719
Speaker 1: to start? Like you so familiar with that keywords, I'm

701
00:38:47,760 --> 00:38:51,319
Speaker 1: twenty six. You're familiar with chicks with dicks. You said that,

702
00:38:51,480 --> 00:38:53,759
Speaker 1: I'm familiar with porn on the internet. You're familiar with

703
00:38:53,840 --> 00:38:55,839
Speaker 1: chicks with dicks. Sorry, anyway, we don't have to get

704
00:38:55,840 --> 00:38:57,920
Speaker 1: into the porn thing, but yes, to go back to it,

705
00:38:57,960 --> 00:39:01,799
Speaker 1: I redownloaded Tinder. I redownloaded humble Bumble. Bumble is when

706
00:39:01,800 --> 00:39:04,439
Speaker 1: the girl has to send you a message. First you can't,

707
00:39:04,440 --> 00:39:07,120
Speaker 1: so she chooses you. She chooses you. Guys can swipe

708
00:39:07,120 --> 00:39:10,080
Speaker 1: and get connected, but in order for her to choose you,

709
00:39:10,160 --> 00:39:12,440
Speaker 1: she sees what on you? A picture? Yeah, it's like

710
00:39:12,480 --> 00:39:14,440
Speaker 1: just a couple of pictures. And are you have like

711
00:39:14,520 --> 00:39:16,200
Speaker 1: you have to do pictures? Are you like doing like

712
00:39:16,280 --> 00:39:20,200
Speaker 1: pull ups? No, I'm not that guy. Are you gardening? Like?

713
00:39:20,680 --> 00:39:22,520
Speaker 1: Are you just like smiling? Are you like, hey, I'm

714
00:39:22,520 --> 00:39:25,160
Speaker 1: the funny guy, Like I have some funny guy pictures

715
00:39:25,160 --> 00:39:27,759
Speaker 1: with a lot with my friends, uh, some stuff just

716
00:39:27,840 --> 00:39:29,279
Speaker 1: you know, stuff that you've taken of me. And then

717
00:39:29,320 --> 00:39:31,400
Speaker 1: I do a lot of my music stuff me on stage,

718
00:39:31,440 --> 00:39:34,600
Speaker 1: you know, kind of throw me out just kind of funny.

719
00:39:34,680 --> 00:39:36,840
Speaker 1: But I have a band, Pacific the band. Yeah, and

720
00:39:36,880 --> 00:39:39,160
Speaker 1: it's it's not the band, it's just for for U

721
00:39:39,320 --> 00:39:41,080
Speaker 1: R L. SAX. It's specific the band, but the band

722
00:39:41,160 --> 00:39:44,280
Speaker 1: is just called Pacific. So how do people go hear Pacific?

723
00:39:44,440 --> 00:39:47,359
Speaker 1: Because you've gotten hit up from the show have Yeah,

724
00:39:47,360 --> 00:39:51,160
Speaker 1: because people listen to Pacific. Yeah, Okay, Okay, let's stay focused.

725
00:39:51,200 --> 00:39:53,680
Speaker 1: Let's stay focus. We've given the fucking band a lot

726
00:39:53,719 --> 00:39:56,200
Speaker 1: of props in the past. Don't try to take over

727
00:39:56,239 --> 00:40:00,040
Speaker 1: the podcast and start sucking pumping Pacific the band. I

728
00:40:00,040 --> 00:40:02,080
Speaker 1: I didn't. You kind of took the reins on the

729
00:40:02,760 --> 00:40:05,279
Speaker 1: just just just just don't start trying to make this

730
00:40:05,320 --> 00:40:08,560
Speaker 1: into a fucking press like a press conference. I literally

731
00:40:08,560 --> 00:40:10,440
Speaker 1: I don't know what I did to even make it

732
00:40:10,440 --> 00:40:12,480
Speaker 1: seem like I did that. But we'll just move on

733
00:40:12,520 --> 00:40:17,360
Speaker 1: to the whole events in my life. So bumble, bumble bumble.

734
00:40:18,120 --> 00:40:20,919
Speaker 1: Yeah yeah, yeah. So there's Tinder, there's Bumble, and there's

735
00:40:21,000 --> 00:40:25,719
Speaker 1: one more that's very exclusive, is that the one that's

736
00:40:25,760 --> 00:40:28,840
Speaker 1: like like yes, there's like actors and actress like Frances

737
00:40:28,880 --> 00:40:32,640
Speaker 1: Bean is on it, you know, like the Courtney loves it.

738
00:40:32,840 --> 00:40:34,719
Speaker 1: I don't want to talk about dating. It's like a

739
00:40:34,840 --> 00:40:38,799
Speaker 1: dating site for like people in the know, in the know,

740
00:40:39,040 --> 00:40:40,400
Speaker 1: and and some people that are not in the know.

741
00:40:40,480 --> 00:40:43,799
Speaker 1: It could be like regular people but they know somebody. Yes,

742
00:40:43,880 --> 00:40:46,279
Speaker 1: But there's like a song that plays and go through

743
00:40:46,320 --> 00:40:48,439
Speaker 1: your pickture. You pick a song, you pick yours. What's

744
00:40:48,480 --> 00:40:51,319
Speaker 1: your song? Bro? Right now? It's I'm listening to is

745
00:40:51,320 --> 00:40:54,160
Speaker 1: it a radio hit song? So no, it's not what

746
00:40:54,239 --> 00:40:56,560
Speaker 1: songs Come on, man, that's not me. It's it's actually

747
00:40:56,640 --> 00:40:59,560
Speaker 1: by a band called the Growlers. They're really dope. So

748
00:40:59,600 --> 00:41:02,560
Speaker 1: it's like you're telling the girls like growl. I didn't

749
00:41:02,560 --> 00:41:04,359
Speaker 1: think about it like that, but sure, Yeah, it's got

750
00:41:04,400 --> 00:41:05,719
Speaker 1: a nice it's got a nice kick too, and you

751
00:41:05,760 --> 00:41:08,040
Speaker 1: could pick any song. Yeah, so I'll be around by

752
00:41:08,040 --> 00:41:10,879
Speaker 1: the Growlers. Um also shout out to Portugal the Man.

753
00:41:11,040 --> 00:41:12,880
Speaker 1: I love that fucking band and the dude in that

754
00:41:12,880 --> 00:41:15,279
Speaker 1: band is so cool and I know he who is it?

755
00:41:15,520 --> 00:41:18,719
Speaker 1: He's so dope. I honestly met him on Instagram. He

756
00:41:18,800 --> 00:41:22,359
Speaker 1: just hit me, man. I'm a fan of his music. Man,

757
00:41:22,480 --> 00:41:24,480
Speaker 1: my man, my man. You you met a guy who's

758
00:41:24,520 --> 00:41:28,360
Speaker 1: in the band on Instagram? No, Like that sounds questionable, okay,

759
00:41:28,360 --> 00:41:29,959
Speaker 1: but you just don't maybe you don't know the band,

760
00:41:29,960 --> 00:41:32,279
Speaker 1: but like, his band is awesome. What's his box with?

761
00:41:33,400 --> 00:41:36,000
Speaker 1: The band is called Portugal the Man. Okay, speak on

762
00:41:36,040 --> 00:41:38,399
Speaker 1: the mike please, Okay, sorry, what's the what's the what's

763
00:41:38,440 --> 00:41:41,800
Speaker 1: the lead singer's name? Listen, it's the Bang Okay, Okay,

764
00:41:41,840 --> 00:41:44,919
Speaker 1: that's that's the band. Okay, okay. And they're dope. They're

765
00:41:44,920 --> 00:41:46,960
Speaker 1: fucking dope. What kind of music is it? It's like

766
00:41:47,320 --> 00:41:50,320
Speaker 1: I would say, alternative rock. Let me tell you something.

767
00:41:50,680 --> 00:41:53,600
Speaker 1: We talk heavy about our our punk, our hip hop

768
00:41:53,920 --> 00:41:56,200
Speaker 1: and all that other ship. If music is dope, music

769
00:41:56,280 --> 00:41:58,600
Speaker 1: is dope. I know I talked my ship, Okay. But

770
00:41:58,640 --> 00:42:00,399
Speaker 1: when I'm in the car with Dean con when he's

771
00:42:00,480 --> 00:42:02,600
Speaker 1: driving me around, I say, play some of that mellow

772
00:42:02,600 --> 00:42:06,000
Speaker 1: ship and Dean Colins got good tastes. So you're telling

773
00:42:06,000 --> 00:42:10,120
Speaker 1: me Portugal the band is Portugal Demand. So the guy's

774
00:42:10,200 --> 00:42:12,480
Speaker 1: name is Portugal now, and he's like, my name is

775
00:42:12,480 --> 00:42:15,359
Speaker 1: Portugal Man, like a gringo man Dingo the Man. No,

776
00:42:15,640 --> 00:42:17,840
Speaker 1: But but it's it's a great band. I know he

777
00:42:17,920 --> 00:42:20,440
Speaker 1: works with you hardcore and he's playing a show out

778
00:42:20,480 --> 00:42:23,919
Speaker 1: in l A tomorrow and anyway, so I'm a fan

779
00:42:24,000 --> 00:42:25,839
Speaker 1: that's got that's on my ray of profile as well.

780
00:42:26,520 --> 00:42:29,080
Speaker 1: But just just to go through everything. UM, I don't

781
00:42:29,120 --> 00:42:30,960
Speaker 1: know where we last left it, but I was dating

782
00:42:30,960 --> 00:42:34,280
Speaker 1: a girl for about a month. Um I ended things

783
00:42:34,320 --> 00:42:38,880
Speaker 1: with her, which actually was not it didn't feel good. UM, damn,

784
00:42:38,880 --> 00:42:41,200
Speaker 1: that sucks. How did you do that? Did you do

785
00:42:41,239 --> 00:42:43,000
Speaker 1: it face to face? I did a face to face

786
00:42:43,120 --> 00:42:45,080
Speaker 1: good for you would never do something like that on

787
00:42:45,120 --> 00:42:47,080
Speaker 1: a text message. And I let me say something to

788
00:42:47,080 --> 00:42:50,479
Speaker 1: the people about Dean Collins. The shooter. The shooter talks

789
00:42:50,520 --> 00:42:52,400
Speaker 1: a lot of ship. The shooter has fun. The shooters

790
00:42:52,600 --> 00:42:55,360
Speaker 1: live in the life of a young single dude. But

791
00:42:55,400 --> 00:42:59,040
Speaker 1: the shooters good good people. Because you told me about

792
00:42:59,040 --> 00:43:01,040
Speaker 1: the situation, and I was had you do? You told you? Did?

793
00:43:01,080 --> 00:43:02,640
Speaker 1: You did it head up? You did it face to face.

794
00:43:02,840 --> 00:43:05,399
Speaker 1: Didn't like a man. You took your pinch like a man,

795
00:43:05,800 --> 00:43:07,520
Speaker 1: and and it really was a different you know, I

796
00:43:07,640 --> 00:43:09,960
Speaker 1: never felt so close with a girl since my ex

797
00:43:09,960 --> 00:43:12,239
Speaker 1: girlfriend of three and a half years, which ended a

798
00:43:12,239 --> 00:43:15,040
Speaker 1: couple of years ago. And this one was getting very serious,

799
00:43:15,120 --> 00:43:17,759
Speaker 1: very fast, very fast, after you know, a month. And

800
00:43:17,880 --> 00:43:21,280
Speaker 1: she's great, and she's a model, and she's really creative

801
00:43:21,320 --> 00:43:24,760
Speaker 1: and model. Yeah. Yeah, I'm not going to name the brand.

802
00:43:25,200 --> 00:43:27,800
Speaker 1: You you you you you pull model chicks. I wouldn't

803
00:43:27,800 --> 00:43:30,919
Speaker 1: say that. I never entire. This was the first and

804
00:43:30,920 --> 00:43:34,960
Speaker 1: and she's for many. I appreciate that anyway, So I

805
00:43:35,960 --> 00:43:37,680
Speaker 1: it just was moving too quick. I wasn't ready for

806
00:43:37,760 --> 00:43:41,839
Speaker 1: relationships and she was great. So anyway, so since then,

807
00:43:41,880 --> 00:43:45,760
Speaker 1: you're back. You you're back, You're back on the saddle. Yes, okay,

808
00:43:45,800 --> 00:43:47,479
Speaker 1: and how's that working out for you? It was good?

809
00:43:47,520 --> 00:43:52,040
Speaker 1: So this past weekend, um, I went out. I did.

810
00:43:52,239 --> 00:43:55,240
Speaker 1: I went to Funk Night. This is like a regular place. Okay,

811
00:43:55,360 --> 00:43:57,920
Speaker 1: it's what is that? It's okay? So funk Night is

812
00:43:58,080 --> 00:44:02,440
Speaker 1: basically this this spot at the Echo Um in Echo

813
00:44:02,520 --> 00:44:06,920
Speaker 1: Park and they spin DJ spin like Vinyl on vinyl

814
00:44:07,320 --> 00:44:11,440
Speaker 1: James Brown. There's like visuals of old you know, sixties

815
00:44:11,520 --> 00:44:15,240
Speaker 1: and everyone getting down and everyone there is getting down

816
00:44:15,480 --> 00:44:17,799
Speaker 1: with funk music. It's not like stuck up like l

817
00:44:17,840 --> 00:44:20,200
Speaker 1: a bullshit. How many people are in the club? So many?

818
00:44:20,320 --> 00:44:24,320
Speaker 1: Like is it hundreds or thousand or no, it's like

819
00:44:24,360 --> 00:44:26,359
Speaker 1: a couple of hundred, but people are dancing and ship

820
00:44:26,760 --> 00:44:29,959
Speaker 1: and what's the crowd? Like? The crowd is just the

821
00:44:30,000 --> 00:44:33,680
Speaker 1: best vibe anywhere I've been to and it's music music.

822
00:44:33,960 --> 00:44:36,600
Speaker 1: There's two separate There's an outdoor bar, there's an indoor

823
00:44:36,680 --> 00:44:39,880
Speaker 1: funk photo booth, all funk and it's like great DJ,

824
00:44:40,040 --> 00:44:42,239
Speaker 1: like you would love it. Are they mixing it? And

825
00:44:42,680 --> 00:44:45,560
Speaker 1: they just playing it? Only some fucking iPod play No,

826
00:44:46,080 --> 00:44:48,759
Speaker 1: I don't think so they're like playing no, they're rocking on.

827
00:44:49,600 --> 00:44:52,120
Speaker 1: So anytime I go sort of invite by the way,

828
00:44:52,280 --> 00:44:54,239
Speaker 1: I've been telling you to come with you always tell

829
00:44:54,280 --> 00:44:57,200
Speaker 1: me afterwards, just say you tell me after the fact.

830
00:44:57,239 --> 00:44:59,480
Speaker 1: Would you come out at like eleven o'clock It starts

831
00:44:59,480 --> 00:45:01,640
Speaker 1: at eleven like tennis. As a line, you know, it's

832
00:45:01,640 --> 00:45:04,799
Speaker 1: like it's I'm not line man, man, I when I

833
00:45:04,840 --> 00:45:07,360
Speaker 1: show up, they know I'm not. I don't wait on

834
00:45:07,640 --> 00:45:09,719
Speaker 1: line club, I hear you. I haven't waiting on the

835
00:45:09,800 --> 00:45:13,080
Speaker 1: line for a club since motherfucking ninety one duke, and

836
00:45:13,080 --> 00:45:15,600
Speaker 1: I ain't starting with funk night, all right, man, I'm

837
00:45:15,600 --> 00:45:17,960
Speaker 1: gonna tell you that right the funk Now. The last

838
00:45:18,040 --> 00:45:19,839
Speaker 1: club I waited for a line to get in on

839
00:45:20,239 --> 00:45:23,120
Speaker 1: was the Latin Quarters. Okay, when it was pure hip hop,

840
00:45:23,160 --> 00:45:26,279
Speaker 1: like salt and pepper heavy d up in the limousine, yeah,

841
00:45:26,280 --> 00:45:29,359
Speaker 1: that type of ship. I caught that reference. I don't

842
00:45:29,400 --> 00:45:31,480
Speaker 1: wait on lines, duke. So if I go with you,

843
00:45:31,560 --> 00:45:33,680
Speaker 1: trust me, we ain't waiting on the old lines. My man,

844
00:45:33,760 --> 00:45:35,920
Speaker 1: go ahead. You sound a little angry. Let me just

845
00:45:35,920 --> 00:45:37,880
Speaker 1: tell you there's a line. What are you talking. I

846
00:45:37,880 --> 00:45:39,200
Speaker 1: didn't say you have to wait now, I'm just saying

847
00:45:39,239 --> 00:45:40,880
Speaker 1: I know I ain't waiting on no fucking line for

848
00:45:40,920 --> 00:45:43,239
Speaker 1: no goddamn called the line man anyway, funk. And I

849
00:45:43,320 --> 00:45:46,080
Speaker 1: was a great vibe this weekend. Every time I go there,

850
00:45:46,160 --> 00:45:49,759
Speaker 1: I meet new girls and everyone's just super cool. So

851
00:45:50,239 --> 00:45:53,040
Speaker 1: I was rocking with this girl. There's not rocking with

852
00:45:53,040 --> 00:45:56,480
Speaker 1: this girl, just like dancing on stage. You're dancing. Oh funk. Yeah, man,

853
00:45:56,560 --> 00:45:58,879
Speaker 1: that's that's one thing money to see that I would

854
00:45:58,880 --> 00:46:01,840
Speaker 1: pay much like my That's like my thing. Like at Chapman.

855
00:46:01,840 --> 00:46:04,040
Speaker 1: When I went to Chapman, I would have dance parties

856
00:46:04,080 --> 00:46:06,799
Speaker 1: in my room with the spacel cracking, my music going,

857
00:46:07,000 --> 00:46:09,880
Speaker 1: and we're probably ten of us on my bed and

858
00:46:09,920 --> 00:46:12,120
Speaker 1: I had me and all these girls on my bed

859
00:46:12,160 --> 00:46:14,160
Speaker 1: were all dancing. All the ship that are like the

860
00:46:14,200 --> 00:46:17,160
Speaker 1: bed collapsed. I had my tea guy. I was stranded

861
00:46:17,200 --> 00:46:19,799
Speaker 1: and what happened. It collapsed, and then what happened when

862
00:46:19,800 --> 00:46:22,399
Speaker 1: the bed collapse, We like moved the dance party onto

863
00:46:22,400 --> 00:46:24,520
Speaker 1: the regular floor like nothing happened. Like I had to

864
00:46:24,520 --> 00:46:26,400
Speaker 1: figure that out the next day. But like after the

865
00:46:26,440 --> 00:46:27,920
Speaker 1: bed collapse, like you guys are on the bed and

866
00:46:28,080 --> 00:46:30,600
Speaker 1: nobody's like yo, we were like, oh shid the bed

867
00:46:30,640 --> 00:46:33,120
Speaker 1: collapse and then what my fucking frame broke? Like it

868
00:46:33,160 --> 00:46:35,200
Speaker 1: was but it wasn't like, oh, let's get it popping now. No,

869
00:46:35,239 --> 00:46:37,759
Speaker 1: we were getting a popping still. Anyway, back to Funk

870
00:46:37,760 --> 00:46:40,600
Speaker 1: and I, uh, we were talking. Me and this girl,

871
00:46:40,640 --> 00:46:43,960
Speaker 1: I got her number, this and that whatever, so her

872
00:46:44,080 --> 00:46:46,000
Speaker 1: name and I could even say this girl her name

873
00:46:46,040 --> 00:46:48,880
Speaker 1: is Allison, um, but she's cool. I didn't hook up

874
00:46:48,920 --> 00:46:51,040
Speaker 1: with her, nothing like that, but it's been great. When

875
00:46:51,080 --> 00:46:53,160
Speaker 1: you say hook up when when when younger people say

876
00:46:53,160 --> 00:46:55,440
Speaker 1: hook up, does that mean? What does that mean? It

877
00:46:55,480 --> 00:46:57,799
Speaker 1: could mean a wide variety, but what does that mean?

878
00:46:57,840 --> 00:47:00,279
Speaker 1: Like because the hooked up to me was like I

879
00:47:00,320 --> 00:47:02,920
Speaker 1: would say that like a dude, you know, let's hook up.

880
00:47:02,960 --> 00:47:04,719
Speaker 1: And I don't do that anymore. My dad does that too.

881
00:47:04,719 --> 00:47:06,200
Speaker 1: He's like, you should hook up with and I'm like, yeah,

882
00:47:06,239 --> 00:47:08,640
Speaker 1: but hook up that's the origins of it. I hear you,

883
00:47:08,680 --> 00:47:10,200
Speaker 1: but it just I don't say that with it, like

884
00:47:10,239 --> 00:47:12,200
Speaker 1: I'm gonna go hook up with that dude. Yeah, but

885
00:47:12,239 --> 00:47:13,799
Speaker 1: you you can be like yeo, I'm gonna hook up

886
00:47:13,800 --> 00:47:15,319
Speaker 1: with do it four, And then it doesn't mean I'm

887
00:47:15,320 --> 00:47:18,319
Speaker 1: trying to fuck you like that's what like I means

888
00:47:18,360 --> 00:47:20,080
Speaker 1: hanging out. I'm just when you say to the chick,

889
00:47:20,120 --> 00:47:23,279
Speaker 1: we didn't, I'm I'm asking for clarification, dude. So when

890
00:47:23,320 --> 00:47:25,239
Speaker 1: I say what does that hook up mean? Does that

891
00:47:25,280 --> 00:47:28,640
Speaker 1: mean that's some sort of sexual connotation? So, but does

892
00:47:28,640 --> 00:47:34,320
Speaker 1: it mean make out? Freak off third base? Like? No,

893
00:47:34,360 --> 00:47:35,839
Speaker 1: I would say kiss like because then I would say

894
00:47:35,840 --> 00:47:39,360
Speaker 1: I didn't like tap that as tap that ask anyway.

895
00:47:39,600 --> 00:47:41,600
Speaker 1: She was cool, I got a number, we're talking whatever.

896
00:47:41,640 --> 00:47:44,840
Speaker 1: It's all good. I leave me and Logan is with

897
00:47:44,880 --> 00:47:46,360
Speaker 1: me and we're having a great night. We go to

898
00:47:46,400 --> 00:47:49,920
Speaker 1: Tatsu Raman. It's open till three am. It's great Raman.

899
00:47:50,080 --> 00:47:53,120
Speaker 1: We're fucking. We're pretty trash. We meet these other two

900
00:47:53,120 --> 00:47:55,560
Speaker 1: girls when we end up just eating with we're you know,

901
00:47:55,640 --> 00:47:58,560
Speaker 1: talking whatever. We stay in touch if they're fine. They're

902
00:47:58,640 --> 00:48:00,879
Speaker 1: one of them was lesbian, super were cool. The other

903
00:48:00,920 --> 00:48:03,439
Speaker 1: one was really cute. Whatever. So I leave, I get

904
00:48:03,480 --> 00:48:05,840
Speaker 1: home about four or something. Okay, now I talked to

905
00:48:05,880 --> 00:48:10,240
Speaker 1: you about Bumble, right, So I have been swiping swiping,

906
00:48:10,280 --> 00:48:12,640
Speaker 1: and I had matched with this girl on Bumble maybe

907
00:48:12,680 --> 00:48:14,600
Speaker 1: two days, and this is one where they choose you

908
00:48:15,400 --> 00:48:17,560
Speaker 1: two days prior. She goes, you know, how's your weekend

909
00:48:17,600 --> 00:48:18,800
Speaker 1: going or what are you up to this weekend? You

910
00:48:18,840 --> 00:48:20,359
Speaker 1: got any big plans? I said you should come out.

911
00:48:20,400 --> 00:48:23,479
Speaker 1: This was for Friday. I didn't hear back. Question. I'm sorry,

912
00:48:23,480 --> 00:48:26,759
Speaker 1: I have a question. Yeah, do you find that shocking?

913
00:48:27,600 --> 00:48:31,359
Speaker 1: I find that almost like miracle ish some girl out

914
00:48:31,360 --> 00:48:34,440
Speaker 1: of all the hundreds of dudes, she saw the picture

915
00:48:34,480 --> 00:48:37,560
Speaker 1: of you, and she chooses you, and then she's texting

916
00:48:37,560 --> 00:48:40,680
Speaker 1: you at four in the morning. We haven't gotten there yet.

917
00:48:40,880 --> 00:48:43,640
Speaker 1: I mean, you're not fucking Matt Dylan. You look like

918
00:48:44,480 --> 00:48:48,520
Speaker 1: report Okay, so so so basically that's like a miracle

919
00:48:48,600 --> 00:48:52,239
Speaker 1: that she sees that fucking face you have. She's not

920
00:48:52,360 --> 00:48:55,640
Speaker 1: picking up on your funny personality or you're you're you're

921
00:48:55,680 --> 00:48:58,800
Speaker 1: you're you're your quirky funny thing, or you're you're smart.

922
00:48:58,920 --> 00:49:00,600
Speaker 1: She sees your face like I mean, that's like a

923
00:49:00,640 --> 00:49:03,680
Speaker 1: fucking like. That's like Hanley's comment, thank you man. I mean,

924
00:49:03,680 --> 00:49:05,440
Speaker 1: I don't know whether to thank you or be insulted.

925
00:49:05,480 --> 00:49:08,520
Speaker 1: But um, but yeah, you know it's kind of like, yeah,

926
00:49:08,560 --> 00:49:10,640
Speaker 1: I've heard like, you know, I that I look like

927
00:49:10,719 --> 00:49:15,160
Speaker 1: Leonardo DiCaprio, maybe Entitanic, like the Downs version of him.

928
00:49:15,239 --> 00:49:19,520
Speaker 1: If if that, you know, that's like a compliment to me. Anyway, Um,

929
00:49:19,520 --> 00:49:21,560
Speaker 1: I had longer hair back then. But but so anyway,

930
00:49:21,600 --> 00:49:24,680
Speaker 1: I go back. I'm heading home now from Tatsu Logans

931
00:49:24,760 --> 00:49:28,720
Speaker 1: draw in the morning. He's about four four fifteen. Now, okay,

932
00:49:28,840 --> 00:49:30,800
Speaker 1: I gave this girl. It didn't work out for Friday.

933
00:49:30,840 --> 00:49:32,680
Speaker 1: I didn't hear back, so I gave her my number

934
00:49:32,719 --> 00:49:35,040
Speaker 1: and I said, Yo, come out, hit me up. I

935
00:49:35,040 --> 00:49:37,040
Speaker 1: gave her my number. I didn't hear back. Now it's

936
00:49:37,160 --> 00:49:40,120
Speaker 1: four thirty. I'm not I'm not exaggerating this. Four thirty,

937
00:49:40,120 --> 00:49:42,560
Speaker 1: I get a text from an unknown number. Hey, it's

938
00:49:42,920 --> 00:49:47,600
Speaker 1: let's call her Julia. We're gonna say her name is Julia.

939
00:49:47,600 --> 00:49:49,600
Speaker 1: And the reason why we're giving alis is because one

940
00:49:49,640 --> 00:49:52,000
Speaker 1: time we gave a little too much information on the

941
00:49:52,040 --> 00:49:56,280
Speaker 1: podcast and and somebody breached podcast trust and then tracked

942
00:49:56,320 --> 00:49:59,080
Speaker 1: this person down and then reached out to us to say, oh,

943
00:49:59,120 --> 00:50:01,359
Speaker 1: we were able to track and the question was, why

944
00:50:01,400 --> 00:50:04,160
Speaker 1: the funk would you spend your time tracking down a

945
00:50:04,239 --> 00:50:06,440
Speaker 1: girl that the shooters trying to shoot. We've got nothing

946
00:50:06,520 --> 00:50:08,920
Speaker 1: fucking cock block in front of a bit. But anyway, anyway,

947
00:50:08,920 --> 00:50:11,200
Speaker 1: go ahead, So I get this text logan is no

948
00:50:11,239 --> 00:50:13,920
Speaker 1: longer now just to go back to this. If you

949
00:50:14,000 --> 00:50:18,360
Speaker 1: guys remember tinker Bell, Yes, okay, I've talked about tinker

950
00:50:18,360 --> 00:50:22,240
Speaker 1: Bell on the podcast. Um, I hadn't heard from tinker

951
00:50:22,239 --> 00:50:24,799
Speaker 1: Bell in a long time. It's been a couple of months. Uh.

952
00:50:24,960 --> 00:50:28,000
Speaker 1: She hits me up and at this point I'm drunk

953
00:50:28,040 --> 00:50:30,560
Speaker 1: and I'm like, come on by tinker Bell. She's down.

954
00:50:30,960 --> 00:50:32,520
Speaker 1: She's like, but I need an uber the next day.

955
00:50:32,560 --> 00:50:33,960
Speaker 1: But I was like, oh funk, I'm not trying to.

956
00:50:34,480 --> 00:50:37,319
Speaker 1: She said yeah, but you need to buy my uber

957
00:50:37,360 --> 00:50:39,640
Speaker 1: the next and I'm like that's fine. I'm usually okay

958
00:50:39,640 --> 00:50:40,920
Speaker 1: with that, but at this point, I'm like, I'm a

959
00:50:41,000 --> 00:50:43,359
Speaker 1: little over that. Now we've we've been, we've done that.

960
00:50:44,120 --> 00:50:46,799
Speaker 1: Tinker Bell lives like it's kind of like an expensive far.

961
00:50:47,280 --> 00:50:50,359
Speaker 1: It's very far. She don't have her own car, can't

962
00:50:50,360 --> 00:50:52,960
Speaker 1: she like you put a little fairy fairy things on

963
00:50:53,040 --> 00:50:56,200
Speaker 1: and fly. There's nothing like that anyway. So she's on

964
00:50:56,200 --> 00:50:58,440
Speaker 1: her way, on my way. She's on her way. She's

965
00:50:58,480 --> 00:51:01,640
Speaker 1: on her way and an uber yes, because she's not

966
00:51:01,760 --> 00:51:03,680
Speaker 1: driving yourself. She's on her way. This is a real

967
00:51:03,719 --> 00:51:05,480
Speaker 1: deal story, and this is how I'll end it. But

968
00:51:05,560 --> 00:51:08,839
Speaker 1: break her way. And then I get this text from

969
00:51:08,840 --> 00:51:12,160
Speaker 1: this girl. I'm bumble at Okay, and she goes, hey,

970
00:51:12,239 --> 00:51:15,600
Speaker 1: it's so. It's Julia from Bumble. I just got off

971
00:51:15,600 --> 00:51:19,279
Speaker 1: of work. Uh you know, I bartend blah blah, what

972
00:51:19,320 --> 00:51:21,360
Speaker 1: are you up to? And I'm like, in my fucking

973
00:51:21,440 --> 00:51:26,160
Speaker 1: drunken Milagro tequila zone, shout out to Milagro. Love that ship.

974
00:51:26,719 --> 00:51:30,000
Speaker 1: Milagro gets me going silver Milagro. It comes in the

975
00:51:30,000 --> 00:51:33,520
Speaker 1: blue bottle. I get off on that ship. I don't

976
00:51:33,520 --> 00:51:36,640
Speaker 1: buy anything else, Like on the reel. I get all

977
00:51:36,640 --> 00:51:38,800
Speaker 1: my friends to get in on it. I chase it with.

978
00:51:38,840 --> 00:51:40,640
Speaker 1: You don't even have to chase it with. You don't

979
00:51:40,640 --> 00:51:42,920
Speaker 1: need a chaser. It's so good on its own. I

980
00:51:43,280 --> 00:51:46,880
Speaker 1: I funk with it every weekend and it literally changes

981
00:51:46,920 --> 00:51:49,840
Speaker 1: my nights. I don't funk with vodka. I don't funk whiskey.

982
00:51:49,920 --> 00:51:53,919
Speaker 1: I found my drink, Milagro tequila, silver bottle, silver edition.

983
00:51:54,000 --> 00:51:56,520
Speaker 1: That's ship. So I'm feeling on that Milagro buzz like

984
00:51:56,520 --> 00:51:58,719
Speaker 1: I'm my ship. I'm an autopilot, you know what I mean, Like,

985
00:51:58,800 --> 00:52:00,880
Speaker 1: take over, Jesus, take the y'all here. I am man,

986
00:52:01,000 --> 00:52:03,080
Speaker 1: I'm I'm sending my text. I'm doing my thing. So

987
00:52:03,160 --> 00:52:05,799
Speaker 1: I get this girl from Bumble. She hits me up. Hey,

988
00:52:05,840 --> 00:52:08,319
Speaker 1: I'm I said you should come over four thirty. Okay.

989
00:52:08,320 --> 00:52:10,520
Speaker 1: She's an Echo park where I just left, and she goes.

990
00:52:10,560 --> 00:52:12,760
Speaker 1: I don't know. I don't think it's a good idea.

991
00:52:12,800 --> 00:52:14,480
Speaker 1: I said, why she goes because I'm not supposed to

992
00:52:14,520 --> 00:52:17,200
Speaker 1: come to stranger's houses. Now, I literally have had no

993
00:52:17,280 --> 00:52:19,680
Speaker 1: conversation with this girl. Okay, I have not spoken to

994
00:52:19,680 --> 00:52:22,560
Speaker 1: her on the phone. I have literally sent her a

995
00:52:22,600 --> 00:52:26,759
Speaker 1: message on Bumble. We see each other. And what does

996
00:52:26,760 --> 00:52:28,720
Speaker 1: she look like? She looks good. She's like an indie

997
00:52:28,800 --> 00:52:33,040
Speaker 1: chick from Silver Lake Tattoos, you know this and that Julia.

998
00:52:33,200 --> 00:52:34,880
Speaker 1: What picture did she have on her? I mean, what

999
00:52:35,000 --> 00:52:36,560
Speaker 1: what song did she have on her? There was no

1000
00:52:36,600 --> 00:52:40,040
Speaker 1: song on this apps Bumble. Anyway, she hits me up

1001
00:52:40,040 --> 00:52:44,120
Speaker 1: and I was shoots the one with the songs ray

1002
00:52:44,560 --> 00:52:47,400
Speaker 1: So forget about Raya. So I get this thing and

1003
00:52:47,400 --> 00:52:51,839
Speaker 1: I'm so con now I get kind of shoot her

1004
00:52:51,920 --> 00:52:56,120
Speaker 1: shoot well, truly can shoot shoot out to find out.

1005
00:52:56,160 --> 00:52:58,200
Speaker 1: I was in that predicament like ship man, what do

1006
00:52:58,239 --> 00:53:00,600
Speaker 1: I do here? So it was the other chronicles of

1007
00:53:00,920 --> 00:53:04,440
Speaker 1: Young Stick. So I didn't know if this girl Julia

1008
00:53:04,520 --> 00:53:07,040
Speaker 1: was definitely coming over. So I'm still leaving room for

1009
00:53:07,239 --> 00:53:09,919
Speaker 1: tinker Bell. Tinkerbellt yeah, it's gonna say her name, fuck

1010
00:53:10,200 --> 00:53:12,919
Speaker 1: tinker Belt to be on her way. Okay, she says,

1011
00:53:12,960 --> 00:53:14,960
Speaker 1: I'm on my way. Da da Da da da. Then

1012
00:53:15,080 --> 00:53:16,840
Speaker 1: this girl I said, you should just come over, you know,

1013
00:53:17,000 --> 00:53:18,880
Speaker 1: and I call. I think I call her because she's like,

1014
00:53:18,880 --> 00:53:20,880
Speaker 1: I don't feel comfortable going to strangers houses. I call.

1015
00:53:20,920 --> 00:53:22,799
Speaker 1: I was like, oh where are you? So she gets

1016
00:53:22,920 --> 00:53:24,800
Speaker 1: a little sense of who I am. I'm not this

1017
00:53:24,920 --> 00:53:27,920
Speaker 1: fucking weirdo creek guy comes over, you know, like, I'm cool,

1018
00:53:27,960 --> 00:53:30,239
Speaker 1: you don't need to come over, you sound cool whatever.

1019
00:53:30,520 --> 00:53:32,480
Speaker 1: She goes, all right, I'm down, I'm gonna come over,

1020
00:53:33,080 --> 00:53:35,359
Speaker 1: and I was like, okay, so I hit up tinker Bell.

1021
00:53:35,440 --> 00:53:37,720
Speaker 1: Hey got some drama that just happened with my friend.

1022
00:53:38,200 --> 00:53:41,040
Speaker 1: I'm dealing with a bunch of ship I can't chill. Sorry,

1023
00:53:41,200 --> 00:53:44,400
Speaker 1: what does she say? She's like, well, why don't you

1024
00:53:44,480 --> 00:53:46,120
Speaker 1: hit me up after the drama? Blah blah, And I

1025
00:53:46,200 --> 00:53:47,800
Speaker 1: was like, she going to roll in the streets to

1026
00:53:47,800 --> 00:53:49,840
Speaker 1: see in the morning. I'm not I wouldn't be surprised.

1027
00:53:49,880 --> 00:53:54,840
Speaker 1: So now at this point, hard hardcore, hardcore. So she's like,

1028
00:53:54,920 --> 00:53:56,640
Speaker 1: fuck it, I'm going back home this And now I

1029
00:53:56,719 --> 00:53:59,839
Speaker 1: was like, I didn't respond. So this one. Now it's

1030
00:54:00,080 --> 00:54:03,560
Speaker 1: five am, okay, and I know there's a long strap

1031
00:54:03,760 --> 00:54:09,120
Speaker 1: it up, so it's five am. Now you're crazy. I

1032
00:54:09,200 --> 00:54:12,600
Speaker 1: wait for her. She shows up five five minutes away. Good,

1033
00:54:13,040 --> 00:54:18,120
Speaker 1: she looks great. I have smell great, like not fabries,

1034
00:54:18,239 --> 00:54:21,400
Speaker 1: but just nice sense and just nice you know, natural

1035
00:54:21,440 --> 00:54:24,320
Speaker 1: sense whatever. So I have a little island that I

1036
00:54:24,400 --> 00:54:28,360
Speaker 1: put together in my kitchen with Daniel took me some

1037
00:54:28,440 --> 00:54:30,360
Speaker 1: bar stools. You guys did that on your room, So

1038
00:54:30,400 --> 00:54:32,200
Speaker 1: that's kind of my pad of like, okay, you know,

1039
00:54:32,239 --> 00:54:34,320
Speaker 1: I have an upstairs, so that's where I start, you know,

1040
00:54:34,480 --> 00:54:37,520
Speaker 1: you know, what's whip about the whole routine like I

1041
00:54:37,680 --> 00:54:40,319
Speaker 1: personally do. Yeah, I start there, so it's not like, hey,

1042
00:54:40,440 --> 00:54:42,400
Speaker 1: let's go, you know, so we're at the we're at

1043
00:54:42,440 --> 00:54:45,880
Speaker 1: the island, we're doing my things shore and and we

1044
00:54:45,960 --> 00:54:48,000
Speaker 1: whip out the milagro I love it. And then I

1045
00:54:48,120 --> 00:54:50,120
Speaker 1: and I get some of the blue Moons out, some beers.

1046
00:54:50,360 --> 00:54:52,160
Speaker 1: We're just chilling. We're getting to know each other. I

1047
00:54:52,239 --> 00:54:55,160
Speaker 1: have a question, go ahead, space lamp, spacelight. We're not

1048
00:54:55,239 --> 00:54:56,800
Speaker 1: there yet, but did I pop that up? Yeah? I

1049
00:54:56,840 --> 00:54:59,920
Speaker 1: definitely did, so so space. So the spacelight before she

1050
00:55:00,080 --> 00:55:02,880
Speaker 1: got there, it's already on and the lights are off

1051
00:55:02,920 --> 00:55:05,000
Speaker 1: in my room. So when we do go upstairs, which

1052
00:55:05,040 --> 00:55:07,200
Speaker 1: it has to get there because it's five am. You're

1053
00:55:07,200 --> 00:55:08,600
Speaker 1: not trying to like have a beer with me and

1054
00:55:08,600 --> 00:55:11,839
Speaker 1: then go home at five thirty, space Light's already rocking up. Okay, okay,

1055
00:55:11,880 --> 00:55:14,160
Speaker 1: So so go ahead, So what happens the island? Like,

1056
00:55:14,239 --> 00:55:18,280
Speaker 1: what do you say? Talking? The sun's coming up? Basically,

1057
00:55:18,680 --> 00:55:20,879
Speaker 1: I'm we're getting to know each other at this point.

1058
00:55:20,920 --> 00:55:22,880
Speaker 1: Oh yeah, do you like this? But yeah, what do

1059
00:55:22,960 --> 00:55:24,680
Speaker 1: you do? And she goes, oh, I used to direct

1060
00:55:24,960 --> 00:55:26,879
Speaker 1: this and that, and now I'm just you know, looking

1061
00:55:26,920 --> 00:55:29,080
Speaker 1: for blah blah blah. We're catching up and then I

1062
00:55:29,239 --> 00:55:32,400
Speaker 1: just like make the move, uh not not to kiss her,

1063
00:55:32,440 --> 00:55:35,000
Speaker 1: but I'm like, start turning off the lights, like all right,

1064
00:55:35,040 --> 00:55:37,520
Speaker 1: I'm clearing up this living room area. Oh and then

1065
00:55:37,600 --> 00:55:39,799
Speaker 1: you know the cat. I have a I have a cat, Pablo. Now,

1066
00:55:39,880 --> 00:55:41,880
Speaker 1: what what happens if one of these young ladies is

1067
00:55:41,880 --> 00:55:45,440
Speaker 1: allergic to cats? She was Actually, I tell them my

1068
00:55:45,640 --> 00:55:49,279
Speaker 1: cat is cock blocks. Not it's not that is a

1069
00:55:49,440 --> 00:55:52,480
Speaker 1: cock blocking cat. It's really not. And he's he's such

1070
00:55:52,520 --> 00:55:55,120
Speaker 1: a great cat. But I'm severely allergic to him. For

1071
00:55:55,239 --> 00:55:58,479
Speaker 1: your cat, I'm very allergic to your own cotting deny

1072
00:55:58,560 --> 00:56:00,520
Speaker 1: his love. I I love him so much. That's why

1073
00:56:00,520 --> 00:56:02,160
Speaker 1: I happened. So when people say I'm allergic, I get

1074
00:56:02,200 --> 00:56:05,600
Speaker 1: shots every week, allergy shots. I'm allergic to them like crazy.

1075
00:56:05,760 --> 00:56:07,279
Speaker 1: So that's how much I love them. That's got to

1076
00:56:07,320 --> 00:56:10,120
Speaker 1: say something. Anyway, we're closing down the living room. I

1077
00:56:10,200 --> 00:56:13,399
Speaker 1: go upstairs. The lights are on, the the fucking space

1078
00:56:13,480 --> 00:56:16,160
Speaker 1: lights rocking. Does she walk in and she like, oh,

1079
00:56:16,320 --> 00:56:19,920
Speaker 1: we're like don't honestly, I don't even remember. I mean

1080
00:56:19,960 --> 00:56:25,239
Speaker 1: I remember, but does she think yeah, like yes, the

1081
00:56:25,280 --> 00:56:28,320
Speaker 1: planets Areum, It's like, what are you playing music? No,

1082
00:56:28,480 --> 00:56:31,000
Speaker 1: because Daniels sleeping and I don't think I'm playing music

1083
00:56:31,000 --> 00:56:33,520
Speaker 1: in this it's like five something, Yes, am, we get

1084
00:56:33,600 --> 00:56:38,800
Speaker 1: into the bed and I make the move, shooter shoots. Shoot.

1085
00:56:38,920 --> 00:56:42,279
Speaker 1: Let's just say the shooter shoots, yes, sir, and uh,

1086
00:56:43,120 --> 00:56:45,239
Speaker 1: wake up the next day. You know when you say

1087
00:56:45,280 --> 00:56:46,920
Speaker 1: wake up the next day, you went to sleep and

1088
00:56:47,000 --> 00:56:50,360
Speaker 1: like five six, it is six, probably I want woke up.

1089
00:56:50,400 --> 00:56:53,600
Speaker 1: It's daylight savings time. That when you wake up one

1090
00:56:53,640 --> 00:56:56,840
Speaker 1: o'clock daylight savings, she's over there sleeping, fucking sleeping. So

1091
00:56:57,000 --> 00:56:59,080
Speaker 1: I'm like, I got shipped to do now this and

1092
00:56:59,120 --> 00:57:01,160
Speaker 1: now I got lunch and I did, and she took

1093
00:57:01,160 --> 00:57:05,839
Speaker 1: an uber and I haven't. I don't think I'm going

1094
00:57:05,920 --> 00:57:08,920
Speaker 1: to pursue it again. But you haven't even texted nothing.

1095
00:57:09,640 --> 00:57:13,400
Speaker 1: I did she hit you back, I haven't anything. This

1096
00:57:13,520 --> 00:57:16,200
Speaker 1: is stumb Young, I haven't said anything, Young, wild and

1097
00:57:16,360 --> 00:57:19,000
Speaker 1: free wild ship. I don't even know about this kind

1098
00:57:19,040 --> 00:57:21,480
Speaker 1: of life. No bullshit. We did it all. We did

1099
00:57:21,520 --> 00:57:24,080
Speaker 1: it all. That's all. Say. We did everything. Damn. So

1100
00:57:24,320 --> 00:57:26,640
Speaker 1: I was like and and Daniels like you caught in

1101
00:57:26,680 --> 00:57:29,000
Speaker 1: the booty hole. No, I didn't do that. You said

1102
00:57:29,000 --> 00:57:31,080
Speaker 1: you did it all. Didn't do that, man, you didn't

1103
00:57:31,080 --> 00:57:33,080
Speaker 1: have to. I didn't do that. Man, do what. I

1104
00:57:33,520 --> 00:57:35,720
Speaker 1: didn't crawl into any You didn't crawl in the booty hole.

1105
00:57:35,760 --> 00:57:38,920
Speaker 1: Non't even crawling on anybody's bootyls. Anyway, we did it

1106
00:57:38,960 --> 00:57:43,960
Speaker 1: all that. I didn't do that. But you know, anyway,

1107
00:57:44,240 --> 00:57:45,960
Speaker 1: Daniel asked me, how was united? This is not It

1108
00:57:46,040 --> 00:57:47,360
Speaker 1: was good. It was good, and then later on I

1109
00:57:47,400 --> 00:57:49,000
Speaker 1: was I said, you know, I actually met up with

1110
00:57:49,040 --> 00:57:51,959
Speaker 1: this girl from Bumble five am and he and he's

1111
00:57:51,960 --> 00:57:54,200
Speaker 1: a world class stic man. So he was like, oh, Ship,

1112
00:57:54,280 --> 00:57:56,560
Speaker 1: are you serious? You guys never spoken nothing. I said, no,

1113
00:57:56,800 --> 00:57:58,920
Speaker 1: it was the first I've never done that. And the

1114
00:57:59,000 --> 00:58:01,000
Speaker 1: Bumble ship is really just on something like yo, I

1115
00:58:01,040 --> 00:58:02,960
Speaker 1: guess it's not like we're trying to like, let's go

1116
00:58:03,040 --> 00:58:05,760
Speaker 1: to the beach. No, no, I mean frisbee around. Listen.

1117
00:58:06,080 --> 00:58:08,400
Speaker 1: I would have never hit her up at four she

1118
00:58:08,520 --> 00:58:10,880
Speaker 1: hit me up. I'm gonna not say. No. That was it.

1119
00:58:11,440 --> 00:58:16,160
Speaker 1: Things are good, things are moving. I'm trying to stay work. Yeah,

1120
00:58:16,200 --> 00:58:19,720
Speaker 1: I guess, so he was. It was okay, but that

1121
00:58:20,080 --> 00:58:22,200
Speaker 1: was it. Man. I gotta tell you, man, this this

1122
00:58:22,440 --> 00:58:29,480
Speaker 1: is a whole other atmosphere, the whole other lifestyle, respect respect.

1123
00:58:29,560 --> 00:58:31,960
Speaker 1: Did you back it up? Did you back it up?

1124
00:58:32,160 --> 00:58:35,080
Speaker 1: See pause, you went row dog? Did you go rod dog?

1125
00:58:35,440 --> 00:58:36,960
Speaker 1: Backing off the mic, I'll tell you about this one.

1126
00:58:37,240 --> 00:58:39,680
Speaker 1: Did you rock dog girl? No? No, the people? Well,

1127
00:58:39,760 --> 00:58:41,680
Speaker 1: now you you paused. I asked you if you bagged

1128
00:58:41,720 --> 00:58:44,000
Speaker 1: it up? You pause. I think we know our answer.

1129
00:58:44,440 --> 00:58:46,360
Speaker 1: I think we should. We should definitely say we we

1130
00:58:46,480 --> 00:58:52,480
Speaker 1: support and encourage everybody. Listen, we talked about stick Manxman. Listen.

1131
00:58:52,640 --> 00:58:54,480
Speaker 1: You can't be out here going row dog. I know,

1132
00:58:54,920 --> 00:58:57,200
Speaker 1: I know. So when you caught the booty hole, you didn't.

1133
00:58:57,240 --> 00:58:59,400
Speaker 1: I didn't do that. You just said that I did that. Okay,

1134
00:58:59,440 --> 00:59:01,160
Speaker 1: so but just a general you didn't bag it up

1135
00:59:01,240 --> 00:59:05,200
Speaker 1: across the board, I didn't you. Listen. I don't even

1136
00:59:05,240 --> 00:59:10,040
Speaker 1: like you man. You're proud of that. You know you

1137
00:59:10,040 --> 00:59:12,280
Speaker 1: shouldn't be proud of I'm not why. I just told you.

1138
00:59:12,360 --> 00:59:15,240
Speaker 1: I'm not your Sean Kempon. You're Sean Kempon. I don't

1139
00:59:15,240 --> 00:59:17,120
Speaker 1: know who that is, but you know you're Sean. You

1140
00:59:17,160 --> 00:59:20,440
Speaker 1: don't know who Sean kempis. First check on this. First,

1141
00:59:20,480 --> 00:59:23,240
Speaker 1: you don't know who. First, you don't know Polly Walnuts,

1142
00:59:23,280 --> 00:59:25,680
Speaker 1: And now you don't know who Sean kemps Remember pall

1143
00:59:25,800 --> 00:59:29,000
Speaker 1: Walnuts and people haven't forgiving you for not knowing. I

1144
00:59:29,040 --> 00:59:32,720
Speaker 1: don't fact check, man, would you like me to see check? Yes, sir, yes, sir?

1145
00:59:32,800 --> 00:59:35,360
Speaker 1: All right, being fun man, I appreciate you having me

1146
00:59:35,400 --> 00:59:38,280
Speaker 1: on again. The honesty and the genuineness is dope, my man.

1147
00:59:38,360 --> 00:59:40,760
Speaker 1: Dean Collins is not a savage. He's good dude. Thank

1148
00:59:40,800 --> 00:59:42,880
Speaker 1: you man. Unfortunately, you're not gonna be able to join

1149
00:59:43,000 --> 00:59:44,960
Speaker 1: us this week for south By Southwest. You're gonna be

1150
00:59:45,040 --> 00:59:48,280
Speaker 1: rocking in south By Southwest Wednesday, Thursday and Friday. I

1151
00:59:48,320 --> 00:59:49,920
Speaker 1: would love to one of these days get out there

1152
00:59:49,960 --> 00:59:51,440
Speaker 1: with you. Someone. We gotta have you come to a

1153
00:59:51,520 --> 00:59:53,360
Speaker 1: live show. You just let me know, man, I told you,

1154
00:59:53,720 --> 00:59:55,280
Speaker 1: But I've let you know a lot, and then there's

1155
00:59:55,400 --> 00:59:57,960
Speaker 1: always want. There's always bullshit on your end. We're like, well,

1156
00:59:58,000 --> 01:00:00,360
Speaker 1: it's just not happening. I'm always in man. We're gonna

1157
01:00:00,360 --> 01:00:02,360
Speaker 1: be an Austin this week. You want to come, I

1158
01:00:02,400 --> 01:00:05,280
Speaker 1: would love to, but you you might be working. Let's see.

1159
01:00:05,320 --> 01:00:06,880
Speaker 1: I'm not gonna get ahead of myself, but we'll see.

1160
01:00:06,880 --> 01:00:09,120
Speaker 1: If i am, I would knock on whitman. Alright, alright,

1161
01:00:09,160 --> 01:00:10,880
Speaker 1: and it's been real man. I appreciate you having me

1162
01:00:11,520 --> 01:00:13,880
Speaker 1: my man. I end the show. You it's been really

1163
01:00:13,880 --> 01:00:15,960
Speaker 1: I appreciate it. I end the show. Let me finish

1164
01:00:16,000 --> 01:00:18,080
Speaker 1: the fun the show. So do I not talk anymore?

1165
01:00:18,680 --> 01:00:21,480
Speaker 1: You could talk, but let me do the wrap, the ending.

1166
01:00:21,880 --> 01:00:24,000
Speaker 1: I'm gonna fucking do the end. You're like, I appreciate it.

1167
01:00:24,000 --> 01:00:26,520
Speaker 1: You're gonna cut the fund. No, I'm gonna finish the

1168
01:00:26,560 --> 01:00:29,920
Speaker 1: show when I finished. It's your show man stereo podcast

1169
01:00:31,000 --> 01:00:37,160
Speaker 1: uh therapeutic podcasting, Uh disruptive behavior. We will be it

1170
01:00:37,240 --> 01:00:41,520
Speaker 1: south by Southwest this week, H live all week. Uh

1171
01:00:41,760 --> 01:00:43,840
Speaker 1: tune in NBA and tune in. And what more can

1172
01:00:43,880 --> 01:00:46,960
Speaker 1: I say? It's a young shooter. Um, he's here Dean

1173
01:00:47,040 --> 01:00:50,360
Speaker 1: Collins farm on Instagram at Dean Collins. You're listening to

1174
01:00:50,440 --> 01:00:52,480
Speaker 1: Pacific the band just specific but if you want to

1175
01:00:52,520 --> 01:00:54,680
Speaker 1: find my man, my man, my man, my man, my man,

1176
01:00:55,640 --> 01:01:00,440
Speaker 1: let me finish the show. You're listening to Pacific, that's rocking. Um,

1177
01:01:00,560 --> 01:01:03,560
Speaker 1: and we're doing the damn thing and the shooter shoots.

1178
01:01:04,080 --> 01:01:06,560
Speaker 1: Um we we we we uh we we wanted cards

1179
01:01:06,600 --> 01:01:09,360
Speaker 1: everybody to practice safe sex. Did you get your dick

1180
01:01:09,560 --> 01:01:12,439
Speaker 1: check since then? Yeah? Yeah I got Yeah, I've been checked.

1181
01:01:12,480 --> 01:01:15,439
Speaker 1: But let's not end on that. You have any flee bytes,

1182
01:01:15,600 --> 01:01:17,000
Speaker 1: good Man, I don't have any that. Don't put that

1183
01:01:17,040 --> 01:01:23,560
Speaker 1: out there. I flee by Iron Wrapper stereo podcast. We

1184
01:01:23,640 --> 01:01:23,800
Speaker 1: out