WEBVTT - Forrest Gump with Maia aka Broey Deschanel

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<v Speaker 1>On the Bechdel Cast, the questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? It's the patriarchy, zeph and

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<v Speaker 1>bast start changing it with the Bechdel Cast.

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<v Speaker 2>Jamie, but the Bechdel Cast is like a box of chocolates. Okay,

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<v Speaker 2>explain that. Do you never know what you're gonna get?

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<v Speaker 2>Are we gonna reference Shrek? Maybe?

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<v Speaker 3>I don't know. Almost the last time we gave people

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<v Speaker 3>something they didn't know they were gonna get.

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<v Speaker 2>You know what, You're right, it's pretty predictable. We're probably

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<v Speaker 2>gonna again reference Shrek or Titanic or Minions.

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<v Speaker 3>I will say, when it comes to the Life of

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<v Speaker 3>Forrest Gump, I did not know what I was gonna get.

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<v Speaker 3>For example, I didn't expect the KKK to come up

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<v Speaker 3>in the first five minutes of this movie. I'll be honest. Yeah,

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<v Speaker 3>I'll be honest. And I also didn't expect him to

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<v Speaker 3>give John Lennon the idea for this song imagine. So

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<v Speaker 3>you know, if nothing else, this movie delivers on the

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<v Speaker 3>promise I did not know what was gonna happen next,

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<v Speaker 3>even if very often it had me screaming at my roku. H.

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<v Speaker 2>So today's episode, I feel like it's a long time

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<v Speaker 2>coming Forrest Gump.

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<v Speaker 3>Yeah, I'm surprised we haven't talked about it yet. I

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<v Speaker 3>think I've been like kind of quietly refusing to talk

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<v Speaker 3>about it for a long time because it's one of

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<v Speaker 3>those movies that I'm like almost impressed. It's taken me

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<v Speaker 3>this long to see. But it's over. Now we can

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<v Speaker 3>finally go to Bubba Gump, Yes, and really explore how

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<v Speaker 3>I was like, how do they present the characters in

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<v Speaker 3>the restaurant? Like, are they like rip Bubba in the restaurant?

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<v Speaker 2>I don't remember. I've only been once, and so I

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<v Speaker 2>can't say for certain. We'll find out soon because we're going,

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<v Speaker 2>Jamie and.

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<v Speaker 3>I, we're going. We're going to the city walk Bubba Gump,

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<v Speaker 3>and we're gonna it's a business expense. Isn't that thrilling?

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<v Speaker 2>It's thrilling. By the way, let us enter duce ourselves. Hi,

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<v Speaker 2>my name's Caitlin Caitlyn Derante.

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<v Speaker 3>Oh, my name is Jamie Jamie Loftus.

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<v Speaker 2>And this is our podcast where we examine movies through

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<v Speaker 2>an intersectional feminist lens using the Bechdel Test simply as

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<v Speaker 2>a jumping off point to initiate larger discussions about representation

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<v Speaker 2>and things. What's the Bechtel test though.

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<v Speaker 3>Oh thank you for asking, yeh. Media metric originally created

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<v Speaker 3>by Alison Bechdel, often called the Bechdel Wallace Test because

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<v Speaker 3>it was co created with Liz Wallace. Originally created as

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<v Speaker 3>a queer media test, but has since been applied to

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<v Speaker 3>a far larger swath of media. Lots of versions of

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<v Speaker 3>the test. The one we use requires that two people

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<v Speaker 3>of a marginalized gender with names talk to each other

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<v Speaker 3>about something other and a man. Many movies pass it

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<v Speaker 3>now still some don't, but this is just how we

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<v Speaker 3>sort of start the discussion, and it's still to this

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<v Speaker 3>day my favorite way to tell. When people are lying

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<v Speaker 3>about talking about the show. They're like, yeah, for two hours,

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<v Speaker 3>you just pour over the script and you're like, no,

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<v Speaker 3>that's a man. Next time. Anyways, today we're covering Forrest

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<v Speaker 3>Gump and we have the perfect guest, which is why

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<v Speaker 3>it is time to cover this movie.

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<v Speaker 2>We sure do. She is a YouTuber and video says

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<v Speaker 2>she is host of rehash podcast. It's may aka Broi

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<v Speaker 2>da Chanel.

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<v Speaker 4>Welcome, Thanks, guys. How's it going.

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<v Speaker 2>Oh, it's just fine and dandy, splendid, guys.

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<v Speaker 3>This movie is so long. I feel like now when

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<v Speaker 3>I look at a certain run time and I know

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<v Speaker 3>it's not gonna be a movie for me, I'm like,

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<v Speaker 3>don't piss me off. This is wild. This is as

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<v Speaker 3>long as wicked.

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<v Speaker 4>I sat down to rewatch it with my two friends

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<v Speaker 4>yesterday and I invited them over for seven pm. It's like,

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<v Speaker 4>I gotta go to bed early. I'm so tired. They

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<v Speaker 4>talked until nine pm, so like we didn't really get

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<v Speaker 4>started till then. And then I was like, guys, I

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<v Speaker 4>just remember the movies two and a half hour long.

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<v Speaker 4>Like we got a start and they didn't leave till

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<v Speaker 4>like twelve thirty.

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<v Speaker 3>Good for them for sticking it out. That's really brave.

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<v Speaker 4>I know they wanted to watch like a really artsy movie,

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<v Speaker 4>and they wanted to go to like Anthology, which is

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<v Speaker 4>like this theater in New York, and I was like,

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<v Speaker 4>how about instead you come over and watch Forrest Gump

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<v Speaker 4>with me.

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<v Speaker 3>Very money trauma. Yeah, that theater rocks. Yeah, this what

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<v Speaker 3>a journey. And obviously, I mean, we'll be linking your

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<v Speaker 3>video in the description, but The reason we're bringing you

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<v Speaker 3>on for this is because you've recently released an incredible

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<v Speaker 3>video about the political legacy of this movie, as well

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<v Speaker 3>as the adaptation from book to film, which I knew

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<v Speaker 3>nothing about on your channel. So I'm curious to start.

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<v Speaker 3>What is your history with this movie.

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<v Speaker 4>Yeah, I watched Forrest Gump for the first time. I

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<v Speaker 4>think it was like early high school. I was probably

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<v Speaker 4>in grade nine, as week Canadians put it ninth grade.

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<v Speaker 3>Very de grassy, coded of you.

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<v Speaker 4>It's so grassy.

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<v Speaker 3>I know how to talk to Canadian people. It's like

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<v Speaker 3>they flip it.

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<v Speaker 4>We flip it. Yeah, And I went to my aunt's

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<v Speaker 4>house and I would like, I sometimes would go in

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<v Speaker 4>her bedroom and she has like a TV, and I'd

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<v Speaker 4>watched a movie in there while she and the adults talked.

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<v Speaker 4>So I went into the room and watched Forrest Gump,

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<v Speaker 4>and I loved it. Like back then especially, I just

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<v Speaker 4>felt very swept up in the emotion of it. I

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<v Speaker 4>think it's a really emotionally powerful movie and it does

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<v Speaker 4>a really good job of that. I think it's a

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<v Speaker 4>really competent movie. And so by the end, I was like,

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<v Speaker 4>oh my god, that was so beautiful. I was solving.

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<v Speaker 4>I was like, I miss Jenny two. And then I

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<v Speaker 4>hadn't watched it for years, and then a few months ago,

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<v Speaker 4>I was like, wouldn't it be kind of cool? Like

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<v Speaker 4>I started learning more about the film's place in popular

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<v Speaker 4>culture and the way that it's kind of aged and

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<v Speaker 4>spoiler alert, it hasn't aged well, and I thought it'd

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<v Speaker 4>be interesting to kind of go back and do a

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<v Speaker 4>retrospective on the film. And so in September I went

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<v Speaker 4>back and I rewatched it, and then I started reading

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<v Speaker 4>more about it, and the more I read about it,

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<v Speaker 4>the more I started to kind of really dislike it,

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<v Speaker 4>which is unfortunate, but because I don't want to come

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<v Speaker 4>out of a video with that feeling. But that's just

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<v Speaker 4>kind of how it went. But it was a really

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<v Speaker 4>rich It was a hotbed for takes. And then I

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<v Speaker 4>had seen it probably for that month because of the research.

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<v Speaker 4>I'd watched it about five times, and I was like,

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<v Speaker 4>I'm never gonna watch this movie again.

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<v Speaker 3>Oh no.

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<v Speaker 4>And then you guys reached it though, and I was like,

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<v Speaker 4>they pulled me back in and so here I am, sorry, no, no,

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<v Speaker 4>and I'm really pumped because where else would I want

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<v Speaker 4>to talk about this more than on the Bechdel cast,

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<v Speaker 4>no less.

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<v Speaker 3>So thank you for watching it for the sixth time

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<v Speaker 3>this calendar year. So sorry, that's like almost a full

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<v Speaker 3>I can't do math. It's a lot of time. I

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<v Speaker 3>was gonna say, that's three days.

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<v Speaker 4>It's okay. I can call myself a Forrest Gump expert,

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<v Speaker 4>like proudly, and so I think I think that's fine.

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<v Speaker 4>You know, sometimes you have to be an expert in something.

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<v Speaker 3>It's true. I mean, we'll talk about this after the

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<v Speaker 3>recap more. But I was very taken aback by how

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<v Speaker 3>this movie has been a hotbed for takes since it

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<v Speaker 3>came out, like it predates the subsequent internet discourses by

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<v Speaker 3>a lot, and then is somehow continuing into this press

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<v Speaker 3>cycle for here is that what it's called?

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<v Speaker 2>Oh the way, the Robert Zemeckis movie of twenty twenty

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<v Speaker 2>four that has the same cast because it's Tom Hanks

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<v Speaker 2>and Robin Wright.

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<v Speaker 3>Yeah, so there's been another sort of round of discourse

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<v Speaker 3>about it in the last like two months because Robin

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<v Speaker 3>Wright was asked about the character Jenny on a press tour.

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<v Speaker 3>So it's like he's inescapable, He's everywhere. Caitlin what's your

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<v Speaker 3>history with Forrest Gump?

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<v Speaker 2>Okay, I have what might be a rather shocking history

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<v Speaker 2>with this movie. I have seen the movie probably seventy

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<v Speaker 2>or eighty times throughout my life. Although most of it, yeah.

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<v Speaker 3>You don't like a movie halfway. I will say.

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<v Speaker 2>It's when I really like something, I commit. But I

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<v Speaker 2>would say like ninety five percent of those viewings were very,

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<v Speaker 2>very concentrated between age like ten and twelve. So the

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<v Speaker 2>movie came out when I was eight years old. I

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<v Speaker 2>don't think I saw it until probably a year later

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<v Speaker 2>we got it on VHS, and it probably took me

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<v Speaker 2>a little while too, like because I was just sort

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<v Speaker 2>of like, what's this movie? Because my mom would be like,

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<v Speaker 2>leave me alone, go watch something.

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<v Speaker 3>Shout out to Laurie. It was definitely listening.

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<v Speaker 5>You know.

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<v Speaker 2>She did a great job raising me, but sometimes she

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<v Speaker 2>was just like, go watch a movie. So eventually I

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<v Speaker 2>discovered Forrest Gump. I think it was probably nine or ten,

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<v Speaker 2>And I don't know why I took to it so much,

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<v Speaker 2>because it was not like anything else I was watching

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<v Speaker 2>at that age, but I became obsessed and I would

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<v Speaker 2>probably watch it every few days.

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<v Speaker 3>Wow.

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<v Speaker 2>And I did that until Titanic came out, and those

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<v Speaker 2>two VHS's really replaced Forrest Gump in my movie watching circulation.

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<v Speaker 2>So from age twelve, I think I probably only saw

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<v Speaker 2>it once or twice, maybe like a couple times as

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<v Speaker 2>a teenager, maybe once in college, but for those few years,

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<v Speaker 2>I was like enthralled by it. There are things about

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<v Speaker 2>American history that I first learned about from this movie,

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<v Speaker 2>not that it really dives deep into any of those things,

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<v Speaker 2>but like I probably didn't know what the Vietnam War

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<v Speaker 2>was until I watched this movie. I didn't know about

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<v Speaker 2>like racial segregation until this movie. I didn't know about

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<v Speaker 2>a bunch of things until I saw this movie. Also,

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<v Speaker 2>the soundtrack introduced me to a lot of iconic songs

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<v Speaker 2>from the sixties and seventies that I probably wouldn't have

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<v Speaker 2>been exposed to really otherwise.

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<v Speaker 3>Yeah, the needle Drops, You can't argue with the needle drops,

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<v Speaker 3>simply cannot.

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<v Speaker 4>They're really running through like every top song of the sixties.

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<v Speaker 4>They hit every single one of.

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<v Speaker 3>Them, back to back to it. Like sometimes I think

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<v Speaker 3>there was a run of like four in a row.

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<v Speaker 3>You're like, damn budget, Like it felt like a Scorsese movie.

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<v Speaker 2>You're just saying, so I have a very weird history

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<v Speaker 2>with this movie, and then I kind of just forgot

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<v Speaker 2>about it and didn't care about it, and probably upon retrospect,

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<v Speaker 2>was like, I don't think that movie's very good, but

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<v Speaker 2>I didn't really go back and check until prepping for

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<v Speaker 2>this episode. I'm very excited to talk about it. There's

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<v Speaker 2>much to discuss and my yea, your video essay is incredible.

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<v Speaker 4>Thank you, Jamie.

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<v Speaker 2>What is your history with the movie?

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<v Speaker 3>Ah? Nothing. This is one of the movies that I Yeah,

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<v Speaker 3>I don't know exactly why it took me so long

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<v Speaker 3>to watch this, but once I realized, I think like

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<v Speaker 3>sometime in college, I was like, wow, I've never seen

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<v Speaker 3>Forrest Gump, And instead of being like I should watch

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<v Speaker 3>it and educate myself, I'm like, let me see how

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<v Speaker 3>far into my life I can get without seeing it,

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<v Speaker 3>which is all the way until this weekend. Yeah, I'm

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<v Speaker 3>very interested to talk about how this because at first,

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<v Speaker 3>like on my first view, I was like I don't

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<v Speaker 3>get it. But the more I talked to people who

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<v Speaker 3>had like a childhood appreciation of this movie, I was like,

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<v Speaker 3>I think I was like a baby when this came out,

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<v Speaker 3>so I wouldn't have seen it until later anyways. But

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<v Speaker 3>my boyfriend also has like a strong attachment to this movie,

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<v Speaker 3>and similar to you, Caitlin said that like he learned

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<v Speaker 3>about like a few pieces of American history that he

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<v Speaker 3>didn't know about before then either. And I still am like,

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<v Speaker 3>it is wild to me that this movie, which is

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<v Speaker 3>two and a half hours long and a prestige drama,

0:11:47.760 --> 0:11:49.240
<v Speaker 3>was holding the attention of children.

0:11:49.880 --> 0:11:53.000
<v Speaker 2>Makes no sense. Cannot explain, but it.

0:11:52.920 --> 0:11:55.800
<v Speaker 3>Seems that there are many such cases. Yeah, I don't know.

0:11:55.840 --> 0:11:59.000
<v Speaker 3>I remember, like my dad didn't like this movie. I

0:11:59.000 --> 0:12:00.920
<v Speaker 3>don't know why. I can't tell you why, but I

0:12:00.960 --> 0:12:05.079
<v Speaker 3>think he was just like, no long boring, Let's watch

0:12:05.280 --> 0:12:08.640
<v Speaker 3>Peewey's Pick Adventure, and so we would nice. So yeah,

0:12:08.679 --> 0:12:14.040
<v Speaker 3>I'm coming in very fresh on this movie and I'm

0:12:14.080 --> 0:12:16.920
<v Speaker 3>excited to talk about it because, like you were saying

0:12:17.160 --> 0:12:19.440
<v Speaker 3>a little earlier, my yeah, I mean, I think it

0:12:19.520 --> 0:12:24.560
<v Speaker 3>is clearly a beautifully made movie, and it just feels like, yeah,

0:12:24.559 --> 0:12:28.280
<v Speaker 3>this early hardbinger of like maybe Robert Zemechis is not

0:12:28.440 --> 0:12:33.400
<v Speaker 3>a historical film kind of guy. Maybe he has no

0:12:33.720 --> 0:12:36.920
<v Speaker 3>interest in it, or at least meaningful interest in it.

0:12:37.320 --> 0:12:42.480
<v Speaker 4>If Rowers Megas has one hater, it's me. I dislike

0:12:42.600 --> 0:12:45.000
<v Speaker 4>him more than even the movie. I dislike him a lot.

0:12:45.880 --> 0:12:48.440
<v Speaker 3>I was shocked at some of the clips that you

0:12:48.840 --> 0:12:51.120
<v Speaker 3>found of him being like, no, I didn't read the book,

0:12:51.880 --> 0:12:55.079
<v Speaker 3>Like reading sucks. It was like whoa.

0:12:55.200 --> 0:12:57.839
<v Speaker 2>Well, to be fair, that's also us on the Bechdel cast,

0:12:57.920 --> 0:12:59.840
<v Speaker 2>we would never read a book.

0:12:59.640 --> 0:13:02.040
<v Speaker 3>But if you're gonna make the movie, you should probably

0:13:02.040 --> 0:13:03.000
<v Speaker 3>finish the book.

0:13:03.400 --> 0:13:05.959
<v Speaker 4>Yeah, he's just a part of this cohort of like

0:13:06.440 --> 0:13:09.520
<v Speaker 4>directors that are very thing go boom, like that's their

0:13:09.600 --> 0:13:12.360
<v Speaker 4>whole their whole approach to filmmaking, their like thing go boom,

0:13:12.679 --> 0:13:15.800
<v Speaker 4>no talking single boom, And that's that's really him. And

0:13:15.840 --> 0:13:17.880
<v Speaker 4>he's he's making things go boom in this movie.

0:13:18.280 --> 0:13:21.640
<v Speaker 3>He real, really is. I was like, I like him

0:13:21.679 --> 0:13:24.840
<v Speaker 3>at the I mean, I'm a Roger Rabbit head. I

0:13:24.880 --> 0:13:27.760
<v Speaker 3>can't take that from him. Roger Rabbit and death becomes her.

0:13:28.080 --> 0:13:29.640
<v Speaker 4>I do love me as well.

0:13:29.800 --> 0:13:33.160
<v Speaker 2>I'm a big Back to the Future head. Famously, he's

0:13:33.200 --> 0:13:36.640
<v Speaker 2>and this is the thing, he's a great filmmaker. Poor Express,

0:13:36.679 --> 0:13:37.360
<v Speaker 2>I love it.

0:13:38.280 --> 0:13:40.880
<v Speaker 3>That was maybe the hottest take in your entire video,

0:13:40.960 --> 0:13:44.400
<v Speaker 3>because you're like Polar Express actually good thought. Love that

0:13:47.360 --> 0:13:51.800
<v Speaker 3>that is the least scary of his animated movies in retrospect.

0:13:52.040 --> 0:13:56.760
<v Speaker 2>Oh yeah, we should say. Robert Zemeckis of Disney's Pinocchio

0:13:56.800 --> 0:14:00.240
<v Speaker 2>twenty twenty two Fame Yes, which was, of course one

0:14:00.280 --> 0:14:02.839
<v Speaker 2>of the brave soldiers of the Pinocchio Wars.

0:14:03.040 --> 0:14:05.800
<v Speaker 3>I think that's our best Patreon series ever. The Pinocchio

0:14:05.840 --> 0:14:10.080
<v Speaker 3>Wars was. You know, if there's anything to sell people

0:14:10.080 --> 0:14:14.480
<v Speaker 3>on the Matreon, it's the Pinocchio Wars months Because why

0:14:14.559 --> 0:14:17.280
<v Speaker 3>was Pinocchio so top of mind for so many in

0:14:17.320 --> 0:14:21.400
<v Speaker 3>twenty twenty two. We'll never know. We'll never know. Yeah,

0:14:21.440 --> 0:14:23.840
<v Speaker 3>Tom Hanks, that was I feel like that really sort

0:14:23.880 --> 0:14:27.280
<v Speaker 3>of unfortunately was the bell toll of Tom at the

0:14:27.280 --> 0:14:29.920
<v Speaker 3>beginning of Tom hanks flop era a bit was his

0:14:30.200 --> 0:14:36.160
<v Speaker 3>weird drunken interpretation of Geppetto. Anyway, that's for the Pinocchio Wars,

0:14:37.240 --> 0:14:39.600
<v Speaker 3>all right, So I guess let's uh, let's.

0:14:39.400 --> 0:14:42.000
<v Speaker 2>Take a break and then come back for the recap

0:14:51.480 --> 0:14:55.640
<v Speaker 2>and we're back, okay, So I'll do what ended up

0:14:55.640 --> 0:14:57.680
<v Speaker 2>being such a long I tried to trim it down

0:14:57.760 --> 0:15:00.520
<v Speaker 2>and I left a bunch of stuff out which we

0:15:00.560 --> 0:15:03.080
<v Speaker 2>can get into more. During the discussion. But there's just

0:15:03.240 --> 0:15:06.320
<v Speaker 2>so much that happens in this movie that I inevitably

0:15:06.320 --> 0:15:09.480
<v Speaker 2>skip over some stuff. I will also place a content

0:15:09.520 --> 0:15:16.800
<v Speaker 2>warning here for sexual abuse and assault, suicidal ideation, things

0:15:16.800 --> 0:15:17.440
<v Speaker 2>of that nature.

0:15:17.840 --> 0:15:22.600
<v Speaker 3>Yeah, trigger warning for everything that happens to Jenny. Basically, yeah, truly.

0:15:23.200 --> 0:15:28.080
<v Speaker 2>Okay. So we follow a feather floating through the air

0:15:28.240 --> 0:15:32.280
<v Speaker 2>and landing at the feet of Forrest Gump played by

0:15:32.360 --> 0:15:33.040
<v Speaker 2>Tom Hanks.

0:15:33.680 --> 0:15:34.640
<v Speaker 3>Could it be a metaphor?

0:15:35.240 --> 0:15:36.720
<v Speaker 2>I don't know, Maybe, I don't know.

0:15:37.360 --> 0:15:41.400
<v Speaker 4>Also some extremely sentimental music, yeah, continue throughout.

0:15:41.960 --> 0:15:46.040
<v Speaker 3>Yes, Yeah. I found the score to be so grating.

0:15:47.520 --> 0:15:48.240
<v Speaker 4>Very saccurate.

0:15:48.560 --> 0:15:54.200
<v Speaker 3>Yeah. I played that in a high school orchestra. I

0:15:54.200 --> 0:15:56.360
<v Speaker 3>didn't even realize that that was like what it was.

0:15:56.440 --> 0:15:57.680
<v Speaker 3>I was like, where do I know that? I was like,

0:15:57.720 --> 0:15:58.920
<v Speaker 3>I know the obol part.

0:16:01.720 --> 0:16:06.560
<v Speaker 2>Oh classic? Yea, oh okay. So Forrest Gump is sitting

0:16:06.720 --> 0:16:10.120
<v Speaker 2>on a bench at a bus stop. It is nineteen

0:16:10.160 --> 0:16:13.000
<v Speaker 2>eighty one. A woman comes down and sits next to him,

0:16:13.000 --> 0:16:16.240
<v Speaker 2>and he introduces himself. He offers her a chocolate and

0:16:16.240 --> 0:16:19.800
<v Speaker 2>then says the famous line my mom always said, life

0:16:19.840 --> 0:16:22.000
<v Speaker 2>is like a box of chocolates. You never know what

0:16:22.040 --> 0:16:25.240
<v Speaker 2>you're gonna get and then he starts relaying his entire

0:16:25.320 --> 0:16:29.040
<v Speaker 2>life story to this woman who has no interest in

0:16:29.120 --> 0:16:33.400
<v Speaker 2>talking to him, and we flash back to Forrest as

0:16:33.440 --> 0:16:37.920
<v Speaker 2>a child in the nineteen fifties. He lives with his mom,

0:16:38.120 --> 0:16:39.480
<v Speaker 2>played by Sally Field.

0:16:39.720 --> 0:16:43.000
<v Speaker 3>And the wigs they're using on this poor woman, Oh,

0:16:43.040 --> 0:16:45.360
<v Speaker 3>as they begin to age her, I'm just like, this

0:16:45.440 --> 0:16:50.360
<v Speaker 3>isn't fair. The great Sally Field and we're putting these diegessts.

0:16:49.800 --> 0:16:52.280
<v Speaker 2>Like Nicole Kidman level wigs.

0:16:52.400 --> 0:16:52.840
<v Speaker 3>Brutal.

0:16:53.040 --> 0:16:56.520
<v Speaker 4>She's rocking an incredible accent, though, one that I really

0:16:56.600 --> 0:16:57.520
<v Speaker 4>am jealous of.

0:16:57.960 --> 0:17:04.200
<v Speaker 2>She rocks. So she runs a boarding house just outside Greenbow, Alabama.

0:17:04.560 --> 0:17:10.240
<v Speaker 2>Forrest has braces on his legs as well as an

0:17:10.280 --> 0:17:13.760
<v Speaker 2>intellectual disability. His mom wants him to get the same

0:17:13.960 --> 0:17:18.800
<v Speaker 2>education as other kids, so she sleeps with a school

0:17:18.840 --> 0:17:22.280
<v Speaker 2>administrator so that he will let Forrest go to public

0:17:22.280 --> 0:17:27.080
<v Speaker 2>school and not a like quote unquote special school as

0:17:27.119 --> 0:17:28.440
<v Speaker 2>they call it in the movie.

0:17:28.920 --> 0:17:31.240
<v Speaker 3>So Yes, in the first ten minutes, we first learned

0:17:31.280 --> 0:17:34.080
<v Speaker 3>that he is named after the Grand Wizard of the KKK,

0:17:34.760 --> 0:17:36.840
<v Speaker 3>and this thing with the mom happens, and I was like,

0:17:36.960 --> 0:17:41.240
<v Speaker 3>why were six year olds watching it? What that's going on?

0:17:41.560 --> 0:17:44.280
<v Speaker 4>The craziest part about the KKK thing is, and I

0:17:44.320 --> 0:17:47.440
<v Speaker 4>didn't catch this till this viewing, was that his reasoning

0:17:47.520 --> 0:17:49.639
<v Speaker 4>was that he was, like my mom said, it's because

0:17:49.920 --> 0:17:51.639
<v Speaker 4>sometimes people do crazy things.

0:17:52.440 --> 0:17:55.240
<v Speaker 3>Yeah, and now we're supposed to be like deeply invested

0:17:55.280 --> 0:17:59.080
<v Speaker 3>in this woman's journey for three hours, like it's.

0:17:58.760 --> 0:18:02.880
<v Speaker 2>Just And this is also the beginning of a trend

0:18:02.920 --> 0:18:10.760
<v Speaker 2>throughout the movie where Forrest very wildly miss understands and

0:18:11.040 --> 0:18:18.000
<v Speaker 2>like miss describes different historical events or cultural events, and

0:18:18.440 --> 0:18:23.080
<v Speaker 2>he has a very like naive and childlike understanding of

0:18:23.280 --> 0:18:25.600
<v Speaker 2>the world in this I think the first example we

0:18:25.640 --> 0:18:26.560
<v Speaker 2>see of it.

0:18:26.840 --> 0:18:30.440
<v Speaker 3>Which for adult viewers is very like wink and nod.

0:18:30.760 --> 0:18:32.840
<v Speaker 3>But if you're six and watching this movie, I would

0:18:32.840 --> 0:18:34.800
<v Speaker 3>imagine it would be a little confusing.

0:18:35.640 --> 0:18:37.920
<v Speaker 2>Yeah, I can speak from experience.

0:18:38.840 --> 0:18:41.720
<v Speaker 4>The movie is really full of like little nods to

0:18:41.880 --> 0:18:45.119
<v Speaker 4>Americans being like remember that thing. But then sometimes the

0:18:45.240 --> 0:18:46.959
<v Speaker 4>nod is like remember the KKK.

0:18:47.400 --> 0:18:52.400
<v Speaker 3>You remember the the movie just started. Not to mention

0:18:52.480 --> 0:18:55.199
<v Speaker 3>that the person that Forrest is talking to for the

0:18:55.200 --> 0:18:58.080
<v Speaker 3>first I think like hour of the movie is a

0:18:58.119 --> 0:19:00.679
<v Speaker 3>working class black woman, and the first he brings up

0:19:00.760 --> 0:19:03.280
<v Speaker 3>is like, so I'm named after the Grand Wizards of KKK,

0:19:03.640 --> 0:19:05.600
<v Speaker 3>and I'm like, Forrest.

0:19:06.119 --> 0:19:07.359
<v Speaker 2>Can read the room.

0:19:07.840 --> 0:19:08.119
<v Speaker 3>Sure.

0:19:09.160 --> 0:19:12.399
<v Speaker 2>So then it's forces first day of school. The kids

0:19:12.400 --> 0:19:14.800
<v Speaker 2>on the bus are very cruel to him, and no

0:19:14.880 --> 0:19:18.520
<v Speaker 2>one will let him sit next to them, except for Jenny.

0:19:19.440 --> 0:19:24.639
<v Speaker 2>She and Forrest become best friends, and one day some

0:19:24.800 --> 0:19:31.359
<v Speaker 2>kids are bullying Forest and Jenny says the famous line, Run, Forest, Run.

0:19:32.359 --> 0:19:35.800
<v Speaker 2>So he starts to run away, but the braces on

0:19:35.880 --> 0:19:39.720
<v Speaker 2>his legs mean that he can't move very fast until

0:19:40.640 --> 0:19:45.600
<v Speaker 2>the braces start to break off and he's magically cured

0:19:45.640 --> 0:19:46.720
<v Speaker 2>of his disability.

0:19:47.359 --> 0:19:49.680
<v Speaker 3>We'll get back to that, yeah.

0:19:49.080 --> 0:19:53.600
<v Speaker 2>And he runs so fast away from the bullies, and

0:19:53.760 --> 0:19:58.280
<v Speaker 2>from that day forward he was always running. Jenny and

0:19:58.320 --> 0:20:02.240
<v Speaker 2>Forrest remain friends through high school. Jenny's now played by

0:20:02.320 --> 0:20:06.400
<v Speaker 2>Robin Wright. There is another scene where Forrest runs away

0:20:06.440 --> 0:20:11.160
<v Speaker 2>from bullies onto a college football practice and the coaches

0:20:11.240 --> 0:20:14.000
<v Speaker 2>see how fast he is, so they recruit him to

0:20:14.080 --> 0:20:18.679
<v Speaker 2>play football for I think the University of Alabama. So

0:20:18.720 --> 0:20:22.960
<v Speaker 2>he goes to college, and while he's there, here's another

0:20:23.000 --> 0:20:29.160
<v Speaker 2>example of like, he doesn't understand systemic racism because there's

0:20:29.280 --> 0:20:33.679
<v Speaker 2>a movement to desegregate the university, and he doesn't understand

0:20:33.680 --> 0:20:36.600
<v Speaker 2>what's going on, he accidentally kind of like interferes with it.

0:20:37.400 --> 0:20:41.760
<v Speaker 2>One night, Forrest visits Jenny, who goes to a nearby

0:20:41.800 --> 0:20:46.800
<v Speaker 2>women's college. She brings him to her dorm room, takes

0:20:46.840 --> 0:20:50.560
<v Speaker 2>off her bra, puts his hand on her breast, and

0:20:50.920 --> 0:20:55.000
<v Speaker 2>the consent or lack thereof is also something we can

0:20:55.040 --> 0:20:58.560
<v Speaker 2>discuss later, but it's implied that this is his first

0:20:58.640 --> 0:21:03.679
<v Speaker 2>ever sexual experience with another person. He also prematurely jacket

0:21:03.680 --> 0:21:05.200
<v Speaker 2>ejaculated yeah, in front.

0:21:05.040 --> 0:21:07.679
<v Speaker 3>Of her roommate, and when they cut to the roommate,

0:21:07.760 --> 0:21:09.880
<v Speaker 3>I was like, I.

0:21:09.880 --> 0:21:13.400
<v Speaker 4>Was like, that's the movie's one joke that's funny.

0:21:13.640 --> 0:21:17.080
<v Speaker 2>So there's like this arguably a sexual assault scene that

0:21:17.280 --> 0:21:20.720
<v Speaker 2>ends in like a jokey button and you're just like,

0:21:21.240 --> 0:21:26.480
<v Speaker 2>what's going on? Anyway, we kind of skip ahead. He

0:21:26.560 --> 0:21:30.159
<v Speaker 2>graduates from college after of course, meeting President John F.

0:21:30.240 --> 0:21:34.280
<v Speaker 2>Kennedy for being a college football star, the first of

0:21:34.359 --> 0:21:38.359
<v Speaker 2>many presidents he will meet, and then he enlists in

0:21:38.440 --> 0:21:43.280
<v Speaker 2>the army, where he meets and befriends Bubba played by

0:21:43.720 --> 0:21:48.760
<v Speaker 2>Michelt Williamson, whose family is in the shrimping business and

0:21:48.880 --> 0:21:54.879
<v Speaker 2>Bubba's whole personality is shrimp. That's really all we know

0:21:54.960 --> 0:22:01.120
<v Speaker 2>about Bubba, and before Forrest is shipped off to Vietnam,

0:22:01.760 --> 0:22:04.240
<v Speaker 2>he gets a chance to go and see Jenny perform.

0:22:04.680 --> 0:22:07.800
<v Speaker 2>She is now a folk singer. She is doing a

0:22:07.840 --> 0:22:11.080
<v Speaker 2>show in a strip club type place. Way what was

0:22:11.080 --> 0:22:12.959
<v Speaker 2>her like stage name Bobby Dylan.

0:22:13.400 --> 0:22:17.840
<v Speaker 4>Okay, yeah, she wants to be Joan Bias. She's being

0:22:17.880 --> 0:22:19.600
<v Speaker 4>naked Joan Bias.

0:22:20.080 --> 0:22:22.359
<v Speaker 3>Which is like, I mean I and again because it

0:22:22.480 --> 0:22:24.639
<v Speaker 3>kind of the politics and tones of this movie, this

0:22:24.800 --> 0:22:27.040
<v Speaker 3>is made out to be like the worst and most

0:22:27.119 --> 0:22:30.480
<v Speaker 3>humiliating thing that could possibly happen to Jenny. But I

0:22:30.560 --> 0:22:33.200
<v Speaker 3>was like, that seems like, you know, with the right crowd,

0:22:33.200 --> 0:22:36.800
<v Speaker 3>that could be actually quite fun. Uh, naked folks singing

0:22:37.040 --> 0:22:37.359
<v Speaker 3>I'm in.

0:22:37.520 --> 0:22:39.960
<v Speaker 4>I was also kind of like, I'm quite fascinated by

0:22:40.000 --> 0:22:42.040
<v Speaker 4>this club and the nature and the rules of the club,

0:22:42.080 --> 0:22:44.679
<v Speaker 4>and and how like she's not dancing, she's just and

0:22:44.680 --> 0:22:46.520
<v Speaker 4>she's covered fully with the guitar.

0:22:46.960 --> 0:22:51.679
<v Speaker 3>I was like, hmm, yeah, the guys jeering at her,

0:22:52.320 --> 0:22:54.920
<v Speaker 3>you know, I was like, are they folk fit?

0:22:55.119 --> 0:22:55.239
<v Speaker 1>Like?

0:22:55.280 --> 0:22:58.240
<v Speaker 3>What is in everyone singing folk? Is it just her?

0:22:58.920 --> 0:22:59.359
<v Speaker 3>We don't know.

0:22:59.400 --> 0:23:01.199
<v Speaker 4>I go the Empress and she had asked that this

0:23:01.280 --> 0:23:03.080
<v Speaker 4>is my like the lore, I creative, but I was like,

0:23:03.080 --> 0:23:04.760
<v Speaker 4>maybe should asked the manager, and she's like, I have

0:23:04.800 --> 0:23:07.520
<v Speaker 4>this huge interest in Joe Bias. I'm gonna be famous

0:23:07.560 --> 0:23:10.440
<v Speaker 4>one day, Like, can you let me one night do this?

0:23:11.080 --> 0:23:12.840
<v Speaker 4>It just reminds me of the clubs in like Flash

0:23:12.960 --> 0:23:14.879
<v Speaker 4>Dance too, where you're like that club, is that a

0:23:14.880 --> 0:23:19.800
<v Speaker 4>strip club or is that like a fantasy club? Right?

0:23:20.040 --> 0:23:23.280
<v Speaker 3>And they're like, due to like wanting to release this

0:23:23.359 --> 0:23:26.440
<v Speaker 3>movie internationally, we refuse to get more specific about what's

0:23:26.480 --> 0:23:30.000
<v Speaker 3>going on here. Right Anyways, all I say I would

0:23:30.000 --> 0:23:31.560
<v Speaker 3>go to that club. It kind of looks like a

0:23:31.640 --> 0:23:35.000
<v Speaker 3>Jumbo's clown room kind of thing, right. Yeah, She's like,

0:23:35.040 --> 0:23:36.400
<v Speaker 3>do whatever you want, have some fun.

0:23:36.440 --> 0:23:36.960
<v Speaker 1>It does.

0:23:37.040 --> 0:23:39.840
<v Speaker 2>Yeah, they just put on fun little variety shows. You

0:23:39.880 --> 0:23:41.080
<v Speaker 2>can do whatever act you want.

0:23:41.600 --> 0:23:44.640
<v Speaker 4>Naked cabaret, I guess cabarets are also naked sometimes.

0:23:44.640 --> 0:23:47.359
<v Speaker 3>So wait, Kitlyn, did you ever do that naked stand

0:23:47.440 --> 0:23:48.880
<v Speaker 3>up show when we lived in Boston.

0:23:49.680 --> 0:23:51.680
<v Speaker 2>I didn't do the version of it where you were

0:23:51.720 --> 0:23:54.679
<v Speaker 2>fully naked. There was like a swimsuit edition and I

0:23:54.720 --> 0:23:59.880
<v Speaker 2>did that. Okay, So I was a coward not willing

0:23:59.920 --> 0:24:03.520
<v Speaker 2>to show my titties on stage. I mean, which I

0:24:03.560 --> 0:24:06.399
<v Speaker 2>would absolutely do right now today, I would have no

0:24:06.480 --> 0:24:07.199
<v Speaker 2>qualms about that.

0:24:07.520 --> 0:24:09.640
<v Speaker 3>I did that show then. I don't think I would

0:24:09.680 --> 0:24:13.320
<v Speaker 3>do it now. But I used to be a tech

0:24:13.400 --> 0:24:16.159
<v Speaker 3>for that show too, and so like they had all

0:24:16.160 --> 0:24:19.679
<v Speaker 3>those weird draconian Massachusetts rules for like what you can

0:24:19.760 --> 0:24:22.639
<v Speaker 3>and can't do on stage, where they're like it's considered

0:24:22.840 --> 0:24:26.720
<v Speaker 3>art as long as you don't touch anybody or anything.

0:24:27.000 --> 0:24:29.840
<v Speaker 3>Like you couldn't have anything with you because they're like,

0:24:29.920 --> 0:24:33.080
<v Speaker 3>if you touch another person, it's porn. So you couldn't

0:24:33.080 --> 0:24:35.760
<v Speaker 3>even shake the hand of the host or it legally

0:24:35.840 --> 0:24:40.439
<v Speaker 3>became like a second like it was so in the host.

0:24:40.480 --> 0:24:43.359
<v Speaker 3>This guy Andy was so intense about it. He's like,

0:24:43.440 --> 0:24:45.840
<v Speaker 3>I will go to jail if you shake my hand.

0:24:46.560 --> 0:24:49.560
<v Speaker 4>What What was the crowd like at this type of event?

0:24:49.760 --> 0:24:53.760
<v Speaker 3>All old men who didn't know how to access porn online,

0:24:54.119 --> 0:24:57.840
<v Speaker 3>which is why I would not do it today. It

0:24:57.920 --> 0:25:00.840
<v Speaker 3>was all old men that were like h Like I

0:25:00.920 --> 0:25:03.240
<v Speaker 3>just wanted to give them a laptop and be like,

0:25:03.480 --> 0:25:04.160
<v Speaker 3>get out of here.

0:25:05.400 --> 0:25:08.200
<v Speaker 4>Once you've done naked stand up, you can do anything though,

0:25:08.240 --> 0:25:09.600
<v Speaker 4>Like that's that's incredible.

0:25:10.040 --> 0:25:15.359
<v Speaker 3>It's true. Once you've stood before someone's pea paw with

0:25:15.480 --> 0:25:21.800
<v Speaker 3>your titius out, your pipe out. Just what a time. Anyways,

0:25:21.840 --> 0:25:25.640
<v Speaker 3>I felt as a Jenny fan, I was like, all right,

0:25:25.760 --> 0:25:28.399
<v Speaker 3>all right, we're all on the same page here. That

0:25:28.480 --> 0:25:29.440
<v Speaker 3>looks like a fun show.

0:25:29.840 --> 0:25:32.120
<v Speaker 4>I'm getting what she's putting down right right.

0:25:33.320 --> 0:25:38.399
<v Speaker 2>So we're at this show and some of the audience members,

0:25:38.560 --> 0:25:41.520
<v Speaker 2>you know, creepy men, are trying to grab her. So

0:25:41.800 --> 0:25:45.679
<v Speaker 2>Forrest intervenes and like saves her. We've seen him do

0:25:45.720 --> 0:25:49.320
<v Speaker 2>this before when they were in college. She's pissed that

0:25:49.320 --> 0:25:52.760
<v Speaker 2>he's always trying to rescue her and Forrest says, I

0:25:52.800 --> 0:25:56.240
<v Speaker 2>can't help it. I love you. And she says, you

0:25:56.320 --> 0:26:00.800
<v Speaker 2>don't know what love is, Forrest, and this will come

0:26:00.800 --> 0:26:03.760
<v Speaker 2>back later, but she goes to leave. Before she does,

0:26:03.880 --> 0:26:08.199
<v Speaker 2>she tells him that if anything happens while he is

0:26:09.119 --> 0:26:11.560
<v Speaker 2>in the war in Vietnam, he should just run. He

0:26:11.600 --> 0:26:13.919
<v Speaker 2>shouldn't try to be brave, he should do what he

0:26:14.000 --> 0:26:17.760
<v Speaker 2>does best and run away. And he says okay, and

0:26:17.800 --> 0:26:22.080
<v Speaker 2>they part ways, and then Forest and Bubba are shipped

0:26:22.240 --> 0:26:27.680
<v Speaker 2>to Vietnam. There they meet Lieutenant Dan played by Gary Sonise.

0:26:28.480 --> 0:26:33.800
<v Speaker 2>Their platoon goes around the countryside on foot. They endure

0:26:33.920 --> 0:26:35.160
<v Speaker 2>the rainy season.

0:26:35.560 --> 0:26:40.119
<v Speaker 3>Every hit of this calendar year plays in rapid succession.

0:26:40.280 --> 0:26:41.080
<v Speaker 3>It's kind of fun.

0:26:41.240 --> 0:26:46.439
<v Speaker 2>Yeah, it's a good soundtrack. Bubba asks Forrest if he

0:26:46.480 --> 0:26:49.040
<v Speaker 2>wants to go into the shrimping business with him when

0:26:49.400 --> 0:26:53.520
<v Speaker 2>they get out of the war, and Forrest agrees. But

0:26:53.640 --> 0:26:59.240
<v Speaker 2>shortly thereafter, there's an ambush and Forrest runs away to safety,

0:26:59.359 --> 0:27:02.720
<v Speaker 2>just like Jenny told him to, though he does go

0:27:02.880 --> 0:27:07.960
<v Speaker 2>back and save several fellow soldiers, including Lieutenant Dan, whose

0:27:08.119 --> 0:27:09.720
<v Speaker 2>legs have been injured.

0:27:09.440 --> 0:27:13.840
<v Speaker 4>Who's begging him not to save him because Lieutenant Dan's

0:27:13.920 --> 0:27:16.800
<v Speaker 4>ancestors all died in every American war and so he

0:27:16.840 --> 0:27:18.600
<v Speaker 4>wants to also live out that legacy.

0:27:18.760 --> 0:27:23.560
<v Speaker 2>Yes, indeed, but Forest ignores his orders and saves Lieutenant

0:27:23.640 --> 0:27:29.600
<v Speaker 2>Dan anyway. He also does find Bubba, but he's badly wounded,

0:27:29.760 --> 0:27:34.440
<v Speaker 2>and Bubba dies in Forrest's arms. Forrest is also wounded,

0:27:34.680 --> 0:27:39.000
<v Speaker 2>he was shot in the buttocks, so he's released from

0:27:39.040 --> 0:27:42.480
<v Speaker 2>active duty while he recovers, and during this time he

0:27:42.560 --> 0:27:45.760
<v Speaker 2>learns how to play ping pong and he becomes this

0:27:45.840 --> 0:27:50.840
<v Speaker 2>like ping pong champ. Meanwhile, Lieutenant Dan, whose legs have

0:27:50.920 --> 0:27:54.399
<v Speaker 2>been amputated, is resentful that Forrest saved him because he

0:27:54.440 --> 0:27:57.080
<v Speaker 2>felt he was destined to die in battle, and so

0:27:57.160 --> 0:27:59.199
<v Speaker 2>now he has no idea what he's going to do

0:27:59.240 --> 0:28:03.240
<v Speaker 2>with his life. Then Forrest is sent home and awarded

0:28:03.240 --> 0:28:07.439
<v Speaker 2>the Congressional Medal of Honor. He goes to meet President

0:28:07.560 --> 0:28:11.280
<v Speaker 2>Lyndon Johnson. He flashes his ass on TV to show

0:28:11.320 --> 0:28:15.399
<v Speaker 2>the wound, and also while he's in Washington, d C.

0:28:16.320 --> 0:28:20.200
<v Speaker 2>He accidentally gets shuffled into a crowd of veterans who

0:28:20.280 --> 0:28:23.560
<v Speaker 2>are anti war protesters, and he ends up on stage

0:28:23.560 --> 0:28:27.080
<v Speaker 2>in front of a crowd of thousands at the Washington Monument.

0:28:26.960 --> 0:28:31.840
<v Speaker 3>With Abby Hoffman, who I don't think that he's orally identified,

0:28:31.880 --> 0:28:33.840
<v Speaker 3>but I like double checked and is definitely supposed to

0:28:33.840 --> 0:28:34.160
<v Speaker 3>be him.

0:28:34.480 --> 0:28:36.920
<v Speaker 4>He's definitely supposed to be Abbi Hoffman. And the way

0:28:36.920 --> 0:28:40.040
<v Speaker 4>that they like, the way that they characterize Abbi Hoffman's

0:28:40.080 --> 0:28:43.280
<v Speaker 4>legacy is just so insulting and they're like that man

0:28:43.400 --> 0:28:47.800
<v Speaker 4>swollen a lot. Yes, I have to say, he's in

0:28:47.920 --> 0:28:50.360
<v Speaker 4>the F word a lot. Yeah, so disrespectful.

0:28:50.680 --> 0:28:53.680
<v Speaker 3>I mean, I'm very excited to talk about the adaptation

0:28:53.920 --> 0:28:58.040
<v Speaker 3>change made here after the recap, because like, we'll never

0:28:58.120 --> 0:29:01.640
<v Speaker 3>know what Forrest really thought about the Vietnam War.

0:29:01.960 --> 0:29:05.520
<v Speaker 2>Not according to the movie. At least. Yeah, so Forest

0:29:05.560 --> 0:29:08.800
<v Speaker 2>is about to like speak, but a soldier, a cop

0:29:08.920 --> 0:29:12.840
<v Speaker 2>somebody pulls out all of the microphone plugs, so we

0:29:12.880 --> 0:29:15.160
<v Speaker 2>don't hear what Forest has to say about the war,

0:29:16.280 --> 0:29:20.360
<v Speaker 2>and lo and behold, Jenny is there at this demonstration,

0:29:20.920 --> 0:29:25.720
<v Speaker 2>and she and Forrest reunite and the crowd cheers, and

0:29:25.800 --> 0:29:28.600
<v Speaker 2>so Jenny and Forest hang out. She catches him up

0:29:28.640 --> 0:29:32.200
<v Speaker 2>on her life. She is a hippie now she has

0:29:32.240 --> 0:29:35.600
<v Speaker 2>traveled around a bunch. She takes him to a black

0:29:35.640 --> 0:29:40.040
<v Speaker 2>panther meetup and we can talk more about this scene later.

0:29:40.240 --> 0:29:43.680
<v Speaker 2>But Forrest gets in a fight with Jenny's abusive boyfriend.

0:29:44.360 --> 0:29:48.000
<v Speaker 3>Yeah, any scene that's about systemic racism they managed to make.

0:29:48.120 --> 0:29:50.760
<v Speaker 3>They're like, actually, wait, let's actually get back to Forrest,

0:29:50.920 --> 0:29:54.160
<v Speaker 3>like within fifteen seconds of arriving, for sure.

0:29:54.520 --> 0:30:00.360
<v Speaker 2>Yeah, So this altercation happens, and then Jenny leaves again

0:30:00.720 --> 0:30:05.440
<v Speaker 2>out of Forrest's life. Some time passes. He plays on

0:30:05.520 --> 0:30:10.640
<v Speaker 2>the All American Ping pong team and competes in China.

0:30:10.800 --> 0:30:13.920
<v Speaker 2>Then he goes on a talk show hosted by someone

0:30:14.240 --> 0:30:16.560
<v Speaker 2>who I'm probably supposed to know who that is, but

0:30:17.160 --> 0:30:20.280
<v Speaker 2>I'm too young. I dkay oh, Dick Cavot I love

0:30:20.360 --> 0:30:20.840
<v Speaker 2>Dick Caaviot.

0:30:21.000 --> 0:30:22.840
<v Speaker 4>Oh it's Dick Kaviot. I'll come out right now and

0:30:22.880 --> 0:30:26.360
<v Speaker 4>say I loved it, right, got it, got it.

0:30:26.000 --> 0:30:30.120
<v Speaker 3>Wow, the John Lennon scene took me out. I love

0:30:30.240 --> 0:30:31.360
<v Speaker 3>the John Lennon seed.

0:30:33.280 --> 0:30:36.640
<v Speaker 4>Make John Lennon's head looks so big, but I feel

0:30:36.680 --> 0:30:39.080
<v Speaker 4>like freamously, John Lennon had a tiny head, and so

0:30:39.160 --> 0:30:42.680
<v Speaker 4>for some reason, it just I can't. I can't embrace

0:30:42.720 --> 0:30:43.120
<v Speaker 4>the scene.

0:30:43.400 --> 0:30:46.840
<v Speaker 3>You know, he does look like like a Sanrio character

0:30:47.160 --> 0:30:50.360
<v Speaker 3>the way that they've like edited him, but I just

0:30:50.400 --> 0:30:55.480
<v Speaker 3>oh my god, when he's like and no religion too dying.

0:30:55.680 --> 0:30:58.640
<v Speaker 2>So the thing here is that John Lennon is also

0:30:58.680 --> 0:31:01.280
<v Speaker 2>a guest on this talk show, and it's implied that

0:31:01.320 --> 0:31:05.000
<v Speaker 2>a few of the things that Forrest says inspires lyrics

0:31:05.120 --> 0:31:09.480
<v Speaker 2>to John Lennon's imagine it's only the whole movie.

0:31:09.520 --> 0:31:11.720
<v Speaker 3>We're that goofy.

0:31:12.160 --> 0:31:13.840
<v Speaker 4>Yeah. Right.

0:31:14.200 --> 0:31:19.520
<v Speaker 2>So then Forrest reunites with Lieutenant Dan, who is bitter

0:31:19.840 --> 0:31:24.120
<v Speaker 2>and he is dealing with alcoholism. Forrest tells him his

0:31:24.200 --> 0:31:26.760
<v Speaker 2>plan to become a shrimp boat captain because he had

0:31:26.760 --> 0:31:30.120
<v Speaker 2>made a promise to Bubba, and Lieutenant Dan is like, yeah,

0:31:30.120 --> 0:31:32.600
<v Speaker 2>all right, the day you become a shrimp boat captain.

0:31:32.920 --> 0:31:36.840
<v Speaker 2>I'll come and be your first mate. So then they

0:31:36.880 --> 0:31:42.400
<v Speaker 2>celebrate New Year's Eve together. They bond over being marginalized

0:31:42.440 --> 0:31:48.160
<v Speaker 2>for their disabilities. Then Forrest meets President Nixon. I forget

0:31:48.160 --> 0:31:51.000
<v Speaker 2>why this time. It's maybe a ping pong it's a.

0:31:51.000 --> 0:31:57.120
<v Speaker 3>Ping pong related thing. Yeah, And then he starts Watergate. Yeah.

0:31:56.480 --> 0:32:02.400
<v Speaker 2>He exposes the Watergate scandal or something. Yeah, Forrest does,

0:32:02.840 --> 0:32:06.400
<v Speaker 2>and then he's discharged from the Army, so he returns

0:32:06.560 --> 0:32:11.040
<v Speaker 2>home to Alabama to see his mom. He takes the

0:32:11.200 --> 0:32:14.080
<v Speaker 2>twenty five thousand dollars that he was paid to endorse

0:32:14.200 --> 0:32:19.240
<v Speaker 2>a ping pong paddle brand and he buys a shrimping

0:32:19.280 --> 0:32:21.640
<v Speaker 2>boat with it, but he is not very good at

0:32:21.640 --> 0:32:25.240
<v Speaker 2>shrimping at first. He names his boat Jenny, and he

0:32:25.360 --> 0:32:28.560
<v Speaker 2>spends most of his time thinking about Jenny, who meanwhile

0:32:28.920 --> 0:32:35.760
<v Speaker 2>is dealing with drug addiction with suicidal ideation. These are

0:32:35.760 --> 0:32:40.000
<v Speaker 2>things that Forrest has no idea about, and according to

0:32:40.040 --> 0:32:45.320
<v Speaker 2>the movie, probably wouldn't understand anyway because of his extreme naivete.

0:32:46.560 --> 0:32:50.080
<v Speaker 2>And then one day, Lieutenant Dan shows up to honor

0:32:50.120 --> 0:32:52.959
<v Speaker 2>his promise that he would be Forrest's first mate, so

0:32:53.000 --> 0:32:55.080
<v Speaker 2>they start shrimping together, and all.

0:32:55.000 --> 0:32:58.080
<v Speaker 3>Of a sudden, his hair is like really beautiful.

0:32:58.600 --> 0:32:59.920
<v Speaker 4>I love luscious.

0:33:00.160 --> 0:33:01.280
<v Speaker 2>He started conditioning.

0:33:01.680 --> 0:33:06.840
<v Speaker 3>Yeah, Lieutenant Dan's like shrimping. Look. I love he has

0:33:06.880 --> 0:33:07.280
<v Speaker 3>a lot of.

0:33:07.240 --> 0:33:09.280
<v Speaker 4>Looks in this movie, like a lot of like the

0:33:09.480 --> 0:33:11.800
<v Speaker 4>evolution of getting more snatched as the movie goes upon

0:33:11.880 --> 0:33:12.240
<v Speaker 4>or something.

0:33:12.280 --> 0:33:17.000
<v Speaker 3>It's like, I like his Hawaiian shirt, like wavy conditioned

0:33:17.120 --> 0:33:20.320
<v Speaker 3>hair moment, it's like, wow, that's I love how that

0:33:20.320 --> 0:33:22.720
<v Speaker 3>they're like, Okay, he's not as much of an alcoholic

0:33:22.840 --> 0:33:25.880
<v Speaker 3>now because look at his hair, and you're like, okay, okay,

0:33:25.880 --> 0:33:26.480
<v Speaker 3>I got it.

0:33:26.640 --> 0:33:29.120
<v Speaker 2>Yeah, he got his hands on a bottle of herbal

0:33:29.240 --> 0:33:36.200
<v Speaker 2>Essence Swish and they turned his whole life around. So

0:33:36.440 --> 0:33:38.920
<v Speaker 2>they're shrimping together now, but they're still having bad. Look

0:33:39.280 --> 0:33:44.120
<v Speaker 2>until a storm brings in a bunch of shrimp, and

0:33:44.200 --> 0:33:48.000
<v Speaker 2>there's like this whole like forest preyed very hard, and

0:33:48.240 --> 0:33:51.280
<v Speaker 2>maybe that's what brought all this shrimp in, but anyway,

0:33:51.320 --> 0:33:54.440
<v Speaker 2>they have all this shrimp now. This storm also shipwrecked

0:33:54.440 --> 0:33:58.120
<v Speaker 2>all the other local shrimp boats, which the movie nor

0:33:58.200 --> 0:34:02.880
<v Speaker 2>Forest has any empathy for that happening. They just breeze

0:34:02.960 --> 0:34:03.520
<v Speaker 2>right past that.

0:34:03.680 --> 0:34:05.160
<v Speaker 3>He becomes a shrimp millionaire.

0:34:05.360 --> 0:34:08.160
<v Speaker 4>Yeah right, Also like highly likely the people who run

0:34:08.200 --> 0:34:09.480
<v Speaker 4>those bods are like black.

0:34:09.440 --> 0:34:11.959
<v Speaker 3>Right, Yeah? That it is like it's like most likely

0:34:12.120 --> 0:34:15.960
<v Speaker 3>of like majority black business was just decimated and they're like,

0:34:16.040 --> 0:34:17.200
<v Speaker 3>and now here's this guy.

0:34:17.960 --> 0:34:18.920
<v Speaker 4>This is great for Forrest.

0:34:19.200 --> 0:34:22.200
<v Speaker 2>Yeah right exactly. That's how the movie feels about it.

0:34:22.680 --> 0:34:25.919
<v Speaker 2>Then Forrest receives word that his mom has fallen ill,

0:34:26.120 --> 0:34:28.920
<v Speaker 2>so he goes home to see her. She dies a

0:34:28.960 --> 0:34:29.600
<v Speaker 2>short time.

0:34:29.480 --> 0:34:32.640
<v Speaker 3>Later, and that wig in a wig.

0:34:33.040 --> 0:34:37.640
<v Speaker 2>He decides not to return to shrimping, especially after Lieutenant

0:34:37.680 --> 0:34:42.880
<v Speaker 2>Dan invests. They're already millions of dollars in apple, making

0:34:43.000 --> 0:34:47.680
<v Speaker 2>him like mega rich. But he's so generous with his

0:34:47.719 --> 0:34:50.160
<v Speaker 2>money and he donates some of it to the church

0:34:50.360 --> 0:34:53.360
<v Speaker 2>and a hospital and Bubba's family.

0:34:53.719 --> 0:34:55.799
<v Speaker 4>When I watched the Apple scene, I like turned to

0:34:55.840 --> 0:34:57.600
<v Speaker 4>my friends and I was like, did you know Joan

0:34:57.640 --> 0:35:00.600
<v Speaker 4>Bias dated Steve Jobs? Is that true?

0:35:00.600 --> 0:35:01.040
<v Speaker 3>I don't know.

0:35:01.080 --> 0:35:02.760
<v Speaker 4>That isn't that crazy?

0:35:03.400 --> 0:35:04.720
<v Speaker 3>WHOA?

0:35:04.960 --> 0:35:08.240
<v Speaker 4>Maybe disappointing even Yeah, I mean that's a bummer.

0:35:08.320 --> 0:35:10.600
<v Speaker 3>It's like, I guess this isn't as disappointing, But I

0:35:10.640 --> 0:35:15.719
<v Speaker 3>think a lot about Steve Wozniak and Kathy Griffin that date.

0:35:16.360 --> 0:35:18.319
<v Speaker 4>Yeah, whoa, I didn't know that either.

0:35:18.719 --> 0:35:21.040
<v Speaker 3>I have such a strong memory. And like, she's to

0:35:21.040 --> 0:35:22.640
<v Speaker 3>have a reality show that I think was on when

0:35:22.680 --> 0:35:24.560
<v Speaker 3>I was in middle school and he was like on

0:35:24.640 --> 0:35:26.040
<v Speaker 3>it and they were like on a date and they

0:35:26.080 --> 0:35:33.240
<v Speaker 3>were on segways or something. And anyways, those guys, those guys, wow,

0:35:33.400 --> 0:35:37.279
<v Speaker 3>Joan Bias what like Steve. Yeah, that is a little disappointing,

0:35:37.280 --> 0:35:39.680
<v Speaker 3>but also it was like I wouldn't have expected jobs

0:35:39.680 --> 0:35:40.600
<v Speaker 3>to have that kind of pull.

0:35:40.840 --> 0:35:41.080
<v Speaker 1>Well.

0:35:41.160 --> 0:35:44.839
<v Speaker 2>I still am confused by Grimes marrying Elon Musk like that.

0:35:44.719 --> 0:35:47.400
<v Speaker 3>That's no sense to me. So many cases, so many cases.

0:35:47.480 --> 0:35:49.800
<v Speaker 4>Yeah.

0:35:49.840 --> 0:35:54.600
<v Speaker 2>Anyway, So Forrest is now a bazillionaire and one day

0:35:54.880 --> 0:35:58.440
<v Speaker 2>Jenny shows up at his house and stays with him

0:35:58.440 --> 0:36:01.839
<v Speaker 2>for a while. He asks her to marry him, and

0:36:01.880 --> 0:36:05.040
<v Speaker 2>he says, I'm not a smart man, but I know

0:36:05.200 --> 0:36:09.000
<v Speaker 2>what love is, in reference to her telling him earlier

0:36:09.080 --> 0:36:12.000
<v Speaker 2>that he doesn't know what love is. He insists that

0:36:12.040 --> 0:36:12.480
<v Speaker 2>he does.

0:36:12.960 --> 0:36:15.279
<v Speaker 4>The way Tom Hanks delivers that line, it does get

0:36:15.320 --> 0:36:15.959
<v Speaker 4>me every time.

0:36:16.320 --> 0:36:19.040
<v Speaker 3>Yeah, it's a good moment.

0:36:19.480 --> 0:36:21.200
<v Speaker 4>He's really good in this movie.

0:36:21.719 --> 0:36:24.680
<v Speaker 3>It sucks that he's good in this movie.

0:36:24.960 --> 0:36:25.440
<v Speaker 4>Yeah.

0:36:25.480 --> 0:36:29.520
<v Speaker 2>Again, I saw this as a child on repeat for

0:36:29.560 --> 0:36:32.040
<v Speaker 2>a few years, And that was the only Tom Hanks

0:36:32.040 --> 0:36:34.959
<v Speaker 2>movie that I saw during that period, and the first

0:36:34.960 --> 0:36:38.120
<v Speaker 2>Tom Hanks movie I ever saw, So I just thought

0:36:38.239 --> 0:36:41.640
<v Speaker 2>he was like that. I didn't really understand that he

0:36:41.719 --> 0:36:45.760
<v Speaker 2>was like performing. And then when I saw like probably

0:36:45.760 --> 0:36:49.239
<v Speaker 2>Apollo thirteen, when I was like twelve or so, I

0:36:49.280 --> 0:36:51.160
<v Speaker 2>was like, wait a minute, that's the same guy, and

0:36:51.200 --> 0:36:55.240
<v Speaker 2>he doesn't sound anything like that. What it was really

0:36:55.239 --> 0:36:57.480
<v Speaker 2>confusing for my child brain.

0:36:57.520 --> 0:37:00.239
<v Speaker 4>Like the nineties were a big time for actors with

0:37:00.280 --> 0:37:04.480
<v Speaker 4>a lot of talent portraying yes, characters of the disabilities

0:37:04.480 --> 0:37:06.960
<v Speaker 4>like Leonardo DiCaprio and What's Eating Gilbert Grape. I feel

0:37:06.960 --> 0:37:09.200
<v Speaker 4>like that was his whole yeh coming into fame was

0:37:09.280 --> 0:37:12.360
<v Speaker 4>how how many people believed that he was he actually

0:37:12.400 --> 0:37:15.880
<v Speaker 4>did have a disability. Yeah, the ethics of which we

0:37:15.960 --> 0:37:16.880
<v Speaker 4>can certainly debate.

0:37:16.960 --> 0:37:18.319
<v Speaker 2>We can absolutely debate that.

0:37:18.840 --> 0:37:21.640
<v Speaker 3>Yeah, I mean, I think the first movie that I

0:37:21.760 --> 0:37:26.880
<v Speaker 3>saw that had that was I Am Sam, a really

0:37:27.120 --> 0:37:30.680
<v Speaker 3>stinky Sean Penn movie. Yeah, where it is the same

0:37:30.719 --> 0:37:34.640
<v Speaker 3>He's playing a character with an intellectual disability. Glad that

0:37:34.640 --> 0:37:38.440
<v Speaker 3>that doesn't happen quite as much these days, not that

0:37:38.480 --> 0:37:40.680
<v Speaker 3>it's completely gone away, but I'm glad it's not a

0:37:40.960 --> 0:37:44.320
<v Speaker 3>prominent trend. I don't know. I mean anytime someone portrays

0:37:44.320 --> 0:37:47.720
<v Speaker 3>someone with a disability or with like an quote unquote

0:37:47.760 --> 0:37:50.280
<v Speaker 3>other body type just to get nominated for an oscar.

0:37:50.840 --> 0:37:52.600
<v Speaker 3>I guess the last example we have of that is

0:37:52.680 --> 0:37:54.000
<v Speaker 3>kind of is the whale, right.

0:37:54.400 --> 0:37:58.040
<v Speaker 2>In any case, Forrest is like professing his love for

0:37:58.640 --> 0:38:02.640
<v Speaker 2>Jenny and once to marry her, and later that night

0:38:02.760 --> 0:38:07.160
<v Speaker 2>she comes into his room and they have sex. But

0:38:07.239 --> 0:38:10.880
<v Speaker 2>then the next morning she abruptly leaves again, presumably without

0:38:10.960 --> 0:38:16.760
<v Speaker 2>saying goodbye to Forrest, and this prompts him to set

0:38:16.800 --> 0:38:21.879
<v Speaker 2>off running with no destination in mind. He just runs

0:38:21.920 --> 0:38:24.080
<v Speaker 2>and runs and runs across the country all the way

0:38:24.120 --> 0:38:26.759
<v Speaker 2>to the west coast, and then he turns around and

0:38:26.800 --> 0:38:28.640
<v Speaker 2>he runs and runs and runs all the way to

0:38:28.719 --> 0:38:31.840
<v Speaker 2>the east coast. And then he runs for like over

0:38:32.000 --> 0:38:36.920
<v Speaker 2>three years, just non stop, only like stopping to sleep

0:38:37.440 --> 0:38:38.720
<v Speaker 2>and just running running running.

0:38:39.000 --> 0:38:42.160
<v Speaker 3>The beard effects was fun. The beard.

0:38:42.400 --> 0:38:44.680
<v Speaker 4>I looked at him, I was like, he looks like

0:38:45.080 --> 0:38:48.200
<v Speaker 4>every single guy I know, And then I said, it's

0:38:48.280 --> 0:38:50.680
<v Speaker 4>kind of working on me. He looks good.

0:38:51.040 --> 0:38:54.520
<v Speaker 3>He does have like a very Brooklyn coated beard. Uh yeah,

0:38:54.560 --> 0:38:56.040
<v Speaker 3>he has literally my brother's beard.

0:38:56.840 --> 0:39:00.120
<v Speaker 4>He's giving Bushwick for sure.

0:39:00.000 --> 0:39:03.400
<v Speaker 3>This a moment that my boyfriend specifically asked me about

0:39:03.880 --> 0:39:06.919
<v Speaker 3>when we had a post mortem on Forrest Gump. He's like, Okay,

0:39:06.920 --> 0:39:09.360
<v Speaker 3>I know you didn't like it, However, what did you

0:39:09.360 --> 0:39:11.560
<v Speaker 3>think of the running? I was like, kind of funny,

0:39:12.040 --> 0:39:14.920
<v Speaker 3>kind of weird, I don't know. And he said that

0:39:14.920 --> 0:39:17.960
<v Speaker 3>that was something that he and his father specifically really

0:39:18.000 --> 0:39:20.200
<v Speaker 3>bonded over when they would watch that movie. He's like,

0:39:20.239 --> 0:39:23.680
<v Speaker 3>I think that there is some like bizarre masculine fantasy

0:39:23.840 --> 0:39:26.720
<v Speaker 3>attached to that of like you were spurned and hurt

0:39:26.719 --> 0:39:29.440
<v Speaker 3>by a woman and you just run away and you

0:39:29.560 --> 0:39:32.879
<v Speaker 3>do this kind of like unhinged, hyper masculine thing where

0:39:33.000 --> 0:39:35.399
<v Speaker 3>like and I only stopped to sleep and eat and

0:39:35.480 --> 0:39:39.520
<v Speaker 3>poop and I just ran and you know, I was like, wow,

0:39:39.600 --> 0:39:42.640
<v Speaker 3>that actually does kind of make sense to me. But

0:39:42.680 --> 0:39:44.200
<v Speaker 3>I would never have been able to get there on

0:39:44.239 --> 0:39:44.600
<v Speaker 3>my own.

0:39:45.280 --> 0:39:47.920
<v Speaker 4>My friend, who I watched with who's a guy also yesterday,

0:39:48.040 --> 0:39:50.560
<v Speaker 4>was like, WHOA, Forrest is kind of a giga Chad

0:39:50.880 --> 0:39:52.759
<v Speaker 4>And we were like, oh, I go, and he was like,

0:39:53.000 --> 0:39:56.720
<v Speaker 4>he really is just being an avoidant king. He's running

0:39:56.760 --> 0:39:59.520
<v Speaker 4>around town being avoidant and also just yeah, he's really

0:39:59.560 --> 0:40:02.600
<v Speaker 4>living out the male fantasy. And it also in every

0:40:02.640 --> 0:40:05.280
<v Speaker 4>scene that he's running that the landscape is so beautiful

0:40:05.280 --> 0:40:08.360
<v Speaker 4>but almost in a grotesque way where it's so oversaturated

0:40:08.719 --> 0:40:10.120
<v Speaker 4>my friends, that it kind of looked like a self

0:40:10.120 --> 0:40:12.759
<v Speaker 4>help book, like the cover of any book. Yes, And

0:40:12.760 --> 0:40:16.600
<v Speaker 4>I feel like those two things together make this sequence like, yeah,

0:40:16.640 --> 0:40:18.560
<v Speaker 4>I don't know, kind of a bizarre sequence.

0:40:19.480 --> 0:40:23.359
<v Speaker 3>Wow, men, men are so complicated. I was just like what,

0:40:23.920 --> 0:40:25.799
<v Speaker 3>because I think that that is one of those like

0:40:26.200 --> 0:40:29.280
<v Speaker 3>corny YouTube fifteen years ago things where if you change

0:40:29.320 --> 0:40:32.240
<v Speaker 3>the music and that sequence slightly, it becomes a totally

0:40:32.320 --> 0:40:35.600
<v Speaker 3>different energy. Like I don't know.

0:40:35.640 --> 0:40:37.120
<v Speaker 4>It was very grind set for sure.

0:40:37.640 --> 0:40:40.560
<v Speaker 3>Yes, yeah, he's a proto influencer. And at the end

0:40:40.640 --> 0:40:42.920
<v Speaker 3>he's like, oh, sorry, I did that for no reason.

0:40:43.960 --> 0:40:48.959
<v Speaker 2>Yeah, because he starts having like followers just running behind him.

0:40:49.160 --> 0:40:52.600
<v Speaker 2>He has all these like journalists and stuff being like

0:40:52.800 --> 0:40:56.480
<v Speaker 2>are you doing this for animal rights, for women's rights,

0:40:56.600 --> 0:40:59.680
<v Speaker 2>for protesting this and this and that? And he's like no,

0:41:00.120 --> 0:41:03.640
<v Speaker 2>I just felt like running. Despite that, he inspires a

0:41:03.640 --> 0:41:07.000
<v Speaker 2>bunch of people along the way, a bumper sticker guy,

0:41:07.560 --> 0:41:12.200
<v Speaker 2>a T shirt designer, and then like a running cult

0:41:12.520 --> 0:41:16.120
<v Speaker 2>question Mark, and then one day he just decides to

0:41:16.160 --> 0:41:20.600
<v Speaker 2>stop running and he goes back home to Alabama. He

0:41:20.640 --> 0:41:24.760
<v Speaker 2>then gets a letter from Jenny inviting him to Savannah, Georgia,

0:41:25.239 --> 0:41:28.399
<v Speaker 2>which brings us to the present of him sitting at

0:41:28.400 --> 0:41:31.600
<v Speaker 2>the bus stop waiting for a bus, and the woman

0:41:31.640 --> 0:41:35.080
<v Speaker 2>who is now sitting next to him is like, you

0:41:35.080 --> 0:41:38.080
<v Speaker 2>don't need a bus. Henry Straight is right over there.

0:41:38.760 --> 0:41:43.759
<v Speaker 2>So then Forrest runs to Jenny's apartment and discovers that

0:41:44.480 --> 0:41:48.880
<v Speaker 2>she is a mother to a baby Hailey Joel Osmond

0:41:49.239 --> 0:41:50.920
<v Speaker 2>a friend at the show Baby Hailey.

0:41:51.520 --> 0:42:00.319
<v Speaker 4>Yeah, he's so small, chicken nugget. He's so cute, it's insane.

0:41:59.680 --> 0:42:06.120
<v Speaker 2>And this is Forrest Junior because Forrest Gump is his father.

0:42:07.480 --> 0:42:10.120
<v Speaker 2>And then he like kind of interacts with Little Forest

0:42:10.160 --> 0:42:13.600
<v Speaker 2>a little bit while he's watching Burton Ernie. And then

0:42:13.680 --> 0:42:18.840
<v Speaker 2>Jenny tells Forrest that she is sick with some unknown virus.

0:42:19.560 --> 0:42:22.200
<v Speaker 2>I think it's implied to be HIV.

0:42:22.760 --> 0:42:26.440
<v Speaker 3>Is that that's like later confirmed, but they, I guess

0:42:26.960 --> 0:42:29.040
<v Speaker 3>wrote it out of the script.

0:42:30.360 --> 0:42:34.279
<v Speaker 2>Yeah, So Forrest is like, well, come live with me.

0:42:34.440 --> 0:42:37.360
<v Speaker 2>I'll take care of you in Little Forest. So Jenny

0:42:37.760 --> 0:42:42.200
<v Speaker 2>moves back to Alabama with him, they get married. Lieutenant

0:42:42.280 --> 0:42:43.959
<v Speaker 2>Dan comes to the wedding.

0:42:44.400 --> 0:42:47.880
<v Speaker 4>Now sporting a crew cut and also a wife.

0:42:47.760 --> 0:42:51.800
<v Speaker 2>A crew cut and prosthetic legs, and a eye's wife

0:42:52.040 --> 0:42:54.680
<v Speaker 2>God or his fiance.

0:42:56.160 --> 0:43:01.000
<v Speaker 3>That the final Lieutenant Dan thing, I was like, do

0:43:01.160 --> 0:43:04.840
<v Speaker 3>not piss me off. That'sh I hate how the movie

0:43:04.880 --> 0:43:08.000
<v Speaker 3>resolves Lieutenant Dan's story where.

0:43:07.800 --> 0:43:12.440
<v Speaker 5>He's like, Okay, I've quote unquote fixed my disability and

0:43:13.360 --> 0:43:17.520
<v Speaker 5>if it weren't for capitalism, I never would have made

0:43:17.600 --> 0:43:20.400
<v Speaker 5>it through, and you're just like, ah, fuck you.

0:43:21.080 --> 0:43:24.920
<v Speaker 4>I also found that the choice to cast his wife

0:43:25.040 --> 0:43:29.600
<v Speaker 4>as an East Asian woman, maybe it was colorblindcasting doesn't

0:43:29.640 --> 0:43:32.919
<v Speaker 4>feel like it for some reason. It feels like it's

0:43:33.000 --> 0:43:36.640
<v Speaker 4>trying to say something. What it's saying, I don't know.

0:43:37.120 --> 0:43:39.600
<v Speaker 4>Makes me feel kind of strange, though I don't know,

0:43:40.200 --> 0:43:41.200
<v Speaker 4>I don't know how to explain it.

0:43:41.560 --> 0:43:44.040
<v Speaker 3>I also had that thought, I mean, yeah, we don't

0:43:44.080 --> 0:43:46.719
<v Speaker 3>know what the background of the character is. But I

0:43:47.040 --> 0:43:51.759
<v Speaker 3>feel like because we met Lieutenant Dan in Vietnam, and

0:43:51.800 --> 0:43:55.160
<v Speaker 3>that the movie seems to very intentionally never show us

0:43:55.560 --> 0:43:58.880
<v Speaker 3>a Vietnamese persons, they're just like, we know who they're fighting,

0:43:58.920 --> 0:44:02.840
<v Speaker 3>but it's an unseen and so that there's no opportunity

0:44:02.920 --> 0:44:08.720
<v Speaker 3>to empathize with anyone who isn't in the American military. Yeah,

0:44:08.719 --> 0:44:10.000
<v Speaker 3>that felt that felt pointed.

0:44:10.200 --> 0:44:12.720
<v Speaker 4>I don't know, and she's she has an American accent.

0:44:12.920 --> 0:44:14.920
<v Speaker 4>I think she's supposed to be American. Yeah, but like

0:44:15.080 --> 0:44:17.359
<v Speaker 4>in the context of Vitnams, so many soldiers bringing back

0:44:17.440 --> 0:44:20.880
<v Speaker 4>Vienname's wives and the discourse around that, I don't know.

0:44:21.160 --> 0:44:24.120
<v Speaker 4>It just felt like a really pointed casting choice that

0:44:24.480 --> 0:44:25.480
<v Speaker 4>was interesting to me.

0:44:25.680 --> 0:44:27.680
<v Speaker 2>Yeah, And it's hard to say because we don't know

0:44:27.840 --> 0:44:30.640
<v Speaker 2>anything about her. She says exactly one line, which is

0:44:31.080 --> 0:44:34.399
<v Speaker 2>high Forest, and then that's all we get from her,

0:44:34.640 --> 0:44:38.680
<v Speaker 2>and then the movie's basically over because shortly after this

0:44:39.360 --> 0:44:43.920
<v Speaker 2>Jenny passes away. Forest of course misses her so much, and.

0:44:43.960 --> 0:44:46.839
<v Speaker 3>Unfortunately Tom Hanks is really good in the scene at

0:44:46.880 --> 0:44:47.440
<v Speaker 3>the grave.

0:44:48.080 --> 0:44:49.719
<v Speaker 4>I know, no, it'll get you good.

0:44:50.120 --> 0:44:52.160
<v Speaker 2>It's good, it's tearful.

0:44:52.560 --> 0:44:55.360
<v Speaker 4>And then baby Haley, did you cry, Jamie?

0:44:55.960 --> 0:45:01.880
<v Speaker 3>I was, I was edging, but I didn't get that.

0:45:02.480 --> 0:45:09.520
<v Speaker 2>Way to describe being on the verge of tears. And

0:45:09.960 --> 0:45:14.880
<v Speaker 2>Forrest is raising little Forest and he seems to be

0:45:14.960 --> 0:45:19.200
<v Speaker 2>a very good dad. And then when little Forest is

0:45:19.200 --> 0:45:22.359
<v Speaker 2>like waiting for the bus to school. The feather from

0:45:22.400 --> 0:45:24.920
<v Speaker 2>the beginning comes back, it falls out of the book

0:45:25.160 --> 0:45:28.680
<v Speaker 2>and then it floats through the sky again blah blah blah.

0:45:28.960 --> 0:45:32.000
<v Speaker 3>The end, it reminded me of the feather hitting and

0:45:32.080 --> 0:45:35.719
<v Speaker 3>the it reminded me of of Jim Carrey Grinch, where

0:45:35.760 --> 0:45:37.560
<v Speaker 3>it like starts and ends with the snowflake.

0:45:38.400 --> 0:45:41.120
<v Speaker 4>Ah, and you follow the snowflake. I did like that.

0:45:41.120 --> 0:45:43.200
<v Speaker 4>The feather it goes it like the feather flies right

0:45:43.200 --> 0:45:44.920
<v Speaker 4>into the screen, then it goes bink.

0:45:45.239 --> 0:45:47.360
<v Speaker 3>I did like it. I was like, Okay, that's a

0:45:47.400 --> 0:45:49.080
<v Speaker 3>little bit as the guest magic.

0:45:49.400 --> 0:45:56.479
<v Speaker 4>I liked that, very polar express. Well that's the movie.

0:45:56.560 --> 0:45:59.280
<v Speaker 2>Let's take another quick break and we'll come back to

0:45:59.320 --> 0:46:13.040
<v Speaker 2>discuss and we're back. Where shall we.

0:46:13.239 --> 0:46:17.400
<v Speaker 3>Start, Well, I would like to start, if possible, with

0:46:18.200 --> 0:46:22.960
<v Speaker 3>the adaptation context, because Maya, you talk about this so

0:46:23.800 --> 0:46:27.160
<v Speaker 3>eloquently and in such detail in your video, and I

0:46:27.200 --> 0:46:30.000
<v Speaker 3>honestly didn't even know until I watched your video a

0:46:30.040 --> 0:46:31.840
<v Speaker 3>couple of months ago that this was even based on

0:46:31.880 --> 0:46:35.440
<v Speaker 3>a book. If you would be so kind walk us

0:46:35.480 --> 0:46:39.320
<v Speaker 3>through some of the major changes made between the book

0:46:39.560 --> 0:46:40.800
<v Speaker 3>and the movie.

0:46:41.640 --> 0:46:45.440
<v Speaker 4>Yes, I was telling Kaitlin before, but uh, after I finish.

0:46:45.440 --> 0:46:46.960
<v Speaker 4>It's the kind of like writing an exam after I

0:46:47.000 --> 0:46:49.880
<v Speaker 4>finished a video, all the information just flies out of

0:46:49.880 --> 0:46:53.439
<v Speaker 4>my brain. I also rewatched my video, so I'm gonna

0:46:53.440 --> 0:46:56.640
<v Speaker 4>try and recap this is the best I can. But yes,

0:46:56.640 --> 0:46:59.480
<v Speaker 4>so essentially the movie is based on a novel by

0:46:59.520 --> 0:47:02.120
<v Speaker 4>an authorn, Winston Groom, who hadn't had a ton of

0:47:02.160 --> 0:47:05.200
<v Speaker 4>success in his life. I don't believe the book itself

0:47:05.280 --> 0:47:09.360
<v Speaker 4>either was wildly successful. But essentially, Winston Grim is a

0:47:09.400 --> 0:47:12.680
<v Speaker 4>Vietnam War veteran and he wrote this book that he

0:47:13.200 --> 0:47:16.439
<v Speaker 4>designed to be kind of like a picuresque novel. And

0:47:16.560 --> 0:47:19.560
<v Speaker 4>for context, the picuresque novel is this like literary tradition,

0:47:20.080 --> 0:47:24.080
<v Speaker 4>where it's a story that follows a singular character through

0:47:24.920 --> 0:47:29.000
<v Speaker 4>a very wide array of events in their life, often

0:47:29.040 --> 0:47:32.040
<v Speaker 4>with a satirical tone. The example that I use in

0:47:32.239 --> 0:47:35.919
<v Speaker 4>the video is Candide by Voltaire, which is basically about

0:47:35.960 --> 0:47:41.240
<v Speaker 4>a character who witnesses an absurd, uncanny amount of terrible

0:47:41.280 --> 0:47:43.360
<v Speaker 4>events in his life. But the book is written with

0:47:43.360 --> 0:47:46.240
<v Speaker 4>a really matter of fact tone, kind of almost comedic,

0:47:46.719 --> 0:47:49.319
<v Speaker 4>and it's supposed to be kind of pointing at the

0:47:49.360 --> 0:47:51.960
<v Speaker 4>fact that the world is a difficult place and we

0:47:52.040 --> 0:47:54.880
<v Speaker 4>need to nurture it instead of instead of ignoring it

0:47:54.920 --> 0:47:57.720
<v Speaker 4>and believing the world is just like this positive, amazing place.

0:47:58.320 --> 0:48:01.680
<v Speaker 4>And I'd say Forrestcump the book is pretty similar. Forrest

0:48:01.760 --> 0:48:06.200
<v Speaker 4>Gump is very different in the book. He's he physically

0:48:06.200 --> 0:48:08.799
<v Speaker 4>stands out a lot. He's supposed to be six book six,

0:48:08.880 --> 0:48:11.000
<v Speaker 4>a very big guy. I think he's like supposed to

0:48:11.040 --> 0:48:15.480
<v Speaker 4>be like two hundred to three hundred pounds. He's like big, yeah.

0:48:15.520 --> 0:48:19.840
<v Speaker 4>And he's very different from Forrest in the movie, mainly

0:48:19.880 --> 0:48:23.479
<v Speaker 4>in the sense that he's a very imperfect character. He

0:48:23.880 --> 0:48:27.360
<v Speaker 4>has sex with multiple women, including Jenny. In the book,

0:48:27.800 --> 0:48:31.120
<v Speaker 4>he's horny, he does drugs a few times throughout the book.

0:48:31.239 --> 0:48:34.839
<v Speaker 4>He is like one aware of racism, you know, when

0:48:34.880 --> 0:48:37.479
<v Speaker 4>he brings up the KKK at the beginning. He talks

0:48:37.520 --> 0:48:40.719
<v Speaker 4>about how his grandma named him Forrest, but how she

0:48:41.400 --> 0:48:43.360
<v Speaker 4>thinks that the KKK are a bunch of no goods.

0:48:43.640 --> 0:48:45.960
<v Speaker 4>So he's aware of racism, but he also is capable

0:48:46.000 --> 0:48:48.800
<v Speaker 4>of being racist, Like he is quite ignorant when he

0:48:48.840 --> 0:48:51.359
<v Speaker 4>goes to Vietnam and he talks about Vietnamese people, which

0:48:51.400 --> 0:48:53.239
<v Speaker 4>who are completely excluded from the movie. But in the

0:48:53.239 --> 0:48:55.520
<v Speaker 4>context of the book, he refers to them as a slur.

0:48:56.400 --> 0:48:58.680
<v Speaker 4>He goes to China and he ends up saving Mao

0:48:58.760 --> 0:49:01.279
<v Speaker 4>Zedong from drowning, which I thought was a funny plot

0:49:01.320 --> 0:49:05.439
<v Speaker 4>point which really pisses off his superiors, but is also

0:49:05.480 --> 0:49:07.840
<v Speaker 4>a little bit racist about Chinese people. He meets people

0:49:07.840 --> 0:49:09.920
<v Speaker 4>in New Guinea. He's a little he's he's ignorant, he's

0:49:09.960 --> 0:49:11.600
<v Speaker 4>a small town boy, right.

0:49:11.719 --> 0:49:14.279
<v Speaker 3>You mentioned this in your video, like where he's a

0:49:14.280 --> 0:49:17.920
<v Speaker 3>more realistic product of his environment than movie forest.

0:49:18.320 --> 0:49:21.600
<v Speaker 4>Yeah, exactly. And he's most importantly, he's a lot less

0:49:21.680 --> 0:49:24.920
<v Speaker 4>juvenile than the Forest in the movie. And I thought

0:49:24.920 --> 0:49:26.880
<v Speaker 4>it was interesting when you had referred to the scene

0:49:26.920 --> 0:49:29.880
<v Speaker 4>between Jenny and Forrest as like sexual assault, because I

0:49:29.880 --> 0:49:32.160
<v Speaker 4>think in the books it feels a lot less like that,

0:49:32.320 --> 0:49:35.759
<v Speaker 4>because Forest is less infantile. You know, he has like

0:49:35.920 --> 0:49:39.239
<v Speaker 4>learning impairments and intellectual disabilities, but he's he's still very

0:49:39.280 --> 0:49:42.319
<v Speaker 4>much an adult and doesn't have the mind of a child.

0:49:42.840 --> 0:49:44.759
<v Speaker 4>And so I thought that was a really interesting take

0:49:45.160 --> 0:49:48.160
<v Speaker 4>and accurate. And yeah, and I think overall the book

0:49:48.360 --> 0:49:50.359
<v Speaker 4>just has a bit more of a satirical edge to

0:49:50.400 --> 0:49:54.359
<v Speaker 4>it than the movie does. And is it Roberts Mechis yeah,

0:49:54.440 --> 0:49:57.320
<v Speaker 4>Robert Yeah. Roberts and Mecchus and Eric Roth, who is

0:49:57.360 --> 0:50:00.759
<v Speaker 4>a screenwriter, have been very explicit about the fact that

0:50:00.800 --> 0:50:04.279
<v Speaker 4>they don't like the book, which I think is wildly disrespectful.

0:50:04.280 --> 0:50:07.399
<v Speaker 4>Winston Groom has been like extremely gracious about he's passed away,

0:50:07.400 --> 0:50:10.960
<v Speaker 4>but really gracious about the adaptation, was really excited about it.

0:50:11.320 --> 0:50:13.759
<v Speaker 4>And it feels like they just kind of disrespected the

0:50:13.760 --> 0:50:14.759
<v Speaker 4>source material a lot.

0:50:15.000 --> 0:50:17.439
<v Speaker 3>And they screwed ai amount of money too, like there

0:50:17.520 --> 0:50:18.080
<v Speaker 3>was like a hole.

0:50:18.160 --> 0:50:19.240
<v Speaker 4>They screwed him out of money.

0:50:19.360 --> 0:50:21.320
<v Speaker 3>It's wild and he was very nice.

0:50:21.160 --> 0:50:23.680
<v Speaker 4>About that too. He sounds like he was actually a

0:50:23.719 --> 0:50:26.800
<v Speaker 4>really nice guy. God and Roberts and Machis has just

0:50:26.840 --> 0:50:28.800
<v Speaker 4>been very proud about the fact that he didn't finish

0:50:28.800 --> 0:50:31.160
<v Speaker 4>the book, but essentially he felt like the book had

0:50:31.160 --> 0:50:33.920
<v Speaker 4>no meaning and so he wanted to imbue it with meaning,

0:50:34.160 --> 0:50:37.200
<v Speaker 4>which I think is really interesting because the book has

0:50:37.239 --> 0:50:40.160
<v Speaker 4>a lot of meaning. I think it takes this approach

0:50:40.239 --> 0:50:43.840
<v Speaker 4>that Winston Groom has basically said that he wanted the

0:50:43.880 --> 0:50:46.560
<v Speaker 4>story to be about human dignity and preserving dignity in

0:50:46.600 --> 0:50:49.440
<v Speaker 4>a world where many undignified things happened to you, and

0:50:49.480 --> 0:50:52.080
<v Speaker 4>like happen around you. And I think that that's definitely

0:50:52.160 --> 0:50:55.279
<v Speaker 4>the case. Forrest doesn't constantly succeed in the book. He

0:50:55.360 --> 0:50:58.000
<v Speaker 4>undergoes a lot of hardship. One of the biggest changes

0:50:58.040 --> 0:51:00.640
<v Speaker 4>they make is that Forest actually gets wrapped it into

0:51:00.640 --> 0:51:03.200
<v Speaker 4>the army in the book, and I believe he enlists

0:51:03.239 --> 0:51:03.760
<v Speaker 4>in the movie.

0:51:03.920 --> 0:51:06.239
<v Speaker 2>Yeah, he voluntarily enlists. Yeah in the.

0:51:06.160 --> 0:51:08.319
<v Speaker 4>Movie, Yeah, which is a huge thing. He flunks out

0:51:08.320 --> 0:51:09.960
<v Speaker 4>of college, Like there's there's so many things that happened

0:51:10.000 --> 0:51:13.160
<v Speaker 4>to him that are upsetting, and it feels like movie

0:51:13.160 --> 0:51:17.920
<v Speaker 4>Forrest doesn't stuffer those same things. And Yeah, generally, just

0:51:18.680 --> 0:51:21.719
<v Speaker 4>the movie essentially just sanitizes the book as Hollywood is

0:51:21.920 --> 0:51:25.640
<v Speaker 4>so wants to do, and turns it from this kind

0:51:25.640 --> 0:51:30.719
<v Speaker 4>of like satire about indignity into dignity to kind of

0:51:30.719 --> 0:51:34.479
<v Speaker 4>being a celebration of America and American history and doing

0:51:34.520 --> 0:51:39.600
<v Speaker 4>this like really bizarre quick survey of the America's twentieth century,

0:51:40.040 --> 0:51:43.719
<v Speaker 4>hitting all these like major points in American culture, like

0:51:43.840 --> 0:51:46.080
<v Speaker 4>huge touchdowns of American culture, like oh, adding in John

0:51:46.160 --> 0:51:49.640
<v Speaker 4>Lennon or Elvis Presley. At one point, Forrest teaches him

0:51:49.680 --> 0:51:51.839
<v Speaker 4>how to do that silly dance move he did and

0:51:52.360 --> 0:51:54.800
<v Speaker 4>just adding in these unnecessary things jfka. All this stuff

0:51:54.880 --> 0:51:56.920
<v Speaker 4>to kind of wink and nod at the audience is

0:51:57.000 --> 0:51:59.400
<v Speaker 4>very Pestiche kind of just like a collage of different

0:51:59.440 --> 0:52:02.920
<v Speaker 4>moments without any real meaning behind them. So I think

0:52:02.920 --> 0:52:04.160
<v Speaker 4>it's interesting because I think they took a lot of

0:52:04.160 --> 0:52:05.880
<v Speaker 4>the meaning out of the book, right.

0:52:05.800 --> 0:52:09.520
<v Speaker 3>They like unsatirized it. It seems like they unsatirized it.

0:52:09.560 --> 0:52:12.480
<v Speaker 4>And I think the number one difference between them is

0:52:12.560 --> 0:52:14.840
<v Speaker 4>the opening line in the movie. He says life is

0:52:14.880 --> 0:52:16.560
<v Speaker 4>like a box of chocolates. You never know what you're

0:52:16.560 --> 0:52:18.520
<v Speaker 4>gonna get, which I've always thought was strange because you

0:52:18.520 --> 0:52:20.320
<v Speaker 4>do know what you're gonna get. You're gonna get chocolate.

0:52:20.520 --> 0:52:23.200
<v Speaker 2>It's on the box, yeah, and it's all yeah, but

0:52:23.200 --> 0:52:24.880
<v Speaker 2>you don't know if it's gonna be full of a

0:52:25.000 --> 0:52:27.680
<v Speaker 2>cherry or peanut, butter or caramel.

0:52:28.320 --> 0:52:30.080
<v Speaker 4>Have you guys had pot of gold? When they have

0:52:30.160 --> 0:52:34.920
<v Speaker 4>the little key which tells you exactly yeah, yeah, yeah, yeah,

0:52:34.960 --> 0:52:37.520
<v Speaker 4>maybe this is Alabama chocolate that I'm not let me

0:52:37.600 --> 0:52:38.040
<v Speaker 4>let us know.

0:52:38.239 --> 0:52:44.320
<v Speaker 3>He's got a box of Russell Stover and labeled yeah yeah.

0:52:44.400 --> 0:52:45.960
<v Speaker 4>But in the movie he says that, and in the

0:52:46.000 --> 0:52:49.880
<v Speaker 4>book he says being an Idiot is no box of chocolates,

0:52:50.040 --> 0:52:53.759
<v Speaker 4>which is the complete in verse of tone. Right. The

0:52:53.800 --> 0:52:56.799
<v Speaker 4>movie takes a really positive, really optimistic kind of a

0:52:56.880 --> 0:53:01.200
<v Speaker 4>political approach to life, whereas the book is actively engaging

0:53:01.239 --> 0:53:05.959
<v Speaker 4>with the difficulties that Forest faces as someone with a disability, right,

0:53:06.040 --> 0:53:08.040
<v Speaker 4>And so yeah, I think that's the general gist of

0:53:08.440 --> 0:53:10.799
<v Speaker 4>the adaptation, but there's so much more to be said.

0:53:11.200 --> 0:53:14.200
<v Speaker 3>There's I mean, yeah, I truly would recommend everyone listening

0:53:14.400 --> 0:53:16.759
<v Speaker 3>go watch the video as well, because they're I mean,

0:53:16.880 --> 0:53:19.680
<v Speaker 3>just the specifics that you were pulling about. How you

0:53:19.680 --> 0:53:23.640
<v Speaker 3>know in the book, yeah, that he's specifically condemning the

0:53:23.719 --> 0:53:26.360
<v Speaker 3>Vietnam War, and in the movie they literally rip the

0:53:26.360 --> 0:53:29.279
<v Speaker 3>microphone away from him, so you can never really have

0:53:29.360 --> 0:53:33.359
<v Speaker 3>a definitive statement on the movie's opinion of the Vietnam War.

0:53:33.400 --> 0:53:36.000
<v Speaker 4>I think they're trying to talk about like military suppression

0:53:36.000 --> 0:53:38.239
<v Speaker 4>and censorship, but it's like, how convenient you know.

0:53:39.160 --> 0:53:41.759
<v Speaker 3>That this is the Yeah, the one it felt like

0:53:41.800 --> 0:53:45.160
<v Speaker 3>this movie was I don't know, I mean, in that context,

0:53:45.680 --> 0:53:48.720
<v Speaker 3>it felt like the movie was trying to, I guess,

0:53:50.000 --> 0:53:53.360
<v Speaker 3>strip back any of the intended meaning of the book

0:53:53.600 --> 0:53:59.360
<v Speaker 3>as you described it, and also really punish people within

0:53:59.480 --> 0:54:02.960
<v Speaker 3>the world of the movie who were seeking meaning that

0:54:03.120 --> 0:54:06.799
<v Speaker 3>was not conservative and conventional. I feel like the one

0:54:06.840 --> 0:54:10.600
<v Speaker 3>thing that stuck out to me is that we really

0:54:10.640 --> 0:54:15.440
<v Speaker 3>only meet like two men who are like explicitly progressive

0:54:15.600 --> 0:54:18.240
<v Speaker 3>or leftist or whatever. One of them is Abby hoffin

0:54:18.360 --> 0:54:22.120
<v Speaker 3>the other one is beating up Jenny. The only guy

0:54:22.200 --> 0:54:24.640
<v Speaker 3>we really meet who's a fictional character is like this

0:54:24.760 --> 0:54:29.040
<v Speaker 3>horrific abuser who's a black panther alive, right, and so

0:54:29.120 --> 0:54:31.920
<v Speaker 3>it's just like making him out to see, which you

0:54:31.920 --> 0:54:35.640
<v Speaker 3>know absolutely happens in those spaces, but it's like you

0:54:35.680 --> 0:54:38.319
<v Speaker 3>get nothing with the exception of Jenny's father, you get

0:54:38.360 --> 0:54:43.560
<v Speaker 3>nothing but really empathetic portraits of people who are living

0:54:44.120 --> 0:54:48.200
<v Speaker 3>like not countercultural lives. And so and the fact that

0:54:48.280 --> 0:54:51.640
<v Speaker 3>Jenny's whole character seems predicated on the movie has this

0:54:51.680 --> 0:54:55.719
<v Speaker 3>agenda of like getting back at her for doing anything.

0:54:55.880 --> 0:54:59.479
<v Speaker 3>It seems like, and I think you mentioned the video

0:54:59.560 --> 0:55:02.000
<v Speaker 3>as well, her character is that is like not the

0:55:02.120 --> 0:55:04.840
<v Speaker 3>ending for that character in the book.

0:55:05.000 --> 0:55:08.600
<v Speaker 4>Yeah, very importantly. In the book, Jenny does not die,

0:55:09.040 --> 0:55:11.640
<v Speaker 4>She does not have a virus. She actually ends up

0:55:11.680 --> 0:55:15.160
<v Speaker 4>with another man. Forrest has sex with another woman and

0:55:15.520 --> 0:55:18.239
<v Speaker 4>they have a child together, and he essentially gives the

0:55:18.360 --> 0:55:20.520
<v Speaker 4>child to Jenny because he the quote is that he

0:55:20.560 --> 0:55:22.600
<v Speaker 4>doesn't want the child to have a pea brain for

0:55:22.640 --> 0:55:26.399
<v Speaker 4>a daddy, which is heartbreaking. But in the movie, it's

0:55:26.400 --> 0:55:29.000
<v Speaker 4>like Forest is supposed to have an IQ of seventy,

0:55:29.800 --> 0:55:33.279
<v Speaker 4>have this extremely childlike worldview, but then is now a

0:55:33.320 --> 0:55:36.080
<v Speaker 4>single father raising this child spectacularly on his own, which

0:55:36.120 --> 0:55:37.960
<v Speaker 4>I'm not saying is not possible at all, but it

0:55:38.080 --> 0:55:41.120
<v Speaker 4>just it feels like a really interesting shift between the

0:55:41.120 --> 0:55:42.719
<v Speaker 4>two realities.

0:55:43.040 --> 0:55:46.080
<v Speaker 2>And then also in your video, I say, you point

0:55:46.120 --> 0:55:51.080
<v Speaker 2>out the various other ways in which the movie adaptation

0:55:51.200 --> 0:55:55.000
<v Speaker 2>differs from the book in regards to Jenny's character where

0:55:55.920 --> 0:55:58.239
<v Speaker 2>the movie it seems, gives and to be clear, I

0:55:58.280 --> 0:56:00.520
<v Speaker 2>have not read the book, so I'm pulling a lot

0:56:00.520 --> 0:56:04.280
<v Speaker 2>of this information from your video essay, but it seems

0:56:04.320 --> 0:56:09.080
<v Speaker 2>as though the movie does give Jenny more presence in

0:56:09.120 --> 0:56:12.200
<v Speaker 2>the story. But it also does this thing where it

0:56:12.239 --> 0:56:16.760
<v Speaker 2>basically transfers all of the quote unquote vices that Forrest

0:56:16.840 --> 0:56:21.560
<v Speaker 2>has in the book, or what like respectability politics and

0:56:21.600 --> 0:56:25.799
<v Speaker 2>conservative values would deem to be vices, and it transfers

0:56:25.840 --> 0:56:30.200
<v Speaker 2>those to Jenny in the movie where, for example, we

0:56:30.480 --> 0:56:33.000
<v Speaker 2>see her doing a bunch of drugs.

0:56:33.239 --> 0:56:35.760
<v Speaker 3>She's the only character we know who's done drugs except

0:56:35.840 --> 0:56:38.839
<v Speaker 3>I guess maybe Lieutenant Dan for a while, right, But.

0:56:38.800 --> 0:56:42.520
<v Speaker 2>We actively see her doing coke. It's implied that she

0:56:42.560 --> 0:56:45.200
<v Speaker 2>does heroin, and we also see her doing what might

0:56:45.239 --> 0:56:47.399
<v Speaker 2>be acid. Again, I'm such a square when it comes

0:56:47.400 --> 0:56:49.160
<v Speaker 2>to drugs. I don't know which ones are which, but

0:56:49.719 --> 0:56:53.279
<v Speaker 2>she's doing veriou drugs. It's implied that she it maybe

0:56:53.360 --> 0:56:56.040
<v Speaker 2>has promiscuous sex or at the very least has multiple

0:56:56.160 --> 0:56:57.279
<v Speaker 2>romantic partners.

0:56:57.840 --> 0:57:02.400
<v Speaker 4>She may be also doing sex work by the end unclear.

0:57:02.160 --> 0:57:04.359
<v Speaker 3>Oh right, because we see her she gets kicked out

0:57:04.360 --> 0:57:08.080
<v Speaker 3>of college for being in a Playboy spread, and if

0:57:08.120 --> 0:57:10.880
<v Speaker 3>I'm remembering correctly, they add in the fact that she

0:57:11.040 --> 0:57:14.320
<v Speaker 3>was being sexually abused by her father for the movie,

0:57:14.680 --> 0:57:16.920
<v Speaker 3>which again don't.

0:57:16.600 --> 0:57:20.280
<v Speaker 4>Do that well. It's fascinating because Forrest in the books

0:57:20.360 --> 0:57:24.120
<v Speaker 4>is sexually assaulted by a female boarder at his mom's

0:57:24.120 --> 0:57:25.960
<v Speaker 4>house when he's a kid, or like I think he's

0:57:25.960 --> 0:57:26.920
<v Speaker 4>a teenager.

0:57:26.840 --> 0:57:29.040
<v Speaker 2>Which is left out of the movie, which.

0:57:28.880 --> 0:57:30.959
<v Speaker 3>Is left out of the movie, and then they give

0:57:31.000 --> 0:57:35.160
<v Speaker 3>that to Jenny. I do feel like I don't know,

0:57:35.400 --> 0:57:37.400
<v Speaker 3>I guess I do feel confident in saying this because

0:57:37.440 --> 0:57:40.240
<v Speaker 3>it's just men top to bottom at the height of

0:57:40.280 --> 0:57:43.480
<v Speaker 3>this project. I do feel like that's done to quote

0:57:43.560 --> 0:57:48.120
<v Speaker 3>unquote justify how her life goes. Is like a survivor

0:57:48.200 --> 0:57:53.800
<v Speaker 3>of CSA is fucked like for their entire lives, and

0:57:53.840 --> 0:57:56.400
<v Speaker 3>that all of these things. I mean, it just feels

0:57:56.400 --> 0:58:00.400
<v Speaker 3>like the movie is just punishing her so thoroughly. And

0:58:00.600 --> 0:58:04.200
<v Speaker 3>the only times in her life or in the plot

0:58:04.200 --> 0:58:07.040
<v Speaker 3>where she catches a break is when she is basically

0:58:07.080 --> 0:58:11.520
<v Speaker 3>playing the part of Forest's wife and like is living

0:58:11.880 --> 0:58:15.080
<v Speaker 3>with him kind of in a live in girlfriend's situation.

0:58:15.280 --> 0:58:17.120
<v Speaker 3>And I know you mentioned it in your video too,

0:58:17.160 --> 0:58:20.320
<v Speaker 3>but when they have sex towards the end of the movie,

0:58:20.360 --> 0:58:23.560
<v Speaker 3>she's wearing this like virginal white gown. She dies in

0:58:23.600 --> 0:58:28.280
<v Speaker 3>a white gown. It just all feels so like, I

0:58:28.280 --> 0:58:32.320
<v Speaker 3>don't know, like she's being redeemed, yeah yeah, and that

0:58:32.440 --> 0:58:34.360
<v Speaker 3>it's like all of this is happening to her to

0:58:34.480 --> 0:58:37.840
<v Speaker 3>remind us how good of a person movie Forest is

0:58:38.440 --> 0:58:44.120
<v Speaker 3>while punishing Jenny for any countercultural instinct or abuse she

0:58:44.200 --> 0:58:46.080
<v Speaker 3>sustained as a child, which is not how the movie

0:58:46.160 --> 0:58:47.360
<v Speaker 3>treats Forest at all.

0:58:48.960 --> 0:58:51.400
<v Speaker 4>I also think it's part of this kind of trend

0:58:51.520 --> 0:58:54.480
<v Speaker 4>of the nineties and two thousands of this like tortured

0:58:54.520 --> 0:58:57.400
<v Speaker 4>angel trope that happened I think a lot with women.

0:58:57.400 --> 0:58:58.680
<v Speaker 4>I don't know if you guys remember so many like

0:58:58.720 --> 0:59:00.720
<v Speaker 4>indie songs from the two thousands where they be like

0:59:01.200 --> 0:59:04.080
<v Speaker 4>she's got blue bruises on her.

0:59:04.120 --> 0:59:04.320
<v Speaker 2>Oh.

0:59:04.360 --> 0:59:07.520
<v Speaker 4>It was like just very like very voyeuristic, like man,

0:59:07.560 --> 0:59:11.480
<v Speaker 4>oh I can save you girl kind of songwriting.

0:59:11.000 --> 0:59:14.120
<v Speaker 3>Kind of decembris vibes to be yeah, yeah, yeah, And.

0:59:14.040 --> 0:59:17.200
<v Speaker 4>This feels similarly of its time for this kind of

0:59:17.240 --> 0:59:20.600
<v Speaker 4>like helpless, tortured, fragile bird woman that you need to

0:59:20.600 --> 0:59:22.400
<v Speaker 4>go save and you have to save her all the time.

0:59:22.720 --> 0:59:24.800
<v Speaker 4>But like she's so she's so do you guys swear

0:59:24.840 --> 0:59:27.720
<v Speaker 4>on this podcast? Oh yes, she's so fucked up?

0:59:28.600 --> 0:59:29.760
<v Speaker 2>Yes for sure.

0:59:30.160 --> 0:59:32.720
<v Speaker 4>So I think it's really it's really of this era

0:59:33.040 --> 0:59:34.000
<v Speaker 4>in that way as well.

0:59:34.440 --> 0:59:37.800
<v Speaker 2>That and then it's like her, as you point out

0:59:37.840 --> 0:59:41.800
<v Speaker 2>in your video, it's her you know, quote unquote impure

0:59:42.280 --> 0:59:49.720
<v Speaker 2>behavior is largely there to emphasize how morally pure Forrest

0:59:49.760 --> 0:59:54.400
<v Speaker 2>Gump is, by contrast, and it's only after she accepts

0:59:54.440 --> 0:59:57.520
<v Speaker 2>the role of like wife and mother, like a very

0:59:57.560 --> 1:00:03.400
<v Speaker 2>traditional kind of that she is like redeemed, and then

1:00:03.440 --> 1:00:07.040
<v Speaker 2>she suddenly has the same haircut that Forrest Gump's mom

1:00:07.280 --> 1:00:08.600
<v Speaker 2>has throughout the same movie.

1:00:08.960 --> 1:00:11.960
<v Speaker 3>Like, oh, and she dies in the same bed. It's implied.

1:00:12.360 --> 1:00:12.919
<v Speaker 1>Oh yeah.

1:00:13.040 --> 1:00:15.560
<v Speaker 4>And what I thought was interesting, and I was gonna

1:00:15.560 --> 1:00:18.000
<v Speaker 4>say it earlier too, is there are no signs like

1:00:18.000 --> 1:00:20.080
<v Speaker 4>when Forest's mom and Jenny die, and there's like these

1:00:20.080 --> 1:00:22.480
<v Speaker 4>parallels in the scenes. There are no signs of illness

1:00:22.520 --> 1:00:25.680
<v Speaker 4>on them. Forest's mom, true, Chris's mom dies of cancer

1:00:26.120 --> 1:00:29.080
<v Speaker 4>and there's not a sign and like some people obviously

1:00:29.240 --> 1:00:32.480
<v Speaker 4>do die of cancer and don't look ill, but Jenny

1:00:32.520 --> 1:00:34.840
<v Speaker 4>as well dying of what is.

1:00:35.200 --> 1:00:40.439
<v Speaker 3>Like complications do a yeah, like die beautiful.

1:00:40.320 --> 1:00:44.240
<v Speaker 4>Yeah, which is like horrific virus has an extreme physical

1:00:44.280 --> 1:00:47.400
<v Speaker 4>toll on the body. And Jenny looks so porcelain when

1:00:47.440 --> 1:00:50.240
<v Speaker 4>she dies, Like her hair is like voluminous and blonde,

1:00:50.280 --> 1:00:51.960
<v Speaker 4>and it's just like, I don't know, I thought that

1:00:51.960 --> 1:00:54.200
<v Speaker 4>was an interesting omission.

1:00:54.480 --> 1:00:55.760
<v Speaker 2>Very peculiar.

1:00:56.520 --> 1:00:56.800
<v Speaker 3>Yeah.

1:00:56.880 --> 1:00:58.800
<v Speaker 2>I also want to talk just a little bit more

1:00:58.840 --> 1:01:03.840
<v Speaker 2>about like the power dynamic and the like imbalance of

1:01:04.400 --> 1:01:09.520
<v Speaker 2>power in that relationship of like someone who has an

1:01:09.560 --> 1:01:13.200
<v Speaker 2>intellectual disability being with someone who does not have an

1:01:13.200 --> 1:01:20.040
<v Speaker 2>intellectual disability in a sexual or romantic context, which that

1:01:20.240 --> 1:01:24.320
<v Speaker 2>power dynamic is certainly worth examining. And then even on

1:01:24.400 --> 1:01:26.880
<v Speaker 2>top of that, there are different scenes in the movie

1:01:26.920 --> 1:01:31.760
<v Speaker 2>where Jenny does things that, like whether or not she

1:01:31.880 --> 1:01:35.640
<v Speaker 2>obtained consent from Forrest is very much up for debate.

1:01:36.240 --> 1:01:38.520
<v Speaker 2>There's the scene in the dorm room, which we described,

1:01:38.760 --> 1:01:41.680
<v Speaker 2>and then I would argue also when she comes into

1:01:41.720 --> 1:01:44.000
<v Speaker 2>his room toward the end of the movie, when she's

1:01:44.040 --> 1:01:47.520
<v Speaker 2>wearing that like white gown and she gets into bed

1:01:47.520 --> 1:01:51.560
<v Speaker 2>with him and they have sex, I think consent there

1:01:51.760 --> 1:01:56.240
<v Speaker 2>is also questionable. But the movie, of course is just

1:01:56.320 --> 1:02:00.920
<v Speaker 2>like no, of course Forrest is consenting to this, and

1:02:01.120 --> 1:02:04.680
<v Speaker 2>of course any man when next to a beautiful woman

1:02:04.760 --> 1:02:07.720
<v Speaker 2>would of course consent to any sexual thing that might

1:02:07.760 --> 1:02:11.600
<v Speaker 2>happen kind of thing. And I never really picked up

1:02:11.600 --> 1:02:13.840
<v Speaker 2>on that as a child, of course, like you know.

1:02:13.960 --> 1:02:16.480
<v Speaker 3>Well, sure, because this is being presented as a beautiful

1:02:16.520 --> 1:02:17.360
<v Speaker 3>love story.

1:02:17.360 --> 1:02:21.520
<v Speaker 2>Right, and I really noticed that on this viewing. And

1:02:21.880 --> 1:02:25.040
<v Speaker 2>I want to be perfectly clear that I am not

1:02:25.080 --> 1:02:30.360
<v Speaker 2>suggesting that people with intellectual disabilities or who are neurodivergent

1:02:31.000 --> 1:02:36.280
<v Speaker 2>are not able to give consent or to have consenting

1:02:36.320 --> 1:02:41.040
<v Speaker 2>sexual relationships. I'm talking more about the power dynamic, which is,

1:02:41.720 --> 1:02:44.960
<v Speaker 2>you know, similar to when like, you know, a twenty

1:02:45.280 --> 1:02:49.880
<v Speaker 2>year old dating a forty five year old, and even

1:02:49.920 --> 1:02:54.600
<v Speaker 2>if they are giving consent, it's still a power imbalance,

1:02:54.840 --> 1:03:00.000
<v Speaker 2>whether based on level of life experience or emotional mature

1:03:00.600 --> 1:03:05.400
<v Speaker 2>or like wisdom versus naivete. And I know that like

1:03:05.640 --> 1:03:10.400
<v Speaker 2>people's mileage on this varies. It's a very complicated topic

1:03:10.440 --> 1:03:12.640
<v Speaker 2>and I don't want to trivialize it or anything like that,

1:03:12.760 --> 1:03:17.200
<v Speaker 2>but there is inherently an imbalance of power in these

1:03:17.520 --> 1:03:22.400
<v Speaker 2>different scenarios, and my criticism is that the movie doesn't

1:03:22.480 --> 1:03:28.320
<v Speaker 2>really acknowledge that, and that the movie does show what

1:03:28.480 --> 1:03:31.240
<v Speaker 2>I would especially in that dorm room scene. I think

1:03:31.320 --> 1:03:34.520
<v Speaker 2>unequivocally in the dorm room scene is an instance of

1:03:34.560 --> 1:03:37.200
<v Speaker 2>sexual assault that the movie does not treat that way

1:03:37.240 --> 1:03:39.680
<v Speaker 2>at all, and instead ends that scene on like a

1:03:39.800 --> 1:03:45.800
<v Speaker 2>jokey button about him prematurely ejaculating and ruining the roommate's

1:03:45.880 --> 1:03:49.760
<v Speaker 2>bathrobe and twist. The roommate was awake the whole time

1:03:49.880 --> 1:03:54.280
<v Speaker 2>during this entire interaction. So that's what I take issue with.

1:03:54.520 --> 1:03:56.680
<v Speaker 2>I just want to make that perfectly clear.

1:03:56.520 --> 1:03:59.800
<v Speaker 4>It's a romantic depiction of yeah, yeah dynamic.

1:04:00.200 --> 1:04:03.000
<v Speaker 3>Yeah, you're totally right, Kitlin, that like the power dynamic

1:04:03.080 --> 1:04:07.520
<v Speaker 3>is not even acknowledged, and that that feels like a

1:04:07.760 --> 1:04:13.640
<v Speaker 3>very glaring and could be adjusted pretty easily. But because

1:04:13.680 --> 1:04:16.440
<v Speaker 3>all these adaptation changes are made, I don't know if

1:04:16.480 --> 1:04:21.280
<v Speaker 3>any consulting was done in terms of presenting neurodivergence on

1:04:21.320 --> 1:04:24.560
<v Speaker 3>screen or anything like that. I would assume no, but

1:04:24.880 --> 1:04:27.360
<v Speaker 3>I'm not sure. I would also assume that I was

1:04:27.360 --> 1:04:29.360
<v Speaker 3>looking to see if there had been more written about this,

1:04:29.480 --> 1:04:32.440
<v Speaker 3>and I wasn't really able to find anything, which is

1:04:32.560 --> 1:04:36.760
<v Speaker 3>very frustrating. I have found a few, I mean, they're

1:04:36.760 --> 1:04:43.200
<v Speaker 3>mostly personal essays, many from autistic writers who are like

1:04:43.440 --> 1:04:47.320
<v Speaker 3>I mean, there's just a wide array of takes on Forest,

1:04:47.400 --> 1:04:51.880
<v Speaker 3>where there are certain nonprofits related to autism not autism

1:04:51.960 --> 1:04:56.760
<v Speaker 3>speaks that have sort of like claimed Forest as their own.

1:04:56.800 --> 1:04:59.480
<v Speaker 3>But of course it's like not necessary, that's not stated

1:04:59.520 --> 1:05:02.880
<v Speaker 3>in the movie. So I don't know, I mean, this movie,

1:05:03.120 --> 1:05:05.920
<v Speaker 3>it's absolutely baffling to me. I have like a quick

1:05:07.080 --> 1:05:11.520
<v Speaker 3>quote from a writer that like really embraced Forest and

1:05:11.600 --> 1:05:16.000
<v Speaker 3>specifically the movie interpretation of Forest. This is from a

1:05:16.000 --> 1:05:21.480
<v Speaker 3>website Slash writer a is for Ifa not Autism dot

1:05:21.480 --> 1:05:25.160
<v Speaker 3>Com from a post she wrote called autism on Screen

1:05:25.320 --> 1:05:28.680
<v Speaker 3>Forest Gump. I just wanted to share this. Interestingly, the

1:05:28.680 --> 1:05:31.080
<v Speaker 3>film depicts Forest in a more realistic light than in

1:05:31.120 --> 1:05:33.439
<v Speaker 3>the book. Whilst he is described in both as having

1:05:33.440 --> 1:05:35.840
<v Speaker 3>a low IQ in the seventies, Forrest is not portrayed

1:05:35.880 --> 1:05:39.520
<v Speaker 3>a stereotyped mathematical savant in the film. Finally, a bit

1:05:39.560 --> 1:05:42.240
<v Speaker 3>of realism. Forrest's tail truly shows us. How as I've

1:05:42.240 --> 1:05:45.000
<v Speaker 3>often remarked on this blog, you should never allow autism

1:05:45.000 --> 1:05:47.840
<v Speaker 3>to hold you back. And autism diagnosis can be a challenge, yes,

1:05:47.880 --> 1:05:49.480
<v Speaker 3>but it does not mean you can't live a normal,

1:05:49.560 --> 1:05:54.480
<v Speaker 3>happy and fulfilling life. And then there's physical disability, which

1:05:54.840 --> 1:05:59.600
<v Speaker 3>I feel far more confident saying this movie completely mishandles

1:06:00.080 --> 1:06:04.000
<v Speaker 3>actually crazy. That leg brace is falling off that whole

1:06:04.040 --> 1:06:06.560
<v Speaker 3>I mean, that's like the first huge example, right of Like,

1:06:06.640 --> 1:06:11.880
<v Speaker 3>as Forrest is running, it's his disability. His physical disability

1:06:11.920 --> 1:06:15.680
<v Speaker 3>is made out to be basically metaphorical. Yeah, and that

1:06:15.920 --> 1:06:19.320
<v Speaker 3>you know, as he gains confidence and he outruns his bullies,

1:06:19.800 --> 1:06:23.080
<v Speaker 3>his leg braces fall away, and it's that's the last

1:06:23.080 --> 1:06:25.920
<v Speaker 3>time his physical disability ever comes up, which is all

1:06:25.920 --> 1:06:30.520
<v Speaker 3>of these classic, like ablest tropes of like a disability

1:06:30.520 --> 1:06:34.040
<v Speaker 3>as something that's inherently holding you back and is making

1:06:34.080 --> 1:06:37.760
<v Speaker 3>you suffer and needs to be overcome as opposed to

1:06:37.800 --> 1:06:40.280
<v Speaker 3>just a facet of one's life.

1:06:40.960 --> 1:06:45.480
<v Speaker 2>Yeah, movie really flubs it. I mean going back to

1:06:46.120 --> 1:06:51.440
<v Speaker 2>Forrest Gump's intellectual disability and the way that, as you

1:06:51.760 --> 1:06:57.320
<v Speaker 2>discuss in your video essay, Maya, is all about like

1:06:57.920 --> 1:07:02.000
<v Speaker 2>the conservative right co opting this movie because of all

1:07:02.040 --> 1:07:06.480
<v Speaker 2>of its like conservative values, because it's showing all of

1:07:06.640 --> 1:07:11.560
<v Speaker 2>these historical events and like American iconography in a way

1:07:11.640 --> 1:07:17.520
<v Speaker 2>that is making no commentary or criticism about various things

1:07:17.600 --> 1:07:24.320
<v Speaker 2>such as the Vietnam War, segregation, systemic racism, things like that.

1:07:24.560 --> 1:07:25.840
<v Speaker 4>And it's this is.

1:07:25.920 --> 1:07:29.120
<v Speaker 2>Able to happen because of the point of view character

1:07:29.160 --> 1:07:33.240
<v Speaker 2>of Forrest Gump, who sees everything with such a naive

1:07:33.920 --> 1:07:36.880
<v Speaker 2>point of view. He's always saying something like, well, for

1:07:36.960 --> 1:07:41.680
<v Speaker 2>no particular reason, XYZ happened. And the way that he

1:07:41.880 --> 1:07:46.760
<v Speaker 2>just he'll allude to these things oppression or corruption or exploitation,

1:07:46.840 --> 1:07:50.160
<v Speaker 2>things that have happened throughout American history. It'll be alluding

1:07:50.200 --> 1:07:53.760
<v Speaker 2>to them without acknowledging them. Because it's just like Forrest

1:07:53.840 --> 1:07:57.240
<v Speaker 2>being like, remember this, remember this thing that happened. I

1:07:57.240 --> 1:07:59.720
<v Speaker 2>have nothing to say about it, which is also just

1:07:59.760 --> 1:08:04.360
<v Speaker 2>the inherent ableism in that in suggesting that someone with

1:08:04.440 --> 1:08:11.320
<v Speaker 2>an intellectual disability couldn't understand things like racial discrimination and

1:08:11.560 --> 1:08:15.160
<v Speaker 2>war are bad. That he's just like, I don't know

1:08:15.440 --> 1:08:17.880
<v Speaker 2>these things are happening, but I don't know anything about it.

1:08:18.840 --> 1:08:22.280
<v Speaker 2>I think there's just like intense ableism inherent in that.

1:08:23.120 --> 1:08:25.559
<v Speaker 3>I agree. I think, yeah, that I had a note

1:08:25.560 --> 1:08:28.519
<v Speaker 3>that like for me that it felt both ableist and

1:08:28.800 --> 1:08:32.719
<v Speaker 3>condescending to anyone watching the movie where there's a line

1:08:32.760 --> 1:08:35.439
<v Speaker 3>shortly after he enlists I think he's at basic training

1:08:35.840 --> 1:08:38.920
<v Speaker 3>that goes something like being in the army is easy.

1:08:38.960 --> 1:08:41.320
<v Speaker 3>All you have to do is be completely pliant and

1:08:41.320 --> 1:08:43.320
<v Speaker 3>do what anyone tells you to do, and you'll do great.

1:08:43.680 --> 1:08:46.800
<v Speaker 3>And that is like implied that that is inherent to

1:08:46.880 --> 1:08:50.400
<v Speaker 3>his like intellectual disability, that he is servile and does

1:08:50.439 --> 1:08:54.160
<v Speaker 3>what he's told, which is certainly not true, and also

1:08:54.400 --> 1:08:57.000
<v Speaker 3>that that is the I feel like the underlying message

1:08:57.040 --> 1:08:59.640
<v Speaker 3>of the movie, and like part of the way the

1:08:59.680 --> 1:09:03.640
<v Speaker 3>way he intellectual disability is used narratively is to like

1:09:03.680 --> 1:09:06.760
<v Speaker 3>telegraph this message that like if you just like do

1:09:06.880 --> 1:09:09.840
<v Speaker 3>what you're told and like stay on the path you've

1:09:09.880 --> 1:09:14.000
<v Speaker 3>been told to stay on, you could randomly become a millionaire,

1:09:14.040 --> 1:09:16.559
<v Speaker 3>you could be very successful, you'll cruise through life. But

1:09:16.640 --> 1:09:21.040
<v Speaker 3>if you're like Jenny and you push against anything, you

1:09:21.080 --> 1:09:24.840
<v Speaker 3>will die in a horrible way. And like, it just

1:09:24.840 --> 1:09:29.160
<v Speaker 3>feels like the way that his intellectual disability is used

1:09:29.240 --> 1:09:33.679
<v Speaker 3>in the narrative is insulting to the disabled and also

1:09:33.760 --> 1:09:38.479
<v Speaker 3>insulting to the audience. And just like reinforces how nothing

1:09:39.680 --> 1:09:44.320
<v Speaker 3>the movie's messages. I mean, it sticks out, especially how

1:09:44.439 --> 1:09:46.720
<v Speaker 3>unwilling it is to take a stance on the Vietnam War,

1:09:46.760 --> 1:09:49.800
<v Speaker 3>which is arguably the easiest American war to take a

1:09:49.880 --> 1:09:52.599
<v Speaker 3>stance on against America. I was like, if you can't

1:09:52.600 --> 1:09:55.879
<v Speaker 3>do that, you're fucking cooked, dude. Like Yeah.

1:09:55.920 --> 1:09:59.000
<v Speaker 4>The producer Wendy Feinerman, who's the person who got this

1:09:59.080 --> 1:10:01.599
<v Speaker 4>movie greenlit because she's the one who brought the book

1:10:01.640 --> 1:10:05.320
<v Speaker 4>to the studio, she said that her greatest achievement from

1:10:05.400 --> 1:10:08.240
<v Speaker 4>the movie was making this like a movie for the military.

1:10:08.280 --> 1:10:11.120
<v Speaker 4>Basically I like kind of talk about this in the

1:10:11.160 --> 1:10:15.599
<v Speaker 4>video as well. But also the young boy who plays Forrest.

1:10:15.800 --> 1:10:18.479
<v Speaker 4>I'm forgetting the actor's name. I think it's Michael Connor.

1:10:18.560 --> 1:10:21.599
<v Speaker 3>Jeffries, Oh, yes, yeah, the young Forest.

1:10:21.960 --> 1:10:25.679
<v Speaker 4>Yeah. He basically he enlisted in the Iraq War because

1:10:25.720 --> 1:10:28.800
<v Speaker 4>he was so inspired by the idea of Lieutenant Dan

1:10:29.280 --> 1:10:31.200
<v Speaker 4>dying with honor on the battlefield.

1:10:31.360 --> 1:10:33.040
<v Speaker 3>And it's like, I wish you'd read the book.

1:10:33.160 --> 1:10:37.519
<v Speaker 4>Fascinating that a movie that's essentially propagating the military is

1:10:37.600 --> 1:10:41.160
<v Speaker 4>taking from source material of a Vietnam War veteran. And

1:10:41.200 --> 1:10:44.760
<v Speaker 4>in the book, like explicitly, Forest states multiple times that

1:10:44.800 --> 1:10:47.840
<v Speaker 4>he thinks, I'm gonna slightly misquote it, but I'll paraphrase.

1:10:47.880 --> 1:10:50.960
<v Speaker 4>He thinks that the war's a load of shit. Yeah,

1:10:51.360 --> 1:10:54.840
<v Speaker 4>And that's clearly coming from Winston Groom. And so for

1:10:54.880 --> 1:10:57.720
<v Speaker 4>the movie to be pro military is like, to me

1:10:57.920 --> 1:10:58.720
<v Speaker 4>quite disgusting.

1:10:59.120 --> 1:11:02.240
<v Speaker 3>Yeah, especially because I mean, like you were saying, Winston

1:11:02.280 --> 1:11:05.519
<v Speaker 3>Groom was a veteran of that war, so to change

1:11:05.560 --> 1:11:10.200
<v Speaker 3>his specific opinion on it is insulting to him and

1:11:10.280 --> 1:11:14.439
<v Speaker 3>insulting to any veteran. I mean, the movie stands on veterans.

1:11:14.439 --> 1:11:18.080
<v Speaker 3>I also found very vague. I guess this sort of

1:11:18.080 --> 1:11:21.479
<v Speaker 3>gets into the conversation around Lieutenant Dan. Also, I just

1:11:21.520 --> 1:11:26.520
<v Speaker 3>wanted to touch on I mean stating the obvious non disabled

1:11:26.800 --> 1:11:32.400
<v Speaker 3>actors are playing disabled parts as is still so common.

1:11:33.200 --> 1:11:36.080
<v Speaker 3>But with Lieutenant Dan, before we even get to the

1:11:36.120 --> 1:11:40.360
<v Speaker 3>conversation around ability, I did think it was more than

1:11:40.400 --> 1:11:42.760
<v Speaker 3>I guess I expected of the movie to at least

1:11:42.800 --> 1:11:49.000
<v Speaker 3>portray a veteran who had been essentially discarded by society

1:11:49.240 --> 1:11:53.280
<v Speaker 3>after they weren't considered quote unquote useful anymore. I think

1:11:53.320 --> 1:11:58.639
<v Speaker 3>that's something that is very under discussed in movies, and

1:11:59.000 --> 1:12:01.640
<v Speaker 3>we could get into Jimmy, how many veterans end up

1:12:01.640 --> 1:12:04.200
<v Speaker 3>on hows how many like? It's stuff I did reporting

1:12:04.240 --> 1:12:06.040
<v Speaker 3>on as well. So I was like, Okay, I do

1:12:06.120 --> 1:12:10.000
<v Speaker 3>appreciate that there is some representation of a veteran who

1:12:10.040 --> 1:12:15.120
<v Speaker 3>has been left behind because that's such a common occurrence.

1:12:15.439 --> 1:12:19.320
<v Speaker 3>But again, it's like the way that the story resolves,

1:12:19.400 --> 1:12:22.679
<v Speaker 3>that is, I think you mentioned this in your video.

1:12:22.720 --> 1:12:26.160
<v Speaker 3>May yet like that a lot of the like Lieutenant

1:12:26.200 --> 1:12:30.160
<v Speaker 3>Dan's I guess counseling of Forrest, they flip that. So

1:12:30.240 --> 1:12:33.360
<v Speaker 3>Forrest is teaching Lieutenant Dan, and the way that he

1:12:33.800 --> 1:12:38.240
<v Speaker 3>lifts himself up is via capitalism, via a business. He

1:12:38.280 --> 1:12:41.439
<v Speaker 3>picks up his bootstraps right, right, and it's it's not.

1:12:41.520 --> 1:12:44.000
<v Speaker 4>Like you got shoes and prosthetic legs, so.

1:12:44.520 --> 1:12:49.000
<v Speaker 3>Right, And then again it's like using disability to make

1:12:49.040 --> 1:12:52.480
<v Speaker 3>a statement about like, well, he's quote unquote less disabled

1:12:52.520 --> 1:12:55.400
<v Speaker 3>than we've seen him in previous sequences, and he's happier

1:12:55.439 --> 1:12:58.519
<v Speaker 3>than ever, and isn't that great? And it just feels

1:12:58.800 --> 1:13:01.320
<v Speaker 3>I don't know, I was really frustrated. It felt like

1:13:01.360 --> 1:13:03.200
<v Speaker 3>with Lieutenant Dan, I thought it was like a real

1:13:03.280 --> 1:13:07.720
<v Speaker 3>opportunity to reintroduce his character. But then they don't, you know,

1:13:07.880 --> 1:13:11.960
<v Speaker 3>take that opportunity to interrogate any system, but they do

1:13:12.040 --> 1:13:14.439
<v Speaker 3>portray something very common, and then they're like, well, I

1:13:14.439 --> 1:13:18.160
<v Speaker 3>guess disabled veterans should simply pick themselves up by their

1:13:18.200 --> 1:13:21.720
<v Speaker 3>bootstraps and then they'll be bazillionaires.

1:13:21.840 --> 1:13:24.679
<v Speaker 2>Yeah, they just need to invest in Apple and they'll

1:13:24.720 --> 1:13:27.559
<v Speaker 2>be fine in like nineteen eighty.

1:13:27.640 --> 1:13:31.520
<v Speaker 4>It's fascinating because he they kind of attribute his hardship

1:13:31.960 --> 1:13:34.479
<v Speaker 4>and his obstacles to kind of like, well, he does

1:13:34.560 --> 1:13:37.760
<v Speaker 4>drink too much and fornicate too much right then, and

1:13:38.160 --> 1:13:41.599
<v Speaker 4>his like moroseness after the war and his frustration mainly

1:13:41.600 --> 1:13:43.479
<v Speaker 4>semming from the fact that he didn't die on the

1:13:43.479 --> 1:13:47.479
<v Speaker 4>battlefield instead of like oh, this war was really horrible, pointless,

1:13:47.479 --> 1:13:51.200
<v Speaker 4>disorganized and evil, you know. And I think the only

1:13:51.280 --> 1:13:54.840
<v Speaker 4>kind of time they mentioned how idiotic the Americans were

1:13:54.840 --> 1:13:57.400
<v Speaker 4>in doing this war was when they kind of briefly

1:13:57.439 --> 1:14:00.479
<v Speaker 4>mentioned that the Americans attacking themselves, like when they get

1:14:00.479 --> 1:14:02.879
<v Speaker 4>start getting balmed. I believe it's like an American contingent

1:14:02.920 --> 1:14:05.000
<v Speaker 4>that's balming them. And that's kind of the only time

1:14:05.120 --> 1:14:08.519
<v Speaker 4>is even hinted at. I don't know how ridiculous the

1:14:08.560 --> 1:14:11.880
<v Speaker 4>war was in terms of like organization, let alone all

1:14:11.880 --> 1:14:14.560
<v Speaker 4>the other things, but right, yeah.

1:14:14.120 --> 1:14:18.920
<v Speaker 3>It's so like Lieutenantan is a tricky character because yeah,

1:14:18.920 --> 1:14:21.040
<v Speaker 3>there were there were beats that worked and then beats

1:14:21.080 --> 1:14:23.639
<v Speaker 3>that didn't. I also think that the movie going very

1:14:23.760 --> 1:14:26.280
<v Speaker 3>very very out of its way that like, in spite

1:14:26.320 --> 1:14:29.960
<v Speaker 3>of being disillusioned, ultimately, I think Lieutenant Dan does come

1:14:30.000 --> 1:14:32.679
<v Speaker 3>all the way back around to being an American patriot again.

1:14:33.080 --> 1:14:34.800
<v Speaker 3>Even when he's on the shrimp boat, you can see

1:14:34.840 --> 1:14:39.160
<v Speaker 3>on his wheelchair he still has like pro America stickers

1:14:39.200 --> 1:14:41.759
<v Speaker 3>and stuff. And I was like, really at this point,

1:14:41.880 --> 1:14:44.960
<v Speaker 3>catch like I was, so, I was like, okay, so

1:14:45.080 --> 1:14:47.559
<v Speaker 3>they they don't want to disabuse you from the idea

1:14:47.600 --> 1:14:51.320
<v Speaker 3>that ultimately being a patriot will you know present the

1:14:51.360 --> 1:14:52.120
<v Speaker 3>best result.

1:14:52.479 --> 1:14:55.360
<v Speaker 2>The religious aspect of it too, where you know, it

1:14:55.640 --> 1:14:59.840
<v Speaker 2>suggested that he if he had any like faith in

1:15:00.120 --> 1:15:04.880
<v Speaker 2>Christian God prior to this, he lost it because of

1:15:05.000 --> 1:15:09.080
<v Speaker 2>the events of the war and being robbed of his

1:15:09.280 --> 1:15:12.439
<v Speaker 2>destiny to die on the battlefield as a great American

1:15:12.479 --> 1:15:17.120
<v Speaker 2>soldier and patriot, and he's become disillusioned with the idea

1:15:17.439 --> 1:15:20.880
<v Speaker 2>of you know, God and religion and things like that.

1:15:21.080 --> 1:15:26.360
<v Speaker 2>And then there's this scene where he swims in the ocean.

1:15:26.400 --> 1:15:30.400
<v Speaker 2>He's like swimming towards the heavens quote unquote, and Forest

1:15:30.520 --> 1:15:32.840
<v Speaker 2>is like, I think he made his peace with God.

1:15:33.120 --> 1:15:36.960
<v Speaker 2>And this is after he's become a successful shrimper and

1:15:37.000 --> 1:15:38.720
<v Speaker 2>stuff a shrimper.

1:15:40.439 --> 1:15:43.360
<v Speaker 3>And the only reason they had the successful shrimper business

1:15:43.560 --> 1:15:47.960
<v Speaker 3>is because Forest prays on it. And also it reminded

1:15:48.000 --> 1:15:53.519
<v Speaker 3>me of Gosh, the scene weirdly from Baslerman's Elvis, where

1:15:53.680 --> 1:15:57.040
<v Speaker 3>it's just like one white guy at a majority Black

1:15:57.080 --> 1:16:02.200
<v Speaker 3>Baptist church praying and then his wish comes true. Same

1:16:02.280 --> 1:16:03.240
<v Speaker 3>deal with for us.

1:16:04.200 --> 1:16:07.559
<v Speaker 4>Hey, I'm really impressed you remember a scene from first

1:16:07.560 --> 1:16:10.799
<v Speaker 4>of all, how do you remember something that was nothing

1:16:10.880 --> 1:16:14.760
<v Speaker 4>but visual and auditory cacophony number one.

1:16:15.200 --> 1:16:20.720
<v Speaker 3>Also Tom Hanks. Wow, Tom is always oh yeah eah.

1:16:21.640 --> 1:16:24.479
<v Speaker 3>That was probably the beginning that predates Pinocchio. I think,

1:16:24.680 --> 1:16:30.040
<v Speaker 3>oh god, dude, it's bad. Really. I don't know if

1:16:30.080 --> 1:16:32.720
<v Speaker 3>it's like he's taking advice from Chad. I don't know

1:16:32.760 --> 1:16:36.000
<v Speaker 3>what's going on with him, but all is not well

1:16:36.160 --> 1:16:37.200
<v Speaker 3>in the Hank's household.

1:16:38.560 --> 1:16:43.400
<v Speaker 4>Chad Hanks feels like an SNL's git. He can't be real.

1:16:43.840 --> 1:16:44.639
<v Speaker 4>It's crazy.

1:16:45.240 --> 1:16:46.559
<v Speaker 2>Whatever happened to Colin?

1:16:47.000 --> 1:16:49.360
<v Speaker 3>You know, I know where's he at. I'm assuming he's

1:16:49.400 --> 1:16:51.880
<v Speaker 3>on some TV show that millions of people watch and

1:16:51.920 --> 1:16:54.040
<v Speaker 3>I've never heard of. That's where I feel like he's

1:16:54.120 --> 1:16:54.679
<v Speaker 3>usually at.

1:16:54.840 --> 1:16:56.240
<v Speaker 4>I feel like you're definitely right.

1:16:56.360 --> 1:16:58.400
<v Speaker 3>My mom knows where Colin Hanks's I can tell you

1:16:58.439 --> 1:17:03.720
<v Speaker 3>that much. Obsessed anyways, but fact to Lieutenant Dan, yeah,

1:17:03.720 --> 1:17:07.360
<v Speaker 3>I think again. His disability is used very cynically by

1:17:07.400 --> 1:17:10.560
<v Speaker 3>the plot. You know, played obviously by Gary sindeis a

1:17:10.600 --> 1:17:14.360
<v Speaker 3>nable bodied actor. But again, it's a complicated issue. I

1:17:14.439 --> 1:17:18.240
<v Speaker 3>found an essay from twenty nineteen on Forbes by friend

1:17:18.280 --> 1:17:23.360
<v Speaker 3>of the cast Kristin Lopez, who is a fabulous writer

1:17:23.960 --> 1:17:28.120
<v Speaker 3>who's written extensively on movies and ableism, which is why

1:17:28.200 --> 1:17:31.080
<v Speaker 3>she wrote this essay about Forest Gump and ableism. So

1:17:31.120 --> 1:17:33.080
<v Speaker 3>I just wanted to share a few passages from that

1:17:33.320 --> 1:17:36.320
<v Speaker 3>will link the whole essay, but it's essentially about her

1:17:36.520 --> 1:17:42.120
<v Speaker 3>complicated relationship with the character of Lieutenant Dan. So she says, quote,

1:17:42.120 --> 1:17:44.000
<v Speaker 3>when I share that I'm a disabled writer, I often

1:17:44.080 --> 1:17:46.640
<v Speaker 3>hear the same handful of questions, one of which is,

1:17:46.720 --> 1:17:49.200
<v Speaker 3>what's the first movie you saw with a disabled character

1:17:49.240 --> 1:17:52.599
<v Speaker 3>in it? The answer is easy, Forest Gump. But where

1:17:52.600 --> 1:17:55.800
<v Speaker 3>I identified with Forrest Gump wasn't with its title character. Now,

1:17:55.960 --> 1:17:58.599
<v Speaker 3>before I saw another actual person in a wheelchair other

1:17:58.640 --> 1:18:03.120
<v Speaker 3>than myself, I saw Lueutenant Dan Taylor. Lieutenant Dan crosses

1:18:03.120 --> 1:18:05.960
<v Speaker 3>off several of the boxes we see in disabled narratives today.

1:18:06.600 --> 1:18:09.240
<v Speaker 3>Lieutenant Dan is a white male disabled late in life,

1:18:09.280 --> 1:18:11.720
<v Speaker 3>in this case, during the Vietnam War. The audience is

1:18:11.720 --> 1:18:16.040
<v Speaker 3>introduced to him as a dominating example of masculinity, and

1:18:16.120 --> 1:18:19.599
<v Speaker 3>this heroism is all but eliminated after Dan loses his legs.

1:18:20.280 --> 1:18:23.200
<v Speaker 3>Vietnam stories are their own subgenre in the world of

1:18:23.240 --> 1:18:26.000
<v Speaker 3>disabled narratives, but the bulk of them coming several years

1:18:26.040 --> 1:18:29.400
<v Speaker 3>after that event. In the eighties and nineties, in nearly

1:18:29.479 --> 1:18:31.639
<v Speaker 3>all of them. Men disabled in the war are bitter

1:18:31.720 --> 1:18:35.280
<v Speaker 3>and resentful. They aren't necessarily bitter about the society that

1:18:35.400 --> 1:18:38.400
<v Speaker 3>leaves them without shelter or accessibility, but how the average

1:18:38.400 --> 1:18:41.799
<v Speaker 3>American has responded to the war themselves. In these movies,

1:18:41.800 --> 1:18:44.519
<v Speaker 3>the disability is meant to show how callous humanity has

1:18:44.560 --> 1:18:48.639
<v Speaker 3>become to veterans, not the disabled, per se. And then

1:18:48.680 --> 1:18:50.680
<v Speaker 3>she goes on to say that she still has a

1:18:50.760 --> 1:18:54.719
<v Speaker 3>very strong connection to this character, specifically the moment where

1:18:55.240 --> 1:19:00.559
<v Speaker 3>Lieutenant Dan was speaking to a priest and and you know,

1:19:00.680 --> 1:19:03.479
<v Speaker 3>is told that God is listening. She says, quote Dan's

1:19:03.520 --> 1:19:07.000
<v Speaker 3>irritation at the ablest rhetoric of religion or enable person's

1:19:07.000 --> 1:19:09.639
<v Speaker 3>belief that everyone who is disabled will be cured upon

1:19:09.720 --> 1:19:13.760
<v Speaker 3>death is understandable. I've had several conversations just like this.

1:19:14.520 --> 1:19:16.960
<v Speaker 3>When you've never seen yourself represented, you latch onto the

1:19:16.960 --> 1:19:19.320
<v Speaker 3>first thing you see, for good or bad. Twenty five

1:19:19.360 --> 1:19:21.439
<v Speaker 3>years later, I still put down Lieutenant Dan as one

1:19:21.479 --> 1:19:24.240
<v Speaker 3>of my favorite characters, but I understand his limitations and

1:19:24.280 --> 1:19:27.840
<v Speaker 3>failings as far as disabled representation goes. He doesn't posit

1:19:27.920 --> 1:19:31.200
<v Speaker 3>anything new. His depiction is common but in a landscape

1:19:31.200 --> 1:19:34.519
<v Speaker 3>where representation remains so limited, the few good ideas Dan

1:19:34.680 --> 1:19:37.080
<v Speaker 3>is given shaped who I was and reminded me of

1:19:37.120 --> 1:19:39.639
<v Speaker 3>what I expected movies to push for in the future.

1:19:40.560 --> 1:19:42.599
<v Speaker 4>I think it's like a start, you know. And I

1:19:42.640 --> 1:19:45.240
<v Speaker 4>think many aspects of this movie are so complicated because

1:19:45.240 --> 1:19:47.479
<v Speaker 4>they are a star in some direction, even if they're

1:19:47.720 --> 1:19:50.960
<v Speaker 4>quite imperfect, I mean really important context as well as

1:19:51.600 --> 1:19:56.000
<v Speaker 4>in the book, Dan isn't his lieutenant. He meets Dan

1:19:56.160 --> 1:19:59.160
<v Speaker 4>just in the hospital and his whole face is mutilated,

1:19:59.200 --> 1:20:02.720
<v Speaker 4>like he's he's been severely injured on his face, and

1:20:02.760 --> 1:20:07.480
<v Speaker 4>so he doesn't have the opportunity to conceal his disability.

1:20:08.080 --> 1:20:10.599
<v Speaker 4>At the end of Forrest Gump, Forrest runs away with

1:20:10.720 --> 1:20:14.280
<v Speaker 4>Dan and an orangutang, which can't I can't even get

1:20:14.280 --> 1:20:16.920
<v Speaker 4>into that, but they like run off together.

1:20:17.080 --> 1:20:18.439
<v Speaker 3>Now, why would they cut that?

1:20:19.320 --> 1:20:22.360
<v Speaker 4>I know, what the heck? But yeah, Dan's not like

1:20:22.400 --> 1:20:25.840
<v Speaker 4>reabsorbed as a member of sobsidety. He can't, you know,

1:20:26.000 --> 1:20:28.920
<v Speaker 4>kind of switch. He can't conceal himself, and so I

1:20:28.920 --> 1:20:32.559
<v Speaker 4>think that that's also kind of an interesting change made.

1:20:32.800 --> 1:20:35.720
<v Speaker 4>But I totally understand that the empathy with Dan and

1:20:36.280 --> 1:20:38.320
<v Speaker 4>finding him complicated right.

1:20:38.400 --> 1:20:41.320
<v Speaker 3>Yeah, it's like we see so many cases of that.

1:20:41.320 --> 1:20:42.880
<v Speaker 3>I know, we've talked about it a lot on the

1:20:42.880 --> 1:20:47.240
<v Speaker 3>show before, of flawed representation. If it's the first representation

1:20:47.640 --> 1:20:49.920
<v Speaker 3>you encounter, of course that you're going to feel a

1:20:49.960 --> 1:20:53.400
<v Speaker 3>type of way about it. So I supposed to, yeah,

1:20:53.560 --> 1:20:56.640
<v Speaker 3>acknowledge that because I think Dan is again there's a

1:20:56.680 --> 1:21:00.040
<v Speaker 3>lot of missed opportunities with that character, not just in

1:21:00.080 --> 1:21:03.920
<v Speaker 3>regards to disability, but in regards to veterans and in

1:21:03.960 --> 1:21:06.760
<v Speaker 3>regards to like a clear opportunity to be like, the

1:21:06.840 --> 1:21:10.800
<v Speaker 3>Vietnam War was bad. It's just like, it is so

1:21:10.960 --> 1:21:13.479
<v Speaker 3>wild to me that a movie like that made this

1:21:13.640 --> 1:21:17.479
<v Speaker 3>much fucking money didn't have the like balls to say

1:21:17.520 --> 1:21:19.559
<v Speaker 3>that the Vietnam War was bad.

1:21:20.000 --> 1:21:22.880
<v Speaker 2>Anyways, Well, that's why the movie made money.

1:21:23.160 --> 1:21:24.000
<v Speaker 3>That's true.

1:21:24.520 --> 1:21:26.439
<v Speaker 4>Well, it's also coming after a whole genre of movies

1:21:26.479 --> 1:21:32.040
<v Speaker 4>that are Vietnam War Apocalypse now p Full Metal Jacket.

1:21:32.080 --> 1:21:32.640
<v Speaker 4>I think it's right.

1:21:33.040 --> 1:21:36.000
<v Speaker 3>Yeah, I forgot to bring this up during our conversation

1:21:36.080 --> 1:21:41.679
<v Speaker 3>about Jenny. But because Tom Hanks, Robin Wright, and Robert

1:21:41.720 --> 1:21:45.120
<v Speaker 3>Zebeciz were just on a tour together for this movie

1:21:45.240 --> 1:21:47.800
<v Speaker 3>that I don't know, I don't I don't know anyone

1:21:47.840 --> 1:21:52.320
<v Speaker 3>who saw it here here, that's such a It also

1:21:52.400 --> 1:21:55.479
<v Speaker 3>just sounds like Robert Zebecca's phoning it in, like here,

1:21:55.600 --> 1:21:57.120
<v Speaker 3>here's this He's.

1:21:56.920 --> 1:21:58.439
<v Speaker 4>Been phoning it in here.

1:21:59.160 --> 1:22:04.200
<v Speaker 3>Oh God. But because obviously this team was reuniting, Forrest

1:22:04.240 --> 1:22:06.200
<v Speaker 3>Gump was coming up a lot on the press tour,

1:22:06.600 --> 1:22:10.640
<v Speaker 3>and a Variety interviewer asked Robin Wright about sort of

1:22:10.680 --> 1:22:15.080
<v Speaker 3>this backlash to the Jenny character over time. So the

1:22:15.200 --> 1:22:19.479
<v Speaker 3>question was there are some different takes on Jenny, including

1:22:19.680 --> 1:22:22.280
<v Speaker 3>that she was punished for her choices, which were reflective

1:22:22.360 --> 1:22:24.559
<v Speaker 3>of the choices of many young women in a generation

1:22:24.640 --> 1:22:27.200
<v Speaker 3>that had social and economic liberty for the first time.

1:22:27.840 --> 1:22:30.800
<v Speaker 3>She chooses a free, willing life and she dies. There's

1:22:30.800 --> 1:22:33.439
<v Speaker 3>a sense that this is kind of an anti feminist role.

1:22:34.040 --> 1:22:38.000
<v Speaker 3>What do you think, Robin Wright, who the only thing

1:22:38.040 --> 1:22:40.160
<v Speaker 3>I can really say for her here is like, this

1:22:40.200 --> 1:22:43.200
<v Speaker 3>is a very unfortunate two men to be sitting next

1:22:43.200 --> 1:22:45.599
<v Speaker 3>to while being put on the spot about this, But

1:22:45.680 --> 1:22:50.439
<v Speaker 3>Robin Wright replies, no, it's not about that. People have

1:22:50.520 --> 1:22:53.600
<v Speaker 3>said she's a voldemort to Forest. I wouldn't choose that

1:22:53.800 --> 1:22:56.840
<v Speaker 3>as a reference, but she was kind of selfish. I

1:22:56.840 --> 1:22:59.559
<v Speaker 3>don't think it's a punishment that she gets aids she

1:22:59.640 --> 1:23:02.760
<v Speaker 3>was so he's remiscuous. That was the selfishness that she

1:23:02.840 --> 1:23:05.400
<v Speaker 3>did to Forest. He was in love with her from

1:23:05.520 --> 1:23:08.320
<v Speaker 3>day one, and she was just flighty and running and

1:23:08.320 --> 1:23:11.040
<v Speaker 3>doing coke and hooking up with a black panther. And

1:23:11.080 --> 1:23:13.280
<v Speaker 3>then she gets sick and says, this is your child,

1:23:13.439 --> 1:23:16.320
<v Speaker 3>but I'm dying, and he still takes her I'll take

1:23:16.360 --> 1:23:18.800
<v Speaker 3>care of you at mama's house. I mean, it's the

1:23:18.840 --> 1:23:23.320
<v Speaker 3>sweetest love story. Baffling, Like, okay, baffling.

1:23:23.000 --> 1:23:25.599
<v Speaker 2>Even if you're next to the people who you made

1:23:25.600 --> 1:23:29.200
<v Speaker 2>the movie with. That's a dog shit take. Yeah, I'm sorry,

1:23:29.280 --> 1:23:30.320
<v Speaker 2>that is no excuse.

1:23:30.479 --> 1:23:34.080
<v Speaker 3>She triples down. I rereading the quote, you're like, wait.

1:23:34.000 --> 1:23:37.160
<v Speaker 4>No, she's committing all the Cardinal's sense of acting. As

1:23:37.200 --> 1:23:41.320
<v Speaker 4>an actor, you're supposed to empathize with your character, like regardless,

1:23:41.320 --> 1:23:43.759
<v Speaker 4>Like you're supposed to understand some humanity and your characters

1:23:43.800 --> 1:23:46.439
<v Speaker 4>some of their actions, their motivations. For her to like

1:23:46.760 --> 1:23:55.080
<v Speaker 4>so wildly misunderstand Jenny is kind of embarrassing, Like what, Yeah.

1:23:54.479 --> 1:23:58.840
<v Speaker 3>Especially as a woman who is like not that far

1:23:58.920 --> 1:24:02.080
<v Speaker 3>removed from that general She's like a decade removed from

1:24:02.160 --> 1:24:04.600
<v Speaker 3>the actual age of Jenny's character, and so I was

1:24:04.640 --> 1:24:07.120
<v Speaker 3>just like, I don't know Boomer women. I will never

1:24:07.640 --> 1:24:11.559
<v Speaker 3>I will never understand they love to own themselves. Like

1:24:11.760 --> 1:24:15.320
<v Speaker 3>it's just it's wild. Anyways, Yeah that I just wanted

1:24:15.320 --> 1:24:19.080
<v Speaker 3>to share that absolute piece of dogshit quote. Not sure

1:24:19.120 --> 1:24:21.120
<v Speaker 3>what's going on with Robin Wright.

1:24:21.520 --> 1:24:24.160
<v Speaker 4>I think the idea of Jenny being anti feminist is

1:24:24.200 --> 1:24:26.800
<v Speaker 4>also kind of like a little unfair as well. I

1:24:26.840 --> 1:24:28.120
<v Speaker 4>think I don't know a lot of people in my

1:24:28.120 --> 1:24:30.840
<v Speaker 4>comments on the video were like, most of the reason

1:24:30.880 --> 1:24:32.680
<v Speaker 4>I love Forrest Gump is because I love Jenny and

1:24:32.720 --> 1:24:34.800
<v Speaker 4>I saw myself and her, and so I think in

1:24:34.840 --> 1:24:36.880
<v Speaker 4>a way there could be like a bit more of

1:24:36.920 --> 1:24:39.280
<v Speaker 4>a repairative reading of Forrest Gump, and you know, seeing

1:24:39.320 --> 1:24:43.600
<v Speaker 4>Jenny as this empathetic, like strong willed character, a survivor

1:24:44.200 --> 1:24:47.320
<v Speaker 4>in all contexts, and you know who set out to,

1:24:47.360 --> 1:24:49.920
<v Speaker 4>you know, pursue her dreams and like kind of did

1:24:49.960 --> 1:24:52.320
<v Speaker 4>what she wanted, which I think is great. And I

1:24:52.439 --> 1:24:54.559
<v Speaker 4>hate that I hate the narrative about her stringing Forest

1:24:54.600 --> 1:24:57.320
<v Speaker 4>along like god so classic of that time.

1:24:58.800 --> 1:25:00.720
<v Speaker 3>Yeah, I agree. I mean, I I really like the

1:25:00.800 --> 1:25:02.760
<v Speaker 3>character of Jenny, and I think it's just like the

1:25:02.800 --> 1:25:07.200
<v Speaker 3>takeaway my takeaway is like, I mean, keeping our conversation

1:25:07.400 --> 1:25:10.680
<v Speaker 3>about consent in mind, but I think that it's like

1:25:10.720 --> 1:25:13.840
<v Speaker 3>you leave the movie just wishing that the world hadn't

1:25:13.840 --> 1:25:17.439
<v Speaker 3>done her so fucking dirty. And again it's like, if

1:25:17.439 --> 1:25:20.519
<v Speaker 3>that is the way that the movie needs Jenny's story

1:25:20.560 --> 1:25:22.720
<v Speaker 3>to end, which obviously it doesn't because the source ma

1:25:22.720 --> 1:25:26.120
<v Speaker 3>material doesn't do that, but like, again, imply that it's

1:25:26.680 --> 1:25:29.880
<v Speaker 3>systemic in any way that she got fucked over in

1:25:29.920 --> 1:25:33.040
<v Speaker 3>this way, as opposed to being like it's basically her

1:25:33.040 --> 1:25:35.839
<v Speaker 3>fault and she brought on herself, and the actor agrees,

1:25:35.920 --> 1:25:38.360
<v Speaker 3>and like, I don't know, I think in general her

1:25:38.400 --> 1:25:41.679
<v Speaker 3>story should not have gone that way. But there's just again,

1:25:41.680 --> 1:25:45.440
<v Speaker 3>there's no because this movie has no interest in interrogating

1:25:45.479 --> 1:25:49.160
<v Speaker 3>any systemic anything. You're Yeah, you're presented with like a

1:25:49.200 --> 1:25:52.720
<v Speaker 3>young feminist who is like trying to like live on

1:25:52.760 --> 1:25:55.800
<v Speaker 3>her own, trying to overcome a very traumatic past, and

1:25:56.360 --> 1:25:57.000
<v Speaker 3>they kill her.

1:25:57.280 --> 1:25:57.519
<v Speaker 1>Yeah.

1:25:57.760 --> 1:26:01.160
<v Speaker 4>So I find the relationship between jenn and Forrest kind

1:26:01.160 --> 1:26:03.519
<v Speaker 4>of fascinating, especially in the movie because outside of the

1:26:03.600 --> 1:26:07.280
<v Speaker 4>romanticized context, like I think they have this like fascinating

1:26:07.320 --> 1:26:11.040
<v Speaker 4>kind of codependence and like platonic love that gets really

1:26:11.080 --> 1:26:14.000
<v Speaker 4>embroiled with romantic love and lust. And I don't know.

1:26:14.040 --> 1:26:15.960
<v Speaker 4>I think when they're children, you see them kind of

1:26:16.000 --> 1:26:18.720
<v Speaker 4>helping each other in these ways, you know, like she

1:26:18.840 --> 1:26:21.320
<v Speaker 4>helps Forest, like she's a friend to him where no

1:26:21.320 --> 1:26:23.720
<v Speaker 4>one else is, and you know he's there for her

1:26:23.760 --> 1:26:25.800
<v Speaker 4>as like a support through what she's going through, and

1:26:25.800 --> 1:26:27.559
<v Speaker 4>he's like as children and helping each other in that

1:26:27.600 --> 1:26:30.040
<v Speaker 4>way and then getting kind of wires crossed when you

1:26:30.040 --> 1:26:32.000
<v Speaker 4>get older and not knowing, you know, not knowing if

1:26:32.000 --> 1:26:34.240
<v Speaker 4>you're in love or if you're your friends. I think

1:26:34.960 --> 1:26:37.320
<v Speaker 4>could have a fascinating like it could be there could

1:26:37.360 --> 1:26:40.920
<v Speaker 4>be some interesting angles to look at that from. But yeah, no,

1:26:41.000 --> 1:26:43.120
<v Speaker 4>the movie, the movie's not interested in doing that.

1:26:44.320 --> 1:26:44.360
<v Speaker 1>No.

1:26:45.080 --> 1:26:47.760
<v Speaker 3>Yeah, because the movie's convinced that it's a consensual love

1:26:47.800 --> 1:26:51.960
<v Speaker 3>story and like, I don't know, it just it the

1:26:52.040 --> 1:26:57.040
<v Speaker 3>scene that I appreciated the most between Forrest and Jenny,

1:26:57.240 --> 1:27:01.600
<v Speaker 3>even though it's you know, extremely melodramatic, but late in

1:27:01.640 --> 1:27:05.599
<v Speaker 3>the movie, when they passed her house where she had

1:27:05.640 --> 1:27:08.720
<v Speaker 3>been abused and she you know, throws rocks at it.

1:27:08.760 --> 1:27:11.360
<v Speaker 3>She has like a big emotional response to seeing this

1:27:11.439 --> 1:27:14.240
<v Speaker 3>house again that is ostensibly empty at this point, but

1:27:14.320 --> 1:27:17.200
<v Speaker 3>she's you know, flinging rocks at it, and Forrest like

1:27:17.760 --> 1:27:21.200
<v Speaker 3>just lets her and like doesn't interfere, and like does

1:27:21.280 --> 1:27:24.240
<v Speaker 3>I think what a true friend should do in that situation.

1:27:24.560 --> 1:27:27.920
<v Speaker 3>Just is there for her, And you know, it's possible

1:27:27.960 --> 1:27:29.920
<v Speaker 3>he doesn't totally. I mean, but it is actually implied

1:27:29.920 --> 1:27:32.080
<v Speaker 3>that he understands why she's doing it, because he's not

1:27:32.200 --> 1:27:35.200
<v Speaker 3>interfering in ways he would in other situations.

1:27:35.720 --> 1:27:38.240
<v Speaker 4>I think he emotionally understands. Yeah.

1:27:38.400 --> 1:27:41.760
<v Speaker 3>Yeah, I really liked that moment between them, and I

1:27:42.160 --> 1:27:46.120
<v Speaker 3>guess I wish that that was more where their relationship lived,

1:27:46.720 --> 1:27:51.679
<v Speaker 3>of like they understand each other because of this shared history,

1:27:51.840 --> 1:27:56.240
<v Speaker 3>Like it didn't need to be tumbled into a romantic

1:27:56.920 --> 1:27:59.599
<v Speaker 3>like and now we share a child together because it's

1:27:59.640 --> 1:28:03.040
<v Speaker 3>just too it's too messy. The movie's not equipped to

1:28:03.320 --> 1:28:04.439
<v Speaker 3>responsibly handle that.

1:28:04.560 --> 1:28:09.879
<v Speaker 4>It's very Hollywood. Yeah yeah, big kiss at the end

1:28:10.120 --> 1:28:13.320
<v Speaker 4>kind of thing, you know, foot pop kind of storyline.

1:28:13.840 --> 1:28:15.080
<v Speaker 2>Yes, for sure.

1:28:15.800 --> 1:28:19.160
<v Speaker 3>Okay, sorry, that was my Jenny side conversation.

1:28:19.360 --> 1:28:23.559
<v Speaker 2>Yeah, yeah, yeah. Shall we talk about Bubba we shed?

1:28:23.960 --> 1:28:26.840
<v Speaker 2>We must? I guess just zooming out a little bit

1:28:26.960 --> 1:28:31.599
<v Speaker 2>and examining the way the movie handles black characters in general,

1:28:32.439 --> 1:28:39.240
<v Speaker 2>where they mostly exist to service or further characterize white characters,

1:28:39.280 --> 1:28:44.080
<v Speaker 2>particularly Forrest Gump, of course, and it's characterizing the Force

1:28:44.160 --> 1:28:48.839
<v Speaker 2>Gump character by showing how naive he is to things

1:28:49.000 --> 1:28:53.240
<v Speaker 2>like systemic racism, because we see many examples of this.

1:28:53.360 --> 1:28:58.600
<v Speaker 2>We've already discussed several of them. The him like referencing

1:28:58.720 --> 1:29:01.880
<v Speaker 2>that he was named after a Grand Wizard of the KKK,

1:29:03.040 --> 1:29:09.200
<v Speaker 2>him not understanding what that organization is at all. Like

1:29:09.240 --> 1:29:12.679
<v Speaker 2>there's that scene where he's at the Black Panther meeting

1:29:13.439 --> 1:29:17.280
<v Speaker 2>and there's a Black panther who is lecturing Forrest about

1:29:17.320 --> 1:29:22.520
<v Speaker 2>like the Vietnam War and how the Black Panthers oppose

1:29:22.680 --> 1:29:25.479
<v Speaker 2>any war where the US sends black soldiers to the

1:29:25.479 --> 1:29:27.599
<v Speaker 2>front line to die for a country that hates them,

1:29:27.680 --> 1:29:31.720
<v Speaker 2>and how racism is destroying black communities and things of

1:29:31.760 --> 1:29:35.719
<v Speaker 2>that nature, and Forest is just like completely ignoring him

1:29:36.479 --> 1:29:41.760
<v Speaker 2>in favor of paying attention to Jenny. There's like other

1:29:42.000 --> 1:29:44.599
<v Speaker 2>just like references to the fact that like Forrest is

1:29:44.800 --> 1:29:50.480
<v Speaker 2>clueless to systemic racism, and then you have him befriending

1:29:50.520 --> 1:29:55.640
<v Speaker 2>and like becoming best friends with Bubba, who is I

1:29:55.640 --> 1:29:58.080
<v Speaker 2>guess not a black character in the book.

1:29:58.240 --> 1:30:00.240
<v Speaker 4>Is that it's just not really stated in the book.

1:30:00.320 --> 1:30:01.760
<v Speaker 2>It's not specified, okay.

1:30:01.479 --> 1:30:04.080
<v Speaker 3>See, and it's also mentioned in the book. I think

1:30:04.240 --> 1:30:07.600
<v Speaker 3>you said that they met in college, not the battlefield,

1:30:07.600 --> 1:30:10.840
<v Speaker 3>which felt like pointed to make it because they forego

1:30:11.040 --> 1:30:14.040
<v Speaker 3>that in favor of, you know, they make a weird

1:30:14.160 --> 1:30:16.760
<v Speaker 3>visual joke of like Forrest doesn't know what's going on

1:30:16.840 --> 1:30:20.040
<v Speaker 3>in this scene where George Wallace is talking, and like

1:30:20.840 --> 1:30:23.280
<v Speaker 3>that is done instead of just introducing him to Bubba

1:30:23.360 --> 1:30:28.040
<v Speaker 3>in college, and I feel like it's almost implied that, like, well,

1:30:28.320 --> 1:30:31.000
<v Speaker 3>of course you wouldn't make a black friend in college

1:30:31.680 --> 1:30:34.880
<v Speaker 3>during this era. Like it just I don't know, that

1:30:34.880 --> 1:30:38.559
<v Speaker 3>felt very pointed. I wrote down under Bubba, I was like,

1:30:39.040 --> 1:30:43.960
<v Speaker 3>everyone should just watch The Five Bloods instead of this

1:30:44.120 --> 1:30:46.800
<v Speaker 3>movie's take on the Vietnam War. Have you guys seen that?

1:30:47.160 --> 1:30:47.639
<v Speaker 2>I haven't.

1:30:47.800 --> 1:30:49.120
<v Speaker 4>I haven't seen The Five Bloods.

1:30:49.280 --> 1:30:52.320
<v Speaker 3>It came out during the pandemic lockdown, so I think

1:30:52.320 --> 1:30:53.680
<v Speaker 3>that's why a lot of people didn't see it. But

1:30:54.120 --> 1:31:00.320
<v Speaker 3>it was a Spike Lee movie for Netflix. Amazing, but

1:31:00.360 --> 1:31:03.880
<v Speaker 3>it's about black Vietnam War veterans, like talking about their

1:31:03.920 --> 1:31:07.000
<v Speaker 3>time in the service, and it's a really great movie.

1:31:07.040 --> 1:31:10.040
<v Speaker 3>Delroy Lindo is great in it anyways, a movie with

1:31:10.360 --> 1:31:12.200
<v Speaker 3>fifty times more to say than this one.

1:31:12.920 --> 1:31:16.439
<v Speaker 2>Right, because all it says about Bubba, for example, is

1:31:16.920 --> 1:31:21.760
<v Speaker 2>that he likes shrimp, right, right, all we get to

1:31:21.840 --> 1:31:23.240
<v Speaker 2>know about Bubba well.

1:31:23.280 --> 1:31:28.400
<v Speaker 3>And also it feels implied that Bubba is neuro divergent

1:31:28.439 --> 1:31:31.400
<v Speaker 3>in some way as well.

1:31:31.600 --> 1:31:32.639
<v Speaker 2>Seems like it.

1:31:32.880 --> 1:31:35.920
<v Speaker 3>Yeah, but again not something that the movie is going

1:31:35.960 --> 1:31:40.880
<v Speaker 3>to explicitly attempt to talk about. And in the case

1:31:41.080 --> 1:31:45.040
<v Speaker 3>of Forrest, we get a you know, deeply imperfect, but

1:31:45.320 --> 1:31:48.800
<v Speaker 3>we get far more information about Forest like personality and

1:31:48.960 --> 1:31:52.880
<v Speaker 3>interests than Bubba. I mean, it really is just that

1:31:53.479 --> 1:31:59.320
<v Speaker 3>one note. I also wanted to mention that in the

1:31:59.479 --> 1:32:03.719
<v Speaker 3>movie they add this detail that he has a protruding lip,

1:32:04.280 --> 1:32:09.760
<v Speaker 3>and they made that actor, the actor playing Bubba, Mikeelty Williamson,

1:32:10.800 --> 1:32:13.920
<v Speaker 3>like put in a prosthetic in order to hold his face.

1:32:14.080 --> 1:32:15.160
<v Speaker 2>I was curious about that.

1:32:15.479 --> 1:32:17.880
<v Speaker 3>I was as well. But yes, it says Williamson wore

1:32:17.880 --> 1:32:22.240
<v Speaker 3>a lip attachment to create Bubba's protruding lip, which again

1:32:22.439 --> 1:32:27.320
<v Speaker 3>just feels very caricaturesque and insulting and fucked.

1:32:27.280 --> 1:32:29.719
<v Speaker 2>Like minstrel show kind of thing.

1:32:30.080 --> 1:32:36.560
<v Speaker 4>Yeah, yeah, yeah, the lip did have elements of menstrualsy.

1:32:36.640 --> 1:32:39.640
<v Speaker 4>That made me feel a little strange. It's just a

1:32:39.760 --> 1:32:42.120
<v Speaker 4>strange addition. I think that they're trying to kind of

1:32:42.400 --> 1:32:45.240
<v Speaker 4>have him and Bubba feel like a kinship with each

1:32:45.280 --> 1:32:47.760
<v Speaker 4>other because Bubba has this kind of like physical difference

1:32:47.920 --> 1:32:52.120
<v Speaker 4>and then Forrest has this like intellectual cognitive difference, and

1:32:52.160 --> 1:32:55.200
<v Speaker 4>maybe that's why they feel like closer to each other.

1:32:55.360 --> 1:32:57.800
<v Speaker 4>But I think maybe it was a bit misguided.

1:32:58.479 --> 1:33:02.360
<v Speaker 3>They could just be friends. That they can just be friends.

1:33:02.400 --> 1:33:05.759
<v Speaker 3>Like I was again, it's like we're scriping the bottom

1:33:05.760 --> 1:33:07.360
<v Speaker 3>of the barrel here in terms of like what this

1:33:07.479 --> 1:33:10.960
<v Speaker 3>movie does. I was glad to see that there were

1:33:11.320 --> 1:33:15.040
<v Speaker 3>black soldiers included in this platoon because I actually I

1:33:15.080 --> 1:33:18.840
<v Speaker 3>haven't seen Apocalypse Now bravely it's one of my other

1:33:19.040 --> 1:33:20.800
<v Speaker 3>long hauldouts for whatever reason.

1:33:20.840 --> 1:33:25.640
<v Speaker 2>Apocalypse Now, directed by Francis Ford Coppola of Megalopolis.

1:33:26.160 --> 1:33:33.559
<v Speaker 4>No. I love Francis. I I can movies.

1:33:34.439 --> 1:33:37.000
<v Speaker 3>Look, I mean z Mecca is another example of you

1:33:37.120 --> 1:33:38.360
<v Speaker 3>gotta flop at some point.

1:33:38.479 --> 1:33:40.799
<v Speaker 2>All these guys are in their flop era no no,

1:33:40.800 --> 1:33:41.120
<v Speaker 2>no no.

1:33:41.200 --> 1:33:43.640
<v Speaker 4>I love a director who is capable of making the

1:33:43.680 --> 1:33:46.479
<v Speaker 4>most monumental flops but also made like three of the

1:33:46.520 --> 1:33:49.120
<v Speaker 4>most important amazing movies of all time. Like that is,

1:33:49.160 --> 1:33:52.679
<v Speaker 4>like that is someone who I'm like cook, You're cooking

1:33:53.600 --> 1:33:57.080
<v Speaker 4>pul Schraders, same garbage movies and amazing movies. I love that.

1:33:57.160 --> 1:33:59.920
<v Speaker 3>Yes, you've got you've got one more in U can

1:34:00.280 --> 1:34:02.519
<v Speaker 3>I can feel it, feel it, I can feel it.

1:34:03.840 --> 1:34:06.880
<v Speaker 3>But yeah, that there are black soldiers in Forest Platoon,

1:34:06.920 --> 1:34:09.880
<v Speaker 3>I think is very important because there were I've got

1:34:09.920 --> 1:34:12.759
<v Speaker 3>some data up here. And this is also just something

1:34:12.800 --> 1:34:16.800
<v Speaker 3>that is explicitly addressed extensively in The Five Bloods, which

1:34:16.840 --> 1:34:19.680
<v Speaker 3>is I think we should just cover that movie. And

1:34:19.720 --> 1:34:22.160
<v Speaker 3>then it's because I feel like it was like underrated,

1:34:22.560 --> 1:34:26.080
<v Speaker 3>but that there were three hundred thousand black soldiers who

1:34:26.080 --> 1:34:29.440
<v Speaker 3>served in combat roles in the Vietnam War, which proportional

1:34:29.880 --> 1:34:34.120
<v Speaker 3>to Black Americans. At the time, it was absurd, like

1:34:34.200 --> 1:34:37.599
<v Speaker 3>it was. It really was just young men being sent

1:34:37.840 --> 1:34:41.439
<v Speaker 3>to die and men who were disproportionately black, And so

1:34:41.840 --> 1:34:46.040
<v Speaker 3>I was glad to see that we have not only

1:34:46.640 --> 1:34:49.600
<v Speaker 3>the representation of black soldiers in Forest Platoon, but we

1:34:49.640 --> 1:34:53.320
<v Speaker 3>get to know one of those soldiers. However, do we

1:34:53.720 --> 1:34:56.960
<v Speaker 3>because all we learn is that this guy likes shrimp,

1:34:57.560 --> 1:35:02.280
<v Speaker 3>and that is about the best Eric Roth could do

1:35:02.400 --> 1:35:02.800
<v Speaker 3>for us.

1:35:03.320 --> 1:35:07.439
<v Speaker 4>There's something about Tom Hanks being in movies with like

1:35:07.479 --> 1:35:10.559
<v Speaker 4>a noble black character, like one of those like noble

1:35:10.600 --> 1:35:13.400
<v Speaker 4>black archetypes, like I think The Green Mile is one

1:35:13.400 --> 1:35:17.479
<v Speaker 4>of them. It's just such a fascinating nineties trope of

1:35:17.520 --> 1:35:20.080
<v Speaker 4>this kind of like saintly black character. I mean, we

1:35:20.080 --> 1:35:22.400
<v Speaker 4>don't know as much about Bubba as we do as

1:35:22.439 --> 1:35:24.559
<v Speaker 4>we learn in The Green Mile, but like I feel like,

1:35:25.120 --> 1:35:27.760
<v Speaker 4>you know, it's it's just like an interesting dynamic of

1:35:27.800 --> 1:35:31.160
<v Speaker 4>Tom Hanks playing these kind of white characters who are

1:35:31.160 --> 1:35:33.440
<v Speaker 4>adjacent to these I don't know, it's just fascinating.

1:35:33.560 --> 1:35:36.160
<v Speaker 2>Me didn't make that connection, but no, I see it.

1:35:36.200 --> 1:35:38.479
<v Speaker 2>I wonder if there's other examples.

1:35:38.760 --> 1:35:41.080
<v Speaker 4>Like witnessing the kind of the suffering or witnessing the

1:35:41.120 --> 1:35:42.760
<v Speaker 4>death of one of these characters.

1:35:42.880 --> 1:35:45.519
<v Speaker 3>I don't know, Yeah, I guess. I was also surprised

1:35:45.560 --> 1:35:50.559
<v Speaker 3>that ultimately Bubba Gump becomes a bigger facet of the

1:35:50.600 --> 1:35:54.760
<v Speaker 3>story than Bubba himself. Was you see Bubba for such

1:35:54.800 --> 1:35:57.000
<v Speaker 3>a short amount of time in the movie, and then

1:35:57.040 --> 1:36:01.920
<v Speaker 3>there's an entire restaurant about it. Again, I was glad

1:36:02.200 --> 1:36:07.200
<v Speaker 3>that Forrest gave Bubba's family a cut of the business.

1:36:07.200 --> 1:36:09.439
<v Speaker 3>I think it took him too long. I think you

1:36:09.439 --> 1:36:12.080
<v Speaker 3>should have just done it from the jump. Yeah, And

1:36:12.160 --> 1:36:14.680
<v Speaker 3>I think that like, yeah, Bubba's family was presented in

1:36:14.680 --> 1:36:18.160
<v Speaker 3>this very broad way as well that seemed like both

1:36:18.240 --> 1:36:21.720
<v Speaker 3>cretical of black families and poor families. It just it

1:36:22.280 --> 1:36:24.479
<v Speaker 3>felt so vague.

1:36:24.840 --> 1:36:29.280
<v Speaker 4>Movie version of Yeah, it takes on a very individualist,

1:36:29.520 --> 1:36:33.759
<v Speaker 4>kind of like emotional approach to racism in that forest

1:36:33.880 --> 1:36:37.240
<v Speaker 4>is you know, helping this one black family and you know,

1:36:37.439 --> 1:36:40.160
<v Speaker 4>kind of saving them from poverty. And now the Bubba's

1:36:40.200 --> 1:36:42.400
<v Speaker 4>mom doesn't have to serve shrimp anymore, a white lady

1:36:42.479 --> 1:36:45.639
<v Speaker 4>serving her shrimp. But it's like, that's great, but we're

1:36:45.680 --> 1:36:48.960
<v Speaker 4>not actually like fully understanding the implications of you know

1:36:49.000 --> 1:36:51.200
<v Speaker 4>what I mean, we're not fully understanding the implications of

1:36:51.280 --> 1:36:54.400
<v Speaker 4>why Bubba's family is disenfranchised, which I guess the movie

1:36:54.479 --> 1:36:56.120
<v Speaker 4>kind of hints at when they show that all his

1:36:56.200 --> 1:36:59.639
<v Speaker 4>ancestors have been feeding shrimp to white ladies their whole lives.

1:36:59.640 --> 1:37:02.360
<v Speaker 3>But it just but they don't even like say it's

1:37:02.600 --> 1:37:07.240
<v Speaker 3>so weird. But this movie avoids saying when they're fully comfortable,

1:37:07.280 --> 1:37:10.160
<v Speaker 3>say like name checking the Grand Wizard of the KKK

1:37:10.320 --> 1:37:12.360
<v Speaker 3>in the first five minutes of the movie, it's just

1:37:12.400 --> 1:37:16.519
<v Speaker 3>like I don't know, like like, yeah, I've rewatched that

1:37:16.560 --> 1:37:18.320
<v Speaker 3>part a couple times to be like, but they're not

1:37:18.439 --> 1:37:22.680
<v Speaker 3>explicitly saying what Bubba's family history very likely is in

1:37:22.760 --> 1:37:23.160
<v Speaker 3>the South.

1:37:23.439 --> 1:37:27.200
<v Speaker 2>To me, it is alluding to the fact that Bubba's

1:37:27.560 --> 1:37:32.679
<v Speaker 2>grandmother or maybe great grandmother was an enslaved person serving

1:37:32.720 --> 1:37:36.360
<v Speaker 2>shrimp to an enslaver on a plantation, but that is

1:37:36.400 --> 1:37:40.040
<v Speaker 2>presented in a like almost like a visual gag sort

1:37:40.040 --> 1:37:44.280
<v Speaker 2>of way, without again like commenting on anything about systemic

1:37:44.360 --> 1:37:45.840
<v Speaker 2>racism or anything like that.

1:37:45.920 --> 1:37:50.400
<v Speaker 3>I do feel like with Bubba, it's again his family

1:37:50.920 --> 1:37:54.080
<v Speaker 3>deserves that money, right, But yeah, I think it's again

1:37:54.120 --> 1:37:56.880
<v Speaker 3>presented like Forrest did this out of the goodness of

1:37:56.880 --> 1:37:58.960
<v Speaker 3>his heart, and like none of this would have been

1:37:59.040 --> 1:38:02.679
<v Speaker 3>possible if it weren't for this amazing guy, Forest Gump.

1:38:02.720 --> 1:38:04.840
<v Speaker 3>So again it's like he's kind of coming in with

1:38:04.920 --> 1:38:07.360
<v Speaker 3>like the the white saviorism a little bit. They go

1:38:07.400 --> 1:38:09.639
<v Speaker 3>out of their way to mention that Lieutenant Dan didn't

1:38:09.680 --> 1:38:13.439
<v Speaker 3>want me to do this, but I did. And I

1:38:13.439 --> 1:38:17.439
<v Speaker 3>don't know. Just so many of the marginalized characters that

1:38:17.479 --> 1:38:21.240
<v Speaker 3>exist around Forest sometimes just seem to be there for

1:38:21.320 --> 1:38:23.439
<v Speaker 3>the audience to be reminded what a good guy Forest

1:38:23.600 --> 1:38:27.400
<v Speaker 3>is totally and how much we love him. So, I mean,

1:38:27.680 --> 1:38:30.040
<v Speaker 3>I don't Unfortunately, I don't have that much else to

1:38:30.080 --> 1:38:32.599
<v Speaker 3>say about Bubba specifically because we just don't know very

1:38:32.680 --> 1:38:36.200
<v Speaker 3>much about him. But I do think that this connects too.

1:38:36.240 --> 1:38:39.360
<v Speaker 3>I think my last point I wanted to make, which

1:38:39.400 --> 1:38:44.080
<v Speaker 3>is that there are I think over ten real historical

1:38:44.120 --> 1:38:49.439
<v Speaker 3>figures that appear in this or whatever are zamechist into

1:38:49.439 --> 1:38:53.920
<v Speaker 3>this movie. They came in on the Polar Express. Wow,

1:38:55.200 --> 1:38:58.519
<v Speaker 3>they are all white men. There's no women, there's no

1:38:58.520 --> 1:39:01.040
<v Speaker 3>people of color. You meet two black panthers, but they

1:39:01.120 --> 1:39:05.800
<v Speaker 3>don't bother to ascribe who these black panthers may have been.

1:39:05.920 --> 1:39:08.640
<v Speaker 3>They they're not named, I mean, and I checked to

1:39:08.680 --> 1:39:11.200
<v Speaker 3>make sure, because Abbi Hoffman isn't named, but he's credited

1:39:11.240 --> 1:39:14.760
<v Speaker 3>as Abbie Hoffman. But these actors are just credited as

1:39:14.960 --> 1:39:18.840
<v Speaker 3>black panthers, which to me indicates that there wasn't enough

1:39:18.880 --> 1:39:22.920
<v Speaker 3>interest on the part of the production to choose specific

1:39:23.040 --> 1:39:25.640
<v Speaker 3>important black panthers to have these characters.

1:39:25.760 --> 1:39:28.040
<v Speaker 4>Although I don't know if i'd want like Fred Hampton

1:39:28.479 --> 1:39:33.160
<v Speaker 4>coming into that scene. He just he just like kind

1:39:33.160 --> 1:39:35.000
<v Speaker 4>of walks up and then he's like, this is how

1:39:35.040 --> 1:39:36.639
<v Speaker 4>I feel, and he kind of like like a yelling

1:39:36.680 --> 1:39:38.559
<v Speaker 4>at he do they just make him seem so like

1:39:39.320 --> 1:39:42.120
<v Speaker 4>they just make everyone involved in the counter culture seems

1:39:42.200 --> 1:39:47.559
<v Speaker 4>so hedonistic and like miserable and like aggressive, their causes

1:39:47.560 --> 1:39:50.360
<v Speaker 4>are kind of pointless, and and Forrest is like, I

1:39:50.360 --> 1:39:52.679
<v Speaker 4>don't get this. These people are weird. And I feel

1:39:52.680 --> 1:39:55.320
<v Speaker 4>like that scene is so emblematic of that. Let alone,

1:39:55.320 --> 1:39:57.880
<v Speaker 4>having Jenny get just like fully slapped in the face,

1:39:57.920 --> 1:39:59.520
<v Speaker 4>how this black panther meet.

1:39:59.400 --> 1:40:01.599
<v Speaker 3>The fact that that scene is like played as this

1:40:01.760 --> 1:40:05.560
<v Speaker 3>bizarre joke that yeah, that the black panthers in the

1:40:05.920 --> 1:40:08.800
<v Speaker 3>unnamed black panthers in the scene are just screaming their

1:40:08.840 --> 1:40:12.800
<v Speaker 3>ideology at Forrest Gump, which is like, I think, like

1:40:12.880 --> 1:40:17.440
<v Speaker 3>played into how black panthers were portrayed in pop culture

1:40:18.120 --> 1:40:20.880
<v Speaker 3>as well. I'm trying to think of another exac I

1:40:20.880 --> 1:40:25.479
<v Speaker 3>feel like there is like well angry, yes, like angry

1:40:25.960 --> 1:40:30.400
<v Speaker 3>and ineffective. I think like angry, violent, ineffective. I think

1:40:30.439 --> 1:40:33.320
<v Speaker 3>I'm thinking of some old SNL sketches. I can't pull

1:40:33.360 --> 1:40:34.519
<v Speaker 3>exactly what I'm thinking of here.

1:40:34.640 --> 1:40:36.400
<v Speaker 2>Yeah, I mean, if you listen to the rhetoric of

1:40:36.439 --> 1:40:40.000
<v Speaker 2>what that guy is saying. He's correct, like he is

1:40:40.080 --> 1:40:42.599
<v Speaker 2>saying he's right, but yeah, very true and correct things,

1:40:42.760 --> 1:40:44.559
<v Speaker 2>but it's reduced to background noise.

1:40:44.920 --> 1:40:48.160
<v Speaker 3>Yeah yeah. And the same way that in the integration

1:40:48.360 --> 1:40:51.519
<v Speaker 3>scene at Forest College, you know, it's like you're hearing

1:40:51.560 --> 1:40:54.479
<v Speaker 3>something that is very significant and then we just sort

1:40:54.520 --> 1:40:57.320
<v Speaker 3>of pan over to like, what are these white characters doing?

1:40:57.439 --> 1:40:58.880
<v Speaker 2>What's Forrest to doing well?

1:40:58.880 --> 1:41:01.080
<v Speaker 4>Again, like to the end of visual goodness of it all,

1:41:01.080 --> 1:41:04.040
<v Speaker 4>like him picking up a book. You know, it's like, aw,

1:41:04.200 --> 1:41:07.160
<v Speaker 4>what a kind hearted soul and that's the individual is

1:41:07.160 --> 1:41:09.000
<v Speaker 4>such a nice so nice, you know, and like we

1:41:09.040 --> 1:41:12.400
<v Speaker 4>should just all be nice to each other. Yea, yeah, yeah.

1:41:12.479 --> 1:41:15.960
<v Speaker 3>Does anyone else have other thoughts on this movie?

1:41:17.160 --> 1:41:19.000
<v Speaker 4>Really, I'm looking through my notes.

1:41:19.280 --> 1:41:22.080
<v Speaker 2>Just something that you also call attention to in your

1:41:22.160 --> 1:41:26.679
<v Speaker 2>video essay, Maya, but the the fact that like the

1:41:26.800 --> 1:41:31.759
<v Speaker 2>tonal and the character and the narrative changes that were

1:41:32.000 --> 1:41:35.720
<v Speaker 2>made from the book to the movie adaptation had so

1:41:35.840 --> 1:41:40.519
<v Speaker 2>much to do with money and marketing and like catering

1:41:40.560 --> 1:41:46.160
<v Speaker 2>to a very broad American movie going audience, Because if

1:41:46.320 --> 1:41:50.640
<v Speaker 2>they had adapted the book more closely with its like,

1:41:50.840 --> 1:41:56.080
<v Speaker 2>you know, satirical tones and critique of American culture. It

1:41:56.160 --> 1:41:58.720
<v Speaker 2>certainly would have been a much bigger financial risk and

1:41:58.880 --> 1:42:03.280
<v Speaker 2>probably would have bombed at the box office because this

1:42:03.439 --> 1:42:07.519
<v Speaker 2>is coming out at a time and you know, this

1:42:07.600 --> 1:42:12.320
<v Speaker 2>is still very much the case now where we're not

1:42:12.360 --> 1:42:16.919
<v Speaker 2>as willing to be critical of American history and culture

1:42:17.479 --> 1:42:21.200
<v Speaker 2>and capitalism and all of the things as we should be.

1:42:21.479 --> 1:42:25.160
<v Speaker 2>And so they were just like, let's just whitewash everything

1:42:25.200 --> 1:42:30.280
<v Speaker 2>and sanitize everything and make it this sort of like, wow,

1:42:30.400 --> 1:42:35.080
<v Speaker 2>isn't this such a nice depiction of this nice, friendly guy,

1:42:35.240 --> 1:42:39.759
<v Speaker 2>and let's make sure we say nothing about anything. And

1:42:40.160 --> 1:42:42.720
<v Speaker 2>that made it one of the highest grossing movies of

1:42:42.800 --> 1:42:46.639
<v Speaker 2>nineteen ninety four. Was it first or second? Something like that?

1:42:47.560 --> 1:42:47.880
<v Speaker 4>I think?

1:42:47.960 --> 1:42:51.240
<v Speaker 2>Yeah. And Best Picture winner, if I'm.

1:42:51.040 --> 1:42:55.479
<v Speaker 4>Not misswept, absolutely swept the Oscars. Yeah, over pulp fiction

1:42:55.720 --> 1:42:59.680
<v Speaker 4>and Shawshanks, which are so good. I mean, I'm one

1:42:59.720 --> 1:43:03.400
<v Speaker 4>of the remaining pulp fiction lovers, but.

1:43:03.080 --> 1:43:05.320
<v Speaker 2>I'm kind of on the fence about it. But for

1:43:05.479 --> 1:43:09.400
<v Speaker 2>my money, Shashaik Redemption should have won Best Picture by

1:43:09.439 --> 1:43:10.639
<v Speaker 2>a long shot.

1:43:11.560 --> 1:43:13.920
<v Speaker 4>Yeah. So I just wanted to.

1:43:15.400 --> 1:43:20.360
<v Speaker 2>Point out that Zamechis and you know, the producers and

1:43:20.360 --> 1:43:24.000
<v Speaker 2>everything were just like, how can we make money from this?

1:43:24.360 --> 1:43:24.639
<v Speaker 3>Right?

1:43:24.760 --> 1:43:26.880
<v Speaker 2>Yeah, because this was made on a fifty five million

1:43:26.920 --> 1:43:30.559
<v Speaker 2>dollar budget and grossed six hundred and seventy eight million

1:43:31.160 --> 1:43:32.559
<v Speaker 2>at the box office.

1:43:33.160 --> 1:43:33.519
<v Speaker 3>Wild.

1:43:33.640 --> 1:43:35.799
<v Speaker 4>I think one of the reasons Alsell always feel slightly

1:43:35.800 --> 1:43:39.880
<v Speaker 4>complicated about Forrest Gump is because the moviness of it

1:43:40.240 --> 1:43:42.599
<v Speaker 4>and like the big cinema of it is like, in

1:43:42.640 --> 1:43:45.200
<v Speaker 4>one way so awful, and like they sanitized the book

1:43:45.200 --> 1:43:48.400
<v Speaker 4>and they made it so they made it conservative catnip

1:43:48.520 --> 1:43:51.240
<v Speaker 4>like it got I hadn't mentioned yet, but it got

1:43:51.320 --> 1:43:53.479
<v Speaker 4>kind of swept up by like far right people like

1:43:53.520 --> 1:43:55.880
<v Speaker 4>Pat Buchanan and New Ginridge, and they kind of used

1:43:55.880 --> 1:43:58.120
<v Speaker 4>it as part of their political campaign in a year

1:43:58.160 --> 1:44:00.639
<v Speaker 4>where Republicans swept the White House for the first time

1:44:00.680 --> 1:44:04.280
<v Speaker 4>in like four decades. I was considered like a conservative

1:44:04.400 --> 1:44:07.360
<v Speaker 4>kind of like revolution. But then at the same time,

1:44:07.479 --> 1:44:10.760
<v Speaker 4>it's like sometimes I almost appreciate a movie that man

1:44:10.880 --> 1:44:13.479
<v Speaker 4>and just to like worm itself so deeply into popular

1:44:13.520 --> 1:44:16.600
<v Speaker 4>culture and like manages to be so ubiquitous and like

1:44:16.680 --> 1:44:19.559
<v Speaker 4>such a movie that in some ways when I watch

1:44:19.600 --> 1:44:21.920
<v Speaker 4>it and like I can, I kind of appreciate the

1:44:22.000 --> 1:44:25.280
<v Speaker 4>like brazen sentimentality of it because I'm like, wow, that

1:44:25.680 --> 1:44:26.400
<v Speaker 4>is a movie.

1:44:27.160 --> 1:44:28.679
<v Speaker 3>The movie feels like a movie.

1:44:29.040 --> 1:44:31.439
<v Speaker 4>Yeah, And I can appreciate kind of the competence of

1:44:31.479 --> 1:44:35.320
<v Speaker 4>the like how powerful it is at like getting people

1:44:35.680 --> 1:44:38.280
<v Speaker 4>to be emotional. But then in other ways that's dangerous

1:44:38.320 --> 1:44:40.519
<v Speaker 4>because of the ways that it can be the ways

1:44:40.520 --> 1:44:43.400
<v Speaker 4>that it's conservative messaging can be kind of like taken

1:44:43.479 --> 1:44:45.599
<v Speaker 4>and adopted and ran with.

1:44:45.840 --> 1:44:49.200
<v Speaker 3>Yeah, yeah, which I know you mentioned in your video

1:44:49.280 --> 1:44:54.080
<v Speaker 3>and again listeners watched the whole video, but that it

1:44:54.120 --> 1:44:58.040
<v Speaker 3>was this really like right of center attempt to say

1:44:58.360 --> 1:45:00.679
<v Speaker 3>the fact that they've made a movie about forty years

1:45:00.720 --> 1:45:02.880
<v Speaker 3>of American history. They're like, it's an a political movie.

1:45:02.880 --> 1:45:06.160
<v Speaker 3>You're like, not possible, man, Like sorry, that's just not

1:45:06.200 --> 1:45:08.880
<v Speaker 3>possible to do. But that they had the sort of

1:45:09.000 --> 1:45:12.360
<v Speaker 3>right of center like crowd pleasing approach to it. And

1:45:13.160 --> 1:45:15.519
<v Speaker 3>you say in your video like the right is better

1:45:15.600 --> 1:45:20.320
<v Speaker 3>at turning shit into propaganda, and they very effectively did it,

1:45:20.520 --> 1:45:21.200
<v Speaker 3>very quickly.

1:45:21.479 --> 1:45:23.200
<v Speaker 4>It's one thing they got going for them.

1:45:23.600 --> 1:45:31.280
<v Speaker 3>Then and now unfortunately that's true, except now, maybe the

1:45:31.479 --> 1:45:34.240
<v Speaker 3>CEO shooter is going to bring us all together.

1:45:34.720 --> 1:45:38.120
<v Speaker 4>We can a Lincoln build truly linking and building.

1:45:39.680 --> 1:45:42.680
<v Speaker 3>Wait, does this movie pass the Bechtel's desk. I genuinely

1:45:42.720 --> 1:45:43.160
<v Speaker 3>don't know.

1:45:43.720 --> 1:45:46.559
<v Speaker 2>I didn't even bother paying attention. I don't check.

1:45:46.760 --> 1:45:48.200
<v Speaker 3>No, no, it does.

1:45:48.280 --> 1:45:51.360
<v Speaker 2>I think there's scenes where like Forrest's mom will be

1:45:51.520 --> 1:45:55.439
<v Speaker 2>talking to I think her name is Louise. She's the

1:45:55.520 --> 1:46:01.040
<v Speaker 2>black woman who works for her, Yes, unclear exactly what capacity,

1:46:01.160 --> 1:46:01.840
<v Speaker 2>but I.

1:46:01.760 --> 1:46:04.400
<v Speaker 4>Think she helps with the boarding house kind of vibe.

1:46:06.200 --> 1:46:10.760
<v Speaker 2>And she just was like Louise, Louise, that's Forest, so

1:46:11.720 --> 1:46:14.040
<v Speaker 2>doesn't pass. I think that might be the only interaction

1:46:14.200 --> 1:46:14.960
<v Speaker 2>between women.

1:46:15.439 --> 1:46:17.479
<v Speaker 3>There's also, oh this, I forgot to bring this up

1:46:17.520 --> 1:46:21.840
<v Speaker 3>earlier because there's just so much but going into this

1:46:21.920 --> 1:46:25.040
<v Speaker 3>movie's pretty low opinion about sex work. There are two

1:46:25.200 --> 1:46:29.200
<v Speaker 3>named sex workers who are with Lieutenant Dan and Forrest

1:46:30.400 --> 1:46:34.000
<v Speaker 3>on New Year's Eve, Yes whose I have their names here,

1:46:34.240 --> 1:46:39.360
<v Speaker 3>Carla and Lenore, And they do talk to each other,

1:46:39.400 --> 1:46:41.720
<v Speaker 3>but it is about the men in the room, and

1:46:42.200 --> 1:46:46.440
<v Speaker 3>they are end up like coming off as cruel ablest

1:46:46.479 --> 1:46:50.360
<v Speaker 3>harpies and that is the end of their.

1:46:50.520 --> 1:46:52.400
<v Speaker 4>And Forest is like, I want to sex with her

1:46:52.439 --> 1:46:54.400
<v Speaker 4>because she smelled like cigarettes.

1:46:55.400 --> 1:46:59.240
<v Speaker 3>She's gross, and You're like, all right, and I'm correctly

1:46:59.240 --> 1:47:01.519
<v Speaker 3>assuming we will ever see or hear are these characters

1:47:01.840 --> 1:47:05.479
<v Speaker 3>again and these evil witches are you know, provide this

1:47:05.520 --> 1:47:07.679
<v Speaker 3>opportunity for the men to bond?

1:47:08.360 --> 1:47:08.479
<v Speaker 1>Right?

1:47:08.760 --> 1:47:13.200
<v Speaker 3>So yeah, no, this movie. I'm on scholarly journal Bechdel

1:47:13.200 --> 1:47:16.639
<v Speaker 3>test dot com who often ends up doing our podcast

1:47:16.720 --> 1:47:17.200
<v Speaker 3>for us.

1:47:17.680 --> 1:47:20.639
<v Speaker 2>Our podcast is not even we should have a different

1:47:20.720 --> 1:47:25.800
<v Speaker 2>name at this point.

1:47:28.360 --> 1:47:29.920
<v Speaker 3>Were it's just works.

1:47:30.120 --> 1:47:32.040
<v Speaker 2>It's a jumping off point, as we always say.

1:47:32.560 --> 1:47:35.200
<v Speaker 3>Yeah, but anyways, it doesn't pass, although there is a

1:47:35.320 --> 1:47:38.800
<v Speaker 3>very lively comment section on people like it might not.

1:47:39.360 --> 1:47:42.680
<v Speaker 3>Curl says it might not pass the Bechdel test, but

1:47:42.760 --> 1:47:48.280
<v Speaker 3>this movie is far from sexist. I disagree, Curl. I

1:47:48.280 --> 1:47:51.120
<v Speaker 3>agree to disagree, Curl. Anyways, it doesn't pass, and it's

1:47:51.160 --> 1:47:53.600
<v Speaker 3>four thousand hours long, So how do you like that?

1:47:53.760 --> 1:47:56.040
<v Speaker 2>Yeah, well, here's the thing. We got to rate this

1:47:56.160 --> 1:47:59.760
<v Speaker 2>movie on our nipple scale. We sure do the one

1:47:59.760 --> 1:48:02.840
<v Speaker 2>true metric, where on a scale of zero to five

1:48:02.920 --> 1:48:06.600
<v Speaker 2>nipples we rate the movie examining it through an intersectional

1:48:06.640 --> 1:48:14.559
<v Speaker 2>feminist lens. Oh like zero point five nipples. I think

1:48:14.600 --> 1:48:18.600
<v Speaker 2>that Jenny and being able to kind of like reclaim

1:48:18.760 --> 1:48:21.920
<v Speaker 2>her to some degree or like see yourself in her

1:48:22.200 --> 1:48:29.040
<v Speaker 2>as someone who strikes out on her own and engages

1:48:29.360 --> 1:48:35.479
<v Speaker 2>in counterculture and activism and ignores and defies the like

1:48:35.680 --> 1:48:41.000
<v Speaker 2>genderle expectations of the time, the conservative ones at least,

1:48:41.120 --> 1:48:44.960
<v Speaker 2>and you know, just like makes a life for herself.

1:48:45.840 --> 1:48:48.840
<v Speaker 2>And I think there's like you can admire her for that,

1:48:49.680 --> 1:48:53.559
<v Speaker 2>But everything else about the way she's characterized, and about

1:48:53.600 --> 1:48:57.519
<v Speaker 2>the movie overall, and its refusal to say really anything

1:48:57.560 --> 1:49:01.200
<v Speaker 2>of substance. I mean, I do think there are several

1:49:01.280 --> 1:49:04.519
<v Speaker 2>parts that are very emotionally compelling, So I get the

1:49:04.560 --> 1:49:07.040
<v Speaker 2>appeal of this movie on that level. Obviously, when I

1:49:07.080 --> 1:49:10.280
<v Speaker 2>was a kid watching this movie on repeat, That's what

1:49:10.360 --> 1:49:13.680
<v Speaker 2>I was drawn to. But there were so many opportunities

1:49:13.720 --> 1:49:18.599
<v Speaker 2>to say, you know, pretty not controversial things about American history,

1:49:18.720 --> 1:49:23.719
<v Speaker 2>such as the Vietnam War was a horrible mistake, racial

1:49:23.720 --> 1:49:28.759
<v Speaker 2>segregation was a horrible mistake, But instead the movie opts

1:49:28.840 --> 1:49:34.280
<v Speaker 2>to just be like, remember this from the good old days.

1:49:35.120 --> 1:49:38.800
<v Speaker 2>And so I can't stand by the movie anymore because

1:49:38.840 --> 1:49:41.120
<v Speaker 2>of that. Not that every movie has to make some

1:49:41.720 --> 1:49:45.920
<v Speaker 2>grand socio political statement, but if you're going to walk

1:49:46.000 --> 1:49:51.280
<v Speaker 2>us through several decades of highly politicized American history and

1:49:51.320 --> 1:49:55.719
<v Speaker 2>say more or less nothing about it, then like, what's

1:49:55.960 --> 1:50:00.680
<v Speaker 2>the point of the movie. So I'll give it zero

1:50:00.720 --> 1:50:05.519
<v Speaker 2>point five nipples, and I'll give it to Jenny the

1:50:05.640 --> 1:50:07.720
<v Speaker 2>character the end.

1:50:08.720 --> 1:50:16.679
<v Speaker 3>I'll give it I guess one. I guess. I don't know. Yeah,

1:50:16.720 --> 1:50:20.479
<v Speaker 3>I agree that Jenny. I think, to differing degrees, Jenny

1:50:20.520 --> 1:50:25.439
<v Speaker 3>and Lieutenant Dan are characters that are deeply flawed and

1:50:25.600 --> 1:50:29.200
<v Speaker 3>are reclaimable. Probably not in a way that the filmmakers intended,

1:50:29.320 --> 1:50:34.479
<v Speaker 3>but that's that's how movies work. I don't know. With all,

1:50:35.160 --> 1:50:39.400
<v Speaker 3>with all due respect to Forrest gump Heads, like, we're

1:50:39.479 --> 1:50:41.880
<v Speaker 3>right and you're wrong, and I guess that's just something

1:50:41.920 --> 1:50:44.040
<v Speaker 3>that you're gonna have to make your peace with.

1:50:44.640 --> 1:50:47.120
<v Speaker 4>Not the gump Heads.

1:50:47.760 --> 1:50:53.680
<v Speaker 3>Gump Nation is in shambles after this. We're gonna have

1:50:53.720 --> 1:50:55.720
<v Speaker 3>tomatoes thrown at us when we go to Bubba Gump

1:50:55.720 --> 1:50:58.040
<v Speaker 3>at CityWalk. Gump Nation's gonna come for us.

1:50:58.120 --> 1:50:59.439
<v Speaker 2>It's a risk I'm willing to take.

1:51:00.560 --> 1:51:03.360
<v Speaker 3>There are Robert Zebeki's movies I like, but anytime he's

1:51:03.400 --> 1:51:07.320
<v Speaker 3>trying to say something serious, it is so unseerious. Like

1:51:07.720 --> 1:51:10.840
<v Speaker 3>he's a great example of a director who's like ability

1:51:11.000 --> 1:51:15.320
<v Speaker 3>and talent and sense of whimsy I respect, but I

1:51:15.520 --> 1:51:19.760
<v Speaker 3>don't care what he thinks about fucking anything like you know,

1:51:19.920 --> 1:51:22.720
<v Speaker 3>he couldn't be bothered to read the source material. One

1:51:22.800 --> 1:51:24.920
<v Speaker 3>nipple and I'm giving it to baby Hayley.

1:51:25.680 --> 1:51:30.760
<v Speaker 2>Oh yes, so small, just not very bit.

1:51:31.439 --> 1:51:33.599
<v Speaker 4>I'm gonna give it one and a half for all

1:51:33.600 --> 1:51:38.240
<v Speaker 4>the reasons you guys said, and also because I appreciate

1:51:38.320 --> 1:51:41.200
<v Speaker 4>my teenage instinct to cry at this movie, you know,

1:51:41.520 --> 1:51:46.439
<v Speaker 4>and I think that I'll cherish that regardless of how

1:51:46.479 --> 1:51:49.840
<v Speaker 4>I feel icky about it now It's true.

1:51:50.080 --> 1:51:52.200
<v Speaker 2>Well, may thank you so much for joining us for

1:51:52.240 --> 1:51:56.760
<v Speaker 2>this discussion. So enjoyed having you. Thanks for coming on this.

1:51:57.160 --> 1:51:59.040
<v Speaker 3>Thank you so much, thanks for having me.

1:51:59.120 --> 1:52:01.880
<v Speaker 4>I'm so glad we also link and build like this.

1:52:02.160 --> 1:52:03.559
<v Speaker 4>I am so honored to be on here.

1:52:04.240 --> 1:52:05.400
<v Speaker 3>This feelings very mutual.

1:52:05.520 --> 1:52:06.400
<v Speaker 2>Come back any time.

1:52:06.800 --> 1:52:08.519
<v Speaker 3>Bring up a vie, Yeah, bring up a view you

1:52:08.640 --> 1:52:09.439
<v Speaker 3>love next time.

1:52:09.560 --> 1:52:11.360
<v Speaker 4>I have so many Yes.

1:52:12.240 --> 1:52:15.920
<v Speaker 2>Where can people follow your work? Follow you on social media,

1:52:16.000 --> 1:52:16.519
<v Speaker 2>et cetera.

1:52:17.280 --> 1:52:20.360
<v Speaker 4>Yes, you can find me on YouTube. My name is

1:52:20.360 --> 1:52:22.879
<v Speaker 4>bro dationel on there. You can find me on Instagram

1:52:22.880 --> 1:52:25.559
<v Speaker 4>my name is Broe Underscore dationel on there, and then

1:52:26.040 --> 1:52:30.040
<v Speaker 4>you can find my podcast on any podcasting platforms. I

1:52:30.080 --> 1:52:32.760
<v Speaker 4>co host it with my friend Hannah and it's called rehash.

1:52:32.800 --> 1:52:35.160
<v Speaker 3>I'm excited to listen to the to the Furrays episode.

1:52:36.000 --> 1:52:38.519
<v Speaker 4>Oh I love that episode.

1:52:39.120 --> 1:52:45.200
<v Speaker 3>You can follow us on Instagram mainly at Bechdel Cast,

1:52:46.000 --> 1:52:49.000
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1:52:49.040 --> 1:52:52.280
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1:52:52.320 --> 1:52:55.400
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1:52:55.520 --> 1:52:58.599
<v Speaker 3>get two bonus episodes every month and access to our

1:52:58.760 --> 1:53:01.479
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1:53:01.479 --> 1:53:05.040
<v Speaker 3>fifty episodes. So if you're looking for a movie we

1:53:05.120 --> 1:53:07.519
<v Speaker 3>haven't covered on the main feed, We've covered over five

1:53:07.600 --> 1:53:09.880
<v Speaker 3>hundred movies on this show, it's very possible. It is

1:53:09.920 --> 1:53:11.639
<v Speaker 3>on our Matreon and you.

1:53:11.560 --> 1:53:15.439
<v Speaker 2>Can grab our merch at teapublic dot com slash the

1:53:15.640 --> 1:53:18.800
<v Speaker 2>Bechdel Cast. All of it is designed by a one

1:53:18.920 --> 1:53:25.439
<v Speaker 2>Jamie loftis and yeah, thanks for listening. And with that

1:53:26.120 --> 1:53:34.680
<v Speaker 2>we have to run forrest, run away, Bye bye bye.

1:53:36.439 --> 1:53:39.760
<v Speaker 2>The Bechdel Cast is a production of iHeartMedia, hosted by

1:53:39.800 --> 1:53:43.679
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1:53:43.800 --> 1:53:46.960
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1:53:47.080 --> 1:53:51.439
<v Speaker 2>Kaplan with vocals by Catherine Vosskrosenski. Our logo in merch

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<v Speaker 2>link tree slash Victel Caste