1
00:00:00,080 --> 00:00:05,640
Speaker 1: Have a podcast, and don't we hit the button for

2
00:00:06,120 --> 00:00:17,280
Speaker 1: what would you talk about on your on your podcast?

3
00:00:18,200 --> 00:00:22,640
Speaker 1: All right, ladies and channel man, No, no, I was

4
00:00:23,360 --> 00:00:26,360
Speaker 1: gonna say, before you did what you're about to do.

5
00:00:26,600 --> 00:00:29,080
Speaker 1: I was about to give people warning of what was

6
00:00:29,120 --> 00:00:31,120
Speaker 1: about to happen, what's about to happen to like what

7
00:00:31,160 --> 00:00:34,040
Speaker 1: you already did. So I can't give a warning to one. Stop.

8
00:00:34,240 --> 00:00:38,959
Speaker 1: Oh god, so loud? Yes, alright, alright, so great Tea

9
00:00:39,120 --> 00:00:41,640
Speaker 1: was literally sleeping as a five minutes ago. I was

10
00:00:41,760 --> 00:00:45,239
Speaker 1: on top of his desk. It's funny, I was. I

11
00:00:45,280 --> 00:00:47,280
Speaker 1: took sleeping here at work to an all new level.

12
00:00:47,600 --> 00:00:51,040
Speaker 1: Sleeping on your desk at work. I was with you

13
00:00:51,120 --> 00:00:53,600
Speaker 1: six minutes ago. Six I know I could fall. We

14
00:00:53,680 --> 00:00:56,840
Speaker 1: were sitting in the studio six minutes ago, obviously sleep deprived,

15
00:00:56,920 --> 00:01:00,160
Speaker 1: and you were passed out snoring. Dude, I'm busy. I

16
00:01:00,240 --> 00:01:02,200
Speaker 1: got things going on in my life. How busy are

17
00:01:02,240 --> 00:01:04,440
Speaker 1: you that you fall asleep that easily. I'm all over

18
00:01:04,480 --> 00:01:06,880
Speaker 1: the place. Everybody needs me, need me for podcast, and

19
00:01:06,920 --> 00:01:09,240
Speaker 1: need me for hosting events. Now we got Nate here.

20
00:01:09,360 --> 00:01:12,320
Speaker 1: Nate needs something, Nate, what do you need? What are

21
00:01:12,319 --> 00:01:15,640
Speaker 1: you talking about? Everybody needs something? He was sleeping on

22
00:01:15,680 --> 00:01:18,480
Speaker 1: top of his heart. So, yeah, when I woke you up,

23
00:01:18,560 --> 00:01:20,440
Speaker 1: right when you woke him up, he was with me

24
00:01:20,480 --> 00:01:22,440
Speaker 1: no more than three to four minutes prior to that. I'

25
00:01:23,000 --> 00:01:24,800
Speaker 1: he was in my studio. He goes, I'll be right back,

26
00:01:24,800 --> 00:01:27,319
Speaker 1: and then he went to sleep. Yeah, it's the sequel

27
00:01:27,360 --> 00:01:32,080
Speaker 1: I'm taking. It's not a bad thing, it's you know,

28
00:01:32,200 --> 00:01:36,679
Speaker 1: it's exhausted exactly. This has been a long week already,

29
00:01:36,680 --> 00:01:37,800
Speaker 1: and I got more to do. I don't know how

30
00:01:37,800 --> 00:01:39,760
Speaker 1: I'm getting through. He got a big corporate gig tonight.

31
00:01:39,880 --> 00:01:41,720
Speaker 1: I know, I gotta get home, take another nap, and

32
00:01:41,720 --> 00:01:44,040
Speaker 1: then get up and come back. It's a lot going on. Bro,

33
00:01:44,319 --> 00:01:47,080
Speaker 1: Are you sleeping tonight right on my desk like I was,

34
00:01:47,440 --> 00:01:50,720
Speaker 1: I'm gonna sleep on my desk. I need a bed here.

35
00:01:50,800 --> 00:01:52,720
Speaker 1: They already got me a shower. I can use a bed.

36
00:01:52,760 --> 00:01:54,800
Speaker 1: Why don't we get a blow up mattress? No, it's

37
00:01:54,800 --> 00:01:56,440
Speaker 1: not always comfortable at home. You want me to bring

38
00:01:56,480 --> 00:01:57,960
Speaker 1: it in for you? You know what we should bring it.

39
00:01:58,000 --> 00:01:59,320
Speaker 1: I have an next one to you know, but we

40
00:01:59,400 --> 00:02:02,160
Speaker 1: need to bring mattresses. You won't get it here today,

41
00:02:03,880 --> 00:02:05,600
Speaker 1: get it, but you know what we should bring in

42
00:02:05,640 --> 00:02:08,960
Speaker 1: some mattresses here for everybody we need that. It's a

43
00:02:08,960 --> 00:02:11,240
Speaker 1: great idea. I mean I don't trust it though, because

44
00:02:11,280 --> 00:02:13,000
Speaker 1: we have a we have a big like uh what

45
00:02:13,040 --> 00:02:14,800
Speaker 1: they call it a love sack in the other studio

46
00:02:14,880 --> 00:02:17,040
Speaker 1: that's been here for five years. You know how many

47
00:02:17,040 --> 00:02:19,440
Speaker 1: times people have watched that? Yeah? No, never, but the

48
00:02:19,600 --> 00:02:22,240
Speaker 1: love sack, though, it sinks your body in and then

49
00:02:22,320 --> 00:02:24,079
Speaker 1: it makes you like warm, and I don't like to

50
00:02:24,080 --> 00:02:26,800
Speaker 1: sleep when I'm more like to see what I'm cold. Yeah,

51
00:02:26,960 --> 00:02:30,239
Speaker 1: you're listen to the truth. They told here at the

52
00:02:30,320 --> 00:02:32,680
Speaker 1: radio station. We have nowhere to sleep. Nobody's giving us

53
00:02:32,680 --> 00:02:36,560
Speaker 1: hotel rooms, and you gotta sleep in your office upstairs.

54
00:02:35,919 --> 00:02:40,240
Speaker 1: I have a big you do. It's not that comfortable,

55
00:02:40,280 --> 00:02:42,200
Speaker 1: but if you do need a place to sleep, I'll

56
00:02:42,240 --> 00:02:44,120
Speaker 1: leave you. See, I'll do that because I was thinking

57
00:02:44,160 --> 00:02:46,720
Speaker 1: about the green room. But in the green room it's

58
00:02:46,760 --> 00:02:50,520
Speaker 1: too small and there's no window in there. So it's

59
00:02:50,560 --> 00:02:52,760
Speaker 1: just like you need a window. Well, it's hot, there's

60
00:02:52,760 --> 00:02:56,760
Speaker 1: no air fly gives you're sleeping you but do you

61
00:02:56,760 --> 00:02:59,040
Speaker 1: wake up the next morning congested if there's no airflones

62
00:02:59,639 --> 00:03:02,280
Speaker 1: You're when did you become a scientist? That's what happens

63
00:03:02,280 --> 00:03:04,120
Speaker 1: when you have no air you wake up, it's all

64
00:03:04,120 --> 00:03:07,200
Speaker 1: like you're like congested, your eyes are puffing. The next morning.

65
00:03:07,440 --> 00:03:09,640
Speaker 1: You need some air flow in order for that not

66
00:03:09,680 --> 00:03:12,880
Speaker 1: to happen. Were like the Mariah carry is sleeping. Well, listen,

67
00:03:13,120 --> 00:03:14,560
Speaker 1: you know, I think we can mix it up, you know,

68
00:03:14,560 --> 00:03:16,200
Speaker 1: because the music is still playing. You can, like, guys,

69
00:03:16,200 --> 00:03:19,080
Speaker 1: like the music goes off, Yes it does. I can

70
00:03:19,120 --> 00:03:23,200
Speaker 1: think it goes for fifteen minute. A little behind the

71
00:03:23,200 --> 00:03:25,840
Speaker 1: scenes in radio is it's it's called the Doughnuts. So

72
00:03:26,120 --> 00:03:29,320
Speaker 1: it starts off with the production lowers down and and

73
00:03:29,320 --> 00:03:31,280
Speaker 1: we have in fifteen minutes and then it comes back

74
00:03:31,360 --> 00:03:35,200
Speaker 1: right before the podcast. Find these these podcasts to be

75
00:03:35,320 --> 00:03:38,120
Speaker 1: so annoying, and you know why annoying because you can't

76
00:03:38,120 --> 00:03:40,520
Speaker 1: play There's all these rules, like rule number one one

77
00:03:40,600 --> 00:03:42,920
Speaker 1: of the biggest rules is that you cannot play music

78
00:03:43,000 --> 00:03:45,080
Speaker 1: on a podcast. Yeah, just like if you post a

79
00:03:45,160 --> 00:03:47,360
Speaker 1: video on YouTube of you singing a certain song with

80
00:03:47,400 --> 00:03:50,120
Speaker 1: your girls in the car, because the record labels get involved,

81
00:03:50,240 --> 00:03:52,600
Speaker 1: like you didn't pay for that, So you can't play

82
00:03:52,600 --> 00:03:55,520
Speaker 1: a song on your podcast. Blah blah blah. Like I mean,

83
00:03:55,560 --> 00:04:00,240
Speaker 1: I'm staring right now at a computer yawn bombing. You

84
00:04:00,240 --> 00:04:05,720
Speaker 1: know yesterday that was trending. Yea, that is not trending,

85
00:04:06,080 --> 00:04:09,920
Speaker 1: and your standards for your standards for trending are very low. Well,

86
00:04:09,960 --> 00:04:12,480
Speaker 1: look going back to all the stuff, like just music

87
00:04:12,560 --> 00:04:14,440
Speaker 1: on the screen in front of me, and like I

88
00:04:14,480 --> 00:04:16,480
Speaker 1: totally want to like press a button places of his

89
00:04:16,640 --> 00:04:20,320
Speaker 1: music and the moment I play it with the paid

90
00:04:20,320 --> 00:04:23,039
Speaker 1: for it. You you you have a d D though

91
00:04:23,400 --> 00:04:25,279
Speaker 1: you need just one thing in front of you. That's

92
00:04:25,279 --> 00:04:27,120
Speaker 1: the problem with you sitting where you're sitting. You have

93
00:04:27,160 --> 00:04:29,760
Speaker 1: too many options at you. What I think is I

94
00:04:29,800 --> 00:04:32,520
Speaker 1: find it difficult. I find it hard to believe that

95
00:04:32,520 --> 00:04:35,200
Speaker 1: people could sit through a podcast and not hear any

96
00:04:35,279 --> 00:04:38,240
Speaker 1: like music or sound effects or something that just like

97
00:04:38,320 --> 00:04:42,279
Speaker 1: takes them more in depth into the podcast effects. I know,

98
00:04:42,360 --> 00:04:44,920
Speaker 1: it's not the same reason to play it. So Jake

99
00:04:44,960 --> 00:04:46,839
Speaker 1: has two things. First, he has to go to the bathroom,

100
00:04:47,120 --> 00:04:49,960
Speaker 1: h which which you can go when we could time

101
00:04:50,000 --> 00:04:52,479
Speaker 1: me and make it a game. Uh. Second, what's the

102
00:04:52,480 --> 00:04:54,400
Speaker 1: other thing you wanted to bring to the table. Okay,

103
00:04:54,600 --> 00:04:59,560
Speaker 1: so here's this interesting situation. I'm trying to network. Well,

104
00:04:59,600 --> 00:05:03,560
Speaker 1: I'll play I'm not going to play music. I'm playing

105
00:05:03,600 --> 00:05:05,640
Speaker 1: music in the background, Like it's like a sound effect.

106
00:05:05,680 --> 00:05:07,720
Speaker 1: Is that legal? Yeah, that's a sound effect. While you're

107
00:05:07,720 --> 00:05:09,960
Speaker 1: gonna tell us a story. Are you gonna tell a story? Yeah? Okay,

108
00:05:10,000 --> 00:05:12,719
Speaker 1: so you're gonna tell storytime with Storytime with Jake and

109
00:05:12,720 --> 00:05:16,200
Speaker 1: here's a sound effect. Okay. So in our world, networking

110
00:05:16,240 --> 00:05:19,080
Speaker 1: is so important. Yes, I'm trying to network with this

111
00:05:19,120 --> 00:05:21,800
Speaker 1: guy who works for a company, but I know the

112
00:05:21,839 --> 00:05:25,599
Speaker 1: guy tell us because my mom works for his dad.

113
00:05:26,680 --> 00:05:29,880
Speaker 1: So I feel so awkward reaching out to him, being like, hey,

114
00:05:30,080 --> 00:05:33,520
Speaker 1: my mom gave you gave me your contact info. Yes,

115
00:05:34,120 --> 00:05:36,960
Speaker 1: isn't that weird. It's a little weird because that's like

116
00:05:37,000 --> 00:05:39,880
Speaker 1: when you're when you're applying for an internship and some

117
00:05:39,920 --> 00:05:42,239
Speaker 1: people have their moms send things or have their parents.

118
00:05:42,240 --> 00:05:44,640
Speaker 1: I'm like, no, I would never give you that internship exactly.

119
00:05:44,680 --> 00:05:47,320
Speaker 1: You don't. Hey, my mom told me I should call

120
00:05:47,360 --> 00:05:50,120
Speaker 1: you to your mom. You just jump into it, like, hey,

121
00:05:50,640 --> 00:05:52,960
Speaker 1: you know, I know we have, you know, a connection here,

122
00:05:53,000 --> 00:05:54,640
Speaker 1: and I just wanted to reach out and like, you

123
00:05:54,680 --> 00:05:57,200
Speaker 1: don't have to use your mom and the connection. The

124
00:05:57,200 --> 00:05:59,279
Speaker 1: connection is going to be your mom, right, There's no

125
00:05:59,320 --> 00:06:01,880
Speaker 1: way around this. Want Okay, so miss your connection and

126
00:06:01,880 --> 00:06:04,279
Speaker 1: then miss on the opportunity and sit here and make

127
00:06:04,320 --> 00:06:07,640
Speaker 1: pennies on the dollar. No, but I think that I'm

128
00:06:07,640 --> 00:06:09,840
Speaker 1: a millionaire. But I get what you're saying. What he's

129
00:06:09,839 --> 00:06:11,760
Speaker 1: saying is he rather be like man to man. He

130
00:06:11,800 --> 00:06:14,120
Speaker 1: doesn't want to say like, my mom told me that

131
00:06:14,160 --> 00:06:16,280
Speaker 1: I should touch with you. Okay, so you're gonna come

132
00:06:16,279 --> 00:06:18,000
Speaker 1: face to face with him. Hey, by the way, you

133
00:06:18,040 --> 00:06:19,760
Speaker 1: know my mom. You're still going to use your mom

134
00:06:19,800 --> 00:06:21,760
Speaker 1: as a as a baseline no matter what. But just

135
00:06:21,839 --> 00:06:25,240
Speaker 1: opening with that is so it's opening with it face

136
00:06:25,279 --> 00:06:27,880
Speaker 1: to face or opening it in an email face to face.

137
00:06:28,880 --> 00:06:30,880
Speaker 1: So you are more brave to go to a guy

138
00:06:30,920 --> 00:06:33,039
Speaker 1: and go, hey, you know my mom, as opposed to

139
00:06:33,040 --> 00:06:35,440
Speaker 1: typing in an email and being scared to send the email.

140
00:06:35,560 --> 00:06:37,960
Speaker 1: But yet you have the confidence to do because if

141
00:06:37,960 --> 00:06:40,120
Speaker 1: I send, if I get an email from somebody saying, hey,

142
00:06:40,440 --> 00:06:43,760
Speaker 1: my mom knows you, I'm gonna be like right, yes,

143
00:06:44,680 --> 00:06:47,360
Speaker 1: and Parson, I'm like, hey, it's awkward. You know my

144
00:06:47,400 --> 00:06:50,679
Speaker 1: mom actually works for your dad, Like I didn't realize

145
00:06:50,680 --> 00:06:52,520
Speaker 1: that we had this connection in person would be so

146
00:06:52,560 --> 00:06:55,080
Speaker 1: much less awkward. That's right, because you can make it

147
00:06:55,160 --> 00:06:57,360
Speaker 1: less awkward in person. But over an email. They read

148
00:06:57,400 --> 00:07:00,240
Speaker 1: it as they want. What does this person do? Works

149
00:07:00,240 --> 00:07:04,360
Speaker 1: for some production company? Okay they do like the company, No, no, no,

150
00:07:04,400 --> 00:07:07,720
Speaker 1: they do like the video production for all the like

151
00:07:07,960 --> 00:07:11,520
Speaker 1: the I Hearty Music Awards. Right, they do that, all right.

152
00:07:11,560 --> 00:07:13,240
Speaker 1: So so I'm like trying to learn that side of

153
00:07:13,240 --> 00:07:15,000
Speaker 1: the business as well. Well, let's play it out. What's

154
00:07:15,040 --> 00:07:18,200
Speaker 1: this guy's name? Uh? I don't Robert something? All right?

155
00:07:18,240 --> 00:07:26,040
Speaker 1: So Robert Robert? Right now, Robert, thank you for taking

156
00:07:26,080 --> 00:07:31,400
Speaker 1: my call. So it's only sound effect that so, so hi, Robert.

157
00:07:31,440 --> 00:07:35,120
Speaker 1: Let's I would like to talk to you. You'll be Robert.

158
00:07:35,200 --> 00:07:38,600
Speaker 1: Okay a wait, so do you want a kid? That's

159
00:07:38,600 --> 00:07:41,160
Speaker 1: a sound effect? That's a song? That sound Jake, that's

160
00:07:41,160 --> 00:07:43,840
Speaker 1: a song. And now we don't play songs on the podcast,

161
00:07:43,920 --> 00:07:47,160
Speaker 1: really play sound effects. Jake, sleep deprived, great tea is

162
00:07:47,240 --> 00:07:49,240
Speaker 1: a little bit annoying. It Okay, I'm sorry, Okay, go

163
00:07:49,280 --> 00:07:51,880
Speaker 1: ahead ahead, we're gonna replay this. But the phone rings

164
00:07:52,160 --> 00:07:57,240
Speaker 1: rings playing Robert Jake playing himself. Okay, you're ready, I'm Robert. Okay,

165
00:07:57,440 --> 00:08:00,280
Speaker 1: hello Robert speaking? Wait, why am I call him? He

166
00:08:00,280 --> 00:08:02,480
Speaker 1: doesn't know who I am? What I'm not going to

167
00:08:02,600 --> 00:08:04,680
Speaker 1: just call him out of the blue. You're not going

168
00:08:04,720 --> 00:08:06,120
Speaker 1: to touch with the guy, so you're gonna have to

169
00:08:06,120 --> 00:08:07,880
Speaker 1: email him. So you're not gonna send him any you

170
00:08:07,880 --> 00:08:10,480
Speaker 1: don't know, I have to send him if you don't

171
00:08:10,480 --> 00:08:12,239
Speaker 1: want to respond. You don't want to send an email,

172
00:08:12,800 --> 00:08:14,640
Speaker 1: you don't want to call him. I want to, but

173
00:08:14,720 --> 00:08:16,120
Speaker 1: yet you want to come face to face. If you

174
00:08:16,160 --> 00:08:17,640
Speaker 1: come face to face with a guy and saying hey,

175
00:08:17,640 --> 00:08:18,840
Speaker 1: by the way, you know my mom in that your

176
00:08:18,880 --> 00:08:21,360
Speaker 1: opening line, I would consider you a creep. Yeah, you're

177
00:08:21,440 --> 00:08:25,560
Speaker 1: totally creep. No exactly, so I haven't sorry, Oh my god,

178
00:08:26,040 --> 00:08:31,720
Speaker 1: have to sleep this morning starts. I'm going to sleep

179
00:08:31,720 --> 00:08:33,600
Speaker 1: on your desk, Tony Jeames. What are you really going

180
00:08:33,640 --> 00:08:35,320
Speaker 1: to sleep on your desk? I am going to sleep

181
00:08:35,600 --> 00:08:37,920
Speaker 1: so uncomfortable. You know what the problem is? Your garret?

182
00:08:37,920 --> 00:08:40,280
Speaker 1: When I hit this other one, the fifteen minute morning

183
00:08:40,320 --> 00:08:44,079
Speaker 1: show time time lapse, it reset again. Like I said,

184
00:08:44,520 --> 00:08:47,560
Speaker 1: so you screwed everything. You cannot have too many? Now

185
00:08:48,240 --> 00:08:50,320
Speaker 1: what do we do? You have to figure out fifteen minutes?

186
00:08:50,440 --> 00:08:51,920
Speaker 1: How am I going to figure that out? I don't know.

187
00:08:51,960 --> 00:08:54,160
Speaker 1: You have to restart it? No, you don't, well, how

188
00:08:54,200 --> 00:08:55,880
Speaker 1: else would you do? I'm restarting it? Now, what are

189
00:08:55,880 --> 00:08:57,840
Speaker 1: we gonna do? All right, so it started all over again. No,

190
00:08:57,920 --> 00:09:00,560
Speaker 1: you can't start all overhead, But why think we're about

191
00:09:00,559 --> 00:09:03,000
Speaker 1: eight minutes in? We were about that time. This is

192
00:09:03,000 --> 00:09:05,520
Speaker 1: a good representation of your life today. What it is

193
00:09:05,559 --> 00:09:09,599
Speaker 1: you're all over the miss? What's the word? Um? I

194
00:09:09,640 --> 00:09:14,600
Speaker 1: don't know. Look now now we can play the music though.

195
00:09:15,440 --> 00:09:20,920
Speaker 1: Oh yeah, what's yawn name? My name is Jane. You

196
00:09:20,960 --> 00:09:23,520
Speaker 1: did it on purpose in morning show? You can get

197
00:09:23,520 --> 00:09:29,400
Speaker 1: the music back. Oh, fifteen minute morning show. Oh yawn bomb,

198
00:09:30,480 --> 00:09:34,320
Speaker 1: yaw bomb, fifteen minute morning show. I can't wait till

199
00:09:34,320 --> 00:09:35,600
Speaker 1: you get it. I'm gonna be in the same time

200
00:09:35,640 --> 00:09:38,000
Speaker 1: you are. This is fun, Jake, Who are you talking to?

201
00:09:38,200 --> 00:09:40,360
Speaker 1: Jake's talking about He's trying to get in here yet

202
00:09:40,480 --> 00:09:44,480
Speaker 1: somebody coming out here? Okay, mo Bounce is here and

203
00:09:44,600 --> 00:09:48,559
Speaker 1: Mo Bounce want to use the studio? Yo? Mo bounce?

204
00:09:49,080 --> 00:09:51,280
Speaker 1: Mo alright? Bound, keep on talking? Why I try to

205
00:09:51,280 --> 00:09:53,720
Speaker 1: figure out how much time we have? No? Come on now?

206
00:09:55,240 --> 00:09:59,199
Speaker 1: Why is already walking past? Hello? There's your other friend. Look, look,

207
00:09:59,280 --> 00:10:03,679
Speaker 1: Jake looks friend Deanna the friend. She loves hang out here,

208
00:10:03,720 --> 00:10:05,559
Speaker 1: loves to come happening. That's the nice thing about being

209
00:10:05,559 --> 00:10:10,839
Speaker 1: in the hang out. Dianna loves to come up here

210
00:10:10,840 --> 00:10:14,480
Speaker 1: and hang out. She cannot resist herself. She did you

211
00:10:15,080 --> 00:10:17,280
Speaker 1: coming up to hang out here if you were somebody else?

212
00:10:17,320 --> 00:10:20,120
Speaker 1: Oh my god, she can. She just loves you. You're

213
00:10:20,160 --> 00:10:22,880
Speaker 1: just such a fun human. Yeah right, She's like, Wow,

214
00:10:22,920 --> 00:10:24,960
Speaker 1: I need my daily dose of Greg t today. Here's

215
00:10:25,000 --> 00:10:28,920
Speaker 1: the thing about this place before, there's a thing about

216
00:10:28,920 --> 00:10:30,720
Speaker 1: this place. Four minutes the only time and out. So

217
00:10:30,760 --> 00:10:35,120
Speaker 1: if I have a minute and a half left, so

218
00:10:35,480 --> 00:10:40,080
Speaker 1: I goes to a one right, and then if I

219
00:10:40,120 --> 00:10:42,920
Speaker 1: have is that what you're saying to me? You're you're

220
00:10:43,000 --> 00:10:46,200
Speaker 1: the numbers guy. You're you are the rain man of numbers.

221
00:10:46,200 --> 00:10:49,120
Speaker 1: I'm telling you you've got now. You probably have three minutes. Okay,

222
00:10:49,160 --> 00:10:53,360
Speaker 1: ready from now now it's three minutes. Okay, So I'm

223
00:10:53,400 --> 00:10:54,960
Speaker 1: watching the clock. I gotta now I know exactly how

224
00:10:55,000 --> 00:10:57,240
Speaker 1: much time for three minutes and then I'll reset the

225
00:10:57,360 --> 00:10:58,880
Speaker 1: sound and I'll bring it back up and they believe

226
00:10:58,920 --> 00:11:00,520
Speaker 1: it though I messed it up. I have as a

227
00:11:00,520 --> 00:11:02,960
Speaker 1: different sound at the end. Can you go and order Jake?

228
00:11:03,520 --> 00:11:05,800
Speaker 1: What's your order? Jake? This is a podcast. Okay, people

229
00:11:05,840 --> 00:11:09,600
Speaker 1: are listening, and you cannot just remember you were saying.

230
00:11:09,640 --> 00:11:12,600
Speaker 1: Now you're talking about time. What are we saying? You know, Garrett,

231
00:11:12,600 --> 00:11:23,120
Speaker 1: these kids today, they millennials, Jake, you're all we we

232
00:11:23,240 --> 00:11:26,240
Speaker 1: now we've already used seconds because they're wasting my time.

233
00:11:26,280 --> 00:11:27,920
Speaker 1: So I wanted to say to people, is that people

234
00:11:27,920 --> 00:11:29,960
Speaker 1: don't know, is that we have. We have certain people

235
00:11:30,000 --> 00:11:33,719
Speaker 1: that were interns here, right, and then they their internship

236
00:11:34,080 --> 00:11:36,880
Speaker 1: is over and they're supposed to go, like leave, leave, leave,

237
00:11:37,120 --> 00:11:39,319
Speaker 1: And there's still some interns that love to come back

238
00:11:39,360 --> 00:11:41,200
Speaker 1: and hang out. They want to come back here and

239
00:11:41,240 --> 00:11:45,439
Speaker 1: hang out, but they work here. Yeah, she works here now, right,

240
00:11:45,640 --> 00:11:48,280
Speaker 1: but now she can't stay in her own department. She

241
00:11:48,559 --> 00:11:50,400
Speaker 1: likes to come up here and be a part of

242
00:11:50,440 --> 00:11:52,960
Speaker 1: everything up here all the time. So she's here all

243
00:11:52,960 --> 00:11:55,520
Speaker 1: the time. Maybe if you weren't so fun, people wouldn't

244
00:11:55,520 --> 00:11:58,760
Speaker 1: come up here. I was, and Diamond, Diamond now our

245
00:11:58,800 --> 00:12:01,400
Speaker 1: new phone producer. She has walked past the window now

246
00:12:01,520 --> 00:12:03,880
Speaker 1: like six times. Why is she walking past the window

247
00:12:03,960 --> 00:12:05,800
Speaker 1: six times? She wants to be a part of this.

248
00:12:05,800 --> 00:12:08,240
Speaker 1: This is the problem about city. Want of this cake,

249
00:12:08,640 --> 00:12:11,680
Speaker 1: A piece of this cake, Like right now, I would

250
00:12:11,760 --> 00:12:15,839
Speaker 1: want to play cake by the ocean, play this cake

251
00:12:15,880 --> 00:12:18,199
Speaker 1: by the ocean sound effect. I can't stop the time.

252
00:12:18,320 --> 00:12:20,520
Speaker 1: What if you just call it a sound effect? That's

253
00:12:20,559 --> 00:12:22,439
Speaker 1: what I would do. I would call him a sound effect.

254
00:12:22,520 --> 00:12:24,240
Speaker 1: But it's not a sound effect. Though. You're gonna get

255
00:12:24,240 --> 00:12:26,520
Speaker 1: seating and like, no, I swear it sound effect. I

256
00:12:26,520 --> 00:12:32,920
Speaker 1: will say something. Your your bob trending. All right, listen

257
00:12:32,920 --> 00:12:34,800
Speaker 1: real quick. I do want to show you one thing

258
00:12:34,960 --> 00:12:36,920
Speaker 1: what I think we can do to get around it right,

259
00:12:36,960 --> 00:12:41,160
Speaker 1: to get around the music's aspect of things. This is

260
00:12:41,200 --> 00:12:43,360
Speaker 1: I'm telling you this really works. You're gonna sing it. No,

261
00:12:43,400 --> 00:12:45,200
Speaker 1: I'm not gonna sing it, You're gonna play You're playing

262
00:12:45,200 --> 00:12:47,959
Speaker 1: it off the phone doesn't make it. No, no, no,

263
00:12:48,240 --> 00:12:50,800
Speaker 1: let's stop with that. Was that? That was oh, yesterday's

264
00:12:50,800 --> 00:12:53,440
Speaker 1: podcast about Garrett sant I had a hangover and I didn't,

265
00:12:53,640 --> 00:12:55,720
Speaker 1: but I wanted to show you hold on a second, wait, wait, wait,

266
00:12:55,840 --> 00:12:57,040
Speaker 1: this is for real. That is how you're gonna get

267
00:12:57,040 --> 00:12:58,840
Speaker 1: around it. As soon as I find it, I'm gonna

268
00:12:58,840 --> 00:13:00,080
Speaker 1: call it up and then you're gonna be like, oh

269
00:13:00,120 --> 00:13:02,880
Speaker 1: my god, he's right. Okay. So let's say we want

270
00:13:02,920 --> 00:13:05,120
Speaker 1: to play a song right now, right right? Okay? So

271
00:13:05,160 --> 00:13:08,160
Speaker 1: I found music that nobody is ever gonna hear or

272
00:13:08,200 --> 00:13:11,240
Speaker 1: know about, and nobody's ever going to report us if

273
00:13:11,400 --> 00:13:17,000
Speaker 1: you play foreign music with foreign voice like music. Yeah,

274
00:13:17,000 --> 00:13:19,040
Speaker 1: but it's like on YouTube, they're never gonna know. So

275
00:13:19,080 --> 00:13:21,720
Speaker 1: this song is called there's like this is called Buba.

276
00:13:22,040 --> 00:13:29,079
Speaker 1: It's an Italian song called Bubap. Listen. This is great

277
00:13:29,200 --> 00:13:34,840
Speaker 1: but still music, yes, still owned. There's no record label

278
00:13:34,880 --> 00:13:36,400
Speaker 1: here United States. It's gonna tell us no, wee in

279
00:13:36,440 --> 00:13:40,200
Speaker 1: trouble but Italy. That's why they have robots that catch

280
00:13:40,280 --> 00:13:42,880
Speaker 1: your stuff. It just happened. You're playing it out of

281
00:13:42,960 --> 00:13:49,400
Speaker 1: the the I Heart app. I'm remixing it. There's no

282
00:13:49,480 --> 00:13:55,480
Speaker 1: bad No, it's Italian because you speak Italians. No, but

283
00:13:55,559 --> 00:13:58,880
Speaker 1: it sounds good. And how much time we have? Look, oh,

284
00:13:58,960 --> 00:14:01,200
Speaker 1: it's worth about that time. We are about that time.

285
00:14:01,240 --> 00:14:04,800
Speaker 1: I'm not kidding. Were podcast no lie, Noah, this is

286
00:14:04,840 --> 00:14:06,520
Speaker 1: at the time where the music was good. Come back

287
00:14:06,559 --> 00:14:08,280
Speaker 1: up and then we would let us know that it's

288
00:14:08,280 --> 00:14:11,480
Speaker 1: about over. Okay, bye, I'm gonna I'm doing it. That's

289
00:14:11,480 --> 00:14:13,960
Speaker 1: exactly what I'm doing right now. Listen. I hope that

290
00:14:14,000 --> 00:14:16,120
Speaker 1: you ladies and gentlemen, h and boys and girls that

291
00:14:16,160 --> 00:14:18,160
Speaker 1: are listening right now. I hope that you really enjoyed

292
00:14:18,160 --> 00:14:21,040
Speaker 1: this fought in this podcast and all this fodder that

293
00:14:21,120 --> 00:14:23,560
Speaker 1: we had tons o see the music is coming on,

294
00:14:24,000 --> 00:14:28,360
Speaker 1: see lots of fodder, not farder fadder. Thanks for great

295
00:14:28,400 --> 00:14:31,560
Speaker 1: advice today and then help me to batch it so.

296
00:14:31,680 --> 00:14:34,080
Speaker 1: Thank you listening to the teammate of Morning show. But

297
00:14:34,080 --> 00:14:35,480
Speaker 1: how do we get to the part where it's out

298
00:14:35,520 --> 00:14:38,160
Speaker 1: you just let it go? No, you know, figure it out.

299
00:14:38,200 --> 00:14:45,840
Speaker 1: I can't get to that part, slopp Okay, this has

300
00:14:45,840 --> 00:14:48,960
Speaker 1: been a morn to shop. Great tea. That's Garrett's Jake Peace.

301
00:14:49,000 --> 00:14:53,520
Speaker 1: We out we out, we out low bounce need the studio,

302
00:14:53,800 --> 00:14:58,280
Speaker 1: We out we out. There's our friends in the other studio. Okay,

303
00:14:58,320 --> 00:15:03,560
Speaker 1: I'm out bye this one