1 00:00:00,160 --> 00:00:03,840 Speaker 1: This episode is also available as video on YouTube. You 2 00:00:03,880 --> 00:00:06,440 Speaker 1: can visit Norah Jones channel and be sure to subscribe 3 00:00:06,440 --> 00:00:09,159 Speaker 1: while you're there. Hey, I'm Norah Jones and today I'm 4 00:00:09,160 --> 00:00:18,439 Speaker 1: playing along with Lucious. I'm just playing Louy. I'm just 5 00:00:18,600 --> 00:00:27,000 Speaker 1: playing lone Uzy. Hey, I'm Norah Jones with me. Here 6 00:00:27,200 --> 00:00:28,000 Speaker 1: is Sarah Oda. 7 00:00:28,240 --> 00:00:28,560 Speaker 2: Hello? 8 00:00:28,880 --> 00:00:29,080 Speaker 3: Hi? 9 00:00:29,280 --> 00:00:33,240 Speaker 1: How are you good? How are you? Can't complain really 10 00:00:34,760 --> 00:00:35,559 Speaker 1: about anything? 11 00:00:35,840 --> 00:00:41,400 Speaker 4: No, because we had an awesome episode today, Yes with 12 00:00:41,760 --> 00:00:45,400 Speaker 4: singer songwriters Jess Wolf and Holly Lessig, the duo leading 13 00:00:45,520 --> 00:00:47,440 Speaker 4: the band Lucious Lucious. 14 00:00:47,479 --> 00:00:50,720 Speaker 1: I just want to say it over and over, Lucious Lucious. 15 00:00:52,120 --> 00:00:57,160 Speaker 4: They are Grammy nominated artists known for their signature harmonies Lucious, 16 00:00:57,200 --> 00:00:58,080 Speaker 4: Are you quite finished? 17 00:00:58,080 --> 00:01:02,600 Speaker 1: I'm sorry? Go ahead, And they. 18 00:01:02,440 --> 00:01:06,440 Speaker 4: Are highly sought after collaborators, contributing vocals and songs to 19 00:01:06,480 --> 00:01:11,560 Speaker 4: projects by Brandy Carlyle, Roger Waters, The War on Drugs, 20 00:01:11,640 --> 00:01:16,080 Speaker 4: Harry Styles, and many more. Like everybody wants to sing 21 00:01:16,120 --> 00:01:16,399 Speaker 4: with them? 22 00:01:16,959 --> 00:01:19,720 Speaker 1: Yeah, they're everywhere they do. They pop up in a 23 00:01:19,760 --> 00:01:22,880 Speaker 1: lot of places. They are beloved, They're amazing. 24 00:01:24,360 --> 00:01:26,240 Speaker 4: In this episode, you're going to hear how they kind 25 00:01:26,240 --> 00:01:29,360 Speaker 4: of approach songwriting as a duo, and how they are 26 00:01:29,520 --> 00:01:33,119 Speaker 4: creative partners, and how they arrange their harmonies whenever they 27 00:01:33,120 --> 00:01:34,240 Speaker 4: work on new music. 28 00:01:34,400 --> 00:01:38,320 Speaker 1: It's a very unique partnership. I've never really seen anyone 29 00:01:39,440 --> 00:01:43,240 Speaker 1: who sings together like this, and they've been together for 30 00:01:43,280 --> 00:01:46,959 Speaker 1: so long, and they just they sound so amazing together. 31 00:01:47,240 --> 00:01:50,240 Speaker 4: Yeah, it's like they share a brain, or they share 32 00:01:50,280 --> 00:01:51,360 Speaker 4: two brains. 33 00:01:51,600 --> 00:01:53,400 Speaker 1: Or a set of lungs. 34 00:01:53,720 --> 00:01:54,320 Speaker 4: All the things. 35 00:01:56,160 --> 00:01:59,560 Speaker 1: You know, They're very distinct individuals, but somehow when they 36 00:02:00,160 --> 00:02:03,840 Speaker 1: together musically, it's just it's a very special collaboration. 37 00:02:04,160 --> 00:02:07,800 Speaker 4: They just know what to do. Yeah, you're gonna hear 38 00:02:08,040 --> 00:02:12,680 Speaker 4: reimagined versions of songs from across their catalog. And also 39 00:02:12,800 --> 00:02:16,119 Speaker 4: maybe you also will cry like I did. 40 00:02:16,400 --> 00:02:18,160 Speaker 1: Yeah, I cried rehearsing for it. 41 00:02:19,200 --> 00:02:19,600 Speaker 2: Yeah. 42 00:02:19,760 --> 00:02:26,720 Speaker 1: Yeah, you'll see emotions. You'll hear emotions. Please enjoy this 43 00:02:26,800 --> 00:02:31,880 Speaker 1: episode with the Lovely Ladies of Lucius. 44 00:02:33,800 --> 00:02:37,120 Speaker 5: I hope I didn't let you down. 45 00:02:39,080 --> 00:02:42,280 Speaker 6: Because it's too late to make a change. 46 00:02:44,360 --> 00:02:51,040 Speaker 7: You lived a hundred lives before me, so self involved 47 00:02:51,200 --> 00:02:54,799 Speaker 7: things that I could hold that way. 48 00:02:55,560 --> 00:03:02,640 Speaker 8: Like a mother to them all, with your arms stretched open. 49 00:03:03,200 --> 00:03:07,480 Speaker 9: Why, I'll hope you hear that. 50 00:03:07,840 --> 00:03:09,240 Speaker 3: Livin. Let's call. 51 00:03:12,040 --> 00:03:15,120 Speaker 5: I hope they're letting you inside. 52 00:03:17,000 --> 00:03:40,360 Speaker 3: Mm hmmm, you. 53 00:03:40,400 --> 00:03:47,960 Speaker 10: Look good like a mom with all that sunshine on 54 00:03:48,240 --> 00:03:49,040 Speaker 10: your face. 55 00:03:51,320 --> 00:03:57,760 Speaker 11: I'll let you sit there without talking. You let me 56 00:03:57,880 --> 00:04:03,440 Speaker 11: sit there in your shape, let. 57 00:04:03,280 --> 00:04:09,080 Speaker 10: Me dream about the future, all the. 58 00:04:08,960 --> 00:04:11,440 Speaker 12: Plans we had to me. 59 00:04:14,040 --> 00:04:20,280 Speaker 9: I hope I'm wrong about the afternoon and these are 60 00:04:20,440 --> 00:04:24,240 Speaker 9: not youri fiedly. 61 00:04:27,680 --> 00:04:40,279 Speaker 10: Cosail fight. I could, I did have you said it died, 62 00:04:41,000 --> 00:04:43,800 Speaker 10: I couldn't. I did have. 63 00:04:49,920 --> 00:04:54,240 Speaker 5: So said it's wait, you want your paradise. 64 00:04:55,320 --> 00:04:56,599 Speaker 2: I didn't have f. 65 00:04:58,600 --> 00:04:59,320 Speaker 3: Just did not. 66 00:05:02,720 --> 00:05:06,200 Speaker 5: Yeah I did, I did have the. 67 00:05:10,440 --> 00:05:11,400 Speaker 1: World will go on. 68 00:05:11,839 --> 00:05:19,560 Speaker 9: Spinning another day and another see. 69 00:05:21,120 --> 00:05:25,240 Speaker 5: I'll be lefting just memory. 70 00:05:26,880 --> 00:05:29,960 Speaker 6: Yesterday it would be dream. 71 00:05:32,400 --> 00:05:33,360 Speaker 10: How you can. 72 00:05:33,400 --> 00:05:34,600 Speaker 2: Not the fall. 73 00:05:37,960 --> 00:05:45,520 Speaker 6: O the seas empty sky space you live from. 74 00:05:48,920 --> 00:05:50,599 Speaker 12: That we don't have to see? 75 00:05:51,440 --> 00:05:53,800 Speaker 3: Goodbye? 76 00:05:56,720 --> 00:06:02,039 Speaker 13: Could sad fright? But I could and I didn't ever 77 00:06:08,040 --> 00:06:10,719 Speaker 13: I said died, I could. 78 00:06:11,600 --> 00:06:13,520 Speaker 2: I did never. 79 00:06:19,200 --> 00:06:23,600 Speaker 5: So said it's way you won't to paradise. 80 00:06:25,000 --> 00:06:33,400 Speaker 14: Did never hat did not so said its way you 81 00:06:33,440 --> 00:06:40,320 Speaker 14: won't to paradise. Didn't never so like just did not 82 00:06:40,960 --> 00:06:42,039 Speaker 14: see crime. 83 00:06:43,960 --> 00:07:02,280 Speaker 3: Yeah it did not? Did never cool? 84 00:07:07,560 --> 00:07:09,760 Speaker 5: That was awesome, It was great, That felt great. 85 00:07:09,960 --> 00:07:14,000 Speaker 1: Yeah, God, you're so powerful not bad for ten in 86 00:07:14,040 --> 00:07:15,920 Speaker 1: the morning. Huh, amazing. 87 00:07:18,000 --> 00:07:19,200 Speaker 5: I can't believe you saying like that. 88 00:07:19,320 --> 00:07:25,200 Speaker 1: It's great, incredible, Thank you. I love that songs. It 89 00:07:25,360 --> 00:07:28,080 Speaker 1: is really it's epic. It's a journey. 90 00:07:28,600 --> 00:07:31,000 Speaker 12: Yeah, it sort of started the whole record that song. 91 00:07:31,200 --> 00:07:32,040 Speaker 1: It is a yeah. 92 00:07:32,360 --> 00:07:36,520 Speaker 15: Yeah, Holly had a tree in her backyard. You want 93 00:07:36,560 --> 00:07:38,840 Speaker 15: to tell the story, Yeah, I had it. 94 00:07:39,000 --> 00:07:40,360 Speaker 12: We had when we had bought our house. 95 00:07:40,400 --> 00:07:43,240 Speaker 16: We had like these two huge we called them dinosaur trees, 96 00:07:43,280 --> 00:07:45,120 Speaker 16: like on either side of the property, and that was 97 00:07:45,200 --> 00:07:46,840 Speaker 16: kind of part of the big part of the reason 98 00:07:46,880 --> 00:07:47,880 Speaker 16: why we bought the house. 99 00:07:47,960 --> 00:07:50,440 Speaker 12: And then one of them died and then the other 100 00:07:50,560 --> 00:07:51,680 Speaker 12: one had to be. 101 00:07:51,720 --> 00:07:53,560 Speaker 16: Cut down because it also got sick and it was 102 00:07:53,640 --> 00:07:56,680 Speaker 16: becoming a safety hazard to the houses around it. So 103 00:07:56,720 --> 00:07:59,240 Speaker 16: I was sitting outside the day before she had to 104 00:07:59,240 --> 00:08:02,760 Speaker 16: get cut down, just looking at this tree, being like, oh, no, 105 00:08:03,040 --> 00:08:03,760 Speaker 16: she doesn't. 106 00:08:03,480 --> 00:08:04,119 Speaker 12: Know what's coming. 107 00:08:04,280 --> 00:08:08,640 Speaker 16: And that's kind of like where sad where the song started. 108 00:08:08,880 --> 00:08:10,080 Speaker 1: Wow, it's beautiful. 109 00:08:10,880 --> 00:08:11,640 Speaker 2: I love that. 110 00:08:13,400 --> 00:08:15,800 Speaker 1: Because you think it's about something else, maybe that's not 111 00:08:15,880 --> 00:08:17,360 Speaker 1: where you would go with it. 112 00:08:17,720 --> 00:08:17,920 Speaker 8: Yeah. 113 00:08:18,000 --> 00:08:23,200 Speaker 15: Simultaneously, our guitar player was losing his mom and we 114 00:08:23,360 --> 00:08:26,880 Speaker 15: had both suffered miscarriages, and there was a lot going 115 00:08:26,960 --> 00:08:30,280 Speaker 15: on in our lives in that moment and it and. 116 00:08:30,400 --> 00:08:34,920 Speaker 1: It sort of was connective choose like a symbol for 117 00:08:35,000 --> 00:08:35,640 Speaker 1: a lot of things. 118 00:08:35,840 --> 00:08:36,080 Speaker 3: Yeah. 119 00:08:36,200 --> 00:08:40,480 Speaker 1: Yeah, that's really beautiful. It's nice to have music, I think, 120 00:08:40,600 --> 00:08:43,920 Speaker 1: to put all that into for sure. 121 00:08:44,080 --> 00:08:46,400 Speaker 12: And sometimes you don't even realize it in the moment. 122 00:08:47,080 --> 00:08:49,559 Speaker 15: You know, you once the song is done or a 123 00:08:49,600 --> 00:08:52,200 Speaker 15: collection of songs is done, you look and you're like, oh, wow, 124 00:08:52,320 --> 00:08:54,800 Speaker 15: I really this is this is what I was living. 125 00:08:55,360 --> 00:08:58,600 Speaker 1: I agree, I agree with that. I have that same thing. Yeah. Yeah, 126 00:08:58,679 --> 00:09:00,920 Speaker 1: you go back and you're like, holy, that's really how 127 00:09:01,000 --> 00:09:01,720 Speaker 1: it right. 128 00:09:01,880 --> 00:09:02,080 Speaker 2: Yeah. 129 00:09:02,480 --> 00:09:05,800 Speaker 15: And also because I don't know, at least for us, 130 00:09:06,720 --> 00:09:09,640 Speaker 15: when you set out to write about a specific thing, 131 00:09:09,760 --> 00:09:13,120 Speaker 15: it's usually not never what you yeah, what you hope 132 00:09:13,120 --> 00:09:14,160 Speaker 15: it would know. 133 00:09:14,720 --> 00:09:17,839 Speaker 1: It's always the ones that just just come to you. 134 00:09:18,000 --> 00:09:18,200 Speaker 2: Yeah. 135 00:09:18,240 --> 00:09:21,120 Speaker 1: Unfortunately you just can't control it the way you want. 136 00:09:21,320 --> 00:09:21,520 Speaker 2: Yeah. 137 00:09:22,080 --> 00:09:25,960 Speaker 1: Yeah, how do you guys write like historically? 138 00:09:26,280 --> 00:09:26,480 Speaker 3: Now? 139 00:09:27,120 --> 00:09:31,680 Speaker 1: Has it changed? No, it's pretty much. I mean there's 140 00:09:31,760 --> 00:09:32,880 Speaker 1: no real. 141 00:09:34,480 --> 00:09:36,160 Speaker 11: Order to it. 142 00:09:36,400 --> 00:09:41,360 Speaker 15: I mean as a specifically, yeah, yeah, I mean one 143 00:09:41,440 --> 00:09:44,160 Speaker 15: of us might have a lyrical idea or a melodic 144 00:09:44,240 --> 00:09:48,040 Speaker 15: idea and the other sort of fills in the gap 145 00:09:49,320 --> 00:09:52,360 Speaker 15: or we'll start from scratch together. For this record, we 146 00:09:52,440 --> 00:09:55,280 Speaker 15: actually several of the songs we wrote in the studio 147 00:09:55,360 --> 00:09:57,880 Speaker 15: with Danny kind of building tracks as we were writing. 148 00:09:57,920 --> 00:09:59,439 Speaker 1: Which was that the first time you've done that? 149 00:09:59,640 --> 00:09:59,840 Speaker 3: Yeah? 150 00:10:00,200 --> 00:10:04,920 Speaker 12: Really yeah for the most part, and that was really Yeah. 151 00:10:04,960 --> 00:10:07,839 Speaker 15: It was just fun because you could build, you know, 152 00:10:07,920 --> 00:10:11,520 Speaker 15: a sonic world as you're building this sort of this 153 00:10:11,720 --> 00:10:15,760 Speaker 15: sort of spirit and ethos of the song. But there's 154 00:10:15,840 --> 00:10:18,320 Speaker 15: not really a formula, I mean, other than just six 155 00:10:18,400 --> 00:10:20,080 Speaker 15: setting aside time. 156 00:10:20,280 --> 00:10:23,599 Speaker 1: Yeah, which now is harder with kids, right, yeah, but 157 00:10:24,559 --> 00:10:26,640 Speaker 1: we do it. I mean, you can't be on the 158 00:10:26,640 --> 00:10:29,240 Speaker 1: bathtub really, yeah. If I'm in the bathtub, that's when 159 00:10:29,520 --> 00:10:34,280 Speaker 1: I have should when they're little, they're in the bathroom 160 00:10:34,320 --> 00:10:36,240 Speaker 1: with you, exactly. 161 00:10:36,720 --> 00:10:36,920 Speaker 3: Yeah. 162 00:10:38,720 --> 00:10:41,440 Speaker 12: Yeah, we we are good about setting the time though. 163 00:10:42,000 --> 00:10:43,160 Speaker 1: That's good because we can't. 164 00:10:43,160 --> 00:10:45,240 Speaker 15: We're not the type of people who can write from 165 00:10:45,240 --> 00:10:47,199 Speaker 15: the road. I don't know how people do that. No 166 00:10:47,559 --> 00:10:51,200 Speaker 15: interesting compartmentalizing, Yeah, I know what you mean. 167 00:10:52,080 --> 00:10:55,440 Speaker 1: I just we can't always even before kids, like yeah, 168 00:10:55,480 --> 00:10:56,240 Speaker 1: it's always been like that. 169 00:10:56,280 --> 00:10:58,640 Speaker 15: It's always been like that. Not that we wouldn't collect. 170 00:10:58,960 --> 00:11:02,880 Speaker 15: We always collect, like voice memos and you know, journal 171 00:11:03,080 --> 00:11:06,200 Speaker 15: entries or whatever, but not yeah, not sitting down to write. 172 00:11:06,320 --> 00:11:07,840 Speaker 15: We tried and it didn't work. 173 00:11:07,960 --> 00:11:10,839 Speaker 1: Yeah, there's two different modes. 174 00:11:10,920 --> 00:11:11,120 Speaker 16: Yeah. 175 00:11:11,320 --> 00:11:14,559 Speaker 1: Yeah, So this album is you all self produced it 176 00:11:14,720 --> 00:11:18,560 Speaker 1: with your band? Yeah, Danny our drummer. Can you tell 177 00:11:18,640 --> 00:11:21,480 Speaker 1: me about your band, because it's a real band. It's 178 00:11:21,559 --> 00:11:24,920 Speaker 1: not just me too, Yes, it's a real family, right 179 00:11:25,160 --> 00:11:26,040 Speaker 1: like collective. 180 00:11:26,400 --> 00:11:30,360 Speaker 12: Yeah, it's us and Pete and Danny. We've been together. 181 00:11:30,400 --> 00:11:35,320 Speaker 16: I mean, Jess and I started Lucious God like twenty 182 00:11:35,440 --> 00:11:39,199 Speaker 16: years ago really, yeah, and then we moved and we 183 00:11:39,280 --> 00:11:40,920 Speaker 16: were in Boston at the time. We moved to New 184 00:11:41,000 --> 00:11:42,679 Speaker 16: York and that's when we kind of linked up with 185 00:11:42,760 --> 00:11:45,520 Speaker 16: Pete and Danny and put out Wilder Woman and all 186 00:11:45,600 --> 00:11:50,920 Speaker 16: the records and Wilder Woman we did mostly ourselves too, 187 00:11:51,800 --> 00:11:54,920 Speaker 16: and then we worked with other producers and collaborated with 188 00:11:55,120 --> 00:11:57,600 Speaker 16: other writers, even on the last record. 189 00:11:58,400 --> 00:12:00,120 Speaker 12: And for this one, it felt like we want it 190 00:12:00,240 --> 00:12:04,640 Speaker 12: to come back to ourselves. Yeah, ourselves and just working 191 00:12:04,720 --> 00:12:06,080 Speaker 12: with the guys again in a room. 192 00:12:06,360 --> 00:12:10,120 Speaker 15: And Danny and Pete are longtime collaborators before knowing us 193 00:12:10,360 --> 00:12:12,520 Speaker 15: as well, so they were in a band called Elizabeth 194 00:12:12,559 --> 00:12:16,760 Speaker 15: and the Catapult who was you know, like they did 195 00:12:16,800 --> 00:12:19,160 Speaker 15: a lot, and Elizabeth is actually still doing a lot, 196 00:12:19,360 --> 00:12:21,719 Speaker 15: but they each in their own time sort of part 197 00:12:21,760 --> 00:12:27,000 Speaker 15: of ways from that. And Danny and I used to 198 00:12:27,040 --> 00:12:30,160 Speaker 15: be married, so we started working with him when we 199 00:12:30,240 --> 00:12:34,000 Speaker 15: were first dating, and he brought Pete into the mix 200 00:12:34,760 --> 00:12:37,400 Speaker 15: and then yeah, yeah wild. 201 00:12:39,200 --> 00:12:40,199 Speaker 12: And we're still doing it. 202 00:12:40,360 --> 00:12:46,120 Speaker 1: That's great, drama free actually, yeah. I love the new 203 00:12:46,160 --> 00:12:46,920 Speaker 1: album so much. 204 00:12:47,080 --> 00:12:48,559 Speaker 12: Thank you, beautiful, thank you. 205 00:12:48,720 --> 00:12:52,280 Speaker 1: I remember when I first saw you at that festival 206 00:12:52,760 --> 00:12:59,000 Speaker 1: and who's this, you know, and Sasha my bandmates, Oh 207 00:12:59,080 --> 00:13:02,760 Speaker 1: my god, you're gonna and you had on the outfits 208 00:13:03,400 --> 00:13:06,400 Speaker 1: and I was like, they look so cool. It's been 209 00:13:06,480 --> 00:13:09,840 Speaker 1: sort of my dream always to dress like that on stage. 210 00:13:10,520 --> 00:13:13,000 Speaker 1: But I think because I started out a little more 211 00:13:13,520 --> 00:13:17,319 Speaker 1: just myself, I've never been able to transition to that. 212 00:13:17,520 --> 00:13:20,160 Speaker 1: You know. It's hard to like start without it and 213 00:13:20,240 --> 00:13:22,439 Speaker 1: then add it. Yeah, so you can do it. I 214 00:13:22,480 --> 00:13:28,480 Speaker 1: don't know, man, I don't know, but it's amazing, whole vibe. 215 00:13:29,320 --> 00:13:30,959 Speaker 2: Well we do. 216 00:13:31,080 --> 00:13:33,600 Speaker 12: We dressed exactly like and you have the same hair 217 00:13:33,760 --> 00:13:37,240 Speaker 12: on stage, yeah, and I mean we That's the problem 218 00:13:37,240 --> 00:13:40,800 Speaker 12: when you start with it, you can't Yeah, you can't 219 00:13:40,920 --> 00:13:41,319 Speaker 12: undo it. 220 00:13:41,880 --> 00:13:42,920 Speaker 1: People expect it now. 221 00:13:42,960 --> 00:13:44,720 Speaker 15: I mean at the time, you know, we couldn't afford 222 00:13:44,760 --> 00:13:48,920 Speaker 15: a set and so it was like an automatic set piece, 223 00:13:49,040 --> 00:13:51,360 Speaker 15: and they really show up to a festival and people like, 224 00:13:51,840 --> 00:13:54,679 Speaker 15: who's that because it's sort of weird. 225 00:13:56,480 --> 00:14:01,560 Speaker 12: They either think that we're lovers or sisters or sisters. 226 00:14:01,800 --> 00:14:07,080 Speaker 15: Yeah, it sort of helped, you know, solidify a visual 227 00:14:07,520 --> 00:14:10,880 Speaker 15: connect people to us, or at least build a curiosity. 228 00:14:11,280 --> 00:14:14,640 Speaker 1: It really is a thing, but it's such a cool 229 00:14:14,720 --> 00:14:18,040 Speaker 1: thing then and then when you open your mouth, I 230 00:14:18,120 --> 00:14:20,160 Speaker 1: mean it's just like, oh, none of that matters because 231 00:14:20,200 --> 00:14:23,680 Speaker 1: you're amazing. But when you put it all together, it's 232 00:14:23,800 --> 00:14:27,160 Speaker 1: just so cool to have that. I think it's really special. 233 00:14:28,000 --> 00:14:30,840 Speaker 15: It helps us like get in our uniform and if 234 00:14:30,920 --> 00:14:33,000 Speaker 15: we're you know, having a long day and we're tired, 235 00:14:33,120 --> 00:14:36,280 Speaker 15: like we automatically are sort of transported and hoping other 236 00:14:36,360 --> 00:14:38,960 Speaker 15: people when they look at us and when they hear 237 00:14:39,120 --> 00:14:40,880 Speaker 15: us are seeing one unit. 238 00:14:41,120 --> 00:14:43,840 Speaker 12: What did you see the other day on TikTok oh? 239 00:14:44,160 --> 00:14:47,720 Speaker 16: I saw one of those like those videos we're just like, 240 00:14:48,120 --> 00:14:51,240 Speaker 16: make it from twenty sixteen, make up from twenty twenty five, 241 00:14:51,480 --> 00:14:52,160 Speaker 16: and I. 242 00:14:52,240 --> 00:14:54,720 Speaker 12: Send it to Jes I was like, are we twenty sixteen. 243 00:14:57,680 --> 00:15:00,120 Speaker 16: Probably it're gonna be those old ladies, like still in 244 00:15:00,240 --> 00:15:01,280 Speaker 16: the same make up routine. 245 00:15:01,480 --> 00:15:04,160 Speaker 1: Yeah, yeah, I wait, I think I'm a little older 246 00:15:04,200 --> 00:15:07,080 Speaker 1: than you. Just wait, I can't even believe it. I 247 00:15:07,280 --> 00:15:14,120 Speaker 1: feel so old lately, it's insane. We're embracing. Yeah, it's hello, 248 00:15:14,520 --> 00:15:17,600 Speaker 1: you know, it's what it is. Yeah, yeah, I mean 249 00:15:17,760 --> 00:15:23,640 Speaker 1: we're fabulous. Okay, Hey, it's fine. Eventually twenty sixteen will 250 00:15:23,680 --> 00:15:27,920 Speaker 1: be back. That's exactly what I right now, just working 251 00:15:28,040 --> 00:15:30,360 Speaker 1: for me, right, just stick just stick with it. 252 00:15:30,960 --> 00:15:32,680 Speaker 12: It'll come back around every exactly. 253 00:15:34,000 --> 00:15:36,360 Speaker 1: Do you want to try another song from the new album? Yeah, 254 00:15:36,600 --> 00:15:38,840 Speaker 1: you want to try a borderline? Yeah, I just really 255 00:15:38,920 --> 00:15:41,640 Speaker 1: love this one. It's always funny seeing how new songs 256 00:15:41,960 --> 00:15:46,320 Speaker 1: come alive, which ones sometimes don't want to work. Yes, yes, 257 00:15:46,920 --> 00:15:50,320 Speaker 1: it this works working, and then you find it. 258 00:15:50,720 --> 00:15:50,960 Speaker 12: Yeah. 259 00:15:51,600 --> 00:15:51,840 Speaker 1: Yeah. 260 00:15:52,400 --> 00:15:54,000 Speaker 16: We've had a couple of songs like that, even on 261 00:15:54,080 --> 00:15:57,200 Speaker 16: past records that we couldn't figure out for entire tours. 262 00:15:57,280 --> 00:15:59,440 Speaker 16: And then like like when we did the Wild Woman 263 00:15:59,520 --> 00:16:02,800 Speaker 16: Reunion and finally figured out hatter Ring after. 264 00:16:02,680 --> 00:16:04,920 Speaker 12: A decade, Yeah, we could not do it. 265 00:16:05,080 --> 00:16:09,720 Speaker 15: Yeah, in the early days, and actually there's a lot 266 00:16:09,800 --> 00:16:12,800 Speaker 15: of songs that were you know, for whatever reason on 267 00:16:13,000 --> 00:16:16,040 Speaker 15: record feel really fun and lively and maybe are even 268 00:16:16,120 --> 00:16:21,200 Speaker 15: the single, and then we just can't we can't figure. 269 00:16:20,960 --> 00:16:21,440 Speaker 1: It out live. 270 00:16:21,640 --> 00:16:24,200 Speaker 12: Yeah, like it just doesn't land for some reason. 271 00:16:24,360 --> 00:16:25,400 Speaker 1: Can't weird chemistry? 272 00:16:25,600 --> 00:16:29,040 Speaker 12: Yeah, yeah, I guess you can't control it. 273 00:16:29,240 --> 00:16:30,240 Speaker 1: No, you can't control it. 274 00:16:30,400 --> 00:16:32,440 Speaker 12: Although labels haven't been very happy. 275 00:16:49,840 --> 00:16:50,400 Speaker 3: Maybe and. 276 00:16:54,000 --> 00:17:01,160 Speaker 6: We'll be starting on the other side. 277 00:17:01,760 --> 00:17:11,320 Speaker 17: You walk the line, no kind line looking over your shoulder. 278 00:17:14,840 --> 00:17:34,680 Speaker 17: You only find what you're trying to have. Even when 279 00:17:35,000 --> 00:17:46,160 Speaker 17: you say that it's a trying to conlave me to find. 280 00:17:48,680 --> 00:17:51,679 Speaker 17: I can't see that border life. 281 00:18:00,119 --> 00:18:11,800 Speaker 18: Maybe in time, when hell freezes old, I'll be surprised. 282 00:18:12,119 --> 00:18:17,440 Speaker 6: You'll be satispy, Honey, I'm tired. 283 00:18:20,080 --> 00:18:29,480 Speaker 17: Looking for the oldly, the one that I would recognize. 284 00:18:45,160 --> 00:18:50,920 Speaker 6: H even say that it's all over. 285 00:18:54,040 --> 00:18:59,320 Speaker 10: Trying to convince me to find. 286 00:19:02,160 --> 00:19:05,359 Speaker 6: I can't see that border land. 287 00:19:21,160 --> 00:19:48,320 Speaker 2: O wen't see that. 288 00:19:48,800 --> 00:19:54,240 Speaker 3: It's so change. 289 00:19:54,640 --> 00:19:59,000 Speaker 10: You convince me to fine. 290 00:20:01,560 --> 00:20:05,159 Speaker 6: I can see that God, and. 291 00:20:08,600 --> 00:20:25,440 Speaker 3: Every time, every time, if time. 292 00:20:40,800 --> 00:20:47,280 Speaker 15: M hm, I was a little jingle jangly Withammarine, but. 293 00:20:48,480 --> 00:20:54,199 Speaker 1: I thought that was beautiful. Yeah, I'm sure no phones 294 00:20:54,320 --> 00:20:58,080 Speaker 1: is easier to blend vocally mostly Yeah, yeah, I mean, 295 00:20:58,160 --> 00:21:00,240 Speaker 1: I'm sure you're used to everything now at this point, 296 00:21:00,280 --> 00:21:03,359 Speaker 1: but how did you find each other? How did you 297 00:21:03,680 --> 00:21:07,840 Speaker 1: find that you can do this as such a tight unit? 298 00:21:08,240 --> 00:21:09,840 Speaker 1: Singing it's such a thing, you know. 299 00:21:10,600 --> 00:21:12,360 Speaker 12: I think that the singing together. 300 00:21:13,720 --> 00:21:17,200 Speaker 1: Was a happy accident, like we both wanted to be. 301 00:21:17,440 --> 00:21:18,200 Speaker 12: We met at school. 302 00:21:18,320 --> 00:21:22,119 Speaker 15: We met it at Berkeley in Boston, and over you 303 00:21:22,200 --> 00:21:25,840 Speaker 15: know there there weren't so many ladies at Berkeley, so 304 00:21:25,960 --> 00:21:31,200 Speaker 15: we had a very tight little girl group and over 305 00:21:31,560 --> 00:21:33,120 Speaker 15: wine one night, I don't know, a couple of years 306 00:21:33,119 --> 00:21:37,119 Speaker 15: into school, we were talking about our influences, our musical influences, 307 00:21:37,240 --> 00:21:41,880 Speaker 15: and we decided we were going to do a white 308 00:21:42,040 --> 00:21:44,960 Speaker 15: album cover show, but like a girl group style white album. 309 00:21:45,640 --> 00:21:46,480 Speaker 1: What a cool idea. 310 00:21:46,840 --> 00:21:51,440 Speaker 15: We've never done it, but we did get together and 311 00:21:51,680 --> 00:21:54,880 Speaker 15: talk and brainstorm and we started rearranging Happiness Is Warm 312 00:21:54,960 --> 00:21:57,320 Speaker 15: Gun and then we were just like, let's just write 313 00:21:57,320 --> 00:21:58,200 Speaker 15: our own tunes. 314 00:21:58,200 --> 00:22:02,840 Speaker 1: I think Hollie had brought a song. You were already writing, yeah, Holly. 315 00:22:03,080 --> 00:22:07,080 Speaker 15: I wasn't writing a ton, but Holly was writing regularly, 316 00:22:07,200 --> 00:22:10,320 Speaker 15: and I don't know. We got into the studio, probably 317 00:22:10,680 --> 00:22:15,280 Speaker 15: for a class project or something, and then ensemble, Yeah, 318 00:22:16,359 --> 00:22:19,080 Speaker 15: and we both wanted to be lead singers, but we 319 00:22:19,160 --> 00:22:21,680 Speaker 15: wanted to be lead singers together, and we didn't want 320 00:22:21,720 --> 00:22:24,160 Speaker 15: to just sing in harmony. 321 00:22:24,320 --> 00:22:25,399 Speaker 12: And a lot of the. 322 00:22:26,880 --> 00:22:31,760 Speaker 15: Artists that I think resonated for us did double their vocals, 323 00:22:31,840 --> 00:22:35,480 Speaker 15: like Elliott Smith and you know obviously Wall of Sound, 324 00:22:35,520 --> 00:22:40,680 Speaker 15: Phil Spector those recordings all about the doubling vocals. 325 00:22:40,760 --> 00:22:42,920 Speaker 1: But we're like, oh, we can do this live. That's 326 00:22:42,960 --> 00:22:43,400 Speaker 1: so cool. 327 00:22:43,920 --> 00:22:47,720 Speaker 15: So that's kind of where it started. And I would 328 00:22:47,760 --> 00:22:51,320 Speaker 15: say that the mix our vocal sound sort of just 329 00:22:52,280 --> 00:22:54,720 Speaker 15: there was sort of a happy accident. It did just 330 00:22:56,119 --> 00:22:59,920 Speaker 15: become one voice sort of instantaneously. But yeah, we were 331 00:23:00,119 --> 00:23:05,159 Speaker 15: we were lucky. That's really cool. I mean, just to 332 00:23:05,280 --> 00:23:08,360 Speaker 15: want to do that together and so to have done 333 00:23:08,359 --> 00:23:10,960 Speaker 15: it now for so long together. Yeah, and to have 334 00:23:11,160 --> 00:23:15,119 Speaker 15: developed such a sound. And we spent a lot of 335 00:23:15,200 --> 00:23:18,920 Speaker 15: time like nurturing the craft before we got put ourselves 336 00:23:18,960 --> 00:23:22,119 Speaker 15: out there too, I think really yeah, I think we 337 00:23:22,200 --> 00:23:23,639 Speaker 15: were seeing a lot of people lose a lot of 338 00:23:23,680 --> 00:23:28,040 Speaker 15: money on the road before they had anybody showing up 339 00:23:28,080 --> 00:23:31,000 Speaker 15: for them, and we couldn't do that, and we didn't 340 00:23:31,119 --> 00:23:33,240 Speaker 15: know what our sound was yet. And there were a 341 00:23:33,280 --> 00:23:35,920 Speaker 15: lot of artists that we had started listening to Little 342 00:23:36,000 --> 00:23:38,760 Speaker 15: Dragon and Bony Bear and that were coming on the 343 00:23:38,800 --> 00:23:42,840 Speaker 15: scene and we were super excited, I don't. 344 00:23:42,680 --> 00:23:46,560 Speaker 1: Know, just to explore and that's so smart. 345 00:23:46,800 --> 00:23:51,480 Speaker 12: Did a bunch of you know, bar four open mics 346 00:23:51,920 --> 00:23:52,400 Speaker 12: every week. 347 00:23:53,560 --> 00:23:54,520 Speaker 2: It was broken up. 348 00:23:55,280 --> 00:23:57,760 Speaker 1: Yeah, you were here for a long time, okay. 349 00:23:58,119 --> 00:24:01,879 Speaker 15: Yeah, seven years felt like a lot, a lot longer. 350 00:24:01,960 --> 00:24:03,520 Speaker 15: And now almost eight years. 351 00:24:03,560 --> 00:24:05,359 Speaker 1: Yeah, if you're in your twenties, I feel like seven 352 00:24:05,440 --> 00:24:06,240 Speaker 1: years is forever. 353 00:24:06,480 --> 00:24:10,400 Speaker 15: Yeah yeah, and then we now we've been in LA 354 00:24:10,680 --> 00:24:14,080 Speaker 15: for over ten years, so oh wow, yeah, which is 355 00:24:14,480 --> 00:24:15,480 Speaker 15: that feels crazy? 356 00:24:16,040 --> 00:24:17,040 Speaker 1: Yeah, it is crazy. 357 00:24:17,800 --> 00:24:20,280 Speaker 15: We just gave it the time that it needed before 358 00:24:20,359 --> 00:24:22,879 Speaker 15: we really put ourselves out there. And I think that 359 00:24:23,160 --> 00:24:27,320 Speaker 15: that's pretty great. The lack of pressure, but the consistency 360 00:24:27,480 --> 00:24:33,919 Speaker 15: in honing I think was what really helped us find ourselves. 361 00:24:34,160 --> 00:24:38,760 Speaker 1: Well, it's so interesting because you're your voices are so 362 00:24:38,880 --> 00:24:42,080 Speaker 1: beautiful and there's just a thing. You could sing anything 363 00:24:42,160 --> 00:24:44,520 Speaker 1: and it's just the thing. But then the songs are 364 00:24:44,640 --> 00:24:49,359 Speaker 1: so good. I'm really really I think your songwriting is amazing. 365 00:24:49,600 --> 00:24:52,240 Speaker 1: Thank you, and the songs are I'm always like, Damn, 366 00:24:52,320 --> 00:24:55,200 Speaker 1: that's a good song, Damn, that's a good song. 367 00:24:55,520 --> 00:24:55,760 Speaker 3: Damn. 368 00:24:55,800 --> 00:24:57,480 Speaker 1: That's a good song. It's like every one of them. 369 00:24:58,600 --> 00:25:01,879 Speaker 1: So it's so special when everything just comes together, you know. 370 00:25:02,400 --> 00:25:07,960 Speaker 1: So congrats on that. Yeah, it's beautiful. I love this song. 371 00:25:08,240 --> 00:25:10,520 Speaker 1: Two of Us on the Run. This is sort of 372 00:25:11,119 --> 00:25:14,440 Speaker 1: a crowd favorite. You were saying, Yeah, this is off 373 00:25:14,480 --> 00:25:17,959 Speaker 1: Wielded Woman, our first record. Yeah, so it's an oldie 374 00:25:18,080 --> 00:25:19,880 Speaker 1: but a goodie. Do you do it in every show? 375 00:25:20,440 --> 00:25:22,879 Speaker 12: Yeah? Yeah, do you end with it? A lot of 376 00:25:22,960 --> 00:25:23,840 Speaker 12: times we end with it. 377 00:25:24,119 --> 00:25:24,359 Speaker 3: Yeah. 378 00:25:24,840 --> 00:25:28,760 Speaker 16: On our first tours, Like in our first tour cycle 379 00:25:28,840 --> 00:25:31,000 Speaker 16: of our first record, we used to go in the crowd. 380 00:25:31,080 --> 00:25:34,439 Speaker 16: We played a lot of small clubs, and especially when 381 00:25:34,440 --> 00:25:36,359 Speaker 16: we went to Europe and everything was like really small, 382 00:25:36,480 --> 00:25:40,280 Speaker 16: little cool, divy clubs, and would always go into the 383 00:25:40,320 --> 00:25:42,439 Speaker 16: middle of the crowd and do this song. We all 384 00:25:42,440 --> 00:25:44,320 Speaker 16: of us would just go right in the middle, without 385 00:25:44,400 --> 00:25:47,880 Speaker 16: mics or anything at all, Yeah, and just do that song. 386 00:25:48,119 --> 00:25:50,879 Speaker 16: And now it's we do that still sometimes obviously with 387 00:25:52,240 --> 00:25:54,800 Speaker 16: amplification now, but it's it's fun. 388 00:25:54,840 --> 00:25:55,960 Speaker 12: We try and do it when we can. 389 00:25:56,600 --> 00:25:57,160 Speaker 1: That's fun. 390 00:25:57,359 --> 00:25:57,560 Speaker 3: Yeah. 391 00:25:57,800 --> 00:26:00,879 Speaker 1: People cry. Yeah, Well, I had to tell you a 392 00:26:01,000 --> 00:26:03,879 Speaker 1: story yesterday I was going through all the songs. I 393 00:26:03,960 --> 00:26:07,360 Speaker 1: was down here, have my headphones on learning, making sure 394 00:26:07,440 --> 00:26:11,159 Speaker 1: I know them well enough to do this. And I 395 00:26:11,320 --> 00:26:13,639 Speaker 1: got like halfway through this song and I started bawling. 396 00:26:14,160 --> 00:26:20,280 Speaker 1: Oh yeah, oh full disclosure. So I think that means 397 00:26:20,280 --> 00:26:22,560 Speaker 1: I'm going to keep it together today. I already got 398 00:26:22,640 --> 00:26:25,320 Speaker 1: it out, but let it out. There is like such 399 00:26:25,359 --> 00:26:31,800 Speaker 1: an emotion in this this song, and yeah, I get 400 00:26:31,840 --> 00:26:35,280 Speaker 1: why it's a Crawd favorite. Yeah, so that happened. 401 00:26:36,359 --> 00:26:40,360 Speaker 15: Yeah, he cried on stage once during this song. Really, 402 00:26:40,840 --> 00:26:43,320 Speaker 15: it was the first time we played a sold out 403 00:26:45,400 --> 00:26:46,680 Speaker 15: show in your hometown. 404 00:26:47,119 --> 00:26:47,320 Speaker 9: Yeah. 405 00:26:48,000 --> 00:26:50,399 Speaker 16: It wasn't because I was feeling like sentimental. It was 406 00:26:50,440 --> 00:26:52,200 Speaker 16: because it was really incredibly anxious. 407 00:26:52,320 --> 00:26:56,800 Speaker 1: Probably funny you were just thinking about the after show 408 00:26:57,840 --> 00:27:01,840 Speaker 1: everyone judging you hometown shows are impossible. 409 00:27:02,040 --> 00:27:02,240 Speaker 3: Yeah. 410 00:27:02,480 --> 00:27:06,840 Speaker 1: Yeah, where's your hometown Cleveland? Okay? And where's yours? Los Angeles? 411 00:27:07,000 --> 00:27:10,600 Speaker 1: Oh really Okay, so you're kind of back back home now. 412 00:27:11,000 --> 00:27:11,200 Speaker 15: Yeah. 413 00:27:12,240 --> 00:27:14,440 Speaker 1: Yeah, I'm from Dallas and every time I play there, 414 00:27:14,520 --> 00:27:16,600 Speaker 1: I have a panic. I have like a nervous breakdown. Yeah, 415 00:27:16,960 --> 00:27:19,040 Speaker 1: and my mom invites all these people to the show 416 00:27:19,119 --> 00:27:21,440 Speaker 1: that didn't even know about it, that didn't even maybe 417 00:27:21,520 --> 00:27:24,600 Speaker 1: want to come, but she's like invited them. Yeah, it's 418 00:27:24,640 --> 00:27:27,600 Speaker 1: like a whole thing. Well, you know, yeah, you can't 419 00:27:27,640 --> 00:27:30,800 Speaker 1: blame her. No, it's nice, it's very nice. It's just 420 00:27:31,280 --> 00:27:32,959 Speaker 1: it's overwhelming. Yeah, totally. 421 00:27:33,440 --> 00:27:33,640 Speaker 18: Yeah. 422 00:27:33,720 --> 00:27:38,840 Speaker 15: It does sort of stir up, you know, sort of 423 00:27:39,160 --> 00:27:42,440 Speaker 15: feel like you're revisiting yeah. 424 00:27:43,720 --> 00:27:49,960 Speaker 1: Things, totally. Yeah, it like drags your whole childhood. Nobody 425 00:27:50,040 --> 00:27:55,560 Speaker 1: needs to do it now. I love hearing these songs 426 00:27:55,800 --> 00:27:56,160 Speaker 1: this way. 427 00:27:56,359 --> 00:27:56,560 Speaker 4: Yeah. 428 00:27:56,640 --> 00:27:58,880 Speaker 1: Yeah, okay, we don't get to do that. Yeah. Yeah, 429 00:27:59,359 --> 00:28:03,040 Speaker 1: if you're into it's a fun change change up. Do 430 00:28:03,119 --> 00:28:06,320 Speaker 1: you guys play Do you play guitar. 431 00:28:06,240 --> 00:28:07,600 Speaker 12: Or or play keyboards? 432 00:28:07,640 --> 00:28:14,240 Speaker 15: Mostly mostly keys, Yeah, synthesizer or melotron and mogue bass. 433 00:28:14,080 --> 00:28:15,719 Speaker 12: And cool he plays. 434 00:28:16,000 --> 00:28:20,240 Speaker 1: So I knew that you played a lot of sense stuff, 435 00:28:20,240 --> 00:28:21,800 Speaker 1: and I was like, I don't have a big synth 436 00:28:21,880 --> 00:28:24,560 Speaker 1: collection for them. That's why I was gonna. I was 437 00:28:24,600 --> 00:28:26,680 Speaker 1: going to bring something in if you wanted it, But no, 438 00:28:26,800 --> 00:28:29,040 Speaker 1: I like this, Yeah, this is nice. I'm not to 439 00:28:29,119 --> 00:28:32,200 Speaker 1: scent the knowledgeable. I don't know anything about sense I. 440 00:28:32,320 --> 00:28:36,320 Speaker 1: Matt knows a lot, but our engineer, but I was 441 00:28:36,320 --> 00:28:40,040 Speaker 1: going to have him like provide this is this is 442 00:28:40,600 --> 00:28:41,480 Speaker 1: this is so much better. 443 00:28:41,680 --> 00:28:42,520 Speaker 12: Yeah, I like this. 444 00:28:43,040 --> 00:28:44,680 Speaker 1: When you write do you write on keys? 445 00:28:45,200 --> 00:28:48,440 Speaker 12: Mostly. Yeah, some guitar too, okay, but just like for writing, 446 00:28:48,600 --> 00:28:49,480 Speaker 12: not for performance. 447 00:28:50,000 --> 00:28:54,240 Speaker 1: Yeah, yeah, yeah, Well I started playing guitar probably when 448 00:28:54,280 --> 00:28:58,200 Speaker 1: I was twenty five, so yeah, and I still stink, 449 00:28:58,280 --> 00:29:01,560 Speaker 1: but I do it. I've been taking guitar solos live, 450 00:29:01,680 --> 00:29:05,760 Speaker 1: which is it's it's a tight rope walk. I'll tell you. 451 00:29:06,680 --> 00:29:09,160 Speaker 1: Any audience member can tell you. Keeps you feeling alive. 452 00:29:09,440 --> 00:29:10,560 Speaker 1: It's actually really fun. 453 00:29:10,720 --> 00:29:10,920 Speaker 18: Yeah. 454 00:29:11,200 --> 00:29:13,200 Speaker 1: And my bass player plays guitar, so he gives me 455 00:29:13,280 --> 00:29:14,920 Speaker 1: a lesson before the show every night. 456 00:29:15,320 --> 00:29:15,840 Speaker 12: It's awesome. 457 00:29:15,920 --> 00:29:18,280 Speaker 1: Yeah, he's your band now right now it's Brian Blade 458 00:29:18,280 --> 00:29:21,240 Speaker 1: on drums, oh my gosh, and Josh Lutanzian bass. 459 00:29:21,920 --> 00:29:24,560 Speaker 12: Is there anyone nicer than Brian Blade. 460 00:29:24,840 --> 00:29:28,680 Speaker 1: No, No, that's true. I'm such a fan. 461 00:29:28,760 --> 00:29:30,520 Speaker 15: And I used to go to his shows at like 462 00:29:30,680 --> 00:29:32,960 Speaker 15: Smalls and fifty five bar or whenever he was playing 463 00:29:33,000 --> 00:29:33,440 Speaker 15: in New York. 464 00:29:33,560 --> 00:29:36,480 Speaker 1: We probably crossed past, I'm sure. Yeah, and I. 465 00:29:38,520 --> 00:29:39,080 Speaker 12: We did this. 466 00:29:39,400 --> 00:29:40,200 Speaker 1: Joni Mitch the. 467 00:29:42,280 --> 00:29:45,080 Speaker 15: She was getting the Gershwin on her in DC and 468 00:29:45,520 --> 00:29:49,480 Speaker 15: he was in the band, and god, I mean I 469 00:29:49,640 --> 00:29:54,280 Speaker 15: was like starstruck. And he's just as kind as humanly possible. 470 00:29:54,440 --> 00:29:56,040 Speaker 12: Yeah, and just a hero. 471 00:29:56,280 --> 00:29:58,920 Speaker 1: I mean a total legend. Same. My first time I 472 00:29:58,920 --> 00:30:01,480 Speaker 1: saw him play, I was sixteen. We had to see 473 00:30:01,560 --> 00:30:06,600 Speaker 1: him at a jazz club with Josh Redmon, and I've 474 00:30:06,640 --> 00:30:10,480 Speaker 1: been a fan since. Yeah, still a fan. Yeah that 475 00:30:10,720 --> 00:30:13,000 Speaker 1: is That is an awesome band. Yeah, and I have 476 00:30:13,280 --> 00:30:17,480 Speaker 1: Sasha singing, Sasha Dobson and Sammy Stevens. So it's the 477 00:30:17,520 --> 00:30:22,560 Speaker 1: first time I've had real dedicated female harmonies, because everyone 478 00:30:22,600 --> 00:30:24,520 Speaker 1: in my band's always kind of sang and chimed in. 479 00:30:25,320 --> 00:30:28,600 Speaker 1: But to have that strong ooh you know, like yeah, 480 00:30:29,240 --> 00:30:33,040 Speaker 1: it's really fun. Yeah, it's been super fun. 481 00:30:33,400 --> 00:30:33,800 Speaker 2: Awesome. 482 00:30:34,360 --> 00:30:37,200 Speaker 12: That is really cool. We we toured with some of 483 00:30:37,680 --> 00:30:40,000 Speaker 12: people who've played with you, Gus. 484 00:30:40,000 --> 00:30:44,120 Speaker 1: Gus and Joey and Joey Yeah, Gus Cipher and Joey Warnker. 485 00:30:44,760 --> 00:30:46,840 Speaker 1: So you guys did the Roger Waters tour with that. 486 00:30:46,960 --> 00:30:47,160 Speaker 9: Yeah? 487 00:30:47,240 --> 00:30:48,760 Speaker 1: Yeah, was that like years? 488 00:30:49,120 --> 00:30:50,080 Speaker 12: I was like three years. 489 00:30:50,320 --> 00:30:55,000 Speaker 1: That's a lot. Yeah, yeah, that's with Lucious in between, okay, 490 00:30:55,320 --> 00:30:57,440 Speaker 1: but enough breaks to sort of do your own thing, 491 00:30:57,640 --> 00:30:58,320 Speaker 1: yeah sort of. 492 00:30:58,440 --> 00:31:02,200 Speaker 15: But then pandemic hit like the year after, so it 493 00:31:02,360 --> 00:31:06,000 Speaker 15: was sort of elongated time away, gotcha. 494 00:31:06,080 --> 00:31:08,080 Speaker 12: But expected elongated. 495 00:31:09,080 --> 00:31:11,640 Speaker 1: But what an experience to do all those arena tours. 496 00:31:11,760 --> 00:31:12,840 Speaker 12: Oh my god, it was wild. 497 00:31:12,920 --> 00:31:13,680 Speaker 2: It was epic, but. 498 00:31:15,240 --> 00:31:18,480 Speaker 1: With a pretty great group of people. Sounds like like 499 00:31:18,640 --> 00:31:20,440 Speaker 1: a little bit of a family vibes. 500 00:31:20,200 --> 00:31:23,880 Speaker 15: Total absolutely, and we were very adventurous, all of us together. 501 00:31:24,320 --> 00:31:26,560 Speaker 15: I would say that in a unique way that we 502 00:31:26,720 --> 00:31:31,120 Speaker 15: were always looking for things to do and puss to go. 503 00:31:31,400 --> 00:31:34,440 Speaker 1: Yeah, otherwise it gets that's when people get bored when 504 00:31:34,480 --> 00:31:35,560 Speaker 1: they never leave their hotel. 505 00:31:35,880 --> 00:31:37,080 Speaker 12: Well, and a lot of times we were in the 506 00:31:37,120 --> 00:31:38,640 Speaker 12: same city for you know, weeks. 507 00:31:39,120 --> 00:31:41,920 Speaker 16: Really the production was so big it would take a 508 00:31:42,040 --> 00:31:43,840 Speaker 16: long time for the whole thing to travel to the 509 00:31:43,880 --> 00:31:46,280 Speaker 16: next city, so we would have like days off in 510 00:31:46,440 --> 00:31:49,160 Speaker 16: Europe and Wow, Brazil. 511 00:31:48,920 --> 00:31:53,000 Speaker 12: And like all these places, so we would go crazy adventuring. 512 00:31:53,160 --> 00:31:54,520 Speaker 12: It was really cool. 513 00:31:54,640 --> 00:31:55,320 Speaker 1: Yeah, it sounds like it. 514 00:31:55,480 --> 00:31:58,400 Speaker 15: And everybody it's down for the most part, almost always, 515 00:31:58,480 --> 00:32:00,800 Speaker 15: so we really had Yeah, it was a special time. 516 00:32:00,880 --> 00:32:05,040 Speaker 1: That's great. I remember Joey always being pretty down and 517 00:32:05,160 --> 00:32:06,320 Speaker 1: Gus definitely guess. 518 00:32:06,440 --> 00:32:06,640 Speaker 9: Yeah. 519 00:32:06,760 --> 00:32:10,880 Speaker 1: We had a pretty epic Halloween. Once in London. We 520 00:32:10,960 --> 00:32:14,360 Speaker 1: all dressed up and slowly realized that nobody in London 521 00:32:14,480 --> 00:32:18,000 Speaker 1: dresses up, so we're like the only weirdos in town. 522 00:32:18,880 --> 00:32:22,480 Speaker 1: I was dressed like a dead farm boy. Gus was amazing. 523 00:32:22,560 --> 00:32:23,280 Speaker 12: He dressed up. 524 00:32:24,440 --> 00:32:27,000 Speaker 1: He was Sherlock Holmes. Gus was Shorlock Holmes. 525 00:32:27,440 --> 00:32:28,800 Speaker 12: Yes, I could see that. 526 00:32:29,040 --> 00:32:29,800 Speaker 3: It was hilarious. 527 00:32:29,880 --> 00:32:34,000 Speaker 1: And he's like, you know, it's so tall. And Joey 528 00:32:34,160 --> 00:32:36,760 Speaker 1: was a Frenchman and he had a mustache and get 529 00:32:36,840 --> 00:32:40,720 Speaker 1: in like a striped shirt and ay, and I don't 530 00:32:40,760 --> 00:32:42,920 Speaker 1: know what my pictures are, but there's pictures somewhere. We're 531 00:32:42,920 --> 00:32:46,080 Speaker 1: gonna have to show this. And Nigel came and hung out, 532 00:32:46,160 --> 00:32:48,480 Speaker 1: did not dress up of course, of course. Yeah, well 533 00:32:48,760 --> 00:32:51,640 Speaker 1: he's English. Had a great time. 534 00:32:53,440 --> 00:32:55,960 Speaker 12: That's amazing, good times. 535 00:33:09,760 --> 00:33:11,320 Speaker 3: There are two of us on. 536 00:33:11,480 --> 00:33:19,600 Speaker 8: The run, going so fast. Every day we had it's coming, 537 00:33:20,000 --> 00:33:25,280 Speaker 8: unde follow me on with everything left there. 538 00:33:27,440 --> 00:33:31,880 Speaker 3: We held on far too long. 539 00:33:33,960 --> 00:33:37,240 Speaker 6: And now there's so many. 540 00:33:37,080 --> 00:33:38,360 Speaker 5: People on the road. 541 00:33:42,440 --> 00:33:44,040 Speaker 10: They could come along. 542 00:33:44,280 --> 00:33:50,240 Speaker 5: The wish they had been told. They may call it 543 00:33:50,320 --> 00:33:51,640 Speaker 5: a shot in the dark. 544 00:33:53,760 --> 00:33:58,200 Speaker 6: From what we know, it's not under. 545 00:34:00,760 --> 00:34:44,760 Speaker 10: Em story. We sting save slow, favorite parts of milking 546 00:34:49,080 --> 00:34:53,680 Speaker 10: on a mental, parts of love, imparts of mey. 547 00:34:54,280 --> 00:34:58,560 Speaker 5: Soon everything passes from the group. 548 00:35:00,160 --> 00:35:01,560 Speaker 3: Because better like. 549 00:35:03,800 --> 00:35:05,880 Speaker 5: Everything changes. 550 00:35:07,320 --> 00:35:13,840 Speaker 12: So we can waday. 551 00:35:15,400 --> 00:35:22,360 Speaker 2: Story. Uh We. 552 00:35:25,719 --> 00:35:28,560 Speaker 3: So then. 553 00:35:32,640 --> 00:36:05,720 Speaker 9: Said snap, o, there's no Horrist it's only you, Ratna, 554 00:36:05,920 --> 00:36:07,400 Speaker 9: just keep one food. 555 00:36:07,760 --> 00:36:10,759 Speaker 5: Finally, there's Norrist. 556 00:36:10,960 --> 00:36:12,919 Speaker 3: It's only Ronna. 557 00:36:16,520 --> 00:36:19,520 Speaker 6: One, two, three, And even when you get tired to 558 00:36:19,760 --> 00:36:26,200 Speaker 6: skeep one food. Funly, there's no Horrist, no winding inside. 559 00:36:26,320 --> 00:36:27,440 Speaker 3: And the second tu. 560 00:36:27,480 --> 00:36:32,240 Speaker 10: Show win the tutor turn on the lines. 561 00:36:32,400 --> 00:36:39,920 Speaker 8: Save because we are everything weak comedy. 562 00:36:42,880 --> 00:36:47,319 Speaker 6: We're all around, We're on around, We're o roun. 563 00:36:49,960 --> 00:36:52,960 Speaker 5: We got around, we got round. 564 00:36:53,000 --> 00:36:54,440 Speaker 2: We got round. 565 00:36:54,719 --> 00:37:00,960 Speaker 6: Shot Monday. 566 00:37:04,600 --> 00:37:14,960 Speaker 2: Store. We so. 567 00:37:21,560 --> 00:37:32,480 Speaker 13: So stop. 568 00:37:42,480 --> 00:37:43,040 Speaker 3: Something. 569 00:37:43,239 --> 00:37:45,720 Speaker 5: We made something over. 570 00:37:55,040 --> 00:37:58,719 Speaker 1: Wow, this has been so fun. Just a quick question 571 00:37:58,760 --> 00:38:01,680 Speaker 1: about singing. Do you always take the high note chess 572 00:38:02,120 --> 00:38:04,160 Speaker 1: or do you guys switch? You swap all the time. 573 00:38:04,160 --> 00:38:06,759 Speaker 1: I couldn't really focus because I was so focused on 574 00:38:06,840 --> 00:38:09,160 Speaker 1: the piano. You are low and lower on this okay. 575 00:38:09,840 --> 00:38:13,880 Speaker 15: Uh but yeah we are always yeah final days you're 576 00:38:13,960 --> 00:38:18,480 Speaker 15: higher higher, slippity flopping. Yeah, I mean and Dusty we 577 00:38:18,560 --> 00:38:20,080 Speaker 15: switch in the middle. I mean a lot of times 578 00:38:20,160 --> 00:38:22,880 Speaker 15: we'll switch in the middle. I'll take the lower on 579 00:38:23,040 --> 00:38:25,160 Speaker 15: the on the verse and then the higher in the 580 00:38:25,280 --> 00:38:30,600 Speaker 15: chorus because I have more of like a a MASKI 581 00:38:32,080 --> 00:38:37,319 Speaker 15: beltier sound in my upper register, and Holly's got more 582 00:38:37,360 --> 00:38:38,080 Speaker 15: of sort. 583 00:38:37,880 --> 00:38:42,319 Speaker 1: Of like a soprano. Classics Okay, Prano, you just kind 584 00:38:42,360 --> 00:38:44,319 Speaker 1: of swap it up to see what sounds best. 585 00:38:44,760 --> 00:38:48,480 Speaker 12: Yeah, like just for the right sort of dynamic. Yeah, 586 00:38:48,520 --> 00:38:49,040 Speaker 12: that's cool. 587 00:38:49,400 --> 00:38:51,160 Speaker 1: All right. One more dork singer question. 588 00:38:51,320 --> 00:38:55,959 Speaker 15: Yeah, so you broke in our song recently and we're like, wow, 589 00:38:56,480 --> 00:38:58,240 Speaker 15: I thought that's what's happening. 590 00:38:58,320 --> 00:38:58,640 Speaker 12: Okay. 591 00:38:59,800 --> 00:39:01,800 Speaker 1: I'm not a singery singer. I don't think about this 592 00:39:01,840 --> 00:39:04,800 Speaker 1: stuff sometimes, but I think people who listen might be curious. 593 00:39:05,800 --> 00:39:08,239 Speaker 1: Number One, do you like tea? Yes? 594 00:39:08,920 --> 00:39:09,719 Speaker 12: She loves tea. 595 00:39:09,840 --> 00:39:15,600 Speaker 1: Yeah, Ali's coffee. Okay, you're not a tea before you sing? 596 00:39:15,760 --> 00:39:17,920 Speaker 1: Kind of it's not a ritual. 597 00:39:18,680 --> 00:39:21,440 Speaker 12: Well, I'm a tea gal, like I'm dressed in general. 598 00:39:21,600 --> 00:39:26,480 Speaker 15: In general, I've always been iced tea, hot tea, herbal tea, 599 00:39:26,680 --> 00:39:27,640 Speaker 15: all of the teas. 600 00:39:28,520 --> 00:39:31,400 Speaker 12: Occasional tea before singing, but not yeah, not like a 601 00:39:31,840 --> 00:39:32,640 Speaker 12: definite ritual. 602 00:39:32,760 --> 00:39:39,080 Speaker 1: Okay. And do you do warm ups like every single time? 603 00:39:39,640 --> 00:39:44,040 Speaker 1: Not every single time? Interesting, I'm better about it than 604 00:39:44,520 --> 00:39:48,320 Speaker 1: because you're you're singing. I mean, these songs and a 605 00:39:48,400 --> 00:39:52,440 Speaker 1: lot of your material is it's very I would find 606 00:39:52,480 --> 00:39:54,440 Speaker 1: it really difficult without warming up. 607 00:39:54,560 --> 00:39:59,080 Speaker 15: Yeah, I I As I've gotten older, I'm more diligent 608 00:39:59,120 --> 00:40:02,160 Speaker 15: about it because and with lack of sleep with baby, 609 00:40:02,680 --> 00:40:07,000 Speaker 15: I can go horse so I and I am carrying 610 00:40:07,080 --> 00:40:09,640 Speaker 15: like a heavy load with the belting, so I just 611 00:40:10,760 --> 00:40:13,759 Speaker 15: I have to honor that, and I'm pretty good about 612 00:40:13,800 --> 00:40:14,279 Speaker 15: it at least. 613 00:40:14,360 --> 00:40:19,080 Speaker 1: Straw phonation and then always I've never heard that word really, 614 00:40:19,160 --> 00:40:19,360 Speaker 1: you know. 615 00:40:21,480 --> 00:40:24,360 Speaker 15: It's a straw, okay, and in like a cup of 616 00:40:24,440 --> 00:40:27,680 Speaker 15: water and you're basically stretching your vocal cords. 617 00:40:27,680 --> 00:40:30,920 Speaker 1: With the straw in your mouth and you're singing into it. 618 00:40:31,120 --> 00:40:37,520 Speaker 15: It's pretty low impact, but it's yeah, you're not really 619 00:40:37,560 --> 00:40:38,680 Speaker 15: singing into it at first. 620 00:40:38,840 --> 00:40:43,960 Speaker 1: Yeah, at first there's a little bit of uh, vocal 621 00:40:44,040 --> 00:40:45,480 Speaker 1: fry okay, and. 622 00:40:45,560 --> 00:40:49,799 Speaker 12: Then just note you should watch this YouTube video. 623 00:40:50,080 --> 00:40:52,680 Speaker 1: Oh my god, vocal fry. 624 00:40:53,000 --> 00:40:55,960 Speaker 12: Yes, what's the guy's name? He's ad it'll come to me? 625 00:40:56,719 --> 00:40:59,279 Speaker 1: Is he making he's he's being serious about it, right, yeah, 626 00:40:59,520 --> 00:41:02,520 Speaker 1: he's but it's very funny. 627 00:41:05,400 --> 00:41:05,960 Speaker 2: Yeah. I do. 628 00:41:06,239 --> 00:41:09,680 Speaker 15: I have like a I do a warm up usually 629 00:41:09,760 --> 00:41:12,279 Speaker 15: before sound check, and then I do like just a 630 00:41:12,440 --> 00:41:15,680 Speaker 15: really quick warm up before the show, and then like 631 00:41:15,800 --> 00:41:18,080 Speaker 15: a seven minute ritual after the show. 632 00:41:18,280 --> 00:41:21,439 Speaker 1: You do warm always warm down. 633 00:41:21,600 --> 00:41:24,280 Speaker 15: I've never done that, okay, I think that's what saves 634 00:41:24,360 --> 00:41:27,879 Speaker 15: me more than anything really, Yes, okay, and I think 635 00:41:28,400 --> 00:41:31,920 Speaker 15: especially before talking to people, oh smart, because the talking 636 00:41:32,080 --> 00:41:33,759 Speaker 15: is what really wears me out. 637 00:41:34,000 --> 00:41:38,279 Speaker 1: Yeah. Bars are off limits on absolutely. Yeah, and I 638 00:41:38,640 --> 00:41:44,000 Speaker 1: almost never drink loud. That's great. Yeah, restaurants are impossible, yes. 639 00:41:44,440 --> 00:41:47,440 Speaker 12: Yes, that's why, like sushi usually works out. 640 00:41:47,560 --> 00:41:48,200 Speaker 1: It's quiet. 641 00:41:49,200 --> 00:41:51,840 Speaker 16: We used to sell our own merch after all of 642 00:41:51,920 --> 00:41:54,400 Speaker 16: our shows and that killed me the first. 643 00:41:54,840 --> 00:41:56,319 Speaker 1: Just talking to everybody. Yeah. 644 00:41:57,480 --> 00:42:03,880 Speaker 12: Interesting, yeah, yeah, I mean considering how much we did it, but. 645 00:42:04,040 --> 00:42:04,920 Speaker 1: We couldn't do that now. 646 00:42:05,160 --> 00:42:07,279 Speaker 12: Yeah, it's a lot, it's a lot. 647 00:42:08,040 --> 00:42:10,560 Speaker 1: Well, it's all a lot. And you're going on tour. 648 00:42:11,000 --> 00:42:12,600 Speaker 1: Are you going to do a big tour this year 649 00:42:12,680 --> 00:42:13,680 Speaker 1: for the new album? Yeah. 650 00:42:13,719 --> 00:42:16,359 Speaker 12: We just got off our first leg and that was great. 651 00:42:16,520 --> 00:42:18,160 Speaker 1: And you're bringing all the kids and then we have 652 00:42:19,320 --> 00:42:26,040 Speaker 1: two of three, Holly's youngest and my baby, and that's 653 00:42:26,200 --> 00:42:30,200 Speaker 1: fun and also a lot all of the things. 654 00:42:30,280 --> 00:42:32,080 Speaker 12: Yeah, it's all mostly sweet. 655 00:42:32,360 --> 00:42:35,319 Speaker 1: Yeah, No, it's great, but you just you're multitasking your 656 00:42:35,360 --> 00:42:35,839 Speaker 1: butts off. 657 00:42:36,239 --> 00:42:36,479 Speaker 2: Yeah. 658 00:42:36,840 --> 00:42:38,120 Speaker 1: The hard heart is just sleep. 659 00:42:38,200 --> 00:42:40,759 Speaker 12: Honestly, sleep is what kills your. 660 00:42:40,719 --> 00:42:41,839 Speaker 1: Voice, the lack of sleep. 661 00:42:42,040 --> 00:42:47,319 Speaker 15: So but he's such a good, happy boy and it's 662 00:42:47,800 --> 00:42:49,840 Speaker 15: so nice to have them around. 663 00:42:50,320 --> 00:42:52,040 Speaker 1: It's fun to have them together, and they're going to 664 00:42:52,080 --> 00:42:54,719 Speaker 1: grow up together, and yeah, it's a really special thing. 665 00:42:54,960 --> 00:42:55,200 Speaker 16: Yeah. 666 00:42:55,320 --> 00:42:56,600 Speaker 12: Yeah, it's super sweet. 667 00:42:56,880 --> 00:42:59,279 Speaker 1: And when they get old enough, are you on a bus? 668 00:43:00,560 --> 00:43:03,400 Speaker 1: My kids are obsessed with the bus. The bunks are 669 00:43:03,640 --> 00:43:04,719 Speaker 1: just so fun. 670 00:43:04,800 --> 00:43:12,680 Speaker 15: They sleep pretty well considering. I mean it's like a machine, yeah, exactly. Yeah, 671 00:43:12,719 --> 00:43:13,880 Speaker 15: and it's moving, that's right. 672 00:43:14,640 --> 00:43:15,120 Speaker 2: Mm hmmm. 673 00:43:15,719 --> 00:43:15,919 Speaker 3: Yeah. 674 00:43:16,560 --> 00:43:17,520 Speaker 1: Well, hopefully they. 675 00:43:17,440 --> 00:43:18,680 Speaker 12: Continue to like it, Gus. 676 00:43:19,440 --> 00:43:20,759 Speaker 1: Well, I think if you get them used to it, 677 00:43:20,960 --> 00:43:23,359 Speaker 1: it's like anything. Yeah, it's just going to be the norm. 678 00:43:23,800 --> 00:43:24,040 Speaker 2: Yeah. 679 00:43:24,600 --> 00:43:28,160 Speaker 1: Yeah, Well, I hope you have a great tour. 680 00:43:47,640 --> 00:43:55,640 Speaker 10: Why myvy moment, whyn. 681 00:43:58,640 --> 00:44:12,239 Speaker 6: It's so away, wama a see search for this. 682 00:44:14,440 --> 00:44:20,000 Speaker 2: In the evers and you're way. 683 00:44:35,040 --> 00:44:43,439 Speaker 5: Made me in the place I'm no goodbye, I'll be there. 684 00:44:44,960 --> 00:44:46,160 Speaker 3: You can't miss me. 685 00:44:48,520 --> 00:44:56,560 Speaker 5: Made me in the place I'm no goodbye, I'll. 686 00:44:56,360 --> 00:45:03,000 Speaker 10: Be there, you can't miss me. Woma. 687 00:45:07,160 --> 00:45:13,320 Speaker 6: We wanted two of everything? Or maybe not to this degree? 688 00:45:14,719 --> 00:45:19,640 Speaker 10: Is this the average woman? 689 00:45:24,440 --> 00:45:26,839 Speaker 6: Such a bagful thing to see? 690 00:45:27,760 --> 00:45:49,000 Speaker 10: Beauty is told to crouch me in the club, made 691 00:45:49,080 --> 00:45:57,120 Speaker 10: me in the place, no goodbye, I'll be there. 692 00:45:58,640 --> 00:45:59,759 Speaker 5: You can't miss me. 693 00:46:00,400 --> 00:46:00,759 Speaker 9: M M. 694 00:46:02,160 --> 00:46:10,600 Speaker 5: Meet me in the place no goodbye. I'll be there. 695 00:46:12,080 --> 00:46:13,239 Speaker 3: You can't miss me. 696 00:46:20,760 --> 00:46:27,640 Speaker 2: Ah h. 697 00:46:34,160 --> 00:46:39,400 Speaker 1: H h. 698 00:46:45,880 --> 00:46:47,719 Speaker 3: Leave me out of place. 699 00:46:49,960 --> 00:46:54,359 Speaker 10: A goodbye. I'll be there. 700 00:46:55,920 --> 00:47:01,279 Speaker 2: You can miss me. Lead me in the place. 701 00:47:03,160 --> 00:47:04,480 Speaker 5: Of no goodbye. 702 00:47:07,000 --> 00:47:10,640 Speaker 2: I'll be there. You can't miss me. 703 00:47:13,840 --> 00:47:24,080 Speaker 19: Wama, say God, leave tonight. Don't let me go without 704 00:47:24,360 --> 00:47:28,759 Speaker 19: a fight. You know want stay. 705 00:47:30,960 --> 00:47:31,360 Speaker 10: Wama. 706 00:47:35,040 --> 00:47:35,840 Speaker 3: The cord is. 707 00:47:35,920 --> 00:47:42,400 Speaker 10: Wearing down to nothing, and love is rolling down your face. 708 00:47:44,120 --> 00:47:59,720 Speaker 10: As you floway, as you flo away, as you fly away, 709 00:48:05,000 --> 00:48:26,040 Speaker 10: as you flow, as you flood, as you flood, as 710 00:48:26,160 --> 00:48:41,880 Speaker 10: you flood, as you flood, as you flow away. 711 00:48:47,360 --> 00:48:50,719 Speaker 14: Yeah, you can make you fight. 712 00:48:52,239 --> 00:48:55,200 Speaker 1: Thank you, Thank you so much. I love that song. 713 00:48:56,760 --> 00:49:00,080 Speaker 1: Thanks for joining me. It's really great to hang than 714 00:49:00,480 --> 00:49:04,000 Speaker 1: so nice. Yes yeah yeah, next time a meal or 715 00:49:04,239 --> 00:49:05,000 Speaker 1: something for sure. 716 00:49:05,320 --> 00:49:05,480 Speaker 3: Yeah. 717 00:49:05,560 --> 00:49:07,480 Speaker 1: Yeah, we gotta hang more. Yeah yeah, I'm like, I 718 00:49:07,520 --> 00:49:11,320 Speaker 1: don't know why it took this long. Yeah, it's a pleasure. 719 00:49:11,480 --> 00:49:13,919 Speaker 12: Thank you, thank you, Yeah, thank you, yay yay. 720 00:49:16,080 --> 00:49:19,479 Speaker 1: Oh thanks for joining us. That was fun. God they're great. 721 00:49:19,760 --> 00:49:25,040 Speaker 1: They're so good, amazing, amazing, incredible singers, and it was fun. 722 00:49:25,120 --> 00:49:27,200 Speaker 1: I love their songwriting, don't you. 723 00:49:27,440 --> 00:49:31,320 Speaker 4: Yeah, Like that's why I was crying. I know that 724 00:49:31,640 --> 00:49:33,879 Speaker 4: the third song that was the one that really got 725 00:49:33,960 --> 00:49:34,799 Speaker 4: me Me too. 726 00:49:35,000 --> 00:49:37,239 Speaker 1: Two of Us on the Run Well, the first song 727 00:49:37,320 --> 00:49:40,600 Speaker 1: we did was Final Days from the self titled album Lucius, 728 00:49:40,640 --> 00:49:44,840 Speaker 1: which came out in twenty twenty five. Second song we 729 00:49:44,920 --> 00:49:48,120 Speaker 1: did was called Borderline from that same album. The third 730 00:49:48,280 --> 00:49:51,200 Speaker 1: song where me and Sarah cried it was called Two 731 00:49:51,280 --> 00:49:54,440 Speaker 1: of Us on the Run from Wild a Woman, released 732 00:49:54,440 --> 00:49:59,319 Speaker 1: in twenty thirteen, and the fourth song called Woman from 733 00:49:59,480 --> 00:50:02,719 Speaker 1: Nudes in twenty eighteen. God, I love that song too, 734 00:50:03,480 --> 00:50:06,200 Speaker 1: Woma so powerful. 735 00:50:06,239 --> 00:50:07,560 Speaker 3: I know, It's so good. 736 00:50:09,160 --> 00:50:12,239 Speaker 1: Special thanks to Lucius for joining us today. Thank you, 737 00:50:12,960 --> 00:50:16,800 Speaker 1: and we'll be back next week with my old friend, 738 00:50:16,880 --> 00:50:21,120 Speaker 1: one of my oldest friends and incredible songwriter, Richard Julian. 739 00:50:21,760 --> 00:50:25,520 Speaker 1: Norah Jones is Playing Along. Is a production of iHeart Podcasts. 740 00:50:25,880 --> 00:50:28,799 Speaker 1: I'm your Host Norah Jones. This episode was recorded by 741 00:50:28,840 --> 00:50:32,720 Speaker 1: Matt Marinelli, Video by heck More Media, mixed by Jamie Landry. 742 00:50:33,080 --> 00:50:37,160 Speaker 1: Additional video and video editing by Kay Loggins. Audio post 743 00:50:37,239 --> 00:50:41,200 Speaker 1: production and mastering by Greg Toler. Artwork by Eliza Frye. 744 00:50:41,560 --> 00:50:45,640 Speaker 1: Photography by Shervin Linez. Produced by Norah Jones and Sarah 745 00:50:45,680 --> 00:50:50,560 Speaker 1: Oda Executive producers Aaron Wan Kaufman and Jordan Rentog marketing 746 00:50:50,680 --> 00:50:53,640 Speaker 1: lead Queenankey, thanks for listening.