1 00:00:03,080 --> 00:00:03,720 Speaker 1: And this is. 2 00:00:07,080 --> 00:00:13,160 Speaker 2: All things pop culture and it's news room baby. 3 00:00:13,840 --> 00:00:17,600 Speaker 1: So we are just getting back literally last night. 4 00:00:17,680 --> 00:00:20,920 Speaker 2: I got back from Miami, not my first time in Miami, 5 00:00:21,000 --> 00:00:23,840 Speaker 2: of course, but my first time my art baso, which 6 00:00:23,920 --> 00:00:26,119 Speaker 2: was fire. I so outside of the event that I 7 00:00:26,160 --> 00:00:29,320 Speaker 2: went there to host, which was it was like an 8 00:00:29,560 --> 00:00:31,680 Speaker 2: art like a I was gonna say, like called art Brunch, 9 00:00:31,680 --> 00:00:36,159 Speaker 2: but it was a blend of art, culinary taste, jazz, 10 00:00:37,400 --> 00:00:39,720 Speaker 2: just a lot of good feeling in community put on 11 00:00:39,760 --> 00:00:40,600 Speaker 2: by McDonald's. 12 00:00:40,680 --> 00:00:42,240 Speaker 1: It was called Unk's Art House. 13 00:00:42,520 --> 00:00:44,640 Speaker 2: And the reason why they call it Unk's Art House, 14 00:00:44,680 --> 00:00:48,000 Speaker 2: like the Unk is supposed to represent like you know, 15 00:00:48,040 --> 00:00:50,279 Speaker 2: the og in your family who got you know, all 16 00:00:50,320 --> 00:00:53,120 Speaker 2: the they have all the stories, all of the wisdom, 17 00:00:53,200 --> 00:00:55,480 Speaker 2: all of the jokes. Sometimes a little bit you know, 18 00:00:55,720 --> 00:00:58,200 Speaker 2: jokes a little go a little bit too far, but 19 00:00:58,240 --> 00:01:00,920 Speaker 2: they're just you know, that person that pulled up in 20 00:01:00,960 --> 00:01:03,880 Speaker 2: your family that is all about the family, all about community, 21 00:01:04,000 --> 00:01:06,840 Speaker 2: community and just brings the energy to the group chat, 22 00:01:06,880 --> 00:01:08,520 Speaker 2: brings the energy to the family function. 23 00:01:09,040 --> 00:01:11,560 Speaker 1: And that's what it felt like. We had such a 24 00:01:11,680 --> 00:01:12,720 Speaker 1: great time. 25 00:01:12,760 --> 00:01:15,160 Speaker 2: I really didn't know what to expect walking into it 26 00:01:15,240 --> 00:01:19,200 Speaker 2: because even in like our production prep they didn't really 27 00:01:19,240 --> 00:01:21,640 Speaker 2: tell us too much kind of about you know, what 28 00:01:21,720 --> 00:01:26,760 Speaker 2: to expect. We also throughout the venue there were a 29 00:01:26,840 --> 00:01:30,399 Speaker 2: ton of different black artists that were featured. I just 30 00:01:30,440 --> 00:01:33,520 Speaker 2: want to go through some of the artists because they 31 00:01:33,560 --> 00:01:37,360 Speaker 2: have you know, they partner with Art House Studios. It's 32 00:01:37,600 --> 00:01:41,360 Speaker 2: a R T E H A U s okay. Yeah, 33 00:01:41,400 --> 00:01:44,080 Speaker 2: so it's an art house and then they have art 34 00:01:44,120 --> 00:01:47,400 Speaker 2: House Studios, which is where which is where McDonald's showcased. 35 00:01:47,400 --> 00:01:51,000 Speaker 2: It's thirty incredible artists that they worked with throughout. So 36 00:01:51,040 --> 00:01:53,320 Speaker 2: my event was one event. They had several others. They 37 00:01:53,320 --> 00:01:56,559 Speaker 2: had a comedy show they which was like a comedy show, dinner, 38 00:01:57,120 --> 00:01:59,480 Speaker 2: then my brunch event that I hosted with Domit shouts 39 00:01:59,480 --> 00:02:01,919 Speaker 2: a dome Tu Domity, you guys know him from MTV. 40 00:02:03,240 --> 00:02:06,680 Speaker 2: Chef kwalm Chef Kwime of Tatiana was in the building 41 00:02:06,840 --> 00:02:07,920 Speaker 2: doing like the food. 42 00:02:07,680 --> 00:02:08,760 Speaker 1: Remix for us. 43 00:02:09,120 --> 00:02:11,800 Speaker 2: I got to try Cavyard for the first time. But 44 00:02:11,880 --> 00:02:14,320 Speaker 2: these artists were on display throughout all the events of 45 00:02:14,400 --> 00:02:16,080 Speaker 2: the weekend, So I just wanted to shout out some 46 00:02:16,160 --> 00:02:18,840 Speaker 2: of the artists that were on display. Because the artwork 47 00:02:19,760 --> 00:02:21,960 Speaker 2: all weekend, all of the artwork that I was running 48 00:02:22,000 --> 00:02:24,640 Speaker 2: into and getting a chance to see was just so 49 00:02:24,880 --> 00:02:29,560 Speaker 2: fire Like. I went to the Scope Like exhibit, which 50 00:02:29,600 --> 00:02:32,760 Speaker 2: is actually on South Beach in Miami. I did that 51 00:02:32,840 --> 00:02:35,560 Speaker 2: right before my flight was over because I was like, 52 00:02:35,600 --> 00:02:37,320 Speaker 2: I can't be at art Bizol and not really get 53 00:02:37,360 --> 00:02:39,720 Speaker 2: a chance to like dive into some art exhibits and 54 00:02:40,800 --> 00:02:45,720 Speaker 2: man like the attention to detail and just I don't know, 55 00:02:45,760 --> 00:02:50,079 Speaker 2: like you look at a painting that someone did and 56 00:02:50,400 --> 00:02:52,680 Speaker 2: how detailed it is almost looks like you know, a 57 00:02:52,680 --> 00:02:55,720 Speaker 2: lot of times these these pieces are coming off of 58 00:02:55,760 --> 00:02:59,400 Speaker 2: the canvas literally like you're you're living in this artwork 59 00:02:59,400 --> 00:03:02,880 Speaker 2: that you're looking and it just makes me just I 60 00:03:02,919 --> 00:03:04,840 Speaker 2: remember being in the exhibit being like this is how 61 00:03:04,880 --> 00:03:05,679 Speaker 2: you know God is real? 62 00:03:06,280 --> 00:03:08,240 Speaker 1: Like you can't tell me God is not real. 63 00:03:08,080 --> 00:03:10,959 Speaker 2: Because look at all this creativity, Like where else would 64 00:03:11,040 --> 00:03:11,720 Speaker 2: this flow from? 65 00:03:12,120 --> 00:03:15,640 Speaker 1: But a higher power? Like it makes no sense. 66 00:03:15,919 --> 00:03:18,880 Speaker 2: So some of the artists I wanted to just give 67 00:03:18,919 --> 00:03:24,959 Speaker 2: them a little mentioned Howard D. Simmons was featured, Shannie Crow, 68 00:03:25,760 --> 00:03:28,880 Speaker 2: Reina Norwija Relo. 69 00:03:28,480 --> 00:03:29,240 Speaker 1: Maya Bailey. 70 00:03:30,000 --> 00:03:33,360 Speaker 2: There was a fire Andre three thousand piece. Oh my god, 71 00:03:33,400 --> 00:03:35,880 Speaker 2: this piece is forty thousand dollars. 72 00:03:36,040 --> 00:03:36,520 Speaker 1: Wow. 73 00:03:37,000 --> 00:03:40,440 Speaker 2: So this Andre three thousand art piece of artwork that 74 00:03:40,560 --> 00:03:44,040 Speaker 2: I had seen when I got to our house. It 75 00:03:44,080 --> 00:03:46,920 Speaker 2: was probably like the first It wasn't the first piece 76 00:03:46,960 --> 00:03:48,280 Speaker 2: of art I saw when I walked in, but it 77 00:03:48,320 --> 00:03:49,760 Speaker 2: was the first one that made me stop and be like, 78 00:03:49,800 --> 00:03:52,000 Speaker 2: oh my god, look at this. How did they do this? 79 00:03:52,400 --> 00:03:55,320 Speaker 2: It's forty thousand dollars. It's being commissioned at forty thousand dollars. 80 00:03:55,360 --> 00:03:59,400 Speaker 2: It's called Color in the South. It's by Harold Claudio. 81 00:04:00,280 --> 00:04:02,920 Speaker 2: And there's another one, a Big Boy by Harold Qualdiot 82 00:04:02,920 --> 00:04:05,560 Speaker 2: that is also forty thousand dollars. Oh my god. Then 83 00:04:05,600 --> 00:04:08,120 Speaker 2: there was another you guys got to check out this 84 00:04:08,200 --> 00:04:10,560 Speaker 2: artist as well. Her name is Raina Norwigi. I mentioned 85 00:04:10,560 --> 00:04:11,200 Speaker 2: her earlier. 86 00:04:11,600 --> 00:04:14,360 Speaker 1: She has this painting of it's like a black woman 87 00:04:15,080 --> 00:04:18,080 Speaker 1: like taking over ocean Drive was the energy that I 88 00:04:18,160 --> 00:04:18,640 Speaker 1: got from it. 89 00:04:18,680 --> 00:04:21,360 Speaker 2: The colors are so rich and fine. And she was 90 00:04:21,400 --> 00:04:24,200 Speaker 2: also one of the feature artists. So we're down in 91 00:04:24,240 --> 00:04:26,560 Speaker 2: Miami and South Beach hanging out. Things are going on, 92 00:04:26,640 --> 00:04:28,599 Speaker 2: and it just was a great time. So, you know, 93 00:04:28,760 --> 00:04:32,080 Speaker 2: McDonald's thank you guys for bringing me out. I got 94 00:04:32,080 --> 00:04:35,719 Speaker 2: a chance to, you know, really experience black excellence. 95 00:04:35,720 --> 00:04:35,960 Speaker 1: I don't know. 96 00:04:36,000 --> 00:04:38,080 Speaker 2: People say that and it's like so cliche when people 97 00:04:38,080 --> 00:04:40,560 Speaker 2: say that, but no, I got to really experience it. 98 00:04:40,600 --> 00:04:43,120 Speaker 2: I mean, the best of the best in art. I 99 00:04:43,200 --> 00:04:46,839 Speaker 2: met several entrepreneurs that you know, partner with McDonald's, people 100 00:04:46,920 --> 00:04:49,440 Speaker 2: who don't partner with McDonald's as well to Miss Kathy Hughes. 101 00:04:49,520 --> 00:04:51,200 Speaker 2: I talked about that a bit on The Breakfast Club. 102 00:04:52,040 --> 00:04:54,520 Speaker 2: So great time. Really a great time, and so many 103 00:04:54,560 --> 00:04:56,440 Speaker 2: people support the show on the podcast, So shout out 104 00:04:56,440 --> 00:04:58,839 Speaker 2: to everybody that's listening that traveled from Miami with me 105 00:04:58,880 --> 00:05:01,760 Speaker 2: and are back here for our first episode after Basel, 106 00:05:02,279 --> 00:05:05,040 Speaker 2: so you know, checking it behind the scenes to the grind. 107 00:05:05,120 --> 00:05:10,480 Speaker 2: I'm feeling rejuvenated. I am feeling artistic, like creative. I'm 108 00:05:10,480 --> 00:05:14,279 Speaker 2: feeling like people have so much passion in the things 109 00:05:14,279 --> 00:05:17,560 Speaker 2: that they do, and people are so gifted. I left 110 00:05:17,640 --> 00:05:20,039 Speaker 2: Art Basil feeling like I don't want to waste my 111 00:05:20,120 --> 00:05:22,119 Speaker 2: gift and I want to get out of my own way. 112 00:05:22,480 --> 00:05:23,279 Speaker 1: I don't think I'm. 113 00:05:23,160 --> 00:05:25,400 Speaker 2: In my own way a lot, but there are times 114 00:05:25,400 --> 00:05:28,919 Speaker 2: where like I'm not just I think we all go 115 00:05:29,000 --> 00:05:31,760 Speaker 2: through this as you know, whatever you do, an entrepreneur, 116 00:05:32,040 --> 00:05:35,159 Speaker 2: a career person, a creative a person that doesn't deem 117 00:05:35,200 --> 00:05:37,960 Speaker 2: myself a creative anybody with a goal or something you 118 00:05:37,960 --> 00:05:42,119 Speaker 2: want to achieve, you were always two hundred three hundred 119 00:05:42,160 --> 00:05:46,240 Speaker 2: percent worse on what it is yourself, like critiquing what 120 00:05:46,279 --> 00:05:49,800 Speaker 2: it is that you're actually doing, when like I said, 121 00:05:49,880 --> 00:05:51,200 Speaker 2: I was seeing art this week and I was like, 122 00:05:51,200 --> 00:05:53,520 Speaker 2: this is nothing but God. And if it's if it's 123 00:05:53,560 --> 00:05:56,560 Speaker 2: in you, like it's you know, like it's in you, 124 00:05:56,640 --> 00:05:58,080 Speaker 2: like it's not on you, it's in you. 125 00:05:58,880 --> 00:06:01,160 Speaker 1: All you gotta do is let it out. Just live 126 00:06:01,240 --> 00:06:04,400 Speaker 1: in it, do your thing, do your art, be consistent 127 00:06:04,440 --> 00:06:05,440 Speaker 1: about it, and get out the way. 128 00:06:05,480 --> 00:06:08,640 Speaker 2: That's what I left Art Baso feeling like. So we're 129 00:06:08,720 --> 00:06:11,520 Speaker 2: checking in behind the scenes to the grind. That's where 130 00:06:11,520 --> 00:06:14,279 Speaker 2: I'm at with it, unless get on into the latest. 131 00:06:22,320 --> 00:06:26,640 Speaker 2: So kay Lannie was on the Breakfast Club, and tell y'all, 132 00:06:27,480 --> 00:06:32,360 Speaker 2: kay Lannie made it clear, Okay, it's kay Lannie, not Killannie. 133 00:06:32,560 --> 00:06:34,120 Speaker 1: But she was on the Breakfast Club. 134 00:06:34,160 --> 00:06:37,080 Speaker 2: And you know, I rarely react to our interviews unless 135 00:06:37,080 --> 00:06:38,760 Speaker 2: it was an interview that I feel like was just 136 00:06:38,800 --> 00:06:42,760 Speaker 2: either a really great conversation or there was conversation from 137 00:06:42,760 --> 00:06:45,080 Speaker 2: the interview that I think should continue other places. Now 138 00:06:45,160 --> 00:06:48,880 Speaker 2: let me tell y'all watching kay Lannie grow up in 139 00:06:48,880 --> 00:06:52,839 Speaker 2: front of the camera, because she started so young, like 140 00:06:53,080 --> 00:06:57,000 Speaker 2: I mean, she was seventeen, eighteen years old, you know 141 00:06:58,279 --> 00:07:00,840 Speaker 2: up there the star was out of here. Watching her 142 00:07:00,880 --> 00:07:03,760 Speaker 2: grow up in front of the camera has has been 143 00:07:03,800 --> 00:07:05,600 Speaker 2: one to watch. I will say at certain points it 144 00:07:05,600 --> 00:07:08,040 Speaker 2: has been kind of tough to watch. And we talked about, 145 00:07:08,080 --> 00:07:09,280 Speaker 2: you know, some of the points that I thought were 146 00:07:09,320 --> 00:07:11,640 Speaker 2: kind of tough for her, Like I remember when she 147 00:07:11,720 --> 00:07:16,320 Speaker 2: began having conversations about her sexuality. I remember when you know, 148 00:07:16,480 --> 00:07:18,240 Speaker 2: and this is more recent, but and we talked about 149 00:07:18,240 --> 00:07:22,640 Speaker 2: this as well. I remember when Kaylanie and her child's 150 00:07:22,640 --> 00:07:24,840 Speaker 2: father were going through it, and you know, he accused 151 00:07:24,840 --> 00:07:28,080 Speaker 2: her of being in a cult, and you know, just 152 00:07:28,320 --> 00:07:31,360 Speaker 2: a lot of weird things surrounding their daughter. It was 153 00:07:31,360 --> 00:07:33,880 Speaker 2: pretty tough to watch because I think that Kaylannie, because 154 00:07:33,920 --> 00:07:36,400 Speaker 2: she has grew up in front of the world, grew 155 00:07:36,480 --> 00:07:37,480 Speaker 2: up in front of the camera. 156 00:07:37,880 --> 00:07:42,160 Speaker 1: There have been a lot of moments where and she's 157 00:07:42,200 --> 00:07:42,920 Speaker 1: young too. 158 00:07:42,840 --> 00:07:44,600 Speaker 2: So it's like not only she growing up in front 159 00:07:44,600 --> 00:07:46,680 Speaker 2: of all these things, but I think a lot of 160 00:07:46,680 --> 00:07:49,160 Speaker 2: time with the younger artists, what will happen is or 161 00:07:49,240 --> 00:07:51,520 Speaker 2: just younger people in the spotlight in general. What happens 162 00:07:51,640 --> 00:07:56,200 Speaker 2: is they're online with the fans arguing back and forth. 163 00:07:56,480 --> 00:07:58,200 Speaker 2: So there's been a lot of times where we've seen 164 00:07:58,280 --> 00:08:01,680 Speaker 2: Kaylani have to engage in back and forth online when 165 00:08:01,680 --> 00:08:04,040 Speaker 2: it comes to her and news reported around her, and 166 00:08:04,080 --> 00:08:07,040 Speaker 2: just different things that are happening that you know, I've 167 00:08:07,080 --> 00:08:09,680 Speaker 2: always watched and been like, damn, they push this through 168 00:08:09,680 --> 00:08:12,560 Speaker 2: it like they be putting her through it. And she 169 00:08:12,600 --> 00:08:15,720 Speaker 2: addressed that she talked to us just about what her 170 00:08:15,800 --> 00:08:19,880 Speaker 2: journey has been like over these last you know, a 171 00:08:20,000 --> 00:08:23,200 Speaker 2: couple of years, just figuring out that she needed some 172 00:08:23,240 --> 00:08:27,520 Speaker 2: help dealing with like bipolar disorder and what that really meant. 173 00:08:27,520 --> 00:08:29,640 Speaker 2: And I thought that this part of the interview was 174 00:08:29,920 --> 00:08:32,679 Speaker 2: such a good part of the interview because it was 175 00:08:32,720 --> 00:08:36,400 Speaker 2: so honest about her not even just realizing that there 176 00:08:36,440 --> 00:08:37,560 Speaker 2: was something wrong with her. 177 00:08:38,360 --> 00:08:39,800 Speaker 1: I think the way she spoke. 178 00:08:39,480 --> 00:08:41,240 Speaker 2: About it, because a lot of times when people you know, 179 00:08:41,280 --> 00:08:42,800 Speaker 2: have to come out and say like they're dealing with 180 00:08:42,800 --> 00:08:46,480 Speaker 2: bipolar disorder or whatever, like you know, in our community 181 00:08:46,960 --> 00:08:50,400 Speaker 2: or like just casually socially, when people talk about bipolar 182 00:08:51,600 --> 00:08:53,840 Speaker 2: it's just like, oh, you be moody, like It's almost 183 00:08:53,840 --> 00:08:55,480 Speaker 2: like the running joke, like, yo, she's bipolar. 184 00:08:56,000 --> 00:08:57,359 Speaker 1: So to be an artist. 185 00:08:57,160 --> 00:09:00,959 Speaker 2: That people don't always love to prop up the way 186 00:09:01,000 --> 00:09:03,480 Speaker 2: that they should and then have to, you know, get 187 00:09:03,480 --> 00:09:05,480 Speaker 2: on a platform like the Breakfast Club and be honest 188 00:09:05,520 --> 00:09:08,480 Speaker 2: about some of the moments that we've seen her go through. 189 00:09:08,520 --> 00:09:10,120 Speaker 1: And she even said, like some of the moments she 190 00:09:10,320 --> 00:09:12,800 Speaker 1: was like out of it. Let's say, listen, when did 191 00:09:12,840 --> 00:09:14,920 Speaker 1: you realize I could be that vulnerable? And was it 192 00:09:14,960 --> 00:09:16,600 Speaker 1: a hard line to draw to be like do I 193 00:09:16,640 --> 00:09:17,760 Speaker 1: want to be this vulnerable? 194 00:09:17,760 --> 00:09:19,160 Speaker 3: Do I want to share this experience? 195 00:09:19,400 --> 00:09:23,880 Speaker 4: I think I've always been messally vulnerable, but I grew 196 00:09:23,960 --> 00:09:25,679 Speaker 4: up in front of the world. You know, everybody's been 197 00:09:25,679 --> 00:09:27,880 Speaker 4: seeing me doing interviews like this since I was nineteen 198 00:09:27,920 --> 00:09:30,960 Speaker 4: years old, and I think when you're viewing it on 199 00:09:31,000 --> 00:09:35,000 Speaker 4: the outside, it you kind of timestamp people like artists 200 00:09:35,000 --> 00:09:38,800 Speaker 4: get timestamped and whatever version of themselves stuck out to 201 00:09:38,840 --> 00:09:41,440 Speaker 4: the fan. So there's people who still view me as 202 00:09:41,600 --> 00:09:43,839 Speaker 4: something I went through when I was twenty four, and 203 00:09:43,880 --> 00:09:46,240 Speaker 4: like that's who they'll see me as forever. And when 204 00:09:46,240 --> 00:09:48,400 Speaker 4: you're twenty four at that time, you're also confidently speaking 205 00:09:48,440 --> 00:09:50,040 Speaker 4: in these interviews because You're like this who I am 206 00:09:50,160 --> 00:09:51,600 Speaker 4: right now? And I get it. Then ten years later 207 00:09:51,640 --> 00:09:53,520 Speaker 4: you're like, oh my god, I don't know who that person. 208 00:09:53,600 --> 00:09:55,320 Speaker 4: I mean, it hasn't been ten years for me, but 209 00:09:55,679 --> 00:09:57,280 Speaker 4: I'm thirty now and I'm looking back at things I 210 00:09:57,280 --> 00:09:58,880 Speaker 4: said when I was twenty four to twenty five, even 211 00:09:58,880 --> 00:10:01,480 Speaker 4: twenty seven, and I'm like, yikes, even a year ago, 212 00:10:01,520 --> 00:10:04,679 Speaker 4: I'm like, okay, like growth, I'm different now now. 213 00:10:04,760 --> 00:10:08,080 Speaker 2: Kaylani has said she posted to her x account a 214 00:10:08,120 --> 00:10:10,800 Speaker 2: few hours ago, so this is breaking. She said, this 215 00:10:10,920 --> 00:10:13,600 Speaker 2: is one of the best interviews I've done in ages. 216 00:10:13,880 --> 00:10:14,440 Speaker 1: Check it out. 217 00:10:14,720 --> 00:10:16,400 Speaker 2: And to be honest with you guys, I really think 218 00:10:16,400 --> 00:10:21,200 Speaker 2: it's because so we talked to Kaylanni as the artist, right, 219 00:10:21,240 --> 00:10:22,880 Speaker 2: and when you get to talk about the music and 220 00:10:22,920 --> 00:10:25,960 Speaker 2: the performing and the you know, the microscope. She talked 221 00:10:26,000 --> 00:10:28,679 Speaker 2: about the microscope that she's often under and how that 222 00:10:28,840 --> 00:10:33,000 Speaker 2: is now that she's a mom. But I felt like 223 00:10:33,040 --> 00:10:35,480 Speaker 2: in the interview, Kaylani just was able to talk about 224 00:10:35,480 --> 00:10:37,840 Speaker 2: things that Kaylani was interested in. And I think that's 225 00:10:37,880 --> 00:10:43,040 Speaker 2: the beauty of platforms that champion not just like you know, 226 00:10:44,600 --> 00:10:48,000 Speaker 2: topical things, but people, because she was able to come 227 00:10:48,040 --> 00:10:49,960 Speaker 2: there and just be a person and have a conversation 228 00:10:50,000 --> 00:10:54,040 Speaker 2: about the things that she's indebted to, like things that 229 00:10:54,120 --> 00:10:55,920 Speaker 2: she truly believes in her herd, things that she wants 230 00:10:55,920 --> 00:10:57,400 Speaker 2: to stick up for no matter how much do people 231 00:10:57,480 --> 00:10:57,920 Speaker 2: drag her. 232 00:10:58,120 --> 00:11:00,920 Speaker 1: She got into her poly sign calvern say and kind 233 00:11:00,960 --> 00:11:01,720 Speaker 1: of where that. 234 00:11:01,720 --> 00:11:04,240 Speaker 2: Took her, and then the things that we're taking off 235 00:11:04,280 --> 00:11:07,080 Speaker 2: the table opportunity wise, when she spoke out, I think 236 00:11:07,120 --> 00:11:10,439 Speaker 2: she really just got the the platform in the space. 237 00:11:10,480 --> 00:11:12,440 Speaker 2: And not that you know, I can't speak for other places, 238 00:11:12,480 --> 00:11:15,560 Speaker 2: but I'd watched a lot of her interviews preparing for 239 00:11:15,600 --> 00:11:19,200 Speaker 2: this interview, and ever great think she's very personable. But 240 00:11:19,679 --> 00:11:22,320 Speaker 2: I do think that this interview, it was almost like 241 00:11:23,559 --> 00:11:25,400 Speaker 2: by the time we got to talk about the music 242 00:11:25,440 --> 00:11:27,000 Speaker 2: for real, for real, it was time to go because 243 00:11:27,000 --> 00:11:28,959 Speaker 2: she had somewhere else to go. Because we talked about 244 00:11:29,000 --> 00:11:31,400 Speaker 2: just the world. And I think a lot of times, 245 00:11:31,440 --> 00:11:34,000 Speaker 2: like when you're talking about like art and we were 246 00:11:34,000 --> 00:11:36,480 Speaker 2: just talking about art baso, when you're talking about art 247 00:11:36,559 --> 00:11:40,320 Speaker 2: and artists and creators, I realize that every single time 248 00:11:40,440 --> 00:11:43,760 Speaker 2: I get the opportunity to just like go outside, and 249 00:11:43,800 --> 00:11:45,840 Speaker 2: I don't mean god'side, like we're standing on the couch 250 00:11:45,960 --> 00:11:49,959 Speaker 2: is I mean, like go and like experience life, how 251 00:11:50,080 --> 00:11:53,920 Speaker 2: much more it helps me and refreshes me and you know, 252 00:11:54,360 --> 00:11:55,120 Speaker 2: energizes me. 253 00:11:55,679 --> 00:11:56,760 Speaker 1: But also the. 254 00:11:56,640 --> 00:11:59,480 Speaker 2: More you experience, the more you grow and you learn. 255 00:11:59,679 --> 00:12:02,760 Speaker 2: And then and it's like now your artistic lens and 256 00:12:02,920 --> 00:12:06,240 Speaker 2: you as a person, you're speaking from a different place. 257 00:12:06,320 --> 00:12:08,959 Speaker 2: And I think right now, Caroline and her munch has 258 00:12:09,000 --> 00:12:13,480 Speaker 2: always been great, but I think right now, Kaylani, I 259 00:12:13,520 --> 00:12:14,959 Speaker 2: was gonna say, right now, she has the golden touch, 260 00:12:15,000 --> 00:12:17,280 Speaker 2: but her music has always been good. But I think 261 00:12:17,400 --> 00:12:20,480 Speaker 2: right now what we're seeing with her being able to say, Okay, 262 00:12:20,640 --> 00:12:24,160 Speaker 2: I got my mental and my emotions regulated, here's what 263 00:12:24,160 --> 00:12:25,240 Speaker 2: I'm not going for anymore. 264 00:12:25,280 --> 00:12:27,199 Speaker 1: She came in a room like and it wasn't even 265 00:12:27,240 --> 00:12:28,160 Speaker 1: disrespectful nothing. 266 00:12:28,200 --> 00:12:30,600 Speaker 2: It was just like, yo, I need to create this 267 00:12:30,600 --> 00:12:32,200 Speaker 2: space for myself, and I'm gonna tell y'all this is 268 00:12:32,200 --> 00:12:33,800 Speaker 2: not how you say my name. And I felt her 269 00:12:33,880 --> 00:12:35,679 Speaker 2: because you know, people be calling me everything under son, 270 00:12:35,760 --> 00:12:37,200 Speaker 2: Laura Lauren. 271 00:12:37,360 --> 00:12:40,079 Speaker 1: They be spelling it wrong, and I mean I correct 272 00:12:40,080 --> 00:12:41,040 Speaker 1: people right in the moment. 273 00:12:41,240 --> 00:12:45,440 Speaker 2: But yeah, the energy from the beginning was you know, 274 00:12:45,480 --> 00:12:47,679 Speaker 2: you come into somewhere and light your candles to get 275 00:12:47,840 --> 00:12:50,319 Speaker 2: you know, you home, you clean it. Given that from 276 00:12:50,360 --> 00:12:53,080 Speaker 2: the beginning of like, all right, let me set my energy. 277 00:12:53,120 --> 00:12:56,400 Speaker 2: And I think when you see a young star rise up, 278 00:12:56,480 --> 00:12:58,960 Speaker 2: someone who's as talented as she is, who's as successful 279 00:12:58,960 --> 00:13:01,319 Speaker 2: as she has been for all of this time, right, 280 00:13:02,280 --> 00:13:04,240 Speaker 2: you want them to get to this place where they 281 00:13:04,280 --> 00:13:07,000 Speaker 2: know how to come in and control, you know, and 282 00:13:07,040 --> 00:13:10,200 Speaker 2: sect their boundaries and also open up and have a conversation. 283 00:13:10,280 --> 00:13:12,439 Speaker 2: She was very comfortable, so we were able to talk 284 00:13:12,480 --> 00:13:15,199 Speaker 2: to her about a lot. Really enjoyed the conversation. But 285 00:13:15,280 --> 00:13:17,240 Speaker 2: when I saw that she had posted that she also 286 00:13:17,280 --> 00:13:20,760 Speaker 2: really enjoyed it. I was like, okay, yeah, like what 287 00:13:20,840 --> 00:13:23,240 Speaker 2: I was feeling in real time in that room. It 288 00:13:23,320 --> 00:13:25,400 Speaker 2: felt like she was comfortable. It felt like she was 289 00:13:25,440 --> 00:13:28,400 Speaker 2: happy to be there talking too, like she would have 290 00:13:28,720 --> 00:13:30,960 Speaker 2: chose to be nowhere else, but they're talking about the 291 00:13:30,960 --> 00:13:31,839 Speaker 2: things she talked about. 292 00:13:32,600 --> 00:13:33,400 Speaker 1: Love that for her. 293 00:13:34,200 --> 00:13:36,880 Speaker 2: She has new music out outside of a Folded Got 294 00:13:36,920 --> 00:13:39,360 Speaker 2: Us in the choke Hold, but she does have new 295 00:13:39,440 --> 00:13:42,760 Speaker 2: music out as well too. The new song is called 296 00:13:42,760 --> 00:13:45,680 Speaker 2: out the Window, which is crazy because I feel like in. 297 00:13:45,800 --> 00:13:52,360 Speaker 1: Folded, Kaylani is very accountable for either I'm done with this, 298 00:13:52,440 --> 00:13:54,160 Speaker 1: you got to get out of here. But wait, hold on, 299 00:13:54,240 --> 00:13:55,520 Speaker 1: did I make the right this is it? Am I 300 00:13:55,559 --> 00:13:57,880 Speaker 1: reacting too soon? Am I just all in my feelings. 301 00:13:58,440 --> 00:14:00,640 Speaker 1: Maybe we should sit down and talk. But out the 302 00:14:00,720 --> 00:14:04,800 Speaker 1: window Kailani is on the other side. Her clothes was folded. 303 00:14:04,920 --> 00:14:08,280 Speaker 1: She messed up, and she's very accountable to that. 304 00:14:08,360 --> 00:14:11,320 Speaker 2: So the dynamics of the songs and the different dynamics 305 00:14:11,320 --> 00:14:13,560 Speaker 2: in the songs I think show not only like a 306 00:14:13,559 --> 00:14:16,600 Speaker 2: personal growth, but I thought it was interesting to see 307 00:14:16,600 --> 00:14:18,680 Speaker 2: her come from both elements and both songs be just 308 00:14:18,760 --> 00:14:24,200 Speaker 2: as good. Now, speaking of music artists and other news man, 309 00:14:24,320 --> 00:14:27,320 Speaker 2: I don't know if I am like celebrating this or 310 00:14:27,440 --> 00:14:29,520 Speaker 2: if I'm a little sad to see this era go. 311 00:14:29,920 --> 00:14:32,120 Speaker 2: But Push your t says that he is done with 312 00:14:32,280 --> 00:14:35,160 Speaker 2: dis tracks. He says that they're dead to him. So 313 00:14:35,360 --> 00:14:38,160 Speaker 2: he did a a written interview with an outlet Calt Consequence. 314 00:14:38,200 --> 00:14:40,520 Speaker 1: They do TV, film, music, you know. 315 00:14:41,080 --> 00:14:44,400 Speaker 2: All of the things, and they were having a conversation 316 00:14:44,480 --> 00:14:47,080 Speaker 2: with him and they got on the concept of dis 317 00:14:47,200 --> 00:14:50,200 Speaker 2: tracks because, I mean, Push your Tea can be rained 318 00:14:50,240 --> 00:14:53,880 Speaker 2: as one of the greatest when it comes to dissing 319 00:14:54,040 --> 00:14:57,280 Speaker 2: someone on a track. I mean, the story of added 320 00:14:57,320 --> 00:14:59,240 Speaker 2: on we wouldn't have known that Drake Kataki if it 321 00:14:59,240 --> 00:15:02,240 Speaker 2: wasn't for Pushing T in his commitment to destroying a 322 00:15:02,280 --> 00:15:06,680 Speaker 2: person Bar Bye bar changing whips, change changing Whips, which 323 00:15:07,280 --> 00:15:10,960 Speaker 2: we know had some lines at Jim Jones Exodus twenty 324 00:15:10,960 --> 00:15:14,920 Speaker 2: three to one that was young Money Drake Lil Wayne 325 00:15:15,080 --> 00:15:16,800 Speaker 2: like he has and it goes on and on and 326 00:15:16,800 --> 00:15:19,120 Speaker 2: on like he you know who was the song where 327 00:15:19,120 --> 00:15:24,640 Speaker 2: he went at a Travis Scott, but Travis Scott tried 328 00:15:24,680 --> 00:15:28,000 Speaker 2: to go back at him and nobody really cared. And 329 00:15:28,040 --> 00:15:29,840 Speaker 2: then you also have so be It, which is on 330 00:15:29,880 --> 00:15:34,240 Speaker 2: the clips most recent project. So let's okay, let's talk 331 00:15:34,240 --> 00:15:35,000 Speaker 2: about what Push. 332 00:15:34,840 --> 00:15:35,360 Speaker 1: Your Tea said. 333 00:15:35,640 --> 00:15:37,360 Speaker 2: So Push your T in this interview said, it's kind 334 00:15:37,360 --> 00:15:39,120 Speaker 2: of dead to me. It's the ransom of what a 335 00:15:39,160 --> 00:15:42,120 Speaker 2: distract used to bring. There was a clear winner, somebody 336 00:15:42,160 --> 00:15:44,640 Speaker 2: would really bout out and then that's it. The last 337 00:15:44,680 --> 00:15:46,920 Speaker 2: man's standing. Now it's just a whole bunch of noise. 338 00:15:47,080 --> 00:15:50,000 Speaker 2: Even after we find the winners, it is still noise. And 339 00:15:50,040 --> 00:15:51,960 Speaker 2: it's like, man, then what is it for? 340 00:15:52,480 --> 00:15:54,560 Speaker 1: I've kind of been through that chapter and I'm over 341 00:15:54,720 --> 00:15:57,360 Speaker 1: and I will say and so be It. Push Your 342 00:15:57,400 --> 00:16:04,680 Speaker 1: Tea was very grown about the way he spanked Travis Scott, 343 00:16:05,880 --> 00:16:07,440 Speaker 1: and I know when we talked to him at the 344 00:16:07,480 --> 00:16:09,560 Speaker 1: Breakfast Club speaking of breakfast club interviews, when we talked 345 00:16:09,560 --> 00:16:11,320 Speaker 1: to him at the Breakfast Club, and you know, I 346 00:16:11,320 --> 00:16:14,320 Speaker 1: saw some other interviews that he did, he talked about 347 00:16:14,880 --> 00:16:17,520 Speaker 1: his issue and he says that his issue was because 348 00:16:19,600 --> 00:16:20,960 Speaker 1: I think Push Your Tea. 349 00:16:21,000 --> 00:16:23,360 Speaker 2: And his brother Malice, and you know, there are a 350 00:16:23,480 --> 00:16:26,600 Speaker 2: whole group of artists that are like this that they 351 00:16:26,640 --> 00:16:28,520 Speaker 2: come from an area and not even just come from an air, 352 00:16:28,480 --> 00:16:32,480 Speaker 2: but there are people that are morally built a certain 353 00:16:32,560 --> 00:16:35,880 Speaker 2: way and you expect that out of everybody you encounter, 354 00:16:36,360 --> 00:16:39,920 Speaker 2: but it don't happen in this But I think watching 355 00:16:40,200 --> 00:16:43,280 Speaker 2: Malice and Push Your Tea maneuver everything they did on 356 00:16:43,400 --> 00:16:45,040 Speaker 2: let God's sort them out, which is that most recent 357 00:16:45,040 --> 00:16:48,040 Speaker 2: album not their last album, like they're done. I think 358 00:16:48,080 --> 00:16:50,320 Speaker 2: that hearing him say he's done with this tracks is 359 00:16:50,400 --> 00:16:52,040 Speaker 2: I'm not surprised by it. 360 00:16:52,200 --> 00:16:52,800 Speaker 1: Like there was a. 361 00:16:52,760 --> 00:16:56,200 Speaker 2: Moment in our Breakfast Club interview where we were getting 362 00:16:56,280 --> 00:17:00,280 Speaker 2: into the whole so be it line and cause he 363 00:17:00,360 --> 00:17:03,400 Speaker 2: talks about, you know, having this video with Travis Scott 364 00:17:03,560 --> 00:17:05,680 Speaker 2: and he was going to share an ae it right, 365 00:17:05,920 --> 00:17:07,720 Speaker 2: and I'm like, like, well, what is the video? 366 00:17:07,840 --> 00:17:10,200 Speaker 1: And he starts to go in and listen to this. 367 00:17:10,520 --> 00:17:12,840 Speaker 3: And what pisched you off about Travis Scott so much 368 00:17:12,880 --> 00:17:14,320 Speaker 3: that you had to mention him on a recorde? 369 00:17:14,760 --> 00:17:16,639 Speaker 1: What what what made you say? This isn't this nigga's 370 00:17:16,640 --> 00:17:17,520 Speaker 1: going too far? Ah? 371 00:17:17,600 --> 00:17:19,600 Speaker 3: Man, It was just you know, it was just that uh, 372 00:17:19,760 --> 00:17:23,479 Speaker 3: that whole coming to uh coming to Paris. You know, 373 00:17:23,600 --> 00:17:26,399 Speaker 3: he came to Paris during one of our sessions, you know, 374 00:17:26,560 --> 00:17:29,160 Speaker 3: played his album and then he you know, when when 375 00:17:29,240 --> 00:17:32,280 Speaker 3: he left, the album comes out and you know the 376 00:17:32,320 --> 00:17:34,959 Speaker 3: record that he played, you know, had a verse up 377 00:17:35,000 --> 00:17:36,920 Speaker 3: there that was you know, going at p whatever the 378 00:17:36,960 --> 00:17:38,920 Speaker 3: case may be. And I'm like, damn, you just left, 379 00:17:39,080 --> 00:17:42,520 Speaker 3: Like how you how you leave here? You know, he 380 00:17:42,600 --> 00:17:44,760 Speaker 3: was on your album and then you're letting him, you know, 381 00:17:45,040 --> 00:17:47,280 Speaker 3: play your album for him, you're filming it, and then 382 00:17:47,320 --> 00:17:49,320 Speaker 3: you come back when the album drops you got a 383 00:17:49,400 --> 00:17:51,840 Speaker 3: verse you know, going at him. So I just thought 384 00:17:51,840 --> 00:17:54,480 Speaker 3: that was corny, and again, like, you know that's part 385 00:17:54,480 --> 00:17:57,840 Speaker 3: of the I think that's part of just trying to 386 00:17:57,920 --> 00:18:00,280 Speaker 3: leave all of that behind. And it's like, man, like 387 00:18:00,560 --> 00:18:03,680 Speaker 3: that's the type of thing that happens over in that 388 00:18:04,160 --> 00:18:07,520 Speaker 3: yay world and it's okay, and they you know, it's 389 00:18:07,560 --> 00:18:09,879 Speaker 3: all right. They just brush it off and they be 390 00:18:09,920 --> 00:18:11,840 Speaker 3: friends and they go hang out together and then you know, 391 00:18:12,400 --> 00:18:15,320 Speaker 3: do whatever they do. Like that doesn't I didn't. I 392 00:18:15,320 --> 00:18:17,880 Speaker 3: didn't like that that was brought into this fold. YEAHA 393 00:18:17,960 --> 00:18:19,760 Speaker 3: one time they said that the verse, the drape verse 394 00:18:19,840 --> 00:18:21,959 Speaker 3: wasn't done as a yet it doesn't matter when it 395 00:18:22,000 --> 00:18:24,159 Speaker 3: was done. I don't care when it was done. You 396 00:18:24,359 --> 00:18:26,719 Speaker 3: you you added to it. You actually he actually had 397 00:18:26,720 --> 00:18:30,840 Speaker 3: a verse after that verse, so you you even added 398 00:18:30,880 --> 00:18:31,560 Speaker 3: to the verse. 399 00:18:31,800 --> 00:18:33,959 Speaker 1: Like so what's proper etiquette for a situation like that? 400 00:18:34,160 --> 00:18:36,360 Speaker 3: You just stay the hell away from me? Go way, 401 00:18:36,480 --> 00:18:38,520 Speaker 3: like I'm not I'm not into you anyway, Like I'm 402 00:18:38,520 --> 00:18:40,840 Speaker 3: not even into your swag and none of that, Like 403 00:18:40,880 --> 00:18:43,320 Speaker 3: it's not into none of it. So just stay away. 404 00:18:43,480 --> 00:18:45,679 Speaker 2: And I think even right there, I mean, malice seems 405 00:18:45,680 --> 00:18:48,159 Speaker 2: like he's always pushed. I mean he if push your 406 00:18:48,160 --> 00:18:50,040 Speaker 2: T's going, Malice is going, like you know what I'm saying, 407 00:18:51,000 --> 00:18:53,919 Speaker 2: the hands down. But it does seem like that's the 408 00:18:54,000 --> 00:18:56,159 Speaker 2: balance between the two, like push your t is like 409 00:18:56,520 --> 00:18:57,919 Speaker 2: you gotta get him to that point. 410 00:18:58,280 --> 00:18:59,840 Speaker 1: But once he's there, Oh, what's up? 411 00:19:00,040 --> 00:19:02,200 Speaker 2: And Malice is kind of like, all right, I'm gonna 412 00:19:02,240 --> 00:19:03,639 Speaker 2: let you go, and I'm right here if you need me, 413 00:19:03,720 --> 00:19:05,639 Speaker 2: but we ain't gonna give them too much. And Malice 414 00:19:05,680 --> 00:19:08,119 Speaker 2: even said in this interview of Consequence that you know, 415 00:19:08,200 --> 00:19:11,280 Speaker 2: he talked about how you know, if you arguing with 416 00:19:11,359 --> 00:19:14,200 Speaker 2: too many clowns, people don't know what's the circus. 417 00:19:14,560 --> 00:19:16,000 Speaker 1: You in the circus and you're doing all the things 418 00:19:16,040 --> 00:19:18,480 Speaker 1: you appearing like a clown too. So what they're. 419 00:19:18,320 --> 00:19:20,359 Speaker 2: Basically saying is, at this point in their career and 420 00:19:20,359 --> 00:19:22,240 Speaker 2: what they've done, would let God sort them out. 421 00:19:22,800 --> 00:19:25,520 Speaker 1: It's just elevated, and they want to stay elevated. 422 00:19:25,800 --> 00:19:27,920 Speaker 2: Push Your Tea also said, I'm someone right now where 423 00:19:27,920 --> 00:19:30,600 Speaker 2: I don't even want to make music with other people. Nevertheless, 424 00:19:31,000 --> 00:19:33,639 Speaker 2: have anybody else in my music or be the focus 425 00:19:33,680 --> 00:19:34,280 Speaker 2: of my music. 426 00:19:34,640 --> 00:19:37,159 Speaker 1: What we're doing right here with clips is to me, 427 00:19:37,680 --> 00:19:39,680 Speaker 1: so next level. I feel like the taste level is 428 00:19:39,680 --> 00:19:42,960 Speaker 1: above everything else. Great taste level on this project. The 429 00:19:43,000 --> 00:19:45,560 Speaker 1: way they rolled it out, all the looks, all the fashion, 430 00:19:45,640 --> 00:19:49,720 Speaker 1: everything was very effortless but very high brow. Push Your 431 00:19:49,720 --> 00:19:52,159 Speaker 1: Tea continues, even being caught up in the world of it. 432 00:19:52,480 --> 00:19:55,639 Speaker 1: I don't like even the world of people, of the 433 00:19:55,680 --> 00:19:57,960 Speaker 1: back and forth. If I don't see eye to eye 434 00:19:57,960 --> 00:20:00,359 Speaker 1: with you, there's probably things I don't want to be 435 00:20:00,440 --> 00:20:01,760 Speaker 1: there about, you know what I'm saying. 436 00:20:02,000 --> 00:20:04,280 Speaker 2: And I think it just you know, got to a 437 00:20:04,320 --> 00:20:06,800 Speaker 2: point with him because he talked about it with Travis Scott. 438 00:20:06,840 --> 00:20:10,800 Speaker 2: It's like, you realize, these are not my type of people, 439 00:20:11,440 --> 00:20:13,480 Speaker 2: Like they're just not. It doesn't matter what I say, 440 00:20:13,560 --> 00:20:15,399 Speaker 2: what I do, how I treat them, how I maneuver. 441 00:20:15,760 --> 00:20:17,560 Speaker 2: These are not my type of people. And my type 442 00:20:17,560 --> 00:20:19,120 Speaker 2: of people I'm gonna keep around me and I'm gonna 443 00:20:19,119 --> 00:20:20,160 Speaker 2: protect them and everything else. 444 00:20:20,480 --> 00:20:22,200 Speaker 1: I don't even want to be around that. I don't 445 00:20:22,200 --> 00:20:22,879 Speaker 1: even want to, you know. 446 00:20:23,400 --> 00:20:27,160 Speaker 2: And this project felt very much that, like the few 447 00:20:27,200 --> 00:20:28,280 Speaker 2: subtle jabs that. 448 00:20:28,240 --> 00:20:31,240 Speaker 1: Were mentioned, and it was very few firm between, but. 449 00:20:31,200 --> 00:20:33,800 Speaker 2: It was a you know, it was s Pushy Tea knowledge, 450 00:20:33,840 --> 00:20:36,399 Speaker 2: so it was enough, very grown. 451 00:20:37,680 --> 00:20:38,920 Speaker 1: But I don't know, I just. 452 00:20:40,560 --> 00:20:42,840 Speaker 2: Because one thing Pusha Tea also told us in the 453 00:20:42,880 --> 00:20:45,439 Speaker 2: Breakfast Club interview that he did with us last was 454 00:20:45,480 --> 00:20:47,600 Speaker 2: that he got. 455 00:20:47,400 --> 00:20:49,560 Speaker 1: A lot more saved up in the cut. He'd just 456 00:20:49,600 --> 00:20:51,280 Speaker 1: be he'd be sitting on things. 457 00:20:51,320 --> 00:20:53,080 Speaker 2: It's kind of like, don't poke the bear and then 458 00:20:53,119 --> 00:20:55,360 Speaker 2: you poke them enough and then boom we find out 459 00:20:55,400 --> 00:20:57,959 Speaker 2: Drake got a baby. I don't know, guys, is this 460 00:20:58,200 --> 00:21:01,440 Speaker 2: a era that is, you know, never to come back again. 461 00:21:01,920 --> 00:21:04,760 Speaker 2: Does it take the right person for Push your Tea 462 00:21:04,800 --> 00:21:08,280 Speaker 2: to take, you know, very tastefully. You know, it'll be 463 00:21:08,320 --> 00:21:12,719 Speaker 2: with a nice little you know, great fabrics will be involved, 464 00:21:12,920 --> 00:21:16,479 Speaker 2: great food, great travel, great visuals, It'll be with all 465 00:21:16,520 --> 00:21:19,639 Speaker 2: of the things. But does it take the right person? 466 00:21:19,800 --> 00:21:22,119 Speaker 2: And what does that mean? Who is the person? What 467 00:21:22,280 --> 00:21:24,520 Speaker 2: is the you know, because there's been a few long 468 00:21:24,640 --> 00:21:28,240 Speaker 2: running Push of Tea beasts to get him back outside 469 00:21:28,440 --> 00:21:33,680 Speaker 2: in the trenches, as you know, ACG boots or whatever 470 00:21:33,720 --> 00:21:35,000 Speaker 2: they wear in VA. I don't know if you'll wear 471 00:21:35,040 --> 00:21:36,760 Speaker 2: of ACG boots and VA I just said that cuts 472 00:21:36,800 --> 00:21:40,040 Speaker 2: y'all close to Baltimore or DC strapped up? Does he 473 00:21:40,080 --> 00:21:42,280 Speaker 2: get back outsider? Do we think Push Your Tea is 474 00:21:42,320 --> 00:21:44,840 Speaker 2: no longer ever gonna? I wouldn't even say pick up 475 00:21:44,960 --> 00:21:47,679 Speaker 2: the pin at another artist because I think he's always 476 00:21:47,720 --> 00:21:50,560 Speaker 2: gonna probably pick up the pin. But will he ever 477 00:21:50,600 --> 00:21:52,520 Speaker 2: put another one in the chamber and let it fly? 478 00:21:52,640 --> 00:21:54,679 Speaker 1: Will we ever get to hear it again. Let me 479 00:21:54,720 --> 00:21:58,000 Speaker 1: know what y'all think. I'm Laura Rosa. This is the 480 00:21:58,080 --> 00:22:00,200 Speaker 1: latest with Laura Rosa. This Giti Deli didg gonna all 481 00:22:00,200 --> 00:22:03,760 Speaker 1: things pop culture, entertainment, news and all of the conversations 482 00:22:03,760 --> 00:22:04,800 Speaker 1: that shake the room. 483 00:22:04,920 --> 00:22:05,240 Speaker 4: Baby. 484 00:22:06,040 --> 00:22:08,639 Speaker 1: I tell you, guys, every episode, y'all could be anywhere 485 00:22:08,680 --> 00:22:11,000 Speaker 1: with anybody talking about all these things, with y'all right 486 00:22:11,040 --> 00:22:13,680 Speaker 1: here with me, and I appreciate you, guys. I'll catch 487 00:22:13,680 --> 00:22:18,480 Speaker 1: you in my next episode.