WEBVTT - From the Vault: The Eltanin Antenna

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<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. It's Saturday,

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<v Speaker 1>so once more we have a VAULD episode for you.

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<v Speaker 1>It is the L ten and Antenna from eight ten,

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<v Speaker 1>twenty twenty three. That's the original publication date. This is

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<v Speaker 1>the first of three episodes where we got into looking

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<v Speaker 1>at the basic some of the out there ideas that

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<v Speaker 1>emerge in response to lo fi imagery and you know,

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<v Speaker 1>legitimate mysteries about what's going on in some of the

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<v Speaker 1>harder to reach places in our world or even beyond

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<v Speaker 1>our world. So without further ado, let's jump right in.

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<v Speaker 2>Welcome to Stuff to Blow your Mind, a production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. My name

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<v Speaker 1>is Robert.

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<v Speaker 3>Lamb, and I am Joe McCormick. And oh boy, I'm

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<v Speaker 3>excited because it's anomalist historical photograph Day on Stuff to

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<v Speaker 3>Blow your Mind. Today we are going to be talking

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<v Speaker 3>about a moderately famous underwater image that has been classified

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<v Speaker 3>by some as an anomaly. Now, I think it's debatable

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<v Speaker 3>whether the word anomaly could or should still be applied

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<v Speaker 3>to it, because I guess normally anomaly is defined as

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<v Speaker 3>something that is different from what is normal or expected

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<v Speaker 3>or at least appears to be different from what is

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<v Speaker 3>normal or expected. I don't know if you can still

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<v Speaker 3>apply that to a photo that you pretty much have

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<v Speaker 3>conclusively identified and sorted into the mundane category now but

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<v Speaker 3>still looks weird. Maybe we can adjudicate that later in

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<v Speaker 3>the episode. But anyway, one thing that is interesting about

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<v Speaker 3>anomalist photographs in our culture is that the anomaly kind

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<v Speaker 3>of has a secondary definition beyond just something that is

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<v Speaker 3>or appears to be different from what is normal or expected,

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<v Speaker 3>and that secondary definition is proof of aliens confirmed.

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<v Speaker 1>Yes, yeah, this is a this is a topic we've

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<v Speaker 1>we've touched on a little bit before. I mean, things

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<v Speaker 1>have come up, like, you know, supposed ancient etchings or

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<v Speaker 1>carvings of dinosaurs. I remember we did at least in

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<v Speaker 1>that one episode on that in the past. And then

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<v Speaker 1>you can also apply this to things like photographs of bigfoot,

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<v Speaker 1>photographs of strange lights in the sky, and so forth.

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<v Speaker 1>And granted, especially in those two categories, you often get

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<v Speaker 1>into situations where there is often a strong case to

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<v Speaker 1>be made for intentional fakery on top of all the

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<v Speaker 1>other things that can be going on with a photograph,

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<v Speaker 1>you know, actual photographic anomalies, atmospheric anomalies, and so forth.

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<v Speaker 1>Today's episode deals with an image that is not a

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<v Speaker 1>work of fakery. It is an actual image that was

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<v Speaker 1>gathered through scientific exploration. But without proper expertise, you can

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<v Speaker 1>easily see well, basically anything you want out of it.

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<v Speaker 1>You know, the thing about an anomaly like this quote

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<v Speaker 1>unquote is that, yeah, whatever your preconceived notions happen to be,

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<v Speaker 1>you can easily attach them to this thing, especially if

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<v Speaker 1>you don't have that expertise and you don't have that

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<v Speaker 1>sort of I don't know, general open mindedness about what

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<v Speaker 1>it might be. Right.

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<v Speaker 3>This is one of many cases where if you don't

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<v Speaker 3>have the requisite contextual knowledge, something that is initially just

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<v Speaker 3>a weird looking photograph can take on all kinds of significance,

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<v Speaker 3>and in fact that there has been a historical mythology

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<v Speaker 3>built around this one weird photo we're going to talk

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<v Speaker 3>about today. But I think before we get into the

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<v Speaker 3>photo we're talking about in today's episode, since this is

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<v Speaker 3>going to touch on the the idea of proof of

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<v Speaker 3>aliens confirmed and UFO lore and all that, I feel

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<v Speaker 3>like it's fair to sort of just announce where we're

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<v Speaker 3>coming from. We've talked about this somewhat on the show before,

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<v Speaker 3>and we've actually gotten some recent listener mail where people

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<v Speaker 3>were asking us to address the recent news about so

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<v Speaker 3>called UFO disclosures, So to do that at the top, Rob,

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<v Speaker 3>I don't want to speak for you, but I think

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<v Speaker 3>we're probably on roughly the same page here. You can

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<v Speaker 3>correct me if I'm wrong. Despite the recent flurry of excitement,

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<v Speaker 3>and if you haven't kept up with it, the short

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<v Speaker 3>version is there was recently whistleblower testimony in front of

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<v Speaker 3>a House Oversight subcommittee in the US Congress from a

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<v Speaker 3>man who claims that people have told him that the

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<v Speaker 3>US government knows aliens exist and we are in possession

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<v Speaker 3>of crash spacecraft and alien bodies, etc. There is no

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<v Speaker 3>hard evidence publicly available, he's saying people told him this.

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<v Speaker 3>So despite the excited media coverage about this, my personal

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<v Speaker 3>position remains basically unchanged. And I would characterize that as

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<v Speaker 3>regarding the topic of alien contact or alien visitation of

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<v Speaker 3>Earth with curiosity and open mindedness, but strong skepticism.

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<v Speaker 1>Yeah yeah, and I do want to drive home it's

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<v Speaker 1>perfectly all right to be excited by all of this.

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<v Speaker 1>I mean, the idea that somebody's testifying about this in

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<v Speaker 1>front of the House Oversight Subcommittee is pretty exciting, and

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<v Speaker 1>he's saying some pretty exciting things and you can't help

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<v Speaker 1>but ask, well, if true, what does that mean? And

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<v Speaker 1>raises a lot of questions. But but yeah, I think

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<v Speaker 1>there are some legitimate questions to be raised before you

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<v Speaker 1>really take all that to the bank. And plus, as

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<v Speaker 1>we've talked about on the show before, the idea of

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<v Speaker 1>alien life, it's a complex question. You know, the deeper

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<v Speaker 1>you go, there's obviously a big difference between saying yes,

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<v Speaker 1>I think there is something else alive in the universe

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<v Speaker 1>and say saying yes, I think there are other life forms.

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<v Speaker 1>They're technologically advanced, they have spaceships, and they have visited us,

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<v Speaker 1>and oh, some of our secret at advanced technology today

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<v Speaker 1>is based on things that we were able to pilfer

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<v Speaker 1>from their crashes. So like, is their life? Is there

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<v Speaker 1>intelligent life? To paraphrase Arthur C. Clark, Any answer to

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<v Speaker 1>any such question I think is equally mind blowing.

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<v Speaker 3>Right, that's right, And I think it's very good to

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<v Speaker 3>disentangle those two questions. One the question of whether aliens

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<v Speaker 3>exist at all somewhere out there on that question, I

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<v Speaker 3>think we just don't have enough information to decide, so there,

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<v Speaker 3>I don't even really lean one way or another on

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<v Speaker 3>that as of today. I think it's just totally open question,

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<v Speaker 3>not enough information to judge.

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<v Speaker 1>Yeah, I mean there you could basically say, well, there is,

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<v Speaker 1>there isn't. And to get more directly to the Arthur C.

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<v Speaker 1>Clark quote about this, like either answer is just absolutely

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<v Speaker 1>stunning to say that we are completely alone in the universe,

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<v Speaker 1>that we are the anomaly, are planet of life or

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<v Speaker 1>to say, oh, yeah, there is somewhere out there, there

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<v Speaker 1>is a planet of life, and it may be just

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<v Speaker 1>so far from us, so far from us. That also

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<v Speaker 1>questions of when become complex to think about. But yeah,

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<v Speaker 1>it could be out there and we will simply never

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<v Speaker 1>know about it, and it will never know about us,

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<v Speaker 1>you know. I mean, it's all this is just mind

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<v Speaker 1>blowing to contemplate.

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<v Speaker 3>But while I think alien existence overall is a totally

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<v Speaker 3>open question, visitation is a question where I guess my

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<v Speaker 3>standards are a little bit different, and I do start

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<v Speaker 3>to have a lean on that question. I will say

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<v Speaker 3>I'm not one of those people who thinks it's like

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<v Speaker 3>gross or shameful to even investigate the idea of alien

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<v Speaker 3>contact on Earth, like I sometimes see skeptical scientists like

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<v Speaker 3>getting angry about like Avi Lo coming out in the

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<v Speaker 3>news and saying, Oh, I'm combing the seafloor looking for

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<v Speaker 3>metal spheres to run tests on them, and I think

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<v Speaker 3>maybe they're aliens. I understand their frustration with him sort

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<v Speaker 3>of maybe jumping the gun on the conclusion and over

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<v Speaker 3>hyping results to say I think there are aliens. But

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<v Speaker 3>I mean, I think it's fine to investigate if that

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<v Speaker 3>interests you, as long as you are objective about what

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<v Speaker 3>you find and you don't misrepresent or overhype in conclusive

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<v Speaker 3>results to the media, which I think is a legitimate

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<v Speaker 3>thing to get kind of annoyed about. And that is

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<v Speaker 3>the main thing that I think a lot of skeptics

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<v Speaker 3>find annoying about that sort of project.

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<v Speaker 1>It is kind of interesting that if a scientist is

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<v Speaker 1>talking about putting like shrimp on a treadmill or something

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<v Speaker 1>to that effect or of that sort of nature, there's

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<v Speaker 1>always the follow up question, Oh, have you said you

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<v Speaker 1>have you solved the problem of cancer? Yet? Have you

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<v Speaker 1>have you? I guess you've you've you've tackled all of

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<v Speaker 1>these other big scientific problems. But generally I don't hear

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<v Speaker 1>that criticism leveled at UFO scientists and so forth. They're

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<v Speaker 1>not like, well, wait, why are you not curing can

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<v Speaker 1>So why are you looking for UFOs? I don't know.

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<v Speaker 1>You can interpret that how you wish.

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<v Speaker 3>Well, that is interesting. I mean, I guess I would

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<v Speaker 3>say scientifically, and looking for evidence of alien visitation of

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<v Speaker 3>Earth is like a kind of a high risk, high

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<v Speaker 3>reward strategy. It's sort of a gambit. It's like you,

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<v Speaker 3>I mean, here, I'm speaking with you know my personal opinion,

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<v Speaker 3>I'd say you are very very likely wasting your time,

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<v Speaker 3>but on the off chance you're not, you will make

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<v Speaker 3>the most important discovery in human history.

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<v Speaker 1>True. Yeah, So it's a it's a big gamble. It's like,

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<v Speaker 1>you know, it's the Latto, right, you know that the

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<v Speaker 1>odds are just astronomical, but the prize is enormous, So

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<v Speaker 1>you go ahead and you buy your ticket and you

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<v Speaker 1>scratch it off.

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<v Speaker 3>But anyway, but coming back to the question of like

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<v Speaker 3>evidence for alien visitation, I would be you know, I'm

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<v Speaker 3>not like somebody who doesn't want to find out about this.

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<v Speaker 3>I would be extremely interested and excited if there were

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<v Speaker 3>any good reason to believe aliens ever came to Earth.

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<v Speaker 3>But I have been interested in this topic and never

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<v Speaker 3>seen evidence that was even close to convincing. And furthermore,

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<v Speaker 3>what I have seen is like a pattern of behavior,

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<v Speaker 3>a pattern of behavior from alien contact advocates of presenting

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<v Speaker 3>bad evidence as good or promising that there is good

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<v Speaker 3>evidence somewhere else, maybe being hidden from you, maybe soon

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<v Speaker 3>to be revealed, and you'd be really convinced if you

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<v Speaker 3>saw that, but for some reason you can't. And so

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<v Speaker 3>that pattern of behavior, I would say, has conditioned me,

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<v Speaker 3>like it puts my guard up about any explosive claims

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<v Speaker 3>on this subject, even if they're being listened to by Congress.

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<v Speaker 3>So you know, at this point, I'm I'm still I

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<v Speaker 3>would say, I am still waiting for good evidence, and

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<v Speaker 3>I reserve judgment until good evidence actually shows up. That

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<v Speaker 3>you know, like that people can look at.

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<v Speaker 1>I like how you're always up for the possibility. For me,

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<v Speaker 1>if I'm being honest, there's some weeks where I'm like,

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<v Speaker 1>this is not a good week, y'all. If we are

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<v Speaker 1>going to discover that the alien visitations have been occurring

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<v Speaker 1>and there's like definite proof that I just would prefer

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<v Speaker 1>that it happened like maybe next month, because I've got

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<v Speaker 1>a lot going on right now.

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<v Speaker 3>Well, that's a good point, i'd say. Also, yeah, there

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<v Speaker 3>are some weeks I'm more ready to meet the Grays

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<v Speaker 3>than other ones.

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<v Speaker 1>Now, one thing I want to stress is, you know

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<v Speaker 1>we're talking about here is the sort of questing for

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<v Speaker 1>objective evidence, and how often there is a lack of

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<v Speaker 1>objective evidence here. And I do want to stress something

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<v Speaker 1>that we've touched on before regarding subjective experiences. Subjective paranormal

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<v Speaker 1>experiences are certainly real to those who experience them, and

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<v Speaker 1>they can clearly be life changing in a number of ways.

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<v Speaker 1>So you know, you or people you know may have

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<v Speaker 1>had these experiences. You may have seen something you couldn't

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<v Speaker 1>completely explain. And as humans, we've always had such experiences,

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<v Speaker 1>and we can apply skepticism and scientific logic to why

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<v Speaker 1>these experiences occurred. You know, in short, supernatural or the

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<v Speaker 1>other worldly explanations are rarely necessary, but we so have

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<v Speaker 1>to acknowledge the impact of the experience, right.

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<v Speaker 3>And this is a thing that I think makes the

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<v Speaker 3>UFO subjects kind of difficult because a lot of people

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<v Speaker 3>who are very devoted to belief in UFOs have in

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<v Speaker 3>some sense had like an experience of their own or

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<v Speaker 3>they think, you know, they're like personally connected to this subject,

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<v Speaker 3>and so it's very important to stress that, like, while

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<v Speaker 3>you've got to keep your skeptical standards of evidence up

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<v Speaker 3>when you're actually saying have aliens really been here? You know,

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<v Speaker 3>you want to have a high standard of evidence, but

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<v Speaker 3>at the same time be sensitive to people and say,

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<v Speaker 3>like us, looking for that standard of evidence is not

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<v Speaker 3>a personal critique of you as a person having had

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<v Speaker 3>an experience. You know, it is very common for people

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<v Speaker 3>to have strange experiences that they don't know how to explain.

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<v Speaker 3>And it's even if maybe aliens are not the best

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<v Speaker 3>actual explanation according to the evidence we have, it's not

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<v Speaker 3>unreasonable that some people would I don't know, seek an

0:12:58.200 --> 0:13:01.000
<v Speaker 3>explanation of that sort when they've had a very powerful,

0:13:01.120 --> 0:13:02.440
<v Speaker 3>unexplainable experience.

0:13:03.000 --> 0:13:05.720
<v Speaker 1>Right, something you can't explain happens. You look for answers.

0:13:05.920 --> 0:13:07.720
<v Speaker 1>You also look for patterns in the world around you.

0:13:07.760 --> 0:13:10.120
<v Speaker 1>But as you look for answers, you also encounter pre

0:13:10.160 --> 0:13:12.560
<v Speaker 1>existing scripts to try and make sense of what that was.

0:13:13.160 --> 0:13:15.160
<v Speaker 1>And if it's lights in the sky, well there are

0:13:15.200 --> 0:13:18.680
<v Speaker 1>a few ready made scripts that are probably the easiest

0:13:18.720 --> 0:13:21.439
<v Speaker 1>to absorb, that have like social support. Some of them

0:13:21.480 --> 0:13:27.160
<v Speaker 1>are religious, some of them do relate to things like space, aliens,

0:13:27.160 --> 0:13:28.880
<v Speaker 1>and so forth, and so it makes sense that you

0:13:28.880 --> 0:13:31.120
<v Speaker 1>would latch onto those to make sense of what happened

0:13:31.160 --> 0:13:34.440
<v Speaker 1>to you. And yeah, then you go out into the world,

0:13:34.440 --> 0:13:36.600
<v Speaker 1>you look for patterns, you look for supporting information.

0:13:37.520 --> 0:13:39.480
<v Speaker 3>Now here's where we're going to start moving back toward

0:13:39.720 --> 0:13:43.280
<v Speaker 3>our anomalist photo of the day, or supposedly anomalous photo

0:13:43.360 --> 0:13:46.000
<v Speaker 3>of the day. There is a counter to everything we've

0:13:46.040 --> 0:13:50.200
<v Speaker 3>been saying so far, which is sometimes people will say, well, okay,

0:13:50.200 --> 0:13:53.120
<v Speaker 3>maybe you're not impressed with everything you've seen so far,

0:13:53.200 --> 0:13:57.320
<v Speaker 3>but what about this photo of a triangular arrangement of lights,

0:13:57.520 --> 0:14:02.720
<v Speaker 3>or this video of a white object moving across the sky,

0:14:03.040 --> 0:14:05.920
<v Speaker 3>or this object on the seafloor that looks like a

0:14:05.960 --> 0:14:09.640
<v Speaker 3>piece of alien radar equipment, etc. There are a lot

0:14:09.679 --> 0:14:12.679
<v Speaker 3>of pieces of media out there, a lot of photo

0:14:12.800 --> 0:14:16.199
<v Speaker 3>and video and sometimes sound recording and stuff where people

0:14:16.240 --> 0:14:19.560
<v Speaker 3>can say this looks weird or this sounds weird. I

0:14:19.640 --> 0:14:22.360
<v Speaker 3>can't think of anything that I know of on Earth

0:14:22.360 --> 0:14:25.800
<v Speaker 3>that would produce an image like this, so shouldn't all

0:14:25.840 --> 0:14:29.680
<v Speaker 3>of that stuff count as evidence of aliens? And this

0:14:29.760 --> 0:14:32.840
<v Speaker 3>brings me to a concept that I've been thinking about

0:14:32.840 --> 0:14:37.600
<v Speaker 3>recently that is really just based on an offhand phrase

0:14:37.640 --> 0:14:41.640
<v Speaker 3>I heard when I honestly don't remember exactly which interview

0:14:41.680 --> 0:14:43.240
<v Speaker 3>this came from, but I was listening to a series

0:14:43.280 --> 0:14:47.960
<v Speaker 3>of interviews with a science writer and skeptical UFO researcher

0:14:48.120 --> 0:14:53.040
<v Speaker 3>named Mick West. West He's written articles for skeptical publications

0:14:53.080 --> 0:14:56.640
<v Speaker 3>about all kinds of subjects, written about kim trails and

0:14:56.680 --> 0:14:59.240
<v Speaker 3>things like that, but also about UFOs of late, and

0:14:59.440 --> 0:15:05.240
<v Speaker 3>has done analysis of popular UFO or UAP videos to

0:15:05.280 --> 0:15:07.480
<v Speaker 3>try to figure out if you can actually identify what

0:15:07.760 --> 0:15:09.760
<v Speaker 3>is it we're looking at in this video, where's some

0:15:09.840 --> 0:15:12.680
<v Speaker 3>kind of weird object appears to move across the sky,

0:15:13.240 --> 0:15:15.880
<v Speaker 3>and in many cases he is able to identify. In

0:15:15.920 --> 0:15:19.160
<v Speaker 3>some cases he's not. And so I apologize if I'm

0:15:19.200 --> 0:15:22.920
<v Speaker 3>not using West's exact preferred terminology here, but this is

0:15:23.000 --> 0:15:25.640
<v Speaker 3>just what I heard him say offhand in one moment,

0:15:26.760 --> 0:15:28.960
<v Speaker 3>and it was the idea of something called the low

0:15:29.120 --> 0:15:33.480
<v Speaker 3>information zone. I think maybe another way to think about

0:15:33.480 --> 0:15:36.040
<v Speaker 3>the same idea would be to call it the zone

0:15:36.240 --> 0:15:41.160
<v Speaker 3>of low resolution, with low resolution referring in the specific

0:15:41.280 --> 0:15:45.280
<v Speaker 3>sense to photographs and other attempts at imaging that produce

0:15:45.360 --> 0:15:49.480
<v Speaker 3>a blurry or fuzzy or indistinct product, but also to

0:15:49.480 --> 0:15:52.360
<v Speaker 3>think about low resolution in a broader sense, where it

0:15:52.360 --> 0:15:56.880
<v Speaker 3>would refer to records or pieces of media or accounts,

0:15:56.920 --> 0:16:01.920
<v Speaker 3>any type of evidence that contain lower desirable ratios of

0:16:02.160 --> 0:16:06.920
<v Speaker 3>identifying detail and are generally lacking in context and clarity.

0:16:07.440 --> 0:16:10.520
<v Speaker 3>I think this concept is really useful when talking about

0:16:10.600 --> 0:16:15.480
<v Speaker 3>UFOs or UAPs, where it seems to me West's sort

0:16:15.520 --> 0:16:20.520
<v Speaker 3>of generalization is that all of the pieces of evidence

0:16:20.600 --> 0:16:24.160
<v Speaker 3>for aliens or other non human intelligence making contact on

0:16:24.200 --> 0:16:28.520
<v Speaker 3>Earth that remain somewhat interesting or still seem kind of

0:16:28.720 --> 0:16:33.480
<v Speaker 3>unsolved or viable, tend to exist in this zone of

0:16:33.640 --> 0:16:37.800
<v Speaker 3>low information or low resolution, where there's a lot of vagueness,

0:16:38.000 --> 0:16:42.320
<v Speaker 3>lack of verifiable detail, or lack of context. Essentially, there's

0:16:42.400 --> 0:16:47.080
<v Speaker 3>not enough information in them that a reasonable observer can

0:16:47.120 --> 0:16:50.800
<v Speaker 3>be confident that they understand what they're looking at. Meanwhile,

0:16:51.000 --> 0:16:54.440
<v Speaker 3>when there is evidence in the sort of high information zone,

0:16:54.720 --> 0:16:57.520
<v Speaker 3>say when there's like really good video that's in focus

0:16:57.680 --> 0:17:01.720
<v Speaker 3>and has proper foreground background for scale, and has a

0:17:01.720 --> 0:17:04.879
<v Speaker 3>lot of information in it. It seems like it's specifically

0:17:04.920 --> 0:17:08.480
<v Speaker 3>those cases that are more likely to turn out to

0:17:08.560 --> 0:17:13.879
<v Speaker 3>have provable, clear, identifiable, mundane explanations. These turn out to

0:17:13.920 --> 0:17:19.120
<v Speaker 3>be plastic bags or balloons or airplanes or stars or

0:17:19.520 --> 0:17:22.920
<v Speaker 3>well known digital artifacts produced by cameras and other types

0:17:22.960 --> 0:17:23.600
<v Speaker 3>of sensors.

0:17:24.359 --> 0:17:27.800
<v Speaker 1>Yeah, this is also where intentional fakery tends to come

0:17:27.800 --> 0:17:28.400
<v Speaker 1>out as well.

0:17:28.720 --> 0:17:31.879
<v Speaker 3>Oh yeah, And I thought this was interesting because I

0:17:32.080 --> 0:17:34.439
<v Speaker 3>do not at all want to represent myself as a

0:17:34.520 --> 0:17:37.439
<v Speaker 3>UFO expert. I'm not in any way, but it just

0:17:37.480 --> 0:17:40.320
<v Speaker 3>sort of squares with my experience as a generalist like

0:17:40.400 --> 0:17:46.400
<v Speaker 3>researching extremely variegated, supposedly anomalous phenomena throughout history. We've covered

0:17:46.400 --> 0:17:48.520
<v Speaker 3>a lot of subjects like this on the show at

0:17:48.560 --> 0:17:51.560
<v Speaker 3>some point, especially with things that have been claimed as

0:17:51.680 --> 0:17:54.800
<v Speaker 3>proof of aliens or proof of the supernatural or whatever.

0:17:55.480 --> 0:17:58.600
<v Speaker 3>It seems it's very often in the cases where information

0:17:58.800 --> 0:18:03.720
<v Speaker 3>quality is high that you're most likely to nail down

0:18:03.480 --> 0:18:07.439
<v Speaker 3>an alternative explanation to figure out, ah, here's what's going on.

0:18:08.280 --> 0:18:11.399
<v Speaker 3>It does have an explanation, the explanation is mundane or

0:18:11.440 --> 0:18:14.399
<v Speaker 3>within the range of known causes and so forth, and

0:18:14.440 --> 0:18:17.399
<v Speaker 3>it's in cases where the information quality is very low,

0:18:17.480 --> 0:18:22.720
<v Speaker 3>where details are vague or uncheckable, where crucial context is missing,

0:18:22.800 --> 0:18:25.320
<v Speaker 3>and so forth, that you end up having to shrug

0:18:25.320 --> 0:18:27.520
<v Speaker 3>your shoulders and say, I don't know what we're looking at.

0:18:27.600 --> 0:18:29.199
<v Speaker 3>I don't know what this is, don't know what the

0:18:29.240 --> 0:18:33.320
<v Speaker 3>explanation is. And in that case, if a UFO enthusiast

0:18:33.400 --> 0:18:36.600
<v Speaker 3>is so inclined, they could say, ah, you don't know

0:18:36.640 --> 0:18:39.119
<v Speaker 3>what it is. Therefore proof of aliens confirmed.

0:18:39.560 --> 0:18:41.840
<v Speaker 1>Yeah, this reminds me too of you know, you can

0:18:41.880 --> 0:18:48.200
<v Speaker 1>also look at various signals that have been it seemed

0:18:48.200 --> 0:18:51.840
<v Speaker 1>to be observed, you know, coming from elsewhere in the cosmos,

0:18:51.880 --> 0:18:55.120
<v Speaker 1>sounds that have been recorded coming from the deep ocean,

0:18:55.600 --> 0:18:58.200
<v Speaker 1>things where you know, there's some there are some definitely

0:18:58.200 --> 0:19:04.280
<v Speaker 1>some strong hypops He's regarding these various anomalies. But at

0:19:04.280 --> 0:19:05.879
<v Speaker 1>the end of the day, can you one hundred percent

0:19:05.920 --> 0:19:09.679
<v Speaker 1>say what it is? Well, not necessarily, and therefore the

0:19:09.760 --> 0:19:14.240
<v Speaker 1>window is left cracked at least a little bit, maybe

0:19:14.480 --> 0:19:18.840
<v Speaker 1>cracked a lot further open, depending on your willingness to

0:19:19.359 --> 0:19:23.160
<v Speaker 1>interpret it a certain way. But it remains open somewhat

0:19:23.200 --> 0:19:26.479
<v Speaker 1>to some of these more far fetched explanations and then

0:19:26.520 --> 0:19:28.360
<v Speaker 1>you can go the extra mile and say, oh, well,

0:19:28.480 --> 0:19:30.440
<v Speaker 1>prove to me that the bloop is not the sound

0:19:30.480 --> 0:19:32.440
<v Speaker 1>of mighty Cuthule rising in the deep.

0:19:32.800 --> 0:19:46.240
<v Speaker 3>Yeah, elder gods. Disprove or accept. So I guess the

0:19:46.400 --> 0:19:50.360
<v Speaker 3>question from a reasoning standpoint is if you accept, and

0:19:50.400 --> 0:19:53.440
<v Speaker 3>I think most people will probably recognize this at some level,

0:19:53.440 --> 0:19:55.359
<v Speaker 3>you be kind of familiar with this, even beyond like

0:19:55.520 --> 0:19:57.919
<v Speaker 3>UFOs and stuff. This is just kind of true in life.

0:19:58.400 --> 0:20:02.480
<v Speaker 3>If you accept this pattern is generally true that evidence

0:20:02.520 --> 0:20:05.160
<v Speaker 3>one could hold up as viable in terms of proving

0:20:05.240 --> 0:20:09.080
<v Speaker 3>something weird. A weird explanation tends to exist in the

0:20:09.119 --> 0:20:13.160
<v Speaker 3>low information zone, whereas evidence in the high information zone

0:20:13.560 --> 0:20:17.560
<v Speaker 3>is very likely to end up pointing to a mundane explanation.

0:20:18.240 --> 0:20:22.240
<v Speaker 3>Should this pattern itself influence how you think about evidence

0:20:22.240 --> 0:20:25.920
<v Speaker 3>of alien life, I would say personally, I don't think

0:20:25.920 --> 0:20:28.639
<v Speaker 3>it should bias at all your starting assumptions about whether

0:20:28.760 --> 0:20:32.480
<v Speaker 3>aliens exist, because, as we said again early on, that's

0:20:32.880 --> 0:20:35.600
<v Speaker 3>that's just like not really within our search space for

0:20:35.680 --> 0:20:39.560
<v Speaker 3>evidence at least so far, so open question there. But

0:20:39.920 --> 0:20:44.560
<v Speaker 3>I think it probably should increase your resistance to putting

0:20:44.720 --> 0:20:49.359
<v Speaker 3>apparently anomalous but low information observations into the could be

0:20:49.520 --> 0:20:54.000
<v Speaker 3>alien's basket because you know this pattern exists. There's lots

0:20:54.000 --> 0:20:57.960
<v Speaker 3>of stuff like this. There are many analogies. But usually

0:20:58.400 --> 0:21:00.760
<v Speaker 3>the higher you are able to to turn up the

0:21:00.800 --> 0:21:03.919
<v Speaker 3>resolution on what you're looking at, the more information you

0:21:03.960 --> 0:21:07.160
<v Speaker 3>can add, the more context you can get, the more

0:21:07.840 --> 0:21:10.639
<v Speaker 3>you know, the sharper you can make the contours of

0:21:10.640 --> 0:21:13.920
<v Speaker 3>the image itself, the less likely it is that aliens

0:21:13.920 --> 0:21:16.040
<v Speaker 3>are going to seem like a good explanation, and the

0:21:16.080 --> 0:21:18.720
<v Speaker 3>more likely you are to be like, oh, that's a

0:21:18.720 --> 0:21:22.919
<v Speaker 3>plastic bag, or like oh, that's a recognizable animal. And

0:21:23.000 --> 0:21:25.840
<v Speaker 3>I think maybe that'll bring us to the case today,

0:21:26.440 --> 0:21:30.200
<v Speaker 3>a case of an underwater photograph that has been dubbed

0:21:30.440 --> 0:21:34.840
<v Speaker 3>the el tannin antenna, or maybe if we don't think

0:21:34.880 --> 0:21:36.879
<v Speaker 3>it's an antenna in the end, should we call it

0:21:36.920 --> 0:21:38.480
<v Speaker 3>like the eltannan object.

0:21:39.000 --> 0:21:42.040
<v Speaker 1>Ah, yeah, that's fair. I have wondered, if everyone keeps

0:21:42.160 --> 0:21:44.199
<v Speaker 1>calling it the el tann and antenna, why not just

0:21:44.240 --> 0:21:46.720
<v Speaker 1>call it the altena. It seems like that like the

0:21:46.800 --> 0:21:50.760
<v Speaker 1>natural direction to go in. But yeah, the this is

0:21:50.760 --> 0:21:53.080
<v Speaker 1>going to be a good one to discuss because it

0:21:53.200 --> 0:21:57.880
<v Speaker 1>is a thing that an image that that was completely

0:21:57.960 --> 0:22:04.400
<v Speaker 1>embraced by ufaist and sort of paranormal interpretations, and continues

0:22:04.440 --> 0:22:07.800
<v Speaker 1>to be held up in many circles as being this

0:22:07.960 --> 0:22:11.520
<v Speaker 1>kind of icon of the paranormal in proof of something,

0:22:12.320 --> 0:22:15.040
<v Speaker 1>you know what that's something is depending on your exact

0:22:15.040 --> 0:22:18.280
<v Speaker 1>case that you're making for like the secret nature of reality,

0:22:19.000 --> 0:22:22.440
<v Speaker 1>and yet at the same time we know exactly what

0:22:22.480 --> 0:22:27.120
<v Speaker 1>it is. I mean, experts who know their way around

0:22:27.400 --> 0:22:30.520
<v Speaker 1>deep sea organisms and the sorts of things you'd expect

0:22:30.600 --> 0:22:34.879
<v Speaker 1>to find in the deep ocean do not seem to

0:22:34.880 --> 0:22:36.400
<v Speaker 1>have had any They don't seem like they've had any

0:22:36.400 --> 0:22:39.639
<v Speaker 1>doubts about this for a number of decades. In fact,

0:22:40.920 --> 0:22:43.760
<v Speaker 1>it's not that long after the image was taken that

0:22:43.840 --> 0:22:46.920
<v Speaker 1>we have a pretty solid and convincing answer that everyone

0:22:47.200 --> 0:22:52.080
<v Speaker 1>seems to be satisfied with outside of the paranormal investigation world.

0:22:52.920 --> 0:22:55.560
<v Speaker 3>Yes, I would say to be as fair as possible

0:22:55.680 --> 0:22:59.919
<v Speaker 3>to the people who want a paranormal or alien explanation.

0:23:00.000 --> 0:23:03.760
<v Speaker 3>And you can't know for sure what it is because

0:23:03.840 --> 0:23:05.879
<v Speaker 3>like you can't go back and check it, Like this

0:23:06.200 --> 0:23:08.600
<v Speaker 3>was a sort of transient phenomenon somewhere in the bottom

0:23:08.640 --> 0:23:10.600
<v Speaker 3>of the ocean, so we can't go back to the

0:23:10.760 --> 0:23:13.919
<v Speaker 3>exact spot and say, oh, is it still there? And

0:23:14.000 --> 0:23:16.800
<v Speaker 3>check it? But I'd say ninety nine point nine percent

0:23:16.800 --> 0:23:19.600
<v Speaker 3>sure we know what it was. There's something else that

0:23:19.800 --> 0:23:23.200
<v Speaker 3>would explain this photo and would be found naturally in

0:23:23.240 --> 0:23:24.399
<v Speaker 3>the place where it was taken.

0:23:24.880 --> 0:23:27.160
<v Speaker 1>All right, let's roll out the story here. And the story,

0:23:27.200 --> 0:23:29.200
<v Speaker 1>I have to say, does start off with a number

0:23:29.200 --> 0:23:34.040
<v Speaker 1>of elements that already sound kind of supernatural, because the

0:23:34.080 --> 0:23:38.240
<v Speaker 1>story concerns the us NSL Tennant, an ice breaking cargo

0:23:38.320 --> 0:23:41.879
<v Speaker 1>vessel named after a star in the Draco constellation, and

0:23:41.920 --> 0:23:44.840
<v Speaker 1>I believe the name al Tanan derives from the Arabic

0:23:44.960 --> 0:23:47.760
<v Speaker 1>for the great serpent. That's all just too.

0:23:47.720 --> 0:23:49.400
<v Speaker 3>Good off to a good star.

0:23:49.720 --> 0:23:54.200
<v Speaker 1>Yes, yeah, so it already leans into some supernatural ideas here, right,

0:23:55.119 --> 0:23:58.320
<v Speaker 1>But basically, back in nineteen sixty four it was working

0:23:58.480 --> 0:24:02.920
<v Speaker 1>as an oceanographic research vessel in the Antarctic Ocean, which

0:24:03.040 --> 0:24:05.960
<v Speaker 1>it did for more than a decade. The research crew

0:24:06.160 --> 0:24:09.639
<v Speaker 1>used it to gather a great deal of data, and

0:24:09.720 --> 0:24:14.639
<v Speaker 1>it was used to discover the hypothetical al Tannan impact

0:24:14.640 --> 0:24:18.720
<v Speaker 1>crater in nineteen eighty one via sediment cores collected earlier.

0:24:19.840 --> 0:24:21.359
<v Speaker 1>That's something to keep in mind with a lot of this,

0:24:21.480 --> 0:24:23.840
<v Speaker 1>like the data is gathered and then the data has

0:24:23.880 --> 0:24:27.320
<v Speaker 1>to be analyzed. It's not necessarily being analyzed on the ship.

0:24:27.760 --> 0:24:30.879
<v Speaker 1>It's bringing this back home and sometimes it's years later

0:24:31.240 --> 0:24:34.879
<v Speaker 1>that some particular find is made. Anyway, the al Tenant

0:24:34.880 --> 0:24:36.639
<v Speaker 1>impact crater, this was in the South Pacific and it

0:24:36.640 --> 0:24:38.359
<v Speaker 1>would have occurred somewhere in the neighborhood of two and

0:24:38.359 --> 0:24:39.440
<v Speaker 1>a half million years ago.

0:24:39.800 --> 0:24:41.560
<v Speaker 3>The impact that caused it would have been two and

0:24:41.600 --> 0:24:42.680
<v Speaker 3>a half million years ago.

0:24:42.760 --> 0:24:46.880
<v Speaker 1>Yeah. Yeah, not the al Tannin, which then goes back

0:24:46.880 --> 0:24:50.480
<v Speaker 1>in time in a twilight zone scenario. The ship was

0:24:50.520 --> 0:24:53.400
<v Speaker 1>also used in part to discover Hollister Ridge, a group

0:24:53.440 --> 0:24:56.680
<v Speaker 1>of seamounts in nineteen sixty five, and the ship's work

0:24:56.720 --> 0:25:00.359
<v Speaker 1>also provided plenty of evidence to support the continental drift theory.

0:25:00.400 --> 0:25:03.520
<v Speaker 1>And I believe actual specimens of many marine organisms were

0:25:03.520 --> 0:25:06.639
<v Speaker 1>also collected. So to be clear, this is a hard working,

0:25:06.760 --> 0:25:07.960
<v Speaker 1>serious science vessel.

0:25:08.880 --> 0:25:12.320
<v Speaker 3>YEP gave us a lot of useful knowledge about the

0:25:12.359 --> 0:25:14.320
<v Speaker 3>seafloor and the Antarctic oceans.

0:25:14.560 --> 0:25:17.960
<v Speaker 1>Yeah. On August twenty ninth, nineteen sixty four, the crew

0:25:18.000 --> 0:25:21.800
<v Speaker 1>took sample cores and photographed the seabed west of Cape

0:25:21.880 --> 0:25:25.600
<v Speaker 1>Horn and it took a strange photo, like it is strange.

0:25:25.960 --> 0:25:27.159
<v Speaker 1>I mean, I look at it and I have to

0:25:27.200 --> 0:25:30.320
<v Speaker 1>admit this is weird looking. It's a photo of something

0:25:30.359 --> 0:25:32.640
<v Speaker 1>at a depth of about three nine hundred and four

0:25:32.680 --> 0:25:36.479
<v Speaker 1>meters or twelve eight hundred and eight feet. This is

0:25:36.880 --> 0:25:41.119
<v Speaker 1>the image of the so called El Tannan antenna. Now

0:25:41.119 --> 0:25:44.920
<v Speaker 1>I'll probably throw this image up on our various accounts

0:25:44.920 --> 0:25:47.840
<v Speaker 1>where listeners discuss episodes, but in general, you can look

0:25:47.880 --> 0:25:50.720
<v Speaker 1>up il tan and antenna on Wikipedia and you'll see

0:25:50.720 --> 0:25:55.240
<v Speaker 1>this kind of vertical image of the eltann And antenna.

0:25:55.320 --> 0:25:58.600
<v Speaker 1>But there's also this is like a apparently a zoom

0:25:58.640 --> 0:26:02.440
<v Speaker 1>in a crop of of a wider image, and this

0:26:02.480 --> 0:26:07.439
<v Speaker 1>one is less reproduced. But for instance, I found it

0:26:07.480 --> 0:26:12.480
<v Speaker 1>initially on a Twitter post by science writer Tyler Greenfield

0:26:12.560 --> 0:26:15.640
<v Speaker 1>from June of twenty twenty three, so you will see

0:26:15.640 --> 0:26:19.320
<v Speaker 1>it posted in various places. And this is this image

0:26:19.840 --> 0:26:21.720
<v Speaker 1>in particular, I believe it's from a book that I'm

0:26:21.760 --> 0:26:23.360
<v Speaker 1>going to reference here in just a bit.

0:26:24.119 --> 0:26:26.840
<v Speaker 3>If you've never seen it or are not able to

0:26:26.840 --> 0:26:29.679
<v Speaker 3>look it up right now, it looks like a pole

0:26:30.119 --> 0:26:33.640
<v Speaker 3>jutting up from the seafloor, straight up, and then it

0:26:33.720 --> 0:26:38.960
<v Speaker 3>has radial poles that extend out from the central pole

0:26:39.080 --> 0:26:43.520
<v Speaker 3>at ninety degree angles. So it does look very strange

0:26:43.640 --> 0:26:45.879
<v Speaker 3>for something you would see on the seafloor.

0:26:46.440 --> 0:26:48.800
<v Speaker 1>Yeah, it kind of like the image itself is kind

0:26:48.800 --> 0:26:50.400
<v Speaker 1>of haunting because it's all, you know, black and white.

0:26:50.400 --> 0:26:52.480
<v Speaker 1>It kind of looks like a reverse negative image of

0:26:52.480 --> 0:26:56.679
<v Speaker 1>a popcorn ceiling, only upside down. This is the seafloor

0:26:57.000 --> 0:27:00.800
<v Speaker 1>with this strange multi armed antenna like structure or perhaps

0:27:00.840 --> 0:27:03.760
<v Speaker 1>weather vane like or kind of like a surrealist street

0:27:03.840 --> 0:27:07.600
<v Speaker 1>sign has those big gum knobs on the end that

0:27:07.640 --> 0:27:09.600
<v Speaker 1>you know, kind of reminds you of like a jacks

0:27:10.400 --> 0:27:14.680
<v Speaker 1>that you know, yeah you're throwing and yeah, I mean,

0:27:14.720 --> 0:27:17.239
<v Speaker 1>if you if you want to see an antenna, you know,

0:27:17.440 --> 0:27:19.719
<v Speaker 1>you might say, well, this, this looks like an antenna,

0:27:19.760 --> 0:27:23.240
<v Speaker 1>not necessarily an antenna I've seen before, but I guess

0:27:23.280 --> 0:27:25.200
<v Speaker 1>you could make that case because on the other hand,

0:27:25.600 --> 0:27:29.199
<v Speaker 1>I don't think this really looks like human technology. But

0:27:29.280 --> 0:27:31.000
<v Speaker 1>at the same time, there do appear to be right

0:27:31.040 --> 0:27:33.479
<v Speaker 1>angles in the positioning of the arms relative to its

0:27:33.520 --> 0:27:36.280
<v Speaker 1>trunk or its spine, and so you can see why

0:27:36.320 --> 0:27:39.360
<v Speaker 1>this image might elicit mystery in many viewers.

0:27:39.840 --> 0:27:44.920
<v Speaker 3>Now it's interesting that the comparison to technology goes back

0:27:44.960 --> 0:27:49.480
<v Speaker 3>to the very first published article about this. This actually

0:27:50.040 --> 0:27:52.399
<v Speaker 3>is so I could not find the text of the

0:27:52.440 --> 0:27:56.760
<v Speaker 3>original article in full, but I found it reproduced in

0:27:57.000 --> 0:27:59.840
<v Speaker 3>a very good article from the Fourteen Times by Peter

0:28:00.000 --> 0:28:03.840
<v Speaker 3>Brooksmith from May two thousand and four called the Eltannan Enigma.

0:28:04.440 --> 0:28:07.600
<v Speaker 3>This is a very good skeptical article that pretty much

0:28:07.640 --> 0:28:10.480
<v Speaker 3>lays out the whole history of the case and tells

0:28:10.520 --> 0:28:13.960
<v Speaker 3>about the various interpretations as well as gives the almost

0:28:14.000 --> 0:28:18.560
<v Speaker 3>certain correct mundane explanation of what this is. But in

0:28:18.600 --> 0:28:23.560
<v Speaker 3>this article Brooksmith finds and reproduces the original article from

0:28:23.640 --> 0:28:27.440
<v Speaker 3>the New Zealand Herald from December nineteen sixty four called

0:28:27.560 --> 0:28:31.960
<v Speaker 3>Puzzle Picture from Seabed, which was published apparently right after

0:28:32.359 --> 0:28:37.040
<v Speaker 3>the Eltannan came into Auckland and was I guess processing

0:28:37.119 --> 0:28:42.120
<v Speaker 3>or analyzing some of its research materials, And so it's

0:28:42.280 --> 0:28:44.360
<v Speaker 3>docked here in New Zealand, and we get this New

0:28:44.440 --> 0:28:49.000
<v Speaker 3>Zealand News article which says, among other things, quote the photograph,

0:28:49.040 --> 0:28:52.720
<v Speaker 3>which to a layman shows something like a complex radio

0:28:52.880 --> 0:28:55.840
<v Speaker 3>aerial jutting out of the mud bottom, was taken on

0:28:55.880 --> 0:28:59.240
<v Speaker 3>August twenty nine by a submarine camera. The camera is

0:28:59.280 --> 0:29:02.360
<v Speaker 3>housed in a cylinder pulled along by a cable from

0:29:02.360 --> 0:29:05.640
<v Speaker 3>the ship. It bounces along the seabed, taking pictures at

0:29:05.640 --> 0:29:10.440
<v Speaker 3>regular intervals. Doctor Thomas Hopkins, senior marine biologist on board

0:29:10.440 --> 0:29:14.440
<v Speaker 3>who specializes in plankton studies, says the object could hardly

0:29:14.480 --> 0:29:17.920
<v Speaker 3>be a plant. Quote at that depth there is no light,

0:29:18.040 --> 0:29:21.680
<v Speaker 3>so photosynthesis could not take place and plants could not live.

0:29:22.280 --> 0:29:24.880
<v Speaker 3>If it is some strange choral formation, then no one

0:29:24.920 --> 0:29:28.520
<v Speaker 3>on board has ever heard about it before. Doctor Hopkins,

0:29:28.600 --> 0:29:31.520
<v Speaker 3>a graduate of the University of Southern California, said the

0:29:31.560 --> 0:29:34.600
<v Speaker 3>ship's photographer had been thoroughly questioned on how he had

0:29:34.640 --> 0:29:38.280
<v Speaker 3>developed the photograph. However, everyone was certain the picture was

0:29:38.360 --> 0:29:41.360
<v Speaker 3>not faked. I wouldn't like to say that the thing

0:29:41.440 --> 0:29:44.120
<v Speaker 3>is man made, because this brings up the problem of

0:29:44.200 --> 0:29:46.720
<v Speaker 3>how one would get it there, he says. But it's

0:29:46.760 --> 0:29:50.280
<v Speaker 3>fairly symmetrical, and the offshoots are all ninety degrees apart.

0:29:50.640 --> 0:29:53.120
<v Speaker 3>This is why it has been argued over for so long.

0:29:53.560 --> 0:29:55.479
<v Speaker 3>And then the article goes on to say the object

0:29:55.560 --> 0:29:59.400
<v Speaker 3>is probably about sixty centimeters high or about two feet high.

0:29:59.400 --> 0:30:02.920
<v Speaker 3>The photograph is being sent for analysis to some I

0:30:02.920 --> 0:30:06.200
<v Speaker 3>think some labs or the University of Southern California, and

0:30:06.280 --> 0:30:08.600
<v Speaker 3>that's about the end of it. But ooh, it's funny

0:30:08.600 --> 0:30:13.120
<v Speaker 3>that while nowhere in the article is it actually suggested

0:30:13.200 --> 0:30:18.800
<v Speaker 3>in seriousness that this object is alien or anything like that.

0:30:20.000 --> 0:30:24.240
<v Speaker 3>I think they accidentally laid the groundwork for that kind

0:30:24.280 --> 0:30:28.720
<v Speaker 3>of mythology to evolve, because there is kind of offhanded

0:30:28.880 --> 0:30:33.320
<v Speaker 3>suggestion of ruling out mundane explanations like couldn't be a

0:30:33.320 --> 0:30:35.800
<v Speaker 3>plant because you know, no light gets down there, so

0:30:36.320 --> 0:30:40.080
<v Speaker 3>that almost sounds too you know, a very a very

0:30:40.200 --> 0:30:43.920
<v Speaker 3>enthusiastic pro UFO type reader saying like, oh, well, then

0:30:44.000 --> 0:30:47.080
<v Speaker 3>it couldn't be organic at all. And then you say, well,

0:30:47.120 --> 0:30:49.800
<v Speaker 3>it couldn't be human made because you know, how would

0:30:49.840 --> 0:30:51.600
<v Speaker 3>you get it down to the bottom of the ocean.

0:30:51.640 --> 0:30:54.120
<v Speaker 3>And somebody could say that that's right, couldn't be human,

0:30:54.200 --> 0:30:57.280
<v Speaker 3>couldn't be couldn't be a plant, so it couldn't be organic. So,

0:30:57.680 --> 0:30:58.960
<v Speaker 3>I mean, what's left.

0:30:59.400 --> 0:31:01.600
<v Speaker 1>So just as the image has been taken, it's hit

0:31:01.640 --> 0:31:04.960
<v Speaker 1>the mainstream presses, and yes, at this point it is

0:31:05.120 --> 0:31:09.680
<v Speaker 1>picked up by the ufology and sort of fringe segment

0:31:10.040 --> 0:31:13.400
<v Speaker 1>of the population, and you know, it seems I don't

0:31:13.400 --> 0:31:15.080
<v Speaker 1>know if this was the case with you, Joe. It

0:31:15.080 --> 0:31:17.720
<v Speaker 1>seems like there might be a lot of this sort

0:31:17.720 --> 0:31:21.440
<v Speaker 1>of material, especially from like the mid to late sixties

0:31:21.480 --> 0:31:26.160
<v Speaker 1>that perhaps just hasn't survived, that isn't archive, that hasn't

0:31:26.200 --> 0:31:29.400
<v Speaker 1>been recorded, or it has where the information has been

0:31:29.440 --> 0:31:35.560
<v Speaker 1>reprinted and reused. Maybe the attribution system involved there isn't

0:31:35.600 --> 0:31:38.440
<v Speaker 1>as rigorous as you would find and like scientific reporting

0:31:38.480 --> 0:31:39.120
<v Speaker 1>and so forth.

0:31:40.000 --> 0:31:44.400
<v Speaker 3>Yeah, I mean, I was wondering about how many things

0:31:44.480 --> 0:31:47.720
<v Speaker 3>there are like this photo that just like nobody ever

0:31:47.920 --> 0:31:51.600
<v Speaker 3>noticed and attached any mythology to, you know, like they

0:31:51.680 --> 0:31:57.880
<v Speaker 3>just like never became a nucleation point for lore. But

0:31:58.200 --> 0:32:00.960
<v Speaker 3>there are just like a weird poo out there that

0:32:01.080 --> 0:32:03.640
<v Speaker 3>was taken maybe published in a newspaper article and then

0:32:03.680 --> 0:32:05.680
<v Speaker 3>forgotten like it.

0:32:05.840 --> 0:32:06.000
<v Speaker 2>You know.

0:32:06.080 --> 0:32:08.440
<v Speaker 3>So this originally was just published in a New Zealand

0:32:08.520 --> 0:32:11.400
<v Speaker 3>Herald article. I don't know how many people read that,

0:32:11.600 --> 0:32:16.000
<v Speaker 3>but the right people saw it and found out about it,

0:32:16.080 --> 0:32:20.920
<v Speaker 3>and that led to a whole burgeoning mythology and to

0:32:21.040 --> 0:32:25.120
<v Speaker 3>its inclusion and books and articles about UFOs and the

0:32:25.160 --> 0:32:26.440
<v Speaker 3>paranormal and so forth.

0:32:26.920 --> 0:32:29.120
<v Speaker 1>Yeah, so it seems to sort of maybe make the

0:32:29.200 --> 0:32:31.840
<v Speaker 1>rounds a little bit, but it definitely gets picked up

0:32:32.560 --> 0:32:35.080
<v Speaker 1>in what, at least in my research, was the earliest

0:32:35.080 --> 0:32:37.840
<v Speaker 1>book reference that I could actually like pull up on

0:32:37.920 --> 0:32:44.320
<v Speaker 1>my end, the earliest book reference to the Eltannan antenna.

0:32:44.600 --> 0:32:47.280
<v Speaker 1>And this is this would stem from I believe nineteen

0:32:47.360 --> 0:32:53.400
<v Speaker 1>sixty eight. The book is Harmonic thirty three by Bruce Cathy,

0:32:53.880 --> 0:32:56.680
<v Speaker 1>a New Zealand airline pilot who went on to write

0:32:56.720 --> 0:33:01.120
<v Speaker 1>seven books about UFOs, as well as a supposed world

0:33:01.360 --> 0:33:05.560
<v Speaker 1>energy grid the powers flying saucers and permits the detonation

0:33:05.640 --> 0:33:09.080
<v Speaker 1>of atomic explosions, but only at particular juncture points and

0:33:09.120 --> 0:33:10.320
<v Speaker 1>at specific times.

0:33:10.720 --> 0:33:14.760
<v Speaker 3>Kathy's work is explored extensively in this article in the

0:33:14.800 --> 0:33:17.600
<v Speaker 3>fourteen Times from two thousand and four by brook Smith,

0:33:18.120 --> 0:33:24.360
<v Speaker 3>and it is what's the right word, I guess just complex.

0:33:24.480 --> 0:33:28.280
<v Speaker 3>There is a lot of maps and annotation and reading

0:33:28.360 --> 0:33:34.680
<v Speaker 3>deeply into systems of geographical coordinates and making plots a

0:33:34.800 --> 0:33:37.440
<v Speaker 3>sort of a pattern seeking run amock.

0:33:38.080 --> 0:33:41.800
<v Speaker 1>Yeah. What I gather is that Bruce Cathy was an intelligent,

0:33:42.240 --> 0:33:46.160
<v Speaker 1>determined man who, having had a paranormal encounter of his own,

0:33:46.800 --> 0:33:50.400
<v Speaker 1>attempted to find some meaning and pattern in alleged sightings

0:33:50.440 --> 0:33:53.640
<v Speaker 1>around the world, you know, creating maps, drawing these lines,

0:33:54.520 --> 0:33:58.320
<v Speaker 1>working out different coordinates, and you know, working with descriptions

0:33:58.320 --> 0:34:01.520
<v Speaker 1>of things that seem like antennae, is either antennas that

0:34:01.600 --> 0:34:05.840
<v Speaker 1>are described on UFOs or in this case, an image

0:34:05.840 --> 0:34:09.440
<v Speaker 1>of something that can be interpreted as an antenna. The problem,

0:34:09.480 --> 0:34:11.840
<v Speaker 1>of course, is that the whole enterprise is constructed with

0:34:11.960 --> 0:34:15.480
<v Speaker 1>narrow focus and a preconceived conclusion, you know, based in

0:34:15.560 --> 0:34:18.640
<v Speaker 1>part in citing subjective experiences and also the sort of

0:34:19.200 --> 0:34:23.120
<v Speaker 1>low res information. So anyway, the first edition of this

0:34:23.160 --> 0:34:25.560
<v Speaker 1>book comes out, I believe in nineteen sixty eight, but

0:34:25.600 --> 0:34:29.040
<v Speaker 1>then the nineteen seventy two or nineteen seventy three reprint

0:34:29.080 --> 0:34:33.120
<v Speaker 1>of the book actually features that photograph of the altanna

0:34:33.120 --> 0:34:36.240
<v Speaker 1>and antenna on the cover, you know, with some added

0:34:36.560 --> 0:34:39.360
<v Speaker 1>you know, jazzy title design and like a blue tint,

0:34:39.719 --> 0:34:42.600
<v Speaker 1>and it is very eye catching, and I think it's

0:34:42.640 --> 0:34:45.680
<v Speaker 1>important that eye catching aspect of this cover in this illustration.

0:34:45.760 --> 0:34:49.040
<v Speaker 1>I think it's important because you have to imagine that

0:34:49.080 --> 0:34:51.360
<v Speaker 1>this book, you know, certainly it's going to connect with

0:34:51.440 --> 0:34:55.360
<v Speaker 1>various individuals that are interested in the paranormal and UFOs

0:34:55.400 --> 0:34:57.960
<v Speaker 1>and so forth, but also it's just going to be

0:34:57.960 --> 0:35:00.560
<v Speaker 1>on the shelf or or you know, in the layout

0:35:01.239 --> 0:35:04.040
<v Speaker 1>perhaps in a magazine with other books of this nature.

0:35:04.480 --> 0:35:06.920
<v Speaker 1>And in a sense you can imagine how it becomes

0:35:06.960 --> 0:35:10.000
<v Speaker 1>solidified as a symbol, you know, as one of these

0:35:10.000 --> 0:35:13.760
<v Speaker 1>sort of articles of faith in the paranormal, alongside things

0:35:13.920 --> 0:35:18.080
<v Speaker 1>like famous UFO sightings or illustrations, images of stone hinge

0:35:18.120 --> 0:35:18.800
<v Speaker 1>and so forth.

0:35:19.360 --> 0:35:24.200
<v Speaker 3>Ah, So it's not just one instrumental piece of evidence

0:35:24.280 --> 0:35:27.600
<v Speaker 3>that helps prove your theory about UFOs and alien contact

0:35:27.640 --> 0:35:30.600
<v Speaker 3>and everything, but it takes on a meaning. It has

0:35:30.600 --> 0:35:34.200
<v Speaker 3>a kind of significance where it might emotionally feel like

0:35:34.280 --> 0:35:38.120
<v Speaker 3>if this particular piece of evidence were explained as something

0:35:38.160 --> 0:35:41.279
<v Speaker 3>actually mundane, it would kind of be an insult to

0:35:41.360 --> 0:35:42.320
<v Speaker 3>the whole project.

0:35:42.880 --> 0:35:45.239
<v Speaker 1>Yeah, but also I think, just I don't know, part

0:35:45.280 --> 0:35:47.880
<v Speaker 1>of this is me going back to like being in

0:35:48.000 --> 0:35:50.239
<v Speaker 1>you know, being in stores, whether like they're you know,

0:35:50.520 --> 0:35:53.279
<v Speaker 1>movies or albums. You know, even if it's not an

0:35:53.320 --> 0:35:55.680
<v Speaker 1>album that you've listened to or a book you've read

0:35:55.800 --> 0:35:58.759
<v Speaker 1>or a movie you've seen, like that poster art being

0:35:58.800 --> 0:36:02.760
<v Speaker 1>displayed among all the other that album cover being displayed

0:36:02.800 --> 0:36:05.600
<v Speaker 1>among all the others, there's kind of this codifying effect

0:36:05.680 --> 0:36:09.719
<v Speaker 1>I feel, Yeah, but at any rate, Yeah, it's no

0:36:09.840 --> 0:36:12.279
<v Speaker 1>accident though that the altan and antenna is on the

0:36:12.320 --> 0:36:14.680
<v Speaker 1>cover there, because it does seem kind of like key

0:36:14.760 --> 0:36:18.839
<v Speaker 1>to his main ideas here. In particular, in the book,

0:36:18.880 --> 0:36:23.160
<v Speaker 1>he describes the altan and antenna and briefly explains why

0:36:23.200 --> 0:36:26.160
<v Speaker 1>he thinks humans couldn't have made it, and doesn't even

0:36:26.239 --> 0:36:29.279
<v Speaker 1>mention the possibility of organic origin even to dispute it,

0:36:29.640 --> 0:36:32.440
<v Speaker 1>like it doesn't even say anything like, well, some people

0:36:32.440 --> 0:36:34.759
<v Speaker 1>think this might be an organism, but it's not, or

0:36:34.760 --> 0:36:36.920
<v Speaker 1>it doesn't look like an organism. There's none of that.

0:36:37.400 --> 0:36:40.160
<v Speaker 1>He describes it as a quote bit of iron mungery

0:36:40.880 --> 0:36:43.760
<v Speaker 1>unquote that no humans could have possibly placed.

0:36:44.440 --> 0:36:47.400
<v Speaker 3>Okay, so as he presents, it's just axiomatic. This is

0:36:47.440 --> 0:36:50.400
<v Speaker 3>made of metal, and it's some piece of technology. And

0:36:50.440 --> 0:36:53.239
<v Speaker 3>the question is could it be human or must it

0:36:53.280 --> 0:36:55.880
<v Speaker 3>be other than human? And here's the argument why it

0:36:55.920 --> 0:36:56.960
<v Speaker 3>could not be human?

0:36:57.640 --> 0:37:00.720
<v Speaker 1>Right he In the book, he writes the following quote,

0:37:00.880 --> 0:37:03.080
<v Speaker 1>it would be interesting to know what the Americans have

0:37:03.160 --> 0:37:05.960
<v Speaker 1>made of that picture and whether any attempt has been

0:37:05.960 --> 0:37:09.560
<v Speaker 1>made to salvage the strange object they photographed by accident

0:37:10.120 --> 0:37:14.240
<v Speaker 1>in view of my earlier sighting in the Capara Harbor.

0:37:14.520 --> 0:37:17.000
<v Speaker 1>I was willing to accept that the aerial had been

0:37:17.000 --> 0:37:22.359
<v Speaker 1>placed there by an unidentified submarine object or USO. Can

0:37:22.400 --> 0:37:23.880
<v Speaker 1>you offer a better explanation.

0:37:25.760 --> 0:37:29.840
<v Speaker 3>Some of the writers who prefer an alien explanation specifically

0:37:30.400 --> 0:37:33.600
<v Speaker 3>cite the claim that, well, it was too far down

0:37:33.800 --> 0:37:37.400
<v Speaker 3>on the bottom of the ocean for a human made submarine,

0:37:37.400 --> 0:37:40.799
<v Speaker 3>any human made submarine at that time, to have deposited it.

0:37:41.000 --> 0:37:44.480
<v Speaker 3>Submarines couldn't go that deep. And I don't want to

0:37:45.040 --> 0:37:47.440
<v Speaker 3>I'm not mocking here or anything, but I mean I

0:37:47.520 --> 0:37:49.920
<v Speaker 3>do kind of think could you not think of another

0:37:50.120 --> 0:37:53.240
<v Speaker 3>way that, like a piece of metal could made by humans,

0:37:53.280 --> 0:37:55.200
<v Speaker 3>could have gotten to the bottom of the ocean other

0:37:55.239 --> 0:37:58.239
<v Speaker 3>than being deposited by a deep sea submersible.

0:37:58.960 --> 0:38:00.880
<v Speaker 1>Yeah, it seems like there's a rather obvious way to

0:38:00.880 --> 0:38:01.760
<v Speaker 1>get something down.

0:38:01.600 --> 0:38:03.799
<v Speaker 3>There, right, Otherwise you'd have to say the same thing

0:38:03.840 --> 0:38:07.080
<v Speaker 3>about like metal drums and barrels and stuff that end

0:38:07.160 --> 0:38:09.240
<v Speaker 3>up at the bottom of the ocean. I mean, there's gravity,

0:38:09.320 --> 0:38:11.880
<v Speaker 3>things can fall to the bottom. I guess there is

0:38:12.160 --> 0:38:15.839
<v Speaker 3>some reasoning militating against this that says, well, but it's

0:38:15.840 --> 0:38:18.600
<v Speaker 3>standing upright though. I guess you could explain that just

0:38:18.640 --> 0:38:20.520
<v Speaker 3>by like it being weighted a certain way.

0:38:21.440 --> 0:38:26.520
<v Speaker 1>Yeah, okay. For Kathy, his argument seems to be, well, okay,

0:38:26.600 --> 0:38:29.120
<v Speaker 1>you could probably get some sort of submersible down there,

0:38:29.239 --> 0:38:31.360
<v Speaker 1>but you wouldn't be able to do this kind of work.

0:38:31.440 --> 0:38:36.880
<v Speaker 1>So still I agree. It seems like it doesn't seem

0:38:36.920 --> 0:38:40.600
<v Speaker 1>like that logic would necessarily rule it out. But anyway,

0:38:40.640 --> 0:38:43.040
<v Speaker 1>elsewhere in the book, he frequently comes back to the

0:38:43.160 --> 0:38:47.000
<v Speaker 1>alten and antenna as being part of this elaborate global

0:38:47.120 --> 0:38:50.080
<v Speaker 1>energy grid, and he also connects the knobs or its

0:38:50.120 --> 0:38:53.600
<v Speaker 1>apparent knobs, two objects described on the bottoms of UFOs.

0:38:54.239 --> 0:39:00.000
<v Speaker 1>So if you were encountering images of this artifact, this object,

0:39:00.200 --> 0:39:04.040
<v Speaker 1>or this antenna in this book, or in books inspired

0:39:04.080 --> 0:39:08.080
<v Speaker 1>by it, or in the same sort of realm, could

0:39:08.120 --> 0:39:10.120
<v Speaker 1>you might well think, well, this is this is truly

0:39:10.120 --> 0:39:13.279
<v Speaker 1>a mystery, and we've got to go back there and

0:39:13.320 --> 0:39:16.359
<v Speaker 1>find it someday, or maybe we won't find it because

0:39:16.400 --> 0:39:19.719
<v Speaker 1>someone else has already come and and and harvested it,

0:39:19.760 --> 0:39:23.040
<v Speaker 1>et cetera. So you can imagine how this kind of

0:39:23.040 --> 0:39:27.799
<v Speaker 1>takes up and takes up this energy and becomes this again,

0:39:27.880 --> 0:39:30.000
<v Speaker 1>this kind of like icon within the realm of like

0:39:30.080 --> 0:39:31.759
<v Speaker 1>paranormal UFO investigation.

0:39:32.719 --> 0:39:37.320
<v Speaker 3>But as we have teased now multiple times, there's really

0:39:37.800 --> 0:39:40.520
<v Speaker 3>not much of a question anymore what it actually is.

0:39:40.719 --> 0:39:44.279
<v Speaker 3>And this is the result of marine biologists weighing.

0:39:44.000 --> 0:39:47.359
<v Speaker 1>In that's right. And that's one of the key things

0:39:47.400 --> 0:39:50.520
<v Speaker 1>about this one is that if you're looking at individuals

0:39:50.560 --> 0:39:55.000
<v Speaker 1>that actually have you know, the expertise regarding things that

0:39:55.200 --> 0:39:58.120
<v Speaker 1>might appear on the ocean floor in this part of

0:39:58.120 --> 0:40:00.640
<v Speaker 1>the world, Yeah, there seems to be no and there

0:40:00.680 --> 0:40:05.360
<v Speaker 1>hasn't been any mystery for decades and decades. In particular,

0:40:07.040 --> 0:40:10.040
<v Speaker 1>I mentioned earlier how there's the horizontal version of the

0:40:10.040 --> 0:40:12.720
<v Speaker 1>image and then there's this wider version of the image

0:40:12.719 --> 0:40:17.320
<v Speaker 1>that hasn't been cropped. This appears in a nineteen seventy

0:40:17.400 --> 0:40:21.080
<v Speaker 1>one book titled The Face of the Deep. This was

0:40:21.080 --> 0:40:25.880
<v Speaker 1>published by Oxford University Press and was authored by Bruce C.

0:40:26.040 --> 0:40:29.319
<v Speaker 1>Heasen and Charles D. Hollister. This book was not a

0:40:30.120 --> 0:40:33.680
<v Speaker 1>UFOology work, but rather set out to present quote, a

0:40:33.719 --> 0:40:36.440
<v Speaker 1>selection of the best photographs of the deep sea floor

0:40:36.440 --> 0:40:39.919
<v Speaker 1>for you to look at and contemplate, which maybe wasn't

0:40:39.920 --> 0:40:44.120
<v Speaker 1>taking it far enough because Bruce Cathy and others were

0:40:44.120 --> 0:40:47.920
<v Speaker 1>certainly contemplating it, but they were going off an entirely

0:40:47.920 --> 0:40:50.239
<v Speaker 1>different direction. In the book, they note that about it,

0:40:50.280 --> 0:40:52.440
<v Speaker 1>one third of the photographs in the book were obtained

0:40:53.000 --> 0:40:56.200
<v Speaker 1>quote over the past few years in Antarctic waters by

0:40:56.239 --> 0:40:59.880
<v Speaker 1>the National Science Foundation's research ship el Tatnan.

0:41:00.800 --> 0:41:02.680
<v Speaker 3>All Right, so what do they say about the photo

0:41:02.719 --> 0:41:03.160
<v Speaker 3>in question?

0:41:03.960 --> 0:41:07.640
<v Speaker 1>All right, Well, the caption for the photo and alone says,

0:41:08.080 --> 0:41:13.000
<v Speaker 1>note antenna like sponge clataisa in the lower photograph.

0:41:13.400 --> 0:41:15.400
<v Speaker 3>All right, So not only are they noting this is

0:41:15.440 --> 0:41:19.239
<v Speaker 3>an animal, it is a sponge, they specify a genus name,

0:41:19.280 --> 0:41:23.200
<v Speaker 3>which was at the time Clatterresa. Now, as a kind

0:41:23.200 --> 0:41:26.400
<v Speaker 3>of confusing note, it seems to me that the same

0:41:26.480 --> 0:41:29.719
<v Speaker 3>animal they're talking about, this type of sponge, was at

0:41:29.760 --> 0:41:32.920
<v Speaker 3>the time taxonomized in the genus Clatterresa. So it was

0:41:32.960 --> 0:41:37.880
<v Speaker 3>known as Clatterresa concretions. But now the same species is

0:41:37.920 --> 0:41:42.880
<v Speaker 3>sorted into a different genus and it's known as Chondrocladia concretions.

0:41:43.400 --> 0:41:45.000
<v Speaker 1>Yeah, and this sort of thing's fairly common.

0:41:45.239 --> 0:41:49.640
<v Speaker 3>Yeah, things get differently taxonomized when they get further studied.

0:41:50.160 --> 0:41:52.200
<v Speaker 1>Now, elsewhere in the book The Face of the Deep,

0:41:52.280 --> 0:41:55.480
<v Speaker 1>the authors go into a little more detail. They're right. Quote,

0:41:55.719 --> 0:41:59.600
<v Speaker 1>while the bath sponges are limited to the warmest shallow

0:41:59.640 --> 0:42:02.800
<v Speaker 1>water of the continental shelf. A few of their bizarre

0:42:02.840 --> 0:42:06.919
<v Speaker 1>relatives are rather commonly found in the deep sea. Clatteriza,

0:42:07.040 --> 0:42:10.839
<v Speaker 1>A particularly dramatic one which sometimes resembles a space age

0:42:10.880 --> 0:42:15.080
<v Speaker 1>microwave antenna, was not uncommon in the early dredge halls

0:42:15.320 --> 0:42:22.120
<v Speaker 1>of Challenger and Blake. Alexander Agassi observed that quote they

0:42:22.120 --> 0:42:25.960
<v Speaker 1>are sponges with a long stem ending in ramifying roots

0:42:26.360 --> 0:42:29.880
<v Speaker 1>sunk deeply in the mud. The stem has nodes with

0:42:30.080 --> 0:42:34.360
<v Speaker 1>four to six clublike appendages. They evidently cover like Bush's

0:42:34.440 --> 0:42:37.960
<v Speaker 1>extensive tracts of the bottom. Now, a couple of notes

0:42:37.960 --> 0:42:42.200
<v Speaker 1>here about what they're referring to. Alexander Agassi lived eighteen

0:42:42.280 --> 0:42:44.360
<v Speaker 1>thirty five through nineteen ten, and he was a noted

0:42:44.360 --> 0:42:48.560
<v Speaker 1>Swiss American scientist and inventor. He was also a rather

0:42:48.640 --> 0:42:52.359
<v Speaker 1>infamous supporter of scientific racism, but his contributions in non

0:42:52.480 --> 0:42:56.240
<v Speaker 1>human biology and geology of the time seem pretty sound.

0:42:56.880 --> 0:43:00.359
<v Speaker 3>And the Challenger there would be referring to the Challenger expedition,

0:43:00.480 --> 0:43:02.080
<v Speaker 3>which we've talked about on the show before. I think

0:43:02.120 --> 0:43:05.040
<v Speaker 3>maybe we talked about it in the context of, like

0:43:05.440 --> 0:43:07.080
<v Speaker 3>maybe William beebe or something.

0:43:07.719 --> 0:43:11.200
<v Speaker 1>Yeah, I think so some deep sea exploration dredging up

0:43:11.920 --> 0:43:13.920
<v Speaker 1>life forms and so forth from the bottom.

0:43:14.320 --> 0:43:16.560
<v Speaker 3>Right, But this would have been in the nineteenth century,

0:43:16.640 --> 0:43:18.920
<v Speaker 3>so like a long time ago. But they're in nineteenth

0:43:18.960 --> 0:43:23.280
<v Speaker 3>century ships like running sort of devices along the seafloor

0:43:23.320 --> 0:43:25.680
<v Speaker 3>to try to pull things up and see what's down there.

0:43:26.120 --> 0:43:29.640
<v Speaker 1>Yeah. So at this point, this particular species had been

0:43:29.680 --> 0:43:33.040
<v Speaker 1>known about for decades. It was this was not like, oh,

0:43:33.239 --> 0:43:36.160
<v Speaker 1>this is some unknown creature. No, they when people wh

0:43:36.200 --> 0:43:38.680
<v Speaker 1>knew what they were talking about looked at it, they

0:43:38.719 --> 0:43:42.520
<v Speaker 1>were able to match it up with some actual organisms

0:43:42.760 --> 0:43:43.600
<v Speaker 1>in the record book.

0:43:44.000 --> 0:43:47.120
<v Speaker 3>Right, Well, people who knew about deep sea sponges would

0:43:47.120 --> 0:43:49.560
<v Speaker 3>know what they were looking at. But to the average person,

0:43:49.640 --> 0:43:51.919
<v Speaker 3>it just looks like a really weird shape that could

0:43:51.920 --> 0:43:54.600
<v Speaker 3>well be in antenna. Like you wouldn't expect any just

0:43:54.640 --> 0:43:57.920
<v Speaker 3>the regular person off the street to recognize this species

0:43:57.960 --> 0:43:59.360
<v Speaker 3>of sponge.

0:43:58.960 --> 0:44:01.080
<v Speaker 1>Right, Yeah, this is special information to be it to

0:44:01.080 --> 0:44:03.320
<v Speaker 1>be clear. Now, in the book, they note that the

0:44:03.800 --> 0:44:06.600
<v Speaker 1>photo in question, in a zoomed in horizontal version, is

0:44:06.719 --> 0:44:10.800
<v Speaker 1>of quote a bizarre antenna like abysal sponge, which quote

0:44:11.040 --> 0:44:16.360
<v Speaker 1>stands erect towering over the manganese nodules in the bellings

0:44:16.400 --> 0:44:20.360
<v Speaker 1>Housen basin South Pacific. There were apparently sixteen different images

0:44:20.360 --> 0:44:23.000
<v Speaker 1>from this location. And again, remember we were talking about

0:44:23.000 --> 0:44:24.600
<v Speaker 1>how those images were taken. They were kind of like

0:44:24.640 --> 0:44:30.120
<v Speaker 1>fired off automatically by this large capsule being pulled at

0:44:30.160 --> 0:44:34.160
<v Speaker 1>depth behind the ship. But of those sixteen images, only

0:44:34.239 --> 0:44:36.320
<v Speaker 1>one image captured this sponge.

0:44:36.760 --> 0:44:40.200
<v Speaker 3>Now it's mentioned that the sponge is often found in

0:44:40.280 --> 0:44:43.560
<v Speaker 3>sort of little forests on the seafloor where there would

0:44:43.600 --> 0:44:46.879
<v Speaker 3>be others of the same type surrounding it. In this case,

0:44:46.920 --> 0:44:49.439
<v Speaker 3>it was standing alone, and I wonder how it would

0:44:49.480 --> 0:44:52.480
<v Speaker 3>have been received differently if there were other similarly shaped

0:44:52.520 --> 0:44:53.759
<v Speaker 3>objects all around it.

0:44:54.160 --> 0:44:56.320
<v Speaker 1>Yeah, it's an interesting question because on one hand, you

0:44:56.320 --> 0:44:59.480
<v Speaker 1>can imagine exactly the same thing occurring. But you could

0:44:59.480 --> 0:45:02.839
<v Speaker 1>also make it argument that yes, by standing alone and

0:45:02.880 --> 0:45:07.320
<v Speaker 1>you know, standing out on the seafloor scape around it

0:45:07.360 --> 0:45:10.799
<v Speaker 1>made it more iconic, made it more mysterious seeming. But

0:45:10.880 --> 0:45:13.640
<v Speaker 1>the authors here note that while the Challenger and Blake

0:45:13.719 --> 0:45:18.000
<v Speaker 1>expeditions dredged in an area with considerably more of these, yeah,

0:45:18.040 --> 0:45:21.239
<v Speaker 1>this one does seem to have stood alone. Agacy drew

0:45:21.320 --> 0:45:26.920
<v Speaker 1>the sponge in illustrations with drooping or arching limbs curved

0:45:26.960 --> 0:45:30.000
<v Speaker 1>in either case, while this image shows the organism erect

0:45:30.239 --> 0:45:34.120
<v Speaker 1>with horizontally positioned appendages. They also note that quote the

0:45:34.160 --> 0:45:36.520
<v Speaker 1>tops of the appendages show up so brightly in the

0:45:36.520 --> 0:45:39.480
<v Speaker 1>photographs to suggest they are either of an extremely light

0:45:39.560 --> 0:45:44.879
<v Speaker 1>color or that they phosphores So I think that's that's

0:45:45.120 --> 0:45:47.400
<v Speaker 1>a good point. We'll probably come back to that. But

0:45:48.239 --> 0:45:51.319
<v Speaker 1>also this whole idea of well, Agasy drew it one

0:45:51.360 --> 0:45:53.800
<v Speaker 1>way and it looks a different way. I mean that

0:45:53.800 --> 0:45:55.440
<v Speaker 1>that pretty much matches up with a lot of what

0:45:55.480 --> 0:45:58.880
<v Speaker 1>we've talked about regarding deep sea organisms. If you dredge

0:45:58.880 --> 0:46:01.399
<v Speaker 1>them up for the deep or pull them up even

0:46:01.440 --> 0:46:05.360
<v Speaker 1>in even in like a cage or something, there's a

0:46:05.400 --> 0:46:07.240
<v Speaker 1>lot that can happen on its way to the surface.

0:46:07.560 --> 0:46:10.279
<v Speaker 1>You're taking it out of one environment and bring it

0:46:10.320 --> 0:46:13.160
<v Speaker 1>into a drastically different one. All sorts of things can

0:46:13.200 --> 0:46:18.600
<v Speaker 1>occur to you, you know, decompression, explosions and so forth.

0:46:18.640 --> 0:46:21.640
<v Speaker 1>So it's not that crazy to imagine that, well, it

0:46:21.719 --> 0:46:23.719
<v Speaker 1>looked different once they had dredged it up from the

0:46:23.719 --> 0:46:26.359
<v Speaker 1>bottom as opposed to how it is positioned in its

0:46:26.440 --> 0:46:27.280
<v Speaker 1>natural habitat.

0:46:27.640 --> 0:46:31.080
<v Speaker 3>Absolutely yeah, changes in pressure, changes in temperature, and possibly

0:46:31.239 --> 0:46:34.520
<v Speaker 3>damage caused just by whatever device you're using to remove

0:46:34.560 --> 0:46:46.840
<v Speaker 3>it from its habitat and drag it up right.

0:46:47.640 --> 0:46:50.400
<v Speaker 1>So we're at an interesting point here with this one,

0:46:50.440 --> 0:46:55.400
<v Speaker 1>because on one hand, the paranormal the UFO explanation for

0:46:55.440 --> 0:46:58.719
<v Speaker 1>this is weird and strange and tantalizing. But then the

0:46:58.800 --> 0:47:05.319
<v Speaker 1>natural world explanation is equally, if not more, amazing and

0:47:05.440 --> 0:47:09.600
<v Speaker 1>strange and tantalizing. But of course you have to certainly,

0:47:09.880 --> 0:47:12.759
<v Speaker 1>in decades past you had to have specialized information or

0:47:12.800 --> 0:47:17.879
<v Speaker 1>access to scientific data to be able to really get

0:47:17.880 --> 0:47:23.120
<v Speaker 1>in an understanding of the natural world explanation for this object,

0:47:23.600 --> 0:47:27.640
<v Speaker 1>and perhaps in some circles the paranormal explanation is going

0:47:27.680 --> 0:47:29.239
<v Speaker 1>to be a little easier to get your hands on.

0:47:29.680 --> 0:47:33.680
<v Speaker 3>I think that's right, And it's also important to emphasize

0:47:34.040 --> 0:47:36.560
<v Speaker 3>how easy it is to look at some things in

0:47:36.680 --> 0:47:39.359
<v Speaker 3>nature and just say, well, that looks really weird. I've

0:47:39.400 --> 0:47:42.600
<v Speaker 3>never seen anything like that in nature, so it must

0:47:42.680 --> 0:47:45.839
<v Speaker 3>not be natural. And so I think it is time

0:47:45.880 --> 0:47:48.920
<v Speaker 3>to take a short diversion just to talk about sponges

0:47:49.040 --> 0:47:52.040
<v Speaker 3>and sponges that look like machines, or sponges that look

0:47:52.200 --> 0:47:56.880
<v Speaker 3>like aliens. Yeah, so again, the identification of the Eltannan

0:47:56.960 --> 0:48:02.600
<v Speaker 3>object as a specimen of Chondrocladia crescens or concretions seems

0:48:03.400 --> 0:48:06.360
<v Speaker 3>pretty much rock solid to me, Like that, that's almost

0:48:06.400 --> 0:48:08.560
<v Speaker 3>got to be what it was. But I thought it

0:48:08.600 --> 0:48:11.120
<v Speaker 3>would be worth it to look at some other sponges

0:48:11.160 --> 0:48:15.080
<v Speaker 3>as well, especially carnivorous sponges, of which this species is

0:48:15.120 --> 0:48:18.959
<v Speaker 3>an example concrescens as a carnivorous sponge. So rob, let's

0:48:18.960 --> 0:48:21.880
<v Speaker 3>look at a photo of a different but closely related

0:48:21.960 --> 0:48:25.120
<v Speaker 3>species of sponge. I've got one for you to look at.

0:48:25.120 --> 0:48:25.319
<v Speaker 1>Here.

0:48:25.400 --> 0:48:28.160
<v Speaker 3>For you people at home, I will describe it. So

0:48:28.280 --> 0:48:31.680
<v Speaker 3>this is a species from the same genus, both from Chondrocladia.

0:48:32.120 --> 0:48:36.440
<v Speaker 3>This one is Chondrocladia lira, or the liar sponge, or

0:48:36.480 --> 0:48:40.120
<v Speaker 3>more commonly, I think the harp sponge. Now I dare

0:48:40.200 --> 0:48:44.920
<v Speaker 3>say that in some photos this animal looks even more

0:48:45.360 --> 0:48:49.359
<v Speaker 3>like technology than its cousin, looks even more like technology

0:48:49.400 --> 0:48:50.360
<v Speaker 3>than concrescens.

0:48:50.640 --> 0:48:54.280
<v Speaker 1>Oh yeah, this one is a really weird looking organism.

0:48:54.760 --> 0:49:00.279
<v Speaker 1>Like I instantly think about the various illustrations of an

0:49:00.280 --> 0:49:03.400
<v Speaker 1>alien life in one season the art of Wayne Barlow,

0:49:03.680 --> 0:49:07.640
<v Speaker 1>You know that, And then fantastic illustrator of monsters and aliens,

0:49:07.640 --> 0:49:11.400
<v Speaker 1>but also paleontology as well. He also did some wonderful

0:49:11.400 --> 0:49:14.880
<v Speaker 1>dinosaur illustrations. But some of his stuff looks this wild

0:49:15.080 --> 0:49:19.240
<v Speaker 1>and believable but not, you know, not something of this world.

0:49:20.160 --> 0:49:23.280
<v Speaker 3>Can you imagine the hype you could churn up around

0:49:23.280 --> 0:49:27.600
<v Speaker 3>a good, grainy or blurry, low resolution photo of this

0:49:27.680 --> 0:49:30.840
<v Speaker 3>creature if it had not yet been identified. It looks

0:49:30.920 --> 0:49:34.120
<v Speaker 3>like a device that one of James Bond's enemies would

0:49:34.200 --> 0:49:36.800
<v Speaker 3>use to generate a deadly field of rays.

0:49:37.600 --> 0:49:39.600
<v Speaker 1>Oh yeah, absolutely, so.

0:49:39.600 --> 0:49:41.520
<v Speaker 3>I'll try to if you're not able to look it

0:49:41.600 --> 0:49:44.479
<v Speaker 3>up again. It's called the harp sponge or Chondrocladia lira,

0:49:45.200 --> 0:49:47.439
<v Speaker 3>but I'll try to describe it as plainly as I can.

0:49:47.480 --> 0:49:51.320
<v Speaker 3>So it is a creature made up of multiple intersecting

0:49:51.560 --> 0:49:56.440
<v Speaker 3>horizontal veins that run parallel to the seafloor. So imagine

0:49:56.440 --> 0:50:00.359
<v Speaker 3>a pattern of intersecting sort of bars or branch that

0:50:00.440 --> 0:50:03.319
<v Speaker 3>run along the bottom of the ocean. You can think

0:50:03.360 --> 0:50:07.000
<v Speaker 3>of these as kind of base bars, and they could

0:50:07.080 --> 0:50:10.160
<v Speaker 3>just be a couple of veins running basically in a

0:50:10.160 --> 0:50:12.959
<v Speaker 3>line symmetrically at the base, or there might be many

0:50:13.040 --> 0:50:16.080
<v Speaker 3>of these veins intersecting. In the photo we're looking at,

0:50:16.400 --> 0:50:20.000
<v Speaker 3>there are five intersecting veins arranged in a star pattern.

0:50:20.520 --> 0:50:23.279
<v Speaker 3>This base structure is anchored to the sediment at the

0:50:23.280 --> 0:50:26.960
<v Speaker 3>bottom with a root like structure called a rhizoid, and

0:50:27.040 --> 0:50:31.120
<v Speaker 3>then jutting straight up at ninety degree angles from the

0:50:31.160 --> 0:50:35.160
<v Speaker 3>base veins are the branches, and these are arranged like

0:50:35.239 --> 0:50:38.160
<v Speaker 3>the bars of a wrought iron fence. It looks like

0:50:38.200 --> 0:50:43.040
<v Speaker 3>a metal fence standing straight up, evenly spaced and parallel

0:50:43.080 --> 0:50:45.800
<v Speaker 3>to each other, so they look like a fence, or

0:50:45.840 --> 0:50:49.600
<v Speaker 3>an array of antenna parts or some other electronic device.

0:50:50.080 --> 0:50:54.400
<v Speaker 3>And on some of these animals, the branches gradually increase

0:50:54.560 --> 0:50:56.960
<v Speaker 3>in height as they get closer to the middle of

0:50:57.000 --> 0:50:58.960
<v Speaker 3>the star, so out at the end of the veins

0:50:59.000 --> 0:51:02.200
<v Speaker 3>the branches are very short, and then they slope gently

0:51:02.360 --> 0:51:06.279
<v Speaker 3>up in smooth slope toward the middle, so that the

0:51:06.280 --> 0:51:10.800
<v Speaker 3>fence posts or the antenna bars form a pyramid shape

0:51:11.120 --> 0:51:14.280
<v Speaker 3>with these these smooth sloping edges going up to the middle.

0:51:14.600 --> 0:51:17.440
<v Speaker 3>What on earth would you make of a blurry photograph

0:51:17.560 --> 0:51:18.239
<v Speaker 3>of this thing?

0:51:19.120 --> 0:51:21.319
<v Speaker 1>Oh? Yeah, I would see it would clearly feel like

0:51:21.400 --> 0:51:25.080
<v Speaker 1>nothing of this earth, some sort of a strange radar

0:51:25.280 --> 0:51:27.360
<v Speaker 1>ra or something or some an rray placed on the

0:51:27.400 --> 0:51:30.200
<v Speaker 1>bottom of the ocean by who knows what. Oh.

0:51:30.200 --> 0:51:33.680
<v Speaker 3>And then also they're on the top of these little posts.

0:51:33.760 --> 0:51:38.360
<v Speaker 3>They're bulbs. Apparently those are sperm sacks. But the species

0:51:38.600 --> 0:51:41.920
<v Speaker 3>was first described in the literature in a paper from

0:51:41.960 --> 0:51:46.440
<v Speaker 3>twenty twelve published in the Journal Invertebrate Biology. So twenty twelve,

0:51:46.760 --> 0:51:48.640
<v Speaker 3>there have been a photo of this thing, grainy photo

0:51:48.680 --> 0:51:51.840
<v Speaker 3>from decades ago. You wouldn't even have any knowledge to

0:51:51.960 --> 0:51:55.000
<v Speaker 3>compare it to. So to cite the paper, it was

0:51:55.080 --> 0:51:59.480
<v Speaker 3>by Welton L. Lee, Henry M. Riiswig, William C. Austin,

0:51:59.560 --> 0:52:02.920
<v Speaker 3>and Lanna lund Steen. It was called an extraordinary new

0:52:03.000 --> 0:52:09.640
<v Speaker 3>carnivorous sponge Chondrocladia lira in the new subgenus Symmetrocladia from

0:52:09.680 --> 0:52:12.840
<v Speaker 3>off of northern California, USA. A few notes from the

0:52:12.880 --> 0:52:15.960
<v Speaker 3>paper here they say it was observed quote from Northeast

0:52:16.000 --> 0:52:20.800
<v Speaker 3>Pacific sites at the Escanaba Ridge and Monterey canyonate depths

0:52:20.840 --> 0:52:24.680
<v Speaker 3>of three three one six to three three nine nine meters,

0:52:25.120 --> 0:52:27.719
<v Speaker 3>And the scientists describe the structure like this, They say,

0:52:27.800 --> 0:52:31.719
<v Speaker 3>quote the basic structure termed a vein, is harp or

0:52:31.800 --> 0:52:35.960
<v Speaker 3>lyre shaped from one to six veins extend by radial

0:52:36.040 --> 0:52:39.560
<v Speaker 3>growth from the organism's center. The orientation among the veins

0:52:39.600 --> 0:52:44.480
<v Speaker 3>is approximately equiangular, such that together they display pina, radiate,

0:52:44.840 --> 0:52:49.600
<v Speaker 3>tetra radiate, tri radiate, or biradiate symmetries. Each vein is

0:52:49.640 --> 0:52:53.560
<v Speaker 3>formed by a horizontal stolon supporting a series of upright

0:52:53.680 --> 0:52:57.600
<v Speaker 3>equidistantly spaced branches, each of which terminates at its apex

0:52:57.880 --> 0:53:01.919
<v Speaker 3>in a swollen ball in all observed specimens except the paratype,

0:53:02.280 --> 0:53:05.560
<v Speaker 3>so the veins. They can be oriented as a sort

0:53:05.560 --> 0:53:08.520
<v Speaker 3>of two sided comb, or with three arms or four

0:53:08.640 --> 0:53:12.880
<v Speaker 3>or five, always roughly radially symmetrical. Now, the big question

0:53:13.239 --> 0:53:16.360
<v Speaker 3>I think worth asking is why would it be shaped

0:53:16.440 --> 0:53:18.640
<v Speaker 3>like this? Like, why does it look that way? Why

0:53:18.719 --> 0:53:21.840
<v Speaker 3>would evolution make a weird looking animal that could be

0:53:21.880 --> 0:53:25.480
<v Speaker 3>a sort of technomorph structure. Well, a passage from this

0:53:25.600 --> 0:53:29.200
<v Speaker 3>paper illuminates that. It says, quote, a linear row of

0:53:29.239 --> 0:53:33.120
<v Speaker 3>filaments project from the sides, front and back of each branch,

0:53:33.239 --> 0:53:38.120
<v Speaker 3>and also from the tops of each stolon. Enclosed crustacean

0:53:38.280 --> 0:53:43.000
<v Speaker 3>prey on branches and stolons provide direct evidence of carnivory.

0:53:43.680 --> 0:53:47.200
<v Speaker 3>The structure of the veins maximize the surface area for

0:53:47.360 --> 0:53:52.400
<v Speaker 3>passive suspension feeding. So this sponge is a predator. It

0:53:52.480 --> 0:53:57.840
<v Speaker 3>is a carnivore feeding by catching small animal prey in

0:53:57.920 --> 0:54:01.759
<v Speaker 3>the filaments that extend between ween these branches, between the

0:54:01.800 --> 0:54:05.120
<v Speaker 3>posts of the wrought iron fence, the little catch hooks

0:54:05.120 --> 0:54:07.959
<v Speaker 3>that spread out between the bars, And if you zoom

0:54:08.000 --> 0:54:10.399
<v Speaker 3>in close enough on any of the pictures, you can

0:54:10.480 --> 0:54:13.759
<v Speaker 3>see the little filaments, these little hair like hooks. And

0:54:13.800 --> 0:54:17.360
<v Speaker 3>of course the scientists say that they found tiny half

0:54:17.480 --> 0:54:22.680
<v Speaker 3>digested remnants of crustaceans, of animals caught in those branches.

0:54:25.000 --> 0:54:28.359
<v Speaker 3>I was reading a press release about this research from

0:54:28.440 --> 0:54:31.600
<v Speaker 3>the Monterey Bay Aquarium Research Institute, which was involved in

0:54:31.640 --> 0:54:35.640
<v Speaker 3>the discovery, and the release was written by Dana Lecano,

0:54:35.920 --> 0:54:39.560
<v Speaker 3>and they write, quote clinging with root like rhizoids to

0:54:39.600 --> 0:54:43.080
<v Speaker 3>the soft, muddy sediment, the harp sponge captures tiny animals

0:54:43.080 --> 0:54:46.800
<v Speaker 3>that are swept into its branches by deep sea currents. Typically,

0:54:47.120 --> 0:54:51.080
<v Speaker 3>sponges feed by straining bacteria and bits of organic material

0:54:51.440 --> 0:54:56.080
<v Speaker 3>from the seawater they filter through their bodies. However, carnivorous

0:54:56.080 --> 0:55:00.960
<v Speaker 3>harp sponges snare their prey, tiny crustaceans with barbed hooks

0:55:01.000 --> 0:55:04.480
<v Speaker 3>that cover the sponges branching limbs. Once the harp sponge

0:55:04.600 --> 0:55:07.720
<v Speaker 3>has the prey in its clutches, it envelops the animal

0:55:07.840 --> 0:55:11.279
<v Speaker 3>in a thin membrane then slowly begins to digest it.

0:55:11.760 --> 0:55:13.880
<v Speaker 3>So when you look at it with this in mind,

0:55:14.200 --> 0:55:16.799
<v Speaker 3>the design makes perfect sense. It looks like some kind

0:55:16.800 --> 0:55:20.240
<v Speaker 3>of antenna array or a fence or something else because

0:55:20.280 --> 0:55:24.600
<v Speaker 3>it's trying to maximize surface area for catching things swimming

0:55:24.680 --> 0:55:27.760
<v Speaker 3>or flowing through the water. It wants to spread out

0:55:28.160 --> 0:55:31.200
<v Speaker 3>sort of a net across the sea currents and to

0:55:31.320 --> 0:55:34.920
<v Speaker 3>catch prey. But also the authors say the animal surface

0:55:34.960 --> 0:55:38.160
<v Speaker 3>area is sort of spread out maximized like that for

0:55:38.239 --> 0:55:43.680
<v Speaker 3>spermatophor capture, so it helps the sponge reproduce. And then

0:55:43.719 --> 0:55:45.799
<v Speaker 3>I was reading, so what are the branches on the

0:55:45.840 --> 0:55:49.960
<v Speaker 3>original Eltannen organism for? You know, the branches coming off

0:55:49.960 --> 0:55:54.800
<v Speaker 3>of the so called antenna that is identified as Chondrocladia concrescens.

0:55:55.080 --> 0:55:58.719
<v Speaker 3>Those are also forefeeding. They also have filaments coming off

0:55:58.719 --> 0:56:01.600
<v Speaker 3>of them that catch prey and help cover it in

0:56:01.600 --> 0:56:03.120
<v Speaker 3>the membrane and digest it.

0:56:03.800 --> 0:56:06.560
<v Speaker 1>So really, in a way you could compare them to

0:56:06.640 --> 0:56:10.040
<v Speaker 1>an antenna because they are they're spread out to collect,

0:56:10.760 --> 0:56:15.839
<v Speaker 1>but instead of collecting waves or transmissions or information, they're

0:56:15.840 --> 0:56:18.680
<v Speaker 1>collecting prey. They're collecting these tiny crustaceans.

0:56:19.200 --> 0:56:21.120
<v Speaker 3>Oh, I guess in a weird way, they also could

0:56:21.160 --> 0:56:25.400
<v Speaker 3>be like a transmitting antenna because they are releasing sperm

0:56:26.080 --> 0:56:28.719
<v Speaker 3>from the sperm sacks at the top and then collecting

0:56:28.800 --> 0:56:31.600
<v Speaker 3>it along the for reproduction purposes.

0:56:31.680 --> 0:56:33.640
<v Speaker 1>Yeah. Now, I did want to mention just a couple

0:56:33.680 --> 0:56:35.920
<v Speaker 1>of other sponges to sort of drive home the weirdness

0:56:35.920 --> 0:56:39.319
<v Speaker 1>of all of this. Another sponge worth mentioning here is

0:56:40.320 --> 0:56:46.560
<v Speaker 1>Advena Magnifica. That's Latin apparently for magnificent alien, named in

0:56:46.680 --> 0:56:51.279
<v Speaker 1>twenty twenty after explorations in the Pacific by the NAA

0:56:51.480 --> 0:56:56.400
<v Speaker 1>ship Okinos Explorer. This is a quote from an NAA

0:56:56.480 --> 0:57:00.200
<v Speaker 1>article about this quote. Among the different sponges within this

0:57:00.280 --> 0:57:03.600
<v Speaker 1>alien like community was one that could not be missed.

0:57:04.000 --> 0:57:07.000
<v Speaker 1>Rising high on a stalk. This sponge had a body

0:57:07.040 --> 0:57:10.240
<v Speaker 1>with two large holes, oddly reminiscent of the large eyes

0:57:10.280 --> 0:57:14.080
<v Speaker 1>of the alien from the beloved movie E T. The Extraterrestrial.

0:57:14.960 --> 0:57:17.680
<v Speaker 1>I included comparison images here for you, Joe, in case

0:57:17.680 --> 0:57:19.680
<v Speaker 1>you don't remember what ET looks like, and you want

0:57:19.680 --> 0:57:21.160
<v Speaker 1>to know what the et sponge looks like.

0:57:21.240 --> 0:57:24.880
<v Speaker 3>Here, it's uncanny. I mean, I think it's they're copying

0:57:24.920 --> 0:57:25.800
<v Speaker 3>Steven Spielberg.

0:57:25.920 --> 0:57:31.400
<v Speaker 1>This is just it is ET's head. It's maybe less,

0:57:31.640 --> 0:57:33.720
<v Speaker 1>it's not one to one, but you can see it. Yeah,

0:57:33.760 --> 0:57:35.720
<v Speaker 1>I mean, to be clear, this one doesn't look like

0:57:35.720 --> 0:57:37.960
<v Speaker 1>a machine. This one doesn't look like an antenna, and

0:57:38.000 --> 0:57:40.800
<v Speaker 1>it only I guess a little bit looks like ET's head.

0:57:40.880 --> 0:57:43.800
<v Speaker 1>But still, you know, we're dealing with organisms that, by

0:57:43.840 --> 0:57:46.720
<v Speaker 1>their very nature feel entirely alien to us, and in

0:57:46.760 --> 0:57:48.560
<v Speaker 1>this case, they just went ahead and named it after

0:57:48.600 --> 0:57:51.600
<v Speaker 1>an alien. Now, I also suppose I need to mention

0:57:52.040 --> 0:57:56.520
<v Speaker 1>SpongeBob SquarePants and all of those. The cartoon character is,

0:57:56.560 --> 0:58:00.080
<v Speaker 1>if you're not familiar with him, a sentient talking sponge,

0:58:00.160 --> 0:58:03.000
<v Speaker 1>and his shape and coloration are clearly based on the

0:58:03.040 --> 0:58:07.560
<v Speaker 1>common artificial bright yellow cleaning sponge, so not you know,

0:58:08.480 --> 0:58:12.480
<v Speaker 1>upper depth depth sponges that are harvested and used for sponges,

0:58:12.520 --> 0:58:15.560
<v Speaker 1>but of course the artificial kind that are manufactured to

0:58:16.120 --> 0:58:18.600
<v Speaker 1>you know, to help us clean our dishes and so forth.

0:58:19.240 --> 0:58:20.960
<v Speaker 1>And that's always been kind of the clear joke here

0:58:21.000 --> 0:58:25.880
<v Speaker 1>with SpongeBob square pants. But interestingly enough, in twenty twenty one,

0:58:26.080 --> 0:58:30.080
<v Speaker 1>you know AA's North Atlantic Stepping Stones expedition happened to

0:58:30.160 --> 0:58:33.080
<v Speaker 1>snap a high quality photograph a mile beneath the waves

0:58:33.680 --> 0:58:38.280
<v Speaker 1>of a not a perfect square, but a very square

0:58:38.640 --> 0:58:43.200
<v Speaker 1>like bright yellow sponge, and beside it there's a c

0:58:43.400 --> 0:58:47.040
<v Speaker 1>star that it doesn't look exactly like SpongeBob SquarePants his

0:58:47.040 --> 0:58:50.240
<v Speaker 1>friend Patrick, but enough like Patrick to where people were like,

0:58:50.320 --> 0:58:51.960
<v Speaker 1>behold we have found him.

0:58:52.480 --> 0:58:53.360
<v Speaker 3>What are the odds?

0:58:53.960 --> 0:58:58.360
<v Speaker 1>Yeah, it also should be pointed out that it doesn't

0:58:58.360 --> 0:59:01.320
<v Speaker 1>have pants on, but it is square. The color seems right,

0:59:01.360 --> 0:59:05.400
<v Speaker 1>it's pretty eye catching. It is a yellow glass sponge

0:59:05.440 --> 0:59:08.440
<v Speaker 1>of the genus Hertwigia. I'm going to read. This is

0:59:08.520 --> 0:59:11.360
<v Speaker 1>from a National Museum of Natural History article from twenty

0:59:11.400 --> 0:59:15.640
<v Speaker 1>twenty one by Chris ma Quote. The yellow Herdwigia sponge

0:59:15.720 --> 0:59:19.320
<v Speaker 1>is what's known as a hexent tittlid or glass sponge

0:59:19.520 --> 0:59:23.640
<v Speaker 1>that is composed of biologically secreted silica or glass. Its

0:59:23.680 --> 0:59:26.840
<v Speaker 1>bright yellow color is unusual for deep sea animals, which

0:59:26.880 --> 0:59:31.040
<v Speaker 1>are often white or orange. Many sponges have strong chemical defenses,

0:59:31.360 --> 0:59:35.280
<v Speaker 1>which have made them very intriguing to pharmaceutical and other

0:59:35.400 --> 0:59:39.439
<v Speaker 1>biochemical industries. Also of note from this article is that

0:59:40.400 --> 0:59:44.160
<v Speaker 1>the c star here that is sometimes referred to as

0:59:44.200 --> 0:59:49.520
<v Speaker 1>Patrick this is a possibly new species of Cron's raster,

0:59:49.960 --> 0:59:54.000
<v Speaker 1>and it is likely about to attempt to eat the sponge.

0:59:53.280 --> 0:59:56.919
<v Speaker 1>So if this is SpongeBob SquarePants, yeah, Patrick is about

0:59:56.960 --> 0:59:57.880
<v Speaker 1>to eat SpongeBob.

0:59:58.640 --> 1:00:01.480
<v Speaker 3>That would be a good plot twist. Yes, I don't

1:00:01.520 --> 1:00:04.160
<v Speaker 3>know how horrifying that is. I'm not a SpongeBob watcher.

1:00:04.560 --> 1:00:06.480
<v Speaker 1>I don't know. SpongeBob is pretty weird, so I don't

1:00:06.520 --> 1:00:09.520
<v Speaker 1>think it's necessarily out of character. There may be an

1:00:09.520 --> 1:00:12.240
<v Speaker 1>episode where Patrick tries to eat SpongeBob. I mean, this

1:00:12.320 --> 1:00:14.520
<v Speaker 1>is the show that gave us stuff like a handsome

1:00:14.560 --> 1:00:15.720
<v Speaker 1>squid word and so forth.

1:00:16.120 --> 1:00:19.560
<v Speaker 3>Okay, so sponges are very weird and can look very

1:00:19.560 --> 1:00:22.880
<v Speaker 3>weird in multiple ways. They can look like known cartoon characters,

1:00:22.920 --> 1:00:25.760
<v Speaker 3>they can look like known alien characters. They can look

1:00:25.880 --> 1:00:30.560
<v Speaker 3>like weird suggestive unknown technology. They're all over the map.

1:00:30.880 --> 1:00:33.400
<v Speaker 3>But I want to add another fact onto this, which is,

1:00:33.560 --> 1:00:36.160
<v Speaker 3>anytime you see an object in the ocean and you're

1:00:36.280 --> 1:00:39.960
<v Speaker 3>tempted to say, this looks weird, and it doesn't look

1:00:40.080 --> 1:00:44.560
<v Speaker 3>like any known organism, so it can't be biological. Keep

1:00:44.600 --> 1:00:47.960
<v Speaker 3>in mind another fact, there are organisms in the ocean

1:00:48.040 --> 1:00:52.600
<v Speaker 3>that have never been photographed, never been described, documented, or classified.

1:00:53.120 --> 1:00:55.600
<v Speaker 3>There are lots of creatures we don't know about yet,

1:00:56.440 --> 1:00:59.040
<v Speaker 3>and you might think, yeah, well, but I mean we've

1:00:59.080 --> 1:01:01.680
<v Speaker 3>probably found most of them, right, I mean, how many

1:01:01.760 --> 1:01:05.000
<v Speaker 3>could there be out there that nobody's ever seen before? Well?

1:01:05.160 --> 1:01:07.800
<v Speaker 3>I dug up a paper from twenty eleven that was

1:01:07.880 --> 1:01:10.880
<v Speaker 3>just trying to estimate and it wasn't commenting on aliens

1:01:10.960 --> 1:01:13.480
<v Speaker 3>or anything. It was just trying to answer a basic question,

1:01:13.920 --> 1:01:18.720
<v Speaker 3>which was how many yet unidentified species are there out

1:01:19.120 --> 1:01:22.080
<v Speaker 3>there in the world that we have not documented yet.

1:01:23.040 --> 1:01:25.760
<v Speaker 3>So the paper was called how Many Species are There

1:01:25.760 --> 1:01:29.280
<v Speaker 3>on Earth and in the Ocean? In plus Biology in

1:01:29.320 --> 1:01:34.000
<v Speaker 3>twenty eleven by Camillo Mora at All and from the

1:01:34.040 --> 1:01:37.080
<v Speaker 3>author's summary they say, quote here we document that the

1:01:37.120 --> 1:01:42.400
<v Speaker 3>taxonomic classification of subspecies into higher taxonomic groups from genera

1:01:42.440 --> 1:01:46.680
<v Speaker 3>to phyla follows a consistent pattern from which the total

1:01:46.760 --> 1:01:51.120
<v Speaker 3>number of species in any taxonomic group can be predicted.

1:01:51.520 --> 1:01:53.800
<v Speaker 3>So does that make sense? They're like, we don't have

1:01:53.840 --> 1:01:57.160
<v Speaker 3>a way to count the species that haven't been found yet,

1:01:57.280 --> 1:01:59.160
<v Speaker 3>but you can come up with a pretty good estimate

1:01:59.200 --> 1:02:01.600
<v Speaker 3>of how many you are out there there, Because we

1:02:01.640 --> 1:02:03.680
<v Speaker 3>know from like the tree of the sort of the

1:02:03.720 --> 1:02:06.960
<v Speaker 3>bush of life in a way how phyla breakdown, you

1:02:07.000 --> 1:02:10.400
<v Speaker 3>can form reasonable estimates of how many organisms are in

1:02:10.480 --> 1:02:12.600
<v Speaker 3>each group, and so just what we know about the

1:02:12.720 --> 1:02:16.080
<v Speaker 3>higher parts of the branches, you can guess how many

1:02:16.120 --> 1:02:19.880
<v Speaker 3>are out there that haven't been documented yet, and their

1:02:20.040 --> 1:02:23.160
<v Speaker 3>estimate is quote. Assessment of this pattern for all kingdoms

1:02:23.160 --> 1:02:26.600
<v Speaker 3>of life on Earth predicts about eight point seven million

1:02:26.680 --> 1:02:30.000
<v Speaker 3>plus or minus an error of one point three million

1:02:30.400 --> 1:02:34.000
<v Speaker 3>species globally, of which about two point two million plus

1:02:34.080 --> 1:02:37.360
<v Speaker 3>or minus an era of zero point eighteen million are marine.

1:02:37.920 --> 1:02:41.680
<v Speaker 3>Our results suggests that some eighty six percent of species

1:02:41.720 --> 1:02:45.080
<v Speaker 3>on Earth and ninety one percent in the ocean still

1:02:45.120 --> 1:02:46.000
<v Speaker 3>await description.

1:02:46.960 --> 1:02:49.400
<v Speaker 1>Oh wow, so there is room for just about everything

1:02:49.440 --> 1:02:51.080
<v Speaker 1>down there. We may find handsome.

1:02:50.720 --> 1:02:56.160
<v Speaker 3>Squids maybe ninety one percent. That is still a lot

1:02:56.200 --> 1:02:59.080
<v Speaker 3>of room to see something bizarre in the ocean that

1:02:59.240 --> 1:03:02.040
<v Speaker 3>matches the appear rants of nothing known to marine biology,

1:03:02.800 --> 1:03:04.960
<v Speaker 3>and then have it turned out to be another sponge

1:03:05.200 --> 1:03:08.680
<v Speaker 3>or just turned out to be another Nigerian or another

1:03:08.720 --> 1:03:14.560
<v Speaker 3>weird crustacean. Remember again that Chondracladia lira. The harp sponge,

1:03:14.640 --> 1:03:17.240
<v Speaker 3>the one that looks, in our opinion, even more like

1:03:17.320 --> 1:03:21.320
<v Speaker 3>technology than the Altanan object was first described in the

1:03:21.320 --> 1:03:24.280
<v Speaker 3>scientific literature in the last decade or so. The first

1:03:24.400 --> 1:03:26.280
<v Speaker 3>articles were from like twenty twelve.

1:03:27.000 --> 1:03:29.520
<v Speaker 1>Yeah, that's a great point. I also couldn't help but

1:03:29.560 --> 1:03:32.080
<v Speaker 1>think about the giant squid and all of this, because

1:03:32.600 --> 1:03:37.120
<v Speaker 1>giant squid, based on an expert analysis, they seem to

1:03:37.120 --> 1:03:40.080
<v Speaker 1>be abundant enough in the sea that sperm whales eat

1:03:40.120 --> 1:03:43.680
<v Speaker 1>them by the millions, perhaps even hundreds of millions each year,

1:03:44.280 --> 1:03:47.240
<v Speaker 1>and yet we don't know their true numbers. We didn't

1:03:47.280 --> 1:03:50.640
<v Speaker 1>have any footage of a living giant squid until the

1:03:50.680 --> 1:03:54.160
<v Speaker 1>twenty first century, and mostly new of them from their

1:03:54.200 --> 1:03:57.320
<v Speaker 1>remains or the scars on the outside or the inside

1:03:57.320 --> 1:04:00.680
<v Speaker 1>of sperm whales. You know, it's a highly no organism.

1:04:00.680 --> 1:04:03.360
<v Speaker 1>In this case, it's a pretty big organism, but it's

1:04:03.400 --> 1:04:07.040
<v Speaker 1>an elusive one that lives in an extreme environment, and

1:04:07.360 --> 1:04:10.160
<v Speaker 1>ultimately it illustrates how little we know, even if we

1:04:10.200 --> 1:04:10.720
<v Speaker 1>think we know.

1:04:11.760 --> 1:04:14.400
<v Speaker 3>That is a really excellent point. But so I want

1:04:14.440 --> 1:04:19.680
<v Speaker 3>to come back to thinking about information in allegedly anomalous

1:04:19.680 --> 1:04:22.080
<v Speaker 3>photographs or videos or other things that are used as

1:04:22.120 --> 1:04:27.360
<v Speaker 3>evidence for alien intelligence or alien technology or other paranormal phenomena.

1:04:28.240 --> 1:04:33.520
<v Speaker 3>It seems to me that the photograph of the Eltannan

1:04:33.600 --> 1:04:38.240
<v Speaker 3>object could inspire the belief that it was an antenna

1:04:38.880 --> 1:04:42.040
<v Speaker 3>or was a piece of alien technology because of certain

1:04:42.160 --> 1:04:47.240
<v Speaker 3>low information conditions. So it's a fairly low resolution photographs,

1:04:47.280 --> 1:04:50.120
<v Speaker 3>kind of grainy black and white photograph, or actually, in

1:04:50.160 --> 1:04:52.680
<v Speaker 3>the ways it's reproduced, it's black and white. I don't

1:04:52.720 --> 1:04:55.280
<v Speaker 3>know what it was in the original. I don't know

1:04:55.360 --> 1:04:57.920
<v Speaker 3>if I've ever seen I've never seen like a color

1:04:58.000 --> 1:04:58.840
<v Speaker 3>original of it.

1:04:59.240 --> 1:05:01.160
<v Speaker 1>Yeah, I've just seen the black and white.

1:05:01.520 --> 1:05:05.760
<v Speaker 3>But so in various ways, it's low resolution, and it

1:05:05.840 --> 1:05:10.720
<v Speaker 3>was being shared among people who didn't have important informational context,

1:05:10.840 --> 1:05:14.200
<v Speaker 3>like knowledge of what types of deep sea sponges there

1:05:14.200 --> 1:05:17.520
<v Speaker 3>were and what they look like. So it's in this

1:05:17.680 --> 1:05:22.240
<v Speaker 3>low information environment, with lack of important context and lack

1:05:22.280 --> 1:05:25.560
<v Speaker 3>of resolution in the photo, that it seems viable this

1:05:25.600 --> 1:05:27.920
<v Speaker 3>could be an alien antenna. But like if you had

1:05:27.920 --> 1:05:31.240
<v Speaker 3>gotten a really sharp photograph of this original thing, even

1:05:31.280 --> 1:05:33.600
<v Speaker 3>if you didn't have deep sea knowledge, you'd probably be

1:05:33.600 --> 1:05:35.480
<v Speaker 3>able to look at it and say, ah, just like

1:05:35.560 --> 1:05:38.880
<v Speaker 3>the textures on it. This does look more like something organic.

1:05:38.960 --> 1:05:41.720
<v Speaker 3>This is some kind of organism. And likewise, if the

1:05:41.720 --> 1:05:44.280
<v Speaker 3>people originally looking at it had had knowledge of deep

1:05:44.320 --> 1:05:47.480
<v Speaker 3>sea sponges that already existed at the time the photo

1:05:47.600 --> 1:05:50.720
<v Speaker 3>was taken, they would have been able to say, oh, yeah,

1:05:50.760 --> 1:05:54.280
<v Speaker 3>this is one of those sponges. So low information or

1:05:54.400 --> 1:06:00.400
<v Speaker 3>low resolution is really it creates a friendly environment for

1:06:00.400 --> 1:06:04.840
<v Speaker 3>for paranormal explanations and mythologies to arise around a piece

1:06:04.880 --> 1:06:07.800
<v Speaker 3>of media or piece of evidence, and Rob, I wonder

1:06:07.840 --> 1:06:09.919
<v Speaker 3>what you think about this. I kind of wonder if

1:06:09.920 --> 1:06:16.280
<v Speaker 3>this is why underwater photos in particular are so popular

1:06:16.720 --> 1:06:19.400
<v Speaker 3>in this in this sort of media domain, in the

1:06:19.600 --> 1:06:24.000
<v Speaker 3>you know, fringe and alternative conspiracy theory domain, there are

1:06:24.080 --> 1:06:28.320
<v Speaker 3>so many videos that are like, you know, mysterious objects

1:06:28.440 --> 1:06:32.000
<v Speaker 3>underwater that are based on like a sonar image or

1:06:32.040 --> 1:06:35.400
<v Speaker 3>a kind of murky photograph taken underwater where you can't

1:06:35.400 --> 1:06:37.960
<v Speaker 3>really tell exactly what you're looking at, but it looks

1:06:38.040 --> 1:06:42.520
<v Speaker 3>weird and so it just like invites you to start

1:06:42.560 --> 1:06:44.640
<v Speaker 3>applying strange stories to it.

1:06:45.280 --> 1:06:47.720
<v Speaker 1>Yeah, and you have and also just trying to interpret

1:06:47.720 --> 1:06:50.880
<v Speaker 1>what you're seeing based on things you have seen before.

1:06:51.440 --> 1:06:55.000
<v Speaker 1>And in some cases, your mind is going to turn

1:06:55.120 --> 1:06:58.920
<v Speaker 1>to technology or architecture, and those are going to be

1:06:58.960 --> 1:07:01.040
<v Speaker 1>the forms that you is to try and make sense

1:07:01.080 --> 1:07:04.120
<v Speaker 1>of this, this this new confusing information.

1:07:04.680 --> 1:07:06.560
<v Speaker 3>The one thing I do want to call out. In fact,

1:07:06.680 --> 1:07:08.600
<v Speaker 3>I found this to be true with the altanna and

1:07:08.640 --> 1:07:11.400
<v Speaker 3>antenna and true with a bunch of these other underwater things.

1:07:11.480 --> 1:07:14.640
<v Speaker 3>There will be like the original image that inspired the

1:07:15.040 --> 1:07:18.320
<v Speaker 3>all the speculation, and then there will be modified, doctored,

1:07:18.440 --> 1:07:21.840
<v Speaker 3>or fully faked versions of that image where people have

1:07:22.400 --> 1:07:25.440
<v Speaker 3>added in new information to make it look more like

1:07:25.480 --> 1:07:28.400
<v Speaker 3>whatever they're saying it is. So they're like versions of

1:07:28.440 --> 1:07:31.080
<v Speaker 3>the altanna and antenna that are not the original image

1:07:31.080 --> 1:07:33.320
<v Speaker 3>that somebody made to look like an antenna.

1:07:33.920 --> 1:07:39.080
<v Speaker 1>Yeah. Yeah, they're enhancing on their own. And you see

1:07:39.080 --> 1:07:42.320
<v Speaker 1>that with yeah, with this this photo, but also other

1:07:42.360 --> 1:07:45.520
<v Speaker 1>photographs as well, and honestly, it can become a little

1:07:45.560 --> 1:07:50.040
<v Speaker 1>confusing in our modern you know, Google image search world,

1:07:50.440 --> 1:07:53.439
<v Speaker 1>because you'll look up something like this and you'll you'll

1:07:53.480 --> 1:07:57.160
<v Speaker 1>find hopefully you'll still find those original images. Generally, the

1:07:57.200 --> 1:07:59.200
<v Speaker 1>original image is going to be what's grounded on any

1:07:59.240 --> 1:08:05.640
<v Speaker 1>Wikipedia r but on other wikis then it's kind of

1:08:05.720 --> 1:08:08.480
<v Speaker 1>up in the air. You may find that original image

1:08:08.560 --> 1:08:13.200
<v Speaker 1>right next to these enhanced images and and artist interpretations

1:08:13.200 --> 1:08:15.520
<v Speaker 1>of what it might look like if it were an

1:08:15.560 --> 1:08:19.240
<v Speaker 1>antenna built by aliens, if this other thing was a spaceship,

1:08:19.240 --> 1:08:22.200
<v Speaker 1>if this other thing was the work of ancient aliens,

1:08:22.600 --> 1:08:25.439
<v Speaker 1>And yeah, it can be kind of it can be

1:08:25.520 --> 1:08:26.280
<v Speaker 1>kind of confusing.

1:08:26.320 --> 1:08:30.000
<v Speaker 3>I think, you know, there are some other interesting underwater

1:08:30.080 --> 1:08:36.120
<v Speaker 3>anomaly images that have actually pretty pretty good scientific tie

1:08:36.120 --> 1:08:37.920
<v Speaker 3>ins that we can maybe even come back to you

1:08:38.000 --> 1:08:38.960
<v Speaker 3>next week if you wanted.

1:08:39.520 --> 1:08:41.360
<v Speaker 1>Yeah, I think that could be. That could be fun.

1:08:41.400 --> 1:08:44.600
<v Speaker 1>There's also there's there are also a couple of examples

1:08:44.680 --> 1:08:51.400
<v Speaker 1>from ancient Egypt that are often misinterpreted that have fascinating,

1:08:51.800 --> 1:08:55.680
<v Speaker 1>you know, actual stories without having to drag ancient technology

1:08:55.680 --> 1:08:57.240
<v Speaker 1>and ancient aliens into the scenario.

1:08:57.640 --> 1:09:01.479
<v Speaker 3>Perhaps we will return to this subject in the future, all.

1:09:01.520 --> 1:09:03.040
<v Speaker 1>Right, but for now we're going to go ahead and

1:09:03.040 --> 1:09:06.400
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