1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh I see you? Why why? And look 2 00:00:04,840 --> 00:00:11,760 Speaker 1: over there? How is that culture? Yes? Goodness dan dog 3 00:00:12,119 --> 00:00:16,880 Speaker 1: lest culture racist calling hey Frosty girl, Hey queen, you 4 00:00:16,920 --> 00:00:19,759 Speaker 1: are in the Christmas spirit. I can tell I so am, 5 00:00:19,960 --> 00:00:22,640 Speaker 1: And that's why I call you my frosty girl. That's 6 00:00:22,480 --> 00:00:24,880 Speaker 1: the new thing that the you know, the readers can 7 00:00:24,880 --> 00:00:27,520 Speaker 1: start saying to each other, just be like, hey Frosty. 8 00:00:27,560 --> 00:00:29,120 Speaker 1: Like if you want to let someone know that you 9 00:00:29,160 --> 00:00:31,640 Speaker 1: think they are bedazzled. That that like, if you think 10 00:00:31,640 --> 00:00:36,680 Speaker 1: they look absolutely rich, you go, hey, Frosty, who comes 11 00:00:36,880 --> 00:00:40,880 Speaker 1: from riches? What impact do you hope the last cultures 12 00:00:41,159 --> 00:00:44,680 Speaker 1: does listeners will have. I want to empower the listeners, 13 00:00:44,760 --> 00:00:47,919 Speaker 1: the readers, to create their own culture and just let 14 00:00:47,960 --> 00:00:49,320 Speaker 1: it out into the world. I don't want them. I 15 00:00:49,320 --> 00:00:51,920 Speaker 1: don't want us to sort of unt read. You're saying 16 00:00:51,960 --> 00:00:54,760 Speaker 1: you don't want me to be too instructive with them. Okay, fine, 17 00:00:54,840 --> 00:00:57,400 Speaker 1: I take it off. I call your friends whatever the 18 00:00:57,440 --> 00:00:59,880 Speaker 1: funk you want. I don't care to be honest. Can 19 00:00:59,880 --> 00:01:03,320 Speaker 1: I be honest with my sister? I was barely even 20 00:01:03,400 --> 00:01:05,759 Speaker 1: like forming a thought and I just finished the fountains? 21 00:01:06,000 --> 00:01:08,920 Speaker 1: What is with you? What is your mental capacity? I'm 22 00:01:08,959 --> 00:01:13,559 Speaker 1: a tired and frosty girl. Yeah, I know. Listen, frosty girl, 23 00:01:13,680 --> 00:01:15,760 Speaker 1: you better wake the funk up. I don't want to 24 00:01:15,760 --> 00:01:19,720 Speaker 1: be tired culture and ever at all, especially with our guests. 25 00:01:21,840 --> 00:01:26,120 Speaker 1: You sound like you're in some sort of like tired psychosis, 26 00:01:26,160 --> 00:01:30,720 Speaker 1: Like I wish that to stop. Girl. Are you okay? Mama? 27 00:01:30,800 --> 00:01:33,760 Speaker 1: You did have a week, a thick week. Look my 28 00:01:33,840 --> 00:01:42,240 Speaker 1: frosty girl, I am. I am just so energized activated 29 00:01:42,360 --> 00:01:45,480 Speaker 1: seeing the guests on the zoom. I just have to 30 00:01:45,600 --> 00:01:47,800 Speaker 1: ramp up to the energy. Do you know what I'm saying? 31 00:01:48,000 --> 00:01:50,720 Speaker 1: Totally okay, So let's let's try to get you there. Um, 32 00:01:50,760 --> 00:01:54,200 Speaker 1: you know what I'm doing. I'm shaming, You're tire shaming. 33 00:01:54,280 --> 00:01:57,320 Speaker 1: No shame you. You did such incredible work this weekend. 34 00:01:57,320 --> 00:02:00,560 Speaker 1: It was so exhausting. No me, neither I trust me. 35 00:02:00,600 --> 00:02:02,600 Speaker 1: I don't trust me. I don't know the last thing 36 00:02:02,640 --> 00:02:04,680 Speaker 1: I want to do? Oh my god, get into all that. 37 00:02:06,680 --> 00:02:09,200 Speaker 1: But here's the thing, Like I made sure that I 38 00:02:09,280 --> 00:02:11,720 Speaker 1: was woken up for the episode by watching Christmas in 39 00:02:11,760 --> 00:02:14,079 Speaker 1: the Square. What do you think she would you want 40 00:02:14,080 --> 00:02:15,160 Speaker 1: to do? Want to bring in the guests or do 41 00:02:15,160 --> 00:02:17,280 Speaker 1: you want to share your initial thoughts? I want to 42 00:02:17,280 --> 00:02:19,280 Speaker 1: say my initial thought first, so to make sure that 43 00:02:19,320 --> 00:02:22,600 Speaker 1: they don't step over me, because there is a real 44 00:02:23,160 --> 00:02:27,160 Speaker 1: huge problem with stepping over me. And what I say, 45 00:02:27,960 --> 00:02:29,480 Speaker 1: I thought it was fine, all right, now we should 46 00:02:29,520 --> 00:02:32,360 Speaker 1: bring the guests in. Let's bring the guests in, and 47 00:02:32,600 --> 00:02:37,680 Speaker 1: at that point we will be for acclaimed podcasters in 48 00:02:37,760 --> 00:02:41,760 Speaker 1: one space. This isn't sort of words I'm attaching to us. 49 00:02:41,960 --> 00:02:44,120 Speaker 1: This is the press. This is what the press has said. 50 00:02:44,200 --> 00:02:51,240 Speaker 1: What outlets, the Weekly Gazette, the Post, Yes, and the 51 00:02:51,480 --> 00:02:56,240 Speaker 1: Times Chronicle, I've all said this. They all called us acclaimed. 52 00:02:56,440 --> 00:02:59,960 Speaker 1: They've they've called us a claim. Yes, they haven't acclaimed us. 53 00:03:00,000 --> 00:03:02,000 Speaker 1: They've called us a claimed. To call us a claimed 54 00:03:02,080 --> 00:03:05,760 Speaker 1: is to acclaim or a claim. I love that. I 55 00:03:05,800 --> 00:03:09,280 Speaker 1: love that, and this is us acclaiming our claim altogether. 56 00:03:09,480 --> 00:03:11,520 Speaker 1: I think this is one of our guests ninety second 57 00:03:11,520 --> 00:03:16,079 Speaker 1: appearance on the podcast, and the other guests, and I'm 58 00:03:16,120 --> 00:03:18,880 Speaker 1: so happy that sort of the audience can get to 59 00:03:18,919 --> 00:03:21,359 Speaker 1: know them and discover them. Yes, you know what I mean, 60 00:03:21,400 --> 00:03:23,160 Speaker 1: because that's really what this is all about. It's like 61 00:03:23,200 --> 00:03:27,160 Speaker 1: supporting young hot talent that hosts a podcast. I want 62 00:03:27,160 --> 00:03:28,920 Speaker 1: to I want to pull back the curtain a little 63 00:03:28,919 --> 00:03:31,960 Speaker 1: bit before. Well, first one thing happened before our our 64 00:03:32,000 --> 00:03:35,440 Speaker 1: guests came on on the zoom. Hot Engineer Doug said, 65 00:03:35,560 --> 00:03:38,400 Speaker 1: is Joel Kim Booster really coming on this zoom? And 66 00:03:38,440 --> 00:03:40,480 Speaker 1: then Anna and I a Hot executive bruser in and 67 00:03:40,480 --> 00:03:44,480 Speaker 1: I were like yes, and he goes, okay, it's and 68 00:03:44,480 --> 00:03:47,040 Speaker 1: and like we're like, are you a fan? And he goes, oh, 69 00:03:47,280 --> 00:03:48,880 Speaker 1: you guys just talk about him so much. I can't 70 00:03:48,880 --> 00:03:51,680 Speaker 1: believe he's gonna show up. That's that's insane. To be clear, 71 00:03:51,760 --> 00:03:54,600 Speaker 1: he wasn't a fan from a fan from hearing about us. Okay, 72 00:03:55,400 --> 00:03:59,040 Speaker 1: as if he was like this imaginary friend or this 73 00:03:59,200 --> 00:04:02,160 Speaker 1: like you just I don't know about that. Oh, that 74 00:04:02,240 --> 00:04:06,080 Speaker 1: person is real, even though he's US. I would call 75 00:04:06,160 --> 00:04:08,480 Speaker 1: him the little brother of the podcast. He's a little bit. 76 00:04:08,560 --> 00:04:10,840 Speaker 1: He's a little brother and the little sister. And then 77 00:04:10,880 --> 00:04:14,280 Speaker 1: our other guests came on the zoom, and then she 78 00:04:14,600 --> 00:04:17,680 Speaker 1: and Hot Executive preaster Anna had a moment where they 79 00:04:17,960 --> 00:04:20,280 Speaker 1: could have possibly been cousins. We won't get into it. 80 00:04:20,800 --> 00:04:23,200 Speaker 1: We won't get into it. Just to bring them the 81 00:04:23,240 --> 00:04:27,679 Speaker 1: fuck in. They are the hosts of Urgent Care. Okay, 82 00:04:27,839 --> 00:04:31,280 Speaker 1: it's a podcast. You can listen to the podcast you 83 00:04:31,400 --> 00:04:33,839 Speaker 1: call in with your with your issues, they will answer 84 00:04:34,279 --> 00:04:39,080 Speaker 1: with such grace cogency. I really can't believe this advice 85 00:04:39,080 --> 00:04:41,880 Speaker 1: that they're giving some people beautiful and then good fucking 86 00:04:41,920 --> 00:04:44,640 Speaker 1: luck if you actually take their advice, because that's not 87 00:04:44,680 --> 00:04:47,880 Speaker 1: really the point. The point is more to entertain. I know, 88 00:04:47,800 --> 00:04:49,679 Speaker 1: you know what I mean. That's a beak behind the curtain. 89 00:04:49,720 --> 00:04:53,680 Speaker 1: They're also wonderful comedians, writers, actress and their owners in 90 00:04:53,760 --> 00:04:56,360 Speaker 1: their own right, but when they come together, they are 91 00:04:56,440 --> 00:04:59,000 Speaker 1: urgent care They're acclaimed podcasters. What do you say we 92 00:04:59,040 --> 00:05:02,640 Speaker 1: bring them in? I say, everyone, please welcome into your 93 00:05:02,640 --> 00:05:10,400 Speaker 1: ears the acclaimed Joe, Kim, Booster, Andy and we figured 94 00:05:10,400 --> 00:05:17,680 Speaker 1: out who yes, welcome ten out of ten opener to 95 00:05:17,720 --> 00:05:21,760 Speaker 1: the boy true ten would you say that is the 96 00:05:21,839 --> 00:05:31,440 Speaker 1: most low energy moment? Everyone stop bullying me. Okay, you 97 00:05:31,480 --> 00:05:35,279 Speaker 1: have some ship to answer for. Wake up pearl. You 98 00:05:35,279 --> 00:05:38,400 Speaker 1: guys are honestly like my favorite humans out there, these 99 00:05:38,480 --> 00:05:45,640 Speaker 1: humans right here, seriously, like I love these humans, these humans, 100 00:05:45,680 --> 00:05:51,760 Speaker 1: some of the most amazing humans got together and what 101 00:05:52,560 --> 00:05:56,880 Speaker 1: the Queen's ball out. It is in my literal it 102 00:05:57,000 --> 00:06:00,320 Speaker 1: is in my literal funeral. Doc on Google sucks that 103 00:06:00,440 --> 00:06:04,440 Speaker 1: Metro will sing um fight song at my funeral in 104 00:06:04,480 --> 00:06:09,440 Speaker 1: a gorgeous ball gown, fight gorgeous ballgown. What what's this? 105 00:06:09,520 --> 00:06:11,920 Speaker 1: What's this doc? To the best of Metri's ability, to 106 00:06:12,279 --> 00:06:14,440 Speaker 1: the best of her ability, It's just a doc I 107 00:06:14,480 --> 00:06:17,680 Speaker 1: have on my computer that um lists all the things 108 00:06:17,680 --> 00:06:20,080 Speaker 1: I want to happen at my funeral or Matt and 109 00:06:20,080 --> 00:06:24,840 Speaker 1: I in it. Yeah, you're Paul bears as sluck because 110 00:06:25,080 --> 00:06:26,840 Speaker 1: this came up with the Injured because we were talking 111 00:06:26,880 --> 00:06:31,160 Speaker 1: about like like bridal parties and Benjole was like, I 112 00:06:31,160 --> 00:06:33,839 Speaker 1: have my Paul Borer list. I've stopped like ranking my 113 00:06:33,880 --> 00:06:35,640 Speaker 1: friends based on who would stand up at my wedding, 114 00:06:35,640 --> 00:06:37,719 Speaker 1: and they started ranking my friends based on who would 115 00:06:37,720 --> 00:06:40,440 Speaker 1: be pall bearers at my funeral. Where are we sort 116 00:06:40,440 --> 00:06:42,479 Speaker 1: of on the on your fee at the front of 117 00:06:42,480 --> 00:06:44,680 Speaker 1: the casket, baby perfect, at the front of the cast, 118 00:06:44,760 --> 00:06:49,960 Speaker 1: thank you. But I get stage time. But that's that's 119 00:06:49,960 --> 00:06:51,640 Speaker 1: that's what's in the program. But you don't know what's 120 00:06:51,640 --> 00:06:53,960 Speaker 1: actually going to happen in terms of the room because 121 00:06:54,000 --> 00:06:58,320 Speaker 1: live theater, you know, sometimes it's just as spontaneous. They 122 00:06:58,400 --> 00:07:00,400 Speaker 1: might ask me to get up there, that's fine, But 123 00:07:00,480 --> 00:07:06,760 Speaker 1: the deceased has demanded that I say a gorgeous ball 124 00:07:06,880 --> 00:07:10,200 Speaker 1: and it will fit that will fight song? Will Fight 125 00:07:10,240 --> 00:07:12,240 Speaker 1: Song be a parody? Or will it be the straight 126 00:07:13,840 --> 00:07:18,760 Speaker 1: every singing Rachel fight song tost of my ability? Could 127 00:07:18,800 --> 00:07:20,440 Speaker 1: you add a key change at the end to make 128 00:07:20,480 --> 00:07:24,440 Speaker 1: it sort of like a bigger moment? Come on, I 129 00:07:24,440 --> 00:07:28,520 Speaker 1: can confidently Wait, were you there, Matt? Weren't you there 130 00:07:28,560 --> 00:07:30,400 Speaker 1: the day that I tried to sing fight Song at 131 00:07:30,400 --> 00:07:37,840 Speaker 1: the Freddog studios? It was it was an event. Weren't 132 00:07:37,880 --> 00:07:39,960 Speaker 1: you there? Weren't you there the day I tried to 133 00:07:40,000 --> 00:07:43,000 Speaker 1: sing fight I feel like him sing like brave that 134 00:07:43,080 --> 00:07:46,560 Speaker 1: day or something like that. Oh yes, now I remember 135 00:07:47,000 --> 00:07:49,400 Speaker 1: because I was really like this, This is like maybe 136 00:07:49,400 --> 00:07:52,600 Speaker 1: the biggest moment of hubers in my entire life. All Right, 137 00:07:52,840 --> 00:07:54,680 Speaker 1: as a joke, I'm having fight song. I need someone 138 00:07:54,720 --> 00:07:58,119 Speaker 1: to sing you know, I'll just sing fight Sorry, could 139 00:07:58,200 --> 00:08:01,400 Speaker 1: not sing it, So you think it's going to be 140 00:08:01,480 --> 00:08:04,320 Speaker 1: the sing along sort of everyone in America can sing it, 141 00:08:04,440 --> 00:08:07,120 Speaker 1: but because Hillary Clinton took it. But it's a hard song. 142 00:08:07,440 --> 00:08:10,760 Speaker 1: And your other one was I want to see You 143 00:08:10,920 --> 00:08:12,640 Speaker 1: Go Off, which is based on I want to see 144 00:08:12,640 --> 00:08:18,320 Speaker 1: you be brave? Another tough song to pull off vocally. Yeah, anyway, 145 00:08:19,200 --> 00:08:22,640 Speaker 1: you've done it, You've done it successfully. There's me try 146 00:08:23,240 --> 00:08:24,920 Speaker 1: you know that. You know the clip I'm talking about 147 00:08:25,000 --> 00:08:28,480 Speaker 1: right like I captured you in my old apartment trying 148 00:08:28,520 --> 00:08:32,200 Speaker 1: to open a bottle of wine, singing, slay what you 149 00:08:32,200 --> 00:08:35,880 Speaker 1: want to slay and let the queen ball out the queen, 150 00:08:35,960 --> 00:08:38,600 Speaker 1: Let the queens go off, Let the queens go off. 151 00:08:38,679 --> 00:08:42,000 Speaker 1: Maybe honestly I want to see off and let the 152 00:08:42,080 --> 00:08:55,560 Speaker 1: queen's drag her honestly perfect, Wow, honest sleigh that dimension. Okay, 153 00:08:55,920 --> 00:08:58,559 Speaker 1: this little Christmas honestly know, the whole thing is a 154 00:08:58,640 --> 00:09:01,120 Speaker 1: Chris It's it is. It's sort of like Family Stone, 155 00:09:01,160 --> 00:09:03,360 Speaker 1: which is like it's a story that takes place during Christmas, 156 00:09:03,400 --> 00:09:09,520 Speaker 1: but it's not about Christmas. Rule culture. It's sort of 157 00:09:09,559 --> 00:09:14,520 Speaker 1: like Family Stone and that it's not about Chris. It's 158 00:09:14,520 --> 00:09:18,600 Speaker 1: about Christmas, Christmas, but it is. Okay, we're not saying 159 00:09:18,600 --> 00:09:21,560 Speaker 1: it together, so it's not actually just no. I just 160 00:09:21,600 --> 00:09:23,400 Speaker 1: like to say it because I do a lot of 161 00:09:23,480 --> 00:09:27,559 Speaker 1: rules cultures on podcast, and Mitra has asked me. Mitra 162 00:09:27,640 --> 00:09:29,880 Speaker 1: has asked me to stop men everything he does it, 163 00:09:29,920 --> 00:09:35,520 Speaker 1: I got pull Why why do you think Joel does 164 00:09:35,559 --> 00:09:38,920 Speaker 1: it to make fun, not because he listens to it 165 00:09:38,960 --> 00:09:43,840 Speaker 1: and loves it. But I still go and they're usually 166 00:09:43,840 --> 00:09:48,000 Speaker 1: pretty good. Rules of culture to its usually a moment 167 00:09:48,040 --> 00:09:52,960 Speaker 1: where you go kind of no. I trust Joel to 168 00:09:53,000 --> 00:09:56,840 Speaker 1: look out for those things. I really do. I'm going 169 00:09:56,880 --> 00:10:02,280 Speaker 1: to determine the rule culture. No woman has ever, No 170 00:10:02,400 --> 00:10:09,560 Speaker 1: woman has ever culture culture she wouldn't do. Who do 171 00:10:09,600 --> 00:10:11,559 Speaker 1: you think would who do you think that home naming 172 00:10:11,640 --> 00:10:14,000 Speaker 1: rules of culture? Probably Madonna should probably think she knows 173 00:10:14,040 --> 00:10:20,880 Speaker 1: it all that stupid bitch. Today today on the Chat, 174 00:10:20,920 --> 00:10:25,240 Speaker 1: Matt said Christine Baranski should be as big as Madonna. 175 00:10:24,200 --> 00:10:27,480 Speaker 1: I'm mad at Madonna saidy. For some reason, I was 176 00:10:27,480 --> 00:10:30,040 Speaker 1: watching Christmas on the Square. I said, Christine Baranski should 177 00:10:30,040 --> 00:10:32,760 Speaker 1: be as big as Madonna. Have you seen Christmas on 178 00:10:32,760 --> 00:10:35,000 Speaker 1: the Square yet? Not yet? You have to see it, 179 00:10:35,400 --> 00:10:38,960 Speaker 1: I promise I'll see it. You have to see at 180 00:10:39,040 --> 00:10:41,640 Speaker 1: least the first forty minutes to really get it, and 181 00:10:41,679 --> 00:10:44,120 Speaker 1: then I couldn't do it anymore after that? Long? Is 182 00:10:44,160 --> 00:10:48,280 Speaker 1: that the Dolly party? Did you stop? Stopped? So? Um? 183 00:10:48,320 --> 00:10:55,480 Speaker 1: Barbara from Three Busy Debris isn't that to my knowledge 184 00:10:55,559 --> 00:10:57,400 Speaker 1: has one line? But she actually think has more than that. 185 00:10:57,440 --> 00:11:00,360 Speaker 1: But I was, I know exactly who she is, and 186 00:11:00,400 --> 00:11:03,600 Speaker 1: she's she They there's a scene where they're singing about 187 00:11:03,679 --> 00:11:07,160 Speaker 1: Christine Baranski and she keeps as a comedy beat, suggesting 188 00:11:07,200 --> 00:11:12,040 Speaker 1: that they rough Christine Baranski up. Everyone goes, yeah, Carol 189 00:11:12,080 --> 00:11:15,520 Speaker 1: smar Brick, she is icon. I honestly when when I was, 190 00:11:15,679 --> 00:11:17,560 Speaker 1: because that's very early in the movie, and I honestly 191 00:11:17,600 --> 00:11:19,640 Speaker 1: thought her character would be a bigger part of it 192 00:11:19,679 --> 00:11:22,280 Speaker 1: because they sort of feature her and that number so much, 193 00:11:22,520 --> 00:11:25,360 Speaker 1: like it's such a return to that woman. I'm like, oh, Shell, 194 00:11:25,360 --> 00:11:29,360 Speaker 1: she'll be a character. I think it's this is a 195 00:11:29,360 --> 00:11:32,360 Speaker 1: movie I will probably watch every Christmas. Me too, Me too, Joel. 196 00:11:32,679 --> 00:11:35,880 Speaker 1: It's that you guys. Matt, You Mat has to watch it, Matt, 197 00:11:35,920 --> 00:11:39,160 Speaker 1: you have to finish it, because honestly, it's pure, it 198 00:11:39,240 --> 00:11:42,600 Speaker 1: makes no sense. And then somehow in the last ten 199 00:11:42,679 --> 00:11:45,559 Speaker 1: minutes it all comes together and it's actually really sweet. 200 00:11:45,559 --> 00:11:48,199 Speaker 1: There are some laugh out loud moments too near the end, 201 00:11:48,760 --> 00:11:54,200 Speaker 1: involving like pediatric brain surgeons and um, the car accidents, 202 00:11:54,520 --> 00:11:57,520 Speaker 1: and I mean a lot. Well, what's crazy is I 203 00:11:57,760 --> 00:11:59,640 Speaker 1: did that thing where it's like you you can't really 204 00:11:59,640 --> 00:12:01,200 Speaker 1: take a movie, but you do want to know how 205 00:12:01,240 --> 00:12:02,680 Speaker 1: it wraps up. So I skipped all the way to 206 00:12:02,720 --> 00:12:04,480 Speaker 1: the end, like and when you go through un your 207 00:12:04,520 --> 00:12:07,440 Speaker 1: little Apple TV you can see the little pictures. Yeah. 208 00:12:07,480 --> 00:12:09,079 Speaker 1: But I went to the end and I was I 209 00:12:09,080 --> 00:12:11,199 Speaker 1: don't know, I don't want to give spoilers, but shocked 210 00:12:11,240 --> 00:12:14,600 Speaker 1: by the turns it took. I was just like, oh, 211 00:12:14,800 --> 00:12:17,680 Speaker 1: that one's a spirit. Didn't realize that she was a spirit. 212 00:12:17,880 --> 00:12:20,679 Speaker 1: It was like this one girl character. Anyway, it just 213 00:12:21,000 --> 00:12:23,240 Speaker 1: it went for it. I appreciate that the movie went 214 00:12:23,280 --> 00:12:26,760 Speaker 1: for it and Metro will love it. Dolly Parton is 215 00:12:26,800 --> 00:12:31,400 Speaker 1: experiencing homelessness in it, Yes, well that's what you think. 216 00:12:31,840 --> 00:12:35,199 Speaker 1: First they go there. Yeah, they go there. It's really 217 00:12:35,200 --> 00:12:37,840 Speaker 1: a comment. It will be in a way. It sort 218 00:12:37,880 --> 00:12:41,760 Speaker 1: of is because Dolly Parton can experience homelessness. We all 219 00:12:41,800 --> 00:12:45,520 Speaker 1: can't have, you, guys. My favorite Dolly Parton movie is 220 00:12:45,640 --> 00:12:48,719 Speaker 1: Joyful Noise. Have you guys seen that movie with Queen 221 00:12:48,800 --> 00:12:53,160 Speaker 1: Lativa at miss Keke Palmer. It is busy, busiest person 222 00:12:53,280 --> 00:12:57,600 Speaker 1: in the world, person in the world. Even when she 223 00:12:57,679 --> 00:12:59,720 Speaker 1: like tweets something, I'm like, how does she find the time? 224 00:13:00,559 --> 00:13:06,880 Speaker 1: She's very booked deeply. What is our favorite and this. 225 00:13:07,080 --> 00:13:09,840 Speaker 1: I don't care if you like or hate Christmas. What's 226 00:13:09,960 --> 00:13:14,840 Speaker 1: what's our favorite Christmas culture? Wow? This culture? You've really 227 00:13:14,840 --> 00:13:18,200 Speaker 1: opened it. I I know mine, but mine, Mine is mine. 228 00:13:18,280 --> 00:13:20,520 Speaker 1: I'm just gonna say do mine first, because it's dumb 229 00:13:20,559 --> 00:13:22,320 Speaker 1: and I've almost it coming, but I won't lie about it. 230 00:13:22,320 --> 00:13:25,080 Speaker 1: It's Mariah carry She just is my favorite Christmas culture. 231 00:13:25,160 --> 00:13:29,160 Speaker 1: The song, the use of the word festive, the special 232 00:13:29,200 --> 00:13:31,080 Speaker 1: I just watched it was I just watched the special 233 00:13:31,120 --> 00:13:34,559 Speaker 1: two and it ahead very Christmas Day and she's great, 234 00:13:35,080 --> 00:13:38,640 Speaker 1: she is Christmas. She's giving you cartoon Christmas diva and 235 00:13:38,679 --> 00:13:43,280 Speaker 1: it's it's exactly what you want from her. So that's mine. 236 00:13:43,320 --> 00:13:46,600 Speaker 1: But everyone knows that I like Maria already. So fucking boring, bitch, 237 00:13:46,920 --> 00:13:52,559 Speaker 1: fucking boring bitch. How's this? How's this? The song Christmas 238 00:13:52,600 --> 00:13:57,360 Speaker 1: Wrapping by the waitresses pretty sophisticated are and I can't 239 00:13:57,360 --> 00:13:58,839 Speaker 1: say I know it. I have to ask you to 240 00:13:58,920 --> 00:14:03,400 Speaker 1: performance it's the s job because it is my favorite. 241 00:14:03,440 --> 00:14:05,920 Speaker 1: Hold day. Well, this year has been a busy, but 242 00:14:06,120 --> 00:14:09,120 Speaker 1: don't think I have the energy. I don't know what 243 00:14:09,160 --> 00:14:11,800 Speaker 1: I'm doing a British and like languid, But you know, 244 00:14:12,040 --> 00:14:15,480 Speaker 1: my favorite deep culture. Christmas song is is a fairy 245 00:14:15,480 --> 00:14:18,040 Speaker 1: tale of New York. It's the only Christmas teachers of 246 00:14:18,080 --> 00:14:22,720 Speaker 1: the word faggot. Can you do it? Yeah? You cheat, 247 00:14:22,760 --> 00:14:29,160 Speaker 1: clousy fagett? Yes, Christmas, Christmas, she kind of gives me 248 00:14:29,240 --> 00:14:33,280 Speaker 1: that Christmas. That's actually my favorite song of all time. 249 00:14:34,120 --> 00:14:37,920 Speaker 1: All right, wait, stop everything, it's time for my favorite segment. 250 00:14:37,960 --> 00:14:44,600 Speaker 1: It's a surprise segment that US boys play. It's Ken Metrust. 251 00:14:44,960 --> 00:14:47,800 Speaker 1: All right, now we discuss can Metrust a faggott? Joel? 252 00:14:48,040 --> 00:14:55,120 Speaker 1: She has and she will again. Actually I can allege. 253 00:14:55,160 --> 00:14:58,520 Speaker 1: I can allege that meet has said fagett. You guys, 254 00:14:58,960 --> 00:15:04,560 Speaker 1: just we have to be careful. You can't. People get 255 00:15:04,560 --> 00:15:08,400 Speaker 1: really mad at you guys saying that word. They get mad, 256 00:15:08,440 --> 00:15:13,960 Speaker 1: but yeah, they But the important thing is it wasn't 257 00:15:13,960 --> 00:15:19,240 Speaker 1: said by us. It was said. Well guess what, I 258 00:15:19,280 --> 00:15:23,760 Speaker 1: guess we can end this segment. No, she can't, that's 259 00:15:23,760 --> 00:15:27,920 Speaker 1: all right. She shan't. I can't, I shan't. And that's fine. 260 00:15:29,080 --> 00:15:32,600 Speaker 1: All right? What Christmas culture? Who? Who? What's your favorite? 261 00:15:32,600 --> 00:15:35,760 Speaker 1: Needs to go? But she hates it. I'm not really 262 00:15:35,840 --> 00:15:41,360 Speaker 1: Christmas culture. Yeah, I don't know. I don't care very much. 263 00:15:41,760 --> 00:15:43,520 Speaker 1: I mean, I love I really like, I put a 264 00:15:43,520 --> 00:15:47,880 Speaker 1: lot of time and effort into thoughtful presence boring. But 265 00:15:49,680 --> 00:15:54,720 Speaker 1: you're a thought I'm a good gift giver. Um. I like, um, 266 00:15:54,920 --> 00:15:57,480 Speaker 1: oh you know what. I watched that movie twenty ft 267 00:15:57,520 --> 00:16:00,240 Speaker 1: from Stardom this year, and I like the story that 268 00:16:00,360 --> 00:16:05,280 Speaker 1: Christmas song by Darlene Love. You know, um, the snow 269 00:16:05,320 --> 00:16:08,360 Speaker 1: is coming down that one Christmas. Yeah, and then like 270 00:16:08,880 --> 00:16:12,320 Speaker 1: later in life she like the she she did it 271 00:16:12,360 --> 00:16:17,960 Speaker 1: on or something or yeah, yeah, well Mariah ended up 272 00:16:17,960 --> 00:16:20,600 Speaker 1: covering that, and I think that she like shown she 273 00:16:20,800 --> 00:16:24,800 Speaker 1: like pay homage in a big way. I liked that 274 00:16:25,360 --> 00:16:27,320 Speaker 1: I take back I take back the waitresses. That is 275 00:16:27,320 --> 00:16:29,360 Speaker 1: actually and I think I'm sorry. I mean, it's like 276 00:16:29,440 --> 00:16:33,000 Speaker 1: ended up on all these lists that is the best. 277 00:16:33,040 --> 00:16:37,440 Speaker 1: It's like this and deco that one, right, But on 278 00:16:37,480 --> 00:16:40,920 Speaker 1: every list of like the best contemporary Christmas songs, only 279 00:16:40,920 --> 00:16:42,760 Speaker 1: one for Christmas. He was always number one, but number 280 00:16:42,800 --> 00:16:45,760 Speaker 1: two is always Darlene Love Baby Babe, Please Come Home, 281 00:16:45,800 --> 00:16:48,840 Speaker 1: and that it is. I love that song. I like 282 00:16:48,920 --> 00:16:51,880 Speaker 1: feels it like always makes me like sort of tear up, 283 00:16:52,200 --> 00:16:55,000 Speaker 1: and then I have the story was so nice. Um, 284 00:16:55,040 --> 00:16:57,400 Speaker 1: I guess that's my favorite Christmas culture but really I'm 285 00:16:57,480 --> 00:17:02,040 Speaker 1: kind of granch. I guess Grinch is my favorite Christmas culture. 286 00:17:02,720 --> 00:17:06,080 Speaker 1: I would say mine too. I love and honestly good 287 00:17:06,080 --> 00:17:09,760 Speaker 1: for Christine Brandtsk for sort of crossing over with now 288 00:17:10,000 --> 00:17:14,359 Speaker 1: yet another iconic Christmas cast because she's not. She's iconic 289 00:17:14,400 --> 00:17:16,960 Speaker 1: in this film Christmas on the Square and she's iconically 290 00:17:17,040 --> 00:17:20,080 Speaker 1: Martha May movie. And then we were talking about Grinch 291 00:17:20,200 --> 00:17:24,560 Speaker 1: at work the other day and um, someone, this isn't funny, 292 00:17:24,640 --> 00:17:27,520 Speaker 1: but but we so we had to convince theone the 293 00:17:27,560 --> 00:17:34,600 Speaker 1: Taylor mom said wasn't dead was completely for Taylor. Are 294 00:17:34,640 --> 00:17:37,080 Speaker 1: you sure? Because we have a really record with saying 295 00:17:37,119 --> 00:17:40,720 Speaker 1: people are dead that aren't. So you want I guessed 296 00:17:40,760 --> 00:17:42,399 Speaker 1: it myself and then was like, is she And then 297 00:17:42,400 --> 00:17:44,520 Speaker 1: I looked it up. She's alive? But I was really like, 298 00:17:44,600 --> 00:17:49,239 Speaker 1: did prefer? And somebody that has taken away from us 299 00:17:49,280 --> 00:17:51,720 Speaker 1: really is the ability to know, just to really just 300 00:17:51,800 --> 00:17:56,080 Speaker 1: sit in the knowledge, in the ambiguity of whether or 301 00:17:56,119 --> 00:18:00,280 Speaker 1: not you can find out now in a pinch if 302 00:18:00,320 --> 00:18:04,960 Speaker 1: someone's alive. And Christine Baranski, it's yeah, it is sad. 303 00:18:05,200 --> 00:18:09,760 Speaker 1: Christine Baranski never This is what Aaron Jackson said in 304 00:18:09,640 --> 00:18:11,800 Speaker 1: the in the in the j C Today never sells 305 00:18:11,840 --> 00:18:14,480 Speaker 1: out the Dolly Parton movie. Never is like, oh God, 306 00:18:14,480 --> 00:18:18,520 Speaker 1: I'm doing like this fucking thing. She like commits to 307 00:18:18,720 --> 00:18:21,000 Speaker 1: it in a way that I really admired, and I'm like, 308 00:18:21,080 --> 00:18:23,440 Speaker 1: I can't like roll my eyes in anything I ever 309 00:18:23,440 --> 00:18:27,959 Speaker 1: do ever again. Yeah, no, no, she is like she 310 00:18:28,040 --> 00:18:30,840 Speaker 1: really is. And also she makes Mama she makes everything 311 00:18:30,840 --> 00:18:32,800 Speaker 1: she's I was about to say, I just watched Mama 312 00:18:32,840 --> 00:18:36,120 Speaker 1: Mia two for the first time last night, and it's 313 00:18:36,160 --> 00:18:38,840 Speaker 1: like that movie. I just kept tearing up because I 314 00:18:38,880 --> 00:18:43,280 Speaker 1: was like, it's just fun and it's just good. And 315 00:18:43,640 --> 00:18:47,240 Speaker 1: I really rolled my eyes at it because because I 316 00:18:47,280 --> 00:18:50,240 Speaker 1: was like, another one that's so fucking stupid. And then 317 00:18:50,280 --> 00:18:52,320 Speaker 1: my sister I was like, my sister finally made me 318 00:18:52,320 --> 00:18:54,359 Speaker 1: watch it, and the whole time I was like, it's OK. 319 00:18:54,600 --> 00:18:57,320 Speaker 1: I like yeah, I just everyone was having so much fun. 320 00:18:57,920 --> 00:19:01,000 Speaker 1: They're all coming in on the ship, singing, dancing Queen's 321 00:19:03,840 --> 00:19:07,439 Speaker 1: I was crying kind of triumph cryer I don't and 322 00:19:07,480 --> 00:19:10,000 Speaker 1: things that are sad happened. I cry when like they 323 00:19:10,040 --> 00:19:13,440 Speaker 1: rescue him in the Martian Oh, when something is too 324 00:19:13,480 --> 00:19:16,080 Speaker 1: happy for words, I am weeping. It doesn't matter if 325 00:19:16,080 --> 00:19:17,760 Speaker 1: it's the biggest piece of ship in the world. I 326 00:19:17,800 --> 00:19:20,720 Speaker 1: got to watch the prom, so I've now seen the 327 00:19:20,760 --> 00:19:23,520 Speaker 1: prom on Ryan Murphy's the prom with Meryl Street and 328 00:19:23,640 --> 00:19:29,720 Speaker 1: James Gordon and nic There are moments. Chego McKee is 329 00:19:29,760 --> 00:19:34,520 Speaker 1: in it too, he's really good. But there's moments Meryl Street. Yeah, 330 00:19:34,560 --> 00:19:37,439 Speaker 1: she's very much trapping in the post credits. But the 331 00:19:37,520 --> 00:19:42,000 Speaker 1: movie is it's pretty much garbage. But the performances that 332 00:19:42,040 --> 00:19:45,680 Speaker 1: are good are so good. Like Meryl just she did 333 00:19:45,800 --> 00:19:49,720 Speaker 1: it again. Meryl is always so good and she's so 334 00:19:49,880 --> 00:19:53,480 Speaker 1: good at musical theater. She just like she sounds original 335 00:19:53,480 --> 00:19:57,360 Speaker 1: bro with cast. This is my thing with Meryl at 336 00:19:57,359 --> 00:20:00,520 Speaker 1: this point, Oh you're such a bitch. No no, no no, no, no, 337 00:20:00,760 --> 00:20:02,639 Speaker 1: let me say this. This is this is this is 338 00:20:02,680 --> 00:20:06,080 Speaker 1: this is like this is intentionally stupid. I want her 339 00:20:06,119 --> 00:20:09,359 Speaker 1: to I want her to intentionally fail at something. I 340 00:20:09,400 --> 00:20:11,320 Speaker 1: want her to be like I want to do the 341 00:20:11,359 --> 00:20:14,160 Speaker 1: opposite of Christine Bransky and like be and like not 342 00:20:14,280 --> 00:20:17,560 Speaker 1: really give a ship and something that she's in well, okay, 343 00:20:18,119 --> 00:20:20,800 Speaker 1: mom and Mia too. When she came in at the end, 344 00:20:21,440 --> 00:20:30,800 Speaker 1: I was really expecting her to be like, it's me beautiful, 345 00:20:31,000 --> 00:20:35,919 Speaker 1: She's so really just that under wrapped. I didn't know 346 00:20:36,040 --> 00:20:39,439 Speaker 1: that she was going to be in it, but you know, 347 00:20:39,600 --> 00:20:43,680 Speaker 1: you know the story of want to go see it? Well, 348 00:20:43,720 --> 00:20:46,040 Speaker 1: we want to go see it and we were so 349 00:20:46,119 --> 00:20:48,639 Speaker 1: high and Bowen had no idea that she wasn't in it, 350 00:20:48,680 --> 00:20:51,000 Speaker 1: and like the very first second of the movie makes 351 00:20:51,040 --> 00:20:53,520 Speaker 1: clear that she is dead as a door now. And 352 00:20:53,600 --> 00:20:57,040 Speaker 1: Bowen turns to me and goes, is Meryl Streep not 353 00:20:57,440 --> 00:21:02,600 Speaker 1: in this? And I She's not in it. She's not 354 00:21:02,680 --> 00:21:06,520 Speaker 1: in it at all. Laugh and he goes, then why 355 00:21:06,720 --> 00:21:11,879 Speaker 1: are we here? I was like for share in an 356 00:21:11,960 --> 00:21:16,080 Speaker 1: hour and a half. But the share was worth it. 357 00:21:16,600 --> 00:21:19,280 Speaker 1: The share was what I thought the Meryl would be 358 00:21:19,400 --> 00:21:22,639 Speaker 1: like I I expected. Yeah, okay, I don't explain, thank you. 359 00:21:25,520 --> 00:21:28,560 Speaker 1: Share was still great. It was still great, but like 360 00:21:28,600 --> 00:21:30,840 Speaker 1: that's like the mayor. I thought it would be more 361 00:21:30,840 --> 00:21:37,000 Speaker 1: like I thought Meryl would be. Like helicopter and ha ha, 362 00:21:38,560 --> 00:21:46,159 Speaker 1: helicopter in Beautiful. We all deserved that role someday. Sorry, 363 00:21:46,800 --> 00:21:49,680 Speaker 1: we're all actors. We all deserve that. We all deserve 364 00:21:49,720 --> 00:21:54,000 Speaker 1: the helicopter and ha ha. I think that's true though, 365 00:21:54,359 --> 00:21:58,359 Speaker 1: everyone needs there helicopter in ha ha moment even like 366 00:21:58,440 --> 00:22:00,920 Speaker 1: even like a slowly descending the stairs to a great 367 00:22:00,960 --> 00:22:03,359 Speaker 1: fan fair moment, like we all deserve that. If it 368 00:22:03,440 --> 00:22:05,600 Speaker 1: can't be one, it has to be the other post. 369 00:22:05,880 --> 00:22:07,800 Speaker 1: I think it's like if it's a joke that you're 370 00:22:07,840 --> 00:22:12,359 Speaker 1: bigger than the movie, that's a helicopter. Ha. Yeah, she 371 00:22:12,800 --> 00:22:27,800 Speaker 1: doesn't need this helicopter if your participation is a plot point. Girls, 372 00:22:27,840 --> 00:22:30,240 Speaker 1: I'm so. I'm truly so overjoyed and honored to be 373 00:22:30,320 --> 00:22:32,480 Speaker 1: with you. I really am sorry. I know this is 374 00:22:32,520 --> 00:22:34,639 Speaker 1: the thing that Metra hates, but these are some of 375 00:22:34,680 --> 00:22:40,560 Speaker 1: my favorite humans. And I agree, and Listen is one 376 00:22:40,600 --> 00:22:44,040 Speaker 1: of my favorite humans. I would not podcast without her. No, 377 00:22:44,200 --> 00:22:45,840 Speaker 1: but we laugh, but like, you guys really are some 378 00:22:45,880 --> 00:22:50,359 Speaker 1: of my favorite humans. It's not a joke when we 379 00:22:50,400 --> 00:22:52,520 Speaker 1: say that you guys are some of our favorite hums. No, 380 00:22:52,640 --> 00:22:54,919 Speaker 1: but I know it's not a joke. But when you 381 00:22:55,040 --> 00:23:01,560 Speaker 1: say it this, it's it's sort of helicopter. It's it's 382 00:23:01,640 --> 00:23:07,119 Speaker 1: very young lives to say humans. Yeah, like like like 383 00:23:06,760 --> 00:23:10,320 Speaker 1: like youth group, like church kids. Yeah, I love these 384 00:23:10,359 --> 00:23:16,560 Speaker 1: amazing humans. You know what though, it's pretty inclusive. Yeah. Everyone, 385 00:23:16,760 --> 00:23:22,679 Speaker 1: it's every the word like or young lives humans. Humans. Okay, okay, 386 00:23:23,600 --> 00:23:29,959 Speaker 1: you talk about young life put any religion in how 387 00:23:30,040 --> 00:23:34,000 Speaker 1: do we but how do we express an earnest thought 388 00:23:35,040 --> 00:23:39,560 Speaker 1: that is completely detent, does not have any irony to 389 00:23:39,720 --> 00:23:42,240 Speaker 1: it that Like I'm like, I'm so happy to be 390 00:23:42,400 --> 00:23:45,240 Speaker 1: with my friends, right, I feel like everyone. I feel like, 391 00:23:45,280 --> 00:23:50,520 Speaker 1: you know, who's really good at that? Metra gene always 392 00:23:50,680 --> 00:23:54,720 Speaker 1: because because she's crying and you feel like you have 393 00:23:54,800 --> 00:23:56,359 Speaker 1: to do a lot of work to like sort of 394 00:23:56,880 --> 00:24:01,359 Speaker 1: let make sure she's okay. Um, but like, yeah, you are, 395 00:24:01,840 --> 00:24:05,919 Speaker 1: You're very good at being a like like step away sidebar. 396 00:24:06,080 --> 00:24:08,560 Speaker 1: This is my genuine feeling. And I love you heart, heart, 397 00:24:08,680 --> 00:24:12,400 Speaker 1: hug moment, good friend you really and it's beautiful because 398 00:24:12,440 --> 00:24:16,359 Speaker 1: she's just as good as being the opposite. And like, truly, 399 00:24:16,520 --> 00:24:22,760 Speaker 1: Colin can be a total stunty a bit that's not true. 400 00:24:24,520 --> 00:24:28,160 Speaker 1: That's not true, And I'm st I'm sick of this ship. 401 00:24:28,800 --> 00:24:36,200 Speaker 1: And you know what, I do say the slur another 402 00:24:37,720 --> 00:24:42,320 Speaker 1: I do say, you really really really want to make it? 403 00:24:42,720 --> 00:24:46,440 Speaker 1: I don't. She would be the last person, you know what. 404 00:24:46,480 --> 00:24:48,960 Speaker 1: I was just thinking, what would be what you guys 405 00:24:49,000 --> 00:24:52,880 Speaker 1: could do as a stunty thing, like like if you guys, 406 00:24:53,160 --> 00:24:55,240 Speaker 1: if you guys, if we got into like sort of 407 00:24:55,320 --> 00:24:57,280 Speaker 1: a fight at the end of this episode. And then 408 00:24:57,480 --> 00:25:00,560 Speaker 1: you guys didn't come on the podcast for sixty years, 409 00:25:02,480 --> 00:25:06,680 Speaker 1: and then in sixty years, you guys come back, and 410 00:25:06,760 --> 00:25:10,240 Speaker 1: are all our listeners will die? Then that will be 411 00:25:10,320 --> 00:25:12,879 Speaker 1: when when they all die of joy and happiness and 412 00:25:13,200 --> 00:25:16,480 Speaker 1: um and this is U saying you don't want us 413 00:25:16,480 --> 00:25:19,840 Speaker 1: to come back for a really long time. You know, 414 00:25:19,960 --> 00:25:22,440 Speaker 1: you guys aren't allowed back for sixty years. But but 415 00:25:22,520 --> 00:25:24,240 Speaker 1: Matt saying, we we set up like a kill Bill 416 00:25:24,320 --> 00:25:26,959 Speaker 1: volume three thing where it's like we we create our 417 00:25:27,119 --> 00:25:33,400 Speaker 1: children when they have podcasts, come back on my child, won't. 418 00:25:38,560 --> 00:25:41,120 Speaker 1: My ancestors in Iran were some of the first part 419 00:25:41,200 --> 00:25:47,720 Speaker 1: you know, her ancient versions actually invented podcasting and his 420 00:25:47,840 --> 00:25:53,480 Speaker 1: family has been producing them for century. Who do you 421 00:25:53,520 --> 00:25:54,920 Speaker 1: think is the Bowen? And who do you think is 422 00:25:54,960 --> 00:25:58,520 Speaker 1: the matter of nietzsch and Ice podcast? Can you guess? 423 00:25:59,119 --> 00:26:02,119 Speaker 1: I can guess? It's interesting. I think I'm the Metra 424 00:26:02,320 --> 00:26:08,240 Speaker 1: and Matt's the Jewel. No Jeel feels he is an 425 00:26:08,280 --> 00:26:10,960 Speaker 1: authority to say this. But you can't see you. I 426 00:26:11,000 --> 00:26:14,000 Speaker 1: think you can't see your own podcast. It's like a thing. 427 00:26:14,080 --> 00:26:17,240 Speaker 1: It's like when you look at a picture. It's not 428 00:26:17,359 --> 00:26:21,280 Speaker 1: really you can't see your own I'm the mat and 429 00:26:21,359 --> 00:26:30,080 Speaker 1: Metris the bone. That's what I said, seeing that energy. 430 00:26:31,119 --> 00:26:38,240 Speaker 1: Why use code urgent? I love that. The code that 431 00:26:38,640 --> 00:26:40,840 Speaker 1: people have to use to use a therapy site for 432 00:26:40,920 --> 00:26:46,600 Speaker 1: you is urgent, urgent, urgent. Well, and speaking of better help, 433 00:26:46,640 --> 00:26:49,280 Speaker 1: there's no better fast to chat with your online therapist 434 00:26:49,320 --> 00:26:54,920 Speaker 1: than a cast for magic. My former employers shout out, 435 00:26:56,240 --> 00:26:57,879 Speaker 1: oh my god, what a what a fun moment when 436 00:26:57,920 --> 00:27:00,200 Speaker 1: a lot of Brooklyn A comedians working at CASP. That 437 00:27:00,280 --> 00:27:04,560 Speaker 1: was that was nice there from the beginning, wreaking in 438 00:27:04,640 --> 00:27:08,320 Speaker 1: that show room from the ground up. I love you guys. 439 00:27:09,320 --> 00:27:12,800 Speaker 1: Are you still are you still a company woman? I 440 00:27:12,800 --> 00:27:17,600 Speaker 1: actually do have a Casper mattress. Actually he loix girls. 441 00:27:17,800 --> 00:27:20,760 Speaker 1: So the fact that you did that startup started a war. Wow, 442 00:27:20,840 --> 00:27:23,800 Speaker 1: and this can be where the fight starts. Remember remember this, 443 00:27:25,400 --> 00:27:28,119 Speaker 1: we're breaking, we're breaking the story a little bit a 444 00:27:28,160 --> 00:27:32,560 Speaker 1: little so fun to be in the blue Sky phase 445 00:27:32,640 --> 00:27:35,159 Speaker 1: because you can say anything, you could do anything. My 446 00:27:35,320 --> 00:27:40,680 Speaker 1: character of Mietra has huge tits. We'll talk about that 447 00:27:40,680 --> 00:27:44,160 Speaker 1: a little bit more. Actually, because you have been considering 448 00:27:44,240 --> 00:27:48,400 Speaker 1: the procedure, you're going to get big knock. I said 449 00:27:48,400 --> 00:27:50,400 Speaker 1: to Joel that I thought it would be really funny 450 00:27:50,440 --> 00:27:55,879 Speaker 1: if one day I had huge hits. We're there. I 451 00:27:56,000 --> 00:27:58,640 Speaker 1: think we're all at that age now where we were 452 00:27:58,720 --> 00:28:01,879 Speaker 1: thinking and we're into where like at this age in 453 00:28:03,280 --> 00:28:05,879 Speaker 1: it's kind of like, yeah, you think about a procedure 454 00:28:05,920 --> 00:28:08,560 Speaker 1: you want. Sometimes I don't think that would be the 455 00:28:08,600 --> 00:28:14,200 Speaker 1: one for me, but but I do think, like, just 456 00:28:14,359 --> 00:28:17,280 Speaker 1: in terms of like personality, I would be a really 457 00:28:17,320 --> 00:28:22,520 Speaker 1: funny person to just walk out with like huge just 458 00:28:22,720 --> 00:28:25,800 Speaker 1: like someone who like like doesn't I don't really like 459 00:28:25,920 --> 00:28:29,000 Speaker 1: dress for my body. I wonder what a man's large 460 00:28:29,119 --> 00:28:32,199 Speaker 1: T shirt would look like over met with huge tips. 461 00:28:33,720 --> 00:28:36,480 Speaker 1: I literally today I got some new jeans and I 462 00:28:36,520 --> 00:28:38,120 Speaker 1: put them on and they fit great, and I was like, 463 00:28:38,240 --> 00:28:43,920 Speaker 1: I have to tell Joeli, Oh my god. I So 464 00:28:44,040 --> 00:28:46,240 Speaker 1: Greta came over the other day and I we were 465 00:28:46,280 --> 00:28:49,400 Speaker 1: trying to figure her outfit out for a self tape, 466 00:28:49,560 --> 00:28:52,400 Speaker 1: and Joel gave me a shirt that looks historically hot 467 00:28:52,520 --> 00:28:53,840 Speaker 1: on him and he let me have it, and I 468 00:28:53,920 --> 00:28:55,680 Speaker 1: was like, oh my god, it only sort of worked 469 00:28:55,720 --> 00:28:57,880 Speaker 1: on me, and I told him it really worked on 470 00:28:58,800 --> 00:29:00,920 Speaker 1: Oh my god, random that something looks great on the 471 00:29:01,000 --> 00:29:05,320 Speaker 1: Hottest Bird and she like, she goes, she goes, it's cute. 472 00:29:05,360 --> 00:29:06,840 Speaker 1: I wonder if I should just and she sort of 473 00:29:06,880 --> 00:29:09,720 Speaker 1: tied it up and like her like waist and tightened 474 00:29:09,760 --> 00:29:12,200 Speaker 1: it and like she's like, I wonder if I should 475 00:29:12,200 --> 00:29:15,080 Speaker 1: just do this? And I was like, oh, you're ready 476 00:29:15,160 --> 00:29:20,280 Speaker 1: for the cover of the Hottest Teen mag How people 477 00:29:20,440 --> 00:29:30,880 Speaker 1: so effortlessly stunning? I'm sorry, keep going real, I know 478 00:29:31,240 --> 00:29:38,360 Speaker 1: it's crazy. She really has she has a genu. She 479 00:29:38,520 --> 00:29:40,160 Speaker 1: tied it up and then I was like and then 480 00:29:40,160 --> 00:29:42,000 Speaker 1: she added in sults injury. I was like, you should 481 00:29:42,120 --> 00:29:44,400 Speaker 1: keep it. It looks really good on you, and she 482 00:29:44,600 --> 00:29:47,320 Speaker 1: was like, no, you have it so like she gave 483 00:29:47,360 --> 00:29:49,120 Speaker 1: it back to me, and so now every time I 484 00:29:49,240 --> 00:29:51,440 Speaker 1: put it on, I'll know it wasn't mine to begin with. 485 00:29:51,560 --> 00:29:54,720 Speaker 1: It look hot on Joel, and it was taken from me, 486 00:29:54,960 --> 00:29:59,080 Speaker 1: tried on, looked stunning and handed back instead of make 487 00:29:59,160 --> 00:30:03,160 Speaker 1: it work about are different, No, they're not. At the 488 00:30:03,240 --> 00:30:05,840 Speaker 1: end of the everyone has the same body, and that's beautiful. 489 00:30:07,280 --> 00:30:12,840 Speaker 1: Everyone is the same proportions. I want to clarify what 490 00:30:12,880 --> 00:30:15,480 Speaker 1: I said earlier, which is that we're at that age 491 00:30:15,520 --> 00:30:19,520 Speaker 1: where we're thinking about procedures, but but I want to 492 00:30:19,560 --> 00:30:21,360 Speaker 1: clarify that put I want to contextualize this, and I 493 00:30:21,680 --> 00:30:24,040 Speaker 1: keep talking about this Talentino piece in The New York 494 00:30:24,080 --> 00:30:26,840 Speaker 1: or about Instagram face, and about how like we're moving 495 00:30:26,880 --> 00:30:30,720 Speaker 1: in the direction where like self care or where cosmetic 496 00:30:30,800 --> 00:30:34,200 Speaker 1: procedures are going to be sort of a quay or 497 00:30:34,280 --> 00:30:36,400 Speaker 1: under the und of self care self under the umbrella 498 00:30:36,560 --> 00:30:38,240 Speaker 1: self care, where it's like going to the spot is 499 00:30:38,320 --> 00:30:41,040 Speaker 1: like getting her like getting a filler or something, you know. 500 00:30:41,400 --> 00:30:45,240 Speaker 1: And I feel like that's already like housewives language around, yeah, 501 00:30:45,440 --> 00:30:47,400 Speaker 1: of just like to take care of myself. And then 502 00:30:47,480 --> 00:30:50,040 Speaker 1: I see that online a lot of like getting getting 503 00:30:50,800 --> 00:30:52,600 Speaker 1: You're taking care of yourself by getting the procedure that 504 00:30:52,640 --> 00:30:54,880 Speaker 1: you want to get. That's like you taking care of yourself. 505 00:30:55,320 --> 00:30:57,800 Speaker 1: For sure. I probably probably quoted this before, but at 506 00:30:57,840 --> 00:31:01,520 Speaker 1: the end of this piece, um like you quoted it before. 507 00:31:03,680 --> 00:31:06,000 Speaker 1: She she she interviews the like the like the biggest 508 00:31:06,120 --> 00:31:08,880 Speaker 1: like Beverly Hills plastic surgeon or person or whatever. He 509 00:31:09,080 --> 00:31:11,360 Speaker 1: works with Kim Kardashian and he's like, you know that 510 00:31:11,480 --> 00:31:13,760 Speaker 1: feeling when you get a great haircut, you look in 511 00:31:13,800 --> 00:31:15,200 Speaker 1: the mirror and you're like, this is the best version 512 00:31:15,200 --> 00:31:18,440 Speaker 1: of myself like that is the that is the feeling 513 00:31:18,520 --> 00:31:22,680 Speaker 1: you get from these procedures times a thousand, Like you're 514 00:31:22,800 --> 00:31:25,200 Speaker 1: just like this is the way I think I should look. 515 00:31:26,400 --> 00:31:30,200 Speaker 1: And it's terrifying because because we all want that feeling 516 00:31:30,640 --> 00:31:34,160 Speaker 1: in a way, in a way, we do start not 517 00:31:34,240 --> 00:31:40,760 Speaker 1: to like it's weird. How many more times I've been like, well, 518 00:31:41,040 --> 00:31:45,360 Speaker 1: you could just do this, like did little things because 519 00:31:45,440 --> 00:31:48,800 Speaker 1: you feel like it's available. Um, and yeah, it's probably 520 00:31:48,840 --> 00:31:53,840 Speaker 1: because it is very standard. It's not technically available, Like 521 00:31:54,000 --> 00:31:56,640 Speaker 1: I'm not gonna like that doesn't fit into my life. Well, 522 00:31:56,680 --> 00:31:58,840 Speaker 1: what do you want to figure out if it's available? Yeah, 523 00:31:59,120 --> 00:32:01,240 Speaker 1: we can look it up. I would match. Just did 524 00:32:01,280 --> 00:32:04,720 Speaker 1: some matches pulled back to like like like like and 525 00:32:04,800 --> 00:32:06,280 Speaker 1: I have an underbyte, so I want to like but 526 00:32:06,400 --> 00:32:08,200 Speaker 1: that's like orthodox you need a chin, you need a 527 00:32:08,240 --> 00:32:10,560 Speaker 1: new chin when you need to chow. But that's not 528 00:32:10,680 --> 00:32:13,440 Speaker 1: orthodotra side, that's like Maximo facial stuff. But like I 529 00:32:13,800 --> 00:32:17,760 Speaker 1: want like an apologize, like I want to like, I'm 530 00:32:17,840 --> 00:32:20,720 Speaker 1: so sorry I might I want like this And is 531 00:32:20,760 --> 00:32:22,520 Speaker 1: it so fucked up that we're talking about this? So 532 00:32:22,600 --> 00:32:24,720 Speaker 1: what you're saying is you want to you wanna you 533 00:32:24,840 --> 00:32:30,200 Speaker 1: want a man's chiseled chin. No, it's not. It doesn't 534 00:32:30,200 --> 00:32:31,720 Speaker 1: have to be chiseled it. It just needs to be 535 00:32:31,800 --> 00:32:37,800 Speaker 1: like yeah, yeah, yeah, yeah yeah, that would be used 536 00:32:39,560 --> 00:32:42,280 Speaker 1: like Joel has a chiseled chin, has a chisel jawline, 537 00:32:45,160 --> 00:32:48,959 Speaker 1: so we should take his. Let's take his, give your 538 00:32:49,040 --> 00:32:51,520 Speaker 1: chin for I would give more than my chin for 539 00:32:51,600 --> 00:32:56,680 Speaker 1: bo Oh. Can you assign like like heart, heart organ, 540 00:32:56,880 --> 00:32:59,480 Speaker 1: heart dorner things to certain people, like I know you 541 00:32:59,560 --> 00:33:02,880 Speaker 1: can sign up to be a heart organ all these things. 542 00:33:02,960 --> 00:33:07,360 Speaker 1: Don't know? But can I can I specify who I 543 00:33:07,440 --> 00:33:09,520 Speaker 1: want to have it? I don't think so. I don't 544 00:33:09,560 --> 00:33:13,960 Speaker 1: think unless immediately. I want you to have my heart, Joel, 545 00:33:14,160 --> 00:33:16,360 Speaker 1: I want you to have my brain, Mitra, I want 546 00:33:16,360 --> 00:33:19,960 Speaker 1: you to have my stomach bowing. Okay, oh my god? 547 00:33:21,040 --> 00:33:25,880 Speaker 1: Why did get the smallest one got the biggest? I 548 00:33:26,240 --> 00:33:27,840 Speaker 1: didn't really think about it. I just kind of want 549 00:33:27,880 --> 00:33:29,720 Speaker 1: you guys to have things of mine. I'm going to 550 00:33:29,800 --> 00:33:33,520 Speaker 1: do really good stuff with your brain. Do we get it, 551 00:33:33,600 --> 00:33:35,960 Speaker 1: give them transplanted, or do we just keep them like 552 00:33:36,080 --> 00:33:38,680 Speaker 1: in a jar. It's not up to me. I'm putting 553 00:33:38,680 --> 00:33:52,760 Speaker 1: it in a dog, talking dog dog. It's Christmas Show, Matt. 554 00:33:52,840 --> 00:33:56,600 Speaker 1: We haven't talked about this. What have you heard of Christmas? 555 00:33:57,960 --> 00:33:59,600 Speaker 1: I was thinking either day, it was like, it's such 556 00:33:59,640 --> 00:34:02,640 Speaker 1: a shape him that you know, that's my favorite Christmas. 557 00:34:03,000 --> 00:34:05,400 Speaker 1: That is actually my favorite. That is literally the only 558 00:34:05,480 --> 00:34:08,160 Speaker 1: piece of prison. I've gone to Matt's Christmas Show every 559 00:34:08,239 --> 00:34:11,000 Speaker 1: year since it started happening, and that is really my 560 00:34:11,120 --> 00:34:14,760 Speaker 1: only Christmas tradition. I genuinely it makes me so happy 561 00:34:14,960 --> 00:34:18,520 Speaker 1: when you come every year. And Joe finally saw it 562 00:34:18,680 --> 00:34:21,239 Speaker 1: this year. I know it's not for lack of trying. No, 563 00:34:21,360 --> 00:34:26,400 Speaker 1: I know that. I know it's truly breaking, babe. It 564 00:34:26,560 --> 00:34:30,279 Speaker 1: is really it's honestly, if I can be honest, it's 565 00:34:30,320 --> 00:34:33,040 Speaker 1: definitely like put a real cloud over this time of 566 00:34:33,200 --> 00:34:34,840 Speaker 1: year because it's that thing that I get to do 567 00:34:34,920 --> 00:34:36,279 Speaker 1: at the end of the year that I feel like 568 00:34:36,680 --> 00:34:41,200 Speaker 1: pulls me out of a funk um. And I just 569 00:34:41,320 --> 00:34:44,560 Speaker 1: feel like it didn't have to be cute in July 570 00:34:45,400 --> 00:34:47,480 Speaker 1: just to get it in. Yeah, I hope to do 571 00:34:47,640 --> 00:34:51,080 Speaker 1: it in in like May July, but May June July, 572 00:34:51,239 --> 00:34:53,960 Speaker 1: I feel like sure. And then I thought to myself, like, 573 00:34:54,200 --> 00:34:56,719 Speaker 1: did I severely funk up by not finding a way 574 00:34:56,760 --> 00:34:59,000 Speaker 1: to do it on streaming or like like in any 575 00:34:59,040 --> 00:35:00,880 Speaker 1: way even on my instag I'm being stupid, like why 576 00:35:00,920 --> 00:35:02,239 Speaker 1: didn't I do this? But then I was just like, 577 00:35:02,360 --> 00:35:04,399 Speaker 1: I'm not in the mood, you know what I mean. 578 00:35:04,480 --> 00:35:07,480 Speaker 1: It's weird and I'd rather just such in the room 579 00:35:07,600 --> 00:35:10,520 Speaker 1: thing and like like that the I don't want to 580 00:35:10,719 --> 00:35:13,319 Speaker 1: ruin anything, but like the moment at the end where 581 00:35:13,360 --> 00:35:17,560 Speaker 1: you like million like involve us, like where we go 582 00:35:18,719 --> 00:35:21,800 Speaker 1: it's my favorite thing. I yeah, you're right, I should. 583 00:35:21,960 --> 00:35:23,680 Speaker 1: It has to be presented in the right way. I 584 00:35:23,719 --> 00:35:26,520 Speaker 1: can't just like toss it out there, um and it 585 00:35:27,520 --> 00:35:30,759 Speaker 1: because of the Christmas in July of it all you got, 586 00:35:31,920 --> 00:35:34,080 Speaker 1: so I feel like next year people also, I could 587 00:35:34,200 --> 00:35:36,440 Speaker 1: you could technically do a Christmas show at anytime during 588 00:35:36,440 --> 00:35:38,000 Speaker 1: the year. It would just be funny that it wasn't 589 00:35:38,040 --> 00:35:42,719 Speaker 1: happening during Christmas. Maybe I won't go any time. It's 590 00:35:42,760 --> 00:35:45,239 Speaker 1: one of the funniest things you can do, actually, is 591 00:35:45,400 --> 00:35:47,920 Speaker 1: put a Christmas thing in the middle of It's actually 592 00:35:48,040 --> 00:35:51,080 Speaker 1: hilarious because I think about the opposite factor, and that's 593 00:35:51,080 --> 00:35:54,000 Speaker 1: what they call it in comedy, the opposite factor, you 594 00:35:54,040 --> 00:35:55,759 Speaker 1: know what I mean. It's like sort of like like 595 00:35:56,200 --> 00:35:59,080 Speaker 1: when you see when you see a fireman and like 596 00:35:59,440 --> 00:36:02,040 Speaker 1: he's like doing a real tough thing and then takes 597 00:36:02,080 --> 00:36:04,520 Speaker 1: off his helmet and it's like it's a little girl. 598 00:36:05,000 --> 00:36:08,919 Speaker 1: It's like there's like an opposite in their presentation. Well 599 00:36:08,960 --> 00:36:10,919 Speaker 1: because and then and then it's the and then that's 600 00:36:11,000 --> 00:36:13,800 Speaker 1: the that's like the idea the big Hollywood movie is 601 00:36:14,040 --> 00:36:16,680 Speaker 1: it's a fireman, but she's also a little girl who 602 00:36:16,719 --> 00:36:19,759 Speaker 1: goes to school. Sold and you know that's a movie 603 00:36:19,800 --> 00:36:25,880 Speaker 1: with like the Rock and the Rock, The Rock and 604 00:36:25,960 --> 00:36:28,560 Speaker 1: Millie Bobby Brown. Yeah, and so what's his role in it? 605 00:36:28,680 --> 00:36:33,160 Speaker 1: Because he's not he's the reluctant trainer. He's like, yeah, 606 00:36:33,160 --> 00:36:35,919 Speaker 1: he's the trainer. Trains are just for a fire Yeah. 607 00:36:35,960 --> 00:36:39,440 Speaker 1: And she's like, come on, put me in coach and 608 00:36:39,560 --> 00:36:45,319 Speaker 1: this takes me. This takes place in Britain. They don't 609 00:36:45,360 --> 00:36:48,880 Speaker 1: have Fireman over there. Yeah, it's so soggy there, like 610 00:36:48,960 --> 00:36:57,640 Speaker 1: nothing catches a place. That's true. Wait, whenever if Joel's 611 00:36:57,760 --> 00:37:02,600 Speaker 1: if Joel says something, I immediately go it's true. Thing 612 00:37:02,760 --> 00:37:05,279 Speaker 1: is he's possessing. I still don't know. I'm still like, 613 00:37:05,440 --> 00:37:08,520 Speaker 1: but what about all the chimneys that famously are swept there? 614 00:37:08,920 --> 00:37:11,640 Speaker 1: This is the Taylor Momson is dead sort of moment 615 00:37:11,760 --> 00:37:15,279 Speaker 1: we are there firefighters, and I mean, this shouldn't be 616 00:37:15,320 --> 00:37:17,000 Speaker 1: that shouldn't be the title of that. But wouldn't it 617 00:37:17,080 --> 00:37:21,879 Speaker 1: be funny? It's not funny if Taylor Momson is dead 618 00:37:22,000 --> 00:37:24,560 Speaker 1: was the title? Yeah, it's like you're breaking the news, 619 00:37:29,280 --> 00:37:42,920 Speaker 1: Taylor Momson. I feel bad Taylor. I think she's young. Historically, 620 00:37:43,040 --> 00:37:49,680 Speaker 1: she's historically young, young, she's an epic. Taylor Mompson dead 621 00:37:49,680 --> 00:37:51,520 Speaker 1: at thirty two is funny because it's sort of like 622 00:37:51,560 --> 00:38:05,440 Speaker 1: a prediction. Oh okay, ready, star actress Taylor Momson start rocker, rocker, 623 00:38:05,960 --> 00:38:09,160 Speaker 1: She wasn't she wasn't. I think she was both when 624 00:38:09,239 --> 00:38:12,000 Speaker 1: she did where are You Christmas? When she was a 625 00:38:12,120 --> 00:38:14,880 Speaker 1: child in the Grin did the hell out of that 626 00:38:15,080 --> 00:38:18,279 Speaker 1: role she was She was such a powerful actress in 627 00:38:18,360 --> 00:38:20,640 Speaker 1: that role. No one else would have done what she did. 628 00:38:22,960 --> 00:38:28,720 Speaker 1: She gave grounded. She was grounded, Cindy Looy, she was gritty, 629 00:38:31,800 --> 00:38:38,359 Speaker 1: she was real. To go to Fanning? Who Taylor Tacob hike, 630 00:38:38,480 --> 00:38:45,839 Speaker 1: Hollywood said, take a hike, Dakota Market correcting corrected, miss 631 00:38:46,320 --> 00:38:53,320 Speaker 1: that's right, the ceiling. Could El Fanning ever have done 632 00:38:53,760 --> 00:39:00,080 Speaker 1: what Taylor Momson did in that role. Yes, she is 633 00:39:00,320 --> 00:39:06,560 Speaker 1: iconic in Babel. Yeah, she's a little girl who she 634 00:39:06,719 --> 00:39:10,680 Speaker 1: was very much the little girl. So don't forget. She's 635 00:39:10,760 --> 00:39:16,359 Speaker 1: the star of the biggest films, Maleficent. She's the star 636 00:39:16,480 --> 00:39:20,120 Speaker 1: of Maleficent, the biggest films in the world. These are 637 00:39:20,280 --> 00:39:26,719 Speaker 1: huge blockbusters. Two, these are blockbuster films. Oh my god, 638 00:39:26,840 --> 00:39:29,359 Speaker 1: Maleficent too. You guys should you guys should watch that one. 639 00:39:29,480 --> 00:39:33,640 Speaker 1: Oh my god. Substance when the dragon, when the dragon, 640 00:39:33,800 --> 00:39:39,680 Speaker 1: the dragon girl in his hand, when the dragon. You 641 00:39:39,760 --> 00:39:41,279 Speaker 1: can't see it, readers, But I'm doing sort of a 642 00:39:41,480 --> 00:39:44,480 Speaker 1: dragon claw. What do you guys think of Like Matt's Like, 643 00:39:44,560 --> 00:39:46,800 Speaker 1: I think Matt is so expressive with his hands in 644 00:39:46,840 --> 00:39:48,359 Speaker 1: a way that not a lot of other people are. 645 00:39:48,480 --> 00:39:53,880 Speaker 1: I just like, there's so much energy. I'm from fucking 646 00:39:54,000 --> 00:39:57,400 Speaker 1: Long Island, New York. He consistently does this to me. 647 00:39:57,840 --> 00:40:01,680 Speaker 1: He regionalizes me, and he sort of tosses us all in. 648 00:40:01,840 --> 00:40:03,920 Speaker 1: But you know what, there's differences between New Jersey and 649 00:40:04,000 --> 00:40:06,680 Speaker 1: New York and Long Island. Damn. That's the conversation we 650 00:40:06,800 --> 00:40:10,280 Speaker 1: need to be having in this country right now, between 651 00:40:11,960 --> 00:40:16,680 Speaker 1: New Jersey and New Yorkers. No, we shouldn't talk about 652 00:40:16,719 --> 00:40:19,040 Speaker 1: us at all. It's the one housewives franchise. I will 653 00:40:19,080 --> 00:40:24,279 Speaker 1: refuse to watch as because it's too real criminals. Okay, no, 654 00:40:24,400 --> 00:40:27,280 Speaker 1: it's literally too real. I see I see like family 655 00:40:27,320 --> 00:40:29,759 Speaker 1: and friends in it. I'm like, oh God to me, 656 00:40:29,920 --> 00:40:32,280 Speaker 1: it's so dark and real, and I'm going to jail. 657 00:40:32,280 --> 00:40:34,000 Speaker 1: I'm like, yeah, people, I know, gonna go to jail. 658 00:40:35,840 --> 00:40:39,520 Speaker 1: That's why I don't watch Hill Billy Elogy because you 659 00:40:39,560 --> 00:40:43,479 Speaker 1: see too much. You see too much of you. Yeah, 660 00:40:44,080 --> 00:40:46,920 Speaker 1: did you try to watch it? I haven't yet, but 661 00:40:47,040 --> 00:40:50,759 Speaker 1: I haven't either. I'm excited, but I just haven't had 662 00:40:50,840 --> 00:40:52,960 Speaker 1: like the night I'm gonna. I'm gonna need to make 663 00:40:53,000 --> 00:40:54,320 Speaker 1: a night of it, and I just haven't had that 664 00:40:54,440 --> 00:41:01,799 Speaker 1: night yet. Popcorn and everything, popcorn, box of tissues for all. 665 00:41:02,480 --> 00:41:05,879 Speaker 1: That's gonna be a big night. But really, I haven't 666 00:41:05,920 --> 00:41:12,200 Speaker 1: watched Shaws of Sunset for that reason. There is no 667 00:41:12,719 --> 00:41:18,080 Speaker 1: Asian there is no real like East Asian Housewives equivalent. Um, 668 00:41:19,040 --> 00:41:22,120 Speaker 1: I think you can. You can do like like Korean 669 00:41:22,239 --> 00:41:24,680 Speaker 1: rich Korean kids in like l A or something that 670 00:41:24,719 --> 00:41:27,719 Speaker 1: would be fun. I definitely you could do like parachute 671 00:41:27,800 --> 00:41:31,279 Speaker 1: kids too. What's that parachute kids? It's like um when 672 00:41:32,000 --> 00:41:35,440 Speaker 1: um they send over like oh yeah yeah, yeah, um 673 00:41:35,760 --> 00:41:38,960 Speaker 1: kids to like go to really good schools over here, 674 00:41:39,400 --> 00:41:43,600 Speaker 1: and they're living basically alone sometimes and like they're very 675 00:41:43,760 --> 00:41:48,200 Speaker 1: very wealthy and they yeah, that's a parachute and they 676 00:41:48,239 --> 00:41:50,680 Speaker 1: need a reality show. Yeah they do. And that the 677 00:41:50,920 --> 00:41:53,640 Speaker 1: last the last thing that's sort of missing from their 678 00:41:53,719 --> 00:41:57,200 Speaker 1: development is they need a reality show. Then just the 679 00:41:57,360 --> 00:42:01,160 Speaker 1: sort of skyrocket at that point, well yeah yeah, I 680 00:42:01,320 --> 00:42:03,920 Speaker 1: mean that's what it takes to sort of bring awareness 681 00:42:04,040 --> 00:42:07,960 Speaker 1: to these people, is that they're on a show. I 682 00:42:08,000 --> 00:42:11,120 Speaker 1: would watch. I would totally watch. I would be I mean, 683 00:42:11,480 --> 00:42:14,840 Speaker 1: I'll watch anything about um, someone moore money than me. 684 00:42:16,600 --> 00:42:21,960 Speaker 1: So it's kind of funny like as of late, I've 685 00:42:22,080 --> 00:42:25,759 Speaker 1: been watching so much Architectural Digest home tours and just 686 00:42:25,880 --> 00:42:30,360 Speaker 1: being like, oh the fireplace, yes, the ceiling, like like 687 00:42:30,600 --> 00:42:33,960 Speaker 1: noticing things. It's like home design and all of that 688 00:42:34,280 --> 00:42:36,680 Speaker 1: has become a real interest of mine. And it's the 689 00:42:36,800 --> 00:42:40,960 Speaker 1: more money the better, the more I could never be 690 00:42:41,040 --> 00:42:44,799 Speaker 1: able to afford it, the better I'm watching. Um liv 691 00:42:44,920 --> 00:42:49,000 Speaker 1: Tyler's was my her being like so nobody actually like 692 00:42:49,160 --> 00:42:51,520 Speaker 1: knew what wallpaper was, but then I got wallpaper, and 693 00:42:51,560 --> 00:42:55,000 Speaker 1: then people started using wallpaper, so I sort of love 694 00:42:55,120 --> 00:42:59,080 Speaker 1: that about He was just like, this is a door 695 00:42:59,239 --> 00:43:05,360 Speaker 1: that's really big. This is another door that's nicole. She's like, 696 00:43:05,480 --> 00:43:11,160 Speaker 1: I love gray, and my look is very modern. It's 697 00:43:11,280 --> 00:43:14,279 Speaker 1: very modern. And then everything in my home looks like death. 698 00:43:15,480 --> 00:43:18,759 Speaker 1: They're My favorite thing about liv Tyler's was when she's 699 00:43:18,800 --> 00:43:21,040 Speaker 1: like outside and she's like, there's um and over there 700 00:43:21,040 --> 00:43:27,360 Speaker 1: are my neighbors. They're my friends friends, setting the example 701 00:43:28,600 --> 00:43:32,960 Speaker 1: my friend your neighbors, um. The one I just watched. 702 00:43:33,040 --> 00:43:36,239 Speaker 1: Greta was over and we watched Dita Vontisse and it 703 00:43:36,480 --> 00:43:40,360 Speaker 1: was so it was just her whole home is an 704 00:43:40,400 --> 00:43:43,520 Speaker 1: extension of her brand. Really, she goes, there's actually not 705 00:43:43,640 --> 00:43:46,680 Speaker 1: a comfortable place to sit in the entire house. She's 706 00:43:46,800 --> 00:43:50,560 Speaker 1: suppost fully like, you can't use or do anything here. 707 00:43:50,600 --> 00:43:56,279 Speaker 1: So my bed is actually a girdle. It's just like 708 00:43:56,520 --> 00:44:02,279 Speaker 1: all it's like there's taxider ethical taxidermy everywhere, because the 709 00:44:02,360 --> 00:44:09,839 Speaker 1: animals died first, and the animals you said, I love, 710 00:44:09,920 --> 00:44:12,359 Speaker 1: you made love to death. You put them into leave 711 00:44:12,360 --> 00:44:14,439 Speaker 1: a heart attack and die from ecstasy, and then you're 712 00:44:14,440 --> 00:44:20,640 Speaker 1: a lot of stuff them that's legal, holy okay. And 713 00:44:20,760 --> 00:44:25,799 Speaker 1: then basically the animals die of natural causes and you're 714 00:44:25,840 --> 00:44:29,520 Speaker 1: allowed to hang them up in your home. Wow, do 715 00:44:29,680 --> 00:44:34,680 Speaker 1: you letting gets so old and ugly? And what you 716 00:44:34,760 --> 00:44:37,600 Speaker 1: do is you adopt one, You adopt an endangered species, 717 00:44:37,760 --> 00:44:39,040 Speaker 1: and then when it dies, you get to hang it 718 00:44:39,120 --> 00:44:55,280 Speaker 1: up in your so cool epic steam punk sligh. Here's 719 00:44:55,320 --> 00:44:59,440 Speaker 1: a good question. What celebrity, well current celebrity, do you 720 00:44:59,560 --> 00:45:03,520 Speaker 1: think might be guilty of taxid Army mel Gibson of 721 00:45:03,680 --> 00:45:06,560 Speaker 1: no poaching, poaching, Mel Gibson, Mel Gibson, I have one 722 00:45:06,600 --> 00:45:10,600 Speaker 1: from Mel Gibson, who's a poacher? Um. I think I 723 00:45:10,680 --> 00:45:15,320 Speaker 1: think Lady Gaga secretly, I think she's She's expressed for 724 00:45:15,440 --> 00:45:18,080 Speaker 1: some reason during her of course, when she was promoting 725 00:45:18,120 --> 00:45:19,640 Speaker 1: Joe and she was like, yeah, I've shot a gun. 726 00:45:19,719 --> 00:45:22,759 Speaker 1: She's like, I've shot I've shot guns before. Yeah, you 727 00:45:22,920 --> 00:45:25,839 Speaker 1: can't shoot shoot hands off of my uncle's fans. Whatever. 728 00:45:25,880 --> 00:45:32,000 Speaker 1: I'm like, Okay, Gaga choose to promote Joe Anne, but 729 00:45:32,080 --> 00:45:34,120 Speaker 1: I think she's like, shot a shot at animals before, 730 00:45:34,120 --> 00:45:37,320 Speaker 1: and she kind of likes it. One thing, what do 731 00:45:37,480 --> 00:45:40,440 Speaker 1: you guys think when you see, like, you know, just 732 00:45:40,560 --> 00:45:42,440 Speaker 1: a gay person that you know and then they go 733 00:45:42,640 --> 00:45:44,279 Speaker 1: home and all of a sudden, it turns out they 734 00:45:44,360 --> 00:45:48,560 Speaker 1: hunt with their family. Do you do it? Do they 735 00:45:48,600 --> 00:45:52,600 Speaker 1: exists a gay person that you know? It's just like 736 00:45:54,400 --> 00:45:56,600 Speaker 1: from l a from New York, just like whatever. They're 737 00:45:56,600 --> 00:45:58,399 Speaker 1: just out whatever, and then they go home and see 738 00:45:58,400 --> 00:46:03,360 Speaker 1: their family and they are great up hunting and carcasses. 739 00:46:04,800 --> 00:46:09,000 Speaker 1: Your story. Who Matt is talking about? What I've experienced 740 00:46:09,080 --> 00:46:16,800 Speaker 1: this as well? Um, carcasses? Do I know this person? Okay, 741 00:46:18,239 --> 00:46:21,680 Speaker 1: what were you saying? I was just agreeing with Matt 742 00:46:21,719 --> 00:46:24,920 Speaker 1: that I've experienced this phenomenon as well. So I recognize 743 00:46:24,920 --> 00:46:27,520 Speaker 1: who you're recognizing, and I see your sister and I 744 00:46:27,560 --> 00:46:30,799 Speaker 1: want to tell you it's that person. And subsequently other 745 00:46:30,920 --> 00:46:35,800 Speaker 1: people I followed. Turns out like big game. But like, 746 00:46:36,200 --> 00:46:40,120 Speaker 1: but you know they're out there, you know, shooting geese. 747 00:46:40,320 --> 00:46:45,080 Speaker 1: They're they're out there. You know, deers are taking bullets. 748 00:46:46,200 --> 00:46:49,120 Speaker 1: It's kind of crazy, deers are taking bullets. I mean, 749 00:46:49,360 --> 00:46:52,000 Speaker 1: I don't mean for us to sound like soft handed 750 00:46:52,040 --> 00:46:54,719 Speaker 1: city people who are like hunting. Well, I was about 751 00:46:54,760 --> 00:46:56,560 Speaker 1: to say, I feel like it's not that shocking for 752 00:46:56,640 --> 00:46:59,200 Speaker 1: me because so many people from where I'm from are 753 00:46:59,360 --> 00:47:09,000 Speaker 1: like hunting. Um, I don't know, that is the question. Yeah, 754 00:47:11,480 --> 00:47:14,480 Speaker 1: maybe not. I don't know. I guess I never thought 755 00:47:14,520 --> 00:47:16,880 Speaker 1: about it before. I'll find check in. I'll check in 756 00:47:18,000 --> 00:47:19,360 Speaker 1: so many of people I want to high school with 757 00:47:19,400 --> 00:47:21,879 Speaker 1: our private and it kills me because what I really 758 00:47:21,880 --> 00:47:24,280 Speaker 1: want is just I want like fifteen minutes of scrolling 759 00:47:24,320 --> 00:47:26,680 Speaker 1: through eight hundred photos and then I'm never going to 760 00:47:26,760 --> 00:47:29,760 Speaker 1: look again. And but but I don't want to follow 761 00:47:29,920 --> 00:47:32,120 Speaker 1: for that experience. I want to just be able. You 762 00:47:32,160 --> 00:47:34,399 Speaker 1: don't want to alert them to your presence. You want 763 00:47:34,440 --> 00:47:38,560 Speaker 1: to be able to do it anonymously. Yes. Yes, It's 764 00:47:38,640 --> 00:47:41,960 Speaker 1: truly blessed and miraculous that I've only had maybe four 765 00:47:42,239 --> 00:47:45,560 Speaker 1: people total from high school. Like ever, I feel like 766 00:47:45,640 --> 00:47:48,279 Speaker 1: reaching out to me over any medium, and I'm like, this, 767 00:47:48,560 --> 00:47:51,680 Speaker 1: I hacked it. I did it like no one's like 768 00:47:51,760 --> 00:47:54,480 Speaker 1: hitting me up, crawling out of the woodwork, like from 769 00:47:54,560 --> 00:47:56,560 Speaker 1: that part of my life, that time in my life, 770 00:47:56,600 --> 00:47:58,440 Speaker 1: being like, hey, how you doing, I'm like, I have 771 00:47:58,600 --> 00:48:01,960 Speaker 1: no real interest in seeing you or even being reminded 772 00:48:02,040 --> 00:48:05,640 Speaker 1: that you exist, And this is how it should be, Okay, 773 00:48:06,000 --> 00:48:07,799 Speaker 1: very lucky. I don't know. I mean when I would 774 00:48:07,800 --> 00:48:11,160 Speaker 1: see everyone was at when you'd go home for Thanksgiving 775 00:48:11,320 --> 00:48:13,640 Speaker 1: or Christmas and seep everyone at the bar the night 776 00:48:13,680 --> 00:48:16,719 Speaker 1: before Thanksgiving or at the board the night before Christmas Eve, 777 00:48:17,080 --> 00:48:19,040 Speaker 1: and I feel like I wouldn't get the damn invitation 778 00:48:19,120 --> 00:48:21,680 Speaker 1: and I loved it. Sorry, I keep going. You would 779 00:48:21,680 --> 00:48:23,560 Speaker 1: have to just show up at Maxwell's in our town 780 00:48:23,719 --> 00:48:27,560 Speaker 1: and everyone would be there, and yes it was called Maxwell's. Well, 781 00:48:27,680 --> 00:48:30,840 Speaker 1: you ever want to come to a million weddings, please 782 00:48:30,920 --> 00:48:33,520 Speaker 1: let me know. Are you still going to a lot 783 00:48:33,560 --> 00:48:35,960 Speaker 1: of weddings from high school? I mean not this year, 784 00:48:36,040 --> 00:48:38,480 Speaker 1: but I was. I did have several from high school 785 00:48:38,560 --> 00:48:41,359 Speaker 1: this year that I was going to go to, and yeah, 786 00:48:41,400 --> 00:48:45,240 Speaker 1: I'm I'm going to at least for like, whenever weddings 787 00:48:45,280 --> 00:48:47,960 Speaker 1: start again. I had. I had I think four or 788 00:48:48,000 --> 00:48:49,720 Speaker 1: five that were moved next year to it just seemed 789 00:48:49,719 --> 00:48:54,560 Speaker 1: like this was a sweet spot to all of them. 790 00:48:55,160 --> 00:48:59,240 Speaker 1: I do like a wedding because it's food, you drink 791 00:48:59,480 --> 00:49:03,279 Speaker 1: so much, You see your buddies. I'm looking at a 792 00:49:03,320 --> 00:49:07,479 Speaker 1: picture of Mitra and I had a wedding. Wait, let's 793 00:49:07,480 --> 00:49:12,720 Speaker 1: see it. Oh my god. First of all, you look hot? 794 00:49:13,719 --> 00:49:22,560 Speaker 1: Whoa you guys? Oh love? We love Megan and Siege. 795 00:49:23,560 --> 00:49:25,799 Speaker 1: Um Metra, your hair looks so good in that? Oh 796 00:49:25,880 --> 00:49:30,760 Speaker 1: my god, thank you. It looks like ship today as usual. 797 00:49:30,800 --> 00:49:38,000 Speaker 1: A pleasure to see Ugil, do you feel like That's 798 00:49:38,040 --> 00:49:40,000 Speaker 1: another thing about weddings too, is you do get to 799 00:49:40,040 --> 00:49:43,160 Speaker 1: get a little you know gussie though, and that's sort 800 00:49:43,160 --> 00:49:45,880 Speaker 1: of the thing that you know, I I like, you know, 801 00:49:45,960 --> 00:49:49,840 Speaker 1: like getting it ready for a picture, like remember problem pictures. 802 00:49:50,920 --> 00:49:55,920 Speaker 1: I have a story about prom. Okay, so this well 803 00:49:56,040 --> 00:49:59,399 Speaker 1: it's it's a saga. So my big, my big prom 804 00:49:59,520 --> 00:50:01,400 Speaker 1: story is that my junior year of prom. I have 805 00:50:01,480 --> 00:50:03,640 Speaker 1: two stories actually, and my junior of prom I went 806 00:50:03,719 --> 00:50:07,600 Speaker 1: with a senior This is important because he graduated and 807 00:50:07,640 --> 00:50:09,839 Speaker 1: we had a really bad time at prom. He graduated 808 00:50:10,239 --> 00:50:12,320 Speaker 1: and then um that and then his senior year he 809 00:50:12,440 --> 00:50:14,759 Speaker 1: had won the talent show. That's an important detail. So 810 00:50:14,920 --> 00:50:18,839 Speaker 1: my senior year he sang um. So my senior year, 811 00:50:18,960 --> 00:50:21,040 Speaker 1: we have the talent show again. And if you are 812 00:50:21,080 --> 00:50:22,800 Speaker 1: the winner of the talent show, you are allowed to 813 00:50:22,880 --> 00:50:26,759 Speaker 1: return and perform at the subsequent years talent show, even 814 00:50:26,800 --> 00:50:29,960 Speaker 1: if you are graduated. So he returned to perform and 815 00:50:30,120 --> 00:50:38,919 Speaker 1: he sang a song about me called Medusa in front 816 00:50:38,920 --> 00:50:47,399 Speaker 1: of the seven people. Did did dale in the audience know? Yeah? 817 00:50:47,440 --> 00:50:49,680 Speaker 1: I remember returning to my friend and she was dating 818 00:50:49,960 --> 00:50:51,840 Speaker 1: his really close friend and I remember turning to her 819 00:50:51,880 --> 00:50:58,840 Speaker 1: and I was like, isn't like yeah, and she couldn't 820 00:50:58,880 --> 00:51:01,319 Speaker 1: give you the heads up. I don't know if she knew, 821 00:51:01,440 --> 00:51:04,320 Speaker 1: but he didn't know Medusa was being performed. No, but 822 00:51:04,400 --> 00:51:06,120 Speaker 1: I think it was just like every but it was like, 823 00:51:06,440 --> 00:51:08,440 Speaker 1: this is clearly about you. And I was really like 824 00:51:09,000 --> 00:51:13,560 Speaker 1: maybe being insane, like not everything you remember what any 825 00:51:13,560 --> 00:51:16,160 Speaker 1: of the lyrics were. It was like, um, I actually 826 00:51:16,239 --> 00:51:18,879 Speaker 1: had him send me the lyrics like several years later, 827 00:51:19,040 --> 00:51:22,360 Speaker 1: and he was like very like game about it, but 828 00:51:22,440 --> 00:51:25,880 Speaker 1: it was something about like like her Stare. It was 829 00:51:26,000 --> 00:51:28,040 Speaker 1: very like high school boy like her Stare turns me 830 00:51:28,120 --> 00:51:30,040 Speaker 1: to stone blah blah blah like. But then I like, 831 00:51:30,719 --> 00:51:33,360 Speaker 1: like the way it ends is like now I reject 832 00:51:33,480 --> 00:51:38,560 Speaker 1: her and I turned hurt. He he he took the 833 00:51:38,600 --> 00:51:40,279 Speaker 1: power back from me. He took it back the night 834 00:51:40,320 --> 00:51:48,560 Speaker 1: from me because I didn't right, you fucking monster refusing 835 00:51:48,719 --> 00:51:54,160 Speaker 1: to kiss. Oh my god. Tote a song called Medusa 836 00:51:54,320 --> 00:51:57,560 Speaker 1: either means you are a boy who just graduated high 837 00:51:57,600 --> 00:52:01,040 Speaker 1: school or you're like us already five year old pop 838 00:52:01,120 --> 00:52:10,000 Speaker 1: star like what worse or what or virtual or your 839 00:52:10,040 --> 00:52:20,080 Speaker 1: ava Max or like a single called Medusasadusa. I'm gonna 840 00:52:23,600 --> 00:52:26,880 Speaker 1: it's I love it already, I really do. Immediately the 841 00:52:26,960 --> 00:52:28,680 Speaker 1: song that came in my head was in the in 842 00:52:28,920 --> 00:52:32,319 Speaker 1: the I don't remember what it became, but Burka, uh 843 00:52:35,160 --> 00:52:42,800 Speaker 1: that they became. It became It's basically and they just 844 00:52:42,960 --> 00:52:46,359 Speaker 1: changed it to aura. Do you really want to peek 845 00:52:46,400 --> 00:52:49,880 Speaker 1: behind the girl? People the girl behind the burka behind 846 00:52:49,960 --> 00:52:58,040 Speaker 1: the Aura behind behind and then of course your Lebaneese, 847 00:52:58,160 --> 00:53:01,880 Speaker 1: your orient and then also is it is it the 848 00:53:02,000 --> 00:53:09,520 Speaker 1: next album where she has Gypsy? Hey? Unfortunately Gypsy is 849 00:53:09,560 --> 00:53:12,520 Speaker 1: a fucking great song, but really, but it is Lady 850 00:53:12,560 --> 00:53:18,319 Speaker 1: Gaga uncancellable, like I just I hope, so like, yeah, 851 00:53:18,320 --> 00:53:20,320 Speaker 1: where was the like where I guess there must have 852 00:53:20,400 --> 00:53:26,320 Speaker 1: been dialogue about burke up, but there was absolutely dialogue 853 00:53:26,360 --> 00:53:31,480 Speaker 1: about but the but the song got fully produced. It's 854 00:53:31,520 --> 00:53:39,319 Speaker 1: like these things make it through someone's not something. It's 855 00:53:39,560 --> 00:53:43,160 Speaker 1: really wild. I mean, if you get that ultra world 856 00:53:43,280 --> 00:53:46,919 Speaker 1: famous at twenty three, then yeah, you're gonna You're gonna 857 00:53:47,840 --> 00:53:50,120 Speaker 1: you your brain is going to be broken enough to 858 00:53:50,160 --> 00:53:52,839 Speaker 1: be like, yes, this is worth pushing through all the way. 859 00:53:53,239 --> 00:53:55,280 Speaker 1: At that point, I feel like you have to hire 860 00:53:55,480 --> 00:53:59,360 Speaker 1: someone that hates you to be on your team and 861 00:53:59,480 --> 00:54:02,880 Speaker 1: be like this is a this is bad. You just 862 00:54:03,120 --> 00:54:06,120 Speaker 1: need someone to be like no, you need one negative. 863 00:54:06,520 --> 00:54:09,320 Speaker 1: Do you remember that story that came out? Um that 864 00:54:09,520 --> 00:54:13,120 Speaker 1: was like probably like somebody who was friends with Perfume 865 00:54:13,160 --> 00:54:16,840 Speaker 1: Genius was like Perfume Genius and Adele were at this 866 00:54:17,400 --> 00:54:19,960 Speaker 1: this event with Lady Gaga and Lady Gaga was like, 867 00:54:20,160 --> 00:54:21,560 Speaker 1: do you want to hear my new album? This is 868 00:54:21,640 --> 00:54:26,320 Speaker 1: right before Chromatica came out, and um, she listened to 869 00:54:27,080 --> 00:54:29,440 Speaker 1: the She played them the whole album and then Adele 870 00:54:29,520 --> 00:54:31,640 Speaker 1: sent everyone out of the room and it was like 871 00:54:31,719 --> 00:54:35,160 Speaker 1: this album is terrible. You cannot release this album. But 872 00:54:35,239 --> 00:54:37,360 Speaker 1: it wasn't CHROMATICA, right, it didn't end U being it 873 00:54:37,520 --> 00:54:40,560 Speaker 1: was CHROMATICA. Well, we don't know, we don't know. Yes, 874 00:54:40,640 --> 00:54:43,759 Speaker 1: I remember the story, Yeah, yes, um, so Adele was. 875 00:54:44,280 --> 00:54:48,600 Speaker 1: Where was Adele for Berka? Is sort of the she 876 00:54:48,800 --> 00:54:52,040 Speaker 1: hadn't yet really hit her stride yet. They just didn't 877 00:54:52,080 --> 00:54:55,520 Speaker 1: align for Berka, you know what I mean? Like, well 878 00:54:55,560 --> 00:55:01,840 Speaker 1: all the stars line, but I del but jealous someone 879 00:55:01,960 --> 00:55:05,239 Speaker 1: who like she played it for Rick Rubin and he 880 00:55:05,360 --> 00:55:08,360 Speaker 1: was like she played like a demos of other songs 881 00:55:08,440 --> 00:55:10,480 Speaker 1: and he was like, you can't release this, and she 882 00:55:10,600 --> 00:55:12,600 Speaker 1: was like okay, and I'm gonna rewrite. I'm gonna be 883 00:55:12,640 --> 00:55:13,600 Speaker 1: do you the whole thing, and then she ended up 884 00:55:13,640 --> 00:55:17,719 Speaker 1: releasing so she's she's just paying that forward because someone 885 00:55:17,760 --> 00:55:21,440 Speaker 1: else did that to her, which is like perfect, you know, 886 00:55:21,840 --> 00:55:25,120 Speaker 1: but it would be hard to have to look into 887 00:55:25,280 --> 00:55:29,400 Speaker 1: Lady Gaga's eyes and be like, do another album, like 888 00:55:29,600 --> 00:55:32,880 Speaker 1: you must have, like Adele must have, and she's earned 889 00:55:33,080 --> 00:55:35,719 Speaker 1: a lot of like confidence, like to just be like 890 00:55:35,800 --> 00:55:38,839 Speaker 1: to Lady Gaga, who's Lady Gaga, be like, you must 891 00:55:38,920 --> 00:55:43,560 Speaker 1: record a new album and you must be called a 892 00:55:43,600 --> 00:55:46,520 Speaker 1: new album. This is bad vibe. You have the album. 893 00:55:47,440 --> 00:55:53,719 Speaker 1: She's the fucking face of deal. Yeah, I want that job. 894 00:55:54,040 --> 00:55:59,640 Speaker 1: I want that to be like no, yeah, this is 895 00:55:59,680 --> 00:56:03,719 Speaker 1: crazy ze and not like good Back to the drawing 896 00:56:03,760 --> 00:56:08,560 Speaker 1: board changed to Aura baby, Yeah, it's Burka. It needs 897 00:56:08,640 --> 00:56:13,680 Speaker 1: to be Aura and the lyrics in the verse of 898 00:56:13,760 --> 00:56:16,120 Speaker 1: the bridge you can have one Burka as a treat 899 00:56:21,080 --> 00:56:24,840 Speaker 1: and then takes a little slurp of his water. Okay, 900 00:56:24,880 --> 00:56:27,880 Speaker 1: well hold on, everyone, say one thing that's been unaddressed 901 00:56:27,920 --> 00:56:32,880 Speaker 1: so far and then we can move on. I just 902 00:56:32,960 --> 00:56:35,080 Speaker 1: feel like I came here to talk about culture. I 903 00:56:35,160 --> 00:56:39,120 Speaker 1: sort of came here, you know, to discuss and share 904 00:56:39,200 --> 00:56:41,279 Speaker 1: thoughts about culture, and I haven't been really given a 905 00:56:41,320 --> 00:56:43,400 Speaker 1: platform to do that. And I've been sort of standing 906 00:56:43,480 --> 00:56:46,160 Speaker 1: by here and watching you guys sort of run your 907 00:56:46,200 --> 00:56:49,080 Speaker 1: podcast into the ground, um in front of Nutra and 908 00:56:49,200 --> 00:56:53,719 Speaker 1: I um, but you know, and I stood back and 909 00:56:53,760 --> 00:56:55,759 Speaker 1: I sort of said, I'm gonna let this happen. And 910 00:56:55,840 --> 00:56:58,399 Speaker 1: Mitro agrees with me. She's been chatting me the same 911 00:56:58,440 --> 00:57:00,839 Speaker 1: thoughts sort of this whole time, and we've and it's 912 00:57:00,880 --> 00:57:03,719 Speaker 1: been freeing, honestly, just sort of sit back and sort 913 00:57:03,760 --> 00:57:06,840 Speaker 1: of not have to sear a conversation because it's not 914 00:57:06,880 --> 00:57:09,840 Speaker 1: our house. It's not Metridis house today, you know, like 915 00:57:10,320 --> 00:57:14,680 Speaker 1: it's your house. Okay, I understand that it hurts me 916 00:57:14,800 --> 00:57:18,200 Speaker 1: to hear, but this is the exact point I was 917 00:57:18,240 --> 00:57:21,200 Speaker 1: making earlier that I ended up apologizing for. Ironically, but 918 00:57:21,240 --> 00:57:23,080 Speaker 1: I take it back, because that's what I'm saying. You 919 00:57:23,200 --> 00:57:25,360 Speaker 1: guys are not friends. You guys should be the friends 920 00:57:25,400 --> 00:57:30,680 Speaker 1: to say, hey, reverse change your course, and you and 921 00:57:30,760 --> 00:57:36,280 Speaker 1: you haven't done that because we're in your house. I'm 922 00:57:36,320 --> 00:57:43,040 Speaker 1: agreeing with Joel. Wait a minute, it's the three of 923 00:57:43,120 --> 00:57:48,800 Speaker 1: you against me. Yeah, this sucks. I'm kind of just 924 00:57:48,920 --> 00:57:54,280 Speaker 1: figuring out where I stand on this. Uh yeah, yeah, 925 00:57:54,840 --> 00:57:58,480 Speaker 1: I'm really bad at you. Boe. I want to know. 926 00:57:58,880 --> 00:58:02,840 Speaker 1: I want to know what take because we don't have them. Okay, 927 00:58:02,920 --> 00:58:05,640 Speaker 1: I'll we we should all go around round Robin and 928 00:58:05,720 --> 00:58:10,440 Speaker 1: do it a cultural take. I'll start Um the flight attendant, 929 00:58:10,760 --> 00:58:15,400 Speaker 1: Corny and bad Um, Kaylee, Coco and Estonian as in 930 00:58:15,520 --> 00:58:18,360 Speaker 1: gen I think she's great, but I think she was 931 00:58:18,480 --> 00:58:23,600 Speaker 1: stupid and bad. It's possible to pull positive exile. Yeah. No, 932 00:58:23,800 --> 00:58:27,240 Speaker 1: And TV, well, he's having a he's an be a 933 00:58:27,280 --> 00:58:32,040 Speaker 1: big week. He's back on Grey's Anatomy. He's really he 934 00:58:32,680 --> 00:58:36,160 Speaker 1: like Meredith is in her like COVID coma and is 935 00:58:36,240 --> 00:58:42,800 Speaker 1: seeing dead people and so it is crazy to think 936 00:58:42,880 --> 00:58:45,720 Speaker 1: that they're doing that as a storyline. And so she's 937 00:58:45,800 --> 00:58:49,479 Speaker 1: walking around on this beach and she's running into dead 938 00:58:49,720 --> 00:58:53,200 Speaker 1: into which is just which is telling this the show 939 00:58:53,280 --> 00:58:55,360 Speaker 1: telling on itself for how many people it's killed off? 940 00:58:56,360 --> 00:58:59,840 Speaker 1: How did it kill tr Night? Oh babe. He got 941 00:59:00,080 --> 00:59:02,600 Speaker 1: hit by a bus so badly that his entire body 942 00:59:02,760 --> 00:59:06,400 Speaker 1: was unrecognizable. And a big twist in the episode that 943 00:59:06,520 --> 00:59:10,280 Speaker 1: he dies in is Basically, this trauma patient is George. 944 00:59:10,480 --> 00:59:13,600 Speaker 1: They're holding they're holding hands with him, and he like 945 00:59:13,800 --> 00:59:19,600 Speaker 1: signs into their hand I'm George, oh literally, but he's 946 00:59:19,600 --> 00:59:22,080 Speaker 1: an unrecognizable run over by getting hit by a bus. 947 00:59:22,240 --> 00:59:28,080 Speaker 1: Of course, life itself moment use that I think at 948 00:59:28,160 --> 00:59:32,680 Speaker 1: least two, maybe three times. So it's a theme. It 949 00:59:32,840 --> 00:59:36,880 Speaker 1: is a theme. Not enough of it, not enough of it, okay, 950 00:59:36,920 --> 00:59:39,920 Speaker 1: but tennant. I was in the first three episodes, and 951 00:59:39,960 --> 00:59:41,840 Speaker 1: then by the end of episode four, I was like, oh, 952 00:59:41,920 --> 00:59:47,000 Speaker 1: this is actually terribly terribly constructed. Unfortunately, but Kayleie great, 953 00:59:47,160 --> 00:59:50,040 Speaker 1: Rosie love. But I will watch watch every episode. It 954 00:59:50,120 --> 00:59:53,200 Speaker 1: doesn't stay on the rails, that's for sure, but I'm 955 00:59:53,240 --> 00:59:55,480 Speaker 1: sure we're gonna watch every episode and there might be 956 00:59:55,600 --> 00:59:59,880 Speaker 1: something interesting happening with Rosie Perez on it. Rosie Perez 957 01:00:00,000 --> 01:00:04,200 Speaker 1: saying a character named Megan, Megan Briscow, Megan and Briscow. 958 01:00:06,640 --> 01:00:10,480 Speaker 1: But it's so weird, how I don't. I just finished 959 01:00:10,480 --> 01:00:12,760 Speaker 1: the first Spider Man game where like the main the 960 01:00:12,840 --> 01:00:15,080 Speaker 1: main villain is like a Chinese guy who has a 961 01:00:15,120 --> 01:00:18,000 Speaker 1: gang of Chinese people like chase you, to chase you 962 01:00:18,120 --> 01:00:20,560 Speaker 1: around the city. And then I just hot off the 963 01:00:20,600 --> 01:00:22,760 Speaker 1: heels of that. I'm watching The Flight Attendant, where like 964 01:00:22,880 --> 01:00:26,520 Speaker 1: the bad, threatening, scary people are like these Korean men 965 01:00:26,680 --> 01:00:29,160 Speaker 1: who are like following all the characters around, and I'm like, 966 01:00:29,280 --> 01:00:33,080 Speaker 1: what is this. I'm not saying there's like a problematic 967 01:00:33,200 --> 01:00:34,680 Speaker 1: thing going on. I'm just like, why am I like 968 01:00:34,840 --> 01:00:38,440 Speaker 1: drawn to these things? Were like, yeah, you're the problem. 969 01:00:40,560 --> 01:00:42,880 Speaker 1: I think that is a really good takeaway. You should 970 01:00:42,920 --> 01:00:46,280 Speaker 1: really lean into that that it's your fault. Well that, 971 01:00:46,400 --> 01:00:49,080 Speaker 1: I'm just like, what why am I like stumbling on 972 01:00:49,200 --> 01:00:51,680 Speaker 1: these like these pieces of media that are all like 973 01:00:52,280 --> 01:00:55,400 Speaker 1: these Asian men and suits are scary. I don't know, Well, 974 01:00:55,440 --> 01:00:57,680 Speaker 1: it's because there are people are like, oh god, the 975 01:00:57,800 --> 01:00:59,920 Speaker 1: terrorist thing is so tired, like we kind of psyched 976 01:01:00,040 --> 01:01:03,240 Speaker 1: through every single Middle Eastern actor that has never will 977 01:01:03,280 --> 01:01:05,480 Speaker 1: be So we have to like find somewhere else until 978 01:01:05,840 --> 01:01:09,960 Speaker 1: we have to do age into age into the working. 979 01:01:11,000 --> 01:01:19,160 Speaker 1: We need a fresh crop. What are people scared of now? China? Yeah? Sure, sure, um, okay, 980 01:01:19,200 --> 01:01:23,560 Speaker 1: that's good. I have a take Okay, I am up 981 01:01:23,600 --> 01:01:27,520 Speaker 1: to date on what I'm calling this. Who lose a teacher? 982 01:01:29,080 --> 01:01:35,440 Speaker 1: But on Hulse a teacher is that He's adding Hulu 983 01:01:35,560 --> 01:01:37,720 Speaker 1: is in front of it is is Matt's trademark. I'm 984 01:01:37,760 --> 01:01:40,440 Speaker 1: saying I don't like just saying I'm watching a teacher. 985 01:01:41,600 --> 01:01:48,160 Speaker 1: I'm watching Hulu teach sounder of Hulu wean's the teacher. Yes, Yes, 986 01:01:48,920 --> 01:01:51,439 Speaker 1: And in watching that, I have discovered that Kate Mara 987 01:01:51,640 --> 01:01:56,080 Speaker 1: is actually a capitalty talent. Welcome, Welcome home, and I 988 01:01:56,200 --> 01:01:59,120 Speaker 1: know that I'm sort of like being welcome with open 989 01:01:59,240 --> 01:02:01,200 Speaker 1: arms in a sort of me as Meredith Gray and 990 01:02:01,240 --> 01:02:03,880 Speaker 1: a COVID coma running on the beach towards like, let's say, 991 01:02:03,960 --> 01:02:10,320 Speaker 1: Christina moment um. And I really appreciate the work that 992 01:02:10,400 --> 01:02:12,520 Speaker 1: she did in this last episode, which is episode six, 993 01:02:12,920 --> 01:02:14,720 Speaker 1: but seven episodes will be out by the time this 994 01:02:14,840 --> 01:02:16,760 Speaker 1: comes out readers, so I'm sure are chopping at the 995 01:02:16,920 --> 01:02:20,360 Speaker 1: bit to watch Who Lose a Teacher? But in episode six, 996 01:02:20,560 --> 01:02:22,760 Speaker 1: the ship hits the fans, so to speak, and that's 997 01:02:22,920 --> 01:02:25,960 Speaker 1: something that people say, this is an expression of when 998 01:02:26,000 --> 01:02:28,240 Speaker 1: the things get really crazy in the show. And so 999 01:02:28,560 --> 01:02:31,640 Speaker 1: things have gotten really crazy in the show, and Kate 1000 01:02:31,760 --> 01:02:41,120 Speaker 1: Mara has displayed some quiet, precise, emotional, just really stomach 1001 01:02:41,320 --> 01:02:45,439 Speaker 1: churning work. How is love Simon? Love Simon is good 1002 01:02:46,080 --> 01:02:48,480 Speaker 1: and he has a name which is Nick Robinson, but 1003 01:02:48,520 --> 01:02:51,680 Speaker 1: he will be not as left Simon forever. And I 1004 01:02:51,800 --> 01:02:54,640 Speaker 1: love Simon is to a talent and he really pulls 1005 01:02:54,680 --> 01:02:57,320 Speaker 1: it out. And also he's good casting because we feel 1006 01:02:57,400 --> 01:02:59,400 Speaker 1: he's a teen, but also he is older. He's like 1007 01:02:59,480 --> 01:03:02,680 Speaker 1: twenty five. So it's weird because you're sort of watching 1008 01:03:02,760 --> 01:03:05,520 Speaker 1: it and you're like, oh, like there's chemistry there. I 1009 01:03:05,680 --> 01:03:08,520 Speaker 1: kind of want these two to funk, and then you're like, oh, wait, 1010 01:03:09,120 --> 01:03:11,040 Speaker 1: like he's playing a seventeen year old on the show. 1011 01:03:11,120 --> 01:03:13,640 Speaker 1: That's so bad. And I do think it's weird what 1012 01:03:13,760 --> 01:03:16,640 Speaker 1: they've managed to do. What or not not what's weird 1013 01:03:16,680 --> 01:03:19,880 Speaker 1: what they've managed to do, But what we've accepted is like, um, 1014 01:03:20,120 --> 01:03:22,120 Speaker 1: in Desperate House, I was like, Eva Longoria is like 1015 01:03:22,480 --> 01:03:25,280 Speaker 1: this like vamp who foks like this, Oh my god, 1016 01:03:25,640 --> 01:03:28,000 Speaker 1: sixteen year old in the show, which is the character 1017 01:03:28,080 --> 01:03:30,360 Speaker 1: of John, who's played by a thirty year old. I mean, yeah, 1018 01:03:30,360 --> 01:03:33,800 Speaker 1: I think that one is easy because he looks her 1019 01:03:33,920 --> 01:03:36,920 Speaker 1: age and they're like he's sixteen, and it's like you 1020 01:03:37,080 --> 01:03:40,840 Speaker 1: never would but in this like you buy Nick Robinson 1021 01:03:40,960 --> 01:03:43,200 Speaker 1: as a teen, but you know it's twenty five. So 1022 01:03:43,480 --> 01:03:45,680 Speaker 1: like the politics, even in your mind, are kind of crazy. 1023 01:03:46,000 --> 01:03:49,360 Speaker 1: But then the show is like, no, this is wrong. 1024 01:03:49,560 --> 01:03:52,080 Speaker 1: They bookend it with if you are someone you know 1025 01:03:52,200 --> 01:03:54,960 Speaker 1: has been a victim of grooming, like really explores that, 1026 01:03:55,480 --> 01:03:58,120 Speaker 1: Like the show is a lot you know has been 1027 01:03:58,120 --> 01:04:05,840 Speaker 1: a girl doing him let's say it. Um, but yeah 1028 01:04:05,880 --> 01:04:08,240 Speaker 1: the show. The show ends up being more about the 1029 01:04:08,360 --> 01:04:13,760 Speaker 1: fallout of and uh sort of um abuse of the situation, 1030 01:04:13,880 --> 01:04:16,160 Speaker 1: and less about like they're having a sexy affair, which 1031 01:04:16,240 --> 01:04:18,560 Speaker 1: I think is great and it is. That's interesting to 1032 01:04:18,720 --> 01:04:22,280 Speaker 1: see a lead character which is a like an abuser, 1033 01:04:22,400 --> 01:04:25,840 Speaker 1: that's a woman towards a male victim. It's interesting. What 1034 01:04:26,000 --> 01:04:30,040 Speaker 1: do you see in what's next for for Kate? I 1035 01:04:30,120 --> 01:04:38,520 Speaker 1: think probably um girl thor yeah girl, I know Natalie 1036 01:04:38,560 --> 01:04:40,040 Speaker 1: Portman is doing it, but I'm sure she'll have to 1037 01:04:40,120 --> 01:04:42,960 Speaker 1: drop out for like to play Jackie Jackie oh again. 1038 01:04:43,000 --> 01:04:44,400 Speaker 1: And there's gonna be a sequel to that. I heard, 1039 01:04:45,360 --> 01:04:47,840 Speaker 1: so she'll want to go do that. It's called Jackie too, 1040 01:04:48,600 --> 01:04:51,400 Speaker 1: and it's more her as like a little bit older 1041 01:04:51,800 --> 01:04:55,240 Speaker 1: and yeah, she got different air and stuff. She's like shopping. 1042 01:04:55,360 --> 01:04:59,040 Speaker 1: She has your boyfriend. His name is on Assis and 1043 01:04:59,160 --> 01:05:05,120 Speaker 1: it's like very high yea. His name is onassist. His 1044 01:05:05,280 --> 01:05:09,880 Speaker 1: name is Jackie too coland his name is Oasis. And 1045 01:05:09,960 --> 01:05:11,720 Speaker 1: it's like a lot of them shopping and stuff and 1046 01:05:11,800 --> 01:05:15,160 Speaker 1: hard more having fun for later years, so she'll probably 1047 01:05:15,160 --> 01:05:20,520 Speaker 1: want to do that. And so Americans Long Island, Long Island, 1048 01:05:21,640 --> 01:05:24,800 Speaker 1: Jackie too, like the way you say Jackie too, Long Island. 1049 01:05:24,960 --> 01:05:30,240 Speaker 1: Did you see Jackie Too? Wait? Did you see Spider Man? 1050 01:05:30,600 --> 01:05:34,720 Speaker 1: It was so good. I thought they like every movie, 1051 01:05:34,800 --> 01:05:38,560 Speaker 1: those girls. I thought, oh I got four Christmas is 1052 01:05:38,760 --> 01:05:40,600 Speaker 1: that was so good. I thought that was so good. 1053 01:05:40,600 --> 01:05:48,280 Speaker 1: I thought, Okay, I have a culture. Okay, I'm dissipating. 1054 01:05:48,880 --> 01:05:56,680 Speaker 1: Um My take is that Botched is better than Niptuck. Wait, 1055 01:05:57,280 --> 01:06:00,680 Speaker 1: and the two are, of course sister shows what they are. 1056 01:06:02,160 --> 01:06:05,919 Speaker 1: If you're me watching both of them, the normal Heart 1057 01:06:06,000 --> 01:06:10,200 Speaker 1: is better than Rent like it is just because they're 1058 01:06:10,200 --> 01:06:13,600 Speaker 1: both sort of tangentially about the same thing. It seems 1059 01:06:15,480 --> 01:06:21,000 Speaker 1: sorry to hear a word you said. Botch is a reality. 1060 01:06:21,800 --> 01:06:25,920 Speaker 1: Niptuck is famously a serialized Ryan Murphy drama, So go 1061 01:06:26,040 --> 01:06:29,760 Speaker 1: ahead say why what's so good about Botched? Botched, I 1062 01:06:29,800 --> 01:06:34,360 Speaker 1: would argue, gives you more like satisfying drama and catharsis 1063 01:06:34,480 --> 01:06:38,080 Speaker 1: every episode than Niptuck and I've watched the first season 1064 01:06:38,120 --> 01:06:42,000 Speaker 1: of Niptuck now for no reason. Um, so you didn't 1065 01:06:42,040 --> 01:06:43,600 Speaker 1: get to the good part of Niptuck where there's like 1066 01:06:43,640 --> 01:06:47,240 Speaker 1: a killer. I just was like, why am I doing this? 1067 01:06:48,960 --> 01:06:52,320 Speaker 1: I never really stopped to ask why. As soon as 1068 01:06:52,320 --> 01:06:54,400 Speaker 1: I did that, it was time to stop watching. Did 1069 01:06:54,440 --> 01:06:59,160 Speaker 1: you find the show sexy? No? It really like every 1070 01:06:59,320 --> 01:07:04,360 Speaker 1: like it just like um like I don't I don't know, 1071 01:07:04,440 --> 01:07:07,560 Speaker 1: like like Tom Cruise, like Bruce Willis, Like it was 1072 01:07:07,640 --> 01:07:10,400 Speaker 1: very just like he's whipping the short open. Isn't that 1073 01:07:10,480 --> 01:07:17,560 Speaker 1: what you want? It was a specific Tom Cruise, this 1074 01:07:18,080 --> 01:07:21,040 Speaker 1: like Tom Cruise Bruce Willis attitude. Yeah, I felt like 1075 01:07:21,120 --> 01:07:23,200 Speaker 1: what it like? What like? I felt like what is 1076 01:07:23,520 --> 01:07:26,120 Speaker 1: which was weird given the creator, But it's like I 1077 01:07:26,240 --> 01:07:29,160 Speaker 1: felt like what a straight guy think a straight woman 1078 01:07:29,240 --> 01:07:32,240 Speaker 1: wants to see, Like you want to be thrown up 1079 01:07:32,280 --> 01:07:34,600 Speaker 1: on the table, you want to be like you want 1080 01:07:34,680 --> 01:07:37,560 Speaker 1: the man in charge to it feels like a show 1081 01:07:37,640 --> 01:07:39,720 Speaker 1: for straight guys. Like it was really like that, like 1082 01:07:40,120 --> 01:07:43,320 Speaker 1: Mr Mr Miami fucking and sucking all over town and 1083 01:07:43,400 --> 01:07:46,880 Speaker 1: his sports car and his house so fucking weird and bad. 1084 01:07:47,320 --> 01:07:49,760 Speaker 1: Turning coke off a stripper's ass and it kicks into 1085 01:07:49,800 --> 01:07:52,440 Speaker 1: the curb and like takes big money and it was 1086 01:07:52,600 --> 01:07:56,920 Speaker 1: very like okay, and you were you were you weren't 1087 01:07:56,920 --> 01:07:59,720 Speaker 1: down to watch the second season. I didn't make it 1088 01:07:59,800 --> 01:08:03,120 Speaker 1: there know, but I um tanada ten would recommend it 1089 01:08:03,160 --> 01:08:08,920 Speaker 1: to absolutely anyone rather botched now that botched. I have 1090 01:08:09,080 --> 01:08:13,960 Speaker 1: watched have you seen the plastic surgery show that has 1091 01:08:14,040 --> 01:08:17,080 Speaker 1: the female plastic surgeons? Nobody've seen a million commercials for 1092 01:08:17,120 --> 01:08:20,160 Speaker 1: it while watching Bodged. What's that called? What's that show called? 1093 01:08:20,200 --> 01:08:32,719 Speaker 1: Does anyone know? It's called Bitch Plastic Surge? Hurry, fans 1094 01:08:32,720 --> 01:08:39,840 Speaker 1: of urgent care will know. Hy y. I feel like 1095 01:08:40,200 --> 01:08:42,120 Speaker 1: I feel like Boxed. You know you've given me something, 1096 01:08:42,240 --> 01:08:44,880 Speaker 1: You've inspired me. Mitra, I'm gonna watch box I was like, 1097 01:08:44,920 --> 01:08:47,880 Speaker 1: I want something that's like reality, but there's some like 1098 01:08:48,680 --> 01:08:51,559 Speaker 1: procedural element to it. Literally, I mean I guess literally 1099 01:08:51,640 --> 01:08:56,080 Speaker 1: and like, yeah, I want to finish it. You can 1100 01:08:56,200 --> 01:08:59,560 Speaker 1: leave the room and come back and it's perfect. I 1101 01:09:00,000 --> 01:09:01,960 Speaker 1: would say, if you really want a short term answer 1102 01:09:02,000 --> 01:09:04,360 Speaker 1: to that, Dr pimple Popper is also a great one. 1103 01:09:04,479 --> 01:09:07,880 Speaker 1: I can't do it. It's so satisfying though, it's so satisfying, 1104 01:09:08,080 --> 01:09:10,120 Speaker 1: and I can't believe it's a full show because it's 1105 01:09:10,439 --> 01:09:13,200 Speaker 1: every episode is the same. Somebody's got a weird growth 1106 01:09:13,360 --> 01:09:15,240 Speaker 1: and then she takes it off and it's a happy 1107 01:09:15,360 --> 01:09:18,840 Speaker 1: ending everything. Actually, one of the more angry times I've 1108 01:09:18,880 --> 01:09:21,160 Speaker 1: had was with with was because one morning I woke 1109 01:09:21,320 --> 01:09:23,640 Speaker 1: up to him watching Dr Pimple. Like the first thing 1110 01:09:23,680 --> 01:09:25,799 Speaker 1: I saw when I opened my eyes was a pimple 1111 01:09:25,920 --> 01:09:30,920 Speaker 1: being like explode. So even it wasn't like he didn't 1112 01:09:30,920 --> 01:09:32,720 Speaker 1: do anything that wrong, but I was really like, this 1113 01:09:32,920 --> 01:09:35,559 Speaker 1: is beyond the panel. No, that's an assault on your 1114 01:09:35,560 --> 01:09:38,120 Speaker 1: sensus and it has to be talked about. It's about 1115 01:09:38,160 --> 01:09:40,040 Speaker 1: to wake up to first thing in the morning. Wait, 1116 01:09:40,080 --> 01:09:41,880 Speaker 1: but how are you How are you guys choosing what 1117 01:09:42,040 --> 01:09:44,160 Speaker 1: shows to watch anymore? Because at this point it feels 1118 01:09:44,200 --> 01:09:47,760 Speaker 1: like I'm being given an assignment by the Internet. I 1119 01:09:47,840 --> 01:09:50,559 Speaker 1: guess you know where. It's like, this is the show 1120 01:09:50,600 --> 01:09:52,880 Speaker 1: you gotta want. I don't fight with I don't fight 1121 01:09:52,960 --> 01:09:55,160 Speaker 1: with any of it. If people tell me I should 1122 01:09:55,160 --> 01:09:56,960 Speaker 1: watch it, I'm pretty much watching it unless I know 1123 01:09:57,000 --> 01:09:59,479 Speaker 1: it's gonna up up. If there's something about quarantine though 1124 01:09:59,520 --> 01:10:03,920 Speaker 1: that I find communal viewing very um comforting, Like I'm 1125 01:10:03,960 --> 01:10:06,920 Speaker 1: watching a lot of television. I'm watching a lot of 1126 01:10:07,000 --> 01:10:10,240 Speaker 1: like for no reason. I could be watching these shows 1127 01:10:10,360 --> 01:10:13,280 Speaker 1: like on streaming commercial free, but for some reason, watching 1128 01:10:13,360 --> 01:10:16,400 Speaker 1: them live as it's happening and knowing that other people 1129 01:10:16,439 --> 01:10:20,240 Speaker 1: are watching the same things brings me some weird amount 1130 01:10:20,280 --> 01:10:23,440 Speaker 1: of comfort. And I've been really enjoying live texting Housewives 1131 01:10:23,520 --> 01:10:26,680 Speaker 1: of People while watching it as it's happening. And um, 1132 01:10:26,720 --> 01:10:30,519 Speaker 1: I'm completely up to date on the mask Singer literally 1133 01:10:30,760 --> 01:10:34,000 Speaker 1: those reality Joel and I like consistently check in about 1134 01:10:34,720 --> 01:10:38,599 Speaker 1: with the Stars, the Voice, like all these We didn't 1135 01:10:38,600 --> 01:10:41,000 Speaker 1: really watch this season, but we thought about it. We 1136 01:10:41,040 --> 01:10:44,840 Speaker 1: thought about it, um and it Here's what I think too, 1137 01:10:45,000 --> 01:10:47,920 Speaker 1: It's like, if there's nothing happening in our lives, at 1138 01:10:48,000 --> 01:10:50,760 Speaker 1: least someone else is having a life. We can watch 1139 01:10:50,960 --> 01:10:55,320 Speaker 1: things happen in I honestly think that that is what 1140 01:10:55,560 --> 01:10:58,560 Speaker 1: it is right now. It's just filling. This has to 1141 01:10:58,560 --> 01:11:01,320 Speaker 1: be someone else's life. That's that's right now, right because 1142 01:11:01,360 --> 01:11:02,920 Speaker 1: we talk about it like the way we would talk 1143 01:11:02,920 --> 01:11:05,040 Speaker 1: about our own lives. Like for me, I'm talking about 1144 01:11:05,120 --> 01:11:07,840 Speaker 1: how how things are going between Candice and Monique with 1145 01:11:07,880 --> 01:11:10,800 Speaker 1: the urgency, I would some friends of mine, Like it's 1146 01:11:10,880 --> 01:11:13,240 Speaker 1: truly like I'll check in with people all the time 1147 01:11:13,280 --> 01:11:15,439 Speaker 1: and be like, I just can't be teamed. I'll never 1148 01:11:15,520 --> 01:11:18,040 Speaker 1: be Team Candice. But I I know Monique is wrong, 1149 01:11:18,160 --> 01:11:20,200 Speaker 1: and it's just like this, these are things I used 1150 01:11:20,240 --> 01:11:22,120 Speaker 1: to talk about, like I have a certain you know, 1151 01:11:22,280 --> 01:11:26,000 Speaker 1: cousin that's doing something, but I'm just nothing's happening. So 1152 01:11:26,800 --> 01:11:30,000 Speaker 1: you know, I'm famously team Candice and have been. And 1153 01:11:30,160 --> 01:11:33,320 Speaker 1: I find the discourse around team Can't, like the Candice 1154 01:11:33,360 --> 01:11:35,920 Speaker 1: Monique stuff to have shifted in a way because people 1155 01:11:35,960 --> 01:11:38,360 Speaker 1: are like, well, Candice runs her mouth, and you can't 1156 01:11:38,400 --> 01:11:40,680 Speaker 1: run your mouth like that and not expect some retribution. 1157 01:11:40,760 --> 01:11:42,880 Speaker 1: And it's like that is the bedrock of all of 1158 01:11:42,960 --> 01:11:45,400 Speaker 1: these shows, is women running their mouth like that. If 1159 01:11:45,479 --> 01:11:48,120 Speaker 1: we're going to take the position that it is okay 1160 01:11:48,240 --> 01:11:50,760 Speaker 1: to enact violence on somebody for running their mouth, then 1161 01:11:50,920 --> 01:11:53,760 Speaker 1: I'm sorry. There's a lot of women that need to 1162 01:11:53,800 --> 01:11:57,760 Speaker 1: get Women deserve deserve to be beaten. Yeah. Yeah, If 1163 01:11:57,800 --> 01:12:00,639 Speaker 1: I might say, my problem is not with the initial 1164 01:12:00,720 --> 01:12:02,840 Speaker 1: altercation of it all, I pretty I see that pretty 1165 01:12:02,840 --> 01:12:06,479 Speaker 1: clearly she was wrong. I guess my problem with everyone 1166 01:12:06,560 --> 01:12:09,600 Speaker 1: in the situation is how they're just choosing to handle it, 1167 01:12:10,160 --> 01:12:13,280 Speaker 1: like Candice pressing charges to the point where she knows 1168 01:12:13,360 --> 01:12:15,439 Speaker 1: Monique is going to go to maybe prison for this, 1169 01:12:15,760 --> 01:12:18,400 Speaker 1: and think she wants it like prosecuted to the full 1170 01:12:18,439 --> 01:12:20,800 Speaker 1: extent of the law, knowing this woman has children. It's 1171 01:12:20,840 --> 01:12:23,000 Speaker 1: like and the way that all the women are talking 1172 01:12:23,040 --> 01:12:26,360 Speaker 1: about it, because Monique obviously needs help with this problem, 1173 01:12:26,439 --> 01:12:29,439 Speaker 1: not to be put in jail. That's where I rub 1174 01:12:29,520 --> 01:12:31,040 Speaker 1: on the whole thing, because I feel like they're just 1175 01:12:31,120 --> 01:12:34,040 Speaker 1: taking it to You know. What could have done though, 1176 01:12:34,080 --> 01:12:38,200 Speaker 1: to avoid that is apologize. I think, apologize early and apologize. 1177 01:12:38,280 --> 01:12:41,240 Speaker 1: I think you're right, but she has something, there's something 1178 01:12:41,360 --> 01:12:43,560 Speaker 1: wrong with her. She needs help for it. And I 1179 01:12:43,880 --> 01:12:45,599 Speaker 1: think that like it's all a big cry for help. 1180 01:12:45,640 --> 01:12:48,960 Speaker 1: I don't know the whole but yes, also maybe she 1181 01:12:49,160 --> 01:12:52,719 Speaker 1: is sentencing. I don't think she would be put in jail. 1182 01:12:52,720 --> 01:12:54,599 Speaker 1: I really don't. I really don't think she'd be put 1183 01:12:54,680 --> 01:12:57,439 Speaker 1: in jail. It's just weird and do so you think 1184 01:12:57,479 --> 01:13:00,120 Speaker 1: that Candice is doing real real Housewives to be here 1185 01:13:00,160 --> 01:13:02,880 Speaker 1: by saying she wants it pursued to the full. I 1186 01:13:03,000 --> 01:13:05,960 Speaker 1: think that, well. I think she's dumb as a fucking 1187 01:13:06,000 --> 01:13:07,560 Speaker 1: box of Rocks. I don't think she knows how the 1188 01:13:07,600 --> 01:13:11,080 Speaker 1: system works. Um, but I don't think that the I 1189 01:13:11,160 --> 01:13:13,559 Speaker 1: don't think that the justice system would put Monique in prison. 1190 01:13:14,439 --> 01:13:17,120 Speaker 1: And maybe that's not eive of me, but maybe that is. 1191 01:13:18,040 --> 01:13:20,840 Speaker 1: I don't think Cannice is that dumb, though out of 1192 01:13:21,360 --> 01:13:22,840 Speaker 1: out of all seven of them, she's one of the 1193 01:13:22,880 --> 01:13:26,040 Speaker 1: smarter ones. I would say, are you a potomac watcher? 1194 01:13:26,520 --> 01:13:30,200 Speaker 1: I am? Giselle is actually designing my house right now. 1195 01:13:35,840 --> 01:13:42,120 Speaker 1: Tones l tones everywhere. Yeah. I asked for hot pink, black, white, chrome, um, 1196 01:13:44,439 --> 01:13:47,280 Speaker 1: yeah and um and then yeah. So it just sort 1197 01:13:47,280 --> 01:13:49,880 Speaker 1: of comes with the gun for what you're handle looking 1198 01:13:49,920 --> 01:13:53,439 Speaker 1: at it. Can I reveal? Can I reveal? Um? I 1199 01:13:53,520 --> 01:13:55,720 Speaker 1: was going to reveal this on our podcast Metro, but 1200 01:13:55,760 --> 01:13:58,840 Speaker 1: I'll reveal it now. But I did get you a 1201 01:13:58,920 --> 01:14:02,800 Speaker 1: gift that is out been canceled because of UM. I 1202 01:14:02,880 --> 01:14:05,439 Speaker 1: got an email, so I ordered you one of Robin 1203 01:14:05,520 --> 01:14:14,320 Speaker 1: Dixon's hats for Christmas. The order because of COVID I ago, 1204 01:14:14,560 --> 01:14:17,000 Speaker 1: and I got an email recently that was like basically 1205 01:14:17,120 --> 01:14:19,400 Speaker 1: she was like, I was like, where's the hat? And 1206 01:14:19,920 --> 01:14:22,559 Speaker 1: the email was basically like the hat will not be fulfilled. 1207 01:14:23,640 --> 01:14:27,080 Speaker 1: But even you getting order. Placing that order is the 1208 01:14:27,160 --> 01:14:32,040 Speaker 1: perfect Wait, but this is crazy to me. It's it's COVID. 1209 01:14:32,560 --> 01:14:34,799 Speaker 1: Maybe she just genuinely couldn't figure out, but you gotta 1210 01:14:34,880 --> 01:14:39,240 Speaker 1: figure it. How shocking that Robin Dixon couldn't figure out 1211 01:14:39,360 --> 01:14:42,679 Speaker 1: her small her small hat business. We watched her son's 1212 01:14:42,760 --> 01:14:48,040 Speaker 1: fulfilled the order. You're right, a hundred thousand dollars in 1213 01:14:48,120 --> 01:14:50,160 Speaker 1: back taps. She doesn't know how to put a hat 1214 01:14:50,200 --> 01:14:54,639 Speaker 1: in a box. And time for Christmas. Oh my god, 1215 01:14:55,439 --> 01:14:58,559 Speaker 1: that is an amazing game. That's really good. We all 1216 01:14:58,680 --> 01:15:02,040 Speaker 1: gassed on this reader. If you could see as soon 1217 01:15:02,080 --> 01:15:06,000 Speaker 1: as Joel said that the words really sad. I'm really sad. 1218 01:15:06,040 --> 01:15:09,080 Speaker 1: That actually might still come. It just definitely won't come 1219 01:15:09,120 --> 01:15:15,920 Speaker 1: until next year sometime. You're going to get it in 1220 01:15:16,080 --> 01:15:19,519 Speaker 1: April when she's onto a new venture. I can't wait, 1221 01:15:20,760 --> 01:15:29,160 Speaker 1: And I'm gonna get you a bucket of ladom. I watched. 1222 01:15:29,600 --> 01:15:32,320 Speaker 1: I watched this YouTuber. Her name is the Brook Ashley, 1223 01:15:32,439 --> 01:15:35,519 Speaker 1: and she goes over every episode of Potomac and she 1224 01:15:36,000 --> 01:15:42,160 Speaker 1: is firmly um anti anti Monique. And I'm getting the 1225 01:15:42,240 --> 01:15:44,519 Speaker 1: sense now that a lot of the fan community is 1226 01:15:44,560 --> 01:15:47,920 Speaker 1: sort of positioning themselves anti Monique in a way where 1227 01:15:47,960 --> 01:15:50,040 Speaker 1: it makes me feel like sad because she won't come 1228 01:15:50,080 --> 01:15:52,320 Speaker 1: back to the show because I still am operating in 1229 01:15:52,439 --> 01:15:55,439 Speaker 1: this um world where they all returned to the show, 1230 01:15:55,560 --> 01:15:58,679 Speaker 1: but they're not going to figure he said, they're all back. 1231 01:15:59,560 --> 01:16:02,559 Speaker 1: What he season for for sex for the next season. Yeah, 1232 01:16:02,680 --> 01:16:06,880 Speaker 1: he literally said on Everything Iconic. I think on a 1233 01:16:06,960 --> 01:16:09,080 Speaker 1: podcast he was like, all all of them are back, 1234 01:16:09,160 --> 01:16:13,800 Speaker 1: including winding. Wow. Okay that maybe the fact that they 1235 01:16:13,840 --> 01:16:15,920 Speaker 1: couldn't film together a lot of the time kept Monique 1236 01:16:15,960 --> 01:16:20,640 Speaker 1: in the game because for during COVID, Yeah, because I 1237 01:16:20,680 --> 01:16:24,800 Speaker 1: don't see unless they gets resolved. I think like maybe 1238 01:16:24,840 --> 01:16:27,320 Speaker 1: he meant like offers are out, but like so maybe 1239 01:16:27,479 --> 01:16:30,320 Speaker 1: she might opt to not come back, but like she's 1240 01:16:30,360 --> 01:16:35,760 Speaker 1: not fired, he's not. She she seems to want to 1241 01:16:36,000 --> 01:16:37,720 Speaker 1: stay as well. I don't think it's a situation where 1242 01:16:37,760 --> 01:16:41,240 Speaker 1: she wants out either. Um well, she said on the 1243 01:16:41,360 --> 01:16:43,600 Speaker 1: rear view, like she wants to continue to be on 1244 01:16:43,680 --> 01:16:45,240 Speaker 1: the show to try to set her own narrative as 1245 01:16:45,240 --> 01:16:48,240 Speaker 1: long as possible, like like and she she genuinely felt 1246 01:16:48,280 --> 01:16:50,519 Speaker 1: that when everything rolled out, she'd be vindicated when it 1247 01:16:50,600 --> 01:16:54,880 Speaker 1: was shown on television. Yeah, no, not what happened. No, 1248 01:16:55,680 --> 01:17:00,800 Speaker 1: that decidedly. No. We saw her go nuts. Who do 1249 01:17:00,880 --> 01:17:04,639 Speaker 1: we identify with on Salt Lakes today? Have we all watched? Yes? 1250 01:17:05,680 --> 01:17:10,479 Speaker 1: I know mine. I love You're Meredith who? But who 1251 01:17:10,520 --> 01:17:12,599 Speaker 1: do you identify with your you identify as a Merida, 1252 01:17:12,680 --> 01:17:17,559 Speaker 1: as a Meredith. I think, um, I think I'm maybe 1253 01:17:17,640 --> 01:17:21,920 Speaker 1: I identify a little bit more with m Mary. I 1254 01:17:22,000 --> 01:17:25,600 Speaker 1: feel like you're a Whitney. You're not married? Sure, no, 1255 01:17:25,760 --> 01:17:29,759 Speaker 1: actually that's fair. Whitney to you feel like Whitney to me. Okay, 1256 01:17:30,160 --> 01:17:32,320 Speaker 1: that's a little insulting, but I'll take it. No, I 1257 01:17:32,400 --> 01:17:36,240 Speaker 1: think I love we love Whitney. She's so fun Whitney. 1258 01:17:36,240 --> 01:17:37,880 Speaker 1: The first episodes of like who Gives a Ship? And 1259 01:17:37,960 --> 01:17:40,040 Speaker 1: now I'm like, oh wait, like you're like she like 1260 01:17:40,240 --> 01:17:43,599 Speaker 1: has She's good in the Talking Heads she is. She's like, um, 1261 01:17:43,880 --> 01:17:46,760 Speaker 1: a little more Caddy than like she's getting Caddy or 1262 01:17:46,800 --> 01:17:49,800 Speaker 1: as the talking Heads go, yeah, she's starting to you know, 1263 01:17:49,960 --> 01:17:53,160 Speaker 1: say what she really thinks the producers are finding her. 1264 01:17:53,520 --> 01:17:56,880 Speaker 1: She is by far the most athletic housewife we've ever had. 1265 01:17:57,840 --> 01:18:03,360 Speaker 1: Her snowboard Jay and Hustlers was shook. Yeah, I mean yes, 1266 01:18:03,520 --> 01:18:07,639 Speaker 1: I imagine any other housewife snowboard with that core String. Yeah, 1267 01:18:07,680 --> 01:18:13,040 Speaker 1: I know, it's wild watching them. It's like slay snowboarding. 1268 01:18:13,080 --> 01:18:17,120 Speaker 1: I was like, this is who utah baby, that's like 1269 01:18:17,200 --> 01:18:19,120 Speaker 1: ski culture. It's like it's just part it's just you. 1270 01:18:19,240 --> 01:18:21,840 Speaker 1: You gotta know how to do it well. It's it's wild. 1271 01:18:22,040 --> 01:18:26,560 Speaker 1: As Sean mendez One said, it isn't there that I 1272 01:18:29,000 --> 01:18:34,680 Speaker 1: feel like Lisa because definitely I'm definitely Lisa, because this 1273 01:18:34,800 --> 01:18:37,960 Speaker 1: is why Meredith comes to her to tell her something 1274 01:18:38,000 --> 01:18:40,679 Speaker 1: important about her life that she's separating from her husband, 1275 01:18:40,960 --> 01:18:43,479 Speaker 1: and Lisa can't stop asking if it's going to make 1276 01:18:43,520 --> 01:18:45,920 Speaker 1: her cry. She was like, am I gonna cry? Will 1277 01:18:45,960 --> 01:18:47,920 Speaker 1: it make me cry? I don't want to cry. I 1278 01:18:48,000 --> 01:18:50,960 Speaker 1: think I'm gonna cry. I'm crying now, and Meredith ends 1279 01:18:51,000 --> 01:18:53,599 Speaker 1: up consoling her. I think actually the more important thing 1280 01:18:53,600 --> 01:19:03,439 Speaker 1: about that can it was can I touch? Can I touch? 1281 01:19:03,640 --> 01:19:07,000 Speaker 1: That's and that woman is so uncomfortable like you are. 1282 01:19:07,280 --> 01:19:10,640 Speaker 1: Actually that's my role, That's who I think. She was like, 1283 01:19:10,920 --> 01:19:14,680 Speaker 1: you really want to touch? You are to toucher, aren't you. 1284 01:19:15,360 --> 01:19:18,280 Speaker 1: It's like, no, bitch, you can't touch this ship. But 1285 01:19:18,439 --> 01:19:21,560 Speaker 1: I am one to stop at four different fast food restaurants. 1286 01:19:22,120 --> 01:19:25,000 Speaker 1: The way she's raising her children is definitely the way 1287 01:19:25,000 --> 01:19:29,639 Speaker 1: you would raise yours. And I think you are Meredith. Yeah, 1288 01:19:29,920 --> 01:19:36,280 Speaker 1: I'm I'm I'm disengaging. I'm disengaging. I'm juststing. I'm not engaging. Yeah, 1289 01:19:36,520 --> 01:19:38,600 Speaker 1: you're not going to do my phone, You're not. You 1290 01:19:38,640 --> 01:19:41,000 Speaker 1: don't think I'm Meredith. I think maybe you're Meredith. But 1291 01:19:41,120 --> 01:19:42,880 Speaker 1: I'm trying to figure out if you give me Heather, 1292 01:19:43,000 --> 01:19:45,360 Speaker 1: you could be Heather too. But I think Metri's Heather. 1293 01:19:46,120 --> 01:19:48,800 Speaker 1: I think Metri's Heather. Heather, I'm not quick enough to 1294 01:19:48,880 --> 01:19:51,680 Speaker 1: be Heather. She had a good episode, she had a 1295 01:19:51,720 --> 01:19:56,600 Speaker 1: good great don't clear the burger or the or the that. 1296 01:19:57,680 --> 01:19:59,320 Speaker 1: That is the moment where I was like, I'm in 1297 01:19:59,640 --> 01:20:02,680 Speaker 1: I'm so. I already liked Heather, but I was like 1298 01:20:02,880 --> 01:20:06,439 Speaker 1: her doing that. I was like, I'm with you. Her 1299 01:20:06,560 --> 01:20:09,080 Speaker 1: calling the uber driver being like, I'm the flapper who 1300 01:20:09,120 --> 01:20:12,439 Speaker 1: has flapper, I'm a flapper with Ca'm like I love her. 1301 01:20:12,680 --> 01:20:14,920 Speaker 1: She goes, I'm looking like a flapper with looking like 1302 01:20:15,000 --> 01:20:19,040 Speaker 1: a flapper with cankles, I'm like, great, God. And also 1303 01:20:19,160 --> 01:20:21,320 Speaker 1: when she goes, when when the conflict was happening at 1304 01:20:21,320 --> 01:20:22,840 Speaker 1: the next table and she goes, I mean, I'll go 1305 01:20:22,920 --> 01:20:24,479 Speaker 1: over there if we make on contact, but if not, 1306 01:20:24,520 --> 01:20:31,840 Speaker 1: I'm gonna wait from my lollipop chicken, perfect, perfect. I 1307 01:20:31,880 --> 01:20:36,960 Speaker 1: think it's Mitra. I think's Heather. Do you feel like 1308 01:20:37,080 --> 01:20:40,519 Speaker 1: Heather Mitra? I was gonna say either Heather or Whitney. 1309 01:20:40,520 --> 01:20:42,880 Speaker 1: I think I'm one of the cousins. You have Pie, 1310 01:20:42,920 --> 01:20:50,680 Speaker 1: you have pioneer ancestors, just like like my ancestors. I'm 1311 01:20:50,720 --> 01:20:55,960 Speaker 1: ready to blaze. The one that's one that's good that 1312 01:20:56,080 --> 01:20:58,559 Speaker 1: no one talks about is when you take sheep shots, 1313 01:20:58,800 --> 01:21:03,120 Speaker 1: always expect to hang over a great one. The worst 1314 01:21:03,280 --> 01:21:12,480 Speaker 1: is the jealousy is disease, to which I say, is psychotic, 1315 01:21:13,200 --> 01:21:17,439 Speaker 1: it's literally, it's literally a pat Rigan quote jealousy disease, 1316 01:21:17,520 --> 01:21:26,000 Speaker 1: to which I say, it's so, it's it's it's perfect, 1317 01:21:26,240 --> 01:21:31,120 Speaker 1: to which and I'm thinking, I think you're probably wondering 1318 01:21:31,160 --> 01:21:35,240 Speaker 1: what I would say to jealousy would say, to which 1319 01:21:35,280 --> 01:21:37,760 Speaker 1: I would say, yeah, well soon is what I would 1320 01:21:37,800 --> 01:21:40,960 Speaker 1: say to jealousy, to which I would say, whatever, whatever 1321 01:21:41,040 --> 01:21:48,960 Speaker 1: a disease exists, I have to say something. Ultimately, I 1322 01:21:49,040 --> 01:21:51,479 Speaker 1: think Jens might be the worst. It's the most low impact. 1323 01:21:51,760 --> 01:21:55,800 Speaker 1: This queen, I'm queen be very much to me like 1324 01:21:56,000 --> 01:21:59,200 Speaker 1: she is. She's the one who is most self aware 1325 01:21:59,320 --> 01:22:02,960 Speaker 1: trying to give housewives like she's the one she like, 1326 01:22:03,320 --> 01:22:05,120 Speaker 1: She's like this, I'm on a show, and I should 1327 01:22:05,120 --> 01:22:06,880 Speaker 1: be doing I should be giving this for the show. 1328 01:22:07,439 --> 01:22:10,320 Speaker 1: And that's and that's why it's not connecting for him. 1329 01:22:10,600 --> 01:22:13,400 Speaker 1: And you know what's weird is she is in direct 1330 01:22:13,520 --> 01:22:17,240 Speaker 1: conflict with Mary, who I think feels like she has 1331 01:22:17,280 --> 01:22:20,200 Speaker 1: to do the housewives thing the least. She is not 1332 01:22:20,320 --> 01:22:22,599 Speaker 1: trying to say things like a housewife. She's not trying 1333 01:22:22,600 --> 01:22:26,000 Speaker 1: to act like a housewife. She's just being herself and 1334 01:22:26,120 --> 01:22:28,920 Speaker 1: she just is and she has an interesting storyline, doesn't 1335 01:22:28,920 --> 01:22:31,639 Speaker 1: have to like do anything to make conflict happen. Such 1336 01:22:31,680 --> 01:22:35,479 Speaker 1: a shame because Jen is too. It's like you seven assistants, baby, 1337 01:22:35,560 --> 01:22:39,559 Speaker 1: That's not inherently it's sad, it's it's just not um 1338 01:22:39,800 --> 01:22:42,320 Speaker 1: something that like hooks us Mary. It's like, oh my god, 1339 01:22:42,360 --> 01:22:45,959 Speaker 1: there's so much going on here. The summer this Champagne 1340 01:22:46,040 --> 01:22:51,880 Speaker 1: was made, fifty people died and that's ever ever, Oh 1341 01:22:52,240 --> 01:22:57,240 Speaker 1: my god, people die in the wildfires, scrapes, ever. She's 1342 01:22:57,280 --> 01:23:03,240 Speaker 1: the scariest person. Terrified her. You on Instagram, you have 1343 01:23:03,479 --> 01:23:08,000 Speaker 1: to face tuned to oblivion these photos and it's their 1344 01:23:08,040 --> 01:23:11,040 Speaker 1: works of art, their works of art. Oh my god, 1345 01:23:11,479 --> 01:23:14,840 Speaker 1: I was reading about her and her life and the 1346 01:23:17,280 --> 01:23:20,479 Speaker 1: scary woman. Well here's a question, could you fuck your grandfather? 1347 01:23:23,240 --> 01:23:26,240 Speaker 1: Would someone who who is married to your step who 1348 01:23:26,320 --> 01:23:29,040 Speaker 1: is married to actually had a step grandfather for for 1349 01:23:29,120 --> 01:23:31,519 Speaker 1: a minute there, and I could never have sucked him. 1350 01:23:31,680 --> 01:23:37,639 Speaker 1: He was not the one. I'm not trying to Charlene. 1351 01:23:40,040 --> 01:23:42,040 Speaker 1: I would never do it. I would never do it 1352 01:23:43,800 --> 01:23:45,679 Speaker 1: for the grandmother to put it in the will, that's 1353 01:23:45,760 --> 01:23:49,200 Speaker 1: what's it's not necessarily no, that's false. Though there's a 1354 01:23:49,240 --> 01:23:53,240 Speaker 1: whole Reddit thread that broke this down. Basically, um that 1355 01:23:53,560 --> 01:23:56,720 Speaker 1: that is like sort of a like a fabrication of 1356 01:23:56,840 --> 01:24:03,040 Speaker 1: the behind is there's a lot of friction between Mary's 1357 01:24:03,160 --> 01:24:07,760 Speaker 1: mother and Mary because there's a lot of like it's 1358 01:24:07,800 --> 01:24:10,719 Speaker 1: it's a game of Thrones but with church, basically because 1359 01:24:10,800 --> 01:24:13,400 Speaker 1: Mary's mother wanted to take over the church and marry 1360 01:24:13,560 --> 01:24:16,960 Speaker 1: the grandfather and then he chose Mary instead, and basically 1361 01:24:17,080 --> 01:24:19,719 Speaker 1: like it wasn't that the grandmother wanted it to happen. 1362 01:24:20,840 --> 01:24:24,120 Speaker 1: He basically was like, hey, everyone, come here, I need 1363 01:24:24,200 --> 01:24:27,080 Speaker 1: to pray about something. And like I was like, you 1364 01:24:27,200 --> 01:24:29,599 Speaker 1: just if you if you say, say yes, say as 1365 01:24:29,640 --> 01:24:31,720 Speaker 1: to what I'm going to pray for, And they all did, 1366 01:24:31,880 --> 01:24:35,360 Speaker 1: and it was about marrying Mary. Basically, I'll find the 1367 01:24:35,680 --> 01:24:37,000 Speaker 1: dread and send it to you. I just want you 1368 01:24:37,040 --> 01:24:39,320 Speaker 1: want to read all of that. It's a long We've 1369 01:24:39,479 --> 01:24:42,599 Speaker 1: read the same post. It's scary. I'm what I need 1370 01:24:42,800 --> 01:24:45,519 Speaker 1: from a reader is for them to replace the Real 1371 01:24:45,600 --> 01:24:47,760 Speaker 1: Housewives of Salt likeake theme song with the Game of 1372 01:24:47,880 --> 01:24:50,519 Speaker 1: Thrones theme song. I need to see these women come 1373 01:24:50,560 --> 01:24:52,679 Speaker 1: out and do their taglines with the Game of Thrones 1374 01:24:52,760 --> 01:24:56,439 Speaker 1: theme song underneath. That's how I need to see Mary portrayed. 1375 01:24:56,520 --> 01:25:02,320 Speaker 1: Is doo do do? I want that energy announcing my ladies. 1376 01:25:02,840 --> 01:25:07,000 Speaker 1: I think you could do that. I want to pass 1377 01:25:07,080 --> 01:25:09,160 Speaker 1: enough to someone else because I don't trust myself that 1378 01:25:09,800 --> 01:25:11,799 Speaker 1: you think I could do that. That's a huge compliment 1379 01:25:11,840 --> 01:25:13,760 Speaker 1: to me that you think I could do that. I 1380 01:25:13,840 --> 01:25:15,720 Speaker 1: think you an incredible editor, and you need to stop. 1381 01:25:17,320 --> 01:25:21,880 Speaker 1: I know inside you is an incredible editor. Not long ago, 1382 01:25:22,000 --> 01:25:26,519 Speaker 1: Matt Rodgers thought his laptop couldn't make PDFs, and I quote, 1383 01:25:27,080 --> 01:25:34,479 Speaker 1: I am positive it couldn't. I'm telling you. But when 1384 01:25:34,479 --> 01:25:36,479 Speaker 1: you didn't say your cultural take, and then we have 1385 01:25:39,120 --> 01:25:43,600 Speaker 1: so many don't. I thought though I had had a 1386 01:25:43,680 --> 01:25:45,320 Speaker 1: prompt us who are who are each of us in 1387 01:25:45,360 --> 01:25:48,679 Speaker 1: Salt City? But this is my take. Every streaming actually 1388 01:25:48,720 --> 01:25:51,200 Speaker 1: have a one Netflix does this on iPad now an iPhone, 1389 01:25:51,400 --> 01:25:53,200 Speaker 1: but every streaming ac should have a one point five 1390 01:25:53,240 --> 01:25:56,120 Speaker 1: speed option to watch it through. I don't like watching 1391 01:25:56,160 --> 01:25:58,200 Speaker 1: things regular speed. I don't. I never listened to podcasts 1392 01:25:58,240 --> 01:26:03,640 Speaker 1: regular speed, audiobooks regular speed barely most YouTube videos I 1393 01:26:03,640 --> 01:26:05,439 Speaker 1: watch at one point seven five because you can you 1394 01:26:05,479 --> 01:26:07,840 Speaker 1: can change that. I don't think you should watch something 1395 01:26:08,120 --> 01:26:09,560 Speaker 1: I don't have the time. None of us have a 1396 01:26:09,680 --> 01:26:13,080 Speaker 1: speed of life is not fast enough for Bowen, the 1397 01:26:13,240 --> 01:26:15,960 Speaker 1: speed of natural life. Maybe maybe I need like maybe 1398 01:26:15,960 --> 01:26:19,080 Speaker 1: I have some attention disorder, but I'm just like I 1399 01:26:19,240 --> 01:26:22,280 Speaker 1: just can't do it. You would want to watch the 1400 01:26:22,360 --> 01:26:25,360 Speaker 1: Flight Attendant on one point five speed, Kelly Quill doing 1401 01:26:25,520 --> 01:26:28,839 Speaker 1: flips save There's There are so many movies on YouTube, 1402 01:26:28,880 --> 01:26:31,479 Speaker 1: like especially like old Hong Kong movies that I've watched 1403 01:26:31,600 --> 01:26:34,280 Speaker 1: and it's in their entirety at one point five speed. 1404 01:26:34,560 --> 01:26:36,880 Speaker 1: Enjoyed it so much more than I went. And are 1405 01:26:36,960 --> 01:26:40,200 Speaker 1: you like only are you also like on your phone 1406 01:26:40,240 --> 01:26:43,160 Speaker 1: while it's own one point five knowing her, I'm on 1407 01:26:43,280 --> 01:26:45,640 Speaker 1: my phone, I'm like less distracted if I'm watching it 1408 01:26:45,680 --> 01:26:49,320 Speaker 1: at like a quicker pace, because I'm like, truly, there's 1409 01:26:49,400 --> 01:26:52,840 Speaker 1: something like agitating about me sitting through something that's like 1410 01:26:53,400 --> 01:26:55,599 Speaker 1: I can't. I'll never watch the Batchelor. I'm so sorry 1411 01:26:55,640 --> 01:26:58,960 Speaker 1: because I cannot sit through even after commercials like an 1412 01:26:59,000 --> 01:27:03,640 Speaker 1: hour and thirty minute. There's three every episode of thirteen hours, right, 1413 01:27:04,400 --> 01:27:08,200 Speaker 1: I can't do that. So every single video platform has 1414 01:27:08,280 --> 01:27:11,360 Speaker 1: to have that. That's a general thing. I disagree. I 1415 01:27:11,439 --> 01:27:14,760 Speaker 1: think that pace this purpose and I believe that things. 1416 01:27:15,080 --> 01:27:16,920 Speaker 1: And I actually am on the record for saying that 1417 01:27:17,080 --> 01:27:19,160 Speaker 1: I would not want anyone to listen to this podcast 1418 01:27:19,360 --> 01:27:22,240 Speaker 1: or Urgent Care at one point five speed. I just 1419 01:27:22,760 --> 01:27:25,720 Speaker 1: because I know the artist. The artists want to be 1420 01:27:26,280 --> 01:27:28,800 Speaker 1: heard the way that they're speaking. Well, Joel and I 1421 01:27:28,880 --> 01:27:31,840 Speaker 1: are Actually we record every episode several times, so there's 1422 01:27:31,840 --> 01:27:33,840 Speaker 1: an episode at normal speed, and then there's an episode 1423 01:27:34,280 --> 01:27:38,599 Speaker 1: and that's what and that's why you deserve the acclaim 1424 01:27:38,760 --> 01:27:43,840 Speaker 1: you understand a claimed podcasters. Podcasters. I think this is 1425 01:27:43,840 --> 01:27:45,920 Speaker 1: a beautiful segment, and I don't think so, Honey, don't yes, 1426 01:27:46,160 --> 01:27:47,920 Speaker 1: this is I don't think Sony, this is our segment 1427 01:27:48,000 --> 01:27:50,120 Speaker 1: where we each take one minute to go off on something. 1428 01:27:51,000 --> 01:27:54,559 Speaker 1: That's really the casual way we say when we describe 1429 01:27:54,560 --> 01:27:55,960 Speaker 1: what I don't think, so, honey, is go off on 1430 01:27:56,080 --> 01:28:00,080 Speaker 1: something in culture. And then we have about saying the 1431 01:28:00,120 --> 01:28:05,160 Speaker 1: words go off. It's so real we go off on 1432 01:28:05,240 --> 01:28:08,080 Speaker 1: something and culture. Matt, do you want to go first? Yeah? 1433 01:28:10,040 --> 01:28:11,800 Speaker 1: This is Matt Rodgers. I don't think so many time 1434 01:28:11,840 --> 01:28:14,240 Speaker 1: starts now, I don't think so, honey. There is not 1435 01:28:14,520 --> 01:28:17,200 Speaker 1: enough conversation about Miley's new album. And I have been 1436 01:28:17,240 --> 01:28:19,960 Speaker 1: saying for months and months and even years and years 1437 01:28:20,080 --> 01:28:22,880 Speaker 1: that we are generation needs a Pet Benatar, and she 1438 01:28:23,000 --> 01:28:25,800 Speaker 1: has given you our generations Pat Benatar. And I feel 1439 01:28:26,360 --> 01:28:28,800 Speaker 1: that are people talking about it? I don't think so, honey. 1440 01:28:28,880 --> 01:28:32,040 Speaker 1: Should they be and emphatic? Yes? There are so many 1441 01:28:32,160 --> 01:28:34,439 Speaker 1: tracks on there that are so fucking good. This song 1442 01:28:34,520 --> 01:28:37,880 Speaker 1: called High, this song called Angels Like You very good, 1443 01:28:38,200 --> 01:28:41,000 Speaker 1: this song called Bad Karma that has Joan Jet on it, 1444 01:28:41,120 --> 01:28:43,880 Speaker 1: the song called Hate Me. There's so many, so many 1445 01:28:44,000 --> 01:28:46,320 Speaker 1: very good songs on here. And guess what. I watched 1446 01:28:46,320 --> 01:28:48,200 Speaker 1: an interview with Miley and she's been through a lot. 1447 01:28:48,560 --> 01:28:50,720 Speaker 1: Her house burnt the funk down and She says that 1448 01:28:50,800 --> 01:28:53,040 Speaker 1: her voice is actually different and lower than it was 1449 01:28:53,160 --> 01:28:55,479 Speaker 1: before from the trauma of losing a house. So the 1450 01:28:55,560 --> 01:28:58,040 Speaker 1: fact that you're not appreciating her art post trauma of 1451 01:28:58,120 --> 01:29:01,800 Speaker 1: losing her Malibu home is something that I personally don't 1452 01:29:01,840 --> 01:29:04,320 Speaker 1: think so, honey, Miley Sorus is one of the defining 1453 01:29:04,360 --> 01:29:09,839 Speaker 1: our artists of our generation. Bangers is Shakespearean musical effort, 1454 01:29:10,720 --> 01:29:13,200 Speaker 1: And I don't think so, honey. If you don't know, now, 1455 01:29:13,320 --> 01:29:16,840 Speaker 1: you know that's one minute. What is What does this 1456 01:29:16,920 --> 01:29:23,720 Speaker 1: Shakespearean musical effort mean? It just means you understand, Okay, yes, yes, 1457 01:29:24,240 --> 01:29:28,240 Speaker 1: so over shake. You know Shakespeare is good? Yeah, when 1458 01:29:28,280 --> 01:29:32,160 Speaker 1: I say, it's a Shakespearean musical effort, sort of transferring 1459 01:29:32,240 --> 01:29:34,519 Speaker 1: the quality of what he did to the music. If 1460 01:29:34,560 --> 01:29:37,600 Speaker 1: you understand, I've been reading like an insane amount of 1461 01:29:37,600 --> 01:29:49,679 Speaker 1: Shakespeare and Quarantine, but amazing Twelve Season in the Real 1462 01:29:49,720 --> 01:29:56,200 Speaker 1: House of Atlanta, Six Seasons and Shakes and Shakespeare on 1463 01:29:56,280 --> 01:30:02,080 Speaker 1: the side, Oh my God, and lear Yeah, no, like God, 1464 01:30:02,160 --> 01:30:06,880 Speaker 1: I love like Twelfth Night. Oh my God. I am Viola. 1465 01:30:07,160 --> 01:30:10,799 Speaker 1: Nully Walker says, you know, Housewives is Shakespearean. The pathos 1466 01:30:11,000 --> 01:30:16,479 Speaker 1: is very shakespeare anyway, I guess you guys aren't fan 1467 01:30:16,560 --> 01:30:20,880 Speaker 1: of Miley's new album. I love Miley's new I started it. 1468 01:30:20,960 --> 01:30:23,200 Speaker 1: It's great Midnight Skies. I think one of our best songs. 1469 01:30:23,680 --> 01:30:30,760 Speaker 1: I started anyway. I think the Paid Dust. I think 1470 01:30:30,760 --> 01:30:35,120 Speaker 1: it's good. Yeah, I mean it's actually really charged. The 1471 01:30:35,280 --> 01:30:38,400 Speaker 1: video has been described as very charged between them nice. 1472 01:30:40,920 --> 01:30:45,920 Speaker 1: I can't wait to check it out. At this time, 1473 01:30:45,960 --> 01:30:47,640 Speaker 1: it's going to be Bowen Yang's I don't think so 1474 01:30:47,800 --> 01:30:51,240 Speaker 1: Honey and Bowen Yang Your time starts now. I don't 1475 01:30:51,280 --> 01:30:53,519 Speaker 1: think so Honey. Books that don't have covers that have 1476 01:30:54,240 --> 01:30:57,439 Speaker 1: bumps on where the title is. The title should have 1477 01:30:57,560 --> 01:31:00,160 Speaker 1: texture on the book cover, otherwise I'm not reading it. 1478 01:31:00,680 --> 01:31:03,240 Speaker 1: Do you know what I'm saying? You want the letters. 1479 01:31:03,680 --> 01:31:06,639 Speaker 1: The title has to pop out. It has to feel 1480 01:31:06,760 --> 01:31:09,439 Speaker 1: like I have to be able to reach over on 1481 01:31:09,479 --> 01:31:12,679 Speaker 1: my nightstand when it's dark and feel to cover and go, oh, yes, 1482 01:31:12,800 --> 01:31:17,599 Speaker 1: that's my copy of you know um Exhalation by Ted Chang. 1483 01:31:18,200 --> 01:31:20,960 Speaker 1: Let's say, but but I don't think so Manylation by 1484 01:31:21,000 --> 01:31:25,360 Speaker 1: Ted Chang, because look, the cover doesn't have the bumpy letters, 1485 01:31:25,920 --> 01:31:28,880 Speaker 1: and I need that in order to feel like I'm 1486 01:31:28,880 --> 01:31:30,800 Speaker 1: reading a book. I need the tactile sensation that I'm 1487 01:31:30,800 --> 01:31:33,799 Speaker 1: reading a book. Otherwise I could be reading a pamphlet 1488 01:31:34,000 --> 01:31:39,200 Speaker 1: or um benefits summary of my health insurance. But no, 1489 01:31:39,600 --> 01:31:41,439 Speaker 1: I need to. I need my books to have some 1490 01:31:41,640 --> 01:31:44,679 Speaker 1: sort of character to them, and they need it needs 1491 01:31:44,720 --> 01:31:48,040 Speaker 1: to be on thee because aesthetics are important. And whoever 1492 01:31:48,080 --> 01:31:50,960 Speaker 1: said don't judge a book by its cover was a fool. 1493 01:31:51,280 --> 01:31:57,479 Speaker 1: And that's one Minuteen wants more brail like letters. Yes, 1494 01:31:57,920 --> 01:32:01,320 Speaker 1: it is accessible. Bump the letters up? Do you guys agree? 1495 01:32:01,400 --> 01:32:04,599 Speaker 1: That's not what I've never thought about it. But then, 1496 01:32:04,640 --> 01:32:07,000 Speaker 1: now that it's been brought up, I simply have no 1497 01:32:07,160 --> 01:32:10,760 Speaker 1: toys but to stand. Yeah, I totally agree to, now 1498 01:32:10,800 --> 01:32:14,320 Speaker 1: that it's been brought up. Finally, thank you? What do 1499 01:32:14,479 --> 01:32:19,479 Speaker 1: you do here? I agree? I guess the letters should 1500 01:32:19,479 --> 01:32:23,120 Speaker 1: be bumpy. The letters should be bumpy, like like goose Bumps, 1501 01:32:23,160 --> 01:32:25,000 Speaker 1: like like you know how books for kids like they 1502 01:32:25,040 --> 01:32:27,920 Speaker 1: had bumpy letters. That's what I'm saying. Goose Bumps got 1503 01:32:28,000 --> 01:32:30,760 Speaker 1: it right, Harry Potter. Even I know we don't like 1504 01:32:30,840 --> 01:32:32,920 Speaker 1: Harry Potter anymore, but you have to give it up 1505 01:32:32,960 --> 01:32:35,000 Speaker 1: for the bumpy letters. You have to give up for 1506 01:32:35,040 --> 01:32:36,639 Speaker 1: the you have to give it up for the mumppy letters. 1507 01:32:36,960 --> 01:32:40,280 Speaker 1: You can tell what book it is by touch. Who 1508 01:32:40,320 --> 01:32:43,160 Speaker 1: wants to go first? Um, I think metros will probably 1509 01:32:43,160 --> 01:32:48,120 Speaker 1: be better, so I'll go first. I definitely won't because 1510 01:32:48,160 --> 01:32:52,360 Speaker 1: I don't have one sort of sort of signaling an unpreparedness. 1511 01:32:54,120 --> 01:32:56,360 Speaker 1: I think you're effortless, though I think you have a 1512 01:32:56,400 --> 01:32:59,600 Speaker 1: lot of improv training. I'm gonna ask. I know that 1513 01:32:59,680 --> 01:33:01,800 Speaker 1: this is for the live shows, but I wanted sort 1514 01:33:01,800 --> 01:33:07,400 Speaker 1: of a trollball. It's what I miss. Actually have a 1515 01:33:07,439 --> 01:33:10,840 Speaker 1: good troll ball for you. Okay, So do you want 1516 01:33:10,840 --> 01:33:13,880 Speaker 1: to go? I'll go. I'll go. Okay, So, Joe, this 1517 01:33:14,040 --> 01:33:15,600 Speaker 1: is gonna be joels. I don't think so, honey, or 1518 01:33:15,640 --> 01:33:19,160 Speaker 1: should go. I think the anticipation of the troll ball 1519 01:33:19,400 --> 01:33:21,479 Speaker 1: is something I want the audience to sit with a 1520 01:33:21,600 --> 01:33:26,000 Speaker 1: little bit longer. So that being said, this is Joe 1521 01:33:26,120 --> 01:33:28,080 Speaker 1: King boosters. I don't think so honey. And as time 1522 01:33:28,160 --> 01:33:32,000 Speaker 1: starts now, I don't think so honey. Media, including COVID 1523 01:33:32,120 --> 01:33:36,720 Speaker 1: storylines in your shows and commercials, we do not want 1524 01:33:36,760 --> 01:33:39,040 Speaker 1: to see it. I do not need to step inside 1525 01:33:39,080 --> 01:33:42,080 Speaker 1: the world of Law and Order s VU and see 1526 01:33:42,479 --> 01:33:47,519 Speaker 1: Detective Mariska Hargete wearing a mask, because wear masks for 1527 01:33:47,600 --> 01:33:49,759 Speaker 1: about five seconds and then they take them off anyways, 1528 01:33:49,800 --> 01:33:52,320 Speaker 1: and they are not social distancing. I don't think, so honey, 1529 01:33:52,360 --> 01:33:55,400 Speaker 1: the detectives on s VU not standing six ft apart 1530 01:33:55,479 --> 01:33:58,400 Speaker 1: while they're at work doing their jobs. I also don't 1531 01:33:58,439 --> 01:34:03,560 Speaker 1: think so honey. Commercial getting in on the COVID guidelines 1532 01:34:03,600 --> 01:34:05,679 Speaker 1: of it all. I can't. I don't think so honey, 1533 01:34:05,960 --> 01:34:08,439 Speaker 1: RuPaul telling me that he can pick up I can 1534 01:34:08,479 --> 01:34:11,160 Speaker 1: pick up my old Navy curbside. I don't want to 1535 01:34:11,160 --> 01:34:13,599 Speaker 1: be reminded that I have to pick up my old 1536 01:34:13,680 --> 01:34:17,840 Speaker 1: Navy himself. I don't think, so honey. I don't think 1537 01:34:17,880 --> 01:34:20,960 Speaker 1: so honey, commercials telling me that they care about me 1538 01:34:21,160 --> 01:34:23,320 Speaker 1: and my family when they clearly do not and they're 1539 01:34:23,400 --> 01:34:25,599 Speaker 1: just trying to sell any goods and wears. I don't think, 1540 01:34:25,640 --> 01:34:27,759 Speaker 1: so honey. I do not want to be reminded of COVID. 1541 01:34:27,960 --> 01:34:31,920 Speaker 1: I can suspend my disbelief. And that's one minute. I agree, 1542 01:34:31,960 --> 01:34:40,519 Speaker 1: couldn't agree more. Hey, then it's Christmas. It's the worst, 1543 01:34:40,600 --> 01:34:46,559 Speaker 1: but yes, Hey there it's a holiday. Is the energy? Hello? Friends? 1544 01:34:46,800 --> 01:34:50,600 Speaker 1: It is Christmas? Yes? And I have to say this. 1545 01:34:51,240 --> 01:34:54,840 Speaker 1: I watched Mariska Hargert to escape. Yeah, you know what 1546 01:34:54,920 --> 01:34:56,840 Speaker 1: I mean. I want I watch Mariska hargeted to be 1547 01:34:56,920 --> 01:35:01,400 Speaker 1: taking away to another world, you know, transported, to be 1548 01:35:01,479 --> 01:35:07,439 Speaker 1: transported experience watching. That's what I want, when to watch 1549 01:35:07,479 --> 01:35:11,120 Speaker 1: my queen, That's what I want. That's beautiful. Thank you, Joe, 1550 01:35:11,240 --> 01:35:13,519 Speaker 1: I would say. And that's really a read on Gray's Anatomy, 1551 01:35:13,560 --> 01:35:16,640 Speaker 1: which is not not done well in this episode of 1552 01:35:16,680 --> 01:35:20,400 Speaker 1: last Gray's Anatomy did not do well today. I hope 1553 01:35:20,439 --> 01:35:24,439 Speaker 1: they recover, didn't Yeah, meet you hope. Ellen Pompeo is 1554 01:35:24,479 --> 01:35:28,720 Speaker 1: okay with this, all right? And so this is the 1555 01:35:28,800 --> 01:35:31,920 Speaker 1: fucking moment where we say to meet your Joe Harry 1556 01:35:32,400 --> 01:35:35,479 Speaker 1: that it is the troll bull. I don't think so, honey. 1557 01:35:35,479 --> 01:35:40,400 Speaker 1: Are you ready? Okay? Your troll bull topic is cowboys 1558 01:35:40,920 --> 01:35:44,960 Speaker 1: and your time starts now. I don't think so, honey. Cowboys. 1559 01:35:45,040 --> 01:35:49,160 Speaker 1: First of all, you you look like you fucking stink ugly. Also, 1560 01:35:49,400 --> 01:35:51,519 Speaker 1: you all probably have you are not taking care of 1561 01:35:51,600 --> 01:35:54,560 Speaker 1: your skin, you old as fuck. It's sad, disgusting. I 1562 01:35:54,600 --> 01:35:58,840 Speaker 1: don't think so, honey. Cowboys riding horse disgusting, sad. Those 1563 01:35:58,840 --> 01:36:01,559 Speaker 1: guys stink too. So you can smell the screen from 1564 01:36:01,560 --> 01:36:07,680 Speaker 1: a thousand so honey, cowboy, Um, exclude women. Okay, how 1565 01:36:07,680 --> 01:36:10,840 Speaker 1: about cow girl? Ever heard of it? I don't think so, honey. 1566 01:36:11,200 --> 01:36:17,280 Speaker 1: Cowboys um uh neck problems much sad, disgusting. I don't 1567 01:36:17,320 --> 01:36:22,400 Speaker 1: think so, honey. That's hot, smells you? I think so, honey. 1568 01:36:22,760 --> 01:36:25,599 Speaker 1: Um like little shoes like the knives on them or whatever. 1569 01:36:29,600 --> 01:36:33,200 Speaker 1: So honey, whatever your ball is sad, I'm not interested 1570 01:36:35,120 --> 01:36:43,120 Speaker 1: naked British cowboy. You guys are old, so honey. Cowboy 1571 01:36:45,160 --> 01:36:52,599 Speaker 1: dragged to filter by their own horse and Metra drag. Well, 1572 01:36:52,680 --> 01:36:55,519 Speaker 1: I miss the feeling of completely blacking out and saying 1573 01:36:55,600 --> 01:37:02,960 Speaker 1: the dumbest things, Oh my god, dragged out of here 1574 01:37:03,080 --> 01:37:07,639 Speaker 1: by their boots, out of town? What are those called? 1575 01:37:12,120 --> 01:37:14,200 Speaker 1: If anyone's going to know the meaning of spurs, it 1576 01:37:14,280 --> 01:37:17,920 Speaker 1: was going to be Joel. It was going to be 1577 01:37:18,920 --> 01:37:21,200 Speaker 1: It was always Joe. It was always going to be 1578 01:37:21,320 --> 01:37:26,040 Speaker 1: you spurs. I feel like you'd rock some spurs. Yeah. Yeah. 1579 01:37:27,240 --> 01:37:31,519 Speaker 1: Christmas and sort of like Western gear. Actually, Joel, I 1580 01:37:31,560 --> 01:37:36,280 Speaker 1: already got you a Christmas gift, Mitra, I'm going to 1581 01:37:36,439 --> 01:37:42,080 Speaker 1: order you and let's see Christmas gift that's inspired by Joels. Wow, 1582 01:37:42,680 --> 01:37:44,880 Speaker 1: Because now, actually, I you ever do this? You ever 1583 01:37:44,960 --> 01:37:48,160 Speaker 1: find like a good like a little like novelty gift idea, 1584 01:37:48,280 --> 01:37:52,320 Speaker 1: and it's it's just now it's going to be your thing, Matt. Literally, yes, 1585 01:37:52,479 --> 01:37:57,599 Speaker 1: you got one of mine. I need a wine that's 1586 01:37:57,600 --> 01:38:00,680 Speaker 1: as big. Yeah, that's when I'm my favorite cups. And 1587 01:38:00,760 --> 01:38:02,320 Speaker 1: actually it's more of it. Actually it's more of a 1588 01:38:02,360 --> 01:38:05,679 Speaker 1: display piece. It is a display piece because the glitter, 1589 01:38:05,840 --> 01:38:08,839 Speaker 1: the sticky glitter on the outside can't endure being washed. 1590 01:38:09,880 --> 01:38:13,680 Speaker 1: It also has like fused to my countertop. So it's 1591 01:38:13,720 --> 01:38:15,680 Speaker 1: now just like part of it, and I love it. 1592 01:38:16,680 --> 01:38:18,320 Speaker 1: We need to drink the size of my ass. I 1593 01:38:18,400 --> 01:38:22,080 Speaker 1: need to drink the size of my Did you craft 1594 01:38:22,120 --> 01:38:27,599 Speaker 1: to make these? But you could have? And that there's 1595 01:38:27,600 --> 01:38:29,800 Speaker 1: a power on that too. Yeah, that I have the 1596 01:38:29,880 --> 01:38:34,280 Speaker 1: vibe of glitter bespoke wine. Yes, I was like, there 1597 01:38:34,360 --> 01:38:36,920 Speaker 1: was no doubt in my mind that you stone these tights. 1598 01:38:37,600 --> 01:38:44,640 Speaker 1: Um listen. I also we forgot to say congrats to 1599 01:38:44,720 --> 01:38:48,040 Speaker 1: both on the release of Big Mouth. Oh my god, 1600 01:38:49,040 --> 01:38:52,400 Speaker 1: it's only the funniest show on television. Truly brilliant, truly 1601 01:38:52,479 --> 01:38:59,400 Speaker 1: genius and such inspired casting, honestly inspired casting. Indeed, Tandy 1602 01:38:59,520 --> 01:39:05,840 Speaker 1: Newton see is the moment. She is so good. Oh 1603 01:39:06,000 --> 01:39:09,439 Speaker 1: she's she's absolutely killing Saved by the Bell too. We've 1604 01:39:09,479 --> 01:39:12,360 Speaker 1: said it before, we'll say it again. Jane Krakowski in 1605 01:39:12,439 --> 01:39:18,280 Speaker 1: Dirty Rock Vibes. Oh yeah, I said it. It's really good. 1606 01:39:18,520 --> 01:39:22,040 Speaker 1: It's really I'm excited to watch. So everyone out there, 1607 01:39:22,080 --> 01:39:24,840 Speaker 1: all the readers have homework. And here's the thing, readers, Um, 1608 01:39:25,760 --> 01:39:29,639 Speaker 1: there's a twist because you're gonna hear from us tomorrow. 1609 01:39:30,640 --> 01:39:33,759 Speaker 1: Check your inboxes or whatever you get your podcast because 1610 01:39:33,800 --> 01:39:35,799 Speaker 1: the last cooltureeses have a little bit of a Christmas 1611 01:39:35,880 --> 01:39:39,160 Speaker 1: gift for you should be the cadence of the gift 1612 01:39:39,280 --> 01:39:43,479 Speaker 1: right now or no, no, no, that's the mystery. That's 1613 01:39:43,520 --> 01:39:46,679 Speaker 1: the mystery. But tomorrow we're dropping in a fun little 1614 01:39:46,720 --> 01:39:50,280 Speaker 1: episode and then follow the crumbs from there, follow the 1615 01:39:50,280 --> 01:39:53,040 Speaker 1: crumbs from there like Santa. Would you know how Santa 1616 01:39:53,120 --> 01:39:56,840 Speaker 1: follows the crumbs from house to house? That that's canonically 1617 01:39:56,880 --> 01:40:00,560 Speaker 1: how he does his thing. You know, we all know 1618 01:40:00,640 --> 01:40:03,280 Speaker 1: the story of Christmas. We all know. Listen to the 1619 01:40:03,320 --> 01:40:06,320 Speaker 1: episode tomorrow. Listen to Urgent Care, watch Big Mouth on 1620 01:40:06,439 --> 01:40:11,560 Speaker 1: one point five speed on your supported devices. Please watch it. 1621 01:40:12,080 --> 01:40:16,720 Speaker 1: You're right, um, Joelian meet any sort of words the 1622 01:40:16,800 --> 01:40:19,000 Speaker 1: readers as they head into the holidays, because there's a 1623 01:40:19,080 --> 01:40:21,439 Speaker 1: big holidays coming up, and I think that they would 1624 01:40:21,479 --> 01:40:23,920 Speaker 1: love to hear sort of, um what you had to say, 1625 01:40:24,200 --> 01:40:30,200 Speaker 1: Jesus King, m okay. Um. If I had to give 1626 01:40:30,240 --> 01:40:33,800 Speaker 1: anyone some advice this holiday season, I would say, um, 1627 01:40:34,400 --> 01:40:40,000 Speaker 1: stop drinking water, sound good for you. Um, um, call 1628 01:40:40,680 --> 01:40:45,000 Speaker 1: your family, but only if they have already sent your gift, 1629 01:40:45,479 --> 01:40:55,440 Speaker 1: and um, watch three busy and that is the point 1630 01:40:55,600 --> 01:40:59,479 Speaker 1: where um, we sort of segue into the song Okay, 1631 01:41:01,400 --> 01:41:15,080 Speaker 1: hello if you every way, and so children, that's an 1632 01:41:15,120 --> 01:41:17,320 Speaker 1: odd place to stop, but that's where we're gonna stop. 1633 01:41:17,360 --> 01:41:18,519 Speaker 1: And if you want to hear the rest of that, 1634 01:41:18,640 --> 01:41:22,200 Speaker 1: listen to Mariah Carey Wow Bye bye